WEBVTT - Theron Thomas

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<v Speaker 1>Money. We are say take we are a party. Think Hey,

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<v Speaker 1>what's going on? My name is tank U and DC

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<v Speaker 1>is the Army Money Podcast. You know nothing about writing songs.

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<v Speaker 1>You know nothing about writing hits. You're not from the

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<v Speaker 1>car being either you are? I am not either. I

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<v Speaker 1>have been there. We have today on the pod. One

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<v Speaker 1>of the most electrifying talents that we got a scene.

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<v Speaker 1>He writes it, he sings it, he feels it deeply

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<v Speaker 1>in the building on that No, I love it. I

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<v Speaker 1>love yeah you guys, I feel it. You got nicer, don't? Yes? Yes,

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<v Speaker 1>encourage me? Yes. Virgin Islands right yeah. St. Thomas Virgin Islands. St.

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<v Speaker 1>Thomas Virgin Island home with Tim Duncan. Yeah, Tim Duncan

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<v Speaker 1>from St. Croix. But a good friend. Big up to

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<v Speaker 1>Tim Duncan. That's why. Um, his team was the Spurs

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<v Speaker 1>is my favorite team until he left. We didn't we

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<v Speaker 1>don't have a team. We had one player, Tim Duncan.

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<v Speaker 1>So I was a Spurs fans. One player. Yeah, yeah,

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<v Speaker 1>we had one superstar player, which is Tim Duncan from St. Croix.

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<v Speaker 1>And I was a Spurs fan until he retired. Wow,

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<v Speaker 1>and now I'm just like, you know, basketball was on

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<v Speaker 1>the TV. Give me, give me, give me. That was

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<v Speaker 1>very coming to America town. Yes, I know. Okay, come down,

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<v Speaker 1>bow that's good, that's good. Give me give me because

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<v Speaker 1>we have so much to unpack. Bro, you've done so

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<v Speaker 1>much marvelous work in this in this music industry than

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<v Speaker 1>you are. You are well respected and and and very

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<v Speaker 1>much called upon, oh Man to deliver. Yeah, like you're

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<v Speaker 1>one of the guys. It's like you know, for for

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<v Speaker 1>for record companies are sing we need it. Yeah. No,

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<v Speaker 1>he's a designated hitter. Designated No what ain't ain't a

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<v Speaker 1>sports sports whatever whatever. So a designated hitter is somebody

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<v Speaker 1>that they put in baseball. They put in the game

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<v Speaker 1>to get hits. They're like, okay, this guy, we need

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<v Speaker 1>a hit right now. That's it. It's the d H.

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<v Speaker 1>They only have it on one side of for some

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<v Speaker 1>weird reason. It's only in the American League. I don't

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<v Speaker 1>think it's in the in the National League. But yep,

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<v Speaker 1>this is what this guy is paid to do. Listen,

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<v Speaker 1>we need a hit right now. You've been sitting on

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<v Speaker 1>the bench the entire game, and when I put you in,

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<v Speaker 1>I believe you're going to hit the ball. They've been

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<v Speaker 1>working with other people. Yeah, for a year and a half. Yeah,

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<v Speaker 1>and then they called we got the body of work

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<v Speaker 1>we need hear my accent you this is school. We

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<v Speaker 1>need to designated hitter. What was give me growing up

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<v Speaker 1>in the Virgin You're Timothy? Give me and my shout

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<v Speaker 1>out to Timothy. Shout out to my brother, Timothy, one

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<v Speaker 1>of my favorite human beings in the world. I love

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<v Speaker 1>you if you're watching this. Um growing up in St. Thomas.

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<v Speaker 1>So we we started out, me and my brother started

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<v Speaker 1>out living in a in a shock, which was the

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<v Speaker 1>place that my mom was raised with her nine sisters

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<v Speaker 1>and one brother. And then my mom, my mom, and

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<v Speaker 1>my dad end up staying there. So we lived there

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<v Speaker 1>and my mom got really really mad at my dad

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<v Speaker 1>because she was mad like why am I still in

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<v Speaker 1>the place my childhood place? You ever seen the Sorry

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<v Speaker 1>ms Jackson video by outcasts that house, so you know,

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<v Speaker 1>our door couldn't close. We had a tied close. The

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<v Speaker 1>bathroom was outside with no lights. We had to take

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<v Speaker 1>bats before six pm because it would go dark. Um.

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<v Speaker 1>There was holes in the floor, so we had straight

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<v Speaker 1>dogs or straight cats or animals just crawl inside the house.

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<v Speaker 1>And you know, my dad was a trash man, so

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<v Speaker 1>he would get our beds from the trash came. But

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<v Speaker 1>we never had, uh, the bed spring or the head boarder,

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<v Speaker 1>We never had none of that. We just had the

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<v Speaker 1>Master Masters, you know what I'm saying. But it had

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<v Speaker 1>the little things in it, so it would poke you

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<v Speaker 1>when you sleep, you know what I'm saying. So me

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<v Speaker 1>and my brother would argue on which side somebody would sleep,

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<v Speaker 1>you know, and um, you know me. You know, I'm

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<v Speaker 1>forty now, and you know, and my brother and I

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<v Speaker 1>shared a bed until I was about years old, you

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<v Speaker 1>know what I mean. And that's a funny that's a

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<v Speaker 1>funny story because I'm gonna jump back. But we share

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<v Speaker 1>the bed because we got an apartment in Atlanta when

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<v Speaker 1>we finally got our own place, two bedroom and we're

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<v Speaker 1>in our bedrooms yelling at each other, like yo, what

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<v Speaker 1>are you doing? And I also watched that movie what

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<v Speaker 1>are you doing? I texting some girl my boy this

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<v Speaker 1>folk feed wear dog. Yeah, and I just went in

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<v Speaker 1>my brother room and we we share the bed to

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<v Speaker 1>the point that our best friend lost his apartment and

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<v Speaker 1>we let him stay in the other room. Were using

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<v Speaker 1>that Yeah, like yo, bro, you could yo you can

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<v Speaker 1>come and you can help pay bills to ship bring

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<v Speaker 1>groceries in this mouth. Yeah. So you know, so we

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<v Speaker 1>started in a shack. My mom was mad, you know,

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<v Speaker 1>somewhat broke up with my My dad was like, you

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<v Speaker 1>gotta get it together. You you know what I'm saying.

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<v Speaker 1>We can't be living like this with our kids. And um.

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<v Speaker 1>They used to be a project in St. Time. It's

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<v Speaker 1>called Do New or do New cut right, and it's

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<v Speaker 1>my aunt. My mom's sister Natalie lived up there with

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<v Speaker 1>my cousin or Shanna Kelly and Kelly, So they lived

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<v Speaker 1>in do So we went to stin Done with my

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<v Speaker 1>aunt and I remember my dad coming to surprise us

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<v Speaker 1>because you know, him and my mom wasn't really messing

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<v Speaker 1>with each other. Well they you know, they got back

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<v Speaker 1>and then, um, oh my god, I'm so sorry I'm

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<v Speaker 1>being here. Yeah, so um they both Um, My my

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<v Speaker 1>dad went to my mom was like, YEO, I got

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<v Speaker 1>a surprise for you, and I'm like, hey, everybody, come on,

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<v Speaker 1>and you know, so we got in the car and

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<v Speaker 1>he drove us to where we grew up. It's a

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<v Speaker 1>project in ST Time. It's called housing. The politically correct

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<v Speaker 1>name is Oswald Harris Court. So you drove us to housing,

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<v Speaker 1>brought us in there in St. Thomas apartments. Don't coming

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<v Speaker 1>nothing in it? You know. Like when we moved to

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<v Speaker 1>the States and we had a c we was like, y'ah,

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<v Speaker 1>nigg is rich. What do you mean, I don't come

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<v Speaker 1>with nothing. It just comes with walls, concrete walls. There's

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<v Speaker 1>no fridge or stove or washer or no, it don't

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<v Speaker 1>come with nothing in it. It's walls. You gotta buy

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<v Speaker 1>every thing. So when we any anywhere you move, you

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<v Speaker 1>have to have I mean all the appliances with you,

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<v Speaker 1>I want to say, other places. So when we moved

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<v Speaker 1>in and Bro, so we're coming from the shock, ain't

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<v Speaker 1>no holes in the floor, ain't no straight you know

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<v Speaker 1>to us, Bro moving on up? Hey, we me and

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<v Speaker 1>my you know, we little too. We gotta be like

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<v Speaker 1>six or seven, seven and eight, just like whoa look

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<v Speaker 1>at these walls. Yeah, yeah, yeah, you know what I mean.

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<v Speaker 1>And and and we grew up there, so you know,

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<v Speaker 1>so growing up in the projects. But it's different. Man,

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<v Speaker 1>how important it is to have a dad because we

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<v Speaker 1>had our mom and our dad. So we're in the

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<v Speaker 1>hood now and all our friends, you know, whose mom

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<v Speaker 1>go to work and their dad ain't there. They they

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<v Speaker 1>street niggas, and they you know that my walking with them,

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<v Speaker 1>my little knife for you know what I'm saying. They're

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<v Speaker 1>selling their little weed and ship. And we're talking about

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<v Speaker 1>ten eleven, twelve years old type sure, right, you know.

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<v Speaker 1>And m me and my brother is just like our

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<v Speaker 1>dad got us into music, you know, nine years old.

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<v Speaker 1>I remember watching I remember seeing Criss Cross on TV

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<v Speaker 1>because we started out as backup dancers for a local

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<v Speaker 1>hip hop group called uh Rock Sand and Katie or Cody,

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<v Speaker 1>I was messed up the name, but it's Rock Sand

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<v Speaker 1>and something. And we would be dancing because you know,

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<v Speaker 1>back then, everybody in the eighties, everybody was dancing and ship,

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<v Speaker 1>you know. And we're dancing and then next thing, you know,

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<v Speaker 1>criss Cross comes out and I'm screaming to the top

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<v Speaker 1>of my lungs. Mommy, they run in. I want to

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<v Speaker 1>do that. That right there, that's what I want to do.

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<v Speaker 1>My Dad's like, okay, my dad is like, this is

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<v Speaker 1>how I'm gonna get my son's out of the projects.

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<v Speaker 1>They're gonna get out the projects doing that. And he

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<v Speaker 1>would just take us through the island performing doing stuff

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<v Speaker 1>and and you know, and so I end up writing

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<v Speaker 1>because this dude used to write for us, this high

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<v Speaker 1>school kid, right, and then he just was like, man,

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<v Speaker 1>I don't want to do that no more. I want

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<v Speaker 1>to be a solo artist and focus on myself. So

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<v Speaker 1>my dad is like, y'all gotta write your own songs.

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<v Speaker 1>And nobody could ever write a song for you ever. Again,

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<v Speaker 1>it was like because he put you on a weird spot.

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<v Speaker 1>And so I started to get into it because I

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<v Speaker 1>had an English teacher that introduced me to poetry and

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<v Speaker 1>I just had a fascination with words rhyming. Man, I

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<v Speaker 1>thought that was the coolest thing in the world. And

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<v Speaker 1>so you know, I started writing songs. I brought a

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<v Speaker 1>song to my dad. He's like, man, I'm telling you

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<v Speaker 1>that well, it's like a poem, but I tried to

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<v Speaker 1>add melody. He was like, this is crazy. He's like,

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<v Speaker 1>I'm telling you're amazing. And I remember writing my first song, right,

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<v Speaker 1>my first song ever. I was twelve years old. I

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<v Speaker 1>still remember it. So it's like, um, fresh shot done,

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<v Speaker 1>fresh hot, depressed on their their boy for test, put

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<v Speaker 1>them to the test. Test. A lyric called test Lyrics

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<v Speaker 1>from memot may not give your less Alis sexy or

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<v Speaker 1>my Nie for fiel up mit chest because it's me again, Yes,

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<v Speaker 1>smithcome fresh. And then I just thought I was the

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<v Speaker 1>greatest thing that ever happened to me. Just I don't

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<v Speaker 1>even know that. I don't know great to me. So

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<v Speaker 1>so yeah, you know with me and my brother, we're

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<v Speaker 1>a group. We're going around with doing shows. Is the

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<v Speaker 1>biggest fan, he's your he's your first super fan. He's

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<v Speaker 1>he's the first super fan. He the greatest man that

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<v Speaker 1>ever lived on this plant off. Yeah, he's the great

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<v Speaker 1>human being I've ever met in my life. And and

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<v Speaker 1>he's like, this is what you're gonna do. And he

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<v Speaker 1>was like, yo, when you grow up, you're gonna be

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<v Speaker 1>writing songs with baby Face. You know that's crazy. I

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<v Speaker 1>had a crazy emotional moment because my dad had passed.

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<v Speaker 1>And then I wrote a song with baby Face and

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<v Speaker 1>I called my brother crying and I was like, I said, Timothy,

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<v Speaker 1>I'm not sad. I'm not sad, I'm just so happy.

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<v Speaker 1>How did he know? Yeah, because he told me this

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<v Speaker 1>when I was a little boy, Like, hey, baby Face

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<v Speaker 1>on you know, singing and out. He's like, oh, you're

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<v Speaker 1>gonna see you're gonna be writing songs and singing with them.

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<v Speaker 1>And he refused to let us compete with people from

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<v Speaker 1>the Virgin Islands. You know, my dad used to be

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<v Speaker 1>like yo. My dad would be like he was a gangster.

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<v Speaker 1>You're like yo, Now, these fucking people they never make it.

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<v Speaker 1>You can't compete with somebody that never do. Your competition

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<v Speaker 1>is the jay Zy and THEMN people on TV. If

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<v Speaker 1>you ain't boy on them, we ain't or never leave

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<v Speaker 1>this place. He used to make us rehearse two hours

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<v Speaker 1>a day, you know what I'm saying every day, so

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<v Speaker 1>we couldn't go outside of play unless we make him

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<v Speaker 1>stand up. So my dad would sit there, me and

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<v Speaker 1>my brother start saying and he would be like, terrible,

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<v Speaker 1>I'm your father and I love you. You can't make

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<v Speaker 1>me move. How are you gonna make a stranger move?

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<v Speaker 1>I'm like, So he's like, I need to see the

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<v Speaker 1>show every time. So we keep getting intenser and intensor,

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<v Speaker 1>and then he will stand up. Yes, this is why

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<v Speaker 1>need This is the only way you're gonna do it.

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<v Speaker 1>And so you know, so if you ever had the

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<v Speaker 1>opportunity to see me and my brother live, we're like

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<v Speaker 1>you know, we're like jumping exactly and just do that.

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<v Speaker 1>That's why. So, you know, not knowing that songwriting as

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<v Speaker 1>a job, you know. So we became the biggest group

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<v Speaker 1>in the Virgin Islands. But again, my dad is like,

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<v Speaker 1>I've never seen nothing like this. People would ask us

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<v Speaker 1>for autographs. Yo. We live in the projects. We're poor.

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<v Speaker 1>I had my first job at twelve. I worked at

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<v Speaker 1>a grocery store with bad groceries and get tips and

0:12:23.120 --> 0:12:25.160
<v Speaker 1>bring home bread and cheese to help my mom, help

0:12:25.200 --> 0:12:27.440
<v Speaker 1>my mom with a light bill. Like we was. We

0:12:27.480 --> 0:12:31.400
<v Speaker 1>didn't have nothing. So yeah, but bro, I remember I

0:12:31.400 --> 0:12:33.400
<v Speaker 1>got my first job, like real job where I could

0:12:33.400 --> 0:12:36.320
<v Speaker 1>get a paycheck at foot locker and girl and I

0:12:36.360 --> 0:12:39.120
<v Speaker 1>got fired at foot locker because girls would come to

0:12:39.240 --> 0:12:44.000
<v Speaker 1>foot locker and be like perform yeah, and be like,

0:12:44.080 --> 0:12:47.360
<v Speaker 1>oh my god, can you give me an autograph? You know?

0:12:48.040 --> 0:12:50.079
<v Speaker 1>Or back then they didn't have camera phones, bro, they'd

0:12:50.120 --> 0:12:54.600
<v Speaker 1>have the little um disposable cameras and be like, yo,

0:12:54.640 --> 0:12:56.760
<v Speaker 1>let me take a picture with you in the in

0:12:56.800 --> 0:12:59.560
<v Speaker 1>the uniform. Yeah you got the referee. Yeah. And I'd

0:12:59.559 --> 0:13:02.880
<v Speaker 1>be like and my dad would be like, bro, y'all

0:13:02.920 --> 0:13:05.400
<v Speaker 1>are special. I've never seen nothing like that, Yeah, y'all

0:13:05.400 --> 0:13:09.800
<v Speaker 1>ain't on TV day day was. They thought we were somebody,

0:13:10.320 --> 0:13:12.960
<v Speaker 1>and we did that until so when we graduated out

0:13:12.960 --> 0:13:16.040
<v Speaker 1>of high school, our parents give us the choice. They said,

0:13:16.080 --> 0:13:18.880
<v Speaker 1>if y'all go to college. As parents, we have to

0:13:18.880 --> 0:13:20.760
<v Speaker 1>try to help y'all. We don't we don't know how,

0:13:21.160 --> 0:13:23.160
<v Speaker 1>but we're gonna help y'all. But if y'all don't want

0:13:23.200 --> 0:13:24.840
<v Speaker 1>to go to college and y'all want to go pursue

0:13:24.840 --> 0:13:28.480
<v Speaker 1>your dream, y'all a man, and then you gotta figure

0:13:28.480 --> 0:13:32.640
<v Speaker 1>it out. It was like, I'm like, I hated school.

