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Speaker 1: And his Drink Chats motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's like, it's your boy in O R. He's a

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Speaker 1: Miami hippoperie. Up is d j e f N. Together

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Speaker 1: they drinking up with some of the biggest players in

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Speaker 1: the most professional unprofessional podcast and your number one sorts

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Speaker 1: for drunk drink chas. Motherfucking everything is New Year's e.

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Speaker 1: That's time for drink champ, drink up mother mother. Would

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Speaker 1: a good beat? Hopefully? Would it be? This is your

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Speaker 1: boy in O R? What up is d j e

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Speaker 1: FN And it's just drink chance, motherfucking yeah? Be our

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Speaker 1: make something now right now. When it comes to talented,

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Speaker 1: all around talent, this guy that's standing in front of

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Speaker 1: us cannot only out wrap you. We'll get your girl

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Speaker 1: her draws. This's wow. He's multi talented. Got one of

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Speaker 1: the dopest albums out right now, which is one of

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Speaker 1: the hardest things to do recreating classic records. And not

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Speaker 1: only that, I feel like you figured out the formula

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Speaker 1: to recreate something, uh without making people feel old, because

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Speaker 1: you made them feel a part of this. This the

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Speaker 1: record You've been working countless. I've read that you've been

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Speaker 1: Outsce've been trying to do this since two thousand and nine,

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Speaker 1: which act of technically makes this year two thousand of lanteen,

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Speaker 1: ten years for you got recognized and gotten. You know,

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Speaker 1: at two thousand and thirteen, you've been grinding. You're the

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Speaker 1: first Toroado rapper, the first Cat Canada rapper to come

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Speaker 1: on drink chats you twenty seven years old. You're out

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Speaker 1: here living like that, and you've got the number two

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Speaker 1: album in the world. Got Dad makes Noise. Let me

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Speaker 1: tell you something. You're a man of your word. Everything.

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Speaker 1: Every time I bumped it to you, every time you

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Speaker 1: say he's gonna do something involving anything, you have always

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Speaker 1: did it. So I knew that he was gonna show

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Speaker 1: up today, and I knew he was gonna show up.

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Speaker 1: Let's make some noise for Tory. Motherfucker? Yet, is it

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Speaker 1: Toronto specifically you're from? Yeah, well from like when it

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Speaker 1: comes to Toronto technically more so from Brandy. But it's

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Speaker 1: crazy because I'm made sure like my I told my

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Speaker 1: publicists like, I don't care. I know we're gonna do

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Speaker 1: the Breakfast Club and all the other ship, but I

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Speaker 1: have to do drinks promise me I got was I

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Speaker 1: told us if we gotta do this my favorite No, No,

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Speaker 1: I'm not gonna lie to you. Like you seem like

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Speaker 1: like I'm competitive, but you seem like a very very

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Speaker 1: very competitive person like you seem like you actually you

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Speaker 1: seem like you one of them dudest yourself. Look I don't. Yeah,

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Speaker 1: that's that's exactly what it is. I'm not in the

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Speaker 1: competition with other niggas, but I'm more so in the

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Speaker 1: competition with myself, with with always trying to outdo myself.

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Speaker 1: And I think that's what's kept me a relevant artist,

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Speaker 1: you know, because I've never ever tried to fall into

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Speaker 1: the trend because I feel like the trend is is

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Speaker 1: the norm level that I'm trying to pass all the time,

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Speaker 1: you know what I'm saying, I'm trying to create the

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Speaker 1: next trend. And because of that, it's caused you know,

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Speaker 1: that that competitive spirit. You know, I'm the youngest side

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Speaker 1: of six kids, so uh yeah, that's just built in.

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Speaker 1: You know, three brothers, you know, all different ages up

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Speaker 1: and every time we was doing something, we all competed.

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Speaker 1: You know, my brothers are incredible artists. Sue the ones

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Speaker 1: who taught me how to do my thing. You know

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Speaker 1: what I'm saying is so like I've always grown up

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Speaker 1: like trying to write a better verse. And even my

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Speaker 1: older brother, Um Wolfgang, he he always told me, he

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Speaker 1: was like, Yo, no matter whatever happens, I'll never let

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Speaker 1: nobody body me on the verse, like nobody will ever

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Speaker 1: get to say they bodied me on the verse. And

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Speaker 1: and I always took that as any time I go

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Speaker 1: to put my craft up, make it hard for the

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Speaker 1: next motherfucker that kind of come after me. You know

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Speaker 1: what I'm saying, make it hard, because even if you're

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Speaker 1: making it hard competition wise and not, you're still gonna

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Speaker 1: You're still getting the best product out of it, you

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Speaker 1: know what I'm saying. In the best product, you know,

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Speaker 1: makes more hits, makes more records, makes more money, and

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Speaker 1: everybody's happy. Right now, I need your permission for something.

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Speaker 1: I need your permission. Once people start, once people start

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Speaker 1: getting their hair back, I want to call it a

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Speaker 1: tory last. I want to say that because you know,

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Speaker 1: I think at this point I want to be able

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Speaker 1: to do that because listen, if those tigers did it

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Speaker 1: first and you give it up, the tiger as the

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Speaker 1: godfather of of it. You got it, you claim it.

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Speaker 1: You claim you're the first, like when you're the first

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Speaker 1: Blood is New York City the first game? Remember club,

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Speaker 1: Just telling niggas like I want y'all to understand, Like

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Speaker 1: when I was twenty four, I had the baldy, Like

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Speaker 1: I went through all phases for niggas to see when

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Speaker 1: you started going ball. See, Like, it's not that I

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Speaker 1: started going ball. It's like, you know, just like everybody,

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Speaker 1: we start receiving, we started pointing. Never you say, I

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Speaker 1: see the reas. Why I said, because I came here,

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Speaker 1: I really need I'm gonna But like what it is

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Speaker 1: is like boom, Like you start losing the hair here,

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Speaker 1: because nobody ever loses their hair in the middle of

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Speaker 1: the head. First, you start losing it on the corner.

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Speaker 1: Your first be a buck. I'm gonna be a buck.

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Speaker 1: One time, it was one barber who actually started the

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Speaker 1: phenomenon that my head was actually that big. You get

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Speaker 1: what I'm saying. Like one time the nigger just pushed

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Speaker 1: my ship so crazy. I went on my story and

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Speaker 1: it was like one of these angles that already and

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Speaker 1: just went viral. To this day, I still laugh at

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Speaker 1: that picture. But it's like you know, I had to

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Speaker 1: go to the baldy. I had to go to the

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Speaker 1: all all extents. You know, when you start doing the half,

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Speaker 1: not even the one is not even, it's like there's

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Speaker 1: the half. So so you noticed Tiger had something different

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Speaker 1: about him. Yeah, and um because yeah, he's he got

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Speaker 1: braids out of nowhere. It wasn't the braids. It was

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Speaker 1: like if you had looked at at him from from

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Speaker 1: a time like when the whole young money thing was

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Speaker 1: going on, like Terry was like it was you know,

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Speaker 1: it was back, so like I always noticed. Nobody really

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Speaker 1: noticed it because it happened so quick. He like immediately

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Speaker 1: fixed his stuff. But I always noticed because my hair

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Speaker 1: was always thinning. So I was like, eventually, I'm gonna

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Speaker 1: have to know one of these niggers, you know, say

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Speaker 1: I mean the book, I'm gonna have to fight one

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Speaker 1: of these niggers. It was either I was gonna find

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Speaker 1: it from him or Safari. So I wasn't waiting to

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Speaker 1: running one of the two niggas, you know what I'm saying.

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Speaker 1: I was like, I learned, so one of these two niggas,

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Speaker 1: it's going down. I gotta get the plug for one

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Speaker 1: of these niggas like, so boom, I met Tiger and

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Speaker 1: like the whole thing with the hooks, that was a

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Speaker 1: real thing. We was in my was in my house.

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Speaker 1: That was in Miami, but it was in my house.

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Speaker 1: I was like, yeah, I give every feature, any feature,

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Speaker 1: you know, I'm good for it. If I'm telling you

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Speaker 1: just like you know me if I say to you

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Speaker 1: doing like you know what I'm saying. So that was

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Speaker 1: that was let me tell you something. People don't give

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Speaker 1: up the glugs. People don't give it away the plugs

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Speaker 1: for like that a sneakers will tell me anything. He

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Speaker 1: would never give me a sneaker connect, give me any

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Speaker 1: tell me where the bodies is head and everything you're joking,

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Speaker 1: get the jo connect. He didn't. I didn't even just

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Speaker 1: say something. So the fact that Tiger gave it up,

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Speaker 1: that that's a real ship and the fact you're giving

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Speaker 1: games out too, because there's something that's just like yo, right,

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Speaker 1: Like niggas don't. It's hard for niggas to talk about

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Speaker 1: the ship that makes them men secure, right. But what

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Speaker 1: niggas don't realize is once you start talking about it,

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Speaker 1: in the world knows who gives a fun You know

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Speaker 1: what I'm saying, like you think about it, this is you.

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Speaker 1: I've always been a nigga who's been able to accept ship,

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Speaker 1: Like when I had to cut my hair ball, I said, Yo,

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Speaker 1: I gotta cut my head ball. But I'm about to

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Speaker 1: be the most flies ball nigga niggas ever. I'm about

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Speaker 1: the owner ship like like like Nigga should have been

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Speaker 1: bald this whole time, like so boom, n ship real.

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Speaker 1: I'm not gonna lie. It looks like I can't. I

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Speaker 1: can't first because the thing from Afar out of been

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Speaker 1: like yeah, nigga, you know what I'm saying. But when

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Speaker 1: he came like I had like Paul, I had to

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Speaker 1: touch his hair like you feel me, so it was like,

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Speaker 1: you know, the nigga ship, it was real. The same

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Speaker 1: niggas do the same ship to me from me and

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Speaker 1: be like no, nigga, your your hair is not real

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Speaker 1: or your data. Niggas think it's you know, how they

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Speaker 1: got the unit thing. I've seen this on Instagram, Like

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Speaker 1: you know, when you strolling to the Instagram and you

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Speaker 1: your nigga, all of a sudden you just see like

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Speaker 1: a barber like oh yeah and making It's like damn,

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Speaker 1: how this nigga. You know, I've seen I've seen people

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Speaker 1: do that before, but that's that's actually they should weave.

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Speaker 1: That's a male we've right, Is that what you mean? No,

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Speaker 1: what I did was was the hair follicles. Yeah, that's right,

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Speaker 1: But I didn't do the ship that they do it

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Speaker 1: body and the ship that they do with hair club

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Speaker 1: and all that ship. They like surgically cut some ship

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Speaker 1: out of the back of your head, like they cut

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Speaker 1: your skin at the back of your head and they

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Speaker 1: take shipped from that little area that they cut. You

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Speaker 1: always got the scar in the back of your head.

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Speaker 1: The dude that I went to is a dude who

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Speaker 1: they do stem cell research every like every five six months.

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Speaker 1: He has something new, like the nigga got so many

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Speaker 1: different things for hair right now that like y'all watch

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Speaker 1: you tell this story so many times, and I love

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Speaker 1: it every time, because you know what love like me

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Speaker 1: and the doctor. Me and the doctor, Like I told

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Speaker 1: him when I didn't mind, I was like yo, I always,

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Speaker 1: I was like, yo, this works. I said, both me

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Speaker 1: and you. I promise you you have to cut me

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Speaker 1: in on some sort of business because what I'm gonna

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Speaker 1: do for you. I remember he remembers this conversation. It's like, Yeah,

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Speaker 1: what I'm gonna do for you is about to be.

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Speaker 1: You don't understand because it's one thing for anybody else

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Speaker 1: to do it. But everybody knew me for this, you

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Speaker 1: know what I'm saying, Like they knew me for that.

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Speaker 1: Like that's to the to the point that now getting

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Speaker 1: the interview, I'm a whole rapper, niggas is talking about

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Speaker 1: here for hours. You know what, this is your Yankee

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Speaker 1: hat like hold had the Yankee hat and the exam. Yeah,

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Speaker 1: that makes and you're giving me. I'm trying to gass

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Speaker 1: you to tell him about the grades. Tell your doctor.

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Speaker 1: The doctor can fix his grades. I want to reverse

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Speaker 1: my grads like that. That's crazy, man, That's it. It's

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Speaker 1: dope though, you know. So we need to understand. Is

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Speaker 1: Kesha a real person? My first my first love's name

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Speaker 1: is Keisha. I don't It's not that I'm talking about her.

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Speaker 1: It's just that anytime like I refer to Keisha, I

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Speaker 1: just feel like a lot of us is dealt with

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Speaker 1: a Keysha. Everybody has like everyone is with a Keysha. Kesha.

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Speaker 1: You know you say, turning me from the hood, if

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Speaker 1: you ain't. It's like you said, how if you if

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Speaker 1: you have Kea's room has not the keysha he got.

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Speaker 1: So if you hadn't had a moment, or at least

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Speaker 1: know somebody who's had a moment, that's like a yo, Keisha.

