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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did. My name is Millie to Jericho.

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Speaker 2: I'm Daniel Henderson, and we are knocking at the.

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Speaker 1: Door this week, ready to talk about film with you.

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Speaker 2: We are in more ways than one. Yeah, yeah, we

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Speaker 2: we certainly are. Hey, girl, we dropped an octave there?

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Speaker 3: What's going on?

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Speaker 2: You ask me?

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Speaker 4: Late?

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Speaker 1: I had a late night last night, So I'm did you?

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Speaker 3: Oh?

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Speaker 1: Yeah, you know how like when you have a late

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Speaker 1: night and then like the next day, you just you're

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Speaker 1: you just drop an octave and you're like, what's up?

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Speaker 2: Exactly?

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Speaker 1: Just Gravel voiced, I didn't even drink though, that's the

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Speaker 1: I had not whoa yet of alcohol.

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Speaker 2: Well that's just middle age.

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Speaker 3: Like you just day up an hour past your normal

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Speaker 3: bedtime and you sound like a fucking bog goblin. Yeah

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Speaker 3: I know, but you don't even have to add substances

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Speaker 3: to the to the mix to just sound like as

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Speaker 3: tired as you are.

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Speaker 2: Yeah.

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Speaker 1: No, I had a DJ gig last night and I

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Speaker 1: never drink when I DJ. I just yeah, I just

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Speaker 1: can't do it. Just how was the gig totally great? Like?

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Speaker 3: Do you want to tell people like what it was though?

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Speaker 3: Because the theme of the gig was amazing to me.

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Speaker 1: Sure, So I had a gig at this new bar

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Speaker 1: in Atlanta that a couple of my friends opened, and

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Speaker 1: it is they modeled it after these things called Japanese

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Speaker 1: listening rooms nice, which I guess are gaining more popularity

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Speaker 1: in America. It's basically like a really nice bar where

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Speaker 1: the sound quality is like unbelievable. Like it's you know,

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Speaker 1: like million dollar I stand out sound system with like

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Speaker 1: perfect acoustics. It's made for people to like listen to

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Speaker 1: music damn in like the most perfect way possible. And

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Speaker 1: then you know, you get wine and charcoutery and stuff

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Speaker 1: like that.

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Speaker 2: Yeah.

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Speaker 1: So they opened one like ten minutes from my house.

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Speaker 1: So I'm like, uh, I'm goin.

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Speaker 2: Don't don't tell people that well, they don't.

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Speaker 1: Know which direction. They don't know which direction in ten

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Speaker 1: minutes away is it's very close to where I live.

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Speaker 1: So it's like all you know, I'm like, oh my god,

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Speaker 1: here's like a place to listen to good music and

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Speaker 1: the best way possible. It's a very you know, upscaley

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Speaker 1: kind of adult place, you know, even though it's not unfriendly,

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Speaker 1: it's upscale meeting it's not like posters tacked on the wall.

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Speaker 1: It's like nice seats, nice bar. And what they're doing

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Speaker 1: is because they're kind of doing this like it's kind

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Speaker 1: of a listening room they're going through and they're kind

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Speaker 1: of picking people to come do like these kind of

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Speaker 1: curate nights, which you know, I love. I mean, come on,

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Speaker 1: we're like we do themes every week. So it's like, yeah,

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Speaker 1: you know, I love a theme. So you know, I

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Speaker 1: was talking it over with one of the owners and

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Speaker 1: I was just kind of like, well, you know, what,

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Speaker 1: what what are people doing? Like what's what are the genres,

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Speaker 1: what are the vibes? And I just decided, you know,

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Speaker 1: I decided that I wanted to do something as sort

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Speaker 1: of a tribute to my mom, who's still alive, okay,

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Speaker 1: but sort of this thing about when I was a

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Speaker 1: kid and watching her kind of hang out with her friends, right,

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Speaker 1: and if if you know, if any Filipinos, you know

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Speaker 1: that they like to turn up and there's always like

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Speaker 1: food and there's always music, and it's just always like,

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Speaker 1: you know, a vibe. And so all throughout my childhood,

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Speaker 1: I would watch her like have her friends over and

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Speaker 1: they would kind of you know, I don't know, they

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Speaker 1: would kind of dress up in like party clothes even

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Speaker 1: though they were just at someone's house. And maybe that's

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Speaker 1: just Filipinas generally. They always like put shoulder pads in

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Speaker 1: or what.

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Speaker 3: Like.

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Speaker 2: They always have like.

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Speaker 3: What a read, what a read on a culture like here,

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Speaker 3: here's what my people are about shoulder pads.

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Speaker 1: Shoulder Granted, I was this was the late eighties early

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Speaker 1: nineties when I first started like noticing this. So this

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Speaker 1: was a high shoulder pad era. This was like the

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Speaker 1: working girl. So all these Filipinas came in with their

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Speaker 1: like you know, five seven nine dresses with the shoulder

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Speaker 1: pads in a lot of like matching sets, so like

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Speaker 1: skirts with like matching like blazers.

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Speaker 2: And shit, a belted jumpsuit. Yeah, a lot of blue leather,

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Speaker 2: blue leather.

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Speaker 3: My mom looks like like an actual madam in my

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Speaker 3: communion photos.

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Speaker 2: Like dressing up in the eighties was at a different level.

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Speaker 3: She had blue eyeshadow on and a white matching cropped

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Speaker 3: jumpsuit with a blue blazer like a little Bolaro jacket.

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Speaker 3: And I'm like, you look like you could go out

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Speaker 3: and make some money on the streets right now.

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Speaker 1: Yeah, it's like, I just remember that era being like

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Speaker 1: a lot of shoulder work, a lot of like shoulder

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Speaker 1: dances in blue leather with shoulder pads, sort of like

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Speaker 1: a like maybe a more dressier Claire Huxtable kind of book.

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Speaker 1: But they would just dress like this to go over

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Speaker 1: to someone's house effectively so good, and they would make

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Speaker 1: like Margarita's and then they would dance to you know,

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Speaker 1: like Millie Vanilli and you.

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Speaker 2: Know, stuff like that.

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Speaker 1: And I remember the first time that I that this happened.

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Speaker 1: I was we were still living in South Carolina. I

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Speaker 1: think my dad was like on a work trip, and

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Speaker 1: I remember like being asleep, being put to bed like

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Speaker 1: at eight PM or something, right, and then getting woken

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Speaker 1: up to the sound of the sound of Fine Young Cannibals.

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Speaker 1: She drives me crazy. Do you remember that song? Ah?

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Speaker 1: And it's and it's being blasted, And I'm like, I

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Speaker 1: look over my sister because we were sharing a room

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Speaker 1: at the time. She's like, oh, sleep, and I'm like,

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Speaker 1: I'm fucking going down there. So I creep down the

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Speaker 1: stairs and then I like turned the corner and there's

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Speaker 1: like fifteen Filipino women in these like shoulder pads and

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Speaker 1: makeup and like the teased out hair with these like

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Speaker 1: these giant Margarita glasses and they're all dancing till she

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Speaker 1: drives me crazy.

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Speaker 3: This is so unbelievably my scene. This is right, Holy shit,

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Speaker 3: don't want to party with those women.

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Speaker 1: And they were just like whooping and hollering, and I

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Speaker 1: was like, this is a core memory, Like I will

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Speaker 1: never forget this in my life.

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Speaker 2: Life that it is life changing. That is fantastic.

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Speaker 1: Yeah, and I just so I and this to me

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Speaker 1: was you know how we've talked about this podcast.

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Speaker 2: I was always like obsessed with maybe we both.

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Speaker 1: Were, you know, with like being older and like kind

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Speaker 1: of anticipating what it would be like to be like

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Speaker 1: an adult like in my twenties and I could go

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Speaker 1: to parties and I could put shoulder pads in and

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Speaker 1: I would go to.

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Speaker 2: Clubs and all this stuff.

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Speaker 1: So watching that was like seared into my brain as

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Speaker 1: to like, Okay, here's like a possible life for me

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Speaker 1: when I'm not nine.

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Speaker 2: You know, And that is too true. It's too true.

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Speaker 1: Yeah, And they still have My mom still has parties

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Speaker 1: like this, Like I went to one, I don't know,

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Speaker 1: maybe like two or three years ago, like they do everybody.

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Speaker 2: Like the Christmas thing.

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Speaker 1: Is a huge thing for Filipinos too, if you didn't know,

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Speaker 1: they let Filipinos love Christmas. And so my mom kind

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Speaker 1: of has this like Christmas party circuit that she goes

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Speaker 1: on every year where it's like all of her friends

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Speaker 1: kind of have Christmas party. And this shit is fucking

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Speaker 1: all the way live. I mean, there are chafing dishes out,

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Speaker 1: there's like six pounds of lumpia just like you know,

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Speaker 1: like there's food, like the vital tablecloths get put out

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Speaker 1: on like the outdoor patio furniture, and like fuck you

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Speaker 1: know that like Santana's Supernatural CD is gonna pop out

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Speaker 1: on the on the five disc changer. Like it was

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Speaker 1: fucking lit. And it was so funny because that that party,

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Speaker 1: oh good, that party that I went to was so funny.

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Speaker 1: First of all, I went with my mom and then

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Speaker 1: we brought Henry, who is my oldest nephew, who was

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Speaker 1: probably like I don't know, like seven at the time,

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Speaker 1: and of course they were trying to get him to

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Speaker 1: fucking dance, and he was and.

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Speaker 2: They all loved it.

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Speaker 1: He was, but he was literally the only man dancing.

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Speaker 1: And then go outside he would go onside on the

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Speaker 1: porch and there's like seven or eight old white dudes

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Speaker 1: just owhere, like talking, all the white husbands of all

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Speaker 1: the Filipides.

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Speaker 2: Shit, just like, look what we did to ourselves. We

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Speaker 2: chose this.

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Speaker 1: Yeah, and they're all swapping like navy stories and shit

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Speaker 1: because you know all of them are in the military.

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Speaker 3: This is a promise you have to make to me,

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Speaker 3: and it does not have to be this year, doesn't

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Speaker 3: even have to be next year. You are taking me

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Speaker 3: to your parents' house for Christmas, and I'm hitting up

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Speaker 3: every one of these parties.

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Speaker 2: I will be like the.

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Speaker 3: Charming guest of honor. I'm gonna be inside with the ladies.

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Speaker 3: I'll be outside with the dudes. I need to see

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Speaker 3: this live.

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Speaker 1: Listen. Fly into the Orlando Airport, I'll come pick your

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Speaker 1: ass up. We'll drive out to the fucking suburbs where

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Speaker 1: my parents live, and we will hit these parties so hard.

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Speaker 3: We are doing it. You can do a DJ set

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Speaker 3: at the party that will be out in those streets.

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Speaker 3: That is my kind of fucking scene.

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Speaker 1: Yo. It's it's super fun and it's like and like,

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Speaker 1: so when I was thinking about like doing this DJ,

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Speaker 1: I was like, yo, I have to like honor this

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Speaker 1: tradition because so.

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Speaker 2: I called it.

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Speaker 1: The term is called case yahan and it's basically the

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Speaker 1: term for It's tagalog for a happy gathering or a

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Speaker 1: celebration or something like that. And so I was like, Okay,

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Speaker 1: the vibe is, you know, basically the music that my

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Speaker 1: parents played at these parties for you know, in my childhood,

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Speaker 1: which invariably meant eighties and nineties, R and B and

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Speaker 1: I brought. I pulled out all these old records that

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Speaker 1: I hadn't played in a long time because I when

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Speaker 1: I used to DJ at Mary's, you know, I would

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Speaker 1: have some of these records like and they're all like

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Speaker 1: like Milli Vanilli remixes and like h Mey Houston's I'm

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Speaker 1: Your Baby Tonight twelve inch dub mix, like all this stuff.

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Speaker 1: Oh my goodness that I feel like the kids that

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Speaker 1: today do not understand the beauty of a twelve inch

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Speaker 1: Vinyl maxie single.

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Speaker 2: Oh speak in my language.

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Speaker 1: Right with like the five different there was always this

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Speaker 1: like a popular song, five different remixes. There'd be like

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Speaker 1: a UK house mix, an extended mix, extended mix.

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Speaker 3: Yes, I love an extended mix. You're like, oh shit,

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Speaker 3: I'm still going it's full cardio. I've been danced for

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Speaker 3: ten minutes.

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Speaker 1: You you want a nine minute Mary j Blige Real

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Speaker 1: Love remix?

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Speaker 3: Yeah?

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Speaker 1: Got it?

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Speaker 2: Who doesn't? Yeah?

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Speaker 1: And they were these twelve inch Maxie singles were essentially

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Speaker 1: made for DJs, so you know, at clubs they would

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Speaker 1: pay these like longer songs and you know, just remixes

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Speaker 1: and different beasts and stuff. And so I was like, yo,

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Speaker 1: bring all that shit, and I was yeah, I was

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Speaker 1: playing jams all night long. I mean it was like

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Speaker 1: damn yeah. I started. I kind of did it, like

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Speaker 1: started like seventies six late sixties, like seventies soul, a

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Speaker 1: little disco, and then I moved into like the fucking

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Speaker 1: Mary Jane girls like Shannon let the music play, like

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Speaker 1: you know, you just got to work your way there.

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Speaker 1: And there's one guy, Oh my god, so adorable. This

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Speaker 1: one guy came up to me and was like, I

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Speaker 1: just have to tell you I feel like I'm in

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Speaker 1: a middle school dance right now. And I was like, girl,

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Speaker 1: is that a good memory? And he was like, yeah,

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Speaker 1: absolutely a good memory. And I'm like, it's the best vibe.

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Speaker 3: That is the only vibe I ever wanted a club, Oh,

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Speaker 3: middle school dance.

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Speaker 1: I know, And it was I at that moment, I

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Speaker 1: was like, Okay, I did a good thing. Like if

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Speaker 1: people are having positive memories from this.

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Speaker 3: Yes, so you're healing childhoods through music totally.

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Speaker 1: And I was just like, I don't know, Like I

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Speaker 1: it's funny because to me, there's like this entire generation

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Speaker 1: of kids and I feel like, don't even I mean,

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Speaker 1: they sort of know. I'm sure they probably know a

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Speaker 1: little bit about this era like the new Jack swing,

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Speaker 1: you know, like late eighties, early nineties, kind of like

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Speaker 1: you know, Bobby Brown, Whitney Houston. You know, this is

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Speaker 1: like this is like water to us. But I feel

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Speaker 1: like there's a lot of like maybe younger gen Z

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Speaker 1: kids that like kind of just really don't They just

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Speaker 1: think of it as their parents' music or whatever. And

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Speaker 1: I was like, actually, you can play this music in

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Speaker 1: an elevated listening bar and it's it's real. It's not

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Speaker 1: just your parents, it's it's beloved by man.

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Speaker 3: It's still do your TikTok dances in public to this stuff.

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Speaker 3: That's what we used to call TikTok dancing was going

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Speaker 3: out to a club and dancing in public.

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Speaker 1: Oh absolutely, And that's why you know. I joked about

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Speaker 1: us becoming TikTok stars by playing Don't Disturb this Groove

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Speaker 1: by the System, and I really would.

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Speaker 2: That's a song.

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Speaker 1: That's a song that would play last night, so so good.

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Speaker 2: Oh yeah, it sounds amazing. I hope you do it

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Speaker 2: more and more.

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Speaker 3: Yeah, And my promise to you, So your promise to

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Speaker 3: me is that you're gonna take me to your parents'

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Speaker 3: house one Christmas to hit up all these parties. And again,

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Speaker 3: does not have to be this year, but I do

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Speaker 3: think it has to be within the next three years. Yeah,

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Speaker 3: because like they start slowing down in the eighties, oh

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Speaker 3: one hundred percent before eighty I'll hit up a party.

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Speaker 3: But my promise to you, I'm gonna throw a party

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Speaker 3: here in the Father.

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Speaker 2: John Misty Room.

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Speaker 3: You can DJ in the Father John Misty Room.

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Speaker 1: Are fantastic in their actually, oh, the acoustics are fucking wonderful.

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Speaker 3: I had a friend of Cooper and play guitar and

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Speaker 3: was like, holy shit, and I was like, yeah, I

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Speaker 3: just scream in here, but knock yourself out. This is

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Speaker 3: just where I cry my cries bouncing off the fucking walls.

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Speaker 1: Look, I love a fucking house party, don't get it

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Speaker 1: twisted it. I used to throw house parties all the

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Speaker 1: time and make them themed because we love themes. And

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Speaker 1: I mean, the funny thing was was that so it

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Speaker 1: was all vinyl last night, which I was like, chill,

288
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Speaker 1: I'm cool with that. I have a lot of vinyl.

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Speaker 1: But then when I was carrying the vinyl, ye just like, yo,

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Speaker 1: this is so heavy. Like I had, I had basically

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Speaker 1: like an entire crate filled with music. But then I

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Speaker 1: had this like you know, I don't know record bag

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Speaker 1: that had maybe another thirty albums, and I was hough

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Speaker 1: at it, like I was like going up the stairs,

295
00:15:56,680 --> 00:15:59,120
Speaker 1: and I'm like, yo, I am, I am getting old.

296
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Speaker 1: I cannot carry these crates of records anymore.

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Speaker 2: That's why you sound like Sam Elliott today even doing

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Speaker 2: a full lass workout.

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Speaker 1: No, and like and they actually had equipment, I mean

300
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Speaker 1: back in the day when I was DJ, because I

301
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Speaker 1: don't really do it much anymore.

302
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Speaker 2: I only do like special occasions and stuff.

303
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Speaker 1: Having to bring like a coffin, which was you know,

304
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Speaker 1: like what you call the the apparatus that you put

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Speaker 1: two fucking turntables in in a mixer. I don't know

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Speaker 1: how I did it because I was just like this sucks.

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Speaker 3: Like that, that's that's what naive tabill get you. You're like,

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Speaker 3: I just don't know that there's another way, so I

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Speaker 3: have to. Yeah, you're ignorant to the choice. So that's

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Speaker 3: how we got anything done back then, just ignorant to

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Speaker 3: choice and options.

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Speaker 2: Oh I know.

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Speaker 1: And then I also remember too, like because I was around,

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Speaker 1: uh during the dawn of like Serranto, which is like,

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Speaker 1: you know, like basically I guess what they sort of

316
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Speaker 1: use now, which is just digital DJing right, like laptop DJing.

317
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Speaker 1: And I was like, holy shit, this is so much

318
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Speaker 1: easier to just bring a laptop, like what amazing? Like

319
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Speaker 1: I'm like, you don't have to carry two giant fucking

320
00:17:07,480 --> 00:17:13,040
Speaker 1: fifty pound Technics twelve hundred's with a mixer chords, God forbid.

321
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Speaker 1: You have to bring like and like a like a

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Speaker 1: you know, your own like speakers and shit, you know.

323
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Speaker 1: And I'm just like this is too much, like.

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Speaker 2: Absolutely too much. Too well, but this was fun, You're

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Speaker 2: I'm glad.

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Speaker 3: It was a blast. It sounds amazing. And again we're

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Speaker 3: throwing a house party. I've been getting into house parties,

328
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Speaker 3: I gotta say, And I went to my friend Tim's

329
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Speaker 3: a couple of weeks ago, and small, small house parties

330
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Speaker 3: and they throw great parties, like they they are so thoughtful.

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Speaker 3: So my friend Tim, Timothy Hull, he's an artist and professor,

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Speaker 3: and his husband Corey, who's a gallerist, and they just

333
00:17:51,080 --> 00:17:53,360
Speaker 3: know great people, so they like, I'll go over. They're like, oh,

334
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Speaker 3: come on for dinner, and like we're having a couple

335
00:17:55,520 --> 00:17:59,320
Speaker 3: of people over and it's like some historically important photographer

336
00:17:59,400 --> 00:18:02,840
Speaker 3: is there, and just like you know this some guy

337
00:18:02,880 --> 00:18:06,040
Speaker 3: who lives down the road, and like just the best

338
00:18:06,080 --> 00:18:09,120
Speaker 3: connection collection of people. Yeah, but this time, a couple

339
00:18:09,080 --> 00:18:11,199
Speaker 3: of weeks ago, I went over to their house and

340
00:18:11,240 --> 00:18:15,320
Speaker 3: it was just us and it was so fun. Like

341
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Speaker 3: I always have a blast at their house. But I

342
00:18:17,080 --> 00:18:20,040
Speaker 3: don't think I laughed so hard in my life as

343
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Speaker 3: I did this night, primarily because Tim has been banned

344
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Speaker 3: from pouring tequila for the rest of his fucking life.

345
00:18:28,080 --> 00:18:30,240
Speaker 3: Every time I looked he made, he made like a mixture.

346
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Speaker 3: Because that's this is again the thoughtfulness. They have a drink,

347
00:18:34,600 --> 00:18:36,640
Speaker 3: like a special drink. Every time you go over, they're like, oh,

348
00:18:36,640 --> 00:18:38,320
Speaker 3: we made this and it's like in a picture and

349
00:18:38,359 --> 00:18:41,200
Speaker 3: it's beautiful, and it's like crafted just for the party

350
00:18:41,240 --> 00:18:43,600
Speaker 3: and the food, and it's so thoughtful and they're delicious.

351
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Speaker 2: So every time I looked, my glass was full, full,

352
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Speaker 2: full full.

353
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Speaker 3: He lives literally three minutes down the road, and I

354
00:18:49,720 --> 00:18:51,360
Speaker 3: still had to like sleep it off a little bit.

355
00:18:54,119 --> 00:18:55,800
Speaker 3: We went and he's like, oh, like we had a

356
00:18:55,840 --> 00:18:58,720
Speaker 3: little snack and then they'd set up croquete in the

357
00:18:58,760 --> 00:19:03,600
Speaker 3: backyard because they have this like huge, like expansive, gorgeous

358
00:19:03,640 --> 00:19:06,159
Speaker 3: English garden style yard. So I played croquet for the

359
00:19:06,160 --> 00:19:10,679
Speaker 3: first time. Obviously Heather's references throughout. Yeah, while I'm getting

360
00:19:10,760 --> 00:19:14,359
Speaker 3: twisted and just knocking balls all over the place. And

361
00:19:14,400 --> 00:19:17,760
Speaker 3: then Corey, his husband, made this beautiful like salad and

362
00:19:17,800 --> 00:19:20,919
Speaker 3: this like had this huge like like just beautiful, like

363
00:19:21,000 --> 00:19:26,920
Speaker 3: just beautiful. And then I brought with me No Mercy Uno.

364
00:19:28,200 --> 00:19:33,000
Speaker 2: What's that have you? Well, you've played regular Uno, duh.

365
00:19:33,040 --> 00:19:33,680
Speaker 2: Of course.

366
00:19:34,400 --> 00:19:38,800
Speaker 3: No Mercy Uno is designed to make you lose. It's

367
00:19:38,840 --> 00:19:43,240
Speaker 3: like a plus ten card. Pick up ten cards right now. Oh,

368
00:19:43,280 --> 00:19:45,320
Speaker 3: there's a card where you have to change hands with

369
00:19:45,359 --> 00:19:47,320
Speaker 3: all the players. There's a card where you can choose

370
00:19:47,320 --> 00:19:52,360
Speaker 3: who you're changing hands with there's your skipping turns. You're

371
00:19:52,400 --> 00:19:55,879
Speaker 3: making people like it is ruthless, and we were laughing

372
00:19:55,960 --> 00:20:01,240
Speaker 3: so fucking hard. It was the best dinner I've had

373
00:20:01,400 --> 00:20:03,440
Speaker 3: an ages. Tim went to the bathroom at one point

374
00:20:03,480 --> 00:20:04,879
Speaker 3: and we kept playing and he came back and he

375
00:20:04,880 --> 00:20:06,280
Speaker 3: had like forty five fucking cards.

376
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Speaker 1: Oh my god.

377
00:20:08,119 --> 00:20:08,399
Speaker 2: Yeah.

