WEBVTT - Awards Shows are Inherently Queer

0:00:03.160 --> 0:00:06.920
<v Speaker 1>Girl, do we need an anti revival starring Ice Spice? Like,

0:00:07.160 --> 0:00:16.000
<v Speaker 1>come on, yeah, why not hard knock life. This is

0:00:16.040 --> 0:00:18.239
<v Speaker 1>like a Virgin the show where we give yesterday's pop

0:00:18.280 --> 0:00:22.720
<v Speaker 1>culture today's takes. I'm Rosdamo and I'm Fran Toronto and Fran,

0:00:22.880 --> 0:00:26.080
<v Speaker 1>you officially live in New York City again. I'm here.

0:00:26.320 --> 0:00:29.640
<v Speaker 1>You are a resident, yes, you, and I let me

0:00:29.680 --> 0:00:31.440
<v Speaker 1>tell you. Let me tell the Virgins. You and I

0:00:31.600 --> 0:00:34.479
<v Speaker 1>were we were scheduled to do something super fun and

0:00:34.560 --> 0:00:40.360
<v Speaker 1>super New York yesterday. Um, we were going to you're laughing, right,

0:00:40.560 --> 0:00:44.000
<v Speaker 1>I've got laughing at you. I'm just thinking thinking about

0:00:44.040 --> 0:00:49.360
<v Speaker 1>how badly yesterday could have gone. And I'm also thinking

0:00:49.520 --> 0:00:54.440
<v Speaker 1>about how I'm always right, Okay, dear Virgins. I bought

0:00:54.520 --> 0:00:58.680
<v Speaker 1>Rose Sweeney Todd tickets for Christmas, um, for the two

0:00:58.680 --> 0:01:01.040
<v Speaker 1>of us to go together for the new revival of

0:01:01.080 --> 0:01:05.320
<v Speaker 1>Sweeney Todd on Broadway starring Josh Grobin and Annalie Ashford U,

0:01:05.640 --> 0:01:08.000
<v Speaker 1>which is gonna be you know, we'll see, we'll see,

0:01:08.400 --> 0:01:10.960
<v Speaker 1>because I thought it was on Sunday. I had texted

0:01:11.040 --> 0:01:13.039
<v Speaker 1>Rose that it was going to be on Wednesday Wednesday,

0:01:13.080 --> 0:01:15.399
<v Speaker 1>and Rose was like, no, no, I think you said

0:01:15.480 --> 0:01:17.520
<v Speaker 1>it was on Wednesday, right, And I was like, no, no, no,

0:01:17.520 --> 0:01:20.040
<v Speaker 1>it's definitely on the Yeah. I asked her multiple things,

0:01:21.840 --> 0:01:24.920
<v Speaker 1>multiple times. It wasn't my fault. My ticketmaster confirmation was

0:01:24.959 --> 0:01:27.800
<v Speaker 1>extremely confusing and it was an honest error. However, we

0:01:27.880 --> 0:01:31.200
<v Speaker 1>did discover before we got dressed up. I mean you

0:01:31.240 --> 0:01:33.600
<v Speaker 1>had put on make up, My face was done. I

0:01:33.680 --> 0:01:36.319
<v Speaker 1>was about to put my outfit on, and I was

0:01:36.760 --> 0:01:39.160
<v Speaker 1>thirty minutes from leaving. And you know me, you know

0:01:39.240 --> 0:01:42.080
<v Speaker 1>I love to like leave early and go do something

0:01:42.200 --> 0:01:45.240
<v Speaker 1>in the neighborhood before. So you could have caught me

0:01:46.120 --> 0:01:48.880
<v Speaker 1>when I was already on the train, and baby, this

0:01:48.920 --> 0:01:52.560
<v Speaker 1>recording would have not would have been real awkward have

0:01:52.680 --> 0:01:55.840
<v Speaker 1>that happened. But look, I mean my suit was steamed.

0:01:55.880 --> 0:01:58.480
<v Speaker 1>I was ready to go to suit. Yeah, I'm wearing

0:01:58.520 --> 0:02:00.160
<v Speaker 1>I was wearing a little a little suit. It's like

0:02:00.200 --> 0:02:02.520
<v Speaker 1>it's so cute. It's like a cute. It'll be even

0:02:02.640 --> 0:02:04.920
<v Speaker 1>just as you said, like a matinee outfit is different

0:02:04.920 --> 0:02:06.920
<v Speaker 1>from an evening outfit, but like I was not going

0:02:07.000 --> 0:02:10.480
<v Speaker 1>to serve as hard as I will when we see it. Yeah,

0:02:10.520 --> 0:02:12.760
<v Speaker 1>which I'm excited to see. But my outfit now is

0:02:12.880 --> 0:02:15.200
<v Speaker 1>much better for an evening performance. I mean it's a

0:02:15.200 --> 0:02:18.079
<v Speaker 1>it's a matenee suit because it's like kind of like

0:02:18.160 --> 0:02:23.240
<v Speaker 1>springtime garden oversized garden kind of suit, like a garden attire.

0:02:23.840 --> 0:02:28.000
<v Speaker 1>Is that is a means that's very down to ab Yeah,

0:02:28.000 --> 0:02:31.560
<v Speaker 1>you know how like people just like a promenade, you know,

0:02:31.680 --> 0:02:34.560
<v Speaker 1>like garden attire rose like you know, I don't get

0:02:34.600 --> 0:02:37.240
<v Speaker 1>what that means where. But regardless, needless to say, we

0:02:37.320 --> 0:02:39.400
<v Speaker 1>did not we're not. We did not see Sweeney Todd,

0:02:39.440 --> 0:02:41.360
<v Speaker 1>So we're not going to be doing a Sweeney Todd episode,

0:02:41.360 --> 0:02:43.640
<v Speaker 1>but we will be doing a Sweeney Todd up as

0:02:43.800 --> 0:02:48.680
<v Speaker 1>soon after we see the show. To submit your questions, thoughts, concerns, prompts.

0:02:48.680 --> 0:02:49.919
<v Speaker 1>What do you want us to talk about with that?

0:02:50.160 --> 0:02:52.720
<v Speaker 1>Like a Virgin four twenty sixteen nine. So yeah, there

0:02:52.800 --> 0:02:55.640
<v Speaker 1>is not much going on with a sort of like

0:02:55.800 --> 0:02:59.680
<v Speaker 1>cultural immediacy for us to talk about. I we did

0:03:00.040 --> 0:03:02.720
<v Speaker 1>realized that there is a bunch of new music that

0:03:02.840 --> 0:03:07.200
<v Speaker 1>we have been enjoying that we have not discussed on

0:03:07.240 --> 0:03:09.040
<v Speaker 1>the show yet. So we're going to do a little

0:03:09.680 --> 0:03:13.840
<v Speaker 1>playlist check in today. Although first I want to talk

0:03:14.040 --> 0:03:17.600
<v Speaker 1>briefly about Cocaine Bear, which I saw it last week.

0:03:17.720 --> 0:03:21.520
<v Speaker 1>Oh right, I a movie that I probably won't see

0:03:21.919 --> 0:03:24.720
<v Speaker 1>but I wanted to see. So, you know, let me

0:03:25.080 --> 0:03:27.960
<v Speaker 1>to tell me about your experience. It's exactly what you

0:03:27.960 --> 0:03:30.600
<v Speaker 1>think it's going to be. Right, It's fun, it's dumb,

0:03:31.120 --> 0:03:36.400
<v Speaker 1>it's much better. It's a movie meant to be seen

0:03:36.880 --> 0:03:40.800
<v Speaker 1>with an audience, you know, that really enriches the experience.

0:03:41.200 --> 0:03:44.040
<v Speaker 1>I saw it at Alamo Drafthouse, so it was like,

0:03:44.640 --> 0:03:49.160
<v Speaker 1>you know, food and like a bougie setup. Although the

0:03:49.200 --> 0:03:53.880
<v Speaker 1>Alamo Drafthouse in Brooklyn the chairs don't recline, which is bullshit.

0:03:54.440 --> 0:03:58.080
<v Speaker 1>I want to be eating my chicken tenders like fully

0:03:58.240 --> 0:04:01.200
<v Speaker 1>horizontal when I eat in a theater. It's going to

0:04:01.280 --> 0:04:05.320
<v Speaker 1>be a specific movie because like the I don't want

0:04:05.320 --> 0:04:07.200
<v Speaker 1>to you know, I don't want to denigrate you know,

0:04:07.240 --> 0:04:11.080
<v Speaker 1>independent theaters, but like the experience of like little food servers,

0:04:11.120 --> 0:04:13.000
<v Speaker 1>like coming out with your little lights, like at the

0:04:13.040 --> 0:04:14.840
<v Speaker 1>middle of the movie, and you're worried about your food

0:04:14.840 --> 0:04:17.280
<v Speaker 1>the whole time. It's like very distracting. So it has

0:04:17.320 --> 0:04:20.680
<v Speaker 1>to be a movie like Cocaine Bear. Yeah, yeah, I'd

0:04:20.680 --> 0:04:22.600
<v Speaker 1>be like I do wish there were more movie theater

0:04:22.680 --> 0:04:26.560
<v Speaker 1>options in Brooklyn, Like why isn't there an AMC Fort Green.

0:04:27.720 --> 0:04:30.520
<v Speaker 1>We mean heartbreak would feel good in a place like that,

0:04:30.839 --> 0:04:33.039
<v Speaker 1>it would. I mean A twenty four just bought the

0:04:33.240 --> 0:04:35.640
<v Speaker 1>Cherry Lane Theater in West Village. Did you see that?

0:04:35.720 --> 0:04:40.479
<v Speaker 1>Well that's in the West Village and I live in Brooklyn. Anyways, Okay, yeah,

0:04:40.560 --> 0:04:44.599
<v Speaker 1>let's let's open our spotifies and talk about what we've

0:04:45.000 --> 0:04:49.040
<v Speaker 1>been listening to. Feel like we could start with Caroline Policheck.

0:04:49.160 --> 0:04:51.280
<v Speaker 1>That came out so long ago. Well, it came out

0:04:51.320 --> 0:04:54.880
<v Speaker 1>on Valentine's Day, and I have basically been listening to

0:04:56.040 --> 0:04:59.760
<v Speaker 1>Desire I Want to Turn Into You, Caroline Policheck's new album,

0:05:00.120 --> 0:05:04.960
<v Speaker 1>NonStop since then. I you know, for as obsessed as

0:05:05.000 --> 0:05:10.599
<v Speaker 1>I was with Pang, I surprisingly as she was releasing

0:05:10.720 --> 0:05:13.279
<v Speaker 1>the singles for this album, which she did kind of

0:05:13.320 --> 0:05:17.440
<v Speaker 1>over a very like protracted length of time, I wasn't

0:05:18.080 --> 0:05:20.440
<v Speaker 1>listening to them a lot. I think I was really

0:05:20.480 --> 0:05:24.279
<v Speaker 1>waiting for the full album experience. Although obviously I fucked

0:05:24.320 --> 0:05:27.920
<v Speaker 1>with Bunny is a Rider hardcore. I needed to hear

0:05:27.960 --> 0:05:32.680
<v Speaker 1>them all the music together in context, and it's such

0:05:32.720 --> 0:05:40.000
<v Speaker 1>a good album. It's like so much it is very

0:05:40.000 --> 0:05:41.839
<v Speaker 1>true to the essence of who she is as a

0:05:41.839 --> 0:05:45.320
<v Speaker 1>singer and songwriter, lots of like weird whale sounds and stuff.