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Speaker 1: If you don't have somebody where you haven't had that moment,

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Speaker 1: that you may not understand. But I felt like, you know,

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Speaker 1: Keisha Kim with a certain names that I just felt

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Speaker 1: like in a hood and in the setting, it's like

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Speaker 1: those fit into the story. And so it's funny because

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Speaker 1: I've always inspired it over my first love. But at

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Speaker 1: the same time, it's not like it, you know, because

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Speaker 1: that's five tapes, you like, kind of like, well, now

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Speaker 1: the story actually starts on his second Chicks tape. So

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Speaker 1: the story starts, and it's really means so a girl

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Speaker 1: named Jalissa. It's really what the whole, the whole project

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Speaker 1: is based off of. And that was that was that

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Speaker 1: was a real situation, the whole like basically like this,

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Speaker 1: you know, this was two thousand and eleven, two thousand

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Speaker 1: and twelve, when Meek and Lebron and everybody was in

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Speaker 1: Miami and everybody, you know, he was buying a bunch

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Speaker 1: of rent ees and you know, and like you know,

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Speaker 1: it's from front on the Graham standing on the hood

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Speaker 1: of the cars, and you know, like that that was

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Speaker 1: that was that was you know at the time. At

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Speaker 1: the time, Mom kept going, I don't get you toil

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Speaker 1: you start now, So I forgot what the funk I

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Speaker 1: was talking about. It was. I don't even know what

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Speaker 1: it was said he was setting on the Graham on

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Speaker 1: the car. So you know, little Keisha, we yeah, it's

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Speaker 1: just about that. So basically, the way I met the

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Speaker 1: girl who inspired the character for Julissa was like it

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Speaker 1: was a girl that I was seeing the club all

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Speaker 1: the time, and I would you know what I'm saying

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Speaker 1: when I was with these niggas, because you know, oh,

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Speaker 1: Julissa is a definitely like definitely the Spanish and we

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Speaker 1: had to smash. This is a Miami thing. It's good.

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Speaker 1: You know, there's a high aaleah you know. Okay that again,

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Speaker 1: I love this every so cool. So I used to

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Speaker 1: see the girl in the club that she used to

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Speaker 1: never a me no mom, so boom um. One day

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Speaker 1: I was in this this this rental car rented a

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Speaker 1: fight and Robbie and we remember I drove. I parked.

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Speaker 1: This was like one day I just had enough money.

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Speaker 1: It was like one of those days was like I

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Speaker 1: like everything was going good, Like I had enough money,

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Speaker 1: you feel me? And I parked in the front. Great night.

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Speaker 1: I was with all the scammers and all the hustlers,

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Speaker 1: and so it was one of those things where I

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Speaker 1: just looked like I was in a section where the

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Speaker 1: bottles was at. So I was in a place where

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Speaker 1: I needed to be sure he was in the club.

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Speaker 1: And I finally bagged it that night, and I was

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Speaker 1: so disgusted because I bagged it. I hit it everything

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Speaker 1: the same night, and I was so disgusted and the

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Speaker 1: fact that it was the car when it was when

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Speaker 1: she pulled outside, she saw me in the car and

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Speaker 1: I bagged it from the car, and I was just like, damn,

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Speaker 1: like this girl has seen you so many times, act

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Speaker 1: like she didn't know me at all, because today I

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Speaker 1: was with the niggas and I had the rente and

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Speaker 1: I had you know what I'm saying, she wants to

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Speaker 1: put it on you. It's about I smashed. I smashed

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Speaker 1: the brakes off, like because you gotta think about you know,

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Speaker 1: you get one of them kills It's like I'm like

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Speaker 1: you damn they got a double tape. I'm really killing you,

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Speaker 1: like you know, like this is what I'm saying, like

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Speaker 1: like it was like one of those ones, so boom.

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Speaker 1: You know that's what even said, you know, my first

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Speaker 1: my first strong ever, my first, the first single I

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Speaker 1: ever give it, uh saying do it prove it? You

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Speaker 1: got scarface face time and ship. I don't know what

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Speaker 1: I was like, but it was it was the time

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Speaker 1: with like saying through prove it. All the whole video

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Speaker 1: was based on that moment. That's why if you ever

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Speaker 1: go back to the video for saying my first song,

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Speaker 1: I think I picked up the girl on the rental

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Speaker 1: she didn't want howlight to start in to that. All

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Speaker 1: the stem from the same thing, you know, something that

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Speaker 1: makes you, that makes because most people like, uh, I

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Speaker 1: wouldn't do that. Most people wouldn't pick the girl up.

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Speaker 1: Most people wouldn't say that. Most people like if they

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Speaker 1: getting heart hurt, you know, that's a bad experience for them.

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Speaker 1: You're making like you're not gonna bring it up again,

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Speaker 1: Like most people don't want to bring it up. That's

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Speaker 1: ill that you would take a vulnerable moment for you

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Speaker 1: and make money over the obviously. Gonna tell you guys,

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Speaker 1: this vulnerability is what sells record because people want a

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Speaker 1: nigger that's confident enough to say how they really feel

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Speaker 1: because they're not confident enough to see it. That's why,

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Speaker 1: that's why Niggas loved Drake, because we need to take

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Speaker 1: ectasy and make love workers. And I'm sure Niggas is

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Speaker 1: probably feeling that exactly how he was feeling and to

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Speaker 1: make it. It didn't make. It didn't make the same

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Speaker 1: record didn't work from me, It didn't work for me.

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Speaker 1: Vulnerability is letting people in into a place that like

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Speaker 1: they're not used to going. Or it's like, um, you know,

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Speaker 1: I'm about to say something I didn't want to make,

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Speaker 1: no headline something stop, but it's like somebody having God

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Speaker 1: forbid somebody one of us having a disease in this room,

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Speaker 1: right and um or better yet, like I heard Boozies

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Speaker 1: say one time, talking about like diabetes in his body

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Speaker 1: or something like that. Um, and I don't know how

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Speaker 1: true it was. Yeah, one of his songs. You know

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Speaker 1: what I'm saying, But Jay, I'm wrong, j hand somewhere,

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Speaker 1: I'm right right. So Boozy say something about like him

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Speaker 1: having diabetes in his body. But I'm sure the fact

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Speaker 1: that he was able to come out and say that

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Speaker 1: in the record, so many people with diabetes that like

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Speaker 1: don't even want to let people know that they're going

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Speaker 1: through a condition or they got a condition probably related

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Speaker 1: to him. And it was like, damn my funk with

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Speaker 1: this nigga twenty times more because he just said how

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Speaker 1: I feel. Drake was tell us will say so many

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Speaker 1: things about how niggas feel, but we just won't say

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Speaker 1: it because it's like, I don't know how I'm gonna

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00:17:50,080 --> 00:17:51,359
Speaker 1: sound if I say that. But the thing about it

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00:17:51,440 --> 00:17:52,920
Speaker 1: is is like he puts it in a way where

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Speaker 1: it's like okay, and it's like, Okay, you get what

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00:17:54,880 --> 00:17:58,080
Speaker 1: I'm saying. Whatever you do it, you know what I'm saying.

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Speaker 1: But I just mean, like voler abilities, but not everybody

327
00:18:01,359 --> 00:18:04,320
Speaker 1: could pull that off. You have to be talented to bealing.

328
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Speaker 1: You gotta be honest. Now. Now, at the at one

329
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Speaker 1: point with Drake and like Meek was really beef and

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Speaker 1: like you had a record with Meek, Yeah, And the

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Speaker 1: way was that after you and Drake had the squad

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Speaker 1: tret or that was like, nah, nigga, you know that

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Speaker 1: I gotta remember I came out the gate like we

334
00:18:25,680 --> 00:18:28,040
Speaker 1: was already you know what I'm saying, And you knew

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00:18:28,119 --> 00:18:30,160
Speaker 1: Drake prior to the thing about it is, we didn't

336
00:18:30,160 --> 00:18:32,200
Speaker 1: even we hadn't even met each other like that. We

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00:18:32,320 --> 00:18:34,760
Speaker 1: met each other like briefly, but it was like when

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00:18:34,840 --> 00:18:37,760
Speaker 1: we first came out out the gate. It's like the problem,

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00:18:38,560 --> 00:18:41,639
Speaker 1: the problem, the problems stemmed from something that wasn't even us,

340
00:18:41,720 --> 00:18:43,760
Speaker 1: but it was just because it was around us. It

341
00:18:43,920 --> 00:18:46,280
Speaker 1: was like a I thought niggas was playing me. So

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00:18:47,000 --> 00:18:48,879
Speaker 1: I went off to be like, Yo, what up, nigga,

343
00:18:49,640 --> 00:18:51,800
Speaker 1: you gotta stop that. I gotta tell you that that's

344
00:18:51,800 --> 00:18:53,879
Speaker 1: when I first started. Yeah, this is a far different

345
00:18:53,880 --> 00:18:58,120
Speaker 1: story now, grown guys drinking AGAs on the beach in Caba.

346
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Speaker 1: Gonna be honest with you. Gotta dumb down your realness

347
00:19:02,040 --> 00:19:05,800
Speaker 1: like you that's crazy, nor having this conversation with myself

348
00:19:05,880 --> 00:19:09,520
Speaker 1: the every day like y'all, I gotta stop being yourself.

349
00:19:09,640 --> 00:19:13,639
Speaker 1: You know, you know how you gotta have that's the

350
00:19:13,680 --> 00:19:15,560
Speaker 1: best home because you can't a lot to you, You

351
00:19:15,640 --> 00:19:17,760
Speaker 1: can't like you know what bro like like like you

352
00:19:17,840 --> 00:19:20,080
Speaker 1: don't have to start keeping it seventy with niggascuse you

353
00:19:20,160 --> 00:19:23,160
Speaker 1: keeping you're keeping the ninety keeping it for ninety rapper.

354
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Speaker 1: You know what. A lot of us go to jail

355
00:19:25,240 --> 00:19:27,159
Speaker 1: for that. So we don't want you like because you

356
00:19:27,280 --> 00:19:30,000
Speaker 1: keep it over real over. I know he was let

357
00:19:30,040 --> 00:19:31,680
Speaker 1: me be alry to cut you off. I knew he was.

358
00:19:31,760 --> 00:19:33,880
Speaker 1: Well as soon as I've seen you everything you said,

359
00:19:33,920 --> 00:19:35,639
Speaker 1: you kept it too real, And I said to myself,

360
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Speaker 1: this nigga is too rare for the industry. You gotta

361
00:19:37,720 --> 00:19:40,280
Speaker 1: realize that the industry is for the faith ship. So

362
00:19:40,359 --> 00:19:42,080
Speaker 1: when you did everything real, I was like, damn, I

363
00:19:42,240 --> 00:19:45,639
Speaker 1: automatic he was worried about you from that live like

364
00:19:46,000 --> 00:19:49,960
Speaker 1: he didn't exaggerate like most people live exact industry. So

365
00:19:50,040 --> 00:19:51,560
Speaker 1: when I didn't, I said Dan that he's going to

366
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Speaker 1: realize that it's only to other people like that. You

367
00:19:55,119 --> 00:19:58,720
Speaker 1: know what it is dog people that you gotta figure

368
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Speaker 1: it out. I probably want you know what I'm saying.

369
00:20:02,320 --> 00:20:05,480
Speaker 1: This guy right got but it's this. There's a couple

370
00:20:05,480 --> 00:20:07,399
Speaker 1: of other girl ones, there's a couple of other proom

371
00:20:07,520 --> 00:20:10,240
Speaker 1: But you gotta learn. The thing is you can't. You

372
00:20:10,359 --> 00:20:13,199
Speaker 1: can't react to everything. You gotta you gotta learn how

373
00:20:13,680 --> 00:20:16,919
Speaker 1: you know uh uh sit back and we gotta switch

374
00:20:17,119 --> 00:20:20,000
Speaker 1: your drink because we want to listen. When they said

375
00:20:20,040 --> 00:20:22,560
Speaker 1: that you wanted to patrol and Hennessey, I said, this

376
00:20:22,640 --> 00:20:27,399
Speaker 1: nig is a fight. The fighting drinks nobody cool drinking

377
00:20:27,680 --> 00:20:31,639
Speaker 1: drink nobody those two do together, those two together or

378
00:20:31,800 --> 00:20:35,800
Speaker 1: lead through culmination. If you drink hennessy, what's this tyger thing?

379
00:20:36,320 --> 00:20:39,480
Speaker 1: We got? The typing you're ready for around the whole

380
00:20:39,720 --> 00:20:42,600
Speaker 1: there's a myth. You know what I'm saying. I drink. Yeah,

381
00:20:42,600 --> 00:20:45,879
Speaker 1: I'm saying this is a myth like it's supposedly like

382
00:20:46,080 --> 00:20:52,879
Speaker 1: you making you and yeah, yeah, you know the thing

383
00:20:52,960 --> 00:20:59,360
Speaker 1: about it about we talked about terrible but you dude

384
00:20:59,800 --> 00:21:02,080
Speaker 1: on no, here's a deal. One, you're not gonna walk

385
00:21:02,080 --> 00:21:03,840
Speaker 1: around with the viagraph. Then you're not gonna be walking

386
00:21:03,840 --> 00:21:06,119
Speaker 1: around just knocking things over. But if you happen to

387
00:21:06,160 --> 00:21:09,120
Speaker 1: play the game, you'll be ready. You're understanding, you're gonna

388
00:21:09,119 --> 00:21:10,399
Speaker 1: be ready, But you don't you know what I mean.

389
00:21:10,480 --> 00:21:12,840
Speaker 1: That's that's that's just one of it's a Jamaican things.

