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Speaker 1: Have you got a backstage pass to the world Famous

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Speaker 1: Phil Henry Show, do you well? I still want you

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Speaker 1: to listen to this message because you may not appreciate

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Speaker 1: what it is you have in your hot little hands. Figurably,

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Speaker 1: what you do have are thousands of hours of our

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Speaker 1: radio show and our netcasts. We were on the air

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Speaker 1: on radio. We made it to the Radio Hall of Fame.

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Speaker 1: That's how good our radio show was. Innovative. That doesn't

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Speaker 1: even begin to scratch the surface. People four and wide

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Speaker 1: hailed our radio show. Now we do our daily podcast

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Speaker 1: and we get even more involved in our character work.

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Speaker 1: The world of Bobby Dooley, the world of Margaret Gray,

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Speaker 1: the world of Jay Sanos. The citizens ugs are repleased.

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Speaker 1: In fact, they will be on tonight talking about I

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Speaker 1: don't know, whatever stupid stuff they're doing. Pardon that's how

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Speaker 1: I muffle a laugh. I pretend like I'm coughing. So

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Speaker 1: all of that is available to you at Phil Hendryshow

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Speaker 1: dot com. Along with that, we have our home movies

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Speaker 1: and we have our video casts. There's a video component,

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Speaker 1: a visual component of the World Famous Phil Henry Show.

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Speaker 1: Home movies from our family, videocasts from our show, and

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Speaker 1: we have the Saturday Cinema where we take a public

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Speaker 1: domain sh I almost said, you want to say shit. Oh,

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Speaker 1: I'm sorry. Anyway, we take a public domain piece of

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Speaker 1: shit and we do kind of a mystery science theater

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Speaker 1: three thousand commentary. Although it's not really quite the same

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Speaker 1: thing as General Shaw. They actually are trying to be

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Speaker 1: serious as they do commentary on these pieces of shit movies.

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Speaker 1: So put it all together, and what have you got.

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Speaker 1: You got the World Famous Phil Henry Show backstage pass.

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Speaker 1: Get one for a month or for a year, less

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Speaker 1: than ten dollars for the month, less than seven dollars

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Speaker 1: a month averaged out of the course of the year

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Speaker 1: for a year subscription. It's the World Famous Phil Hendry

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Speaker 1: Show is the greatest value online. Other important, ladies, Joen J.

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Speaker 1: Satos of the Citizen's Auxiliary Police is on the air.

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Speaker 1: All right, Thanks a lot, and welcome. We are here

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Speaker 1: in New York City in sort of temporary studios. I've

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Speaker 1: traveled here to New York City with mister Henry to

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Speaker 1: be a part of the World Famous Phil Henry Show's

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Speaker 1: Initial Broadcasts podcast. If you will hear in New York City,

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Speaker 1: mister Henry's doing a play. I guess he's gonna be

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Speaker 1: as kind of an actor or some deal like that, right, Yes,

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Speaker 1: that's correct, Yes, Okay, Well I don't know. I thought

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Speaker 1: all I knew mister Henry as sort of a comedian.

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Speaker 1: He's also kind of a I guess you could say

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Speaker 1: he's a commentator. Yeah, I knew him as a commentator.

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Speaker 1: Don't know he was gow actor or anything like that. Well,

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Speaker 1: you know, that's whatever floats your boat is we like

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Speaker 1: to say, you know, and the citizens uxury police, what

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Speaker 1: we like to say is, yeah, you know, whatever floats

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Speaker 1: your boat, you want to get it on, get it

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Speaker 1: on good, you know, right, whatever floats your boat? Yeah,

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Speaker 1: whatever floats your boat? What is it? Whatever flows the boat?

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Speaker 1: I mean whatever flows, whatever flows your boat, whatever flows

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Speaker 1: my boat. No, I didn't say that. No, generally shoud

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Speaker 1: whatever floats, whatever floats the boat, not whatever floats the boat.

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Speaker 1: It's whatever floats a boat. I mean whatever floats a boat. No,

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Speaker 1: I think the whole on, hold on, I think what

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Speaker 1: you're trying to say is whatever floats your boat. Right,

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Speaker 1: but when you see your boat, you're pointing me, I'm saying,

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Speaker 1: whatever floats your boat? Hey, can I just interrupt you idiots.

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Speaker 1: I beg your pardon. Well you got. What you guys

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Speaker 1: are trying to say is I didn't mean to call

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Speaker 1: you an idiot, Margaret, Well you did. Yeah, you also

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Speaker 1: call me one too. Well, Oh that doesn't matter. God

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Speaker 1: damn man. Look, can we stop for just a minute.

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Speaker 1: I am hosting the Phil Henry Show. No I know that,

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Speaker 1: but I just want to stop here. You got to

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Speaker 1: quit taking everything so personal. Jay, I'm trying to get

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Speaker 1: to the point here, and you're getting your feelings hurt.

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Speaker 1: Oh wow, where do you figure I'll get my feelings hurt? Well,

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Speaker 1: your voice did cracked? You went? You know, yeah you did?

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Speaker 1: I did what the voice cracked? You went? I don't know.

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Speaker 1: I don't know how to describe it. Yeah you kind

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Speaker 1: of did. See. Can I question words? Mister Henry? My understanding.

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Speaker 1: He's learning the lines. He's learning his lines for this play,

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Speaker 1: learning the lines for Oh boy, some people have fallen

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Speaker 1: a long way, my in a long way. Why do

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Speaker 1: you call it falling a long way? I mean, there's Shelley. Look,

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Speaker 1: I know what my job is. You know your job,

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Speaker 1: mister Henriett. I know what his job is stead he's off.

