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Speaker 1: Wait how Love It is One Take Jay and I

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Speaker 1: need everybody to go check me out right now on

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Speaker 1: Bootleg care Podcast. If you not, I don't know what

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Speaker 1: you got going on.

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Speaker 2: Yo, Bootleg Cab podcast. Man, we got a special guest

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Speaker 2: in here. Just dropped this new project Summer in Compton.

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Speaker 1: Love is One Take Day and this bitch and we're

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Speaker 1: hanging like tits.

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Speaker 2: I'm here hanging like tits.

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Speaker 1: Hopefully not too much. Nah, I fuck with the saggy ones,

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Speaker 1: uplifted ones, all.

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Speaker 2: The you're you don't discriminate.

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Speaker 1: No, no, you never heard that mustard intro?

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Speaker 2: Of course, Yeah, that's what that's my ship. I was

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Speaker 2: actually I was gonna ask you about this. That's one

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Speaker 2: of your like, uh, that's like a that's like one

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Speaker 2: of them ones in the club out here bro, like

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Speaker 2: on the West Coast or.

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Speaker 1: They messed with that for sure, that's happened every day.

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Speaker 2: But yeah, man, you got this new project that just dropped.

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Speaker 2: I wanted to ask you, like, I feel like you've

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Speaker 2: been kind of like one of the faces of the

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Speaker 2: last like five or six years of like la hip

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Speaker 2: hop in terms of just like the new energy that's

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Speaker 2: been happening. I feel like guys like yourself, Rouchie Hazy Chike.

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Speaker 2: But with what's happened with like this Kendrick a moment,

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Speaker 2: I feel like there's a lot more attention being paid

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Speaker 2: to LA artists. Are you feeling that as well?

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Speaker 1: Uh? Yeah, I say that just because of the fact

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Speaker 1: he basically can't a poach. It like catapulted us to

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Speaker 1: the top. It ain't really just him because it's the

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Speaker 1: sound for sure me, So yeah, I fuck with that,

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Speaker 1: you know everything. Yeah, I feel like it's just putting

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Speaker 1: more eyes on you feel me the West Coast sound

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Speaker 1: and all that.

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Speaker 2: Boom. Yeah, I think too like that. It's helpful that

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Speaker 2: like uh not like us as like a real West

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Speaker 2: Coast bop, you know what I'm say? For sure? What

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Speaker 2: was for you man? This new album? Obviously it's hot

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Speaker 2: as fuck in LA right now? Was that was that

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Speaker 2: kind of like the intention like making the soundtrack for

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Speaker 2: the summer?

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Speaker 1: Oh yeah, for sure. And when you think of one take,

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Speaker 1: you're gonna automatically think you fear me summertime or you

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Speaker 1: fee me when it's time to party. So yeah, that

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Speaker 1: was really the intentions behind that. Then the name just

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Speaker 1: came from where I'm from. Summer and Compton. Yeah mean,

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Speaker 1: I'm gonna sure you all we come.

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Speaker 2: We were just in comptent with the Compton Cowboys, Randy

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Speaker 2: saving those guys. Yeah, I had no idea that that

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Speaker 2: was there. Oh yeah, that should creates like a whole

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Speaker 2: right ranch over there like that, even just that neighborhoods

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Speaker 2: like hell of people with horses over there. Man. Yeah,

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Speaker 2: did you ever go over there as a kid or anything?

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Speaker 1: Uh not just specifically go to the ranch, but like

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Speaker 1: on that street. I mean every if everybody know about

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Speaker 1: the you fee me?

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Speaker 2: Yeah, for sure. You got some dope features on the

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Speaker 2: album Shot to the hommy X for Ralphie, the plugs

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Speaker 2: on there, Uh who else who else on the project?

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Speaker 1: I got Ralphie and X four, I got Caribou, I

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Speaker 1: got Avy k Or, I got and then I got

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Speaker 1: the one Take homies, oh and John Matt back from

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Speaker 1: the Bay one, take Kwan and want to take ts

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Speaker 1: He got them on a couple of joints on there.

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Speaker 2: Yes, you have to. I feel like John Mac a

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Speaker 2: lot more people should be talking about what he's doing

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Speaker 2: out of the bay.

