1 00:00:00,120 --> 00:00:02,320 Speaker 1: So we had dinner with some friends last night, and 2 00:00:02,600 --> 00:00:05,840 Speaker 1: at the end of the dinner, they they were very 3 00:00:05,880 --> 00:00:11,799 Speaker 1: healthy people and you know, small portions, very healthy foods. 4 00:00:11,960 --> 00:00:15,239 Speaker 2: They're not. They didn't grow up like I did. There's 5 00:00:15,280 --> 00:00:19,560 Speaker 2: no fried chicken here, right. We're not priding ourselves on 6 00:00:19,600 --> 00:00:21,840 Speaker 2: how much we eat, so I have to be on 7 00:00:21,920 --> 00:00:28,400 Speaker 2: my best behavior. Food was phenomenal. I had chicken. My 8 00:00:28,480 --> 00:00:30,440 Speaker 2: wife had fish. My wife would eat fish at every meal. 9 00:00:30,560 --> 00:00:34,240 Speaker 2: She could not me, not me. If I'm eating fish, 10 00:00:34,280 --> 00:00:39,600 Speaker 2: it's going to be fried yep. And you know, where 11 00:00:39,680 --> 00:00:44,240 Speaker 2: was I the other day? Where was I? The other day? 12 00:00:44,360 --> 00:00:46,760 Speaker 2: I could not get fried catfish? And I could not 13 00:00:47,000 --> 00:00:53,479 Speaker 2: believe they would not They did not have fried No, 14 00:00:53,640 --> 00:00:59,480 Speaker 2: it wasn't Dante's third level of Hell. It was somewhere 15 00:00:59,640 --> 00:01:03,320 Speaker 2: that I I would have expected. And they said, no, 16 00:01:03,440 --> 00:01:11,119 Speaker 2: we have drum, but not catfish. I don't want drum. Yeah, 17 00:01:11,160 --> 00:01:16,120 Speaker 2: the drums. One lives at his girlfriend's house. Uh what 18 00:01:16,120 --> 00:01:18,319 Speaker 2: what where was that? Hold on? Let me think about this. 19 00:01:18,360 --> 00:01:21,640 Speaker 2: The other day it was me and no though, and 20 00:01:21,800 --> 00:01:28,480 Speaker 2: I decide I'm going to have Oh, I can't remember anyway. 21 00:01:28,480 --> 00:01:30,000 Speaker 2: Did I ever tell you my story about Charles Clark 22 00:01:30,000 --> 00:01:35,760 Speaker 2: at brasswe nineteen, So a lot of restaurants, if you 23 00:01:35,880 --> 00:01:39,000 Speaker 2: go in and ask for catfish, it was what I 24 00:01:39,000 --> 00:01:44,840 Speaker 2: grew up on, they will make comments like ew, I've 25 00:01:44,880 --> 00:01:47,520 Speaker 2: been told by a restaurant owner I will not name 26 00:01:48,680 --> 00:01:52,000 Speaker 2: when I said, how come I don't fry catfish? That 27 00:01:52,160 --> 00:01:57,360 Speaker 2: catfish is a trash food? Be that as it may. 28 00:01:57,600 --> 00:02:03,280 Speaker 2: We can start listen. Your wife's got a tattoo that's 29 00:02:03,280 --> 00:02:05,960 Speaker 2: begun to sag. Let's not kidd it. I don't know 30 00:02:05,960 --> 00:02:07,640 Speaker 2: who said that to me, and I don't know if 31 00:02:07,640 --> 00:02:10,160 Speaker 2: that person that was it. I shouldn't say that because 32 00:02:10,480 --> 00:02:13,160 Speaker 2: whoever it was probably listening to the show, and I'll 33 00:02:13,400 --> 00:02:15,600 Speaker 2: be accused of insulting his wife when that's not what 34 00:02:15,639 --> 00:02:17,919 Speaker 2: I'm meant to do. But anyway, I have been told 35 00:02:17,919 --> 00:02:20,720 Speaker 2: before that catfish is a trash food, which I think 36 00:02:20,800 --> 00:02:24,639 Speaker 2: is ridiculous. Catfish is a delicious food. It's a bottom feeder. 37 00:02:25,040 --> 00:02:29,960 Speaker 2: Wait a second, what fish are you eating? And do 38 00:02:30,040 --> 00:02:32,840 Speaker 2: they just did they just float on top of the water. 39 00:02:33,800 --> 00:02:42,240 Speaker 2: Anything beneath the surface is beneath them? Literally, Ah, bottom feeder? 40 00:02:42,520 --> 00:02:46,640 Speaker 2: What does that even mean? When you're eating the flesh 41 00:02:46,680 --> 00:02:50,560 Speaker 2: of a fish, what are you Yes, it's a bottom feeder. 42 00:02:50,840 --> 00:02:54,000 Speaker 2: What do you think I'm down there nibbling on the 43 00:02:54,040 --> 00:02:57,240 Speaker 2: bottom of the lake. What kind of stupid people have 44 00:02:57,960 --> 00:03:04,120 Speaker 2: I said? Yeah, it's vegan. What do I care? Honestly, 45 00:03:04,280 --> 00:03:07,720 Speaker 2: what do I care? If you really want to get 46 00:03:07,800 --> 00:03:15,440 Speaker 2: down into your food source, whether meat based, fish based, 47 00:03:16,200 --> 00:03:20,120 Speaker 2: or whatever else. And before you tell me how nasty 48 00:03:20,280 --> 00:03:24,920 Speaker 2: pigs are, let me fry you some bacon and you 49 00:03:25,000 --> 00:03:27,679 Speaker 2: have some of it, and you tell me how nasty 50 00:03:27,720 --> 00:03:31,560 Speaker 2: that pig was. Whoa, Let me get you a delicious 51 00:03:31,600 --> 00:03:37,080 Speaker 2: pork chop. Mm and let's talk about how honestly, But anyway, 52 00:03:37,080 --> 00:03:40,240 Speaker 2: can I need to get back to my fish? What yeap? 53 00:03:42,360 --> 00:03:45,640 Speaker 3: Plus some bacon? Oh man, I don't eat pork. Are 54 00:03:45,640 --> 00:03:48,280 Speaker 3: you Jewish? I you're Jewish. I just don't dig on swine. 