0:13:32.760 --> 0:13:36.680
<v Speaker 1>I was like, I could do what everybody wants. Oh. Man,

0:13:36.800 --> 0:13:39.640
<v Speaker 1>I got on the first thing smoking. I told my brother, hey,

0:13:39.640 --> 0:13:41.720
<v Speaker 1>bet we moved to Miami. Baby. It was the cheapest

0:13:41.720 --> 0:13:45.360
<v Speaker 1>plane ticket. So that was the closest It's the closest place.

0:13:45.720 --> 0:13:47.000
<v Speaker 1>So we got on a plane and we went to

0:13:47.040 --> 0:13:50.600
<v Speaker 1>Miami and m my my dad's half brother lived there,

0:13:50.760 --> 0:13:54.000
<v Speaker 1>my uncle Trent, who passed, and um, he was in

0:13:54.240 --> 0:13:59.160
<v Speaker 1>Florida and he had like a one bedroom condo. So

0:13:59.240 --> 0:14:01.360
<v Speaker 1>he was like, man, I don't really have room for y'all.

0:14:01.400 --> 0:14:02.760
<v Speaker 1>Y'all can stay as long as y'all want, but I

0:14:02.800 --> 0:14:05.240
<v Speaker 1>know this ain't comfortable, and my cousin O'shanna, that's the

0:14:05.280 --> 0:14:07.320
<v Speaker 1>closest thing I have to assist him. My aunt Natalie

0:14:07.320 --> 0:14:10.880
<v Speaker 1>from Donal, her daughter, She was like, I would love

0:14:10.880 --> 0:14:12.280
<v Speaker 1>for y'all to stay with me, but I got like

0:14:12.600 --> 0:14:17.439
<v Speaker 1>female roommates. But her boyfriend at the time, his name

0:14:17.520 --> 0:14:22.000
<v Speaker 1>was Jason Roberts. Jason was trying to start a record

0:14:22.080 --> 0:14:24.560
<v Speaker 1>label and he was the biggest, biggest fan of me

0:14:24.600 --> 0:14:26.760
<v Speaker 1>and my brother musically, so he's like, oh, they can

0:14:26.840 --> 0:14:28.640
<v Speaker 1>stay with us. But he had five roommates, so we

0:14:28.720 --> 0:14:30.960
<v Speaker 1>used to so we used to sleep in his dining

0:14:31.040 --> 0:14:33.040
<v Speaker 1>room on a blanket. But again, me and my brother,

0:14:33.080 --> 0:14:35.640
<v Speaker 1>we like, come from that, bro. We came listen, bro,

0:14:36.160 --> 0:14:38.280
<v Speaker 1>Like you know what I'm saying. We come from nothing. Brother,

0:14:38.720 --> 0:14:41.120
<v Speaker 1>this is this is as long as we got somewhere

0:14:41.160 --> 0:14:45.080
<v Speaker 1>to sleep and we stay there. And we was like, yo, man.

0:14:45.200 --> 0:14:47.240
<v Speaker 1>Ten months later, Miami wasn't working out. It was like

0:14:47.280 --> 0:14:49.800
<v Speaker 1>nothing ain't moving. He was like, yo, we can move

0:14:49.840 --> 0:14:57.600
<v Speaker 1>to Atlanta or New York, Like all right, while saying that.

0:14:57.720 --> 0:15:00.200
<v Speaker 1>A promoter from St. Thomas that lived in Atlanta, one

0:15:00.200 --> 0:15:02.720
<v Speaker 1>of my dad's closest friends, name is Perella, calls us

0:15:02.760 --> 0:15:04.720
<v Speaker 1>on the phone and said, hey, Yo, there's a big

0:15:04.720 --> 0:15:06.320
<v Speaker 1>show in Atlanta that I'm trying to do. Them pay

0:15:06.320 --> 0:15:07.920
<v Speaker 1>you and your brother two hundred fifty dollars and give

0:15:07.920 --> 0:15:10.200
<v Speaker 1>you a hotel. It was like okay, hung up the

0:15:10.200 --> 0:15:17.280
<v Speaker 1>phone and I said, to be moving to Atlanta. Um,

0:15:17.320 --> 0:15:19.840
<v Speaker 1>this is too, this is oh one, We're moving to

0:15:20.000 --> 0:15:23.320
<v Speaker 1>Atlantic yeah for this two fifty because because you know,

0:15:23.720 --> 0:15:26.640
<v Speaker 1>you know, my my my high school sweetheart with my

0:15:26.640 --> 0:15:30.480
<v Speaker 1>girlfriend at the time, was there, and so we go there.

0:15:30.600 --> 0:15:32.200
<v Speaker 1>You know, she had a job and credit and ship,

0:15:32.280 --> 0:15:33.840
<v Speaker 1>so she was a person that could like get an

0:15:33.880 --> 0:15:36.680
<v Speaker 1>apartment and you know, and we we had one night

0:15:36.720 --> 0:15:40.080
<v Speaker 1>in the hotel and two d and fifty dollars and

0:15:40.120 --> 0:15:41.680
<v Speaker 1>we was like, yo, we gotta figure out how to

0:15:41.680 --> 0:15:44.760
<v Speaker 1>make money. But we was like, we're not gonna get jobs,

0:15:44.880 --> 0:15:46.640
<v Speaker 1>are you crazy? Bro? We came here to do music.

0:15:46.760 --> 0:15:48.920
<v Speaker 1>So we found out in Atlanta they'll be doing talent

0:15:48.960 --> 0:15:51.000
<v Speaker 1>shows and you can win. So we started to do

0:15:51.040 --> 0:15:53.720
<v Speaker 1>talent shows and then we want no life. We want

0:15:53.800 --> 0:15:57.000
<v Speaker 1>every single talent show except for this one talent show,

0:15:57.200 --> 0:15:59.000
<v Speaker 1>which to this day, I really feel like we got cheated.

0:15:59.000 --> 0:16:07.800
<v Speaker 1>But it's all good, you know what. I'm saying, but

0:16:08.600 --> 0:16:11.800
<v Speaker 1>it's all good and um. What happened was we won

0:16:11.920 --> 0:16:14.040
<v Speaker 1>so much that it was like, hey guys, you guys

0:16:14.120 --> 0:16:17.320
<v Speaker 1>can only be special guests. You can't compete no more.

0:16:17.640 --> 0:16:20.520
<v Speaker 1>And we was like, bro, were only here for the money,

0:16:20.600 --> 0:16:23.760
<v Speaker 1>like we you know, none of these people don't practice

0:16:23.800 --> 0:16:26.040
<v Speaker 1>like we practice. We practice every day like me, my

0:16:26.120 --> 0:16:28.800
<v Speaker 1>brother and I DJ Benny, one of my best friend, Benny,

0:16:29.040 --> 0:16:32.720
<v Speaker 1>we rehearsed every day, like what, no, Bro, what you

0:16:32.800 --> 0:16:34.760
<v Speaker 1>were hurting for? What do you mean for a show?

0:16:34.920 --> 0:16:38.920
<v Speaker 1>What show? Whenever one come, we just would rehearse. So Bro,

0:16:39.040 --> 0:16:40.920
<v Speaker 1>we got on stage, we woul whoop everybody asked, and

0:16:40.960 --> 0:16:43.080
<v Speaker 1>we would win, and we would win. No, we knew

0:16:43.120 --> 0:16:45.480
<v Speaker 1>we was gonna win. We were so confident, call it arrogance,

0:16:45.520 --> 0:16:46.960
<v Speaker 1>whatever you want to call it. Before the show, we

0:16:47.000 --> 0:16:49.800
<v Speaker 1>would be like, okay, so tonight we're gonna win two fifty.

0:16:50.040 --> 0:16:52.720
<v Speaker 1>Benny's light bill is one, so we're gonna let him

0:16:52.760 --> 0:16:54.880
<v Speaker 1>get that, and Benny, you're gonna let me and Timothy

0:16:54.880 --> 0:16:56.680
<v Speaker 1>get the rest because we gotta put some groceries in

0:16:56.720 --> 0:16:58.920
<v Speaker 1>our refrigerator and we're gonna bust it down like that.

0:16:58.960 --> 0:17:02.840
<v Speaker 1>We're good with that. Oh yeah, we were going there. Yeah,

0:17:02.960 --> 0:17:06.199
<v Speaker 1>we we just you know, that's and then they literally

0:17:06.240 --> 0:17:08.960
<v Speaker 1>just like, oh man, we love y'all, man, but y'all

0:17:09.320 --> 0:17:11.280
<v Speaker 1>y'all can't compete. People don't want to sign up no

0:17:11.320 --> 0:17:13.520
<v Speaker 1>more because they like, anytime they see your name, they're like,

0:17:13.560 --> 0:17:18.760
<v Speaker 1>come on, bro, we're not we're not being them. Yeah,

0:17:19.000 --> 0:17:21.920
<v Speaker 1>And so you know, we're going through the motions and

0:17:22.000 --> 0:17:24.960
<v Speaker 1>what's not so lifestart, you know, you know when real

0:17:25.000 --> 0:17:28.040
<v Speaker 1>life happens. Bro, My my my, my high school sweet

0:17:28.080 --> 0:17:30.600
<v Speaker 1>at the time time gets pregnant. My brother went back

0:17:30.600 --> 0:17:33.040
<v Speaker 1>to St. Timas like this music ain't really gonna work.

0:17:33.040 --> 0:17:34.600
<v Speaker 1>I gotta grow up, you know what I mean? And

0:17:34.600 --> 0:17:37.359
<v Speaker 1>this is after how long in Atlanta? How you know?

0:17:37.440 --> 0:17:39.280
<v Speaker 1>Just how long have you been in America at this point?

0:17:39.520 --> 0:17:41.840
<v Speaker 1>A couple of years. It's about four years, four years,

0:17:41.920 --> 0:17:44.840
<v Speaker 1>about four years in or something like that. Um I

0:17:44.840 --> 0:17:48.640
<v Speaker 1>want to say, is about four years because um no,

0:17:48.640 --> 0:17:52.280
<v Speaker 1>no, no no, no, I'm lying yeah, yeah, because it's like, um,

0:17:52.480 --> 0:17:55.960
<v Speaker 1>two thousand one to my daughters born in two thousand three,

0:17:56.600 --> 0:17:58.840
<v Speaker 1>my brother back in St. Thomas, you know, and I

0:17:58.840 --> 0:18:02.160
<v Speaker 1>want to quit music at this point. I'm like everybody

0:18:02.240 --> 0:18:04.879
<v Speaker 1>keeps telling me how good I am they lying? And

0:18:04.920 --> 0:18:07.000
<v Speaker 1>I don't like that. I wish they would tell me

0:18:07.040 --> 0:18:09.119
<v Speaker 1>what I was doing wrong, because if they did, I

0:18:09.160 --> 0:18:13.120
<v Speaker 1>would change it. But oh, man, is so awesome. I'm

0:18:13.119 --> 0:18:15.920
<v Speaker 1>not awesome. I ain't making no money. People who are

0:18:15.960 --> 0:18:19.520
<v Speaker 1>awesome are making money. So I need to know what's

0:18:19.520 --> 0:18:22.800
<v Speaker 1>the problem is so I could fix it. And my

0:18:22.880 --> 0:18:27.480
<v Speaker 1>manager Ray, you know, y'all know Ray right. Let me

0:18:27.480 --> 0:18:29.119
<v Speaker 1>tell you how I met Ray. Ray. Ray and I

0:18:29.160 --> 0:18:30.760
<v Speaker 1>have been friends for nineteen years. This is the first

0:18:30.800 --> 0:18:33.120
<v Speaker 1>time I ever met him. My daughter's mother is pregnant

0:18:33.119 --> 0:18:34.960
<v Speaker 1>with my daughter. She ain't born yet. We got the

0:18:34.960 --> 0:18:37.679
<v Speaker 1>two bedroom apartment in the East side of Atlanta in

0:18:37.680 --> 0:18:40.199
<v Speaker 1>a place called Polo Club, and this dude named Mike

0:18:40.240 --> 0:18:43.840
<v Speaker 1>cal who wants I was broke, couldn't buy nothing for

0:18:43.920 --> 0:18:46.600
<v Speaker 1>my daughter's mom, so I used to write her love songs.

0:18:47.720 --> 0:18:49.600
<v Speaker 1>I still got a backpack full of songs that I

0:18:49.640 --> 0:18:51.880
<v Speaker 1>just I used to write love songs. And she'll come

0:18:51.880 --> 0:18:54.520
<v Speaker 1>home from work and I'll be singing, and she'd be like,

0:18:54.720 --> 0:18:56.080
<v Speaker 1>I don't want no song. I want you to get

0:18:56.119 --> 0:19:00.879
<v Speaker 1>a job. You know what I'm saying. No, no, no, no, no,

0:19:00.880 --> 0:19:02.800
<v Speaker 1>no no no no no. I mean, you know at

0:19:02.800 --> 0:19:06.679
<v Speaker 1>the time, keeping it all the way from she was right,

0:19:06.920 --> 0:19:10.080
<v Speaker 1>But I'm just but you know, you know, sometimes sometimes

0:19:10.119 --> 0:19:11.679
<v Speaker 1>you gotta be stupid for your dream in order for

0:19:11.680 --> 0:19:14.400
<v Speaker 1>it to work, you know what I'm saying. So I'm

0:19:14.440 --> 0:19:18.640
<v Speaker 1>in there writing love songs or whatever, and Ray comes

0:19:18.640 --> 0:19:22.359
<v Speaker 1>in and Michael says, Yo, this the dude I was

0:19:22.400 --> 0:19:25.080
<v Speaker 1>telling you about in the group with his brother. Remember,

0:19:26.320 --> 0:19:28.720
<v Speaker 1>artists need us to be too equipped, he said to equip.

0:19:28.960 --> 0:19:30.879
<v Speaker 1>Ray said, oh yeah, man, I heard about your niggas. Man,

0:19:30.880 --> 0:19:35.879
<v Speaker 1>that's what you're doing, whacking fuck in my house the

0:19:35.920 --> 0:19:38.040
<v Speaker 1>first time I've ever met him. Within the first five minutes,

0:19:38.320 --> 0:19:41.760
<v Speaker 1>I said. Michael says, you know what, then you're doing? Bro?

0:19:41.800 --> 0:19:43.840
<v Speaker 1>I said, hold on, why do you think it's whack?

0:19:44.040 --> 0:19:46.080
<v Speaker 1>He said, come on, Bro, he saw breaking it down

0:19:46.160 --> 0:19:48.639
<v Speaker 1>to me. I said, Bro, can you tell me more

0:19:48.680 --> 0:19:53.879
<v Speaker 1>about that? He's like yeah. Michael was like, Bro, I

0:19:53.960 --> 0:19:55.399
<v Speaker 1>need you to bring him in the city tomorrow. Man,

0:19:55.400 --> 0:19:57.920
<v Speaker 1>I want him to write with me. Bro. He's like, hey, man,

0:19:58.200 --> 0:19:59.720
<v Speaker 1>he wants me to drive it, but I ain't really gotta.

0:20:00.040 --> 0:20:02.600
<v Speaker 1>That's like to be riding around Ray broke two. I said, hey,

0:20:02.680 --> 0:20:04.560
<v Speaker 1>now I got an extra room. You can stay he said,

0:20:04.760 --> 0:20:06.640
<v Speaker 1>you just met me. I said, you the first person

0:20:06.720 --> 0:20:10.320
<v Speaker 1>I ever met that I feel honest. Wow, that mean

0:20:10.400 --> 0:20:11.960
<v Speaker 1>that that man stayed at my house. He's been my

0:20:12.000 --> 0:20:16.440
<v Speaker 1>friend for nineteen years since that day. Wow, no ship,

0:20:16.720 --> 0:20:18.399
<v Speaker 1>that's how he became I would have never thought that's

0:20:18.400 --> 0:20:20.480
<v Speaker 1>how he became my friend because he told me what

0:20:20.560 --> 0:20:23.520
<v Speaker 1>I needed to hear at the time, and I took

0:20:23.560 --> 0:20:35.480
<v Speaker 1>it and it changed my life, changed my mind. Look,

0:20:35.800 --> 0:20:44.160
<v Speaker 1>just came wrong. We're back, baby, We're back, lady, We're back.

0:20:44.960 --> 0:20:46.280
<v Speaker 1>You know what I'm saying. The lights ain't going on.

0:20:46.400 --> 0:20:49.399
<v Speaker 1>Everybody good. And now from this point on, we're like, okay,

0:20:49.400 --> 0:20:54.440
<v Speaker 1>now that space ourselves. Yeah, you know, let pace ourselves.

