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Speaker 1: Good morning in the USA.

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Speaker 2: Yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo yo

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Speaker 2: yo yo yo yo yo yo yo yo yo.

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Speaker 1: Yo yo yo Charlemagne, Peas to the planet is Friday. Yes,

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Speaker 1: so we got our guest hosts, our special guest hosts

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Speaker 1: back with us.

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Speaker 3: Roxy Romeo, welcome back.

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Speaker 4: Yeah, good morning.

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Speaker 5: Thank you for getting her name right this man, I'm

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Speaker 5: glad it took you a whole day to get it right,

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Speaker 5: but thank you.

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Speaker 1: I got it after the first five man, Thank you

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Speaker 1: very much. I'm sure she appreciates that.

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Speaker 2: Good morning, Roxy, Good morning, Charlmagne. How are you feeling.

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Speaker 4: I'm good. It's Friday, Definitely Friday.

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Speaker 5: It's definitely the weekend. Man, it feels good to be here.

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Speaker 5: I don't know what we're doing this weekend. Probably my

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Speaker 5: favorite thing to do. Nothing that's straight you already you

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Speaker 5: know now that I just thought about it, I was like,

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Speaker 5: I have let me do this weekend.

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Speaker 2: Last we're gonna have to go to Dallas and had

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Speaker 2: to go to Vegas.

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Speaker 5: I do have my book bag drive this Saturday in

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Speaker 5: Monks Corner, South Carolina at Berkeley High School, my annual

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Speaker 5: But you.

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Speaker 4: Definitely have something to do this weekend.

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Speaker 2: Well, it's this book back drive. It's my book back drives.

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Speaker 2: That's right.

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Speaker 1: He didn say he was gone. That don't mean I

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Speaker 1: won't be there, but he's just saying it's his book

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Speaker 1: back drive.

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Speaker 2: That's right, Lannel.

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Speaker 5: You know, we give away school supplies and book bags

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Speaker 5: and free haadcuts and it's a fish fry and it's

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Speaker 5: going on from a twelve to three tomorrow at Berkeley

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Speaker 5: High School and monks going to South Carolina.

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Speaker 3: That's right.

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Speaker 1: And we gotta say happy birthday to hip hop. It's

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Speaker 1: the fiftieth anniversary to Wow. August eleventh, nineteen seventy three

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Speaker 1: was the day that we believe hip hop was created.

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Speaker 5: Dropping the clues bombs for hip hop, we would not

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Speaker 5: be here right now, that's right.

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Speaker 2: Well, we might be. It could be R and B.

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Speaker 5: It could be an R and B station. Yes, it

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Speaker 5: could be jazz, you know what I mean. Disco might

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Speaker 5: still be a thing maybe if hip hop never came around.

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Speaker 1: I don't know.

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Speaker 4: I don't know about that.

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Speaker 2: Yeah, I don't know.

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Speaker 5: Because hip hop wasn't just a musical genre. It's something

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Speaker 5: that shaped the whole culture.

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Speaker 2: It's the way we dressed.

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Speaker 5: It's the way we we talk, you know what I mean,

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Speaker 5: It's even the things we consume as far as like

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Speaker 5: eating and.

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Speaker 2: Drinking and everything.

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Speaker 1: It's not life. It's hip hop is life. It's everything

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Speaker 1: that we've embodied. So shout to salute to DJ cool Herk.

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Speaker 1: If you don't know how hip hop was created, we'll

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Speaker 1: break it down a little bit. In the room is

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Speaker 1: and I think it's you got it Up, You got

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Speaker 1: it Up. I wanted to hear Shiit Ones this morning.

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Speaker 1: That's one of my favorite hip hop records. Classic. What's

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Speaker 1: your favorite hip hop record?

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Speaker 3: Sall?

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Speaker 5: Why be asking me these stupid as in the morning.

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Speaker 5: That's such a broad question.

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Speaker 1: It's hip what's your favorite record?

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Speaker 5: I don't know if I have a favorite hip hop record?

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Speaker 5: I don't know if I could narrow it down to

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Speaker 5: just one record, Which one record do you like? You

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Speaker 5: probably like Luke I want to rock? Come on now,

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Speaker 5: I'm talking about language now. I mean that is that

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Speaker 5: is one. That is one.

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Speaker 3: What about you rock?

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Speaker 6: Man?

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Speaker 4: I mean this is the same thing. There's a few.

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Speaker 4: I mean, I love the method of Mary J.

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Speaker 1: Lauren Hill wedding.

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Speaker 2: Wedding song Me and my wife wedding song. That's what

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Speaker 2: we dance to.

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Speaker 1: Yeah, I like I like hik Ones. Shick Ones is

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Speaker 1: always one of my favorite hip hop records. Of course,

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Speaker 1: Juicy this is just a great.

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Speaker 2: Meaning and that makes you think of me.

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Speaker 1: No, no, no, why.

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Speaker 2: If that's so called juicy because the sample is juicy fruit.

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Speaker 3: Okay, all right now today Yo Gotti will be joining us.

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Speaker 5: Dropping the clues bonds for Yo Gotti, him and one

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Speaker 5: of his new producers, Young D.

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Speaker 2: Yeah, Young D. Young D did the new.

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Speaker 5: Well did a lot of He executive produced the new

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Speaker 5: project that Yo Gotti has out right now against the

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Speaker 5: Girls with DJ Drama called Up.

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Speaker 2: I showed you, I showed you.

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Speaker 3: So he's produced a lot for money Bag Yo, He's

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Speaker 3: he did the joint well.

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Speaker 1: For two Dug and Uh Future.

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Speaker 2: Uh.

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Speaker 1: So he's done a lot of joints. So I mean thinking,

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Speaker 1: what is my favorite hip hop record?

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Speaker 6: I don't know.

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Speaker 5: That's such a broad question. He ain't hip hop. This

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Speaker 5: is one of my favorite record of hip hop. It's

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Speaker 5: married J Blige, be happy, this is just.

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Speaker 1: Barry is hip hop?

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Speaker 2: Andre Herald coined her the Queen of hip hop.

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Speaker 4: So yes, exactly, it's the joint with Math.

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Speaker 1: Let's do the joint with Math. You're you're all I need.

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Speaker 1: Let's see if we can find out Right now.

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Speaker 2: I feel like y'all should go older being at this

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Speaker 2: to you know, birthday popping hip pop is fifty.

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Speaker 1: That's what I felt.

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Speaker 2: But you know.

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Speaker 4: Out there what you got, This is what I do.

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Speaker 3: This is this the one Roxy pick me and my wife.

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Speaker 2: This is me and my wife wedding.

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Speaker 1: So all morning long, I'm gonna be blamed doing little mixes.

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Speaker 1: So I'm gonna be getting the sugar Hill Gangs on

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Speaker 1: the run, DMCs, the outcast, the n w a's, and

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Speaker 1: we'll be getting.

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Speaker 5: Everybody taking cholesterol medication once a day like I have.

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Speaker 5: I know all of those people you just named taking

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Speaker 5: the letter colecterol medication just like me.

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Speaker 1: Baby, Happy birthday Pop. Front page News is next at

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Speaker 1: the breakfast club. Good morning, let's go all that romance

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Speaker 1: crap morning. Everybody is dj n V charlamagnea gud. We

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Speaker 1: are the breakfast Club. Now let's get in some front

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Speaker 1: page news. We got our special guest host, Roxy Romeo,

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Speaker 1: and then we got Tesla Figero go on to test.

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Speaker 4: Good morning, DJ Envy, Good morning, Roxy.

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Speaker 7: Good morning, God, whisper tesling figure.

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Speaker 1: Let's let's jump right into it. Joe Manshion, what's going on?

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Speaker 6: Yeah, no, oh man.

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Speaker 8: Senator Joe Manchin said Thursday he is thinking seriously about

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Speaker 8: dropping his affiliation with the Democrat Party and becoming an independent.

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Speaker 4: Exactly.

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Speaker 8: I want to know who took him serious as a

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Speaker 8: serious Democrat. Let's listen to what he had to say

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Speaker 8: and we'll talk about on the other side.

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Speaker 7: You've said many times that you're not like the Democrats

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Speaker 7: today or the National Democratic Party, You're not like the

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Speaker 7: National Republican Party.

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Speaker 2: Why not just say, you know what, I'm going to

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Speaker 2: be an independent.

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Speaker 9: You thought about that absolutely? Absolutely?

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Speaker 2: Are you going to do it?

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Speaker 9: Because well, I'm thinking, seriously, what's the best of it

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Speaker 9: for me? I have to have peace of mind. Basically,

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Speaker 9: the brand has become so bad, the D brand and

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Speaker 9: our brand in West virginia's the D brand because it's

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Speaker 9: nationally brand. It's not the Democrats in West Virginia. It's

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Speaker 9: the Democrats in Washington or the Washington policies of the Democrats.

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Speaker 9: You've heard me say a million times I'm not a

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Speaker 9: Washington Democrat.

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Speaker 5: This might come to the shock tho all of y'all.

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Speaker 5: But Joe Manchin been left a Democratic partner. Okay, absolutely,

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Speaker 5: that's a relationship with Physically he was dead, but he'd

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Speaker 5: been mentally all right, Absolutely, that man been a Dino

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Speaker 5: a Democratic name only and Tez. You know we've been

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Speaker 5: telling the Democratic Party to call that fool out forever and.

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Speaker 8: That's exactly you know, I was gonna definitely good get

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Speaker 8: on my soap box a minuted about that.

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Speaker 10: Uh.

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Speaker 8: You know, when you ask the necessary tough questions, you know,

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Speaker 8: everybody got upset. You know, Oh I can't believe as

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Speaker 8: Oh yes, honey, he told you. But then now who's

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Speaker 8: telling you now at the end of the day, Joe

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Speaker 8: Manchin has set here and pimp.

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Speaker 4: Then let's just be clear about a pimp.

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Speaker 8: The Democrat Party ran interference on multiple uh policy they

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Speaker 8: were trying to push, like the Inflation Reduction Act, the

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Speaker 8: Biden's Environmental Protection Agency got involved in that, got involved

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Speaker 8: with the infrastructure bill.

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Speaker 4: Just set there and caused all type of chaos.

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Speaker 8: Nobody called him out, didn't want to say what it was.

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Speaker 8: And now he's leaving you and possibly running for the

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Speaker 8: Democrat of running for a president to once again, uh

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Speaker 8: take votes away from the Democrat Party. So I really

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Speaker 8: want to know you know what Democrats have said about

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Speaker 8: this Charlemagne, because they had it all figured out and

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Speaker 8: now he has left you in the wet spot.

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Speaker 5: Remember when I had the Vice president, uh you know,

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Speaker 5: Kamla Haas on my late night talk show and I

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Speaker 5: was pushing there on getting Joe Mansion on the same page,

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Speaker 5: and everybody got upset with me.

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Speaker 2: I did something wrong?

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Speaker 8: Sure did Lord?

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Speaker 2: Sure did?

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Speaker 1: They got upset?

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Speaker 8: And oh he told you say yes, honey yas.

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Speaker 1: So where are yet yet?

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Speaker 6: Where's the yes Comen team?

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Speaker 11: Yeah?

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Speaker 6: That team?

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Speaker 2: Yeah, Democratic Party team? Yes? What is all right?

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Speaker 1: Well that is Front Page News says We'll see in

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Speaker 1: a couple of minutes. Everybody else. Let's open up the

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Speaker 1: phone lines. Get it off your chest. Eight hundred five

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Speaker 1: eight five one o five one. If you need to

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Speaker 1: vent phone lines wide open again. Eight hundred five eight five.

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Speaker 3: One oh five to one.

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Speaker 1: It's the Breakfast Club.

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Speaker 3: Good morning, the Breakfast Club.

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Speaker 2: Ray right, Ray yo, Charlotte mack yafy.

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Speaker 11: What up are we lying?

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Speaker 1: This is your time to get it off your chest.

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Speaker 11: I got an indoor pool.

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Speaker 1: We want to hear from you on the breakfast love.

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Speaker 11: Get on the phone right now.

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Speaker 12: He'll tell you what it is.

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Speaker 1: Hello, who's this?

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Speaker 13: What's vy?

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Speaker 1: What's up?

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Speaker 13: I know my name is trying to do on the

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Speaker 13: one and only. I just want to get on chest,

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Speaker 13: say what great your job? They're doing that? One of

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Speaker 13: five point one on Rockster Romeo, any Charlot man guard

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Speaker 13: and everybody at one of one.

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Speaker 2: Trauma dog actually name trauma dog.

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Speaker 3: That said tron Tron Dog's this?

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Speaker 11: Leave?

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Speaker 2: What up?

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Speaker 1: Get it off your chest, bron, what's going on?

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Speaker 11: I just want to say, good.

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Speaker 1: Morning, y'all.

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Speaker 2: Well, good morning, my brother reading, good morning, good morning.

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Speaker 2: We appreciate it.

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Speaker 11: We all have a good weekend.

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Speaker 12: I'm out here and I got something for you.

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Speaker 1: Every ready that he shout out all the truck drivers

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Speaker 1: out there, man, you'd be safe out there on that road.

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Speaker 2: Yes, Robberts can't wait to call it him blow for envy.

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Speaker 1: It's not it's not like that. Rocks. You have been

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Speaker 1: on the road and a long road trip with your

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Speaker 1: family and you see the truck drivers.

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Speaker 4: You may that's whether everybody's done that.

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Speaker 3: That's right.

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Speaker 1: Trying to make it jealous every time a truck driver

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Speaker 1: comes in and does that.

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Speaker 2: I just said, like the calling and blow for you?

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Speaker 2: What's wrong?

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Speaker 3: Hello?

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Speaker 11: Who's this? What's going long?

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Speaker 3: Get off your chest?

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Speaker 13: Oh?

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Speaker 2: Listen all ryo, I don't know what happened.

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Speaker 5: Sounds like you just got a dumb sound like you

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Speaker 5: just got a duty that they put their hand over

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Speaker 5: your mouth.

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Speaker 2: What happened? Ario?

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Speaker 3: All right?

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Speaker 11: You know they can't. I can't shot here man, But anyway, listen.

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Speaker 11: Happy with your birthday the hip hop?

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Speaker 2: Yes? Absolutely, all right.

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Speaker 11: Listen Envy they coming up? You want to pull I'm

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Speaker 11: wanna pay Glloying on a six.

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Speaker 1: That's right, Virgo Nation.

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Speaker 14: Of course.

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Speaker 11: So absolutely he'll talk into us. I wish you last

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Speaker 11: year Jackson grill at Whiskeys, but I'm catching if we

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Speaker 11: come this year, we're gonna have a nice time to ball.

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Speaker 3: Yeah, we definitely come.

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Speaker 11: That's what I's about music, when you get on your

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Speaker 11: lips and do cares one. I'm gonna minded that is

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Speaker 11: the first person that introduced me to the Royal Rip Park.

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Speaker 1: I'm gonna get all that on this morning. I'm gonna

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Speaker 1: get some criminal minds on. I'm gonna get some uh

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Speaker 1: some uh chuck d public Enemy on. I'm gonna get

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Speaker 1: some sugar Hill gang on. I'm gonna get some lls,

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Speaker 1: some run I'm gonna go all over the gaming with

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Speaker 1: I'm gonna get some outcasts on, some goodie mar some

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Speaker 1: n w A, some little We're gonna go all over.

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Speaker 13: Man, try ice tea stakes in the morning, all right, brother.

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Speaker 2: I got you, get them in the morning. Police at

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Speaker 2: my dough.

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Speaker 1: Get it off your chest. Eight hundred and five eight

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Speaker 1: five one o five one. If you need to vent

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Speaker 1: hit us up now. It's the breakfast Club.

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Speaker 15: Good morning, the breakfast Club. Wait, this is your time

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Speaker 15: to get it off your chest. Eight hundred and five

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Speaker 15: five one five one. We want to hear from you

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Speaker 15: on the breakfast Club.

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Speaker 3: Hello, who's this you tell?

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Speaker 11: Andrey Charlotte Madeler god Rocks, Good morning, Good morning, what's happening?

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Speaker 13: What's happening?

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Speaker 2: Lives with Man?

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Speaker 11: Happy birthday the hip hop for the years of hip hop.

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Speaker 11: Birthday today and said, you already know what it is man,

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Speaker 11: it's hard time. Let's go check it out. I said,

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Speaker 11: let's if there's a new cat on the board. Time

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Speaker 11: to navigate and cast away all week link. Let me

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Speaker 11: demonstrate see the same movie too many times to stick

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Speaker 11: me in here?

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Speaker 12: To show the guard my style of raw swipt in

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Speaker 12: the title shot, Wat's how I feel when I bring

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Speaker 12: the heat. Watch some castle all repeat off the poppy

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Speaker 12: sheet hanything I hit, I despoil and whatever's next to

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Speaker 12: it something like a chemical mixed thing with ampartment through

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Speaker 12: and watch our mainteain with the next It's.

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Speaker 11: Off to it.

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Speaker 12: How you put a season bet and get some fresh

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Speaker 12: feet looking like the three am for more than track

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Speaker 12: me me. I'm at the fight down load see laying

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Speaker 12: steaming as a breadlan this be cast doted with Hark Bradler.

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Speaker 12: I got that Bruce lee Burn drove to set a

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Speaker 12: death bro raing on you and.

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Speaker 11: Your faculty, Now throw down. This is how it was

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Speaker 11: staring with through Town is such a concert?

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Speaker 1: Who glos absolutely not?

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Speaker 2: I got some balls.

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Speaker 1: I got some balls, Oh ge ryck with mer. Two

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Speaker 1: years ago, a friend of mine asked me to say

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Speaker 1: some MC rhymes. So I said this rhyme I'm about

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Speaker 1: to say. The rhyme was deaf, and Charlomagne's gay took

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Speaker 1: the test to become an MC and Orange Crust became

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Speaker 1: amazed at me. So Larry put me inside his Cadillac

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Speaker 1: Charlemagne got my back and he's always fat.

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Speaker 2: Oh my god, let's go.

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Speaker 5: Okay, okay, okay, okay, okay. Hip hop is fifty like cent.

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Speaker 5: We heard Kanye got a scent stink and these brown

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Speaker 5: eye winks don't blink o. The ship will sink. Cast

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Speaker 5: Away brief Club cast is gay. So hey, hey, oh.

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Speaker 3: Oh oh, g man, you have a good weekend.

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Speaker 11: Brother, y'all have a good week yeah, man, Peter bless y'all.

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Speaker 3: Roxy show you ain't got no balls.

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Speaker 4: I definitely don't know.

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Speaker 3: Get it off your chest. Eight hundred five eight five,

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Speaker 3: one oh five one. Now we got rumors on the way.

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Speaker 3: What we're talking about coming up?

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Speaker 16: Of course, we got to talk about the fact that

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Speaker 16: hip hop is fifty years old and Tyrese suing home

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Speaker 16: Depot for a million dollars.

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Speaker 5: That sounds so Tyrese tyres headline, Tyrese is suing Home

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Speaker 5: Deepo for a million dollars.

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Speaker 1: Maybe it's legit, Jesus Christ, I'd love to hit a story.

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Speaker 1: All right, we'll get to it next.

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Speaker 3: Don't move.

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Speaker 1: It's to Breakfast Club on b et the Breakfast Club.

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Speaker 3: Everybody is DJ MV Charlamagne the guy. We are the

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Speaker 3: Breakfast Club.

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Speaker 1: We got our special guest host roxy A Romeo with

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Speaker 1: us this morning, and let's get to the rumors. He

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Speaker 1: is the rumor Report.

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Speaker 2: Rocky and ihol Mafiay.

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Speaker 16: If you want to know something is like cool or

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Speaker 16: if it's hips, the only way that you're gonna know

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Speaker 16: is if somebody from the culture, the black culture.

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Speaker 1: Co signed day on the Breakfast Club.

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Speaker 16: So we are going to learn something together today because

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Speaker 16: I definitely didn't know this, and we started schooling me

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Speaker 16: earlier this morning.

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Speaker 4: Of course, you know, today is hip.

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Speaker 16: Hop's fiftieth birthday, So where did hip hop actually first start?

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Speaker 16: So fifty years ago August eleventh, nineteen seventy three, a

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Speaker 16: young lady named Cindy Campbell wanted to throw a back

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Speaker 16: to school party in her Bronx apartment recreation center. In

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Speaker 16: an attempt to save money, Cindy asked her brother to

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Speaker 16: DJ the party since he had this incredible sound system

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Speaker 16: that he was known for. Well, Cindy's brother wanted to

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Speaker 16: play music all night long so that people could dance

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Speaker 16: the entire time, so he played the breakbeats from all

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Speaker 16: the biggest records on a continuous loop on two turntables.

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Speaker 16: Cindy's brother, who DJ that party in the Bronx is

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Speaker 16: now widely known as DJ Coolherk Cool Herk, And that

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Speaker 16: was the inception of hip hop. From that point on,

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Speaker 16: that became the party culture in New York City. Seven

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Speaker 16: years later, hip hop got its first commercial hit in

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Speaker 16: nineteen eighty with rappers Delight by Sugarhill Gang and the

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Speaker 16: name hip hop came directly from the song, which I

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Speaker 16: think we have a clip.

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Speaker 3: Yeah, shout to Sylvia Robinson.

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Speaker 1: That happened actually in nineteen seventy nine, but shout to

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Speaker 1: the sugar Hill Records team and Gang out in Jersey.

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Speaker 2: I mean it, it happened in nineteen seventy nine.

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Speaker 1: Seventy nine is when that record came out.

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Speaker 2: Oh oh, okay, got You, Got You? Yeah.

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Speaker 5: It changed the course of all of our lives. You know,

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Speaker 5: we are all here because of hip hop. I'm wondering

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Speaker 5: why we just celebrating hip hop's fiftieth all right? Why

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Speaker 5: do we celebrate hip hops birthday every year?

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Speaker 6: Right?

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Speaker 3: I mean, it's one of those things.

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Speaker 1: I think hip hop is one of those genres where

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Speaker 1: it's they always say it's a young person's game, and

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Speaker 1: if you're listen to rock and roll, or you listen

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Speaker 1: to pop, or you listen to even R and B.

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Speaker 3: Or reggae, like they celebrate good music and we don't

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Speaker 3: a lot.

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Speaker 1: Of times, like we don't hear none of those records.

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Speaker 2: When they got classic rock stations.

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Speaker 1: Yeah, but even on the chassy rock stations, they still

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Speaker 1: play old records. Like if you listen to the pop stage,

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Speaker 1: they still play Yeah, they'll STI play Nirvana. At the

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Speaker 1: new pop station, they'll still play those type of records.

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Speaker 1: Even R and B and an R and B station,

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Speaker 1: they'll play new and old. But a lot of times

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Speaker 1: we don't. So but definitely salute to hip hop. If

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Speaker 1: it wasn't for a hip hop and in the creation

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Speaker 1: of it, I mean I wouldn't be here today. I

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Speaker 1: wouldn't be a DJ. I wouldn't be doing the thing

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Speaker 1: that I love. So I always salute the ogs and

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Speaker 1: the people that came before me.

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Speaker 4: So it is twenty twenty three hip hop's fiftieth birthday.

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Speaker 16: Hip Hop has become a culture shifting, worldwide influencer from

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Speaker 16: music to fashion, which Charlemagne you talked about hair and

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Speaker 16: even the.

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Speaker 4: Way we speak.

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Speaker 16: So today we salute DJ cool Hark, who is now

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Speaker 16: reportedly sixty years old and still active.

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Speaker 3: Yes, and you know what envy.

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Speaker 16: I feel like part of the reason is you would

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Speaker 16: look at a lot of like influential people in this

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Speaker 16: industry that may not necessarily be artists, Like I know,

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Speaker 16: I've definitely heard Jermaine Dupre talk about the fact that

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Speaker 16: hip hop.

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Speaker 4: Is a young man's game at LA Read. So when

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Speaker 4: you have people that are that.

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Speaker 16: Influential saying that, then you know people are gonna start

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Speaker 16: believing it.

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Speaker 1: I wouldn't say that Jermaine Dupri came up as a

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Speaker 1: dancer for Houdini, so he's he embodies everything hip hop

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Speaker 1: and he's one of the main people that have lasted

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Speaker 1: decades in this industry. So when I see all this

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Speaker 1: like LL cooj who was here this week whols, I mean,

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Speaker 1: when did Ll put out his first record eighty something?

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Speaker 2: He was sixteen.

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Speaker 5: I mean, saying hip hop is still relas game is

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Speaker 5: just a cliche thing to say, because the reality is,

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Speaker 5: if you take a step back and you look at

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Speaker 5: hip hop and its totality, it's not just a young

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Speaker 5: man's game anymore. But we just, like, like Biggie said,

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Speaker 5: whoever thought hip hop would take it this far. Nobody

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Speaker 5: probably thought hip hop would get to fifty years old

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Speaker 5: and you would still have people in their forties, late forties,

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Speaker 5: over fifty. That's still relevant and still you know, you know,

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Speaker 5: doing things in a very impactful way for our culture.

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Speaker 1: Yeah, you got Gray Master Flash that's that's still out there.

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Speaker 1: You got DJ red Alert that's still out there. You

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Speaker 1: got some of these OG's and icons from Slick Rick

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Speaker 1: to run DMC to Houdini to Jermaine Duprie. That's still

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Speaker 1: out there, still relevant, still making music, still torring, still

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Speaker 1: doing well.

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Speaker 5: So but I was thinking about the you know, the

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Speaker 5: people like the jay Z's and the nass and you

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Speaker 5: know the Doctor Dre's and the diddies who are doing

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Speaker 5: so many amazing things in the business world. Right, but

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Speaker 5: it's all rooted COOLJ. But it's all rooted in the

450
00:18:06,880 --> 00:18:08,440
Speaker 5: foundation of hip hop.

