1 00:00:00,440 --> 00:00:02,520 Speaker 1: Wake that ass up in the morning. 2 00:00:02,840 --> 00:00:03,680 Speaker 2: Breakfast Club. 3 00:00:04,320 --> 00:00:06,400 Speaker 1: Morning everybody. It's the j n V. 4 00:00:06,680 --> 00:00:09,520 Speaker 3: Jess hilarious Charlamage the guy. We are the Breakfast Club. 5 00:00:09,800 --> 00:00:13,280 Speaker 3: We got a special guest in the building, legendary Jermaine Duprit. 6 00:00:13,520 --> 00:00:17,239 Speaker 1: Yeah, going on, where you want to start? 7 00:00:17,239 --> 00:00:21,880 Speaker 2: You want to start the number one congratulations on money Long. 8 00:00:22,239 --> 00:00:24,840 Speaker 3: We can start with the number one, all right, number 9 00:00:24,880 --> 00:00:27,880 Speaker 3: one records, money Long, number one record this week produced 10 00:00:27,880 --> 00:00:28,320 Speaker 3: by j D. 11 00:00:28,600 --> 00:00:31,560 Speaker 1: Yeah, that's nothing to you, no more, there's nothing. 12 00:00:31,640 --> 00:00:35,080 Speaker 4: Yeah, I'm saying no, no, I'm saying I don't want 13 00:00:35,120 --> 00:00:38,320 Speaker 4: to start with that. I came to talk about Freaknick. Congratulations. 14 00:00:38,320 --> 00:00:39,919 Speaker 4: You know what I'm saying. I'm I'm you know, I'm 15 00:00:39,960 --> 00:00:42,159 Speaker 4: a static about it. Yeah, you know it's amazing. 16 00:00:42,880 --> 00:00:45,280 Speaker 2: Now let's talk about Freakney. This Freaknick documentary. 17 00:00:45,520 --> 00:00:45,760 Speaker 1: Yeah. 18 00:00:45,920 --> 00:00:49,199 Speaker 3: Now, when making a documentary, you had tons of ladies 19 00:00:49,200 --> 00:00:51,440 Speaker 3: and men scared that they were going to see their pictures, 20 00:00:51,840 --> 00:00:54,080 Speaker 3: their asses on the screen. But it was it was 21 00:00:54,120 --> 00:00:56,480 Speaker 3: well done. It wasn't done in a disrespectful way. It 22 00:00:56,520 --> 00:00:58,800 Speaker 3: was it was so explain to it, this documentary, how 23 00:00:58,800 --> 00:00:59,240 Speaker 3: it came. 24 00:00:59,120 --> 00:01:02,760 Speaker 1: Out, how it came up. Yeah, I mean it came about. 25 00:01:02,760 --> 00:01:04,720 Speaker 1: I think Luke was trying. 26 00:01:04,480 --> 00:01:07,440 Speaker 4: To do this initially, and then they started having conversations 27 00:01:07,440 --> 00:01:09,800 Speaker 4: about it, and Luke said, you know, he can't do 28 00:01:09,880 --> 00:01:11,920 Speaker 4: it if I wasn't involved. And then when they came 29 00:01:11,959 --> 00:01:14,000 Speaker 4: to talk to me about it, I said the same 30 00:01:14,040 --> 00:01:15,520 Speaker 4: thing to them. I'm like, well, I wouldn't do this 31 00:01:15,600 --> 00:01:17,480 Speaker 4: if Luke wasn't involved, and they like, well, we got Luke, 32 00:01:17,560 --> 00:01:19,760 Speaker 4: so we got you, and I'm like yeah. So it 33 00:01:19,840 --> 00:01:21,480 Speaker 4: went from there, and then it just kind of just 34 00:01:21,520 --> 00:01:23,600 Speaker 4: started moving pretty fast. And then I just wanted to 35 00:01:23,600 --> 00:01:29,120 Speaker 4: make sure that the story was told from all perspectives 36 00:01:29,160 --> 00:01:33,080 Speaker 4: because the people that was concerned about the ass is 37 00:01:33,120 --> 00:01:35,240 Speaker 4: showing and all of that, they don't understand how young 38 00:01:35,319 --> 00:01:39,840 Speaker 4: I was when Freaknick was actually popping. So my perspective 39 00:01:39,840 --> 00:01:42,520 Speaker 4: of freak Nick wasn't that perspective. I ain't see all 40 00:01:42,560 --> 00:01:44,959 Speaker 4: that because I wasn't able to get into the clubs 41 00:01:45,000 --> 00:01:46,759 Speaker 4: and all of this type of stuff. So my perspective 42 00:01:46,880 --> 00:01:50,120 Speaker 4: was I was part of the street traffic. I was 43 00:01:50,280 --> 00:01:52,840 Speaker 4: out in the streets, I was dancing outside the cars, 44 00:01:52,880 --> 00:01:55,000 Speaker 4: I was on p Street. I was that was a 45 00:01:55,040 --> 00:01:57,440 Speaker 4: part of freak Nick, and I saw other people saw 46 00:01:57,520 --> 00:01:59,680 Speaker 4: Luke got a different story than other people. So it's 47 00:01:59,720 --> 00:02:01,760 Speaker 4: just really important for me to see make sure that 48 00:02:01,800 --> 00:02:04,440 Speaker 4: we made you see everybody's different perspective. 49 00:02:04,480 --> 00:02:06,400 Speaker 5: How much did y'all have to water to duck down 50 00:02:06,560 --> 00:02:08,679 Speaker 5: because of this lame mass cancel culture. 51 00:02:08,400 --> 00:02:09,000 Speaker 6: Era that week? 52 00:02:09,080 --> 00:02:09,320 Speaker 1: None? 53 00:02:09,360 --> 00:02:11,240 Speaker 4: Because I mean you, I feel like I feel like 54 00:02:12,000 --> 00:02:15,040 Speaker 4: ultimately what people don't understand is this is black culture. 55 00:02:15,200 --> 00:02:18,280 Speaker 1: Are you embarrassed by a culture? Like? Are you embarrassed 56 00:02:18,320 --> 00:02:20,080 Speaker 1: that you went to an HBCU And this is how 57 00:02:20,160 --> 00:02:20,600 Speaker 1: y'all act? 58 00:02:21,160 --> 00:02:23,639 Speaker 4: If that, If that's how you feel, then you should 59 00:02:23,680 --> 00:02:26,200 Speaker 4: just change your color of your skin, because this is 60 00:02:26,400 --> 00:02:27,400 Speaker 4: that's life in Atlanta. 61 00:02:27,440 --> 00:02:28,800 Speaker 1: We got four you know what I mean? 62 00:02:28,840 --> 00:02:32,280 Speaker 4: Where everywhere else got one, y'all got Hampton and one. 63 00:02:32,560 --> 00:02:33,560 Speaker 1: We have four of them. 64 00:02:33,600 --> 00:02:35,600 Speaker 4: So if you put all of that energy in one place, 65 00:02:35,960 --> 00:02:37,560 Speaker 4: it's just what black culture is. 66 00:02:37,680 --> 00:02:38,120 Speaker 6: Absolutely. 67 00:02:38,240 --> 00:02:41,919 Speaker 4: I mean, how did how did twenty one Savage get 68 00:02:42,120 --> 00:02:42,800 Speaker 4: to be a part of it? 69 00:02:42,840 --> 00:02:46,720 Speaker 2: I know that this was y'all era, you and Uncle Luke, 70 00:02:46,760 --> 00:02:47,440 Speaker 2: but how did. 71 00:02:48,800 --> 00:02:49,480 Speaker 1: Well twenty one? 72 00:02:49,800 --> 00:02:52,639 Speaker 4: He been doing his birthday party and the theme with 73 00:02:52,760 --> 00:02:55,320 Speaker 4: his birthday party is freak nick for the past couple 74 00:02:55,360 --> 00:02:55,799 Speaker 4: of years. 75 00:02:55,840 --> 00:03:00,240 Speaker 1: So at first I was like no, But then you 76 00:03:00,280 --> 00:03:02,120 Speaker 1: know he liveing in Atlanta. 77 00:03:02,200 --> 00:03:04,120 Speaker 4: He from well, I mean, you know he's not from Atlanta, 78 00:03:04,160 --> 00:03:05,680 Speaker 4: but he from basically from Atlanta. 79 00:03:05,800 --> 00:03:07,560 Speaker 1: So if you're from Atlanta, you've. 80 00:03:07,440 --> 00:03:13,000 Speaker 4: Been you felt the repercussions of something from Freaknick at 81 00:03:13,040 --> 00:03:13,520 Speaker 4: some point. 82 00:03:14,040 --> 00:03:16,600 Speaker 2: You know it's crazy because you know, going to Hampton. 83 00:03:16,639 --> 00:03:21,359 Speaker 3: Of course, Freaknik created so many different uh gathereries right Philly, 84 00:03:21,440 --> 00:03:25,480 Speaker 3: greg Fourth to July and Virginia Jones Beach, New York City. 85 00:03:25,680 --> 00:03:27,920 Speaker 3: It all started for Freaknick. But I just thought it 86 00:03:27,960 --> 00:03:30,040 Speaker 3: was a party that a party that was created just 87 00:03:30,080 --> 00:03:31,640 Speaker 3: for people a while out. That's what I thought it 88 00:03:31,680 --> 00:03:32,959 Speaker 3: was when when you were in college, that's what you 89 00:03:33,000 --> 00:03:35,240 Speaker 3: think it was. But the fact that it was created 90 00:03:35,360 --> 00:03:37,720 Speaker 3: for students that didn't have any money was something. You 91 00:03:37,760 --> 00:03:39,000 Speaker 3: want to break that down because I thought it was 92 00:03:39,040 --> 00:03:40,440 Speaker 3: created for a whole different reason. 