0:05:45.800 --> 0:05:52.920
<v Speaker 1>But I think it's like a different It is sort

0:05:52.920 --> 0:05:56.760
<v Speaker 1>of like graduated from Pang. It's like a different kind

0:05:56.800 --> 0:06:01.360
<v Speaker 1>of vibe, like obviously graduated or like how it because

0:06:01.480 --> 0:06:04.680
<v Speaker 1>I'm not like a Caroline palatecheck scholar. So I've listened

0:06:04.720 --> 0:06:07.240
<v Speaker 1>to Pang obviously, but I didn't, like, I'm not a

0:06:07.279 --> 0:06:09.680
<v Speaker 1>paying stand you know, I don't know that much about

0:06:09.880 --> 0:06:14.240
<v Speaker 1>I would say, like, I think panyg is really ephemeral,

0:06:14.880 --> 0:06:17.840
<v Speaker 1>and desire I Want to Turn into You feels a

0:06:17.880 --> 0:06:20.480
<v Speaker 1>lot more grounded. It has a lot more sort of

0:06:20.520 --> 0:06:26.080
<v Speaker 1>like physicality. I think UM paying is really so much

0:06:26.080 --> 0:06:32.520
<v Speaker 1>about obsession and dreams and you know, like yearning and desire.

0:06:32.560 --> 0:06:35.640
<v Speaker 1>I want to Turn into You is about desire. It

0:06:35.720 --> 0:06:38.440
<v Speaker 1>is about fucking. It's like it feels so much more

0:06:38.480 --> 0:06:42.919
<v Speaker 1>physical and so much like lustier. What's your favorite non

0:06:43.000 --> 0:06:49.400
<v Speaker 1>single track? H Blood and Butter. I also love smoke Um.

0:06:50.480 --> 0:06:53.239
<v Speaker 1>I'm gonna have to give it more listens. I've listened

0:06:53.240 --> 0:06:55.880
<v Speaker 1>to it like twice. The album that is, and Uh

0:06:57.480 --> 0:07:00.240
<v Speaker 1>and um Fly to You, the song with Dieta and

0:07:00.360 --> 0:07:05.360
<v Speaker 1>Grimes is in credible. I did love that song. I

0:07:05.520 --> 0:07:08.960
<v Speaker 1>um also I liked Bunny as a writer as well.

0:07:09.560 --> 0:07:11.200
<v Speaker 1>I think that there are things about Welcome to My

0:07:11.200 --> 0:07:13.480
<v Speaker 1>Island that are really great. Though I don't like the

0:07:13.720 --> 0:07:18.920
<v Speaker 1>Charlie XCX remix. Like I believe I really good have

0:07:19.040 --> 0:07:23.440
<v Speaker 1>the song Sunset muted on Spotify. It's so good do

0:07:23.600 --> 0:07:26.840
<v Speaker 1>not And I honestly is it because it gets recommended

0:07:26.880 --> 0:07:30.600
<v Speaker 1>to you a lot. It's it is, That's part of it.

0:07:30.640 --> 0:07:32.520
<v Speaker 1>But I did hate it from Jump, I think because

0:07:32.520 --> 0:07:34.080
<v Speaker 1>I was just like, oh, she's trying to get that

0:07:34.160 --> 0:07:37.240
<v Speaker 1>Rosalia coin, like she's trying to get a little like

0:07:37.400 --> 0:07:41.000
<v Speaker 1>kind of Spanish pasa doble. It just felt it didn't

0:07:41.080 --> 0:07:43.680
<v Speaker 1>feel I liked that she was doing another genre. I

0:07:43.680 --> 0:07:47.520
<v Speaker 1>think it actually fit within the world that Caroline has

0:07:47.600 --> 0:07:50.360
<v Speaker 1>built and that she does transcend genre. She really does

0:07:50.480 --> 0:07:53.120
<v Speaker 1>do a lot of different shit. I mean, even the

0:07:53.200 --> 0:07:55.680
<v Speaker 1>opera song that she released like a few months ago

0:07:55.840 --> 0:07:59.040
<v Speaker 1>was like fucking cool. But Sunset, I was just like,

0:07:59.520 --> 0:08:01.640
<v Speaker 1>I did not I did not hear I did not

0:08:01.680 --> 0:08:03.640
<v Speaker 1>really hear her on it. I did not really like

0:08:03.800 --> 0:08:06.280
<v Speaker 1>the song. I think I love Sunset. I think it

0:08:06.440 --> 0:08:09.640
<v Speaker 1>I think it works so well with her voice. Yeah,

0:08:09.640 --> 0:08:12.960
<v Speaker 1>it does. Um. It was. It was kind of jarring

0:08:13.040 --> 0:08:16.440
<v Speaker 1>because the other night, I and we'll get into this

0:08:16.960 --> 0:08:19.920
<v Speaker 1>next I guess, um, the other night I might go

0:08:20.120 --> 0:08:22.880
<v Speaker 1>to hook up music. Right now is Raven the new

0:08:22.920 --> 0:08:26.480
<v Speaker 1>Kalila album. And I was hooking up with someone the

0:08:26.520 --> 0:08:28.400
<v Speaker 1>other night. And you know, in Spotify, after you finish

0:08:28.440 --> 0:08:32.000
<v Speaker 1>an album, it just kind of switches to like similar

0:08:32.080 --> 0:08:34.960
<v Speaker 1>a similar vibe playlist or like music you've been listening to,

0:08:35.360 --> 0:08:38.840
<v Speaker 1>So like this like sultry, sexy Kalila album ends and

0:08:38.880 --> 0:08:43.280
<v Speaker 1>then it goes straight into sunset. It's like and it's

0:08:43.320 --> 0:08:47.719
<v Speaker 1>just very not in the vibe. Um. Although the guy,

0:08:47.800 --> 0:08:49.160
<v Speaker 1>the guy I was hooking up with, was like, who

0:08:49.240 --> 0:08:52.280
<v Speaker 1>is this? I do not. I don't know. If Caroline,

0:08:52.679 --> 0:08:57.840
<v Speaker 1>there's not very many Carol okay, a lot if Okay,

0:08:58.040 --> 0:09:02.640
<v Speaker 1>most Caroline Palicheck songs fuck, but they are not fucking music,

0:09:02.960 --> 0:09:04.360
<v Speaker 1>you know what I mean? Like I don't want to

0:09:04.360 --> 0:09:09.520
<v Speaker 1>fuck to paying Yeah, I have, I don't want to

0:09:09.520 --> 0:09:12.240
<v Speaker 1>fuck to Like I can't see anything on this album

0:09:12.280 --> 0:09:13.920
<v Speaker 1>that I would fuck to. But that's not a death

0:09:13.960 --> 0:09:16.560
<v Speaker 1>you know, that's not Yeah, not all music has to

0:09:16.559 --> 0:09:21.280
<v Speaker 1>be fucking music, but Kalila fucking music which I know

0:09:21.480 --> 0:09:27.840
<v Speaker 1>is true because last weekend on Friday night was it

0:09:27.880 --> 0:09:31.720
<v Speaker 1>Friday One night last week I had someone over and

0:09:32.080 --> 0:09:34.960
<v Speaker 1>put Kalila on and we hooked up while it was playing.

0:09:35.200 --> 0:09:37.240
<v Speaker 1>And then a couple days later I went over to

0:09:37.280 --> 0:09:39.480
<v Speaker 1>someone's apartment to hook up with them and they were

0:09:39.559 --> 0:09:43.439
<v Speaker 1>playing Kalila. Look it's Brooklyn. It's yeah, it is Brooklyn.

0:09:43.520 --> 0:09:46.880
<v Speaker 1>Everybody's fucking to this album. Um. I love Kalila. She

0:09:47.040 --> 0:09:51.160
<v Speaker 1>is such like a creative directorial like genius and um,

0:09:51.400 --> 0:09:54.320
<v Speaker 1>I can't wait for the remix album because her remix

0:09:54.360 --> 0:09:58.880
<v Speaker 1>album for Taking Me Apart is so bomb, like so

0:09:58.960 --> 0:10:02.080
<v Speaker 1>many cool Colla oberators on it as well, like Cupcake,

0:10:02.160 --> 0:10:07.080
<v Speaker 1>Jungle Pussy, um I simone uh it. She just like

0:10:07.120 --> 0:10:11.080
<v Speaker 1>has great taste in super indie, very queer black and

0:10:11.160 --> 0:10:14.680
<v Speaker 1>brown like producers and music writers and so like whatever

0:10:14.720 --> 0:10:19.320
<v Speaker 1>she does with like the Raven Remix is going to be. Yeah.

0:10:19.320 --> 0:10:22.959
<v Speaker 1>I was so excited to see people like lsd xo XO,

0:10:23.000 --> 0:10:27.400
<v Speaker 1>who produced Happy Ending on this album. She just Khalila

0:10:27.520 --> 0:10:31.720
<v Speaker 1>just has immaculate taste, um in terms of who she

0:10:31.760 --> 0:10:38.160
<v Speaker 1>works with, her visuals um and also selling people ps

0:10:38.240 --> 0:10:43.240
<v Speaker 1>fives or whatever or like um um anytime she there's

0:10:43.280 --> 0:10:46.120
<v Speaker 1>like a if you search like Kalila and like the

0:10:46.360 --> 0:10:49.600
<v Speaker 1>um green emoji or whatever, it's like her every tour stop,

0:10:49.640 --> 0:10:52.959
<v Speaker 1>it's her tweeting like uh DC, where do I get

0:10:53.000 --> 0:10:57.160
<v Speaker 1>the green? Like Philadelphia, where do I get the green? Like? Um, Yeah,

0:10:57.240 --> 0:10:59.240
<v Speaker 1>Khalila is just a real one. I kind of miss

0:10:59.280 --> 0:11:05.600
<v Speaker 1>the era where Khalila, Um Davante Hines, Adam Bainbridge from

0:11:05.679 --> 0:11:09.000
<v Speaker 1>Kindness and Solange we're all in like a group chat

0:11:09.040 --> 0:11:12.280
<v Speaker 1>together and like they could still be. They could still be,

0:11:12.280 --> 0:11:14.680
<v Speaker 1>they just don't talk about I mean, I've heard that

0:11:14.760 --> 0:11:16.960
<v Speaker 1>there was a bit of a falling out between some

0:11:17.040 --> 0:11:20.240
<v Speaker 1>of those creative minds. I don't know the faulty, but like, well,

0:11:20.280 --> 0:11:24.240
<v Speaker 1>dev Hines is kind of often his own world. Yeah,

0:11:24.320 --> 0:11:27.679
<v Speaker 1>you know, fucking every trans girl in like the Tri

0:11:27.800 --> 0:11:30.960
<v Speaker 1>State area. Yeah yeah. And Solange also just is a

0:11:31.040 --> 0:11:34.439
<v Speaker 1>woman removed from society, Yeah, as she should be. Well

0:11:34.480 --> 0:11:36.880
<v Speaker 1>that's that's what made when she got hacked and tried

0:11:36.920 --> 0:11:41.880
<v Speaker 1>selling people PlayStations so jarring, right, because that's not really

0:11:42.360 --> 0:11:46.480
<v Speaker 1>her tea. Um, have you listened to the new Paramore album?