451
00:18:08,840 --> 00:18:11,520
Speaker 16: How important do you think it is for the younger

452
00:18:11,840 --> 00:18:14,280
Speaker 16: hip hop artists to know the history, because you know

453
00:18:14,480 --> 00:18:16,760
Speaker 16: that most of them don't. I'm wondering if they even

454
00:18:16,880 --> 00:18:17,960
Speaker 16: have ever heard that song.

455
00:18:18,040 --> 00:18:20,879
Speaker 5: Well, it's very important, and you know, you always have

456
00:18:21,280 --> 00:18:23,720
Speaker 5: room to learn. But what I think is more important

457
00:18:23,760 --> 00:18:25,720
Speaker 5: for these younger artists is one thing that hip hop

458
00:18:25,880 --> 00:18:28,680
Speaker 5: being fifty has shown us is in order to be

459
00:18:29,680 --> 00:18:32,679
Speaker 5: truly great, right to be considered it truly a.

460
00:18:32,760 --> 00:18:34,440
Speaker 2: Legend, you gotta have longevity.

461
00:18:34,840 --> 00:18:36,520
Speaker 5: Because you're talking with the people we just name have

462
00:18:36,600 --> 00:18:39,040
Speaker 5: been around for twenty five thirty plus years.

463
00:18:39,160 --> 00:18:40,320
Speaker 2: Yeah, so in order to.

464
00:18:40,480 --> 00:18:43,679
Speaker 5: Really be considered a great, to really be considered a legend,

465
00:18:43,840 --> 00:18:45,400
Speaker 5: you can't just be hot for a few years.

466
00:18:45,800 --> 00:18:48,760
Speaker 2: You gotta have that longevity. You gotta have a decade

467
00:18:48,800 --> 00:18:51,000
Speaker 2: a veteran to me personally.

468
00:18:51,080 --> 00:18:53,760
Speaker 3: Yeah, more than ten years, though, I think to be

469
00:18:53,880 --> 00:18:54,879
Speaker 3: that twenty.

470
00:18:55,720 --> 00:18:57,320
Speaker 2: Even get in the conversation, and then you got to

471
00:18:57,359 --> 00:18:58,159
Speaker 2: have a decade.

472
00:18:58,520 --> 00:19:00,440
Speaker 1: Like you look at Snoop, you look at mass you

473
00:19:00,480 --> 00:19:02,760
Speaker 1: look at Doctor Dre, you look at Outcast, you look

474
00:19:02,800 --> 00:19:05,199
Speaker 1: at t I. You know, those brothers have been doing

475
00:19:05,240 --> 00:19:07,320
Speaker 1: it for a long time and still relevant, still active.

476
00:19:07,400 --> 00:19:12,320
Speaker 5: So I have no problem entertaining conversations about Drake being

477
00:19:12,359 --> 00:19:14,080
Speaker 5: one of the goats, Kendrick being one of the goats,

478
00:19:14,160 --> 00:19:16,600
Speaker 5: called being one of the goats even the future, because

479
00:19:16,800 --> 00:19:18,919
Speaker 5: they got a decade in You know, if you got

480
00:19:18,960 --> 00:19:20,520
Speaker 5: a decade a veteran, you can.

481
00:19:20,400 --> 00:19:21,200
Speaker 2: Be in the conversation.

482
00:19:21,320 --> 00:19:24,000
Speaker 5: Because hip hop has shown us that you got to

483
00:19:24,200 --> 00:19:27,960
Speaker 5: have longevity in order to be considered a legend.

484
00:19:28,040 --> 00:19:30,440
Speaker 1: That's right, And all morning long, I'm gonna be doing

485
00:19:30,480 --> 00:19:33,560
Speaker 1: mixes that's representing hip hop. Whether it's Naughty by Nature

486
00:19:33,760 --> 00:19:36,960
Speaker 1: or it's Outcast, or it's t I, or it's Doctor

487
00:19:37,040 --> 00:19:42,320
Speaker 1: Dre Nwa, Run DMC, l OKUJ, sugar Hill, Gang, Kris

488
00:19:42,440 --> 00:19:44,760
Speaker 1: One Nas. I'm gonna be doing mixes all morning long.

489
00:19:44,920 --> 00:19:47,240
Speaker 1: I'm gonna be sprinkling them all in Luke Trick, Daddy

490
00:19:47,320 --> 00:19:50,040
Speaker 1: and all that. Can Can we get one on right now? Yes?

491
00:19:50,160 --> 00:19:51,360
Speaker 4: Take it to the three or five.

492
00:19:52,080 --> 00:19:53,520
Speaker 1: I mean it's hip hop man. Let's let's can we

493
00:19:53,520 --> 00:19:56,360
Speaker 1: get one of mixes on now? He's gonna gonna load

494
00:19:56,400 --> 00:19:58,440
Speaker 1: up a mix and then when we come back, Teslin

495
00:19:58,480 --> 00:20:01,000
Speaker 1: Figuro will be joining us. Got front page News, and

496
00:20:01,040 --> 00:20:04,880
Speaker 1: then Yo Gotti will be here. We good, Eddie, he said,

497
00:20:04,880 --> 00:20:09,840
Speaker 1: give me one second. You know you had fifty years

498
00:20:10,119 --> 00:20:12,800
Speaker 1: playing this, Eddie. Okay, he's got fifty years old, but

499
00:20:13,160 --> 00:20:14,959
Speaker 1: you did have some time at least had you at

500
00:20:15,040 --> 00:20:16,520
Speaker 1: least had a year, at least had a year.

501
00:20:16,800 --> 00:20:17,600
Speaker 2: You'll figure this out.

502
00:20:17,920 --> 00:20:21,040
Speaker 3: You good, We get in it. We're good, he said, two.

503
00:20:21,880 --> 00:20:22,800
Speaker 4: Wait one minute.

504
00:20:22,920 --> 00:20:26,640
Speaker 5: Second hip hop will be fifty all day. He said,

505
00:20:26,680 --> 00:20:28,600
Speaker 5: hip hop will be fifty all day. I got you

506
00:20:28,760 --> 00:20:29,800
Speaker 5: at some point today.

507
00:20:30,320 --> 00:20:30,760
Speaker 1: I got you.

508
00:20:31,200 --> 00:20:32,879
Speaker 3: Okay, all right, we'll play Top of the Hour and

509
00:20:32,880 --> 00:20:33,560
Speaker 3: then we'll get that on.

510
00:20:33,680 --> 00:20:34,240
Speaker 2: So don't move.

511
00:20:34,280 --> 00:20:36,119
Speaker 1: It's the Breakfast Club. Good morning. Then Tesla will be

512
00:20:36,200 --> 00:20:40,159
Speaker 1: joining us the Breakfast Club. Your mornings will never be

513
00:20:40,320 --> 00:20:43,240
Speaker 1: the same. Our Audible pick of the day is the

514
00:20:43,280 --> 00:20:43,920
Speaker 1: Space Within.

515
00:20:44,280 --> 00:20:47,480
Speaker 2: Jessica Chastain, Bobby Cannibal and all Star Caps are on

516
00:20:47,560 --> 00:20:50,400
Speaker 2: board for this supernatural audio thriller. Listen when you sign

517
00:20:50,480 --> 00:20:52,440
Speaker 2: up for a free trial at audible dot com. Slash

518
00:20:52,480 --> 00:20:53,080
Speaker 2: Breakfast Club.

519
00:20:53,160 --> 00:20:56,600
Speaker 1: Everybody is DJ Envy, Charlamagne to God, we are the

520
00:20:56,720 --> 00:20:57,720
Speaker 1: Breakfast Club.

521
00:20:58,160 --> 00:21:00,840
Speaker 3: We have our special guest host with us, Romeo.

522
00:21:01,000 --> 00:21:03,520
Speaker 1: She's back and let's get back into some front page news.

523
00:21:03,600 --> 00:21:07,080
Speaker 8: Hey, Test, Hey, good morning, DJ Envy, Good morning Roxy

524
00:21:07,160 --> 00:21:08,320
Speaker 8: and Charlomagne the guide.

525
00:21:09,600 --> 00:21:11,480
Speaker 1: Now let's jump right in. So let's talk about this

526
00:21:11,560 --> 00:21:14,400
Speaker 1: teenage girl with autism. What happened with this young lady.

527
00:21:14,960 --> 00:21:17,280
Speaker 8: Yeah, this was a real interesting story.

528
00:21:17,320 --> 00:21:18,200
Speaker 1: It happened in the UK.

529
00:21:18,520 --> 00:21:22,639
Speaker 8: But we have similar bills as well that protect the

530
00:21:22,760 --> 00:21:25,399
Speaker 8: LGBT community. So I thought this was really interesting to

531
00:21:25,440 --> 00:21:28,360
Speaker 8: look at. Police have been accused of heavy handedness after

532
00:21:28,400 --> 00:21:33,440
Speaker 8: an incident evolving involving West Yorkshire in Leeds of a

533
00:21:33,480 --> 00:21:36,560
Speaker 8: sixteen year old who suffered from scoliosis and autism. She

534
00:21:36,800 --> 00:21:39,679
Speaker 8: was dragged out of her home for making a comment

535
00:21:39,800 --> 00:21:43,240
Speaker 8: that the police officer looked liked her lesbian nana. So

536
00:21:43,359 --> 00:21:45,399
Speaker 8: she was dragged away, kicking and screaming. Now, let me

537
00:21:45,520 --> 00:21:47,960
Speaker 8: just kind of break down what happened. The mother said

538
00:21:48,000 --> 00:21:50,119
Speaker 8: that the officer took the comment the wrong way and

539
00:21:50,200 --> 00:21:53,560
Speaker 8: that she was not homophobic. They entered at home and

540
00:21:53,680 --> 00:21:55,920
Speaker 8: the daughter had pandic attacks and they were trying to

541
00:21:55,960 --> 00:21:58,600
Speaker 8: tell her listen, she's autistic. She didn't mean anything by

542
00:21:58,640 --> 00:22:01,280
Speaker 8: the comment, and the officer basically said, we don't care.

543
00:22:01,760 --> 00:22:04,600
Speaker 8: We're going to arrest her for homophobic offense. Now, just

544
00:22:04,720 --> 00:22:06,960
Speaker 8: backing up a little bit. They brought her home because

545
00:22:06,960 --> 00:22:09,480
Speaker 8: she was out apparently intoxicated somewhere. So when they brought

546
00:22:09,480 --> 00:22:12,480
Speaker 8: her home and she made the statement, that's when the

547
00:22:12,520 --> 00:22:14,600
Speaker 8: female officer got offended.

548
00:22:14,720 --> 00:22:15,879
Speaker 10: And it's the audio.

549
00:22:15,920 --> 00:22:19,200
Speaker 8: I have some audio here of just her explaining, you know,

550
00:22:19,280 --> 00:22:21,640
Speaker 8: with the mother trying to plead with her, saying she's autistic,

551
00:22:21,720 --> 00:22:24,480
Speaker 8: now while this you can see this video on TikTok.

552
00:22:24,880 --> 00:22:27,720
Speaker 8: While the mother is telling her listen, she's autistic. The

553
00:22:27,840 --> 00:22:30,679
Speaker 8: girl is hiding in a corner, and so she's pleading

554
00:22:30,720 --> 00:22:33,159
Speaker 8: with the officers, and you can hear the officers. They

555
00:22:33,200 --> 00:22:34,920
Speaker 8: have a very strong accent, but you can hear the

556
00:22:34,960 --> 00:22:36,880
Speaker 8: officer saying, you know, I don't care she's going to jail.

557
00:22:36,920 --> 00:22:37,600
Speaker 4: Let's take a listen.

558
00:22:41,560 --> 00:22:54,280
Speaker 1: I'm having.

559
00:22:55,960 --> 00:23:09,520
Speaker 17: Somebody, anybody say the word Let's be her number. She's

560
00:23:09,520 --> 00:23:11,440
Speaker 17: probably she's not on the phone.

561
00:23:12,960 --> 00:23:13,800
Speaker 10: Go away from my.

562
00:23:16,800 --> 00:23:18,879
Speaker 5: First of all, they start arresting people in America for

563
00:23:18,960 --> 00:23:21,120
Speaker 5: homophobic public offenses, it will be a lot of people

564
00:23:21,160 --> 00:23:23,359
Speaker 5: in jail. And police officers all over the world need

565
00:23:23,480 --> 00:23:26,680
Speaker 5: higher emotional intelligence because because your ego is so fragile

566
00:23:27,000 --> 00:23:30,040
Speaker 5: that somebody saying you look like they're lesbian, Nana cause

567
00:23:30,119 --> 00:23:32,600
Speaker 5: you causes you to react like that. I would actually

568
00:23:32,640 --> 00:23:35,040
Speaker 5: say that the police officer is the homophobic one.

569
00:23:35,400 --> 00:23:38,680
Speaker 2: If the word lesbian triggers you that much to cause

570
00:23:38,720 --> 00:23:40,480
Speaker 2: you to react like that, I would say you're the

571
00:23:40,560 --> 00:23:42,960
Speaker 2: homophobic one. Dare you call me that?

572
00:23:44,000 --> 00:23:44,840
Speaker 4: Do you know what's happened?

573
00:23:44,880 --> 00:23:49,280
Speaker 8: Since she was arrested, so right now, the family is

574
00:23:49,320 --> 00:23:51,520
Speaker 8: saying that, you know, they're trying to do what they

575
00:23:51,600 --> 00:23:54,040
Speaker 8: can to say that these officers overreacted and literally it

576
00:23:54,119 --> 00:23:57,239
Speaker 8: was seven officers guys that came and dragged this. If

577
00:23:57,280 --> 00:23:59,880
Speaker 8: you go watch it on on TikTok, it's very disturbing.

578
00:24:00,400 --> 00:24:03,160
Speaker 8: The girl is literally screaming, you know, they're kicking, pulling

579
00:24:03,200 --> 00:24:05,760
Speaker 8: her out, kicking and screaming. I just can't imagine. You know,

580
00:24:06,119 --> 00:24:08,159
Speaker 8: I'm a mother, I know you are as well, and

581
00:24:08,240 --> 00:24:11,639
Speaker 8: all of us are parents. Imagine you know your disabled child,

582
00:24:11,920 --> 00:24:15,520
Speaker 8: you know that's literally having a panic attack and they're

583
00:24:15,560 --> 00:24:17,920
Speaker 8: taking her out because she said somebody looked like a lesbian.

584
00:24:18,200 --> 00:24:21,280
Speaker 8: And I wanted to flip this, add this into the conversation.

585
00:24:21,359 --> 00:24:23,760
Speaker 8: What about the Disabilities Act? You know, what about protecting

586
00:24:23,800 --> 00:24:26,359
Speaker 8: those who have disabilities? You know, when when does that

587
00:24:26,440 --> 00:24:29,000
Speaker 8: come into play? Which one trumps the other? So I

588
00:24:29,119 --> 00:24:31,320
Speaker 8: just found this is really disturbing and just as fy

589
00:24:31,520 --> 00:24:35,680
Speaker 8: public order, a homophobic public order offense is generally something

590
00:24:35,760 --> 00:24:40,320
Speaker 8: related to actions that disrupt public peace and harmony. And again,

591
00:24:40,640 --> 00:24:43,600
Speaker 8: this was not disrupting public peace. The girl said it

592
00:24:43,760 --> 00:24:47,360
Speaker 8: in her house, but it does include verbal abuse. Harassment

593
00:24:47,440 --> 00:24:50,240
Speaker 8: threats are violence directed in individuals or groups, but again

594
00:24:50,480 --> 00:24:52,600
Speaker 8: in the public, and that's what the mother kept saying.

595
00:24:52,720 --> 00:24:55,200
Speaker 8: She said this in the home. Why are you taking

596
00:24:55,280 --> 00:24:57,600
Speaker 8: my child to jail for saying that you look like

597
00:24:57,720 --> 00:24:58,720
Speaker 8: her lesbian?

598
00:24:59,160 --> 00:25:02,800
Speaker 2: Now is not a slur, by the way that I

599
00:25:02,840 --> 00:25:03,800
Speaker 2: thought it was a real turn.

600
00:25:04,359 --> 00:25:06,640
Speaker 5: That's just a descriptive of me, because the opposite doesn't

601
00:25:06,640 --> 00:25:08,600
Speaker 5: look like somebody's lesbian there now, she actually looks like

602
00:25:08,640 --> 00:25:09,239
Speaker 5: a gay young man.

603
00:25:10,480 --> 00:25:15,440
Speaker 2: She looked like jail the picture I saw, she looked

604
00:25:15,440 --> 00:25:16,879
Speaker 2: like a gay young man. That's what she looked like

605
00:25:16,960 --> 00:25:17,080
Speaker 2: to me.

606
00:25:17,320 --> 00:25:19,240
Speaker 16: We all know that cops are not always right to

607
00:25:19,359 --> 00:25:22,520
Speaker 16: begin with. I mean, so that's number one. But I mean,

608
00:25:23,119 --> 00:25:27,720
Speaker 16: this is just absolutely horrible. They haven't apologized, has she

609
00:25:27,840 --> 00:25:30,560
Speaker 16: been released, Like are they even claiming any you know,

610
00:25:30,800 --> 00:25:31,679
Speaker 16: fault at all?

611
00:25:32,040 --> 00:25:35,240
Speaker 8: The police, I mean, the officer said that again, this

612
00:25:35,440 --> 00:25:38,280
Speaker 8: is legal, uh, you know, to make these these types

613
00:25:38,320 --> 00:25:41,280
Speaker 8: of comments. So I'll follow and see, you know what

614
00:25:41,400 --> 00:25:43,840
Speaker 8: else happens with it. But this this is a breaking story,

615
00:25:43,920 --> 00:25:45,560
Speaker 8: so it just happens. So we don't have the information

616
00:25:45,640 --> 00:25:48,680
Speaker 8: that's available to us. But again, I thought it was

617
00:25:48,760 --> 00:25:51,400
Speaker 8: interesting because when you start setting presidents for these types

618
00:25:51,440 --> 00:25:53,040
Speaker 8: of things, you know, how does it follow and how

619
00:25:53,080 --> 00:25:55,320
Speaker 8: does it follow the United States? Of course, the United

620
00:25:55,320 --> 00:25:58,440
Speaker 8: States does have uh, you know, a federal hate crime

621
00:25:58,520 --> 00:26:03,240
Speaker 8: that does address LGBTQ plus community, but that is usually

622
00:26:03,320 --> 00:26:07,680
Speaker 8: something related to an actual crime. Canada does have provisions

623
00:26:07,680 --> 00:26:11,440
Speaker 8: about hate speech, and obviously the United Kingdom does. So

624
00:26:11,560 --> 00:26:14,119
Speaker 8: I was just really just started digging into this yesterday

625
00:26:14,119 --> 00:26:16,119
Speaker 8: because I wanted to see, you know, how far does

626
00:26:16,200 --> 00:26:18,000
Speaker 8: this happen, You know, how has this happened in the

627
00:26:18,080 --> 00:26:20,880
Speaker 8: United States, And so far I haven't seen anything similar

628
00:26:21,240 --> 00:26:23,000
Speaker 8: in the United States right now. I think it's over

629
00:26:23,080 --> 00:26:26,520
Speaker 8: twenty three states that do recognize this type of crime,

630
00:26:26,880 --> 00:26:30,200
Speaker 8: but again it's usually more related to what we would

631
00:26:30,240 --> 00:26:31,840
Speaker 8: consider criminal, not just a statement.

632
00:26:31,960 --> 00:26:34,360
Speaker 2: Yeah, I think the officer is the homophobic one here.

633
00:26:34,560 --> 00:26:37,640
Speaker 5: Like if getting called a lesbian offends you that much,

634
00:26:37,680 --> 00:26:40,159
Speaker 5: if getting called a lesbian triggers you that much, you

635
00:26:40,280 --> 00:26:41,800
Speaker 5: got deeper issues, That's right, you.

636
00:26:41,800 --> 00:26:43,159
Speaker 2: Know what I mean? That don't have nothing to do

637
00:26:43,240 --> 00:26:45,640
Speaker 2: with that young autistic girl.

638
00:26:46,160 --> 00:26:48,560
Speaker 1: All right, Well that is front page news. And let

639
00:26:48,640 --> 00:26:51,760
Speaker 1: me send a resting peace and condolences to anybody that

640
00:26:51,920 --> 00:26:55,640
Speaker 1: has family or that's lost somebody out in Maui in Hawaii.

641
00:26:56,080 --> 00:26:56,560
Speaker 3: They say in the.

642
00:26:56,600 --> 00:26:59,280
Speaker 1: Death told roads to over fifty five already and there's

643
00:26:59,359 --> 00:27:01,359
Speaker 1: over a thousand people missing that they can't get in

644
00:27:01,440 --> 00:27:03,240
Speaker 1: contact with. They were saying people had to jump in

645
00:27:03,680 --> 00:27:05,840
Speaker 1: in water to avoid the fire. So I just want

646
00:27:05,880 --> 00:27:08,840
Speaker 1: to send condolences and definitely rest in peace. They saying

647
00:27:08,880 --> 00:27:11,919
Speaker 1: it's going to cost billions of dollars to rebuild Maui.

648
00:27:12,119 --> 00:27:13,960
Speaker 1: So all right, Oh and.

649
00:27:14,000 --> 00:27:16,680
Speaker 5: Listen, make sure you subscribed to Tesling figureos podcast. Just

650
00:27:16,800 --> 00:27:18,879
Speaker 5: great shot, no chase of podcasts on the Black Effect.

651
00:27:18,920 --> 00:27:22,240
Speaker 5: iHeart radio podcast network, and follow Tesling on all social

652
00:27:22,280 --> 00:27:24,800
Speaker 5: media platforms. Anything you heard her talk about this week

653
00:27:24,840 --> 00:27:27,280
Speaker 5: in front phaged News, She'll be breaking down on her

654
00:27:27,359 --> 00:27:28,439
Speaker 5: podcast this weekend.

655
00:27:28,680 --> 00:27:31,120
Speaker 1: All right, and when we come back, Yo Gotti will

656
00:27:31,160 --> 00:27:34,880
Speaker 1: be joining us. It's the Breakfast Club. Good morning, It's

657
00:27:34,920 --> 00:27:40,359
Speaker 1: the Breakfast Club. I'm celebrating fifty years a hip.

658
00:27:40,200 --> 00:27:41,320
Speaker 3: Hop owning everybody.

659
00:27:41,359 --> 00:27:44,240
Speaker 1: It's DJ n V, Charlamagne to God. We are the

660
00:27:44,280 --> 00:27:46,720
Speaker 1: Breakfast Club. We got some special guests joining us today.

661
00:27:46,960 --> 00:27:50,520
Speaker 1: We got Yo Gottay and produce Young d.

662
00:27:50,720 --> 00:27:53,720
Speaker 3: Welcome, Welcome, Welcome, said, how's it feeling? How you feel?

663
00:27:53,760 --> 00:27:55,800
Speaker 3: A got you. We just went on a toll for

664
00:27:55,880 --> 00:27:56,440
Speaker 3: your birthday.

665
00:27:56,480 --> 00:27:56,640
Speaker 2: Man.

666
00:27:57,640 --> 00:27:59,960
Speaker 1: Every time we have Gotti up here, I just loved it.

667
00:28:00,040 --> 00:28:02,640
Speaker 1: The first interview of Gotti where Gotty. We had Gotty

668
00:28:02,680 --> 00:28:04,280
Speaker 1: for thirty minutes. He might have said five words, And

669
00:28:04,320 --> 00:28:07,480
Speaker 1: now God has opened up, he's traveling. He's just a CEO.

670
00:28:07,600 --> 00:28:09,960
Speaker 1: I just love to see the transformation of Gotty. So

671
00:28:10,200 --> 00:28:12,040
Speaker 1: how's it been being ceo less music? I know you

672
00:28:12,080 --> 00:28:15,720
Speaker 1: got a mixtape out now, but really, oh.

673
00:28:16,200 --> 00:28:18,960
Speaker 6: Shot the young d Man he executive produced that joint.

674
00:28:19,760 --> 00:28:22,960
Speaker 1: Yeah, that's it been developing those acts opposed to diving

675
00:28:23,000 --> 00:28:24,560
Speaker 1: into the music as much as you were before.

676
00:28:25,000 --> 00:28:27,120
Speaker 7: I mean, I think I got the same passion for both,

677
00:28:27,280 --> 00:28:28,680
Speaker 7: you know what I mean. I always had it from

678
00:28:28,720 --> 00:28:31,080
Speaker 7: the beginning. I just knew, like you know, it's it's

679
00:28:31,119 --> 00:28:32,680
Speaker 7: a time for everything. I had to get to a

680
00:28:32,760 --> 00:28:35,680
Speaker 7: sun's point and the artistry point to you know what

681
00:28:35,680 --> 00:28:37,880
Speaker 7: I'm saying, to go to the executive, But I think

682
00:28:37,920 --> 00:28:40,320
Speaker 7: it's the same satisfaction for me. You know what I'm saying,

683
00:28:40,360 --> 00:28:42,960
Speaker 7: Like seeing an artist win that I work with is

684
00:28:43,040 --> 00:28:45,880
Speaker 7: like I get the same like validation of seeing myself.

685
00:28:45,920 --> 00:28:48,680
Speaker 7: I think that's why I'm so like passionate about it.

686
00:28:48,880 --> 00:28:50,720
Speaker 7: You know what I mean, it's so into it, into

687
00:28:50,800 --> 00:28:54,000
Speaker 7: the details of artists I work with. It's just like

688
00:28:54,120 --> 00:28:57,080
Speaker 7: if it was myself. I'm like selfless when it comes

689
00:28:57,120 --> 00:28:58,480
Speaker 7: to that, you know what I mean. Like I see

690
00:28:58,480 --> 00:28:59,160
Speaker 7: it as the same.

691
00:28:59,600 --> 00:29:01,400
Speaker 2: How do you know it's time to take the executive

692
00:29:01,480 --> 00:29:03,600
Speaker 2: jacket off and get back in the trenches as an artist?

