1
00:00:00,680 --> 00:00:03,440
Speaker 1: From Hollywood. See you, thank you for listening to us.

2
00:00:03,560 --> 00:00:11,639
Speaker 1: Ryan Air with Ryan Seacrest, Good morning right in Seacrest,

3
00:00:11,720 --> 00:00:15,000
Speaker 1: Sany and Tanya. Hopefully you guys all had a good weekend.

4
00:00:15,040 --> 00:00:17,320
Speaker 1: I know I'm not gonna ask how Disneyland was because

5
00:00:17,360 --> 00:00:20,520
Speaker 1: your kids didn't know you went with your other relatives. Well,

6
00:00:20,560 --> 00:00:22,320
Speaker 1: I don't think they're listening right now, but we had

7
00:00:22,480 --> 00:00:25,959
Speaker 1: a really good time, and do you feel so. Sissy's

8
00:00:26,000 --> 00:00:28,880
Speaker 1: dilemma was, what do I tell my kids. I'm going

9
00:00:28,920 --> 00:00:32,440
Speaker 1: to Disneyland with the cousins and everybody. It's an older

10
00:00:32,520 --> 00:00:35,240
Speaker 1: person's trip, but I don't want my kids to feel

11
00:00:35,320 --> 00:00:37,000
Speaker 1: left out. And we're like, well, don't tell your kids.

12
00:00:37,000 --> 00:00:38,199
Speaker 1: She's like, but I can't lie. We're like, well, don't

13
00:00:38,200 --> 00:00:40,760
Speaker 1: tell them everything I know. So I'm not telling them

14
00:00:40,760 --> 00:00:42,519
Speaker 1: that I went. But I still ended up getting them

15
00:00:42,560 --> 00:00:45,239
Speaker 1: a few things like Disney stuff. So why do you

16
00:00:45,360 --> 00:00:47,680
Speaker 1: couch that I'm just gonna they don't know that I

17
00:00:47,680 --> 00:00:51,839
Speaker 1: got it at Disneyland. I'm just gonna give it to them.

18
00:00:51,880 --> 00:00:53,400
Speaker 1: I haven't seen them yet. I got home so late

19
00:00:53,479 --> 00:00:55,440
Speaker 1: last night, they're already asleep. And then they're gonna ask

20
00:00:55,480 --> 00:00:59,320
Speaker 1: you to go. And that's fine, I'll take them. I

21
00:00:59,360 --> 00:01:01,040
Speaker 1: just took I don't feel that guilty because I just

22
00:01:01,040 --> 00:01:03,200
Speaker 1: took them like a few weeks ago. So we did

23
00:01:03,240 --> 00:01:05,240
Speaker 1: like a whole family Disney trip. But did you do

24
00:01:05,319 --> 00:01:08,479
Speaker 1: that preventatively knowing you were going to do this? Right,

25
00:01:08,600 --> 00:01:11,600
Speaker 1: So it was strategically we're making yourself feel better, not

26
00:01:11,640 --> 00:01:13,560
Speaker 1: taking them to feel good. Hey man, you gotta do

27
00:01:13,600 --> 00:01:17,000
Speaker 1: what you gotta do. I was. I was prepared, so

28
00:01:17,160 --> 00:01:19,760
Speaker 1: really she was taking care of her own. Psyche was

29
00:01:19,959 --> 00:01:22,280
Speaker 1: to make sure there was no guilt process. How was

30
00:01:22,319 --> 00:01:26,840
Speaker 1: your weekend over there at nice and quiet? There's the usual,

31
00:01:27,200 --> 00:01:31,640
Speaker 1: just relaxing and relaxing, wax and working out. What's the

32
00:01:31,680 --> 00:01:36,959
Speaker 1: week what's the weekend workout? Uh? Do some cardio, some

33
00:01:37,040 --> 00:01:41,400
Speaker 1: kettle bells, pretty simple stuff. I'm very much into the

34
00:01:41,440 --> 00:01:43,199
Speaker 1: kettle bells because I'm trying to tone up the rear.

35
00:01:44,120 --> 00:01:47,440
Speaker 1: Oh yeah, the glutes. Yeah, the glutes, right, I feel

36
00:01:47,480 --> 00:01:49,640
Speaker 1: like the tighter the glutes. You want those glutes that

37
00:01:49,640 --> 00:01:51,640
Speaker 1: you see in the movies when those guys take off

38
00:01:51,680 --> 00:01:55,040
Speaker 1: their towels. You know what I'm talking about. I don't

39
00:01:55,040 --> 00:01:57,120
Speaker 1: know who they are. I mean I think I can

40
00:01:57,520 --> 00:02:00,760
Speaker 1: guess who they are. Tatum Channing or Channing to hate him? Right?

41
00:02:01,000 --> 00:02:03,880
Speaker 1: What does it with you? In his name? He probably right?

42
00:02:04,000 --> 00:02:07,720
Speaker 1: Doesn't he have a towel scene? Imagine? First of all,

43
00:02:07,760 --> 00:02:10,120
Speaker 1: you knew that far too quickly, Daniel Craig. I feel

44
00:02:10,120 --> 00:02:13,679
Speaker 1: like he has a towel scene. Yeah, that's funny. Dead lifts.

45
00:02:13,720 --> 00:02:15,400
Speaker 1: You gotta do dead lifts? Is that what it is?

46
00:02:15,560 --> 00:02:17,520
Speaker 1: Dead lifts with one cuttle? Or do you hold one

47
00:02:17,520 --> 00:02:19,760
Speaker 1: any channel? I do want anych hand like the suit.

48
00:02:20,320 --> 00:02:24,080
Speaker 1: Do you bend your knees only a little bit and

49
00:02:24,120 --> 00:02:27,519
Speaker 1: you go down to what chin? Uh? Yeah, mid chin

50
00:02:27,639 --> 00:02:30,160
Speaker 1: and then all the way up? Stop it back. I've

51
00:02:30,160 --> 00:02:33,680
Speaker 1: been doing sixty pounds dead lifts. That's insane, I know.

52
00:02:33,800 --> 00:02:36,799
Speaker 1: And my hamstrings in my rear are on five. So

53
00:02:37,000 --> 00:02:39,280
Speaker 1: what do you have forty five pound bar and then

54
00:02:39,320 --> 00:02:42,320
Speaker 1: waits on the bar? Uh No, we just have lick up.

55
00:02:42,360 --> 00:02:44,480
Speaker 1: I don't really know, but it's but I think thirty

56
00:02:44,480 --> 00:02:45,960
Speaker 1: pounds on each and it's just like a long bar.

57
00:02:46,720 --> 00:02:50,080
Speaker 1: So that's more than the bar five pounds. It's a

58
00:02:50,120 --> 00:02:52,440
Speaker 1: great question. Well, how many pounds do you say you're

59
00:02:52,480 --> 00:02:55,480
Speaker 1: doing sixty? Well, if you have thirty plus thirty in

60
00:02:55,480 --> 00:02:57,160
Speaker 1: a bar, it's more than sixty, you're actually doing more

61
00:02:57,160 --> 00:03:02,440
Speaker 1: than six. I strong glutes. My glutes are my best

62
00:03:02,720 --> 00:03:06,040
Speaker 1: who has strong glutes? Very curious, clearly you and tops

63
00:03:06,040 --> 00:03:07,880
Speaker 1: have strong glutes. I'm working on mine. Yeah. Mine are

64
00:03:07,880 --> 00:03:10,880
Speaker 1: always sore, like I can never have not be sore,

65
00:03:11,040 --> 00:03:12,560
Speaker 1: like it hurts, like when I sit on the toilet

66
00:03:12,639 --> 00:03:14,200
Speaker 1: or when I go to stare after you work out,

67
00:03:14,240 --> 00:03:18,519
Speaker 1: after I work out. Actually I like the sore news.

68
00:03:18,680 --> 00:03:20,160
Speaker 1: I look forward to when I lay in bed and

69
00:03:20,200 --> 00:03:22,079
Speaker 1: I hurt and yeah, I feel good, like I feel

70
00:03:22,120 --> 00:03:25,280
Speaker 1: like I've accomplished something. But I'm like, dang, Yeah, when

71
00:03:25,320 --> 00:03:28,160
Speaker 1: I roll over on side like side to side and

72
00:03:28,160 --> 00:03:32,720
Speaker 1: the mill and I and I wins, I love it.

73
00:03:32,720 --> 00:03:34,920
Speaker 1: It makes me accomplished something. For me, it's like the

74
00:03:34,960 --> 00:03:37,080
Speaker 1: step up and then the backward lunges that just get me.

75
00:03:37,400 --> 00:03:39,960
Speaker 1: They step up, I get step up, and in the

76
00:03:40,000 --> 00:03:45,120
Speaker 1: backward lunge that's hard. Yes, And sometimes I do the

77
00:03:45,240 --> 00:03:47,360
Speaker 1: thing that I see some of the women doing in

78
00:03:47,400 --> 00:03:48,680
Speaker 1: the gym where I get down on my hands and

79
00:03:48,720 --> 00:03:53,240
Speaker 1: knees and I I just kicked. Is that what it's called?

80
00:03:54,480 --> 00:03:56,320
Speaker 1: You would think that's yeah, in the fires on this

81
00:03:56,480 --> 00:03:58,760
Speaker 1: exactly you would think. And it doesn't look so cool,

82
00:03:58,760 --> 00:04:01,080
Speaker 1: I gotta tell you, but you would think that that's

83
00:04:01,080 --> 00:04:04,240
Speaker 1: easy or hard. Side lunges like that. Put a pound

84
00:04:04,280 --> 00:04:06,000
Speaker 1: weight in your leg and do the Do you know?

85
00:04:06,080 --> 00:04:08,600
Speaker 1: When I was in Vegas, I went to TB twelve.

86
00:04:10,160 --> 00:04:14,840
Speaker 1: Tom Brady, he has a gym there, TB twelve. It's

87
00:04:14,880 --> 00:04:18,760
Speaker 1: all his methods, trendy like. No, I would never think

88
00:04:18,800 --> 00:04:21,279
Speaker 1: to go to Tom Brady's gym in Vegas. No, I

89
00:04:21,279 --> 00:04:24,159
Speaker 1: would like that, Brandon. It was the third day it

90
00:04:24,240 --> 00:04:27,039
Speaker 1: was open and I signed up to go and I

91
00:04:27,080 --> 00:04:29,760
Speaker 1: met with the trainer there and we did TB twelve

92
00:04:29,800 --> 00:04:36,000
Speaker 1: and it's all bands. Resistance training is like hard. I'm

93
00:04:36,040 --> 00:04:38,800
Speaker 1: wrapping around my shoulders doing push ups, doing squats, push up.

94
00:04:38,839 --> 00:04:41,480
Speaker 1: It's really hard. But band training is tough, and it's

95
00:04:41,480 --> 00:04:43,760
Speaker 1: really I think it's better for you because of the

96
00:04:43,800 --> 00:04:47,640
Speaker 1: impact or lack of impact. Yeah, Tom Brady TB twelve

97
00:04:48,320 --> 00:04:50,560
Speaker 1: it just happened to coincidentally open up the week we

98
00:04:50,560 --> 00:04:55,200
Speaker 1: were there. Is it in a casino, it's in a hotel. Yeah,

99
00:04:55,200 --> 00:04:57,680
Speaker 1: it's in a hotel. It's actually in the wind. That's

100
00:04:58,760 --> 00:05:00,919
Speaker 1: where you were at Excess. You were an Excess. I

101
00:05:00,960 --> 00:05:03,120
Speaker 1: was at TV. We were probably there at the same time,

102
00:05:03,120 --> 00:05:05,960
Speaker 1: and I was at Delilah, and I was Delilah that

103
00:05:06,040 --> 00:05:08,200
Speaker 1: same night. My workout was seven am. What time did

104
00:05:08,240 --> 00:05:10,360
Speaker 1: you leave? I left that four thirty in the morning.

105
00:05:10,520 --> 00:05:12,600
Speaker 1: My gosh, I was just getting up to make my coffee.

106
00:05:14,240 --> 00:05:17,520
Speaker 1: Hilarious if I saw you in the lobby. Can you imagine?