0:11:46.600 --> 0:11:49.400
<v Speaker 1>This is why I did. I didn't latch, I didn't

0:11:49.440 --> 0:11:51.079
<v Speaker 1>latch onto it. I did listen to it all the

0:11:51.120 --> 0:11:54.360
<v Speaker 1>way through. What did you think? It's good? It's very groovy.

0:11:54.600 --> 0:11:57.080
<v Speaker 1>I don't. I don't love it as much as their

0:11:57.559 --> 0:12:03.120
<v Speaker 1>UM last album, UM, What's after Laughter, which was kind

0:12:03.160 --> 0:12:06.560
<v Speaker 1>of the one that really like, even though they have

0:12:07.040 --> 0:12:12.200
<v Speaker 1>for the past couple albums kind of revitalized their sound

0:12:12.280 --> 0:12:14.920
<v Speaker 1>a little bit, I think After Laughter was the one

0:12:14.960 --> 0:12:18.400
<v Speaker 1>that was like really critically lauded, had some big singles,

0:12:19.000 --> 0:12:23.520
<v Speaker 1>had a really nice like music video rollout is getting

0:12:23.880 --> 0:12:26.680
<v Speaker 1>like critical acclaim or I think so. Yeah, I'm feel

0:12:26.679 --> 0:12:29.840
<v Speaker 1>it's buzzy because it's like post Olivia Rodrigo, But I

0:12:29.880 --> 0:12:33.560
<v Speaker 1>also I don't know what like actual Paramore stands Spiel.

0:12:33.880 --> 0:12:37.160
<v Speaker 1>I think so because it's like, um, it's very much

0:12:37.600 --> 0:12:42.640
<v Speaker 1>the sort of classic Paramore like emo vibes, but through

0:12:42.840 --> 0:12:47.640
<v Speaker 1>this like you know, seventies revival that's been going on

0:12:47.800 --> 0:12:51.120
<v Speaker 1>in pop culture for the past couple of years. So

0:12:51.160 --> 0:12:54.920
<v Speaker 1>it does feel like a little different for them, a

0:12:54.920 --> 0:13:00.520
<v Speaker 1>little more low key, but in a good way. It's

0:13:00.600 --> 0:13:04.440
<v Speaker 1>definitely I've listened to it a lot, but always in

0:13:04.480 --> 0:13:07.560
<v Speaker 1>the background, and I haven't, as you said, I haven't

0:13:07.600 --> 0:13:12.199
<v Speaker 1>like latched onto a lot of it yet. Outside of

0:13:12.880 --> 0:13:14.960
<v Speaker 1>you know, the first single that they released, This is Why,

0:13:15.040 --> 0:13:17.400
<v Speaker 1>which I do think is great, but I need to

0:13:17.440 --> 0:13:21.360
<v Speaker 1>spend more time with the songs individually and do some

0:13:21.800 --> 0:13:25.680
<v Speaker 1>active listening. Yeah, I haven't done a ton of active listening,

0:13:25.679 --> 0:13:28.600
<v Speaker 1>but I do wish that just this most recent album

0:13:28.720 --> 0:13:33.319
<v Speaker 1>was a little more emo and a little less like

0:13:33.760 --> 0:13:37.000
<v Speaker 1>you know, the funky groovy seventies. Like, Yeah, I I

0:13:37.760 --> 0:13:42.080
<v Speaker 1>I should give it another active listen. M Lana. However,

0:13:43.040 --> 0:13:49.520
<v Speaker 1>I've been actively listening Babe Baby, and something shifted. Yeah, everything, everything,

0:13:49.559 --> 0:13:54.319
<v Speaker 1>everyone moved it. I truly think it like there was

0:13:54.360 --> 0:13:57.560
<v Speaker 1>a breach in the time space continuum that brought and

0:13:57.880 --> 0:14:00.320
<v Speaker 1>w to us. This is the experience of being an

0:14:00.320 --> 0:14:04.120
<v Speaker 1>American horror, which I have been saying to myself, like

0:14:04.679 --> 0:14:07.840
<v Speaker 1>at random times. So I'll be like in my kitchen,

0:14:07.920 --> 0:14:09.880
<v Speaker 1>like making a sandwich, and I'll just say to myself,

0:14:09.880 --> 0:14:12.280
<v Speaker 1>this is the experience of being an American horror. Or

0:14:12.320 --> 0:14:14.800
<v Speaker 1>I'll be like, I'll like miss the bus by two

0:14:14.960 --> 0:14:17.959
<v Speaker 1>by about thirty seconds. This is the experience of being

0:14:17.960 --> 0:14:21.040
<v Speaker 1>an American horror. I like, I like, was I like

0:14:21.080 --> 0:14:23.480
<v Speaker 1>got my sandwich this morning? Was walking into the studio,

0:14:23.640 --> 0:14:26.440
<v Speaker 1>my pork belly, peanut butter and jelly, and I thought,

0:14:26.560 --> 0:14:28.720
<v Speaker 1>this is the experience of being an American horror T

0:14:28.840 --> 0:14:32.240
<v Speaker 1>shirt idea. Um, let me tell you, I'm not a

0:14:32.280 --> 0:14:34.080
<v Speaker 1>lot of stands. I'm gonna make a lot of stands mad.

0:14:34.120 --> 0:14:36.280
<v Speaker 1>But like, I was not a Chemtrails girl. I was

0:14:36.360 --> 0:14:39.680
<v Speaker 1>not a good honister. I'm so sorry. I did not

0:14:39.840 --> 0:14:42.280
<v Speaker 1>like the most like the last two albums. I felt

0:14:42.320 --> 0:14:48.000
<v Speaker 1>like they just all blended together, and I A and

0:14:48.160 --> 0:14:51.120
<v Speaker 1>W felt just as you said, a shift. I love

0:14:51.200 --> 0:14:54.280
<v Speaker 1>songs that have like sharp turns, songs that are like

0:14:54.400 --> 0:14:56.880
<v Speaker 1>split somewhere in the middle to like turn into like

0:14:56.960 --> 0:15:01.000
<v Speaker 1>morph into something else. Say, I love in Lana break

0:15:01.080 --> 0:15:03.320
<v Speaker 1>song format. I think it's when she thrives as a

0:15:03.360 --> 0:15:07.960
<v Speaker 1>songwriter shco. But yeah, what the fuck is that? I

0:15:07.960 --> 0:15:12.240
<v Speaker 1>don't know, but it's it's nonsense, but um, it's it's

0:15:12.840 --> 0:15:15.840
<v Speaker 1>the experience of me and American horlan. Her lyrics are

0:15:16.120 --> 0:15:19.000
<v Speaker 1>like it's a it's like a fucking slut algorithm like,

0:15:19.160 --> 0:15:23.120
<v Speaker 1>but it also is, you know, her most personal album yet.

0:15:23.360 --> 0:15:28.480
<v Speaker 1>I saw something. I saw that she She said something

0:15:28.520 --> 0:15:31.720
<v Speaker 1>along the lines of that um in a in an

0:15:31.760 --> 0:15:35.920
<v Speaker 1>interview she did recently. I think maybe with Rolling Stone that, um,

0:15:36.720 --> 0:15:38.640
<v Speaker 1>you know, she a lot of what she heard from

0:15:38.640 --> 0:15:41.520
<v Speaker 1>her fans is that they wanted more of her and

0:15:41.560 --> 0:15:43.800
<v Speaker 1>her music, like they felt like they didn't know her.

0:15:44.200 --> 0:15:49.440
<v Speaker 1>So these last couple albums, especially Blue Bandsters and did

0:15:49.440 --> 0:15:52.080
<v Speaker 1>you Know There's Tunnel under Ocean Boulevard, are a lot

0:15:52.120 --> 0:15:57.720
<v Speaker 1>about her family and she's you know, trying to be

0:15:57.840 --> 0:16:01.760
<v Speaker 1>She's trying to be vulnerable and you know, expose herself more.

0:16:02.560 --> 0:16:04.600
<v Speaker 1>Is um, did you know there's a tunnel also for

0:16:04.640 --> 0:16:07.000
<v Speaker 1>this upcoming album or was it like an isolated no,

0:16:07.120 --> 0:16:09.360
<v Speaker 1>it's for this album? Okay, Yeah, this is gonna be

0:16:09.360 --> 0:16:13.480
<v Speaker 1>a good album. I'm so excited me too. We actually

0:16:13.600 --> 0:16:18.560
<v Speaker 1>have a Lana del Ray episode coming up with Sean Fay,

0:16:18.760 --> 0:16:22.320
<v Speaker 1>a Juicy Juicy episode of Juicy Guest, and it's gonna

0:16:22.320 --> 0:16:24.280
<v Speaker 1>be incredible. And I'm you know that I would I

0:16:24.280 --> 0:16:26.640
<v Speaker 1>would consider myself the lawna virgin out of the three

0:16:26.680 --> 0:16:29.080
<v Speaker 1>of us. So yes, I do. I mean, I can

0:16:29.160 --> 0:16:32.360
<v Speaker 1>hold my own in a Lana conversation. But I'm excited

0:16:32.360 --> 0:16:35.720
<v Speaker 1>to hear from the stance. I've been there since day

0:16:35.760 --> 0:16:39.480
<v Speaker 1>one and I will be there until I die. Did

0:16:39.520 --> 0:16:43.840
<v Speaker 1>you like the Miley single Flowers. Okay, I think it's good,

0:16:44.320 --> 0:16:47.920
<v Speaker 1>but I think it's a psi op because like the

0:16:49.160 --> 0:16:53.880
<v Speaker 1>way that it is the biggest single she's ever had,

0:16:54.040 --> 0:16:56.160
<v Speaker 1>It's been on top of the charts for weeks. It's

0:16:56.200 --> 0:17:02.800
<v Speaker 1>like a worldwide phenomenon. It's, oh girl, it's huge. It

0:17:02.880 --> 0:17:05.879
<v Speaker 1>does not It's a good song, but it doesn't have

0:17:06.320 --> 0:17:09.360
<v Speaker 1>a reason to be as massive as it is. It's

0:17:09.359 --> 0:17:13.040
<v Speaker 1>giving Paola. The reason to me is like it's like

0:17:13.280 --> 0:17:17.960
<v Speaker 1>post breakup comeback kind of era. And she also has

0:17:17.960 --> 0:17:21.520
<v Speaker 1>a new creative director choice of Bonds ex. Jacob Bigs

0:17:21.640 --> 0:17:24.840
<v Speaker 1>or whatever his name is um and who I think

0:17:24.960 --> 0:17:27.119
<v Speaker 1>is amazing. And I think that the creative direction for

0:17:27.280 --> 0:17:30.840
<v Speaker 1>Flowers is actually fucking cool. So I do. I do

0:17:30.920 --> 0:17:33.879
<v Speaker 1>think that it's just like Miley and her team fighting

0:17:33.920 --> 0:17:36.399
<v Speaker 1>an excuse to like do something creative, to try to

0:17:36.440 --> 0:17:38.479
<v Speaker 1>do something fresh and new. But I agree with you

0:17:38.520 --> 0:17:42.440
<v Speaker 1>that Flowers specifically just felt like a TikTok play. It's

0:17:42.560 --> 0:17:48.640
<v Speaker 1>It's the course itself is extremely like TikTok. It's a Flowers.