693
00:29:04,040 --> 00:29:05,240
Speaker 2: Like how did you know this is time to do?

694
00:29:05,360 --> 00:29:07,760
Speaker 2: I showed you show It's just energy.

695
00:29:07,840 --> 00:29:08,600
Speaker 6: I go off energy.

696
00:29:08,640 --> 00:29:11,240
Speaker 7: I'm still like a fan of music at the same time,

697
00:29:11,360 --> 00:29:14,080
Speaker 7: so when I'm listening to music, I can hear when

698
00:29:14,120 --> 00:29:16,320
Speaker 7: I feel like something is missing, you know what I mean.

699
00:29:16,520 --> 00:29:18,360
Speaker 7: So you know, if I feel like I can, you know,

700
00:29:18,520 --> 00:29:21,560
Speaker 7: try to deliver it. I tried, you know what I'm saying. So,

701
00:29:22,760 --> 00:29:24,600
Speaker 7: and I feel like to me, like this mixtape to

702
00:29:24,640 --> 00:29:25,840
Speaker 7: me is like outside music.

703
00:29:26,480 --> 00:29:26,640
Speaker 14: You know.

704
00:29:26,720 --> 00:29:28,960
Speaker 7: I feel like a lot of music like laid back

705
00:29:29,640 --> 00:29:33,720
Speaker 7: and your feelings and get high music or you know

706
00:29:33,800 --> 00:29:37,280
Speaker 7: what I'm saying, Like I feel like it's a hustle

707
00:29:37,400 --> 00:29:39,520
Speaker 7: music is kind of like missing, you know. So what

708
00:29:39,640 --> 00:29:42,080
Speaker 7: I do what jeez, do you know what I'm saying?

709
00:29:42,160 --> 00:29:43,720
Speaker 7: Like in that era, I feel like I ain't no

710
00:29:43,960 --> 00:29:45,200
Speaker 7: like get money music.

711
00:29:46,200 --> 00:29:48,360
Speaker 6: You feel me. I feel like, you know, we need

712
00:29:48,400 --> 00:29:49,480
Speaker 6: to get money music out.

713
00:29:49,600 --> 00:29:50,640
Speaker 2: I can feel with this one.

714
00:29:51,160 --> 00:29:52,440
Speaker 1: I was gonna say, what made you go back to

715
00:29:52,480 --> 00:29:53,960
Speaker 1: the element of the mixtape because you could have did

716
00:29:54,000 --> 00:29:55,400
Speaker 1: an album, but could have did an EP, but you

717
00:29:55,520 --> 00:29:58,400
Speaker 1: decided to link up with with drama and do a

718
00:29:58,480 --> 00:29:59,360
Speaker 1: gangster grill version.

719
00:30:00,000 --> 00:30:02,080
Speaker 7: Ain't go about that whole get money error that this

720
00:30:02,200 --> 00:30:04,600
Speaker 7: world took me back to, you know what I'm saying,

721
00:30:04,760 --> 00:30:07,440
Speaker 7: like it's the whole era. I'm like, you're making fun

722
00:30:07,600 --> 00:30:10,400
Speaker 7: like it ain't that serious really for me at this point,

723
00:30:10,520 --> 00:30:12,120
Speaker 7: Like I want to make like like it ain't no

724
00:30:12,440 --> 00:30:15,000
Speaker 7: ten songs on her so that this is like it's

725
00:30:15,120 --> 00:30:17,720
Speaker 7: like the shortest project I ever put out since I've

726
00:30:17,760 --> 00:30:20,880
Speaker 7: been doing music. So it ain't about like, you know,

727
00:30:21,000 --> 00:30:24,040
Speaker 7: putting a lot of tracks on any like an art piece,

728
00:30:24,640 --> 00:30:26,800
Speaker 7: you know what I mean? Ten songs only to write

729
00:30:26,880 --> 00:30:30,240
Speaker 7: ten songs not nothing. That's just feeling me in like

730
00:30:30,360 --> 00:30:32,200
Speaker 7: if we felt like it want hard, don't put it

731
00:30:32,280 --> 00:30:34,760
Speaker 7: on her. So we felt like we had number eight

732
00:30:34,840 --> 00:30:35,320
Speaker 7: hard song.

733
00:30:35,400 --> 00:30:36,160
Speaker 6: We don't put eight.

734
00:30:37,000 --> 00:30:38,880
Speaker 2: You know, you said on the project that you're not

735
00:30:39,000 --> 00:30:43,680
Speaker 2: doing no more albums. You don't care about the charge

736
00:30:43,680 --> 00:30:45,680
Speaker 2: and you feel that way, Yeah, of course, why you

737
00:30:45,680 --> 00:30:48,960
Speaker 2: don't got no, clearly you don't have no more album obligations.

738
00:30:48,560 --> 00:30:51,320
Speaker 6: Then no, no, no, I'm one hundred percent independent.

739
00:30:51,440 --> 00:30:54,200
Speaker 2: Wow, So why why not do an album? It's too

740
00:30:54,280 --> 00:30:54,880
Speaker 2: much pressure of.

741
00:30:55,520 --> 00:30:57,440
Speaker 6: Nah, I just think, like I think that's a mental

742
00:30:57,560 --> 00:30:58,959
Speaker 6: thing too. Though for me too.

743
00:30:59,120 --> 00:31:01,600
Speaker 7: It's like I say I'm doing a mixtape. I don't know,

744
00:31:01,840 --> 00:31:04,440
Speaker 7: it's just like I've been a different mind stake when

745
00:31:04,480 --> 00:31:06,600
Speaker 7: I say I'm doing an album. You know, most of

746
00:31:06,640 --> 00:31:08,120
Speaker 7: time when I do a mixtape, I don't spend a

747
00:31:08,160 --> 00:31:10,200
Speaker 7: lot of time on it. Like I may do it

748
00:31:10,280 --> 00:31:11,960
Speaker 7: in a week, you know what I'm saying, ten days,

749
00:31:12,120 --> 00:31:14,480
Speaker 7: nine days, something like that. You know, you may be

750
00:31:14,560 --> 00:31:17,920
Speaker 7: working on your album for six months, eight months, you

751
00:31:17,960 --> 00:31:20,040
Speaker 7: know what I'm saying, like going bagging forth. So I

752
00:31:20,080 --> 00:31:22,120
Speaker 7: think it's kind of like when I came up in

753
00:31:22,200 --> 00:31:26,200
Speaker 7: the mixtape era, mixtape was almost like practice. He was like, Man,

754
00:31:26,240 --> 00:31:28,280
Speaker 7: I'm gonna do this before the album. Like it's kind

755
00:31:28,320 --> 00:31:30,040
Speaker 7: of like the Walk, Yeah, this is a warm up

756
00:31:30,080 --> 00:31:33,080
Speaker 7: before the album, but they always be special, you know

757
00:31:33,120 --> 00:31:33,440
Speaker 7: what I mean.

758
00:31:33,520 --> 00:31:34,960
Speaker 6: So it's kind of like, well, I'm on.

759
00:31:35,440 --> 00:31:36,720
Speaker 3: What made you get Glorilla? A?

760
00:31:36,800 --> 00:31:40,600
Speaker 7: Madbag Trump, glowball, first car not too long ago, Like

761
00:31:40,800 --> 00:31:43,640
Speaker 7: you know, it's crazy, like the whole like probably your run.

762
00:31:43,760 --> 00:31:45,800
Speaker 6: She didn't even have a car, you know what I'm saying.

763
00:31:45,920 --> 00:31:46,840
Speaker 6: Not that she can't afford it.

764
00:31:46,920 --> 00:31:48,680
Speaker 7: Of course she could buy a car, but she wasn't

765
00:31:48,680 --> 00:31:50,480
Speaker 7: even like glowing bitch, she don't even really be on that,

766
00:31:51,120 --> 00:31:53,280
Speaker 7: you know what I'm saying. So I wanted to buy

767
00:31:53,400 --> 00:31:55,160
Speaker 7: that type of coca, she probably wouldn't even bought it.

768
00:31:55,680 --> 00:31:56,360
Speaker 6: Take it in paper.

769
00:31:57,840 --> 00:32:00,480
Speaker 2: That's golilla money anyway. So you just spend money out

770
00:32:00,480 --> 00:32:00,920
Speaker 2: of her budget.

771
00:32:01,280 --> 00:32:04,120
Speaker 6: I mean, I mean, we don't have budgets. It's more

772
00:32:04,200 --> 00:32:06,040
Speaker 6: definitely my money, you know what I'm saying.

773
00:32:06,160 --> 00:32:08,960
Speaker 2: You feel, Yeah, she's not She's not gonna look at

774
00:32:08,960 --> 00:32:10,000
Speaker 2: a statement later on and be.

775
00:32:10,040 --> 00:32:14,080
Speaker 7: Like, uh and if you know, I'm the type of

776
00:32:14,160 --> 00:32:16,200
Speaker 7: person they're like, we don't really have them type of issues.

777
00:32:16,240 --> 00:32:18,200
Speaker 7: Them the type of person they're like, we just don't

778
00:32:18,240 --> 00:32:19,040
Speaker 7: have them type of issues.

779
00:32:19,080 --> 00:32:19,520
Speaker 6: You know what I'm saying.

780
00:32:19,520 --> 00:32:22,440
Speaker 7: It's too much pay for, it's too much paper flowing around,

781
00:32:23,760 --> 00:32:24,560
Speaker 7: have money issues.

782
00:32:25,280 --> 00:32:28,240
Speaker 1: Another time you put it on social media that I

783
00:32:28,280 --> 00:32:29,800
Speaker 1: think it was a couple of million dollars for any

784
00:32:29,880 --> 00:32:31,320
Speaker 1: lawyer that can help you get four two out?

785
00:32:31,520 --> 00:32:32,479
Speaker 6: Yeah, shuret too.

786
00:32:33,040 --> 00:32:35,560
Speaker 1: How did anybody call? Did anybody reach out? What's the

787
00:32:35,600 --> 00:32:36,480
Speaker 1: process was going on for?

788
00:32:36,760 --> 00:32:38,479
Speaker 6: Everybody reached out? You know what I'm saying, But they

789
00:32:38,520 --> 00:32:41,000
Speaker 6: can't really do nothing. But Doug already? You know we

790
00:32:41,360 --> 00:32:42,280
Speaker 6: rock with who Doug lay?

791
00:32:42,640 --> 00:32:42,680
Speaker 11: Is?

792
00:32:42,720 --> 00:32:43,040
Speaker 6: He good?

793
00:32:43,600 --> 00:32:45,280
Speaker 7: He was good from the beginning, you know what I'm saying.

794
00:32:45,440 --> 00:32:47,720
Speaker 7: Just we thought we could get him home earlier. We

795
00:32:47,760 --> 00:32:49,640
Speaker 7: would have bust and move you said, he shure. So

796
00:32:49,720 --> 00:32:50,360
Speaker 7: you're coming on soon?

797
00:32:50,480 --> 00:32:53,960
Speaker 6: Yeah, you know, like sixty eighty days or something like.

798
00:32:54,040 --> 00:32:56,480
Speaker 2: Oh world, Well okay, okay, what's before the end of

799
00:32:56,520 --> 00:32:58,640
Speaker 2: the year? Young? Did this whole project?

800
00:32:59,040 --> 00:33:00,840
Speaker 6: Well, most of here is executive produced it.

801
00:33:00,960 --> 00:33:03,880
Speaker 7: He produced most of the records, but the executive produced

802
00:33:03,920 --> 00:33:06,560
Speaker 7: the whole project, meaning like I worked with him, like

803
00:33:06,640 --> 00:33:08,240
Speaker 7: you know, even if I got to be from another

804
00:33:08,320 --> 00:33:11,360
Speaker 7: producer on you know, the type of energy and tempos

805
00:33:11,480 --> 00:33:13,680
Speaker 7: and stuff like that we was going at.

806
00:33:13,880 --> 00:33:16,000
Speaker 2: Was it a lot of pressure? H D A lot

807
00:33:16,040 --> 00:33:18,640
Speaker 2: of pressure? Okay. I'm just always just meeting my style

808
00:33:18,720 --> 00:33:19,200
Speaker 2: with his staff.

809
00:33:19,400 --> 00:33:19,880
Speaker 1: Where he's from.

810
00:33:19,960 --> 00:33:23,040
Speaker 2: D Jackson, Tennessee, Tennessee. How y'all connected?

811
00:33:23,200 --> 00:33:24,800
Speaker 6: Yeah, you know, we found him. He was he was

812
00:33:24,840 --> 00:33:25,800
Speaker 6: fourteen years old.

813
00:33:25,880 --> 00:33:27,080
Speaker 3: I would say, d look young.

814
00:33:27,360 --> 00:33:31,400
Speaker 6: Yeah, he's seventeen, sixteen or seventeen now he's seventeen. Now

815
00:33:31,480 --> 00:33:34,760
Speaker 6: we met him. He was fourteen on Instagram live.

816
00:33:35,320 --> 00:33:36,840
Speaker 1: She made on Instagram like he was on live and

817
00:33:36,840 --> 00:33:37,480
Speaker 1: he said them up.

818
00:33:37,680 --> 00:33:41,080
Speaker 7: Beach and he sent them some beats. Oh and it

819
00:33:41,160 --> 00:33:43,120
Speaker 7: count of rock from there like and he sent bags

820
00:33:43,160 --> 00:33:45,280
Speaker 7: and beats. And then me and Bad was talking about

821
00:33:45,360 --> 00:33:47,680
Speaker 7: him like you know the number fourteen, and me and

822
00:33:47,800 --> 00:33:51,640
Speaker 7: Bad actually collaborated and signed them together when he was fourteen.

823
00:33:51,960 --> 00:33:53,680
Speaker 1: What did your what did your parents say? When you

824
00:33:53,760 --> 00:33:56,160
Speaker 1: have the most parents look at the rap grave, the

825
00:33:56,240 --> 00:33:58,640
Speaker 1: rap game is as now, it's not gonna be It's

826
00:33:58,640 --> 00:34:00,520
Speaker 1: gonna take a long time and you're not gonna be successful.

827
00:34:00,560 --> 00:34:02,640
Speaker 1: So what do your parents say? With both these platinum

828
00:34:02,640 --> 00:34:04,000
Speaker 1: martists at the time, so I want to sign you.

829
00:34:04,840 --> 00:34:06,479
Speaker 1: They would lead in front of jump and they let

830
00:34:06,520 --> 00:34:09,080
Speaker 1: you go at me, do me really? Do we do?

831
00:34:09,440 --> 00:34:11,040
Speaker 6: You need to travel with us him and his dad

832
00:34:11,080 --> 00:34:12,160
Speaker 6: to pull up to the studio.

833
00:34:12,880 --> 00:34:15,840
Speaker 2: Yeah, young, you got to have a conversations with the

834
00:34:15,920 --> 00:34:16,800
Speaker 2: parents just to let them know.

835
00:34:17,920 --> 00:34:20,480
Speaker 7: Yeah, you know you got even when you're doing business

836
00:34:20,520 --> 00:34:22,320
Speaker 7: at that young the parents got to be involved in

837
00:34:22,360 --> 00:34:24,800
Speaker 7: all that. But Dad it was, you know, super supportive,

838
00:34:24,800 --> 00:34:27,880
Speaker 7: would travel with them to the studio session and everything.

839
00:34:27,880 --> 00:34:30,400
Speaker 7: And when we would cook up, we had these CMG sessions.

840
00:34:30,840 --> 00:34:32,560
Speaker 7: He'll come to them where you cook up live in

841
00:34:32,640 --> 00:34:34,000
Speaker 7: the studio, it's dad.

842
00:34:34,080 --> 00:34:36,279
Speaker 5: Or bring them down though, Man one record you got

843
00:34:36,320 --> 00:34:39,080
Speaker 5: on the album Man with money Bag, Yo, mind my business,

844
00:34:39,640 --> 00:34:41,960
Speaker 5: I swear man. That's how everybody feel when they come

845
00:34:42,000 --> 00:34:44,080
Speaker 5: from a certain environment, you know what I mean, Because

846
00:34:44,080 --> 00:34:46,319
Speaker 5: you want to help, but sometimes.

847
00:34:46,040 --> 00:34:48,400
Speaker 2: You don't feel like your help is appreciated. Then you

848
00:34:48,440 --> 00:34:50,279
Speaker 2: don't really know what you can do. So sometimes you

849
00:34:50,360 --> 00:34:53,400
Speaker 2: just like, I'm just gonna mind my business. People.

850
00:34:53,719 --> 00:34:56,680
Speaker 7: It's always been me. Yeah, it's always been me. I

851
00:34:56,760 --> 00:34:58,920
Speaker 7: think that's like one of the things streets teach you

852
00:34:59,000 --> 00:35:01,080
Speaker 7: in the beginning. Like you know, I call it just

853
00:35:01,160 --> 00:35:03,480
Speaker 7: survival skills, you know what I'm saying, Like a lot

854
00:35:03,560 --> 00:35:06,120
Speaker 7: of people survive long as just staying out of people busding,

855
00:35:06,920 --> 00:35:08,800
Speaker 7: you know what I'm saying, Like this man, just I

856
00:35:08,800 --> 00:35:11,040
Speaker 7: don't hear nothing, don't see nothing, know nothing.

857
00:35:11,520 --> 00:35:14,440
Speaker 6: I ain't even got no opinion on nothing absolute.

858
00:35:14,520 --> 00:35:16,880
Speaker 5: But then when you somebody like yourself, who is a

859
00:35:16,960 --> 00:35:19,760
Speaker 5: figure you know what I mean, and comes from the street,

860
00:35:20,120 --> 00:35:21,120
Speaker 5: you probably can't change.

861
00:35:21,120 --> 00:35:23,960
Speaker 2: A lot of the next generation's lives are showing a

862
00:35:24,000 --> 00:35:24,399
Speaker 2: better way.

863
00:35:24,680 --> 00:35:27,520
Speaker 7: I think we put it. We put in work to

864
00:35:27,600 --> 00:35:29,640
Speaker 7: make change is what we can. It's still a lot

865
00:35:29,680 --> 00:35:31,680
Speaker 7: of stuff we do do. You know what I'm saying.

866
00:35:32,040 --> 00:35:33,920
Speaker 7: It's a lot of stuff we do do that we

867
00:35:34,080 --> 00:35:36,600
Speaker 7: do think is effective to help, you know what I mean.

868
00:35:37,400 --> 00:35:39,359
Speaker 7: But I think it's a line, right, It's a line

869
00:35:39,360 --> 00:35:40,919
Speaker 7: where you can do that, and it's a line where

870
00:35:41,040 --> 00:35:44,400
Speaker 7: like a backfound you or you just you need to

871
00:35:44,520 --> 00:35:46,239
Speaker 7: stay man your business, you know what I'm saying.

872
00:35:46,440 --> 00:35:48,080
Speaker 3: All Right, we got more with Yo Gotti when we

873
00:35:48,239 --> 00:35:49,200
Speaker 3: come back, so don't move.

874
00:35:49,200 --> 00:35:52,799
Speaker 1: It's the Breakfast Club, Good morning. Everybody is Deed MV

875
00:35:52,920 --> 00:35:55,440
Speaker 1: and Charlamagne the God. We are the Breakfast Club's still

876
00:35:55,480 --> 00:35:57,440
Speaker 1: kicking it with Yo Gotti. I was gonna ass with

877
00:35:57,520 --> 00:35:59,680
Speaker 1: with fifty years of hip hop being this week. You

878
00:35:59,760 --> 00:36:02,560
Speaker 1: know what got you into hip hop? Being a young

879
00:36:02,920 --> 00:36:05,000
Speaker 1: hustler from Memphis, Like what made you say this is

880
00:36:05,040 --> 00:36:06,400
Speaker 1: where I want to be? What made you fall in

881
00:36:06,480 --> 00:36:06,920
Speaker 1: love with it?

882
00:36:07,120 --> 00:36:08,960
Speaker 6: I mean I was just a fan of it from

883
00:36:09,040 --> 00:36:10,960
Speaker 6: the gate. Since a kid. You know what I'm saying.

884
00:36:10,960 --> 00:36:13,719
Speaker 7: I remember standing in front of the Flow Model TV's

885
00:36:13,840 --> 00:36:16,200
Speaker 7: just looking at videos that was out, and I just

886
00:36:16,280 --> 00:36:18,480
Speaker 7: always thought it was dope and fly. I just was,

887
00:36:18,640 --> 00:36:20,520
Speaker 7: you know, a fan of hip hop from the beginning,

888
00:36:20,960 --> 00:36:22,279
Speaker 7: you know what I'm saying. Before I even knew that

889
00:36:22,320 --> 00:36:24,040
Speaker 7: I would begin it, I was a fan of it.

890
00:36:24,239 --> 00:36:25,799
Speaker 1: And did you know that was gonna be your way

891
00:36:25,840 --> 00:36:26,759
Speaker 1: out of what you were doing?

892
00:36:26,920 --> 00:36:28,840
Speaker 6: Or it was just actually didn't know it, you know

893
00:36:28,880 --> 00:36:29,239
Speaker 6: what I'm saying.

894
00:36:29,239 --> 00:36:31,080
Speaker 7: Even when I first started rapping, I didn't believe it

895
00:36:31,280 --> 00:36:33,960
Speaker 7: was possible actually happened because coming from where I'm from,

896
00:36:34,040 --> 00:36:36,560
Speaker 7: we didn't know anybody famous. We didn't know like nobody

897
00:36:36,600 --> 00:36:38,960
Speaker 7: that had made it, like from rapping, from being an

898
00:36:39,040 --> 00:36:42,360
Speaker 7: NFL player, being an NBA player talk host.

899
00:36:42,719 --> 00:36:43,279
Speaker 6: You know what I'm saying.

900
00:36:43,320 --> 00:36:45,440
Speaker 7: We didn't know like anybody that made it, you know

901
00:36:45,480 --> 00:36:47,439
Speaker 7: what I'm saying, other than you know, the dope boys

902
00:36:47,480 --> 00:36:50,760
Speaker 7: from my neighborhood were at fly calls and Juror Feli

903
00:36:50,840 --> 00:36:53,000
Speaker 7: out Fitz and you know what I'm saying. Like, so,

904
00:36:53,360 --> 00:36:54,680
Speaker 7: you know, even when I was doing it, it was

905
00:36:54,760 --> 00:36:56,400
Speaker 7: kind of like it was just something to do. I

906
00:36:56,480 --> 00:36:58,680
Speaker 7: didn't really think that like it can really you know

907
00:36:58,719 --> 00:37:00,360
Speaker 7: what I'm saying, turn it to what it turned to?

908
00:37:00,640 --> 00:37:02,440
Speaker 1: When did you realize to be like, you know what,

909
00:37:02,600 --> 00:37:04,560
Speaker 1: I got to move where people don't see me because

910
00:37:04,840 --> 00:37:06,600
Speaker 1: a lot of people don't want what's best for me.

911
00:37:06,880 --> 00:37:08,920
Speaker 7: It took me a while to understand that, you know

912
00:37:08,960 --> 00:37:10,960
Speaker 7: what I'm saying, And I think it's older I gotta

913
00:37:11,040 --> 00:37:14,680
Speaker 7: understood them more, you know what I'm saying, because you know,

914
00:37:14,760 --> 00:37:16,800
Speaker 7: because like like you just said, like I didn't understand

915
00:37:16,800 --> 00:37:18,160
Speaker 7: when I was young why I didn't see.

916
00:37:18,040 --> 00:37:18,920
Speaker 2: Them, you know what I mean.

917
00:37:19,000 --> 00:37:20,520
Speaker 6: Like I remember being in Mifficing. They were telling me

918
00:37:20,600 --> 00:37:23,520
Speaker 6: like I'm stay in LA and I'm like l A,

919
00:37:24,880 --> 00:37:31,279
Speaker 6: Like I'm like, but now I get it, saying like

920
00:37:31,360 --> 00:37:31,719
Speaker 6: but I ain't.

921
00:37:31,719 --> 00:37:33,320
Speaker 7: When I was young, I ain't really you know, like

922
00:37:33,400 --> 00:37:35,200
Speaker 7: I'm man enough to say that, Like you know, it's

923
00:37:35,280 --> 00:37:37,680
Speaker 7: like you just changed mindsets, you know what I'm saying.

924
00:37:37,680 --> 00:37:39,920
Speaker 7: That you learn and mature and you see things differently.

925
00:37:40,320 --> 00:37:42,120
Speaker 7: But when I was younger, I most definitely was one

926
00:37:42,200 --> 00:37:44,560
Speaker 7: of them. Uh probably like with the young guys, just

927
00:37:44,640 --> 00:37:46,640
Speaker 7: tell you you feel me, you know what I'm saying.

928
00:37:46,640 --> 00:37:48,279
Speaker 7: So I was I I used to think like that

929
00:37:48,440 --> 00:37:50,799
Speaker 7: and didn't understand some of the things.

930
00:37:50,960 --> 00:37:52,600
Speaker 1: I want to talk about your pockets a little bit.

931
00:37:52,760 --> 00:37:56,279
Speaker 1: Your part owner of an MLS team right there. How

932
00:37:56,320 --> 00:37:59,719
Speaker 1: did did you ever have any like, maybe I should invest.

933
00:37:59,480 --> 00:38:00,440
Speaker 2: In DC United?

934
00:38:00,680 --> 00:38:03,320
Speaker 6: Yeah, you said, you said, because.

935
00:38:03,120 --> 00:38:05,160
Speaker 1: Back then this is this is before I mean, it's

936
00:38:05,200 --> 00:38:07,279
Speaker 1: a soccer team. Did you ever think to yourself, maybe

937
00:38:07,280 --> 00:38:08,880
Speaker 1: I shouldn't invest in this. What made you say this

938
00:38:09,040 --> 00:38:10,239
Speaker 1: is I'm put my money in this.

