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Speaker 1: So it's two thousand and three. Of course I'm playing

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Speaker 1: a very dirty PS two. I can admit that it's

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Speaker 1: you that's gotten very very dusty and dirty.

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Speaker 2: Clean your PS two how often because it gets dirty

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Speaker 2: every time you use it?

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Speaker 1: And I'm like, it's supposed to be it's supposed to

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Speaker 1: be like that, but it's obviously supposed to be clean.

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Speaker 1: Almost everything is nothing is supposed to be dirty.

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Speaker 2: It's very rared. Something's supposed to be dirty, maybe a grill, yeah,

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Speaker 2: and like those these pants. Oh, I love my dirty

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Speaker 2: when I season my pan and it's just filthy.

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Speaker 1: So grind clean all this filth off your pan, and like, no,

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Speaker 1: it's supposed to be in your face.

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Speaker 3: It's supposed to look like this.

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Speaker 2: That's why the ribs taste like film.

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Speaker 1: And so I'm playing mistic River the game multiplayer mode.

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Speaker 1: Uh huh up part of you at Yeah, I'm at

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Speaker 1: the part where Jimmy is trying to get Sean to

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Speaker 1: see if that's his daughter in there, to let him

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Speaker 1: see is that is that his daughter in there?

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Speaker 3: Are there?

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Speaker 2: Or are they trying to stop him from seeing?

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Speaker 1: Well, Jimmy is trying to get Sean to let him

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Speaker 1: see if that's his daughter.

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Speaker 2: Let him see yes, yes, no, yes, sorry I was.

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Speaker 2: I was switching Jimmy and Sean.

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Speaker 1: But this is the thing with multiplayer in that game,

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Speaker 1: So like player one is Jimmy. My son was like, hey,

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Speaker 1: we'll be Jimmy, and so he gets to be Jimmy.

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Speaker 1: I'm player too, which in that game is the guy

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Speaker 1: a guy that owns a hockey store. I don't know

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Speaker 1: if he's at the movie at all.

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Speaker 3: Right, they just walk by it maybe.

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Speaker 1: And he's like, is that he's yelling? So you're both

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Speaker 1: trying to like get the cops to let go of

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Speaker 1: you to see if Katie is in there.

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Speaker 2: Yeah, a hockey store guy is yelling, Star, but he's

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Speaker 2: yelling is that my customer in there?

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Speaker 1: Okay, he's really up like the hockey hockey history, hockey

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Speaker 1: store guy. And can you see him? No, Well it's

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Speaker 1: my POV so I can't see him, but I can hear.

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Speaker 1: I've yell like, is that my customer in there? And

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Speaker 1: I can see kind of from my son's person, you know,

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Speaker 1: the screen is like split in half, and so sometimes

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Speaker 1: he'll be like looking towards my character and I can

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Speaker 1: see the guy.

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Speaker 2: He's like he's like.

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Speaker 1: Clearly Italian, almost like a Mario Brothers level Italian guy.

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Speaker 1: I just like it's so and I understand. I don't

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Speaker 1: know who to pitch for, like the character that should

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Speaker 1: have been player two in that game and obviously can't

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Speaker 1: be Dave.

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Speaker 2: No, can't be. I mean it could be the.

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Speaker 1: The Harris Boys, one of the Harris Boys.

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Speaker 2: Yeah, it could be the River. I guess it could

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Speaker 2: have been the River. But we're going forever and we

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Speaker 2: haven't talked to our guests, and we really need her

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Speaker 2: away in at long Well, Sherry, you tell me, did

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Speaker 2: it feel long?

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Speaker 4: Only because y'all were speaking a foreign language?

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Speaker 2: Have you Summer River? So we actually were speaking very normally.

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Speaker 2: We were speaking English. If you could just summarize the story,

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Speaker 2: that would be so great and then we can get

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Speaker 2: it and then we'll know. This is actually like our

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Speaker 2: sound check kind of thing. Basically, we're like, yeah, coming through, Yeah, yes,

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Speaker 2: we just got to make sure all the levels are okay.

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Speaker 5: I think what's happening is the classic, you know, question

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Speaker 5: of what came first, the mystic or the river?

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Speaker 2: Right, okay, Okay, obviously the mystic comes for the it's mystic,

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Speaker 2: and then.

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Speaker 5: River chronologically, but you know, emotionally, Okay, I think it's

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Speaker 5: up to interpretation.

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Speaker 2: Okay, so your son, Yeah, that's proving that you.

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Speaker 4: Just kind of lost. I was kind of lost during

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Speaker 4: the story.

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Speaker 3: Did you not play? Did you never play the Mystic

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Speaker 3: River game?

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Speaker 5: I only saw that like Oregon Trail, you.

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Speaker 2: Only watch a movie.

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Speaker 1: Is it like Oregon Trail? There's tragedy, there's loss, mm hmm,

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Speaker 1: there's redemption.

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Speaker 4: That's very key points to every movie.

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Speaker 2: There's like geographic knowledge, right, yeah, sure, there's places history.

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Speaker 5: So you were playing it. It's it's not a video game,

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Speaker 5: it is.

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Speaker 2: It is a video game video The whole story is

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Speaker 2: about how it is whose player.

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Speaker 3: One and whose player two? And you know that only

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Speaker 3: works a video game with my son.

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Speaker 5: You never told me I was gonna have to recap

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Speaker 5: the story.

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Speaker 2: No, but that's like our sound check, like we said,

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Speaker 2: where we just kind of see like, oh, you know,

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Speaker 2: our shares headphones working, like, so we just got to

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Speaker 2: check in and have people rec the story.

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Speaker 5: Let's just say my headphones were not working and I

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Speaker 5: was looking for the left one the entire time.

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Speaker 4: We see your headphones, I only your AirPods.

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Speaker 2: Hello one, Hello two.

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Speaker 5: Hello one, Hello too. So I found them and I'm

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Speaker 5: checked in. Now I know that Hayes has the sun and.

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Speaker 4: He he he is.

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Speaker 2: Uh. I have a mean son.

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Speaker 5: And you were playing with a super Mario looking guy.

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Speaker 1: He's a game. My son is a gamer, now an

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Speaker 1: adult game. Formerly a child gamer, now an adult gamer

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Speaker 1: and still very mean.

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Speaker 2: Cherry Cherry television, Cherry right.

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Speaker 5: Television, Sherry many screens, zoom screens? Really are you doing

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Speaker 5: one of these?

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Speaker 1: Let's talk about good trouble transitioning to zoom.

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Speaker 4: Table reads are via zoom.

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Speaker 3: So this is okay, it's good trouble, good trouble g

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Speaker 3: o o d okay, sorry, okay, my notes, yeah, my

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Speaker 3: notes were okay, what would.

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Speaker 2: Groot trouble groots?

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Speaker 5: Well, that's the crossover with Guardians of the Galaxy.

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Speaker 2: That was okay, So that happening.

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Speaker 4: We're still pitching it.

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Speaker 5: Actually it's it's it's there's conversations about it, but nothing's

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Speaker 5: locked in.

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Speaker 2: Okay, great, well, I'd love to be a part of

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Speaker 2: that when when they do staff up.

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Speaker 5: I have some ideas for some okay, what ideas, what ideas?

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Speaker 4: What ideas? I want to hear him?

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Speaker 1: Now tired, really.

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Speaker 4: Tired, Groot's hungry is the number one.

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Speaker 5: Yeah, that's the number one. That's the focus, that's the

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Speaker 5: angle we're going. Grout's hungry, and we're just thinking, you know.

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Speaker 2: The mutually exclusive though. I mean, could he be tired

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Speaker 2: and hungry?

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Speaker 5: He could because he's layered, and we're all about the

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Speaker 5: intersectionalities of representation and group. Hungry and tired and very

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Speaker 5: very mad at the same time.

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Speaker 3: Yeah, hungry, angry, lonely, tired.

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Speaker 2: Halt, hey, we gotta do something about this. We're hungry, angry, lonely,

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Speaker 2: and tired.

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Speaker 4: We're groot. Those are the four or four quadrants survival.

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Speaker 2: That's television viewing.

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Speaker 5: Yeah, that's that's television viewing. But yeah, good trouble, it's

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Speaker 5: it's happening. Uh. We're about to rap season three next week.

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Speaker 2: Are you pissed or are you happy?

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Speaker 5: It's well, that's such interesting.

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Speaker 4: I haven't thought about that.

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Speaker 2: They Are they pissed at you? Are they pissed at you?

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Speaker 2: Or are you pissed at them?

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Speaker 5: Actually?

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Speaker 4: I haven't even thought about it. I guess happy because.

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Speaker 1: You haven't even thought about whether or not anyone's pissed

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Speaker 1: at you.

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Speaker 2: Listen, probably pissed at you.

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Speaker 5: A lot of people have not returned my calls.

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Speaker 1: I wonder if that's why they're You said that they're

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Speaker 1: wrapping it up because of me. They can't to me.

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Speaker 1: That's not that's not an amazing sign.

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Speaker 5: Yeah, sure, I think.

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Speaker 4: I think everyone's mad at me. So I do wake

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Speaker 4: up a.

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Speaker 5: Little paranoid every morning because I'm I'm you know, I'm

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Speaker 5: I think a month and ice a month and.

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Speaker 1: Ice people like talking to you or not.

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Speaker 4: Really, they're not even looking at me at this point.

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Speaker 1: People are just not engaging with you at all.

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Speaker 2: On set.

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Speaker 5: Eye contact is scarce. They have COVID masks, you know,

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Speaker 5: on the mouth. But they're also wanting blindfolds because they

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Speaker 5: don't want contact with me at at all.

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Speaker 2: Oh, that's dangerous. Set points points coming through right.

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Speaker 4: Right, exactly exactly. It's very dangerous.

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Speaker 5: But it's very it's very good, and it's very trouble and.

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Speaker 3: We the cameraman has a blindfold.

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Speaker 4: We gotta wing it. We all just wing it, you know,

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Speaker 4: on the set, and it's good.

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Speaker 5: We've had fifty episodes so far, which is incredible.

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Speaker 2: That's too much.

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Speaker 3: I'm not going to watch all of them.

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Speaker 4: Well, and they're all four hours long. So it's four.

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Speaker 2: Hours too long.

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Speaker 5: Fifty episodes. That's two hundred and two. Wow, I can't

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Speaker 5: do that two hundred Is that two hundred hours?

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Speaker 4: Easy bit?

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Speaker 2: Well you said four hours times fifty episodes.

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Speaker 4: Yeah, that's two hundred hours. It's an easy bench.

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Speaker 5: It's an easy ben too long for me.

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Speaker 4: Oh well, just.

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Speaker 5: Watch the first in the last episode, how about.

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Speaker 2: That, Hayes, The first and the last episode.

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Speaker 4: The sandwich the sandwich method.

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Speaker 1: Oh, that's an interesting idea.

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Speaker 5: So you can be in the conversation. You can be

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Speaker 5: in the loop when your friends are talking about it.

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Speaker 1: Oh you know, and I'll be like talking to my

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Speaker 1: friends and be like, yeah, it was crazy how everyone

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Speaker 1: got very old, right, right right.

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Speaker 3: I'll say I was disappointed by the finale.

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Speaker 4: Yeah. No, what you say is.

