1 00:00:01,760 --> 00:00:04,800 Speaker 1: Hey, discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,320 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:30,360 --> 00:00:32,800 Speaker 1: a little thing we like to call the after party. 6 00:00:32,840 --> 00:00:34,840 Speaker 1: This is the show after the show, the party after 7 00:00:34,880 --> 00:00:36,360 Speaker 1: the party, the bridge to get you from one full 8 00:00:36,360 --> 00:00:39,440 Speaker 1: episode or Disgraceland to the other, the backyard to dig 9 00:00:39,479 --> 00:00:42,800 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:42,800 --> 00:00:46,280 Speaker 1: about this week's full episode subject, Bob Dylan. We also 11 00:00:46,280 --> 00:00:49,280 Speaker 1: get into Oliver Stone and Val Kilmer's Jim Morrison for 12 00:00:49,320 --> 00:00:51,680 Speaker 1: a wee bit, as well as a bit of a 13 00:00:51,680 --> 00:00:55,080 Speaker 1: deeper dive into our Hollywood Land spinoff series. And we 14 00:00:55,120 --> 00:00:58,360 Speaker 1: get into your voicemails, text DMS emails and as always, 15 00:00:58,680 --> 00:01:01,480 Speaker 1: a whole lot of rose. All right, this goes, Let's 16 00:01:01,880 --> 00:01:17,880 Speaker 1: get into it, all right. This week's after Party is 17 00:01:17,920 --> 00:01:20,360 Speaker 1: gonna be a little bit different. We had a massive 18 00:01:20,400 --> 00:01:23,920 Speaker 1: news day yesterday, which, as I write this, when I 19 00:01:23,920 --> 00:01:27,679 Speaker 1: say yesterday, I mean Tuesday, a ton of music news 20 00:01:27,720 --> 00:01:30,080 Speaker 1: and a ton of news news. And I know a 21 00:01:30,120 --> 00:01:33,120 Speaker 1: lot of you watched the Congressional hearing with Oliver Stone 22 00:01:33,200 --> 00:01:35,440 Speaker 1: and Jefferson Morley on the JFK Files. And I know 23 00:01:35,480 --> 00:01:37,399 Speaker 1: a lot of you are catching up and having yet 24 00:01:37,440 --> 00:01:40,880 Speaker 1: finished this week's full episode of Disgraceland, our part two 25 00:01:40,959 --> 00:01:44,240 Speaker 1: episode on Bob Dylan, which directly relates to those JFK 26 00:01:44,400 --> 00:01:47,400 Speaker 1: hearings on Capitol Hill this week. So if any of 27 00:01:47,440 --> 00:01:51,279 Speaker 1: you have not heard Part two, have not yet heard 28 00:01:51,680 --> 00:01:54,240 Speaker 1: Bob Dylan Part two, not part one, Part two of 29 00:01:54,280 --> 00:01:56,560 Speaker 1: our Bob Dylan story, I'm going to give you this 30 00:01:56,680 --> 00:01:59,960 Speaker 1: moment here to fast forward this year After Party Bonus 31 00:02:00,000 --> 00:02:03,040 Speaker 1: episode about ten minutes or so. Go past the first 32 00:02:03,120 --> 00:02:05,200 Speaker 1: ad break and just start listening from that point on, 33 00:02:05,720 --> 00:02:08,520 Speaker 1: or past the first musical interlude if you're ad free, 34 00:02:08,560 --> 00:02:11,520 Speaker 1: because there will be spoilers, and I'm going to get 35 00:02:11,520 --> 00:02:14,840 Speaker 1: into spoilers right now. Okay, the spoilers are coming in 36 00:02:14,880 --> 00:02:17,160 Speaker 1: the next few seconds. So again, if you haven't yet 37 00:02:17,200 --> 00:02:19,440 Speaker 1: heard Part two of the Bob Dylan episode, now is 38 00:02:19,480 --> 00:02:25,040 Speaker 1: your chance to fast forward past the spoilers. Okay, So 39 00:02:25,280 --> 00:02:27,520 Speaker 1: for the rest of you who heard this episode, thank 40 00:02:27,560 --> 00:02:30,280 Speaker 1: you for taking this ride with us, Thanks for the texts, 41 00:02:30,800 --> 00:02:33,880 Speaker 1: thanks for the voicemails, Thanks for the comments on social 42 00:02:33,919 --> 00:02:36,800 Speaker 1: if you commented and then didn't see your comment or 43 00:02:36,840 --> 00:02:40,239 Speaker 1: saw your comment get deleted, I deleted them because I'm 44 00:02:40,240 --> 00:02:42,880 Speaker 1: trying to preserve the gag here for the rest of 45 00:02:42,919 --> 00:02:45,160 Speaker 1: the listeners. We haven't done one of these types of 46 00:02:45,200 --> 00:02:49,799 Speaker 1: episodes in five years, Okay, twenty twenty was the last one, 47 00:02:49,840 --> 00:02:51,400 Speaker 1: and I got you good that time, and I got 48 00:02:51,400 --> 00:02:53,600 Speaker 1: you in twenty nineteen as well, But I needed to 49 00:02:53,639 --> 00:02:55,480 Speaker 1: take a couple of years off because I needed to 50 00:02:55,560 --> 00:02:59,560 Speaker 1: lull you guys into an unsuspecting content trance before I 51 00:02:59,560 --> 00:03:01,400 Speaker 1: could come back at you with an episode like this 52 00:03:01,639 --> 00:03:06,359 Speaker 1: Part two, Bob Dylan episode. Okay, on this episode, it's 53 00:03:06,440 --> 00:03:08,839 Speaker 1: different than the last two that we did, the one 54 00:03:08,840 --> 00:03:12,239 Speaker 1: with Jim and the one with John. This one had 55 00:03:12,400 --> 00:03:17,840 Speaker 1: far less historical fiction, like almost none, and way more 56 00:03:18,000 --> 00:03:21,280 Speaker 1: historical fact, which is the main ingredient really when trying 57 00:03:21,320 --> 00:03:25,399 Speaker 1: to make these episodes work. And this Dylan episode, Part two, 58 00:03:25,919 --> 00:03:28,560 Speaker 1: like I said at the end of it, nearly everything 59 00:03:28,680 --> 00:03:32,359 Speaker 1: is true. Nearly all of those outrageous facts are true. 60 00:03:32,840 --> 00:03:35,760 Speaker 1: Bob Dylan did indeed say that crazy shit about Lee 61 00:03:35,800 --> 00:03:39,920 Speaker 1: Harvey Oswald, basically supporting who was thought to be JFK's killer. 62 00:03:40,040 --> 00:03:43,080 Speaker 1: Two weeks after JFK was murdered. Dylan gave the impression 63 00:03:43,680 --> 00:03:46,440 Speaker 1: he indeed gave the impression that he was for the 64 00:03:46,520 --> 00:03:50,440 Speaker 1: Vietnam War in an interview with Singout magazine in the 65 00:03:50,640 --> 00:03:54,040 Speaker 1: I believe that was the late sixties, early seventies, and 66 00:03:54,160 --> 00:03:57,240 Speaker 1: Dylan did beat the piss out of that reporter. As 67 00:03:57,280 --> 00:04:01,040 Speaker 1: depicted in our episode, Dylan did stay at the Watergate Hotel. 68 00:04:01,360 --> 00:04:04,760 Speaker 1: Dylan's FBI file, or a page from his file anyway, 69 00:04:04,880 --> 00:04:08,200 Speaker 1: was read verbatim in my episode. That's from the actual 70 00:04:08,960 --> 00:04:12,240 Speaker 1: Dylan FBI file, and that was the first file I read. 71 00:04:12,240 --> 00:04:13,920 Speaker 1: The other two that I read in the episode, I 72 00:04:13,920 --> 00:04:17,640 Speaker 1: made those up for the purposes of the story. Dylan 73 00:04:17,680 --> 00:04:20,240 Speaker 1: wrote that note to the I ins for John and Yoko. 74 00:04:20,320 --> 00:04:22,440 Speaker 1: That's true. You can look up the note the fifty 75 00:04:22,440 --> 00:04:26,080 Speaker 1: five Families bit that was true as well. Again, look 76 00:04:26,080 --> 00:04:28,240 Speaker 1: at the book The Political World of Bob Dylan for 77 00:04:28,279 --> 00:04:31,640 Speaker 1: that story with the mysterious illuminati like aristocrat from the 78 00:04:31,640 --> 00:04:34,760 Speaker 1: fifty five Families who ended up playing Bob and Bill Graham. 79 00:04:35,160 --> 00:04:37,240 Speaker 1: Even the bit about me working for Carl Bernstein and 80 00:04:37,279 --> 00:04:40,960 Speaker 1: how my boss chose to use me to thwart Carl's stupidity, 81 00:04:41,040 --> 00:04:46,760 Speaker 1: all true, all true. Okay, what wasn't true? Now that's 82 00:04:46,760 --> 00:04:48,600 Speaker 1: a little bit different, not as much, not as much 83 00:04:48,640 --> 00:04:52,400 Speaker 1: on the not true vine. But Andy, the answer was 84 00:04:52,440 --> 00:04:54,800 Speaker 1: an invention. I made that up to help set up 85 00:04:54,800 --> 00:04:58,360 Speaker 1: the part where Bob unknowingly becomes the ruse that Andy 86 00:04:58,400 --> 00:05:00,880 Speaker 1: exploits to get into Becca's office. Becca was made up 87 00:05:00,880 --> 00:05:04,120 Speaker 1: as well. Aside from that, there's not much that I 88 00:05:04,160 --> 00:05:08,839 Speaker 1: made up, And that's the beauty of these these satirical episodes. 89 00:05:08,960 --> 00:05:10,960 Speaker 1: And again there's only been three in the entire history 90 00:05:11,000 --> 00:05:15,520 Speaker 1: of Disgraceland. But as for some historical fiction here, okay, 91 00:05:16,560 --> 00:05:20,119 Speaker 1: I can't say if the following two supposed conspiracy theories 92 00:05:20,160 --> 00:05:23,640 Speaker 1: are true or not, but they haven't been proven false. 