WEBVTT - The Monstrefact Omnibus: The Werewolf

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<v Speaker 1>Welcome to Stuff to Blow your mind, a production of iHeartRadio.

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<v Speaker 2>Hey everyone, Robert Lamb. Here in this special omnibus edition

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<v Speaker 2>of The Monster Fact, we've put together all five episodes

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<v Speaker 2>of our recent look at the werewolf in myth, legend

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<v Speaker 2>and media, from prehistoric wolf interactions and the ancient world

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<v Speaker 2>to modern media incarnations of lacanthropy. So let's dig right

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<v Speaker 2>in draw blood, where the limit of our campfire's glow

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<v Speaker 2>licks against the darkness of the wild's strange forms leap

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<v Speaker 2>and prowl, sometimes human, sometimes lupine, often somewhere in between.

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<v Speaker 2>Huddled around our cultivated flames, this nighttime sun of burning wood,

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<v Speaker 2>we invoke the ight of man, hot, food and drink,

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<v Speaker 2>dance and song, story and myth. These acts tell us

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<v Speaker 2>who we are, and yet the creatures of the outer

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<v Speaker 2>night tempt us to darker, wilder orbits places in the

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<v Speaker 2>wilderness from which our fire would be but a pinprick

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<v Speaker 2>of light. They are the wildness from which we arose

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<v Speaker 2>and might yet return, dressed in no furs but their own,

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<v Speaker 2>naked before no gods or none, man still remembers. They

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<v Speaker 2>are our violent hearts, our erotic blood, flesh, hunger, and desire.

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<v Speaker 2>Suckled by the moon, the werewolves creep closer, threatening to

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<v Speaker 2>leap with shredding claw and ripping teeth, even as their

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<v Speaker 2>howls urge us to cast aside our tools, our garments,

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<v Speaker 2>our language tongues and join them in the all encompassing night.

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<v Speaker 2>Here we begin a multi episode look at the werewolf

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<v Speaker 2>shape shifters, who walk the line between human being and

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<v Speaker 2>the wild wolf in all manner of horrifying and alluring ways. Broadly,

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<v Speaker 2>werewolf traditions and visions overlapped greatly with other shape shifter traditions.

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<v Speaker 2>Pretty Much every culture boasts some version of the human

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<v Speaker 2>into animal or animal into human story, as well as

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<v Speaker 2>some manner of human animal hybridity. These theoryanthropes are many,

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<v Speaker 2>serving as everything from divine avatars to tricksters and tormentors,

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<v Speaker 2>and entailing a plethora of animal forms. The werewolf, however,

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<v Speaker 2>is a creature that specifically emerges from the nexus of

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<v Speaker 2>human beings and the Eurasian wolf. The history of these

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<v Speaker 2>two species is long debated, concerning their coevolution and the

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<v Speaker 2>domestication of dogs some twenty thousand to forty thousand years ago,

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<v Speaker 2>just before or during the last glacial maximum. Suffice to say,

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<v Speaker 2>humans and some canids, perhaps cast off wolves or abandoned young,

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<v Speaker 2>forged a mutually beneficial relationship. In a sense, each social

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<v Speaker 2>animal found a new pack in the company of the other.

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<v Speaker 2>It's an interesting bond unlike any other. As neuroscientist John

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<v Speaker 2>Allman discusses in his two thousand book Evolving Brains, each

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<v Speaker 2>species benefited greatly from the domestication. The wolves gained at

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<v Speaker 2>its support for the rearing of their pups, and humans,

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<v Speaker 2>now bolstered by the wolf's keen senses, became an even

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<v Speaker 2>stronger hunter, able to outcompete their evolutionary rivals and protect

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<v Speaker 2>their camps against nocturnal predators. Thus, our ice age ancestors

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<v Speaker 2>brought canids closer to the fire of their culture, even

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<v Speaker 2>as their wild kin howled and raged in the vast

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<v Speaker 2>darkness beyond. Did they even then tell stories of fellow

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<v Speaker 2>hunter's lost to those outer orbits of wildness? Do they

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<v Speaker 2>imagine humans transformed into wolves, perhaps by the dawning of

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<v Speaker 2>a pelt or some act of savagery, We don't know.

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<v Speaker 2>They thought enough of wolves to depict one in the

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<v Speaker 2>surviving cave paintings at Fonde Gamme Cave in modern day France. Elsewhere,

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<v Speaker 2>I sage artists depicted the oldest known human animal hybrid

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<v Speaker 2>in the lone minsh or lion man figure of Hollenstein's

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<v Speaker 2>Stadel Cave, so we might reasonably assume such imaginings were possible,

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<v Speaker 2>but it would be tens of thousands of years before

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<v Speaker 2>specific words for what we think of as werewolves emerged

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<v Speaker 2>in human culture. In the nineteen forty eight book Man

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<v Speaker 2>into Wolf, Austrian polymath Robert Eisler presented an elaborate take

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<v Speaker 2>on humanity's prehistoric past, arguing that traditions of the werewolf

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<v Speaker 2>are based in the dual emergence of our ancestors as

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<v Speaker 2>two separate strains of early humans, one savage, violent and predatory,

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<v Speaker 2>the other peaceful. The conflict between these early peoples, he argues,

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<v Speaker 2>continues to resonate in the collective unconscious, as well as

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<v Speaker 2>our ongoing human struggles against war, pain, and cruelty. These arguments, however,

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<v Speaker 2>depend on now outdated understandings of human evolution as well

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<v Speaker 2>as union archetypes, so I don't want to misrepresent his

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<v Speaker 2>ideas as modern scientific hypothesis, but rather as a work

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<v Speaker 2>of cultural commentary, it's an interesting take on the very

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<v Speaker 2>real long history of man and wolf. Turning to contemporary scholarship,

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<v Speaker 2>historian Daniel Ogden's excellent twenty twenty one book The Werewolf

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<v Speaker 2>in the Ancient World stresses that we mustn't be too

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<v Speaker 2>quick to view wolves as the mere bestial opposite of

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<v Speaker 2>humanity and thus a fitting wild energy to entertain in

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<v Speaker 2>our myths and legends of metamorphosis. Certainly, as he points out,

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<v Speaker 2>there are plenty of connotations in ancient accounts throughout the

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<v Speaker 2>Eurasian wolfe's historical range that identify the creature as an

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<v Speaker 2>embodiment of savagery or trickery, but others still acknowledge the social, noble, intelligent, cooperative,

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<v Speaker 2>and tactical nature of wild wolves. In other words, we

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<v Speaker 2>didn't just see our savage id in the wolf, something

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<v Speaker 2>frequently cited in werewolf tales. No, we saw much of

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<v Speaker 2>our nobility in them as well. Ogden writes, quote, were

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<v Speaker 2>wolves are wolves because there is a sense in which

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<v Speaker 2>wolves are in and of themselves were wolves already insofar,

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<v Speaker 2>that is, as they combine the qualities of the wildest

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<v Speaker 2>and most lawless of animals with those of civilization. And humanity.