55 00:03:48,360 --> 00:03:49,800 Speaker 3: That's all. 56 00:03:49,840 --> 00:03:56,000 Speaker 2: Hold on the delivery of John Travolta in the way 57 00:03:56,040 --> 00:04:00,720 Speaker 2: he says, are you Jewish? Like half kind of at him, 58 00:04:01,240 --> 00:04:04,320 Speaker 2: but half kind of asking, knowing good and well he's not. 59 00:04:05,920 --> 00:04:08,800 Speaker 2: Travolta in this role is so good and it's so 60 00:04:08,960 --> 00:04:11,920 Speaker 2: different than the way he he's sort of off handles 61 00:04:12,040 --> 00:04:15,520 Speaker 2: are you Jewish? Do they get what's a bacon? 62 00:04:16,160 --> 00:04:19,240 Speaker 3: Oh man, I don't eat poor. Are you jewish? I 63 00:04:19,240 --> 00:04:21,160 Speaker 3: ain't Jewish. I just don't dig on swine, that's all. 64 00:04:21,360 --> 00:04:25,960 Speaker 3: Why not pigs are filthy animals? I don't eat filthy animals. Yeah, 65 00:04:26,040 --> 00:04:29,919 Speaker 3: but bacon tastes good, pork chops taste good. Hey, sword 66 00:04:29,960 --> 00:04:31,800 Speaker 3: rat may taste like punkin pine. But I never know, 67 00:04:31,880 --> 00:04:35,920 Speaker 3: because I wouldn't eat the filthiest pigs sleep and group, 68 00:04:35,960 --> 00:04:38,360 Speaker 3: and that's a filthy animal. I ain't even nothing. Ain't 69 00:04:38,360 --> 00:04:41,400 Speaker 3: got sense enough to disregard its own ccs. But a dog, 70 00:04:41,760 --> 00:04:45,440 Speaker 3: dog eats his own feces. I don't eat dog eagle. Yeah, 71 00:04:45,480 --> 00:04:47,400 Speaker 3: but do you consider a dog to be a filthy animal. 72 00:04:48,600 --> 00:04:50,640 Speaker 3: I wouldn't go so far as to call a dog filthy, 73 00:04:50,640 --> 00:04:55,200 Speaker 3: but they're definitely dirty. But dogs got personality. Personality goes 74 00:04:55,240 --> 00:04:55,760 Speaker 3: the wrong way. 75 00:04:56,279 --> 00:04:58,880 Speaker 4: So by that rationale, if a pig had a better personality, 76 00:04:59,040 --> 00:05:00,600 Speaker 4: he ceased to be fl the animal. 77 00:05:01,000 --> 00:05:01,480 Speaker 2: Is that true? 78 00:05:01,760 --> 00:05:04,640 Speaker 3: Well, we have to be talking about one. I mean 79 00:05:04,680 --> 00:05:06,280 Speaker 3: he had to be ten tath more charming in that 80 00:05:06,440 --> 00:05:08,080 Speaker 3: armlold on green ankles. You know what I'm saying? 81 00:05:10,680 --> 00:05:19,200 Speaker 2: Good dialogue, good writing is lost in most films. Great 82 00:05:19,440 --> 00:05:23,720 Speaker 2: films should have wonderful writing and that's one of the 83 00:05:23,760 --> 00:05:27,360 Speaker 2: things that Tarantino does so well. If you haven't seen 84 00:05:27,400 --> 00:05:31,440 Speaker 2: the movie Vengeance, it's by bj what's his name, b 85 00:05:31,440 --> 00:05:35,680 Speaker 2: B Jay. I can't think his name. I can't think 86 00:05:35,680 --> 00:05:37,800 Speaker 2: of his name is guy's from New York. But it's 87 00:05:37,839 --> 00:05:42,599 Speaker 2: about Texas. It's what's set in Texas. The BJ Novak 88 00:05:42,640 --> 00:05:46,239 Speaker 2: you've seen it. The dialogue in that there's some scenes. 89 00:05:46,279 --> 00:05:49,919 Speaker 2: There's some discussions of water burger that you better not 90 00:05:50,040 --> 00:05:52,560 Speaker 2: drink anything while you're watching that movie, or you will 91 00:05:52,600 --> 00:05:54,520 Speaker 2: spew them out of your mouth. Like the church it 92 00:05:54,600 --> 00:05:57,160 Speaker 2: laid lay out to see you. It will blow your 93 00:05:57,320 --> 00:06:00,599 Speaker 2: mind how good the dialogue and and you will be 94 00:06:00,640 --> 00:06:05,599 Speaker 2: There's an opening scene of bj Novak and John Mayer 95 00:06:06,440 --> 00:06:09,640 Speaker 2: h two buddies and they go to party. It's kind 96 00:06:09,640 --> 00:06:13,000 Speaker 2: of like a wedding crasher type thing, uh, and they're 97 00:06:13,040 --> 00:06:18,120 Speaker 2: telling stories about the their their conquest. Anyway, So back 98 00:06:18,160 --> 00:06:22,240 Speaker 2: to my story. So we have this meal and then 99 00:06:22,320 --> 00:06:26,880 Speaker 2: at the end of it, they put on this plate 100 00:06:27,560 --> 00:06:34,880 Speaker 2: these very beautiful hand painted pieces of art. Well, I 101 00:06:34,960 --> 00:06:42,280 Speaker 2: know that sometimes I can ask questions that make people uncomfortable. 