93 00:05:23,920 --> 00:05:26,160 Speaker 1: They haven't proven true either one way or another. They 94 00:05:26,160 --> 00:05:29,000 Speaker 1: haven't been proven. But the Watergate prostitution ring is a 95 00:05:29,120 --> 00:05:32,120 Speaker 1: real theory. It was a real conspiracy pedaled by G. 96 00:05:32,279 --> 00:05:34,880 Speaker 1: Gordon Liddie, and it was litigated in court in the 97 00:05:34,960 --> 00:05:37,200 Speaker 1: early nineteen eighties, I believe, and as far as I 98 00:05:37,200 --> 00:05:40,040 Speaker 1: can tell, there's no actual evidence that supports the idea 99 00:05:40,080 --> 00:05:43,200 Speaker 1: that there was in fact a prostitution ring run out 100 00:05:43,240 --> 00:05:45,960 Speaker 1: of the Watergate Hotel in the early nineteen seventies, so 101 00:05:46,839 --> 00:05:51,839 Speaker 1: on that one false. Now the second so called conspiracy theory, 102 00:05:52,080 --> 00:05:55,800 Speaker 1: the idea that Richard Nixon did not orchestrate Watergate, but 103 00:05:56,000 --> 00:05:58,800 Speaker 1: was instead set up by the CIA to make it 104 00:05:58,800 --> 00:06:02,120 Speaker 1: look like he orchestrated Watergate, or rather set up by 105 00:06:02,160 --> 00:06:05,560 Speaker 1: the CIA two orchestrate Watergate so that the CIA would 106 00:06:05,600 --> 00:06:09,240 Speaker 1: then have a way to peacefully dispose of him. When 107 00:06:09,279 --> 00:06:10,960 Speaker 1: I first heard this theory a year ago, I gave 108 00:06:11,000 --> 00:06:14,480 Speaker 1: it no credence up But now, seriously, after all the 109 00:06:14,680 --> 00:06:18,600 Speaker 1: dirty shit detailed in the JFK files about the CIA, 110 00:06:19,000 --> 00:06:21,000 Speaker 1: and about all the lies they've been caught in in 111 00:06:21,000 --> 00:06:22,920 Speaker 1: the last few weeks, and all the ways in which 112 00:06:23,000 --> 00:06:26,560 Speaker 1: CIA members perjured themselves relative to their testimony on the 113 00:06:26,640 --> 00:06:29,919 Speaker 1: JFK assassination, I'd say that I'm fifty to fifty on 114 00:06:30,000 --> 00:06:32,120 Speaker 1: this Nixon thing and whether or not he was set 115 00:06:32,200 --> 00:06:35,239 Speaker 1: up by the CIA. On this theory, I mean, there's tape, 116 00:06:35,279 --> 00:06:37,960 Speaker 1: for God's sakes, I played you the tape in the 117 00:06:38,040 --> 00:06:41,120 Speaker 1: episode that's real. Now, whether or not the theory's real, 118 00:06:41,279 --> 00:06:43,279 Speaker 1: I'm not saying one way or another. All I'm saying 119 00:06:43,320 --> 00:06:46,039 Speaker 1: is that it's not entirely unlikely given all we know, 120 00:06:46,520 --> 00:06:49,960 Speaker 1: but it all goes back to Watergate, the place, not 121 00:06:50,040 --> 00:06:54,200 Speaker 1: the scandal. It was that information about Bob Dylan staying 122 00:06:54,240 --> 00:06:56,240 Speaker 1: at the Watergate hotel that got me thinking about this 123 00:06:56,440 --> 00:06:59,359 Speaker 1: entire idea that in the fifty five Families saying that 124 00:06:59,360 --> 00:07:02,279 Speaker 1: I read in that book about Bob's politics. The larger 125 00:07:02,320 --> 00:07:04,479 Speaker 1: point I was trying to make in this episode, and 126 00:07:04,520 --> 00:07:08,039 Speaker 1: a point that I think Bob Dylan would support, is 127 00:07:08,080 --> 00:07:12,680 Speaker 1: that politics are evil and the media is just as 128 00:07:12,720 --> 00:07:16,320 Speaker 1: corrupt as our government. In that first FBI memo on 129 00:07:16,400 --> 00:07:18,120 Speaker 1: Bob Dylan that I read to you in the episode, 130 00:07:18,480 --> 00:07:20,480 Speaker 1: the Special Agent in Charge, and again this is a 131 00:07:20,480 --> 00:07:23,480 Speaker 1: real memo, the Special Agent in Charge recommends that the 132 00:07:23,520 --> 00:07:25,920 Speaker 1: Bureau call upon its contacts and media to get the 133 00:07:25,920 --> 00:07:29,160 Speaker 1: word out on Dylan, to basically frame Bob Dylan as 134 00:07:29,200 --> 00:07:33,920 Speaker 1: anti American. We've talked about Operation Mockingbird here before. That's 135 00:07:33,960 --> 00:07:36,720 Speaker 1: the CIA's effort to co opt and control over six 136 00:07:36,800 --> 00:07:39,640 Speaker 1: hundred journalists at major news outlets in the nineteen sixties 137 00:07:39,640 --> 00:07:45,360 Speaker 1: and seventies. Nothing has changed. Nothing. Just this morning, okay, 138 00:07:45,720 --> 00:07:49,000 Speaker 1: I'm putting this episode together on Wednesday, April second, just 139 00:07:49,040 --> 00:07:54,000 Speaker 1: this morning, in the wake of Tuesday April first, JFK 140 00:07:54,720 --> 00:07:58,560 Speaker 1: Files Congressional hearing, the congressional hearing of the JFK assassination 141 00:07:58,640 --> 00:08:03,040 Speaker 1: that was held on Capitol Hill just this morning. CBS 142 00:08:03,360 --> 00:08:07,600 Speaker 1: and ABC News are not only miscategorizing Jefferson Morley's testimony 143 00:08:07,680 --> 00:08:11,200 Speaker 1: on Capitol Hill relative to the JFK Files, they're outright 144 00:08:11,600 --> 00:08:16,440 Speaker 1: lying about his past. And he's calling for an immediate retraction, 145 00:08:16,600 --> 00:08:19,960 Speaker 1: as he should be, and I hope he even sues them. Now, 146 00:08:20,240 --> 00:08:24,040 Speaker 1: why would CBS and ABC in the year twenty twenty 147 00:08:24,040 --> 00:08:27,360 Speaker 1: five move so quickly to discredit a man who has 148 00:08:27,400 --> 00:08:31,600 Speaker 1: done more fact based research on the JFK assassination, Jefferson 149 00:08:31,640 --> 00:08:34,360 Speaker 1: Morley than any other living journalists, A man who has 150 00:08:34,679 --> 00:08:38,000 Speaker 1: never once uttered a word of conspiracy, A man who, 151 00:08:38,040 --> 00:08:41,800 Speaker 1: if you follow him, it's obvious that his statements, his writing, 152 00:08:42,040 --> 00:08:47,079 Speaker 1: his opinions are entirely fact based. What incentive would CBS 153 00:08:47,200 --> 00:08:50,920 Speaker 1: or ABC have in discrediting this man. Well, I'll tell 154 00:08:50,920 --> 00:08:52,760 Speaker 1: you what that incentive is. It's because he came out 155 00:08:52,840 --> 00:08:56,920 Speaker 1: yesterday in public, on record on Capitol Hill, at the 156 00:08:57,040 --> 00:09:00,440 Speaker 1: risk of perjuring himself, and said what we have all 157 00:09:00,480 --> 00:09:04,240 Speaker 1: known to be true for decades that the evidence in 158 00:09:04,360 --> 00:09:08,240 Speaker 1: no way supports the so called fact that Lee Harvey 159 00:09:08,280 --> 00:09:12,200 Speaker 1: Oswald killed JFK. The CIA cannot have this out there 160 00:09:12,440 --> 00:09:16,000 Speaker 1: because the truth is very dark. If Oswald didn't do it, 161 00:09:16,080 --> 00:09:19,080 Speaker 1: who did? Okay? I have thoughts on that, and I 162 00:09:19,080 --> 00:09:21,079 Speaker 1: think these files are going to bear them out. We're 163 00:09:21,080 --> 00:09:22,920 Speaker 1: going to talk about that more in the coming weeks 164 00:09:22,960 --> 00:09:24,560 Speaker 1: here and there. Not going to make a big deal 165 00:09:24,600 --> 00:09:25,920 Speaker 1: out of it. It's going to take a while for 166 00:09:26,000 --> 00:09:29,360 Speaker 1: all this to get pieced together. But again, why would 167 00:09:29,360 --> 00:09:31,880 Speaker 1: ABC and CBS come out so quickly to try to 168 00:09:31,880 --> 00:09:36,200 Speaker 1: discredit this man. It's because the media still does the 169 00:09:36,200 --> 00:09:39,680 Speaker 1: bidding of their handlers in the CIA and in the FBI. 170 00:09:40,080 --> 00:09:44,800 Speaker 1: Nothing has changed, nothing, all right? Anyway, I hope you 171 00:09:44,840 --> 00:09:46,480 Speaker 1: dug this episode, and I hope you're not to pissed 172 00:09:46,480 --> 00:09:48,920 Speaker 1: at me for taking you on this hour plus ride. 173 00:09:48,920 --> 00:09:51,760 Speaker 1: This is the longest episode of Disgrace, and I believe 174 00:09:51,760 --> 00:09:54,640 Speaker 1: that we've ever done. Matt Boden is still pissed off 175 00:09:54,640 --> 00:09:56,320 Speaker 1: at me for making him mix it, though I don't 176 00:09:56,320 --> 00:09:59,120 Speaker 1: blame him. It was long, but Matt killed it because 177 00:09:59,120 --> 00:10:01,600 Speaker 1: the sound design came up great. Anyway, Matt, no more 178 00:10:01,640 --> 00:10:05,200 Speaker 1: hour long episodes, I promise all right. Coming up on Friday, 179 00:10:05,200 --> 00:10:08,559 Speaker 1: we are revisiting another giant from music history, the hardest 180 00:10:08,559 --> 00:10:11,800 Speaker 1: working man in show business, James Brown, Ladies and Gentlemen, 181 00:10:12,120 --> 00:10:15,800 Speaker 1: James Brown, in our rewind slot on Friday. That's tomorrow. 