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Speaker 1: Dear listeners of Hollywood Land, does it feel like you're

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Speaker 1: stuck in limbo, standing under a flickering street light at

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Speaker 1: the corner of Hollywood and True Crime, waiting for the

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Speaker 1: next episode of hollywood Land to drop. I got you.

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Speaker 1: Welcome to hollywood Land, the Rap Party. Welcome to another

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Speaker 1: hollywood Land bonus episode. Yes, yes, yes, it is the

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Speaker 1: Rap Party. This is the show that gets you from

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Speaker 1: one full episode of hollywood Land to the next. The

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Speaker 1: place where we dig deeper into the stories that we tell,

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Speaker 1: stories that we love, Stories where movie history finds itself

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Speaker 1: in the shadow of true crime, Stories that go deeper

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Speaker 1: into the truth, hiding behind the myth, the kinds of

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Speaker 1: stories hiding in plain sight. On the cutting room floor,

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Speaker 1: my name is Zeth Lundy, writer and editor at Double Elvis.

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Speaker 1: And on this bonus episode, we are talking about this

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Speaker 1: week's full episode subject of hollywood Land, Jane Mansfield. We

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Speaker 1: are previewing next week's episode on Robert Downey Junior. We're

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Speaker 1: talking movie and music recommendations, and we're gonna check out

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Speaker 1: your voicemails, your texts, dms and emails. So come on, everybody,

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Speaker 1: let's party. So I've been hosting these rap party episodes

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Speaker 1: for about two months now. This is I believe the

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Speaker 1: eighth episode that I've recorded, if my math is correct,

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Speaker 1: and once again call me out of my math, because

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Speaker 1: you know it ain't my strong suit. But after listening

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Speaker 1: to Jake's after party last week over in the Disgraceland feed,

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Speaker 1: I figured it was as good of a time as

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Speaker 1: any to sort of recenter ourselves here, you and me us,

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Speaker 1: you know, just to lay out exactly what the hell

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Speaker 1: we're doing here, because I'll admit I sometimes I start

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Speaker 1: talking about movies and shit, and before too long, you know,

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Speaker 1: I'm down some path that's overgrown with this tangle of

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Speaker 1: leaves and vines and unidentifiable flora and fauna, you know,

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Speaker 1: And the next thing you know, I'm chopping it all

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Speaker 1: down like Michael Douglas and Romancing the stone. Damn it, man,

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Speaker 1: the dew Wee Brothers broke up. Shit, see it's happening again.

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Speaker 1: My brain's like a Beastie Boys sound collage from the

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Speaker 1: nineteen nineties, or maybe a better comp for this show,

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Speaker 1: for Hollywood Land. It's like Richard Linklater's film Slacker. It's

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Speaker 1: all these random characters on the street and they're overlapping

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Speaker 1: with each other all the time. I swear to God,

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Speaker 1: though there is a method to the madness. Okay, there

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Speaker 1: is form, There is structure. Structure is everything here, right?

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Speaker 1: Jake and I have this extensive editorial structure that we've

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Speaker 1: developed over the years, and we apply it to everything.

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Speaker 1: You know, every story that we research, the way we research,

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Speaker 1: the way that we outline, the way we write, all

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Speaker 1: us to follow these rules of our in the structure

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Speaker 1: of our editorial playbook. And that's not to say that

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Speaker 1: you can't play with the rules. You know, rules truly

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Speaker 1: are made to be broken. And there's a lot of

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Speaker 1: satisfaction for me personally to go all you know, BC

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Speaker 1: Boys cut and Pasce go all slacker within the confines

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Speaker 1: of structure. And I know also that Matt Matty b

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Speaker 1: Matt Boden over in our production department and his team,

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Speaker 1: they have a similar rules and style guy that they

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Speaker 1: work with as well. Because in the end, you know,

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Speaker 1: when you hear our scripted shows, when you hear how

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Speaker 1: they're written and how they're produced, you know you hear

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Speaker 1: it and you know it's one of ours. Sidebar to

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Speaker 1: all this, it's made me think of something recently, I

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Speaker 1: was watching an interview between the Coen brothers, Joel and

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Speaker 1: Ethan Cohen and the writer Dave Eggers, who's another personal

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Speaker 1: favorite of mine. Great interview, by the way, it's it's

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Speaker 1: on the Criterion Bonus features for Blood Simple, but I'm

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Speaker 1: sure it's out on the inner web somewhere. But at

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Speaker 1: some point during the you, Ethan basically admits that they

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Speaker 1: don't structure anything when they're writing a script. They just

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Speaker 1: start writing and see where it takes them, and when

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Speaker 1: they get to the end, they can just they know

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Speaker 1: it's the end and they're at the end, which is

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Speaker 1: totally wild to me, because their films seems so tightly

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Speaker 1: constructed that you would think that the opposite of that

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Speaker 1: would be true. But I also believe that they've been

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Speaker 1: doing this for so long and they're so good at

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Speaker 1: what they do, and they're also there's such students of

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Speaker 1: film and literature that I think that they work with

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Speaker 1: structure that's just part of a creative DNA, right, Even

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Speaker 1: if they don't explicitly detail out a framework ahead of time,

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Speaker 1: I think they're still doing it in their own way

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Speaker 1: without even knowing it, or they probably do know it.

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Speaker 1: They just don't like to explicitly say I don't know.

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Speaker 1: Despite what Ethan does say, you know, I still think

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Speaker 1: the structure is everything, and I think intrinsically he knows

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Speaker 1: that and uses it as well. So you're sitting there going, uh, dude,

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Speaker 1: where are you going with all this? Fuck you talking about?

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Speaker 1: Lundy Jesus? This is where I'm going. Okay, I'm getting

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Speaker 1: on track now and it's all gonna make sense, and

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Speaker 1: if it doesn't, then that's okay too. Right. Listen here

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Speaker 1: in Hollywood Land, a show that we produce, and you

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Speaker 1: listen to a show that we all talk about with

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Speaker 1: each other week after week, online, over email and on

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Speaker 1: text on the telephone. Here in the rap party, there

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Speaker 1: is structure to all of this as well. Okay, And

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Speaker 1: let me use this week's full episode on Jane Mansfield

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Speaker 1: as an example of what I mean by all that.

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Speaker 1: If you haven't heard the episode yet or maybe you

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Speaker 1: just don't know anything about her, Jane Mansfield was an actress.

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Speaker 1: She was a playboy playmate. She was the first actress.

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Speaker 1: So I guess I should say, you know, to be

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Speaker 1: very specific here, the first major American actress posts the

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Speaker 1: Silent era post introduction of the Hayes Code to be

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Speaker 1: nude in a movie. All right, But the thing I've

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Speaker 1: always heard about Jane Mansfield before we researched and wrote

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Speaker 1: this episode, and I didn't write this episode, by the way,

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Speaker 1: this is written by my friend VICKI wrote this episode.

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Speaker 1: This is one of my favorite episodes she ever wrote.

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Speaker 1: The thing that I had always heard about Jae Mansfield

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Speaker 1: going into this was that she got gruesomely decapitated and

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Speaker 1: this is how she died.

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Speaker 2: Right.

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Speaker 1: This was reported at the time, this supposed decapitation, and

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Speaker 1: it's held up as this ben held up as this

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Speaker 1: very macabre sort of piece of Hollywood lore. But here's

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Speaker 1: the deal, right, that's not true, Okay, And I'm not

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Speaker 1: going to get into the busting of that particular myth here.

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Speaker 1: You can go check out the episode on Jamee Mansfield

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Speaker 1: to hear all about that. But my point is that

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Speaker 1: there are narratives out there that have been regurgitated over

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Speaker 1: and over and passed down, whether it's a sensationalized version

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Speaker 1: of events like this one, or in many cases it's

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Speaker 1: a safer, more sanitized telling of history. But when it

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Speaker 1: comes to that kind of storytelling, the sanitized kind, the

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Speaker 1: regurgitated kind. You pass on that just like I do. Right,

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Speaker 1: You've heard all that shit before a hundred times. You

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Speaker 1: want the real stuff, You want the good stuff. You

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Speaker 1: want the stories from the cutting room floor, so to speak.

