1 00:00:05,600 --> 00:00:07,000 Speaker 1: So the theme songs playing. 2 00:00:07,520 --> 00:00:10,560 Speaker 2: Uh so, I don't gotta tell you guys, that's gonna 3 00:00:10,560 --> 00:00:11,840 Speaker 2: come in through post production. 4 00:00:11,880 --> 00:00:13,400 Speaker 3: You guys are gona added that in there. 5 00:00:13,840 --> 00:00:18,360 Speaker 1: I uh, I guess. And this is like when I 6 00:00:18,400 --> 00:00:21,680 Speaker 1: hear you talk about this stuff, I'm just like, I mean, 7 00:00:21,800 --> 00:00:26,640 Speaker 1: I remember when I was so dialed into every aspect 8 00:00:26,680 --> 00:00:31,640 Speaker 1: of the problem and it was so yeah, and we 9 00:00:31,680 --> 00:00:35,240 Speaker 1: would be texting all night like we're gonna like put 10 00:00:35,240 --> 00:00:37,560 Speaker 1: the theme song in, like yeah, I've gotta go right here. 11 00:00:37,800 --> 00:00:40,920 Speaker 2: And now like now we're ready to launch, like hitting 12 00:00:40,920 --> 00:00:42,800 Speaker 2: the big button to put the theme song in. 13 00:00:43,040 --> 00:00:45,520 Speaker 4: But now it's like all plug and play, like just easy. 14 00:00:45,760 --> 00:00:48,559 Speaker 1: It's just become. Yeah, it's become. 15 00:00:48,960 --> 00:00:50,479 Speaker 3: I mean when you have that, when you have that 16 00:00:50,479 --> 00:00:52,000 Speaker 3: many deliverables, it's like. 17 00:00:52,040 --> 00:00:55,280 Speaker 1: Can I go back to he was saying, yeah, yeah, 18 00:00:55,480 --> 00:00:59,600 Speaker 1: it is plugging playing. Now he plugs, I play, Okay, 19 00:01:01,920 --> 00:01:03,800 Speaker 1: I pay all day, I'm playing. 20 00:01:03,880 --> 00:01:06,200 Speaker 2: This is fun for me to do the show now, 21 00:01:06,280 --> 00:01:10,319 Speaker 2: and and Kevin gives us that freedom because he's working 22 00:01:10,400 --> 00:01:10,839 Speaker 2: so hard. 23 00:01:11,040 --> 00:01:13,600 Speaker 3: So you guys have dialed back on the production of 24 00:01:13,640 --> 00:01:16,440 Speaker 3: it a little bit, just focused more of the creative stuff. 25 00:01:16,920 --> 00:01:21,399 Speaker 1: Man, And hearing you say that yeah, that's like I remember, 26 00:01:21,440 --> 00:01:23,680 Speaker 1: I remember when I used to think of it as 27 00:01:23,720 --> 00:01:27,080 Speaker 1: a creative endeavor, and like really like that we were 28 00:01:27,080 --> 00:01:28,399 Speaker 1: creative you remember that? 29 00:01:28,880 --> 00:01:32,040 Speaker 2: Oh yeah, we would be texting at night like, hey, 30 00:01:32,200 --> 00:01:34,160 Speaker 2: you have any creative ideas for the show? 31 00:01:34,400 --> 00:01:34,680 Speaker 4: You know? 32 00:01:35,600 --> 00:01:38,840 Speaker 2: And then I, you know, I right back, not really, 33 00:01:39,000 --> 00:01:42,520 Speaker 2: but like let's think of some you know, and then yeah. 34 00:01:41,840 --> 00:01:43,840 Speaker 4: I think we're in that phase right now. But since 35 00:01:43,840 --> 00:01:45,679 Speaker 4: we're roommates, he kind of just knocks on my door 36 00:01:45,720 --> 00:01:48,560 Speaker 4: and whispers through it. So usually tucked in at that point. 37 00:01:48,600 --> 00:01:49,480 Speaker 1: But we should talk. 38 00:01:49,560 --> 00:01:51,960 Speaker 2: We should we should actually we should we should talk 39 00:01:52,000 --> 00:01:57,360 Speaker 2: about who you guys are. So this is this is 40 00:01:57,440 --> 00:02:00,520 Speaker 2: Cam and p They should talk about they should talk. Well, 41 00:02:00,640 --> 00:02:03,480 Speaker 2: you should you tell me, uh, tell me a. 42 00:02:03,480 --> 00:02:05,840 Speaker 1: Little bit about who you are, and the listeners will 43 00:02:05,880 --> 00:02:08,680 Speaker 1: hear you and then will talk about it. We will 44 00:02:08,800 --> 00:02:10,440 Speaker 1: probably have some input on that. 45 00:02:10,840 --> 00:02:15,160 Speaker 4: Recap it afterwards. Yeah, I mean me and Cam where 46 00:02:15,160 --> 00:02:18,160 Speaker 4: we've been hosting this new up and coming podcast that 47 00:02:18,280 --> 00:02:21,119 Speaker 4: recaps other already established podcasts. 48 00:02:21,120 --> 00:02:23,720 Speaker 5: I've heard about this, I've heard about that. To interrupt, 49 00:02:23,760 --> 00:02:24,400 Speaker 5: no no, no. 50 00:02:24,600 --> 00:02:31,280 Speaker 1: But yeah, yeah, before yeah, yeah, and that is what Yeah, 51 00:02:31,360 --> 00:02:35,880 Speaker 1: that's so funny. Pick that one up on the brain. Yeah, 52 00:02:35,919 --> 00:02:38,600 Speaker 1: that was on the front line. Yeah. But I yeah, 53 00:02:38,639 --> 00:02:42,040 Speaker 1: and that's the entire thing. That's literally the entire thing 54 00:02:42,080 --> 00:02:42,560 Speaker 1: that it is. 55 00:02:42,880 --> 00:02:46,000 Speaker 4: Yeah, because I mean you look at legacy media like 56 00:02:46,200 --> 00:02:50,079 Speaker 4: the Walking dead head, the Talking Dead, you see, you know, 57 00:02:49,639 --> 00:02:56,679 Speaker 4: the post Real Housewives, you know, recaps, watch you know everyone. 58 00:02:58,360 --> 00:03:01,839 Speaker 2: Yeah, I mean we're in some of it gets sent 59 00:03:01,880 --> 00:03:03,040 Speaker 2: to me like whatever. 60 00:03:03,240 --> 00:03:05,840 Speaker 5: Like sometimes people will send me something or show me something. 61 00:03:05,880 --> 00:03:07,720 Speaker 1: I know, people are always talking about it. 62 00:03:07,800 --> 00:03:10,080 Speaker 2: My nephew will show me on his phone like here's 63 00:03:10,200 --> 00:03:12,600 Speaker 2: like a Real Housewives like recap thing. 64 00:03:12,760 --> 00:03:13,399 Speaker 4: Yeah. 65 00:03:13,600 --> 00:03:16,320 Speaker 1: I think it's fine that people like legacy media, Like 66 00:03:16,360 --> 00:03:18,480 Speaker 1: I you know, I don't have a problem with it. 67 00:03:18,600 --> 00:03:19,640 Speaker 1: Oh that's fine. 68 00:03:21,639 --> 00:03:25,240 Speaker 3: You're missing out on if you're not at least dipping 69 00:03:25,280 --> 00:03:28,040 Speaker 3: into the pool of content out there with podcasts. 70 00:03:28,240 --> 00:03:29,280 Speaker 6: Yeah, there's just so much. 71 00:03:29,800 --> 00:03:30,080 Speaker 3: Yeah. 72 00:03:30,320 --> 00:03:35,840 Speaker 2: No, we're just talking about legacy media how we relate. 73 00:03:35,560 --> 00:03:37,280 Speaker 1: To it, which is kind of not at all. 74 00:03:37,360 --> 00:03:40,920 Speaker 5: But like, but I understand as you use these examples. 75 00:03:41,040 --> 00:03:43,520 Speaker 1: I know all the words you're saying. Yeah, I know 76 00:03:43,600 --> 00:03:45,480 Speaker 1: about it, like I know it's there and I know 77 00:03:45,560 --> 00:03:46,280 Speaker 1: everything about it. 78 00:03:46,680 --> 00:03:50,600 Speaker 5: Like yes, No, it's like from an academic perspective. 79 00:03:50,680 --> 00:03:54,160 Speaker 2: I'm like aware of it. I could probably like write 80 00:03:54,200 --> 00:03:55,880 Speaker 2: a paper on it or something, but I don't really 81 00:03:55,880 --> 00:03:57,839 Speaker 2: watch it. I don't really hear that stuff. I don't 82 00:03:57,880 --> 00:04:00,280 Speaker 2: really know what what the appeal is for every one. 83 00:04:00,320 --> 00:04:04,360 Speaker 7: That's what I'm into, like indie like kind of like 84 00:04:04,640 --> 00:04:09,040 Speaker 7: off the beaten path, like freaky, like renegade art stuff 85 00:04:09,200 --> 00:04:10,720 Speaker 7: like con is like wild? 86 00:04:10,920 --> 00:04:15,080 Speaker 4: Would you say like con film? Yeah, maybe, yeah, you've 87 00:04:15,120 --> 00:04:15,840 Speaker 4: been there a couple. 88 00:04:15,680 --> 00:04:18,080 Speaker 1: Of times we made We might have done, we might 89 00:04:18,080 --> 00:04:20,080 Speaker 1: have been I think we did go there. 90 00:04:19,960 --> 00:04:22,680 Speaker 5: Which yes, yes to. 91 00:04:24,360 --> 00:04:29,160 Speaker 1: What was? What did you say? One more con? 92 00:04:29,240 --> 00:04:31,280 Speaker 5: Because yeah, we're talking over each other? 93 00:04:31,400 --> 00:04:32,080 Speaker 1: No? Is it? Is it? 94 00:04:32,200 --> 00:04:32,880 Speaker 4: Con it? 95 00:04:33,040 --> 00:04:33,720 Speaker 1: One more time? 96 00:04:33,880 --> 00:04:35,640 Speaker 4: Con film? Like Gang is con? 97 00:04:35,800 --> 00:04:36,520 Speaker 1: Oh my god? 98 00:04:36,800 --> 00:04:38,800 Speaker 4: Am I saying? Do I not have the French flavor? 99 00:04:38,920 --> 00:04:39,080 Speaker 2: No? 100 00:04:39,200 --> 00:04:41,480 Speaker 5: I don't even Yeah, I yes, we're not. 101 00:04:43,800 --> 00:04:46,640 Speaker 3: And I'm looking at podcast it's got that? 102 00:04:47,000 --> 00:04:50,120 Speaker 4: Do you so you recap them? 103 00:04:50,640 --> 00:04:52,520 Speaker 5: Do you goof on the shows a little bit when 104 00:04:52,520 --> 00:04:53,120 Speaker 5: you're doing this? 105 00:04:53,560 --> 00:04:54,200 Speaker 3: Do we do that? 106 00:04:54,400 --> 00:04:54,880 Speaker 1: Okay? 107 00:04:54,960 --> 00:04:55,400 Speaker 4: All right? 108 00:04:56,080 --> 00:04:58,840 Speaker 1: So you're just I mean, he asked, do you look you? 109 00:04:58,839 --> 00:05:00,039 Speaker 1: You said, why would we do that? 110 00:05:00,080 --> 00:05:01,200 Speaker 3: Why would we goof on them? 111 00:05:01,520 --> 00:05:02,640 Speaker 1: Why would you goof on them? 112 00:05:02,800 --> 00:05:04,760 Speaker 5: I'm trying to understand what it would be. 113 00:05:05,279 --> 00:05:06,560 Speaker 4: We were trying to look for it. 114 00:05:06,920 --> 00:05:10,120 Speaker 3: The podcasts, we're going to be laughing our ass off. 115 00:05:10,440 --> 00:05:13,720 Speaker 4: We both graduated, we have bachelors and podcast studies, and 116 00:05:13,760 --> 00:05:15,760 Speaker 4: so we were going into this field that you know, 117 00:05:15,839 --> 00:05:19,600 Speaker 4: has been burgeoning for the last two decades. We're trying to, 118 00:05:19,680 --> 00:05:21,080 Speaker 4: you know, pay the respect that. 119 00:05:21,120 --> 00:05:23,960 Speaker 1: You go back to what you were saying seconds ago, 120 00:05:24,080 --> 00:05:27,520 Speaker 1: like people like to watch this show to studies, the 121 00:05:27,560 --> 00:05:32,240 Speaker 1: podcast Bachelor's Yeah, because we and we talk. Can I 122 00:05:32,279 --> 00:05:36,600 Speaker 1: see let me see your ring finger? Everybody's ring finger? Yeah, yeah, 123 00:05:36,800 --> 00:05:39,880 Speaker 1: so it's nude. Yeah, and I always forgot to take 124 00:05:39,920 --> 00:05:44,040 Speaker 1: mine off, I know. And we were get that thing 125 00:05:44,120 --> 00:05:48,720 Speaker 1: out because when we're doing they are when we're doing it, 126 00:05:49,160 --> 00:05:50,640 Speaker 1: like the studies, the podcast. 