390
00:21:13,680 --> 00:21:15,280
Speaker 1: You got it from Jamaica, just wanted it, and you're

391
00:21:15,320 --> 00:21:21,240
Speaker 1: just making right cousins because I was raised around all

392
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Speaker 1: Jamaican's like my cousin jas his family's mom is who

393
00:21:23,760 --> 00:21:27,440
Speaker 1: raised me. You even Jamaica Queen's at one point, would

394
00:21:27,440 --> 00:21:29,879
Speaker 1: you like you even literally Jamaica Queens at one point. No. No,

395
00:21:30,080 --> 00:21:31,399
Speaker 1: the other places I ever lived in it was like

396
00:21:31,880 --> 00:21:34,920
Speaker 1: I lived, uh in Long Island one time when I

397
00:21:35,040 --> 00:21:37,159
Speaker 1: was in New York and I stayed like in Brooklyn somewhere,

398
00:21:37,680 --> 00:21:41,399
Speaker 1: Flatbush somewhere with my aunt. But that's about it. Let's

399
00:21:41,400 --> 00:21:43,240
Speaker 1: say the shot that don't want to actually your inspirations

400
00:21:43,600 --> 00:21:50,879
Speaker 1: slot solut me some more for talking about speaking to

401
00:21:50,880 --> 00:21:52,960
Speaker 1: me your speech. Man, so many people you've been in

402
00:21:53,080 --> 00:21:55,080
Speaker 1: this game ten years. You are grinding, you're get at

403
00:21:55,080 --> 00:21:57,520
Speaker 1: the success, and you deserve everything you fucking get. I

404
00:21:57,520 --> 00:21:59,760
Speaker 1: can see your humbleness, see your realness, and I wanted

405
00:21:59,800 --> 00:22:01,680
Speaker 1: some you to your face and tell you you're great

406
00:22:01,880 --> 00:22:08,000
Speaker 1: and your mother fucking real dude, man, So me, coming

407
00:22:08,080 --> 00:22:11,960
Speaker 1: from New York, I just try to just go along

408
00:22:12,040 --> 00:22:17,760
Speaker 1: with it. Let's go. Actually tastes like curry n She's

409
00:22:17,880 --> 00:22:20,440
Speaker 1: like you're ever going into like like the Indian spot.

410
00:22:21,560 --> 00:22:26,320
Speaker 1: You smell like the spice spier. Yeah, every coature the

411
00:22:26,359 --> 00:22:33,600
Speaker 1: world see. Coming from New York, I had a whole

412
00:22:33,640 --> 00:22:35,919
Speaker 1: bunch of inspiration I had, you know, the rock kims

413
00:22:36,240 --> 00:22:38,160
Speaker 1: like coming from Toronto. Who was you, like, your first

414
00:22:38,200 --> 00:22:40,000
Speaker 1: person that you looked at in the music that was

415
00:22:40,040 --> 00:22:44,359
Speaker 1: from Toronto that you wanted to like maybe uh uh,

416
00:22:44,600 --> 00:22:48,800
Speaker 1: there was us inspired by I mean from Toronto in

417
00:22:48,880 --> 00:22:51,360
Speaker 1: my time, y'all got it in me it was clearly Drake.

418
00:22:51,400 --> 00:22:55,680
Speaker 1: For us, it was card Now Fisher. The thing about

419
00:22:55,720 --> 00:22:58,480
Speaker 1: Cardon Now is when when Cardon Now was out, I

420
00:22:58,640 --> 00:23:02,040
Speaker 1: wasn't living in Toronto. I was in America, you know

421
00:23:02,040 --> 00:23:04,320
Speaker 1: what I'm saying, Because like my dad is a missionary preacher,

422
00:23:04,840 --> 00:23:08,840
Speaker 1: so like my whole life is just travel. I never

423
00:23:08,960 --> 00:23:12,000
Speaker 1: stayed anywhere for too long. I was always like the

424
00:23:12,040 --> 00:23:14,639
Speaker 1: only time when I actually stayed somewhere for like a

425
00:23:14,720 --> 00:23:16,800
Speaker 1: good to three years was when I when I moved

426
00:23:16,840 --> 00:23:18,439
Speaker 1: to Brenton because I went to high school out there,

427
00:23:18,880 --> 00:23:20,600
Speaker 1: which was in uh you know, it's in Canadas, the

428
00:23:20,640 --> 00:23:24,960
Speaker 1: greater area of Toronto. So basically like for me, um,

429
00:23:25,440 --> 00:23:28,080
Speaker 1: that was really my only that was really my only

430
00:23:28,119 --> 00:23:30,000
Speaker 1: time I was ever really station somewhere. That's why when

431
00:23:30,040 --> 00:23:31,680
Speaker 1: people be like, yo, he's from high I'd be like,

432
00:23:31,840 --> 00:23:34,160
Speaker 1: I'm not from none of there. I'm not really called

433
00:23:34,200 --> 00:23:36,240
Speaker 1: me a little everywhere. You know what I'm saying, Like

434
00:23:36,320 --> 00:23:37,640
Speaker 1: I'm not really you know what I'm saying. I guess

435
00:23:37,640 --> 00:23:39,720
Speaker 1: that's why I'm able to to to to Bob with

436
00:23:39,800 --> 00:23:41,800
Speaker 1: so many people. That's why people be like, if you

437
00:23:41,840 --> 00:23:44,560
Speaker 1: ever asked somebody about my face card, my face card

438
00:23:44,640 --> 00:23:47,440
Speaker 1: is always solid because just so many different cultures. I

439
00:23:47,560 --> 00:23:49,600
Speaker 1: met so many different types of people that taught me

440
00:23:49,680 --> 00:23:51,639
Speaker 1: to be the type of way that I am. You

441
00:23:51,720 --> 00:23:53,960
Speaker 1: feel me, So everything has just always been like that.

442
00:23:54,520 --> 00:23:57,480
Speaker 1: So it just goes to the point of what you're

443
00:23:57,520 --> 00:24:01,159
Speaker 1: talking about, like that that's beautifucause I could tell and

444
00:24:01,320 --> 00:24:05,040
Speaker 1: like you, you pulled it off. One of the hardest

445
00:24:05,119 --> 00:24:09,600
Speaker 1: tasks music is ever. You didn't just go do people's

446
00:24:09,640 --> 00:24:12,879
Speaker 1: records over. You did their classics, this there, But I

447
00:24:12,960 --> 00:24:15,040
Speaker 1: had to go crazy Nord this time. I ain't gonna

448
00:24:15,040 --> 00:24:16,639
Speaker 1: lie to you. I was scared when I seen that.

449
00:24:16,760 --> 00:24:20,280
Speaker 1: When I seen the actual it's Um track list for you, Brian,

450
00:24:20,840 --> 00:24:24,520
Speaker 1: I'm like, I hope my song. I'm like, yah, my man,

451
00:24:24,960 --> 00:24:27,560
Speaker 1: because you gotta think about this. Literally, sweats songs are

452
00:24:27,640 --> 00:24:31,320
Speaker 1: so fucking big. The songs are big, bro, Like these

453
00:24:31,320 --> 00:24:34,560
Speaker 1: ain't these ain't these ain't like the the filler of

454
00:24:34,640 --> 00:24:36,760
Speaker 1: the albums. These are the one of the holwever like

455
00:24:36,840 --> 00:24:40,399
Speaker 1: for Shanty to come back and do foolish, like Maya

456
00:24:40,440 --> 00:24:41,960
Speaker 1: to come back and do best to me after the

457
00:24:42,040 --> 00:24:45,480
Speaker 1: last time jay Z was on it like Little Wayne

458
00:24:45,520 --> 00:24:48,520
Speaker 1: and Lloyd like, Bro, he's a he's a great record, Chris.

459
00:24:49,200 --> 00:24:53,120
Speaker 1: But then think about it, how many how many feel

460
00:24:53,240 --> 00:24:55,520
Speaker 1: so good? Bro? How many times the older niggas getting

461
00:24:55,520 --> 00:24:58,000
Speaker 1: mad at the young niggas because they like my nigga,

462
00:24:58,040 --> 00:24:59,639
Speaker 1: you really just took this ship and funked it up

463
00:24:59,680 --> 00:25:01,520
Speaker 1: and not the real people will never know the real

464
00:25:01,640 --> 00:25:03,840
Speaker 1: version of this song and what they have to look

465
00:25:03,880 --> 00:25:05,640
Speaker 1: on it now? Was this fun the version of the song.

466
00:25:05,960 --> 00:25:08,760
Speaker 1: This is exactly the truth. And so then I was

467
00:25:08,880 --> 00:25:11,639
Speaker 1: like that, plus the fact that niggas is always like

468
00:25:12,320 --> 00:25:14,480
Speaker 1: it is nigga to either it sambling niggas, why can't

469
00:25:14,520 --> 00:25:19,520
Speaker 1: he just didn't don't tell you what your because we

470
00:25:20,119 --> 00:25:21,920
Speaker 1: make a record and you're gonna you're gonna learn that

471
00:25:22,040 --> 00:25:24,000
Speaker 1: like in the next couple of years when you can

472
00:25:24,119 --> 00:25:26,280
Speaker 1: make you work, you make that person feel old. You're like, nigga,

473
00:25:26,320 --> 00:25:28,680
Speaker 1: I'm still alive, you know what I'm saying. But you

474
00:25:28,960 --> 00:25:31,879
Speaker 1: you you you, you learned the medium ground make him

475
00:25:31,880 --> 00:25:35,000
Speaker 1: a part of the record, and because I was wrong,

476
00:25:35,040 --> 00:25:36,920
Speaker 1: I don't. I didn't think you can make that record better,

477
00:25:37,080 --> 00:25:39,960
Speaker 1: like and you actually like that that's it just dumpe

478
00:25:40,080 --> 00:25:42,600
Speaker 1: like I'm thinking, I'm like, I love that ragonal, but

479
00:25:42,720 --> 00:25:44,800
Speaker 1: I now love this one just as much of making

480
00:25:45,600 --> 00:25:49,800
Speaker 1: people who'd because today I heard it on the radio,

481
00:25:49,800 --> 00:25:51,040
Speaker 1: but they it was like one of them mix shows,

482
00:25:58,040 --> 00:26:01,000
Speaker 1: but somebody mixed it in with the old one, and

483
00:26:01,760 --> 00:26:03,480
Speaker 1: I was just I was so happy to feel like

484
00:26:03,480 --> 00:26:06,480
Speaker 1: because it just felt the stup was my biggest thing.

485
00:26:06,520 --> 00:26:08,040
Speaker 1: It was just like when I went to when I

486
00:26:08,080 --> 00:26:09,439
Speaker 1: went to look at the records and I did all

487
00:26:09,480 --> 00:26:12,040
Speaker 1: the records. My my main concern was not that I

488
00:26:12,160 --> 00:26:15,920
Speaker 1: needed these these records to be like, uh, some whole

489
00:26:16,119 --> 00:26:18,400
Speaker 1: like you know, but I needed them to sound the same,

490
00:26:18,440 --> 00:26:20,639
Speaker 1: a field the same. That's all I care about, what

491
00:26:20,840 --> 00:26:24,240
Speaker 1: updated updated, but also just the feeling like is this

492
00:26:24,320 --> 00:26:27,200
Speaker 1: gonna give somebody to sing nostalgia of the first songs

493
00:26:27,320 --> 00:26:29,960
Speaker 1: or something about this song gonna bring somebody back? And

494
00:26:30,160 --> 00:26:32,280
Speaker 1: I went with that formula for every single one of

495
00:26:32,320 --> 00:26:35,320
Speaker 1: the records, and if they didn't feel like that, I didn't.

496
00:26:35,359 --> 00:26:37,520
Speaker 1: I didn't go with them, you know, And so like

497
00:26:38,600 --> 00:26:41,920
Speaker 1: I was working and thought, if I can get all

498
00:26:42,000 --> 00:26:44,320
Speaker 1: these great people on it, like this is just gonna

499
00:26:44,359 --> 00:26:48,240
Speaker 1: be a super knockout slim with the just for like

500
00:26:48,480 --> 00:26:50,640
Speaker 1: for like a good nine ten months. I never told

501
00:26:50,720 --> 00:26:53,320
Speaker 1: nobody for the whole ten months. Two days before the

502
00:26:53,400 --> 00:26:57,400
Speaker 1: album came out. You told people two days I made

503
00:26:57,440 --> 00:26:59,679
Speaker 1: the day before. Yeah, what made you want to go out?

504
00:26:59,720 --> 00:27:02,560
Speaker 1: The whole industry at one point? At one point, nigga,

505
00:27:02,600 --> 00:27:05,960
Speaker 1: I think you wrapped against everyone? Like what made you?

506
00:27:06,160 --> 00:27:08,679
Speaker 1: Just like I was also nervous at that time as well,

507
00:27:09,760 --> 00:27:12,960
Speaker 1: Like I was like going the only one I say,

508
00:27:13,200 --> 00:27:15,280
Speaker 1: the only one I say that you you lost, in

509
00:27:15,400 --> 00:27:19,240
Speaker 1: my opinion, was dreamed all like that was did you have?

510
00:27:19,880 --> 00:27:30,760
Speaker 1: Did you that? I I was slamming the middle that

511
00:27:30,920 --> 00:27:35,600
Speaker 1: was you know, I thought that was funny. That was it.

512
00:27:35,840 --> 00:27:38,080
Speaker 1: I thought it was funny. I thought it was dope.

513
00:27:38,119 --> 00:27:39,800
Speaker 1: I thought it was cool. But when the ship was

514
00:27:39,800 --> 00:27:43,120
Speaker 1: actually serious and anybody I actually did actually this, when

515
00:27:43,119 --> 00:27:45,159
Speaker 1: the ship was actually real, you know, Tabby's my home

516
00:27:45,200 --> 00:27:46,719
Speaker 1: girl at the end of the day, like beyond all

517
00:27:46,760 --> 00:27:49,200
Speaker 1: of the dream dolls. Okay, that's my home girl. So

518
00:27:49,359 --> 00:27:53,720
Speaker 1: beyond all that the others situations, though, I just felt

519
00:27:53,760 --> 00:27:56,880
Speaker 1: like at the time it really wasn't so much the situations.