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Speaker 5: I didn't expect that in the finale, and it'll be true.

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Speaker 3: It'll be true.

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Speaker 5: But I know I am happy because it's such a beautiful, glorious.

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Speaker 2: I want to talk about clause.

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Speaker 5: Okay, fine, yeah, well what about it.

202
00:09:56,040 --> 00:09:56,920
Speaker 2: That's a real clause.

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Speaker 5: Clause, not in the sense of crane clause, not in

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00:10:02,440 --> 00:10:06,040
Speaker 5: the sense of lobster, the clause in the sense of

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Speaker 5: nails fingernails.

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Speaker 1: When you're on set at the beginning of the day,

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Speaker 1: the clause safety guy walks in and is saying, like, okay, everyone,

208
00:10:17,760 --> 00:10:20,280
Speaker 1: we are dealing with these are not actually these claus

209
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Speaker 1: like are not equipped to hurt you. But it is

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Speaker 1: very important that we maintain discipline around these clause because

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Speaker 1: they are We do have a set of rules that

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Speaker 1: we need to follow with this item. Watch as here

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Speaker 1: I am turning the safety on on the clause, it

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Speaker 1: will remain in this position. Like you have to like

215
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Speaker 1: get the whole lecture on how the clause.

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Speaker 5: Yeah, because you know, just like an intimacy coach on

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Speaker 5: set for example, you know the.

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Speaker 2: Clause intimacy coach on set. Wow, if you feel a

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Speaker 2: claw on you.

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Speaker 5: Yes, y yeah, right, as all as you feel safe,

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Speaker 5: you know, you have to speak up if if you

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Speaker 5: you feel like there's one too many claws creeping up.

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Speaker 2: You know, yeah, and the director has to get creative sometimes, right,

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Speaker 2: just a claw stroking a puppet's cheek or something.

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Speaker 5: Yeah. And sometimes the puppets, the puppet, uh is sometimes

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Speaker 5: with claws, you know, caught up clawed up puppets and

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Speaker 5: and clawless puppets. So it all depends depends on the day.

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Speaker 5: And there's also a ventriloquist situation as well, those kind

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Speaker 5: of puppets. So that's when the clauset it gets really dangerous,

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Speaker 5: you know, because it goes up.

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Speaker 1: There and because that, yeah, that ventriloquist puppet is then

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Speaker 1: able to tell all the other puppets.

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Speaker 5: To scratch exactly. So it's kind of like, you know,

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Speaker 5: it really everyone It is symbolic in the puppets hearing

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Speaker 5: of it all, like everyone's controlled by one one.

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Speaker 2: Puppet and is commandeering all of these is coming what

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Speaker 2: is commandeering? She's commandeering these the these puppets.

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Speaker 5: You know, I actually don't know what that word means.

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Speaker 2: Let's unpocket hang on, yeah, lett's let's break it down. Command.

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Speaker 2: We see command at the beginning and then earring.

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Speaker 5: Okay, so it's it's a tiny little little dangly thing

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Speaker 5: on your lobe that tells you what to do.

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Speaker 1: It's a gauge in this case, of course, Nisi Nash

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Speaker 1: famously has very large gauges plugs in her in her.

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Speaker 5: Because she was she went through that punk rock phase. Yes,

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Speaker 5: and what people don't know about her actually, like a

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Speaker 5: lot of people don't know that NISI toured with Blank An.

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Speaker 2: Was very punk and doesn't get more punk than Blink.

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Speaker 2: Blink is the rawest expression of history.

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Speaker 4: I think Blake was too too.

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Speaker 2: They were my parents wouldn't let me listen to them

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Speaker 2: because they were afraid I would beat them up. They

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Speaker 2: for I would turn mean like Hayes's son. Yeah, if

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Speaker 2: I heard it, were right.

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Speaker 5: I mean it made everyone want to, you know, run

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Speaker 5: in the streets naked, and.

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Speaker 4: That is very dangerous. That's very dangerous.

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Speaker 5: Because when when you're a man running on the streets naked,

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Speaker 5: that is a weapon that could put.

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Speaker 2: It actually is a weapon.

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Speaker 3: That's a weapon, you know.

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Speaker 5: So they were armed on the streets, these three white men.

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Speaker 3: No, they would never shoot that video now, and it's

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Speaker 3: a good thing they wouldn't.

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Speaker 4: Only because of COVID.

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Speaker 2: Well that yeah, yeah, yeah, because of COVID.

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Speaker 1: Yeah, and the cameras would be different, the.

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Speaker 4: Cameras would be different.

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Speaker 2: They guy, the guys aren't eve good friends anymore. Yeah.

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Speaker 5: Well, Travis Barker is dating Courtney Kardashian. That's what I

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Speaker 5: can offer to this conversation.

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Speaker 2: Mm. Yeah, and they just had his official split from

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Speaker 2: his former bow.

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Speaker 5: Who ah is it?

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Speaker 4: Who?

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Speaker 2: I think it is bo Obama Obama, Yeah, oh bo Obama.

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Speaker 5: Bo ob bo Obama and Travis Barker had a short

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Speaker 5: lived I think maybe seven months relationship.

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Speaker 2: Yeah, it was enough, which in dog mons is like

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Speaker 2: forty nine months.

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Speaker 5: Forty nine months, forty nine months, especially with like what

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Speaker 5: they went through, you know, and and.

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Speaker 2: Felt like forty felt like forty nine and a half

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Speaker 2: months to travel.

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Speaker 5: I'll be honest. Yeah, it was pushing fifty. It really was,

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Speaker 5: and for us to work.

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Speaker 3: I wouldn't say that.

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Speaker 2: I I'm sorry, sorry, I have to defend I have

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Speaker 2: to defend Bow a little bit here. He's obviously not here.

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Speaker 2: I wouldn't say that that it was that it was fifty.

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Speaker 5: Well, the thing is bo had his his side of

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Speaker 5: the story as well.

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Speaker 2: You know, what's that top? There's always there's always two sides, No,

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Speaker 2: there's always three sides round what's that cup?

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Speaker 5: Just like this cup? There's always actually four sides to

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Speaker 5: a story, Okay, that the truth, the lie, right, the

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Speaker 5: the interpretation, and the open ended those are the foresides

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Speaker 5: to every story. It's water, it's you, it's.

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Speaker 2: Not for that. That cup is That cup is for food.

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Speaker 2: That cup is for pickle, pickle, that's for pickle or

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Speaker 2: for jelly.

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Speaker 5: That is what people say to me often when I

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Speaker 5: when I drink this, and I feel really attacked. I do,

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Speaker 5: and I feel shame. I go to sleep every night

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Speaker 5: feeling shame because of water out of a flower vase.

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Speaker 5: But it's here's the thing. I'm being very very like

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Speaker 5: like modest and reserved right now in front of y'all.

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Speaker 5: Usually I would put my home out around it.

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Speaker 2: Around that cup, around the entire cup.

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Speaker 4: And twenty two inch rim. Yeah, I just drink water out.

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Speaker 5: Of a mason jar like a blowdrop shot. I do

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Speaker 5: that when no one's watching.

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Speaker 2: Wow, Oh no, that is modest of you to Yeah.

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Speaker 5: I they didn't want to put you through it because

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Speaker 5: there's there's stretching, there's bleeding. But I need to do

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Speaker 5: it to prove to myself that I can do anything.

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Speaker 1: You know, Cherry new Projects. Your star is shooting in

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Speaker 1: the sky, soaring into the space the planet.

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Speaker 2: It's gonna hurt somebody.

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Speaker 4: Listen, don't blink because you might miss it.

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Speaker 1: Okay, but the show you're on, everyone's pissed at you.

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Speaker 1: It's going really bad.

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Speaker 2: They're wrapping it up. Everyone's pissed. No one will talk

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Speaker 2: to you. They're blindfolded. It's dangerous as hell.

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Speaker 4: It's a cliffhanger on and off screen.

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Speaker 2: People won't look at you. And they told you they're

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Speaker 2: wrapping it up, which that's very bad. Then they shouldn't

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Speaker 2: have told you that. I read an email because now

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Speaker 2: you have an opportunity, because now you get to talk

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Speaker 2: to us and we can actually launch you launch me, yeah,

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Speaker 2: onto your next safe landing.

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Speaker 5: I want to hear it.

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Speaker 4: I want to hear it.

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Speaker 2: And we're doing pitches.

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Speaker 1: We did this before, we were pitching shows on a

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Speaker 1: very early episode. Is only a second time we ever

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Speaker 1: did this, Sherry, I just want you to understand this

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Speaker 1: number two? What this what's happening right now? We did

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Speaker 1: this before and our guest name was Ellie kemper mm hmmm,

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Speaker 1: and she was and she was between shows as well.

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Speaker 5: Sure sure you know she and I have a lot

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Speaker 5: in common.

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Speaker 2: We really do talk about this. Yeah, hit me dig

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Speaker 2: deep into this. I think Ellie and Sherry have.

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Speaker 5: Both of us have.

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Speaker 3: Same number of syllables.

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Speaker 4: Syllables.

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Speaker 5: It's all about syllables, you know, very kind of traditional,

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Speaker 5: which is why we we often get you know, mistaken

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Speaker 5: for each other. On the red carpets, we bit and

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Speaker 5: she also has a red carpet.

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Speaker 1: She has her own red carpet.

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Speaker 5: Yes, right, she has her own red carpet.

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Speaker 1: But she's zipping around and it's got like four wheels underneath.

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Speaker 5: It is underneath it is a red carpet underneath. Yeah,

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Speaker 5: the red carpet is definitely underneath. But yeah, you know

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Speaker 5: she's she's also a ray of light and I think

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Speaker 5: I'm the same. So she and I definitely She and

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00:18:32,000 --> 00:18:33,919
Speaker 5: I should definitely be on this project together.

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00:18:35,280 --> 00:18:37,359
Speaker 2: Is this Tiffany had his boyfriend? Because I'm seeing it

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Speaker 2: this common.

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00:18:39,840 --> 00:18:43,480
Speaker 5: That's a common not to get confused with common deer.

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Speaker 3: See, and we're learning, isn't that cool? And you ever

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Speaker 3: go on a show?

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00:18:49,400 --> 00:18:52,160
Speaker 5: Yeah, I'm learning so much from you too.

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Speaker 2: We know what the word is, but we also know

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Speaker 2: what it's not.

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Speaker 5: Right. We learned that I didn't expect today to be

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Speaker 5: s a t prep, but here I am getting a

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Speaker 5: Bogo deal.

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00:19:01,840 --> 00:19:02,880
Speaker 4: It's very exciting.

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00:19:03,640 --> 00:19:06,440
Speaker 2: Yeah. But we look at these words, you know, and

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Speaker 2: we break them down into pieces and we go, what

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Speaker 2: are we really dealing with?

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Speaker 1: Ear ring?

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Speaker 5: Common ring, common deer ring?

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Speaker 4: And it's just very.

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Speaker 2: Jerry's next show.

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00:19:21,520 --> 00:19:22,000
Speaker 3: It's time.

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00:19:23,440 --> 00:19:25,080
Speaker 2: He's done stand up mode in the past.

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Speaker 5: Correct, I'm a stand up, honey.