939
00:38:10,719 --> 00:38:12,520
Speaker 7: I never thought I shouldn't invest it. And it was

940
00:38:12,600 --> 00:38:14,840
Speaker 7: more so like can I invest more? You know what

941
00:38:14,840 --> 00:38:16,960
Speaker 7: I'm saying. I knew it was to play. You know

942
00:38:17,000 --> 00:38:19,000
Speaker 7: what I'm saying for multiple reasons, Like you know, I

943
00:38:19,080 --> 00:38:21,760
Speaker 7: do my research. For one, I got the right business

944
00:38:21,840 --> 00:38:24,399
Speaker 7: team around me, so we do all the right fact

945
00:38:24,560 --> 00:38:28,080
Speaker 7: checking and making sure that the business and the right standpoints,

946
00:38:28,120 --> 00:38:31,200
Speaker 7: so that alone, on paper, it was the right business move.

947
00:38:31,280 --> 00:38:32,880
Speaker 6: But my passion for.

948
00:38:33,560 --> 00:38:38,640
Speaker 7: Diversifying and growing and accomplishing different things as a hustler

949
00:38:39,320 --> 00:38:42,640
Speaker 7: also was a big part of it. And then soccer

950
00:38:42,800 --> 00:38:45,000
Speaker 7: was like the only sport my son ever played.

951
00:38:45,360 --> 00:38:48,960
Speaker 6: That's how I even know. You didn't seem like I

952
00:38:49,080 --> 00:38:49,680
Speaker 6: never even seen it.

953
00:38:49,760 --> 00:38:51,640
Speaker 7: And I told them that when we were when I

954
00:38:51,760 --> 00:38:54,000
Speaker 7: was getting into the team that I never even seen

955
00:38:54,040 --> 00:38:57,200
Speaker 7: a soccer field when I was a kid. When I

956
00:38:57,280 --> 00:38:59,560
Speaker 7: seen a soccer ball, I thought it was a flat football.

957
00:38:59,640 --> 00:39:02,239
Speaker 7: We just basketball with a soccer ball because just because

958
00:39:02,239 --> 00:39:03,759
Speaker 7: there was a ball, you know what I'm saying, and

959
00:39:03,840 --> 00:39:08,239
Speaker 7: we just thought like, man, why the ball flat? So

960
00:39:08,360 --> 00:39:11,680
Speaker 7: we had no exposure to soccer and the way I

961
00:39:11,800 --> 00:39:14,480
Speaker 7: grew up, you know. So but my son different and

962
00:39:14,520 --> 00:39:16,279
Speaker 7: went to different type of schools, right, so they had

963
00:39:16,280 --> 00:39:19,000
Speaker 7: a soccer feeling in school, and it's the sporty play.

964
00:39:19,120 --> 00:39:22,480
Speaker 7: So between going to practices and games, you know, I

965
00:39:22,600 --> 00:39:25,360
Speaker 7: learned what the sporty or so on the opportunity presenting

966
00:39:25,400 --> 00:39:27,680
Speaker 7: itself out familiar with the sport.

967
00:39:27,880 --> 00:39:29,400
Speaker 2: How far he moved? Do you feel like you are

968
00:39:29,600 --> 00:39:30,839
Speaker 2: from the street all the way?

969
00:39:30,960 --> 00:39:33,719
Speaker 6: Okay, okay, I'm already moved from the street one.

970
00:39:33,680 --> 00:39:37,200
Speaker 3: Thousand, two thousands.

971
00:39:37,840 --> 00:39:38,399
Speaker 6: You know what I mean?

972
00:39:38,840 --> 00:39:41,840
Speaker 7: I think streets is not like an action, you know

973
00:39:41,920 --> 00:39:44,000
Speaker 7: what I'm saying. I think it's a way of thinking,

974
00:39:44,400 --> 00:39:46,600
Speaker 7: meaning like, I don't think this a certain way of

975
00:39:46,719 --> 00:39:51,080
Speaker 7: thinking whatever, like leave my mindset meaning like, and it's

976
00:39:51,160 --> 00:39:54,799
Speaker 7: just from like a protection standpoint or coming since standpoint

977
00:39:55,040 --> 00:39:58,200
Speaker 7: or street since standpoint, meaning like just knowing how to

978
00:39:58,320 --> 00:40:01,520
Speaker 7: move right so I can stay behind and three security

979
00:40:01,560 --> 00:40:02,479
Speaker 7: guard gates or whatever.

980
00:40:03,120 --> 00:40:04,759
Speaker 6: I still pull up to the house the same way.

981
00:40:05,280 --> 00:40:07,239
Speaker 7: You know what I'm saying. I still look, but I

982
00:40:07,320 --> 00:40:08,960
Speaker 7: pull up. If it's too dog, I may not go

983
00:40:09,040 --> 00:40:11,200
Speaker 7: in the house. You know what I'm saying that that's

984
00:40:11,239 --> 00:40:12,719
Speaker 7: what I mean by street mentality.

985
00:40:12,760 --> 00:40:14,640
Speaker 6: You know what I'm saying. I mean like it's a feel.

986
00:40:14,800 --> 00:40:15,279
Speaker 6: You know what I mean.

987
00:40:15,480 --> 00:40:17,319
Speaker 7: It's still to today. Rob pull up to the house

988
00:40:17,400 --> 00:40:19,360
Speaker 7: sometimes and I just look and I keep going. I

989
00:40:19,440 --> 00:40:21,120
Speaker 7: just don't feel it safe to go in. Tonight, I

990
00:40:21,280 --> 00:40:23,600
Speaker 7: go to the hotel room. But that's somebody. That's a

991
00:40:23,680 --> 00:40:24,799
Speaker 7: trade I got from in the street.

992
00:40:24,920 --> 00:40:27,040
Speaker 2: Right, Do you feel what you mean?

993
00:40:27,120 --> 00:40:28,040
Speaker 1: But do you still feel that way?

994
00:40:28,160 --> 00:40:28,960
Speaker 3: Like after this day?

995
00:40:29,160 --> 00:40:31,319
Speaker 2: Yeah, you got cameras and how you look at your phone?

996
00:40:31,320 --> 00:40:31,960
Speaker 6: I got everything.

997
00:40:31,960 --> 00:40:32,480
Speaker 2: You know what I'm saying.

998
00:40:32,520 --> 00:40:34,960
Speaker 7: You got cameras, I got twenty four hour guards, I

999
00:40:35,040 --> 00:40:35,960
Speaker 7: got animals.

1000
00:40:36,000 --> 00:40:36,600
Speaker 1: You know what I'm saying.

1001
00:40:37,000 --> 00:40:39,320
Speaker 6: I got every form of protection you have. You know

1002
00:40:39,320 --> 00:40:40,920
Speaker 6: what I'm saying. I still move like that.

1003
00:40:41,360 --> 00:40:45,800
Speaker 1: Damn, that's PTSD broat with everything that's that's going on

1004
00:40:46,080 --> 00:40:47,920
Speaker 1: and you look at your career and you look at

1005
00:40:47,960 --> 00:40:49,879
Speaker 1: your life, and I remember you putting out the record

1006
00:40:49,920 --> 00:40:52,520
Speaker 1: and you just do a shot out there for Angela

1007
00:40:52,560 --> 00:40:54,880
Speaker 1: Simmons and to see it three sixty and now that

1008
00:40:54,960 --> 00:40:57,480
Speaker 1: you're actually dating, what was that original conversation?

1009
00:40:57,640 --> 00:40:57,680
Speaker 11: Like?

1010
00:40:57,960 --> 00:40:58,480
Speaker 1: Was it a joke?

1011
00:40:58,600 --> 00:40:59,520
Speaker 2: Was it like what you mean?

1012
00:41:00,040 --> 00:41:02,680
Speaker 7: You know, like the first first coming Absolutely, the very

1013
00:41:02,760 --> 00:41:04,719
Speaker 7: first time I ever said anything to it was it

1014
00:41:04,880 --> 00:41:06,640
Speaker 7: was after the song and I just told her I

1015
00:41:06,719 --> 00:41:08,600
Speaker 7: was serious, you know what I'm saying because I seen

1016
00:41:08,680 --> 00:41:10,640
Speaker 7: her and then it was like a joke and I'm like, nah,

1017
00:41:10,960 --> 00:41:22,439
Speaker 7: like find I'm serious, serious, choke, you know what I'm saying. Heard. Yeah,

1018
00:41:22,560 --> 00:41:24,279
Speaker 7: that was the first thing I ever told her, first

1019
00:41:24,320 --> 00:41:25,920
Speaker 7: time I ever said Did she take you serious?

1020
00:41:26,840 --> 00:41:27,080
Speaker 6: Think so?

1021
00:41:27,400 --> 00:41:27,560
Speaker 1: Yeah?

1022
00:41:28,520 --> 00:41:28,960
Speaker 6: I think so.

1023
00:41:29,160 --> 00:41:31,160
Speaker 5: On the album you said I ain't never I ain't

1024
00:41:31,200 --> 00:41:34,640
Speaker 5: never lost the crush. I missed the follow up. I'm

1025
00:41:34,680 --> 00:41:38,800
Speaker 5: pretty consistent. I'm pretty consistent.

1026
00:41:38,920 --> 00:41:40,839
Speaker 2: Is the record is the one? Is that about her?

1027
00:41:41,160 --> 00:41:41,319
Speaker 6: Oh?

1028
00:41:41,440 --> 00:41:41,600
Speaker 14: Yeah?

1029
00:41:41,680 --> 00:41:41,839
Speaker 7: Yeah?

1030
00:41:41,840 --> 00:41:44,000
Speaker 6: It was inspired by for Shure. You know what I'm saying.

1031
00:41:44,040 --> 00:41:46,040
Speaker 7: She was in the studio with me. You know, when

1032
00:41:46,080 --> 00:41:49,200
Speaker 7: I record, I come off the top on right. So

1033
00:41:49,600 --> 00:41:51,840
Speaker 7: when I loaded the beat up and I was in

1034
00:41:51,920 --> 00:41:53,479
Speaker 7: the booth, like she was in the studio. One nobody

1035
00:41:53,480 --> 00:41:55,879
Speaker 7: in the studio, me hunt somebody else, you know, That's

1036
00:41:55,920 --> 00:41:56,520
Speaker 7: what came out.

1037
00:41:57,520 --> 00:41:59,759
Speaker 1: I was being a bit so so public because usually

1038
00:41:59,840 --> 00:42:02,399
Speaker 1: you was been very private about your private life, whether

1039
00:42:02,400 --> 00:42:04,560
Speaker 1: it's whoever you would dat you or family members. So

1040
00:42:04,840 --> 00:42:07,200
Speaker 1: I was it to have your life on front street.

1041
00:42:07,400 --> 00:42:08,560
Speaker 1: This is been difficult.

1042
00:42:08,800 --> 00:42:10,640
Speaker 6: It's different. I mean, I ain't gonna say it's difficult,

1043
00:42:10,680 --> 00:42:11,320
Speaker 6: but it's different.

1044
00:42:11,640 --> 00:42:12,600
Speaker 3: People judge you too much?

1045
00:42:12,680 --> 00:42:13,680
Speaker 1: Or is it always?

1046
00:42:13,719 --> 00:42:14,719
Speaker 6: Don't culling about none of that.

1047
00:42:14,840 --> 00:42:16,920
Speaker 7: Bro Again, I come from with like I don't think

1048
00:42:17,040 --> 00:42:19,440
Speaker 7: these type of like judgments and opinion, like none of

1049
00:42:19,480 --> 00:42:21,440
Speaker 7: that can really hurt me. I come from like the

1050
00:42:21,560 --> 00:42:24,239
Speaker 7: worst already, you know what I mean. So it ain't

1051
00:42:24,320 --> 00:42:26,840
Speaker 7: it's just different. It's just different. And I think the

1052
00:42:26,920 --> 00:42:30,239
Speaker 7: reason why I was never public it wasn't because an

1053
00:42:30,320 --> 00:42:32,000
Speaker 7: issue with the people or nothing, you know what I'm saying,

1054
00:42:32,120 --> 00:42:34,000
Speaker 7: more like a safety thing, you know what I'm saying.

1055
00:42:34,320 --> 00:42:35,719
Speaker 7: You know what I'm saying, Or like you don't really

1056
00:42:35,800 --> 00:42:37,400
Speaker 7: want nobody to know where your family is?

1057
00:42:37,880 --> 00:42:39,720
Speaker 6: You know what? I think? The difference is you already

1058
00:42:39,760 --> 00:42:41,239
Speaker 6: know she is, You already know who I am, and

1059
00:42:41,520 --> 00:42:42,160
Speaker 6: you know what I'm saying.

1060
00:42:42,640 --> 00:42:46,480
Speaker 2: You think you would get married? I don't know? Said

1061
00:42:46,520 --> 00:42:48,120
Speaker 2: she one is?

1062
00:42:48,440 --> 00:42:49,040
Speaker 6: You know what I'm saying.

1063
00:42:49,160 --> 00:42:53,080
Speaker 7: So we gotta see it's about time got you.

1064
00:42:53,320 --> 00:42:55,920
Speaker 2: Yeah, you listen, you that dude right now you bossed

1065
00:42:56,000 --> 00:42:58,239
Speaker 2: up on a different level. Ain't nothing like having that

1066
00:42:58,360 --> 00:42:59,719
Speaker 2: whole unit together, you know what I mean?

1067
00:43:00,120 --> 00:43:02,360
Speaker 7: Yeah, hopefully get you may or you can give me

1068
00:43:02,440 --> 00:43:04,239
Speaker 7: some pointers and some information about that.

1069
00:43:04,360 --> 00:43:05,520
Speaker 2: You know, I just got good at it.

1070
00:43:07,760 --> 00:43:09,360
Speaker 6: Ye give me some.

1071
00:43:11,560 --> 00:43:11,719
Speaker 2: You know.

1072
00:43:12,520 --> 00:43:15,480
Speaker 7: Unfortunately again coming from where we come from, and a

1073
00:43:15,560 --> 00:43:17,960
Speaker 7: lot of our people ever does. So it's like, you

1074
00:43:18,000 --> 00:43:19,600
Speaker 7: know what I'm saying, Like I ain't got nothing against it.

1075
00:43:19,800 --> 00:43:21,400
Speaker 7: Were still coming for where we come from and what

1076
00:43:21,520 --> 00:43:21,759
Speaker 7: we know.

1077
00:43:22,239 --> 00:43:24,800
Speaker 6: You know what I'm saying. So we know love, we

1078
00:43:24,920 --> 00:43:27,479
Speaker 6: know loyalty, but just the end goal I can.

1079
00:43:27,400 --> 00:43:29,839
Speaker 5: Say, I can say being married and actually doing right

1080
00:43:29,920 --> 00:43:31,800
Speaker 5: by my wife, you know in color purple and Seiy

1081
00:43:31,880 --> 00:43:33,239
Speaker 5: pointed at you and see he sa, ain't no good

1082
00:43:33,320 --> 00:43:33,719
Speaker 5: gonna come.

1083
00:43:33,680 --> 00:43:35,480
Speaker 2: To you till you do right by me. When you

1084
00:43:35,640 --> 00:43:38,560
Speaker 2: do right by your wife, absolute your life. Just man,

1085
00:43:38,640 --> 00:43:41,440
Speaker 2: you think you're doing it now? Oh my god, everything

1086
00:43:41,560 --> 00:43:44,000
Speaker 2: everything else, everything.

1087
00:43:44,160 --> 00:43:48,839
Speaker 1: You had a conversation with run Cander kind of, it's

1088
00:43:48,840 --> 00:43:50,480
Speaker 1: still gotta be awkward, nobody.

1089
00:43:50,760 --> 00:43:53,439
Speaker 7: I gotta, I gotta sit down with him. So yeah,

1090
00:43:53,600 --> 00:43:54,640
Speaker 7: it's lined up though.

1091
00:43:54,960 --> 00:43:56,760
Speaker 2: To see that that mean it's about to get serious.

1092
00:43:57,160 --> 00:43:58,120
Speaker 6: I respect.

1093
00:43:59,560 --> 00:44:01,799
Speaker 2: The song No Fake Love, man, you feel like all

1094
00:44:01,880 --> 00:44:02,600
Speaker 2: love is fake.

1095
00:44:02,520 --> 00:44:04,279
Speaker 7: For real, not at all, but a lot of it,

1096
00:44:04,560 --> 00:44:06,919
Speaker 7: most of it. I think we're in an opportunitist world.

1097
00:44:07,080 --> 00:44:09,080
Speaker 7: So I feel like, you know, people love you for

1098
00:44:09,200 --> 00:44:11,520
Speaker 7: what you could do for them, and once you stop

1099
00:44:11,680 --> 00:44:13,200
Speaker 7: doing it, or once you can't do it, you will

1100
00:44:13,280 --> 00:44:16,440
Speaker 7: see that soon that it's a different relationship with a

1101
00:44:16,520 --> 00:44:19,960
Speaker 7: different type of relationship, whether y'all hustling together, whether y'all

1102
00:44:20,080 --> 00:44:23,120
Speaker 7: just friends. A lot of situations, you know what I'm saying.

1103
00:44:23,360 --> 00:44:25,759
Speaker 7: People confuse love and opportunity.

1104
00:44:26,600 --> 00:44:28,440
Speaker 1: How we got more with Yo Gotti when we come back.

1105
00:44:28,520 --> 00:44:31,399
Speaker 1: Of course, it's hip Hop's fiftieth birthday and we're doing

1106
00:44:31,440 --> 00:44:33,759
Speaker 1: mixed all morning long, So let's get on another mix. Man,

1107
00:44:33,840 --> 00:44:36,439
Speaker 1: let me know your favorite hip hop joint. What joint

1108
00:44:36,480 --> 00:44:38,800
Speaker 1: do you love? It's the Breakfast Slub. Good morning pinting everybody.

1109
00:44:38,840 --> 00:44:42,240
Speaker 1: It's DJ Envy, Charlamagne the Guy. We are the Breakfast

1110
00:44:42,320 --> 00:44:44,759
Speaker 1: Club we're still kicking it with Yo Gotti Charlamagne.

1111
00:44:44,960 --> 00:44:46,520
Speaker 5: When you have an artists, right because you've had so

1112
00:44:46,640 --> 00:44:49,240
Speaker 5: much success with different artists. If one of the artists

1113
00:44:49,280 --> 00:44:51,160
Speaker 5: don't take off, what's that conversation?

1114
00:44:51,400 --> 00:44:53,600
Speaker 6: Like we tried? You know what I mean?

1115
00:44:53,719 --> 00:44:55,920
Speaker 7: Like I tell all my artists is from the beginning,

1116
00:44:56,080 --> 00:44:58,239
Speaker 7: we can win together. We can lose together. Like if

1117
00:44:58,280 --> 00:44:59,880
Speaker 7: I can go to the bank with you, I can

1118
00:45:00,239 --> 00:45:02,120
Speaker 7: with you too. I ain't tripping, you know what I'm saying.

1119
00:45:02,160 --> 00:45:04,800
Speaker 7: Long as we both tried our bitch to do what

1120
00:45:04,920 --> 00:45:07,400
Speaker 7: we thought we're winning. You win some, you lose some.

1121
00:45:07,600 --> 00:45:09,759
Speaker 7: You know what I'm saying, Like I ain't tripping.

1122
00:45:09,640 --> 00:45:10,960
Speaker 2: You know how you know when it's time to move on,

1123
00:45:11,080 --> 00:45:13,120
Speaker 2: though at most time, I only.

1124
00:45:13,080 --> 00:45:15,480
Speaker 7: Move on if we ain't like seeing on the same page.

1125
00:45:15,560 --> 00:45:19,200
Speaker 7: It ain't really a monetarial standpoint, you know what I'm saying,

1126
00:45:19,280 --> 00:45:21,800
Speaker 7: Because we can figure out how to adjust the numbers,

1127
00:45:22,040 --> 00:45:24,879
Speaker 7: keep getting the artist shots and it still makes sense.

1128
00:45:24,920 --> 00:45:28,200
Speaker 6: So we're not losing too much, you feel me as long.

1129
00:45:28,080 --> 00:45:30,920
Speaker 7: As I feel like we're still in it together and

1130
00:45:31,000 --> 00:45:32,840
Speaker 7: we're still trying together. You know what I'm saying that

1131
00:45:33,080 --> 00:45:35,760
Speaker 7: if we ain't on the same page. We just wasting

1132
00:45:35,800 --> 00:45:36,719
Speaker 7: each other time you.

1133
00:45:36,760 --> 00:45:39,800
Speaker 1: Look at artist as ever being a little lazy. Because

1134
00:45:39,840 --> 00:45:41,239
Speaker 1: of the social media era, they got a lot of

1135
00:45:41,280 --> 00:45:43,720
Speaker 1: things that you didn't have, right. So I remember seeing

1136
00:45:43,760 --> 00:45:45,440
Speaker 1: you come up and the things that you had to do,

1137
00:45:45,480 --> 00:45:48,680
Speaker 1: whether it was going to every homecoming, All Star event,

1138
00:45:48,800 --> 00:45:50,879
Speaker 1: super Bowl where you would travel with all your cars

1139
00:45:50,920 --> 00:45:53,360
Speaker 1: to make it a movie. Like I remember seeing that,

1140
00:45:53,480 --> 00:45:54,520
Speaker 1: and it's seeing the grind.

1141
00:45:54,680 --> 00:45:57,239
Speaker 6: I talk about this all the time more partnering them.

1142
00:45:57,280 --> 00:45:59,520
Speaker 7: They're like, it's just a different error, Like well we

1143
00:45:59,680 --> 00:46:02,520
Speaker 7: done to promote and what we've done to get in position.

1144
00:46:03,080 --> 00:46:05,279
Speaker 7: I just don't think new artists today could even do that.

1145
00:46:05,560 --> 00:46:05,680
Speaker 14: Bro.

1146
00:46:05,800 --> 00:46:07,960
Speaker 7: I remember I used to go to New Orleans to

1147
00:46:08,080 --> 00:46:11,400
Speaker 7: holler burn Man. We used to wait ten hours just

1148
00:46:11,520 --> 00:46:13,800
Speaker 7: to talk to him, Like you know what I mean. Like,

1149
00:46:13,800 --> 00:46:15,560
Speaker 7: imagine if you tell the artists come to meet you

1150
00:46:15,640 --> 00:46:18,000
Speaker 7: today and they take take you ten hours to talk

1151
00:46:18,040 --> 00:46:20,120
Speaker 7: to them, dispected like.

1152
00:46:20,160 --> 00:46:21,840
Speaker 6: Man Win thirty minutes.

1153
00:46:21,960 --> 00:46:22,520
Speaker 1: You know what I'm saying?

1154
00:46:22,719 --> 00:46:25,200
Speaker 7: Like you know, we would go to a video shoot

1155
00:46:25,480 --> 00:46:27,440
Speaker 7: and beat her all day to be in a two

1156
00:46:27,520 --> 00:46:31,600
Speaker 7: second cameo. We ain't had no trailer, no budget style

1157
00:46:31,719 --> 00:46:34,640
Speaker 7: it budget again, Man, invite a artist to the video

1158
00:46:34,680 --> 00:46:36,200
Speaker 7: and he ain't ready to shoot them when he pull up.

1159
00:46:36,719 --> 00:46:39,279
Speaker 6: You know what I'm saying. You know what I'm saying,

1160
00:46:39,760 --> 00:46:41,399
Speaker 6: it's just different, like you know what I mean.

1161
00:46:41,480 --> 00:46:43,520
Speaker 7: So, but I also think those are things that make

1162
00:46:43,680 --> 00:46:47,080
Speaker 7: people like me, like stronger on a different level, Like

1163
00:46:47,200 --> 00:46:49,960
Speaker 7: I can take more. I'm not bother easily, you know

1164
00:46:50,000 --> 00:46:52,279
Speaker 7: what I'm saying, Like I'm not really like I ain't

1165
00:46:52,320 --> 00:46:54,680
Speaker 7: phased by nothing. I already done it the hardest way

1166
00:46:54,719 --> 00:46:57,359
Speaker 7: you can do it. I haven't already been through the look,

1167
00:46:57,480 --> 00:46:59,200
Speaker 7: you know what i mean. Like, so, like, what's some

1168
00:46:59,480 --> 00:47:02,120
Speaker 7: serious somebody's like it's a joke to be tripping off

1169
00:47:02,480 --> 00:47:03,560
Speaker 7: like you painted it?

1170
00:47:04,400 --> 00:47:05,319
Speaker 6: You fitted by there?

1171
00:47:05,520 --> 00:47:08,320
Speaker 2: Like what's Young D done that made you be like,

1172
00:47:08,400 --> 00:47:08,959
Speaker 2: come on, bro.

1173
00:47:09,200 --> 00:47:12,320
Speaker 7: D ain't done nothing, Bro like cooler? Yeah, Young D

1174
00:47:12,560 --> 00:47:14,840
Speaker 7: like just getting started and he onto a great start.

1175
00:47:15,000 --> 00:47:15,600
Speaker 6: You know what I'm saying.

1176
00:47:15,800 --> 00:47:19,160
Speaker 7: He done like Doug record made Bag of Future, a

1177
00:47:19,280 --> 00:47:22,600
Speaker 7: lot of money Bag records at an early age. So

1178
00:47:22,680 --> 00:47:24,400
Speaker 7: I think he kind of ahead of his time, you

1179
00:47:24,440 --> 00:47:26,040
Speaker 7: know what I'm saying. I think he's creating a sound

1180
00:47:26,080 --> 00:47:28,200
Speaker 7: that's probably gonna be like this c MG sound for

1181
00:47:28,320 --> 00:47:29,880
Speaker 7: the next you know, next way, you.

1182
00:47:29,920 --> 00:47:36,600
Speaker 5: Got your first hundred bands yet, d Yeah, yeah, sure,

1183
00:47:36,920 --> 00:47:39,000
Speaker 5: yeah that's what That's what god. He said on the

1184
00:47:39,360 --> 00:47:41,120
Speaker 5: first hundred band said his first hundred bands felt like

1185
00:47:41,120 --> 00:47:41,399
Speaker 5: a million.