520
00:27:57,160 --> 00:27:59,320
Speaker 1: I was really going through some other ship with my label,

521
00:27:59,600 --> 00:28:01,159
Speaker 1: and I felt like they just wasn't doing what they

522
00:28:01,160 --> 00:28:04,439
Speaker 1: were supposed to be doing, and that ship like, like, yo,

523
00:28:04,560 --> 00:28:07,640
Speaker 1: you niggas are putting so much time and money into

524
00:28:07,680 --> 00:28:10,359
Speaker 1: these niggas who wait nice like you feel me, and

525
00:28:10,480 --> 00:28:14,200
Speaker 1: I'm nice like you feel me. And I started realizing

526
00:28:14,240 --> 00:28:16,200
Speaker 1: when I when I said it, but few of me

527
00:28:16,240 --> 00:28:17,760
Speaker 1: because this is the thing about me as a LEO,

528
00:28:17,920 --> 00:28:20,560
Speaker 1: because it started with joining Lucas, right, That's where it started.

529
00:28:20,640 --> 00:28:22,320
Speaker 1: We started with joining Lucas, and then it was just

530
00:28:22,400 --> 00:28:26,000
Speaker 1: it really was only two biggers and he really was

531
00:28:26,080 --> 00:28:28,160
Speaker 1: like it was a bunch of people because the way

532
00:28:28,320 --> 00:28:30,600
Speaker 1: my energy is just like I got that kind of

533
00:28:30,640 --> 00:28:32,760
Speaker 1: fasona and plus I'm great at the Taylor it was

534
00:28:32,840 --> 00:28:36,680
Speaker 1: don cutes dream wasn't a part of it. Oh that

535
00:28:36,800 --> 00:28:38,960
Speaker 1: was that was because you you said something. I said

536
00:28:39,000 --> 00:28:42,720
Speaker 1: something about about Tabby on on the Donkey that's her

537
00:28:42,760 --> 00:28:45,640
Speaker 1: real name with it because I had no idea and

538
00:28:46,440 --> 00:28:48,040
Speaker 1: I'm getting lost the very time you do it. But

539
00:28:48,120 --> 00:28:51,880
Speaker 1: I get it I get you going, okay, you were

540
00:28:51,920 --> 00:28:58,320
Speaker 1: not in knocking things down. I didn't think that was

541
00:28:58,320 --> 00:28:59,960
Speaker 1: the only time I was like, I didn't think you body,

542
00:29:00,600 --> 00:29:03,760
Speaker 1: I'll give her right of that said, you know what,

543
00:29:03,840 --> 00:29:06,880
Speaker 1: I want to shake your hand because I didn't. I

544
00:29:06,960 --> 00:29:10,400
Speaker 1: did not think I was that good. I'm not gonna

545
00:29:10,400 --> 00:29:13,400
Speaker 1: lie you. Damn the gotta you gotta can't be shaking

546
00:29:13,400 --> 00:29:14,800
Speaker 1: it and shaken it. You got kiss on the cheek

547
00:29:16,360 --> 00:29:18,200
Speaker 1: when she comes in. We gotta give a couple of

548
00:29:19,440 --> 00:29:22,040
Speaker 1: it's got to be good. So boom, back to what

549
00:29:22,160 --> 00:29:24,560
Speaker 1: I was saying, It's just one of those things where

550
00:29:24,640 --> 00:29:26,840
Speaker 1: I was going through some ship where like I just

551
00:29:26,960 --> 00:29:28,640
Speaker 1: I just felt like niggas. And then when I said it,

552
00:29:28,800 --> 00:29:31,240
Speaker 1: when I was like, yeah, I'm the best nigger niggers,

553
00:29:31,320 --> 00:29:34,280
Speaker 1: was like, has this kid lost his mind? Like has

554
00:29:34,320 --> 00:29:36,880
Speaker 1: he goes like nigga, you're a singer. And that's what

555
00:29:37,080 --> 00:29:41,480
Speaker 1: threw me over. That flew me because you bro, I've

556
00:29:41,560 --> 00:29:43,479
Speaker 1: been wrapping fat. But get the hell out of here

557
00:29:44,280 --> 00:29:45,680
Speaker 1: thinking about it is. And when I got signed it

558
00:29:45,720 --> 00:29:47,880
Speaker 1: in the scope, right, I got this. I got an

559
00:29:47,880 --> 00:29:50,360
Speaker 1: A and R who I signed to at the time,

560
00:29:50,400 --> 00:29:53,640
Speaker 1: who basically like my whole last like four or five

561
00:29:53,720 --> 00:29:57,360
Speaker 1: years of like doing stuff with It's basically kind of

562
00:29:57,440 --> 00:30:00,360
Speaker 1: been like dictated a lot by like you, I was saying.

563
00:30:00,640 --> 00:30:03,240
Speaker 1: For the first time I ever got signed, I was

564
00:30:03,280 --> 00:30:05,080
Speaker 1: just like, yeah, I'm a finessed the situation because I'm

565
00:30:05,080 --> 00:30:08,200
Speaker 1: gonna wrap anyway. But niggas was like, Nigga, nigga, we

566
00:30:08,240 --> 00:30:10,360
Speaker 1: signed you to be a singer, Nigga and the other

567
00:30:10,480 --> 00:30:12,240
Speaker 1: and I was like, bro, I don't. That's why I

568
00:30:12,320 --> 00:30:14,120
Speaker 1: was very to tell me as a fan and as

569
00:30:14,960 --> 00:30:17,040
Speaker 1: to their friends, like you're too good as a singer

570
00:30:17,440 --> 00:30:20,320
Speaker 1: to be that good as a rapt just didn't do good.

571
00:30:20,480 --> 00:30:23,520
Speaker 1: I just didn't think when you proved that rap, I

572
00:30:23,560 --> 00:30:32,360
Speaker 1: don't know that's what's going on the cake too good

573
00:30:32,400 --> 00:30:34,920
Speaker 1: at both what the fun is going on and something

574
00:30:35,000 --> 00:30:39,720
Speaker 1: going steroids. No, you know now what it is is

575
00:30:39,800 --> 00:30:42,800
Speaker 1: like we've I think it's certain kids from Orish City

576
00:30:42,880 --> 00:30:46,320
Speaker 1: that we've always been laid on ship and so we've

577
00:30:46,320 --> 00:30:50,480
Speaker 1: always studied y'all niggas extra hard. We've always studied the

578
00:30:50,560 --> 00:30:53,520
Speaker 1: greatest of all y'all niggas extra hard because we Canada

579
00:30:53,560 --> 00:30:55,880
Speaker 1: at the point was never cool enough to join the conversation.

580
00:30:56,480 --> 00:30:58,480
Speaker 1: You got what I'm saying, so we've always kind of

581
00:30:58,720 --> 00:31:00,880
Speaker 1: sat back and studied all your niggas, even when you

582
00:31:00,960 --> 00:31:04,440
Speaker 1: watch like you all around and smack. Remember when white

583
00:31:04,520 --> 00:31:07,560
Speaker 1: niggas started coming back all of a sudden and nigga,

584
00:31:07,600 --> 00:31:09,400
Speaker 1: but some of them niggas they might be winning. It

585
00:31:09,520 --> 00:31:13,160
Speaker 1: might talk crazy. A lot of the niggas was nice.

586
00:31:13,200 --> 00:31:15,200
Speaker 1: It's just that we sat there and watched niggas for

587
00:31:15,280 --> 00:31:18,360
Speaker 1: so long that I feel like we've just picked and

588
00:31:18,520 --> 00:31:20,320
Speaker 1: chose what we wanted, you know what I'm saying. So

589
00:31:20,400 --> 00:31:23,000
Speaker 1: Like for me, why why I said what I said

590
00:31:23,080 --> 00:31:25,680
Speaker 1: is because I'm like a chameleon. Fans this niggas getting

591
00:31:25,680 --> 00:31:34,840
Speaker 1: mad at me because I have so many styles because

592
00:31:37,760 --> 00:31:41,520
Speaker 1: you got too many styles, can't do so many styles.

593
00:31:41,960 --> 00:31:45,120
Speaker 1: So I'd be like, yo, First of all, my main

594
00:31:45,320 --> 00:31:48,280
Speaker 1: my main thing is is being versatile. That's what build

595
00:31:48,320 --> 00:31:50,760
Speaker 1: off of. And it's not one of y'all niggas in

596
00:31:50,800 --> 00:31:54,960
Speaker 1: the industry that shake me, Nigga. None of y'all niggas

597
00:31:54,960 --> 00:31:58,000
Speaker 1: shaken me. It's not literally, So it's like you gotta

598
00:31:58,040 --> 00:32:00,440
Speaker 1: think about it. For me, I haven't seen aga style

599
00:32:00,520 --> 00:32:03,040
Speaker 1: I can't emulate. I haven't seen a nigga style that

600
00:32:03,160 --> 00:32:05,680
Speaker 1: can't be that can't be broken down like you did.

601
00:32:05,800 --> 00:32:09,840
Speaker 1: You did dream song over. He had to clear that correct, Yeah,

602
00:32:09,880 --> 00:32:12,360
Speaker 1: he had to clear what's crazy is I see dream

603
00:32:12,400 --> 00:32:14,960
Speaker 1: to do everyone's style too as well, But you mean

604
00:32:15,360 --> 00:32:17,400
Speaker 1: me and dream are like the dream is really what

605
00:32:17,560 --> 00:32:22,280
Speaker 1: I got my singing style. I tell niggas this like

606
00:32:22,400 --> 00:32:27,800
Speaker 1: all the time, Like like dream, I gotta say, Damn there,

607
00:32:27,880 --> 00:32:32,040
Speaker 1: Jeremiah are going and um and Chris Brown was in

608
00:32:32,040 --> 00:32:33,800
Speaker 1: the first niggas that I was like, I gotta sound

609
00:32:33,880 --> 00:32:36,520
Speaker 1: like these three niggas. You feel me like when I

610
00:32:36,680 --> 00:32:38,880
Speaker 1: was saying, I gotta sound like these niggas, like you

611
00:32:38,920 --> 00:32:41,000
Speaker 1: know what I'm saying, and like that's what I used

612
00:32:41,040 --> 00:32:42,520
Speaker 1: to chase Like if you ever listened to the Chicks

613
00:32:42,520 --> 00:32:44,480
Speaker 1: tape one who should nobody ever mentioned because he dream

614
00:32:44,520 --> 00:32:47,800
Speaker 1: wants to do Goka with us. A lot of things

615
00:32:47,840 --> 00:32:52,760
Speaker 1: are going on in that he said the lines like

616
00:32:53,080 --> 00:32:57,719
Speaker 1: dreams stopped this cameras here, you get that, you get

617
00:32:59,760 --> 00:33:09,480
Speaker 1: playing so um being from Canada and what what was

618
00:33:09,720 --> 00:33:12,400
Speaker 1: what was your goal to was it was it to

619
00:33:12,480 --> 00:33:14,840
Speaker 1: be big in Canada, to be big in America or

620
00:33:15,000 --> 00:33:18,640
Speaker 1: just it was always to be world domination. I always

621
00:33:18,640 --> 00:33:21,680
Speaker 1: just always tell niggas at some point, I don't know

622
00:33:21,840 --> 00:33:25,840
Speaker 1: at what point, but at some point while I'm alive,

623
00:33:26,080 --> 00:33:28,560
Speaker 1: they're gonna deem and hail me as the biggest and

624
00:33:28,680 --> 00:33:30,760
Speaker 1: best artists in the world, you know what I'm saying.

625
00:33:31,040 --> 00:33:32,800
Speaker 1: So like my is like, at some point, I'm gonna

626
00:33:32,800 --> 00:33:34,520
Speaker 1: be the biggest artist in the world at some point.

627
00:33:34,560 --> 00:33:36,480
Speaker 1: I don't know what point, but there's gonna be a

628
00:33:36,560 --> 00:33:40,000
Speaker 1: point where they're like, he's the biggest artist right now,

629
00:33:40,480 --> 00:33:43,400
Speaker 1: right now, as it currently speaks, he's the biggest artist.

630
00:33:43,480 --> 00:33:45,040
Speaker 1: I don't know exactly how it's going. I don't know

631
00:33:45,080 --> 00:33:47,560
Speaker 1: what I wanna do, but I promised that unless a

632
00:33:47,640 --> 00:33:51,040
Speaker 1: nigga shoots me dad in the street, God forbid tonight,

633
00:33:53,080 --> 00:33:55,640
Speaker 1: you know, and you're gonna do a Spanish album too. Yeah,

634
00:33:55,880 --> 00:33:58,400
Speaker 1: you know what's gonna have use for Listen, nigger gotta stop.

635
00:33:59,840 --> 00:34:02,760
Speaker 1: You want to do it over? He did? He called

636
00:34:02,760 --> 00:34:17,480
Speaker 1: me for this already, that crazy I need the skynna

637
00:34:17,480 --> 00:34:22,279
Speaker 1: be honest with you. See, a con just did the

638
00:34:22,360 --> 00:34:24,879
Speaker 1: same thing. I go live a card of address something

639
00:34:25,040 --> 00:34:28,200
Speaker 1: right here while we're here. But I love you to death,

640
00:34:29,360 --> 00:34:32,480
Speaker 1: but you know what you did. I tell you the death.

641
00:34:32,560 --> 00:34:35,200
Speaker 1: You know what you did. I'm not gonna say that.

642
00:34:35,480 --> 00:34:37,640
Speaker 1: I'm not say that happens because I love a Card

643
00:34:37,640 --> 00:34:39,000
Speaker 1: of Death and I want to build with a car.

644
00:34:39,080 --> 00:34:40,520
Speaker 1: That's the thing that I need to make some money

645
00:34:40,560 --> 00:34:42,399
Speaker 1: with it. So I got this isn't one of those.