127 00:05:50,320 --> 00:05:52,080 Speaker 4: The main cave that we should turn into a soda 128 00:05:52,120 --> 00:05:53,600 Speaker 4: cave like that. 129 00:05:53,839 --> 00:05:58,560 Speaker 1: We were talking something from about eight minutes before. 130 00:05:58,360 --> 00:06:01,320 Speaker 4: We started that was bank fire. You know, that was 131 00:06:01,480 --> 00:06:04,120 Speaker 4: just I'm firing from the hip. I got sloppy there. 132 00:06:04,120 --> 00:06:04,599 Speaker 1: I'm sorry. 133 00:06:04,680 --> 00:06:06,359 Speaker 4: So listeners, there's. 134 00:06:07,720 --> 00:06:09,840 Speaker 2: Exciting to call back to something, even if it's just 135 00:06:09,880 --> 00:06:11,240 Speaker 2: for us or just for you. 136 00:06:11,320 --> 00:06:13,839 Speaker 1: But rather than blank fire, we like to be setting 137 00:06:13,920 --> 00:06:18,560 Speaker 1: up the tripod on the roof, lying down, screwing in 138 00:06:18,640 --> 00:06:24,960 Speaker 1: the scope of the whole thing. And yes, and my 139 00:06:25,040 --> 00:06:29,400 Speaker 1: pulse right down. Yes, And as long as you need 140 00:06:30,120 --> 00:06:34,799 Speaker 1: to get there that shot. 141 00:06:35,480 --> 00:06:36,440 Speaker 3: You got to get into it. 142 00:06:36,440 --> 00:06:39,760 Speaker 2: It's time to take the shot, you know, because sometimes 143 00:06:39,800 --> 00:06:40,520 Speaker 2: you only get one. 144 00:06:40,960 --> 00:06:42,440 Speaker 1: Yeah. I don't meortunity. 145 00:06:42,560 --> 00:06:45,200 Speaker 4: I don't mean to restore a twice stirred pot with BUCkies, 146 00:06:45,240 --> 00:06:48,440 Speaker 4: but I do think it's important just for context. 147 00:06:48,520 --> 00:06:51,680 Speaker 2: And if you can, you want to salvage your thing, Yeah, 148 00:06:52,520 --> 00:06:56,839 Speaker 2: at the expense possibly of yeah, everyone else, the whole 149 00:06:57,560 --> 00:06:59,920 Speaker 2: so yeah, so go ahead, So go ahead and save 150 00:07:00,120 --> 00:07:02,120 Speaker 2: you're one sentence. 151 00:07:02,880 --> 00:07:05,320 Speaker 1: Hey, he's talking about my keys, like, and my keys 152 00:07:05,320 --> 00:07:07,160 Speaker 1: should not even be like And this is why I 153 00:07:07,400 --> 00:07:12,760 Speaker 1: should check the frame key. They can see, they can 154 00:07:12,800 --> 00:07:14,320 Speaker 1: analyze the shape of the key. 155 00:07:14,400 --> 00:07:16,040 Speaker 4: Can we hold up the clamp too, I don't know 156 00:07:16,360 --> 00:07:18,600 Speaker 4: if it's for the shot. 157 00:07:19,440 --> 00:07:21,440 Speaker 1: What what on this do you think is a clamp? 158 00:07:21,680 --> 00:07:23,800 Speaker 4: Know that the black thing on the table, what is that? 159 00:07:23,840 --> 00:07:25,880 Speaker 1: Okay, we'll either be talking about my keys or yeah, 160 00:07:26,120 --> 00:07:28,920 Speaker 1: just say if you're talking about them anymore, just say 161 00:07:28,960 --> 00:07:30,440 Speaker 1: that you're not talking about them. 162 00:07:30,520 --> 00:07:33,120 Speaker 5: Well, for the BUCkies, if I was looking for a 163 00:07:33,120 --> 00:07:35,560 Speaker 5: clamp on his keys too, and I didn't see anything, 164 00:07:35,640 --> 00:07:36,760 Speaker 5: and I felt crazy. 165 00:07:36,760 --> 00:07:38,920 Speaker 1: I don't even think that looks much like a clamp either. 166 00:07:39,120 --> 00:07:41,840 Speaker 1: Does it look more like a clamp than anything. 167 00:07:41,280 --> 00:07:43,560 Speaker 5: More than the keys does, which I had no idea 168 00:07:43,560 --> 00:07:44,160 Speaker 5: what that meant. 169 00:07:44,280 --> 00:07:46,360 Speaker 2: And I was looking at that because that's what I 170 00:07:46,360 --> 00:07:47,400 Speaker 2: thought we were talking about. 171 00:07:47,520 --> 00:07:49,040 Speaker 1: Nobody told me we were changing. 172 00:07:49,440 --> 00:07:51,720 Speaker 4: Well, if we could just to endorse some short term 173 00:07:51,720 --> 00:07:54,800 Speaker 4: pain for long term greatness with going back to BUCkies. 174 00:07:54,880 --> 00:07:58,320 Speaker 4: I do think just the idea of BUCkies is awesome 175 00:07:58,360 --> 00:07:59,040 Speaker 4: because they have the so. 176 00:07:59,240 --> 00:08:02,440 Speaker 5: Just which is what I said about BUCkies right the 177 00:08:02,480 --> 00:08:03,040 Speaker 5: Soda Cave. 178 00:08:03,120 --> 00:08:04,000 Speaker 1: Yeah, what I said. 179 00:08:03,840 --> 00:08:07,400 Speaker 2: About BUCkies was that it's supposed to be just totally insane, 180 00:08:07,520 --> 00:08:09,320 Speaker 2: and that Joe Rogan actually. 181 00:08:09,000 --> 00:08:09,800 Speaker 1: Talk about it. 182 00:08:09,880 --> 00:08:10,600 Speaker 3: Is that a friend of yours? 183 00:08:10,680 --> 00:08:12,040 Speaker 1: Joe, He's not. 184 00:08:12,240 --> 00:08:15,600 Speaker 2: I mean, were you on his podcast? 185 00:08:16,520 --> 00:08:17,920 Speaker 1: I wasn't. I wasn't on it. 186 00:08:18,000 --> 00:08:20,560 Speaker 5: You got I thought you had the degree in the studies. 187 00:08:23,160 --> 00:08:23,520 Speaker 1: I wasn't. 188 00:08:23,600 --> 00:08:26,200 Speaker 2: I was on it very early in terms of like 189 00:08:26,360 --> 00:08:29,960 Speaker 2: I've been on that, Like I've been telling people like 190 00:08:30,040 --> 00:08:32,000 Speaker 2: this is kind of the future, like the way that 191 00:08:32,040 --> 00:08:35,000 Speaker 2: we're headed, and we've been that way. 192 00:08:34,960 --> 00:08:38,040 Speaker 1: And these kind of we've been on these parallel tracks 193 00:08:38,160 --> 00:08:40,760 Speaker 1: with him for a long time, and people don't like, 194 00:08:42,160 --> 00:08:44,319 Speaker 1: I don't even know exactly how to put this. People 195 00:08:44,400 --> 00:08:47,079 Speaker 1: don't say to a train like, have you been on 196 00:08:47,679 --> 00:08:48,600 Speaker 1: that other train? 197 00:08:49,080 --> 00:08:49,320 Speaker 2: Yeah? 198 00:08:49,440 --> 00:08:52,880 Speaker 1: You know what I mean. How he's a peer of yours. 199 00:08:53,640 --> 00:08:57,600 Speaker 1: It's just possible to even imagine how that would happen. 200 00:08:58,320 --> 00:09:01,880 Speaker 3: How like his I think some of the best in 201 00:09:01,920 --> 00:09:02,600 Speaker 3: the game right now. 202 00:09:02,840 --> 00:09:07,080 Speaker 4: Yeah, Jamie, you are doing it. Uh, excellent, what I've seen, 203 00:09:07,880 --> 00:09:08,360 Speaker 4: what I've seen. 204 00:09:08,600 --> 00:09:10,600 Speaker 1: Yeah, I mean that is one area where he is 205 00:09:10,679 --> 00:09:16,560 Speaker 1: actually like beating our fucking ac on that one. Yeah, 206 00:09:16,600 --> 00:09:17,839 Speaker 1: he's been How fast? 207 00:09:17,840 --> 00:09:19,880 Speaker 3: How fast can you get a Google image on the screen? 208 00:09:20,760 --> 00:09:25,719 Speaker 2: Yeah, go ahead, Like, let's think of it. 209 00:09:26,200 --> 00:09:26,680 Speaker 1: Image. 210 00:09:27,040 --> 00:09:30,200 Speaker 3: Well, if we're talking about BUCkies, right, Pinocchio soda cave, 211 00:09:30,320 --> 00:09:31,920 Speaker 3: maybe get that on screen. 212 00:09:32,120 --> 00:09:33,320 Speaker 1: An image of the soda cave. 213 00:09:34,240 --> 00:09:38,679 Speaker 2: About let's go back to all the jokes from the 214 00:09:38,720 --> 00:09:42,240 Speaker 2: soda Cave, right, the echo location, the sort of that 215 00:09:42,280 --> 00:09:45,000 Speaker 2: you used to get around in there, the rescue diver, 216 00:09:45,160 --> 00:09:45,640 Speaker 2: it's big. 217 00:09:45,800 --> 00:09:49,040 Speaker 5: Did we bring up Elon Musk building a bowl or something? 218 00:09:49,200 --> 00:09:51,960 Speaker 1: Yeah, the tie. 219 00:09:51,120 --> 00:09:53,439 Speaker 3: Saving the kids and he calls him a pedophile. 220 00:09:53,720 --> 00:09:56,160 Speaker 1: Yeah, he insults them. I was struggling with the whole 221 00:09:56,200 --> 00:09:58,880 Speaker 1: area because like whether or not the cave is filled 222 00:09:58,880 --> 00:10:01,840 Speaker 1: with so it's. 223 00:10:01,120 --> 00:10:05,959 Speaker 2: All soda that swim into or is it a soda purchasing. 224 00:10:07,080 --> 00:10:09,880 Speaker 1: And I just yeah, once we got into so hey 225 00:10:09,960 --> 00:10:11,040 Speaker 1: fast Fingers. 226 00:10:10,720 --> 00:10:13,800 Speaker 2: KeV appreciate that we've got up here the home screen 227 00:10:13,880 --> 00:10:16,120 Speaker 2: for the concept. 228 00:10:15,640 --> 00:10:18,560 Speaker 1: Of airplay and Michael fast Fingers played the Assassin if 229 00:10:18,600 --> 00:10:21,040 Speaker 1: you want, like an inspirational figure as you're like setting 230 00:10:21,080 --> 00:10:24,520 Speaker 1: up the tripod and yeah, screwing on the the scope 231 00:10:24,600 --> 00:10:27,040 Speaker 1: and the one Exalia. 232 00:10:27,400 --> 00:10:29,800 Speaker 3: You guys, we're just bringing up things no one's going 233 00:10:29,880 --> 00:10:30,160 Speaker 3: to know what. 234 00:10:30,160 --> 00:10:32,480 Speaker 2: Ever, well he brought up he brought up Michael fast 235 00:10:32,480 --> 00:10:34,560 Speaker 2: Fingers And let me ask you guys a question that 236 00:10:34,640 --> 00:10:37,559 Speaker 2: my brother in law asked me on a recent visit, 237 00:10:38,240 --> 00:10:38,800 Speaker 2: which was. 238 00:10:40,480 --> 00:10:42,080 Speaker 1: Favorite Fascy performance? 239 00:10:42,679 --> 00:10:47,200 Speaker 3: Okay, you many to choose from all. 240 00:10:47,160 --> 00:10:50,800 Speaker 5: Right, assassins, what's your favorite Fascy performance? 241 00:10:50,880 --> 00:10:55,400 Speaker 4: Probably Assassin's Creed Okay, uh well, I think he was 242 00:10:55,400 --> 00:10:57,360 Speaker 4: in just number one, but then there were there's a 243 00:10:57,400 --> 00:11:00,160 Speaker 4: whole game series too. If you're getting mixed. 