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Speaker 1: Oh yeah, brogo crazy, y'all have to get one in

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Speaker 1: with him for sure.

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Speaker 2: For sure, Is there anybody besides your crew that you're

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Speaker 2: like just a fan of? Like I have to say,

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Speaker 2: five years ago, you were kind of a new up

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Speaker 2: and coming l A guy. Is there anybody that you're

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Speaker 2: just tapped in with us on the come up? Yeah?

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Speaker 1: Some people. H It's a dude named wyan Ness Flocko.

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Speaker 1: Y'all gotta tap in with him and ship who else?

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Speaker 1: It's a lot of motherfuckers. Oh, my cousin Streets he

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Speaker 1: coming soon, y'all gotta tap in with that. He just

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Speaker 1: dropped his first visual and single called Bag of Gems.

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Speaker 1: Then we got my other good people's mns Cam. That's

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Speaker 1: my cousin too. He coming to that from Compton to

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Speaker 1: be on the lookout.

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Speaker 2: Something about the water and content just produces like the

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Speaker 2: best rappers.

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Speaker 1: And both of the people I just name was on

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Speaker 1: the project on the song to Gondo.

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Speaker 2: Okay, Yeah, what's your favorite song on the album?

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Speaker 1: Uh? I don't know, kind of probably I would say

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Speaker 1: that one, either the Gondo or Torging in the Function

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Speaker 1: because they both like different vibes. You see what I'm saying.

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Speaker 1: The Torging and the Function is a sample to a

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Speaker 1: Snoop Dogg sexual seduction.

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Speaker 2: So that's a great song to sample. You know what

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Speaker 2: I'm saying, So, did you turn sex sensual seduction into

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Speaker 2: a fucking no?

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Speaker 1: It's not No, it's not no super ratchet. I just

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Speaker 1: think I don't know. It's like it is like a

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Speaker 1: more West Coast beat, but I say it's like a

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Speaker 1: universal beat because of that sample. You see what I'm saying.

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Speaker 2: Are you? Are you independent? Obviously? Like what's it like

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Speaker 2: clearing the Snoop dog record? You just throw it out

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Speaker 2: there and hope, yeah, that.

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Speaker 1: Bitch out there and hope they don't smet have it.

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Speaker 1: It's damn mean.

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Speaker 2: Yeah, it's like and if it gets big enough that's

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Speaker 2: exactly exact, then you figure it out. Figure it out

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Speaker 2: from there for sure. For sure. That's smart. Man, talk

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Speaker 2: to me man, Like for you, I feel like you

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Speaker 2: have never really necessarily been wrapped up in a lot

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Speaker 2: of like the negative. I feel like we always get

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Speaker 2: negative stereotypes in LA when the artists when it comes

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Speaker 2: to like politics, and because.

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Speaker 1: That's how everybody get their promo, they not posting your

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Speaker 1: music for real.

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Speaker 2: Right, I feel like though you guys have like I

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Speaker 2: feel like when I think of like yourself and chicken

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Speaker 2: and just your your generation. Like it was more about

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Speaker 2: like the music and like kind of moving together as

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Speaker 2: opposed to shit.

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Speaker 1: I just feel like it was a different time type

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Speaker 1: of shit, you feel me? It wasn't a lot of

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Speaker 1: it was like new. It was all new, right, you

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Speaker 1: feel me? So shit changed? Do you feel like?

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Speaker 2: I was just talking with MC Magic, who's a Mexican

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Speaker 2: artist from Arizona, and he was talking about just like

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Speaker 2: Mexican hip hop artists in general. He's like, Yo, it

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Speaker 2: sucks because a lot of times the most promo these

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Speaker 2: guys get is they go on podcasts'll say like hell

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Speaker 2: and negative ship and they stir up drama.

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Speaker 1: Do you feel you got to think it's clickbait, it's

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Speaker 1: all titles and all that that that'd be the best promo.

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Speaker 1: That just was never my thing. My sugar can go

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Speaker 1: up regardless, right.

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Speaker 2: Do you feel like that's the thing that artists kind

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Speaker 2: of depend on nowadays?

