1 00:00:11,800 --> 00:00:16,120 Speaker 1: And it's Drink Chess, motherfucking podcast. Make He's a legendary 2 00:00:16,200 --> 00:00:19,200 Speaker 1: queen's wrapper. He's like Green's your boy in or he's 3 00:00:19,239 --> 00:00:23,240 Speaker 1: a Miami hippop pioneer up his DJ e FN. Together 4 00:00:23,400 --> 00:00:26,120 Speaker 1: they drinking up with some of the biggest players, you mean, 5 00:00:26,280 --> 00:00:30,560 Speaker 1: in the most professional unprofessional podcast and your number one 6 00:00:30,640 --> 00:00:34,159 Speaker 1: source for drunk drinks. Motherfucking every day is New year 7 00:00:34,240 --> 00:00:43,400 Speaker 1: Ze time for drink chimps. Drink up, motherfuck motherfuck would 8 00:00:43,400 --> 00:00:44,879 Speaker 1: it could be hoping in with it should be it's 9 00:00:44,920 --> 00:00:46,720 Speaker 1: your boy and or eat what up? Is d j 10 00:00:46,920 --> 00:00:49,480 Speaker 1: e F And this is drink Chas motherfucking podcast Make 11 00:00:49,600 --> 00:00:55,880 Speaker 1: Some And today is a very special episode to me 12 00:00:56,280 --> 00:00:58,720 Speaker 1: because this is something that I've been preaching for a 13 00:00:58,760 --> 00:01:01,440 Speaker 1: long time. A lot of our youth and a people 14 00:01:01,440 --> 00:01:04,080 Speaker 1: who follow in hip hop, they think that they always 15 00:01:04,160 --> 00:01:06,400 Speaker 1: have to be in front the camera to make money 16 00:01:06,400 --> 00:01:08,760 Speaker 1: and to feed their family and to live good and 17 00:01:08,800 --> 00:01:11,720 Speaker 1: live a great life. They feel like it's either there's 18 00:01:11,760 --> 00:01:15,839 Speaker 1: always either the DJ they pick, the artist or the producer. 19 00:01:16,280 --> 00:01:18,440 Speaker 1: Very seldomly do you have people say that, you know what, 20 00:01:18,600 --> 00:01:20,880 Speaker 1: I want to be behind the cameras, I'm gonna be 21 00:01:20,880 --> 00:01:23,840 Speaker 1: behind the cameras and I'm gonna live my life like that. 22 00:01:23,880 --> 00:01:25,720 Speaker 1: And and this is the reason why we want to 23 00:01:25,720 --> 00:01:28,280 Speaker 1: do you too together is because it's like it's like 24 00:01:28,680 --> 00:01:30,320 Speaker 1: I don't want to call you old like the old 25 00:01:30,800 --> 00:01:32,759 Speaker 1: like the older not you know what, I don't want 26 00:01:32,840 --> 00:01:36,640 Speaker 1: me old more. The more season that's the better word, 27 00:01:36,640 --> 00:01:41,360 Speaker 1: The more season as an old like the young hot guy. 28 00:01:41,440 --> 00:01:43,760 Speaker 1: You know what I'm saying. And um, I've seen both 29 00:01:43,800 --> 00:01:45,800 Speaker 1: of you guys struggle. But the thing about it is 30 00:01:46,160 --> 00:01:49,120 Speaker 1: I want to really tell you guys story because I 31 00:01:49,160 --> 00:01:51,360 Speaker 1: want to push you guys lifestyle more than I want 32 00:01:51,360 --> 00:01:55,720 Speaker 1: to push my lifestyle, meaning meaning I know that a 33 00:01:55,760 --> 00:01:58,360 Speaker 1: lot of people can't live how I live. Like like 34 00:01:58,360 --> 00:02:00,040 Speaker 1: like you know, you work at McDonald's, and when you 35 00:02:00,120 --> 00:02:02,280 Speaker 1: get off of McDonald's, nobody doesn't walk up to you 36 00:02:02,320 --> 00:02:04,280 Speaker 1: and ask you for a cheeseburger. You know what I'm saying, 37 00:02:04,320 --> 00:02:06,160 Speaker 1: like once you take off the thing. But when you're 38 00:02:06,160 --> 00:02:10,600 Speaker 1: an artists, you know what I'm saying. Seven I can remember, 39 00:02:10,600 --> 00:02:12,239 Speaker 1: you know, going to path Mark at four o'clock in 40 00:02:12,240 --> 00:02:14,480 Speaker 1: the morning and me seeing an artist you know going 41 00:02:14,520 --> 00:02:16,200 Speaker 1: in there. I don't say the artists name going in 42 00:02:16,240 --> 00:02:18,320 Speaker 1: there to get you know, some some stuff or they 43 00:02:18,360 --> 00:02:20,639 Speaker 1: face and somebody saying can I take a picture with them? 44 00:02:20,760 --> 00:02:23,680 Speaker 1: And they're like no, And then you know that person 45 00:02:23,760 --> 00:02:25,519 Speaker 1: is like, oh this this this person is a dick, 46 00:02:25,880 --> 00:02:28,720 Speaker 1: but you don't understand that they live in a normal life. 47 00:02:29,040 --> 00:02:31,560 Speaker 1: So me, I want to push this lifestyle even more 48 00:02:31,560 --> 00:02:34,400 Speaker 1: than my lifestyle, even more than you'll like our life 49 00:02:34,400 --> 00:02:37,000 Speaker 1: style together that we're living now. I would like to 50 00:02:37,160 --> 00:02:39,440 Speaker 1: push more of this because we need more directors, We 51 00:02:39,600 --> 00:02:42,200 Speaker 1: need more in the vision. It's so crucial to the 52 00:02:44,240 --> 00:02:47,320 Speaker 1: just And Farrell told me that Happy was out eight 53 00:02:47,360 --> 00:02:49,959 Speaker 1: months and it didn't work till he actually made a 54 00:02:50,080 --> 00:02:52,360 Speaker 1: video for happening. You know what I'm saying, So right 55 00:02:52,400 --> 00:02:55,760 Speaker 1: now introduce it. We got the prolific, one of the 56 00:02:55,840 --> 00:02:59,600 Speaker 1: craziest two directors in our time. They should be saluted, 57 00:02:59,600 --> 00:03:02,600 Speaker 1: they should be respected, They should be they shoes should 58 00:03:02,639 --> 00:03:04,240 Speaker 1: be tired. If you ever see the walking down the 59 00:03:04,280 --> 00:03:09,040 Speaker 1: street and the shoes this untied the motherfucker's shoe blace. 60 00:03:09,400 --> 00:03:12,480 Speaker 1: My good friends Gil Green and Sprift TV is in 61 00:03:12,520 --> 00:03:19,000 Speaker 1: the house and serious about that because you know, I 62 00:03:19,400 --> 00:03:21,720 Speaker 1: speak to kids so so much like you know, and 63 00:03:21,760 --> 00:03:22,920 Speaker 1: I asked me, you know what you want to be 64 00:03:22,960 --> 00:03:25,480 Speaker 1: and they say, you know the rapper and it's like, 65 00:03:25,600 --> 00:03:28,280 Speaker 1: all right. I remember one time one of my friends 66 00:03:28,280 --> 00:03:31,760 Speaker 1: said I'm gonna be a rapper, right, I said, yeah, 67 00:03:31,919 --> 00:03:33,320 Speaker 1: let me hear your rap. He said, oh, I didn't 68 00:03:33,320 --> 00:03:37,640 Speaker 1: write a robe. I was so offended. And this is 69 00:03:37,680 --> 00:03:40,080 Speaker 1: the expression, it's crazy that you're here. This is the 70 00:03:40,160 --> 00:03:42,880 Speaker 1: expression that he used. He said it would be like 71 00:03:42,880 --> 00:03:45,760 Speaker 1: a French Bontanno type of rapper. Like and when they 72 00:03:45,760 --> 00:03:50,440 Speaker 1: don't really realize it's how much French has struggled. And 73 00:03:50,880 --> 00:03:53,560 Speaker 1: you know, they just see that that he's luxury and 74 00:03:53,560 --> 00:03:56,600 Speaker 1: they see that his lyrics is kind of simple. He 75 00:03:56,720 --> 00:03:59,800 Speaker 1: comes from the visuals to when they see that the 76 00:04:00,160 --> 00:04:02,120 Speaker 1: lyrics is kind of simple and they think that this 77 00:04:02,200 --> 00:04:05,280 Speaker 1: is just easy, Like it's hard to live this lifestyle, 78 00:04:05,320 --> 00:04:08,240 Speaker 1: but let's just let's just take it from there. Like 79 00:04:08,640 --> 00:04:12,120 Speaker 1: when you guys get a video, right, you get a 80 00:04:12,160 --> 00:04:15,600 Speaker 1: record from an artist or a label, rather label send 81 00:04:15,600 --> 00:04:18,200 Speaker 1: you a record, Gil and you know you never met 82 00:04:18,240 --> 00:04:20,760 Speaker 1: this artist before. How do you even come up with 83 00:04:20,760 --> 00:04:23,320 Speaker 1: a treatment for that, Like for like just to say 84 00:04:23,360 --> 00:04:25,839 Speaker 1: a new arts, I mean, for me, it's the vibe. 85 00:04:26,000 --> 00:04:28,560 Speaker 1: I mean, I'm I'm I'm a hip hop head. I'm like, 86 00:04:28,680 --> 00:04:33,200 Speaker 1: I'm old school all the way. I'm liking that. I 87 00:04:33,279 --> 00:04:35,080 Speaker 1: was gonna get that. I was waiting bad long ago 88 00:04:39,400 --> 00:04:49,880 Speaker 1: before heard this. Um yeah, we're going with that all 89 00:04:49,960 --> 00:04:52,520 Speaker 1: right now. I'm definitely like I fell in love with 90 00:04:52,520 --> 00:04:54,960 Speaker 1: the culture of hip hop growing up in Miami. So 91 00:04:55,160 --> 00:04:58,400 Speaker 1: this is eighties and this is this is like we 92 00:04:58,440 --> 00:05:01,280 Speaker 1: had we had our own thing here with Luke and 93 00:05:01,400 --> 00:05:05,320 Speaker 1: you know, Luca Luther camp bass music, but we also 94 00:05:05,320 --> 00:05:07,840 Speaker 1: appreciated what we was hearing up from New York as well, 95 00:05:08,360 --> 00:05:11,480 Speaker 1: and it was a very very different time of like 96 00:05:11,720 --> 00:05:14,400 Speaker 1: it ain't mainstream and at internet it's like to hear 97 00:05:14,400 --> 00:05:17,520 Speaker 1: a hip hop either you're listening to Uncle Al, you know, 98 00:05:17,720 --> 00:05:19,920 Speaker 1: going to Flea Market USA to get some bass tapes 99 00:05:20,279 --> 00:05:29,640 Speaker 1: actually going on. We talked about that straight up, like 100 00:05:29,880 --> 00:05:31,920 Speaker 1: and that's how it is. And it wasn't like this 101 00:05:32,440 --> 00:05:43,680 Speaker 1: Kumbaya MTV mainstream this before because I'm sorry, keeps going 102 00:05:44,560 --> 00:05:48,040 Speaker 1: not Mimi. Miami was really real and I was fortunate 103 00:05:48,160 --> 00:05:51,040 Speaker 1: enough to be exposed to a lot of that stuff 104 00:05:51,080 --> 00:05:53,520 Speaker 1: at an early age and fell in love with it 105 00:05:53,640 --> 00:05:55,960 Speaker 1: and fell in love with it within the essence of it. 106 00:05:55,960 --> 00:05:58,320 Speaker 1: And I'm talking about like legendary places like pack Jam 107 00:05:58,360 --> 00:06:03,359 Speaker 1: and Stuff and Seah, the Pat James stories don't call 108 00:06:03,360 --> 00:06:05,119 Speaker 1: all the way they DJ here, And it is before 109 00:06:05,120 --> 00:06:09,640 Speaker 1: Miami's cool quote unquote. It was a rugged era in Miami. Yeah, yeah, yeah, 110 00:06:09,880 --> 00:06:12,560 Speaker 1: other than other than Luke and them, I'm saying, you know, 111 00:06:12,960 --> 00:06:15,000 Speaker 1: I mean, like, yeah, there was always like the Sixth 112 00:06:15,000 --> 00:06:17,680 Speaker 1: Borough they called Miami Beach with all the New York 113 00:06:17,720 --> 00:06:20,160 Speaker 1: campbell Miami being uncool like me personally, I don't know. 114 00:06:20,279 --> 00:06:22,120 Speaker 1: I mean, people wasn't repping Miami at least in the 115 00:06:22,200 --> 00:06:24,400 Speaker 1: hip hop cu you remember, everybody was repping New York 116 00:06:24,440 --> 00:06:26,600 Speaker 1: like people were faking New York. Okay, I remember if 117 00:06:26,640 --> 00:06:29,760 Speaker 1: they were like necessarily inter city based era, they were 118 00:06:29,760 --> 00:06:32,080 Speaker 1: repping New York, which I hated. That was the that's 119 00:06:32,160 --> 00:06:33,840 Speaker 1: things that I was fighting, and I'm sure you were 120 00:06:33,839 --> 00:06:36,440 Speaker 1: fighting that stereotype as well. Yeah, yeah, you saw. You 121 00:06:36,480 --> 00:06:39,160 Speaker 1: saw the divide because because Miami wasn't necessarily known for 122 00:06:39,160 --> 00:06:41,920 Speaker 1: as lyricists, and then a lot of serious hip hop 123 00:06:41,960 --> 00:06:45,600 Speaker 1: heads were like always like fond of the lyricists, so like, 124 00:06:45,680 --> 00:06:48,320 Speaker 1: of course New York had like that lyrically driven, so 125 00:06:48,360 --> 00:06:50,240 Speaker 1: a lot of the best lyricists were coming out of there. 126 00:06:50,400 --> 00:06:52,840 Speaker 1: Not to knock the Miami rappers, but but you know, 127 00:06:53,080 --> 00:06:55,719 Speaker 1: we was about more rhythm and bass and moving and 128 00:06:55,720 --> 00:06:59,120 Speaker 1: and you know than than necessarily like like I loved 129 00:06:59,120 --> 00:07:02,200 Speaker 1: casts like Kane and Kars Camera. But but if you 130 00:07:02,200 --> 00:07:04,080 Speaker 1: go to some of those two Life Crew records right now, 131 00:07:04,080 --> 00:07:08,200 Speaker 1: they sound prettydamn lyrical compared to some people now yeah yeah, yeah, yeah, yeah, 132 00:07:08,200 --> 00:07:11,280 Speaker 1: well yeah they sound pretty delous. Yeah, I mean, I mean, 133 00:07:11,640 --> 00:07:13,280 Speaker 1: how did you how did you? What made you pick 134 00:07:13,360 --> 00:07:15,440 Speaker 1: the camera? Because we're gonna get into like, you know, 135 00:07:16,040 --> 00:07:19,320 Speaker 1: your MC career at one point, but um, what made 136 00:07:19,360 --> 00:07:22,360 Speaker 1: you actually say I'm gonna get behind the camera, because 137 00:07:22,360 --> 00:07:25,280 Speaker 1: that's like it might have been your It was my 138 00:07:25,320 --> 00:07:27,360 Speaker 1: love for hip hop because before even I'm Seeing, I 139 00:07:27,400 --> 00:07:29,480 Speaker 1: was d jan and I was the one selling you 140 00:07:29,520 --> 00:07:33,080 Speaker 1: the mixtapes in the hallway. And then, um, I was 141 00:07:33,120 --> 00:07:34,960 Speaker 1: fortunate enough to be able to go to school and 142 00:07:35,040 --> 00:07:37,960 Speaker 1: I always I was in South Miami. I got into 143 00:07:38,000 --> 00:07:40,440 Speaker 1: this broadcasting program. It was a magnet school because they 144 00:07:40,520 --> 00:07:43,280 Speaker 1: used to bust man and they gave us a camera. 145 00:07:43,560 --> 00:07:46,239 Speaker 1: And then I fell in love with visuals and music. 146 00:07:46,240 --> 00:07:47,960 Speaker 1: Those are the two things. And we had a channel 147 00:07:48,000 --> 00:07:52,360 Speaker 1: down here called the music Video Box and like video 148 00:07:54,880 --> 00:08:05,000 Speaker 1: but yeah, Cowboy Daniel for all the box, Yeah just 149 00:08:06,200 --> 00:08:11,680 Speaker 1: started dressing. Time was the time and that one you 150 00:08:11,800 --> 00:08:16,600 Speaker 1: got that we got a lot. Okay, but let me 151 00:08:16,640 --> 00:08:19,239 Speaker 1: tell you because before the box became national, started in Miami, 152 00:08:19,440 --> 00:08:21,920 Speaker 1: and so we would get these videos that you know, 153 00:08:22,040 --> 00:08:24,960 Speaker 1: MTV wouldn't get masters a ceremony, you know, all all 154 00:08:25,000 --> 00:08:29,200 Speaker 1: these guys in through your guns, so they wouldn't let 155 00:08:29,240 --> 00:08:33,000 Speaker 1: them have over there just play if it wasn't BT, 156 00:08:33,200 --> 00:08:35,839 Speaker 1: and BT was playing maybe Hudini, you know. But like 157 00:08:35,960 --> 00:08:38,240 Speaker 1: these these cats were coming down to Miami and Luke 158 00:08:38,360 --> 00:08:40,360 Speaker 1: was and they were paining the box and they would 159 00:08:40,360 --> 00:08:42,120 Speaker 1: just run those videos and you had to pay for 160 00:08:42,240 --> 00:08:44,040 Speaker 1: the order of video on the box. You had to pay. 161 00:08:44,080 --> 00:08:45,800 Speaker 1: But then the labels that the cheek code was the 162 00:08:45,880 --> 00:08:48,640 Speaker 1: labels with pay in advance, and then you'd be watching. 