244 00:11:00,320 --> 00:11:03,800 Speaker 1: So selfish, I think to just like just offered up 245 00:11:03,800 --> 00:11:06,199 Speaker 1: that way and not say, like my favorite FASTI performance 246 00:11:06,400 --> 00:11:09,679 Speaker 1: is that's right? Yeah, we I mean, I guess we 247 00:11:09,800 --> 00:11:14,440 Speaker 1: did end up young Magneto kicking around. Yeah, a little 248 00:11:14,480 --> 00:11:16,679 Speaker 1: bit of like some of the movies that he'd been in. 249 00:11:17,200 --> 00:11:18,560 Speaker 4: So who is your brother in law? 250 00:11:21,080 --> 00:11:23,440 Speaker 1: He's like a guy, he's like one of these guys. 251 00:11:23,760 --> 00:11:25,439 Speaker 3: You know, does he have a podcast? 252 00:11:25,800 --> 00:11:30,319 Speaker 2: Well, okay, I knew this would this would get here. 253 00:11:33,440 --> 00:11:37,120 Speaker 5: Yeah, it feels like he's industry. 254 00:11:36,760 --> 00:11:41,720 Speaker 2: Adjacent, you know, he's definitely uh has obviously colorful ways 255 00:11:41,720 --> 00:11:44,120 Speaker 2: to refer to some of our biggest actors and that 256 00:11:44,400 --> 00:11:46,160 Speaker 2: sort of familiarity. 257 00:11:47,160 --> 00:11:49,400 Speaker 1: You earned that you know, all my I don't know 258 00:11:49,400 --> 00:11:51,360 Speaker 1: about you guys. Like this is what's crazy to me, 259 00:11:51,480 --> 00:11:53,480 Speaker 1: is like all my brother in laws, Like they're the 260 00:11:53,480 --> 00:11:55,720 Speaker 1: ones that should really have a podcast. Like, those guys 261 00:11:55,760 --> 00:11:58,559 Speaker 1: are so fucking funny. Every time I hang out with 262 00:11:58,559 --> 00:12:01,480 Speaker 1: those guys, I'm like, like, you guys should have a podcast. 263 00:12:01,520 --> 00:12:02,719 Speaker 1: But they're just like guys that. 264 00:12:02,840 --> 00:12:07,120 Speaker 4: Like, have you ever tried just like pushing micropfwards them? 265 00:12:07,120 --> 00:12:09,520 Speaker 1: They have jack Ship do y'all? 266 00:12:09,679 --> 00:12:13,600 Speaker 2: Just family has podcasts too? I mean, is there other 267 00:12:13,840 --> 00:12:17,240 Speaker 2: podcasts in the family? Are we thanksgiving? 268 00:12:17,440 --> 00:12:21,319 Speaker 5: You know, arguing about whose podcast is number one? 269 00:12:21,480 --> 00:12:25,000 Speaker 3: We're not we're not podcast babies, if that's what you're asking. 270 00:12:25,280 --> 00:12:31,520 Speaker 1: No, yeah, short for podcasts. 271 00:12:31,520 --> 00:12:34,000 Speaker 3: So like, yeah, I wish my father was a podcaster 272 00:12:34,200 --> 00:12:37,000 Speaker 3: but made his fortune iron ore smelting. 273 00:12:37,440 --> 00:12:40,680 Speaker 1: Yeah, smelted it the hard way and delted it as well. 274 00:12:41,360 --> 00:12:43,600 Speaker 4: But what he smelled it might have actually been transformed 275 00:12:43,600 --> 00:12:44,960 Speaker 4: into microphones in the long run. 276 00:12:45,080 --> 00:12:48,240 Speaker 2: So yeah, we could be talk We could be talking 277 00:12:48,280 --> 00:12:49,920 Speaker 2: to you know, through his hard work. 278 00:12:49,800 --> 00:12:52,840 Speaker 4: His handiwork, but I don't have he's everywhere. 279 00:12:52,880 --> 00:12:55,200 Speaker 1: And also he got sucked into the thing, right so 280 00:12:55,360 --> 00:12:57,760 Speaker 1: like he got smelted down, and he could be in 281 00:12:57,800 --> 00:12:59,520 Speaker 1: the microphone. 282 00:12:59,000 --> 00:13:01,760 Speaker 2: And be talking one of his bones or something right now, 283 00:13:02,080 --> 00:13:04,560 Speaker 2: something that could be melted down part of like his 284 00:13:04,720 --> 00:13:05,600 Speaker 2: pelvis or something. 285 00:13:05,679 --> 00:13:09,520 Speaker 1: That's what's weird about his melting technology, and like like 286 00:13:10,559 --> 00:13:12,880 Speaker 1: that's his legacy and I respect that for sure, but 287 00:13:12,920 --> 00:13:16,000 Speaker 1: the fact that it leaves like whole bones intact makes 288 00:13:16,040 --> 00:13:16,600 Speaker 1: me think that. 289 00:13:17,440 --> 00:13:20,480 Speaker 2: Well, I was thinking that it would be yeah, that's 290 00:13:20,520 --> 00:13:23,520 Speaker 2: it would be possibly like melted in with me tell 291 00:13:23,640 --> 00:13:24,719 Speaker 2: but I guess that's not. 292 00:13:26,720 --> 00:13:29,680 Speaker 3: Technology. It's you know, they're still figuring out some kinks 293 00:13:29,760 --> 00:13:30,160 Speaker 3: right now. 294 00:13:30,080 --> 00:13:31,760 Speaker 1: And he tried to emerge. It's a crazy thing. 295 00:13:31,800 --> 00:13:36,160 Speaker 2: I could be basically yelling right now into your father's pelvis. 296 00:13:36,280 --> 00:13:37,960 Speaker 4: Yeah, that's really possible. 297 00:13:38,080 --> 00:13:40,920 Speaker 3: Like that's nuts, Dad, Hope, I'm making you proud. 298 00:13:42,360 --> 00:13:46,559 Speaker 1: Is that something in life that he would have happened 299 00:13:46,559 --> 00:13:48,400 Speaker 1: to him? He'd get his pelvis yelled into. 300 00:13:49,720 --> 00:13:51,600 Speaker 3: I don't know what he does in his free time. 301 00:13:51,760 --> 00:13:54,880 Speaker 4: Yeah, okay, And I just want to say we. 302 00:13:54,920 --> 00:13:57,360 Speaker 1: Got we got the airplay up. I just want to 303 00:13:57,520 --> 00:14:01,000 Speaker 1: just check in on the Yeah, it's still here. 304 00:14:02,400 --> 00:14:11,000 Speaker 8: And then theda cave So okay, he did Google soda 305 00:14:11,080 --> 00:14:12,880 Speaker 8: cave and he did hit images. 306 00:14:12,960 --> 00:14:16,240 Speaker 4: A lot of stalagmites are stalk tights. I always get 307 00:14:16,240 --> 00:14:19,800 Speaker 4: those mixed up stalagmites ground because that's a G in it, right. 308 00:14:19,720 --> 00:14:22,280 Speaker 1: And then it does say, right there, walk in soda cave. 309 00:14:22,960 --> 00:14:27,720 Speaker 2: Well, the lagmites has a G in it. And all 310 00:14:27,760 --> 00:14:32,920 Speaker 2: you have to do is I go tight. Well tight 311 00:14:33,160 --> 00:14:35,120 Speaker 2: is when I think of tight, I think of a bottom, 312 00:14:35,240 --> 00:14:40,280 Speaker 2: don't I? Yes, yeah, ok, tights like tight little bottom 313 00:14:41,000 --> 00:14:44,800 Speaker 2: right and so then and then stalagmites. It's like I 314 00:14:44,880 --> 00:14:48,800 Speaker 2: might get some top, but I know that that tight 315 00:14:48,840 --> 00:14:50,520 Speaker 2: little bottom is there. Ye. 316 00:14:50,800 --> 00:14:54,760 Speaker 4: If so had my head on tight, I'm not going. 317 00:14:53,400 --> 00:14:59,000 Speaker 2: To caves are ultimately you know, we all can agree 318 00:14:59,280 --> 00:15:00,960 Speaker 2: world guys tough to navigate. 319 00:15:01,360 --> 00:15:04,240 Speaker 3: Yeah, we get in some locker room talk, right, we 320 00:15:04,400 --> 00:15:05,720 Speaker 3: just cut this part out. 321 00:15:07,040 --> 00:15:11,280 Speaker 1: I would to get a little bit of this out 322 00:15:11,320 --> 00:15:12,040 Speaker 1: of my system. 323 00:15:12,120 --> 00:15:15,000 Speaker 2: Honestly, it's the release that I would feel to just 324 00:15:15,080 --> 00:15:17,080 Speaker 2: because I've been building it up a couple of guys. 325 00:15:17,080 --> 00:15:19,320 Speaker 1: I think Devin's one as well. And this does not 326 00:15:19,360 --> 00:15:21,760 Speaker 1: happen to me on a lot of these episodes, but 327 00:15:21,880 --> 00:15:25,240 Speaker 1: it has really been building for me. I don't know 328 00:15:25,280 --> 00:15:26,080 Speaker 1: what it is today. 329 00:15:26,280 --> 00:15:28,440 Speaker 5: It's something in the air, right, but you're all feelings. 330 00:15:28,480 --> 00:15:33,560 Speaker 1: Yeah, yes, Uh so we were talking. You're talking about 331 00:15:34,040 --> 00:15:34,480 Speaker 1: the top. 332 00:15:35,080 --> 00:15:37,200 Speaker 2: I was talking about getting top and also a tight 333 00:15:37,240 --> 00:15:39,720 Speaker 2: little bottom, and I was saying that caves ultimately are 334 00:15:39,880 --> 00:15:44,240 Speaker 2: their vaginal you know, on some level we have to 335 00:15:44,360 --> 00:15:45,240 Speaker 2: acknowledge that. 336 00:15:45,360 --> 00:15:46,320 Speaker 1: I think it would be. 337 00:15:46,280 --> 00:15:51,960 Speaker 3: Weird not to point no, that's a I mean, that's 338 00:15:52,000 --> 00:15:54,400 Speaker 3: a real pervert who's pretending they don't know that. 339 00:15:54,880 --> 00:15:57,800 Speaker 5: Would like to be honest. Most of our listeners are adults. 340 00:15:58,200 --> 00:15:59,840 Speaker 3: You could say that, no one's going to call you quag. 341 00:16:00,160 --> 00:16:01,040 Speaker 3: Who are you Plato? 342 00:16:01,600 --> 00:16:05,200 Speaker 1: Yeah? Being in a cave? Wait? 343 00:16:05,480 --> 00:16:10,760 Speaker 4: Why because he just dispelled the whole notion of caves existing. 344 00:16:11,040 --> 00:16:15,480 Speaker 1: Right, This is the Plato is why it was like 345 00:16:16,360 --> 00:16:20,360 Speaker 1: it's it's like Gumby basically, yeah, yeah, that's a guy. 346 00:16:20,400 --> 00:16:22,160 Speaker 1: He's got the closet, right, Plato's a guy. 347 00:16:22,360 --> 00:16:23,360 Speaker 3: Plato's a guy. 348 00:16:23,760 --> 00:16:27,640 Speaker 2: All Plato's I guess if we're calling Gumby Plato like 349 00:16:28,040 --> 00:16:29,640 Speaker 2: Plato's buddies are all guys too. 350 00:16:29,680 --> 00:16:34,040 Speaker 1: Yeah, but you think about these buddies names Prickle and Goo. 351 00:16:34,760 --> 00:16:35,920 Speaker 4: Yeah, are we not. 352 00:16:35,880 --> 00:16:36,520 Speaker 3: Thinking that that? 353 00:16:36,680 --> 00:16:37,880 Speaker 1: And then we're talking about a cave. 354 00:16:37,920 --> 00:16:41,920 Speaker 2: We're talking about Plato, Prickle and good creating top. 355 00:16:42,120 --> 00:16:44,240 Speaker 1: I'm in it. I'm in a cave, yeah, and I 356 00:16:44,280 --> 00:16:46,520 Speaker 1: just have my hands behind my head and I'm getting 357 00:16:46,560 --> 00:16:47,720 Speaker 1: some fucking hat. 358 00:16:48,040 --> 00:16:51,480 Speaker 2: Wait wait wait, Pokey is the other one man? 359 00:16:51,720 --> 00:16:55,640 Speaker 4: Yeah, like what is this sweet fin? But did Gwyneth 360 00:16:55,720 --> 00:17:01,480 Speaker 4: Paltrow get that from from Gumby? Her whole brand? His 361 00:17:01,560 --> 00:17:01,960 Speaker 4: friend Goo? 362 00:17:02,720 --> 00:17:06,800 Speaker 1: You think he's involved in sweet? I mean I'm just like, yeah, 363 00:17:06,840 --> 00:17:07,320 Speaker 1: you went right. 