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Speaker 1: Forever Hello and happy holidays. This is Brett, one of

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Speaker 1: the co founders of the Forever Dog podcast network and

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Speaker 1: on behalf of everyone here at Foreverdog. I just wanted

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Speaker 1: to say thank you. Thank you for listening to our

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Speaker 1: shows this year. Thank you for taking the time to

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Speaker 1: write a review and recommend us to your friends. Thank

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Speaker 1: you for subscribing to bonus content on Patreon, for buying

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Speaker 1: merch for coming to a live show, For everything you

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Speaker 1: do to support Foreverdog and make this network feel like

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Speaker 1: a community. We are amazed, we're grateful, and we appreciate you.

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Speaker 2: And if right now you're.

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Speaker 1: Saying I didn't do any of those things and I

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Speaker 1: don't know what the hell Forever Dog is, well, Hi, welcome.

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Speaker 1: Foreverdog is the network that produces this podcast that you're

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Speaker 1: subscribe to, and we've got lots more where that came from.

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Speaker 1: In twenty eighteen, Forever Dog produced thirty podcasts as well

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Speaker 1: as two limited series. You'll find us mostly under comedy,

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Speaker 1: but we also have must listen shows for TV and

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Speaker 1: film fanatics, baseball fans, spiritualists and mystics, listeners and music,

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Speaker 1: book readers, laundry officionados, theme park Officionados, Paul Techs, Junkies, Failures,

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Speaker 1: shop tea droppers, health nuts, and anyone with a commute

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Speaker 1: and or desk job. So to celebrate the past year

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Speaker 1: at Foreverdog, we've put together a clip show that highlights

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Speaker 1: some of the best moments from our podcasts. And if

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Speaker 1: that doesn't sound like your cup of tea, no worries.

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Speaker 1: Your favorite podcast will be back next week or the

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Speaker 1: week after with brand new episodes.

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Speaker 3: But if you're looking for something new to.

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Speaker 1: Subscribe to in twenty nineteen, or for some killer back

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Speaker 1: catalogs to binge during your holiday travels, then please stay

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Speaker 1: tuned because we've got a lot of fun stuff coming

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Speaker 1: your way next. I should also add that if you

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Speaker 1: subscribe to multiple Foreverdog podcasts, we will be releasing this

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Speaker 1: same episode on all our feeds this week, so let

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Speaker 1: me just apologize ahead of time.

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Speaker 3: For the repetition.

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Speaker 1: But we think this is a really fun episode and

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Speaker 1: we want as many people as possible to hear it.

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Speaker 1: Oh and if you want to follow up on any

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Speaker 1: of the shows presented in this episode, you can find

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Speaker 1: them all at Foreverdog Podcasts dot com. You can also

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Speaker 1: subscribe to them on Apple podcasts, Stitcher, Spotify, or your

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Speaker 1: favorite podcast app, and you can follow us forever Doog

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Speaker 1: on Twitter and Instagram at forever Team. Okay, let's get

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Speaker 1: started with the.

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Speaker 4: Best stup Forever do twenty eighteen.

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Speaker 5: There.

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Speaker 1: Our first podcast up is one that Vulture called quote

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Speaker 1: a scathing, absurdist, intersectional, radical feminist alt podcast. It's called

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Speaker 1: A Woman's Smile. It's hosted by two of the most

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Speaker 1: innovative performers working in comedy right now, Patty Harrison and

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Speaker 1: Laura La Ramirez. And the following clip comes from a

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Speaker 1: special futuristic episode of the podcast entitled A Woman's Smile

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Speaker 1: is Spaceship.

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Speaker 6: Welcome to a woman Smile, Smile Smile with your hosts, Laura.

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Speaker 7: Lai and Patty.

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Speaker 6: This is a year.

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Speaker 7: Fifty our consciousness says, happened, loaded into a hard driving

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Speaker 7: the sky in the cloud, and.

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Speaker 8: Now we are a robot.

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Speaker 6: And now, as Patty says, oh eloquently, we are a robot.

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Speaker 6: I am still the same as I was before, still fat,

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Speaker 6: still big, and still I am balding, naked naked on

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Speaker 6: the show, bolding nakedst horny, horny.

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Speaker 7: Yes, it is really bad. We don't have body, but Still,

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Speaker 7: those things did not change about r life consciousness.

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Speaker 6: Apparently you can put consciousness in another big fat body,

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Speaker 6: a big fat, balding body. Still, when you move on

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Speaker 6: to a different form of consciousness, you are the ugliest one.

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Speaker 6: Sometimes pain follows you wherever you go.

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Speaker 7: And even in my consciousness, people spell the way whether

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Speaker 7: I'm a man or woman, it is.

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Speaker 6: True, and it is actually funny that you bring that up.

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Speaker 5: Now.

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Speaker 6: It hurts because still I question you.

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Speaker 7: No, no, no, no, yes yes yes.

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Speaker 6: Yes yes yes yes yes yes yes yes. Let's get

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Speaker 6: into it. What you have been thinking about?

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Speaker 7: I have been thinking about my husband. He is at

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Speaker 7: home in my mind, in our consciousness. We live in

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Speaker 7: a chip in March. We have an amazing bathroom. Our

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Speaker 7: bathroom has two things.

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Speaker 6: I wish I could also have a chip too.

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Speaker 7: You'll have a chip soon. You are so much data

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Speaker 7: you don't fit in a chip. It do not yet

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Speaker 7: to make a chip pick enough to hold all your data.

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Speaker 9: This is not fair.

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Speaker 6: I uploaded my consciousness so I could be free of

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Speaker 6: my body. Ha ha ha, But not I am still

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Speaker 6: in my body still big unfortunately. Why let's talk about

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Speaker 6: something else.

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Speaker 7: So, Lordli, what have you been thinking about?

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Speaker 6: I have been thinking about maybe one day.

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Speaker 9: I don't know.

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Speaker 6: Oh no no no no no no no no no

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Speaker 6: no no no no no no no no no no

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Speaker 6: no no no no, yes, yes, yes, I have been

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Speaker 6: thinking about how beautifully it would be one day to

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Speaker 6: finally have a soulmate.

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Speaker 7: I think that you are a wonderful minded person or lie.

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Speaker 7: I think it will happen very ill.

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Speaker 6: Thank you, thank you, thank you.

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Speaker 7: I think that when you put yourself out there, it

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Speaker 7: really does make all the difference people need to allow

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Speaker 7: real ill.

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Speaker 8: I am sorry.

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Speaker 6: I my consciousness is getting a little bit bigger by

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Speaker 6: the second.

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Speaker 7: That is okay. You should demonstrate self control. You should

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Speaker 7: demonstrate self control.

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Speaker 5: One of my.

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Speaker 7: Favorite things to do is sit on the pod inside

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Speaker 7: my ship and take big ones.

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Speaker 6: That is funny to me. Ha, that is funny to me,

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Speaker 6: ha ha. Remember when we used to be in our

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Speaker 6: bodies and I would go over to your husband when

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Speaker 6: he was broken and I would take care of him.

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Speaker 7: Yes, And I took my dance class. My dance class

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Speaker 7: was an amazing place where I bonded with many women

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Speaker 7: to look like me. They were just like me. They

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Speaker 7: were white, they were five nine, they were one hundred

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Speaker 7: ten pounds. They were thin like me. They loved to

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Speaker 7: dance to hip hop tracks contemporary music at the time.

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Speaker 7: Like Charlie x Ex.

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Speaker 6: You sound sad when you talk about those things.

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Speaker 8: You sound sad.

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Speaker 10: I am not.

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Speaker 11: I am not that.

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Speaker 7: I look back phonely at those pays. At my dance

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Speaker 7: class with my white girlies, my skinny white girls, we

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Speaker 7: drank skinny white wine after skinny bitch whine me wasten.

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Speaker 6: I David, I know you missed that life we had,

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Speaker 6: but this is for the better.

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Speaker 12: Now now now I.

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Speaker 5: Are you having a maw glungroom.

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Speaker 1: This next clip comes from a new podcast that premiered

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Speaker 1: on Forever Dog in October called The American Arts and

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Speaker 1: Culture Review. It's hosted by Clay Tatum and Whimer Thomas

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Speaker 1: of beloved La comedy outfit Power Violence, and together with

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Speaker 1: friends Budd Anthony Diaz, and Rodney Berry, they review the

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Speaker 1: latest in film, TV, high fashion, music and art, accompanied

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Speaker 1: throughout by a live soundtrack of jazz pop standards. The

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Speaker 1: clip you're about to here comes from an episode entitled

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Speaker 1: The Favorite Widows and Lars von Trier and features a

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Speaker 1: very special guest, critically acclaimed filmmaker Lars von Trier.

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Speaker 13: We uh we Oh crap, I'm supposed.

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Speaker 14: To do something that I didn't do.

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Speaker 15: Do you do a special guest?

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Speaker 16: Yeah, we have a very special guest. He came here

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Speaker 16: all the way from foreign horn.

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Speaker 17: Place, from a different country for sure.

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Speaker 2: Real.

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Speaker 18: Yeah, he just slid all the way from there.

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Speaker 8: Yeah.

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Speaker 16: He just directed a new film called The House that

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Speaker 16: Jack Built. Bud, would you mind going in and letting

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Speaker 16: him in? No, it'd be best if Bud.

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Speaker 17: Went, buddy, Buddy, you have to go later, Bud.

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Speaker 13: And there he goes.

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Speaker 17: He's getting him right now, so uh.

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Speaker 3: Okay.

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Speaker 4: And he's coming in and and.

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Speaker 15: He's coming in, and he's he's sitting down.

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Speaker 18: He's sitting down right now.

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Speaker 2: Wow, this is amazing.

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Speaker 4: Good bye?

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Speaker 13: Oh hello, okay, Lars, so but wanting to be here.

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Speaker 16: So what's some all the reasons we should see her?

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Speaker 8: Did you see my film?

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Speaker 3: I have no idea?

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Speaker 17: What's it about?

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Speaker 3: What's it about?

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Speaker 19: My house?

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Speaker 20: Not Jack Belt?

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Speaker 7: Know?

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Speaker 13: What's that about Kevin Billin?

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Speaker 4: Okay, he's a murderer.

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Speaker 17: Okay, goohead, No, is you going more details?

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Speaker 20: You've gotta see my film?

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Speaker 21: What is it about in theaters now?

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Speaker 19: Is it?

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Speaker 5: Yeah?

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Speaker 22: Okay?

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Speaker 18: So so that okay, So what's on all of them.

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Speaker 15: What happens in the movie is on the road in

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Speaker 15: a car.

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Speaker 17: Okay, don't get.

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Speaker 23: In his car.

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Speaker 8: You gotta see my film.

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Speaker 17: Okay, I can do this for a little long.

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Speaker 9: Yeah.

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Speaker 13: Anyway, so that's what it's about.

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Speaker 14: Yeah, okay, it what.

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Speaker 21: This is your idea?

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Speaker 20: How about you take take the deal here?

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Speaker 13: Uh so, what's where you from?

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Speaker 20: What got you into making movies?

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Speaker 15: I'm foreign?

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Speaker 13: Yeah, we got you into making movies? Got what got

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Speaker 13: you into making movies?

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Speaker 24: What got you?

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Speaker 25: What got you into making movies?

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Speaker 22: Rs?

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Speaker 8: A camera?

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Speaker 15: Yeah?

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Speaker 26: All right?

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Speaker 15: Cool?

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Speaker 3: And what about the camera?

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Speaker 17: What about the camera? Made you into the camera?

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Speaker 8: A camera?

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Speaker 3: This is so good.

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Speaker 15: I bought a camera?

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Speaker 19: Yeah I was young?

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Speaker 22: Yeah?

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Speaker 27: How old were you?

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Speaker 5: Hy?

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Speaker 8: Yeah, so that's what made you decide.

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Speaker 16: Yeah, and so you bought a camera and that you

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Speaker 16: decided I'm going to make films. Okay, So recently you've

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Speaker 16: made all kinds of great films. What's your favorite film.

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Speaker 28: That you've made, but besides the newest one?

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Speaker 3: Yeah, because it's about depression.

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Speaker 16: So that film is about depression. Would you say that

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Speaker 16: you've ever suffered from depression yourself?

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Speaker 29: Oh?

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Speaker 28: Yeah, Actually, so what do you do when you're depressed? Well,

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Speaker 28: let me just I have my headphones are broken up.

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Speaker 28: I barely hear you.

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Speaker 17: You go a little louder. So what is your right?

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Speaker 30: So?

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Speaker 4: What's uh?

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Speaker 21: What do you what?

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Speaker 16: Did you So you've struggled with depression, So what's a

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Speaker 16: remedy that you would recommend to someone who's dealing with depression?

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Speaker 13: Movie camera make okay, Lars?

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Speaker 16: While while promoting the film Melancholia, you came under fire

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Speaker 16: for telling everyone that you're a Nazi?

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Speaker 13: So how did you stop talking?

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Speaker 11: So?

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Speaker 16: So, uh, do you redact those statements now?

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Speaker 4: Or you don't know.

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Speaker 11: What I said?

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Speaker 26: I'm so I make films in theaters now, No, that's

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Speaker 26: not what I asked.

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Speaker 17: My film is the theater?

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Speaker 31: Now?

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Speaker 7: No?

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Speaker 16: But when being interviewed a few years ago, you told

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Speaker 16: everyone that you're a Nazi? Do you regret saying that?

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Speaker 10: It was?

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Speaker 20: Okay?

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Speaker 9: So why don't you regret it?

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Speaker 15: I don't know, you know, get it?

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Speaker 32: I don't Okay, Okay, Okay, here's here's the thing.

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Speaker 15: Here's the thing. My house, my jack belt.

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Speaker 26: The house that Jo felt in theaters?

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Speaker 5: Mom?

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Speaker 2: Okay, so you're not going to answer it?

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Speaker 16: No, why I'm embarrassed. Where can people find you on

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Speaker 16: social media?

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Speaker 11: On Twitter?

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Speaker 3: On what's your email?

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Speaker 8: Emails?

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Speaker 24: True, I'm moors contract, okay.

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Speaker 33: You.

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Speaker 1: Next up is The Wonderfully Witchy Beyond, the only podcast

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Speaker 1: we've ever produced that may have altered the fabric of

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Speaker 1: space and time. In Beyond, self proclaimed energy expert Mike

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Speaker 1: Kelton seeks to solve his and his friend's real life

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Speaker 1: problems by supernatural means. Instead of going to a therapist,

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Speaker 1: Mike goes to mediums, ghost hunters, cult leaders, healers, astrologers, and,

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Speaker 1: in this clip, a witch. This is from the episode

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Speaker 1: entitled Witchcraft the goat Head, and it features Mike's friend

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Speaker 1: Lisa p from The Bronx consulting a witch about the

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Speaker 1: dark energy surrounding her boyfriend's X.

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Speaker 34: So I go on the trip.

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Speaker 35: I didn't say anything like, I don't know, I never cried,

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Speaker 35: I didn't shed it to hear. I was just like, okay,

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Speaker 35: come back, and I'm like what now? So I go

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Speaker 35: back to her again and you know, she went through

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Speaker 35: it again, said she's not pregnant, she's not pregnant, blah

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Speaker 35: blah blah. And I said, well, what can I do

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Speaker 35: to like make this stop. Like she's like a menace.

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Speaker 35: She this woman is a menace. She's menacing my life.

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Speaker 35: Like I can't go on, Like I can't do it.

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Speaker 35: I'm going to break up with him. But then there's

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Speaker 35: a competitive side of me that's also like down with

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Speaker 35: this bitch.

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Speaker 2: Oh my god.

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Speaker 35: So Rahana was like, oh well, I said, well, can

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Speaker 35: I light up like a candle in my apartment and

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Speaker 35: you know, do something or there's different remedies and different

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Speaker 35: type of cleanses, and she was like, oh no, no,

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Speaker 35: m m for this, you need to do something big. Well,

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Speaker 35: it's a revocation. It's called a revocation. Yeah, like I Spanish,

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Speaker 35: it's a vacation. So I had to do a revocation.

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Speaker 35: So I was like whatever, I'm down down like what

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Speaker 35: she made me. I had to bring a photo of

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Speaker 35: this individual and she said, okay, I have to work

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Speaker 35: on it for seven days. Most things in this tradition

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Speaker 35: or in the numbers of three, seven or twenty one.

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Speaker 35: So I think she had to work on it for

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Speaker 35: seven days. Then I had to come pick up the

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Speaker 35: finished product on a Monday, because this is the day

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Speaker 35: of the guardian of the cemetery.

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Speaker 36: Give us what happens when you show up after the

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Speaker 36: seven days on the Monday, What's what goes down?

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Speaker 35: She went into the kitchen, into the freezer and pulled

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Speaker 35: out a plastic bag that was, you know, the size

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Speaker 35: of like a bread basket, and she hands me like

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Speaker 35: a frozen goat head. So in the goat heads, melt

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Speaker 35: in the goats mountain.

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Speaker 4: Hold on, hold on, hold on, hold on.

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Speaker 2: She gives you the goat head. What is your first thought?

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Speaker 35: Sometimes when you go into these types of places, there's

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Speaker 35: just the way that I am. Even sometimes in certain churches,

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Speaker 35: I feel like currents. The Spanish is like corientes, you know,

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Speaker 35: like currents. It felt very ritualistic, it felt very spiritual.

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Speaker 2: Inflow with the goat head. I was like inflow. I

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Speaker 2: love it.

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Speaker 35: I wasn't like, what is this, Oh my god laughing.

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Speaker 36: I'm all in and this is part of it that

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Speaker 36: makes sense to me. Also, all in. You have to

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Speaker 36: be if you're going.

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Speaker 2: A person's kitchen in Washington nights and getting a goat heead,

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Speaker 2: you gotta be all in. I was all in.

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Speaker 35: It gets crazier, okay, I mean she didn't tell us

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Speaker 35: what she did, but my friend who was with us

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Speaker 35: she you know again is the person who introduced me

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Speaker 35: tween and she was like, oh, look, you know, there's

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Speaker 35: coffee grounds in the mouth. The picture was rolled up

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Speaker 35: and stuffed and my friend told me, she's.

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Speaker 18: Like, this is all to shut her up.

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Speaker 34: This is to get her to shut up.

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Speaker 35: And there were other things I'm sure that were done

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Speaker 35: as well. So we had to take the GoAhead and

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Speaker 35: bury it in a cemetery that night. It had to

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Speaker 35: be done on a Monday. It's Monday, I had to

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Speaker 35: be done. And this was already like six o'clock and

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Speaker 35: this is December.

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Speaker 2: So it's it's pitch dark.

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Speaker 9: It's pitch dark.

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Speaker 34: Okay.

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Speaker 35: So the only cemeteries that are in northern Manhattan are

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Speaker 35: completely gated off at this point and locked, and they

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Speaker 35: have cameras on them, and people get arrested for trying

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Speaker 35: to go in there because more people do this than

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Speaker 35: you think. For example, if you were to look up

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Speaker 35: goatheads in Prospect Park, you will find so many stories

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Speaker 35: about what has been going on with goaheads and Prospects.

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Speaker 23: Are you serious?

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Speaker 36: Yes, So of course we had to research this and

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Speaker 36: guess what, everyone it absolutely checks out. There are so

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Speaker 36: many articles about Goatheads in Prospect Park and also many

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Speaker 36: other parks in the Tri State area, and we will

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Speaker 36: include those links in the description of this podcast for

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Speaker 36: some light fun reading after you finished the app.

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Speaker 1: We've been huge fans of this next podcast for a

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Speaker 1: long time, so we were very honored when they joined

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Speaker 1: Forever Dog this year. It's Black Men Can Jump in Hollywood,

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Speaker 1: hosted by Jerraw Milligan, James the Third, and Jonathan Braylock.

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Speaker 1: One of the best movie reviews podcasts out there, Black

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Speaker 1: Man Can Jump was selected for Best of twenty eighteen

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Speaker 1: lists from the A V Club, Vulture and Relevant and

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Speaker 1: the following clip comes from their award winning episode on

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Speaker 1: the film Black Panther.

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Speaker 37: If people are into Marvel, I don't know, but like

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Speaker 37: you know, in Infinity War comes like characters have to die,

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Speaker 37: and like usually they'll kill characters that are more secondary.

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Speaker 17: Yeah, and like I'm like, yo, if one.

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Speaker 36: Of these people die, I'm gonna be upset, legitimately sad

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Speaker 36: and upset because we.

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Speaker 17: Really came to grow and love.

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Speaker 37: All of them quick too, so much so that I

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Speaker 37: was say, like, my only grinde with this movie was

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Speaker 37: I was so sad that Michael be Jordan had to die,

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Speaker 37: even though I know he did.

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00:18:40,160 --> 00:18:42,359
Speaker 38: I don't think he did. Man, that's that's not only that.

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Speaker 37: I was like, Yo, this dude was amazing, and you

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Speaker 37: set it up so that he didn't have to die.

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Speaker 37: You set up the lot the internalizing in the film

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Speaker 37: so that they could.

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Speaker 38: Have saved in with the science. And like, I thought

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Speaker 38: he was gonna be like Loki. I thought he was

385
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Speaker 38: gonna be saying. I thought he was gonna be Loky.

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Speaker 38: I'm very right way that he yes, yes, the lines yo,

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00:19:02,720 --> 00:19:05,879
Speaker 38: the line yo, how he got perfect? How was that

388
00:19:06,040 --> 00:19:06,359
Speaker 38: was so?

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Speaker 17: And it makes sense, it makes sense, it makes I

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Speaker 17: like I didn't want him to die either. And then

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Speaker 17: he said that line and I was like, this is perfect.

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Speaker 38: Same here and he just and he just did it.

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Speaker 38: Like but also, yo, this movie so yeah, okay, okay,

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Speaker 38: I think this is perfect. We're talking about it is

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Speaker 38: like just to hit on Ryan Coogler real quick. Is

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Speaker 38: often times we we have this discussion on whether or

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Speaker 38: not a white person can direct a movie about like

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Speaker 38: the black experience, right right, And I know sometimes we're

399
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Speaker 38: we're like we're really polite and we're really like, you know,

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Speaker 38: maybe they can if they know. But I think the

401
00:19:44,280 --> 00:19:47,439
Speaker 38: nuance is that this brother created in this movie. For instance,

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Speaker 38: that because he co wrote it, so Ryan Coopy co

403
00:19:49,840 --> 00:19:54,159
Speaker 38: wrote if you don't know that line about uh no,

404
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Speaker 38: so what I can be locked up? No, just throw

405
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Speaker 38: me in the ocean, like my answers is dead when

406
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Speaker 38: they were jumping off the boats because they knew it

407
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Speaker 38: was better to God and be in prison for the

408
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Speaker 38: rest of your life or something like that. It's like bruh,

409
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Speaker 38: Like every first off, everything that freaking sterling K Brown

410
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Speaker 38: is at the top of the movie about why he

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Speaker 38: wanted This movie isn't about like it's about like the world,

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Speaker 38: but it's really about like ideology, like, Yo, I've seen

413
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Speaker 38: black people butchered. I've seen people view them and we

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Speaker 38: have a chance to make them strong and powerful and

415
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Speaker 38: we're not. That is literally what the conflict of this

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Speaker 38: movie is. Do you help your brothers and sisters and.

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Speaker 17: That what are you doing?

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Speaker 37: Why are we saving or are we just going to

419
00:20:34,040 --> 00:20:36,520
Speaker 37: hoard and save our resources for It's so funny, like

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Speaker 37: as like somebody who's Christian that there's like a lot

421
00:20:39,920 --> 00:20:43,800
Speaker 37: of spiritual time the whole movie. I was just thinking

422
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Speaker 37: about that so much like this idea of like, you know,

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Speaker 37: there's a that version by when there's a song like

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Speaker 37: don't if you have a light, don't hide it under

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Speaker 37: a bushow like go let it shine on the top

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Speaker 37: of a mountain, right like let my let your little

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Speaker 37: light shine.

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Speaker 17: That's the song.

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Speaker 37: Like the idea is that if you have a light,

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Speaker 37: don't hide it and use it for yourself, you should

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Speaker 37: let it shine so others can see the light.

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Speaker 17: And that's exactly what Wakanda is.

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Speaker 37: It's like this bright, shining city in the center in

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Speaker 37: the heart of Africa that is kept hidden. And the

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Speaker 37: main conflict and theme in this movie is like are

436
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Speaker 37: we going to keep this hidden for ourselves or do

437
00:21:24,880 --> 00:21:28,639
Speaker 37: we have a responsibility to the rest of the world,

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Speaker 37: especially the rest of people of color in these in

439
00:21:31,520 --> 00:21:34,760
Speaker 37: these nations surrounding nations that are suffering and that we

440
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Speaker 37: know we could help, and we're not helping to protect ourselves,

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Speaker 37: you know.

442
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Speaker 38: So rest of the movie, it's not some giant invader

443
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Speaker 38: trying to take over the world. I mean, I guess

444
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Speaker 38: it kind of is. I mean, not an invader, but

445
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Speaker 38: it's like something that's so real to black people. I'm

446
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Speaker 38: on a thread right now with my boys from back

447
00:21:48,680 --> 00:21:50,399
Speaker 38: Home and it's like ten of us on this thread.

448
00:21:50,440 --> 00:21:52,760
Speaker 38: And literally the whole discussion has been since Trump has

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00:21:52,760 --> 00:21:56,120
Speaker 38: been in office, especially this year in particular, of what

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00:21:56,200 --> 00:21:58,919
Speaker 38: can people of color do to help? More like basically

451
00:21:58,960 --> 00:22:00,600
Speaker 38: is like what should we be doing? Like we know,

452
00:22:00,640 --> 00:22:03,040
Speaker 38: we gotta do something like yeah, we can vote, and

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00:22:03,040 --> 00:22:05,199
Speaker 38: we have been voting, but it's more right And the

454
00:22:05,240 --> 00:22:07,200
Speaker 38: whole movie, the idea behind the movie is like what

455
00:22:07,320 --> 00:22:09,439
Speaker 38: else what do we do? And I thought that was

456
00:22:09,480 --> 00:22:11,280
Speaker 38: just a genius way to do it. It made it

457
00:22:11,359 --> 00:22:14,000
Speaker 38: more grounded to me than most superhero movies are because

458
00:22:14,000 --> 00:22:16,919
Speaker 38: it was something that was like something that people can

459
00:22:17,000 --> 00:22:18,879
Speaker 38: relate to. And also we still had a villain. I

460
00:22:18,880 --> 00:22:21,720
Speaker 38: feel like a lot of times when it's a black superhero,

461
00:22:21,840 --> 00:22:24,680
Speaker 38: he's fighting like the crime boss or the drug dealer

462
00:22:24,720 --> 00:22:26,840
Speaker 38: on the block or something like that. Whereas this he

463
00:22:26,880 --> 00:22:30,280
Speaker 38: still had a true villain, but he also had something

464
00:22:30,280 --> 00:22:32,239
Speaker 38: that just meant something personal, you know.

465
00:22:33,440 --> 00:22:33,880
Speaker 17: Bruh.

466
00:22:33,960 --> 00:22:37,080
Speaker 38: And if Ryan Coogler again, Ryan Coogler, his three movies

467
00:22:37,200 --> 00:22:39,080
Speaker 38: all have over ninety percent of around tomatoes, you know,

468
00:22:39,080 --> 00:22:41,240
Speaker 38: not hate qot Ryan Tomatoes. But to go from Fruitvale Station,

469
00:22:41,720 --> 00:22:44,600
Speaker 38: which was set in Oakland, which he added this character

470
00:22:44,720 --> 00:22:46,119
Speaker 38: back in Oakland, and I feel like he did it

471
00:22:46,160 --> 00:22:48,320
Speaker 38: on purpose. But that's just me, Like he had that

472
00:22:48,359 --> 00:22:53,200
Speaker 38: movie to go for me to Creed. It's like this

473
00:22:53,359 --> 00:22:56,480
Speaker 38: young black Man thirty one thirty two. Yeah, like young

474
00:22:56,800 --> 00:23:00,239
Speaker 38: young black man has now changed the way a lot

475
00:23:00,240 --> 00:23:02,720
Speaker 38: of black people even view themselves. And I'm like, and

476
00:23:02,760 --> 00:23:04,960
Speaker 38: he wasn't rich, Like this wasn't a rich black brother.

477
00:23:05,400 --> 00:23:09,000
Speaker 38: Like he is from Oakland, Like he grew up with

478
00:23:09,080 --> 00:23:11,280
Speaker 38: not that much and like my mad has showed to

479
00:23:11,400 --> 00:23:13,480
Speaker 38: USC he like that is the American dream if you

480
00:23:13,480 --> 00:23:14,120
Speaker 38: want to be real.

481
00:23:14,440 --> 00:23:16,560
Speaker 17: Yeah, he aspired.

482
00:23:16,760 --> 00:23:19,240
Speaker 38: He yo, my man would not only inspire black people

483
00:23:19,280 --> 00:23:20,960
Speaker 38: around his country. He's gonnaspire like.

484
00:23:21,119 --> 00:23:24,399
Speaker 17: Mad people that he's just aspiring filmmaker.

485
00:23:24,520 --> 00:23:27,800
Speaker 38: Yeah, it's like I'm just a great filmmaker.

486
00:23:29,440 --> 00:23:31,600
Speaker 1: Just this past week, we sadly said goodbye to one

487
00:23:31,640 --> 00:23:34,320
Speaker 1: of the original Forever Dog podcasts, one of our all

488
00:23:34,359 --> 00:23:37,200
Speaker 1: time phaves, The Book of Yay, hosted by Rob Hayes

489
00:23:37,240 --> 00:23:39,680
Speaker 1: and Chris Daniels. For the past two and a half years,

490
00:23:39,760 --> 00:23:42,160
Speaker 1: Rob and Chris have been journeying through the Kanye West

491
00:23:42,200 --> 00:23:44,840
Speaker 1: cannon song by song while also trying to make sense

492
00:23:44,840 --> 00:23:47,520
Speaker 1: of every twist and turn of Kanye's career. Even though

493
00:23:47,560 --> 00:23:49,680
Speaker 1: the podcast is over, the Book of Yay leaves behind

494
00:23:49,720 --> 00:23:52,480
Speaker 1: an incredible back catalog of episodes that are well worth

495
00:23:52,520 --> 00:23:56,040
Speaker 1: re visiting, including so many great moments. In particular, Rob

496
00:23:56,040 --> 00:23:57,800
Speaker 1: and Chris were really at their best when they were

497
00:23:57,920 --> 00:24:01,640
Speaker 1: unpacking the controversial and problem public lives of our most

498
00:24:01,800 --> 00:24:04,879
Speaker 1: iconic pop stars, whether it be Kanye himself or In

499
00:24:04,880 --> 00:24:06,639
Speaker 1: this clip from the episode Hell of a Life with

500
00:24:06,680 --> 00:24:08,919
Speaker 1: Guess Gordon Baker, bone Lord.

501
00:24:09,160 --> 00:24:12,240
Speaker 39: Don't pull a Lord, we're not talking about You're not

502
00:24:12,280 --> 00:24:14,359
Speaker 39: talking about We're not gonna talk about Whitney.

503
00:24:14,280 --> 00:24:16,440
Speaker 4: Signed alright, right, cool.

504
00:24:15,760 --> 00:24:17,760
Speaker 24: Apology tweets ready.

505
00:24:17,680 --> 00:24:24,440
Speaker 4: Definitely, I'm sorry, sorry mister Jay talking about he apologized

506
00:24:24,440 --> 00:24:29,760
Speaker 4: to the joker. She will never be as far as

507
00:24:31,160 --> 00:24:34,760
Speaker 4: oh wait, well, I don't like Lord because what she

508
00:24:34,840 --> 00:24:37,280
Speaker 4: said she posted a picture of a bathtub.

509
00:24:37,560 --> 00:24:39,520
Speaker 17: An accident will always love you.

510
00:24:40,000 --> 00:24:43,280
Speaker 39: An accident that is not an accident, That is not accident.

511
00:24:44,040 --> 00:24:51,080
Speaker 39: Accident anybody God, come on, hey, no bathtub? Anybody goes what.

512
00:24:51,200 --> 00:24:52,679
Speaker 4: Is Lord got to pull that for it?

513
00:24:53,400 --> 00:24:57,080
Speaker 39: I don't know, Lord, bad coincidence.

514
00:24:56,640 --> 00:24:59,480
Speaker 4: That's not you know. I'm on your side now, route Yeah,

515
00:24:59,520 --> 00:24:59,840
Speaker 4: you can't do.

516
00:25:01,720 --> 00:25:01,959
Speaker 40: Like that.

517
00:25:02,320 --> 00:25:04,359
Speaker 39: You think she blatantly went out to you know what?

518
00:25:04,720 --> 00:25:07,360
Speaker 39: She was always love you in a picture of a baptub.

519
00:25:07,440 --> 00:25:11,879
Speaker 39: That's a breaking shot. She always take her back. Okay,

520
00:25:12,080 --> 00:25:14,120
Speaker 39: scrub a dub and the tub is a good cow.

521
00:25:14,600 --> 00:25:18,359
Speaker 4: No, it's not nobody. Nobody sings that. Nobody's got rubber

522
00:25:18,400 --> 00:25:25,199
Speaker 4: dub dub playing. Hold how old is lord? She old

523
00:25:25,280 --> 00:25:28,840
Speaker 4: enough now to do that? So you have Wikipedia? Come on, man,

524
00:25:28,880 --> 00:25:29,920
Speaker 4: old enough to have Google.

525
00:25:30,000 --> 00:25:31,840
Speaker 24: Always she be on the laptop in the tub.

526
00:25:32,840 --> 00:25:34,520
Speaker 4: She I recommend it.

527
00:25:37,080 --> 00:25:38,720
Speaker 24: Now see what happens.

528
00:25:40,600 --> 00:25:43,360
Speaker 4: On a blueberry? On a BlackBerry in the tub.

529
00:25:43,440 --> 00:25:44,399
Speaker 27: She could be on the laptop.

530
00:25:44,480 --> 00:25:45,800
Speaker 4: She gonta have a laptop to the side.

531
00:25:45,840 --> 00:25:48,040
Speaker 39: I don't understand. I don't understand why she did that.

532
00:25:48,240 --> 00:25:51,320
Speaker 39: If how is that not an accident? I said the

533
00:25:51,480 --> 00:25:53,560
Speaker 39: tubs all the way for you know you're saying it's

534
00:25:53,600 --> 00:25:58,399
Speaker 39: not an accident. Yeah, to ask you, how did actually

535
00:25:58,440 --> 00:25:59,240
Speaker 39: make an accident with that?

536
00:25:59,600 --> 00:25:59,840
Speaker 24: Come on?

537
00:26:00,040 --> 00:26:03,359
Speaker 39: Did you say the wrong line? The girl want to

538
00:26:03,400 --> 00:26:05,159
Speaker 39: take it bath? It makes you know why I say

539
00:26:05,200 --> 00:26:07,639
Speaker 39: it's accent because it makes no sense for not to

540
00:26:07,760 --> 00:26:08,439
Speaker 39: be what.

541
00:26:10,680 --> 00:26:10,920
Speaker 4: Shot.

542
00:26:12,359 --> 00:26:14,160
Speaker 39: First of all, First of all, first of all, Lord,

543
00:26:14,320 --> 00:26:16,359
Speaker 39: is one of them dark people here in front of

544
00:26:16,400 --> 00:26:19,560
Speaker 39: the face which is in the video. First of all,

545
00:26:20,000 --> 00:26:23,400
Speaker 39: so to make a joke or a reference to how

546
00:26:23,480 --> 00:26:26,040
Speaker 39: somebody died doesn't seem off of her.

547
00:26:26,520 --> 00:26:30,600
Speaker 4: Second of all, girls fall out of the well.

548
00:26:31,560 --> 00:26:32,800
Speaker 27: I will always love you.

549
00:26:33,240 --> 00:26:36,000
Speaker 39: Now two eyes might have been Dolly Parton, but we

550
00:26:36,200 --> 00:26:39,440
Speaker 39: all know only Whitney Houston can pull off that third

551
00:26:39,640 --> 00:26:40,560
Speaker 39: consecutive eye.

552
00:26:40,840 --> 00:26:44,359
Speaker 4: You know what I'm saying? What is the song about?

553
00:26:45,520 --> 00:26:46,520
Speaker 41: What is the song about?

554
00:26:47,000 --> 00:26:52,600
Speaker 39: Kevin Cossoner? Yeah, it's about her? What the matter of

555
00:26:52,640 --> 00:26:56,920
Speaker 39: fucking songs about love? The girl loves taking back? No,

556
00:26:57,680 --> 00:26:59,200
Speaker 39: get the girl taken bath?

557
00:26:59,359 --> 00:27:02,680
Speaker 4: Get out of you? What are you Serious's going on?

558
00:27:04,640 --> 00:27:05,639
Speaker 4: What is wrong with you?

559
00:27:06,720 --> 00:27:09,920
Speaker 39: First of all, I hate y'all for making me like

560
00:27:10,000 --> 00:27:15,840
Speaker 39: defend Lord at the front of the keep annihilating at

561
00:27:15,880 --> 00:27:19,760
Speaker 39: the front of the podcast. No strange that I hate

562
00:27:19,800 --> 00:27:22,200
Speaker 39: that I'm going equally as hired for annihilating the Lord

563
00:27:22,280 --> 00:27:23,600
Speaker 39: in the same forty minutes.

564
00:27:23,880 --> 00:27:26,119
Speaker 4: She just loves baths and she was singing her, she

565
00:27:26,240 --> 00:27:29,160
Speaker 4: was professing her love. I don't only profess.

566
00:27:30,800 --> 00:27:33,400
Speaker 39: I'm only going as her because y'all going to her unnecessarily.

567
00:27:33,600 --> 00:27:37,000
Speaker 39: It makes it makes no sense. It makes no sense

568
00:27:37,040 --> 00:27:39,760
Speaker 39: to be mad because you know, but you're saying, you're

569
00:27:39,760 --> 00:27:44,040
Speaker 39: saying that multiful. You're saying it was bad intent behind

570
00:27:44,119 --> 00:27:47,119
Speaker 39: it or funny, and it was probably trying to be funny.

571
00:27:47,200 --> 00:27:48,680
Speaker 21: That's the worst joke ever it is.

572
00:27:49,080 --> 00:27:51,000
Speaker 4: That's why they had to get out Lord.

573
00:27:51,040 --> 00:27:52,800
Speaker 17: They got no Metflix, specially.

574
00:27:53,000 --> 00:27:55,159
Speaker 39: You got to show me the president of Lord making

575
00:27:55,320 --> 00:27:58,640
Speaker 39: jokes about that people. That's what made this upsetting, not surprising,

576
00:27:58,880 --> 00:28:03,720
Speaker 39: but upsetting because Lord was like somebody that we ain't

577
00:28:03,760 --> 00:28:04,680
Speaker 39: never have a problem with.

578
00:28:05,040 --> 00:28:05,720
Speaker 4: You know what I'm saying.

579
00:28:05,920 --> 00:28:09,600
Speaker 39: Lord was the only white person this year nominated for

580
00:28:10,240 --> 00:28:13,840
Speaker 39: Best Album Album of the Year. And she ain't say

581
00:28:13,920 --> 00:28:16,520
Speaker 39: nothing crazy, she ain't had no crazy captions.

582
00:28:16,119 --> 00:28:17,320
Speaker 4: Like we was cool with Lord.

583
00:28:17,440 --> 00:28:20,680
Speaker 39: You know what I'm saying, Well, you got allegered, keep

584
00:28:20,720 --> 00:28:25,200
Speaker 39: it up with Lord. What I'm saying is, prior to this,

585
00:28:25,680 --> 00:28:28,200
Speaker 39: we've never had an issue with Lord. But now I'm

586
00:28:28,240 --> 00:28:30,879
Speaker 39: looking at Lord, like all right, now, Lord, you know

587
00:28:31,160 --> 00:28:33,520
Speaker 39: your name is Lord. It already makes me feel funny

588
00:28:33,600 --> 00:28:36,760
Speaker 39: saying that it has an E on it. But when

589
00:28:36,800 --> 00:28:43,880
Speaker 39: you say you can't hear it like she pronounce it lordy,

590
00:28:44,160 --> 00:28:50,280
Speaker 39: I'm just saying, Lord, Lordy. Lordy can speak on Whitney Houston,

591
00:28:50,360 --> 00:28:52,280
Speaker 39: but not Lord. You think she got a career. Her

592
00:28:52,360 --> 00:28:55,720
Speaker 39: name is Lordie, Lordly, LORDI is the one who was

593
00:28:55,760 --> 00:28:59,600
Speaker 39: singing Robber dub Duve. I definitely would never say her

594
00:28:59,680 --> 00:29:02,440
Speaker 39: name is. Her name is Lordy, y'all, Lord.

595
00:29:04,280 --> 00:29:07,960
Speaker 4: Lord, LORDI cool, Lord Day, Lord Day. I call the

596
00:29:08,080 --> 00:29:11,080
Speaker 4: Lord that LORDI sounded like a SoundCloud rapper that.

597
00:29:11,200 --> 00:29:13,280
Speaker 39: I don't know about canceling because they be like so

598
00:29:13,400 --> 00:29:15,880
Speaker 39: and so is canceled, then they just be selling all

599
00:29:15,920 --> 00:29:18,200
Speaker 39: the records. So we ain't gonna cancel her, but we're

600
00:29:18,200 --> 00:29:20,240
Speaker 39: just gonna put it to the side. I ain't stopping

601
00:29:20,320 --> 00:29:21,840
Speaker 39: Lord from selling records.

602
00:29:22,360 --> 00:29:25,120
Speaker 4: But I'm not gonna listen no more, especially after that

603
00:29:25,240 --> 00:29:27,880
Speaker 4: when Baptist thing man.

604
00:29:28,080 --> 00:29:30,440
Speaker 39: We gotta be secretive because you know, Spotify don't like

605
00:29:30,480 --> 00:29:33,240
Speaker 39: to count stuff when people organized to too loudly. The

606
00:29:33,360 --> 00:29:35,760
Speaker 39: next time some Lord come out, we all gonna stream.

607
00:29:35,880 --> 00:29:38,880
Speaker 39: I think they want some fringe group. I ain't see

608
00:29:38,920 --> 00:29:41,120
Speaker 39: that many people give up said about this. I saw

609
00:29:41,720 --> 00:29:43,880
Speaker 39: every the context that I was presented. Look at this

610
00:29:44,000 --> 00:29:47,200
Speaker 39: mistake Lord made, not y'all, like y'all see what the

611
00:29:47,280 --> 00:29:50,000
Speaker 39: fuck Lord did? Like see the kind of stuff that

612
00:29:50,200 --> 00:29:54,160
Speaker 39: they that they got you saying because her name the

613
00:29:54,360 --> 00:29:58,080
Speaker 39: mistake that Lord the sentence you just said, because her

614
00:29:58,160 --> 00:30:01,160
Speaker 39: name is Lord, I'm gonna find out real named maccarthur Day.

615
00:30:02,160 --> 00:30:02,800
Speaker 42: That's what I'm gonna do.

616
00:30:03,120 --> 00:30:07,040
Speaker 4: What is Lord, Lord Day? I'm going llyd Day, Llyday.

617
00:30:07,560 --> 00:30:10,040
Speaker 4: That's a mistake, Loyd, A mate, that's better than Lord.

618
00:30:12,640 --> 00:30:14,440
Speaker 1: What were you over in twenty eighteen?

619
00:30:14,480 --> 00:30:15,200
Speaker 21: What were you sick of?

620
00:30:15,320 --> 00:30:16,240
Speaker 3: What were you done with?

621
00:30:16,680 --> 00:30:19,040
Speaker 1: That's the question that Derek Kats and Betsy Kenny put

622
00:30:19,080 --> 00:30:21,600
Speaker 1: to their guests every week. Undone named one of the

623
00:30:21,640 --> 00:30:24,760
Speaker 1: best new podcasts of twenty eighteen by Refinery twenty nine.

624
00:30:25,160 --> 00:30:28,080
Speaker 1: Done features some truly cathartic moments, like this one from

625
00:30:28,080 --> 00:30:31,160
Speaker 1: the episode Natural Beauty Products, Marfa, Texas and Whimsy.

626
00:30:31,320 --> 00:30:33,239
Speaker 43: Oh my god, So Darren and I just got back

627
00:30:33,280 --> 00:30:35,600
Speaker 43: from a trip and I ripped one on the bone.

628
00:30:36,160 --> 00:30:37,040
Speaker 2: I'm so sorry.

629
00:30:37,440 --> 00:30:40,280
Speaker 44: Oh And this was not like this week he was notable.

630
00:30:40,480 --> 00:30:43,920
Speaker 44: This was bowing seven seven. This was like a tiny one.

631
00:30:44,000 --> 00:30:45,560
Speaker 44: Like the pilot was right in front of me, and

632
00:30:45,760 --> 00:30:48,960
Speaker 44: like one family was flying it with us, and I

633
00:30:49,320 --> 00:30:51,520
Speaker 44: was trying to cover your ass because the dad I

634
00:30:51,600 --> 00:30:54,360
Speaker 44: knew was onto you he knew you ripped one.

635
00:30:54,680 --> 00:30:57,840
Speaker 43: No wait, so I did it, and it was truly

636
00:30:58,080 --> 00:31:00,600
Speaker 43: so loud it sounded like a whoop because when I

637
00:31:00,640 --> 00:31:02,200
Speaker 43: couldn't stop laughing that text.

638
00:31:02,040 --> 00:31:03,880
Speaker 45: Derek was right before we went, I don't hear it.

639
00:31:04,080 --> 00:31:08,080
Speaker 44: It smelled like it smelled like we all together fall

640
00:31:08,160 --> 00:31:09,440
Speaker 44: into a drainage.

641
00:31:09,080 --> 00:31:11,800
Speaker 11: That's coming for us. Yeah, that was coming, that had.