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Speaker 1: You also want the story is behind the stories, because

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Speaker 1: just like the Jane Mansfield thing I was just talking about,

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Speaker 1: hold up, stop the presses, this whole thing about her death,

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Speaker 1: her supposed decapitation, that's not even the big story here,

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Speaker 1: that's not even the crazy thing. What Yeah, I'm serious.

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Speaker 1: The story hiding in plain sight here was that she

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Speaker 1: was a high priestess in the Church of Satan, Jane Mansfield.

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Speaker 1: Who would have thunk, not me? But it's true. And

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Speaker 1: the way in which that particular cunning room floor story

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Speaker 1: plays into the end of her life is truly a

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Speaker 1: tale for the ages. Another example of what I'm talking about.

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Speaker 1: Next week in your feed, you'll be ginning our episode

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Speaker 1: on Robert Downey Jr. Quite possibly the greatest comeback story

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Speaker 1: in the history of Hollywood. If you've got a better one,

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Speaker 1: let me know. It's all about redemption and the face

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Speaker 1: of addiction and the face of one obstacle after another.

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Speaker 1: And if you want to read about our DJ and

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Speaker 1: his struggles in a magazine or an online article. You

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Speaker 1: would just get one angle on this whole saga, right,

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Speaker 1: But you don't want the one. You want the whole enchilada.

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Speaker 1: You want the head, the tail, the whole damn thing,

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Speaker 1: as Quinn so eloquently put it in Jaws, and as

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Speaker 1: the Boston based band Powerman five thousand would later sing

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Speaker 1: on their nineteen ninety five debut. If you know, you know,

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Speaker 1: we did so much research on this particular story that

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Speaker 1: we weighed through so many articles, ones that were written

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Speaker 1: years ago when some of Robert Downey Junior's crimes and

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Speaker 1: transgressions were actually happening. And what we found out and

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Speaker 1: this is no surprise to me. We find this out

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Speaker 1: all the time. But you'll read an article and it

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Speaker 1: will give you one story out of you know, twelve,

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Speaker 1: or just one perspective, one camera angle on the scene

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Speaker 1: that's happening, and then you read another article and you

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Speaker 1: learn something totally new. And these these no one's collected

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Speaker 1: all of these things and put them somewhere. There's not

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Speaker 1: like a Wikipedia page that you just go to and, oh,

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Speaker 1: here here they all are. In the case of RDJ. There,

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Speaker 1: to my knowledge, is not a definitive book that has

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Speaker 1: put out that collects all these things. So we did

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Speaker 1: all this research to piece together all these various parts

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Speaker 1: of the puzzle to create this compelling, full picture of

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Speaker 1: what he went through and how he conquered all these

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Speaker 1: demons of his right. And so this is the thing, right,

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Speaker 1: digging out the stories that were boxed up and put

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Speaker 1: on the shelf long ago. That structure, reclaiming those stories

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Speaker 1: as a unique way to talk about major moments in

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Speaker 1: movie in cinema history. That's structure, and framing those stories

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Speaker 1: so that they're viewed through, as we usually say here

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Speaker 1: our side of the street, the lens of true crime.

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Speaker 1: That's structure. And of course, because you're all rock and

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Speaker 1: roll animals at heart, I know you are just like me.

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Speaker 1: We do all of this in the shadow of music,

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Speaker 1: because music is so obviously connected to the movies in

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Speaker 1: a major way, and just beyond soundtracks and scores, I mean,

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Speaker 1: even in the case of this week's subject. One of

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Speaker 1: Jane Mansfield's most memorable roles was in the nineteen fifty

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Speaker 1: six film The Girl Can't Help It, which features performances

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Speaker 1: by Little Richard gene Vincent and Eddie Cochran and uh,

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Speaker 1: if you know that, my my canned opening at the

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Speaker 1: beginning of every episode every week has a little shout

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Speaker 1: out to Eddie Cochran in there if you if you

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Speaker 1: haven't noticed, and that movie, those performances had a huge

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Speaker 1: influence on a couple of kids you may have heard

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Speaker 1: of over in Liverpool, England when that movie came out.

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Speaker 1: This is what we're doing here. As we can continue

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Speaker 1: to do it, we'll continue to define it a little

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Speaker 1: bit more because things evolve and things change, and that's

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Speaker 1: what's exciting about life. And I'm psyched that all of

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Speaker 1: you are here for this particular ride, that you're picking

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Speaker 1: up what we're putting down. And if you're new here,

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Speaker 1: which I know a lot of you are, I want

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Speaker 1: to say welcome and I want you to join us

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Speaker 1: in this conversation that is always on. The light's always

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Speaker 1: on here, the phone is always ringing, the texts are

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Speaker 1: always danging. So text or call me at six one

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Speaker 1: seven nine oh six six six three eight. You're gonna

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Speaker 1: hear Disgrace Lands Jake Brennan's voice on that voicemail. But

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Speaker 1: don't worry about it all right, go ahead and lead

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Speaker 1: me a message, or lead one for both of us,

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Speaker 1: or just lead one for him, whatever doesn't matter, it's

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Speaker 1: all good. Let me know what subjects or stories from

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Speaker 1: Hollywood history you want us to cover. Something that's been

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Speaker 1: boxed up and hidden away, something that's true crimey, something

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Speaker 1: that's total rock and roll. What is it? Email me

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Speaker 1: at disgracelampod at gmail dot com or hit me up

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Speaker 1: on the socials Facebook, x, Instagram at disgrace lampod. Okay,

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Speaker 1: I gotta grab some water real quick, but I'll be

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Speaker 1: right back with our guy Jake Brennan to respond to

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Speaker 1: your messages, your questions, your recommendations. So don't go anywhere.

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Speaker 1: Oh ready, alrighty, we are back once again in the

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Speaker 1: wrap party. And just a quick reminder, if you're listening

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Speaker 1: to this with ads and you don't want to hear

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Speaker 1: ads anymore, for just five bucks a month, you can

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Speaker 1: become a member of Disgraceland All Access, which gets you

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Speaker 1: ad free listening for both Disgraceland and Hollywood Land, and

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Speaker 1: it also gets you a bonus, fully scripted, fully produced

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Speaker 1: episode of Disgraceland each month, and incidentally, tomorrow, this month's

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Speaker 1: bonus episode drops for subscribers, and it is about Alice Cooper.

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Speaker 1: All you got to do is go to disgraceland dot

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Speaker 1: com slash membership to sign up. And speaking of shock rockers,

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Speaker 1: let's get Jake Brennan in here. Jake, what is happening?

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Speaker 1: School's out?

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Speaker 2: I don't know what's happening.

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Speaker 1: Yeah, shockrockers. Who's your favorite shockrocker?

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Speaker 2: I don't have a favorite shockrocker. Melturmet that's my fing. No,

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Speaker 2: you know what, Sammy Davis Junior is my favorite shockrocker.

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Speaker 1: Okay, yeah, the most shocking of the shockrockers.

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Speaker 2: Yes, yes, indeed, indeed, all.

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Speaker 1: Right, we got some great communication with the good people

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Speaker 1: of Hollywood Land out there this week. I'm going to

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Speaker 1: start today with this voicemail from the five oh T HI.

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Speaker 3: This is Nolan calling back from the five O two

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Speaker 3: asking about subjects Robert Downey Junior and how he stumbled

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Speaker 3: into his neighbor's house that fell asleep in their bed,

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Speaker 3: and there was a Saturday Night Live episode poking fun

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Speaker 3: at everything and just what a train Wreckie was from

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Speaker 3: like the late nineties, thirly two thousands, if that's not

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Speaker 3: already on the schedule, and the Twilightstone helicopter crash. All right,

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Speaker 3: loving the podcast? Bye?