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Speaker 1: Yeah? For sure. Yeah, And you gotta think a lot

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Speaker 1: of motherfuckers don't really be like that in the boot,

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Speaker 1: so they'd be running out of ship to say you

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Speaker 1: gotta do something. I don't blame you even trying to

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Speaker 1: get your money.

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Speaker 2: Yeah, like just let's go stir some ship up and

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Speaker 2: get some some real views. Yeah no, that's real man. Uh.

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Speaker 2: How like for you, man, how often are you? Are

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Speaker 2: you just like a studio rat? Are you living in the.

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Speaker 1: Studio or you Yeah, I'll be recording myself and ship,

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Speaker 1: so I being that just like every day, but ship

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Speaker 1: at home, I'd be at the studio.

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Speaker 2: So I don't know if you had like the little

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Speaker 2: Scarlet at the crib.

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Speaker 1: You know, no, I really need that type of setup though.

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Speaker 1: I feel like that'd be way way more easier because

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Speaker 1: you don't got to know, you don't gotta go nowhere

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Speaker 1: type ship.

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Speaker 2: Like yeah, blast whole ship is like Blast has the

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Speaker 2: like four hundred dollars studio setup.

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Speaker 1: Yeah, that's all you really need.

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Speaker 2: It's at his house.

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Speaker 1: If you got a motherfucker knowing how to make that ship, how.

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Speaker 2: You know he's chosen and was recorded on one hundred

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Speaker 2: dollars mic and on a scarlet two channel interface.

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Speaker 1: I'm like, damn, yeah, the studio I'm in shit, it's

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Speaker 1: just a room, the mic right there by you. I

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Speaker 1: didn't even know booth.

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Speaker 2: Were you always recording yourself as it something you kind

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Speaker 2: of learned how to do over time.

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Speaker 1: No, I learned over time, but I've been knew what

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Speaker 1: was going on, but I just said, fuck, it is

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Speaker 1: just because it kind of I don't know, it's just

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Speaker 1: better because I feel like sometimes you feel me, even

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Speaker 1: with the engineers and shit, maybe they get impatient and

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Speaker 1: all that, but when it's just you, you feel me,

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Speaker 1: it's just like.

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Speaker 2: Yeah, you feel like you can create without.

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Speaker 1: Worrying about worrying about nothing.

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Speaker 2: Like if yoo, if I want to redo this line,

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Speaker 2: I don't even if subconsciously you think you're bothering the engineer.

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Speaker 1: Exactly or some shit like that, you just you feel me,

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Speaker 1: you on your own timing, and I don't know, it's

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Speaker 1: just it's just really real, like kind of like just smooth.

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Speaker 2: Yeah. I feel like the one thing artists should always

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Speaker 2: try to do is figure out how to do everything themselves,

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Speaker 2: even if it's just to like a okay degree. Yeah,

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Speaker 2: I mean that way the worst case scenario if you

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Speaker 2: need to hop on photoshop.

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Speaker 1: Yeah. I really just learned though from just watching you.

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Speaker 2: Know what I'm saying, Like recording yourself that's a big expense.

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Speaker 2: Hell yeah, and then like being as I'm sure for

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Speaker 2: you being independent fully. Now it's like, is you got

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Speaker 2: to handle all of it? You know what I'm saying?

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Speaker 1: Uh yeah, yeah, yeah that shit, That shit ain't really

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Speaker 1: nothing though. It's just really the only thing I need

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Speaker 1: is like more promo, bro. All the other shit is

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Speaker 1: like you feel me, But that's it's gonna get handled.

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Speaker 1: Shout out ty Rain should be doing her thing.

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Speaker 2: I was gonna say moving independently because you were on

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Speaker 2: what you on a major for a second?

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Speaker 1: Yeah, I was with Atlantic yeah for two projects.

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Speaker 2: So like, what has been the big difference for you

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Speaker 2: now handling shit on your own as opposed to when

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Speaker 2: you were in the Atlantic system.

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Speaker 1: I go up more when I'm on my own.

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Speaker 2: So you think it was a negative to be on Atlantic, No.

