WEBVTT - Cynthia Nixon is here... 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? You guys, Cynthia Nixon's here? Is he

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<v Speaker 1>on the podcast? Are you a Charlotte? Which I think

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<v Speaker 1>the answer is not, I think not really. Thank you

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<v Speaker 1>Cynthia for being here, Thank you for having it. It's

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<v Speaker 1>beyond exciting, it is. It is so okay what we

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<v Speaker 1>want to do. I mean there's a lot, right, there's

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<v Speaker 1>like kind of endless amounts of things to talk about,

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<v Speaker 1>but what I want to do with you because I

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<v Speaker 1>have you here and for me, once I started rewatching,

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<v Speaker 1>which you remember, I never rewatched like I watched at

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<v Speaker 1>the time, but I find it like uncomfortable. But at

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<v Speaker 1>this point, looking back, it's not so uncomfortable for me.

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<v Speaker 1>It's more like archaeological, right, you know, like what is

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<v Speaker 1>going on? You know? So I really once we started

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<v Speaker 1>the podcast, I really felt like I need to have

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<v Speaker 1>us on to talk about the beginnings, right, because all

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<v Speaker 1>of us had different experiences and all of us were

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<v Speaker 1>coming from different places, you know, and that's what's kind

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<v Speaker 1>of so interesting about it. I think in a way,

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<v Speaker 1>like we were all so different in terms of the

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<v Speaker 1>careers we were having and then we all came together

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<v Speaker 1>for this and magic happened, and here we are almost

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<v Speaker 1>thirty years later, which you know, crazy, insane to think crazy.

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<v Speaker 1>So tell us a little bit about I mean, should

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<v Speaker 1>I intro a little like, you know, you were at

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<v Speaker 1>this incredible Broadway actress. I mean I had seen Cynthia,

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<v Speaker 1>not knowing Cynthia in when when uh, I really bly,

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<v Speaker 1>I saw the other one, the real thing, the real thing,

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<v Speaker 1>which I love so much. She was in two Broadway

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<v Speaker 1>plays across the street from each other at the same time. Okay,

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<v Speaker 1>she'd done Juliet and Shakespeare in the Park. You'd been

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<v Speaker 1>in Amadaeus. I mean just you'd been in.

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<v Speaker 2>The I've with Robert Altman and Sarah Jessica and I

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<v Speaker 2>of course really knew each other, which was amazing because

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<v Speaker 2>we were child actors in.

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<v Speaker 1>New York, right, and you're in that. We did a

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<v Speaker 1>bunch of things to get Vanessa red Grave.

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<v Speaker 2>We played sisters in a TV movie with Vanessa Redgrave

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<v Speaker 2>and Jack Albertson.

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<v Speaker 1>Yes, unbelievable. So when did you hear about Sex and City?

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<v Speaker 1>When did you get the script? What did you think? So?

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<v Speaker 2>Okay, so again, as I think you've talked a tiny

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<v Speaker 2>bit about so when the when the show first started,

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<v Speaker 2>the premise was that we were going to really as

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<v Speaker 2>a launch, you know, come from her column, and the

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<v Speaker 2>people she was writing about would be kind of like

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<v Speaker 2>the first episode starts with the main characters like, we're

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<v Speaker 2>not anywhere in sight, right, it's the woman she's talking about, right,

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<v Speaker 2>this horrible thing happened to So when I first read

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<v Speaker 2>the script, they asked me to read for Carrie, as

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<v Speaker 2>I think they asked you to read for Carrie.

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<v Speaker 1>I did not know this.

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<v Speaker 2>Yes, they asked me to read for Carrie, right, And

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<v Speaker 2>then I did and they were like, yeah, not so much.

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<v Speaker 2>But I did not tend to be very proactive about

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<v Speaker 2>these things, but for me, because I was like thirty one,

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<v Speaker 2>I want to say, and I had been acting literally

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<v Speaker 2>for twenty years at that point and a lot of

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<v Speaker 2>success and a lot of but I was you know,

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<v Speaker 2>when I first started acting, I was a child and

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<v Speaker 2>I was in school, so I was very like, I

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<v Speaker 2>only work in New York, right, So this show in

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<v Speaker 2>New York was like unheard us.

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<v Speaker 1>Unheard us. Right.

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<v Speaker 2>We had Cosby, I think we had Kate and Ally

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<v Speaker 2>for a while, we had a we had law and order.

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<v Speaker 2>We used to have the equalizer like we had, but

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<v Speaker 2>you know, but it was slim. I guess, yes, and

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<v Speaker 2>not all those shows were on at the same time.

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<v Speaker 2>Those were like the things that we had. So I

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<v Speaker 2>did call my manager and I guess she was my

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<v Speaker 2>agent at the time, Emily. Emily, and I said, Okay,

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<v Speaker 2>they don't want me for Carrie. No one's really surprised here,

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<v Speaker 2>But there's like seven women on that show. Couldn't I

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<v Speaker 2>get one of them? Because it didn't seem like there

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<v Speaker 2>were four. It seemed true. It seemed because with these

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<v Speaker 2>other characters at least in the pilot were like central

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<v Speaker 2>and then that we had all those testimony from women

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<v Speaker 2>on the street, and it seemed like a larger group

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<v Speaker 2>of women. But even had there been four, maybe I

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<v Speaker 2>wouldn't have been so optimistic. But I was like, can't, like,

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<v Speaker 2>I can get one of those? I get one of those. Yeah,

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<v Speaker 2>And so they said they'd like me to come back

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<v Speaker 2>and read from Miranda.

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<v Speaker 1>And is this just casting directors at this point, like

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<v Speaker 1>Billy Hopkins carry Barton.

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<v Speaker 2>I think I don't remember, but I would assume so,

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<v Speaker 2>But I don't, like, you didn't know Darren, I didn't.

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<v Speaker 1>Know Darren at all.

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<v Speaker 2>So I went in and at some point maybe it

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<v Speaker 2>was the first time I went in for Miranda after

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<v Speaker 2>so it was like the second audition maybe, and my

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<v Speaker 2>Emily said to me gently but clearly, she said, maybe

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<v Speaker 2>put on little lipstick, maybe you.

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<v Speaker 1>Could comb your hair. I was like, I'll try, I'm

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<v Speaker 1>gonna try. I love it, I love it, I love it.

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<v Speaker 1>So then they really liked me. I mean it's like

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<v Speaker 1>an endless saga. I mean, I think you said yours

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<v Speaker 1>was like a matter of we. I mean my mind

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<v Speaker 1>was months and months and months, and it wasn't like

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<v Speaker 1>I was endlessly auditioning. I think I auditioned. They really

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<v Speaker 1>liked me, and then I think they moved.

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<v Speaker 2>Me on to like testing, right, So I tested right

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<v Speaker 2>here in New York, here in New York, and I

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<v Speaker 2>think I was one of the very early people that tested.

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<v Speaker 1>Did they know that Sirica was potentially carry yet? I

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<v Speaker 1>don't remember.

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<v Speaker 2>So I auditioned and uh that you know, nothing happened,

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<v Speaker 2>and like they my contract lapsed.

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<v Speaker 1>So I was basically right. I mean it went on

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<v Speaker 1>for months wow, And Emily would call and say what's

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<v Speaker 1>going on, and they would say, we haven't found anyone

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<v Speaker 1>we like better yet. Oh gosh, that's painful.

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<v Speaker 2>And I think and I can't. Oh, it's so terrible

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<v Speaker 2>that I can't remember this at this point. But I

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<v Speaker 2>had auditioned. I had never you know, gone out to

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<v Speaker 2>LA to test for things, but I did, maybe the

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<v Speaker 2>previous year or something. And I tested for a lot

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<v Speaker 2>of things and I didn't get. I tested for like

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<v Speaker 2>the Best Friend on Ally McBeal, and I tested for

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<v Speaker 2>a thing like a thing where I was a nun

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<v Speaker 2>like in the name of the Father. And I tested

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<v Speaker 2>for the Fargo Woman in Fargo, which was then made

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<v Speaker 2>many years later.

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<v Speaker 1>Wow, And I didn't get any of them.

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<v Speaker 2>And I remember Becky and Baker, who actually ended up

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<v Speaker 2>playing my sister briefly in the show, said that means

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<v Speaker 2>you're very close if you keep almost getting these, you know,

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<v Speaker 2>but you don't get like, don't think about like I

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<v Speaker 2>didn't get it.

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<v Speaker 1>I didn't get it, Like you're close. No, she's right,

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<v Speaker 1>that's so good.

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<v Speaker 2>Anyway, months and months and months went by, and it

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<v Speaker 2>was like, you know, and every day Emily would call,

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<v Speaker 2>not every day, but she would call, and they would say,

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<v Speaker 2>we still haven't found anyone.

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<v Speaker 1>Were like Matka. So then there was a pilot presentation.

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<v Speaker 1>Do you know what that? Yes?

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<v Speaker 2>Right, So a pilot presentation is not like a real pilot,

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<v Speaker 2>it's like they do it live. It's very like are

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<v Speaker 2>most right? And they had some pilot presentation they were

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<v Speaker 2>doing that shot in La There were some okay people

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<v Speaker 2>in it, I can't remember now, and they had a

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<v Speaker 2>part for me, and it was an okay part. It

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<v Speaker 2>wasn't a great part, but they were like, we just

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<v Speaker 2>want her and if she'll just come and test, we'll

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<v Speaker 2>just go right into production, like there's no one else's auditioning.

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<v Speaker 1>Okay.

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<v Speaker 2>So I wasn't really that interested, but I was like,

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<v Speaker 2>it's money, and I actually did need some money at

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<v Speaker 2>that points.

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<v Speaker 1>Sure, sure, so. But it was pass over a week, okay,

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<v Speaker 1>and I was thro my boyfriend Danny and I the

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<v Speaker 1>father of my first two kids. We were throwing a

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<v Speaker 1>sador for his family.

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<v Speaker 2>I've been to, right, and so it was like a

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<v Speaker 2>big you know, and we've been planning it for a

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<v Speaker 2>while and so I think passover was like on a

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<v Speaker 2>Wednesday that year, and I was like, but I don't

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<v Speaker 2>want to miss the satyr, so I so they let

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<v Speaker 2>me fly out the idea of so going to fly

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<v Speaker 2>out Friday morning or Thursday night. I was going to

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<v Speaker 2>test and we were going to go right into the

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<v Speaker 2>first read through whatever.

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<v Speaker 1>Wow, And I was like adamant that I want to

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<v Speaker 1>do this thing.

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<v Speaker 2>So then it was like passover and Emily, my manager,

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<v Speaker 2>spent my agent. Then I called them, I think, oh oh,

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<v Speaker 2>like every hour, oh what, and she would give them account.

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<v Speaker 2>She would be like, you're gonna lose because I think

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<v Speaker 2>the next morning maybe I got to the flight WITHO

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<v Speaker 2>maybe Thursday, and she said, you're gonna lose her in

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<v Speaker 2>twenty two hours. Wow, you're gonna lose her in seventeen hours.

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<v Speaker 2>You're gonna lose her in ten hours.

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<v Speaker 1>Oh my god? Right, because as soon as I.

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<v Speaker 2>Get on that planet, right And at one point she

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<v Speaker 2>actually apparently broke down and cried on the phone with them,

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<v Speaker 2>like what are you doing? This is the perfect person

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<v Speaker 2>for the part.

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<v Speaker 1>You love her. You've looked for months, you haven't found

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<v Speaker 1>anybody better, Come on, yeah, pull the trigger, Emily. I know.

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<v Speaker 2>And at like and like literally literally during the Satyr,

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<v Speaker 2>at like nine o'clock at night, my phone rings and

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<v Speaker 2>Emily's like, I got it.

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<v Speaker 1>That's amazing.