1186
00:47:41,440 --> 00:47:42,839
Speaker 2: So what did a million feel like? Then? Guy?

1187
00:47:43,160 --> 00:47:45,640
Speaker 7: Man, you know it's crazy because it's like, I mean,

1188
00:47:46,000 --> 00:47:48,839
Speaker 7: y'all got a lot of money. Man, yeah, I'm saying,

1189
00:47:49,200 --> 00:47:50,960
Speaker 7: but it's like, you know when you first get that

1190
00:47:51,160 --> 00:47:54,320
Speaker 7: first hundred that honey in the hood, you were like

1191
00:47:54,360 --> 00:47:55,920
Speaker 7: a mean hear the hood, you know what I'm saying.

1192
00:47:55,920 --> 00:47:58,480
Speaker 7: Then in Memphis, you know, yeah, like you might be

1193
00:47:58,560 --> 00:48:02,080
Speaker 7: one point five. You know what I'm saying, because it's

1194
00:48:02,160 --> 00:48:04,160
Speaker 7: like just how I feel, you know what I'm saying

1195
00:48:04,320 --> 00:48:06,440
Speaker 7: when when you get it the first time, it's a

1196
00:48:06,480 --> 00:48:08,759
Speaker 7: it's a special feeling. And I think, you know, it's

1197
00:48:08,840 --> 00:48:11,120
Speaker 7: crazy that I think we all from a coach that

1198
00:48:11,239 --> 00:48:13,960
Speaker 7: just wanted to be a millionaire at some point because

1199
00:48:14,160 --> 00:48:16,000
Speaker 7: that seemed like the end goal, like, man, if I

1200
00:48:16,040 --> 00:48:18,440
Speaker 7: can become a millionaire, that was it, right until you

1201
00:48:18,520 --> 00:48:19,120
Speaker 7: get the million.

1202
00:48:19,320 --> 00:48:22,239
Speaker 3: Then you realize like, oh manmore.

1203
00:48:21,600 --> 00:48:24,040
Speaker 6: Yeah, like this ain't the same what I thought. It was, like,

1204
00:48:24,600 --> 00:48:27,120
Speaker 6: you feel me, I need a lot more than you.

1205
00:48:27,280 --> 00:48:28,960
Speaker 7: You know what I'm saying, so, I just think it's

1206
00:48:29,040 --> 00:48:31,920
Speaker 7: different tempoles you hit like I think the honey band,

1207
00:48:32,000 --> 00:48:33,440
Speaker 7: the first hundred band is special.

1208
00:48:34,080 --> 00:48:34,640
Speaker 6: You know what I'm saying.

1209
00:48:34,719 --> 00:48:37,080
Speaker 7: In the street really too, I think it's also different.

1210
00:48:37,400 --> 00:48:38,799
Speaker 7: I don't know this, but I think if you got

1211
00:48:38,840 --> 00:48:42,160
Speaker 7: one hundred thousand dollars job, it may don't feel the

1212
00:48:42,239 --> 00:48:45,080
Speaker 7: same at the one hundred thousand dollars, five tens and

1213
00:48:45,160 --> 00:48:47,719
Speaker 7: twenties in your hand in the street, like what I'm

1214
00:48:47,760 --> 00:48:50,440
Speaker 7: breakfacing to, you know what I'm saying, because then what

1215
00:48:50,560 --> 00:48:51,680
Speaker 7: I think. You know what I mean, I never had

1216
00:48:51,719 --> 00:48:54,000
Speaker 7: a six fitt of job, you know, like they paid.

1217
00:48:53,760 --> 00:48:55,399
Speaker 6: It the job.

1218
00:48:55,480 --> 00:48:57,239
Speaker 2: There's really like fifty sixty.

1219
00:48:59,400 --> 00:49:03,040
Speaker 6: All that money, the first hundred bands and five tens

1220
00:49:03,080 --> 00:49:04,359
Speaker 6: and twenties, and it looks good.

1221
00:49:04,440 --> 00:49:06,840
Speaker 7: And you got to you know how you got stacked up,

1222
00:49:06,840 --> 00:49:09,200
Speaker 7: whether it's in ten thousan dollars stacks or one thousand

1223
00:49:09,200 --> 00:49:09,800
Speaker 7: dollar stacks.

1224
00:49:10,239 --> 00:49:10,919
Speaker 6: You know what I'm saying.

1225
00:49:11,000 --> 00:49:12,080
Speaker 2: You know I can't wait to field.

1226
00:49:12,440 --> 00:49:14,120
Speaker 7: We to man, we used to earn them. I used

1227
00:49:14,120 --> 00:49:16,480
Speaker 7: to earn my money. Put the small bills over here

1228
00:49:16,520 --> 00:49:17,759
Speaker 7: and yeah, you feel me?

1229
00:49:17,880 --> 00:49:20,920
Speaker 6: So I can't spend You know, you.

1230
00:49:21,040 --> 00:49:27,000
Speaker 7: Got one hundred thousand, a hundred downtime. You know, Come on, man,

1231
00:49:27,520 --> 00:49:28,319
Speaker 7: what you learning from.

1232
00:49:28,239 --> 00:49:29,719
Speaker 5: Hole at this point in the game, Because on the

1233
00:49:29,760 --> 00:49:32,160
Speaker 5: album you say you feel like you're right there with Hole. Yeah,

1234
00:49:32,560 --> 00:49:34,479
Speaker 5: I said, you feel like you're right there.

1235
00:49:34,400 --> 00:49:37,160
Speaker 7: With I'm your rappers favorite rappers something like that. Uh,

1236
00:49:37,600 --> 00:49:40,320
Speaker 7: I'm damned on J level, but not literally. Yeah, but

1237
00:49:40,360 --> 00:49:42,560
Speaker 7: then I make sure I tell you not literally, because

1238
00:49:42,560 --> 00:49:44,600
Speaker 7: that's that's a different level.

1239
00:49:44,680 --> 00:49:46,239
Speaker 1: That's a billion billion conversations.

1240
00:49:46,320 --> 00:49:49,799
Speaker 7: Yeah, but I say that in what I'm learning from

1241
00:49:49,880 --> 00:49:52,480
Speaker 7: Jay Now, I think it's about and it's my opinion,

1242
00:49:52,520 --> 00:49:55,840
Speaker 7: I think everything with Jay rock Nation is about impact

1243
00:49:55,960 --> 00:49:57,000
Speaker 7: at this point, you know what I mean.

1244
00:49:57,000 --> 00:49:58,719
Speaker 6: I feel like, of course they are all the money

1245
00:49:58,760 --> 00:49:59,120
Speaker 6: in the world.

1246
00:49:59,200 --> 00:50:01,600
Speaker 7: Right for me too, It's like trying to see how

1247
00:50:01,719 --> 00:50:03,799
Speaker 7: much impact can you give, you know what I'm saying,

1248
00:50:03,800 --> 00:50:06,080
Speaker 7: whether that's happening a young deal that's helping another artist,

1249
00:50:06,200 --> 00:50:08,640
Speaker 7: or whether it's creating jobs in the city, or whether

1250
00:50:08,640 --> 00:50:11,520
Speaker 7: it's just you know, helping somebody with information. You know,

1251
00:50:11,560 --> 00:50:14,239
Speaker 7: I do a lot of that, only they're probably never

1252
00:50:14,360 --> 00:50:15,920
Speaker 7: be public, you know what I mean. It's so many

1253
00:50:16,080 --> 00:50:18,320
Speaker 7: artists it's not signed to me that I get nothing

1254
00:50:18,400 --> 00:50:21,440
Speaker 7: off of that, I talk to every week different artists

1255
00:50:21,440 --> 00:50:24,080
Speaker 7: that I just you know, get information, to give advice,

1256
00:50:24,160 --> 00:50:26,520
Speaker 7: to help them with different situations. You know what I'm saying,

1257
00:50:26,719 --> 00:50:28,320
Speaker 7: try to help them go to the next level. That

1258
00:50:28,360 --> 00:50:31,160
Speaker 7: I have no financial interest in, just impact. I think

1259
00:50:31,239 --> 00:50:33,880
Speaker 7: everything is information. I take in a lot of information,

1260
00:50:34,320 --> 00:50:36,800
Speaker 7: but I also give their information back out, you know

1261
00:50:36,840 --> 00:50:37,160
Speaker 7: what I mean.

1262
00:50:37,239 --> 00:50:38,720
Speaker 6: So I think I'm just at a point.

1263
00:50:38,520 --> 00:50:40,360
Speaker 7: Where I'm trying to figure out how many things I

1264
00:50:40,440 --> 00:50:43,000
Speaker 7: can touch, how much impact I can lead in the legacy.

1265
00:50:43,800 --> 00:50:44,120
Speaker 2: I can't.

1266
00:50:44,160 --> 00:50:46,719
Speaker 5: I can't think of no artists who's got a better

1267
00:50:46,840 --> 00:50:49,640
Speaker 5: roster of artists, you know, when we've seen different people

1268
00:50:49,719 --> 00:50:52,160
Speaker 5: have different rosters at certain times. I'm talking about right now,

1269
00:50:52,200 --> 00:50:55,200
Speaker 5: at this moment, I can't think of nobody who got CMG.

1270
00:50:55,880 --> 00:50:57,320
Speaker 6: Yeah, we blessed.

1271
00:50:58,280 --> 00:51:00,360
Speaker 2: They always say that in Memphis, if you're not CMG,

1272
00:51:00,520 --> 00:51:01,120
Speaker 2: is not co work.

1273
00:51:01,280 --> 00:51:02,040
Speaker 6: No, that's not true.

1274
00:51:02,520 --> 00:51:04,840
Speaker 7: There's a lot of artists it's not CMG from Memphis,

1275
00:51:04,880 --> 00:51:05,919
Speaker 7: their work, you know what I'm saying.

1276
00:51:06,480 --> 00:51:08,239
Speaker 6: You know, we like them too. There's a lot of

1277
00:51:08,280 --> 00:51:09,920
Speaker 6: young cats right now that's killing it.

1278
00:51:10,080 --> 00:51:12,239
Speaker 7: You know what I'm saying. Who I think they're killing it?

1279
00:51:12,280 --> 00:51:14,120
Speaker 7: On the street already. I think they're gonna be the

1280
00:51:14,400 --> 00:51:16,400
Speaker 7: next wave. And they signed the different people. You know

1281
00:51:16,440 --> 00:51:18,319
Speaker 7: what I'm saying, Nah, yeah, you.

1282
00:51:18,360 --> 00:51:20,960
Speaker 2: Give them information? Do you give like that those other labels?

1283
00:51:21,040 --> 00:51:21,759
Speaker 6: Anybody, bro?

1284
00:51:22,000 --> 00:51:24,480
Speaker 7: Anybody who hit me like I'm an open book, you

1285
00:51:24,520 --> 00:51:26,879
Speaker 7: know what I'm saying, Like, I ain't hard to reach,

1286
00:51:27,000 --> 00:51:29,440
Speaker 7: so anybody can get information from me.

1287
00:51:29,520 --> 00:51:31,120
Speaker 2: Do you want new artists? Do you want more people?

1288
00:51:32,280 --> 00:51:35,560
Speaker 6: The right ones? The right one we got. We got

1289
00:51:35,560 --> 00:51:36,759
Speaker 6: a lot going on right now.

1290
00:51:36,880 --> 00:51:39,000
Speaker 7: So a bunch of artists we can't afford to be

1291
00:51:39,160 --> 00:51:41,240
Speaker 7: like if you ain't really like, if you ain't serious

1292
00:51:41,239 --> 00:51:42,279
Speaker 7: about hustling, we ain't.

1293
00:51:42,520 --> 00:51:44,200
Speaker 6: We ain't trying to get no quick check or not.

1294
00:51:44,440 --> 00:51:48,000
Speaker 1: Just you remember the artist got some glovella money bag?

1295
00:51:48,080 --> 00:51:50,280
Speaker 3: Yo is t G four two Doug black Gangster?

1296
00:51:50,320 --> 00:51:51,520
Speaker 2: What all the artists you have?

1297
00:51:51,719 --> 00:51:55,759
Speaker 7: Anybody were forgetting a big bugeyl Esus Christ I forgot

1298
00:51:55,800 --> 00:51:58,400
Speaker 7: a big boogey with something. Yeah, pop off, big booge

1299
00:51:58,480 --> 00:52:02,279
Speaker 7: popping off. Well, I just was on the phone you

1300
00:52:02,680 --> 00:52:06,040
Speaker 7: a minute ago. He's good youngster business man, bro. He

1301
00:52:06,160 --> 00:52:08,280
Speaker 7: like you actually work on a lot of other stuff.

1302
00:52:08,840 --> 00:52:10,520
Speaker 7: You know what I'm saying, a lot of real estate stuff,

1303
00:52:10,520 --> 00:52:12,120
Speaker 7: a lot of different different hustles.

1304
00:52:12,480 --> 00:52:14,800
Speaker 6: You know, little paper. We got a little pop, a

1305
00:52:14,800 --> 00:52:18,000
Speaker 6: little pop from Jacksonville, Florida, from the West coast.

1306
00:52:18,200 --> 00:52:19,240
Speaker 2: I ain't nobody do with CMG.

1307
00:52:19,480 --> 00:52:21,640
Speaker 6: Yeah, man, somebody feel you.

1308
00:52:21,640 --> 00:52:23,440
Speaker 2: Need somebody from the Carolinas. May you need somebody from

1309
00:52:23,440 --> 00:52:24,000
Speaker 2: South Carolina.

1310
00:52:24,520 --> 00:52:25,040
Speaker 6: We're looking.

1311
00:52:25,200 --> 00:52:26,800
Speaker 2: Oh you got Okay, Okay, you're looking.

1312
00:52:27,400 --> 00:52:27,799
Speaker 6: We're looking.

1313
00:52:27,880 --> 00:52:27,920
Speaker 14: No.

1314
00:52:28,080 --> 00:52:30,640
Speaker 7: I can't say that they might grab the might they

1315
00:52:30,719 --> 00:52:35,440
Speaker 7: might grab before. But we won't work somebody from Carolina,

1316
00:52:35,560 --> 00:52:40,080
Speaker 7: New York. We won't work with somebody from New York, Atlanta. Yeah,

1317
00:52:40,719 --> 00:52:43,439
Speaker 7: there's certain markets. We always wanted to like find the right.

1318
00:52:43,440 --> 00:52:46,640
Speaker 2: Artists because you know that South Carolina got always had

1319
00:52:46,680 --> 00:52:48,160
Speaker 2: big love for you. You know what I mean.

1320
00:52:48,239 --> 00:52:51,279
Speaker 7: South Carolina like a big part of our like our

1321
00:52:51,440 --> 00:52:54,160
Speaker 7: success for real, you know what I'm saying. Like if

1322
00:52:54,200 --> 00:52:56,840
Speaker 7: you if you took the Carolina's out of the picture,

1323
00:52:57,440 --> 00:52:59,520
Speaker 7: maybe you'll take a lot of high paper.

1324
00:53:01,800 --> 00:53:04,719
Speaker 6: You take a lot of people out there after what

1325
00:53:04,840 --> 00:53:06,239
Speaker 6: are we What are you talking about? Show money?

1326
00:53:06,280 --> 00:53:09,359
Speaker 7: We're talking about records, streams. A lot of it comes

1327
00:53:09,400 --> 00:53:10,160
Speaker 7: from the Carolina.

1328
00:53:10,239 --> 00:53:12,279
Speaker 2: Because Arnold Taylor was a big part of your.

1329
00:53:12,840 --> 00:53:15,200
Speaker 6: My dog is My dog. It's my dog for sure.

1330
00:53:16,040 --> 00:53:17,920
Speaker 3: All right, well the album watch said the gangster the

1331
00:53:17,920 --> 00:53:18,640
Speaker 3: Girls mixtape.

1332
00:53:19,040 --> 00:53:21,040
Speaker 1: I showed you so you can pick it up now,

1333
00:53:21,120 --> 00:53:24,080
Speaker 1: young d We appreciate you for joining us, and of

1334
00:53:24,200 --> 00:53:27,959
Speaker 1: course YO got it. Thank you brother, it's the Breakfast.

1335
00:53:31,520 --> 00:53:31,759
Speaker 6: Went on.

1336
00:53:31,880 --> 00:53:44,400
Speaker 1: Answer was cockroaches everywhere hit the rumor is the report.

1337
00:53:48,080 --> 00:53:48,239
Speaker 11: Rock.

1338
00:53:48,719 --> 00:53:50,720
Speaker 16: If you want to know if something is like cool

1339
00:53:50,920 --> 00:53:52,439
Speaker 16: or if it's hip, the only way that you're gonna

1340
00:53:52,480 --> 00:53:54,560
Speaker 16: know is if somebody from the culture.

1341
00:53:54,320 --> 00:53:56,839
Speaker 1: The black culture co signed on the Breakfast Club.

1342
00:53:59,160 --> 00:54:00,520
Speaker 3: Alright, Rocks, let's get to it.

1343
00:54:00,760 --> 00:54:02,279
Speaker 4: So Charlemagne, this is for you.

1344
00:54:02,800 --> 00:54:07,160
Speaker 16: We are talking tyresee suit home depot for one million dollars.

1345
00:54:07,239 --> 00:54:07,560
Speaker 2: All right.

1346
00:54:07,600 --> 00:54:10,200
Speaker 16: So this is what happened. He was there with two

1347
00:54:10,280 --> 00:54:15,600
Speaker 16: of his associates. They were shopping and people started recognizing him.

1348
00:54:15,880 --> 00:54:18,120
Speaker 16: So they were at the cashier and he basically told

1349
00:54:18,160 --> 00:54:20,759
Speaker 16: the cashier listen, people know me. I'm going in the car.

1350
00:54:21,239 --> 00:54:23,080
Speaker 16: Just it's okay, go ahead and swipe the credit card.

1351
00:54:23,760 --> 00:54:26,120
Speaker 16: He went in the car and then the cashier decided, no,

1352
00:54:26,200 --> 00:54:27,359
Speaker 16: I'm not swiping the credit card.

1353
00:54:27,480 --> 00:54:28,040
Speaker 4: I need ID.

1354
00:54:28,600 --> 00:54:31,840
Speaker 16: So they facetimed him and he was like, I was

1355
00:54:31,960 --> 00:54:33,960
Speaker 16: just in there five minutes ago. Like, go ahead and

1356
00:54:34,040 --> 00:54:34,879
Speaker 16: swipe the credit card.

1357
00:54:34,960 --> 00:54:35,520
Speaker 4: It's fine.

1358
00:54:35,880 --> 00:54:38,600
Speaker 16: And I think we actually have audio of him on

1359
00:54:38,800 --> 00:54:40,800
Speaker 16: FaceTime talking to the cashier.

1360
00:54:41,760 --> 00:54:45,200
Speaker 1: Can you please include that information. I was just there.

1361
00:54:45,640 --> 00:54:46,400
Speaker 2: I just walked.

1362
00:54:48,080 --> 00:54:50,160
Speaker 18: If you're going to talk to your manager, tell your

1363
00:54:50,239 --> 00:54:53,000
Speaker 18: manager the truth. I was just in the store and

1364
00:54:53,120 --> 00:54:55,759
Speaker 18: I gave my guys my credit card in front of

1365
00:54:55,880 --> 00:54:58,839
Speaker 18: your staff and team member, and I walked off. Don't

1366
00:54:58,880 --> 00:55:01,440
Speaker 18: say that I'm not there with no ID. You can

1367
00:55:01,520 --> 00:55:03,600
Speaker 18: pull up the cameras. I was there five minutes ago.

1368
00:55:03,719 --> 00:55:06,760
Speaker 18: This is completely unnecessary what you're.

1369
00:55:06,640 --> 00:55:07,319
Speaker 1: Doing right now.

1370
00:55:09,239 --> 00:55:10,200
Speaker 2: I'm not answering what.

1371
00:55:12,760 --> 00:55:15,279
Speaker 18: Man should I have the CEO of Home Depot to

1372
00:55:15,360 --> 00:55:17,520
Speaker 18: call you tomorrow because he's my neighbor.

1373
00:55:19,560 --> 00:55:20,279
Speaker 2: I mean, let's be clear.

1374
00:55:20,320 --> 00:55:22,520
Speaker 5: Tyres is famous, you know, fast and furious, but he

1375
00:55:22,640 --> 00:55:25,080
Speaker 5: does look like one version of several different people. So

1376
00:55:25,760 --> 00:55:29,279
Speaker 5: I'm just saying, you know, dawskin ball head, that fits

1377
00:55:29,320 --> 00:55:30,359
Speaker 5: a lot of descriptions. Yeah.

1378
00:55:30,400 --> 00:55:31,960
Speaker 1: But the problem is if and I don't know if

1379
00:55:31,960 --> 00:55:34,680
Speaker 1: the young lady knew who he was, but the young lady,

1380
00:55:35,040 --> 00:55:37,600
Speaker 1: you know, is certain those regulations that you have to

1381
00:55:37,640 --> 00:55:39,480
Speaker 1: do if somebody comes with a credit card, you need

1382
00:55:39,600 --> 00:55:42,560
Speaker 1: in identification in a lot of a lot of cases,

1383
00:55:42,680 --> 00:55:45,000
Speaker 1: and especially if the person is not there on FaceTime,

1384
00:55:45,080 --> 00:55:45,719
Speaker 1: that doesn't work.

1385
00:55:46,040 --> 00:55:48,360
Speaker 5: And I understand that is a point of inconvenience in

1386
00:55:48,440 --> 00:55:50,279
Speaker 5: that moment for Tyree's But what if his credit card

1387
00:55:50,360 --> 00:55:51,000
Speaker 5: was actually stole?

1388
00:55:51,080 --> 00:55:53,480
Speaker 1: Yeah? Right, if it was stolen or somebody like Charlemagne

1389
00:55:53,520 --> 00:55:55,279
Speaker 1: was on FaceTime. It was like, I'm Tyree. They kind

1390
00:55:55,280 --> 00:55:57,080
Speaker 1: of look like that's my point.

1391
00:55:57,120 --> 00:55:59,080
Speaker 5: I just said that he looks like one version of

1392
00:55:59,160 --> 00:56:02,600
Speaker 5: several different people, ballhead, Darwskin, you know, can fit a

1393
00:56:02,640 --> 00:56:03,320
Speaker 5: lot of descriptions.

1394
00:56:03,440 --> 00:56:04,719
Speaker 2: I just want to know how Tyree's got to the

1395
00:56:04,719 --> 00:56:06,960
Speaker 2: million dollar number. Well, that's what I wanted them.

1396
00:56:07,239 --> 00:56:09,040
Speaker 4: So he feels like this is discrimination?

1397
00:56:09,520 --> 00:56:09,640
Speaker 9: Uh?

1398
00:56:09,719 --> 00:56:12,319
Speaker 16: They all three of the men actually filed the suit

1399
00:56:12,400 --> 00:56:16,440
Speaker 16: saying that they have suffered shame, humiliation, and mental suffering

1400
00:56:17,400 --> 00:56:19,960
Speaker 16: and the million dollars that they're asking for is to

1401
00:56:20,040 --> 00:56:22,160
Speaker 16: cover the amount of money Tyree said he has spent

1402
00:56:22,239 --> 00:56:25,960
Speaker 16: in home Depot over the years, along with punitive damages.

1403
00:56:27,200 --> 00:56:30,400
Speaker 4: So Home Deepot did release a statement, yes, this.

1404
00:56:30,600 --> 00:56:33,440
Speaker 16: This is yes, they said, nigga, please what they say

1405
00:56:33,920 --> 00:56:36,960
Speaker 16: diversity and respect for all people, our core to who

1406
00:56:37,040 --> 00:56:40,000
Speaker 16: we are and We do not tolerate discrimination in any form.

1407
00:56:40,280 --> 00:56:42,320
Speaker 16: We value mister Gibson as a customer, and in the

1408
00:56:42,400 --> 00:56:44,560
Speaker 16: months since this happened, we've reached out to him and

1409
00:56:44,600 --> 00:56:46,680
Speaker 16: his attorney several times to try to resolve his concerns.

1410
00:56:46,719 --> 00:56:47,640
Speaker 4: We will continue to do so.

1411
00:56:47,960 --> 00:56:49,320
Speaker 5: He's going to go to court dress like he was

1412
00:56:49,400 --> 00:56:50,920
Speaker 5: in Baby Boy with a bunch of Mexicans, and he

1413
00:56:51,040 --> 00:56:52,560
Speaker 5: gonna really claimed discriminate.

1414
00:56:52,760 --> 00:56:53,400
Speaker 1: He's stupid.

1415
00:56:53,880 --> 00:56:56,680
Speaker 2: He's stupid. But I will say treated me wrong an essay.

1416
00:56:56,800 --> 00:56:59,279
Speaker 1: But I will say me, I mean, these businesses got

1417
00:56:59,360 --> 00:57:01,160
Speaker 1: to protect their sound, right, because I'm sure a lot

1418
00:57:01,160 --> 00:57:03,200
Speaker 1: of people can go to these stores and these businesses

1419
00:57:03,280 --> 00:57:05,120
Speaker 1: and say, hey, that wasn't me that charge that card,

1420
00:57:05,160 --> 00:57:06,640
Speaker 1: And when they go to the camera, if that person

1421
00:57:06,760 --> 00:57:09,760
Speaker 1: is not there charging that card, they're not live, they're liable,

1422
00:57:09,840 --> 00:57:10,000
Speaker 1: you know.

1423
00:57:10,120 --> 00:57:12,719
Speaker 4: So and that's essentially what the kasher said, like this

1424
00:57:12,880 --> 00:57:13,760
Speaker 4: is policy.

1425
00:57:13,560 --> 00:57:16,440
Speaker 2: Right, Like how we notice ain't tight Diggs, that's all ye,

1426
00:57:17,320 --> 00:57:17,640
Speaker 2: all right?