642
00:31:11,720 --> 00:31:13,680
Speaker 4: Come, and now we were rotting in it and there

643
00:31:13,720 --> 00:31:14,360
Speaker 4: were worms.

644
00:31:15,800 --> 00:31:17,720
Speaker 46: It was a small death, but I thought it was

645
00:31:17,760 --> 00:31:18,360
Speaker 46: the funniest thing.

646
00:31:18,560 --> 00:31:19,040
Speaker 9: Eyeballs.

647
00:31:20,280 --> 00:31:23,160
Speaker 43: We truly couldn't stop laughing. And right before that, we

648
00:31:23,240 --> 00:31:25,960
Speaker 43: were taking so many pictures, like on the tarmac because

649
00:31:25,960 --> 00:31:27,720
Speaker 43: it was truly one of those planes.

650
00:31:28,080 --> 00:31:30,720
Speaker 34: And the guy, this guy was so mad and he

651
00:31:30,760 --> 00:31:31,239
Speaker 34: didn't know why.

652
00:31:31,280 --> 00:31:33,360
Speaker 2: He goes this isn't a place for fun.

653
00:31:34,000 --> 00:31:36,080
Speaker 45: And then we were like he got on the plane,

654
00:31:36,120 --> 00:31:38,600
Speaker 45: I'm like shitting my pants. But it's just air. I

655
00:31:38,720 --> 00:31:40,760
Speaker 45: mean this, we're never allowed back.

656
00:31:41,520 --> 00:31:44,600
Speaker 44: No, that dad, Because that dad had two daughters sitting

657
00:31:44,640 --> 00:31:46,120
Speaker 44: in front of him, who you thought were cute.

658
00:31:46,160 --> 00:31:46,680
Speaker 11: I thought we're.

659
00:31:46,640 --> 00:31:49,400
Speaker 44: Obnoxious, yeah, and I was gonna yell at their asses.

660
00:31:49,480 --> 00:31:51,880
Speaker 44: But then you you let that far go, and I

661
00:31:52,040 --> 00:31:54,360
Speaker 44: couldn't you took away any leverage I had for the

662
00:31:54,400 --> 00:31:55,320
Speaker 44: rest of the flight.

663
00:31:55,240 --> 00:31:59,080
Speaker 43: And then we couldn't stop laughing about far And it's

664
00:31:59,200 --> 00:31:59,960
Speaker 43: truly growth.

665
00:32:00,200 --> 00:32:01,200
Speaker 34: It's immature.

666
00:32:01,760 --> 00:32:02,560
Speaker 9: Yeah, it's not funny.

667
00:32:02,840 --> 00:32:05,040
Speaker 11: Okay, fine, bye.

668
00:32:07,000 --> 00:32:09,720
Speaker 1: When this next podcast joined Forever Dog for season three

669
00:32:09,800 --> 00:32:12,600
Speaker 1: of their absolutely iconic show, we could not have been

670
00:32:12,680 --> 00:32:15,720
Speaker 1: more thrilled. It's Food for Thought, hosted by Dennis Norris

671
00:32:15,760 --> 00:32:19,440
Speaker 1: the Second, Joseph Osmondsen, Tommy Pico, and Fran Toronto, a

672
00:32:19,520 --> 00:32:23,840
Speaker 1: multi racial mix of queer writers who talk about sex, relationships, race, identity,

673
00:32:24,200 --> 00:32:25,640
Speaker 1: what they like to read, and who they.

674
00:32:25,680 --> 00:32:26,120
Speaker 3: Like to read.

675
00:32:26,480 --> 00:32:28,239
Speaker 1: And after you listen to the following clip from their

676
00:32:28,280 --> 00:32:31,200
Speaker 1: season three premiere episode, She's Arrived, please make sure to

677
00:32:31,240 --> 00:32:34,680
Speaker 1: go online to the iHeartRadio Podcast Awards site and vote

678
00:32:34,720 --> 00:32:37,520
Speaker 1: for Food for Thought for Best LGBTQ Podcast.

679
00:32:37,880 --> 00:32:38,680
Speaker 42: You guys ready.

680
00:32:43,040 --> 00:32:46,480
Speaker 47: Welcome to season three of Food for Thought podcast.

681
00:32:46,680 --> 00:32:49,480
Speaker 48: GAT This Friend, a multi racial mix of queer writers

682
00:32:49,560 --> 00:32:53,840
Speaker 48: gather are on the table to talk about sex, identity, culture,

683
00:32:54,520 --> 00:32:58,080
Speaker 48: what we like to read, and who we like to read.

684
00:32:58,360 --> 00:33:01,760
Speaker 49: Frand just fell out of his still recovering from that

685
00:33:02,200 --> 00:33:07,440
Speaker 49: bone chilling last like waking up the souls of thousands

686
00:33:07,480 --> 00:33:11,600
Speaker 49: of thoughts of yesterdayear sex good, dummoning them like it's

687
00:33:11,640 --> 00:33:17,320
Speaker 49: some fucking it's It's like slutty Pandora's Box, all these

688
00:33:17,760 --> 00:33:18,920
Speaker 49: sludy demons.

689
00:33:21,280 --> 00:33:25,200
Speaker 47: For thoughts where every day is cheap day. Yeah, I'm

690
00:33:25,320 --> 00:33:29,320
Speaker 47: Tommy Teeb's peak. Oh, I'm an Indigenous American poet, screenwriter,

691
00:33:29,720 --> 00:33:32,880
Speaker 47: and my fourth book is coming out in fall twenty nineteen,

692
00:33:32,960 --> 00:33:35,200
Speaker 47: proving once and for all four books in four years,

693
00:33:35,320 --> 00:33:37,200
Speaker 47: I am in fact that bitch.

694
00:33:37,560 --> 00:33:38,800
Speaker 30: Yes you are.

695
00:33:40,040 --> 00:33:43,200
Speaker 49: I'm Fran, I'm a writer editor, and my drag queen

696
00:33:43,280 --> 00:33:46,440
Speaker 49: name is Virginia Slim, but my drag king name is

697
00:33:46,800 --> 00:33:47,760
Speaker 49: girth Brooks.

698
00:33:49,800 --> 00:33:51,800
Speaker 23: My god, I believe you're straight?

699
00:33:51,880 --> 00:33:52,400
Speaker 3: Are you straight?

700
00:33:55,120 --> 00:33:55,320
Speaker 5: Yes?

701
00:33:57,000 --> 00:33:57,640
Speaker 2: It takes up.

702
00:33:57,680 --> 00:33:59,880
Speaker 17: It's been three seasons. I've been straight the whole time.

703
00:34:01,000 --> 00:34:02,520
Speaker 2: What if that was actually the room?

704
00:34:02,880 --> 00:34:04,880
Speaker 13: My god, she loves the twist.

705
00:34:05,560 --> 00:34:06,840
Speaker 42: She lives for the drama.

706
00:34:08,320 --> 00:34:10,840
Speaker 50: I have never seen you, Sup dick personally, so who knows?

707
00:34:11,080 --> 00:34:12,879
Speaker 50: I am Joseph Oswenson.

708
00:34:13,120 --> 00:34:14,279
Speaker 17: Obviously you did not get that.

709
00:34:17,520 --> 00:34:18,760
Speaker 15: My Pabla says, start doing.

710
00:34:18,640 --> 00:34:19,640
Speaker 42: A great jobs like.

711
00:34:21,200 --> 00:34:25,719
Speaker 50: Side just nonfiction writer, total top as always and the

712
00:34:25,760 --> 00:34:29,040
Speaker 50: food for thought originator of sticking out your tongue in pictures.

713
00:34:29,160 --> 00:34:30,600
Speaker 23: Oh my god, that's not true.

714
00:34:31,080 --> 00:34:31,960
Speaker 2: True I did at first.

715
00:34:38,239 --> 00:34:40,280
Speaker 17: And Hi, guys, I'm back.

716
00:34:40,680 --> 00:34:46,120
Speaker 51: I'm reader, writer, former figure skater, and it is my

717
00:34:46,320 --> 00:34:49,480
Speaker 51: life's work to work Michelle Kwan into every conversation.

718
00:34:49,840 --> 00:34:52,560
Speaker 2: You're doing a great Chad, Sweetie, You're doing a great job.

719
00:34:54,000 --> 00:34:58,040
Speaker 49: Dear reader, replay that Dennis's intro with the context that

720
00:34:58,200 --> 00:35:02,360
Speaker 49: we have deemed Dennis with the affect of a YouTuber,

721
00:35:02,480 --> 00:35:06,600
Speaker 49: a white YouTuber, a white like makeup tutorial YouTuber that's like.

722
00:35:06,640 --> 00:35:08,960
Speaker 4: Hey, guy, Puchi, how's a guy?

723
00:35:09,000 --> 00:35:10,719
Speaker 45: And this is my unboxing video.

724
00:35:11,000 --> 00:35:11,439
Speaker 5: I am.

725
00:35:13,120 --> 00:35:14,120
Speaker 51: So tired you guys.

726
00:35:14,200 --> 00:35:15,920
Speaker 2: Let's do this anyway. I said, you can.

727
00:35:16,120 --> 00:35:18,640
Speaker 51: You can take the Becky out of the valley, but

728
00:35:18,800 --> 00:35:20,120
Speaker 51: you can't take the valley out of.

729
00:35:20,400 --> 00:35:22,759
Speaker 47: That is an uncanny valley. Who wants to tell us

730
00:35:23,000 --> 00:35:24,399
Speaker 47: what we got on the menu this week?

731
00:35:24,440 --> 00:35:27,800
Speaker 23: I got it everybody this week, all of us. Fuck Rihanna.

732
00:35:28,200 --> 00:35:31,279
Speaker 50: We give good advice from at least one doctor me.

733
00:35:33,200 --> 00:35:36,280
Speaker 50: We conclusively decide that Mimi isn't it Diva not anymore?

734
00:35:36,400 --> 00:35:39,400
Speaker 50: Fuck you, Fran, and we knock on the window pane

735
00:35:39,600 --> 00:35:42,240
Speaker 50: of one of the greatest persons of all times.

736
00:35:42,480 --> 00:35:43,520
Speaker 22: Take it away.

737
00:35:50,800 --> 00:35:54,560
Speaker 47: I'm feeling a little peckish. Starts the top of this

738
00:35:54,680 --> 00:35:56,960
Speaker 47: show the way any good time should. But the little

739
00:35:57,120 --> 00:36:01,040
Speaker 47: teas are a borious appetizer segment amuse boosh and to

740
00:36:01,280 --> 00:36:02,280
Speaker 47: amuse our booshes.

741
00:36:02,320 --> 00:36:04,640
Speaker 3: Today, Ryan got a little game for us.

742
00:36:04,760 --> 00:36:05,480
Speaker 41: That's right.

743
00:36:05,840 --> 00:36:09,200
Speaker 49: So the theme of today's episode is Diva, So it

744
00:36:09,360 --> 00:36:12,600
Speaker 49: only makes sense to gamify the meat of this episode

745
00:36:12,640 --> 00:36:17,640
Speaker 49: with a healthy little helping of Bone Block Bench Edition.

746
00:36:18,040 --> 00:36:20,759
Speaker 49: It's a good copy Forrame, I know, right, Diva's edition.

747
00:36:21,000 --> 00:36:23,600
Speaker 49: So if you're not familiar with our game, which we

748
00:36:24,120 --> 00:36:27,840
Speaker 49: coined and created a very originally, Bone Block Bench is

749
00:36:28,040 --> 00:36:30,000
Speaker 49: pretty much the exact same thing as Mary Fuck Kill,

750
00:36:30,560 --> 00:36:34,480
Speaker 49: but thoughtified. So Bone means like you need them, you

751
00:36:34,600 --> 00:36:36,400
Speaker 49: gotta have them, like even if it's just for one night,

752
00:36:36,440 --> 00:36:38,560
Speaker 49: Like you're just gonna fuck their brains out. Bench is

753
00:36:38,680 --> 00:36:40,840
Speaker 49: like you want to like you you're gonna put them

754
00:36:40,880 --> 00:36:43,360
Speaker 49: on the sidelines, like maybe you want to play the

755
00:36:43,440 --> 00:36:45,359
Speaker 49: long game with them, Like that doesn't mean like they're

756
00:36:45,360 --> 00:36:46,600
Speaker 49: out of your life forever, but like you want to

757
00:36:46,640 --> 00:36:48,480
Speaker 49: put them on the bench. And Block is like what

758
00:36:48,600 --> 00:36:51,839
Speaker 49: happens after all of Joe's Tinder matches go on one date?

759
00:36:54,080 --> 00:37:00,640
Speaker 23: No that's report. I'm bone bone bone and they're block block.

760
00:37:02,360 --> 00:37:06,840
Speaker 49: And so another disclaimer here, I will not be playing softball.

761
00:37:07,040 --> 00:37:10,880
Speaker 49: There are no easy there are no easy balls that

762
00:37:10,960 --> 00:37:13,360
Speaker 49: I will be throwing today.

763
00:37:13,480 --> 00:37:15,560
Speaker 47: Okay, I'm out. I'm see you guys later. And there

764
00:37:15,600 --> 00:37:16,800
Speaker 47: have been too many on timetres.

765
00:37:17,800 --> 00:37:20,040
Speaker 1: Dan Gill and Eric do Dorian have been through it

766
00:37:20,120 --> 00:37:23,239
Speaker 1: all on their podcast Groomzillas. They've planned their weddings, they've

767
00:37:23,360 --> 00:37:26,680
Speaker 1: gotten married, They've watched the Dodgers lose two consecutive World series,

768
00:37:27,000 --> 00:37:29,920
Speaker 1: and they've talked to tons of amazing guests about love, marriage,

769
00:37:29,960 --> 00:37:32,759
Speaker 1: and the whole damn thing. The following clip comes from

770
00:37:32,880 --> 00:37:35,560
Speaker 1: Dan and Eric's live stream of one of twenty eighteen's

771
00:37:35,640 --> 00:37:38,800
Speaker 1: most memorable events, the royal wedding of Megan Markle and

772
00:37:38,920 --> 00:37:43,120
Speaker 1: Prince Harry, recorded simultaneously in la and Baltimore in the

773
00:37:43,280 --> 00:37:46,680
Speaker 1: wee hours of the morning. Here they are the Groomzillas

774
00:37:47,200 --> 00:37:48,960
Speaker 1: and forsaking all others.

775
00:37:49,800 --> 00:37:51,040
Speaker 42: Be faithful to him.

776
00:37:51,880 --> 00:37:55,080
Speaker 3: As long as you both shave it, I will.

777
00:37:58,000 --> 00:38:03,640
Speaker 52: Nailed it, and will you the family.

778
00:38:03,719 --> 00:38:05,120
Speaker 41: This is going faster than I thought it.

779
00:38:05,400 --> 00:38:07,320
Speaker 53: Harry and they want to get the show on the

780
00:38:07,400 --> 00:38:12,719
Speaker 53: road and uphold them in their marriage now and in

781
00:38:12,840 --> 00:38:13,799
Speaker 53: the years to come.

782
00:38:17,719 --> 00:38:21,399
Speaker 42: We will as I will stand.

783
00:38:21,600 --> 00:38:25,120
Speaker 3: Let us pray for Harry and Meghana.

784
00:38:26,040 --> 00:38:27,640
Speaker 41: I'm going to pray for Harry and Meghan with them.

785
00:38:30,840 --> 00:38:31,400
Speaker 17: Are you praying?

786
00:38:32,800 --> 00:38:35,879
Speaker 53: No, I don't believe in God, God, our Father, believe

787
00:38:36,160 --> 00:38:39,439
Speaker 53: at the beginning you have blessed creation with abundant life.

788
00:38:40,840 --> 00:38:46,080
Speaker 53: Pour out your blessings upon Harry and Meghan joined in

789
00:38:46,239 --> 00:38:51,839
Speaker 53: mutual love and companionship and commitment to each other.

790
00:38:52,160 --> 00:38:54,319
Speaker 27: He's got his phone asking this.

791
00:38:54,680 --> 00:38:58,560
Speaker 53: Through our Lord Jesus Christ, your son who is alive

792
00:38:58,920 --> 00:39:01,800
Speaker 53: and reigns with you in the unity of the Holy Spirit,

793
00:39:02,560 --> 00:39:05,240
Speaker 53: One God, now and forever.

794
00:39:06,640 --> 00:39:06,839
Speaker 54: Ah.

795
00:39:09,040 --> 00:39:10,080
Speaker 41: It was a strong prayer.

796
00:39:12,440 --> 00:39:15,000
Speaker 55: Judging from the way Harry has been acting. I think

797
00:39:15,120 --> 00:39:17,720
Speaker 55: the edible hit about half way down.

798
00:39:18,000 --> 00:39:19,840
Speaker 27: The aisle when he was walking with William.

799
00:39:20,239 --> 00:39:23,719
Speaker 17: Okay, and I think he's really starting to swing.

800
00:39:24,040 --> 00:39:26,719
Speaker 41: And what is going on?

801
00:39:27,080 --> 00:39:27,600
Speaker 51: My love.

802
00:39:30,040 --> 00:39:34,000
Speaker 38: Away reading we know who this.

803
00:39:34,160 --> 00:39:36,040
Speaker 56: Is over and gone.

804
00:39:38,719 --> 00:39:39,480
Speaker 41: Camilla's mom.

805
00:39:40,080 --> 00:39:41,600
Speaker 30: The time of singing has come.

806
00:39:42,239 --> 00:39:43,359
Speaker 41: That's Camilla's mom.

807
00:39:44,120 --> 00:39:46,320
Speaker 27: Looks like they all look the same to me.

808
00:39:46,440 --> 00:39:46,840
Speaker 41: Honestly.

809
00:39:47,560 --> 00:39:50,960
Speaker 30: The fig tree puts forks figs and the vines are

810
00:39:51,040 --> 00:39:51,640
Speaker 30: in blossom.

811
00:39:52,120 --> 00:39:55,160
Speaker 55: That's why it's such a big deal in the Royal family.

812
00:39:56,080 --> 00:40:02,279
Speaker 30: Love my fair one and come away now figs set

813
00:40:02,400 --> 00:40:06,400
Speaker 30: me as a seal upon your heart, as a seal.

814
00:40:06,400 --> 00:40:07,239
Speaker 18: Upon your arm.

815
00:40:08,120 --> 00:40:11,120
Speaker 41: For Harry is flying right now.

816
00:40:11,360 --> 00:40:19,640
Speaker 19: It's totally it's so high, so hard, many waters.

817
00:40:19,920 --> 00:40:22,880
Speaker 38: Is he wearing the Nazi uniform underneath his.

818
00:40:24,440 --> 00:40:24,840
Speaker 17: Uniform?

819
00:40:25,840 --> 00:40:26,800
Speaker 27: Do you think he still has it?

820
00:40:26,920 --> 00:40:26,960
Speaker 4: No?

821
00:40:27,480 --> 00:40:30,360
Speaker 55: I don't think of one's house, but he did at one.

822
00:40:30,239 --> 00:40:32,040
Speaker 6: Point scomed.

823
00:40:34,480 --> 00:40:36,000
Speaker 23: I like, I like sitting down.

824
00:40:36,800 --> 00:40:39,320
Speaker 27: Who is this broad talking about floods and figs?

825
00:40:39,440 --> 00:40:39,600
Speaker 5: Man?

826
00:40:39,719 --> 00:40:40,759
Speaker 55: This is bumming me out.

827
00:40:42,920 --> 00:40:47,680
Speaker 41: That was Harry's first It was Harry's first girlfriend.

828
00:40:49,560 --> 00:40:52,120
Speaker 23: I hear that where that was terrified.

829
00:40:52,160 --> 00:40:57,160
Speaker 7: Harry is seal going to sing?

830
00:40:57,280 --> 00:40:57,480
Speaker 21: Or what.

831
00:40:59,440 --> 00:41:02,280
Speaker 17: Seal is a sing? Seal's doing two songs?

832
00:41:02,320 --> 00:41:14,239
Speaker 55: I believe he's only got one. Does this remind you

833
00:41:14,280 --> 00:41:16,960
Speaker 55: of the Wedding from Love? Actually at all? This part

834
00:41:17,080 --> 00:41:17,960
Speaker 55: kind of does, doesn't it?

835
00:41:18,280 --> 00:41:21,920
Speaker 38: The choir they is there choirs in love?

836
00:41:22,000 --> 00:41:23,560
Speaker 15: Actually the boy choir?

837
00:41:23,680 --> 00:41:26,560
Speaker 27: Yeah, in the in the in the in the first wedding.

838
00:41:27,040 --> 00:41:28,680
Speaker 17: Oh when they're singing all you need is love with

839
00:41:28,760 --> 00:41:35,400
Speaker 17: the tron zones, Oh come on, why anywhere?

840
00:41:36,520 --> 00:41:37,560
Speaker 20: And maybe it's just like.

841
00:41:39,160 --> 00:41:41,760
Speaker 55: This is it's just so much and it's like fun

842
00:41:41,840 --> 00:41:45,080
Speaker 55: and everything, but it's you know, I don't think this

843
00:41:45,280 --> 00:41:47,920
Speaker 55: is them. I just that's the feeling overall for you.

844
00:41:48,080 --> 00:41:52,640
Speaker 55: I can't shake. But all this wedding, as.

845
00:41:52,920 --> 00:41:55,560
Speaker 57: You know, this is them, they like Hevin, George and

846
00:41:55,640 --> 00:41:56,200
Speaker 57: them all there.

847
00:41:58,000 --> 00:41:59,640
Speaker 27: Well yeah, but I mean.

848
00:42:01,239 --> 00:42:02,640
Speaker 55: All the part I mean, I think they want to

849
00:42:02,640 --> 00:42:04,480
Speaker 55: get rid of They want to get they want to

850
00:42:04,480 --> 00:42:06,280
Speaker 55: get on with it, they want to just be married.

851
00:42:06,360 --> 00:42:09,319
Speaker 57: I feel like, I bet, I bet George isn't even

852
00:42:09,520 --> 00:42:11,760
Speaker 57: like focused on the wedding right now, because he's probably

853
00:42:11,880 --> 00:42:17,160
Speaker 57: crunching numbers for his Casamigos tequila. George Clooney seeing seeing

854
00:42:17,200 --> 00:42:19,840
Speaker 57: what what the quarter's shaping up to be for his

855
00:42:20,280 --> 00:42:21,680
Speaker 57: Casamigos tequila.

856
00:42:23,200 --> 00:42:24,080
Speaker 27: Well, he's got one.

857
00:42:24,280 --> 00:42:25,680
Speaker 42: He's always got one.

858
00:42:26,280 --> 00:42:30,479
Speaker 55: Part of his mind is always back at his layer

859
00:42:30,600 --> 00:42:34,239
Speaker 55: and what Lake Cuomo. Part of him is always a

860
00:42:34,320 --> 00:42:36,600
Speaker 55: Lake Cuomo. He's not fully anywhere.

861
00:42:36,640 --> 00:42:40,400
Speaker 21: If you can tell his acting, Wow shots fired.

862
00:42:44,320 --> 00:42:46,520
Speaker 55: He's always back at his half. Part of him is

863
00:42:46,520 --> 00:42:49,040
Speaker 55: always back at Lake Cuomo, where him and his colleagues

864
00:42:49,200 --> 00:42:54,200
Speaker 55: are working on tequila that is creatively and professionally greater

865
00:42:54,440 --> 00:42:56,160
Speaker 55: than any to keep look at these idiots.

866
00:42:56,480 --> 00:43:04,000
Speaker 1: As in a crowded landscape of character based improv podcasts,

867
00:43:04,120 --> 00:43:07,560
Speaker 1: Hampton High has quickly become a world unto itself. That's

868
00:43:07,600 --> 00:43:09,760
Speaker 1: what the AV Club had to say about this next podcast,

869
00:43:09,840 --> 00:43:12,480
Speaker 1: and we could not agree more. Hampton High is created

870
00:43:12,520 --> 00:43:16,400
Speaker 1: by and stars Tim Platt as high school junior Hampton mclvey,

871
00:43:16,640 --> 00:43:19,319
Speaker 1: whose quest to become the Mark Maron of Rockville Prep

872
00:43:19,400 --> 00:43:22,160
Speaker 1: by interviewing students and faculty of interest leads him down

873
00:43:22,200 --> 00:43:25,480
Speaker 1: some very strange paths. The following clip is from Hampton's

874
00:43:25,480 --> 00:43:28,960
Speaker 1: interview with theater kid Mitra, played by guest Mitra Juhari.

875
00:43:30,920 --> 00:43:31,600
Speaker 4: This is interesting.

876
00:43:31,640 --> 00:43:33,160
Speaker 58: We have more in common than people who have thought

877
00:43:33,160 --> 00:43:35,000
Speaker 58: who are looking at our different social circles.

878
00:43:35,120 --> 00:43:36,360
Speaker 27: And that's why I like this podcast.

879
00:43:36,640 --> 00:43:38,400
Speaker 59: And I think that's kind of the amazing thing about

880
00:43:38,400 --> 00:43:41,680
Speaker 59: our school is people are pretty open minded connecting with

881
00:43:41,719 --> 00:43:43,040
Speaker 59: people from other social groups.

882
00:43:43,160 --> 00:43:45,120
Speaker 27: It's definitely true ghost scugs truly.

883
00:43:45,800 --> 00:43:48,400
Speaker 58: Okay, so I wanted to ask you, so you do

884
00:43:48,520 --> 00:43:50,920
Speaker 58: these roles, you do these behind the scenes stuff, but like,

885
00:43:51,400 --> 00:43:53,960
Speaker 58: I mean, let's be brass tacks here, Like where's this

886
00:43:54,080 --> 00:43:54,400
Speaker 58: gonna go?

887
00:43:54,600 --> 00:43:55,280
Speaker 27: This is your career?

888
00:43:56,320 --> 00:43:59,880
Speaker 46: I mean, you know now that I'm seventy.

889
00:44:00,239 --> 00:44:02,200
Speaker 59: I've kind of come to terms with the fact that

890
00:44:03,440 --> 00:44:05,440
Speaker 59: there are people who are made for this stuff and

891
00:44:05,520 --> 00:44:07,960
Speaker 59: there are people who just love it and aren't necessarily

892
00:44:08,000 --> 00:44:08,840
Speaker 59: gonna get paid to do it.

893
00:44:08,920 --> 00:44:11,520
Speaker 46: And I think I'm the latter rather than the former.

894
00:44:12,200 --> 00:44:16,680
Speaker 59: Uh So, one thing I realized about myself recently is

895
00:44:16,719 --> 00:44:19,719
Speaker 59: that I'm actually really amazing at math. I've known that

896
00:44:19,800 --> 00:44:22,040
Speaker 59: for a long time, but I haven't really thrown myself

897
00:44:22,120 --> 00:44:24,919
Speaker 59: into it. But I've been sending more and more time

898
00:44:25,040 --> 00:44:26,520
Speaker 59: thinking about it, and I think I'm gonna go to

899
00:44:26,560 --> 00:44:27,400
Speaker 59: school for accounting.

900
00:44:27,480 --> 00:44:29,520
Speaker 46: I just have to be realistic with myself. I'm great

901
00:44:29,560 --> 00:44:29,959
Speaker 46: at math.

902
00:44:30,200 --> 00:44:32,640
Speaker 59: I love the idea of helping people shape their you know,

903
00:44:32,719 --> 00:44:34,279
Speaker 59: take care of their lives in a way that is

904
00:44:34,360 --> 00:44:35,759
Speaker 59: responsible and pragmatic.

905
00:44:35,960 --> 00:44:38,160
Speaker 46: So I'm going to study accounting and just sort of

906
00:44:38,200 --> 00:44:39,080
Speaker 46: see where that takes me.

907
00:44:39,239 --> 00:44:41,160
Speaker 59: And maybe I can marry the two at some point,

908
00:44:41,239 --> 00:44:43,160
Speaker 59: but mostly I just want to get into the numbers

909
00:44:43,200 --> 00:44:43,960
Speaker 59: and see what happens.

910
00:44:47,320 --> 00:44:49,320
Speaker 27: Okay, that was the sound of a pin dropping.

911
00:44:51,880 --> 00:44:54,319
Speaker 58: Okay, but like, if you get a big role next

912
00:44:54,440 --> 00:44:56,520
Speaker 58: year in the play, then like maybe that will be

913
00:44:56,600 --> 00:44:58,080
Speaker 58: your career, you know what I mean? Like Are you

914
00:44:58,160 --> 00:44:59,880
Speaker 58: only saying that because you haven't had a huge role

915
00:45:00,480 --> 00:45:00,680
Speaker 58: you know.

916
00:45:01,160 --> 00:45:03,400
Speaker 59: Well, I mean it, of course it would be an

917
00:45:03,480 --> 00:45:05,759
Speaker 59: honor and I would take it incredibly seriously if I

918
00:45:05,840 --> 00:45:08,200
Speaker 59: were to receive a huge role. But when you think

919
00:45:08,200 --> 00:45:12,560
Speaker 59: about like the graces or you know, the like Evan

920
00:45:12,640 --> 00:45:16,040
Speaker 59: Harper's of the show, I mean, of the school, I'm

921
00:45:16,080 --> 00:45:18,160
Speaker 59: not one of those people. Those people just radiate a

922
00:45:18,239 --> 00:45:20,560
Speaker 59: magnetic energy that makes you want to watch everything they do,

923
00:45:20,760 --> 00:45:23,280
Speaker 59: and I just don't think I'm not And I'm.

924
00:45:23,120 --> 00:45:23,680
Speaker 9: Okay with that.

925
00:45:24,840 --> 00:45:26,440
Speaker 58: Okay, It's just like one of those chick things where

926
00:45:26,440 --> 00:45:30,160
Speaker 58: you're like saying like you're insulting yourself, so other people

927
00:45:30,239 --> 00:45:32,440
Speaker 58: will be like, oh, no, you're actually actually great, you

928
00:45:32,440 --> 00:45:33,440
Speaker 58: know I mean, like are you saying, oh, I just

929
00:45:33,480 --> 00:45:34,280
Speaker 58: want to be accountant?

930
00:45:34,320 --> 00:45:36,439
Speaker 27: So like I'll be like, oh no, you should actually

931
00:45:36,440 --> 00:45:37,399
Speaker 27: new theater, do you know what I mean?

932
00:45:37,600 --> 00:45:38,120
Speaker 9: A chick thing?

933
00:45:39,160 --> 00:45:40,880
Speaker 58: Yeah, Like you know how like some you know how

934
00:45:40,960 --> 00:45:44,000
Speaker 58: some chicks are like, oh I look so ugly and

935
00:45:44,040 --> 00:45:45,600
Speaker 58: I'm like, no, you're not. You're actually look really hot

936
00:45:45,680 --> 00:45:46,000
Speaker 58: right now.

937
00:45:46,800 --> 00:45:48,120
Speaker 27: I'm like, oh, thank you. That's why I wanted you

938
00:45:48,160 --> 00:45:48,440
Speaker 27: to say.

939
00:45:48,640 --> 00:45:50,640
Speaker 59: I mean, I know what you mean by a chick thing,

940
00:45:50,840 --> 00:45:53,200
Speaker 59: but it actually hurts my feelings when you say that,

941
00:45:55,280 --> 00:45:56,279
Speaker 59: does it call it a chick thing?

942
00:45:57,000 --> 00:45:57,879
Speaker 45: But I have to lie.

943
00:45:58,520 --> 00:45:59,480
Speaker 46: You've never told a lie.

944
00:45:59,640 --> 00:46:00,920
Speaker 27: No, I vowiously told a lie.

945
00:46:00,960 --> 00:46:02,719
Speaker 46: But like what I'm saying, you're saying a lie a

946
00:46:02,840 --> 00:46:04,120
Speaker 46: chick thing is to lie.

947
00:46:05,000 --> 00:46:07,080
Speaker 27: No, I'm just no, that's not what i'm saying. I'm saying.

948
00:46:07,080 --> 00:46:09,680
Speaker 58: It's like you saying, oh, I love the theater, but

949
00:46:09,760 --> 00:46:11,759
Speaker 58: I want to do something else because I'm not that good.

950
00:46:11,880 --> 00:46:13,919
Speaker 27: It's sort of like when a lot.

951
00:46:13,880 --> 00:46:16,320
Speaker 58: Of chicks, and this is true, do say like I

952
00:46:16,400 --> 00:46:18,120
Speaker 58: don't look good right now because they want the guys

953
00:46:18,160 --> 00:46:18,799
Speaker 58: so they look good.

954
00:46:18,840 --> 00:46:21,160
Speaker 59: Like, don't you think that diminishes my goals by saying

955
00:46:21,239 --> 00:46:24,319
Speaker 59: that I'm lying, I'm actually really good at math.

956
00:46:24,440 --> 00:46:25,200
Speaker 11: I'm great at math.

957
00:46:25,200 --> 00:46:28,440
Speaker 46: I've always gotten a plus's in math. It comes really naturally.

958
00:46:29,440 --> 00:46:33,400
Speaker 27: I'm sure you aren't. But that's not I'm not I'm

959
00:46:33,440 --> 00:46:34,600
Speaker 27: not saying you're not good at math.

960
00:46:34,640 --> 00:46:36,239
Speaker 46: I'm saying that, like I'm not mad at you.

961
00:46:36,440 --> 00:46:37,840
Speaker 59: I want you to know I'm not mad at you,

962
00:46:38,040 --> 00:46:40,080
Speaker 59: but I just want you to know that it's actually

963
00:46:40,160 --> 00:46:42,200
Speaker 59: pretty destructive of you to refer to me saying that

964
00:46:42,239 --> 00:46:44,239
Speaker 59: I want to pursue accounting as a chick thing.

965
00:46:44,760 --> 00:46:47,880
Speaker 46: When I state my goals, I mean them. I'm an

966
00:46:47,920 --> 00:46:49,640
Speaker 46: intelligent person, I know.

967
00:46:49,880 --> 00:46:52,360
Speaker 27: I yeah, No, I know that.

968
00:46:52,400 --> 00:46:54,279
Speaker 58: I'm not saying you're not intelligent. I would just like

969
00:46:54,680 --> 00:46:56,560
Speaker 58: if like a theater roll came around the corner that

970
00:46:56,640 --> 00:46:58,120
Speaker 58: changed your life. I'm just saying that you would probably

971
00:46:58,160 --> 00:47:00,279
Speaker 58: take that so right, I mean, so yeah.

972
00:47:00,320 --> 00:47:02,279
Speaker 59: But I'm saying that I don't think that's gonna happen,

973
00:47:02,360 --> 00:47:05,320
Speaker 59: and that I've accepted and embrace and I'm really excited

974
00:47:05,320 --> 00:47:06,320
Speaker 59: about pursuing accounting.

975
00:47:06,400 --> 00:47:07,080
Speaker 46: I'm not mad at you.

976
00:47:07,200 --> 00:47:10,200
Speaker 59: I'm just saying phrases like chick thing are problematic, and

977
00:47:10,239 --> 00:47:12,200
Speaker 59: I want you to think about the reasons why, because

978
00:47:12,239 --> 00:47:16,560
Speaker 59: I respect you and I think you're capable of Betterhampton, Okay, I.

979
00:47:16,640 --> 00:47:17,160
Speaker 11: Really like you.

980
00:47:18,160 --> 00:47:21,200
Speaker 27: I mean it, Okay, I like you too. I feel

981
00:47:21,200 --> 00:47:23,880
Speaker 27: like I'm walking on a minefield right now, to be

982
00:47:23,960 --> 00:47:25,439
Speaker 27: perfectly frank, like, I uh.

983
00:47:27,120 --> 00:47:30,480
Speaker 42: I all, I okay, I.

984
00:47:30,560 --> 00:47:32,919
Speaker 58: Mean I'm not, I'm not I'm not to dig this hole.

985
00:47:33,000 --> 00:47:35,160
Speaker 58: But like, all I'm saying is that, like people some

986
00:47:37,120 --> 00:47:40,200
Speaker 58: I mean all I'm saying that, like people sometimes say

987
00:47:42,200 --> 00:47:44,960
Speaker 58: you're Okay, you're saying what you mean. I see you

988
00:47:45,040 --> 00:47:45,719
Speaker 58: are saying what you mean.

989
00:47:46,080 --> 00:47:46,759
Speaker 45: Well, a lot of.

990
00:47:46,800 --> 00:47:48,640
Speaker 46: People say things that they don't mean, and I don't

991
00:47:48,680 --> 00:47:49,960
Speaker 46: think it's tied to their gender.

992
00:47:52,480 --> 00:47:56,680
Speaker 27: Okay, that is the sound of a mind blown.

993
00:47:59,320 --> 00:48:00,520
Speaker 23: A true comm legend.

994
00:48:00,560 --> 00:48:02,360
Speaker 1: Kevin McDonald of The Kids in the Hall brought his

995
00:48:02,520 --> 00:48:06,120
Speaker 1: traveling variety show podcast, Kevin McDonald's Kevin McDonald's Show to

996
00:48:06,280 --> 00:48:09,520
Speaker 1: Los Angeles, New York, and Atlanta this year, featuring incredible

997
00:48:09,560 --> 00:48:13,160
Speaker 1: guests like Todd Barry, Paul F. Tompkins, Darcy Cardin, Tim Heideker,

998
00:48:13,280 --> 00:48:15,360
Speaker 1: Juda Friedlander, and weird Al Yankovic.

999
00:48:15,600 --> 00:48:16,680
Speaker 3: And the list doesn't stop there.

1000
00:48:16,760 --> 00:48:19,640
Speaker 1: Check out Kevin's back catalog for sketches, live music, and

1001
00:48:19,800 --> 00:48:24,000
Speaker 1: unforgettable appearances by Mike Myers, Amy Mann, Andy Richter, Ben Gibbert,

1002
00:48:24,120 --> 00:48:27,600
Speaker 1: Rob Cordrey, Rachel Dratsch, Bob Saggott and fellow Kids in

1003
00:48:27,640 --> 00:48:31,120
Speaker 1: the Hall Scott Thompson, Dave Foley and Mark McKinney. Now,

1004
00:48:31,280 --> 00:48:34,400
Speaker 1: please enjoy this clip from Kevin's interview with Weird Al.

1005
00:48:34,840 --> 00:48:42,839
Speaker 20: I also, yeah, I remember U in Canada. Another one

1006
00:48:42,880 --> 00:48:46,640
Speaker 20: Loves the Bus was like a super super hit, was it?

1007
00:48:47,000 --> 00:48:47,200
Speaker 57: Yeah?

1008
00:48:47,200 --> 00:48:48,480
Speaker 20: It was it in the stage.

1009
00:48:49,080 --> 00:48:51,239
Speaker 60: I kind of it just barely got relieved, like the

1010
00:48:51,280 --> 00:48:54,839
Speaker 60: record label when the record label went bankrupt two weeks

1011
00:48:54,880 --> 00:48:55,600
Speaker 60: after it came out.

1012
00:48:57,960 --> 00:48:58,600
Speaker 17: But it got out there.

1013
00:48:58,640 --> 00:49:00,279
Speaker 20: I go, how did you get your first record deal?

1014
00:49:00,320 --> 00:49:00,360
Speaker 7: Like?

1015
00:49:00,680 --> 00:49:02,640
Speaker 20: Was it because of my bologna or well.

1016
00:49:02,520 --> 00:49:04,280
Speaker 60: That was the first that came out on Capitol Records,

1017
00:49:04,480 --> 00:49:07,200
Speaker 60: like the original bathroom recording literally recorded in a bathroom

1018
00:49:07,320 --> 00:49:09,719
Speaker 60: in my college, and Capitol Records put it out.

1019
00:49:10,200 --> 00:49:13,360
Speaker 52: Uh, and it sold, you know, a couple of dozen copies.

1020
00:49:13,400 --> 00:49:15,560
Speaker 60: I don't know if you can find a copy today,

1021
00:49:15,560 --> 00:49:18,880
Speaker 60: though it's worth like thirty five forty cents, so, oh goodness,

1022
00:49:19,560 --> 00:49:20,640
Speaker 60: I think it's autographed.

1023
00:49:21,080 --> 00:49:23,160
Speaker 61: I might have I might have it in the basement

1024
00:49:23,200 --> 00:49:26,000
Speaker 61: of my When I moved from Toronto, my sister took

1025
00:49:26,040 --> 00:49:27,440
Speaker 61: all my stuff and put in her basement and then

1026
00:49:27,480 --> 00:49:28,680
Speaker 61: she had a flood and ruined everything.

1027
00:49:28,680 --> 00:49:30,520
Speaker 52: Oh no, that's very story.

1028
00:49:31,080 --> 00:49:31,360
Speaker 42: Fast.

1029
00:49:31,360 --> 00:49:31,640
Speaker 20: Sorry.

1030
00:49:31,800 --> 00:49:33,000
Speaker 52: I had to bring the room down.

1031
00:49:32,960 --> 00:49:35,560
Speaker 61: Like that because I want to get out to my aarpos.

1032
00:49:35,680 --> 00:49:41,359
Speaker 61: I say, oh, yeah, here's he was going to come today.

1033
00:49:41,360 --> 00:49:42,759
Speaker 61: He's not here day folly, one of the kids in

1034
00:49:42,800 --> 00:49:44,000
Speaker 61: the hell. He was going to come here, he was

1035
00:49:44,040 --> 00:49:46,120
Speaker 61: going to he found out I was showing up. No, no,

1036
00:49:46,200 --> 00:49:51,399
Speaker 61: it's the opposite, and I was showing up. He got

1037
00:49:51,400 --> 00:49:54,480
Speaker 61: a headache, he had a should I say this? I

1038
00:49:54,520 --> 00:49:57,719
Speaker 61: can't even pronounce it. Yesterday had to help me colonnas

1039
00:49:58,520 --> 00:50:02,319
Speaker 61: colon and he's feeling badly from him.

1040
00:50:02,440 --> 00:50:05,000
Speaker 52: Oh, he should have just gotten a semi colonoscophy. Yes.

1041
00:50:09,760 --> 00:50:09,960
Speaker 62: Oh.

1042
00:50:10,600 --> 00:50:12,400
Speaker 20: Once the kids in the hall a few years ago

1043
00:50:12,400 --> 00:50:13,480
Speaker 20: were on a Canadian TV.

1044
00:50:13,400 --> 00:50:18,279
Speaker 61: Show and Scott had a colonoscophy that morning, and we

1045
00:50:18,360 --> 00:50:19,759
Speaker 61: were reading the script and they were asking us their

1046
00:50:19,800 --> 00:50:21,400
Speaker 61: notes because they were pretending to care about it, the

1047
00:50:21,480 --> 00:50:25,520
Speaker 61: kids in the hall, and Scott whispered to me because

1048
00:50:25,560 --> 00:50:28,640
Speaker 61: of the procedure I just had. I'm pulling my pants

1049
00:50:28,880 --> 00:50:33,000
Speaker 61: and then the and then the writer said Scott, do

1050
00:50:33,000 --> 00:50:33,720
Speaker 61: you have any notes?

1051
00:50:34,000 --> 00:50:36,120
Speaker 20: And then I said, you because want to get him

1052
00:50:36,120 --> 00:50:37,960
Speaker 20: out there? No, no, no, he's okay, No, Kevin, I

1053
00:50:38,080 --> 00:50:42,160
Speaker 20: have notes and pulling his pants. He gave a half

1054
00:50:42,239 --> 00:50:42,839
Speaker 20: hour of notes.

1055
00:50:42,920 --> 00:50:43,120
Speaker 2: Yeah.

1056
00:50:43,800 --> 00:50:46,839
Speaker 60: Yes, I have had the procedure a couple of times

1057
00:50:46,840 --> 00:50:49,719
Speaker 60: because I'm on the old Guy and they give you pictures,

1058
00:50:50,120 --> 00:50:52,040
Speaker 60: they give you pictures afterwards.

1059
00:50:52,080 --> 00:50:52,520
Speaker 52: Oh my god.

1060
00:50:52,560 --> 00:50:54,719
Speaker 60: And more than once I've asked my wife should I

1061
00:50:54,800 --> 00:50:58,360
Speaker 60: Instagram this, No, no, do not do that. It'd be

1062
00:50:58,480 --> 00:51:03,560
Speaker 60: so popular. So, uh no, it's popular. Another one loves

1063
00:51:03,600 --> 00:51:06,719
Speaker 60: in the bus and then keeping loves on the bus.

1064
00:51:08,040 --> 00:51:11,319
Speaker 60: I'm adding a word and changing a few, but a right.

1065
00:51:12,760 --> 00:51:13,040
Speaker 2: Different.

1066
00:51:14,120 --> 00:51:17,480
Speaker 20: They folly and I. You always talked about ad nauseum.

1067
00:51:17,600 --> 00:51:18,319
Speaker 20: The people would tell.

1068
00:51:18,280 --> 00:51:19,880
Speaker 61: Us to shut up in the eighties and nineties, how

1069
00:51:19,960 --> 00:51:22,239
Speaker 61: funny your videos were because we're like, uh, we're big

1070
00:51:22,280 --> 00:51:24,520
Speaker 61: fans of Buster Keaton and the sight gags were amazing?

1071
00:51:24,760 --> 00:51:26,680
Speaker 20: Who thought it? Did you think of the sight gags?

1072
00:51:26,880 --> 00:51:27,000
Speaker 63: Well?

1073
00:51:27,040 --> 00:51:27,360
Speaker 52: Most of it?

1074
00:51:28,440 --> 00:51:32,840
Speaker 20: Yeah, Like so you're a comedian. I liked the comedy.

1075
00:51:34,040 --> 00:51:35,000
Speaker 17: That's my that's like that.

1076
00:51:35,320 --> 00:51:37,000
Speaker 20: How did you get that talent and music like that?

1077
00:51:37,640 --> 00:51:38,839
Speaker 20: Like you thought of really great?

1078
00:51:39,120 --> 00:51:42,760
Speaker 61: Like video after video after video had amazing sight gags,

1079
00:51:43,200 --> 00:51:43,960
Speaker 61: old thangs.