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<v Speaker 2>I never heard this story right, and it was and

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<v Speaker 2>it was, but it was literally from the time I tested.

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<v Speaker 1>I mean it was months. Wow, it was months. Wow.

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<v Speaker 1>I didn't know this. It's amazing. And so in your

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<v Speaker 1>in your like gut or your heart or whatever, did

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<v Speaker 1>you feel connected like yes, I want to do this,

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<v Speaker 1>like this is amazing or did you just be like.

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<v Speaker 2>Ah, I felt like it felt like the Holy Grail,

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<v Speaker 2>it really. I mean, we didn't know what would happen

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<v Speaker 2>with the show, but it was so interesting and it

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<v Speaker 2>was so clever and it was all actually about something, right.

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<v Speaker 2>I felt the same way, right, yeah, but then there

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<v Speaker 2>was like all this sex in It was like weird,

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<v Speaker 2>know right, right, but but it was so different. It

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<v Speaker 2>was so different. It was so different but also weirdly

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<v Speaker 2>for me, for people who this is the main thing

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<v Speaker 2>they know me from. Again, I had been acting for

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<v Speaker 2>twenty years at this point, and I had never played

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<v Speaker 2>anything remotely like like I was a person I for

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<v Speaker 2>a lot of my early life, I had long blonde hair,

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<v Speaker 2>and I played a lot of you know, very easygoing, shy,

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<v Speaker 2>wallflowery kind of insecure people, powered children, waves waves for days,

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<v Speaker 2>you know, and so to play this woman, and and

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<v Speaker 2>and I had been nominated for a Tony a couple

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<v Speaker 2>of years earlier, when I was doing a play called Indiscretions,

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<v Speaker 2>which was Jude Laws New York debut, and I was

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<v Speaker 2>wearing a wig and we were ran for many many months,

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<v Speaker 2>and I got nominated for a Tony. And the guy

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<v Speaker 2>who did my hair said, why don't we cut all

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<v Speaker 2>your hair off and.

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<v Speaker 1>Dye it red?

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<v Speaker 2>Just as like a really a thing. And it was

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<v Speaker 2>fine because I wore a wig, so it didn't matter

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<v Speaker 2>what my hair was like. So then so I was blonde,

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<v Speaker 2>Kim was blonde, Sarah was blonde. You were the only

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<v Speaker 2>non blonde. So they came to me and they said,

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<v Speaker 2>we got too many blonde would you We've seen these

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<v Speaker 2>photos of you from a few years back with this

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<v Speaker 2>red hair.

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<v Speaker 1>Would you dye your hair red? So yeah, But so

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<v Speaker 1>that's how that happened. So in every way.

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<v Speaker 3>It was such a it was like such a traparture,

0:11:58.520 --> 0:12:01.080
<v Speaker 3>such a departure, and you love that, and I was great,

0:12:01.240 --> 0:12:04.160
<v Speaker 3>It was great, but it felt like, you know, a

0:12:04.240 --> 0:12:06.400
<v Speaker 3>character that had like not a lot to do with.

0:12:07.360 --> 0:12:10.199
<v Speaker 1>Well, And I mean, in some ways that's true, and

0:12:10.200 --> 0:12:11.640
<v Speaker 1>and in some ways it's not nice.

0:12:11.960 --> 0:12:14.000
<v Speaker 2>People would ask me, you know, are you how are

0:12:14.000 --> 0:12:15.960
<v Speaker 2>you like Mary? And I would always say we both

0:12:16.000 --> 0:12:17.720
<v Speaker 2>feel confident about our brains.

0:12:18.160 --> 0:12:19.439
<v Speaker 1>But that's kind of.

0:12:19.400 --> 0:12:22.760
<v Speaker 2>Where it ends, because like I was, I was in

0:12:22.800 --> 0:12:26.400
<v Speaker 2>a long term relationship, I had a child, I was

0:12:26.520 --> 0:12:33.120
<v Speaker 2>incredibly domestic. I was I'm very domestic, like all the

0:12:33.160 --> 0:12:38.440
<v Speaker 2>things that Miranda has no patients for it, right, those.

0:12:38.240 --> 0:12:42.840
<v Speaker 1>Were garbage exactly right, right, right, So so when you

0:12:42.920 --> 0:12:45.240
<v Speaker 1>took it on, like, remember, I mean you have these

0:12:45.320 --> 0:12:48.000
<v Speaker 1>kind of aggressive power suits and whatnot. In the beginning,

0:12:48.080 --> 0:12:49.400
<v Speaker 1>you know, like what did you think?

0:12:50.480 --> 0:12:55.040
<v Speaker 2>I mean, I thought, I have these really good jokes,

0:12:55.320 --> 0:12:58.440
<v Speaker 2>which is great, and I have a really strong character.

0:12:58.720 --> 0:13:00.959
<v Speaker 1>Right, She's like I understood who she.

0:13:01.160 --> 0:13:06.320
<v Speaker 2>Was clearly, and I was really you know, poor Pat Field,

0:13:06.320 --> 0:13:09.439
<v Speaker 2>who you know, does the clothes. I was really concerned

0:13:09.440 --> 0:13:12.240
<v Speaker 2>with trying to look like one of those women would

0:13:12.240 --> 0:13:14.280
<v Speaker 2>really look, which was not.

0:13:14.480 --> 0:13:15.640
<v Speaker 1>Yeah, we really tortured.

0:13:16.320 --> 0:13:20.520
<v Speaker 2>It was not Pat's favorite, but we reached it, you know,

0:13:20.720 --> 0:13:24.199
<v Speaker 2>did and it's you know, I mean, do you remember

0:13:24.280 --> 0:13:26.320
<v Speaker 2>how in the very beginning, because we would have all

0:13:26.320 --> 0:13:30.160
<v Speaker 2>those coffee shop scenes, right, and we tried so hard

0:13:30.280 --> 0:13:33.760
<v Speaker 2>to make them real, and yes, constantly not just eating,

0:13:33.800 --> 0:13:36.040
<v Speaker 2>but like reaching for things like right and.

0:13:36.360 --> 0:13:37.960
<v Speaker 1>Looking away, like.

0:13:40.200 --> 0:13:42.160
<v Speaker 2>Just trying to have as much. So I was really

0:13:42.240 --> 0:13:44.640
<v Speaker 2>kind of focused on that, like have as much sort

0:13:44.679 --> 0:13:48.000
<v Speaker 2>of real behavior, and the clothes and the sort of

0:13:48.400 --> 0:13:51.960
<v Speaker 2>like the Miranda armor of like the like the jewelry

0:13:52.120 --> 0:13:56.400
<v Speaker 2>was very like silver and spiky and like it.

0:13:56.320 --> 0:13:59.400
<v Speaker 1>Was like armor. Definitely, definitely, definitely. I mean, yeah, I

0:13:59.440 --> 0:14:01.120
<v Speaker 1>think that one I watched myself too. I mean, I

0:14:01.120 --> 0:14:02.480
<v Speaker 1>think a lot of things, but one of the things

0:14:02.480 --> 0:14:04.760
<v Speaker 1>I do think, because I had come from Melrose, you

0:14:04.800 --> 0:14:06.319
<v Speaker 1>had to like hold still because they were going to

0:14:06.400 --> 0:14:08.280
<v Speaker 1>do this super close up right and just stare at

0:14:08.320 --> 0:14:11.640
<v Speaker 1>the other person. And I'm always like, I'm you barely

0:14:11.679 --> 0:14:14.319
<v Speaker 1>see my face for like the first couple episodes or whatever,

0:14:14.440 --> 0:14:17.080
<v Speaker 1>because I'm just working so hard to be present, be

0:14:17.160 --> 0:14:20.400
<v Speaker 1>really you know, follow your lead and follow Sara Jiska

0:14:20.480 --> 0:14:23.040
<v Speaker 1>and Kim, and you know, Kim's doing her own thing,

0:14:23.080 --> 0:14:26.240
<v Speaker 1>and you know, it's like super interesting to look back on.

0:14:26.720 --> 0:14:30.640
<v Speaker 1>And I do remember thinking, you know, like this is different,

0:14:31.080 --> 0:14:34.080
<v Speaker 1>you know, like that's just his own animal, right, And

0:14:34.120 --> 0:14:36.360
<v Speaker 1>you know I knew Sarah. Sarah and I knew each

0:14:36.360 --> 0:14:36.880
<v Speaker 1>other quite well.

0:14:36.880 --> 0:14:38.360
<v Speaker 2>We'd work together a bunch of times, and we were

0:14:38.360 --> 0:14:41.160
<v Speaker 2>always auditioning for the same parts and stuff when we

0:14:41.160 --> 0:14:44.200
<v Speaker 2>were kids. And Kim I knew a little bit. I'd

0:14:44.240 --> 0:14:46.440
<v Speaker 2>seen her in a few things. But also I think

0:14:46.680 --> 0:14:50.000
<v Speaker 2>we had auditioned for a production of Missus Julie that

0:14:50.040 --> 0:14:52.120
<v Speaker 2>we were both. I think she got it and ended

0:14:52.200 --> 0:14:52.760
<v Speaker 2>up doing it.

0:14:52.880 --> 0:14:53.200
<v Speaker 1>Wow.

0:14:53.280 --> 0:14:55.440
<v Speaker 2>And I feel like she came to see me in

0:14:55.520 --> 0:14:57.960
<v Speaker 2>something and I met her backstay. So I had some sense.

0:14:57.960 --> 0:15:00.880
<v Speaker 2>I don't know this, I had some sense of Kim,

0:15:01.160 --> 0:15:03.720
<v Speaker 2>and I didn't know who you were, but I looked

0:15:03.760 --> 0:15:06.360
<v Speaker 2>at the way you spelled your first name with.

0:15:06.400 --> 0:15:08.600
<v Speaker 1>An eye, which is unusual.

0:15:08.600 --> 0:15:12.080
<v Speaker 2>Two eyes, yes, and I basically I decided you were

0:15:12.160 --> 0:15:13.200
<v Speaker 2>Kristin Scott Thomas.

0:15:13.760 --> 0:15:18.880
<v Speaker 1>Wow, well, thank you. I was like, it must be

0:15:19.040 --> 0:15:21.480
<v Speaker 1>christ Kristen, that must be Christens. It must have been

0:15:21.480 --> 0:15:25.040
<v Speaker 1>really disappointed. I didn't really know who Christin Scott Thomas

0:15:25.160 --> 0:15:30.680
<v Speaker 1>was at that time. British. Yeah, yes, oh my god,

0:15:31.080 --> 0:15:33.160
<v Speaker 1>that's adorable that you thought you were going to do

0:15:33.240 --> 0:15:35.440
<v Speaker 1>the pilot of Sex and City with Kristin Scott Thomas.

0:15:35.600 --> 0:15:38.000
<v Speaker 1>I mean, I wish I was Kristin Scott Thomas. You know,

0:15:38.400 --> 0:15:40.080
<v Speaker 1>I don't wish you were. You don't know.

0:15:40.640 --> 0:15:51.040
<v Speaker 4>I glad, thank you baby.

0:15:52.800 --> 0:15:56.080
<v Speaker 1>So do you remember the read through? No, me neither.

0:15:56.360 --> 0:16:00.000
<v Speaker 1>I remember that. There's a thing that I remember about you,

0:16:00.080 --> 0:16:03.600
<v Speaker 1>and I guess it was the way through. I just

0:16:03.760 --> 0:16:04.880
<v Speaker 1>remembered some stuff.

0:16:04.960 --> 0:16:10.880
<v Speaker 2>Yeah, I remember that we did it at the market, okay.

0:16:10.960 --> 0:16:12.920
<v Speaker 1>Chelsea Chelsea Market. Wow.