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00:19:27,600 --> 00:19:29,280
Speaker 2: Stand up? You play a stand up in the show?

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Speaker 4: I do you know?

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00:19:32,320 --> 00:19:34,200
Speaker 2: Honey? Judg's listening. Jud runs in.

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Speaker 4: Who's feeding you that?

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00:19:35,920 --> 00:19:36,199
Speaker 2: I'm in?

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00:19:36,720 --> 00:19:39,320
Speaker 1: Sorry, I'm getting Judge. Judge's patching in my headphones.

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Speaker 5: Jud's in Apatow or Ashley.

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Speaker 2: Judd, Judd Nelson. Sorry you got it? Yeah?

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00:19:47,040 --> 00:19:51,520
Speaker 1: Sorry, not Jode Abataw. It's Sherry. She's doing stand up.

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Speaker 1: Her name is Sherry. It's it's her. It's about stand ups.

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Speaker 1: It's about the world of stand ups. Jerry has a

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Speaker 1: bad breakup. Shea he's out of house. She's just kind

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00:20:04,160 --> 00:20:09,280
Speaker 1: of starting her career. She's on her own, and she's

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Speaker 1: has to go to all these other comedians, different comedian

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Speaker 1: every episode to ask if she can use their sink, right.

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Speaker 4: And I'm all thinking. It's called thinking.

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00:20:23,800 --> 00:20:26,760
Speaker 5: There's been so many versions of this, but not quite

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Speaker 5: like no.

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00:20:27,400 --> 00:20:29,480
Speaker 2: There has ads no, no, no.

401
00:20:29,000 --> 00:20:32,280
Speaker 5: No, there has been you know, like comedians.

402
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Speaker 4: You know that's fun.

403
00:20:33,760 --> 00:20:37,040
Speaker 3: There's been some inside comedy stuff, but nobody's really gotten

404
00:20:37,080 --> 00:20:40,160
Speaker 3: it right. And part of it is we just wholesale

405
00:20:40,240 --> 00:20:43,600
Speaker 3: ignore the idea that you need a sink to wash

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Speaker 3: your clothes.

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00:20:45,480 --> 00:20:51,160
Speaker 5: Right, and considering the drought really in California, I think

408
00:20:51,520 --> 00:20:53,520
Speaker 5: this is not only going to shine a light on,

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00:20:54,160 --> 00:20:56,479
Speaker 5: you know, the hustle and grind of the industry, but

410
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Speaker 5: also climate change.

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00:20:58,600 --> 00:21:02,320
Speaker 1: Sharing a sink, Hey, we actually just like everyone share

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00:21:02,359 --> 00:21:03,480
Speaker 1: the sink today.

413
00:21:03,960 --> 00:21:07,680
Speaker 5: Right exactly, we all get in there today. The sink

414
00:21:07,760 --> 00:21:10,280
Speaker 5: becomes the stage in the show. You know. It's like

415
00:21:10,320 --> 00:21:12,480
Speaker 5: we have what comedians and cars getting coffee, We have

416
00:21:12,600 --> 00:21:17,040
Speaker 5: comedians in sinks washing clothes. And I think that is

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00:21:17,119 --> 00:21:19,399
Speaker 5: what the industry needs. There's really a gap in the market,

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00:21:19,440 --> 00:21:21,199
Speaker 5: and I'm running with this. I kind of like this,

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Speaker 5: So who's who's attached?

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Speaker 3: Think about Well, I think we can get Jeff Garland sink.

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00:21:26,359 --> 00:21:29,040
Speaker 5: Okay, we can get his sinc Well, are there any

422
00:21:30,000 --> 00:21:30,680
Speaker 5: you know, plan B.

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00:21:31,280 --> 00:21:33,280
Speaker 4: If he doesn't accept the straight offer.

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Speaker 1: You're so like, you're its just Jeff Garland sink. You're

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00:21:38,920 --> 00:21:41,960
Speaker 1: having a party in his house. And then you're like,

426
00:21:42,040 --> 00:21:44,520
Speaker 1: oh no, like Jeff Garland came home, we can't see

427
00:21:44,600 --> 00:21:46,240
Speaker 1: we don't have Jeff, so like you can't see him.

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00:21:46,240 --> 00:21:48,359
Speaker 1: But everyone's like looking in a way that like, Okay,

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00:21:48,440 --> 00:21:49,520
Speaker 1: Jeff is obviously here.

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00:21:49,840 --> 00:21:50,760
Speaker 3: Yeah, they're scared.

431
00:21:51,440 --> 00:21:52,119
Speaker 2: The sink is on.

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00:21:53,000 --> 00:21:55,119
Speaker 1: All you can hear is like the sink running is

433
00:21:55,160 --> 00:21:57,040
Speaker 1: this like party is happening.

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00:21:57,119 --> 00:22:00,280
Speaker 5: Right, and we're wasting water? Okay, so I think, and.

435
00:22:00,200 --> 00:22:02,440
Speaker 3: We're shooting on film, right.

436
00:22:02,359 --> 00:22:04,560
Speaker 5: Shooting off film, and we only have we only have

437
00:22:04,600 --> 00:22:07,240
Speaker 5: a budget for twenty four hours. We can only shoot

438
00:22:07,240 --> 00:22:10,560
Speaker 5: the entire series in twenty four hours, right, because we

439
00:22:10,600 --> 00:22:13,000
Speaker 5: got filmed have Yeah, well that's the thing. We get

440
00:22:13,000 --> 00:22:15,479
Speaker 5: picked up for three seasons off the bat, which is insane.

441
00:22:15,520 --> 00:22:17,760
Speaker 5: I mean never before, you know, never stupid.

442
00:22:17,800 --> 00:22:18,880
Speaker 2: They should not have done that.

443
00:22:19,440 --> 00:22:22,080
Speaker 5: But they say, you have twenty four hours to shoot

444
00:22:22,080 --> 00:22:23,080
Speaker 5: three seasons.

445
00:22:22,800 --> 00:22:24,000
Speaker 3: And shooting in real time.

446
00:22:24,280 --> 00:22:26,600
Speaker 5: So we have this pressure, right and and and Jeff

447
00:22:26,680 --> 00:22:29,040
Speaker 5: is not there, but we're using his sink in this

448
00:22:29,040 --> 00:22:32,960
Speaker 5: this whole season, right, that.

449
00:22:33,080 --> 00:22:36,919
Speaker 1: Happens, Sherry, you're a comedian, right. They bring levity in

450
00:22:36,960 --> 00:22:39,840
Speaker 1: this situation. You put your umb over the sink faucet

451
00:22:40,000 --> 00:22:45,560
Speaker 1: and water spring everywhere, spring party exactly.

452
00:22:45,600 --> 00:22:47,560
Speaker 5: And then people have no choice but to take off

453
00:22:47,560 --> 00:22:50,840
Speaker 5: their clothes. Right, Everyone's now naked, everyone.

454
00:22:51,600 --> 00:22:54,520
Speaker 3: And we get some wild lines of people going Jeff's

455
00:22:54,560 --> 00:22:55,280
Speaker 3: okay with it.

456
00:22:55,400 --> 00:22:57,480
Speaker 2: Look, Jeff's joining the party.

457
00:22:57,760 --> 00:23:01,399
Speaker 5: Right, Jeff, don't do that with your hands, you know, Jeff,

458
00:23:02,400 --> 00:23:04,359
Speaker 5: watch where you put your.

459
00:23:05,000 --> 00:23:06,399
Speaker 4: Toes, you know, because.

460
00:23:09,920 --> 00:23:15,000
Speaker 5: Yeah, he's known to throw his falangies everywhere. So when

461
00:23:15,000 --> 00:23:20,760
Speaker 5: the sink is that close and that robust, I think

462
00:23:20,760 --> 00:23:23,720
Speaker 5: we're really telling a deeper narrative here, you know, when

463
00:23:23,760 --> 00:23:28,120
Speaker 5: things get out of control, you have to just have fun.

464
00:23:29,040 --> 00:23:31,280
Speaker 1: And then the camera also breaks, which is great because

465
00:23:31,320 --> 00:23:34,520
Speaker 1: we are never gonna like get this done, and so

466
00:23:34,680 --> 00:23:36,119
Speaker 1: we can just be like it broke.

467
00:23:38,560 --> 00:23:40,679
Speaker 3: Was so good that broke the camera.

468
00:23:40,800 --> 00:23:42,760
Speaker 2: I guess we need another one in twenty four more

469
00:23:42,800 --> 00:23:44,000
Speaker 2: hours of film please.

470
00:23:44,640 --> 00:23:47,040
Speaker 5: Well, but I think in that case, we we don't

471
00:23:47,040 --> 00:23:49,280
Speaker 5: have the budget because they promised us only so much,

472
00:23:49,320 --> 00:23:50,760
Speaker 5: so we would have to start to go fund me.

473
00:23:51,040 --> 00:23:52,199
Speaker 3: It's called breakage.

474
00:23:52,480 --> 00:23:56,480
Speaker 5: Yes, yeah, we would go fund me.

475
00:23:56,600 --> 00:23:59,159
Speaker 2: Yes, we're six hours into this production.

476
00:23:58,920 --> 00:24:02,760
Speaker 5: Is to fund We have eighteen hours left and we

477
00:24:02,840 --> 00:24:06,119
Speaker 5: need to raise money to finish the three seasons in

478
00:24:06,160 --> 00:24:11,320
Speaker 5: twenty four hours. And Jeff is refusing to vemo us anything, right,

479
00:24:11,359 --> 00:24:14,040
Speaker 5: He's not gonna he's not putting the dollar in the

480
00:24:14,280 --> 00:24:15,280
Speaker 5: tip jars to start it.

481
00:24:15,640 --> 00:24:18,000
Speaker 1: Oh and he won't even have his wet clothes be

482
00:24:18,080 --> 00:24:21,439
Speaker 1: the gift for he said, for the person, I give.

483
00:24:21,320 --> 00:24:23,200
Speaker 4: You the sink, he said, I'll give you the sink.

484
00:24:23,320 --> 00:24:24,199
Speaker 5: That's all I'm gonna do.

485
00:24:25,200 --> 00:24:28,120
Speaker 4: And so we we go public about.

486
00:24:27,880 --> 00:24:31,040
Speaker 1: It, but maybe we can take it handle public. I

487
00:24:31,080 --> 00:24:33,600
Speaker 1: agree that it's type to shame Jeff publicly.

488
00:24:34,440 --> 00:24:37,320
Speaker 3: I think we do need to put Jeff on blast.

489
00:24:38,119 --> 00:24:40,760
Speaker 2: I do want to say one of the awards that

490
00:24:40,800 --> 00:24:43,440
Speaker 2: you get if you contribute enough to be an executive

491
00:24:43,480 --> 00:24:46,719
Speaker 2: producer two million dollars two million dollars, is that we

492
00:24:46,800 --> 00:24:49,960
Speaker 2: also send you one of Jeff's the cold handle from

493
00:24:50,000 --> 00:24:55,160
Speaker 2: his sake, from his foster, the cold handle unbeknown.

494
00:24:54,800 --> 00:24:56,960
Speaker 1: Let's talk about that. Is now we're gonna have to

495
00:24:57,000 --> 00:24:59,560
Speaker 1: if we're taking the handles off, they're gonna have to

496
00:24:59,560 --> 00:25:03,840
Speaker 1: come off in the on position because we're gonna.

