1 00:00:00,320 --> 00:00:10,120 Speaker 1: Forever. Look man, oh I see you? Why look over there? Wow? 2 00:00:10,240 --> 00:00:21,080 Speaker 1: Is that let's call das dang dongas calling? Oh my god, 3 00:00:21,239 --> 00:00:27,360 Speaker 1: you got how a tonight? All right? Hey bitch, hey 4 00:00:27,440 --> 00:00:30,520 Speaker 1: bitch you guys all my friends? Hey, bitch, hey bitch. 5 00:00:31,280 --> 00:00:35,800 Speaker 1: Um full disclosure, we're on our thirteen or so. Over 6 00:00:35,840 --> 00:00:40,800 Speaker 1: the day, every New York Magazine staff member has approached us, 7 00:00:41,360 --> 00:00:44,600 Speaker 1: and we did not initiate, and they will. They have 8 00:00:44,720 --> 00:00:47,040 Speaker 1: come up to us all day and been like, you 9 00:00:47,040 --> 00:00:50,080 Speaker 1: guys are doing a lot today. How the funk are 10 00:00:50,120 --> 00:00:54,080 Speaker 1: you doing it? We're like, bitch, look, this is the 11 00:00:54,080 --> 00:00:56,680 Speaker 1: only food we've also eaten today. We got handed a 12 00:00:56,680 --> 00:00:59,880 Speaker 1: bunch of skittles after remember podcast visual Medium. We have 13 00:01:00,160 --> 00:01:02,160 Speaker 1: skittles on the table. We're going to dive into it. 14 00:01:02,160 --> 00:01:07,319 Speaker 1: It's our dinner. Thank you. Um but got what I mean? 15 00:01:07,360 --> 00:01:09,920 Speaker 1: What a great diaper? Not complaining? Thank you so much 16 00:01:09,959 --> 00:01:12,399 Speaker 1: to New York Magazine for having us. Um no, but 17 00:01:12,520 --> 00:01:14,320 Speaker 1: I guess can we run through some of the ship 18 00:01:14,400 --> 00:01:16,080 Speaker 1: that went down to yea, let's talk about all right? 19 00:01:16,120 --> 00:01:21,440 Speaker 1: So okay, we did the drag race panel. That was fun. Yeah, 20 00:01:21,440 --> 00:01:25,360 Speaker 1: it was fine. Who was there was anybody there there? Yeah? Okay, 21 00:01:25,480 --> 00:01:31,120 Speaker 1: Michelle Vassage signed my copy of the Diva Rules. Well 22 00:01:31,680 --> 00:01:35,480 Speaker 1: done and um. But then she had one thing. She 23 00:01:35,600 --> 00:01:37,520 Speaker 1: was so great, she was so sweet, She had one 24 00:01:37,560 --> 00:01:39,720 Speaker 1: thing to say. She had a note. She had a 25 00:01:39,720 --> 00:01:41,480 Speaker 1: note for us. As we said goodbye, what was that? 26 00:01:41,880 --> 00:01:44,120 Speaker 1: She goes, it was a tough panel because there was 27 00:01:44,120 --> 00:01:45,200 Speaker 1: a lot of people and there was a lot of 28 00:01:45,200 --> 00:01:46,880 Speaker 1: cross talk. But you guys, guess you guys did a 29 00:01:46,880 --> 00:01:51,480 Speaker 1: good job. But it wouldn't have been like a Michelle 30 00:01:51,520 --> 00:01:54,840 Speaker 1: massage and I'm taking this out of here. It wouldn't 31 00:01:54,840 --> 00:01:58,000 Speaker 1: have been a Michelle Massage experience without like a critical note, 32 00:01:58,040 --> 00:02:00,520 Speaker 1: which we love. And then she saw in the book 33 00:02:00,760 --> 00:02:07,880 Speaker 1: I love period you exclamation point, which is just it's 34 00:02:07,880 --> 00:02:12,200 Speaker 1: not right. I loved it, it's not correct, so it's incorrect. 35 00:02:12,840 --> 00:02:15,720 Speaker 1: Above all else, English is my third language, and it's 36 00:02:15,760 --> 00:02:18,720 Speaker 1: not correct. I don't abide by that. Let's continue to 37 00:02:18,800 --> 00:02:21,520 Speaker 1: talk about the Queen's bbs a horn A gave you 38 00:02:21,600 --> 00:02:27,239 Speaker 1: everything you could ever want. Bobee was amazing. And here 39 00:02:27,280 --> 00:02:29,359 Speaker 1: we go. What was the thing she said when we 40 00:02:29,400 --> 00:02:31,040 Speaker 1: walked her back to the drink. We're walking back to 41 00:02:31,080 --> 00:02:33,600 Speaker 1: the dresser room and she goes to us okay, but 42 00:02:33,720 --> 00:02:37,400 Speaker 1: here's the thing. When are we going to work together professionally? 43 00:02:40,400 --> 00:02:43,160 Speaker 1: And we said, Bebe, we have a podcast. We'd love 44 00:02:43,200 --> 00:02:45,720 Speaker 1: to have you on anytime, because can you imagine Bebe's horror. 45 00:02:46,600 --> 00:02:49,000 Speaker 1: And so then she said, you know, they try to 46 00:02:49,000 --> 00:02:51,280 Speaker 1: play me on the show, make me seem quiet, but no, 47 00:02:53,360 --> 00:03:01,280 Speaker 1: I say many things and talking them Mike, I'm true. Um, 48 00:03:01,320 --> 00:03:03,120 Speaker 1: I said, uh, but yeah, well we have this podcast. 49 00:03:03,120 --> 00:03:05,280 Speaker 1: We'd love to have you and then she says, okay, 50 00:03:05,280 --> 00:03:06,960 Speaker 1: but what are you giving the girls? And it was 51 00:03:07,040 --> 00:03:10,400 Speaker 1: like I thought that was like, how are we being compensated? Yeah? 52 00:03:10,400 --> 00:03:12,520 Speaker 1: What are you giving the girls? So I was like, um, well, 53 00:03:12,560 --> 00:03:13,880 Speaker 1: you know, we don't have a budget, so we don't 54 00:03:13,960 --> 00:03:17,600 Speaker 1: usually pay our again, no, no, what are you giving 55 00:03:17,800 --> 00:03:22,920 Speaker 1: the girls? And we understood that what she meant in 56 00:03:22,960 --> 00:03:27,560 Speaker 1: her language, which is of course made up, was what 57 00:03:27,720 --> 00:03:33,680 Speaker 1: is the podcast? And so we said, okay, we're giving 58 00:03:33,720 --> 00:03:39,280 Speaker 1: you culture fun moment and she stops that. She goes, no, no, no, 59 00:03:39,320 --> 00:03:41,360 Speaker 1: do that, do that again, do that again, and then 60 00:03:41,480 --> 00:03:47,080 Speaker 1: do it again. So we said we're giving you fun 61 00:03:47,240 --> 00:03:49,760 Speaker 1: and then she turns around and walks away from us, 62 00:03:49,800 --> 00:03:53,840 Speaker 1: like walks away, keep going moments. Um, a pop culture 63 00:03:53,880 --> 00:03:57,600 Speaker 1: commentary criticism. Um walks away from us and then it 64 00:03:57,640 --> 00:04:01,800 Speaker 1: comes back and says, she's like considerate booked or something 65 00:04:01,800 --> 00:04:05,280 Speaker 1: one thing. Yeah, yeah, yeah, yeah yeah. So I don't know. 66 00:04:05,360 --> 00:04:07,720 Speaker 1: We loved forward to that, and now that we've truly 67 00:04:07,800 --> 00:04:10,840 Speaker 1: fluffed it, now hopefully we've gotta make it happen. He 68 00:04:11,160 --> 00:04:13,680 Speaker 1: go U Okay, what else? What we had? We did 69 00:04:13,680 --> 00:04:17,719 Speaker 1: the Wendy Williams panel in this very room. It's very room, 70 00:04:17,760 --> 00:04:19,120 Speaker 1: just a short time ago. If you can feel that 71 00:04:19,160 --> 00:04:23,680 Speaker 1: Wendy Williams energy. Yeah, she was sweet. She was great. 72 00:04:23,720 --> 00:04:27,400 Speaker 1: She was sweet and a professional. And by professional I 73 00:04:27,400 --> 00:04:30,280 Speaker 1: mean we said two words her before and two words 74 00:04:30,360 --> 00:04:34,840 Speaker 1: after she was out. But she did a great job, 75 00:04:35,000 --> 00:04:37,960 Speaker 1: and she like was conserving her energy and her she's 76 00:04:38,000 --> 00:04:41,000 Speaker 1: she's giving you a lot. She gives lots of people 77 00:04:41,000 --> 00:04:42,760 Speaker 1: a lot of herself every day. What was some of 78 00:04:42,760 --> 00:04:45,240 Speaker 1: the insane that we didn't ask Wendy? Where the audience 79 00:04:45,279 --> 00:04:47,840 Speaker 1: asked questions. You guys are familiar with Wendy Williams show, 80 00:04:48,080 --> 00:04:50,400 Speaker 1: so they do ask Wendy. Um, what was some of 81 00:04:50,440 --> 00:04:52,400 Speaker 1: the advice that she gave? She This one girl was 82 00:04:52,839 --> 00:04:55,839 Speaker 1: twenty one and she was saying how she loves her boyfriend, 83 00:04:56,560 --> 00:04:59,080 Speaker 1: but her parents don't approve. What can what should she do? 84 00:04:59,120 --> 00:05:01,000 Speaker 1: Should she care about what her parents? Her parents say 85 00:05:01,080 --> 00:05:04,000 Speaker 1: that she could do better, and so Wendy was like, 86 00:05:04,160 --> 00:05:06,040 Speaker 1: don't care about what they say. Do you think you're 87 00:05:06,080 --> 00:05:09,039 Speaker 1: going to marry him? And then she was like, she 88 00:05:09,080 --> 00:05:11,280 Speaker 1: goes no, she goes, I do think I could marry him? Yes, 89 00:05:11,400 --> 00:05:14,880 Speaker 1: and she goes, well, you know what she said, don't 90 00:05:14,920 --> 00:05:21,320 Speaker 1: stop taking your birth control? And the girl sank in 91 00:05:21,400 --> 00:05:25,880 Speaker 1: her seat. Yeah, she was a little embarrassed. But okay, 92 00:05:25,920 --> 00:05:29,360 Speaker 1: how about this for the t Guess who snubbed us today? 93 00:05:29,720 --> 00:05:33,719 Speaker 1: Canceled on a handst minute, was feet away from the door. 94 00:05:33,839 --> 00:05:39,279 Speaker 1: You are not going to fathom, Maggie Jill Hall, you 95 00:05:39,320 --> 00:05:44,280 Speaker 1: were wait, Maggie Jill, as Pat Regan famously called her, 96 00:05:44,320 --> 00:05:46,800 Speaker 1: Maggie Jill. Okay, I don't sorry. We're gonna get to 97 00:05:46,880 --> 00:05:50,440 Speaker 1: Patton and it's gone. But you just left me hanging there. 98 00:05:50,560 --> 00:05:54,240 Speaker 1: What the fun, Maggie Jill, don't come from me. We're 99 00:05:54,320 --> 00:05:57,240 Speaker 1: very tired. I know that you will, like the last 100 00:05:57,279 --> 00:05:59,080 Speaker 1: count reasons because of the bond of friends, you might 101 00:05:59,080 --> 00:06:02,720 Speaker 1: see the dissolution of that This evening, honey, tonight. Um, 102 00:06:02,760 --> 00:06:05,240 Speaker 1: but Maggie, I don't know. We had a game prepared 103 00:06:05,240 --> 00:06:06,359 Speaker 1: and you guys want to play it with us now 104 00:06:06,400 --> 00:06:08,000 Speaker 1: that we did not get Okay, we'll play the game 105 00:06:08,040 --> 00:06:10,560 Speaker 1: really quick and we'll get into we'll get into the evening. Okay. 106 00:06:10,560 --> 00:06:16,000 Speaker 1: So this is which Maggie though, and the game was 107 00:06:16,040 --> 00:06:18,760 Speaker 1: gonna be. We were gonna say facts and they either 108 00:06:18,800 --> 00:06:25,360 Speaker 1: pertained to Maggie Smith or Maggie Jillen Hall. So okay, 109 00:06:25,400 --> 00:06:27,919 Speaker 1: and you guys can all say at once, you're the 110 00:06:27,960 --> 00:06:32,440 Speaker 1: co host tonight. You guys to be the co host. Okay, 111 00:06:32,880 --> 00:06:42,200 Speaker 1: slayde in Mona, Lisa Smile, good Slade in Gosford Park. Okay, great, 112 00:06:42,760 --> 00:06:48,240 Speaker 1: got blown up in a movie, No, no, no, Maggie 113 00:06:50,400 --> 00:06:53,679 Speaker 1: the Prime of Miss Gene Brody and she got blown 114 00:06:53,760 --> 00:06:58,279 Speaker 1: up in Best exact, best exactly American Hotel. And she 115 00:06:58,400 --> 00:07:01,279 Speaker 1: got blown up at the end of Sister Too. And 116 00:07:01,400 --> 00:07:05,280 Speaker 1: that's why Lauren Hill sings. That's when Lauren Hills, That's 117 00:07:05,279 --> 00:07:09,080 Speaker 1: when she sings after the explosion of Maggie Smith. Well, 118 00:07:09,120 --> 00:07:11,680 Speaker 1: we'll get an into more into more te Oh my god, 119 00:07:12,240 --> 00:07:15,960 Speaker 1: something's happening. I'm my brain is short. Oh my good. Um, 120 00:07:16,000 --> 00:07:18,120 Speaker 1: we'll get into more of what happened today, but for now, 121 00:07:18,200 --> 00:07:20,840 Speaker 1: let's just get right into it. We are on a clock, bitch, 122 00:07:21,240 --> 00:07:23,880 Speaker 1: on the behind us there's um if you look behind you, 123 00:07:23,920 --> 00:07:26,800 Speaker 1: there's there's a ticking clock. Okay, and that's for us, 124 00:07:26,840 --> 00:07:28,960 Speaker 1: but let's just say it's for all of us. It's 125 00:07:28,960 --> 00:07:34,760 Speaker 1: gonna be an anxious night, okay. So we have prepared 126 00:07:34,800 --> 00:07:37,000 Speaker 1: for you a very special evening with all of the 127 00:07:37,160 --> 00:07:41,320 Speaker 1: favorite Last Culturists people. We all are party people are 128 00:07:41,320 --> 00:07:45,960 Speaker 1: here tonight and this is called the Lost Cultural Vulture 129 00:07:46,120 --> 00:07:54,920 Speaker 1: Festival Segment Festival. So absolutely, yes, thank you, thank you. 130 00:07:55,160 --> 00:07:57,040 Speaker 1: I have to say something. I have to shout somebody out. 131 00:07:57,600 --> 00:08:02,280 Speaker 1: You know who our stage manager, Jacob. He's the cutest 132 00:08:02,520 --> 00:08:04,640 Speaker 1: and he does a great fucking job. He does a 133 00:08:04,640 --> 00:08:06,520 Speaker 1: great job. And let me tell you one other thing 134 00:08:06,560 --> 00:08:09,280 Speaker 1: about Tee that we just said. So we interviewed Tracy 135 00:08:09,320 --> 00:08:13,280 Speaker 1: Morgan a little while ago, and and then so he 136 00:08:13,360 --> 00:08:15,840 Speaker 1: comes in and he's a great and we're like, thank 137 00:08:15,880 --> 00:08:17,920 Speaker 1: you for doing this. It's gonna be all softballs, no worries. 