102 00:06:42,680 --> 00:06:44,719 Speaker 2: So I don't know if you can eat that art 103 00:06:45,320 --> 00:06:48,760 Speaker 2: because it's honestly too pretty, but it might be a chocolate. 104 00:06:48,839 --> 00:06:50,640 Speaker 2: And it was presented on a tap on a play 105 00:06:50,720 --> 00:06:54,880 Speaker 2: with on a plate with some macaroons. So I said, 106 00:06:54,920 --> 00:06:57,760 Speaker 2: oh man, these are gorgeous, thinking, you know, trying to 107 00:06:58,080 --> 00:07:05,760 Speaker 2: trying to flush out what exactly they were, and I said, wow, there, 108 00:07:05,960 --> 00:07:08,920 Speaker 2: these are really pretty. So I pick it up in 109 00:07:09,080 --> 00:07:12,280 Speaker 2: hopes that by picking it up, I might you know, 110 00:07:12,280 --> 00:07:14,680 Speaker 2: if it crumbles in my hands or when I set 111 00:07:14,720 --> 00:07:19,040 Speaker 2: it back down, if there's some color on my finger, 112 00:07:19,720 --> 00:07:26,000 Speaker 2: then that means that it was a chocolate. And there's 113 00:07:26,440 --> 00:07:30,960 Speaker 2: maybe six of them on the plate, along with about 114 00:07:31,800 --> 00:07:38,840 Speaker 2: four my karooms, and you if you saw them, well, 115 00:07:39,560 --> 00:07:41,800 Speaker 2: I'll explain in a minute after I side whether to 116 00:07:41,880 --> 00:07:48,560 Speaker 2: judge Michael Barris Michael Berry's show. So finally, I kind 117 00:07:48,560 --> 00:07:51,200 Speaker 2: of hemmed and hard around this thing. I've twisted it 118 00:07:51,200 --> 00:07:54,119 Speaker 2: over in my hand. I've held it for a while, 119 00:07:55,720 --> 00:08:01,960 Speaker 2: and this couple are very good friends of our. Sheep says, uh, 120 00:08:02,240 --> 00:08:06,200 Speaker 2: it's the best chocolates I've ever had, And I hope 121 00:08:06,200 --> 00:08:09,880 Speaker 2: that my body language did not reveal Oh, okay, it 122 00:08:09,960 --> 00:08:14,120 Speaker 2: is a chocolate. Now I say that to compliment the thing, 123 00:08:14,760 --> 00:08:17,760 Speaker 2: because it was truly a work of art. It was 124 00:08:17,840 --> 00:08:21,680 Speaker 2: something you might have bought at a museum. I mean 125 00:08:21,800 --> 00:08:27,600 Speaker 2: it was incredibly obviously hand painted and just it had 126 00:08:27,680 --> 00:08:31,440 Speaker 2: it had a like a a gloss over it, like 127 00:08:31,440 --> 00:08:36,520 Speaker 2: a like a you know when they'll do classic cars 128 00:08:36,600 --> 00:08:39,520 Speaker 2: or hot rod cars and then they put I don't 129 00:08:39,559 --> 00:08:41,560 Speaker 2: know what it is. It's like a glaze over it 130 00:08:41,600 --> 00:08:43,760 Speaker 2: so that it almost seems like the color is an inch 131 00:08:44,920 --> 00:08:48,880 Speaker 2: like yet yeah, like a lacquer type deal. Anyway, So 132 00:08:49,160 --> 00:08:53,360 Speaker 2: it was that. So I bite into it. It looked 133 00:08:53,400 --> 00:08:56,880 Speaker 2: like a ladybug. It was half orange, half green, the 134 00:08:57,200 --> 00:09:01,959 Speaker 2: coloring scheme on the hump of a lady bug. And 135 00:09:02,040 --> 00:09:07,360 Speaker 2: I said, wow, what is that? And she said carrot cake. 136 00:09:10,880 --> 00:09:19,160 Speaker 2: Not only did it look amazing, it tasted amazing. No, 137 00:09:19,440 --> 00:09:23,160 Speaker 2: we didn't then kick poor people. I ate more. And 138 00:09:23,240 --> 00:09:25,920 Speaker 2: it was an awkward situation because I was the only 139 00:09:25,920 --> 00:09:28,400 Speaker 2: one eating them. So there are four of us at 140 00:09:28,400 --> 00:09:31,960 Speaker 2: the table, and there were six of them the and 141 00:09:32,040 --> 00:09:35,199 Speaker 2: so I had my one, and in my mind I thought, okay, 142 00:09:35,200 --> 00:09:40,000 Speaker 2: if you have two, not everybody can have two. But 143 00:09:40,040 --> 00:09:43,439 Speaker 2: my wife every year takes a vow, she gives up 144 00:09:43,480 --> 00:09:48,320 Speaker 2: something every year. It's an Indian thing. And so this 145 00:09:48,480 --> 00:09:55,199 Speaker 2: year it's sweets. Oh she went ramon one year. She said, 146 00:09:55,280 --> 00:09:58,439 Speaker 