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Speaker 1: It's just a slower process you got. I think when

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Speaker 1: I came out, I came off. I came out off

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Speaker 1: of consistency and like you feel me back to back

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Speaker 1: to back to back in your face, and it's good,

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Speaker 1: good content, you know what I'm saying, Good music. So

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Speaker 1: with the label thing is everything just like way slower.

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Speaker 1: The process. You have to get lower.

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Speaker 2: You have to get green lights exactly.

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Speaker 1: You gotta get stuff clear, and it ain't even like

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Speaker 1: that's what I'm saying. That's why I said it wasn't

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Speaker 1: a bad thing, because it's just the business side, you

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Speaker 1: know what I'm saying. And it's like, uh with the

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Speaker 1: independence ship though, like I'm still on the business shit,

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Speaker 1: Like everybody get paid, from the cover art to the

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Speaker 1: producers getting the splits on a Uh. That's why you

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Speaker 1: ain't never seen no producer come out take this is it?

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Speaker 1: Because everybody get paid?

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Speaker 2: Are you dropping through district Kid?

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Speaker 1: Yeah?

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Speaker 2: Yes. I always tell people like, if you're really independent

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Speaker 2: and you're not cashing on producers, that's the easiest way

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Speaker 2: because you can just splits. You can just cut people

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Speaker 2: in on the record the record.

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Speaker 1: And that's working together, you know what I'm saying. For sure,

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Speaker 1: But a lot of people, a lot of artists, because

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Speaker 1: you got to think producers be getting mad. A lot

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Speaker 1: of artists don't even be knowing about that. They just

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Speaker 1: throwing their ship up on there. Because you got to think,

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Speaker 1: I didn't even know about this stroke kid until ship

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Speaker 1: already had millions and millions of streams on soundclouds. So right,

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Speaker 1: you just should just a process.

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Speaker 2: Yeah, it's easier too, because then like those producers will

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Speaker 2: push the funk out.

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Speaker 1: Of like exactly if they're getting paid from it, exactly

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Speaker 1: works out for everybody. Yeah, but some people be different though,

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Speaker 1: Like I had a couple of producers on the thing

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Speaker 1: on the project, they just rather get the h.

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Speaker 2: And you just took care of him. There you go. Yeah,

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Speaker 2: problem is some of the producers, Man, be fucking tripping dog.

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Speaker 1: I don't know. I didn't get that. You'll be I

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Speaker 1: rather be getting the streaming bread for sure, because it's forever.

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Speaker 2: Exactly have you been paying attention at all to what

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Speaker 2: like Russell's doing in the Bay.

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Speaker 1: Yeah, yeah, yeah, yeah, I fuck with his movement and

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Speaker 1: all that I followed on the ground.

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Speaker 2: Yeah, he's been doing like if like someone shoots a

250
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Speaker 2: video or they do like hell cut people in ye'ah.

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Speaker 1: Just seen like Juvenile was on the went to his

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Speaker 1: little his backyard function type thing. That shit was hard.

253
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Speaker 2: Did you see Richie Rich from the Bay break his

254
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Speaker 2: knee on stage there? Nah?

255
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Speaker 1: So Richie Rich th g he really broke his knee

256
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Speaker 1: for it.

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Speaker 2: So yeah, he was jumping up and down, snapped his

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Speaker 2: knee and freestyle the whole time. So he was freestyling

259
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Speaker 2: on the up knee and he's like, I just snapped

260
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Speaker 2: my tippy. Look I need help someone get in there.

261
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Speaker 2: Like the ship was crazy and everyone's just dancing around

262
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Speaker 2: him and he's like I'm like, no, I'm not lying snapped,

263
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Speaker 2: but he's rapping the whole time. Like I was like, damn,

264
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Speaker 2: you gotta go to the pergola. That'shit crazy. He's different

265
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Speaker 2: for that, Like somebody in Lax should try to do

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Speaker 2: some shit like that.

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Speaker 1: Yeah, that would be dope. But sit you just gotta

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Speaker 1: I don't know, you gotta just you gotta find the

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Speaker 1: right location and the right vibe.

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Speaker 2: Gotta be gotta be right.

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Speaker 1: Yeah, you gotta be secured up.

