1 00:00:07,560 --> 00:00:10,879 Speaker 1: Everybody, Welcome to the Bobbycast. But we're doing my top 2 00:00:11,160 --> 00:00:14,440 Speaker 1: ten greatest Tim McGrath songs of all time. Now, this 3 00:00:14,520 --> 00:00:16,560 Speaker 1: hat right here was given to me by Tim McGraw. 4 00:00:16,720 --> 00:00:18,080 Speaker 2: I found it. I could find it like a. 5 00:00:18,040 --> 00:00:20,960 Speaker 1: Month, and so he came off his Soul to Soul 6 00:00:21,000 --> 00:00:23,840 Speaker 1: tour his Vegas residency. He said, I wore this for 7 00:00:23,880 --> 00:00:25,599 Speaker 1: half the tour and now I'm wearing it. Ah, I 8 00:00:25,640 --> 00:00:27,360 Speaker 1: feels so good. I thought it'd be perfect for the 9 00:00:27,400 --> 00:00:32,199 Speaker 1: Tim mcgral episode. And I brought in a massive Tim 10 00:00:32,280 --> 00:00:36,640 Speaker 1: McGraw fan, Eddie, What I love. 11 00:00:36,479 --> 00:00:38,960 Speaker 2: Tim McGrath, dude, Yeah, yeah, yeah, he is the man. 12 00:00:39,080 --> 00:00:41,880 Speaker 1: You're a bigger McGrath fan than I am. I'm a fan, 13 00:00:42,960 --> 00:00:45,680 Speaker 1: you're a super fan. But here's the deal. I don't 14 00:00:45,760 --> 00:00:48,800 Speaker 1: know the deep cuts of Timmocgrath. I never went like, oh, 15 00:00:48,840 --> 00:00:51,120 Speaker 1: I need to know more about Timmograth. I just love 16 00:00:51,640 --> 00:00:53,360 Speaker 1: the Timograth that everyone knows. 17 00:00:53,520 --> 00:00:53,680 Speaker 2: Well. 18 00:00:53,680 --> 00:00:56,400 Speaker 1: I have the top ten greatest songs from Tim McGraw 19 00:00:56,720 --> 00:00:59,600 Speaker 1: from me, and so let's go through them. 20 00:01:00,080 --> 00:01:01,000 Speaker 2: You'll know all of them. 21 00:01:01,320 --> 00:01:04,319 Speaker 1: At number ten from nineteen ninety nine something like that. 22 00:01:04,520 --> 00:01:09,440 Speaker 2: Come on, did that? That's your number ten. Wow, it's 23 00:01:09,560 --> 00:01:12,440 Speaker 2: much higher for you. That's my number one? No way, yes, 24 00:01:12,880 --> 00:01:14,920 Speaker 2: that number one for you. Absolutely. 25 00:01:15,240 --> 00:01:18,840 Speaker 1: I mean the most memorable thing about this song is 26 00:01:18,880 --> 00:01:20,320 Speaker 1: barbecue standing in my white T shirt? 27 00:01:20,319 --> 00:01:23,080 Speaker 2: Correct, you were killing me in that miniskirt. Yeah, that'd 28 00:01:23,120 --> 00:01:25,480 Speaker 2: be your number one, dude. I love it when I 29 00:01:25,640 --> 00:01:28,880 Speaker 2: listen to that song, the imagery going through my head, 30 00:01:29,000 --> 00:01:32,160 Speaker 2: even the dude get on the airplane and like, whoa, 31 00:01:32,480 --> 00:01:35,440 Speaker 2: I recognize that voice, and then seeing the girl like 32 00:01:35,560 --> 00:01:38,440 Speaker 2: dude that it all lives in my head Skipping Rocks 33 00:01:38,440 --> 00:01:39,200 Speaker 2: by the River. 34 00:01:39,120 --> 00:01:43,399 Speaker 1: All that released in nineteen ninety nine. The line about 35 00:01:43,480 --> 00:01:45,880 Speaker 1: barbecue standing in my white T shirt is probably what 36 00:01:46,160 --> 00:01:47,640 Speaker 1: people recognize the most. 37 00:01:48,960 --> 00:01:52,160 Speaker 2: This song's kind of sad, though, Why do they not 38 00:01:52,160 --> 00:01:52,640 Speaker 2: get together? 39 00:01:52,680 --> 00:01:53,760 Speaker 1: Well, it's like nostalgia. 40 00:01:54,520 --> 00:01:54,920 Speaker 2: I don't know. 41 00:01:54,960 --> 00:01:56,520 Speaker 1: Maybe I just think old stuff sad. 42 00:01:56,400 --> 00:01:58,400 Speaker 2: But nothing happens at the end. I feel like they 43 00:01:58,440 --> 00:02:01,720 Speaker 2: get together. Oh okay, because there's the first memory at 44 00:02:01,720 --> 00:02:04,960 Speaker 2: the fair, right yeah. Then they see each other on 45 00:02:05,000 --> 00:02:08,359 Speaker 2: the way to Marty Gras I to me and that's 46 00:02:08,400 --> 00:02:10,720 Speaker 2: where it ends. That's where Tim stops telling. It's the story. 47 00:02:10,720 --> 00:02:14,799 Speaker 1: Maybe I just knume everything ends in tragedy. They is 48 00:02:14,840 --> 00:02:17,520 Speaker 1: all tragedy. That's my number ten song. It's crazy that'd have. 49 00:02:17,480 --> 00:02:20,440 Speaker 2: Been your number one one, clearly my number one song. 50 00:02:20,560 --> 00:02:23,320 Speaker 1: Funny thing we did this thing on our radio show 51 00:02:23,360 --> 00:02:29,160 Speaker 1: where our company wouldn't buy us chairs so that we 52 00:02:29,200 --> 00:02:32,679 Speaker 1: had moved studios. Chairs are expensive. The company just said 53 00:02:32,800 --> 00:02:35,200 Speaker 1: use your old chairs. But we had built all these new. 54 00:02:35,080 --> 00:02:37,639 Speaker 2: Desks and I said, man, sure will be notice. 55 00:02:37,680 --> 00:02:41,640 Speaker 1: We had chair sponsors and so artists would call and say, 56 00:02:41,720 --> 00:02:44,840 Speaker 1: I got your chair. So Garth Brooks did my chair 57 00:02:45,200 --> 00:02:48,200 Speaker 1: and it says what my second book was, Fight Grind Repeat, 58 00:02:48,240 --> 00:02:49,200 Speaker 1: and it's an awesome chair. 59 00:02:49,639 --> 00:02:51,919 Speaker 2: Tim McGraw did Eddie's chair. I still have it. It's 60 00:02:51,919 --> 00:02:55,079 Speaker 2: in my home office now. It's pretty cool. Dude. Every 61 00:02:55,080 --> 00:02:56,640 Speaker 2: time I sit on it, I'm like, Wow, Tim mcgral 62 00:02:56,639 --> 00:02:58,520 Speaker 2: gave me this chair. Did you ever sign it? No? 63 00:02:59,240 --> 00:03:02,200 Speaker 2: As many times you sign it, Maybe we should, like, 64 00:03:02,240 --> 00:03:03,639 Speaker 2: if he comes back in the studio, I should bring 65 00:03:03,639 --> 00:03:05,079 Speaker 2: that chair back so he signs it. We just have 66 00:03:05,160 --> 00:03:07,080 Speaker 2: him come to your house. That that'd be weird. 67 00:03:07,840 --> 00:03:09,400 Speaker 1: I don't think he would do it. They sent us 68 00:03:09,440 --> 00:03:10,320 Speaker 1: a really nice baby gift. 69 00:03:10,360 --> 00:03:13,360 Speaker 2: Tim and Faith. I know I saw. I don't even know. 70 00:03:13,360 --> 00:03:14,800 Speaker 2: I don't remember what the gift was. I don't even 71 00:03:14,840 --> 00:03:16,160 Speaker 2: know if I know what the gift was, but I 72 00:03:16,200 --> 00:03:19,360 Speaker 2: saw the package. It was like from Tim and Faith 73 00:03:19,400 --> 00:03:21,840 Speaker 2: and it was beautifully wrapped and everything else. Yes, do 74 00:03:21,840 --> 00:03:23,679 Speaker 2: you remember my wife and I went over, No, I 75 00:03:23,720 --> 00:03:25,200 Speaker 2: know you guys came over. I know you saw the pan. 76 00:03:25,360 --> 00:03:27,480 Speaker 2: You hadn't opened it yet, and I was just like, dude, 77 00:03:28,560 --> 00:03:31,639 Speaker 2: is that from Tim and Faith? You're like, yeah, yeah, it. 78 00:03:31,639 --> 00:03:34,880 Speaker 1: Was a bunch of onesies for every month of the year. 79 00:03:35,280 --> 00:03:35,880 Speaker 1: It's pretty cool. 80 00:03:35,920 --> 00:03:37,760 Speaker 2: We looked it up. It's pretty defensive. Do you think 81 00:03:37,920 --> 00:03:41,320 Speaker 2: Tim and Faith were at the mall and like, We're like, oh, 82 00:03:41,400 --> 00:03:42,000 Speaker 2: she would like that. 83 00:03:42,920 --> 00:03:47,640 Speaker 1: What I really think happened is probably Tim's assistant or 84 00:03:47,640 --> 00:03:50,119 Speaker 1: maybe tim'aw on Instagram the we had a baby and 85 00:03:50,200 --> 00:03:53,360 Speaker 1: Tim says, hey, let's do for Bobby what we do 86 00:03:53,440 --> 00:03:56,120 Speaker 1: for people that were semi close to and send him 87 00:03:56,160 --> 00:03:58,080 Speaker 1: this gift. But that counts? 88 00:03:58,360 --> 00:04:00,560 Speaker 2: It? Does it? Does? I pictured him at the mall, 89 00:04:00,560 --> 00:04:01,280 Speaker 2: But okay. 90 00:04:01,360 --> 00:04:02,800 Speaker 1: I've never seen them together at the mall. 91 00:04:03,440 --> 00:04:06,440 Speaker 2: But you've seen them separately, right. I've seen Faith that. 92 00:04:06,560 --> 00:04:10,000 Speaker 1: I've Faith, but never Tim at the mall. I've seen 93 00:04:10,040 --> 00:04:12,680 Speaker 1: Nicole Kidman at the mall. I've seen Keith Urban at 94 00:04:12,680 --> 00:04:14,240 Speaker 1: the mall, but not together. But have you seen them 95 00:04:14,240 --> 00:04:14,920 Speaker 1: together at the mall? No? 96 00:04:14,960 --> 00:04:17,040 Speaker 2: I've seen Faith at the grocery store and that's it. 97 00:04:18,160 --> 00:04:21,960 Speaker 2: Have you seen Tim alone somewhere? Did you say that? No? Okay, 98 00:04:22,120 --> 00:04:24,039 Speaker 2: neither of I does Tim leave the house. 