0:20:55.080 --> 0:20:57.560
<v Speaker 1>You know, we plan on being here for a long time.

0:20:57.880 --> 0:21:01.359
<v Speaker 1>We've been there for a long time. We was like, yo, relax,

0:21:01.480 --> 0:21:03.639
<v Speaker 1>were played them being there for a long time, you

0:21:03.640 --> 0:21:06.400
<v Speaker 1>know what I mean. And after that, I want to say.

0:21:06.920 --> 0:21:08.359
<v Speaker 1>Ray comes to me and he said, yo, man, I

0:21:08.400 --> 0:21:10.119
<v Speaker 1>think y'all should I think y'all should stop trying to

0:21:10.119 --> 0:21:12.639
<v Speaker 1>be artists. Like, damn, what do you mean? He's like,

0:21:13.720 --> 0:21:17.040
<v Speaker 1>if we get hot at songwriting, they're gonna want to

0:21:17.040 --> 0:21:20.280
<v Speaker 1>give us whatever we want. But we gotta be hot

0:21:20.680 --> 0:21:26.200
<v Speaker 1>at something like, man, that actually makes sense? Right again, Man,

0:21:26.280 --> 0:21:31.040
<v Speaker 1>raise a great coach, brother. So y'all go full throttle songwriting,

0:21:31.160 --> 0:21:35.200
<v Speaker 1>nigger all the way in and we write a song.

0:21:36.680 --> 0:21:39.639
<v Speaker 1>Let me see what are the songs we can't stop?

0:21:39.680 --> 0:21:42.760
<v Speaker 1>Twenty three poured up all of the all of the same,

0:21:42.880 --> 0:21:50.359
<v Speaker 1>all around the same exact time. Up my god, Yeah yeah, okay,

0:21:50.440 --> 0:21:57.680
<v Speaker 1>let's go up. I remember I was at I want

0:21:57.680 --> 0:22:04.879
<v Speaker 1>to say gray Stone could be great, I think, and

0:22:04.920 --> 0:22:08.320
<v Speaker 1>that motherfucking be dropped and they said part of part.

0:22:08.640 --> 0:22:12.880
<v Speaker 1>I said, oh my god, what the fuck is that?

0:22:13.160 --> 0:22:14.680
<v Speaker 1>So I have a bunch of so so the way

0:22:14.680 --> 0:22:16.480
<v Speaker 1>that I look at music, I have a bunch of theories,

0:22:16.560 --> 0:22:18.320
<v Speaker 1>and I wrote and when I did pour it up.

0:22:18.960 --> 0:22:21.440
<v Speaker 1>The problem that I had with music is that whenever women,

0:22:21.560 --> 0:22:24.040
<v Speaker 1>whenever female songs came on, man left the dance floor.

0:22:24.640 --> 0:22:28.160
<v Speaker 1>And it bothered me mm hmm, like a girl's song

0:22:28.200 --> 0:22:30.960
<v Speaker 1>will come on and do the same for us. And

0:22:30.960 --> 0:22:33.760
<v Speaker 1>I was like, I want to say something that, you know,

0:22:33.760 --> 0:22:35.720
<v Speaker 1>because I feel like the new independent woman is not

0:22:35.800 --> 0:22:37.879
<v Speaker 1>like I got my own money and that ship you

0:22:37.960 --> 0:22:40.399
<v Speaker 1>know they've been having that women want to say exactly

0:22:40.440 --> 0:22:41.720
<v Speaker 1>what we said. So I was like, I want to

0:22:41.720 --> 0:22:44.439
<v Speaker 1>write a song from man and have a girl say it,

0:22:44.600 --> 0:22:46.840
<v Speaker 1>because as a man, I'm going to sing along with her,

0:22:47.800 --> 0:22:51.520
<v Speaker 1>you know what I'm saying. And so this is a

0:22:51.520 --> 0:22:53.400
<v Speaker 1>controversial thing that I'm about to say. But I've never

0:22:53.440 --> 0:22:57.040
<v Speaker 1>liked bridges. I never wanted to write bridges. I don't

0:22:57.040 --> 0:22:59.639
<v Speaker 1>like bridges. I don't want them in my song. And um,

0:22:59.680 --> 0:23:02.800
<v Speaker 1>if you realize that Poured Up has two verses, because

0:23:02.800 --> 0:23:04.560
<v Speaker 1>in the Caribbean, if you listen to dance, all music

0:23:04.680 --> 0:23:07.080
<v Speaker 1>is two verse, and in the first verse repeats they

0:23:07.119 --> 0:23:11.040
<v Speaker 1>don't do bridges. Yeah, that's my culture. And um, Neo

0:23:11.240 --> 0:23:15.520
<v Speaker 1>and Sean Garrett and Jonte and the Dream, they were

0:23:15.600 --> 0:23:18.080
<v Speaker 1>just whooping my ass. I couldn't beat them. They were

0:23:18.119 --> 0:23:20.800
<v Speaker 1>incredible and I just was like, how do they do that?

0:23:21.160 --> 0:23:24.080
<v Speaker 1>And I was like, the only thing that these niggas

0:23:24.080 --> 0:23:27.159
<v Speaker 1>can't outdo me by is being Caribbean, you know. And

0:23:27.160 --> 0:23:29.399
<v Speaker 1>if I could, if if I could bring music to

0:23:29.440 --> 0:23:33.600
<v Speaker 1>my culture, I'm gonna whoop all the ass back. And

0:23:33.840 --> 0:23:35.240
<v Speaker 1>I was like, how am I going to do that?

0:23:35.920 --> 0:23:38.399
<v Speaker 1>And at that point in time, I kept saying, your

0:23:38.480 --> 0:23:40.840
<v Speaker 1>music is going to be ratchet. It was like what

0:23:41.000 --> 0:23:43.280
<v Speaker 1>I said, hip hop is the new rock and roll,

0:23:45.000 --> 0:23:47.480
<v Speaker 1>and hip hop is going to be the new pop music.

0:23:49.359 --> 0:23:53.639
<v Speaker 1>And if I can pull it into my culture, not

0:23:53.640 --> 0:23:56.200
<v Speaker 1>not like dance all as far as the rhythm and stuff,

0:23:56.240 --> 0:24:00.159
<v Speaker 1>just like the lyrics and the yeah, because I just

0:24:00.160 --> 0:24:02.359
<v Speaker 1>want to say crazy ship and they'd be like, yo, man,

0:24:02.400 --> 0:24:03.840
<v Speaker 1>we can't say that. You know. You gotta find a

0:24:03.840 --> 0:24:07.760
<v Speaker 1>clever way to say it. And I'm like, you gotta

0:24:07.800 --> 0:24:11.440
<v Speaker 1>find a clever way, man. You know, I didn't want

0:24:11.440 --> 0:24:15.760
<v Speaker 1>to say that. So so you know, um, so for Unapologetic,

0:24:15.840 --> 0:24:18.560
<v Speaker 1>for Rihanna, me and my brother, we wrote twenty eight songs,

0:24:18.680 --> 0:24:21.520
<v Speaker 1>poured up being a twenty eight song. Um, the last one,

0:24:21.760 --> 0:24:24.919
<v Speaker 1>the last one. We can't stop with one of those songs.

0:24:25.400 --> 0:24:28.960
<v Speaker 1>And you know it didn't it didn't fit where Rihanna

0:24:29.040 --> 0:24:31.920
<v Speaker 1>was going. And and in hindsight, now did I hear it?

0:24:31.920 --> 0:24:34.080
<v Speaker 1>It is it was better for Molly than it was,

0:24:34.359 --> 0:24:42.480
<v Speaker 1>you know Forria. Molly s Yeah, y'a so funny man.

0:24:43.160 --> 0:24:46.280
<v Speaker 1>So so you know, um, if you ever gave you

0:24:46.320 --> 0:24:49.240
<v Speaker 1>two million for us, you know we'll go ahead. Oh man,

0:24:49.320 --> 0:24:52.040
<v Speaker 1>you know what I'm saying. God is good all the time.

0:24:52.720 --> 0:24:55.520
<v Speaker 1>You know what I'm saying. You know, what I mean, Um,

0:24:55.600 --> 0:25:00.399
<v Speaker 1>and so so we so I'm in Atlanta and uh,

0:25:00.680 --> 0:25:05.160
<v Speaker 1>we can't stop in twenty three and um, Karen Quark,

0:25:05.280 --> 0:25:06.879
<v Speaker 1>here's we can't stop and say, yea, I want to

0:25:06.920 --> 0:25:11.159
<v Speaker 1>fly y'all to l A. You Timothy Mike will to

0:25:11.200 --> 0:25:14.040
<v Speaker 1>do some stuff for Rihanna, Rihanna don't want to do.

0:25:14.080 --> 0:25:17.240
<v Speaker 1>We can't stop, and like, damn, bro and I didn't

0:25:17.280 --> 0:25:19.280
<v Speaker 1>wrote so many songs to this girl. I'm like man,

0:25:19.720 --> 0:25:23.240
<v Speaker 1>and we're out there right in And then the ask

0:25:23.280 --> 0:25:25.200
<v Speaker 1>AP Awards was in l A. And I went to

0:25:25.240 --> 0:25:27.880
<v Speaker 1>the ask AP Awards me, my brother and um Ray

0:25:28.240 --> 0:25:31.919
<v Speaker 1>and they were honoring Quincy Jones. I've never met Quincy

0:25:31.960 --> 0:25:33.760
<v Speaker 1>Jones in my life. I've only met him one time.

0:25:33.760 --> 0:25:36.040
<v Speaker 1>And this is the time. I was outside on my phone.

0:25:36.040 --> 0:25:38.520
<v Speaker 1>If anybody knows me, I'm usually in the phone texting

0:25:38.640 --> 0:25:41.480
<v Speaker 1>on a game on Instagram or something. Quincy Jones walks

0:25:41.560 --> 0:25:42.959
<v Speaker 1>up to me and he said, hey, young blood, how

0:25:43.040 --> 0:25:47.520
<v Speaker 1>you doing? Let me tell you something to take my

0:25:47.560 --> 0:25:51.960
<v Speaker 1>shaves off of this one and he's and I say, uh,

0:25:51.960 --> 0:25:56.280
<v Speaker 1>I'm I'm good. Um, Mr Mr Jones, how are you doing?

0:25:56.600 --> 0:25:59.480
<v Speaker 1>He said, I'm good man. How's the songwriting? Coming like,

0:26:00.280 --> 0:26:02.720
<v Speaker 1>Quincy Jones know me. But I'm like, it's the ask

0:26:02.760 --> 0:26:05.000
<v Speaker 1>Cap Awards. Everybody hears it. Writer, maybe that's what it is.

0:26:05.480 --> 0:26:07.440
<v Speaker 1>I'm like, man, it's going good. Man, you know it's

0:26:07.440 --> 0:26:14.640
<v Speaker 1>going good. He said, you want a secret the writing hits, Yeah,

0:26:15.040 --> 0:26:18.720
<v Speaker 1>fuck them versus man, the people want hooks. Man, give

0:26:18.760 --> 0:26:23.080
<v Speaker 1>the people hooks. And I was like, thank you, and

0:26:23.119 --> 0:26:25.840
<v Speaker 1>he walks away. The conversation was over. I go to

0:26:25.920 --> 0:26:29.080
<v Speaker 1>Timothy Rand said, Quincy Jones spoke to me. What are

0:26:29.080 --> 0:26:31.879
<v Speaker 1>you saying? He said, don't write no verses, just right hooks.

0:26:32.200 --> 0:26:34.320
<v Speaker 1>And the next day I went to the studio, strip

0:26:34.359 --> 0:26:37.160
<v Speaker 1>clubs and dollar bills and I still got more money,

0:26:37.240 --> 0:26:39.680
<v Speaker 1>Thrones shots. Can I get a refill? And I still

0:26:39.760 --> 0:26:41.720
<v Speaker 1>got more money. I said. I got to repeat it

0:26:41.760 --> 0:26:44.240
<v Speaker 1>all the time. It's like, why are you repeating that

0:26:44.320 --> 0:26:46.320
<v Speaker 1>the whole song? Because Quincy Jones told me not to

0:26:46.320 --> 0:26:49.159
<v Speaker 1>write no fucking verses. He told me to write hooks, nigga.

0:26:49.320 --> 0:26:50.800
<v Speaker 1>And it was random, and I look at it as

0:26:50.800 --> 0:26:52.560
<v Speaker 1>a sign, so I have to do this this way.

0:26:52.600 --> 0:26:55.680
<v Speaker 1>You know, it's crazy. I was at that awards, so yeah,

0:26:55.720 --> 0:26:58.600
<v Speaker 1>because he spoke when he spoke, and I always remember

0:26:58.680 --> 0:27:01.560
<v Speaker 1>the term and I still use it, when it rains

0:27:01.880 --> 0:27:05.879
<v Speaker 1>get wet. Oh man, I like that. I didn't remember

0:27:05.880 --> 0:27:07.399
<v Speaker 1>that one. I was too busy thinking of what he

0:27:07.440 --> 0:27:12.480
<v Speaker 1>told me. He stopped you and talk to you. But

0:27:12.640 --> 0:27:15.200
<v Speaker 1>I remember a quote he said, when it rains get wet.

0:27:15.800 --> 0:27:18.679
<v Speaker 1>Bro I love that that but like I said, that

0:27:18.800 --> 0:27:21.119
<v Speaker 1>man really told me that. So after we did a

0:27:21.119 --> 0:27:23.639
<v Speaker 1>full hook that records a full hook, yeah, you know

0:27:23.960 --> 0:27:28.240
<v Speaker 1>that record is as a full chorus, and Marty sarrys

0:27:28.320 --> 0:27:31.000
<v Speaker 1>end up getting a thing. And so you played that

0:27:31.040 --> 0:27:34.199
<v Speaker 1>for Miley first. That was for Rihanna first, and then

0:27:34.200 --> 0:27:35.800
<v Speaker 1>they didn't go to Rihanna and end up going to Molly.

0:27:35.800 --> 0:27:37.880
<v Speaker 1>Molly heard she loved it, end up going to Molly.

0:27:38.080 --> 0:27:41.359
<v Speaker 1>And Dr Luke did wrecking Ball for Matty Sorrys and

0:27:41.480 --> 0:27:44.320
<v Speaker 1>Dr Luke wanted wrecking Ball to be the first single,

0:27:45.560 --> 0:27:49.800
<v Speaker 1>and they was like, nah, it's we can't stop. Who

0:27:49.840 --> 0:27:51.879
<v Speaker 1>didn't we can't stop? Mike Will and rock City? Who

0:27:51.960 --> 0:27:54.720
<v Speaker 1>the fund is? Rock City? He's like, I don't know

0:27:54.760 --> 0:27:57.720
<v Speaker 1>these guys. How I'm dr Look, how are they getting

0:27:57.760 --> 0:27:59.320
<v Speaker 1>the first thing? I'm supposed to have the first single?

0:27:59.720 --> 0:28:03.399
<v Speaker 1>So like I want to meet these guys. So we

0:28:03.520 --> 0:28:06.800
<v Speaker 1>go to the Soho house and we go sit down Luke,

0:28:07.359 --> 0:28:09.960
<v Speaker 1>me and my brother Caribbean kids from the Islands. You

0:28:09.960 --> 0:28:13.320
<v Speaker 1>don't know who this white boy is. And at this

0:28:13.359 --> 0:28:15.600
<v Speaker 1>point of time, with no disrespect, we don't give a

0:28:15.640 --> 0:28:21.240
<v Speaker 1>funk and we're like okay, and Luke, it's like Rai's like, yo, bro,

0:28:21.560 --> 0:28:24.760
<v Speaker 1>he does Katie Perry, he does all that. He's like, Okay, cool, cool, cool,

0:28:24.880 --> 0:28:37.159
<v Speaker 1>you respect my boy. It's so I'm going to still

0:28:37.240 --> 0:28:43.440
<v Speaker 1>that respect my boy. Respect my boy, very disrespectful. We

0:28:43.480 --> 0:28:48.520
<v Speaker 1>didn't meet it in a disrespect. We were just like like, okay, yeah,

0:28:48.720 --> 0:28:51.600
<v Speaker 1>respect my boy, and we're going. We start working with

0:28:51.680 --> 0:28:54.960
<v Speaker 1>Luke and we had a mutual friend called Groove from Atlanta,

0:28:55.240 --> 0:28:58.440
<v Speaker 1>and Luke calls Groove and say, yeah, man, I'm working

0:28:58.440 --> 0:29:00.840
<v Speaker 1>with these guys from Rock City man from they live

0:29:00.840 --> 0:29:06.360
<v Speaker 1>in Atlanta, like you. He's like what he said, nigga, Oh,

0:29:06.440 --> 0:29:10.360
<v Speaker 1>I know they're out of here now. He's like yeah.

0:29:10.480 --> 0:29:13.120
<v Speaker 1>He's like He's like, he's like, Luke, I'm so happy

0:29:13.160 --> 0:29:14.800
<v Speaker 1>you signed them. He's like, no, I'm not signing them.