1080
00:51:44,080 --> 00:51:45,439
Speaker 52: I don't know. I just did exact question.

1081
00:51:45,520 --> 00:51:46,080
Speaker 27: I listened to that.

1082
00:51:46,120 --> 00:51:47,000
Speaker 20: That's a good that's a question.

1083
00:51:47,080 --> 00:51:49,080
Speaker 52: I don't know the answer. They where where do you

1084
00:51:49,120 --> 00:51:50,560
Speaker 52: writeas come from? I just listened to this.

1085
00:51:50,680 --> 00:51:53,479
Speaker 61: Yeah, but I'm a comedian. I mean you're a comedian. Yeah,

1086
00:51:54,000 --> 00:51:54,960
Speaker 61: but you're two things.

1087
00:51:56,960 --> 00:51:57,760
Speaker 23: My brain of split.

1088
00:51:58,000 --> 00:51:59,880
Speaker 60: Yeah, I just listened to the voices in my head,

1089
00:51:59,920 --> 00:52:03,399
Speaker 60: you know, are you a Buster Keaton fan. Absolutely, well,

1090
00:52:03,440 --> 00:52:06,719
Speaker 60: the I mean in Almost Paradise won the uh one,

1091
00:52:06,800 --> 00:52:10,040
Speaker 60: the the the barn falls down, that's a total that's

1092
00:52:10,040 --> 00:52:10,960
Speaker 60: a total Buster Keaton.

1093
00:52:11,080 --> 00:52:12,960
Speaker 52: Yeah right, Yeah, I'm showing.

1094
00:52:12,760 --> 00:52:14,359
Speaker 20: That where I live in Winnipeg for some reason.

1095
00:52:14,440 --> 00:52:16,480
Speaker 61: Next, I show a funny movie every month, and I'm

1096
00:52:16,520 --> 00:52:19,280
Speaker 61: showing that one and the you know, Steamboat Bill Junior

1097
00:52:19,280 --> 00:52:21,480
Speaker 61: where the wall falls on Buster ket and everyone knows

1098
00:52:21,520 --> 00:52:23,200
Speaker 61: it was a real wall right and would have killed him.

1099
00:52:23,239 --> 00:52:25,520
Speaker 61: But he got like the best mathematicians in America to

1100
00:52:25,719 --> 00:52:27,440
Speaker 61: like to measure, I didn't have the best mathematicians.

1101
00:52:27,480 --> 00:52:29,160
Speaker 52: I had some guy with green hair and a noswar

1102
00:52:29,239 --> 00:52:29,680
Speaker 52: and going.

1103
00:52:29,840 --> 00:52:33,719
Speaker 60: Yeah, he'll be fine. No, no, literally, I mean this

1104
00:52:33,920 --> 00:52:35,600
Speaker 60: was not it was not cg I. It was a real,

1105
00:52:35,719 --> 00:52:38,360
Speaker 60: literal like barn wall that fell on me barely and

1106
00:52:38,400 --> 00:52:41,560
Speaker 60: missing my head. And it wasn't even just wood. They

1107
00:52:41,600 --> 00:52:45,000
Speaker 60: had to reinforce it with steel so it wouldn't like

1108
00:52:45,160 --> 00:52:47,920
Speaker 60: torque and like miss the mark. So it was this

1109
00:52:48,160 --> 00:52:52,640
Speaker 60: like really really really would have killed me dead if

1110
00:52:52,719 --> 00:52:55,120
Speaker 60: I had like moved a few inches either way. And

1111
00:52:55,239 --> 00:52:56,879
Speaker 60: I was like, we're doing one take and I'll try

1112
00:52:56,960 --> 00:53:00,000
Speaker 60: really hard not to act like I'm closecared right now.

1113
00:53:01,239 --> 00:53:03,600
Speaker 61: And they can't practice it with the dummies your height

1114
00:53:03,760 --> 00:53:06,800
Speaker 61: because because we're ruined the wall right right? Wow for

1115
00:53:06,880 --> 00:53:08,560
Speaker 61: one take thing, but you're kidding. Please tell me you

1116
00:53:08,640 --> 00:53:09,680
Speaker 61: really had mathematicians?

1117
00:53:10,120 --> 00:53:11,560
Speaker 52: Well I think he did some math, But.

1118
00:53:17,920 --> 00:53:20,799
Speaker 1: Oh my god, how many accolades and catchphrases can one

1119
00:53:20,880 --> 00:53:24,520
Speaker 1: podcast have? Lost Culturistas, hosted by Matt Rogers and Bowen Yang,

1120
00:53:24,560 --> 00:53:27,880
Speaker 1: has been named to best of lists in Time, Esquire, Vulture,

1121
00:53:28,000 --> 00:53:30,520
Speaker 1: Time Out in New York, and many more publications, and

1122
00:53:30,600 --> 00:53:33,200
Speaker 1: they are about to embark on a national tour early

1123
00:53:33,400 --> 00:53:37,160
Speaker 1: next year. Lost Culturistas remains an absolute must listen week

1124
00:53:37,239 --> 00:53:39,399
Speaker 1: after week, and if you need proof, just check out

1125
00:53:39,440 --> 00:53:42,600
Speaker 1: this clip from their episode Piss Sussy cis Pussy with

1126
00:53:42,719 --> 00:53:45,680
Speaker 1: a woman smiles Patty Harrison and after you listen, follow

1127
00:53:45,800 --> 00:53:47,960
Speaker 1: at Lost Culturistas on Twitter to see if Matt and

1128
00:53:48,080 --> 00:53:51,640
Speaker 1: Bowen are coming to your hometown in twenty nineteen. Roll

1129
00:53:51,719 --> 00:53:52,120
Speaker 1: that clip.

1130
00:53:52,560 --> 00:53:54,600
Speaker 64: If you had all the money in the world as

1131
00:53:54,600 --> 00:53:58,200
Speaker 64: the pop star that is Patty, what does your concert

1132
00:53:58,280 --> 00:53:58,600
Speaker 64: look like?

1133
00:53:58,719 --> 00:53:59,440
Speaker 15: How does this start?

1134
00:53:59,600 --> 00:53:59,640
Speaker 65: Like?

1135
00:53:59,760 --> 00:54:00,520
Speaker 17: Who comes out?

1136
00:54:00,600 --> 00:54:00,640
Speaker 50: Like?

1137
00:54:00,760 --> 00:54:01,800
Speaker 15: What's is there a story?

1138
00:54:02,000 --> 00:54:02,040
Speaker 7: Like?

1139
00:54:02,120 --> 00:54:04,880
Speaker 64: What kind of fantastical aesthetic? Elements are we happening? Like

1140
00:54:04,920 --> 00:54:07,359
Speaker 64: if you could do a world tour like the Nice

1141
00:54:07,400 --> 00:54:09,759
Speaker 64: City nine tour or like Beyonce like formation, like what

1142
00:54:10,000 --> 00:54:10,759
Speaker 64: is the Patty Tour?

1143
00:54:11,560 --> 00:54:13,480
Speaker 9: So my tour.

1144
00:54:14,760 --> 00:54:22,600
Speaker 18: Would be called Well, let's not start there, Okay, let's

1145
00:54:22,600 --> 00:54:27,560
Speaker 18: actually say that it would be an audio visual experience.

1146
00:54:28,120 --> 00:54:30,520
Speaker 18: There would be you know, there would be pre filmed

1147
00:54:30,640 --> 00:54:33,839
Speaker 18: things that there would be huge screens wow, and there

1148
00:54:33,840 --> 00:54:36,440
Speaker 18: would be lights, lights that would come up. So the

1149
00:54:36,760 --> 00:54:39,279
Speaker 18: so the concert is about to start, imagine concerts about

1150
00:54:39,320 --> 00:54:42,680
Speaker 18: to start. Everyone's just like, there's what a stadium is,

1151
00:54:42,760 --> 00:54:46,000
Speaker 18: like fifty thousand people and then and then the lights

1152
00:54:46,040 --> 00:54:49,080
Speaker 18: go out and everyone's like and then yeah, and then

1153
00:54:49,920 --> 00:54:53,160
Speaker 18: some lights come on, and then the screen comes on too,

1154
00:54:54,120 --> 00:54:57,960
Speaker 18: and then I come out and then music is playing.

1155
00:54:58,120 --> 00:55:02,040
Speaker 18: Oh my god, there's so much music playing. Everyone's dancing

1156
00:55:02,160 --> 00:55:02,920
Speaker 18: and screaming.

1157
00:55:03,440 --> 00:55:03,920
Speaker 44: I come out.

1158
00:55:04,160 --> 00:55:07,400
Speaker 18: Dancers come out. They're dancing too. They're like they're all

1159
00:55:07,440 --> 00:55:14,160
Speaker 18: they're doing the routine we we painstakingly, painstakingly practice. I

1160
00:55:14,280 --> 00:55:18,040
Speaker 18: come out. I start singing a medley of my original

1161
00:55:18,120 --> 00:55:20,600
Speaker 18: my hits from my first album, and it's like a

1162
00:55:20,719 --> 00:55:24,880
Speaker 18: medley yes that, but it's like in the key of

1163
00:55:24,920 --> 00:55:26,600
Speaker 18: another one of my hits, and they're all.

1164
00:55:26,560 --> 00:55:28,440
Speaker 66: In the same key because it sets you up for

1165
00:55:28,520 --> 00:55:30,640
Speaker 66: the next song that you're going into.

1166
00:55:30,800 --> 00:55:31,240
Speaker 41: The medley.

1167
00:55:31,520 --> 00:55:34,919
Speaker 18: Yeah, it's and this is like an amazing medley. Then

1168
00:55:35,800 --> 00:55:38,400
Speaker 18: my outfit, also, by the way, looks beautiful.

1169
00:55:38,560 --> 00:55:39,080
Speaker 3: Oh my god.

1170
00:55:39,200 --> 00:55:43,840
Speaker 18: To describe it, everyone is like people are taking pictures

1171
00:55:43,920 --> 00:55:47,160
Speaker 18: of it. Oh my people are taking people thousands of.

1172
00:55:47,160 --> 00:55:50,160
Speaker 66: People have their are people describing your outfit as.

1173
00:55:50,280 --> 00:55:54,160
Speaker 18: Like, yes, a gag, slag, say a gag. People are

1174
00:55:54,200 --> 00:55:59,560
Speaker 18: saying gag. Well, one person actually is screaming a slur.

1175
00:56:01,120 --> 00:56:03,640
Speaker 18: There's like one person out there over all the screams

1176
00:56:03,680 --> 00:56:06,680
Speaker 18: of adoration. I can kind of hear one slur and

1177
00:56:06,800 --> 00:56:08,480
Speaker 18: I'm like, I think I know what they're saying. I

1178
00:56:08,600 --> 00:56:11,040
Speaker 18: think it's a slur. But I'm like, I'm not trying

1179
00:56:11,040 --> 00:56:12,799
Speaker 18: to focus too much on it. So I'm like, I'm

1180
00:56:12,880 --> 00:56:16,040
Speaker 18: like focusing on and again, my choreography is slightly less

1181
00:56:16,080 --> 00:56:18,439
Speaker 18: intense than the dancers, and I can fully focus on dancing,

1182
00:56:18,640 --> 00:56:20,080
Speaker 18: and I need time to kind of vamp and like

1183
00:56:20,160 --> 00:56:22,200
Speaker 18: walk up the points here and there and be like

1184
00:56:23,480 --> 00:56:25,600
Speaker 18: and then I point and I'm like you and I

1185
00:56:25,719 --> 00:56:28,000
Speaker 18: stop and there. There's also I'm not lip syncing, but

1186
00:56:28,080 --> 00:56:30,800
Speaker 18: there is a vocal. It has the chorus on it,

1187
00:56:31,080 --> 00:56:33,200
Speaker 18: and that's the lead. Yeah, and people are like ah,

1188
00:56:33,400 --> 00:56:35,560
Speaker 18: and then I hear I hear like in the distance.

1189
00:56:35,600 --> 00:56:39,719
Speaker 18: I hear like you're like and I'm like, wait, not

1190
00:56:39,880 --> 00:56:42,480
Speaker 18: only did I hear a slur, but I think I

1191
00:56:42,600 --> 00:56:45,960
Speaker 18: recognize the voice of and I'm so I'm like, we're

1192
00:56:46,000 --> 00:56:48,080
Speaker 18: going into my first My first song is actually went

1193
00:56:48,080 --> 00:56:50,960
Speaker 18: off the new album and it's like it's it's a

1194
00:56:51,040 --> 00:56:54,480
Speaker 18: song that's like fast and then so it's like yeah,

1195
00:56:54,680 --> 00:57:01,200
Speaker 18: and then it's like images, there's images that correspond with

1196
00:57:01,280 --> 00:57:04,520
Speaker 18: the song. So the song is actually about moving on.

1197
00:57:05,040 --> 00:57:08,800
Speaker 18: And then so that's going on. And then a spotlight

1198
00:57:10,080 --> 00:57:12,000
Speaker 18: not planned a spotlight. I'm like, what is going on?

1199
00:57:12,080 --> 00:57:15,479
Speaker 18: A spotlight crystal crowd? I guess who was in the crowd?

1200
00:57:15,760 --> 00:57:17,240
Speaker 18: Ellen de general, Ellen de general.

1201
00:57:19,480 --> 00:57:19,880
Speaker 67: That was it?

1202
00:57:20,600 --> 00:57:23,400
Speaker 15: That really was because we talked about her last time.

1203
00:57:23,560 --> 00:57:29,920
Speaker 18: Yeah, and she's erect she's it's seventeen inches this time

1204
00:57:30,480 --> 00:57:33,600
Speaker 18: this time. Last Yeah, she did something.

1205
00:57:33,760 --> 00:57:35,760
Speaker 15: She got like she had a penile implant.

1206
00:57:35,840 --> 00:57:39,800
Speaker 66: She connect oh no, no, connecting pannecting me was removed

1207
00:57:39,800 --> 00:57:41,520
Speaker 66: the penis, but she got a penal implant.

1208
00:57:41,720 --> 00:57:46,000
Speaker 18: She got a panectomy and then got got her penis removed,

1209
00:57:46,280 --> 00:57:52,880
Speaker 18: and then got a penoplasty and an African rhino horn

1210
00:57:53,400 --> 00:57:55,280
Speaker 18: in the place. So actually, when I sait it with

1211
00:57:55,320 --> 00:57:58,160
Speaker 18: seventeen inches, it's actually closer to four and a half

1212
00:57:58,240 --> 00:58:03,520
Speaker 18: feet long. And she's lancing my fans, just like lancing

1213
00:58:03,600 --> 00:58:05,600
Speaker 18: my fans in the crowd, like, oh, there's like a

1214
00:58:05,760 --> 00:58:06,720
Speaker 18: stack of my fans.

1215
00:58:06,760 --> 00:58:07,240
Speaker 15: Are you sad?

1216
00:58:08,400 --> 00:58:11,200
Speaker 34: I'm so sad. I'm crying on stage.

1217
00:58:11,200 --> 00:58:13,880
Speaker 18: I'm like, stop the music. But they turned my mic

1218
00:58:13,920 --> 00:58:15,360
Speaker 18: off because she did.

1219
00:58:16,840 --> 00:58:16,880
Speaker 7: So.

1220
00:58:17,080 --> 00:58:20,160
Speaker 15: She talked to the tech people, She talked to the.

1221
00:58:22,000 --> 00:58:22,440
Speaker 17: Powerful.

1222
00:58:22,640 --> 00:58:24,520
Speaker 18: That's when I realized that she talked to the tech

1223
00:58:24,600 --> 00:58:27,440
Speaker 18: people ahead of time, and that is not That was like,

1224
00:58:27,720 --> 00:58:30,440
Speaker 18: oh my god, it's still the music. This is bigger

1225
00:58:30,480 --> 00:58:33,680
Speaker 18: than And then there's a part in the music where

1226
00:58:33,720 --> 00:58:36,360
Speaker 18: all the percussion drops and it's just like it's like

1227
00:58:36,640 --> 00:58:39,360
Speaker 18: it's like this arpeggio of like harp. It's a beautiful

1228
00:58:39,400 --> 00:58:43,040
Speaker 18: part of the song. And I'm like, Ellen, get out

1229
00:58:43,120 --> 00:58:45,760
Speaker 18: of here. And she comes up on stage does a

1230
00:58:45,840 --> 00:58:49,400
Speaker 18: flip with still about six of my fans stacked on

1231
00:58:49,720 --> 00:58:51,480
Speaker 18: her horn, does a flip.

1232
00:58:51,920 --> 00:58:54,880
Speaker 34: The centrivigal force of the flip flings.

1233
00:58:55,040 --> 00:58:58,720
Speaker 18: The fans at me off of like and she's about

1234
00:58:58,880 --> 00:59:01,160
Speaker 18: she's flipping probably twenty feet up in the air, so.

1235
00:59:01,200 --> 00:59:02,919
Speaker 15: It's like insane she can get that high.

1236
00:59:03,200 --> 00:59:06,280
Speaker 18: Yeah, yeah, I know, it's like a fool and it's

1237
00:59:06,320 --> 00:59:08,360
Speaker 18: like it's a really fast.

1238
00:59:10,800 --> 00:59:13,440
Speaker 15: But all the fans, fans have come towards you.

1239
00:59:14,360 --> 00:59:18,640
Speaker 18: They smack enemy, knocked me down in my big platform.

1240
00:59:18,720 --> 00:59:22,120
Speaker 18: She's breaks embarrassing.

1241
00:59:21,800 --> 00:59:24,240
Speaker 15: Embarrassing, so embarrassing, what the concert fail?

1242
00:59:24,320 --> 00:59:27,760
Speaker 18: Yeah, Jennifer Bowman, who's our costumer, She's like made those

1243
00:59:27,800 --> 00:59:30,040
Speaker 18: shoes herself, like special and so.

1244
00:59:31,800 --> 00:59:33,080
Speaker 15: Huh did she get out of the arena?

1245
00:59:33,320 --> 00:59:35,240
Speaker 18: Jennifer Bowman doesn't come to my shoes because we have

1246
00:59:35,280 --> 00:59:39,680
Speaker 18: a bad relationship. So then so that's the whole thing.

1247
00:59:39,920 --> 00:59:43,400
Speaker 64: And then so then by that time you're knocked out,

1248
00:59:43,520 --> 00:59:45,439
Speaker 64: and the fans, I guess are long dead by.

1249
00:59:45,440 --> 00:59:48,600
Speaker 18: Now, yeah, at least several, well like six and maybe

1250
00:59:48,640 --> 00:59:51,840
Speaker 18: some that got injured in the fray, and they're like

1251
00:59:52,080 --> 00:59:54,280
Speaker 18: they're all mad. They're like, this is not what we

1252
00:59:54,400 --> 00:59:55,040
Speaker 18: came here to see.

1253
00:59:55,240 --> 00:59:55,600
Speaker 44: So now.

1254
00:59:59,480 --> 01:00:03,320
Speaker 18: Man, but at this point they have all turned because

1255
01:00:03,360 --> 01:00:09,280
Speaker 18: they're mad, and they're all saying, tranny, you tranny, and

1256
01:00:09,440 --> 01:00:13,280
Speaker 18: I said stop it, stop it. And then that's when

1257
01:00:13,480 --> 01:00:18,480
Speaker 18: Ellen turns to me and guess what she fucking says?

1258
01:00:19,200 --> 01:00:23,640
Speaker 18: What I guess what she says. She says, you are

1259
01:00:23,680 --> 01:00:28,480
Speaker 18: a bit and my heart breaks because.

1260
01:00:28,320 --> 01:00:30,880
Speaker 3: I believe it, and it's Ellen.

1261
01:00:31,160 --> 01:00:33,600
Speaker 18: It's Ellen, and at this point a hero. She's a

1262
01:00:33,760 --> 01:00:34,920
Speaker 18: hero of mine in that.

1263
01:00:35,040 --> 01:00:37,040
Speaker 64: Moment, like she's gotten every wants to turn on you.

1264
01:00:37,200 --> 01:00:39,200
Speaker 64: They obviously have taken side to her, even though they've

1265
01:00:39,240 --> 01:00:40,360
Speaker 64: killed probably.

1266
01:00:41,160 --> 01:00:42,160
Speaker 15: Some of the people that they know.

1267
01:00:42,480 --> 01:00:45,120
Speaker 18: Yeah, they start killing. I mean, the fans are so mad,

1268
01:00:45,280 --> 01:00:47,800
Speaker 18: screaming tranning. They start killing each other, killing each other.

1269
01:00:48,320 --> 01:00:50,760
Speaker 18: So just so you know, just so you know, at

1270
01:00:50,760 --> 01:00:53,040
Speaker 18: the at my tours, all my fans are sist because

1271
01:00:53,040 --> 01:00:56,520
Speaker 18: I won't let trans people. I don't like trans people.

1272
01:00:59,040 --> 01:01:02,560
Speaker 18: And it's a it's turfs only, Yeah, yeah, turfs only.

1273
01:01:02,800 --> 01:01:06,840
Speaker 15: Transluy who don't who aren't with it?

1274
01:01:07,080 --> 01:01:14,720
Speaker 18: And they're all and they're all straight, beautiful, straight beautiful, yeah, straight, beautiful,

1275
01:01:14,880 --> 01:01:15,560
Speaker 18: gorgeous turf.

1276
01:01:15,600 --> 01:01:18,640
Speaker 66: They're saying tranny. But also Ellen, I remember originated the

1277
01:01:18,720 --> 01:01:22,680
Speaker 66: pronunciation trani tronny yes with an H and two N

1278
01:01:22,880 --> 01:01:29,040
Speaker 66: b r O N n e I H so they're

1279
01:01:29,040 --> 01:01:30,480
Speaker 66: screaming Tranny tronny.

1280
01:01:30,480 --> 01:01:32,920
Speaker 18: And she's like, hey, you know why I say it

1281
01:01:33,040 --> 01:01:35,800
Speaker 18: that way? And then I was like, oh, why Ellen,

1282
01:01:35,920 --> 01:01:38,520
Speaker 18: this night couldn't get any worse. And she's like, because

1283
01:01:38,520 --> 01:01:41,760
Speaker 18: it's a play on pronunciation of the Vietnamese language, because

1284
01:01:41,760 --> 01:01:45,400
Speaker 18: I know you're Vietnamese. To you, Tranny, just.

1285
01:01:46,840 --> 01:01:48,160
Speaker 66: Cut Steve twists the knife.

1286
01:01:48,280 --> 01:01:51,280
Speaker 18: She fucking she fucking puts that knife.

1287
01:01:51,680 --> 01:01:52,439
Speaker 34: Screw drive.

1288
01:01:52,800 --> 01:01:56,480
Speaker 18: Tell you something about electric screwdriver. It's more than just

1289
01:01:56,640 --> 01:01:57,720
Speaker 18: twisting the knife.

1290
01:01:57,920 --> 01:01:58,200
Speaker 7: I am.

1291
01:01:58,640 --> 01:02:04,880
Speaker 15: Yeah, yeah, really went there. That's and that's a gorgeous tour.

1292
01:02:05,160 --> 01:02:08,360
Speaker 18: And that is literally just Stockholm where the tour starts.

1293
01:02:08,760 --> 01:02:11,280
Speaker 18: That's literally just the first leg of the tours.

1294
01:02:11,360 --> 01:02:14,240
Speaker 17: And talk about why Stockholm, like what is to you?

1295
01:02:14,560 --> 01:02:15,360
Speaker 17: Why is that meaningful?

1296
01:02:15,760 --> 01:02:18,920
Speaker 18: Rich culture? A lot of amazing aren't their government? Like

1297
01:02:19,200 --> 01:02:22,040
Speaker 18: the government in Sweden, it's just like really progressive socially,

1298
01:02:22,160 --> 01:02:24,200
Speaker 18: you know, the access to healthcare, the way people like

1299
01:02:24,480 --> 01:02:29,400
Speaker 18: treat each other, even yeah, predominantly white, blonde.

1300
01:02:29,120 --> 01:02:32,040
Speaker 66: Yes, yes, it's it's a sort of easier.

1301
01:02:31,720 --> 01:02:35,240
Speaker 18: When and a lot of amazing pop comes out of Scandinavia.

1302
01:02:35,360 --> 01:02:36,240
Speaker 15: That's amazing pop.

1303
01:02:36,280 --> 01:02:37,960
Speaker 66: But see the thing about Sweden and the thing that

1304
01:02:38,040 --> 01:02:41,160
Speaker 66: it's it's just it's a great case study in homogenizing

1305
01:02:42,040 --> 01:02:46,040
Speaker 66: people to more easily governed and more easily socialize and

1306
01:02:46,400 --> 01:02:50,160
Speaker 66: provide access. If the people look the same, it's easier.

1307
01:02:50,920 --> 01:02:51,160
Speaker 24: Yeah.

1308
01:02:51,360 --> 01:02:54,840
Speaker 18: Absolutely. Once you all look the same, Yeah, then you

1309
01:02:55,080 --> 01:02:59,720
Speaker 18: all act the same. Yes, then you all buy tickets

1310
01:02:59,800 --> 01:03:01,440
Speaker 18: to the same concert.

1311
01:03:01,760 --> 01:03:02,360
Speaker 17: It's beautiful.

1312
01:03:02,440 --> 01:03:04,600
Speaker 15: That's a really good economy model.

1313
01:03:05,040 --> 01:03:09,080
Speaker 18: I disagree. Okay, but you're you're still like everything I

1314
01:03:09,120 --> 01:03:11,960
Speaker 18: said up until this point. Would I was setting up

1315
01:03:12,000 --> 01:03:13,360
Speaker 18: that you would say that so I would agree, and

1316
01:03:13,480 --> 01:03:14,880
Speaker 18: then I changed my mind in real time.

1317
01:03:15,000 --> 01:03:16,240
Speaker 15: Okay, okay, all right.

1318
01:03:16,760 --> 01:03:18,480
Speaker 18: And that's what people come to expect from my shows.

1319
01:03:18,640 --> 01:03:20,840
Speaker 15: Yeah, they're going to expect to like, except, for example,

1320
01:03:20,920 --> 01:03:21,640
Speaker 15: get through it and live.

1321
01:03:21,960 --> 01:03:22,160
Speaker 2: Yeah.

1322
01:03:22,360 --> 01:03:23,680
Speaker 15: Yeah, that might not be the case.

1323
01:03:23,800 --> 01:03:25,439
Speaker 18: Well that's why they turned on each other.

1324
01:03:25,800 --> 01:03:30,200
Speaker 66: Yes, Well, and the tours is called sis Heads Only Radical.

1325
01:03:31,640 --> 01:03:32,240
Speaker 15: Beautiful ters.

1326
01:03:32,360 --> 01:03:36,800
Speaker 18: Yeah, it's called beautiful TERFs. Colon sis heads only, uh

1327
01:03:38,000 --> 01:03:42,400
Speaker 18: colon uh uh. Dharma and Greg live for one night only,

1328
01:03:43,640 --> 01:03:44,280
Speaker 18: and they're there.

1329
01:03:44,680 --> 01:03:45,800
Speaker 9: They're the actors who.

1330
01:03:45,720 --> 01:03:47,080
Speaker 18: Played Darma and Greg are there.

1331
01:03:47,280 --> 01:03:47,919
Speaker 41: Oh my god?

1332
01:03:48,120 --> 01:03:48,360
Speaker 8: And that.

1333
01:03:49,880 --> 01:03:54,200
Speaker 18: Yeah, scientologists famous scientologists and I'm and I'm giving I

1334
01:03:54,240 --> 01:03:56,600
Speaker 18: give her like a twenty minute platform in the middle

1335
01:03:56,600 --> 01:03:58,800
Speaker 18: of show just to talk about scientology, and she's like

1336
01:03:59,160 --> 01:04:01,760
Speaker 18: really cares about it because she's like, I know it's

1337
01:04:02,240 --> 01:04:04,680
Speaker 18: so crazy. You guys probably think I'm crazy. Yeah, it

1338
01:04:04,960 --> 01:04:06,960
Speaker 18: really is. A lot of it's so stupid, right, like

1339
01:04:07,120 --> 01:04:10,520
Speaker 18: really learning people in with that disarming. Yeah, She's like,

1340
01:04:10,720 --> 01:04:12,400
Speaker 18: you know what one might be fun. What if you

1341
01:04:12,560 --> 01:04:14,160
Speaker 18: just like took some friends and you went to like

1342
01:04:14,240 --> 01:04:16,000
Speaker 18: the Church of Scientology as a joke, because the doors

1343
01:04:16,040 --> 01:04:18,640
Speaker 18: are always open. You should see how like crazy stupid

1344
01:04:18,720 --> 01:04:21,080
Speaker 18: some of the decorations. It's so gaudy, and everyone's like, ah,

1345
01:04:21,200 --> 01:04:23,760
Speaker 18: that's so funny. But it's like under the guise of like,

1346
01:04:24,160 --> 01:04:26,480
Speaker 18: oh yeah, come to see how stupid this thing is.

1347
01:04:26,560 --> 01:04:28,120
Speaker 66: And then but it's fifty thousand people.

1348
01:04:28,160 --> 01:04:30,120
Speaker 56: I'm like, they're gonna go, and they all go.

1349
01:04:31,560 --> 01:04:33,480
Speaker 15: And how many of them fall for it?

1350
01:04:33,880 --> 01:04:34,160
Speaker 18: Hmm?

1351
01:04:35,080 --> 01:04:35,800
Speaker 15: How many of them?

1352
01:04:36,080 --> 01:04:36,280
Speaker 5: Did you?

1353
01:04:37,240 --> 01:04:37,960
Speaker 18: Did you not hear me?

1354
01:04:38,240 --> 01:04:38,400
Speaker 15: Wait?

1355
01:04:38,440 --> 01:04:38,640
Speaker 41: Are you?

1356
01:04:38,960 --> 01:04:40,560
Speaker 34: I said they all all of them?

1357
01:04:41,120 --> 01:04:42,280
Speaker 15: But I know all of them go?

1358
01:04:42,880 --> 01:04:46,400
Speaker 64: But how many stay? How many sign on the dotted line?

1359
01:04:46,680 --> 01:04:48,640
Speaker 64: When it comes to push comes to shove.

1360
01:04:48,920 --> 01:04:51,520
Speaker 18: Well, when push comes to shove, jokes on you bitch.

1361
01:04:51,640 --> 01:04:54,960
Speaker 18: They were all already scientologist because it's also scientilogist's only.

1362
01:04:55,400 --> 01:05:00,840
Speaker 15: Yeah, only a full entologists who are also turfs.

1363
01:05:02,440 --> 01:05:07,680
Speaker 66: It's called beautiful Turfs. Colon, they had only Colin, Drhmer

1364
01:05:07,720 --> 01:05:10,720
Speaker 66: and Greg Live when I only call in scientologists.

1365
01:05:11,360 --> 01:05:11,560
Speaker 22: Yes.

1366
01:05:13,200 --> 01:05:16,080
Speaker 1: The newest edition to Forever Dog is this next podcast,

1367
01:05:16,240 --> 01:05:19,360
Speaker 1: The Very Funny mal Talk, hosted by comedians and La

1368
01:05:19,480 --> 01:05:22,760
Speaker 1: Mall aficionados Emily Fay and Paige Weldon, who do not

1369
01:05:22,880 --> 01:05:25,240
Speaker 1: think that hanging out at the mall should stop in adulthood.

1370
01:05:25,600 --> 01:05:28,760
Speaker 1: Each episode, a guest joins them to discuss classic stores,

1371
01:05:28,880 --> 01:05:32,280
Speaker 1: mall memories, and recent mall going adventures. In the following clip,

1372
01:05:32,360 --> 01:05:35,560
Speaker 1: Emily and Page talked to comedians Solomon Giorgio about Cinnabon,

1373
01:05:35,720 --> 01:05:35,960
Speaker 1: J C.

1374
01:05:36,120 --> 01:05:37,520
Speaker 3: Penny and so much more.

1375
01:05:37,840 --> 01:05:40,160
Speaker 68: So then you never went back to Macy No, but

1376
01:05:40,160 --> 01:05:44,560
Speaker 68: I did eat at Sinabon every day. I used to

1377
01:05:44,600 --> 01:05:47,800
Speaker 68: do the worst thing ever because Cinnabon had they had

1378
01:05:47,840 --> 01:05:50,720
Speaker 68: those They had the particular ones which was like the

1379
01:05:50,760 --> 01:05:53,800
Speaker 68: pecon one hm and also I don't think they have anymore.

1380
01:05:53,800 --> 01:05:55,480
Speaker 68: They actually had a root beer milkshake.

1381
01:05:55,960 --> 01:05:57,120
Speaker 19: Oh that sounds good.

1382
01:05:57,320 --> 01:05:59,480
Speaker 9: Oh yeah, I'd have We had the same exact reaction

1383
01:05:59,520 --> 01:05:59,640
Speaker 9: with that.

1384
01:06:01,480 --> 01:06:03,480
Speaker 68: So what I would do is order both of those

1385
01:06:03,520 --> 01:06:06,240
Speaker 68: things at the same time every day. Oh yeah, every day,

1386
01:06:06,400 --> 01:06:09,080
Speaker 68: well within those three days that I was working there,

1387
01:06:09,600 --> 01:06:13,280
Speaker 68: and many times before and after, until they no longer

1388
01:06:13,400 --> 01:06:14,200
Speaker 68: serve the root beer.

1389
01:06:15,240 --> 01:06:16,640
Speaker 69: Oh I thought, you're gonna say, until they would no

1390
01:06:16,640 --> 01:06:20,480
Speaker 69: longer serfia. They were like, excuse me, sir, you are

1391
01:06:20,640 --> 01:06:21,120
Speaker 69: cut off.

1392
01:06:22,080 --> 01:06:23,560
Speaker 3: We can see how soft your teeth are.

1393
01:06:23,600 --> 01:06:28,760
Speaker 69: Now we have a moral responsibility even.

1394
01:06:28,720 --> 01:06:30,840
Speaker 3: Vibrating for the last thirty minutes that I need you

1395
01:06:30,880 --> 01:06:31,240
Speaker 3: to stop.

1396
01:06:31,680 --> 01:06:33,320
Speaker 11: Oh wait, So where else did you work?

1397
01:06:33,960 --> 01:06:35,320
Speaker 68: I'm trying to remember all the places that I worked,

1398
01:06:35,320 --> 01:06:37,240
Speaker 68: because I had a lot of jobs at the time,

1399
01:06:37,360 --> 01:06:42,800
Speaker 68: and I that I would quit in traumatic ways because

1400
01:06:42,840 --> 01:06:43,760
Speaker 68: I did work at a jay C.

1401
01:06:43,880 --> 01:06:44,160
Speaker 3: Penny.

1402
01:06:44,240 --> 01:06:47,880
Speaker 68: But it wasn't at that mall at oh my god,

1403
01:06:47,920 --> 01:06:49,920
Speaker 68: it was Alderwood Mall I think it was called, I

1404
01:06:49,960 --> 01:06:52,040
Speaker 68: can't remember. It's in Lyndwood, Washington, which is a North

1405
01:06:52,600 --> 01:06:56,120
Speaker 68: Seattle and I worked with the jac Pennies there.

1406
01:06:56,160 --> 01:06:57,680
Speaker 3: There was a J. C. Pennies at Northgate, which I

1407
01:06:57,760 --> 01:06:58,560
Speaker 3: went to many times.

1408
01:06:59,000 --> 01:07:00,680
Speaker 9: Did you use to shop jac Penny?

1409
01:07:00,720 --> 01:07:00,840
Speaker 56: Oh?

1410
01:07:01,320 --> 01:07:03,600
Speaker 68: So many times. It's my mom's favorite place. To buy

1411
01:07:03,920 --> 01:07:06,760
Speaker 68: her kids presents till this very day. I'm pretty sure

1412
01:07:06,800 --> 01:07:09,240
Speaker 68: she's currently in that jay Z Penny trying to see

1413
01:07:09,360 --> 01:07:13,400
Speaker 68: if I want an oversized tweety bird shirt or and

1414
01:07:13,640 --> 01:07:17,000
Speaker 68: you do just a small pair of boxers. No, she

1415
01:07:17,120 --> 01:07:20,680
Speaker 68: buys me briefs, that's tidy whities. She never knows my size.

1416
01:07:21,080 --> 01:07:23,960
Speaker 68: It's always a double excel or the smallest, and you're like,

1417
01:07:25,840 --> 01:07:26,800
Speaker 68: have you met me before?

1418
01:07:27,040 --> 01:07:29,640
Speaker 69: I do feel like jac Penny is also like in

1419
01:07:29,720 --> 01:07:33,960
Speaker 69: my mind, such my mom's department store where it's like

1420
01:07:34,200 --> 01:07:36,240
Speaker 69: I feel like it's like Macy's is a little more

1421
01:07:36,440 --> 01:07:39,280
Speaker 69: like Elevator. It's like a little fancier Jac Penny. It's

1422
01:07:39,360 --> 01:07:41,840
Speaker 69: like Mom's like I'm going to Pennies. I'm getting a deal.

1423
01:07:42,360 --> 01:07:42,880
Speaker 17: In my mind.

1424
01:07:42,920 --> 01:07:44,840
Speaker 67: Oh yeah, is that where all like your school clothes

1425
01:07:44,880 --> 01:07:45,680
Speaker 67: and stuff came from.

1426
01:07:46,840 --> 01:07:50,760
Speaker 3: No, No, I wish it was mostly Ross and Marshall's

1427
01:07:50,960 --> 01:07:51,680
Speaker 3: also at the mall.

1428
01:07:51,760 --> 01:07:53,320
Speaker 9: I mean, we love, we love Marshalls.

1429
01:07:53,520 --> 01:07:56,880
Speaker 68: I Marshall's is definitely a clean a cleaner Ross, but

1430
01:07:57,000 --> 01:07:59,600
Speaker 68: it's really again not a I mean Ross.

1431
01:07:59,640 --> 01:08:03,040
Speaker 69: I will answer if there's an emergency of some kind

1432
01:08:03,160 --> 01:08:05,120
Speaker 69: where I simply can't get to a Marshall's.

1433
01:08:05,880 --> 01:08:07,720
Speaker 17: But it's a war zone.

1434
01:08:07,880 --> 01:08:08,920
Speaker 15: It's in there.

1435
01:08:09,080 --> 01:08:11,240
Speaker 68: But I'll tell you this right now. When it comes

1436
01:08:11,280 --> 01:08:14,840
Speaker 68: to home goods, oh yeah, Ross is crushing the game.

1437
01:08:14,880 --> 01:08:16,120
Speaker 9: I recently bought a teapot there.

1438
01:08:16,200 --> 01:08:16,400
Speaker 52: Yeah.

1439
01:08:16,720 --> 01:08:19,439
Speaker 68: Ross is where the great deals are and home goods

1440
01:08:19,840 --> 01:08:22,320
Speaker 68: no one goes. And that's part of the Ross. Yeah, totally.

1441
01:08:23,200 --> 01:08:25,200
Speaker 67: I feel like that that is the one part of Ross,

1442
01:08:25,600 --> 01:08:29,479
Speaker 67: whereas Marshall's overall, I'm like, great, everything's great.

1443
01:08:29,400 --> 01:08:31,920
Speaker 3: Everything's great. John Marshalls doesn't have good deals on home goods.

1444
01:08:32,920 --> 01:08:35,840
Speaker 69: I was in Marshalls recently looking for a teapot, and

1445
01:08:35,960 --> 01:08:38,000
Speaker 69: I was like, mostly these teapots are like twenty.

1446
01:08:37,760 --> 01:08:40,160
Speaker 3: Five dollars, disrespectful to the game.

1447
01:08:40,320 --> 01:08:41,559
Speaker 9: Yeah, why am I even here?

1448
01:08:42,360 --> 01:08:44,559
Speaker 67: I might as well might as well go to Williams

1449
01:08:44,640 --> 01:08:48,160
Speaker 67: Sonoma Big Books on a teapot.

1450
01:08:48,880 --> 01:08:51,880
Speaker 68: Look, I'm just saying, if you have a store, I can't.

1451
01:08:51,880 --> 01:08:53,519
Speaker 68: I shouldn't be able to buy three shirts for the

1452
01:08:53,560 --> 01:08:54,120
Speaker 68: same price.

1453
01:08:55,280 --> 01:08:57,680
Speaker 9: It's weird. I don't understand why that's going on.

1454
01:08:57,840 --> 01:08:59,600
Speaker 69: But I did then immediately go into Ross and go.

1455
01:09:00,080 --> 01:09:03,360
Speaker 68: Up like nine or you could, which I got a

1456
01:09:03,360 --> 01:09:05,640
Speaker 68: beautiful red one that's amazing.

1457
01:09:06,160 --> 01:09:09,360
Speaker 67: I actually also need a tea kettle will report back

1458
01:09:10,400 --> 01:09:11,200
Speaker 67: the ross.

1459
01:09:11,160 --> 01:09:12,080
Speaker 9: See what you find.

1460
01:09:12,320 --> 01:09:14,880
Speaker 3: The one in Pasadena is very good. That's the best one.

1461
01:09:14,880 --> 01:09:17,920
Speaker 68: Also, I haven't been in most of the most of

1462
01:09:17,960 --> 01:09:19,719
Speaker 68: the clothes in that one are on the wreck.

1463
01:09:20,320 --> 01:09:23,440
Speaker 69: Oh wow, I supposed to something to be said trampled

1464
01:09:23,479 --> 01:09:24,000
Speaker 69: on the floor.

1465
01:09:24,680 --> 01:09:26,920
Speaker 68: Yeah, that's crazy, but I've only been there when it

1466
01:09:27,000 --> 01:09:30,920
Speaker 68: first opened. A sure, I can't speak for an afternoon.

1467
01:09:32,840 --> 01:09:35,960
Speaker 3: I can't imagine. But actually even I met.

1468
01:09:36,000 --> 01:09:37,680
Speaker 68: I remember one time, because we went to Ross so

1469
01:09:37,720 --> 01:09:39,520
Speaker 68: many times, that I pooped my pants.

1470
01:09:39,840 --> 01:09:44,080
Speaker 3: At a Ross and everyone was like, correct, my mother

1471
01:09:44,200 --> 01:09:45,400
Speaker 3: refused to buy me new pants.

1472
01:09:45,880 --> 01:09:49,800
Speaker 68: Know the only the only time that anyone's ever been

1473
01:09:49,840 --> 01:09:51,200
Speaker 68: like I need to buy pants at Ross.

1474
01:09:52,800 --> 01:09:56,360
Speaker 67: I need to Like, I don't want to buy pants

1475
01:09:56,439 --> 01:09:59,439
Speaker 67: right now? Or was it like sit in your mistake?

1476
01:10:00,280 --> 01:10:02,439
Speaker 67: It was I really, it won't happen again.

1477
01:10:02,439 --> 01:10:05,040
Speaker 68: I actually wish my mother had that decency and uh

1478
01:10:05,439 --> 01:10:07,720
Speaker 68: where she was like, I can't afford this, we can't. No, no, no,

1479
01:10:07,880 --> 01:10:11,639
Speaker 68: it was more like no, give this on purpose, which

1480
01:10:11,720 --> 01:10:13,639
Speaker 68: is like who shits their pass on purpose?

1481
01:10:13,840 --> 01:10:16,600
Speaker 19: No, there's no winning part of that.

1482
01:10:17,479 --> 01:10:20,000
Speaker 45: You're not getting anything out of it, believe it or not.

1483
01:10:20,720 --> 01:10:22,600
Speaker 3: And it's like and like you're gonna have to be

1484
01:10:22,680 --> 01:10:24,639
Speaker 3: in the car with me on the right back home.

1485
01:10:24,800 --> 01:10:25,000
Speaker 5: Yeah.

1486
01:10:25,640 --> 01:10:27,360
Speaker 9: Yeah, this hurts all of us.

1487
01:10:27,520 --> 01:10:29,200
Speaker 19: It's sad for everybody.

1488
01:10:30,920 --> 01:10:33,600
Speaker 1: Listening to Mary Hola Hands a Little Podcast is like

1489
01:10:33,720 --> 01:10:36,439
Speaker 1: being stuck in a blender of early nineties FM radio.

1490
01:10:37,000 --> 01:10:38,600
Speaker 1: That sounds like a quote, but I just came up

1491
01:10:38,640 --> 01:10:41,080
Speaker 1: with it. Every time you listen to Mary hool Hands

1492
01:10:41,120 --> 01:10:44,000
Speaker 1: a Little Podcast, it's something different. A morning talk show,

1493
01:10:44,080 --> 01:10:46,360
Speaker 1: an advice show, a game show, a makeover show, a

1494
01:10:46,400 --> 01:10:48,560
Speaker 1: call in show, a call out show, all from the

1495
01:10:48,640 --> 01:10:51,559
Speaker 1: mind of Mary Houla Hand, plus commercials like this one.

1496
01:10:52,720 --> 01:10:54,160
Speaker 42: Hey, the big conference on the beach.

1497
01:10:54,240 --> 01:10:54,519
Speaker 5: Let's go.

1498
01:10:55,120 --> 01:10:57,479
Speaker 70: But wait, I to eat all these tacos, just put

1499
01:10:57,560 --> 01:10:58,320
Speaker 70: them in your pants.

1500
01:10:59,120 --> 01:11:01,240
Speaker 11: You ever go on to run and reach into your

1501
01:11:01,280 --> 01:11:02,600
Speaker 11: pocket for a taco but.

1502
01:11:02,680 --> 01:11:03,519
Speaker 19: It's all cold.

1503
01:11:03,840 --> 01:11:04,280
Speaker 27: No way.

1504
01:11:04,800 --> 01:11:08,519
Speaker 71: Taco pants are special pants with boil insulated pockets that

1505
01:11:08,680 --> 01:11:10,519
Speaker 71: keep your tacos warm all day.

1506
01:11:11,000 --> 01:11:13,200
Speaker 17: I'm in love with the taco pants.