99 00:04:24,200 --> 00:04:25,680 Speaker 1: Some people saw him walking down the road by a 100 00:04:26,000 --> 00:04:28,120 Speaker 1: radio station, our old radio station, just. 101 00:04:28,160 --> 00:04:30,719 Speaker 2: Watching him down the road. It's crazy. 102 00:04:31,279 --> 00:04:35,000 Speaker 1: Number nine on my list from twenty sixteen. Humble and Kind, 103 00:04:36,000 --> 00:04:37,599 Speaker 1: lovely do even like song? 104 00:04:37,680 --> 00:04:39,280 Speaker 2: I do correct Tim sings it. 105 00:04:39,400 --> 00:04:43,520 Speaker 1: I like it, Okay, fair enough. This song happened once 106 00:04:43,600 --> 00:04:45,719 Speaker 1: we had moved to Nashville. He was more than twenty 107 00:04:45,839 --> 00:04:47,880 Speaker 1: years into his career at this time, and I remember 108 00:04:47,880 --> 00:04:51,800 Speaker 1: talking to him before this song came out, and I'm 109 00:04:51,800 --> 00:04:54,560 Speaker 1: not sure maybe the record was even called Humble and Kind. 110 00:04:54,600 --> 00:04:56,120 Speaker 2: I don't know, but it sounds about right. 111 00:04:56,160 --> 00:05:00,000 Speaker 1: The song wasn't a single yet, and he was talking 112 00:05:00,000 --> 00:05:01,640 Speaker 1: looking about, hey, there's going to be this one song. 113 00:05:02,080 --> 00:05:05,240 Speaker 1: It's a Laurie McKenna song. She's who wrote it. He's like, 114 00:05:05,279 --> 00:05:07,320 Speaker 1: it's a game changer in me. I'm about to do 115 00:05:07,360 --> 00:05:09,720 Speaker 1: an interview. I'm like, okay, buddy, everybody's always talking about 116 00:05:09,720 --> 00:05:10,760 Speaker 1: what's going to be a game changer. 117 00:05:10,880 --> 00:05:13,360 Speaker 2: It's my most personal record ever. It's the best I've 118 00:05:13,400 --> 00:05:16,520 Speaker 2: ever done. Yeah. You said that the last time, so 119 00:05:17,320 --> 00:05:19,320 Speaker 2: then it was yeah, it's good. What's the name of 120 00:05:19,320 --> 00:05:23,960 Speaker 2: the record? Okay? Oh well whatever song was good. You 121 00:05:24,000 --> 00:05:26,880 Speaker 2: know Laurie McKennon, Yeah, I know her better than Tim. 122 00:05:27,040 --> 00:05:27,920 Speaker 2: That's crazy. Yeah. 123 00:05:27,960 --> 00:05:30,599 Speaker 1: She lives in Boston. People travel to her to write. 124 00:05:30,680 --> 00:05:31,000 Speaker 2: Wow. 125 00:05:31,040 --> 00:05:32,680 Speaker 1: She's also one of the love junkies. They've written a 126 00:05:32,680 --> 00:05:37,599 Speaker 1: bunch of songs together, but the music video was a 127 00:05:37,600 --> 00:05:40,360 Speaker 1: bunch of non famous people, a bunch of non actors 128 00:05:40,680 --> 00:05:41,559 Speaker 1: from around the world. 129 00:05:42,440 --> 00:05:45,040 Speaker 2: It's kind of cool. But it's a good song. I 130 00:05:45,040 --> 00:05:45,960 Speaker 2: love the message. Yeah. 131 00:05:46,000 --> 00:05:47,640 Speaker 1: I like slow songs too. One song of the Year 132 00:05:47,640 --> 00:05:49,680 Speaker 1: at the CMA Awards and it. 133 00:05:49,680 --> 00:05:51,480 Speaker 2: Was just good. Yeah, and he could you can play 134 00:05:51,520 --> 00:05:53,040 Speaker 2: that one acoustic and it works. Yeah. 135 00:05:53,720 --> 00:05:56,719 Speaker 1: If you play something like that acoustic, it works. But 136 00:05:56,760 --> 00:05:59,440 Speaker 1: it's not the same. That song needs like a band. 137 00:05:59,520 --> 00:06:05,960 Speaker 2: You need the DTTE D. 138 00:06:06,279 --> 00:06:10,000 Speaker 1: Yeah, number eight from nineteen ninety nine. My best friend 139 00:06:10,600 --> 00:06:12,760 Speaker 1: and my best friend. This song is so good. 140 00:06:12,839 --> 00:06:13,520 Speaker 2: Yeah, so good. 141 00:06:14,720 --> 00:06:17,480 Speaker 1: People interpreted it to be about Faith Hill. 142 00:06:17,680 --> 00:06:20,599 Speaker 2: Oh that's not what it's about. Well, it wasn't a duet, 143 00:06:21,000 --> 00:06:25,040 Speaker 2: and I don't I don't know he wrote it. Okay, 144 00:06:25,160 --> 00:06:29,440 Speaker 2: But as an artist, can you say, hey, three writers, 145 00:06:29,440 --> 00:06:32,360 Speaker 2: two writers? I love my wife. Can you write something 146 00:06:32,480 --> 00:06:34,520 Speaker 2: kind of like that says she's my best friend? 147 00:06:35,400 --> 00:06:39,240 Speaker 1: I don't really think that's how that see, that's what 148 00:06:39,279 --> 00:06:40,960 Speaker 1: I would do if I was an artist. My best 149 00:06:40,960 --> 00:06:44,120 Speaker 1: Friend was written by Amy Mayo and Bill Luther was 150 00:06:44,160 --> 00:06:48,000 Speaker 1: recorded by Tim McGraw. So normally an artist doesn't go, hey, 151 00:06:48,040 --> 00:06:50,640 Speaker 1: I have an idea, go write me this. They either 152 00:06:50,680 --> 00:06:53,200 Speaker 1: write it or they say they're looking for a certain 153 00:06:53,240 --> 00:06:54,720 Speaker 1: kind of song and they start to get pitch to 154 00:06:54,760 --> 00:06:56,560 Speaker 1: them songs that have already been written. 155 00:06:56,240 --> 00:06:58,840 Speaker 2: And then do like record labels and artists do they 156 00:06:58,839 --> 00:07:00,719 Speaker 2: look at it be like, oh, best, this sounds great. 157 00:07:00,720 --> 00:07:02,320 Speaker 2: Everyone's gonna think it's about you and faith. 158 00:07:03,240 --> 00:07:07,800 Speaker 1: Well, I think if you incorporate music video imagery and 159 00:07:07,800 --> 00:07:09,720 Speaker 1: then yes, if he's singing it. Because I think most people, 160 00:07:09,760 --> 00:07:12,360 Speaker 1: even in nineteen ninety nine, before social media, most people 161 00:07:12,400 --> 00:07:14,080 Speaker 1: probably thought that artists wrote all their songs. 162 00:07:14,120 --> 00:07:15,760 Speaker 2: Oh for sure, I thought George Strait wrote all of 163 00:07:15,760 --> 00:07:16,080 Speaker 2: his songs. 164 00:07:16,160 --> 00:07:20,320 Speaker 1: Yes, So I don't know that what happens, and that 165 00:07:20,400 --> 00:07:23,120 Speaker 1: everybody knows what happens in Nashville was actually known as 166 00:07:23,120 --> 00:07:24,160 Speaker 1: to what happens in Nashville. 167 00:07:24,600 --> 00:07:26,200 Speaker 2: You know what I think was a big part of 168 00:07:26,240 --> 00:07:30,600 Speaker 2: that was that the show Nashville exposing how all that works. 169 00:07:30,640 --> 00:07:32,360 Speaker 2: Exposing is a weird word, but yeah, well I mean 170 00:07:32,760 --> 00:07:35,360 Speaker 2: like it's a crime. Well not that kind, but I 171 00:07:35,360 --> 00:07:37,280 Speaker 2: mean it kind of was. It's like told the whole 172 00:07:37,320 --> 00:07:38,920 Speaker 2: story of this town, the good and the bad. 173 00:07:39,680 --> 00:07:42,440 Speaker 1: Even that songs are written for artists by other people. 174 00:07:42,480 --> 00:07:44,320 Speaker 1: I mean the Bluebird for sure, he got famous from 175 00:07:44,320 --> 00:07:45,440 Speaker 1: the show in Nashville, dude. 176 00:07:45,600 --> 00:07:49,760 Speaker 2: And the concept that writers sitting in an office to 177 00:07:49,920 --> 00:07:51,360 Speaker 2: write a country song. 178 00:07:51,600 --> 00:07:54,960 Speaker 1: Happens here every day. People look at their calendar, they 179 00:07:55,000 --> 00:07:57,640 Speaker 1: go to a room in an office building, they sit down, 180 00:07:57,720 --> 00:07:58,440 Speaker 1: they write songs. 181 00:07:58,520 --> 00:08:01,280 Speaker 2: Yeah. I saw an interview with Hankulins Junior and he's 182 00:08:01,360 --> 00:08:05,200 Speaker 2: just like, I can't stand that, Like country music songs 183 00:08:05,200 --> 00:08:08,679 Speaker 2: should be written in the woods, not in an office somewhere. 