378
00:20:08,400 --> 00:20:11,560
Speaker 3: But it's like good music, good friends, and a cute

379
00:20:11,600 --> 00:20:17,159
Speaker 3: ass house getting lit. That is my fucking that. That

380
00:20:17,280 --> 00:20:19,320
Speaker 3: is my vibe right now. That is exactly where I am.

381
00:20:19,560 --> 00:20:21,399
Speaker 3: So when you come to my house, it's very different

382
00:20:21,440 --> 00:20:23,720
Speaker 3: because I'm just like, if you want to drink, there's

383
00:20:23,720 --> 00:20:25,800
Speaker 3: some booze over there. I'm not making a special fan.

384
00:20:25,880 --> 00:20:27,159
Speaker 2: I want to. I want to be that person, but

385
00:20:27,200 --> 00:20:29,560
Speaker 2: I'm like, I'm not making a special drink. I'll cook.

386
00:20:29,600 --> 00:20:32,920
Speaker 3: I fucking love cooking. But here's my nightmare of a house.

387
00:20:32,960 --> 00:20:34,440
Speaker 3: Find a place to sit where there's not a cat

388
00:20:34,520 --> 00:20:36,320
Speaker 3: ripping it to shreds, like knock yourself out.

389
00:20:36,840 --> 00:20:38,720
Speaker 2: But I aspire to this level of.

390
00:20:38,680 --> 00:20:41,040
Speaker 3: House party where it's like we've got good music, we've

391
00:20:41,040 --> 00:20:44,400
Speaker 3: got a fucking DJ, we've got fucking great guests, We've

392
00:20:44,440 --> 00:20:46,280
Speaker 3: got like that is what I aspire to because I

393
00:20:46,320 --> 00:20:47,960
Speaker 3: think that's I think that's the move now.

394
00:20:48,280 --> 00:20:51,000
Speaker 1: Sure, I mean, like, listen, I think if you really

395
00:20:51,000 --> 00:20:53,840
Speaker 1: want to work towards this goal, I think your best

396
00:20:53,920 --> 00:20:58,080
Speaker 1: option is to collaborate with someone. So have a friend

397
00:20:58,160 --> 00:21:00,560
Speaker 1: who you know is a little bit more of a like,

398
00:21:00,720 --> 00:21:04,240
Speaker 1: you know, party planner. You know, decide which tasks you're

399
00:21:04,240 --> 00:21:06,600
Speaker 1: gonna handle. Obviously you're gonna handle food, You're you know,

400
00:21:06,640 --> 00:21:09,280
Speaker 1: you might handle a couple of like house things. But

401
00:21:09,320 --> 00:21:12,080
Speaker 1: the other person can kind of create the vibe. I mean,

402
00:21:12,080 --> 00:21:15,200
Speaker 1: you're gonna hire the DJ, you know, you're you know,

403
00:21:15,000 --> 00:21:18,119
Speaker 1: you can collaborate with people, and it doesn't have to

404
00:21:18,160 --> 00:21:22,280
Speaker 1: be like a fucking Sean Paul house party. It could

405
00:21:22,320 --> 00:21:25,200
Speaker 1: just be something like kind of simple and fun. And

406
00:21:25,480 --> 00:21:28,879
Speaker 1: you know card games. I love playing card games right

407
00:21:28,960 --> 00:21:30,440
Speaker 1: that parties.

408
00:21:30,080 --> 00:21:32,119
Speaker 3: Like I used to so much fun.

409
00:21:32,359 --> 00:21:35,520
Speaker 1: Yeah, I used to play like there there is a

410
00:21:35,560 --> 00:21:38,679
Speaker 1: card game out there if you look on you know,

411
00:21:38,960 --> 00:21:44,560
Speaker 1: the internet, called Grass that was made. I want to

412
00:21:44,600 --> 00:21:46,880
Speaker 1: believe that it was made in like the late sixties

413
00:21:46,960 --> 00:21:49,600
Speaker 1: or early seventies. But it's essentially a card game where

414
00:21:49,680 --> 00:21:51,400
Speaker 1: the purpose of it is that you have to sell

415
00:21:51,440 --> 00:21:53,040
Speaker 1: as much weed as possible.

416
00:21:54,280 --> 00:21:58,240
Speaker 2: What Yes, and like it's it's designed.

417
00:21:59,400 --> 00:22:05,600
Speaker 1: All of the the language is in like seventies hippie language,

418
00:22:05,640 --> 00:22:08,600
Speaker 1: so it's like but it plays almost kind of like

419
00:22:08,720 --> 00:22:11,440
Speaker 1: UNA where you go round and you like basically have

420
00:22:11,520 --> 00:22:14,879
Speaker 1: these like cards that are like different denominations of weed

421
00:22:15,760 --> 00:22:18,680
Speaker 1: and damn you try to sell as much weed as

422
00:22:18,720 --> 00:22:22,680
Speaker 1: possible and then close your market so that you win

423
00:22:22,760 --> 00:22:23,119
Speaker 1: the game.

424
00:22:23,160 --> 00:22:25,159
Speaker 2: That's the purpose of it.

425
00:22:25,320 --> 00:22:29,399
Speaker 1: And it can get like super competitive and ruthless. And

426
00:22:29,440 --> 00:22:31,919
Speaker 1: it's just this that feeling of when you're playing, like, Hi,

427
00:22:32,600 --> 00:22:34,280
Speaker 1: would you say high stakes UNO.

428
00:22:34,240 --> 00:22:37,800
Speaker 2: Or no, no mercy, No, no mercy because.

429
00:22:37,520 --> 00:22:39,400
Speaker 3: At one point you can if you have twenty five

430
00:22:39,440 --> 00:22:41,639
Speaker 3: cards or more, you're out of You're technically out of

431
00:22:41,640 --> 00:22:44,560
Speaker 3: the game. Yeah, and that's supposed to be the mercy

432
00:22:45,040 --> 00:22:46,760
Speaker 3: is that like we won't give you any more cards,

433
00:22:46,760 --> 00:22:47,840
Speaker 3: so it's no mercy UNO.

434
00:22:48,280 --> 00:22:50,320
Speaker 2: But yeah, I love this. I think get some old

435
00:22:50,359 --> 00:22:50,879
Speaker 2: card games.

436
00:22:50,880 --> 00:22:53,399
Speaker 3: And also I'm not about a game night, Like I

437
00:22:53,440 --> 00:22:55,119
Speaker 3: don't want to have a bunch of games going on

438
00:22:55,200 --> 00:22:57,840
Speaker 3: all over the place. Yeah, busting out a card game

439
00:22:57,880 --> 00:23:00,560
Speaker 3: at a party is fucking hilarious every time.

440
00:23:01,080 --> 00:23:04,600
Speaker 1: Yeah, or just even simple stuff like spades or what

441
00:23:04,760 --> 00:23:08,080
Speaker 1: totally like, yeah, you don't want to to me. You

442
00:23:08,080 --> 00:23:12,720
Speaker 1: don't want to build around the card games necessarily. It

443
00:23:12,880 --> 00:23:15,880
Speaker 1: just needs to happen when you're getting tipsy.

444
00:23:16,880 --> 00:23:20,359
Speaker 2: Absolutely, it's the best. It is, truly. It was so

445
00:23:20,560 --> 00:23:21,399
Speaker 2: goddamn funny.

446
00:23:22,119 --> 00:23:24,640
Speaker 3: I mean, I just I love them so much anyway,

447
00:23:24,760 --> 00:23:28,639
Speaker 3: but it was just a reminder of how how nice

448
00:23:28,640 --> 00:23:31,880
Speaker 3: it is to live so close to good friends who

449
00:23:31,920 --> 00:23:34,560
Speaker 3: have like you have a shorthand with, you can hang

450
00:23:34,600 --> 00:23:36,520
Speaker 3: out with, you have like just making jokes. It was

451
00:23:36,600 --> 00:23:38,600
Speaker 3: just really really fun. So I think I'm gonna be

452
00:23:38,640 --> 00:23:40,560
Speaker 3: doing more of that for the rest of the summer

453
00:23:40,680 --> 00:23:42,959
Speaker 3: what we have left, and in the winter too. It's

454
00:23:43,000 --> 00:23:44,800
Speaker 3: even better in the winter. And then you just have

455
00:23:44,880 --> 00:23:46,720
Speaker 3: like a bunch of fucking couches and shit, be like,

456
00:23:46,760 --> 00:23:48,920
Speaker 3: sleep it off. Listen, sleep it off.

457
00:23:48,920 --> 00:23:50,359
Speaker 2: No one's driving drunks. Sleep it off.

458
00:23:50,680 --> 00:23:54,440
Speaker 1: I'm loving this era of you alternating between being on

459
00:23:54,480 --> 00:23:56,920
Speaker 1: the back of a motorcycle and having house parties.

460
00:23:58,280 --> 00:23:59,320
Speaker 3: Fucking reckless summer.

461
00:23:59,320 --> 00:23:59,840
Speaker 2: Here we go.

462
00:24:00,280 --> 00:24:02,359
Speaker 1: This is so fun for you. It's an age of elegance.

463
00:24:04,320 --> 00:24:06,800
Speaker 3: I'm shutting my mouth and I'm just having fun.

464
00:24:07,800 --> 00:24:09,720
Speaker 1: This is I'm loving this.

465
00:24:09,920 --> 00:24:12,680
Speaker 2: What good summer. It's a good time.

466
00:24:12,720 --> 00:24:16,679
Speaker 3: I've kind of I've turned to a corner maybe like

467
00:24:16,760 --> 00:24:19,480
Speaker 3: emotionally or something. I don't know what's going on, but

468
00:24:19,520 --> 00:24:23,160
Speaker 3: I'm feeling good lately. I'm feeling really good, and I'm

469
00:24:23,240 --> 00:24:24,120
Speaker 3: running towards fun.

470
00:24:24,240 --> 00:24:27,600
Speaker 1: Yeah right, I was gonna say fun. I think that's

471
00:24:27,680 --> 00:24:30,800
Speaker 1: kind of what on both of our brains. So this

472
00:24:30,840 --> 00:24:33,720
Speaker 1: is awesome, And like I will DJ the Father John

473
00:24:33,760 --> 00:24:35,800
Speaker 1: Missy Room, but it can't be Vinyl because I can't

474
00:24:35,800 --> 00:24:36,800
Speaker 1: bring that shit on the plane.

475
00:24:37,720 --> 00:24:39,440
Speaker 2: Well you didn't even want to bring it up the stairs?

476
00:24:40,320 --> 00:24:42,960
Speaker 2: Yeah at his house. Yeah, like you want a spiral

477
00:24:43,000 --> 00:24:47,200
Speaker 2: staircase with a stack of fucking records, I am doing

478
00:24:47,200 --> 00:24:49,000
Speaker 2: that to you. Yeah, I mean.

479
00:24:48,920 --> 00:24:52,639
Speaker 1: Unless I have a staff who's carrying my my my

480
00:24:53,160 --> 00:24:55,320
Speaker 1: record collection. One time I did see a DJ. Do

481
00:24:55,359 --> 00:24:59,960
Speaker 1: you remember Goldie? Do you remember Goldies? Who doesn't remember Goldie?

482
00:25:00,160 --> 00:25:01,720
Speaker 1: I don't want to talk to them if they don't.

483
00:25:02,760 --> 00:25:05,359
Speaker 1: I saw Goldie at the airport once, and I swear

484
00:25:05,400 --> 00:25:08,240
Speaker 1: I think he had like you know, like those giant

485
00:25:08,520 --> 00:25:11,639
Speaker 1: metal Maybe they're not metal, but it's like they're like

486
00:25:12,000 --> 00:25:15,000
Speaker 1: the record cases for Trout Basically, I.

487
00:25:14,960 --> 00:25:16,240
Speaker 2: Know exactly what you're talking about.

488
00:25:16,320 --> 00:25:18,800
Speaker 1: Yeah, he had like five of them shits like going

489
00:25:18,880 --> 00:25:21,720
Speaker 1: through the security thing and there were people behind him

490
00:25:21,760 --> 00:25:23,840
Speaker 1: carrying some shit, and I was like, that's what I mean.

491
00:25:23,880 --> 00:25:26,240
Speaker 1: If I want to be an international DJ, I need

492
00:25:26,240 --> 00:25:28,560
Speaker 1: people to carry this shit because I can't do it anymore.

493
00:25:28,760 --> 00:25:31,560
Speaker 2: That is the goal of international DJing.

494
00:25:31,600 --> 00:25:33,760
Speaker 3: And maybe we should get James Kennedy on the podcast

495
00:25:33,760 --> 00:25:37,400
Speaker 3: to talk it out. But the goal is I can

496
00:25:37,560 --> 00:25:40,359
Speaker 3: afford to buy five plane tickets so people can carry

497
00:25:40,359 --> 00:25:41,920
Speaker 3: my records for me, so they can do that shit.

498
00:25:41,960 --> 00:25:44,160
Speaker 2: Carry on, Can.

499
00:25:44,080 --> 00:25:46,639
Speaker 1: James Kennedy DJ your fucking house?

500
00:25:46,880 --> 00:25:47,280
Speaker 2: Dude?

501
00:25:47,400 --> 00:25:49,760
Speaker 3: I would have that asshole in my house any day.

502
00:25:49,800 --> 00:25:52,199
Speaker 3: He is so fucking funny, dude.

503
00:25:52,920 --> 00:25:56,080
Speaker 1: I'm gonna we got to write a check to ourselves

504
00:25:56,119 --> 00:25:59,880
Speaker 1: about this. I would die to have him roll up

505
00:26:00,800 --> 00:26:04,080
Speaker 1: to like in the wood State, New York, to a

506
00:26:04,240 --> 00:26:08,360
Speaker 1: farm and then here you go, let's go.

507
00:26:09,280 --> 00:26:12,840
Speaker 3: He would be so freaked out because there's so many groundhogs,

508
00:26:12,880 --> 00:26:14,280
Speaker 3: so many animals around here.

509
00:26:15,800 --> 00:26:19,440
Speaker 2: He is a city boy who wick makes some noise

510
00:26:20,680 --> 00:26:21,200
Speaker 2: and it's like.

511
00:26:21,280 --> 00:26:24,000
Speaker 1: Us, It's like me, you and your two friends.

512
00:26:24,880 --> 00:26:28,960
Speaker 2: Ah.

513
00:26:29,119 --> 00:26:31,240
Speaker 1: He takes his shirt off and he's like sand doubles

514
00:26:31,240 --> 00:26:33,520
Speaker 1: a layaha.

515
00:26:35,920 --> 00:26:36,879
Speaker 2: Just four people.

516
00:26:37,240 --> 00:26:39,440
Speaker 3: That would be the greatest party I would ever throw

517
00:26:39,560 --> 00:26:42,200
Speaker 3: my life, ever in my life.

518
00:26:42,880 --> 00:26:43,760
Speaker 2: Oh my god.

519
00:26:44,119 --> 00:26:47,119
Speaker 3: Yeah, let's write that check and then when one of

520
00:26:47,200 --> 00:26:48,800
Speaker 3: us dies, will gently lay it.

521
00:26:48,760 --> 00:26:53,240
Speaker 2: On the grave. Like we did it, girl, We did it.

522
00:26:53,960 --> 00:26:56,640
Speaker 1: We had James Kennedy and the Father John Missy Room

523
00:26:56,760 --> 00:26:58,399
Speaker 1: fucking do it a set.

524
00:27:00,840 --> 00:27:03,080
Speaker 3: That is my promise you before I retire. I will

525
00:27:03,080 --> 00:27:04,359
Speaker 3: make that happen before I retire.

526
00:27:05,000 --> 00:27:06,320
Speaker 1: I love it so much.

527
00:27:06,359 --> 00:27:07,119
Speaker 2: Oh my god.

528
00:27:12,560 --> 00:27:15,399
Speaker 3: Should we get into our fucking movies? My other promise

529
00:27:15,440 --> 00:27:19,240
Speaker 3: to you, Yes, I'm ongoing vowels.

530
00:27:19,320 --> 00:27:24,120
Speaker 2: This is to talk about these I'm deeply ready.

531
00:27:26,600 --> 00:27:30,600
Speaker 1: All right, folks, it wouldn't be us if we didn't

532
00:27:30,600 --> 00:27:34,520
Speaker 1: have a theme. We have a theme this week that

533
00:27:34,520 --> 00:27:37,360
Speaker 1: I feel like this was your idea, definitely a name

534
00:27:37,960 --> 00:27:42,600
Speaker 1: as players. I feel like it was anchored around your.

535
00:27:42,520 --> 00:27:46,440
Speaker 3: Movie, right, Yeah, it really because I've mentioned my movie

536
00:27:46,480 --> 00:27:48,840
Speaker 3: so often on our podcast, and I felt like it

537
00:27:48,880 --> 00:27:52,000
Speaker 3: was time to finally look at the movie, watch it again,

538
00:27:52,800 --> 00:27:55,639
Speaker 3: and then you know, just just the the the stage

539
00:27:55,640 --> 00:27:57,359
Speaker 3: of life that I'm in where I have a house

540
00:27:57,359 --> 00:28:01,240
Speaker 3: that people come to visit and it always reminds me

541
00:28:01,320 --> 00:28:01,760
Speaker 3: of this movie.

542
00:28:01,800 --> 00:28:03,040
Speaker 2: This movie was formative for me.

543
00:28:03,600 --> 00:28:06,600
Speaker 1: Yeah, first time watch for me. I'll just say that.

544
00:28:08,280 --> 00:28:09,919
Speaker 1: But the theme for this week.

545
00:28:09,920 --> 00:28:15,800
Speaker 2: Is three days then get the fuck out bad house guests?

546
00:28:17,280 --> 00:28:21,800
Speaker 1: Is the is that is three days the appropriate amount

547
00:28:21,840 --> 00:28:22,600
Speaker 1: of time for a guest?

548
00:28:22,680 --> 00:28:26,680
Speaker 3: Well, there is an old saying about both house guests

549
00:28:26,760 --> 00:28:30,199
Speaker 3: and fish start to stink after three days. Like to paraphrase,

550
00:28:30,480 --> 00:28:33,600
Speaker 3: it's like an old phrase, like an old timey thing, like.

551
00:28:33,480 --> 00:28:36,800
Speaker 1: A Shakespearean thing that you translate out like the fifties.

552
00:28:36,880 --> 00:28:46,080
Speaker 3: Girl, I'm always living in a Shakespearean era. There are

553
00:28:46,120 --> 00:28:47,320
Speaker 3: other decades I fuck with.

554
00:28:48,120 --> 00:28:50,960
Speaker 2: The nights at the round Table were like, we also

555
00:28:51,000 --> 00:28:53,240
Speaker 2: do not like house guests after three days.

556
00:28:54,120 --> 00:28:56,000
Speaker 3: It would have been fucking impossible back then because it

557
00:28:56,000 --> 00:28:58,440
Speaker 3: takes three days to travel anywhere, and then you get

558
00:28:58,440 --> 00:29:00,200
Speaker 3: there and you're like, I'm gonna be here for months.

559
00:29:00,400 --> 00:29:03,120
Speaker 3: Just get with it because I'm not doing that trip

560
00:29:03,160 --> 00:29:03,840
Speaker 3: again right away.

561
00:29:04,400 --> 00:29:07,640
Speaker 1: And weren't you like forced to accept, Like isn't that

562
00:29:07,680 --> 00:29:09,080
Speaker 1: what quartering soldiers is?

563
00:29:09,120 --> 00:29:10,520
Speaker 2: In the conversation, it's like.

564
00:29:11,200 --> 00:29:13,360
Speaker 1: They have to come over and you have to give

565
00:29:13,400 --> 00:29:15,360
Speaker 1: them potatoes and water.

566
00:29:16,040 --> 00:29:17,880
Speaker 3: See this is where they just lynch my black ass

567
00:29:17,880 --> 00:29:22,760
Speaker 3: because I ain't doing that. A fucking army shows up

568
00:29:22,760 --> 00:29:24,880
Speaker 3: at my door, and I'm supposed to be like welcome,

569
00:29:25,920 --> 00:29:28,840
Speaker 3: Like you can kill me right now, dude.

570
00:29:28,720 --> 00:29:29,520
Speaker 2: For any reason.

571
00:29:30,200 --> 00:29:32,640
Speaker 1: This is a sidebar, but I have to tell you

572
00:29:32,680 --> 00:29:34,920
Speaker 1: this because this is so exactly what you just said.

573
00:29:35,440 --> 00:29:38,600
Speaker 1: So I'm in these TikTok streets and I'm just like

574
00:29:38,680 --> 00:29:42,160
Speaker 1: you know, I'm riding the algorithm. And a bunch of

575
00:29:42,240 --> 00:29:45,600
Speaker 1: videos came up of that rapper Vince Staples, who I

576
00:29:45,640 --> 00:29:47,160
Speaker 1: don't know if y'all know Vince Staples.

577
00:29:47,400 --> 00:29:50,280
Speaker 2: I love him. I saw him, no idea who it is,

578
00:29:51,360 --> 00:29:54,000
Speaker 2: couldn't out rapper. He's a young rapper.

579
00:29:55,000 --> 00:29:58,320
Speaker 1: That's all we gotta know, Okay, But I saw him

580
00:29:58,320 --> 00:30:01,080
Speaker 1: in La once, like at a sho oh I feel

581
00:30:01,120 --> 00:30:03,320
Speaker 1: like he did. It was like a festival, maybe the

582
00:30:03,360 --> 00:30:05,720
Speaker 1: adult swim festival, and I was and I hadn't known

583
00:30:05,960 --> 00:30:08,720
Speaker 1: I knew who he was before, but when I saw him,

584
00:30:08,800 --> 00:30:12,560
Speaker 1: I was like, he's amazing. He's like such a great rapper.

585
00:30:13,000 --> 00:30:17,120
Speaker 1: But he's also like known for being like entertaining as fuck,

586
00:30:17,240 --> 00:30:20,480
Speaker 1: like just interviews because he has these like very hard

587
00:30:20,480 --> 00:30:23,400
Speaker 1: and fast rules for life, like he's just like I

588
00:30:23,400 --> 00:30:26,120
Speaker 1: don't do this. If you do this, you suck. Like

589
00:30:26,200 --> 00:30:30,520
Speaker 1: he's very no bones about his life, which is so funny.

590
00:30:30,960 --> 00:30:33,680
Speaker 1: But he has a thing about he no one knows

591
00:30:33,680 --> 00:30:36,600
Speaker 1: where he lives. He's not living in a place where

592
00:30:36,600 --> 00:30:39,720
Speaker 1: people can visit him. He won't even order Postmates because

593
00:30:39,720 --> 00:30:41,280
Speaker 1: he doesn't want people to know where he lives, and

594
00:30:41,280 --> 00:30:44,440
Speaker 1: no one comes over to his house. Like and when

595
00:30:44,480 --> 00:30:46,200
Speaker 1: I was watching this video, I was like, this is

596
00:30:46,320 --> 00:30:48,240
Speaker 1: Danielle Henderson talking.

597
00:30:49,000 --> 00:30:51,680
Speaker 3: What it is Vince Staples my long lost brother, even

598
00:30:51,720 --> 00:30:54,680
Speaker 3: though he was born in a Staples Center, in a

599
00:30:54,720 --> 00:30:59,440
Speaker 3: Staples in a stripmall Staples is he my long lost brother.

600
00:30:59,840 --> 00:31:01,960
Speaker 3: I cannot tell you how much that is me.

601
00:31:03,200 --> 00:31:06,160
Speaker 1: And it's not just what, it's multiple videos where he's

602
00:31:06,200 --> 00:31:08,280
Speaker 1: being interviewed on like the Breakfast Club or something, and

603
00:31:08,320 --> 00:31:09,280
Speaker 1: he's basically just.

604
00:31:09,200 --> 00:31:10,800
Speaker 2: Like, you ain't coming to my house.

605
00:31:12,160 --> 00:31:14,160
Speaker 1: I'm having people over and they're like, what if you

606
00:31:14,200 --> 00:31:15,400
Speaker 1: have a girlfriend, I don't care.