1507
01:11:14,120 --> 01:11:14,880
Speaker 18: Taco pants.

1508
01:11:16,920 --> 01:11:20,080
Speaker 1: This next podcast was named twenty eighteen's best podcast for

1509
01:11:20,280 --> 01:11:23,519
Speaker 1: Aspiring comedians by Vulture, not because it talks about how

1510
01:11:23,520 --> 01:11:25,960
Speaker 1: to succeed, but about how to fail. The need to

1511
01:11:26,000 --> 01:11:28,720
Speaker 1: Fail with Don Finelli features comedians and entertainers at the

1512
01:11:28,760 --> 01:11:31,200
Speaker 1: top of their game, talking about all the rules they

1513
01:11:31,280 --> 01:11:33,599
Speaker 1: didn't get, all the shows they bombed, all the times

1514
01:11:33,640 --> 01:11:36,280
Speaker 1: they ate shit, and their dreams felt more elusive than ever,

1515
01:11:36,760 --> 01:11:39,559
Speaker 1: and how they persevered through those times. In the following clip,

1516
01:11:39,680 --> 01:11:42,599
Speaker 1: Don talks with comedian, writer and improviser Neil Casey.

1517
01:11:42,920 --> 01:11:45,080
Speaker 42: So you kept your car, You have your car in

1518
01:11:45,160 --> 01:11:45,519
Speaker 42: New York.

1519
01:11:45,600 --> 01:11:46,960
Speaker 72: Bill up my car in New York, and then I

1520
01:11:47,000 --> 01:11:49,920
Speaker 72: have thirty days to figure out, like where I'm gonna

1521
01:11:49,960 --> 01:11:52,720
Speaker 72: live and what's going on. And the answer was ended

1522
01:11:52,800 --> 01:11:57,559
Speaker 72: up being that I lived nowhere for five months. Wow,

1523
01:11:58,640 --> 01:12:02,920
Speaker 72: and uh, I packed, I threw away a ton more shit.

1524
01:12:03,320 --> 01:12:05,240
Speaker 72: I got a storage unit over on the West Side

1525
01:12:05,320 --> 01:12:08,280
Speaker 72: Highway for the stuff I kept that wasn't in my car.

1526
01:12:09,080 --> 01:12:14,320
Speaker 72: And then I was homeless for from April of twenty

1527
01:12:14,439 --> 01:12:20,320
Speaker 72: twelve until September of twenty twelve or mid August of

1528
01:12:20,400 --> 01:12:24,080
Speaker 72: twenty twelve, when I moved into Nick Kacher's room that

1529
01:12:24,160 --> 01:12:26,920
Speaker 72: I rented with like Grand O'Brien and Mary and Lennon

1530
01:12:27,080 --> 01:12:29,760
Speaker 72: and and good people there. And part of it was,

1531
01:12:29,840 --> 01:12:32,720
Speaker 72: like I called it a once, I was like it's a.

1532
01:12:33,720 --> 01:12:37,560
Speaker 72: It's like a controlled homelessness because my thinking was if I,

1533
01:12:38,080 --> 01:12:39,960
Speaker 72: if I can just there's some places I needed to be,

1534
01:12:40,960 --> 01:12:48,599
Speaker 72: including the Torcuoe trip to South Carolina Williamstown Theater Festival,

1535
01:12:48,640 --> 01:12:51,080
Speaker 72: where I teach in prop classes in the summertime. My

1536
01:12:51,200 --> 01:12:54,519
Speaker 72: family rents a beach house in June, so there was like,

1537
01:12:54,640 --> 01:12:57,759
Speaker 72: if I could just cover these weeks, then I basically

1538
01:12:57,800 --> 01:13:00,920
Speaker 72: wouldn't need to pay rent for like like three months.

1539
01:13:00,960 --> 01:13:02,599
Speaker 72: That ended up being like a little over four.

1540
01:13:02,760 --> 01:13:03,280
Speaker 42: What did you do?

1541
01:13:03,800 --> 01:13:05,040
Speaker 27: How did you do this? I?

1542
01:13:05,800 --> 01:13:06,760
Speaker 42: Where did you stay?

1543
01:13:07,640 --> 01:13:11,840
Speaker 72: I stayed at my brothers a little bit a couple

1544
01:13:11,880 --> 01:13:13,839
Speaker 72: of nights, but he just had a bedroom.

1545
01:13:13,920 --> 01:13:15,960
Speaker 42: Did people know? Did you tell anybody about the people

1546
01:13:16,000 --> 01:13:18,000
Speaker 42: I asked to stay with? I did, yeah, but nobody

1547
01:13:18,000 --> 01:13:18,439
Speaker 42: else knew.

1548
01:13:18,560 --> 01:13:20,160
Speaker 72: Nobody else knew because Heines and I were doing our

1549
01:13:20,160 --> 01:13:21,720
Speaker 72: show then too. So anytime Hines and I would do

1550
01:13:21,760 --> 01:13:23,479
Speaker 72: Small Man, I would stay at his house the night

1551
01:13:23,560 --> 01:13:27,600
Speaker 72: before and I'd sleep there and then we would But.

1552
01:13:27,680 --> 01:13:29,679
Speaker 42: Did you tell him I don't have a place? Okay?

1553
01:13:29,840 --> 01:13:32,360
Speaker 72: Yeah, he knew, like my my my closest friends knew.

1554
01:13:34,439 --> 01:13:37,040
Speaker 72: And I would say, Hines state at my brothers. I

1555
01:13:37,120 --> 01:13:39,160
Speaker 72: stayed at Dan Black's one time. I stayed at Blove

1556
01:13:39,200 --> 01:13:40,040
Speaker 72: Bands one time.

1557
01:13:40,439 --> 01:13:42,160
Speaker 42: These are all people right in Manhattan too.

1558
01:13:42,120 --> 01:13:44,360
Speaker 72: Yeah, yeah yeah, kind of kind of kind of keeping

1559
01:13:44,400 --> 01:13:47,080
Speaker 72: it honest that way. I lived at the green point

1560
01:13:47,240 --> 01:13:48,920
Speaker 72: Y m c A for a little while.

1561
01:13:49,040 --> 01:13:50,640
Speaker 42: Uh huh, with a lot of old with a lot

1562
01:13:50,680 --> 01:13:53,880
Speaker 42: of old guys. Where are you mentally during this how

1563
01:13:54,160 --> 01:13:59,160
Speaker 42: are you? Are you determined or are you like fucking low? Well?

1564
01:13:59,240 --> 01:14:02,360
Speaker 42: I was throwing in retrospect.

1565
01:14:02,600 --> 01:14:04,800
Speaker 72: I believe that what I was doing was I was

1566
01:14:05,439 --> 01:14:08,800
Speaker 72: eliminating absolutely everything that I had going on in my

1567
01:14:08,920 --> 01:14:12,840
Speaker 72: life so that I could like reboot the few things

1568
01:14:12,880 --> 01:14:14,200
Speaker 72: that I think would actually work.

1569
01:14:15,680 --> 01:14:18,320
Speaker 1: Another very exciting addition to Forever Dog this year was

1570
01:14:18,400 --> 01:14:22,599
Speaker 1: the beloved could Sensation podcast The Ride, a show about

1571
01:14:22,640 --> 01:14:25,400
Speaker 1: theme parks hosted by three childless men in their thirties,

1572
01:14:25,720 --> 01:14:29,479
Speaker 1: Mike Carlson, Jason Sheridan, and Scott Gardner. This year, Podcast

1573
01:14:29,520 --> 01:14:32,760
Speaker 1: The Ride accomplished perhaps the most impressive feat in all

1574
01:14:32,800 --> 01:14:37,080
Speaker 1: of comedy podcasting, releasing in eighteen episodes in eighteen days,

1575
01:14:37,320 --> 01:14:41,639
Speaker 1: series about Hollywood's Universal CityWalk that was rightly named best

1576
01:14:41,720 --> 01:14:44,640
Speaker 1: Mini series of twenty eighteen by Vulture. And here's a

1577
01:14:44,640 --> 01:14:47,240
Speaker 1: clip from that very series, the CityWalk saga.

1578
01:14:47,800 --> 01:14:53,040
Speaker 73: And let's clarify, this series is about CityWalk at Universal Hollywood,

1579
01:14:53,479 --> 01:14:57,040
Speaker 73: not CityWalk at Universal Orlando. Right, that is an entirely

1580
01:14:57,200 --> 01:14:58,000
Speaker 73: different entity.

1581
01:14:58,160 --> 01:15:00,599
Speaker 23: We will not speak about that at all at all.

1582
01:15:00,680 --> 01:15:02,000
Speaker 23: This is only for Hollywood.

1583
01:15:02,120 --> 01:15:04,080
Speaker 4: And yes, now that is also lovely.

1584
01:15:04,280 --> 01:15:05,360
Speaker 34: It's a lovely place.

1585
01:15:05,760 --> 01:15:05,960
Speaker 24: Yeah.

1586
01:15:06,040 --> 01:15:11,800
Speaker 74: Well, in an endeavor like this requires rules and parameters, right,

1587
01:15:11,920 --> 01:15:16,040
Speaker 74: and which is why you know we've carefully caged ourselves

1588
01:15:16,080 --> 01:15:18,759
Speaker 74: in with the nineteen part system.

1589
01:15:19,040 --> 01:15:22,000
Speaker 23: And where did where did nineteen come from?

1590
01:15:22,080 --> 01:15:25,439
Speaker 74: I feel like it's because they aren't necessarily all even

1591
01:15:25,960 --> 01:15:29,000
Speaker 74: in the amounts of stores and restaurants. But there's I

1592
01:15:29,120 --> 01:15:33,360
Speaker 74: think nineteen is a perfect number, and I don't want

1593
01:15:33,400 --> 01:15:36,559
Speaker 74: to be question perfection, but if we had to analyze,

1594
01:15:36,600 --> 01:15:37,679
Speaker 74: what is it about nineteen?

1595
01:15:37,760 --> 01:15:38,920
Speaker 23: Why is that the perfect amount?

1596
01:15:39,320 --> 01:15:39,479
Speaker 32: You know?

1597
01:15:39,800 --> 01:15:42,880
Speaker 75: One of the impetuses for doing this is that, like,

1598
01:15:43,400 --> 01:15:48,560
Speaker 75: we met a guy I think a guy almost undervalues.

1599
01:15:48,160 --> 01:15:52,960
Speaker 73: He is a mentor figure maybe or a voice of authority.

1600
01:15:53,120 --> 01:15:53,479
Speaker 3: Boys.

1601
01:15:54,280 --> 01:15:56,880
Speaker 4: Oh yeah, he's here a sector keeper.

1602
01:15:57,680 --> 01:16:00,640
Speaker 23: He could know who could have said it them so

1603
01:16:01,120 --> 01:16:04,120
Speaker 23: than the being himself.

1604
01:16:04,479 --> 01:16:07,439
Speaker 75: So yeah, joining us today on the podcast is we

1605
01:16:07,520 --> 01:16:10,400
Speaker 75: call him the sector keeper? He keeps the different sectors

1606
01:16:10,560 --> 01:16:11,679
Speaker 75: of city Walk.

1607
01:16:11,760 --> 01:16:17,120
Speaker 76: Universal CityWalk sector keeper, please of Universal CityWalk, Hollywood sector keeper. Actually,

1608
01:16:17,160 --> 01:16:20,800
Speaker 76: if I may correct you, so sorry, Spirit can't across the.

1609
01:16:22,439 --> 01:16:22,799
Speaker 4: Country.

1610
01:16:23,320 --> 01:16:25,200
Speaker 34: Yeah, yeah, start to dissipate.

1611
01:16:24,800 --> 01:16:25,880
Speaker 2: When you hit the Mississippi.

1612
01:16:26,640 --> 01:16:26,800
Speaker 6: Yes.

1613
01:16:26,960 --> 01:16:27,160
Speaker 7: Yeah.

1614
01:16:27,280 --> 01:16:29,920
Speaker 75: So when we talk about nineteen sectors, this is sort

1615
01:16:29,920 --> 01:16:32,720
Speaker 75: of a number that's been around for as long as time,

1616
01:16:33,240 --> 01:16:34,040
Speaker 75: like the number.

1617
01:16:33,880 --> 01:16:37,519
Speaker 74: Twenty three, the significant number of the Jim Carrey film,

1618
01:16:37,960 --> 01:16:43,400
Speaker 74: nineteen is as it exists in many different codes, and

1619
01:16:43,520 --> 01:16:46,920
Speaker 74: it's embedded secretly all over the city Walk property.

1620
01:16:47,000 --> 01:16:50,160
Speaker 23: That's fair to say, Yes, as another world.

1621
01:16:50,040 --> 01:16:54,280
Speaker 76: League meaning city Walk is a powerful place, a magical place,

1622
01:16:55,000 --> 01:16:58,240
Speaker 76: and so you must divide it into sectors to experience

1623
01:16:58,880 --> 01:17:02,479
Speaker 76: more than a second provides would be dangerous, Yes.

1624
01:17:02,360 --> 01:17:04,799
Speaker 75: If we have too much fun and too much discussion

1625
01:17:04,840 --> 01:17:07,679
Speaker 75: about like maybe say two sectors at once, it would

1626
01:17:07,680 --> 01:17:09,680
Speaker 75: be too much for sort of a normal mortal man

1627
01:17:09,920 --> 01:17:12,439
Speaker 75: or a woman to handle. So that's why we've divided

1628
01:17:12,479 --> 01:17:14,439
Speaker 75: it up into different sectors. Because we were to talk

1629
01:17:14,439 --> 01:17:16,519
Speaker 75: about all the city Walk at once, who knows what

1630
01:17:16,520 --> 01:17:17,000
Speaker 75: would happen.

1631
01:17:17,520 --> 01:17:21,280
Speaker 73: We would just be exhausted, you know, or we'd be

1632
01:17:21,360 --> 01:17:25,800
Speaker 73: here all day well and many people in this city

1633
01:17:25,960 --> 01:17:28,760
Speaker 73: or visiting Los Angeles from other cities have gone up

1634
01:17:29,080 --> 01:17:31,679
Speaker 73: to city Walk, and I can only imagine.

1635
01:17:31,760 --> 01:17:34,840
Speaker 74: I mean, there's no wrong way to do city Walk,

1636
01:17:34,880 --> 01:17:37,360
Speaker 74: but there's also a perfect way to do it. And

1637
01:17:37,960 --> 01:17:43,120
Speaker 74: it seems to me Sector Keeper that by laying out

1638
01:17:43,200 --> 01:17:48,280
Speaker 74: the divine sectors, you are providing your ideal way of

1639
01:17:48,439 --> 01:17:50,880
Speaker 74: experiencing this this mall.

1640
01:17:51,040 --> 01:17:52,919
Speaker 23: I would call it a perfect sort of roadmap.

1641
01:17:53,640 --> 01:17:56,080
Speaker 76: Yes, look at us, a roadmap, a roadmap that will

1642
01:17:56,200 --> 01:18:04,520
Speaker 76: provide you many things. Discovery is of popcorn okay, Cornopolis,

1643
01:18:05,280 --> 01:18:11,280
Speaker 76: discoveries of board shorts at Billabong, discoveries of watches at

1644
01:18:11,360 --> 01:18:16,360
Speaker 76: Fossil discoveries, discoveries of water massages at zen Zone okay.

1645
01:18:16,680 --> 01:18:21,960
Speaker 34: And discoveries of well priced women's fashion at.

1646
01:18:21,920 --> 01:18:27,200
Speaker 76: The Angels and stuff yes, like scarves and dresses, reason

1647
01:18:28,040 --> 01:18:28,760
Speaker 76: a reasonable price.

1648
01:18:28,840 --> 01:18:32,720
Speaker 34: Yes, forward, And that is your first sector.

1649
01:18:34,160 --> 01:18:38,439
Speaker 76: One Popcornopolis, Fossils, Zen Zone, and Angel.

1650
01:18:38,880 --> 01:18:39,920
Speaker 25: My boys.

1651
01:18:43,520 --> 01:18:48,320
Speaker 76: Venture into the sector discuss, but be careful if you

1652
01:18:48,400 --> 01:18:49,599
Speaker 76: go outside of the sector.

1653
01:18:50,280 --> 01:18:51,960
Speaker 34: My spirit will burn in hell.

1654
01:18:53,280 --> 01:18:55,840
Speaker 65: Wait what, oh no, we'll spit out the drink I

1655
01:18:55,920 --> 01:18:59,240
Speaker 65: had in my mouth. You really, that's what's at stake here.

1656
01:19:00,640 --> 01:19:04,080
Speaker 65: Each sector will help piece together my soul.

1657
01:19:04,840 --> 01:19:04,960
Speaker 74: Oh.

1658
01:19:05,120 --> 01:19:09,280
Speaker 76: Once you accomplish each sector, you will get a sector stone. Okay,

1659
01:19:09,880 --> 01:19:11,760
Speaker 76: nineteen sector stones.

1660
01:19:12,640 --> 01:19:15,679
Speaker 4: Make up my soul. Oh my god.

1661
01:19:15,840 --> 01:19:18,320
Speaker 76: So please go forth, be careful, and I'll be here

1662
01:19:18,439 --> 01:19:21,960
Speaker 76: watching over you as your guardian. Guardian setting you free,

1663
01:19:22,120 --> 01:19:23,000
Speaker 76: sorry to bring you back on.

1664
01:19:23,600 --> 01:19:26,000
Speaker 65: Yes, so free?

1665
01:19:26,120 --> 01:19:28,200
Speaker 75: So yeah, like you can hang out, but like you were,

1666
01:19:28,240 --> 01:19:30,960
Speaker 75: setting you free? Basically, are you like Casper where like

1667
01:19:31,000 --> 01:19:32,160
Speaker 75: you have unfinished business?

1668
01:19:32,360 --> 01:19:35,679
Speaker 76: Or yes, I have unfinished business in the city walk Okay,

1669
01:19:35,960 --> 01:19:38,280
Speaker 76: I can't get into the details. I'll tell you more

1670
01:19:38,360 --> 01:19:41,479
Speaker 76: as you discover more. Okay, all right, great, just know

1671
01:19:41,640 --> 01:19:45,799
Speaker 76: that I will go to hell if you don't do this. Okay,

1672
01:19:45,920 --> 01:19:47,600
Speaker 76: Well that's a lot to put on us.

1673
01:19:48,040 --> 01:19:48,280
Speaker 42: Huh.

1674
01:19:49,720 --> 01:19:53,240
Speaker 1: Perhaps no podcast has followed a more bizarre and self

1675
01:19:53,280 --> 01:19:57,439
Speaker 1: destructive trajectory than the podcast for Laundry, originally pitched to

1676
01:19:57,560 --> 01:20:00,360
Speaker 1: us as a podcast to do your laundry to honestly

1677
01:20:00,400 --> 01:20:02,600
Speaker 1: had no idea what we were getting into. Over the

1678
01:20:02,680 --> 01:20:05,479
Speaker 1: course of the last year, host and laundry obsessive Brett

1679
01:20:05,560 --> 01:20:08,759
Speaker 1: Davis has been arrested during a live recording, gotten married

1680
01:20:08,760 --> 01:20:11,519
Speaker 1: to a bottle of tide detergent and pissed off pretty

1681
01:20:11,600 --> 01:20:13,760
Speaker 1: much every guest that has been unfortunate enough to be

1682
01:20:13,840 --> 01:20:17,759
Speaker 1: booked on the show. Guests including Janine Garoffalo Wyatt, Sanak,

1683
01:20:18,000 --> 01:20:21,680
Speaker 1: Tom Sharpling, Bridy Elliott, and Chris Gethard, please tolerate the

1684
01:20:21,720 --> 01:20:25,439
Speaker 1: following clip featuring awful Brett and the wonderful Sashir Zamata.

1685
01:20:25,960 --> 01:20:26,479
Speaker 41: You know what I do.

1686
01:20:26,560 --> 01:20:28,800
Speaker 77: I've got if you see on my belt, I've got

1687
01:20:28,840 --> 01:20:31,439
Speaker 77: what looks like a little like a nineties cell phone holder. Yes,

1688
01:20:31,600 --> 01:20:33,639
Speaker 77: kind of thick, but I jam packed tide pods.

1689
01:20:33,920 --> 01:20:35,799
Speaker 9: Oh wow, that was very convenient.

1690
01:20:36,000 --> 01:20:37,759
Speaker 41: Like you know how people walk around with dog treats.

1691
01:20:37,960 --> 01:20:38,320
Speaker 9: M hmm.

1692
01:20:38,400 --> 01:20:40,120
Speaker 41: I'm sort of like that, but with tie.

1693
01:20:40,880 --> 01:20:42,680
Speaker 9: So that's great. Do you like hand him out to

1694
01:20:42,680 --> 01:20:44,640
Speaker 9: strangers or just use them for yourself.

1695
01:20:44,680 --> 01:20:47,960
Speaker 77: To strangers, for myself whatever, whatever? You know, sometimes I

1696
01:20:48,120 --> 01:20:49,760
Speaker 77: check in on a laundromat and I just put my

1697
01:20:49,760 --> 01:20:51,040
Speaker 77: head and see everything okay in here.

1698
01:20:51,240 --> 01:20:54,400
Speaker 9: Yeah, that's really nice of you.

1699
01:20:54,600 --> 01:20:57,240
Speaker 41: And if some it's never happened. But if someone's like

1700
01:20:57,479 --> 01:20:58,160
Speaker 41: I forgot my.

1701
01:20:58,280 --> 01:21:02,679
Speaker 3: Laundromat, they I my card and my no I don't.

1702
01:21:02,560 --> 01:21:04,720
Speaker 41: Have my detergent, I'd be like, hey, I toss some

1703
01:21:05,040 --> 01:21:05,479
Speaker 41: tide pod.

1704
01:21:05,800 --> 01:21:09,960
Speaker 78: Wow, that's like a commercial for tide Pods. I'd be

1705
01:21:10,040 --> 01:21:13,679
Speaker 78: worried that they would melt to do commercials. I don't

1706
01:21:13,800 --> 01:21:16,639
Speaker 78: any Well, yeah I do. I used to do more

1707
01:21:16,760 --> 01:21:17,400
Speaker 78: than I do now.

1708
01:21:17,479 --> 01:21:21,480
Speaker 41: But yes, do you know any advertising agencies?

1709
01:21:23,520 --> 01:21:26,360
Speaker 78: Not like I don't have like good relationships with anything

1710
01:21:26,400 --> 01:21:29,280
Speaker 78: I know of some are you looking for sponsorships?

1711
01:21:29,520 --> 01:21:35,639
Speaker 77: I'm well, yeah, I was tired, but uh, I think

1712
01:21:35,680 --> 01:21:39,880
Speaker 77: I have a lot of great laundry detergent commercial ideas.

1713
01:21:40,000 --> 01:21:40,600
Speaker 9: I'm sure you do.

1714
01:21:41,640 --> 01:21:45,720
Speaker 78: There was one commercial audition for actually for tide I

1715
01:21:45,800 --> 01:21:48,360
Speaker 78: didn't get it, but I auditioned for it, and it

1716
01:21:48,479 --> 01:21:50,000
Speaker 78: was like a mom role where you had to like

1717
01:21:50,080 --> 01:21:54,280
Speaker 78: be with a kid who was messy. And those auditions

1718
01:21:54,320 --> 01:21:57,880
Speaker 78: with other kids are always weird because you don't know

1719
01:21:58,120 --> 01:22:00,320
Speaker 78: the kid, but their mom is there and you're like

1720
01:22:00,400 --> 01:22:04,120
Speaker 78: trying to like convince them to like chill out and

1721
01:22:04,240 --> 01:22:06,519
Speaker 78: be okay with this new adult and in this very

1722
01:22:06,560 --> 01:22:09,360
Speaker 78: strange situation. Interesting there was one I did for Loves

1723
01:22:09,360 --> 01:22:11,160
Speaker 78: where I had to hold a baby, and that was

1724
01:22:11,400 --> 01:22:11,920
Speaker 78: very strange.

1725
01:22:11,960 --> 01:22:13,000
Speaker 41: Isn't it like a live baby?

1726
01:22:13,200 --> 01:22:15,160
Speaker 78: I had a hold a live baby, and they were

1727
01:22:15,240 --> 01:22:17,240
Speaker 78: like the cast and people were asking me questions like

1728
01:22:18,120 --> 01:22:18,960
Speaker 78: do you like kids?

1729
01:22:19,040 --> 01:22:20,080
Speaker 9: Do you like being with kids?

1730
01:22:20,080 --> 01:22:22,880
Speaker 78: And I'm like holding it as far as possible, like, yeah,

1731
01:22:23,800 --> 01:22:25,840
Speaker 78: this is a blast for me. And it wasn't because

1732
01:22:25,880 --> 01:22:27,880
Speaker 78: it was wet. It was a very wet baby.

1733
01:22:28,920 --> 01:22:31,920
Speaker 41: Most babies one baby like kind of being passed around

1734
01:22:31,960 --> 01:22:32,320
Speaker 41: all day.

1735
01:22:33,000 --> 01:22:35,759
Speaker 9: I think they had multiple babies being passed around.

1736
01:22:36,080 --> 01:22:39,600
Speaker 78: I think that that baby maybe did a couple auditions

1737
01:22:39,640 --> 01:22:41,840
Speaker 78: and then they're like, okay, we get we get what

1738
01:22:41,920 --> 01:22:44,000
Speaker 78: that baby's deal is, and then they bring in another baby.

1739
01:22:44,400 --> 01:22:45,479
Speaker 41: Do you still have your sides?

1740
01:22:46,080 --> 01:22:46,880
Speaker 9: I don't know.

1741
01:22:47,240 --> 01:22:49,120
Speaker 41: Oh that would have been a fun segment.

1742
01:22:51,240 --> 01:22:54,840
Speaker 9: Yeah. Sorry, it's like sort of living your dream. Yeah.

1743
01:22:55,240 --> 01:22:56,920
Speaker 9: I mean I've done other stuff since then.

1744
01:22:57,160 --> 01:23:00,560
Speaker 41: But I could be the baby, hold me like a

1745
01:23:00,600 --> 01:23:01,120
Speaker 41: little baby.

1746
01:23:01,439 --> 01:23:03,960
Speaker 9: No, you're a little bigger than the baby.

1747
01:23:05,560 --> 01:23:06,719
Speaker 41: I could be a little baby.

1748
01:23:09,439 --> 01:23:11,000
Speaker 18: I need my laundry door.

1749
01:23:11,880 --> 01:23:14,680
Speaker 78: The baby didn't have lines, it was just it was

1750
01:23:14,840 --> 01:23:17,680
Speaker 78: just the adult that had the lines. So baby just

1751
01:23:17,760 --> 01:23:18,760
Speaker 78: sat there coo.

1752
01:23:19,040 --> 01:23:19,679
Speaker 41: I could cool.

1753
01:23:19,920 --> 01:23:20,599
Speaker 39: You could.

1754
01:23:22,479 --> 01:23:23,600
Speaker 41: Do you want to improve this?

1755
01:23:23,720 --> 01:23:24,880
Speaker 9: You're okay, yeah, let's do it.

1756
01:23:24,960 --> 01:23:28,400
Speaker 41: Okay, would in your lap?

1757
01:23:28,680 --> 01:23:28,720
Speaker 5: No?

1758
01:23:29,000 --> 01:23:30,000
Speaker 9: No, you can say right there.

1759
01:23:30,439 --> 01:23:30,840
Speaker 22: I will just.

1760
01:23:30,880 --> 01:23:34,640
Speaker 78: Pretend that you are in my lab. Okay, all right,

1761
01:23:35,960 --> 01:23:38,240
Speaker 78: As a busy mom, I don't have time to just

1762
01:23:38,560 --> 01:23:44,600
Speaker 78: clean up all the time when I'm on the go,

1763
01:23:47,880 --> 01:23:51,320
Speaker 78: when I'm on the goat and my and my son's

1764
01:23:51,360 --> 01:23:51,720
Speaker 78: on the go.

1765
01:23:52,200 --> 01:23:52,960
Speaker 34: I use Loves.

1766
01:23:56,680 --> 01:23:59,160
Speaker 9: Yeah, that seems great. That was really great.

1767
01:23:59,240 --> 01:24:00,320
Speaker 27: Good What do you use?

1768
01:24:01,040 --> 01:24:03,599
Speaker 9: Loves? Is the diaper company?

1769
01:24:04,040 --> 01:24:04,200
Speaker 2: Oh?

1770
01:24:04,439 --> 01:24:06,240
Speaker 41: I thought we were doing a laundry commercial.

1771
01:24:06,400 --> 01:24:08,519
Speaker 9: Oh, let's let's go back and do a commercial.

1772
01:24:08,680 --> 01:24:09,360
Speaker 3: Sure, okay, thanks.

1773
01:24:11,960 --> 01:24:13,800
Speaker 78: I'm a busy mom and I don't have time to

1774
01:24:13,920 --> 01:24:16,880
Speaker 78: just run around and pick up my kid's clothes all

1775
01:24:16,920 --> 01:24:24,160
Speaker 78: the time. As you can see, little Herbert gets very

1776
01:24:24,240 --> 01:24:28,960
Speaker 78: upset often. So when I need to get my kid's

1777
01:24:29,000 --> 01:24:29,760
Speaker 78: clothes ready to go.

1778
01:24:33,760 --> 01:24:34,120
Speaker 5: M m.

1779
01:24:35,479 --> 01:24:36,439
Speaker 41: There's a reason for this.

1780
01:24:36,720 --> 01:24:40,280
Speaker 78: Okay, But I need to get my kids clothes ready

1781
01:24:40,320 --> 01:24:46,840
Speaker 78: to go, I use Tide. Oh see look how happy

1782
01:24:46,920 --> 01:24:52,240
Speaker 78: he is now that I'm using Tide. Tie bog, those

1783
01:24:52,280 --> 01:24:53,880
Speaker 78: were your first words.

1784
01:24:55,280 --> 01:24:55,880
Speaker 5: Type bo.

1785
01:24:58,200 --> 01:24:59,640
Speaker 4: Oh, don't eat it, don't eat it?

1786
01:24:59,680 --> 01:24:59,960
Speaker 41: Sweet?

1787
01:25:05,640 --> 01:25:05,880
Speaker 17: Wow?

1788
01:25:05,960 --> 01:25:06,479
Speaker 11: That was great.

1789
01:25:06,720 --> 01:25:06,920
Speaker 22: Yeah.

1790
01:25:07,320 --> 01:25:09,240
Speaker 9: I wish there was a casting director here because that

1791
01:25:09,280 --> 01:25:10,479
Speaker 9: would have been amazing.

1792
01:25:10,840 --> 01:25:13,400
Speaker 41: Well, we could just send this They do radio ads.

1793
01:25:13,520 --> 01:25:14,080
Speaker 79: This is true.

1794
01:25:14,520 --> 01:25:18,080
Speaker 41: Yeah, maybe this could be on Spotify.

1795
01:25:18,520 --> 01:25:21,960
Speaker 77: Imagine if you don't have the Spotify premium and you're

1796
01:25:22,040 --> 01:25:23,840
Speaker 77: just kind of going through your day and then you

1797
01:25:23,880 --> 01:25:25,280
Speaker 77: hear that in between.

1798
01:25:25,040 --> 01:25:28,639
Speaker 41: Your workout playlisters. Yeah, so exciting.

1799
01:25:28,720 --> 01:25:31,240
Speaker 9: It'd be so exciting, like, Wow, maybe you should get tied?

1800
01:25:31,680 --> 01:25:34,799
Speaker 41: Is that this year? Is that Brett?

1801
01:25:35,520 --> 01:25:36,439
Speaker 9: Well, they're doing well.

1802
01:25:36,760 --> 01:25:36,960
Speaker 17: Yeah.

1803
01:25:39,640 --> 01:25:42,040
Speaker 1: One of two podcasts at Forever Dog, hosted by the

1804
01:25:42,120 --> 01:25:45,320
Speaker 1: prolific duo of Lindsay k Tye and Kelly Nugent. Public

1805
01:25:45,400 --> 01:25:48,160
Speaker 1: Domain Theater started out as a bonus episode and has

1806
01:25:48,200 --> 01:25:50,879
Speaker 1: since grown into one of the most rewarding and bingeable

1807
01:25:50,960 --> 01:25:54,519
Speaker 1: back catalogs in the comedy podcast universe. Public Domain Theater

1808
01:25:54,680 --> 01:25:58,479
Speaker 1: is like Masterbiece Theater meets Mystery Science Theater three thousand. Lindsay,

1809
01:25:58,600 --> 01:26:00,920
Speaker 1: Kelly and their guests read a classic or not so

1810
01:26:01,040 --> 01:26:03,960
Speaker 1: classic work of literature from the public domain and interrupt

1811
01:26:04,000 --> 01:26:06,719
Speaker 1: it with hilarious commentary. If you're looking for an episode

1812
01:26:06,760 --> 01:26:09,040
Speaker 1: to start with, try sher what Anderson's The Egg with

1813
01:26:09,160 --> 01:26:13,120
Speaker 1: guest Ria Butcher. Bram Stoker's The Dulatists with guest Mary Holland,

1814
01:26:13,479 --> 01:26:16,320
Speaker 1: named one of Indie Wire's Best podcast episodes of twenty eighteen,

1815
01:26:16,880 --> 01:26:20,200
Speaker 1: or Irving E. Cox's Love story with guest Nick Wiger,

1816
01:26:20,320 --> 01:26:22,160
Speaker 1: which is where this clip comes from.

1817
01:26:22,479 --> 01:26:23,360
Speaker 2: True to Yourself.

1818
01:26:23,840 --> 01:26:26,000
Speaker 25: George found a strange comfort in the words, and his

1819
01:26:26,120 --> 01:26:29,040
Speaker 25: fear was gone. He squared his shoulders and faced the

1820
01:26:29,120 --> 01:26:29,760
Speaker 25: mouth of her gun.

1821
01:26:30,320 --> 01:26:31,160
Speaker 52: True to Yourself.

1822
01:26:31,680 --> 01:26:34,920
Speaker 25: That was something worth dying for. He saw a flicker

1823
01:26:34,920 --> 01:26:38,240
Speaker 25: of emotion in the old woman's eyes, admiration. He couldn't

1824
01:26:38,280 --> 01:26:40,320
Speaker 25: be sure, for at the moment, a shot rang out

1825
01:26:40,360 --> 01:26:42,080
Speaker 25: from the end of the corridor, and the top director

1826
01:26:42,160 --> 01:26:45,080
Speaker 25: fell back, nursing a hand suddenly bright with blood.

1827
01:26:45,760 --> 01:26:48,120
Speaker 9: Wait what did somebody.

1828
01:26:47,880 --> 01:26:48,640
Speaker 11: Else shoot her?

1829
01:26:49,000 --> 01:26:51,960
Speaker 45: A rove roving band.

1830
01:26:53,840 --> 01:26:57,960
Speaker 9: Or is it Jenny? Oh no, no, Jny, Jenny, no.

1831
01:26:58,560 --> 01:27:02,200
Speaker 17: No, let him go.

1832
01:27:03,680 --> 01:27:04,960
Speaker 4: It was Jenny's voice.

1833
01:27:09,560 --> 01:27:11,560
Speaker 25: She was sheltered by a partly open door at the

1834
01:27:11,600 --> 01:27:14,639
Speaker 25: foot of the stairway. Don't be a fool, the old

1835
01:27:14,640 --> 01:27:19,360
Speaker 25: woman replied. He's seen too much. It doesn't matter who

1836
01:27:19,400 --> 01:27:20,200
Speaker 25: would believe him.

1837
01:27:20,920 --> 01:27:21,479
Speaker 42: You're upset.

1838
01:27:21,560 --> 01:27:26,080
Speaker 25: You don't realize he's mine and I want him. The

1839
01:27:26,200 --> 01:27:28,639
Speaker 25: director will give you a refund of the purchase price.

1840
01:27:29,240 --> 01:27:32,200
Speaker 25: Oh my god, you didn't understand me. I don't want

1841
01:27:32,240 --> 01:27:34,960
Speaker 25: one of your pretty automatons. Anybody can buy them for

1842
01:27:35,000 --> 01:27:38,160
Speaker 25: a few shares of stock. I want a man, a

1843
01:27:38,400 --> 01:27:46,360
Speaker 25: real man. I want to belong to him. He belongs

1844
01:27:46,400 --> 01:27:46,600
Speaker 25: to you.

1845
01:27:47,520 --> 01:27:48,200
Speaker 23: You bought him.

1846
01:27:48,680 --> 01:27:51,920
Speaker 3: No, no, and that's what's wrong.

1847
01:27:52,560 --> 01:27:54,679
Speaker 17: We really belong to each other.

1848
01:27:55,520 --> 01:27:56,559
Speaker 5: Oh, this is.

1849
01:27:58,120 --> 01:27:58,920
Speaker 19: So cheesy.

1850
01:27:59,320 --> 01:28:01,200
Speaker 25: An old woman last at George, and he saw the

1851
01:28:01,280 --> 01:28:05,200
Speaker 25: flame flicker of feeling in her eyes. Oh, and tears,

1852
01:28:05,320 --> 01:28:08,400
Speaker 25: tears of regret. Why we have you outnumbered?

1853
01:28:08,439 --> 01:28:09,880
Speaker 17: The old woman said quietly to Jenny.

1854
01:28:10,320 --> 01:28:10,960
Speaker 3: I don't care.

1855
01:28:11,200 --> 01:28:11,880
Speaker 21: I have a gun.

1856
01:28:12,360 --> 01:28:13,920
Speaker 17: I'll use it as long as I'm able.

1857
01:28:14,040 --> 01:28:14,519
Speaker 9: Oh my god.

1858
01:28:14,880 --> 01:28:17,320
Speaker 25: The moral squad raised their weapons. The director shook her

1859
01:28:17,320 --> 01:28:20,200
Speaker 25: head imperiously, and they snapped to attention again. If you

1860
01:28:20,320 --> 01:28:22,479
Speaker 25: take him from us, she called out to Jenny, you'll

1861
01:28:22,520 --> 01:28:25,360
Speaker 25: be outlawed. We'll hunt you down if we can. I

1862
01:28:25,520 --> 01:28:28,360
Speaker 25: want him, Jenny persisted, I don't care about the rest

1863
01:28:28,400 --> 01:28:31,200
Speaker 25: of it. The old woman nodded at George. He couldn't

1864
01:28:31,240 --> 01:28:33,479
Speaker 25: believe that she meant it. The director was on her

1865
01:28:33,520 --> 01:28:35,960
Speaker 25: home ground and her headquarters building back by an armed

1866
01:28:35,960 --> 01:28:39,439
Speaker 25: squad of stone faced Amazons. She had no reason to

1867
01:28:39,520 --> 01:28:42,479
Speaker 25: let him go. She walked beside him as he moved

1868
01:28:42,520 --> 01:28:44,840
Speaker 25: down the hall. When they were when they were twenty

1869
01:28:44,880 --> 01:28:47,360
Speaker 25: feet from the guard, she closed her thin hand on

1870
01:28:47,439 --> 01:28:50,640
Speaker 25: his arm. Her eyes swam with tears, and she whispered.

1871
01:28:50,400 --> 01:28:50,840
Speaker 19: Punch me.

1872
01:28:54,200 --> 01:28:57,040
Speaker 25: There truly is a love potion, not this nonsense we

1873
01:28:57,160 --> 01:29:00,400
Speaker 25: bottle here, but something real and very worthwhile. You and

1874
01:29:00,520 --> 01:29:02,680
Speaker 25: this girl have found it. I know that from the

1875
01:29:02,720 --> 01:29:05,960
Speaker 25: way she talks. She doesn't say anything about ownership. And

1876
01:29:06,040 --> 01:29:08,360
Speaker 25: that's as it should be, as it has to be

1877
01:29:08,520 --> 01:29:10,960
Speaker 25: for any of us to be happy. Hold tight to

1878
01:29:11,040 --> 01:29:13,479
Speaker 25: that all the rest of your life. Don't ever believe

1879
01:29:13,479 --> 01:29:16,439
Speaker 25: in words. Don't fall for any more love stories. Believe

1880
01:29:16,520 --> 01:29:19,320
Speaker 25: what you feel deep inside, what you know yourself to

1881
01:29:19,400 --> 01:29:22,240
Speaker 25: be true. You men who learn to break away, are

1882
01:29:22,280 --> 01:29:23,519
Speaker 25: our only hope too.

1883
01:29:24,479 --> 01:29:26,040
Speaker 45: I'm sorry who's talking right now?

1884
01:29:26,479 --> 01:29:27,479
Speaker 2: This is little Imperial.

1885
01:29:27,720 --> 01:29:29,200
Speaker 17: This is the old woman who's been shot.

1886
01:29:29,920 --> 01:29:30,479
Speaker 23: Why did she?

1887
01:29:31,680 --> 01:29:37,120
Speaker 25: I don't know she's flipped one hundred eighty. Most of

1888
01:29:37,240 --> 01:29:38,160
Speaker 25: us don't see that yet.

1889
01:29:38,600 --> 01:29:38,840
Speaker 22: I do.

1890
01:29:39,400 --> 01:29:40,640
Speaker 4: I know what it used to be like.

1891
01:29:41,400 --> 01:29:43,679
Speaker 25: Some day there mate, which so she's like over ninety

1892
01:29:43,760 --> 01:29:46,240
Speaker 25: years old. Yeah, someday there may be enough men with

1893
01:29:46,320 --> 01:29:48,840
Speaker 25: a stamina to take back the place of dominance that

1894
01:29:48,920 --> 01:29:49,800
Speaker 25: we stole from them.

1895
01:29:50,920 --> 01:29:53,040
Speaker 3: We thought we wanted it for decades before.

1896
01:29:53,120 --> 01:29:56,200
Speaker 23: We had been screaming about my women's right.

1897
01:30:00,160 --> 01:30:01,519
Speaker 7: Like, this is.

1898
01:30:01,800 --> 01:30:10,000
Speaker 32: Horrible, This is a nightmare. This is horrible, This is horrible,

1899
01:30:11,560 --> 01:30:13,280
Speaker 32: this this story.

1900
01:30:14,320 --> 01:30:17,000
Speaker 25: Her thin lips twisted in the steer and she spat

1901
01:30:17,040 --> 01:30:19,840
Speaker 25: her disgust. Finally we took what we wanted, and it

1902
01:30:19,920 --> 01:30:22,479
Speaker 25: turned to ashes in our hands. We made our men

1903
01:30:22,600 --> 01:30:25,680
Speaker 25: play things, We made them slaves, and after that they

1904
01:30:25,720 --> 01:30:28,479
Speaker 25: weren't men anymore. But what we stole isn't the sort

1905
01:30:28,520 --> 01:30:30,080
Speaker 25: of thing you can hand back on a silver.

1906
01:30:29,960 --> 01:30:31,000
Speaker 52: Platter unless you're shot.

1907
01:30:31,080 --> 01:30:32,400
Speaker 11: Why is she talking so long?

1908
01:30:32,920 --> 01:30:33,320
Speaker 4: I don't know.

1909
01:30:34,360 --> 01:30:35,560
Speaker 9: I am anthrope. Do I hate this?

1910
01:30:36,160 --> 01:30:39,200
Speaker 25: But what we stole isn't the sort of thing you

1911
01:30:39,280 --> 01:30:41,840
Speaker 25: can hand back on a silver platter. You men have

1912
01:30:41,960 --> 01:30:44,000
Speaker 25: to get enough courage to take it away from us.

1913
01:30:44,160 --> 01:30:45,120
Speaker 4: Oh my god.

1914
01:30:45,720 --> 01:30:48,439
Speaker 25: Her grip tightened on his arm. There's a fire door

1915
01:30:48,479 --> 01:30:49,720
Speaker 25: at the end of the hall. If you push the

1916
01:30:49,760 --> 01:30:52,200
Speaker 25: emergency button, you'll close it. That will give you a

1917
01:30:52,240 --> 01:30:54,799
Speaker 25: five or ten minute start. I can't help you anymore.

1918
01:30:55,360 --> 01:30:57,920
Speaker 25: They were abreast of Jenny. She sees Jenny's hand and

1919
01:30:57,960 --> 01:30:58,560
Speaker 25: thrust it into his.

1920
01:30:59,280 --> 01:30:59,600
Speaker 17: Beat it.

1921
01:30:59,720 --> 01:30:59,920
Speaker 51: Kids.

1922
01:31:02,400 --> 01:31:04,320
Speaker 23: There's a bachelor camp on the north Ridge.

1923
01:31:04,880 --> 01:31:08,160
Speaker 25: You can make it camp, and from here on in

1924
01:31:08,640 --> 01:31:15,240
Speaker 25: what he says, goes the old woman added, are you

1925
01:31:15,479 --> 01:31:16,000
Speaker 25: kidding me?

1926
01:31:17,760 --> 01:31:18,519
Speaker 2: Don't forget it.

1927
01:31:22,320 --> 01:31:26,040
Speaker 1: One of twenty eighteen's fastest growing podcasts, an absolute phenomenon

1928
01:31:26,120 --> 01:31:28,519
Speaker 1: that's just getting started. Please enjoy the following clip from

1929
01:31:28,640 --> 01:31:32,840
Speaker 1: Race Chaser, an episode by episode discussion, dissection, and dissemination

1930
01:31:33,040 --> 01:31:36,040
Speaker 1: of RuPaul's drag Race hosted by the franchise's very own

1931
01:31:36,080 --> 01:31:39,639
Speaker 1: Golden Child and prodigal Son, Alaska, thunder Fuck and Willem

1932
01:31:40,040 --> 01:31:42,240
Speaker 1: And if you live in the Los Angeles area, do

1933
01:31:42,439 --> 01:31:45,920
Speaker 1: not miss Race Chaser's very first live show, taking place Friday,

1934
01:31:46,000 --> 01:31:48,839
Speaker 1: January eleventh at the Theater at the Ace Hotel. Tickets

1935
01:31:48,880 --> 01:31:51,360
Speaker 1: on sale now at racechasertickets dot com.