184 00:08:08,680 --> 00:08:10,600 Speaker 2: On music Rope. 185 00:08:11,200 --> 00:08:13,840 Speaker 1: At number seven from two thousand and two, She's my 186 00:08:13,960 --> 00:08:14,480 Speaker 1: kind of rain. 187 00:08:15,960 --> 00:08:17,600 Speaker 2: Oh sing that one for me? 188 00:08:17,880 --> 00:08:21,280 Speaker 1: She's my I can't sing it, get kicked out? Okay, 189 00:08:21,600 --> 00:08:24,360 Speaker 1: So the interesting thing about this song. I was kind 190 00:08:24,360 --> 00:08:26,440 Speaker 1: of out of country music at this time, at about. 191 00:08:26,240 --> 00:08:29,800 Speaker 2: A ten year period where I checked out was that 192 00:08:29,840 --> 00:08:31,640 Speaker 2: when like alternative was kicking hard. 193 00:08:31,960 --> 00:08:34,760 Speaker 1: Yeah, and also when I was like working in pop music. 194 00:08:34,840 --> 00:08:37,360 Speaker 2: Yeah. Yeah, And it was a crossover you in you 195 00:08:37,480 --> 00:08:38,880 Speaker 2: it obviously, but yeah. 196 00:08:38,720 --> 00:08:40,720 Speaker 1: Like grew up always listened to country. I checked out 197 00:08:40,760 --> 00:08:42,480 Speaker 1: for a bit and then came back, obviously. But this 198 00:08:42,559 --> 00:08:46,200 Speaker 1: song was in that era of me not knowing And 199 00:08:46,240 --> 00:08:48,880 Speaker 1: it's my wife's favorite Timocras song really, And we were 200 00:08:48,880 --> 00:08:50,960 Speaker 1: playing some temagraw and she was like, my favorite, She's 201 00:08:50,960 --> 00:08:53,680 Speaker 1: my kind of rain, and I'm like I don't She's like, 202 00:08:53,720 --> 00:08:54,680 Speaker 1: you don't know that song? 203 00:08:56,000 --> 00:08:57,880 Speaker 2: No. See, That's kind of where I am right now 204 00:08:57,960 --> 00:09:00,080 Speaker 2: with it. I feel like I need to hear it 205 00:09:02,720 --> 00:09:05,160 Speaker 2: because the only thing I have in mind is uh, 206 00:09:05,480 --> 00:09:08,880 Speaker 2: lacked the rain. Oh that black that's a jam. 207 00:09:09,200 --> 00:09:11,400 Speaker 1: So this song was pitched a bunch of artist before 208 00:09:11,400 --> 00:09:13,720 Speaker 1: Tim cut it. It came out when Tim was moving away 209 00:09:13,760 --> 00:09:18,280 Speaker 1: from novelty songs and leaning more into more mature material. 210 00:09:19,440 --> 00:09:21,280 Speaker 1: So it's kind of one of those songs that bridge 211 00:09:21,280 --> 00:09:23,120 Speaker 1: that gap from Tim when he was doing a bunch 212 00:09:23,160 --> 00:09:23,320 Speaker 1: of the. 213 00:09:23,400 --> 00:09:26,200 Speaker 2: Again, sure, old on. It's weird to say novelty, but 214 00:09:28,200 --> 00:09:31,600 Speaker 2: to me, those are the fun stung I know, yeah, yeah, 215 00:09:31,679 --> 00:09:34,439 Speaker 2: fun like themed. I don't really think too much about it. 216 00:09:34,480 --> 00:09:36,480 Speaker 2: I like it, I love it like I want some 217 00:09:36,520 --> 00:09:36,960 Speaker 2: more of it. 218 00:09:37,200 --> 00:09:38,959 Speaker 1: I push She's my kind of rane at number seven 219 00:09:39,679 --> 00:09:41,480 Speaker 1: because if my wife ever hears this and I don't 220 00:09:41,480 --> 00:09:43,320 Speaker 1: put it in, I'll get a nod on the head. 221 00:09:43,360 --> 00:09:47,320 Speaker 1: I do like the song though, number six, nineteen ninety. 222 00:09:47,120 --> 00:09:49,200 Speaker 2: Eight, where the green grass grows. Ah, that's a good 223 00:09:49,240 --> 00:09:53,600 Speaker 2: one at the beginning, right, that's a fiddle, right, yeah, yeh, 224 00:09:53,600 --> 00:09:59,160 Speaker 2: that's my Friendino. That's my Friendino. Dude. Yeah, that's a jam. 225 00:09:59,240 --> 00:09:59,920 Speaker 2: That's so good. 226 00:10:00,280 --> 00:10:02,720 Speaker 1: Were released in ninety seven, but became a number one 227 00:10:02,800 --> 00:10:06,600 Speaker 1: hit in nineteen ninety eight. This was that time when 228 00:10:06,600 --> 00:10:10,720 Speaker 1: Tim started to get so successful that he had lived 229 00:10:10,720 --> 00:10:13,080 Speaker 1: a life like he was singing and showing. But he 230 00:10:13,120 --> 00:10:16,840 Speaker 1: started to get so rich and famous around this time 231 00:10:18,080 --> 00:10:20,920 Speaker 1: where he kind of needed a song to connect. That's 232 00:10:20,920 --> 00:10:23,439 Speaker 1: where he came from and this was that. And he 233 00:10:23,480 --> 00:10:28,400 Speaker 1: grew up in rural Louisiana. It's all about escaping normal life. 234 00:10:28,800 --> 00:10:34,360 Speaker 2: Ah damn ned game. Get there is corn up and rose. 235 00:10:34,600 --> 00:10:38,760 Speaker 1: The everywhere album, and that album had a ton of 236 00:10:38,920 --> 00:10:42,800 Speaker 1: songs like massive songs. But at yeah, number six where 237 00:10:42,840 --> 00:10:44,760 Speaker 1: the green grass grows from Timigral. 238 00:10:44,360 --> 00:10:47,920 Speaker 2: That reminds me of a simpler time for you. Graduated 239 00:10:48,000 --> 00:10:52,360 Speaker 2: high school, broker, even more broke. Oh, I was definitely 240 00:10:52,360 --> 00:10:53,959 Speaker 2: a broker. I thought I was a broker. I'm like, 241 00:10:54,200 --> 00:10:56,360 Speaker 2: I never knowd that that was never a broker. I 242 00:10:56,440 --> 00:10:58,520 Speaker 2: graduated high school ninety eight. When did you? Ninety seven? 243 00:10:59,280 --> 00:11:03,400 Speaker 2: So is my first share college? Yeah? Just the future. 244 00:11:03,400 --> 00:11:08,320 Speaker 2: It was wide open man. Dang you know now though, No, Oh, 245 00:11:08,360 --> 00:11:11,000 Speaker 2: that's sad. It's kind of setting stone out. 246 00:11:12,400 --> 00:11:26,600 Speaker 3: The Bobby Cast will be right back, and we're back 247 00:11:26,800 --> 00:11:29,000 Speaker 3: on the Bobby Cast. 248 00:11:28,679 --> 00:11:33,160 Speaker 1: At number five from nineteen ninety seven. Come on, it's 249 00:11:33,200 --> 00:11:36,520 Speaker 1: your love. That's something to me really one of the 250 00:11:36,559 --> 00:11:39,079 Speaker 1: greatest duets of all time? Now is this one about faith? 251 00:11:40,800 --> 00:11:41,840 Speaker 1: Written by Timergirl? 252 00:11:42,760 --> 00:11:43,719 Speaker 2: No, I don't think so. 253 00:11:43,840 --> 00:11:47,400 Speaker 1: It wasn't ye, Wow, it wasn't dude. 254 00:11:47,520 --> 00:11:51,160 Speaker 2: I didn't realize, but a lot of women writers, like 255 00:11:51,559 --> 00:11:55,280 Speaker 2: for our life when we could write stop, I didn't 256 00:11:55,320 --> 00:11:59,920 Speaker 2: realize that a lot of these songs were written by women. 257 00:12:01,679 --> 00:12:04,200 Speaker 2: It's tim Agross song to me, in my mind was 258 00:12:04,240 --> 00:12:05,719 Speaker 2: just like, Oh yeah, maybe Tim and a couple of 259 00:12:05,720 --> 00:12:08,280 Speaker 2: writers wrote this. Pretty cool. I like that. 260 00:12:10,040 --> 00:12:14,640 Speaker 1: This song obviously is associated with them too, because they 261 00:12:14,640 --> 00:12:20,520 Speaker 1: both sang it. But also she was pregnant in the video. 262 00:12:21,160 --> 00:12:24,520 Speaker 2: Oh wow, I believe wow. I don't remember the video. 263 00:12:25,040 --> 00:12:27,040 Speaker 1: So it was number one country radio and then it 264 00:12:27,080 --> 00:12:29,400 Speaker 1: was a top ten Billboard Hot one hundred song, which 265 00:12:29,400 --> 00:12:30,320 Speaker 1: means the pop charts. 266 00:12:30,400 --> 00:12:32,480 Speaker 2: In the video where they trying to hide the pregnancy, 267 00:12:32,640 --> 00:12:35,560 Speaker 2: where they showcased pregnant, well, I think she was just pregnant. 268 00:12:35,640 --> 00:12:37,320 Speaker 2: He wasn't like grabbing the belly or anything. 269 00:12:37,480 --> 00:12:40,400 Speaker 1: I don't think they were doing that now may I don't. 270 00:12:40,200 --> 00:12:42,160 Speaker 2: Remember the vide. I just feel like that that she 271 00:12:42,240 --> 00:12:43,079 Speaker 2: was pregnant in the video. 272 00:12:43,679 --> 00:12:45,720 Speaker 1: Billboard named it the number one country song of nineteen 273 00:12:45,800 --> 00:12:48,960 Speaker 1: ninety seven, his first major duet with Faith Hill. Tim 274 00:12:48,960 --> 00:12:51,720 Speaker 1: and Faith had married the year before, Faith was pregnant 275 00:12:51,760 --> 00:12:53,880 Speaker 1: with their first daughter when the song exploded. 