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<v Speaker 2>In twenty seventeen's she Wolf, A Cultural History of Female Werewolves,

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<v Speaker 2>editor Hannah Priest also weighs in on this issue, arguing

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<v Speaker 2>that while we often do look to humanity's prehistoric past

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<v Speaker 2>for the seeds of werewolf legends, the narratives of werewolves

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<v Speaker 2>are intrinsically bound to quote historical circumstance, civilization, and literature.

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<v Speaker 2>The European roots of the werewolf are perhaps linked, she suggests,

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<v Speaker 2>not merely to the threat posed by wolves to hunter gatherers,

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<v Speaker 2>or even to the wolf like and wolf aided nature

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<v Speaker 2>of the hunter, but also to the threat posed by

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<v Speaker 2>wolves to domesticated animals, ultimately a threat to agriculture and property.

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<v Speaker 2>As we'll discuss later, this interpretation reveals much about the

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<v Speaker 2>gendered nature of male and female were wolves and the

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<v Speaker 2>sort of distinct threats they seem to embody toward male landowners.

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<v Speaker 2>Suffice to say, specific werewolf traditions do arise from the

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<v Speaker 2>relationship between humans and wolves, but it's a relationship that

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<v Speaker 2>changes drastically over time and takes on different forms across

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<v Speaker 2>cultural lines. Well have much to explore in the weeks ahead,

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<v Speaker 2>but for now, as we sit by our campfire, we

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<v Speaker 2>gaze out at the most perplexing shapes in the darkness,

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<v Speaker 2>Creatures that indeed blur the line between wilderness and civility,

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<v Speaker 2>Creatures that embody unnatural transformation. Informed it would seem, by

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<v Speaker 2>the many ways we transformed the natural world and ourselves

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<v Speaker 2>through the domestication of fauna and flora. As we discussed

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<v Speaker 2>the last time, the origins of werewolf traditions may trace

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<v Speaker 2>back to our prehistoric ancestors and the gradual domestication of

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<v Speaker 2>the wild wolf, an act that may have made us

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<v Speaker 2>better hunters and better watchers of the dark. At different

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<v Speaker 2>points in human history, we saw shades of the wolf

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<v Speaker 2>in our own animal nature, just as we also saw

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<v Speaker 2>shades of human intelligence, cunning, and society in the ways

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<v Speaker 2>of the wild wolf. This is not, however, to say

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<v Speaker 2>that the werewolf specifically is a universal concept. Shapeshifters and

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<v Speaker 2>animal human hybrids exist in virtually all human cultures, but

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<v Speaker 2>the werewolf naturally requires some familiarity with the species Canis lupus,

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<v Speaker 2>particularly the Eurasian wolf. Now, I want to stress that, yes,

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<v Speaker 2>the wolf's range includes North America, and they certainly do

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<v Speaker 2>factor into the rich traditions of various indigenous North American tribes,

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<v Speaker 2>but these traditions, including the off sited skin walkers, are

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<v Speaker 2>rather distinct from the werewolf concept as we know it today.

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<v Speaker 2>We may come back to discussion on this topic later on.

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<v Speaker 2>Let's start with the term werewolf or the Germanic wewulf.

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<v Speaker 2>This we can trace back to the writings of English

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<v Speaker 2>Benedictine monk Bishop Wolfstan, and this would have been very

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<v Speaker 2>early in the second millennium CE. While most famous for

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<v Speaker 2>being the last pre conquest English bishop, his service began

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<v Speaker 2>a mere four years prior to the Norman conquest of

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<v Speaker 2>ten sixty six. Wolfstan did in fact warn the English

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<v Speaker 2>of the threat posed by the quote would Fraco Verwulf,

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<v Speaker 2>this being a threat to the Church's flock. As Daniel

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<v Speaker 2>Ogden explains in The Werewolf in the Ancient World, the

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<v Speaker 2>usage here is broad and don't get excited, but it

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<v Speaker 2>certainly doesn't refer to actual were wolves now. As Ogden explains,

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<v Speaker 2>the traditional interpretation of the word werewolf saw it as

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<v Speaker 2>a combination of the Latin vere or man with wolf

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<v Speaker 2>a man wolf. But he stresses in his book that

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<v Speaker 2>the commonly accepted theory today is that where derives from

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<v Speaker 2>the Anglo saxon war, meaning stranger or outsider. The were

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<v Speaker 2>wolf is an outsider wolf, and this might, too, he argues,

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<v Speaker 2>connect to Norse ideas of wolf and outlaw. In fact,

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<v Speaker 2>he cites a thirteenth century Danish tradition that saw convicted

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<v Speaker 2>thieves hanged beside the corpse of a wolf to fully

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<v Speaker 2>convey the dead man's criminal nature to common citizens passing by.

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<v Speaker 2>Of course, these ideas line up with the way were

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<v Speaker 2>wolves have often been presented dangerous outsiders, threats to law

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<v Speaker 2>and ruling landowners, and if we think seriously about the

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<v Speaker 2>animal itself, a lone wolf that is not part of

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<v Speaker 2>a social pack. Male lone wolves, in reality, are generally

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<v Speaker 2>only temporarily alone, moving from one social group to another

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<v Speaker 2>or back into the same group they just left. But

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<v Speaker 2>in some cases this may also constitute an individual infected

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<v Speaker 2>with rabies a most dangerous creature. Indeed, the term like panthropy, however,

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<v Speaker 2>is much older, first employed by the second century CE

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<v Speaker 2>physician Marcellus of Side, who employed the term like anthropia

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<v Speaker 2>to describe medical conditions that we would now Ogden describes

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<v Speaker 2>define as different forms of mental illness. Marcellus's description continued

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<v Speaker 2>to echo through ancient medical writings, and, as Nadine Metzger

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<v Speaker 2>summarizes in twenty fourteen's Battling Demons with Medical Authority, published

