WEBVTT - #464 - 1TakeJay

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<v Speaker 1>Wait how Love It is One Take Jay and I

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<v Speaker 1>need everybody to go check me out right now on

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<v Speaker 1>Bootleg care Podcast. If you not, I don't know what

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<v Speaker 1>you got going on.

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<v Speaker 2>Yo, Bootleg Cab podcast. Man, we got a special guest

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<v Speaker 2>in here. Just dropped this new project Summer in Compton.

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<v Speaker 1>Love is One Take Day and this bitch and we're

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<v Speaker 1>hanging like tits.

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<v Speaker 2>I'm here hanging like tits.

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<v Speaker 1>Hopefully not too much. Nah, I fuck with the saggy ones,

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<v Speaker 1>uplifted ones, all.

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<v Speaker 2>The you're you don't discriminate.

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<v Speaker 1>No, no, you never heard that mustard intro?

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<v Speaker 2>Of course, Yeah, that's what that's my ship. I was

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<v Speaker 2>actually I was gonna ask you about this. That's one

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<v Speaker 2>of your like, uh, that's like a that's like one

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<v Speaker 2>of them ones in the club out here bro, like

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<v Speaker 2>on the West Coast or.

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<v Speaker 1>They messed with that for sure, that's happened every day.

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<v Speaker 2>But yeah, man, you got this new project that just dropped.

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<v Speaker 2>I wanted to ask you, like, I feel like you've

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<v Speaker 2>been kind of like one of the faces of the

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<v Speaker 2>last like five or six years of like la hip

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<v Speaker 2>hop in terms of just like the new energy that's

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<v Speaker 2>been happening. I feel like guys like yourself, Rouchie Hazy Chike.

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<v Speaker 2>But with what's happened with like this Kendrick a moment,

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<v Speaker 2>I feel like there's a lot more attention being paid

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<v Speaker 2>to LA artists. Are you feeling that as well?

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<v Speaker 1>Uh? Yeah, I say that just because of the fact

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<v Speaker 1>he basically can't a poach. It like catapulted us to

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<v Speaker 1>the top. It ain't really just him because it's the

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<v Speaker 1>sound for sure me, So yeah, I fuck with that,

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<v Speaker 1>you know everything. Yeah, I feel like it's just putting

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<v Speaker 1>more eyes on you feel me the West Coast sound

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<v Speaker 1>and all that.

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<v Speaker 2>Boom. Yeah, I think too like that. It's helpful that

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<v Speaker 2>like uh not like us as like a real West

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<v Speaker 2>Coast bop, you know what I'm say? For sure? What

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<v Speaker 2>was for you man? This new album? Obviously it's hot

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<v Speaker 2>as fuck in LA right now? Was that was that

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<v Speaker 2>kind of like the intention like making the soundtrack for

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<v Speaker 2>the summer?

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<v Speaker 1>Oh yeah, for sure. And when you think of one take,

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<v Speaker 1>you're gonna automatically think you fear me summertime or you

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<v Speaker 1>fee me when it's time to party. So yeah, that

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<v Speaker 1>was really the intentions behind that. Then the name just

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<v Speaker 1>came from where I'm from. Summer and Compton. Yeah mean,

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<v Speaker 1>I'm gonna sure you all we come.

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<v Speaker 2>We were just in comptent with the Compton Cowboys, Randy

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<v Speaker 2>saving those guys. Yeah, I had no idea that that

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<v Speaker 2>was there. Oh yeah, that should creates like a whole

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<v Speaker 2>right ranch over there like that, even just that neighborhoods

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<v Speaker 2>like hell of people with horses over there. Man. Yeah,

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<v Speaker 2>did you ever go over there as a kid or anything?

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<v Speaker 1>Uh not just specifically go to the ranch, but like

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<v Speaker 1>on that street. I mean every if everybody know about

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<v Speaker 1>the you fee me?

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<v Speaker 2>Yeah, for sure. You got some dope features on the

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<v Speaker 2>album Shot to the hommy X for Ralphie, the plugs

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<v Speaker 2>on there, Uh who else who else on the project?

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<v Speaker 1>I got Ralphie and X four, I got Caribou, I

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<v Speaker 1>got Avy k Or, I got and then I got

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<v Speaker 1>the one Take homies, oh and John Matt back from

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<v Speaker 1>the Bay one, take Kwan and want to take ts

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<v Speaker 1>He got them on a couple of joints on there.

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<v Speaker 2>Yes, you have to. I feel like John Mac a

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<v Speaker 2>lot more people should be talking about what he's doing

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<v Speaker 2>out of the bay.

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<v Speaker 1>Oh yeah, brogo crazy, y'all have to get one in

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<v Speaker 1>with him for sure.