276 00:12:53,920 --> 00:12:54,320 Speaker 2: Here we Go. 277 00:12:54,520 --> 00:12:58,640 Speaker 1: The music video features a visibly pregnant Faith, which made 278 00:12:58,640 --> 00:13:01,559 Speaker 1: the song feel authentic rather than manufactured. Oh yeah, this 279 00:13:01,679 --> 00:13:04,080 Speaker 1: song turned them into country music's power couple. 280 00:13:04,360 --> 00:13:05,000 Speaker 2: That's awesome. 281 00:13:05,320 --> 00:13:09,280 Speaker 1: I just pictured him singing that song in this hat for. 282 00:13:09,280 --> 00:13:10,920 Speaker 2: Sure, like this is that hat to do with his 283 00:13:11,040 --> 00:13:12,920 Speaker 2: muscles ripping out of his show? I didn't go like that. 284 00:13:13,000 --> 00:13:16,480 Speaker 2: But you see the picture of him and his brothers, Yeah, ripped. 285 00:13:16,640 --> 00:13:18,880 Speaker 2: What the heck? I know, dude, kind of looks like 286 00:13:18,920 --> 00:13:19,840 Speaker 2: us when we take pictures. 287 00:13:20,679 --> 00:13:22,800 Speaker 1: You mean when we actually take the picture, not the one. 288 00:13:22,840 --> 00:13:26,520 Speaker 2: Just guys hanging out taking pictures. I had number four, 289 00:13:28,120 --> 00:13:32,199 Speaker 2: We're getting There, We're getting there from nineteen ninety four. Four. 290 00:13:32,840 --> 00:13:35,520 Speaker 2: I like it, I love it. I want some more 291 00:13:35,559 --> 00:13:37,560 Speaker 2: of it. No, it's got to be. That's gotta be early, 292 00:13:38,320 --> 00:13:41,640 Speaker 2: earlier than that. This is ninety four is gonna be? 293 00:13:41,840 --> 00:13:44,960 Speaker 1: Is this song that was a bit controversial and he 294 00:13:45,040 --> 00:13:46,400 Speaker 1: stopped playing it for a while. 295 00:13:46,480 --> 00:13:49,760 Speaker 2: Oh, Indian Outlaw song was awesome? 296 00:13:49,840 --> 00:14:01,560 Speaker 1: Yeah, dude, this was This was the introduction. Yes, I 297 00:14:01,600 --> 00:14:04,599 Speaker 1: would listen to Kissing ninety six. I'll wait for this 298 00:14:04,679 --> 00:14:05,360 Speaker 1: song to come on. 299 00:14:05,559 --> 00:14:06,720 Speaker 2: Was that his first? Yeah? 300 00:14:07,000 --> 00:14:09,840 Speaker 1: It wasn't not a number one though, Wow, So nineteen 301 00:14:09,920 --> 00:14:13,560 Speaker 1: ninety four it was Tim's first hit. It was a 302 00:14:13,679 --> 00:14:14,520 Speaker 1: number eight song. 303 00:14:14,920 --> 00:14:18,079 Speaker 2: Wow peaked at number eight, so this was it. 304 00:14:18,080 --> 00:14:23,120 Speaker 1: It was hugely controversial. Some Native American groups criticized it, 305 00:14:23,480 --> 00:14:28,720 Speaker 1: others defended it, but Because of the controversy, Tim got 306 00:14:28,760 --> 00:14:29,600 Speaker 1: more famous. 307 00:14:29,720 --> 00:14:32,360 Speaker 2: I wonder if the tribes mentioned were the ones that 308 00:14:32,480 --> 00:14:34,200 Speaker 2: I like it and the ones that weren't, where it's 309 00:14:34,280 --> 00:14:36,840 Speaker 2: like you Cherokee or chalk Taw or chip a wall 310 00:14:37,800 --> 00:14:41,200 Speaker 2: because it's a baby have Cherokee and chalk tom a baby. 311 00:14:41,280 --> 00:14:44,280 Speaker 2: She's a chip of wall. She's one of my bad Yeah, 312 00:14:44,440 --> 00:14:48,880 Speaker 2: what if my friends become a bear claw? And dude, 313 00:14:48,920 --> 00:14:50,840 Speaker 2: I could totally see him, Like, I. 314 00:14:50,760 --> 00:14:57,119 Speaker 1: Don't know, guys in the one in my wig wall. 315 00:14:58,680 --> 00:15:01,920 Speaker 2: Pull out. My pipe's smoked me. So I'm getting offended 316 00:15:01,960 --> 00:15:07,160 Speaker 2: out what are we doing here? Guys? Dude, that's like 317 00:15:07,280 --> 00:15:09,640 Speaker 2: there were dudes in the chair board meeting me, Like, 318 00:15:10,080 --> 00:15:13,560 Speaker 2: let her rip. It was a jam song. But let's 319 00:15:13,600 --> 00:15:15,680 Speaker 2: let's look at the lyrics. The Indian out man. 320 00:15:16,880 --> 00:15:19,560 Speaker 1: Okay, okay, because I can sing it all for sure, 321 00:15:19,760 --> 00:15:22,440 Speaker 1: because he goes and I don't want to sing the melody, 322 00:15:22,560 --> 00:15:26,720 Speaker 1: talk it out. I'm an Indian outlaw, half Cherokee and Choctaw. 323 00:15:27,040 --> 00:15:29,840 Speaker 2: So far it's fine. I'm not offended. Yeah, it's fine. 324 00:15:30,480 --> 00:15:33,360 Speaker 1: My baby, she's a chip a wall, she's a one 325 00:15:33,440 --> 00:15:35,520 Speaker 1: of a kind. Okay, you know what, just telling the 326 00:15:35,560 --> 00:15:36,120 Speaker 1: story yep. 327 00:15:36,680 --> 00:15:38,600 Speaker 2: Also, is this even true about him though? Because I 328 00:15:38,600 --> 00:15:42,800 Speaker 2: don't think it is. No, no, but there's no way no. 329 00:15:42,840 --> 00:15:45,040 Speaker 2: But I'm saying like, was he even Native American? 330 00:15:45,640 --> 00:15:47,880 Speaker 1: Because it's weird if like an Irish dude gets up 331 00:15:47,880 --> 00:15:49,000 Speaker 1: and is singing about. 332 00:15:48,960 --> 00:15:52,480 Speaker 2: Yeah, because he is Irish, right cross, I think about 333 00:15:52,520 --> 00:15:54,200 Speaker 2: that and the mc all. 334 00:15:54,240 --> 00:15:58,880 Speaker 1: My friends call me Barrick Law. The village chieftain is 335 00:15:58,880 --> 00:16:02,000 Speaker 1: my papa. He gets his orders. 336 00:16:01,800 --> 00:16:02,480 Speaker 2: From my mama. 337 00:16:02,960 --> 00:16:05,480 Speaker 1: She makes him walk the line. Okay, we're only mildly 338 00:16:05,560 --> 00:16:08,720 Speaker 1: treading in where someone could be a little offended. 339 00:16:08,840 --> 00:16:10,560 Speaker 2: Keep reading. I have questions, but keep reading. 340 00:16:11,320 --> 00:16:14,720 Speaker 1: You can find me in my wigwam. Now we're getting there. Now, 341 00:16:14,720 --> 00:16:17,280 Speaker 1: we're getting places where just because of Ryan. 342 00:16:17,320 --> 00:16:19,080 Speaker 2: What's a wig one like a tpe? Right? 343 00:16:19,160 --> 00:16:24,040 Speaker 1: Okay, okay, yeah, I'll be beating on my tom toll. 344 00:16:24,120 --> 00:16:28,840 Speaker 2: Okay, all right, all right, pull out the pipe is 345 00:16:28,880 --> 00:16:30,800 Speaker 2: my favorite one. 346 00:16:30,320 --> 00:16:33,000 Speaker 1: The pipe, and smoke you some hey and pass it around. 347 00:16:33,440 --> 00:16:33,960 Speaker 2: Huh. 348 00:16:34,040 --> 00:16:37,080 Speaker 1: I can understand Native Americans being offended by this. 349 00:16:37,200 --> 00:16:40,240 Speaker 2: Now, So is this about a Native American or just 350 00:16:40,280 --> 00:16:42,160 Speaker 2: about a dude who thinks is an Indian. 351 00:16:43,240 --> 00:16:45,600 Speaker 1: I've never really listened. I've never really thought about it. 352 00:16:45,640 --> 00:16:46,320 Speaker 1: I just sang it. 353 00:16:46,800 --> 00:16:48,680 Speaker 2: Can you keep reading? I can to hear some of 354 00:16:48,720 --> 00:16:49,280 Speaker 2: these verses. 355 00:16:50,240 --> 00:16:54,840 Speaker 1: Okay, I ain't because I'm okay the chorus I mean, 356 00:16:55,560 --> 00:16:58,800 Speaker 1: and then I ain't looking for trouble. We can ride 357 00:16:58,840 --> 00:16:59,760 Speaker 1: my pony double. 358 00:17:00,680 --> 00:17:02,680 Speaker 2: What does that mean? Are you talking to the girl? Yeah? 359 00:17:02,680 --> 00:17:04,040 Speaker 2: I made like both. Ride the worth of us. 360 00:17:04,560 --> 00:17:08,639 Speaker 1: Make your little heart bubble lord like a glass of wine. 361 00:17:09,480 --> 00:17:11,080 Speaker 2: There's nothing there? Fine, Okay. 362 00:17:12,000 --> 00:17:15,840 Speaker 1: I remember the medicine man. He caught running water in 363 00:17:15,960 --> 00:17:20,000 Speaker 1: my hands, drugged me around by my headband said I 364 00:17:20,119 --> 00:17:27,120 Speaker 1: wasn't her kind feels. 365 00:17:28,760 --> 00:17:31,600 Speaker 2: I don't know. I just I'm wondering if this is 366 00:17:31,640 --> 00:17:35,600 Speaker 2: like a real Native American story, like is it based 367 00:17:35,640 --> 00:17:39,159 Speaker 2: off someone? And maybe the memoirs of bear Claw? Oh? 368 00:17:39,280 --> 00:17:40,879 Speaker 2: Interesting if told? 369 00:17:41,000 --> 00:17:42,879 Speaker 1: If the story told through sync, yeah, I think that 370 00:17:42,880 --> 00:17:43,919 Speaker 1: makes a difference. 