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Speaker 2: Okay, First of all, who hasn't stumbled into their neighbor's

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Speaker 2: house naked and passed out in somebody else's bed. Okay,

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Speaker 2: that's wrong. If you're not doing that, Nolan, you're not

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Speaker 2: living man. Damn what a wild story. And yes, that's

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Speaker 2: coming up next week, right, Robert Downing Junior next week

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Speaker 2: in the Hollywoodlamp Feed.

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Speaker 1: Yeah, I played this because I was just talking about

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Speaker 1: that in the in the B block, I mentioned that, Yeah.

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Speaker 2: What's your favorite Robert Downing Junior role? I was actually

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Speaker 2: thinking about this this morning. What's your favorite Robert Downey

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Speaker 2: Junior role?

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Speaker 1: I really really like when he plays. He doesn't do

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Speaker 1: this these roles anymore. He's I don't think he'll ever

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Speaker 1: do this anymore. He's in two movies, Wonder Boys and

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Speaker 1: Home for the Holidays. So Wonder Boys is the Michael

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Speaker 1: Douglas based on a Michael Shabun novel, and Robert Downey

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Speaker 1: Junior has a small comedic supporting role. That's great. Same thing.

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Speaker 1: In Home for the Holidays, he plays the brother Holly

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Speaker 1: Hunter's brother. I love those those sorts of like Robert

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Speaker 1: Downing performances big time.

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Speaker 2: Very similar performances. However, what's the big difference between the two.

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Speaker 2: I'll tell you he's out of his mind on drugs

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Speaker 2: and home for the holidays, and I think he's clean

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Speaker 2: during Wonder Boys.

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Speaker 1: Yeah, Wonder Boys was like two thousand ish, two thousand

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Speaker 1: and one, somewhere around there. I think you're probably right.

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Speaker 2: I have two answers for you. One lesson zero just

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Speaker 2: that fucked me up as a kid. That fucked me

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Speaker 2: up because I was like, oh fuck, it was a

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Speaker 2: little too close to the bone. It was like I

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Speaker 2: knew guys like that. I knew I was at the

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Speaker 2: age where I felt like I could have been pulled

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Speaker 2: into that just dark, dark, dark place. Not that I'm

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Speaker 2: a gay hustler with my uncle or anything like that,

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Speaker 2: but but you know, there were some comps in my

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Speaker 2: childhood without going into detail.

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Speaker 1: Growth mindset, dude.

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Speaker 2: The other one two girls and a guy.

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Speaker 1: Oh shit, I haven't seen that forever.

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Speaker 2: So good written for him by James Tobek, who who

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Speaker 2: just wanted a project for Robert Downey Junior to keep

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Speaker 2: him clean, keep him off drugs, And I'm pretty sure

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Speaker 2: it didn't work, or I don't know if it worked out,

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Speaker 2: but he you know, he did not get off drugs

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Speaker 2: after that. One of the greatest greatest actors of all time,

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Speaker 2: I think, one of the most talented guys. The charisma's

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Speaker 2: off the charts.

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Speaker 1: Oh Man, big time. Every role he.

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Speaker 2: Does is uniquely him, even like you said, when he's

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Speaker 2: in these supporting roles and I wonder, you know, I want,

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Speaker 2: I want some of those back, And I wonder if

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Speaker 2: in his head his sobriety is tied to the type

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Speaker 2: of sort of big Hollywood guy role that he has

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Speaker 2: to be. Like he I don't think he's done one

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Speaker 2: single role since his comeback where he wasn't like one

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Speaker 2: hundred million dollar man or whatever, you know what I'm saying.

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Speaker 1: Yeah, or I mean he I mean he did the

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Speaker 1: Oppenheimer thing too, which he wanted an Oscar for. But

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Speaker 1: I just think you get to that point and there's

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Speaker 1: like no turning back unless you're unless you get to

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Speaker 1: that point and like Nicholas Cage, and then the winds

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Speaker 1: change not in your favor and you're kind of back

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Speaker 1: in that world again, you know what I mean. I

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Speaker 1: think if he wants to exist at the top of

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Speaker 1: Apex Mountain. He doesn't. He can't make movies like that anymore,

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Speaker 1: you know.

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Speaker 2: Right, I think I think there's something to that, even

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Speaker 2: if it's just in his head, right, But I wonder

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Speaker 2: if a part of him longs to do that, you know,

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Speaker 2: because his background with his dad and where he comes from,

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Speaker 2: an independent film. Yeah, but whatever, man, if it keeps him,

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Speaker 2: keeps him alive and keeps them, you know, sober, whatever

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Speaker 2: you gotta do, you know, not begrudging anyone for their choices.

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Speaker 1: Exactly, Nolan. I think thank you for that voicemail. And

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Speaker 1: you mentioned the Twilight Zone movie shoot as well. That's

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Speaker 1: that's definitely on our list of things to get into

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Speaker 1: here at some point, so stay tuned for that and

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Speaker 1: definitely check out Robert Downe Junior next week. Right. We

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Speaker 1: got a text here from the two four eight, says

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Speaker 1: mister Vile from Detroit. Here. You blew it, You blew it,

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Speaker 1: you blow you aha it, you brew it. Okay, mister Vile,

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Speaker 1: you blew it. You were discussing soundtracks after talking about

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Speaker 1: the movie Sorcerer, and you didn't include that perfect Tangerine

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Speaker 1: Dream soundtrack on your list.

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Speaker 2: Well, I have nothing to add to that because I

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Speaker 2: don't know what the hell of callers fucking episode obviously, then.

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Speaker 1: I did a lot.

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Speaker 2: Sorry, we talked about this. Our wives don't listen to

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Speaker 2: our podcast and we don't listen to our podcasts. We

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Speaker 2: just make them, we make.

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Speaker 1: Yes, I was talking about William Freakin's movie Sorcerer and

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Speaker 1: mister Vile. Yes, I did blow it. I did not

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Speaker 1: mention the Tangerine Dreams, so technically we talked about the

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Speaker 1: distinction between scores and soundtracks. This Tangerine Dream thing is

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Speaker 1: technically a score. Not to get all nerdy or whatever.

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Speaker 1: But that's why we didn't. That sort of thing didn't

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Speaker 1: pop up. But I should have mentioned it when I

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Speaker 1: was talking about Sorcerer, because Tangerine dream they were like

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Speaker 1: this electronic band from I think Germany in the seventies.

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Speaker 1: I think they're still making easy today. They do the

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Speaker 1: soundtrack for Thief, the Michael Mann movie with James Cohn.

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Speaker 1: Oh wow, and they've done others as well. But yeah,

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Speaker 1: the soundtrack for Sorcerer is super super badass nice.

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Speaker 2: I gotta chake that out. I've never seen the movie,

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Speaker 2: and yeah, that's a whole in my game. Mister Vile,

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Speaker 2: where's mister Vile from where he says from Detroit, rock City, Detroit,

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Speaker 2: so it's not Kurt Vile. We're gonna keep this soundtrack

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Speaker 2: conversation going for a minute because I love.

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Speaker 1: It so much.

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Speaker 2: Sweaty soundtracks.

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Speaker 1: Sweating to the soundtracks. That could be a new workout

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Speaker 1: line from Disgrace Land. This is a soundtracks text from

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Speaker 1: the eight to five favorite soundtracks for sure, Big Chill,

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Speaker 1: as mentioned the wedding singer is great eighties? Yes, how

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Speaker 1: do you not talk about Forrest Gump? That's an all

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Speaker 1: round great soundtrack for various reasons. And I gotta love

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Speaker 1: Rocky Horror Picture show. That's my list. I'm gonna mispronounce

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Speaker 1: her name.

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Speaker 2: I think it's Sherry.