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<v Speaker 2>in the journal History of Psychiatry, these lichen throats were

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<v Speaker 2>described as otherwise harmless, melancholic individuals who suffer from extreme dryness,

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<v Speaker 2>hang out its cemeteries, and mimic the behaviors of wolves

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<v Speaker 2>and dogs. Modern interpretations have considered a number of actual

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<v Speaker 2>ailments that might have underlined this broad diagnosis, rabies, porphyria,

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<v Speaker 2>neurological dysfunction, and epilepsy. Some additionally make a case for

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<v Speaker 2>some manner of true clinical lycanthropy. For ancient physicians, however,

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<v Speaker 2>it was nothing that a little fasting or the consumption

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<v Speaker 2>of a wolf's heart wouldn't cure. The term lycanthropy would

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<v Speaker 2>remain a purely medical term, while other Latin words more

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<v Speaker 2>specifically described shape shifting beings. That is, until ninth century CE,

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<v Speaker 2>historian Theophanes the Confessor described agents of the Byzantine emperor ascanthropes,

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<v Speaker 2>a manner of word play, here to invoke the Greek

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<v Speaker 2>myth of lychaan wordplay that would be repeated by George

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<v Speaker 2>Hammertolos aka George the Monk later that same century, and

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<v Speaker 2>this Ogden contends sets the word werewolf on the trajectory

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<v Speaker 2>that we enjoy today. It's interesting that we've long seen

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<v Speaker 2>this duality of magic and medicine, of the rational and

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<v Speaker 2>the superstitious in our werewolf media. As Matt Schimkowitz explores

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<v Speaker 2>in a twenty twenty five AV Club article titled film

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<v Speaker 2>Trivia FactCheck, original The Wolfman script kept the Werewolf at bay.

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<v Speaker 2>The nineteen forty one Universal Horror classic film was originally

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<v Speaker 2>intended to leave it ambiguous as to whether the film's

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<v Speaker 2>Lawrence Talbot suffered from a monstrous curse or a distortion

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<v Speaker 2>of the mind. The nineteen forty six films She Wolf

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<v Speaker 2>of London, as well as the nineteen seventy six Italian

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<v Speaker 2>grindhouse favorite Werewolf Woman, both employ the idea of werewolf

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<v Speaker 2>delusion rather than literal transformation. Finally, I want to come

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<v Speaker 2>back to Bishop wolf Stand here. His name has nothing

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<v Speaker 2>to do with werewolf, being rather a family name that

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<v Speaker 2>meant Wolfstone in the sense of strength and resilience. But

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<v Speaker 2>as Brad Steiger points out in nineteen ninety nine's The

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<v Speaker 2>Werewolf book. A much later German tradition recorded I Believe

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<v Speaker 2>in the nineteenth century, told of a wolf stone erected

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<v Speaker 2>over the grave of a slain werewolf, keeping the monster

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<v Speaker 2>at rest, but also becoming a focal point for the parentormal.

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<v Speaker 2>We continue this week with our look at werewolves, having

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<v Speaker 2>previously discussed purported prehistoric origins of the were wolf in

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<v Speaker 2>the experiences and observations of early humans, as well as

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<v Speaker 2>the earliest known usages of the words werewolf and lacanthropy.

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<v Speaker 2>The former werewolf emerges in the early second millennium CE,

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<v Speaker 2>while the latter lacanthropy has an older but complex history

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<v Speaker 2>as a second century CE catch all for various mental illnesses,

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<v Speaker 2>which came to be conflated with the Greek myth of

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<v Speaker 2>Lachaan Like Haan was the legendary king of Arcadia who

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<v Speaker 2>dared to try and trick the high god Zeus into

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<v Speaker 2>eating human flesh. His ploy was unsuccessful, however, and Zeus

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<v Speaker 2>inflicted a fitting divine punishment for one so savage, which

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<v Speaker 2>Avid describes as following in the Metamorphosis Henry Thomas Riley translation, Alarmed,

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<v Speaker 2>he himself takes to flight, and, having reached the solitude

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<v Speaker 2>of the country. He howls aloud and in vain attempts

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<v Speaker 2>to speak. His mouth gathers rage from himself, and through

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<v Speaker 2>its usual desire for slaughter, it is directed against the sheep,

0:15:40.200 --> 0:15:43.560
<v Speaker 2>and even still delights in blood. His garments are changed

0:15:43.600 --> 0:15:46.720
<v Speaker 2>into hair, his arms into legs. He becomes a wolf,

0:15:47.040 --> 0:15:51.640
<v Speaker 2>and he still retains vestiges of his ancient form. His

0:15:51.720 --> 0:15:55.120
<v Speaker 2>hoariness is still the same, The same violence appears in

0:15:55.160 --> 0:15:58.480
<v Speaker 2>his features. His eyes are bright as before. He is

0:15:58.560 --> 0:16:02.640
<v Speaker 2>still the same image of ferocity, and just to be sure,

0:16:02.680 --> 0:16:05.640
<v Speaker 2>all responsible parties are punished. Zeus follows this up with

0:16:05.680 --> 0:16:09.800
<v Speaker 2>a great flood. But Laikaan himself is indeed transformed into

0:16:09.800 --> 0:16:13.280
<v Speaker 2>a wolf, and, like the Biblical Cane, as Riley points

0:16:13.320 --> 0:16:16.200
<v Speaker 2>out in his notes, he is forced to live as

0:16:16.200 --> 0:16:20.640
<v Speaker 2>a cast off outsider, a lone wolf. In some tellings,

0:16:20.680 --> 0:16:23.960
<v Speaker 2>his sons are transformed as well. While the myth of

0:16:24.040 --> 0:16:26.960
<v Speaker 2>Likaan is sometimes held up as an ancient key to

0:16:27.080 --> 0:16:31.520
<v Speaker 2>understanding subsequent werewolf tales, Daniel Ogden in twenty twenty one's

0:16:31.760 --> 0:16:35.240
<v Speaker 2>were Wolves in the Ancient World maintains that the tale

0:16:35.280 --> 0:16:39.720
<v Speaker 2>is a quote metaphorical derivative of the ancient folkloric traditions

0:16:39.920 --> 0:16:43.840
<v Speaker 2>that are indeed the key. He devotes an entire later

0:16:43.960 --> 0:16:47.680
<v Speaker 2>chapter in the book to Laichan and the complex interplay

0:16:47.680 --> 0:16:52.800
<v Speaker 2>there of three key categories. One historic evidence for a

0:16:52.880 --> 0:16:57.600
<v Speaker 2>lupine transformation right of passage for young men of the

0:16:57.640 --> 0:17:02.880
<v Speaker 2>Antet clan, Two various related myths of lupine transformation and

0:17:03.040 --> 0:17:07.199
<v Speaker 2>sacrilegious acts of human sacrifice in cannibalism. And three a

0:17:07.240 --> 0:17:11.000
<v Speaker 2>supposedly historical tale of an individual changing into a wolf

0:17:11.040 --> 0:17:14.240
<v Speaker 2>after eating part of a human sacrifice at the Likekaea

0:17:14.320 --> 0:17:18.679
<v Speaker 2>festival on the slopes of Mount like Chaan aka Wolf Mountain.