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Speaker 1: He's off play acting every ten like he's going to

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Speaker 1: be some kind of play actor. You know, I don't

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Speaker 1: think he's pretending anything. I think what he's basically saying

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Speaker 1: is he needs to learn these lines for this play.

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Speaker 1: For a play is what he's going to be in

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Speaker 1: his play. Look, why are you here tonight? I'm here

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Speaker 1: tonight on account I came to New York to support boy.

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Speaker 1: All right, Look, miss Santis, don't get your feelings hurt

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Speaker 1: and start to screen, you know, start to cry. What

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Speaker 1: is it with everybody thinking I'm gonna start to cry? Okay,

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Speaker 1: I'm Jay Sanders of the citizens Auxury Police. I'm a

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Speaker 1: Brigadier Admiral. Okay, I bring it. I bring every day

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Speaker 1: and twice on Sunday. So in other words, you're saying

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Speaker 1: you're tough. I'm not just saying it. I'll tell you

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Speaker 1: right now that's who I am. Then why don't you

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Speaker 1: act that way and quit you know, being on the

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Speaker 1: verge of tears every time? Someone? Can I walk out

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Speaker 1: and start again? No, we're in the middle of the

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Speaker 1: show anyway, Thank you very much, General and Margaret. Can

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Speaker 1: we cut all this stuff out? But yeah, we can

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Speaker 1: cut it out. You're not lion. No, I'm not j

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Speaker 1: sends citizens, aug release citizens, Sorry release citizens, auxiliary release citizens,

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Speaker 1: Auxuri release, not release police citizens, auxuri police. And we're

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Speaker 1: in for Phil Henry, who is learning his lines. And

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Speaker 1: as I said to Margaret, it's great when someone has

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Speaker 1: a uh a career that you know, allows them to

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Speaker 1: do a lot of different things. As I said, whatever,

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Speaker 1: whatever bows your whatever, bloats your whatever, bloats your fo

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Speaker 1: whatever floats his boat, whatever floats, whatever floats his boat. No,

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Speaker 1: that's not it, you morons. And if I got to

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Speaker 1: keep interrupting you baboons, that's exactly what I'm gonna do.

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Speaker 1: It's it's whatever floats the boat, whatever floats the boat. Wait,

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Speaker 1: that's not right. It's whatever bloats your float. Your is

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Speaker 1: the keyword, whatever bloats your float. No, you guys are idiots.

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Speaker 1: What did you say to me? I said, you're an idiot, Margaret,

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Speaker 1: because it's whatever floats boat. It's not whatever bloats your

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Speaker 1: foat your whatever bloats your phone. Did you hear what

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Speaker 1: he just said? Okay, I want I'm gonna have to

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Speaker 1: call a haul to all this because it's getting to

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Speaker 1: be stupid. And mister Henry's going, oh boy, he's going

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Speaker 1: to be really pissed off. He's gonna be really pissed off.

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Speaker 1: We don't get, you know, get to where we want

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Speaker 1: to try and be. He you know. Basically what you're

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Speaker 1: trying to say, though, is whatever floats, the boat has

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Speaker 1: to be floated. Yes, okay, then whatever floats, and then

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Speaker 1: there's boat. It depends on what's Whose boat does it

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Speaker 1: belong to? Whose boat does it? I mean, I mean

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Speaker 1: whose boat is it? Oh? It's oh, I see what

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Speaker 1: you said. Yeah, whatever floats my boat. No, it's whatever.

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Speaker 1: I get it. It's whatever floats your boat. Are you sure? Yeah?

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Speaker 1: I'm sure? God did you see that? Gentleman? God, Jada,

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Speaker 1: you need a handkerchiefs so you can blow some of

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Speaker 1: that snot into it. Look at that your nose is running.

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Speaker 1: You were shooting slaver. I was not shooting, no slaver.

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Speaker 1: I was trying to get to the pot of the

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Speaker 1: what it is we're trying to do here? Whatever floats

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Speaker 1: your boat, that's the there. There you go. That's what

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Speaker 1: we wanted to say. Now I forget what it was

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Speaker 1: we were talking about. It doesn't make any difference. You've

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Speaker 1: got Rick bolona on coming on, and Rick Boloona is

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Speaker 1: coming on, and Rick Blone's coming on. Hey, Rick, come

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Speaker 1: on in here. I talked to a fellow officer and

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Speaker 1: talk to you about law enforcement and what's going on

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Speaker 1: in New York the New York for ten Police, the

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Speaker 1: sister agency to the Citizens of Auxili Police in southern California. Like,

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Speaker 1: how you're doing. I'm doing real good. Thank you. So

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Speaker 1: mister Henry's in town and he hasn't any problems or

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Speaker 1: any has he No, mister Henry's doing real great. He's

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Speaker 1: got a verbo in Hell's kitchen, He's got a nice apartment,

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Speaker 1: and he is able to uh, you know, access to

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Speaker 1: move to the theater and through the rehearsal space. So

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Speaker 1: what is have you guys been acting in security for him?

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Speaker 1: We have some of warriors you called him sub commanders,

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Speaker 1: and the Citizens of Auxili Police and the New York

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Speaker 1: for ten Police we call him warriors. We've got three

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Speaker 1: warriors that are ready to do a prince in at

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Speaker 1: any minute. But this is not actual bodyguard duty because

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Speaker 1: they stay behind the Prince of the Principal and the

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Speaker 1: object of the principality. I don't know how to say it,

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Speaker 1: but they stay behind the guy. What we're trying to

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Speaker 1: protect by a buck a good two to three blocks?