2: for five years, I'm not eating meat or sweets. I thought, well, 147 00:09:58,440 --> 00:10:02,880 Speaker 2: what else? And she doesn't drink, so what else is there? Oh, 148 00:10:02,920 --> 00:10:04,960 Speaker 2: it's all And she did it for five years. She 149 00:10:05,000 --> 00:10:09,040 Speaker 2: did it anyway back to it, you know. So I've 150 00:10:09,080 --> 00:10:13,000 Speaker 2: already processed that if I have the second one, not 151 00:10:13,080 --> 00:10:15,480 Speaker 2: everybody can have two. So it's already kind of one 152 00:10:15,480 --> 00:10:18,080 Speaker 2: of those moves. But I thought, well, Nana, that's not 153 00:10:18,120 --> 00:10:22,319 Speaker 2: going to eat any So technically there's three of us, 154 00:10:22,360 --> 00:10:26,040 Speaker 2: so there's two each. And just so when I took 155 00:10:26,080 --> 00:10:28,600 Speaker 2: my second one, I was clear. I said, sweetheart, are 156 00:10:28,640 --> 00:10:31,400 Speaker 2: you going to eat any knowing she wouldn't, but to 157 00:10:31,480 --> 00:10:33,880 Speaker 2: tell them, I'm telegraphing to them I can have the 158 00:10:33,920 --> 00:10:37,360 Speaker 2: second one without overstepping the bounds. And she said, no, 159 00:10:37,520 --> 00:10:38,520 Speaker 2: you go ahead. 160 00:10:38,600 --> 00:10:38,920 Speaker 5: All right? 161 00:10:38,960 --> 00:10:42,040 Speaker 2: So I hit number two. We started with six. Now 162 00:10:42,040 --> 00:10:46,560 Speaker 2: there's four left. I've had two. There's two of them. Well, 163 00:10:46,600 --> 00:10:52,440 Speaker 2: how do I convey Suddenly I'd like another one. 164 00:10:54,040 --> 00:10:59,640 Speaker 6: So everybody's sitting and we're talking, and I'm like a child, 165 00:10:59,800 --> 00:11:04,439 Speaker 6: just focused on those chocolates. And so I waited a 166 00:11:04,480 --> 00:11:08,120 Speaker 6: little while, and I kind of reached out a little. 167 00:11:10,240 --> 00:11:13,800 Speaker 2: Finally I picked one that was different than and I said, 168 00:11:13,880 --> 00:11:15,599 Speaker 2: I'm sorry to touch this, but I just have to 169 00:11:15,640 --> 00:11:21,520 Speaker 2: see it. And the husband said, oh, have it, okay. 170 00:11:21,960 --> 00:11:24,440 Speaker 2: So I waited, awhile and waited awhile, and we're thirty 171 00:11:24,480 --> 00:11:26,800 Speaker 2: minutes into nobody else has eaten one except for me, 172 00:11:28,120 --> 00:11:31,920 Speaker 2: and I finally just said, I feel like it's appropriate 173 00:11:31,920 --> 00:11:34,520 Speaker 2: if I have a fourth one, and before long there 174 00:11:34,559 --> 00:11:38,439 Speaker 2: weren't any left and I went home. So before I said, 175 00:11:39,160 --> 00:11:42,680 Speaker 2: where do you get these? And she says it's called 176 00:11:42,720 --> 00:11:47,360 Speaker 2: mostly chocolate, and she gives me the lady's name and 177 00:11:47,480 --> 00:11:51,000 Speaker 2: she does catering, but really it's it's a chocolate thing. 178 00:11:51,480 --> 00:11:54,480 Speaker 2: I said, okay, So ramon, let's see how much you know. 179 00:11:56,280 --> 00:11:59,520 Speaker 2: If I were to tell you that the maker of 180 00:11:59,600 --> 00:12:03,360 Speaker 2: these chocolates is from a place in the world that 181 00:12:03,559 --> 00:12:07,480 Speaker 2: if you go to a restaurant, I mean, if you 182 00:12:07,520 --> 00:12:12,000 Speaker 2: go to a shop anywhere in America and it's high 183 00:12:12,200 --> 00:12:15,199 Speaker 2: end chocolates, I mean three or four dollars per little 184 00:12:15,240 --> 00:12:17,920 Speaker 2: tiny chocolate, where would you guess she's from. There's two 185 00:12:17,920 --> 00:12:20,199 Speaker 2: countries they're most likely from. There's a number one that's 186 00:12:20,240 --> 00:12:24,160 Speaker 2: the obvious number. So Okay, Switzerland, good guests, all right, 187 00:12:24,200 --> 00:12:28,440 Speaker 2: I'll give you credit. There's three places they could be from. 188 00:12:28,480 --> 00:12:31,640 Speaker 2: Not Belgium, because the Belgians do chocolates, but they don't 189 00:12:31,679 --> 00:12:33,880 Speaker 2: do them like this. Let me let me tell you 190 00:12:34,240 --> 00:12:37,960 Speaker 2: if a place, if a place sells these, not necessarily 191 00:12:38,040 --> 00:12:41,400 Speaker 2: makes although they do make lits. It's where they're always from. 192 00:12:41,520 --> 00:12:43,079 Speaker 2: And there's a lot of these in Houston. There's probably 193 00:12:43,120 --> 00:12:47,720 Speaker 2: ten of them like this in Houston. No, it's where 194 00:12:47,760 --> 00:12:51,040 Speaker 2: people are from that will have high end chocolate shops. 