182 00:10:15,800 --> 00:10:17,800 Speaker 1: I've got a James Brown Part two that I'm thinking 183 00:10:17,800 --> 00:10:21,480 Speaker 1: about based on this theory that he was murdered. Haven't 184 00:10:21,480 --> 00:10:23,880 Speaker 1: done a lot of research on it, but just top line, 185 00:10:23,920 --> 00:10:26,920 Speaker 1: it's pretty interesting and there's there's a lot there, but 186 00:10:26,920 --> 00:10:29,360 Speaker 1: that's not for a while, if at all. Then next 187 00:10:29,400 --> 00:10:32,120 Speaker 1: week on Tuesday, we have a new episode on Billy 188 00:10:32,200 --> 00:10:34,760 Speaker 1: Idle and Holy Debauchery Batman. This one's going to leave 189 00:10:34,760 --> 00:10:37,000 Speaker 1: a mark when you're listening to this episode and wading 190 00:10:37,040 --> 00:10:39,080 Speaker 1: through all the sex, drugs and rock and roll, be 191 00:10:39,120 --> 00:10:42,240 Speaker 1: thinking about Billy Idle and his debauchery and thinking about 192 00:10:42,280 --> 00:10:45,880 Speaker 1: which rock star was the most debaucherous. Was it Billy Idle, 193 00:10:46,120 --> 00:10:48,640 Speaker 1: as we're going to explain, or was it someone else? 194 00:10:49,160 --> 00:10:52,440 Speaker 1: Which artist stories of excess are so bad, so gross, 195 00:10:52,480 --> 00:10:55,200 Speaker 1: so over the top that they deserve the crown over 196 00:10:55,240 --> 00:10:56,880 Speaker 1: Billy Idle. That's going to be the question of the 197 00:10:56,880 --> 00:10:59,000 Speaker 1: week next week six one seven nine oh six six 198 00:10:59,120 --> 00:11:01,640 Speaker 1: six three eight leave me a voicemail or a text. 199 00:11:01,840 --> 00:11:03,680 Speaker 1: I'm going to be back in a flash with your 200 00:11:03,760 --> 00:11:06,960 Speaker 1: voicemails and texts and dms on this week's question of 201 00:11:06,960 --> 00:11:30,080 Speaker 1: the week. All Right, we are back, And just a 202 00:11:30,120 --> 00:11:32,840 Speaker 1: quick reminder to make sure you Apple podcast listeners have 203 00:11:32,920 --> 00:11:35,440 Speaker 1: auto downloads turned on so you're not missing any episodes. 204 00:11:36,000 --> 00:11:38,320 Speaker 1: All right, six one seven nine oh six six six 205 00:11:38,440 --> 00:11:39,719 Speaker 1: three eight. You know where I'm at. I'm in the 206 00:11:39,720 --> 00:11:41,480 Speaker 1: phone booth. It's the one across the hall. I'm hanging 207 00:11:41,520 --> 00:11:42,719 Speaker 1: on the telephone. If you want to send me a 208 00:11:42,760 --> 00:11:44,320 Speaker 1: voicemail or a text. I like that. I like that 209 00:11:44,360 --> 00:11:46,760 Speaker 1: hanging on a telephone bit. Anyway, I'm going to leave 210 00:11:47,000 --> 00:11:50,280 Speaker 1: the Dylan voicemails and the Dylan text to next week. 211 00:11:50,600 --> 00:11:52,079 Speaker 1: Is there a bunch of you who still haven't heard 212 00:11:52,080 --> 00:11:54,679 Speaker 1: this episode? And I'd like to have a complete conversation, 213 00:11:54,760 --> 00:11:56,960 Speaker 1: a complete discussion, if you will, on this story with 214 00:11:57,040 --> 00:11:59,480 Speaker 1: as many of you as possible. But have no fear 215 00:12:00,000 --> 00:12:01,680 Speaker 1: because a ton of you hit me up to continue 216 00:12:01,679 --> 00:12:05,720 Speaker 1: our conversation from last week on Grunge, on Seattle, on Alice, 217 00:12:05,800 --> 00:12:08,080 Speaker 1: and chains, et cetera. Let's hear from the seven to 218 00:12:08,080 --> 00:12:09,840 Speaker 1: four to oh hey. 219 00:12:09,679 --> 00:12:14,200 Speaker 2: Jake, just listen to your grunge top ten. Really glad 220 00:12:14,200 --> 00:12:16,080 Speaker 2: to hear bad motor Finger at number one. 221 00:12:16,440 --> 00:12:17,920 Speaker 3: Oh, I should have should have. 222 00:12:17,920 --> 00:12:20,240 Speaker 2: Mentioned I'm great than in the seven to four to Oh. 223 00:12:21,640 --> 00:12:25,760 Speaker 2: I'm also pretty pumped to hear you talking about Dinosaur Junior, Lemonheads, 224 00:12:25,760 --> 00:12:29,800 Speaker 2: Pixies definitely three of my favorite bands ever, and I 225 00:12:29,840 --> 00:12:33,280 Speaker 2: agree none of them should really fall into grunge. Maybe 226 00:12:33,440 --> 00:12:38,400 Speaker 2: early Lemonheads, Dinosaur Junior, Yeah, that was just too early. 227 00:12:38,559 --> 00:12:41,800 Speaker 2: I mean, if we're talking about late eighties, early nineties 228 00:12:41,840 --> 00:12:46,960 Speaker 2: of the starter grunge, they're just a little early for that. Also, 229 00:12:47,000 --> 00:12:52,000 Speaker 2: don't mind having a couple Nirvanas and a couple down 230 00:12:52,080 --> 00:12:55,680 Speaker 2: Gardens in that top ten singles. Like you said, just 231 00:12:56,600 --> 00:13:01,559 Speaker 2: absolutely killer album, even the bad Let's up and cover 232 00:13:01,880 --> 00:13:07,800 Speaker 2: but phenomenal, Smashy Pumpkins Song on the Air, drown Birth, 233 00:13:07,880 --> 00:13:12,760 Speaker 2: Ritual Town Garden amazing. Probably got a lot more to say, 234 00:13:12,760 --> 00:13:17,439 Speaker 2: but I'll leave it at that. Man, love the episode, Grayson. 235 00:13:17,520 --> 00:13:21,280 Speaker 1: We have very similar tastes and appreciate, Uh, I appreciate 236 00:13:21,280 --> 00:13:24,920 Speaker 1: the backup on my Lemonhead's Dinosaur in Pixie's Cake. Grayson. 237 00:13:25,160 --> 00:13:27,160 Speaker 1: I'm not sure if you saw but Billy Corgan is 238 00:13:27,240 --> 00:13:30,480 Speaker 1: hitting the road not in support of Siame's dream, but 239 00:13:30,840 --> 00:13:33,360 Speaker 1: to play melancholy in the infinite sadness, wondering what you 240 00:13:33,400 --> 00:13:35,320 Speaker 1: think about all that hit me back? Let me know, Grayson. 241 00:13:35,960 --> 00:13:39,520 Speaker 1: Let's Matt, Let's check out the two seven. 242 00:13:39,360 --> 00:13:44,120 Speaker 3: Oher Hey, Jake, I left a message earlier about Mark 243 00:13:44,200 --> 00:13:48,000 Speaker 3: Lanagan two seven. Oh, I'm new to this calling thing. 244 00:13:48,280 --> 00:13:51,440 Speaker 3: I've listened to calling you. That is, I've listened to 245 00:13:51,480 --> 00:13:56,000 Speaker 3: your show for years now. Every episode, I promise two 246 00:13:56,040 --> 00:14:00,040 Speaker 3: seven is Bowling Green, Kentucky. I actually live in Nashville, 247 00:14:00,280 --> 00:14:04,520 Speaker 3: so share an information because you share so much with 248 00:14:04,679 --> 00:14:10,600 Speaker 3: me and us, Mark Lanagan, My recommendation is listen to 249 00:14:10,640 --> 00:14:14,000 Speaker 3: Bubblegum the album in its entirety. You can't go wrong 250 00:14:14,040 --> 00:14:17,760 Speaker 3: with this catalog at all. Listen to that he was 251 00:14:18,120 --> 00:14:24,080 Speaker 3: on one, then great album, Loose concept album, and then 252 00:14:24,560 --> 00:14:27,720 Speaker 3: his work as the Gutter Twins with Greg Dooley. But 253 00:14:27,760 --> 00:14:32,280 Speaker 3: once again, you can't go wrong. Listen or read. I 254 00:14:32,280 --> 00:14:36,400 Speaker 3: would say listen because he narrates the book Seeing Backwards 255 00:14:36,480 --> 00:14:40,040 Speaker 3: and Weep. Book came out a few years ago, a 256 00:14:40,120 --> 00:14:44,840 Speaker 3: couple of years ironically before his untimely death. Once again, 257 00:14:44,920 --> 00:14:50,120 Speaker 3: Mark Lanagan for me it's not even close. True badass, 258 00:14:50,200 --> 00:14:53,640 Speaker 3: just like those outlaw country guys. He was a true badass. 259 00:14:54,240 --> 00:14:56,800 Speaker 3: Thank you, man, thank you so much for your content 260 00:14:56,960 --> 00:15:00,400 Speaker 3: and your show. I love it. See if all right? 261 00:15:00,440 --> 00:15:03,280 Speaker 1: I appreciate the land again recommendations. And this is not 262 00:15:03,400 --> 00:15:05,600 Speaker 1: the first time Greg Dooley has come up, and I 263 00:15:05,640 --> 00:15:09,960 Speaker 1: haven't commented on Greg Dooley. Dooley, He's incredible. He's incredible, 264 00:15:10,040 --> 00:15:13,400 Speaker 1: gentleman by Afghan Wiggs. If you guys don't know that record, 265 00:15:13,400 --> 00:15:15,200 Speaker 1: I'm gonna listen to that today. If you don't know 266 00:15:15,280 --> 00:15:18,440 Speaker 1: that record, oh man, you're in for it. Put that 267 00:15:18,560 --> 00:15:22,160 Speaker 1: on today. It's so damn good. Dooley's collaboration with Lanigan 268 00:15:22,280 --> 00:15:23,960 Speaker 1: is another reason that I should get into the Mark 269 00:15:24,000 --> 00:15:27,840 Speaker 1: Lanagan story. And yes, two seven zero total outlaw. I 270 00:15:27,880 --> 00:15:30,680 Speaker 1: wonder if if Bob Dylan would agree. I think you 271 00:15:30,680 --> 00:15:32,960 Speaker 1: would that outlaw spirit is the theme of our recent 272 00:15:33,000 --> 00:15:35,480 Speaker 1: episode on Bob Dylan, and I see a correlation between 273 00:15:35,480 --> 00:15:38,560 Speaker 1: Bob and Lanigan. I wonder if you do, all right? Listen, 274 00:15:38,640 --> 00:15:41,360 Speaker 1: In last week's after Party, we went through a list 275 00:15:41,400 --> 00:15:44,520 Speaker 1: from gold Mine Magazine the top ten grunge albums of 276 00:15:44,560 --> 00:15:48,160 Speaker 1: all time. And you know, I gave my thoughts on 277 00:15:48,560 --> 00:15:53,400 Speaker 1: that