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Speaker 1: Sherry. Just started listening a few days ago. Really enjoying

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Speaker 1: your podcast. Thank you so much for listening, and I'm

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Speaker 1: glad you're enjoying it. Jake, what's what's up with Forrest Gump?

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Speaker 2: I saw Forrest Gump when it came out in the theaters.

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Speaker 2: I have never seen it since. I can't tell you

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Speaker 2: what is on the soundtrack. I have no recollection at all.

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Speaker 2: You're looking it.

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Speaker 1: Up that that movie had like a sawn a minute.

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Speaker 2: Really it's one of those.

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Speaker 1: Yeah, my favorite memory of that of that movie soundtrack

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Speaker 1: is Jackson Brown's running on empty when he's like running

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Speaker 1: NonStop across the country.

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Speaker 2: Okay, all right, that makes sense.

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Speaker 1: I get that, But I mean it goes from it.

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Speaker 1: It goes from like Elvis Presley, Duayne, Eddie, Wilson Pickett,

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Speaker 1: all the way through like Scott Aretha. It's got, Buffalo Springfield,

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Speaker 1: It's got It just goes through the decades.

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Speaker 2: He used his music to track the time.

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Speaker 1: Basically, Yeah, exactly. I love that.

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Speaker 2: Yeah, I love that. I can totally see why that's

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Speaker 2: Sherry's favorite.

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Speaker 1: All right, let's talk about this text from the three

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Speaker 1: to one. Oh hey, guys, I'm a big fan of

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Speaker 1: the Pods. Would you consider covering Corey Ham or brad

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Speaker 1: Renfro at some point? All the best Lily in San Diego.

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Speaker 2: You know, after our conversation a couple of weeks ago,

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Speaker 2: we mentioned Bully. I think because we were talking about

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Speaker 2: sweaty soundtracks. I don't remember how we got into Bully.

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Speaker 2: It's a very sweaty movie and brad Renfro is the

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Speaker 2: star of that movie, and it made me think we

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Speaker 2: got to do an episode on on this guy. I

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Speaker 2: don't really know his story. I think he's drug overdose, right.

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Speaker 1: Yeah, yep, right, yeah, and I think he has he

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Speaker 1: has some problems there and stuff. This is a great call, Lily,

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Speaker 1: This was off my radar. Great actor, really tremendous actor,

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Speaker 1: I thought. And I forget.

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Speaker 2: The last movie he did as A Btti's I think

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Speaker 2: it was his last movie is A Bretti's Danellis Oh adaptation.

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Speaker 2: I believe Trent Reznor did the music for it. I

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Speaker 2: saw it in the theater. He was damn good in it,

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Speaker 2: though I don't know, uh the informers that was the

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Speaker 2: name of the the informers, brad Renfro. I believe it

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Speaker 2: was his last film anyways, bretdy Sinelli's movie good one, the.

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Speaker 1: Corey Haym thing. Maybe there's like the Corey's episode there,

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Speaker 1: you know.

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Speaker 2: Yeah, but yeah, as the kids also the kids said,

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Speaker 2: tough man. I don't want to go there. I don't

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Speaker 2: still in my head in that, you know what I mean.

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Speaker 2: I mean, But maybe there's a way to do it

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Speaker 2: where that's not the focus of it, right, Maybe we

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Speaker 2: can focus on Corey Feldman's musical career. I don't fucking know. Yeah,

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Speaker 2: but Corey Ham for sure?

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Speaker 1: Is he still alive?

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Speaker 3: Corey Haim is he alive?

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Speaker 1: He's alive?

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Speaker 3: Right?

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Speaker 1: Corey Ham passed away? He did. Corey Feldman still alive.

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Speaker 1: Corey Haym passed away in twenty ten, and he passed

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Speaker 1: away from excellent overdose.

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Speaker 2: Yikes, yikes.

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Speaker 1: So yeah, Lily, thanks for that text. One other comment

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Speaker 1: from Facebook. We put up these this Week posts every

427
00:21:54,720 --> 00:21:58,320
Speaker 1: Monday on Instagram and Facebook that prepares people for everything

428
00:21:58,359 --> 00:22:00,919
Speaker 1: that's coming out into the Hollywood land. Just Graceland feeds

429
00:22:00,920 --> 00:22:03,120
Speaker 1: for the week, and we got a comment on there

430
00:22:03,200 --> 00:22:06,840
Speaker 1: from Susan who wrote the Jane Mansfield episode was lit

431
00:22:07,240 --> 00:22:10,120
Speaker 1: loved it. Coincidentally, you can't bring up the sex pistols

432
00:22:10,160 --> 00:22:13,679
Speaker 1: without also bringing up Gary Oldman, Sid and Nancy one

433
00:22:13,720 --> 00:22:15,160
Speaker 1: of my favorite all time movies.

434
00:22:15,880 --> 00:22:21,200
Speaker 2: Yeah, great one, so Gary Oldman Sid Vicious nineteen eighty six.

435
00:22:22,200 --> 00:22:25,200
Speaker 2: Before that, Hold on, dude, I just saw this movie

436
00:22:25,800 --> 00:22:27,960
Speaker 2: where he plays his skinhead. You know what I'm talking about?

437
00:22:27,960 --> 00:22:29,080
Speaker 1: Oh yeah, I do. You know what you're talking about,

438
00:22:29,119 --> 00:22:30,560
Speaker 1: isn't it. It's a Mike Lee movie, isn't it?

439
00:22:30,920 --> 00:22:31,600
Speaker 2: What movie was that?

440
00:22:32,080 --> 00:22:33,520
Speaker 1: It was called? It's called Meantime?

441
00:22:33,960 --> 00:22:35,520
Speaker 2: Yeah? Great, movie. I just saw that.

442
00:22:35,600 --> 00:22:37,520
Speaker 1: It was like just a few years before. Mike Lee

443
00:22:37,760 --> 00:22:40,600
Speaker 1: made these movies for a British television early in his career,

444
00:22:41,040 --> 00:22:45,160
Speaker 1: and a lot of them are incredible, and that one's awesome.

445
00:22:45,320 --> 00:22:48,200
Speaker 2: Yeah, yes, I think you're right. Meantime nineteen eighty three

446
00:22:48,880 --> 00:22:52,720
Speaker 2: and Sid and Nancy's nineteen eighty four, and Tim Roth

447
00:22:52,840 --> 00:22:56,840
Speaker 2: is in Meantime as well. He's incredible, just fantastic. Gary

448
00:22:56,920 --> 00:22:59,919
Speaker 2: Oldman not to be confused with Will Oldham aka Bonnie

449
00:23:00,000 --> 00:23:02,560
Speaker 2: Prince Billy. What was the movie Bonnie Prince Billy was in?

450
00:23:04,560 --> 00:23:07,800
Speaker 1: A movie he was in that I loved, was called

451
00:23:07,880 --> 00:23:10,440
Speaker 1: a ghost Story? Have you seen that? Casey Affleck is in.

452
00:23:10,520 --> 00:23:13,120
Speaker 1: It's It's pretty it's pretty cool.

453
00:23:13,560 --> 00:23:15,359
Speaker 2: No, I haven't seen that. What year did that come on?

454
00:23:15,400 --> 00:23:19,359
Speaker 1: It not too long ago. He plays like he's he's married.

455
00:23:20,040 --> 00:23:21,840
Speaker 1: This is not a spoiler. He dies early in the

456
00:23:21,920 --> 00:23:25,000
Speaker 1: movie and then he haunts his house and they literally

457
00:23:25,119 --> 00:23:27,800
Speaker 1: use a bed sheet, so he's like walking around the

458
00:23:27,840 --> 00:23:30,040
Speaker 1: house and it's just this bedsheet that's walking around that

459
00:23:30,160 --> 00:23:33,400
Speaker 1: represents the ghost which the wife cannot see. And that's

460
00:23:33,440 --> 00:23:35,679
Speaker 1: a very very basic setup. The movie's a lot more

461
00:23:35,760 --> 00:23:38,600
Speaker 1: complicated than that. It's a really, really fantastic movie.