371 00:17:44,440 --> 00:17:46,800 Speaker 2: Because if there was a real bear Claw there and 372 00:17:46,840 --> 00:17:47,920 Speaker 2: this happened to him. 373 00:17:48,000 --> 00:17:49,840 Speaker 1: Is Indian outlaw about a real person? 374 00:17:49,960 --> 00:17:52,000 Speaker 2: Yes? It is not. It is not. It's just making 375 00:17:52,040 --> 00:17:52,240 Speaker 2: it up. 376 00:17:54,480 --> 00:17:58,159 Speaker 1: In trouble, I can kill a deer a buffalo with 377 00:17:58,359 --> 00:18:01,200 Speaker 1: is my arrow on my hickory bow from one hundred yards? 378 00:18:01,200 --> 00:18:02,680 Speaker 2: Don't you know? I do it all the time. 379 00:18:03,000 --> 00:18:06,240 Speaker 1: They all gather around my TP late at night, trying 380 00:18:06,280 --> 00:18:08,399 Speaker 1: to catch a peek at me, and nothing about my 381 00:18:08,400 --> 00:18:09,440 Speaker 1: buffalo briefs. 382 00:18:09,600 --> 00:18:15,280 Speaker 2: What the I got them standing in line? Huh? Isn't 383 00:18:15,280 --> 00:18:18,800 Speaker 2: there a TP in a wigwam? And then also maybe 384 00:18:18,840 --> 00:18:22,320 Speaker 2: a wigwam is a brand of TP. It wasn't capitalizing though, 385 00:18:22,359 --> 00:18:28,240 Speaker 2: rics well, looks more like a hut, but it is. 386 00:18:28,480 --> 00:18:33,000 Speaker 2: It's a semi permanent domed hut. Oh probably made a clay. 387 00:18:33,280 --> 00:18:37,639 Speaker 2: Now you're going Aztec, dude. And then that big breakdown 388 00:18:37,680 --> 00:18:44,440 Speaker 2: that was awesome though Cherokee people. Man, I can understand 389 00:18:44,440 --> 00:18:47,520 Speaker 2: some people being upset. I agree back, and I wasn't 390 00:18:48,680 --> 00:18:51,800 Speaker 2: sounds like he's just telling a fictional story of a 391 00:18:51,880 --> 00:18:55,159 Speaker 2: Native American guy. I did an AI overview. 392 00:18:56,119 --> 00:18:58,920 Speaker 1: Indian Outlaws, an up tempo novelty country song released in 393 00:18:59,000 --> 00:19:02,200 Speaker 1: nineteen ninety four. The meaning and the narrative center on 394 00:19:02,280 --> 00:19:05,000 Speaker 1: a rebellious character who proudly boasts about his mixed Native 395 00:19:05,040 --> 00:19:08,760 Speaker 1: American heritage while adopting the persona of a roguish outlaw 396 00:19:09,000 --> 00:19:10,800 Speaker 1: chasing a chip awall lover. 397 00:19:11,400 --> 00:19:15,639 Speaker 2: Because baby, it's just heavy stereotype funny. They used the 398 00:19:15,680 --> 00:19:16,840 Speaker 2: word novelty on that. 399 00:19:18,320 --> 00:19:22,640 Speaker 1: Sorry, Ultimately mcgroy starting crying, dude, it's okay, okay. Ultimately, 400 00:19:22,720 --> 00:19:25,080 Speaker 1: McGraw's acknowledged the controversy but defended the song as a 401 00:19:25,080 --> 00:19:27,840 Speaker 1: tongue in cheek piece of storytelling rather than I don't 402 00:19:27,840 --> 00:19:29,520 Speaker 1: feel like it's a deliberate attack. I just feel like 403 00:19:29,600 --> 00:19:31,960 Speaker 1: maybe it was a little insensitive. And in the nineteen 404 00:19:32,000 --> 00:19:33,880 Speaker 1: ninety four yeah, different time. 405 00:19:33,960 --> 00:19:35,720 Speaker 2: Yeah, yeah, I mean I think the teams were still 406 00:19:35,720 --> 00:19:39,120 Speaker 2: called the teams, right, the team, yeah, like the Cleveland 407 00:19:39,680 --> 00:19:42,440 Speaker 2: Oh you mean there's sports teams. Yeah, yeah, the Redskins 408 00:19:42,680 --> 00:19:46,600 Speaker 2: washed this yeah yeah, yeah, that hadn't parody. That hadn't 409 00:19:46,680 --> 00:19:50,560 Speaker 2: changed yet. Oh that's funny. That real. 410 00:19:51,240 --> 00:19:54,840 Speaker 1: The parody Clay Judge, remember him, No, sometimes he emails 411 00:19:54,880 --> 00:19:55,920 Speaker 1: me really yeah. 412 00:19:56,080 --> 00:19:57,920 Speaker 2: Yeah. I think he lived in like South Carolina or 413 00:19:57,920 --> 00:19:59,680 Speaker 2: Florida or something over There is a parody guy. 414 00:19:59,760 --> 00:20:03,800 Speaker 1: Yeah, big successful country parody guy. Okay, there's Indian Owl 415 00:20:03,840 --> 00:20:04,480 Speaker 1: at number four. 416 00:20:04,520 --> 00:20:05,440 Speaker 2: Okay, we're getting there. 417 00:20:06,440 --> 00:20:20,879 Speaker 3: The Bobby Cast will be right back. Welcome back to 418 00:20:21,000 --> 00:20:24,320 Speaker 3: the Bobby Cast. This is one of those where it's 419 00:20:24,359 --> 00:20:26,040 Speaker 3: just one single word. I say, the one single word. 420 00:20:26,080 --> 00:20:28,120 Speaker 3: You'll know the song immediately from the one single word. 421 00:20:29,160 --> 00:20:32,800 Speaker 2: Ready, Oh, is it a name or a word? It's 422 00:20:32,800 --> 00:20:36,800 Speaker 2: a name. Jimmy Johnson, Tommy and oh Yeah, I Lived 423 00:20:36,840 --> 00:20:38,840 Speaker 2: like You were dying. Yeah, Yeah, Yeah. 424 00:20:39,080 --> 00:20:41,600 Speaker 1: Released in two thousand and four, spent seven weeks at 425 00:20:41,640 --> 00:20:44,720 Speaker 1: number one Billboard's Biggest Country Song of two thousand and four. 426 00:20:44,720 --> 00:20:47,040 Speaker 1: It won Everything, CMA Song of the Year, Single of 427 00:20:47,040 --> 00:20:51,960 Speaker 1: the Year, ACM Wanter, Grammys. It jammed, it still does. 428 00:20:52,040 --> 00:20:58,240 Speaker 1: It's played at funerals, births. Yeah, it's it's all that, graduations, 429 00:20:58,720 --> 00:21:01,840 Speaker 1: cancer fundraisers like this song does all that. 430 00:21:02,200 --> 00:21:04,400 Speaker 2: Like who would have thought a sad song like that 431 00:21:04,440 --> 00:21:07,440 Speaker 2: would be so big? Because it's just it's a sad one. 432 00:21:08,359 --> 00:21:10,800 Speaker 1: It's also an inspirational one at the same time. Yeah, yeah, 433 00:21:10,840 --> 00:21:14,640 Speaker 1: because it's Hey, things aren't going well, but now I'm 434 00:21:14,640 --> 00:21:16,040 Speaker 1: gonna go live my life to the fullest. 435 00:21:16,119 --> 00:21:18,520 Speaker 2: Yeah. And even if you're not dying, you should live 436 00:21:18,560 --> 00:21:21,040 Speaker 2: this way. It's kind of speaking to those people too. 437 00:21:21,119 --> 00:21:22,920 Speaker 1: And every time I hear it, like, I'm gonna change 438 00:21:22,960 --> 00:21:25,359 Speaker 1: my life and live like I really and then I 439 00:21:25,359 --> 00:21:25,639 Speaker 1: never did. 440 00:21:25,880 --> 00:21:26,640 Speaker 2: How long does that last? 441 00:21:26,720 --> 00:21:30,080 Speaker 1: I mean, until the next song comes on after after 442 00:21:30,080 --> 00:21:31,560 Speaker 1: Don't Rock the jukebox plays all the way out. 443 00:21:31,560 --> 00:21:34,800 Speaker 2: I forgot about live like you were dying. So wearing 444 00:21:35,040 --> 00:21:38,880 Speaker 2: the hat on the album No Live Like you were Dying. 445 00:21:38,960 --> 00:21:41,760 Speaker 2: Yeah this hat, Yeah that hat right there. If I 446 00:21:41,760 --> 00:21:42,359 Speaker 2: wrote this. 447 00:21:42,680 --> 00:21:44,480 Speaker 1: Or was wearing this one, he was on full food 448 00:21:44,480 --> 00:21:44,840 Speaker 1: mane Choo. 449 00:21:46,160 --> 00:21:48,440 Speaker 2: He wrote two point seven seconds on a bull named 450 00:21:48,440 --> 00:21:50,800 Speaker 2: food Man Chew. That's a good that's a good one. 451 00:21:50,840 --> 00:21:53,400 Speaker 2: But I'm so Number three Live Like You Were Dying. 452 00:21:53,440 --> 00:21:57,639 Speaker 2: You have two left and number two I Love. 453 00:21:58,000 --> 00:21:59,560 Speaker 1: It was hard for me not to put this at one. 454 00:22:00,080 --> 00:22:02,280 Speaker 1: Number two I Love so Much is from nineteen ninety seven. 455 00:22:02,320 --> 00:22:04,000 Speaker 1: It's from that Everywhere album we were talking about a 456 00:22:04,040 --> 00:22:06,159 Speaker 1: second ago. It spent six weeks at number one in 457 00:22:06,200 --> 00:22:08,360 Speaker 1: the country chart. It was the number one country song 458 00:22:08,400 --> 00:22:11,760 Speaker 1: of nineteen ninety eight. This is not a typical breakup song. 459 00:22:13,040 --> 00:22:16,119 Speaker 1: In this song, the narrator, Tim mcgrawl loses the girl 460 00:22:16,560 --> 00:22:19,959 Speaker 1: but still wants to make her happy. 