364 00:17:07,440 --> 00:17:11,760 Speaker 9: Maybe I have your notepads with you and like I know, 365 00:17:11,920 --> 00:17:13,920 Speaker 9: and I know you have him on your other show. 366 00:17:14,000 --> 00:17:16,160 Speaker 1: I never knew what was on there and now finding 367 00:17:16,200 --> 00:17:22,400 Speaker 1: out as you refer to your sweet on on your notepad. 368 00:17:22,440 --> 00:17:26,040 Speaker 1: It's like, yeah, kind of disappointing for me to find 369 00:17:26,040 --> 00:17:27,200 Speaker 1: out that that's what's on there. 370 00:17:27,640 --> 00:17:30,359 Speaker 4: It's just, you know, these things are chock for. 371 00:17:31,600 --> 00:17:35,120 Speaker 1: I'd rather go back to my my mental image where 372 00:17:35,119 --> 00:17:37,359 Speaker 1: I have my hands behind my head. I'm getting hat 373 00:17:38,080 --> 00:17:42,640 Speaker 1: in a cave. Yeah, it could be anybody, but it's 374 00:17:42,760 --> 00:17:45,640 Speaker 1: probably Gollum. Yeah in a cave. 375 00:17:45,720 --> 00:17:48,600 Speaker 4: Yeah, I mean it's probably go gotta be. 376 00:17:49,080 --> 00:17:57,640 Speaker 10: I mean he's going to make right top contender, right, 377 00:17:58,240 --> 00:17:59,680 Speaker 10: good thing you took off that ring. 378 00:18:00,560 --> 00:18:06,040 Speaker 1: Yeah, well, is not getting anywhere near me. He's very 379 00:18:06,119 --> 00:18:09,960 Speaker 1: respect the institution. Yeah, well, he doesn't want to be 380 00:18:10,000 --> 00:18:11,159 Speaker 1: in the middle of some mess. 381 00:18:12,000 --> 00:18:13,000 Speaker 4: Wait is that because. 382 00:18:14,520 --> 00:18:16,840 Speaker 3: Yeah, you get half from Gollum in the cave? 383 00:18:18,760 --> 00:18:20,159 Speaker 1: I mean we were just talking about it. 384 00:18:20,240 --> 00:18:24,200 Speaker 2: Yeah, it's sort of a generally positive light. 385 00:18:24,320 --> 00:18:26,439 Speaker 1: So yeah, it's a great question. 386 00:18:27,080 --> 00:18:31,920 Speaker 2: Uh. The court term asked and answered, yeah, your honor 387 00:18:32,960 --> 00:18:34,119 Speaker 2: better him than Popeye? 388 00:18:34,240 --> 00:18:35,720 Speaker 3: So that is a yes, can. 389 00:18:35,600 --> 00:18:39,120 Speaker 1: We Popeye thing over here? Yeah? 390 00:18:40,160 --> 00:18:44,119 Speaker 4: Why, I was just thinking you were doing your Gollumn impression. 391 00:18:43,640 --> 00:18:46,480 Speaker 1: Of you know, you always by one that you want 392 00:18:46,520 --> 00:18:46,679 Speaker 1: to do. 393 00:18:46,760 --> 00:18:49,520 Speaker 4: Well, I'm just thinking about his laugh that kind of 394 00:18:49,840 --> 00:18:54,439 Speaker 4: you know, a relevant. 395 00:18:52,880 --> 00:18:55,080 Speaker 5: Yeah, a little that's a little over the top. 396 00:18:55,960 --> 00:19:03,640 Speaker 1: I'll refrain if we could put so like as we're 397 00:19:03,800 --> 00:19:09,280 Speaker 1: drawing inspiration from Jamie, Yeah, Jamie would choose the image 398 00:19:09,960 --> 00:19:13,520 Speaker 1: and select it and enlarge it, zoom in so Joe 399 00:19:13,600 --> 00:19:15,480 Speaker 1: can see. I mean, that's not the one we want 400 00:19:15,480 --> 00:19:15,840 Speaker 1: to see. 401 00:19:16,040 --> 00:19:19,119 Speaker 4: Yeah, no, Jamie, if you go back, yeah, and you 402 00:19:19,240 --> 00:19:20,120 Speaker 4: know that's. 403 00:19:19,960 --> 00:19:22,800 Speaker 1: Not Joe never like, not that one, Jamie not that. 404 00:19:23,960 --> 00:19:28,520 Speaker 4: He's pretty precise, keep going and getting warm. 405 00:19:28,680 --> 00:19:32,040 Speaker 3: And then Jamie would usually do it on something where 406 00:19:32,080 --> 00:19:34,159 Speaker 3: the Poppins are disabled. 407 00:19:34,280 --> 00:19:38,080 Speaker 1: Walk in, you just walk in and get your so. 408 00:19:38,359 --> 00:19:39,040 Speaker 3: Two for three. 409 00:19:39,080 --> 00:19:41,720 Speaker 4: This was pretty terrified, and Jamie would have relaunched to 410 00:19:41,880 --> 00:19:42,840 Speaker 4: update by now. 411 00:19:42,680 --> 00:19:46,760 Speaker 1: You guys getting absolutely hammered, just destroyed. 412 00:19:46,960 --> 00:19:54,160 Speaker 3: X x l R just cannot afford that. 413 00:19:56,600 --> 00:20:00,119 Speaker 2: But it's been crazy and it's and it's gonna hit everything, 414 00:20:00,200 --> 00:20:01,760 Speaker 2: like just the us going on each. 415 00:20:01,640 --> 00:20:04,080 Speaker 5: Other's podcasts like this, you know, or you coming on ours, 416 00:20:04,119 --> 00:20:04,560 Speaker 5: I guess. 417 00:20:04,760 --> 00:20:08,200 Speaker 2: But like what is going to be Yeah that that's 418 00:20:08,240 --> 00:20:11,240 Speaker 2: not going to be able to happen anymore because the 419 00:20:11,359 --> 00:20:12,679 Speaker 2: prices are going to be nuts. 420 00:20:12,680 --> 00:20:15,760 Speaker 1: There's roof right, Yeah. 421 00:20:15,640 --> 00:20:17,640 Speaker 5: Yeah, imagine a tariff in town. 422 00:20:17,800 --> 00:20:20,280 Speaker 4: Just thinking about any kind of like shore set up 423 00:20:20,320 --> 00:20:22,080 Speaker 4: any kind of road if we if we have to 424 00:20:22,160 --> 00:20:23,119 Speaker 4: upgrade in the next time. 425 00:20:23,080 --> 00:20:26,520 Speaker 3: Because we're just using again hand me down mics, some shoestring. 426 00:20:27,000 --> 00:20:27,919 Speaker 3: It's like, floss, do you. 427 00:20:27,920 --> 00:20:29,960 Speaker 4: Think the move would be to buy now before the 428 00:20:29,960 --> 00:20:32,960 Speaker 4: tariffs are like really enacted, like if we're to upgrade, 429 00:20:33,080 --> 00:20:33,800 Speaker 4: because what will. 430 00:20:33,680 --> 00:20:35,760 Speaker 3: You guys buy this dump now? I mean this is 431 00:20:35,760 --> 00:20:36,760 Speaker 3: this is nice. 432 00:20:36,560 --> 00:20:38,639 Speaker 2: Like Kevin got all of this and he's and his 433 00:20:38,920 --> 00:20:42,160 Speaker 2: i mean, his whole portfolio now is just quietly fucked, 434 00:20:42,320 --> 00:20:47,840 Speaker 2: like you know, he's been hemorrhaging, hemorrhaging Bartel fortune. 435 00:20:48,080 --> 00:20:52,440 Speaker 4: These Taiwanese I think they got hit hard. 436 00:20:52,480 --> 00:20:53,840 Speaker 3: Are these quantum mics? 437 00:20:55,680 --> 00:20:57,720 Speaker 4: You got a little bit of semiconducting going on in the. 438 00:20:57,720 --> 00:21:01,000 Speaker 1: Are you guys are like so I'm like their gear 439 00:21:01,040 --> 00:21:04,800 Speaker 1: heads and it's amazing and this and what it must 440 00:21:04,840 --> 00:21:07,080 Speaker 1: be like. So you guys just go home and live 441 00:21:07,160 --> 00:21:08,520 Speaker 1: this ship. Yeah. 442 00:21:08,600 --> 00:21:11,560 Speaker 3: Unfortunately we don't have any soft boxes. We were using 443 00:21:11,680 --> 00:21:12,800 Speaker 3: very pedestrian lighting. 444 00:21:13,200 --> 00:21:16,560 Speaker 1: Wow. Yeah, And it's just you guys in that apartment. 445 00:21:16,560 --> 00:21:22,480 Speaker 4: Just often with a soft back lighting too vintage Hollywood, and. 446 00:21:22,440 --> 00:21:25,439 Speaker 1: There's no money whatsoever in there. It's like literally just 447 00:21:25,480 --> 00:21:26,480 Speaker 1: you guys get to like. 448 00:21:27,080 --> 00:21:29,200 Speaker 4: He'll play my mommy sometimes knocking on the door and 449 00:21:29,240 --> 00:21:32,120 Speaker 4: I'm tucked into bed and I'm. 450 00:21:32,040 --> 00:21:35,200 Speaker 3: Prompt to podcast writers room where we talk about bits 451 00:21:35,240 --> 00:21:35,960 Speaker 3: and stuff. 452 00:21:36,680 --> 00:21:38,640 Speaker 1: Passed the Yeah, being tucked in, But. 453 00:21:38,840 --> 00:21:39,640 Speaker 4: What's wrong with that? 454 00:21:39,800 --> 00:21:46,399 Speaker 1: You were you're tucked in already. Now he's knocking, but 455 00:21:46,440 --> 00:21:50,320 Speaker 1: you're already tucked in. Yeah, So what does he want? Like, 456 00:21:50,880 --> 00:21:53,440 Speaker 1: what the does he want to figure out? It seems 457 00:21:53,480 --> 00:21:54,720 Speaker 1: like the last time that that. 458 00:21:54,680 --> 00:21:56,800 Speaker 4: Would happen, I ask you if we can save it 459 00:21:56,840 --> 00:21:59,720 Speaker 4: for the morning, But typically he's it seems urgent and 460 00:21:59,840 --> 00:22:01,800 Speaker 4: the the ideas are coming to ideas. 461 00:22:01,880 --> 00:22:06,000 Speaker 1: Yeah, it's like, yes, that's your wash, your car, that's anything. 462 00:22:06,359 --> 00:22:08,720 Speaker 5: Your most creative time is when he tucked in? 463 00:22:09,000 --> 00:22:13,800 Speaker 1: Yeah? And is that a toxic trait? B I don't. 464 00:22:13,880 --> 00:22:16,399 Speaker 3: I mean, collaboration with podcasting is hard. 465 00:22:16,480 --> 00:22:18,600 Speaker 1: And what's your most creative time since it seems like 466 00:22:18,640 --> 00:22:20,040 Speaker 1: he doesn't even care to ask you? 467 00:22:20,520 --> 00:22:22,040 Speaker 4: Usually two in the afternoon. 468 00:22:22,359 --> 00:22:24,880 Speaker 1: Two in the afternoon, yeah, okay, yeah, after a nice 469 00:22:24,880 --> 00:22:26,880 Speaker 1: little afternoon that's his name. 470 00:22:27,200 --> 00:22:28,679 Speaker 3: I'm zonked on the couch. 471 00:22:29,160 --> 00:22:32,400 Speaker 1: So after two in the afternoon is after a nice 472 00:22:32,400 --> 00:22:35,400 Speaker 1: little early early afternoon delay for you exactly. 473 00:22:35,720 --> 00:22:37,480 Speaker 4: And then I have the rest of the afternoon wide 474 00:22:37,480 --> 00:22:38,800 Speaker 4: open for me and I'm just playing. 475 00:22:38,840 --> 00:22:41,840 Speaker 3: I'm tucked in time. I'll take a quick nap there. 476 00:22:41,920 --> 00:22:44,639 Speaker 3: I usually take a nap around nine to ten PM, 477 00:22:44,800 --> 00:22:46,880 Speaker 3: get up in the morning round seven or eight. 