0:16:13.040 --> 0:16:15.520
<v Speaker 2>And I remember Sarah came in and she had just

0:16:15.640 --> 0:16:19.320
<v Speaker 2>gotten married. She had just gotten married, and I and

0:16:19.400 --> 0:16:23.360
<v Speaker 2>others congratulated her because she had just gotten married, and

0:16:23.440 --> 0:16:26.400
<v Speaker 2>I just they must have been scouting around there, which

0:16:26.400 --> 0:16:28.320
<v Speaker 2>is why we did it at Chelsea Market.

0:16:28.400 --> 0:16:30.760
<v Speaker 1>Oh, I don't even know that. I remember.

0:16:30.960 --> 0:16:35.160
<v Speaker 2>I remember Chelsea Market, and I remember Sarah coming in

0:16:35.240 --> 0:16:36.160
<v Speaker 2>having just gotten married.

0:16:36.200 --> 0:16:38.560
<v Speaker 1>That's nice. This is what I remember. You had like

0:16:38.600 --> 0:16:40.600
<v Speaker 1>a notebook with your script inning, because you know, you're

0:16:40.680 --> 0:16:42.960
<v Speaker 1>very professional, and on the front of the notebook was

0:16:42.960 --> 0:16:45.440
<v Speaker 1>a little baby picture of Sam and I was like, oh,

0:16:45.560 --> 0:16:48.040
<v Speaker 1>is that your baby? You were like yeah, And I

0:16:48.080 --> 0:16:50.000
<v Speaker 1>was like, aren't you worried to you know, not be

0:16:50.040 --> 0:16:52.600
<v Speaker 1>at work, you know, not to not to be home

0:16:52.840 --> 0:16:55.720
<v Speaker 1>And you were like now, and I was like, oh,

0:16:55.840 --> 0:16:59.280
<v Speaker 1>I was just very impressed, very impressed. You're like it'll

0:16:59.320 --> 0:17:02.360
<v Speaker 1>be fine. I was like, oh my gosh, amazing, but

0:17:02.400 --> 0:17:05.200
<v Speaker 1>I didn't remember the bigger picture. Sarah Winter remembers the

0:17:05.240 --> 0:17:08.400
<v Speaker 1>bigger picture of the read through super interesting. Yeah, yeah,

0:17:08.520 --> 0:17:11.480
<v Speaker 1>because apparently there was a Kennedy there. I can't remember

0:17:11.520 --> 0:17:13.080
<v Speaker 1>his first name. He was going to play that part,

0:17:13.440 --> 0:17:17.080
<v Speaker 1>which part her guy, Sarah Winter's guy in the beginning

0:17:17.119 --> 0:17:19.480
<v Speaker 1>who goes her? And then I guess something happened he

0:17:19.520 --> 0:17:23.679
<v Speaker 1>got cold feet? Who knows? Who knows? Lawford? Lawford was

0:17:23.680 --> 0:17:28.880
<v Speaker 1>his name? Peter, Yes, yes, I know, super fascinating. Don't

0:17:28.880 --> 0:17:32.720
<v Speaker 1>remember that. I remember that, Okay, okay, okay, I had

0:17:32.760 --> 0:17:35.960
<v Speaker 1>not remembered. She remembers Darren coming in and me talking

0:17:36.000 --> 0:17:38.640
<v Speaker 1>to Darren because I knew him from LA. I didn't

0:17:38.640 --> 0:17:40.040
<v Speaker 1>really know the rest of you, you know, I had

0:17:40.040 --> 0:17:46.040
<v Speaker 1>just seen all of you. Harry Barry name. I keep saying,

0:17:46.080 --> 0:17:49.040
<v Speaker 1>oh my, oh my god, where is Barry? I mean, yeah,

0:17:49.040 --> 0:17:50.840
<v Speaker 1>he was a big part of it all. Yeah. Yeah,

0:17:51.119 --> 0:17:53.240
<v Speaker 1>he was the Melfie. We didn't have Melfie. I didn't

0:17:53.240 --> 0:17:57.000
<v Speaker 1>have Melfie. Oh and do we have Jane Rabb yet?

0:17:57.240 --> 0:17:59.560
<v Speaker 1>I think we know not. In the pilot, we had

0:17:59.600 --> 0:18:01.520
<v Speaker 1>the Miss three woman who gave me the contract to

0:18:01.600 --> 0:18:03.600
<v Speaker 1>sign where I would have been a recurring who you

0:18:03.640 --> 0:18:06.840
<v Speaker 1>know doesn't have a fond place in my memory. I'm

0:18:06.880 --> 0:18:09.399
<v Speaker 1>sure it's not her fault, but and I don't know

0:18:09.440 --> 0:18:13.239
<v Speaker 1>her name. But did you know about that? Did I

0:18:13.280 --> 0:18:15.320
<v Speaker 1>tell you about that at the time? You told me

0:18:15.400 --> 0:18:20.560
<v Speaker 1>about it? I think you did tell me about it

0:18:20.600 --> 0:18:22.080
<v Speaker 1>at the time. I think you might be the only

0:18:22.119 --> 0:18:24.399
<v Speaker 1>one because I really tried to keep his secret. Michael

0:18:24.400 --> 0:18:25.720
<v Speaker 1>Patrick didn't even know right.

0:18:25.920 --> 0:18:29.040
<v Speaker 2>I think you did amazing that you told me right away,

0:18:29.080 --> 0:18:31.480
<v Speaker 2>but I think sometime during the first season you told me.

0:18:31.400 --> 0:18:34.520
<v Speaker 1>Because it really it really like Michael was Michael. Michael

0:18:34.640 --> 0:18:37.920
<v Speaker 1>talked really interestingly about his beginnings and how he didn't

0:18:37.960 --> 0:18:39.679
<v Speaker 1>know how to write Charlotte. He was like, Wow, that

0:18:39.720 --> 0:18:42.280
<v Speaker 1>one I don't know, you know, which I understand because

0:18:42.280 --> 0:18:46.760
<v Speaker 1>in the book, she's not really very like she did

0:18:46.800 --> 0:18:49.040
<v Speaker 1>blushed out. Yeah, she's not flushed. She doesn't really make

0:18:49.040 --> 0:18:51.919
<v Speaker 1>a lot of sense. She's just a little different. You don't, like,

0:18:52.080 --> 0:18:55.480
<v Speaker 1>she takes drugs and goes rollerskating like it's weird. You know,

0:18:55.560 --> 0:18:58.120
<v Speaker 1>You're like, who is that one? You know? And I remember,

0:18:58.720 --> 0:19:01.520
<v Speaker 1>you know, really feel like I've got to figure her out,

0:19:01.960 --> 0:19:04.359
<v Speaker 1>and you know, there was some stress about like they

0:19:04.400 --> 0:19:05.760
<v Speaker 1>wanted me to have short hair. I wanted to have

0:19:05.800 --> 0:19:07.840
<v Speaker 1>long hair. Pat was trying to put me in these clothes.

0:19:07.840 --> 0:19:09.840
<v Speaker 1>I was like, what are those clothes? You know, which

0:19:09.920 --> 0:19:14.080
<v Speaker 1>was I think not uncommon for us. I mean, Sara

0:19:14.119 --> 0:19:16.600
<v Speaker 1>Jessica was in sync with Pap, but the rest of

0:19:16.680 --> 0:19:19.040
<v Speaker 1>us were like, what it's happening. So that was a

0:19:19.080 --> 0:19:22.080
<v Speaker 1>process obviously, but also I think Charlotte had to be developed,

0:19:22.080 --> 0:19:25.439
<v Speaker 1>and that was you know, luckily happened over time, but

0:19:25.560 --> 0:19:28.440
<v Speaker 1>definitely was not true in the beginning. And for me inside,

0:19:28.560 --> 0:19:32.480
<v Speaker 1>I had this sense of, oh, you know, someone doesn't

0:19:32.520 --> 0:19:35.199
<v Speaker 1>know if I'm important here right right? I didn't know

0:19:35.200 --> 0:19:37.480
<v Speaker 1>who that was, right, you know, if it was like HBO,

0:19:37.480 --> 0:19:39.320
<v Speaker 1>because we didn't really know Strauss at that point. We

0:19:39.320 --> 0:19:41.920
<v Speaker 1>didn't know Carolyn. No, we didn't know anybody right right.

0:19:41.960 --> 0:19:44.159
<v Speaker 1>We were just like you knew Darren. I knew Darren,

0:19:44.200 --> 0:19:47.600
<v Speaker 1>which was great, but also Darren was, you know, trying

0:19:47.600 --> 0:19:49.400
<v Speaker 1>to create this thing like do you remember one time

0:19:49.440 --> 0:19:52.040
<v Speaker 1>he came down and he was like, you guys have

0:19:52.119 --> 0:19:55.160
<v Speaker 1>to be funnier and we were like, really too, kind

0:19:55.160 --> 0:19:56.760
<v Speaker 1>of from that and then he was like and then

0:19:56.760 --> 0:19:58.920
<v Speaker 1>the next week i'd have seen in Sir Jessica's house.

0:19:59.280 --> 0:20:03.879
<v Speaker 1>I think. So when libs like something in the first

0:20:03.880 --> 0:20:06.280
<v Speaker 1>episode and we had to add lib what we felt

0:20:06.320 --> 0:20:09.760
<v Speaker 1>insecure about, right. I remember if I said my neck yes,

0:20:09.800 --> 0:20:12.120
<v Speaker 1>and I said my thighs yes. It was the only

0:20:12.119 --> 0:20:14.359
<v Speaker 1>time there ever Ye said her nose right, And I

0:20:14.560 --> 0:20:17.720
<v Speaker 1>remember what Kim said, she doesn't because Samantha's not insecure

0:20:17.760 --> 0:20:21.040
<v Speaker 1>about anything. Yes, But it was like our only time

0:20:21.080 --> 0:20:23.040
<v Speaker 1>they ever asked us to add lib right. That was

0:20:23.080 --> 0:20:25.679
<v Speaker 1>the end of that right right, right, right, right right.

0:20:25.680 --> 0:20:27.480
<v Speaker 1>But it was very sweet because they didn't want to

0:20:27.480 --> 0:20:30.560
<v Speaker 1>write anything that would upset us, which was nice.

0:20:30.720 --> 0:20:33.639
<v Speaker 2>But I remember they wouldn't want to say what you

0:20:33.720 --> 0:20:36.600
<v Speaker 2>must feel terrible about your life, and you'd be like,

0:20:36.720 --> 0:20:37.640
<v Speaker 2>that's my best thing.

0:20:37.800 --> 0:20:40.639
<v Speaker 1>Totally, totally, totally. But then I also remember a different

0:20:40.640 --> 0:20:42.399
<v Speaker 1>week when he come down. Darren would come down and

0:20:42.400 --> 0:20:44.720
<v Speaker 1>he'd be like, you know, everyone's got to be sexier,

0:20:44.720 --> 0:20:46.800
<v Speaker 1>You've got to be sexier. And I would be like me,

0:20:47.400 --> 0:20:53.680
<v Speaker 1>like what like how like this totally like just low cut.

0:20:53.880 --> 0:20:56.119
<v Speaker 1>I don't know, Yeah, it was bizarre, but I just

0:20:56.240 --> 0:21:00.680
<v Speaker 1>feel I remember just not knowing, you know, what our

0:21:01.040 --> 0:21:04.879
<v Speaker 1>aisle was. You know what our goal was kind of

0:21:05.000 --> 0:21:07.080
<v Speaker 1>or who we were. But then when I look back

0:21:07.080 --> 0:21:09.399
<v Speaker 1>on it, which having not watched it for you know,

0:21:09.520 --> 0:21:14.240
<v Speaker 1>eight million years, we're very good. We are very good.

0:21:14.440 --> 0:21:17.040
<v Speaker 1>I mean it's kind of amazing, like they have married pigs.