93 00:03:40,480 --> 00:03:42,120 Speaker 4: Well, I mean that's what I'm saying a lot of people. 94 00:03:42,720 --> 00:03:44,240 Speaker 4: I didn't go to college, so I can't you know 95 00:03:44,280 --> 00:03:45,840 Speaker 4: what I mean, I didn't know that either. So the 96 00:03:46,040 --> 00:03:49,520 Speaker 4: the person that's watching this, that's probably me that didn't 97 00:03:49,520 --> 00:03:53,920 Speaker 4: go to college. Uh, that don't know nothing about that lifestyle. 98 00:03:54,440 --> 00:03:57,000 Speaker 4: You know, you don't understand that these kids that come 99 00:03:57,040 --> 00:03:58,440 Speaker 4: from DC or New York or. 100 00:03:58,400 --> 00:04:00,000 Speaker 1: Wherever they come, Nick all the way to Atlanta. 101 00:04:00,440 --> 00:04:02,880 Speaker 4: You think that they got money to just fly back 102 00:04:02,880 --> 00:04:04,360 Speaker 4: home on spring break. 103 00:04:04,400 --> 00:04:05,920 Speaker 1: And just back then, we didn't fly. 104 00:04:06,280 --> 00:04:07,360 Speaker 2: We would drive exactly. 105 00:04:08,200 --> 00:04:11,080 Speaker 1: So it's like even that's another thing that that. 106 00:04:10,920 --> 00:04:16,479 Speaker 4: This documentary shows of how unmanual we are as people. Unmanual, Yeah, 107 00:04:16,680 --> 00:04:20,520 Speaker 4: unmanual because we are as people because you guys. 108 00:04:20,320 --> 00:04:23,840 Speaker 1: Used to drive. Now when you think you're. 109 00:04:23,720 --> 00:04:25,760 Speaker 4: Gonna see four girls from New York getting a car 110 00:04:25,839 --> 00:04:28,400 Speaker 4: and drive to Atlanta just to have fun, no way, 111 00:04:28,720 --> 00:04:29,760 Speaker 4: never their lies. 112 00:04:30,640 --> 00:04:32,920 Speaker 1: You know what I'm saying. So it just shows you 113 00:04:33,360 --> 00:04:34,159 Speaker 1: that type of stuff. 114 00:04:34,160 --> 00:04:36,800 Speaker 4: And then like you know, so so you should see 115 00:04:36,880 --> 00:04:39,200 Speaker 4: that freak Nick is like, oh, these were some kids 116 00:04:39,240 --> 00:04:40,159 Speaker 4: that couldn't go home. 117 00:04:41,000 --> 00:04:43,520 Speaker 1: They they didn't know what their spring break was gonna be. 118 00:04:43,600 --> 00:04:45,680 Speaker 4: Like they watching all these white kids go to go 119 00:04:45,720 --> 00:04:48,240 Speaker 4: to they on the beach and all this, and they 120 00:04:48,279 --> 00:04:50,120 Speaker 4: got money. But these kids are stuck in Atlanta and 121 00:04:50,120 --> 00:04:52,719 Speaker 4: ain't got no money. So they threw a picnic that 122 00:04:52,839 --> 00:04:57,320 Speaker 4: turned into Freaknick. That's a that's an American black history story. 123 00:04:57,640 --> 00:04:59,599 Speaker 6: Oh, people weren't afraid to be broke back then. 124 00:05:00,160 --> 00:05:03,919 Speaker 1: Well, I mean you have no true, no trust to 125 00:05:03,960 --> 00:05:04,479 Speaker 1: be afraid. 126 00:05:04,600 --> 00:05:07,360 Speaker 5: But no, nowadays people confront right, so everybody can pretend 127 00:05:07,400 --> 00:05:09,440 Speaker 5: to something that you can pretend to. 128 00:05:09,440 --> 00:05:10,279 Speaker 6: Have more than you got. 129 00:05:10,520 --> 00:05:14,640 Speaker 5: Nobody wants to mean they just you know they I mean, 130 00:05:14,680 --> 00:05:16,599 Speaker 5: well you yeah, you know, I'll be seeing these girls 131 00:05:16,600 --> 00:05:19,520 Speaker 5: go to tuloom and I'm sure they sharing rooms. 132 00:05:19,680 --> 00:05:25,560 Speaker 1: Yeah, matter like that didn't you know what I'm saying. 133 00:05:25,560 --> 00:05:26,680 Speaker 6: It didn't matter Like you. 134 00:05:26,600 --> 00:05:29,320 Speaker 3: Would go to you know, Philly Greek or Fourth of 135 00:05:29,360 --> 00:05:31,520 Speaker 3: July and Virginia and it'd be seven of us in 136 00:05:31,560 --> 00:05:33,919 Speaker 3: the room and nobody thought about anything. It wasn't we 137 00:05:34,040 --> 00:05:35,599 Speaker 3: broke and be like, oh you got the floor, you 138 00:05:35,600 --> 00:05:37,320 Speaker 3: got the eye, you take your quick shout. But that's 139 00:05:37,320 --> 00:05:39,440 Speaker 3: what it was. It was all hanging out his brothers. 140 00:05:39,480 --> 00:05:40,000 Speaker 3: It didn't matter. 141 00:05:40,080 --> 00:05:41,440 Speaker 1: That's why I thought it was for me. 142 00:05:41,520 --> 00:05:43,440 Speaker 4: That's why as we got into it, that's why I 143 00:05:43,520 --> 00:05:46,960 Speaker 4: was like, this has to come out because people, you know, 144 00:05:47,360 --> 00:05:49,400 Speaker 4: we don't we don't see this in black culture. We 145 00:05:49,480 --> 00:05:51,520 Speaker 4: just keep trying to make it seem like everybody got 146 00:05:51,520 --> 00:05:53,840 Speaker 4: money and everybody do this and nothing. No, it was 147 00:05:53,880 --> 00:05:56,640 Speaker 4: a time when none of that mattered, right, And after 148 00:05:56,760 --> 00:05:58,760 Speaker 4: I liked when Jalen Rose was somebo how he got 149 00:05:58,839 --> 00:06:02,400 Speaker 4: to freak Nick. He he took his cousin car or something, 150 00:06:02,440 --> 00:06:05,160 Speaker 4: and it was just like, you know, as long as 151 00:06:05,160 --> 00:06:07,000 Speaker 4: I get a car, I'm out, we get into freaking it. 152 00:06:07,160 --> 00:06:08,440 Speaker 4: And that was the same thing with me when I 153 00:06:08,520 --> 00:06:13,039 Speaker 4: was seventeen or well six, chem I had just got 154 00:06:13,040 --> 00:06:15,359 Speaker 4: my first car. My first car was a Valari, a 155 00:06:15,400 --> 00:06:19,520 Speaker 4: two door Valori basically probably listening don't even know what 156 00:06:19,560 --> 00:06:21,960 Speaker 4: that is. But it was an ugly ass car that 157 00:06:22,040 --> 00:06:25,880 Speaker 4: looked like a Pacer mixed with something else, right, And I. 158 00:06:25,760 --> 00:06:27,120 Speaker 1: Ain't care what the car looked like. 159 00:06:27,520 --> 00:06:31,400 Speaker 4: I just was able to drive around Atlanta while this 160 00:06:31,560 --> 00:06:32,039 Speaker 4: was happening. 161 00:06:32,120 --> 00:06:32,680 Speaker 1: And that's all. 162 00:06:32,760 --> 00:06:36,120 Speaker 4: That's ultimately what your the goal was. Can you get 163 00:06:36,160 --> 00:06:40,560 Speaker 4: into the Freakingnick? Can you get into traffic? If you're 164 00:06:40,560 --> 00:06:41,960 Speaker 4: sitting at home and you can't get it, and that's 165 00:06:41,960 --> 00:06:43,920 Speaker 4: when you're mad. But if you have a car, that's 166 00:06:43,920 --> 00:06:45,279 Speaker 4: what all. That's all it was about. 167 00:06:45,760 --> 00:06:47,080 Speaker 2: It's crazy how. 168 00:06:46,839 --> 00:06:50,360 Speaker 3: They easily cancel black events. Right while you look at 169 00:06:50,400 --> 00:06:53,240 Speaker 3: Daytuna Beach, you look at Miami spring Break, you look 170 00:06:53,240 --> 00:06:55,760 Speaker 3: at where the white kids go for their spring break 171 00:06:55,800 --> 00:06:57,880 Speaker 3: and they wild out, they get drunk, they fight, and 172 00:06:57,960 --> 00:07:00,679 Speaker 3: all types of stuff, but those events never get canceled. 173 00:07:00,680 --> 00:07:02,440 Speaker 3: It seemed like they tried to tame it, but they 174 00:07:02,520 --> 00:07:05,400 Speaker 3: just totally canceled freaking it, which is which is crazy. 175 00:07:05,520 --> 00:07:09,279 Speaker 4: I mean they had to because it was it was bad. 176 00:07:09,800 --> 00:07:11,080 Speaker 4: I mean, it got to a point now and I'm 177 00:07:11,080 --> 00:07:15,080 Speaker 4: not talking about the misconduct with the guys and the girls. 