478 00:22:47,200 --> 00:22:50,159 Speaker 4: And really this brainstorming like it's just like when we 479 00:22:50,200 --> 00:22:53,040 Speaker 4: come to each other. We just have ideas for moments 480 00:22:53,080 --> 00:22:55,040 Speaker 4: in like a full episode. That would be great to 481 00:22:55,040 --> 00:22:55,679 Speaker 4: clip out in. 482 00:22:55,720 --> 00:22:59,399 Speaker 1: A safe space for ideas. Uh, the living quarters. 483 00:22:59,440 --> 00:23:01,240 Speaker 2: That's the safe space for ideas for both of you. 484 00:23:01,400 --> 00:23:04,240 Speaker 2: Or do you ever feel shut down by the other. 485 00:23:04,480 --> 00:23:06,960 Speaker 4: You know, sometimes I'll be playing violent video games in 486 00:23:07,000 --> 00:23:09,719 Speaker 4: the main space, but he doesn't seem to mind. It 487 00:23:09,720 --> 00:23:12,480 Speaker 4: doesn't it doesn't affect you, right, No, I mean I've 488 00:23:12,480 --> 00:23:13,960 Speaker 4: never really asked formally, but. 489 00:23:14,560 --> 00:23:16,240 Speaker 1: And is that what you think ideas are? 490 00:23:17,359 --> 00:23:19,720 Speaker 4: Yeah, I mean sometimes I want. 491 00:23:21,200 --> 00:23:22,840 Speaker 1: I'll get that game. Sure, I'll get. 492 00:23:22,760 --> 00:23:24,840 Speaker 4: An idea of where to place my skill point that 493 00:23:24,920 --> 00:23:26,000 Speaker 4: I worked hard for. 494 00:23:25,760 --> 00:23:29,200 Speaker 2: The Assassin's Creed you brought up exactly something like that. 495 00:23:29,200 --> 00:23:30,560 Speaker 1: That was somebody's idea. 496 00:23:30,840 --> 00:23:34,040 Speaker 3: I'm usually just reading. I just finished up Infinite Jess, 497 00:23:34,320 --> 00:23:39,040 Speaker 3: just got through with that. Wow, Yeah, started that around Christmas. Okay, 498 00:23:39,320 --> 00:23:45,600 Speaker 3: just blasting my way through. I read the footnotes too. 499 00:23:44,359 --> 00:23:47,640 Speaker 1: That you yeah, I like to like to read about 500 00:23:47,680 --> 00:23:47,879 Speaker 1: in that. 501 00:23:49,520 --> 00:23:52,560 Speaker 3: Ultimately, it's just a screwball comedy, you know, Okay, just 502 00:23:52,640 --> 00:23:55,320 Speaker 3: a no, I don't know basics stuff. 503 00:23:56,040 --> 00:23:58,920 Speaker 2: So how does that stack up against like, how does 504 00:23:58,920 --> 00:24:01,000 Speaker 2: that compare to like, great, for instance. 505 00:24:00,720 --> 00:24:01,439 Speaker 1: A podcast? 506 00:24:01,920 --> 00:24:04,440 Speaker 4: Oh yeah, the greats of podcasting. I mean that that's 507 00:24:04,480 --> 00:24:07,280 Speaker 4: probably small Peanuts, right in comparison. 508 00:24:07,080 --> 00:24:08,840 Speaker 3: Small Peanuts, I mean, because we've. 509 00:24:08,720 --> 00:24:10,000 Speaker 4: Seen some great takes. 510 00:24:10,040 --> 00:24:13,919 Speaker 3: There's no you just don't have that visual element. You know, 511 00:24:14,200 --> 00:24:17,040 Speaker 3: you're reading it. You have to imagine all this crap. 512 00:24:17,160 --> 00:24:18,400 Speaker 3: I mean the cool thing about podcasts. 513 00:24:18,400 --> 00:24:22,520 Speaker 1: Now you're talking about their comic Small Peanuts. No, okay, 514 00:24:22,880 --> 00:24:24,439 Speaker 1: because that's actually really smart. 515 00:24:24,640 --> 00:24:29,800 Speaker 2: Well, there's an entire philosophy think that, like Small Peanuts 516 00:24:29,880 --> 00:24:31,440 Speaker 2: is actually really smart. 517 00:24:31,640 --> 00:24:33,320 Speaker 4: Are they baby peanuts? 518 00:24:33,880 --> 00:24:36,800 Speaker 1: No, it's like they're I mean they're do you not know? 519 00:24:37,000 --> 00:24:39,560 Speaker 1: I mean they're kids. 520 00:24:39,800 --> 00:24:40,879 Speaker 4: I've seen them grown up. 521 00:24:42,680 --> 00:24:48,000 Speaker 1: You have they're context. How when did they grow up? 522 00:24:48,119 --> 00:24:52,199 Speaker 4: Like, I mean, he's already bald, right, Like I assume 523 00:24:52,200 --> 00:24:53,919 Speaker 4: he's probably like in his you. 524 00:24:53,920 --> 00:24:59,560 Speaker 9: Saw him at the last very very colored hair you're 525 00:24:59,600 --> 00:25:01,320 Speaker 9: forgetting you. You saw them. 526 00:25:01,119 --> 00:25:03,879 Speaker 3: At the laught. You said he was just bombing. He 527 00:25:03,920 --> 00:25:04,840 Speaker 3: was a little wasted to. 528 00:25:04,960 --> 00:25:09,520 Speaker 1: No, you saw that camp I did, Yes, Yes, did 529 00:25:09,520 --> 00:25:10,960 Speaker 1: you hear Pete? You saw that? 530 00:25:11,080 --> 00:25:11,159 Speaker 2: He? 531 00:25:11,440 --> 00:25:13,280 Speaker 3: I do not remember that, Kim. 532 00:25:13,480 --> 00:25:19,640 Speaker 1: He remember all these details about grown up. You're the one, but. 533 00:25:20,640 --> 00:25:24,760 Speaker 3: It wasn't him or not. I'm like, you saw that, Okay, 534 00:25:24,800 --> 00:25:25,720 Speaker 3: maybe I saw them? 535 00:25:25,720 --> 00:25:28,040 Speaker 5: Okay, what was it like when you saw that? 536 00:25:28,960 --> 00:25:30,760 Speaker 3: I was just laughing my ass off, man, it was 537 00:25:30,840 --> 00:25:32,280 Speaker 3: like seeing I don't know that. 538 00:25:32,840 --> 00:25:34,000 Speaker 1: You said they were bombing. 539 00:25:34,280 --> 00:25:43,280 Speaker 2: What didn't you say they were bombing? I mean, so 540 00:25:43,440 --> 00:25:46,159 Speaker 2: you were cracking up at them bombing. You're laughing at 541 00:25:46,200 --> 00:25:47,560 Speaker 2: the crowds. 542 00:25:48,240 --> 00:25:48,400 Speaker 1: Uh. 543 00:25:48,840 --> 00:25:53,439 Speaker 3: His opener was his opener killed me. There was just 544 00:25:53,560 --> 00:25:55,080 Speaker 3: a lot of spill laughter from that. 545 00:25:55,880 --> 00:25:58,639 Speaker 2: It was pig You were like just prime to laugh somebody, 546 00:25:59,640 --> 00:26:00,520 Speaker 2: but nobody else. 547 00:26:01,320 --> 00:26:05,159 Speaker 4: Huh. Pig pen opened right, yeah, pig pen. 548 00:26:05,520 --> 00:26:08,080 Speaker 3: Maybe I don't know, Charlie Brown, those guys I haven't 549 00:26:08,080 --> 00:26:09,880 Speaker 3: seen you did see. 550 00:26:10,320 --> 00:26:12,240 Speaker 4: I think we might have been there together. We might 551 00:26:12,240 --> 00:26:14,040 Speaker 4: have gotten joint take it. There was a two for 552 00:26:14,119 --> 00:26:15,360 Speaker 4: one bogo, that's what. 553 00:26:15,359 --> 00:26:18,160 Speaker 3: It was to drink minimum, so we both split a drink. 554 00:26:18,680 --> 00:26:25,359 Speaker 2: Yeah, well when it's bogo yolo yep uh. On the 555 00:26:25,400 --> 00:26:30,000 Speaker 2: topic of you guys recapping podcasts, I uh, I notice 556 00:26:30,040 --> 00:26:31,640 Speaker 2: you haven't tried that ship with me, Jack. 557 00:26:32,720 --> 00:26:39,080 Speaker 4: Yeah, it's it's shouldn't you haven't tried that ship with me, Jack, 558 00:26:39,720 --> 00:26:41,680 Speaker 4: Look at it's tough because, I mean. 559 00:26:41,880 --> 00:26:45,040 Speaker 3: We took a cursory glands. We don't have to get 560 00:26:45,040 --> 00:26:46,520 Speaker 3: into that now. I mean we we. 561 00:26:46,840 --> 00:26:47,760 Speaker 4: Saw some stuff. 562 00:26:47,960 --> 00:26:48,520 Speaker 3: We look at it. 563 00:26:50,560 --> 00:26:51,360 Speaker 1: And lift that up. 564 00:26:51,560 --> 00:26:53,240 Speaker 3: Yeah, we take a curse ahead. 565 00:26:53,280 --> 00:26:56,080 Speaker 1: I truly try and wake that page drop. 566 00:26:57,880 --> 00:27:00,159 Speaker 4: We took a we tried to understand the just to 567 00:27:00,240 --> 00:27:04,400 Speaker 4: what this whole thing is, and it seems pretty intricate. 568 00:27:04,119 --> 00:27:04,920 Speaker 6: Infinite gist. 569 00:27:05,760 --> 00:27:11,920 Speaker 3: There there a nice one Jamie fast fingers over there. 570 00:27:12,080 --> 00:27:14,439 Speaker 3: There were a couple of discrepancies that caught around. It's 571 00:27:14,480 --> 00:27:17,199 Speaker 3: probably nothing though, it's nothing. You should get back to that. 572 00:27:17,720 --> 00:27:20,040 Speaker 3: It's no big deal. I've never seen any. 573 00:27:19,920 --> 00:27:27,040 Speaker 9: Other He truly like you try you think you have 574 00:27:27,520 --> 00:27:30,040 Speaker 9: such This is such a minor detail. 575 00:27:30,560 --> 00:27:31,040 Speaker 1: I just. 576 00:27:32,720 --> 00:27:37,640 Speaker 4: It's I mean, you and this bill you got it down, 577 00:27:37,760 --> 00:27:38,879 Speaker 4: like looking at that paper. 578 00:27:39,119 --> 00:27:40,000 Speaker 1: Yeah you got well. 579 00:27:40,040 --> 00:27:43,520 Speaker 3: But again you guys said you're not really really interesting. 580 00:27:43,800 --> 00:27:46,480 Speaker 3: There must be a quiet a sentence you're reading. You 581 00:27:46,480 --> 00:27:49,880 Speaker 3: guys aren't involved in actual production, like when you're streamlining 582 00:27:49,880 --> 00:27:52,119 Speaker 3: the you know, broadcast of the RSS feed and everything. 583 00:27:52,160 --> 00:27:53,439 Speaker 3: That's probably you don't do that anymore. 584 00:27:53,720 --> 00:27:56,680 Speaker 1: Under the back end stuff due, don't tell me there's something. 585 00:27:57,840 --> 00:28:01,080 Speaker 3: No, I didn't want to bring anything. It's nothing really 586 00:28:01,080 --> 00:28:03,520 Speaker 3: bad thing. It's it's nothing else. 587 00:28:06,240 --> 00:28:08,320 Speaker 1: There's not Wait are you saying there's a flaw in 588 00:28:08,359 --> 00:28:11,679 Speaker 1: the back end and then the in the RSS. 589 00:28:11,960 --> 00:28:13,840 Speaker 3: I think when you know, we you know, when you 590 00:28:14,200 --> 00:28:16,200 Speaker 3: when you know how the sausage gets made for us, 591 00:28:16,240 --> 00:28:20,120 Speaker 3: you know, we've been you know, just handcrafting every podcast episode. 592 00:28:20,160 --> 00:28:22,440 Speaker 3: Sometimes it's hard to ignore certain details. 593 00:28:22,440 --> 00:28:26,760 Speaker 1: I just seems you're going to get man. 594 00:28:28,640 --> 00:28:30,840 Speaker 3: You guys sat down with Stavros recently. 595 00:28:30,520 --> 00:28:31,000 Speaker 4: Right. 