195 00:12:51,040 --> 00:12:54,800 Speaker 2: They will also uh, it'll also be a coffee shop 196 00:12:54,960 --> 00:12:59,000 Speaker 2: and they'll have like a fresco dyninge. People will be 197 00:12:59,040 --> 00:13:02,320 Speaker 2: sitting out and smoking figarettes in the middle afternoon, dressed 198 00:13:02,320 --> 00:13:07,440 Speaker 2: to the nines in Italian clothing. The women will be beautiful. 199 00:13:07,440 --> 00:13:12,520 Speaker 2: They'll all be wearing shades. Uh. It lys a good guess. 200 00:13:12,679 --> 00:13:15,760 Speaker 2: It's it's where you see a lot of these people vacationing. 201 00:13:17,000 --> 00:13:22,600 Speaker 2: Not sweets, not Switzerland, not Italy. Focus on the chocolate. 202 00:13:24,480 --> 00:13:30,439 Speaker 2: It'll be chocolates. It'll be uh, what's the Greek thing? 203 00:13:30,520 --> 00:13:35,080 Speaker 2: I like baklava? Chuck? Yeah, they do. Shut your filthy mouth. 204 00:13:35,120 --> 00:13:39,760 Speaker 2: I love them. Everybody loves blahcla ba see now, why 205 00:13:39,760 --> 00:13:43,640 Speaker 2: do you want? We're on a positive trainer. It'll always 206 00:13:43,679 --> 00:13:46,440 Speaker 2: it'll be chocolates. It might even be some real high 207 00:13:46,559 --> 00:13:52,040 Speaker 2: end Italian, some gelato coffees. Germans don't do that. Lebanese, 208 00:13:52,480 --> 00:13:59,800 Speaker 2: they're always Lebanese. What are you doing? Everybody would guess Lebanese. 209 00:14:00,160 --> 00:14:04,240 Speaker 2: Everybody that knows anything, You don't pay attention anything. The 210 00:14:04,320 --> 00:14:06,760 Speaker 2: number one most likely place they would be from and 211 00:14:06,840 --> 00:14:10,600 Speaker 2: they would be is Lebanese, followed by Irani. I'm telling you, 212 00:14:10,640 --> 00:14:14,720 Speaker 2: anybody that knows knows. So I looked this place up. 213 00:14:14,760 --> 00:14:22,960 Speaker 2: It's called mostly Chocolate. Their website is mostly HTx dot com. Um, yeah, 214 00:14:23,080 --> 00:14:26,680 Speaker 2: like most of it. Now listen to this, I'm thinking, 215 00:14:26,800 --> 00:14:31,760 Speaker 2: oh yeah, these people like chocolates right. The woman's name 216 00:14:32,040 --> 00:14:37,400 Speaker 2: is Rena Kumkagi and says Rena's passion for cooking began 217 00:14:37,440 --> 00:14:40,520 Speaker 2: when she was just a child, kays music. Growing up 218 00:14:40,520 --> 00:14:44,080 Speaker 2: in Lebanon, Rena was taught by her mother to create 219 00:14:44,160 --> 00:14:48,360 Speaker 2: delectable Lebanese dishes and pastries. From working closely with her mother, 220 00:14:48,440 --> 00:14:52,280 Speaker 2: her love for cooking and food flourished. As she got older, 221 00:14:52,320 --> 00:14:55,880 Speaker 2: Rena realized her passion and natural talent for cooking was 222 00:14:55,920 --> 00:14:59,160 Speaker 2: more than just a hobby when she crafted a pistachio 223 00:14:59,160 --> 00:15:03,760 Speaker 2: filled chocolate pastry. Let me read that again, a pistachio 224 00:15:03,920 --> 00:15:09,800 Speaker 2: filled chocolate pastry to serve over Thanksgiving. Her friends were 225 00:15:09,840 --> 00:15:13,360 Speaker 2: astounded by the delicate texture and full flavor of her pastry, 226 00:15:13,720 --> 00:15:15,960 Speaker 2: and she was convinced to replicate the pastry for a 227 00:15:16,000 --> 00:15:21,160 Speaker 2: friend's wedding. Inspired to sharpen her craft, Rina completely specialty 228 00:15:21,320 --> 00:15:25,880 Speaker 2: courses completed, sorry, completed specialty courses with local Houston chef 229 00:15:25,880 --> 00:15:29,960 Speaker 2: and chocolate tier on A Gomez. So this woman was 230 00:15:30,000 --> 00:15:33,120 Speaker 2: a chef and a chocolatear We're about to talk about 231 00:15:33,200 --> 00:15:38,360 Speaker 2: chocolate worse than Somlie's do. This is like a PhD 232 00:15:38,480 --> 00:15:42,680 Speaker 2: of chocolate along with local Houston chef and chocolatear on 233 00:15:42,760 --> 00:15:45,880 Speaker 2: A Gomez. And then went on to attend the Chocolate 234 00:15:45,960 --> 00:15:51,760 Speaker 2: Academy in Saint Hyacinth in Montreal, Quebec with world renowned 235 00:15:51,800 --> 00:15:56,920 Speaker 2: chocolateier Christophe Morell. Y'all are getting way too serious about 236 00:15:56,960 --> 00:15:59,480 Speaker 2: chocolate here, okay, So then it talks about her catering 237 00:15:59,800 --> 00:16:04,840 Speaker 2: this and here's her son. Rena's son, Danny Komkagi, joined 238 00:16:04,840 --> 00:16:08,040 Speaker 2: the team in twenty eleven. His endless drive and passion. 