107
00:05:18,680 --> 00:05:20,440
Speaker 1: Do you ever go to your restaurant and see the

108
00:05:20,480 --> 00:05:23,160
Speaker 1: kid's menu and think I might want to order off

109
00:05:23,160 --> 00:05:25,880
Speaker 1: of that. What I do now is sometimes I don't

110
00:05:25,880 --> 00:05:28,919
Speaker 1: even order, and then I just get the kids their stuff,

111
00:05:29,040 --> 00:05:31,440
Speaker 1: and then I picked from theirs because I'll get full

112
00:05:31,440 --> 00:05:34,200
Speaker 1: from like whatever appetizer we get, and then I usually

113
00:05:34,200 --> 00:05:36,320
Speaker 1: have a cocktail and then I just pick off They

114
00:05:36,320 --> 00:05:39,799
Speaker 1: don't ever finish their meal. Well, like, I don't really

115
00:05:39,920 --> 00:05:43,520
Speaker 1: order chicken fingers and fries. It's not my order, but

116
00:05:43,680 --> 00:05:48,400
Speaker 1: my knees loves chicken finger from leftovers, so I eat

117
00:05:48,440 --> 00:05:51,040
Speaker 1: off her plate, right, So there is something to like

118
00:05:51,080 --> 00:05:55,359
Speaker 1: eating kids foods as adults. That's fun. And the reason

119
00:05:55,400 --> 00:06:02,560
Speaker 1: I bring this up apparently Ronald is releasing adult happy

120
00:06:02,600 --> 00:06:05,279
Speaker 1: meals at McDonald I saw this last week. Did you

121
00:06:05,320 --> 00:06:09,160
Speaker 1: see this? I did, So they're starting to release the

122
00:06:09,279 --> 00:06:15,040
Speaker 1: adult McDonald's Happy meals. They partner with the Cactus Plant

123
00:06:15,080 --> 00:06:17,800
Speaker 1: Flea Market, which is a streetwear brand. The Kanye and

124
00:06:17,800 --> 00:06:21,560
Speaker 1: Farrell have popularized UH and includes toys from them. You

125
00:06:21,600 --> 00:06:23,560
Speaker 1: can get a big mac or a ten piece chicken

126
00:06:23,600 --> 00:06:25,640
Speaker 1: nugget with fries in a drink, in a fun box

127
00:06:26,000 --> 00:06:30,839
Speaker 1: with one of four characters, and it's all adult Happy meal.

128
00:06:32,920 --> 00:06:35,120
Speaker 1: The fact that you get the toy with the meal,

129
00:06:35,360 --> 00:06:37,440
Speaker 1: it's just like like a cool tour. I mean, you're

130
00:06:37,520 --> 00:06:40,200
Speaker 1: not like a plastic it's their characters. It's like the

131
00:06:40,279 --> 00:06:43,520
Speaker 1: characters that belong to McDonald's, like the Grimace and like

132
00:06:43,560 --> 00:06:47,680
Speaker 1: the Hamburgler versions of them. Yeah, they're like, what are

133
00:06:47,680 --> 00:06:49,880
Speaker 1: you gonna do with that? You don't do anything with it.

134
00:06:49,880 --> 00:06:52,800
Speaker 1: It's just like novelty. I don't know. I think you

135
00:06:52,839 --> 00:06:56,440
Speaker 1: could end up giving it to your kid. Essentially. It's

136
00:06:56,480 --> 00:06:58,920
Speaker 1: kind of club. Remember they did that Travis Scott meal

137
00:06:58,960 --> 00:07:00,960
Speaker 1: and the BTS meal and the J. Balvin meal. They

138
00:07:01,279 --> 00:07:05,039
Speaker 1: like a lot of collaborations with top culture. I just

139
00:07:05,040 --> 00:07:07,960
Speaker 1: got us talking about it. But I remember getting the

140
00:07:07,960 --> 00:07:11,160
Speaker 1: Happy Meal with my sister. She would get it. I'd

141
00:07:11,160 --> 00:07:13,200
Speaker 1: eat the onions, the chopped onions off the burger because

142
00:07:13,200 --> 00:07:16,720
Speaker 1: she didn't like the onions, Remember the chopped onions when

143
00:07:16,760 --> 00:07:18,360
Speaker 1: I get happy meals for the kids that get them

144
00:07:18,400 --> 00:07:21,160
Speaker 1: playing because they will never eat the onions. I used

145
00:07:21,160 --> 00:07:24,560
Speaker 1: to eat the chopped onions. Now this is uh, stop

146
00:07:24,640 --> 00:07:27,880
Speaker 1: the music and everybody lean in. There's this study that

147
00:07:27,960 --> 00:07:31,920
Speaker 1: came out of centenarians. So people live to be a

148
00:07:32,000 --> 00:07:35,640
Speaker 1: hundred or more and a statistically significant number of them

149
00:07:35,720 --> 00:07:38,920
Speaker 1: were born in this month. Did you want to guess

150
00:07:38,920 --> 00:07:45,280
Speaker 1: the month? I want to say, may I just told

151
00:07:45,320 --> 00:07:49,880
Speaker 1: you the month? Oh you said guess the month? I said,

152
00:07:49,920 --> 00:07:57,720
Speaker 1: born in this month? October? Yes, in this month. Trick questions.

153
00:07:57,920 --> 00:08:01,440
Speaker 1: So walk me through the science here. If I want

154
00:08:01,440 --> 00:08:02,960
Speaker 1: to have a baby in October, what do I need

155
00:08:03,040 --> 00:08:07,680
Speaker 1: to do? You need to have you need to do intercourse? Uh?

156
00:08:08,360 --> 00:08:12,440
Speaker 1: In December? Yeah? Well no, actually prior January, because this

157
00:08:12,520 --> 00:08:15,440
Speaker 1: is the tenth month, prior January, because I conceived Surveyor

158
00:08:15,520 --> 00:08:19,440
Speaker 1: on Thanksgiving, remember, and I had her um August seventeen,

159
00:08:19,800 --> 00:08:22,000
Speaker 1: and I had her a week early, so if you

160
00:08:22,040 --> 00:08:26,080
Speaker 1: did December, she would have been September January, October. Yeah,

161
00:08:26,360 --> 00:08:28,560
Speaker 1: so just somebody think about But it's pretty interesting right

162
00:08:29,120 --> 00:08:34,000
Speaker 1: that more of the plus set we're born in October.

163
00:08:36,320 --> 00:08:39,800
Speaker 1: But why do we know? Why because they had intercourse

164
00:08:40,040 --> 00:08:46,400
Speaker 1: between January two February seven. Why because it's the new year,

165
00:08:46,480 --> 00:08:50,120
Speaker 1: New year. With the temperature of the world, maybe it's cold,

166
00:08:50,160 --> 00:08:51,920
Speaker 1: there's nothing else to do. But it's not cold on

167
00:08:51,960 --> 00:08:54,560
Speaker 1: the opposite side of the world or inside your body.

168
00:08:56,080 --> 00:08:57,439
Speaker 1: But not if you live on the other side of

169
00:08:57,440 --> 00:09:00,920
Speaker 1: the equator. No, but it's inside like you're your eggs

170
00:09:00,960 --> 00:09:03,880
Speaker 1: and your sperm are inside you. But we're not like

171
00:09:03,960 --> 00:09:06,840
Speaker 1: feeling the cold air. Guys, who cares. I'm just telling

172
00:09:06,800 --> 00:09:09,400
Speaker 1: you the facts. The facts are this right. If you

173
00:09:09,440 --> 00:09:11,000
Speaker 1: want to have a baby, lift to a hundred odds

174
00:09:11,000 --> 00:09:13,640
Speaker 1: are have a birth in October? Okay, weren't even be

175
00:09:13,679 --> 00:09:18,160
Speaker 1: around for it, so um, you'll never know. U is

176
00:09:18,280 --> 00:09:21,280
Speaker 1: wishful thinking. Maybe they will choose you and maybe they

177
00:09:21,320 --> 00:09:27,880
Speaker 1: will not, but none of it matters if you choose you. Headlines, well,

178
00:09:27,880 --> 00:09:30,240
Speaker 1: this is going to change everything. A new law signed

179
00:09:30,280 --> 00:09:34,480
Speaker 1: on Friday will allow Californians to legally jay walk without

180
00:09:34,520 --> 00:09:37,960
Speaker 1: being ticketed. Pedestrians can now cross the street outside of

181
00:09:38,080 --> 00:09:41,600
Speaker 1: any intersection without breaking the law, as long as it's

182
00:09:41,600 --> 00:09:44,240
Speaker 1: safe to do so. The law will go into effect

183
00:09:44,280 --> 00:09:48,600
Speaker 1: pretty soon January one. Kim Kardashian has agreed to pay

184
00:09:48,720 --> 00:09:52,240
Speaker 1: one point to six million dollars to settle Securities and

185
00:09:52,240 --> 00:09:56,760
Speaker 1: Exchange Commission charges that she promoted a cryptocurrency on Instagram

186
00:09:56,800 --> 00:09:59,640
Speaker 1: without disclosing that she had been paid two hundred and

187
00:09:59,679 --> 00:10:02,600
Speaker 1: fifty thousand dollars to do so. Apparently, she has agreed

188
00:10:02,600 --> 00:10:05,600
Speaker 1: to cooperate with the ongoing investigation. I mean, it's not

189
00:10:05,720 --> 00:10:07,520
Speaker 1: like she doesn't have the money to do so, but

190
00:10:07,640 --> 00:10:11,560
Speaker 1: still major yikes, and Los Angeles officials are giving Bad

191
00:10:11,559 --> 00:10:15,800
Speaker 1: Bunny his flowers. L A City Council officially declared October

192
00:10:15,920 --> 00:10:18,840
Speaker 1: one Bad Bunny Day, making it the second US city,

193
00:10:18,880 --> 00:10:21,440
Speaker 1: following Boston, to honor him with his very own day.

194
00:10:21,640 --> 00:10:24,440
Speaker 1: The resolution was introduced on Friday, just hours before Bad

195
00:10:24,440 --> 00:10:27,280
Speaker 1: Bunny kicked off his two night performance at l A's

196
00:10:27,360 --> 00:10:34,360
Speaker 1: Sofi Stadium on Air with Ryan Seacres Well, SNL is

197
00:10:34,440 --> 00:10:39,560
Speaker 1: back on Saturday's Live on NBC and Peacock. Chloe Fynman

198
00:10:39,880 --> 00:10:42,720
Speaker 1: is on with us here before I bring her on,

199
00:10:43,440 --> 00:10:45,440
Speaker 1: have you seen the Nicole Kidman go back to the

200
00:10:45,480 --> 00:10:52,320
Speaker 1: movie's commercial every movie? Okay, Here is Nicole Kidman talking

201
00:10:52,360 --> 00:10:55,720
Speaker 1: about the significance of going to the movie. We come

202
00:10:55,760 --> 00:11:01,040
Speaker 1: to this place the Magic. We come to AMC theaters

203
00:11:01,120 --> 00:11:06,440
Speaker 1: to laugh, to cry, to care because we need that.

204
00:11:07,600 --> 00:11:11,559
Speaker 1: Here's Chloe as Nicole Kidman talking about the theaters. We

205
00:11:11,720 --> 00:11:16,439
Speaker 1: come to this place from Magic. We come to AMC

206
00:11:16,600 --> 00:11:27,439
Speaker 1: theaters to laugh, to cry, nor to care because we

207
00:11:27,480 --> 00:11:33,280
Speaker 1: need that. Chloe Fireman joins us, Chloe, how are you?

208
00:11:34,440 --> 00:11:37,960
Speaker 1: I'm good? How are you? We're just in hysterics over

209
00:11:38,000 --> 00:11:42,640
Speaker 1: the Nicole Kim in a MC skate You did, yeah,

210
00:11:42,920 --> 00:11:50,320
Speaker 1: it was so you stopped talking in an Austie exit. Well,

211
00:11:50,559 --> 00:11:52,880
Speaker 1: mastering your voice and play another couple. Okay, here this

212
00:11:52,920 --> 00:11:56,000
Speaker 1: is Nicole. Now listen carefully. This is Nicole Kidman. That

213
00:11:56,200 --> 00:12:03,720
Speaker 1: indescribable feeling we get when the lights begin dinner and

214
00:12:03,760 --> 00:12:07,839
Speaker 1: we go somewhere we've never been before. And this is Chloe.

215
00:12:08,520 --> 00:12:12,559
Speaker 1: Indescribable feeling we get when the lots begin to d

216
00:12:12,760 --> 00:12:15,640
Speaker 1: m oh, I can't describe it and we go place

217
00:12:15,760 --> 00:12:21,120
Speaker 1: since we've never been before, not just entertained, but somehow

218
00:12:21,200 --> 00:12:27,800
Speaker 1: we bore. Thank you for the laughs, Thanks for laughing.

219
00:12:29,240 --> 00:12:33,760
Speaker 1: To master the nuanced, the cadence, the accent. What do

220
00:12:33,880 --> 00:12:36,120
Speaker 1: you do to get it right? Because that's spot on.

221
00:12:37,559 --> 00:12:42,000
Speaker 1: Thank you. Um gosh, I mean I luckily went to

222
00:12:42,080 --> 00:12:44,440
Speaker 1: a mc A bunch this summer pretty much just to

223
00:12:44,480 --> 00:12:49,760
Speaker 1: watch that opening uh Nicole Kidman thing. I'm obsessed with it. Um,

224
00:12:49,800 --> 00:12:52,200
Speaker 1: But I think like it was funny because we did

225
00:12:52,280 --> 00:12:55,720
Speaker 1: we literally like recorded this yesterday in the booth, which

226
00:12:55,760 --> 00:12:58,120
Speaker 1: is so surreal that that's how fast stuff works at

227
00:12:58,160 --> 00:13:01,040
Speaker 1: us and now, um, and I think in the booth,

228
00:13:01,240 --> 00:13:03,200
Speaker 1: I realized I had to just like kind of like

229
00:13:03,320 --> 00:13:06,839
Speaker 1: basically like kiss the microphone and whisper softly into it

230
00:13:07,000 --> 00:13:10,600
Speaker 1: to get her voice is very sultry, which she's yeah,

231
00:13:10,679 --> 00:13:14,319
Speaker 1: kind of sultry and like bringing you into the movie

232
00:13:14,720 --> 00:13:18,120
Speaker 1: with her voice. We should book you as these people

233
00:13:18,160 --> 00:13:20,240
Speaker 1: and I'll just ask you questions about their movies, and

234
00:13:20,280 --> 00:13:23,720
Speaker 1: you can imagine I would be honored. We could Drew

235
00:13:23,720 --> 00:13:25,760
Speaker 1: Barrymore as well, Right, you do a nice Drew Barrymore,

236
00:13:25,920 --> 00:13:30,200
Speaker 1: I guess. And I love you, Ryan Seacrest. I didn't

237
00:13:30,200 --> 00:13:35,199
Speaker 1: think you're the best interviewer. And I couldn't you walk?