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Speaker 1: All right, so you don't the person who's being protected,

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Speaker 1: like mister Henry, does he know that you guys are there?

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Speaker 1: Does he know that we're there? Yeah? I mean does

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Speaker 1: he know that you guys are Does he know that

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Speaker 1: you guys are doing bodyguard service? No, he does not know.

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Speaker 1: He doesn't know that. No, he doesn't know that we're there.

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Speaker 1: We are following at a distance about two to three blocks.

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Speaker 1: Two to three blocks. Well, maybe that's not it. How

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Speaker 1: long is a block? Are you kidding? You guys are

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Speaker 1: from New York City, don't know how long a block is. Well,

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Speaker 1: what I'm saying is now it's not two to three blocks.

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Speaker 1: It feels like it's like maybe three hundred feet. Isn't

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Speaker 1: a block one hundred feet? No, a block is from

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Speaker 1: one light to the next, one link to the next,

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Speaker 1: one light, not one lie one light. Well, I'm sorry,

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Speaker 1: one light to the next, and it's whatever bloats the float. Huh. Okay,

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Speaker 1: everybody just calmed the hell down because I got that wrong,

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Speaker 1: because they got that wrong me. We've got to keep

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Speaker 1: lean on it. Okay, I don't want to keep lean

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Speaker 1: on it. You don't want to keep one. I don't

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Speaker 1: want to keep leeing on it. You don't want to

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Speaker 1: keep leon on it. Not Leon. He doesn't want to

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Speaker 1: keep leaning on it. Oh, ok okay. Anyway, So how

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Speaker 1: are things going doing it? Protection duty? Mister Henry? Well,

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Speaker 1: so far, so good. Mister Henry begins his day generally

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Speaker 1: by walking over here to the Worldwide Plaza, which is

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Speaker 1: between I think it's between fiftieth and forty ninth Street,

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Speaker 1: and he gets himself a Starbucks coffee there in the

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Speaker 1: Worldwide Plaza Starbucks. Sometimes he goes to a restaurant called

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Speaker 1: a Bucking Dog to have breakfast, and sometimes he don't,

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Speaker 1: and it just depends. And you guys are there sort

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Speaker 1: of to do security for him at a distance. That's correct. Yeah,

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Speaker 1: we're at a distance. We stand sort of with our

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Speaker 1: hands fold in front of us. And some people wrote

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Speaker 1: in letters they were really stupid and crude, said, what

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Speaker 1: are you protecting your You know, your ball you're not

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Speaker 1: your balls, but you your genitals. Yeah, it looks like

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Speaker 1: you guys got your hands. No, that's the way people. Okay,

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Speaker 1: hold on for a minute. Now, what is that? That

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Speaker 1: could be one of our squad Uh what do we

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Speaker 1: call it? A cluster? Now you guess that's right. You

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Speaker 1: don't call you you You guys don't have the citizens

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Speaker 1: auxiliary police. They have they have like units. You guys

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Speaker 1: have what Yeah, we call those clusters. And again where

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Speaker 1: we fade. Where we do a fade, we do a

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Speaker 1: fade out, we do a fan out, and we do

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Speaker 1: it in a spread out. Yeah, you guys do the

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Speaker 1: fan out in the spread out. We do the prance out,

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Speaker 1: the prance and the prance about. Say that again, you

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Speaker 1: do the what we do this? We do the prance out,

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Speaker 1: prance in, prance about and prance out, prance out, No, no,

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Speaker 1: I mean prance out, prance in and then prance about.

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Speaker 1: And you you talked about the strength of the prance about,

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Speaker 1: Well the prance about is strong because you can say

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Speaker 1: I'm here and then and then the it's about is

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Speaker 1: you go from here to across the room. Then you're

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Speaker 1: on the ceiling, then you underneath the floor. What does

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Speaker 1: that mean you're on the ceiling, Well, it means you

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Speaker 1: can literally we have the ability to just stick to

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Speaker 1: the ceiling. What are you wait, you tell me out

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Speaker 1: like you're Spider Man or something like that. Not Spider Man.

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Speaker 1: I mean we're talking. We can just kind of hang

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Speaker 1: from the ceiling in a very delicate way, and then

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Speaker 1: then what we call is the scadadle, and that's a

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Speaker 1: very specific term used by the New York Pretend Police.

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Speaker 1: And what is the scadadle? The cadadle is when we're

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Speaker 1: clinging to the ceiling and then we creep and crawl

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Speaker 1: down the side of the building. What are you talking about? Man?

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Speaker 1: You guys sound like you're talking like you're talking about

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Speaker 1: your Spider Man or something. We're not Spider Man. What

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Speaker 1: are we scaring you? Something? Can't take a lot more.

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Speaker 1: You guys are scaring me. You start scaring me. How

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Speaker 1: come your voice cracks like your bitch number one here

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Speaker 1: on the on the on the Bitch's Right Show, on

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Speaker 1: the Bitch's Right Show. So that's how you respect women? Huh?

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Speaker 1: I didn't mean it for you, gra I'm talking to

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Speaker 1: I'm talking to Jay Sanders here as he don't give

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Speaker 1: me no respect. I'm giving you plenty of respect. We

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Speaker 1: need the bitches right show. I'm saying to you that

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Speaker 1: you guys are cling to a ceiling. Then then you

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Speaker 1: skid and then you crawl down the side. You call

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Speaker 1: it the skidaddle. That is the New York. Look. You

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Speaker 1: guys have your spread out, your spread in, you got

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Speaker 1: your your move in and move out. You got your

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Speaker 1: yellow rings slickers. We get to have what's ours. See,

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Speaker 1: and what we call it is the skidaddle. And I

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Speaker 1: will go ahead and I'll put two thumbs up in

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Speaker 1: the air and I'll go scattle, scadaddle, skidaddle, scadaddle. It's

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Speaker 1: a skidaddle alert. And that's going to all of the warriors.