646
00:34:42,520 --> 00:34:48,920
Speaker 1: It's building. But I want to say one thing. Okay,

647
00:34:50,560 --> 00:34:55,200
Speaker 1: what time the studio? You know, I showed him everything

648
00:34:55,239 --> 00:34:57,600
Speaker 1: I was doing, show the chicks tape, showed him to

649
00:34:57,640 --> 00:35:01,480
Speaker 1: Spanish joke and my Spanish joint is called album A

650
00:35:01,560 --> 00:35:05,400
Speaker 1: couple of buns. Later he just dropped, I don't know,

651
00:35:06,080 --> 00:35:09,560
Speaker 1: it's all Spanish, Spanish album. I was going to be

652
00:35:09,600 --> 00:35:12,400
Speaker 1: the first back. You know what I'm saying. I just

653
00:35:12,480 --> 00:35:15,040
Speaker 1: want to go off fire, say dude, know what I'm saying,

654
00:35:15,239 --> 00:35:17,480
Speaker 1: But you a card, don't don't get bad because what

655
00:35:17,560 --> 00:35:19,320
Speaker 1: I just did for you. Just now with that, with

656
00:35:19,480 --> 00:35:27,600
Speaker 1: that drop, everybody's going to go listen to that. Yeah.

657
00:35:27,920 --> 00:35:30,320
Speaker 1: But I think that's an awesome idea because whoever be

658
00:35:30,360 --> 00:35:33,359
Speaker 1: able to pull that off and um, and the thing

659
00:35:33,560 --> 00:35:36,520
Speaker 1: is to be accepted by the people, not be accepted

660
00:35:36,560 --> 00:35:38,480
Speaker 1: by the artist, Yeah, because you shouldn't want to be

661
00:35:38,560 --> 00:35:42,440
Speaker 1: in that world. Like about about the artist people, I

662
00:35:42,440 --> 00:35:44,120
Speaker 1: don't even want the artist to feel like you what

663
00:35:44,200 --> 00:35:45,759
Speaker 1: the fund is that? And then the people are just like, yo,

664
00:35:45,840 --> 00:35:48,359
Speaker 1: that's fire. Like when I made the when I made

665
00:35:48,680 --> 00:35:51,160
Speaker 1: when I made a log by like which is gonna

666
00:35:51,239 --> 00:35:53,239
Speaker 1: drop next year. When I when I made a log

667
00:35:53,320 --> 00:35:55,440
Speaker 1: with the whole Spanish album, my whole thing in my

668
00:35:55,560 --> 00:35:59,759
Speaker 1: thought process was like, I need to sound and I

669
00:35:59,840 --> 00:36:02,680
Speaker 1: need to do this as fluent as a young Spanish

670
00:36:02,800 --> 00:36:06,440
Speaker 1: nigga from Uptown. There's a young Spanish nigga that's in

671
00:36:06,520 --> 00:36:08,480
Speaker 1: the Heights. I need to sound like the new Spanish

672
00:36:08,560 --> 00:36:10,520
Speaker 1: nigga from the Heights, my nigga, like you get what

673
00:36:10,560 --> 00:36:12,399
Speaker 1: I'm saying, like, and that's how it's got to feel

674
00:36:12,440 --> 00:36:15,719
Speaker 1: nigga like like like like like like exactly like you

675
00:36:15,760 --> 00:36:17,040
Speaker 1: know what I'm say like like they just like I

676
00:36:17,200 --> 00:36:24,040
Speaker 1: just go in the morning. And that's how that's how

677
00:36:24,120 --> 00:36:25,959
Speaker 1: I go into things like my nigga, if I'm gonna

678
00:36:25,960 --> 00:36:28,880
Speaker 1: do this, I'm gonna do this like the ronglest young nigga.

679
00:36:29,120 --> 00:36:31,000
Speaker 1: I'm not gonna do this because it's like, Oh, that's

680
00:36:31,000 --> 00:36:32,360
Speaker 1: a cool thing to do. I'm gonna do this, and

681
00:36:32,400 --> 00:36:34,160
Speaker 1: I'm gonna be like they're gonna be like, Yo, this

682
00:36:34,520 --> 00:36:37,480
Speaker 1: this nigga tory Lanes, like as if I'm some new

683
00:36:37,560 --> 00:36:39,520
Speaker 1: nigga yoga, you are just new nigga named tory Lanes,

684
00:36:39,560 --> 00:36:41,600
Speaker 1: like in the Spanish world, like your cat gave me needs.

685
00:36:44,800 --> 00:36:46,319
Speaker 1: You know what I'm saying. That's how I want them

686
00:36:46,320 --> 00:36:49,480
Speaker 1: to go crazy. Gide did I tried it? You know

687
00:36:49,520 --> 00:36:59,719
Speaker 1: what I mean, killed it a little bit, broke back

688
00:36:59,760 --> 00:37:04,920
Speaker 1: into the United States, broke you sing sing like that's

689
00:37:04,960 --> 00:37:06,600
Speaker 1: why I want to sing in this Spanish is what

690
00:37:06,719 --> 00:37:08,120
Speaker 1: I want to do, Like I want to, I want

691
00:37:08,160 --> 00:37:10,640
Speaker 1: to try. I mean, hacked a lout ball album that

692
00:37:10,760 --> 00:37:13,839
Speaker 1: takes time. I can't fucking sing. So when a con

693
00:37:14,400 --> 00:37:16,360
Speaker 1: says it, I looked at it. I was like, it's genius.

694
00:37:16,440 --> 00:37:18,680
Speaker 1: And when you say it is genius because I rapped,

695
00:37:19,120 --> 00:37:21,080
Speaker 1: so it's not much more that I did. But if

696
00:37:21,080 --> 00:37:26,239
Speaker 1: I could have sing if I feel you know, I

697
00:37:26,560 --> 00:37:28,839
Speaker 1: kind of did that with the south Side, I said

698
00:37:28,880 --> 00:37:31,160
Speaker 1: I wanted to do, but it just didn't. But that's

699
00:37:31,160 --> 00:37:35,240
Speaker 1: why I know the genius ide and and um latinos

700
00:37:35,239 --> 00:37:36,960
Speaker 1: want to they support you. This was the most And

701
00:37:37,040 --> 00:37:40,160
Speaker 1: the thing's being Caribbean too, is it's all that's the same.

702
00:37:41,239 --> 00:37:44,279
Speaker 1: What's the album that they speak, they speak Patois I

703
00:37:44,280 --> 00:37:47,120
Speaker 1: speak to Jamaican and Puerto Rican. I think it's sat

704
00:37:47,200 --> 00:37:54,120
Speaker 1: Quarter Spanish. I'm just saying in particularly dialect of Puerto Rican,

705
00:37:54,200 --> 00:37:56,320
Speaker 1: you know what I mean. Like, you know, it was

706
00:37:56,360 --> 00:37:59,320
Speaker 1: like this slang, the slang, the slang too. You know

707
00:37:59,400 --> 00:38:03,240
Speaker 1: how everyone has different dialects, you know, yeah St. Croix,

708
00:38:03,320 --> 00:38:06,719
Speaker 1: like I think it's s St. CrOx in the past,

709
00:38:06,840 --> 00:38:12,680
Speaker 1: like I was like, I gotta relax, yo, By the way,

710
00:38:14,320 --> 00:38:16,920
Speaker 1: the Greek at least, you know what I'm saying with

711
00:38:17,000 --> 00:38:19,279
Speaker 1: the Natu, you know, honey Lacre, you know, to stuff

712
00:38:19,360 --> 00:38:21,560
Speaker 1: people's man, they got us holding us down. Man, the

713
00:38:21,640 --> 00:38:24,560
Speaker 1: Greek light definitely pick up the Greek lightning. Man, this

714
00:38:24,680 --> 00:38:31,360
Speaker 1: makes a noise, Like so sort you gotta like you

715
00:38:31,400 --> 00:38:35,680
Speaker 1: gotta type to the game. And you got a chance

716
00:38:36,200 --> 00:38:40,839
Speaker 1: to see how important your fellow Canadian artists is, Drake,

717
00:38:41,040 --> 00:38:46,279
Speaker 1: And when would you have preferred to have Bee form

718
00:38:46,320 --> 00:38:49,720
Speaker 1: them early on? Because because because it kind of mad everyone,

719
00:38:49,760 --> 00:38:51,359
Speaker 1: I'm just being honest with you, it kind of made

720
00:38:51,360 --> 00:38:53,680
Speaker 1: everyone pay attention to you because it was like, yeah,

721
00:38:53,680 --> 00:38:57,440
Speaker 1: I was far right. And think about Floyd Maybell, who

722
00:38:57,440 --> 00:38:59,359
Speaker 1: no matter who Floyd, maybe the fights that night, they're

723
00:38:59,400 --> 00:39:01,719
Speaker 1: all on the same level. You always gotta be you

724
00:39:01,800 --> 00:39:04,520
Speaker 1: always gotta be careful who your appointment is because you

725
00:39:04,560 --> 00:39:06,560
Speaker 1: want your opponent to be a historian to you know

726
00:39:06,600 --> 00:39:08,680
Speaker 1: what I'm saying. So would you want to have people

727
00:39:08,800 --> 00:39:12,480
Speaker 1: him now? Or would you you thought it was that

728
00:39:12,640 --> 00:39:15,480
Speaker 1: is the funniest question. No, you just you think. I think,

729
00:39:15,600 --> 00:39:18,359
Speaker 1: I think. I think, to be honest with you, if

730
00:39:18,400 --> 00:39:19,719
Speaker 1: I would have knew, If I think if I had

731
00:39:19,840 --> 00:39:21,280
Speaker 1: known what I know now, we would have never beat

732
00:39:21,440 --> 00:39:22,920
Speaker 1: at all. And I think that I would have been

733
00:39:23,000 --> 00:39:25,920
Speaker 1: probably a bigger artist at this point. Not that I

734
00:39:25,960 --> 00:39:28,560
Speaker 1: wouldn't have got to this point regardless of but it's

735
00:39:28,600 --> 00:39:30,960
Speaker 1: like a lot of that you gotta remember a lot

736
00:39:31,000 --> 00:39:32,719
Speaker 1: of that ship hinted me, you know what I'm saying,

737
00:39:32,800 --> 00:39:34,600
Speaker 1: Like when I when I did it, but I didn't

738
00:39:34,600 --> 00:39:36,880
Speaker 1: go live. We we were beefing right now like that.

739
00:39:37,360 --> 00:39:40,600
Speaker 1: First of all, that would be dumb, you know what

740
00:39:40,640 --> 00:39:43,440
Speaker 1: I'm saying, But it would be entertaining as fun because

741
00:39:44,040 --> 00:39:47,160
Speaker 1: it is actually like I get what you're saying. That's

742
00:39:47,160 --> 00:39:48,960
Speaker 1: why I'm asking what you're saying. But I think the

743
00:39:49,080 --> 00:39:51,640
Speaker 1: Naas and Jane would be if earlier they wouldn't been

744
00:39:52,280 --> 00:39:54,600
Speaker 1: what you're saying. I think we're just talking perfect time

745
00:39:54,800 --> 00:39:57,080
Speaker 1: we're talking. We're not talking about the current situation. We're

746
00:39:57,080 --> 00:39:59,640
Speaker 1: just talking about the beef in general. Wouldn't have been

747
00:39:59,680 --> 00:40:02,080
Speaker 1: a bigger beef. That might have been a bigger beef

748
00:40:02,160 --> 00:40:05,200
Speaker 1: right now, I think regardless right now, especially because of

749
00:40:05,280 --> 00:40:07,200
Speaker 1: all the ship that I have going up to niggas

750
00:40:07,200 --> 00:40:08,760
Speaker 1: and now niggas know that when it comes to battle

751
00:40:08,760 --> 00:40:10,960
Speaker 1: and niggas like I really do that, so I think

752
00:40:11,000 --> 00:40:12,920
Speaker 1: it would be more anticipated. But for me, bro it,

753
00:40:14,360 --> 00:40:16,920
Speaker 1: I like getting money, Like I like getting money. He

754
00:40:17,040 --> 00:40:19,480
Speaker 1: like getting money. Niggas is from Canada. Were the only

755
00:40:19,520 --> 00:40:22,120
Speaker 1: two niggas that not in the weekend of course, the

756
00:40:22,200 --> 00:40:24,560
Speaker 1: party next door of course, but like like in the

757
00:40:24,680 --> 00:40:27,400
Speaker 1: city though, like you feel both of all presents, like

758
00:40:27,920 --> 00:40:30,279
Speaker 1: like you feel it like like Nigga said, Yo, we're

759
00:40:30,280 --> 00:40:32,399
Speaker 1: popping up here, you're gonna see a line around the corner,

760
00:40:32,440 --> 00:40:34,840
Speaker 1: even if we say it that day, like you feel

761
00:40:34,920 --> 00:40:37,080
Speaker 1: that presence, like you get what I'm saying. So like

762
00:40:38,239 --> 00:40:41,200
Speaker 1: for me, I think that just in general, the way

763
00:40:41,239 --> 00:40:43,200
Speaker 1: it hinders ship for me was kind of it was

764
00:40:43,239 --> 00:40:46,239
Speaker 1: a hit, Like you gotta think about it. This nigga right,

765
00:40:47,120 --> 00:40:50,560
Speaker 1: I'm coming in the game where every single nigga who

766
00:40:50,600 --> 00:40:53,680
Speaker 1: had got on had got their first record from this nigga,

767
00:40:54,120 --> 00:40:55,879
Speaker 1: like they first record that popped to the world because

768
00:40:55,880 --> 00:40:58,880
Speaker 1: he brought him in a crossover place. He was a

769
00:40:59,080 --> 00:41:00,880
Speaker 1: all the hot niggas think about all, he was the

770
00:41:00,960 --> 00:41:04,080
Speaker 1: only one right about every hot nigger you know what

771
00:41:04,120 --> 00:41:06,879
Speaker 1: I'm saying, Like any honey to change the me goes.