0:17:48.920 --> 0:17:51.520
<v Speaker 1>The notion that the kind of like a we should

0:17:51.560 --> 0:17:54.280
<v Speaker 1>all just like do things for ourselves and trust ourselves

0:17:54.280 --> 0:17:57.080
<v Speaker 1>and like you're all you need is like extremely TikTok

0:17:57.119 --> 0:18:02.520
<v Speaker 1>culture uniqu u nick um. It just it. It really

0:18:02.920 --> 0:18:07.240
<v Speaker 1>is just giving Paola, like someone paid to have it

0:18:07.320 --> 0:18:09.639
<v Speaker 1>be number one on the chart, someone paid to have

0:18:09.680 --> 0:18:13.720
<v Speaker 1>it on every Spotify playlist. I don't get it. Someone, though,

0:18:13.720 --> 0:18:16.560
<v Speaker 1>who I do think deserves all the buzz they're getting

0:18:16.640 --> 0:18:20.000
<v Speaker 1>right now is Ice Spice, who I really like. I

0:18:20.080 --> 0:18:23.680
<v Speaker 1>was aware of her as a cultural figure for very

0:18:23.720 --> 0:18:27.280
<v Speaker 1>long before I actually listened to the music, and now

0:18:27.280 --> 0:18:31.119
<v Speaker 1>I'm so into it. I mean that um boys a

0:18:31.200 --> 0:18:35.200
<v Speaker 1>liar that song, I mean obviously pronounced liar. It's pronounced

0:18:35.240 --> 0:18:40.640
<v Speaker 1>it's pronounced leah like you like can't escape it. It's

0:18:40.640 --> 0:18:43.680
<v Speaker 1>like in every TikTok I watch um and so I

0:18:43.680 --> 0:18:46.040
<v Speaker 1>eventually had to like watch the video and listen to

0:18:46.080 --> 0:18:48.960
<v Speaker 1>the song, and it's fun. I really like Ice Spice.

0:18:49.119 --> 0:18:51.439
<v Speaker 1>I will. I love Ice Spice too. Her performance in

0:18:51.480 --> 0:18:53.879
<v Speaker 1>the video is like you're like, oh, you're like a

0:18:54.000 --> 0:18:56.440
<v Speaker 1>new star, you know what I mean, She's just kind

0:18:56.440 --> 0:18:58.960
<v Speaker 1>of there. I think she's I think she's still she.

0:18:59.400 --> 0:19:02.399
<v Speaker 1>It's it's an interesting thing with Ice Spice, specifically that

0:19:02.480 --> 0:19:04.560
<v Speaker 1>I'm not trying to say in a pejorative way, where

0:19:05.200 --> 0:19:08.680
<v Speaker 1>your fame precedes the full formation of us a star,

0:19:08.760 --> 0:19:12.160
<v Speaker 1>and I feel like Ice spices also figuring out who

0:19:12.240 --> 0:19:16.439
<v Speaker 1>she is in tandem with her morality. Right, Yeah, you

0:19:16.480 --> 0:19:18.920
<v Speaker 1>know what's not gonna help is that she was just

0:19:19.160 --> 0:19:23.520
<v Speaker 1>um trapped at the Kardashian West home this weekend. Why

0:19:25.400 --> 0:19:28.440
<v Speaker 1>one of my one of my mutuals tweet Um, there's

0:19:28.480 --> 0:19:30.800
<v Speaker 1>a video of her with all the with all of

0:19:30.880 --> 0:19:35.680
<v Speaker 1>Kim's kids, And someone tweeted a video of Um, I'm

0:19:36.280 --> 0:19:40.720
<v Speaker 1>of Annie, of the movie Annie. Um, I know I

0:19:40.760 --> 0:19:47.359
<v Speaker 1>think I'm gonna like it. Wait, I just I really

0:19:47.480 --> 0:20:07.639
<v Speaker 1>got the cadence of that wrong. Dear virgins, Rose and I,

0:20:07.800 --> 0:20:10.800
<v Speaker 1>We're not like you know, Awards Gaze, you know what

0:20:10.840 --> 0:20:12.640
<v Speaker 1>I mean. We're not like we're not like you know,

0:20:14.160 --> 0:20:18.880
<v Speaker 1>streaming every Awards show, like hawking the nominees, like making predictions. Um,

0:20:18.920 --> 0:20:23.520
<v Speaker 1>but Awards shows are like inherently queer and yet surprisingly

0:20:24.400 --> 0:20:28.919
<v Speaker 1>surprisingly anti caweer. I'm just kidding. I'm just kidding. I'm

0:20:28.960 --> 0:20:31.520
<v Speaker 1>being facetious because this is like how all music critics,

0:20:31.560 --> 0:20:34.640
<v Speaker 1>I mean, how all movie critics I know, And well,

0:20:34.800 --> 0:20:36.640
<v Speaker 1>I mean that's the thing is, like, we are not

0:20:36.800 --> 0:20:41.159
<v Speaker 1>Awards girls, and we're also not really critics, but at

0:20:41.200 --> 0:20:45.200
<v Speaker 1>certain points on our timeline, we've had to be awards girls,

0:20:45.200 --> 0:20:48.320
<v Speaker 1>because if you work in media, you know you have

0:20:48.400 --> 0:20:50.800
<v Speaker 1>to the night of the Oscars. You're like in a

0:20:50.880 --> 0:20:54.840
<v Speaker 1>war room story in real time, like making sure you're

0:20:54.880 --> 0:20:56.960
<v Speaker 1>the first to get the meme, the first to get

0:20:56.960 --> 0:21:00.360
<v Speaker 1>the whatever. Yeah, do you miss? I mean? I mean

0:21:00.400 --> 0:21:04.000
<v Speaker 1>I usually still am the first, even if i'm That's

0:21:04.040 --> 0:21:06.000
<v Speaker 1>the thing is when award shows happen, even though I

0:21:06.000 --> 0:21:09.679
<v Speaker 1>don't watch them, I'm usually still on Twitter catching all

0:21:09.720 --> 0:21:12.240
<v Speaker 1>the important moments and getting my memes in because it's

0:21:12.280 --> 0:21:14.800
<v Speaker 1>like that's what you do. It's fun. It's it's like

0:21:14.880 --> 0:21:16.640
<v Speaker 1>part of the fun. And I think that it's like

0:21:16.760 --> 0:21:19.119
<v Speaker 1>the things that we will remember are the things that

0:21:19.320 --> 0:21:22.359
<v Speaker 1>translated to the Internet, which is like you know, Adele

0:21:22.440 --> 0:21:25.840
<v Speaker 1>de Zeme or like really bad Oscar wins or like

0:21:26.080 --> 0:21:31.119
<v Speaker 1>um just things that like feel viral. M. Yeah, but

0:21:31.200 --> 0:21:33.679
<v Speaker 1>I'm not really like a I'm not really like an

0:21:33.680 --> 0:21:37.679
<v Speaker 1>Award show um expert, so to speak. Neither am I

0:21:37.840 --> 0:21:42.199
<v Speaker 1>and I'm not. I'm not a person who feels like

0:21:42.880 --> 0:21:47.160
<v Speaker 1>especially with the Oscars, I don't see every Best Picture nominee.

0:21:47.200 --> 0:21:49.600
<v Speaker 1>I don't care. We have talked about this before. I

0:21:49.640 --> 0:21:52.439
<v Speaker 1>am much more of a populist movie girly. I like

0:21:52.640 --> 0:21:59.400
<v Speaker 1>movies over films for the most part, and I like

0:21:59.680 --> 0:22:04.080
<v Speaker 1>this sort of ephemera that exists around awards season, but

0:22:04.160 --> 0:22:09.600
<v Speaker 1>I don't care about the awards themselves. And honestly, at

0:22:09.640 --> 0:22:12.800
<v Speaker 1>this point every year, I'm like, please, God, let this

0:22:13.000 --> 0:22:15.199
<v Speaker 1>end so we can stop talking about these movies, like

0:22:15.480 --> 0:22:18.160
<v Speaker 1>with something like everything everywhere, all at once. It came

0:22:18.160 --> 0:22:22.200
<v Speaker 1>out last Spring, so we've been talking about this movie

0:22:22.560 --> 0:22:27.360
<v Speaker 1>for almost a year now. It is exhausting. Just give

0:22:27.440 --> 0:22:30.520
<v Speaker 1>MICHELLEO the Oscar already, so we can shut up about

0:22:30.520 --> 0:22:33.000
<v Speaker 1>this movie that in the year since it came out,

0:22:33.040 --> 0:22:35.919
<v Speaker 1>I have kind of like, you're like, you're over it.

0:22:36.040 --> 0:22:39.000
<v Speaker 1>I'm over it. Like it was good, let's leave it

0:22:39.040 --> 0:22:42.080
<v Speaker 1>at that. You resent things that are over exposed a

0:22:42.160 --> 0:22:44.679
<v Speaker 1>lot of the time, I feel especially I do, and

0:22:44.840 --> 0:22:49.000
<v Speaker 1>especially because the thing is, if it had a shorter life, yeah,

0:22:49.200 --> 0:22:52.440
<v Speaker 1>I would have been able to enjoy it and move on.

0:22:52.760 --> 0:22:55.440
<v Speaker 1>And since we have now lived with that movie, especially

0:22:55.440 --> 0:22:58.919
<v Speaker 1>for so long, I think my issues with it have

0:22:59.040 --> 0:23:01.960
<v Speaker 1>been able to flourish, and that I don't think it's

0:23:02.040 --> 0:23:07.320
<v Speaker 1>as good as it's lauded as and so I'm just like, please, like,

0:23:07.520 --> 0:23:11.760
<v Speaker 1>let's let this go. M Yeah, is there anything like

0:23:11.800 --> 0:23:14.320
<v Speaker 1>in this US in this year's Oscar season that you

0:23:14.400 --> 0:23:17.360
<v Speaker 1>are excited for? Or maybe if it's not a film, like,

0:23:18.480 --> 0:23:20.760
<v Speaker 1>are there any yatar? Are there any cool performances there,

0:23:20.800 --> 0:23:25.480
<v Speaker 1>anything who's slated to perform. I have absolutely no idea.

0:23:25.640 --> 0:23:29.520
<v Speaker 1>I want to know the only things that I was. Okay,

0:23:29.600 --> 0:23:32.520
<v Speaker 1>let's let's at least talk about the Best Picture nominees.

0:23:32.880 --> 0:23:34.679
<v Speaker 1>Let's go go through and give a little take on

0:23:34.680 --> 0:23:36.880
<v Speaker 1>all of them. Top Gun Maverick one of the best

0:23:36.920 --> 0:23:39.560
<v Speaker 1>films of twenty twenty two. I had so much fun

0:23:39.640 --> 0:23:43.800
<v Speaker 1>seeing it. I think Hold my Hand should win Best Song. Um,

0:23:43.840 --> 0:23:47.200
<v Speaker 1>I probably will. It could because it's not gonna be Rihanna.