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Speaker 1: Then spread out, cling to the ceiling and then scurried

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Speaker 1: down the side of the wall like the insects, like

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Speaker 1: they just I don't know insects. I don't know. If

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Speaker 1: you ever seen the out a Limit show where the

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Speaker 1: bugs from out of space, they had like faces like people.

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Speaker 1: Oh yeah, I remember that when they were called like

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Speaker 1: they had some kind of name. Yeah, I don't know

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Speaker 1: what it was. That's we patted ourselves after them, like

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Speaker 1: your bugs from out us. Well no, not bugs fromout us.

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Speaker 1: But you know what I'm saying, No, I don't. We're

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Speaker 1: having a hard time with this. It's like we're it's

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Speaker 1: like we can skidattle and scurry down a wall and

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Speaker 1: go hey. It's very much based upon the uh, you know,

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Speaker 1: when trouble sees us coming, which is a citizens of

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Speaker 1: Auxiury Police concept. That's right. We you know, when we

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Speaker 1: see trouble, you know, trouble sees us when we see

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Speaker 1: trouble coming. I don't know how it goes. No, you're

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Speaker 1: talking about like when you know, you go to trouble,

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Speaker 1: you run a trouble. That's exactly right. Well, in the

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Speaker 1: New York Pretend police, we run at trouble too. We

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Speaker 1: scardaddle at it, you know, and so when we see trouble,

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Speaker 1: we skidaddle at it the same way you go at

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Speaker 1: trouble and we go yah, like that just the same

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Speaker 1: way what you guys do it. Yeah, I hope you

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Speaker 1: guys are scarier because we had a few online polls

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Speaker 1: saying are the citizens of Zury police and we go

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Speaker 1: at trouble? Is trouble afraid of us? And like fifty

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Speaker 1: percent said no, which I thought was just as it

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Speaker 1: was pretty rough. You know, the truth hurts either, truth hurts.

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Speaker 1: I think that poll was invalid because it probably was

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Speaker 1: our cranks. Well, We're here with Rick Blona of the

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Speaker 1: New York Pretend Police, and they have been a providing

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Speaker 1: bodyguard duty to Phil Henry here the last week, although

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Speaker 1: Phil has not been aware of that. No, we were

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Speaker 1: told that mister Henry would have gotten sort of claustrophobic

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Speaker 1: and upset if we allowed ourselves to be seen and

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Speaker 1: to be seen and to be noted as bodyguts. Well,

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Speaker 1: that's something I request, they say, just back off and

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Speaker 1: let mister Henry have his fun. Have you seen, as

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Speaker 1: long as mister Henry's not here, and I don't want

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Speaker 1: to embarrass him or anything, have you seen him do

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Speaker 1: anything unusual? What do you mean unusual? Well, I mean

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Speaker 1: as he visited places they're weird. I think that's invading

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Speaker 1: his privacy a little bit there, Jay, Well, no, I

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Speaker 1: don't think it is at all. I think mister Henry

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Speaker 1: is a public personality and I think we have very

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Speaker 1: right in the world. No, well, no, we haven't seen

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Speaker 1: him do nothing. I mean he stopped off at a restaurant,

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Speaker 1: one restaurant one day, he went to a Mexican restaurant.

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Speaker 1: Another day, he went and got caught a couple of

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Speaker 1: times at Starbucks. He's gone to the little corner market

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Speaker 1: about three four times. Okay, was he buying? As far

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Speaker 1: as we can tell, he's bought cheese, he bought bread,

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Speaker 1: he bought some gum he bought. Are you putting me

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Speaker 1: on or something? Sud Be quiet? See what he has

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Speaker 1: to say, Jay, He bought some gum he bought. He

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Speaker 1: bought some cokes, some diet cokes. Oh, and he bought

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Speaker 1: a bunch of apples. And he bought a bunch of all. Yeah. Right,

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Speaker 1: so that's Phil. Phil does like apples. What kind of apples?

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Speaker 1: He has this thing for green apples? He bought, like

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Speaker 1: I'd say it, with a course of it. I'd have

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Speaker 1: to get Warrior Milton. Warrior Milton, who was in our

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Speaker 1: third strand. We have different strands. We have Strand one,

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Speaker 1: Strand two, strand three, and Milton comes from Long Island,

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Speaker 1: Warrior Milton, and I'd have to call him. But he

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Speaker 1: said he believed that it was green. They was green apples.

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Speaker 1: And he bought three four times about twelve twelve to fifteen.

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Speaker 1: Holygue Jesus, twelve or fifteen green apples? Man, something's wrong

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Speaker 1: with you? J What are you all nervous about? I'm

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Speaker 1: not nervous about it. I don't like the fact that

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Speaker 1: the New York Pretend Police. Are you guys, What do

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Speaker 1: you guys think you're better than us or something like that. No,

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Speaker 1: I don't think we're better than you. But I think

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Speaker 1: we do a far better job at patrol. I think

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Speaker 1: we do a far better job at in addicting serious criminality,

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Speaker 1: Like the time that mister Henry you know, we you know,

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Speaker 1: we follow him to his rehearsal space and at that

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Speaker 1: time and in that place we then did stop him.

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Speaker 1: Oh see, you did have contact with him, Yes, we did.