163 00:08:48,760 --> 00:08:56,199 Speaker 1: You know, I wasn't on the box when the labels back, 164 00:08:56,720 --> 00:09:00,559 Speaker 1: come on, then don't go on. You only two or 165 00:09:00,600 --> 00:09:09,000 Speaker 1: three years enemy, but I was. I was you guys. 166 00:09:09,000 --> 00:09:16,280 Speaker 1: We're talking about you guys. Maybe that's when you ordered 167 00:09:16,679 --> 00:09:22,160 Speaker 1: three year seven It brought it to TV. How did 168 00:09:22,160 --> 00:09:24,240 Speaker 1: you decide that? You know what I'm saying, because you 169 00:09:24,240 --> 00:09:26,280 Speaker 1: you've been around rappers, how did you decide that the 170 00:09:26,320 --> 00:09:28,840 Speaker 1: camera was the place that you want to be When 171 00:09:28,880 --> 00:09:33,640 Speaker 1: I started taking pictures first for Ozone magazine. So Julia, baby, 172 00:09:33,679 --> 00:09:37,679 Speaker 1: I've just seen her on the cruise too. Yeah they cruise. Okay, 173 00:09:37,760 --> 00:09:41,880 Speaker 1: let's not I know that you stip told me to cruise. 174 00:09:41,880 --> 00:09:46,760 Speaker 1: I'm saying, I love saying Julia badly. We need you now. 175 00:09:46,800 --> 00:09:49,080 Speaker 1: I've been talking to her about it. We started taking pictures. 176 00:09:49,840 --> 00:09:51,920 Speaker 1: Wasn't the mix tape? He was doing the mix tape? Yeah, 177 00:09:51,920 --> 00:09:56,120 Speaker 1: I started. You know what I'm saying, they did for 178 00:09:56,800 --> 00:09:59,199 Speaker 1: killing the way, By the way, it's the best to 179 00:09:59,280 --> 00:10:05,320 Speaker 1: kill in the world. Off Dad east um up today, 180 00:10:05,320 --> 00:10:07,439 Speaker 1: I said, Man, you had j album. I said, we 181 00:10:07,480 --> 00:10:09,600 Speaker 1: gotta st I support each other more, he said, whirred up. 182 00:10:09,640 --> 00:10:17,400 Speaker 1: I said, need to do my food show. I started 183 00:10:17,400 --> 00:10:20,040 Speaker 1: taking picture Julia. I went around taking pictures. You know 184 00:10:20,160 --> 00:10:22,840 Speaker 1: something I started, you know, getting access all this backstage stuff. 185 00:10:23,000 --> 00:10:25,120 Speaker 1: So I'm like, man, I want to pick up but 186 00:10:25,240 --> 00:10:27,160 Speaker 1: you know, I picked up a little HD camera. I'm 187 00:10:27,200 --> 00:10:29,280 Speaker 1: getting access hanging out with all these artists. So I 188 00:10:29,320 --> 00:10:31,679 Speaker 1: wanted to do you know, like a smack DVD, like 189 00:10:31,960 --> 00:10:34,280 Speaker 1: all access, like you know, like about French did you 190 00:10:34,280 --> 00:10:36,400 Speaker 1: know the Cope Waves DVD? So I was like, I'm 191 00:10:36,440 --> 00:10:38,800 Speaker 1: gonna do my own. I remember you following anybody that 192 00:10:38,840 --> 00:10:40,599 Speaker 1: came to Orlando around one time he fought me and 193 00:10:40,640 --> 00:10:46,400 Speaker 1: Charlie around and we had like got that. You want 194 00:10:46,440 --> 00:10:49,960 Speaker 1: to let me ask both of you guys a question 195 00:10:50,000 --> 00:10:52,480 Speaker 1: real quick? Right? Is it a cheat cold when the 196 00:10:52,520 --> 00:10:55,720 Speaker 1: guys like your own fire? Like right now Drake? Right, 197 00:10:56,360 --> 00:10:59,120 Speaker 1: Drake could be on fire? Like is that a cheat cold? 198 00:10:59,360 --> 00:11:01,480 Speaker 1: Like if he if he sends you a trash record? 199 00:11:01,840 --> 00:11:03,480 Speaker 1: Like you know what I'm saying, do you just jump 200 00:11:03,559 --> 00:11:05,520 Speaker 1: on it immediately? Or what do you do? Like like 201 00:11:06,800 --> 00:11:09,760 Speaker 1: like me, it's whatever, I with everything. You know what 202 00:11:09,760 --> 00:11:14,080 Speaker 1: I'm saying. We go after the bag with BA saying 203 00:11:14,080 --> 00:11:16,240 Speaker 1: I'm gonna tell you what Nick quested? Who actually put 204 00:11:16,240 --> 00:11:21,679 Speaker 1: me on question set moment? Yeah, yeah, I got the 205 00:11:23,559 --> 00:11:26,040 Speaker 1: Nick told me before I even started, said never let 206 00:11:26,040 --> 00:11:28,400 Speaker 1: a bad song prevent you from making a good video. 207 00:11:28,760 --> 00:11:33,280 Speaker 1: And I always follow that. I always follow knowledge. Yeah, 208 00:11:33,880 --> 00:11:40,280 Speaker 1: you can take like when you it was a cost, 209 00:11:40,600 --> 00:11:43,000 Speaker 1: like there was a counter around the door. Right, So 210 00:11:43,400 --> 00:11:45,920 Speaker 1: somebody's talking about giving you an opportunity to film to 211 00:11:46,040 --> 00:11:48,880 Speaker 1: film with film. This is before digital and all that. 212 00:11:49,320 --> 00:11:54,360 Speaker 1: The budgets work. Yeah, so you're like everything, you wanna 213 00:11:54,360 --> 00:11:56,920 Speaker 1: take the opportunity. That's because if the song is is whack, 214 00:11:57,120 --> 00:11:59,840 Speaker 1: you make a legendary visual and bust it up, bost 215 00:11:59,880 --> 00:12:08,040 Speaker 1: it up. So that artist comes, he liked the record, 216 00:12:08,400 --> 00:12:12,400 Speaker 1: he gets on set immediately, he's on something. I'm the 217 00:12:12,480 --> 00:12:15,640 Speaker 1: big man and you work for him. He doesn't know 218 00:12:15,760 --> 00:12:20,920 Speaker 1: your history, he doesn't know how you never experienced that. 219 00:12:21,040 --> 00:12:23,400 Speaker 1: You never experienced that. I've experienced that with just new 220 00:12:23,480 --> 00:12:25,080 Speaker 1: artists just saying hi to me. They'd be like, yeah, 221 00:12:25,200 --> 00:12:30,360 Speaker 1: I'm the ship. I'm like, well hold on. It's like, kid, 222 00:12:30,360 --> 00:12:38,120 Speaker 1: you not like one. Because the thing about it is 223 00:12:40,200 --> 00:12:44,840 Speaker 1: when you get into like the twelve, thirteen, fourteen, fifteen 224 00:12:44,920 --> 00:12:47,200 Speaker 1: years in your in your life and you're doing the 225 00:12:47,240 --> 00:12:50,079 Speaker 1: same thing. You have a career, and when there's certain 226 00:12:50,080 --> 00:12:52,800 Speaker 1: people they got six months here and they just think 227 00:12:52,880 --> 00:12:55,120 Speaker 1: like the world is the kiss. They asked like, I 228 00:12:55,160 --> 00:12:57,320 Speaker 1: can't say that's what happened with me Goals and Joe Button's, 229 00:12:57,360 --> 00:13:00,000 Speaker 1: but it pretty much looked like that if pretty want 230 00:13:00,120 --> 00:13:02,280 Speaker 1: looked like Joe Buttons was asking questions and they were 231 00:13:02,320 --> 00:13:06,120 Speaker 1: just like yeah, whatever, and it's just like nah, dude, 232 00:13:06,200 --> 00:13:08,439 Speaker 1: like you know, Joe putting his time, Like he might 233 00:13:08,440 --> 00:13:10,760 Speaker 1: not be a legend to everybody, but he's a lyricist 234 00:13:10,760 --> 00:13:13,520 Speaker 1: and he held it so that walk away was disrespectful. 235 00:13:13,559 --> 00:13:16,120 Speaker 1: The walking away was one but at the end of 236 00:13:16,120 --> 00:13:17,760 Speaker 1: the day, like at the end of the day, and 237 00:13:17,760 --> 00:13:19,800 Speaker 1: I'm not trying to get into some crazy ship, but 238 00:13:19,840 --> 00:13:22,440 Speaker 1: we had artists development. Remember before, like people used to 239 00:13:22,520 --> 00:13:24,400 Speaker 1: know how to do an interview to say your boom 240 00:13:24,640 --> 00:13:27,080 Speaker 1: you answer it like right now, the ladis just taking 241 00:13:27,160 --> 00:13:29,320 Speaker 1: money and so so I'm saying, have you ever had 242 00:13:29,360 --> 00:13:32,559 Speaker 1: experience where like the artists came off as a dickhead, 243 00:13:32,600 --> 00:13:37,360 Speaker 1: but you still have to remain professional? Yeah? Absolutely, okay, absolutely. 244 00:13:38,280 --> 00:13:45,880 Speaker 1: But the thing is, it's like, man, come on, we 245 00:13:46,040 --> 00:13:48,640 Speaker 1: want to talk about this bookie. No, no, no no, there 246 00:13:48,640 --> 00:13:50,640 Speaker 1: can tell because because there's no it was just one 247 00:13:50,720 --> 00:13:53,120 Speaker 1: video and it wasn't the artist was disrespectful. He was 248 00:13:53,160 --> 00:13:55,480 Speaker 1: just in the zone in a whole different world and 249 00:13:57,840 --> 00:13:59,559 Speaker 1: I don't know what he was on. I don't even 250 00:13:59,559 --> 00:14:01,240 Speaker 1: know where he is this days. Because I find out 251 00:14:01,240 --> 00:14:04,080 Speaker 1: the humble ones have the career, the ones they get 252 00:14:04,080 --> 00:14:05,840 Speaker 1: put on quick and they didn't see it coming there 253 00:14:05,880 --> 00:14:08,040 Speaker 1: and put the work ethic and they're like in and out. 254 00:14:08,840 --> 00:14:11,000 Speaker 1: And this was an artist at Swiss beats put on 255 00:14:12,880 --> 00:14:16,720 Speaker 1: and Swiss opened up the likes everything point no, no. 256 00:14:16,800 --> 00:14:19,720 Speaker 1: It was a rapper out of Atlanta and he got 257 00:14:19,760 --> 00:14:23,600 Speaker 1: everyone he got, He got everyone on the track DMX 258 00:14:23,840 --> 00:14:27,640 Speaker 1: remember that was it, David Banner and everything. Anyways, we 259 00:14:27,960 --> 00:14:30,800 Speaker 1: did this. We had this idea to get the dope 260 00:14:30,800 --> 00:14:33,520 Speaker 1: bass video and had the marching band and everything, and 261 00:14:33,640 --> 00:14:35,280 Speaker 1: Oh Boy didn't want to get in his own video. 262 00:14:35,600 --> 00:14:41,680 Speaker 1: That's why he was like bugging and yeah, yeah, I 263 00:14:41,760 --> 00:14:44,320 Speaker 1: remember this ARTISTI but you know, because that's what that's 264 00:14:44,320 --> 00:14:46,760 Speaker 1: what that's what bogged out. But that's what's real about Swiss. 265 00:14:46,960 --> 00:14:49,640 Speaker 1: Swiss Cold clock them right in the face and he 266 00:14:49,760 --> 00:14:51,200 Speaker 1: slid right in front of the camera. I was like, 267 00:14:51,560 --> 00:14:54,000 Speaker 1: act shit, and Oh Boy gave the performance of his 268 00:14:54,080 --> 00:15:01,120 Speaker 1: lifetime because he was so angry when that's a legend. 269 00:15:01,960 --> 00:15:06,800 Speaker 1: That's the thing about being an artist. They don't tell 270 00:15:06,840 --> 00:15:10,120 Speaker 1: you that this is your money, you idiot, you don't want. 271 00:15:10,120 --> 00:15:11,720 Speaker 1: The one thing that I noticed about both of you 272 00:15:11,920 --> 00:15:13,720 Speaker 1: were like, we're actually playing for this at nine and 273 00:15:13,800 --> 00:15:16,120 Speaker 1: you both showed up at eight twenty seven, you showed 274 00:15:16,200 --> 00:15:18,560 Speaker 1: up at five, you showed up at a twenty seven, 275 00:15:18,560 --> 00:15:20,960 Speaker 1: and it's like, this is the exact thing that we 276 00:15:21,040 --> 00:15:24,120 Speaker 1: got to install. Because these people that I know, artists 277 00:15:25,040 --> 00:15:28,080 Speaker 1: that I set them uptown. I'm like, yo, definite GM 278 00:15:28,200 --> 00:15:30,280 Speaker 1: just called me to go to your video these things 279 00:15:30,320 --> 00:15:35,280 Speaker 1: like like no, no, this is your budget. Like I 280 00:15:35,360 --> 00:15:38,240 Speaker 1: don't think these people will understand that, Like I don't 281 00:15:38,240 --> 00:15:40,000 Speaker 1: tell you to the crazy ship. But hype Williams did 282 00:15:40,000 --> 00:15:44,240 Speaker 1: to me. We'll get into that later. That one. That's 283 00:15:44,280 --> 00:15:46,400 Speaker 1: when the budgets was crazy. I never worked with a 284 00:15:46,480 --> 00:15:51,880 Speaker 1: man though. Many videos with a million right now that 285 00:15:52,600 --> 00:15:57,440 Speaker 1: crazy movies right now. But back then the hype was like, 286 00:15:57,800 --> 00:15:59,840 Speaker 1: oh man, you had to spend that budget. What was 287 00:15:59,880 --> 00:16:04,680 Speaker 1: the as much as you worked with a million, this 288 00:16:04,840 --> 00:16:14,800 Speaker 1: was a great video. Stacks Marker from Miami never Yeah, 289 00:16:15,120 --> 00:16:16,840 Speaker 1: I'm gonna tell you, gonna tell you the story about 290 00:16:16,920 --> 00:16:18,960 Speaker 1: back and I like Stacks. He's a nice don't you 291 00:16:18,960 --> 00:16:21,280 Speaker 1: know what? You know what things about Stacks A good kid. 292 00:16:21,280 --> 00:16:23,760 Speaker 1: He's a good kid. He's got good music, but his 293 00:16:23,880 --> 00:16:27,400 Speaker 1: money outshadowed him. So people never can. I've got to 294 00:16:27,440 --> 00:16:30,640 Speaker 1: be about struggle. That's the one you kick. Do we cut. 295 00:16:30,200 --> 00:16:35,280 Speaker 1: We didn't have Roy's convertible. Remember that in the video 296 00:16:35,480 --> 00:16:37,480 Speaker 1: because because he because then he came out in one 297 00:16:37,480 --> 00:16:39,720 Speaker 1: of his lyrics he's saying, I'm driving the drop top 298 00:16:40,160 --> 00:16:42,400 Speaker 1: roles and and he's like, man, you know, if you're 299 00:16:42,400 --> 00:16:44,480 Speaker 1: gonna wrap about that, you gotta have it right. So 300 00:16:44,520 --> 00:16:53,440 Speaker 1: there's no problem for them because so be live. But yeah, 301 00:16:53,640 --> 00:16:56,080 Speaker 1: when it was open, Yeah, they gave us that club. 302 00:16:56,160 --> 00:16:58,680 Speaker 1: Like yeah, but I never tell you I think stats 303 00:16:58,680 --> 00:17:01,880 Speaker 1: was a great I just think that once you get 304 00:17:01,920 --> 00:17:05,399 Speaker 1: hear his story and his father invented numerology, whatever did 305 00:17:05,400 --> 00:17:11,240 Speaker 1: he do? Like you can't can't you know what I'm saying, 306 00:17:11,280 --> 00:17:13,879 Speaker 1: because it's just like we know you're not struggling. It's 307 00:17:13,920 --> 00:17:17,360 Speaker 1: different kind of money. That's super race. So picked them up. 308 00:17:17,400 --> 00:17:20,120 Speaker 1: So his money got out, like sometimes your record will 309 00:17:20,280 --> 00:17:22,840 Speaker 1: sometimes you have a bigger record than you like sometimes 310 00:17:23,040 --> 00:17:25,560 Speaker 1: you can have a record that like I have am Gondo. 