1936
01:31:52,360 --> 01:31:54,439
Speaker 80: Now for this challenge for the first time, there's a

1937
01:31:54,479 --> 01:31:58,080
Speaker 80: live studio audience and a fake band. The band is

1938
01:31:58,120 --> 01:32:00,080
Speaker 80: lovely fake because you could tell it's the track and

1939
01:32:00,080 --> 01:32:00,519
Speaker 80: then you're like.

1940
01:32:00,920 --> 01:32:01,240
Speaker 7: Look.

1941
01:32:02,680 --> 01:32:05,240
Speaker 52: Like nowadays they would have the pit crew.

1942
01:32:05,160 --> 01:32:06,320
Speaker 81: Doing it in their underway.

1943
01:32:06,360 --> 01:32:06,920
Speaker 15: Oh for sure.

1944
01:32:07,560 --> 01:32:09,360
Speaker 2: No shoes, Yeah, it's very rocker.

1945
01:32:09,439 --> 01:32:12,000
Speaker 24: No shoes, no shoes, Yeah for sure.

1946
01:32:12,200 --> 01:32:14,320
Speaker 81: I don't want to see a sock called go Go boys.

1947
01:32:15,320 --> 01:32:17,880
Speaker 24: Go Go boys, Please keep your socks on. The health

1948
01:32:18,000 --> 01:32:21,479
Speaker 24: departments coming by to light matching socks.

1949
01:32:21,560 --> 01:32:24,200
Speaker 2: Please tonight, no holes.

1950
01:32:25,000 --> 01:32:25,599
Speaker 24: What'd you say?

1951
01:32:27,720 --> 01:32:27,760
Speaker 49: So?

1952
01:32:27,920 --> 01:32:30,880
Speaker 80: The girl's the basic rundown is I think from kind

1953
01:32:30,920 --> 01:32:35,200
Speaker 80: of like top to bottom. Jessica surprises and really delivers

1954
01:32:35,320 --> 01:32:39,560
Speaker 80: and is confident. Pandora's voice is kind of but like

1955
01:32:39,680 --> 01:32:43,320
Speaker 80: she's you know, doing her like rock moves. Yeah, hey,

1956
01:32:43,400 --> 01:32:44,800
Speaker 80: now you're an all star, get your game on.

1957
01:32:45,320 --> 01:32:46,240
Speaker 81: She loo cute.

1958
01:32:46,800 --> 01:32:50,920
Speaker 80: She's kind of smash mouth, smash mouth, crimpy hair and

1959
01:32:51,200 --> 01:32:54,880
Speaker 80: like she's giving rocker and she's characterized she's giving me

1960
01:32:54,960 --> 01:32:58,800
Speaker 80: Lindsay Lohan mall rocker from exactly that hair could have

1961
01:32:58,800 --> 01:33:00,479
Speaker 80: been teased out, she could have had like a couple

1962
01:33:00,479 --> 01:33:03,559
Speaker 80: of scabs, but you know she's clean, concise package. Yes,

1963
01:33:03,920 --> 01:33:06,400
Speaker 80: she demands an ovation as she walks out and peels

1964
01:33:06,439 --> 01:33:08,160
Speaker 80: off one piece of sequence dot fabric.

1965
01:33:08,320 --> 01:33:09,600
Speaker 23: Honey, we've all done it.

1966
01:33:10,040 --> 01:33:12,599
Speaker 24: I've never demanded applause, I've never.

1967
01:33:12,560 --> 01:33:15,559
Speaker 23: Demanded a but I've done the sequin dot reveal.

1968
01:33:16,040 --> 01:33:22,519
Speaker 24: I know I've done shows you anyway, I'm not no one.

1969
01:33:23,040 --> 01:33:27,799
Speaker 81: No one sees this reveal coming. I'm wearing just a fabric.

1970
01:33:28,760 --> 01:33:30,880
Speaker 81: No one knows that I'm gonna take this off.

1971
01:33:31,160 --> 01:33:33,200
Speaker 4: I'm keeping this off for the whole show.

1972
01:33:35,920 --> 01:33:37,920
Speaker 80: I think anytime that you have to go off for

1973
01:33:37,960 --> 01:33:40,080
Speaker 80: a challenge and you have to get an audience ready

1974
01:33:40,120 --> 01:33:43,599
Speaker 80: that like has been sitting come on, get yeah, cut

1975
01:33:43,640 --> 01:33:44,080
Speaker 80: your hands.

1976
01:33:44,120 --> 01:33:46,760
Speaker 24: It's always like a wrist because they could always just.

1977
01:33:47,000 --> 01:33:48,439
Speaker 2: Cut to the audience given nouch.

1978
01:33:48,720 --> 01:33:48,920
Speaker 41: Yeah.

1979
01:33:49,400 --> 01:33:52,000
Speaker 81: Also keep in mind this audience has to watch how

1980
01:33:52,040 --> 01:33:58,080
Speaker 81: many queens sing the same exact song six wow seven

1981
01:33:59,080 --> 01:34:02,599
Speaker 81: times in a row, which, Okay, it's gonna be hard

1982
01:34:02,640 --> 01:34:04,519
Speaker 81: to get that audience going for sure.

1983
01:34:05,520 --> 01:34:09,080
Speaker 80: Sahara actually forgets some of the lyrics. Yeah, but Tati

1984
01:34:09,120 --> 01:34:10,840
Speaker 80: adds her own. She gets some chant in t a

1985
01:34:11,000 --> 01:34:13,720
Speaker 80: t I bitch. Tati turns the party every time.

1986
01:34:13,880 --> 01:34:14,879
Speaker 41: She's a great performer.

1987
01:34:15,120 --> 01:34:15,559
Speaker 2: Raven too.

1988
01:34:15,680 --> 01:34:18,560
Speaker 80: Raven does really well, not surprisingly, and she's got a

1989
01:34:18,720 --> 01:34:22,280
Speaker 80: little something that for me is like a wet cotton

1990
01:34:22,360 --> 01:34:25,719
Speaker 80: ball pulling part. There's just a thin strip of panty

1991
01:34:25,880 --> 01:34:28,000
Speaker 80: over a padded ass, and to me that's just like,

1992
01:34:28,880 --> 01:34:29,640
Speaker 80: I don't know, it's just.

1993
01:34:29,760 --> 01:34:33,080
Speaker 23: The padded panteo as with a thong over. It is

1994
01:34:33,160 --> 01:34:34,479
Speaker 23: a rare, thrilling moment.

1995
01:34:34,560 --> 01:34:36,160
Speaker 24: It's a very Inland Empire moment.

1996
01:34:36,479 --> 01:34:38,920
Speaker 2: It doesn't do it.

1997
01:34:39,200 --> 01:34:41,040
Speaker 24: The girls do it, Morgan does it.

1998
01:34:41,800 --> 01:34:42,600
Speaker 42: Raven does it.

1999
01:34:43,720 --> 01:34:47,439
Speaker 81: It doesn't to me resemble a real ass enough for

2000
01:34:47,560 --> 01:34:50,599
Speaker 81: it to be like for it to have the impact

2001
01:34:50,720 --> 01:34:52,000
Speaker 81: that a thong is supposed to have.

2002
01:34:52,200 --> 01:34:54,040
Speaker 80: Yeah, I'm not saying put on depends, but put on

2003
01:34:54,120 --> 01:34:57,800
Speaker 80: a light panty, a French cut of brief, you know it. Yes,

2004
01:34:58,160 --> 01:34:59,599
Speaker 80: it draws attention to the wrong area.

2005
01:34:59,600 --> 01:35:00,840
Speaker 24: It's like, okay, that's.

2006
01:35:01,600 --> 01:35:05,280
Speaker 81: It's it's more for dragon queens than it is for

2007
01:35:05,560 --> 01:35:07,639
Speaker 81: like the audience, because it doesn't.

2008
01:35:08,080 --> 01:35:08,639
Speaker 2: It doesn't.

2009
01:35:08,720 --> 01:35:11,960
Speaker 81: I mean, and Raven like keeps turning around like showing

2010
01:35:12,000 --> 01:35:14,680
Speaker 81: her ass off, and it's like it's like a like

2011
01:35:14,800 --> 01:35:18,479
Speaker 81: a like a loaf of bread with a piece of

2012
01:35:18,720 --> 01:35:23,559
Speaker 81: tape over the It doesn't resemble an ass.

2013
01:35:24,080 --> 01:35:27,000
Speaker 80: And the scene from the pantyhose is off center half

2014
01:35:27,040 --> 01:35:29,240
Speaker 80: prom Okay, I'm not gonna lock off points for that

2015
01:35:29,520 --> 01:35:30,360
Speaker 80: girl presentation.

2016
01:35:30,560 --> 01:35:33,879
Speaker 24: I'm locking to lock off voice presentation anyway.

2017
01:35:33,920 --> 01:35:35,040
Speaker 2: But she fares well.

2018
01:35:35,200 --> 01:35:37,599
Speaker 24: Ruth's living because she looks like baby step daughter.

2019
01:35:37,840 --> 01:35:40,479
Speaker 81: She has a tattoo of jinxman Soon on her forearm,

2020
01:35:40,600 --> 01:35:41,320
Speaker 81: and she looks.

2021
01:35:41,200 --> 01:35:43,280
Speaker 2: Like Terry Nunn. She's selling it. They love it. She

2022
01:35:43,360 --> 01:35:46,559
Speaker 2: has Terry Nunn's hair on basically, and I believe that's

2023
01:35:46,600 --> 01:35:48,439
Speaker 2: an exposed courset d.

2024
01:35:52,479 --> 01:35:56,640
Speaker 23: Ty I'll do it.

2025
01:35:56,800 --> 01:36:02,479
Speaker 24: Every t is dressed like Beyonce does rock.

2026
01:36:02,600 --> 01:36:05,599
Speaker 81: Basically that Wig has been around the world at this point,

2027
01:36:05,920 --> 01:36:09,880
Speaker 81: it has it has Michaels All Stars promo. Wig has

2028
01:36:09,960 --> 01:36:11,360
Speaker 81: been around the world for.

2029
01:36:11,600 --> 01:36:14,760
Speaker 24: Sure, and she's giving Beyonce choreography coodography.

2030
01:36:16,000 --> 01:36:19,080
Speaker 80: She walks backwards like Beetlejuice at one point and says,

2031
01:36:19,479 --> 01:36:20,160
Speaker 80: I'm gonna.

2032
01:36:19,960 --> 01:36:22,000
Speaker 2: Do this if you are.

2033
01:36:23,120 --> 01:36:26,439
Speaker 81: This is the case of the clothes that are taking over,

2034
01:36:27,479 --> 01:36:30,840
Speaker 81: and it's especially for rock and roll. It's supposed to

2035
01:36:30,880 --> 01:36:35,120
Speaker 81: be about connection with this role in the moment free

2036
01:36:35,840 --> 01:36:38,920
Speaker 81: but she's like, I'm doing this thing with the code

2037
01:36:39,320 --> 01:36:42,200
Speaker 81: and I'm not singing the words where they.

2038
01:36:42,200 --> 01:36:42,760
Speaker 52: Go at all.

2039
01:36:43,040 --> 01:36:45,760
Speaker 80: Yeah, she was in her own she marched into her

2040
01:36:45,800 --> 01:36:49,360
Speaker 80: own band. Now was on one person loop in her head.

2041
01:36:50,120 --> 01:36:53,000
Speaker 81: But she had immunity, so she was vulnerable.

2042
01:36:53,200 --> 01:36:56,760
Speaker 80: She made mistakes, and she learned from it, probably and

2043
01:36:56,840 --> 01:36:59,160
Speaker 80: she thanks probably yeah, and she's very thankful for it.

2044
01:36:59,200 --> 01:37:01,120
Speaker 41: I bet they thank you for your critigue.

2045
01:37:04,240 --> 01:37:07,639
Speaker 1: Sketch comedy and podcasting are an absolute match made in heaven,

2046
01:37:07,680 --> 01:37:09,720
Speaker 1: and that's why we were very excited this year to

2047
01:37:09,760 --> 01:37:13,559
Speaker 1: produce John Millheiser and z Cutzinger's ten part series Radio Shorts,

2048
01:37:13,960 --> 01:37:16,280
Speaker 1: a collection of comedy sketches for your Ears, written and

2049
01:37:16,360 --> 01:37:19,000
Speaker 1: performed by over thirty of New York and LA's premier

2050
01:37:19,040 --> 01:37:22,360
Speaker 1: sketch comedians. One of our favorites was Starla Summers, a

2051
01:37:22,400 --> 01:37:25,519
Speaker 1: sketch about an unfortunate cruise ship entertainer written by Jessea

2052
01:37:25,560 --> 01:37:29,040
Speaker 1: Sparza and Cat Pillarti, performed by Cat Pllarti and presented

2053
01:37:29,120 --> 01:37:30,320
Speaker 1: here in its entirety.

2054
01:37:44,479 --> 01:37:46,400
Speaker 8: Hello Lasion, Joe.

2055
01:37:47,000 --> 01:37:50,320
Speaker 82: I hope for having finally SSD Kennedy cruise ship too

2056
01:37:50,439 --> 01:37:56,640
Speaker 82: for love, Hi your cruise ship singers Starlos Summers and

2057
01:37:56,720 --> 01:37:59,719
Speaker 82: I've been seen on the stick for nine hours street

2058
01:38:00,080 --> 01:38:04,120
Speaker 82: breaks and my skin is literally.

2059
01:38:03,840 --> 01:38:06,160
Speaker 15: Burning off my body.

2060
01:38:06,520 --> 01:38:08,760
Speaker 83: This girl is a fire.

2061
01:38:11,600 --> 01:38:14,400
Speaker 33: Now, Colora Clamor, if you're out there, please come and

2062
01:38:14,479 --> 01:38:15,000
Speaker 33: relieve me.

2063
01:38:16,920 --> 01:38:20,599
Speaker 19: Oh, she's got hid in the class.

2064
01:38:21,520 --> 01:38:25,439
Speaker 74: She's burning it down, this girl, Jon.

2065
01:38:27,720 --> 01:38:29,960
Speaker 34: I'm talking about me. I am on fire.

2066
01:38:30,200 --> 01:38:33,640
Speaker 4: This is a grand health, but neverbout me.

2067
01:38:33,680 --> 01:38:35,200
Speaker 6: Does anyone in the audience have.

2068
01:38:36,120 --> 01:38:40,479
Speaker 31: Any sunscreen, blankets, hats, one hat?

2069
01:38:40,600 --> 01:38:41,519
Speaker 15: Anybody with a hat?

2070
01:38:41,640 --> 01:38:42,560
Speaker 8: Oh, I'll come to you.

2071
01:38:43,280 --> 01:38:47,920
Speaker 4: Yes, Mama's got a brand new hat.

2072
01:38:48,280 --> 01:38:50,000
Speaker 27: House out out.

2073
01:38:50,680 --> 01:38:52,639
Speaker 8: Oh everything hurts to the touch.

2074
01:38:52,800 --> 01:38:54,960
Speaker 5: Jesus can't wear a hat?

2075
01:38:55,080 --> 01:38:56,280
Speaker 6: All right? Never mind?

2076
01:38:56,439 --> 01:38:58,760
Speaker 34: That is the most pain.

2077
01:38:59,520 --> 01:39:00,880
Speaker 65: This scampers on.

2078
01:39:02,080 --> 01:39:03,240
Speaker 11: Why you get what I'm doing?

2079
01:39:04,120 --> 01:39:06,559
Speaker 34: How are you guys enjoying the couch?

2080
01:39:08,800 --> 01:39:13,240
Speaker 84: Now, let's not forget the SS Infinity is your destination

2081
01:39:13,400 --> 01:39:16,800
Speaker 84: cruise ship in ranked in the top five shrimp of

2082
01:39:16,840 --> 01:39:19,400
Speaker 84: face in the Western Hemisphere for a cruise ship.

2083
01:39:19,479 --> 01:39:20,200
Speaker 11: Thank you time.

2084
01:39:22,000 --> 01:39:26,920
Speaker 31: Yay, I'm gonna sit down because baby, I'm feeling dizzy.

2085
01:39:29,720 --> 01:39:31,080
Speaker 4: How did my asshold?

2086
01:39:36,720 --> 01:39:36,920
Speaker 5: Oh?

2087
01:39:37,560 --> 01:39:38,280
Speaker 6: How about a joke?

2088
01:39:39,120 --> 01:39:39,560
Speaker 11: Here we go.

2089
01:39:40,280 --> 01:39:43,440
Speaker 34: If I don't die of an intense sunburn today.

2090
01:39:44,080 --> 01:39:49,120
Speaker 31: I will definitely develop a little noma or at the

2091
01:39:49,240 --> 01:39:53,120
Speaker 31: very least, face of cell carcinoma, because skin cancer rents

2092
01:39:53,160 --> 01:39:53,759
Speaker 31: in my family.

2093
01:39:53,920 --> 01:39:55,439
Speaker 8: Who wants a conga line?

2094
01:39:59,280 --> 01:39:59,960
Speaker 11: Take a minute?

2095
01:40:00,080 --> 01:40:00,720
Speaker 5: I come down?

2096
01:40:03,720 --> 01:40:04,120
Speaker 6: You sure?

2097
01:40:04,200 --> 01:40:04,680
Speaker 85: Come on up?

2098
01:40:05,160 --> 01:40:06,800
Speaker 34: Yeah, let's start a condo line.

2099
01:40:07,160 --> 01:40:12,320
Speaker 33: Hands right on the shoulders there, I should get my arm.

2100
01:40:20,479 --> 01:40:21,000
Speaker 8: Get the funk.

2101
01:40:21,080 --> 01:40:21,800
Speaker 9: Who the fuck?

2102
01:40:23,880 --> 01:40:26,360
Speaker 27: Yeah, we're back.

2103
01:40:28,080 --> 01:40:28,680
Speaker 55: You know what it is.

2104
01:40:29,520 --> 01:40:31,320
Speaker 8: It's like I woke up in the middle of surgery.

2105
01:40:32,760 --> 01:40:34,479
Speaker 8: Can feel all the pain?

2106
01:40:36,160 --> 01:40:36,680
Speaker 15: Okay?

2107
01:40:37,080 --> 01:40:37,680
Speaker 38: Up about me?

2108
01:40:38,960 --> 01:40:42,600
Speaker 34: I hear we have a corporate team from you on

2109
01:40:42,840 --> 01:40:45,200
Speaker 34: board today. Can it give me a Hatstala.

2110
01:40:47,200 --> 01:40:49,400
Speaker 31: Yeah, and we got the booking families on the back

2111
01:40:49,479 --> 01:40:54,840
Speaker 31: hills of Georgia. Can I get a Hatstara? Now, are

2112
01:40:54,880 --> 01:40:58,040
Speaker 31: there any doctors who nurses on board? Because I'm I'm

2113
01:40:58,080 --> 01:41:04,000
Speaker 31: pretty deep in hate Strugger, I'm selling. Just come up, doctor, doctor,

2114
01:41:04,360 --> 01:41:05,120
Speaker 31: give me the news.

2115
01:41:05,160 --> 01:41:06,640
Speaker 34: I got a bad case of.

2116
01:41:06,720 --> 01:41:10,920
Speaker 4: Love and you come a bad case of skin peeling right.

2117
01:41:10,840 --> 01:41:15,560
Speaker 8: Off my body here. Oh, I'm feeling.

2118
01:41:15,320 --> 01:41:22,320
Speaker 86: Kind of shaky ear. I don't know what it's trying

2119
01:41:22,360 --> 01:41:27,639
Speaker 86: I have here. But more importantly, we have some newly

2120
01:41:27,720 --> 01:41:28,719
Speaker 86: wets one part.

2121
01:41:28,600 --> 01:41:31,200
Speaker 31: Today sweet too, we get some newly wets.

2122
01:41:31,760 --> 01:41:35,479
Speaker 33: No, welcome to you, Diane. This goes out to you

2123
01:41:35,680 --> 01:41:39,200
Speaker 33: from Richard. Just gonna walk right off the stage here.

2124
01:41:40,600 --> 01:41:44,880
Speaker 33: That is a problem, A three foot job down on

2125
01:41:45,040 --> 01:41:50,439
Speaker 33: the lever of the stage. Joke case, he's fall away.

2126
01:41:50,479 --> 01:41:51,160
Speaker 5: You look at me.

2127
01:41:51,560 --> 01:41:52,759
Speaker 8: Oh, he's falling.

2128
01:41:52,840 --> 01:41:54,400
Speaker 6: Only I'm so sad.

2129
01:41:56,560 --> 01:41:59,240
Speaker 31: I thought I would be with my family when I died.

2130
01:42:02,600 --> 01:42:19,280
Speaker 8: Happy marriage, that's just dead.

2131
01:42:20,320 --> 01:42:24,879
Speaker 1: Next up is Relatively Healthy, Jenny Stoller's podcast about health, sex, wellness,

2132
01:42:25,000 --> 01:42:28,080
Speaker 1: dating and self care. This year, Janie has conducted some

2133
01:42:28,200 --> 01:42:30,720
Speaker 1: of the most honest and revealing interviews that you will

2134
01:42:30,760 --> 01:42:33,720
Speaker 1: ever hear on a comedy podcast covering topics such as

2135
01:42:33,800 --> 01:42:39,600
Speaker 1: breast cancer, body acceptance, grief, plastic surgery, polyamory, addiction, heart transplants,

2136
01:42:39,680 --> 01:42:43,120
Speaker 1: mental illness, and menstrual products. Definitely, one of the highlights

2137
01:42:43,120 --> 01:42:46,160
Speaker 1: of Relatively Healthy this year was Janie's two part series

2138
01:42:46,200 --> 01:42:50,120
Speaker 1: on abortion, which included this clip with guest Kim Kalish.

2139
01:42:50,680 --> 01:42:54,360
Speaker 87: When you're trying to defend abortion, you try to make

2140
01:42:54,400 --> 01:42:55,920
Speaker 87: it seem like it's not that big of a deal,

2141
01:42:56,000 --> 01:42:57,040
Speaker 87: so it doesn't feel scary.

2142
01:42:57,160 --> 01:42:59,200
Speaker 46: Yes, and that's fair, and that's fine.

2143
01:42:59,320 --> 01:43:02,639
Speaker 87: But for me, I got lost in it because all

2144
01:43:02,680 --> 01:43:05,120
Speaker 87: I was hearing from people who are pro choice is like,

2145
01:43:05,240 --> 01:43:07,439
Speaker 87: it's fine, it doesn't matter, is fine.

2146
01:43:07,560 --> 01:43:08,400
Speaker 3: I don't regret it.

2147
01:43:09,200 --> 01:43:13,679
Speaker 87: And you know, I'm two years out, and that first

2148
01:43:14,000 --> 01:43:16,880
Speaker 87: do date that came through, I was a messover. I

2149
01:43:16,960 --> 01:43:18,880
Speaker 87: had to go take a hike up a mountain with

2150
01:43:19,040 --> 01:43:21,200
Speaker 87: my dog and I just left for the day. I

2151
01:43:21,320 --> 01:43:22,720
Speaker 87: was like, peace out, I need to go do this.

2152
01:43:23,439 --> 01:43:26,680
Speaker 87: And sometimes I still do the math of how old

2153
01:43:26,760 --> 01:43:30,519
Speaker 87: that kid would be if I had kept if I

2154
01:43:30,560 --> 01:43:34,080
Speaker 87: had kept it, and and I go through it and

2155
01:43:34,200 --> 01:43:37,719
Speaker 87: I still think about it, and I never question my decision,

2156
01:43:37,760 --> 01:43:40,040
Speaker 87: but I always think what if I had made a

2157
01:43:40,080 --> 01:43:44,439
Speaker 87: different decision. So in the battle of abortion, that seems

2158
01:43:44,479 --> 01:43:47,560
Speaker 87: to get really lost, and I just wish. I know,

2159
01:43:47,640 --> 01:43:49,439
Speaker 87: there's got to be more women than just me thinking

2160
01:43:49,479 --> 01:43:51,479
Speaker 87: about it, so and I would think that I'm probably

2161
01:43:51,520 --> 01:43:54,920
Speaker 87: in the majority. It's just that there's such a shame

2162
01:43:55,200 --> 01:43:57,200
Speaker 87: because we all live in the shadows that we don't

2163
01:43:57,200 --> 01:43:57,960
Speaker 87: know how to talk about it.

2164
01:43:58,120 --> 01:44:01,519
Speaker 88: Yeah, you know, and we're scared of pissing people off too,

2165
01:44:01,560 --> 01:44:03,920
Speaker 88: I think a lot of the time. I mean, there's

2166
01:44:03,920 --> 01:44:06,040
Speaker 88: also what you're saying is interesting because if there's a

2167
01:44:06,080 --> 01:44:09,000
Speaker 88: pressure to scream, you know, and some people they're just

2168
01:44:09,120 --> 01:44:11,200
Speaker 88: naturally wired like this, or they feel this way, they

2169
01:44:11,240 --> 01:44:12,640
Speaker 88: want to scream about it. They love it, it's the

2170
01:44:12,680 --> 01:44:15,600
Speaker 88: best thing that they ever did, no complicated feelings. But

2171
01:44:16,080 --> 01:44:19,439
Speaker 88: if we also want to talk to people who don't

2172
01:44:19,760 --> 01:44:24,360
Speaker 88: necessarily understand it, sometimes like we're all having different conversations,

2173
01:44:24,640 --> 01:44:28,360
Speaker 88: Like there's just not people who are pro choice and

2174
01:44:28,400 --> 01:44:30,599
Speaker 88: anti choice sometimes are just not time about the same thing,

2175
01:44:30,880 --> 01:44:33,479
Speaker 88: Like they're not talking about the same experience, the same

2176
01:44:33,560 --> 01:44:39,120
Speaker 88: type of story. So by being able to fill in

2177
01:44:39,280 --> 01:44:41,439
Speaker 88: those blanks with all the stories as many as possible,

2178
01:44:41,560 --> 01:44:42,440
Speaker 88: actual experiences.

2179
01:44:42,520 --> 01:44:44,560
Speaker 9: I feel like that does a lot of service to

2180
01:44:46,040 --> 01:44:46,559
Speaker 9: you know, just.

2181
01:44:46,680 --> 01:44:49,080
Speaker 88: Like undo some of those huge divides.

2182
01:44:49,600 --> 01:44:50,640
Speaker 18: Yeah, I would agree with that.

2183
01:44:50,880 --> 01:44:53,960
Speaker 87: I also think that society at whole as whole, but

2184
01:44:54,240 --> 01:44:58,599
Speaker 87: also women, we hold women up to such a high

2185
01:44:58,880 --> 01:45:01,240
Speaker 87: moral standard that's much higher than men.

2186
01:45:01,439 --> 01:45:06,559
Speaker 88: We can't mess up and so and we represent all women, right.

2187
01:45:06,720 --> 01:45:09,600
Speaker 88: One thing you do means everything for everybody.

2188
01:45:09,520 --> 01:45:12,719
Speaker 87: Right, So you tend to get the extremes on both sides,

2189
01:45:12,800 --> 01:45:16,320
Speaker 87: and you just lose nuance. And I don't know one

2190
01:45:16,439 --> 01:45:19,400
Speaker 87: topic or conversation in this world that doesn't have nuance,

2191
01:45:19,600 --> 01:45:23,360
Speaker 87: you know, And I just I don't know. Yeah, I

2192
01:45:23,400 --> 01:45:25,559
Speaker 87: don't think I'll ever be the person that's screaming at

2193
01:45:25,560 --> 01:45:27,080
Speaker 87: the top of my lungs that I've had an abortion,

2194
01:45:27,720 --> 01:45:29,800
Speaker 87: but like I'll sit down and talk to anybody who

2195
01:45:29,800 --> 01:45:32,280
Speaker 87: will have it, you know. And I just feel like

2196
01:45:32,520 --> 01:45:35,280
Speaker 87: there's a huge majority in there that we just don't

2197
01:45:35,280 --> 01:45:36,559
Speaker 87: get talked about all that much.

2198
01:45:36,760 --> 01:45:39,839
Speaker 88: Yeah, and then that just keeps propelling the stigma forward

2199
01:45:39,960 --> 01:45:42,519
Speaker 88: because then it's shut out. And then if the one

2200
01:45:42,600 --> 01:45:44,880
Speaker 88: in three, where are their voices? So I'm not going

2201
01:45:44,920 --> 01:45:46,120
Speaker 88: to add miney right, We'll.

2202
01:45:46,000 --> 01:45:47,880
Speaker 46: Also take it from a if you take it from

2203
01:45:48,000 --> 01:45:49,000
Speaker 46: a pro life stance.

2204
01:45:49,600 --> 01:45:52,760
Speaker 87: If all you see are women screaming about they how

2205
01:45:52,840 --> 01:45:56,519
Speaker 87: they don't care, but you believe that life begins at conception,

2206
01:45:57,240 --> 01:46:00,439
Speaker 87: I totally understand why you think they were crazy.

2207
01:46:00,600 --> 01:46:02,559
Speaker 88: You think they're screaming how proud they are to kill

2208
01:46:02,560 --> 01:46:04,200
Speaker 88: a baby rtally.

2209
01:46:04,280 --> 01:46:06,640
Speaker 87: Right, and so you lack the ability to ever have

2210
01:46:06,720 --> 01:46:09,920
Speaker 87: a conversation with them if there isn't a group of

2211
01:46:09,960 --> 01:46:11,360
Speaker 87: people saying no, hang on, hang on.

2212
01:46:11,600 --> 01:46:12,400
Speaker 9: I do believe.

2213
01:46:12,400 --> 01:46:14,360
Speaker 87: I had a baby and I had to make this

2214
01:46:14,400 --> 01:46:17,360
Speaker 87: horrific choice and it was rough, but I had to

2215
01:46:17,400 --> 01:46:20,160
Speaker 87: make this choice. And I can't make that a choice

2216
01:46:20,200 --> 01:46:21,760
Speaker 87: for you, and you can't make that choice for me.

2217
01:46:23,080 --> 01:46:25,640
Speaker 1: There are a few podcasts that make better use of

2218
01:46:25,800 --> 01:46:29,360
Speaker 1: sound and atmosphere than The Very Cool, Very Trippy Sassy Taro,

2219
01:46:29,600 --> 01:46:33,479
Speaker 1: hosted by Veronica Sorio. Described as an audio journey through

2220
01:46:33,520 --> 01:46:37,439
Speaker 1: the world of the Taro, Veronica provides interactive readings, explains

2221
01:46:37,479 --> 01:46:39,439
Speaker 1: the meaning of the cards and how to interpret them,

2222
01:46:39,760 --> 01:46:43,360
Speaker 1: shares unforgettable stories from her life, and brings on guests

2223
01:46:43,400 --> 01:46:46,240
Speaker 1: for live readings, and all the while she's accompanied by

2224
01:46:46,280 --> 01:46:50,280
Speaker 1: a live improvised soundtrack courtesy of musician Peter Mark Kendall

2225
01:46:50,720 --> 01:46:53,519
Speaker 1: Sassy Taro is a truly unique listening experience.

2226
01:46:54,000 --> 01:46:54,559
Speaker 34: Just listen to this.

2227
01:46:54,680 --> 01:46:57,360
Speaker 1: Clip featuring Beyond's very own Mike Kelton.

2228
01:46:58,080 --> 01:47:01,960
Speaker 83: My Angel experiences have been, Oh, I don't know a

2229
01:47:02,040 --> 01:47:05,759
Speaker 83: lot I got. I had a terrible I was gonna

2230
01:47:05,800 --> 01:47:08,840
Speaker 83: do this work. I was hired as an actress for

2231
01:47:08,960 --> 01:47:15,120
Speaker 83: this high level thing, and I had a terrible, random,

2232
01:47:15,200 --> 01:47:18,640
Speaker 83: light out of nowhere fight with the producer. I have

2233
01:47:18,880 --> 01:47:19,880
Speaker 83: never fought in my life.

2234
01:47:19,960 --> 01:47:20,760
Speaker 59: I'm so.

2235
01:47:22,920 --> 01:47:26,120
Speaker 83: I don't know myself either. I know that I get

2236
01:47:26,200 --> 01:47:29,160
Speaker 83: upset about it. Conflict makes me very stressed. I will

2237
01:47:29,600 --> 01:47:33,080
Speaker 83: say things frontally, but I don't know how that escalated.

2238
01:47:33,160 --> 01:47:36,600
Speaker 83: So and it turned into some mostly it was me

2239
01:47:36,720 --> 01:47:41,640
Speaker 83: in a corner being like defending myself, and so I

2240
01:47:41,720 --> 01:47:43,840
Speaker 83: felt like a kh animal and that has never happened

2241
01:47:43,840 --> 01:47:47,040
Speaker 83: in my life. And I left sorry, very like thank you.

2242
01:47:47,200 --> 01:47:51,080
Speaker 83: I left very like shaky and was like, fuck, that

2243
01:47:51,200 --> 01:47:54,439
Speaker 83: has never happened. I try to like look back and

2244
01:47:54,600 --> 01:47:59,280
Speaker 83: regret it, regret having reacted or said or and I

2245
01:47:59,280 --> 01:48:01,719
Speaker 83: couldn't regret really anything. So I was kind of calm

2246
01:48:01,800 --> 01:48:05,840
Speaker 83: that way, like I don't think there's one thing that

2247
01:48:06,000 --> 01:48:11,000
Speaker 83: I could have done differently frankly, honestly, but I don't

2248
01:48:11,000 --> 01:48:13,360
Speaker 83: even regret it, and not in a bad way like

2249
01:48:13,400 --> 01:48:15,320
Speaker 83: I wish maybe it wouldn't have gone that way, but.

2250
01:48:15,680 --> 01:48:16,400
Speaker 11: I don't regret it.

2251
01:48:17,240 --> 01:48:20,719
Speaker 83: But I couldn't get this like terrible, yucky post fight

2252
01:48:21,840 --> 01:48:25,040
Speaker 83: like doom, you know, like this like darkness, yeah, in

2253
01:48:25,160 --> 01:48:27,519
Speaker 83: your heart. So I went two days later to get

2254
01:48:27,640 --> 01:48:30,360
Speaker 83: a Raki session because I wanted to clear that energy

2255
01:48:31,200 --> 01:48:33,800
Speaker 83: and also I was frankly losing my mind. I felt

2256
01:48:33,840 --> 01:48:36,840
Speaker 83: like they put like energetic like grips on me or something.

2257
01:48:37,040 --> 01:48:40,000
Speaker 2: Yeah, that can happen. It can stick to you for sure, if.

2258
01:48:39,920 --> 01:48:43,200
Speaker 83: Someone gets to you, if they managed to lower your vibration,

2259
01:48:43,840 --> 01:48:48,760
Speaker 83: your they get you in a bad place emotionally. I've

2260
01:48:48,800 --> 01:48:52,080
Speaker 83: heard it's easier to get.

2261
01:48:51,960 --> 01:48:53,320
Speaker 11: It to attack you, huh.

2262
01:48:54,760 --> 01:48:57,400
Speaker 85: And I have a little story about that. I love

2263
01:48:58,320 --> 01:49:04,960
Speaker 85: to petty petty petty story, terrill.

2264
01:49:06,320 --> 01:49:09,479
Speaker 83: So I went to get the raking session and I'm

2265
01:49:09,600 --> 01:49:12,280
Speaker 83: just like laying there, She's doing her thing. But one

2266
01:49:12,320 --> 01:49:15,160
Speaker 83: of the images that I had, it was so heavy,

2267
01:49:15,360 --> 01:49:20,120
Speaker 83: so strong. Before my accident, I prayed to Michael. I

2268
01:49:20,280 --> 01:49:22,560
Speaker 83: was like, please Michael, because that's my no, no, my

2269
01:49:22,600 --> 01:49:26,040
Speaker 83: Italian grandpa, that's his angel and like we just we

2270
01:49:26,160 --> 01:49:28,200
Speaker 83: all pray to Michael, not pray too, but ask.

2271
01:49:28,840 --> 01:49:29,920
Speaker 11: So thereen virtue is.

2272
01:49:29,920 --> 01:49:32,160
Speaker 83: The one who taught me like when you want help

2273
01:49:33,120 --> 01:49:34,760
Speaker 83: outside help, you need to ask.

2274
01:49:35,200 --> 01:49:38,080
Speaker 2: Yeah, you have to communicate with your masters or whatever,

2275
01:49:38,160 --> 01:49:39,679
Speaker 2: because free will is true.

2276
01:49:40,720 --> 01:49:43,400
Speaker 83: So free will you're going about your life and then

2277
01:49:43,400 --> 01:49:44,439
Speaker 83: you're like, I don't know what to do with this.

2278
01:49:44,479 --> 01:49:45,320
Speaker 9: I don't know what to do with this.

2279
01:49:45,400 --> 01:49:47,439
Speaker 83: Instead of using your brain like that, you can just

2280
01:49:47,520 --> 01:49:52,759
Speaker 83: go anyone who's qualified to help me with this, any idea,

2281
01:49:52,960 --> 01:49:55,880
Speaker 83: any thought, any person, Please send it my way because

2282
01:49:55,920 --> 01:49:56,599
Speaker 83: I need this help.

2283
01:49:56,800 --> 01:49:57,280
Speaker 85: And then.

2284
01:49:58,920 --> 01:50:02,800
Speaker 83: You at least are in your brain to receive a

2285
01:50:02,920 --> 01:50:06,000
Speaker 83: solution versus just like staying in the asking place.

2286
01:50:06,200 --> 01:50:08,320
Speaker 2: If you stay in the negativity of it, yes, you

2287
01:50:08,560 --> 01:50:10,160
Speaker 2: kind of like tear yourself apart.

2288
01:50:10,080 --> 01:50:13,040
Speaker 19: Yeah, because you're not even actively looking for a solution.

2289
01:50:13,360 --> 01:50:16,000
Speaker 83: While when you ask, even if you don't believe in angels,

2290
01:50:16,160 --> 01:50:18,639
Speaker 83: you're asking, So you're putting your mind already and that's

2291
01:50:18,880 --> 01:50:19,479
Speaker 83: in that position.

2292
01:50:19,640 --> 01:50:21,880
Speaker 36: It's literally the idea of like asking for help when

2293
01:50:21,880 --> 01:50:24,000
Speaker 36: you need it and people will help you if you ask.

2294
01:50:24,240 --> 01:50:26,800
Speaker 83: Yes, So this is like a mental exercise to be

2295
01:50:26,920 --> 01:50:30,800
Speaker 83: like ask the energies available to please come to you

2296
01:50:31,200 --> 01:50:31,680
Speaker 83: and help you.

2297
01:50:32,520 --> 01:50:33,040
Speaker 8: So I do that.

2298
01:50:33,640 --> 01:50:37,360
Speaker 45: With the accident, I barely like I scratch myself basically.

2299
01:50:37,360 --> 01:50:40,920
Speaker 83: Even though it was hard. When the reiki session was happening,

2300
01:50:40,960 --> 01:50:45,320
Speaker 83: I close my eyes well, and then two huge muscular

2301
01:50:45,439 --> 01:50:49,200
Speaker 83: legs came out from inside of mine. And then they

2302
01:50:49,240 --> 01:50:52,439
Speaker 83: were so so so so so long that I got

2303
01:50:52,560 --> 01:50:57,400
Speaker 83: lifted from earth, like literally saw the earth like becoming smaller.

2304
01:51:00,400 --> 01:51:03,480
Speaker 34: So you visualized too, like big muscular.

2305
01:51:03,280 --> 01:51:06,680
Speaker 83: I did this image. It's like when you're between a

2306
01:51:06,760 --> 01:51:09,479
Speaker 83: sleep and awake that a bunch of images just come

2307
01:51:09,720 --> 01:51:14,400
Speaker 83: and they're not yours, but they're not a dream. That

2308
01:51:15,160 --> 01:51:19,280
Speaker 83: stage she was doing ky and I was like having

2309
01:51:20,040 --> 01:51:22,760
Speaker 83: random images and kind of thoughts because I'm still kind

2310
01:51:22,800 --> 01:51:28,880
Speaker 83: of conscious. And then two huge muscular, super great big

2311
01:51:29,000 --> 01:51:31,640
Speaker 83: legs grow from inside of mind, but they were like

2312
01:51:31,840 --> 01:51:35,439
Speaker 83: energetic legs. They lift me from the earth.

2313
01:51:36,240 --> 01:51:38,639
Speaker 11: And then I look back and there's.

2314
01:51:39,920 --> 01:51:47,360
Speaker 83: Six feet long wings, gigantic just the I knew it

2315
01:51:47,439 --> 01:51:50,040
Speaker 83: was Michael, and I knew he grew from inside of

2316
01:51:50,160 --> 01:51:53,080
Speaker 83: me so as to say like you're protected from inside out,

2317
01:51:54,120 --> 01:51:58,240
Speaker 83: lifted me from the earth and then walked with his

2318
01:51:58,479 --> 01:52:02,439
Speaker 83: two It was like milky white with like a blue

2319
01:52:03,400 --> 01:52:07,920
Speaker 83: energy lightning or something walked me from where I was

2320
01:52:08,040 --> 01:52:11,799
Speaker 83: on earth to a few steps, and then he slowly

2321
01:52:11,880 --> 01:52:16,000
Speaker 83: put me down and then I landed in a different place,

2322
01:52:16,160 --> 01:52:20,840
Speaker 83: and then more images came like that image went and

2323
01:52:20,920 --> 01:52:24,120
Speaker 83: then I realized. I was like, oh, I woke up.

2324
01:52:24,160 --> 01:52:26,080
Speaker 83: And then I told this girl who was doing reky

2325
01:52:26,120 --> 01:52:27,519
Speaker 83: to me and she was like, oh, that was Michael,

2326
01:52:27,600 --> 01:52:28,720
Speaker 83: and I was like, yeah, that's what I thought.

2327
01:52:28,840 --> 01:52:29,799
Speaker 2: She knew it was Michael.

2328
01:52:29,920 --> 01:52:32,320
Speaker 83: Yeah, she was like, this is Michael and I was like, okay,

2329
01:52:32,560 --> 01:52:33,400
Speaker 83: yeah it was Michael.

2330
01:52:33,680 --> 01:52:35,679
Speaker 2: Oh my god, this story.

2331
01:52:36,000 --> 01:52:37,679
Speaker 83: I know, it's crazy, don't I mean.

2332
01:52:39,479 --> 01:52:41,680
Speaker 1: It is a bold move to introduce yourself to the

2333
01:52:41,720 --> 01:52:44,680
Speaker 1: world as the sister podcast of Lost Culturistas, But that

2334
01:52:44,840 --> 01:52:47,200
Speaker 1: is exactly what Catherine Cohene and Pat Reagan did this

2335
01:52:47,360 --> 01:52:49,960
Speaker 1: year with their podcast Seek Treatment, and over the course

2336
01:52:50,000 --> 01:52:52,760
Speaker 1: of twenty plus episodes, they have proven themselves more than

2337
01:52:52,800 --> 01:52:55,280
Speaker 1: worthy of that title. In fact, Seek Treatment and Lost

2338
01:52:55,320 --> 01:52:59,000
Speaker 1: Culturistas were just named Best Extended Podcast Universe of twenty

2339
01:52:59,080 --> 01:53:01,839
Speaker 1: eighteen by Vulture. Wow, I didn't know that was an award.

2340
01:53:02,280 --> 01:53:04,360
Speaker 1: Each week, Cat and Pat invite on a guest to

2341
01:53:04,400 --> 01:53:07,759
Speaker 1: have a fun flirty conversation about boys, sex, fucking, dating,

2342
01:53:07,880 --> 01:53:10,559
Speaker 1: and love, and the proof is in the goddamn pudding. People,

2343
01:53:10,680 --> 01:53:13,360
Speaker 1: Please enjoy this clip from the episode Sucking a Dick

2344
01:53:13,520 --> 01:53:15,679
Speaker 1: is My Wedding with guest Amy Solomon.

2345
01:53:15,760 --> 01:53:17,320
Speaker 46: I'm going through a lot of changes right now.

2346
01:53:17,320 --> 01:53:18,519
Speaker 45: I really feel like I'm growing right now.

2347
01:53:18,560 --> 01:53:19,479
Speaker 2: I think I'm growing right now.

2348
01:53:19,600 --> 01:53:20,000
Speaker 27: Oh good.

2349
01:53:20,080 --> 01:53:21,559
Speaker 14: I think I'm in this place where I'm getting things

2350
01:53:21,560 --> 01:53:23,120
Speaker 14: that I want, and I think in like three years,

2351
01:53:23,120 --> 01:53:25,280
Speaker 14: I'll have everything I ever wanted. What I'm scared of

2352
01:53:25,520 --> 01:53:27,400
Speaker 14: is as I'm like getting closer to the things I want,

2353
01:53:27,720 --> 01:53:30,759
Speaker 14: I'm realizing it, I'm seeing it not make me happy,

2354
01:53:30,840 --> 01:53:32,599
Speaker 14: and I'm like, oh my god, this Jack and I've

2355
01:53:32,600 --> 01:53:35,400
Speaker 14: been chasing for a decade is going to be a

2356
01:53:36,680 --> 01:53:40,200
Speaker 14: golden calf and I will never be happy.

2357
01:53:41,240 --> 01:53:43,040
Speaker 46: I feel like my life is so perfect right now

2358
01:53:43,080 --> 01:53:44,120
Speaker 46: and everything good is happening.

2359
01:53:44,160 --> 01:53:45,759
Speaker 18: I need to just enjoy it instead of being anxious

2360
01:53:45,760 --> 01:53:46,160
Speaker 18: all the time.

2361
01:53:46,479 --> 01:53:47,280
Speaker 11: I do feel like.

2362
01:53:49,120 --> 01:53:49,720
Speaker 87: You have to.