607
00:31:17,000 --> 00:31:19,600
Speaker 2: I'll buy her another house. I'll rent an apartment she

608
00:31:19,600 --> 00:31:21,840
Speaker 2: can visit. He's so hard lined.

609
00:31:21,880 --> 00:31:25,200
Speaker 3: From the time I was seven fucking years old, I

610
00:31:25,280 --> 00:31:27,960
Speaker 3: was again, I used to say just the wildest shit

611
00:31:28,000 --> 00:31:31,680
Speaker 3: to my grandmother, clearly because she remembers it like crystal

612
00:31:31,760 --> 00:31:34,600
Speaker 3: clear and has been telling me these stories my whole

613
00:31:34,640 --> 00:31:36,200
Speaker 3: fucking life. She's like, yeah, you were like seven or

614
00:31:36,240 --> 00:31:39,760
Speaker 3: eight years old and you asked me why me and

615
00:31:39,800 --> 00:31:42,200
Speaker 3: Grandad lived together. Why I didn't have my own house

616
00:31:42,280 --> 00:31:44,040
Speaker 3: or my own apartment. And I was like, what are

617
00:31:44,080 --> 00:31:47,280
Speaker 3: you talking about? We're married. And I apparently said to

618
00:31:47,360 --> 00:31:51,360
Speaker 3: her that doesn't mean you have to live together. If

619
00:31:51,400 --> 00:31:54,600
Speaker 3: I ever get married, I want my own house next

620
00:31:54,640 --> 00:31:57,000
Speaker 3: door to my husband. I said that when I was

621
00:31:57,040 --> 00:32:01,000
Speaker 3: seven or eight years old. Oh yeah, already on that bucket,

622
00:32:01,080 --> 00:32:03,960
Speaker 3: my very that's what you gotta do. Really, I thought

623
00:32:03,960 --> 00:32:05,440
Speaker 3: I had shit figured out. I'm like, why are you

624
00:32:05,520 --> 00:32:07,719
Speaker 3: to get why are you living together? This doesn't make

625
00:32:07,760 --> 00:32:11,000
Speaker 3: any sense to me. My logical ass makes no sense

626
00:32:11,040 --> 00:32:13,240
Speaker 3: to me. So I'm gonna look up every video of

627
00:32:13,240 --> 00:32:14,080
Speaker 3: this of this man.

628
00:32:14,840 --> 00:32:17,720
Speaker 1: You should as are forwarding you stuff because it was

629
00:32:17,800 --> 00:32:21,160
Speaker 1: so funny. I was like, this is so Danielle, and I,

630
00:32:21,760 --> 00:32:25,080
Speaker 1: to my credit, perhaps the last time I did stay

631
00:32:25,080 --> 00:32:27,320
Speaker 1: with you. I think I only stayed for one night.

632
00:32:27,520 --> 00:32:28,800
Speaker 3: You only stayed for one night.

633
00:32:29,280 --> 00:32:33,080
Speaker 2: Yes, so I'm in the window. I'm in the window.

634
00:32:33,200 --> 00:32:36,040
Speaker 2: I'm not doing more than three obviously.

635
00:32:35,600 --> 00:32:39,920
Speaker 3: And there are concessions, clearly, because this is the weird

636
00:32:39,960 --> 00:32:42,880
Speaker 3: thing about me. I don't want anyone to just show

637
00:32:42,960 --> 00:32:46,320
Speaker 3: up at my house. Yeah, but I actually love having guests,

638
00:32:47,400 --> 00:32:50,160
Speaker 3: like I love it, I love cooking if it's I

639
00:32:50,480 --> 00:32:52,200
Speaker 3: love making people feel comfortable.

640
00:32:52,680 --> 00:32:54,400
Speaker 2: It doesn't feel like a lot of people get really.

641
00:32:54,280 --> 00:32:56,120
Speaker 3: Stressed out when they have guests, and I'm just kind

642
00:32:56,120 --> 00:32:58,040
Speaker 3: of like, oh, you're just joining the party. If there's

643
00:32:58,040 --> 00:33:00,800
Speaker 3: some dust in the corner, I don't care. Like I

644
00:33:00,800 --> 00:33:02,479
Speaker 3: don't have anyone in my house, it's going to be

645
00:33:02,680 --> 00:33:04,960
Speaker 3: judgy and shitty and weird. I just it's fun to

646
00:33:05,000 --> 00:33:06,760
Speaker 3: hang out with people. So I kind of like it

647
00:33:06,800 --> 00:33:10,240
Speaker 3: from that perspective of like, oh, if I have guests,

648
00:33:10,360 --> 00:33:12,200
Speaker 3: then I just get to hang out with my friends more.

649
00:33:12,280 --> 00:33:13,040
Speaker 2: That's wonderful.

650
00:33:13,400 --> 00:33:14,120
Speaker 1: Yeah.

651
00:33:14,400 --> 00:33:15,640
Speaker 2: Well, but on the.

652
00:33:15,600 --> 00:33:20,640
Speaker 3: Same fucking the parallel line to that is, don't try

653
00:33:20,680 --> 00:33:22,400
Speaker 3: to come to my house. Let me invite you to

654
00:33:22,480 --> 00:33:29,239
Speaker 3: my house. If I invite you, it's on. Don't just

655
00:33:29,240 --> 00:33:32,040
Speaker 3: be like, can I come to your house? Because that

656
00:33:32,160 --> 00:33:35,160
Speaker 3: is going to be a devastating discussion for you When

657
00:33:35,200 --> 00:33:38,040
Speaker 3: I say absolutely not. I've had people try to plan

658
00:33:38,320 --> 00:33:40,800
Speaker 3: entire ass weddings here and I'm like, are you absolutely

659
00:33:40,800 --> 00:33:43,280
Speaker 3: fucking kidding me? You think I want eighty people here.

660
00:33:43,320 --> 00:33:44,840
Speaker 3: I don't even want a person here.

661
00:33:45,440 --> 00:33:48,160
Speaker 1: Yeah, bring that mirth somewhere else.

662
00:33:48,440 --> 00:33:48,600
Speaker 3: Go.

663
00:33:48,680 --> 00:33:50,520
Speaker 2: Also, my plumbing can't handle it.

664
00:33:51,040 --> 00:33:55,320
Speaker 3: Yeah, truly, like I'm about to fuck up and put

665
00:33:55,360 --> 00:33:56,320
Speaker 3: in new pipes my palm.

666
00:33:56,400 --> 00:33:57,480
Speaker 2: I can't handle eighty people.

667
00:33:58,240 --> 00:33:58,520
Speaker 1: Yeah.

668
00:33:58,600 --> 00:34:01,640
Speaker 2: I have people try to like, oh, can we have

669
00:34:01,680 --> 00:34:03,040
Speaker 2: a graduation party? Can we do this?

670
00:34:03,120 --> 00:34:05,959
Speaker 3: And I'm like, if you hire the porta potties, if

671
00:34:06,000 --> 00:34:08,600
Speaker 3: you set everything up, you're welcome to use the land.

672
00:34:09,080 --> 00:34:11,719
Speaker 2: Yeah. If I can also stay inside my house and

673
00:34:11,760 --> 00:34:14,640
Speaker 2: not participate, you can just use the space. That's not

674
00:34:14,680 --> 00:34:15,400
Speaker 2: a problem for me.

675
00:34:15,680 --> 00:34:18,080
Speaker 3: But if you want anything for me, including water, I

676
00:34:18,120 --> 00:34:18,960
Speaker 3: ain't fucking with it.

677
00:34:19,239 --> 00:34:21,479
Speaker 1: Yo. You can get tell them to rent a bunch

678
00:34:21,480 --> 00:34:24,440
Speaker 1: of those like star trailers that they have at Coachella,

679
00:34:24,719 --> 00:34:27,400
Speaker 1: or like even a like golf tournaments where it's just

680
00:34:27,400 --> 00:34:31,400
Speaker 1: like a trailer that's a bathroom. I have one of them,

681
00:34:31,440 --> 00:34:35,439
Speaker 1: shits and go to town. But yeah, but I will say,

682
00:34:35,520 --> 00:34:40,320
Speaker 1: as a house guest of yours, it was the most

683
00:34:40,320 --> 00:34:43,880
Speaker 1: cush experience I've ever had in someone's house. Really, bitch,

684
00:34:44,480 --> 00:34:49,240
Speaker 1: let me just tell you something about yourself. You had

685
00:34:49,400 --> 00:34:57,160
Speaker 1: a motherfucking picture frame on the nightstand with the goddamn

686
00:34:57,320 --> 00:34:59,640
Speaker 1: Wi Fi on it.

687
00:35:02,280 --> 00:35:04,120
Speaker 2: I'm thoughtful, man, I'm thoughtful.

688
00:35:04,840 --> 00:35:11,759
Speaker 1: Been a fucking frame. Okay, that's TLC. Okay. So as

689
00:35:11,800 --> 00:35:13,759
Speaker 1: much as you're like heaven and haunt about not want

690
00:35:13,760 --> 00:35:15,799
Speaker 1: people to know where you live, I'm like, once you're in,

691
00:35:16,560 --> 00:35:20,000
Speaker 1: once you get in, it's a b if experience all

692
00:35:20,080 --> 00:35:20,399
Speaker 1: the way.

693
00:35:21,200 --> 00:35:23,880
Speaker 3: That warms my fucking heart because that is exactly what

694
00:35:23,920 --> 00:35:25,960
Speaker 3: I want. I'm like, let me invite you into the

695
00:35:26,000 --> 00:35:29,880
Speaker 3: experience of being loved by me, yes, because it's a

696
00:35:29,920 --> 00:35:30,600
Speaker 3: special thing.

697
00:35:30,760 --> 00:35:32,560
Speaker 2: I'm not just giving this out to anyone.

698
00:35:32,800 --> 00:35:35,120
Speaker 3: And let me also tell you that includes my fucking family,

699
00:35:35,480 --> 00:35:37,200
Speaker 3: because those motherfuckers I've been trying to move in here

700
00:35:37,239 --> 00:35:40,879
Speaker 3: since I got this house. They cannot understand. Every every

701
00:35:40,920 --> 00:35:44,040
Speaker 3: couple of months, somebody in my family, from a close

702
00:35:44,280 --> 00:35:46,840
Speaker 3: relative that I talk too frequently to a distant relative

703
00:35:47,280 --> 00:35:49,440
Speaker 3: will be like, you got a lot of bedrooms, Huh,

704
00:35:49,520 --> 00:35:52,080
Speaker 3: why do you have that big house for yourself? And

705
00:35:52,120 --> 00:35:54,480
Speaker 3: I'm like, because I need insulation from the world. This

706
00:35:54,520 --> 00:35:57,240
Speaker 3: is what I've decided I Needah.

707
00:35:57,280 --> 00:35:58,680
Speaker 2: I never expected to have this.

708
00:35:58,800 --> 00:36:02,080
Speaker 3: Also, I bought this house else for Grandma so and

709
00:36:02,160 --> 00:36:03,879
Speaker 3: when I when she was going to be in here.

710
00:36:03,920 --> 00:36:06,400
Speaker 3: It was going to be a great experience. I had upstairs,

711
00:36:06,400 --> 00:36:08,480
Speaker 3: she had downstairs. I never expected to have the whole

712
00:36:08,480 --> 00:36:11,040
Speaker 3: fucking house, but now I do.

713
00:36:11,600 --> 00:36:12,040
Speaker 1: Yeah.

714
00:36:12,080 --> 00:36:15,000
Speaker 3: But the assumption is that I'm rolling around here like

715
00:36:15,040 --> 00:36:17,359
Speaker 3: some lonely ass ghost waiting.

716
00:36:17,040 --> 00:36:17,920
Speaker 2: For people to move in.

717
00:36:18,480 --> 00:36:20,200
Speaker 3: And I'm like, are you kidding me? I Am living

718
00:36:20,280 --> 00:36:22,520
Speaker 3: my best fucking life in this bitch. I'm skateboarding in

719
00:36:22,560 --> 00:36:27,040
Speaker 3: the Father John Missy room. Yeah, Like, don't invite yourself

720
00:36:27,080 --> 00:36:27,480
Speaker 3: into this.

721
00:36:27,920 --> 00:36:30,399
Speaker 1: Yeah, you don't have to give an explanation. Okay, if

722
00:36:30,400 --> 00:36:32,759
Speaker 1: you were sitting in a house with fifteen bedrooms in

723
00:36:32,920 --> 00:36:36,040
Speaker 1: each bedroom is a day of the week bedroom, then fine,

724
00:36:36,640 --> 00:36:39,000
Speaker 1: as far as I'm concerned, you earned that shit. You

725
00:36:39,040 --> 00:36:42,319
Speaker 1: earned your shit, So what.

726
00:36:42,360 --> 00:36:45,359
Speaker 3: It's wild And then here's and here's here's where I'm

727
00:36:45,400 --> 00:36:50,200
Speaker 3: a fucking triple Gemini. If you try and get in

728
00:36:50,239 --> 00:36:59,680
Speaker 3: this ship, you're literally never getting an invite ever. Ever,

729
00:37:00,640 --> 00:37:02,759
Speaker 3: the people who tried to plan a graduation party here,

730
00:37:02,760 --> 00:37:04,759
Speaker 3: they did come to visit. They stayed at a fucking

731
00:37:04,760 --> 00:37:09,000
Speaker 3: bed and Breakfast down down the street. Don't try it

732
00:37:09,040 --> 00:37:11,560
Speaker 3: with me, because I am a stubborn motherfucker in a

733
00:37:11,560 --> 00:37:16,120
Speaker 3: lot of ways, and that is the most primary one.

734
00:37:16,239 --> 00:37:20,480
Speaker 3: The air sign jumped out, just then jumped out, jumped.

735
00:37:20,520 --> 00:37:23,840
Speaker 3: I'm like, ever, you are never staying in this house

736
00:37:24,200 --> 00:37:25,200
Speaker 3: if you invite yourself.

737
00:37:26,239 --> 00:37:29,960
Speaker 1: No, I mean that is no. I think we all

738
00:37:30,000 --> 00:37:32,160
Speaker 1: know better. I think me and everybody listening to right

739
00:37:32,200 --> 00:37:35,560
Speaker 1: out knows better than to just push, you know, push

740
00:37:35,600 --> 00:37:38,680
Speaker 1: an invite, like you have to be ordained, you have

741
00:37:38,719 --> 00:37:40,600
Speaker 1: to be fucking ordained to come over.

742
00:37:41,160 --> 00:37:45,440
Speaker 3: Well. The hubris of it is that you and the

743
00:37:45,480 --> 00:37:47,640
Speaker 3: confusion of it for me is that, oh, we don't

744
00:37:47,680 --> 00:37:50,560
Speaker 3: know each other clearly, like I thought maybe we were tight.

745
00:37:50,640 --> 00:37:54,360
Speaker 3: But if you think I enjoy being around people, you

746
00:37:54,400 --> 00:37:56,799
Speaker 3: do know me. And I can't have someone in my

747
00:37:56,880 --> 00:37:58,960
Speaker 3: house that I'm catering to that does not know me.

748
00:37:59,560 --> 00:38:00,320
Speaker 2: Yeah.

749
00:38:00,760 --> 00:38:03,840
Speaker 3: So I love to invite people in. It's a fucking party,

750
00:38:03,880 --> 00:38:06,680
Speaker 3: and I do all the time. I mean, this house

751
00:38:06,760 --> 00:38:09,640
Speaker 3: is absolutely destined to be a fucking commune. One day,

752
00:38:09,960 --> 00:38:13,160
Speaker 3: I want all of my friends who either have no kids,

753
00:38:13,560 --> 00:38:16,440
Speaker 3: are not married, or have both and want to get

754
00:38:16,440 --> 00:38:19,040
Speaker 3: the fuck away from them, they can come here.

755
00:38:19,200 --> 00:38:21,600
Speaker 2: That is what this house is going to be. But

756
00:38:21,680 --> 00:38:22,760
Speaker 2: it's invite only.

757
00:38:23,200 --> 00:38:27,200
Speaker 3: Right, Invite only, don't push do not fucking push it

758
00:38:27,280 --> 00:38:29,600
Speaker 3: or else. I will genuinely never let you see inside.

759
00:38:29,640 --> 00:38:31,240
Speaker 3: You will you can look at it from the outside.

760
00:38:31,320 --> 00:38:32,920
Speaker 3: I'll talk to you in the driveway.

761
00:38:33,680 --> 00:38:36,000
Speaker 1: Well and like, here's so, here's the thing about our

762
00:38:36,040 --> 00:38:39,560
Speaker 1: movies this week in regards to what you literally just said,

763
00:38:40,200 --> 00:38:44,600
Speaker 1: it feels like in my movie it wasn't. It feels

764
00:38:44,640 --> 00:38:47,680
Speaker 1: like it was a very passive aggressive ask if you

765
00:38:47,719 --> 00:38:50,160
Speaker 1: know what I mean? Yes, So it's not like he

766
00:38:50,280 --> 00:38:54,120
Speaker 1: was going, yo, can I stay here? It was mostly like, well,

767
00:38:54,160 --> 00:38:56,520
Speaker 1: I guess I'll just go to the motel on the

768
00:38:56,640 --> 00:38:58,320
Speaker 1: edge of town and get murdered.

769
00:38:58,360 --> 00:38:59,839
Speaker 2: And they're like no, no, no, no, no, no no.

770
00:39:00,600 --> 00:39:03,960
Speaker 3: Say that's that that fucking hot person manipulation shit that

771
00:39:04,000 --> 00:39:05,399
Speaker 3: I was talking about a couple of weeks ago.

772
00:39:05,600 --> 00:39:09,520
Speaker 1: Well, so what are your thoughts on the passive aggressive ask?

773
00:39:10,360 --> 00:39:13,160
Speaker 2: Oh, my thoughts is get ready to meet full aggressive,

774
00:39:13,560 --> 00:39:15,080
Speaker 2: because I do not fuck with that.

775
00:39:16,840 --> 00:39:18,759
Speaker 3: If you not be drude.

776
00:39:18,719 --> 00:39:21,960
Speaker 2: By a hot person to lem say yeah, okay, absolutely.

777
00:39:22,120 --> 00:39:23,719
Speaker 2: If someone's like, oh, I guess I'll just go.

778
00:39:23,719 --> 00:39:27,320
Speaker 3: To the motel at the edge of town and get murdered,

779
00:39:27,320 --> 00:39:29,720
Speaker 3: I'll be like, yeah, here's here's a fucking bow and arrow.

780
00:39:30,080 --> 00:39:31,600
Speaker 2: You can bring it back on your way through. I'll

781
00:39:31,600 --> 00:39:32,320
Speaker 2: give you a knife.

782
00:39:32,719 --> 00:39:36,959
Speaker 1: Yeah, have fun doing cocaine with Laura Palmer in that shitty.

783
00:39:36,680 --> 00:39:40,120
Speaker 2: Motel one hundred out in the woods. You ain't go

784
00:39:40,120 --> 00:39:41,319
Speaker 2: go meet Jack like.

785
00:39:41,280 --> 00:39:45,200
Speaker 3: You ain't not staying here. If you come at me

786
00:39:45,280 --> 00:39:50,120
Speaker 3: with passive aggression, you are going to meet actual aggression. Sure, sure, yeah,

787
00:39:50,040 --> 00:39:53,520
Speaker 3: and I do. I will not be manipulated into can

788
00:39:53,600 --> 00:39:54,080
Speaker 3: I stay?

789
00:39:54,480 --> 00:39:57,319
Speaker 2: No, No one, no one can run that game on you.

790
00:39:57,440 --> 00:40:00,920
Speaker 1: And then with your movie, that was literally the opposite

791
00:40:00,960 --> 00:40:03,000
Speaker 1: where it's literally just like somebody shows up on the

792
00:40:03,040 --> 00:40:06,359
Speaker 1: doorstep with like twenty five hard case luggage and they're

793
00:40:06,440 --> 00:40:07,200
Speaker 1: just like, I'm.

794
00:40:07,040 --> 00:40:12,080
Speaker 3: Staying absolutely oh and especially they work that family angle. Yeah,

795
00:40:12,600 --> 00:40:14,920
Speaker 3: And I'm like, you haven't seen this motherfucker in thirty years.

796
00:40:15,400 --> 00:40:15,680
Speaker 2: Yeah.

797
00:40:15,840 --> 00:40:16,319
Speaker 4: Uh uh.

798
00:40:17,640 --> 00:40:20,080
Speaker 3: There are three family members in my family that I like,

799
00:40:20,200 --> 00:40:24,080
Speaker 3: without permanent invite, no problem, no questions asked. None of

800
00:40:24,080 --> 00:40:26,880
Speaker 3: them live near me, Yeah, all of them live like

801
00:40:26,920 --> 00:40:28,880
Speaker 3: in California or like other places. I'm like, yeah, if

802
00:40:28,880 --> 00:40:30,800
Speaker 3: you're coming through, you can stay right.

803
00:40:31,440 --> 00:40:34,400
Speaker 2: That's cool. Now. The other thing about your movie.

804
00:40:34,719 --> 00:40:39,000
Speaker 3: Hmmm, because you also, in my opinion, I don't know

805
00:40:39,000 --> 00:40:42,839
Speaker 3: if you've ever been told this, staying with you as

806
00:40:42,880 --> 00:40:48,040
Speaker 3: a house guest feels like staying in a five star hotel.

807
00:40:48,360 --> 00:40:52,480
Speaker 3: You have special fucking soap for people to use in

808
00:40:52,520 --> 00:40:58,440
Speaker 3: their own bathroom that is themed. You have air filters

809
00:40:58,480 --> 00:41:02,840
Speaker 3: in the bedroom. Come on, you have pillows. You have

810
00:41:02,880 --> 00:41:06,880
Speaker 3: a cushy ass bed, a nice ass bed. It is

811
00:41:07,000 --> 00:41:10,640
Speaker 3: like Macro made decorations on the wall, like it is

812
00:41:10,719 --> 00:41:12,840
Speaker 3: a glimpse of your life and your taste, but it

813
00:41:12,920 --> 00:41:16,040
Speaker 3: is also fucking comfortable. Like if I were to stay

814
00:41:16,239 --> 00:41:20,160
Speaker 3: at your house and sleep until five pm, I know

815
00:41:20,239 --> 00:41:22,759
Speaker 3: it would be cool, and I know I'd wake up

816
00:41:22,800 --> 00:41:26,319
Speaker 3: to like some amazing ass delicacies.

817
00:41:28,040 --> 00:41:29,960
Speaker 2: I do get good croissants for people.

818
00:41:30,120 --> 00:41:31,480
Speaker 3: That's like, okay, good everything.

819
00:41:31,640 --> 00:41:34,880
Speaker 1: That's my little my little Midas touch is the croissants.

820
00:41:35,120 --> 00:41:37,360
Speaker 3: But I also have can pour over coffee and like

821
00:41:37,400 --> 00:41:39,359
Speaker 3: all kinds of shit in your It is like staying at.

822
00:41:39,320 --> 00:41:40,280
Speaker 2: A five star hotel.

823
00:41:40,800 --> 00:41:44,439
Speaker 3: But I also know, and maybe this has changed since

824
00:41:44,480 --> 00:41:47,239
Speaker 3: this happened. We don't have to go into detail, but

825
00:41:47,360 --> 00:41:51,000
Speaker 3: you have been overly generous to certain house guests who

826
00:41:51,040 --> 00:41:51,719
Speaker 3: have stayed.

827
00:41:51,440 --> 00:41:52,400
Speaker 2: For a long time.

828
00:41:53,120 --> 00:41:56,160
Speaker 3: No bruh, And I think I think that shit changed

829
00:41:56,200 --> 00:41:56,920
Speaker 3: the game for you.

830
00:41:58,360 --> 00:42:01,600
Speaker 1: Yeah, I mean, look, I experiment from time to time.

831
00:42:01,640 --> 00:42:04,080
Speaker 3: You've had a house guest experiments, You've had a mad

832
00:42:04,080 --> 00:42:06,719
Speaker 3: house experience. I just want to make sure you know

833
00:42:06,760 --> 00:42:08,440
Speaker 3: that that you've had a mad house experience.