178 00:07:15,080 --> 00:07:18,640 Speaker 4: I'm talking about just the traffic and how the city 179 00:07:18,720 --> 00:07:22,640 Speaker 4: was dealing with it, because ultimately, these guys that was 180 00:07:22,680 --> 00:07:25,040 Speaker 4: at their school they started something. They never talked to 181 00:07:25,800 --> 00:07:28,000 Speaker 4: the people in the city, so the city had no 182 00:07:28,080 --> 00:07:31,320 Speaker 4: idea what was actually happening. When it got out of control, 183 00:07:32,040 --> 00:07:34,680 Speaker 4: they just start trying to control it the best way 184 00:07:34,720 --> 00:07:37,640 Speaker 4: they could. But they weren't even talking to the DC 185 00:07:37,840 --> 00:07:41,120 Speaker 4: Metro Club, right, So it's like at that point, it's 186 00:07:41,120 --> 00:07:44,280 Speaker 4: like it's like, uh, Frankenstein, You've gone created a monster 187 00:07:45,040 --> 00:07:47,520 Speaker 4: and y'all can't control this. You got the only thing 188 00:07:47,520 --> 00:07:49,240 Speaker 4: you can do is shut it down at least for 189 00:07:49,240 --> 00:07:51,679 Speaker 4: a second and try to see if y'all can figure 190 00:07:51,680 --> 00:07:52,680 Speaker 4: out how to make it work. 191 00:07:52,720 --> 00:07:54,960 Speaker 2: Did it ever come back? No, And we tried a 192 00:07:54,960 --> 00:07:57,040 Speaker 2: couple of years ago. Now I don't think. 193 00:07:57,160 --> 00:07:59,840 Speaker 4: I mean, I think it could come back if you 194 00:08:00,080 --> 00:08:03,680 Speaker 4: off people really really sit down and figure out how 195 00:08:03,760 --> 00:08:07,080 Speaker 4: to make it into essence Fest, because that's basically what 196 00:08:07,120 --> 00:08:09,400 Speaker 4: it should have become. It should have become the essence 197 00:08:09,400 --> 00:08:13,440 Speaker 4: Fest of Atlanta, right. But the traffic part of it 198 00:08:13,560 --> 00:08:15,160 Speaker 4: was that was the. 199 00:08:15,120 --> 00:08:17,800 Speaker 5: Ship more than people who go to others now probably 200 00:08:17,880 --> 00:08:19,240 Speaker 5: used to go to Freaking. 201 00:08:20,680 --> 00:08:22,040 Speaker 1: All the black people was at Freaking. 202 00:08:22,280 --> 00:08:24,160 Speaker 3: You just got to define the name because when people 203 00:08:24,160 --> 00:08:27,360 Speaker 3: hear the name Freaknick, they think it's gonna be a yeah. 204 00:08:27,400 --> 00:08:28,800 Speaker 1: But I'm saying we can get past that. We got 205 00:08:28,840 --> 00:08:29,720 Speaker 1: Slutty Vegan now. 206 00:08:34,360 --> 00:08:37,280 Speaker 5: I don't think it's too much cameras now, Yeah, but 207 00:08:37,640 --> 00:08:38,200 Speaker 5: that's another thing. 208 00:08:38,240 --> 00:08:40,040 Speaker 1: I think that that's That's the other thing. That's the 209 00:08:40,040 --> 00:08:40,720 Speaker 1: only thing I would say. 210 00:08:40,720 --> 00:08:43,040 Speaker 4: If you go to Freaknick, now, you gotta put your 211 00:08:43,040 --> 00:08:44,800 Speaker 4: phone away because you have missed the girls dancing on 212 00:08:44,800 --> 00:08:48,520 Speaker 4: the cars, like the fact that you was driving down 213 00:08:48,520 --> 00:08:51,600 Speaker 4: the street and you were looking for everything. 214 00:08:52,320 --> 00:08:54,320 Speaker 1: It's how you saw freaking it. 215 00:08:54,760 --> 00:08:58,080 Speaker 4: If somebody down there doing this, you're gonna miss everything. 216 00:08:58,559 --> 00:09:00,959 Speaker 1: So that's another thing you gotta you. 217 00:09:00,920 --> 00:09:03,400 Speaker 4: Know, And maybe the hype of it and people saying 218 00:09:03,480 --> 00:09:05,800 Speaker 4: it might make people want to see it. But I 219 00:09:05,840 --> 00:09:08,720 Speaker 4: just think people are so like attached to their phones 220 00:09:08,800 --> 00:09:11,520 Speaker 4: and they think everything is more important than their phone, 221 00:09:11,520 --> 00:09:13,920 Speaker 4: as opposed and seeing what's happening outside. 222 00:09:14,120 --> 00:09:16,360 Speaker 5: And how come nobody ever focuses on some of the 223 00:09:16,400 --> 00:09:18,360 Speaker 5: women that went down there because they wanted to have 224 00:09:18,400 --> 00:09:20,480 Speaker 5: a good time, Like they wanted to go out there 225 00:09:20,920 --> 00:09:23,280 Speaker 5: and be loose and wild and liberated. 226 00:09:24,400 --> 00:09:26,120 Speaker 4: Yeah, we talked about that, Okay, we let the girls 227 00:09:26,120 --> 00:09:28,760 Speaker 4: talk about that the show that they was grabbing the dudes. 228 00:09:29,040 --> 00:09:34,320 Speaker 1: You know, you think Uncle. 229 00:09:34,120 --> 00:09:36,880 Speaker 6: Luke's music helped hurt Freaking. 230 00:09:38,400 --> 00:09:39,719 Speaker 1: I helped? You said, did it help? 231 00:09:39,880 --> 00:09:45,640 Speaker 4: It helped between Uncle Luke and Social Based All Stars. 232 00:09:45,679 --> 00:09:47,480 Speaker 1: That's the soundtrack of Freaknick, you know what I mean? 233 00:09:47,480 --> 00:09:48,040 Speaker 1: And it was like. 234 00:09:50,640 --> 00:09:56,839 Speaker 4: I think, I also think now with Miami shutting down, 235 00:09:57,280 --> 00:09:59,640 Speaker 4: spring Break and all that, it's the music because the 236 00:09:59,679 --> 00:10:04,160 Speaker 4: people don't You don't have nothing's making you dance, right, 237 00:10:04,440 --> 00:10:07,280 Speaker 4: nothing making you jump on top of the cars. You 238 00:10:07,480 --> 00:10:09,960 Speaker 4: see people doing it, but they doing it to music 239 00:10:10,000 --> 00:10:15,000 Speaker 4: that don't really have that vibration. Right at Freakingnick, the 240 00:10:15,080 --> 00:10:17,680 Speaker 4: girls was dancing so hard and the guys was dancing 241 00:10:17,679 --> 00:10:18,200 Speaker 4: so hard. 242 00:10:19,000 --> 00:10:21,679 Speaker 1: You ain't had time to be worrying about nobody beside like. 243 00:10:21,679 --> 00:10:25,800 Speaker 4: It was a the energy level was just too high, right, 244 00:10:25,840 --> 00:10:28,679 Speaker 4: And I just think the loop music, like I said, 245 00:10:28,720 --> 00:10:31,400 Speaker 4: the social debased Allso the music was making you dance 246 00:10:31,520 --> 00:10:33,760 Speaker 4: in a different space and it made you think about 247 00:10:34,800 --> 00:10:37,080 Speaker 4: like you was like this and it wasn't You don't 248 00:10:37,120 --> 00:10:40,520 Speaker 4: have time to be like hey niggas, No, no, you 249 00:10:40,600 --> 00:10:42,240 Speaker 4: know what I mean. We ain't come down here for that. 250 00:10:42,480 --> 00:10:44,360 Speaker 4: We came down here to see these girls. Let's go 251 00:10:44,400 --> 00:10:44,880 Speaker 4: see these girls. 252 00:10:44,920 --> 00:10:46,240 Speaker 1: It's almost like the mentality of. 253 00:10:46,200 --> 00:10:48,680 Speaker 4: A man when you go to the strip club. Right, 254 00:10:49,200 --> 00:10:50,679 Speaker 4: I go to strip club every week. You go to 255 00:10:50,720 --> 00:10:53,800 Speaker 4: the strip club. Guys don't come in the strip club 256 00:10:54,000 --> 00:10:56,880 Speaker 4: looking for niggas, right, They come in the strip club 257 00:10:57,160 --> 00:10:58,200 Speaker 4: to see the girls. 258 00:10:58,520 --> 00:10:58,679 Speaker 1: Right. 259 00:10:58,880 --> 00:11:02,720 Speaker 4: That was the mentality a freak Knick, And for some reason, 260 00:11:02,800 --> 00:11:05,240 Speaker 4: that's that's kind of lost in the space that we 261 00:11:05,280 --> 00:11:05,880 Speaker 4: live in now. 262 00:11:06,000 --> 00:11:07,800 Speaker 1: Niggas want to go see what other nigga's wearing. 263 00:11:09,000 --> 00:11:14,480 Speaker 5: Speaking of that, speaking of that, if Freak Nick did 264 00:11:14,559 --> 00:11:16,320 Speaker 5: come back to day, would you wear the boss Baby outfit? 265 00:11:16,360 --> 00:11:18,040 Speaker 1: You wore the super Bowl boss Baby outfit? 266 00:11:22,000 --> 00:11:23,480 Speaker 6: What was it? What was what was the What was 267 00:11:23,520 --> 00:11:25,040 Speaker 6: the inspiration behind that outfit? Gee? 268 00:11:27,480 --> 00:11:29,240 Speaker 4: First of all, I had on a tuck seed though 269 00:11:29,720 --> 00:11:31,959 Speaker 4: with shorts very similar to what. 270 00:11:31,920 --> 00:11:32,760 Speaker 1: I have on to day. 271 00:11:32,880 --> 00:11:36,120 Speaker 4: I have on a tie, a regular suit shirt and 272 00:11:36,160 --> 00:11:36,920 Speaker 4: I got on shorts. 