311 00:17:25,640 --> 00:17:28,480 Speaker 1: I see people all the time they'd be like and 312 00:17:28,480 --> 00:17:35,440 Speaker 1: maybe Ice grealling me like that, but it's real that record, 313 00:17:35,440 --> 00:17:38,040 Speaker 1: it's bigger than me. But so you had a million 314 00:17:38,080 --> 00:17:41,720 Speaker 1: dollars throw to that fandom. The lights didn't work. Now 315 00:17:41,760 --> 00:17:44,320 Speaker 1: he picked me up everything after they cut it off 316 00:17:44,400 --> 00:17:48,080 Speaker 1: like the know the wiring that she was like a 317 00:17:50,359 --> 00:17:54,199 Speaker 1: but it's just for the video. Oh man, we had choppers, boats, manships, 318 00:17:54,280 --> 00:18:02,879 Speaker 1: two clubs. He his post is bringing in Victoria's secret models. Bad. Yeah, 319 00:18:03,760 --> 00:18:07,560 Speaker 1: like don't let the NASA thing for you cheap ship? 320 00:18:10,600 --> 00:18:14,360 Speaker 1: Do you work with like a quarter quarter? That's two 321 00:18:14,400 --> 00:18:18,200 Speaker 1: fifty right man? But that's like that I'm saying, that's 322 00:18:18,240 --> 00:18:20,359 Speaker 1: like the now it's almost like a million dollars and 323 00:18:20,400 --> 00:18:23,200 Speaker 1: Guils you know, Gils big a million dollars, a million 324 00:18:23,240 --> 00:18:30,679 Speaker 1: dollars back then, Gills hey now now, but the hype 325 00:18:30,720 --> 00:18:33,960 Speaker 1: is fine, Mr Chiles, and you had a couple of 326 00:18:33,960 --> 00:18:41,560 Speaker 1: million college color. That wasn't a million now that was 327 00:18:41,600 --> 00:18:44,800 Speaker 1: like that was like eight semifive, like seven hundred or 328 00:18:44,800 --> 00:18:48,520 Speaker 1: five hundred. That's hype was eight hundred one that went 329 00:18:48,560 --> 00:18:51,399 Speaker 1: to like one point to like easy, like easy, like 330 00:18:51,440 --> 00:18:54,800 Speaker 1: he'd be filmed that oh no, right yeah for one 331 00:18:54,880 --> 00:18:58,639 Speaker 1: scene for three days. It's just like we listen to no, 332 00:18:58,880 --> 00:19:02,879 Speaker 1: this is how it works. I was like, you know 333 00:19:03,119 --> 00:19:06,720 Speaker 1: you was recouping that. Nah. I knew from the Mr. 334 00:19:06,880 --> 00:19:10,600 Speaker 1: Child someone right to tell tell you found it was 335 00:19:10,640 --> 00:19:15,160 Speaker 1: the best I wanted to get this in the middle 336 00:19:15,160 --> 00:19:17,160 Speaker 1: because I wanted to keep go more so we'll get 337 00:19:17,200 --> 00:19:18,760 Speaker 1: into him later, because I want to get more about 338 00:19:18,800 --> 00:19:21,720 Speaker 1: y'all because because this is it's a long story. But 339 00:19:21,800 --> 00:19:27,040 Speaker 1: I got jerk like it's my most played video ever, 340 00:19:27,560 --> 00:19:29,840 Speaker 1: so I guess it was worth it because it was 341 00:19:29,880 --> 00:19:31,919 Speaker 1: like at the time where just hype, you just have 342 00:19:32,040 --> 00:19:33,920 Speaker 1: hype name like it could have been a piece of ship, 343 00:19:34,359 --> 00:19:36,720 Speaker 1: but they said hype. William's day was like and it 344 00:19:36,800 --> 00:19:39,760 Speaker 1: was just like you know what I mean, videos just that, 345 00:19:40,160 --> 00:19:42,280 Speaker 1: But do you remember those times like that? I was 346 00:19:42,359 --> 00:19:45,000 Speaker 1: pa on those videos. That video. That's how I got 347 00:19:45,160 --> 00:19:46,960 Speaker 1: you know, I came up like from the bottom of 348 00:19:46,960 --> 00:19:49,399 Speaker 1: the ladder, the older hold on. We needed to describe 349 00:19:49,440 --> 00:19:59,040 Speaker 1: with Pete it that's a dude boy production assistance turn 350 00:19:59,080 --> 00:20:02,840 Speaker 1: in the studio. But Benny Boom was also a p A. 351 00:20:03,320 --> 00:20:04,880 Speaker 1: We all came up in the same you know, nick 352 00:20:04,920 --> 00:20:07,719 Speaker 1: quest and put all them cast on the legs. How 353 00:20:07,800 --> 00:20:09,760 Speaker 1: about that? How about that? I'm sorry to change subjects 354 00:20:09,760 --> 00:20:10,960 Speaker 1: because we want to get back to the p A 355 00:20:11,040 --> 00:20:12,760 Speaker 1: thing because that's very important because these brothers think that 356 00:20:12,760 --> 00:20:14,560 Speaker 1: they're gonna just pick up a camera and they're gonna 357 00:20:14,600 --> 00:20:17,200 Speaker 1: shoot for um. You know what I'm saying, Tony want savage. 358 00:20:17,400 --> 00:20:23,080 Speaker 1: You know what I'm saying, They gotta relax. Maybe so 359 00:20:23,080 --> 00:20:24,919 Speaker 1: so um well, I said, I was going back to 360 00:20:25,200 --> 00:20:28,639 Speaker 1: Bennie Boom by Boom, Bitty Boom. Did you see the 361 00:20:28,640 --> 00:20:31,440 Speaker 1: Tupac story yet? Now? Yeah, I've just been watching the 362 00:20:31,480 --> 00:20:34,480 Speaker 1: cons personay with him and John Singleton. Oh I love it. Yeah, great, 363 00:20:38,080 --> 00:20:40,720 Speaker 1: John Singleton and Benny Boom. Did you see the Tupac Yeah? 364 00:20:40,800 --> 00:20:43,240 Speaker 1: I went to the premiere. Okay, I was dead too 365 00:20:43,320 --> 00:20:45,200 Speaker 1: that night. I can't get in the fire that saying 366 00:20:46,200 --> 00:20:51,359 Speaker 1: I saw move go ahead, tell him to me about 367 00:20:51,359 --> 00:20:57,640 Speaker 1: the movie, tell us about them. It was cool, like translation, 368 00:20:58,000 --> 00:20:59,719 Speaker 1: it didn't really, I mean, come on, we can keep 369 00:20:59,720 --> 00:21:01,679 Speaker 1: it real. I kept telling you, I said, I was 370 00:21:01,680 --> 00:21:04,920 Speaker 1: disappointed personally, like come on, like even though I gave 371 00:21:05,040 --> 00:21:06,520 Speaker 1: is a friend of mine, you know what I'm saying, Yes, 372 00:21:07,520 --> 00:21:09,280 Speaker 1: your friend of mine to know what I'm saying, but like, 373 00:21:09,760 --> 00:21:11,280 Speaker 1: I don't know. It's just the way the straight out 374 00:21:11,280 --> 00:21:13,720 Speaker 1: of compt came out was just. And don't disrespect anybody 375 00:21:13,720 --> 00:21:17,199 Speaker 1: involved in the movie, the actors, but it's just I 376 00:21:17,240 --> 00:21:20,040 Speaker 1: felt like the like that's pop story, Like I felt 377 00:21:20,040 --> 00:21:23,240 Speaker 1: like we needed something just way more up there, Like 378 00:21:23,240 --> 00:21:25,520 Speaker 1: I'm just saying, like when they did, I said walk 379 00:21:25,560 --> 00:21:27,600 Speaker 1: the line as an example, like why can't hip hop 380 00:21:27,800 --> 00:21:30,200 Speaker 1: have that's cool? When are you going to see it? 381 00:21:30,520 --> 00:21:32,119 Speaker 1: I haven't got a chance to see it. Yea, I 382 00:21:32,160 --> 00:21:35,960 Speaker 1: am going to go out support because I don't like 383 00:21:36,040 --> 00:21:41,119 Speaker 1: hearing mixed with you. I don't everybody should go and 384 00:21:41,200 --> 00:21:43,760 Speaker 1: check it out. Like having her own opinion. But I 385 00:21:43,800 --> 00:21:46,680 Speaker 1: thought it was big because who filmed the biggest movie? 386 00:21:46,680 --> 00:21:50,400 Speaker 1: Who was the director? And I was disappointed that one 387 00:21:50,840 --> 00:21:52,479 Speaker 1: he was the hand of his time. It was a 388 00:21:52,480 --> 00:21:55,320 Speaker 1: better quality movie in my opinion, like production was, but 389 00:21:55,359 --> 00:21:58,000 Speaker 1: I think it lacked what it needed as well. Personally, 390 00:21:59,600 --> 00:22:01,680 Speaker 1: Verse felt the same, the fact that it was Benny 391 00:22:01,760 --> 00:22:04,480 Speaker 1: Boom like coming from video, coming from being the p A. 392 00:22:04,800 --> 00:22:06,719 Speaker 1: But I like the next day here that Jo did. 393 00:22:06,960 --> 00:22:11,239 Speaker 1: Yeah too, but you didn't appreciate the pop track. It 394 00:22:11,320 --> 00:22:14,600 Speaker 1: was cool. On you go take one taking shots? This 395 00:22:14,640 --> 00:22:18,600 Speaker 1: is this is all let's go. You gotta take one 396 00:22:18,640 --> 00:22:20,720 Speaker 1: tiger bone later, let me get it on. Man, he's 397 00:22:20,760 --> 00:22:23,920 Speaker 1: taking a shot of quick. You don't taken here and 398 00:22:24,000 --> 00:22:26,800 Speaker 1: we don't know, but you're making it. Yeah, quick the quick. 399 00:22:26,840 --> 00:22:29,840 Speaker 1: We gotta get to the quick to Aco hydrant. We 400 00:22:29,880 --> 00:22:32,640 Speaker 1: don't got the OPA. You don't want, we don't have 401 00:22:32,680 --> 00:22:36,639 Speaker 1: the pop. Daddy is slipping to the south, but I 402 00:22:36,720 --> 00:22:38,439 Speaker 1: don't want. I want to say a big respect up 403 00:22:38,440 --> 00:22:40,800 Speaker 1: to Benny because I saw that come up and he 404 00:22:41,119 --> 00:22:43,320 Speaker 1: and we were all coming up together. Department of Film 405 00:22:43,440 --> 00:22:48,080 Speaker 1: Nick Questions. Eric nick Question was established director at the 406 00:22:48,160 --> 00:22:50,360 Speaker 1: time when there probably was only ten hip hop directors, 407 00:22:50,640 --> 00:22:53,679 Speaker 1: and he grabs all and put your Nick was the 408 00:22:53,680 --> 00:22:55,560 Speaker 1: type of person that passed on his knowledge. That's why 409 00:22:56,240 --> 00:22:58,240 Speaker 1: so he didn't sign. You say I'm gonna sign, Gail, 410 00:22:58,240 --> 00:23:00,600 Speaker 1: I'm gonna sign, but put your on. He sees what 411 00:23:00,680 --> 00:23:03,160 Speaker 1: you're working and it's like if you were walking into 412 00:23:03,200 --> 00:23:06,359 Speaker 1: like rockets back in the days. Everyone's in there, everyone, 413 00:23:06,400 --> 00:23:08,600 Speaker 1: all the rappers in there, all the young directors wanted 414 00:23:08,600 --> 00:23:10,200 Speaker 1: to be there, and he would give you a camera 415 00:23:10,240 --> 00:23:11,480 Speaker 1: like I don't even know if you knew, like on 416 00:23:11,560 --> 00:23:13,720 Speaker 1: phone time, full Time was gonna bring it up later. Yeah, 417 00:23:13,720 --> 00:23:16,119 Speaker 1: I was like I was like shooting second Unit and 418 00:23:16,320 --> 00:23:18,160 Speaker 1: I was just coming up, you know, and full Time 419 00:23:19,960 --> 00:23:23,240 Speaker 1: for the youngest that don and like a second unit 420 00:23:23,359 --> 00:23:26,560 Speaker 1: like and so much time that came out of that. 421 00:23:26,640 --> 00:23:29,280 Speaker 1: He had a company called Department of Film. It was 422 00:23:29,320 --> 00:23:33,240 Speaker 1: Benny Boom, Eric White, myself, Nick and Nick was o 423 00:23:33,400 --> 00:23:36,400 Speaker 1: G who basically co signed every one of those guys 424 00:23:36,440 --> 00:23:39,399 Speaker 1: to get that first big video because the label's nervous, 425 00:23:39,440 --> 00:23:45,080 Speaker 1: like and n was his company Australia. He got the accident, 426 00:23:45,080 --> 00:23:54,879 Speaker 1: but like like, I can't do it drinking supporting team. 427 00:23:54,960 --> 00:23:57,159 Speaker 1: That's what I'm talking about. You know, Nor did a 428 00:23:57,240 --> 00:23:59,399 Speaker 1: movie like Nick's first movie. I think it was that 429 00:23:59,760 --> 00:24:02,280 Speaker 1: Set and Mummies. Yeah, I stole the DVD. I have 430 00:24:02,359 --> 00:24:12,240 Speaker 1: it in my house. There's only one dvd. Ter no 431 00:24:12,480 --> 00:24:15,800 Speaker 1: use his head cut off? Yea, to cut my head off. 432 00:24:15,920 --> 00:24:17,960 Speaker 1: I made a black guy fucking my head cut off 433 00:24:19,119 --> 00:24:21,240 Speaker 1: the time I die in the first twelve minutes of 434 00:24:21,240 --> 00:24:23,280 Speaker 1: the movie. You know that that's the black role in 435 00:24:23,320 --> 00:24:26,520 Speaker 1: the hard film. So I was satisfied. My first I 436 00:24:26,520 --> 00:24:29,080 Speaker 1: got to see, I got experience Hollywood because I always 437 00:24:29,160 --> 00:24:32,240 Speaker 1: heard it about these stories about these Hollywood actors. They're 438 00:24:32,240 --> 00:24:35,560 Speaker 1: a method actor. One guy who was a method actor, 439 00:24:36,000 --> 00:24:38,399 Speaker 1: so he wouldn't was that the white dude, Yeah from Faster, 440 00:24:39,000 --> 00:24:41,280 Speaker 1: So he wouldn't let nobody talk to him if they 441 00:24:41,359 --> 00:24:43,719 Speaker 1: wasn't calling him the Gary. He stayed in the Rule. 442 00:24:45,040 --> 00:24:47,879 Speaker 1: Jared Letoby. I see him at night at the hotel. 443 00:24:47,880 --> 00:24:49,480 Speaker 1: He hey, what's up man. I'm like, oh, ship, what 444 00:24:49,600 --> 00:24:54,280 Speaker 1: are you right now? I don't know the dude, you know, 445 00:24:54,359 --> 00:24:56,600 Speaker 1: Jared Leto played the Joker. He stayed in character the 446 00:24:56,600 --> 00:24:59,120 Speaker 1: whole time. Oh yeah, that's sending like condom filled with 447 00:24:59,160 --> 00:25:03,679 Speaker 1: whatever was to It was, This is scary to me 448 00:25:03,720 --> 00:25:05,760 Speaker 1: because they like they you know, the people keep coming 449 00:25:05,840 --> 00:25:07,520 Speaker 1: up to me. They're like, yo, he's a method actor, 450 00:25:07,960 --> 00:25:10,000 Speaker 1: so he's gonna act like how you supposed to act 451 00:25:10,000 --> 00:25:11,920 Speaker 1: in the movie. So I was like, all right, cool. 452 00:25:11,960 --> 00:25:13,880 Speaker 1: I didn't know what that meant. But then I've seen 453 00:25:13,960 --> 00:25:15,879 Speaker 1: him walking around and he'll come to lunch and be like, 454 00:25:16,560 --> 00:25:18,160 Speaker 1: this is three he is in the movie. He's like 455 00:25:18,520 --> 00:25:22,600 Speaker 1: where the fund is my ship? Like the people will 456 00:25:22,640 --> 00:25:24,720 Speaker 1: be like, oh my god, it's to say his name, 457 00:25:24,680 --> 00:25:27,240 Speaker 1: and I was like, this is crazy. I was like, 458 00:25:27,280 --> 00:25:29,080 Speaker 1: because you know, I'm playing the next easy I don't 459 00:25:29,080 --> 00:25:30,560 Speaker 1: need a method that guy, you know what I mean. 460 00:25:31,200 --> 00:25:36,359 Speaker 1: So I'm sorry, I'm just missing truth. So then I 461 00:25:36,359 --> 00:25:39,280 Speaker 1: had heard these stories, and then I also heard that 462 00:25:39,520 --> 00:25:45,720 Speaker 1: all of these actors get up so mastertype. Trust me. 463 00:25:45,960 --> 00:25:47,879 Speaker 1: I didn't want to see it up to it. I 464 00:25:47,920 --> 00:25:49,520 Speaker 1: didn't want to see it. I went in the wrong 465 00:25:49,600 --> 00:25:57,159 Speaker 1: trailer and everybody was like, there's no one. I was like, hey, 466 00:25:57,440 --> 00:25:59,320 Speaker 1: and I knew I just kidn't just walk out. I'd 467 00:25:59,440 --> 00:26:06,040 Speaker 1: be like, hey, didn't good? Just say something like I 468 00:26:06,040 --> 00:26:18,640 Speaker 1: don't you get blessed? I got just that quest gave 469 00:26:18,640 --> 00:26:24,359 Speaker 1: me that. Nick question also director offers video l A 470 00:26:24,520 --> 00:26:32,200 Speaker 1: L A very first time I got on film and 471 00:26:32,440 --> 00:26:35,480 Speaker 1: I stopped being a drug dealer. My very first film 472 00:26:35,800 --> 00:26:39,399 Speaker 1: was Nick question Land. He also did my second video. 473 00:26:40,240 --> 00:26:42,959 Speaker 1: I think my first video was your video what you Like? 474 00:26:43,600 --> 00:26:46,480 Speaker 1: He was just bullshit. You were just bullshit. He was 475 00:26:46,560 --> 00:26:50,240 Speaker 1: rolling a camper from orlandom with sway all the way 476 00:26:50,280 --> 00:26:54,040 Speaker 1: and probably say still together. You know you guys, you 477 00:26:54,080 --> 00:26:58,760 Speaker 1: know you gotta keep that Dominican Spirits producer go to everybody, 478 00:26:58,240 --> 00:27:01,280 Speaker 1: is that important? Like how important is that your team? 479 00:27:01,560 --> 00:27:05,560 Speaker 1: Because you can't know you're filmmaking his teamwork. Yeah, there's 480 00:27:05,600 --> 00:27:07,240 Speaker 1: no one person is going to do it. And that's 481 00:27:07,240 --> 00:27:10,040 Speaker 1: what I cast don't understand. Why look on someone by 482 00:27:10,160 --> 00:27:12,400 Speaker 1: what kind of sport is it? Is it? Basketball? Basketball? 483 00:27:12,600 --> 00:27:19,439 Speaker 1: Basketball is like football. It is like you got like 484 00:27:19,440 --> 00:27:23,120 Speaker 1: like a nigga. You need your producer. You know it's 485 00:27:23,160 --> 00:27:26,879 Speaker 1: too much coming. Let me ask you something right now, 486 00:27:27,359 --> 00:27:33,320 Speaker 1: when you have to cut costs, you gotta fly to Morocco. Right, 487 00:27:33,480 --> 00:27:40,040 Speaker 1: You're got to fly to Morocco. You got your set crew, 488 00:27:40,200 --> 00:27:44,040 Speaker 1: this is your crew. But you gotta cut budget. What 489 00:27:44,080 --> 00:27:47,280 Speaker 1: do you do? You ride out like got to like 490 00:27:47,359 --> 00:27:49,800 Speaker 1: you want to shoot it for twenty five? Sway, He's like, 491 00:27:50,000 --> 00:27:52,320 Speaker 1: if we can't go shoot this for twenty five in Morocco, 492 00:27:52,680 --> 00:27:56,680 Speaker 1: the Morocco producer guys already saying seventy five the Morocco. 