834
00:42:08,600 --> 00:42:13,680
Speaker 1: Oh, I have duly noted. But I experimented from time

835
00:42:13,719 --> 00:42:16,319
Speaker 1: to time with this like idea that maybe I like

836
00:42:16,400 --> 00:42:21,160
Speaker 1: long term guests, you know, uh, and that didn't work out.

837
00:42:21,680 --> 00:42:27,000
Speaker 1: Like ever, It's like I'm constantly reminding myself, No, you

838
00:42:27,480 --> 00:42:30,440
Speaker 1: do not need people in these bedrooms, like you just

839
00:42:30,640 --> 00:42:37,799
Speaker 1: need to be helone because it because it is I mean,

840
00:42:37,840 --> 00:42:40,520
Speaker 1: it's nothing like it all. It all to me comes

841
00:42:40,520 --> 00:42:42,759
Speaker 1: down at lifestyle. And this was the problem. This is

842
00:42:42,760 --> 00:42:44,560
Speaker 1: what drove me to want to live alone to begin

843
00:42:44,600 --> 00:42:47,640
Speaker 1: with after living with roommates, is that lifestyles are so

844
00:42:47,760 --> 00:42:50,560
Speaker 1: different and that really affects the vibe of a house,

845
00:42:51,040 --> 00:42:53,560
Speaker 1: you know. And so yeah, I don't know. I mean

846
00:42:53,600 --> 00:42:55,840
Speaker 1: when it comes to like the three day window that

847
00:42:55,880 --> 00:42:58,880
Speaker 1: you're talking about, like cool, like it's a nick of

848
00:42:58,880 --> 00:43:01,600
Speaker 1: a taste. It's like, yeah, I let you do, I

849
00:43:01,600 --> 00:43:04,440
Speaker 1: don't care whatever. Do whatever you want, like go to

850
00:43:04,600 --> 00:43:07,160
Speaker 1: the aquarium and stay gone all day, or if you

851
00:43:07,200 --> 00:43:10,080
Speaker 1: want to sit around and eat croissants and pour over coffee.

852
00:43:10,960 --> 00:43:13,640
Speaker 1: We're cool with that too. I mean, I'll do whatever.

853
00:43:13,760 --> 00:43:17,080
Speaker 1: But after that, after like a period is over, you

854
00:43:17,160 --> 00:43:19,880
Speaker 1: kind of get into like a daily rhythm almost, and

855
00:43:19,880 --> 00:43:21,880
Speaker 1: then you're just like, Okay, what's the vibe, And a

856
00:43:21,880 --> 00:43:24,319
Speaker 1: lot of times it's way way different, and especially if

857
00:43:24,560 --> 00:43:26,960
Speaker 1: the one thing that I used to experience a lot

858
00:43:27,040 --> 00:43:32,319
Speaker 1: was that people who would bring their friends back to

859
00:43:32,680 --> 00:43:33,240
Speaker 1: the house.

860
00:43:33,760 --> 00:43:36,360
Speaker 3: Oh see, that's where I go to jail for manslaughter.

861
00:43:40,520 --> 00:43:42,240
Speaker 3: My house is not a hang zone.

862
00:43:42,760 --> 00:43:45,000
Speaker 2: Yeah it is.

863
00:43:45,200 --> 00:43:47,000
Speaker 3: I've never had a house when I was a teenager,

864
00:43:47,000 --> 00:43:48,080
Speaker 3: I never had a house party.

865
00:43:48,480 --> 00:43:50,520
Speaker 2: Yeah I am, I've never gone.

866
00:43:50,640 --> 00:43:52,319
Speaker 3: I didn't go to a lot of house parties as

867
00:43:52,320 --> 00:43:54,719
Speaker 3: a kid because I'm like, you are wild and I'm

868
00:43:54,760 --> 00:43:57,319
Speaker 3: way too respectful people. Shit, it gave me anxiety to

869
00:43:57,360 --> 00:44:01,560
Speaker 3: think about what was happening to the parents stuff at

870
00:44:01,560 --> 00:44:02,240
Speaker 3: these parties.

871
00:44:02,320 --> 00:44:05,920
Speaker 2: But these drunk ghules, Yeah, I couldn't do it.

872
00:44:06,520 --> 00:44:09,040
Speaker 3: So, yeah, I don't don't be bringing anybody back to

873
00:44:09,080 --> 00:44:09,760
Speaker 3: my fucking house.

874
00:44:10,239 --> 00:44:10,439
Speaker 2: Yeah.

875
00:44:10,680 --> 00:44:12,520
Speaker 1: That happened a couple of times in my thirties where

876
00:44:12,520 --> 00:44:14,120
Speaker 1: I'd have like a house guest and then all of

877
00:44:14,120 --> 00:44:15,920
Speaker 1: a sudden, I'd go out to the grocery store and

878
00:44:15,920 --> 00:44:18,240
Speaker 1: then there'd be like five people there, like hot boxing

879
00:44:18,280 --> 00:44:20,440
Speaker 1: my living room, and I'd be like, what you just

880
00:44:20,480 --> 00:44:22,160
Speaker 1: called your friends over to come and hang out at

881
00:44:22,160 --> 00:44:25,520
Speaker 1: my place, and y'all were smoking weed in the house.

882
00:44:25,640 --> 00:44:25,799
Speaker 3: Like.

883
00:44:27,840 --> 00:44:31,759
Speaker 2: Rules are not respected at that point. Yeah. Well, these

884
00:44:31,800 --> 00:44:35,400
Speaker 2: movies this week are great. I have to say, wildly different,

885
00:44:36,280 --> 00:44:37,400
Speaker 2: very very different.

886
00:44:37,440 --> 00:44:41,200
Speaker 1: But first time watch on your movie, and damn I

887
00:44:41,239 --> 00:44:43,279
Speaker 1: loved it. I loved it.

888
00:44:43,880 --> 00:44:47,680
Speaker 2: Did you really? Hell yeah, I can't you talk about it?

889
00:44:47,800 --> 00:44:50,640
Speaker 3: I can't. I knew you would on cocaine, Come on,

890
00:44:50,760 --> 00:44:51,440
Speaker 3: you love it.

891
00:44:52,719 --> 00:44:55,520
Speaker 1: It made me miss it made me miss the era

892
00:44:55,680 --> 00:45:00,879
Speaker 1: of those like broad comedies from like the eighties and

893
00:45:00,960 --> 00:45:04,839
Speaker 1: nineties centered in la a lot of times of just

894
00:45:04,840 --> 00:45:07,400
Speaker 1: like you know, people from TV or you know, like

895
00:45:07,600 --> 00:45:11,160
Speaker 1: very approachable like television or film stars like it kind

896
00:45:11,160 --> 00:45:13,120
Speaker 1: of reminded me of like down and out in Beverly

897
00:45:13,200 --> 00:45:15,000
Speaker 1: Hills and like all this stuff, And I was like, yo,

898
00:45:15,080 --> 00:45:17,360
Speaker 1: I missed this era of common totally.

899
00:45:17,760 --> 00:45:23,000
Speaker 3: Yeah, and yours just can recon I've seen your before. Actually,

900
00:45:23,000 --> 00:45:25,680
Speaker 3: the first time I saw it was with mutual friend

901
00:45:25,719 --> 00:45:30,600
Speaker 3: friend of the show, Maggie Sirota. Yes, and I your

902
00:45:30,680 --> 00:45:34,560
Speaker 3: movie made me double down on how little I'm willing

903
00:45:34,560 --> 00:45:41,280
Speaker 3: to do for traditionally hot people. Oh ah, it added

904
00:45:41,280 --> 00:45:43,799
Speaker 3: a whole new layer two. If they're hot, watch out.

905
00:45:44,560 --> 00:45:44,920
Speaker 2: Well.

906
00:45:45,120 --> 00:45:48,000
Speaker 1: Unfortunately I went in the complete opposite direction of this

907
00:45:48,040 --> 00:45:53,840
Speaker 1: rewatch where I was like, Dan Stevens can wreck my

908
00:45:53,960 --> 00:45:55,000
Speaker 1: fucking life.

909
00:45:56,000 --> 00:45:58,560
Speaker 3: There is one point right at the start of the

910
00:45:58,560 --> 00:46:01,839
Speaker 3: film where we first see his face and.

911
00:46:02,000 --> 00:46:03,399
Speaker 2: I know you're going first, so I won't talk about

912
00:46:03,400 --> 00:46:03,839
Speaker 2: it too much.

913
00:46:03,840 --> 00:46:06,920
Speaker 3: But when you first see his face and he turns around,

914
00:46:07,440 --> 00:46:10,320
Speaker 3: and I swear to fucking god, his eyes are lit

915
00:46:10,360 --> 00:46:14,960
Speaker 3: from the inside like a goddamn light bright, and I'm like,

916
00:46:15,000 --> 00:46:17,080
Speaker 3: that's where they get you, that's they just turn on

917
00:46:17,120 --> 00:46:20,200
Speaker 3: the charm. They got those fucking eyes, Beamon Like his parents.

918
00:46:21,200 --> 00:46:23,120
Speaker 3: I would believe you if you told me his parents

919
00:46:23,120 --> 00:46:27,040
Speaker 3: created lumified eye drops by like sticking a syringe into

920
00:46:27,120 --> 00:46:30,600
Speaker 3: his eyes and just distilling the essence of that down

921
00:46:30,640 --> 00:46:33,919
Speaker 3: to some drops. Oh yeah, that is how he got

922
00:46:33,920 --> 00:46:34,560
Speaker 3: into their life.

923
00:46:35,080 --> 00:46:37,960
Speaker 1: Oh he is a hot cyborg. That's how hot he is.

924
00:46:39,080 --> 00:46:41,759
Speaker 1: I'm just like, damn, and well, we're going to talk

925
00:46:41,800 --> 00:46:44,680
Speaker 1: about it because it's it. We were going to talk

926
00:46:44,680 --> 00:46:49,680
Speaker 1: about it. Ashley Letty episode. I'm so sorry.

927
00:46:50,000 --> 00:46:51,399
Speaker 2: I'm sorry.

928
00:46:51,440 --> 00:46:52,160
Speaker 3: It's summer.

929
00:46:52,640 --> 00:46:56,520
Speaker 1: Yeah, why not? All right? Should we get this going already?

930
00:46:57,160 --> 00:46:58,319
Speaker 3: Yes? All right?

931
00:46:58,480 --> 00:47:04,320
Speaker 1: Sweet? So So my movie for the theme three Days

932
00:47:05,360 --> 00:47:10,640
Speaker 1: Then Get the fuck Out is from twenty fourteen. It

933
00:47:10,680 --> 00:47:13,680
Speaker 1: was directed by Adam Winguard, written by Simon Barrett, and

934
00:47:13,719 --> 00:47:16,520
Speaker 1: it's called The Guest. You know, I promised Cale I

935
00:47:16,560 --> 00:47:19,239
Speaker 1: would do anim and I could help your family, but

936
00:47:19,480 --> 00:47:21,640
Speaker 1: for it, I haven't been fully honest with you. So

937
00:47:21,680 --> 00:47:23,520
Speaker 1: I changed my movie at the last minute. No one

938
00:47:23,560 --> 00:47:25,040
Speaker 1: knows this but you and Casey.

939
00:47:26,360 --> 00:47:30,480
Speaker 3: I love the reason why because the other movie would

940
00:47:30,560 --> 00:47:30,919
Speaker 3: have fit.

941
00:47:31,120 --> 00:47:33,279
Speaker 2: But yeah, well.

942
00:47:33,000 --> 00:47:35,319
Speaker 1: Because I think I got confused because I thought I

943
00:47:35,360 --> 00:47:38,440
Speaker 1: picked this movie and I actually didn't. And then I

944
00:47:38,480 --> 00:47:40,640
Speaker 1: was like, Okay, which movie do I actually have?

945
00:47:40,960 --> 00:47:41,759
Speaker 2: Like where can I go?

946
00:47:41,920 --> 00:47:45,800
Speaker 1: Like real hard on, and I'm like, let's get serious,

947
00:47:45,840 --> 00:47:46,439
Speaker 1: it's this one.

948
00:47:46,920 --> 00:47:49,759
Speaker 2: Let's pick the one I've actually seen. I know, you

949
00:47:49,840 --> 00:47:51,120
Speaker 2: know what I had to actually seen.

950
00:47:52,239 --> 00:47:54,680
Speaker 1: Yeah, this movie. I saw it, I you know, a

951
00:47:54,680 --> 00:47:56,480
Speaker 1: little bit after it came out, not right when it

952
00:47:56,520 --> 00:47:59,640
Speaker 1: came out. And you know, because I think that you know,

953
00:47:59,680 --> 00:48:02,160
Speaker 1: the director, Adam Winguard, the writer Simon Barrett. They kind

954
00:48:02,160 --> 00:48:05,520
Speaker 1: of came up through that whole like mumblecore movement, which

955
00:48:06,280 --> 00:48:10,040
Speaker 1: has always confused me. But whatever. And also like apparently

956
00:48:10,040 --> 00:48:12,680
Speaker 1: none of those mumblecore people actually like the terms, So

957
00:48:12,719 --> 00:48:15,880
Speaker 1: can we just drop it? Yeah, like, come up with

958
00:48:15,920 --> 00:48:18,960
Speaker 1: something else, take it off the Wikipedia, let's just strike

959
00:48:19,000 --> 00:48:21,560
Speaker 1: it from the record. What the fuck. But you know,

960
00:48:21,680 --> 00:48:24,360
Speaker 1: people kind of involved with that whole thing, like the

961
00:48:24,440 --> 00:48:28,400
Speaker 1: Duplace Brothers and Greta Gerwig of course, and Joe Swanberg.

962
00:48:28,440 --> 00:48:31,680
Speaker 1: But like the director and the writer have done other

963
00:48:31,960 --> 00:48:35,040
Speaker 1: kind of like new horror films. Yeah, I feel like

964
00:48:35,040 --> 00:48:37,520
Speaker 1: they kind of run with a crew in that way.

965
00:48:37,960 --> 00:48:40,600
Speaker 1: But yeah, when this movie came out, I was like, oh,

966
00:48:40,640 --> 00:48:43,200
Speaker 1: I'm sorry, are you telling me there's a movie starring

967
00:48:43,840 --> 00:48:46,040
Speaker 1: Matthew Crawley from Downton Abbey.

968
00:48:47,600 --> 00:48:52,319
Speaker 3: I don't remember exactly the story, but I know Dan

969
00:48:52,360 --> 00:48:57,560
Speaker 3: Stevens wanted off of that show, which made his exit

970
00:48:57,600 --> 00:49:01,200
Speaker 3: from the show. The way they killed him is incredible.

971
00:49:01,239 --> 00:49:03,000
Speaker 3: They're like, there's no way we're letting you back on

972
00:49:03,040 --> 00:49:05,960
Speaker 3: this show, you motherfucker. It was the most British thing

973
00:49:06,000 --> 00:49:07,279
Speaker 3: I've ever seen in my life, where he's like, I

974
00:49:07,280 --> 00:49:08,400
Speaker 3: don't think I want to do this anymore.

975
00:49:08,400 --> 00:49:10,680
Speaker 2: And they're like, hmm, fine, how about.

976
00:49:10,400 --> 00:49:13,080
Speaker 3: Me fucking roll you in a goddamn car which just

977
00:49:13,280 --> 00:49:15,560
Speaker 3: happened like cars were brand new on the show.

978
00:49:15,880 --> 00:49:18,359
Speaker 4: And they're like, we're gonna put you, We're gonna put

979
00:49:18,400 --> 00:49:22,759
Speaker 4: you in the most disastrous, disgusting car accident of all time.

980
00:49:22,800 --> 00:49:26,120
Speaker 3: And then show your dead body you are not coming back.

981
00:49:26,160 --> 00:49:26,800
Speaker 2: It was amazing.

982
00:49:27,360 --> 00:49:36,640
Speaker 1: Listen, I was down bad, Matthew. And this is very

983
00:49:36,680 --> 00:49:40,880
Speaker 1: shocking to me because I'm never like I listen, I

984
00:49:40,880 --> 00:49:41,520
Speaker 1: love everybody.

985
00:49:41,560 --> 00:49:45,240
Speaker 2: Everybody's hot blonde though, I you know, I'm.

986
00:49:44,880 --> 00:49:47,879
Speaker 1: Like, yeah, I'd never like blondes are kind of like,

987
00:49:48,040 --> 00:49:50,359
Speaker 1: I don't know, like a mythical creature. I was never

988
00:49:50,480 --> 00:49:54,799
Speaker 1: like necessarily drawn to like the classic blonde hair, blue

989
00:49:54,840 --> 00:49:57,080
Speaker 1: eye guy. But for some reason, I don't know if

990
00:49:57,120 --> 00:50:00,040
Speaker 1: it's those period clothes or whatever. I was like, yo, ma,

991
00:50:00,040 --> 00:50:05,640
Speaker 1: Matthew Crawley when he died. I truly was like, I

992
00:50:05,680 --> 00:50:07,000
Speaker 1: can't watch the show anymore.

993
00:50:09,000 --> 00:50:10,760
Speaker 3: Like I don't care what happens to that fucking baby.

994
00:50:10,920 --> 00:50:12,640
Speaker 3: I don't care what happens to anyone.

995
00:50:13,280 --> 00:50:16,640
Speaker 1: Yeah, I mean there's other hot guys on the show,

996
00:50:16,719 --> 00:50:17,640
Speaker 1: no doubt about it.

997
00:50:17,920 --> 00:50:19,440
Speaker 2: Like who was that one?

998
00:50:20,320 --> 00:50:22,560
Speaker 1: Was he a butler that was like the dark haired

999
00:50:22,640 --> 00:50:26,800
Speaker 1: evil butler who hell yeah, bisexual or gay or something?

1000
00:50:26,880 --> 00:50:30,239
Speaker 1: And he was like he was real, Like I don't know.

1001
00:50:30,239 --> 00:50:32,000
Speaker 1: He kind of reminded me like he was in depeche

1002
00:50:32,000 --> 00:50:33,400
Speaker 1: Mode or something. I don't know.

1003
00:50:33,840 --> 00:50:36,400
Speaker 3: He was absolutely in craft Work one.

1004
00:50:36,960 --> 00:50:39,640
Speaker 1: Yeah. Yeah, I mean there was tons of attractive people

1005
00:50:39,640 --> 00:50:42,360
Speaker 1: on the show, but I was like, you killed off Matthew.

1006
00:50:42,719 --> 00:50:44,720
Speaker 1: I'm done. I'm fucking done.

1007
00:50:45,120 --> 00:50:46,120
Speaker 2: Dan Stephen stood out.

1008
00:50:46,560 --> 00:50:51,320
Speaker 3: Is the combination the voice, the face, Yeah, the whole demeanor.

1009
00:50:52,040 --> 00:50:55,239
Speaker 2: Yeah, he he gave blonde people a good name. He did.

1010
00:50:55,680 --> 00:50:57,839
Speaker 1: And it feels like sort of this was his sort

1011
00:50:57,840 --> 00:51:01,920
Speaker 1: of like re entry into like movies, right, because it was.

1012
00:51:01,920 --> 00:51:02,600
Speaker 3: Kind of like total.

1013
00:51:02,880 --> 00:51:05,000
Speaker 1: I remember him being Matthew and then all of a sudden,

1014
00:51:05,040 --> 00:51:06,520
Speaker 1: it's like, oh, here's this movie called The Guest that's

1015
00:51:06,560 --> 00:51:08,120
Speaker 1: coming out. It's like a horror movie and it starts

1016
00:51:08,200 --> 00:51:09,640
Speaker 1: him and I'm like okay.

1017
00:51:09,840 --> 00:51:12,680
Speaker 3: Yes, And then he was on like randomly on episodes

1018
00:51:12,719 --> 00:51:15,239
Speaker 3: of High Maintenance and like he just really went for it.

1019
00:51:15,280 --> 00:51:17,319
Speaker 3: After he got he was free. He was you could

1020
00:51:17,360 --> 00:51:19,040
Speaker 3: tell that he was free after he left that show.

1021
00:51:19,440 --> 00:51:21,720
Speaker 1: Yeah, that's probably a pretty good thing, I would say,

1022
00:51:22,400 --> 00:51:26,320
Speaker 1: without knowing him personally, I'm just saying from an outside perspective.

1023
00:51:27,280 --> 00:51:31,799
Speaker 1: So what sentenced synopsis of the guest, A mysterious and

1024
00:51:32,080 --> 00:51:37,440
Speaker 1: intense US Army soldier shows up on the doorstep of

1025
00:51:37,480 --> 00:51:42,160
Speaker 1: a grieving military family, and all hell breaks loose.

1026
00:51:43,000 --> 00:51:46,360
Speaker 3: Absolutely nailed it. Every word in that sentence is a

1027
00:51:46,360 --> 00:51:47,959
Speaker 3: reason to not let someone in your house.

1028
00:51:50,880 --> 00:51:54,040
Speaker 1: So here's the thing. So you've got this setup where

1029
00:51:54,280 --> 00:51:57,200
Speaker 1: you've got this family right, it's a mother and a father.

1030
00:51:57,600 --> 00:51:58,840
Speaker 2: The mother is played by.

1031
00:51:58,840 --> 00:52:05,560
Speaker 1: Sheila Kelly, who namesake my namesake, my Instagram namesake. Who

1032
00:52:05,680 --> 00:52:11,000
Speaker 1: was Debbie Hunt aka Debbie Country in the movie Singles

1033
00:52:11,040 --> 00:52:12,080
Speaker 1: from nineteen ninety two.

1034
00:52:12,960 --> 00:52:18,759
Speaker 3: Also created was the at the Forefront or created strip exercising.

1035
00:52:19,239 --> 00:52:23,239
Speaker 2: Yes, don't ask me how I know that. I know

1036
00:52:23,360 --> 00:52:23,800
Speaker 2: that fact.

1037
00:52:23,800 --> 00:52:25,600
Speaker 3: I know she's married to the guy from West Wing,

1038
00:52:25,920 --> 00:52:31,960
Speaker 3: and she created or fueled the push for stripping his exercise.

1039
00:52:32,160 --> 00:52:34,680
Speaker 3: That's why I saw those polls in people's bedrooms for years.

1040
00:52:35,080 --> 00:52:38,320
Speaker 1: I that blew my mind when you said that initially

1041
00:52:38,440 --> 00:52:40,440
Speaker 1: on one of the episodes, that I completely forgot it.

1042
00:52:42,600 --> 00:52:45,600
Speaker 3: I will always always remind anyone when her face comes

1043
00:52:45,680 --> 00:52:50,960
Speaker 3: up guess what she did, so she.

1044
00:52:51,000 --> 00:52:53,040
Speaker 1: Like Kelly plays the mom and then you know who

1045
00:52:53,080 --> 00:52:57,080
Speaker 1: the dad is, right, The dad is the guy that

1046
00:52:57,200 --> 00:52:59,360
Speaker 1: got the ass knife in seven.

1047
00:53:06,520 --> 00:53:09,239
Speaker 2: I mean he has a name, right, He's got a name,

1048
00:53:10,560 --> 00:53:12,399
Speaker 2: but that is his.

1049
00:53:12,400 --> 00:53:14,360
Speaker 3: Name from now on. If I don't see him build

1050
00:53:14,440 --> 00:53:16,480
Speaker 3: as the guy got the ass knife and.

1051
00:53:16,560 --> 00:53:18,840
Speaker 2: Seven in every movie, I'm calling bullshit.

1052
00:53:20,120 --> 00:53:22,560
Speaker 1: And I feel like his name is leland Orzer and

1053
00:53:22,600 --> 00:53:25,280
Speaker 1: like I feel like he's been on like Law and Order.

1054
00:53:26,000 --> 00:53:27,560
Speaker 2: So I don't I don't know if like.