2363
01:53:50,160 --> 01:53:51,760
Speaker 79: I don't know, I don't quite know how to do it,

2364
01:53:51,880 --> 01:53:54,360
Speaker 79: but like you performing, I was thinking about last night

2365
01:53:54,520 --> 01:53:56,680
Speaker 79: with you performing at Joe's Pub, like a literal thing

2366
01:53:56,760 --> 01:53:59,280
Speaker 79: you dreamed of in high school, No, like, how do

2367
01:53:59,400 --> 01:54:01,880
Speaker 79: we stop and be like holy shit?

2368
01:54:02,400 --> 01:54:04,439
Speaker 14: Even some for me, something as simple as like when

2369
01:54:04,479 --> 01:54:06,320
Speaker 14: I suck a dick, I'm like, I used to always want.

2370
01:54:06,160 --> 01:54:09,800
Speaker 46: To suck a dick absolutely destroyed them.

2371
01:54:12,479 --> 01:54:13,360
Speaker 23: I was like twenty three.

2372
01:54:13,479 --> 01:54:15,200
Speaker 14: I would I remember being ready three and like having

2373
01:54:15,200 --> 01:54:16,360
Speaker 14: a dream that I suck a dick and I was

2374
01:54:16,360 --> 01:54:19,000
Speaker 14: still closeted, and I was like, wonderf ever, my whole

2375
01:54:19,040 --> 01:54:21,639
Speaker 14: life suck ad deck. Even something as simple as sucking

2376
01:54:21,640 --> 01:54:23,800
Speaker 14: a dock, you should be celebrating. The second Dick is

2377
01:54:23,840 --> 01:54:24,679
Speaker 14: my Joe's pup show.

2378
01:54:26,800 --> 01:54:27,800
Speaker 9: You're just pub show.

2379
01:54:27,800 --> 01:54:31,679
Speaker 14: At the due play, I just put the dux ticket

2380
01:54:31,880 --> 01:54:35,720
Speaker 14: link is now available this this podcast will come out

2381
01:54:35,840 --> 01:54:40,800
Speaker 14: the day of and Joe's pub show is Catherine's wedding.

2382
01:54:40,840 --> 01:54:45,320
Speaker 14: So by translated, property second is my wedding. Second, the

2383
01:54:45,400 --> 01:54:46,520
Speaker 14: second Dick is Catherine's wedding.

2384
01:54:46,640 --> 01:54:48,800
Speaker 46: I'm obsessed with the transit of property, and Joe pub

2385
01:54:49,040 --> 01:54:49,600
Speaker 46: is my wedding.

2386
01:54:50,960 --> 01:54:51,480
Speaker 22: Now listen.

2387
01:54:54,240 --> 01:54:56,800
Speaker 1: The second podcast in this episode, hosted by Lindsay k

2388
01:54:56,920 --> 01:55:00,520
Speaker 1: Tie and Kelly Nugent, is The Absolutely Beloved Teen, a

2389
01:55:00,560 --> 01:55:03,000
Speaker 1: weekly book club of y pulp fiction from the eighties

2390
01:55:03,040 --> 01:55:05,480
Speaker 1: and nineties which joined Forever Dog at the beginning of

2391
01:55:05,560 --> 01:55:08,480
Speaker 1: twenty eighteen, and proceeded to rip through an incredible run

2392
01:55:08,560 --> 01:55:11,800
Speaker 1: of episodes, tackling titles such as Arlestein's The prom Queen,

2393
01:55:12,040 --> 01:55:15,880
Speaker 1: Christopher Pike's Starlight Crystal, and l. J. Smith's Daughters of Darkness.

2394
01:55:16,240 --> 01:55:18,600
Speaker 1: Named one of the twenty five Best podcasts of twenty

2395
01:55:18,640 --> 01:55:22,120
Speaker 1: eighteen by Cosmopolitan, Teen Creeps is quote the book club

2396
01:55:22,200 --> 01:55:24,640
Speaker 1: you wish you had when you were young, except it's

2397
01:55:24,640 --> 01:55:26,600
Speaker 1: even better that you're discovering it now because you'll get

2398
01:55:26,600 --> 01:55:28,720
Speaker 1: more of the jokes and beyond the books. One of

2399
01:55:28,760 --> 01:55:31,360
Speaker 1: the most compelling parts of teen Creeps is the seemingly

2400
01:55:31,560 --> 01:55:35,520
Speaker 1: endless amount of awkward, hilarious, and exquisitely relatable coming of

2401
01:55:35,560 --> 01:55:38,680
Speaker 1: age stories that Lindsay and Kelly share, including the following

2402
01:55:38,720 --> 01:55:42,040
Speaker 1: clip from the episode on Arlestein's Cheerleaders The Third Evil,

2403
01:55:42,200 --> 01:55:44,640
Speaker 1: in which Kelly introduces us for the first but not

2404
01:55:44,760 --> 01:55:48,320
Speaker 1: the last time, to her very very unforgettable aunt.

2405
01:55:49,120 --> 01:55:56,320
Speaker 70: So I have an aunt Hullo, who nervous about where

2406
01:55:56,360 --> 01:56:00,600
Speaker 70: this is going, makes everybody do things for her, and

2407
01:56:00,840 --> 01:56:04,880
Speaker 70: like she's just very she's very strange, Like when she's

2408
01:56:04,920 --> 01:56:06,600
Speaker 70: talking to you, she'll get out this little notebook and

2409
01:56:06,680 --> 01:56:07,880
Speaker 70: like take notes on what you're saying.

2410
01:56:08,280 --> 01:56:08,520
Speaker 24: WHOA.

2411
01:56:08,760 --> 01:56:11,920
Speaker 70: Yeah, she's intense. And she's also a person that will

2412
01:56:12,040 --> 01:56:18,080
Speaker 70: like she just like likes being pampered and like massaged

2413
01:56:18,480 --> 01:56:21,320
Speaker 70: and like that kind of thing, but like by people.

2414
01:56:21,600 --> 01:56:24,800
Speaker 70: She know, my god, what, Yeah, it's pretty weird. Like

2415
01:56:24,920 --> 01:56:29,040
Speaker 70: and she'll always like, like she said to my mom,

2416
01:56:29,240 --> 01:56:32,280
Speaker 70: they are the same age. She goes tweet do you

2417
01:56:32,400 --> 01:56:34,760
Speaker 70: want This is how she talks to do you want

2418
01:56:34,840 --> 01:56:38,400
Speaker 70: me to braid your hair? And my mom was like what,

2419
01:56:40,120 --> 01:56:42,440
Speaker 70: And she's like, I just love the feeling of when

2420
01:56:42,520 --> 01:56:47,360
Speaker 70: people play with my hair, and you have such beautiful hair?

2421
01:56:48,360 --> 01:56:50,120
Speaker 70: Do you mind if I play with it?

2422
01:56:51,000 --> 01:56:51,160
Speaker 5: Oh?

2423
01:56:53,640 --> 01:56:53,840
Speaker 26: God?

2424
01:56:54,320 --> 01:56:57,200
Speaker 18: But she will do things like that, like she watch

2425
01:56:57,240 --> 01:56:59,560
Speaker 18: an ASMR video Lady, get the fuck out.

2426
01:57:01,840 --> 01:57:04,040
Speaker 70: She will like, I remember when she used to stay

2427
01:57:04,080 --> 01:57:06,960
Speaker 70: at my grandparents house. There's like a guest bedroom and

2428
01:57:07,000 --> 01:57:10,240
Speaker 70: a guest bathroom. She would go into my grandparents and

2429
01:57:10,280 --> 01:57:14,440
Speaker 70: both had bathtubs. Go into my grandparents' master bathroom.

2430
01:57:14,760 --> 01:57:19,400
Speaker 89: Take bubble baths, leave the tub bubble completely full with bubbles,

2431
01:57:19,880 --> 01:57:22,760
Speaker 89: bubbles all over the floor, and then just take all

2432
01:57:22,840 --> 01:57:25,720
Speaker 89: of their towels, use every single one of their towels.

2433
01:57:27,080 --> 01:57:29,880
Speaker 70: And then put them wherever she would like end up going.

2434
01:57:30,720 --> 01:57:33,320
Speaker 70: Then when she should put all the towels, like on

2435
01:57:33,640 --> 01:57:35,760
Speaker 70: the kitchen table or whatever wherever, she was like done

2436
01:57:35,760 --> 01:57:38,160
Speaker 70: with her towels. And my grandma was like, oh, when

2437
01:57:38,160 --> 01:57:40,080
Speaker 70: you're going upstairs, could you bring the towels up and

2438
01:57:40,120 --> 01:57:40,840
Speaker 70: put them in the hamper.

2439
01:57:41,520 --> 01:57:43,440
Speaker 11: And she was like, oh, a.

2440
01:57:43,480 --> 01:57:46,000
Speaker 45: Wet towel is too heavy for me to home. Oh

2441
01:57:46,080 --> 01:57:48,480
Speaker 45: my god, Oh my god.

2442
01:57:54,240 --> 01:57:59,680
Speaker 90: But you were holding my towel, got what It's insane?

2443
01:58:00,080 --> 01:58:01,800
Speaker 90: There was so much holy ship.

2444
01:58:03,840 --> 01:58:07,560
Speaker 45: She was like, I remember it's her name. I don't

2445
01:58:07,560 --> 01:58:08,320
Speaker 45: know if I want to say it.

2446
01:58:09,280 --> 01:58:10,520
Speaker 24: It's not as good as I was home.

2447
01:58:10,840 --> 01:58:14,120
Speaker 45: No, let's call her Annabella. Annabella.

2448
01:58:15,960 --> 01:58:19,240
Speaker 18: She uh also a new name.

2449
01:58:19,400 --> 01:58:24,080
Speaker 45: Sorry, soup fly, very good? Sup, lay on Trey Trey.

2450
01:58:29,760 --> 01:58:32,160
Speaker 45: Can you just go hello, I'm play on Trey and

2451
01:58:32,200 --> 01:58:33,800
Speaker 45: then say the thing about braiding har again?

2452
01:58:33,960 --> 01:58:36,480
Speaker 70: Okay, Oh no, I'll do an actual line that she

2453
01:58:36,680 --> 01:58:37,880
Speaker 70: said at the beach.

2454
01:58:38,040 --> 01:58:40,800
Speaker 45: Good, Hello, I'm souefla on Trey.

2455
01:58:41,600 --> 01:58:45,320
Speaker 70: Can you put suntan lotion in between my toes?

2456
01:58:45,400 --> 01:58:47,320
Speaker 19: Oh my god, shut the fuck up.

2457
01:58:49,640 --> 01:58:52,440
Speaker 70: And then her husband did it and we were all

2458
01:58:52,520 --> 01:58:57,360
Speaker 70: like ola on Trey.

2459
01:58:57,480 --> 01:58:58,600
Speaker 4: You are too much.

2460
01:59:00,000 --> 01:59:03,200
Speaker 70: Oh so this is when my dad's driving. Oh, Mark,

2461
01:59:03,800 --> 01:59:06,960
Speaker 70: can you please slow down when you go over the

2462
01:59:07,080 --> 01:59:11,200
Speaker 70: speed bumps? I I, oh, don't leave before I place

2463
01:59:11,320 --> 01:59:14,840
Speaker 70: my seat belt on. This woman has also gone white

2464
01:59:14,880 --> 01:59:20,880
Speaker 70: water rafting, so it's like she also has like a

2465
01:59:20,960 --> 01:59:26,080
Speaker 70: thousand ailments, a thousand ailments. She's like, it's like I

2466
01:59:26,240 --> 01:59:30,320
Speaker 70: need my Okay, here's here's here's an example of something

2467
01:59:30,320 --> 01:59:32,480
Speaker 70: that happened. Okay, we're my Grandma's like on her deathbed.

2468
01:59:32,520 --> 01:59:36,920
Speaker 70: She's dying, dying, dying. Everybody, everybody's in town. We're all waiting,

2469
01:59:36,960 --> 01:59:40,760
Speaker 70: and we're all waiting in the in the waiting room.

2470
01:59:41,240 --> 01:59:41,360
Speaker 7: Uh.

2471
01:59:41,560 --> 01:59:45,040
Speaker 70: Me and my cousins, who are all fairly normal, are

2472
01:59:45,080 --> 01:59:47,800
Speaker 70: all sitting here just feeling, you know, a little bit sad.

2473
01:59:47,680 --> 01:59:48,920
Speaker 45: But also kind of punchy and weird.

2474
01:59:49,760 --> 01:59:53,200
Speaker 70: My aunt, first of all, she she was like, I

2475
01:59:53,240 --> 01:59:54,480
Speaker 70: have to go to the bathroom, and I had to

2476
01:59:54,560 --> 01:59:57,000
Speaker 70: go also, So like I went to the bathroom, and

2477
01:59:57,040 --> 02:00:00,200
Speaker 70: then she was like, oh, it is so nice of

2478
02:00:00,280 --> 02:00:03,320
Speaker 70: fute to come with me into the bathroom. And I

2479
02:00:03,440 --> 02:00:06,560
Speaker 70: was like, I'm just I'm just going to the Then

2480
02:00:06,680 --> 02:00:09,520
Speaker 70: so she comes back, we're all sitting she opens up

2481
02:00:09,560 --> 02:00:13,000
Speaker 70: her she brought a cooler to the hospital, gets out

2482
02:00:13,080 --> 02:00:20,680
Speaker 70: a Costco sized thing of apple sauce, like slowly and

2483
02:00:20,800 --> 02:00:24,000
Speaker 70: daintially like unscrews the top, gets out her spoon.

2484
02:00:24,880 --> 02:00:27,760
Speaker 45: No eats one spoon, no clothing.

2485
02:00:28,040 --> 02:00:28,080
Speaker 74: No.

2486
02:00:32,960 --> 02:00:35,240
Speaker 45: Was it like one of those tiny spoons that you

2487
02:00:35,360 --> 02:00:36,360
Speaker 45: used to feed a baby.

2488
02:00:38,480 --> 02:00:43,160
Speaker 70: No, but it was a to go plastic smallish spoon

2489
02:00:43,320 --> 02:00:45,240
Speaker 70: that's like you would throw a But she had it.

2490
02:00:45,400 --> 02:00:48,800
Speaker 18: She use that that and me and my cousins were.

2491
02:00:48,720 --> 02:00:50,760
Speaker 42: Like so weird.

2492
02:00:51,800 --> 02:00:53,440
Speaker 45: And then she and then she like put it, put

2493
02:00:53,480 --> 02:00:53,800
Speaker 45: it away.

2494
02:00:53,840 --> 02:00:58,000
Speaker 70: And then she got out her zippie bag of apple slices,

2495
02:00:58,600 --> 02:01:01,520
Speaker 70: ate one apple slice, closed it and then put it away.

2496
02:01:02,160 --> 02:01:07,200
Speaker 45: She she took a single bite.

2497
02:01:08,560 --> 02:01:09,760
Speaker 9: Of apple sock.

2498
02:01:11,080 --> 02:01:14,480
Speaker 45: At eight, a single slice of apple.

2499
02:01:15,120 --> 02:01:16,600
Speaker 2: Where shall also bring up.

2500
02:01:16,560 --> 02:01:21,000
Speaker 45: Her full name is to fly Apple on Trey, Trey.

2501
02:01:29,600 --> 02:01:30,280
Speaker 17: Play on Trey.

2502
02:01:32,520 --> 02:01:34,400
Speaker 1: One thing that we hear at Frever Dogg will always

2503
02:01:34,400 --> 02:01:37,320
Speaker 1: remember about twenty eighteen was getting the Privileged to reboot

2504
02:01:37,360 --> 02:01:41,040
Speaker 1: Ben Acker and Ben Blacker's legendary podcast, The Thrilling Adventure Hour,

2505
02:01:41,560 --> 02:01:45,000
Speaker 1: renamed The Thrilling Adventure Hour Treasury. We've released three episodes

2506
02:01:45,080 --> 02:01:47,360
Speaker 1: so far, with many more on the Way, featuring the

2507
02:01:47,440 --> 02:01:51,000
Speaker 1: triumphant return of classic segments such as Sparks Nevada, Marshall

2508
02:01:51,040 --> 02:01:53,840
Speaker 1: on Mars, Beyond Belief, and the Cross time Adventures of

2509
02:01:53,920 --> 02:01:56,920
Speaker 1: Colonel TikTok, as well as new tales, new writers, new

2510
02:01:56,960 --> 02:02:00,280
Speaker 1: guest stars, and a bold new sound. All Treasury appleisodes

2511
02:02:00,320 --> 02:02:03,160
Speaker 1: are recorded in studio with expansive sound design and new

2512
02:02:03,280 --> 02:02:06,120
Speaker 1: musical themes and arrangements. You can expect one new episode

2513
02:02:06,160 --> 02:02:08,680
Speaker 1: from the Treasury every month in twenty nineteen, as well

2514
02:02:08,760 --> 02:02:11,760
Speaker 1: as a previously unreleased live recording from the Thrilling Adventure

2515
02:02:11,800 --> 02:02:14,360
Speaker 1: Hour vault. And if you want more of The Thrilling

2516
02:02:14,400 --> 02:02:17,400
Speaker 1: Adventure Hour, you can access the entire back catalog, complete

2517
02:02:17,440 --> 02:02:20,880
Speaker 1: libraries of classic segments and bonus content on Patreon at

2518
02:02:20,960 --> 02:02:24,360
Speaker 1: patreon dot com slash Thrilling Adventure Hour. But in the meantime,

2519
02:02:24,400 --> 02:02:28,240
Speaker 1: please enjoy this holiday themed rendition of Beyond Belief featuring

2520
02:02:28,280 --> 02:02:31,839
Speaker 1: Paul F. Tompkins, Paget Brewster, Rob Benedict, and Hal Lublin.

2521
02:02:36,680 --> 02:02:39,480
Speaker 22: It's time to send the little ones to Dreamland and

2522
02:02:39,680 --> 02:02:44,360
Speaker 22: set your radio style to spooky both the doors, lock

2523
02:02:44,480 --> 02:02:48,440
Speaker 22: your windows, and steal yourself a mysterious suspense in this

2524
02:02:48,600 --> 02:02:55,600
Speaker 22: evening's final feature, Beyond Belief, Meet Frankin Sadie Doyle, the

2525
02:02:55,720 --> 02:02:59,080
Speaker 22: toast of the upper crust headliners on the society pages.

2526
02:03:00,120 --> 02:03:02,800
Speaker 4: Yes they see ghosts.

2527
02:03:03,720 --> 02:03:06,000
Speaker 21: Who cares what evil lurks in the hearts of men?

2528
02:03:06,440 --> 02:03:11,000
Speaker 19: Unless he was carrying the Martini tray, Darling, join the.

2529
02:03:11,040 --> 02:03:15,000
Speaker 22: Doyles in tonight's dark episode If these wolves could talk.

2530
02:03:15,600 --> 02:03:18,480
Speaker 22: Our story begins in a penthouse apartment to the Thinned

2531
02:03:18,560 --> 02:03:22,400
Speaker 22: Plaza Hotel, where Frank and Sadie Doyle are about to

2532
02:03:22,560 --> 02:03:24,760
Speaker 22: taste the unknown.

2533
02:03:26,440 --> 02:03:27,040
Speaker 19: Eggnog.

2534
02:03:27,840 --> 02:03:36,400
Speaker 21: Eggnog, here goes, Oh my, this tastes.

2535
02:03:36,120 --> 02:03:37,840
Speaker 19: Like the punchline of a joke in which a cow

2536
02:03:37,960 --> 02:03:40,680
Speaker 19: has walked into a bar. I care for neither the

2537
02:03:40,800 --> 02:03:41,720
Speaker 19: joke nor the drink.

2538
02:03:41,960 --> 02:03:45,720
Speaker 91: As you suspected, the recipe was clearly incorrect. How much

2539
02:03:45,800 --> 02:03:48,240
Speaker 91: bourbon do you think would be sufficient to gnog an egg?

2540
02:03:48,720 --> 02:03:49,080
Speaker 5: All of it?

2541
02:03:49,200 --> 02:03:51,960
Speaker 19: I imagine, if not more, I can still taste it.

2542
02:03:52,160 --> 02:03:55,160
Speaker 91: Take this, Darling, the most distringent Martini. I know how

2543
02:03:55,240 --> 02:03:56,440
Speaker 91: to make for emergencies.

2544
02:03:56,480 --> 02:03:58,120
Speaker 19: Only you headed ready, didn't you?

2545
02:03:58,360 --> 02:04:02,000
Speaker 21: Anytime? An uncertain mixers and my boy scout training kicks in.

2546
02:04:02,400 --> 02:04:04,960
Speaker 19: I do so love a man in uniform.

2547
02:04:06,120 --> 02:04:08,720
Speaker 21: That did the trick? Shall we investigate the rest of

2548
02:04:08,760 --> 02:04:10,160
Speaker 21: this gift basket from the Vicers?

2549
02:04:10,320 --> 02:04:11,960
Speaker 19: No reason to punish the other gears.

2550
02:04:12,080 --> 02:04:15,000
Speaker 21: What else have we got in here? Those small brown

2551
02:04:15,160 --> 02:04:19,480
Speaker 21: man cookies, their red and white walking sticks, chestnuts which

2552
02:04:19,480 --> 02:04:22,280
Speaker 21: are basically poison, Speaking of which freshen your drink?

2553
02:04:22,640 --> 02:04:26,440
Speaker 19: Hmmm, look, Frank, a present. Shall I undress it.

2554
02:04:26,880 --> 02:04:28,800
Speaker 21: Only if you wish for me to be jealous of it?

2555
02:04:29,520 --> 02:04:29,840
Speaker 10: I do.

2556
02:04:33,680 --> 02:04:38,480
Speaker 19: Oh, this is truly quite something, Frank, exquisite, priceless.

2557
02:04:38,880 --> 02:04:41,080
Speaker 21: Why it's us, this photo.

2558
02:04:40,840 --> 02:04:43,320
Speaker 19: Of us from the Vickers gala the night I drank

2559
02:04:43,400 --> 02:04:44,760
Speaker 19: mister Vickers under the table.

2560
02:04:45,080 --> 02:04:46,400
Speaker 21: I remember that table.

2561
02:04:46,720 --> 02:04:48,880
Speaker 19: It held its liquor far better than the host.

2562
02:04:49,160 --> 02:04:51,440
Speaker 21: That must be why I remember it so fondly.

2563
02:04:51,600 --> 02:04:54,560
Speaker 19: And look at this picture's handsome frame. On the back,

2564
02:04:54,640 --> 02:04:59,880
Speaker 19: he's written to the most winsome couple in Manhattan. Merry Christmas, Christmas?

2565
02:05:00,440 --> 02:05:01,520
Speaker 21: Is that still happening?

2566
02:05:01,720 --> 02:05:05,000
Speaker 19: Oh, Frank, we didn't get mister Vickers anything, and he

2567
02:05:05,160 --> 02:05:06,640
Speaker 19: caught us as well.

2568
02:05:06,720 --> 02:05:08,920
Speaker 91: Let us think of something to get him. He's got

2569
02:05:08,960 --> 02:05:11,920
Speaker 91: everything he could ever want, save a stronger tolerance. How

2570
02:05:11,960 --> 02:05:14,600
Speaker 91: about you fix us another couple of rounds to think by,

2571
02:05:14,720 --> 02:05:16,560
Speaker 91: and I'll hang this picture on that wall.

2572
02:05:17,040 --> 02:05:18,560
Speaker 4: So rugged, aren't I?

2573
02:05:19,160 --> 02:05:19,320
Speaker 92: Now?

2574
02:05:19,360 --> 02:05:22,120
Speaker 21: Where is that instrument used to hang things?

2575
02:05:22,440 --> 02:05:22,960
Speaker 19: A hammer?

2576
02:05:23,400 --> 02:05:23,600
Speaker 83: Yes?

2577
02:05:24,200 --> 02:05:26,520
Speaker 3: And that which is hammed a nail?

2578
02:05:26,880 --> 02:05:28,640
Speaker 19: Here you are, my rugged darling.

2579
02:05:29,080 --> 02:05:32,560
Speaker 21: All right, Just like dispatching a small vampire, you line

2580
02:05:32,640 --> 02:05:36,800
Speaker 21: up the steak in this case and nail and ah,

2581
02:05:37,680 --> 02:05:40,760
Speaker 21: who just screamed you did? And who before that I did?

2582
02:05:41,080 --> 02:05:45,760
Speaker 21: It was me your wall? These walls can talk?

2583
02:05:45,960 --> 02:05:47,080
Speaker 13: Is this one just me?

2584
02:05:47,800 --> 02:05:48,480
Speaker 21: The west wall?

2585
02:05:49,000 --> 02:05:52,480
Speaker 19: You are my favorite wall? Papered as you are with

2586
02:05:52,600 --> 02:05:54,520
Speaker 19: a tanned, prickled texture.

2587
02:05:55,080 --> 02:05:55,400
Speaker 22: Thank you?

2588
02:05:55,560 --> 02:05:56,240
Speaker 13: That's my skin?

2589
02:05:56,840 --> 02:05:58,360
Speaker 5: Or was it is?

2590
02:05:59,000 --> 02:06:03,520
Speaker 13: The skin still is? It's just either? Was I suppose

2591
02:06:03,600 --> 02:06:04,320
Speaker 13: I kind of am?

2592
02:06:05,160 --> 02:06:08,600
Speaker 19: So what precisely are you? And what exactly were you.

2593
02:06:09,040 --> 02:06:10,000
Speaker 21: On this now?

2594
02:06:10,320 --> 02:06:13,080
Speaker 13: But I was a man, one hundred percent of human.

2595
02:06:13,360 --> 02:06:17,000
Speaker 19: A human man. The players a man said it was Ostrich.

2596
02:06:17,240 --> 02:06:21,200
Speaker 93: Nope, oh me, definitely me. I remember, because it really

2597
02:06:21,280 --> 02:06:22,440
Speaker 93: hurt to get flayed alive.

2598
02:06:22,920 --> 02:06:25,240
Speaker 21: Never get played alive, I always say, not if you

2599
02:06:25,280 --> 02:06:25,840
Speaker 21: can avoid it.

2600
02:06:26,000 --> 02:06:29,360
Speaker 13: How please, mister Doyle, You could handle getting played any day.

2601
02:06:29,280 --> 02:06:29,640
Speaker 94: Of the week.

2602
02:06:30,080 --> 02:06:33,920
Speaker 93: You've been through so much ghosts, vampires. Hey, remember when

2603
02:06:33,920 --> 02:06:37,320
Speaker 93: all those genies came over vaguely. Oh, you must remember

2604
02:06:37,640 --> 02:06:39,640
Speaker 93: you were right over there and you were all out

2605
02:06:39,640 --> 02:06:40,160
Speaker 93: of drinks.

2606
02:06:40,680 --> 02:06:44,160
Speaker 21: That seems both likely and unlikely. You found a bottle, but.

2607
02:06:44,280 --> 02:06:45,800
Speaker 3: Instead of boom po is right there.

2608
02:06:47,000 --> 02:06:49,400
Speaker 19: I will not tolerate a flashback episode.

2609
02:06:49,440 --> 02:06:50,120
Speaker 18: I forbid it.

2610
02:06:50,640 --> 02:06:52,600
Speaker 21: We came right up to it, didn't we. Sorry.

2611
02:06:53,080 --> 02:06:55,280
Speaker 93: I know I shouldn't have said anything in the first place,

2612
02:06:55,480 --> 02:06:57,840
Speaker 93: but in my defense, I was hammered.

2613
02:06:57,880 --> 02:07:00,360
Speaker 19: Our most frequently used effens.

2614
02:07:00,280 --> 02:07:02,640
Speaker 21: And I suppose I must apologize for taking a tool

2615
02:07:02,760 --> 02:07:04,000
Speaker 21: to you. Sorry, old chap.

2616
02:07:04,640 --> 02:07:09,640
Speaker 93: My name is was Is Walton, which is a coincidence,

2617
02:07:09,680 --> 02:07:13,480
Speaker 93: I admit, Wally the wall, like when guy's name Taylor

2618
02:07:13,520 --> 02:07:14,480
Speaker 93: can really thread a needle?

2619
02:07:14,560 --> 02:07:15,080
Speaker 13: Know what I'm saying?

2620
02:07:15,400 --> 02:07:15,800
Speaker 21: Not really?

2621
02:07:16,280 --> 02:07:20,080
Speaker 91: You mean to tell me you've been watching, listening, spying

2622
02:07:20,280 --> 02:07:20,960
Speaker 91: this whole time.

2623
02:07:21,600 --> 02:07:23,800
Speaker 13: Would you preferred I made my presence known.

2624
02:07:24,240 --> 02:07:24,960
Speaker 21: I think I might have.

2625
02:07:25,320 --> 02:07:28,600
Speaker 19: I know I would have voyeurs by invitation only.

2626
02:07:28,840 --> 02:07:31,040
Speaker 13: Yeah, I meant to, but I guess I never found

2627
02:07:31,080 --> 02:07:31,560
Speaker 13: my moment.

2628
02:07:32,080 --> 02:07:33,880
Speaker 93: But now it's as good a time as any, right,

2629
02:07:34,600 --> 02:07:37,160
Speaker 93: Not like you've got another oddity knocking on that door today?

2630
02:07:37,480 --> 02:07:37,680
Speaker 22: Right?

2631
02:07:37,880 --> 02:07:41,080
Speaker 19: Well, I require more drink, Frank, Will you help me

2632
02:07:41,160 --> 02:07:42,640
Speaker 19: mix a Martini by.

2633
02:07:42,560 --> 02:07:44,440
Speaker 6: The east wall.

2634
02:07:45,240 --> 02:07:47,560
Speaker 21: Certainly done, Frank, I'm.

2635
02:07:47,480 --> 02:07:50,000
Speaker 19: Not sure I like the non consensual presence of this

2636
02:07:50,160 --> 02:07:51,120
Speaker 19: sentient surface.

2637
02:07:51,760 --> 02:07:54,960
Speaker 21: I couldn't agree more love. What's next? A garrulous floor? No,

2638
02:07:55,200 --> 02:07:55,520
Speaker 21: thank you.

2639
02:07:55,760 --> 02:07:57,360
Speaker 19: We must find a way to move him on.

2640
02:07:57,600 --> 02:07:58,680
Speaker 24: Are you guys talking about me?

2641
02:07:59,120 --> 02:07:59,160
Speaker 63: No?

2642
02:07:59,440 --> 02:08:00,880
Speaker 38: No, yeah you are.

2643
02:08:01,680 --> 02:08:03,880
Speaker 13: Are you talking about exercising me from this wall?

2644
02:08:04,640 --> 02:08:05,680
Speaker 19: Why would you ever think that?

2645
02:08:06,120 --> 02:08:06,560
Speaker 7: I know you?

2646
02:08:06,960 --> 02:08:07,600
Speaker 15: That's what you do?

2647
02:08:08,840 --> 02:08:11,720
Speaker 91: As it turns out, we've decided to exercise you from

2648
02:08:11,800 --> 02:08:12,200
Speaker 91: our wall.

2649
02:08:15,120 --> 02:08:15,960
Speaker 13: But where will I go?

2650
02:08:16,840 --> 02:08:17,360
Speaker 19: Come again?

2651
02:08:18,240 --> 02:08:19,520
Speaker 21: The spirits you exercise?

2652
02:08:19,880 --> 02:08:21,120
Speaker 13: Do you know what happens to them?

2653
02:08:21,520 --> 02:08:22,560
Speaker 19: Which depends on them?

2654
02:08:22,800 --> 02:08:23,200
Speaker 21: Walton?

2655
02:08:23,560 --> 02:08:26,400
Speaker 91: Unless we're upset, we tend to send them where they

2656
02:08:26,600 --> 02:08:30,240
Speaker 91: think they should go, based on their circumstances and perspective.

2657
02:08:30,400 --> 02:08:33,320
Speaker 93: So they get end up someplace terrible, like a swimming

2658
02:08:33,360 --> 02:08:35,400
Speaker 93: pool filled with wigs and mustard.

2659
02:08:35,560 --> 02:08:38,720
Speaker 19: Only if that is their rare specific fear it is,

2660
02:08:39,760 --> 02:08:41,680
Speaker 19: and they believe that's what they deserve.

2661
02:08:41,880 --> 02:08:45,560
Speaker 4: I do, then, yes, do you drink?

2662
02:08:45,880 --> 02:08:48,360
Speaker 21: You sound like you could use a drink hack.

2663
02:08:48,400 --> 02:08:50,720
Speaker 93: When I was a guy with hands and never had

2664
02:08:50,760 --> 02:08:54,280
Speaker 93: friends like you. Now, d Frank Doyle is asking me

2665
02:08:54,400 --> 02:08:56,520
Speaker 93: to dance, drink to drink, and all I can do

2666
02:08:56,680 --> 02:08:59,160
Speaker 93: is stand here like some kind of some kind of.

2667
02:09:00,720 --> 02:09:01,760
Speaker 13: I'm sure there's a word for it.

2668
02:09:01,920 --> 02:09:04,160
Speaker 19: Now, don't get too down. It was a good run.

2669
02:09:04,760 --> 02:09:07,800
Speaker 19: You've been part of our adventures all along, Walton, we

2670
02:09:08,000 --> 02:09:08,680
Speaker 19: just didn't know it.

2671
02:09:09,000 --> 02:09:13,280
Speaker 93: Yeah, it's been fun, are you It's been real fun.

2672
02:09:14,480 --> 02:09:15,560
Speaker 93: It's been so much fun.

2673
02:09:15,720 --> 02:09:16,960
Speaker 19: Oh, please don't cry.

2674
02:09:17,360 --> 02:09:17,920
Speaker 13: I'm sorry.

2675
02:09:19,360 --> 02:09:22,200
Speaker 21: I've made it awkward now only now, just now, you've

2676
02:09:22,240 --> 02:09:22,800
Speaker 21: made it awkward.

2677
02:09:23,200 --> 02:09:25,120
Speaker 13: To be awkward is to be aware.

2678
02:09:25,120 --> 02:09:27,400
Speaker 19: Descartes, you're sure you don't want to drink.

2679
02:09:27,520 --> 02:09:30,080
Speaker 93: I don't have any kind of digestive tract. But if

2680
02:09:30,120 --> 02:09:32,480
Speaker 93: you wouldn't mind not exercising me, I won't make a

2681
02:09:32,520 --> 02:09:34,880
Speaker 93: peep again. It'd be like I'm not even here as

2682
02:09:35,000 --> 02:09:36,040
Speaker 93: if I could forget.

2683
02:09:36,400 --> 02:09:40,320
Speaker 19: Perhaps said it has the solution. You are the wallpaper,

2684
02:09:40,560 --> 02:09:41,840
Speaker 19: not the wall itself.

2685
02:09:42,280 --> 02:09:45,560
Speaker 13: Yes, I'm more of a skin condition than anything else.

2686
02:09:45,600 --> 02:09:46,600
Speaker 3: Really share.

2687
02:09:46,680 --> 02:09:49,560
Speaker 19: We peel you off the wall then, and do what

2688
02:09:49,800 --> 02:09:52,000
Speaker 19: with me? Deliver you somewhere nice.

2689
02:09:52,240 --> 02:09:54,280
Speaker 21: Do you fancy Bermuda this time of year?

2690
02:09:54,600 --> 02:09:57,160
Speaker 91: They've got plenty of walls there on which to live

2691
02:09:57,200 --> 02:09:58,960
Speaker 91: out the rest of your bizarre consciousness.

2692
02:09:59,120 --> 02:10:01,120
Speaker 13: That's the thing. I'm not sure I want to be

2693
02:10:01,200 --> 02:10:02,040
Speaker 13: a wall anymore.

2694
02:10:02,520 --> 02:10:03,720
Speaker 19: Well, then, what would you care to be?

2695
02:10:04,320 --> 02:10:05,360
Speaker 13: I'm basically leather.

2696
02:10:05,880 --> 02:10:09,360
Speaker 93: Instead of watching you, always watching you, I could be

2697
02:10:09,440 --> 02:10:12,040
Speaker 93: wrapped around you, missus Doyle, holding you.

2698
02:10:12,480 --> 02:10:15,280
Speaker 21: No, I do not like the sound of any of that,

2699
02:10:15,880 --> 02:10:17,080
Speaker 21: nor do I mean.

2700
02:10:17,200 --> 02:10:20,000
Speaker 19: Neither neither what you said nor how you said it.

2701
02:10:20,360 --> 02:10:22,640
Speaker 91: No, But you know who would love a one of

2702
02:10:22,680 --> 02:10:26,520
Speaker 91: a kind coat for Christmas? Mister Vickers, to whom we owe.

2703
02:10:26,360 --> 02:10:30,280
Speaker 19: A gift wonderful? May we dispatch two birds with you? Walter?

2704
02:10:31,120 --> 02:10:33,440
Speaker 13: Frankly, I don't know if I want some strange man

2705
02:10:33,560 --> 02:10:34,160
Speaker 13: to wear me.

2706
02:10:34,640 --> 02:10:35,760
Speaker 21: Vickers isn't strange.

2707
02:10:36,120 --> 02:10:39,280
Speaker 91: He merely traverses the globe and a boring, old coppered

2708
02:10:39,400 --> 02:10:42,240
Speaker 91: zeppelin filled with trunks and trunks of dull old money

2709
02:10:42,280 --> 02:10:43,720
Speaker 91: and everyday flammable gas.

2710
02:10:43,960 --> 02:10:44,840
Speaker 21: What's strange about that?

2711
02:10:45,200 --> 02:10:46,680
Speaker 19: Luxuriously on the edge.

2712
02:10:46,760 --> 02:10:51,160
Speaker 91: He calls himself the Thrillionaire, which is either ridiculous or admirable.

2713
02:10:51,600 --> 02:10:52,840
Speaker 21: Honestly, I go back and forth.

2714
02:10:52,960 --> 02:10:53,480
Speaker 13: I don't know.

2715
02:10:53,960 --> 02:10:56,200
Speaker 21: Listen, you can be a coat or a man a wall,

2716
02:10:56,280 --> 02:10:57,440
Speaker 21: but you can't stay here.

2717
02:10:57,840 --> 02:11:01,320
Speaker 13: Fine, mister Vickers's coat, here we go.

2718
02:11:01,800 --> 02:11:05,160
Speaker 19: I'll just reach up and peel you at this corner. Walton,

2719
02:11:05,440 --> 02:11:09,120
Speaker 19: Oh my god, that faithful, Oh dear. Maybe all in

2720
02:11:09,200 --> 02:11:11,800
Speaker 19: one go, like pulling off a band aid, but in

2721
02:11:11,880 --> 02:11:14,320
Speaker 19: a scenario in which it hurts only the band aid.

2722
02:11:14,720 --> 02:11:15,480
Speaker 22: Just do it, Just do it.

2723
02:11:15,480 --> 02:11:17,240
Speaker 21: Don't talk about just just just just do it.

2724
02:11:17,640 --> 02:11:19,160
Speaker 52: No, he's very does.

2725
02:11:20,600 --> 02:11:22,400
Speaker 19: What we needed a little lubrication?

2726
02:11:23,160 --> 02:11:26,880
Speaker 42: What is that a giblet for your glue?

2727
02:11:27,760 --> 02:11:28,000
Speaker 53: Ah?

2728
02:11:29,320 --> 02:11:30,920
Speaker 13: Who said I couldn't drink me?

2729
02:11:31,520 --> 02:11:31,800
Speaker 28: Wrong?

2730
02:11:32,560 --> 02:11:33,360
Speaker 21: I was wrong.

2731
02:11:33,680 --> 02:11:38,120
Speaker 19: I apologize Walton's feeling quite nicely, now, wouldn't you say.

2732
02:11:38,040 --> 02:11:40,560
Speaker 21: Frank, I would describe Walton as supple?

2733
02:11:40,760 --> 02:11:42,440
Speaker 13: This is our say, a dream come true?

2734
02:11:42,840 --> 02:11:46,360
Speaker 19: Hmmm? What is this on your skin? Walton? Some kind

2735
02:11:46,400 --> 02:11:46,920
Speaker 19: of marking?

2736
02:11:47,200 --> 02:11:49,280
Speaker 13: He found my tattoo?

2737
02:11:49,840 --> 02:11:51,640
Speaker 21: Tattoo? Were you a sailor?

2738
02:11:52,320 --> 02:11:52,360
Speaker 26: No?

2739
02:11:52,600 --> 02:11:54,800
Speaker 13: I was a member of a secret society. I should

2740
02:11:54,880 --> 02:11:57,240
Speaker 13: never have joined a secret society. I just knew I'd

2741
02:11:57,320 --> 02:11:59,520
Speaker 13: end up a wall. They always do.

2742
02:12:01,400 --> 02:12:04,240
Speaker 19: You know, Frank, we've seen that tattoo before.

2743
02:12:04,760 --> 02:12:05,720
Speaker 21: I think i'd remember.

2744
02:12:05,920 --> 02:12:06,840
Speaker 19: Turn it upside down.

2745
02:12:07,320 --> 02:12:11,440
Speaker 21: Oo oh, this is from the Triangle Club. They tried

2746
02:12:11,480 --> 02:12:12,920
Speaker 21: to recruit me about ten years back.

2747
02:12:13,040 --> 02:12:15,920
Speaker 19: Frank, isn't it when the plaza? Is it an outside contractor?

2748
02:12:16,000 --> 02:12:18,800
Speaker 19: It gifted us the Ostrich wallpaper.

2749
02:12:18,440 --> 02:12:21,560
Speaker 91: And the wallpaper arrived after we concluded that the Triangle

2750
02:12:21,640 --> 02:12:22,560
Speaker 91: Club was nothing.

2751
02:12:22,360 --> 02:12:24,360
Speaker 21: But a men's group for warlocks.

2752
02:12:24,880 --> 02:12:28,320
Speaker 19: Indeed, didn't we put a stop to their entire chapter?

2753
02:12:28,480 --> 02:12:30,520
Speaker 13: You eradicated the Isosceles cauldron?

2754
02:12:31,240 --> 02:12:35,240
Speaker 21: No, no, no, no, no, we help them eradicate themselves.

2755
02:12:35,400 --> 02:12:36,000
Speaker 21: Oh you did?

2756
02:12:36,440 --> 02:12:39,280
Speaker 93: The club felt like a very wronged triangle. Mister Doyle

2757
02:12:39,560 --> 02:12:40,720
Speaker 93: determined to make it right.

2758
02:12:41,240 --> 02:12:44,640
Speaker 19: Are you saying they've flayed you because of our actions? Walton?

2759
02:12:44,960 --> 02:12:47,960
Speaker 93: Oh no, I got flayed way before that for infidelity,

2760
02:12:48,160 --> 02:12:51,960
Speaker 93: and not even mine. You know Pythagorean warlock. Yeah, his

2761
02:12:52,120 --> 02:12:54,240
Speaker 93: wife is whose infidelity it was?

2762
02:12:54,800 --> 02:12:56,720
Speaker 19: Well, why would they ever save you for us?

2763
02:12:57,120 --> 02:12:57,280
Speaker 38: Oh?

2764
02:12:57,800 --> 02:13:03,120
Speaker 93: My punishment was to be a punishment. I honestly, I'm

2765
02:13:03,120 --> 02:13:07,480
Speaker 93: supposed to drain your souls. I'm what's called a oh man,

2766
02:13:07,520 --> 02:13:09,960
Speaker 93: I can never remember, but it's bad. It's a word

2767
02:13:10,040 --> 02:13:12,720
Speaker 93: that means a patch of kursed skin that drains out souls.

2768
02:13:14,160 --> 02:13:15,320
Speaker 13: God, yeah, I don't remember.

2769
02:13:15,360 --> 02:13:19,360
Speaker 21: You guys know, No, Wally, have you been draining our souls?

2770
02:13:19,520 --> 02:13:20,520
Speaker 19: Please be honest?

2771
02:13:20,760 --> 02:13:23,400
Speaker 93: I would never No, I mean I was supposed to.

2772
02:13:23,720 --> 02:13:25,960
Speaker 93: I was gonna, but then I couldn't do it because

2773
02:13:25,960 --> 02:13:27,240
Speaker 93: I loved you guys right away.

2774
02:13:28,040 --> 02:13:31,480
Speaker 19: We are touched Walton. But if we send you as

2775
02:13:31,520 --> 02:13:34,000
Speaker 19: a coat to mister Vickers, are you going to drain

2776
02:13:34,120 --> 02:13:34,640
Speaker 19: his soul?

2777
02:13:35,320 --> 02:13:36,680
Speaker 13: If he's not as charming as you?

2778
02:13:37,600 --> 02:13:40,920
Speaker 19: Maybe I suppose we can't send him to mister Vickers,

2779
02:13:41,000 --> 02:13:42,400
Speaker 19: then kena wayframe.

2780
02:13:42,280 --> 02:13:45,320
Speaker 21: No, Vickers is more eccentric than charming. That wouldn't do.

2781
02:13:45,920 --> 02:13:48,160
Speaker 91: Shall we send you to that warlock who flayed you

2782
02:13:48,280 --> 02:13:49,480
Speaker 91: and then tried to destroy us?

2783
02:13:49,760 --> 02:13:50,520
Speaker 21: Is he still kicking?

2784
02:13:50,800 --> 02:13:51,640
Speaker 13: O Pythagorean?

2785
02:13:52,040 --> 02:13:58,520
Speaker 21: He let me see? What are you seeing?

2786
02:13:58,680 --> 02:13:59,080
Speaker 41: Exactly?

2787
02:13:59,160 --> 02:14:03,800
Speaker 93: I'm expanding my consciousness outward all whatever I'm calleds can

2788
02:14:03,880 --> 02:14:11,160
Speaker 93: do this? Nah, yup, got him. He's alive, barely. He

2789
02:14:11,240 --> 02:14:14,080
Speaker 93: and his wife are a nursing home in Queen's Would.

2790
02:14:13,880 --> 02:14:16,000
Speaker 21: You enjoy to take his soul before it slips out

2791
02:14:16,040 --> 02:14:16,320
Speaker 21: of him?