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Speaker 2: Yeah, and it's got Yeah, it's got to kind of

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Speaker 2: be like out the way low key.

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Speaker 1: That's what I'm saying, because you gotta think once something

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Speaker 1: get popular and it's close enough for everybody everyone to.

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Speaker 2: You almost got to move it every time.

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Speaker 1: That'll be see, that'll be a thing if you have

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Speaker 1: working with people and you could just pick up and move.

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Speaker 1: We in this city today, were in that city today,

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Speaker 1: that'd be hard.

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Speaker 2: Yeah. I really feel like like Santa Clarita is the

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Speaker 2: spot because who really wants to drive all the way

283
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Speaker 2: to Santa Clarita.

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Speaker 1: Yeah, there's a little mission you wanted.

285
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Speaker 2: You gotta you gotta want it to be.

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Speaker 1: A mission's going up though, They're gonna go for sure.

287
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Speaker 2: That's it's true. That is true.

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Speaker 1: Man, fast, no gas and everything pulling up.

289
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Speaker 2: That's a hell of a number to Santa Clara, Compton

290
00:12:46,280 --> 00:12:50,080
Speaker 2: to Santa Clarita, that's one hundred and ten dollars at least.

291
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Speaker 1: They coming though, Yeah, for sure, go figure it out.

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Speaker 2: Who do you got on your Compton Mount Rushmore man.

293
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Speaker 1: Ship? No, that's gonna crazy. Let me see count around restaurant.

294
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Speaker 1: I'm included.

295
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Speaker 2: If you'd like to include yourself, I wouldn't say you

296
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Speaker 2: belong on that, but you know.

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Speaker 1: I'm gonna go me Okay, I'm gonna go. Yeah, I'm

298
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Speaker 1: gonna just go out of one. Take yourself.

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Speaker 2: This is crazy. This is the city that Kendrick Lamarin,

300
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Speaker 2: doctor Dre came from. What are we talking about?

301
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Speaker 1: What are we talking about? Elite your crew out of there?

302
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Speaker 1: All right? All right, So I go Ken Dack, Doctor

303
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Speaker 1: d Roddy Rich and y G.

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Speaker 2: I respect the four. Yeah, I would say that those

305
00:13:54,720 --> 00:13:57,360
Speaker 2: would probably be my four. I might put the game

306
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Speaker 2: in that though.

307
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Speaker 1: Oh yeah, yeah, no, not like yeah, you.

308
00:14:01,320 --> 00:14:03,720
Speaker 2: Probably the game Dre and Kendrick.

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Speaker 1: Roddy went Diamond out of the game for sure. For sure,

310
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Speaker 1: I'm keeping Roddy.

311
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Speaker 2: He's the sick well, he's the fifth man, and I

312
00:14:13,360 --> 00:14:15,200
Speaker 2: think he's right on the bench just waiting to jump

313
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Speaker 2: in the game. Hey man, it would be the game

314
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Speaker 2: of Roddy. But I think YG is solidified.

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00:14:20,000 --> 00:14:23,400
Speaker 1: Like yeah, but it's just that that But you gotta

316
00:14:23,440 --> 00:14:25,800
Speaker 1: understand that what you gotta think down to l A

317
00:14:26,240 --> 00:14:29,440
Speaker 1: like for sure though, But I'm saying just that, well,

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Speaker 1: did you just had to put to put a fifth

319
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Speaker 1: person in? Because coming coming Diamond out the gate is

320
00:14:35,240 --> 00:14:37,160
Speaker 1: like over crazy, you see what I'm saying. Sure, I

321
00:14:37,160 --> 00:14:38,960
Speaker 1: don't give a damn who you is because you gotta

322
00:14:39,000 --> 00:14:41,840
Speaker 1: think that's like a small box of people, for sure,

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Speaker 1: you know what I'm saying. So yeah, we just had

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00:14:44,000 --> 00:14:44,600
Speaker 1: to go five.