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<v Speaker 2>For sure, Is there anybody besides your crew that you're

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<v Speaker 2>like just a fan of? Like I have to say,

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<v Speaker 2>five years ago, you were kind of a new up

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<v Speaker 2>and coming l A guy. Is there anybody that you're

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<v Speaker 2>just tapped in with us on the come up? Yeah?

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<v Speaker 1>Some people. H It's a dude named wyan Ness Flocko.

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<v Speaker 1>Y'all gotta tap in with him and ship who else?

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<v Speaker 1>It's a lot of motherfuckers. Oh, my cousin Streets he

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<v Speaker 1>coming soon, y'all gotta tap in with that. He just

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<v Speaker 1>dropped his first visual and single called Bag of Gems.

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<v Speaker 1>Then we got my other good people's mns Cam. That's

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<v Speaker 1>my cousin too. He coming to that from Compton to

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<v Speaker 1>be on the lookout.

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<v Speaker 2>Something about the water and content just produces like the

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<v Speaker 2>best rappers.

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<v Speaker 1>And both of the people I just name was on

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<v Speaker 1>the project on the song to Gondo.

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<v Speaker 2>Okay, Yeah, what's your favorite song on the album?

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<v Speaker 1>Uh? I don't know, kind of probably I would say

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<v Speaker 1>that one, either the Gondo or Torging in the Function

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<v Speaker 1>because they both like different vibes. You see what I'm saying.

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<v Speaker 1>The Torging and the Function is a sample to a

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<v Speaker 1>Snoop Dogg sexual seduction.

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<v Speaker 2>So that's a great song to sample. You know what

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<v Speaker 2>I'm saying, So, did you turn sex sensual seduction into

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<v Speaker 2>a fucking no?

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<v Speaker 1>It's not No, it's not no super ratchet. I just

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<v Speaker 1>think I don't know. It's like it is like a

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<v Speaker 1>more West Coast beat, but I say it's like a

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<v Speaker 1>universal beat because of that sample. You see what I'm saying.

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<v Speaker 2>Are you? Are you independent? Obviously? Like what's it like

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<v Speaker 2>clearing the Snoop dog record? You just throw it out

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<v Speaker 2>there and hope, yeah, that.

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<v Speaker 1>Bitch out there and hope they don't smet have it.

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<v Speaker 1>It's damn mean.

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<v Speaker 2>Yeah, it's like and if it gets big enough that's

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<v Speaker 2>exactly exact, then you figure it out. Figure it out

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<v Speaker 2>from there for sure. For sure. That's smart. Man, talk

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<v Speaker 2>to me man, Like for you, I feel like you

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<v Speaker 2>have never really necessarily been wrapped up in a lot

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<v Speaker 2>of like the negative. I feel like we always get

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<v Speaker 2>negative stereotypes in LA when the artists when it comes

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<v Speaker 2>to like politics, and because.

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<v Speaker 1>That's how everybody get their promo, they not posting your

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<v Speaker 1>music for real.

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<v Speaker 2>Right, I feel like though you guys have like I

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<v Speaker 2>feel like when I think of like yourself and chicken

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<v Speaker 2>and just your your generation. Like it was more about

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<v Speaker 2>like the music and like kind of moving together as

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<v Speaker 2>opposed to shit.

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<v Speaker 1>I just feel like it was a different time type

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<v Speaker 1>of shit, you feel me? It wasn't a lot of

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<v Speaker 1>it was like new. It was all new, right, you

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<v Speaker 1>feel me? So shit changed? Do you feel like?

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<v Speaker 2>I was just talking with MC Magic, who's a Mexican

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<v Speaker 2>artist from Arizona, and he was talking about just like

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<v Speaker 2>Mexican hip hop artists in general. He's like, Yo, it

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<v Speaker 2>sucks because a lot of times the most promo these

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<v Speaker 2>guys get is they go on podcasts'll say like hell

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<v Speaker 2>and negative ship and they stir up drama.

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<v Speaker 1>Do you feel you got to think it's clickbait, it's

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<v Speaker 1>all titles and all that that that'd be the best promo.

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<v Speaker 1>That just was never my thing. My sugar can go

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<v Speaker 1>up regardless, right.

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<v Speaker 2>Do you feel like that's the thing that artists kind

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<v Speaker 2>of depend on nowadays?

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<v Speaker 1>Yeah? For sure. Yeah, And you gotta think a lot

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<v Speaker 1>of motherfuckers don't really be like that in the boot,

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<v Speaker 1>so they'd be running out of ship to say you

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<v Speaker 1>gotta do something. I don't blame you even trying to

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<v Speaker 1>get your money.

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<v Speaker 2>Yeah, like just let's go stir some ship up and

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<v Speaker 2>get some some real views. Yeah no, that's real man. Uh.

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<v Speaker 2>How like for you, man, how often are you? Are

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<v Speaker 2>you just like a studio rat? Are you living in the.