2792
02:14:16,760 --> 02:14:16,920
Speaker 49: Oh?

2793
02:14:17,000 --> 02:14:17,240
Speaker 52: Boy?

2794
02:14:17,320 --> 02:14:20,120
Speaker 13: Would I? And it would be nice to see Angela again.

2795
02:14:20,320 --> 02:14:23,880
Speaker 91: Then we shall visit a nursing home. A nursing home

2796
02:14:23,960 --> 02:14:28,200
Speaker 91: in Queens You do that for me? It's Christmas apparently,

2797
02:14:28,440 --> 02:14:29,600
Speaker 91: and you're like family.

2798
02:14:30,200 --> 02:14:32,160
Speaker 19: Family, We do not want to stay with us, which

2799
02:14:32,240 --> 02:14:34,880
Speaker 19: is just exactly who you delivered to a nursing home

2800
02:14:35,160 --> 02:14:36,080
Speaker 19: in Queen's.

2801
02:14:36,640 --> 02:14:39,200
Speaker 93: Then it seems like we've got this triangle club situation

2802
02:14:39,920 --> 02:14:40,640
Speaker 93: squared away.

2803
02:14:41,120 --> 02:14:43,200
Speaker 4: I'll row you right up now, Walton.

2804
02:14:43,280 --> 02:14:46,000
Speaker 19: Oh Frank, with Walton off the Queen's. We are without

2805
02:14:46,040 --> 02:14:47,440
Speaker 19: a gift for the brillionaire.

2806
02:14:48,160 --> 02:14:50,280
Speaker 21: What do you get for the man who has everything?

2807
02:14:50,480 --> 02:14:50,680
Speaker 94: Oh?

2808
02:14:51,360 --> 02:14:51,720
Speaker 56: You have it?

2809
02:14:51,920 --> 02:14:54,520
Speaker 19: I believe I have. For the man who has everything,

2810
02:14:54,560 --> 02:14:56,360
Speaker 19: you get him the one thing he doesn't.

2811
02:14:56,120 --> 02:15:00,200
Speaker 21: Have, nothing, nothing, It's perfect, just.

2812
02:15:00,360 --> 02:15:02,680
Speaker 19: Like your eyes, smiler, my eyes.

2813
02:15:03,120 --> 02:15:05,760
Speaker 91: Have you seen your nose? You want to talk about perfection?

2814
02:15:05,920 --> 02:15:11,160
Speaker 91: Look in a mirror, your nose, your ears, your lips.

2815
02:15:11,440 --> 02:15:14,120
Speaker 19: Your lips? What put them right here?

2816
02:15:14,520 --> 02:15:16,960
Speaker 21: But darling, i'd get them all over your lips.

2817
02:15:17,360 --> 02:15:18,720
Speaker 19: Yes, you would, wouldn't be.

2818
02:15:19,800 --> 02:15:20,879
Speaker 21: But they're perfect.

2819
02:15:21,000 --> 02:15:22,560
Speaker 19: Hey, guys, they can take it.

2820
02:15:23,080 --> 02:15:23,960
Speaker 22: Guys. You're on me.

2821
02:15:24,720 --> 02:15:29,240
Speaker 93: Guy, Hey guys, could you move me to the east

2822
02:15:29,240 --> 02:15:30,160
Speaker 93: side of the room house.

2823
02:15:30,240 --> 02:15:31,840
Speaker 13: Kind of want to see what it's like over there.

2824
02:15:34,480 --> 02:15:41,160
Speaker 93: Oh God, if I get don't want to interrupt, guys.

2825
02:15:45,680 --> 02:15:49,640
Speaker 22: And so Frank and Sadie find themselves walking tall in

2826
02:15:49,720 --> 02:15:52,920
Speaker 22: the face of a talking wall. Revenge is a dish

2827
02:15:53,000 --> 02:15:56,800
Speaker 22: best left unserved to those man mediums, unless they find

2828
02:15:56,840 --> 02:15:59,920
Speaker 22: out about it, get it drunk, and send it back war.

2829
02:16:01,720 --> 02:16:04,400
Speaker 22: Join the Doyles next time when they once again walk

2830
02:16:04,480 --> 02:16:09,320
Speaker 22: beyond belief in a horrifying Kronukah episode titled The Lady

2831
02:16:09,440 --> 02:16:13,360
Speaker 22: of the Latkas coden deeedeldder deedal diver Doom.

2832
02:16:17,240 --> 02:16:20,000
Speaker 1: This next clip comes from a new podcast that premiered

2833
02:16:20,080 --> 02:16:23,320
Speaker 1: appropriately the day after the midterm elections this year. It's

2834
02:16:23,400 --> 02:16:26,160
Speaker 1: called This Is What Democracy POD's Like, and it's hosted

2835
02:16:26,200 --> 02:16:30,040
Speaker 1: by comedians and progressive firebrands Billy Domino, Oscar Montoya, and

2836
02:16:30,200 --> 02:16:33,560
Speaker 1: Kate Friedman. Each week, Billy, Oscar and Kate trade hot

2837
02:16:33,600 --> 02:16:36,120
Speaker 1: takes on the week in politics, take the temperature of

2838
02:16:36,160 --> 02:16:40,000
Speaker 1: the resistance, and interview unforgettable guests like young Al Gore,

2839
02:16:40,400 --> 02:16:44,680
Speaker 1: death obsessed Dan Rather, sexy Wyoming politician Ross Dennison, and

2840
02:16:44,920 --> 02:16:48,520
Speaker 1: the head of nonpracticing Lesbians for Ted Cruz Cheyenne Dikes.

2841
02:16:48,800 --> 02:16:51,480
Speaker 1: In the following clip, Billy and Kate reads selections from

2842
02:16:51,520 --> 02:16:55,720
Speaker 1: their post midterms congressional erotic fan fiction and enjoy.

2843
02:16:56,080 --> 02:17:00,480
Speaker 95: We've got that Democratic House coming up in January that

2844
02:17:00,520 --> 02:17:02,800
Speaker 95: he'll be sworn in, and Pelosi's likely going to take

2845
02:17:02,840 --> 02:17:05,240
Speaker 95: back that gavel. We'll see Marsha Fudge coming forward.

2846
02:17:05,320 --> 02:17:05,880
Speaker 17: Who knows.

2847
02:17:06,879 --> 02:17:10,320
Speaker 95: But we've been waiting for this for not even just

2848
02:17:10,320 --> 02:17:12,080
Speaker 95: two years since Trump was elected. We've been waiting for

2849
02:17:12,120 --> 02:17:16,280
Speaker 95: this for eighty years now, since twenty ten. And we've

2850
02:17:16,320 --> 02:17:18,280
Speaker 95: had some ideas in mind of what might happen when

2851
02:17:18,320 --> 02:17:21,920
Speaker 95: that house is taken back. Absolutely, ideas that excite us. Yeah,

2852
02:17:21,959 --> 02:17:24,800
Speaker 95: ideas that make us whisper, Ideas that make a scream.

2853
02:17:26,320 --> 02:17:28,440
Speaker 95: But Kate and I have written up some stuff Oscar

2854
02:17:28,520 --> 02:17:32,520
Speaker 95: didn't because Oscar was busy last night. Dud, Why were

2855
02:17:32,560 --> 02:17:34,880
Speaker 95: you busy with Oscar? He has no answer for that.

2856
02:17:34,920 --> 02:17:36,640
Speaker 95: He's just touching his coffee. So it's going to save

2857
02:17:36,720 --> 02:17:39,640
Speaker 95: him somehow, it's not Kate, do you want to read

2858
02:17:40,520 --> 02:17:42,440
Speaker 95: your little story? Show us what's in your brain, what

2859
02:17:42,520 --> 02:17:45,119
Speaker 95: you're hoping for, we get politically out of this house.

2860
02:17:45,280 --> 02:17:46,840
Speaker 9: Thank you for the invitation, Billy.

2861
02:17:46,879 --> 02:17:51,600
Speaker 54: I'm really excited to have an outlet for my excitement

2862
02:17:51,760 --> 02:17:57,400
Speaker 54: about the house and my own sexual energy. The air

2863
02:17:57,560 --> 02:18:02,200
Speaker 54: was heavily perfumed by fresh, glisten sampler baskets. Abby was

2864
02:18:02,280 --> 02:18:04,920
Speaker 54: so excited she could barely take a bite as Nancy

2865
02:18:05,040 --> 02:18:07,520
Speaker 54: Pelosi kept talking to her on and on and on.

2866
02:18:08,400 --> 02:18:10,840
Speaker 54: No one told me Congress was going to be this fun.

2867
02:18:11,000 --> 02:18:14,080
Speaker 54: Abby said as she took an ill informed drag, shooting

2868
02:18:14,120 --> 02:18:17,680
Speaker 54: her straight to the moon. I'm with all that nance,

2869
02:18:17,720 --> 02:18:21,280
Speaker 54: but I'm gonna be all up in that probe, giving

2870
02:18:21,360 --> 02:18:25,160
Speaker 54: my best. Oh face, oh oh oh, Adam Shift said,

2871
02:18:25,480 --> 02:18:28,720
Speaker 54: as a few people laughed. Not my best, sorry, guys,

2872
02:18:28,760 --> 02:18:32,039
Speaker 54: Adam said as he asked for the bill. Adam nineteen

2873
02:18:32,120 --> 02:18:34,040
Speaker 54: ninety two might have been here the woman, but this

2874
02:18:34,200 --> 02:18:36,560
Speaker 54: is twenty eighteen, and it's here the woman telling you

2875
02:18:36,680 --> 02:18:39,360
Speaker 54: to shut the fuck up, Nancy said, as all the

2876
02:18:39,480 --> 02:18:40,680
Speaker 54: ladies laughed together.

2877
02:18:40,440 --> 02:18:41,400
Speaker 9: In a glorious way.

2878
02:18:42,080 --> 02:18:45,640
Speaker 54: Abby couldn't believe the night was all already over, or

2879
02:18:45,879 --> 02:18:48,160
Speaker 54: was it all of a sudden? It was February and

2880
02:18:48,200 --> 02:18:51,120
Speaker 54: the House was in full swing. New and extremely strict

2881
02:18:51,160 --> 02:18:54,640
Speaker 54: gun background checks were in play, and community policing totally

2882
02:18:54,720 --> 02:18:57,400
Speaker 54: took a turn for the best and across the country

2883
02:18:57,800 --> 02:19:01,959
Speaker 54: was totally responsible behind the peaceful burnings of excess guns

2884
02:19:02,000 --> 02:19:05,360
Speaker 54: around the country. Maroon five had even played at a

2885
02:19:05,440 --> 02:19:08,080
Speaker 54: recent gun burning event in Austin, and it was dope

2886
02:19:08,160 --> 02:19:11,840
Speaker 54: as fuck. Everything was coming up Democrat. As they were

2887
02:19:11,879 --> 02:19:14,760
Speaker 54: about to break for lunch, Nancy Pelosi let everyone know

2888
02:19:14,840 --> 02:19:17,480
Speaker 54: that Trump was stepping down as president because Greg Pence

2889
02:19:17,520 --> 02:19:19,160
Speaker 54: got a message from God that it was the right

2890
02:19:19,200 --> 02:19:22,280
Speaker 54: thing to do. The White House was about to instill

2891
02:19:22,560 --> 02:19:25,320
Speaker 54: the House of Reps as one really big new president.

2892
02:19:25,760 --> 02:19:29,360
Speaker 54: Here here, everyone shouted. Abby squealed in delight. She couldn't

2893
02:19:29,360 --> 02:19:32,280
Speaker 54: believe that she was part of an even bigger moment

2894
02:19:32,320 --> 02:19:35,120
Speaker 54: in history that happened in record time. Just as she

2895
02:19:35,240 --> 02:19:36,760
Speaker 54: was about to call her dad and tell him the

2896
02:19:36,800 --> 02:19:40,560
Speaker 54: good news, she felt another naked, unsucked foot fall upon hers.

2897
02:19:41,040 --> 02:19:43,040
Speaker 54: When she looked up, she was shocked at who was

2898
02:19:43,160 --> 02:19:45,480
Speaker 54: on the other end of the leg grazing hers.

2899
02:19:49,600 --> 02:19:53,920
Speaker 3: Oh my gosh, Oh.

2900
02:19:54,200 --> 02:19:56,520
Speaker 95: Yeah, that sounds like a walk around the block after

2901
02:19:56,640 --> 02:19:57,000
Speaker 95: that one.

2902
02:19:57,080 --> 02:19:57,360
Speaker 5: Woo.

2903
02:19:58,600 --> 02:20:00,520
Speaker 54: Thank you for letting me get some of those thoughts

2904
02:20:00,560 --> 02:20:01,080
Speaker 54: and feelings.

2905
02:20:02,959 --> 02:20:07,120
Speaker 95: I mean, everyone knows that the key to erotica is specifics,

2906
02:20:07,360 --> 02:20:13,400
Speaker 95: and Chili's Alexandria hampedon in these are all things that

2907
02:20:14,400 --> 02:20:16,480
Speaker 95: that make that make parts of my body shout.

2908
02:20:17,000 --> 02:20:18,000
Speaker 3: That's so nice, thank you.

2909
02:20:18,160 --> 02:20:20,120
Speaker 54: It's so nice to have like a warm reception to

2910
02:20:20,240 --> 02:20:22,480
Speaker 54: something that like you write in such a piece of

2911
02:20:22,560 --> 02:20:25,480
Speaker 54: you and it's so vulnerable and like you know, you're questioning,

2912
02:20:25,560 --> 02:20:27,120
Speaker 54: like did I put too many time jumps in?

2913
02:20:27,200 --> 02:20:27,320
Speaker 3: There?

2914
02:20:27,400 --> 02:20:28,320
Speaker 11: Is it making sense?

2915
02:20:28,480 --> 02:20:28,520
Speaker 32: Like?

2916
02:20:28,680 --> 02:20:30,560
Speaker 9: And it's just it just feels really nice.

2917
02:20:30,640 --> 02:20:31,120
Speaker 11: Guys, thank you.

2918
02:20:31,400 --> 02:20:34,160
Speaker 95: We are not about kink shaming. We are about kink celebrations,

2919
02:20:34,520 --> 02:20:36,640
Speaker 95: matter the kink, no matter if it's dangerous to others.

2920
02:20:37,280 --> 02:20:37,400
Speaker 82: Uh.

2921
02:20:37,800 --> 02:20:39,240
Speaker 95: You know you need to do what you need to

2922
02:20:39,320 --> 02:20:41,280
Speaker 95: do in order to express yourself and your body.

2923
02:20:41,600 --> 02:20:41,760
Speaker 7: Wow.

2924
02:20:41,800 --> 02:20:44,560
Speaker 3: Okay, well, thank you so much for sharing this work

2925
02:20:44,600 --> 02:20:45,000
Speaker 3: of art.

2926
02:20:46,200 --> 02:20:48,840
Speaker 2: Billy, let's hear yours please.

2927
02:20:48,879 --> 02:20:50,920
Speaker 95: I'll admit mine doesn't have as many time jumps. Mind

2928
02:20:50,920 --> 02:20:52,520
Speaker 95: takes place and sort of more in real time.

2929
02:20:52,600 --> 02:20:54,400
Speaker 9: But that's interesting in.

2930
02:20:54,400 --> 02:20:58,800
Speaker 95: Its own way. Really, maybe that's equally erotic. After a

2931
02:20:58,920 --> 02:21:02,720
Speaker 95: grueling eight week of auditions and experimental workshopping where several

2932
02:21:02,840 --> 02:21:06,119
Speaker 95: congress people lost their lives due to trust falls, today

2933
02:21:06,320 --> 02:21:10,200
Speaker 95: everyone will learn the committee appointments. Quickly, the shouts start

2934
02:21:10,240 --> 02:21:13,160
Speaker 95: to rise above the din as excitement fills the room

2935
02:21:13,240 --> 02:21:17,480
Speaker 95: with sexy feelings. Mitch tepidly walks towards the corkboard. What

2936
02:21:17,600 --> 02:21:22,760
Speaker 95: committy will he be on Energy and Commerce Yearbook? Everyone

2937
02:21:22,800 --> 02:21:26,520
Speaker 95: sees Mitch walking, clothes, his neck glistening in the indoor breeze.

2938
02:21:27,320 --> 02:21:30,560
Speaker 95: The crowd parts, and a hush falls over a hush

2939
02:21:30,760 --> 02:21:33,439
Speaker 95: like that time mister Bainner cried during the Earth They Assembly.

2940
02:21:34,160 --> 02:21:36,080
Speaker 95: No one wants to be near Mitch. When he finds

2941
02:21:36,120 --> 02:21:40,000
Speaker 95: out the news, Mitch scrolls the list with his sexy

2942
02:21:40,120 --> 02:21:45,960
Speaker 95: hot finger. Commerce, no veterans affairs, no pep squad, and agriculture,

2943
02:21:46,000 --> 02:21:50,000
Speaker 95: not even that one. Mitch is sad. A tear starts

2944
02:21:50,040 --> 02:21:52,280
Speaker 95: to trickle down his cheek as ted Leo and Elijah

2945
02:21:52,320 --> 02:21:55,640
Speaker 95: Cummings make out by the junior lockers. Get a room,

2946
02:21:55,879 --> 02:21:58,959
Speaker 95: shouts Jody ORNs through her headgear covered in four H stickers.

2947
02:22:00,040 --> 02:22:02,680
Speaker 95: Adam and Elijah do not get a room. They just

2948
02:22:02,840 --> 02:22:06,320
Speaker 95: keep sucking neck, their lips glistening in the indoor breeze.

2949
02:22:07,320 --> 02:22:09,440
Speaker 95: Mitch is about to give up and go home, thinking

2950
02:22:09,520 --> 02:22:11,760
Speaker 95: this new Congress is one he won't be a part of.

2951
02:22:12,400 --> 02:22:13,480
Speaker 22: He'll just have to go home and.

2952
02:22:13,560 --> 02:22:17,440
Speaker 95: Kill himself like he always does. But just then he

2953
02:22:17,520 --> 02:22:20,440
Speaker 95: sees one tiny list at the very bottom of the corkboard.

2954
02:22:21,000 --> 02:22:23,920
Speaker 95: It has his name on it, but it's the only name.

2955
02:22:26,480 --> 02:22:30,320
Speaker 52: Oh my God, more, give us more, Billy too.

2956
02:22:30,280 --> 02:22:31,520
Speaker 18: Short, Holy crap.

2957
02:22:31,680 --> 02:22:34,599
Speaker 95: If you want more, go to your local library.

2958
02:22:36,000 --> 02:22:37,879
Speaker 17: And write this there on a public computer.

2959
02:22:39,120 --> 02:22:41,280
Speaker 23: Is it a published work that I don't know?

2960
02:22:41,320 --> 02:22:42,400
Speaker 95: What do you call WordPress?

2961
02:22:42,600 --> 02:22:44,120
Speaker 42: Is WordPress publishing or not?

2962
02:22:44,840 --> 02:22:45,280
Speaker 3: I don't know.

2963
02:22:46,840 --> 02:22:49,480
Speaker 2: I'm not really I'm I really am.

2964
02:22:49,640 --> 02:22:50,600
Speaker 15: Is it legally published?

2965
02:22:50,600 --> 02:22:50,960
Speaker 22: I don't know?

2966
02:22:51,160 --> 02:22:52,480
Speaker 2: Is this in the Library of Congress?

2967
02:22:52,680 --> 02:22:52,880
Speaker 21: Yes?

2968
02:22:53,640 --> 02:22:54,240
Speaker 17: I don't know what.

2969
02:22:54,920 --> 02:22:56,600
Speaker 95: I don't know what weight you want to give that?

2970
02:22:59,560 --> 02:22:59,840
Speaker 22: Guess what?

2971
02:23:00,000 --> 02:23:02,760
Speaker 1: But Forever Dog has a baseball podcast and it's about

2972
02:23:02,800 --> 02:23:06,200
Speaker 1: more than baseball, and it's really really good. It's called

2973
02:23:06,240 --> 02:23:09,400
Speaker 1: Three Swings, and on each episode, long suffering baseball fan

2974
02:23:09,520 --> 02:23:17,680
Speaker 1: RIEA Butcher reinvents America's pastime with radically sensible thoughts on baseball, history, culture, gender, race, politics,

2975
02:23:17,800 --> 02:23:20,520
Speaker 1: and more. John Lingen over a Dead spind hit the

2976
02:23:20,600 --> 02:23:22,920
Speaker 1: nail on the head when he described Three Swings like this.

2977
02:23:23,560 --> 02:23:26,160
Speaker 1: For Butcher, as for everyone else that cares about the game,

2978
02:23:26,480 --> 02:23:30,279
Speaker 1: baseball is an escape, a beautifully pointless hobby that nevertheless

2979
02:23:30,320 --> 02:23:32,359
Speaker 1: connects us to our friends, family.

2980
02:23:32,200 --> 02:23:33,080
Speaker 3: City, and youth.

2981
02:23:33,520 --> 02:23:36,520
Speaker 1: But Three Swings is a baseball show for an anxious age,

2982
02:23:36,920 --> 02:23:41,200
Speaker 1: one where everything feels connected and ambiently doomed. As such,

2983
02:23:41,280 --> 02:23:43,720
Speaker 1: it has become a journey of a host's self reflection

2984
02:23:43,959 --> 02:23:47,760
Speaker 1: and self reinvention. The Ragged optimism of that evolution is

2985
02:23:47,840 --> 02:23:52,560
Speaker 1: always visible. Well put couldn't agree more. Please enjoy the

2986
02:23:52,600 --> 02:23:54,879
Speaker 1: following clip from Three Swings.

2987
02:23:55,120 --> 02:23:57,640
Speaker 63: We've got a big trade, which is Daniel Murphy to

2988
02:23:57,760 --> 02:24:01,560
Speaker 63: the Cubs. Daniel Murphy's outside spoken homophobia began when he

2989
02:24:01,680 --> 02:24:04,520
Speaker 63: was with the Mets in twenty fifteen. Billy Bean, former

2990
02:24:04,640 --> 02:24:07,959
Speaker 63: MLB player and current inclusion ambassador, was visiting the Mets

2991
02:24:08,000 --> 02:24:11,439
Speaker 63: in spring training to share his experiences as a closeted

2992
02:24:11,520 --> 02:24:15,360
Speaker 63: professional athlete and to discuss strategies to the MLB to

2993
02:24:15,440 --> 02:24:19,080
Speaker 63: become more inclusive and accepting of gay athletes, executives, and fans,

2994
02:24:20,080 --> 02:24:21,080
Speaker 63: and just to put a pin.

2995
02:24:21,000 --> 02:24:21,560
Speaker 11: In this there.

2996
02:24:22,400 --> 02:24:26,720
Speaker 63: Billy Bean has since said that he retired from baseball

2997
02:24:26,840 --> 02:24:28,680
Speaker 63: because he did not feel he could come out and

2998
02:24:28,840 --> 02:24:31,440
Speaker 63: continue to play baseball, and he needed to come out.

2999
02:24:32,280 --> 02:24:34,400
Speaker 63: So I think that's an important thing to keep in

3000
02:24:34,520 --> 02:24:38,199
Speaker 63: mind when discussing Billy Bean. I think it's always important

3001
02:24:38,240 --> 02:24:42,040
Speaker 63: to keep a timeline of these things, regardless of what

3002
02:24:42,200 --> 02:24:44,840
Speaker 63: it is in mind, which you could also consider to

3003
02:24:44,920 --> 02:24:49,160
Speaker 63: be context that he retired early from not just the

3004
02:24:49,240 --> 02:24:54,600
Speaker 63: sport that he loved and something he was blessed I

3005
02:24:54,640 --> 02:24:57,840
Speaker 63: guess to be able to do he also had to

3006
02:24:57,959 --> 02:25:02,440
Speaker 63: retire from work, his job essentially so that he could

3007
02:25:02,480 --> 02:25:04,920
Speaker 63: be his true self. And I don't think we think

3008
02:25:04,959 --> 02:25:08,360
Speaker 63: about that often. You know, we think about we look

3009
02:25:08,440 --> 02:25:11,960
Speaker 63: at you know, the Internet, and everybody's so pro LGBTQ

3010
02:25:12,160 --> 02:25:16,280
Speaker 63: plus ia, like everybody's so pro everything, and everybody thinks

3011
02:25:16,320 --> 02:25:19,680
Speaker 63: everything's fine now. But like you got to think about

3012
02:25:20,520 --> 02:25:24,520
Speaker 63: these things where yeah, he's all over the place and

3013
02:25:24,560 --> 02:25:28,240
Speaker 63: they made this position for him, but he that's because

3014
02:25:28,280 --> 02:25:31,680
Speaker 63: he had to retire so that he could be who

3015
02:25:31,720 --> 02:25:32,080
Speaker 63: he is.

3016
02:25:32,840 --> 02:25:33,800
Speaker 11: And that's a big deal.

3017
02:25:34,080 --> 02:25:38,360
Speaker 63: You know, that's kind of a big problem. And you know,

3018
02:25:38,640 --> 02:25:41,720
Speaker 63: I'm more concerned about that that people don't have to

3019
02:25:42,280 --> 02:25:45,400
Speaker 63: quit their jobs or be fired from their jobs than

3020
02:25:45,440 --> 02:25:48,240
Speaker 63: I am about, you know, whether or not a team

3021
02:25:48,400 --> 02:25:51,520
Speaker 63: sells a rainbow flag shirt in their pro shop. You know,

3022
02:25:51,640 --> 02:25:54,959
Speaker 63: it's one thing is making money and then the other

3023
02:25:55,040 --> 02:25:57,320
Speaker 63: thing is preventing a human being from doing a job.

3024
02:25:57,560 --> 02:25:57,720
Speaker 54: You know.

3025
02:25:57,840 --> 02:25:59,440
Speaker 17: So I think that both things.

3026
02:25:59,320 --> 02:26:01,560
Speaker 63: Are important, but one might be a little bit more

3027
02:26:01,600 --> 02:26:05,760
Speaker 63: important for me. So, in response to Billy Beans's visit,

3028
02:26:05,959 --> 02:26:10,040
Speaker 63: Murphy first called the idea forward thinking, before proceeding to

3029
02:26:10,160 --> 02:26:13,280
Speaker 63: say that because of his Christian beliefs, he disagreed with

3030
02:26:13,560 --> 02:26:17,040
Speaker 63: Bean's lifestyle. The full quote is this, I do disagree

3031
02:26:17,080 --> 02:26:20,480
Speaker 63: with the fact that Billy is a homosexual, something very

3032
02:26:20,520 --> 02:26:22,920
Speaker 63: specific about Christians using the word homosexual.

3033
02:26:23,000 --> 02:26:23,400
Speaker 17: But whatever.

3034
02:26:23,480 --> 02:26:26,480
Speaker 63: Anyway, that doesn't mean I can't still invest in him

3035
02:26:26,520 --> 02:26:28,199
Speaker 63: and get to know him. I don't think the fact

3036
02:26:28,200 --> 02:26:30,800
Speaker 63: that someone is a homosexual should completely shut the door

3037
02:26:30,920 --> 02:26:34,200
Speaker 63: on investing in them. In a relational aspect, I would say,

3038
02:26:34,600 --> 02:26:36,760
Speaker 63: you can still accept them, but I do disagree with

3039
02:26:36,840 --> 02:26:41,520
Speaker 63: the lifestyle one hundred percent. Maybe as a Christian. Oh sorry,

3040
02:26:41,720 --> 02:26:45,200
Speaker 63: new sentence, one hundred percent. Maybe as a Christian, we

3041
02:26:45,280 --> 02:26:48,560
Speaker 63: haven't been articulate enough in describing what our actual stance

3042
02:26:48,680 --> 02:26:51,880
Speaker 63: is on homosexuality. We love the people, we disagree with

3043
02:26:51,920 --> 02:26:54,280
Speaker 63: the lifestyle. That's the way I would describe it. For me,

3044
02:26:54,440 --> 02:26:56,600
Speaker 63: it's the same way that there are aspects of my

3045
02:26:56,760 --> 02:27:00,480
Speaker 63: life that I'm trying to surrender to Christ great deal

3046
02:27:00,520 --> 02:27:02,880
Speaker 63: of many things, like my pride, which I think is

3047
02:27:02,959 --> 02:27:04,960
Speaker 63: such an interesting choice of words, and I'll get back

3048
02:27:05,000 --> 02:27:07,600
Speaker 63: to that. I just think that as a believer, trying

3049
02:27:07,640 --> 02:27:10,160
Speaker 63: to articulate it in a way that says, just because

3050
02:27:10,160 --> 02:27:12,440
Speaker 63: I disagree with the lifestyle doesn't mean I'm not going

3051
02:27:12,520 --> 02:27:14,879
Speaker 63: to speak to Billy Bean every time he walks through

3052
02:27:14,920 --> 02:27:15,240
Speaker 63: the door.

3053
02:27:15,600 --> 02:27:16,320
Speaker 9: That's not love.

3054
02:27:16,520 --> 02:27:17,440
Speaker 17: That's not love at all.

3055
02:27:19,280 --> 02:27:19,840
Speaker 27: Now I.

3056
02:27:21,360 --> 02:27:25,360
Speaker 63: Have to admit that in twenty fifteen, when this happened,

3057
02:27:25,959 --> 02:27:30,720
Speaker 63: I had just started getting back into baseball in twenty thirteen,

3058
02:27:30,840 --> 02:27:33,640
Speaker 63: twenty fourteen. Twenty fifteen was the first World Series that

3059
02:27:33,720 --> 02:27:37,360
Speaker 63: I watched since probably two thousand and six, because I

3060
02:27:37,480 --> 02:27:41,400
Speaker 63: really was out of sports for a long time, men's

3061
02:27:41,480 --> 02:27:44,840
Speaker 63: professional sports for a long time, and I found out

3062
02:27:44,879 --> 02:27:49,600
Speaker 63: about this stuff mostly via like TV clips and then

3063
02:27:49,840 --> 02:27:51,680
Speaker 63: maybe the Internet, but I don't really know. It was

3064
02:27:51,680 --> 02:27:54,800
Speaker 63: a combination. And I didn't read the whole quote, and

3065
02:27:54,879 --> 02:27:57,640
Speaker 63: I didn't hear the whole quote, and I'll be honest,

3066
02:27:57,879 --> 02:28:02,080
Speaker 63: I just kind of saw homophobic baseball player and went

3067
02:28:02,360 --> 02:28:02,959
Speaker 63: fuck that guy.

3068
02:28:03,680 --> 02:28:05,320
Speaker 11: And that's on me.

3069
02:28:06,160 --> 02:28:06,640
Speaker 15: Number One.

3070
02:28:07,440 --> 02:28:10,400
Speaker 63: I have in the past, like I don't know, year

3071
02:28:10,720 --> 02:28:15,640
Speaker 63: of this year really tried to slow down and not

3072
02:28:16,040 --> 02:28:19,640
Speaker 63: just like I'm gonna say, retweet. But it's a metaphor

3073
02:28:19,800 --> 02:28:24,600
Speaker 63: for everything, which is everything has turned into such like clickbait,

3074
02:28:25,000 --> 02:28:29,160
Speaker 63: where it's boiled down to this essential nature that is

3075
02:28:29,240 --> 02:28:34,600
Speaker 63: an attempt to get your attention and also inspire either rage, panic,

3076
02:28:34,879 --> 02:28:39,480
Speaker 63: or happiness, and so I have tried really hard to

3077
02:28:40,160 --> 02:28:43,640
Speaker 63: if there's something that I see and it inspires any

3078
02:28:43,680 --> 02:28:46,160
Speaker 63: of those things in me, and it is on a

3079
02:28:46,200 --> 02:28:49,600
Speaker 63: website that is a real thing, I try to take

3080
02:28:49,640 --> 02:28:52,880
Speaker 63: a moment to read it and see if that's what

3081
02:28:53,040 --> 02:28:56,040
Speaker 63: they're actually saying, you know, because I've seen so many

3082
02:28:56,240 --> 02:29:00,560
Speaker 63: news headlines or tweet headlines that I literally do not

3083
02:29:00,680 --> 02:29:03,520
Speaker 63: line up with what the actual article is saying, and

3084
02:29:03,640 --> 02:29:09,359
Speaker 63: it's it's so disparaging and so frustrating and so toxic

3085
02:29:09,760 --> 02:29:15,000
Speaker 63: for everything that you really owe it to literally yourself

3086
02:29:15,240 --> 02:29:18,640
Speaker 63: to pay more full attention to the things that you

3087
02:29:18,760 --> 02:29:22,800
Speaker 63: want to comment on. You know, Like I both bristle

3088
02:29:22,920 --> 02:29:25,959
Speaker 63: and completely agree with the idea that there is outrage culture,

3089
02:29:26,160 --> 02:29:29,359
Speaker 63: because I think that for a lot of people, outrage

3090
02:29:29,400 --> 02:29:31,600
Speaker 63: has become the new PC culture, and like all of

3091
02:29:31,680 --> 02:29:34,720
Speaker 63: these things are like a toss away, just a way

3092
02:29:34,760 --> 02:29:38,480
Speaker 63: of diminishing someone saying, hey, stop treating us badly. But

3093
02:29:38,600 --> 02:29:41,200
Speaker 63: at the same time, there is also people who just

3094
02:29:41,400 --> 02:29:43,440
Speaker 63: jump on board with a thing and act like it's

3095
02:29:43,520 --> 02:29:46,840
Speaker 63: the craziest, worst thing that's ever happened. Let's all burn

3096
02:29:46,920 --> 02:29:50,640
Speaker 63: everything down, And so there's got to be a middle ground.

3097
02:29:50,760 --> 02:29:53,360
Speaker 63: Here of going, wait a minute, what is this actually about?

3098
02:29:53,400 --> 02:29:56,920
Speaker 63: What is this person actually trying to say? And so

3099
02:29:57,480 --> 02:30:01,520
Speaker 63: I'm actually grateful to the fact that this guy was

3100
02:30:02,000 --> 02:30:05,600
Speaker 63: traded somewhere that we're all going back and looking at

3101
02:30:05,640 --> 02:30:08,000
Speaker 63: this again because I think that there's a lot here,

3102
02:30:08,400 --> 02:30:11,280
Speaker 63: because I haven't even gotten to the fan reaction to

3103
02:30:11,400 --> 02:30:15,040
Speaker 63: the fact that Daniel Murphy is playing in Chicago. Just

3104
02:30:15,160 --> 02:30:20,039
Speaker 63: to go back to his quote, I actually, I actually

3105
02:30:20,240 --> 02:30:23,920
Speaker 63: think that what he is trying to get at, while

3106
02:30:24,040 --> 02:30:30,280
Speaker 63: I disagree, because I don't think you can disagree with

3107
02:30:31,360 --> 02:30:34,480
Speaker 63: a human being's existence, because he is able to as

3108
02:30:34,560 --> 02:30:41,600
Speaker 63: a non LGBTQ person and as his type of Christian

3109
02:30:41,680 --> 02:30:45,400
Speaker 63: person with his belief system, is able to see his

3110
02:30:45,640 --> 02:30:51,680
Speaker 63: lifestyle as a norm or an acceptable one or following

3111
02:30:51,840 --> 02:30:55,879
Speaker 63: Christ or whatever, or neutral. He is in this sort

3112
02:30:55,879 --> 02:30:59,120
Speaker 63: of neutral position to be able to say, you know,

3113
02:30:59,440 --> 02:31:03,080
Speaker 63: essentially hate the sin, not the sinner, And it's a

3114
02:31:03,200 --> 02:31:06,000
Speaker 63: sort of evolved position from hate the sin not the sinner,

3115
02:31:06,080 --> 02:31:09,160
Speaker 63: to say I disagree with your lifestyle, but that doesn't

3116
02:31:09,200 --> 02:31:10,720
Speaker 63: mean I'm not going to engage with you as a

3117
02:31:10,800 --> 02:31:14,000
Speaker 63: human being. And the reason I'm even saying this, and

3118
02:31:14,200 --> 02:31:18,160
Speaker 63: I hope that all of you who probably disagree with

3119
02:31:18,280 --> 02:31:21,800
Speaker 63: me right now, understand that I am a thirty six

3120
02:31:21,959 --> 02:31:25,480
Speaker 63: year old queer person who has lived their life as

3121
02:31:25,520 --> 02:31:31,720
Speaker 63: a gender non conforming person and also a butch lesbian,

3122
02:31:31,800 --> 02:31:34,120
Speaker 63: and also all of the things that I've been in

3123
02:31:34,200 --> 02:31:36,840
Speaker 63: my life, I have not been accepted. I have been

3124
02:31:36,920 --> 02:31:40,320
Speaker 63: treated like shit simply for the way I exist on

3125
02:31:40,520 --> 02:31:43,480
Speaker 63: this planet. So please keep that in mind when I

3126
02:31:43,600 --> 02:31:46,040
Speaker 63: say all this stuff, I am somebody that has I

3127
02:31:46,120 --> 02:31:48,680
Speaker 63: don't like Daniel Murphy as a player. I don't even

3128
02:31:48,760 --> 02:31:50,640
Speaker 63: like his I don't like his style of play. But

3129
02:31:50,760 --> 02:31:52,760
Speaker 63: I have to be very honest about the way this

3130
02:31:52,840 --> 02:31:56,520
Speaker 63: guy is talking that I actually think that someone speaking

3131
02:31:56,640 --> 02:32:00,560
Speaker 63: this way about that is someone that you could have

3132
02:32:00,720 --> 02:32:03,960
Speaker 63: a conversation with and say, I get what you're saying,

3133
02:32:04,440 --> 02:32:06,760
Speaker 63: but this is why I think it's wrong. Can we

3134
02:32:06,920 --> 02:32:10,520
Speaker 63: have a conversation about this. Do you realize that as

3135
02:32:10,560 --> 02:32:14,400
Speaker 63: a human being, you cannot separate my existence from my

3136
02:32:14,600 --> 02:32:18,240
Speaker 63: humanness and the fact that I am queer is not

3137
02:32:18,400 --> 02:32:19,080
Speaker 63: a lifestyle.

3138
02:32:19,560 --> 02:32:20,720
Speaker 17: It is an existence.

3139
02:32:21,040 --> 02:32:24,040
Speaker 63: It is not something that I put on because I

3140
02:32:24,160 --> 02:32:24,720
Speaker 63: feel like it.

3141
02:32:26,879 --> 02:32:29,560
Speaker 1: Moving now from the baseball diamond to the farthest reaches

3142
02:32:29,600 --> 02:32:31,720
Speaker 1: of outer space, we arrive at Treks in the City,

3143
02:32:32,200 --> 02:32:34,920
Speaker 1: an episode by episode recap of Star Trek The Next

3144
02:32:34,959 --> 02:32:38,879
Speaker 1: Generation hosted by Alice Wetterland and Veronica Sorio that features

3145
02:32:38,920 --> 02:32:42,360
Speaker 1: the absolute best and feminist sci fi comedy, plus soundboard,

3146
02:32:42,440 --> 02:32:46,000
Speaker 1: sound effects, original songs, and amazing guests like Paul F. Tompkins,

3147
02:32:46,040 --> 02:32:49,279
Speaker 1: Amanda Seals, John Lovett, Iram mass In the Third, Jokin Booster,

3148
02:32:49,440 --> 02:32:53,120
Speaker 1: and many many more. For Star Trek diehards and novices alike,

3149
02:32:53,320 --> 02:32:55,760
Speaker 1: Treks in the City has an absolute treasure chest of

3150
02:32:55,800 --> 02:32:58,720
Speaker 1: a back catalog, so subscribe and get caught up now

3151
02:32:58,760 --> 02:33:02,160
Speaker 1: before Alis and Veronica up into season four in twenty nineteen,

3152
02:33:02,600 --> 02:33:05,120
Speaker 1: and in the meantime, enjoy this clip of Alice, Veronica

3153
02:33:05,200 --> 02:33:08,680
Speaker 1: and guests Whitmer Thomas singing an improvised pop punk song

3154
02:33:09,000 --> 02:33:12,879
Speaker 1: about the android Data and his android offspring Lol from

3155
02:33:12,959 --> 02:33:16,879
Speaker 1: season three, episode sixteen, The Offspring, I.

3156
02:33:16,959 --> 02:33:17,800
Speaker 11: Have something cute?

3157
02:33:19,640 --> 02:33:20,480
Speaker 24: Hey, yeah, there you go?

3158
02:33:21,720 --> 02:33:22,520
Speaker 41: What am I singing of it?

3159
02:33:23,080 --> 02:33:24,119
Speaker 11: Say goodbye to lave.

3160
02:33:26,280 --> 02:33:34,120
Speaker 34: Law was a really nice little robot. She felt a

3161
02:33:34,280 --> 02:33:35,320
Speaker 34: little too much.

3162
02:33:35,800 --> 02:33:38,800
Speaker 4: She liked her daddy and she'd Likedstach.

3163
02:33:39,520 --> 02:33:44,160
Speaker 29: She had emotion, she knew about paintings. She would spit

3164
02:33:44,240 --> 02:33:47,160
Speaker 29: a drink on her shirt, and one day she got

3165
02:33:47,360 --> 02:33:53,800
Speaker 29: too smart and her little heart was torn apart, so

3166
02:33:54,560 --> 02:33:56,160
Speaker 29: she had to be.

3167
02:33:57,720 --> 02:33:58,199
Speaker 5: Prepaired.

3168
02:33:58,320 --> 02:34:01,080
Speaker 3: What no matter how fast Gotta Doddy is.

3169
02:34:03,040 --> 02:34:07,600
Speaker 29: Hounds, good meal, Gee, how'd you join?

3170
02:34:09,200 --> 02:34:11,600
Speaker 34: Because they couldn't improve her.

3171
02:34:12,320 --> 02:34:16,680
Speaker 29: Oh Dada Daddy, Dada daddy could have given.

3172
02:34:19,480 --> 02:34:20,599
Speaker 34: Gotta daddy.

3173
02:34:23,280 --> 02:34:24,359
Speaker 6: Dada daddy.

3174
02:34:25,800 --> 02:34:28,560
Speaker 34: Dick big.

3175
02:34:33,320 --> 02:34:37,200
Speaker 83: Oh my god, I wish you would just record an

3176
02:34:37,240 --> 02:34:40,080
Speaker 83: album talking about we are going to record an album,

3177
02:34:40,120 --> 02:34:42,240
Speaker 83: so maybe we'm I'm.

3178
02:34:42,160 --> 02:34:44,160
Speaker 45: Gonna have that song beyond beyond.

3179
02:34:44,920 --> 02:34:49,600
Speaker 83: I'll always do little choruses if you need, thanks, be there,

3180
02:34:49,760 --> 02:34:50,000
Speaker 83: Thank you.

3181
02:34:51,400 --> 02:34:54,760
Speaker 1: The Unofficial Expert with Sydney Washington and Marie Fauston is

3182
02:34:54,800 --> 02:34:57,600
Speaker 1: a podcast that we have always listened to with absolute

3183
02:34:57,680 --> 02:35:00,160
Speaker 1: awe and how funny it is, how fast it is,

3184
02:35:00,560 --> 02:35:03,119
Speaker 1: and so when Sidney and Marie brought The Unofficial Expert

3185
02:35:03,200 --> 02:35:06,320
Speaker 1: to Fever Dog this year, we were ecstatic. Each episode,

3186
02:35:06,360 --> 02:35:08,560
Speaker 1: Sidney and Marie invite on a guest who claims to

3187
02:35:08,600 --> 02:35:11,800
Speaker 1: be an expert in a very specific field flirting, porn,

3188
02:35:11,959 --> 02:35:15,879
Speaker 1: daddy issues, online dating, cookouts, stalking, sex toys, runaway brides,

3189
02:35:16,320 --> 02:35:19,680
Speaker 1: and they interview the guests to test their expertise, deciding

3190
02:35:19,760 --> 02:35:21,640
Speaker 1: by the end of the episode whether or not to

3191
02:35:21,720 --> 02:35:25,119
Speaker 1: crown them an unofficial expert. Please enjoy the following clip

3192
02:35:25,200 --> 02:35:28,360
Speaker 1: from the episode Sex Daid Expert with guests Molly Austin.

3193
02:35:28,800 --> 02:35:32,119
Speaker 11: So I showed to the date and well, first of all, wow,

3194
02:35:32,240 --> 02:35:36,080
Speaker 11: threesomes are a weird group of people to break into.

3195
02:35:36,360 --> 02:35:38,760
Speaker 96: I will say as because like, well, I just want

3196
02:35:38,760 --> 02:35:40,680
Speaker 96: to let you know, people who are openly looking for

3197
02:35:40,800 --> 02:35:44,840
Speaker 96: three sims are fucking weird. Like any threesome I've had,

3198
02:35:44,959 --> 02:35:46,080
Speaker 96: it just fucking happened.

3199
02:35:46,080 --> 02:35:47,360
Speaker 38: Any threesome you've had?

3200
02:35:47,879 --> 02:35:48,560
Speaker 11: How many three?

3201
02:35:49,200 --> 02:35:49,680
Speaker 7: You had?

3202
02:35:51,400 --> 02:35:53,240
Speaker 2: No number?

3203
02:35:53,520 --> 02:35:56,880
Speaker 94: I need a hard number, yes, hard like her spine braes.

3204
02:35:56,959 --> 02:35:59,360
Speaker 94: I need like a one, two, three, four, give me it.

3205
02:35:59,600 --> 02:36:01,760
Speaker 94: And the means where am I with this bitch is

3206
02:36:01,879 --> 02:36:03,160
Speaker 94: less than it's less than.

3207
02:36:03,160 --> 02:36:04,320
Speaker 2: Five, So four.

3208
02:36:06,040 --> 02:36:11,520
Speaker 83: Five, she's at at least whatever this about you?

3209
02:36:11,720 --> 02:36:13,640
Speaker 94: This saying about me, But let's talk about your I

3210
02:36:13,680 --> 02:36:15,040
Speaker 94: didn't know you had five three.

