WEBVTT - Bonus Episode: JFK, Watergate, and More From Seattle

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<v Speaker 1>Hey, discos, need a little more Disgraceland in your life,

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<v Speaker 1>just to touch to get you through. Yeah, me too.

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<v Speaker 1>This is the podcast that comes after the podcast. Welcome

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<v Speaker 1>to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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<v Speaker 1>a little thing we like to call the after party.

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<v Speaker 1>This is the show after the show, the party after

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<v Speaker 1>the party, the bridge to get you from one full

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<v Speaker 1>episode or Disgraceland to the other, the backyard to dig

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<v Speaker 1>into the dirt. On this bonus episode, we are talking

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<v Speaker 1>about this week's full episode subject, Bob Dylan. We also

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<v Speaker 1>get into Oliver Stone and Val Kilmer's Jim Morrison for

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<v Speaker 1>a wee bit, as well as a bit of a

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<v Speaker 1>deeper dive into our Hollywood Land spinoff series. And we

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<v Speaker 1>get into your voicemails, text DMS emails and as always,

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<v Speaker 1>a whole lot of rose. All right, this goes, Let's

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<v Speaker 1>get into it, all right. This week's after Party is

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<v Speaker 1>gonna be a little bit different. We had a massive

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<v Speaker 1>news day yesterday, which, as I write this, when I

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<v Speaker 1>say yesterday, I mean Tuesday, a ton of music news

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<v Speaker 1>and a ton of news news. And I know a

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<v Speaker 1>lot of you watched the Congressional hearing with Oliver Stone

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<v Speaker 1>and Jefferson Morley on the JFK Files. And I know

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<v Speaker 1>a lot of you are catching up and having yet

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<v Speaker 1>finished this week's full episode of Disgraceland, our part two

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<v Speaker 1>episode on Bob Dylan, which directly relates to those JFK

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<v Speaker 1>hearings on Capitol Hill this week. So if any of

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<v Speaker 1>you have not heard Part two, have not yet heard

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<v Speaker 1>Bob Dylan Part two, not part one, Part two of

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<v Speaker 1>our Bob Dylan story, I'm going to give you this

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<v Speaker 1>moment here to fast forward this year After Party Bonus

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<v Speaker 1>episode about ten minutes or so. Go past the first

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<v Speaker 1>ad break and just start listening from that point on,

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<v Speaker 1>or past the first musical interlude if you're ad free,

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<v Speaker 1>because there will be spoilers, and I'm going to get

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<v Speaker 1>into spoilers right now. Okay, the spoilers are coming in

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<v Speaker 1>the next few seconds. So again, if you haven't yet

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<v Speaker 1>heard Part two of the Bob Dylan episode, now is

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<v Speaker 1>your chance to fast forward past the spoilers. Okay, So

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<v Speaker 1>for the rest of you who heard this episode, thank

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<v Speaker 1>you for taking this ride with us, Thanks for the texts,

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<v Speaker 1>thanks for the voicemails, Thanks for the comments on social

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<v Speaker 1>if you commented and then didn't see your comment or

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<v Speaker 1>saw your comment get deleted, I deleted them because I'm

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<v Speaker 1>trying to preserve the gag here for the rest of

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<v Speaker 1>the listeners. We haven't done one of these types of

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<v Speaker 1>episodes in five years, Okay, twenty twenty was the last one,

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<v Speaker 1>and I got you good that time, and I got

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<v Speaker 1>you in twenty nineteen as well, But I needed to

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<v Speaker 1>take a couple of years off because I needed to

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<v Speaker 1>lull you guys into an unsuspecting content trance before I

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<v Speaker 1>could come back at you with an episode like this

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<v Speaker 1>Part two, Bob Dylan episode. Okay, on this episode, it's

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<v Speaker 1>different than the last two that we did, the one

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<v Speaker 1>with Jim and the one with John. This one had

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<v Speaker 1>far less historical fiction, like almost none, and way more

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<v Speaker 1>historical fact, which is the main ingredient really when trying

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<v Speaker 1>to make these episodes work. And this Dylan episode, Part two,

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<v Speaker 1>like I said at the end of it, nearly everything

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<v Speaker 1>is true. Nearly all of those outrageous facts are true.

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<v Speaker 1>Bob Dylan did indeed say that crazy shit about Lee

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<v Speaker 1>Harvey Oswald, basically supporting who was thought to be JFK's killer.

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<v Speaker 1>Two weeks after JFK was murdered. Dylan gave the impression

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<v Speaker 1>he indeed gave the impression that he was for the

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<v Speaker 1>Vietnam War in an interview with Singout magazine in the

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<v Speaker 1>I believe that was the late sixties, early seventies, and

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<v Speaker 1>Dylan did beat the piss out of that reporter. As

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<v Speaker 1>depicted in our episode, Dylan did stay at the Watergate Hotel.

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<v Speaker 1>Dylan's FBI file, or a page from his file anyway,

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<v Speaker 1>was read verbatim in my episode. That's from the actual

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<v Speaker 1>Dylan FBI file, and that was the first file I read.

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<v Speaker 1>The other two that I read in the episode, I

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<v Speaker 1>made those up for the purposes of the story. Dylan

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<v Speaker 1>wrote that note to the I ins for John and Yoko.

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<v Speaker 1>That's true. You can look up the note the fifty

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<v Speaker 1>five Families bit that was true as well. Again, look

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<v Speaker 1>at the book The Political World of Bob Dylan for

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<v Speaker 1>that story with the mysterious illuminati like aristocrat from the

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<v Speaker 1>fifty five Families who ended up playing Bob and Bill Graham.

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<v Speaker 1>Even the bit about me working for Carl Bernstein and

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<v Speaker 1>how my boss chose to use me to thwart Carl's stupidity,

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<v Speaker 1>all true, all true. Okay, what wasn't true? Now that's

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<v Speaker 1>a little bit different, not as much, not as much

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<v Speaker 1>on the not true vine. But Andy, the answer was

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<v Speaker 1>an invention. I made that up to help set up

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<v Speaker 1>the part where Bob unknowingly becomes the ruse that Andy

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<v Speaker 1>exploits to get into Becca's office. Becca was made up

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<v Speaker 1>as well. Aside from that, there's not much that I

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<v Speaker 1>made up, And that's the beauty of these these satirical episodes.

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<v Speaker 1>And again there's only been three in the entire history

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<v Speaker 1>of Disgraceland. But as for some historical fiction here, okay,

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<v Speaker 1>I can't say if the following two supposed conspiracy theories

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<v Speaker 1>are true or not, but they haven't been proven false.

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<v Speaker 1>They haven't proven true either one way or another. They

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<v Speaker 1>haven't been proven. But the Watergate prostitution ring is a

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<v Speaker 1>real theory. It was a real conspiracy pedaled by G.

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<v Speaker 1>Gordon Liddie, and it was litigated in court in the

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<v Speaker 1>early nineteen eighties, I believe, and as far as I

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<v Speaker 1>can tell, there's no actual evidence that supports the idea

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<v Speaker 1>that there was in fact a prostitution ring run out

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<v Speaker 1>of the Watergate Hotel in the early nineteen seventies, so

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<v Speaker 1>on that one false. Now the second so called conspiracy theory,

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<v Speaker 1>the idea that Richard Nixon did not orchestrate Watergate, but

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<v Speaker 1>was instead set up by the CIA to make it

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<v Speaker 1>look like he orchestrated Watergate, or rather set up by

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<v Speaker 1>the CIA two orchestrate Watergate so that the CIA would

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<v Speaker 1>then have a way to peacefully dispose of him. When

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<v Speaker 1>I first heard this theory a year ago, I gave

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<v Speaker 1>it no credence up But now, seriously, after all the

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<v Speaker 1>dirty shit detailed in the JFK files about the CIA,

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<v Speaker 1>and about all the lies they've been caught in in

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<v Speaker 1>the last few weeks, and all the ways in which

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<v Speaker 1>CIA members perjured themselves relative to their testimony on the

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<v Speaker 1>JFK assassination, I'd say that I'm fifty to fifty on

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<v Speaker 1>this Nixon thing and whether or not he was set

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<v Speaker 1>up by the CIA. On this theory, I mean, there's tape,

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<v Speaker 1>for God's sakes, I played you the tape in the

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<v Speaker 1>episode that's real. Now, whether or not the theory's real,

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<v Speaker 1>I'm not saying one way or another. All I'm saying

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<v Speaker 1>is that it's not entirely unlikely given all we know,

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<v Speaker 1>but it all goes back to Watergate, the place, not

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<v Speaker 1>the scandal. It was that information about Bob Dylan staying

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<v Speaker 1>at the Watergate hotel that got me thinking about this

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<v Speaker 1>entire idea that in the fifty five Families saying that

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<v Speaker 1>I read in that book about Bob's politics. The larger

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<v Speaker 1>point I was trying to make in this episode, and

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<v Speaker 1>a point that I think Bob Dylan would support, is

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<v Speaker 1>that politics are evil and the media is just as

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<v Speaker 1>corrupt as our government. In that first FBI memo on

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<v Speaker 1>Bob Dylan that I read to you in the episode,

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<v Speaker 1>the Special Agent in Charge, and again this is a

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<v Speaker 1>real memo, the Special Agent in Charge recommends that the

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<v Speaker 1>Bureau call upon its contacts and media to get the

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<v Speaker 1>word out on Dylan, to basically frame Bob Dylan as

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<v Speaker 1>anti American. We've talked about Operation Mockingbird here before. That's