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Speaker 1: We said, we're the New York Pretend Police and we'd

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Speaker 1: like to see some ID and he told us basically

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Speaker 1: to stick it. You're kidding, Is that what he said? Yeah?

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Speaker 1: He basically said, you know, you guys, are you like

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Speaker 1: Jay Sanders on the Uglier? And I said, I guess

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Speaker 1: you could say that. Yeah, he said, no, I will not, No,

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Speaker 1: I will not, No, I will not, And then he

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Speaker 1: walked on, Well did he said that because he knows

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Speaker 1: he doesn't have any I leegal obligation. You guys are

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Speaker 1: not real police Officers's gray if you do that one time?

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Speaker 1: I want to do I'm sorry, you're gonna do what nothing?

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Speaker 1: Don't go threatening people. Jay. This is the world famous

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Speaker 1: Pel Henry Show. We've had as our special guest, Rick

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Speaker 1: Bologna from the New York Pretend Police and Jay Sanders

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Speaker 1: of the Citizens of Auxuri Police. Rick, we'd like to

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Speaker 1: thank you very much for being well. This is providing

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Speaker 1: bodyguard service for mister Henry. My pleasure. Mister Henry is

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Speaker 1: in good hands, although he didn't know that we're following him.

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Speaker 1: And see that's the thing that's I don't know, man, Jay,

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Speaker 1: why don't you just you know, back it off? Yeah, Jay,

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Speaker 1: you're all done? Oh? Fuck this? Goat? What's your language? Do?

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Speaker 1: Fuck it? I don't know if we're ever gonna want

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Speaker 1: you back on. I'd like to thank you again very much,

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Speaker 1: Rick for being on the world famous Fel Henry Show.

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Speaker 1: Thank you, Rick Boloona. Oh yeah, thank you very much,

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Speaker 1: and thank you very much. Yeah. It sucks. This whole

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Speaker 1: deal is this whole deal sucks? Ass, God, it sucks ass.

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Speaker 1: We'll be right back here the world Famous Phil Henry Show.

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Speaker 1: Thanks again to Jay Sattis of the Citizens of Zuri

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Speaker 1: Police and Rick Bologna of the New York Pretend Police six.

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Speaker 1: I'm Jay Santas the Citizens Uxury Police, and I have

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Speaker 1: been contracted to do a commercial for mister Henry's show.

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Speaker 1: I think it's necessary to make sure everyone understands and

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Speaker 1: when it comes to police officers and of course law enforcement,

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Speaker 1: we the Citizens Uxury Police, are the primary shoot, primary,

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Speaker 1: the primary police agency. And these chump change why weights

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Speaker 1: they come flying in here and everybody wants to get

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Speaker 1: down on the ground, start licking anyway, Get a backstage

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Speaker 1: pass to the world Famous Phil Henry Show. Don't be

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Speaker 1: like Jay Sandos sitting sniveling and crying, because we happen

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Speaker 1: to give some difference and some respect to the New

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Speaker 1: York Pretend Police New York for Tea oh Man, the

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Speaker 1: world Famous Phil Henry Show. Get a backstage past today.

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Speaker 1: Less than ten dollars for the month, less than seven

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Speaker 1: dollars a month for the year at philindryshow dot com,

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Speaker 1: the greatest value online other than porn. Welcome back the

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Speaker 1: World Famous Phil Henry Show. It is Phil Henry and

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Speaker 1: I was, in point of fact, running some lines. Margaret.

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Speaker 1: I guess you know, being in the theater, you know

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Speaker 1: a little bit about this, right, Well, yes I do.

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Speaker 1: Phil I know what it's like to have to, you know,

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Speaker 1: memorize lines and the words and all of that. How

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Speaker 1: good were you at that, Margaret? I was great. I

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Speaker 1: had almost a photographic memory. I don't even know what

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Speaker 1: are we talking about here, because the theater that I'm

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Speaker 1: familiar with, I just went out on stage and sang

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Speaker 1: and went look at it. You know, what do you

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Speaker 1: mean memorized lines where you're in a play. Yes, I know, yes,

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Speaker 1: I had to memorize lines. But it must be different

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Speaker 1: because all I remember was going out in these wonderful

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Speaker 1: gowns and moving about and singing. And I don't know, Margaret,

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Speaker 1: were you ever really on the stage that back? Right?

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Speaker 1: I said, to take it back at this fist goes

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Speaker 1: right through your head and out that window behind your head. Margaret,

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Speaker 1: that was the most violent thing I've ever heard, I

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Speaker 1: swear to God. All right, I take it back God. Well,

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Speaker 1: it's a good question, Margaret. Were you how dare either

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Speaker 1: one of you suggest that I lie? Well, you're saying

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Speaker 1: you don't know what it is to memorize lines. I

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Speaker 1: was in musical theater. I don't know about plays and

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Speaker 1: drama and that kind of thing. Yes, I memorized lines,

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Speaker 1: but it seemed like it was something as simple as,

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Speaker 1: is miss Greystone ready yet? I you know, something like that,

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Speaker 1: is Miss Greystone ready yet? That reminds me of a song?

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Speaker 1: And then I'd break into some enchanted evening. Do do do? Do? Do?

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Speaker 1: Do you know? No? I don't. Oh look at film,

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Speaker 1: No I don't. I don't, Margaret, I don't know what

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Speaker 1: you're talking about. However, that having been said, but what

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Speaker 1: do you think you're, mister theater veteran? Now, no, I don't.

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Speaker 1: It's just kind of weird to say that you were

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Speaker 1: in a sort of theater where you don't know what

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Speaker 1: it is to never mind, it's it's fine. We got

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Speaker 1: our lines written on the back of a napkin. Okay,

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Speaker 1: here Margaret, you say this, then sing a song, then

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00:21:03,920 --> 00:21:05,600
Speaker 1: say this, then sing a song. See what I'm saying.

