WEBVTT - Episode 88 w/ Gil Green and Spiff TV (Part 1) 0:00:11.800 --> 0:00:16.120 And it's Drink Chess, motherfucking podcast. Make He's a legendary 0:00:16.200 --> 0:00:19.200 queen's wrapper. He's like Green's your boy in or he's 0:00:19.239 --> 0:00:23.240 a Miami hippop pioneer up his DJ e FN. Together 0:00:23.400 --> 0:00:26.120 they drinking up with some of the biggest players, you mean, 0:00:26.280 --> 0:00:30.560 in the most professional unprofessional podcast and your number one 0:00:30.640 --> 0:00:34.159 source for drunk drinks. Motherfucking every day is New year 0:00:34.240 --> 0:00:43.400 Ze time for drink chimps. Drink up, motherfuck motherfuck would 0:00:43.400 --> 0:00:44.879 it could be hoping in with it should be it's 0:00:44.920 --> 0:00:46.720 your boy and or eat what up? Is d j 0:00:46.920 --> 0:00:49.480 e F And this is drink Chas motherfucking podcast Make 0:00:49.600 --> 0:00:55.880 Some And today is a very special episode to me 0:00:56.280 --> 0:00:58.720 because this is something that I've been preaching for a 0:00:58.760 --> 0:01:01.440 long time. A lot of our youth and a people 0:01:01.440 --> 0:01:04.080 who follow in hip hop, they think that they always 0:01:04.160 --> 0:01:06.400 have to be in front the camera to make money 0:01:06.400 --> 0:01:08.760 and to feed their family and to live good and 0:01:08.800 --> 0:01:11.720 live a great life. They feel like it's either there's 0:01:11.760 --> 0:01:15.839 always either the DJ they pick, the artist or the producer. 0:01:16.280 --> 0:01:18.440 Very seldomly do you have people say that, you know what, 0:01:18.600 --> 0:01:20.880 I want to be behind the cameras, I'm gonna be 0:01:20.880 --> 0:01:23.840 behind the cameras and I'm gonna live my life like that. 0:01:23.880 --> 0:01:25.720 And and this is the reason why we want to 0:01:25.720 --> 0:01:28.280 do you too together is because it's like it's like 0:01:28.680 --> 0:01:30.320 I don't want to call you old like the old 0:01:30.800 --> 0:01:32.759 like the older not you know what, I don't want 0:01:32.840 --> 0:01:36.640 me old more. The more season that's the better word, 0:01:36.640 --> 0:01:41.360 The more season as an old like the young hot guy. 0:01:41.440 --> 0:01:43.760 You know what I'm saying. And um, I've seen both 0:01:43.800 --> 0:01:45.800 of you guys struggle. But the thing about it is 0:01:46.160 --> 0:01:49.120 I want to really tell you guys story because I 0:01:49.160 --> 0:01:51.360 want to push you guys lifestyle more than I want 0:01:51.360 --> 0:01:55.720 to push my lifestyle, meaning meaning I know that a 0:01:55.760 --> 0:01:58.360 lot of people can't live how I live. Like like 0:01:58.360 --> 0:02:00.040 like you know, you work at McDonald's, and when you 0:02:00.120 --> 0:02:02.280 get off of McDonald's, nobody doesn't walk up to you 0:02:02.320 --> 0:02:04.280 and ask you for a cheeseburger. You know what I'm saying, 0:02:04.320 --> 0:02:06.160 like once you take off the thing. But when you're 0:02:06.160 --> 0:02:10.600 an artists, you know what I'm saying. Seven I can remember, 0:02:10.600 --> 0:02:12.239 you know, going to path Mark at four o'clock in 0:02:12.240 --> 0:02:14.480 the morning and me seeing an artist you know going 0:02:14.520 --> 0:02:16.200 in there. I don't say the artists name going in 0:02:16.240 --> 0:02:18.320 there to get you know, some some stuff or they 0:02:18.360 --> 0:02:20.639 face and somebody saying can I take a picture with them? 0:02:20.760 --> 0:02:23.680 And they're like no, And then you know that person 0:02:23.760 --> 0:02:25.519 is like, oh this this this person is a dick, 0:02:25.880 --> 0:02:28.720 but you don't understand that they live in a normal life. 0:02:29.040 --> 0:02:31.560 So me, I want to push this lifestyle even more 0:02:31.560 --> 0:02:34.400 than my lifestyle, even more than you'll like our life 0:02:34.400 --> 0:02:37.000 style together that we're living now. I would like to 0:02:37.160 --> 0:02:39.440 push more