461 00:22:20,000 --> 00:22:23,879 Speaker 2: This is when he was thirty years old. He played 462 00:22:23,880 --> 00:22:24,840 Speaker 2: this in studio for. 463 00:22:24,880 --> 00:22:27,280 Speaker 1: Us and I thought it was awesome and he goes 464 00:22:27,320 --> 00:22:33,159 Speaker 1: like this, well, good speak it speak it just to 465 00:22:33,200 --> 00:22:34,680 Speaker 1: see you smile. 466 00:22:35,880 --> 00:22:40,679 Speaker 2: I'm good, dude, do anything that's jam. Dude. That's so 467 00:22:40,800 --> 00:22:42,720 Speaker 2: hard to not sing that because like you're saying it, 468 00:22:42,760 --> 00:22:45,520 Speaker 2: and I'm like, that's not good. We need to sing that. 469 00:22:46,240 --> 00:22:48,080 Speaker 1: It's such a good song. And the fact that it 470 00:22:48,119 --> 00:22:51,480 Speaker 1: was a six week number one is crazy. I don't 471 00:22:51,560 --> 00:22:53,639 Speaker 1: think most people put that as high on their list, 472 00:22:54,040 --> 00:22:55,359 Speaker 1: but I love just to see you smile. 473 00:22:56,200 --> 00:22:57,920 Speaker 2: I'm so worried for your list right now, you know, 474 00:22:58,000 --> 00:23:00,399 Speaker 2: because I'm about hit number one and I know what 475 00:23:00,400 --> 00:23:02,439 Speaker 2: it is. It's obviously don't take the girl. It's obviously 476 00:23:02,440 --> 00:23:03,120 Speaker 2: don't take the girl. 477 00:23:03,720 --> 00:23:07,080 Speaker 1: This was the first song that when I was thirteen 478 00:23:07,160 --> 00:23:09,840 Speaker 1: or fourteen, it made me sad by listening to a song. 479 00:23:10,720 --> 00:23:11,880 Speaker 2: And so I'll give you the. 480 00:23:11,800 --> 00:23:14,359 Speaker 1: Deal here March nineteen ninety four from Not a Moment 481 00:23:14,400 --> 00:23:16,400 Speaker 1: Too Soon. It was his first number one country song 482 00:23:16,680 --> 00:23:18,960 Speaker 1: because Indian Outlaw did not go number one. 483 00:23:18,960 --> 00:23:19,560 Speaker 2: It was at eight. 484 00:23:20,200 --> 00:23:24,359 Speaker 1: But the video was crazy made me sad. It was 485 00:23:24,359 --> 00:23:28,840 Speaker 1: a fishing trip, there's a robbery, there's a childbirth. And 486 00:23:29,080 --> 00:23:32,200 Speaker 1: why it was different musically was it was told really 487 00:23:32,240 --> 00:23:35,200 Speaker 1: as a story and showed as a short movie the video, 488 00:23:35,960 --> 00:23:38,360 Speaker 1: and so people would still ask him does she survive? 489 00:23:38,600 --> 00:23:40,560 Speaker 1: And I did ask him on our show and he said, 490 00:23:40,560 --> 00:23:41,640 Speaker 1: I don't think she did. 491 00:23:42,040 --> 00:23:44,639 Speaker 2: So yeah, he kind of broke that news to us. 492 00:23:44,800 --> 00:23:48,800 Speaker 2: I crossed over beyond country. It was top twenty Billboard, 493 00:23:49,040 --> 00:23:51,600 Speaker 2: Hot one hundred so on the pop charts, and that 494 00:23:51,720 --> 00:23:53,920 Speaker 2: was it. Don't take the Girl? Now, did he write 495 00:23:53,960 --> 00:23:54,240 Speaker 2: that one? 496 00:23:54,359 --> 00:23:54,399 Speaker 3: No? 497 00:23:54,720 --> 00:23:58,159 Speaker 2: I don't think okay, so he really can't say what 498 00:23:58,240 --> 00:24:01,399 Speaker 2: happened to the girl? He's when he told me. 499 00:24:01,480 --> 00:24:03,080 Speaker 1: When I asked him, he said, I don't think so, 500 00:24:03,320 --> 00:24:04,360 Speaker 1: right right, But. 501 00:24:04,440 --> 00:24:07,080 Speaker 2: No, he did not write and that's his opinion. That's 502 00:24:07,119 --> 00:24:10,840 Speaker 2: his opinion. Did you think that was gonna be number one? 503 00:24:12,240 --> 00:24:13,479 Speaker 2: I just didn't know what you're gonna do. You had 504 00:24:13,520 --> 00:24:16,400 Speaker 2: I like it, I love it. Left you had a 505 00:24:16,440 --> 00:24:17,960 Speaker 2: red rag a red rag top. 506 00:24:18,480 --> 00:24:20,720 Speaker 1: Okay, So what songs, which is why I brought you here? 507 00:24:21,520 --> 00:24:23,800 Speaker 1: What songs did not make it that you would have 508 00:24:23,800 --> 00:24:24,399 Speaker 1: put in the top. 509 00:24:24,280 --> 00:24:26,520 Speaker 2: To Highway Don't Care? I love Highway, Don't You never 510 00:24:26,640 --> 00:24:28,680 Speaker 2: was a fan really from the beginning. 511 00:24:28,720 --> 00:24:30,679 Speaker 1: It's fine, it's fine, and Keith Urban doesn't really sing 512 00:24:30,680 --> 00:24:32,040 Speaker 1: it comes in there. 513 00:24:32,080 --> 00:24:32,960 Speaker 2: It's good. It's a good song. 514 00:24:33,080 --> 00:24:37,480 Speaker 1: Okay, but that is like a generational McGraw song to me. Yeah, okay, okay, 515 00:24:37,520 --> 00:24:38,400 Speaker 1: so you put that one? 516 00:24:38,480 --> 00:24:42,959 Speaker 2: Yeah, red rag Top? Like I can't believe that it 517 00:24:43,040 --> 00:24:48,720 Speaker 2: make your list. I would have subbed out. Mmmm, it's 518 00:24:48,760 --> 00:24:49,920 Speaker 2: a tough one. You wouldn't have put it in. And 519 00:24:49,960 --> 00:24:51,920 Speaker 2: she's my kind of rain. No, I wouldn't have put 520 00:24:51,960 --> 00:24:54,960 Speaker 2: that in there. I wonder if I would get rid 521 00:24:55,000 --> 00:24:59,960 Speaker 2: of what about Lula Wayne Bump into my iPod? Yeah? 522 00:25:00,200 --> 00:25:01,480 Speaker 2: Truck yeall was great and all of it. No, I 523 00:25:01,520 --> 00:25:09,479 Speaker 2: wouldn't put down the list. Okay, I like it. I 524 00:25:09,520 --> 00:25:13,960 Speaker 2: love it, Red Ragtop Highway, don't care. Trying to think 525 00:25:14,000 --> 00:25:15,920 Speaker 2: of something else now, I think you've got everything else. 526 00:25:16,440 --> 00:25:18,920 Speaker 2: Shotgun Writer was pretty good. Stun way later. I thought 527 00:25:18,960 --> 00:25:24,320 Speaker 2: about that one. But Tim McGraw, I like him as 528 00:25:24,359 --> 00:25:25,239 Speaker 2: a dude. You love him. 529 00:25:25,280 --> 00:25:26,640 Speaker 1: I love him as a dude. I want some more 530 00:25:26,680 --> 00:25:28,840 Speaker 1: of him as a dude. You know the one song 531 00:25:28,880 --> 00:25:31,960 Speaker 1: that I thought about putting in, and only because I 532 00:25:32,000 --> 00:25:35,320 Speaker 1: saw a really emotional performance of it. 533 00:25:35,320 --> 00:25:37,600 Speaker 2: It was I think, as if you're reading this, oh 534 00:25:38,760 --> 00:25:39,480 Speaker 2: that's a good one. 535 00:25:39,560 --> 00:25:42,439 Speaker 1: I went in New York because he wrote a book 536 00:25:43,200 --> 00:25:46,679 Speaker 1: and he was performing that song when they were talking 537 00:25:46,680 --> 00:25:50,840 Speaker 1: about the book, and basically it's like someone who goes 538 00:25:50,880 --> 00:25:51,400 Speaker 1: to war and. 539 00:25:51,440 --> 00:25:53,560 Speaker 2: If you're reading this, yeah, he did write that one. 540 00:25:53,600 --> 00:25:55,680 Speaker 2: He wrote that one. 541 00:25:54,359 --> 00:25:58,959 Speaker 1: Did I think that one was more so like in 542 00:25:58,960 --> 00:26:01,359 Speaker 1: that moment when I watched tell the story and play 543 00:26:01,400 --> 00:26:01,840 Speaker 1: the song. 544 00:26:01,720 --> 00:26:04,040 Speaker 2: I was like, wow, yeah, more so than my. 545 00:26:04,000 --> 00:26:05,600 Speaker 1: Whole life being affected by it. 546 00:26:06,040 --> 00:26:09,080 Speaker 2: But man, that was a good song. That was from 547 00:26:09,119 --> 00:26:09,680 Speaker 2: it looks like. 548 00:26:10,840 --> 00:26:13,200 Speaker 4: Let It Go record two thousand and seven. 549 00:26:13,680 --> 00:26:16,600 Speaker 2: Oh is that old? Yeah, two thousand and seven. That 550 00:26:16,640 --> 00:26:21,680 Speaker 2: was before we knew him. If you're reading this by timc. Grawl, yeah, okay, 551 00:26:21,720 --> 00:26:23,240 Speaker 2: well I thought it was rough. I thought it was 552 00:26:23,520 --> 00:26:24,760 Speaker 2: right around the town the time. 553 00:26:25,359 --> 00:26:28,160 Speaker 1: Twenty tribute to the Families of Fallen Soldiers. It takes 554 00:26:28,160 --> 00:26:31,760 Speaker 1: the form of a posthumous letter from a soldier remember 555 00:26:31,800 --> 00:26:37,480 Speaker 1: to his loved ones. That's it's a song, Brandon, I 556 00:26:37,520 --> 00:26:38,440 Speaker 1: miss anything in your mind. 557 00:26:39,119 --> 00:26:41,359 Speaker 4: There's one duet that I always think about, and I 558 00:26:41,359 --> 00:26:42,919 Speaker 4: don't know if you guys remember it, but it was 559 00:26:43,320 --> 00:26:45,800 Speaker 4: him and Faith and it's called I Need You? 560 00:26:46,440 --> 00:26:50,800 Speaker 2: Is that I Need You? I'm doing rhymes. 