0:17:19.760 --> 0:17:23.080
<v Speaker 2>I won't attempt to summarize the entirety of his analysis,

0:17:23.080 --> 0:17:26.640
<v Speaker 2>but Ogden does contend that the story is more werewolf

0:17:26.640 --> 0:17:31.520
<v Speaker 2>adjacent than anything. Laikayan is a man punished with transformation

0:17:31.600 --> 0:17:34.920
<v Speaker 2>into a wolf, a transformation that occurs only once outside

0:17:34.960 --> 0:17:38.359
<v Speaker 2>of his control, making him no more a true were

0:17:38.400 --> 0:17:43.159
<v Speaker 2>wolf than Arachne, another victim of divine transformation punishment in

0:17:43.200 --> 0:17:47.320
<v Speaker 2>Greek myth, is a were spider, so an unsatisfying were

0:17:47.400 --> 0:17:50.560
<v Speaker 2>wolf and by no means the key trendsetter that some

0:17:50.800 --> 0:17:53.000
<v Speaker 2>make him out to be, but still an important and

0:17:53.080 --> 0:17:57.360
<v Speaker 2>influential myth in the Grand tradition of were wolves. As

0:17:57.359 --> 0:17:59.520
<v Speaker 2>discussed in the last episode, He's not key to the

0:17:59.600 --> 0:18:04.040
<v Speaker 2>understand the word lacanthropy, but his myth eventually becomes conflated

0:18:04.080 --> 0:18:07.240
<v Speaker 2>with the term to some degree. Now. One of the

0:18:07.280 --> 0:18:10.520
<v Speaker 2>tales interwoven in the Arcadian myth is that of the

0:18:10.520 --> 0:18:14.560
<v Speaker 2>Olympic athlete DeMarcus, a boxer who is said to have

0:18:14.600 --> 0:18:17.359
<v Speaker 2>been transformed into a wolf for a period of nine

0:18:17.359 --> 0:18:21.240
<v Speaker 2>to ten years at the Festival of Lykaea, possibly due

0:18:21.280 --> 0:18:25.159
<v Speaker 2>to ritual consumption of human flesh, thus, as is common

0:18:25.200 --> 0:18:28.639
<v Speaker 2>in all Ichaean myths, blurring the line between man and beast.

0:18:29.359 --> 0:18:34.120
<v Speaker 2>But Ogden stresses that the quote unquote werewolf ism of DeMarcus,

0:18:34.520 --> 0:18:37.360
<v Speaker 2>if we may call it, that, is more directly related

0:18:37.400 --> 0:18:40.919
<v Speaker 2>to his status as a superb athlete. In keeping with

0:18:41.040 --> 0:18:45.640
<v Speaker 2>various other supernatural stories of the time about athletes, including

0:18:45.680 --> 0:18:49.800
<v Speaker 2>other accounts of lupine transformation, this would seem a tale

0:18:49.840 --> 0:18:53.920
<v Speaker 2>as old as time. Multiple contemporary mma fighters, for example,

0:18:53.960 --> 0:18:58.440
<v Speaker 2>and professional sports stars have been nicknamed werewolf. The Batman

0:18:58.560 --> 0:19:02.199
<v Speaker 2>villain known as Werewolf is also an Olympic athlete, and

0:19:02.320 --> 0:19:06.000
<v Speaker 2>let us not forget teen Wolf cousins Scott and Todd Howard,

0:19:06.400 --> 0:19:11.320
<v Speaker 2>known for their lycanthropic basketball abilities. This brings us back

0:19:11.359 --> 0:19:14.520
<v Speaker 2>to a continuing point of contemplation in were wolf traditions,

0:19:14.880 --> 0:19:17.080
<v Speaker 2>there is a certain bit of the beast that we

0:19:17.200 --> 0:19:21.960
<v Speaker 2>admire and crave to manifest in our strength and speed,

0:19:22.359 --> 0:19:25.920
<v Speaker 2>or even in our savagery. We'll have more to explore

0:19:25.960 --> 0:19:29.440
<v Speaker 2>concerning ancient lacanthropy in the next episode, including the best

0:19:29.520 --> 0:19:37.119
<v Speaker 2>cases for the earliest written and visual depictions of werewolves.

0:19:49.280 --> 0:19:52.320
<v Speaker 2>We've been discussing the roots of werewolf traditions, both in

0:19:52.400 --> 0:19:57.119
<v Speaker 2>prehistoric human history and in ancient mythology and literature. Based

0:19:57.160 --> 0:19:59.000
<v Speaker 2>on my readings, I think it's safe to say that

0:19:59.080 --> 0:20:02.639
<v Speaker 2>werewolf tradition emerged from various elements in human history, in

0:20:02.680 --> 0:20:06.119
<v Speaker 2>the human psyche, taking on different forms depending on time

0:20:06.160 --> 0:20:11.159
<v Speaker 2>and location, and most importantly influencing later traditions, legends, folk tales,

0:20:11.320 --> 0:20:14.400
<v Speaker 2>and of course fictional takes as well. When we look

0:20:14.440 --> 0:20:17.760
<v Speaker 2>for specific examples of early or even the earliest literary

0:20:17.760 --> 0:20:21.879
<v Speaker 2>examples of werewolfs, it really depends on how narrowly or

0:20:21.920 --> 0:20:25.800
<v Speaker 2>widely we refine our search. For instance, the oldest surviving

0:20:25.840 --> 0:20:29.280
<v Speaker 2>work of literature, the epic of Gilgamesh features the wild

0:20:29.359 --> 0:20:32.600
<v Speaker 2>man and possible beast men in Keitu, and there's certainly