497
00:25:03,520 --> 00:25:11,680
Speaker 5: Needing right to not stop flowing. We need constant options.

498
00:25:11,680 --> 00:25:14,560
Speaker 1: So once the handles off right, either this thing is

499
00:25:14,600 --> 00:25:15,560
Speaker 1: either running or not.

500
00:25:16,440 --> 00:25:18,399
Speaker 5: Or because otherwise we would just have hot water.

501
00:25:18,960 --> 00:25:20,280
Speaker 3: Yeah, we would have hot water.

502
00:25:20,400 --> 00:25:23,960
Speaker 5: Still everyone would be naked and have burned skin.

503
00:25:23,920 --> 00:25:26,080
Speaker 1: Because we're not giving that on the way. We're just

504
00:25:26,160 --> 00:25:27,400
Speaker 1: having really hot water.

505
00:25:27,520 --> 00:25:28,119
Speaker 2: Come out of the.

506
00:25:28,920 --> 00:25:31,679
Speaker 5: If you have to choose the option between hot forever

507
00:25:31,800 --> 00:25:33,479
Speaker 5: or cold forever, what would you choose?

508
00:25:35,320 --> 00:25:36,240
Speaker 4: I think hot forever.

509
00:25:38,520 --> 00:25:41,280
Speaker 2: Yeah, you have to have hot water.

510
00:25:41,720 --> 00:25:42,520
Speaker 4: Because here's the thing.

511
00:25:42,640 --> 00:25:46,520
Speaker 5: Cold can never become warm, but hot can become cold.

512
00:25:46,640 --> 00:25:51,960
Speaker 2: Well, in fact, cold can other heating. I've been experimenting

513
00:25:52,000 --> 00:25:52,320
Speaker 2: with this.

514
00:25:54,400 --> 00:25:57,359
Speaker 5: Yeah, what did you find in your in your scientific method?

515
00:25:57,880 --> 00:26:01,639
Speaker 3: I found that you were right, really okay, I was.

516
00:26:01,760 --> 00:26:03,480
Speaker 3: I was talking out of the side of my neck

517
00:26:03,520 --> 00:26:04,080
Speaker 3: on this one.

518
00:26:04,520 --> 00:26:06,960
Speaker 2: I just assumed you could heat up cold water because

519
00:26:07,000 --> 00:26:10,720
Speaker 2: I'm thinking, well, the issue is I guess you would

520
00:26:10,760 --> 00:26:13,359
Speaker 2: heat it with fire, but the water puts out the fire.

521
00:26:14,040 --> 00:26:16,080
Speaker 4: Right, it's another chicken.

522
00:26:16,160 --> 00:26:17,840
Speaker 2: Now you've got two problems.

523
00:26:18,400 --> 00:26:20,760
Speaker 5: Another chicken in the egg mystic in the river situation.

524
00:26:21,800 --> 00:26:24,080
Speaker 2: But I cut you off. You were gonna shame Jeff Garland,

525
00:26:25,160 --> 00:26:31,520
Speaker 2: but it's really hot. So we're dragging Jeff Garland's name

526
00:26:31,520 --> 00:26:33,160
Speaker 2: out in the street. You were gonna put him out

527
00:26:33,160 --> 00:26:34,840
Speaker 2: and put his business in the street. And I was

528
00:26:34,880 --> 00:26:37,760
Speaker 2: thinking maybe it would be that would be the video

529
00:26:37,880 --> 00:26:41,320
Speaker 2: on the Kickstarter page. So you launch and it goes like, hey,

530
00:26:41,320 --> 00:26:43,400
Speaker 2: we're here to talk to you about a really exciting project,

531
00:26:43,440 --> 00:26:47,840
Speaker 2: and we wish it was under better circumstances because Jeff Garland,

532
00:26:49,280 --> 00:26:51,520
Speaker 2: well I just been talking.

533
00:26:51,240 --> 00:26:54,920
Speaker 5: To That's when I would sit Jeff down and be like,

534
00:26:54,960 --> 00:26:57,600
Speaker 5: you know what, like this is gonna mean a lot

535
00:26:57,680 --> 00:27:03,640
Speaker 5: for the water community and the sink movement, and I'm

536
00:27:03,640 --> 00:27:07,359
Speaker 5: going to force him to read off two cards that

537
00:27:07,440 --> 00:27:11,400
Speaker 5: I write much like a puppet to bring that back.

538
00:27:11,880 --> 00:27:13,480
Speaker 4: Yeah, and he'll have to read it.

539
00:27:13,440 --> 00:27:16,520
Speaker 5: Because he'll feel really guilty because he provided the sink

540
00:27:16,760 --> 00:27:19,159
Speaker 5: and nothing else. And because I'm so charming in a

541
00:27:19,280 --> 00:27:22,119
Speaker 5: ray of light, just like Ellie Kemper, I think I

542
00:27:22,119 --> 00:27:25,760
Speaker 5: can convince him to make this video asking people to

543
00:27:25,800 --> 00:27:27,439
Speaker 5: donate one million.

544
00:27:28,680 --> 00:27:30,719
Speaker 1: He did the puppets, he did Elie Kemper, Can we do?

545
00:27:31,119 --> 00:27:32,040
Speaker 1: Can we do one more?

546
00:27:32,720 --> 00:27:33,880
Speaker 4: Wells River?

547
00:27:34,400 --> 00:27:37,520
Speaker 1: We read that earlier thing.

548
00:27:38,520 --> 00:27:44,320
Speaker 5: So that's when Nissi Nash will come in as well. Okay,

549
00:27:44,400 --> 00:27:47,119
Speaker 5: So because what do we love about what do we

550
00:27:47,200 --> 00:27:50,160
Speaker 5: love about celebrity PSAs? When there's two of them, two

551
00:27:50,280 --> 00:27:52,280
Speaker 5: that you would never expect, two that you would never

552
00:27:52,320 --> 00:27:55,760
Speaker 5: expect to be in a room together, That's what people

553
00:27:55,800 --> 00:27:57,800
Speaker 5: want to see in a PSA. That's what's actually going

554
00:27:57,880 --> 00:27:59,760
Speaker 5: to get the numbers up. That's what's going to get

555
00:27:59,760 --> 00:28:03,240
Speaker 5: people donating is when they see two celebrities that would

556
00:28:03,280 --> 00:28:04,760
Speaker 5: never be got in a room together.

557
00:28:05,160 --> 00:28:14,960
Speaker 2: Yeah. Next show, Sherry, do you sing it all?

558
00:28:16,000 --> 00:28:16,520
Speaker 4: I dabble?

559
00:28:17,160 --> 00:28:20,160
Speaker 2: Yeah? Are you do you sing? Are you really good?

560
00:28:21,040 --> 00:28:22,120
Speaker 4: Do I see?

561
00:28:22,760 --> 00:28:25,639
Speaker 2: WHOA see?

562
00:28:26,840 --> 00:28:27,119
Speaker 3: Well?

563
00:28:27,160 --> 00:28:29,359
Speaker 2: Actually it doesn't matter if you do or not. So

564
00:28:29,520 --> 00:28:36,600
Speaker 2: this show is called car wash Karaoke, so it's very

565
00:28:36,640 --> 00:28:39,760
Speaker 2: similar to carpool karaoke, but it all takes place inside

566
00:28:39,760 --> 00:28:45,120
Speaker 2: a very loud drive through car wash. So the bubbles,

567
00:28:45,480 --> 00:28:51,240
Speaker 2: the sweepers, the spinners, the wax, the loud fans, the

568
00:28:51,280 --> 00:28:55,080
Speaker 2: water sprang over you. This is happening throughout the songs.

569
00:28:55,440 --> 00:28:59,080
Speaker 2: We can't really hear you. Maybe on the bottom we

570
00:28:59,120 --> 00:29:01,680
Speaker 2: would have the lear written out or something so people

571
00:29:01,680 --> 00:29:04,320
Speaker 2: could imagine the song. But you also get the effect

572
00:29:04,400 --> 00:29:08,560
Speaker 2: of being inside a drive through car wash now right. Unfortunately,

573
00:29:08,560 --> 00:29:10,800
Speaker 2: we do have to shoot on weekends and the line

574
00:29:10,840 --> 00:29:13,360
Speaker 2: is pretty long, so it takes a while to get in,

575
00:29:13,600 --> 00:29:16,040
Speaker 2: and then you're only in for about three minutes and

576
00:29:16,040 --> 00:29:17,680
Speaker 2: then you do have to get back in line and

577
00:29:17,680 --> 00:29:20,480
Speaker 2: it's gonna be probably another fourteen minutes before you're inside.

578
00:29:21,280 --> 00:29:22,800
Speaker 2: You can't talk during that time.

579
00:29:23,960 --> 00:29:27,479
Speaker 5: M right, and you mentioned this to me before, and

580
00:29:27,560 --> 00:29:30,520
Speaker 5: I really really I'm all for it. I'm like, my

581
00:29:30,520 --> 00:29:33,040
Speaker 5: my hat is in the fucking bucket, you know that.

582
00:29:33,280 --> 00:29:36,400
Speaker 2: Saying sweeper spinner the bubbles.

583
00:29:36,040 --> 00:29:41,120
Speaker 5: Right, yeah, right. And then I about this idea, this

584
00:29:41,160 --> 00:29:42,959
Speaker 5: show is going to be a standout because you know,

585
00:29:43,720 --> 00:29:45,800
Speaker 5: what people don't know is that there's actually no car.

586
00:29:46,440 --> 00:29:49,040
Speaker 5: It's gonna be two people walking through a.

587
00:29:49,000 --> 00:29:51,600
Speaker 1: Drive, walking like a city down position.

588
00:29:51,760 --> 00:29:54,160
Speaker 5: Yeah, right in the city down position. This is this

589
00:29:54,240 --> 00:29:56,440
Speaker 5: is this is really a fitness show, you know, because

590
00:29:56,760 --> 00:29:59,840
Speaker 5: people will come onto the show with no ass and

591
00:29:59,840 --> 00:30:04,640
Speaker 5: the and their glutes will be amplified from hard to sit.

592
00:30:04,600 --> 00:30:06,760
Speaker 1: And walk like that for fourteen minutes.

593
00:30:06,920 --> 00:30:08,680
Speaker 2: I don't think I've talked to you about this, but

594
00:30:08,760 --> 00:30:12,000
Speaker 2: I do also think there should be like a little

595
00:30:12,040 --> 00:30:16,960
Speaker 2: post credit sting where you are applying the vacuum to yourself,

596
00:30:18,440 --> 00:30:18,560
Speaker 2: you know.

597
00:30:18,960 --> 00:30:21,320
Speaker 3: I think you come through and they've got that hooked.

598
00:30:21,080 --> 00:30:21,520
Speaker 2: Up before you.

599
00:30:22,160 --> 00:30:22,560
Speaker 4: I think.