0:29:14.800 --> 0:29:17.320
<v Speaker 1>We're just writing songs, he said, writing songs for what,

0:29:17.560 --> 0:29:19.560
<v Speaker 1>Like you know, we're working on Becky g and you

0:29:19.600 --> 0:29:23.040
<v Speaker 1>know my He said, nah, bro, you need to do

0:29:23.080 --> 0:29:26.600
<v Speaker 1>that artist ship. Bro. By the way, we stopped being

0:29:26.680 --> 0:29:29.440
<v Speaker 1>artists for like four years, just focused on writing. Now

0:29:29.440 --> 0:29:31.640
<v Speaker 1>the Artiship comes around. Luke comes, he says, hey man,

0:29:32.200 --> 0:29:34.040
<v Speaker 1>we're in the studio writing songs. He said, hey man,

0:29:34.040 --> 0:29:36.200
<v Speaker 1>I'm just curious, what would your music sound like if

0:29:36.240 --> 0:29:39.440
<v Speaker 1>you did it with me? What do you mean? Like,

0:29:39.560 --> 0:29:43.040
<v Speaker 1>you guys are artists, right, Yeah, if you made music

0:29:43.320 --> 0:29:49.440
<v Speaker 1>with me, what would it sound like? Nigga? Me and

0:29:49.480 --> 0:29:51.760
<v Speaker 1>my brothers like, nigga is what we've been trying to

0:29:51.800 --> 0:29:56.040
<v Speaker 1>do our whole life. Yeah, we go, we go Nigga.

0:29:56.520 --> 0:29:59.960
<v Speaker 1>We stopped making music. Ray comes back trying to hear

0:30:00.040 --> 0:30:03.840
<v Speaker 1>Kati Perry songs. Luke plays some eight Rock City songs.

0:30:04.280 --> 0:30:08.040
<v Speaker 1>Raised was, yo, man, I want to sign the guys. Man,

0:30:08.080 --> 0:30:09.920
<v Speaker 1>I got a label. Man over Sony that that we

0:30:09.960 --> 0:30:15.080
<v Speaker 1>want to do this. He's like, oh, Ship, Like guys

0:30:15.120 --> 0:30:19.600
<v Speaker 1>like Raised, Like what I tell you, if you get

0:30:19.640 --> 0:30:23.400
<v Speaker 1>hard at something, they conna come for everything. Everything. So

0:30:24.240 --> 0:30:27.760
<v Speaker 1>like cool. And so we do a whole album with

0:30:27.800 --> 0:30:30.760
<v Speaker 1>Luke and Circuit shout out to my boys Circi, and

0:30:31.800 --> 0:30:34.680
<v Speaker 1>we dropped a hit called locked Away with Adam Levien

0:30:35.240 --> 0:30:37.440
<v Speaker 1>and you know, it went number one, and you know,

0:30:37.560 --> 0:30:40.880
<v Speaker 1>we went on tour with my Room five and my

0:30:41.120 --> 0:30:42.880
<v Speaker 1>and my whole life. I wanted to be an artist,

0:30:42.880 --> 0:30:44.240
<v Speaker 1>and then I went on tour and I was like,

0:30:44.760 --> 0:30:51.520
<v Speaker 1>this is stupid. I like going and doing shows back

0:30:51.520 --> 0:30:53.719
<v Speaker 1>in the Islands and performing, and I was like, man,

0:30:53.760 --> 0:30:55.280
<v Speaker 1>I don't want to be famous. I'm like, bro, I

0:30:55.320 --> 0:30:56.640
<v Speaker 1>just want to you know, I just want to take

0:30:56.640 --> 0:30:58.880
<v Speaker 1>my son to get ice cream, you know what I'm saying.

0:30:59.000 --> 0:31:01.360
<v Speaker 1>And we was already making money, it was already successful.

0:31:01.360 --> 0:31:03.880
<v Speaker 1>So I was like, what am I missing in life?

0:31:04.000 --> 0:31:05.400
<v Speaker 1>You know what I mean? I was like, that was

0:31:05.440 --> 0:31:09.240
<v Speaker 1>my dream when I was eighteen. I was thirty four,

0:31:09.440 --> 0:31:12.840
<v Speaker 1>and everybody kept telling us you're too old. What Why

0:31:12.840 --> 0:31:15.360
<v Speaker 1>would y'all be doing music right now? Ya? Why is?

0:31:15.480 --> 0:31:18.040
<v Speaker 1>Why would Luke sign them? That's so dumb, you know

0:31:18.080 --> 0:31:21.360
<v Speaker 1>what I'm saying. We dropped blocked away and it was like, man,

0:31:21.640 --> 0:31:27.120
<v Speaker 1>be writing them hits though. L A. Reid told me

0:31:27.120 --> 0:31:28.760
<v Speaker 1>something when I sat in this office for the first time,

0:31:28.800 --> 0:31:33.240
<v Speaker 1>because I went to play my record right and I

0:31:33.320 --> 0:31:36.320
<v Speaker 1>never forgot this. He said, whatever you do when you're

0:31:36.320 --> 0:31:40.480
<v Speaker 1>in this business, never count out the talent. Ever, he said,

0:31:40.520 --> 0:31:44.000
<v Speaker 1>no matter what he said, listen to me if they talented,

0:31:44.960 --> 0:31:47.440
<v Speaker 1>because everybody's gonna be like they're too old. Everybody's gonna

0:31:47.440 --> 0:31:49.680
<v Speaker 1>be like that last album flopped. Everybody gonna be like,

0:31:49.960 --> 0:31:52.840
<v Speaker 1>oh man, they had this amount of record deals, it

0:31:52.920 --> 0:31:56.440
<v Speaker 1>might be different with you. If they talented, never count

0:31:56.480 --> 0:32:00.240
<v Speaker 1>them out. And so you know, me and my brother Man,

0:32:00.760 --> 0:32:03.320
<v Speaker 1>we really, you know, really talented, and we we put

0:32:03.600 --> 0:32:05.280
<v Speaker 1>we put out an album What Dreams Are Made Of

0:32:05.360 --> 0:32:10.600
<v Speaker 1>in two thousand fourteen, and then um, you know ship.

0:32:11.480 --> 0:32:19.960
<v Speaker 1>After that, everything kind of went crazy, um with everything

0:32:20.040 --> 0:32:26.680
<v Speaker 1>like Luke Luke got in like a whole crazy thing,

0:32:27.360 --> 0:32:32.960
<v Speaker 1>um with the with the Casher situation, and Papa Radio

0:32:33.040 --> 0:32:39.080
<v Speaker 1>said we're not playing no songs produced by him and

0:32:39.160 --> 0:32:41.600
<v Speaker 1>me and my brother was like, and man produced every

0:32:41.600 --> 0:32:45.040
<v Speaker 1>single song, and I hold out and I looked at

0:32:45.040 --> 0:32:47.280
<v Speaker 1>it as a sign. I was like, this ship might

0:32:47.280 --> 0:32:50.880
<v Speaker 1>not be what I was because that's a different politics.

0:32:51.000 --> 0:32:52.800
<v Speaker 1>And we had to go sit the asses down again

0:32:52.880 --> 0:32:55.760
<v Speaker 1>and it was like damn bro. But but I was like, hey,

0:32:55.840 --> 0:32:57.480
<v Speaker 1>you know what, none of your niggers can't say I

0:32:57.520 --> 0:33:00.080
<v Speaker 1>can't do it. I had a number one and I

0:33:00.120 --> 0:33:01.800
<v Speaker 1>want to have a number one for myself again, I

0:33:01.800 --> 0:33:03.440
<v Speaker 1>really believe I could do it tomorrow, you know what

0:33:03.480 --> 0:33:09.560
<v Speaker 1>I'm saying. And so you know, now, me and my

0:33:09.600 --> 0:33:11.880
<v Speaker 1>brother's like, we're trying to figure it out. My brother

0:33:11.880 --> 0:33:13.960
<v Speaker 1>ain't really into song writing as much as me. He'll

0:33:13.960 --> 0:33:18.840
<v Speaker 1>write songs, but I'm more political. I'm more the guy

0:33:18.920 --> 0:33:20.600
<v Speaker 1>that's like, you know what, Tank is being an asshole,

0:33:20.640 --> 0:33:22.520
<v Speaker 1>But I'm gonna come in here and play politics, finish

0:33:22.560 --> 0:33:25.240
<v Speaker 1>the song. And my brother is like, yo, big money,

0:33:25.320 --> 0:33:28.479
<v Speaker 1>Well you want to do something yo, you can't, Yo, bro,

0:33:28.600 --> 0:33:33.840
<v Speaker 1>we can't. Yeah, my brother. Yeah, my brother is like, YO,

0:33:34.440 --> 0:33:36.680
<v Speaker 1>what wrong? Would you make? What you train? Do? We

0:33:36.720 --> 0:33:38.480
<v Speaker 1>try and make music? Are you make it funk? And

0:33:38.480 --> 0:33:41.280
<v Speaker 1>he's like, and I don't want no smoke. I'm like, whoa,

0:33:41.280 --> 0:33:44.200
<v Speaker 1>whoa hey, hey Timothy, Timothy nah t run mean and

0:33:44.280 --> 0:33:53.600
<v Speaker 1>I funck make boy, We're gonna whoop. Yeah yeah, yeah,

0:33:53.640 --> 0:33:56.959
<v Speaker 1>I'm talking to my listen. I'm talking my brother off allege.

0:34:00.040 --> 0:34:07.080
<v Speaker 1>I was a day Yeah, Timothy and my nigger you know,

0:34:07.320 --> 0:34:12.799
<v Speaker 1>bibbity bobbity Booth's ready and I just I just love

0:34:12.880 --> 0:34:14.640
<v Speaker 1>this ship. Man. This is my basketball court. You know,

0:34:14.680 --> 0:34:16.279
<v Speaker 1>in my life, I never felt like I was too

0:34:16.280 --> 0:34:19.000
<v Speaker 1>good at too many things, man, But I just really

0:34:19.000 --> 0:34:20.879
<v Speaker 1>felt like I was good at that. And I just

0:34:21.800 --> 0:34:24.719
<v Speaker 1>started being with Luke all the time, letting him teach me,

0:34:26.520 --> 0:34:29.040
<v Speaker 1>because I remember having poured up and all that and

0:34:29.120 --> 0:34:32.000
<v Speaker 1>Luke saying, I mean, you're good, but you're not that good.

0:34:32.600 --> 0:34:36.080
<v Speaker 1>M hmm. Biggest records in the world had smashes in

0:34:36.120 --> 0:34:39.200
<v Speaker 1>my mind. He was like, I mean, and that man

0:34:39.280 --> 0:34:42.839
<v Speaker 1>really taught me. That man really made me better. I really,

0:34:42.960 --> 0:34:45.160
<v Speaker 1>you know, it's it's certain people in the music menus

0:34:45.160 --> 0:34:48.120
<v Speaker 1>that I would say, like Luke made me better talent wise,

0:34:48.160 --> 0:34:51.320
<v Speaker 1>like just hearing a hit, seeing a hit, understanding melody.

0:34:52.120 --> 0:34:55.239
<v Speaker 1>Polo helped me with confidence, like you know, shout out

0:34:55.239 --> 0:34:56.839
<v Speaker 1>to Polo down, I always said. I used to go

0:34:57.440 --> 0:34:59.400
<v Speaker 1>hang with Polo and Polo used to tell me I

0:34:59.440 --> 0:35:00.960
<v Speaker 1>was the best song writer and I would be like,

0:35:02.200 --> 0:35:05.759
<v Speaker 1>I mean, I think I'm good, but the best. He said, Nigga,

0:35:05.760 --> 0:35:07.200
<v Speaker 1>you the best song writer in the game right now.

0:35:07.480 --> 0:35:10.439
<v Speaker 1>Nobody better than you. And he told me that every

0:35:10.520 --> 0:35:12.600
<v Speaker 1>day for like two months. I would just go and

0:35:12.640 --> 0:35:14.480
<v Speaker 1>every day he seen me, he said, nigga, you the best.

0:35:14.920 --> 0:35:17.880
<v Speaker 1>You don't get it, and I'll be like you know,

0:35:17.960 --> 0:35:20.200
<v Speaker 1>Polo talking, you know Polo, you know Polo talk like

0:35:20.239 --> 0:35:23.279
<v Speaker 1>Black Elvis pressy. You don't get it home. What I'm

0:35:23.280 --> 0:35:28.839
<v Speaker 1>trying to tell you the best, trying you the best,

0:35:29.840 --> 0:35:32.600
<v Speaker 1>you don't get because I'm the ship. I know, I

0:35:33.680 --> 0:35:36.160
<v Speaker 1>know what bro yo. And he told me that all

0:35:36.160 --> 0:35:39.040
<v Speaker 1>the time. And I ain't gonna lie to y'all. With

0:35:39.120 --> 0:35:44.680
<v Speaker 1>Luke teaching me structure and science of songwriting and Polo

0:35:44.760 --> 0:35:48.160
<v Speaker 1>telling me you're really that nigga and my dad saying

0:35:48.760 --> 0:35:50.920
<v Speaker 1>I knew you was gonna be this person. Since I

0:35:51.000 --> 0:35:53.239
<v Speaker 1>knew you was gonna be this person when your mom

0:35:53.360 --> 0:35:56.719
<v Speaker 1>named you t Ryan. I was like, one day I

0:35:56.760 --> 0:35:59.400
<v Speaker 1>woke up and I really believed I was that nigger.

0:36:00.120 --> 0:36:02.880
<v Speaker 1>Yeah you know what I'm saying. And I went and

0:36:02.920 --> 0:36:06.560
<v Speaker 1>I went and I went and I went crazy, you know,

0:36:06.719 --> 0:36:10.040
<v Speaker 1>but my first crazy failed. It didn't fail. That's a

0:36:10.080 --> 0:36:14.000
<v Speaker 1>wrong term to use. So James Fountleroy is like, literally

0:36:14.000 --> 0:36:16.600
<v Speaker 1>like one of my heroes. He I've never said this

0:36:16.640 --> 0:36:19.440
<v Speaker 1>to his face, but you know, but he's like one

0:36:19.440 --> 0:36:21.640
<v Speaker 1>of my heroes because he did like all of Bruno

0:36:21.840 --> 0:36:25.239
<v Speaker 1>and all of Justin Kimberlake, and I was like, man,

0:36:25.280 --> 0:36:27.120
<v Speaker 1>I wish I could do that like a whole project

0:36:27.160 --> 0:36:29.200
<v Speaker 1>with like a superstar. That would be so cool. I

0:36:29.200 --> 0:36:32.560
<v Speaker 1>thought that was amazing. I was like, I need to

0:36:32.560 --> 0:36:36.880
<v Speaker 1>do that. I want to try so you know this

0:36:37.520 --> 0:36:39.760
<v Speaker 1>swear to God. Super Dukees calls me and a Sunday

0:36:39.760 --> 0:36:44.520
<v Speaker 1>super Duke say hey, Aran, I said, what yeah? Do

0:36:44.560 --> 0:36:47.439
<v Speaker 1>I read out about my Rihanna and I was like, okay, cool,

0:36:47.440 --> 0:36:49.719
<v Speaker 1>you already talked to rock Nation. No, man, I talked

0:36:49.760 --> 0:36:53.160
<v Speaker 1>to nobody. I said, you talked to Rihanna? No, so

0:36:53.239 --> 0:36:55.080
<v Speaker 1>how are you gonna do it? But just feel like

0:36:55.120 --> 0:36:57.239
<v Speaker 1>if me on you getting the stoold joke I met

0:36:57.280 --> 0:37:01.600
<v Speaker 1>the music, Shou'll gonna make a red. I said, you're serious.

0:37:02.840 --> 0:37:06.560
<v Speaker 1>I said, okay, flew to Miami, started making reggae music.

0:37:08.840 --> 0:37:11.359
<v Speaker 1>You know, Rock Nations flies out to London. When day

0:37:11.400 --> 0:37:14.200
<v Speaker 1>Rihanna comes to the studio, we play like seven reggae

0:37:14.280 --> 0:37:19.080
<v Speaker 1>songs and Rihanna said, oh man, and they made a

0:37:19.120 --> 0:37:24.279
<v Speaker 1>reggae I was like, I look at Super Dupes. I

0:37:24.360 --> 0:37:29.520
<v Speaker 1>said yo, I said, nigga God is with us. And

0:37:29.560 --> 0:37:31.839
<v Speaker 1>then you know, and then you know, I don't know

0:37:32.160 --> 0:37:34.759
<v Speaker 1>what went on or what happened, but you know what

0:37:34.800 --> 0:37:37.960
<v Speaker 1>I'm saying, And so years it's going by and the

0:37:38.000 --> 0:37:41.160
<v Speaker 1>album ain't coming out, and everybody's telling me, Luke ain't

0:37:41.160 --> 0:37:45.200
<v Speaker 1>got no songs on the radio, he ain't hot, Rihanna

0:37:45.239 --> 0:37:47.680
<v Speaker 1>ain't putting music out. It's like three years I've had

0:37:47.719 --> 0:37:49.600
<v Speaker 1>a hit on the radio, like every year consistently at

0:37:49.680 --> 0:37:53.400
<v Speaker 1>least one thing that's going And they're like, why are

0:37:53.440 --> 0:37:56.000
<v Speaker 1>you Why are you working with Luke? Why you keep

0:37:56.040 --> 0:37:58.040
<v Speaker 1>doing this? You need to be in the ruins with

0:37:58.040 --> 0:37:59.680
<v Speaker 1>this person. You need to work with more people, you

0:37:59.719 --> 0:38:02.279
<v Speaker 1>need to do more of this. And I'm like, I

0:38:02.400 --> 0:38:04.440
<v Speaker 1>just believe in Luke man. I believe in what I'm

0:38:04.440 --> 0:38:06.560
<v Speaker 1>trying to do, and I believe in what I'm doing

0:38:06.600 --> 0:38:09.560
<v Speaker 1>over here. I remember I was on my way for

0:38:09.600 --> 0:38:12.319
<v Speaker 1>Prais and I had the longest layover in history, and

0:38:12.360 --> 0:38:14.080
<v Speaker 1>my good old friend man shout out to c C

0:38:14.600 --> 0:38:16.600
<v Speaker 1>told me Toron come to the studio and she was

0:38:16.640 --> 0:38:20.040
<v Speaker 1>working at some random studio bro with j R. Road

0:38:20.120 --> 0:38:25.480
<v Speaker 1>Um pregnant, and we wrote a song called Level Up.