of this because we need more directors, We 0:02:39.600 --> 0:02:42.200 need more in the vision. It's so crucial to the 0:02:44.240 --> 0:02:47.320 just And Farrell told me that Happy was out eight 0:02:47.360 --> 0:02:49.959 months and it didn't work till he actually made a 0:02:50.080 --> 0:02:52.360 video for happening. You know what I'm saying, So right 0:02:52.400 --> 0:02:55.760 now introduce it. We got the prolific, one of the 0:02:55.840 --> 0:02:59.600 craziest two directors in our time. They should be saluted, 0:02:59.600 --> 0:03:02.600 they should be respected, They should be they shoes should 0:03:02.639 --> 0:03:04.240 be tired. If you ever see the walking down the 0:03:04.280 --> 0:03:09.040 street and the shoes this untied the motherfucker's shoe blace. 0:03:09.400 --> 0:03:12.480 My good friends Gil Green and Sprift TV is in 0:03:12.520 --> 0:03:19.000 the house and serious about that because you know, I 0:03:19.400 --> 0:03:21.720 speak to kids so so much like you know, and 0:03:21.760 --> 0:03:22.920 I asked me, you know what you want to be 0:03:22.960 --> 0:03:25.480 and they say, you know the rapper and it's like, 0:03:25.600 --> 0:03:28.280 all right. I remember one time one of my friends 0:03:28.280 --> 0:03:31.760 said I'm gonna be a rapper, right, I said, yeah, 0:03:31.919 --> 0:03:33.320 let me hear your rap. He said, oh, I didn't 0:03:33.320 --> 0:03:37.640 write a robe. I was so offended. And this is 0:03:37.680 --> 0:03:40.080 the expression, it's crazy that you're here. This is the 0:03:40.160 --> 0:03:42.880 expression that he used. He said it would be like 0:03:42.880 --> 0:03:45.760 a French Bontanno type of rapper. Like and when they 0:03:45.760 --> 0:03:50.440 don't really realize it's how much French has struggled. And 0:03:50.880 --> 0:03:53.560 you know, they just see that that he's luxury and 0:03:53.560 --> 0:03:56.600 they see that his lyrics is kind of simple. He 0:03:56.720 --> 0:03:59.800 comes from the visuals to when they see that the 0:04:00.160 --> 0:04:02.120 lyrics is kind of simple and they think that this 0:04:02.200 --> 0:04:05.280 is just easy, Like it's hard to live this lifestyle, 0:04:05.320 --> 0:04:08.240 but let's just let's just take it from there. Like 0:04:08.640 --> 0:04:12.120 when you guys get a video, right, you get a 0:04:12.160 --> 0:04:15.600 record from an artist or a label, rather label send 0:04:15.600 --> 0:04:18.200 you a record, Gil and you know you never met 0:04:18.240 --> 0:04:20.760 this artist before. How do you even come up with 0:04:20.760 --> 0:04:23.320 a treatment for that, Like for like just to say 0:04:23.360 --> 0:04:25.839 a new arts, I mean, for me, it's the vibe. 0:04:26.000 --> 0:04:28.560 I mean, I'm I'm I'm a hip hop head. I'm like, 0:04:28.680 --> 0:04:33.200 I'm old school all the way. I'm liking that. I 0:04:33.279 --> 0:04:35.080 was gonna get that. I was waiting bad long ago 0:04:39.400 --> 0:04:49.880 before heard this. Um yeah, we're going with that all 0:04:49.960 --> 0:04:52.520 right now. I'm definitely like I fell in love with 0:04:52.520 --> 0:04:54.960 the culture of hip hop growing up in Miami. So 0:04:55.160 --> 0:04:58.400 this is eighties and this is this is like we 0:04:58.440 --> 0:05:01.280 had we had our own thing here with Luke and 0:05:01.400 --> 0:05:05.320 you know, Luca Luther camp bass music, but we also 0:05:05.320 --> 0:05:07.840 appreciated what we was hearing up from New York as well, 0:05:08.360 --> 0:05:11.480 and it was a very very different time of like 0:05:11.720 --> 0:05:14.400 it ain't mainstream and at internet it's like to hear 0:05:14.400 --> 0:05:17.520 a hip hop either you're listening to Uncle Al, you know, 0:05:17.720 --> 0:05:19.920 going to Flea Market USA to get some bass tapes 0:05:20.279 --> 0:05:29.640 actually going on. We talked about that straight up, like 0:05:29.880 --> 0:05:31.920 and that's how it is. And it wasn't like this 0:05:32.440 --> 0:05:43.680 Kumbaya MTV mainstream