0:23:48.080 --> 0:23:51.800
<v Speaker 1>That song fucking sucks. I'm I'm so mad at her.

0:23:52.160 --> 0:23:55.280
<v Speaker 1>I cannot believe she'd I mean, actually, it's probably not

0:23:55.320 --> 0:23:57.600
<v Speaker 1>her fault. I'm mad at Black Panther. No, I'm mad

0:23:57.640 --> 0:24:02.040
<v Speaker 1>at her. It was in her control. That song. That

0:24:02.119 --> 0:24:06.600
<v Speaker 1>song sucks. Um. Then there's women talking, which I haven't seen.

0:24:07.240 --> 0:24:10.480
<v Speaker 1>We'll never see everything ever where all at once. Um.

0:24:10.520 --> 0:24:15.840
<v Speaker 1>You know, good movie. I I disagree. I mean I

0:24:16.040 --> 0:24:18.080
<v Speaker 1>it is still my pick. I I it's the one

0:24:18.200 --> 0:24:20.359
<v Speaker 1>that is out of everything I've seen, like the most

0:24:20.400 --> 0:24:25.159
<v Speaker 1>memorable Banshees of Innisharin, which I I love, I saw

0:24:25.440 --> 0:24:30.760
<v Speaker 1>like a month ago. Incredible, so funny, so sad, so beautiful. Um,

0:24:30.840 --> 0:24:33.879
<v Speaker 1>Avatar is it gonna win? I'll be sa Avatar is

0:24:33.920 --> 0:24:36.800
<v Speaker 1>not gonna win. But Avatar was one of the best

0:24:36.840 --> 0:24:39.919
<v Speaker 1>movies of twenty twenty two. I understand why it's on

0:24:40.040 --> 0:24:43.320
<v Speaker 1>Best Picture. I think on like the production level, everything

0:24:43.320 --> 0:24:46.600
<v Speaker 1>that it accomplishes. It is course, yes, amorable Triangle of

0:24:46.640 --> 0:24:50.520
<v Speaker 1>Sadness I still haven't seen, but you loved. Wait, Triangle

0:24:50.640 --> 0:24:54.600
<v Speaker 1>was not Oh my god, oh my god. I completely

0:24:54.680 --> 0:24:56.399
<v Speaker 1>missed that. I thought it wasn't. I thought it was

0:24:56.480 --> 0:24:59.840
<v Speaker 1>totally ousted for No Nations. I fucking loved that movie.

0:25:00.000 --> 0:25:01.960
<v Speaker 1>That would be like my runner up pick, but obviously

0:25:01.960 --> 0:25:04.800
<v Speaker 1>we never get picked for Best Picture. I would pick

0:25:04.840 --> 0:25:08.399
<v Speaker 1>that over Tar, honestly in my ranking. Um wow, I

0:25:08.400 --> 0:25:13.080
<v Speaker 1>would not. Tar to me, is the movie? Is is

0:25:13.080 --> 0:25:16.200
<v Speaker 1>it your number one? Or is Top Gun your number one? No?

0:25:16.280 --> 0:25:19.320
<v Speaker 1>Tar is my number one, even though Top Gun is

0:25:19.359 --> 0:25:21.760
<v Speaker 1>the best movie ever created or whatever. The no. I

0:25:22.080 --> 0:25:24.399
<v Speaker 1>don't I don't think I don't know. I said it

0:25:24.440 --> 0:25:27.760
<v Speaker 1>was one of my favorite movies of twenty two. I

0:25:27.880 --> 0:25:32.920
<v Speaker 1>love Tar. I think it's incredibly acted, directed, written. It

0:25:33.000 --> 0:25:37.479
<v Speaker 1>like captures the moment we're living in so perfectly in

0:25:37.520 --> 0:25:39.560
<v Speaker 1>a way that I don't know. Well, I guess in

0:25:39.600 --> 0:25:42.200
<v Speaker 1>a way that maybe Triangle of Sadness from what I've

0:25:42.240 --> 0:25:45.040
<v Speaker 1>heard about it does from a different way. But I

0:25:45.119 --> 0:25:51.280
<v Speaker 1>just think Tar is beautiful, perfect, stunning. Elvis one of

0:25:51.320 --> 0:25:53.720
<v Speaker 1>the worst movies I've ever seen. Literally, I wanted to

0:25:53.800 --> 0:25:57.520
<v Speaker 1>vomit the whole time. Austin Butler is like phenomen in

0:25:57.560 --> 0:26:01.159
<v Speaker 1>this movie as a performer, But the movie on the country,

0:26:01.200 --> 0:26:04.479
<v Speaker 1>it's terrible. It's like on the construction level is terrible,

0:26:04.560 --> 0:26:09.119
<v Speaker 1>and Tom Hanks is terrible. Yea, it should not be

0:26:09.440 --> 0:26:13.560
<v Speaker 1>in this list. But let me tell you best film

0:26:13.840 --> 0:26:17.240
<v Speaker 1>of twenty twenty. Best film in the Oscar nominee Pile

0:26:17.400 --> 0:26:20.800
<v Speaker 1>Rose and I agree, is all quiet on the Western front? Right?

0:26:21.480 --> 0:26:25.479
<v Speaker 1>That movie? Damn, it's definitely a movie, right, I like,

0:26:25.840 --> 0:26:29.480
<v Speaker 1>I hate war movies, and that's I thought it was

0:26:29.520 --> 0:26:33.320
<v Speaker 1>like a Western No. Um, it's a remake of like

0:26:33.760 --> 0:26:37.159
<v Speaker 1>another Oscar. Another Best Picture, isn't it based on a book?

0:26:37.400 --> 0:26:39.200
<v Speaker 1>Isn't it all quiet on the western front of book?

0:26:39.280 --> 0:26:41.399
<v Speaker 1>It's probably a book, but it was. There was a

0:26:41.440 --> 0:26:44.320
<v Speaker 1>movie in like the nineteen twenties. It's a remake of

0:26:44.320 --> 0:26:46.680
<v Speaker 1>of the Best Picture winner from like nineteen twenty something.

0:26:46.800 --> 0:26:49.679
<v Speaker 1>Every year, every year at the Oscars, you have to

0:26:49.720 --> 0:26:52.040
<v Speaker 1>have a war movie in there. It's got to be

0:26:52.080 --> 0:27:00.760
<v Speaker 1>like Dunkirk or save it saving private war movie, blockbuster movie, biopic, yeah, biopicum,

0:27:00.760 --> 0:27:03.960
<v Speaker 1>either a Jewish movie or a movie about Hollywood or both.

0:27:04.520 --> 0:27:07.160
<v Speaker 1>So The Fableman, which is the last, Yeah, the one

0:27:07.160 --> 0:27:09.160
<v Speaker 1>we haven't talked about yet and which I haven't seen,

0:27:09.240 --> 0:27:13.080
<v Speaker 1>but like somehow The Fableman's has become a gay twitter thing.

0:27:13.320 --> 0:27:15.879
<v Speaker 1>A bunch of a bunch of people I follow have

0:27:16.040 --> 0:27:18.600
<v Speaker 1>like tweet about it NonStop. That and The Whale, which

0:27:18.880 --> 0:27:22.320
<v Speaker 1>was not nominated for Best Picture, but Brendan Fraser was

0:27:22.440 --> 0:27:25.800
<v Speaker 1>nominated for Best Actor. That meme of him floating into

0:27:25.800 --> 0:27:31.160
<v Speaker 1>this car, however, is that should be nominated for something? Um,

0:27:31.200 --> 0:27:34.199
<v Speaker 1>Everything everywhere all at once also fulfills like the underdog

0:27:34.600 --> 0:27:37.560
<v Speaker 1>kind of archetype. But it's not an undergo anymore at

0:27:37.560 --> 0:27:40.120
<v Speaker 1>this point, like it was. That's that is I think

0:27:40.200 --> 0:27:42.399
<v Speaker 1>one of the things that's become annoying about it is

0:27:42.400 --> 0:27:44.439
<v Speaker 1>that it's still being talked about as if it's like

0:27:44.760 --> 0:27:47.760
<v Speaker 1>this scrappy little movie, and yet it has had this

0:27:48.080 --> 0:27:53.400
<v Speaker 1>massive press and industry push for a year. Now. You okay,

0:27:54.000 --> 0:27:56.520
<v Speaker 1>we're a little we're a little divided on everything everywhere

0:27:56.520 --> 0:27:58.280
<v Speaker 1>all at once. However, you and I do have the

0:27:58.400 --> 0:28:02.320
<v Speaker 1>same kind of um impulse with cultural stuff like this.

0:28:02.440 --> 0:28:06.160
<v Speaker 1>That's like slightly it like derives from like our indie

0:28:06.200 --> 0:28:09.080
<v Speaker 1>I think probably indie snobbery or whatever, where when you

0:28:09.160 --> 0:28:12.119
<v Speaker 1>love something, or when I love something and it feels

0:28:12.119 --> 0:28:15.479
<v Speaker 1>so new, so fresh, like so special, and then everyone

0:28:15.520 --> 0:28:18.960
<v Speaker 1>else catches onto it, it just it's it doesn't feel

0:28:19.000 --> 0:28:21.720
<v Speaker 1>special anymore. But that's not the movies. It's not it's

0:28:21.840 --> 0:28:25.320
<v Speaker 1>for me. It's not about everyone catching onto it. It's

0:28:25.359 --> 0:28:28.320
<v Speaker 1>not a like, oh, this movie used to be cool.

0:28:28.480 --> 0:28:31.600
<v Speaker 1>It's not about that. It's like the overexposure to me

0:28:31.800 --> 0:28:35.760
<v Speaker 1>highlights that it's not as good as it's being lauded as.

0:28:36.240 --> 0:28:39.040
<v Speaker 1>And I feel like I'm not living in the same

0:28:39.120 --> 0:28:43.600
<v Speaker 1>universe as everybody else. I'm living in the multiverse. In

0:28:43.640 --> 0:28:47.440
<v Speaker 1>the multiverse, yeah, although I will say in the multiverse

0:28:47.520 --> 0:28:50.120
<v Speaker 1>movies that came out last year. It is. I prefer

0:28:50.360 --> 0:28:53.640
<v Speaker 1>much prefer it over Doctor Strange. I even prefer it

0:28:53.640 --> 0:28:56.800
<v Speaker 1>over that Spider Man movie that everyone loved, which I

0:28:56.880 --> 0:29:00.000
<v Speaker 1>also like. On reflection, don't think is as good as

0:29:00.120 --> 0:29:01.880
<v Speaker 1>you know we all said it was. Do you have

0:29:02.040 --> 0:29:05.840
<v Speaker 1>like favorite Oscar wins in history, whether it's like best

0:29:05.840 --> 0:29:08.360
<v Speaker 1>actress or best anything. No, I don't care about shit

0:29:08.440 --> 0:29:10.560
<v Speaker 1>like that, Okay, but I do love a Ladya Coleman

0:29:10.680 --> 0:29:15.080
<v Speaker 1>going Lady Gaga acceptance speech Lady Gaga because she was

0:29:15.120 --> 0:29:19.560
<v Speaker 1>so gooped um speaking of Gaga, her singing that musical

0:29:19.600 --> 0:29:21.920
<v Speaker 1>medley What year was that? Oh? From the Sound of Music?