0:38:25.520 --> 0:38:28.680
<v Speaker 1>Because I was in the club with U Shure and

0:38:29.480 --> 0:38:31.919
<v Speaker 1>he's throwing a lot of champagne around. But I don't,

0:38:32.000 --> 0:38:34.080
<v Speaker 1>I don't know, I don't I don't know. I mean,

0:38:34.280 --> 0:38:38.440
<v Speaker 1>if you're getting wet by all of telling true stories

0:38:38.440 --> 0:38:45.960
<v Speaker 1>because I'm telling to the club and C C. Yeah,

0:38:46.960 --> 0:38:51.360
<v Speaker 1>you know, my bad, My bad, man, I'm telling you

0:38:51.520 --> 0:38:58.680
<v Speaker 1>to C. I'm telling you all the true story. It's

0:38:58.680 --> 0:39:02.560
<v Speaker 1>totally different once you take a glass. Yeoh, man, know

0:39:02.719 --> 0:39:05.080
<v Speaker 1>it's the true story. Man. I'm in a student, I'm

0:39:05.120 --> 0:39:07.040
<v Speaker 1>in a club with Usher. And so I have this

0:39:07.120 --> 0:39:09.800
<v Speaker 1>theory about about music. If you want to know what

0:39:09.880 --> 0:39:13.399
<v Speaker 1>tempo it is, follow the drugs. Okay, So when when

0:39:13.600 --> 0:39:15.719
<v Speaker 1>the Beatles were making music, they want LSD and then

0:39:15.760 --> 0:39:18.040
<v Speaker 1>they went into psychedelics, and then when cocaine came in,

0:39:18.360 --> 0:39:20.279
<v Speaker 1>disco hit hard and then it takes you to make

0:39:20.280 --> 0:39:22.040
<v Speaker 1>a thing go right. And then crack came in and

0:39:22.040 --> 0:39:25.080
<v Speaker 1>it was boom boom ca boom boom. And then when

0:39:25.200 --> 0:39:27.680
<v Speaker 1>pop came back is when ecstasy was big, and dance

0:39:27.760 --> 0:39:29.279
<v Speaker 1>and all of that took over. But what happened is

0:39:29.280 --> 0:39:32.160
<v Speaker 1>they starts smoking weed, drinking lean and popping Perkey's with

0:39:32.239 --> 0:39:34.560
<v Speaker 1>your downers, and so the tempo slowed down like sixty

0:39:34.600 --> 0:39:39.400
<v Speaker 1>two a minute, you know. So I was like, So,

0:39:39.520 --> 0:39:42.120
<v Speaker 1>I was like, it was this song that I heard

0:39:42.120 --> 0:39:44.160
<v Speaker 1>in the club suck it up, suck it up, suck

0:39:44.200 --> 0:39:45.920
<v Speaker 1>it up, suck it up. Through that is in a

0:39:46.000 --> 0:39:49.759
<v Speaker 1>circle and they was mixing it with slow songs and

0:39:49.800 --> 0:39:51.640
<v Speaker 1>they was like, oh, no, it's halftime. I didn't know

0:39:51.640 --> 0:39:55.200
<v Speaker 1>what that it meant. And I was like, oh, this

0:39:55.280 --> 0:39:57.359
<v Speaker 1>is the tempo. This is where the future is going.

0:39:58.160 --> 0:40:02.160
<v Speaker 1>He's like, oh, you think like nigger, the tempo is

0:40:02.200 --> 0:40:04.800
<v Speaker 1>coming back. So I get in with Sierra and I said, Sierra,

0:40:06.000 --> 0:40:07.800
<v Speaker 1>I want us to flip this song. I'm with Jerr

0:40:07.800 --> 0:40:10.120
<v Speaker 1>wrote him the best flipper. He flips. He's a flipper.

0:40:10.440 --> 0:40:11.960
<v Speaker 1>I'm like, yo, I got this idea, and I want

0:40:11.960 --> 0:40:13.400
<v Speaker 1>to flip this song. And I gotta be fast. She's

0:40:13.400 --> 0:40:15.239
<v Speaker 1>like to run to Ryno, you think it's too fast.

0:40:15.280 --> 0:40:17.320
<v Speaker 1>I said, c C bit is just doing coke in

0:40:17.400 --> 0:40:20.320
<v Speaker 1>the club again. I'm telling you, they're ready to dance,

0:40:21.320 --> 0:40:23.239
<v Speaker 1>you know. And Siri's like, Tryan is so crazy. She

0:40:23.280 --> 0:40:27.439
<v Speaker 1>thinks I'm insane, right, And I'm like yo. So I'm like, yeah,

0:40:27.440 --> 0:40:30.600
<v Speaker 1>we're gonna do this thing. Level up, level up, level up,

0:40:30.680 --> 0:40:33.759
<v Speaker 1>level up, you know. And so we did the song

0:40:34.000 --> 0:40:36.160
<v Speaker 1>and she was signed to Warner Brothers at the time.

0:40:36.200 --> 0:40:38.640
<v Speaker 1>And then I go to Paris, and you know, I'm

0:40:38.640 --> 0:40:42.680
<v Speaker 1>in Paris and working on music and whatever. And Sierra

0:40:42.760 --> 0:40:45.200
<v Speaker 1>comes and she's like, hey, man trying. You know, I'm

0:40:45.280 --> 0:40:47.680
<v Speaker 1>leaving Wanner. They didn't get the vision. I'm like, damn

0:40:47.719 --> 0:40:50.400
<v Speaker 1>man um, but you know, they let it go with

0:40:50.440 --> 0:40:54.239
<v Speaker 1>all our masters. And she's like, I think I'm gonna

0:40:54.480 --> 0:40:57.239
<v Speaker 1>put out this song. And she shot a video. I've

0:40:57.320 --> 0:41:00.440
<v Speaker 1>never told us to Sierra, swear to God, never told us.

0:41:00.480 --> 0:41:02.000
<v Speaker 1>She comes to l and she comes to me and

0:41:02.000 --> 0:41:03.839
<v Speaker 1>she shows me the video and I don't like it

0:41:03.960 --> 0:41:06.480
<v Speaker 1>at all. I hate it with all my heart. I'm like,

0:41:06.520 --> 0:41:10.560
<v Speaker 1>oh my god, Oh my god, Oh my God. And

0:41:10.560 --> 0:41:12.920
<v Speaker 1>and right now I'm ice cool. I'm ice cool. I'm like,

0:41:12.960 --> 0:41:16.640
<v Speaker 1>oh my god, they're gonna say I'm whack. Everybody's gonna say.

0:41:17.040 --> 0:41:20.000
<v Speaker 1>They're gonna say I'm w And Sierra is so excited.

0:41:20.520 --> 0:41:22.440
<v Speaker 1>And I believe in her so much because she has

0:41:22.480 --> 0:41:24.880
<v Speaker 1>this thing that she says that when she says it,

0:41:24.920 --> 0:41:28.399
<v Speaker 1>I don't fight her. She says, torn God told me. Look,

0:41:28.480 --> 0:41:30.360
<v Speaker 1>she said that to me about three or four times.

0:41:30.360 --> 0:41:33.920
<v Speaker 1>And if Sierra tells me torn God told me, I'm like,

0:41:34.880 --> 0:41:37.040
<v Speaker 1>it's the one. I don't care what I believe. If

0:41:37.080 --> 0:41:39.120
<v Speaker 1>God said it to c C, it's the one that's

0:41:39.160 --> 0:41:42.719
<v Speaker 1>what I believe. And she said, thron, God told me

0:41:42.760 --> 0:41:44.920
<v Speaker 1>this the way to do it. And I was like,

0:41:45.440 --> 0:41:46.840
<v Speaker 1>you know what, that made me feel bit sweat. I

0:41:46.880 --> 0:41:48.319
<v Speaker 1>was like, Yo, that made me feel a little better.

0:41:48.800 --> 0:41:52.520
<v Speaker 1>And she puts it out and it's out and I

0:41:52.560 --> 0:41:54.600
<v Speaker 1>do not want to read the comments. I'm so afraid.

0:41:54.640 --> 0:41:57.359
<v Speaker 1>I'm like, please be good because I need something God.

0:41:57.400 --> 0:41:59.520
<v Speaker 1>I need something good right now because nothing's going good

0:41:59.560 --> 0:42:01.440
<v Speaker 1>and everybody he's telling me I ain't good no more,

0:42:01.480 --> 0:42:03.440
<v Speaker 1>and I'm falling off and I need to work with

0:42:03.480 --> 0:42:07.160
<v Speaker 1>other people and stop. No dead serious bro. And my

0:42:07.200 --> 0:42:11.280
<v Speaker 1>brother calls me, t run. Yeah, what you're saying, Timo,

0:42:11.719 --> 0:42:13.680
<v Speaker 1>you do that? You see her? I signed that level up?

0:42:13.719 --> 0:42:21.600
<v Speaker 1>Fuck yeah, my boy, I fuck nasty song. You like it?

0:42:21.719 --> 0:42:26.440
<v Speaker 1>He said, to run that's the body's tune. Ever, my boy?

0:42:27.080 --> 0:42:31.879
<v Speaker 1>You serious? He said, t run the fuck? Oh the head.

0:42:32.719 --> 0:42:34.439
<v Speaker 1>I was like, ye'all can't tell me ship. My brother

0:42:34.480 --> 0:42:35.960
<v Speaker 1>told me he's out of here. So we start reading

0:42:35.960 --> 0:42:41.560
<v Speaker 1>the comments. I'm like, everybody likes it. I said, oh

0:42:41.640 --> 0:42:47.120
<v Speaker 1>my god, this is crazy. So now while that's going on,

0:42:47.760 --> 0:42:50.319
<v Speaker 1>there's a girl in that Lanta working on music and

0:42:50.400 --> 0:42:52.719
<v Speaker 1>raised like, Yo, Tron, I'm at the house chilling the

0:42:52.719 --> 0:42:54.200
<v Speaker 1>bed with my wife. He's like, Yo, Thron, is this

0:42:54.280 --> 0:42:55.520
<v Speaker 1>girl I want you to meet for I think this

0:42:55.600 --> 0:42:58.200
<v Speaker 1>girl's fire. You're gonna love her. He's like, cool. I

0:42:58.239 --> 0:43:00.560
<v Speaker 1>come to the studio. He introduced me to Lizzard mm hmm,

0:43:01.760 --> 0:43:03.319
<v Speaker 1>and he you know, he's like, yo, she got this

0:43:03.320 --> 0:43:06.399
<v Speaker 1>song where she marrying herself. He shows me the truth

0:43:06.480 --> 0:43:11.880
<v Speaker 1>Hurts video. I was like yo. And then we went

0:43:11.960 --> 0:43:13.239
<v Speaker 1>in the back and we tried to write a song,

0:43:13.560 --> 0:43:16.279
<v Speaker 1>the worst song I've ever written in my life. And

0:43:16.320 --> 0:43:18.719
<v Speaker 1>I'm like, this black girl is never gonna work with

0:43:18.760 --> 0:43:22.520
<v Speaker 1>me ever again. It is a rap. And then she

0:43:22.600 --> 0:43:24.160
<v Speaker 1>calls me. She was like, yeo, man, I'm working on

0:43:24.200 --> 0:43:25.560
<v Speaker 1>this album and I would like you to come out

0:43:25.600 --> 0:43:29.200
<v Speaker 1>to l A and help me out. I would love to,

0:43:29.719 --> 0:43:31.520
<v Speaker 1>but I really thought our bobed like if that was

0:43:31.560 --> 0:43:35.799
<v Speaker 1>an audition, Nigga. I funked it up and we go

0:43:35.880 --> 0:43:39.320
<v Speaker 1>out to l A and you know, we do some songs.

0:43:39.560 --> 0:43:47.800
<v Speaker 1>And with that being said, now Doja Cat been signed.

0:43:47.960 --> 0:43:49.960
<v Speaker 1>Dolja Cats been signed. The Luke from When Locked the

0:43:49.960 --> 0:43:51.560
<v Speaker 1>Way it was our Doja Cat was round. You know,

0:43:51.680 --> 0:43:54.719
<v Speaker 1>she was just younger. So so peep game doja cat

0:43:54.760 --> 0:43:59.279
<v Speaker 1>puts out a song, bitch, I'm a cole And now

0:43:59.360 --> 0:44:01.440
<v Speaker 1>now the North Variety is going there. Now Luke and

0:44:01.520 --> 0:44:04.960
<v Speaker 1>her is getting in the studio and Luke plays me

0:44:05.040 --> 0:44:08.040
<v Speaker 1>a song. I keep it juicy, juicy, you know. He

0:44:08.040 --> 0:44:10.480
<v Speaker 1>plays me that song. I'm like, oh, man, this girl

0:44:10.560 --> 0:44:12.719
<v Speaker 1>is fired. He's like, yeah, man, I think she you know,

0:44:12.800 --> 0:44:15.640
<v Speaker 1>I think it's gonna be dope. So I'm in a

0:44:15.680 --> 0:44:19.279
<v Speaker 1>studio with Yo Gotti and I write, I write this

0:44:19.400 --> 0:44:21.520
<v Speaker 1>chorus for Gotti. I was like, Yo, man, you and

0:44:21.640 --> 0:44:26.400
<v Speaker 1>um um, oh my god, what's what's the girl from Detroit?

0:44:27.000 --> 0:44:30.000
<v Speaker 1>Please sweet cash Doll, Please don't text me and say

0:44:30.200 --> 0:44:31.880
<v Speaker 1>or tweet me and say I'm a terrible person. I

0:44:31.880 --> 0:44:34.600
<v Speaker 1>just couldn't remember at the top. So cash Doll, I

0:44:34.640 --> 0:44:36.399
<v Speaker 1>want to Cash Doll to sing the hook. I love

0:44:36.480 --> 0:44:38.680
<v Speaker 1>cash Doll. I was like, man, I wanted her to

0:44:38.719 --> 0:44:40.719
<v Speaker 1>sing this chorus. Play with my pussy, but don't play

0:44:40.719 --> 0:44:42.959
<v Speaker 1>with my emotions. If you spend some money, that nig

0:44:42.960 --> 0:44:46.160
<v Speaker 1>got just my fucking damn right. So I wrote this

0:44:46.200 --> 0:44:48.200
<v Speaker 1>hook your God. He was like, man, that ship you

0:44:48.239 --> 0:44:49.719
<v Speaker 1>know that ship hard man, but I don't know if

0:44:49.760 --> 0:44:54.000
<v Speaker 1>it's the project. And Luke played for Doja and Doja said, Nigga,

0:44:54.040 --> 0:44:58.319
<v Speaker 1>whoever wrote this, I want to meet them? Meets me.

0:44:58.520 --> 0:45:00.799
<v Speaker 1>And I did another song with Doja on the first

0:45:00.840 --> 0:45:03.880
<v Speaker 1>album called That's My Ship, That's my way doing it

0:45:04.000 --> 0:45:09.880
<v Speaker 1>like that? Nah real baby, So no yo, wait, so

0:45:10.000 --> 0:45:14.759
<v Speaker 1>you want to do something, so Nigga. So we do

0:45:14.840 --> 0:45:19.279
<v Speaker 1>that and then me and we us and Lizzo we're

0:45:19.360 --> 0:45:21.560
<v Speaker 1>working and so I'm working with Lizzo, I'm working with

0:45:21.600 --> 0:45:28.920
<v Speaker 1>Doja and then Lizzle comes out. She's like going crazy.

0:45:29.280 --> 0:45:33.720
<v Speaker 1>Doja comes out, She's going crazy. Well, you know, Warna

0:45:34.040 --> 0:45:36.840
<v Speaker 1>Warna wants to get loop in the studio with Sweetie

0:45:37.320 --> 0:45:40.879
<v Speaker 1>and sweet and Luke calls me and he's like, yo,

0:45:40.960 --> 0:45:43.239
<v Speaker 1>t you know, I'm gonna be working with this girl. Sweete, Man,

0:45:43.239 --> 0:45:45.120
<v Speaker 1>you should come out. You should you should work with me.