this before because I'm sorry, keeps going 0:05:44.560 --> 0:05:48.040 not Mimi. Miami was really real and I was fortunate 0:05:48.160 --> 0:05:51.040 enough to be exposed to a lot of that stuff 0:05:51.080 --> 0:05:53.520 at an early age and fell in love with it 0:05:53.640 --> 0:05:55.960 and fell in love with it within the essence of it. 0:05:55.960 --> 0:05:58.320 And I'm talking about like legendary places like pack Jam 0:05:58.360 --> 0:06:03.359 and Stuff and Seah, the Pat James stories don't call 0:06:03.360 --> 0:06:05.119 all the way they DJ here, And it is before 0:06:05.120 --> 0:06:09.640 Miami's cool quote unquote. It was a rugged era in Miami. Yeah, yeah, yeah, 0:06:09.880 --> 0:06:12.560 other than other than Luke and them, I'm saying, you know, 0:06:12.960 --> 0:06:15.000 I mean, like, yeah, there was always like the Sixth 0:06:15.000 --> 0:06:17.680 Borough they called Miami Beach with all the New York 0:06:17.720 --> 0:06:20.160 campbell Miami being uncool like me personally, I don't know. 0:06:20.279 --> 0:06:22.120 I mean, people wasn't repping Miami at least in the 0:06:22.200 --> 0:06:24.400 hip hop cu you remember, everybody was repping New York 0:06:24.440 --> 0:06:26.600 like people were faking New York. Okay, I remember if 0:06:26.640 --> 0:06:29.760 they were like necessarily inter city based era, they were 0:06:29.760 --> 0:06:32.080 repping New York, which I hated. That was the that's 0:06:32.160 --> 0:06:33.840 things that I was fighting, and I'm sure you were 0:06:33.839 --> 0:06:36.440 fighting that stereotype as well. Yeah, yeah, you saw. You 0:06:36.480 --> 0:06:39.160 saw the divide because because Miami wasn't necessarily known for 0:06:39.160 --> 0:06:41.920 as lyricists, and then a lot of serious hip hop 0:06:41.960 --> 0:06:45.600 heads were like always like fond of the lyricists, so like, 0:06:45.680 --> 0:06:48.320 of course New York had like that lyrically driven, so 0:06:48.360 --> 0:06:50.240 a lot of the best lyricists were coming out of there. 0:06:50.400 --> 0:06:52.840 Not to knock the Miami rappers, but but you know, 0:06:53.080 --> 0:06:55.719 we was about more rhythm and bass and moving and 0:06:55.720 --> 0:06:59.120 and you know than than necessarily like like I loved 0:06:59.120 --> 0:07:02.200 casts like Kane and Kars Camera. But but if you 0:07:02.200 --> 0:07:04.080 go to some of those two Life Crew records right now, 0:07:04.080 --> 0:07:08.200 they sound prettydamn lyrical compared to some people now yeah yeah, yeah, yeah, yeah, 0:07:08.200 --> 0:07:11.280 well yeah they sound pretty delous. Yeah, I mean, I mean, 0:07:11.640 --> 0:07:13.280 how did you how did you? What made you pick 0:07:13.360 --> 0:07:15.440 the camera? Because we're gonna get into like, you know, 0:07:16.040 --> 0:07:19.320 your MC career at one point, but um, what made 0:07:19.360 --> 0:07:22.360 you actually say I'm gonna get behind the camera, because 0:07:22.360 --> 0:07:25.280 that's like it might have been your It was my 0:07:25.320 --> 0:07:27.360 love for hip hop because before even I'm Seeing, I 0:07:27.400 --> 0:07:29.480 was d jan and I was the one selling you 0:07:29.520 --> 0:07:33.080 the mixtapes in the hallway. And then, um, I was 0:07:33.120 --> 0:07:34.960 fortunate enough to be able to go to school and 0:07:35.040 --> 0:07:37.960 I always I was in South Miami. I got into 0:07:38.000 --> 0:07:40.440 this broadcasting program. It was a magnet school because they 0:07:40.520 --> 0:07:43.280 used to bust man and they gave us a camera. 0:07:43.560 --> 0:07:46.239 And then I fell in love with visuals and music. 