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<v Speaker 1>the CIA's effort to co opt and control over six

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<v Speaker 1>hundred journalists at major news outlets in the nineteen sixties

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<v Speaker 1>and seventies. Nothing has changed. Nothing. Just this morning, okay,

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<v Speaker 1>I'm putting this episode together on Wednesday, April second, just

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<v Speaker 1>this morning, in the wake of Tuesday April first, JFK

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<v Speaker 1>Files Congressional hearing, the congressional hearing of the JFK assassination

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<v Speaker 1>that was held on Capitol Hill just this morning. CBS

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<v Speaker 1>and ABC News are not only miscategorizing Jefferson Morley's testimony

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<v Speaker 1>on Capitol Hill relative to the JFK Files, they're outright

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<v Speaker 1>lying about his past. And he's calling for an immediate retraction,

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<v Speaker 1>as he should be, and I hope he even sues them. Now,

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<v Speaker 1>why would CBS and ABC in the year twenty twenty

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<v Speaker 1>five move so quickly to discredit a man who has

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<v Speaker 1>done more fact based research on the JFK assassination, Jefferson

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<v Speaker 1>Morley than any other living journalists, A man who has

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<v Speaker 1>never once uttered a word of conspiracy, A man who,

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<v Speaker 1>if you follow him, it's obvious that his statements, his writing,

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<v Speaker 1>his opinions are entirely fact based. What incentive would CBS

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<v Speaker 1>or ABC have in discrediting this man. Well, I'll tell

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<v Speaker 1>you what that incentive is. It's because he came out

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<v Speaker 1>yesterday in public, on record on Capitol Hill, at the

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<v Speaker 1>risk of perjuring himself, and said what we have all

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<v Speaker 1>known to be true for decades that the evidence in

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<v Speaker 1>no way supports the so called fact that Lee Harvey

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<v Speaker 1>Oswald killed JFK. The CIA cannot have this out there

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<v Speaker 1>because the truth is very dark. If Oswald didn't do it,

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<v Speaker 1>who did? Okay? I have thoughts on that, and I

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<v Speaker 1>think these files are going to bear them out. We're

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<v Speaker 1>going to talk about that more in the coming weeks

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<v Speaker 1>here and there. Not going to make a big deal

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<v Speaker 1>out of it. It's going to take a while for

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<v Speaker 1>all this to get pieced together. But again, why would

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<v Speaker 1>ABC and CBS come out so quickly to try to

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<v Speaker 1>discredit this man. It's because the media still does the

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<v Speaker 1>bidding of their handlers in the CIA and in the FBI.

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<v Speaker 1>Nothing has changed, nothing, all right? Anyway, I hope you

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<v Speaker 1>dug this episode, and I hope you're not to pissed

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<v Speaker 1>at me for taking you on this hour plus ride.

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<v Speaker 1>This is the longest episode of Disgrace, and I believe

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<v Speaker 1>that we've ever done. Matt Boden is still pissed off

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<v Speaker 1>at me for making him mix it, though I don't

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<v Speaker 1>blame him. It was long, but Matt killed it because

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<v Speaker 1>the sound design came up great. Anyway, Matt, no more

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<v Speaker 1>hour long episodes, I promise all right. Coming up on Friday,

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<v Speaker 1>we are revisiting another giant from music history, the hardest

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<v Speaker 1>working man in show business, James Brown, Ladies and Gentlemen,

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<v Speaker 1>James Brown, in our rewind slot on Friday. That's tomorrow.

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<v Speaker 1>I've got a James Brown Part two that I'm thinking

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<v Speaker 1>about based on this theory that he was murdered. Haven't

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<v Speaker 1>done a lot of research on it, but just top line,

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<v Speaker 1>it's pretty interesting and there's there's a lot there, but

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<v Speaker 1>that's not for a while, if at all. Then next

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<v Speaker 1>week on Tuesday, we have a new episode on Billy

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<v Speaker 1>Idle and Holy Debauchery Batman. This one's going to leave

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<v Speaker 1>a mark when you're listening to this episode and wading

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<v Speaker 1>through all the sex, drugs and rock and roll, be

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<v Speaker 1>thinking about Billy Idle and his debauchery and thinking about

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<v Speaker 1>which rock star was the most debaucherous. Was it Billy Idle,

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<v Speaker 1>as we're going to explain, or was it someone else?

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<v Speaker 1>Which artist stories of excess are so bad, so gross,

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<v Speaker 1>so over the top that they deserve the crown over

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<v Speaker 1>Billy Idle. That's going to be the question of the

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<v Speaker 1>week next week six one seven nine oh six six

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<v Speaker 1>six three eight leave me a voicemail or a text.

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<v Speaker 1>I'm going to be back in a flash with your

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<v Speaker 1>voicemails and texts and dms on this week's question of

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<v Speaker 1>the week. All Right, we are back, And just a

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<v Speaker 1>quick reminder to make sure you Apple podcast listeners have

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<v Speaker 1>auto downloads turned on so you're not missing any episodes.

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<v Speaker 1>All right, six one seven nine oh six six six

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<v Speaker 1>three eight. You know where I'm at. I'm in the

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<v Speaker 1>phone booth. It's the one across the hall. I'm hanging

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<v Speaker 1>on the telephone. If you want to send me a

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<v Speaker 1>voicemail or a text. I like that. I like that

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<v Speaker 1>hanging on a telephone bit. Anyway, I'm going to leave

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<v Speaker 1>the Dylan voicemails and the Dylan text to next week.

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<v Speaker 1>Is there a bunch of you who still haven't heard

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<v Speaker 1>this episode? And I'd like to have a complete conversation,

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<v Speaker 1>a complete discussion, if you will, on this story with

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<v Speaker 1>as many of you as possible. But have no fear

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<v Speaker 1>because a ton of you hit me up to continue

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<v Speaker 1>our conversation from last week on Grunge, on Seattle, on Alice,

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<v Speaker 1>and chains, et cetera. Let's hear from the seven to

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<v Speaker 1>four to oh hey.

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<v Speaker 2>Jake, just listen to your grunge top ten. Really glad

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<v Speaker 2>to hear bad motor Finger at number one.

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<v Speaker 3>Oh, I should have should have.

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<v Speaker 2>Mentioned I'm great than in the seven to four to Oh.

0:12:21.640 --> 0:12:25.760
<v Speaker 2>I'm also pretty pumped to hear you talking about Dinosaur Junior, Lemonheads,

0:12:25.760 --> 0:12:29.800
<v Speaker 2>Pixies definitely three of my favorite bands ever, and I

0:12:29.840 --> 0:12:33.280
<v Speaker 2>agree none of them should really fall into grunge. Maybe

0:12:33.440 --> 0:12:38.400
<v Speaker 2>early Lemonheads, Dinosaur Junior, Yeah, that was just too early.

0:12:38.559 --> 0:12:41.800
<v Speaker 2>I mean, if we're talking about late eighties, early nineties

0:12:41.840 --> 0:12:46.960
<v Speaker 2>of the starter grunge, they're just a little early for that. Also,

0:12:47.000 --> 0:12:52.000
<v Speaker 2>don't mind having a couple Nirvanas and a couple down

0:12:52.080 --> 0:12:55.680
<v Speaker 2>Gardens in that top ten singles. Like you said, just

0:12:56.600 --> 0:13:01.559
<v Speaker 2>absolutely killer album, even the bad Let's up and cover

0:13:01.880 --> 0:13:07.800
<v Speaker 2>but phenomenal, Smashy Pumpkins Song on the Air, drown Birth,

0:13:07.880 --> 0:13:12.760
<v Speaker 2>Ritual Town Garden amazing. Probably got a lot more to say,

0:13:12.760 --> 0:13:17.439
<v Speaker 2>but I'll leave it at that. Man, love the episode, Grayson.

0:13:17.520 --> 0:13:21.280
<v Speaker 1>We have very similar tastes and appreciate, Uh, I appreciate

0:13:21.280 --> 0:13:24.920
<v Speaker 1>the backup on my Lemonhead's Dinosaur in Pixie's Cake. Grayson.

0:13:25.160 --> 0:13:27.160
<v Speaker 1>I'm not sure if you saw but Billy Corgan is

0:13:27.240 --> 0:13:30.480
<v Speaker 1>hitting the road not in support of Siame's dream, but

0:13:30.840 --> 0:13:33.360
<v Speaker 1>to play melancholy in the infinite sadness, wondering what you

0:13:33.400 --> 0:13:35.320
<v Speaker 1>think about all that hit me back? Let me know, Grayson.

0:13:35.960 --> 0:13:39.520
<v Speaker 1>Let's Matt, Let's check out the two seven.

0:13:39.360 --> 0:13:44.120
<v Speaker 3>Oher Hey, Jake, I left a message earlier about Mark

0:13:44.200 --> 0:13:48.000
<v Speaker 3>Lanagan two seven. Oh, I'm new to this calling thing.