0:21:17.640 --> 0:21:20.879
<v Speaker 1>Everything is there. Yeah, you know, like we're mean in

0:21:21.000 --> 0:21:23.480
<v Speaker 1>terms of our characters, you mean or not not not

0:21:23.600 --> 0:21:26.720
<v Speaker 1>they're not fully fleshed out, but like the the energy,

0:21:26.760 --> 0:21:28.520
<v Speaker 1>the GISTs. You know, we're at that scene with the

0:21:28.520 --> 0:21:31.080
<v Speaker 1>Pepper Mail Do you remember that scene? I do? It

0:21:31.160 --> 0:21:34.600
<v Speaker 1>was long with with what's his name? Sun Rene Obershon

0:21:34.760 --> 0:21:38.440
<v Speaker 1>was Sun, Yes, Remi obersion was yes, Yes, good memories

0:21:38.560 --> 0:21:41.359
<v Speaker 1>and impressive. You told me you didn't remember anything. That's

0:21:41.359 --> 0:21:44.240
<v Speaker 1>not true, you know in that peppermil had come in

0:21:44.240 --> 0:21:46.960
<v Speaker 1>the right time. That was like our first real true

0:21:47.040 --> 0:21:51.080
<v Speaker 1>coffee shop. Really, I mean, there's there's one in the pilot,

0:21:51.119 --> 0:21:53.479
<v Speaker 1>but we're at the Chinese restaurant right right, right, right

0:21:53.600 --> 0:21:55.080
<v Speaker 1>right right, very brief.

0:21:55.400 --> 0:21:58.000
<v Speaker 2>Oh, but so only at the Chinese restaurant. Yeah, there

0:21:58.040 --> 0:22:01.040
<v Speaker 2>was that Where was that? Remember there was that diner?

0:22:01.280 --> 0:22:01.480
<v Speaker 5>Yes?

0:22:01.880 --> 0:22:05.000
<v Speaker 1>On Long Island City? And when what episode is that?

0:22:05.280 --> 0:22:09.600
<v Speaker 1>I mean I feel like Skipper goes there with Carrie.

0:22:09.880 --> 0:22:12.440
<v Speaker 1>So someone goes there with Gary and I'm like, there's

0:22:12.440 --> 0:22:14.760
<v Speaker 1>a diner. There's a diner that we use. That's a

0:22:14.800 --> 0:22:17.760
<v Speaker 1>real diner Stanford, remember the place. They would like put

0:22:17.840 --> 0:22:19.879
<v Speaker 1>us in the van and drive us over there. And

0:22:19.920 --> 0:22:21.840
<v Speaker 1>it was kind of not the cleanest I don't want

0:22:21.840 --> 0:22:22.800
<v Speaker 1>to say anything, right.

0:22:22.920 --> 0:22:26.280
<v Speaker 2>We were like, oh, there's very interesting tile on the walls.

0:22:26.480 --> 0:22:28.960
<v Speaker 1>Very I mean ugly would be a word. Ugly would

0:22:29.000 --> 0:22:29.440
<v Speaker 1>be a word.

0:22:30.600 --> 0:22:30.840
<v Speaker 3>Yeah.

0:22:30.880 --> 0:22:33.200
<v Speaker 1>That didn't last long. It didn't last long at all.

0:22:33.440 --> 0:22:35.160
<v Speaker 1>But the other thing I think when I look back

0:22:35.200 --> 0:22:37.680
<v Speaker 1>on these early episodes is to me, New York looks

0:22:37.720 --> 0:22:40.280
<v Speaker 1>so different. It looks like it's the eighties, you know

0:22:40.320 --> 0:22:43.040
<v Speaker 1>what I mean. Like it's like and the cars and

0:22:43.119 --> 0:22:46.240
<v Speaker 1>like in this particular in the episode twenty something Guys

0:22:46.280 --> 0:22:47.919
<v Speaker 1>or Value of the twenty something Guys, you know, we

0:22:47.960 --> 0:22:51.680
<v Speaker 1>go to these bars right like downstairs and they're just

0:22:51.720 --> 0:22:55.919
<v Speaker 1>like nothing. They're just like a dark room right in

0:22:55.960 --> 0:23:00.960
<v Speaker 1>the basement. It's so eighties. Yeah, so interesting to me.

0:23:01.080 --> 0:23:03.680
<v Speaker 1>I don't really remember it, Like I don't know where

0:23:03.680 --> 0:23:06.119
<v Speaker 1>we are. I have no idea, no memory of that, right,

0:23:06.280 --> 0:23:08.479
<v Speaker 1>And Charlotte doesn't really get to go very often, like

0:23:08.520 --> 0:23:11.440
<v Speaker 1>the first, you guys are in chaos that can't remember chaos.

0:23:11.760 --> 0:23:13.320
<v Speaker 1>I don't know if it was a real place or not.

0:23:13.440 --> 0:23:15.800
<v Speaker 1>I don't think probably in the pilot. Yeah, but you're there.

0:23:15.840 --> 0:23:18.359
<v Speaker 1>That's when Skipper comes and you push him up up

0:23:18.400 --> 0:23:21.400
<v Speaker 1>against the wall. It's so good, Right, that's a pilot.

0:23:22.200 --> 0:23:25.080
<v Speaker 1>I think it's excellent, excellent, But I'm not there. I'm

0:23:25.119 --> 0:23:28.960
<v Speaker 1>with that dude up on the stairs of the met right, yeah, right,

0:23:29.160 --> 0:23:31.240
<v Speaker 1>just thinking I'm on like the perfect date. And then

0:23:31.280 --> 0:23:34.360
<v Speaker 1>he goes, oh, has sex with Samantha. I know, poor

0:23:34.520 --> 0:23:38.440
<v Speaker 1>Charlotte's mess. So wait, let's get back to you. Let's

0:23:38.440 --> 0:23:40.560
<v Speaker 1>get back to you. So we start the pilot. You

0:23:40.840 --> 0:23:42.600
<v Speaker 1>you did feel like it was the holy Grail. So

0:23:42.640 --> 0:23:45.280
<v Speaker 1>you had a sense that it was amazing, well for

0:23:45.359 --> 0:23:48.160
<v Speaker 1>me because I was at a point like I had

0:23:48.160 --> 0:23:50.960
<v Speaker 1>a kid and like an uh like I just bought

0:23:51.000 --> 0:23:55.040
<v Speaker 1>an apartment, and like I needed to earn some money. Yeah,

0:23:55.080 --> 0:23:59.320
<v Speaker 1>like and and so much so that after literally twenty

0:23:59.400 --> 0:24:01.840
<v Speaker 1>years of saying I will not audition for anything that

0:24:01.840 --> 0:24:04.639
<v Speaker 1>shoots in la you know, like a long term or

0:24:04.680 --> 0:24:07.680
<v Speaker 1>even really sure you know, yeah, I was like, get

0:24:07.720 --> 0:24:09.639
<v Speaker 1>me a TV show, and it was like, here's a

0:24:09.680 --> 0:24:13.800
<v Speaker 1>TV show here. Wow, that's so great.

0:24:14.119 --> 0:24:16.879
<v Speaker 2>Yeah, you know, so I did feel like it was

0:24:17.560 --> 0:24:18.320
<v Speaker 2>the holy Grail.

0:24:18.480 --> 0:24:21.280
<v Speaker 1>Yeah yeah. And when we actually did the pilot, did

0:24:21.320 --> 0:24:24.159
<v Speaker 1>you feel like wow, wow, wow or did you feel like,

0:24:24.200 --> 0:24:26.960
<v Speaker 1>oh my god. I always thought it was all great.

0:24:27.440 --> 0:24:28.800
<v Speaker 1>I just thought it was all great.

0:24:29.440 --> 0:24:34.320
<v Speaker 2>You know, I thought, how am I gonna be this like,

0:24:35.160 --> 0:24:38.320
<v Speaker 2>you know, sexy person that's like going on all these

0:24:38.359 --> 0:24:41.360
<v Speaker 2>like never dated, I had like long term relationship.

0:24:41.400 --> 0:24:43.840
<v Speaker 1>I never remember you saying this, Yeah right. I also

0:24:43.920 --> 0:24:47.399
<v Speaker 1>remember you saying I never had like girlfriends where we

0:24:47.440 --> 0:24:50.320
<v Speaker 1>would like go around and kind of like be powerful like.

0:24:50.320 --> 0:24:54.719
<v Speaker 2>This or flirty flirty right, my my my girlfriends. Right,

0:24:54.800 --> 0:24:58.280
<v Speaker 2>we're not ever out on the prowl, and we never were.

0:24:58.359 --> 0:25:01.080
<v Speaker 2>We're like my friends from h school. We like hang

0:25:01.160 --> 0:25:03.359
<v Speaker 2>out with the boys in our high school.

0:25:03.359 --> 0:25:05.119
<v Speaker 1>You know what I mean, as I do. It was

0:25:05.160 --> 0:25:07.919
<v Speaker 1>not like we'd go and meet strangers and go to

0:25:07.920 --> 0:25:11.120
<v Speaker 1>bed with them. I know, I know, I know. It's

0:25:11.119 --> 0:25:14.640
<v Speaker 1>super interesting to look at the beginning episodes, like there's

0:25:14.680 --> 0:25:19.880
<v Speaker 1>a you know, like a it's very sex positive, which

0:25:19.920 --> 0:25:22.240
<v Speaker 1>is wonderful before we ever called it that, but also

0:25:22.400 --> 0:25:28.159
<v Speaker 1>like an openness like a you know, Everyone's not everyone.

0:25:28.160 --> 0:25:30.679
<v Speaker 1>I guess Charlotte's not, but like Carrie especially like a

0:25:30.760 --> 0:25:33.600
<v Speaker 1>value of the twins something guys, you know, I mean,

0:25:33.640 --> 0:25:35.160
<v Speaker 1>it's it's very interesting.

0:25:35.760 --> 0:25:38.400
<v Speaker 2>Well, so remember there was all this stuff. I don't

0:25:38.400 --> 0:25:40.600
<v Speaker 2>know if you've spoken about this yet, but there was

0:25:40.680 --> 0:25:41.399
<v Speaker 2>all this stuff.

0:25:41.440 --> 0:25:44.480
<v Speaker 1>There was this backlash.

0:25:43.800 --> 0:25:48.560
<v Speaker 2>Where people were sort of some people were like horrified, right,

0:25:48.840 --> 0:25:51.840
<v Speaker 2>and said, these aren't women, right, women don't act like this,

0:25:51.960 --> 0:25:55.800
<v Speaker 2>women don't talk like this, women don't have this kind

0:25:55.840 --> 0:26:02.080
<v Speaker 2>of lack of inhibition and lack of sentimental romantic no necessity.

0:26:02.760 --> 0:26:05.960
<v Speaker 1>Right, these are gay men disguised. If you remember this,

0:26:06.000 --> 0:26:09.160
<v Speaker 1>it was great and trouble right, it was very annoying.

0:26:09.480 --> 0:26:12.320
<v Speaker 2>And I also remember, and I don't remember what season

0:26:12.359 --> 0:26:15.800
<v Speaker 2>it was, where we had a reporter like, we're all

0:26:15.840 --> 0:26:18.040
<v Speaker 2>four of us were talking to this person on time

0:26:18.320 --> 0:26:22.280
<v Speaker 2>and the reporter said, do you think this is a

0:26:22.320 --> 0:26:26.640
<v Speaker 2>feminist show? And all four of us basically almost took

0:26:26.680 --> 0:26:31.280
<v Speaker 2>that person's head off. We were like, well, of course

0:26:31.280 --> 0:26:35.880
<v Speaker 2>it's a feminist show. What's wrong with you? Yes, we're

0:26:35.880 --> 0:26:38.399
<v Speaker 2>all feminists. It's a feminist show. What would it be

0:26:38.480 --> 0:26:42.240
<v Speaker 2>if it wasn't a feminist show? Because we're wearing lipstick

0:26:42.280 --> 0:26:45.920
<v Speaker 2>and high heels. It's not a feminist show. What's wrong

0:26:45.960 --> 0:26:46.320
<v Speaker 2>with You?