138 00:08:18,040 --> 00:08:20,160 Speaker 1: He said, no, I only go in hard and we 139 00:08:20,240 --> 00:08:25,880 Speaker 1: laughed like no. So so we start the interview offer 140 00:08:25,920 --> 00:08:28,440 Speaker 1: like last r G is great. Um, tell us about 141 00:08:28,480 --> 00:08:30,080 Speaker 1: the experience. He's like, oh, I wonder, it's great. It's 142 00:08:30,080 --> 00:08:32,760 Speaker 1: a great show. And then you said he's the star 143 00:08:32,880 --> 00:08:34,640 Speaker 1: of the last o g He said, no, I'm not. 144 00:08:34,960 --> 00:08:37,760 Speaker 1: There are so many stars everyone working around the crew. 145 00:08:37,960 --> 00:08:40,320 Speaker 1: I said, so cool. What's it like to work with 146 00:08:40,360 --> 00:08:44,120 Speaker 1: Tiffany Hattish. He goes, no, it's not about Tiffany. It's 147 00:08:44,160 --> 00:08:49,439 Speaker 1: about craft service, it's about it's about the gaffers. It's 148 00:08:49,440 --> 00:08:54,240 Speaker 1: about the gaffers. It's about Jacob. So he taught us. 149 00:08:54,559 --> 00:08:57,959 Speaker 1: But yeah, and then he went into this. It was rgeous, spiritual, 150 00:08:59,440 --> 00:09:02,920 Speaker 1: just greed. Basically, you diet triped, not diet tripe. That's 151 00:09:02,920 --> 00:09:05,040 Speaker 1: the wrong word. I don't know my words. Um, but 152 00:09:05,080 --> 00:09:10,720 Speaker 1: I don't know, don't so uh but just he just 153 00:09:10,720 --> 00:09:12,360 Speaker 1: wait for takeing out. I think they're gonna release the 154 00:09:12,440 --> 00:09:15,560 Speaker 1: uncut version of that because it's truly beautiful. Hopefully it 155 00:09:15,600 --> 00:09:18,480 Speaker 1: impacts you like it did. Um. He said, let me 156 00:09:18,559 --> 00:09:22,200 Speaker 1: tell you something. The most honest person in the kingdom 157 00:09:22,559 --> 00:09:25,480 Speaker 1: was the court jester because he was the only one 158 00:09:25,720 --> 00:09:29,000 Speaker 1: who went up to the king and told him the truth. 159 00:09:31,200 --> 00:09:34,120 Speaker 1: He said it again straight to camera, and then he said, 160 00:09:34,160 --> 00:09:39,280 Speaker 1: I'm gonna say it again and it was amazing. So 161 00:09:39,360 --> 00:09:42,160 Speaker 1: thank you, Jacob, thank you, so thank you Jacob. Okay, 162 00:09:42,200 --> 00:09:45,920 Speaker 1: so this is the Segment Festival, Yes, the segment Festival. 163 00:09:46,000 --> 00:09:49,240 Speaker 1: We already are behind schedule, honey, all right, So what 164 00:09:49,280 --> 00:09:50,679 Speaker 1: we're gonna do is we're gonna bring us some of 165 00:09:50,720 --> 00:09:52,880 Speaker 1: our favorites that we're gonna do several segments, and we're 166 00:09:52,880 --> 00:09:54,920 Speaker 1: gonna be on a strict time limit. As you can see. 167 00:09:55,160 --> 00:09:57,240 Speaker 1: But the supposed to be a five minute thing. We're 168 00:09:57,240 --> 00:10:01,040 Speaker 1: twelve minutes in. We're obviously on strict time limits tonight. Um, 169 00:10:01,120 --> 00:10:02,839 Speaker 1: So what do you think should we get started, to 170 00:10:02,920 --> 00:10:08,080 Speaker 1: get started? How are we feeling? We're good? Yes, our 171 00:10:08,120 --> 00:10:11,520 Speaker 1: first guest, you know him, you love him. He's a 172 00:10:11,600 --> 00:10:15,120 Speaker 1: lost culture, restless Icon Award winner. A Swedish woman once 173 00:10:15,200 --> 00:10:18,520 Speaker 1: told him he would do well in Europe sexually. Please 174 00:10:18,559 --> 00:10:28,040 Speaker 1: welcome to the stage, Pattery. I love Maggie ja Oh 175 00:10:28,080 --> 00:10:33,920 Speaker 1: my god, Maggie Jail. So take center, bitch, you're taking center. Okay. 176 00:10:33,920 --> 00:10:37,760 Speaker 1: So Pat is famous on our podcast, um and the 177 00:10:37,880 --> 00:10:42,920 Speaker 1: other off the podcasts. Just racking up the credits. Now 178 00:10:42,960 --> 00:10:48,320 Speaker 1: for someone who famously has no credits or projects. I 179 00:10:48,360 --> 00:10:52,520 Speaker 1: begged them not to give me credits. I don't like 180 00:10:52,640 --> 00:10:55,720 Speaker 1: fame or want it. It's rest upon me that my 181 00:10:55,760 --> 00:11:00,560 Speaker 1: poetry is about the trappings of fame. Okay. So pat Um, 182 00:11:00,600 --> 00:11:02,840 Speaker 1: we have a segment for you, and it's what we 183 00:11:03,000 --> 00:11:05,679 Speaker 1: we've understood that you are very famous for knowing all 184 00:11:05,679 --> 00:11:08,720 Speaker 1: about the young girls. I'm a little fed up with 185 00:11:08,760 --> 00:11:12,800 Speaker 1: these young girls. He has coined the phrase these young 186 00:11:12,880 --> 00:11:14,840 Speaker 1: girls young girls like because let me hear you something. 187 00:11:14,840 --> 00:11:20,600 Speaker 1: I'm twenty nine, which is considered young in some culture. Um, 188 00:11:20,640 --> 00:11:22,720 Speaker 1: but guess what, like these twenty three year olds like 189 00:11:22,720 --> 00:11:28,199 Speaker 1: I invented being three, Okay, I their ghosh as funck 190 00:11:28,360 --> 00:11:30,960 Speaker 1: raised in Barnes a scoop. Next that would make a 191 00:11:30,960 --> 00:11:35,760 Speaker 1: hooker blush. Um. They all like own on fire islands. 192 00:11:35,960 --> 00:11:38,960 Speaker 1: Like have you seen gang Instagram? It's twenty three year 193 00:11:38,960 --> 00:11:43,080 Speaker 1: old porn um. Okay, So what are we doing in 194 00:11:43,120 --> 00:11:48,480 Speaker 1: this segment? This segment is called these Young Girls, So 195 00:11:48,640 --> 00:11:51,079 Speaker 1: pack ahead and said up what we're gonna be doing? Okay, 196 00:11:51,080 --> 00:11:52,920 Speaker 1: So we're gonna so we're gonna take the these young 197 00:11:52,960 --> 00:11:56,760 Speaker 1: girls mentality and we're going to explore culture. Um. And 198 00:11:56,800 --> 00:11:58,760 Speaker 1: so we're gonna go through some of these young girls 199 00:11:58,800 --> 00:12:01,680 Speaker 1: today like that you might see kind of in the 200 00:12:01,679 --> 00:12:05,080 Speaker 1: headlines like prop culture and we're just gonna kind of 201 00:12:05,120 --> 00:12:07,280 Speaker 1: give takes. Who are they are the important mots to 202 00:12:07,400 --> 00:12:09,920 Speaker 1: deal with? These young girls? How can we help you? 203 00:12:11,480 --> 00:12:13,680 Speaker 1: Do we care? Because if there's one thing I want 204 00:12:13,800 --> 00:12:17,120 Speaker 1: my segment to be, it's helpful. Absolutely, he said that. 205 00:12:17,559 --> 00:12:18,840 Speaker 1: I said that. I said, along to do it if 206 00:12:18,840 --> 00:12:23,240 Speaker 1: it's helpful. Okay, they agreed. We all agreed. How are 207 00:12:23,240 --> 00:12:24,600 Speaker 1: we ready to dive in? We're ready. I don't have 208 00:12:24,600 --> 00:12:27,120 Speaker 1: takes on all of them, but we'll like, you know, 209 00:12:27,160 --> 00:12:29,880 Speaker 1: we're going to go to the co host for some takes. Okay, 210 00:12:30,040 --> 00:12:33,640 Speaker 1: here we go. This young girl, this is Hailey Steinfeld, 211 00:12:33,760 --> 00:12:36,600 Speaker 1: Hatley Steinfeld like not necessarily like for me kind of 212 00:12:36,640 --> 00:12:38,960 Speaker 1: no notes Like I like Hatley Steinfeld. I think she 213 00:12:39,000 --> 00:12:42,160 Speaker 1: can do with like hair commercial right, like a pantin, 214 00:12:42,679 --> 00:12:44,600 Speaker 1: Like I want to see like bouncing lungs. Have more 215 00:12:44,640 --> 00:12:47,640 Speaker 1: fun with that. You know, it's all these own girls 216 00:12:47,679 --> 00:12:50,720 Speaker 1: in the beds today, all work work work, Like shouldn't 217 00:12:50,720 --> 00:12:52,280 Speaker 1: be about that, Like I want to see you like 218 00:12:52,280 --> 00:12:54,679 Speaker 1: whipping your hair around and being like my damaged hair 219 00:12:54,800 --> 00:12:58,800 Speaker 1: bounced back, you know. Okay, Pat, how do you how 220 00:12:58,800 --> 00:13:02,839 Speaker 1: do you square the act that she is allegedly allegedly 221 00:13:03,200 --> 00:13:05,440 Speaker 1: was very vocal on the set of Pitch Perfect three 222 00:13:05,559 --> 00:13:07,840 Speaker 1: before the election that she was going to vote for 223 00:13:07,880 --> 00:13:10,320 Speaker 1: Donald Trump she thought he would be good. Yeah, and 224 00:13:10,360 --> 00:13:15,280 Speaker 1: she's from Calabasa, so it all tracks. Yeah, you know, 225 00:13:15,320 --> 00:13:18,240 Speaker 1: I don't support it. I don't give much credence to it. 226 00:13:18,280 --> 00:13:22,880 Speaker 1: I don't engage with Pitch Perfect culture. So that's not 227 00:13:22,920 --> 00:13:24,680 Speaker 1: like in my worlds, not in my struggle in which 228 00:13:24,720 --> 00:13:28,200 Speaker 1: I swam. But it's shocking to me. Actually I didn't know, 229 00:13:28,200 --> 00:13:35,640 Speaker 1: and I'm I'm I'm here, like no notes, Wow, I 230 00:13:35,760 --> 00:13:40,439 Speaker 1: got your journalism. We've had a lot of practice today, 231 00:13:41,040 --> 00:13:43,600 Speaker 1: all right, so let's continue. This young girl. I think 232 00:13:44,720 --> 00:13:49,800 Speaker 1: this young girl, alright, continuing this is g I want her. 233 00:13:49,840 --> 00:13:52,839 Speaker 1: I want to know what g things it's being being 234 00:13:52,880 --> 00:13:54,640 Speaker 1: one of these young girls today, Like you can't hide 235 00:13:54,640 --> 00:13:56,880 Speaker 1: and tell her shadow forever, like I gotta like you 236 00:13:56,960 --> 00:14:00,240 Speaker 1: taught her nun chucks in bad Blood like that was um, 237 00:14:00,240 --> 00:14:02,800 Speaker 1: but like, who are you Gigi? You know what I mean? 238 00:14:02,800 --> 00:14:05,959 Speaker 1: Like my entrends to Gigi was obviously the hospice of 239 00:14:06,000 --> 00:14:10,080 Speaker 1: Beverly Hills, and I don't know anything about her. And 240 00:14:10,080 --> 00:14:12,720 Speaker 1: when I feel like I know nothing about you. That's 241 00:14:12,720 --> 00:14:17,000 Speaker 1: a red bag um, But I think she does well. 242 00:14:17,040 --> 00:14:21,640 Speaker 1: I like, I like Gigi, Like I'm not here to nitpack. Yeah. Sure, 243 00:14:21,840 --> 00:14:24,720 Speaker 1: the beautiful young girls of today. Sure, I would say 244 00:14:24,720 --> 00:14:27,720 Speaker 1: that there there are plenty of materials out there on gig. 245 00:14:27,880 --> 00:14:31,640 Speaker 1: She has seventy three questions, I know, but it's all vanilla. 