list, and then I provided my own list and one, uh, 278 00:15:53,440 --> 00:15:55,240 Speaker 1: I think it was in the number ten spot was 279 00:15:55,400 --> 00:15:58,640 Speaker 1: the single soundtrack, which I anticipated would get me some 280 00:15:58,640 --> 00:16:02,320 Speaker 1: shit from you guys. We got this text here from 281 00:16:02,640 --> 00:16:05,280 Speaker 1: the three oh four three oh four rights saying, hey, 282 00:16:05,320 --> 00:16:07,720 Speaker 1: thank you for shouting out the single soundtrack. I wouldn't 283 00:16:07,720 --> 00:16:09,560 Speaker 1: make it my number one, but it is a good one. 284 00:16:09,600 --> 00:16:11,880 Speaker 1: But you saying that makes me feel better about claiming 285 00:16:11,920 --> 00:16:15,440 Speaker 1: some of my more questionable choices. Well, three oh four, 286 00:16:15,440 --> 00:16:17,560 Speaker 1: I want those questionable choices. You can't leave me hanging 287 00:16:17,640 --> 00:16:19,960 Speaker 1: like that. Come on, hit me back, and I'm happy 288 00:16:19,960 --> 00:16:21,920 Speaker 1: to hear that you agree with my singles. Take I 289 00:16:21,920 --> 00:16:23,400 Speaker 1: didn't have number one, by the way, I had him 290 00:16:23,440 --> 00:16:25,840 Speaker 1: number ten. Okay, seven to sixty five rights say, hey, Jake, 291 00:16:25,880 --> 00:16:27,480 Speaker 1: it's Amanda from the seven to sixty five and I 292 00:16:27,520 --> 00:16:29,640 Speaker 1: just wanted to thank you for the George Michael episode. 293 00:16:29,680 --> 00:16:32,160 Speaker 1: I loved George Michael, and not in a fangirl type 294 00:16:32,200 --> 00:16:33,880 Speaker 1: of way. I was convinced he was gay long before 295 00:16:33,880 --> 00:16:35,960 Speaker 1: he came out. Well, we all were, and it didn't 296 00:16:35,960 --> 00:16:38,160 Speaker 1: matter at all of me. His music spoke to me. 297 00:16:38,200 --> 00:16:40,000 Speaker 1: I didn't really care for the wham stuff, it was 298 00:16:40,080 --> 00:16:42,640 Speaker 1: much more. I was much more impressed by his later stuff, 299 00:16:42,680 --> 00:16:46,200 Speaker 1: his deeper stuff. The amount of emotion he conjured with 300 00:16:46,280 --> 00:16:48,960 Speaker 1: that incredible voice gave me chills every time. I chose 301 00:16:49,040 --> 00:16:52,200 Speaker 1: him to do a presentation on for my World music 302 00:16:52,240 --> 00:16:55,000 Speaker 1: class in college, and I learned something new from this episode. Also, 303 00:16:55,040 --> 00:16:57,440 Speaker 1: I didn't realize he had a GHB addiction. I knew 304 00:16:57,480 --> 00:16:59,120 Speaker 1: he did drugs, but I thought he had gotten clean, 305 00:16:59,400 --> 00:17:01,480 Speaker 1: and it real my heart when he died. I'm more 306 00:17:01,480 --> 00:17:03,520 Speaker 1: in the loss of the amazing music yet to come, 307 00:17:03,720 --> 00:17:05,840 Speaker 1: and I was also hoping he would meet someone else 308 00:17:05,880 --> 00:17:08,600 Speaker 1: who would make him as happy as in Salomo Dude. 309 00:17:08,920 --> 00:17:11,080 Speaker 1: Another quick note on the grunge topic. I've always been 310 00:17:11,119 --> 00:17:13,320 Speaker 1: a fan of songs rather than albums. A lot of 311 00:17:13,359 --> 00:17:15,320 Speaker 1: times I won't even know who performs them, but I 312 00:17:15,359 --> 00:17:18,320 Speaker 1: know I love Man in the Box and spoon Man. 313 00:17:18,359 --> 00:17:20,320 Speaker 1: I grew up with radio, and if it wasn't on 314 00:17:20,359 --> 00:17:22,560 Speaker 1: the radio, I probably haven't heard it. Thanks again for 315 00:17:22,600 --> 00:17:25,440 Speaker 1: doing such a great job. I've listened to all of 316 00:17:25,480 --> 00:17:28,480 Speaker 1: the podcast you've done now. Thank you so much. Seven six'. 317 00:17:28,520 --> 00:17:31,040 Speaker 1: Five for those of you who don't, know we get 318 00:17:31,040 --> 00:17:34,240 Speaker 1: A George michael episode a couple episodes back in the. 319 00:17:34,240 --> 00:17:36,560 Speaker 1: Feed as you can hear from the seven sixty, five 320 00:17:36,840 --> 00:17:39,320 Speaker 1: it's a. Banger check that out at seven sixty. FIVE 321 00:17:39,400 --> 00:17:41,520 Speaker 1: i appreciate you calling in with your thoughts On, George 322 00:17:41,520 --> 00:17:44,480 Speaker 1: Michael textan AND i should, say and On man in 323 00:17:44,520 --> 00:17:46,840 Speaker 1: The box And Spoon. MAN i think both those songs 324 00:17:46,840 --> 00:17:51,040 Speaker 1: are completely emblematic of the grunge scene in the early. 325 00:17:51,119 --> 00:17:54,439 Speaker 1: Nineties you couldn't escape those. SONGS i Believe man in 326 00:17:54,440 --> 00:17:56,480 Speaker 1: The box might have been eighty nine or ninety not 327 00:17:56,560 --> 00:17:59,280 Speaker 1: SURE i should, know. Though two one four text, In Hey, 328 00:17:59,359 --> 00:18:00,800 Speaker 1: jake this is All austin from the two to one. 329 00:18:00,880 --> 00:18:02,439 Speaker 1: Four i've been a fan from the get go and 330 00:18:02,480 --> 00:18:04,879 Speaker 1: finally caught up On. Disgraceline he've been asking about our 331 00:18:04,880 --> 00:18:08,080 Speaker 1: Favorite seattle. Bands earlier this, MONTH i was In seattle 332 00:18:08,119 --> 00:18:10,560 Speaker 1: for a ski trip and paid tribute To Kurt cobain 333 00:18:10,840 --> 00:18:12,960 Speaker 1: AS i was able to check out the first venue 334 00:18:12,960 --> 00:18:16,480 Speaker 1: Where nirvana played At Central. Saloon is pretty cool seeing 335 00:18:16,520 --> 00:18:19,840 Speaker 1: some history attached to some visual, imagery and here we 336 00:18:19,920 --> 00:18:23,119 Speaker 1: have two to one. Four austin sent in some amazing 337 00:18:23,119 --> 00:18:26,800 Speaker 1: photos from what looks to be The Central. Saloon looks 338 00:18:26,840 --> 00:18:29,040 Speaker 1: like a small little, place and they got some great 339 00:18:29,040 --> 00:18:32,600 Speaker 1: ephemera On nirvana And. Soundgarden i'm sure a whole bunch 340 00:18:32,640 --> 00:18:34,280 Speaker 1: of other bands played. THERE i may have even been 341 00:18:34,280 --> 00:18:35,720 Speaker 1: at The Central. Saloon i've been to a lot of 342 00:18:35,720 --> 00:18:38,960 Speaker 1: clubs In. Seattle long, long, long, long, long long long time. 343 00:18:39,000 --> 00:18:42,879 Speaker 1: Ago toured up there with The figs back in the early. 344 00:18:42,920 --> 00:18:47,239 Speaker 1: Aughts and this place looks familiar to one, four looks very. 345 00:18:47,320 --> 00:18:49,680 Speaker 1: Familiar MAYBE i was. There MAYBE i. Was MAYBE i 346 00:18:49,680 --> 00:18:51,200 Speaker 1: didn't know the history WHEN i was. There that would 347 00:18:51,200 --> 00:18:53,480 Speaker 1: have been a. Shame thanks for bringing it to my. 348 00:18:53,520 --> 00:18:56,080 Speaker 1: Attention appreciate you, guys six one seven nine oh six 349 00:18:56,119 --> 00:18:57,639 Speaker 1: sixty six three. Eight you want to hang on the 350 00:18:57,680 --> 00:19:00,440 Speaker 1: telephone with, me voicemail and or? Text all, right you 351 00:19:00,440 --> 00:19:02,399 Speaker 1: guys want to hit me up at This gracelan pod On, 352 00:19:02,440 --> 00:19:05,520 Speaker 1: facebook On, instagram on x have at it once. Again 353 00:19:05,560 --> 00:19:07,720 Speaker 1: i'll get into all The dylan stuff and next week's 354 00:19:07,720 --> 00:19:10,080 Speaker 1: after party as more people have had a chance to 355 00:19:10,119 --> 00:19:14,280 Speaker 1: listen to that. Episode i'm recording this here after party 356 00:19:14,320 --> 00:19:17,680 Speaker 1: a day After Dylan part two is. Released okay over 357 00:19:17,760 --> 00:19:20,879 Speaker 1: On facebook at To. Scracelanpod Scott simmons writes In lenny 358 00:19:21,359 --> 00:19:25,639 Speaker 1: Bro lenny bro b R. Eau Scott simmons says jazz 359 00:19:25,680 --> 00:19:28,760 Speaker 1: guitarist Ask Pat matheeni Or Tommy emmanuel about him and 360 00:19:28,800 --> 00:19:31,280 Speaker 1: they'll have something to. Say one of the greatest tragedies in. 361 00:19:31,400 --> 00:19:34,480 Speaker 1: MUSIC i got to say. It some would say a. 362 00:19:34,560 --> 00:19:37,439 Speaker 1: Disgrace it's not OFTEN i get a recommendation from you, 363 00:19:37,480 --> 00:19:40,520 Speaker 1: guys AND i have no idea who the hell you're talking. 