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Speaker 2: That's a that's a great five. And then obviously you're five,

326
00:14:48,880 --> 00:14:52,800
Speaker 2: which is just you and your your crew. Yeah, I'm

327
00:14:52,800 --> 00:14:55,920
Speaker 2: trying to think, is there anyone forgetting I hope not

328
00:14:56,640 --> 00:15:01,400
Speaker 2: ship not Gorilla Black, Gorilla Black, that guy I heard

329
00:15:01,440 --> 00:15:03,760
Speaker 2: it bro before this don't called confident. That was pretty Hard.

330
00:15:04,120 --> 00:15:06,880
Speaker 2: Wait wait wait, wait wait wait, DJ Quick.

331
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Speaker 1: Oh yeah, we tripped out.

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Speaker 2: God include Quick in that comment. Yeah, honestly, honestly, my four,

333
00:15:15,000 --> 00:15:20,440
Speaker 2: my four would be Quick, Yg, Doctor Dre, and Kendrick.

334
00:15:23,440 --> 00:15:25,400
Speaker 2: I would leave the game in Rody off if I

335
00:15:25,400 --> 00:15:26,040
Speaker 2: had to pick four.

336
00:15:26,440 --> 00:15:28,680
Speaker 1: You just said the game did all this ship.

337
00:15:28,920 --> 00:15:33,720
Speaker 2: I'm just saying I forgot about DJ Quick. Jesus, Honestly,

338
00:15:33,760 --> 00:15:36,760
Speaker 2: we probably should take Dre off because Dre is more

339
00:15:36,920 --> 00:15:39,720
Speaker 2: like a too. What you trying to say, no, no, no,

340
00:15:39,880 --> 00:15:42,840
Speaker 2: Dre's like a producer. Dre's like the architect, so he

341
00:15:42,920 --> 00:15:45,920
Speaker 2: obviously he built the mountain. There's no Mount Rushmore without him.

342
00:15:45,920 --> 00:15:47,840
Speaker 2: He's a He's an architect that saw you throw game

343
00:15:47,880 --> 00:15:49,600
Speaker 2: in there. You got throw game in there, all right?

344
00:15:50,040 --> 00:15:53,800
Speaker 1: We could just rock like that shot. I like that's fair. Yeah.

345
00:15:53,840 --> 00:15:57,920
Speaker 1: DJ Quick though, big apologies on me, DJ Quick and

346
00:15:58,080 --> 00:16:01,080
Speaker 1: sugar Free. That's the only people I liked it before,

347
00:16:01,360 --> 00:16:03,840
Speaker 1: Like it was like the jerking era and shit, like

348
00:16:03,880 --> 00:16:06,320
Speaker 1: he used to be listening to the ship and I

349
00:16:06,360 --> 00:16:07,720
Speaker 1: didn't even know what they was talking about.

350
00:16:07,720 --> 00:16:10,680
Speaker 2: Sugar Free has one of the most I always say this,

351
00:16:10,800 --> 00:16:12,800
Speaker 2: like we just talked about that with Roddy Rax I

352
00:16:12,880 --> 00:16:16,200
Speaker 2: was like, Yo, there's nobody who's ever sounded like sugar Free,

353
00:16:16,240 --> 00:16:17,560
Speaker 2: and I don't think anybody ever will.

354
00:16:17,640 --> 00:16:19,600
Speaker 1: Yeah, you can't even imitate that.

355
00:16:19,800 --> 00:16:22,640
Speaker 2: Like the way he raps like it's so like it's

356
00:16:22,640 --> 00:16:24,480
Speaker 2: so in a pocket.

357
00:16:24,520 --> 00:16:25,080
Speaker 1: It's like.

358
00:16:27,120 --> 00:16:31,960
Speaker 2: Good unorthan, it's so insane. Like I just heard he

359
00:16:32,000 --> 00:16:36,200
Speaker 2: did a song with Roddy racks from the pointing like

360
00:16:36,720 --> 00:16:38,440
Speaker 2: he was snapping, but he was snapping.