772
00:41:11,160 --> 00:41:14,600
Speaker 1: But because the whole situation, it was like people that

773
00:41:14,760 --> 00:41:17,279
Speaker 1: was like, damn, I'm not saying anybody I just named,

774
00:41:17,320 --> 00:41:19,680
Speaker 1: but people was like, Damn, I don't want to funk

775
00:41:19,719 --> 00:41:21,880
Speaker 1: up my Drake connect by fucking with this nigga right here.

776
00:41:21,920 --> 00:41:24,120
Speaker 1: But he's nice. So it was like niggas was we're

777
00:41:24,160 --> 00:41:28,960
Speaker 1: doing weird shit like like they would like. It was

778
00:41:29,040 --> 00:41:31,279
Speaker 1: like black ball without black balling because it didn't want

779
00:41:31,280 --> 00:41:34,240
Speaker 1: a black ball. Mean because the niceness happening for NAS

780
00:41:34,280 --> 00:41:36,880
Speaker 1: for a week, No I wanted to stand next to me,

781
00:41:37,600 --> 00:41:40,600
Speaker 1: just like why people with NAS hold on niggas I

782
00:41:40,719 --> 00:41:44,560
Speaker 1: see dude, like no wants to be when you want

783
00:41:44,719 --> 00:41:47,440
Speaker 1: the top dude, when nobody want to stay At the

784
00:41:47,480 --> 00:41:49,359
Speaker 1: same time, trust you know, there was also a crowd

785
00:41:49,400 --> 00:41:52,239
Speaker 1: of people that were just like he's like he's just

786
00:41:52,360 --> 00:41:55,000
Speaker 1: like David and Golies like David and Goliathe like he's

787
00:41:55,000 --> 00:41:58,320
Speaker 1: just he's so fearless, and niggas just fused with the fearlessness.

788
00:41:58,400 --> 00:42:01,160
Speaker 1: Like I just actually that you like you think it's

789
00:42:01,160 --> 00:42:03,320
Speaker 1: a rebel. You never thought about that though, Like you

790
00:42:03,400 --> 00:42:05,320
Speaker 1: never thought about that because you know and and and

791
00:42:05,960 --> 00:42:09,240
Speaker 1: hip hop. If you periodically, if you you lose a battle,

792
00:42:09,640 --> 00:42:14,320
Speaker 1: you sometimes lose your career. Yeah, you're going to against

793
00:42:14,360 --> 00:42:17,520
Speaker 1: the biggest for shore person in the world. I love

794
00:42:17,600 --> 00:42:19,560
Speaker 1: it and I love it. You didn't. You didn't come

795
00:42:19,600 --> 00:42:22,720
Speaker 1: on people, but people didn't think I love a second.

796
00:42:22,840 --> 00:42:26,320
Speaker 1: I love it. Look at his eyes say I love it.

797
00:42:28,800 --> 00:42:36,560
Speaker 1: I love it too. Not that I don't even get

798
00:42:36,600 --> 00:42:40,080
Speaker 1: the I don't even get the the heartbeat thing. Like

799
00:42:40,520 --> 00:42:43,440
Speaker 1: I listened to niggas distracts. I listened to all the

800
00:42:43,520 --> 00:42:46,320
Speaker 1: best blows they got, and I just and like I

801
00:42:46,400 --> 00:42:48,680
Speaker 1: start as I'm right and I'll be giggling. I'd be like,

802
00:42:49,600 --> 00:42:52,840
Speaker 1: I'm really destroying this nigger, Like this is crazy, Like

803
00:42:53,280 --> 00:42:56,200
Speaker 1: it amps me, my nigga because the one thing that

804
00:42:56,239 --> 00:42:59,839
Speaker 1: people don't realize about me is and this is why

805
00:42:59,880 --> 00:43:05,279
Speaker 1: I still relevant I love when niggas doubt me. I

806
00:43:05,520 --> 00:43:08,760
Speaker 1: love it. My whole career is based off for proving

807
00:43:08,800 --> 00:43:12,919
Speaker 1: the nigga wrong, like being the underdoor, being a nick

808
00:43:13,000 --> 00:43:15,279
Speaker 1: My first album was called I Told You because it

809
00:43:15,400 --> 00:43:17,480
Speaker 1: was like, Nigga, I told you that is like that

810
00:43:17,680 --> 00:43:20,759
Speaker 1: was my whole thing. So when niggas doubt me, it

811
00:43:20,920 --> 00:43:23,360
Speaker 1: like adds. It's like it's like pop My on the spinach.

812
00:43:23,400 --> 00:43:25,719
Speaker 1: It's like the spinach for me when niggas say, now

813
00:43:25,760 --> 00:43:27,280
Speaker 1: this nigga is whack. When I go through the comments,

814
00:43:27,440 --> 00:43:30,200
Speaker 1: when I go through hot freestyle nigga and I see

815
00:43:30,239 --> 00:43:32,920
Speaker 1: one niggas say now this and this is an even

816
00:43:32,920 --> 00:43:34,560
Speaker 1: though I know this nigga doesn't even know me and

817
00:43:35,000 --> 00:43:37,759
Speaker 1: whatever case, now this niggas, who who is that guy

818
00:43:37,840 --> 00:43:39,840
Speaker 1: you guys just said. When I see those little comments,

819
00:43:39,880 --> 00:43:41,840
Speaker 1: I'll be like, oh, I'm about the I'm about the set.

820
00:43:41,960 --> 00:43:44,160
Speaker 1: I'm going to the studio right now. I'm gonna right

821
00:43:44,239 --> 00:43:52,080
Speaker 1: the hardest best niggas is gonna feel me my comics

822
00:43:52,960 --> 00:43:55,719
Speaker 1: comments because I get mad because I want to. Don't

823
00:43:55,719 --> 00:43:57,799
Speaker 1: get me wrong, I don't. It's only certain things I'll

824
00:43:57,800 --> 00:44:00,160
Speaker 1: read like I'll read like sometimes like when they put

825
00:44:00,200 --> 00:44:01,719
Speaker 1: me up against the nigga like what they'll be like, Yo,

826
00:44:01,800 --> 00:44:04,960
Speaker 1: Tory Lanes versus daughter, who's the better artist? Like these

827
00:44:05,160 --> 00:44:08,160
Speaker 1: niggas like could it be the stupidest artist? But then

828
00:44:08,160 --> 00:44:11,080
Speaker 1: you gotta realize, of course these being niggas on the internet.

829
00:44:11,520 --> 00:44:14,960
Speaker 1: Who are Internet people who like Internet people? Me, I'm

830
00:44:15,000 --> 00:44:17,560
Speaker 1: a music guy. People like me because I'm music. I'm real.

831
00:44:17,640 --> 00:44:20,200
Speaker 1: I'm a person that's a down to earth person. I'll

832
00:44:20,239 --> 00:44:22,440
Speaker 1: sit down, I'll chop it up with you. If you're you,

833
00:44:22,800 --> 00:44:24,960
Speaker 1: if you're a bump on the street, it doesn't matter, nigga.

834
00:44:25,000 --> 00:44:27,759
Speaker 1: I'm I'm gonna listen. That's just how I am. The

835
00:44:27,840 --> 00:44:30,440
Speaker 1: Kings of R and B right now, I mean right

836
00:44:30,480 --> 00:44:33,400
Speaker 1: now as it stands, like new niggas. I mean, I

837
00:44:33,600 --> 00:44:35,880
Speaker 1: like to yo. I like to throw me in there somewhere.

838
00:44:35,880 --> 00:44:37,680
Speaker 1: I think what I just did? Dog Like, can I

839
00:44:37,760 --> 00:44:41,680
Speaker 1: just get something to think? You know something? I don't

840
00:44:41,719 --> 00:44:43,880
Speaker 1: want to say I'm the king because I think it's

841
00:44:43,920 --> 00:44:46,800
Speaker 1: just like I don't. I don't, I don't baste, I don't,

842
00:44:47,280 --> 00:44:49,520
Speaker 1: I don't. I don't think this real nigga is doing

843
00:44:49,600 --> 00:44:52,640
Speaker 1: like real R and B B right now, like R

844
00:44:52,719 --> 00:45:00,839
Speaker 1: and B like the way like like and be music right,

845
00:45:01,320 --> 00:45:03,719
Speaker 1: but like as far as young niggas coming out right now.

846
00:45:06,440 --> 00:45:09,000
Speaker 1: But when I say you see, I want to give

847
00:45:09,040 --> 00:45:10,719
Speaker 1: it to JEREMRK. But the problem, this is the problem

848
00:45:10,800 --> 00:45:13,360
Speaker 1: with me when when it comes to Jeremark right, It's like,

849
00:45:13,440 --> 00:45:16,440
Speaker 1: I love Jeremy's work. He's always consistent, always has a

850
00:45:16,480 --> 00:45:20,200
Speaker 1: record on the radio, always that or But I feel like,

851
00:45:20,520 --> 00:45:22,399
Speaker 1: and first of all, I want to go on record saying,

852
00:45:22,800 --> 00:45:24,920
Speaker 1: you know, the Late Nights mixtape was one of my

853
00:45:25,040 --> 00:45:27,239
Speaker 1: favorite mixtapes. You feel me like, I love that as

854
00:45:27,400 --> 00:45:29,440
Speaker 1: R and B. But I feel like sometimes when it

855
00:45:29,480 --> 00:45:31,920
Speaker 1: comes down to him doing solo work, I don't hear

856
00:45:32,040 --> 00:45:34,520
Speaker 1: enough solo records from him. I'm hearing him on a

857
00:45:34,560 --> 00:45:36,759
Speaker 1: hook too many times. And I'm a hook nigger. You

858
00:45:36,800 --> 00:45:38,400
Speaker 1: get what I'm saying, So I know what it is

859
00:45:38,480 --> 00:45:40,600
Speaker 1: when you're just But I want to just hear more

860
00:45:40,680 --> 00:45:43,719
Speaker 1: records from Jeremiah that make me solidify that because I

861
00:45:43,800 --> 00:45:46,799
Speaker 1: always thought he was an incredible writer since birthday. Sex

862
00:45:47,120 --> 00:45:49,759
Speaker 1: feel Me that was one of the craziest records to

863
00:45:49,800 --> 00:45:51,239
Speaker 1: be feel me that. I heard a lot of other

864
00:45:51,320 --> 00:45:53,839
Speaker 1: stuff I've heard him on nigga's records. He has uh

865
00:45:54,200 --> 00:45:56,920
Speaker 1: he has an undeniable sound, but at the end of

866
00:45:56,960 --> 00:45:58,440
Speaker 1: the day, I just feel like it's it's a lot

867
00:45:58,560 --> 00:46:01,719
Speaker 1: more presence wise you need to do. You know what

868
00:46:01,760 --> 00:46:05,080
Speaker 1: I'm saying, Like when it comes down to Faures and

869
00:46:05,239 --> 00:46:08,560
Speaker 1: your own body, because his own bodies of work are

870
00:46:08,640 --> 00:46:11,960
Speaker 1: fucking hard. You know, they're really fired. If you really

871
00:46:12,000 --> 00:46:13,840
Speaker 1: ever go go into this ship, it's really fired. But

872
00:46:13,880 --> 00:46:16,239
Speaker 1: it's like he needs to put it out more something

873
00:46:16,360 --> 00:46:18,080
Speaker 1: or just make the presents more felt. That's all I

874
00:46:18,120 --> 00:46:20,239
Speaker 1: would say before I say, oh, he's the king, or

875
00:46:20,280 --> 00:46:21,759
Speaker 1: you know what I'm saying, Like, I feel like at

876
00:46:21,760 --> 00:46:23,040
Speaker 1: the end of the day, bro, like niggas like Chris

877
00:46:23,080 --> 00:46:25,080
Speaker 1: Brown is still going give it to Chris. Chris, Chris,

878
00:46:25,960 --> 00:46:27,200
Speaker 1: Let's just give it to Chris. And this point, you

879
00:46:27,200 --> 00:46:28,640
Speaker 1: know what I'm saying, like, I don't even mind me

880
00:46:28,760 --> 00:46:30,320
Speaker 1: not having that ship. Give it to Chris is my nigga.

881
00:46:30,360 --> 00:46:32,200
Speaker 1: This point, my nigga, Chris just went on the damn floor.

882
00:46:32,280 --> 00:46:34,800
Speaker 1: This nigga, this nigga is still selling out arenas, this niggas,

883
00:46:34,960 --> 00:46:37,120
Speaker 1: this nigga is dancing for an hour, for hours and

884
00:46:37,640 --> 00:46:40,520
Speaker 1: seventeen minutes and then coming backstage and still dancing this

885
00:46:40,640 --> 00:46:48,600
Speaker 1: nigga is Bro. This niggas this nigga n my nigga.