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<v Speaker 1>Studio or you Yeah, I'll be recording myself and ship,

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<v Speaker 1>so I being that just like every day, but ship

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<v Speaker 1>at home, I'd be at the studio.

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<v Speaker 2>So I don't know if you had like the little

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<v Speaker 2>Scarlet at the crib.

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<v Speaker 1>You know, no, I really need that type of setup though.

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<v Speaker 1>I feel like that'd be way way more easier because

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<v Speaker 1>you don't got to know, you don't gotta go nowhere

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<v Speaker 1>type ship.

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<v Speaker 2>Like yeah, blast whole ship is like Blast has the

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<v Speaker 2>like four hundred dollars studio setup.

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<v Speaker 1>Yeah, that's all you really need.

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<v Speaker 2>It's at his house.

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<v Speaker 1>If you got a motherfucker knowing how to make that ship, how.

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<v Speaker 2>You know he's chosen and was recorded on one hundred

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<v Speaker 2>dollars mic and on a scarlet two channel interface.

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<v Speaker 1>I'm like, damn, yeah, the studio I'm in shit, it's

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<v Speaker 1>just a room, the mic right there by you. I

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<v Speaker 1>didn't even know booth.

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<v Speaker 2>Were you always recording yourself as it something you kind

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<v Speaker 2>of learned how to do over time.

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<v Speaker 1>No, I learned over time, but I've been knew what

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<v Speaker 1>was going on, but I just said, fuck, it is

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<v Speaker 1>just because it kind of I don't know, it's just

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<v Speaker 1>better because I feel like sometimes you feel me, even

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<v Speaker 1>with the engineers and shit, maybe they get impatient and

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<v Speaker 1>all that, but when it's just you, you feel me,

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<v Speaker 1>it's just like.

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<v Speaker 2>Yeah, you feel like you can create without.

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<v Speaker 1>Worrying about worrying about nothing.

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<v Speaker 2>Like if yoo, if I want to redo this line,

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<v Speaker 2>I don't even if subconsciously you think you're bothering the engineer.

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<v Speaker 1>Exactly or some shit like that, you just you feel me,

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<v Speaker 1>you on your own timing, and I don't know, it's

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<v Speaker 1>just it's just really real, like kind of like just smooth.

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<v Speaker 2>Yeah. I feel like the one thing artists should always

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<v Speaker 2>try to do is figure out how to do everything themselves,

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<v Speaker 2>even if it's just to like a okay degree. Yeah,

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<v Speaker 2>I mean that way the worst case scenario if you

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<v Speaker 2>need to hop on photoshop.

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<v Speaker 1>Yeah. I really just learned though from just watching you.

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<v Speaker 2>Know what I'm saying, Like recording yourself that's a big expense.

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<v Speaker 2>Hell yeah, and then like being as I'm sure for

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<v Speaker 2>you being independent fully. Now it's like, is you got

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<v Speaker 2>to handle all of it? You know what I'm saying?

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<v Speaker 1>Uh yeah, yeah, yeah that shit, That shit ain't really

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<v Speaker 1>nothing though. It's just really the only thing I need

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<v Speaker 1>is like more promo, bro. All the other shit is

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<v Speaker 1>like you feel me, But that's it's gonna get handled.

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<v Speaker 1>Shout out ty Rain should be doing her thing.

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<v Speaker 2>I was gonna say moving independently because you were on

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<v Speaker 2>what you on a major for a second?

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<v Speaker 1>Yeah, I was with Atlantic yeah for two projects.

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<v Speaker 2>So like, what has been the big difference for you

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<v Speaker 2>now handling shit on your own as opposed to when

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<v Speaker 2>you were in the Atlantic system.

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<v Speaker 1>I go up more when I'm on my own.

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<v Speaker 2>So you think it was a negative to be on Atlantic, No.

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<v Speaker 1>It's just a slower process you got. I think when

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<v Speaker 1>I came out, I came off. I came out off

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<v Speaker 1>of consistency and like you feel me back to back

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<v Speaker 1>to back to back in your face, and it's good,

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<v Speaker 1>good content, you know what I'm saying, Good music. So

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<v Speaker 1>with the label thing is everything just like way slower.

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<v Speaker 1>The process. You have to get lower.

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<v Speaker 2>You have to get green lights exactly.

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<v Speaker 1>You gotta get stuff clear, and it ain't even like

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<v Speaker 1>that's what I'm saying. That's why I said it wasn't

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<v Speaker 1>a bad thing, because it's just the business side, you

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<v Speaker 1>know what I'm saying. And it's like, uh with the

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<v Speaker 1>independence ship though, like I'm still on the business shit,

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<v Speaker 1>Like everybody get paid, from the cover art to the

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<v Speaker 1>producers getting the splits on a Uh. That's why you

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<v Speaker 1>ain't never seen no producer come out take this is it?