238
00:13:35,559 --> 00:13:38,680
Speaker 1: You ran I could walk? I forgot the phrase. But

239
00:13:41,679 --> 00:13:45,800
Speaker 1: oh my gosh, SNL is back and uh new each

240
00:13:46,000 --> 00:13:50,000
Speaker 1: week there's some new faces around. Huh yeah, four new

241
00:13:50,120 --> 00:13:53,440
Speaker 1: four new kids. What's it like for them when it's new?

242
00:13:54,080 --> 00:13:58,199
Speaker 1: You know it is stressful. Yeah, I think you kind

243
00:13:58,200 --> 00:14:02,040
Speaker 1: of have this like uh, chicken with your head cut off.

244
00:14:02,080 --> 00:14:04,000
Speaker 1: There's the thing about us and l and even coming

245
00:14:04,040 --> 00:14:06,320
Speaker 1: back this year is like there's no way to prepare.

246
00:14:06,960 --> 00:14:08,880
Speaker 1: There's no book you can read. You're just kind of

247
00:14:08,920 --> 00:14:13,000
Speaker 1: thrown into this machine or this like high speed treadmill.

248
00:14:13,240 --> 00:14:18,120
Speaker 1: So yeah, and also like you know, there's no guidebook

249
00:14:18,240 --> 00:14:22,080
Speaker 1: or like we don't really have am like an orientation.

250
00:14:22,160 --> 00:14:25,160
Speaker 1: You'd literally just show up in the show starts. Um.

251
00:14:25,200 --> 00:14:26,960
Speaker 1: So I think for them it's a little like whoa.

252
00:14:27,240 --> 00:14:31,360
Speaker 1: But they're awesome and lovely. Uh and some of them

253
00:14:31,400 --> 00:14:33,920
Speaker 1: make me feel old for the first time, which I love.

254
00:14:36,560 --> 00:14:42,200
Speaker 1: It's a very difficult show. I've seen it. I've come

255
00:14:42,240 --> 00:14:46,040
Speaker 1: to watch from upstairs watching down and stood next to

256
00:14:46,080 --> 00:14:48,520
Speaker 1: where Laurence sits in his chair watching the show. And

257
00:14:48,680 --> 00:14:52,880
Speaker 1: it's extremely like a high pressure show because obviously you

258
00:14:52,880 --> 00:14:55,400
Speaker 1: guys prepare a week and then you throw things out

259
00:14:55,480 --> 00:14:58,040
Speaker 1: that aren't gonna make it, and then when it's go time,

260
00:14:58,080 --> 00:15:00,480
Speaker 1: it's just go time, and it moves so fat, doesn't

261
00:15:00,480 --> 00:15:04,680
Speaker 1: it so fast? Yes? Yeah, even like I always loved

262
00:15:04,680 --> 00:15:07,600
Speaker 1: doing the pre tape, which the Nicole Kidman thing was.

263
00:15:07,640 --> 00:15:10,560
Speaker 1: But like even that at dress, we had her turn

264
00:15:10,600 --> 00:15:13,560
Speaker 1: into like a witch and we had this whole costume

265
00:15:13,600 --> 00:15:15,720
Speaker 1: and I was up in a harness till midnight shooting it,

266
00:15:15,760 --> 00:15:18,080
Speaker 1: and we did all these effects and then Lauren was

267
00:15:18,120 --> 00:15:21,320
Speaker 1: like too much, and so between dress and air for

268
00:15:21,360 --> 00:15:23,520
Speaker 1: like thirty minutes, f to like re edit the whole

269
00:15:23,640 --> 00:15:27,520
Speaker 1: ending of that video, which is like high speed stress

270
00:15:27,560 --> 00:15:29,880
Speaker 1: because then it has to be locked and then yeah,

271
00:15:29,880 --> 00:15:32,560
Speaker 1: so it's like all facets of that job are like

272
00:15:33,600 --> 00:15:36,840
Speaker 1: you know, it's fun. It's it's really fun when you're done.

273
00:15:37,560 --> 00:15:40,360
Speaker 1: I know when I host a live show on television,

274
00:15:40,600 --> 00:15:44,680
Speaker 1: when I'm done, I'm physically exhausted, like physically exhausted from

275
00:15:44,680 --> 00:15:47,360
Speaker 1: the pace of it. Do you guys feel that way

276
00:15:47,360 --> 00:15:49,600
Speaker 1: when you're done, Like a little bit of relief and exhaustion.

277
00:15:51,000 --> 00:15:54,240
Speaker 1: I think it's relief in exhaustion. But then Esnel is

278
00:15:54,280 --> 00:15:58,840
Speaker 1: amazing because you got to go to that after party.

279
00:15:58,840 --> 00:16:02,160
Speaker 1: It's late on though, yes, but then then you get

280
00:16:02,200 --> 00:16:09,400
Speaker 1: the compliments and then you feel better in the morning. Yeah. Yeah,

281
00:16:09,440 --> 00:16:12,520
Speaker 1: you go for compliments or no compliments, but you got

282
00:16:12,520 --> 00:16:15,480
Speaker 1: you go for the pep talk and then really every

283
00:16:15,520 --> 00:16:17,840
Speaker 1: time I looked down at my phone and at four

284
00:16:17,880 --> 00:16:20,080
Speaker 1: in the morning, and then and then you go home

285
00:16:20,880 --> 00:16:23,720
Speaker 1: and do it all over again, and do it all

286
00:16:23,760 --> 00:16:27,200
Speaker 1: over again. Yeah, well, you're so talented. We love watching

287
00:16:27,200 --> 00:16:29,880
Speaker 1: you on this show. Thank you for calling us SNL

288
00:16:29,920 --> 00:16:34,800
Speaker 1: Saturday's Live eight thirty eleven thirty Eastern, eight thirty Pacific

289
00:16:34,840 --> 00:16:39,320
Speaker 1: on NBC and on Peacocks so you can get it everywhere. Fine,

290
00:16:39,760 --> 00:16:41,520
Speaker 1: Thank you very much. Have a good show this week.

291
00:16:42,440 --> 00:16:46,840
Speaker 1: Thank you so much. Bie. Guys. Indescribable feeling we get

292
00:16:47,360 --> 00:16:50,080
Speaker 1: when the lots begin to d m oh, I can't

293
00:16:50,080 --> 00:16:53,720
Speaker 1: describe it, and we go places we've never been before,

294
00:16:54,640 --> 00:16:59,920
Speaker 1: not just entertained, but somehow right born, like she does also,

295
00:17:00,440 --> 00:17:03,080
Speaker 1: So that was Chloe doing Nicole Kimmy, she does, Drew Barrymore,

296
00:17:03,520 --> 00:17:12,000
Speaker 1: Timothy Shalom, Yeah, Timothy, Meryl Street, Jennifer Lawrence, Natalie Portman,

297
00:17:12,760 --> 00:17:16,680
Speaker 1: Kira Knightley, Britney Spears, Tanya rat I mean she did

298
00:17:16,720 --> 00:17:25,600
Speaker 1: everybody with Ryan Seacrest. Have you ever heard the two

299
00:17:25,600 --> 00:17:29,520
Speaker 1: words wife guys A wife guy. I've never used the

300
00:17:29,560 --> 00:17:33,200
Speaker 1: words wife guy. What is a wife guy? So their

301
00:17:33,359 --> 00:17:35,199
Speaker 1: wife guys have been kind of in the news a

302
00:17:35,200 --> 00:17:39,200
Speaker 1: lot last week, especially coming off of the Try Guys drama.

303
00:17:39,240 --> 00:17:41,280
Speaker 1: Did you see any of this in your feed last week?

304
00:17:41,600 --> 00:17:44,159
Speaker 1: So this is the trending report with Tanya. What was

305
00:17:44,200 --> 00:17:47,119
Speaker 1: the try? So the Try Guys I never knew. If

306
00:17:47,119 --> 00:17:48,439
Speaker 1: you would have asked me a week ago who the

307
00:17:48,480 --> 00:17:51,720
Speaker 1: Try Guys were, I would have no idea. Um, but

308
00:17:51,960 --> 00:17:53,840
Speaker 1: there was this story that came out of one of

309
00:17:53,840 --> 00:17:58,040
Speaker 1: the Try Guys ned former um, he had an affair

310
00:17:58,119 --> 00:18:01,359
Speaker 1: on his wife. And what is the try? The five

311
00:18:01,400 --> 00:18:06,600
Speaker 1: guys I know guys. They're a four man group. They

312
00:18:06,640 --> 00:18:09,720
Speaker 1: try stuff and they paced videos on YouTube and they

313
00:18:09,720 --> 00:18:12,600
Speaker 1: have like billions of views like these, they're huge, So

314
00:18:12,720 --> 00:18:15,240
Speaker 1: they try They would try food. They just know not food,

315
00:18:15,240 --> 00:18:18,040
Speaker 1: but they like try different things like stuff, and they

316
00:18:18,040 --> 00:18:22,000
Speaker 1: would make YouTube videos and millions of dollars, like millions

317
00:18:22,000 --> 00:18:25,239
Speaker 1: of dollars. And it's built up of four men. And

318
00:18:25,320 --> 00:18:29,520
Speaker 1: this one guy ned he was married to Ariel Fulmer,

319
00:18:30,040 --> 00:18:33,720
Speaker 1: and the news broke that he had this affair and

320
00:18:33,800 --> 00:18:36,320
Speaker 1: the rumor was that he cheated with one of their producers,

321
00:18:36,359 --> 00:18:39,720
Speaker 1: but that's not confirmed. Um. So now there's all these

322
00:18:39,760 --> 00:18:42,720
Speaker 1: big red flags people are waving about these wife guys

323
00:18:42,840 --> 00:18:45,119
Speaker 1: because they aren't just men that are married, but there

324
00:18:45,119 --> 00:18:47,080
Speaker 1: are men who are like married and they like make

325
00:18:47,119 --> 00:18:49,800
Speaker 1: a big deal about their significant other, like they're what

326
00:18:50,000 --> 00:18:52,560
Speaker 1: like Adam Levine is is considered a wife guy because

327
00:18:52,600 --> 00:18:55,320
Speaker 1: he put Bhatti in one of his music videos. John

328
00:18:55,400 --> 00:18:57,920
Speaker 1: Legend is considered a wife guy because he writes all

329
00:18:57,960 --> 00:19:00,880
Speaker 1: his songs and his music about his wife. Ryan Reynolds

330
00:19:00,920 --> 00:19:03,360
Speaker 1: is a wife guy because you know, they post all

331
00:19:03,400 --> 00:19:05,880
Speaker 1: these photos like making fun of each other, and their

332
00:19:05,920 --> 00:19:08,119
Speaker 1: wives are kind of essentially a part of their brand.

333
00:19:08,840 --> 00:19:11,000
Speaker 1: And so now there's all these articles saying like beware

334
00:19:11,040 --> 00:19:14,000
Speaker 1: if you have a wife guy. They're the ones who

335
00:19:14,040 --> 00:19:17,919
Speaker 1: like guilt. Well it's also could be out of guilt,

336
00:19:18,200 --> 00:19:21,440
Speaker 1: like they know they've done something wrong or bad, so

337
00:19:21,480 --> 00:19:25,480
Speaker 1: they overplay their hand of being the wife guy and

338
00:19:26,119 --> 00:19:28,920
Speaker 1: proposting about the wife. That's so bad for like guys

339
00:19:28,920 --> 00:19:34,600
Speaker 1: that actually are not doing anything wrong. I know it's

340
00:19:34,640 --> 00:19:36,720
Speaker 1: tough because you think I would want a wife guy.

341
00:19:36,880 --> 00:19:39,000
Speaker 1: It's like I feel like my husband supports me and

342
00:19:39,080 --> 00:19:42,040
Speaker 1: loves me, and I have nothing to be like. You know,

343
00:19:42,240 --> 00:19:45,800
Speaker 1: you dream know people who talk so much about their

344
00:19:46,200 --> 00:19:49,800
Speaker 1: like significant other that it's a bit weird, Like you know,

345
00:19:50,040 --> 00:19:52,200
Speaker 1: because for me, I I've seen it where it's out

346
00:19:52,200 --> 00:19:56,159
Speaker 1: of guilt, like they know they've done something wrong, and

347
00:19:56,200 --> 00:19:58,480
Speaker 1: so out of guilt. It's so over the top about

348
00:19:58,520 --> 00:20:03,240
Speaker 1: their significant other. A wife guy. You want a wife guy,

349
00:20:03,400 --> 00:20:06,320
Speaker 1: but who's being a wife guy for the right reason?