0:26:46.400 --> 0:26:49.199
<v Speaker 1>Absolutely, But I do think that that also reminds me

0:26:49.320 --> 0:26:52.640
<v Speaker 1>of the different times, you know, and the fact that

0:26:52.840 --> 0:26:56.159
<v Speaker 1>we were not there was no blueprint for us, you know,

0:26:56.280 --> 0:27:00.280
<v Speaker 1>and and that in some ways is I think this

0:27:00.359 --> 0:27:04.560
<v Speaker 1>kind of magic about us coming together and HBO allowing

0:27:04.640 --> 0:27:07.040
<v Speaker 1>us to find ourselves and then also being able to

0:27:07.080 --> 0:27:09.040
<v Speaker 1>do the movies and then also being able to do

0:27:09.080 --> 0:27:11.640
<v Speaker 1>and just like that, I mean, like there is no blueprint,

0:27:11.720 --> 0:27:12.800
<v Speaker 1>there is nothing else.

0:27:12.960 --> 0:27:16.160
<v Speaker 2>But you know what, it's really funny for me because,

0:27:16.520 --> 0:27:18.119
<v Speaker 2>as I said, I started acting when I was like

0:27:18.119 --> 0:27:21.719
<v Speaker 2>eleven twelve, and one of the very first things that

0:27:21.800 --> 0:27:25.439
<v Speaker 2>I did was this movie All Little Darlings, which is

0:27:25.440 --> 0:27:28.919
<v Speaker 2>starring Tatum O'Neill and Christy McNicol. And then there are

0:27:28.960 --> 0:27:30.760
<v Speaker 2>six of us who aren't those two people.

0:27:30.840 --> 0:27:31.760
<v Speaker 1>So they're eight.

0:27:31.960 --> 0:27:34.879
<v Speaker 2>Young women amazing, and we're all like, we're all supposed

0:27:34.920 --> 0:27:37.040
<v Speaker 2>to be like mid teens, I would say, and some

0:27:37.080 --> 0:27:39.879
<v Speaker 2>of us like me or twelve as I'm tall, and

0:27:39.960 --> 0:27:43.119
<v Speaker 2>other people are like eighteen, but they're playing fifteen whatever.

0:27:43.160 --> 0:27:44.640
<v Speaker 1>We're all playing like yeah.

0:27:44.680 --> 0:27:48.800
<v Speaker 2>And it's about two girls who don't like each other

0:27:49.000 --> 0:27:52.720
<v Speaker 2>at summer camp and somebody starts a bet to see

0:27:52.760 --> 0:27:55.520
<v Speaker 2>which one of them can lose their virginity first. Wow,

0:27:55.560 --> 0:27:57.880
<v Speaker 2>And all the rest of us line up with one

0:27:57.960 --> 0:28:00.560
<v Speaker 2>or the other and there's lots of betting on it,

0:28:00.600 --> 0:28:02.280
<v Speaker 2>and who camp.

0:28:02.320 --> 0:28:03.320
<v Speaker 1>Right gets involved.

0:28:03.359 --> 0:28:03.679
<v Speaker 4>Wow.

0:28:03.840 --> 0:28:07.439
<v Speaker 2>And this was a very popular, successful movie that it's like,

0:28:07.600 --> 0:28:10.360
<v Speaker 2>very dear to a lot of people's hearts. But when

0:28:10.359 --> 0:28:14.480
<v Speaker 2>it came out, I remember one review that started, now

0:28:14.520 --> 0:28:19.760
<v Speaker 2>here's a disgusting idea for a movie, right, Critics were horrified,

0:28:20.640 --> 0:28:23.879
<v Speaker 2>And this was like literally twenty years later, and it

0:28:24.000 --> 0:28:26.840
<v Speaker 2>was I was like, it was deja vue for me.

0:28:27.160 --> 0:28:31.080
<v Speaker 2>It was like, here are women who are talking about

0:28:31.160 --> 0:28:34.840
<v Speaker 2>sex and the possibilities of sex with their female friends

0:28:35.080 --> 0:28:41.280
<v Speaker 2>and then going out and assertively pursuing it. And audiences

0:28:41.320 --> 0:28:44.040
<v Speaker 2>are like, wow, cool and critics are.

0:28:43.920 --> 0:28:48.200
<v Speaker 1>Like, ew, so crazy. It's but I.

0:28:48.160 --> 0:28:52.720
<v Speaker 2>Mean I think that that's I mean, you know, it's

0:28:52.760 --> 0:28:56.360
<v Speaker 2>a show that women and gay men have always particularly

0:28:56.960 --> 0:29:01.720
<v Speaker 2>you know, embraced. But we would hear again and again

0:29:01.720 --> 0:29:05.160
<v Speaker 2>and again. Was first on was like the men want

0:29:05.200 --> 0:29:08.080
<v Speaker 2>to watch it too, and the girlfriends get them to

0:29:08.120 --> 0:29:10.040
<v Speaker 2>watch it, or the wives get them to watch it,

0:29:10.440 --> 0:29:13.200
<v Speaker 2>and then they're fascinated and they love it and they're entertained.

0:29:13.560 --> 0:29:18.200
<v Speaker 2>But also then it sparks all these conversations about this

0:29:19.720 --> 0:29:23.520
<v Speaker 2>semi taboo stuff that maybe if you're dating somebody you

0:29:23.600 --> 0:29:26.400
<v Speaker 2>wouldn't talk about it because you'd be shy or something,

0:29:26.480 --> 0:29:27.880
<v Speaker 2>but it's happening.

0:29:27.640 --> 0:29:31.280
<v Speaker 1>In the episode. So it's a perfect right, right, like

0:29:31.440 --> 0:29:35.360
<v Speaker 1>the up the butt stuff in the right. Of course,

0:29:35.480 --> 0:29:37.480
<v Speaker 1>everyone likes to say all the things that embarrass me.

0:29:37.560 --> 0:29:41.200
<v Speaker 1>But yes, very good example. And also such a fun

0:29:41.480 --> 0:29:45.120
<v Speaker 1>fun memory, so great, such a great memory and such

0:29:45.160 --> 0:29:47.640
<v Speaker 1>a funny I mean, now that I look back on it,

0:29:47.680 --> 0:29:50.840
<v Speaker 1>which I didn't really compute this or whatever. That's really

0:29:50.840 --> 0:29:53.680
<v Speaker 1>my first storyline, like where it's like a beginning, middle,

0:29:53.720 --> 0:29:55.719
<v Speaker 1>and end right, like Carrie's like, you know, and then

0:29:55.800 --> 0:29:57.560
<v Speaker 1>Charlotte has a new boyfriend and we see him and

0:29:57.560 --> 0:29:58.720
<v Speaker 1>I'm like, did I tell you it wants to buy

0:29:58.720 --> 0:30:00.760
<v Speaker 1>a painting, and you guys are like, oh, you know,

0:30:01.080 --> 0:30:03.840
<v Speaker 1>And then we do that scene. No, then we do

0:30:03.920 --> 0:30:06.719
<v Speaker 1>the seat then a caller right, and she's like, oh, Charlotte,

0:30:06.720 --> 0:30:07.920
<v Speaker 1>I got to run out of the house, right, And

0:30:07.960 --> 0:30:10.320
<v Speaker 1>I'm like she's like, I'll be right there. And then

0:30:10.360 --> 0:30:12.040
<v Speaker 1>we're in that big cab. Do you remember it was

0:30:12.040 --> 0:30:15.000
<v Speaker 1>like a nineteen seventies cab and Alice in the director

0:30:15.080 --> 0:30:18.360
<v Speaker 1>and Maurice who's French, the DP who I could never

0:30:18.400 --> 0:30:20.680
<v Speaker 1>say her name. Right, they're in the front seat. Do

0:30:20.680 --> 0:30:23.400
<v Speaker 1>you remember this with the handhad They're in the front

0:30:23.440 --> 0:30:25.400
<v Speaker 1>seat like on the floor. That's how big the cab

0:30:25.600 --> 0:30:27.400
<v Speaker 1>was that they could do that, and they would like

0:30:27.440 --> 0:30:29.320
<v Speaker 1>pop their heads up and give us direction as we're

0:30:29.360 --> 0:30:31.920
<v Speaker 1>driving around, then pop back down. And then we added

0:30:31.960 --> 0:30:34.120
<v Speaker 1>you guys. And I remember being so fun but also

0:30:34.160 --> 0:30:37.720
<v Speaker 1>being so even just like mortified to say the words

0:30:37.720 --> 0:30:40.640
<v Speaker 1>out loud. Yeah that I kept messing it up, like

0:30:40.680 --> 0:30:43.320
<v Speaker 1>I can't remember that say the words because the first

0:30:43.360 --> 0:30:45.479
<v Speaker 1>time I say it is just sir, Jessica with me, right,

0:30:45.480 --> 0:30:48.440
<v Speaker 1>it's just carry with me, And I had so not

0:30:48.640 --> 0:30:50.479
<v Speaker 1>said it in rehearsal. Do you remember how we used

0:30:50.480 --> 0:30:51.920
<v Speaker 1>to run our lines all the time, which I told

0:30:51.960 --> 0:30:53.880
<v Speaker 1>Michael Michaels like I didn't know this. I was like, wait,

0:30:53.960 --> 0:30:55.960
<v Speaker 1>we were so scared that we weren't gonna talk fast

0:30:56.040 --> 0:30:56.320
<v Speaker 1>enough for you.

0:30:56.440 --> 0:30:56.600
<v Speaker 3>Yeah.

0:30:56.640 --> 0:30:58.720
<v Speaker 1>Yeah, I mean at least I was right. So we

0:30:58.960 --> 0:31:02.040
<v Speaker 1>remember we were in the make Taylor just running, running, running, running, running.

0:31:02.040 --> 0:31:03.800
<v Speaker 1>Do you remember this? Did they have us do that?

0:31:03.800 --> 0:31:06.480
<v Speaker 1>Did they have us watch some like his Gal Friday

0:31:06.560 --> 0:31:08.760
<v Speaker 1>or something? I think you did, And I don't think

0:31:08.800 --> 0:31:11.040
<v Speaker 1>anyone told us to. I know, I think that was

0:31:11.080 --> 0:31:15.760
<v Speaker 1>your creative you know, thought process, right. And also I

0:31:15.800 --> 0:31:17.120
<v Speaker 1>was I told you I was going to tell you this.

0:31:17.720 --> 0:31:19.959
<v Speaker 1>I do think this is when you started saying to

0:31:20.040 --> 0:31:25.040
<v Speaker 1>me quietly like, not my medium, not my medium, because

0:31:25.040 --> 0:31:27.360
<v Speaker 1>we'd be in some complex thing where they'd say like,

0:31:27.600 --> 0:31:30.040
<v Speaker 1>and then you find the lens, and then you move

0:31:30.080 --> 0:31:31.480
<v Speaker 1>forward and you find the lens.

0:31:31.320 --> 0:31:33.880
<v Speaker 2>And you just be like, not my media, right, And

0:31:33.880 --> 0:31:37.880
<v Speaker 2>I'd be like, it is getting the mark, finding the lens, continuity.

0:31:37.960 --> 0:31:41.080
<v Speaker 1>These have never been my strong suits. Well they are now.