886
00:46:48,719 --> 00:46:51,520
Speaker 1: Vote this nigga's alien Like I seen this side, Bro,

887
00:46:51,560 --> 00:46:53,600
Speaker 1: I see this nigga bar on stage. Bro, He'll dance

888
00:46:53,640 --> 00:46:57,720
Speaker 1: for an hour and thirty minutes. Nigga, nigga back flipping

889
00:46:57,760 --> 00:47:00,919
Speaker 1: nigga kind of ship nigga. I'm watching from the side

890
00:47:00,920 --> 00:47:05,400
Speaker 1: stage like this nigger got some energy like this niggers

891
00:47:05,640 --> 00:47:12,319
Speaker 1: energy that nigger. Then we're getting off the stage hearing

892
00:47:12,400 --> 00:47:15,719
Speaker 1: this sucking speakers. You're just hearing speakers coming out of

893
00:47:15,719 --> 00:47:18,479
Speaker 1: this room. You're walking. At any given moment, he's still

894
00:47:18,560 --> 00:47:20,680
Speaker 1: hitting the move. It's like, how do you have this

895
00:47:20,840 --> 00:47:26,560
Speaker 1: much energy? But Chris Brown, I was privileged to have

896
00:47:26,760 --> 00:47:28,920
Speaker 1: to see his very first studio such I don't know

897
00:47:28,920 --> 00:47:31,279
Speaker 1: if his very first studio, but I was in the

898
00:47:31,480 --> 00:47:33,680
Speaker 1: studio session for Running when he made it in the

899
00:47:33,800 --> 00:47:36,600
Speaker 1: Hit Factory out here. And it's crazy because Chris was

900
00:47:36,680 --> 00:47:40,799
Speaker 1: so young, and I didn't know if he knew because

901
00:47:40,800 --> 00:47:42,640
Speaker 1: you know, I know, I know, I'm a old niggasse niggas,

902
00:47:42,640 --> 00:47:44,359
Speaker 1: you know what I mean, Not that Chris. And when

903
00:47:44,640 --> 00:47:47,320
Speaker 1: Aspar seeing Chris recently, he was like, O, G, you

904
00:47:47,360 --> 00:47:49,080
Speaker 1: don't think. I don't know he was in the first

905
00:47:49,280 --> 00:47:51,400
Speaker 1: studio session that I don't know if his first two

906
00:47:51,440 --> 00:47:55,320
Speaker 1: sess ever had or the first it was, you know,

907
00:47:55,560 --> 00:47:57,359
Speaker 1: it was recently like I just seed him. He was like, yo,

908
00:47:57,440 --> 00:47:59,959
Speaker 1: God knew it. And he turned out to be Chris Brown.

909
00:48:00,000 --> 00:48:02,960
Speaker 1: But he was always a humble, great kid t up

910
00:48:02,960 --> 00:48:05,520
Speaker 1: to Tina Davis. That was who the person who put

911
00:48:05,600 --> 00:48:09,239
Speaker 1: him on Davids was sexy. I don't give people can't

912
00:48:09,280 --> 00:48:17,600
Speaker 1: say like that that people listening you're walking about, But

913
00:48:18,640 --> 00:48:22,640
Speaker 1: that's something that I've seen. Just's been you have been

914
00:48:22,719 --> 00:48:26,360
Speaker 1: knocking these bitches down. You can give me a trouble,

915
00:48:26,360 --> 00:48:29,040
Speaker 1: a bit drink. I mean, I mean you're a young man.

916
00:48:29,480 --> 00:48:31,279
Speaker 1: You know you're a younger man. What's great about me

917
00:48:31,480 --> 00:48:33,120
Speaker 1: is like you know I knocked you down and silence.

918
00:48:34,280 --> 00:48:37,040
Speaker 1: I'm a DC sniper. You know what I'm saying. You

919
00:48:37,080 --> 00:48:38,920
Speaker 1: know what I'm saying, Like you know, I'm not your

920
00:48:38,960 --> 00:48:41,279
Speaker 1: every day sniper. Who who they catch? You know what

921
00:48:41,320 --> 00:48:43,759
Speaker 1: I'm saying, They catch him by the first DC because

922
00:48:43,760 --> 00:48:45,239
Speaker 1: you want to think about it, like they like they

923
00:48:45,320 --> 00:48:47,560
Speaker 1: caught that, they caught all the regular snipers niggers by

924
00:48:47,600 --> 00:48:50,680
Speaker 1: the first shooting the DC sniper. It took the time

925
00:48:50,760 --> 00:48:53,239
Speaker 1: that he because you didn't even know. He was like,

926
00:48:53,440 --> 00:48:55,399
Speaker 1: I can't look at your fingers until you still finger

927
00:48:55,440 --> 00:49:03,480
Speaker 1: popping things that look, man, I'm not gonna lot. You know,

928
00:49:03,680 --> 00:49:10,759
Speaker 1: you gotta get a figure pop it right now. I like,

929
00:49:11,880 --> 00:49:13,840
Speaker 1: but you know, but it's just it's just it's just

930
00:49:13,960 --> 00:49:15,279
Speaker 1: for me, bro Like at the end of the day,

931
00:49:15,360 --> 00:49:19,000
Speaker 1: like I like to keep I keep my my ship cool.

932
00:49:19,120 --> 00:49:21,040
Speaker 1: So that's the best thing. Girls I feel like it,

933
00:49:21,160 --> 00:49:22,759
Speaker 1: and girls don't ever feel like when they come around me,

934
00:49:22,840 --> 00:49:24,880
Speaker 1: like I be girls with niggas and niggas I know,

935
00:49:25,000 --> 00:49:28,120
Speaker 1: and not niggas that my friends, but niggas that we know.

936
00:49:28,200 --> 00:49:32,360
Speaker 1: And at the end of the day, they'll never know,

937
00:49:33,120 --> 00:49:34,080
Speaker 1: you know what I'm saying that at the end of

938
00:49:34,080 --> 00:49:35,640
Speaker 1: the day, it's like I don't have no relationship with you,

939
00:49:35,719 --> 00:49:37,920
Speaker 1: so it's not no whatever, but you'll never know. And

940
00:49:38,160 --> 00:49:40,120
Speaker 1: and that's how it should be, because the thing about

941
00:49:40,120 --> 00:49:42,840
Speaker 1: it is is like if if if if, if you

942
00:49:42,960 --> 00:49:45,680
Speaker 1: don't you know understand you sat rocking with girls from

943
00:49:45,719 --> 00:49:48,239
Speaker 1: certain status at certain levels or whatever the cases. We

944
00:49:48,360 --> 00:49:50,480
Speaker 1: all have a common thing that's just like you, I

945
00:49:50,480 --> 00:49:53,040
Speaker 1: don't mind with you because I'm young and we're free

946
00:49:53,120 --> 00:49:56,799
Speaker 1: and vibrate and like nothing is really that's solid right

947
00:49:56,840 --> 00:49:58,560
Speaker 1: now when it comes to you know what I'm saying,

948
00:49:58,880 --> 00:50:00,800
Speaker 1: but don't throw my ship out there. Don't have me

949
00:50:00,880 --> 00:50:06,840
Speaker 1: looking crazy and like, yo, just do you you're not

950
00:50:07,200 --> 00:50:09,480
Speaker 1: definitely not. I think it's just like, look, I want

951
00:50:09,520 --> 00:50:14,479
Speaker 1: to say says in my day, I'm not gonna person.

952
00:50:14,880 --> 00:50:19,400
Speaker 1: This is this is my thing, the big cold I

953
00:50:25,880 --> 00:50:28,920
Speaker 1: like and even on that subject, but I know that

954
00:50:29,000 --> 00:50:30,960
Speaker 1: everyone like you told me that. Fine, No, no, I

955
00:50:31,040 --> 00:50:33,680
Speaker 1: never My whole thing isn't this, bro. It's not about

956
00:50:33,840 --> 00:50:38,480
Speaker 1: necessarily buying something for somebody that you got a thing with,

957
00:50:38,760 --> 00:50:41,200
Speaker 1: or y'all gotta vibe and y'all realize y'all fun with

958
00:50:41,280 --> 00:50:43,640
Speaker 1: this person to a certain extent to certain luck, especially

959
00:50:43,640 --> 00:50:46,080
Speaker 1: if they're I just think it's crazy for me to

960
00:50:46,200 --> 00:50:49,400
Speaker 1: not know you, you know what I'm saying, and then

961
00:50:49,480 --> 00:50:52,799
Speaker 1: like let's say, you know, we we fuck first three

962
00:50:52,840 --> 00:50:55,040
Speaker 1: or four nights or something. One of the cases we fun, right,

963
00:50:55,520 --> 00:50:57,160
Speaker 1: and then all of a sudden, like it's like an

964
00:50:57,320 --> 00:50:58,840
Speaker 1: entitlement for you to be able to feel like you

965
00:50:58,880 --> 00:51:00,880
Speaker 1: should ask me for something I have nothing to do

966
00:51:01,000 --> 00:51:02,719
Speaker 1: with with just a bag of nothing. It's just like

967
00:51:03,480 --> 00:51:06,360
Speaker 1: my nigga like like you know, and that's why I

968
00:51:06,440 --> 00:51:07,960
Speaker 1: like bro Like that's why I said, like I've never

969
00:51:08,000 --> 00:51:13,680
Speaker 1: paid for pussy. What did you say? It is up

970
00:51:13,719 --> 00:51:15,919
Speaker 1: feeling about it. It's not that's the way you're hearing.

971
00:51:16,400 --> 00:51:23,879
Speaker 1: That's how you feel. To check it out. Check it out,

972
00:51:23,880 --> 00:51:28,719
Speaker 1: Go check it out. Check out. The thing about it is, right,

973
00:51:29,120 --> 00:51:33,600
Speaker 1: is it comes down to when it when when you

974
00:51:33,800 --> 00:51:36,520
Speaker 1: feel like doing something for somebody's because you got something

975
00:51:36,600 --> 00:51:39,080
Speaker 1: with that person. Where it's like, my nigga should be automatic.

976
00:51:39,120 --> 00:51:40,759
Speaker 1: You shouldn't even have to ask me if if we

977
00:51:40,880 --> 00:51:43,040
Speaker 1: if we like that. You know what I'm saying, I'm

978
00:51:43,040 --> 00:51:44,719
Speaker 1: a found nigger. I used to barro person and take

979
00:51:44,760 --> 00:51:47,279
Speaker 1: it back like I'm a found nigga. See see not

980
00:51:47,360 --> 00:51:50,520
Speaker 1: maybe you see your game was different. That's game right there.

981
00:51:50,560 --> 00:51:51,960
Speaker 1: I was like, I was like, this is back to

982
00:51:51,960 --> 00:51:53,839
Speaker 1: the day. You know I was jruggling get my birth back.

983
00:51:59,680 --> 00:52:02,880
Speaker 1: I don't I didn't know, I didn't know how to do.

984
00:52:03,920 --> 00:52:08,279
Speaker 1: Can't I can't buy the kid, can't buy like a

985
00:52:08,360 --> 00:52:11,319
Speaker 1: random chicken bus down about it. One day, I'm thinking

986
00:52:11,320 --> 00:52:14,520
Speaker 1: about that bust down seventy dollars. I'm trying to go

987
00:52:14,600 --> 00:52:17,200
Speaker 1: to the club, like y'all need that back on my

988
00:52:17,280 --> 00:52:19,600
Speaker 1: oldest money. Yeah, I think about it even today, Like

989
00:52:19,680 --> 00:52:21,840
Speaker 1: what the fun If I like you and you're like

990
00:52:22,040 --> 00:52:24,080
Speaker 1: that person in my life nigga, and I'll focus you

991
00:52:24,160 --> 00:52:25,879
Speaker 1: to that extent. I'm gonna want to keep you icy

992
00:52:25,920 --> 00:52:29,000
Speaker 1: because anywhere you like, I'm like, I'm I have a

993
00:52:29,120 --> 00:52:32,080
Speaker 1: big heart. That's what my nigga's That's what the girl

994
00:52:32,160 --> 00:52:34,959
Speaker 1: that I'm fucking with, the girl that I'm dating, whatever

995
00:52:34,960 --> 00:52:37,040
Speaker 1: the case, is my baby mother forever because it's my

996
00:52:37,120 --> 00:52:40,520
Speaker 1: baby mother. And at the end of the day, like anytime,

997
00:52:40,600 --> 00:52:42,440
Speaker 1: if this is my child's buster, nigga, she gotta have

998
00:52:42,560 --> 00:52:43,840
Speaker 1: the things that she used to have. I never have

999
00:52:44,040 --> 00:52:46,360
Speaker 1: my my baby mother looking for I'll never be one

1000
00:52:46,400 --> 00:52:48,440
Speaker 1: of them rappers they that that has his baby mother

1001
00:52:48,560 --> 00:52:50,960
Speaker 1: looking crazy. My nigga, like, my baby mother is always

1002
00:52:51,000 --> 00:52:53,960
Speaker 1: gonna look like dollars, nigga. She has my child. You

1003
00:52:54,000 --> 00:52:55,600
Speaker 1: know what I'm saying. My child is never gonna look

1004
00:52:55,600 --> 00:52:57,000
Speaker 1: at his mom and be like if my mom had

1005
00:52:57,040 --> 00:52:59,120
Speaker 1: it but my dad was popping out, that's never gonna happen.

1006
00:52:59,239 --> 00:53:02,040
Speaker 1: You got her person, this I would get my baby

1007
00:53:02,080 --> 00:53:09,640
Speaker 1: mother pursas we all treat somebody totally different category. My

1008
00:53:09,680 --> 00:53:12,080
Speaker 1: baby mother is my friend. Now we gotta dating each other.

1009
00:53:12,160 --> 00:53:13,440
Speaker 1: That's but it's like, at the end of the day,

1010
00:53:13,480 --> 00:53:16,359
Speaker 1: you're my baby mother. So I say this to say

1011
00:53:16,560 --> 00:53:18,600
Speaker 1: when it's a random chick that we just started out.