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<v Speaker 1>Because everybody get paid?

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<v Speaker 2>Are you dropping through district Kid?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yes. I always tell people like, if you're really independent

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<v Speaker 2>and you're not cashing on producers, that's the easiest way

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<v Speaker 2>because you can just splits. You can just cut people

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<v Speaker 2>in on the record the record.

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<v Speaker 1>And that's working together, you know what I'm saying. For sure,

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<v Speaker 1>But a lot of people, a lot of artists, because

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<v Speaker 1>you got to think producers be getting mad. A lot

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<v Speaker 1>of artists don't even be knowing about that. They just

0:10:11.559 --> 0:10:13.839
<v Speaker 1>throwing their ship up on there. Because you got to think,

0:10:13.880 --> 0:10:17.400
<v Speaker 1>I didn't even know about this stroke kid until ship

0:10:17.520 --> 0:10:20.960
<v Speaker 1>already had millions and millions of streams on soundclouds. So right,

0:10:21.280 --> 0:10:22.679
<v Speaker 1>you just should just a process.

0:10:22.800 --> 0:10:25.240
<v Speaker 2>Yeah, it's easier too, because then like those producers will

0:10:25.280 --> 0:10:26.160
<v Speaker 2>push the funk out.

0:10:26.000 --> 0:10:29.160
<v Speaker 1>Of like exactly if they're getting paid from it, exactly

0:10:30.120 --> 0:10:33.280
<v Speaker 1>works out for everybody. Yeah, but some people be different though,

0:10:33.320 --> 0:10:35.160
<v Speaker 1>Like I had a couple of producers on the thing

0:10:35.640 --> 0:10:39.440
<v Speaker 1>on the project, they just rather get the h.

0:10:40.920 --> 0:10:43.640
<v Speaker 2>And you just took care of him. There you go. Yeah,

0:10:44.400 --> 0:10:47.000
<v Speaker 2>problem is some of the producers, Man, be fucking tripping dog.

0:10:48.600 --> 0:10:50.839
<v Speaker 1>I don't know. I didn't get that. You'll be I

0:10:51.040 --> 0:10:54.480
<v Speaker 1>rather be getting the streaming bread for sure, because it's forever.

0:10:54.679 --> 0:10:57.840
<v Speaker 2>Exactly have you been paying attention at all to what

0:10:57.920 --> 0:10:59.720
<v Speaker 2>like Russell's doing in the Bay.

0:11:00.080 --> 0:11:01.880
<v Speaker 1>Yeah, yeah, yeah, yeah, I fuck with his movement and

0:11:01.880 --> 0:11:03.240
<v Speaker 1>all that I followed on the ground.

0:11:03.400 --> 0:11:06.240
<v Speaker 2>Yeah, he's been doing like if like someone shoots a

0:11:06.320 --> 0:11:10.560
<v Speaker 2>video or they do like hell cut people in ye'ah.

0:11:10.720 --> 0:11:13.199
<v Speaker 1>Just seen like Juvenile was on the went to his

0:11:13.280 --> 0:11:16.400
<v Speaker 1>little his backyard function type thing. That shit was hard.

0:11:17.080 --> 0:11:19.240
<v Speaker 2>Did you see Richie Rich from the Bay break his

0:11:19.320 --> 0:11:21.040
<v Speaker 2>knee on stage there? Nah?

0:11:21.400 --> 0:11:24.320
<v Speaker 1>So Richie Rich th g he really broke his knee

0:11:24.320 --> 0:11:24.480
<v Speaker 1>for it.

0:11:24.559 --> 0:11:26.439
<v Speaker 2>So yeah, he was jumping up and down, snapped his

0:11:26.520 --> 0:11:30.160
<v Speaker 2>knee and freestyle the whole time. So he was freestyling

0:11:30.320 --> 0:11:32.760
<v Speaker 2>on the up knee and he's like, I just snapped

0:11:32.760 --> 0:11:35.040
<v Speaker 2>my tippy. Look I need help someone get in there.

0:11:35.160 --> 0:11:38.439
<v Speaker 2>Like the ship was crazy and everyone's just dancing around

0:11:38.480 --> 0:11:41.599
<v Speaker 2>him and he's like I'm like, no, I'm not lying snapped,

0:11:42.000 --> 0:11:44.960
<v Speaker 2>but he's rapping the whole time. Like I was like, damn,

0:11:45.440 --> 0:11:47.760
<v Speaker 2>you gotta go to the pergola. That'shit crazy. He's different

0:11:47.840 --> 0:11:49.800
<v Speaker 2>for that, Like somebody in Lax should try to do

0:11:49.800 --> 0:11:50.560
<v Speaker 2>some shit like that.