0:31:41.320 --> 0:31:44.840
<v Speaker 1>Well that's very kind, it's true. But number two, I mean,

0:31:44.880 --> 0:31:47.680
<v Speaker 1>first of all, I see those early episodes. You're like

0:31:47.840 --> 0:31:51.640
<v Speaker 1>spot On, I mean, you're amazing, So you know some

0:31:51.760 --> 0:31:53.920
<v Speaker 1>of it, I think it's just your own mind. But

0:31:54.000 --> 0:31:57.640
<v Speaker 1>I also think also it is obviously a very different experience.

0:31:57.960 --> 0:32:01.240
<v Speaker 1>Doing a show is a very different experience than even

0:32:01.320 --> 0:32:04.280
<v Speaker 1>just a film. You know, Well, it's right, It's it's

0:32:04.320 --> 0:32:05.560
<v Speaker 1>not like one long arc.

0:32:05.600 --> 0:32:08.680
<v Speaker 2>It's like every week or every two weeks or whatever

0:32:08.680 --> 0:32:11.920
<v Speaker 2>it was, we got a new script and new things happened.

0:32:11.520 --> 0:32:13.880
<v Speaker 1>Definitely, new things happened. Also, we film a lot quicker,

0:32:13.960 --> 0:32:16.440
<v Speaker 1>especially back then. I remember we would film like so

0:32:16.560 --> 0:32:19.240
<v Speaker 1>many scenes in a day, and it was that was

0:32:19.280 --> 0:32:21.680
<v Speaker 1>partly why it was so complicated, right because we couldn't

0:32:21.760 --> 0:32:24.720
<v Speaker 1>like stop, like now now it and just like that

0:32:24.880 --> 0:32:28.160
<v Speaker 1>we do we take some time, you know, to you know,

0:32:28.240 --> 0:32:30.520
<v Speaker 1>do the singles and whatever. But back then we were

0:32:30.560 --> 0:32:32.200
<v Speaker 1>like on the go. Do you remember they used to

0:32:32.240 --> 0:32:35.120
<v Speaker 1>like wheel those huge lights down the street, you know,

0:32:35.160 --> 0:32:36.800
<v Speaker 1>from one location to the other. Like it was kind

0:32:36.800 --> 0:32:39.600
<v Speaker 1>of amazing to think about, like gorilla filmmaking a little bit.

0:32:39.600 --> 0:32:42.520
<v Speaker 2>Right, you know, in such crazy hours, like crazy hour,

0:32:42.640 --> 0:32:46.280
<v Speaker 2>never less than fifteen hours, often seventeen eighteen hours until

0:32:46.280 --> 0:32:46.959
<v Speaker 2>the same came up.

0:32:47.160 --> 0:32:59.080
<v Speaker 1>Yeah, I talked about it a little bit like back

0:32:59.080 --> 0:33:01.520
<v Speaker 1>then we felt like we we shouldn't say that. Do

0:33:01.560 --> 0:33:03.680
<v Speaker 1>you remember, like it was so long, right, like because

0:33:03.680 --> 0:33:05.560
<v Speaker 1>I remember how we shouldn't complain, Yeah, we should we

0:33:05.600 --> 0:33:07.800
<v Speaker 1>shouldn't complain, Yeah, because remember how people just come up

0:33:07.840 --> 0:33:10.080
<v Speaker 1>and be like it is so much fun. Like once

0:33:10.120 --> 0:33:11.960
<v Speaker 1>it started to kind of you know, take off, and

0:33:12.000 --> 0:33:15.040
<v Speaker 1>we'd be like yes, like as we're like, you know, fainting,

0:33:15.200 --> 0:33:17.320
<v Speaker 1>you know, as we're just so tired, right, But we

0:33:17.320 --> 0:33:20.000
<v Speaker 1>couldn't really say that. We thought our feet, yes, and

0:33:20.040 --> 0:33:22.800
<v Speaker 1>our feet. I mean, you know, I told them the story.

0:33:22.800 --> 0:33:25.240
<v Speaker 1>I had the bigger sized shoes for the weekend. My

0:33:25.320 --> 0:33:27.320
<v Speaker 1>tennis shoes were bigger so that I could like let

0:33:27.320 --> 0:33:30.760
<v Speaker 1>my little swollen feet rest. Yeah, because remember how we

0:33:30.760 --> 0:33:33.440
<v Speaker 1>would film till the sun rose and then start at

0:33:33.440 --> 0:33:36.400
<v Speaker 1>five am on Monday. You had this tiny little window

0:33:37.000 --> 0:33:40.280
<v Speaker 1>and you had a whole life. It was I think

0:33:40.360 --> 0:33:43.000
<v Speaker 1>eight months when we did the pilot. Exactly how did

0:33:43.000 --> 0:33:47.400
<v Speaker 1>you do that? Well? I don't know. I mean the pilot.

0:33:47.440 --> 0:33:50.560
<v Speaker 2>What I think of is when we were getting ready,

0:33:50.640 --> 0:33:52.720
<v Speaker 2>when we've been picked up and we were getting ready

0:33:52.760 --> 0:33:55.720
<v Speaker 2>to do the second episode, right, the first episode of

0:33:55.760 --> 0:33:56.560
<v Speaker 2>our first season.

0:33:59.080 --> 0:34:02.280
<v Speaker 1>Do you remember this? They so we shot in Silver Cup,

0:34:02.320 --> 0:34:05.360
<v Speaker 1>which is in Long Island City, and all of us

0:34:05.400 --> 0:34:08.480
<v Speaker 1>were living in Manhattan, right, I mean, Kristen had an

0:34:08.480 --> 0:34:12.480
<v Speaker 1>apartment in Manhattan, and they decided that we were going

0:34:12.560 --> 0:34:13.719
<v Speaker 1>to take the subway to work.

0:34:13.800 --> 0:34:17.920
<v Speaker 5>Oh my god, do you remember that. It was like,

0:34:18.040 --> 0:34:21.200
<v Speaker 5>we're not going to pick you all up. You have

0:34:21.280 --> 0:34:26.759
<v Speaker 5>to get here on your own. And so I think

0:34:26.800 --> 0:34:29.800
<v Speaker 5>I was coming for fittings or something, coming from.

0:34:29.680 --> 0:34:32.440
<v Speaker 1>Hitting where the where we were in the Where Island

0:34:32.440 --> 0:34:33.480
<v Speaker 1>city at the time.

0:34:33.840 --> 0:34:36.960
<v Speaker 2>Maybe well, this is before Google Maps, right, it is

0:34:37.000 --> 0:34:42.799
<v Speaker 2>a confusing, windy place. And so and my kid at

0:34:42.800 --> 0:34:47.280
<v Speaker 2>that point is I think like it's teen months or something.

0:34:47.320 --> 0:34:51.920
<v Speaker 2>I'm not sure how old he is. And my father

0:34:52.239 --> 0:34:57.760
<v Speaker 2>has just died. He has died of like weeks before.

0:34:58.200 --> 0:35:01.040
<v Speaker 2>And my father was living in Mexico. So I don't

0:35:01.080 --> 0:35:04.879
<v Speaker 2>speak Spanish. I've gone down there. My boyfriend was sick.

0:35:04.920 --> 0:35:07.560
<v Speaker 2>I went down there by myself with my kid, not

0:35:07.600 --> 0:35:10.520
<v Speaker 2>speaking Spanish, to try and deal with his not only

0:35:10.560 --> 0:35:13.319
<v Speaker 2>his death. I mean he was cremated, so that wasn't

0:35:13.320 --> 0:35:16.280
<v Speaker 2>a big but you know, his belongings to his finance,

0:35:16.440 --> 0:35:19.480
<v Speaker 2>everything right, And so I came back. I'm coming for

0:35:19.560 --> 0:35:23.200
<v Speaker 2>this fitting where they've Shelley, remember Shelley. Shelley told me

0:35:23.280 --> 0:35:26.600
<v Speaker 2>that I had to take the subway or whatever. And

0:35:26.680 --> 0:35:29.719
<v Speaker 2>so I take my kid strapped to me on the

0:35:29.760 --> 0:35:33.120
<v Speaker 2>subway with all the diaper bags and whatnot, and I

0:35:33.200 --> 0:35:35.960
<v Speaker 2>get off the train in Long Island City and I

0:35:36.000 --> 0:35:39.680
<v Speaker 2>can't find it, and I'm walking around the streets and

0:35:39.719 --> 0:35:44.080
<v Speaker 2>I call Shelley and I'm like, Shelley, I have my

0:35:44.840 --> 0:35:48.000
<v Speaker 2>you know, fifteen month old. My father has just died.

0:35:48.320 --> 0:35:52.319
<v Speaker 2>I'm wandering around. Can someone please just pick me up?

0:35:53.440 --> 0:35:55.880
<v Speaker 2>So I think they gave up on the subway idea.

0:35:56.120 --> 0:35:59.319
<v Speaker 1>I think that must have been somewhere close to me

0:36:00.160 --> 0:36:04.200
<v Speaker 1>trying to also do the same thing with not a child,

0:36:04.280 --> 0:36:09.920
<v Speaker 1>but just my really challenge, you're not. I mean I

0:36:10.000 --> 0:36:13.120
<v Speaker 1>used to live here. It never you know, it's just

0:36:13.280 --> 0:36:16.160
<v Speaker 1>a challenge that I have right in wherever I am.

0:36:16.320 --> 0:36:19.040
<v Speaker 1>It's a challenge. And there was no phones to be doing.

0:36:19.120 --> 0:36:21.400
<v Speaker 1>There was no Google Maps, and there was no maps nothing.

0:36:21.440 --> 0:36:24.400
<v Speaker 1>And I had never in my life even heard of

0:36:24.400 --> 0:36:27.799
<v Speaker 1>Long Island City. I was like, I don't understand, like

0:36:28.520 --> 0:36:30.640
<v Speaker 1>just where are we? I just don't understand.

0:36:30.719 --> 0:36:32.640
<v Speaker 2>It's like a place where you assumed a lot of

0:36:32.680 --> 0:36:38.920
<v Speaker 2>like snuff films, anything could happen. What's happening behind those

0:36:39.000 --> 0:36:39.800
<v Speaker 2>doors exactly?

0:36:39.840 --> 0:36:41.680
<v Speaker 1>So I had gone tried to go to my fitting

0:36:41.920 --> 0:36:44.480
<v Speaker 1>sometime probably like the same day or next day or whatever.

0:36:45.320 --> 0:36:49.680
<v Speaker 1>It was raining, and I'm just wandering, you know, like

0:36:49.719 --> 0:36:53.880
<v Speaker 1>a little lost wet kitten, you know, like help me,

0:36:54.040 --> 0:36:58.920
<v Speaker 1>help me, anyone and then crying, you know, like finally,

0:36:59.160 --> 0:37:04.600
<v Speaker 1>like I think, Shelley, also, I don't even know if

0:37:04.640 --> 0:37:07.360
<v Speaker 1>I'm in longand City, like you know what I'm saying,

0:37:07.400 --> 0:37:09.799
<v Speaker 1>like all of it. And then she was like, yes,

0:37:09.880 --> 0:37:11.920
<v Speaker 1>Cynthia had a problem too. I was like, you know,

0:37:12.239 --> 0:37:17.040
<v Speaker 1>maybe you guys should send him. Remember the sixteen seater

0:37:17.320 --> 0:37:21.040
<v Speaker 1>that we did end up spending a lot of time anyway,

0:37:21.200 --> 0:37:23.640
<v Speaker 1>I do remember that. And I was like, if Cynthia

0:37:23.719 --> 0:37:26.200
<v Speaker 1>had a problem, I don't feel so bad, you know.