0:20:32.640 --> 0:20:36.800
<v Speaker 2>some crossover from here into later werewolf traditions, but to

0:20:36.840 --> 0:20:41.119
<v Speaker 2>be clear, in Ketu not a were wolf. More interesting,

0:20:41.119 --> 0:20:43.600
<v Speaker 2>as Daniel Ogden brings up in the werewolf in the

0:20:43.640 --> 0:20:47.119
<v Speaker 2>ancient world, the epic of Gilgamesh does feature reference to

0:20:47.160 --> 0:20:51.840
<v Speaker 2>the goddess Ishtar having turned humans into various beasts, including

0:20:51.960 --> 0:20:55.840
<v Speaker 2>a wolf. Much later, though still ancient to us, Homer's

0:20:55.840 --> 0:20:58.760
<v Speaker 2>the Odyssey from the eighth century BCE refers to the

0:20:58.760 --> 0:21:03.000
<v Speaker 2>witch circeansforming humans not only into pigs her specialty, but

0:21:03.200 --> 0:21:07.639
<v Speaker 2>into wolves as well. These are both cases of transformative witchcraft,

0:21:07.640 --> 0:21:10.760
<v Speaker 2>and while Ogden contends that stories like this certainly feed

0:21:10.920 --> 0:21:15.240
<v Speaker 2>into werewolf traditions, we'd be going overboard to single either

0:21:15.359 --> 0:21:19.159
<v Speaker 2>out as a true case zero for literary or mythic leacanthropy.

0:21:19.880 --> 0:21:23.360
<v Speaker 2>Focusing on the importance of temporary and even deliberate transformation

0:21:23.560 --> 0:21:26.919
<v Speaker 2>with connection between the two forms. Ogden points to a

0:21:27.000 --> 0:21:29.920
<v Speaker 2>tale that is often singled out as the most obvious

0:21:29.960 --> 0:21:33.679
<v Speaker 2>werewolf story from the ancient world, one appearing in the

0:21:33.680 --> 0:21:40.359
<v Speaker 2>satiricon of Gaius Petronius arbiter from the late first century CE.

0:21:40.560 --> 0:21:44.800
<v Speaker 2>The Latin satire contains a story told by the character

0:21:45.160 --> 0:21:48.800
<v Speaker 2>Nicros at a banquet, and it roughly goes as follows.

0:21:49.520 --> 0:21:53.040
<v Speaker 2>Back when the freedman Nicros was still a slave, he

0:21:53.119 --> 0:21:55.679
<v Speaker 2>fell in love with the wife of an innkeeper and

0:21:55.720 --> 0:21:58.960
<v Speaker 2>would sneak off to her whenever he could. One night,

0:21:59.000 --> 0:22:02.359
<v Speaker 2>when the master of the house was away, Nicros persuaded

0:22:02.440 --> 0:22:06.040
<v Speaker 2>the current HouseGuest, quote a soldier as brave as Orcus,

0:22:06.280 --> 0:22:10.479
<v Speaker 2>to accompany him on the midnight journey. Shortly afterwards, they

0:22:10.480 --> 0:22:13.879
<v Speaker 2>found themselves in an acropolis amongst the tombs, where the

0:22:13.920 --> 0:22:17.440
<v Speaker 2>moon shone down in them like the midday sun. And

0:22:17.480 --> 0:22:21.679
<v Speaker 2>then Nicros observed the soldier in a most shocking and

0:22:21.760 --> 0:22:25.960
<v Speaker 2>remarkable act. He took off all his clothes, neatly, piled

0:22:25.960 --> 0:22:28.960
<v Speaker 2>them up urinated in a circle around them, and then

0:22:29.040 --> 0:22:33.320
<v Speaker 2>transformed into a wolf. The wolf howled and ran away,

0:22:33.920 --> 0:22:36.520
<v Speaker 2>and when Nekros tried to touch the clothes that the

0:22:36.560 --> 0:22:39.400
<v Speaker 2>soldier had left within the circle of urine, he found

0:22:39.440 --> 0:22:42.560
<v Speaker 2>that the clothing had turned to stone. In fear, he

0:22:42.680 --> 0:22:45.760
<v Speaker 2>hurried on to see the innkeeper's wife, whose name was Melissa,

0:22:46.160 --> 0:22:48.399
<v Speaker 2>and She told him that if he'd arrived earlier, he

0:22:48.440 --> 0:22:51.280
<v Speaker 2>could have helped them, for a wild wolf had attacked

0:22:51.320 --> 0:22:54.280
<v Speaker 2>their livestock, draining their blood before they were able to

0:22:54.400 --> 0:22:57.000
<v Speaker 2>drive the beast away with a spear to the neck.

0:22:57.800 --> 0:23:01.280
<v Speaker 2>Nicros began his way home after that, passing where the

0:23:01.320 --> 0:23:04.840
<v Speaker 2>clothing had been stacked, but finding only splashes of blood there,

0:23:05.240 --> 0:23:08.480
<v Speaker 2>And when he finally reached his master's house, he found

0:23:08.480 --> 0:23:11.840
<v Speaker 2>a doctor attending to the soldier who had suffered a

0:23:11.880 --> 0:23:16.320
<v Speaker 2>grievous neck wound. Now we can easily identify the key

0:23:16.359 --> 0:23:21.320
<v Speaker 2>attributes of temporary deliberate transformation with connection between the two forms,

0:23:21.480 --> 0:23:24.639
<v Speaker 2>as well as various flourishes that would remain popular in

0:23:24.680 --> 0:23:30.439
<v Speaker 2>werewolf fiction up through modern times. Thus it's pretty definitive. Furthermore,

0:23:30.560 --> 0:23:33.880
<v Speaker 2>Ogden contends that this one is quote one really good

0:23:33.960 --> 0:23:37.359
<v Speaker 2>quirking story, which is key because the tale first and

0:23:37.400 --> 0:23:41.920
<v Speaker 2>foremost serves as entertainment with humorous wrinkles concerning the storyteller,

0:23:42.520 --> 0:23:46.919
<v Speaker 2>while also somewhat reflecting popular beliefs and the contemporary appetite

0:23:46.920 --> 0:23:51.280
<v Speaker 2>for fantastic tales infused with the supernatural. In short, it's

0:23:51.280 --> 0:23:55.000
<v Speaker 2>a werewolf story doing what werewolf stories have always done,

0:23:55.320 --> 0:23:59.560
<v Speaker 2>and that is entertained. Visual depictions are less definitive, as

0:23:59.560 --> 0:24:02.440
<v Speaker 2>we often lack the full context of what we're looking at.