596 00:28:33,320 --> 00:28:39,280 Speaker 3: Yeah, yeah, okay, so you uploaded it to YouTube, Spotify, 597 00:28:40,040 --> 00:28:44,800 Speaker 3: Apple independently podcasts. But you guys just did one podcast 598 00:28:44,840 --> 00:28:47,200 Speaker 3: with him, right, You didn't You didn't talk to him 599 00:28:47,200 --> 00:28:49,440 Speaker 3: a couple of times just because the time codes. 600 00:28:49,480 --> 00:28:52,320 Speaker 1: We talked to him before and after the episode as well. Yeah, okay, 601 00:28:52,360 --> 00:28:56,640 Speaker 1: well mean it's one episode, like one episode, yeah, and 602 00:28:56,680 --> 00:28:58,160 Speaker 1: that's what went up. It was one. 603 00:28:58,360 --> 00:29:02,120 Speaker 3: Episode, this small peanuts I don't even want it. I'd 604 00:29:02,120 --> 00:29:03,000 Speaker 3: be wasting well. 605 00:29:02,920 --> 00:29:06,000 Speaker 1: Like I said, I think small peanuts multi it's veryortant. 606 00:29:06,080 --> 00:29:07,560 Speaker 4: Yeah, so so. 607 00:29:09,000 --> 00:29:11,600 Speaker 2: Yeah, it was one episode. Why not upload with the 608 00:29:11,640 --> 00:29:14,400 Speaker 2: same wabel or something. It's just various platforms. 609 00:29:14,560 --> 00:29:18,760 Speaker 3: On YouTube, it was forty eight minutes and twenty two seconds. Yeah, 610 00:29:18,800 --> 00:29:20,400 Speaker 3: and then when we went to go listen to the 611 00:29:20,440 --> 00:29:23,360 Speaker 3: Spotify to make sure everything checked out, the preview came 612 00:29:23,440 --> 00:29:26,200 Speaker 3: up at fifty four minutes flat, but the actual time 613 00:29:26,280 --> 00:29:29,040 Speaker 3: was forty nine minutes and eighteen seconds. 614 00:29:29,360 --> 00:29:31,480 Speaker 4: Look, we have screenshots if we want to pop that 615 00:29:31,720 --> 00:29:32,320 Speaker 4: up in the screen. 616 00:29:32,440 --> 00:29:35,120 Speaker 3: I mean that's a minute and change of some get 617 00:29:35,240 --> 00:29:35,760 Speaker 3: cut out. 618 00:29:35,960 --> 00:29:37,400 Speaker 4: I don't know if there's dead air that you just 619 00:29:37,400 --> 00:29:38,840 Speaker 4: felt like how to get cut. 620 00:29:38,640 --> 00:29:40,240 Speaker 3: I just want to make sure we're not getting short 621 00:29:40,840 --> 00:29:41,280 Speaker 3: on our I. 622 00:29:41,280 --> 00:29:42,680 Speaker 4: Don't think it was dead air, because I don't think 623 00:29:42,680 --> 00:29:44,160 Speaker 4: it was dead This happened a couple of times. 624 00:29:44,360 --> 00:29:46,560 Speaker 3: You remember down in memberton it happened more than once. 625 00:29:46,720 --> 00:29:50,280 Speaker 4: You remember having a sit down with him, because in 626 00:29:50,400 --> 00:29:54,800 Speaker 4: his episode on Spotify previewed as fifty three minutes long, 627 00:29:54,960 --> 00:29:57,240 Speaker 4: it was actually forty eight minutes and fifty three seconds. 628 00:29:57,280 --> 00:29:58,680 Speaker 4: When you actually press play. 629 00:29:58,560 --> 00:30:01,600 Speaker 3: You said fifty three. Yeah, okay, because then the Apple 630 00:30:01,680 --> 00:30:03,800 Speaker 3: version of that was forty minutes and fifty five seconds 631 00:30:03,920 --> 00:30:05,880 Speaker 3: extra two seconds. 632 00:30:06,000 --> 00:30:08,560 Speaker 4: We're not pulling shit out of our asses, like this. 633 00:30:08,480 --> 00:30:11,280 Speaker 3: Is no again this we're not. We're not reporting you 634 00:30:11,280 --> 00:30:13,239 Speaker 3: to the better business. We're gonna cut all this stuff out. 635 00:30:13,600 --> 00:30:16,200 Speaker 4: Everything we do. We want, like the podcast hosts to 636 00:30:16,360 --> 00:30:20,080 Speaker 4: improve their craft. And just like you know, it's all good. 637 00:30:20,240 --> 00:30:23,000 Speaker 1: First cracked the fucking code. 638 00:30:23,560 --> 00:30:25,440 Speaker 4: We were just like wondering, if there's both. 639 00:30:25,440 --> 00:30:29,360 Speaker 1: Material preview, do you guess what does that mean that 640 00:30:29,440 --> 00:30:31,360 Speaker 1: when reviewed it the preview. 641 00:30:32,440 --> 00:30:35,160 Speaker 4: So it's like when you look at Hollywood Handbook. You 642 00:30:35,400 --> 00:30:38,080 Speaker 4: type that in on your little gadget, and then it's 643 00:30:38,080 --> 00:30:40,000 Speaker 4: a list of the episodes and I'll say how long 644 00:30:40,040 --> 00:30:41,960 Speaker 4: each episode is, and it will say it in tidy 645 00:30:42,040 --> 00:30:45,000 Speaker 4: font the length like fifty three minutes. And they see the 646 00:30:45,400 --> 00:30:48,080 Speaker 4: press play on that episode, then I'll like open up, well, 647 00:30:48,440 --> 00:30:54,320 Speaker 4: excuse my pen flying. Uh look, I got nothing to 648 00:30:54,360 --> 00:30:58,320 Speaker 4: be nervous about. But the time duration on the episode itself, 649 00:30:58,360 --> 00:31:00,560 Speaker 4: then it's a different number two, and then it's different 650 00:31:00,560 --> 00:31:04,080 Speaker 4: from the YouTube time. I just I don't do again 651 00:31:04,120 --> 00:31:06,280 Speaker 4: deliver extra credits a play at the end of the. 652 00:31:07,320 --> 00:31:09,680 Speaker 3: Again, maybe they're deliverables. We don't know what's happening on 653 00:31:09,720 --> 00:31:11,800 Speaker 3: the back end again when you're throwing it on DSPs 654 00:31:11,800 --> 00:31:12,520 Speaker 3: and everything like that. 655 00:31:12,560 --> 00:31:15,840 Speaker 4: It's just it's just a small thing. It's nothing major. 656 00:31:15,920 --> 00:31:17,680 Speaker 1: I just well, I bring it up. 657 00:31:19,280 --> 00:31:21,040 Speaker 3: We're gonna cut this part out. I mean you guys. 658 00:31:21,160 --> 00:31:23,360 Speaker 3: You guys cut out stuff usually, right, I just have 659 00:31:23,640 --> 00:31:24,880 Speaker 3: you guys cut out a minute anyway. 660 00:31:25,000 --> 00:31:33,680 Speaker 1: Question for Kevin, which is, can you drive me to 661 00:31:33,960 --> 00:31:39,440 Speaker 1: the junk yard to uh see if I can uh 662 00:31:39,840 --> 00:31:44,920 Speaker 1: spend a few days digging around for my reputation. 663 00:31:46,320 --> 00:31:49,840 Speaker 4: Maybe some loose hard drives that you the extra footage. 664 00:31:50,120 --> 00:31:55,440 Speaker 1: Have consigned there. And also ask a second question, which 665 00:31:55,480 --> 00:32:01,360 Speaker 1: is the meaning of this? What is it? Three awards? Fellows? 666 00:32:01,680 --> 00:32:06,520 Speaker 2: Oh, Kevin, actually, you know I do this, but I 667 00:32:06,560 --> 00:32:08,840 Speaker 2: need to we may want to pause. I need to 668 00:32:08,840 --> 00:32:11,200 Speaker 2: take a quick bathroom break, and while I'm in there, 669 00:32:11,200 --> 00:32:14,160 Speaker 2: I'm going to search the toilet for my good name. 670 00:32:15,400 --> 00:32:20,360 Speaker 1: You seem to have flushed it down there all up 671 00:32:20,360 --> 00:32:23,800 Speaker 1: on the meaning of this? What is it exactly? 672 00:32:24,600 --> 00:32:28,600 Speaker 3: You guys aren't embezzling any content rights right now? The 673 00:32:28,600 --> 00:32:29,320 Speaker 3: books aren't cooking. 674 00:32:29,360 --> 00:32:33,600 Speaker 2: Yeah, you'd never juice the stats, would you, keV? No, no, no, 675 00:32:34,360 --> 00:32:37,040 Speaker 2: So there must be a great explanation, right for why 676 00:32:37,080 --> 00:32:43,800 Speaker 2: the preview time on Spotify is different from the run time, 677 00:32:43,880 --> 00:32:48,200 Speaker 2: which differs also from YouTube. Kevin says, is it deliverables? 678 00:32:48,760 --> 00:32:50,880 Speaker 1: Ken? I asked for I mean, you know, Kevin's been 679 00:32:51,400 --> 00:32:55,400 Speaker 1: you see the cuffs that his pant He's been buying, oh, 680 00:32:55,600 --> 00:32:58,479 Speaker 1: like new cuff attachments to like put on the bottom 681 00:32:58,520 --> 00:33:01,600 Speaker 1: of those pants. Like, did you like come into some 682 00:33:01,680 --> 00:33:05,680 Speaker 1: money or something? And he said that his dad is 683 00:33:06,560 --> 00:33:09,640 Speaker 1: Uncle Fester, and so I guess that means he's rich. 684 00:33:10,040 --> 00:33:12,640 Speaker 4: Oh my god, does he podcast? 685 00:33:14,520 --> 00:33:16,600 Speaker 1: I met his dad and I definitely didn't think his 686 00:33:16,680 --> 00:33:17,560 Speaker 1: dad was Uncle Faster. 687 00:33:18,080 --> 00:33:20,080 Speaker 3: I didn't make that money from iron ore smelting. 688 00:33:20,640 --> 00:33:23,080 Speaker 1: He said that, like, it's not the real uncle. It's 689 00:33:23,080 --> 00:33:25,440 Speaker 1: like the guy Uncle Fester is based on. I guess 690 00:33:25,480 --> 00:33:27,720 Speaker 1: I kind of remember Uncle Fester being rich. I guess 691 00:33:27,720 --> 00:33:29,960 Speaker 1: they're trying to get his inheritance at some point. 692 00:33:33,440 --> 00:33:35,200 Speaker 4: Whose uncle is he? Your brothers? 693 00:33:35,520 --> 00:33:38,560 Speaker 1: That was that was my question as well, like why 694 00:33:38,560 --> 00:33:41,680 Speaker 1: do you call him Uncle Faster if he's your dad? 695 00:33:42,240 --> 00:33:43,120 Speaker 1: It's tricky. 696 00:33:43,640 --> 00:33:47,080 Speaker 6: It's an interesting story. Fellas. Before I get to that, 697 00:33:48,800 --> 00:33:54,400 Speaker 6: do you have any ads advertisements on Talking Talk TOUA. 698 00:33:55,080 --> 00:33:58,520 Speaker 3: We're just small beans podcasters. We're little uppies compared to 699 00:33:58,560 --> 00:34:06,560 Speaker 3: the like smamp really like small beans. 700 00:34:08,480 --> 00:34:08,920 Speaker 1: Operation. 701 00:34:09,440 --> 00:34:12,520 Speaker 3: Yeah, we're just going to keep it simple. We haven't 702 00:34:12,520 --> 00:34:14,120 Speaker 3: done for. 703 00:34:14,400 --> 00:34:16,879 Speaker 2: Us being a plug and play operation was how we 704 00:34:17,000 --> 00:34:19,520 Speaker 2: differed from you. And that's the way you describe the 705 00:34:19,560 --> 00:34:20,719 Speaker 2: two like processes. 706 00:34:21,160 --> 00:34:23,239 Speaker 1: Yeah, but now you're saying that's what you are. 707 00:34:24,040 --> 00:34:26,239 Speaker 4: Well, we're plugging play in the sense of like we'll 708 00:34:26,280 --> 00:34:27,360 Speaker 4: plug and you don't. 709 00:34:27,160 --> 00:34:28,839 Speaker 5: Plug any ads. 710 00:34:28,840 --> 00:34:32,000 Speaker 1: Not a plug. Yeah, you're not plugging products. 