273 00:11:36,960 --> 00:11:38,040 Speaker 6: It's very boised men. 274 00:11:38,559 --> 00:11:43,760 Speaker 4: Yeah, and it's Vegas, right, you know what I'm saying. 275 00:11:43,760 --> 00:11:46,160 Speaker 4: It's it's a super Bowl. It's the biggest event in 276 00:11:46,200 --> 00:11:48,280 Speaker 4: the world. I could have went up there with the 277 00:11:48,320 --> 00:11:52,040 Speaker 4: started jacking and started hat how regular nigga is that? 278 00:11:52,200 --> 00:11:52,400 Speaker 1: Though? 279 00:11:52,480 --> 00:11:56,000 Speaker 4: Like I'm just saying, I think sometimes people don't realize, 280 00:11:56,040 --> 00:11:59,400 Speaker 4: like I'm in an entertainment business and I'm getting ready 281 00:11:59,400 --> 00:12:03,120 Speaker 4: to do the biggest show of Usher's life, not in 282 00:12:03,160 --> 00:12:05,240 Speaker 4: my life. I guess you want to say, We're going 283 00:12:05,280 --> 00:12:08,880 Speaker 4: on the biggest stage in the world and I should 284 00:12:08,960 --> 00:12:12,720 Speaker 4: be wearing a baseball cap and looking like a regular 285 00:12:12,720 --> 00:12:16,800 Speaker 4: ass nigga in the streets. Nah, Nah, I don't. I mean, 286 00:12:16,880 --> 00:12:19,240 Speaker 4: that's that was the thought behind it, right. So it 287 00:12:19,320 --> 00:12:22,240 Speaker 4: was more or less like you know, a while ago, 288 00:12:22,360 --> 00:12:25,920 Speaker 4: like enviewer Man, we started this thing called the Ocean seven, right, 289 00:12:25,960 --> 00:12:29,200 Speaker 4: and it was me Usher, John ta becox All. We 290 00:12:29,280 --> 00:12:31,480 Speaker 4: used to go to Vegas and we got dressed and 291 00:12:31,520 --> 00:12:34,800 Speaker 4: we'd be dressed up. So I wanted to actually have 292 00:12:36,000 --> 00:12:38,319 Speaker 4: a piece of that in what we was doing that, 293 00:12:38,480 --> 00:12:40,559 Speaker 4: you know, we in Vegas. Like, you don't go to 294 00:12:40,880 --> 00:12:43,080 Speaker 4: Usher show. I've seen you at us show. You was 295 00:12:43,160 --> 00:12:45,680 Speaker 4: dressed you you know what I mean. Niggas go to 296 00:12:45,720 --> 00:12:49,240 Speaker 4: his show dressed up. You don't go to Vegas with 297 00:12:49,400 --> 00:12:50,160 Speaker 4: your football on. 298 00:12:51,960 --> 00:12:53,160 Speaker 1: You just don't do that. 299 00:12:53,240 --> 00:12:55,520 Speaker 4: Like you didn't get people talking. Basically, no, I didn't 300 00:12:55,520 --> 00:12:56,960 Speaker 4: do it to get people talking. I didn't even think 301 00:12:57,000 --> 00:12:58,600 Speaker 4: nobody was gonna pay no attention to it. I had 302 00:12:58,600 --> 00:12:59,440 Speaker 4: on a tux seed. 303 00:12:59,320 --> 00:13:02,800 Speaker 1: Though with a tip and a regular shirt. The socks 304 00:13:02,840 --> 00:13:03,559 Speaker 1: strew people off. 305 00:13:04,040 --> 00:13:05,719 Speaker 3: They were talking about they't they didn't care about the tuck. 306 00:13:05,720 --> 00:13:06,480 Speaker 3: They were talk about the socks. 307 00:13:06,480 --> 00:13:08,760 Speaker 4: They were talking about the socks, right, and the socks 308 00:13:09,160 --> 00:13:12,120 Speaker 4: once again, the socks. I understand why if I keep 309 00:13:12,160 --> 00:13:14,880 Speaker 4: saying something about the socks, because they do look like 310 00:13:15,000 --> 00:13:18,240 Speaker 4: I guess what they say the Bobby socks. 311 00:13:18,400 --> 00:13:21,240 Speaker 1: Yeah, but they not. They don't have nothing to do 312 00:13:21,280 --> 00:13:22,720 Speaker 1: with that. They don't look nothing like that. 313 00:13:22,760 --> 00:13:25,760 Speaker 4: Once you get up on the socks and they also 314 00:13:26,120 --> 00:13:28,600 Speaker 4: you know, like I said, it's just I don't know, 315 00:13:29,400 --> 00:13:31,840 Speaker 4: it's my man's line right. 316 00:13:32,200 --> 00:13:34,840 Speaker 1: First of all, that's another thing for else. 317 00:13:34,920 --> 00:13:37,920 Speaker 4: My man ain't doubt niggas man, right, I don't notice nigga. 318 00:13:38,240 --> 00:13:42,200 Speaker 4: So in support of my homeboy line, I mean, I 319 00:13:42,320 --> 00:13:43,320 Speaker 4: wasn't even thinking about it. 320 00:13:43,360 --> 00:13:44,240 Speaker 1: You know, it just happened. 321 00:13:44,240 --> 00:13:46,880 Speaker 4: But I mean, shit, listen, I put my first group 322 00:13:46,880 --> 00:13:50,360 Speaker 4: out of nineteen ninety two. I'm trending in twenty twenty four. Yeah, 323 00:13:50,760 --> 00:13:52,280 Speaker 4: y'all can say whatever you want to say. 324 00:13:52,360 --> 00:13:53,520 Speaker 6: They'll got number one records. 325 00:13:53,520 --> 00:13:57,320 Speaker 5: What did User's Super Bowl halftime performance mean to you? 326 00:13:58,600 --> 00:13:59,000 Speaker 1: Everything? 327 00:13:59,080 --> 00:14:02,480 Speaker 6: As the architect, really, if we're being honest. 328 00:14:02,520 --> 00:14:04,760 Speaker 1: Yeah, everything. It means everything because when we made My. 329 00:14:04,800 --> 00:14:08,160 Speaker 4: Way, the discussion, the discussion that he and I had 330 00:14:08,600 --> 00:14:10,560 Speaker 4: making that record was that he. 331 00:14:10,480 --> 00:14:12,200 Speaker 1: Wanted to get to that space. 332 00:14:12,280 --> 00:14:14,760 Speaker 4: He wanted to and when he once he got to 333 00:14:14,800 --> 00:14:17,480 Speaker 4: that space, he wanted people to realize he did it 334 00:14:17,520 --> 00:14:20,520 Speaker 4: his way. That's how that whole album came about. So 335 00:14:21,080 --> 00:14:23,800 Speaker 4: for me to be in that seat and watch it 336 00:14:23,880 --> 00:14:27,280 Speaker 4: go from My Way to this, I probably was the 337 00:14:27,320 --> 00:14:29,440 Speaker 4: most proud. And then at the same time, I mean, 338 00:14:29,480 --> 00:14:33,040 Speaker 4: you know, he did six of my songs on Super Bowl. 339 00:14:33,360 --> 00:14:35,560 Speaker 4: It's like, you know, it's not a bunch of bugs 340 00:14:35,640 --> 00:14:37,960 Speaker 4: that could say crazy. They had six of these songs 341 00:14:37,960 --> 00:14:39,120 Speaker 4: performed on Super Bowl. 342 00:14:39,160 --> 00:14:41,040 Speaker 3: I argue with somebody up here the other day when 343 00:14:41,080 --> 00:14:44,280 Speaker 3: when they heard Confessions, right, younger person and they were like, yeah, 344 00:14:44,320 --> 00:14:46,560 Speaker 3: he wrote Confession. I was like, you know, Confessions was 345 00:14:46,560 --> 00:14:49,520 Speaker 3: about Jaine Dupre that Jamine Dupre wrote that that's factual. 346 00:14:49,720 --> 00:14:51,840 Speaker 2: Yeah, okay, so yeah, So I mean I wrote you 347 00:14:51,920 --> 00:14:52,280 Speaker 2: Make Me. 348 00:14:52,240 --> 00:14:54,480 Speaker 1: Want to, I wrote my Way, I wrote Nice and Slow. 349 00:14:54,840 --> 00:14:56,800 Speaker 4: I wrote Confessions. I wrote you Got It Bad, I 350 00:14:56,800 --> 00:14:59,880 Speaker 4: wrote my Boo. I wrote all these songs. I mean, 351 00:15:00,040 --> 00:15:01,920 Speaker 4: you know, people be like breaking it down when they 352 00:15:02,440 --> 00:15:05,600 Speaker 4: talk about it, and they say Confessions, but nice and Slow, 353 00:15:06,520 --> 00:15:08,480 Speaker 4: all these songs I wrote, you know what I mean, Like, 354 00:15:08,520 --> 00:15:12,440 Speaker 4: so it's just the story of Confessions. I think took 355 00:15:12,480 --> 00:15:15,360 Speaker 4: over and it was like I was that guy. I 356 00:15:15,440 --> 00:15:16,920 Speaker 4: was the person that was in that position. 357 00:15:17,680 --> 00:15:19,520 Speaker 3: But it happened right when he broke up with Chili. 358 00:15:19,560 --> 00:15:22,200 Speaker 3: So people were just assumed that he was writing it 359 00:15:22,200 --> 00:15:22,760 Speaker 3: about Chili. 