462
00:23:39,400 --> 00:23:40,919
Speaker 2: My gut checked that out. Now, the movie I've been

463
00:23:40,920 --> 00:23:43,840
Speaker 2: thinking about is Old Joy two thousand and six. It's

464
00:23:43,880 --> 00:23:46,879
Speaker 2: a road movie and he's fantastic in it, and it's

465
00:23:46,920 --> 00:23:48,680
Speaker 2: one of those things. It was just on again why

466
00:23:48,760 --> 00:23:52,840
Speaker 2: Criterion Channel rules. It was just on the Always plaything

467
00:23:52,960 --> 00:23:55,920
Speaker 2: or whatever they call it, and I'm like, that's fucking

468
00:23:55,920 --> 00:23:58,560
Speaker 2: Bonnie Prince Billy dude, and he kills it. And I

469
00:23:58,680 --> 00:24:00,560
Speaker 2: just thought he was just in a movie until right now.

470
00:24:00,880 --> 00:24:02,159
Speaker 2: I wanted to get the name of that movie. I'm

471
00:24:02,200 --> 00:24:04,959
Speaker 2: looking on Wikipedia. He's in like twelve movies.

472
00:24:05,520 --> 00:24:05,760
Speaker 1: Wow.

473
00:24:06,240 --> 00:24:11,200
Speaker 2: Yeah, he's in the Bike Riders that moderate. Yeah, Austin Butler,

474
00:24:11,600 --> 00:24:12,120
Speaker 2: I haven't either.

475
00:24:12,119 --> 00:24:12,720
Speaker 1: I'll check that out.

476
00:24:12,840 --> 00:24:16,840
Speaker 2: Yeah, Gary Oldman, Will Oldham. I'm butcher names today. Let's

477
00:24:16,920 --> 00:24:19,200
Speaker 2: keep going here before I destroy. What's your name?

478
00:24:19,320 --> 00:24:22,200
Speaker 1: Seth Let's yeah, yes, thank you. We want to hear

479
00:24:22,240 --> 00:24:25,120
Speaker 1: from everyone out there. What names do you butcher the most?

480
00:24:25,200 --> 00:24:25,600
Speaker 3: Let us know?

481
00:24:25,800 --> 00:24:30,600
Speaker 1: Okay, call us text us six one seven nine zero

482
00:24:30,720 --> 00:24:33,800
Speaker 1: six sixty six three eight Email us at disgracelampod at

483
00:24:33,880 --> 00:24:36,800
Speaker 1: gmail dot com. You can get us at Instagram, Facebook,

484
00:24:37,040 --> 00:24:41,760
Speaker 1: x at disgracelam pod send us your recommendations, but first,

485
00:24:42,160 --> 00:24:44,000
Speaker 1: Jake and I have some recommentions for you, which you're

486
00:24:44,040 --> 00:25:05,959
Speaker 1: going to get into right after this. Hey tight, all right, everybody,

487
00:25:06,040 --> 00:25:08,040
Speaker 1: welcome back to the rap Party. Is Zeth Lundy here

488
00:25:08,160 --> 00:25:10,320
Speaker 1: with Jake Brennan coming at you with the part of

489
00:25:10,400 --> 00:25:13,880
Speaker 1: the show we call for your consideration. This is where

490
00:25:13,960 --> 00:25:16,640
Speaker 1: Jake and I give you some music and movie recommendations.

491
00:25:16,720 --> 00:25:19,440
Speaker 1: But the twist is that they are all recommendations inspired

492
00:25:19,480 --> 00:25:22,520
Speaker 1: by the subject from our full episode of Hollywood Land.

493
00:25:22,640 --> 00:25:25,919
Speaker 1: So with that said, Jake, what music RECs inspired by

494
00:25:26,000 --> 00:25:27,760
Speaker 1: Jane Mansfield do you have for us today?

495
00:25:28,240 --> 00:25:31,239
Speaker 2: All right, Jane Mansfield. I'm sure there's some punk rock

496
00:25:31,320 --> 00:25:34,920
Speaker 2: songs out there about Jane Mansfield and the so called

497
00:25:34,960 --> 00:25:38,640
Speaker 2: decapitation which didn't happen. Right, I could have gone that way.

498
00:25:38,760 --> 00:25:39,600
Speaker 2: I didn't go that way.

499
00:25:40,080 --> 00:25:41,119
Speaker 1: I just try to do this now.

500
00:25:41,200 --> 00:25:42,359
Speaker 2: I try to do this in a way where I

501
00:25:42,480 --> 00:25:45,399
Speaker 2: just I usually swim right before we record these, and

502
00:25:45,520 --> 00:25:48,080
Speaker 2: as I'm swimming, I think about the episode subject and

503
00:25:48,160 --> 00:25:52,120
Speaker 2: then I just go, like stream of consciousness, what does

504
00:25:52,160 --> 00:25:56,560
Speaker 2: that subject remind me of? Musically? So I think Jane Mansfield,

505
00:25:56,680 --> 00:25:59,480
Speaker 2: I think Church of Satanism is church or Satan excuse me?

506
00:25:59,600 --> 00:26:02,560
Speaker 2: And then I think Anton Lavay, Anton Laveay no relation

507
00:26:02,680 --> 00:26:06,120
Speaker 2: to Michael Michael Olavey, our friend Michael LaVey. I don't

508
00:26:06,160 --> 00:26:09,399
Speaker 2: think if there is, Oh my god, but Anton Lavay,

509
00:26:09,840 --> 00:26:12,520
Speaker 2: there's that that rock and roll myth that he's in

510
00:26:12,600 --> 00:26:15,919
Speaker 2: the gay fold cover of the Eagles Hotel California. Now,

511
00:26:16,000 --> 00:26:20,159
Speaker 2: I'm not gonna recommend the fucking Eagles. Okay, however, and

512
00:26:20,280 --> 00:26:22,400
Speaker 2: this is kind of pedestrian, it's not too too off

513
00:26:22,480 --> 00:26:26,320
Speaker 2: the beaten path. The Gypsy Kings version of Hotel California

514
00:26:27,359 --> 00:26:30,199
Speaker 2: that I first heard in Big Lebowski is just.

515
00:26:32,280 --> 00:26:33,440
Speaker 1: You know, it's it's great.

516
00:26:33,520 --> 00:26:35,640
Speaker 2: It's just on its own, it's great. It's a great

517
00:26:35,720 --> 00:26:39,880
Speaker 2: interpretation of a classic song. And if you just heard

518
00:26:39,920 --> 00:26:41,520
Speaker 2: it on your own, you'd be like, wow, that's really

519
00:26:41,560 --> 00:26:45,000
Speaker 2: fucking cool. But the use of it in that movie, uh,

520
00:26:45,359 --> 00:26:49,399
Speaker 2: with with the sort of like low key eagle shade

521
00:26:49,840 --> 00:26:53,960
Speaker 2: throughout the movie is such a subtle fuck you by

522
00:26:54,480 --> 00:26:57,080
Speaker 2: I think by TiVo Burnette and the Coen Brothers to

523
00:26:57,240 --> 00:26:57,720
Speaker 2: just be like.

524
00:26:58,160 --> 00:27:02,280
Speaker 1: If you used to introduce Jesus Katana right, It's like

525
00:27:02,359 --> 00:27:04,280
Speaker 1: the blorable character yeah, totally.

526
00:27:04,400 --> 00:27:09,320
Speaker 2: Yes, it's so good. It's so so, so good, so

527
00:27:09,640 --> 00:27:12,240
Speaker 2: that you know, if you haven't heard that, check it out.