0:11:51.120 --> 0:11:53.840
<v Speaker 1>Yeah, that would be dope. But sit you just gotta

0:11:54.400 --> 0:11:57.880
<v Speaker 1>I don't know, you gotta just you gotta find the

0:11:57.960 --> 0:11:59.920
<v Speaker 1>right location and the right vibe.

0:12:00.120 --> 0:12:01.679
<v Speaker 2>Gotta be gotta be right.

0:12:01.720 --> 0:12:03.120
<v Speaker 1>Yeah, you gotta be secured up.

0:12:03.520 --> 0:12:05.200
<v Speaker 2>Yeah, and it's got Yeah, it's got to kind of

0:12:05.240 --> 0:12:07.080
<v Speaker 2>be like out the way low key.

0:12:07.000 --> 0:12:11.120
<v Speaker 1>That's what I'm saying, because you gotta think once something

0:12:11.120 --> 0:12:14.679
<v Speaker 1>get popular and it's close enough for everybody everyone to.

0:12:15.440 --> 0:12:17.000
<v Speaker 2>You almost got to move it every time.

0:12:17.800 --> 0:12:19.839
<v Speaker 1>That'll be see, that'll be a thing if you have

0:12:20.080 --> 0:12:22.480
<v Speaker 1>working with people and you could just pick up and move.

0:12:22.880 --> 0:12:25.120
<v Speaker 1>We in this city today, were in that city today,

0:12:25.160 --> 0:12:25.800
<v Speaker 1>that'd be hard.

0:12:26.040 --> 0:12:28.280
<v Speaker 2>Yeah. I really feel like like Santa Clarita is the

0:12:28.320 --> 0:12:30.200
<v Speaker 2>spot because who really wants to drive all the way

0:12:30.200 --> 0:12:30.880
<v Speaker 2>to Santa Clarita.

0:12:30.960 --> 0:12:33.200
<v Speaker 1>Yeah, there's a little mission you wanted.

0:12:33.240 --> 0:12:34.199
<v Speaker 2>You gotta you gotta want it to be.

0:12:34.240 --> 0:12:36.800
<v Speaker 1>A mission's going up though, They're gonna go for sure.

0:12:37.080 --> 0:12:38.839
<v Speaker 2>That's it's true. That is true.

0:12:38.840 --> 0:12:42.559
<v Speaker 1>Man, fast, no gas and everything pulling up.

0:12:43.200 --> 0:12:46.240
<v Speaker 2>That's a hell of a number to Santa Clara, Compton

0:12:46.280 --> 0:12:50.080
<v Speaker 2>to Santa Clarita, that's one hundred and ten dollars at least.

0:12:50.080 --> 0:12:52.680
<v Speaker 1>They coming though, Yeah, for sure, go figure it out.

0:12:53.600 --> 0:12:56.040
<v Speaker 2>Who do you got on your Compton Mount Rushmore man.

0:12:59.240 --> 0:13:07.239
<v Speaker 1>Ship? No, that's gonna crazy. Let me see count around restaurant.

0:13:09.040 --> 0:13:09.800
<v Speaker 1>I'm included.

0:13:11.400 --> 0:13:13.360
<v Speaker 2>If you'd like to include yourself, I wouldn't say you

0:13:13.440 --> 0:13:14.680
<v Speaker 2>belong on that, but you know.

0:13:16.640 --> 0:13:22.600
<v Speaker 1>I'm gonna go me Okay, I'm gonna go. Yeah, I'm

0:13:22.600 --> 0:13:27.200
<v Speaker 1>gonna just go out of one. Take yourself.

0:13:27.400 --> 0:13:30.520
<v Speaker 2>This is crazy. This is the city that Kendrick Lamarin,

0:13:30.800 --> 0:13:32.840
<v Speaker 2>doctor Dre came from. What are we talking about?

0:13:33.600 --> 0:13:38.520
<v Speaker 1>What are we talking about? Elite your crew out of there?

0:13:38.559 --> 0:13:42.920
<v Speaker 1>All right? All right, So I go Ken Dack, Doctor

0:13:43.000 --> 0:13:49.960
<v Speaker 1>d Roddy Rich and y G.

0:13:50.440 --> 0:13:54.720
<v Speaker 2>I respect the four. Yeah, I would say that those

0:13:54.720 --> 0:13:57.360
<v Speaker 2>would probably be my four. I might put the game

0:13:57.400 --> 0:13:57.880
<v Speaker 2>in that though.

0:13:58.480 --> 0:14:01.280
<v Speaker 1>Oh yeah, yeah, no, not like yeah, you.

0:14:01.320 --> 0:14:03.720
<v Speaker 2>Probably the game Dre and Kendrick.

0:14:05.679 --> 0:14:08.640
<v Speaker 1>Roddy went Diamond out of the game for sure. For sure,

0:14:08.760 --> 0:14:11.000
<v Speaker 1>I'm keeping Roddy.