0:13:48.280 --> 0:13:51.440
<v Speaker 3>I've listened to calling you. That is, I've listened to

0:13:51.480 --> 0:13:56.000
<v Speaker 3>your show for years now. Every episode, I promise two

0:13:56.040 --> 0:14:00.040
<v Speaker 3>seven is Bowling Green, Kentucky. I actually live in Nashville,

0:14:00.280 --> 0:14:04.520
<v Speaker 3>so share an information because you share so much with

0:14:04.679 --> 0:14:10.600
<v Speaker 3>me and us, Mark Lanagan, My recommendation is listen to

0:14:10.640 --> 0:14:14.000
<v Speaker 3>Bubblegum the album in its entirety. You can't go wrong

0:14:14.040 --> 0:14:17.760
<v Speaker 3>with this catalog at all. Listen to that he was

0:14:18.120 --> 0:14:24.080
<v Speaker 3>on one, then great album, Loose concept album, and then

0:14:24.560 --> 0:14:27.720
<v Speaker 3>his work as the Gutter Twins with Greg Dooley. But

0:14:27.760 --> 0:14:32.280
<v Speaker 3>once again, you can't go wrong. Listen or read. I

0:14:32.280 --> 0:14:36.400
<v Speaker 3>would say listen because he narrates the book Seeing Backwards

0:14:36.480 --> 0:14:40.040
<v Speaker 3>and Weep. Book came out a few years ago, a

0:14:40.120 --> 0:14:44.840
<v Speaker 3>couple of years ironically before his untimely death. Once again,

0:14:44.920 --> 0:14:50.120
<v Speaker 3>Mark Lanagan for me it's not even close. True badass,

0:14:50.200 --> 0:14:53.640
<v Speaker 3>just like those outlaw country guys. He was a true badass.

0:14:54.240 --> 0:14:56.800
<v Speaker 3>Thank you, man, thank you so much for your content

0:14:56.960 --> 0:15:00.400
<v Speaker 3>and your show. I love it. See if all right?

0:15:00.440 --> 0:15:03.280
<v Speaker 1>I appreciate the land again recommendations. And this is not

0:15:03.400 --> 0:15:05.600
<v Speaker 1>the first time Greg Dooley has come up, and I

0:15:05.640 --> 0:15:09.960
<v Speaker 1>haven't commented on Greg Dooley. Dooley, He's incredible. He's incredible,

0:15:10.040 --> 0:15:13.400
<v Speaker 1>gentleman by Afghan Wiggs. If you guys don't know that record,

0:15:13.400 --> 0:15:15.200
<v Speaker 1>I'm gonna listen to that today. If you don't know

0:15:15.280 --> 0:15:18.440
<v Speaker 1>that record, oh man, you're in for it. Put that

0:15:18.560 --> 0:15:22.160
<v Speaker 1>on today. It's so damn good. Dooley's collaboration with Lanigan

0:15:22.280 --> 0:15:23.960
<v Speaker 1>is another reason that I should get into the Mark

0:15:24.000 --> 0:15:27.840
<v Speaker 1>Lanagan story. And yes, two seven zero total outlaw. I

0:15:27.880 --> 0:15:30.680
<v Speaker 1>wonder if if Bob Dylan would agree. I think you

0:15:30.680 --> 0:15:32.960
<v Speaker 1>would that outlaw spirit is the theme of our recent

0:15:33.000 --> 0:15:35.480
<v Speaker 1>episode on Bob Dylan, and I see a correlation between

0:15:35.480 --> 0:15:38.560
<v Speaker 1>Bob and Lanigan. I wonder if you do, all right? Listen,

0:15:38.640 --> 0:15:41.360
<v Speaker 1>In last week's after Party, we went through a list

0:15:41.400 --> 0:15:44.520
<v Speaker 1>from gold Mine Magazine the top ten grunge albums of

0:15:44.560 --> 0:15:48.160
<v Speaker 1>all time. And you know, I gave my thoughts on

0:15:48.560 --> 0:15:53.400
<v Speaker 1>that list, and then I provided my own list and one, uh,

0:15:53.440 --> 0:15:55.240
<v Speaker 1>I think it was in the number ten spot was

0:15:55.400 --> 0:15:58.640
<v Speaker 1>the single soundtrack, which I anticipated would get me some

0:15:58.640 --> 0:16:02.320
<v Speaker 1>shit from you guys. We got this text here from

0:16:02.640 --> 0:16:05.280
<v Speaker 1>the three oh four three oh four rights saying, hey,

0:16:05.320 --> 0:16:07.720
<v Speaker 1>thank you for shouting out the single soundtrack. I wouldn't

0:16:07.720 --> 0:16:09.560
<v Speaker 1>make it my number one, but it is a good one.

0:16:09.600 --> 0:16:11.880
<v Speaker 1>But you saying that makes me feel better about claiming

0:16:11.920 --> 0:16:15.440
<v Speaker 1>some of my more questionable choices. Well, three oh four,

0:16:15.440 --> 0:16:17.560
<v Speaker 1>I want those questionable choices. You can't leave me hanging

0:16:17.640 --> 0:16:19.960
<v Speaker 1>like that. Come on, hit me back, and I'm happy

0:16:19.960 --> 0:16:21.920
<v Speaker 1>to hear that you agree with my singles. Take I

0:16:21.920 --> 0:16:23.400
<v Speaker 1>didn't have number one, by the way, I had him

0:16:23.440 --> 0:16:25.840
<v Speaker 1>number ten. Okay, seven to sixty five rights say, hey, Jake,

0:16:25.880 --> 0:16:27.480
<v Speaker 1>it's Amanda from the seven to sixty five and I

0:16:27.520 --> 0:16:29.640
<v Speaker 1>just wanted to thank you for the George Michael episode.

0:16:29.680 --> 0:16:32.160
<v Speaker 1>I loved George Michael, and not in a fangirl type

0:16:32.200 --> 0:16:33.880
<v Speaker 1>of way. I was convinced he was gay long before

0:16:33.880 --> 0:16:35.960
<v Speaker 1>he came out. Well, we all were, and it didn't

0:16:35.960 --> 0:16:38.160
<v Speaker 1>matter at all of me. His music spoke to me.

0:16:38.200 --> 0:16:40.000
<v Speaker 1>I didn't really care for the wham stuff, it was

0:16:40.080 --> 0:16:42.640
<v Speaker 1>much more. I was much more impressed by his later stuff,

0:16:42.680 --> 0:16:46.200
<v Speaker 1>his deeper stuff. The amount of emotion he conjured with

0:16:46.280 --> 0:16:48.960
<v Speaker 1>that incredible voice gave me chills every time. I chose

0:16:49.040 --> 0:16:52.200
<v Speaker 1>him to do a presentation on for my World music

0:16:52.240 --> 0:16:55.000
<v Speaker 1>class in college, and I learned something new from this episode. Also,

0:16:55.040 --> 0:16:57.440
<v Speaker 1>I didn't realize he had a GHB addiction. I knew

0:16:57.480 --> 0:16:59.120
<v Speaker 1>he did drugs, but I thought he had gotten clean,

0:16:59.400 --> 0:17:01.480
<v Speaker 1>and it real my heart when he died. I'm more

0:17:01.480 --> 0:17:03.520
<v Speaker 1>in the loss of the amazing music yet to come,

0:17:03.720 --> 0:17:05.840
<v Speaker 1>and I was also hoping he would meet someone else

0:17:05.880 --> 0:17:08.600
<v Speaker 1>who would make him as happy as in Salomo Dude.

0:17:08.920 --> 0:17:11.080
<v Speaker 1>Another quick note on the grunge topic. I've always been

0:17:11.119 --> 0:17:13.320
<v Speaker 1>a fan of songs rather than albums. A lot of

0:17:13.359 --> 0:17:15.320
<v Speaker 1>times I won't even know who performs them, but I

0:17:15.359 --> 0:17:18.320
<v Speaker 1>know I love Man in the Box and spoon Man.

0:17:18.359 --> 0:17:20.320
<v Speaker 1>I grew up with radio, and if it wasn't on

0:17:20.359 --> 0:17:22.560
<v Speaker 1>the radio, I probably haven't heard it. Thanks again for

0:17:22.600 --> 0:17:25.440
<v Speaker 1>doing such a great job. I've listened to all of

0:17:25.480 --> 0:17:28.480
<v Speaker 1>the podcast you've done now. Thank you so much. Seven six'.

0:17:28.520 --> 0:17:31.040
<v Speaker 1>Five for those of you who don't, know we get

0:17:31.040 --> 0:17:34.240
<v Speaker 1>A George michael episode a couple episodes back in the.

0:17:34.240 --> 0:17:36.560
<v Speaker 1>Feed as you can hear from the seven sixty, five

0:17:36.840 --> 0:17:39.320
<v Speaker 1>it's a. Banger check that out at seven sixty. FIVE

0:17:39.400 --> 0:17:41.520
<v Speaker 1>i appreciate you calling in with your thoughts On, George

0:17:41.520 --> 0:17:44.480
<v Speaker 1>Michael textan AND i should, say and On man in

0:17:44.520 --> 0:17:46.840
<v Speaker 1>The box And Spoon. MAN i think both those songs

0:17:46.840 --> 0:17:51.040
<v Speaker 1>are completely emblematic of the grunge scene in the early.

0:17:51.119 --> 0:17:54.439
<v Speaker 1>Nineties you couldn't escape those. SONGS i Believe man in

0:17:54.440 --> 0:17:56.480
<v Speaker 1>The box might have been eighty nine or ninety not

0:17:56.560 --> 0:17:59.280
<v Speaker 1>SURE i should, know. Though two one four text, In Hey,

0:17:59.359 --> 0:18:00.800
<v Speaker 1>jake this is All austin from the two to one.