561 00:26:51,280 --> 00:26:54,320 Speaker 4: The verse starts out, I want to drink that shot 562 00:26:54,320 --> 00:26:57,240 Speaker 4: a whiskey. I want to I don't need this, I 563 00:26:57,240 --> 00:26:58,880 Speaker 4: don't need that, but I need you. 564 00:26:58,880 --> 00:27:01,640 Speaker 2: You know. It's really good. They sing it on him 565 00:27:01,640 --> 00:27:04,680 Speaker 2: one mic at the A C M s the mic 566 00:27:04,720 --> 00:27:07,000 Speaker 2: they got you one mic. Yeah. They were probably facing 567 00:27:07,000 --> 00:27:08,720 Speaker 2: each other, not bon Jovi style, whether or back to back. 568 00:27:08,840 --> 00:27:09,679 Speaker 2: They were facing each other. 569 00:27:09,720 --> 00:27:11,920 Speaker 4: They were sitting down in chairs and just like that's 570 00:27:11,920 --> 00:27:13,000 Speaker 4: looking in each other's eyes. 571 00:27:13,040 --> 00:27:14,639 Speaker 2: I was like, whoa, I think they went home together. 572 00:27:15,040 --> 00:27:20,840 Speaker 2: I bet they did. That's saucy man. There you go. 573 00:27:21,160 --> 00:27:23,679 Speaker 2: Can you text him right now? I'm not going to, 574 00:27:23,760 --> 00:27:27,560 Speaker 2: but could you? Yeah? That's awesome. Can I have his number? 575 00:27:27,600 --> 00:27:30,760 Speaker 2: I promise I won't text him, dude, Can you do 576 00:27:30,800 --> 00:27:33,520 Speaker 2: me a favor? Can you do me a favor? Can 577 00:27:33,560 --> 00:27:36,879 Speaker 2: you do me a favor? No? No? Can you text 578 00:27:36,960 --> 00:27:39,840 Speaker 2: him and say, hey, Eddie wants your number? Can I 579 00:27:39,880 --> 00:27:44,359 Speaker 2: give it to him? No? Zero? Okay, okay? For my 580 00:27:44,400 --> 00:27:48,120 Speaker 2: birthday next year? I don't. I don't because what would 581 00:27:48,160 --> 00:27:50,199 Speaker 2: you do with this? Nothing? All I want is to 582 00:27:50,240 --> 00:27:51,639 Speaker 2: have it in my number. Why do I give you 583 00:27:51,680 --> 00:27:53,760 Speaker 2: a fake number? Because sometimes I go back home and 584 00:27:53,800 --> 00:27:56,120 Speaker 2: my cousins are like, doude, you really know these guys. 585 00:27:56,119 --> 00:27:58,000 Speaker 2: I'm like, yeah, look, I have tim across number. 586 00:27:58,160 --> 00:27:59,680 Speaker 1: Well, then just I'll just give you a number to 587 00:27:59,680 --> 00:28:02,760 Speaker 1: put in your If you're never going to text him, 588 00:28:02,880 --> 00:28:03,680 Speaker 1: what's the difference. 589 00:28:03,680 --> 00:28:06,159 Speaker 2: I want to be honest, with him, and dude, how 590 00:28:06,160 --> 00:28:08,480 Speaker 2: cool would it be to have Tim McGraw's number. I 591 00:28:08,520 --> 00:28:11,080 Speaker 2: will do. I promise I will never text him. Then 592 00:28:11,119 --> 00:28:11,800 Speaker 2: why does it matter? 593 00:28:11,840 --> 00:28:13,360 Speaker 1: If I give you a real number because I want 594 00:28:13,359 --> 00:28:15,919 Speaker 1: to have that number, then you'll text him. 595 00:28:16,320 --> 00:28:27,480 Speaker 2: I will get wins the championship. It's Eddie congratulates. I 596 00:28:27,520 --> 00:28:29,800 Speaker 2: don't feel like I can do that. But can you 597 00:28:29,840 --> 00:28:33,040 Speaker 2: ask him? No? And if I don't even text him, dude, 598 00:28:33,080 --> 00:28:36,280 Speaker 2: if he says like no, no, no, no, no chance, then cool. 599 00:28:36,680 --> 00:28:40,920 Speaker 1: I don't even text Tim McGraw maybe once a year 600 00:28:41,640 --> 00:28:46,320 Speaker 1: if something happens, I text Chesney more than I text McGraw. 601 00:28:46,960 --> 00:28:48,160 Speaker 2: What do you guys talk about? 602 00:28:48,360 --> 00:28:54,480 Speaker 1: Well, nothing, honestly, Yeah, what do y'all talk about? 603 00:28:54,720 --> 00:28:59,240 Speaker 2: Let me pull out my text Chesney? So this is car, Look, 604 00:28:59,280 --> 00:29:02,040 Speaker 2: this is Chesney. And wow, that's a lot of conversation. 605 00:29:02,600 --> 00:29:05,720 Speaker 2: So it's some so wow, that's cool. But I don't 606 00:29:06,000 --> 00:29:09,520 Speaker 2: I promise I won't even have any of that. I promise, 607 00:29:09,720 --> 00:29:11,880 Speaker 2: I promise him, but I really, I'm telling you. I 608 00:29:12,160 --> 00:29:15,240 Speaker 2: swear to God I will never text him unless he 609 00:29:15,560 --> 00:29:18,160 Speaker 2: texts me first, Like, obviously, how is he going to 610 00:29:18,200 --> 00:29:19,440 Speaker 2: text you? He doesn't have your number? 611 00:29:19,480 --> 00:29:20,800 Speaker 1: Do you think he's sitting somewhere going just give me 612 00:29:20,880 --> 00:29:22,920 Speaker 1: Eddie's number. I'd love to text Eddie. 613 00:29:23,040 --> 00:29:24,840 Speaker 2: He'd never say that if I could just get Eddie's number. 614 00:29:24,840 --> 00:29:26,240 Speaker 2: But if you're ask him for it Eddie next time 615 00:29:26,280 --> 00:29:28,080 Speaker 2: he's in the studio. Okay, Can I do that? Will 616 00:29:28,080 --> 00:29:28,840 Speaker 2: you let me do that? 617 00:29:29,680 --> 00:29:31,520 Speaker 1: I can't stop you from doing that, But don't do 618 00:29:31,520 --> 00:29:32,160 Speaker 1: it when I'm around. 619 00:29:32,240 --> 00:29:36,720 Speaker 2: I'd whether you're not. Hey, I fall into the bathroom, Tim, Tim, Tim, Tim? 620 00:29:37,240 --> 00:29:38,800 Speaker 2: How would you ask timmigraw for his number? 621 00:29:38,800 --> 00:29:38,920 Speaker 4: Hey? 622 00:29:39,000 --> 00:29:43,600 Speaker 2: Dude, do you mind if I get your number? No way? Okay? 623 00:29:44,080 --> 00:29:46,400 Speaker 2: Or he's going to give you a number that's not his. 624 00:29:46,720 --> 00:29:48,640 Speaker 2: That would be the worst. Oh, that would hurt so bad. 625 00:29:48,760 --> 00:29:50,640 Speaker 1: Give you like his manager's number or something. 626 00:29:52,400 --> 00:29:54,680 Speaker 2: Why why do they? Why do you have his number? 627 00:29:55,120 --> 00:29:57,040 Speaker 2: You don't even use it and he gave you a 628 00:29:57,080 --> 00:30:00,800 Speaker 2: baby gift, like, you're not utilizing this friendship to the full. 629 00:30:00,920 --> 00:30:03,920 Speaker 2: What would I do with Tim McGraw. I'm sure you 630 00:30:03,920 --> 00:30:06,240 Speaker 2: guys have a lot in common. Name it. He goes 631 00:30:06,240 --> 00:30:09,880 Speaker 2: to the beach and spearfishes. That's awesome, dude, you're both jacked. 632 00:30:10,680 --> 00:30:14,320 Speaker 2: I'm not jacked. I'm just what does he do you 633 00:30:14,320 --> 00:30:16,640 Speaker 2: should ask him that? Dude? What do you do? Can 634 00:30:16,680 --> 00:30:23,120 Speaker 2: I join you on one of these things that you do? No? Don't. 635 00:30:23,400 --> 00:30:25,880 Speaker 1: I don't text anybody I know, like I have numbers 636 00:30:25,880 --> 00:30:26,400 Speaker 1: in my phone. 637 00:30:26,440 --> 00:30:29,479 Speaker 2: You probably have everyone's number, don't you. No, not everybody 638 00:30:29,680 --> 00:30:33,080 Speaker 2: jelly Rolls number. No you don't. I don't. That's shocking. 639 00:30:33,360 --> 00:30:37,840 Speaker 2: I don't have jelly Rolls. Do you have Garth? Yeah? 640 00:30:37,920 --> 00:30:40,680 Speaker 2: Well how do you not text that? So? 641 00:30:40,840 --> 00:30:43,920 Speaker 1: I have Garth, but I thought I had Garth's main. 642 00:30:44,040 --> 00:30:46,520 Speaker 1: Then Garth text me from another number. No, so either 643 00:30:46,560 --> 00:30:48,440 Speaker 1: he was texting me from his main the whole time, 644 00:30:48,480 --> 00:30:50,480 Speaker 1: and then you hit me up with the secondary Gartha 645 00:30:50,520 --> 00:30:55,440 Speaker 1: drug dealer m or I was texting with the secondary, 646 00:30:55,440 --> 00:30:56,600 Speaker 1: then he hit me up with his main. So I've 647 00:30:56,640 --> 00:30:58,520 Speaker 1: got two Garth numbers. I don't know which one's really his. 648 00:30:58,720 --> 00:31:02,080 Speaker 2: Interesting. He also could have changed his number. So when 649 00:31:02,120 --> 00:31:04,040 Speaker 2: he texted you with the Maine, did you save that? 650 00:31:05,280 --> 00:31:07,360 Speaker 2: Did you say you saved both of them? Right? I 651 00:31:07,400 --> 00:31:08,440 Speaker 2: have Garth one Garth too. 652 00:31:08,720 --> 00:31:10,280 Speaker 1: Yeah, I don't have Garth reel, but I have Garth 653 00:31:10,320 --> 00:31:11,880 Speaker 1: one Garth too, because I don't know which one is 654 00:31:11,880 --> 00:31:12,440 Speaker 1: Guarth reel. 655 00:31:12,840 --> 00:31:14,800 Speaker 2: Do you have do you have him as Garth Brooks, 656 00:31:14,800 --> 00:31:15,280 Speaker 2: like is the enner. 