246 00:14:31,760 --> 00:14:34,120 Speaker 1: It's all like drinking a lots and lots of water, 247 00:14:34,840 --> 00:14:37,560 Speaker 1: you know. So the note for her is get a 248 00:14:37,600 --> 00:14:41,160 Speaker 1: fucking personality. Yeah, like, give me a support Donald Trump, 249 00:14:41,280 --> 00:14:47,600 Speaker 1: like something something, something is better than nothing. Kay, alright, cool. 250 00:14:47,640 --> 00:14:52,600 Speaker 1: So this young girl alright, continuing on, this is Tom 251 00:14:52,680 --> 00:14:57,200 Speaker 1: Holland and this young girl famously Spider Man. Yeah, like 252 00:14:57,320 --> 00:15:01,800 Speaker 1: too classy. I think, like take your let your hair down. 253 00:15:01,920 --> 00:15:04,120 Speaker 1: I think. I mean, I feel like he's always like 254 00:15:04,320 --> 00:15:08,479 Speaker 1: so grateful to be in the business, and I'm like, okay, 255 00:15:08,480 --> 00:15:12,960 Speaker 1: like what aren't you rightful for? You know, amazing um as, 256 00:15:13,960 --> 00:15:16,960 Speaker 1: amazing as, amazing body all around, amazing body all around. 257 00:15:17,080 --> 00:15:19,640 Speaker 1: Do we feel bad about thinking that because he famously 258 00:15:19,680 --> 00:15:22,840 Speaker 1: portrays the teen Peter Parker or do we accept that 259 00:15:22,880 --> 00:15:25,680 Speaker 1: he is well over eighteen as Hollywood often cast people 260 00:15:25,760 --> 00:15:27,600 Speaker 1: to play a team. We la, we accept that he's 261 00:15:27,640 --> 00:15:30,160 Speaker 1: well over eighteen very old and that he's twenty one 262 00:15:30,240 --> 00:15:34,400 Speaker 1: years old. Yeah, I don't feel bad for being attracted 263 00:15:34,400 --> 00:15:38,680 Speaker 1: Tom Holland. Was he not sort of name checked in 264 00:15:38,800 --> 00:15:41,160 Speaker 1: the Age of the Twink article though, like what do 265 00:15:41,200 --> 00:15:43,400 Speaker 1: you make of him? Or maybe he wasn't, but what 266 00:15:43,440 --> 00:15:44,960 Speaker 1: do you make of him? Sort of being put in 267 00:15:44,960 --> 00:15:47,600 Speaker 1: that box. I think great with it. By don't agree 268 00:15:47,680 --> 00:15:49,880 Speaker 1: with like if you're straight, no offense, like, you can't 269 00:15:49,880 --> 00:15:54,520 Speaker 1: be a twin, no offense, no offense, no offense, offense, 270 00:15:54,640 --> 00:15:58,320 Speaker 1: like you can't be you can be like um bro, 271 00:15:59,720 --> 00:16:02,600 Speaker 1: you definitely can and history has proven that. And I 272 00:16:02,720 --> 00:16:04,440 Speaker 1: also just think it's like if you're one of these 273 00:16:04,560 --> 00:16:06,880 Speaker 1: young girls today, like some are like you can't retell 274 00:16:07,120 --> 00:16:09,640 Speaker 1: Spider We can't always be tell Spider Man's or agree. 275 00:16:09,800 --> 00:16:11,320 Speaker 1: At a certain point, it has to stop, like eat 276 00:16:11,320 --> 00:16:14,920 Speaker 1: your talent. This young girl, all right, let's continue on. 277 00:16:14,960 --> 00:16:18,760 Speaker 1: This young girl is Troy Savon. This is a young 278 00:16:18,800 --> 00:16:21,600 Speaker 1: girl who is really taking the world by storm lately, 279 00:16:21,720 --> 00:16:26,200 Speaker 1: taking the world by storm. I'm a no on Troy Savon. Wow, 280 00:16:26,280 --> 00:16:29,800 Speaker 1: you don't bloom for him? I just I don't. I 281 00:16:29,800 --> 00:16:33,920 Speaker 1: would bloom for Troyvon, but not an emotional level. I 282 00:16:33,920 --> 00:16:37,120 Speaker 1: think that, um, he's started this kind of epidemic. And 283 00:16:37,160 --> 00:16:40,800 Speaker 1: I celebrate Dave MAZONI, but he's an epidemic. Platinum blonde hair, 284 00:16:41,040 --> 00:16:45,800 Speaker 1: it's like you care all. It's like platinum one here 285 00:16:45,840 --> 00:16:47,840 Speaker 1: for twenty year old game man is like the new 286 00:16:47,880 --> 00:16:52,200 Speaker 1: like going abroad, like like you're not interesting now you 287 00:16:52,200 --> 00:16:55,640 Speaker 1: know what I mean? Okay, we loved it. We love Dave, 288 00:16:55,720 --> 00:16:57,200 Speaker 1: but you'll have to answer to him in just a 289 00:16:57,200 --> 00:17:00,880 Speaker 1: few short minutes. Um, hopefully all right, So let's move 290 00:17:00,920 --> 00:17:05,080 Speaker 1: on to isn't this is the young girl names? And yeah, 291 00:17:05,119 --> 00:17:08,040 Speaker 1: I just hate Kathy Undercover. I don't know if we're like, um, 292 00:17:08,359 --> 00:17:12,240 Speaker 1: Disney Channel people, what is Casey Undercover? Casey Undercover is 293 00:17:12,280 --> 00:17:14,640 Speaker 1: the story of Zendaia, who's like in a family setting. 294 00:17:14,680 --> 00:17:17,040 Speaker 1: It's on Disney Channel. It's her, her brother, her parents 295 00:17:17,080 --> 00:17:22,679 Speaker 1: all spies, her little sister. It's a robot and and 296 00:17:22,800 --> 00:17:25,560 Speaker 1: helps them spy. And like it's just like it's not 297 00:17:25,600 --> 00:17:27,280 Speaker 1: clear to na. For me, it's like give something to 298 00:17:27,520 --> 00:17:29,240 Speaker 1: I just feel like I need more star quality. And 299 00:17:29,280 --> 00:17:32,440 Speaker 1: the cardinal sin for these young girls is having not 300 00:17:32,720 --> 00:17:37,800 Speaker 1: star quality. We have a real nod in agreement. Right there, 301 00:17:37,800 --> 00:17:41,080 Speaker 1: she was saying, absolutely right, the girl plays the bot 302 00:17:41,119 --> 00:17:44,240 Speaker 1: a talent and where is she nowhere? It sounds like 303 00:17:44,240 --> 00:17:46,400 Speaker 1: we're fitty on this young girl. All right, let's talk 304 00:17:46,400 --> 00:17:48,960 Speaker 1: about this young girl. This is Seawan Mendez. That a 305 00:17:49,040 --> 00:17:52,600 Speaker 1: lot of hardy woos from the gays. He sit down 306 00:17:52,600 --> 00:17:56,400 Speaker 1: for this one. I'm sitting down literally nothing to say, 307 00:17:56,800 --> 00:17:59,119 Speaker 1: literally nothing to say. I feel like I think he 308 00:17:59,200 --> 00:18:03,000 Speaker 1: picked the wrong Baldwin to date. For me, it's Ireland, 309 00:18:04,000 --> 00:18:07,119 Speaker 1: it's Haley Baldwin. Wow, I think date if you're going 310 00:18:07,160 --> 00:18:10,280 Speaker 1: to date a Baldwin, Am I crazy? Like everyone's glass 311 00:18:10,320 --> 00:18:12,520 Speaker 1: lighting me. Everyone's like no Haley, Like, I'm like no. 312 00:18:14,400 --> 00:18:17,320 Speaker 1: What about the rumors from Alec Baldwin that she's an ungrateful, 313 00:18:17,359 --> 00:18:20,080 Speaker 1: spoiled little pig. I believe that's I believe that's from 314 00:18:20,119 --> 00:18:25,600 Speaker 1: Alec Baldwin's mouth himself. I celebrate that. Okay, on this 315 00:18:25,680 --> 00:18:28,200 Speaker 1: young girl. Okay, continuing, This is Lucy Hale from Pretty 316 00:18:28,200 --> 00:18:29,760 Speaker 1: Little Liars. I know a favorite trill of you. I 317 00:18:30,119 --> 00:18:33,040 Speaker 1: love Pretty Little Liars. I love any um art that 318 00:18:33,119 --> 00:18:36,040 Speaker 1: kind of there's the little story of gorgeous duplicitus teens 319 00:18:36,880 --> 00:18:39,000 Speaker 1: um and yeah, I'm a yesa and Lucy Hale, even 320 00:18:39,000 --> 00:18:42,600 Speaker 1: though she is my least favorite little liar by farm. 321 00:18:43,359 --> 00:18:45,320 Speaker 1: I love her choice to um to do truth or 322 00:18:45,320 --> 00:18:46,919 Speaker 1: a day or a story about what if teens had 323 00:18:46,960 --> 00:18:49,359 Speaker 1: to murder each other? And um, yeah, I think I was. 324 00:18:49,680 --> 00:18:52,080 Speaker 1: I love that she stopped with the middle part because 325 00:18:52,080 --> 00:18:53,719 Speaker 1: a middle part can be so helpful, but you have 326 00:18:53,800 --> 00:18:55,760 Speaker 1: to know when enough is enough with the middle part. 327 00:18:55,800 --> 00:18:59,040 Speaker 1: And I love her new hair, and I agree she's 328 00:18:59,119 --> 00:19:00,919 Speaker 1: rock in the middle part. There we think of this picture. 329 00:19:01,800 --> 00:19:04,360 Speaker 1: I'm giving nothing to come, give me nothing to cam. 330 00:19:04,760 --> 00:19:08,440 Speaker 1: She's giving this young girl here we go. Um, this 331 00:19:08,560 --> 00:19:11,920 Speaker 1: is Millie Bobby Brown, famous young girl, famous young girl. 332 00:19:11,920 --> 00:19:13,199 Speaker 1: And this when I feel a little bit like a 333 00:19:13,440 --> 00:19:15,960 Speaker 1: like coming for a young child, I like a Second 334 00:19:15,960 --> 00:19:20,720 Speaker 1: Amendment enthusiast. But I um, yeah, for me, it's like 335 00:19:20,760 --> 00:19:23,040 Speaker 1: she's every time I watch her, it's like always like 336 00:19:23,040 --> 00:19:25,400 Speaker 1: a talk back, like give me more, Hillary duff Less, 337 00:19:25,440 --> 00:19:29,399 Speaker 1: Daniel de Lewis, you know, like you're a fourteen years 338 00:19:29,400 --> 00:19:33,240 Speaker 1: old more more a Disney Channel lessons on the actor's studio, 339 00:19:33,640 --> 00:19:36,639 Speaker 1: You know, like you're a fourteen Let me vicariously live that. 340 00:19:36,840 --> 00:19:42,280 Speaker 1: Like I watched her in my forty seven. UM met 341 00:19:42,440 --> 00:19:44,560 Speaker 1: Hillary Duff today. How do you think she was in? 342 00:19:44,560 --> 00:19:48,240 Speaker 1: In three words? I think she was graceful, professional, annoying. 343 00:19:49,160 --> 00:19:50,800 Speaker 1: She was she was the first. She was the first. 344 00:19:51,000 --> 00:19:53,440 Speaker 1: She was not annoying, and I wanted to hear more. Okay, 345 00:19:53,480 --> 00:19:55,240 Speaker 1: great if Hillary, if you're out there, if you're listening, 346 00:19:55,800 --> 00:19:59,160 Speaker 1: but we're we're not holding to republicist anymore. Seven people said, 347 00:19:59,400 --> 00:20:03,359 Speaker 1: don't mention her neighbor was okay, we won't mention. Dieter 348 00:20:03,480 --> 00:20:07,480 Speaker 1: Addison Anna say this like that was a golden age 349 00:20:07,480 --> 00:20:08,760 Speaker 1: of these young girls, And I was like, you had 350 00:20:08,800 --> 00:20:11,200 Speaker 1: ban any Fair a cover, you had Olson's back to back, 351 00:20:11,320 --> 00:20:13,800 Speaker 1: you had Bloodell, you had Duff, you had Mandy Like 352 00:20:13,880 --> 00:20:16,919 Speaker 1: that was like that was they had a laundromat? Was 353 00:20:16,960 --> 00:20:18,440 Speaker 1: what was that? They were just kind of I think 354 00:20:18,480 --> 00:20:21,040 Speaker 1: in like a white space and like pale pink dresses. 355 00:20:21,240 --> 00:20:23,000 Speaker 1: I love that that photo could have been taken here. 356 00:20:23,840 --> 00:20:27,280 Speaker 1: I think it was taken. It was okay on this 357 00:20:27,359 --> 00:20:29,479 Speaker 1: young girl, and that was these young girls. Pat why 358 00:20:29,520 --> 00:20:31,640 Speaker 1: don't you go ahead to put that microp off back 359 00:20:31,680 --> 00:20:34,720 Speaker 1: in that hole. We gotta keep things moving. Cat's gonna 360 00:20:34,760 --> 00:20:36,159 Speaker 1: take a seat and join us for the rest of 361 00:20:36,160 --> 00:20:39,120 Speaker 1: the show. But for now it's gonna be everyone get 362 00:20:39,119 --> 00:20:41,639 Speaker 1: out your phones and put on the flesh, because we 363 00:20:41,640 --> 00:20:46,480 Speaker 1: are about to be served a red carpet moment with 364 00:20:46,520 --> 00:21:03,080 Speaker 1: any come on any any world, all over the world, Annie, Annie, 365 00:21:03,080 --> 00:21:06,320 Speaker 1: We're here, Annie, Here, Annie, Ready, all over the world. 366 00:21:06,359 --> 00:21:09,200 Speaker 1: There's poverty. Where are you raging tonight? Annie? What do 367 00:21:09,280 --> 00:21:11,159 Speaker 1: you say about the poverty in the world? What do 368 00:21:11,200 --> 00:21:16,399 Speaker 1: you have to say? Annie? Can you any question? Ednie? 