350
00:20:07,000 --> 00:20:12,880
Speaker 1: And there in lies the rub one or two point

351
00:20:12,920 --> 00:20:15,560
Speaker 1: seven kiss FM. So let me get to it. It's

352
00:20:15,600 --> 00:20:19,679
Speaker 1: time for Ryan's roses. Their neighbor. Let me grab her. Actually,

353
00:20:19,760 --> 00:20:22,040
Speaker 1: make sure I understand this fully because there's a lot

354
00:20:22,080 --> 00:20:25,479
Speaker 1: of detail on this email for Ryan's roses right now. Um, Diana,

355
00:20:25,520 --> 00:20:27,320
Speaker 1: how are you in north Bridge? Thanks for reaching out

356
00:20:27,359 --> 00:20:31,480
Speaker 1: to us. I'm good. How are you guys doing doing well?

357
00:20:31,520 --> 00:20:33,280
Speaker 1: Let me read the email, so says dear Ryan, says,

358
00:20:33,400 --> 00:20:36,919
Speaker 1: our neighbor hurt her back and paid our son to

359
00:20:37,080 --> 00:20:39,960
Speaker 1: help by walking the dog. My son's schedule got busier.

360
00:20:40,320 --> 00:20:42,439
Speaker 1: My husband, who works from home, offered to help as

361
00:20:42,480 --> 00:20:45,000
Speaker 1: a good neighbor. Okay, so far, so good. The thing is,

362
00:20:45,040 --> 00:20:46,680
Speaker 1: I saw the neighbor recently and she seems to be

363
00:20:46,760 --> 00:20:48,800
Speaker 1: doing a lot better. But my husband is still going

364
00:20:48,800 --> 00:20:50,960
Speaker 1: over to take care of the dogs. I even checked

365
00:20:50,960 --> 00:20:54,200
Speaker 1: the ring cam one day. We can see her front

366
00:20:54,280 --> 00:20:57,119
Speaker 1: porch from ours, and he went over the middle of

367
00:20:57,200 --> 00:20:59,159
Speaker 1: the day and stayed for quite a while after he

368
00:20:59,240 --> 00:21:03,439
Speaker 1: walked the dog. Okay, So, Diana, could he not just

369
00:21:03,480 --> 00:21:06,520
Speaker 1: have formed their friendship with your neighbor and he's continuing

370
00:21:06,560 --> 00:21:10,800
Speaker 1: to check on her. I don't know, it just seems

371
00:21:10,880 --> 00:21:14,719
Speaker 1: like I understand, like you know that that's like obviously

372
00:21:14,760 --> 00:21:16,040
Speaker 1: my first thing. I was like, oh, I was just

373
00:21:16,040 --> 00:21:18,439
Speaker 1: being a good neighbor. But it's just the time he

374
00:21:18,560 --> 00:21:22,000
Speaker 1: spends over there has just gotten longer and longer, and

375
00:21:22,040 --> 00:21:26,119
Speaker 1: you know, if he's doing better than like, why is

376
00:21:26,119 --> 00:21:28,879
Speaker 1: he spending all this time over there and not like

377
00:21:28,960 --> 00:21:31,040
Speaker 1: you know, with me and our son. You know, like

378
00:21:31,160 --> 00:21:34,359
Speaker 1: that's just um where I'm kind of coming from. Like

379
00:21:34,400 --> 00:21:37,360
Speaker 1: I hate having this feeling, but it's a feeling that's

380
00:21:37,400 --> 00:21:39,120
Speaker 1: eating you. I get it. You need a little peace

381
00:21:39,119 --> 00:21:42,360
Speaker 1: of mind with the feelings bothering you. Now, Diana, if

382
00:21:42,400 --> 00:21:44,920
Speaker 1: you fully trusted your husband, you wouldn't have this thought.

383
00:21:45,000 --> 00:21:50,160
Speaker 1: So what's wrong? You know, he's been a little bit

384
00:21:50,200 --> 00:21:54,160
Speaker 1: awf lately, like in just um, you know, he took

385
00:21:54,200 --> 00:21:57,000
Speaker 1: over walking the dog because he's been home more like

386
00:21:57,480 --> 00:22:00,560
Speaker 1: he's kind of in between jobs. So I don't know

387
00:22:00,600 --> 00:22:04,320
Speaker 1: if there's like something more, but he's just not talking

388
00:22:04,359 --> 00:22:07,480
Speaker 1: to me, um, you know, and we're usually like a

389
00:22:07,640 --> 00:22:11,040
Speaker 1: very open and honest couple. Uh So that's why, like,

390
00:22:11,280 --> 00:22:13,760
Speaker 1: you know, just the change in him right now which

391
00:22:13,760 --> 00:22:16,479
Speaker 1: has kind of like sparked my suspicion. Like, honestly, this

392
00:22:16,560 --> 00:22:18,080
Speaker 1: was like a year ago, I don't think I would

393
00:22:18,320 --> 00:22:22,080
Speaker 1: ever feel this way, um, you know, but right now,

394
00:22:22,200 --> 00:22:25,400
Speaker 1: it's just it definitely feels like there's something more that

395
00:22:25,600 --> 00:22:29,760
Speaker 1: he's not sharing, and I just I want to get

396
00:22:29,800 --> 00:22:31,679
Speaker 1: to the bottom of it. And sometimes you just have

397
00:22:31,800 --> 00:22:35,560
Speaker 1: to bring in an outside store, you know, figure that out.

398
00:22:36,200 --> 00:22:38,000
Speaker 1: We're in the middle of Ryan's roses. If you just

399
00:22:38,040 --> 00:22:40,800
Speaker 1: got here, you haven't missed a call yet. Let's get

400
00:22:40,840 --> 00:22:44,520
Speaker 1: to Diana. So her husband was helping out the neighbor.

401
00:22:45,040 --> 00:22:50,200
Speaker 1: The neighbor was getting through an injury, and the neighbor

402
00:22:50,200 --> 00:22:53,560
Speaker 1: got better, and the husband keeps going over there and

403
00:22:53,640 --> 00:22:56,000
Speaker 1: keeps going over there, and keeps going over there and

404
00:22:56,080 --> 00:22:59,920
Speaker 1: staying for a long time. So Diana clearly worried about

405
00:23:00,000 --> 00:23:01,960
Speaker 1: out why your husbands staying over there so much? I mean,

406
00:23:02,000 --> 00:23:04,359
Speaker 1: what happened while he was helping her out? Did they

407
00:23:04,400 --> 00:23:06,040
Speaker 1: form a bond or is something else going on. So

408
00:23:06,080 --> 00:23:08,560
Speaker 1: that's where we are. Let's see what we can find out. Oh,

409
00:23:08,640 --> 00:23:14,840
Speaker 1: I know, Diana. What is the neighbor's name. Um, it's Jessica. Okay, Um,

410
00:23:15,240 --> 00:23:17,560
Speaker 1: we are going to call your husband now. Let's see

411
00:23:17,600 --> 00:23:19,200
Speaker 1: what we can find out. I need you to say, Ryan,

412
00:23:19,240 --> 00:23:22,080
Speaker 1: you my permission to call, and then your husband's name

413
00:23:22,080 --> 00:23:27,120
Speaker 1: on Kiss FM. Go ahead, okay, Ryan, Um, I'll give

414
00:23:27,160 --> 00:23:31,840
Speaker 1: you my permission to call my husband. M Okay, We're

415
00:23:31,840 --> 00:23:33,360
Speaker 1: gonna do it now. Be very quiet here were going.

416
00:23:33,400 --> 00:23:49,200
Speaker 1: Good luck? Diana. Hello, Hi is Zach. Yeah, this is Zach.

417
00:23:49,400 --> 00:23:51,080
Speaker 1: Hi Zach. My name is Ann. I'm calling from the

418
00:23:51,160 --> 00:23:54,600
Speaker 1: enchanted Florest. How are you doing this morning? Oh? Pretty good?

419
00:23:54,640 --> 00:23:56,400
Speaker 1: How about you? I'm good? Thank you for asking. We're

420
00:23:56,400 --> 00:23:58,320
Speaker 1: new to north Ridge, actually right off north Off close

421
00:23:58,359 --> 00:24:01,280
Speaker 1: to Tampa near the mall, and we're offering local residents

422
00:24:01,280 --> 00:24:03,880
Speaker 1: of promotion today. What it is is a free dozen

423
00:24:03,920 --> 00:24:05,800
Speaker 1: red roses that you can send to anybody that you'd like.

424
00:24:06,160 --> 00:24:08,560
Speaker 1: They are free. We don't need any info from you,

425
00:24:08,640 --> 00:24:11,920
Speaker 1: any billion addresses, cash, or anything like that. They're free.

426
00:24:11,960 --> 00:24:13,400
Speaker 1: We just need the name of the person you want

427
00:24:13,400 --> 00:24:15,840
Speaker 1: to send them to and a note, and we can

428
00:24:15,840 --> 00:24:20,560
Speaker 1: get them up by lunchtime today. UM. No, I appreciate it,

429
00:24:20,600 --> 00:24:23,040
Speaker 1: but that's okay. Are you sure they're they're absolutely free.

430
00:24:23,040 --> 00:24:25,720
Speaker 1: I don't need any info from you whatsoever. Um, we

431
00:24:25,840 --> 00:24:29,200
Speaker 1: just can. I actually just had my debit card number

432
00:24:29,280 --> 00:24:31,440
Speaker 1: stolen recently, so I don't need your depth. No, I

433
00:24:31,480 --> 00:24:33,879
Speaker 1: don't need your debit card. We're just trying to promote

434
00:24:33,880 --> 00:24:36,600
Speaker 1: our business and hopefully you come back as a returning customer.

435
00:24:36,640 --> 00:24:38,159
Speaker 1: There's nobody in your life that you would want to

436
00:24:38,160 --> 00:24:40,720
Speaker 1: put a smile and everything is just such a scam

437
00:24:40,840 --> 00:24:45,240
Speaker 1: lately that I don't want to I'm just being Zach. Zack, Zach,

438
00:24:45,320 --> 00:24:47,200
Speaker 1: Zack Zac. Let me just step in for a second. Zach,

439
00:24:47,240 --> 00:24:49,520
Speaker 1: my name is Ryan. Your voice is being broadcast on

440
00:24:49,520 --> 00:24:53,080
Speaker 1: the radio. That is sissony. I have your wife, Diana

441
00:24:53,119 --> 00:24:54,639
Speaker 1: on the line. Did you have a moment to speak

442
00:24:54,640 --> 00:24:59,280
Speaker 1: with us? Zach Uh, I mean yeah, I guess I suppose. So.

443
00:25:00,000 --> 00:25:02,600
Speaker 1: Diana is here, and just to cut to it, Zach,

444
00:25:03,000 --> 00:25:05,680
Speaker 1: she's asked us to call you because she's concerned about

445
00:25:05,720 --> 00:25:12,440
Speaker 1: infidelity in your marriage. She's cute. She thinks that there

446
00:25:12,480 --> 00:25:14,720
Speaker 1: may be something more going on than just being a

447
00:25:14,760 --> 00:25:19,040
Speaker 1: good friend to your neighbor Jessica. She's got some evidence

448
00:25:19,119 --> 00:25:21,560
Speaker 1: that you've been spending a lot of time at Jessica's home,

449
00:25:22,480 --> 00:25:26,840
Speaker 1: and he's curious to know why. I think it's the question, Zach,

450
00:25:26,880 --> 00:25:31,040
Speaker 1: what's your response until she knows? Basically, I've been helping

451
00:25:31,119 --> 00:25:33,520
Speaker 1: take care of her dogs while she's been hurt, and

452
00:25:34,000 --> 00:25:38,800
Speaker 1: and is she better now? I mean, she's getting there,

453
00:25:39,440 --> 00:25:42,119
Speaker 1: And do your dogs require as much attention now that

454
00:25:42,160 --> 00:25:43,520
Speaker 1: she's getting there? Yeah? Why do you have to go

455
00:25:43,560 --> 00:25:48,720
Speaker 1: inside and spend so much time inside the house? Okay, well,

456
00:25:49,640 --> 00:25:52,320
Speaker 1: I'm a little shocked that I don't know, you guys

457
00:25:52,320 --> 00:25:54,040
Speaker 1: are coming at me like this or just trying to

458
00:25:54,080 --> 00:26:01,880
Speaker 1: be a good neighbor. But no, honestly, Okay, first of all,

459
00:26:01,920 --> 00:26:05,359
Speaker 1: I'm not cheating, and there's nothing going on whatsoever. But

460
00:26:06,080 --> 00:26:11,080
Speaker 1: I will explain. So basically, I don't know if she

461
00:26:11,240 --> 00:26:13,520
Speaker 1: told you this, but our son was helping take care

462
00:26:13,560 --> 00:26:16,360
Speaker 1: of the dogs, but now he's super busy in school,

463
00:26:16,400 --> 00:26:19,560
Speaker 1: and basically I'm just home alone all day. So my

464
00:26:19,600 --> 00:26:22,720
Speaker 1: best friends have been those dogs in our neighbors. So yeah,

465
00:26:22,760 --> 00:26:25,400
Speaker 1: I guess like I've been going over there more than

466
00:26:25,800 --> 00:26:29,040
Speaker 1: just taking care of the dogs. But there's nothing romantic

467
00:26:29,040 --> 00:26:36,800
Speaker 1: going on or anything like that. Diana, do you believe him?