600
00:30:22,640 --> 00:30:26,000
Speaker 5: I think, because it's so focused on the karaoke aspect,

601
00:30:26,080 --> 00:30:31,160
Speaker 5: I think the last challenge of this show, yeah, you know,

602
00:30:31,360 --> 00:30:36,880
Speaker 5: no title, it's just I think that's kind of cool. Yeah,

603
00:30:37,040 --> 00:30:39,080
Speaker 5: I think the challenge at the end of the show

604
00:30:39,680 --> 00:30:42,760
Speaker 5: the last you know, big bang, is that the guest

605
00:30:43,240 --> 00:30:47,680
Speaker 5: sings a song that makes them cry, but I'm vacuuming.

606
00:30:48,040 --> 00:30:49,320
Speaker 4: I'm vacuuming their lips.

607
00:30:49,840 --> 00:30:52,240
Speaker 2: Oh yeah, yeah, you know. So it looks like they're

608
00:30:52,280 --> 00:30:55,080
Speaker 2: crying because they're getting their lips vacuumed, and it's very exactly.

609
00:30:55,640 --> 00:30:58,920
Speaker 4: But really what it is is therapy. It's it's it's

610
00:30:59,120 --> 00:30:59,680
Speaker 4: the therapy.

611
00:30:59,760 --> 00:31:02,280
Speaker 5: It's version of therapy that I think, you know, needs

612
00:31:02,320 --> 00:31:05,240
Speaker 5: to be talked about a little more. You know, let's

613
00:31:05,280 --> 00:31:11,240
Speaker 5: stop the stigma around mouth vacuum, mouth vacuum therapy, mouth.

614
00:31:11,120 --> 00:31:13,160
Speaker 3: Vacuum song therapy.

615
00:31:14,240 --> 00:31:17,520
Speaker 2: Has been written off as one of these new age,

616
00:31:17,760 --> 00:31:18,120
Speaker 2: you know.

617
00:31:19,520 --> 00:31:21,160
Speaker 3: Hippie granola crap things.

618
00:31:22,160 --> 00:31:27,160
Speaker 2: Sure, it's helped people make some really important breakthroughs.

619
00:31:27,200 --> 00:31:31,560
Speaker 5: It's like this is like ayahuasca. Okay, it is healing.

620
00:31:31,840 --> 00:31:36,280
Speaker 2: Yeah it is. It makes you throw up right there.

621
00:31:36,840 --> 00:31:41,400
Speaker 5: Yeah, emotional medicine, but just a more and more less messy,

622
00:31:41,560 --> 00:31:42,160
Speaker 5: less messy.

623
00:31:43,600 --> 00:31:48,120
Speaker 2: Next show, This one's called Baseball Brown.

624
00:31:50,600 --> 00:31:54,720
Speaker 1: It's the eighties m M and a high powered executive

625
00:31:55,840 --> 00:31:59,040
Speaker 1: Cherry mm hmm is fighting for a spot in the

626
00:31:59,080 --> 00:32:04,120
Speaker 1: c suite the big company, big good, huge firm. But

627
00:32:04,240 --> 00:32:06,760
Speaker 1: it's this era, and no one will take her seriously

628
00:32:07,720 --> 00:32:12,680
Speaker 1: because she's a woman, and because her name is Baseball Brown, right,

629
00:32:13,680 --> 00:32:17,280
Speaker 1: And so it's about this character trying to fight for

630
00:32:17,600 --> 00:32:23,560
Speaker 1: respect in this male dominated world. And also someone who's

631
00:32:24,080 --> 00:32:28,520
Speaker 1: name is Baseball Brown refuses to change it, and that

632
00:32:28,640 --> 00:32:30,760
Speaker 1: like in this people are just like, we cannot have

633
00:32:30,840 --> 00:32:36,080
Speaker 1: someone with this name lead, like being like leading our companies.

634
00:32:36,880 --> 00:32:38,400
Speaker 2: And remind me, too bad.

635
00:32:39,160 --> 00:32:40,560
Speaker 5: Remind me what the company is.

636
00:32:41,560 --> 00:32:42,680
Speaker 1: It's a firm.

637
00:32:43,000 --> 00:32:43,560
Speaker 4: It's a firm.

638
00:32:43,640 --> 00:32:46,760
Speaker 3: It's and it's a premier firm.

639
00:32:46,840 --> 00:32:48,000
Speaker 1: It's one of the major.

640
00:32:47,880 --> 00:32:51,680
Speaker 5: Premiere firm, major firms, premier firms where everyone has a

641
00:32:51,720 --> 00:32:56,040
Speaker 5: title like creative exec and you know junior a junior

642
00:32:56,080 --> 00:33:04,960
Speaker 5: assistant and and and and you know executive coordinator right

643
00:33:05,120 --> 00:33:08,000
Speaker 5: right right right, right right right right. And I think

644
00:33:08,320 --> 00:33:15,120
Speaker 5: because Basse Brown, Bass Brown, because Baseball Brown, right, our protagonist,

645
00:33:15,520 --> 00:33:19,080
Speaker 5: our protagonist comes into this world as a female, just

646
00:33:19,120 --> 00:33:23,120
Speaker 5: this creature that didn't exist back in the what is it.

647
00:33:24,840 --> 00:33:26,600
Speaker 2: Eighties? They didn't have it eighties.

648
00:33:26,760 --> 00:33:30,840
Speaker 5: Baseball Brown was the very first female woman to exist

649
00:33:30,880 --> 00:33:33,560
Speaker 5: in the eighties. And that already is a slap in

650
00:33:33,600 --> 00:33:36,400
Speaker 5: the face for all these men at the firm. You know,

651
00:33:36,520 --> 00:33:40,000
Speaker 5: and the presidents of the firm, the CEOs of the firm,

652
00:33:40,080 --> 00:33:43,240
Speaker 5: the CEO president, which is also another title at this.

653
00:33:43,240 --> 00:33:47,920
Speaker 1: Firm, and they're very freaked out and honestly in like

654
00:33:48,560 --> 00:33:51,920
Speaker 1: this unrelatable to us. And these times I see a

655
00:33:51,920 --> 00:33:57,000
Speaker 1: woman and I'm extremely comfortable. But back then these people

656
00:33:57,040 --> 00:34:01,000
Speaker 1: are like, in fairness, you know, to this EO executive,

657
00:34:01,080 --> 00:34:03,000
Speaker 1: like we're not paying them as monsters.

658
00:34:03,080 --> 00:34:06,520
Speaker 2: What we're saying is they had not seen this before.

659
00:34:07,840 --> 00:34:11,160
Speaker 5: Was freaky, I think, you know, because this firm is

660
00:34:11,239 --> 00:34:17,000
Speaker 5: so uh you know, there's the chief Junior department, you know,

661
00:34:17,120 --> 00:34:20,680
Speaker 5: and they're and there's the yeah, and there's the Varsity

662
00:34:22,480 --> 00:34:25,439
Speaker 5: Higher Ups department. That's what they call the varsity higher Ups.

663
00:34:26,160 --> 00:34:31,240
Speaker 5: And you know, Baseball Brown coming in with such specificity

664
00:34:32,000 --> 00:34:37,200
Speaker 5: is what terrifies Baseball. Well, that's the thing this firm

665
00:34:37,280 --> 00:34:42,520
Speaker 5: is afraid of. Baseball Brown is coming in knowing who

666
00:34:42,520 --> 00:34:45,400
Speaker 5: the fuck she is and a company that is a

667
00:34:45,440 --> 00:34:49,000
Speaker 5: little unsure, right, everyone has a title, but no one

668
00:34:49,000 --> 00:34:51,200
Speaker 5: has a purpose. And the fact that she is coming

669
00:34:51,239 --> 00:34:54,520
Speaker 5: in hot as the first woman named Baseball Brown. First

670
00:34:54,520 --> 00:34:57,759
Speaker 5: of all, baseball wasn't even invented, let alone colors, let

671
00:34:57,800 --> 00:35:02,920
Speaker 5: alone colors so Baseball am Brown foreign language to these firmers,

672
00:35:03,080 --> 00:35:04,120
Speaker 5: you know, so.

673
00:35:05,160 --> 00:35:10,680
Speaker 2: Here to see the chief junior mega executive vice financial

674
00:35:10,680 --> 00:35:13,920
Speaker 2: operations leader, in charge of the.

675
00:35:15,840 --> 00:35:19,200
Speaker 5: Alpha beta omega and.

676
00:35:19,200 --> 00:35:23,920
Speaker 1: So she Ultimately they figure out like they're like, this

677
00:35:24,000 --> 00:35:25,960
Speaker 1: firm doesn't make anything.

678
00:35:26,719 --> 00:35:32,080
Speaker 2: Nope, And what they decide is they're going to make games.

679
00:35:32,120 --> 00:35:34,000
Speaker 2: They're gonna invent games. Yeah.

680
00:35:34,239 --> 00:35:36,000
Speaker 5: Right, so we're going to invent games.

681
00:35:36,200 --> 00:35:37,839
Speaker 2: What game of the event?

682
00:35:37,840 --> 00:35:41,000
Speaker 1: I guess they should name it after nobleman who earned

683
00:35:41,000 --> 00:35:42,200
Speaker 1: all their respect.

684
00:35:42,360 --> 00:35:43,080
Speaker 4: Baseball Brown.

685
00:35:43,200 --> 00:35:46,399
Speaker 5: I was gonna stay Mystic Rivers, but I think they

686
00:35:46,719 --> 00:35:47,480
Speaker 5: definitely name.

687
00:35:47,360 --> 00:35:48,400
Speaker 1: It completely different.

688
00:35:50,560 --> 00:35:52,960
Speaker 5: That is just off the rails. No, but here's the thing.

689
00:35:53,000 --> 00:35:56,080
Speaker 5: That's what's gonna happen in the show Baseball Brown. Right,

690
00:35:56,480 --> 00:36:00,799
Speaker 5: they she she finally claims her space at this finally

691
00:36:00,880 --> 00:36:04,120
Speaker 5: they respect her. They they kiss her feet, and then

692
00:36:04,239 --> 00:36:06,480
Speaker 5: another woman comes in.

693
00:36:06,800 --> 00:36:08,840
Speaker 3: Uh oh that's complicated.

694
00:36:09,120 --> 00:36:12,400
Speaker 5: Yeah, another woman and her name is Mistic Rivers. And

695
00:36:12,440 --> 00:36:12,960
Speaker 5: that's the thing.

696
00:36:13,040 --> 00:36:15,600
Speaker 4: It's very important. It's very important for us to see

697
00:36:15,640 --> 00:36:16,759
Speaker 4: both sides, you know.

698
00:36:16,800 --> 00:36:20,520
Speaker 5: So mister Rivers comes in, we have to see both sides.

699
00:36:20,560 --> 00:36:23,680
Speaker 2: Absolutely on one side of this.

700
00:36:25,200 --> 00:36:25,800
Speaker 4: It's amazing.

701
00:36:26,320 --> 00:36:29,800
Speaker 2: Pissed man yeah, yeah, no, that's not fair.

702
00:36:31,440 --> 00:36:34,359
Speaker 4: Are you Baseball Brown or mister Rivers right now?

703
00:36:34,920 --> 00:36:38,520
Speaker 3: And emotionally no, I'm oh, I'm a viewer. I mean

704
00:36:38,520 --> 00:36:43,440
Speaker 3: that's what always the audience, and I am always first,

705
00:36:43,440 --> 00:36:45,759
Speaker 3: I'm a viewer first. I'm never.