360 00:15:22,960 --> 00:15:25,200 Speaker 1: Yeah, but that was your story, yeah for something. 361 00:15:25,240 --> 00:15:27,600 Speaker 4: Yeah, And I mean even when writing there, I didn't 362 00:15:27,640 --> 00:15:30,200 Speaker 4: think about I wouldn't even think about that. You know, 363 00:15:30,240 --> 00:15:32,000 Speaker 4: you just go to the studio, you write songs, it's 364 00:15:32,040 --> 00:15:35,000 Speaker 4: not even about I mean, sometimes you have a motive 365 00:15:35,000 --> 00:15:35,400 Speaker 4: behind it. 366 00:15:35,440 --> 00:15:38,320 Speaker 1: But we was trying to just follow up. I know, 367 00:15:38,400 --> 00:15:39,800 Speaker 1: I was. I was trying to follow up. You got 368 00:15:39,800 --> 00:15:40,120 Speaker 1: it back. 369 00:15:40,320 --> 00:15:42,160 Speaker 4: It just came off eighty seven to one, and it 370 00:15:42,200 --> 00:15:44,440 Speaker 4: was a big album, So it was like, what y'all 371 00:15:44,440 --> 00:15:45,160 Speaker 4: gonna do this time? 372 00:15:46,200 --> 00:15:48,480 Speaker 6: Is usually the biggest jewel in your crown? The biggest 373 00:15:48,520 --> 00:15:50,000 Speaker 6: what the biggest jewel in your crown? 374 00:15:50,920 --> 00:15:54,640 Speaker 1: I don't know. I mean Mariah Carey song Song of 375 00:15:54,680 --> 00:15:55,280 Speaker 1: the Decade. 376 00:15:56,040 --> 00:15:58,080 Speaker 6: Yeah, that Pasion was a monster. 377 00:15:58,280 --> 00:16:01,520 Speaker 1: I don't know, I don't know. There's a couple in there. 378 00:16:03,040 --> 00:16:06,960 Speaker 1: I mean, he's definitely. Well, let me say this. 379 00:16:07,320 --> 00:16:12,440 Speaker 4: Rolling Stone said that Russia's is the I mean Confessions 380 00:16:12,480 --> 00:16:14,200 Speaker 4: is the R and B the number one R and 381 00:16:14,200 --> 00:16:17,760 Speaker 4: B record of this twenty first century, right or twentieth century, 382 00:16:17,800 --> 00:16:20,240 Speaker 4: whatever it is, twenty first century. So I mean, if 383 00:16:20,240 --> 00:16:22,320 Speaker 4: that's the if that's a true statement, then I guess so. 384 00:16:23,000 --> 00:16:25,200 Speaker 4: I mean that's a big record. That's a big statement. 385 00:16:25,520 --> 00:16:30,320 Speaker 5: Do you think Atlanta as a whole is getting documented properly? 386 00:16:30,520 --> 00:16:30,680 Speaker 6: No? 387 00:16:31,480 --> 00:16:33,400 Speaker 4: That's why another reason why I want to make sure 388 00:16:33,440 --> 00:16:36,920 Speaker 4: that this documentary gets the stage that is on shout 389 00:16:36,920 --> 00:16:40,760 Speaker 4: out to Hulu Disney mass Appeal for actually allowing us 390 00:16:40,800 --> 00:16:44,560 Speaker 4: to finally tell our story on this stage, because just 391 00:16:44,680 --> 00:16:48,240 Speaker 4: the first story from the South that's ever been told. 392 00:16:49,080 --> 00:16:50,800 Speaker 4: And when I say that, I said that south by 393 00:16:50,840 --> 00:16:53,640 Speaker 4: Southwestern people was like what And I'm like, what's the 394 00:16:54,320 --> 00:16:55,960 Speaker 4: what's in Atlanta story that you know? 395 00:16:56,200 --> 00:16:58,760 Speaker 1: What's the Southern story that you know? You from the South? 396 00:16:59,280 --> 00:17:02,160 Speaker 4: What what stories do we have that people know about 397 00:17:02,160 --> 00:17:04,560 Speaker 4: the South? Besides at l is not a story of 398 00:17:04,560 --> 00:17:08,359 Speaker 4: of the South, of the South riseing the culture hip hop. 399 00:17:08,600 --> 00:17:12,360 Speaker 4: This is the first time that we get a story 400 00:17:12,760 --> 00:17:16,159 Speaker 4: about our culture and how outcast popped? 401 00:17:16,200 --> 00:17:20,120 Speaker 1: How why you know, social death? Oh damn? Why Luke 402 00:17:20,200 --> 00:17:23,239 Speaker 1: said bank head and scarred? What was the reason for that? 403 00:17:23,320 --> 00:17:24,280 Speaker 1: Like you ain't never wondered? 404 00:17:24,400 --> 00:17:26,720 Speaker 4: Like he from Miami he talking about bank head bounce, 405 00:17:26,840 --> 00:17:30,040 Speaker 4: Like why he was saying that Freaknick, Freaknick. 406 00:17:30,119 --> 00:17:30,720 Speaker 1: You know what I'm saying. 407 00:17:30,880 --> 00:17:34,120 Speaker 4: And this is the first time that, like I said, 408 00:17:34,119 --> 00:17:36,359 Speaker 4: the South gets set that look, I mean we was 409 00:17:36,400 --> 00:17:40,679 Speaker 4: never we was. I think Hollywood never felt like our 410 00:17:40,720 --> 00:17:41,720 Speaker 4: stories was important. 411 00:17:41,760 --> 00:17:45,479 Speaker 3: If Freaknick never happened, woul Atlanta music blow up as 412 00:17:45,520 --> 00:17:46,360 Speaker 3: fast as it did. 413 00:17:46,600 --> 00:17:50,119 Speaker 4: No, because what's that little thing with the you know 414 00:17:50,520 --> 00:17:52,600 Speaker 4: when when when you put the little roach trap down 415 00:17:52,960 --> 00:17:54,520 Speaker 4: and the roaches get in there and they go back 416 00:17:54,520 --> 00:17:58,680 Speaker 4: to the they yeah, ray, but it's a little trap 417 00:18:00,680 --> 00:18:02,280 Speaker 4: and they take the food back to that. That's what 418 00:18:02,400 --> 00:18:06,400 Speaker 4: Freaknick was for the South. People from Virginia, people from 419 00:18:06,440 --> 00:18:09,520 Speaker 4: New York, people from Baltimore, people from DC, people from 420 00:18:09,560 --> 00:18:13,200 Speaker 4: everywhere came to Atlanta. The DJs in Atlanta was playing 421 00:18:13,320 --> 00:18:16,520 Speaker 4: bass music, so so that based all stars Luke Skywalker, 422 00:18:16,560 --> 00:18:21,840 Speaker 4: blah blah blah blah. Kids went back to their hoods saying, Yo, 423 00:18:21,920 --> 00:18:23,359 Speaker 4: we was in Atlanta. This is the new shit they 424 00:18:23,440 --> 00:18:25,280 Speaker 4: playing Atlanta. Well, this is the shit that was we 425 00:18:25,280 --> 00:18:27,120 Speaker 4: was doing in Freaknik. Or they somebody saw the video 426 00:18:28,000 --> 00:18:31,320 Speaker 4: and that's why the music spread that way, right, That's 427 00:18:31,359 --> 00:18:33,800 Speaker 4: why it spread it in so many places, because these 428 00:18:33,840 --> 00:18:36,680 Speaker 4: people took it back home as if they had discovered 429 00:18:37,119 --> 00:18:40,000 Speaker 4: some new thing that wasn't happening in the house in 430 00:18:40,080 --> 00:18:43,359 Speaker 4: their neighborhoods. And at that point, if you take it 431 00:18:43,400 --> 00:18:45,960 Speaker 4: to you know, if five hundred people go back to 432 00:18:46,000 --> 00:18:50,280 Speaker 4: Virginia with the same mentality and it spread, then Virginia 433 00:18:50,359 --> 00:18:54,480 Speaker 4: starts sounding like Atlanta, right or whatever. That's you know, so, no, 434 00:18:54,520 --> 00:18:57,840 Speaker 4: it wouldn't. I think Freaknick was definitely our mixtape, you 435 00:18:57,840 --> 00:19:00,480 Speaker 4: know what I mean. Freaknick was our mixtape that made 436 00:19:00,560 --> 00:19:03,880 Speaker 4: people say, oh, there's some shit going on down there. 437 00:19:03,880 --> 00:19:05,800 Speaker 1: It's some you know what I mean. So that's definitely it. 438 00:19:05,920 --> 00:19:07,760 Speaker 4: We I don't know what would have happened if we, 439 00:19:08,200 --> 00:19:09,680 Speaker 4: you know, it would have been a slower pace. 440 00:19:10,080 --> 00:19:11,760 Speaker 3: How bad was it when the labels it seemed like, 441 00:19:11,840 --> 00:19:14,720 Speaker 3: you know, watching the doc I seen Craig Mac performing, 442 00:19:14,760 --> 00:19:17,080 Speaker 3: I've seen Biggie performing. How bad was it when the 443 00:19:17,160 --> 00:19:19,840 Speaker 3: label started touching Freak nigg it commercialize it to make 444 00:19:19,880 --> 00:19:20,240 Speaker 3: it worse? 