0:37:26.600 --> 0:37:28.319
<v Speaker 1>But then remember how we both lived on the Upper

0:37:28.360 --> 0:37:30.800
<v Speaker 1>West Side. Yes, and they would pictu us that blocks

0:37:30.840 --> 0:37:33.840
<v Speaker 1>from the blocks from each other, thank god, and they

0:37:33.840 --> 0:37:35.920
<v Speaker 1>would pick us up together, which is really fun. And

0:37:35.920 --> 0:37:39.040
<v Speaker 1>what Cynthia very kindly would run lines with me because

0:37:39.080 --> 0:37:41.319
<v Speaker 1>remember those times when I had those big speeches, yes,

0:37:41.719 --> 0:37:46.000
<v Speaker 1>like like very didactic, like soap boxy, like I'm gonna

0:37:46.000 --> 0:37:47.640
<v Speaker 1>get married and I'm going to follow this book and

0:37:47.680 --> 0:37:51.800
<v Speaker 1>I'm so hard and you know, we I talked to

0:37:51.880 --> 0:37:54.279
<v Speaker 1>Michael a little bit about like the word perfect. You know,

0:37:54.880 --> 0:37:57.080
<v Speaker 1>we had to be perfect. We still have to be perfect.

0:37:57.480 --> 0:38:00.600
<v Speaker 1>And comedy is very precise, you know, so I get that,

0:38:00.640 --> 0:38:04.439
<v Speaker 1>but it's sometimes challenging and Cynthia God bless her heart,

0:38:04.680 --> 0:38:06.920
<v Speaker 1>because I live by myself, right, so like you can

0:38:07.000 --> 0:38:10.120
<v Speaker 1>only somewhat do so much work in your own head,

0:38:10.239 --> 0:38:13.200
<v Speaker 1>you know, to a certain extent, and then what would

0:38:13.200 --> 0:38:15.799
<v Speaker 1>happen is We'd get there and I'd get nervous and

0:38:15.840 --> 0:38:18.880
<v Speaker 1>I'd like just freeze up. So on the way down

0:38:19.120 --> 0:38:22.120
<v Speaker 1>town or to Silver Cup or whatever, Cynthia Wood run

0:38:22.160 --> 0:38:26.040
<v Speaker 1>lines with me so sweetly. Really saved myself so much.

0:38:27.200 --> 0:38:29.879
<v Speaker 1>That was fun, and like we were like kids. That's

0:38:29.880 --> 0:38:32.200
<v Speaker 1>the other thing that cracks me up when we watch,

0:38:32.680 --> 0:38:34.799
<v Speaker 1>Like do you I don't know how you think about this,

0:38:34.880 --> 0:38:39.520
<v Speaker 1>but like we look like little children. Well, yes, we're

0:38:39.680 --> 0:38:44.480
<v Speaker 1>very beautiful, but also so I have still you know,

0:38:45.200 --> 0:38:48.640
<v Speaker 1>baby fat no, well I mean from my baby right,

0:38:48.640 --> 0:38:54.840
<v Speaker 1>But also I have literally pimple on my chin like simples.

0:38:55.120 --> 0:38:58.920
<v Speaker 1>Take a look, my guy still have acne. Hysterical. But

0:38:59.040 --> 0:39:01.560
<v Speaker 1>the thing that's so funny is that I remember thinking,

0:39:01.600 --> 0:39:03.719
<v Speaker 1>because I was living in LA before we filmed, right,

0:39:03.840 --> 0:39:05.960
<v Speaker 1>and I remember thinking, like, you know, I got to

0:39:05.960 --> 0:39:07.680
<v Speaker 1>get a job because like we don't have a lot

0:39:07.680 --> 0:39:09.440
<v Speaker 1>of time here. You know, this is back when like

0:39:09.480 --> 0:39:11.480
<v Speaker 1>when you were forty, which I don't think you probably

0:39:11.520 --> 0:39:14.080
<v Speaker 1>felt because you were a very theater and theater, thank god,

0:39:14.120 --> 0:39:16.359
<v Speaker 1>goes on forever, but like you had this sense of

0:39:16.400 --> 0:39:19.040
<v Speaker 1>like time is ticking, you've got to like make the

0:39:19.160 --> 0:39:21.120
<v Speaker 1>most of it because you're not going to last long.

0:39:21.200 --> 0:39:22.839
<v Speaker 2>Well, I mean, that's the thing is like now we

0:39:22.880 --> 0:39:26.680
<v Speaker 2>look like such babies, but at the time that was

0:39:26.760 --> 0:39:29.920
<v Speaker 2>part of the point of the show that we weren't kids.

0:39:29.960 --> 0:39:31.960
<v Speaker 1>I know, that's what's so funny to me. But we were.

0:39:32.239 --> 0:39:33.800
<v Speaker 1>We were like mature women.

0:39:33.960 --> 0:39:37.040
<v Speaker 2>We had these careers and we were at a point

0:39:37.120 --> 0:39:41.600
<v Speaker 2>when you know, Charlotte or other people in previous or

0:39:41.680 --> 0:39:44.920
<v Speaker 2>you know, we're like, why aren't you marriedly getting married?

0:39:45.239 --> 0:39:47.799
<v Speaker 1>Were you going to marry? Absolutely? Actually, and in the

0:39:47.920 --> 0:39:49.759
<v Speaker 1>value of the twenty sething guys, when they cut to

0:39:49.800 --> 0:39:52.480
<v Speaker 1>the guys on the basketball court, which is one of

0:39:52.480 --> 0:39:55.840
<v Speaker 1>the most enjoyable, I know, it's finally like for me,

0:39:56.120 --> 0:39:59.000
<v Speaker 1>that's when the other people talking clicks in right in

0:39:59.040 --> 0:40:01.359
<v Speaker 1>a great way. All these guys and they're not so

0:40:01.560 --> 0:40:06.080
<v Speaker 1>horrible like in the every man is just like horrible, horrible,

0:40:06.440 --> 0:40:08.440
<v Speaker 1>So finally some of them are kind of likable and

0:40:08.719 --> 0:40:10.799
<v Speaker 1>one of them, you know, I think it starts the

0:40:10.840 --> 0:40:14.359
<v Speaker 1>basketball confessionals and he says, you know the great thing

0:40:14.440 --> 0:40:17.200
<v Speaker 1>about women in their thirties is they're just so grateful.

0:40:21.400 --> 0:40:25.359
<v Speaker 1>I'm like, wow, where we're gonna go, the journey we're

0:40:25.400 --> 0:40:28.480
<v Speaker 1>gonna go on? People? Oh my god? Who would have

0:40:28.480 --> 0:40:31.960
<v Speaker 1>ever thought? Yeah? Right? Yeah? And back then, I remember

0:40:32.000 --> 0:40:34.480
<v Speaker 1>also feeling because when I was auditioning, I would always

0:40:34.480 --> 0:40:36.680
<v Speaker 1>just lie about my age, Like whatever age the character was,

0:40:36.719 --> 0:40:38.920
<v Speaker 1>you'd pick like a year older or a you're younger,

0:40:39.080 --> 0:40:41.040
<v Speaker 1>and that's how old you'd say you were. At least

0:40:41.040 --> 0:40:42.839
<v Speaker 1>that's what I did. Huh. That's what all my friends

0:40:42.880 --> 0:40:45.239
<v Speaker 1>did in La. Wow. So for me, I was like, oh,

0:40:45.280 --> 0:40:48.040
<v Speaker 1>thank god, we're playing women are our thirties. I can

0:40:48.160 --> 0:40:51.080
<v Speaker 1>stop lying. You know. It's so exciting, right, Like it

0:40:51.120 --> 0:40:53.719
<v Speaker 1>was such a weight off my mind. And look at us,

0:40:53.719 --> 0:40:58.480
<v Speaker 1>I'm like, we're like little tiny babies. No, little tiny babies.

0:40:58.560 --> 0:41:01.600
<v Speaker 2>But I think I think the you know, how much

0:41:01.680 --> 0:41:04.440
<v Speaker 2>sex we're having and going out and meeting people and

0:41:04.480 --> 0:41:06.919
<v Speaker 2>going out on dates and just picking people up, right,

0:41:06.960 --> 0:41:11.560
<v Speaker 2>there's all that which is different, and it's that it's

0:41:11.680 --> 0:41:15.200
<v Speaker 2>not it's not. I mean, I don't there is really

0:41:15.239 --> 0:41:16.640
<v Speaker 2>nothing to compare us to. I mean, what are you

0:41:16.640 --> 0:41:19.879
<v Speaker 2>going comparis to Charlie's Angels. I mean right, right, No,

0:41:20.000 --> 0:41:21.360
<v Speaker 2>there is a stretch man.

0:41:21.360 --> 0:41:23.799
<v Speaker 1>Right, I mean they don't talk to each other, right,

0:41:24.239 --> 0:41:26.160
<v Speaker 1>I mean then they also don't date. I mean they

0:41:26.160 --> 0:41:29.640
<v Speaker 1>I guess they don't think they shut around, right, But

0:41:30.840 --> 0:41:32.839
<v Speaker 1>I think that's the thing, is like we're having all

0:41:32.840 --> 0:41:36.239
<v Speaker 1>this sex with all these different men that were actively pursuing,

0:41:36.560 --> 0:41:38.400
<v Speaker 1>and we're talking.

0:41:38.120 --> 0:41:40.600
<v Speaker 2>To each other about it, right, It's like we're together.

0:41:40.840 --> 0:41:44.120
<v Speaker 2>It's like Bechdel to the MH degree.

0:41:44.880 --> 0:41:47.680
<v Speaker 1>Yes, And that's what was so so special and amazing

0:41:47.680 --> 0:41:50.000
<v Speaker 1>about it. Now, let's talk about themes. Part of the

0:41:50.040 --> 0:41:52.239
<v Speaker 1>reason I wanted to do Are You a Charlotte was

0:41:52.280 --> 0:41:54.480
<v Speaker 1>because it seems like, I mean, first of all, you

0:41:54.520 --> 0:41:56.960
<v Speaker 1>know Netflix, We're on Netflix now, which is like we

0:41:57.000 --> 0:41:59.560
<v Speaker 1>could never have imagined these things, right, and all these

0:41:59.600 --> 0:42:01.720
<v Speaker 1>younger peop people are finding us, which is so exciting

0:42:01.800 --> 0:42:05.120
<v Speaker 1>and really kind of amazing and wonderful. And the themes

0:42:05.120 --> 0:42:09.359
<v Speaker 1>are still so resonant today. Yes, totally, and it's kind

0:42:09.440 --> 0:42:12.640
<v Speaker 1>of just a testament to our writing, you know, and

0:42:12.719 --> 0:42:17.239
<v Speaker 1>to just the I mean, it was kind of just

0:42:17.440 --> 0:42:19.840
<v Speaker 1>bravery on I guess. Well, but have you talked about

0:42:19.840 --> 0:42:23.319
<v Speaker 1>the thing about the one degree of separation thing about well,

0:42:24.440 --> 0:42:26.759
<v Speaker 1>you know that they had this rule in the writer's room.

0:42:27.040 --> 0:42:28.040
<v Speaker 1>Oh yeah, that.

0:42:29.520 --> 0:42:33.920
<v Speaker 2>You know, fantastical things happen on our show Crazy Zany,

0:42:34.200 --> 0:42:37.799
<v Speaker 2>like wow, cover your mouth, you're so shocked kind of things, right,

0:42:38.480 --> 0:42:40.640
<v Speaker 2>But that they had a rule in the writer's room

0:42:40.640 --> 0:42:43.680
<v Speaker 2>that you could only make a plot line around something

0:42:43.680 --> 0:42:47.960
<v Speaker 2>that had literally happened to you or someone you knew.

0:42:48.080 --> 0:42:52.920
<v Speaker 2>It can be like my friend's dentist's cast. I heard

0:42:53.000 --> 0:42:56.399
<v Speaker 2>this I had one time. Right, it had to be

0:42:56.600 --> 0:42:59.000
<v Speaker 2>you experienced it, or someone that you could get on

0:42:59.040 --> 0:43:02.160
<v Speaker 2>the phone and ask them about it in detail.