706
00:36:46,440 --> 00:36:49,520
Speaker 2: I love TV. Good.

707
00:36:50,480 --> 00:36:54,160
Speaker 3: TV is so good, we love watching it.

708
00:36:54,840 --> 00:36:58,479
Speaker 5: Watching TV just episode after episode is what gets me off.

709
00:36:58,920 --> 00:37:03,080
Speaker 5: It really is. And that's why blasting off. I mean,

710
00:37:03,400 --> 00:37:05,759
Speaker 5: that's why I got the you know, waterproof. I got

711
00:37:05,760 --> 00:37:08,880
Speaker 5: the Waterproof Plasma because of that reason.

712
00:37:08,920 --> 00:37:11,360
Speaker 1: It has to be protected from all the blasting office.

713
00:37:11,400 --> 00:37:12,799
Speaker 3: So I want to be able to watch TV.

714
00:37:12,880 --> 00:37:17,239
Speaker 5: Again, these are disposable TVs. No, we have to keep up.

715
00:37:17,320 --> 00:37:21,919
Speaker 2: We wanted to watch TV, not wash TV. Yeah right, yeah,

716
00:37:22,000 --> 00:37:22,479
Speaker 2: and I don't.

717
00:37:23,520 --> 00:37:26,840
Speaker 5: Yeah, you want to you we can vacuum it, but

718
00:37:26,920 --> 00:37:27,719
Speaker 5: you can't wash it.

719
00:37:29,520 --> 00:37:32,440
Speaker 1: Vac by experience does not work very well.

720
00:37:32,560 --> 00:37:38,920
Speaker 5: No, You and Mystic Rivers then get a spin off, okay,

721
00:37:39,000 --> 00:37:40,680
Speaker 5: and that this is where the money happens.

722
00:37:41,040 --> 00:37:42,359
Speaker 4: Okay, And and and.

723
00:37:42,640 --> 00:37:48,040
Speaker 5: This show is actually called Waterproof Plasma because wow.

724
00:37:47,840 --> 00:37:49,920
Speaker 2: It's it's named after the thing that you were just

725
00:37:50,120 --> 00:37:53,640
Speaker 2: talking about. I think this actually could could tie into

726
00:37:53,719 --> 00:37:56,880
Speaker 2: an idea that I had and I do show. I

727
00:37:56,920 --> 00:37:59,960
Speaker 2: do think they could work together and you'll see where

728
00:38:00,040 --> 00:38:05,000
Speaker 2: I'm going. This show can have Baseball Brown and Mystic

729
00:38:05,080 --> 00:38:09,200
Speaker 2: Rivers At you know, as two of the leads. Because

730
00:38:10,000 --> 00:38:13,280
Speaker 2: the show I'm I'm Gonna Pitch You is called Cone Hands.

731
00:38:14,560 --> 00:38:18,400
Speaker 2: Remember cone Heads? Mm hmm, well what else could be

732
00:38:18,400 --> 00:38:19,160
Speaker 2: a cone? Right?

733
00:38:19,360 --> 00:38:21,440
Speaker 3: First of all, the heads totally took me out of it.

734
00:38:21,520 --> 00:38:22,040
Speaker 2: But what if?

735
00:38:22,640 --> 00:38:24,799
Speaker 3: What if their hands were cones? And what if really

736
00:38:24,800 --> 00:38:28,760
Speaker 3: they're just kind of holding them like this? In that case,

737
00:38:28,840 --> 00:38:31,759
Speaker 3: then it's more normal. It doesn't like freak me out.

738
00:38:31,800 --> 00:38:33,799
Speaker 3: I'm not going like what the fuck? I like don't

739
00:38:33,800 --> 00:38:34,560
Speaker 3: want to watch this?

740
00:38:35,160 --> 00:38:38,520
Speaker 2: And my concept is it's a bit of a period

741
00:38:38,560 --> 00:38:41,680
Speaker 2: piece and I think it could be. I guess you're

742
00:38:41,680 --> 00:38:44,280
Speaker 2: already playing Baseball Brown, so you'll be doing double duty

743
00:38:44,640 --> 00:38:48,040
Speaker 2: because it's gonna be you as the head of the

744
00:38:48,080 --> 00:38:53,480
Speaker 2: cone Hans family along with Justin Long, French Stewart, and

745
00:38:53,800 --> 00:39:00,480
Speaker 2: Kristen Bell and you four are dropped into two thousand

746
00:39:00,520 --> 00:39:01,680
Speaker 2: and three to.

747
00:39:01,680 --> 00:39:02,640
Speaker 3: Save Circuit City.

748
00:39:03,040 --> 00:39:05,759
Speaker 2: Circuit City can't go out of business, and wouldn't it

749
00:39:05,800 --> 00:39:08,040
Speaker 2: be nice if the way they were saved was that

750
00:39:08,080 --> 00:39:10,600
Speaker 2: they're the only ones that have the waterproof plasmas, and

751
00:39:10,640 --> 00:39:14,200
Speaker 2: everyone who's blasting off on TVs needs to come to.

752
00:39:14,239 --> 00:39:18,640
Speaker 3: The Cone hands. Who who couldn't get hired anywhere?

753
00:39:18,800 --> 00:39:22,000
Speaker 2: But Baseball Brown knows what it's like to be discriminated

754
00:39:22,000 --> 00:39:24,960
Speaker 2: against for being a little different, doesn't she because of

755
00:39:25,040 --> 00:39:30,000
Speaker 2: her funny name, right and being the first woman. So

756
00:39:30,040 --> 00:39:32,719
Speaker 2: now the cone hands are working at Circuit City and

757
00:39:32,760 --> 00:39:34,920
Speaker 2: they're and they're in there, and they're saying, by this

758
00:39:35,000 --> 00:39:38,920
Speaker 2: waterproof plasma, and you know who knows who else is there? Right?

759
00:39:40,200 --> 00:39:40,839
Speaker 4: Who? I think?

760
00:39:40,920 --> 00:39:41,400
Speaker 5: For sure?

761
00:39:42,040 --> 00:39:43,320
Speaker 4: Jason Biggs is there?

762
00:39:43,800 --> 00:39:45,600
Speaker 2: Okay, Okay, yes.

763
00:39:45,560 --> 00:39:50,640
Speaker 4: Jason Biggs there. So is Nev Campbell?

764
00:39:51,520 --> 00:39:51,719
Speaker 5: Yeah?

765
00:39:51,760 --> 00:39:58,040
Speaker 2: Sure, Biscuits Sea Biscuits. Bro there. Can we get Whitney?

766
00:39:58,600 --> 00:39:59,920
Speaker 2: Can we get Whitney Cummings?

767
00:40:01,200 --> 00:40:03,799
Speaker 5: We can't. We could get Whitney comminges the guest star.

768
00:40:04,000 --> 00:40:06,719
Speaker 5: We could get her the guest stars the pilot for sure,

769
00:40:07,320 --> 00:40:08,880
Speaker 5: her sink is there.

770
00:40:09,560 --> 00:40:09,880
Speaker 2: Mmmm.

771
00:40:10,200 --> 00:40:11,200
Speaker 4: So that's that's the thing.

772
00:40:11,239 --> 00:40:14,640
Speaker 5: So because Circus City not only sold TVs, they also

773
00:40:14,760 --> 00:40:17,560
Speaker 5: sold kitchen ware, right, So that was that's the whole thing,

774
00:40:17,600 --> 00:40:18,560
Speaker 5: the drama.

775
00:40:18,560 --> 00:40:20,520
Speaker 4: Within you know Circuit City.

776
00:40:20,520 --> 00:40:23,359
Speaker 5: There's the villains, right, there's the villains and then there's

777
00:40:23,400 --> 00:40:27,000
Speaker 5: the cone hands. So because Baseball Brown was the very

778
00:40:27,040 --> 00:40:30,480
Speaker 5: first woman ever and in the eighties we cut to

779
00:40:30,520 --> 00:40:33,680
Speaker 5: two thousand and three, they're the first cone hands ever,

780
00:40:34,040 --> 00:40:34,720
Speaker 5: you know, so.

781
00:40:34,920 --> 00:40:39,680
Speaker 2: They've been resilient figured with these new these new we

782
00:40:41,080 --> 00:40:45,000
Speaker 2: have to deal with the cone hands exactly like I

783
00:40:45,040 --> 00:40:46,600
Speaker 2: can't hold my lunch.

784
00:40:47,160 --> 00:40:49,960
Speaker 5: Exactly exactly, so they have to hold it with their mouths.

785
00:40:50,160 --> 00:40:51,360
Speaker 4: They have to hold it with their mouths.

786
00:40:51,520 --> 00:40:55,000
Speaker 5: And they do that through and through in order to

787
00:40:55,000 --> 00:40:57,200
Speaker 5: fight away the kitchen.

788
00:40:56,840 --> 00:40:59,839
Speaker 4: Where folks the villains, through and through.

789
00:41:00,480 --> 00:41:03,840
Speaker 5: And here's the thing that they The plot twist of

790
00:41:03,880 --> 00:41:07,600
Speaker 5: it all is that Kristen Bell the entire time was

791
00:41:07,640 --> 00:41:13,279
Speaker 5: faking it. Wow wowe hand not a cone hand. So

792
00:41:13,360 --> 00:41:19,280
Speaker 5: that happens probably episode seven of season eight. We we

793
00:41:19,280 --> 00:41:24,640
Speaker 5: were duped up until episode seven season eight. Miss Bell

794
00:41:25,000 --> 00:41:28,000
Speaker 5: turns out to be a normal hand.

795
00:41:28,080 --> 00:41:31,239
Speaker 1: Okay, and Baseball Brown is there, and so baseball has

796
00:41:31,239 --> 00:41:33,480
Speaker 1: been invented at this point, and Baseball Brown is kind

797
00:41:33,520 --> 00:41:36,760
Speaker 1: of like tossing her namesake the ball.

798
00:41:36,640 --> 00:41:40,520
Speaker 2: Up and down and then she exactly, hey, we think, hey,

799
00:41:40,840 --> 00:41:45,880
Speaker 2: cone hand, and then she tosses the baseball exactly and

800
00:41:45,960 --> 00:41:48,880
Speaker 2: christ Bell is like catches.

801
00:41:48,520 --> 00:41:51,120
Speaker 5: It exactly just that sound as well. That sound is

802
00:41:51,120 --> 00:41:53,960
Speaker 5: what it makes. And everyone in Circuit City at this

803
00:41:54,080 --> 00:41:57,080
Speaker 5: point turns their heads, snaps their necks.

804
00:41:57,200 --> 00:42:00,400
Speaker 2: See what the heck just arnd just came in. Oh sorry, Kevin,

805
00:42:00,440 --> 00:42:03,200
Speaker 2: just this piece of dialogue down. This is just a

806
00:42:03,280 --> 00:42:07,000
Speaker 2: character piece. I think we're gonna want this. It's what

807
00:42:07,120 --> 00:42:09,960
Speaker 2: is it about tossing the mee ball around that always

808
00:42:09,960 --> 00:42:10,759
Speaker 2: helps me thick?

809
00:42:12,160 --> 00:42:12,880
Speaker 3: That's a baseball?

810
00:42:13,960 --> 00:42:14,319
Speaker 5: Got it?