417
00:21:06,160 --> 00:21:09,119
Speaker 1: So you're basically like the musical relief or something. I

418
00:21:09,160 --> 00:21:12,000
Speaker 1: don't like the word relief. It sounds like after someone

419
00:21:12,040 --> 00:21:15,280
Speaker 1: meets me, they've got to yeah, peel off like three

420
00:21:15,280 --> 00:21:18,520
Speaker 1: sheets of toilet paper. You're a real Let's wait a minute, Margaret, Wait,

421
00:21:19,160 --> 00:21:22,000
Speaker 1: well that's what that's basically what you said. I know,

422
00:21:22,080 --> 00:21:23,600
Speaker 1: I said that, I don't like it when he repeats

423
00:21:23,600 --> 00:21:27,159
Speaker 1: it back, Well, that's what you say, Yeah, bugs, what

424
00:21:27,240 --> 00:21:30,240
Speaker 1: is it? What's your name again? It's not bug. Bud's right,

425
00:21:30,320 --> 00:21:33,240
Speaker 1: he said, it sounds like you're a piece of two.

426
00:21:33,280 --> 00:21:36,800
Speaker 1: You know, it sounds like what Margaret, what you said was,

427
00:21:36,920 --> 00:21:39,080
Speaker 1: I know what I said. I just don't like it

428
00:21:39,080 --> 00:21:41,320
Speaker 1: when someone says to me that after someone meets me,

429
00:21:41,920 --> 00:21:44,200
Speaker 1: they've got to peel off three sheets of toilet paper.

430
00:21:46,000 --> 00:21:50,720
Speaker 1: There's Phil again. So what we should do here, Phil

431
00:21:50,840 --> 00:21:53,120
Speaker 1: is interview you, and Bud's here with a few questions.

432
00:21:53,160 --> 00:21:55,879
Speaker 1: I've got some Margaret, We really do want to talk

433
00:21:55,920 --> 00:21:57,560
Speaker 1: to you, Phil about how you're enjoying New York. Are

434
00:21:57,560 --> 00:21:59,639
Speaker 1: you enjoying New York very much? So? You know, what

435
00:21:59,680 --> 00:22:02,600
Speaker 1: about this dump that you're living in. I wouldn't say

436
00:22:02,600 --> 00:22:05,560
Speaker 1: it's a dump, it's a verbo, it's a what do

437
00:22:05,560 --> 00:22:08,240
Speaker 1: you mean dump? You've been complaining about it. Well, all

438
00:22:08,240 --> 00:22:10,239
Speaker 1: you've been doing is bellyaching about how small it is.

439
00:22:10,359 --> 00:22:14,199
Speaker 1: It's a studio apartment. Yes, it's a studio apartment. But

440
00:22:14,359 --> 00:22:17,520
Speaker 1: it has all the amenities. It has a you know,

441
00:22:17,600 --> 00:22:20,119
Speaker 1: a refrigerator, and let me guess, does it have a

442
00:22:20,119 --> 00:22:23,240
Speaker 1: flushing toilet. Yes, it does. Wow. Why that's some that's

443
00:22:23,280 --> 00:22:25,920
Speaker 1: pretty modern. You guys know what I'm talking about. Yeah,

444
00:22:25,960 --> 00:22:27,480
Speaker 1: but minster you know, you were belly aching, I should

445
00:22:27,560 --> 00:22:30,360
Speaker 1: say belly aching, but you was saying that you wish

446
00:22:30,440 --> 00:22:33,159
Speaker 1: you had a washing machine. Yeah, I wish I had

447
00:22:33,160 --> 00:22:34,840
Speaker 1: a washing machine. But it don't have a washing machine.

448
00:22:34,840 --> 00:22:36,640
Speaker 1: But there is a laundry service that I use. They

449
00:22:36,640 --> 00:22:38,720
Speaker 1: come and they pick up the clothes, they wash it,

450
00:22:38,760 --> 00:22:41,600
Speaker 1: and they drop it off. That's not cheap. No, it's

451
00:22:41,600 --> 00:22:43,200
Speaker 1: not cheap. But you know what, I throw my money

452
00:22:43,240 --> 00:22:45,439
Speaker 1: around anyway. So, now where do you eat? What are

453
00:22:45,480 --> 00:22:48,479
Speaker 1: the restaurants you like? There's a Peruvian joint halfway down

454
00:22:48,560 --> 00:22:50,600
Speaker 1: the block that I like. They have a sabic there.

455
00:22:50,840 --> 00:22:52,680
Speaker 1: And I didn't know anything about Peruvian food. I didn't

456
00:22:52,720 --> 00:22:55,520
Speaker 1: know that there was a special cuisine. But apparently Jackie

457
00:22:55,600 --> 00:23:00,520
Speaker 1: tells me Miami is crawling with Peruvian restaurants. What what

458
00:23:00,680 --> 00:23:03,160
Speaker 1: you talk about? That's what she said. She said, Miami's

459
00:23:03,160 --> 00:23:06,359
Speaker 1: got tons and tons of proving restaurants. She knew what

460
00:23:06,400 --> 00:23:09,440
Speaker 1: I was talking about. There's a couple of Mexican restaurants

461
00:23:09,480 --> 00:23:12,919
Speaker 1: that are great. There's two Italian places. I mean this

462
00:23:13,040 --> 00:23:14,800
Speaker 1: is not the best place to be living if you

463
00:23:14,840 --> 00:23:17,560
Speaker 1: want to lose weight. But you said you're doing a

464
00:23:17,560 --> 00:23:19,760
Speaker 1: lot of walking. I'm doing a lot of walking. You know.