0:43:02.520 --> 0:43:03.200
<v Speaker 1>It happened to them.

0:43:03.239 --> 0:43:05.360
<v Speaker 2>So, I mean, I do think that that's one of

0:43:05.400 --> 0:43:09.760
<v Speaker 2>the reasons it really endures, is like it's the stuff

0:43:09.760 --> 0:43:14.440
<v Speaker 2>around it, even though it's it's real, even though it's like, oh.

0:43:14.280 --> 0:43:16.919
<v Speaker 1>My god, can you believe what happened on the show

0:43:17.000 --> 0:43:17.440
<v Speaker 1>last night?

0:43:17.600 --> 0:43:23.080
<v Speaker 2>Right, but it's it's it's real, and people really, you know,

0:43:23.800 --> 0:43:26.680
<v Speaker 2>put them the writers really put themselves in it and

0:43:27.360 --> 0:43:31.479
<v Speaker 2>located the good and bad and funny and whatever say

0:43:31.520 --> 0:43:33.120
<v Speaker 2>things that were happening to right.

0:43:33.160 --> 0:43:35.160
<v Speaker 1>Right right, So true. But when you think back on

0:43:35.200 --> 0:43:37.279
<v Speaker 1>the themes, like what do you think of in terms

0:43:37.320 --> 0:43:39.879
<v Speaker 1>of like Miranda's themes or you know, what stands out

0:43:39.920 --> 0:43:41.400
<v Speaker 1>to you. What do you think of as your favorite

0:43:41.400 --> 0:43:44.680
<v Speaker 1>themes or your favorite relationships or things like that. Hmmm,

0:43:45.840 --> 0:43:49.240
<v Speaker 1>I know it's hard, so so so hmmm.

0:43:49.760 --> 0:43:51.960
<v Speaker 2>I mean I think maybe this is not what you're

0:43:51.960 --> 0:43:54.880
<v Speaker 2>talking about, but I mean, like the overarching theme is,

0:43:54.960 --> 0:44:00.840
<v Speaker 2>obviously we're not sitting by the phone waiting for a

0:44:00.880 --> 0:44:03.080
<v Speaker 2>man to call in and ask us to marry him.

0:44:03.360 --> 0:44:07.920
<v Speaker 1>Right, It's like we possibly Charlotte is well, possibly Charlotte,

0:44:07.960 --> 0:44:11.120
<v Speaker 1>but then she but she's aggressively pursuing it, you know,

0:44:11.200 --> 0:44:14.640
<v Speaker 1>Susa pursuing it, and she and there's part of her

0:44:14.719 --> 0:44:17.880
<v Speaker 1>that that has this marriage goal in mind, but she

0:44:18.040 --> 0:44:21.920
<v Speaker 1>also kind of wants to experiment. And she's certainly more

0:44:21.960 --> 0:44:24.880
<v Speaker 1>experimental than you realize. And sure she really is. And

0:44:24.960 --> 0:44:27.080
<v Speaker 1>I remember, of course we did the thing.

0:44:27.160 --> 0:44:30.000
<v Speaker 2>They had a thing in a magazine about who had

0:44:30.000 --> 0:44:31.160
<v Speaker 2>had the most It was the book.

0:44:31.239 --> 0:44:32.880
<v Speaker 1>It was a book. It was a tell in the

0:44:32.920 --> 0:44:34.960
<v Speaker 1>back of the book. But it wasn't it. It had

0:44:35.040 --> 0:44:36.279
<v Speaker 1>all the sure, wasn't it.

0:44:36.280 --> 0:44:40.439
<v Speaker 2>Even before there was a magazine article. You're resting how

0:44:40.440 --> 0:44:44.360
<v Speaker 2>many sex partners each of them they had and that Charlotte, surprisingly,

0:44:44.840 --> 0:44:47.400
<v Speaker 2>I know one had been with Marmon.

0:44:47.440 --> 0:44:50.160
<v Speaker 1>But I also think that is what I love about

0:44:50.280 --> 0:44:52.440
<v Speaker 1>when we think back, And I kind of was aware

0:44:52.440 --> 0:44:55.520
<v Speaker 1>of this at the time because like, for instance, you

0:44:55.600 --> 0:44:59.440
<v Speaker 1>weren't Miranda, right, so you playing Miranda, you brought different

0:44:59.440 --> 0:45:01.880
<v Speaker 1>things to it. You brought kind of some friction to it.

0:45:02.239 --> 0:45:05.080
<v Speaker 1>Sara Jessica is not Carrie, you know, and she didn't

0:45:05.120 --> 0:45:08.000
<v Speaker 1>want to show her body all the time, you know,

0:45:08.040 --> 0:45:10.520
<v Speaker 1>So it created kind of a friction. Like all of

0:45:10.600 --> 0:45:14.640
<v Speaker 1>us being together and being such different people created kind

0:45:14.640 --> 0:45:17.520
<v Speaker 1>of an interesting friction. Charlotte wanted to get married, but

0:45:17.719 --> 0:45:21.160
<v Speaker 1>also being the one who literally has the most you know,

0:45:21.640 --> 0:45:25.600
<v Speaker 1>hookups or whatever. It's interesting, right, Like, it wasn't as

0:45:25.680 --> 0:45:27.760
<v Speaker 1>much as people think that we were archetypes and whatnot,

0:45:27.760 --> 0:45:30.480
<v Speaker 1>which I get right, right, It really was more complex

0:45:30.560 --> 0:45:34.880
<v Speaker 1>than that, and certainly, like the underlying thing as opposed

0:45:34.920 --> 0:45:38.800
<v Speaker 1>to what we were showing, I think created a depth

0:45:38.840 --> 0:45:41.640
<v Speaker 1>and a like a frision kind of right.

0:45:41.719 --> 0:45:47.160
<v Speaker 2>So I feel like in terms of Miranda, obviously she's

0:45:47.400 --> 0:45:51.239
<v Speaker 2>very she's very smart, she's very quippy, she's very cynical,

0:45:51.880 --> 0:45:58.040
<v Speaker 2>she's very driven, she's all about her work, and getting ahead,

0:45:58.320 --> 0:46:03.279
<v Speaker 2>right and competing with men on an equal footing. I'm

0:46:03.560 --> 0:46:07.279
<v Speaker 2>interested in having sex, but she really has thought not

0:46:07.440 --> 0:46:13.400
<v Speaker 2>at all about the idea of marriage or long term monogamy,

0:46:13.920 --> 0:46:16.600
<v Speaker 2>much less children or anything like that.

0:46:16.600 --> 0:46:20.279
<v Speaker 1>Which is so great how it unfolds, right, yeah.

0:46:19.960 --> 0:46:25.480
<v Speaker 2>And so so the fun thing about her has always

0:46:25.520 --> 0:46:31.680
<v Speaker 2>been that she has this really tough, armored exterior, but

0:46:31.800 --> 0:46:37.759
<v Speaker 2>that she has all this fragility side right, And so

0:46:39.040 --> 0:46:42.279
<v Speaker 2>I feel like, for me, the turning point from Miranda was,

0:46:42.360 --> 0:46:45.480
<v Speaker 2>I believe it's Jenny Bick's first episode. That's one of

0:46:45.520 --> 0:46:48.600
<v Speaker 2>our writers, and when she first came on board, she

0:46:48.760 --> 0:46:53.160
<v Speaker 2>wrote the episode where Miranda buys her first apartment.

0:46:53.200 --> 0:46:55.359
<v Speaker 1>That's a good one, right, yeah, And it's like, as

0:46:55.400 --> 0:46:59.279
<v Speaker 1>a single woman, what does that mean? Is that intimidating

0:46:59.320 --> 0:47:01.319
<v Speaker 1>to a man when you when you already own and

0:47:01.360 --> 0:47:04.520
<v Speaker 1>you're not waiting for him to buy something with him

0:47:04.880 --> 0:47:08.880
<v Speaker 1>that you choose together, right, And that Miranda is really

0:47:08.920 --> 0:47:12.239
<v Speaker 1>determined and excited, But then it brings up all of

0:47:12.280 --> 0:47:17.799
<v Speaker 1>these demons for her about what does this mean buying

0:47:17.840 --> 0:47:20.040
<v Speaker 1>this apartment? Does this mean I'll always be alone?

0:47:20.080 --> 0:47:22.960
<v Speaker 2>And she and I'll die alone and like no one

0:47:22.960 --> 0:47:26.040
<v Speaker 2>will know and the cat will eat my face. Right,

0:47:26.120 --> 0:47:28.440
<v Speaker 2>it's so good, it's so great, and she starts to

0:47:28.520 --> 0:47:30.560
<v Speaker 2>have these panic attacks, which.

0:47:30.360 --> 0:47:32.520
<v Speaker 1>Seem very Unmeranda.

0:47:33.000 --> 0:47:36.680
<v Speaker 2>And you know, and in the same way that Michael

0:47:36.680 --> 0:47:42.400
<v Speaker 2>Patrick talks about with Charlotte, Charlotte is a beautiful, intelligent, warm,

0:47:43.760 --> 0:47:48.640
<v Speaker 2>career person who wants to get married. And so Michael

0:47:48.640 --> 0:47:50.839
<v Speaker 2>Patrick says, at a certain point, even though it's about

0:47:50.840 --> 0:47:53.520
<v Speaker 2>single women, we got a let her get married because

0:47:53.719 --> 0:47:57.239
<v Speaker 2>we just can't believe we lost.

0:47:58.000 --> 0:48:02.200
<v Speaker 1>It's incredulous, right, she she want to get married. She's

0:48:02.200 --> 0:48:04.200
<v Speaker 1>gonna get married, right, and then it's not going to

0:48:04.280 --> 0:48:07.680
<v Speaker 1>work out, that's the point. So and the same with Miranda.

0:48:07.760 --> 0:48:14.399
<v Speaker 2>He was like, how much how brittle and bitter can

0:48:14.440 --> 0:48:19.160
<v Speaker 2>we make her? It's like, finally she is gonna just break,

0:48:19.920 --> 0:48:21.760
<v Speaker 2>so we have to Finally.

0:48:21.560 --> 0:48:23.800
<v Speaker 1>I guess it's season two. I'm not sure.

0:48:24.480 --> 0:48:27.759
<v Speaker 2>You know, they bring in Steep, right, somebody who is

0:48:27.920 --> 0:48:33.640
<v Speaker 2>like the antidote like to all of the who is

0:48:33.719 --> 0:48:37.759
<v Speaker 2>happy to be the beta to her alpha, right, and

0:48:37.800 --> 0:48:42.480
<v Speaker 2>who is so into her that she doesn't doubt him.

0:48:42.760 --> 0:48:46.120
<v Speaker 2>And it's just he's like he's sexy, but he's also

0:48:46.320 --> 0:48:49.719
<v Speaker 2>just very devoted and it's a. It's a it's a

0:48:49.760 --> 0:48:53.840
<v Speaker 2>place where she can land. That's a wonderful place to be,

0:48:53.960 --> 0:49:00.120
<v Speaker 2>and it's not threatening. He's not competing with her for supremacy,

0:49:00.760 --> 0:49:04.480
<v Speaker 2>and she doesn't feel like you might walk away and

0:49:04.480 --> 0:49:05.080
<v Speaker 2>break her heart.

0:49:05.360 --> 0:49:10.920
<v Speaker 1>Right. Oh, and what a great character. Great character, great character.

0:49:11.080 --> 0:49:14.080
<v Speaker 1>I know, I know, all right. So I could talk

0:49:14.080 --> 0:49:17.120
<v Speaker 1>to Cynthia for many, many hours, as you can tell.

0:49:17.200 --> 0:49:19.640
<v Speaker 1>So we're going to make this into two episodes. You guys,

0:49:19.640 --> 0:49:23.320
<v Speaker 1>please tune in to the next one.