1055
00:53:28,120 --> 00:53:30,839
Speaker 1: Maybe not SVU, I don't know, maybe Kara and and

1056
00:53:30,880 --> 00:53:32,359
Speaker 1: Lisa like interviewed him.

1057
00:53:32,360 --> 00:53:32,879
Speaker 2: I don't know, but.

1058
00:53:32,840 --> 00:53:37,520
Speaker 1: He's he's like a character actor. But ye, for our purposes,

1059
00:53:37,560 --> 00:53:41,680
Speaker 1: he was the ass knife guy from seven, which we

1060
00:53:41,719 --> 00:53:44,640
Speaker 1: talked about at length in that episode. Go listen to it.

1061
00:53:45,320 --> 00:53:50,440
Speaker 1: So these parents are grieving because their son died overseas. Yeah,

1062
00:53:51,239 --> 00:53:55,560
Speaker 1: so this guy shows up, right, Dan Stevens.

1063
00:53:55,600 --> 00:53:56,719
Speaker 2: His character's name is.

1064
00:53:56,760 --> 00:53:59,320
Speaker 1: David in quotes.

1065
00:54:01,880 --> 00:54:04,160
Speaker 2: David quote unquote unknowable.

1066
00:54:04,200 --> 00:54:07,480
Speaker 3: I love an unknowable weird do oh.

1067
00:54:07,160 --> 00:54:09,279
Speaker 1: We love it. So he shows up to the door

1068
00:54:09,320 --> 00:54:11,640
Speaker 1: and as like, hey, guess what I was in.

1069
00:54:12,560 --> 00:54:13,760
Speaker 2: You know, I was in the same.

1070
00:54:15,320 --> 00:54:19,320
Speaker 1: Command as your son, and I'm so sorry about what happened,

1071
00:54:19,400 --> 00:54:21,239
Speaker 1: you know, but I just wanted to introduce myself and

1072
00:54:21,320 --> 00:54:24,480
Speaker 1: this and that so like, and they're like in mid grief,

1073
00:54:24,560 --> 00:54:27,680
Speaker 1: like the mom is actively crying about it when this

1074
00:54:27,800 --> 00:54:31,840
Speaker 1: dude shows up. And like I said, this is Dan Stevens,

1075
00:54:32,160 --> 00:54:37,640
Speaker 1: whom is impossibly attractive in a way that you're like

1076
00:54:38,160 --> 00:54:41,080
Speaker 1: he feels like, oh, like it's almost uncanny how attractive

1077
00:54:41,120 --> 00:54:42,600
Speaker 1: he is in this movie. And I think that was

1078
00:54:42,680 --> 00:54:44,680
Speaker 1: the point.

1079
00:54:44,280 --> 00:54:49,279
Speaker 3: When he's attractive in a destabilizing way. Yeah, like where

1080
00:54:49,280 --> 00:54:50,799
Speaker 3: you wake up and you're like, wait, where are my

1081
00:54:50,800 --> 00:54:51,480
Speaker 3: debit cards?

1082
00:54:52,160 --> 00:54:52,600
Speaker 2: Yeah?

1083
00:54:52,640 --> 00:54:57,840
Speaker 3: Where is my salad spinner? Like just destabilizing.

1084
00:54:58,200 --> 00:55:00,319
Speaker 1: And you want to talk about eye contact, let me

1085
00:55:00,360 --> 00:55:02,520
Speaker 1: just tell you, Like if you thought Tarren Stamp and

1086
00:55:02,560 --> 00:55:05,279
Speaker 1: Tiarrema was giving you that eye contact, this guy is

1087
00:55:05,440 --> 00:55:09,680
Speaker 1: boring holes in your fucking soul.

1088
00:55:09,560 --> 00:55:12,440
Speaker 2: With those eyes just silently staring.

1089
00:55:13,000 --> 00:55:17,400
Speaker 1: Yeah, and just like you know, oh, and I promise

1090
00:55:17,480 --> 00:55:19,600
Speaker 1: this is the end of the horny rant. But honestly,

1091
00:55:19,719 --> 00:55:23,319
Speaker 1: like his little slight Southern accent, I just can't. I

1092
00:55:23,400 --> 00:55:25,400
Speaker 1: was losing my goddamn mind. I was like, come on,

1093
00:55:26,360 --> 00:55:28,160
Speaker 1: like they did it all to us.

1094
00:55:28,239 --> 00:55:31,960
Speaker 3: They put it all in this character and wrapped it

1095
00:55:32,040 --> 00:55:33,320
Speaker 3: up in a Dan Stevens package.

1096
00:55:33,360 --> 00:55:34,840
Speaker 2: And it's kind of cruel if you ask me.

1097
00:55:35,160 --> 00:55:38,120
Speaker 1: Yeah, And god, I gotta be honest. Like in this

1098
00:55:38,480 --> 00:55:42,839
Speaker 1: very like Tiorema Saltburn kind of way, it's like this, yep,

1099
00:55:42,960 --> 00:55:46,680
Speaker 1: mysterious guest who's very attractive, who's like giving you a

1100
00:55:46,719 --> 00:55:50,680
Speaker 1: direct eye contact, who's like rattling everybody's feathers. So maybe

1101
00:55:50,680 --> 00:55:53,960
Speaker 1: you put this in that category, because really like that.

1102
00:55:54,840 --> 00:55:58,279
Speaker 3: The sexy stranger, which is your wheelhouse. I've since we've

1103
00:55:58,280 --> 00:56:01,000
Speaker 3: been doing this podcast, I've discovered, Oh, you love a

1104
00:56:01,040 --> 00:56:02,240
Speaker 3: sexy stranger movie.

1105
00:56:02,880 --> 00:56:05,879
Speaker 1: I love being a sexy stranger in an airport, Like.

1106
00:56:05,840 --> 00:56:08,840
Speaker 3: I just love you love being a sexy stranger at

1107
00:56:08,840 --> 00:56:09,400
Speaker 3: an airport.

1108
00:56:10,320 --> 00:56:11,759
Speaker 2: You love a mystery, You.

1109
00:56:11,760 --> 00:56:16,840
Speaker 3: Love not telling anyone a goddamn thing about you.

1110
00:56:16,840 --> 00:56:20,120
Speaker 2: You live your life as a sexy stranger.

1111
00:56:20,800 --> 00:56:21,160
Speaker 1: Listen.

1112
00:56:21,440 --> 00:56:24,160
Speaker 3: I don't. And then you watch all these sexy stranger movies.

1113
00:56:24,960 --> 00:56:25,279
Speaker 2: I don't.

1114
00:56:25,480 --> 00:56:27,719
Speaker 1: I do. Am I broken? Do I need to call

1115
00:56:27,760 --> 00:56:29,799
Speaker 1: my therapist right now? Or what's going on with that?

1116
00:56:30,000 --> 00:56:31,080
Speaker 3: No, you need to call your therapist.

1117
00:56:31,080 --> 00:56:31,919
Speaker 2: We just figured it out.

1118
00:56:33,080 --> 00:56:35,520
Speaker 1: You don't need to call them. I'm your therapist now, bitch,

1119
00:56:36,600 --> 00:56:37,839
Speaker 1: I'm telling you how you are.

1120
00:56:40,920 --> 00:56:43,320
Speaker 3: So look, I gotta pay for that well pump somehow.

1121
00:56:43,640 --> 00:56:46,759
Speaker 1: Yeah exactly, I'll pay you like four hundred dollars an

1122
00:56:46,760 --> 00:56:51,319
Speaker 1: hour LA price. So so yeah, so he shows up,

1123
00:56:51,640 --> 00:56:54,560
Speaker 1: he's immediately like trying to talk to the mom about son,

1124
00:56:54,680 --> 00:56:57,040
Speaker 1: and he's he's in the house. She lets him in

1125
00:56:57,040 --> 00:57:00,000
Speaker 1: the house pretty quickly. Then you realize that they got kids,

1126
00:57:00,960 --> 00:57:03,799
Speaker 1: one of whom is like this young hot daughter who

1127
00:57:03,840 --> 00:57:06,840
Speaker 1: looks like Gwen Stefani Maca Monroe.

1128
00:57:06,920 --> 00:57:09,319
Speaker 3: She was also in It follows another movie I saw

1129
00:57:09,400 --> 00:57:10,400
Speaker 3: with Maggie Serda.

1130
00:57:10,680 --> 00:57:15,040
Speaker 1: Yes, and yeah. So you're already like uh oh, like

1131
00:57:15,120 --> 00:57:18,240
Speaker 1: this is gonna what's gonna shake loose out of this scenario? Okay?

1132
00:57:19,080 --> 00:57:23,439
Speaker 1: So so then they he does the thing, but very

1133
00:57:23,480 --> 00:57:26,840
Speaker 1: passive aggressive like, well, I guess I'm staying in the

1134
00:57:26,840 --> 00:57:29,520
Speaker 1: shitty motel on the side of town. Is that the

1135
00:57:29,520 --> 00:57:33,000
Speaker 1: way you treat us soldiers coming home from Afghanistan? But

1136
00:57:33,080 --> 00:57:36,080
Speaker 1: that's fine, I'll just do And of course the mom's like, no,

1137
00:57:37,240 --> 00:57:42,920
Speaker 1: stay with us. In fact, sleep in my dead son's room.

1138
00:57:43,160 --> 00:57:45,480
Speaker 1: Why don't you.

1139
00:57:44,600 --> 00:57:46,440
Speaker 3: See this is where I need white women in movies

1140
00:57:46,480 --> 00:57:52,680
Speaker 3: to get some level of innate protection, like just develop

1141
00:57:52,880 --> 00:57:54,600
Speaker 3: some kind of personal protection.

1142
00:57:55,840 --> 00:58:00,880
Speaker 1: Yeah. They they are just open arms with this complete

1143
00:58:00,920 --> 00:58:03,640
Speaker 1: fucking guy that ran up in the house and is

1144
00:58:03,680 --> 00:58:05,920
Speaker 1: now chilling there and like too that.

1145
00:58:06,000 --> 00:58:08,160
Speaker 3: To her credit, he was in a picture with the

1146
00:58:08,200 --> 00:58:10,720
Speaker 3: son on the mantle, so it wasn't like totally random,

1147
00:58:10,760 --> 00:58:12,560
Speaker 3: but a little still too random for me.

1148
00:58:12,680 --> 00:58:15,000
Speaker 1: But I still think that's a very loose threat. That

1149
00:58:15,040 --> 00:58:17,760
Speaker 1: don't mean shit, Like just because you were in a

1150
00:58:17,800 --> 00:58:20,000
Speaker 1: picture with somebody. You have many pictures I've taken with

1151
00:58:20,000 --> 00:58:21,560
Speaker 1: people that I don't even know who they are or

1152
00:58:21,600 --> 00:58:22,240
Speaker 1: where they are.

1153
00:58:22,560 --> 00:58:23,720
Speaker 2: Photoshop exists.

1154
00:58:24,160 --> 00:58:30,680
Speaker 1: Yeah, So anyway, they're very loose about letting this guy

1155
00:58:30,680 --> 00:58:33,160
Speaker 1: in their house, and why not because he's so hot.

1156
00:58:33,840 --> 00:58:36,360
Speaker 2: Yeah so except for the dad.

1157
00:58:36,680 --> 00:58:37,960
Speaker 3: The dad's like absolutely not.

1158
00:58:38,120 --> 00:58:38,920
Speaker 2: Who the fuck is this?

1159
00:58:39,000 --> 00:58:40,440
Speaker 3: What's going on? Oh wait, you want to have a

1160
00:58:40,440 --> 00:58:43,600
Speaker 3: beer with MEA great? His whole thing is getting drunk

1161
00:58:43,680 --> 00:58:44,640
Speaker 3: with this dude. I know.

1162
00:58:44,720 --> 00:58:46,520
Speaker 1: And that's so funny that you said that, because I

1163
00:58:46,600 --> 00:58:48,960
Speaker 1: literally wrote the next line was this dad is pouring

1164
00:58:49,000 --> 00:58:52,640
Speaker 1: his bullshit out on this complete stranger, Like he's telling

1165
00:58:52,720 --> 00:58:54,760
Speaker 1: him about his fucking job that he hates and how

1166
00:58:54,800 --> 00:58:56,840
Speaker 1: he can't get promoted, and I'm just like, yo, this

1167
00:58:56,920 --> 00:58:58,560
Speaker 1: guy was pure for ten minutes.

1168
00:58:59,200 --> 00:58:59,960
Speaker 2: Oh my god.

1169
00:59:01,080 --> 00:59:04,720
Speaker 1: So the mother and the father have already imprinted on

1170
00:59:04,800 --> 00:59:10,080
Speaker 1: this psycho, all right. So he's you know, in the

1171
00:59:10,120 --> 00:59:14,680
Speaker 1: house and then you know, somehow at some point interacts

1172
00:59:14,760 --> 00:59:17,440
Speaker 1: with the son. So they have this younger son who's

1173
00:59:17,440 --> 00:59:21,080
Speaker 1: still in school and he's a little emo haircut and everything,

1174
00:59:21,120 --> 00:59:23,920
Speaker 1: and you know, but he's he gets beat up a

1175
00:59:23,920 --> 00:59:27,120
Speaker 1: lot by jocks, like literally comes home with like bruises

1176
00:59:27,160 --> 00:59:33,200
Speaker 1: on his eyes, right, and David is like, oh, hell no,

1177
00:59:33,920 --> 00:59:36,880
Speaker 1: who's beating you up? And the kids like, I don't know,

1178
00:59:36,960 --> 00:59:39,720
Speaker 1: it's just a bunch of guys, like and he's like, no, no, no, no, no,

1179
00:59:39,840 --> 00:59:43,280
Speaker 1: we're gonna right this wrong. So pretty early in the film,

1180
00:59:43,600 --> 00:59:45,840
Speaker 1: he's like, where do they hang out? And he's like, oh,

1181
00:59:45,840 --> 00:59:47,680
Speaker 1: they go out to this bar on the edge of town,

1182
00:59:47,800 --> 00:59:50,520
Speaker 1: which is apparently they serve underage and he's like, we're going.

1183
00:59:51,080 --> 00:59:54,640
Speaker 1: So they roll up to the bar and David is like,

1184
00:59:54,680 --> 00:59:58,160
Speaker 1: here's what's gonna happen. I'm gonna order these macho jock

1185
00:59:58,240 --> 01:00:02,360
Speaker 1: assholes a bunch of fucking cosmo and we're gonna see

1186
01:00:02,360 --> 01:00:06,760
Speaker 1: what shakes loose, like, let's just get it going. Meanwhile,

1187
01:00:07,080 --> 01:00:11,200
Speaker 1: I'm gonna have a fireball, which grows to me out

1188
01:00:11,440 --> 01:00:12,080
Speaker 1: so bad.

1189
01:00:13,280 --> 01:00:19,120
Speaker 2: Cinnamon schnapps and tabasco. Who the fuck?

1190
01:00:19,200 --> 01:00:20,640
Speaker 3: Who ever created that drink?

1191
01:00:20,680 --> 01:00:22,000
Speaker 2: I hope that they are.

1192
01:00:23,560 --> 01:00:29,080
Speaker 3: Genuinely confined in a psycho board, Like I genuinely hope

1193
01:00:29,080 --> 01:00:30,280
Speaker 3: they're confined in a psyche board.

1194
01:00:31,600 --> 01:00:35,680
Speaker 1: I was like, that is the most disgusting drink I

1195
01:00:35,680 --> 01:00:38,320
Speaker 1: think I've ever heard in my life. And I know

1196
01:00:38,360 --> 01:00:40,640
Speaker 1: at some point it becomes a weapon. So maybe that

1197
01:00:40,720 --> 01:00:42,600
Speaker 1: was his point, but the fact that he was like, Yo,

1198
01:00:42,680 --> 01:00:46,280
Speaker 1: this is my drink. This is my standard. It doesn't

1199
01:00:46,280 --> 01:00:49,200
Speaker 1: matter if I'm at a Chili's or at a five

1200
01:00:49,240 --> 01:00:52,560
Speaker 1: star restaurant. I get a fireball every time. I'm like, Yo,

1201
01:00:52,880 --> 01:00:54,880
Speaker 1: you are crazy. Let's get serious.

1202
01:00:55,640 --> 01:01:00,760
Speaker 2: The red flags, yeah, flag, red flag.

1203
01:01:01,280 --> 01:01:03,600
Speaker 1: But then, of course, so what happens is the guys

1204
01:01:03,600 --> 01:01:05,640
Speaker 1: come over and was like, Yo, what's up? Much buys

1205
01:01:05,680 --> 01:01:08,120
Speaker 1: these like girly drinks, and he kicks their ass. It's

1206
01:01:08,400 --> 01:01:11,600
Speaker 1: pretty great, But so what ends up happening is that

1207
01:01:11,680 --> 01:01:15,040
Speaker 1: you realize that David is kind of in this He's

1208
01:01:15,080 --> 01:01:18,720
Speaker 1: in this mode where he's actually like wanting to do

1209
01:01:19,160 --> 01:01:22,800
Speaker 1: nice things for this family in a certain way, right, like,

1210
01:01:23,960 --> 01:01:25,800
Speaker 1: and at first you're kind of like, oh, he's like

1211
01:01:25,800 --> 01:01:30,840
Speaker 1: they're silent protector, Like, uh, that's so sweet. But then

1212
01:01:30,880 --> 01:01:33,640
Speaker 1: it gets kicked up a notch. And that's where when

1213
01:01:33,760 --> 01:01:35,840
Speaker 1: all help breaks lose is when that breaks. This is

1214
01:01:35,840 --> 01:01:37,880
Speaker 1: where he's sort of like, well, I want to help,

1215
01:01:38,000 --> 01:01:40,080
Speaker 1: I want to be helpful, but then I also will

1216
01:01:40,200 --> 01:01:44,160
Speaker 1: kill people for y'all, and that's not good. So what

1217
01:01:44,640 --> 01:01:46,480
Speaker 1: ends up happening is that he starts he starts hanging

1218
01:01:46,520 --> 01:01:48,040
Speaker 1: out with the daughter. He goes to like, you know,

1219
01:01:48,160 --> 01:01:50,680
Speaker 1: one of her like young people parties, and he's like

1220
01:01:50,720 --> 01:01:53,360
Speaker 1: meeting all these people. He ends up like having sex

1221
01:01:53,400 --> 01:01:56,480
Speaker 1: with one of her coworkers at the diner. They work

1222
01:01:56,520 --> 01:02:00,200
Speaker 1: at a diner. By the way, I love movies where

1223
01:02:01,080 --> 01:02:06,560
Speaker 1: impossibly hot young people work at roadside diners on the

1224
01:02:06,640 --> 01:02:07,160
Speaker 1: edge of town.

1225
01:02:07,800 --> 01:02:11,840
Speaker 2: I mean, I'm calling bullshit on so much of that.

1226
01:02:14,120 --> 01:02:16,880
Speaker 3: As a person who's worked at those places, I know,

1227
01:02:17,840 --> 01:02:20,360
Speaker 3: I was like, even if you are hot when you

1228
01:02:20,400 --> 01:02:22,560
Speaker 3: show up to work, you are the grossest you're ever

1229
01:02:22,640 --> 01:02:22,960
Speaker 3: gonna be.

1230
01:02:23,440 --> 01:02:26,880
Speaker 1: Yeah, they were clocking in an eight hour shift with

1231
01:02:26,920 --> 01:02:31,400
Speaker 1: like beat faces and beautiful clean uniforms. I was like, no,

1232
01:02:31,440 --> 01:02:33,800
Speaker 1: you're supposed to look like a sixty five year old

1233
01:02:33,840 --> 01:02:36,200
Speaker 1: man right now, Like you're not, you know.

1234
01:02:36,480 --> 01:02:38,560
Speaker 3: Take take those thigh high stockings off.

1235
01:02:41,400 --> 01:02:45,840
Speaker 1: This is swingers on Beverly, Like, no, this is in

1236
01:02:45,880 --> 01:02:49,800
Speaker 1: the middle of nowhere theoretically. So anyway, so he's at

1237
01:02:49,800 --> 01:02:52,760
Speaker 1: the party and then he starts talking to this actor

1238
01:02:52,800 --> 01:02:55,480
Speaker 1: who I've seen in everything, and I only really know

1239
01:02:55,600 --> 01:02:59,320
Speaker 1: him from a Katy Perry video, but he's in everything.

1240
01:03:00,360 --> 01:03:02,640
Speaker 1: David's talking to the dude and is like, Yo, where

1241
01:03:02,640 --> 01:03:05,920
Speaker 1: can I get some guns? Which is like, uh oh.

1242
01:03:06,280 --> 01:03:10,680
Speaker 1: Now you know he's intense, so you're like, please don't

1243
01:03:10,720 --> 01:03:13,760
Speaker 1: ask a stranger for guns, because we don't want this

1244
01:03:13,800 --> 01:03:14,920
Speaker 1: for you at all.

1245
01:03:15,520 --> 01:03:17,760
Speaker 3: Also a stranger who's kind of a child, like they're

1246
01:03:17,800 --> 01:03:19,680
Speaker 3: in their twenty they're supposed to be their twenties, but like,

1247
01:03:19,760 --> 01:03:21,520
Speaker 3: come on, don't have babies for guns.

1248
01:03:22,040 --> 01:03:26,080
Speaker 1: Yeah, But so what ends up happening next scene, he's

1249
01:03:26,120 --> 01:03:29,000
Speaker 1: out in the fucking rock quarry with the dude and

1250
01:03:29,440 --> 01:03:32,440
Speaker 1: Ethan Embry, the acter Ethan Embory, who I had a

1251
01:03:32,560 --> 01:03:37,560
Speaker 1: huge crush on as a kid, naturally and probably still do. Okay,

1252
01:03:37,760 --> 01:03:41,480
Speaker 1: let's get as long as I'm out here talking about

1253
01:03:41,720 --> 01:03:44,840
Speaker 1: real people and and liking them. Let's just put that

1254
01:03:44,880 --> 01:03:47,160
Speaker 1: out there, Ethan Embery, I saw what you did. Pottgmail

1255
01:03:47,200 --> 01:03:52,800
Speaker 1: dot com. I love you still. But anyway, so he

1256
01:03:52,960 --> 01:03:54,960
Speaker 1: so Ethan Embury's like the gun Runner and he's like, yo,

1257
01:03:55,360 --> 01:03:55,880
Speaker 1: here's a gun.

1258
01:03:55,920 --> 01:03:56,560
Speaker 2: It's pretty cool.

1259
01:03:56,560 --> 01:03:58,520
Speaker 1: And then he's like, no, let's just give me all

1260
01:03:58,520 --> 01:04:00,440
Speaker 1: the guns. Give me all the guns. And he's like,

1261
01:04:00,480 --> 01:04:04,240
Speaker 1: holy fucking shit, right, but then it ends up bad

1262
01:04:04,440 --> 01:04:07,400
Speaker 1: because basically he agrees to sell him the guns and

1263
01:04:07,440 --> 01:04:12,600
Speaker 1: then dies by the gun. David shoots him in the

1264
01:04:12,640 --> 01:04:18,560
Speaker 1: fucking face basically. So that's when you're like, uh, oh,

1265
01:04:18,600 --> 01:04:22,280
Speaker 1: this guy is not who he says he is, right,

1266
01:04:24,040 --> 01:04:28,120
Speaker 1: And meanwhile he's getting closer and closer to this daughter,

1267
01:04:28,240 --> 01:04:30,960
Speaker 1: this Gwen Stefani daughter, right, and you're just like, uh oh,

1268
01:04:31,000 --> 01:04:31,880
Speaker 1: this is not good.

1269
01:04:32,680 --> 01:04:32,880
Speaker 3: Uh.

1270
01:04:32,920 --> 01:04:35,640
Speaker 1: And it's funny because there's a scene that I think

1271
01:04:35,760 --> 01:04:39,960
Speaker 1: is very memorable where he comes out of the shower

1272
01:04:40,600 --> 01:04:43,400
Speaker 1: and she's trying like she is trying to get in

1273
01:04:44,080 --> 01:04:45,720
Speaker 1: the bathroom and he's like, oh no, I'm.