465
00:23:19,800 --> 00:23:21,560
Speaker 1: We walk over to the rehearsal space, we walk over

466
00:23:21,560 --> 00:23:23,680
Speaker 1: to the theater. I had to walk up to iHeartMedia

467
00:23:23,680 --> 00:23:26,080
Speaker 1: the other day, which is about a fifteen minute walk.

468
00:23:26,080 --> 00:23:28,960
Speaker 1: I actually like it. I like walking. So what are

469
00:23:28,960 --> 00:23:31,240
Speaker 1: you gonna take the subway? The only reason why I

470
00:23:31,240 --> 00:23:33,959
Speaker 1: would take the subway is it down on fifteenth Street

471
00:23:35,160 --> 00:23:38,720
Speaker 1: is the SGI is the Buddhist center that I go to. Now, Phil,

472
00:23:38,760 --> 00:23:40,680
Speaker 1: let's talk about this Buddhism. I don't want to talk

473
00:23:40,720 --> 00:23:44,439
Speaker 1: about it, Okay, temistry and you ought to be you

474
00:23:44,480 --> 00:23:47,800
Speaker 1: should talk about it to convert people to Buddhism. Oh well,

475
00:23:47,840 --> 00:23:50,919
Speaker 1: you get out of here, man. Anyway, it's the what

476
00:23:50,960 --> 00:23:52,919
Speaker 1: are you looking at? I think it's very disappointing you're

477
00:23:52,920 --> 00:23:55,479
Speaker 1: talking about that way. Anyway, it's the Buddhist center down there,

478
00:23:55,480 --> 00:23:57,280
Speaker 1: and I go to and I you know, read up

479
00:23:57,280 --> 00:24:00,639
Speaker 1: on stuff, and that's about well, that's a fifteen and

480
00:24:00,760 --> 00:24:02,920
Speaker 1: I'm way up, you know, the opposite side of town.

481
00:24:03,000 --> 00:24:07,639
Speaker 1: So and then there is the CBS Pharmacy, which is

482
00:24:07,640 --> 00:24:09,879
Speaker 1: about the same distance. I mean, you know this place

483
00:24:09,920 --> 00:24:11,840
Speaker 1: is to walk to. Well, those sound like some really

484
00:24:11,920 --> 00:24:15,040
Speaker 1: fun scenic spots. Let's see the Buddhat Center, the pharmacy,

485
00:24:15,520 --> 00:24:19,639
Speaker 1: and iHeartMedia. Hey, I'm not exactly here man to go sightseeing.

486
00:24:19,720 --> 00:24:22,119
Speaker 1: You're not, No, Well, I would think you're in the

487
00:24:22,200 --> 00:24:24,360
Speaker 1: largest city. What are the largest cities in the world

488
00:24:24,480 --> 00:24:27,320
Speaker 1: and the largest city in the United States, And you

489
00:24:27,359 --> 00:24:29,320
Speaker 1: don't want to do any sightseeing. No, I don't do

490
00:24:29,440 --> 00:24:32,280
Speaker 1: want to do any sightseeing. Okay, I want to do

491
00:24:32,320 --> 00:24:35,680
Speaker 1: my thing. I want to enjoy my time off. Yeah,

492
00:24:35,760 --> 00:24:38,520
Speaker 1: with my friends. Don is my good buddy Don Older.

493
00:24:38,520 --> 00:24:40,280
Speaker 1: There's going to be in town on the twenty fifth.

494
00:24:40,680 --> 00:24:44,880
Speaker 1: My godson lives in a downtown financial district with his wife,

495
00:24:44,960 --> 00:24:47,480
Speaker 1: Mallory and Joe. And I'm going to have lunch with

496
00:24:47,520 --> 00:24:51,160
Speaker 1: my good friend Andy Cowboo is my producer at WIFD

497
00:24:51,280 --> 00:24:56,600
Speaker 1: in Miami for many years. Oh, Tory Ryder is coming

498
00:24:56,600 --> 00:24:58,960
Speaker 1: into town now. Tory Ryder is your friend. She's on

499
00:24:59,000 --> 00:25:01,760
Speaker 1: the air in Chicago. Yes, Terri was on the air

500
00:25:01,800 --> 00:25:04,439
Speaker 1: in Chicago and Portland, a lot of places. She's a

501
00:25:04,440 --> 00:25:07,080
Speaker 1: great radio talent. She's written a book called She Said

502
00:25:07,080 --> 00:25:10,280
Speaker 1: What which is kind of like her autobiography. Now you're

503
00:25:10,320 --> 00:25:12,520
Speaker 1: in that book. But she doesn't call you Phil. She

504
00:25:12,560 --> 00:25:16,520
Speaker 1: calls you something like schmuck. Right, what do you mean schmuck? Yeah,

505
00:25:16,520 --> 00:25:19,960
Speaker 1: but she calls you something Differentcy, she calls me something.

506
00:25:20,000 --> 00:25:22,520
Speaker 1: It doesn't call me schmuck. Well what does she call you?