239 00:16:08,040 --> 00:16:12,760 Speaker 2: Bah blah blah blah. After various internships studying under renowned 240 00:16:12,840 --> 00:16:16,720 Speaker 2: master chocolatiers in New York and Montreal, Danny became head 241 00:16:16,800 --> 00:16:20,360 Speaker 2: chocolateer in twenty fifteen. Since Sinny's gone on to win 242 00:16:20,480 --> 00:16:24,600 Speaker 2: various prestigious national and international awards, the three Dessert Grand 243 00:16:24,680 --> 00:16:28,440 Speaker 2: Champion Buckal Awards at the HLSR Houston Livestock Sean Rodeo 244 00:16:28,520 --> 00:16:31,200 Speaker 2: Best Bites competition for the Goat Cheese, Truffle, Pecan Pie, 245 00:16:31,200 --> 00:16:34,640 Speaker 2: Truffle and hazel Nut and Pop Rocks, a first place 246 00:16:34,720 --> 00:16:38,800 Speaker 2: gold finish in the International Chocolate Award America's competition, second 247 00:16:38,840 --> 00:16:42,320 Speaker 2: place silver finish in the International's Chocolate Awards World. These 248 00:16:42,320 --> 00:16:46,560 Speaker 2: people are getting real serious about chocolate. The Michael Barry 249 00:16:46,680 --> 00:16:51,800 Speaker 2: Show all right, just for fun, because I can't be 250 00:16:51,880 --> 00:16:57,040 Speaker 2: serious all time. I was sitting out back recently preparing 251 00:16:57,080 --> 00:17:02,000 Speaker 2: for the show and reading and watching video, and I 252 00:17:02,040 --> 00:17:06,160 Speaker 2: came across a video from a site called Space City Sports. 253 00:17:06,640 --> 00:17:10,520 Speaker 2: They have a Facebook page, and they had put together 254 00:17:10,600 --> 00:17:14,240 Speaker 2: a video of a bunch of big moments in Houston 255 00:17:14,320 --> 00:17:17,600 Speaker 2: sports history, and I thought it was fun. You'll have 256 00:17:17,640 --> 00:17:19,960 Speaker 2: to go to their site on Facebook. It's called Space 257 00:17:20,000 --> 00:17:22,840 Speaker 2: City Sports. To see the video for yourself, which adds 258 00:17:22,880 --> 00:17:27,320 Speaker 2: a lot to it. But I think with the audio 259 00:17:27,840 --> 00:17:30,840 Speaker 2: you'll get enough of a sense. And for me, it's 260 00:17:30,880 --> 00:17:32,359 Speaker 2: just fun to go back. I mean, it's fun to 261 00:17:32,400 --> 00:17:34,439 Speaker 2: hear Rudy t talking about the heart of a champion 262 00:17:34,960 --> 00:17:38,359 Speaker 2: like that's just a great moment, right, That's a fun moment. 263 00:17:38,720 --> 00:17:41,080 Speaker 2: Professional sports is not what it used to be because 264 00:17:41,119 --> 00:17:46,679 Speaker 2: now the Left has infected it, and the athletes and 265 00:17:46,760 --> 00:17:50,160 Speaker 2: the coaches and the owners weren't smart enough to realize 266 00:17:50,440 --> 00:17:53,560 Speaker 2: that you're letting these people ruin your brand. Sports should 267 00:17:53,600 --> 00:18:00,040 Speaker 2: be a distraction from politics and polio and war and 268 00:18:00,760 --> 00:18:05,520 Speaker 2: famine and crime. But instead they've allowed the left to 269 00:18:06,320 --> 00:18:10,840 Speaker 2: infest it and infect it and ruin it. But anyway, 270 00:18:10,960 --> 00:18:13,720 Speaker 2: let's go back to a happier time and enjoy. 271 00:18:14,200 --> 00:18:18,439 Speaker 5: And we had non believers all along the way. I 272 00:18:18,480 --> 00:18:21,000 Speaker 5: have one thing to say, those non believers. Here's a 273 00:18:21,040 --> 00:18:24,879 Speaker 5: grand ball. Right side could do it. Don't ever under us. 274 00:18:24,920 --> 00:18:28,879 Speaker 5: The mate Tucker comes on, Kyle Tuckler, fast us fine 275 00:18:29,040 --> 00:18:38,199 Speaker 5: much stark fo time, the heart of a champion, the. 276 00:18:41,640 --> 00:18:42,840 Speaker 2: Houston strolls. 277 00:18:43,280 --> 00:18:47,439 Speaker 5: I want champions for the first time in franchise's history. 278 00:18:47,600 --> 00:18:52,439 Speaker 5: This time they finished the job. The hston ourselves who 279 00:18:52,960 --> 00:18:55,680 Speaker 5: champions Joe seconds. 280 00:18:56,880 --> 00:18:57,600 Speaker 3: A long Jo. 281 00:19:00,840 --> 00:19:08,480 Speaker 5: Fin come there, shut her, shut it up every old 282 00:19:08,600 --> 00:19:14,960 Speaker 5: trap shot, play swam or l magic it comes back. 283 00:19:15,040 --> 00:19:19,640 Speaker 5: Frady Caha. He shut the travity right out of the door. Buck. 284 00:19:20,119 --> 00:19:22,480 Speaker 2: So you talk about a fine This is serious stuff. 