0:45:45.239 --> 0:45:47.800
<v Speaker 1>I like, hell fucking yeah. And they got fought with Sweetie,

0:45:47.840 --> 0:45:52.040
<v Speaker 1>you know, and I was like cool, I go. You know,

0:45:52.040 --> 0:45:54.719
<v Speaker 1>everybody's like I'm the Lizzle guy, you know, so I'm

0:45:54.760 --> 0:45:56.480
<v Speaker 1>heating up. I'm not. I don't want to use the

0:45:56.520 --> 0:45:59.760
<v Speaker 1>word hot, but I'm like, you know, they're like Okay,

0:45:58.800 --> 0:46:03.320
<v Speaker 1>he might be cool. You know what I'm saying, because

0:46:03.320 --> 0:46:05.719
<v Speaker 1>the Lizza working this which one I did juice for

0:46:05.800 --> 0:46:10.480
<v Speaker 1>Lizzo and uh me? And what's another song what's the

0:46:10.520 --> 0:46:13.520
<v Speaker 1>name of the song? Tempo with Lizzoe and Missy and

0:46:13.560 --> 0:46:15.799
<v Speaker 1>then another song exactly how I Feel with lizz One

0:46:15.840 --> 0:46:18.879
<v Speaker 1>Gucci Man, and a song on the album called yeah

0:46:18.920 --> 0:46:22.840
<v Speaker 1>you jumped out there? You know God is good? Um

0:46:22.920 --> 0:46:27.360
<v Speaker 1>so I um so, now you're gonna work with Sweetie.

0:46:27.520 --> 0:46:32.040
<v Speaker 1>I go work with Sweetie, And everybody got keeps saying

0:46:32.400 --> 0:46:35.080
<v Speaker 1>we don't want any samples because she had had so

0:46:35.120 --> 0:46:41.120
<v Speaker 1>many sample records, and I'm like, she's from the Bay,

0:46:41.640 --> 0:46:45.960
<v Speaker 1>the I'm from St. Thomas, I'm from the Bay. Everything.

0:46:46.040 --> 0:46:48.280
<v Speaker 1>So what I'm saying is every song don't cross the water?

0:46:49.320 --> 0:46:53.279
<v Speaker 1>That one. Everybody know that one. So I'm like, that's

0:46:53.280 --> 0:46:55.879
<v Speaker 1>the biggest song from the Bay. That's the biggest song

0:46:55.960 --> 0:47:00.480
<v Speaker 1>from the Bay. Why would we not use the biggest

0:47:00.480 --> 0:47:04.400
<v Speaker 1>song from the Bay from a girl from the Bay.

0:47:04.840 --> 0:47:07.600
<v Speaker 1>And Luke did the beat in two seconds. And then

0:47:07.600 --> 0:47:10.839
<v Speaker 1>I'm writing all kind of ship and it's booty as hell.

0:47:12.719 --> 0:47:16.919
<v Speaker 1>I'm like, and then we connect with my boy lunch money.

0:47:16.960 --> 0:47:19.680
<v Speaker 1>I'll know, lunch Money and me and lunch Money got

0:47:19.680 --> 0:47:22.399
<v Speaker 1>it to together. And then Sweetie came in and got

0:47:22.440 --> 0:47:26.320
<v Speaker 1>it together because again Sweetie was like, she was telling

0:47:26.360 --> 0:47:28.200
<v Speaker 1>me this is how we're talking to beauty and this

0:47:28.239 --> 0:47:29.520
<v Speaker 1>is how it goes, and this is what I gotta

0:47:29.520 --> 0:47:31.160
<v Speaker 1>be and data la da and I was like, Oh,

0:47:31.280 --> 0:47:34.239
<v Speaker 1>this girl is fire. She knows how fucking ship. You

0:47:34.280 --> 0:47:39.160
<v Speaker 1>know what I'm saying, you know, like and so tap

0:47:39.360 --> 0:47:41.840
<v Speaker 1>and then but but guess what I did best friend first?

0:47:43.520 --> 0:47:46.040
<v Speaker 1>So I did best Friend before. Yeah, I did best

0:47:46.040 --> 0:47:48.680
<v Speaker 1>Friend before I did top tap in. But I was like,

0:47:48.719 --> 0:47:50.640
<v Speaker 1>this song is gonna be fired for tektok because girls

0:47:50.680 --> 0:47:52.000
<v Speaker 1>gonna be with the home girls and you know what

0:47:52.040 --> 0:47:55.640
<v Speaker 1>I'm saying, and it's gonna be cool. Well, we thought

0:47:55.680 --> 0:47:59.960
<v Speaker 1>best Friend was coming out next, but it didn't. Uh

0:48:00.520 --> 0:48:03.000
<v Speaker 1>back to the streets, like a lot of you and

0:48:03.120 --> 0:48:05.120
<v Speaker 1>that came out and their best Friend. But then we

0:48:05.200 --> 0:48:19.719
<v Speaker 1>got those your own best friend free bo. He's going

0:48:19.760 --> 0:48:29.880
<v Speaker 1>to his keyboard. He's going to his keyboard. Top five,

0:48:32.120 --> 0:48:44.240
<v Speaker 1>Top five, what's your what's Tyron's? Top five? Top five?

0:48:45.680 --> 0:48:50.520
<v Speaker 1>You're Top five, Top five R and B Artists Top five,

0:48:50.680 --> 0:49:07.080
<v Speaker 1>Far fun. I'm still singing home tron, let me cook. Wow.

0:49:09.840 --> 0:49:18.480
<v Speaker 1>R and b artists your favorite it's your world. He

0:49:21.440 --> 0:49:34.880
<v Speaker 1>h five, m hmm, my top five favorite R and

0:49:34.920 --> 0:49:38.480
<v Speaker 1>B artists of all time. Okay, I was born in

0:49:38.560 --> 0:49:42.200
<v Speaker 1>eighty two, so my top five, you know, but um,

0:49:42.239 --> 0:49:45.439
<v Speaker 1>you were born in eighty two. Yeah yeah, yeah yeah.

0:49:45.800 --> 0:49:48.799
<v Speaker 1>So coming in and number five, I ain't even gonna

0:49:48.880 --> 0:49:52.560
<v Speaker 1>lie to y'all. I'm gonna have to say this because

0:49:52.680 --> 0:49:55.000
<v Speaker 1>I saw him live before he passed, and I didn't

0:49:55.000 --> 0:49:56.920
<v Speaker 1>want to go to this concert and my best friend

0:49:57.000 --> 0:49:58.520
<v Speaker 1>made me go. And it's one of the best concerts

0:49:58.520 --> 0:50:01.200
<v Speaker 1>I've ever been to my wife to this date. So

0:50:01.200 --> 0:50:03.400
<v Speaker 1>I would say, like number five, it's like Lutheravan draws

0:50:04.880 --> 0:50:07.440
<v Speaker 1>because I said, because I saw him like before, you know.

0:50:07.880 --> 0:50:14.160
<v Speaker 1>And then um, number four, I'm gonna say, um, Mary J. Blige, Yeah,

0:50:15.080 --> 0:50:19.000
<v Speaker 1>um yeah, Mary J Blige. That's a special woman. I

0:50:19.040 --> 0:50:20.960
<v Speaker 1>got a chance to meet her and work with her.

0:50:21.239 --> 0:50:24.080
<v Speaker 1>The song never came out, but she don't understand, like

0:50:24.200 --> 0:50:31.160
<v Speaker 1>just you know, just like how excited. Um, So that's

0:50:31.280 --> 0:50:35.680
<v Speaker 1>number four. Number three gotta be Stevie Wonder. I just

0:50:35.719 --> 0:50:37.239
<v Speaker 1>think he's not only one of the best R and

0:50:37.280 --> 0:50:39.520
<v Speaker 1>B artists, he's one of the best songwriters ever because

0:50:40.560 --> 0:50:42.799
<v Speaker 1>to my understanding, he was born blind and he just

0:50:43.160 --> 0:50:45.480
<v Speaker 1>writes from a place of things that I've seen, And

0:50:45.520 --> 0:50:48.000
<v Speaker 1>I'm like, how does he know that? That means it's

0:50:48.040 --> 0:50:51.360
<v Speaker 1>pure heart when he makes music. It's pure like feeling

0:50:51.360 --> 0:51:01.120
<v Speaker 1>and true emotion, you know. Um so yeah, Luthor Mary Stevie, Yo,

0:51:01.239 --> 0:51:03.120
<v Speaker 1>this man changed my life when I heard his music.

0:51:03.280 --> 0:51:05.880
<v Speaker 1>And you know, I hope nobody gets mad at me

0:51:05.920 --> 0:51:08.480
<v Speaker 1>for saying his name because I understand that he might

0:51:08.480 --> 0:51:12.600
<v Speaker 1>not be the greatest person. But um r Kelly Brother

0:51:13.520 --> 0:51:16.920
<v Speaker 1>or just musically, I mean he talked, Yeah, he taught.

0:51:16.960 --> 0:51:20.239
<v Speaker 1>He taught me, you know, just music when I when

0:51:20.280 --> 0:51:24.840
<v Speaker 1>I listened to his music, um and number one baby

0:51:26.160 --> 0:51:31.680
<v Speaker 1>osh ramon, remon, baby, I ain't gonna lie to you.

0:51:32.280 --> 0:51:34.799
<v Speaker 1>I ain't gonna lie to you. I can't watch this.

0:51:39.480 --> 0:51:44.920
<v Speaker 1>I don't mind. We don't mind. Up the top pool.

0:51:50.719 --> 0:51:53.879
<v Speaker 1>Did you say hallelujah as you were writing this work?

0:51:53.960 --> 0:51:58.719
<v Speaker 1>Until three? I'll get you leaving with me. Don't get

0:51:58.760 --> 0:52:04.839
<v Speaker 1>that money, money money, that money, money, because I know

0:52:04.880 --> 0:52:13.360
<v Speaker 1>how it is You're going mamate that money money, money, money, money,

0:52:13.400 --> 0:52:19.759
<v Speaker 1>money and put something the offer and play girl. I

0:52:19.800 --> 0:52:26.839
<v Speaker 1>don't mind. Oh, I don't mind. Yeah, who you wrote

0:52:26.880 --> 0:52:29.000
<v Speaker 1>that for? Me? Man? You know I have a great

0:52:29.040 --> 0:52:31.360
<v Speaker 1>you know quick, great great story about that song because

0:52:31.719 --> 0:52:33.680
<v Speaker 1>I was in the studio, me, me and Luke was

0:52:33.680 --> 0:52:36.719
<v Speaker 1>in the studio UM with Katy Perry. Kay Perry's coming

0:52:36.760 --> 0:52:39.239
<v Speaker 1>to work with us, and Katy Perry went to do

0:52:39.360 --> 0:52:42.640
<v Speaker 1>vocal warmups and so why Katy Perry doing vocal warmups?

0:52:43.280 --> 0:52:46.279
<v Speaker 1>Luke was playing this thing on his guitar and I

0:52:46.320 --> 0:52:50.800
<v Speaker 1>started saying, I don't mind, and it was super lovey

0:52:50.880 --> 0:52:53.799
<v Speaker 1>and romantic, and Luke was like, no, I can't do that.

0:52:55.239 --> 0:52:57.399
<v Speaker 1>The beat is already pretty. We need edge. I said,

0:52:57.440 --> 0:52:59.080
<v Speaker 1>what then you want me to say like I don't mind,

0:52:59.640 --> 0:53:02.200
<v Speaker 1>like I'll love a strippers? Are you tripping? Bro? Like yeah,

0:53:02.400 --> 0:53:04.239
<v Speaker 1>you know, out of frustration because we had I had

0:53:04.280 --> 0:53:11.600
<v Speaker 1>been trying. He said, yeah, I want you to to say that. What. Yeah?

0:53:11.719 --> 0:53:13.799
<v Speaker 1>And I was just fascinated with the Atlanta culture and

0:53:13.800 --> 0:53:16.160
<v Speaker 1>I was like, Yo, all of this Atlanta ship they're

0:53:16.160 --> 0:53:17.840
<v Speaker 1>doing this pop and I said, Yo, we need you

0:53:17.880 --> 0:53:20.200
<v Speaker 1>know this. We need to take all of these things.

0:53:20.400 --> 0:53:24.000
<v Speaker 1>And you know, nobody ain't really was doing that, you know,

0:53:24.400 --> 0:53:26.360
<v Speaker 1>outside of them goes. Nobody had put it in a

0:53:26.440 --> 0:53:30.000
<v Speaker 1>pop song, you know. And I just was like, yo,

0:53:30.440 --> 0:53:31.960
<v Speaker 1>let's do it like this. And we had did it

0:53:32.040 --> 0:53:36.440
<v Speaker 1>and said it to Ussher and oh yeah. I remember

0:53:36.480 --> 0:53:40.000
<v Speaker 1>Katie Perry walking in and heard a song. It was like,

0:53:41.480 --> 0:53:43.680
<v Speaker 1>that's an Usher song and we hadn't said who he

0:53:43.680 --> 0:53:45.839
<v Speaker 1>did it for a year, does it? We was like, yeah,

0:53:45.880 --> 0:53:48.319
<v Speaker 1>that's crazy. We was gonna send it to him. She

0:53:48.400 --> 0:53:49.719
<v Speaker 1>was like, oh my god, I can't wait to hear

0:53:49.760 --> 0:53:53.040
<v Speaker 1>him sing that. And I was like wow, and you know,

0:53:53.440 --> 0:53:56.600
<v Speaker 1>so so Usher did it and I ain't gonna lie

0:53:56.640 --> 0:53:59.480
<v Speaker 1>to you that that's that's That's one of my favorites

0:53:59.560 --> 0:54:01.160
<v Speaker 1>that I did with him, because I did a couple

0:54:01.200 --> 0:54:03.840
<v Speaker 1>with him. What did I do? We did No Limit together.

0:54:04.000 --> 0:54:20.319
<v Speaker 1>We did that together. I'm really good, you know. But this,

0:54:20.600 --> 0:54:22.719
<v Speaker 1>you know what, this this one thing because you keep

0:54:23.360 --> 0:54:27.120
<v Speaker 1>this name. He's popped up a few times Dr Luke.

0:54:27.280 --> 0:54:31.560
<v Speaker 1>Uh huh, this is my camera, right guys. Yes, Dr Luke.

0:54:33.360 --> 0:54:37.440
<v Speaker 1>I don't know if you remember you still owe me

0:54:37.480 --> 0:54:41.640
<v Speaker 1>five hundred dollars. Oh man, I don't want the money.

0:54:42.400 --> 0:54:45.640
<v Speaker 1>I just want to be able to say you owe

0:54:45.680 --> 0:54:51.160
<v Speaker 1>me five forever because you got plenty five hundred dollars

0:54:51.880 --> 0:54:56.000
<v Speaker 1>got plenty plenty five hundred dollars. Oh man, you owe

0:54:56.040 --> 0:55:01.080
<v Speaker 1>me five hundred five hunt in Luke five, Luke back,

0:55:00.760 --> 0:55:04.000
<v Speaker 1>We're back. I mean you need to sing top five

0:55:05.320 --> 0:55:10.479
<v Speaker 1>R and B songs. Dang, that's a hard one. Oh man.

0:55:10.960 --> 0:55:13.920
<v Speaker 1>I think I know what my number one is for sure. Um,

0:55:13.960 --> 0:55:23.840
<v Speaker 1>but top five R and B songs? Who m overjoy,

0:55:24.760 --> 0:55:32.000
<v Speaker 1>I'm building my castle? Come on, man, Yeah, come on, man,

0:55:32.080 --> 0:55:34.279
<v Speaker 1>y'all can't y'all can't go to the argument. You know,

0:55:34.520 --> 0:55:41.480
<v Speaker 1>since he's so he made complicated things seems so simple.

0:55:43.120 --> 0:55:46.799
<v Speaker 1>And that's from a mute. From a musician standpoint, like

0:55:47.200 --> 0:55:53.520
<v Speaker 1>he made the most complicated movements and key changes or

0:55:54.120 --> 0:56:00.480
<v Speaker 1>like scale manipulation. He made it digestible to every day people.

0:56:01.040 --> 0:56:05.200
<v Speaker 1>I don't know how he did. Yeah, people, I gotta

0:56:05.239 --> 0:56:08.399
<v Speaker 1>say this song, bro, I gotta say this song. It's

0:56:08.440 --> 0:56:10.160
<v Speaker 1>a neo soul song, but I'm gonna put it in

0:56:10.200 --> 0:56:17.239
<v Speaker 1>this because girl, I know this my seem number one.

0:56:18.320 --> 0:56:21.239
<v Speaker 1>I'm out of all. That is the most player ship

0:56:21.280 --> 0:56:25.279
<v Speaker 1>I've ever heard in my life. That man. If I

0:56:25.360 --> 0:56:27.600
<v Speaker 1>played that song for my son, I said, listen to me.