1427
00:57:17,760 --> 00:57:19,840
Speaker 16: So I saw this story yesterday, and you know, I'm

1428
00:57:19,840 --> 00:57:24,240
Speaker 16: always drawn to mom's stories. So we have seen Rihanna

1429
00:57:24,360 --> 00:57:29,280
Speaker 16: through her past two pregnancies, wearing the sexiest outfit, showing

1430
00:57:29,320 --> 00:57:30,160
Speaker 16: off her baby.

1431
00:57:29,920 --> 00:57:31,280
Speaker 4: Bump in the biggest way.

1432
00:57:31,680 --> 00:57:34,800
Speaker 16: So Serena Williams just posted a picture on her you know,

1433
00:57:34,920 --> 00:57:38,480
Speaker 16: ig wearing this like little Gucci outfit, a little skirt

1434
00:57:38,560 --> 00:57:39,520
Speaker 16: with like a top, and her.

1435
00:57:39,480 --> 00:57:42,040
Speaker 4: Belly is on blast, and for some reason, she is

1436
00:57:42,080 --> 00:57:43,320
Speaker 4: not getting the love that Rihanna.

1437
00:57:43,360 --> 00:57:46,280
Speaker 16: God, she was getting criticized by a lot of people saying, oh,

1438
00:57:46,360 --> 00:57:48,400
Speaker 16: she's dressing like Rihanna, she need to put on clothes,

1439
00:57:48,760 --> 00:57:51,360
Speaker 16: even though yes, she did get support from her followers,

1440
00:57:51,400 --> 00:57:53,120
Speaker 16: but she was also getting a lot of heat.

1441
00:57:53,520 --> 00:57:55,760
Speaker 4: So I just feel like, why is it okay for

1442
00:57:55,880 --> 00:57:58,280
Speaker 4: Rihanna and now Serena. I don't get it.

1443
00:57:59,440 --> 00:58:02,280
Speaker 5: I need more context. Why do you need more I

1444
00:58:02,320 --> 00:58:04,520
Speaker 5: don't understand. I mean I don't understand either, Like, what's

1445
00:58:04,760 --> 00:58:05,080
Speaker 5: the problem?

1446
00:58:05,120 --> 00:58:06,520
Speaker 3: Doesn't even there is?

1447
00:58:06,680 --> 00:58:07,760
Speaker 4: There should not be a problem.

1448
00:58:07,960 --> 00:58:11,160
Speaker 5: To be honest, Serena has always intimidated people though, you

1449
00:58:11,200 --> 00:58:13,479
Speaker 5: know what I'm saying, because she's she's a beautiful woman

1450
00:58:13,680 --> 00:58:18,600
Speaker 5: with her muscular appearance, her physique, that's always intimidated people.

1451
00:58:18,640 --> 00:58:20,480
Speaker 2: That made people uncomfortable. So I think that's probably what

1452
00:58:20,560 --> 00:58:20,760
Speaker 2: it is.

1453
00:58:20,840 --> 00:58:22,520
Speaker 4: It should it should not be. It should not be.

1454
00:58:22,600 --> 00:58:24,960
Speaker 16: And if you look at her outfit, she actually has

1455
00:58:25,000 --> 00:58:27,840
Speaker 16: on more clothes than Rihanna normally does, so it should not.

1456
00:58:27,840 --> 00:58:29,840
Speaker 5: Be back in the conversation we was having another day

1457
00:58:29,840 --> 00:58:31,840
Speaker 5: where we were talking about, uh, you know when when

1458
00:58:31,960 --> 00:58:36,000
Speaker 5: black women, you know, are a certain shape, they can

1459
00:58:36,080 --> 00:58:38,680
Speaker 5: have one a regular thing that a woman they can

1460
00:58:38,720 --> 00:58:40,680
Speaker 5: have on the same out of the woman can have

1461
00:58:40,760 --> 00:58:42,800
Speaker 5: the same shape, and it makes people uncomfortable.

1462
00:58:43,400 --> 00:58:45,080
Speaker 4: And I think there's been like a few cases that

1463
00:58:45,160 --> 00:58:45,880
Speaker 4: that has popped up.

1464
00:58:47,240 --> 00:58:50,640
Speaker 6: Was it a home depot or I don't know what

1465
00:58:50,760 --> 00:58:52,800
Speaker 6: it was that was having a conversation.

1466
00:58:54,320 --> 00:58:56,120
Speaker 4: All right, do we have time for one more?

1467
00:58:56,560 --> 00:58:58,920
Speaker 1: Okay, never mind that is.

1468
00:58:58,960 --> 00:59:00,840
Speaker 3: Your rumor reports? Shall I mean donkey to day? Well,

1469
00:59:00,840 --> 00:59:01,760
Speaker 3: give me a donkey two man.

1470
00:59:01,680 --> 00:59:02,320
Speaker 2: For after the hour.

1471
00:59:02,360 --> 00:59:04,520
Speaker 5: I need a young brother named Seth Berman to come

1472
00:59:04,560 --> 00:59:06,040
Speaker 5: to the front of the congregation. We like to have

1473
00:59:06,120 --> 00:59:08,000
Speaker 5: a word with him. And we're also going to have

1474
00:59:08,080 --> 00:59:10,880
Speaker 5: a nice conversation about the target effect. Y'all know what

1475
00:59:10,960 --> 00:59:13,840
Speaker 5: the target effect is? Right when you go on target,

1476
00:59:14,320 --> 00:59:15,160
Speaker 5: you can't just get one.

1477
00:59:16,360 --> 00:59:18,520
Speaker 1: Yeah, all right, we'll discuss we'll get to that next

1478
00:59:18,600 --> 00:59:20,320
Speaker 1: and uh, we got a new record that we're about

1479
00:59:20,320 --> 00:59:23,160
Speaker 1: to get on this DJ Khalid Future Little Baby and.

1480
00:59:23,200 --> 00:59:26,240
Speaker 5: The new record yeah, because cald has been making a

1481
00:59:26,240 --> 00:59:28,760
Speaker 5: different version of the exact same song for a long time.

1482
00:59:29,560 --> 00:59:30,800
Speaker 1: Well you listening and tell us.

1483
00:59:30,800 --> 00:59:32,440
Speaker 2: I already heard it. That's why I hate that comment.

1484
00:59:32,520 --> 00:59:35,560
Speaker 15: It's the breakfast over the morning, the breakfast Club. Your

1485
00:59:35,640 --> 00:59:37,600
Speaker 15: mornings will never be the same.

1486
00:59:38,560 --> 00:59:41,360
Speaker 1: Our orderable pick of the day is DJ Drama's gangst

1487
00:59:41,360 --> 00:59:44,840
Speaker 1: the Grill podcast. Here, DJ Drama and some legendary artists

1488
00:59:44,840 --> 00:59:47,880
Speaker 1: breakdown hip hop mixtape history. Listen when you sign up

1489
00:59:47,880 --> 00:59:50,480
Speaker 1: for a free trial at audible dot com. Slash DJ Drama.

1490
00:59:54,040 --> 00:59:57,240
Speaker 3: Damn heg, it's time for.

1491
00:59:58,720 --> 01:00:00,760
Speaker 1: I mean trying to be dunky the day no more.

1492
01:00:00,840 --> 01:00:03,040
Speaker 5: They should be embarrassed by what they already did. I'm

1493
01:00:03,080 --> 01:00:04,440
Speaker 5: not making these people do these days.

1494
01:00:04,360 --> 01:00:07,160
Speaker 3: Called Donkey of the day, and it really caught me

1495
01:00:07,280 --> 01:00:07,760
Speaker 3: off guard.

1496
01:00:07,960 --> 01:00:10,880
Speaker 8: Damn Charlamagne, who got the donkey out of the day

1497
01:00:10,960 --> 01:00:11,320
Speaker 8: to day?

1498
01:00:12,840 --> 01:00:15,720
Speaker 5: Well, donkey today for Friday, August eleventh goes to Seth Berman.

1499
01:00:15,840 --> 01:00:17,680
Speaker 5: Seth Berman is thirty four years old and he hells

1500
01:00:17,680 --> 01:00:20,760
Speaker 5: from the Great City of Atlanta, Georgia. Seth is suffering

1501
01:00:21,080 --> 01:00:25,040
Speaker 5: from what psychologists call the target effect. Everybody in America's

1502
01:00:25,040 --> 01:00:27,600
Speaker 5: suffers from the target effect. Doesn't matter what your financial

1503
01:00:27,600 --> 01:00:30,520
Speaker 5: status is. The reality of the situation is none of

1504
01:00:30,600 --> 01:00:33,200
Speaker 5: us can go into Target and get one thing. I know,

1505
01:00:33,280 --> 01:00:35,840
Speaker 5: I'm speaking directly to you right now. You feel seen,

1506
01:00:35,960 --> 01:00:38,840
Speaker 5: don't you, maybe even triggered? Trust me, I understand every

1507
01:00:38,920 --> 01:00:42,400
Speaker 5: single emotion you are dealing with. I get and psychologists

1508
01:00:42,440 --> 01:00:42,720
Speaker 5: do too.

1509
01:00:42,920 --> 01:00:43,600
Speaker 2: It's a real thing.

1510
01:00:43,800 --> 01:00:46,160
Speaker 5: You're going to Target to buy one thing, maybe you know,

1511
01:00:46,360 --> 01:00:47,960
Speaker 5: a good fellow T shirt. Next thing, you know, you

1512
01:00:48,040 --> 01:00:49,880
Speaker 5: walking out with one hundred dollars worth of stuff and

1513
01:00:49,960 --> 01:00:51,880
Speaker 5: you have no idea how that happened.

1514
01:00:52,040 --> 01:00:54,520
Speaker 2: All right. Target does that to humans, so much so

1515
01:00:54,920 --> 01:00:59,080
Speaker 2: that clinical psychologists have released tips on how to stage

1516
01:00:59,120 --> 01:01:00,800
Speaker 2: your own target interventions.

1517
01:01:00,840 --> 01:01:03,200
Speaker 5: Okay, Target is a trap, all right, because the story

1518
01:01:03,240 --> 01:01:05,920
Speaker 5: isn't the actual target you are. Do you realize that

1519
01:01:06,280 --> 01:01:10,680
Speaker 5: everything in Target is strategically placed there to keep you there,

1520
01:01:11,040 --> 01:01:13,840
Speaker 5: everything from the lighting, the bright colors. They say it

1521
01:01:13,920 --> 01:01:16,600
Speaker 5: brightens your effect and you tend to have a pretty

1522
01:01:16,640 --> 01:01:19,040
Speaker 5: good time there. So it's conducive to buying. You know,

1523
01:01:19,200 --> 01:01:21,120
Speaker 5: of course you're gonna you know, spend more in a

1524
01:01:21,160 --> 01:01:22,840
Speaker 5: place that you spend more time. And not to mention,

1525
01:01:23,200 --> 01:01:25,960
Speaker 5: it's a Starbucks in all of them, so that adds

1526
01:01:25,960 --> 01:01:26,680
Speaker 5: another addiction.

1527
01:01:27,200 --> 01:01:30,400
Speaker 2: Okay, Starbucks, heroin same thing. Target also places things in

1528
01:01:30,480 --> 01:01:33,360
Speaker 2: strategic places to boost cross selling. And then they have

1529
01:01:33,480 --> 01:01:36,480
Speaker 2: these things called lifestyle settings that help you visualize the

1530
01:01:36,560 --> 01:01:39,320
Speaker 2: goods in your home. Once you see it, once you

1531
01:01:39,440 --> 01:01:41,760
Speaker 2: can see it in your place of residence, you want

1532
01:01:41,800 --> 01:01:43,160
Speaker 2: it in your place of residence. Okay.

1533
01:01:43,160 --> 01:01:45,800
Speaker 5: And I'm not even gonna get into the psychological pricing

1534
01:01:45,880 --> 01:01:48,200
Speaker 5: Target does. Oh, they make you think you're getting a

1535
01:01:48,280 --> 01:01:50,920
Speaker 5: deal just because it's a nine at the end of

1536
01:01:51,000 --> 01:01:53,000
Speaker 5: the price. If it has a nine on the end

1537
01:01:53,040 --> 01:01:55,600
Speaker 5: of the price, it appears to be on sale. Therefore

1538
01:01:55,640 --> 01:01:57,600
Speaker 5: you can't pass it up. Those are just a few

1539
01:01:57,600 --> 01:02:00,600
Speaker 5: of the reasons the Target effect is real. And that's

1540
01:02:00,640 --> 01:02:02,920
Speaker 5: the reason why you can never leave Target with just

1541
01:02:03,040 --> 01:02:06,360
Speaker 5: one thing. And step Berman, he fell victim to that.

1542
01:02:06,480 --> 01:02:08,560
Speaker 5: See he went to Target for one thing, but like

1543
01:02:08,680 --> 01:02:11,080
Speaker 5: most of us, couldn't leave with just one thing.

1544
01:02:11,240 --> 01:02:13,040
Speaker 2: Let's go to Fox five Atlanta for the report police

1545
01:02:13,240 --> 01:02:14,680
Speaker 2: this there's an also released.

1546
01:02:14,360 --> 01:02:17,000
Speaker 14: New video of a shoplifting suspect being arrested.

1547
01:02:17,080 --> 01:02:17,560
Speaker 1: Take a look.

1548
01:02:18,080 --> 01:02:21,880
Speaker 14: This is the Target located on Caroline Street.

1549
01:02:22,280 --> 01:02:22,680
Speaker 6: Atlanta.

1550
01:02:22,720 --> 01:02:25,720
Speaker 14: Police say an officer was flagged down by a security guard.

1551
01:02:25,840 --> 01:02:29,200
Speaker 14: That guard told authorities that the man stole two televisions

1552
01:02:29,240 --> 01:02:29,800
Speaker 14: from the store.

1553
01:02:30,200 --> 01:02:31,240
Speaker 1: They say when the man was.

1554
01:02:31,280 --> 01:02:34,920
Speaker 14: Caught outside the store, he fought the officer until backup arrived.

1555
01:02:35,400 --> 01:02:38,600
Speaker 14: Both the suspect and officer suffered minor injuries.

1556
01:02:39,440 --> 01:02:41,400
Speaker 5: Now, police say he was on drugs during all of this.

1557
01:02:41,520 --> 01:02:44,800
Speaker 5: But this wasn't weed, it wasn't shrooms, it wasn't Rihanna's

1558
01:02:44,800 --> 01:02:47,040
Speaker 5: makeup he was using. This man was under the influence

1559
01:02:47,080 --> 01:02:47,520
Speaker 5: of target.

1560
01:02:47,600 --> 01:02:50,360
Speaker 2: Okay, the target effect is a stronger drugg than all

1561
01:02:50,440 --> 01:02:52,760
Speaker 2: those things mentioned. That's why he went back to the

1562
01:02:52,880 --> 01:02:55,720
Speaker 2: scene of the crime because mentally he never left. See

1563
01:02:55,720 --> 01:02:58,360
Speaker 2: if you only get one thing from target, you hear

1564
01:02:58,480 --> 01:02:59,800
Speaker 2: Kobe Bryant in your brain.

1565
01:02:59,680 --> 01:03:03,680
Speaker 1: Saying, job's not finished. Job finished. I don't think so,

1566
01:03:04,120 --> 01:03:04,520
Speaker 1: that's right.

1567
01:03:04,680 --> 01:03:06,360
Speaker 5: The target effect is so real that when his brother

1568
01:03:06,440 --> 01:03:09,760
Speaker 5: got caught leaving the store with the TV, he didn't

1569
01:03:09,800 --> 01:03:10,760
Speaker 5: think about running away.

1570
01:03:11,120 --> 01:03:13,400
Speaker 2: He thought about running back into the store.

1571
01:03:13,680 --> 01:03:13,919
Speaker 6: Okay.

1572
01:03:14,000 --> 01:03:15,720
Speaker 5: That's like an animal that's been locked in the cage

1573
01:03:15,720 --> 01:03:17,640
Speaker 5: and instead of running off into the wild to get free,

1574
01:03:17,760 --> 01:03:20,120
Speaker 5: they run back into the zoo. I know y'all want

1575
01:03:20,160 --> 01:03:23,240
Speaker 5: to blame drugs, but trust me, this is the target effect. Okay,

1576
01:03:23,280 --> 01:03:25,600
Speaker 5: as I'm doing this, donkey right now, there's someone pulling

1577
01:03:25,680 --> 01:03:27,960
Speaker 5: up the target for one thing and they gonna come

1578
01:03:28,000 --> 01:03:30,920
Speaker 5: out thirty minutes later with at least three to five items.

1579
01:03:31,080 --> 01:03:33,440
Speaker 2: Okay, Now let's talk about Seth as a thief. He

1580
01:03:33,560 --> 01:03:37,680
Speaker 2: simply got too greedy because he did successfully steal one TV.

1581
01:03:38,240 --> 01:03:41,360
Speaker 2: He was free and clear, but his greed made him

1582
01:03:41,440 --> 01:03:44,280
Speaker 2: go back to steal another one. This is a prime

1583
01:03:44,360 --> 01:03:46,880
Speaker 2: example that we get too greedy. Okay, he successfully stole

1584
01:03:46,960 --> 01:03:49,280
Speaker 2: one TV, he was free and clear, with his greed

1585
01:03:49,600 --> 01:03:52,120
Speaker 2: mixed with the target effect made him go back to

1586
01:03:52,240 --> 01:03:54,400
Speaker 2: get another sixty five inch TV.

1587
01:03:54,760 --> 01:03:57,280
Speaker 5: Why did he need another TV? I know football season

1588
01:03:57,360 --> 01:03:59,520
Speaker 5: on the way, but damn what you building the sports box?

1589
01:04:00,080 --> 01:04:01,440
Speaker 5: You need to have more than one TV to have

1590
01:04:01,520 --> 01:04:03,560
Speaker 5: more than one game on at the same time. Maybe

1591
01:04:03,600 --> 01:04:05,440
Speaker 5: he wanted to play Call of Duty and watch The

1592
01:04:05,480 --> 01:04:07,760
Speaker 5: Breakfast Club on BT at the same time. I don't

1593
01:04:07,840 --> 01:04:10,280
Speaker 5: know what, Seth, did you have to go back to

1594
01:04:10,400 --> 01:04:12,800
Speaker 5: the same exact targets you stole from the first time.

1595
01:04:13,760 --> 01:04:16,240
Speaker 5: I did some research, and by research I mean Google,

1596
01:04:16,400 --> 01:04:19,200
Speaker 5: and it's at least eight targets in the Atlanta area.

1597
01:04:19,400 --> 01:04:21,680
Speaker 5: You're telling me the target effect is so scrump that

1598
01:04:21,800 --> 01:04:24,160
Speaker 5: you couldn't even leave the target you was.

1599
01:04:24,160 --> 01:04:27,440
Speaker 2: At to go to another one. Huh, you stuck on

1600
01:04:27,520 --> 01:04:30,160
Speaker 2: stupid like a woman who's addicted to a terrible man

1601
01:04:30,200 --> 01:04:33,040
Speaker 2: with good penis. All right, this man ain't got no job,

1602
01:04:33,120 --> 01:04:35,840
Speaker 2: no ambition. He cheats on you constantly, had another baby mammy.

1603
01:04:35,840 --> 01:04:36,600
Speaker 2: He's still sleeping with.

1604
01:04:36,880 --> 01:04:39,960
Speaker 5: But you still end up under him every other day,

1605
01:04:40,200 --> 01:04:42,880
Speaker 5: letting him sweat on you. That had nothing to do

1606
01:04:42,960 --> 01:04:44,640
Speaker 5: with anything. I just wanted to make you feel bad.

1607
01:04:44,840 --> 01:04:47,919
Speaker 5: But still sleeping with that brother under modification or for short,

1608
01:04:48,120 --> 01:04:48,760
Speaker 5: you can just call.

1609
01:04:48,720 --> 01:04:49,240
Speaker 1: Him a bummer.

1610
01:04:49,800 --> 01:04:52,200
Speaker 2: Please give seth Berman to sweet sounds of the Hamiltons.

1611
01:04:52,560 --> 01:05:00,680
Speaker 19: Oh no, you are the dog of the day, all

1612
01:05:00,840 --> 01:05:04,880
Speaker 19: the doggie, all the day.

1613
01:05:06,000 --> 01:05:06,120
Speaker 7: Ye.

1614
01:05:10,080 --> 01:05:12,280
Speaker 2: I wonder what triggered people more during that donkey today

1615
01:05:12,320 --> 01:05:14,680
Speaker 2: realizing that you know, we all have been victims of

1616
01:05:14,720 --> 01:05:17,520
Speaker 2: the target effect, are realizing that you are still sleeping

1617
01:05:17,800 --> 01:05:19,280
Speaker 2: with a terrible man with good penis?

1618
01:05:20,520 --> 01:05:21,160
Speaker 1: Which one for you?

1619
01:05:21,840 --> 01:05:22,160
Speaker 2: Hm hm.

1620
01:05:25,720 --> 01:05:26,000
Speaker 1: M h.

1621
01:05:27,640 --> 01:05:29,800
Speaker 3: All right, well bet e t thank you. We'll see

1622
01:05:29,840 --> 01:05:30,479
Speaker 3: y'all on money.

1623
01:05:30,520 --> 01:05:32,520
Speaker 5: That I almost told people you the bum that I'm

1624
01:05:32,520 --> 01:05:37,000
Speaker 5: sleeping with now I almost told people that I might.

1625
01:05:36,880 --> 01:05:39,520
Speaker 2: Have just did now what now what?

1626
01:05:40,400 --> 01:05:41,640
Speaker 1: Mm hmmm, sir, I'm not a bum.

1627
01:05:42,320 --> 01:05:46,160
Speaker 2: Yeah, you're a beige on the modification.

1628
01:05:50,280 --> 01:05:55,840
Speaker 1: It's getting awkward and strange. Okay, been awkward and strange.

1629
01:05:56,400 --> 01:06:04,520
Speaker 1: Welcome Roxy, all right, I feel like all right, everybody

1630
01:06:04,600 --> 01:06:07,480
Speaker 1: else again? Shot to b e t everybody else. Let's

1631
01:06:07,520 --> 01:06:10,080
Speaker 1: open up the phone lines. Today. We are celebrating fifty

1632
01:06:10,240 --> 01:06:13,240
Speaker 1: years of hip hop. So we're asking eight hundred five

1633
01:06:13,280 --> 01:06:18,600
Speaker 1: eight five one five one. Our little niece, Nyla. She

1634
01:06:18,720 --> 01:06:23,960
Speaker 1: popped up and great question. She said when No, she

1635
01:06:24,040 --> 01:06:26,160
Speaker 1: said when, She didn't say when, she said if? When

1636
01:06:26,320 --> 01:06:30,440
Speaker 1: she said when? She said, if aliens touched down, When

1637
01:06:30,520 --> 01:06:33,760
Speaker 1: the aliens touched down and you had to explain hip hop,

1638
01:06:34,240 --> 01:06:37,920
Speaker 1: what album would you use to explain hip hop to them?

1639
01:06:38,040 --> 01:06:40,200
Speaker 2: What album would I give them to say this is

1640
01:06:40,280 --> 01:06:40,600
Speaker 2: hip hop?

1641
01:06:40,720 --> 01:06:41,000
Speaker 1: Correct?

1642
01:06:41,080 --> 01:06:41,360
Speaker 2: Okay?

1643
01:06:41,560 --> 01:06:44,680
Speaker 1: Eight hundred five five one o five one easy call?

1644
01:06:45,400 --> 01:06:45,800
Speaker 1: Not when?

1645
01:06:46,880 --> 01:06:48,160
Speaker 4: No, I think it's when it's not?

1646
01:06:48,200 --> 01:06:50,720
Speaker 1: When? When it's only a matter of time, If aliens

1647
01:06:50,880 --> 01:06:56,480
Speaker 1: touchdown on Earth and they wanted to say hip hop, Oh,

1648
01:06:56,600 --> 01:06:58,880
Speaker 1: I can't wait till they cancel you for teacher, what's

1649
01:06:58,880 --> 01:07:01,439
Speaker 1: going to happen when the aliens come and they become

1650
01:07:01,440 --> 01:07:03,480
Speaker 1: a part of our society. They're gonna go back to

1651
01:07:03,560 --> 01:07:05,760
Speaker 1: this four or five years from now and they're gonna

1652
01:07:05,760 --> 01:07:07,080
Speaker 1: cancel you for mocking them.

1653
01:07:07,360 --> 01:07:09,480
Speaker 2: Say do it again? Do it against what?

1654
01:07:09,640 --> 01:07:10,000
Speaker 3: That's hip?

1655
01:07:10,120 --> 01:07:10,600
Speaker 13: What did they do?

1656
01:07:13,920 --> 01:07:14,840
Speaker 1: That's what they sound like.

1657
01:07:16,720 --> 01:07:20,760
Speaker 2: I don't know. I'm keeping all my thoughts to myself.

1658
01:07:20,840 --> 01:07:23,360
Speaker 3: Eight hundred and five five discussion.

1659
01:07:23,400 --> 01:07:27,480
Speaker 2: That's not like no alien to me. Did y'all the

1660
01:07:29,320 --> 01:07:30,920
Speaker 2: aliens and aliens to get this off?

1661
01:07:31,000 --> 01:07:34,720
Speaker 1: But the other day, aliens we want to know what

1662
01:07:34,920 --> 01:07:38,440
Speaker 1: hip hop is. I don't know. I'm not messing with

1663
01:07:38,480 --> 01:07:40,320
Speaker 1: you with them, but I'm not.

1664
01:07:46,000 --> 01:07:49,800
Speaker 15: It's topic times called eight hundred five five, one oh

1665
01:07:49,840 --> 01:07:52,200
Speaker 15: five one to join into the discussion with the Breakfast Club.

1666
01:07:53,720 --> 01:07:55,920
Speaker 3: Good morning everybody at ce j n V.