0:18:00.880 --> 0:18:02.439
<v Speaker 1>Four i've been a fan from the get go and

0:18:02.480 --> 0:18:04.879
<v Speaker 1>finally caught up On. Disgraceline he've been asking about our

0:18:04.880 --> 0:18:08.080
<v Speaker 1>Favorite seattle. Bands earlier this, MONTH i was In seattle

0:18:08.119 --> 0:18:10.560
<v Speaker 1>for a ski trip and paid tribute To Kurt cobain

0:18:10.840 --> 0:18:12.960
<v Speaker 1>AS i was able to check out the first venue

0:18:12.960 --> 0:18:16.480
<v Speaker 1>Where nirvana played At Central. Saloon is pretty cool seeing

0:18:16.520 --> 0:18:19.840
<v Speaker 1>some history attached to some visual, imagery and here we

0:18:19.920 --> 0:18:23.119
<v Speaker 1>have two to one. Four austin sent in some amazing

0:18:23.119 --> 0:18:26.800
<v Speaker 1>photos from what looks to be The Central. Saloon looks

0:18:26.840 --> 0:18:29.040
<v Speaker 1>like a small little, place and they got some great

0:18:29.040 --> 0:18:32.600
<v Speaker 1>ephemera On nirvana And. Soundgarden i'm sure a whole bunch

0:18:32.640 --> 0:18:34.280
<v Speaker 1>of other bands played. THERE i may have even been

0:18:34.280 --> 0:18:35.720
<v Speaker 1>at The Central. Saloon i've been to a lot of

0:18:35.720 --> 0:18:38.960
<v Speaker 1>clubs In. Seattle long, long, long, long, long long long time.

0:18:39.000 --> 0:18:42.879
<v Speaker 1>Ago toured up there with The figs back in the early.

0:18:42.920 --> 0:18:47.239
<v Speaker 1>Aughts and this place looks familiar to one, four looks very.

0:18:47.320 --> 0:18:49.680
<v Speaker 1>Familiar MAYBE i was. There MAYBE i. Was MAYBE i

0:18:49.680 --> 0:18:51.200
<v Speaker 1>didn't know the history WHEN i was. There that would

0:18:51.200 --> 0:18:53.480
<v Speaker 1>have been a. Shame thanks for bringing it to my.

0:18:53.520 --> 0:18:56.080
<v Speaker 1>Attention appreciate you, guys six one seven nine oh six

0:18:56.119 --> 0:18:57.639
<v Speaker 1>sixty six three. Eight you want to hang on the

0:18:57.680 --> 0:19:00.440
<v Speaker 1>telephone with, me voicemail and or? Text all, right you

0:19:00.440 --> 0:19:02.399
<v Speaker 1>guys want to hit me up at This gracelan pod On,

0:19:02.440 --> 0:19:05.520
<v Speaker 1>facebook On, instagram on x have at it once. Again

0:19:05.560 --> 0:19:07.720
<v Speaker 1>i'll get into all The dylan stuff and next week's

0:19:07.720 --> 0:19:10.080
<v Speaker 1>after party as more people have had a chance to

0:19:10.119 --> 0:19:14.280
<v Speaker 1>listen to that. Episode i'm recording this here after party

0:19:14.320 --> 0:19:17.680
<v Speaker 1>a day After Dylan part two is. Released okay over

0:19:17.760 --> 0:19:20.879
<v Speaker 1>On facebook at To. Scracelanpod Scott simmons writes In lenny

0:19:21.359 --> 0:19:25.639
<v Speaker 1>Bro lenny bro b R. Eau Scott simmons says jazz

0:19:25.680 --> 0:19:28.760
<v Speaker 1>guitarist Ask Pat matheeni Or Tommy emmanuel about him and

0:19:28.800 --> 0:19:31.280
<v Speaker 1>they'll have something to. Say one of the greatest tragedies in.

0:19:31.400 --> 0:19:34.480
<v Speaker 1>MUSIC i got to say. It some would say a.

0:19:34.560 --> 0:19:37.439
<v Speaker 1>Disgrace it's not OFTEN i get a recommendation from you,

0:19:37.480 --> 0:19:40.520
<v Speaker 1>guys AND i have no idea who the hell you're talking.

0:19:40.560 --> 0:19:43.280
<v Speaker 1>About And i've never heard of this. Musician matt maybe you.

0:19:43.359 --> 0:19:47.120
<v Speaker 1>HAVE i just. Don't i've never heard of this. Guy

0:19:47.680 --> 0:19:51.280
<v Speaker 1>and Now i'm super. Intrigued i'm gonna check this. Out thank, You,

0:19:51.320 --> 0:19:54.399
<v Speaker 1>scott appreciate. It Carl Glenn folmer writes In, hey have

0:19:54.440 --> 0:19:56.439
<v Speaker 1>you ever considered doing an episode about the time that

0:19:56.520 --> 0:19:59.639
<v Speaker 1>The jamaican military try to shoot Down Jimmy buffett's flying

0:19:59.680 --> 0:20:02.520
<v Speaker 1>bo as he was trying to. Land it's ironic that

0:20:02.560 --> 0:20:04.720
<v Speaker 1>he was friends with drug smugglers when he lived In Key.

0:20:04.760 --> 0:20:06.679
<v Speaker 1>West he was flying a plane that a lot of

0:20:06.680 --> 0:20:10.240
<v Speaker 1>smugglers like to, use and it seems to, me seems to,

0:20:10.280 --> 0:20:12.720
<v Speaker 1>Me Joe, walsh seems to, me you can have a

0:20:12.760 --> 0:20:15.240
<v Speaker 1>lot of fun with. That you can talk about this

0:20:15.440 --> 0:20:18.439
<v Speaker 1>history of drug use in the way he used to.

0:20:18.520 --> 0:20:21.840
<v Speaker 1>PARTY i love this, Idea, CARL i really truly. Do and,

0:20:22.000 --> 0:20:24.639
<v Speaker 1>Uh i'm kind of fascinated With florida history at the,

0:20:24.640 --> 0:20:28.159
<v Speaker 1>moment very. Outlaw i'm also kind of fascinated with The,

0:20:28.240 --> 0:20:30.879
<v Speaker 1>keys which is part Of, florida but it's really. NOT i,

0:20:30.880 --> 0:20:33.040
<v Speaker 1>mean officially it, is but it's a whole other fucking.

0:20:33.040 --> 0:20:36.040
<v Speaker 1>World AND i am not A Jimmy buffett, fan BUT

0:20:36.119 --> 0:20:39.360
<v Speaker 1>i know people who love the, dude love love love,

0:20:39.440 --> 0:20:42.080
<v Speaker 1>him and his history sounds pretty. Amazing this is not

0:20:42.200 --> 0:20:46.479
<v Speaker 1>the first Message i've received on doing a Possible Jimmy buffett.

0:20:46.480 --> 0:20:48.840
<v Speaker 1>EPISODE i know the punk rockers in the audience are

0:20:49.160 --> 0:20:51.480
<v Speaker 1>rolling the rise right, now but, hey come, on, man come.

0:20:51.520 --> 0:20:53.840
<v Speaker 1>On we Did Gigi, allan For god's. Sakes we can

0:20:53.880 --> 0:20:56.520
<v Speaker 1>throw the parrot heeads At bone here six one seven

0:20:56.600 --> 0:20:59.800
<v Speaker 1>nine oh six six six three eight At disgrace Lampod, Facebook,

0:21:00.359 --> 0:21:04.240
<v Speaker 1>Instagram nearly all the messages On instagram are relative To

0:21:04.320 --> 0:21:06.120
<v Speaker 1>Bob Dylan part. Two you guys are the. Best thank

0:21:06.160 --> 0:21:08.960
<v Speaker 1>you for playing. ALONG i appreciate. You i'll get into

0:21:09.000 --> 0:21:12.120
<v Speaker 1>a bunch of these next. Week YouTube Vet helen over

0:21:12.200 --> 0:21:14.520
<v Speaker 1>on x At This Grace Lamp podcasts you want to

0:21:14.600 --> 0:21:16.880
<v Speaker 1>hit me up on the. Socials we're gonna take a quick.

0:21:16.880 --> 0:21:19.600
<v Speaker 1>Break i'll be back in a flash with The Hollywood Lamb,

0:21:19.640 --> 0:21:36.680
<v Speaker 1>minute as well as some emails and. Reviews, okay we are,

0:21:36.680 --> 0:21:38.240
<v Speaker 1>back and you know what time it. Is it's time

0:21:38.320 --> 0:21:40.600
<v Speaker 1>for The Hollywood Lamb, minute brought to you by The

0:21:40.640 --> 0:21:43.120
<v Speaker 1>Hollywood Lamb. Podcast this is the newest segment of The After.

0:21:43.200 --> 0:21:45.199
<v Speaker 1>Party you don't know what The Hollywood Lamb podcast. Is,

0:21:45.200 --> 0:21:48.200
<v Speaker 1>Well The Hollywood Lamb podcast is hosted By Yours, truly

0:21:48.280 --> 0:21:51.960
<v Speaker 1>where every WEEK i tell you a story from the

0:21:52.000 --> 0:21:54.800
<v Speaker 1>annex Of hollywood and true. Crime and right now there

0:21:54.800 --> 0:21:57.320
<v Speaker 1>are over forty episodes waiting for you to. Binge episodes

0:21:57.320 --> 0:22:01.119
<v Speaker 1>On James, Dean Jane, Fonda dennis hop most recently an

0:22:01.119 --> 0:22:09.720
<v Speaker 1>episode On John. Waters here's a. Clip it was early

0:22:09.800 --> 0:22:13.280
<v Speaker 1>on the morning Of november nineteen sixty. Eight everything was

0:22:13.400 --> 0:22:16.280
<v Speaker 1>quiet except the sound of a church, bell which told

0:22:16.359 --> 0:22:19.800
<v Speaker 1>softly in the, distance calling The morley upright To sunday

0:22:19.800 --> 0:22:24.040
<v Speaker 1>morning services on the campus Of Johns Hopkins university In.