468
00:26:36,840 --> 00:26:39,440
Speaker 1: I mean, I know, like, like he's never lied to

469
00:26:39,520 --> 00:26:44,320
Speaker 1: me before, so my first instinct is to believe him. Um,

470
00:26:44,400 --> 00:26:49,040
Speaker 1: he's found genuine. Um, I just don't understand. Like again,

471
00:26:49,080 --> 00:26:51,399
Speaker 1: I get that he's home and he's lonely and he's bored.

472
00:26:51,440 --> 00:26:53,399
Speaker 1: I just wish he would, you know, talk to me

473
00:26:53,480 --> 00:26:55,640
Speaker 1: about that. What it is is this about just being

474
00:26:55,720 --> 00:27:00,720
Speaker 1: lonely for conversation. Yeah, Like basically I go over there

475
00:27:00,720 --> 00:27:04,760
Speaker 1: and we just talk about basic stuff politics, And like,

476
00:27:06,800 --> 00:27:08,640
Speaker 1: first of all, I don't I'm not cheating. I don't

477
00:27:08,680 --> 00:27:10,560
Speaker 1: even think I could be in the mood to do

478
00:27:10,600 --> 00:27:13,040
Speaker 1: anything while talking politics. That's all it is, is like

479
00:27:13,880 --> 00:27:17,919
Speaker 1: it's just a friend, Like, yeah, just I'm home alone

480
00:27:18,000 --> 00:27:21,320
Speaker 1: and there's someone to talk to. I guess it seems

481
00:27:21,359 --> 00:27:24,080
Speaker 1: to me that Diana feels like there's an intimacy to that,

482
00:27:24,160 --> 00:27:27,919
Speaker 1: And so maybe you guys should revisit this conversation and

483
00:27:27,960 --> 00:27:30,240
Speaker 1: find out what's missing in your relationship there. There is

484
00:27:30,240 --> 00:27:33,640
Speaker 1: a little void here, there's a little connection and Zach, look,

485
00:27:33,680 --> 00:27:35,600
Speaker 1: I believe you you're not cheating on your wife. Great,

486
00:27:35,680 --> 00:27:39,199
Speaker 1: but you guys should talk about why Diana went to

487
00:27:39,240 --> 00:27:41,720
Speaker 1: this place in her own head. There is a reason

488
00:27:41,760 --> 00:27:43,119
Speaker 1: for that, and you guys should get to the bottom

489
00:27:43,119 --> 00:27:45,199
Speaker 1: of Diana. Good luck, Zack, thank you for coming on.

490
00:27:46,240 --> 00:27:49,560
Speaker 1: Charlie Poof, it's gonna be on with us in just

491
00:27:49,680 --> 00:27:58,080
Speaker 1: a few minutes. This is a great song. Charlie left

492
00:27:58,119 --> 00:28:04,280
Speaker 1: and around Junk Cook and he's also got this song.

493
00:28:04,320 --> 00:28:09,000
Speaker 1: Of course you've heard light Switch Switch and Moving your Body.

494
00:28:12,119 --> 00:28:13,919
Speaker 1: He says it's cliche to say it, but it's his

495
00:28:14,000 --> 00:28:17,280
Speaker 1: most personal album yet. Why was he naked on a swing?

496
00:28:20,440 --> 00:28:21,960
Speaker 1: I don't know where I saw it first. I think

497
00:28:21,960 --> 00:28:26,080
Speaker 1: it's circulated through something in my feet on the grid.

498
00:28:26,160 --> 00:28:30,560
Speaker 1: I mean, we are getting Charles Auto Pooth. But do

499
00:28:30,720 --> 00:28:34,080
Speaker 1: you go out to the playground and say, okay, here's

500
00:28:34,119 --> 00:28:35,800
Speaker 1: the shot, or does the photographer go, you know what

501
00:28:35,840 --> 00:28:38,400
Speaker 1: we should do? You should stand on the wooden swing

502
00:28:38,680 --> 00:28:41,160
Speaker 1: and take off all of your clothes and show me

503
00:28:41,400 --> 00:28:45,840
Speaker 1: your backside. Like, I don't understand the progression. You know,

504
00:28:46,520 --> 00:28:51,120
Speaker 1: maybe it was a private um residence. Tony, have you

505
00:28:51,160 --> 00:28:53,200
Speaker 1: talked to me about this about the photo shooting? Now?

506
00:28:53,360 --> 00:28:58,600
Speaker 1: It looks great? Yeah? Want it. Charlie Otto Pooth has arrived.

507
00:28:58,680 --> 00:29:01,400
Speaker 1: Ladies and gentlemen, this is the new Charlie. We are

508
00:29:01,440 --> 00:29:04,200
Speaker 1: getting the real Charlie and I am here for it.

509
00:29:04,400 --> 00:29:13,880
Speaker 1: You didn't. It's called That's hilarious, Charlie arous. Thank you

510
00:29:15,520 --> 00:29:24,360
Speaker 1: after theous. I don't know that I've ever heard the

511
00:29:24,400 --> 00:29:29,000
Speaker 1: word hilarious used in a lyric. I'd say unique word.

512
00:29:29,160 --> 00:29:31,120
Speaker 1: It actually works because there's so many things that rhyme

513
00:29:31,160 --> 00:29:33,040
Speaker 1: with it. But that's a unique word to use an

514
00:29:33,040 --> 00:29:36,000
Speaker 1: a lyric. And the ha has and background the huh

515
00:29:36,720 --> 00:29:43,560
Speaker 1: it sounds like Christmas Carolyn. Yeah, it smells like me.

516
00:29:43,640 --> 00:29:55,800
Speaker 1: It's a title one Charlie tweet New Music Checking very

517
00:29:55,800 --> 00:29:57,600
Speaker 1: excited to talk to him minutes Await. Now let's go

518
00:29:57,640 --> 00:30:02,560
Speaker 1: back to Ryan's Roses. So you had Zack and Diana. Basically,

519
00:30:02,720 --> 00:30:05,240
Speaker 1: Zach was going to the neighbor's house when Diana wasn't home.

520
00:30:05,440 --> 00:30:09,560
Speaker 1: He was just having conversation because he's lonely. It worries

521
00:30:09,600 --> 00:30:11,760
Speaker 1: me a little bit. Now he was taking care of

522
00:30:11,760 --> 00:30:13,719
Speaker 1: the neighbor's dog, so there was a reason for him

523
00:30:13,760 --> 00:30:15,760
Speaker 1: to start going. But he kept going because they formed

524
00:30:15,760 --> 00:30:18,600
Speaker 1: a friendship. So, I mean, you know, you could look

525
00:30:18,600 --> 00:30:21,000
Speaker 1: at this two ways. One, it's a friendship if Diane

526
00:30:21,080 --> 00:30:24,200
Speaker 1: is comfortable and secure in a relationship, she shouldn't worry.

527
00:30:24,320 --> 00:30:26,520
Speaker 1: On the other side of it, it's a little intimate

528
00:30:26,680 --> 00:30:29,560
Speaker 1: that he's going over there and having conversations with Jessica's

529
00:30:29,600 --> 00:30:31,840
Speaker 1: neighbor that he's not having with his wife. I don't

530
00:30:31,840 --> 00:30:34,400
Speaker 1: like it. If this is happening to me, I wouldn't

531
00:30:34,400 --> 00:30:38,320
Speaker 1: like it because you're building a bond with another woman.

532
00:30:38,720 --> 00:30:41,000
Speaker 1: I could see how you could look at it both ways,

533
00:30:41,040 --> 00:30:45,920
Speaker 1: but I too will probably side with the uses. Now, Laura,

534
00:30:45,960 --> 00:30:47,960
Speaker 1: you're in fine Tana. What do you think about it?

535
00:30:49,400 --> 00:30:51,880
Speaker 1: You know? Can I just say this is not great

536
00:30:52,280 --> 00:30:55,680
Speaker 1: because they may not be sleeping together, but they're developing

537
00:30:55,720 --> 00:30:59,719
Speaker 1: an emotional connection, Like what are they talking about marital

538
00:30:59,760 --> 00:31:03,680
Speaker 1: pblem about his wife? Like why doesn't he just talk

539
00:31:03,760 --> 00:31:08,280
Speaker 1: to his wife about politics? I agree with you, there

540
00:31:08,320 --> 00:31:13,200
Speaker 1: are there are levels of intimacic conversations like that, the

541
00:31:13,320 --> 00:31:17,560
Speaker 1: sensitive conversations, and you feel I think I would like,

542
00:31:17,720 --> 00:31:20,880
Speaker 1: wait a minute, you're lonely. That's my fault, so you're

543
00:31:20,920 --> 00:31:22,680
Speaker 1: going to not be lonely with someone else. I don't

544
00:31:22,680 --> 00:31:24,440
Speaker 1: like that. Like, if I brow it down to that,

545
00:31:24,520 --> 00:31:28,000
Speaker 1: to those terms, it bothers me. But it still could

546
00:31:28,000 --> 00:31:30,479
Speaker 1: be innocent, but it's like the roots of this is

547
00:31:30,760 --> 00:31:33,440
Speaker 1: you're not getting what you want from me, so you're

548
00:31:33,480 --> 00:31:36,960
Speaker 1: going there, That's what I hear, And what's it gonna take?

549
00:31:37,560 --> 00:31:39,840
Speaker 1: What's it gonna take? For one afternoon cracking open up

550
00:31:39,840 --> 00:31:42,000
Speaker 1: bottle of rose and then all of a sudden, like

551
00:31:42,040 --> 00:31:44,800
Speaker 1: with courage, and one thing leads through another. And I

552
00:31:44,880 --> 00:31:48,160
Speaker 1: mean that's weak if that happens. But yeah, but after

553
00:31:48,200 --> 00:31:50,080
Speaker 1: the bond that they have Bill from weeks and weeks

554
00:31:50,080 --> 00:31:52,440
Speaker 1: and weeks of talking. Yeah, he said he's just being

555
00:31:52,480 --> 00:31:55,200
Speaker 1: a good neighbor and leave that to State State Farming.

556
00:31:55,600 --> 00:31:57,640
Speaker 1: Is that what you said? Yeah? I heard that. When

557
00:31:57,640 --> 00:31:58,840
Speaker 1: he said that the first time, I was like, oh,

558
00:31:58,840 --> 00:32:02,760
Speaker 1: that's State Farming. That's a very yeah. Um. But that's

559
00:32:02,800 --> 00:32:05,280
Speaker 1: amazing how strong their slug line is that this guy

560
00:32:05,280 --> 00:32:06,840
Speaker 1: and Ryan Roses says, I'm just trying to be a

561
00:32:06,840 --> 00:32:10,240
Speaker 1: good name and we're like State Farm. I'm seeing the

562
00:32:10,240 --> 00:32:16,160
Speaker 1: commercial Steve Farm guy Tuesday from gal is it stay

563
00:32:16,200 --> 00:32:19,600
Speaker 1: from goal now? Yeah? I mean I'm a goal from

564
00:32:20,360 --> 00:32:23,560
Speaker 1: the commercial? Is a guy I'm thinking the guy that's

565
00:32:23,560 --> 00:32:26,400
Speaker 1: with Drake or with Dot he do? What the who's

566
00:32:26,440 --> 00:32:29,080
Speaker 1: he doing? With more? Aaron Rodgers, Jake from St Farm,

567
00:32:29,520 --> 00:32:31,680
Speaker 1: Jake and Drake and Aaron Rodgers State Farm. Is there

568
00:32:32,080 --> 00:32:35,600
Speaker 1: like a good name? I like that guy, Jake. He's

569
00:32:35,600 --> 00:32:36,800
Speaker 1: a nice guy. I don't even know him, but he

570
00:32:36,800 --> 00:32:39,560
Speaker 1: seems like a nice guy. Like he just has that

571
00:32:39,640 --> 00:32:42,000
Speaker 1: thing where you feel like that guy does make me

572
00:32:42,080 --> 00:32:49,560
Speaker 1: feel safe. Good on you. State Farm Casting Department says,

573
00:32:52,760 --> 00:32:55,720
Speaker 1: al right, guys, look who's here on two point seven.

574
00:32:56,360 --> 00:33:03,280
Speaker 1: It's kiss FM. Charlie poof smelling fresh. I just I

575
00:33:03,360 --> 00:33:09,800
Speaker 1: just applied some eucalyptus everywhere. I just bathed in it.

576
00:33:10,280 --> 00:33:14,000
Speaker 1: Do you are herbs? Your aroma? Is that what you're you?

577
00:33:14,120 --> 00:33:16,960
Speaker 1: You like to do herbal aroma? I? I do? You know?