1274
01:04:45,600 --> 01:04:50,840
Speaker 2: Sorry, and I you know this about me.

1275
01:04:51,000 --> 01:04:54,000
Speaker 3: I don't like muscles, I don't like traditionally hot people,

1276
01:04:54,320 --> 01:04:57,360
Speaker 3: and that scene through me for.

1277
01:04:57,440 --> 01:04:58,720
Speaker 2: A fucking loop.

1278
01:04:59,120 --> 01:05:01,200
Speaker 3: I was like all on the.

1279
01:05:01,000 --> 01:05:08,200
Speaker 1: Floor, yes, Like his towel is exposing those like D'Angelo

1280
01:05:09,720 --> 01:05:11,880
Speaker 1: call you know, those D'Angelo gutters.

1281
01:05:12,480 --> 01:05:14,320
Speaker 2: You can call them cum gutters. You can call them

1282
01:05:14,360 --> 01:05:15,480
Speaker 2: com gutters. You know what they are.

1283
01:05:16,600 --> 01:05:20,160
Speaker 3: I didn't want to say the Opportunity podcast here, let's

1284
01:05:20,160 --> 01:05:22,560
Speaker 3: support it's it's you know, it's no longer Pride Month.

1285
01:05:22,640 --> 01:05:24,440
Speaker 2: We can support our allies.

1286
01:05:24,520 --> 01:05:25,640
Speaker 3: We can say cum gutters.

1287
01:05:27,800 --> 01:05:31,840
Speaker 1: But it's like like, like right above, dick root level

1288
01:05:32,120 --> 01:05:32,840
Speaker 1: is what we're talking.

1289
01:05:33,240 --> 01:05:35,439
Speaker 2: What did you call it before the dick root?

1290
01:05:35,600 --> 01:05:42,600
Speaker 1: Dick root from that documentary about Justin Bieber and his

1291
01:05:42,760 --> 01:05:43,560
Speaker 1: preacher friend.

1292
01:05:43,880 --> 01:05:45,120
Speaker 2: That's where I learned.

1293
01:05:44,800 --> 01:05:48,560
Speaker 1: That term from Weirdly.

1294
01:05:48,280 --> 01:05:50,360
Speaker 2: Enough Good but so.

1295
01:05:50,480 --> 01:05:54,440
Speaker 1: But it's like and it's like the one thing about

1296
01:05:54,480 --> 01:05:56,480
Speaker 1: this movie that's so wonderful is the music.

1297
01:05:56,560 --> 01:05:57,760
Speaker 2: Like the music is so good.

1298
01:05:58,040 --> 01:06:01,640
Speaker 1: Now, let me just tell you this ship walked so

1299
01:06:01,720 --> 01:06:04,680
Speaker 1: that Challengers could run. Because he comes out of that

1300
01:06:04,760 --> 01:06:09,480
Speaker 1: shower and it's like this pulsating you know eighties electronic

1301
01:06:09,920 --> 01:06:15,440
Speaker 1: techno bisexual lighting is on point. Oh yeah, it's like

1302
01:06:15,880 --> 01:06:21,280
Speaker 1: every time Dan Stevens is in frame, it's basically like Challengers,

1303
01:06:21,320 --> 01:06:24,640
Speaker 1: where like the thumping music plays and somebody is looking

1304
01:06:24,680 --> 01:06:29,000
Speaker 1: in the camera with intense direct eye contact, and it's

1305
01:06:29,040 --> 01:06:33,200
Speaker 1: like the hottest person you've ever seen? Did you not

1306
01:06:33,280 --> 01:06:35,800
Speaker 1: think that Challengers? That's the first thing that came to my.

1307
01:06:35,800 --> 01:06:38,880
Speaker 3: Mind when I saw totally Yeah, to the point where

1308
01:06:38,880 --> 01:06:40,880
Speaker 3: I would not have been surprised if anyone who made

1309
01:06:40,880 --> 01:06:44,439
Speaker 3: this movie was directly involved in Challengers, which I looked

1310
01:06:44,480 --> 01:06:45,040
Speaker 3: up and they're not.

1311
01:06:45,320 --> 01:06:47,320
Speaker 1: Yeah, yeah, I thought it was so crazy. I mean,

1312
01:06:47,320 --> 01:06:49,040
Speaker 1: but it's like he comes out of the shower, there's steam.

1313
01:06:49,240 --> 01:06:54,480
Speaker 1: It's like when they build Lisa in Weird Science where

1314
01:06:54,520 --> 01:06:56,920
Speaker 1: she's just like standing in the doorway and there's like steam.

1315
01:06:57,360 --> 01:07:02,200
Speaker 2: Like, I was like, yo, like, and Gwen Stefani is shook.

1316
01:07:02,400 --> 01:07:04,840
Speaker 2: She's like standing like uh uh, I mean.

1317
01:07:05,040 --> 01:07:10,320
Speaker 3: H genuinely speechless, which we all would be, even me,

1318
01:07:10,960 --> 01:07:16,040
Speaker 3: who has weird tastes and is not into that whole scene.

1319
01:07:16,680 --> 01:07:19,120
Speaker 2: Yeah, I was just like, yo, I could get on

1320
01:07:19,160 --> 01:07:19,960
Speaker 2: that for a day or two.

1321
01:07:20,240 --> 01:07:22,560
Speaker 1: Oh yeah, I like, this is the best house guest

1322
01:07:22,680 --> 01:07:25,280
Speaker 1: we've ever had. Mom and Dad, hope you say.

1323
01:07:25,160 --> 01:07:27,600
Speaker 3: That motherfucker could invite himself over and if he showed

1324
01:07:27,680 --> 01:07:30,360
Speaker 3: up in a towel like Paul Bellini. Yeah, he could

1325
01:07:30,360 --> 01:07:31,360
Speaker 3: fucking stay for weeks.

1326
01:07:31,360 --> 01:07:35,000
Speaker 2: I don't care. Show up in the towel like kids

1327
01:07:35,040 --> 01:07:36,000
Speaker 2: in the hall, touch Paul.

1328
01:07:35,840 --> 01:07:38,600
Speaker 3: Bellini and if you look like that, I'll let.

1329
01:07:38,520 --> 01:07:41,760
Speaker 2: You in for a little while. Why not. But you know,

1330
01:07:41,800 --> 01:07:42,400
Speaker 2: this is the thing.

1331
01:07:42,480 --> 01:07:46,960
Speaker 1: So like, even in spite of that moment, she ends

1332
01:07:47,040 --> 01:07:51,880
Speaker 1: up pulling some final girl stuff because she's just like, Okay,

1333
01:07:52,080 --> 01:07:55,400
Speaker 1: this guy is weird. He's really intense. Suddenly weird things

1334
01:07:55,400 --> 01:07:59,240
Speaker 1: are happening. I'm gonna call up the army and find

1335
01:07:59,240 --> 01:08:01,720
Speaker 1: out who this guy is. Right, So then this kicks

1336
01:08:01,720 --> 01:08:06,120
Speaker 1: in this part of the film where essentially like Lance Reddick,

1337
01:08:06,200 --> 01:08:10,320
Speaker 1: the actor Lance Reddick is uh comes in right, Rest

1338
01:08:10,360 --> 01:08:13,040
Speaker 1: in Peace King, Rest in Peace King. If you've ever

1339
01:08:13,080 --> 01:08:17,280
Speaker 1: seen him on the Eric Andre Show, you're blessed because

1340
01:08:18,280 --> 01:08:22,160
Speaker 1: he's fucking amazing in that shit. But so he basically

1341
01:08:22,560 --> 01:08:25,680
Speaker 1: he's kind of like, I guess like a higher up

1342
01:08:25,720 --> 01:08:27,879
Speaker 1: in the military that's like, oh, we got a problem

1343
01:08:28,120 --> 01:08:30,400
Speaker 1: because we haven't been able to find this motherfucker in forever.

1344
01:08:30,840 --> 01:08:34,360
Speaker 1: By the way, not for nothing, there's a guy in

1345
01:08:34,400 --> 01:08:37,760
Speaker 1: the film in this part, right, they're like in the

1346
01:08:37,800 --> 01:08:41,120
Speaker 1: headquarters he's a guy with glasses in a suit, and

1347
01:08:41,160 --> 01:08:42,519
Speaker 1: he is a guy I went to high school with.

1348
01:08:44,560 --> 01:08:45,280
Speaker 2: His name is A. J.

1349
01:08:45,439 --> 01:08:49,639
Speaker 1: Bowen. He's been in a ton of like these movies,

1350
01:08:49,640 --> 01:08:52,479
Speaker 1: these like horror movies. I feel like he's a shit next.

1351
01:08:52,920 --> 01:08:55,880
Speaker 1: I don't know, but we went to high school together,

1352
01:08:56,880 --> 01:09:00,320
Speaker 1: and also we went to middle school together. I don't

1353
01:09:00,320 --> 01:09:03,639
Speaker 1: know if he knows this, but I had a huge

1354
01:09:03,640 --> 01:09:06,800
Speaker 1: crush on him in middle school because he won the

1355
01:09:06,840 --> 01:09:11,800
Speaker 1: spelling bee one year and I was like, who is

1356
01:09:11,840 --> 01:09:14,519
Speaker 1: that boy that knows how to spell? He's very cute

1357
01:09:15,240 --> 01:09:17,720
Speaker 1: and he wears sweaters from the gap, which was my

1358
01:09:17,800 --> 01:09:19,639
Speaker 1: only requirement in seventh grade.

1359
01:09:20,040 --> 01:09:22,559
Speaker 3: So anyway, this is adorable and I need a full

1360
01:09:22,680 --> 01:09:25,120
Speaker 3: investigative podcast on this immediately.

1361
01:09:26,840 --> 01:09:28,840
Speaker 1: A J. Bowen, if you're listening, I just, I just

1362
01:09:29,439 --> 01:09:31,639
Speaker 1: I'm out here revealing everything now.

1363
01:09:31,800 --> 01:09:36,840
Speaker 2: I'm not a miss. So I haven't talked to him

1364
01:09:36,880 --> 01:09:37,439
Speaker 2: a long time.

1365
01:09:37,560 --> 01:09:39,080
Speaker 1: I haven't talked to him in a few years, but

1366
01:09:39,120 --> 01:09:40,800
Speaker 1: like we were friendly, So I don't know. I mean,

1367
01:09:41,320 --> 01:09:44,240
Speaker 1: he's out there. I think he's still acting, so whatever. Yeah,

1368
01:09:44,320 --> 01:09:46,719
Speaker 1: come on the pod, talk about it. Let's talk about

1369
01:09:46,760 --> 01:09:49,800
Speaker 1: your scene here with Lance Reddick, because this is the

1370
01:09:49,840 --> 01:09:52,120
Speaker 1: thing about so this movie is now like, okay, so

1371
01:09:52,160 --> 01:09:53,800
Speaker 1: this guy is definitely not who he says he is.

1372
01:09:53,960 --> 01:09:56,920
Speaker 1: This innocuous house guest is now weird and shoots guns

1373
01:09:56,960 --> 01:09:59,120
Speaker 1: and kills people. And then this is what kicks off

1374
01:09:59,120 --> 01:10:03,160
Speaker 1: the rest of the movie. And it's basically like it

1375
01:10:03,200 --> 01:10:06,840
Speaker 1: gets really kicked up from here. So now he so

1376
01:10:07,080 --> 01:10:10,800
Speaker 1: David now knows that people are starting to figure him out,

1377
01:10:11,479 --> 01:10:13,960
Speaker 1: and it just goes from there. And I don't want

1378
01:10:14,000 --> 01:10:16,719
Speaker 1: to give the rest away because it is truly shocking

1379
01:10:16,760 --> 01:10:21,639
Speaker 1: what happens. Like I've forgot how many people he laid out,

1380
01:10:21,760 --> 01:10:26,920
Speaker 1: Like I was like, yo, he's a killing machine.

1381
01:10:27,160 --> 01:10:31,360
Speaker 3: I also forgot that the lance Reddit character asked, He's like,

1382
01:10:31,400 --> 01:10:34,400
Speaker 3: all right, this guy is super dangerous. It's so fucked

1383
01:10:34,640 --> 01:10:36,800
Speaker 3: I need to land and have a team at the ready.

1384
01:10:36,840 --> 01:10:41,000
Speaker 3: And they give him like two dudes. Yeah, Like he

1385
01:10:41,080 --> 01:10:44,960
Speaker 3: rolls up with two dudes. Yeah, it's like, my dude.

1386
01:10:44,880 --> 01:10:48,000
Speaker 1: You need more. By the way, if if I'm reading

1387
01:10:48,040 --> 01:10:50,679
Speaker 1: this correctly and and what's going on here the details,

1388
01:10:50,760 --> 01:10:52,040
Speaker 1: y'all need more than two dudes.

1389
01:10:52,080 --> 01:10:55,240
Speaker 3: This is a real collect the local farmer's energy.

1390
01:10:56,320 --> 01:10:58,719
Speaker 1: And also like I won't like I said, I won't

1391
01:10:58,720 --> 01:11:02,400
Speaker 1: give it away, but I will say the one of

1392
01:11:02,400 --> 01:11:05,000
Speaker 1: the best things that happens in this movie is that

1393
01:11:06,200 --> 01:11:11,240
Speaker 1: Dan Stevens at one point is throwing grenades to the

1394
01:11:11,280 --> 01:11:17,840
Speaker 1: song because I Love You the Postman song by Stevie b.

1395
01:11:19,160 --> 01:11:23,120
Speaker 3: That makes the entire movie for me.

1396
01:11:23,479 --> 01:11:26,760
Speaker 2: That scene makes the whole fucking movie for me.

1397
01:11:30,880 --> 01:11:35,360
Speaker 1: I like, that was such a middle school song and

1398
01:11:35,400 --> 01:11:37,439
Speaker 1: then he just brought it all together. I was like,

1399
01:11:37,520 --> 01:11:39,920
Speaker 1: this is exactly what needs to be happening right now.

1400
01:11:39,960 --> 01:11:41,519
Speaker 1: I was like, how need to see what's next?

1401
01:11:41,560 --> 01:11:44,720
Speaker 2: Is he gonna stab someone to I'll be sure what's

1402
01:11:44,760 --> 01:11:45,240
Speaker 2: going on?

1403
01:11:47,200 --> 01:11:52,559
Speaker 1: Let me tell you hell feel it? Bet they snap stapsad.

1404
01:11:53,600 --> 01:11:57,080
Speaker 1: I was like, if you pull out assault rifle to

1405
01:11:57,280 --> 01:12:04,920
Speaker 1: Tevin Campbell, I'm in, like, can we talk for a minute?

1406
01:12:05,240 --> 01:12:07,240
Speaker 1: Boom see.

1407
01:12:07,240 --> 01:12:15,000
Speaker 3: I went to Tevin Campbell round and round probably better,

1408
01:12:15,800 --> 01:12:18,280
Speaker 3: fucking Shenise. I love your smile, Like.

1409
01:12:18,200 --> 01:12:21,640
Speaker 4: There's so many I want a full movie of just

1410
01:12:22,520 --> 01:12:25,840
Speaker 4: old arm, like like eighty late eighties, early nineties R

1411
01:12:25,880 --> 01:12:28,599
Speaker 4: and B being the soundtrack to Murder.

1412
01:12:28,960 --> 01:12:32,600
Speaker 1: Yes me too. It's so funny when that happens.

1413
01:12:32,200 --> 01:12:33,960
Speaker 3: And he kind of like flips him around like he's

1414
01:12:33,960 --> 01:12:36,320
Speaker 3: in SIRCTA, so let like he is a good, good assy.

1415
01:12:37,000 --> 01:12:38,360
Speaker 2: It's a great scene.

1416
01:12:39,680 --> 01:12:42,519
Speaker 1: Having said that, I mean this, that's that's all I'll

1417
01:12:42,520 --> 01:12:45,599
Speaker 1: say for this movie. I mean, honestly, as a house guest,

1418
01:12:45,800 --> 01:12:50,240
Speaker 1: one of the literal worst maybe on record. And you

1419
01:12:50,280 --> 01:12:52,080
Speaker 1: will and if you watch the movie or haven't seen

1420
01:12:52,120 --> 01:12:55,519
Speaker 1: it a long time, you will know why. And just

1421
01:12:55,560 --> 01:12:58,680
Speaker 1: so like for me, I actually liked this movie a

1422
01:12:58,680 --> 01:13:00,519
Speaker 1: lot more now than I think I back then. I

1423
01:13:00,560 --> 01:13:02,160
Speaker 1: mean I liked it back then, but now I'm like,

1424
01:13:02,560 --> 01:13:06,160
Speaker 1: oh man, this this movie is great. I think it's

1425
01:13:06,240 --> 01:13:09,880
Speaker 1: wonderful that they're not afraid to show how hot date

1426
01:13:10,040 --> 01:13:12,920
Speaker 1: like this character is. That's part of it for me,

1427
01:13:12,960 --> 01:13:15,519
Speaker 1: where I'm just like, oh yeah, everybody's supposed to be

1428
01:13:15,680 --> 01:13:20,439
Speaker 1: like hypnotized by him, yep, which I think is what

1429
01:13:20,560 --> 01:13:23,000
Speaker 1: makes it even scarier.

1430
01:13:23,840 --> 01:13:27,559
Speaker 3: Yeah, so terrifying. I love that you picked this for

1431
01:13:27,640 --> 01:13:31,559
Speaker 3: a house guest theme. Genuinely could not get any worse

1432
01:13:31,640 --> 01:13:36,320
Speaker 3: than this. But it was so great to rewatch it,

1433
01:13:36,400 --> 01:13:38,920
Speaker 3: and it's so much more fun than I remembered, and

1434
01:13:39,000 --> 01:13:41,680
Speaker 3: like it's just a it is a great movie. It's

1435
01:13:41,720 --> 01:13:44,280
Speaker 3: a really great film. If you haven't seen it, you're

1436
01:13:44,280 --> 01:13:48,880
Speaker 3: missing out. And yeah, don't ever invite fucking Lumify into

1437
01:13:48,880 --> 01:13:49,920
Speaker 3: your goddamn house.

1438
01:13:51,080 --> 01:13:56,280
Speaker 1: Stay away. If he's got intense hot boy eyes, just

1439
01:13:56,360 --> 01:13:59,160
Speaker 1: shut the door. Pull that colonial knob.

1440
01:13:59,360 --> 01:14:01,880
Speaker 2: Shut, slam the colonial knob.

1441
01:14:08,240 --> 01:14:11,599
Speaker 1: Let's talk about a movie I've been waiting. Let's let's

1442
01:14:12,800 --> 01:14:15,760
Speaker 1: let's so.

1443
01:14:15,920 --> 01:14:19,120
Speaker 3: My film for the theme, three Days Then Get the

1444
01:14:19,120 --> 01:14:25,320
Speaker 3: fuck Out, was written and directed by Tom Rabluski, released

1445
01:14:25,360 --> 01:14:26,280
Speaker 3: in nineteen ninety.

1446
01:14:26,600 --> 01:14:30,120
Speaker 2: My movie is Madhouse. Don't answer the phone. If you

1447
01:14:30,160 --> 01:14:32,160
Speaker 2: have to leave the country, then leave the country.

1448
01:14:32,200 --> 01:14:33,880
Speaker 3: But don't let them in.

1449
01:14:34,840 --> 01:14:35,920
Speaker 2: What are you talking about?

1450
01:14:36,560 --> 01:14:39,679
Speaker 1: I am talking about house guests from Hell.

1451
01:14:40,200 --> 01:14:42,519
Speaker 3: Now, before we even get into the film, we have

1452
01:14:42,600 --> 01:14:46,200
Speaker 3: to talk about the credits because the credits are animated

1453
01:14:46,520 --> 01:14:50,519
Speaker 3: in that classic late eighties early nineties style, And I'm like,

1454
01:14:50,560 --> 01:14:52,720
Speaker 3: who did these? I'd never known, so I looked it

1455
01:14:52,800 --> 01:14:55,800
Speaker 3: up and it's a woman named Sally Crookshank. She also

1456
01:14:55,960 --> 01:15:00,960
Speaker 3: did the titles for Ruthless People, Mannequin, Love Boy, She

1457
01:15:01,040 --> 01:15:05,639
Speaker 3: did some sesame street work. Like She's an incredible artist,

1458
01:15:06,000 --> 01:15:08,799
Speaker 3: an animator, So look up Sally Kriukshing.

1459
01:15:08,840 --> 01:15:11,400
Speaker 1: This was one of my favorite things about Like what

1460
01:15:11,520 --> 01:15:13,320
Speaker 1: I popped this movie on was I was like, this

1461
01:15:13,360 --> 01:15:17,600
Speaker 1: is my this. I love this era of the animated intros.

1462
01:15:17,640 --> 01:15:19,920
Speaker 1: That's so such a childhood memory.

1463
01:15:20,040 --> 01:15:22,960
Speaker 3: I loved this so good, like just instant placement of

1464
01:15:23,040 --> 01:15:24,000
Speaker 3: comfort for me.

1465
01:15:24,120 --> 01:15:24,280
Speaker 2: Yeah.

1466
01:15:25,040 --> 01:15:29,200
Speaker 3: So my one sentence synopsis, The horniest couple in America

1467
01:15:29,240 --> 01:15:32,040
Speaker 3: who are new to home ownership have their lives turned

1468
01:15:32,160 --> 01:15:35,519
Speaker 3: upside down by a series of unwonted house gifts.

1469
01:15:36,560 --> 01:15:37,200
Speaker 1: Perfect.

1470
01:15:37,360 --> 01:15:39,639
Speaker 2: Perfect. Now I also.

1471
01:15:39,439 --> 01:15:41,439
Speaker 3: Have to mention up top this is this is a

1472
01:15:41,439 --> 01:15:44,519
Speaker 3: movie that stars Kursey Alley. There's a supporting role by

1473
01:15:44,520 --> 01:15:47,559
Speaker 3: Dennis Miller. There's just a lot of formerly funny and

1474
01:15:47,600 --> 01:15:52,599
Speaker 3: currently insane people in this film, which is so weird

1475
01:15:52,640 --> 01:15:54,800
Speaker 3: to see, like to remember that time when you're like, oh,

1476
01:15:54,800 --> 01:15:56,760
Speaker 3: it used to be just a funny actress, and now

1477
01:15:56,800 --> 01:16:00,599
Speaker 3: we have to know your political agenda. Can I just say,

1478
01:16:01,920 --> 01:16:05,240
Speaker 3: can I just say something like so many years ago

1479
01:16:05,400 --> 01:16:09,240
Speaker 3: I actually worked I did an event with Dennis Miller,

1480
01:16:10,560 --> 01:16:14,160
Speaker 3: and obviously, uh, you know, just his public persona doesn't

1481
01:16:14,200 --> 01:16:16,080
Speaker 3: align with my values at all.

1482
01:16:17,160 --> 01:16:21,080
Speaker 1: However, he was the nicest person and it.

1483
01:16:21,000 --> 01:16:23,040
Speaker 2: Makes it even more fucked up to me kind of

1484
01:16:23,560 --> 01:16:23,960
Speaker 2: he was.

1485
01:16:24,360 --> 01:16:29,360
Speaker 1: Very sweet and like really personable, and it was just

1486
01:16:29,400 --> 01:16:32,240
Speaker 1: sort of like a huh. Wow, that's a weird disconnect.

1487
01:16:32,320 --> 01:16:34,320
Speaker 1: I don't know how to take this, but anyway, I

1488
01:16:34,360 --> 01:16:36,519
Speaker 1: just had to throw that out there because I was

1489
01:16:36,560 --> 01:16:38,160
Speaker 1: just like, yo, and when I saw him again, I

1490
01:16:38,200 --> 01:16:42,000
Speaker 1: was like, oh, yeah, this I think like this hairstyle

1491
01:16:42,280 --> 01:16:45,840
Speaker 1: obviously is the hairstyle that I remember from a child,

1492
01:16:46,000 --> 01:16:47,360
Speaker 1: when I was a child, when he was on Weekend

1493
01:16:47,439 --> 01:16:50,640
Speaker 1: Update on SNL, which is what I actually loved him like.