285 00:19:23,320 --> 00:19:30,320 Speaker 2: Samson and delivers and the bitch swinging flying in. 286 00:19:30,400 --> 00:19:31,000 Speaker 4: Your tell. 287 00:19:33,000 --> 00:19:40,120 Speaker 5: To comes you set there Schot s lead. Why a bit? 288 00:19:44,119 --> 00:19:48,680 Speaker 5: He's like, there's a key line you lot start an 289 00:19:48,880 --> 00:19:52,679 Speaker 5: suck up by Jenny Jenny lost pstack in the past. 290 00:19:52,960 --> 00:19:58,600 Speaker 5: There he's over three blinging about this. 291 00:19:58,840 --> 00:20:04,720 Speaker 2: He took me it down to three, down to two. 292 00:20:04,840 --> 00:20:05,480 Speaker 2: It's a brief. 293 00:20:05,640 --> 00:20:09,840 Speaker 5: Good dude, he can't it's not the end. 294 00:20:13,320 --> 00:20:16,680 Speaker 7: It's back pall Wow, probly. 295 00:20:16,480 --> 00:20:17,720 Speaker 8: Don't turn out the matter. 296 00:20:18,320 --> 00:20:19,920 Speaker 7: Brady will win. 297 00:20:20,600 --> 00:20:28,280 Speaker 5: Yeah, put some away dead hate Pad he did chas 298 00:20:28,400 --> 00:20:29,760 Speaker 5: my corback. 299 00:20:33,400 --> 00:20:39,080 Speaker 7: Co Pland Third, let's get I brought some joy in 300 00:20:39,160 --> 00:20:40,200 Speaker 7: a world that can be tough. 301 00:20:40,280 --> 00:20:43,159 Speaker 2: Sometimes we brought our families together and I did my 302 00:20:43,280 --> 00:20:47,640 Speaker 2: job slinging there in three down in head. 303 00:20:50,359 --> 00:21:04,320 Speaker 5: Caress another showing little fly Jo brought sper third, believe 304 00:21:04,400 --> 00:21:04,760 Speaker 5: it all? 305 00:21:05,480 --> 00:21:08,920 Speaker 2: How two seven seven. 306 00:21:10,720 --> 00:21:14,880 Speaker 7: Hot for the bod Cope one Petska ship. 307 00:21:16,119 --> 00:21:18,240 Speaker 5: Can hear listen into line. 308 00:21:18,520 --> 00:21:19,720 Speaker 2: Down the line. 309 00:21:26,720 --> 00:21:32,240 Speaker 5: Ten minutes. That's in the him comes Fisher f M 310 00:21:32,359 --> 00:21:41,240 Speaker 5: Beer steels when first the time was Alvarez launches deep 311 00:21:41,359 --> 00:21:46,040 Speaker 5: right field. That's what it is gone And they asked 312 00:21:46,040 --> 00:21:52,760 Speaker 5: Streets who should go a third by Brian time Stross 313 00:21:53,040 --> 00:21:55,280 Speaker 5: of the World Series No Inner. 314 00:21:55,680 --> 00:22:11,320 Speaker 2: She wanted Albarets inside center field, bearing dank, you, gentleman, 315 00:22:11,560 --> 00:22:12,800 Speaker 2: don't use that tone to me. 316 00:22:13,359 --> 00:22:13,880 Speaker 3: Not a joke. 317 00:22:14,080 --> 00:22:18,119 Speaker 7: That's sarcastic, contemptuous tone that means you know everything because 318 00:22:18,119 --> 00:22:20,840 Speaker 7: you're a man, and I know nothing because I'm a woman. 319 00:22:21,240 --> 00:22:24,080 Speaker 5: That is not a joke. That is a natural fact. 320 00:22:24,280 --> 00:22:31,760 Speaker 2: The Michael, if you're wondering, yes, that was Bosiphus. That 321 00:22:32,280 --> 00:22:36,360 Speaker 2: was Hank Williams Jr. I thought I'd heard every Hank 322 00:22:36,359 --> 00:22:43,280 Speaker 2: Williams Junior song ever released. It really did. But our 323 00:22:43,320 --> 00:22:47,960 Speaker 2: buddy Chance McClain of your Heritage Film dot Com sent 324 00:22:48,080 --> 00:22:50,920 Speaker 2: along something he had just discovered. It was from the Simpsons, 325 00:22:52,280 --> 00:22:55,879 Speaker 2: and apparently there was an episode of the Simpsons. I 326 00:22:56,000 --> 00:22:58,000 Speaker 2: wasn't a big Simpsons watcher. I mean, I've watched a 327 00:22:58,040 --> 00:23:01,280 Speaker 2: clip here. I didn't watch Seinfeld not a TV watcher. 328 00:23:02,119 --> 00:23:06,560 Speaker 2: After after a certain era, I just didn't and uh, 329 00:23:07,800 --> 00:23:12,800 Speaker 2: Hank Williams Junior sang that jingle for the commercial advertising 330 00:23:13,520 --> 00:23:17,480 Speaker 2: a fictitious SUV called the Kenyon EO. Now we just 331 00:23:17,600 --> 00:23:21,320 Speaker 2: played a few seconds of it there. But you're gonna 332 00:23:21,320 --> 00:23:25,639 Speaker 2: have to indulge me and listen to this thing. Ramon 333 00:23:25,840 --> 00:23:32,199 Speaker 2: says that if there were a real suv, then then 334 00:23:32,280 --> 00:23:37,119 Speaker 2: Jess Sebastian at Classic Chevy Sugarland would offer you the 335 00:23:37,160 --> 00:23:39,439 Speaker 2: best deal. Why am I where? Why am I supposed 336 00:23:39,480 --> 00:23:43,520 Speaker 2: to read this? You don't get to be the GMC 337 00:23:43,680 --> 00:23:46,440 Speaker 2: Dealer of the Year for life without offering the best deals. 