507
00:25:22,720 --> 00:25:25,600
Speaker 1: I forget. I think maybe it's like Paul or Biff

508
00:25:25,680 --> 00:25:28,359
Speaker 1: or so. I don't know. Yeah, so it could be schmuck. No,

509
00:25:28,480 --> 00:25:30,439
Speaker 1: it could I don't believe it's schmuck. Anyway, Yeah, I

510
00:25:30,440 --> 00:25:32,360
Speaker 1: am in the book. That's a You should check out

511
00:25:32,359 --> 00:25:35,800
Speaker 1: Torry's book. She said, what, it's a great it's a

512
00:25:35,800 --> 00:25:39,760
Speaker 1: great chronicle and journal of the the travails and travels

513
00:25:39,760 --> 00:25:44,639
Speaker 1: of a woman in broadcasting, a high profile personality like Turian,

514
00:25:44,680 --> 00:25:48,200
Speaker 1: which she's endured and what she's enjoyed. But anyway, and

515
00:25:48,240 --> 00:25:52,600
Speaker 1: she was also in the Phil Henry documentary. Ah, there's

516
00:25:52,640 --> 00:25:54,320
Speaker 1: something you've been avoiding, and we'd like to talk a

517
00:25:54,359 --> 00:25:57,560
Speaker 1: little bit about that. That is the Henri documentary, which

518
00:25:57,600 --> 00:26:03,920
Speaker 1: is now streaming Ladies and Gentlemen on two. Be all right, Yeah, yeah,

519
00:26:04,000 --> 00:26:06,520
Speaker 1: yes it is. Yes, Phil hasn't mentioned that at all,

520
00:26:07,240 --> 00:26:09,520
Speaker 1: and that is available in Canada. I think it's available

521
00:26:09,560 --> 00:26:11,159
Speaker 1: in Canada. The reason why I say that my cousins

522
00:26:11,200 --> 00:26:12,720
Speaker 1: have asked me where they can see it, and I

523
00:26:12,720 --> 00:26:15,600
Speaker 1: think it is. Yes. Terry Ryder is featured as an

524
00:26:15,600 --> 00:26:19,920
Speaker 1: interview subject in that In that documentary, is is Bill Hayter,

525
00:26:20,960 --> 00:26:23,399
Speaker 1: Henry Rowlins. There's a lot of great, great people who

526
00:26:23,400 --> 00:26:26,240
Speaker 1: were interviewed. And I had no idea how Patrick got

527
00:26:26,240 --> 00:26:29,240
Speaker 1: these folks to sit down and talk about the Phil

528
00:26:29,280 --> 00:26:31,840
Speaker 1: Henry Shield, but I was very very grateful. Yeah, Toury's

529
00:26:31,840 --> 00:26:33,440
Speaker 1: in that as well. So and I'm gonna have lunch

530
00:26:33,480 --> 00:26:37,520
Speaker 1: with her dinner. No, she's gonna come to the play,

531
00:26:37,520 --> 00:26:41,480
Speaker 1: all right. And then one more than my stepdaughter Katherine,

532
00:26:42,080 --> 00:26:44,720
Speaker 1: who is a flyer. She's a flyer. She's a flight

533
00:26:44,720 --> 00:26:49,320
Speaker 1: attendant for Amigo. What is it, Yeah, it's Amigo Airlines.

534
00:26:49,920 --> 00:26:54,800
Speaker 1: What's Amigo Airlines? Oh, I'm sorry, it's Alaska. That's exactly right, Yeah,

535
00:26:54,840 --> 00:26:57,200
Speaker 1: Alaska Airlines. She flies. She's going to come into town

536
00:26:57,240 --> 00:26:59,639
Speaker 1: and see the play. So you know, I'm going to

537
00:26:59,680 --> 00:27:01,320
Speaker 1: be kind of nervous with all these people that I

538
00:27:01,320 --> 00:27:03,520
Speaker 1: don't watch in the play. But and how have the

539
00:27:03,560 --> 00:27:07,800
Speaker 1: rehearsal has been going very good? What. I don't know what. Yeah,

540
00:27:07,840 --> 00:27:09,240
Speaker 1: they've been going really good and we got a great

541
00:27:09,240 --> 00:27:11,920
Speaker 1: director and Mike Keller and Tom Alpers the writer, and

542
00:27:13,080 --> 00:27:16,480
Speaker 1: Christine Blackburn's our producer, and a great, great cast of people.

543
00:27:17,359 --> 00:27:20,280
Speaker 1: So we'll let you know when when it's October the ninth.

544
00:27:20,720 --> 00:27:23,040
Speaker 1: You know you're you're kind of tight lipped about this play. No,

545
00:27:23,200 --> 00:27:25,200
Speaker 1: I'm not, man, I just don't know what else to say.

546
00:27:25,240 --> 00:27:26,880
Speaker 1: I don't want to give too much stuff away, but

547
00:27:27,040 --> 00:27:28,719
Speaker 1: we are very very grateful if people want to come

548
00:27:28,720 --> 00:27:31,240
Speaker 1: and see it. So that's Phil Henry in the Pitch,

549
00:27:31,359 --> 00:27:39,200
Speaker 1: starting October ninth in New York off Broadway. Yeah, oh yeah, yeah, Jesus,

550
00:27:42,280 --> 00:27:44,639
Speaker 1: World Famous Phil Henry Show is executive produced by me

551
00:27:44,720 --> 00:27:48,800
Speaker 1: Phil Henry for Siempri Incorporated. Alrights reserved on iHeart Podcasts.

552
00:27:49,720 --> 00:27:54,879
Speaker 1: This is General Kaylin Shaw. Yes, so what he Well,

553
00:27:54,920 --> 00:27:56,560
Speaker 1: I said it before you said, this is a Bud Dickman.

554
00:27:56,720 --> 00:27:59,400
Speaker 1: All right, this is a Bud Dickman. It don't matter yet,

555
00:27:59,480 --> 00:28:03,280
Speaker 1: too late, it's not hard to relation