493 00:27:56,720 --> 00:28:01,080 Speaker 1: But so you you hire them somebody over there. You 494 00:28:01,119 --> 00:28:03,679 Speaker 1: know he's probably finessing putting his money on top of it. 495 00:28:04,920 --> 00:28:07,520 Speaker 1: Because they told me that artists have gone to Morocco 496 00:28:07,640 --> 00:28:10,440 Speaker 1: and they a sap told me on the cruise. He 497 00:28:10,520 --> 00:28:12,679 Speaker 1: was like, yo, we went to Morocco film, be careful. 498 00:28:12,920 --> 00:28:15,320 Speaker 1: They thought we were spies. They took our cameras, they 499 00:28:15,359 --> 00:28:18,399 Speaker 1: raced our footage. I heard a couple of artists go 500 00:28:18,480 --> 00:28:20,440 Speaker 1: through that. So you know what I'm saying. But I'm like, twist. 501 00:28:20,480 --> 00:28:23,640 Speaker 1: It sounds nice, but it's still North Africa, the South South. 502 00:28:23,720 --> 00:28:28,159 Speaker 1: It's little that's not okay, my bad, But I just 503 00:28:28,240 --> 00:28:30,960 Speaker 1: like to Last Rocket too. By the way, Yeah, it's 504 00:28:30,960 --> 00:28:40,400 Speaker 1: North Africa at least. Yeah, you got worldwidecco. My mother's 505 00:28:40,440 --> 00:28:46,240 Speaker 1: my mother's Morocco. You've been, never been. It's very dangerous nowadays. 506 00:28:46,240 --> 00:28:48,320 Speaker 1: I want to go to Morocco. I love Moracks like 507 00:28:48,320 --> 00:28:52,600 Speaker 1: I don't know, we're great. It's pretty. I don't know 508 00:28:52,600 --> 00:28:57,240 Speaker 1: about dangerous where you go, but cashing the street, I 509 00:28:57,280 --> 00:28:59,560 Speaker 1: want to get down. I go to Morocco right now. 510 00:29:00,080 --> 00:29:03,800 Speaker 1: They Blanca's beautiful. They got nice place. You won't go 511 00:29:03,840 --> 00:29:07,360 Speaker 1: to a nice play look jurious. You see f and 512 00:29:07,400 --> 00:29:17,200 Speaker 1: he tried to get killed every documents festival stream. Morocco. 513 00:29:17,440 --> 00:29:21,200 Speaker 1: Never been coming home, coming home. I've been to a 514 00:29:21,280 --> 00:29:23,360 Speaker 1: part of France. It was just like Morocco. I smoked 515 00:29:23,360 --> 00:29:26,600 Speaker 1: the same as that they called as Morocco, so it 516 00:29:26,640 --> 00:29:29,720 Speaker 1: would make sense. That's the best hash in the world. 517 00:29:29,800 --> 00:29:33,280 Speaker 1: By the way, my rocking hash that serious, No that serious, 518 00:29:33,280 --> 00:29:36,520 Speaker 1: not even racious. No Moroccan hash. You could you could 519 00:29:36,600 --> 00:29:38,200 Speaker 1: hit it. You could hit it straight up. When you 520 00:29:38,320 --> 00:29:41,960 Speaker 1: raised with the culture. Um you know, I was raised 521 00:29:42,320 --> 00:29:46,040 Speaker 1: in Miami. I know some of the bad words that 522 00:29:46,120 --> 00:29:47,960 Speaker 1: when my mom's got mad and the shoes came off 523 00:29:48,000 --> 00:29:52,480 Speaker 1: and the throwing and stuff. The you make it too though, right, Yeah, 524 00:29:52,760 --> 00:29:55,040 Speaker 1: so I told them that. You were like, damn, you're Jamaican. 525 00:29:55,680 --> 00:30:03,200 Speaker 1: You got the iary rides ever Tink, Cristpa Curry, remember everything, 526 00:30:03,240 --> 00:30:07,200 Speaker 1: Christpha Curry everything, christmpher carry Curry see Prid of freaking 527 00:30:07,200 --> 00:30:09,800 Speaker 1: see seeing y'all remember super That was like the number 528 00:30:09,800 --> 00:30:12,280 Speaker 1: one record of Jamaica is like, Yo, they're gonna do 529 00:30:12,400 --> 00:30:15,080 Speaker 1: something when you go on stage, don't react. I was like, 530 00:30:15,080 --> 00:30:17,640 Speaker 1: all right, cool and like my mom, I said, I 531 00:30:17,640 --> 00:30:21,800 Speaker 1: gotta react. It was just normal. Nobody moved. I was 532 00:30:21,840 --> 00:30:24,560 Speaker 1: the only wild ship. It was like that's when they 533 00:30:24,920 --> 00:30:26,880 Speaker 1: show they still loved. And it's ninety eight, so I 534 00:30:26,880 --> 00:30:28,760 Speaker 1: don't know they can still do that now. But back 535 00:30:28,760 --> 00:30:30,680 Speaker 1: then the police didn't even moved. But I'm not looking 536 00:30:30,760 --> 00:30:34,400 Speaker 1: they can do so I'm scared of the things they're 537 00:30:34,440 --> 00:30:38,040 Speaker 1: like finished, What was your first time video? Like official 538 00:30:38,120 --> 00:30:43,120 Speaker 1: music video for established artists. I'll be trick Daddy America 539 00:30:43,640 --> 00:30:49,080 Speaker 1: Society Society Great. Great, that's a great track. That did 540 00:30:49,080 --> 00:30:50,760 Speaker 1: that mean a lot to you because him be in 541 00:30:50,800 --> 00:30:53,760 Speaker 1: Miami home Bread and it was and it was dropping 542 00:30:53,760 --> 00:30:56,640 Speaker 1: knowledge on the track nation so anything it was like 543 00:30:56,720 --> 00:31:03,360 Speaker 1: positive Nation to come on, I'm telling you I was 544 00:31:03,360 --> 00:31:05,200 Speaker 1: a hip hop head man. You gotta get back to 545 00:31:05,240 --> 00:31:09,480 Speaker 1: his rap career. You weren't go into that. Did you 546 00:31:09,480 --> 00:31:12,280 Speaker 1: shoot your own music videos? That's how I got into. 547 00:31:13,320 --> 00:31:15,520 Speaker 1: How did you feel about the African verbout the news? 548 00:31:15,760 --> 00:31:21,400 Speaker 1: I was crushed. I ain't hearing news man. That was 549 00:31:21,480 --> 00:31:28,240 Speaker 1: good one. No, come on, I know you already know 550 00:31:28,320 --> 00:31:39,120 Speaker 1: how you're gonna he said, sorry, you can't. It's crazy. 551 00:31:39,440 --> 00:31:44,240 Speaker 1: He was a cute child. Molestation, Yeah, everybody was doing this, 552 00:31:44,440 --> 00:31:46,400 Speaker 1: especially made him step down. Yeah, I actually made him 553 00:31:46,440 --> 00:31:47,760 Speaker 1: step down. I thought that was the right thing to 554 00:31:47,800 --> 00:31:51,240 Speaker 1: do because, um, with all the due respect everything he 555 00:31:51,280 --> 00:31:54,160 Speaker 1: did for hip hop, even even him, he's not bigger 556 00:31:54,200 --> 00:31:55,920 Speaker 1: than the movement, you know what I'm saying. So it's like, 557 00:31:55,960 --> 00:31:57,280 Speaker 1: if you had to step down, I think that's the 558 00:31:57,360 --> 00:32:00,160 Speaker 1: right thing to do and then continue moving. And it's 559 00:32:00,160 --> 00:32:05,080 Speaker 1: crazy for the younger guys. We'll see, That's what I'm saying. 560 00:32:05,240 --> 00:32:07,880 Speaker 1: If you want to explain. I mean, like when I 561 00:32:07,920 --> 00:32:10,040 Speaker 1: got into, they were setting up different chapters in different 562 00:32:10,040 --> 00:32:12,040 Speaker 1: cities and actually joined the d C at the time. 563 00:32:12,840 --> 00:32:16,680 Speaker 1: But you know, Africa Embado was always instilling positivity in 564 00:32:16,840 --> 00:32:19,200 Speaker 1: hip hop and that was this thing is and and 565 00:32:19,560 --> 00:32:21,719 Speaker 1: if you're in Zulu, you have Infinity Lessons where it's 566 00:32:21,720 --> 00:32:23,640 Speaker 1: basically they give you a bunch of books to read 567 00:32:24,080 --> 00:32:26,000 Speaker 1: and so like it was really getting your culture about 568 00:32:26,000 --> 00:32:28,240 Speaker 1: Malcolm about what I mean, it could be everything. It 569 00:32:28,240 --> 00:32:31,520 Speaker 1: could be as as five percenters, it could be, you know, 570 00:32:31,720 --> 00:32:35,720 Speaker 1: just expanding your mind on understanding. It's very well positivity 571 00:32:35,760 --> 00:32:39,160 Speaker 1: respected crew. You know what I'm saying. It's from the Foundation. Foundation. 572 00:32:39,160 --> 00:32:42,200 Speaker 1: And whenever you say, if somebody say you Zulu nation, 573 00:32:42,480 --> 00:32:44,800 Speaker 1: that it could be all over the world I'm talking about. 574 00:32:44,920 --> 00:32:47,680 Speaker 1: You could be in Switzerland, you could be in doodledof Germany. 575 00:32:47,720 --> 00:32:52,840 Speaker 1: You can be And it's a beautiful who initiates and 576 00:32:52,840 --> 00:32:55,920 Speaker 1: like it was African, it's a beautiful movement. So I 577 00:32:56,000 --> 00:32:58,560 Speaker 1: just don't want the movement to be torn by one 578 00:32:58,600 --> 00:33:01,120 Speaker 1: person's act, whether he's getting guilty or not. So the 579 00:33:01,160 --> 00:33:04,000 Speaker 1: fact that they made him step down. When he stepped down, um, 580 00:33:04,040 --> 00:33:05,720 Speaker 1: I thought it was dope because I don't want the 581 00:33:05,800 --> 00:33:08,160 Speaker 1: movement to stop for one person's actions, even though they 582 00:33:08,240 --> 00:33:11,840 Speaker 1: want to create. Because he brought like tell me if 583 00:33:11,840 --> 00:33:13,960 Speaker 1: I'm wrong, and I'm gonna say what I know, but 584 00:33:14,040 --> 00:33:16,560 Speaker 1: they brought the infamous gangs and the Bronx and the 585 00:33:16,600 --> 00:33:19,320 Speaker 1: New York together together, which is the birth of hip hop, 586 00:33:19,400 --> 00:33:22,280 Speaker 1: you know, the beep and then fighters. Yeah, instead of fighting, 587 00:33:22,320 --> 00:33:24,880 Speaker 1: they started being you know, having BBoy battles, you know 588 00:33:25,000 --> 00:33:27,160 Speaker 1: saying em C battles and DJ battles And that's what 589 00:33:27,320 --> 00:33:29,320 Speaker 1: That's kind of like the gist of what House Do 590 00:33:29,400 --> 00:33:31,000 Speaker 1: Nation was creating if you want to see a really 591 00:33:31,040 --> 00:33:33,200 Speaker 1: good documentary on it. Actually, the Quest was a part 592 00:33:33,200 --> 00:33:36,160 Speaker 1: of the rumble Kings. Kings is amazing, and then watch 593 00:33:36,200 --> 00:33:38,160 Speaker 1: the other the fashion one. What's the other one? That? 594 00:33:38,520 --> 00:33:44,600 Speaker 1: What's the fashion one? That Thurston? Yeah, that's like right 595 00:33:44,600 --> 00:33:47,200 Speaker 1: after rumble Kings. It almost goes It's like into that 596 00:33:48,000 --> 00:33:50,680 Speaker 1: like a dude named Carlos Karate something right. I like 597 00:33:50,720 --> 00:33:53,800 Speaker 1: that rumble Kings is amazing. That's like I got to 598 00:33:53,840 --> 00:33:57,240 Speaker 1: finishing somebody else and it was a fashion one, which 599 00:33:57,280 --> 00:33:59,520 Speaker 1: I can't think of it because Fresh Dress. I think 600 00:34:01,880 --> 00:34:04,120 Speaker 1: you can watch that like right after rumble Kings. It 601 00:34:04,160 --> 00:34:06,360 Speaker 1: almost feels like it's like a continuation, but it's about 602 00:34:06,360 --> 00:34:13,880 Speaker 1: the fashion and hip hop in there. Yeah, that's the 603 00:34:14,160 --> 00:34:18,279 Speaker 1: Quest because I started produced question got some of those 604 00:34:19,280 --> 00:34:21,640 Speaker 1: Fresh Dress at the Fresh Dress party. He might have 605 00:34:21,680 --> 00:34:23,640 Speaker 1: something to do that too. I see Nick and stretched 606 00:34:23,680 --> 00:34:26,200 Speaker 1: on strong at the front. He's strong, he got they 607 00:34:26,239 --> 00:34:31,040 Speaker 1: got a big company. They fund mad movies. No Nick questions, 608 00:34:31,480 --> 00:34:33,920 Speaker 1: questions like you might just have to get Nick on 609 00:34:33,960 --> 00:34:37,640 Speaker 1: your show man. I need and I need, I need 610 00:34:37,640 --> 00:34:42,799 Speaker 1: to direct a new video. It's always a whole time. 611 00:34:43,760 --> 00:34:45,759 Speaker 1: The funny thing about Nick is like you'd be like 612 00:34:45,880 --> 00:34:47,759 Speaker 1: when you hear him, he's this Englishman. He's like, Yo, 613 00:34:47,800 --> 00:34:49,360 Speaker 1: how does the Englishman getting the hip hop? And I 614 00:34:49,400 --> 00:34:51,840 Speaker 1: mean that he's hip hop? Yo. This dude just filmed 615 00:34:51,840 --> 00:34:56,480 Speaker 1: a documentary. It's on National Geographic about Syria, like the 616 00:34:56,680 --> 00:34:59,600 Speaker 1: hats were in the heart of Syria. So when you say, like, yo, 617 00:34:59,680 --> 00:35:02,399 Speaker 1: he was, it's definitely really than me. I ain't gonna 618 00:35:03,040 --> 00:35:07,640 Speaker 1: about it, like shots, just about what happened right now 619 00:35:07,719 --> 00:35:14,960 Speaker 1: with you? I did, I did. I'm forget about that's 620 00:35:14,960 --> 00:35:17,440 Speaker 1: so that's I know. That's why I was. It was 621 00:35:17,480 --> 00:35:20,839 Speaker 1: like a twenty five trip to get there. First. I listen, listen, 622 00:35:21,120 --> 00:35:23,960 Speaker 1: I have my version of Third World countries. I'm out 623 00:35:23,960 --> 00:35:29,440 Speaker 1: of it. It's not for me no more. I one 624 00:35:29,480 --> 00:35:32,719 Speaker 1: of one. I'm coming, Come on, I'm gonna go to 625 00:35:32,760 --> 00:35:39,000 Speaker 1: the one like still good, We're gonna eat. That's it 626 00:35:39,080 --> 00:35:43,080 Speaker 1: eat so unforgettable, right, I'm like, yo, I need blank guns. 627 00:35:43,120 --> 00:35:46,600 Speaker 1: We don't have blank guns here. They're using real inks 628 00:35:47,280 --> 00:35:51,280 Speaker 1: shooting blanks, which is like the cops provided a hundred 629 00:35:51,320 --> 00:35:54,640 Speaker 1: aks for me, what do you need this one? I 630 00:35:54,680 --> 00:35:59,320 Speaker 1: can use this one. It's okay. So they were using blanks, 631 00:35:59,640 --> 00:36:02,319 Speaker 1: and you know when you are some blanks, there's like 632 00:36:02,360 --> 00:36:04,480 Speaker 1: full blanks. It is louder. And they cycled the gun. 633 00:36:04,520 --> 00:36:06,360 Speaker 1: You know when the when the round goes off, you'll 634 00:36:06,360 --> 00:36:08,640 Speaker 1: put the next round in the chamber. So these blanks 635 00:36:08,680 --> 00:36:10,520 Speaker 1: are on the real gun, so they after they go 636 00:36:10,600 --> 00:36:15,080 Speaker 1: one time, they got so it's like just scary about 637 00:36:15,360 --> 00:36:18,319 Speaker 1: you know, safety. It was like at each other the 638 00:36:18,320 --> 00:36:19,920 Speaker 1: guns with the blanks. We didn't point out you know 639 00:36:19,920 --> 00:36:22,279 Speaker 1: what I'm saying. That sound like the same story when 640 00:36:22,280 --> 00:36:25,239 Speaker 1: we shot Yes, yes, sir, yes your scam shots down. 641 00:36:26,960 --> 00:36:36,480 Speaker 1: I don't know the real joints. Let's say it's one 642 00:36:36,480 --> 00:36:39,080 Speaker 1: of the craziest video stories ever of all time. Give 643 00:36:39,160 --> 00:36:41,440 Speaker 1: it to us. And it was early in my career, 644 00:36:41,520 --> 00:36:43,560 Speaker 1: and and and big up for like giving me a 645 00:36:43,640 --> 00:36:47,360 Speaker 1: blind actual shooting music video with yourself. So we're in 646 00:36:47,400 --> 00:36:50,120 Speaker 1: the Bronx and it's the coldest day. We was by 647 00:36:50,160 --> 00:36:53,440 Speaker 1: the stadium. Okay, that's right by the coldest day in 648 00:36:53,440 --> 00:36:56,000 Speaker 1: New York. And we're in the middle of shooting and 649 00:36:56,080 --> 00:36:58,200 Speaker 1: we set up this whole scene and in the middle 650 00:36:58,200 --> 00:37:03,319 Speaker 1: of our shot, this dude tackles another dude in the 651 00:37:03,360 --> 00:37:10,560 Speaker 1: frame while you're shooting and pulls out his piece like 652 00:37:11,080 --> 00:37:15,200 Speaker 1: get down. Were like, yo, we didn't rehearse this ship. 653 00:37:19,440 --> 00:37:22,600 Speaker 1: So then the dude was undercover and was watching this 654 00:37:22,640 --> 00:37:26,000 Speaker 1: guy who was on your video set. So they cut 655 00:37:26,040 --> 00:37:27,919 Speaker 1: him up. They put him in the back of the car, 656 00:37:28,000 --> 00:37:31,200 Speaker 1: but they don't close the door, so oh boy scrubs 657 00:37:31,200 --> 00:37:33,440 Speaker 1: out the car right and he's running down the block. 