1667
01:07:56,160 --> 01:07:58,640
Speaker 1: Charlamagne the God. We are the Breakfast Club. We got

1668
01:07:58,640 --> 01:08:02,680
Speaker 1: our special guest host, Roxy Romeo, and today, of course

1669
01:08:02,880 --> 01:08:05,280
Speaker 1: is fifty years of hip hop. Now, our niece Snyler

1670
01:08:05,320 --> 01:08:08,360
Speaker 1: Simona's up here and she asks, you know, if aliens

1671
01:08:08,440 --> 01:08:10,840
Speaker 1: came and touched down on Earth and you had to

1672
01:08:10,880 --> 01:08:13,680
Speaker 1: explain hip hop, what album would you give them that

1673
01:08:13,840 --> 01:08:14,280
Speaker 1: would you know?

1674
01:08:14,640 --> 01:08:17,360
Speaker 3: Pretty much break down hip hop? So that is the question.

1675
01:08:17,520 --> 01:08:19,680
Speaker 3: Eight hundred and five eight five one on five is

1676
01:08:19,720 --> 01:08:20,120
Speaker 3: one album?

1677
01:08:21,200 --> 01:08:24,920
Speaker 1: If this one don't start, I'm gonna start just one album,

1678
01:08:25,160 --> 01:08:25,679
Speaker 1: one album.

1679
01:08:26,320 --> 01:08:28,000
Speaker 2: This was an easy call for me. I thought it

1680
01:08:28,120 --> 01:08:29,680
Speaker 2: was gonna be tougher than it was. But when the

1681
01:08:29,760 --> 01:08:33,479
Speaker 2: extraterrestrials get here, our family from other planets, the album

1682
01:08:33,600 --> 01:08:36,200
Speaker 2: I'm going to give them is Let's get It Thug

1683
01:08:36,280 --> 01:08:39,560
Speaker 2: Motivation one on one by Young Jeez. That feels like

1684
01:08:39,880 --> 01:08:42,160
Speaker 2: a good welcome to Earth album.

1685
01:08:42,240 --> 01:08:45,559
Speaker 5: And when you hear the first song on that album,

1686
01:08:45,600 --> 01:08:48,160
Speaker 5: the Thug Motivation one on one, the way that beat

1687
01:08:48,240 --> 01:08:50,760
Speaker 5: comes in and Jez's ad libs, and then when the

1688
01:08:50,800 --> 01:08:52,120
Speaker 5: beat drops and he was I used to hit the

1689
01:08:52,160 --> 01:08:54,960
Speaker 5: kitchen lights. It was cockroaches everywhere. That just feels like

1690
01:08:55,040 --> 01:08:57,280
Speaker 5: a good welcome to Earth album. I feel like that

1691
01:08:57,400 --> 01:09:01,240
Speaker 5: sets the tone for those you know, beings from other

1692
01:09:01,520 --> 01:09:02,080
Speaker 5: other planets.

1693
01:09:02,120 --> 01:09:02,560
Speaker 1: What about you?

1694
01:09:03,520 --> 01:09:05,880
Speaker 16: This is very cliche, but I got to go with

1695
01:09:06,120 --> 01:09:09,400
Speaker 16: my ladies. It is definitely the Miseducation of larn Hill. Okay,

1696
01:09:10,080 --> 01:09:12,679
Speaker 16: like beginning to end, you can't skip this. You don't

1697
01:09:12,680 --> 01:09:14,800
Speaker 16: need to skip one song. All of it is amazing O.

1698
01:09:14,880 --> 01:09:17,800
Speaker 2: Great album, fantastic album, but what if the aliens are misogynistic?

1699
01:09:17,840 --> 01:09:18,600
Speaker 2: They mean I want to hear that.

1700
01:09:19,800 --> 01:09:24,400
Speaker 1: Yeah, well, well for me, nas illmatic, I just think

1701
01:09:24,479 --> 01:09:28,040
Speaker 1: that that represents hip hop. I mean, because you know,

1702
01:09:28,120 --> 01:09:30,479
Speaker 1: they can have a song for aliens all the aliens

1703
01:09:30,520 --> 01:09:33,640
Speaker 1: locked up, which is well love, because I'm sure that

1704
01:09:33,760 --> 01:09:36,479
Speaker 1: some aliens locked up. Then as far as the world

1705
01:09:36,560 --> 01:09:38,439
Speaker 1: is yours for the aliens out there, that really might

1706
01:09:38,520 --> 01:09:40,000
Speaker 1: not have you know, they need.

1707
01:09:39,920 --> 01:09:41,559
Speaker 5: The super ass song to play for the aliens. Now,

1708
01:09:41,760 --> 01:09:45,840
Speaker 5: that is the dumbest song to play for aliens. It's

1709
01:09:45,960 --> 01:09:47,280
Speaker 5: not theirs, you idiot.

1710
01:09:47,360 --> 01:09:49,160
Speaker 1: But they can grow and they can say the world

1711
01:09:49,240 --> 01:09:51,000
Speaker 1: is yours, young alien, you could get out there and

1712
01:09:51,080 --> 01:09:51,280
Speaker 1: do it.

1713
01:09:51,320 --> 01:09:52,880
Speaker 2: They'd be like, all y'all know is the world.

1714
01:09:53,000 --> 01:09:55,719
Speaker 5: We know the whole universe, and we been traveling worlds,

1715
01:09:56,040 --> 01:09:57,240
Speaker 5: the little bum ass hurtling.

1716
01:09:57,320 --> 01:09:59,080
Speaker 1: And then the way that the aliens move is like

1717
01:09:59,120 --> 01:10:02,479
Speaker 1: a New York state of militant, fast, strong, aggressive, Like

1718
01:10:02,520 --> 01:10:03,720
Speaker 1: that's the New York state of mind.

1719
01:10:03,880 --> 01:10:06,519
Speaker 5: No, yes, and they've seen the old universe and they're

1720
01:10:06,560 --> 01:10:07,760
Speaker 5: not gonna be impressed by New York.

1721
01:10:07,760 --> 01:10:08,920
Speaker 3: And they gotta represent.

1722
01:10:09,000 --> 01:10:13,440
Speaker 1: Represent, represent represent alien nations, represent represent.

1723
01:10:13,360 --> 01:10:15,439
Speaker 3: That, you know what I mean, so I think I

1724
01:10:15,560 --> 01:10:17,440
Speaker 3: think it is illmatic.

1725
01:10:18,040 --> 01:10:20,400
Speaker 5: You defended the aliens. You offended them by mocking them,

1726
01:10:20,439 --> 01:10:23,000
Speaker 5: all right, that's number one. That's number one. You offended

1727
01:10:23,040 --> 01:10:24,800
Speaker 5: them by saying the world is yours, and you know,

1728
01:10:24,840 --> 01:10:26,720
Speaker 5: actually they're gonna be like, you know what, this is ours,

1729
01:10:26,920 --> 01:10:27,840
Speaker 5: We're gonna take this over.

1730
01:10:28,160 --> 01:10:30,200
Speaker 2: That's number one. And number three, you're gonna tell them

1731
01:10:30,320 --> 01:10:31,720
Speaker 2: in the New York state of mind, when they've seen

1732
01:10:31,800 --> 01:10:33,759
Speaker 2: the whole universe, they've seen.

1733
01:10:33,800 --> 01:10:38,360
Speaker 16: All these place like sure they're here already anyway, New

1734
01:10:38,439 --> 01:10:39,519
Speaker 16: York milky waist.

1735
01:10:41,120 --> 01:10:43,600
Speaker 1: Now we have our young nieces. We're about to do

1736
01:10:44,000 --> 01:10:45,320
Speaker 1: pasts in a little bit.

1737
01:10:45,400 --> 01:10:48,040
Speaker 3: But what is your album? Aliens come to you and

1738
01:10:48,120 --> 01:10:50,280
Speaker 3: sayt nyla, tell us what you like?

1739
01:10:50,760 --> 01:10:53,559
Speaker 20: Tell me what I like the album item that breaks

1740
01:10:53,600 --> 01:10:57,679
Speaker 20: down hip hop trying. I feel like it covers young

1741
01:10:57,880 --> 01:10:58,479
Speaker 20: and the old.

1742
01:10:58,800 --> 01:11:01,400
Speaker 10: I feel like it's what up Alien?

1743
01:11:01,680 --> 01:11:02,080
Speaker 7: What up?

1744
01:11:02,240 --> 01:11:02,679
Speaker 10: Gangster?

1745
01:11:02,920 --> 01:11:04,200
Speaker 1: Okay, yeah, they were like that.

1746
01:11:04,360 --> 01:11:06,719
Speaker 10: Okay, I'm going with fifty.

1747
01:11:06,800 --> 01:11:09,320
Speaker 20: But you said, miss Education, that's a really good one too.

1748
01:11:09,600 --> 01:11:12,439
Speaker 16: Like I'm thinking of like the albums that like the

1749
01:11:12,760 --> 01:11:14,920
Speaker 16: few albums for me that are like my top and

1750
01:11:15,040 --> 01:11:16,760
Speaker 16: so some of the other ones I feel like, that's

1751
01:11:16,760 --> 01:11:17,519
Speaker 16: what you that's what you.

1752
01:11:17,800 --> 01:11:19,519
Speaker 10: Was the other ones because you had me nervous when

1753
01:11:19,560 --> 01:11:20,439
Speaker 10: you saw much your list.

1754
01:11:20,920 --> 01:11:24,960
Speaker 4: Uh so I talked about it yesterday. Nipsey Victory Live

1755
01:11:25,200 --> 01:11:25,599
Speaker 4: great one.

1756
01:11:26,000 --> 01:11:28,639
Speaker 2: Yeah, gonna be with them on the wheel.

1757
01:11:28,840 --> 01:11:32,559
Speaker 5: Promise you Nipsey on the wheel, Honorable oliged Muhammad, All

1758
01:11:32,600 --> 01:11:33,360
Speaker 5: on the wheel right now.

1759
01:11:33,479 --> 01:11:37,840
Speaker 3: Guarantee with the Aliens, just trust me, all right, trust them.

1760
01:11:39,080 --> 01:11:40,200
Speaker 2: I've visited by them.

1761
01:11:40,680 --> 01:11:43,320
Speaker 20: Them all the time the Aliens were aliens.

1762
01:11:44,280 --> 01:11:46,200
Speaker 2: It was going on, not like I used.

1763
01:11:46,840 --> 01:11:47,400
Speaker 1: That's how I know.

1764
01:11:50,600 --> 01:11:51,000
Speaker 2: How I know.

1765
01:11:51,680 --> 01:11:56,479
Speaker 1: Sorry, aliens All Chris, we're talking about the Aliens come down?

1766
01:11:56,680 --> 01:11:58,080
Speaker 3: What record would you give them?

1767
01:12:00,720 --> 01:12:02,759
Speaker 11: Hey? All right, so good morning. First of all, breakfast

1768
01:12:02,840 --> 01:12:06,360
Speaker 11: being king. I want to say, I say, ready to

1769
01:12:06,479 --> 01:12:08,200
Speaker 11: die notorious.

1770
01:12:08,439 --> 01:12:10,080
Speaker 2: And what if they say we were thinking the same thing?

1771
01:12:11,080 --> 01:12:11,719
Speaker 14: I think.

1772
01:12:16,280 --> 01:12:17,800
Speaker 11: I'm just thinking of it. I also want to say,

1773
01:12:18,120 --> 01:12:20,200
Speaker 11: what we gotta war about us? What if they ask

1774
01:12:20,280 --> 01:12:20,719
Speaker 11: the Karen?

1775
01:12:21,120 --> 01:12:24,000
Speaker 2: What if they asked Karen about hip hop?

1776
01:12:24,120 --> 01:12:25,719
Speaker 11: We will be completely lost.

1777
01:12:27,800 --> 01:12:29,679
Speaker 5: Yeah, you're right, because soon as you passed that Higga

1778
01:12:29,760 --> 01:12:34,479
Speaker 5: is the album, they wipe it out in the lid.

1779
01:12:34,720 --> 01:12:36,360
Speaker 2: If it was hard to I'll be fronting on nig

1780
01:12:36,640 --> 01:12:38,479
Speaker 2: you'll be fronting on the.

1781
01:12:38,560 --> 01:12:41,120
Speaker 20: Karens aren't gonna pick Iiggy though, they'd probably pick like

1782
01:12:41,200 --> 01:12:43,960
Speaker 20: somebody super big, like a big drink.

1783
01:12:44,439 --> 01:12:48,639
Speaker 1: Yeah yeah, I was thinking, like nig Patrick, going down,

1784
01:12:48,960 --> 01:12:49,479
Speaker 1: what's going on?

1785
01:12:50,040 --> 01:12:52,000
Speaker 3: Talk to us? The aliens come and say, give me

1786
01:12:52,160 --> 01:12:52,839
Speaker 3: one album?

1787
01:12:53,040 --> 01:12:53,280
Speaker 6: What are you?

1788
01:12:53,360 --> 01:12:53,840
Speaker 1: What are you doing?

1789
01:12:54,200 --> 01:12:57,080
Speaker 11: My one album would be Daisy to Black. I believe

1790
01:12:57,479 --> 01:12:58,760
Speaker 11: being body hip hop and.

1791
01:12:58,800 --> 01:13:02,280
Speaker 1: The two thousands he is hip hop this dude, I mean,

1792
01:13:02,280 --> 01:13:07,160
Speaker 1: it's not just mirror, the swag, all that everything they

1793
01:13:07,720 --> 01:13:08,439
Speaker 1: on one album.

1794
01:13:09,560 --> 01:13:11,800
Speaker 2: I would let the alien and it would be a

1795
01:13:12,120 --> 01:13:13,160
Speaker 2: It would be a black album.

1796
01:13:13,479 --> 01:13:15,360
Speaker 12: Yeah, the black Well, I mean, you go with any

1797
01:13:15,400 --> 01:13:17,240
Speaker 12: album with days, but I love the black album.

1798
01:13:17,280 --> 01:13:18,920
Speaker 2: Pers Okay, all right, thank you man.

1799
01:13:19,400 --> 01:13:21,599
Speaker 3: Eight hundred five eight five one O five one.

1800
01:13:21,640 --> 01:13:23,720
Speaker 1: You know, we're celebrating fifty years of hip hop and

1801
01:13:23,760 --> 01:13:26,960
Speaker 1: we're asking if the aliens came to Earth and said,

1802
01:13:27,120 --> 01:13:28,479
Speaker 1: what is this thing hip hop? And you have to

1803
01:13:28,560 --> 01:13:31,439
Speaker 1: describe hip hop in one album, what would the album be?

1804
01:13:31,880 --> 01:13:32,479
Speaker 3: That is the question.

1805
01:13:32,560 --> 01:13:34,960
Speaker 1: Eight hundred five eight five sound like a robot.

1806
01:13:35,280 --> 01:13:37,200
Speaker 10: You don't sound like an alien. You just sound like

1807
01:13:37,280 --> 01:13:37,719
Speaker 10: a robot.

1808
01:13:40,520 --> 01:13:42,960
Speaker 2: So why you keep disrespecting them. They're gonna be amongst

1809
01:13:43,040 --> 01:13:43,400
Speaker 2: us soon.

1810
01:13:43,800 --> 01:13:47,559
Speaker 5: Okay, they're gonna have a lot of power.

1811
01:13:47,920 --> 01:13:49,840
Speaker 2: Then they can tell they're gonna definitely cancel you.

1812
01:13:49,960 --> 01:13:53,720
Speaker 20: You're gonna be about it here face on the if

1813
01:13:53,760 --> 01:13:55,920
Speaker 20: you see this guy wants it.

1814
01:13:56,920 --> 01:13:58,840
Speaker 1: Eight hundred five eight five one five one is the

1815
01:13:58,840 --> 01:14:01,920
Speaker 1: breakfast slogan morning anybody, DJ NV.

1816
01:14:01,920 --> 01:14:02,760
Speaker 3: Charlamage the guys.

1817
01:14:02,800 --> 01:14:05,080
Speaker 1: We are the breakfast club now if you're just joining us.

1818
01:14:05,320 --> 01:14:08,240
Speaker 1: Today is fifty years of hip hop. Alright, we're celebrating

1819
01:14:08,240 --> 01:14:11,040
Speaker 1: fifty year hipop. It's also my daughter's Brooklyn's birthday today too.

1820
01:14:12,320 --> 01:14:15,120
Speaker 1: When we're asking eight hundred five five one five one,

1821
01:14:15,160 --> 01:14:17,880
Speaker 1: if the aliens touched down in the earth on Earth

1822
01:14:18,040 --> 01:14:20,599
Speaker 1: and said, describe hip hop? What album would you give

1823
01:14:20,640 --> 01:14:21,559
Speaker 1: them to describe hip hop?

1824
01:14:21,600 --> 01:14:23,439
Speaker 5: Already told you I'm giving him Thug Motivation one on

1825
01:14:23,560 --> 01:14:26,439
Speaker 5: one by Young Jesus. I feel like that album is

1826
01:14:26,840 --> 01:14:28,599
Speaker 5: just a perfect welcome to Earth album.

1827
01:14:28,920 --> 01:14:31,760
Speaker 3: To mine is illmatic, nas Roxy.

1828
01:14:31,920 --> 01:14:34,120
Speaker 4: Mis educational, Lauren Hill, Nilo.

1829
01:14:34,560 --> 01:14:36,000
Speaker 10: Mine's Get Richard I trying.

1830
01:14:36,439 --> 01:14:37,840
Speaker 2: I like Get Richard. I trying too.

1831
01:14:37,920 --> 01:14:40,080
Speaker 5: Because of the intro when that quarter dropping that what

1832
01:14:40,280 --> 01:14:42,439
Speaker 5: up gangs to the aliens like oh, it's popping here,

1833
01:14:42,840 --> 01:14:44,519
Speaker 5: you know what I mean. And it's the same thing

1834
01:14:44,560 --> 01:14:48,280
Speaker 5: with that Gezy when that thug motivation intro dropo A.

1835
01:14:49,840 --> 01:14:50,680
Speaker 2: Like turn the lights on.

1836
01:14:51,600 --> 01:14:55,000
Speaker 5: You think aliens use drugs, they probably got something that

1837
01:14:55,360 --> 01:14:59,719
Speaker 5: so amazing. Oh my god, probably better than Iawa Washington.

1838
01:15:00,320 --> 01:15:00,880
Speaker 1: Hello's this?

1839
01:15:02,400 --> 01:15:02,599
Speaker 2: Hey?

1840
01:15:02,720 --> 01:15:03,800
Speaker 13: This is around Dave Man?

1841
01:15:03,840 --> 01:15:06,479
Speaker 11: I mean and I represented Openland, Ohio.

1842
01:15:08,280 --> 01:15:09,240
Speaker 1: Aliens come down.

1843
01:15:09,800 --> 01:15:12,360
Speaker 3: They want one album. How are you gonna describe hip

1844
01:15:12,360 --> 01:15:13,040
Speaker 3: hop on one album?

1845
01:15:13,040 --> 01:15:13,240
Speaker 1: Brother?

1846
01:15:13,720 --> 01:15:13,840
Speaker 11: Uh?

1847
01:15:14,000 --> 01:15:14,320
Speaker 2: Easily?

1848
01:15:14,520 --> 01:15:18,439
Speaker 11: N w A show the best out straight out of contents.

1849
01:15:19,000 --> 01:15:21,040
Speaker 11: Also with hip hop, it's not about the hot one.

1850
01:15:21,080 --> 01:15:23,840
Speaker 11: It's about the branch. It's about the camp. It's about

1851
01:15:23,880 --> 01:15:26,479
Speaker 11: easy e with bone TuS, it's about with the Big

1852
01:15:26,600 --> 01:15:29,160
Speaker 11: three Doctor Dre, one of the greatest of all time,

1853
01:15:29,680 --> 01:15:32,320
Speaker 11: the branch, to show what hip hop can do and

1854
01:15:32,479 --> 01:15:34,800
Speaker 11: you they can movies and sports and stuff like that.

1855
01:15:35,080 --> 01:15:37,200
Speaker 11: So the n w A is the perfect album.

1856
01:15:37,280 --> 01:15:37,640
Speaker 2: I like that.

1857
01:15:39,320 --> 01:15:40,000
Speaker 1: Hello, Who's this?

1858
01:15:40,920 --> 01:15:41,559
Speaker 11: Oh neat?

1859
01:15:43,600 --> 01:15:43,800
Speaker 9: Yeah?

1860
01:15:44,000 --> 01:15:44,200
Speaker 19: Man?

1861
01:15:44,720 --> 01:15:47,680
Speaker 14: Hell, If I had to choose my album, it'll eisither Be.

1862
01:15:48,000 --> 01:15:51,559
Speaker 2: Snoop Dogs, Doggy Stynd or kench Lamar's good kid Man.

1863
01:15:52,200 --> 01:15:55,280
Speaker 2: Those are good ones, either one of those.

1864
01:15:56,200 --> 01:15:58,280
Speaker 5: But we also have to remember one thing, right, Either

1865
01:15:58,320 --> 01:16:00,920
Speaker 5: the aliens don't know anything about us, or they know

1866
01:16:01,040 --> 01:16:03,679
Speaker 5: everything about us. And we know the music that influence

1867
01:16:03,720 --> 01:16:06,760
Speaker 5: We know how music influences people. So some of these

1868
01:16:06,840 --> 01:16:09,400
Speaker 5: records that we're going to be introduced to, introducing them

1869
01:16:09,400 --> 01:16:10,200
Speaker 5: to influenced us.

1870
01:16:10,280 --> 01:16:12,519
Speaker 2: Wrong, do you really want the aliens?

1871
01:16:12,720 --> 01:16:14,799
Speaker 1: But see, I don't know why. When I think of aliens,

1872
01:16:14,840 --> 01:16:16,360
Speaker 1: I kind of think of robots, like I can see

1873
01:16:16,400 --> 01:16:18,280
Speaker 1: an alien do it hip hop?

1874
01:16:20,240 --> 01:16:22,559
Speaker 13: You know you don't?

1875
01:16:23,840 --> 01:16:26,040
Speaker 4: Yeah, I don't know I'm doing that.

1876
01:16:26,640 --> 01:16:28,120
Speaker 2: All of this is gonna change in a few years

1877
01:16:28,160 --> 01:16:30,000
Speaker 2: when they amongst us, they remember and all of this.

1878
01:16:30,120 --> 01:16:32,559
Speaker 2: You can be the first president of your canceled by aliens.

1879
01:16:32,720 --> 01:16:34,040
Speaker 4: They're gonna come looking for you first.

1880
01:16:34,160 --> 01:16:34,800
Speaker 2: First one.

1881
01:16:35,800 --> 01:16:36,479
Speaker 1: Hello, who's this?

1882
01:16:38,720 --> 01:16:42,080
Speaker 3: Hey, Mama, So we're talking about aliens? Touchdown? What's song

1883
01:16:42,120 --> 01:16:42,559
Speaker 3: with album?

1884
01:16:42,560 --> 01:16:43,280
Speaker 1: You're giving the mama?

1885
01:16:43,760 --> 01:16:45,920
Speaker 2: I will give them any one on the Corn album?

1886
01:16:46,360 --> 01:16:46,719
Speaker 6: You can't?

1887
01:16:48,160 --> 01:16:48,400
Speaker 3: Okay?

1888
01:16:48,439 --> 01:16:52,120
Speaker 2: So Wayne, he might be one of them.

1889
01:16:53,960 --> 01:16:54,920
Speaker 10: He's trying to tell us that.

1890
01:16:55,479 --> 01:16:58,080
Speaker 2: He's even saying here, Marshall for a long time might

1891
01:16:58,120 --> 01:17:03,559
Speaker 2: be one of them already already with the mob. That's

1892
01:17:03,680 --> 01:17:05,040
Speaker 2: right with the mob?

1893
01:17:06,520 --> 01:17:06,760
Speaker 13: Hello?

1894
01:17:06,840 --> 01:17:07,160
Speaker 1: Who's this?

1895
01:17:08,280 --> 01:17:08,479
Speaker 14: Mark?

1896
01:17:09,800 --> 01:17:12,559
Speaker 1: Mark from seven five to seven. Now aliens touched down

1897
01:17:12,640 --> 01:17:15,160
Speaker 1: in the seven five seven. They want to hear what

1898
01:17:15,360 --> 01:17:17,000
Speaker 1: what hip hop is without me giving them.

1899
01:17:17,240 --> 01:17:19,120
Speaker 11: You gotta give it to them, just like they know

1900
01:17:19,280 --> 01:17:22,080
Speaker 11: you gotta give him now at Aliens.

1901
01:17:22,439 --> 01:17:25,080
Speaker 2: That's one that's a good one. That's a good one

1902
01:17:25,439 --> 01:17:30,080
Speaker 2: that maybe like Andre one of us and been with

1903
01:17:30,200 --> 01:17:30,960
Speaker 2: us for a long time.

1904
01:17:31,040 --> 01:17:36,400
Speaker 3: Shoot more caller, Hello, who's this right? Elives?

1905
01:17:36,439 --> 01:17:40,360
Speaker 1: What's up? The Aliens touched down where you from Brooklyn?

1906
01:17:40,400 --> 01:17:40,680
Speaker 2: All right?

1907
01:17:41,120 --> 01:17:42,680
Speaker 1: I mean there's a lot of Aliens in Brooklyn right now,

1908
01:17:42,720 --> 01:17:46,000
Speaker 1: I think, But anyway, Aliens touchdown in Brooklyn, right they say,

1909
01:17:46,040 --> 01:17:50,559
Speaker 1: all right, give me one song, one album that describes

1910
01:17:50,640 --> 01:17:52,160
Speaker 1: hip hop? Which one you doing?

1911
01:17:52,680 --> 01:17:56,839
Speaker 11: J Cole for until draw talk about social issues?

1912
01:17:56,920 --> 01:17:57,240
Speaker 3: Okay?

1913
01:17:57,920 --> 01:17:59,639
Speaker 11: The Jenis song for the first Time.