0:29:22.080 --> 0:29:27.600
<v Speaker 1>So that was at the twenty fifteen Oscars. It was

0:29:27.640 --> 0:29:30.000
<v Speaker 1>a tribute to the Sound of Music. Julie Andrews came

0:29:30.040 --> 0:29:33.760
<v Speaker 1>out and it was It came at such a pivotal

0:29:33.800 --> 0:29:37.479
<v Speaker 1>moment in Gaga's career because she was It's like that

0:29:37.520 --> 0:29:41.560
<v Speaker 1>tweet about Christia Aguilera, she was at her lowest, fat, nasty,

0:29:41.600 --> 0:29:44.960
<v Speaker 1>and broke. Lady Gaga came on that Oscar stage mad

0:29:45.040 --> 0:29:48.720
<v Speaker 1>as hell because pre that she was in her flop

0:29:48.760 --> 0:29:52.120
<v Speaker 1>era post art pop she was she was doing American

0:29:52.160 --> 0:29:55.800
<v Speaker 1>Horror Story and then she came out and did that

0:29:55.880 --> 0:30:01.760
<v Speaker 1>Sound of Music medley, and it totally revitalized her and

0:30:01.840 --> 0:30:06.280
<v Speaker 1>recontextualized her, and it introduced a different version of her

0:30:06.520 --> 0:30:11.040
<v Speaker 1>because it was her proving her singing chops, her acting chops.

0:30:11.200 --> 0:30:15.680
<v Speaker 1>She tore that shit up. Recontextualized is the word. Like

0:30:15.760 --> 0:30:18.280
<v Speaker 1>she was like in case you forgot, I am a

0:30:18.360 --> 0:30:22.080
<v Speaker 1>rock star, but I'm also a star star. And I

0:30:22.120 --> 0:30:25.960
<v Speaker 1>think the star was born. And I don't think people

0:30:26.120 --> 0:30:29.480
<v Speaker 1>took her into consideration as a serious actress um let

0:30:29.480 --> 0:30:32.400
<v Speaker 1>alone someone who would show up at the Oscars and

0:30:32.440 --> 0:30:35.480
<v Speaker 1>take it seriously for lack of a better word, just

0:30:35.480 --> 0:30:38.080
<v Speaker 1>like because people underestimate Gaga write her off as this

0:30:38.200 --> 0:30:42.080
<v Speaker 1>like you know, shock value pop star at least your point,

0:30:42.280 --> 0:30:44.400
<v Speaker 1>You're so right, and that it is. It is a

0:30:44.480 --> 0:30:50.320
<v Speaker 1>thing that made specifically Hollywood people take her seriously. Ah

0:30:50.320 --> 0:30:52.840
<v Speaker 1>And I just remember being like, what the fuck? Like

0:30:53.240 --> 0:30:57.400
<v Speaker 1>she nailed. I think I cried. I'm pretty sure I cried. Honestly,

0:30:57.520 --> 0:30:59.840
<v Speaker 1>this is pretty This is kind of silly, but it

0:31:00.000 --> 0:31:03.760
<v Speaker 1>reminded me a lot of when Amy Adams did That's

0:31:03.840 --> 0:31:06.000
<v Speaker 1>how you know it? Did she do? Was that the

0:31:06.040 --> 0:31:09.520
<v Speaker 1>song that she did from Enchanted It reminded you of that.

0:31:10.000 --> 0:31:13.160
<v Speaker 1>It did because Amy, by that point like she had

0:31:13.200 --> 0:31:15.200
<v Speaker 1>been I think she was, she was already nominated for

0:31:15.240 --> 0:31:18.640
<v Speaker 1>an Oscar, but like she wasn't the star that she was,

0:31:18.680 --> 0:31:21.280
<v Speaker 1>and I think enchanted felt like a silly Disney movie.

0:31:21.320 --> 0:31:23.640
<v Speaker 1>And then she got up there and did I think

0:31:23.680 --> 0:31:27.840
<v Speaker 1>two musical numbers and nailed them, and I was like, oh,

0:31:27.880 --> 0:31:31.400
<v Speaker 1>Amy Adams is like way more than just an actress,

0:31:31.520 --> 0:31:33.600
<v Speaker 1>you know what I mean? Like it felt pivotal for her,

0:31:33.800 --> 0:31:55.640
<v Speaker 1>and similarly to how it did Forgot. Have you ever

0:31:55.760 --> 0:32:02.440
<v Speaker 1>practiced a fake Oscar acceptance speech? Um? Not not practiced

0:32:02.600 --> 0:32:05.800
<v Speaker 1>out loud, No, but yeah, I constantly envisioned what my

0:32:05.840 --> 0:32:08.720
<v Speaker 1>Oscar speech would would be. Who would you think I

0:32:08.720 --> 0:32:11.240
<v Speaker 1>would not thank anybody. I would tweet my thanks out

0:32:11.280 --> 0:32:13.960
<v Speaker 1>after and they would spend my speech on a message

0:32:14.240 --> 0:32:18.160
<v Speaker 1>I'm sorry, that's who I am. I don't know, virgins,

0:32:18.160 --> 0:32:23.680
<v Speaker 1>if you could hear my eyes, I mean, I'll e

0:32:23.800 --> 0:32:26.280
<v Speaker 1>my words if I ever do, you know, get into

0:32:26.320 --> 0:32:28.920
<v Speaker 1>the Academy world. But like, because I know there's so

0:32:29.000 --> 0:32:32.560
<v Speaker 1>much diplomacy and politic around thanking people in speeches and

0:32:32.640 --> 0:32:35.200
<v Speaker 1>that it's something you really have to do. But like

0:32:35.560 --> 0:32:38.480
<v Speaker 1>I just think you have you know, it's an economy

0:32:38.480 --> 0:32:40.280
<v Speaker 1>of words, right, you have a limited amount of time.

0:32:40.320 --> 0:32:42.479
<v Speaker 1>I don't want to spend it rattling off like a

0:32:42.480 --> 0:32:44.840
<v Speaker 1>list of people. I'd much rather tweet that after and

0:32:44.960 --> 0:32:48.080
<v Speaker 1>spend you know, my time on this platform talking about

0:32:48.480 --> 0:32:50.480
<v Speaker 1>what I want to talk about and and and and

0:32:50.640 --> 0:32:54.240
<v Speaker 1>doing that in a way that wouldn't be like cloyingly

0:32:54.680 --> 0:32:58.240
<v Speaker 1>like like activisty, like it would be like sweet, and

0:32:58.240 --> 0:33:01.480
<v Speaker 1>it would talk about my life in the context of

0:33:01.640 --> 0:33:03.320
<v Speaker 1>who I am. And yeah, I think that's what I

0:33:03.360 --> 0:33:05.720
<v Speaker 1>would do. What do you what about you? You you've practiced?

0:33:05.840 --> 0:33:08.480
<v Speaker 1>I would sing the theme song from The Nanny and

0:33:08.520 --> 0:33:18.760
<v Speaker 1>then walk off stage and yeah, they would take out

0:33:18.760 --> 0:33:23.880
<v Speaker 1>one of those big canes. Yeah, like um, yeah, Jared

0:33:23.920 --> 0:33:27.280
<v Speaker 1>Letto pulls the cane out. Oh not Jared Letto, sorry,

0:33:27.320 --> 0:33:29.320
<v Speaker 1>he won't bring him up. He was the first transphobic

0:33:29.320 --> 0:33:33.120
<v Speaker 1>person I could think. Well, that's another thing with the oscars,

0:33:33.160 --> 0:33:36.680
<v Speaker 1>as you know, like the legacy of men who have

0:33:36.800 --> 0:33:40.920
<v Speaker 1>played trans women and one awards for doing so, which okay,

0:33:40.960 --> 0:33:42.520
<v Speaker 1>I mean we can talk about, but like not to

0:33:42.520 --> 0:33:44.880
<v Speaker 1>blow up your spot. Before we got onto the mic,

0:33:44.920 --> 0:33:47.840
<v Speaker 1>I did find out in real time that you did

0:33:47.920 --> 0:33:51.640
<v Speaker 1>not like When My Hair FANTASTICA No, I hated it.

0:33:51.840 --> 0:33:54.560
<v Speaker 1>Crazy to me, I'm so, I think it's a bad movie.

0:33:54.920 --> 0:33:58.400
<v Speaker 1>I okay, I I mean totally totally fair. I don't

0:33:58.400 --> 0:34:00.440
<v Speaker 1>think it's like a movie that like everyone is required

0:34:00.480 --> 0:34:02.600
<v Speaker 1>to like. I thought it was so incredible, and I

0:34:02.600 --> 0:34:05.680
<v Speaker 1>thought that you would like it because it's like moody,

0:34:05.840 --> 0:34:09.719
<v Speaker 1>weird and also like fabulous slash surrealist. And I thought

0:34:09.719 --> 0:34:13.160
<v Speaker 1>that surrealism would appeal to you. But um, you know

0:34:13.440 --> 0:34:15.799
<v Speaker 1>it's it's not. Everybody's teed. I love that movie though,

0:34:17.120 --> 0:34:20.600
<v Speaker 1>And a trans woman in a trans role, which is cool. Yeah,

0:34:20.640 --> 0:34:26.240
<v Speaker 1>it should have been Jared Letto, Eddie Redmain, Eddie Redmain

0:34:26.400 --> 0:34:29.080
<v Speaker 1>my sister. But Eddie has since then gone on the

0:34:29.080 --> 0:34:31.520
<v Speaker 1>record to say he regrets doing it, which is cool,

0:34:32.600 --> 0:34:35.560
<v Speaker 1>is it? I mean, it's better than it's like these guys.

0:34:35.800 --> 0:34:39.239
<v Speaker 1>These guys always say they regret it, but it's not

0:34:39.280 --> 0:34:41.839
<v Speaker 1>like they give their oscars back. Oh, it's very Danny.

0:34:41.920 --> 0:34:44.440
<v Speaker 1>It's very Darren Chris being like I will no longer

0:34:44.520 --> 0:34:47.560
<v Speaker 1>be playing anymore gay roles, and it's like, good for you, Um,

0:34:47.600 --> 0:34:52.120
<v Speaker 1>you've done this seventeen hundred times. Um. In terms of

0:34:52.160 --> 0:34:55.319
<v Speaker 1>like Oscar snubs. The first that come to mind are

0:34:56.320 --> 0:35:00.839
<v Speaker 1>Tony Collette for Hereditary, j Loo for hus Slurs, which

0:35:00.880 --> 0:35:03.520
<v Speaker 1>would be a career I think the non would be

0:35:03.520 --> 0:35:05.160
<v Speaker 1>a career win. Do I think she should win? No,

0:35:05.320 --> 0:35:08.400
<v Speaker 1>but she doesn't nomination because she should have been nominated

0:35:08.400 --> 0:35:11.560
<v Speaker 1>for Selena. Let's be real and so, and she's never

0:35:11.600 --> 0:35:14.000
<v Speaker 1>going to get nominated for an Oscar again. No, that's

0:35:14.040 --> 0:35:16.799
<v Speaker 1>the thing. It was her one shot. It also was

0:35:16.840 --> 0:35:19.719
<v Speaker 1>like the one Okay, this is mean, but like it's

0:35:19.719 --> 0:35:22.480
<v Speaker 1>like the one actually good movie she's been in in

0:35:22.719 --> 0:35:26.560
<v Speaker 1>ages like second act terrible. Um, I watched had Fun,

0:35:26.760 --> 0:35:34.319
<v Speaker 1>I watched Shotgun Wedding terrible, like we watched Marry Me terrible, Mary, Mary, Okay,

0:35:35.680 --> 0:35:37.680
<v Speaker 1>oh you enjoyed Marry Me? What was What was something

0:35:37.719 --> 0:35:42.400
<v Speaker 1>that you enjoyed specifically from that movie that it was

0:35:42.560 --> 0:35:45.319
<v Speaker 1>dumb and fun? I liked it. It was honestly if

0:35:45.400 --> 0:35:47.480
<v Speaker 1>I can't remember if we talked about this Virgins, but

0:35:47.560 --> 0:35:50.520
<v Speaker 1>we had a Gallantine's last year where we watched Rose.