658 00:37:33,719 --> 00:37:37,520 Speaker 1: He trips on the concrete, bust his mouth on the concrete. 659 00:37:37,600 --> 00:37:42,239 Speaker 1: Now he's bloody with cups and ten cops around. The 660 00:37:42,320 --> 00:37:44,719 Speaker 1: neighborhood is not having it because it just doesn't look 661 00:37:44,840 --> 00:37:47,040 Speaker 1: right right, you know. This ship turned into some like 662 00:37:47,080 --> 00:37:49,160 Speaker 1: do the Right Thing ship where people were throwing it 663 00:37:49,360 --> 00:37:54,920 Speaker 1: out the windows radio ship like perform. They shut us 664 00:37:54,960 --> 00:37:56,880 Speaker 1: down and we had to go downtown and finish it. 665 00:37:56,920 --> 00:38:03,239 Speaker 1: Remember credited, your company got the word. They got the word. Yeah, 666 00:38:03,280 --> 00:38:06,359 Speaker 1: that she was crazy. Yeah, damn, yeah good, I was crazy. 667 00:38:06,520 --> 00:38:12,480 Speaker 1: For God, I'm for good. Damn you think it's about 668 00:38:12,880 --> 00:38:18,360 Speaker 1: ye got to come on one tiger about tasting changese. 669 00:38:19,480 --> 00:38:23,120 Speaker 1: The reason you don't drink like reason you're even I 670 00:38:23,200 --> 00:38:25,920 Speaker 1: just I just never never drank, and you're like my 671 00:38:26,000 --> 00:38:30,040 Speaker 1: whole life. Yeah, I got a good track. I don't know, 672 00:38:30,120 --> 00:38:34,279 Speaker 1: drink chips once. I don't know. Baby, don't you never 673 00:38:34,360 --> 00:38:40,080 Speaker 1: have one? It actually is you been wine changes wow. Yeah, 674 00:38:40,760 --> 00:38:45,799 Speaker 1: you will eat a fan first, but you're the part 675 00:38:45,840 --> 00:38:47,480 Speaker 1: of this. I ain't drinking this. I got to fish 676 00:38:48,200 --> 00:38:49,880 Speaker 1: and another piece and he wants you to have a 677 00:38:51,440 --> 00:38:56,000 Speaker 1: We got really bears quick strawberry. This is the spoke 678 00:38:56,040 --> 00:38:59,200 Speaker 1: of this drink. We got strawberry, yo, good to day. 679 00:38:59,239 --> 00:39:03,280 Speaker 1: Well we've never had the gummy bears, Gummy bears, tiger 680 00:39:03,360 --> 00:39:09,880 Speaker 1: bone and I don't work bat no, no, no, no, 681 00:39:10,480 --> 00:39:12,600 Speaker 1: too fold and all that. You know what I'm saying. 682 00:39:12,680 --> 00:39:26,879 Speaker 1: The gil green that's a mixture right here. So it's 683 00:39:26,880 --> 00:39:33,880 Speaker 1: a little I hate chill. Your life has changed. That 684 00:39:34,080 --> 00:39:37,319 Speaker 1: was you have a big video? You ever direct? I'm 685 00:39:37,440 --> 00:39:39,239 Speaker 1: going off the limb when I'm saying French from an 686 00:39:39,320 --> 00:39:42,960 Speaker 1: chin right and Dominic came Republic like it was fun. 687 00:39:43,320 --> 00:39:45,399 Speaker 1: I was definitely a fun one because it happened. We're 688 00:39:45,400 --> 00:39:48,319 Speaker 1: going to shoot that in in l A. And then 689 00:39:48,640 --> 00:39:50,960 Speaker 1: this was right before Drake was gonna go on tour 690 00:39:53,239 --> 00:39:58,800 Speaker 1: forties like yo, you know Fortes forty take shot Trump 691 00:39:58,840 --> 00:40:01,240 Speaker 1: forty had a vacation. She said, up for drinking. Everybody 692 00:40:01,280 --> 00:40:03,640 Speaker 1: to go to dr have fun. Yo, let's shooting in 693 00:40:03,800 --> 00:40:06,960 Speaker 1: dr hold On, they said, we kind of kind of friends. 694 00:40:07,200 --> 00:40:10,319 Speaker 1: Drake got he got a friend that set up of Vakid. 695 00:40:10,360 --> 00:40:14,000 Speaker 1: I don't got those types of I'm jealous. Hold On, 696 00:40:14,640 --> 00:40:16,200 Speaker 1: I've got the story you're trying to tell. Hold On, 697 00:40:16,600 --> 00:40:21,160 Speaker 1: trying to stay. We're bad friends out there, man, I said, 698 00:40:21,520 --> 00:40:23,560 Speaker 1: we went to Universal Studios. You forgot. It's not like 699 00:40:23,719 --> 00:40:30,040 Speaker 1: Dominico my friendships when he's doing okhead. So it's like, yo, 700 00:40:30,600 --> 00:40:34,160 Speaker 1: you do it in dr It's of course used to 701 00:40:34,239 --> 00:40:37,320 Speaker 1: sway mend and I've seen it was like that was 702 00:40:37,400 --> 00:40:39,600 Speaker 1: like a United plane like I had Like it was 703 00:40:39,680 --> 00:40:41,960 Speaker 1: like United. I was going out like private though. That 704 00:40:42,080 --> 00:40:44,280 Speaker 1: was why I had a man drama because my passport 705 00:40:44,360 --> 00:40:47,439 Speaker 1: was expired. I didn't I didn't go on. I didn't 706 00:40:47,760 --> 00:40:51,520 Speaker 1: look like al Qaeda to so I leave with him 707 00:40:51,600 --> 00:40:54,719 Speaker 1: out of doing a passport mission yesterday, I this today. 708 00:40:57,200 --> 00:40:59,440 Speaker 1: So I had to get my passport boom. I had 709 00:40:59,480 --> 00:41:01,640 Speaker 1: to fly my mom and so she can confirm that 710 00:41:02,320 --> 00:41:04,839 Speaker 1: she had signed some paper Yeah, signs of paper work 711 00:41:04,920 --> 00:41:07,840 Speaker 1: to say I know this guy for thirty years Dominican Republic. 712 00:41:08,760 --> 00:41:11,440 Speaker 1: Later in my pastor whom they gave me the passport, 713 00:41:12,000 --> 00:41:14,160 Speaker 1: jumped on the flight, went there, you know sways Dominican. 714 00:41:14,680 --> 00:41:17,360 Speaker 1: He has that on smash over there. It was just 715 00:41:17,440 --> 00:41:19,480 Speaker 1: like fun? Was that? That was a fun one? Was 716 00:41:19,520 --> 00:41:39,480 Speaker 1: that that He's like some you know what you're saying that? Yeah, 717 00:41:40,000 --> 00:41:42,480 Speaker 1: but it's guys to their comple Is it guys of 718 00:41:42,520 --> 00:41:45,400 Speaker 1: their comple Yeah? Is it like that? It just comes No, 719 00:41:45,520 --> 00:41:47,120 Speaker 1: But that's what it's called. The place is called cous 720 00:41:47,160 --> 00:41:56,880 Speaker 1: of the company. But that was my That's what that was. 721 00:41:57,200 --> 00:42:00,840 Speaker 1: Nobody Gil went to deal with me to Colombia was 722 00:42:00,960 --> 00:42:08,960 Speaker 1: legend on the drawing you director? Was that I directed 723 00:42:09,000 --> 00:42:10,920 Speaker 1: to join from the Pablo's Crib with Ross. I did 724 00:42:10,960 --> 00:42:14,400 Speaker 1: the Avery Storm record with Ross. You know your realer style? 725 00:42:14,840 --> 00:42:17,640 Speaker 1: You agree with the big budget? I got the can 726 00:42:17,680 --> 00:42:24,480 Speaker 1: we tell him what to call you? Baby Gil? Baby girl? 727 00:42:26,960 --> 00:42:39,080 Speaker 1: That better call me, Steven Spielberg, it's how is it? 728 00:42:39,239 --> 00:42:43,279 Speaker 1: How is this seeing? Like I talked about passing the torch, 729 00:42:43,440 --> 00:42:44,880 Speaker 1: Like I said, I get so much props in the 730 00:42:45,040 --> 00:42:47,919 Speaker 1: question from putting me on and when first, when people 731 00:42:47,960 --> 00:42:50,520 Speaker 1: give you your first opportunity, you never forget that, man, 732 00:42:50,520 --> 00:42:52,800 Speaker 1: because people don't have to do that, you know. But 733 00:42:52,880 --> 00:42:55,120 Speaker 1: that was just dope because there was a director giving 734 00:42:55,120 --> 00:42:59,080 Speaker 1: you the thing. Me me gunpoint, like, yeah, I'm shooting videos. 735 00:42:59,120 --> 00:43:00,840 Speaker 1: I could do this video. I can cut it for 736 00:43:00,920 --> 00:43:02,840 Speaker 1: you in the same day. I could do do this. 737 00:43:02,960 --> 00:43:04,640 Speaker 1: You know what I'm saying. I come from the five 738 00:43:04,719 --> 00:43:06,160 Speaker 1: D era. I was one of the first ones with 739 00:43:06,280 --> 00:43:08,239 Speaker 1: the five D Like, Yo, Ross, this ship looks good. 740 00:43:08,320 --> 00:43:11,920 Speaker 1: Let's jump out this lobby at this hotel and film permits. 741 00:43:11,960 --> 00:43:17,360 Speaker 1: Gorilla real girls, you know you got you got the 742 00:43:17,440 --> 00:43:19,680 Speaker 1: torch passed on to you. You know you see me. 743 00:43:19,760 --> 00:43:22,480 Speaker 1: You would show me love, everybody show love. It's not like, hey, Speth, 744 00:43:22,560 --> 00:43:24,400 Speaker 1: I got I got a video. When you shoot this, 745 00:43:24,880 --> 00:43:26,560 Speaker 1: I got a bag for you. Have you go out 746 00:43:26,600 --> 00:43:33,880 Speaker 1: of videos without permits? Yeah, yeah, yeah, yeah. I like 747 00:43:34,000 --> 00:43:36,719 Speaker 1: the things, but I'm not. But it gets they don't 748 00:43:36,760 --> 00:43:39,359 Speaker 1: understand that. So when you shoot gorilla ship. But when 749 00:43:39,360 --> 00:43:41,520 Speaker 1: you get police on set, you have to have all 750 00:43:41,600 --> 00:43:43,479 Speaker 1: this extra stuff and the budget goes up. I gotta 751 00:43:43,800 --> 00:43:46,960 Speaker 1: film permit. I can't. I just shot up French uh, 752 00:43:47,239 --> 00:43:50,359 Speaker 1: French Montana feature and Weekend in Max b in New York. 753 00:43:50,719 --> 00:43:52,840 Speaker 1: So when you got you gotta get permits. Weakness is 754 00:43:52,880 --> 00:43:55,719 Speaker 1: like you know, big big video. So when you guys, 755 00:43:55,840 --> 00:43:57,839 Speaker 1: you gotta get the permits. They can't drive in the car. 756 00:43:58,000 --> 00:44:00,799 Speaker 1: I gotta get the process trailer, so permits trailers. Put 757 00:44:00,880 --> 00:44:03,120 Speaker 1: in the car on the trailer and then they're pulling 758 00:44:03,160 --> 00:44:04,719 Speaker 1: it through the city and it looks like they drive him, 759 00:44:04,719 --> 00:44:06,680 Speaker 1: but they're not. But if I I could have been 760 00:44:06,719 --> 00:44:09,560 Speaker 1: really that through a minivan and save man bread and 761 00:44:09,600 --> 00:44:12,239 Speaker 1: shot up, shot up, you know, did you never feel 762 00:44:12,239 --> 00:44:14,279 Speaker 1: that was a cheeko the gorilla styles just real talking 763 00:44:14,320 --> 00:44:19,000 Speaker 1: like you know, I think that because it was like 764 00:44:21,440 --> 00:44:26,800 Speaker 1: it was like, isn't gonna hate temperament. I love the 765 00:44:26,880 --> 00:44:28,879 Speaker 1: young kids with the five D because to me, that's 766 00:44:28,880 --> 00:44:30,600 Speaker 1: how I came up, and we did it on film. 767 00:44:30,640 --> 00:44:33,600 Speaker 1: You saved six months before you can shoot, you know, 768 00:44:33,719 --> 00:44:36,200 Speaker 1: you saved five thousand hours about three rolls of film 769 00:44:36,640 --> 00:44:39,680 Speaker 1: and then you know, but I love like anyone that's 770 00:44:39,800 --> 00:44:43,080 Speaker 1: that's self motivated and you grab your iPhone and go film. 771 00:44:43,200 --> 00:44:45,400 Speaker 1: The best filmmakers are gonna be some kid that's in 772 00:44:45,440 --> 00:44:47,960 Speaker 1: a basement with some great ideas and now he's got 773 00:44:48,000 --> 00:44:50,080 Speaker 1: the tools to do it. Years ago, like I said, 774 00:44:50,120 --> 00:44:52,680 Speaker 1: it was ten directors and if someone gave you that 775 00:44:52,920 --> 00:44:55,800 Speaker 1: eleven slot, it was a big deal. So BT Awards 776 00:44:55,840 --> 00:45:00,920 Speaker 1: and always have the same five guys soon come. But 777 00:45:01,239 --> 00:45:03,680 Speaker 1: it does it never feel like the quality suffers, and 778 00:45:03,760 --> 00:45:06,759 Speaker 1: then everybody just adjusted say, yeah, that's dope, even though 779 00:45:06,800 --> 00:45:11,120 Speaker 1: it's not really dope. I mean, do you understand what 780 00:45:11,160 --> 00:45:13,359 Speaker 1: I'm saying that. I mean, you see like it's it's 781 00:45:13,440 --> 00:45:15,759 Speaker 1: it's a crapshoot, you know, like you'd be like like 782 00:45:15,840 --> 00:45:18,120 Speaker 1: an artist has ten grand or whatever, and they're like, 783 00:45:18,120 --> 00:45:20,640 Speaker 1: because you'll you'll do storyboard, you'll do this, you'll have 784 00:45:20,680 --> 00:45:22,719 Speaker 1: everything set up. And I'm not talking about the running 785 00:45:22,760 --> 00:45:25,000 Speaker 1: gun guy, but just in general, they'll make up by 786 00:45:25,080 --> 00:45:28,040 Speaker 1: doing cheesy effects this and that, and then it becomes 787 00:45:28,120 --> 00:45:30,279 Speaker 1: like a trend. The chief effect becomes a trend. I 788 00:45:30,320 --> 00:45:31,960 Speaker 1: think if you don't have the money to do the 789 00:45:32,040 --> 00:45:33,960 Speaker 1: polished video, then you need to step out the box. 790 00:45:34,040 --> 00:45:37,239 Speaker 1: And think of an idea that's a little different, creative different. Yeah, 791 00:45:38,520 --> 00:45:43,040 Speaker 1: but like I came, I was negative, make it happen. 792 00:45:43,280 --> 00:45:45,080 Speaker 1: But when you get to a certain level, when I 793 00:45:45,160 --> 00:45:47,520 Speaker 1: have my certain team, my certain DP. I know the 794 00:45:47,800 --> 00:45:52,360 Speaker 1: guy that sent my lights, he's expensive just to be 795 00:45:52,480 --> 00:45:54,600 Speaker 1: on set, you know what I'm saying. So I have 796 00:45:54,640 --> 00:45:56,640 Speaker 1: a certain look. So you want that look, you gotta 797 00:45:56,640 --> 00:45:59,240 Speaker 1: pay for that look. Again, you'll describe the people wild 798 00:45:59,360 --> 00:46:04,440 Speaker 1: lights is is important? You know, you think everybody, everybody 799 00:46:04,520 --> 00:46:06,279 Speaker 1: coming to you. I got a red cam, le's shoot 800 00:46:06,280 --> 00:46:08,000 Speaker 1: a video. I got a red cam. Everybody got a 801 00:46:08,040 --> 00:46:09,719 Speaker 1: red cam. Now it don't matter. You can shoot the 802 00:46:09,719 --> 00:46:11,560 Speaker 1: red camera, look like you shot it with your iPhone. 