338 00:23:47,560 --> 00:23:49,359 Speaker 2: Is he the GMC Dealer of the of the year 339 00:23:49,440 --> 00:23:57,680 Speaker 2: or is he Chevy? No, he's not? Is he really? Oh? Wow? Okay, Now, 340 00:23:57,840 --> 00:24:00,280 Speaker 2: as you would imagine, Homer would buy him helf a 341 00:24:00,359 --> 00:24:05,359 Speaker 2: Canyon Arrow, and honest truth, if if the Canyon Arrow, 342 00:24:05,400 --> 00:24:10,160 Speaker 2: which is completely fabricated, if the Canyon Arrow had been 343 00:24:12,240 --> 00:24:16,560 Speaker 2: if it was real and Hank Junior was was hawking it, 344 00:24:17,320 --> 00:24:20,879 Speaker 2: I'd buy it too. Here here is Homer Simpson buying 345 00:24:20,960 --> 00:24:23,000 Speaker 2: a Canyon Arrow. And then we're gonna give you a 346 00:24:23,040 --> 00:24:25,920 Speaker 2: little more of the song because it's just too funny. 347 00:24:26,000 --> 00:24:28,320 Speaker 2: The Simpsons is so good. I didn't really watch much 348 00:24:28,359 --> 00:24:30,760 Speaker 2: of it, but it really is so good. 349 00:24:33,720 --> 00:24:43,280 Speaker 8: Canyonaiaro, I had drew all you want. You can't hurt 350 00:24:43,320 --> 00:24:46,160 Speaker 8: that finished now, rain water that'll strip it right off. 351 00:24:46,240 --> 00:24:49,600 Speaker 8: S Oh, I shouldn't have said that out by Gil, 352 00:24:50,000 --> 00:24:50,800 Speaker 8: Hey you red one? 353 00:24:54,119 --> 00:24:54,760 Speaker 5: Could I buy that? 354 00:24:55,040 --> 00:24:55,359 Speaker 3: Please? 355 00:24:56,200 --> 00:24:56,400 Speaker 7: Well? 356 00:24:56,760 --> 00:25:06,080 Speaker 2: If you really hot dog a sail, I'll take it 357 00:25:06,119 --> 00:25:06,680 Speaker 2: from here. Gil. 358 00:25:06,920 --> 00:25:09,520 Speaker 8: No, wait on, no, you can't take my sale. My 359 00:25:09,600 --> 00:25:11,639 Speaker 8: wife's gonna leave me if I don't start bringing in 360 00:25:11,720 --> 00:25:13,760 Speaker 8: the green. Come on, let me have this one. 361 00:25:13,880 --> 00:25:14,160 Speaker 3: Stand. 362 00:25:14,240 --> 00:25:17,240 Speaker 2: I'm begging you. Look at me. I'm begging you. Stand. 363 00:25:18,600 --> 00:25:19,760 Speaker 4: Let's go right this up, shall we? 364 00:25:23,840 --> 00:25:26,760 Speaker 8: Honey? You should have seen me with my last customer. No, 365 00:25:27,040 --> 00:25:31,320 Speaker 8: but I came so close. This guy was Whose voice is. 366 00:25:31,359 --> 00:25:32,600 Speaker 5: That is that? 367 00:25:32,760 --> 00:25:33,040 Speaker 2: Fred? 368 00:25:34,280 --> 00:25:35,480 Speaker 8: You said it was over? 369 00:25:35,880 --> 00:25:37,040 Speaker 2: No, don't put him on it? 370 00:25:37,359 --> 00:25:38,240 Speaker 4: Hello, Fred? 371 00:25:38,520 --> 00:25:38,960 Speaker 7: Hahi. 372 00:25:40,960 --> 00:25:44,760 Speaker 4: Okay, you've got the undercoating, clear coating, rustproofing, underguard, spray, 373 00:25:44,920 --> 00:25:48,359 Speaker 4: gravel guard x jay viticeal repels it. But if you 374 00:25:48,400 --> 00:25:50,359 Speaker 4: want to protect the paint, you better keep it in 375 00:25:50,480 --> 00:25:54,280 Speaker 4: this tent, will do? Okay, Here's how your lease breaks down. 376 00:25:54,480 --> 00:25:57,800 Speaker 4: This is your down payment. Then here's your monthly, and 377 00:25:58,160 --> 00:26:02,200 Speaker 4: there's your weekly and it right yep. Well, then after 378 00:26:02,200 --> 00:26:04,560 Speaker 4: your final monthly payment, there is the routine CBP or 379 00:26:04,720 --> 00:26:05,680 Speaker 4: crippling balloon payment. 380 00:26:05,760 --> 00:26:08,520 Speaker 5: But that's not for a while, right right, sweet? 381 00:26:13,720 --> 00:26:19,280 Speaker 7: Maybe sorry, Homer, we thought you were one of those 382 00:26:19,359 --> 00:26:20,879 Speaker 7: hot to trot soccer moms. 383 00:26:21,160 --> 00:26:23,719 Speaker 2: Yeah, you don't see many men driving the F series. 384 00:26:26,000 --> 00:26:29,399 Speaker 7: See instead of a cigarette light, it's got a lipstick holder. 385 00:26:31,359 --> 00:26:34,600 Speaker 5: Ah crap, it's a girl's car. I can't drive this. 386 00:26:35,280 --> 00:26:37,840 Speaker 7: Oh sure, you can, doll face. 387 00:26:39,080 --> 00:26:41,560 Speaker 2: Pretty thing like you can do whatever she wants. 388 00:26:44,880 --> 00:26:45,879 Speaker 5: Screw you, guys,