3211
02:36:15,280 --> 02:36:16,720
Speaker 4: Isn't that crazy that she's had six?

3212
02:36:16,840 --> 02:36:17,040
Speaker 51: Three?

3213
02:36:17,560 --> 02:36:19,520
Speaker 45: I mean seven is the lucky number?

3214
02:36:19,560 --> 02:36:19,920
Speaker 40: Eighty three?

3215
02:36:20,000 --> 02:36:22,240
Speaker 43: Something is crazy, dude, I can't believe you had that.

3216
02:36:22,360 --> 02:36:24,680
Speaker 45: Man, Let the listeners think whatever they want to.

3217
02:36:25,000 --> 02:36:26,040
Speaker 17: Y'all know damn, well, I haven't.

3218
02:36:26,080 --> 02:36:27,560
Speaker 11: What are we doing with your boobs right now?

3219
02:36:27,640 --> 02:36:29,920
Speaker 9: I'm just missaged because it.

3220
02:36:30,040 --> 02:36:31,720
Speaker 2: Was more hands on her boobs before.

3221
02:36:31,800 --> 02:36:32,879
Speaker 11: I feel like I'm at the guano.

3222
02:36:33,800 --> 02:36:37,920
Speaker 46: Wait what, I'm not touching my looking for lumps, don't.

3223
02:36:37,800 --> 02:36:41,720
Speaker 9: I don't check anyway, go ahead, Yes, you got a check.

3224
02:36:41,879 --> 02:36:43,520
Speaker 18: I know, but I feel like they look smooth.

3225
02:36:43,760 --> 02:36:44,520
Speaker 9: You know that's true.

3226
02:36:45,240 --> 02:36:47,760
Speaker 18: Anyway, So you're you meet up with these people.

3227
02:36:47,920 --> 02:36:49,520
Speaker 11: So I meet up with these people?

3228
02:36:50,280 --> 02:36:52,760
Speaker 9: And did you have a preference you wanted?

3229
02:36:53,520 --> 02:36:54,520
Speaker 18: I mean, I guess it was gonna be.

3230
02:36:54,480 --> 02:36:55,080
Speaker 24: A girl and a guy.

3231
02:36:55,680 --> 02:36:58,240
Speaker 97: Well, no, I was open, No, I was like open

3232
02:36:58,360 --> 02:37:04,960
Speaker 97: to discussing all options, guy and guy. I'm like, that

3233
02:37:05,720 --> 02:37:08,640
Speaker 97: feels I don't know, something about two dicks feels very

3234
02:37:08,720 --> 02:37:13,800
Speaker 97: violent to me, like swords right, like and like you

3235
02:37:13,879 --> 02:37:14,879
Speaker 97: get a cut somewhere, right.

3236
02:37:14,959 --> 02:37:17,640
Speaker 11: But I'm like, also like not shut down to the idea.

3237
02:37:17,760 --> 02:37:21,199
Speaker 45: But I'm also not like Molly, you would take two dicks,

3238
02:37:21,520 --> 02:37:22,240
Speaker 45: That's what I mean.

3239
02:37:23,160 --> 02:37:25,800
Speaker 94: I feel like I'm not judging you, but I'm just like,

3240
02:37:26,879 --> 02:37:28,560
Speaker 94: I think it would have to be like a very

3241
02:37:28,720 --> 02:37:29,200
Speaker 94: I don't know.

3242
02:37:29,520 --> 02:37:31,360
Speaker 11: I just like I don't I don't think I could

3243
02:37:31,400 --> 02:37:34,960
Speaker 11: handle to dick do you think you could handle to

3244
02:37:35,280 --> 02:37:35,680
Speaker 11: I feel like.

3245
02:37:35,720 --> 02:37:36,800
Speaker 18: You could handle two dicks.

3246
02:37:36,920 --> 02:37:37,320
Speaker 15: Well, why do you.

3247
02:37:37,360 --> 02:37:38,320
Speaker 6: Feel like I wipe?

3248
02:37:38,360 --> 02:37:38,880
Speaker 2: What about me?

3249
02:37:41,280 --> 02:37:41,600
Speaker 54: You have?

3250
02:37:41,720 --> 02:37:42,320
Speaker 11: Like dicks?

3251
02:37:42,360 --> 02:37:45,360
Speaker 40: You'd have one like getting snacks set up, and then

3252
02:37:45,400 --> 02:37:47,440
Speaker 40: you would bang one and then like he would rest

3253
02:37:47,480 --> 02:37:50,600
Speaker 40: and then you would eat, you know, little little break.

3254
02:37:50,840 --> 02:37:53,600
Speaker 18: Then you got a new back, so you definitely could

3255
02:37:53,600 --> 02:37:54,120
Speaker 18: take two dicks.

3256
02:37:54,120 --> 02:37:55,000
Speaker 11: That's what I'm talking about.

3257
02:37:55,840 --> 02:37:57,840
Speaker 13: I do have a new back, not two big dicks,

3258
02:37:57,879 --> 02:37:59,520
Speaker 13: but like a like a medium sized dick.

3259
02:37:59,400 --> 02:38:01,480
Speaker 97: And then like a I'm not fucking around with two

3260
02:38:01,520 --> 02:38:04,760
Speaker 97: dicks for for for glow average dick.

3261
02:38:05,240 --> 02:38:06,800
Speaker 40: I mean, I feel like people who have three someomes

3262
02:38:06,840 --> 02:38:12,240
Speaker 40: don't have great dicks on my mind to say, yeah, right.

3263
02:38:11,760 --> 02:38:16,000
Speaker 96: That's why they need help. That's a threesome expert. I'm

3264
02:38:16,040 --> 02:38:17,240
Speaker 96: gonna tell you no.

3265
02:38:22,040 --> 02:38:22,400
Speaker 56: Anyway.

3266
02:38:22,920 --> 02:38:26,160
Speaker 11: So I get there, I get there, he's there already.

3267
02:38:26,560 --> 02:38:31,240
Speaker 10: And what he looked like, I mean like Clark Kent

3268
02:38:31,879 --> 02:38:36,400
Speaker 10: six three, real broad, real like tall, dark and handsome,

3269
02:38:36,720 --> 02:38:39,439
Speaker 10: just like a night like a like a retired Chippendale.

3270
02:38:39,520 --> 02:38:42,400
Speaker 11: He's like fucking buff and he's like hot.

3271
02:38:42,600 --> 02:38:43,800
Speaker 13: You a painting the photo here?

3272
02:38:44,040 --> 02:38:47,240
Speaker 11: I mean this man is just like his hands like

3273
02:38:47,320 --> 02:38:50,120
Speaker 11: fit across my entire back. Like he's huge.

3274
02:38:50,400 --> 02:38:55,000
Speaker 97: Wow, he's a huge, like a giant beautiful man who like, yeah,

3275
02:38:55,080 --> 02:38:55,880
Speaker 97: he's like a giant.

3276
02:38:56,000 --> 02:38:57,480
Speaker 11: And I'm just like like.

3277
02:39:07,200 --> 02:39:07,360
Speaker 50: Yeah.

3278
02:39:07,400 --> 02:39:09,760
Speaker 40: But if he's that big and that fine, I would

3279
02:39:09,760 --> 02:39:12,360
Speaker 40: assume that means he either doesn't speak English or he's

3280
02:39:12,680 --> 02:39:16,080
Speaker 40: very dumb, right, Yes, I.

3281
02:39:16,200 --> 02:39:19,520
Speaker 94: Mean no, I definitely because I once I dated a

3282
02:39:19,560 --> 02:39:22,560
Speaker 94: male model, so I was like, perfect, right up my alley.

3283
02:39:22,600 --> 02:39:24,680
Speaker 18: They don't like no words. I mean I've seen a

3284
02:39:24,720 --> 02:39:25,320
Speaker 18: picture of him.

3285
02:39:25,360 --> 02:39:27,360
Speaker 11: He's good looking, but he don't look dumb.

3286
02:39:28,000 --> 02:39:29,040
Speaker 34: No, he's actually not.

3287
02:39:29,120 --> 02:39:31,560
Speaker 11: He's actually very smart and smart. I could see the

3288
02:39:31,560 --> 02:39:32,840
Speaker 11: way he part his hair.

3289
02:39:33,000 --> 02:39:34,280
Speaker 19: He has a has a bar.

3290
02:39:34,840 --> 02:39:35,640
Speaker 4: He has a bar.

3291
02:39:35,959 --> 02:39:37,960
Speaker 6: Yes, it's smooth.

3292
02:39:38,200 --> 02:39:39,920
Speaker 11: He's like slick, He's like very well.

3293
02:39:40,200 --> 02:39:42,200
Speaker 83: You should have led with the fact that he parts

3294
02:39:43,000 --> 02:39:43,560
Speaker 83: Clark Kent.

3295
02:39:44,360 --> 02:39:45,879
Speaker 9: I didn't know that Superman was.

3296
02:39:48,240 --> 02:39:49,959
Speaker 2: Clark Kent had glasses.

3297
02:39:49,840 --> 02:39:52,160
Speaker 11: Can flies through the air, never loses his part.

3298
02:39:52,080 --> 02:39:53,360
Speaker 17: Never loses that girl.

3299
02:39:55,480 --> 02:39:58,600
Speaker 11: So what does the girl look like? So she's late

3300
02:39:59,080 --> 02:40:02,000
Speaker 11: and we like and I was like, which is a.

3301
02:40:02,480 --> 02:40:05,039
Speaker 96: Terrible move for her, because if I'm bringing my man

3302
02:40:05,160 --> 02:40:07,080
Speaker 96: and meet another bitch, Oh, I'm getting there early.

3303
02:40:07,879 --> 02:40:08,800
Speaker 11: We're pulling up together.

3304
02:40:08,920 --> 02:40:11,520
Speaker 18: No, no, no, I'm getting there early together is the move?

3305
02:40:12,520 --> 02:40:14,320
Speaker 23: Where was she that he got there first?

3306
02:40:14,440 --> 02:40:14,480
Speaker 10: Me?

3307
02:40:14,600 --> 02:40:15,040
Speaker 2: Me early.

3308
02:40:15,160 --> 02:40:16,040
Speaker 51: I'm gonna get there early.

3309
02:40:16,200 --> 02:40:16,800
Speaker 2: Talk to the waiter.

3310
02:40:16,959 --> 02:40:18,360
Speaker 17: Listen, another bitch is coming in.

3311
02:40:18,680 --> 02:40:20,040
Speaker 18: Yeah, it's gonna be messy.

3312
02:40:20,200 --> 02:40:22,960
Speaker 11: So well she gets oh my god, today is really?

3313
02:40:23,080 --> 02:40:24,520
Speaker 20: Why is it so violent for you?

3314
02:40:25,720 --> 02:40:28,000
Speaker 11: And it was like, I'm under the well I'm told

3315
02:40:28,160 --> 02:40:31,280
Speaker 11: that it's her idea. The whole thing is her idea.

3316
02:40:31,600 --> 02:40:33,280
Speaker 96: That means he's about to break up with her and

3317
02:40:33,400 --> 02:40:36,480
Speaker 96: she's panicking, right right, that's what that is.

3318
02:40:36,520 --> 02:40:37,879
Speaker 11: Wow, you just ruined the end of the story.

3319
02:40:39,480 --> 02:40:42,520
Speaker 96: But no, I'm saying that's a fact. Like if you

3320
02:40:42,760 --> 02:40:45,320
Speaker 96: were like, yo, I'll do whatever you want so you could.

3321
02:40:45,200 --> 02:40:46,480
Speaker 18: Stay, it would be a threesome.

3322
02:40:46,760 --> 02:40:49,480
Speaker 11: Well yeah, not mean. This is why I don't This

3323
02:40:49,760 --> 02:40:51,880
Speaker 11: is why I don't care about how men feel.

3324
02:40:52,000 --> 02:40:55,320
Speaker 40: I'm not a desperate hail Mary passed to keep my

3325
02:40:55,480 --> 02:40:57,640
Speaker 40: man is to bring another chicken to the situation.

3326
02:40:57,879 --> 02:41:01,200
Speaker 94: No, No, I'd be like, if you want to go,

3327
02:41:01,320 --> 02:41:03,879
Speaker 94: go And also I'm never going to bring someone into

3328
02:41:03,959 --> 02:41:04,560
Speaker 94: my situation.

3329
02:41:06,040 --> 02:41:06,640
Speaker 24: I'm going out.

3330
02:41:06,720 --> 02:41:08,720
Speaker 94: I'm going out. I'm going out for food. You know

3331
02:41:08,720 --> 02:41:10,480
Speaker 94: what I'm talking about because I want to go home.

3332
02:41:10,520 --> 02:41:11,879
Speaker 94: I don't want these people in my home. I don't

3333
02:41:11,920 --> 02:41:14,760
Speaker 94: want them in my space. I don't want like, no, no, no,

3334
02:41:15,560 --> 02:41:17,440
Speaker 94: I don't want to never see these people again. I

3335
02:41:17,480 --> 02:41:19,560
Speaker 94: don't even want them to be from this coast. Yes

3336
02:41:19,600 --> 02:41:22,959
Speaker 94: boom you said, and they're not look at God.

3337
02:41:24,240 --> 02:41:26,480
Speaker 1: In addition to the thrilling Adventure Hour, we also had

3338
02:41:26,480 --> 02:41:28,640
Speaker 1: the privilege this year of working with Ben Blacker on

3339
02:41:28,680 --> 02:41:32,080
Speaker 1: another one of his podcasts, The Writer's Panel, which celebrated

3340
02:41:32,160 --> 02:41:35,240
Speaker 1: its four hundredth episode this year with an amazing live

3341
02:41:35,320 --> 02:41:38,879
Speaker 1: show at Dynasty Typewriter in Los Angeles. The Writer's Panel

3342
02:41:38,959 --> 02:41:42,080
Speaker 1: has one of the most impressive back catalogs you'll ever find,

3343
02:41:42,400 --> 02:41:46,000
Speaker 1: featuring in depth interviews with Vince Gilligan, Amy Sherman, Palladino,

3344
02:41:46,200 --> 02:41:49,480
Speaker 1: Jordan Peel and Keegan, Michael Key, Damon Lindelos, and many

3345
02:41:49,560 --> 02:41:53,400
Speaker 1: more television luminaries. The Writer's Panel is the definitive guide

3346
02:41:53,440 --> 02:41:55,600
Speaker 1: to our Golden age of TV, and I hope you

3347
02:41:55,760 --> 02:41:58,840
Speaker 1: enjoy this highlight from the live four hundredth episode, which

3348
02:41:58,879 --> 02:42:01,840
Speaker 1: featured an incredible annal of writers and show winners, including

3349
02:42:02,000 --> 02:42:06,959
Speaker 1: Caroline Drees, LaToya Morgan, Alexander Cunningham, Monica Breen, Christine Boylan,

3350
02:42:07,240 --> 02:42:10,280
Speaker 1: Chernold Edwards, Angela King, and Jennifer Hutchinson.

3351
02:42:10,400 --> 02:42:12,119
Speaker 98: Well, it seems it seems to me that a lot

3352
02:42:12,160 --> 02:42:14,800
Speaker 98: of the requests for free work come from a place

3353
02:42:14,840 --> 02:42:19,040
Speaker 98: of fear on the buyer's side. It's we need to

3354
02:42:19,520 --> 02:42:22,160
Speaker 98: feel secure in paying you to do the things, so

3355
02:42:22,280 --> 02:42:23,280
Speaker 98: do all the free stuff first.

3356
02:42:23,360 --> 02:42:25,120
Speaker 62: Well, what's hard is when you go into pitch and

3357
02:42:25,200 --> 02:42:27,600
Speaker 62: I would love to hear from everybody here who's like

3358
02:42:27,800 --> 02:42:30,440
Speaker 62: sold all this stuff, because I've sold certain things and

3359
02:42:30,520 --> 02:42:31,959
Speaker 62: some things go and some things don't.

3360
02:42:32,000 --> 02:42:33,400
Speaker 20: But they want a.

3361
02:42:34,879 --> 02:42:36,680
Speaker 62: This is such a Tony Robbins thing of like a

3362
02:42:36,760 --> 02:42:39,560
Speaker 62: need for a need for a need for like certainty

3363
02:42:39,720 --> 02:42:41,920
Speaker 62: and a need for adventure at the same time, and

3364
02:42:42,240 --> 02:42:44,400
Speaker 62: that's what they want. They want certainty. They want to

3365
02:42:44,440 --> 02:42:46,040
Speaker 62: know you have all the secrets of the universe in

3366
02:42:46,120 --> 02:42:47,960
Speaker 62: your iPod or in your cards, or in your head

3367
02:42:48,040 --> 02:42:52,160
Speaker 62: however your pitch. But they also want to be enticed,

3368
02:42:52,480 --> 02:42:54,120
Speaker 62: so they want you to tell them everything. But they

3369
02:42:54,120 --> 02:42:56,800
Speaker 62: don't want you to tell them everything because they want

3370
02:42:56,840 --> 02:43:00,560
Speaker 62: to be seduced. And that's important too. So like the

3371
02:43:00,680 --> 02:43:02,920
Speaker 62: last I've been back and forth working on a couple

3372
02:43:02,920 --> 02:43:05,120
Speaker 62: of pitches the last couple of months and trying to

3373
02:43:05,240 --> 02:43:07,320
Speaker 62: find that level of I'm the kind of person who

3374
02:43:07,520 --> 02:43:10,000
Speaker 62: I will like, arrest you for eight hours and tell

3375
02:43:10,040 --> 02:43:12,360
Speaker 62: you every single detail of this whole world. And nobody

3376
02:43:12,440 --> 02:43:15,600
Speaker 62: wants that obviously, right, But at the same time, the

3377
02:43:15,680 --> 02:43:17,800
Speaker 62: ten minute pitch is like, I haven't even gotten into

3378
02:43:17,879 --> 02:43:19,960
Speaker 62: the part where the angels come down. Just you know,

3379
02:43:22,000 --> 02:43:24,360
Speaker 62: just give me five more minutes, you know. So I

3380
02:43:24,440 --> 02:43:26,800
Speaker 62: mean the balance of what do you keep and what

3381
02:43:26,879 --> 02:43:30,360
Speaker 62: do you not keep? And walking into a room where

3382
02:43:30,959 --> 02:43:33,920
Speaker 62: if you're pitching on a book, you have to assume

3383
02:43:33,959 --> 02:43:36,320
Speaker 62: no one's read that book, even though the people you're

3384
02:43:36,320 --> 02:43:38,320
Speaker 62: bringing with you, the producers, will have read it and

3385
02:43:38,400 --> 02:43:40,240
Speaker 62: they know it and you know, maybe you know the author,

3386
02:43:40,280 --> 02:43:42,280
Speaker 62: maybe that's going great podcast.

3387
02:43:42,360 --> 02:43:44,720
Speaker 18: They probably heard it, right, but.

3388
02:43:46,240 --> 02:43:49,880
Speaker 62: Right, I mean, and to be fair, they they have

3389
02:43:50,000 --> 02:43:52,120
Speaker 62: to read a lot, sure, and they all have families,

3390
02:43:52,120 --> 02:43:55,039
Speaker 62: and it's you know, I get that, but you don't

3391
02:43:55,200 --> 02:43:58,880
Speaker 62: get it. I want them to have read more, but

3392
02:43:59,000 --> 02:44:00,640
Speaker 62: I never expect it, you know.

3393
02:44:01,120 --> 02:44:01,600
Speaker 3: That's the thing.

3394
02:44:01,720 --> 02:44:05,200
Speaker 62: So, yeah, what's the balance for you guys? Like of

3395
02:44:05,320 --> 02:44:09,160
Speaker 62: like seduction and enticement versus listen here is a chart

3396
02:44:09,560 --> 02:44:12,119
Speaker 62: of five to seven seasons, and here are the points

3397
02:44:12,160 --> 02:44:14,680
Speaker 62: we're gonna hit. And it's gonna spike on Twitter season

3398
02:44:14,760 --> 02:44:17,560
Speaker 62: four because of this. Just trust me, Like, how do

3399
02:44:17,640 --> 02:44:17,840
Speaker 62: we do.

3400
02:44:17,920 --> 02:44:20,000
Speaker 98: That well in the details that you think are important

3401
02:44:20,080 --> 02:44:22,279
Speaker 98: versus the ones that are important for telling that story?

3402
02:44:24,040 --> 02:44:26,400
Speaker 99: I mean, well, first of all, sometimes it doesn't help

3403
02:44:26,480 --> 02:44:28,480
Speaker 99: if they've listened to the podcast. I found that, like

3404
02:44:28,560 --> 02:44:30,840
Speaker 99: I had better pitches on Night Bill when maybe they

3405
02:44:30,879 --> 02:44:34,280
Speaker 99: weren't as familiar with it because they have expectations if

3406
02:44:34,320 --> 02:44:36,240
Speaker 99: they've listened to it. They think this is gonna be

3407
02:44:36,320 --> 02:44:38,080
Speaker 99: who you're following, this is gonna be what the show is,

3408
02:44:38,120 --> 02:44:41,400
Speaker 99: and then if you don't meet those then you're.

3409
02:44:40,840 --> 02:44:41,880
Speaker 2: Not selling to that place.

3410
02:44:43,200 --> 02:44:45,760
Speaker 99: It's a hard balance, and this is something I consistently

3411
02:44:45,800 --> 02:44:47,520
Speaker 99: struggle with. I am the person where I go in

3412
02:44:47,600 --> 02:44:49,640
Speaker 99: and and like it's never the right amount of detail,

3413
02:44:49,720 --> 02:44:52,440
Speaker 99: Like if I overdo it, my agent's like, oh wow,

3414
02:44:52,480 --> 02:44:54,480
Speaker 99: you really apparently gave a lot of detail, and then

3415
02:44:54,520 --> 02:44:56,040
Speaker 99: if I underdo it, it's like, oh, they want you

3416
02:44:56,080 --> 02:44:58,640
Speaker 99: to come back, And it's so hard balance.

3417
02:44:58,720 --> 02:45:01,080
Speaker 18: And so I think the thing that I have found.

3418
02:45:01,080 --> 02:45:03,480
Speaker 99: Is because you're right, they want to know everything, but

3419
02:45:03,520 --> 02:45:04,480
Speaker 99: they don't want to know anything.

3420
02:45:04,720 --> 02:45:07,720
Speaker 11: What they really want to know is do you know everything?

3421
02:45:08,440 --> 02:45:12,280
Speaker 99: And if you can communicate that to them, then I

3422
02:45:12,360 --> 02:45:15,360
Speaker 99: think that's when you have a more sort of successful moment.

3423
02:45:16,440 --> 02:45:18,920
Speaker 99: And so when it comes to details, I try to

3424
02:45:18,959 --> 02:45:20,920
Speaker 99: do a thing where like, there are specific details that

3425
02:45:21,000 --> 02:45:23,440
Speaker 99: I highlight that are important to me that I feel

3426
02:45:23,480 --> 02:45:26,440
Speaker 99: like I can pitch really well because they're meaningful for me.

3427
02:45:26,640 --> 02:45:29,280
Speaker 99: And then they're like, oh, she has details, there must

3428
02:45:29,360 --> 02:45:32,400
Speaker 99: be more details. It's not always successful, but I think

3429
02:45:32,720 --> 02:45:34,360
Speaker 99: that's the thing is like, do you have a point

3430
02:45:34,360 --> 02:45:35,400
Speaker 99: of view that's really strong?

3431
02:45:35,560 --> 02:45:38,320
Speaker 18: Can we invest in you even if we don't have

3432
02:45:38,480 --> 02:45:39,360
Speaker 18: it all in our heads?

3433
02:45:40,240 --> 02:45:42,520
Speaker 98: Monica, you're nodding your heads.

3434
02:45:42,879 --> 02:45:45,040
Speaker 26: I mean, I have no answer to this because I

3435
02:45:45,120 --> 02:45:49,040
Speaker 26: struggle with it all the time. And the one the

3436
02:45:49,160 --> 02:45:52,160
Speaker 26: most successful pitch I had, which was Midnight, Texas, I

3437
02:45:52,280 --> 02:45:54,840
Speaker 26: walk in and give them thirty minutes of a small

3438
02:45:54,959 --> 02:45:58,000
Speaker 26: town story and it was based on a book that

3439
02:45:58,080 --> 02:46:01,320
Speaker 26: no one had read. And they looked at me and said,

3440
02:46:01,360 --> 02:46:03,880
Speaker 26: turn around, Monica, And I turn around and there's a

3441
02:46:03,959 --> 02:46:07,400
Speaker 26: picture of Jamie Alexander's back with all the tattoos on it,

3442
02:46:07,560 --> 02:46:08,279
Speaker 26: you know, and they're.

3443
02:46:08,120 --> 02:46:10,320
Speaker 4: Like, make it that and you got a deal, and

3444
02:46:10,440 --> 02:46:11,000
Speaker 4: they walk out.

3445
02:46:11,120 --> 02:46:12,960
Speaker 26: I'm getting high fives from the producer.

3446
02:46:13,000 --> 02:46:14,160
Speaker 19: I'm like, what just happened?

3447
02:46:14,680 --> 02:46:16,640
Speaker 4: I didn't pitch it though at.

3448
02:46:16,600 --> 02:46:19,160
Speaker 3: All, Like it's the lowdown soap opera?

3449
02:46:19,240 --> 02:46:20,160
Speaker 54: What is this?

3450
02:46:21,480 --> 02:46:26,920
Speaker 19: And and then.

3451
02:46:28,360 --> 02:46:30,280
Speaker 26: Before they picked up the show, because I was like,

3452
02:46:30,320 --> 02:46:32,440
Speaker 26: they're never making the show. The show I got the

3453
02:46:32,560 --> 02:46:33,800
Speaker 26: pilot made. It was delightful.

3454
02:46:33,879 --> 02:46:35,000
Speaker 21: I had a really lovely time.

3455
02:46:35,040 --> 02:46:35,920
Speaker 9: I was in New Mexico.

3456
02:46:35,959 --> 02:46:38,760
Speaker 26: It's really pretty, and I was like, no one's ever

3457
02:46:38,840 --> 02:46:40,840
Speaker 26: doing the show. There's a talking cat, there's angels. I

3458
02:46:40,879 --> 02:46:43,960
Speaker 26: don't even look's crazy town. But it was a small

3459
02:46:44,040 --> 02:46:46,960
Speaker 26: town soap with supernaturals. And I get called and was like,

3460
02:46:47,200 --> 02:46:49,280
Speaker 26: can you make it a Demon of the week because

3461
02:46:49,280 --> 02:46:51,080
Speaker 26: if you can, you gotta sale.

3462
02:46:51,240 --> 02:46:53,480
Speaker 4: And I'm like, what did I pitch?

3463
02:46:53,959 --> 02:46:54,880
Speaker 19: Why did I pitch?

3464
02:46:55,080 --> 02:46:56,320
Speaker 47: Just tell me what you want?

3465
02:46:56,520 --> 02:46:59,080
Speaker 19: This is to make your own adventure. So like I

3466
02:46:59,200 --> 02:47:02,359
Speaker 19: don't know, I don't one hundred percent have answers.

3467
02:47:02,520 --> 02:47:06,560
Speaker 26: Because it was successful, it worked, and the show as

3468
02:47:06,720 --> 02:47:08,760
Speaker 26: what I could do as it was, got a second season.

3469
02:47:09,240 --> 02:47:11,520
Speaker 26: So in a strange way, I'm just like, all right,

3470
02:47:11,600 --> 02:47:14,120
Speaker 26: let me just go into this like little, you know,

3471
02:47:14,480 --> 02:47:17,840
Speaker 26: rabbit hole and just figure out what's happening because no

3472
02:47:18,400 --> 02:47:20,720
Speaker 26: one knows. Like that's what's amazing to me.

3473
02:47:21,600 --> 02:47:22,200
Speaker 2: This is NBC.

3474
02:47:22,320 --> 02:47:24,440
Speaker 18: This was NBC, right, And what year is this?

3475
02:47:24,959 --> 02:47:26,800
Speaker 45: This is like two years two years ago.

3476
02:47:26,920 --> 02:47:28,920
Speaker 62: This is like right after we fucked up on Constantine

3477
02:47:28,920 --> 02:47:30,879
Speaker 62: and did a serialized Oh yeah.

3478
02:47:33,040 --> 02:47:34,960
Speaker 2: Yeah, And they were like, can't you just make it

3479
02:47:35,080 --> 02:47:36,560
Speaker 2: like grim, can't you just can't?

3480
02:47:36,560 --> 02:47:36,880
Speaker 32: You know?

3481
02:47:37,000 --> 02:47:38,400
Speaker 2: This is you an exorcism of the week.

3482
02:47:38,440 --> 02:47:40,080
Speaker 62: I was like, but all exorcisms are kind of going

3483
02:47:40,160 --> 02:47:42,000
Speaker 62: to look the same if we do that.

3484
02:47:42,240 --> 02:47:43,080
Speaker 18: But you nailed it, so.

3485
02:47:45,080 --> 02:47:48,000
Speaker 26: I mean yeah, I mean it was just it was

3486
02:47:48,400 --> 02:47:51,160
Speaker 26: you work very hard on your pitches, and you worked

3487
02:47:51,280 --> 02:47:53,640
Speaker 26: very hard on creating a world in your mind that

3488
02:47:53,720 --> 02:47:55,880
Speaker 26: you understanding, you know how to break the story, you

3489
02:47:55,959 --> 02:47:58,520
Speaker 26: know what the emotional answer, and then you just get

3490
02:47:58,720 --> 02:48:01,600
Speaker 26: thrown these things pow make it this.

3491
02:48:01,800 --> 02:48:04,640
Speaker 4: And you're like all right, And I mean, you know, part.

3492
02:48:04,520 --> 02:48:06,520
Speaker 26: Of it for me is I always think of this

3493
02:48:06,720 --> 02:48:09,800
Speaker 26: job a little bit like a Project Runway challenge, Like

3494
02:48:09,920 --> 02:48:12,040
Speaker 26: it's like go to the ninety ive sid store and

3495
02:48:12,120 --> 02:48:16,000
Speaker 26: make a gown like and I feel like that keeps

3496
02:48:16,080 --> 02:48:19,440
Speaker 26: me sane because otherwise I will go crazy when they

3497
02:48:19,520 --> 02:48:21,680
Speaker 26: tell me to make a gown out of out of

3498
02:48:22,200 --> 02:48:23,199
Speaker 26: construction debris.

3499
02:48:23,640 --> 02:48:26,400
Speaker 4: But that's you know, the part of.

3500
02:48:26,400 --> 02:48:28,320
Speaker 26: The fun of the job is like, all right, well,

3501
02:48:28,440 --> 02:48:29,640
Speaker 26: let's make a gown.

3502
02:48:29,959 --> 02:48:30,560
Speaker 24: I guess.

3503
02:48:31,959 --> 02:48:33,160
Speaker 2: From A to Z.

3504
02:48:33,480 --> 02:48:35,520
Speaker 1: We have finally arrived at the end of the Forever

3505
02:48:35,640 --> 02:48:40,040
Speaker 1: Dog Roster with Alexis Gesul's innovative interview podcast Is All Good.

3506
02:48:40,560 --> 02:48:42,920
Speaker 1: On each episode of Is All Good, Alexis interviews a

3507
02:48:43,040 --> 02:48:46,720
Speaker 1: fellow comedian, entertainer, or influencer about their life and career,

3508
02:48:47,240 --> 02:48:50,640
Speaker 1: and she also interviews one of their parents or siblings,

3509
02:48:50,760 --> 02:48:53,640
Speaker 1: or best friends or colleagues to get the real story

3510
02:48:53,920 --> 02:48:57,000
Speaker 1: behind their public persona. The interviews are then cut together

3511
02:48:57,080 --> 02:48:59,800
Speaker 1: in a point counterpoint fashion that makes All Good really

3512
02:49:00,280 --> 02:49:03,040
Speaker 1: unlike any other interview podcast you've ever heard. In the

3513
02:49:03,080 --> 02:49:05,960
Speaker 1: following clip, our last clip, Alexis talks to comedian and

3514
02:49:06,040 --> 02:49:08,920
Speaker 1: director Bo Burnham and his sister Sam Enjoy.

3515
02:49:09,320 --> 02:49:12,840
Speaker 56: I was always incredibly, incredibly competitive, and I still am competitive,

3516
02:49:13,840 --> 02:49:15,640
Speaker 56: and I have to unlearn that stuff. But I feel

3517
02:49:15,680 --> 02:49:19,480
Speaker 56: like a deeply, deeply competitive person and I've only.

3518
02:49:20,000 --> 02:49:22,720
Speaker 71: Yeah, yeah, so did you always see him kind of

3519
02:49:22,760 --> 02:49:25,640
Speaker 71: going into entertainment or what was that prediction on your

3520
02:49:25,760 --> 02:49:27,760
Speaker 71: end as to where he would end up career wise?

3521
02:49:29,560 --> 02:49:31,800
Speaker 26: Honestly, I just always knew he was going to be great.

3522
02:49:32,160 --> 02:49:34,040
Speaker 92: Like I still tell him to this day, which he

3523
02:49:34,240 --> 02:49:36,640
Speaker 92: laughs in my face, that like, if this doesn't look

3524
02:49:36,680 --> 02:49:38,320
Speaker 92: like it, he can just go be a brand surgeon.

3525
02:49:38,400 --> 02:49:39,880
Speaker 92: And I truly believe he could.

3526
02:49:40,000 --> 02:49:41,480
Speaker 70: Like I really think he's just.

3527
02:49:41,600 --> 02:49:44,880
Speaker 92: Like that short and great and everything. He's kind of

3528
02:49:45,000 --> 02:49:47,680
Speaker 92: just he's kind of just awesome and everything he does.

3529
02:49:47,760 --> 02:49:50,160
Speaker 70: Again it sounds that sounds like I'm being weird.

3530
02:49:50,520 --> 02:49:53,960
Speaker 56: I really think that that's yeah, that's that's the best

3531
02:49:55,440 --> 02:49:59,720
Speaker 56: untrue and yeah, that's part of her her and my

3532
02:50:00,040 --> 02:50:02,640
Speaker 56: there's want to tell me that all the time is

3533
02:50:02,680 --> 02:50:05,760
Speaker 56: actually a burden that I've been trying to shake since

3534
02:50:05,760 --> 02:50:08,080
Speaker 56: I was three years old, which is like, you guys

3535
02:50:08,240 --> 02:50:10,400
Speaker 56: have to stop telling me I'm the smartest, greatest boy

3536
02:50:10,440 --> 02:50:12,560
Speaker 56: that's ever lived from the time I'm two, where then

3537
02:50:12,600 --> 02:50:15,520
Speaker 56: I try to seek that from the world and anything

3538
02:50:15,640 --> 02:50:17,640
Speaker 56: less than that is obliteration to me.

3539
02:50:19,040 --> 02:50:21,200
Speaker 41: So now I just not in smile when they tell

3540
02:50:21,240 --> 02:50:21,400
Speaker 41: me that.

3541
02:50:21,480 --> 02:50:23,960
Speaker 56: But it's very sweet. I know she actually does believe that,

3542
02:50:24,000 --> 02:50:26,959
Speaker 56: which is very sweet. Yeah, but it's very not true.

3543
02:50:28,600 --> 02:50:31,160
Speaker 92: But once you started doing the place, it was like,

3544
02:50:31,360 --> 02:50:32,840
Speaker 92: oh my god, you have to keep doing this.

3545
02:50:33,040 --> 02:50:33,600
Speaker 19: You just have to.

3546
02:50:33,879 --> 02:50:37,200
Speaker 92: I mean he was so good at acting and so creative,

3547
02:50:37,240 --> 02:50:41,440
Speaker 92: and then once he started performing and doing the comedy stuff,

3548
02:50:41,560 --> 02:50:44,800
Speaker 92: just everything that he writes just feels Yeah. I mean

3549
02:50:44,920 --> 02:50:47,439
Speaker 92: right when he got started, it felt like, oh, of course.

3550
02:50:47,240 --> 02:50:48,400
Speaker 13: This is what you need to be doing.

3551
02:50:49,160 --> 02:50:51,760
Speaker 71: She also mentioned that you at one point got really

3552
02:50:51,800 --> 02:50:52,520
Speaker 71: into magic.

3553
02:50:53,120 --> 02:50:54,480
Speaker 34: Sure, so what sort of sparked that?

3554
02:50:55,560 --> 02:50:58,280
Speaker 56: Probably just being a loser and thinking why not just

3555
02:50:58,400 --> 02:51:00,879
Speaker 56: complete the vision of myself? You know, I mean I'm

3556
02:51:00,920 --> 02:51:05,080
Speaker 56: already down here so unappealing to women and my peers,

3557
02:51:05,160 --> 02:51:06,520
Speaker 56: I might as well start doing magic.

3558
02:51:06,680 --> 02:51:08,520
Speaker 27: No, I don't know.

3559
02:51:08,680 --> 02:51:09,600
Speaker 17: I just liked it.

3560
02:51:10,200 --> 02:51:11,439
Speaker 4: It was probably performative.

3561
02:51:12,240 --> 02:51:13,400
Speaker 41: There's also something fun about it.

3562
02:51:13,440 --> 02:51:16,640
Speaker 56: I also liked math and tricky, puzzly things, and there's

3563
02:51:16,760 --> 02:51:19,360
Speaker 56: like magic sort of blent the world of like feat

3564
02:51:19,400 --> 02:51:24,880
Speaker 56: or in performance and puzzles and again just repulsion to

3565
02:51:25,040 --> 02:51:29,440
Speaker 56: everyone around you, you know it Also, yeah, I still

3566
02:51:29,480 --> 02:51:29,920
Speaker 56: love magic.

3567
02:51:30,280 --> 02:51:33,400
Speaker 71: Do you feel like you were repulsed or people were

3568
02:51:33,480 --> 02:51:34,160
Speaker 71: repulsed by you?

3569
02:51:34,760 --> 02:51:34,800
Speaker 49: No?

3570
02:51:35,240 --> 02:51:36,600
Speaker 4: No, I think it was no.

3571
02:51:36,800 --> 02:51:39,000
Speaker 56: And you know, I was somewhere where it's like, you know,

3572
02:51:39,560 --> 02:51:43,640
Speaker 56: probably the coolest kid in class was doing magic. But yeah,

3573
02:51:43,920 --> 02:51:47,600
Speaker 56: I felt I felt uncool, not uncool, yeah, I mean

3574
02:51:47,640 --> 02:51:51,160
Speaker 56: a dork that words become something else.

3575
02:51:52,800 --> 02:51:54,480
Speaker 4: I was just like a passionate little dork.

3576
02:51:55,080 --> 02:51:57,320
Speaker 71: Okay, So you had like your specific interests that you

3577
02:51:57,400 --> 02:51:58,199
Speaker 71: were very into.

3578
02:51:58,879 --> 02:52:02,360
Speaker 56: Yeah, just like feed and magic and I have friends

3579
02:52:02,360 --> 02:52:04,080
Speaker 56: where I look back, I'm like, man, you were cool,

3580
02:52:04,320 --> 02:52:08,080
Speaker 56: like you were cool at twelve. It's not not about

3581
02:52:08,120 --> 02:52:11,640
Speaker 56: being cool, like you were cool necessarily to those around you.

3582
02:52:13,200 --> 02:52:13,640
Speaker 4: Yeah, I would.

3583
02:52:13,640 --> 02:52:16,360
Speaker 3: I would just always just had eccentric interesting.

3584
02:52:16,480 --> 02:52:16,680
Speaker 7: Yeah.

3585
02:52:16,680 --> 02:52:19,360
Speaker 71: I think there is something cool about being a young

3586
02:52:19,480 --> 02:52:23,480
Speaker 71: person and liking what you like and not being you know,

3587
02:52:23,640 --> 02:52:25,840
Speaker 71: concerned if that's necessarily like the coolest thing. I think

3588
02:52:26,080 --> 02:52:29,000
Speaker 71: that gets cooler and cooler in hindsight as you get older.

3589
02:52:29,040 --> 02:52:32,240
Speaker 34: You're like, oh I was confident, Yes, yes, yeah, I

3590
02:52:32,320 --> 02:52:32,640
Speaker 34: think so.

3591
02:52:34,000 --> 02:52:37,760
Speaker 56: Yeah, you know, in hindsight, I wish hindsight did it

3592
02:52:38,320 --> 02:52:40,480
Speaker 56: worked on magic just.

3593
02:52:40,680 --> 02:52:41,360
Speaker 23: Isn't working for me.

3594
02:52:41,560 --> 02:52:45,959
Speaker 56: It's immune's Bengali decks and foam rabbits are not really helping.

3595
02:52:46,840 --> 02:52:48,600
Speaker 4: You know, you're not getting any better in the rear view.

3596
02:52:48,720 --> 02:52:50,240
Speaker 4: But you know, I had a lot of fun and

3597
02:52:50,400 --> 02:52:51,959
Speaker 4: it's like, I guess.

3598
02:52:51,800 --> 02:52:54,120
Speaker 71: I sort of understand where you're coming from as well,

3599
02:52:54,160 --> 02:52:56,040
Speaker 71: because I am an only child and both of my

3600
02:52:56,120 --> 02:52:57,840
Speaker 71: parents just think I'm the beastnys.

3601
02:52:57,959 --> 02:52:59,040
Speaker 15: They're just love it.

3602
02:52:59,560 --> 02:53:00,440
Speaker 19: They think great.

3603
02:53:00,520 --> 02:53:02,960
Speaker 71: And then so when I go into things, I'm like,

3604
02:53:03,080 --> 02:53:05,720
Speaker 71: so that was great, it was great, And it's like, yeah,

3605
02:53:07,440 --> 02:53:08,520
Speaker 71: I want everyone to think that.

3606
02:53:08,480 --> 02:53:08,840
Speaker 45: I'm a scar.

3607
02:53:09,120 --> 02:53:10,000
Speaker 4: The world's not your parents.

3608
02:53:10,160 --> 02:53:12,960
Speaker 23: Yeah, brutal, No, but it really is.

3609
02:53:13,000 --> 02:53:13,040
Speaker 32: No.

3610
02:53:13,120 --> 02:53:15,400
Speaker 56: But I'm not even saying that, like, yeah, that's realization

3611
02:53:15,520 --> 02:53:18,440
Speaker 56: for me, and like it's it's it's a realization for

3612
02:53:18,480 --> 02:53:20,520
Speaker 56: a lot of people. And I think we're vaguely the

3613
02:53:20,560 --> 02:53:23,720
Speaker 56: same generation, like on either side of it, and like, yeah,

3614
02:53:23,879 --> 02:53:28,080
Speaker 56: we we we do need a lot of It's it's

3615
02:53:28,879 --> 02:53:32,160
Speaker 56: it's not necessarily that the love and the and the

3616
02:53:32,320 --> 02:53:33,600
Speaker 56: affirmation is the issue.

3617
02:53:33,680 --> 02:53:35,200
Speaker 23: It's that the lack of the other.

3618
02:53:35,400 --> 02:53:40,200
Speaker 56: Like there's some value in having like a psychological thing

3619
02:53:40,280 --> 02:53:42,480
Speaker 56: to overcome to look at your parents and go I'll

3620
02:53:42,560 --> 02:53:44,840
Speaker 56: show you and like run out into the world to

3621
02:53:44,959 --> 02:53:47,920
Speaker 56: prove something wrong, uh, and to not have anything to

3622
02:53:47,959 --> 02:53:50,080
Speaker 56: push back against and to.

3623
02:53:50,160 --> 02:53:51,920
Speaker 23: Feel like it's hard.

3624
02:53:52,520 --> 02:53:55,520
Speaker 56: It's not, it's not more difficult, but it has another

3625
02:53:55,640 --> 02:53:59,959
Speaker 56: type of problem and yeah, it's it's it's a strange

3626
02:54:00,120 --> 02:54:03,520
Speaker 56: thing to have the privilege that sounds like we did

3627
02:54:04,120 --> 02:54:05,080
Speaker 56: of being supported.

3628
02:54:06,520 --> 02:54:09,800
Speaker 1: That concludes the best of Forever Dog twenty eighteen. You

3629
02:54:09,879 --> 02:54:12,560
Speaker 1: can find all the podcasts mentioned in this episode at

3630
02:54:12,640 --> 02:54:16,200
Speaker 1: Foreverdog podcasts dot com. You can also subscribe to them

3631
02:54:16,240 --> 02:54:20,080
Speaker 1: on Apple Podcasts, Stitchers, Spotify, or your favorite podcast app.

3632
02:54:20,440 --> 02:54:22,360
Speaker 1: And if you have a chance, please leave your favorite

3633
02:54:22,400 --> 02:54:24,240
Speaker 1: shows a rating and review and let them know you

3634
02:54:24,400 --> 02:54:26,480
Speaker 1: like what they're doing. It not only helps more people

3635
02:54:26,560 --> 02:54:29,600
Speaker 1: find out about our podcast, it's also very appreciated by

3636
02:54:29,680 --> 02:54:32,720
Speaker 1: our podcasters and our production team, Speaking of which, you

3637
02:54:32,760 --> 02:54:36,080
Speaker 1: can follow us Foreverdog on Twitter and Instagram at Foreverdog

3638
02:54:36,160 --> 02:54:38,560
Speaker 1: team for the latest news and updates. We have a

3639
02:54:38,600 --> 02:54:40,920
Speaker 1: lot of exciting new shows coming your way in twenty nineteen,

3640
02:54:41,000 --> 02:54:43,280
Speaker 1: so stay tuned for that, as well as amazing new

3641
02:54:43,320 --> 02:54:45,760
Speaker 1: episodes by all of your favorites from this episode. So

3642
02:54:45,879 --> 02:54:48,520
Speaker 1: thank you very much for your support for listening, and

3643
02:54:48,720 --> 02:54:50,640
Speaker 1: we'll see you in twenty nineteen.