811
00:42:14,400 --> 00:42:16,720
Speaker 1: No, her name is baseball, So.

812
00:42:17,640 --> 00:42:20,080
Speaker 5: What is it about tossing the me ball around that

813
00:42:20,239 --> 00:42:21,200
Speaker 5: really makes me sink?

814
00:42:23,239 --> 00:42:23,640
Speaker 2: Wow?

815
00:42:24,040 --> 00:42:27,040
Speaker 3: Okay, huge wow?

816
00:42:27,320 --> 00:42:27,680
Speaker 2: And then.

817
00:42:29,480 --> 00:42:31,880
Speaker 1: Right, because are we are we saying that? And this,

818
00:42:32,080 --> 00:42:34,520
Speaker 1: I guess kind of makes sense in the early incarnation

819
00:42:35,840 --> 00:42:38,640
Speaker 1: her name is baseball, so the me ball would imply

820
00:42:38,800 --> 00:42:41,239
Speaker 1: that in the early days of this invention that they

821
00:42:41,280 --> 00:42:43,839
Speaker 1: have been calling it baseball ball, or that the ball

822
00:42:43,920 --> 00:42:46,279
Speaker 1: is actually called the baseball ball, which honestly is what

823
00:42:46,320 --> 00:42:47,360
Speaker 1: it should be called.

824
00:42:47,400 --> 00:42:50,680
Speaker 5: Absolutely, So this is this is and I did this,

825
00:42:51,960 --> 00:42:54,000
Speaker 5: yeah right, And I know this is very based on

826
00:42:54,040 --> 00:42:56,600
Speaker 5: a tender true story, and I didn't actually like fill

827
00:42:56,640 --> 00:42:59,279
Speaker 5: you guys in on the realness of the situation. In

828
00:42:59,280 --> 00:43:01,680
Speaker 5: the nineteen eighty when Baseball Brown was the first woman

829
00:43:01,760 --> 00:43:06,239
Speaker 5: in this firm, this very misogynistic, sexist firm. They in

830
00:43:06,280 --> 00:43:08,799
Speaker 5: the first few days that she was working there, they

831
00:43:08,800 --> 00:43:10,719
Speaker 5: would toss her around like a baseball.

832
00:43:11,160 --> 00:43:13,640
Speaker 4: They would wow, hold baseball.

833
00:43:13,280 --> 00:43:17,120
Speaker 5: Brown and just toss her around, very scared toss her around.

834
00:43:17,160 --> 00:43:19,320
Speaker 5: So that's why when later on baseball was a minute,

835
00:43:19,320 --> 00:43:20,400
Speaker 5: it was called baseball for that.

836
00:43:20,480 --> 00:43:22,160
Speaker 2: I don't want to demonize these guys.

837
00:43:22,200 --> 00:43:25,440
Speaker 3: They hadn't met a woman before, and so you know,

838
00:43:25,560 --> 00:43:29,040
Speaker 3: it was complex what they were dealing with. Like, uh,

839
00:43:29,960 --> 00:43:30,400
Speaker 3: I don't know.

840
00:43:30,440 --> 00:43:32,160
Speaker 2: I think we've all seen something we didn't know what

841
00:43:32,200 --> 00:43:35,120
Speaker 2: it was and just started throwing it around, right.

842
00:43:35,960 --> 00:43:37,239
Speaker 5: I mean I did that the first time I saw

843
00:43:37,280 --> 00:43:42,200
Speaker 5: a sink you threw. I ripped it out of the

844
00:43:42,200 --> 00:43:48,200
Speaker 5: wall and I thought, let's go play catch. I'm very strong.

845
00:43:48,920 --> 00:43:51,520
Speaker 2: So this is a show. This is called candle show.

846
00:43:52,120 --> 00:43:56,279
Speaker 2: Oh that sounds good you. So this is like.

847
00:43:58,440 --> 00:44:00,719
Speaker 1: Hopefully we can do like some new technology. This would

848
00:44:00,760 --> 00:44:06,799
Speaker 1: require like some inventing. But you light a candle and

849
00:44:06,840 --> 00:44:10,720
Speaker 1: then the show starts, and the candle is like showing

850
00:44:10,760 --> 00:44:12,680
Speaker 1: the light is like making the show.

851
00:44:12,960 --> 00:44:16,920
Speaker 3: Yeah, and the flame is the show or the or

852
00:44:16,960 --> 00:44:17,239
Speaker 3: the show.

853
00:44:17,280 --> 00:44:20,000
Speaker 1: Flame is kind of like and the smoke is kind

854
00:44:20,040 --> 00:44:22,399
Speaker 1: of like making a show in it, and you can

855
00:44:22,480 --> 00:44:23,719
Speaker 1: smell the show and.

856
00:44:23,680 --> 00:44:26,239
Speaker 2: You can like the Cowboy TV and kind of sounds

857
00:44:26,239 --> 00:44:31,720
Speaker 2: like Cowboy TV. It's not really like Cowboy TV. Cowboy

858
00:44:31,719 --> 00:44:33,680
Speaker 2: TV is like a propriet. It's like another project that

859
00:44:33,719 --> 00:44:34,840
Speaker 2: I already have going, Sherry.

860
00:44:34,880 --> 00:44:37,640
Speaker 5: So you know, right right right now, I read, I saw,

861
00:44:38,080 --> 00:44:42,520
Speaker 5: I saw the deadline article. I so this this candle show.

862
00:44:43,960 --> 00:44:45,279
Speaker 2: I just want to say it was a cobbat, but

863
00:44:46,040 --> 00:44:48,520
Speaker 2: that wasn't It wasn't an article. It was a combat

864
00:44:48,600 --> 00:44:50,640
Speaker 2: But article is defined by the length.

865
00:44:53,680 --> 00:44:55,200
Speaker 4: Well, I mean, but you know that, I don't.

866
00:44:55,239 --> 00:44:59,080
Speaker 2: And it had a headline it's the Headlight had it's

867
00:44:59,080 --> 00:45:01,439
Speaker 2: a by Dominic. But I don't think that was real.

868
00:45:01,480 --> 00:45:02,720
Speaker 2: I don't think it was a tweet.

869
00:45:02,800 --> 00:45:07,200
Speaker 4: It was a tweet. It was a tweet that Sean Well.

870
00:45:07,280 --> 00:45:09,920
Speaker 2: I you get written up a deadline, you're gonna tweet

871
00:45:09,920 --> 00:45:10,239
Speaker 2: it out.

872
00:45:10,280 --> 00:45:13,320
Speaker 5: You know they're gonna tweet it out. They always tweet

873
00:45:13,360 --> 00:45:15,120
Speaker 5: it out. I think that's what I've learned. They always

874
00:45:15,440 --> 00:45:16,440
Speaker 5: tweet it out.

875
00:45:16,520 --> 00:45:19,080
Speaker 1: They can't resist. Every time they write an article, they

876
00:45:19,120 --> 00:45:21,279
Speaker 1: cannot resist tweeting it.

877
00:45:21,239 --> 00:45:22,840
Speaker 5: Out, tweeting it out.

878
00:45:22,440 --> 00:45:27,800
Speaker 3: Like, hey, look at this. Social media is poison.

879
00:45:27,880 --> 00:45:31,800
Speaker 2: It's destroying our culture, and deadline is part of the problem.

880
00:45:31,840 --> 00:45:33,560
Speaker 2: They can't stop tweeting it out.

881
00:45:34,080 --> 00:45:36,799
Speaker 4: I mean went in doubt tweet it.

882
00:45:36,719 --> 00:45:41,880
Speaker 1: Out and the characters, the characters can smell the show too,

883
00:45:42,480 --> 00:45:42,840
Speaker 1: And is.

884
00:45:42,840 --> 00:45:46,200
Speaker 4: What I'm thinking, So what what sense are we smelling?

885
00:45:48,200 --> 00:45:52,280
Speaker 1: I mean it has to be like all different should

886
00:45:52,320 --> 00:45:57,160
Speaker 1: be different ones for different people. Or yeah, but I

887
00:45:57,200 --> 00:46:00,160
Speaker 1: think you know, like what's a show.

888
00:46:00,960 --> 00:46:07,839
Speaker 5: We're talking outlandish like experience based interactive candle show, right,

889
00:46:08,080 --> 00:46:11,120
Speaker 5: Like we want a scratch and sniff for the audience.

890
00:46:11,520 --> 00:46:18,160
Speaker 5: We want peppermint parmesan coming through, coming through pepper pan,

891
00:46:18,239 --> 00:46:21,319
Speaker 5: coming through that water proof plasma. Like that's the that's

892
00:46:21,360 --> 00:46:23,800
Speaker 5: the thing about these new TVs. You can also smell

893
00:46:23,840 --> 00:46:24,520
Speaker 5: what you're watching.

894
00:46:25,040 --> 00:46:28,280
Speaker 1: Okay, Oh, so the candle is like part of the

895
00:46:28,280 --> 00:46:31,080
Speaker 1: The candle is like coming out of the TV. Right,

896
00:46:31,239 --> 00:46:34,759
Speaker 1: So every person another good reason to make a waterproof right.

897
00:46:34,960 --> 00:46:39,320
Speaker 5: Every person who who ad buys this TV will receive

898
00:46:39,440 --> 00:46:42,399
Speaker 5: a candle. So the candle essentially is like a fire

899
00:46:42,480 --> 00:46:43,840
Speaker 5: stick remote you know.

900
00:46:44,280 --> 00:46:44,600
Speaker 2: Water.

901
00:46:45,719 --> 00:46:47,799
Speaker 3: What I like about this is.

902
00:46:49,840 --> 00:46:54,680
Speaker 2: Being gathered around fire telling stories, you know, or watching

903
00:46:54,719 --> 00:47:00,600
Speaker 2: stories feels a little scary. And I do think that

904
00:47:00,800 --> 00:47:06,200
Speaker 2: horror movies are huge, but that the horror TV industry

905
00:47:06,480 --> 00:47:12,520
Speaker 2: is totally underserved, and that we you know, personally, I'm

906
00:47:12,560 --> 00:47:15,320
Speaker 2: a horror fanatic. I scream all day long. The second

907
00:47:15,360 --> 00:47:17,840
Speaker 2: we get off this zoom, I'm going to start screaming.

908
00:47:18,600 --> 00:47:20,360
Speaker 3: I was screaming right up until we got on.

909
00:47:21,200 --> 00:47:24,239
Speaker 2: And I love to shriek and scream, and it's the

910
00:47:24,280 --> 00:47:29,560
Speaker 2: only time I really feel truly alive. So could we

911
00:47:29,680 --> 00:47:33,920
Speaker 2: somehow make sure that the candle stories are scary? And

912
00:47:34,000 --> 00:47:38,879
Speaker 2: one idea I had for just a scary story. It's

913
00:47:38,920 --> 00:47:42,640
Speaker 2: called the Breadening, and it is a chilling John Krasinski

914
00:47:42,760 --> 00:47:46,000
Speaker 2: turning all the news acres into bread to sort of

915
00:47:46,080 --> 00:47:50,840
Speaker 2: sway a presidential election. And how and how are we

916
00:47:50,880 --> 00:47:53,960
Speaker 2: gonna stop him? And it could be you, I think,

917
00:47:54,080 --> 00:47:58,440
Speaker 2: trying to stop him. You don't like it. And basically

918
00:47:58,440 --> 00:48:00,720
Speaker 2: everyone from the movie The Descendants up for Clooney.