0:56:27.680 --> 0:56:30.319
<v Speaker 1>When you approach a woman, this is exactly how you talk.

0:56:30.480 --> 0:56:33.400
<v Speaker 1>This is what you say. This is the sincerity that

0:56:33.480 --> 0:56:36.319
<v Speaker 1>you gotta have. And and I remember driving in the

0:56:36.320 --> 0:56:38.919
<v Speaker 1>car and my son just smiling like we had a moment.

0:56:39.040 --> 0:56:42.799
<v Speaker 1>I was like, it was from that song. It was

0:56:42.840 --> 0:56:45.520
<v Speaker 1>from that song. He gets on my nerves too. Yeah,

0:56:45.719 --> 0:56:47.879
<v Speaker 1>music man, and I had the opportunity to work with him.

0:56:47.880 --> 0:56:53.960
<v Speaker 1>He's one of the best master, incredible monster. Um, I'll

0:56:54.000 --> 0:57:00.160
<v Speaker 1>be your group baby, because you are my sup but star, No,

0:57:00.320 --> 0:57:04.120
<v Speaker 1>but one thing, give me your autograph. I hate Pool

0:57:04.160 --> 0:57:09.200
<v Speaker 1>bad forever for that one because he's incredible. Hate turning

0:57:09.200 --> 0:57:15.480
<v Speaker 1>the air conditioner up everywhere he goes. Listen, if you

0:57:15.560 --> 0:57:18.760
<v Speaker 1>hop in the car with Pool beer, it's gonna feel

0:57:18.800 --> 0:57:21.520
<v Speaker 1>like it's two degrees. And thank you for letting me know.

0:57:21.520 --> 0:57:24.480
<v Speaker 1>I'm Caribbean. I can't give a cold. It's not my

0:57:24.520 --> 0:57:31.040
<v Speaker 1>birthday many birthday, so no, this is real talk that

0:57:31.040 --> 0:57:37.440
<v Speaker 1>that song right there. Um Oh, I've been doing my

0:57:37.560 --> 0:57:45.920
<v Speaker 1>own things. Love it's always a way of having bad timing.

0:57:46.040 --> 0:57:51.760
<v Speaker 1>My nigga, Bryce Wilson, dude, okay grooved and guess what

0:57:51.880 --> 0:57:53.520
<v Speaker 1>I never knew I could sing. I started as a

0:57:53.560 --> 0:57:56.040
<v Speaker 1>rapper and doing like dance all reggae, you know, and

0:57:56.040 --> 0:57:58.560
<v Speaker 1>then it was one song that we performed live for

0:57:58.560 --> 0:58:00.080
<v Speaker 1>the first time and I just knew the words. I

0:58:00.240 --> 0:58:03.040
<v Speaker 1>just felt to sing it. And this, this song is

0:58:03.080 --> 0:58:06.600
<v Speaker 1>the reason. This is the first time I ever felt like, Okay,

0:58:06.600 --> 0:58:16.480
<v Speaker 1>I could do melody my love? Do you ever dream?

0:58:16.560 --> 0:58:24.040
<v Speaker 1>Candy Code Rain Dry? Yeah, you're the same my Candy

0:58:24.320 --> 0:58:33.160
<v Speaker 1>Rain Yeah. So look and by the way, to anybody

0:58:33.160 --> 0:58:35.560
<v Speaker 1>who's like that, should listen. Bro. Every song that I

0:58:35.600 --> 0:58:38.000
<v Speaker 1>mentioned had a very special moment in my life I

0:58:38.000 --> 0:58:40.960
<v Speaker 1>can remember, and it did something that shift shift the

0:58:41.000 --> 0:58:43.479
<v Speaker 1>moment for me. So I picked those five. To be honest,

0:58:43.520 --> 0:58:45.880
<v Speaker 1>it's too many to mention. I feel like I'm doing this.

0:58:46.000 --> 0:58:48.080
<v Speaker 1>Justice is a bunch of songs that I probably I

0:58:48.160 --> 0:58:51.000
<v Speaker 1>am forgetting, but I think I'm gonna go. I'm I'm

0:58:51.280 --> 0:58:58.760
<v Speaker 1>comfortable with it. Okay, Jams, let's gone through. We're gonna

0:58:58.760 --> 0:59:02.880
<v Speaker 1>make a voltron. Okay, we're gonna make We're gonna make

0:59:02.920 --> 0:59:07.640
<v Speaker 1>your R and b artists. Okay, Okay, we're gonna build him.

0:59:07.800 --> 0:59:13.800
<v Speaker 1>Huh say he'm the vocal performance, style, styling, and passion.

0:59:16.080 --> 0:59:24.880
<v Speaker 1>What artists are you grabbing the vocals from? Who's gonna

0:59:24.880 --> 0:59:27.320
<v Speaker 1>sing all them great songs? You're right? We're gonna do it.

0:59:28.360 --> 0:59:30.680
<v Speaker 1>I'm gonna say I'm gonna go with us, I'm gonna

0:59:30.680 --> 0:59:33.640
<v Speaker 1>go with USh, I'm gonna go with usher Man. I

0:59:33.680 --> 0:59:36.120
<v Speaker 1>gotta go with usher Bro. I know I have to

0:59:36.440 --> 0:59:41.080
<v Speaker 1>because you can't say it's not there's nothing. He makes

0:59:41.120 --> 0:59:43.320
<v Speaker 1>everything sound good, and that's the biggest problem. He'll make

0:59:43.360 --> 0:59:45.400
<v Speaker 1>a bad song sound greater to be like hold on,

0:59:45.720 --> 0:59:47.440
<v Speaker 1>hold on, I have to listen to it. On the

0:59:47.440 --> 0:59:53.520
<v Speaker 1>twelfth song, You're incredible. He also owns it though. No, no, no,

0:59:53.560 --> 0:59:57.480
<v Speaker 1>he's the best. You know, Okay, what's next? That's the voice,

0:59:57.720 --> 1:00:03.800
<v Speaker 1>that voice, the voice? Performance style Chris Brown, Chris Brown,

1:00:04.560 --> 1:00:07.120
<v Speaker 1>Chris Brown. I know it's Chris Brown. Guess what the

1:00:07.160 --> 1:00:09.240
<v Speaker 1>next answer, Guess what it's probably Chris Brown didn't give

1:00:09.240 --> 1:00:16.160
<v Speaker 1>it to them. The styling of it, Chris Brown. Let

1:00:16.240 --> 1:00:19.640
<v Speaker 1>me tell you something. Let me tell you something. I

1:00:19.640 --> 1:00:23.560
<v Speaker 1>think that motherfucker exudes cool. I think that man exudes cool.

1:00:23.600 --> 1:00:25.640
<v Speaker 1>I think that man wakes Chris Brown and dye his

1:00:25.680 --> 1:00:29.200
<v Speaker 1>head red, dyes hair purple. I've never Chris Brown tries

1:00:29.280 --> 1:00:32.480
<v Speaker 1>things that nobody on earth could get away with, but

1:00:32.760 --> 1:00:34.840
<v Speaker 1>Chris Brown. The only thing Chris Brown ain't did yet

1:00:34.840 --> 1:00:37.240
<v Speaker 1>his dreads and if Chris Brown do dreads and dreads

1:00:37.280 --> 1:00:40.280
<v Speaker 1>looked fight on Chris Brown. I personally want to fight

1:00:40.360 --> 1:00:43.960
<v Speaker 1>him in the cage match one because because at this point,

1:00:44.160 --> 1:00:46.640
<v Speaker 1>I feel like it's that you're just doing too much,

1:00:46.680 --> 1:00:53.240
<v Speaker 1>my nigga, Like you gotta relax. Come all, bro, stop man, okay,

1:00:53.520 --> 1:00:55.960
<v Speaker 1>who you're getting the passion from the heart of the artist,

1:00:56.080 --> 1:01:02.080
<v Speaker 1>the heart and the passion, the art and the passion.

1:01:05.280 --> 1:01:16.400
<v Speaker 1>Damn bro, Chris Brown. Sorry bad, Hey man, Hey man,

1:01:17.760 --> 1:01:20.520
<v Speaker 1>Come on man, talk about somebody who didn't been through

1:01:20.520 --> 1:01:22.760
<v Speaker 1>it all. Come on, man, at some point, we're gonna

1:01:22.800 --> 1:01:27.080
<v Speaker 1>gotta stop playing with like this nigga. Yo, bro, This

1:01:27.160 --> 1:01:29.520
<v Speaker 1>nigg has been incredible for years and been one of

1:01:29.520 --> 1:01:31.720
<v Speaker 1>the best and been in your top five, top two,

1:01:31.840 --> 1:01:36.439
<v Speaker 1>number one, number one, this number one dancer. All we're

1:01:36.520 --> 1:01:40.320
<v Speaker 1>both his hands typed behind his back. Talk about I

1:01:40.320 --> 1:01:43.000
<v Speaker 1>ain't never seen nothing like him. I've never seen nothing

1:01:43.000 --> 1:01:45.640
<v Speaker 1>like him. Listen to my brother. I don't know if

1:01:45.640 --> 1:01:48.960
<v Speaker 1>you see this, if you're gonna see this, guess what.

1:01:49.160 --> 1:01:51.320
<v Speaker 1>I haven't spoke to this man. We didn't text before this.

1:01:52.160 --> 1:01:54.280
<v Speaker 1>You know, my favorite R and B artist is Usher,

1:01:55.120 --> 1:01:58.240
<v Speaker 1>But I don't know what it is with that dude. Bro,

1:01:58.720 --> 1:02:03.080
<v Speaker 1>that dude, that dude was touched bro, problem by God

1:02:03.360 --> 1:02:08.240
<v Speaker 1>for sure, Like with his eyes close, I've never seen

1:02:08.880 --> 1:02:12.920
<v Speaker 1>nothing like it. Man. You know this man paints like

1:02:13.080 --> 1:02:15.680
<v Speaker 1>paints like Bro, I got a painting that he gave

1:02:15.760 --> 1:02:20.600
<v Speaker 1>me in my house and I'm like, he does everything.

1:02:21.080 --> 1:02:27.280
<v Speaker 1>Why he acts, he sings, This nigga can backflip into

1:02:27.320 --> 1:02:35.600
<v Speaker 1>a name name. Did y'all know that. I'm just I

1:02:35.880 --> 1:02:43.320
<v Speaker 1>just think that's where it was going. Did you know

1:02:43.400 --> 1:02:51.120
<v Speaker 1>that he is incredible? And I just feel like he's

1:02:51.160 --> 1:02:57.440
<v Speaker 1>a He's a human being that deserves like all his flowers,

1:02:58.000 --> 1:03:01.320
<v Speaker 1>because I really personally believe that by the time that

1:03:01.400 --> 1:03:03.880
<v Speaker 1>everybody on his planet starts to give him his flowers,

1:03:04.720 --> 1:03:06.400
<v Speaker 1>he may not be here to see him give it

1:03:06.400 --> 1:03:10.080
<v Speaker 1>to him. And and and I want to tell him,

1:03:10.280 --> 1:03:18.120
<v Speaker 1>listen my kids, Bro, that man is incredible, you know.

1:03:18.440 --> 1:03:20.520
<v Speaker 1>And he said happy birthday to my son too, So

1:03:20.560 --> 1:03:22.840
<v Speaker 1>it's like, you're gonna have a special place. Listen, you

1:03:22.880 --> 1:03:26.120
<v Speaker 1>do something for my baby here, good dude to unbeatable.

1:03:26.640 --> 1:03:29.840
<v Speaker 1>I'll help you fight. I'll see you and they'd be like,

1:03:30.320 --> 1:03:34.280
<v Speaker 1>what are you doing. We're gonna have to go get Timothy. Bro.

1:03:35.040 --> 1:03:41.440
<v Speaker 1>You know, bro, my brother. And guess what's so funny?

1:03:41.600 --> 1:03:45.120
<v Speaker 1>If you meet us, people think I am the aggressive

1:03:45.160 --> 1:03:49.120
<v Speaker 1>one and he is the calm one. And it is

1:03:49.200 --> 1:03:54.560
<v Speaker 1>the listen to my brother is like, t run when

1:03:54.600 --> 1:03:59.760
<v Speaker 1>I see this mine, right, I torn it, not Timothy,

1:03:59.800 --> 1:04:02.240
<v Speaker 1>not not just cool cool, I'm gonna talk to him

1:04:02.520 --> 1:04:06.600
<v Speaker 1>mean my brother favorite thing meaning the fuck my boy.

1:04:06.920 --> 1:04:08.919
<v Speaker 1>That's how he's gonna talk to him. No, my brother.

1:04:09.040 --> 1:04:11.120
<v Speaker 1>He it means like I'm not with that. So like

1:04:11.160 --> 1:04:13.760
<v Speaker 1>if somebody say, you're mean enough, like y'all not trying

1:04:13.760 --> 1:04:15.560
<v Speaker 1>to hear what you're telling me right now? When I

1:04:15.600 --> 1:04:19.880
<v Speaker 1>see this and he's like, no, no, no, yo, bro's

1:04:19.880 --> 1:04:22.040
<v Speaker 1>all look, let me just talk to him. He may

1:04:22.040 --> 1:04:29.280
<v Speaker 1>not even understand. T run mean enough, boy. I'm watching

1:04:29.280 --> 1:04:31.600
<v Speaker 1>you across the room coming towards me. My brother is like,

1:04:31.680 --> 1:04:33.560
<v Speaker 1>I'm like, oh my god, I'm trying to tell you

1:04:33.880 --> 1:04:39.600
<v Speaker 1>yo yo yo yo, I'm gonna come to you. Yeah yeah,

1:04:40.000 --> 1:04:47.439
<v Speaker 1>no no, no, no no, no, you come to you. What's great?

1:04:47.480 --> 1:04:52.880
<v Speaker 1>B Yeah yeah you're good. Yeah. So I got this

1:04:53.520 --> 1:04:56.520
<v Speaker 1>segment of the show brother, what's it called. It's called

1:04:56.520 --> 1:05:02.160
<v Speaker 1>I ain't saying on that no names, ain't no name

1:05:02.840 --> 1:05:20.160
<v Speaker 1>ain't listen. Listen no names, no names, none. So you

1:05:20.240 --> 1:05:24.200
<v Speaker 1>tell us a story, funnier, fucked up, are funny and

1:05:24.800 --> 1:05:27.919
<v Speaker 1>okay all of the same. Damn. Okay, you know because

1:05:27.920 --> 1:05:29.640
<v Speaker 1>that's the song you was listening to when your manager

1:05:29.720 --> 1:05:35.120
<v Speaker 1>told your people don't need you. Yeah music, Yeah, I

1:05:35.160 --> 1:05:37.840
<v Speaker 1>mean tell us that story, man, if you know you

1:05:38.480 --> 1:05:41.560
<v Speaker 1>and your travels of this music business man. And the

1:05:41.720 --> 1:05:46.360
<v Speaker 1>only rule you cannot say the names of the people

1:05:46.440 --> 1:05:48.840
<v Speaker 1>in this story. I'm not saying anybody's name. I'm gonna

1:05:48.880 --> 1:05:55.720
<v Speaker 1>tell Can I say the name of the song? Gone here? Okay? Yeah? Yeah, yeah,

1:05:56.200 --> 1:05:59.680
<v Speaker 1>so you know, Okay, so right now this is tron

1:06:00.040 --> 1:06:05.040
<v Speaker 1>t rod rock City, Rock City, Virgin Islands. I ain't

1:06:05.080 --> 1:06:07.680
<v Speaker 1>saying on that, okay, cool. I ain't saying our names,

1:06:08.440 --> 1:06:12.120
<v Speaker 1>but I will say we was, um it was in

1:06:12.160 --> 1:06:15.040
<v Speaker 1>the state of Los Angeles at a studio saying no

1:06:15.160 --> 1:06:17.320
<v Speaker 1>name of the studio, and um, it was a song

1:06:17.440 --> 1:06:19.840
<v Speaker 1>that we wrote. And it was a song called Mrs.