803 00:46:12,120 --> 00:46:14,320 Speaker 1: You need the DP that's gonna get that lighting of 804 00:46:14,480 --> 00:46:17,399 Speaker 1: what you need to make that look that movie look. 805 00:46:17,440 --> 00:46:20,160 Speaker 1: You know you can't do that. I gotta five D. 806 00:46:20,239 --> 00:46:22,520 Speaker 1: I said, Okay, cool, look at your video. Looks like 807 00:46:22,600 --> 00:46:25,560 Speaker 1: you did it with a VHS camera. You know what 808 00:46:25,560 --> 00:46:27,759 Speaker 1: I'm saying. And someone will be like, but that's the 809 00:46:27,800 --> 00:46:31,040 Speaker 1: new trend. That's just hot. That's It's like, how many 810 00:46:31,120 --> 00:46:34,359 Speaker 1: videos you see a shitty lit red Yeah, it's red. 811 00:46:35,520 --> 00:46:42,520 Speaker 1: Sometimes if the song is popping, shi that's what happened video, 812 00:46:42,560 --> 00:46:44,719 Speaker 1: and then everybody like that's the new look right there, 813 00:46:44,800 --> 00:46:47,560 Speaker 1: and everybody the guy and me was like, oh that's 814 00:46:47,600 --> 00:46:49,600 Speaker 1: not right, like looking at the video. But then the 815 00:46:49,840 --> 00:46:53,160 Speaker 1: hood guy and me was like, I'm get I love 816 00:46:53,200 --> 00:46:56,279 Speaker 1: a song. Let go that's it. You know, I've a 817 00:46:56,360 --> 00:46:58,960 Speaker 1: game twenty years. I'm like, damn, Like you were supposed 818 00:46:58,960 --> 00:47:05,800 Speaker 1: to reshoot that day, toot reshoot that like this that 819 00:47:05,960 --> 00:47:07,640 Speaker 1: was the original. This is the remix, but it's not 820 00:47:07,719 --> 00:47:10,560 Speaker 1: even the remix. It's I had a question. How many 821 00:47:10,680 --> 00:47:16,239 Speaker 1: videos had a guy like canned like shell, I know, 822 00:47:16,400 --> 00:47:27,280 Speaker 1: like he's experienced that I've never heard. I never content 823 00:47:27,440 --> 00:47:29,920 Speaker 1: is king. Yeah, but in that time, that hip hop 824 00:47:30,040 --> 00:47:35,080 Speaker 1: time shoving up. Oh yeah, it's not coming out a 825 00:47:35,120 --> 00:47:39,800 Speaker 1: million dollars there they shoved the ship. Video was like 826 00:47:39,880 --> 00:47:41,839 Speaker 1: a million dollars. Now, when you say a million, they 827 00:47:41,880 --> 00:47:43,920 Speaker 1: gave five hundreds. Wasn't when I didn't do it. I 828 00:47:44,040 --> 00:47:46,239 Speaker 1: just this was like this was a legendary, stary because 829 00:47:46,239 --> 00:47:48,279 Speaker 1: I've seen the rough cut of the video, but that's 830 00:47:48,320 --> 00:47:51,640 Speaker 1: pop status. I imagine that would still happen, but you're 831 00:47:51,680 --> 00:47:54,319 Speaker 1: still losing, like just no way to fix its. Back 832 00:47:54,360 --> 00:47:57,399 Speaker 1: then was like I was in the CD row when 833 00:47:57,480 --> 00:48:00,360 Speaker 1: like Cats were coming out the Gates seven Platinum, so 834 00:48:01,239 --> 00:48:10,160 Speaker 1: like they just shot Circle spent so much money and 835 00:48:10,239 --> 00:48:12,480 Speaker 1: it was crazy because I remember this like it was yesterday. 836 00:48:13,640 --> 00:48:16,279 Speaker 1: This is you know. Usually executives they want to come 837 00:48:16,360 --> 00:48:18,960 Speaker 1: meet you and they'd be like, you know, come by yourself. 838 00:48:19,560 --> 00:48:22,040 Speaker 1: He's like, where are you at? You at the studio. 839 00:48:22,120 --> 00:48:23,799 Speaker 1: I'm like yeah. He's like, make sure all of your 840 00:48:23,840 --> 00:48:26,360 Speaker 1: friends out there. So I'm like a cool So I'm like, 841 00:48:26,840 --> 00:48:28,560 Speaker 1: I've never heard of exact because I don't know what 842 00:48:28,719 --> 00:48:31,879 Speaker 1: this pat. So he comes in. He got the rough 843 00:48:31,960 --> 00:48:34,759 Speaker 1: draft for the jar U video. He puts it in. 844 00:48:35,480 --> 00:48:39,600 Speaker 1: I'm looking at you know, I see what's y'all? So 845 00:48:39,840 --> 00:48:41,840 Speaker 1: what's y'all? This is I'm old school. I'm sorry. So 846 00:48:42,160 --> 00:48:52,799 Speaker 1: he put it in pause cassette in the VH HAS 847 00:48:53,120 --> 00:48:56,440 Speaker 1: player and I said back, I see myself like I'm 848 00:48:56,600 --> 00:48:59,279 Speaker 1: my first, very first fan. Let's just be clear, like 849 00:48:59,560 --> 00:49:03,080 Speaker 1: I'm my first fan, and nobody say they was Norri's 850 00:49:03,120 --> 00:49:07,720 Speaker 1: first fan me, so it was me. So I see myself, 851 00:49:07,800 --> 00:49:13,319 Speaker 1: I'm like, oh, shifting that up. Yeah, it's like, yeah, 852 00:49:13,840 --> 00:49:16,680 Speaker 1: they're looking at the video, they see them sounds They're like, yeah, 853 00:49:17,680 --> 00:49:21,320 Speaker 1: all that's the whole video play. And then he stops 854 00:49:21,360 --> 00:49:29,759 Speaker 1: and he goes it was popcorn. And I was like, 855 00:49:29,960 --> 00:49:33,799 Speaker 1: because I hurt, man, it hurt. But I lived next 856 00:49:33,800 --> 00:49:36,880 Speaker 1: to all the job till I got six cars. But 857 00:49:37,200 --> 00:49:42,279 Speaker 1: his six cars is different from mines. I gotta they 858 00:49:42,360 --> 00:49:45,719 Speaker 1: gotta made back. I gotta next school. We gotta drop, 859 00:49:46,239 --> 00:49:50,600 Speaker 1: you know. So anyway, I tried to write here, you know, 860 00:49:50,640 --> 00:49:54,000 Speaker 1: I tried to do this ship, and Leo said, I 861 00:49:54,200 --> 00:50:01,120 Speaker 1: invested into Noriy, not pop. He wants to be like 862 00:50:01,320 --> 00:50:05,279 Speaker 1: Jarro and I couldn't see it. He was one right 863 00:50:05,360 --> 00:50:08,520 Speaker 1: at the time. But you know, you love yourself. Man. 864 00:50:08,560 --> 00:50:10,719 Speaker 1: It's hard to look at yourself and say this is why. 865 00:50:11,120 --> 00:50:13,640 Speaker 1: But it's hard. It was a good record. It was 866 00:50:13,680 --> 00:50:17,160 Speaker 1: a good record. We should have done the record like 867 00:50:17,520 --> 00:50:19,760 Speaker 1: it was. We did the record like we was bawling 868 00:50:20,560 --> 00:50:23,240 Speaker 1: instead of saying, you know, I'm gonna live my life 869 00:50:23,320 --> 00:50:26,560 Speaker 1: and like that. Like the regular Ship, we did the 870 00:50:26,600 --> 00:50:29,600 Speaker 1: exact opposite. It's Little X. It's two times being a 871 00:50:29,600 --> 00:50:32,000 Speaker 1: little I think Little X is very creative. I think 872 00:50:32,040 --> 00:50:33,600 Speaker 1: he's very dope. I just think me and him his 873 00:50:33,680 --> 00:50:36,719 Speaker 1: vocket and milk. It just don't mix milk. It just 874 00:50:36,840 --> 00:50:40,719 Speaker 1: don't milk. You just don't mix because you know that 875 00:50:40,920 --> 00:50:43,560 Speaker 1: video he messed up girls in that video, the one 876 00:50:43,600 --> 00:50:50,000 Speaker 1: that you we always yeah girls girl video. So yeah, 877 00:50:50,120 --> 00:50:54,000 Speaker 1: So I'm band from TV to they shelved. He's like, 878 00:50:54,040 --> 00:50:57,759 Speaker 1: it's not coming out. Oh no, straight up, you know, 879 00:50:57,880 --> 00:50:59,640 Speaker 1: he said. He gave me a choice. He said, listen, 880 00:51:00,239 --> 00:51:01,960 Speaker 1: this this is like their story said on a drink 881 00:51:02,000 --> 00:51:05,680 Speaker 1: cat like three million times. But he says. So. I 882 00:51:05,760 --> 00:51:08,040 Speaker 1: was like, yo, um, I'll make a deal with you 883 00:51:08,200 --> 00:51:12,320 Speaker 1: right now if you can it. I won't let you 884 00:51:12,440 --> 00:51:14,600 Speaker 1: eat up this budget. I'm gonna charge you to such 885 00:51:14,640 --> 00:51:19,120 Speaker 1: and such, but you must make another record right now. 886 00:51:19,760 --> 00:51:23,040 Speaker 1: So I'm like, okay, what's up? He said? If I 887 00:51:23,200 --> 00:51:31,640 Speaker 1: cut you, what would you plead to me? Like? You know? 888 00:51:31,840 --> 00:51:34,480 Speaker 1: Of course, I said, I bleed blood. He said, Now 889 00:51:34,520 --> 00:51:37,080 Speaker 1: asked me that question. I said, if I cut you, 890 00:51:37,239 --> 00:51:40,600 Speaker 1: what would you bleed? He said I would bleed? Run 891 00:51:40,680 --> 00:51:47,400 Speaker 1: DMC sucker m my body. And he said, now I'm 892 00:51:47,440 --> 00:51:49,640 Speaker 1: gonna ask you this question again. If I cut you, 893 00:51:50,160 --> 00:51:53,760 Speaker 1: what would you bleed? I said, super thug? He said exactly. 894 00:51:53,960 --> 00:52:04,840 Speaker 1: The car services downstairs. Oh boy, it wasn't for that. 895 00:52:05,160 --> 00:52:10,560 Speaker 1: It makes a noise that. It's one of my favorite stories. 896 00:52:10,600 --> 00:52:13,080 Speaker 1: I've never seen a gang of thugs like I was taking, 897 00:52:13,120 --> 00:52:15,319 Speaker 1: Like I'm just I was just with the tough guy. 898 00:52:15,320 --> 00:52:17,520 Speaker 1: Everybody was in Miami. No, No, this wasn't in Miami 899 00:52:17,560 --> 00:52:19,359 Speaker 1: when we all came to the student This was new y'all, 900 00:52:19,760 --> 00:52:22,160 Speaker 1: this right track recording studio. And I seen him coming 901 00:52:22,239 --> 00:52:28,319 Speaker 1: by himself, like look everybody up and down. Don was like, yo, 902 00:52:28,840 --> 00:52:30,520 Speaker 1: hit the weed, I think, and everything was like here, 903 00:52:31,960 --> 00:52:34,759 Speaker 1: I know, y'all okay, because he's been he know, he's 904 00:52:34,760 --> 00:52:38,279 Speaker 1: been on the tours run DMC who Jay Like, we're 905 00:52:38,320 --> 00:52:41,279 Speaker 1: not showing him nothing new, We're just showing the new 906 00:52:41,440 --> 00:52:43,640 Speaker 1: version of that. But anyway, that's one of my favorite 907 00:52:43,719 --> 00:52:45,600 Speaker 1: hip hop stories. But I don't even know why we 908 00:52:45,680 --> 00:52:48,880 Speaker 1: went there. Why did we go there? About videos about 909 00:52:49,000 --> 00:52:51,800 Speaker 1: can videos? So he handed did it ever come? It 910 00:52:51,880 --> 00:52:58,480 Speaker 1: came out? Didn't He got bootleg bootle years later? Years later, 911 00:52:58,600 --> 00:53:01,560 Speaker 1: like I knew, like us online, you couldn't have nothing, 912 00:53:01,920 --> 00:53:04,359 Speaker 1: you know, like at the time everybody had to stop sitting. 913 00:53:04,440 --> 00:53:07,719 Speaker 1: Dick pis like around that time. I don't think it 914 00:53:07,920 --> 00:53:12,279 Speaker 1: around that time. I throw that out there. He's the movie. 915 00:53:12,400 --> 00:53:16,120 Speaker 1: He's the movie. You know break he's the way around 916 00:53:16,200 --> 00:53:21,520 Speaker 1: that time. No, I gotta I finished the drinking work pressure. 917 00:53:21,719 --> 00:53:25,719 Speaker 1: Yeah you know I can listen. Yeah, I goes in, 918 00:53:26,520 --> 00:53:29,279 Speaker 1: goes in, I got my tooth pool up. He's going, 919 00:53:31,160 --> 00:53:32,759 Speaker 1: I'm drinking with you because I want you to do that. 920 00:53:33,080 --> 00:53:35,920 Speaker 1: So you said you said your favorite video, but you 921 00:53:36,000 --> 00:53:37,719 Speaker 1: didn't say your most fun. You know, you said your 922 00:53:37,760 --> 00:53:41,760 Speaker 1: most fun that that was your fun and favorite? Yeah, okay, 923 00:53:42,160 --> 00:53:45,120 Speaker 1: fun and favorite. You remember which one you said? You 924 00:53:45,200 --> 00:53:51,000 Speaker 1: know one of my favorites is my fiame music that 925 00:53:51,080 --> 00:53:54,320 Speaker 1: was at the house. Yeah, because that time, you know, 926 00:53:54,400 --> 00:53:57,360 Speaker 1: I had the penis on the camera right and I 927 00:53:57,520 --> 00:54:00,040 Speaker 1: was by this let us adapter. You put it, you 928 00:54:00,080 --> 00:54:06,640 Speaker 1: can put the film. Let us yet, I'm gonna take 929 00:54:06,680 --> 00:54:09,680 Speaker 1: that and make that. Let us let us do that. 930 00:54:09,880 --> 00:54:12,560 Speaker 1: It's one of those I got. So this is before 931 00:54:12,640 --> 00:54:15,320 Speaker 1: so you could put film Land's stuff on the on 932 00:54:15,400 --> 00:54:17,719 Speaker 1: the camera to make the camera's big, so you know 933 00:54:18,040 --> 00:54:20,560 Speaker 1: a little light all that's so Ross had the photo 934 00:54:20,640 --> 00:54:24,759 Speaker 1: shoot with Manyon and at the carib and him up 935 00:54:25,480 --> 00:54:27,520 Speaker 1: and photographer. You know what I'm saying. So he's doing 936 00:54:27,560 --> 00:54:30,520 Speaker 1: the photo shooting like Ross like, let's shoot the video too. 937 00:54:30,560 --> 00:54:33,040 Speaker 1: It's like that's when before things was piggyback and like 938 00:54:33,320 --> 00:54:35,120 Speaker 1: I'm doing a photos shoot. Le's shot a music video 939 00:54:35,160 --> 00:54:37,200 Speaker 1: the same stock you're into this house. We can pay 940 00:54:37,239 --> 00:54:39,120 Speaker 1: you back off of it. So I shot that video. 941 00:54:39,160 --> 00:54:41,440 Speaker 1: That's what probably kicked it off. And I gave him 942 00:54:41,440 --> 00:54:50,000 Speaker 1: the beat to what I'm saying, so like so like 943 00:54:50,120 --> 00:54:53,160 Speaker 1: it's different because from you from Raine treatments. I'm there 944 00:54:53,160 --> 00:54:55,680 Speaker 1: because I'm giving ross to beat and I'm watching him 945 00:54:55,800 --> 00:54:58,279 Speaker 1: rite and rhyn and ride on the song. So I'm 946 00:54:58,320 --> 00:55:00,600 Speaker 1: already like, yo, you can do this, so you could 947 00:55:00,640 --> 00:55:03,080 Speaker 1: see it. It's like it's a cheat code for me. Kids. 948 00:55:04,200 --> 00:55:06,359 Speaker 1: I'm giving it the beat. He's making the music right there. 949 00:55:06,640 --> 00:55:08,560 Speaker 1: I'm there when he first cuts it, so I already 950 00:55:08,600 --> 00:55:10,160 Speaker 1: have that idea, Okay, this is what we're gonna do, 951 00:55:10,239 --> 00:55:11,800 Speaker 1: and you're there for you know what I'm saying. So 952 00:55:12,040 --> 00:55:13,840 Speaker 1: a lot of records like that. There's a lot of 953 00:55:13,920 --> 00:55:16,840 Speaker 1: kids right now. They write their music, they produced the 954 00:55:16,960 --> 00:55:23,880 Speaker 1: music and baby Gil Greece, for real, what do you 955 00:55:23,960 --> 00:55:26,600 Speaker 1: think about that? Gil? I think it's great, man. Like 956 00:55:26,719 --> 00:55:29,279 Speaker 1: I'm saying, it's like that's why you got so many 957 00:55:29,400 --> 00:55:32,360 Speaker 1: like talented artists now because they have access. You remember 958 00:55:32,360 --> 00:55:33,880 Speaker 1: probably back in the days, probably have to save a 959 00:55:33,920 --> 00:55:36,120 Speaker 1: lot of money just to get in the studio. It's 960 00:55:36,120 --> 00:55:38,600 Speaker 1: just now you can't you know, you can set up 961 00:55:38,640 --> 00:55:43,680 Speaker 1: shop on your computer and you can cut. But the 962 00:55:43,760 --> 00:55:46,320 Speaker 1: thing about it is, I think it lowers the quality. 963 00:55:46,440 --> 00:55:48,800 Speaker 1: I think I think that you know, back then, like 964 00:55:48,920 --> 00:55:51,200 Speaker 1: I couldn't do a song with Bust the rhymes unless 965 00:55:51,320 --> 00:55:54,080 Speaker 1: he can't actually came to the studio, like there wasn't 966 00:55:54,120 --> 00:55:57,200 Speaker 1: no different experience. Also, like me and os Body in 967 00:55:57,239 --> 00:55:59,480 Speaker 1: the Trunk. Can you imagine if everybody hearty body in 968 00:55:59,480 --> 00:56:01,000 Speaker 1: the Trunk and and I had to do it in 969 00:56:01,280 --> 00:56:05,160 Speaker 1: your favorite would do it in California? Like everything? I wish. 970 00:56:05,200 --> 00:56:07,080 Speaker 1: I want to shoot a video to that now, Yeah, 971 00:56:08,239 --> 00:56:10,840 Speaker 1: I want. We're gonna do big Up, Big Up the 972 00:56:10,880 --> 00:56:13,040 Speaker 1: Knives and massive phill. We got some things going together ba. 973 00:56:13,160 --> 00:56:21,400 Speaker 1: But but yeah, I want, I want. That's hard. That 974 00:56:21,600 --> 00:56:24,360 Speaker 1: great idea. That's a great idea that masi thematic. Do 975 00:56:24,440 --> 00:56:26,279 Speaker 1: you how about herb Gotti? Did you did you guys 976 00:56:26,320 --> 00:56:28,200 Speaker 1: get a chance to see the tails? Because do you 977 00:56:28,280 --> 00:56:32,520 Speaker 1: understand the concept of tails? Like he irv is taking 978 00:56:32,880 --> 00:56:38,080 Speaker 1: a rap story of music. Let's say the police and 979 00:56:38,160 --> 00:56:43,040 Speaker 1: he's doing a whole hour film about the police, about 980 00:56:43,040 --> 00:56:45,360 Speaker 1: the one song. One song, but it's it's it's like 981 00:56:45,880 --> 00:56:50,040 Speaker 1: it's making up the song. It's the song. I've been 982 00:56:50,080 --> 00:56:53,200 Speaker 1: busy man, and I haven't seen it officially, Brownie hitting me. 983 00:56:56,080 --> 00:56:59,400 Speaker 1: You know, I didn't know when your film gave me 984 00:57:00,680 --> 00:57:05,200 Speaker 1: you know it's good? You know, did you know it's 985 00:57:05,200 --> 00:57:11,080 Speaker 1: good when it would change from gummy to right amazing? 