0:07:46.240 --> 0:07:47.960 Those are the two things. And we had a channel 0:07:48.000 --> 0:07:52.360 down here called the music Video Box and like video 0:07:54.880 --> 0:08:05.000 but yeah, Cowboy Daniel for all the box, Yeah just 0:08:06.200 --> 0:08:11.680 started dressing. Time was the time and that one you 0:08:11.800 --> 0:08:16.600 got that we got a lot. Okay, but let me 0:08:16.640 --> 0:08:19.239 tell you because before the box became national, started in Miami, 0:08:19.440 --> 0:08:21.920 and so we would get these videos that you know, 0:08:22.040 --> 0:08:24.960 MTV wouldn't get masters a ceremony, you know, all all 0:08:25.000 --> 0:08:29.200 these guys in through your guns, so they wouldn't let 0:08:29.240 --> 0:08:33.000 them have over there just play if it wasn't BT, 0:08:33.200 --> 0:08:35.839 and BT was playing maybe Hudini, you know. But like 0:08:35.960 --> 0:08:38.240 these these cats were coming down to Miami and Luke 0:08:38.360 --> 0:08:40.360 was and they were paining the box and they would 0:08:40.360 --> 0:08:42.120 just run those videos and you had to pay for 0:08:42.240 --> 0:08:44.040 the order of video on the box. You had to pay. 0:08:44.080 --> 0:08:45.800 But then the labels that the cheek code was the 0:08:45.880 --> 0:08:48.640 labels with pay in advance, and then you'd be watching. 0:08:48.760 --> 0:08:56.199 You know, I wasn't on the box when the labels back, 0:08:56.720 --> 0:09:00.559 come on, then don't go on. You only two or 0:09:00.600 --> 0:09:09.000 three years enemy, but I was. I was you guys. 0:09:09.000 --> 0:09:16.280 We're talking about you guys. Maybe that's when you ordered 0:09:16.679 --> 0:09:22.160 three year seven It brought it to TV. How did 0:09:22.160 --> 0:09:24.240 you decide that? You know what I'm saying, because you 0:09:24.240 --> 0:09:26.280 you've been around rappers, how did you decide that the 0:09:26.320 --> 0:09:28.840 camera was the place that you want to be When 0:09:28.880 --> 0:09:33.640 I started taking pictures first for Ozone magazine. So Julia, baby, 0:09:33.679 --> 0:09:37.679 I've just seen her on the cruise too. Yeah they cruise. Okay, 0:09:37.760 --> 0:09:41.880 let's not I know that you stip told me to cruise. 0:09:41.880 --> 0:09:46.760 I'm saying, I love saying Julia badly. We need you now. 0:09:46.800 --> 0:09:49.080 I've been talking to her about it. We started taking pictures. 0:09:49.840 --> 0:09:51.920 Wasn't the mix tape? He was doing the mix tape? Yeah, 0:09:51.920 --> 0:09:56.120 I started. You know what I'm saying, they did for 0:09:56.800 --> 0:09:59.199 killing the way, By the way, it's the best to 0:09:59.280 --> 0:10:05.320 kill in the world. Off Dad east um up today, 0:10:05.320 --> 0:10:07.439 I said, Man, you had j album. I said, we 0:10:07.480 --> 0:10:09.600 gotta st I support each other more, he said, whirred up. 0:10:09.640 --> 0:10:17.400 I said, need to do my food show. I started 0:10:17.400 --> 0:10:20.040 taking picture Julia. I went around taking pictures. You know 0:10:20.160 --> 0:10:22.840 something I started, you know, getting access all this backstage stuff. 0:10:23.000 --> 0:10:25.120 So I'm like, man, I want to pick up but 0:10:25.240 --> 0:10:27.160 you know, I picked up a little HD camera. I'm 0:10:27.200 --> 0:10:29.280 getting access hanging out with all these artists. So I 0:10:29.320 --> 0:10:31.679 wanted to do you know, like a smack DVD, like 0:10:31.960 --> 0:10:34.280 all access, like you know, like about French did you 0:10:34.280 --> 0:10:36.400 know the Cope Waves DVD? So I was like, I'm 0:10:36.440 --> 0:10:38.800 gonna do my own. I remember you following anybody that 0:10:38.840 --> 0:10:40.599 came to Orlando around one time he fought me and 0:10:40.640 --> 0:10:46.400 Charlie around and we had like got that. You want 0:10:46.440 --> 0:10:49.960 to let me ask both of you guys a question 0:10:50.000 --> 0:10:52.480 real quick? Right? Is it a cheat cold when the 0:10:52.520 --> 0:10:55.720 guys like your own fire? Like right now Drake? Right, 0:10:56.360 --> 0:10:59.120 Drake could be on fire? Like is that a cheat cold? 0:10:59.360 --> 0:11:01.480 Like if he if he sends you a trash record? 