369 00:21:16,680 --> 00:21:18,919 Speaker 1: Get on the mic, and I'm like, Eddie, what are 370 00:21:18,920 --> 00:21:23,639 Speaker 1: you wearing tonight? Honey, I'm wearing my own mother Nature original. 371 00:21:24,240 --> 00:21:27,920 Speaker 1: Oh my god, did you make it? Yes? I made Annie. 372 00:21:27,960 --> 00:21:30,680 Speaker 1: When are you getting a baby? I'm getting a baby 373 00:21:30,680 --> 00:21:33,120 Speaker 1: at the end of summer. So anyone want to come 374 00:21:33,160 --> 00:21:36,399 Speaker 1: rub my feet? Eddie? Annie? And you keep talking and 375 00:21:36,440 --> 00:21:40,000 Speaker 1: tweeting about your husband's prick. How is it doing, Honey? 376 00:21:40,119 --> 00:21:43,960 Speaker 1: My husband's prick isn't the whole reason this thing got started? Okay? 377 00:21:44,160 --> 00:21:47,199 Speaker 1: He drew a condom on his dick. I fell for it, 378 00:21:47,280 --> 00:21:52,920 Speaker 1: and here we are, and you're so dumb, Annie, Annie. 379 00:21:53,920 --> 00:21:57,159 Speaker 1: Emma Stone is gonna play Cruela to Bill thoughts in 380 00:21:57,200 --> 00:22:01,199 Speaker 1: a live action film? I mean, was middle are not available? 381 00:22:02,840 --> 00:22:08,199 Speaker 1: I don't think she was. Okay, that's okay, Eddie, Annie, Annie, 382 00:22:08,280 --> 00:22:12,000 Speaker 1: Fuck Younie, Annie? Are you gonna do you to have 383 00:22:12,040 --> 00:22:15,399 Speaker 1: a little glass of wine? You're on your third trimester, honey, 384 00:22:15,520 --> 00:22:21,200 Speaker 1: Been there, done that? Annie? Who was not the best president, 385 00:22:21,240 --> 00:22:23,639 Speaker 1: not the worst president, but the most mediocre president, the 386 00:22:23,680 --> 00:22:25,960 Speaker 1: one in the middle, number twenty six, Oh my god, 387 00:22:26,000 --> 00:22:31,680 Speaker 1: the one of the bathtub taft. Yes, we love that, though. 388 00:22:31,920 --> 00:22:35,240 Speaker 1: Patty questions for Annie, Annie, how's it going to be 389 00:22:35,240 --> 00:22:42,199 Speaker 1: a stupid bad We are family, we are lost countries 390 00:22:42,200 --> 00:22:48,160 Speaker 1: in his family, and we're both stupid bitches. Ye, try 391 00:22:48,240 --> 00:22:51,200 Speaker 1: the music up, and it's only is gonna remain with us. 392 00:22:51,520 --> 00:22:53,680 Speaker 1: Put that mic in the hole like your husband. Play 393 00:22:53,720 --> 00:22:56,000 Speaker 1: is pricking you? Okay, but you and pat are gonna 394 00:22:56,000 --> 00:22:57,720 Speaker 1: share a mic on this side, and then there's another 395 00:22:57,760 --> 00:22:59,760 Speaker 1: mic over there for the rest of you. Cons have guests, 396 00:22:59,760 --> 00:23:02,520 Speaker 1: phil In and everyone. We're very proud to welcome our 397 00:23:02,560 --> 00:23:05,280 Speaker 1: next guest. Now, this actually is a really special one 398 00:23:05,359 --> 00:23:07,840 Speaker 1: because you know this guest. This this next guest as 399 00:23:07,880 --> 00:23:11,920 Speaker 1: a frequent friend collaborator of ours guests on our podcast. 400 00:23:11,920 --> 00:23:14,919 Speaker 1: But he's got a new job. Yes, he is the 401 00:23:15,080 --> 00:23:21,960 Speaker 1: teen social media director of the b Best campaign Man 402 00:23:22,240 --> 00:23:25,280 Speaker 1: Trump's be Best campaign. Everyone, please, welcome to the stage. 403 00:23:25,359 --> 00:23:32,400 Speaker 1: Teen social social media manager Davi Zoning. Yes, Dave, Hi, Dave, 404 00:23:32,840 --> 00:23:41,720 Speaker 1: what a team Dave here's talked about this? Hello everyone? Hi? Oh, 405 00:23:41,800 --> 00:23:44,160 Speaker 1: I feel so blessed to be seventeen. It is so 406 00:23:44,280 --> 00:23:47,960 Speaker 1: lit to be here. Wow, he's he has the lingo down. 407 00:23:48,520 --> 00:23:52,240 Speaker 1: It is lit tonight, guys. I'm so excited to be 408 00:23:52,320 --> 00:23:55,720 Speaker 1: here as a teen representative for the B Best campaign. Um, 409 00:23:55,800 --> 00:23:58,879 Speaker 1: you wouldn't believe. Just two weeks ago, I received an 410 00:23:58,880 --> 00:24:02,199 Speaker 1: email in my Gmail LM on my phone and it 411 00:24:02,280 --> 00:24:05,800 Speaker 1: was the Melania Trump the entire office, asking me if 412 00:24:05,840 --> 00:24:09,920 Speaker 1: I would take on the entire B Best campaign. They said, 413 00:24:09,960 --> 00:24:12,119 Speaker 1: we don't really know where we're headed with this, can you? 414 00:24:12,800 --> 00:24:16,080 Speaker 1: And I said, okay, sure, So here here I am. 415 00:24:16,119 --> 00:24:17,960 Speaker 1: And you know, I'm very excited to talk with you 416 00:24:17,960 --> 00:24:20,680 Speaker 1: guys about what we have planned for the B Best campaign. 417 00:24:20,880 --> 00:24:24,080 Speaker 1: You know, being a teen, I just think about, you 418 00:24:24,119 --> 00:24:26,840 Speaker 1: know what what am I most concerned with? What am 419 00:24:26,840 --> 00:24:33,800 Speaker 1: I constantly thinking about? Is it Demilovado's you know, sobriety? Maybe? Um? 420 00:24:34,160 --> 00:24:36,040 Speaker 1: Is it? You know? Is it whether or not my 421 00:24:36,080 --> 00:24:39,160 Speaker 1: mom bought the correct flavor of tide pod. Um. Yes, 422 00:24:39,280 --> 00:24:42,800 Speaker 1: that's a freaking concern um only like certain flavors. But 423 00:24:43,119 --> 00:24:47,640 Speaker 1: I will say that my primary concern um is Instagram. Um. 424 00:24:47,720 --> 00:24:49,440 Speaker 1: And so that is what the b Best campaign is 425 00:24:49,480 --> 00:24:51,399 Speaker 1: going to be all about, guys. Um, It's going to 426 00:24:51,440 --> 00:24:53,880 Speaker 1: be about the thing concerning me most as a teen, 427 00:24:54,080 --> 00:24:57,960 Speaker 1: which is Instagram. Um. So here, I guess we'll first 428 00:24:58,000 --> 00:25:00,159 Speaker 1: ask what does it mean to be best? Um? The 429 00:25:00,320 --> 00:25:04,320 Speaker 1: best means living your best life? Yes, Um, So feeling 430 00:25:04,359 --> 00:25:06,520 Speaker 1: your best so that you realize your best is more 431 00:25:06,600 --> 00:25:11,359 Speaker 1: better than others best. And when your best is better, 432 00:25:11,440 --> 00:25:15,760 Speaker 1: that that is that's good best, that is best. Um. Yeah, 433 00:25:16,080 --> 00:25:18,639 Speaker 1: But how do you know for certain if your best 434 00:25:18,760 --> 00:25:21,920 Speaker 1: is better? Um? And that's the question I keep asking 435 00:25:21,920 --> 00:25:23,720 Speaker 1: myself as I fall asleep with my phone in my 436 00:25:23,760 --> 00:25:28,600 Speaker 1: hand nightly. UM. So I then say, um, followers, and 437 00:25:28,720 --> 00:25:31,840 Speaker 1: that's really what this initiative, be Best is here to 438 00:25:32,080 --> 00:25:37,080 Speaker 1: bring followers to the unfollowed um, just to drive the morale. 439 00:25:37,240 --> 00:25:39,359 Speaker 1: And and you know, it's it's not about being a leader, 440 00:25:39,560 --> 00:25:43,639 Speaker 1: it's about having followers. And so I just want to 441 00:25:43,720 --> 00:25:45,760 Speaker 1: drive that home. And I'm really excited. I've really, like 442 00:25:45,800 --> 00:25:48,520 Speaker 1: I said, been given free reign of this campaign. So 443 00:25:48,680 --> 00:25:51,919 Speaker 1: as a seventeen year old, I'm having fun, all right, 444 00:25:52,000 --> 00:25:55,440 Speaker 1: thank you? UM? So well, yes, like I said, America's 445 00:25:55,480 --> 00:25:58,480 Speaker 1: youth getting followed and and that's what this campaign is 446 00:25:58,480 --> 00:26:01,439 Speaker 1: all about. So the three of the Best, I'll tell you, 447 00:26:01,480 --> 00:26:03,320 Speaker 1: I did this in fifteen minutes. So here we go. 448 00:26:04,040 --> 00:26:09,359 Speaker 1: UM followers, content and contouring. We'll get it so followers. 449 00:26:09,400 --> 00:26:13,000 Speaker 1: Like I said, UM, it's very important turning leaders into followers. 450 00:26:13,200 --> 00:26:16,360 Speaker 1: Get kids of t K by fifteen, because how are 451 00:26:16,359 --> 00:26:19,760 Speaker 1: they supposed to survive in this climate? It's very important. 452 00:26:19,880 --> 00:26:22,879 Speaker 1: And also hashtags, we think I'm not exactly sure how 453 00:26:22,960 --> 00:26:25,920 Speaker 1: they work, but I'm certain that they do. UM content 454 00:26:26,040 --> 00:26:30,199 Speaker 1: for the next generation. Another very important thing in Instagram, UM, 455 00:26:30,400 --> 00:26:33,280 Speaker 1: something that the b Best campaign has been working tirelessly 456 00:26:33,359 --> 00:26:37,240 Speaker 1: to help improve. UM. We're gonna be creating access to 457 00:26:37,400 --> 00:26:41,200 Speaker 1: basic post care UM, which is going to include photo shoots. 458 00:26:41,200 --> 00:26:44,399 Speaker 1: You know, post care. Every team deserves kind of a 459 00:26:44,440 --> 00:26:50,359 Speaker 1: photo on the beach where they're kind of looking this way, wow, 460 00:26:51,400 --> 00:26:53,600 Speaker 1: did or maybe like they're tossing their hair like a 461 00:26:53,600 --> 00:26:56,680 Speaker 1: little bit but they don't see you though they've asked 462 00:26:56,720 --> 00:27:03,400 Speaker 1: you to take the photo, but they're yes, something like that. UM, 463 00:27:03,440 --> 00:27:06,760 Speaker 1: so yeah, we're working on that um merch obviously, but 464 00:27:06,840 --> 00:27:09,600 Speaker 1: that that's a given. And also sponsors. Um, we've been 465 00:27:09,640 --> 00:27:16,879 Speaker 1: in talks with T Mobile. Um all right. We have 466 00:27:17,080 --> 00:27:20,840 Speaker 1: access to food for all these teams as a part 467 00:27:20,840 --> 00:27:27,240 Speaker 1: of the BBST campaign, such as avocado toast. Um. We 468 00:27:27,359 --> 00:27:30,440 Speaker 1: also have outreach which we're doing and we're out there 469 00:27:30,520 --> 00:27:33,479 Speaker 1: and we're reaching out um so um with that, we're 470 00:27:33,520 --> 00:27:37,080 Speaker 1: gonna be having murals of angel wings. We need war 471 00:27:37,200 --> 00:27:41,000 Speaker 1: murals because um, it's such a good photo. Um. We 472 00:27:41,080 --> 00:27:44,920 Speaker 1: also need Broadway playbills because you can't legally take any 473 00:27:44,960 --> 00:27:47,359 Speaker 1: other photos into there, but we want to know you're there, okay. Um. 474 00:27:47,359 --> 00:27:52,920 Speaker 1: And also succulents from above I find all right so 475 00:27:53,040 --> 00:27:57,080 Speaker 1: and also contouring, um so your face but best So 476 00:27:57,240 --> 00:27:59,960 Speaker 1: I'm guys, this kind of came into into the pillar 477 00:28:00,000 --> 00:28:02,399 Speaker 1: a sort of in the wee hours and I'll just 478 00:28:02,440 --> 00:28:04,680 Speaker 1: say it was part of my obsession with how much 479 00:28:04,760 --> 00:28:08,320 Speaker 1: this can truly change your face. UM. Drag is incredible. 480 00:28:08,520 --> 00:28:11,600 Speaker 1: UM so yeah, um this this is a six ft 481 00:28:11,640 --> 00:28:16,040 Speaker 1: black man and this is a fisherman. Um And but 482 00:28:16,119 --> 00:28:20,719 Speaker 1: with the power of contouring, YouTube can be best. And 483 00:28:20,800 --> 00:28:25,680 Speaker 1: you'd think I would say be the best, but no, UM, alright, great, 484 00:28:25,720 --> 00:28:30,000 Speaker 1: so here's some data. UM. So this is real data 485 00:28:30,080 --> 00:28:33,280 Speaker 1: from a real place. UM. And so as you can see, 486 00:28:33,400 --> 00:28:37,080 Speaker 1: as in the early seventies people didn't have many followers, 487 00:28:38,080 --> 00:28:41,200 Speaker 1: There wasn't many. So as it gets better, the green 488 00:28:41,280 --> 00:28:45,840 Speaker 1: correlates to UM being your best, as red correlates to followers. 