986 00:57:11,239 --> 00:57:17,720 Speaker 1: Brown let to Mr Lee Guy's are Brownie right now? 987 00:57:19,800 --> 00:57:22,400 Speaker 1: So explained with tales is yeah, I just told you 988 00:57:22,920 --> 00:57:24,760 Speaker 1: neither so we did one on nor would it be 989 00:57:24,760 --> 00:57:28,760 Speaker 1: about the song or but I know it sounds amazing, 990 00:57:28,760 --> 00:57:31,000 Speaker 1: I haven't seen it that they just take the song 991 00:57:31,160 --> 00:57:33,880 Speaker 1: and then he creates a story story around visual story. 992 00:57:33,920 --> 00:57:36,200 Speaker 1: We did the home Boy. How it's got the making 993 00:57:36,240 --> 00:57:38,919 Speaker 1: of saying we did home Boy No no no, because 994 00:57:39,000 --> 00:57:41,360 Speaker 1: it's like deeper songs. It's like, uh like you know, 995 00:57:41,640 --> 00:57:45,120 Speaker 1: like like or something. I don't know if he did 996 00:57:45,440 --> 00:57:50,560 Speaker 1: anybody all of us. He did Trap. So it's like like, 997 00:57:50,680 --> 00:57:52,680 Speaker 1: so when I heard why we can't do Homeboard, they 998 00:57:52,720 --> 00:57:58,120 Speaker 1: did Trapped? That I mean we win, like I'm not 999 00:57:58,720 --> 00:58:01,600 Speaker 1: which is the one that he's there like the police. 1000 00:58:01,800 --> 00:58:06,800 Speaker 1: So his whole concept. You said, yeah, it turned it around. 1001 00:58:06,960 --> 00:58:10,240 Speaker 1: So instead of like black officers killing I mean, excuse me, 1002 00:58:10,280 --> 00:58:13,360 Speaker 1: white officers killing black kids, it was black officers killing 1003 00:58:13,440 --> 00:58:16,000 Speaker 1: white kids. And like the white kids are the kids 1004 00:58:16,040 --> 00:58:17,959 Speaker 1: in the neighborhood and the black kids are the people 1005 00:58:18,120 --> 00:58:21,160 Speaker 1: of privilege. So that's you know. I've seen the seeing 1006 00:58:21,200 --> 00:58:23,320 Speaker 1: clips on what I have on Instagram. I just haven't 1007 00:58:23,360 --> 00:58:25,760 Speaker 1: had a chance to sit down. I haven't even watched 1008 00:58:25,840 --> 00:58:27,840 Speaker 1: Love the Hip Hop Man and that I'm I'm a 1009 00:58:27,920 --> 00:58:32,200 Speaker 1: big fan. I don't that's my modern day soap popular baby. 1010 00:58:32,560 --> 00:58:35,000 Speaker 1: I love it. I'm gonna throw that out there. I 1011 00:58:35,000 --> 00:58:41,800 Speaker 1: don't care. It's not real. Who cares? Who cares? Man storyline? 1012 00:58:42,800 --> 00:58:45,560 Speaker 1: As long as I'm not there, I'm great. But you 1013 00:58:45,640 --> 00:58:48,320 Speaker 1: know what it is, it's like Jerry Springer. Jerry's just 1014 00:58:48,440 --> 00:58:54,560 Speaker 1: horrible example. I listen, I don't care about these people 1015 00:58:54,720 --> 00:58:58,600 Speaker 1: real lives, but can't don't believe it. That's the Jerry 1016 00:58:58,600 --> 00:59:04,240 Speaker 1: Springer And that was like to, yeah, and you're getting 1017 00:59:04,280 --> 00:59:10,040 Speaker 1: money out there, so big up. Everybody's on Love the Man. 1018 00:59:10,160 --> 00:59:12,920 Speaker 1: I can't hate. What is it like a cinematic universe? 1019 00:59:13,000 --> 00:59:15,240 Speaker 1: They use all the love and hip hop people from 1020 00:59:15,440 --> 00:59:18,840 Speaker 1: l A and they come together. I feel like I 1021 00:59:19,000 --> 00:59:24,360 Speaker 1: just took him brown. Yeah, tell us definitely some lean bear. 1022 00:59:24,920 --> 00:59:28,520 Speaker 1: There's a lean bear right there. So now a new 1023 00:59:28,680 --> 00:59:32,960 Speaker 1: kid starts, he starts up. What is your advice when 1024 00:59:33,000 --> 00:59:36,160 Speaker 1: these keep your kids? These kids kids? Your kid asked 1025 00:59:36,200 --> 00:59:37,880 Speaker 1: me today, He's like, Yo, what do you do? I said, 1026 00:59:38,280 --> 00:59:40,560 Speaker 1: get where the artists. Stick with him and just build 1027 00:59:40,600 --> 00:59:44,160 Speaker 1: all your build your catalog with the artists you believe in. Somebody, 1028 00:59:44,280 --> 00:59:46,160 Speaker 1: just link with him or I'm not said, if you 1029 00:59:46,200 --> 00:59:48,120 Speaker 1: see somebody's poping, just run up to be like, I 1030 00:59:48,200 --> 00:59:50,280 Speaker 1: can shoot your video in the day, I can shoot 1031 00:59:50,320 --> 00:59:52,640 Speaker 1: your vlog, I can edit, I can do I g videos, 1032 00:59:52,880 --> 00:59:55,760 Speaker 1: I can do graphics. And I'm gonna stop. I stop 1033 00:59:55,880 --> 00:59:57,560 Speaker 1: and get kids numbers all the time. I said, your 1034 00:59:57,640 --> 00:59:59,760 Speaker 1: DM me boom, I go. I follow them back they 1035 01:00:00,000 --> 01:00:04,640 Speaker 1: and they reels and I go through shick. I mean, 1036 01:00:04,960 --> 01:00:06,800 Speaker 1: I think there's two kids. There's two types of kids 1037 01:00:06,800 --> 01:00:09,280 Speaker 1: that come up to about being a director. One they 1038 01:00:09,320 --> 01:00:11,240 Speaker 1: want to be that lifestyle of the director and they're 1039 01:00:11,280 --> 01:00:14,280 Speaker 1: not serious about a craft. Because there was a time 1040 01:00:14,360 --> 01:00:18,200 Speaker 1: when that's the third time there was like remember David 1041 01:00:18,240 --> 01:00:23,120 Speaker 1: Myers was on Cribs it was so big and large, 1042 01:00:23,160 --> 01:00:25,440 Speaker 1: and and every time their name came on, like on 1043 01:00:25,520 --> 01:00:28,520 Speaker 1: the bottom on the credits. So they were many at 1044 01:00:28,560 --> 01:00:31,040 Speaker 1: one point, they were like many superstars. And so there's 1045 01:00:31,080 --> 01:00:34,800 Speaker 1: just yeah, and there's and a lot of those, a 1046 01:00:34,840 --> 01:00:36,640 Speaker 1: lot of the casts in that era just like being 1047 01:00:37,320 --> 01:00:41,120 Speaker 1: man that lifestyle versus like really studying the craft and 1048 01:00:41,240 --> 01:00:42,760 Speaker 1: like how to take it up to the next level. 1049 01:00:43,200 --> 01:00:46,760 Speaker 1: And so you know, I always tell kids, follow the passion, 1050 01:00:47,480 --> 01:00:51,560 Speaker 1: don't follow the money because maybe like like different styles. 1051 01:00:51,640 --> 01:00:54,080 Speaker 1: It's like you're the do you put it all on screen, 1052 01:00:54,160 --> 01:00:57,000 Speaker 1: You're laid back, you're not too much around you, You're 1053 01:00:57,480 --> 01:01:01,560 Speaker 1: every Grammy show because remember I do music too now, 1054 01:01:01,760 --> 01:01:03,800 Speaker 1: like I got an album coming out of them. So 1055 01:01:03,880 --> 01:01:05,920 Speaker 1: he's been nominated as well because he's A and R. 1056 01:01:05,960 --> 01:01:09,240 Speaker 1: And the problems before we say if you're granted saying 1057 01:01:09,360 --> 01:01:14,120 Speaker 1: you know and you're getting exactly you're a part of it. 1058 01:01:14,200 --> 01:01:16,360 Speaker 1: Get so you know it's not just it's not directing 1059 01:01:16,400 --> 01:01:19,480 Speaker 1: from yourselves and executive producing, and then you know, not 1060 01:01:19,600 --> 01:01:21,560 Speaker 1: working on my own records, you know, like how you 1061 01:01:21,640 --> 01:01:25,240 Speaker 1: did with the line and and and you know Americans together, 1062 01:01:25,760 --> 01:01:27,400 Speaker 1: nobody was doing it really know what I did it 1063 01:01:27,440 --> 01:01:30,040 Speaker 1: before then maybe one TD that did like nas I 1064 01:01:30,120 --> 01:01:33,600 Speaker 1: think body all that was, but years was like I 1065 01:01:33,720 --> 01:01:36,040 Speaker 1: wasn't for that era. I was for years so being 1066 01:01:36,120 --> 01:01:40,920 Speaker 1: around there being your hype man on stage like hangman 1067 01:01:41,560 --> 01:01:45,560 Speaker 1: on stage, you know, and then you know just cross 1068 01:01:45,680 --> 01:01:47,840 Speaker 1: it right there. That's real ship right there. But um, 1069 01:01:48,200 --> 01:01:50,480 Speaker 1: but that's what I'm saying, Like your styles are like different, 1070 01:01:51,240 --> 01:01:53,160 Speaker 1: But how about this is legend. When I first seen this, 1071 01:01:53,200 --> 01:01:56,439 Speaker 1: I've never seen what I've seen Puffs Dirty Money video. 1072 01:01:56,680 --> 01:01:59,040 Speaker 1: Hype was directing it. It was like, think the second 1073 01:01:59,120 --> 01:02:01,040 Speaker 1: maybe the first time I seen him directing the video. 1074 01:02:01,520 --> 01:02:05,920 Speaker 1: He's nowhere on set, they're shooting upstairs. Downstairs, there's a 1075 01:02:05,960 --> 01:02:08,640 Speaker 1: blue tent. I walked into this blue tent. There's a 1076 01:02:09,080 --> 01:02:13,000 Speaker 1: seventies h D TV playing Avatar and he seen you there. 1077 01:02:18,000 --> 01:02:21,600 Speaker 1: That's hype though, how a legend. I wish I could 1078 01:02:21,640 --> 01:02:23,880 Speaker 1: do some ship. And then I've seen another video was 1079 01:02:23,920 --> 01:02:26,680 Speaker 1: that I forget But he's got a big gas stereo 1080 01:02:26,800 --> 01:02:29,919 Speaker 1: system and it's a rap video and he's playing whatever 1081 01:02:30,000 --> 01:02:32,880 Speaker 1: he wants. I'm playing Snoop Dogg right now and you 1082 01:02:33,040 --> 01:02:35,040 Speaker 1: just like blasted this music. Like then, how am I 1083 01:02:35,080 --> 01:02:41,760 Speaker 1: getting the vibe? Usually yeah, let's tell you a start. 1084 01:02:42,280 --> 01:02:50,080 Speaker 1: Cavatar brod Cai had that record with m was it Kanye? 1085 01:02:51,240 --> 01:02:54,320 Speaker 1: Oh yeah, yes, I was there for that video Gamily 1086 01:02:55,080 --> 01:02:58,240 Speaker 1: that they go hard hard hard. Yeah, we had like 1087 01:02:58,320 --> 01:03:02,400 Speaker 1: the out. It was go hard. They shot it on 1088 01:03:02,440 --> 01:03:05,200 Speaker 1: the set and they did you know at the time, 1089 01:03:05,440 --> 01:03:09,040 Speaker 1: like me and Kali family came up like shot all 1090 01:03:09,160 --> 01:03:12,360 Speaker 1: his all his come up videos. Has his own film studio, 1091 01:03:12,480 --> 01:03:16,120 Speaker 1: and you can go vibes and uh, but you know 1092 01:03:16,160 --> 01:03:18,040 Speaker 1: at certain times when when when you're working with the 1093 01:03:18,080 --> 01:03:20,320 Speaker 1: feature artists, that feature artists is big enough to tell 1094 01:03:20,400 --> 01:03:23,360 Speaker 1: the the artist, you know, we're working with this director. 1095 01:03:24,040 --> 01:03:26,360 Speaker 1: So I think Kanye demanded that we want for this 1096 01:03:26,480 --> 01:03:30,000 Speaker 1: calig video, Hype has to be the director. So Cali 1097 01:03:30,120 --> 01:03:32,680 Speaker 1: would call me on the line not knowing like Hype 1098 01:03:32,720 --> 01:03:35,680 Speaker 1: had no idea that at the time, Gil was shooting 1099 01:03:35,680 --> 01:03:38,200 Speaker 1: all Cali videos. So you're like, that's your man. He's like, 1100 01:03:38,240 --> 01:03:40,920 Speaker 1: not Gil, You're getting this Kanye video, Like damn, that's 1101 01:03:40,960 --> 01:03:46,479 Speaker 1: what's up. And then if they would be like CALLI 1102 01:03:46,560 --> 01:03:48,360 Speaker 1: had no idea what Hype was talking because he'd be 1103 01:03:48,440 --> 01:03:50,560 Speaker 1: like there was no treatment and and and Hype is 1104 01:03:50,560 --> 01:03:52,200 Speaker 1: in that rare area. He set the trend for so 1105 01:03:52,320 --> 01:03:54,440 Speaker 1: many other directors, you know, and I have so much 1106 01:03:54,480 --> 01:03:57,360 Speaker 1: respect for him and what he did. Yeah, so he 1107 01:03:57,520 --> 01:04:00,000 Speaker 1: just doesn't send it a treatment and call it's nervous 1108 01:04:00,000 --> 01:04:03,400 Speaker 1: because you know, he's spending his own money. And and 1109 01:04:03,480 --> 01:04:04,920 Speaker 1: so he asked me to be on the line and 1110 01:04:05,040 --> 01:04:09,560 Speaker 1: interpret what he's saying on the line, you know, and 1111 01:04:09,640 --> 01:04:11,240 Speaker 1: then for what I heard, like he just shows up 1112 01:04:11,280 --> 01:04:13,240 Speaker 1: and plays whatever music, like you said, they don't even 1113 01:04:13,280 --> 01:04:16,240 Speaker 1: have to be the track. But he's such an innovative 1114 01:04:16,240 --> 01:04:19,040 Speaker 1: thinker and sometimes just hit a miss. Sometimes people watch 1115 01:04:19,080 --> 01:04:20,560 Speaker 1: the hype videos and me like, I don't get it. 1116 01:04:20,680 --> 01:04:22,240 Speaker 1: But then every once in a while he raises the 1117 01:04:22,240 --> 01:04:24,880 Speaker 1: bar and does another thing that's crazy. They built like 1118 01:04:24,920 --> 01:04:30,840 Speaker 1: a tunnel was black. You just stood there and its direct. 1119 01:04:30,880 --> 01:04:34,520 Speaker 1: Hath direct and yeah, but like as an artist, like 1120 01:04:34,640 --> 01:04:36,440 Speaker 1: when Ross gets a set of French gets the center, 1121 01:04:36,560 --> 01:04:38,560 Speaker 1: artist get a set, they want to hear the verse 1122 01:04:38,760 --> 01:04:39,800 Speaker 1: or you want to if you want to hear your 1123 01:04:39,880 --> 01:04:42,800 Speaker 1: verse because you don't even remember doing the future play 1124 01:04:42,800 --> 01:04:46,840 Speaker 1: a little bit. Imagine coming this guy's fan of the 1125 01:04:47,640 --> 01:04:51,400 Speaker 1: office that would have been on my set to set 1126 01:04:51,440 --> 01:04:56,960 Speaker 1: a pressida right, yes, but now you suck it up 1127 01:04:59,600 --> 01:05:04,720 Speaker 1: with like the flame like that man, that's crazy that 1128 01:05:04,840 --> 01:05:08,360 Speaker 1: that hurt my friend. Like, okay, avatars legend, man, I 1129 01:05:08,480 --> 01:05:10,280 Speaker 1: might have let me get away where I talk. Come on, bro, 1130 01:05:10,360 --> 01:05:12,520 Speaker 1: you would have walked in and see what you never 1131 01:05:12,840 --> 01:05:15,080 Speaker 1: said the mill it was out two months before. I 1132 01:05:15,120 --> 01:05:16,960 Speaker 1: would have been like, you would have been like, let 1133 01:05:17,000 --> 01:05:21,960 Speaker 1: me watch you smoking and your handle's order them win. 1134 01:05:24,200 --> 01:05:29,440 Speaker 1: Yeah yeah all that time. Okay, we canna get into it. 1135 01:05:29,680 --> 01:05:34,120 Speaker 1: But basically the first day we want to set, he's orders. 1136 01:05:34,200 --> 01:05:36,480 Speaker 1: He's like your Marie, you drink right. I'm like yeah, 1137 01:05:36,520 --> 01:05:39,320 Speaker 1: He's like a right co fucking case of Chris style, 1138 01:05:39,920 --> 01:05:45,800 Speaker 1: Like oh man, this need to be working with this man. 1139 01:05:46,400 --> 01:05:50,480 Speaker 1: You know. I'm like, right, were popping and he's like, yo, 1140 01:05:51,600 --> 01:05:57,400 Speaker 1: conya guy. All right, but six bottles Louis thirteen? Mind you? 1141 01:05:57,560 --> 01:06:02,400 Speaker 1: I'm fucking what four twenty six Louis around that time, 1142 01:06:03,200 --> 01:06:05,760 Speaker 1: I don't know what the fun louis the thirteen. I'm 1143 01:06:05,760 --> 01:06:08,520 Speaker 1: a Hennessy kid, So I'm like, give me the pepsi. 