0:11:01.840 --> 0:11:03.480 Like you know what I'm saying, do you just jump 0:11:03.559 --> 0:11:05.520 on it immediately? Or what do you do? Like like 0:11:06.800 --> 0:11:09.760 like me, it's whatever, I with everything. You know what 0:11:09.760 --> 0:11:14.080 I'm saying. We go after the bag with BA saying 0:11:14.080 --> 0:11:16.240 I'm gonna tell you what Nick quested? Who actually put 0:11:16.240 --> 0:11:21.679 me on question set moment? Yeah, yeah, I got the 0:11:23.559 --> 0:11:26.040 Nick told me before I even started, said never let 0:11:26.040 --> 0:11:28.400 a bad song prevent you from making a good video. 0:11:28.760 --> 0:11:33.280 And I always follow that. I always follow knowledge. Yeah, 0:11:33.880 --> 0:11:40.280 you can take like when you it was a cost, 0:11:40.600 --> 0:11:43.000 like there was a counter around the door. Right, So 0:11:43.400 --> 0:11:45.920 somebody's talking about giving you an opportunity to film to 0:11:46.040 --> 0:11:48.880 film with film. This is before digital and all that. 0:11:49.320 --> 0:11:54.360 The budgets work. Yeah, so you're like everything, you wanna 0:11:54.360 --> 0:11:56.920 take the opportunity. That's because if the song is is whack, 0:11:57.120 --> 0:11:59.840 you make a legendary visual and bust it up, bost 0:11:59.880 --> 0:12:08.040 it up. So that artist comes, he liked the record, 0:12:08.400 --> 0:12:12.400 he gets on set immediately, he's on something. I'm the 0:12:12.480 --> 0:12:15.640 big man and you work for him. He doesn't know 0:12:15.760 --> 0:12:20.920 your history, he doesn't know how you never experienced that. 0:12:21.040 --> 0:12:23.400 You never experienced that. I've experienced that with just new 0:12:23.480 --> 0:12:25.080 artists just saying hi to me. They'd be like, yeah, 0:12:25.200 --> 0:12:30.360 I'm the ship. I'm like, well hold on. It's like, kid, 0:12:30.360 --> 0:12:38.120 you not like one. Because the thing about it is 0:12:40.200 --> 0:12:44.840 when you get into like the twelve, thirteen, fourteen, fifteen 0:12:44.920 --> 0:12:47.200 years in your in your life and you're doing the 0:12:47.240 --> 0:12:50.079 same thing. You have a career, and when there's certain 0:12:50.080 --> 0:12:52.800 people they got six months here and they just think 0:12:52.880 --> 0:12:55.120 like the world is the kiss. They asked like, I 0:12:55.160 --> 0:12:57.320 can't say that's what happened with me Goals and Joe Button's, 0:12:57.360 --> 0:13:00.000 but it pretty much looked like that if pretty want 0:13:00.120 --> 0:13:02.280 looked like Joe Buttons was asking questions and they were 0:13:02.320 --> 0:13:06.120 just like yeah, whatever, and it's just like nah, dude, 0:13:06.200 --> 0:13:08.439 like you know, Joe putting his time, Like he might 0:13:08.440 --> 0:13:10.760 not be a legend to everybody, but he's a lyricist 0:13:10.760 --> 0:13:13.520 and he held it so that walk away was disrespectful. 0:13:13.559 --> 0:13:16.120 The walking away was one but at the end of 0:13:16.120 --> 0:13:17.760 the day, like at the end of the day, and 0:13:17.760 --> 0:13:19.800 I'm not trying to get into some crazy ship, but 0:13:19.840 --> 0:13:22.440 we had artists development. Remember before, like people used to 0:13:22.520 --> 0:13:24.400 know how to do an interview to say your boom 0:13:24.640 --> 0:13:27.080 you answer it like right now, the ladis just taking 0:13:27.160 --> 0:13:29.320 money and so so I'm saying, have you ever had 0:13:29.360 --> 0:13:32.559 experience where like the artists came off as a dickhead, 0:13:32.600 --> 0:13:37.360 but you still have to remain professional? Yeah? Absolutely, okay, absolutely. 