364 00:19:40,560 --> 00:19:43,280 Speaker 1: About And i've never heard of this. Musician matt maybe you. 365 00:19:43,359 --> 00:19:47,120 Speaker 1: HAVE i just. Don't i've never heard of this. Guy 366 00:19:47,680 --> 00:19:51,280 Speaker 1: and Now i'm super. Intrigued i'm gonna check this. Out thank, You, 367 00:19:51,320 --> 00:19:54,399 Speaker 1: scott appreciate. It Carl Glenn folmer writes In, hey have 368 00:19:54,440 --> 00:19:56,439 Speaker 1: you ever considered doing an episode about the time that 369 00:19:56,520 --> 00:19:59,639 Speaker 1: The jamaican military try to shoot Down Jimmy buffett's flying 370 00:19:59,680 --> 00:20:02,520 Speaker 1: bo as he was trying to. Land it's ironic that 371 00:20:02,560 --> 00:20:04,720 Speaker 1: he was friends with drug smugglers when he lived In Key. 372 00:20:04,760 --> 00:20:06,679 Speaker 1: West he was flying a plane that a lot of 373 00:20:06,680 --> 00:20:10,240 Speaker 1: smugglers like to, use and it seems to, me seems to, 374 00:20:10,280 --> 00:20:12,720 Speaker 1: Me Joe, walsh seems to, me you can have a 375 00:20:12,760 --> 00:20:15,240 Speaker 1: lot of fun with. That you can talk about this 376 00:20:15,440 --> 00:20:18,439 Speaker 1: history of drug use in the way he used to. 377 00:20:18,520 --> 00:20:21,840 Speaker 1: PARTY i love this, Idea, CARL i really truly. Do and, 378 00:20:22,000 --> 00:20:24,639 Speaker 1: Uh i'm kind of fascinated With florida history at the, 379 00:20:24,640 --> 00:20:28,159 Speaker 1: moment very. Outlaw i'm also kind of fascinated with The, 380 00:20:28,240 --> 00:20:30,879 Speaker 1: keys which is part Of, florida but it's really. NOT i, 381 00:20:30,880 --> 00:20:33,040 Speaker 1: mean officially it, is but it's a whole other fucking. 382 00:20:33,040 --> 00:20:36,040 Speaker 1: World AND i am not A Jimmy buffett, fan BUT 383 00:20:36,119 --> 00:20:39,360 Speaker 1: i know people who love the, dude love love love, 384 00:20:39,440 --> 00:20:42,080 Speaker 1: him and his history sounds pretty. Amazing this is not 385 00:20:42,200 --> 00:20:46,479 Speaker 1: the first Message i've received on doing a Possible Jimmy buffett. 386 00:20:46,480 --> 00:20:48,840 Speaker 1: EPISODE i know the punk rockers in the audience are 387 00:20:49,160 --> 00:20:51,480 Speaker 1: rolling the rise right, now but, hey come, on, man come. 388 00:20:51,520 --> 00:20:53,840 Speaker 1: On we Did Gigi, allan For god's. Sakes we can 389 00:20:53,880 --> 00:20:56,520 Speaker 1: throw the parrot heeads At bone here six one seven 390 00:20:56,600 --> 00:20:59,800 Speaker 1: nine oh six six six three eight At disgrace Lampod, Facebook, 391 00:21:00,359 --> 00:21:04,240 Speaker 1: Instagram nearly all the messages On instagram are relative To 392 00:21:04,320 --> 00:21:06,120 Speaker 1: Bob Dylan part. Two you guys are the. Best thank 393 00:21:06,160 --> 00:21:08,960 Speaker 1: you for playing. ALONG i appreciate. You i'll get into 394 00:21:09,000 --> 00:21:12,120 Speaker 1: a bunch of these next. Week YouTube Vet helen over 395 00:21:12,200 --> 00:21:14,520 Speaker 1: on x At This Grace Lamp podcasts you want to 396 00:21:14,600 --> 00:21:16,880 Speaker 1: hit me up on the. Socials we're gonna take a quick. 397 00:21:16,880 --> 00:21:19,600 Speaker 1: Break i'll be back in a flash with The Hollywood Lamb, 398 00:21:19,640 --> 00:21:36,680 Speaker 1: minute as well as some emails and. Reviews, okay we are, 399 00:21:36,680 --> 00:21:38,240 Speaker 1: back and you know what time it. Is it's time 400 00:21:38,320 --> 00:21:40,600 Speaker 1: for The Hollywood Lamb, minute brought to you by The 401 00:21:40,640 --> 00:21:43,120 Speaker 1: Hollywood Lamb. Podcast this is the newest segment of The After. 402 00:21:43,200 --> 00:21:45,199 Speaker 1: Party you don't know what The Hollywood Lamb podcast. Is, 403 00:21:45,200 --> 00:21:48,200 Speaker 1: Well The Hollywood Lamb podcast is hosted By Yours, truly 404 00:21:48,280 --> 00:21:51,960 Speaker 1: where every WEEK i tell you a story from the 405 00:21:52,000 --> 00:21:54,800 Speaker 1: annex Of hollywood and true. Crime and right now there 406 00:21:54,800 --> 00:21:57,320 Speaker 1: are over forty episodes waiting for you to. Binge episodes 407 00:21:57,320 --> 00:22:01,119 Speaker 1: On James, Dean Jane, Fonda dennis hop most recently an 408 00:22:01,119 --> 00:22:09,720 Speaker 1: episode On John. Waters here's a. Clip it was early 409 00:22:09,800 --> 00:22:13,280 Speaker 1: on the morning Of november nineteen sixty. Eight everything was 410 00:22:13,400 --> 00:22:16,280 Speaker 1: quiet except the sound of a church, bell which told 411 00:22:16,359 --> 00:22:19,800 Speaker 1: softly in the, distance calling The morley upright To sunday 412 00:22:19,800 --> 00:22:24,040 Speaker 1: morning services on the campus Of Johns Hopkins university In. 413 00:22:24,080 --> 00:22:27,919 Speaker 1: Baltimore few students heeded the. Call most were still in, 414 00:22:27,960 --> 00:22:32,120 Speaker 1: bed sleeping off Their saturday. Nights the coast was completely 415 00:22:32,200 --> 00:22:34,600 Speaker 1: clear as a young man in a bathrobe stepped out 416 00:22:34,600 --> 00:22:36,320 Speaker 1: of the woods and up to the side of the 417 00:22:36,400 --> 00:22:39,800 Speaker 1: road that wound its way through the. Campus thirty yards 418 00:22:39,880 --> 00:22:43,399 Speaker 1: up the, Road John waters stood behind a. Camera he 419 00:22:43,440 --> 00:22:46,800 Speaker 1: looked through the viewfinder and adjusted the camera lens one final. 420 00:22:46,880 --> 00:22:50,480 Speaker 1: Time john knew they would have to be. Quick they'd 421 00:22:50,520 --> 00:22:52,679 Speaker 1: likely only get one chance at this shot before they 422 00:22:52,680 --> 00:22:57,560 Speaker 1: would have to make a run for. It all, right, 423 00:22:57,600 --> 00:23:01,240 Speaker 1: guys make sure you're subscribed To Hollywood land On Apple, Podcasts, 424 00:23:01,240 --> 00:23:05,080 Speaker 1: spotify or wherever you get your. Podcast next, week we 425 00:23:05,160 --> 00:23:07,520 Speaker 1: have an episode coming your way on the recently Departed 426 00:23:07,640 --> 00:23:11,600 Speaker 1: David lynch and the real Life grizzly murder that inspired 427 00:23:11,640 --> 00:23:14,400 Speaker 1: him to Create Twin. Peaks and you are not going 428 00:23:14,440 --> 00:23:16,600 Speaker 1: to want to miss, This, okay especially if you're A 429 00:23:16,680 --> 00:23:19,240 Speaker 1: David lynch. Fan, lynch of, course made great films in 430 00:23:19,240 --> 00:23:24,399 Speaker 1: addition To Twin, Peaks Mulholland, Drive, Eraserhead Lost, Highway Patricia, Urcat, 431 00:23:24,440 --> 00:23:25,560 Speaker 1: damn why are you going to be so? Hot And 432 00:23:25,560 --> 00:23:29,359 Speaker 1: Lost Highway Patricia. Arquet, Anyway David lynch In Hollywood. Land next, 433 00:23:29,480 --> 00:23:34,119 Speaker 1: week make sure you're subscribed To Hollywood Land In Hollywood, 434 00:23:34,160 --> 00:23:36,720 Speaker 1: News Oliver stone relative to what we've been talking about, 435 00:23:36,720 --> 00:23:39,560 Speaker 1: here was On Capitol hill yesterday as part of the 436 00:23:39,560 --> 00:23:45,159 Speaker 1: group of folks who were testifying to the facts behind 437 00:23:45,160 --> 00:23:48,320 Speaker 1: THE jfk. Assassination Now Oliver, stone in addition to making 438 00:23:48,400 --> 00:23:52,000 Speaker 1: the great FILM, jfk which tipped off a lot of 439 00:23:52,040 --> 00:23:55,520 Speaker 1: this sort of seeking of truth around this matter prior to, 440 00:23:55,520 --> 00:23:58,960 Speaker 1: That Oliver, STONE i believe it was prior to that 441 00:23:59,600 --> 00:24:03,080 Speaker 1: which first The doors ARE. JFK i could look it, 442 00:24:03,160 --> 00:24:05,119 Speaker 1: up But i'm not going. To i'm trying to stay. Focused, 443 00:24:05,119 --> 00:24:08,080 Speaker 1: anyways they're back to, BACK i, believe and they're both fucking. 444 00:24:08,240 --> 00:24:11,719 Speaker 1: Great The doors is. Great i've had my problem With 445 00:24:12,000 --> 00:24:16,120 Speaker 1: The doors in the, past but you, know it's kind 446 00:24:16,160 --> 00:24:19,359 Speaker 1: OF i, mean there's a lot about it that's, sensational 447 00:24:19,560 --> 00:24:21,560 Speaker 1: BUT i don't. CARE i love. That there was a 448 00:24:21,560 --> 00:24:25,160 Speaker 1: lot About Jim morrison that was, sensational AND i think 449 00:24:25,200 --> 00:24:29,320 Speaker 1: IT'S i think it's a great music bio. Pick and, 450 00:24:29,440 --> 00:24:31,320 Speaker 1: Again i've been up and down with this film over the, 451 00:24:31,359 --> 00:24:33,040 Speaker 1: years BUT i think Where i'm landing with, it Where 452 00:24:33,040 --> 00:24:35,440 Speaker 1: i'm ending with, it IS i fucking love. It and 453 00:24:35,840 --> 00:24:38,119 Speaker 1: of course this brings us to the very sad news 454 00:24:38,160 --> 00:24:41,160 Speaker 1: That Val kilmer has passed. Away this was. Announced WHEN 455 00:24:41,200 --> 00:24:43,919 Speaker 1: i woke up this, MORNING i heard. It and of, 456 00:24:43,960 --> 00:24:51,080 Speaker 1: Course Val kilmer just an incredible, actor a great leading 457 00:24:51,119 --> 00:24:55,040 Speaker 1: man who probably in a previous generation Of hollywood would 458 00:24:55,040 --> 00:24:59,000 Speaker 1: have had a, much a much, bigger more impactful. Career 459 00:24:59,080 --> 00:25:01,320 Speaker 1: not that he didn't have a bit impactful. Career he 460 00:25:01,359 --> 00:25:04,200 Speaker 1: most certainly, did BUT i feel like in the last 461 00:25:04,240 --> 00:25:08,879 Speaker 1: few decades of his, Career val veered somewhat away from 462 00:25:08,960 --> 00:25:12,159 Speaker 1: the leading man, path and he did a lot in 463 00:25:12,240 --> 00:25:17,680 Speaker 1: support of other, filmmakers other, actors and you, know one 464 00:25:17,680 --> 00:25:21,520 Speaker 1: of my Favorite Val kilmer, roles he's not the leading, 465 00:25:21,520 --> 00:25:24,040 Speaker 1: man it's it's In. Heat it's his, character And, heat 466 00:25:24,080 --> 00:25:26,359 Speaker 1: WHO i think is JUST i think that character is. 467 00:25:26,400 --> 00:25:31,280 Speaker 1: INCREDIBLE i think he plays it, incredibly and it's in 468 00:25:31,359 --> 00:25:34,320 Speaker 1: support of Al pacino and really in support Of robert 469 00:25:34,359 --> 00:25:37,120 Speaker 1: De niro more than anything, else and he just fucking kills. 