489 00:28:45,880 --> 00:28:47,280 Speaker 1: It was in the New York Times. I promise you 490 00:28:47,280 --> 00:28:50,040 Speaker 1: don't look it up. UM. And we've also very excited 491 00:28:50,080 --> 00:28:53,400 Speaker 1: to welcome one of our first UM major influences to 492 00:28:53,440 --> 00:28:59,120 Speaker 1: the campaign, Will Mayo, UM, who is an alien doll, 493 00:29:00,080 --> 00:29:04,320 Speaker 1: UM who has a clothing line and one point seven 494 00:29:04,320 --> 00:29:08,360 Speaker 1: million followers UM and hangs out with Rihanna. I'm very serious, 495 00:29:08,760 --> 00:29:14,120 Speaker 1: little little Mayo. The stories are, Little Mayo, please watch. 496 00:29:14,160 --> 00:29:16,840 Speaker 1: The stories are are absolutely insane. So I guess what 497 00:29:16,880 --> 00:29:21,760 Speaker 1: I'm saying is, guys, be best, UM, because you know, 498 00:29:22,280 --> 00:29:25,640 Speaker 1: as the world continues to turn, followers become more and 499 00:29:25,680 --> 00:29:29,000 Speaker 1: more important, and being seventeen, I know that better than 500 00:29:29,120 --> 00:29:33,120 Speaker 1: any of you. UM. So yeah, UM, helping the next 501 00:29:33,120 --> 00:29:36,640 Speaker 1: generation get verified, guys, Thank you so much the best. 502 00:29:36,680 --> 00:29:40,680 Speaker 1: Today everything is so much clearer, thank you, damazone. It 503 00:29:40,760 --> 00:29:44,360 Speaker 1: literally is clearer than it was before. Amazing. Dave's gonna 504 00:29:44,440 --> 00:29:47,480 Speaker 1: join us. But now let's move on. It is another 505 00:29:48,160 --> 00:29:58,480 Speaker 1: red carpet moment with Sindy Washington. Thank you, Sydy City microphone. 506 00:29:59,760 --> 00:30:03,520 Speaker 1: They did he take Tony? Is my Sydney move? Yeah? 507 00:30:04,880 --> 00:30:09,560 Speaker 1: Oh my god, oh my god, Sydy Sydney. How many licks? 508 00:30:09,600 --> 00:30:12,560 Speaker 1: How many licks? How many licks? Play the music just 509 00:30:12,600 --> 00:30:18,479 Speaker 1: a little bit louder? How many licks? I can't hear you, 510 00:30:18,720 --> 00:30:22,800 Speaker 1: I can't hear you? How over my beauty? I'm sorry? Ship? Okay, Sidney, 511 00:30:22,800 --> 00:30:24,680 Speaker 1: how many licks? Hay to get to the middle of 512 00:30:24,680 --> 00:30:29,719 Speaker 1: this tutsie? Pop? A thousand? A thousand dollars? Actually, Sydney, 513 00:30:29,720 --> 00:30:32,560 Speaker 1: Sidney recycling is huge right now? If you had a boat, 514 00:30:32,600 --> 00:30:35,320 Speaker 1: where would you go? If I had a boat, where 515 00:30:35,320 --> 00:30:39,760 Speaker 1: would I go? Capri thing? Okay, Sidney, what is your 516 00:30:39,800 --> 00:30:43,440 Speaker 1: advice for all the children? My advice for all the 517 00:30:43,520 --> 00:30:48,800 Speaker 1: children is shop at Century one Contemporary section Ship. They 518 00:30:48,800 --> 00:30:52,320 Speaker 1: have twenty good pans, Yes they do. And I always 519 00:30:52,320 --> 00:30:54,440 Speaker 1: asked where's the sale, and they're like, this whole place 520 00:30:54,520 --> 00:30:57,960 Speaker 1: is a sale. I'm like, okay, you're right, Sidney. When 521 00:30:58,000 --> 00:31:00,720 Speaker 1: are you gonna do your Vegas residents? When am I 522 00:31:00,760 --> 00:31:05,040 Speaker 1: doing my Vegas very Sycy after the show. Have a 523 00:31:05,080 --> 00:31:08,640 Speaker 1: PJ waiting for me right after this private jet For 524 00:31:08,680 --> 00:31:13,320 Speaker 1: those people who don't know what sendy well again crazy tonight. 525 00:31:13,840 --> 00:31:18,640 Speaker 1: Where are we getting crazy? Lean will still even go there? 526 00:31:19,680 --> 00:31:22,760 Speaker 1: Sidney crew, Okay, I got it. This is the le 527 00:31:22,840 --> 00:31:25,840 Speaker 1: Blond Crew. Okay, I got it. Sidney tell us a poem, 528 00:31:26,160 --> 00:31:30,760 Speaker 1: a poem the music off. Roses are red, violets are blue. 529 00:31:31,440 --> 00:31:38,880 Speaker 1: You need more black friends. There you go, Sidney Washington. Gentlemen, Okay, 530 00:31:39,000 --> 00:31:44,120 Speaker 1: wow um, I just handed my glasses off to my 531 00:31:44,240 --> 00:31:47,000 Speaker 1: co host because he needs to do a really quick change. 532 00:31:47,000 --> 00:31:49,080 Speaker 1: And I we fought over this, I said Matt. Their 533 00:31:49,120 --> 00:31:52,840 Speaker 1: prescription lenses. They will damage your eyes in addition to 534 00:31:52,880 --> 00:31:57,480 Speaker 1: rendering me legally blind. But he wants to commit to 535 00:31:57,520 --> 00:32:00,320 Speaker 1: this because there's a costume element. But now, please welcome 536 00:32:00,320 --> 00:32:03,160 Speaker 1: to the stage. The host of his hit show on 537 00:32:03,320 --> 00:32:09,800 Speaker 1: VH one Other Gideon Papa Demo Kus Dealist celebrity, corresponding, Gideon, 538 00:32:09,840 --> 00:32:14,560 Speaker 1: where are you here? We are here? We are yasass. 539 00:32:14,800 --> 00:32:19,920 Speaker 1: Golly st ya sass, that is yas ass. That is 540 00:32:19,920 --> 00:32:23,480 Speaker 1: how we say hello in Greek. Gideon, how are you 541 00:32:23,480 --> 00:32:26,000 Speaker 1: get getting We're running out of time, so fucking tired. 542 00:32:26,880 --> 00:32:31,920 Speaker 1: And right after this, get this, me and Time Daily 543 00:32:32,920 --> 00:32:37,880 Speaker 1: are getting on a big ship. I can't see a 544 00:32:37,960 --> 00:32:40,840 Speaker 1: fucking thing, and we're just heading out into the middle 545 00:32:40,880 --> 00:32:42,640 Speaker 1: of the ocean and we're gonna We're just gonna see 546 00:32:42,680 --> 00:32:46,560 Speaker 1: what happens. Do you, guys? No, Time Daily the biggest 547 00:32:46,640 --> 00:32:50,480 Speaker 1: celebrity that there is. Today everyone is talking about Time. 548 00:32:50,720 --> 00:32:52,920 Speaker 1: Let me tell you a little bit about who I am. 549 00:32:52,960 --> 00:32:55,120 Speaker 1: My name is Gideon Papa Deimo cous I am the 550 00:32:55,160 --> 00:33:01,160 Speaker 1: host of with Gideon. Now I know, spelled out gasp 551 00:33:01,400 --> 00:33:04,880 Speaker 1: with Gideon. Whoa um. But the thing is, it's a 552 00:33:05,160 --> 00:33:09,360 Speaker 1: it's actually and you have to grab your friends. Now. 553 00:33:09,480 --> 00:33:12,120 Speaker 1: I have a show on v H one other This 554 00:33:12,160 --> 00:33:15,040 Speaker 1: is different from v each one. This is we, of 555 00:33:15,040 --> 00:33:18,400 Speaker 1: course have different shows. We have not RuPaul's Dragons, we 556 00:33:18,440 --> 00:33:23,680 Speaker 1: have Serena Chash shows, drag Ras, we have Um Love 557 00:33:23,720 --> 00:33:28,680 Speaker 1: and Hip Hop Reno, and we have the Moderately Behaved 558 00:33:28,840 --> 00:33:32,120 Speaker 1: Girls Club. So we have a lot of amazing shows. 559 00:33:32,160 --> 00:33:36,040 Speaker 1: And my show is on four thirty AM Central and 560 00:33:36,040 --> 00:33:39,400 Speaker 1: we have dozens of viewers. And so basically, guys, what 561 00:33:39,480 --> 00:33:41,320 Speaker 1: I do is I keep up to date with all 562 00:33:41,360 --> 00:33:43,360 Speaker 1: the D list gossip and I am here to spill 563 00:33:43,440 --> 00:33:47,360 Speaker 1: the tea. Okay, here we go. Gideon says, we are 564 00:33:47,400 --> 00:33:52,200 Speaker 1: now on Normandy Watch. Fifth Harmony has broken up. We 565 00:33:52,240 --> 00:33:57,000 Speaker 1: are on Normandy Watch. Does everyone know Normany? Is Normandy 566 00:33:57,040 --> 00:34:00,640 Speaker 1: the best member of Fifth Harmony? No, Camilla is objectively 567 00:34:00,840 --> 00:34:04,560 Speaker 1: the best Harmony. But Camilla is a B list celebrity, 568 00:34:04,560 --> 00:34:07,080 Speaker 1: so we are not looking for her. We're looking for Normann. 569 00:34:07,920 --> 00:34:11,000 Speaker 1: Where is Normani? We don't know, but we are looking 570 00:34:12,000 --> 00:34:15,520 Speaker 1: all right, Here we go, moving on. Normany has been 571 00:34:15,560 --> 00:34:19,919 Speaker 1: spotted at several places having a secret ran Da Vu 572 00:34:21,920 --> 00:34:27,239 Speaker 1: with the legendary A list celebrity be Linda Carlyle at 573 00:34:27,280 --> 00:34:29,920 Speaker 1: the famed l I Eat Spot in and out. They 574 00:34:29,920 --> 00:34:37,160 Speaker 1: were seen, and the question is begged, were they talking? Collapse? Okay? 575 00:34:37,360 --> 00:34:42,000 Speaker 1: Normani was spotted leaving Best By Los Angeles after a 576 00:34:42,160 --> 00:34:45,239 Speaker 1: spat with former Biffle Coral from the Real World World 577 00:34:45,280 --> 00:34:48,719 Speaker 1: Rules Challenge, and it begs the question what were they 578 00:34:48,760 --> 00:34:53,080 Speaker 1: doing buying a fish tank? Oh my god? She was 579 00:34:53,160 --> 00:34:56,760 Speaker 1: spotted on the cellular phone while driving, and it begs 580 00:34:56,800 --> 00:35:00,880 Speaker 1: the question was she talking with someone? We are on 581 00:35:00,960 --> 00:35:04,080 Speaker 1: nor Money Watch. Either way, stay tuned on with Gideon 582 00:35:04,120 --> 00:35:08,040 Speaker 1: and we're gonna give you all the Normaney news. Okay, 583 00:35:08,080 --> 00:35:13,719 Speaker 1: now everyone is talking about the biggest A List star. No, 584 00:35:13,800 --> 00:35:16,160 Speaker 1: I'm not talking about Angelina Julia. I'm talking about Mary 585 00:35:16,200 --> 00:35:22,720 Speaker 1: steen Bergen. Her performance in the upcoming film Book Club 586 00:35:23,560 --> 00:35:26,640 Speaker 1: is receiving Golden Glove buzz. What is the golden glove? 587 00:35:26,880 --> 00:35:30,480 Speaker 1: The Golden Gloves is like the Golden Globes, except much shittier. 588 00:35:31,280 --> 00:35:34,000 Speaker 1: And it's five women who are over the age of 589 00:35:34,040 --> 00:35:36,640 Speaker 1: sixty who have had their hands burned in the kitchen 590 00:35:36,960 --> 00:35:40,440 Speaker 1: and they vote on an awards and Mary Steinbergen is 591 00:35:40,520 --> 00:35:47,040 Speaker 1: all the ridge I cannot see. Okay, we're gonna move on. Okay, 592 00:35:47,080 --> 00:35:49,640 Speaker 1: now every course the med Gala. We all saw the 593 00:35:49,640 --> 00:35:53,279 Speaker 1: med Gala. Everyone's talking about bees med Gala fashions. Here 594 00:35:53,320 --> 00:35:59,640 Speaker 1: we go Amy, Amy, she's known as the Queen you mean, 595 00:35:59,719 --> 00:36:04,120 Speaker 1: the Brandonan. She just let's slip on the carpet. There 596 00:36:04,120 --> 00:36:06,440 Speaker 1: are toughs that we've all been talking about it and 597 00:36:06,520 --> 00:36:09,239 Speaker 1: it's confirmed. There's gonna be a judging Amy reunion. Will 598 00:36:09,239 --> 00:36:13,480 Speaker 1: and answer the question what will Amy decide in her judgment? 599 00:36:14,400 --> 00:36:16,080 Speaker 1: That was the big question. That was the will they 600 00:36:16,080 --> 00:36:19,160 Speaker 1: will won't they? Ross? Rachel, it was what would she 601 00:36:19,320 --> 00:36:22,680 Speaker 1: judge and we're gonna find out in the reunion. Okay, 602 00:36:22,719 --> 00:36:25,920 Speaker 1: this is this is a picture of countries reigning Queen 603 00:36:26,360 --> 00:36:32,320 Speaker 1: Naomi Judd at the Met Gala. Whispers of an amazing 604 00:36:32,440 --> 00:36:36,360 Speaker 1: race cameo filled the Met Gala at the Met Gala, 605 00:36:36,520 --> 00:36:39,560 Speaker 1: so let's keep an eye out offer Naomi Judd's moves. 