0:14:11.800 --> 0:14:13.320
<v Speaker 2>He's the sick well, he's the fifth man, and I

0:14:13.360 --> 0:14:15.200
<v Speaker 2>think he's right on the bench just waiting to jump

0:14:15.240 --> 0:14:17.959
<v Speaker 2>in the game. Hey man, it would be the game

0:14:18.000 --> 0:14:19.960
<v Speaker 2>of Roddy. But I think YG is solidified.

0:14:20.000 --> 0:14:23.400
<v Speaker 1>Like yeah, but it's just that that But you gotta

0:14:23.440 --> 0:14:25.800
<v Speaker 1>understand that what you gotta think down to l A

0:14:26.240 --> 0:14:29.440
<v Speaker 1>like for sure though, But I'm saying just that, well,

0:14:29.480 --> 0:14:31.200
<v Speaker 1>did you just had to put to put a fifth

0:14:31.200 --> 0:14:35.160
<v Speaker 1>person in? Because coming coming Diamond out the gate is

0:14:35.240 --> 0:14:37.160
<v Speaker 1>like over crazy, you see what I'm saying. Sure, I

0:14:37.160 --> 0:14:38.960
<v Speaker 1>don't give a damn who you is because you gotta

0:14:39.000 --> 0:14:41.840
<v Speaker 1>think that's like a small box of people, for sure,

0:14:41.880 --> 0:14:43.960
<v Speaker 1>you know what I'm saying. So yeah, we just had

0:14:44.000 --> 0:14:44.600
<v Speaker 1>to go five.

0:14:45.160 --> 0:14:48.760
<v Speaker 2>That's a that's a great five. And then obviously you're five,

0:14:48.880 --> 0:14:52.800
<v Speaker 2>which is just you and your your crew. Yeah, I'm

0:14:52.800 --> 0:14:55.920
<v Speaker 2>trying to think, is there anyone forgetting I hope not

0:14:56.640 --> 0:15:01.400
<v Speaker 2>ship not Gorilla Black, Gorilla Black, that guy I heard

0:15:01.440 --> 0:15:03.760
<v Speaker 2>it bro before this don't called confident. That was pretty Hard.

0:15:04.120 --> 0:15:06.880
<v Speaker 2>Wait wait wait, wait wait wait, DJ Quick.

0:15:07.040 --> 0:15:08.360
<v Speaker 1>Oh yeah, we tripped out.

0:15:08.880 --> 0:15:14.640
<v Speaker 2>God include Quick in that comment. Yeah, honestly, honestly, my four,

0:15:15.000 --> 0:15:20.440
<v Speaker 2>my four would be Quick, Yg, Doctor Dre, and Kendrick.

0:15:23.440 --> 0:15:25.400
<v Speaker 2>I would leave the game in Rody off if I

0:15:25.400 --> 0:15:26.040
<v Speaker 2>had to pick four.

0:15:26.440 --> 0:15:28.680
<v Speaker 1>You just said the game did all this ship.

0:15:28.920 --> 0:15:33.720
<v Speaker 2>I'm just saying I forgot about DJ Quick. Jesus, Honestly,

0:15:33.760 --> 0:15:36.760
<v Speaker 2>we probably should take Dre off because Dre is more

0:15:36.920 --> 0:15:39.720
<v Speaker 2>like a too. What you trying to say, no, no, no,

0:15:39.880 --> 0:15:42.840
<v Speaker 2>Dre's like a producer. Dre's like the architect, so he

0:15:42.920 --> 0:15:45.920
<v Speaker 2>obviously he built the mountain. There's no Mount Rushmore without him.

0:15:45.920 --> 0:15:47.840
<v Speaker 2>He's a He's an architect that saw you throw game

0:15:47.880 --> 0:15:49.600
<v Speaker 2>in there. You got throw game in there, all right?

0:15:50.040 --> 0:15:53.800
<v Speaker 1>We could just rock like that shot. I like that's fair. Yeah.

0:15:53.840 --> 0:15:57.920
<v Speaker 1>DJ Quick though, big apologies on me, DJ Quick and

0:15:58.080 --> 0:16:01.080
<v Speaker 1>sugar Free. That's the only people I liked it before,

0:16:01.360 --> 0:16:03.840
<v Speaker 1>Like it was like the jerking era and shit, like

0:16:03.880 --> 0:16:06.320
<v Speaker 1>he used to be listening to the ship and I

0:16:06.360 --> 0:16:07.720
<v Speaker 1>didn't even know what they was talking about.