578
00:33:17,080 --> 00:33:19,160
Speaker 1: I learned something the other day that when you put

579
00:33:19,200 --> 00:33:22,120
Speaker 1: the oil on your feet, it goes to your bloodstream

580
00:33:22,360 --> 00:33:26,239
Speaker 1: and like peppermint, oil on your feet will open up

581
00:33:26,240 --> 00:33:29,240
Speaker 1: your store. It's well, you know that when you get

582
00:33:30,320 --> 00:33:33,600
Speaker 1: reflexology where they press your feet like a massage, that

583
00:33:33,720 --> 00:33:36,080
Speaker 1: opens up other parts of your body all over. Well

584
00:33:36,120 --> 00:33:39,120
Speaker 1: that sounds very exciting. Well I knew that when I

585
00:33:39,120 --> 00:33:41,440
Speaker 1: was pregnant, I couldn't get like massages. They couldn't touch

586
00:33:41,440 --> 00:33:43,400
Speaker 1: my feet because I can go into labor at points.

587
00:33:43,400 --> 00:33:47,880
Speaker 1: It's like a prenatal thing. Wow, do you think you're fine?

588
00:33:48,520 --> 00:33:50,280
Speaker 1: You think you're fine? Well, I had no idea that

589
00:33:50,320 --> 00:33:53,160
Speaker 1: your body could be that open. Yeah, Charlie, this is

590
00:33:53,160 --> 00:33:55,480
Speaker 1: a new you. This is the most personal side of

591
00:33:55,480 --> 00:34:00,080
Speaker 1: a conversation I've heard from you. Listen to this it

592
00:34:00,200 --> 00:34:06,520
Speaker 1: left and right, guys, I was very nervous about that

593
00:34:06,600 --> 00:34:13,000
Speaker 1: not working on radio. One if I'm not even joking.

594
00:34:13,040 --> 00:34:14,799
Speaker 1: The night it came out, I thought, One if someone

595
00:34:14,840 --> 00:34:18,160
Speaker 1: has a broken speaker in their car, because you're phasing

596
00:34:18,200 --> 00:34:20,160
Speaker 1: it right, Yeah, well it goes. It pans from the

597
00:34:20,160 --> 00:34:22,520
Speaker 1: immediate left to the immediate right. So one, if somebody

598
00:34:23,360 --> 00:34:25,279
Speaker 1: has one of the right side broken, they're going to

599
00:34:25,360 --> 00:34:30,280
Speaker 1: hear half the song and it doesn't pan in my headphones.

600
00:34:30,680 --> 00:34:34,239
Speaker 1: It doesn't. Oh, you must be getting a mono signals pan,

601
00:34:34,520 --> 00:34:40,880
Speaker 1: I hear, I hear. Just let me go to our engineer.

602
00:34:40,920 --> 00:34:43,279
Speaker 1: Are you telling me that I've not been getting the

603
00:34:43,320 --> 00:34:46,480
Speaker 1: full experience of left and right? Like Charlie puthin junk Cook?

604
00:34:47,800 --> 00:34:50,440
Speaker 1: Have you did you? What are you monoing me over here? For?

605
00:34:50,480 --> 00:35:00,720
Speaker 1: You've been getting mono mixes for years? Apparently sabotage are yours?

606
00:35:00,719 --> 00:35:03,200
Speaker 1: In stereotubs. No, no, al right, well at least your

607
00:35:03,239 --> 00:35:06,120
Speaker 1: motto as well. Yeah, in my card it goes back

608
00:35:06,120 --> 00:35:08,400
Speaker 1: and forth. I noticed that. Okay, that's good. Yeah. So

609
00:35:08,680 --> 00:35:11,600
Speaker 1: I wanted to feel like like in your head, like

610
00:35:11,640 --> 00:35:14,319
Speaker 1: you're in, like I'm in singing from the very like

611
00:35:14,320 --> 00:35:16,239
Speaker 1: like my brain is a room and I'm I can

612
00:35:16,320 --> 00:35:19,280
Speaker 1: feel this person their memory over in the left corner

613
00:35:19,320 --> 00:35:23,760
Speaker 1: and the love that. So what's the So the upside

614
00:35:23,760 --> 00:35:27,400
Speaker 1: of your brain is creativity? Yeah? Is there a downside

615
00:35:27,400 --> 00:35:30,200
Speaker 1: to all of it? It's it's like a bunny slope,

616
00:35:31,120 --> 00:35:37,880
Speaker 1: a slight down decline, but a long decline, controlled decline,

617
00:35:37,920 --> 00:35:41,080
Speaker 1: easy decline. French fry, French fry, French fry. Yeah. But

618
00:35:41,120 --> 00:35:43,080
Speaker 1: I had when I made this album, I had to,

619
00:35:43,440 --> 00:35:45,480
Speaker 1: you know, with the pandemic, being kind of forced to

620
00:35:45,480 --> 00:35:48,120
Speaker 1: be by myself to make an album. I handled the

621
00:35:48,160 --> 00:35:52,520
Speaker 1: production on the entire album. It was actually a blessing

622
00:35:52,560 --> 00:35:54,200
Speaker 1: and a curse because I had to have a lot

623
00:35:54,280 --> 00:35:56,880
Speaker 1: of conversations with myself. I actually almost called the album

624
00:35:56,960 --> 00:36:00,360
Speaker 1: conversations with myself because that's how I wrote all these songs,

625
00:36:00,719 --> 00:36:04,279
Speaker 1: just addressing things that I've never spoken about in my

626
00:36:04,320 --> 00:36:07,200
Speaker 1: life and putting little melodies and cute beats to them.

627
00:36:07,239 --> 00:36:11,080
Speaker 1: So well, let me play another clipping from I always

628
00:36:11,280 --> 00:36:16,880
Speaker 1: always make Tanya smile. That makes me happy. Blinking is

629
00:36:16,880 --> 00:36:20,120
Speaker 1: she blinking? Because that's a big sign she is. It's

630
00:36:20,160 --> 00:36:23,800
Speaker 1: like a windshield wiper. We've heard light switch. Let me

631
00:36:23,880 --> 00:36:28,120
Speaker 1: play that's hilarious here. This is Charlie. Even million name

632
00:36:28,239 --> 00:36:46,880
Speaker 1: is nice and happy. Happy to tell you Charlie. The

633
00:36:46,880 --> 00:36:50,600
Speaker 1: word lyric hilarious and delirious and serious. I mean, like,

634
00:36:50,640 --> 00:36:52,319
Speaker 1: it's amazing how well it works. I don't know if

635
00:36:52,320 --> 00:36:55,000
Speaker 1: I ever heard the word hilarious in a song. I

636
00:36:55,120 --> 00:36:58,719
Speaker 1: hadn't either. And what's being sung is A it's some

637
00:36:58,719 --> 00:37:01,440
Speaker 1: pretty heavy stuff, Ryan, it's not so funny. It's not

638
00:37:01,520 --> 00:37:04,160
Speaker 1: so funny. But I think it's all of these songs,

639
00:37:04,400 --> 00:37:06,880
Speaker 1: especially that one, which is track one on on the album,

640
00:37:06,920 --> 00:37:10,400
Speaker 1: are very aligned with my personality, and I guess I

641
00:37:10,440 --> 00:37:13,120
Speaker 1: don't really take myself too seriously and I just kind

642
00:37:13,120 --> 00:37:14,600
Speaker 1: of like to see the lighter side of things, no

643
00:37:14,680 --> 00:37:17,560
Speaker 1: matter how heavy the situation. But that was A that

644
00:37:17,600 --> 00:37:20,759
Speaker 1: was a rough time, but I will was it. It

645
00:37:20,840 --> 00:37:23,560
Speaker 1: was definitely a rough time. But it's what what am

646
00:37:23,560 --> 00:37:26,799
Speaker 1: I going to do? Lament about something, uh, you know,

647
00:37:26,920 --> 00:37:30,800
Speaker 1: being over too broken relationships at one point, just ending

648
00:37:31,080 --> 00:37:32,960
Speaker 1: and being over what am I going to do? Be

649
00:37:33,040 --> 00:37:35,839
Speaker 1: sad constantly? I might as well just laugh about it. Well, no,

650
00:37:36,000 --> 00:37:37,640
Speaker 1: but I mean I have my days, you know what

651
00:37:37,640 --> 00:37:41,960
Speaker 1: I mean. Hopefully other people. Hopefully other people can you know,

652
00:37:42,080 --> 00:37:45,480
Speaker 1: see the lighter side of things, even the heaviest of situations.

653
00:37:45,520 --> 00:37:49,000
Speaker 1: But you know, the words that's hilarious are also fe

654
00:37:49,280 --> 00:37:53,160
Speaker 1: I mean, that's you're right, You're right. When I say

655
00:37:53,239 --> 00:37:56,600
Speaker 1: that's hilarious, I'm basically saying few. It's a there's a

656
00:37:56,600 --> 00:38:00,400
Speaker 1: bit of sarcasm laced throughout the album. It's actually in

657
00:38:00,480 --> 00:38:04,080
Speaker 1: that song, and there's almost salute of humor, like especially

658
00:38:04,080 --> 00:38:07,440
Speaker 1: in that song as well throughout the whole album. So

659
00:38:07,560 --> 00:38:09,920
Speaker 1: Charlie Pooth is with us, Um, we are going to

660
00:38:10,080 --> 00:38:12,879
Speaker 1: come back in just one second here, Tom is gonna

661
00:38:12,880 --> 00:38:22,879
Speaker 1: put me in the stereo. The fact that you thought

662
00:38:22,880 --> 00:38:26,880
Speaker 1: that wasn't gonna catch that's a great song. Thank you.

663
00:38:26,920 --> 00:38:29,279
Speaker 1: I I like the song. I was just you know,

664
00:38:30,000 --> 00:38:33,799
Speaker 1: it's really literally my anxiousness and neuroses is the reason

665
00:38:33,880 --> 00:38:38,040
Speaker 1: why I started my TikTok page because I had left

666
00:38:38,080 --> 00:38:40,279
Speaker 1: a couple of key people at my prior record label

667
00:38:40,280 --> 00:38:43,160
Speaker 1: who I used to run everything by and make sure that, like,

668
00:38:43,200 --> 00:38:45,280
Speaker 1: oh was this song good? Do I get the seal

669
00:38:45,320 --> 00:38:47,400
Speaker 1: of approval? Do I get the green light to continue

670
00:38:47,440 --> 00:38:50,920
Speaker 1: to make music? Um that I didn't have them anymore,

671
00:38:51,280 --> 00:38:54,400
Speaker 1: and I turned to the Internet to ensure that I

672
00:38:54,440 --> 00:38:56,600
Speaker 1: was still doing a good job. That's why I really

673
00:38:56,640 --> 00:38:58,239
Speaker 1: meant it when I said one if there was a

674
00:38:58,280 --> 00:39:00,399
Speaker 1: song that started off with boot poop boo boo boo

675
00:39:00,440 --> 00:39:04,000
Speaker 1: book and I was asking everybody if that was okay.

676
00:39:04,080 --> 00:39:08,080
Speaker 1: Now I'm now you're engaged. The whole thing was built

677
00:39:08,200 --> 00:39:10,240
Speaker 1: Charlie Puth with this here at Kiss. Now, you built

678
00:39:10,280 --> 00:39:14,160
Speaker 1: this album through feedback in a way, yeah, but sharing

679
00:39:14,239 --> 00:39:17,680
Speaker 1: and not not super detailed feedback. But one thing I

680
00:39:17,719 --> 00:39:21,640
Speaker 1: lost um in twenty was the ability to perform, to

681
00:39:21,800 --> 00:39:24,839
Speaker 1: perform in front of my fans, and that's when I

682
00:39:24,880 --> 00:39:26,520
Speaker 1: made some of my best work. I made we don't

683
00:39:26,560 --> 00:39:28,840
Speaker 1: talk anymore when I got off stage. I made attention.

684
00:39:28,880 --> 00:39:31,640
Speaker 1: When I was on tour, I get the energy from

685
00:39:31,680 --> 00:39:34,080
Speaker 1: the real life people's and I go back to my

686
00:39:34,120 --> 00:39:36,000
Speaker 1: hotel room or tour bus and make a song. I

687
00:39:36,040 --> 00:39:38,600
Speaker 1: didn't have that, so I turned to TikTok to perform

688
00:39:38,760 --> 00:39:42,359
Speaker 1: in a different way from my fans. Can I just

689
00:39:42,520 --> 00:39:45,320
Speaker 1: as a as an aside. I'm look, I'm listening to Charlie.

690
00:39:45,320 --> 00:39:48,080
Speaker 1: I'm looking at Charlie. Who's closest to Charlie right now?

691
00:39:48,200 --> 00:39:52,719
Speaker 1: Is that? Could you reach over and look on the

692
00:39:52,760 --> 00:39:54,480
Speaker 1: tag of his shirt and tell me if it starts

693
00:39:54,520 --> 00:39:59,160
Speaker 1: with the sea the name of the designer of that shirt. Okay,

694
00:39:59,200 --> 00:40:01,719
Speaker 1: just take a look at the it's a designer name.