528
00:27:12,359 --> 00:27:14,800
Speaker 2: If you haven't seen it, check it out. You've seen

529
00:27:14,840 --> 00:27:17,560
Speaker 2: it day. All our listeners have seen Big Leubuski. But

530
00:27:17,680 --> 00:27:19,440
Speaker 2: I just wanted to give a little familiar one. Okay,

531
00:27:19,480 --> 00:27:22,160
Speaker 2: So Anton LaVey Church of Satan got me thinking about

532
00:27:22,200 --> 00:27:24,600
Speaker 2: Sammy Davis Junior, Sammy Davis Junior.

533
00:27:25,200 --> 00:27:26,720
Speaker 1: I thought of Sammy.

534
00:27:26,480 --> 00:27:28,440
Speaker 2: Davis Junior, and for some reason I thought of this

535
00:27:28,600 --> 00:27:31,840
Speaker 2: song called Games People Play, which I love, and then

536
00:27:32,000 --> 00:27:35,400
Speaker 2: really quickly I reminded myself, Sammy Davis Junior didn't record

537
00:27:35,440 --> 00:27:36,800
Speaker 2: that song, or at least not the one I like,

538
00:27:36,920 --> 00:27:39,920
Speaker 2: not the version I like Meltorme did. Do you know

539
00:27:39,960 --> 00:27:41,040
Speaker 2: the song games people Play?

540
00:27:41,520 --> 00:27:42,720
Speaker 1: I don't. That's a blind spot.

541
00:27:43,560 --> 00:27:46,520
Speaker 2: It's like it's like early mid I don't know, it's

542
00:27:46,800 --> 00:27:50,080
Speaker 2: might even be late sixties. It's schluck, it's pure like,

543
00:27:51,320 --> 00:27:54,200
Speaker 2: but it's fucking gold. The meltorm A version is gold.

544
00:27:54,240 --> 00:27:56,240
Speaker 2: So I look I look up on YouTube and sure

545
00:27:56,320 --> 00:27:58,800
Speaker 2: enough there is a Sammy Davis Junior version of it,

546
00:28:00,400 --> 00:28:04,320
Speaker 2: and he's doing it with Guy Clark on TV. I

547
00:28:04,400 --> 00:28:06,560
Speaker 2: feel like in the sixties and seventies, Guy Clark was

548
00:28:06,600 --> 00:28:07,960
Speaker 2: just on TV every single day.

549
00:28:08,240 --> 00:28:09,879
Speaker 1: And I don't know if this is he Haw or what,

550
00:28:10,119 --> 00:28:12,440
Speaker 1: but they are fucking killing it.

551
00:28:12,960 --> 00:28:15,960
Speaker 2: They're killing it. It's so good Guy Clark is singing

552
00:28:16,040 --> 00:28:19,000
Speaker 2: his ass off. But anyways, the Meltorme version of games

553
00:28:19,119 --> 00:28:21,879
Speaker 2: people Play via the Satan is Sammy Davis Junior. So

554
00:28:21,960 --> 00:28:22,280
Speaker 2: there you go.

555
00:28:23,320 --> 00:28:24,879
Speaker 1: I gotta pause you there. You got to explain to

556
00:28:24,920 --> 00:28:28,520
Speaker 1: people that don't know the Sammy Davis Junior connection to Satan. No,

557
00:28:28,640 --> 00:28:28,920
Speaker 1: I don't.

558
00:28:28,960 --> 00:28:30,800
Speaker 2: I'm gonna just leave it right there and people can

559
00:28:30,840 --> 00:28:33,719
Speaker 2: be and people can go figure the shit out. All

560
00:28:33,760 --> 00:28:36,800
Speaker 2: they gotta do is listen to the Jane Mansfield episode, right,

561
00:28:37,040 --> 00:28:39,120
Speaker 2: and we do. We'll have a Sammy Davis Junior episode

562
00:28:39,120 --> 00:28:42,320
Speaker 2: of Just Gray Sat at some point. Okay, So also

563
00:28:42,800 --> 00:28:47,000
Speaker 2: Anton Anton LaVey from The Church, Satan from Jane Mansfield,

564
00:28:47,240 --> 00:28:50,280
Speaker 2: and Anton the great Anton and rock and Roll. Besides

565
00:28:50,320 --> 00:28:52,840
Speaker 2: Anton Lavay, maybe the only good Anton and rock and

566
00:28:52,960 --> 00:28:56,320
Speaker 2: Roll is Anton from Brian Jones Samasker, Right. You know

567
00:28:56,360 --> 00:28:59,200
Speaker 2: what I'm talking about, ser Brian Jones, Sam Masker right.

568
00:28:59,200 --> 00:29:01,360
Speaker 1: Dig is one of the great rock docs of all time.

569
00:29:01,600 --> 00:29:03,760
Speaker 2: There you go, it's a music doc it's not music.

570
00:29:03,800 --> 00:29:07,080
Speaker 2: I'm not going to recommend us one song from Brian

571
00:29:07,160 --> 00:29:10,720
Speaker 2: Jones Sound Masacer, but I am going to recommend that documentary.

572
00:29:11,080 --> 00:29:13,760
Speaker 2: It is one of the best, if not the best,

573
00:29:13,920 --> 00:29:17,280
Speaker 2: music documentary I have ever seen. And you're nodding your

574
00:29:17,320 --> 00:29:20,800
Speaker 2: head emphatically over here. And I realized this morning, I've

575
00:29:20,880 --> 00:29:24,840
Speaker 2: never since I started writing about music, I never I've

576
00:29:24,920 --> 00:29:27,400
Speaker 2: never gone back and watched that documentary, and I think

577
00:29:27,440 --> 00:29:31,120
Speaker 2: I just want to. I want to preserve it, you know,

578
00:29:31,160 --> 00:29:33,320
Speaker 2: because I watched so many docs for work or whatever.

579
00:29:33,440 --> 00:29:35,040
Speaker 2: I just want to preserve it as this thing that

580
00:29:35,120 --> 00:29:37,600
Speaker 2: I really loved and I really enjoyed. And maybe someday

581
00:29:37,600 --> 00:29:39,160
Speaker 2: I'll go back and watch it again. But for those

582
00:29:39,160 --> 00:29:40,920
Speaker 2: of you who don't know what I'm talking about, it

583
00:29:41,120 --> 00:29:44,600
Speaker 2: tracks the rise of two bands, Brian Jones Sound Massacre

584
00:29:44,720 --> 00:29:48,160
Speaker 2: and their buddies and the Dandy Warhols, and it's just

585
00:29:48,400 --> 00:29:53,480
Speaker 2: it's filled with true rock and roll road life and

586
00:29:53,600 --> 00:29:57,800
Speaker 2: frustration and conflict and competitiveness, and it's just it's great.

587
00:29:57,880 --> 00:30:01,400
Speaker 2: Both those bands are fantastic bands, just fucking awesome. It's

588
00:30:01,400 --> 00:30:03,280
Speaker 2: called Dig easy to find. If you haven't seen it,

589
00:30:03,360 --> 00:30:04,000
Speaker 2: go check it out.

590
00:30:04,320 --> 00:30:07,360
Speaker 1: It's like the Hoop Dreams for music docs. You know, Wow,

591
00:30:07,680 --> 00:30:09,520
Speaker 1: that was good. That was good.

592
00:30:09,680 --> 00:30:11,520
Speaker 2: You just had that one sitting there.