1914
01:18:01,160 --> 01:18:01,479
Speaker 18: Love You.

1915
01:18:03,240 --> 01:18:03,599
Speaker 11: Everything.

1916
01:18:04,120 --> 01:18:07,240
Speaker 1: That loves that because she's been so influenced by J Cole,

1917
01:18:07,320 --> 01:18:09,439
Speaker 1: So she loves that. Even though you didn't pick that album, I.

1918
01:18:09,479 --> 01:18:12,080
Speaker 10: Love that album. Well yeah, because other albums have impaed

1919
01:18:12,200 --> 01:18:13,080
Speaker 10: on I got to that.

1920
01:18:13,360 --> 01:18:14,200
Speaker 3: Okay, Well, thank you brother.

1921
01:18:14,280 --> 01:18:17,040
Speaker 2: Why you ain't saying that? Why somebody else had to

1922
01:18:17,040 --> 01:18:19,200
Speaker 2: watch somebody from Brooklyn had to say far as he'll

1923
01:18:19,280 --> 01:18:23,479
Speaker 2: drive now as much as you've been impacted by that album. Man, Wow,

1924
01:18:23,720 --> 01:18:25,679
Speaker 2: look you're letting J Cole down the way he letting

1925
01:18:25,920 --> 01:18:27,080
Speaker 2: down you know what I'm saying.

1926
01:18:27,600 --> 01:18:31,640
Speaker 1: Wow, God, that's so mean that the truth you.

1927
01:18:31,720 --> 01:18:34,720
Speaker 2: Be letting j co Wow, you said get rid of

1928
01:18:34,840 --> 01:18:37,040
Speaker 2: died trying because J Cole said it was better than Thriller.

1929
01:18:37,080 --> 01:18:38,200
Speaker 1: This week this is.

1930
01:18:43,120 --> 01:18:50,040
Speaker 20: Actually actually if you guys would listen to my podcast

1931
01:18:50,120 --> 01:18:52,400
Speaker 20: that's all the Black Fact Network, the What hip Hop

1932
01:18:52,479 --> 01:18:57,360
Speaker 20: pod featuring Me and Mouse Jones, produced by Karen and

1933
01:18:57,840 --> 01:19:00,080
Speaker 20: A King. We had a conversation about this already and

1934
01:19:00,200 --> 01:19:02,320
Speaker 20: I picked get Richard I try it, and then for

1935
01:19:02,360 --> 01:19:04,280
Speaker 20: a song, I picked com and I used to love her,

1936
01:19:04,640 --> 01:19:06,160
Speaker 20: so I had already knew my answer.

1937
01:19:07,080 --> 01:19:09,760
Speaker 3: You love so much that she don't never pick them.

1938
01:19:10,960 --> 01:19:13,120
Speaker 2: She loves J Cole so much that she don't never

1939
01:19:13,160 --> 01:19:14,080
Speaker 2: pick them for nothing.

1940
01:19:14,880 --> 01:19:17,479
Speaker 3: What's the morrow of the story, guys, The mold the.

1941
01:19:17,479 --> 01:19:18,160
Speaker 2: Story is win.

1942
01:19:18,400 --> 01:19:20,479
Speaker 5: I cannot wait till they get here. The aliens are

1943
01:19:20,520 --> 01:19:23,040
Speaker 5: on their way. They're in Peru right now, ripping people's

1944
01:19:23,080 --> 01:19:23,559
Speaker 5: faces off.

1945
01:19:24,479 --> 01:19:24,920
Speaker 14: You know that.

1946
01:19:25,080 --> 01:19:27,479
Speaker 2: I just read about it this morning. There's a whole.

1947
01:19:27,320 --> 01:19:30,599
Speaker 5: Village in Peru that is saying these seven foot green

1948
01:19:30,640 --> 01:19:32,160
Speaker 5: aliens are peeling off people's face.

1949
01:19:33,600 --> 01:19:36,080
Speaker 3: Yes, did they talk like this?

1950
01:19:36,880 --> 01:19:40,840
Speaker 2: He keep playing, boy, keep playing?

1951
01:19:40,960 --> 01:19:42,920
Speaker 10: Is it a real article from a valid source.

1952
01:19:44,800 --> 01:19:46,560
Speaker 4: It is a real article, it really is.

1953
01:19:48,120 --> 01:19:54,720
Speaker 1: Sorry, I was joking, now, joking, joke, all right, when

1954
01:19:54,720 --> 01:19:56,720
Speaker 1: we come back, he got past the aucs. That's when

1955
01:19:57,080 --> 01:19:59,639
Speaker 1: our niece DJ Nihlis Simone, she puts us onto music

1956
01:19:59,680 --> 01:20:01,400
Speaker 1: that we be up on. I will do that. Next,

1957
01:20:01,439 --> 01:20:03,920
Speaker 1: it's the Breakfast Club, the Morning Boring Everybody. It's j

1958
01:20:04,400 --> 01:20:07,160
Speaker 1: n V Charlamagne the God. We are the Breakfast Club.

1959
01:20:07,840 --> 01:20:11,040
Speaker 1: Now we got our special guest co host Roxy Romeo

1960
01:20:11,160 --> 01:20:14,360
Speaker 1: with us. And now it's time for past the US.

1961
01:20:23,560 --> 01:20:30,880
Speaker 1: It's time for a fast DJs.

1962
01:20:33,960 --> 01:20:34,799
Speaker 10: What's up, guys.

1963
01:20:35,240 --> 01:20:38,880
Speaker 20: Happy birthday, it's our birthday, birthday, correct.

1964
01:20:40,360 --> 01:20:40,760
Speaker 3: Part of it?

1965
01:20:40,920 --> 01:20:45,800
Speaker 20: Okay, But for today, I'm gonna start with Cg's new

1966
01:20:45,880 --> 01:20:47,799
Speaker 20: joint called a Moment with Gotti.

1967
01:20:48,320 --> 01:20:49,120
Speaker 1: Okay, that's dope.

1968
01:20:51,160 --> 01:20:52,320
Speaker 10: That's a fact. That's a fact.

1969
01:20:52,479 --> 01:20:52,719
Speaker 3: Okay.

1970
01:20:53,360 --> 01:20:57,160
Speaker 20: Next, I'm gonna go with Holly's new record. I think

1971
01:20:57,200 --> 01:20:58,840
Speaker 20: this is her first single she's actually dropped.

1972
01:20:58,840 --> 01:20:59,519
Speaker 10: It's called Angels.

1973
01:20:59,800 --> 01:21:01,880
Speaker 1: Myn't how it alleged cousin.

1974
01:21:02,000 --> 01:21:05,240
Speaker 10: Yes, but the record is super dope.

1975
01:21:05,479 --> 01:21:07,599
Speaker 20: I love like the message behind it because I feel

1976
01:21:07,640 --> 01:21:09,920
Speaker 20: like black women just don't really get records like this

1977
01:21:10,080 --> 01:21:13,600
Speaker 20: that are that uplifting. And also sonically, it's not I

1978
01:21:13,640 --> 01:21:19,840
Speaker 20: wouldn't say like traditional something we would play. Okay, that

1979
01:21:19,960 --> 01:21:22,080
Speaker 20: sounds like something that should be on a sound track,

1980
01:21:22,640 --> 01:21:23,320
Speaker 20: very theatrical.

1981
01:21:26,080 --> 01:21:27,639
Speaker 5: I don't know if that's something that you just release

1982
01:21:27,880 --> 01:21:30,240
Speaker 5: and tell people to listen to and that should come

1983
01:21:30,280 --> 01:21:32,439
Speaker 5: on at the end of a movie or something.

1984
01:21:32,560 --> 01:21:35,640
Speaker 10: I don't know. I've been bumping it on a stage regular.

1985
01:21:36,960 --> 01:21:38,759
Speaker 3: And we're praying for help age.

1986
01:21:39,840 --> 01:21:40,120
Speaker 10: Okay.

1987
01:21:40,240 --> 01:21:42,040
Speaker 20: I can see cinematically why it would be good.

1988
01:21:42,120 --> 01:21:44,280
Speaker 10: But just because she got range don't mean she can't

1989
01:21:44,280 --> 01:21:45,439
Speaker 10: be played in the regular days.

1990
01:21:45,840 --> 01:21:49,719
Speaker 20: I think we're just used to people who aren't so talented,

1991
01:21:49,840 --> 01:21:51,120
Speaker 20: who can't do things like this.

1992
01:21:51,280 --> 01:21:52,439
Speaker 10: So when we get it, it's like.

1993
01:21:54,640 --> 01:21:57,120
Speaker 20: I'm just saying she's mad talented.

1994
01:21:57,240 --> 01:21:58,240
Speaker 10: She has a good range.

1995
01:21:58,320 --> 01:22:00,519
Speaker 20: So it's like this sounds like it gotta be like, no,

1996
01:22:00,680 --> 01:22:02,639
Speaker 20: it's just a good record, let's just play it in rotation.

1997
01:22:03,600 --> 01:22:07,519
Speaker 10: I'm not mad at that, Okay, cool last record is in.

1998
01:22:07,560 --> 01:22:11,160
Speaker 3: This show Cousin That is legend.

1999
01:22:14,040 --> 01:22:16,160
Speaker 2: Props to say that the record feels big, like it

2000
01:22:16,160 --> 01:22:16,960
Speaker 2: should be a part.

2001
01:22:16,840 --> 01:22:19,920
Speaker 5: Of a movie, be on the soundtrack fair enough, Like

2002
01:22:19,960 --> 01:22:21,360
Speaker 5: that Rihanna record that comes on to the end of

2003
01:22:21,360 --> 01:22:22,040
Speaker 5: blackmanther too.

2004
01:22:22,479 --> 01:22:24,040
Speaker 1: Yes, you only want to hear that at the end

2005
01:22:24,040 --> 01:22:26,200
Speaker 1: of Black. But we were playing on on on the radio,

2006
01:22:33,200 --> 01:22:37,559
Speaker 1: which makes no sense. What do you want? Which one?

2007
01:22:38,160 --> 01:22:40,600
Speaker 10: I do feel like? Yeah, I don't know why that

2008
01:22:40,720 --> 01:22:41,679
Speaker 10: record was in rotation.

2009
01:22:41,840 --> 01:22:45,640
Speaker 20: But nonetheless, lastly, I'm gonna go with Childish Major. He

2010
01:22:45,720 --> 01:22:48,479
Speaker 20: has a new joint called First Lady and Childish Major

2011
01:22:48,560 --> 01:22:50,840
Speaker 20: is a well known producer, but he's getting more into,

2012
01:22:51,439 --> 01:22:51,640
Speaker 20: you know.

2013
01:22:51,680 --> 01:22:52,320
Speaker 10: His artistry.

2014
01:22:52,760 --> 01:22:53,240
Speaker 1: That's hard.

2015
01:22:53,280 --> 01:22:56,320
Speaker 2: I hear, I hear that. Did he sample Bobby Valentino?

2016
01:22:56,720 --> 01:23:00,559
Speaker 10: It does sound like it does sound like slow down.

2017
01:23:00,840 --> 01:23:01,280
Speaker 2: That's hard.

2018
01:23:01,560 --> 01:23:03,040
Speaker 10: Don't get hi jammed up. I don't know if that

2019
01:23:03,200 --> 01:23:03,639
Speaker 10: was the thing.

2020
01:23:04,720 --> 01:23:05,120
Speaker 1: That's hard.

2021
01:23:05,160 --> 01:23:07,200
Speaker 2: That sounds very fresh, sounds very refreshing.

2022
01:23:07,720 --> 01:23:10,240
Speaker 4: He sounds really young to me. Oh no, he's like

2023
01:23:10,320 --> 01:23:13,560
Speaker 4: my age. Okay, she finally.

2024
01:23:18,680 --> 01:23:24,479
Speaker 20: Turn turn what nothing, I'm almost thirty, Okay, she's twenty eight.

2025
01:23:24,640 --> 01:23:26,960
Speaker 10: I'm almost thirty. Really God, why are you putting my

2026
01:23:27,080 --> 01:23:28,760
Speaker 10: whole information like that?

2027
01:23:29,360 --> 01:23:30,840
Speaker 2: You're not almost thirty almost thirty?

2028
01:23:31,240 --> 01:23:32,800
Speaker 4: Almost round up?

2029
01:23:32,840 --> 01:23:33,599
Speaker 10: Twenty five minutes.

2030
01:23:33,720 --> 01:23:35,839
Speaker 2: No, no, enjoy the last two years.

2031
01:23:35,800 --> 01:23:39,719
Speaker 20: Nonetheless, Joy last nonetheless. If you guys rock with the singles,

2032
01:23:39,720 --> 01:23:41,799
Speaker 20: make sure you guys follow the past the OCS playlist

2033
01:23:41,880 --> 01:23:44,519
Speaker 20: and follow me on Instagram at nilsim n y l

2034
01:23:44,600 --> 01:23:47,200
Speaker 20: A s y M O n E E E. Now,

2035
01:23:47,280 --> 01:23:49,120
Speaker 20: last week I came and said that pasted like this

2036
01:23:49,160 --> 01:23:50,960
Speaker 20: is happening on August twenty fifth, and it's actually getting

2037
01:23:51,000 --> 01:23:54,800
Speaker 20: pushed back because I'm getting more artists and I'm also

2038
01:23:55,080 --> 01:23:58,800
Speaker 20: changing the venue. Is a vibe no, because I'm waiting

2039
01:23:58,840 --> 01:24:02,120
Speaker 20: on hang on the I have three days in mind,

2040
01:24:02,160 --> 01:24:04,360
Speaker 20: but I'm waiting for the artists to confirm. So actually,

2041
01:24:04,400 --> 01:24:06,080
Speaker 20: if you're listening to this, can you text me back

2042
01:24:06,120 --> 01:24:07,960
Speaker 20: so I can buck in the arts?

2043
01:24:08,240 --> 01:24:10,880
Speaker 5: The artists that are you waiting to confirm Friday and

2044
01:24:11,360 --> 01:24:14,200
Speaker 5: Friday and who they Friday and day Friday and they

2045
01:24:14,280 --> 01:24:17,040
Speaker 5: gotta put pressure on y'all. You're confirmed, that's right, so

2046
01:24:17,439 --> 01:24:19,840
Speaker 5: we can lock the date. Okay, okay, Now I can't

2047
01:24:19,840 --> 01:24:20,880
Speaker 5: commit until y'all commit.

2048
01:24:21,120 --> 01:24:23,360
Speaker 1: There you go, all right? All right, Well, thank you Nyla.

2049
01:24:23,520 --> 01:24:25,000
Speaker 3: Yes, of course, all right.

2050
01:24:25,040 --> 01:24:27,640
Speaker 10: And happy birthday, Happy birthday to us.

2051
01:24:28,000 --> 01:24:29,360
Speaker 3: That's right, all right, when we come back. We got

2052
01:24:29,360 --> 01:24:31,360
Speaker 3: the People's choice mix. You know, we're throwing it back.

2053
01:24:31,520 --> 01:24:33,760
Speaker 3: It's a Friday, It's hip Hop, hip Hop fifty, It's

2054
01:24:33,800 --> 01:24:34,919
Speaker 3: Breakfast lu Goo Morning.

2055
01:24:35,280 --> 01:24:38,439
Speaker 1: The Breakfast Club. Your mornings will never be the same.

2056
01:24:39,600 --> 01:24:41,800
Speaker 1: Are you someone who knows you don't have to sacrifice

2057
01:24:41,880 --> 01:24:45,080
Speaker 1: comfort for quality? Someone who lives large in life and

2058
01:24:45,280 --> 01:24:48,080
Speaker 1: in the bedroom, Then live large and now thinner with

2059
01:24:48,240 --> 01:24:52,120
Speaker 1: new Magnum Raw Condoms, the thinnest Magnum condom available where

2060
01:24:52,200 --> 01:24:54,640
Speaker 1: condoms are sold Owning Everybody's DJ.

2061
01:24:54,880 --> 01:24:57,519
Speaker 3: Env Charlamagne the God we are the Breakfast Club.

2062
01:24:58,640 --> 01:25:01,519
Speaker 1: Roxy Romeo is our special guest host, And thank you

2063
01:25:01,600 --> 01:25:03,400
Speaker 1: for hanging out the last two days. Did you enjoy yourself?

2064
01:25:03,520 --> 01:25:04,040
Speaker 11: I did?

2065
01:25:04,479 --> 01:25:05,360
Speaker 4: Thank you for having me.

2066
01:25:05,800 --> 01:25:07,439
Speaker 1: I know it's a lot of craziness up here.

2067
01:25:08,200 --> 01:25:11,000
Speaker 16: I mean it's pretty similar Philly, but yeah, well maybe

2068
01:25:11,000 --> 01:25:11,639
Speaker 16: a little crazier.

2069
01:25:11,720 --> 01:25:14,320
Speaker 3: I bet you're gonna have husbands in Philly. Oh, husbands

2070
01:25:14,360 --> 01:25:14,840
Speaker 3: were husbands?

2071
01:25:16,000 --> 01:25:19,280
Speaker 5: Rock Don't Pay Him Not The Riseing Grind Morning Show.

2072
01:25:19,760 --> 01:25:21,479
Speaker 5: How did they feel about not having you the last.

2073
01:25:21,320 --> 01:25:21,840
Speaker 2: Couple of days?

2074
01:25:22,000 --> 01:25:22,519
Speaker 4: They missed me.

2075
01:25:22,960 --> 01:25:25,040
Speaker 16: They missed me, but you know they they're happy that

2076
01:25:25,120 --> 01:25:26,960
Speaker 16: I got the opportunity and they were excited for me.

2077
01:25:27,200 --> 01:25:28,800
Speaker 2: You gotta shot them out, Yeah, send them a.

2078
01:25:28,800 --> 01:25:32,559
Speaker 16: Law to a Mikey dread geninitely got a shout out

2079
01:25:32,560 --> 01:25:33,160
Speaker 16: to mother Nos.

2080
01:25:33,280 --> 01:25:35,040
Speaker 2: Mother Nos. What's happening?

2081
01:25:35,360 --> 01:25:37,040
Speaker 3: That's right, all right? When we come back. We got

2082
01:25:37,080 --> 01:25:39,559
Speaker 3: the positive notice to Breakfast Club. Good morning, owning everybody.

2083
01:25:39,600 --> 01:25:43,479
Speaker 3: It's DJ Envy Charlamagne to God. We are the Breakfast Club.

2084
01:25:43,840 --> 01:25:44,240
Speaker 2: Just again.

2085
01:25:44,360 --> 01:25:46,439
Speaker 1: Want to say happy birthday to hip hop. Hip hop

2086
01:25:46,520 --> 01:25:48,720
Speaker 1: fifty means a lot. We wouldn't be here right now

2087
01:25:48,760 --> 01:25:50,040
Speaker 1: if it wasn't for hip hop. A lot of us

2088
01:25:50,080 --> 01:25:52,360
Speaker 1: wouldn't have the jobs that we have and been able

2089
01:25:52,400 --> 01:25:54,200
Speaker 1: to do the things that we enjoyed because of this

2090
01:25:54,320 --> 01:25:56,360
Speaker 1: thing that we call hip hop. So I just want

2091
01:25:56,400 --> 01:25:59,680
Speaker 1: to salute to the founder's Cool Hirk and some of

2092
01:25:59,680 --> 01:26:01,639
Speaker 1: the people. Let's taking it to other levels, whether it's

2093
01:26:01,680 --> 01:26:04,840
Speaker 1: Grand Master Flash, whether it was a Funky four plus one,

2094
01:26:04,920 --> 01:26:08,000
Speaker 1: whether it's Herbie Hancock, whether it's Deaf jim Rick Rubin,

2095
01:26:08,080 --> 01:26:11,160
Speaker 1: Russell Simmons, Run dmc ll Cool, J Salt and Pepper,

2096
01:26:11,760 --> 01:26:16,840
Speaker 1: Uh of course Curtis Blow, the Fat Boys, Uh, so

2097
01:26:16,960 --> 01:26:19,920
Speaker 1: many people, Jazzy, Jeffery Fresh, Prince Jay Z of course,

2098
01:26:20,080 --> 01:26:20,920
Speaker 1: nah's fifty.

2099
01:26:21,000 --> 01:26:22,320
Speaker 2: I know you ain't about to try to shout out

2100
01:26:22,320 --> 01:26:27,559
Speaker 2: all that he like you bound to miss somebody, right,

2101
01:26:27,640 --> 01:26:29,680
Speaker 2: Come on, man, listen. I do want to say to

2102
01:26:30,080 --> 01:26:34,960
Speaker 2: salute to everybody who found very unique and creative ways

2103
01:26:35,400 --> 01:26:37,880
Speaker 2: to celebrate the fiftieth anniversary of hip hop.

2104
01:26:38,120 --> 01:26:39,320
Speaker 5: You know what I mean, because a lot of people

2105
01:26:39,400 --> 01:26:41,679
Speaker 5: got it very wrong. A lot of people did nothing

2106
01:26:41,720 --> 01:26:44,040
Speaker 5: at all, you know what I mean? And the people

2107
01:26:44,120 --> 01:26:46,160
Speaker 5: like the book a whole, the library, the book and

2108
01:26:46,200 --> 01:26:48,439
Speaker 5: public Library, they definitely got it right.

2109
01:26:49,000 --> 01:26:50,800
Speaker 2: Ll COOLJ. What they did with Rock the Bells, they

2110
01:26:50,840 --> 01:26:51,360
Speaker 2: got it right.

2111
01:26:52,320 --> 01:26:54,320
Speaker 10: Amazon Music definitely got it right.

2112
01:26:54,439 --> 01:26:57,840
Speaker 5: Yea, Quessions and that's showing Atlanta that they're doing. I

2113
01:26:57,880 --> 01:26:59,879
Speaker 5: can't remember the name of it right now. With everybody

2114
01:27:00,080 --> 01:27:03,680
Speaker 5: on there, it's like every atl artist past and present.

2115
01:27:04,040 --> 01:27:04,920
Speaker 10: My birth game.

2116
01:27:05,000 --> 01:27:06,560
Speaker 2: Oh my god, the guys.

2117
01:27:06,400 --> 01:27:09,599
Speaker 5: On there, easy geezy. I can't remember what's the name

2118
01:27:09,640 --> 01:27:11,599
Speaker 5: of that show? I can't remember right now. But all

2119
01:27:11,640 --> 01:27:13,559
Speaker 5: of y'all got it right, So I'm.

2120
01:27:13,640 --> 01:27:14,920
Speaker 4: Gonna tell you. But I don't know if that's this

2121
01:27:14,960 --> 01:27:17,519
Speaker 4: When you're trying to write about one fest, is it one?

2122
01:27:17,600 --> 01:27:20,200
Speaker 2: I think it is one fast one Fest. I think

2123
01:27:20,240 --> 01:27:20,920
Speaker 2: it is one fest.

2124
01:27:20,960 --> 01:27:23,800
Speaker 5: But Saluta, everybody who you know just just got it

2125
01:27:23,920 --> 01:27:26,160
Speaker 5: right in regard to just celebrating hip hop. And I

2126
01:27:26,200 --> 01:27:28,479
Speaker 5: think we should do this every year. I think, being

2127
01:27:28,560 --> 01:27:31,320
Speaker 5: that we know hip Hop's birthday is August eleventh, we

2128
01:27:31,360 --> 01:27:33,920
Speaker 5: should just celebrate Afour's birthday every year. Wouldn't that be dope?

2129
01:27:34,000 --> 01:27:34,280
Speaker 2: I think?

2130
01:27:34,320 --> 01:27:34,360
Speaker 13: So?

2131
01:27:34,600 --> 01:27:37,080
Speaker 10: Yeah, we do celebrate it every year. It is gonna

2132
01:27:37,080 --> 01:27:37,960
Speaker 10: be this big.

2133
01:27:38,560 --> 01:27:41,519
Speaker 5: I've never heard hip hop's birthday. No, we don't celebrate it,

2134
01:27:43,840 --> 01:27:45,720
Speaker 5: not like you wait telling fifty to throw me a

2135
01:27:45,760 --> 01:27:50,680
Speaker 5: birthday party. You just missed my sixteen twenty first, all that,

2136
01:27:52,680 --> 01:27:53,240
Speaker 5: but you love me.

2137
01:27:54,920 --> 01:27:57,479
Speaker 1: Okay, all right, well leave us on a positive note.

2138
01:27:57,560 --> 01:27:58,719
Speaker 2: Oh first, I want to tell everybody.

2139
01:27:58,800 --> 01:28:02,920
Speaker 5: Remind everybody to tomorrow Monks Corner, South Carolina my back

2140
01:28:03,000 --> 01:28:05,880
Speaker 5: to school book back drive and fish Fry. We give

2141
01:28:05,920 --> 01:28:09,759
Speaker 5: away free food, free backpacks and school supplies and free headcuts.

2142
01:28:09,840 --> 01:28:11,080
Speaker 2: Make sure your kids heads are clean.

2143
01:28:11,280 --> 01:28:14,240
Speaker 5: Your kids heads are clean, Okay, Tomorrow from twelve pm

2144
01:28:14,520 --> 01:28:16,719
Speaker 5: to three pm, all right, at the Berkeley High School

2145
01:28:16,720 --> 01:28:19,320
Speaker 5: student parking lot and Monks Corner, South Carolina. We're gonna

2146
01:28:19,320 --> 01:28:22,120
Speaker 5: have local vendors on site and all that, so we'll

2147
01:28:22,120 --> 01:28:24,400
Speaker 5: see y'all tomorrow in Monk's Corner, South Carolina. Now the

2148
01:28:24,479 --> 01:28:29,000
Speaker 5: positive notice simply, this patience is not simply the ability

2149
01:28:29,080 --> 01:28:32,679
Speaker 5: to wait. It's how we behave while we're waiting.

2150
01:28:32,920 --> 01:28:36,200
Speaker 2: Remember that breakfast club bitches, we don't finish for y'all done,