470 00:25:37,160 --> 00:25:40,480 Speaker 1: IT i was reading this morning again relative to what 471 00:25:40,520 --> 00:25:43,960 Speaker 1: we're talking about here About Val kilmer's relationship With Bob, 472 00:25:44,040 --> 00:25:51,439 Speaker 1: dylan and there's this, great this great story That Val 473 00:25:51,520 --> 00:25:55,560 Speaker 1: kilmer tweeted, out and of Course kilmer did that movie 474 00:25:55,600 --> 00:25:58,240 Speaker 1: With Bob, dylan but this Story he depicts this before 475 00:25:58,280 --> 00:26:02,159 Speaker 1: he Does bob's, movie and which is called what Was 476 00:26:02,160 --> 00:26:04,399 Speaker 1: Bob's masked And, anonymous and that's what it was. Called 477 00:26:04,880 --> 00:26:08,560 Speaker 1: prior to. That They kilmer's In New York, city and 478 00:26:08,640 --> 00:26:11,400 Speaker 1: Somehow Bob dylan gets in touch with him and wants 479 00:26:11,440 --> 00:26:13,359 Speaker 1: to come over to his hotel and like meet with. 480 00:26:13,440 --> 00:26:15,320 Speaker 1: Him AND i think they're friends by this, point but 481 00:26:15,359 --> 00:26:16,960 Speaker 1: they haven't quite worked with each, other but they don't 482 00:26:17,000 --> 00:26:21,280 Speaker 1: know each other that. Well and of Course dylan comes 483 00:26:21,320 --> 00:26:24,720 Speaker 1: over and he's all Mysterious, dylan and he Asked kilmer 484 00:26:24,800 --> 00:26:28,760 Speaker 1: to start reciting dialogue from his from his character's role In, 485 00:26:28,880 --> 00:26:33,480 Speaker 1: tombstone And kilmer says to, him, okay sing me blowing 486 00:26:33,520 --> 00:26:38,000 Speaker 1: in the, wind And bob didn't like that at all. 487 00:26:38,040 --> 00:26:43,359 Speaker 1: Apparently But kilmer then goes on to to CREATE i 488 00:26:43,359 --> 00:26:48,360 Speaker 1: guess like a like a spoof version of His tombstone 489 00:26:48,440 --> 00:26:50,800 Speaker 1: quotes set to the lyrics of one Of dylan's. SONGS 490 00:26:50,800 --> 00:26:52,639 Speaker 1: i think it Was it's all, Right, mom only, bleeding 491 00:26:52,640 --> 00:26:54,840 Speaker 1: and he sent it To dylan and They dylan dug, 492 00:26:54,840 --> 00:26:57,600 Speaker 1: it and of course they become, friends and And val 493 00:26:57,720 --> 00:27:01,120 Speaker 1: does that role For bob, later WHICH i just. Loved 494 00:27:01,200 --> 00:27:03,600 Speaker 1: also this morning On Val. KILMER i want to Give 495 00:27:03,640 --> 00:27:07,320 Speaker 1: Val kimer a minute. HERE i saw this tweet From 496 00:27:07,560 --> 00:27:12,480 Speaker 1: Jennifer tilly regarding Regarding kilmer and how he got his 497 00:27:13,320 --> 00:27:17,280 Speaker 1: role In Oliver Stones The. Doors, So Jennifer tilly writes 498 00:27:17,359 --> 00:27:19,639 Speaker 1: ON X a long time, AGO i was auditioning for 499 00:27:19,680 --> 00:27:22,320 Speaker 1: the Movie The. Doors it was kind of a cattle, 500 00:27:22,359 --> 00:27:26,080 Speaker 1: call and they paired together potential gems with potential, pamelas 501 00:27:26,320 --> 00:27:28,400 Speaker 1: and they were running. Behind so we were spilling out 502 00:27:28,440 --> 00:27:30,800 Speaker 1: of the casting office and sitting on the porch in 503 00:27:30,840 --> 00:27:33,879 Speaker 1: the lawn in the. Driveway all of a, sudden a 504 00:27:33,960 --> 00:27:38,359 Speaker 1: sixties convertible came screeching, up blaring doors music at top, 505 00:27:38,440 --> 00:27:41,879 Speaker 1: volume and a guy jumped out and strode. Inside he 506 00:27:41,920 --> 00:27:45,280 Speaker 1: had wild, hair and he was, barefoot, shirtless and wearing 507 00:27:45,320 --> 00:27:48,159 Speaker 1: nothing but a pair of tight leather. Pants we all 508 00:27:48,200 --> 00:27:51,000 Speaker 1: looked at each, other, like who is this? Guy and 509 00:27:51,040 --> 00:27:53,119 Speaker 1: we were more than a little shook by the sheer 510 00:27:53,160 --> 00:27:56,640 Speaker 1: audacity of his. Entrance, well of course it Was Val, 511 00:27:56,720 --> 00:27:59,440 Speaker 1: kilmer and from that minute on nobody else stood a. 512 00:27:59,560 --> 00:28:03,440 Speaker 1: Chance rest in, Peace. KING i love, that AND i 513 00:28:03,560 --> 00:28:10,719 Speaker 1: love how Seriously Val kilmer took getting that role because 514 00:28:10,920 --> 00:28:14,760 Speaker 1: nobody could have played that role as well As Val kilmer. 515 00:28:14,800 --> 00:28:19,240 Speaker 1: Did he fucking destroyed he killed, it killed it for 516 00:28:19,400 --> 00:28:23,080 Speaker 1: a huge part of my late teen, years in my early, 517 00:28:23,080 --> 00:28:25,879 Speaker 1: ADULTHOOD i couldn't even think Of Jim morrison without thinking 518 00:28:25,960 --> 00:28:29,080 Speaker 1: Of Val. Kilmer that's how Good Val kilmer is in that. 519 00:28:29,200 --> 00:28:32,119 Speaker 1: Role And Val kilmer was of course great in a 520 00:28:32,119 --> 00:28:34,359 Speaker 1: ton of different. Roles And i'll be looking for some 521 00:28:34,400 --> 00:28:37,080 Speaker 1: of his films, tonight in this week and this, weekend 522 00:28:37,080 --> 00:28:39,600 Speaker 1: AS i know you guys will as. Well maybe we'll 523 00:28:39,600 --> 00:28:43,000 Speaker 1: even Do Adoors Val kilmer episode of Hollywood land at some. 524 00:28:43,080 --> 00:28:46,360 Speaker 1: Point rest in, Peace Val, kilmer and thank You Oliver 525 00:28:46,440 --> 00:28:47,960 Speaker 1: stone for all the great work you've done over the. 526 00:28:48,040 --> 00:28:50,400 Speaker 1: Years all, right it's that time of the show where 527 00:28:50,400 --> 00:28:53,840 Speaker 1: we get into your reviews Of disgraceland of Hollywood. Land 528 00:28:53,960 --> 00:28:55,920 Speaker 1: maybe Maybe i'll do some Hollywood land once. Here i'm not, 529 00:28:55,920 --> 00:28:58,000 Speaker 1: sure you guys know the. Drill reviews help with discovery 530 00:28:58,000 --> 00:29:00,960 Speaker 1: of the. Show they feed the, algorithm activity feeds the. 531 00:29:01,080 --> 00:29:03,760 Speaker 1: Algo all, right we need the reviews to keep this 532 00:29:04,160 --> 00:29:06,760 Speaker 1: keep this show. Growing you guys read a, review AND 533 00:29:06,840 --> 00:29:09,400 Speaker 1: i you know IF i read IF i pick your 534 00:29:09,440 --> 00:29:11,440 Speaker 1: review AND i read it here and you hear it 535 00:29:11,480 --> 00:29:13,760 Speaker 1: and you get in touch with, me then we'll get 536 00:29:13,800 --> 00:29:15,400 Speaker 1: some merch out to. You AND i know we're a 537 00:29:15,440 --> 00:29:17,240 Speaker 1: little overdue here to get some merch. Out it's been 538 00:29:17,320 --> 00:29:19,240 Speaker 1: about a month since the last. Mailing we'll get into 539 00:29:19,280 --> 00:29:21,480 Speaker 1: that this week next. Week if you haven't heard from, 540 00:29:21,480 --> 00:29:23,719 Speaker 1: me haven't heard back from, me have no. FEAR i 541 00:29:23,880 --> 00:29:29,000 Speaker 1: shall get in. Touch this review comes From Pat oh On, spotify, Saying, 542 00:29:29,000 --> 00:29:31,760 Speaker 1: hey digging your reference To goodfellas at the. Intro i've 543 00:29:31,800 --> 00:29:33,840 Speaker 1: been listening to your podcast for quite a few. Years 544 00:29:33,840 --> 00:29:36,160 Speaker 1: now keep up the good. Work you got it and 545 00:29:36,200 --> 00:29:40,520 Speaker 1: That snoop episode was our last rewind. Episode that episode 546 00:29:40,520 --> 00:29:44,440 Speaker 1: went freaking gangbusters in the. ARCHIVE a lot of people 547 00:29:44,480 --> 00:29:48,000 Speaker 1: listen to, it which proves my theory that new listeners 548 00:29:48,040 --> 00:29:50,360 Speaker 1: have no idea about some of the episodes we've covered 549 00:29:50,400 --> 00:29:54,280 Speaker 1: in the. Past thus the rewind episodes On friday and 550 00:29:54,320 --> 00:29:56,760 Speaker 1: they're perfect for re. Listening so get in. There Got 551 00:29:56,840 --> 00:29:59,040 Speaker 1: James brown coming your way tomorrow in the rewind. Slot 