1144 01:06:08,720 --> 01:06:10,680 Speaker 1: All the people want set. It's like, oh my god, 1145 01:06:11,480 --> 01:06:14,440 Speaker 1: it's ruined Louis because you know that supposed to mix 1146 01:06:14,480 --> 01:06:19,400 Speaker 1: with the pepsi. Pepsi and ice. I'm just distress and 1147 01:06:19,480 --> 01:06:21,880 Speaker 1: he's an old old jees. They looking like oh my god, 1148 01:06:22,640 --> 01:06:29,440 Speaker 1: like they holding boom. That's like a shot. No no, no, no, 1149 01:06:29,640 --> 01:06:33,800 Speaker 1: no no no, the shots like fun I had a 1150 01:06:33,880 --> 01:06:36,440 Speaker 1: shot of that. It was like a drink. It was 1151 01:06:36,480 --> 01:06:40,800 Speaker 1: like wow, yeah, real ship. So I don't know I'm 1152 01:06:40,840 --> 01:06:45,520 Speaker 1: paying for all this. All right, let that out too early, 1153 01:06:45,720 --> 01:06:48,280 Speaker 1: But I know what I'm saying, but I don't know 1154 01:06:48,360 --> 01:06:51,240 Speaker 1: I'm paying for this. So it just repeated. It just keeps. 1155 01:06:51,440 --> 01:06:53,920 Speaker 1: Whatever I want, I just got it's at my disposal. 1156 01:06:54,480 --> 01:06:56,160 Speaker 1: But I'm just like a right cool to the last 1157 01:06:57,480 --> 01:07:00,320 Speaker 1: The Last World was like, first off, things had sent 1158 01:07:00,440 --> 01:07:03,240 Speaker 1: us to a hotel and I knew the budget, so 1159 01:07:03,280 --> 01:07:04,760 Speaker 1: when they sent us to this hotel, it was like 1160 01:07:04,880 --> 01:07:06,760 Speaker 1: it was the closest hotel that was next to Death 1161 01:07:06,840 --> 01:07:09,480 Speaker 1: Value was shot in Death Valley in Las Vegas. Uh, 1162 01:07:10,400 --> 01:07:12,120 Speaker 1: it was shot in the valley in Las Vegas. Well, 1163 01:07:12,320 --> 01:07:14,280 Speaker 1: the funny ship is when we went there, they said, 1164 01:07:14,280 --> 01:07:18,200 Speaker 1: oh yeah, we we gotta take this, these these vitamins 1165 01:07:18,200 --> 01:07:21,520 Speaker 1: because Masterpiece DP died yesterday, and they just said like 1166 01:07:21,600 --> 01:07:24,400 Speaker 1: it was normal, Like wait, wait a minute, what the 1167 01:07:24,440 --> 01:07:26,400 Speaker 1: fun did you just say? That's how hot It was 1168 01:07:26,480 --> 01:07:28,280 Speaker 1: in the desert. But even when we're moving on, we 1169 01:07:28,400 --> 01:07:30,960 Speaker 1: had the motherfucking the hotel. So I go in. I 1170 01:07:31,040 --> 01:07:34,640 Speaker 1: gotta take a ship. You know, the hotel is fucked up. 1171 01:07:34,680 --> 01:07:37,120 Speaker 1: This is this is a motown. I know we started 1172 01:07:37,120 --> 01:07:40,680 Speaker 1: with supposed being a long at motel, right, but they're like, yeah, 1173 01:07:40,720 --> 01:07:43,760 Speaker 1: this is the only This is the fourth day of shooting. 1174 01:07:43,880 --> 01:07:45,800 Speaker 1: By the way, Mondy, we shot two or three days 1175 01:07:45,800 --> 01:07:48,400 Speaker 1: and the like. This is after the Crystalle. Remember the 1176 01:07:48,440 --> 01:07:50,640 Speaker 1: Christal was one day, the Louis thirteen, but the next 1177 01:07:50,720 --> 01:07:54,680 Speaker 1: day that's two days of my boxing scene. We had 1178 01:07:54,720 --> 01:08:01,600 Speaker 1: it the first two takes. So anyway, I get to 1179 01:08:01,680 --> 01:08:05,760 Speaker 1: the joint, I'm like, so I'm taking a ship. I'm 1180 01:08:05,800 --> 01:08:07,360 Speaker 1: trying to suck it up and I'm taking a ship 1181 01:08:07,400 --> 01:08:09,320 Speaker 1: and I just feel somebody looking at me. But I'm looking. 1182 01:08:09,400 --> 01:08:12,400 Speaker 1: I'm like, damn, and it's a big ass spider right here. 1183 01:08:13,440 --> 01:08:18,280 Speaker 1: I said, so, no, no, I got the funk ab 1184 01:08:18,280 --> 01:08:23,800 Speaker 1: out of there, but got up a crazy sit was 1185 01:08:23,840 --> 01:08:25,840 Speaker 1: mad at my na. He was already knocked out sleep. 1186 01:08:25,880 --> 01:08:27,920 Speaker 1: I was like me, can I do this? So we 1187 01:08:28,000 --> 01:08:30,040 Speaker 1: jumped in the car. We went back to the Vese Boom. 1188 01:08:32,760 --> 01:08:40,519 Speaker 1: I don't know what you go back, and then when 1189 01:08:40,560 --> 01:08:42,560 Speaker 1: you know, when you go in the casino, you know 1190 01:08:42,640 --> 01:08:45,560 Speaker 1: it's in that pumps in your oxygen that it just 1191 01:08:45,680 --> 01:08:49,439 Speaker 1: keeps you up so dead tired. Like if you're still 1192 01:08:49,560 --> 01:08:52,160 Speaker 1: halfway up and you sit there, that oxygen is gonna 1193 01:08:52,240 --> 01:08:53,880 Speaker 1: hit you, you're gonna wake the funk back up. And 1194 01:08:54,000 --> 01:08:57,080 Speaker 1: so we woke up, got drinks, went back to the set. 1195 01:08:57,280 --> 01:08:59,360 Speaker 1: Me now we finally go to the set. They go 1196 01:08:59,479 --> 01:09:03,719 Speaker 1: to the set. So at first, since at first what happened, 1197 01:09:04,880 --> 01:09:07,320 Speaker 1: we were the dune Buggies because being you know, so 1198 01:09:07,520 --> 01:09:15,040 Speaker 1: you know we're city boys. Yea, my boys don't want 1199 01:09:18,720 --> 01:09:21,320 Speaker 1: the dune Buggies crash. This is what I knew. The 1200 01:09:21,400 --> 01:09:26,160 Speaker 1: desert is real. We crashed like so we're like, oh, 1201 01:09:26,320 --> 01:09:31,839 Speaker 1: the sat is right there. We kept walking at walking 1202 01:09:32,920 --> 01:09:36,960 Speaker 1: and walking. You know that Maurage is round, like yo, 1203 01:09:37,400 --> 01:09:42,200 Speaker 1: this just looks right there. We're walking like ten minutes like, 1204 01:09:42,320 --> 01:09:49,080 Speaker 1: oh y'all come guy. Like, So as I'm walking back, 1205 01:09:49,760 --> 01:09:53,479 Speaker 1: I see a girl walking up. Who um the chicken, 1206 01:09:53,560 --> 01:09:58,360 Speaker 1: So I take no, no, no. When they finally come 1207 01:09:58,439 --> 01:10:01,160 Speaker 1: get us to be getting you, so they come get us, 1208 01:10:01,280 --> 01:10:03,519 Speaker 1: be coming back, and then I see you know the 1209 01:10:03,880 --> 01:10:06,720 Speaker 1: chicken sautee. This is a very distinctive. At the time. 1210 01:10:06,720 --> 01:10:10,040 Speaker 1: I remember at this time, there's no there's no there's 1211 01:10:10,080 --> 01:10:12,880 Speaker 1: only too minuch of child it's only there's only too 1212 01:10:12,960 --> 01:10:15,080 Speaker 1: much of childs. At the time, there's New York and 1213 01:10:15,439 --> 01:10:18,760 Speaker 1: l A. It's not Lea cows. There's not these other 1214 01:10:18,920 --> 01:10:21,800 Speaker 1: you know, red sticks, these other people who make these 1215 01:10:21,960 --> 01:10:25,120 Speaker 1: you know chickens. So say, yeah, they ain't no more. 1216 01:10:25,840 --> 01:10:28,200 Speaker 1: They got another spot. There's just salt taste that just 1217 01:10:28,360 --> 01:10:30,720 Speaker 1: so taste on it. But so I see this chick 1218 01:10:31,760 --> 01:10:34,599 Speaker 1: so I'm like, yo, excuse me, Like where'd you get 1219 01:10:34,840 --> 01:10:36,720 Speaker 1: because they gotta seat and craft food. You know, they 1220 01:10:36,800 --> 01:10:40,160 Speaker 1: gotta eat what the what what the production is eating? 1221 01:10:40,160 --> 01:10:42,240 Speaker 1: And you know the duction food don't got no type 1222 01:10:42,280 --> 01:10:45,479 Speaker 1: of sauce, type of season. And I don't know why 1223 01:10:45,640 --> 01:10:48,360 Speaker 1: the people that people that made the production food don't 1224 01:10:48,400 --> 01:10:54,120 Speaker 1: let them taste bod y'all. They vanished in l A. Yeah, okay, 1225 01:10:54,800 --> 01:10:57,880 Speaker 1: flavor the only one recently, that's the only time I 1226 01:10:57,960 --> 01:10:59,800 Speaker 1: actually Spanish people. I don't even know how can do that? 1227 01:11:00,120 --> 01:11:06,599 Speaker 1: Just take what I said, Yo, when you get that hype, 1228 01:11:07,280 --> 01:11:10,559 Speaker 1: you are well hypes trailer. He had a whole thing 1229 01:11:11,200 --> 01:11:14,280 Speaker 1: full of Mr Chap like I'm talking about that ship 1230 01:11:14,400 --> 01:11:16,120 Speaker 1: smelled like the rest of them. When you walked in, 1231 01:11:16,240 --> 01:11:18,640 Speaker 1: you like that. You expect that they're gonna come up 1232 01:11:18,640 --> 01:11:20,400 Speaker 1: with you and like, what do you want, sir? Like 1233 01:11:25,240 --> 01:11:33,840 Speaker 1: Child said, yeah, this is esomelling your boys do your word, 1234 01:11:34,560 --> 01:11:38,400 Speaker 1: he said, I'll just well you. You had them driving 1235 01:11:38,479 --> 01:11:41,680 Speaker 1: up from l Baby saying what the l A one is? 1236 01:11:41,920 --> 01:11:59,000 Speaker 1: Track commercial? Like I stand came the so just womped 1237 01:11:59,040 --> 01:12:02,000 Speaker 1: like fourteen who city blocks and I was woken too. 1238 01:12:02,600 --> 01:12:04,280 Speaker 1: So I was just so hungry. I was got call 1239 01:12:04,320 --> 01:12:06,439 Speaker 1: my points are. We were mad. We wanted to be 1240 01:12:06,520 --> 01:12:09,040 Speaker 1: like you pictures what the people like. We're hungry though too, 1241 01:12:10,640 --> 01:12:12,880 Speaker 1: just tore it up. We left. We left with half 1242 01:12:12,880 --> 01:12:14,360 Speaker 1: of that ship. Yo, you know we're taking this ship 1243 01:12:16,360 --> 01:12:22,600 Speaker 1: had no use for us as an artist. At what 1244 01:12:22,760 --> 01:12:25,040 Speaker 1: point when you what's the point you realized that I 1245 01:12:25,160 --> 01:12:27,880 Speaker 1: just paid for that in your career. No, I didn't. 1246 01:12:28,360 --> 01:12:31,479 Speaker 1: I didn't see nil Levine that that was it. That 1247 01:12:31,680 --> 01:12:35,200 Speaker 1: was that moment, Like see, I knew the studio had 1248 01:12:35,240 --> 01:12:36,840 Speaker 1: to be rein birth. So I was always like a 1249 01:12:36,920 --> 01:12:39,880 Speaker 1: coarse effective guy, meaning to this day, I won't go 1250 01:12:39,960 --> 01:12:42,880 Speaker 1: to the studio unless I do four records, because I 1251 01:12:43,040 --> 01:12:47,120 Speaker 1: come from an era where it was no punching, Like 1252 01:12:47,240 --> 01:12:53,160 Speaker 1: you had to take ship back together. But yeah, you 1253 01:12:53,200 --> 01:12:57,160 Speaker 1: had to take it like I didn't want to, like ye, 1254 01:12:57,840 --> 01:13:00,840 Speaker 1: like when you messed up and you had everything one PI, 1255 01:13:01,760 --> 01:13:03,400 Speaker 1: they had to tape, it had to go back and 1256 01:13:03,520 --> 01:13:08,000 Speaker 1: re recorded. Yeah, so it takes so long to do 1257 01:13:08,200 --> 01:13:10,559 Speaker 1: that tape that you like, you just want to get 1258 01:13:10,600 --> 01:13:13,360 Speaker 1: it at the first tape, so like I used to 1259 01:13:13,479 --> 01:13:16,040 Speaker 1: just so I came from that, you know what I mean. 1260 01:13:16,120 --> 01:13:18,120 Speaker 1: But I was now I want to know, like when 1261 01:13:18,240 --> 01:13:22,439 Speaker 1: when you realize that the mister child everything a million 1262 01:13:22,439 --> 01:13:24,559 Speaker 1: dollar video that was your bank a loan from them, 1263 01:13:24,920 --> 01:13:28,120 Speaker 1: and when we came back because even the Lvani Lvan 1264 01:13:28,240 --> 01:13:29,840 Speaker 1: was there on a set with us, Like that's the 1265 01:13:29,920 --> 01:13:38,360 Speaker 1: one good thing about ven he was signing with me. 1266 01:13:38,720 --> 01:13:41,479 Speaker 1: But because because initially he had to pay the money 1267 01:13:41,520 --> 01:13:44,080 Speaker 1: back to this was Tommy boyfriend and then being there, 1268 01:13:44,080 --> 01:13:46,439 Speaker 1: you would think you'd be like yo, I would think 1269 01:13:46,520 --> 01:13:48,840 Speaker 1: he would say, but he left the moment. What is 1270 01:13:48,960 --> 01:13:50,640 Speaker 1: why I had to was in the same boat as 1271 01:13:50,960 --> 01:13:53,080 Speaker 1: he's in the same book, because he's sitting along from 1272 01:13:53,160 --> 01:13:55,479 Speaker 1: Tommy boy That's why I had, and I'm talking about 1273 01:13:56,080 --> 01:13:58,040 Speaker 1: the hype blade that I was about. The room I 1274 01:13:58,240 --> 01:14:01,120 Speaker 1: had was like it was it was like four of 1275 01:14:01,200 --> 01:14:05,439 Speaker 1: these officers Like I didn't it was spaces in the room. 1276 01:14:05,479 --> 01:14:08,160 Speaker 1: I didn't even see, like it was no need. I didn't. 1277 01:14:08,320 --> 01:14:10,160 Speaker 1: I didn't even go over there, you know what I mean, 1278 01:14:10,240 --> 01:14:12,479 Speaker 1: like for real, they run to some crazy ship. For me, 1279 01:14:12,800 --> 01:14:14,919 Speaker 1: this was the time when they were spending money like craze. 1280 01:14:14,960 --> 01:14:17,800 Speaker 1: That's god, that's the nineties budgets. I just have a 1281 01:14:17,840 --> 01:14:21,400 Speaker 1: moment of silid sped nineties two thousand budgets. Please everybody 1282 01:14:21,439 --> 01:14:23,560 Speaker 1: just be quiet for the budgets that the rest of 1283 01:14:23,600 --> 01:14:31,160 Speaker 1: the peace. Oh man to the budget man, the budget 1284 01:14:31,200 --> 01:14:33,759 Speaker 1: start resist no more? Right spend you said the budgets, 1285 01:14:33,760 --> 01:14:36,320 Speaker 1: don't resist no more. Those budgets are drying the funk 1286 01:14:36,400 --> 01:14:40,800 Speaker 1: up right now, this something exists like it's like pop 1287 01:14:40,880 --> 01:14:46,880 Speaker 1: stars and like wore like hold on, they're not gonna 1288 01:14:46,920 --> 01:14:48,720 Speaker 1: make some drug dealing niggs. That would just be like 1289 01:14:48,760 --> 01:14:52,840 Speaker 1: they hit three hundred, right you do take. I didn't get. 1290 01:14:52,880 --> 01:14:55,680 Speaker 1: I might got the small really small. I never got 1291 01:14:55,760 --> 01:15:05,360 Speaker 1: the no no no no about that, like the being error. 1292 01:15:05,400 --> 01:15:07,560 Speaker 1: They were shooting videos, what shooting who was shooting to 1293 01:15:07,560 --> 01:15:12,479 Speaker 1: being videos. I don't know that. Did you do any No? No, 1294 01:15:14,280 --> 01:15:25,240 Speaker 1: I though somebody did. I think it's one of the 1295 01:15:25,320 --> 01:15:30,040 Speaker 1: classes everything. So that was shooting real big budget videos. 1296 01:15:30,080 --> 01:15:35,880 Speaker 1: Everything they did. So you O, g's are Nick that 1297 01:15:36,080 --> 01:15:38,200 Speaker 1: that whole We got a freshman class. Who was in 1298 01:15:38,280 --> 01:15:43,439 Speaker 1: your cover? I mean like Hype Williams Hunter, you know, 1299 01:15:43,680 --> 01:15:47,240 Speaker 1: Nick quested, Um, I see the cover in my head 1300 01:15:47,360 --> 01:15:52,560 Speaker 1: right now. I mean you know that Dave Myers, you know, 1301 01:15:52,840 --> 01:15:55,280 Speaker 1: he was real creative. He got to enjoy the nineties 1302 01:15:55,280 --> 01:15:57,920 Speaker 1: the best. I think he was killing people. Don't realize 1303 01:15:57,960 --> 01:15:59,639 Speaker 1: how much money these cats were baking.