593
00:30:11,680 --> 00:30:13,680
Speaker 1: I did, I did. I was waiting for the day

594
00:30:13,760 --> 00:30:16,720
Speaker 1: to release that. So all right. So for movie recommendations,

595
00:30:16,800 --> 00:30:21,200
Speaker 1: I too, am leaning into Satan as well, because you know,

596
00:30:21,360 --> 00:30:24,120
Speaker 1: Jane Mansfield's story is so fascinating, but I don't think

597
00:30:24,120 --> 00:30:26,280
Speaker 1: I've seen any of her movies. Got to say, and

598
00:30:26,360 --> 00:30:29,719
Speaker 1: I'm not sure if that's gonna change anytime soon. So, uh,

599
00:30:29,840 --> 00:30:33,040
Speaker 1: first up, if someone says, uh, name me a movie

600
00:30:33,120 --> 00:30:34,800
Speaker 1: with Satan in it, the first thing I'm gonna think

601
00:30:34,840 --> 00:30:38,840
Speaker 1: of is Little Nikki, which is Adam Sandler's two thousand

602
00:30:39,520 --> 00:30:43,640
Speaker 1: movie where he plays one of Satan's three sons. Critics

603
00:30:43,680 --> 00:30:48,040
Speaker 1: hated it. It bombed. I fucking love this movie. It's

604
00:30:48,080 --> 00:30:50,280
Speaker 1: one of my It's like the dumber the Sandler movie is.

605
00:30:50,360 --> 00:30:51,640
Speaker 1: The more I love it, I think.

606
00:30:52,200 --> 00:30:53,960
Speaker 2: I can't show that to my kids yet, can I.

607
00:30:54,120 --> 00:30:55,200
Speaker 2: It's it's to adult.

608
00:30:55,320 --> 00:30:58,240
Speaker 1: You're almost there, You're almost there. Yeah, It's got the

609
00:30:58,320 --> 00:31:00,200
Speaker 1: great scene where they play the chicag I go a

610
00:31:00,280 --> 00:31:02,960
Speaker 1: record backwards and it's like, I command you in the

611
00:31:03,040 --> 00:31:05,440
Speaker 1: name of Lucifer to spread the blood of the innocent,

612
00:31:06,080 --> 00:31:07,760
Speaker 1: and that guy in the room is like, oh my god,

613
00:31:07,880 --> 00:31:13,240
Speaker 1: Chicago kicks the ass. Saylor came up last night at

614
00:31:13,280 --> 00:31:17,240
Speaker 1: the dinner table my dad's visiting from Maryland, and someone

615
00:31:17,360 --> 00:31:19,680
Speaker 1: mentioned that Happy Gilmore two is coming out like next

616
00:31:19,720 --> 00:31:22,120
Speaker 1: week on Netflix, and my son was like, Oh, there's

617
00:31:22,160 --> 00:31:23,760
Speaker 1: a good chance that's gonna suck, you know, And I

618
00:31:23,880 --> 00:31:25,960
Speaker 1: was like, good, let it suck. I'm still gonna love

619
00:31:26,000 --> 00:31:30,400
Speaker 1: it like that, Like that dumber the better, So I

620
00:31:31,160 --> 00:31:34,160
Speaker 1: full sign on Little Nikki. Okay. From the following year

621
00:31:34,240 --> 00:31:36,760
Speaker 1: two thousand and one, this is not technically a Satan

622
00:31:36,840 --> 00:31:39,400
Speaker 1: or the devil, but there's this movie called Frailty that

623
00:31:40,000 --> 00:31:43,280
Speaker 1: is stars Bill Paxson. He also directed it. I don't

624
00:31:43,280 --> 00:31:45,000
Speaker 1: know if you've seen this before. He's a father. Now

625
00:31:45,280 --> 00:31:47,280
Speaker 1: he's a father. He has two young sons. I forget

626
00:31:47,320 --> 00:31:49,080
Speaker 1: what happened to his wife. The wife's not in the picture,

627
00:31:49,120 --> 00:31:52,360
Speaker 1: I don't think. And he thinks that he receives this

628
00:31:52,480 --> 00:31:55,120
Speaker 1: message from God from an angel that tells him that

629
00:31:55,320 --> 00:31:57,240
Speaker 1: there are these demons on earth, and he gets a

630
00:31:57,280 --> 00:31:58,960
Speaker 1: list of the demons and he has to kill them.

631
00:31:59,360 --> 00:32:02,640
Speaker 1: They're they look just like regular people, and he tries

632
00:32:02,760 --> 00:32:05,520
Speaker 1: to get his son, his two sons, his two little boys,

633
00:32:05,880 --> 00:32:08,480
Speaker 1: to help him with this or whatever. It's this really

634
00:32:08,640 --> 00:32:13,200
Speaker 1: like intense fucked up psychological thriller. Matthew McConaughey plays one

635
00:32:13,240 --> 00:32:15,760
Speaker 1: of the sons as an adult. It has a really

636
00:32:15,840 --> 00:32:18,880
Speaker 1: great structure where it starts in the future and goes back,

637
00:32:18,920 --> 00:32:20,320
Speaker 1: and it kind of goes back and forth a little bit,

638
00:32:20,360 --> 00:32:22,920
Speaker 1: I think from what I remember, but it's a really great,

639
00:32:23,040 --> 00:32:26,080
Speaker 1: underrated psychological thriller from that era. If anyone has not

640
00:32:26,200 --> 00:32:26,520
Speaker 1: seen that.

641
00:32:27,560 --> 00:32:31,080
Speaker 2: Love Bill Baxon, so good, I do too, Yeah, so good.

642
00:32:31,240 --> 00:32:37,040
Speaker 2: One false move course, weird science, big love, incredible stude,

643
00:32:37,160 --> 00:32:41,160
Speaker 2: but what the best?

644
00:32:41,360 --> 00:32:44,640
Speaker 1: All right? And then my last recommendation is a movie

645
00:32:44,720 --> 00:32:49,160
Speaker 1: called The Witch from twenty fifteen, Robert Egger's feature film debut,

646
00:32:49,320 --> 00:32:52,240
Speaker 1: set in New England in the sixteen thirties, and it

647
00:32:52,360 --> 00:32:54,840
Speaker 1: follows this Puritan family that had been banished from the

648
00:32:54,960 --> 00:33:00,680
Speaker 1: larger settlement over religious dispute. Super creepy shit, really upsetting

649
00:33:00,720 --> 00:33:02,680
Speaker 1: stuff too, But it's one of those rare horror movies

650
00:33:02,760 --> 00:33:05,800
Speaker 1: that it's just all about like atmosphere, and the atmosphere

651
00:33:05,880 --> 00:33:08,200
Speaker 1: is sustained for the whole thing. Wow, have you seen

652
00:33:08,240 --> 00:33:11,120
Speaker 1: this movie before? I have not. You've got a this

653
00:33:11,280 --> 00:33:14,200
Speaker 1: is a great October, great Halloween. Okay, I can't watch

654
00:33:14,200 --> 00:33:18,479
Speaker 1: it with your kids, but it's it's great, all right.

655
00:33:18,680 --> 00:33:18,720
Speaker 3: No.

656
00:33:18,840 --> 00:33:21,280
Speaker 2: I you know, I was thinking I need I need

657
00:33:21,360 --> 00:33:23,920
Speaker 2: a scary ass movie because my kids now want to

658
00:33:23,920 --> 00:33:26,880
Speaker 2: watch everything, like everything. Ye're like, why can't we watch that?

659
00:33:27,160 --> 00:33:28,800
Speaker 2: Why can't we watch I told you my in laws

660
00:33:29,120 --> 00:33:30,959
Speaker 2: played them the beginning of jazz, So now they think

661
00:33:31,040 --> 00:33:32,720
Speaker 2: they can you know, now they think it's like, you know,

662
00:33:32,800 --> 00:33:35,120
Speaker 2: the Deuce in nineteen seventy seven of the Rolling through

663
00:33:35,160 --> 00:33:36,000
Speaker 2: Times Square.

664
00:33:36,680 --> 00:33:39,760
Speaker 1: You know what I mean. So I want to show them.