0:16:07.720 --> 0:16:10.680
<v Speaker 2>Sugar Free has one of the most I always say this,

0:16:10.800 --> 0:16:12.800
<v Speaker 2>like we just talked about that with Roddy Rax I

0:16:12.880 --> 0:16:16.200
<v Speaker 2>was like, Yo, there's nobody who's ever sounded like sugar Free,

0:16:16.240 --> 0:16:17.560
<v Speaker 2>and I don't think anybody ever will.

0:16:17.640 --> 0:16:19.600
<v Speaker 1>Yeah, you can't even imitate that.

0:16:19.800 --> 0:16:22.640
<v Speaker 2>Like the way he raps like it's so like it's

0:16:22.640 --> 0:16:24.480
<v Speaker 2>so in a pocket.

0:16:24.520 --> 0:16:25.080
<v Speaker 1>It's like.

0:16:27.120 --> 0:16:31.960
<v Speaker 2>Good unorthan, it's so insane. Like I just heard he

0:16:32.000 --> 0:16:36.200
<v Speaker 2>did a song with Roddy racks from the pointing like

0:16:36.720 --> 0:16:38.440
<v Speaker 2>he was snapping, but he was snapping.

0:16:38.600 --> 0:16:40.720
<v Speaker 1>That's the thing too. Look when I did he was

0:16:40.760 --> 0:16:46.040
<v Speaker 1>on my album before, a couple two albums, Ago Calmed

0:16:46.040 --> 0:16:49.400
<v Speaker 1>and Globetrotter, so Bro, I sent them two songs to

0:16:49.520 --> 0:16:53.520
<v Speaker 1>pick out either one type shit Bro ended up doing

0:16:53.560 --> 0:16:56.160
<v Speaker 1>both of them. Bitches Bro, When I tell you, he

0:16:56.280 --> 0:16:59.600
<v Speaker 1>was talking like when I first ever heard sugar Free

0:16:59.640 --> 0:17:02.560
<v Speaker 1>and thought it was hard. Yes, it's still rapping the

0:17:02.160 --> 0:17:03.000
<v Speaker 1>same way.

0:17:03.440 --> 0:17:06.520
<v Speaker 2>That's crazy and like he's one of them dudes. The

0:17:06.520 --> 0:17:09.439
<v Speaker 2>way he raps like you almost like gotta listen.

0:17:09.920 --> 0:17:12.200
<v Speaker 1>Yeah, you gotta, you gotta like you gotta you gotta

0:17:12.280 --> 0:17:15.880
<v Speaker 1>keep playing it back, you gotta keep knowing byang on Cap,

0:17:16.400 --> 0:17:17.520
<v Speaker 1>I never did that.

0:17:17.600 --> 0:17:19.440
<v Speaker 2>Befreak it on the job at the sperm Bank.

0:17:19.680 --> 0:17:23.560
<v Speaker 1>I never did that before for no body because I

0:17:23.680 --> 0:17:27.200
<v Speaker 1>catch it like quick, no him, you guys and ship bro,

0:17:27.359 --> 0:17:30.240
<v Speaker 1>he was he sent the verse back, Bro, I kepveryone

0:17:30.359 --> 0:17:32.360
<v Speaker 1>in that bitch. He was saying some ship.

0:17:32.840 --> 0:17:36.199
<v Speaker 2>Sugar Free is a fucking legend. I feel like, uh,

0:17:36.920 --> 0:17:38.440
<v Speaker 2>I don't know. I don't know what it is about

0:17:38.520 --> 0:17:40.840
<v Speaker 2>sugar Free. For whatever reason, he just don't get like

0:17:41.000 --> 0:17:43.200
<v Speaker 2>love like nationally when we think about La and the

0:17:43.240 --> 0:17:43.720
<v Speaker 2>West Coast.

0:17:43.760 --> 0:17:45.320
<v Speaker 1>Does he just doing him?

0:17:45.640 --> 0:17:48.480
<v Speaker 2>Yeah? He's an alien and I think quicks in the

0:17:48.480 --> 0:17:49.800
<v Speaker 2>same And.

0:17:49.960 --> 0:17:53.040
<v Speaker 1>You gotta think what you what you just asked me

0:17:53.080 --> 0:17:55.919
<v Speaker 1>to begin in this ship with the drama and all

0:17:56.000 --> 0:17:57.919
<v Speaker 1>the ship. You don't see she was not doing no

0:17:58.040 --> 0:17:59.520
<v Speaker 1>click bait ship and all that.

0:17:59.720 --> 0:18:01.680
<v Speaker 2>And so back in the day, he wasn't on that game.

0:18:01.680 --> 0:18:03.960
<v Speaker 1>He was on the pimp and hit exactly I say,

0:18:04.160 --> 0:18:04.680
<v Speaker 1>doing him.

0:18:04.720 --> 0:18:05.800
<v Speaker 2>Did you meet trug Free?

0:18:06.080 --> 0:18:07.600
<v Speaker 1>Uh? Yeah, I met him one time.