606 00:36:39,840 --> 00:36:44,959 Speaker 1: And of course Time. You can't stop talking about Time. 607 00:36:45,040 --> 00:36:47,759 Speaker 1: She's the only name on everyone's lips. And that is 608 00:36:47,800 --> 00:36:53,959 Speaker 1: her at the Met Gala looking so happy slash scared. Okay, Now, 609 00:36:54,120 --> 00:36:57,960 Speaker 1: the famous segment of Gideon Papa Demo Custa Show is 610 00:36:58,000 --> 00:37:01,840 Speaker 1: can't we talk about Nicolet? Nicola Sheridan, the star of 611 00:37:01,880 --> 00:37:06,440 Speaker 1: Knots Landing and Desperate Housewives. Every week on my show 612 00:37:06,840 --> 00:37:08,560 Speaker 1: we talk about what she's been up to and we 613 00:37:08,600 --> 00:37:11,480 Speaker 1: answer the question can we talk about Nicolette? So this 614 00:37:11,520 --> 00:37:14,680 Speaker 1: week can we talk about Nicolette? No, there's nothing going 615 00:37:14,760 --> 00:37:20,160 Speaker 1: on Radio silent from Captain Nicolette. Obviously there's a lot 616 00:37:20,200 --> 00:37:22,360 Speaker 1: to look forward to, just nothing going on this week. 617 00:37:22,560 --> 00:37:24,800 Speaker 1: So thank you all so much. Make sure you watch 618 00:37:25,440 --> 00:37:29,840 Speaker 1: with Gideon. I'm gonna go get on that boat with 619 00:37:29,920 --> 00:37:34,440 Speaker 1: Time's daily. Thank you so much. Wow, give it up 620 00:37:34,440 --> 00:37:41,920 Speaker 1: for Gideon Papadimo cous everyone. Wow, that was um, that 621 00:37:42,000 --> 00:37:47,320 Speaker 1: was that was truly upsetting Amy the Queen Brennaman. Um, No, thanks, 622 00:37:47,880 --> 00:37:50,799 Speaker 1: I uh know, I love Amy. We love Amy. What 623 00:37:50,840 --> 00:37:55,440 Speaker 1: do we think about Amy? We're like, yeah, Kelly Briscoe, 624 00:37:55,440 --> 00:38:00,000 Speaker 1: thank Kelly, and that is what we think about Amy. Yeah, 625 00:38:00,239 --> 00:38:08,640 Speaker 1: it's time for another Red Carmelle. Here we go. Wait, 626 00:38:08,920 --> 00:38:12,959 Speaker 1: she's rounding the she was going through the backage. She's 627 00:38:13,000 --> 00:38:19,080 Speaker 1: going through the back of walking. Yes, Oh, she's going 628 00:38:19,120 --> 00:38:31,279 Speaker 1: through the back of the house. Darling, Oh moyes, yes, 629 00:38:31,520 --> 00:38:35,120 Speaker 1: mo Mo. But what are you wearing tonight? What are 630 00:38:35,160 --> 00:38:38,799 Speaker 1: you wearing that moment? By Walgreen? Bet mom by Walgreen. 631 00:38:39,600 --> 00:38:41,799 Speaker 1: Did you hear Yanni or loyal? Or should I shut 632 00:38:41,840 --> 00:38:45,480 Speaker 1: the funk up with this question? I don't pay attention 633 00:38:45,520 --> 00:38:50,960 Speaker 1: to Instagram too busy, Okay, we'll fig of Instagram. How 634 00:38:51,000 --> 00:38:54,200 Speaker 1: many stories is too many stories within a twenty four 635 00:38:54,239 --> 00:38:56,480 Speaker 1: hour period? There's only ten stories in the world. And 636 00:38:56,520 --> 00:39:02,880 Speaker 1: where all are we telling our own thoughts on Samantha Mamba. 637 00:39:03,600 --> 00:39:07,480 Speaker 1: Samantha Mamba, you know, yeah, I loved her like denim 638 00:39:07,520 --> 00:39:13,000 Speaker 1: fucking miniskirt. That is a question. Have you seen Rachel 639 00:39:13,040 --> 00:39:15,360 Speaker 1: Bilton in the Chapstick commercials. I never said, why do 640 00:39:15,400 --> 00:39:23,400 Speaker 1: you think Rachel? Who Bilson? That's exactly what I mean. Mo. 641 00:39:23,640 --> 00:39:25,719 Speaker 1: Haven't you got the chance to meet Jacob the very 642 00:39:25,800 --> 00:39:29,240 Speaker 1: nice stage manager. Oh my god, he's gorge He's really 643 00:39:30,400 --> 00:39:32,879 Speaker 1: We're looking good. He's like, um, um, what's that one 644 00:39:32,880 --> 00:39:35,320 Speaker 1: guy from West World with that other handsome guy? Oh 645 00:39:35,680 --> 00:39:38,560 Speaker 1: not James Morriston, Yes, the other one? Or do you 646 00:39:38,640 --> 00:39:40,920 Speaker 1: mean James? Both of them? I agree, he looks like 647 00:39:40,960 --> 00:39:45,040 Speaker 1: both people look the same. Puts. Cut the music down, 648 00:39:45,960 --> 00:39:54,680 Speaker 1: take us on a musical journey. Oh my god, listen 649 00:39:57,680 --> 00:40:12,800 Speaker 1: the song he Oh my god, I'm Beyonce. Sorry, Um, 650 00:40:13,080 --> 00:40:17,279 Speaker 1: all the time has come from my dreams. Will be hard, Yes, 651 00:40:17,480 --> 00:40:22,000 Speaker 1: I will not be. What's just sad turned turned into 652 00:40:22,160 --> 00:40:37,439 Speaker 1: your own because you want everyone fry pass everybody. Thank 653 00:40:37,480 --> 00:40:39,440 Speaker 1: you so much, mam. You are giving us a calm 654 00:40:39,480 --> 00:40:45,279 Speaker 1: the Scarson look. Yes, yes, okay, guys, we're gonna move on. 655 00:40:45,360 --> 00:40:47,839 Speaker 1: This is a quick little game from me to you. 656 00:40:47,960 --> 00:40:50,960 Speaker 1: We're gonna blaze through this because it's a pretty straightforward game. 657 00:40:51,480 --> 00:40:55,200 Speaker 1: It's called Asian trivia. So when we're just gonna ask 658 00:40:55,239 --> 00:40:57,799 Speaker 1: some basic questions about Asian culture. We're gonna go through 659 00:40:57,800 --> 00:40:59,839 Speaker 1: them together. It's very h Q style. The questions get 660 00:40:59,840 --> 00:41:02,680 Speaker 1: hard as we go along. I am um. I've been 661 00:41:02,680 --> 00:41:05,560 Speaker 1: told I'm like a Scott Rigowski but even more uncomfortable. 662 00:41:05,719 --> 00:41:10,160 Speaker 1: So let's get through this right now? Shall it is? Me? Do? 663 00:41:10,280 --> 00:41:12,160 Speaker 1: Here we go? Here we go? Question one? What is 664 00:41:12,160 --> 00:41:14,120 Speaker 1: the name of the lead actress in the upcoming Crazy 665 00:41:14,239 --> 00:41:18,000 Speaker 1: Rich Asians film adaptation? Is aiming? Now? When be constant? 666 00:41:18,000 --> 00:41:20,560 Speaker 1: Swou see Tilda Swinton? What's the answer? I'm gonna go 667 00:41:20,600 --> 00:41:22,480 Speaker 1: out to the audience. Anyone have an idea? Does anyone 668 00:41:22,480 --> 00:41:25,560 Speaker 1: know the answer? Answer? Coming over here? Do you know 669 00:41:25,560 --> 00:41:30,680 Speaker 1: who the answer? And she's right? The answer is correct? Okay. 670 00:41:30,800 --> 00:41:33,360 Speaker 1: Let's put a question to which the following is not 671 00:41:33,440 --> 00:41:36,480 Speaker 1: a major Asian body of water and the Indian Ocean 672 00:41:36,560 --> 00:41:39,960 Speaker 1: be the Yangz River see my parents days. Anyone answer 673 00:41:40,000 --> 00:41:43,800 Speaker 1: to this question? Let's as to the answer. Yes, should 674 00:41:43,800 --> 00:41:46,840 Speaker 1: be screaming and the question and the answer is correct. 675 00:41:46,960 --> 00:41:51,880 Speaker 1: My parents, thank you, It's amazing. Okay. Question three? According 676 00:41:51,920 --> 00:41:54,840 Speaker 1: to my parents, my childhood acquaintance from saddling me or 677 00:41:54,880 --> 00:41:58,000 Speaker 1: summer camp Sidney Shoe just got a job as what 678 00:41:58,239 --> 00:42:04,560 Speaker 1: a product engineer being your rology residency, hedge fund manager's question. 679 00:42:05,120 --> 00:42:10,239 Speaker 1: Quick as you say, bus, none of those and she's 680 00:42:10,239 --> 00:42:15,399 Speaker 1: in law school. A little trick question there, little little edge. Yes, Okay, great, 681 00:42:15,440 --> 00:42:18,680 Speaker 1: Let's let's see a question four. Between five and nine 682 00:42:19,440 --> 00:42:22,439 Speaker 1: Chinese immigrants suffered the indignation of a head tax upon 683 00:42:22,560 --> 00:42:26,320 Speaker 1: entering which country was a Peru, b Russia or Ce? Canada? 684 00:42:26,440 --> 00:42:28,360 Speaker 1: Would have an instinct, that's to the answer to this question. 685 00:42:28,360 --> 00:42:31,360 Speaker 1: You would have an instinct and in clues anyone. This 686 00:42:31,400 --> 00:42:33,359 Speaker 1: is hard. There's no punchline in these answers. Yeah, this 687 00:42:33,440 --> 00:42:35,600 Speaker 1: is just sad. Someone can just guess one of the 688 00:42:35,640 --> 00:42:39,960 Speaker 1: three letters and the answer is actually Canada. That's correct 689 00:42:40,360 --> 00:42:45,000 Speaker 1: that you think, right, Okay, let's move on to questions. Okay, 690 00:42:45,160 --> 00:42:47,640 Speaker 1: there is a dearth of Western media representation or Asia 691 00:42:47,960 --> 00:42:50,480 Speaker 1: for Asians and Pacific Islanders. According to my parents, which 692 00:42:50,480 --> 00:42:52,040 Speaker 1: are the who are the following is doing the most 693 00:42:52,080 --> 00:42:57,520 Speaker 1: health visibility? Is a that pregnant stand up woman be 694 00:42:57,840 --> 00:43:04,879 Speaker 1: Kim jong on whatever? C till just Swinson answers. It's 695 00:43:04,920 --> 00:43:07,120 Speaker 1: been kind of dead. It's been kind of dead. Got 696 00:43:07,160 --> 00:43:10,600 Speaker 1: a hand over there, I see what about you, sir? Pregnant? 697 00:43:11,560 --> 00:43:14,600 Speaker 1: None of those Cindy Shoe because the media equals Facebook 698 00:43:14,640 --> 00:43:18,960 Speaker 1: to my parents. Another true, very subversive game. Subversive game. 699 00:43:19,320 --> 00:43:21,080 Speaker 1: But she's in law school. But but she's still making 700 00:43:21,120 --> 00:43:23,960 Speaker 1: herself visible. Final question, you guys, let's get this right. 701 00:43:23,960 --> 00:43:26,399 Speaker 1: This is the hardest one. Sidney Sho a person I 702 00:43:26,440 --> 00:43:28,480 Speaker 1: bow and Yang have not seen since I was eleven 703 00:43:28,520 --> 00:43:31,520 Speaker 1: years old. It's recently single. And even though I'm homosexual, 704 00:43:31,520 --> 00:43:33,279 Speaker 1: where should she and I have our wedding? According to 705 00:43:33,280 --> 00:43:40,000 Speaker 1: my parents, Russian Canada have an inkling as one. Right, 706 00:43:40,080 --> 00:43:44,719 Speaker 1: I'm going over here, Russia, Russia, Russia. The answer to 707 00:43:44,719 --> 00:43:47,600 Speaker 1: see my country of origin Canada. But thank you so much, 708 00:43:47,719 --> 00:43:50,600 Speaker 1: the true guys that has been Asian trivia. Thank you 709 00:43:50,680 --> 00:43:57,279 Speaker 1: so much for playing Wow. And I think it might 710 00:43:57,320 --> 00:44:03,080 Speaker 1: be time for another at carpet moment with peters Man. 711 00:44:04,320 --> 00:44:11,040 Speaker 1: Hello my god, Peter. Oh yes, Peter, Peter, Oh my god, 712 00:44:11,120 --> 00:44:20,760 Speaker 1: beautiful Peter, Peter. Hi, Peter. Yes, I'm killing everybody, yes everyone, yes, yes, yes, 713 00:44:21,000 --> 00:44:26,720 Speaker 1: everyone gets mouth every more else it's all consensual, Peter, 714 00:44:26,800 --> 00:44:30,360 Speaker 1: taking it like Peter, when are you getting a baby? 715 00:44:30,800 --> 00:44:34,120 Speaker 1: What are you getting a baby? When uterus transplants are 716 00:44:34,160 --> 00:44:38,400 Speaker 1: widely available for everybody in the world, puters, stress plants. 717 00:44:38,440 --> 00:44:42,319 Speaker 1: What I was just agreeing. What is your advice for 718 00:44:42,400 --> 00:44:46,359 Speaker 1: everyone out there who's having a hard time? Bread through it, 719 00:44:46,640 --> 00:44:50,120 Speaker 1: breathe through it. Yes, yes, yes. What should we be 720 00:44:50,239 --> 00:44:57,320 Speaker 1: doing for the children, I'm telling them tips up, shoulders back, Yes, Peter, 721 00:44:58,239 --> 00:45:02,360 Speaker 1: what are your thoughts on the movement, So the movement, movement, 722 00:45:02,480 --> 00:45:07,719 Speaker 1: the movement in general, yes, just the movement. Yet I 723 00:45:07,719 --> 00:45:10,319 Speaker 1: think the foot works there. I'd like to see more 724 00:45:10,360 --> 00:45:18,040 Speaker 1: smiles from everybody, bigger, Hey, Peter, best letter A through 725 00:45:18,120 --> 00:45:22,640 Speaker 1: Z for Peter, Oh my god, Oh my god, for 726 00:45:22,960 --> 00:45:29,360 Speaker 1: best number one through three. Oh, the first thing you 727 00:45:29,400 --> 00:45:33,120 Speaker 1: do when you wake up in the morning, I say, 728 00:45:33,200 --> 00:45:41,880 Speaker 1: hello world, Peter, bring down the music wordlessly. With movement, 729 00:45:43,160 --> 00:45:47,800 Speaker 1: take us on a journey that teaches us something about 730 00:45:48,320 --> 00:45:57,680 Speaker 1: what human kind needs to learn. Okay, with movement, movement, 731 00:45:57,719 --> 00:46:13,520 Speaker 1: we use movement. Okay. Um, he is removing and just 732 00:46:14,560 --> 00:46:16,680 Speaker 1: you should be able to take off your own blouse. Ye, 733 00:46:20,239 --> 00:46:24,520 Speaker 1: be able to take off your own glass, your own dress, 734 00:46:25,760 --> 00:46:34,319 Speaker 1: Peter Smith, Everyone's join everybody, everyone. I would I would say, 735 00:46:34,360 --> 00:46:37,920 Speaker 1: we're we're meeting our time limit, our time restraint. Um 736 00:46:37,920 --> 00:46:40,880 Speaker 1: with a plum look before we get to our final 737 00:46:40,960 --> 00:46:43,560 Speaker 1: finals segment. We have one more. Um, and this is 738 00:46:43,600 --> 00:46:47,719 Speaker 1: a divisive, polarizing segment that we've introduced on the podcast. Um, 739 00:46:47,760 --> 00:46:50,960 Speaker 1: but we're gonna do it anyway. It's called a voice memo, 740 00:46:51,280 --> 00:46:53,719 Speaker 1: you bitch. We're gonna do a voice memo, you bitch. 