445 00:19:20,320 --> 00:19:21,560 Speaker 2: Not at all, No, it was all good. 446 00:19:21,680 --> 00:19:24,080 Speaker 4: I think that was in People Park, So you know 447 00:19:24,119 --> 00:19:26,439 Speaker 4: that scene when I'm showing you when I'm talking, I'm 448 00:19:26,480 --> 00:19:27,280 Speaker 4: standing in the parking. 449 00:19:27,720 --> 00:19:28,000 Speaker 5: That was. 450 00:19:28,160 --> 00:19:30,800 Speaker 1: That was the park stuff, and that was the concerts. 451 00:19:30,840 --> 00:19:34,720 Speaker 4: Actually was helping because all these black people in the 452 00:19:34,760 --> 00:19:37,720 Speaker 4: park smoking weed, drinking, doing whatever they want to do. 453 00:19:37,960 --> 00:19:40,520 Speaker 4: Because if nobody was governing this right, it was just 454 00:19:41,160 --> 00:19:42,480 Speaker 4: you know, y'all niggas want to go do. 455 00:19:42,560 --> 00:19:45,159 Speaker 1: Go ahead. That's how the city was open to it. 456 00:19:45,560 --> 00:19:47,919 Speaker 4: So they was just out there, and we never was 457 00:19:48,000 --> 00:19:51,440 Speaker 4: nobody was scared about violence. Wasn't nobody thinking about somebody 458 00:19:51,440 --> 00:19:54,400 Speaker 4: pulling out a gun or anything, but that could have happened. 459 00:19:54,440 --> 00:19:58,159 Speaker 4: So to give music and put music out there, and 460 00:19:58,200 --> 00:20:01,199 Speaker 4: then put artists on the shows that just from the 461 00:20:01,240 --> 00:20:05,040 Speaker 4: South definitely helped because then people from the North or 462 00:20:05,080 --> 00:20:06,800 Speaker 4: whatever west coast they came and they was. 463 00:20:06,760 --> 00:20:09,040 Speaker 1: Like, oh, snoop, here this person, you know what I'm saying. 464 00:20:09,080 --> 00:20:11,639 Speaker 4: So you start feeling even more comfortable amongst all of 465 00:20:11,720 --> 00:20:12,240 Speaker 4: these people. 466 00:20:12,560 --> 00:20:14,119 Speaker 5: And now you're about to turn around and do the 467 00:20:14,400 --> 00:20:17,720 Speaker 5: Magic City document series, right, Yeah, Magic City in American fantasy. 468 00:20:17,880 --> 00:20:20,360 Speaker 6: Yeah, you know what it's about. 469 00:20:21,320 --> 00:20:23,320 Speaker 4: But it's also the same thing as a story about 470 00:20:23,359 --> 00:20:26,560 Speaker 4: Magic City. That that that I don't think people know, Like, 471 00:20:28,560 --> 00:20:32,199 Speaker 4: the story of Magic City is so much more deeper 472 00:20:32,240 --> 00:20:38,080 Speaker 4: than just a strip club, right, and how Magic figured 473 00:20:38,080 --> 00:20:41,680 Speaker 4: out a way to make this one club. 474 00:20:43,080 --> 00:20:44,879 Speaker 1: A worldwide situation, you know what I mean. 475 00:20:44,880 --> 00:20:46,520 Speaker 4: And then people always keep saying they like, why is 476 00:20:46,600 --> 00:20:50,840 Speaker 4: Drake and Bob Because Drake it's from a different country 477 00:20:51,480 --> 00:20:52,640 Speaker 4: and he wants to come to. 478 00:20:52,640 --> 00:20:54,760 Speaker 1: A little bitty strip club in Atlanta. 479 00:20:54,880 --> 00:20:58,560 Speaker 4: That's crazy, right that that I don't even know how 480 00:20:58,760 --> 00:21:00,720 Speaker 4: you're supposed to think about that because I'm not from 481 00:21:00,720 --> 00:21:03,200 Speaker 4: a different country. But I'm saying that being a different country. 482 00:21:03,680 --> 00:21:05,919 Speaker 4: We in the United States, I don't want to go to. 483 00:21:06,160 --> 00:21:06,600 Speaker 1: Ain't nothing. 484 00:21:06,840 --> 00:21:08,960 Speaker 4: I heard nothing about nothing in Canada that make me 485 00:21:09,000 --> 00:21:11,679 Speaker 4: want to fly there on a Monday and be a 486 00:21:11,680 --> 00:21:12,119 Speaker 4: part of it. 487 00:21:12,240 --> 00:21:13,639 Speaker 1: Right this place? 488 00:21:13,720 --> 00:21:18,600 Speaker 4: Is that crazy that it's made people in Toronto want 489 00:21:18,600 --> 00:21:19,200 Speaker 4: to come to. 490 00:21:19,119 --> 00:21:21,520 Speaker 1: Atlanta on Monday. I think you have to hear about this. 491 00:21:21,600 --> 00:21:25,119 Speaker 4: So it's just like I said, it's just highlighting things 492 00:21:25,119 --> 00:21:27,240 Speaker 4: that happened in the South that we haven't we haven't 493 00:21:27,280 --> 00:21:28,240 Speaker 4: had an opportunity. 494 00:21:28,320 --> 00:21:31,400 Speaker 5: So what helped elevate the Atlanta music scene more freaknik 495 00:21:31,480 --> 00:21:32,200 Speaker 5: in Magic City? 496 00:21:32,960 --> 00:21:33,480 Speaker 1: Freaknik? 497 00:21:33,880 --> 00:21:34,200 Speaker 2: Really? 498 00:21:34,320 --> 00:21:34,520 Speaker 1: Yeah? 499 00:21:34,640 --> 00:21:37,520 Speaker 5: Okay, because you always hear about records breaking in Magic City? 500 00:21:37,760 --> 00:21:40,000 Speaker 4: Yeah, I mean, well, I think and that was after 501 00:21:40,040 --> 00:21:42,400 Speaker 4: the fact that by the way, that's me saying that. 502 00:21:42,400 --> 00:21:45,000 Speaker 4: That was that was something that I talked about. And 503 00:21:45,520 --> 00:21:47,159 Speaker 4: once again, like I said, you got to remember, I 504 00:21:47,240 --> 00:21:52,160 Speaker 4: wasn't in the clubs in eighty eighty two, eighty three, 505 00:21:52,200 --> 00:21:54,520 Speaker 4: eighty four. I couldn't get in no clubs. So I 506 00:21:54,680 --> 00:21:58,880 Speaker 4: wasn't even making music in eighty four. But so even 507 00:21:58,920 --> 00:22:00,919 Speaker 4: in ninety two when Chris came out. I still I 508 00:22:00,960 --> 00:22:03,680 Speaker 4: was only nineteen. I still couldn't even get into Magic City. 509 00:22:04,000 --> 00:22:08,040 Speaker 4: So that that period where I felt like the strip 510 00:22:08,040 --> 00:22:13,000 Speaker 4: club became the mixtape was a later nineties activity. Before that, 511 00:22:13,800 --> 00:22:15,680 Speaker 4: Freak Nick was running the show. 512 00:22:16,160 --> 00:22:18,320 Speaker 6: Damn, I saw you. I think it was with Gail 513 00:22:18,440 --> 00:22:19,959 Speaker 6: King and Carrie Champion and all them. 514 00:22:20,000 --> 00:22:22,359 Speaker 5: You were talking about how if you if a woman 515 00:22:22,400 --> 00:22:24,800 Speaker 5: couldn't understand you being in the script club, she wasn't 516 00:22:24,840 --> 00:22:28,520 Speaker 5: the woman for you. Yeah, so that was a deal 517 00:22:28,560 --> 00:22:29,320 Speaker 5: break off the time. 518 00:22:30,440 --> 00:22:34,119 Speaker 4: Yeah, because I'm saying, like, I'm gonna use you just 519 00:22:34,119 --> 00:22:37,199 Speaker 4: as an example. If me and Jess was talking and 520 00:22:37,280 --> 00:22:40,840 Speaker 4: she came to Atlanta and I said we're going to 521 00:22:40,840 --> 00:22:42,840 Speaker 4: Magic City tonight, and she was like, well, you know, 522 00:22:43,240 --> 00:22:48,280 Speaker 4: I don't really fuck with no strip clubs. At that point, 523 00:22:48,400 --> 00:22:51,480 Speaker 4: you you have broke our synergy. You flew to Atlanta 524 00:22:51,520 --> 00:22:54,479 Speaker 4: to stay at my house while I go party with 525 00:22:54,480 --> 00:22:59,240 Speaker 4: my homeboys. Now when you went, But I'm saying, but 526 00:22:59,280 --> 00:23:02,800 Speaker 4: when I go to the strip club as a woman, 527 00:23:02,880 --> 00:23:04,600 Speaker 4: her mind's gonna start doing this. 528 00:23:05,040 --> 00:23:05,200 Speaker 2: Right. 529 00:23:05,240 --> 00:23:07,240 Speaker 4: I asked you to come with me so that your 530 00:23:07,320 --> 00:23:09,600 Speaker 4: mind wouldn't do that. But you want to stay at 531 00:23:09,600 --> 00:23:13,720 Speaker 4: home and wait till I get back, and then come back, 532 00:23:14,280 --> 00:23:16,040 Speaker 4: possibly smelling like a strip club. 533 00:23:17,000 --> 00:23:18,600 Speaker 6: The questions. 