0:22:24.080 --> 0:22:27.919
<v Speaker 1>Baltimore few students heeded the. Call most were still in,

0:22:27.960 --> 0:22:32.120
<v Speaker 1>bed sleeping off Their saturday. Nights the coast was completely

0:22:32.200 --> 0:22:34.600
<v Speaker 1>clear as a young man in a bathrobe stepped out

0:22:34.600 --> 0:22:36.320
<v Speaker 1>of the woods and up to the side of the

0:22:36.400 --> 0:22:39.800
<v Speaker 1>road that wound its way through the. Campus thirty yards

0:22:39.880 --> 0:22:43.399
<v Speaker 1>up the, Road John waters stood behind a. Camera he

0:22:43.440 --> 0:22:46.800
<v Speaker 1>looked through the viewfinder and adjusted the camera lens one final.

0:22:46.880 --> 0:22:50.480
<v Speaker 1>Time john knew they would have to be. Quick they'd

0:22:50.520 --> 0:22:52.679
<v Speaker 1>likely only get one chance at this shot before they

0:22:52.680 --> 0:22:57.560
<v Speaker 1>would have to make a run for. It all, right,

0:22:57.600 --> 0:23:01.240
<v Speaker 1>guys make sure you're subscribed To Hollywood land On Apple, Podcasts,

0:23:01.240 --> 0:23:05.080
<v Speaker 1>spotify or wherever you get your. Podcast next, week we

0:23:05.160 --> 0:23:07.520
<v Speaker 1>have an episode coming your way on the recently Departed

0:23:07.640 --> 0:23:11.600
<v Speaker 1>David lynch and the real Life grizzly murder that inspired

0:23:11.640 --> 0:23:14.400
<v Speaker 1>him to Create Twin. Peaks and you are not going

0:23:14.440 --> 0:23:16.600
<v Speaker 1>to want to miss, This, okay especially if you're A

0:23:16.680 --> 0:23:19.240
<v Speaker 1>David lynch. Fan, lynch of, course made great films in

0:23:19.240 --> 0:23:24.399
<v Speaker 1>addition To Twin, Peaks Mulholland, Drive, Eraserhead Lost, Highway Patricia, Urcat,

0:23:24.440 --> 0:23:25.560
<v Speaker 1>damn why are you going to be so? Hot And

0:23:25.560 --> 0:23:29.359
<v Speaker 1>Lost Highway Patricia. Arquet, Anyway David lynch In Hollywood. Land next,

0:23:29.480 --> 0:23:34.119
<v Speaker 1>week make sure you're subscribed To Hollywood Land In Hollywood,

0:23:34.160 --> 0:23:36.720
<v Speaker 1>News Oliver stone relative to what we've been talking about,

0:23:36.720 --> 0:23:39.560
<v Speaker 1>here was On Capitol hill yesterday as part of the

0:23:39.560 --> 0:23:45.159
<v Speaker 1>group of folks who were testifying to the facts behind

0:23:45.160 --> 0:23:48.320
<v Speaker 1>THE jfk. Assassination Now Oliver, stone in addition to making

0:23:48.400 --> 0:23:52.000
<v Speaker 1>the great FILM, jfk which tipped off a lot of

0:23:52.040 --> 0:23:55.520
<v Speaker 1>this sort of seeking of truth around this matter prior to,

0:23:55.520 --> 0:23:58.960
<v Speaker 1>That Oliver, STONE i believe it was prior to that

0:23:59.600 --> 0:24:03.080
<v Speaker 1>which first The doors ARE. JFK i could look it,

0:24:03.160 --> 0:24:05.119
<v Speaker 1>up But i'm not going. To i'm trying to stay. Focused,

0:24:05.119 --> 0:24:08.080
<v Speaker 1>anyways they're back to, BACK i, believe and they're both fucking.

0:24:08.240 --> 0:24:11.719
<v Speaker 1>Great The doors is. Great i've had my problem With

0:24:12.000 --> 0:24:16.120
<v Speaker 1>The doors in the, past but you, know it's kind

0:24:16.160 --> 0:24:19.359
<v Speaker 1>OF i, mean there's a lot about it that's, sensational

0:24:19.560 --> 0:24:21.560
<v Speaker 1>BUT i don't. CARE i love. That there was a

0:24:21.560 --> 0:24:25.160
<v Speaker 1>lot About Jim morrison that was, sensational AND i think

0:24:25.200 --> 0:24:29.320
<v Speaker 1>IT'S i think it's a great music bio. Pick and,

0:24:29.440 --> 0:24:31.320
<v Speaker 1>Again i've been up and down with this film over the,

0:24:31.359 --> 0:24:33.040
<v Speaker 1>years BUT i think Where i'm landing with, it Where

0:24:33.040 --> 0:24:35.440
<v Speaker 1>i'm ending with, it IS i fucking love. It and

0:24:35.840 --> 0:24:38.119
<v Speaker 1>of course this brings us to the very sad news

0:24:38.160 --> 0:24:41.160
<v Speaker 1>That Val kilmer has passed. Away this was. Announced WHEN

0:24:41.200 --> 0:24:43.919
<v Speaker 1>i woke up this, MORNING i heard. It and of,

0:24:43.960 --> 0:24:51.080
<v Speaker 1>Course Val kilmer just an incredible, actor a great leading

0:24:51.119 --> 0:24:55.040
<v Speaker 1>man who probably in a previous generation Of hollywood would

0:24:55.040 --> 0:24:59.000
<v Speaker 1>have had a, much a much, bigger more impactful. Career

0:24:59.080 --> 0:25:01.320
<v Speaker 1>not that he didn't have a bit impactful. Career he

0:25:01.359 --> 0:25:04.200
<v Speaker 1>most certainly, did BUT i feel like in the last

0:25:04.240 --> 0:25:08.879
<v Speaker 1>few decades of his, Career val veered somewhat away from

0:25:08.960 --> 0:25:12.159
<v Speaker 1>the leading man, path and he did a lot in

0:25:12.240 --> 0:25:17.680
<v Speaker 1>support of other, filmmakers other, actors and you, know one

0:25:17.680 --> 0:25:21.520
<v Speaker 1>of my Favorite Val kilmer, roles he's not the leading,

0:25:21.520 --> 0:25:24.040
<v Speaker 1>man it's it's In. Heat it's his, character And, heat

0:25:24.080 --> 0:25:26.359
<v Speaker 1>WHO i think is JUST i think that character is.

0:25:26.400 --> 0:25:31.280
<v Speaker 1>INCREDIBLE i think he plays it, incredibly and it's in

0:25:31.359 --> 0:25:34.320
<v Speaker 1>support of Al pacino and really in support Of robert

0:25:34.359 --> 0:25:37.120
<v Speaker 1>De niro more than anything, else and he just fucking kills.

0:25:37.160 --> 0:25:40.480
<v Speaker 1>IT i was reading this morning again relative to what

0:25:40.520 --> 0:25:43.960
<v Speaker 1>we're talking about here About Val kilmer's relationship With Bob,

0:25:44.040 --> 0:25:51.439
<v Speaker 1>dylan and there's this, great this great story That Val

0:25:51.520 --> 0:25:55.560
<v Speaker 1>kilmer tweeted, out and of Course kilmer did that movie

0:25:55.600 --> 0:25:58.240
<v Speaker 1>With Bob, dylan but this Story he depicts this before

0:25:58.280 --> 0:26:02.159
<v Speaker 1>he Does bob's, movie and which is called what Was

0:26:02.160 --> 0:26:04.399
<v Speaker 1>Bob's masked And, anonymous and that's what it was. Called

0:26:04.880 --> 0:26:08.560
<v Speaker 1>prior to. That They kilmer's In New York, city and

0:26:08.640 --> 0:26:11.400
<v Speaker 1>Somehow Bob dylan gets in touch with him and wants

0:26:11.440 --> 0:26:13.359
<v Speaker 1>to come over to his hotel and like meet with.

0:26:13.440 --> 0:26:15.320
<v Speaker 1>Him AND i think they're friends by this, point but

0:26:15.359 --> 0:26:16.960
<v Speaker 1>they haven't quite worked with each, other but they don't

0:26:17.000 --> 0:26:21.280
<v Speaker 1>know each other that. Well and of Course dylan comes

0:26:21.320 --> 0:26:24.720
<v Speaker 1>over and he's all Mysterious, dylan and he Asked kilmer

0:26:24.800 --> 0:26:28.760
<v Speaker 1>to start reciting dialogue from his from his character's role In,

0:26:28.880 --> 0:26:33.480
<v Speaker 1>tombstone And kilmer says to, him, okay sing me blowing

0:26:33.520 --> 0:26:38.000
<v Speaker 1>in the, wind And bob didn't like that at all.