657 00:31:15,320 --> 00:31:18,160 Speaker 1: B's just under Garth, so he's energy Garth wanting because 658 00:31:18,160 --> 00:31:19,800 Speaker 1: in case someone gets on my phone and doesn't know, 659 00:31:19,800 --> 00:31:21,840 Speaker 1: maybe to think it's like Garth from Wayne's World or something. 660 00:31:21,600 --> 00:31:23,120 Speaker 2: And then that's what I do with you. I have 661 00:31:23,160 --> 00:31:25,080 Speaker 2: you under a code name. There's no need, nobody cares. 662 00:31:25,120 --> 00:31:29,640 Speaker 2: Just in case I lose my phone. I have in 663 00:31:29,720 --> 00:31:32,840 Speaker 2: the a's Oh gosh, we're gonna do this alphabetically. 664 00:31:32,960 --> 00:31:36,719 Speaker 1: No, im Alan, No, no, no, I don't have Alan Jackson. 665 00:31:37,280 --> 00:31:39,560 Speaker 1: There's not many a's. I have one in the a's 666 00:31:40,320 --> 00:31:42,400 Speaker 1: last name. No, I have two, but I need to 667 00:31:42,400 --> 00:31:43,240 Speaker 1: delete John Anderson. 668 00:31:43,280 --> 00:31:45,880 Speaker 2: Need to delete the one I have. I know I have. 669 00:31:46,000 --> 00:31:48,080 Speaker 2: You have to delete the one of the delete. Yeah, 670 00:31:48,080 --> 00:31:51,120 Speaker 2: one of them I do. I have Laura Lana. I 671 00:31:51,160 --> 00:31:52,640 Speaker 2: don't have to delete that. Yeah, that's fine. 672 00:31:52,760 --> 00:31:54,960 Speaker 1: This one we're not Can we not show them my camera? 673 00:31:55,120 --> 00:31:59,000 Speaker 2: Yeah? I'm not gonna do it that one right there? Yeah, yeah, 674 00:31:59,440 --> 00:32:04,440 Speaker 2: just move on from that. I might have that one too. 675 00:32:05,000 --> 00:32:07,480 Speaker 1: Yeah, that's one that shouldn't really be there in the 676 00:32:07,560 --> 00:32:08,440 Speaker 1: phone anymore. 677 00:32:08,560 --> 00:32:11,400 Speaker 2: I might have that one under B. I have Derk 678 00:32:11,440 --> 00:32:15,200 Speaker 2: Spentley Brett Elder, Does he E or B? Now they're 679 00:32:15,200 --> 00:32:17,640 Speaker 2: all they're all bad. I just typed in B so 680 00:32:17,760 --> 00:32:21,280 Speaker 2: I have Clint Black. That's awesome, dude, you have to 681 00:32:21,320 --> 00:32:27,480 Speaker 2: do code names. George Burge, let's see Brooke. Oh no, 682 00:32:27,520 --> 00:32:33,280 Speaker 2: it's just Kane Brown. Oh wow. Luke Bran dang Be's power. Yeah, 683 00:32:33,280 --> 00:32:36,200 Speaker 2: Brett would under E. I guess. Okay, pick one other 684 00:32:36,280 --> 00:32:39,600 Speaker 2: letter and Luke Brian is there? Does he have one 685 00:32:39,600 --> 00:32:40,160 Speaker 2: phone or two? 686 00:32:40,880 --> 00:32:42,480 Speaker 1: I only text one phone with him. He calls me 687 00:32:42,520 --> 00:32:43,920 Speaker 1: from Luke just calls sometime. 688 00:32:44,000 --> 00:32:46,240 Speaker 2: He's a caller. And what does he say? We're going 689 00:32:48,040 --> 00:32:51,640 Speaker 2: so weird? Okay, Okay, you can pick one letter, one 690 00:32:51,640 --> 00:32:55,800 Speaker 2: more letter. Let's go with S. 691 00:32:56,760 --> 00:33:03,040 Speaker 1: Okay, s Shanayah Mark from Sawyer Brown. 692 00:33:03,280 --> 00:33:06,000 Speaker 2: That's cool. Wait, so he is he under Sawyer Brown? 693 00:33:06,280 --> 00:33:08,080 Speaker 1: He's under Mark saw Brown? 694 00:33:08,800 --> 00:33:14,160 Speaker 2: Smart? M Nate Smith? 695 00:33:17,440 --> 00:33:17,720 Speaker 1: Mmm? 696 00:33:18,080 --> 00:33:23,040 Speaker 2: Hold on? Uh, Luke Smallbone. Do you know who that is? Yes? 697 00:33:23,320 --> 00:33:25,760 Speaker 2: For King of Country. That's cool. 698 00:33:25,920 --> 00:33:31,320 Speaker 1: Nate Smith, Okay, Dan Smeers from Danna Shaw, thea Isabel Brothers, 699 00:33:31,320 --> 00:33:32,720 Speaker 1: the Songwriters. 700 00:33:33,560 --> 00:33:37,840 Speaker 2: Shay Shae Mooney. No, he'd be under, he'd be under Yeah. 701 00:33:37,880 --> 00:33:41,200 Speaker 1: Matt Stell, Natalie Stove of All Cole Swindell. 702 00:33:41,360 --> 00:33:45,880 Speaker 2: There you go. Yeah, that's the essays. I don't think 703 00:33:45,880 --> 00:33:47,960 Speaker 2: I have everybody that you think I have any athletes 704 00:33:47,960 --> 00:33:51,920 Speaker 2: in there and the s's uh. I have. 705 00:33:53,640 --> 00:33:56,280 Speaker 1: Rocket Sanders who played Arkansas in South Carolina? 706 00:33:56,280 --> 00:33:57,880 Speaker 2: Where where's he playing now? Is the NFL? Or was 707 00:33:57,880 --> 00:34:00,000 Speaker 2: on like a practice squad for a bit. Boots came? 708 00:34:00,240 --> 00:34:05,760 Speaker 2: Who is the Cubs announcer? Yeah? Dudes everywhere? M s. 709 00:34:06,520 --> 00:34:09,160 Speaker 1: I'm just doing Ryan Silverfield, the Arkansas head coach. 710 00:34:15,520 --> 00:34:19,680 Speaker 2: Who's your your swindle? Greg? Yeah, it's gotta be on there, 711 00:34:20,080 --> 00:34:24,480 Speaker 2: lewind No Greg Greg? Yeah, I have Greg. I think 712 00:34:24,520 --> 00:34:26,920 Speaker 2: I just have it, miss Greg. Who's to pitch for 713 00:34:26,960 --> 00:34:29,399 Speaker 2: the Diamondbacks. That's when you just have the first names 714 00:34:29,400 --> 00:34:30,880 Speaker 2: and you know, yeah, yeah, I've known it for a 715 00:34:30,880 --> 00:34:32,719 Speaker 2: long time. All right. Is that fun for you? That's 716 00:34:32,719 --> 00:34:35,399 Speaker 2: a lot of fun. Yeah, listen to all those names. 717 00:34:35,440 --> 00:34:39,520 Speaker 2: I just want one for my birthday. Just give me 718 00:34:39,560 --> 00:34:42,080 Speaker 2: Timograls that's weird if you wouldn't have asked to like that, 719 00:34:42,160 --> 00:34:44,520 Speaker 2: if you've just been much cooler about it, how how 720 00:34:44,600 --> 00:34:45,920 Speaker 2: and you just say give me the script? 721 00:34:47,320 --> 00:34:51,959 Speaker 1: Okay? Do you ever text timmocraw? Sometimes but not a lot. 722 00:34:52,719 --> 00:34:55,520 Speaker 1: I had his number for a while. I lost it though, 723 00:34:55,560 --> 00:34:56,840 Speaker 1: Would you mind sending it back over to me? 724 00:34:56,880 --> 00:34:59,480 Speaker 2: Oh? So lie to you. You would never do. That's 725 00:34:59,520 --> 00:35:01,360 Speaker 2: the script I'm telling you right now. You'd be like, 726 00:35:01,400 --> 00:35:06,320 Speaker 2: you've never had his number. You wouldn't believe me. Okay, 727 00:35:06,360 --> 00:35:09,719 Speaker 2: well there's our top Tim McGraw songs. Yeah. Have fun, 728 00:35:10,280 --> 00:35:12,680 Speaker 2: Yeah I did. I was having fun until soil you 729 00:35:12,680 --> 00:35:14,240 Speaker 2: didn't give me timocgraw's number. Okay? 730 00:35:14,239 --> 00:35:16,080 Speaker 1: Could he play a game where he earns a digit 731 00:35:16,120 --> 00:35:16,720 Speaker 1: at a time. 732 00:35:18,320 --> 00:35:21,120 Speaker 2: And then you have to try all the different versions? 733 00:35:21,120 --> 00:35:24,360 Speaker 2: I feel like I don't need the area code, so 734 00:35:24,400 --> 00:35:28,839 Speaker 2: it would just be seven numbers. Maybe? Oh yeah, you're right. Yeah, 735 00:35:28,880 --> 00:35:30,279 Speaker 2: maybe it's from somewhere else. Maybe not. 736 00:35:30,600 --> 00:35:33,560 Speaker 1: You could have an island phone, he could, he could. 737 00:35:33,840 --> 00:35:35,920 Speaker 1: All right, that's it. Thank you guys for watching, thank 738 00:35:35,920 --> 00:35:37,719 Speaker 1: you for listening, and we will see you guys next time. 739 00:35:38,239 --> 00:35:40,040 Speaker 2: Thanks for listening to the Bobby Cast. 740 00:35:40,320 --> 00:35:43,080 Speaker 3: Share this episode with a friend because they don't pay 741 00:35:43,080 --> 00:35:43,880 Speaker 3: to advertise us.