552 00:29:59,080 --> 00:30:00,960 Speaker 1: get into that. Archive, guys you're not going to be, 553 00:30:00,960 --> 00:30:04,760 Speaker 1: DISAPPOINTED i promise. You over On Apple, Podcasts cindy who 554 00:30:04,840 --> 00:30:09,880 Speaker 1: writes sin really question mark exclamation point one, star one 555 00:30:09,920 --> 00:30:13,160 Speaker 1: out of five. STARS i would turn that, Around, cindy 556 00:30:13,200 --> 00:30:16,920 Speaker 1: who and to? You? Say really one? Star are you 557 00:30:17,000 --> 00:30:19,760 Speaker 1: fucking kidding? Me cindy goes on to say none of 558 00:30:19,760 --> 00:30:26,800 Speaker 1: the stories are, finished and she leaves a mean face Emoji, Cindy, 559 00:30:27,480 --> 00:30:32,120 Speaker 1: cindy thank you for calling tech. SUPPORT i appreciate. It 560 00:30:33,080 --> 00:30:36,000 Speaker 1: i'm going to encourage you to restart your. App just 561 00:30:36,080 --> 00:30:39,000 Speaker 1: close The apple podcast app and restart, it BECAUSE i 562 00:30:39,040 --> 00:30:40,960 Speaker 1: don't know what the fuck is going. On but all 563 00:30:40,960 --> 00:30:43,840 Speaker 1: of our stories are, Finished. Cindy we take great pride 564 00:30:43,880 --> 00:30:46,840 Speaker 1: in finishing our, stories and not only finishing, Them, cindy 565 00:30:47,320 --> 00:30:52,080 Speaker 1: finishing them with the classic storytelling trope of finishing with 566 00:30:52,200 --> 00:30:57,840 Speaker 1: a surprising but inevitable, end As aristotle taught us Via David, Mammott, 567 00:30:58,160 --> 00:31:00,280 Speaker 1: cindy we finish our. EPISODES i don't don't know what 568 00:31:00,320 --> 00:31:02,280 Speaker 1: you're getting, at But, CINDY i want to. Help so 569 00:31:02,400 --> 00:31:05,000 Speaker 1: if by, Chance, cindy who you are listening to this, 570 00:31:05,040 --> 00:31:09,200 Speaker 1: episode please reach back. Out get in touch At Disgrace 571 00:31:09,280 --> 00:31:12,080 Speaker 1: lampot on The Socials Disgrace lampod at gmail dot, com 572 00:31:12,120 --> 00:31:14,840 Speaker 1: on email six one seven nine oh six six six three, 573 00:31:14,920 --> 00:31:17,680 Speaker 1: eight voicemail and. TEXT i want to help, You cindy 574 00:31:17,720 --> 00:31:20,160 Speaker 1: WHO i want to help you figure this out because 575 00:31:20,160 --> 00:31:22,680 Speaker 1: the stories are, finished, Okay And i'll even give you 576 00:31:22,720 --> 00:31:26,680 Speaker 1: some some, Merch, cindy all, right free of. Charge Pam 577 00:31:26,760 --> 00:31:30,080 Speaker 1: drum On Apple. Podcast great voice that holds my attention 578 00:31:30,440 --> 00:31:35,440 Speaker 1: and you could keep going on. Forever keep it, Up Pam. 579 00:31:35,520 --> 00:31:37,320 Speaker 1: Drum you got A Pam, Drum get in, Touch Pam, 580 00:31:37,400 --> 00:31:41,240 Speaker 1: drum you get yourself some free. Merch all, Right disgrace 581 00:31:41,320 --> 00:31:43,520 Speaker 1: lampod at gmail dot. Com on the, EMAIL i want 582 00:31:43,560 --> 00:31:46,160 Speaker 1: to read this email From Johnny, vinel who's been a 583 00:31:46,160 --> 00:31:49,280 Speaker 1: big part of the show. Lately, johnny appreciate. You johnny 584 00:31:49,360 --> 00:31:53,640 Speaker 1: is a, huge Huge seattle music, fan huge grunge, fan 585 00:31:53,760 --> 00:31:56,320 Speaker 1: huge just fan of classic. Rock and he is just 586 00:31:56,360 --> 00:31:59,600 Speaker 1: this good. Taste AND i followed his account On instagram 587 00:31:59,640 --> 00:32:01,520 Speaker 1: for a while AND i like when he writes me 588 00:32:01,560 --> 00:32:04,200 Speaker 1: because he's usually got something good to, say and he 589 00:32:04,280 --> 00:32:06,600 Speaker 1: emails in he called To But i'm gonna read the 590 00:32:06,640 --> 00:32:09,680 Speaker 1: email here because it's it's done really. Well he writes, In, Hey, 591 00:32:09,760 --> 00:32:12,240 Speaker 1: jake after listening to around one hundred podcasts and after, 592 00:32:12,280 --> 00:32:14,840 Speaker 1: parties Now i'm inspired to share my. Thoughts first of, All, 593 00:32:14,880 --> 00:32:17,040 Speaker 1: johnny what the. Fuck we've got over two hundred and 594 00:32:17,040 --> 00:32:20,240 Speaker 1: twenty five full episodes Of, disgrace so come, on, man 595 00:32:20,320 --> 00:32:23,080 Speaker 1: get in, here. Dude, Anyway johnny goes, On i'm inspired 596 00:32:23,120 --> 00:32:25,840 Speaker 1: to share my, thoughts, opinions ideas with you to either 597 00:32:25,880 --> 00:32:27,920 Speaker 1: your pleasure or. Boredom this is a message of me 598 00:32:28,040 --> 00:32:30,760 Speaker 1: firing off various topics that will come off as, insane 599 00:32:30,920 --> 00:32:35,760 Speaker 1: one sided, banter or thoughtful and inspiring topics worth, Discussion 600 00:32:36,080 --> 00:32:38,640 Speaker 1: johnny goes, on the Reason i'm reading this. Email johnny 601 00:32:38,640 --> 00:32:42,560 Speaker 1: goes on to give us his top ten list of 602 00:32:43,280 --> 00:32:46,560 Speaker 1: so called grunge albums in the ten spot like, Me 603 00:32:46,720 --> 00:32:51,800 Speaker 1: johnny Has singles number, Nine Siamese dream number, Eight Dirt 604 00:32:52,280 --> 00:32:55,960 Speaker 1: That's els And chains number, seven Super unknown, six Super, 605 00:32:56,000 --> 00:32:59,280 Speaker 1: Fuzzed Big muff, Five bleach, Four bad Motor finger three ten, 606 00:32:59,760 --> 00:33:05,160 Speaker 1: Two facelift one never. Mind great, List. JOHNNY i like 607 00:33:05,240 --> 00:33:08,800 Speaker 1: that you Have bad Motor finger above Super. UNKNOWN i appreciate. 608 00:33:08,840 --> 00:33:11,880 Speaker 1: That johnny also goes on to talk a lot about 609 00:33:12,240 --> 00:33:14,520 Speaker 1: some of his favorite classic rock and some of his favorite, 610 00:33:14,560 --> 00:33:17,520 Speaker 1: directors and he mentions here that outside of, Rock i'm 611 00:33:17,560 --> 00:33:20,520 Speaker 1: a Huge Miles davis. Fan. HUGE i love it all 612 00:33:20,800 --> 00:33:23,960 Speaker 1: as a. VOCALIST i Find miles's trumpet to be a, 613 00:33:24,040 --> 00:33:25,840 Speaker 1: voice AND i think you're spot on there as, Well. 614 00:33:25,920 --> 00:33:29,000 Speaker 1: Johnny so appreciate the. Email, Guys disgrace sampod at gmail dot, 615 00:33:29,000 --> 00:33:31,160 Speaker 1: com you want to get in. Touch this episode is 616 00:33:31,200 --> 00:33:34,200 Speaker 1: nearing its, end but over in the bonus section of this, 617 00:33:34,280 --> 00:33:37,880 Speaker 1: episode which is coming up just after, this and you 618 00:33:37,880 --> 00:33:40,200 Speaker 1: can hear the bonus part of this. Episode we're gonna 619 00:33:40,200 --> 00:33:42,160 Speaker 1: get into my recommendations. Here i'm gonna talk a little 620 00:33:42,160 --> 00:33:46,920 Speaker 1: bit about What i'm listening to this week and what more, 621 00:33:46,920 --> 00:33:51,200 Speaker 1: excitedly What i'm. Watching i'm watching two fantastic shows ON. 622 00:33:51,280 --> 00:33:54,560 Speaker 1: Tv i'm really really, inspired still Watching Kenny Powers Is 623 00:33:54,560 --> 00:33:57,640 Speaker 1: i'm about to land that. Plane but there's two other 624 00:33:58,000 --> 00:34:02,280 Speaker 1: newest shows That i'm app adoring at the. Moment i'm 625 00:34:02,280 --> 00:34:03,800 Speaker 1: going to talk about both of, them and you guys 626 00:34:03,800 --> 00:34:07,040 Speaker 1: can hear. That just so long as you become a, 627 00:34:07,120 --> 00:34:11,040 Speaker 1: member an all access member Of, disgraceland and that's very 628 00:34:11,080 --> 00:34:13,640 Speaker 1: easy to. Do you just go to disgracelandpod dot com 629 00:34:13,680 --> 00:34:16,279 Speaker 1: slash membership and you sign. Up it's five bucks a. 630 00:34:16,280 --> 00:34:18,240 Speaker 1: Month you get the bonus section of the After, party 631 00:34:18,280 --> 00:34:23,520 Speaker 1: you get the extra exclusive episode Of disgraceland once a. 632 00:34:23,560 --> 00:34:26,680 Speaker 1: Month we just released an episode On slipknot that came 633 00:34:26,719 --> 00:34:28,759 Speaker 1: out last week that is there for. You you guys 634 00:34:28,760 --> 00:34:31,000 Speaker 1: want to sign, up come on and get Some get 635 00:34:31,040 --> 00:34:33,520 Speaker 1: that Slip knot. Episode next month we get an episode 636 00:34:33,520 --> 00:34:38,279 Speaker 1: On David, crosby which is fucked. UP i gotta tell 637 00:34:38,320 --> 00:34:42,240 Speaker 1: You crosby was an. Animal crosby might be my answer 638 00:34:43,080 --> 00:34:45,040 Speaker 1: to next week's question of the week on who is 639 00:34:45,080 --> 00:34:49,520 Speaker 1: more debaucherous Than Billy. Idol it might Be David, crosby that. 640 00:34:49,640 --> 00:34:51,960 Speaker 1: Guy Damn, well we're gonna get into all of, that 641 00:34:52,080 --> 00:34:53,319 Speaker 1: but the only way you're gonna be able to hear 642 00:34:53,360 --> 00:34:54,920 Speaker 1: it is if you become a, member and that's just 643 00:34:55,000 --> 00:34:57,879 Speaker 1: five bucks a. Month. Now you also GET ad free 644 00:34:57,960 --> 00:35:01,360 Speaker 1: listening Of, disgraceland All disgrace, episodes not just the exclusive, 645 00:35:01,400 --> 00:35:04,600 Speaker 1: episode all of them ad free and. Listen we're selling ads, lately. 