0:24:02.800 --> 0:24:06.000
<v Speaker 2>Is it a mere wolf human disguised as a wolf,

0:24:06.080 --> 0:24:09.600
<v Speaker 2>or merely wearing a wolf's pelt. There are various stopping

0:24:09.640 --> 0:24:13.000
<v Speaker 2>points before we arrive at full werewolf, even as we

0:24:13.040 --> 0:24:15.840
<v Speaker 2>contend with images tied to known tales such as the

0:24:15.840 --> 0:24:20.600
<v Speaker 2>satiricon or the myth of Lycaan theoryanthropic figures can likewise

0:24:20.640 --> 0:24:24.880
<v Speaker 2>mean various things. Still acknowledging all of this, some images

0:24:25.040 --> 0:24:27.399
<v Speaker 2>do read strongly as wear a wolf, at least to

0:24:27.520 --> 0:24:31.320
<v Speaker 2>us Modern viewers across the gulf of time consider the

0:24:31.359 --> 0:24:35.760
<v Speaker 2>sixth century Etruscan Pontic plate, which seems to depict a furry,

0:24:35.800 --> 0:24:40.320
<v Speaker 2>bipedal humanoid with a wolf's head. The context is unclear,

0:24:40.440 --> 0:24:44.080
<v Speaker 2>though probably linked in some way to Hercules and the

0:24:44.080 --> 0:24:48.159
<v Speaker 2>centaur depicted elsewhere on the plate. The theory anthropic figure

0:24:48.200 --> 0:24:52.160
<v Speaker 2>here may represent death or the wolf man combination here

0:24:52.200 --> 0:24:57.160
<v Speaker 2>may reference the god Faunas, who in Ovid's metamorphosis, attempts

0:24:57.160 --> 0:25:00.920
<v Speaker 2>to rape Hercules while Hercules is dressed in his lover

0:25:01.480 --> 0:25:04.879
<v Speaker 2>Amphilles clothing. We're reminded in all of this that the

0:25:04.880 --> 0:25:09.280
<v Speaker 2>werewolf is a monster. It is a thing, a form

0:25:09.640 --> 0:25:15.359
<v Speaker 2>that illustrates various ideas, observations, and comparisons, and any of

0:25:15.400 --> 0:25:20.960
<v Speaker 2>these ideas, observations, or comparisons may essentially summon an image

0:25:21.000 --> 0:25:25.439
<v Speaker 2>comparable to the werewolf, completely on their own, detached in

0:25:25.600 --> 0:25:29.840
<v Speaker 2>whole or in part from any particular werewolf tradition. That's

0:25:29.880 --> 0:25:32.760
<v Speaker 2>it for now, But next week we will continue our journey,

0:25:33.000 --> 0:25:35.960
<v Speaker 2>and we will turn our attention to the female werewolf.

0:25:43.760 --> 0:25:47.160
<v Speaker 2>As we continue our look at the werewolf in myth, legend,

0:25:47.200 --> 0:25:51.040
<v Speaker 2>and media, we now turn to the female werewolf, a

0:25:51.160 --> 0:25:54.120
<v Speaker 2>gendered take on the monster that might, at first glance

0:25:54.200 --> 0:25:57.320
<v Speaker 2>seem to be mere titillation, but the roots of the

0:25:57.359 --> 0:26:01.240
<v Speaker 2>concept weave their way through a variety of contemplations about

0:26:01.320 --> 0:26:06.080
<v Speaker 2>femininity and the wild in all their forms. I want

0:26:06.119 --> 0:26:09.399
<v Speaker 2>to return to twenty seventeen's She Wolf, A Cultural History

0:26:09.400 --> 0:26:13.400
<v Speaker 2>of Female Werewolves, which features multiple chapters by different authors

0:26:13.520 --> 0:26:17.640
<v Speaker 2>that examine female werewolves in myth, legend, and media, everything

0:26:17.640 --> 0:26:22.439
<v Speaker 2>from centuries old legends to modern cartoons. As previously mentioned,

0:26:22.480 --> 0:26:26.760
<v Speaker 2>the book's editor, Hannah Priest argues that European werewolf narratives

0:26:27.000 --> 0:26:31.200
<v Speaker 2>revolve around the threat posed by wolves to domesticated animals,

0:26:31.840 --> 0:26:35.560
<v Speaker 2>ultimately a threat to male owned agriculture and property. When

0:26:35.560 --> 0:26:38.359
<v Speaker 2>the werewolf is male, the threat comes from outside the

0:26:38.400 --> 0:26:42.200
<v Speaker 2>male land donor's domain, the outlaw wolf wanderer, who might

0:26:42.240 --> 0:26:45.600
<v Speaker 2>seek to tear through the defenses and kill livestock or

0:26:45.640 --> 0:26:49.840
<v Speaker 2>family members. Meanwhile, female werewolves tend to emerge from within

0:26:49.960 --> 0:26:54.560
<v Speaker 2>the male land donor's domain, often endangering children and serving

0:26:54.600 --> 0:26:59.439
<v Speaker 2>as an overall threat to domesticity. Of note, the first

0:26:59.640 --> 0:27:03.199
<v Speaker 2>Mexican wear wolf movie, Leloba or The She Wolf from

0:27:03.240 --> 0:27:07.240
<v Speaker 2>nineteen sixty five, features both a female and a male werewolf,

0:27:07.440 --> 0:27:10.640
<v Speaker 2>and they correspond to this form quite perfectly. The female

0:27:10.640 --> 0:27:13.919
<v Speaker 2>werewolf the daughter of a well to do Mexican landowner

0:27:13.920 --> 0:27:17.320
<v Speaker 2>and scientists, and the male werewolf pursuit her from afar.

0:27:18.040 --> 0:27:21.479
<v Speaker 2>In this gothic slice of Golden age Mexican cinema, the

0:27:21.520 --> 0:27:25.400
<v Speaker 2>werewolf seems to represent the wild and uncontrollable elements of

0:27:25.440 --> 0:27:29.040
<v Speaker 2>someone within the family unit and someone from beyond it.