919
00:48:01,480 --> 00:48:02,200
Speaker 4: Clooney was in that.

920
00:48:03,280 --> 00:48:06,600
Speaker 2: Not anymore, because we're getting We're getting a reunion together

921
00:48:06,680 --> 00:48:12,920
Speaker 2: with all the people that actually moved to shine Bow Bridges,

922
00:48:13,160 --> 00:48:13,840
Speaker 2: not Obama.

923
00:48:14,320 --> 00:48:18,719
Speaker 3: Yeah, Willard's there. We get the whole cubeball.

924
00:48:19,520 --> 00:48:19,840
Speaker 2: Mmm.

925
00:48:21,080 --> 00:48:22,200
Speaker 5: Snap Back Stevens.

926
00:48:23,120 --> 00:48:24,280
Speaker 2: Snap Back Stevens.

927
00:48:24,400 --> 00:48:27,520
Speaker 1: Is there, Ye, that's the name of for For people

928
00:48:27,560 --> 00:48:30,120
Speaker 1: who don't know, there are two, they're sure, Shalane Woodley

929
00:48:30,120 --> 00:48:33,440
Speaker 1: and then her little sister, and of course that actress's

930
00:48:33,480 --> 00:48:34,759
Speaker 1: name is Snapback Stevens.

931
00:48:34,840 --> 00:48:37,360
Speaker 4: Yeah, she doesn't get that much shine, she doesn't.

932
00:48:37,520 --> 00:48:40,920
Speaker 5: But that's we have the raise awareness around snapback Stevens.

933
00:48:41,360 --> 00:48:44,760
Speaker 4: I like, I like the idea of turning people into bread.

934
00:48:45,080 --> 00:48:49,600
Speaker 5: You know, I think just if a threat if news

935
00:48:49,600 --> 00:48:52,400
Speaker 5: anchors are talking that ship and it's incorrect, they're not

936
00:48:52,440 --> 00:48:54,600
Speaker 5: getting their facts right there one way or the other.

937
00:48:55,040 --> 00:48:57,960
Speaker 2: But I think what makes it scary is that these

938
00:48:57,960 --> 00:48:59,839
Speaker 2: are the news anchors that are getting their facts right.

939
00:49:00,160 --> 00:49:03,040
Speaker 2: She likes it, she's saying she likes it, and you're

940
00:49:03,080 --> 00:49:03,640
Speaker 2: being like.

941
00:49:03,840 --> 00:49:05,440
Speaker 4: Do you do you want me to start in this

942
00:49:05,600 --> 00:49:07,640
Speaker 4: or not? Do you want me to start on this show.

943
00:49:07,520 --> 00:49:08,160
Speaker 2: Or not show?

944
00:49:08,880 --> 00:49:10,480
Speaker 4: Do you want me to start on the show or not? Sean?

945
00:49:11,320 --> 00:49:13,120
Speaker 2: Yeah, yes, all right?

946
00:49:13,480 --> 00:49:16,880
Speaker 5: Then then then Christine Devine is turning into a goddamn

947
00:49:16,920 --> 00:49:22,400
Speaker 5: sour though. Okay, sorry, yeah.

948
00:49:22,480 --> 00:49:23,320
Speaker 4: Say sorry again?

949
00:49:24,200 --> 00:49:24,879
Speaker 2: Sorry?

950
00:49:25,400 --> 00:49:27,000
Speaker 4: Do you want to turn into bread? Do you want

951
00:49:27,040 --> 00:49:28,040
Speaker 4: me to turn you into bread?

952
00:49:28,200 --> 00:49:29,239
Speaker 2: Sorry? Thank you? No?

953
00:49:29,800 --> 00:49:32,080
Speaker 4: No, if you if you were bread, what.

954
00:49:32,000 --> 00:49:32,440
Speaker 5: Would you be?

955
00:49:32,520 --> 00:49:34,640
Speaker 2: Do you want? That is the show? That's what I'm

956
00:49:34,680 --> 00:49:36,440
Speaker 2: most scared of. So like, that's why I came up

957
00:49:36,480 --> 00:49:38,560
Speaker 2: with the idea of like making a really scary show

958
00:49:38,600 --> 00:49:42,040
Speaker 2: where they turned into bread and then and it helps

959
00:49:42,080 --> 00:49:42,960
Speaker 2: them steal the election.

960
00:49:44,200 --> 00:49:46,160
Speaker 5: Yeah, okay, I think I need you to talk a

961
00:49:46,200 --> 00:49:46,840
Speaker 5: little quieter.

962
00:49:47,640 --> 00:49:49,640
Speaker 2: Okay, So what kind of bread would I be? Or

963
00:49:49,680 --> 00:49:52,960
Speaker 2: do you still want me to answer that? No? Do

964
00:49:53,080 --> 00:49:54,200
Speaker 2: you tell me what bread I am?

965
00:49:54,320 --> 00:49:55,680
Speaker 3: Or do I have to decide?

966
00:49:57,200 --> 00:49:59,120
Speaker 5: I'm gonna tell you what bread you are, and then

967
00:49:59,160 --> 00:50:02,040
Speaker 5: you're gonna top is. If you are that bread, you

968
00:50:02,040 --> 00:50:03,720
Speaker 5: have to be that bread for the rest of the

969
00:50:03,760 --> 00:50:07,399
Speaker 5: rest of the year. Okay, Okay, because you're so you're

970
00:50:07,400 --> 00:50:09,040
Speaker 5: such a fucking cry baby right now.

971
00:50:09,239 --> 00:50:11,160
Speaker 4: Okay, because you're such.

972
00:50:11,040 --> 00:50:13,400
Speaker 5: A fucking cry baby right now, I think you're a

973
00:50:13,440 --> 00:50:14,280
Speaker 5: fucking pancake.

974
00:50:14,360 --> 00:50:15,200
Speaker 4: That's the bread that you are.

975
00:50:15,239 --> 00:50:19,160
Speaker 5: You're a little pancake, not even the big ones.

976
00:50:18,920 --> 00:50:20,960
Speaker 3: The tiny ones that McDonald the.

977
00:50:21,239 --> 00:50:27,200
Speaker 5: Tiny ones where you you dip the syrup at McDonald's,

978
00:50:27,600 --> 00:50:30,920
Speaker 5: you know, because because you're the many ones at McDonald's

979
00:50:31,040 --> 00:50:32,760
Speaker 5: and you have to dip yourself in syrup.

980
00:50:33,640 --> 00:50:41,440
Speaker 4: Oh no, yeah, please, you have to earn it.

981
00:50:41,680 --> 00:50:44,279
Speaker 2: I don't want to be a little pancake anymore. A

982
00:50:44,440 --> 00:50:45,120
Speaker 2: boy again.

983
00:50:45,880 --> 00:50:54,080
Speaker 5: What are the three magic words? The three of them?

984
00:50:54,120 --> 00:50:54,880
Speaker 5: There are three?

985
00:50:56,080 --> 00:50:57,680
Speaker 4: What are the three magic phrases?

986
00:50:59,560 --> 00:51:00,919
Speaker 2: Sorry? Please? Thank you?

987
00:51:03,160 --> 00:51:05,200
Speaker 5: Okay, fine, fine, you got one of them. You got

988
00:51:05,200 --> 00:51:06,879
Speaker 5: one of them. All right, you're back to human. You're

989
00:51:06,920 --> 00:51:08,440
Speaker 5: back to human with a normal voice.

990
00:51:09,280 --> 00:51:10,160
Speaker 4: But don't you ever.

991
00:51:10,120 --> 00:51:13,279
Speaker 5: Let that happen again. Don't you ever talk back to

992
00:51:13,320 --> 00:51:13,960
Speaker 5: me ever again?

993
00:51:14,040 --> 00:51:20,480
Speaker 1: Okay, m m yeah, Sherry, you have to.

994
00:51:22,560 --> 00:51:23,240
Speaker 2: You're done.

995
00:51:23,280 --> 00:51:26,680
Speaker 1: So we're getting all the green light all of them,

996
00:51:26,719 --> 00:51:28,120
Speaker 1: and are green lighting these?

997
00:51:28,960 --> 00:51:29,240
Speaker 5: Yes?

998
00:51:30,960 --> 00:51:34,600
Speaker 2: What where can we find you? And how?

999
00:51:35,800 --> 00:51:37,440
Speaker 4: Sherry Cola? On Instagram?

1000
00:51:37,520 --> 00:51:40,040
Speaker 5: Look me up and and and swipe it, swipe it,

1001
00:51:40,160 --> 00:51:40,640
Speaker 5: swipe it.

1002
00:51:40,640 --> 00:51:43,720
Speaker 2: Right, baby, you can do that on there?

1003
00:51:44,200 --> 00:51:46,800
Speaker 5: Yeah? Now's Tinder and Instagram have collabed.

1004
00:51:47,360 --> 00:51:49,600
Speaker 2: Okay, yeah, I think it just brings me to like

1005
00:51:49,680 --> 00:51:51,600
Speaker 2: my profile or it asked me if I want to

1006
00:51:51,640 --> 00:51:57,960
Speaker 2: make a post? What I'm just swiping on it right now?

1007
00:51:58,000 --> 00:52:00,959
Speaker 2: And that's like not have you don't have the new version?

1008
00:52:01,000 --> 00:52:02,040
Speaker 3: Maybe I got an update?

1009
00:52:02,480 --> 00:52:02,640
Speaker 5: No?

1010
00:52:02,719 --> 00:52:05,120
Speaker 2: Do I need to update this version?

1011
00:52:05,160 --> 00:52:07,680
Speaker 5: I pay for this is the this is the instaun

1012
00:52:07,760 --> 00:52:12,000
Speaker 5: that's Instagram. That's not free, not free Instagram.

1013
00:52:12,120 --> 00:52:13,440
Speaker 2: It took me to my messages.

1014
00:52:15,160 --> 00:52:18,399
Speaker 5: What is the first who's messaging you?

1015
00:52:21,000 --> 00:52:21,840
Speaker 2: My own wife?

1016
00:52:23,239 --> 00:52:25,800
Speaker 5: Is she telling you to be a pancake?

1017
00:52:26,680 --> 00:52:31,080
Speaker 2: Yeah bye?

1018
00:52:31,120 --> 00:52:33,360
Speaker 4: All right, we're all gonna be Richard famous.

1019
00:52:34,680 --> 00:52:41,200
Speaker 2: Bye bye. This week on the Patreon, Carl and Assan

1020
00:52:41,320 --> 00:52:44,239
Speaker 2: discussed rec league sports, The Boys are catching up with

1021
00:52:44,280 --> 00:52:47,240
Speaker 2: the dough Boys, and The flager Ones are mostly talking

1022
00:52:47,400 --> 00:52:51,880
Speaker 2: all things basketball. Check out these bonus podcasts and videos

1023
00:52:51,880 --> 00:52:56,200
Speaker 2: of the full episodes, including today's with Sherry Coola at

1024
00:52:56,239 --> 00:53:00,960
Speaker 2: patreon dot com. Slash The flager Ones, Hollywood, Hamburg,