741 00:46:53,760 --> 00:46:55,880 Speaker 1: And we have a voice memo, you bitch. This evening 742 00:46:56,040 --> 00:47:01,400 Speaker 1: from John Early, a young girl in the industry. John Early, So, UM, 743 00:47:01,440 --> 00:47:04,640 Speaker 1: let's go ahead and um play that voice mention paying 744 00:47:04,760 --> 00:47:10,080 Speaker 1: Matt and UM, I want to say, bowen, how are 745 00:47:10,160 --> 00:47:15,520 Speaker 1: you guys? Uh? It's John Earley from Search Party, bobs 746 00:47:15,520 --> 00:47:19,000 Speaker 1: Burgers at Home with Amy Sedaris, the Disaster Artists, What 747 00:47:19,160 --> 00:47:23,480 Speaker 1: Out American Summer? Ten years later, Animals fun Mom, than 748 00:47:23,560 --> 00:47:27,879 Speaker 1: are Beatrice at dinner Portlandia? Five five? Five? Haters back off, 749 00:47:27,920 --> 00:47:33,000 Speaker 1: typical people, neighbors to the characters, love other people? What 750 00:47:33,160 --> 00:47:37,000 Speaker 1: Hot American Summer? First day of camp and of course 751 00:47:37,040 --> 00:47:43,000 Speaker 1: Broad City, High Maintenance and thirty Rock. Um, I am 752 00:47:43,200 --> 00:47:50,360 Speaker 1: so fucking bummed. I can't be there tonight. I'm actually teaching. Yeah, 753 00:47:50,400 --> 00:47:55,440 Speaker 1: I started, I started teaching. Ever since, my pilot with 754 00:47:55,560 --> 00:47:59,319 Speaker 1: keeper Land was passed on by every major network and 755 00:47:59,440 --> 00:48:06,680 Speaker 1: streaming platform. Meanwhile, rapists continue to freely make content. So yeah, 756 00:48:06,719 --> 00:48:09,480 Speaker 1: I'm really just kind of focusing more on my first passion, 757 00:48:09,560 --> 00:48:15,080 Speaker 1: which is working with kids. Um, but I wanted to 758 00:48:15,160 --> 00:48:21,040 Speaker 1: say I got y'all's package. I got that in the mail. 759 00:48:21,200 --> 00:48:24,279 Speaker 1: I'm talking about the one that had both of your 760 00:48:24,320 --> 00:48:27,600 Speaker 1: head shots and your resumes and then a post it 761 00:48:27,719 --> 00:48:30,920 Speaker 1: that just said help. Oh he got it. You know 762 00:48:31,440 --> 00:48:35,919 Speaker 1: you know what you're talking about. UM, it did. There's 763 00:48:35,960 --> 00:48:40,640 Speaker 1: a lot to address. First of all, I don't I'm 764 00:48:40,680 --> 00:48:43,640 Speaker 1: not even particularly sure what I could do, you know, like, 765 00:48:43,680 --> 00:48:47,640 Speaker 1: I'm happy to make some call, you know. I mean, 766 00:48:47,680 --> 00:48:50,239 Speaker 1: I'm happy. There are a lot of I don't know 767 00:48:50,400 --> 00:48:52,919 Speaker 1: people I know that I'm sure would take a meeting 768 00:48:52,960 --> 00:48:55,000 Speaker 1: with you, But it's just like I don't want to 769 00:48:55,080 --> 00:49:00,279 Speaker 1: burn bridges through an ask like that. Another thing is 770 00:49:01,600 --> 00:49:04,680 Speaker 1: you don't need to tea stain your head shots. The 771 00:49:04,840 --> 00:49:10,400 Speaker 1: kind of aged look with the singed corners, it's it's 772 00:49:10,440 --> 00:49:12,560 Speaker 1: it feels like a book report, you know. And and 773 00:49:12,840 --> 00:49:17,800 Speaker 1: I don't know if that kind of character is UM 774 00:49:18,120 --> 00:49:23,240 Speaker 1: what you're going for. UM. Lastly, I miss you guys, 775 00:49:24,200 --> 00:49:29,080 Speaker 1: And UM, I'm sorry it couldn't be of more help. Um, 776 00:49:29,120 --> 00:49:32,440 Speaker 1: but you know, I wish I was there, and I'm 777 00:49:32,480 --> 00:49:34,920 Speaker 1: really running out of team here. I'm sorry, I'm very distracted. 778 00:49:34,960 --> 00:49:38,120 Speaker 1: I'm at a huge, huge party just with a bunch 779 00:49:38,120 --> 00:49:46,200 Speaker 1: of different friends of mine from UM, high school, UM 780 00:49:47,040 --> 00:49:53,680 Speaker 1: and camp. Yeah, old friends from camp and a lot 781 00:49:53,680 --> 00:49:55,960 Speaker 1: of toxic friends, a lot of really really toxic friends 782 00:49:55,960 --> 00:49:58,799 Speaker 1: from show choir. But yeah, they're all in town and 783 00:49:58,840 --> 00:50:02,320 Speaker 1: so we're rage to say the least. Um. But anyway, 784 00:50:02,320 --> 00:50:05,320 Speaker 1: I actually get back to them. I love you, I 785 00:50:05,400 --> 00:50:14,600 Speaker 1: wish I was there, and UH, have one on me tonight. Okay, wow, 786 00:50:16,080 --> 00:50:19,880 Speaker 1: the package? That all right? Here's the deal. We have 787 00:50:19,960 --> 00:50:22,200 Speaker 1: seven minutes and forty seconds left, I think if we 788 00:50:22,239 --> 00:50:24,040 Speaker 1: all do and I don't think so, honey, and exactly 789 00:50:24,080 --> 00:50:26,040 Speaker 1: one minute we woke, got this one under the water, 790 00:50:26,320 --> 00:50:29,120 Speaker 1: and this will be a successful Vulture Festival segment festival. 791 00:50:29,239 --> 00:50:31,400 Speaker 1: So I'm gonna go first. Here is Matt Rogers. I 792 00:50:31,400 --> 00:50:37,240 Speaker 1: don't think so, honey. He is on the clock. Oh wait, bitch, 793 00:50:37,239 --> 00:50:41,520 Speaker 1: hold on, he's on the clock. The tennis time starts now, 794 00:50:41,719 --> 00:50:43,800 Speaker 1: I don't think so, honey. Mack and Chillen Hall, what 795 00:50:43,920 --> 00:50:47,080 Speaker 1: the fun do you think you are? You had a 796 00:50:47,280 --> 00:50:50,680 Speaker 1: Vulture Festival thing. I'm back at John Hall in five acts, bitch, 797 00:50:50,719 --> 00:50:57,520 Speaker 1: Which five? Which five? I'm secretary? Uh the dark night 798 00:50:57,760 --> 00:51:02,880 Speaker 1: I Miss Katie Hall was Maggie Jill you should not 799 00:51:02,960 --> 00:51:05,040 Speaker 1: have stood upside. We were gonna do a fun ass 800 00:51:05,080 --> 00:51:09,000 Speaker 1: game with you. That Maggie game was lit. Everyone in 801 00:51:09,040 --> 00:51:13,560 Speaker 1: here was fucking dying, well was with Magga Jill. I 802 00:51:13,680 --> 00:51:16,280 Speaker 1: heard time square. We're gonna do a fun time square 803 00:51:16,360 --> 00:51:18,799 Speaker 1: bit because she's in the deuce time square. You know, 804 00:51:19,760 --> 00:51:22,480 Speaker 1: Maggy Jill Hall Gall, you are my second favorite Jillan 805 00:51:22,560 --> 00:51:29,080 Speaker 1: Hall anyway, famously, Jake is Jake. Fifteen seconds, Maggie Chillen Hall. 806 00:51:29,280 --> 00:51:32,360 Speaker 1: Here's the deal. You want to get my respect, you 807 00:51:32,520 --> 00:51:36,760 Speaker 1: need to get blown up in more movies than Maggie Smith. 808 00:51:37,600 --> 00:51:42,279 Speaker 1: Maggie Smith movie is that one minute? Five seconds? Maggie 809 00:51:42,360 --> 00:51:44,479 Speaker 1: jill In Hall. I don't think so, honey, don't stand 810 00:51:44,520 --> 00:51:53,239 Speaker 1: me up. I'm gonna be huge. Wow. Okay, there we go. 811 00:51:54,280 --> 00:51:59,760 Speaker 1: It was all right, It was alright. I don't think so, honey. 812 00:51:59,760 --> 00:52:02,080 Speaker 1: And it's time starts now. I don't think so, honey. 813 00:52:02,120 --> 00:52:06,920 Speaker 1: Maggie fucking Jillen Hall. Oh no, no, no, no no no. 814 00:52:07,000 --> 00:52:10,040 Speaker 1: Here's here's a true story of one of minor actions 815 00:52:10,040 --> 00:52:12,040 Speaker 1: with Maggie Gillan Hall wasn't an interaction. I saw her 816 00:52:12,080 --> 00:52:15,040 Speaker 1: on the five train back into Brooklyn. She was standing 817 00:52:15,040 --> 00:52:17,760 Speaker 1: and chatting with the guy who plays Daisy on Girls, 818 00:52:17,840 --> 00:52:20,359 Speaker 1: and I was like, who do you think you are 819 00:52:20,719 --> 00:52:25,359 Speaker 1: taking the train with your other thespian friends? Fuck you? 820 00:52:25,400 --> 00:52:27,200 Speaker 1: And I think she had like a bag of groceries 821 00:52:27,239 --> 00:52:29,840 Speaker 1: and they were talking. They were in deep conversation about 822 00:52:29,920 --> 00:52:33,200 Speaker 1: something I don't care to know. Maggie Gillan Hall, You're busted. 823 00:52:33,520 --> 00:52:35,880 Speaker 1: Here's why. I hard Time Square was gonna be a 824 00:52:35,880 --> 00:52:38,120 Speaker 1: game where we all each tricken turner say something we 825 00:52:38,160 --> 00:52:41,319 Speaker 1: love about Times Square and the last person standing was 826 00:52:41,400 --> 00:52:46,719 Speaker 1: the winner. Is that not brilliant? We had to We 827 00:52:46,760 --> 00:52:49,440 Speaker 1: had just pull all these games in segments out of 828 00:52:49,440 --> 00:52:51,680 Speaker 1: her ask with all of these interviews, and and they're 829 00:52:51,719 --> 00:52:55,160 Speaker 1: all great. Kenny Watson our producers right there, and we 830 00:52:55,239 --> 00:52:59,840 Speaker 1: love Kenny. So Maggie, don't dare. Don't you dare stands 831 00:53:00,120 --> 00:53:02,040 Speaker 1: us up in the future. What you need to do 832 00:53:02,280 --> 00:53:05,000 Speaker 1: is collp Kenny wats is to sit down with us. 833 00:53:05,040 --> 00:53:13,200 Speaker 1: Thank you. We're gonna be huge, alright, this is Pat Reagans. 834 00:53:13,280 --> 00:53:16,560 Speaker 1: I don't think so, honey. We're ready all right and 835 00:53:16,680 --> 00:53:19,920 Speaker 1: pat your time starts now. I don't think so, honey. 836 00:53:19,960 --> 00:53:25,360 Speaker 1: Tyler Henry Hollywood Media, the ultimate one of these young girls, 837 00:53:25,480 --> 00:53:28,960 Speaker 1: nineteen year old medium in Hollywood. His mom drives into 838 00:53:29,440 --> 00:53:31,480 Speaker 1: his readings. He he's too young to even know who 839 00:53:31,560 --> 00:53:33,640 Speaker 1: any of the people are, which he stresses, and they 840 00:53:33,640 --> 00:53:35,480 Speaker 1: don't have to kind of like fight the inside of 841 00:53:35,520 --> 00:53:39,080 Speaker 1: their lip and act like it's refreshing. He's always the sweating. 842 00:53:39,320 --> 00:53:41,840 Speaker 1: He once told Misha Barton that he read Hern's that 843 00:53:41,920 --> 00:53:44,719 Speaker 1: I could tell your middle name is Anne, and she 844 00:53:44,920 --> 00:53:47,799 Speaker 1: was like, yeah, I was coming through in the middle way. 845 00:53:48,000 --> 00:53:51,800 Speaker 1: He once read Carol Rodswell and he was like, um, 846 00:53:51,960 --> 00:53:54,839 Speaker 1: Carolyn Kennedy came through, and I have no idea who 847 00:53:54,840 --> 00:53:59,560 Speaker 1: that is. I'm like kind of attracted him, kind of 848 00:53:59,600 --> 00:54:01,880 Speaker 1: not like decide and it's like, give us me an anerism. 849 00:54:03,080 --> 00:54:07,480 Speaker 1: He um. He once told Ryan Lockney that his partner 850 00:54:07,600 --> 00:54:09,160 Speaker 1: was going to write a book, and it's always like, 851 00:54:09,239 --> 00:54:10,800 Speaker 1: oh my god, she wants to write a book. He's like, 852 00:54:10,800 --> 00:54:12,160 Speaker 1: she's going to write a book and it's gonna be 853 00:54:12,160 --> 00:54:16,920 Speaker 1: like her big Thank second. I don't think he's psychick. 