0:35:50.560 --> 0:35:53.640
<v Speaker 1>I and Ash, our friend Ash watched Marry Me and

0:35:53.960 --> 0:35:57.600
<v Speaker 1>we were so stoked to watch it, and five minutes

0:35:57.640 --> 0:36:02.000
<v Speaker 1>in we were like, oh wow, this is bad like

0:36:02.120 --> 0:36:06.160
<v Speaker 1>good bad, and then we immediately we were exactly it

0:36:06.239 --> 0:36:11.160
<v Speaker 1>was exactly what I expected it to be. Dumb Jaylo romantic,

0:36:11.320 --> 0:36:14.160
<v Speaker 1>I thought it. I thought it at least hook me, though,

0:36:14.200 --> 0:36:16.960
<v Speaker 1>because dumb romcoms can still hook me and marry me.

0:36:17.320 --> 0:36:20.239
<v Speaker 1>Did not, I think because Owen Wilson made absolutely no

0:36:20.280 --> 0:36:23.400
<v Speaker 1>sense in that movie. I think Owen Wilson is super sexy.

0:36:23.960 --> 0:36:26.000
<v Speaker 1>I want to lick his nose. I do too, but

0:36:26.040 --> 0:36:29.200
<v Speaker 1>not for Jlo, Like why does why why does Jlo

0:36:29.320 --> 0:36:30.919
<v Speaker 1>have to fall in love with all of these kind

0:36:30.920 --> 0:36:34.359
<v Speaker 1>of like schleppy, mumblecore white guys, Like why can't she?

0:36:34.520 --> 0:36:38.480
<v Speaker 1>I mean I wanted her to stay with Maluma. Maybe

0:36:38.480 --> 0:36:40.920
<v Speaker 1>in the sequel. Yeah, maybe in the sequel. Um, okay,

0:36:40.920 --> 0:36:44.799
<v Speaker 1>sorry any any Oscar snobs that you're thinking of. No,

0:36:45.000 --> 0:36:47.440
<v Speaker 1>I don't care. I don't care who wins awards. It

0:36:47.480 --> 0:36:49.920
<v Speaker 1>doesn't matter, Yeah, it doesn't. It doesn't matter. I mean,

0:36:49.960 --> 0:36:51.759
<v Speaker 1>that's the thing that we're I know that's not an

0:36:51.800 --> 0:36:55.399
<v Speaker 1>interesting answer, but it's also not truly I truly could

0:36:55.440 --> 0:36:58.759
<v Speaker 1>care less. It's also obviously not an interesting take, right that,

0:36:58.880 --> 0:37:01.359
<v Speaker 1>Like you know, institution like don't matter, right, but it's

0:37:01.400 --> 0:37:04.640
<v Speaker 1>true like these like these norms like biggest snobs. It's

0:37:04.640 --> 0:37:07.600
<v Speaker 1>like the stars probably don't care, Like I'm sure they care,

0:37:07.840 --> 0:37:11.640
<v Speaker 1>but it's like depending on which one it is to me,

0:37:12.440 --> 0:37:16.560
<v Speaker 1>the wins are less to me, The winners are less

0:37:16.600 --> 0:37:23.480
<v Speaker 1>interesting than the Oscars industrial complex itself and just the

0:37:23.520 --> 0:37:29.960
<v Speaker 1>whole business around awards, movie awards, TV awards. I mean

0:37:30.040 --> 0:37:34.680
<v Speaker 1>this is as people who have been part of this

0:37:34.719 --> 0:37:39.000
<v Speaker 1>industry on both sides, as people in the media commenting

0:37:39.000 --> 0:37:44.719
<v Speaker 1>on it and then actually working in Hollywood, like you know,

0:37:44.760 --> 0:37:47.920
<v Speaker 1>both of us worked for one of the biggest movie

0:37:47.920 --> 0:37:52.120
<v Speaker 1>studios tech companies in the world, and so like have

0:37:52.280 --> 0:37:54.480
<v Speaker 1>been on both sides of it. And it just is

0:37:55.120 --> 0:38:00.200
<v Speaker 1>a machine that runs all day, every day, all or

0:38:00.560 --> 0:38:03.479
<v Speaker 1>like as soon as as soon as the Oscars are over,

0:38:03.640 --> 0:38:07.120
<v Speaker 1>we'll start prepping for you know what, the Emmys, which

0:38:07.120 --> 0:38:08.680
<v Speaker 1>will be in the fall. And it's just like the

0:38:08.719 --> 0:38:11.520
<v Speaker 1>next thing is just around the corner. It never stops.

0:38:11.400 --> 0:38:14.560
<v Speaker 1>It's exhausting and it is and it like, when you

0:38:15.040 --> 0:38:18.720
<v Speaker 1>stop to think about it, it's all just about money.

0:38:18.760 --> 0:38:21.600
<v Speaker 1>Like these awards exist so that these movies will be

0:38:21.680 --> 0:38:25.640
<v Speaker 1>seen by more people. It's not about the craft, it's

0:38:25.680 --> 0:38:30.160
<v Speaker 1>not about celebrating art. It's all capitalism. Like living in

0:38:30.320 --> 0:38:34.160
<v Speaker 1>LA when I lived there. All you see when you're

0:38:34.200 --> 0:38:38.799
<v Speaker 1>driving around or for your consideration, signs everywhere, like I mean,

0:38:39.440 --> 0:38:44.200
<v Speaker 1>oscar parties everywhere, like FYC, like you know, gatherings everywhere.

0:38:44.239 --> 0:38:47.359
<v Speaker 1>You know. Yeah, it just is. It's a machine that

0:38:47.440 --> 0:38:53.040
<v Speaker 1>never stops, and it's hard to be even somewhat close

0:38:53.080 --> 0:38:55.959
<v Speaker 1>to it and not feel incredibly jaded about it. Yeah,

0:38:55.960 --> 0:38:59.000
<v Speaker 1>and I think honestly, the Andrew Riceboro is that her name?

0:38:59.040 --> 0:39:01.719
<v Speaker 1>And yeah, that rice Boro stuff is like indicative of

0:39:01.719 --> 0:39:04.839
<v Speaker 1>the things that we're talking about. It's like oscar campaigners,

0:39:04.960 --> 0:39:09.080
<v Speaker 1>like press girlies, like people that work on awards season

0:39:09.400 --> 0:39:15.040
<v Speaker 1>year round. Are I mean, they're not evil, but they

0:39:15.080 --> 0:39:18.040
<v Speaker 1>possess the powers of the devil like they are, Like

0:39:18.080 --> 0:39:22.439
<v Speaker 1>they're braver than the Marines, but for evil. Yes, doing

0:39:22.520 --> 0:39:24.920
<v Speaker 1>lines of coke ten thirty am before they send out

0:39:24.920 --> 0:39:27.200
<v Speaker 1>their press releases. Actually no, not ten thirty What am

0:39:27.200 --> 0:39:29.879
<v Speaker 1>I saying? They're sending it out at six EVA. No

0:39:29.960 --> 0:39:34.440
<v Speaker 1>one works harder than pr glies and it's why they

0:39:34.440 --> 0:39:37.640
<v Speaker 1>are some of the most some of the best, but

0:39:37.680 --> 0:39:41.239
<v Speaker 1>also most insufferable people. Insufferable people on the planet. And

0:39:41.280 --> 0:39:43.840
<v Speaker 1>that's the only reason like the Andrew Riceboro stuff is

0:39:43.880 --> 0:39:47.000
<v Speaker 1>controversial is that all these Oscar campaigners that like spend

0:39:47.040 --> 0:39:50.360
<v Speaker 1>a ga jillion dollars doing these kind of like chicken

0:39:50.400 --> 0:39:54.080
<v Speaker 1>dinners about fucking green book or whatever, like you know,

0:39:54.480 --> 0:39:58.120
<v Speaker 1>also are like mad that someone who did a something

0:39:58.160 --> 0:40:01.000
<v Speaker 1>of a that's something that's being called a as roots

0:40:01.000 --> 0:40:05.920
<v Speaker 1>like Oscar campaign, but really is just famous people texting

0:40:05.960 --> 0:40:08.319
<v Speaker 1>each other and being like, hey, tweet about this, yes,

0:40:08.440 --> 0:40:11.320
<v Speaker 1>which is like it's a different mode of doing it. Yeah,

0:40:11.360 --> 0:40:13.960
<v Speaker 1>But like I it's it's just interesting, like the politic

0:40:14.040 --> 0:40:17.120
<v Speaker 1>and like what is allowed with an Oscar campaigning. Like

0:40:17.200 --> 0:40:19.560
<v Speaker 1>I honestly like would love to do a deep dive

0:40:19.680 --> 0:40:23.080
<v Speaker 1>episode with someone who really knows what it's like inside

0:40:23.280 --> 0:40:26.319
<v Speaker 1>the beast, like I would I would read the shit

0:40:26.440 --> 0:40:29.239
<v Speaker 1>out of an article about Award season. Okay, we have

0:40:29.320 --> 0:40:32.759
<v Speaker 1>to talk about the one part of Award shows that

0:40:32.800 --> 0:40:36.560
<v Speaker 1>I definitely make sure I know what's going on with,

0:40:36.560 --> 0:40:40.000
<v Speaker 1>which is the fashion the red carpets, which are kind

0:40:40.040 --> 0:40:43.920
<v Speaker 1>of always disappointing. I mean, you know, it's like Margot

0:40:44.040 --> 0:40:50.520
<v Speaker 1>Robbie wearing her millionth horrible Channel dress though apparently her

0:40:50.600 --> 0:40:53.640
<v Speaker 1>Chanel contract is ending soon. It's better before the Barbie

0:40:53.680 --> 0:40:57.520
<v Speaker 1>Press tour other because that is gonna she needs to slay. Yeah,

0:40:57.880 --> 0:41:01.840
<v Speaker 1>that slay and she has not she has not been slaying. Um.