0:13:38.280 --> 0:13:45.880 But the thing is, it's like, man, come on, we 0:13:46.040 --> 0:13:48.640 want to talk about this bookie. No, no, no no, there 0:13:48.640 --> 0:13:50.640 can tell because because there's no it was just one 0:13:50.720 --> 0:13:53.120 video and it wasn't the artist was disrespectful. He was 0:13:53.160 --> 0:13:55.480 just in the zone in a whole different world and 0:13:57.840 --> 0:13:59.559 I don't know what he was on. I don't even 0:13:59.559 --> 0:14:01.240 know where he is this days. Because I find out 0:14:01.240 --> 0:14:04.080 the humble ones have the career, the ones they get 0:14:04.080 --> 0:14:05.840 put on quick and they didn't see it coming there 0:14:05.880 --> 0:14:08.040 and put the work ethic and they're like in and out. 0:14:08.840 --> 0:14:11.000 And this was an artist at Swiss beats put on 0:14:12.880 --> 0:14:16.720 and Swiss opened up the likes everything point no, no. 0:14:16.800 --> 0:14:19.720 It was a rapper out of Atlanta and he got 0:14:19.760 --> 0:14:23.600 everyone he got, He got everyone on the track DMX 0:14:23.840 --> 0:14:27.640 remember that was it, David Banner and everything. Anyways, we 0:14:27.960 --> 0:14:30.800 did this. We had this idea to get the dope 0:14:30.800 --> 0:14:33.520 bass video and had the marching band and everything, and 0:14:33.640 --> 0:14:35.280 Oh Boy didn't want to get in his own video. 0:14:35.600 --> 0:14:41.680 That's why he was like bugging and yeah, yeah, I 0:14:41.760 --> 0:14:44.320 remember this ARTISTI but you know, because that's what that's 0:14:44.320 --> 0:14:46.760 what that's what bogged out. But that's what's real about Swiss. 0:14:46.960 --> 0:14:49.640 Swiss Cold clock them right in the face and he 0:14:49.760 --> 0:14:51.200 slid right in front of the camera. I was like, 0:14:51.560 --> 0:14:54.000 act shit, and Oh Boy gave the performance of his 0:14:54.080 --> 0:15:01.120 lifetime because he was so angry when that's a legend. 0:15:01.960 --> 0:15:06.800 That's the thing about being an artist. They don't tell 0:15:06.840 --> 0:15:10.120 you that this is your money, you idiot, you don't want. 0:15:10.120 --> 0:15:11.720 The one thing that I noticed about both of you 0:15:11.920 --> 0:15:13.720 were like, we're actually playing for this at nine and 0:15:13.800 --> 0:15:16.120 you both showed up at eight twenty seven, you showed 0:15:16.200 --> 0:15:18.560 up at five, you showed up at a twenty seven, 0:15:18.560 --> 0:15:20.960 and it's like, this is the exact thing that we 0:15:21.040 --> 0:15:24.120 got to install. Because these people that I know, artists 0:15:25.040 --> 0:15:28.080 that I set them uptown. I'm like, yo, definite GM 0:15:28.200 --> 0:15:30.280 just called me to go to your video these things 0:15:30.320 --> 0:15:35.280 like like no, no, this is your budget. Like I 0:15:35.360 --> 0:15:38.240 don't think these people will understand that, Like I don't 0:15:38.240 --> 0:15:40.000 tell you to the crazy ship. But hype Williams did 0:15:40.000 --> 0:15:44.240 to me. We'll get into that later. That one. That's 0:15:44.280 --> 0:15:46.400 when the budgets was crazy. I never worked with a 0:15:46.480 --> 0:15:51.880 man though. Many videos with a million right now that 0:15:52.600 --> 0:15:57.440 crazy movies right now. But back then the hype was like, 0:15:57.800 --> 0:15:59.840 oh man, you had to spend that budget. What was 0:15:59.880 --> 0:16:04.680 the as much as you worked with a million, this 0:16:04.840 --> 0:16:14.800 was a great video. Stacks Marker from Miami never Yeah, 0:16:15.120 --> 0:16:16.840 I'm gonna tell you, gonna tell you the story about 0:16:16.920 --> 0:16:18.960 back and I like Stacks. He's a nice don't you 0:16:18.960 --> 0:16:21.280 know what? You know what things about Stacks A good kid. 0:16:21.280 --> 0:16:23.760 He's a good kid. He's got good music, but his 0:16:23.880 --> 0:16:27.400 money outshadowed him. So people never can. I've got to 0:16:27.440 --> 0:16:30.640 be about struggle. That's the one you kick. Do we cut. 0:16:30.200 --> 0:16:35.280 We didn't have Roy's convertible. Remember that in the video 0:16:35.480 --> 0:16:37.480 because because he because then he came out in one 0:16:37.480 --> 0:16:39.720 of his lyrics he's saying, I'm driving the drop top 0:16:40.160 --> 0:16:42.400 roles and and he's like, man, you know, if you're 0:16:42.400 --> 0:16:44.480 gonna wrap about that, you gotta have it right. So 0:16:44.520 --> 0:16:53.440 there's no problem for them because