711 00:34:32,320 --> 00:34:33,759 Speaker 4: No, No, we don't plug that. 712 00:34:33,840 --> 00:34:35,839 Speaker 3: We haven't done any moon pay reads just yet. 713 00:34:36,040 --> 00:34:39,720 Speaker 4: Not yet. We're trying to get some horn to ad reads. 714 00:34:39,760 --> 00:34:40,880 Speaker 4: But that's probably I. 715 00:34:41,560 --> 00:34:44,040 Speaker 1: Thought that Kevin might have been setting up another question. 716 00:34:44,200 --> 00:34:46,080 Speaker 1: I think there is a chance he has just done. 717 00:34:46,800 --> 00:34:48,200 Speaker 1: But just in case, he. 718 00:34:48,520 --> 00:34:51,520 Speaker 5: Did sort of start staring off into the distance. 719 00:34:52,120 --> 00:34:56,160 Speaker 1: Its certainly what's even eager to follow off? The light 720 00:34:57,280 --> 00:35:01,560 Speaker 1: looked off. I got the five minut. He is always. 721 00:35:01,200 --> 00:35:05,279 Speaker 2: Watching Narco's season three on a separate screen. He says, 722 00:35:05,280 --> 00:35:07,319 Speaker 2: it's the best season of the show. I haven't watched it, 723 00:35:07,440 --> 00:35:10,239 Speaker 2: but it gets good. Quick watch it over and over again. 724 00:35:10,280 --> 00:35:11,800 Speaker 3: It's a Netflix original. 725 00:35:11,480 --> 00:35:13,160 Speaker 4: Right, yes, is that. 726 00:35:15,120 --> 00:35:16,760 Speaker 1: Well, it's called Dynamic Adams. 727 00:35:16,960 --> 00:35:20,200 Speaker 3: Well, have you guys seen a lot oft Have you 728 00:35:20,200 --> 00:35:23,359 Speaker 3: guys seen Ozark where they filmed that. 729 00:35:23,320 --> 00:35:25,200 Speaker 1: On its size? You know what I mean? Now you've 730 00:35:25,200 --> 00:35:25,799 Speaker 1: got an end. 731 00:35:25,880 --> 00:35:29,040 Speaker 3: I saw where they filmed that. Yeah, I've been to 732 00:35:29,160 --> 00:35:31,000 Speaker 3: I've been to set in Chicago where they filmed that. 733 00:35:31,760 --> 00:35:33,360 Speaker 3: The bear no oar o. 734 00:35:34,800 --> 00:35:37,480 Speaker 1: They filmed that in the middle of the city of Chicago. 735 00:35:38,520 --> 00:35:39,960 Speaker 1: It doesn't look like it at all. 736 00:35:40,120 --> 00:35:42,760 Speaker 3: Well, it's a family that moves from Chicago to those arcs, 737 00:35:42,800 --> 00:35:43,800 Speaker 3: but a lot of it's. 738 00:35:44,760 --> 00:35:49,520 Speaker 2: A lot of it's a place in Chicago they moved away. Yeah, 739 00:35:50,239 --> 00:35:56,320 Speaker 2: the DNA of the Chicago setting in the pilot remains 740 00:35:56,360 --> 00:35:56,920 Speaker 2: a part. 741 00:35:56,719 --> 00:35:57,240 Speaker 1: Of the show. 742 00:35:57,600 --> 00:35:58,360 Speaker 4: It's integral. 743 00:35:58,480 --> 00:36:01,680 Speaker 1: They're Chicago folks and they're thinking about it, and you 744 00:36:01,719 --> 00:36:03,040 Speaker 1: get to see what they're thinking. 745 00:36:04,280 --> 00:36:06,160 Speaker 3: Yeah, I mean he's remembering, you see a lot of 746 00:36:06,200 --> 00:36:06,640 Speaker 3: the city. 747 00:36:06,760 --> 00:36:08,200 Speaker 1: That's the word I was looking for. 748 00:36:08,960 --> 00:36:11,480 Speaker 3: He reminisces about the bean. He thinks about what you said. 749 00:36:11,480 --> 00:36:16,719 Speaker 1: It just came to being with everyone, okay, and he 750 00:36:16,840 --> 00:36:21,040 Speaker 1: misses the bean. Is that right? Only I could see 751 00:36:21,040 --> 00:36:22,640 Speaker 1: the bean again if I need some help here. But 752 00:36:22,800 --> 00:36:28,560 Speaker 1: under under what circumstances are you getting to see the 753 00:36:28,760 --> 00:36:34,239 Speaker 1: set of the show, oh Zark, which by your own 754 00:36:34,280 --> 00:36:37,640 Speaker 1: admission is a Netflix original, But you. 755 00:36:39,640 --> 00:36:42,880 Speaker 5: Are getting you you who are neither like nor original, 756 00:36:43,400 --> 00:36:45,319 Speaker 5: discuss a bugs yourselves. 757 00:36:45,800 --> 00:36:50,359 Speaker 1: Are somehow are getting to not just hear about the set. 758 00:36:51,000 --> 00:36:54,560 Speaker 3: The sounds like, guys, guys, anyone can go to the bean, 759 00:36:55,239 --> 00:36:56,879 Speaker 3: that's you know, I mean that's where I went. 760 00:36:57,440 --> 00:37:01,760 Speaker 5: Check your privilege a lot of that anyone around the bean? 761 00:37:03,440 --> 00:37:04,280 Speaker 1: Do you? Guys? Everyone? 762 00:37:07,120 --> 00:37:09,200 Speaker 2: Why why did you just jump on a private jet 763 00:37:09,239 --> 00:37:10,280 Speaker 2: and go see the bean? 764 00:37:10,480 --> 00:37:11,200 Speaker 1: Like what I do? 765 00:37:11,440 --> 00:37:13,880 Speaker 3: Season tickets to the bean are about that expensive? 766 00:37:13,960 --> 00:37:16,080 Speaker 1: Wow, they were filming at the bean and there was 767 00:37:16,239 --> 00:37:20,480 Speaker 1: no security whatsoever. 768 00:37:21,800 --> 00:37:23,880 Speaker 5: How did they not have the camera in the shot 769 00:37:24,120 --> 00:37:25,160 Speaker 5: reflected off the bean? 770 00:37:25,239 --> 00:37:27,480 Speaker 3: They're used the same technology as the Irishman, you know, 771 00:37:27,680 --> 00:37:30,040 Speaker 3: just age. 772 00:37:32,239 --> 00:37:36,040 Speaker 1: They made it small beans. They made it small beans 773 00:37:36,080 --> 00:37:36,600 Speaker 1: from before. 774 00:37:37,160 --> 00:37:38,560 Speaker 4: Can we go back to you guys being in d 775 00:37:38,680 --> 00:37:42,560 Speaker 4: a I Podcast Dynamic ad insert what is that. 776 00:37:48,239 --> 00:37:51,400 Speaker 1: D A I Podcast? 777 00:37:51,800 --> 00:37:52,480 Speaker 4: What is that? 778 00:37:52,960 --> 00:37:58,160 Speaker 2: And well, we thought we were being de Yes, we 779 00:37:58,800 --> 00:38:01,400 Speaker 2: thought we were helping, you know when we signed on, 780 00:38:01,560 --> 00:38:03,640 Speaker 2: and it's just it's a fine print thing and we 781 00:38:03,719 --> 00:38:05,839 Speaker 2: got to kind of ride out this contract and then 782 00:38:05,880 --> 00:38:08,319 Speaker 2: we will obviously you can look at the couch and 783 00:38:08,360 --> 00:38:10,879 Speaker 2: see that we are not, but we will obviously try 784 00:38:10,880 --> 00:38:11,600 Speaker 2: to be more of that. 785 00:38:11,880 --> 00:38:13,680 Speaker 3: Yeah, what kind of ads have you guys done? 786 00:38:16,320 --> 00:38:16,600 Speaker 1: Brother? 787 00:38:16,680 --> 00:38:19,560 Speaker 2: How long you got I'll give you the shorter list 788 00:38:19,560 --> 00:38:20,799 Speaker 2: the kind of ads we haven't done? 789 00:38:21,080 --> 00:38:21,440 Speaker 3: Sure? 790 00:38:21,520 --> 00:38:24,040 Speaker 1: Yeah? And now why did you say podcast simulator? Have 791 00:38:24,120 --> 00:38:27,000 Speaker 1: we been doing ads for podcast Simulator? Well, there might be. 792 00:38:26,960 --> 00:38:30,640 Speaker 6: Three or four that have been running for eight months? 793 00:38:31,719 --> 00:38:33,400 Speaker 4: Is that like truck Simulator? 794 00:38:33,600 --> 00:38:34,680 Speaker 1: Like the game? Yes? 795 00:38:34,719 --> 00:38:37,040 Speaker 3: But better do you guys do pre mid or post 796 00:38:37,120 --> 00:38:37,760 Speaker 3: roll ads? 797 00:38:37,800 --> 00:38:40,720 Speaker 1: All three? But really only a mid. 798 00:38:40,800 --> 00:38:44,000 Speaker 3: But you guys have been for a while. Yeah, we 799 00:38:44,080 --> 00:38:44,799 Speaker 3: got a lot to learn. 800 00:38:44,840 --> 00:38:45,960 Speaker 4: Guys are consummate at this. 801 00:38:46,200 --> 00:38:48,880 Speaker 3: You're king shit, let's not beat around the bush. 802 00:38:48,920 --> 00:38:51,880 Speaker 1: Wait, and why were you asking them before if they 803 00:38:51,880 --> 00:38:52,919 Speaker 1: have ads in their show? 804 00:38:53,560 --> 00:38:55,960 Speaker 6: Well, which is such a novice question. Clearly the preview 805 00:38:56,000 --> 00:38:58,840 Speaker 6: is shorter because we got DAI running across it. 806 00:39:01,880 --> 00:39:03,600 Speaker 4: YouTube doesn't get to see the ad reads. 807 00:39:04,239 --> 00:39:11,360 Speaker 1: No way, I'm sorry I can't hear because you have 808 00:39:11,719 --> 00:39:13,600 Speaker 1: on video for the ads. 809 00:39:12,760 --> 00:39:15,560 Speaker 5: Okay, that's correct, that would cost more. 810 00:39:15,680 --> 00:39:22,080 Speaker 2: Okay, it's not that they don't want them, they can't 811 00:39:22,120 --> 00:39:24,120 Speaker 2: have them. 812 00:39:22,680 --> 00:39:29,640 Speaker 6: Okay, So if you any other questions, if you need 813 00:39:29,680 --> 00:39:33,960 Speaker 6: directions to the junkyard, I obviously know you know to 814 00:39:34,000 --> 00:39:34,640 Speaker 6: get there now. 815 00:39:35,080 --> 00:39:38,880 Speaker 1: Then I thought my reputation is there. But when I 816 00:39:38,920 --> 00:39:44,680 Speaker 1: actually found around was yours podcast experts who never even 817 00:39:44,719 --> 00:39:48,360 Speaker 1: heard of doing a commercial before on a podcast. 818 00:39:48,440 --> 00:39:51,960 Speaker 3: If anything, we're more fans than we are. I mean, 819 00:39:52,000 --> 00:39:54,640 Speaker 3: we like to tout around that expert word, but honestly, 820 00:39:54,640 --> 00:39:56,319 Speaker 3: at the end of the day, we're just kids that 821 00:39:56,440 --> 00:39:56,880 Speaker 3: like seeing pop. 822 00:39:57,120 --> 00:40:01,200 Speaker 1: Yeah, your fans are right there swinging, amiss, just fanning. 823 00:40:01,880 --> 00:40:03,759 Speaker 2: Yeah, I got a stiff breeze when you took that 824 00:40:03,840 --> 00:40:05,040 Speaker 2: swing at us. 825 00:40:06,760 --> 00:40:08,520 Speaker 1: On nice hot day. 826 00:40:09,480 --> 00:40:11,600 Speaker 3: Again, it's do you have. 827 00:40:11,560 --> 00:40:12,800 Speaker 4: Any podcasts that you're fans of? 828 00:40:14,280 --> 00:40:15,040 Speaker 1: You're gonna do guys. 829 00:40:15,080 --> 00:40:21,120 Speaker 2: Top three right now, Top three mount Rushmore, mount popa 830 00:40:21,160 --> 00:40:24,239 Speaker 2: Amount Rushmore podcast right now, Top three. 831 00:40:24,040 --> 00:40:26,800 Speaker 3: Mountains and these are audio video podcasts. 