0:41:02.400 --> 0:41:06.520
<v Speaker 1>You know. Some of my favorite Oscar outfits are obviously

0:41:06.560 --> 0:41:09.480
<v Speaker 1>the weird ones, like the York's Swan dress or Celine

0:41:09.480 --> 0:41:12.880
<v Speaker 1>Dion wearing the backwards suit, which I've seen some TikTok

0:41:12.880 --> 0:41:16.520
<v Speaker 1>fashion girlies recreating recently. There's a really maybe you should

0:41:16.560 --> 0:41:20.040
<v Speaker 1>wear your suit backwards to Sweeney Todd Oh, um, what

0:41:20.120 --> 0:41:22.040
<v Speaker 1>would you wear to the Oscars? Who would you wear?

0:41:22.760 --> 0:41:27.600
<v Speaker 1>And don't say something dumb. I was gonna say Prada, Prada,

0:41:27.719 --> 0:41:31.439
<v Speaker 1>Da Dada. I don't know, do you know already? Because yeah,

0:41:31.480 --> 0:41:36.320
<v Speaker 1>I would want to wear maybe archive muglaire oh archive

0:41:36.400 --> 0:41:39.600
<v Speaker 1>mcglare is really it's all about archival fashion. I would

0:41:39.640 --> 0:41:42.719
<v Speaker 1>love to wear, um, Richard Quinn like a head to

0:41:42.760 --> 0:41:46.680
<v Speaker 1>toe floral print or something like that, or do you

0:41:46.680 --> 0:41:50.640
<v Speaker 1>follow I'm bad bitch tongue tongue the tongue tongue dresses. Um,

0:41:50.680 --> 0:41:53.960
<v Speaker 1>It's like the he designs a lot of like um

0:41:54.600 --> 0:41:59.560
<v Speaker 1>a really structural like black span X, the outfits that

0:41:59.600 --> 0:42:03.080
<v Speaker 1>have who spilt into them, and like, uh, some of

0:42:03.080 --> 0:42:06.000
<v Speaker 1>these dresses look like Octopie and look like it's like

0:42:06.040 --> 0:42:09.279
<v Speaker 1>a very cool designer that also does like chic kind

0:42:09.280 --> 0:42:13.399
<v Speaker 1>of almost campy stuff. Um yeah, a tongue tongue dress

0:42:13.400 --> 0:42:15.400
<v Speaker 1>would be really sick. I would also maybe want to

0:42:15.440 --> 0:42:19.600
<v Speaker 1>serve a tux moment, but like a really a really

0:42:19.719 --> 0:42:23.640
<v Speaker 1>fem touch. Yeah, a little Jodie Foster oversize, or maybe

0:42:23.719 --> 0:42:28.840
<v Speaker 1>like a Kristen Stewart kind of Kristen Stewart's recent Chanelle

0:42:29.000 --> 0:42:32.760
<v Speaker 1>red carpet looks have been real bad. Damn she also

0:42:32.800 --> 0:42:36.799
<v Speaker 1>trapped into channel contract? Is damn her? We have deliberate

0:42:36.840 --> 0:42:41.360
<v Speaker 1>our sisters from these channel contracts. Remember the year that

0:42:41.440 --> 0:42:45.439
<v Speaker 1>Anne Hathaway and James franco host of the Oscars Oscar host?

0:42:45.520 --> 0:42:49.920
<v Speaker 1>Who's your dream Oscar host? Don't see RuPaul, Billy Porter?

0:42:50.320 --> 0:42:53.479
<v Speaker 1>Don't say Billy Porter, I'll kill you. RuPaul would be great.

0:42:54.040 --> 0:42:56.719
<v Speaker 1>RuPaul would be RuPaul actually would be. Yeah, he would

0:42:56.719 --> 0:42:59.560
<v Speaker 1>be really good. I mean there are some things that

0:42:59.560 --> 0:43:01.520
<v Speaker 1>wouldn't work about Rube, but but it'd be so like

0:43:02.320 --> 0:43:06.520
<v Speaker 1>explaining what what yas means like fifteen years too late,

0:43:06.840 --> 0:43:08.640
<v Speaker 1>Like that's what it would all be. It would be

0:43:08.719 --> 0:43:11.640
<v Speaker 1>him being like and we will fight for marriage equality.

0:43:11.840 --> 0:43:15.680
<v Speaker 1>Lets yeah, rock the vote. Yeah, I rock the vote.

0:43:16.200 --> 0:43:18.439
<v Speaker 1>Um wait, there was actually someone that I was thinking

0:43:18.440 --> 0:43:21.000
<v Speaker 1>of recently who I was like, you would be fucking phenomenal,

0:43:21.600 --> 0:43:25.000
<v Speaker 1>someone who really is a catch all. And it's not MICHAELA. Jay.

0:43:25.040 --> 0:43:28.440
<v Speaker 1>It was someone I'll think about. I mean to deliver,

0:43:28.920 --> 0:43:37.120
<v Speaker 1>deliver Deli, Amy Adams, Nicky Blonsky. Nicky Blonsky should host

0:43:37.160 --> 0:43:40.080
<v Speaker 1>the Oscars period. Hi, it's Nicky Blonsky from the movie

0:43:40.080 --> 0:43:43.040
<v Speaker 1>Hair Spray. I am, as we all know, rewatching Ugly

0:43:43.120 --> 0:43:46.960
<v Speaker 1>Betty and she has an amazing cameo in an episode

0:43:47.120 --> 0:43:50.640
<v Speaker 1>playing Betty's rival at el Magazine. She's like a foil

0:43:50.719 --> 0:43:52.959
<v Speaker 1>for I don't remember that. I mean, there's so many

0:43:53.040 --> 0:43:56.040
<v Speaker 1>good We'll talk about this in our upcoming Ugly Betty episode.

0:43:56.120 --> 0:44:00.040
<v Speaker 1>Yeah's with Mark and Delicato. But there Adele had a

0:44:00.040 --> 0:44:05.359
<v Speaker 1>emeo like Lindsay Lohan, Lindsay Lohan, Christine Baranski, like it was,

0:44:05.480 --> 0:44:08.839
<v Speaker 1>it's just so much, so many. Vanessa Williams should host

0:44:08.880 --> 0:44:12.640
<v Speaker 1>the Oscars. That would be major, That would be so good.

0:44:12.680 --> 0:44:16.200
<v Speaker 1>A songstress like that, like a classic songstress who knows

0:44:16.200 --> 0:44:19.439
<v Speaker 1>how to host, would be phenomenal, which is Ellen should

0:44:19.480 --> 0:44:23.000
<v Speaker 1>just host the Oscars again. Ellen did an amazing job.

0:44:24.320 --> 0:44:28.600
<v Speaker 1>Ellen dead. Yeah, we really have no way of knowing roasts.

0:44:28.600 --> 0:44:31.440
<v Speaker 1>We really, we really don't know. We don't know. Um,

0:44:31.480 --> 0:44:33.120
<v Speaker 1>but yeah, no, I think that a lot of Ellen

0:44:33.160 --> 0:44:37.560
<v Speaker 1>should host and get slapped. Ellen. Every every Oscars host

0:44:37.640 --> 0:44:41.120
<v Speaker 1>from me from now on should get slapped. Who's hosting

0:44:41.120 --> 0:44:42.800
<v Speaker 1>this year? Is it? Is it a team of people?

0:44:43.640 --> 0:44:46.280
<v Speaker 1>I don't know, literally do not know, Not that it matters,

0:44:46.320 --> 0:44:48.799
<v Speaker 1>but I, um, if it feels like they're keeping that

0:44:48.880 --> 0:44:55.000
<v Speaker 1>information quiet, yeah, because for there for that person's own safety. Uh,

0:44:55.040 --> 0:44:59.280
<v Speaker 1>it's gonna be Jimmy Kimmel. Oh easy, he's fine. Um,

0:44:59.320 --> 0:45:01.399
<v Speaker 1>someone can still slap him though, that's the Yeah, someone

0:45:01.440 --> 0:45:03.120
<v Speaker 1>can still slap him. I mean he'll make Ellen can

0:45:03.120 --> 0:45:06.080
<v Speaker 1>slap him. Yes, Ellen will slap him. Um. Yeah, he's

0:45:06.120 --> 0:45:09.160
<v Speaker 1>definitely gonna there's Oh, it's gonna be so annoying. There's

0:45:09.160 --> 0:45:12.279
<v Speaker 1>gonna be so many jokes about the slap. Yeah, that's

0:45:12.280 --> 0:45:15.200
<v Speaker 1>gonna be real, especially from Jimmy Kimmel. Like it's gonna

0:45:15.239 --> 0:45:18.239
<v Speaker 1>be really annoying. How I mean, like, of course they

0:45:18.280 --> 0:45:20.920
<v Speaker 1>don't want to get into the slap discourse, but just

0:45:21.560 --> 0:45:25.320
<v Speaker 1>oh it sucks that that that we're stuck with that forever. Yeah.

0:45:25.360 --> 0:45:27.640
<v Speaker 1>I mean it's the most controversial thing that's ever happened

0:45:27.640 --> 0:45:31.680
<v Speaker 1>at the Oscars. So you know, maybe ever on live

0:45:31.760 --> 0:45:37.120
<v Speaker 1>TV asipher maybe Janet Janet's booth. Yeah yeah, yeah, that's

0:45:37.200 --> 0:45:39.600
<v Speaker 1>kind of crazy to think Janet should slap Jimmy Kimmel

0:45:39.719 --> 0:45:43.319
<v Speaker 1>that now, that is the take. Um, Janet should host

0:45:43.360 --> 0:45:46.880
<v Speaker 1>the Oscars. Janet should host the Oscars. She should get

0:45:46.960 --> 0:45:52.719
<v Speaker 1>up there and just be like she's just like just

0:45:52.800 --> 0:45:56.239
<v Speaker 1>above a whisper the whole time, the whole time, the

0:45:56.239 --> 0:45:58.800
<v Speaker 1>whole time. Missus dow Fire should have watched that secture.

0:46:07.080 --> 0:46:10.520
<v Speaker 1>Let us know what's your favorite Best Picture winner of

0:46:10.600 --> 0:46:15.520
<v Speaker 1>all time? Will you be watching the Oscars with your girlies?

0:46:16.360 --> 0:46:19.640
<v Speaker 1>Do you? Who would you like to slap live on

0:46:20.400 --> 0:46:23.680
<v Speaker 1>national television? You can slide into our DMS at Like

0:46:23.760 --> 0:46:27.399
<v Speaker 1>a Virgin for twenty sixty nine whenever you want. I'm

0:46:27.400 --> 0:46:30.160
<v Speaker 1>your co host Rose Damu. You can follow me anywhere

0:46:30.160 --> 0:46:33.560
<v Speaker 1>you want online at Rose Damu. And I'm France Arrato.

0:46:33.640 --> 0:46:36.960
<v Speaker 1>You can follow me at France Squishco. Make sure that

0:46:37.080 --> 0:46:40.440
<v Speaker 1>you rate us on Spotify, leave us a review on

0:46:40.480 --> 0:46:43.920
<v Speaker 1>Apple Podcasts. That helps us so much like A Virgin

0:46:44.000 --> 0:46:48.279
<v Speaker 1>is an iHeartRadio production. Our producer is Phoebe Unter, with

0:46:48.360 --> 0:46:53.920
<v Speaker 1>support from Lindsay Hoffman and Nikki Etour until next week.

0:46:55.040 --> 0:47:02.320
<v Speaker 1>Farewell Fair Virgins, La Virgins Chow for now