854 00:54:16,960 --> 00:54:20,600 Speaker 1: I think he harps on the pain of other people. 855 00:54:20,880 --> 00:54:26,759 Speaker 1: But I also like that was I don't think so. 856 00:54:27,200 --> 00:54:32,719 Speaker 1: I don't want please'm Andie Donley and Donley this is 857 00:54:32,719 --> 00:54:34,279 Speaker 1: your I don't think so hunting your time starts now. 858 00:54:34,480 --> 00:54:36,640 Speaker 1: I don't think so, Honey, the reboot of Murphy Brown. 859 00:54:38,880 --> 00:54:41,359 Speaker 1: We've seen you before. We don't need you to come 860 00:54:41,360 --> 00:54:43,680 Speaker 1: back again. The last time we saw Candis Bergen was 861 00:54:43,719 --> 00:54:46,239 Speaker 1: Sex in the City, and it was like, you're this 862 00:54:46,280 --> 00:54:51,160 Speaker 1: is this is not a reference anymore, Like you're too old, honey, 863 00:54:51,200 --> 00:54:55,879 Speaker 1: take your pension plan. You go to Palm Springs and 864 00:54:55,920 --> 00:55:01,040 Speaker 1: why a ratty? You could take Rosanne with you Tube Now. 865 00:55:01,080 --> 00:55:03,160 Speaker 1: I love Roseanne, but we got to give these young 866 00:55:03,160 --> 00:55:07,880 Speaker 1: girls that yead. Okay, listen, I've been shopping my my 867 00:55:08,040 --> 00:55:11,400 Speaker 1: TV show around town will not get picked up. Okay, 868 00:55:11,520 --> 00:55:13,759 Speaker 1: I'm going to do an all female version of Home 869 00:55:13,800 --> 00:55:18,560 Speaker 1: Improvement where I am the star and all my teenage 870 00:55:18,640 --> 00:55:22,839 Speaker 1: daughters have horrible periods, and nobody will pick this up 871 00:55:22,880 --> 00:55:27,960 Speaker 1: because they want who fucking Murphy Brown. If you don't 872 00:55:27,960 --> 00:55:31,919 Speaker 1: know who Murphy Brown is your mom m, that's who 873 00:55:32,000 --> 00:55:39,520 Speaker 1: likes Murphy Brown, Wine nose and drug addicts. Don't Brown, 874 00:55:39,920 --> 00:55:43,760 Speaker 1: Baby care comes Dave Massoni. I don't think so honey, 875 00:55:43,800 --> 00:55:46,840 Speaker 1: time starts now. All right, I don't think so, honey. 876 00:55:46,880 --> 00:55:50,839 Speaker 1: People who still refuse to follow Britney Spears on Instagram, 877 00:55:52,680 --> 00:55:57,560 Speaker 1: why are you resisting this woman? I've said it before 878 00:55:57,560 --> 00:56:02,080 Speaker 1: and I will say it again. Has done for your sins? 879 00:56:04,360 --> 00:56:09,680 Speaker 1: This woman raised you from a young baby. Okay, so listen, 880 00:56:09,680 --> 00:56:11,520 Speaker 1: I don't want to hear it like. She's posting a 881 00:56:11,560 --> 00:56:15,760 Speaker 1: lot of good things. She's running a lot with her kids, 882 00:56:15,360 --> 00:56:19,400 Speaker 1: she's painting. She seems to be very in love and 883 00:56:19,440 --> 00:56:22,799 Speaker 1: in what I'm gonna say is maybe a stable relationship. 884 00:56:23,640 --> 00:56:26,040 Speaker 1: He seems very nice, or at least very dead set 885 00:56:26,120 --> 00:56:30,879 Speaker 1: on picking her up whenever she asked him to. I'm sorry, 886 00:56:30,880 --> 00:56:32,239 Speaker 1: gonna take this off because I know they made me 887 00:56:32,280 --> 00:56:35,360 Speaker 1: look pissed, and I've changed my mood to be happy 888 00:56:35,400 --> 00:56:38,080 Speaker 1: because Brittany is in a good place. And I don't 889 00:56:38,120 --> 00:56:42,080 Speaker 1: think so, honey. To you for only giving her seventeen 890 00:56:42,080 --> 00:56:45,319 Speaker 1: million followers, She's Brittany fucking spiracu idiot. I don't think 891 00:56:45,320 --> 00:56:52,920 Speaker 1: so honey, you follow her? Sendey Washington, it is your time, 892 00:56:53,800 --> 00:56:57,400 Speaker 1: and your time starts now. I don't think so, honey. 893 00:56:57,480 --> 00:57:04,080 Speaker 1: Netflix casting Jennifer Annison as president and a lesbian. The 894 00:57:04,160 --> 00:57:07,640 Speaker 1: gay community will not accept that bullshit? Are you serious? 895 00:57:08,120 --> 00:57:11,279 Speaker 1: She is boring? She is a bologna sandwich. I mean 896 00:57:12,280 --> 00:57:15,080 Speaker 1: I can't even watch her and friends. How dare you 897 00:57:15,360 --> 00:57:18,439 Speaker 1: put her as the president? There's so many more people 898 00:57:18,440 --> 00:57:20,760 Speaker 1: who could be the president and a lesbian. How about 899 00:57:21,120 --> 00:57:29,320 Speaker 1: Meryl Street, Viola Davison, Lean, Pila Bassett Street. We will 900 00:57:29,360 --> 00:57:33,680 Speaker 1: accept any of those women except Jennifer Aniston. Netflix, were you? 901 00:57:33,800 --> 00:57:36,320 Speaker 1: Were you out of people? I could be the lesbian 902 00:57:36,600 --> 00:57:41,120 Speaker 1: as a president that you need? A black woman? Here? 903 00:57:41,600 --> 00:57:44,320 Speaker 1: Here you go right here. First of all, I've been 904 00:57:44,320 --> 00:57:47,000 Speaker 1: gay for four years in the community still hasn't accepted me. 905 00:57:47,080 --> 00:57:51,080 Speaker 1: So how hell oh yes, I'm still wait listed as 906 00:57:51,080 --> 00:57:54,920 Speaker 1: a lesbian. So you're gonna take Jennifer Aniston? Is that 907 00:57:55,000 --> 00:57:56,919 Speaker 1: what you're gonna do. You're gonna be like, oh, yeah, yeah, yeah, 908 00:57:56,920 --> 00:57:59,240 Speaker 1: I'm gonna do that. I'm gonna watch her, but what 909 00:57:59,520 --> 00:58:03,040 Speaker 1: twenty episodes? I'm gonna watch one and then I'll be like, 910 00:58:03,120 --> 00:58:06,920 Speaker 1: tig you gotta carry this whole show. Yes, Tignitaro has 911 00:58:07,000 --> 00:58:12,200 Speaker 1: to be her her partner on the show. And I'm like, what, Netflix, 912 00:58:12,280 --> 00:58:20,080 Speaker 1: what was the casting on that girl? That's woman? What? 913 00:58:20,080 --> 00:58:24,560 Speaker 1: What show. Is this? What show is? It's called First Ladies. Yes, 914 00:58:24,680 --> 00:58:26,560 Speaker 1: it was on Deadline. I'm sorry that you didn't know 915 00:58:26,560 --> 00:58:29,040 Speaker 1: about that, all right, we didn't know, But now I know. 916 00:58:29,560 --> 00:58:34,800 Speaker 1: Mo fry passing. Wow, she is staying seated and your 917 00:58:34,920 --> 00:58:37,680 Speaker 1: time starts now. I don't think so any dreams that 918 00:58:37,720 --> 00:58:39,400 Speaker 1: are so real and boring that I think they happen 919 00:58:39,440 --> 00:58:41,880 Speaker 1: in real life? Are you kidding me? It's like it 920 00:58:41,920 --> 00:58:43,400 Speaker 1: was like in my house, but it wasn't really my house. 921 00:58:43,440 --> 00:58:44,760 Speaker 1: But it wasn't my house, you know. It's like, I 922 00:58:44,760 --> 00:58:46,720 Speaker 1: don't think so, honey. I have a fragile sense of reality, 923 00:58:46,880 --> 00:58:49,240 Speaker 1: like these don't just stort it any further. It's like, 924 00:58:49,240 --> 00:58:50,440 Speaker 1: I don't think so, honey. Like I like, I have 925 00:58:50,520 --> 00:58:51,920 Speaker 1: a dreamer. It's like I had a conflict with a 926 00:58:51,920 --> 00:58:53,560 Speaker 1: friend and I dealt with it. It's like I wake up, 927 00:58:53,560 --> 00:58:56,680 Speaker 1: It's like, did I deal with it? Hold on? And 928 00:58:56,720 --> 00:58:58,680 Speaker 1: I thought I'd doubt with that. It's like, what did 929 00:58:58,720 --> 00:59:00,400 Speaker 1: I do? What did I do? In the dreams? Fixed 930 00:59:00,440 --> 00:59:04,040 Speaker 1: everything I fucking forgot? Also, I don't think so honey. 931 00:59:04,080 --> 00:59:06,080 Speaker 1: Not being able to take iPhone photos inside of your dreams. 932 00:59:06,200 --> 00:59:09,400 Speaker 1: You know, I said, I see a beautiful sunset of 933 00:59:09,400 --> 00:59:11,560 Speaker 1: my dreams. I want to remember that. It's like, how 934 00:59:11,560 --> 00:59:14,200 Speaker 1: do I remember something? A photograph on my iPhone? And 935 00:59:14,200 --> 00:59:18,040 Speaker 1: it's like, oh, it's just like so frustrating, Like I 936 00:59:18,040 --> 00:59:19,520 Speaker 1: don't think so any like not being able to, like, 937 00:59:19,560 --> 00:59:21,520 Speaker 1: you know, really take my dreams into reality. And I 938 00:59:21,600 --> 00:59:23,600 Speaker 1: know that's very niche, you know, And it's like for 939 00:59:23,600 --> 00:59:25,959 Speaker 1: our dreamers, our pisces out there, you know what I'm saying. 940 00:59:26,000 --> 00:59:27,600 Speaker 1: So it's just like it's like this is like a niche. 941 00:59:27,600 --> 00:59:29,240 Speaker 1: I don't think so, honey, But I don't think so honey, 942 00:59:29,280 --> 00:59:32,520 Speaker 1: like the construct of dreams five seconds, Like I don't 943 00:59:32,520 --> 00:59:34,960 Speaker 1: think so anny, Like give me some stability, like let 944 00:59:34,960 --> 00:59:38,640 Speaker 1: me take a picture. That's why we should be able 945 00:59:38,680 --> 00:59:41,120 Speaker 1: to photograph in our dreams. And I can say thank 946 00:59:41,160 --> 00:59:45,520 Speaker 1: you finally, Peter Smith. Oh and they're gonna they're gonna 947 00:59:45,560 --> 00:59:51,600 Speaker 1: stand and their time starts now. I don't think so, honey. 948 00:59:51,760 --> 00:59:56,200 Speaker 1: Dead Prince Philip and when watch the Row wedding today, 949 00:59:56,280 --> 00:59:59,160 Speaker 1: gonna go to raise some hands. Yeah, Prince Philip was dead. 950 01:00:00,880 --> 01:00:04,360 Speaker 1: He was sitting there dead next to his wife who 951 01:00:04,440 --> 01:00:07,120 Speaker 1: might have been dead too. This man is married to 952 01:00:07,160 --> 01:00:10,800 Speaker 1: the Queen of England. Queen Elizabeth the second and this 953 01:00:10,880 --> 01:00:17,600 Speaker 1: man had blood, four eyes, the thinnest, thinnest skin, a 954 01:00:17,680 --> 01:00:24,520 Speaker 1: metal rod, just threw his head just up. How many seconds? Okay, 955 01:00:24,520 --> 01:00:28,600 Speaker 1: this guy, you've seen tissue paper before, you've seen it, 956 01:00:28,880 --> 01:00:31,360 Speaker 1: you've unwrapped a present. This is that you took that 957 01:00:31,520 --> 01:00:36,360 Speaker 1: garbage tissue paper and wrapped it in blood and then 958 01:00:36,560 --> 01:00:40,280 Speaker 1: put it in a chapel and expected the world to say, Oh, 959 01:00:40,320 --> 01:00:43,640 Speaker 1: this guy is alive and excited to be here. They 960 01:00:43,640 --> 01:00:46,160 Speaker 1: said that it would take twenty six minutes for my photo. Second, 961 01:00:46,200 --> 01:00:51,000 Speaker 1: because Prince Philip gets prickly. He's not prickly, he's dead. 962 01:00:52,080 --> 01:00:59,800 Speaker 1: P Smith, all right, everyone was the Vulture Festival, second Festival. 963 01:01:01,680 --> 01:01:03,520 Speaker 1: We want to say thank you all of my casts. 964 01:01:03,840 --> 01:01:10,200 Speaker 1: Peter Smith, Mode Fantastic, Sydney Washington, damn this outing anytime. 965 01:01:11,680 --> 01:01:15,439 Speaker 1: Thank you Voter, Thank you Jacking, Thank you Jack Out. 966 01:01:16,600 --> 01:01:27,720 Speaker 1: See you in the Vulture lad Party. Forever. This has 967 01:01:27,760 --> 01:01:31,440 Speaker 1: been a Forever Dog production executive produced by Brett Boham, 968 01:01:31,800 --> 01:01:36,600 Speaker 1: Joe Cilio, and Alex Ramsey. For more original podcasts, please 969 01:01:36,680 --> 01:01:40,440 Speaker 1: visit Forever Dog Podcasts dot com and subscribe to our 970 01:01:40,480 --> 01:01:45,080 Speaker 1: shows on Apple Podcasts, Spotify, or wherever you get your podcasts. 971 01:01:45,360 --> 01:01:48,200 Speaker 1: Keep up with the latest Forever Dog news by following 972 01:01:48,280 --> 01:01:52,560 Speaker 1: us on Twitter and Instagram at Forever Dog Team, and 973 01:01:52,640 --> 01:01:54,560 Speaker 1: liking our page on Facebook.