534 00:23:19,840 --> 00:23:22,600 Speaker 1: Then were gonna have a beef? You fucked it up 535 00:23:22,680 --> 00:23:25,840 Speaker 1: from the jump? Oh, I fuck it up by allowing 536 00:23:25,840 --> 00:23:27,439 Speaker 1: you to just stay at home. I should have just 537 00:23:27,480 --> 00:23:28,000 Speaker 1: made you come. 538 00:23:28,040 --> 00:23:30,960 Speaker 4: So I'm just saying, ultimately, if this is part of 539 00:23:31,000 --> 00:23:33,600 Speaker 4: your life, this is part of my life. So if 540 00:23:33,640 --> 00:23:36,680 Speaker 4: you're gonna fuck with me, you gotta know that that's happening. 541 00:23:36,720 --> 00:23:41,199 Speaker 4: That's gonna happen, right. It's interesting. When I was dating Janet, 542 00:23:41,480 --> 00:23:46,959 Speaker 4: I try to not take her. I was, but I 543 00:23:47,040 --> 00:23:50,040 Speaker 4: fought it for the longest. I wasn't in the space 544 00:23:50,200 --> 00:23:52,399 Speaker 4: mindset that I'm in right now. Because I didn't. I 545 00:23:52,560 --> 00:23:55,840 Speaker 4: wasn't paying attention to it. Like the way I'm telling you. 546 00:23:56,400 --> 00:23:58,320 Speaker 4: I was thinking like, oh, if I take her in, 547 00:23:58,320 --> 00:23:59,639 Speaker 4: and when of them girls gonna tap me on my 548 00:23:59,680 --> 00:24:01,560 Speaker 4: shoulder that I haven't been with and she gonna know, 549 00:24:01,600 --> 00:24:05,600 Speaker 4: And then I was thinking about all the bullshit. Yeah, nah, 550 00:24:05,880 --> 00:24:08,199 Speaker 4: if this is what you do, what you did in 551 00:24:08,240 --> 00:24:10,840 Speaker 4: your past is your past. I'm with you now. Let 552 00:24:10,920 --> 00:24:12,560 Speaker 4: me see what's happening. Why you want to go there 553 00:24:12,600 --> 00:24:16,600 Speaker 4: every Monday. That's what her question was, Fuck it, let's go. 554 00:24:16,880 --> 00:24:18,639 Speaker 6: Did she understand after she went why you wanted to 555 00:24:18,640 --> 00:24:19,400 Speaker 6: be there every Monday? 556 00:24:19,720 --> 00:24:20,359 Speaker 1: Yeah? Of course. 557 00:24:21,200 --> 00:24:23,000 Speaker 2: Now when does JD get to tell his story? 558 00:24:23,080 --> 00:24:23,199 Speaker 1: Right? 559 00:24:23,200 --> 00:24:26,440 Speaker 3: Because there's so many, so many, I would say, people 560 00:24:26,480 --> 00:24:28,840 Speaker 3: in the industry that are successful from the JD tree, Right, 561 00:24:28,880 --> 00:24:31,399 Speaker 3: we can go back from of course Little John and 562 00:24:31,400 --> 00:24:33,879 Speaker 3: school to Braun and we can go to you know, 563 00:24:34,119 --> 00:24:36,359 Speaker 3: across Usher and the stuff you did with Mariah. You 564 00:24:36,400 --> 00:24:40,480 Speaker 3: can go to myself and Neil who manages Rice and Tyler. 565 00:24:41,000 --> 00:24:43,399 Speaker 3: A lot of people don't know that story. So when 566 00:24:43,440 --> 00:24:45,800 Speaker 3: does JD create that story and goes through it so 567 00:24:45,840 --> 00:24:48,560 Speaker 3: people can understand what you've did, what you produced, the 568 00:24:48,640 --> 00:24:52,240 Speaker 3: artists you've broken, the executives and talent that you created. 569 00:24:52,359 --> 00:24:55,119 Speaker 4: I mean, I think the freak nick Dot helps that 570 00:24:55,359 --> 00:24:58,280 Speaker 4: get helps me get into that space because you know, 571 00:25:00,080 --> 00:25:02,840 Speaker 4: for the longest, the South has been ignored. It's just 572 00:25:02,960 --> 00:25:05,960 Speaker 4: what it is, and I'm part of I'm part of 573 00:25:06,000 --> 00:25:10,200 Speaker 4: that cloth that's been ignored. You gotta think at nineteen 574 00:25:11,119 --> 00:25:14,120 Speaker 4: I put out my first group that everybody knows, and 575 00:25:16,040 --> 00:25:18,919 Speaker 4: I wrote and produced every line in every beat in 576 00:25:19,760 --> 00:25:23,200 Speaker 4: the music. At nineteen, if a person and they first 577 00:25:23,240 --> 00:25:26,240 Speaker 4: single was a number one, top one hundred. 578 00:25:26,000 --> 00:25:28,399 Speaker 1: Single, right, Kris Krust. 579 00:25:29,880 --> 00:25:35,000 Speaker 4: If that was sports like football and basketball, they'd call 580 00:25:35,080 --> 00:25:37,879 Speaker 4: me a freaking nature right. But the fact that it 581 00:25:37,920 --> 00:25:40,800 Speaker 4: was the South, they treated us like we weren't even 582 00:25:40,880 --> 00:25:44,320 Speaker 4: hip hop, like, oh, that's. 583 00:25:43,400 --> 00:25:46,160 Speaker 1: Some gimmick shit, like that ain't real hip hop. 584 00:25:46,600 --> 00:25:50,000 Speaker 4: So then it made people ignore the fact that I'm 585 00:25:50,040 --> 00:25:53,560 Speaker 4: the person who ushered in young people rapping. If it 586 00:25:53,640 --> 00:25:56,719 Speaker 4: wasn't for them, you, as a young person, you wouldn't 587 00:25:56,720 --> 00:25:58,159 Speaker 4: even know that it was possible that you could have 588 00:25:58,240 --> 00:25:58,639 Speaker 4: a record. 589 00:25:58,640 --> 00:25:58,800 Speaker 2: There. 590 00:25:59,160 --> 00:26:01,520 Speaker 4: Who else has come out out since Bow Wow that 591 00:26:01,680 --> 00:26:03,800 Speaker 4: you know, bow was the only other person that did it, 592 00:26:04,200 --> 00:26:07,119 Speaker 4: and I put him out. So I'm just saying it's 593 00:26:07,240 --> 00:26:10,919 Speaker 4: the stories have been ignored, so somebody, you know, at 594 00:26:11,000 --> 00:26:13,680 Speaker 4: least we get one story, and we got two stories 595 00:26:15,040 --> 00:26:17,840 Speaker 4: hopefully that you know from that, it'll it'll it'll get 596 00:26:17,840 --> 00:26:19,359 Speaker 4: into that space so you can actually see it and 597 00:26:19,400 --> 00:26:22,439 Speaker 4: then people won't have this misconception about what they have 598 00:26:22,560 --> 00:26:22,960 Speaker 4: about me. 599 00:26:23,080 --> 00:26:25,080 Speaker 5: Michael michael By said, you got the whole backwards thing 600 00:26:25,119 --> 00:26:30,600 Speaker 5: from from him, the whole backwards clothes actually he said, 601 00:26:31,040 --> 00:26:32,399 Speaker 5: he said. 602 00:26:32,800 --> 00:26:35,000 Speaker 1: I didn't get it from him. 603 00:26:35,280 --> 00:26:38,200 Speaker 4: But BBD was in a space where they was doing 604 00:26:38,280 --> 00:26:41,520 Speaker 4: things right, and they were they I think they had 605 00:26:41,520 --> 00:26:45,520 Speaker 4: their pants inside out. That's what because I say that 606 00:26:45,520 --> 00:26:49,040 Speaker 4: in the song because inside out ABC was wearing they 607 00:26:49,040 --> 00:26:53,800 Speaker 4: clothes inside out. So the day that I told Chris 608 00:26:53,840 --> 00:26:56,399 Speaker 4: to put his jump on backwards, that's what I was 609 00:26:56,440 --> 00:26:58,800 Speaker 4: thinking about. I'm like, they got they clothes on inside out. 610 00:26:59,480 --> 00:27:03,480 Speaker 4: Maybe you should turn yours around. I never saw BBD 611 00:27:03,600 --> 00:27:05,399 Speaker 4: do it, and I and I and I spoke to 612 00:27:05,440 --> 00:27:09,160 Speaker 4: Mike because he got on his cover of his I think, 613 00:27:09,200 --> 00:27:12,080 Speaker 4: do me baby, he got a dB a bb D 614 00:27:12,280 --> 00:27:16,560 Speaker 4: jacket on that I thought was a leather pullover and 615 00:27:16,600 --> 00:27:18,480 Speaker 4: he's like, nah, I have my jacket on back. So 616 00:27:18,520 --> 00:27:20,119 Speaker 4: we had a conversation about it. But I didn't I 617 00:27:20,160 --> 00:27:21,520 Speaker 4: didn't actually know. We never had. 618 00:27:21,840 --> 00:27:23,760 Speaker 1: I never knew that that's what was happening. 619 00:27:23,920 --> 00:27:25,600 Speaker 5: And you know, when people talk about you too, JD, 620 00:27:25,680 --> 00:27:27,960 Speaker 5: they got to talk about the fact that Mace thanks 621 00:27:28,000 --> 00:27:29,800 Speaker 5: you for being the first person to pay him is worth. 