1494
01:16:50,880 --> 01:16:53,240
Speaker 1: He is a part of my childhood. So yeah, it's

1495
01:16:53,360 --> 01:16:56,160
Speaker 1: very complicated when you see these old movies sometimes.

1496
01:16:56,280 --> 01:16:56,679
Speaker 2: Huh.

1497
01:16:57,200 --> 01:17:00,439
Speaker 3: SNL also has a habit, and by extension, a lot

1498
01:17:00,479 --> 01:17:03,439
Speaker 3: of NBC sitcom stars has a habit of I don't

1499
01:17:03,479 --> 01:17:05,840
Speaker 3: know what they're doing over there, but they do have

1500
01:17:05,880 --> 01:17:11,880
Speaker 3: a habit of turning cast members into extremists within the

1501
01:17:12,080 --> 01:17:13,160
Speaker 3: ten years they leave the show.

1502
01:17:13,880 --> 01:17:15,759
Speaker 1: Yeah, what's up with that? Huh?

1503
01:17:15,800 --> 01:17:18,240
Speaker 2: There's a lot look it up. There's a lot to

1504
01:17:18,360 --> 01:17:19,280
Speaker 2: find if you look up.

1505
01:17:19,320 --> 01:17:21,439
Speaker 3: Like, who holl on SNL that I loved as a

1506
01:17:21,479 --> 01:17:23,240
Speaker 3: child is now telling me that they think people like

1507
01:17:23,280 --> 01:17:23,880
Speaker 3: me should die.

1508
01:17:24,000 --> 01:17:24,439
Speaker 2: I don't know.

1509
01:17:25,600 --> 01:17:27,559
Speaker 1: I wonder if that's an age thing, Like I wonder

1510
01:17:27,560 --> 01:17:30,960
Speaker 1: if it's like a period of time where like all

1511
01:17:31,000 --> 01:17:34,840
Speaker 1: these people who are kind of roughly existing in the

1512
01:17:34,880 --> 01:17:36,920
Speaker 1: same age are now do you know what I mean?

1513
01:17:36,960 --> 01:17:39,599
Speaker 1: Because I mean obviously, when we were seeing them, they

1514
01:17:39,600 --> 01:17:42,439
Speaker 1: were in their like twenties maybe early thirties, and now

1515
01:17:42,479 --> 01:17:45,120
Speaker 1: they're much older. So maybe it's just like, yeah, it's

1516
01:17:45,120 --> 01:17:48,120
Speaker 1: like a cycle of like, I don't know, a generation

1517
01:17:48,280 --> 01:17:49,439
Speaker 1: or something. I don't know.

1518
01:17:49,520 --> 01:17:51,320
Speaker 2: Yeah, that's weird. It's very weird.

1519
01:17:51,320 --> 01:17:53,040
Speaker 3: But I just had to mention that up top because

1520
01:17:53,160 --> 01:17:55,080
Speaker 3: it doesn't take away from the movie for me, but

1521
01:17:55,280 --> 01:17:57,559
Speaker 3: it was weird to see, like in Rapid Succession people

1522
01:17:57,560 --> 01:17:58,920
Speaker 3: that I'm like, oh, they used to be funny and

1523
01:17:58,960 --> 01:18:03,559
Speaker 3: now eh. But I will say that this movie's cast

1524
01:18:03,680 --> 01:18:08,879
Speaker 3: is fantastic. We have, as mentioned before, Kirsty Alley, my homide,

1525
01:18:08,960 --> 01:18:15,639
Speaker 3: John Larachette, Oh who, let's talk about it. I've already

1526
01:18:15,680 --> 01:18:17,519
Speaker 3: mentioned on this podcast at some point.

1527
01:18:17,560 --> 01:18:18,360
Speaker 2: I'm sure.

1528
01:18:19,680 --> 01:18:24,280
Speaker 3: Part of the sexual awakening the Rapid again the pinballing

1529
01:18:24,320 --> 01:18:26,800
Speaker 3: of Kevin Kleine into John larrickhett on Night Court.

1530
01:18:27,200 --> 01:18:31,479
Speaker 2: Yeah, come on, tall, funny.

1531
01:18:30,560 --> 01:18:34,880
Speaker 1: Okay, Now I'm starting to see a pattern here, tall,

1532
01:18:35,880 --> 01:18:40,880
Speaker 1: dark haired, funny guys. Who there are yappers? I would

1533
01:18:40,880 --> 01:18:44,120
Speaker 1: say they're yappers. They got the gift of gab. Yes,

1534
01:18:44,160 --> 01:18:48,680
Speaker 1: a little bit of like a tiny bit of theatricality perhaps.

1535
01:18:48,760 --> 01:18:50,440
Speaker 2: Mm hmm, little showmanship.

1536
01:18:50,880 --> 01:18:53,720
Speaker 3: Also, John Larrickett eight hundred times hotter when he goes gray.

1537
01:18:54,320 --> 01:18:57,479
Speaker 2: Yeah. Oh, like, listen this to me.

1538
01:18:58,640 --> 01:19:01,240
Speaker 1: The pairing of Kirsty Alley and John Learriquett in this

1539
01:19:01,360 --> 01:19:05,800
Speaker 1: era was flames. I was like, this is amazing, Like

1540
01:19:06,360 --> 01:19:11,439
Speaker 1: put these two together, Who's inspired inspired casting? But they

1541
01:19:11,439 --> 01:19:13,040
Speaker 1: could have been the new thin man as far as

1542
01:19:13,040 --> 01:19:15,280
Speaker 1: I'm concerned, I'm like, I'm loving this, I have loving

1543
01:19:15,320 --> 01:19:17,120
Speaker 1: these two together. Holy shit.

1544
01:19:18,200 --> 01:19:20,920
Speaker 3: Well as a first watch for you, tell me what

1545
01:19:20,960 --> 01:19:24,559
Speaker 3: you thought just off the dome thoughts of the movie

1546
01:19:24,880 --> 01:19:26,439
Speaker 3: of the movie like.

1547
01:19:27,720 --> 01:19:31,680
Speaker 1: Perfectly stupid, perfectly stupid and hilarious. Like I was just like,

1548
01:19:31,720 --> 01:19:37,120
Speaker 1: this is this is the broad childhood comedy that I

1549
01:19:37,200 --> 01:19:40,040
Speaker 1: was drawn towards. Not saying it holds up in some

1550
01:19:40,080 --> 01:19:42,840
Speaker 1: certain ways obviously with certain people, but also some of

1551
01:19:42,880 --> 01:19:45,680
Speaker 1: the jokes. But I'm just saying that, like when you

1552
01:19:45,760 --> 01:19:48,920
Speaker 1: drill down into my brain in like eighty nine and ninety,

1553
01:19:49,760 --> 01:19:52,920
Speaker 1: when I didn't know or want much in life, this

1554
01:19:53,160 --> 01:19:55,719
Speaker 1: was it. I would have watched this on TV probably

1555
01:19:55,800 --> 01:19:57,960
Speaker 1: like seven thousand times.

1556
01:19:57,920 --> 01:19:59,960
Speaker 2: That I did. I absolutely did.

1557
01:20:00,479 --> 01:20:04,360
Speaker 3: Every time we got that showtime free weekend. I'm watching

1558
01:20:04,439 --> 01:20:08,000
Speaker 3: Madhouse like I love renting it from the fucking video

1559
01:20:08,000 --> 01:20:08,639
Speaker 3: store all the time.

1560
01:20:08,680 --> 01:20:10,240
Speaker 2: I loved this movie. I really did.

1561
01:20:10,960 --> 01:20:13,080
Speaker 3: And the movie itself is kind of it's a very

1562
01:20:13,080 --> 01:20:16,840
Speaker 3: pretty basic premise, like this is a couple, the Banisters,

1563
01:20:16,960 --> 01:20:21,240
Speaker 3: Mark and Jesse Banister, and they're so happy about this house, which.

1564
01:20:21,080 --> 01:20:22,600
Speaker 2: Is fairly new to them.

1565
01:20:23,000 --> 01:20:25,120
Speaker 3: Like from the beginning, you know that they haven't lived

1566
01:20:25,160 --> 01:20:27,760
Speaker 3: there for a long time, and we find that out

1567
01:20:27,760 --> 01:20:30,040
Speaker 3: while they're humping, because they just go right into humping

1568
01:20:30,040 --> 01:20:32,200
Speaker 3: in the movie. They're like the horniest couple ever. All

1569
01:20:32,240 --> 01:20:33,759
Speaker 3: they want to do is fuck in their new house.

1570
01:20:34,360 --> 01:20:38,320
Speaker 3: They're also total yuppies, like they have matching BMW's everyone

1571
01:20:38,360 --> 01:20:43,040
Speaker 3: in their wedding party and the photos wearing aviators. They're

1572
01:20:43,040 --> 01:20:45,479
Speaker 3: just total yuppies. And Mark is kind of a rock

1573
01:20:45,520 --> 01:20:48,599
Speaker 3: star at work. He's like a stockbroker, banker kind of guy.

1574
01:20:49,040 --> 01:20:52,680
Speaker 3: And Jesse is she's a newscaster, but she does a

1575
01:20:52,680 --> 01:20:57,040
Speaker 3: segment she's kind of called their question Girl because you know, god,

1576
01:20:57,120 --> 01:20:59,680
Speaker 3: the eighties, and she's kind of poised to get a

1577
01:20:59,720 --> 01:21:02,440
Speaker 3: try out to read the news. And become a full newscaster.

1578
01:21:02,640 --> 01:21:05,120
Speaker 3: Mark's getting these new accounts, like he's like, they're both

1579
01:21:05,120 --> 01:21:08,920
Speaker 3: poised to have really big things happening in their lives, right,

1580
01:21:08,960 --> 01:21:11,360
Speaker 3: And then they get a letter. They find a letter

1581
01:21:11,400 --> 01:21:13,439
Speaker 3: that's been sitting on their table for three weeks, and

1582
01:21:13,479 --> 01:21:18,599
Speaker 3: it's from Mark's cousin, Fred, his former childhood hero, and

1583
01:21:18,640 --> 01:21:20,880
Speaker 3: he gets word that Fred and his wife are coming

1584
01:21:20,920 --> 01:21:23,040
Speaker 3: to spend their vacation with Mark.

1585
01:21:23,560 --> 01:21:26,400
Speaker 1: Oh, and that was back in the day when like

1586
01:21:27,000 --> 01:21:30,160
Speaker 1: there was like, you just got a letter that tells

1587
01:21:30,320 --> 01:21:31,559
Speaker 1: you that somebody's coming to town.

1588
01:21:32,040 --> 01:21:32,759
Speaker 2: Is that not wild?

1589
01:21:33,680 --> 01:21:36,880
Speaker 3: That to me is instant insanity, Like you're not even

1590
01:21:36,920 --> 01:21:39,639
Speaker 3: gonna make a phone call. Phones existed, Alexander Graham Bell

1591
01:21:39,720 --> 01:21:41,840
Speaker 3: had existed and had died decades.

1592
01:21:41,520 --> 01:21:44,639
Speaker 2: Ago before this, the phone was there.

1593
01:21:45,360 --> 01:21:48,479
Speaker 3: If you send somebody a letter and don't hear from

1594
01:21:48,479 --> 01:21:51,800
Speaker 3: them for three weeks and you're still showing up, there's

1595
01:21:51,840 --> 01:21:52,920
Speaker 3: some fuck shit going on.

1596
01:21:53,360 --> 01:21:54,360
Speaker 2: Okay, let me let me.

1597
01:21:54,280 --> 01:21:56,599
Speaker 1: Ask you this. If you were knowing what we now

1598
01:21:56,680 --> 01:21:58,880
Speaker 1: know about having a house guest at your place, if

1599
01:21:58,880 --> 01:22:01,360
Speaker 1: somebody sent you a letter and it's like, yo, we're coming.

1600
01:22:01,120 --> 01:22:04,519
Speaker 3: Today, Oh, I'll be like and when they show up.

1601
01:22:04,680 --> 01:22:07,080
Speaker 3: So good to see you do not cross the threshold.

1602
01:22:07,120 --> 01:22:09,880
Speaker 3: There's a hotel down the street because we did not

1603
01:22:09,960 --> 01:22:11,040
Speaker 3: confirm these plans.

1604
01:22:11,680 --> 01:22:14,160
Speaker 1: Oh my god, dude, I couldn't imagine. I was like

1605
01:22:14,200 --> 01:22:17,400
Speaker 1: in that moment, I was like, Danielle would absolutely shoot

1606
01:22:17,439 --> 01:22:21,760
Speaker 1: these people off the porch. She did not fucking handle it.

1607
01:22:22,840 --> 01:22:24,800
Speaker 3: I look, I have a bow and arrow, and I

1608
01:22:25,840 --> 01:22:27,639
Speaker 3: have a bow and arrow, I have knives.

1609
01:22:27,680 --> 01:22:29,200
Speaker 2: I have weapons in every room in my house. Go

1610
01:22:29,200 --> 01:22:30,320
Speaker 2: ahead and try and just show up.

1611
01:22:33,800 --> 01:22:35,920
Speaker 3: I'm not saying I wanted to go to a violent place,

1612
01:22:35,960 --> 01:22:38,040
Speaker 3: but I'm not afraid to take it to a violent

1613
01:22:38,040 --> 01:22:38,479
Speaker 3: place if.

1614
01:22:38,439 --> 01:22:39,479
Speaker 2: You just show up.

1615
01:22:39,960 --> 01:22:40,920
Speaker 1: Yeah, of course.

1616
01:22:41,120 --> 01:22:41,639
Speaker 2: Oh I can't.

1617
01:22:41,680 --> 01:22:44,160
Speaker 3: Between this and the last Bonus episode, I think I

1618
01:22:44,160 --> 01:22:46,320
Speaker 3: think I'm getting a little more violent than I said.

1619
01:22:46,360 --> 01:22:47,360
Speaker 2: I was going to murder someone in.

1620
01:22:47,360 --> 01:22:50,280
Speaker 3: The last episode the Bonus episode, like, oh, it's inevitable

1621
01:22:50,280 --> 01:22:51,920
Speaker 3: that I'll murder someone, And now I'm like, yeah, try

1622
01:22:51,960 --> 01:22:52,679
Speaker 3: and show up my house.

1623
01:22:53,400 --> 01:22:54,920
Speaker 2: I don't want to harm anybody.

1624
01:22:55,800 --> 01:22:58,360
Speaker 3: But this is how I can't express how strongly I

1625
01:22:58,360 --> 01:22:58,960
Speaker 3: feel about it.

1626
01:23:00,200 --> 01:23:01,560
Speaker 2: We're in an age of elegance.

1627
01:23:01,920 --> 01:23:05,920
Speaker 3: After apparently the age of elegance is knifing someone.

1628
01:23:05,960 --> 01:23:06,360
Speaker 2: The eyeball.

1629
01:23:06,400 --> 01:23:11,800
Speaker 3: They show up at your house at one point, you know,

1630
01:23:11,800 --> 01:23:14,800
Speaker 3: because Jesse's like, oh man, this is weird, and Mark's like,

1631
01:23:14,840 --> 01:23:15,880
Speaker 3: it's just house guests.

1632
01:23:15,920 --> 01:23:17,719
Speaker 2: It'll be fun famous last words.

1633
01:23:18,280 --> 01:23:21,479
Speaker 3: So of course, the five days of these house guests

1634
01:23:21,720 --> 01:23:25,960
Speaker 3: turns into fifty days of pure mayhem by the end

1635
01:23:26,000 --> 01:23:29,360
Speaker 3: of this movie. So first Fred and his wife Bernice

1636
01:23:29,640 --> 01:23:33,479
Speaker 3: show up with their cat, Scruffy Banister, and Fred is

1637
01:23:33,520 --> 01:23:37,880
Speaker 3: an absolutely broken down man. Bernice is a pregnant beautician.

1638
01:23:38,240 --> 01:23:40,679
Speaker 3: He just got fired from his job at the sewage plant.

1639
01:23:41,120 --> 01:23:44,000
Speaker 3: She's pregnant. They show up with an insane amount of

1640
01:23:44,040 --> 01:23:47,360
Speaker 3: luggage and a terrifying cat who comes out swinging like

1641
01:23:47,400 --> 01:23:51,400
Speaker 3: this Scruffy gives gives pet cemetery run for its money

1642
01:23:51,600 --> 01:23:55,040
Speaker 3: totally totally, and Scruffy also dies like five times in

1643
01:23:55,080 --> 01:24:01,479
Speaker 3: this movie, gets drowned, blows up, gets run over, doses

1644
01:24:01,520 --> 01:24:05,360
Speaker 3: on cocaine Like this movie just gives this cat every

1645
01:24:05,400 --> 01:24:08,639
Speaker 3: possible way to die. But our first introduction into Scruffy

1646
01:24:08,640 --> 01:24:11,439
Speaker 3: Banister is that he pukes in the car like the

1647
01:24:11,479 --> 01:24:13,759
Speaker 3: fucking Exorcist, and it's all downhill from there.

1648
01:24:13,920 --> 01:24:15,400
Speaker 1: Of course, of course.

1649
01:24:15,720 --> 01:24:17,839
Speaker 3: So they show up to the house and Bernice Bernice,

1650
01:24:17,840 --> 01:24:20,320
Speaker 3: who to me has the best lines in the film,

1651
01:24:21,000 --> 01:24:24,880
Speaker 3: is already using this pregnancy and this baby to her advantage,

1652
01:24:25,120 --> 01:24:27,080
Speaker 3: to the point where Mark and Jesse give up their

1653
01:24:27,120 --> 01:24:29,320
Speaker 3: primary bedroom because she doesn't want to sleep on like

1654
01:24:29,360 --> 01:24:30,759
Speaker 3: a futon mattress on the floor.

1655
01:24:31,000 --> 01:24:34,439
Speaker 2: She calls it a tofu, A tofu. I'm not gonna

1656
01:24:34,439 --> 01:24:36,639
Speaker 2: sleep on a floor.

1657
01:24:37,200 --> 01:24:38,920
Speaker 3: I'm like, if you show up to my house with

1658
01:24:39,080 --> 01:24:45,960
Speaker 3: no confirmation, you will sleep wherever you fucking sleep. You

1659
01:24:46,000 --> 01:24:48,280
Speaker 3: will sleep in the garage. I'll put a ten outside.

1660
01:24:48,439 --> 01:24:52,320
Speaker 3: You will sleep where you sleep. But she's also a

1661
01:24:52,439 --> 01:24:54,800
Speaker 3: hilarious runner in this movie, aside from the cat is

1662
01:24:54,800 --> 01:24:56,519
Speaker 3: that she keeps trying to figure out if Jesse had

1663
01:24:56,520 --> 01:24:58,360
Speaker 3: a nose job, and she's like, I saw that nose

1664
01:24:58,400 --> 01:25:02,240
Speaker 3: in Cosmo and jess See and Bernice are like oil

1665
01:25:02,280 --> 01:25:06,479
Speaker 3: and water from Jump, and at one point Bertany says,

1666
01:25:06,479 --> 01:25:09,520
Speaker 3: we're not insane, We're just from New Jersey. It's fucking hilarious.

1667
01:25:10,880 --> 01:25:14,080
Speaker 3: They spend the second day together. Their second day of

1668
01:25:14,080 --> 01:25:16,280
Speaker 3: their vacation, they spend with Jesse and Mark, who take

1669
01:25:16,320 --> 01:25:18,360
Speaker 3: them around do all the la things, and they get

1670
01:25:18,439 --> 01:25:22,559
Speaker 3: robbed of their travelers checks immediately, which again travelers checks

1671
01:25:22,560 --> 01:25:27,280
Speaker 3: ad a fucking choke hold on families and travelers, like

1672
01:25:27,360 --> 01:25:30,200
Speaker 3: you wouldn't believe sho cold.

1673
01:25:32,280 --> 01:25:34,400
Speaker 2: They're like, did you get your travelers are you leaving

1674
01:25:34,439 --> 01:25:37,360
Speaker 2: the town? Get travelers checks? Like they had a fucking show.

1675
01:25:37,640 --> 01:25:39,360
Speaker 3: Back in the day where there were not eight not

1676
01:25:39,840 --> 01:25:43,759
Speaker 3: widely available ATMs, especially if it's not in your banking system,

1677
01:25:43,800 --> 01:25:44,519
Speaker 3: you couldn't use them.

1678
01:25:45,040 --> 01:25:45,240
Speaker 2: Yeah.

1679
01:25:45,720 --> 01:25:49,120
Speaker 3: Again, credit cards were not, you know, widely used by

1680
01:25:49,120 --> 01:25:51,000
Speaker 3: everyone to the extent where they kind of are now.

1681
01:25:51,120 --> 01:25:52,760
Speaker 3: Debit cards did not exist.

1682
01:25:52,800 --> 01:25:55,120
Speaker 1: Right, Oh, yeah, debit cards does not exist, of course.

1683
01:25:55,280 --> 01:25:57,800
Speaker 3: So traveler checks was it? Because if you lost a

1684
01:25:57,840 --> 01:26:00,240
Speaker 3: travelers check, they're numbered so you can get them back.

1685
01:26:00,280 --> 01:26:04,600
Speaker 2: He can get the money back. Yeah, was the thinking, I.

1686
01:26:04,600 --> 01:26:08,799
Speaker 3: Should do a whole podcast, investigative podcasts on travelers chicks.

1687
01:26:08,840 --> 01:26:10,759
Speaker 1: I would definitely listen to it, of course.

1688
01:26:11,439 --> 01:26:13,439
Speaker 3: So they get robbed, and then they get through the

1689
01:26:13,520 --> 01:26:15,639
Speaker 3: rest of the five days, and on the fifth day,

1690
01:26:15,680 --> 01:26:18,760
Speaker 3: as they're leaving, Bernice slips on the welcome at in

1691
01:26:18,800 --> 01:26:22,759
Speaker 3: the front of the house. Jesse calls her her doctor,

1692
01:26:22,920 --> 01:26:24,960
Speaker 3: who informs her that Bernice has.

1693
01:26:24,840 --> 01:26:25,600
Speaker 2: To stay.

1694
01:26:26,880 --> 01:26:30,400
Speaker 3: On bed rest at their house for the rest of

1695
01:26:30,439 --> 01:26:33,479
Speaker 3: her pregnancy, which is the next six months, and when

1696
01:26:33,479 --> 01:26:36,840
Speaker 3: she falls again, she has the best fucking lines in

1697
01:26:36,880 --> 01:26:39,559
Speaker 3: this movie, and it's just in the background, so you

1698
01:26:39,600 --> 01:26:41,719
Speaker 3: really have to listen. But when she falls, as everyone's

1699
01:26:41,760 --> 01:26:44,400
Speaker 3: kind of trying to figure out what to do, she says,

1700
01:26:44,600 --> 01:26:46,320
Speaker 3: I can feel the zygoat splitting.

1701
01:26:46,360 --> 01:26:48,479
Speaker 2: I don't want to have twins.

1702
01:26:50,400 --> 01:26:53,360
Speaker 1: On one, I was like, is that true?

1703
01:26:54,479 --> 01:26:57,559
Speaker 3: No, because another point she says, I have a flat

1704
01:26:57,600 --> 01:27:00,400
Speaker 3: baby or something like that, like my baby's flat.

1705
01:27:00,439 --> 01:27:01,519
Speaker 2: Now I'm like, oh my god.

1706
01:27:02,160 --> 01:27:05,519
Speaker 1: Like and also too, I mean, no shade, but like

1707
01:27:06,280 --> 01:27:09,160
Speaker 1: go to like if you gotta stay somewhere for multiple

1708
01:27:09,160 --> 01:27:12,280
Speaker 1: weeks on bedrist, don't do it like go to a hotel,

1709
01:27:12,360 --> 01:27:15,280
Speaker 1: Like go be like Royal tenebomb in the hotel, just

1710
01:27:15,320 --> 01:27:16,679
Speaker 1: like chill.