so be live. But yeah, 0:16:53.640 --> 0:16:56.080 when it was open, Yeah, they gave us that club. 0:16:56.160 --> 0:16:58.680 Like yeah, but I never tell you I think stats 0:16:58.680 --> 0:17:01.880 was a great I just think that once you get 0:17:01.920 --> 0:17:05.399 hear his story and his father invented numerology, whatever did 0:17:05.400 --> 0:17:11.240 he do? Like you can't can't you know what I'm saying, 0:17:11.280 --> 0:17:13.879 because it's just like we know you're not struggling. It's 0:17:13.920 --> 0:17:17.360 different kind of money. That's super race. So picked them up. 0:17:17.400 --> 0:17:20.120 So his money got out, like sometimes your record will 0:17:20.280 --> 0:17:22.840 sometimes you have a bigger record than you like sometimes 0:17:23.040 --> 0:17:25.560 you can have a record that like I have am Gondo. 0:17:25.640 --> 0:17:28.480 I see people all the time they'd be like and 0:17:28.480 --> 0:17:35.440 maybe Ice grealling me like that, but it's real that record, 0:17:35.440 --> 0:17:38.040 it's bigger than me. But so you had a million 0:17:38.080 --> 0:17:41.720 dollars throw to that fandom. The lights didn't work. Now 0:17:41.760 --> 0:17:44.320 he picked me up everything after they cut it off 0:17:44.400 --> 0:17:48.080 like the know the wiring that she was like a 0:17:50.359 --> 0:17:54.199 but it's just for the video. Oh man, we had choppers, boats, manships, 0:17:54.280 --> 0:18:02.879 two clubs. He his post is bringing in Victoria's secret models. Bad. Yeah, 0:18:03.760 --> 0:18:07.560 like don't let the NASA thing for you cheap ship? 0:18:10.600 --> 0:18:14.360 Do you work with like a quarter quarter? That's two 0:18:14.400 --> 0:18:18.200 fifty right man? But that's like that I'm saying, that's 0:18:18.240 --> 0:18:20.359 like the now it's almost like a million dollars and 0:18:20.400 --> 0:18:23.200 Guils you know, Gils big a million dollars, a million 0:18:23.240 --> 0:18:30.679 dollars back then, Gills hey now now, but the hype 0:18:30.720 --> 0:18:33.960 is fine, Mr Chiles, and you had a couple of 0:18:33.960 --> 0:18:41.560 million college color. That wasn't a million now that was 0:18:41.600 --> 0:18:44.800 like that was like eight semifive, like seven hundred or 0:18:44.800 --> 0:18:48.520 five hundred. That's hype was eight hundred one that went 0:18:48.560 --> 0:18:51.399 to like one point to like easy, like easy, like 0:18:51.440 --> 0:18:54.800 he'd be filmed that oh no, right yeah for one 0:18:54.880 --> 0:18:58.639 scene for three days. It's just like we listen to no, 0:18:58.880 --> 0:19:02.879 this is how it works. I was like, you know 0:19:03.119 --> 0:19:06.720 you was recouping that. Nah. I knew from the Mr. 0:19:06.880 --> 0:19:10.600 Child someone right to tell tell you found it was 0:19:10.640 --> 0:19:15.160 the best I wanted to get this in the middle 0:19:15.160 --> 0:19:17.160 because I wanted to keep go more so we'll get 0:19:17.200 --> 0:19:18.760 into him later, because I want to get more about 0:19:18.800 --> 0:19:21.720 y'all because because this is it's a long story. But 0:19:21.800 --> 0:19:27.040 I got jerk like it's my most played video ever, 0:19:27.560 --> 0:19:29.840 so I guess it was worth it because it was 0:19:29.880 --> 0:19:31.919 like at the time where just hype, you just have 0:19:32.040 --> 0:19:33.920 hype name like it could have been a piece of ship, 0:19:34.359 --> 0:19:36.720 but they said hype. William's day was like and it 0:19:36.800 --> 0:19:39.760 was just like you know what I mean, videos just that, 0:19:40.160 --> 0:19:42.280 But do you remember those times like that? I was 0:19:42.359 --> 0:19:45.000 pa on those videos. That video. That's how I got 0:19:45.160 --> 0:19:46.960 you know, I came up like from the bottom of 0:19:46.960 --> 0:19:49.399 the ladder, the older hold on. We needed to describe 0:19:49.440 --> 0:19:59.040 with Pete it that's a dude boy production assistance turn 0:19:59.080 --> 0:20:02.840 in the studio. But Benny Boom was also a p A. 0:20:03.320 --> 0:20:04.880 We all came up in the same you know, nick 0:20:04.920 --> 0:20:07.719 quest and put all them cast on the legs. How 0:20:07.800 --> 0:20:09.760 about that? How about that? I'm sorry to change subjects 0:20:09.760 --> 0:20:10.960 because we want to get back to the p A 0:20:11.040 --> 0:20:12.760 thing because that's very important because these brothers think that 0:20:12.760 --> 0:20:14.560 they're gonna just pick up a camera and they're gonna 0:20:14.600 --> 0:20:17.200 shoot for um. You know what I'm saying, Tony want savage. 