622 00:27:30,200 --> 00:27:33,679 Speaker 5: You introduced Biggie, you know, to a land in a 623 00:27:33,680 --> 00:27:35,719 Speaker 5: lot of ways, and so who so who knows how 624 00:27:35,760 --> 00:27:38,480 Speaker 5: that inspired him and j Z with with money anything 625 00:27:38,960 --> 00:27:40,520 Speaker 5: was it was an introduction to the South in a 626 00:27:40,560 --> 00:27:41,080 Speaker 5: lot of ways. 627 00:27:41,119 --> 00:27:42,320 Speaker 6: So you got to get credit for that too. 628 00:27:42,600 --> 00:27:44,520 Speaker 4: Yeah, I mean, but that's what I'm saying. It's like, 629 00:27:44,520 --> 00:27:47,440 Speaker 4: like I said, it's been ignored. I mean, that's all. 630 00:27:47,560 --> 00:27:49,199 Speaker 4: That's all you could do. Like I said, if you was, 631 00:27:49,760 --> 00:27:53,680 Speaker 4: if if I was in New York, I'd be the king. 632 00:27:55,520 --> 00:27:58,080 Speaker 4: It's no, it's no way. I mean, even like today, 633 00:27:58,359 --> 00:28:00,800 Speaker 4: you don't know a person y'all. Don't have a person 634 00:28:00,840 --> 00:28:03,800 Speaker 4: that can come up here this year that had his 635 00:28:03,920 --> 00:28:06,119 Speaker 4: first number one record in nineteen ninety two and got 636 00:28:06,160 --> 00:28:08,560 Speaker 4: a record that's number one today. You'll never you won't 637 00:28:08,560 --> 00:28:11,080 Speaker 4: see nobody else come up here to this station this year. 638 00:28:11,280 --> 00:28:11,680 Speaker 2: Damn. 639 00:28:12,800 --> 00:28:15,800 Speaker 6: Yeah, that's actually true. 640 00:28:15,840 --> 00:28:17,640 Speaker 1: You won't know, not this year. 641 00:28:17,720 --> 00:28:19,920 Speaker 4: I mean I don't even probably wan't to have next 642 00:28:19,960 --> 00:28:22,679 Speaker 4: year either. But I'm saying no, my first number one 643 00:28:22,720 --> 00:28:25,359 Speaker 4: record was in nineteen ninety two. I have the number 644 00:28:25,400 --> 00:28:27,199 Speaker 4: one R and B record in the country today. 645 00:28:27,720 --> 00:28:29,520 Speaker 5: Do you think it's the media, because even when you 646 00:28:29,560 --> 00:28:33,520 Speaker 5: look at it, you were born in Atlanta's run has 647 00:28:33,560 --> 00:28:34,920 Speaker 5: been longer than everybody too. 648 00:28:35,440 --> 00:28:38,240 Speaker 4: My run has been longer than everybody. That's that's what 649 00:28:38,240 --> 00:28:40,160 Speaker 4: I'm saying. That's I think that's another thing, like when 650 00:28:40,160 --> 00:28:43,880 Speaker 4: people say Atlanta's run, Yeah, Atlanta's run, but my run 651 00:28:45,160 --> 00:28:46,000 Speaker 4: I don't, and I don't. I'm not. 652 00:28:46,120 --> 00:28:46,440 Speaker 1: I don't. 653 00:28:46,480 --> 00:28:48,040 Speaker 4: I mean, I'm a cocky person, but I don't be 654 00:28:48,080 --> 00:28:50,600 Speaker 4: one to just like, hey, you know what I mean. 655 00:28:50,640 --> 00:28:54,360 Speaker 4: I represent the city, so I let the whole city 656 00:28:54,400 --> 00:28:56,160 Speaker 4: get the splash for it. 657 00:28:56,200 --> 00:28:59,280 Speaker 1: But my run has been longer than anybody. 658 00:28:59,680 --> 00:29:01,520 Speaker 6: If you don't tell your story, JD, nobody else is. 659 00:29:01,560 --> 00:29:02,960 Speaker 1: No. I'm gonna tell it. You believe me. 660 00:29:03,000 --> 00:29:06,480 Speaker 4: That's why it's important that you watch Freak Nick on Thursday. 661 00:29:07,160 --> 00:29:10,080 Speaker 4: Y'all run them streams up at Hulu, so that Hulu 662 00:29:10,080 --> 00:29:11,880 Speaker 4: calls me and says, hey, we need your story. 663 00:29:12,120 --> 00:29:12,640 Speaker 1: You know what I mean. 664 00:29:13,480 --> 00:29:15,800 Speaker 2: Social Deft too write how you relaunch your social death. 665 00:29:15,920 --> 00:29:16,080 Speaker 1: Yeah. 666 00:29:16,080 --> 00:29:17,760 Speaker 3: As far as label for artists you have or you're 667 00:29:17,760 --> 00:29:19,280 Speaker 3: looking for artists, I know you got to go, but 668 00:29:19,360 --> 00:29:20,240 Speaker 3: are you looking for artists? 669 00:29:20,280 --> 00:29:21,840 Speaker 2: And are you putting the sign back up in Atlanta? 670 00:29:21,880 --> 00:29:24,040 Speaker 1: And that says, oh, yeah, I'm putting a sign back up. 671 00:29:24,680 --> 00:29:26,440 Speaker 4: I'm going if I'm supposed to say this, but anyway 672 00:29:26,800 --> 00:29:29,760 Speaker 4: I can say, I'm gonna say it anyway. You know, 673 00:29:29,960 --> 00:29:33,120 Speaker 4: BMF comes to Atlanta or they're in Atlanta right now. 674 00:29:33,720 --> 00:29:38,160 Speaker 4: And you'll see in the BMF series that the sign 675 00:29:38,200 --> 00:29:41,080 Speaker 4: goes back up. And at that point when that happened, 676 00:29:41,760 --> 00:29:44,440 Speaker 4: I was like, Okay, you know, as many niggas watch this, 677 00:29:44,520 --> 00:29:46,320 Speaker 4: I'm I'm gonna have to put this sign back up 678 00:29:46,320 --> 00:29:47,800 Speaker 4: because you know what I mean. So now we're gonna 679 00:29:47,800 --> 00:29:51,040 Speaker 4: put it back up on an artist tip. I'm looking 680 00:29:51,040 --> 00:29:53,440 Speaker 4: for new artists. It's just my you know's, That's what 681 00:29:53,480 --> 00:29:56,080 Speaker 4: I wanted. I wanted a space for me to continue 682 00:29:56,080 --> 00:29:59,560 Speaker 4: to keep putting out new artists. I love putting out 683 00:29:59,560 --> 00:30:01,960 Speaker 4: new artists. I'm not scared to put out new artists, 684 00:30:02,040 --> 00:30:04,280 Speaker 4: and I don't think nobody else could do it better 685 00:30:04,280 --> 00:30:04,520 Speaker 4: than me. 686 00:30:05,360 --> 00:30:07,080 Speaker 6: When you paid Mace what he was worth, did you 687 00:30:07,120 --> 00:30:08,440 Speaker 6: do that just the upstated. 688 00:30:08,240 --> 00:30:10,960 Speaker 1: He No, I don't you know. When I pay people, 689 00:30:10,960 --> 00:30:11,400 Speaker 1: I don't know. 690 00:30:11,520 --> 00:30:14,160 Speaker 4: I don't know that I'm paying them more than you know. 691 00:30:14,800 --> 00:30:17,080 Speaker 4: I don't I don't know that that's you know. I 692 00:30:17,080 --> 00:30:22,200 Speaker 4: don't have that conversation. I I just go after what 693 00:30:22,280 --> 00:30:24,880 Speaker 4: I want, like if you so, if I wanted, you know, 694 00:30:25,080 --> 00:30:27,000 Speaker 4: when I signed, Harlem wore I wanted to make the 695 00:30:27,040 --> 00:30:30,640 Speaker 4: deal because Mace kept telling everybody in every interview that 696 00:30:30,680 --> 00:30:34,120 Speaker 4: he did that he came to Atlanta to meet with me, right, 697 00:30:34,400 --> 00:30:36,880 Speaker 4: So I actually felt like I fucked up, Right, So 698 00:30:36,920 --> 00:30:38,920 Speaker 4: I felt like, damn, I fucked up and I missed 699 00:30:38,960 --> 00:30:42,800 Speaker 4: this nigga Mason. He out here killing it. So I'm like, 700 00:30:42,840 --> 00:30:44,840 Speaker 4: you know what, let's make this deal. And he told 701 00:30:44,880 --> 00:30:47,360 Speaker 4: me what he wanted to do, and I didn't think 702 00:30:47,400 --> 00:30:49,440 Speaker 4: about it twice. I just was like, let's do the deal. 703 00:30:50,200 --> 00:30:52,360 Speaker 4: I ain't know I was giving him more money than 704 00:30:52,400 --> 00:30:54,040 Speaker 4: he was. You know, I never knew that. 705 00:30:55,040 --> 00:30:58,280 Speaker 2: They have it. Ladies and gentlemen, you main't freak Nick 706 00:30:58,360 --> 00:30:59,800 Speaker 2: this Thursday and appreciate you. 707 00:30:59,760 --> 00:31:01,440 Speaker 1: Brough Congratulations money Long. 708 00:31:01,520 --> 00:31:05,040 Speaker 4: Let me say this, she might be watching Congratulations Money Long. 709 00:31:05,360 --> 00:31:09,880 Speaker 4: Number one record. It's an R and B song, no rap, 710 00:31:10,720 --> 00:31:12,520 Speaker 4: number one urban record in the country. 711 00:31:13,400 --> 00:31:16,000 Speaker 2: It's Jumaine dupre Yeah, it's the Breakfast Club. Good morning, 712 00:31:16,320 --> 00:31:16,800 Speaker 2: Wake that. 713 00:31:16,840 --> 00:31:19,560 Speaker 1: Ass up in the morning. Breakfast Club.