0:27:29.760 --> 0:27:32.879
<v Speaker 2>For more on Laloba, see our recent episode of Weird

0:27:32.920 --> 0:27:36.760
<v Speaker 2>House Cinema on the film, It's interesting that both the

0:27:36.760 --> 0:27:40.119
<v Speaker 2>first Mexican Werewolf movie and the first werewolf motion picture

0:27:40.200 --> 0:27:43.919
<v Speaker 2>period a now lost nineteen thirteen short titled The Werewolf,

0:27:44.400 --> 0:27:48.879
<v Speaker 2>feature female licanthropes, but the vast majority of werewolf tales

0:27:49.000 --> 0:27:53.760
<v Speaker 2>lean heavily toward male, often hyper masculine visions of wolf

0:27:53.840 --> 0:27:58.160
<v Speaker 2>human hybridity. Likewise, while the wolf man is often presented

0:27:58.280 --> 0:28:01.159
<v Speaker 2>as a lone wolf, the female male wolf woman is

0:28:01.200 --> 0:28:03.800
<v Speaker 2>often connected to a social group or part of a

0:28:03.840 --> 0:28:06.919
<v Speaker 2>mated pair. This is interesting in how it connects to

0:28:07.040 --> 0:28:11.719
<v Speaker 2>previous discussions of what our ancestors saw of themselves in

0:28:11.760 --> 0:28:16.480
<v Speaker 2>wolves and vice versa. As highly social animals, wild wolves

0:28:16.720 --> 0:28:20.359
<v Speaker 2>reflect aspects of human family and society, and it's only

0:28:20.480 --> 0:28:24.600
<v Speaker 2>rational for these elements to influence our conceptions of human

0:28:24.640 --> 0:28:28.480
<v Speaker 2>wolf hybridity as well. In fact, as author J. Kate

0:28:28.640 --> 0:28:32.320
<v Speaker 2>mentions later on in the She Wolf book quote, aside

0:28:32.320 --> 0:28:35.280
<v Speaker 2>from a brief fashion for presenting female were wolves as

0:28:35.640 --> 0:28:40.120
<v Speaker 2>lonely night stalkers in Victorian literature, the dominant presentation of

0:28:40.160 --> 0:28:43.280
<v Speaker 2>female wear wolves from the Middle Ages onwards has been

0:28:43.360 --> 0:28:47.280
<v Speaker 2>as part of a social unit comprising other were wolves

0:28:47.480 --> 0:28:50.960
<v Speaker 2>or other humans. I won't attempt to summarize everything explored

0:28:51.040 --> 0:28:53.400
<v Speaker 2>in the book. Definitely pick a copy up for yourself

0:28:53.600 --> 0:28:56.880
<v Speaker 2>if you're interested in this topic as i am. There's

0:28:56.920 --> 0:29:00.440
<v Speaker 2>an entire chapter concerning females in the RPG world Werewolf

0:29:00.520 --> 0:29:04.960
<v Speaker 2>the Apocalypse game, for example, but it explores the various

0:29:05.040 --> 0:29:10.640
<v Speaker 2>ways in which female werewolf treatments explore societal ideas concerning

0:29:10.720 --> 0:29:18.040
<v Speaker 2>female connectedness to nature and societal norms related to body, hair, menstruation, sexuality, aging,

0:29:18.120 --> 0:29:21.560
<v Speaker 2>and other topics. And in some cases, certainly, the female

0:29:21.560 --> 0:29:25.120
<v Speaker 2>werewolf can be yet another example of the monstrous feminine,

0:29:25.240 --> 0:29:28.560
<v Speaker 2>in which some aspect of female bodies or female experience

0:29:28.640 --> 0:29:33.040
<v Speaker 2>is othered from the standpoint of patriarchal anxiety. Overall, however,

0:29:33.080 --> 0:29:36.320
<v Speaker 2>a good monster tale can reveal and convey much more.

0:29:36.720 --> 0:29:40.320
<v Speaker 2>The werewolf stands as a nexus between the wild and

0:29:40.360 --> 0:29:44.960
<v Speaker 2>the civilized, between freedom and taboo, between liberty and control,

0:29:45.320 --> 0:29:48.680
<v Speaker 2>and takes on so many additional meanings when applied specifically

0:29:48.760 --> 0:29:52.320
<v Speaker 2>to women. In Daniel Ogden's excellent twenty twenty one book

0:29:52.400 --> 0:29:54.840
<v Speaker 2>The Werewolf in the Ancient World, he of course highlights

0:29:54.840 --> 0:29:59.280
<v Speaker 2>the difficulty in deciding what exactly constitutes a werewolf versus

0:29:59.280 --> 0:30:03.120
<v Speaker 2>other modes of ibrid monsters in various cultures that had

0:30:03.160 --> 0:30:06.840
<v Speaker 2>no precise word for werewolf, and this applies to both

0:30:06.960 --> 0:30:10.840
<v Speaker 2>masculine werewolves and feminine werewolves. Of course, he does mention

0:30:10.960 --> 0:30:14.800
<v Speaker 2>an account that Priest singles out as the entry point

0:30:14.960 --> 0:30:18.640
<v Speaker 2>of the female werewolf into literature. That is Gerald of

0:30:18.680 --> 0:30:24.840
<v Speaker 2>Wales's twelfth century CE Topographia Hibernia. Gerald recounts a priest's

0:30:24.920 --> 0:30:29.600
<v Speaker 2>travels in post Norman invasion Ireland, and specifically his encounter

0:30:29.840 --> 0:30:33.560
<v Speaker 2>with natives of Ossery, who spoke of how a man

0:30:33.640 --> 0:30:35.680
<v Speaker 2>and a woman of their people were picked to undergo

0:30:36.120 --> 0:30:39.920
<v Speaker 2>a seven year transformation into wolf. The locals end up

0:30:39.920 --> 0:30:42.520
<v Speaker 2>bringing the priest to visit the dying she wolf and

0:30:42.600 --> 0:30:46.360
<v Speaker 2>give her last rites. At this moment, the male counterpart

0:30:46.680 --> 0:30:50.080
<v Speaker 2>peels away the wolf's hide from her body, revealing the

0:30:50.120 --> 0:30:54.120
<v Speaker 2>form of an old woman within. It's a perplexing story,

0:30:54.400 --> 0:30:57.560
<v Speaker 2>as priest points out, it's a tale told by an invader.