0:26:38.040 --> 0:26:43.359
<v Speaker 1>Apparently But kilmer then goes on to to CREATE i

0:26:43.359 --> 0:26:48.360
<v Speaker 1>guess like a like a spoof version of His tombstone

0:26:48.440 --> 0:26:50.800
<v Speaker 1>quotes set to the lyrics of one Of dylan's. SONGS

0:26:50.800 --> 0:26:52.639
<v Speaker 1>i think it Was it's all, Right, mom only, bleeding

0:26:52.640 --> 0:26:54.840
<v Speaker 1>and he sent it To dylan and They dylan dug,

0:26:54.840 --> 0:26:57.600
<v Speaker 1>it and of course they become, friends and And val

0:26:57.720 --> 0:27:01.120
<v Speaker 1>does that role For bob, later WHICH i just. Loved

0:27:01.200 --> 0:27:03.600
<v Speaker 1>also this morning On Val. KILMER i want to Give

0:27:03.640 --> 0:27:07.320
<v Speaker 1>Val kimer a minute. HERE i saw this tweet From

0:27:07.560 --> 0:27:12.480
<v Speaker 1>Jennifer tilly regarding Regarding kilmer and how he got his

0:27:13.320 --> 0:27:17.280
<v Speaker 1>role In Oliver Stones The. Doors, So Jennifer tilly writes

0:27:17.359 --> 0:27:19.639
<v Speaker 1>ON X a long time, AGO i was auditioning for

0:27:19.680 --> 0:27:22.320
<v Speaker 1>the Movie The. Doors it was kind of a cattle,

0:27:22.359 --> 0:27:26.080
<v Speaker 1>call and they paired together potential gems with potential, pamelas

0:27:26.320 --> 0:27:28.400
<v Speaker 1>and they were running. Behind so we were spilling out

0:27:28.440 --> 0:27:30.800
<v Speaker 1>of the casting office and sitting on the porch in

0:27:30.840 --> 0:27:33.879
<v Speaker 1>the lawn in the. Driveway all of a, sudden a

0:27:33.960 --> 0:27:38.359
<v Speaker 1>sixties convertible came screeching, up blaring doors music at top,

0:27:38.440 --> 0:27:41.879
<v Speaker 1>volume and a guy jumped out and strode. Inside he

0:27:41.920 --> 0:27:45.280
<v Speaker 1>had wild, hair and he was, barefoot, shirtless and wearing

0:27:45.320 --> 0:27:48.159
<v Speaker 1>nothing but a pair of tight leather. Pants we all

0:27:48.200 --> 0:27:51.000
<v Speaker 1>looked at each, other, like who is this? Guy and

0:27:51.040 --> 0:27:53.119
<v Speaker 1>we were more than a little shook by the sheer

0:27:53.160 --> 0:27:56.640
<v Speaker 1>audacity of his. Entrance, well of course it Was Val,

0:27:56.720 --> 0:27:59.440
<v Speaker 1>kilmer and from that minute on nobody else stood a.

0:27:59.560 --> 0:28:03.440
<v Speaker 1>Chance rest in, Peace. KING i love, that AND i

0:28:03.560 --> 0:28:10.719
<v Speaker 1>love how Seriously Val kilmer took getting that role because

0:28:10.920 --> 0:28:14.760
<v Speaker 1>nobody could have played that role as well As Val kilmer.

0:28:14.800 --> 0:28:19.240
<v Speaker 1>Did he fucking destroyed he killed, it killed it for

0:28:19.400 --> 0:28:23.080
<v Speaker 1>a huge part of my late teen, years in my early,

0:28:23.080 --> 0:28:25.879
<v Speaker 1>ADULTHOOD i couldn't even think Of Jim morrison without thinking

0:28:25.960 --> 0:28:29.080
<v Speaker 1>Of Val. Kilmer that's how Good Val kilmer is in that.

0:28:29.200 --> 0:28:32.119
<v Speaker 1>Role And Val kilmer was of course great in a

0:28:32.119 --> 0:28:34.359
<v Speaker 1>ton of different. Roles And i'll be looking for some

0:28:34.400 --> 0:28:37.080
<v Speaker 1>of his films, tonight in this week and this, weekend

0:28:37.080 --> 0:28:39.600
<v Speaker 1>AS i know you guys will as. Well maybe we'll

0:28:39.600 --> 0:28:43.000
<v Speaker 1>even Do Adoors Val kilmer episode of Hollywood land at some.

0:28:43.080 --> 0:28:46.360
<v Speaker 1>Point rest in, Peace Val, kilmer and thank You Oliver

0:28:46.440 --> 0:28:47.960
<v Speaker 1>stone for all the great work you've done over the.

0:28:48.040 --> 0:28:50.400
<v Speaker 1>Years all, right it's that time of the show where

0:28:50.400 --> 0:28:53.840
<v Speaker 1>we get into your reviews Of disgraceland of Hollywood. Land

0:28:53.960 --> 0:28:55.920
<v Speaker 1>maybe Maybe i'll do some Hollywood land once. Here i'm not,

0:28:55.920 --> 0:28:58.000
<v Speaker 1>sure you guys know the. Drill reviews help with discovery

0:28:58.000 --> 0:29:00.960
<v Speaker 1>of the. Show they feed the, algorithm activity feeds the.

0:29:01.080 --> 0:29:03.760
<v Speaker 1>Algo all, right we need the reviews to keep this

0:29:04.160 --> 0:29:06.760
<v Speaker 1>keep this show. Growing you guys read a, review AND

0:29:06.840 --> 0:29:09.400
<v Speaker 1>i you know IF i read IF i pick your

0:29:09.440 --> 0:29:11.440
<v Speaker 1>review AND i read it here and you hear it

0:29:11.480 --> 0:29:13.760
<v Speaker 1>and you get in touch with, me then we'll get

0:29:13.800 --> 0:29:15.400
<v Speaker 1>some merch out to. You AND i know we're a

0:29:15.440 --> 0:29:17.240
<v Speaker 1>little overdue here to get some merch. Out it's been

0:29:17.320 --> 0:29:19.240
<v Speaker 1>about a month since the last. Mailing we'll get into

0:29:19.280 --> 0:29:21.480
<v Speaker 1>that this week next. Week if you haven't heard from,

0:29:21.480 --> 0:29:23.719
<v Speaker 1>me haven't heard back from, me have no. FEAR i

0:29:23.880 --> 0:29:29.000
<v Speaker 1>shall get in. Touch this review comes From Pat oh On, spotify, Saying,

0:29:29.000 --> 0:29:31.760
<v Speaker 1>hey digging your reference To goodfellas at the. Intro i've

0:29:31.800 --> 0:29:33.840
<v Speaker 1>been listening to your podcast for quite a few. Years

0:29:33.840 --> 0:29:36.160
<v Speaker 1>now keep up the good. Work you got it and

0:29:36.200 --> 0:29:40.520
<v Speaker 1>That snoop episode was our last rewind. Episode that episode

0:29:40.520 --> 0:29:44.440
<v Speaker 1>went freaking gangbusters in the. ARCHIVE a lot of people

0:29:44.480 --> 0:29:48.000
<v Speaker 1>listen to, it which proves my theory that new listeners

0:29:48.040 --> 0:29:50.360
<v Speaker 1>have no idea about some of the episodes we've covered

0:29:50.400 --> 0:29:54.280
<v Speaker 1>in the. Past thus the rewind episodes On friday and

0:29:54.320 --> 0:29:56.760
<v Speaker 1>they're perfect for re. Listening so get in. There Got

0:29:56.840 --> 0:29:59.040
<v Speaker 1>James brown coming your way tomorrow in the rewind. Slot

0:29:59.080 --> 0:30:00.960
<v Speaker 1>get into that. Archive, guys you're not going to be,

0:30:00.960 --> 0:30:04.760
<v Speaker 1>DISAPPOINTED i promise. You over On Apple, Podcasts cindy who

0:30:04.840 --> 0:30:09.880
<v Speaker 1>writes sin really question mark exclamation point one, star one

0:30:09.920 --> 0:30:13.160
<v Speaker 1>out of five. STARS i would turn that, Around, cindy

0:30:13.200 --> 0:30:16.920
<v Speaker 1>who and to? You? Say really one? Star are you

0:30:17.000 --> 0:30:19.760
<v Speaker 1>fucking kidding? Me cindy goes on to say none of

0:30:19.760 --> 0:30:26.800
<v Speaker 1>the stories are, finished and she leaves a mean face Emoji, Cindy,

0:30:27.480 --> 0:30:32.120
<v Speaker 1>cindy thank you for calling tech. SUPPORT i appreciate. It

0:30:33.080 --> 0:30:36.000
<v Speaker 1>i'm going to encourage you to restart your. App just

0:30:36.080 --> 0:30:39.000
<v Speaker 1>close The apple podcast app and restart, it BECAUSE i

0:30:39.040 --> 0:30:40.960
<v Speaker 1>don't know what the fuck is going. On but all

0:30:40.960 --> 0:30:43.840
<v Speaker 1>of our stories are, Finished. Cindy we take great pride

0:30:43.880 --> 0:30:46.840
<v Speaker 1>in finishing our, stories and not only finishing, Them, cindy

0:30:47.320 --> 0:30:52.080
<v Speaker 1>finishing them with the classic storytelling trope of finishing with

0:30:52.200 --> 0:30:57.840
<v Speaker 1>a surprising but inevitable, end As aristotle taught us Via David, Mammott,

0:30:58.160 --> 0:31:00.280
<v Speaker 1>cindy we finish our. EPISODES i don't don't know what

0:31:00.320 --> 0:31:02.280
<v Speaker 1>you're getting, at But, CINDY i want to. Help so

0:31:02.400 --> 0:31:05.000
<v Speaker 1>if by, Chance, cindy who you are listening to this,

0:31:05.040 --> 0:31:09.200
<v Speaker 1>episode please reach back. Out get in touch At Disgrace

0:31:09.280 --> 0:31:12.080
<v Speaker 1>lampot on The Socials Disgrace lampod at gmail dot, com

0:31:12.120 --> 0:31:14.840
<v Speaker 1>on email six one seven nine oh six six six three,

0:31:14.920 --> 0:31:17.680
<v Speaker 1>eight voicemail and. TEXT i want to help, You cindy

0:31:17.720 --> 0:31:20.160
<v Speaker 1>WHO i want to help you figure this out because

0:31:20.160 --> 0:31:22.680
<v Speaker 1>the stories are, finished, Okay And i'll even give you

0:31:22.720 --> 0:31:26.680
<v Speaker 1>some some, Merch, cindy all, right free of. Charge Pam

0:31:26.760 --> 0:31:30.080
<v Speaker 1>drum On Apple. Podcast great voice that holds my attention

0:31:30.440 --> 0:31:35.440
<v Speaker 1>and you could keep going on. Forever keep it, Up Pam.