1711
01:27:16,960 --> 01:27:20,080
Speaker 2: Get room service, like get people to come clean your shit.

1712
01:27:20,320 --> 01:27:22,559
Speaker 1: Don't stay at a friend's house and expect that it's

1713
01:27:22,560 --> 01:27:25,120
Speaker 1: gonna be like a chill place. What if they don't

1714
01:27:25,160 --> 01:27:27,800
Speaker 1: do they don't turn over the sheets, you don't know.

1715
01:27:29,600 --> 01:27:31,800
Speaker 3: Go to an airbnb and get some fucking door dash.

1716
01:27:32,040 --> 01:27:33,200
Speaker 2: Yeah, do something.

1717
01:27:33,479 --> 01:27:35,559
Speaker 1: I would do something more full service. If I was

1718
01:27:35,600 --> 01:27:37,960
Speaker 1: literally in another town where I had to be on

1719
01:27:37,960 --> 01:27:40,240
Speaker 1: bed rest, I'd be like I'm not lifting a finger.

1720
01:27:41,040 --> 01:27:42,679
Speaker 2: Well, that is not Bernice's jam.

1721
01:27:42,760 --> 01:27:45,720
Speaker 3: Bernice is like, you are going to let me stay

1722
01:27:45,760 --> 01:27:49,599
Speaker 3: in your bedroom while I shop the Home Shopping Network

1723
01:27:49,680 --> 01:27:53,439
Speaker 3: like a fiend and make fun of you to your

1724
01:27:53,520 --> 01:27:56,840
Speaker 3: face even though I'm staying in your house, and you

1725
01:27:56,880 --> 01:27:58,559
Speaker 3: will wait on me hand and butt, you will carry

1726
01:27:58,600 --> 01:27:59,679
Speaker 3: my urine out of this room.

1727
01:27:59,680 --> 01:28:01,240
Speaker 2: I'm like getting up to go to the bathroom.

1728
01:28:01,720 --> 01:28:04,559
Speaker 3: Yep, I am just gonna be waited on hand and

1729
01:28:04,600 --> 01:28:05,680
Speaker 3: goddamn foot.

1730
01:28:05,960 --> 01:28:07,640
Speaker 2: Was herstees and guess what.

1731
01:28:08,360 --> 01:28:12,040
Speaker 3: During this time, Mark tries to get his cousin to

1732
01:28:12,040 --> 01:28:12,760
Speaker 3: get his groove back.

1733
01:28:12,800 --> 01:28:14,200
Speaker 2: He's like, Fred, what's going on?

1734
01:28:14,280 --> 01:28:16,000
Speaker 3: And they had this cute little dance to the for

1735
01:28:16,160 --> 01:28:18,960
Speaker 3: Top song Bernadette, which is a great song, great song,

1736
01:28:19,920 --> 01:28:22,160
Speaker 3: and he inspires Fred so much that Fred runs the

1737
01:28:22,160 --> 01:28:25,759
Speaker 3: fuck away. Fred runs away. He's like, yep, my pregnant,

1738
01:28:25,760 --> 01:28:26,800
Speaker 3: bedridden wife is here.

1739
01:28:26,920 --> 01:28:28,920
Speaker 2: Goodbye. We don't see him for like half the movie.

1740
01:28:29,520 --> 01:28:30,200
Speaker 2: He's out of there.

1741
01:28:30,479 --> 01:28:34,200
Speaker 1: That's what literally happens anytime people moved to California is

1742
01:28:34,280 --> 01:28:36,880
Speaker 1: that they just radically changed their entire lives. He was like,

1743
01:28:36,960 --> 01:28:39,120
Speaker 1: Yo're from Jersey. Now I'm living my best life in

1744
01:28:39,280 --> 01:28:43,360
Speaker 1: La fuck my pregnant wife. I'm trying to find me now.

1745
01:28:43,400 --> 01:28:47,160
Speaker 3: I've got a hat like the Avett Brothers, and I'm

1746
01:28:47,200 --> 01:28:52,400
Speaker 3: wearing suspenders and I'm out. I can't live unless than

1747
01:28:52,720 --> 01:28:57,519
Speaker 3: like I can't live with gas station coffee anymore and

1748
01:28:57,600 --> 01:29:00,880
Speaker 3: buttered rolls. I need that weird burrito that you love

1749
01:29:00,960 --> 01:29:01,760
Speaker 3: from kofax?

1750
01:29:02,400 --> 01:29:04,240
Speaker 1: Have you heard of Tom Petty song? If you are

1751
01:29:04,400 --> 01:29:08,240
Speaker 1: married and moved to California together and you've never been

1752
01:29:08,280 --> 01:29:12,160
Speaker 1: to California prior, you are gonna be not married in

1753
01:29:12,200 --> 01:29:13,200
Speaker 1: about two weeks.

1754
01:29:13,920 --> 01:29:17,040
Speaker 2: You are free fallen. The kitten is just too good

1755
01:29:17,080 --> 01:29:17,479
Speaker 2: out there.

1756
01:29:18,000 --> 01:29:18,880
Speaker 1: It's just too good.

1757
01:29:19,120 --> 01:29:22,599
Speaker 3: Well, Fred bit the apple and loved the taste and

1758
01:29:22,760 --> 01:29:28,880
Speaker 3: left left, And honestly, Bernice was not a dream come

1759
01:29:28,920 --> 01:29:31,840
Speaker 3: true of a partner, so I don't like it was

1760
01:29:31,880 --> 01:29:34,679
Speaker 3: inevitable he was gonna leave like this is his only shot.

1761
01:29:34,800 --> 01:29:39,120
Speaker 3: It's like escaping a hostage situation. So they're the first

1762
01:29:39,120 --> 01:29:42,479
Speaker 3: house gets to move in. Now, Jesse and Marcus sleeping

1763
01:29:42,520 --> 01:29:46,120
Speaker 3: in the guest room. Then Jesse's sister Claudia shows up,

1764
01:29:47,160 --> 01:29:50,719
Speaker 3: and Claudia is married to Amman Yam Kadeer. He's kicked

1765
01:29:50,760 --> 01:29:54,000
Speaker 3: her out and canceled her credit cards. She is absolutely

1766
01:29:54,040 --> 01:29:58,479
Speaker 3: a spoiled rich shithead. And she takes the guest room.

1767
01:29:59,560 --> 01:30:01,439
Speaker 3: One day, Fred and Bernice come home from like a

1768
01:30:01,520 --> 01:30:05,120
Speaker 3: day out at the water parks and before she falls

1769
01:30:05,479 --> 01:30:07,439
Speaker 3: and she doesn't know that they're there, so she mace

1770
01:30:07,520 --> 01:30:09,960
Speaker 3: his friend in the face. She has all these furs,

1771
01:30:10,040 --> 01:30:13,120
Speaker 3: Her room is just all most of her luggage is shoes.

1772
01:30:13,160 --> 01:30:15,400
Speaker 3: Like it's one of those kinds of situations. And she's like,

1773
01:30:15,520 --> 01:30:17,720
Speaker 3: I am done. I'm getting divorced from Kadir because he

1774
01:30:18,120 --> 01:30:20,240
Speaker 3: dropped my allowance or some shit like that. And Mark

1775
01:30:20,240 --> 01:30:22,439
Speaker 3: and Jesse are like, please don't do this, Please don't

1776
01:30:22,439 --> 01:30:25,360
Speaker 3: do this, but she does. So. Now she moves into

1777
01:30:25,360 --> 01:30:28,000
Speaker 3: the guest room and Mark and Jesse are sleeping on

1778
01:30:28,200 --> 01:30:31,160
Speaker 3: the fold out couch in the living room. Her son,

1779
01:30:31,280 --> 01:30:36,600
Speaker 3: Claudia's son Jonathan, also moves in, and eventually, as the

1780
01:30:36,600 --> 01:30:39,959
Speaker 3: movie progresses, you realize he starts working in the mailroom

1781
01:30:40,040 --> 01:30:42,800
Speaker 3: under the auspices of helping Mark out, because he's like, man,

1782
01:30:42,840 --> 01:30:43,920
Speaker 3: you have a lot of people in your house. I

1783
01:30:43,960 --> 01:30:46,280
Speaker 3: just want to help out. He's just running an entire

1784
01:30:46,360 --> 01:30:50,160
Speaker 3: drug empire from the mailroom. So that's two more people

1785
01:30:50,160 --> 01:30:53,240
Speaker 3: that have moved in. Four people have moved into this house.

1786
01:30:53,640 --> 01:30:57,320
Speaker 3: Then man the effort to get at least Claudia and

1787
01:30:57,400 --> 01:31:02,760
Speaker 3: Jonathan out, and Jesse try to set Claudia up with

1788
01:31:02,800 --> 01:31:08,240
Speaker 3: their neighbor, who's this car dealer dad who's very construction handy.

1789
01:31:08,720 --> 01:31:13,080
Speaker 3: He has a gymnast daughter and a fireworks obsessed sociopath's son,

1790
01:31:14,439 --> 01:31:17,400
Speaker 3: k And at one point Mark's like what a c

1791
01:31:17,600 --> 01:31:20,360
Speaker 3: K stand for? And he says confirmed kills and this

1792
01:31:20,479 --> 01:31:24,920
Speaker 3: kid is like seven, He's a burgeoning, fucking psychopath.

1793
01:31:25,479 --> 01:31:27,160
Speaker 2: So it works. They set her up.

1794
01:31:27,200 --> 01:31:30,160
Speaker 3: She and Jonathan move in, and then in their horniness

1795
01:31:31,560 --> 01:31:35,400
Speaker 3: after Claudia actually moves out, Mark and Jesse accidentally set

1796
01:31:35,400 --> 01:31:36,400
Speaker 3: the house on fire.

1797
01:31:37,240 --> 01:31:39,000
Speaker 2: So now Claudia and Jonathan.

1798
01:31:38,680 --> 01:31:42,080
Speaker 3: Have to move back in, as well as the neighbor,

1799
01:31:42,560 --> 01:31:48,640
Speaker 3: his daughter and his son. So now this house is

1800
01:31:48,680 --> 01:31:52,640
Speaker 3: filled there have been there were four people, and there

1801
01:31:52,640 --> 01:31:56,800
Speaker 3: are now seven people living in this house. And Mark

1802
01:31:56,840 --> 01:32:00,000
Speaker 3: and Jesse first are banished to their kitchen. They're slippy

1803
01:32:00,040 --> 01:32:01,800
Speaker 3: on the floor of their kitchen, and then they move

1804
01:32:01,840 --> 01:32:03,519
Speaker 3: out to the backyard and they're just like, we give

1805
01:32:03,600 --> 01:32:05,360
Speaker 3: up on this house. We're camping, like we're just this

1806
01:32:05,400 --> 01:32:07,760
Speaker 3: is what we're doing now.

1807
01:32:08,800 --> 01:32:13,200
Speaker 1: The way that they like like over some time. The

1808
01:32:13,360 --> 01:32:17,200
Speaker 1: setup that they give themselves in the backyard is so funny,

1809
01:32:17,600 --> 01:32:21,600
Speaker 1: like it's just like a hose made into a shower somehow.

1810
01:32:21,640 --> 01:32:22,200
Speaker 1: And it's like.

1811
01:32:24,080 --> 01:32:25,600
Speaker 2: She's he asks.

1812
01:32:25,240 --> 01:32:27,479
Speaker 3: Her what's for dinner, and she's holding a pigeon and

1813
01:32:27,520 --> 01:32:31,280
Speaker 3: she goes squab again, like it's just so desperate and sad.

1814
01:32:32,439 --> 01:32:34,640
Speaker 3: There's a point where and she she is like you

1815
01:32:34,640 --> 01:32:38,040
Speaker 3: can see her mental deterioration happening on air because the

1816
01:32:38,120 --> 01:32:40,759
Speaker 3: questions she's asking people on the street are all geared

1817
01:32:40,800 --> 01:32:42,639
Speaker 3: around like what stresses you out?

1818
01:32:43,000 --> 01:32:44,280
Speaker 2: How would you kill someone?

1819
01:32:44,720 --> 01:32:48,240
Speaker 3: Like she is just just spiraling. And at one point

1820
01:32:48,280 --> 01:32:51,759
Speaker 3: she has this absolute breakdown on air and just wanders

1821
01:32:51,800 --> 01:32:55,440
Speaker 3: across the studio to this cooking show the harried homemaker

1822
01:32:56,840 --> 01:32:58,880
Speaker 3: and looks at the kitchen and she's like, Mark, we

1823
01:32:58,920 --> 01:33:00,679
Speaker 3: could just live here, Like we'll just like the ghosts

1824
01:33:00,720 --> 01:33:04,000
Speaker 3: that haunt this place, because live here. Give up the house.

1825
01:33:04,479 --> 01:33:08,439
Speaker 3: But is fucking hilarious. I think that again beats per minute.

1826
01:33:08,439 --> 01:33:10,639
Speaker 3: There are so many jokes in this movie that are great.

1827
01:33:10,680 --> 01:33:13,479
Speaker 3: There are a couple of really eighties jokes that are awful.

1828
01:33:13,560 --> 01:33:17,559
Speaker 2: Racists do not hit thankfully, they're not a ton of them,

1829
01:33:17,600 --> 01:33:19,439
Speaker 2: but you will hear them and be like, ooh.

1830
01:33:20,000 --> 01:33:23,479
Speaker 3: But it is the funniest fucking movie for the premise

1831
01:33:23,640 --> 01:33:26,880
Speaker 3: that could ever possibly exist, if you ask me, Yeah

1832
01:33:27,000 --> 01:33:29,640
Speaker 3: it is. It feels like almost like a like a

1833
01:33:29,720 --> 01:33:34,280
Speaker 3: forties fifties mad cap kind of theme for the movie,

1834
01:33:34,280 --> 01:33:35,679
Speaker 3: but it's in that eighties way.

1835
01:33:36,080 --> 01:33:37,360
Speaker 2: Totally loved it.

1836
01:33:37,960 --> 01:33:43,000
Speaker 3: John Larrickett is amazing in this movie. He is so

1837
01:33:43,640 --> 01:33:48,880
Speaker 3: fucking funny his facial expressions. And I won't ruin the ending,

1838
01:33:49,760 --> 01:33:54,640
Speaker 3: but they do turn a corner and there's possibly a

1839
01:33:54,640 --> 01:33:56,479
Speaker 3: decision they make about whether they're going to get their

1840
01:33:56,479 --> 01:33:59,200
Speaker 3: house back or not, and it is ball to the

1841
01:33:59,200 --> 01:33:59,840
Speaker 3: wall from there.

1842
01:34:00,200 --> 01:34:06,400
Speaker 1: Yeah, dude, such an enjoyable movie. Reminded me of being

1843
01:34:06,439 --> 01:34:10,920
Speaker 1: a kid so much. I honestly think that Kircy Alli

1844
01:34:11,080 --> 01:34:14,880
Speaker 1: and John Lriquette are so charming in this movie. And

1845
01:34:15,680 --> 01:34:20,479
Speaker 1: you know, like we said whomever people are now, when

1846
01:34:20,520 --> 01:34:21,120
Speaker 1: it was it.

1847
01:34:21,040 --> 01:34:24,840
Speaker 3: Was she's dead, she's dead now, So yeah, well but.

1848
01:34:26,479 --> 01:34:28,000
Speaker 1: You know what I mean, it's like that thing where

1849
01:34:28,000 --> 01:34:31,120
Speaker 1: it's like at the time she was in her like

1850
01:34:31,400 --> 01:34:36,920
Speaker 1: full comedy scope, like you know, sheers, cheers, Look who's talking,

1851
01:34:37,240 --> 01:34:42,960
Speaker 1: Like she was such a funny, comedic actress and like beautiful,

1852
01:34:43,000 --> 01:34:46,000
Speaker 1: but like also like like went for it, like she

1853
01:34:46,080 --> 01:34:50,360
Speaker 1: went for it physically, physical comedy, was funny and I

1854
01:34:50,439 --> 01:34:53,080
Speaker 1: just together, they just were so good. I was like,

1855
01:34:53,120 --> 01:34:56,120
Speaker 1: am I like they should have made like ten movies together.

1856
01:34:56,200 --> 01:34:56,800
Speaker 1: What the fuck?

1857
01:34:59,640 --> 01:35:02,640
Speaker 3: It was inspired casting and again takes me back to

1858
01:35:02,720 --> 01:35:04,840
Speaker 3: my childhood in a funny way, in a good way.

1859
01:35:05,360 --> 01:35:09,080
Speaker 3: And this movie just sticks with me. It just stuck

1860
01:35:09,120 --> 01:35:10,599
Speaker 3: with me since I was a kid that I saw

1861
01:35:10,640 --> 01:35:13,960
Speaker 3: the darkness of the humor and loved it.

1862
01:35:14,280 --> 01:35:21,640
Speaker 1: Yeah, tons of jokes, animated opening, like weird characters, weird outfits,

1863
01:35:21,960 --> 01:35:24,960
Speaker 1: like a lot of zany you know, physical comedy. So yeah,

1864
01:35:25,000 --> 01:35:27,479
Speaker 1: perfect movie for me as a child. And I just

1865
01:35:27,600 --> 01:35:29,120
Speaker 1: I can't believe I've never seen it before. I was like,

1866
01:35:29,160 --> 01:35:31,880
Speaker 1: this is so fun And in terms of the theme,

1867
01:35:31,960 --> 01:35:36,920
Speaker 1: it is maybe the most perfect. Like why there's no

1868
01:35:37,040 --> 01:35:41,680
Speaker 1: other movie that is a better example of the horrors

1869
01:35:41,760 --> 01:35:44,400
Speaker 1: of letting people into her home for multiple days, Like

1870
01:35:44,800 --> 01:35:47,920
Speaker 1: there's like this running like time clock and the movie,

1871
01:35:47,960 --> 01:35:50,439
Speaker 1: and so it's like it'll be like day, day five,

1872
01:35:50,720 --> 01:35:53,320
Speaker 1: day thirteen. When it gets to like day forty nine,

1873
01:35:53,439 --> 01:36:03,120
Speaker 1: I'm like, yo, day forty nine. I know, can you imagine, truly?

1874
01:36:03,439 --> 01:36:07,160
Speaker 3: Truly in this movie informed so much of my personality

1875
01:36:07,200 --> 01:36:09,519
Speaker 3: before I even owned a house. Oh yeah, I'm sure

1876
01:36:10,080 --> 01:36:14,880
Speaker 3: so much. But then to the point where this actually happened.

1877
01:36:14,880 --> 01:36:18,640
Speaker 3: I had a friend staying for two days and she

1878
01:36:18,800 --> 01:36:22,120
Speaker 3: decided to stay for an extra day. And this was

1879
01:36:22,120 --> 01:36:23,920
Speaker 3: the first fucking movie. This first thing I thought of

1880
01:36:24,000 --> 01:36:26,320
Speaker 3: was this movie. Yeah, I said, yes, of course, I'm like, yeah,

1881
01:36:26,320 --> 01:36:28,680
Speaker 3: of course. But the first thing I thought of was

1882
01:36:28,800 --> 01:36:30,599
Speaker 3: is this going to turn into a day fifty situation?

1883
01:36:32,200 --> 01:36:32,599
Speaker 1: Sure?

1884
01:36:34,439 --> 01:36:36,000
Speaker 2: But I love it. I'm so glad we got to

1885
01:36:36,000 --> 01:36:37,160
Speaker 2: watch both of these movies.

1886
01:36:37,479 --> 01:36:41,040
Speaker 1: Yeah, this is a fun theme and great for summer

1887
01:36:41,040 --> 01:36:43,000
Speaker 1: because again we like to do like fun movies in

1888
01:36:43,040 --> 01:36:47,160
Speaker 1: the summer, and it was perfect okay, before we announced

1889
01:36:47,160 --> 01:36:50,400
Speaker 1: the movies for next ep If you want to email

1890
01:36:50,520 --> 01:36:52,400
Speaker 1: us I Saw what you did pot at gmail dot

1891
01:36:52,439 --> 01:36:56,560
Speaker 1: com of course, and please send us letters for bonus episodes,

1892
01:36:56,720 --> 01:36:58,880
Speaker 1: and we also have that po box if you want

1893
01:36:58,920 --> 01:37:01,320
Speaker 1: to write us letters.

1894
01:37:01,320 --> 01:37:05,280
Speaker 3: Or send us renaissance paintings of pop cultural moments. You

1895
01:37:05,320 --> 01:37:08,240
Speaker 3: can also find us on our social media accounts. We

1896
01:37:08,280 --> 01:37:11,080
Speaker 3: are at I Saw pod on Instagram, Blue Sky, and Twitter.

1897
01:37:11,360 --> 01:37:13,519
Speaker 3: And you can also send us voicemails to play on

1898
01:37:13,600 --> 01:37:16,320
Speaker 3: the show. I just have to record a voice memo

1899
01:37:16,400 --> 01:37:18,880
Speaker 3: on your phone. Please make it sixty seconds or less

1900
01:37:18,880 --> 01:37:20,120
Speaker 3: and record it in a quiet space.

1901
01:37:21,360 --> 01:37:23,839
Speaker 1: That's right. Also, we have merch go to exactly rightstore

1902
01:37:23,880 --> 01:37:25,120
Speaker 1: dot com to find.

1903
01:37:24,920 --> 01:37:27,480
Speaker 2: It, and we have bonus episodes.

1904
01:37:27,600 --> 01:37:30,960
Speaker 3: They drop on the main feed on the third Thursday

1905
01:37:30,960 --> 01:37:32,080
Speaker 3: of every month.

1906
01:37:33,400 --> 01:37:36,519
Speaker 2: Danielle, next week, Holy shit, next week. I just saw.

1907
01:37:37,000 --> 01:37:39,720
Speaker 1: I know, my heart just fluttered. Do you want to

1908
01:37:39,760 --> 01:37:40,960
Speaker 1: tell them what the movies are?

1909
01:37:41,720 --> 01:37:41,960
Speaker 3: You know?

1910
01:37:42,080 --> 01:37:42,320
Speaker 1: I do.

1911
01:37:43,120 --> 01:37:46,639
Speaker 3: Our movies for next week are Permanent Record from nineteen

1912
01:37:46,680 --> 01:37:49,720
Speaker 3: eighty eight, and so I married an AX murderer from

1913
01:37:49,800 --> 01:37:51,360
Speaker 3: nineteen ninety three.

1914
01:37:51,520 --> 01:37:56,880
Speaker 1: Yo, yo, so excited. I am so excited.

1915
01:37:57,600 --> 01:38:02,080
Speaker 2: Ready, I'm ready, so ready. But listen. Danielle as always

1916
01:38:02,160 --> 01:38:04,200
Speaker 2: a fucking pleasure. Join his podcast with you.

1917
01:38:04,560 --> 01:38:07,519
Speaker 3: An absolute pleasure, and you are always invited to my house.

1918
01:38:07,840 --> 01:38:12,280
Speaker 1: Thank you so much. I'm so honored. Bye everybody.

1919
01:38:12,520 --> 01:38:21,479
Speaker 3: Byye, this has been an exactly right production.

1920
01:38:21,800 --> 01:38:23,559
Speaker 2: Our senior producer is Casey O'Brien.

1921
01:38:23,800 --> 01:38:27,360
Speaker 3: Episode mixing and theme music by Tom Bryfogel, artwork by

1922
01:38:27,360 --> 01:38:31,360
Speaker 3: Garrett Ross. Our executive producers are Georgia Hartstart, Karen Kilgarriff,

1923
01:38:31,400 --> 01:38:34,120
Speaker 3: and Daniel Kramer. You can follow us on Instagram and

1924
01:38:34,200 --> 01:38:37,040
Speaker 3: Twitter at I Saw pod, and you can email us

1925
01:38:37,080 --> 01:38:39,160
Speaker 3: at I Saw What You Did Pod at gmail