695
00:40:01,760 --> 00:40:04,520
Speaker 1: Does it start with the sea? It does? How you

696
00:40:04,560 --> 00:40:08,600
Speaker 1: have that shirt? I do? I imagine if you wore it?

697
00:40:09,239 --> 00:40:11,600
Speaker 1: Did you? Did you get it in New York? I

698
00:40:11,640 --> 00:40:15,400
Speaker 1: did you? We got at the same place. The problem

699
00:40:15,440 --> 00:40:19,399
Speaker 1: with mine is it creeps up. It became like a

700
00:40:19,760 --> 00:40:23,480
Speaker 1: like the shirts too short, not at all perfect short.

701
00:40:23,680 --> 00:40:26,000
Speaker 1: I got mine a little oversize. But I know exactly

702
00:40:26,040 --> 00:40:27,839
Speaker 1: where you were when you got it. Yeah, I mean

703
00:40:27,880 --> 00:40:31,400
Speaker 1: I know exactly where you go. You're where about you

704
00:40:31,400 --> 00:40:34,520
Speaker 1: look closely, it says it all over the shirt. Funny, No, no,

705
00:40:34,600 --> 00:40:36,480
Speaker 1: I can't see it. I actually it's if I'm going

706
00:40:36,640 --> 00:40:38,919
Speaker 1: I know. First of all, I'm like, wow, you look great,

707
00:40:39,000 --> 00:40:41,439
Speaker 1: you sound great. I love the music. The shirts on

708
00:40:41,680 --> 00:40:44,480
Speaker 1: and high like oh, I know I like that shirt

709
00:40:44,600 --> 00:40:47,080
Speaker 1: because I have a greater sense of style. I ran

710
00:40:47,239 --> 00:40:50,120
Speaker 1: seacrests have a great sense of style. You guys can

711
00:40:50,160 --> 00:40:53,480
Speaker 1: be brothers. We have a similar haircut, you do. You

712
00:40:53,520 --> 00:40:57,279
Speaker 1: guys could be like same microphone to take over the

713
00:40:57,280 --> 00:41:00,879
Speaker 1: show at this point. All right, Charlie, let's get down

714
00:41:00,880 --> 00:41:04,200
Speaker 1: to some of the imagery here. Charlie Poth his new

715
00:41:04,280 --> 00:41:07,760
Speaker 1: arms out on Friday. Tickets to Charlie's one night only

716
00:41:07,880 --> 00:41:10,400
Speaker 1: tour on sale now at Charlie Booth dot com. We

717
00:41:10,520 --> 00:41:15,400
Speaker 1: love him as a family member here the tour. I'm

718
00:41:15,440 --> 00:41:18,560
Speaker 1: excited about it. So I'm gonna describe how many people

719
00:41:18,560 --> 00:41:24,040
Speaker 1: have seen the photo of you in the wild on

720
00:41:24,080 --> 00:41:28,040
Speaker 1: a wooden It's a rope swing into Panga Canyon? Is

721
00:41:28,040 --> 00:41:29,960
Speaker 1: that where it is? I'm trying to place. Thank you

722
00:41:30,040 --> 00:41:34,600
Speaker 1: for printing out. I forgot what it looked like. Where

723
00:41:34,600 --> 00:41:37,400
Speaker 1: were you for this? I was into Panga Canyon and

724
00:41:38,920 --> 00:41:42,120
Speaker 1: um no, not at at a bit of a private area,

725
00:41:42,239 --> 00:41:43,400
Speaker 1: That's what I said. I'm like, this has to be

726
00:41:43,400 --> 00:41:45,040
Speaker 1: a private residence. I don't think he showed up to

727
00:41:45,120 --> 00:41:48,960
Speaker 1: like a school ignd No, that would be that would

728
00:41:49,000 --> 00:41:51,839
Speaker 1: delay the album release a little bit. That's some bad

729
00:41:51,880 --> 00:41:54,680
Speaker 1: press around that. Um. But when while I was driving,

730
00:41:54,719 --> 00:41:56,600
Speaker 1: I've never been to Panga Canyon. It's a place in

731
00:41:56,680 --> 00:41:59,399
Speaker 1: California for everyone listening, and there are all these signs,

732
00:41:59,440 --> 00:42:01,400
Speaker 1: I said, were the naked people, watch out from the

733
00:42:01,440 --> 00:42:04,160
Speaker 1: naked people. If you see a naked person, beep your horn.

734
00:42:04,520 --> 00:42:06,840
Speaker 1: And I thought to myself, am I supposed to be naked?

735
00:42:07,200 --> 00:42:10,600
Speaker 1: And I stripped down to the last bit of clothing

736
00:42:10,640 --> 00:42:13,600
Speaker 1: that I had at the last shot, and it just

737
00:42:13,800 --> 00:42:17,600
Speaker 1: felt very freeing. So let me describe it. You haven't

738
00:42:17,640 --> 00:42:19,960
Speaker 1: seen it. We're going to post it, I'm sure, and

739
00:42:20,040 --> 00:42:24,120
Speaker 1: you can look it up. But he's already it's already

740
00:42:24,120 --> 00:42:28,200
Speaker 1: out there. Yeah, he's totally naked, and he's holding onto

741
00:42:28,200 --> 00:42:30,600
Speaker 1: two ropes on a wooden screen and he's doing a

742
00:42:30,800 --> 00:42:33,920
Speaker 1: right a right word lean camera right, lean, yeah, right

743
00:42:33,960 --> 00:42:37,400
Speaker 1: a right word lane to h. I guess accentuate one buttock,

744
00:42:38,600 --> 00:42:42,759
Speaker 1: which is I mean, look, it's very artistic. We have

745
00:42:42,840 --> 00:42:45,520
Speaker 1: same we have similar training methods from our history, I know,

746
00:42:45,600 --> 00:42:48,960
Speaker 1: but I have the same results. I don't know where,

747
00:42:48,840 --> 00:42:50,640
Speaker 1: I don't know, I don't know, I don't know what

748
00:42:50,680 --> 00:42:53,560
Speaker 1: I was thinking that day. I just so you're out

749
00:42:53,600 --> 00:42:56,839
Speaker 1: there was just a photographer was taking the photo. Yeah,

750
00:42:56,880 --> 00:43:03,360
Speaker 1: photographer took the photo. Sometimes I'm very inviting you. You

751
00:43:03,440 --> 00:43:06,520
Speaker 1: were doing other other shots and then at the last minute,

752
00:43:06,520 --> 00:43:08,160
Speaker 1: you're like, you know what, I saw these signs, Let's

753
00:43:08,160 --> 00:43:10,600
Speaker 1: just go for it. I just stripped down in front

754
00:43:10,640 --> 00:43:13,719
Speaker 1: of twenty members of my team and I think my

755
00:43:14,520 --> 00:43:20,040
Speaker 1: assistant had started working for me that hour. And great introduction.

756
00:43:20,120 --> 00:43:22,799
Speaker 1: Great introduction. I ran the other way. That's what's so

757
00:43:22,880 --> 00:43:25,520
Speaker 1: bizarre about the music industry. Like he can get naked

758
00:43:25,560 --> 00:43:29,640
Speaker 1: and say, here, hold onto my coppies, and we can't

759
00:43:29,680 --> 00:43:32,279
Speaker 1: even look at each other a certain way. I mean,

760
00:43:32,320 --> 00:43:35,560
Speaker 1: it was all it was very, very safe and respectful everywhere.

761
00:43:35,600 --> 00:43:38,759
Speaker 1: I just ran naked on a swing. Like even if

762
00:43:38,760 --> 00:43:41,600
Speaker 1: we did that for our marketing thing, they would be like, oh,

763
00:43:41,640 --> 00:43:43,440
Speaker 1: we're gonna have to take it out in posts. I

764
00:43:43,440 --> 00:43:45,680
Speaker 1: don't know if I heart would love that. But it's

765
00:43:45,680 --> 00:43:49,080
Speaker 1: not an advocate of us. Naked on swing Charlie. Charlie

766
00:43:49,160 --> 00:43:53,319
Speaker 1: is here, this is him. This is honestly. I just

767
00:43:53,360 --> 00:43:56,319
Speaker 1: like messing with people. Why not, that's that's that, that

768
00:43:56,520 --> 00:44:00,760
Speaker 1: is true, the honest truth. That's the non media like answer.

769
00:44:00,800 --> 00:44:03,319
Speaker 1: I just I just give word is sometimes like, what

770
00:44:03,400 --> 00:44:05,480
Speaker 1: about a bit of risky nous? Well, what was the

771
00:44:05,480 --> 00:44:11,440
Speaker 1: reaction to this worldwide? Oh? Chaos internally and externally. I say,

772
00:44:11,480 --> 00:44:13,319
Speaker 1: you make this your holiday card and give it out

773
00:44:13,360 --> 00:44:15,680
Speaker 1: to all your friends and family. Yeah, everybody in my

774
00:44:15,760 --> 00:44:19,480
Speaker 1: family loved that picture. And we could be Charlie folloween

775
00:44:23,239 --> 00:44:28,560
Speaker 1: everyone in their birthday suit. Alright, listen, Charlie put this here.

776
00:44:28,560 --> 00:44:31,239
Speaker 1: I want to play one more clip here before we

777
00:44:31,320 --> 00:44:34,800
Speaker 1: let you roll there. Now I'm nervous. What clip is this? Okay,

778
00:44:35,040 --> 00:44:53,399
Speaker 1: that's a good one. Hey, Track five? You hear those

779
00:44:53,480 --> 00:44:56,400
Speaker 1: high stills. Those are very high f sharps. And I

780
00:44:56,440 --> 00:45:00,120
Speaker 1: had to really squeeze my private area to get up there.

781
00:45:00,560 --> 00:45:02,920
Speaker 1: That's why we played it right after the phono evidence.

782
00:45:03,320 --> 00:45:06,720
Speaker 1: And now, Charlie, you have said it's cliche to say,

783
00:45:06,760 --> 00:45:09,200
Speaker 1: but this is very personal in this album. Is that

784
00:45:09,280 --> 00:45:12,560
Speaker 1: because you were kind of out of other things to do?

785
00:45:12,680 --> 00:45:15,600
Speaker 1: In a way? You know, I was watching, Yes, And

786
00:45:15,800 --> 00:45:18,920
Speaker 1: I'll answer that question by setting it up as such.

787
00:45:19,320 --> 00:45:24,279
Speaker 1: I watched my first interview with you, and it was

788
00:45:24,360 --> 00:45:29,680
Speaker 1: six years ago, and I look at a however old

789
00:45:29,680 --> 00:45:32,719
Speaker 1: I was twenty four year old boy at that point,

790
00:45:32,760 --> 00:45:36,400
Speaker 1: and I realized just how frightened and scared I was

791
00:45:36,480 --> 00:45:40,080
Speaker 1: to be an artist and no idea what I was doing,

792
00:45:40,080 --> 00:45:42,840
Speaker 1: and a lot of mistakes would come on after that,

793
00:45:42,920 --> 00:45:45,200
Speaker 1: and I had to really figure out who I was

794
00:45:45,239 --> 00:45:47,239
Speaker 1: as an artist while I had this huge song see

795
00:45:47,239 --> 00:45:51,399
Speaker 1: You Again happening and there was no privacy at all,

796
00:45:51,719 --> 00:45:54,279
Speaker 1: and after that it was just about just get the

797
00:45:54,320 --> 00:45:57,319
Speaker 1: hit song, Just get the hit song. If I even

798
00:45:57,400 --> 00:46:02,240
Speaker 1: showed the old label UM album tracks, they'd be like, okay,

799
00:46:02,280 --> 00:46:04,040
Speaker 1: as long as the album gets done, we really need

800
00:46:04,080 --> 00:46:06,720
Speaker 1: to get more hits out, more hits outs classic music industry.

801
00:46:09,000 --> 00:46:12,120
Speaker 1: Its absolutely everything you see in the movies is real

802
00:46:12,640 --> 00:46:17,319
Speaker 1: UM and nothing, nothing terrible happened, But it's nobody had

803
00:46:17,360 --> 00:46:19,920
Speaker 1: ever encouraged me to finish an entire full body of

804
00:46:19,920 --> 00:46:23,080
Speaker 1: work and to really just put my feelings into I mean,

805
00:46:23,120 --> 00:46:26,320
Speaker 1: Tanya certainly did, she was she was at when's the

806
00:46:26,360 --> 00:46:28,960
Speaker 1: album coming? When you put out a full body of work,

807
00:46:29,280 --> 00:46:31,160
Speaker 1: But no one ever encouraged me to put my feelings

808
00:46:31,160 --> 00:46:33,600
Speaker 1: into my music. And that's why it feels significant to

809
00:46:33,640 --> 00:46:35,720
Speaker 1: say that this is the most personal work. You know,

810
00:46:35,800 --> 00:46:38,719
Speaker 1: it's it's first of all, that's great for you and

811
00:46:38,800 --> 00:46:43,160
Speaker 1: for your fans, and you know, the the authenticity will

812
00:46:43,200 --> 00:46:46,319
Speaker 1: prove to be very successful because that's what people want

813
00:46:46,360 --> 00:46:49,040
Speaker 1: to connect to. But it's fascinating to me, after all

814
00:46:49,080 --> 00:46:50,640
Speaker 1: these years of being in this business to hear that

815
00:46:50,680 --> 00:46:52,760
Speaker 1: the business is still the business I see in the movies.