0:31:35.520 --> 0:31:37.320
<v Speaker 1>Drum you got A Pam, Drum get in, Touch Pam,

0:31:37.400 --> 0:31:41.240
<v Speaker 1>drum you get yourself some free. Merch all, Right disgrace

0:31:41.320 --> 0:31:43.520
<v Speaker 1>lampod at gmail dot. Com on the, EMAIL i want

0:31:43.560 --> 0:31:46.160
<v Speaker 1>to read this email From Johnny, vinel who's been a

0:31:46.160 --> 0:31:49.280
<v Speaker 1>big part of the show. Lately, johnny appreciate. You johnny

0:31:49.360 --> 0:31:53.640
<v Speaker 1>is a, huge Huge seattle music, fan huge grunge, fan

0:31:53.760 --> 0:31:56.320
<v Speaker 1>huge just fan of classic. Rock and he is just

0:31:56.360 --> 0:31:59.600
<v Speaker 1>this good. Taste AND i followed his account On instagram

0:31:59.640 --> 0:32:01.520
<v Speaker 1>for a while AND i like when he writes me

0:32:01.560 --> 0:32:04.200
<v Speaker 1>because he's usually got something good to, say and he

0:32:04.280 --> 0:32:06.600
<v Speaker 1>emails in he called To But i'm gonna read the

0:32:06.640 --> 0:32:09.680
<v Speaker 1>email here because it's it's done really. Well he writes, In, Hey,

0:32:09.760 --> 0:32:12.240
<v Speaker 1>jake after listening to around one hundred podcasts and after,

0:32:12.280 --> 0:32:14.840
<v Speaker 1>parties Now i'm inspired to share my. Thoughts first of, All,

0:32:14.880 --> 0:32:17.040
<v Speaker 1>johnny what the. Fuck we've got over two hundred and

0:32:17.040 --> 0:32:20.240
<v Speaker 1>twenty five full episodes Of, disgrace so come, on, man

0:32:20.320 --> 0:32:23.080
<v Speaker 1>get in, here. Dude, Anyway johnny goes, On i'm inspired

0:32:23.120 --> 0:32:25.840
<v Speaker 1>to share my, thoughts, opinions ideas with you to either

0:32:25.880 --> 0:32:27.920
<v Speaker 1>your pleasure or. Boredom this is a message of me

0:32:28.040 --> 0:32:30.760
<v Speaker 1>firing off various topics that will come off as, insane

0:32:30.920 --> 0:32:35.760
<v Speaker 1>one sided, banter or thoughtful and inspiring topics worth, Discussion

0:32:36.080 --> 0:32:38.640
<v Speaker 1>johnny goes, on the Reason i'm reading this. Email johnny

0:32:38.640 --> 0:32:42.560
<v Speaker 1>goes on to give us his top ten list of

0:32:43.280 --> 0:32:46.560
<v Speaker 1>so called grunge albums in the ten spot like, Me

0:32:46.720 --> 0:32:51.800
<v Speaker 1>johnny Has singles number, Nine Siamese dream number, Eight Dirt

0:32:52.280 --> 0:32:55.960
<v Speaker 1>That's els And chains number, seven Super unknown, six Super,

0:32:56.000 --> 0:32:59.280
<v Speaker 1>Fuzzed Big muff, Five bleach, Four bad Motor finger three ten,

0:32:59.760 --> 0:33:05.160
<v Speaker 1>Two facelift one never. Mind great, List. JOHNNY i like

0:33:05.240 --> 0:33:08.800
<v Speaker 1>that you Have bad Motor finger above Super. UNKNOWN i appreciate.

0:33:08.840 --> 0:33:11.880
<v Speaker 1>That johnny also goes on to talk a lot about

0:33:12.240 --> 0:33:14.520
<v Speaker 1>some of his favorite classic rock and some of his favorite,

0:33:14.560 --> 0:33:17.520
<v Speaker 1>directors and he mentions here that outside of, Rock i'm

0:33:17.560 --> 0:33:20.520
<v Speaker 1>a Huge Miles davis. Fan. HUGE i love it all

0:33:20.800 --> 0:33:23.960
<v Speaker 1>as a. VOCALIST i Find miles's trumpet to be a,

0:33:24.040 --> 0:33:25.840
<v Speaker 1>voice AND i think you're spot on there as, Well.

0:33:25.920 --> 0:33:29.000
<v Speaker 1>Johnny so appreciate the. Email, Guys disgrace sampod at gmail dot,

0:33:29.000 --> 0:33:31.160
<v Speaker 1>com you want to get in. Touch this episode is

0:33:31.200 --> 0:33:34.200
<v Speaker 1>nearing its, end but over in the bonus section of this,

0:33:34.280 --> 0:33:37.880
<v Speaker 1>episode which is coming up just after, this and you

0:33:37.880 --> 0:33:40.200
<v Speaker 1>can hear the bonus part of this. Episode we're gonna

0:33:40.200 --> 0:33:42.160
<v Speaker 1>get into my recommendations. Here i'm gonna talk a little

0:33:42.160 --> 0:33:46.920
<v Speaker 1>bit about What i'm listening to this week and what more,

0:33:46.920 --> 0:33:51.200
<v Speaker 1>excitedly What i'm. Watching i'm watching two fantastic shows ON.

0:33:51.280 --> 0:33:54.560
<v Speaker 1>Tv i'm really really, inspired still Watching Kenny Powers Is

0:33:54.560 --> 0:33:57.640
<v Speaker 1>i'm about to land that. Plane but there's two other

0:33:58.000 --> 0:34:02.280
<v Speaker 1>newest shows That i'm app adoring at the. Moment i'm

0:34:02.280 --> 0:34:03.800
<v Speaker 1>going to talk about both of, them and you guys

0:34:03.800 --> 0:34:07.040
<v Speaker 1>can hear. That just so long as you become a,

0:34:07.120 --> 0:34:11.040
<v Speaker 1>member an all access member Of, disgraceland and that's very

0:34:11.080 --> 0:34:13.640
<v Speaker 1>easy to. Do you just go to disgracelandpod dot com

0:34:13.680 --> 0:34:16.279
<v Speaker 1>slash membership and you sign. Up it's five bucks a.

0:34:16.280 --> 0:34:18.240
<v Speaker 1>Month you get the bonus section of the After, party

0:34:18.280 --> 0:34:23.520
<v Speaker 1>you get the extra exclusive episode Of disgraceland once a.

0:34:23.560 --> 0:34:26.680
<v Speaker 1>Month we just released an episode On slipknot that came

0:34:26.719 --> 0:34:28.759
<v Speaker 1>out last week that is there for. You you guys

0:34:28.760 --> 0:34:31.000
<v Speaker 1>want to sign, up come on and get Some get

0:34:31.040 --> 0:34:33.520
<v Speaker 1>that Slip knot. Episode next month we get an episode

0:34:33.520 --> 0:34:38.279
<v Speaker 1>On David, crosby which is fucked. UP i gotta tell

0:34:38.320 --> 0:34:42.240
<v Speaker 1>You crosby was an. Animal crosby might be my answer

0:34:43.080 --> 0:34:45.040
<v Speaker 1>to next week's question of the week on who is

0:34:45.080 --> 0:34:49.520
<v Speaker 1>more debaucherous Than Billy. Idol it might Be David, crosby that.

0:34:49.640 --> 0:34:51.960
<v Speaker 1>Guy Damn, well we're gonna get into all of, that

0:34:52.080 --> 0:34:53.319
<v Speaker 1>but the only way you're gonna be able to hear

0:34:53.360 --> 0:34:54.920
<v Speaker 1>it is if you become a, member and that's just

0:34:55.000 --> 0:34:57.879
<v Speaker 1>five bucks a. Month. Now you also GET ad free

0:34:57.960 --> 0:35:01.360
<v Speaker 1>listening Of, disgraceland All disgrace, episodes not just the exclusive,

0:35:01.400 --> 0:35:04.600
<v Speaker 1>episode all of them ad free and. Listen we're selling ads, lately.

0:35:04.640 --> 0:35:06.880
<v Speaker 1>Guys we teamed up with our partners over At odyssey

0:35:06.880 --> 0:35:09.279
<v Speaker 1>and they're selling the shit out of the. Show so

0:35:09.280 --> 0:35:11.920
<v Speaker 1>there's lots of. Ads you might hate the, ads BUT

0:35:12.280 --> 0:35:13.840
<v Speaker 1>i gotta tell, YOU i got to pay. PEOPLE i

0:35:13.880 --> 0:35:16.120
<v Speaker 1>gotta pay. MYSELF i got to produce this aw some.