665
00:33:39,880 --> 00:33:42,680
Speaker 2: I keep saying, I don't want you to be like scarred,

666
00:33:42,880 --> 00:33:44,640
Speaker 2: like I want you to like movies, like I want

667
00:33:44,640 --> 00:33:46,640
Speaker 2: you to be able to go into the ocean. So

668
00:33:46,800 --> 00:33:49,280
Speaker 2: I was actually thinking I should show them something truly

669
00:33:49,360 --> 00:33:52,760
Speaker 2: fucking horrifying, like just a snib, you know what I mean,

670
00:33:52,840 --> 00:33:55,280
Speaker 2: Like get them into it, and then like right when

671
00:33:55,320 --> 00:33:57,440
Speaker 2: the you know, twenty minutes in when the big scary

672
00:33:57,520 --> 00:33:59,800
Speaker 2: thing happens for the first time, you know what I mean, Like,

673
00:34:00,520 --> 00:34:03,840
Speaker 2: like just show them what they're up against. Maybe the

674
00:34:03,880 --> 00:34:07,280
Speaker 2: witch is it because sixteen hundreds New England is pretty

675
00:34:07,280 --> 00:34:10,839
Speaker 2: fucking heavy metal. You know, it's pretty pretty scary. Yeah right,

676
00:34:11,120 --> 00:34:11,840
Speaker 2: very scary, So.

677
00:34:11,920 --> 00:34:14,359
Speaker 1: That might be it. Yeah, well it will probably scare

678
00:34:14,440 --> 00:34:19,719
Speaker 1: them off goats if they see this. Baby. So we've

679
00:34:19,800 --> 00:34:22,960
Speaker 1: hit that time again, man, I uh, it's it's quitting

680
00:34:23,040 --> 00:34:24,960
Speaker 1: time for you. You gotta go do something, you got to.

681
00:34:25,239 --> 00:34:26,960
Speaker 1: You've got a vacation to get on too, I think

682
00:34:27,680 --> 00:34:27,880
Speaker 1: I do.

683
00:34:28,120 --> 00:34:30,520
Speaker 2: So. Today is just one of those endless days of

684
00:34:30,640 --> 00:34:33,080
Speaker 2: work and I'm getting shipp from Like I just got

685
00:34:33,120 --> 00:34:35,040
Speaker 2: an email like, hey, what about those videos you promised

686
00:34:35,080 --> 00:34:37,920
Speaker 2: us from last week. I'm like this, this is fucking

687
00:34:38,440 --> 00:34:42,239
Speaker 2: a I might just have to ghost. Yeah, I'm out

688
00:34:42,280 --> 00:34:43,719
Speaker 2: of here, but I will be back. I'm not missing

689
00:34:43,760 --> 00:34:46,640
Speaker 2: any production, any any podcasting. We're good. We'll be back

690
00:34:46,680 --> 00:34:47,560
Speaker 2: in the saddle next week.

691
00:34:47,640 --> 00:34:49,319
Speaker 1: Right, yep, we'll be back in the saddle next week.

692
00:34:49,360 --> 00:34:51,640
Speaker 1: And for everybody else, if you just hang tight, I'll

693
00:34:51,719 --> 00:35:18,439
Speaker 1: be back with you right after this. What's up, y'all?

694
00:35:18,600 --> 00:35:22,240
Speaker 1: Back once again one last time here in this week's

695
00:35:22,600 --> 00:35:25,200
Speaker 1: episode of The Rap Party, and I hope you dug it.

696
00:35:26,000 --> 00:35:28,680
Speaker 1: I really I love recording these episodes. Talking with Jake

697
00:35:29,320 --> 00:35:31,520
Speaker 1: It's definitely a highlight of my week. And I really

698
00:35:31,600 --> 00:35:34,960
Speaker 1: hope that our enthusiasm and our love of staying in

699
00:35:35,080 --> 00:35:38,160
Speaker 1: touch with all of you is is resonant, and so

700
00:35:38,320 --> 00:35:41,120
Speaker 1: please let's keep this thing going because it's a it's

701
00:35:41,120 --> 00:35:43,719
Speaker 1: a good time, good time had by all. If you

702
00:35:43,840 --> 00:35:46,879
Speaker 1: got some devilish movie recommendations, send them my way, okay,

703
00:35:46,960 --> 00:35:50,160
Speaker 1: But but you know, keep in mind, I'm a little

704
00:35:50,320 --> 00:35:52,160
Speaker 1: I'm a little squeamish when it comes to some of

705
00:35:52,200 --> 00:35:54,680
Speaker 1: that shit. Okay, I can I can handle the Witch,

706
00:35:54,920 --> 00:35:57,440
Speaker 1: which I know has some like fucked up stuff in it,

707
00:35:58,320 --> 00:36:00,440
Speaker 1: but the really fucked up stuff I don't. I don't know.

708
00:36:00,560 --> 00:36:02,560
Speaker 1: Man like you got to babystep me in this, Okay,

709
00:36:02,640 --> 00:36:04,880
Speaker 1: So baby step recommendations for that kind of thing, all right?

710
00:36:05,000 --> 00:36:07,319
Speaker 1: Six one seven, nine oh six sixty six three eight.

711
00:36:07,800 --> 00:36:10,040
Speaker 1: Maybe your voicemail will get played or your text will

712
00:36:10,040 --> 00:36:13,560
Speaker 1: get read on next week's wrap party. Okay. Until then,

713
00:36:13,680 --> 00:36:17,279
Speaker 1: I have four important things for you to know. Number one,

714
00:36:17,400 --> 00:36:20,600
Speaker 1: available right now in your Hollywood land feed our episode

715
00:36:20,680 --> 00:36:24,800
Speaker 1: on Jane Mansfield. Number two coming next week on Monday.

716
00:36:25,120 --> 00:36:28,560
Speaker 1: Our episode on Robert Downey Junior. Number three, Do you

717
00:36:28,719 --> 00:36:32,399
Speaker 1: listen to Disgrace Lamb. Jake's other award winning show, made

718
00:36:32,480 --> 00:36:35,040
Speaker 1: four and about rock and roll animals, The og Music

719
00:36:35,120 --> 00:36:37,960
Speaker 1: and True Crime Pod, with episodes on Kurt and Courtney,

720
00:36:38,400 --> 00:36:42,719
Speaker 1: Iced Tea, chet Baker, Mac Miller, fifty cent Sara's Gainsborg,

721
00:36:43,200 --> 00:36:46,600
Speaker 1: Scott Wiland, and hundreds more. If you're not you're missing out.

722
00:36:47,040 --> 00:36:49,640
Speaker 1: Just go search up Disgrace Lamb wherever you get your podcasts.

723
00:36:50,000 --> 00:36:53,280
Speaker 1: Number four and now, in honor of this week's episode,

724
00:36:53,360 --> 00:36:56,040
Speaker 1: me reading You, the list of the highest grossing films

725
00:36:56,040 --> 00:36:59,319
Speaker 1: from nineteen sixty seven, the year that Jane Mansfield died

726
00:36:59,400 --> 00:37:04,640
Speaker 1: tragically at the age of thirty four. Number one The Graduate,

727
00:37:05,200 --> 00:37:10,440
Speaker 1: directed by Mike Nichols. Number two Guess Who's Coming to Dinner?

728
00:37:11,080 --> 00:37:16,520
Speaker 1: Directed by Stanley Kramer. Number three Bonnie and Clyde directed

729
00:37:16,520 --> 00:37:20,040
Speaker 1: directly directed by Arthur Penn Ruther. Number four, Number two

730
00:37:20,160 --> 00:37:23,080
Speaker 1: s The Dirty does Hanmelot directed by director Robert James,

731
00:37:23,160 --> 00:37:27,600
Speaker 1: James Logan. Number five, Valley and the Dolls directed by

732
00:37:27,880 --> 00:37:31,799
Speaker 1: de Mark Robinson, Mike Nis. Number six, to Serve with Love,

733
00:37:32,040 --> 00:37:37,360
Speaker 1: Guess Who's directed by James Clappy Against. Number seven. Number twice,

734
00:37:39,880 --> 00:37:43,160
Speaker 1: Quit Talking and start mixing. You brought it