0:30:57.920 --> 0:31:00.280
<v Speaker 2>Gerald of Wales was half Norman and half wealth Welsh

0:31:00.600 --> 0:31:03.720
<v Speaker 2>and certainly not Irish, and the story concerns the traditions

0:31:03.720 --> 0:31:07.640
<v Speaker 2>and customs of a conquered people. Furthermore, as Ogden points out,

0:31:07.840 --> 0:31:10.560
<v Speaker 2>the story is all the weirder when you consider that

0:31:10.600 --> 0:31:13.360
<v Speaker 2>the people of Ossery have to contend with all of

0:31:13.360 --> 0:31:17.000
<v Speaker 2>this lacanthropy because they were cursed by a priest, and

0:31:17.160 --> 0:31:20.960
<v Speaker 2>in later tellings of the same story, by Saint Patrick himself,

0:31:21.480 --> 0:31:24.280
<v Speaker 2>all for the crime of being disruptive when he tried

0:31:24.320 --> 0:31:27.880
<v Speaker 2>to convert them to Christianity. So driving out snakes is

0:31:27.880 --> 0:31:31.320
<v Speaker 2>one thing, but cursing locals to become werewolves surely quite another.

0:31:32.200 --> 0:31:38.400
<v Speaker 2>In she Wolf, historian Merely Metsi explores Estonian werewolves, specifically

0:31:38.480 --> 0:31:41.719
<v Speaker 2>accounts from the Isle of Sarema, where tales of female

0:31:41.760 --> 0:31:45.840
<v Speaker 2>werewolves are more common than tales of male werewolves. Apparently,

0:31:46.520 --> 0:31:50.120
<v Speaker 2>Estonia is rich in werewolf traditions, which survive in the

0:31:50.120 --> 0:31:54.200
<v Speaker 2>form of various fairy tales, legends, and also some historic

0:31:54.240 --> 0:31:59.200
<v Speaker 2>accounts of witch trials. Metsiti explores the topic from a

0:31:59.280 --> 0:32:02.480
<v Speaker 2>number of different but the overall argument that I found

0:32:02.480 --> 0:32:06.440
<v Speaker 2>most remarkable was that the predominance of female werewolf tales

0:32:06.480 --> 0:32:10.440
<v Speaker 2>in Estonian traditions may connect to greater levels of gender

0:32:10.560 --> 0:32:15.280
<v Speaker 2>equality in pre Christian Estonian and a definite loss of

0:32:15.320 --> 0:32:21.200
<v Speaker 2>those rights as Christian influences permeated Estonian society. Furthermore, we

0:32:21.280 --> 0:32:24.640
<v Speaker 2>may refer back to older connections between the wolf and

0:32:24.760 --> 0:32:29.440
<v Speaker 2>fertility magic, traditional observations of lupine motherhood, and the link

0:32:29.480 --> 0:32:34.200
<v Speaker 2>between maternity and sexuality that was subsequently eradicated under the

0:32:34.200 --> 0:32:37.680
<v Speaker 2>influence of Christian culture. In other words, while laws and

0:32:37.800 --> 0:32:42.000
<v Speaker 2>top down societal norms might have subjugated women, their traditional

0:32:42.040 --> 0:32:44.800
<v Speaker 2>power in Estonia was not so easily erased, and we

0:32:44.880 --> 0:32:48.920
<v Speaker 2>see it remain as protest as recognition, and so forth

0:32:49.160 --> 0:32:52.520
<v Speaker 2>in the tales of Women with the Secret Mind of wolves.

0:32:53.160 --> 0:32:57.520
<v Speaker 2>One Estonian story shared in Mesave's chapter encapsulates several of

0:32:57.560 --> 0:33:02.440
<v Speaker 2>these ideas. The wife also has wolf pups. There are

0:33:02.440 --> 0:33:05.360
<v Speaker 2>different versions, but it essentially tells the story of a

0:33:05.400 --> 0:33:08.440
<v Speaker 2>woman who goes into the woods to hunt and secure

0:33:08.560 --> 0:33:11.200
<v Speaker 2>meat for the family, while her husband seems to stay

0:33:11.240 --> 0:33:13.840
<v Speaker 2>at home in the cabin and seemingly just complain about

0:33:13.840 --> 0:33:16.640
<v Speaker 2>how chilly it is, citing the fact that their child

0:33:16.760 --> 0:33:19.960
<v Speaker 2>is too cold. The wife tells them that their child

0:33:20.000 --> 0:33:22.240
<v Speaker 2>is better off than those who sleep in the straw

0:33:22.360 --> 0:33:25.680
<v Speaker 2>behind the house, and when the husband goes out to investigate,

0:33:25.720 --> 0:33:29.920
<v Speaker 2>he finds several wolf pups, which he promptly kills. The

0:33:30.000 --> 0:33:33.040
<v Speaker 2>next night, while the man lounges in the sauna, a

0:33:33.120 --> 0:33:36.080
<v Speaker 2>great wolf bursts him through the door. And attacks him.

0:33:36.400 --> 0:33:38.960
<v Speaker 2>He manages to defend himself. He burns the wolf with

0:33:39.000 --> 0:33:42.600
<v Speaker 2>a pair of tongs, scaring the creature off, and later

0:33:43.120 --> 0:33:46.760
<v Speaker 2>via the old identifying wound trope, he learns that the

0:33:46.800 --> 0:33:50.440
<v Speaker 2>wolf was in fact his own wife, seeking vengeance for

0:33:50.600 --> 0:33:55.560
<v Speaker 2>his killing of her wild wolf children. Female werewolf stories

0:33:55.600 --> 0:33:59.080
<v Speaker 2>continue to entertain us while also retaining their ability to

0:33:59.480 --> 0:34:04.000
<v Speaker 2>intentional or unintentionally reveal much about the times and places

0:34:04.320 --> 0:34:09.160
<v Speaker 2>they emerge from, revealing both negative societal ideas about women

0:34:09.560 --> 0:34:14.240
<v Speaker 2>as well as more celebratory and even subversive ideas about

0:34:14.239 --> 0:34:18.399
<v Speaker 2>feminine power. Tune in for additional episodes of The Monster Fact,

0:34:18.480 --> 0:34:21.840
<v Speaker 2>The Artifact, or adam Alius Dependium each week. As always,

0:34:21.840 --> 0:34:24.160
<v Speaker 2>you can email us at contact at stuff to Blow

0:34:24.200 --> 0:34:31.399
<v Speaker 2>your Mind dot com.

0:34:31.520 --> 0:34:34.480
<v Speaker 1>Stuff to Blow your Mind is production of iHeartRadio. For

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