0:20:17.400 --> 0:20:23.080 You know what I'm saying, They gotta relax. Maybe so 0:20:23.080 --> 0:20:24.919 so um well, I said, I was going back to 0:20:25.200 --> 0:20:28.639 Bennie Boom by Boom, Bitty Boom. Did you see the 0:20:28.640 --> 0:20:31.440 Tupac story yet? Now? Yeah, I've just been watching the 0:20:31.480 --> 0:20:34.480 cons personay with him and John Singleton. Oh I love it. Yeah, great, 0:20:38.080 --> 0:20:40.720 John Singleton and Benny Boom. Did you see the Tupac Yeah? 0:20:40.800 --> 0:20:43.240 I went to the premiere. Okay, I was dead too 0:20:43.320 --> 0:20:45.200 that night. I can't get in the fire that saying 0:20:46.200 --> 0:20:51.359 I saw move go ahead, tell him to me about 0:20:51.359 --> 0:20:57.640 the movie, tell us about them. It was cool, like translation, 0:20:58.000 --> 0:20:59.719 it didn't really, I mean, come on, we can keep 0:20:59.720 --> 0:21:01.679 it real. I kept telling you, I said, I was 0:21:01.680 --> 0:21:04.920 disappointed personally, like come on, like even though I gave 0:21:05.040 --> 0:21:06.520 is a friend of mine, you know what I'm saying, Yes, 0:21:07.520 --> 0:21:09.280 your friend of mine to know what I'm saying, but like, 0:21:09.760 --> 0:21:11.280 I don't know. It's just the way the straight out 0:21:11.280 --> 0:21:13.720 of compt came out was just. And don't disrespect anybody 0:21:13.720 --> 0:21:17.199 involved in the movie, the actors, but it's just I 0:21:17.240 --> 0:21:20.040 felt like the like that's pop story, Like I felt 0:21:20.040 --> 0:21:23.240 like we needed something just way more up there, Like 0:21:23.240 --> 0:21:25.520 I'm just saying, like when they did, I said walk 0:21:25.560 --> 0:21:27.600 the line as an example, like why can't hip hop 0:21:27.800 --> 0:21:30.200 have that's cool? When are you going to see it? 0:21:30.520 --> 0:21:32.119 I haven't got a chance to see it. Yea, I 0:21:32.160 --> 0:21:35.960 am going to go out support because I don't like 0:21:36.040 --> 0:21:41.119 hearing mixed with you. I don't everybody should go and 0:21:41.200 --> 0:21:43.760 check it out. Like having her own opinion. But I 0:21:43.800 --> 0:21:46.680 thought it was big because who filmed the biggest movie? 0:21:46.680 --> 0:21:50.400 Who was the director? And I was disappointed that one 0:21:50.840 --> 0:21:52.479 he was the hand of his time. It was a 0:21:52.480 --> 0:21:55.320 better quality movie in my opinion, like production was, but 0:21:55.359 --> 0:21:58.000 I think it lacked what it needed as well. Personally, 0:21:59.600 --> 0:22:01.680 Verse felt the same, the fact that it was Benny 0:22:01.760 --> 0:22:04.480 Boom like coming from video, coming from being the p A. 0:22:04.800 --> 0:22:06.719 But I like the next day here that Jo did. 0:22:06.960 --> 0:22:11.239 Yeah too, but you didn't appreciate the pop track. It 0:22:11.320 --> 0:22:14.600 was cool. On you go take one taking shots? This 0:22:14.640 --> 0:22:18.600 is this is all let's go. You gotta take one 0:22:18.640 --> 0:22:20.720 tiger bone later, let me get it on. Man, he's 0:22:20.760 --> 0:22:23.920 taking a shot of quick. You don't taken here and 0:22:24.000 --> 0:22:26.800 we don't know, but you're making it. Yeah, quick the quick. 0:22:26.840 --> 0:22:29.840 We gotta get to the quick to Aco hydrant. We 0:22:29.880 --> 0:22:32.640 don't got the OPA. You don't want, we don't have 0:22:32.680 --> 0:22:36.639