816
00:46:53,280 --> 00:46:54,880
Speaker 1: The business still the same stuff that you see in

817
00:46:54,920 --> 00:46:57,320
Speaker 1: the movies and shout out to new label. Then yeah,

818
00:46:57,360 --> 00:47:00,239
Speaker 1: well my new it's it's complicated and very boring for

819
00:47:00,360 --> 00:47:03,080
Speaker 1: the for on air with Ryan Seacrest. But it's my

820
00:47:03,160 --> 00:47:06,680
Speaker 1: original label. But I was signed to an imprint before.

821
00:47:06,719 --> 00:47:10,839
Speaker 1: But now it's the original boat. What are That's all

822
00:47:10,880 --> 00:47:14,759
Speaker 1: the same, It's all sounding good. Your first appearance with us,

823
00:47:14,800 --> 00:47:18,960
Speaker 1: they tell me, was July fifteen. I remember you came

824
00:47:19,000 --> 00:47:24,040
Speaker 1: with your sister. Yeah, she's still here, she's here today. Yeah, enthused.

825
00:47:25,680 --> 00:47:30,240
Speaker 1: Over's way over you back at fifteen, sixteen, seventeen eighteen.

826
00:47:31,360 --> 00:47:35,200
Speaker 1: I was seven years ago. That's that's fast math. Seven

827
00:47:35,280 --> 00:47:38,640
Speaker 1: years ago I met Tanya. Yes, so are you're over thirty?

828
00:47:38,800 --> 00:47:42,120
Speaker 1: I'm thirty, you're thirty. You look still the same, you know,

829
00:47:42,840 --> 00:47:46,640
Speaker 1: I mean I look like you. I'm wearing your shirt.

830
00:47:48,200 --> 00:47:50,160
Speaker 1: I just need to see around my neck like he

831
00:47:50,200 --> 00:47:58,120
Speaker 1: has where letter jewelry like that, Charlie and looked normal. No, well,

832
00:47:58,320 --> 00:47:59,799
Speaker 1: what you don't see I don't know if you can

833
00:47:59,800 --> 00:48:03,600
Speaker 1: see the actual full there's a there's no butterfly tattoo.

834
00:48:03,719 --> 00:48:06,600
Speaker 1: I'm wearing a full necklace that says, oh, this is right,

835
00:48:06,960 --> 00:48:13,160
Speaker 1: Charlie Carley very narcissistic these days. Hey, it's Charlie and

836
00:48:13,200 --> 00:48:15,600
Speaker 1: the designer starts with a C. I'm thinking about I'm

837
00:48:15,600 --> 00:48:20,800
Speaker 1: honestly thinking about dropping my last name, Charlie. Charlie. Listen,

838
00:48:21,080 --> 00:48:24,959
Speaker 1: the album is called Charlie. It's called Charlie. Thanks for coming, buddy,

839
00:48:24,960 --> 00:48:28,279
Speaker 1: Great to see it. Great to see Charlie. It's time

840
00:48:28,320 --> 00:48:30,439
Speaker 1: for a quick tell me something good. Call this morning,

841
00:48:30,480 --> 00:48:35,480
Speaker 1: Dominic and Fullerton, tell me something good. We're ready, Hey, um,

842
00:48:35,560 --> 00:48:38,400
Speaker 1: something good. I sold my son's car that was a

843
00:48:38,440 --> 00:48:42,960
Speaker 1: total lemon and my refrigerator all on the same day, right,

844
00:48:43,040 --> 00:48:47,480
Speaker 1: did you, carr did you disclose it was a lemon? No,

845
00:48:47,719 --> 00:48:49,680
Speaker 1: it actually went. I sold it to a junk yard

846
00:48:49,719 --> 00:48:53,560
Speaker 1: because Panics sold me a piece of junk, and so

847
00:48:53,760 --> 00:48:56,959
Speaker 1: it's been sitting and my poor kid, his first car

848
00:48:57,600 --> 00:49:01,960
Speaker 1: literally was a junk and it was so sad um.

849
00:49:02,000 --> 00:49:05,200
Speaker 1: But got rid of it and sold my fridge too,

850
00:49:05,200 --> 00:49:07,400
Speaker 1: because we just moved in my fridge wand fit so

851
00:49:07,560 --> 00:49:13,000
Speaker 1: super excited. Um, so that happened. And I'm in college

852
00:49:13,239 --> 00:49:16,120
Speaker 1: with my son, which is crazy because I was turning fifty.

853
00:49:16,239 --> 00:49:22,640
Speaker 1: Next week classes together. We have one class together. Yeah,

854
00:49:22,800 --> 00:49:27,400
Speaker 1: that's so weird, Dominant, Yeah it is. It's so funny.

855
00:49:27,520 --> 00:49:35,160
Speaker 1: And he is mortified. Um, I know, uh what we are.

856
00:49:36,239 --> 00:49:38,640
Speaker 1: We're having a blast. You getting straight as so it's

857
00:49:39,120 --> 00:49:41,880
Speaker 1: good for you. Well more coward to your congratulations and

858
00:49:41,960 --> 00:49:49,960
Speaker 1: thank you for listening to Day on Air with Ryan Secrets.

859
00:49:51,040 --> 00:49:53,640
Speaker 1: So tickets for our jingle Ball present of my Capital

860
00:49:53,680 --> 00:49:57,319
Speaker 1: one one sale to Capital one card holders tomorrow ten am,

861
00:49:57,600 --> 00:50:00,480
Speaker 1: Kiss FM dot com SLA's jingle Ball u c l

862
00:50:00,520 --> 00:50:05,960
Speaker 1: A beat Washington, Friday Night, USC beat Arizona, Chargers beat Houston.

863
00:50:06,400 --> 00:50:09,080
Speaker 1: The Rams are playing the forty Niners tonight on ESPN.

864
00:50:09,320 --> 00:50:13,319
Speaker 1: Go Dogs Georgia one as well. Go Bulldogs Georgia one

865
00:50:13,360 --> 00:50:16,319
Speaker 1: as well. Uh yeah, But tickets to Kiss of M's

866
00:50:16,360 --> 00:50:19,840
Speaker 1: jingle Ball presented my Capital one on sale Capital and

867
00:50:19,880 --> 00:50:24,600
Speaker 1: card holders tomorrow ten A. M. Alright, bad Bunny in

868
00:50:24,719 --> 00:50:27,640
Speaker 1: concert over the weekend and here comes Cardi b as

869
00:50:27,640 --> 00:50:31,200
Speaker 1: a surprise. I was having major Fomo for not being

870
00:50:31,280 --> 00:50:34,440
Speaker 1: at this concert. You know, like there's not many concerts

871
00:50:34,440 --> 00:50:36,400
Speaker 1: that really kind of just pull up my strings, but

872
00:50:36,480 --> 00:50:39,440
Speaker 1: this one was one of them. And um and then

873
00:50:39,560 --> 00:50:42,399
Speaker 1: especially Saturday, he brought a lot of guests. But Saturday night,

874
00:50:42,440 --> 00:50:45,800
Speaker 1: Cardi B surprises the crowd and it was really funny.

875
00:50:45,800 --> 00:50:47,839
Speaker 1: I was trying to find audio, and I'm like going

876
00:50:47,880 --> 00:50:50,560
Speaker 1: through everyone's social media and like looking at the hashtag

877
00:50:50,600 --> 00:50:53,359
Speaker 1: bad Bunny, looking at hashtag bad Bunny Cardi B so far,

878
00:50:53,920 --> 00:50:55,839
Speaker 1: and all the audio that I could find is like,

879
00:50:56,120 --> 00:50:58,840
Speaker 1: it's all has cuss words and bad words, and the lyrics,

880
00:51:00,800 --> 00:51:02,360
Speaker 1: I'm like, I can't play anything for you guys. So

881
00:51:02,400 --> 00:51:05,120
Speaker 1: you can just imagine her coming on stage and performing

882
00:51:05,120 --> 00:51:08,240
Speaker 1: Bodak Yellow and I like it. The crowd's going wild,

883
00:51:08,360 --> 00:51:11,080
Speaker 1: it's exciting. So Fi stadium, I mean, all the everything

884
00:51:11,120 --> 00:51:12,880
Speaker 1: that I saw in social media, it's just like the

885
00:51:13,080 --> 00:51:16,319
Speaker 1: entire stadium which is so lit up. So she goes

886
00:51:16,320 --> 00:51:18,239
Speaker 1: on to Twitter to say, I was just at the

887
00:51:18,239 --> 00:51:21,759
Speaker 1: stadium for the super Bowl not long ago. There was

888
00:51:21,840 --> 00:51:24,480
Speaker 1: more people here today at the Bad Bunny concert than

889
00:51:24,680 --> 00:51:28,440
Speaker 1: the super Bowl. Literally, this is artist goals. So she

890
00:51:28,640 --> 00:51:30,920
Speaker 1: was just she was more excited to be a guest

891
00:51:31,120 --> 00:51:32,960
Speaker 1: at the Bad Bunny show than it was like just

892
00:51:33,000 --> 00:51:35,719
Speaker 1: to be performing in general. So I just love that,

893
00:51:35,760 --> 00:51:40,040
Speaker 1: like artist supporting artist. And then I also saw that, um,

894
00:51:40,080 --> 00:51:43,360
Speaker 1: it's pretty insane for the month of August, Bad Bunny

895
00:51:43,400 --> 00:51:46,359
Speaker 1: for this tour specifically the world's hottest tour and made

896
00:51:46,400 --> 00:51:52,520
Speaker 1: around one million dollars. It is the top so wild,

897
00:51:52,880 --> 00:51:56,520
Speaker 1: four thousand tickets sold. It's amazing. Well, it's a big

898
00:51:56,600 --> 00:51:59,879
Speaker 1: show and globally popular. Now Marianna, who's with us, she went,

899
00:52:00,120 --> 00:52:02,960
Speaker 1: she works here, She went to the show. So what

900
00:52:03,040 --> 00:52:05,520
Speaker 1: was it like to be there? I mean, it was

901
00:52:05,920 --> 00:52:09,640
Speaker 1: just an experience for me because I grew up listening

902
00:52:09,680 --> 00:52:12,360
Speaker 1: to that type of music, So you know, just seeing

903
00:52:12,560 --> 00:52:16,080
Speaker 1: everybody there and like the crowd going crazy after every

904
00:52:16,120 --> 00:52:19,560
Speaker 1: single song, especially when he came out. It was just like,

905
00:52:20,200 --> 00:52:21,560
Speaker 1: you know, you just kind of had to be there

906
00:52:21,600 --> 00:52:24,640
Speaker 1: to experience that. Um, and you know the artists that

907
00:52:24,680 --> 00:52:27,279
Speaker 1: he brought out, He you know, brought out Cardi b

908
00:52:27,719 --> 00:52:31,040
Speaker 1: And you know, it was just an amazing experience. Did

909
00:52:31,000 --> 00:52:32,719
Speaker 1: you not going with somebody or did you know? I

910
00:52:32,800 --> 00:52:38,600
Speaker 1: went alone alone? So I went with my cousins, but

911
00:52:39,080 --> 00:52:42,160
Speaker 1: they ended up getting different seats. As I did. So

912
00:52:42,280 --> 00:52:44,560
Speaker 1: they went to the show with you, but you sat separately.

913
00:52:44,719 --> 00:52:47,879
Speaker 1: We sat separately. I was in the front, and um

914
00:52:48,280 --> 00:52:50,400
Speaker 1: I got to meet a lot of people, so that

915
00:52:50,520 --> 00:52:54,200
Speaker 1: was cool. You actually, when you go to a concert,

916
00:52:54,239 --> 00:52:57,319
Speaker 1: I end up meeting everybody around anyway, because you're all

917
00:52:57,360 --> 00:52:59,680
Speaker 1: there for the same reason. And then when your favorite

918
00:52:59,680 --> 00:53:01,440
Speaker 1: songs come on, you look at each other with like

919
00:53:01,520 --> 00:53:06,960
Speaker 1: the open mouth and the big eyes. Casey Musgrave's show

920
00:53:06,960 --> 00:53:12,360
Speaker 1: by Herself, Wow, very cool. Well who else went to

921
00:53:12,440 --> 00:53:17,239
Speaker 1: a show them stand up extra credit? Uh? Yeah, it's

922
00:53:17,239 --> 00:53:25,040
Speaker 1: a great show. On Air with Ryan Seacrest. That's it

923
00:53:25,160 --> 00:53:28,960
Speaker 1: for us. Tomorrow we are back with a second date update.

924
00:53:29,000 --> 00:53:31,320
Speaker 1: All right, have a good one, guy. Thanks for listening

925
00:53:31,320 --> 00:53:34,160
Speaker 1: to On Air with Ryan Seacrest. Make sure to subscribe

926
00:53:34,160 --> 00:53:35,640
Speaker 1: it and we'll talk to you again tomorrow