832 00:40:27,640 --> 00:40:33,160 Speaker 2: Megan Marcole, that's probably, uh, probably the big Amount pop More. 833 00:40:33,760 --> 00:40:38,280 Speaker 1: What was that one called the Queen Icono Icono something 834 00:40:40,040 --> 00:40:44,920 Speaker 1: that's a big one icon iconography. I can't remember the name. 835 00:40:44,960 --> 00:40:47,040 Speaker 5: I just know it's just to me, it's just Megan's show. 836 00:40:47,360 --> 00:40:49,239 Speaker 3: Are you a diary of a CEO kind of guy. 837 00:40:49,880 --> 00:40:51,680 Speaker 1: Uh so, so. 838 00:40:53,840 --> 00:40:56,000 Speaker 3: It's okay, we all are am I wearing it? 839 00:40:56,160 --> 00:41:01,680 Speaker 1: Now? We always am I wearing the Yeah, it's like yeah, 840 00:41:01,880 --> 00:41:03,400 Speaker 1: because you really had me. 841 00:41:03,719 --> 00:41:07,800 Speaker 2: Yeah that one, well, I mean the idea of reading 842 00:41:07,800 --> 00:41:10,719 Speaker 2: someone's diary is so titillating and for them that person 843 00:41:10,840 --> 00:41:13,920 Speaker 2: keeping the diaries the CEO, which to me implies that 844 00:41:13,960 --> 00:41:14,480 Speaker 2: the CEO. 845 00:41:15,640 --> 00:41:17,120 Speaker 1: It's like a teenage girl. 846 00:41:17,520 --> 00:41:19,520 Speaker 3: I grew up reading a Wimpy Kids diary. 847 00:41:19,600 --> 00:41:23,759 Speaker 1: So then this, you know, just the logic kid came 848 00:41:23,840 --> 00:41:26,799 Speaker 1: back CEO. The Wimpy Kid became a CEO. Isn't that nuts? 849 00:41:28,320 --> 00:41:31,160 Speaker 3: Roderick's episode was so good him and loaded diaper when 850 00:41:31,200 --> 00:41:33,600 Speaker 3: they come came on the band You. 851 00:41:33,520 --> 00:41:39,000 Speaker 1: Guys episodes, Oh it's a podcast. Yeah yeah, I thought 852 00:41:39,000 --> 00:41:43,280 Speaker 1: it was a diary and that's a book. The media 853 00:41:43,440 --> 00:41:47,760 Speaker 1: is like really not like, I like, it's a book 854 00:41:47,800 --> 00:41:50,799 Speaker 1: now it's episodes. I can't get I give up. It's 855 00:41:50,840 --> 00:41:51,640 Speaker 1: not really my thing. 856 00:41:52,400 --> 00:41:55,760 Speaker 2: The moment with Brian Koppleman, that's a big one. 857 00:41:56,560 --> 00:41:57,680 Speaker 1: That one is. 858 00:41:58,360 --> 00:42:00,799 Speaker 2: Just like listening to guys like me wh've actually made 859 00:42:00,800 --> 00:42:05,560 Speaker 2: a difference, who actually fucking got out there and falling 860 00:42:05,600 --> 00:42:06,879 Speaker 2: flat on their face. 861 00:42:06,680 --> 00:42:12,680 Speaker 4: And oops, yeah, but you got Mel Robbins in your 862 00:42:12,680 --> 00:42:13,960 Speaker 4: top three mount rush More. 863 00:42:14,960 --> 00:42:17,200 Speaker 1: I like, I said, like, I don't you know, I 864 00:42:17,239 --> 00:42:19,680 Speaker 1: don't check in with a lot of like I don't 865 00:42:19,719 --> 00:42:24,879 Speaker 1: look at like the charts underground you like to off 866 00:42:24,920 --> 00:42:31,880 Speaker 1: on guards weirdo ship. I like, I like David's babe, 867 00:42:32,800 --> 00:42:38,440 Speaker 1: who doesn't Carvey like those are you guys listen to like, 868 00:42:38,719 --> 00:42:42,279 Speaker 1: you know whatever, fly on the wall? 869 00:42:42,400 --> 00:42:45,920 Speaker 5: Yes, yeah, I don't know, I guess underground comedy stuff. 870 00:42:46,000 --> 00:42:47,480 Speaker 1: Yeah, he's just out there. 871 00:42:47,680 --> 00:42:48,600 Speaker 3: Have you guys listened to. 872 00:42:50,040 --> 00:42:52,759 Speaker 1: No? I know you you you guys, you. 873 00:42:52,760 --> 00:42:55,560 Speaker 2: Kept plugging it before the show started recording. Yeah, we 874 00:42:55,600 --> 00:42:57,799 Speaker 2: gotta check it out. It's a great one about time. 875 00:42:57,920 --> 00:42:58,160 Speaker 1: Huh. 876 00:42:58,280 --> 00:43:00,800 Speaker 3: Incredible. He talks about his uh he was a wicked 877 00:43:00,920 --> 00:43:05,200 Speaker 3: uh left arm sidewinder in baseball. Wow, there's you know 878 00:43:05,200 --> 00:43:06,319 Speaker 3: that's how he got to school, right. 879 00:43:06,560 --> 00:43:08,759 Speaker 1: Yeah, it's so crazy because like it's just like the 880 00:43:08,800 --> 00:43:11,359 Speaker 1: whimpy kid becoming a CEO that he that he then 881 00:43:11,400 --> 00:43:15,960 Speaker 1: became like a politics guy. Well, I mean it is there. 882 00:43:15,960 --> 00:43:19,120 Speaker 5: He plays hardball with some of these other politicians. 883 00:43:18,560 --> 00:43:21,960 Speaker 1: And I wish he'd saved something for the rest of us. 884 00:43:23,560 --> 00:43:24,520 Speaker 3: Let me stress test. 885 00:43:24,640 --> 00:43:26,239 Speaker 4: This something Gavin does. 886 00:43:27,280 --> 00:43:28,000 Speaker 1: Yeah, he likes the. 887 00:43:28,000 --> 00:43:31,839 Speaker 2: Stress signif puts his wrists together and stress like he's 888 00:43:31,840 --> 00:43:34,040 Speaker 2: trying to do that like a zip tie on his 889 00:43:34,040 --> 00:43:37,719 Speaker 2: wrists and he's that like he's an And is it creating. 890 00:43:37,440 --> 00:43:40,200 Speaker 1: Kind of like a singing sound when he puts his 891 00:43:40,280 --> 00:43:41,520 Speaker 1: wrist together like a cricket. 892 00:43:41,760 --> 00:43:45,640 Speaker 4: How we imagine it? Yeah, and our faithful retelling of 893 00:43:45,760 --> 00:43:46,880 Speaker 4: recapping the podcast. 894 00:43:46,920 --> 00:43:49,720 Speaker 3: The first off with Charlie Kirk was so good. Yeah, 895 00:43:49,760 --> 00:43:51,200 Speaker 3: I'm going to talk all day about if I get 896 00:43:51,239 --> 00:43:54,760 Speaker 3: started down there were well. 897 00:43:54,719 --> 00:43:58,520 Speaker 1: Wait, wait, wait a second, wait, I don't like you know, 898 00:43:58,560 --> 00:44:00,399 Speaker 1: we could let him go a little bit, all right, 899 00:44:00,440 --> 00:44:03,000 Speaker 1: we all shut him down right now, he's a taste. 900 00:44:03,680 --> 00:44:08,279 Speaker 1: It's just no, no, no, he's right, He's right. Yeah. 901 00:44:08,320 --> 00:44:09,400 Speaker 1: I think because I'm. 902 00:44:11,480 --> 00:44:17,600 Speaker 2: About it, I get a taste. I'm actually I'm never 903 00:44:17,640 --> 00:44:19,640 Speaker 2: going to get Charlie Kirk. 904 00:44:19,719 --> 00:44:22,280 Speaker 3: That guy knows his way around to a college campus. 905 00:44:22,400 --> 00:44:23,920 Speaker 3: And hear what I'm talking about is incredible. 906 00:44:24,320 --> 00:44:28,000 Speaker 1: Yeah, like that just like the layout of the campus. 907 00:44:28,080 --> 00:44:31,080 Speaker 3: Well, he's always on campus, is just eviscerating college kids 908 00:44:31,080 --> 00:44:31,719 Speaker 3: with politics. 909 00:44:32,239 --> 00:44:33,520 Speaker 1: His way around the campus. 910 00:44:33,560 --> 00:44:35,000 Speaker 3: He knows how to order to blaze pizza. 911 00:44:35,040 --> 00:44:36,600 Speaker 2: I got to be able to find them. Yeah, you 912 00:44:36,600 --> 00:44:38,520 Speaker 2: gotta be able to find the kids to eviserate them, 913 00:44:39,040 --> 00:44:44,799 Speaker 2: because they don't leave their fucking room anymore. Nobody goes outside. Yeah, right, genera. 914 00:44:45,760 --> 00:44:47,920 Speaker 3: Hanging out Insomniac. 915 00:44:47,360 --> 00:44:49,560 Speaker 1: Cookies, andomniac cookies. 916 00:44:49,560 --> 00:44:51,799 Speaker 4: Pizza, what have you. 917 00:44:51,880 --> 00:44:56,040 Speaker 1: If they had insomniac cookies when I was in college, 918 00:44:56,480 --> 00:44:58,399 Speaker 1: I would not be here talking to you right now. 919 00:44:59,560 --> 00:45:02,440 Speaker 1: Would you invested? Would you would not be having this 920 00:45:02,480 --> 00:45:06,960 Speaker 1: conversation right now that I that you don't want to know. 921 00:45:07,440 --> 00:45:09,160 Speaker 4: One time I ate a cookie in a bathroom, that 922 00:45:09,280 --> 00:45:10,839 Speaker 4: one he did. 923 00:45:12,400 --> 00:45:14,759 Speaker 1: I was just like in a rush, and you're not 924 00:45:14,800 --> 00:45:17,080 Speaker 1: supposed to be in the place like that, Like there, 925 00:45:17,120 --> 00:45:20,759 Speaker 1: you're you're not supposed to be in that bathroom. They 926 00:45:21,320 --> 00:45:26,120 Speaker 1: not for I had to ask for a customer bathroom. 927 00:45:26,239 --> 00:45:28,040 Speaker 4: It just was a hurry. And I was also in 928 00:45:28,040 --> 00:45:29,000 Speaker 4: a hurry to eat the cookies. 929 00:45:29,120 --> 00:45:31,640 Speaker 3: And that's the guy, the guy working the gig that 930 00:45:31,719 --> 00:45:35,320 Speaker 3: delivers the stuff for the cookies. You guess he's a bathroom. Yeah, 931 00:45:35,560 --> 00:45:36,480 Speaker 3: you know that guy. 932 00:45:36,719 --> 00:45:38,520 Speaker 1: Oh yeah, the guy. 933 00:45:38,360 --> 00:45:41,640 Speaker 4: With the hand dolly, yeah, hand drugs. 934 00:45:41,640 --> 00:45:42,640 Speaker 3: He brings him in on the hand. 935 00:45:42,800 --> 00:45:46,640 Speaker 1: Yeah, the pallets, that's what they would have needed for me. 936 00:45:47,080 --> 00:45:49,040 Speaker 4: Yeah, the pallets are fresh cooked. 937 00:45:49,280 --> 00:45:53,800 Speaker 2: But I'm the same as because they had had insomnia cookies, 938 00:45:53,880 --> 00:45:56,160 Speaker 2: like when you know, when I was that age, like. 939 00:45:56,480 --> 00:45:58,680 Speaker 1: You would have invested, Oh no, I would have. 940 00:45:58,719 --> 00:46:01,000 Speaker 2: I would have driven out in the wood with insomniac cookie, 941 00:46:01,080 --> 00:46:02,680 Speaker 2: dug my own grave, and then hit myself in the 942 00:46:02,680 --> 00:46:04,239 Speaker 2: head with a shovel just to die. 943 00:46:04,480 --> 00:46:06,360 Speaker 1: We have the cookie in the underground. 944 00:46:06,120 --> 00:46:09,200 Speaker 2: Like that would have been probably the most logical outcome 945 00:46:09,239 --> 00:46:12,680 Speaker 2: for me, because the cookies are so addictive and because 946 00:46:12,719 --> 00:46:14,360 Speaker 2: of what they how they make you feel. 947 00:46:15,480 --> 00:46:19,360 Speaker 3: Are your guys, top three cookie flavors Insomniac cookies 948 00:46:21,160 --> 00:46:25,720 Speaker 1: Right, Hollywood Hammer