0:35:16.280 --> 0:35:19.400
<v Speaker 1>Content it's not free to. Do it costs. Money but if,

0:35:19.480 --> 0:35:21.920
<v Speaker 1>listen if you're annoyed with the, ADS i get. It

0:35:22.280 --> 0:35:24.400
<v Speaker 1>there's a way around. It five bucks a, month you're

0:35:24.400 --> 0:35:26.319
<v Speaker 1>gonna get that ad free listening on every. Episode you're

0:35:26.320 --> 0:35:28.439
<v Speaker 1>gonna get that exclusive episode as, well and you're gonna

0:35:28.440 --> 0:35:31.440
<v Speaker 1>get the bonus section of the after. Party just go

0:35:31.480 --> 0:35:56.080
<v Speaker 1>to disgrace lampod dot com slash. Membership all, right, guys

0:35:56.120 --> 0:35:58.719
<v Speaker 1>we are back and. Listen i'm about to get out of.

0:35:58.760 --> 0:36:02.279
<v Speaker 1>Here BEFORE i, DO i cherry picked some episodes from

0:36:02.280 --> 0:36:04.800
<v Speaker 1>our archive for you. Guys And i'm doing this because

0:36:05.920 --> 0:36:08.600
<v Speaker 1>The Snoop Dogg archive episode came out last week and

0:36:08.640 --> 0:36:12.280
<v Speaker 1>it did gangbusters in terms of, downloads lots of. Listens

0:36:12.719 --> 0:36:16.399
<v Speaker 1>this episode came out in twenty, nineteen, okay and it's

0:36:16.480 --> 0:36:20.839
<v Speaker 1>getting it's just getting massive new. Exposure SO i love.

0:36:20.880 --> 0:36:22.759
<v Speaker 1>IT i love. IT i love. IT i love. It

0:36:22.840 --> 0:36:25.719
<v Speaker 1>AND i, thought you, know we can only release one

0:36:25.840 --> 0:36:30.080
<v Speaker 1>archive episode a. WEEK i should probably do a better

0:36:30.280 --> 0:36:33.600
<v Speaker 1>job of bringing to light some of these other episodes

0:36:33.640 --> 0:36:35.600
<v Speaker 1>that are in the. ARCHIVE i know there's a lot

0:36:35.640 --> 0:36:37.400
<v Speaker 1>of deadheads who listen to the, show AND i know

0:36:37.480 --> 0:36:39.920
<v Speaker 1>that The Grateful dead episode of Disgrace sand has been

0:36:39.960 --> 0:36:41.960
<v Speaker 1>talked about a, lot but there is a second, episode

0:36:42.000 --> 0:36:45.000
<v Speaker 1>an episode on Pig, pen an episode on The Grateful

0:36:45.040 --> 0:36:47.880
<v Speaker 1>dead's Pig, pen which really gets. IN i kind of

0:36:47.880 --> 0:36:51.839
<v Speaker 1>treated it as A Grateful dead origin. Story it's really

0:36:51.920 --> 0:36:55.000
<v Speaker 1>kind of like it's about their come. Up it centers Around,

0:36:55.040 --> 0:36:57.760
<v Speaker 1>pigpen of, course but it's about all the great, weird,

0:36:58.360 --> 0:37:01.640
<v Speaker 1>strange Weird americana that they were, into AND i think

0:37:01.640 --> 0:37:05.240
<v Speaker 1>you're gonna dig. It there's also from all this great

0:37:05.280 --> 0:37:09.520
<v Speaker 1>sort of crime true, crime not true, crime crime fiction

0:37:10.000 --> 0:37:12.640
<v Speaker 1>That i've been absorbing lately and talking. ABOUT i was

0:37:12.680 --> 0:37:16.880
<v Speaker 1>just talking about a crime show in the bonus section

0:37:17.000 --> 0:37:20.640
<v Speaker 1>of this after party got me thinking about The pantera

0:37:20.719 --> 0:37:24.560
<v Speaker 1>episode Of, disgraceland which is one of my, favorites and of,

0:37:24.600 --> 0:37:28.000
<v Speaker 1>course you Know I'm i'm a sucker for a good mob.

0:37:28.080 --> 0:37:30.920
<v Speaker 1>Story i'm actually looking, forward by the, way side, note

0:37:30.960 --> 0:37:34.160
<v Speaker 1>to watching that New robert De niro movie where he

0:37:34.239 --> 0:37:39.920
<v Speaker 1>plays two roles simultaneously opposite one. ANOTHER i can't think

0:37:39.920 --> 0:37:41.280
<v Speaker 1>of the name of the, film but it got fucking

0:37:41.440 --> 0:37:43.319
<v Speaker 1>panned when it came out last, week BUT i watched

0:37:43.360 --> 0:37:45.120
<v Speaker 1>the trailer And i'm into it and it's a mob.

0:37:45.120 --> 0:37:48.680
<v Speaker 1>Story but, anyways mob stories From, disgraceland The Tommy james

0:37:48.719 --> 0:37:52.760
<v Speaker 1>Episode Tommy. James. Okay also this has relevance With Billy

0:37:52.760 --> 0:37:55.839
<v Speaker 1>idol coming up next Week Mony Mony, okay get into.

0:37:55.880 --> 0:37:58.400
<v Speaker 1>That and you Know i'm Mentioning Billy idol. Here Billy

0:37:58.440 --> 0:38:00.520
<v Speaker 1>idol makes me think of the Sex pistols Because Billy

0:38:00.560 --> 0:38:03.759
<v Speaker 1>Idol GENERATION. X i've been back In london back in the,

0:38:03.840 --> 0:38:07.600
<v Speaker 1>day back part of that first first generation OF uk,

0:38:08.160 --> 0:38:10.960
<v Speaker 1>Punk Billy idol's Band GENERATION, x and we talk a

0:38:11.040 --> 0:38:13.840
<v Speaker 1>lot about the Sid vicious episode or disgrace In but

0:38:13.880 --> 0:38:17.359
<v Speaker 1>there are two episodes on the Sex pistols that are

0:38:17.400 --> 0:38:19.719
<v Speaker 1>waiting for you in the. Archive matt will have all

0:38:19.760 --> 0:38:23.399
<v Speaker 1>the information on these episodes in the show. Notes if

0:38:23.440 --> 0:38:26.400
<v Speaker 1>you want an easy guide to finding them in our massive,

0:38:26.560 --> 0:38:29.359
<v Speaker 1>archive check the show. Notes he'll have that info. There all,

0:38:29.440 --> 0:38:31.920
<v Speaker 1>right let's, recap shall. We number, One my other, podcast Hollywood,

0:38:31.960 --> 0:38:33.680
<v Speaker 1>land is a live and kicking over in the Hollywood land,

0:38:33.719 --> 0:38:36.200
<v Speaker 1>Feed so make sure you are subscribed and following Hollywood

0:38:36.239 --> 0:38:38.400
<v Speaker 1>land On Apple, Podcasts spotify or wherever you get your.

0:38:38.400 --> 0:38:41.200
<v Speaker 1>Podcasts number two right now in your Disgrace land, Feed

0:38:41.239 --> 0:38:43.520
<v Speaker 1>Our part two episode On Bob. Dylan number three coming,

0:38:43.520 --> 0:38:46.000
<v Speaker 1>Tomorrow our rewind episode On James Brown nu before merch

0:38:46.000 --> 0:38:48.319
<v Speaker 1>winners get in. Touch you know who you? Are number.

0:38:48.320 --> 0:38:50.280
<v Speaker 1>Five remember no one cares about preserving the true spirit

0:38:50.280 --> 0:38:51.680
<v Speaker 1>of rock and roll more than you. Do and well

0:38:51.719 --> 0:38:54.880
<v Speaker 1>that's a, disgrace all. Right in honor of this week's,

0:38:54.880 --> 0:38:58.719
<v Speaker 1>Subject Bob, dylan this is me reading you the phone

0:38:58.760 --> 0:39:01.200
<v Speaker 1>book From june seventeenthnineteen seventy, two the day of The

0:39:01.200 --> 0:39:04.160
<v Speaker 1>watergate break In Why watergate And Bob. Dylan well you

0:39:04.200 --> 0:39:05.640
<v Speaker 1>have to listen to part two with The Bob dylan

0:39:05.760 --> 0:39:09.200
<v Speaker 1>story find out all, right here we. Go number One

0:39:09.400 --> 0:39:12.160
<v Speaker 1>The Candy, Man Sammy Davis junior and The Mike Curb

0:39:12.239 --> 0:39:17.479
<v Speaker 1>congregation last week, one peak position one weeks On chart.

0:39:17.840 --> 0:39:22.040
<v Speaker 1>Fifteen number Two I'll Take You. There The Staples singers

0:39:22.440 --> 0:39:27.600
<v Speaker 1>last week, two peak position one weeks On chart. Eleven

0:39:28.200 --> 0:39:33.200
<v Speaker 1>number three Song Son Blue Neil diamond last week, four

0:39:33.520 --> 0:39:38.080
<v Speaker 1>peak positions three press weeks On chart. Seven number, Five

0:39:38.600 --> 0:39:42.439
<v Speaker 1>nice To Be If You gallery nine last week, six

0:39:42.840 --> 0:39:48.359
<v Speaker 1>peak position five weeks On chart. Seventeen number Six out

0:39:48.400 --> 0:39:53.760
<v Speaker 1>Of Space Billy preston last week, nine peak position six

0:39:54.239 --> 0:40:00.880
<v Speaker 1>weeks on chart, nine number, Seven try The Jimmy, castle

0:40:05.600 --> 0:40:10.000
<v Speaker 1>quit talking and start. Mixing h