361
00:16:38,600 --> 00:16:40,720
Speaker 1: That's the thing too. Look when I did he was

362
00:16:40,760 --> 00:16:46,040
Speaker 1: on my album before, a couple two albums, Ago Calmed

363
00:16:46,040 --> 00:16:49,400
Speaker 1: and Globetrotter, so Bro, I sent them two songs to

364
00:16:49,520 --> 00:16:53,520
Speaker 1: pick out either one type shit Bro ended up doing

365
00:16:53,560 --> 00:16:56,160
Speaker 1: both of them. Bitches Bro, When I tell you, he

366
00:16:56,280 --> 00:16:59,600
Speaker 1: was talking like when I first ever heard sugar Free

367
00:16:59,640 --> 00:17:02,560
Speaker 1: and thought it was hard. Yes, it's still rapping the

368
00:17:02,160 --> 00:17:03,000
Speaker 1: same way.

369
00:17:03,440 --> 00:17:06,520
Speaker 2: That's crazy and like he's one of them dudes. The

370
00:17:06,520 --> 00:17:09,439
Speaker 2: way he raps like you almost like gotta listen.

371
00:17:09,920 --> 00:17:12,200
Speaker 1: Yeah, you gotta, you gotta like you gotta you gotta

372
00:17:12,280 --> 00:17:15,880
Speaker 1: keep playing it back, you gotta keep knowing byang on Cap,

373
00:17:16,400 --> 00:17:17,520
Speaker 1: I never did that.

374
00:17:17,600 --> 00:17:19,440
Speaker 2: Befreak it on the job at the sperm Bank.

375
00:17:19,680 --> 00:17:23,560
Speaker 1: I never did that before for no body because I

376
00:17:23,680 --> 00:17:27,200
Speaker 1: catch it like quick, no him, you guys and ship bro,

377
00:17:27,359 --> 00:17:30,240
Speaker 1: he was he sent the verse back, Bro, I kepveryone

378
00:17:30,359 --> 00:17:32,360
Speaker 1: in that bitch. He was saying some ship.

379
00:17:32,840 --> 00:17:36,199
Speaker 2: Sugar Free is a fucking legend. I feel like, uh,

380
00:17:36,920 --> 00:17:38,440
Speaker 2: I don't know. I don't know what it is about

381
00:17:38,520 --> 00:17:40,840
Speaker 2: sugar Free. For whatever reason, he just don't get like

382
00:17:41,000 --> 00:17:43,200
Speaker 2: love like nationally when we think about La and the

383
00:17:43,240 --> 00:17:43,720
Speaker 2: West Coast.

384
00:17:43,760 --> 00:17:45,320
Speaker 1: Does he just doing him?

385
00:17:45,640 --> 00:17:48,480
Speaker 2: Yeah? He's an alien and I think quicks in the

386
00:17:48,480 --> 00:17:49,800
Speaker 2: same And.

387
00:17:49,960 --> 00:17:53,040
Speaker 1: You gotta think what you what you just asked me

388
00:17:53,080 --> 00:17:55,919
Speaker 1: to begin in this ship with the drama and all

389
00:17:56,000 --> 00:17:57,919
Speaker 1: the ship. You don't see she was not doing no

390
00:17:58,040 --> 00:17:59,520
Speaker 1: click bait ship and all that.

391
00:17:59,720 --> 00:18:01,680
Speaker 2: And so back in the day, he wasn't on that game.

392
00:18:01,680 --> 00:18:03,960
Speaker 1: He was on the pimp and hit exactly I say,

393
00:18:04,160 --> 00:18:04,680
Speaker 1: doing him.

394
00:18:04,720 --> 00:18:05,800
Speaker 2: Did you meet trug Free?

395
00:18:06,080 --> 00:18:07,600
Speaker 1: Uh? Yeah, I met him one time.

396
00:18:08,000 --> 00:18:09,520
Speaker 2: I met him in Vegas, not when we did this

397
00:18:09,640 --> 00:18:13,720
Speaker 2: song though, why I lived in Vegas And uh he

398
00:18:13,840 --> 00:18:17,480
Speaker 2: was at the Planet Hollywood Hotel walking a chick with

399
00:18:17,560 --> 00:18:19,200
Speaker 2: a leash on her neck like she was a dog.

400
00:18:19,520 --> 00:18:21,520
Speaker 1: And I was like, doing him, bro.