1:06:19.880 --> 1:06:22.320
<v Speaker 1>Glass That's the name of the song. It wasn't big

1:06:22.480 --> 1:06:26.200
<v Speaker 1>or did not, you know what I'm saying. And the

1:06:26.280 --> 1:06:28.120
<v Speaker 1>person that ended up having this song ain't the person

1:06:28.160 --> 1:06:29.600
<v Speaker 1>that this is about. And a couple of people tried

1:06:29.640 --> 1:06:31.760
<v Speaker 1>this song, so it could be anybody. But on this

1:06:31.880 --> 1:06:34.640
<v Speaker 1>particular day with the studio and the artist is supposed

1:06:34.680 --> 1:06:36.080
<v Speaker 1>to be coming in, and they're like, hey, the artist

1:06:36.080 --> 1:06:37.880
<v Speaker 1>is gonna come in, but just to give you guys

1:06:37.920 --> 1:06:40.320
<v Speaker 1>a head up, heads up, the artists would like to

1:06:40.520 --> 1:06:43.200
<v Speaker 1>change a couple of things, personalize it for themselves. Oh man,

1:06:43.280 --> 1:06:45.520
<v Speaker 1>we'll all We're all for that. That's good and it

1:06:45.600 --> 1:06:50.240
<v Speaker 1>might even be better. Person came in um with a

1:06:50.280 --> 1:06:55.280
<v Speaker 1>guitarist and uh personal assistant and a bottle of Hennessey

1:06:55.400 --> 1:06:57.960
<v Speaker 1>and a bottle of wine. It was like, okay, cool,

1:06:58.080 --> 1:07:02.200
<v Speaker 1>you know what I'm saying. We have we vibe. And

1:07:04.000 --> 1:07:07.920
<v Speaker 1>the the person who is engineering just so happened to

1:07:07.920 --> 1:07:10.320
<v Speaker 1>be the person that made the beat. And and we're

1:07:10.400 --> 1:07:13.080
<v Speaker 1>like and and me, who, I say, I'm the trick

1:07:13.120 --> 1:07:14.520
<v Speaker 1>fil a the music in this because I'm in the

1:07:14.560 --> 1:07:16.439
<v Speaker 1>service business. I like I like to give a good service.

1:07:16.520 --> 1:07:18.880
<v Speaker 1>I said, Hey, today it's about you. However you want

1:07:18.920 --> 1:07:21.600
<v Speaker 1>to do it, whatever makes you comfortable. I've been told

1:07:21.640 --> 1:07:24.520
<v Speaker 1>you had your reservations about singing the song. This is

1:07:24.600 --> 1:07:26.840
<v Speaker 1>no this is a no pressure zone. Let's get it

1:07:26.920 --> 1:07:30.200
<v Speaker 1>to a place that will make you feel comfortable. Oh man,

1:07:30.320 --> 1:07:34.760
<v Speaker 1>thank you so much. That was so nice. So now

1:07:35.120 --> 1:07:39.040
<v Speaker 1>time is going to buy the Hennessey is going down,

1:07:39.160 --> 1:07:41.960
<v Speaker 1>and you know, and Hennessey is gone, and now there's

1:07:42.000 --> 1:07:44.520
<v Speaker 1>a glass of wineport. And I was like, I don't

1:07:44.560 --> 1:07:47.240
<v Speaker 1>think I saw anybody else. I didn't have none, and

1:07:47.280 --> 1:07:51.280
<v Speaker 1>he didn't have none of dating him. You know what

1:07:51.280 --> 1:07:53.520
<v Speaker 1>I'm saying. Mind in my business the name of my company,

1:07:53.560 --> 1:07:56.720
<v Speaker 1>minding our business also, And I go and I come

1:07:56.760 --> 1:07:58.680
<v Speaker 1>in and I said, okay, is taking the lines? You're like, yo, bro,

1:07:58.720 --> 1:08:00.720
<v Speaker 1>when we going to record the song, I'm like, oh

1:08:00.800 --> 1:08:04.560
<v Speaker 1>my bad. Oh I'm sorry. Hey, we're ready, We're ready,

1:08:04.920 --> 1:08:10.240
<v Speaker 1>you know, guitarists already laid the electrical guitar part. We're

1:08:10.280 --> 1:08:14.720
<v Speaker 1>ready for you to cut. And then the artists looks

1:08:14.760 --> 1:08:18.400
<v Speaker 1>at me and then whispers into the person next to

1:08:18.439 --> 1:08:23.880
<v Speaker 1>them's ear, and the person next to them said, the artists,

1:08:24.120 --> 1:08:27.559
<v Speaker 1>so and so feels like the song doesn't personally speak

1:08:27.920 --> 1:08:31.680
<v Speaker 1>to their heart. Y're all in the same room together, Oh, bro,

1:08:31.800 --> 1:08:35.000
<v Speaker 1>were disclose. So I see whenever I get offended, are

1:08:35.000 --> 1:08:37.280
<v Speaker 1>talking about accent, you know, because I don't. So now

1:08:37.360 --> 1:08:43.000
<v Speaker 1>I'm talking very like, you know, man, I need to

1:08:43.040 --> 1:08:48.680
<v Speaker 1>get funking with me. Man, Hey, look, so let's so,

1:08:49.000 --> 1:08:51.000
<v Speaker 1>this is what I'm thinking. We start with the hook,

1:08:51.479 --> 1:08:52.760
<v Speaker 1>see how you feel with it, and then we go

1:08:52.920 --> 1:08:58.519
<v Speaker 1>from there. This this song doesn't match. So and So says,

1:08:58.600 --> 1:09:01.680
<v Speaker 1>to tell you that this song doesn't match the chee

1:09:04.400 --> 1:09:07.920
<v Speaker 1>you're working with me right now. It's a joke. No,

1:09:08.960 --> 1:09:12.960
<v Speaker 1>you mean to tell me this Parson bro Literally we disclosed.

1:09:13.040 --> 1:09:14.479
<v Speaker 1>So you mean to tell me this person right here

1:09:14.600 --> 1:09:18.599
<v Speaker 1>next to you, it's telling you to tell me. No, man,

1:09:18.680 --> 1:09:21.800
<v Speaker 1>you fucking with me. This gotta be a joke. We

1:09:21.840 --> 1:09:33.400
<v Speaker 1>were joke. I was just talking to you. Whisper again.

1:09:37.240 --> 1:09:39.560
<v Speaker 1>So and So say no, no, no, So I'm so

1:09:39.720 --> 1:09:43.200
<v Speaker 1>and say fucking nothing. That's so. I'm so done. I

1:09:43.360 --> 1:09:46.920
<v Speaker 1>walk out. I gone to my I gone to my people.

1:09:47.000 --> 1:09:52.240
<v Speaker 1>I say, hey, I know what ain't doing right now? Wow,

1:09:52.960 --> 1:09:58.400
<v Speaker 1>you lying? You're lying? Trust me. Watch this, y'all gotta

1:09:58.439 --> 1:10:03.400
<v Speaker 1>come see this come back. It was already gone. So

1:10:04.360 --> 1:10:09.519
<v Speaker 1>so we like they leave. Yeah, the girls said that.

1:10:09.640 --> 1:10:13.479
<v Speaker 1>She said to say that she ain't feeling it. I wait,

1:10:13.640 --> 1:10:18.680
<v Speaker 1>so she didn't even sit by she telling it. I

1:10:19.479 --> 1:10:24.760
<v Speaker 1>went home. I was so all night and I've never

1:10:24.840 --> 1:10:27.599
<v Speaker 1>worked with that person ever again in my life. Wow,

1:10:28.920 --> 1:10:34.880
<v Speaker 1>true story, baby ah this music I was just talking

1:10:34.960 --> 1:10:38.919
<v Speaker 1>to I was just talking to you, was talking serious.

1:10:39.320 --> 1:10:44.360
<v Speaker 1>It's never the vibe is not that serious. It's never

1:10:45.080 --> 1:10:48.240
<v Speaker 1>get lost in the vibe. This is what. This is

1:10:48.280 --> 1:10:52.439
<v Speaker 1>how I'm supposed to act. Man, don't do that. Young artist,

1:10:52.720 --> 1:10:57.439
<v Speaker 1>old artists, any artists don't do that. Why why, I

1:10:57.520 --> 1:10:59.599
<v Speaker 1>don't know. It was it was very it was very

1:11:00.120 --> 1:11:02.840
<v Speaker 1>what at the point at the moment, I was upset

1:11:03.000 --> 1:11:06.840
<v Speaker 1>and I felt disrespected. And now it's one of my

1:11:06.920 --> 1:11:09.519
<v Speaker 1>favorite stories that I like. It's one of my favorite

1:11:09.520 --> 1:11:10.840
<v Speaker 1>stories that I like to tell when people come to

1:11:10.920 --> 1:11:14.160
<v Speaker 1>my house, you know, especially when especially if somebody says

1:11:14.560 --> 1:11:17.080
<v Speaker 1>the artist's name in my house, I'd be like, Oh,

1:11:17.680 --> 1:11:20.080
<v Speaker 1>let me tell you what happened. I can't wait to

1:11:20.120 --> 1:11:24.160
<v Speaker 1>tell you this story. Just gotta try that one day.

1:11:24.240 --> 1:11:31.760
<v Speaker 1>Just maybe you can make it a TikTok and then

1:11:31.880 --> 1:11:34.160
<v Speaker 1>if it's a prank and you tell Now, if it's

1:11:34.160 --> 1:11:37.800
<v Speaker 1>a prank, you're like, we're just that's a fire prank.

1:11:38.160 --> 1:11:43.240
<v Speaker 1>But bro dead serials when I mean and I'm like

1:11:44.040 --> 1:11:48.519
<v Speaker 1>standing they sitting in a chair like that in the

1:11:48.600 --> 1:11:51.599
<v Speaker 1>couch and I'm standing up looking down and they ain't

1:11:51.600 --> 1:11:53.960
<v Speaker 1>getting up. Every time I talk and I'm not talking

1:11:54.080 --> 1:11:57.120
<v Speaker 1>to her, I'm talking to this one. And when I

1:11:57.200 --> 1:12:01.840
<v Speaker 1>talk to her, she will whisper in her ear and

1:12:01.920 --> 1:12:06.040
<v Speaker 1>then she will talk to me, ain't talking listening moment.

1:12:07.200 --> 1:12:09.160
<v Speaker 1>So he's like, that's what she's saying. Why we're just

1:12:09.320 --> 1:12:16.320
<v Speaker 1>talking to you? What me for me? Somebody else? Yeah?

1:12:17.840 --> 1:12:20.200
<v Speaker 1>You suck someone you know? And she pulled a shaggy

1:12:20.280 --> 1:12:26.160
<v Speaker 1>on me fast. I'm sorry that It's incredible man. Yeah,

1:12:26.240 --> 1:12:31.559
<v Speaker 1>so those experiences are great, and especially early in your

1:12:31.640 --> 1:12:35.200
<v Speaker 1>career to be like okay, cool, Okay, this is something

1:12:35.320 --> 1:12:41.040
<v Speaker 1>that happens. Okay, I'm prepared. Wow, you got you got

1:12:41.160 --> 1:12:46.080
<v Speaker 1>to clear the hallway. Niggas. Oh my god, you know

1:12:46.080 --> 1:12:48.120
<v Speaker 1>what I'm saying, in my eye, don't look me at

1:12:48.160 --> 1:12:51.120
<v Speaker 1>my eye. People my eyes. You can't look at you

1:12:51.200 --> 1:12:53.320
<v Speaker 1>can't do me, not everything for me. It's like, you

1:12:53.360 --> 1:12:55.760
<v Speaker 1>can't do me, not everything. I'll person, I'll just go home.

1:12:56.200 --> 1:12:59.920
<v Speaker 1>It's not that serious for me. And and you know what, like, again,

1:13:00.120 --> 1:13:02.439
<v Speaker 1>my dad was incredible. I ain't never there's only one

1:13:02.720 --> 1:13:07.439
<v Speaker 1>famous person that I've ever been like, WHOA to me?

1:13:08.360 --> 1:13:12.240
<v Speaker 1>Jay Z Baby? That was my favorite artist. Why he's

1:13:12.280 --> 1:13:14.160
<v Speaker 1>the only rapper that ever said St. Thomas and his

1:13:14.280 --> 1:13:16.919
<v Speaker 1>raps what up to my Miami and St. Thomas Connects?

1:13:17.800 --> 1:13:20.320
<v Speaker 1>And I was like, I told you as a little boy,

1:13:20.360 --> 1:13:22.680
<v Speaker 1>I thought you didn't know he existed. I did, and

1:13:22.800 --> 1:13:25.040
<v Speaker 1>I loved him because I've always felt like an outsider.

1:13:25.080 --> 1:13:27.360
<v Speaker 1>I've always been the guy that been like, you know,

1:13:27.439 --> 1:13:30.160
<v Speaker 1>I'm from St. Thomas and I'm kind of awkward. I

1:13:30.240 --> 1:13:32.000
<v Speaker 1>really don't know how to move. I don't want to

1:13:32.200 --> 1:13:34.720
<v Speaker 1>be so bro. When I'm in l a bro. I'd

1:13:34.720 --> 1:13:36.760
<v Speaker 1>be in my hotel. I'd be in the movie. I

1:13:36.840 --> 1:13:38.280
<v Speaker 1>go to the movies like I went to the movies

1:13:38.320 --> 1:13:40.640
<v Speaker 1>the other night. I go to the studio and I

1:13:40.760 --> 1:13:43.519
<v Speaker 1>go back to the hotel. Well, come with us, man,

1:13:43.560 --> 1:13:48.200
<v Speaker 1>I would love to you know, yeah, I would love to, man.

1:13:48.720 --> 1:13:51.200
<v Speaker 1>I would love to appreciate you pulling up. Thank you,

1:13:51.479 --> 1:13:54.280
<v Speaker 1>thank you for having me. This ship was incredible time

1:13:54.360 --> 1:13:55.800
<v Speaker 1>pull up. Man. You know what I'm saying, Like we

1:13:55.920 --> 1:13:58.640
<v Speaker 1>don't we don't take it for granted. Man, you know

1:13:58.680 --> 1:14:00.280
<v Speaker 1>what I'm saying. And we we tapped and when we

1:14:00.360 --> 1:14:03.760
<v Speaker 1>see each other and it's always love. Um, but you

1:14:03.800 --> 1:14:05.160
<v Speaker 1>can try to get you and your wife to move

1:14:05.200 --> 1:14:09.240
<v Speaker 1>to Atlanta for a long time. No, no, no, I'm

1:14:09.280 --> 1:14:12.479
<v Speaker 1>trying to not set my sights on on on South Florida.

1:14:12.680 --> 1:14:15.960
<v Speaker 1>Okay with that state task still the South, I take it.

1:14:16.400 --> 1:14:18.120
<v Speaker 1>You know what I'm saying. You know I'm working on

1:14:18.200 --> 1:14:24.920
<v Speaker 1>her California. I just feah, I'm never leaving California. Got

1:14:25.000 --> 1:14:26.639
<v Speaker 1>a Puerto Rico plug that I just you know, we'll

1:14:26.680 --> 1:14:29.720
<v Speaker 1>talk about Thomas might be a place to man, we'll

1:14:29.760 --> 1:14:31.600
<v Speaker 1>see you know what I'm saying. We're gonna make it

1:14:31.680 --> 1:14:35.320
<v Speaker 1>do but your high level, bro, and then we give

1:14:35.360 --> 1:14:37.560
<v Speaker 1>you your flowers, bro, and we celebrate you, bro. And

1:14:38.080 --> 1:14:43.960
<v Speaker 1>and when you win, brother, we dance. I appreciate, we

1:14:44.040 --> 1:14:45.840
<v Speaker 1>look at it. Thank what I'm saying that you're You're

1:14:45.960 --> 1:14:51.479
<v Speaker 1>You're one of our elaked you So keep going, God

1:14:51.520 --> 1:14:55.560
<v Speaker 1>willing baby, keep going. You write me one, and no

1:14:55.680 --> 1:14:57.720
<v Speaker 1>I would I would love it. You gotta write me one,

1:14:57.960 --> 1:15:00.000
<v Speaker 1>and you gotta write him one. Because we're the first

1:15:00.000 --> 1:15:05.840
<v Speaker 1>a manager artists, artists artist manager. You know what we're doing, Man,

1:15:05.960 --> 1:15:08.600
<v Speaker 1>ladies and gentleman. My name is Tank. I'm Jay Valentine

1:15:08.720 --> 1:15:11.080
<v Speaker 1>and this is the arm by Money Podcast, The Authority

1:15:11.439 --> 1:15:14.560
<v Speaker 1>and All Things R and B. And to know we

1:15:14.600 --> 1:15:17.479
<v Speaker 1>have got a special man in the building. Games. Yeah,

1:15:17.560 --> 1:15:21.960
<v Speaker 1>but with that real pen, with that real pan, really

1:15:22.040 --> 1:15:28.400
<v Speaker 1>pimped this pen. Really listen man from from the Shock

1:15:29.680 --> 1:15:33.640
<v Speaker 1>two to the to the sky, not even think of

1:15:33.640 --> 1:15:48.280
<v Speaker 1>the minute for real man, Good works than Money. R

1:15:48.320 --> 1:15:50.400
<v Speaker 1>and B Money is a production of the Black Effect

1:15:50.479 --> 1:15:54.560
<v Speaker 1>podcast Network. For more podcasts from I Heart Radio, is

1:15:54.600 --> 1:15:57.920
<v Speaker 1>it the I Heart Radio app, Apple Podcast, or wherever

1:15:58.040 --> 1:16:01.320
<v Speaker 1>you listen to your favorite shows, don't forget to subscribe

1:16:01.360 --> 1:16:03.920
<v Speaker 1>to and rate our show and you can connect with

1:16:04.040 --> 1:16:07.280
<v Speaker 1>us on social media at Jay Valentine and at the

1:16:07.360 --> 1:16:12.160
<v Speaker 1>Real Tank. For the extended episode, subscribe to YouTube dot com,

1:16:12.800 --> 1:16:14.599
<v Speaker 1>forward slash, R and B Money