646 00:35:04,640 --> 00:35:06,880 Speaker 1: Guys we teamed up with our partners over At odyssey 647 00:35:06,880 --> 00:35:09,279 Speaker 1: and they're selling the shit out of the. Show so 648 00:35:09,280 --> 00:35:11,920 Speaker 1: there's lots of. Ads you might hate the, ads BUT 649 00:35:12,280 --> 00:35:13,840 Speaker 1: i gotta tell, YOU i got to pay. PEOPLE i 650 00:35:13,880 --> 00:35:16,120 Speaker 1: gotta pay. MYSELF i got to produce this aw some. 651 00:35:16,280 --> 00:35:19,400 Speaker 1: Content it's not free to. Do it costs. Money but if, 652 00:35:19,480 --> 00:35:21,920 Speaker 1: listen if you're annoyed with the, ADS i get. It 653 00:35:22,280 --> 00:35:24,400 Speaker 1: there's a way around. It five bucks a, month you're 654 00:35:24,400 --> 00:35:26,319 Speaker 1: gonna get that ad free listening on every. Episode you're 655 00:35:26,320 --> 00:35:28,439 Speaker 1: gonna get that exclusive episode as, well and you're gonna 656 00:35:28,440 --> 00:35:31,440 Speaker 1: get the bonus section of the after. Party just go 657 00:35:31,480 --> 00:35:56,080 Speaker 1: to disgrace lampod dot com slash. Membership all, right, guys 658 00:35:56,120 --> 00:35:58,719 Speaker 1: we are back and. Listen i'm about to get out of. 659 00:35:58,760 --> 00:36:02,279 Speaker 1: Here BEFORE i, DO i cherry picked some episodes from 660 00:36:02,280 --> 00:36:04,800 Speaker 1: our archive for you. Guys And i'm doing this because 661 00:36:05,920 --> 00:36:08,600 Speaker 1: The Snoop Dogg archive episode came out last week and 662 00:36:08,640 --> 00:36:12,280 Speaker 1: it did gangbusters in terms of, downloads lots of. Listens 663 00:36:12,719 --> 00:36:16,399 Speaker 1: this episode came out in twenty, nineteen, okay and it's 664 00:36:16,480 --> 00:36:20,839 Speaker 1: getting it's just getting massive new. Exposure SO i love. 665 00:36:20,880 --> 00:36:22,759 Speaker 1: IT i love. IT i love. IT i love. It 666 00:36:22,840 --> 00:36:25,719 Speaker 1: AND i, thought you, know we can only release one 667 00:36:25,840 --> 00:36:30,080 Speaker 1: archive episode a. WEEK i should probably do a better 668 00:36:30,280 --> 00:36:33,600 Speaker 1: job of bringing to light some of these other episodes 669 00:36:33,640 --> 00:36:35,600 Speaker 1: that are in the. ARCHIVE i know there's a lot 670 00:36:35,640 --> 00:36:37,400 Speaker 1: of deadheads who listen to the, show AND i know 671 00:36:37,480 --> 00:36:39,920 Speaker 1: that The Grateful dead episode of Disgrace sand has been 672 00:36:39,960 --> 00:36:41,960 Speaker 1: talked about a, lot but there is a second, episode 673 00:36:42,000 --> 00:36:45,000 Speaker 1: an episode on Pig, pen an episode on The Grateful 674 00:36:45,040 --> 00:36:47,880 Speaker 1: dead's Pig, pen which really gets. IN i kind of 675 00:36:47,880 --> 00:36:51,839 Speaker 1: treated it as A Grateful dead origin. Story it's really 676 00:36:51,920 --> 00:36:55,000 Speaker 1: kind of like it's about their come. Up it centers Around, 677 00:36:55,040 --> 00:36:57,760 Speaker 1: pigpen of, course but it's about all the great, weird, 678 00:36:58,360 --> 00:37:01,640 Speaker 1: strange Weird americana that they were, into AND i think 679 00:37:01,640 --> 00:37:05,240 Speaker 1: you're gonna dig. It there's also from all this great 680 00:37:05,280 --> 00:37:09,520 Speaker 1: sort of crime true, crime not true, crime crime fiction 681 00:37:10,000 --> 00:37:12,640 Speaker 1: That i've been absorbing lately and talking. ABOUT i was 682 00:37:12,680 --> 00:37:16,880 Speaker 1: just talking about a crime show in the bonus section 683 00:37:17,000 --> 00:37:20,640 Speaker 1: of this after party got me thinking about The pantera 684 00:37:20,719 --> 00:37:24,560 Speaker 1: episode Of, disgraceland which is one of my, favorites and of, 685 00:37:24,600 --> 00:37:28,000 Speaker 1: course you Know I'm i'm a sucker for a good mob. 686 00:37:28,080 --> 00:37:30,920 Speaker 1: Story i'm actually looking, forward by the, way side, note 687 00:37:30,960 --> 00:37:34,160 Speaker 1: to watching that New robert De niro movie where he 688 00:37:34,239 --> 00:37:39,920 Speaker 1: plays two roles simultaneously opposite one. ANOTHER i can't think 689 00:37:39,920 --> 00:37:41,280 Speaker 1: of the name of the, film but it got fucking 690 00:37:41,440 --> 00:37:43,319 Speaker 1: panned when it came out last, week BUT i watched 691 00:37:43,360 --> 00:37:45,120 Speaker 1: the trailer And i'm into it and it's a mob. 692 00:37:45,120 --> 00:37:48,680 Speaker 1: Story but, anyways mob stories From, disgraceland The Tommy james 693 00:37:48,719 --> 00:37:52,760 Speaker 1: Episode Tommy. James. Okay also this has relevance With Billy 694 00:37:52,760 --> 00:37:55,839 Speaker 1: idol coming up next Week Mony Mony, okay get into. 695 00:37:55,880 --> 00:37:58,400 Speaker 1: That and you Know i'm Mentioning Billy idol. Here Billy 696 00:37:58,440 --> 00:38:00,520 Speaker 1: idol makes me think of the Sex pistols Because Billy 697 00:38:00,560 --> 00:38:03,759 Speaker 1: Idol GENERATION. X i've been back In london back in the, 698 00:38:03,840 --> 00:38:07,600 Speaker 1: day back part of that first first generation OF uk, 699 00:38:08,160 --> 00:38:10,960 Speaker 1: Punk Billy idol's Band GENERATION, x and we talk a 700 00:38:11,040 --> 00:38:13,840 Speaker 1: lot about the Sid vicious episode or disgrace In but 701 00:38:13,880 --> 00:38:17,359 Speaker 1: there are two episodes on the Sex pistols that are 702 00:38:17,400 --> 00:38:19,719 Speaker 1: waiting for you in the. Archive matt will have all 703 00:38:19,760 --> 00:38:23,399 Speaker 1: the information on these episodes in the show. Notes if 704 00:38:23,440 --> 00:38:26,400 Speaker 1: you want an easy guide to finding them in our massive, 705 00:38:26,560 --> 00:38:29,359 Speaker 1: archive check the show. Notes he'll have that info. There all, 706 00:38:29,440 --> 00:38:31,920 Speaker 1: right let's, recap shall. We number, One my other, podcast Hollywood, 707 00:38:31,960 --> 00:38:33,680 Speaker 1: land is a live and kicking over in the Hollywood land, 708 00:38:33,719 --> 00:38:36,200 Speaker 1: Feed so make sure you are subscribed and following Hollywood 709 00:38:36,239 --> 00:38:38,400 Speaker 1: land On Apple, Podcasts spotify or wherever you get your. 710 00:38:38,400 --> 00:38:41,200 Speaker 1: Podcasts number two right now in your Disgrace land, Feed 711 00:38:41,239 --> 00:38:43,520 Speaker 1: Our part two episode On Bob. Dylan number three coming, 712 00:38:43,520 --> 00:38:46,000 Speaker 1: Tomorrow our rewind episode On James Brown nu before merch 713 00:38:46,000 --> 00:38:48,319 Speaker 1: winners get in. Touch you know who you? Are number. 714 00:38:48,320 --> 00:38:50,280 Speaker 1: Five remember no one cares about preserving the true spirit 715 00:38:50,280 --> 00:38:51,680 Speaker 1: of rock and roll more than you. Do and well 716 00:38:51,719 --> 00:38:54,880 Speaker 1: that's a, disgrace all. Right in honor of this week's, 717 00:38:54,880 --> 00:38:58,719 Speaker 1: Subject Bob, dylan this is me reading you the phone 718 00:38:58,760 --> 00:39:01,200 Speaker 1: book From june seventeenthnineteen seventy, two the day of The 719 00:39:01,200 --> 00:39:04,160 Speaker 1: watergate break In Why watergate And Bob. Dylan well you 720 00:39:04,200 --> 00:39:05,640 Speaker 1: have to listen to part two with The Bob dylan 721 00:39:05,760 --> 00:39:09,200 Speaker 1: story find out all, right here we. Go number One 722 00:39:09,400 --> 00:39:12,160 Speaker 1: The Candy, Man Sammy Davis junior and The Mike Curb 723 00:39:12,239 --> 00:39:17,479 Speaker 1: congregation last week, one peak position one weeks On chart. 724 00:39:17,840 --> 00:39:22,040 Speaker 1: Fifteen number Two I'll Take You. There The Staples singers 725 00:39:22,440 --> 00:39:27,600 Speaker 1: last week, two peak position one weeks On chart. Eleven 726 00:39:28,200 --> 00:39:33,200 Speaker 1: number three Song Son Blue Neil diamond last week, four 727 00:39:33,520 --> 00:39:38,080 Speaker 1: peak positions three press weeks On chart. Seven number, Five 728 00:39:38,600 --> 00:39:42,439 Speaker 1: nice To Be If You gallery nine last week, six 729 00:39:42,840 --> 00:39:48,359 Speaker 1: peak position five weeks On chart. Seventeen number Six out 730 00:39:48,400 --> 00:39:53,760 Speaker 1: Of Space Billy preston last week, nine peak position six 731 00:39:54,239 --> 00:40:00,880 Speaker 1: weeks on chart, nine number, Seven try The Jimmy, castle 732 00:40:05,600 --> 00:40:10,000 Speaker 1: quit talking and start. Mixing h