0:18:08.000 --> 0:18:09.520
<v Speaker 2>I met him in Vegas, not when we did this

0:18:09.640 --> 0:18:13.720
<v Speaker 2>song though, why I lived in Vegas And uh he

0:18:13.840 --> 0:18:17.480
<v Speaker 2>was at the Planet Hollywood Hotel walking a chick with

0:18:17.560 --> 0:18:19.200
<v Speaker 2>a leash on her neck like she was a dog.

0:18:19.520 --> 0:18:21.520
<v Speaker 1>And I was like, doing him, bro.

0:18:21.600 --> 0:18:25.440
<v Speaker 2>But I literally was like, I literally was like, this

0:18:25.480 --> 0:18:27.480
<v Speaker 2>is all I ever hoped to happen if I met

0:18:27.480 --> 0:18:30.880
<v Speaker 2>sugar Free. This shit real, Like this is exactly how

0:18:31.000 --> 0:18:32.880
<v Speaker 2>it'd be, Like, you know, it's like this is this

0:18:32.920 --> 0:18:35.000
<v Speaker 2>is this is the man I listened to as a kid.

0:18:35.359 --> 0:18:37.320
<v Speaker 2>He has a girl on a leash in the middle

0:18:37.320 --> 0:18:41.240
<v Speaker 2>of a fucking Vegas casino. This is crazy. It might

0:18:41.280 --> 0:18:44.560
<v Speaker 2>have been two girls, it was definitely one man. Shout

0:18:44.560 --> 0:18:47.000
<v Speaker 2>out to sugar Free. Man, shout out to sugar Free.

0:18:47.000 --> 0:18:49.320
<v Speaker 2>We'll look your new album's out right now, summer in

0:18:49.400 --> 0:18:53.600
<v Speaker 2>Compton And are you are you gonna are you sitting

0:18:53.600 --> 0:18:54.920
<v Speaker 2>on a lot of music right now? Are you gonna

0:18:54.920 --> 0:18:55.720
<v Speaker 2>work this for a while?

0:18:55.760 --> 0:18:58.160
<v Speaker 1>Like nah, I'm gonna I'm gonna drop. We're gonna drop

0:18:58.160 --> 0:19:02.560
<v Speaker 1>a one take project, Like shit, they probably let this

0:19:02.600 --> 0:19:05.480
<v Speaker 1>ship breathe for a couple of weeks or something. I

0:19:05.520 --> 0:19:09.120
<v Speaker 1>got like thousands of unreleased songs. Yeah, like I record

0:19:09.240 --> 0:19:11.560
<v Speaker 1>every day, thousands, I swear.

0:19:12.280 --> 0:19:16.000
<v Speaker 2>Do you ever go through demoitis where you have a

0:19:16.040 --> 0:19:18.040
<v Speaker 2>song that's unreleased and it's old to you and you

0:19:18.080 --> 0:19:20.159
<v Speaker 2>get tired of us. You don't put it out, but it's.

0:19:20.000 --> 0:19:21.920
<v Speaker 1>I mean, that's when you just start previewing it, throw

0:19:21.920 --> 0:19:24.080
<v Speaker 1>it up on TikTok or something. I feel like that,

0:19:24.240 --> 0:19:27.119
<v Speaker 1>and you gotta think. You gotta when you're around people,

0:19:27.119 --> 0:19:29.960
<v Speaker 1>you gotta just play music like unexpectedly and just.

0:19:29.880 --> 0:19:32.640
<v Speaker 2>See what they feel like. Because it might be old

0:19:32.680 --> 0:19:32.919
<v Speaker 2>to you.

0:19:33.760 --> 0:19:36.959
<v Speaker 1>It's always old to you, but to somebody else's brand new.

0:19:36.960 --> 0:19:40.360
<v Speaker 1>It's fresh, and some songs is timeless. Like you see

0:19:40.359 --> 0:19:40.720
<v Speaker 1>what I'm.

0:19:40.560 --> 0:19:42.600
<v Speaker 2>Saying for sure, I mean the good ones are.

0:19:42.520 --> 0:19:44.800
<v Speaker 1>Released exactly there it is. That's why you just throw

0:19:44.800 --> 0:19:46.399
<v Speaker 1>that bitch on. If they get up and get to

0:19:46.440 --> 0:19:47.200
<v Speaker 1>doing what they do.

0:19:47.680 --> 0:19:50.119
<v Speaker 2>I mean there it is. One take, Jake, go get

0:19:50.160 --> 0:19:51.560
<v Speaker 2>the album. Appreciate you sitting down brother?

0:19:51.680 --> 0:19:54.160
<v Speaker 1>Wait how love Summer and comp thing out? Now, go

0:19:54.200 --> 0:19:55.400
<v Speaker 1>get that boom