401
00:18:21,600 --> 00:18:25,440
Speaker 2: But I literally was like, I literally was like, this

402
00:18:25,480 --> 00:18:27,480
Speaker 2: is all I ever hoped to happen if I met

403
00:18:27,480 --> 00:18:30,880
Speaker 2: sugar Free. This shit real, Like this is exactly how

404
00:18:31,000 --> 00:18:32,880
Speaker 2: it'd be, Like, you know, it's like this is this

405
00:18:32,920 --> 00:18:35,000
Speaker 2: is this is the man I listened to as a kid.

406
00:18:35,359 --> 00:18:37,320
Speaker 2: He has a girl on a leash in the middle

407
00:18:37,320 --> 00:18:41,240
Speaker 2: of a fucking Vegas casino. This is crazy. It might

408
00:18:41,280 --> 00:18:44,560
Speaker 2: have been two girls, it was definitely one man. Shout

409
00:18:44,560 --> 00:18:47,000
Speaker 2: out to sugar Free. Man, shout out to sugar Free.

410
00:18:47,000 --> 00:18:49,320
Speaker 2: We'll look your new album's out right now, summer in

411
00:18:49,400 --> 00:18:53,600
Speaker 2: Compton And are you are you gonna are you sitting

412
00:18:53,600 --> 00:18:54,920
Speaker 2: on a lot of music right now? Are you gonna

413
00:18:54,920 --> 00:18:55,720
Speaker 2: work this for a while?

414
00:18:55,760 --> 00:18:58,160
Speaker 1: Like nah, I'm gonna I'm gonna drop. We're gonna drop

415
00:18:58,160 --> 00:19:02,560
Speaker 1: a one take project, Like shit, they probably let this

416
00:19:02,600 --> 00:19:05,480
Speaker 1: ship breathe for a couple of weeks or something. I

417
00:19:05,520 --> 00:19:09,120
Speaker 1: got like thousands of unreleased songs. Yeah, like I record

418
00:19:09,240 --> 00:19:11,560
Speaker 1: every day, thousands, I swear.

419
00:19:12,280 --> 00:19:16,000
Speaker 2: Do you ever go through demoitis where you have a

420
00:19:16,040 --> 00:19:18,040
Speaker 2: song that's unreleased and it's old to you and you

421
00:19:18,080 --> 00:19:20,159
Speaker 2: get tired of us. You don't put it out, but it's.

422
00:19:20,000 --> 00:19:21,920
Speaker 1: I mean, that's when you just start previewing it, throw

423
00:19:21,920 --> 00:19:24,080
Speaker 1: it up on TikTok or something. I feel like that,

424
00:19:24,240 --> 00:19:27,119
Speaker 1: and you gotta think. You gotta when you're around people,

425
00:19:27,119 --> 00:19:29,960
Speaker 1: you gotta just play music like unexpectedly and just.

426
00:19:29,880 --> 00:19:32,640
Speaker 2: See what they feel like. Because it might be old

427
00:19:32,680 --> 00:19:32,919
Speaker 2: to you.

428
00:19:33,760 --> 00:19:36,959
Speaker 1: It's always old to you, but to somebody else's brand new.

429
00:19:36,960 --> 00:19:40,360
Speaker 1: It's fresh, and some songs is timeless. Like you see

430
00:19:40,359 --> 00:19:40,720
Speaker 1: what I'm.

431
00:19:40,560 --> 00:19:42,600
Speaker 2: Saying for sure, I mean the good ones are.

432
00:19:42,520 --> 00:19:44,800
Speaker 1: Released exactly there it is. That's why you just throw

433
00:19:44,800 --> 00:19:46,399
Speaker 1: that bitch on. If they get up and get to

434
00:19:46,440 --> 00:19:47,200
Speaker 1: doing what they do.

435
00:19:47,680 --> 00:19:50,119
Speaker 2: I mean there it is. One take, Jake, go get

436
00:19:50,160 --> 00:19:51,560
Speaker 2: the album. Appreciate you sitting down brother?

437
00:19:51,680 --> 00:19:54,160
Speaker 1: Wait how love Summer and comp thing out? Now, go

438
00:19:54,200 --> 00:19:55,400
Speaker 1: get that boom