1012
00:53:18,600 --> 00:53:21,160
Speaker 1: We met online, we we you flew out, we we

1013
00:53:21,400 --> 00:53:23,200
Speaker 1: we see each other for three days and you asked

1014
00:53:23,200 --> 00:53:24,799
Speaker 1: me to buy you something much like we don't even

1015
00:53:24,840 --> 00:53:26,960
Speaker 1: got that kind of report. So look, you know, I

1016
00:53:27,000 --> 00:53:28,799
Speaker 1: need I need you to break it down because I've

1017
00:53:28,840 --> 00:53:30,640
Speaker 1: been married for ten years. So I don't know how

1018
00:53:30,719 --> 00:53:34,080
Speaker 1: niggas get pussy nowadays. Like I don't know, I said,

1019
00:53:34,120 --> 00:53:36,520
Speaker 1: I swear, I'm not trying to like I really don't know.

1020
00:53:37,000 --> 00:53:39,279
Speaker 1: So that's how niggas is giving it up like this.

1021
00:53:39,680 --> 00:53:42,720
Speaker 1: Let me, niggas ain't giving it up like me. Okay,

1022
00:53:43,040 --> 00:53:45,600
Speaker 1: you know, tender or nothing like that. No, I can't.

1023
00:53:46,440 --> 00:53:56,160
Speaker 1: I was going on. I yeah, crazy that was going

1024
00:53:56,239 --> 00:53:58,160
Speaker 1: on in the day world. I need to know. I'm

1025
00:53:58,200 --> 00:53:59,799
Speaker 1: sitting not be honest with you. I think I think

1026
00:53:59,840 --> 00:54:01,440
Speaker 1: I think it's more so it just like when you

1027
00:54:01,480 --> 00:54:03,840
Speaker 1: step out to the spot. You know, I don't know

1028
00:54:03,880 --> 00:54:07,240
Speaker 1: about everybody else. But like before I ever was famous,

1029
00:54:07,280 --> 00:54:09,759
Speaker 1: I've always been somebody who was never scared to go

1030
00:54:09,960 --> 00:54:13,319
Speaker 1: to a girl and be like, what up that bag

1031
00:54:13,400 --> 00:54:15,240
Speaker 1: the number right then and there. That that's the culture

1032
00:54:15,239 --> 00:54:17,759
Speaker 1: I come from. You feel me? So? I think even

1033
00:54:17,840 --> 00:54:20,719
Speaker 1: in this in this modern daytime, like where everybody's on

1034
00:54:20,760 --> 00:54:22,640
Speaker 1: the phone and niggas be still standing in the same

1035
00:54:22,719 --> 00:54:24,480
Speaker 1: room with a girl that they've been d ming for

1036
00:54:24,560 --> 00:54:26,279
Speaker 1: seventeen months and still won't see nothing, like, Yo, this

1037
00:54:26,360 --> 00:54:28,319
Speaker 1: is you in front of me. What up? Yo? You're

1038
00:54:28,320 --> 00:54:32,719
Speaker 1: looking at that? I'm not like that right, Like that

1039
00:54:33,000 --> 00:54:35,520
Speaker 1: fishes at an all time. It's an all time. It

1040
00:54:35,600 --> 00:54:38,080
Speaker 1: has to be yo, yo. It's like it's this thing.

1041
00:54:38,160 --> 00:54:41,160
Speaker 1: It's the contouring. I say it right, Maria, Did I

1042
00:54:41,239 --> 00:54:43,799
Speaker 1: say it right? Contour? Is it contour that the thing

1043
00:54:43,880 --> 00:54:47,440
Speaker 1: in the face contour contos sor you very smarter than me?

1044
00:54:47,520 --> 00:54:50,560
Speaker 1: I don't know what that means. That's why all the

1045
00:54:50,640 --> 00:54:53,239
Speaker 1: girls got like the the Kim Kardashian look. It's a

1046
00:54:53,320 --> 00:54:58,600
Speaker 1: certain way that they put the contours, like it's like

1047
00:54:58,640 --> 00:55:06,000
Speaker 1: the makeup that like it's like at the Hollywood ship,

1048
00:55:06,040 --> 00:55:09,240
Speaker 1: like conto. It's not even the makeup. Nig as the contour,

1049
00:55:09,280 --> 00:55:10,800
Speaker 1: and that's the devil the contour. And to have a

1050
00:55:10,920 --> 00:55:14,680
Speaker 1: chicken that looks like she's fat, like hand, it's like wrong,

1051
00:55:14,800 --> 00:55:16,279
Speaker 1: I don't you have a look like she got nice

1052
00:55:16,320 --> 00:55:21,600
Speaker 1: cheek bones really really hard. Nothing's like a piston. You

1053
00:55:21,680 --> 00:55:24,120
Speaker 1: know what I'm saying. Like it's it's like like no

1054
00:55:25,640 --> 00:55:30,719
Speaker 1: p yeah cool, we know, we know how petty you is.

1055
00:55:31,280 --> 00:55:34,719
Speaker 1: You know the story because the whole story he says

1056
00:55:34,760 --> 00:55:38,600
Speaker 1: it wrong. Let me please tap the smoke Champ, smoke

1057
00:55:38,640 --> 00:55:41,560
Speaker 1: smoke chan smoke Champs right quickly. I'm gonna let you know.

1058
00:55:41,680 --> 00:55:43,239
Speaker 1: I just want you to. I want you to. I

1059
00:55:43,400 --> 00:55:45,520
Speaker 1: want you to count on this because this is because

1060
00:55:45,560 --> 00:55:48,480
Speaker 1: he for years thinks he's not petty. His girl went

1061
00:55:48,560 --> 00:55:54,640
Speaker 1: to this girl went to a NAS video already video

1062
00:55:55,880 --> 00:55:59,719
Speaker 1: video was vie. She was in the video and she

1063
00:55:59,760 --> 00:56:01,839
Speaker 1: went to the dog song video and he cut off

1064
00:56:02,120 --> 00:56:04,279
Speaker 1: one of them. He said, that's it. You're not my girl?

1065
00:56:04,480 --> 00:56:07,879
Speaker 1: Is that? Hold on, it's not the way, yeah, it's

1066
00:56:07,920 --> 00:56:10,680
Speaker 1: too real. Video. She was in the throng song video dogs.

1067
00:56:10,800 --> 00:56:13,640
Speaker 1: So this like I can go on to right and

1068
00:56:13,680 --> 00:56:18,239
Speaker 1: it's a cliff where somewhere in that mother Big never

1069
00:56:18,360 --> 00:56:21,439
Speaker 1: pointed out and she wasn't oh yeah, have the big Piper.

1070
00:56:21,520 --> 00:56:36,600
Speaker 1: She was gone, gone, you know everything like you we do. Listen.

1071
00:56:36,680 --> 00:56:38,359
Speaker 1: This is what I'm not really so much worried about.

1072
00:56:38,400 --> 00:56:40,880
Speaker 1: Uchi Walley. I'm like, actually, why you might be the

1073
00:56:40,920 --> 00:56:42,960
Speaker 1: worst one can think about it. I'm like, you know,

1074
00:56:43,080 --> 00:56:46,600
Speaker 1: I leave my girl around eyes just like pulling going

1075
00:56:46,640 --> 00:56:49,480
Speaker 1: on this ship. Like you know what I'm saying, like

1076
00:56:49,800 --> 00:56:51,640
Speaker 1: even if this Nike slices my bait, she sliced in

1077
00:56:51,680 --> 00:56:58,040
Speaker 1: an articulate way that yeah. It was like it was

1078
00:56:58,080 --> 00:56:59,920
Speaker 1: like she had no choice and they had a cap

1079
00:57:00,040 --> 00:57:03,440
Speaker 1: Larry She I'm saying like he came in there s school,

1080
00:57:03,960 --> 00:57:05,799
Speaker 1: but you know what I'm saying. And in the thought song,

1081
00:57:05,920 --> 00:57:09,200
Speaker 1: Cisco got his head died. I'm like, you know, I

1082
00:57:09,239 --> 00:57:13,560
Speaker 1: don't know about Cisco beholding dam there with christ and

1083
00:57:13,680 --> 00:57:16,000
Speaker 1: then you g K and then and then the people

1084
00:57:16,400 --> 00:57:19,560
Speaker 1: and in the sunlight and he's gone. She's saying, some

1085
00:57:19,720 --> 00:57:33,640
Speaker 1: night don't want kitchen. So he wanted to say he's

1086
00:57:33,640 --> 00:57:36,160
Speaker 1: not petty. Now you're not really cutting all the big

1087
00:57:36,400 --> 00:57:43,680
Speaker 1: day the wrong say oh yeah, but he definitely can't

1088
00:57:43,720 --> 00:57:45,680
Speaker 1: go to Big Pepper. It's true, Big Primper is the

1089
00:57:45,760 --> 00:57:49,280
Speaker 1: line for you when he was like he was already

1090
00:57:49,360 --> 00:57:51,960
Speaker 1: broken up at that time, but when you saw a

1091
00:57:52,040 --> 00:57:54,320
Speaker 1: big Pam he was kind of friendly slaying right. You

1092
00:57:54,400 --> 00:57:57,600
Speaker 1: know we're staying right, you know about the big primmy right, Yeah,

1093
00:57:57,600 --> 00:57:59,840
Speaker 1: I ain't tested back in the day. He's holding him

1094
00:57:59,880 --> 00:58:05,400
Speaker 1: no more either. But so we're in the game. We've

1095
00:58:05,600 --> 00:58:08,640
Speaker 1: we we we've we've peached with everybody you have. What

1096
00:58:08,880 --> 00:58:11,240
Speaker 1: is the next we spoke by the Spanish album is

1097
00:58:11,240 --> 00:58:15,480
Speaker 1: you're gonna get into acting? It didn't gonna be Tory Lanes. Basically,

1098
00:58:17,000 --> 00:58:21,920
Speaker 1: you're gonna be the Karate movie. I don't know what so,

1099
00:58:22,000 --> 00:58:23,560
Speaker 1: but I'm gonna tell you all this. Like I will

1100
00:58:23,600 --> 00:58:28,040
Speaker 1: say one thing, bro, I feel like um is definitely

1101
00:58:28,400 --> 00:58:30,120
Speaker 1: like I did a lot of self tapes for like

1102
00:58:30,120 --> 00:58:32,440
Speaker 1: a lot of um you know, like audition for the

1103
00:58:32,520 --> 00:58:35,280
Speaker 1: new Narcos, like like I did. I did a lot

1104
00:58:35,320 --> 00:58:37,000
Speaker 1: of ships like you feel me and so like I

1105
00:58:37,040 --> 00:58:40,480
Speaker 1: feel like is gonna be the year of Like that's

1106
00:58:40,480 --> 00:58:42,160
Speaker 1: when you're really gonna see me on the screen screen

1107
00:58:42,240 --> 00:58:44,800
Speaker 1: like for me and just on all aspects like this

1108
00:58:44,960 --> 00:58:49,480
Speaker 1: is the first time you know, uh, and for those

1109
00:58:49,520 --> 00:58:51,880
Speaker 1: who don't know, like you know, I'm signed the in

1110
00:58:51,960 --> 00:58:54,560
Speaker 1: the scope at the end of the day, Like to Joey,

1111
00:58:54,600 --> 00:58:58,080
Speaker 1: I shout to Joey, I love that guy, a great guy. Um.

1112
00:58:59,040 --> 00:59:02,520
Speaker 1: But for me, like know, I'm I'm at a place

1113
00:59:02,600 --> 00:59:04,840
Speaker 1: where this is about to be in a great for me,

1114
00:59:05,000 --> 00:59:07,040
Speaker 1: Like my situation is about to be totally different, and

1115
00:59:07,560 --> 00:59:10,040
Speaker 1: like I'm about to go to a place of like

1116
00:59:10,560 --> 00:59:14,640
Speaker 1: that's why I should have been this whole time. Yeah,

1117
00:59:14,680 --> 00:59:16,680
Speaker 1: you know what I'm saying now right now, you're you

1118
00:59:16,920 --> 00:59:22,440
Speaker 1: you are a star, yeah exactly, but crossing into that

1119
00:59:22,560 --> 00:59:24,640
Speaker 1: lane of to where I'm supposed to be and I

1120
00:59:24,760 --> 00:59:27,600
Speaker 1: never ever gave myself or I'm a superstar because I

1121
00:59:27,720 --> 00:59:29,600
Speaker 1: never felt that way, you know what I'm saying. And

1122
00:59:29,640 --> 00:59:31,800
Speaker 1: I still don't ever feel like I'm a superstar. That's

1123
00:59:31,800 --> 00:59:34,000
Speaker 1: the reason why, you know, I'm down to earth and

1124
00:59:34,040 --> 00:59:35,840
Speaker 1: that's the reason why my music always comes back hard

1125
00:59:35,920 --> 00:59:38,600
Speaker 1: because I always feel like I'm still that kid making

1126
00:59:38,640 --> 00:59:40,680
Speaker 1: the mixtape that has to like has to like you know,

1127
00:59:40,760 --> 00:59:45,600
Speaker 1: impress people, and so like, uh, it pushes my music

1128
00:59:45,640 --> 00:59:48,960
Speaker 1: to always being just gotta be better than this. It's

1129
00:59:48,960 --> 00:59:50,600
Speaker 1: gotta be better than this. There wasn't feeling this, Okay,

1130
00:59:50,640 --> 00:59:51,880
Speaker 1: that's what you know what I'm saying, and it's like

1131
00:59:52,000 --> 00:59:55,120
Speaker 1: constantly a thing which keeps me going and keeps my

1132
00:59:55,160 --> 00:59:57,600
Speaker 1: ship fresh. But at the same time, like I know

1133
00:59:57,720 --> 00:59:59,400
Speaker 1: where I'm headed and I know with my with this

1134
00:59:59,520 --> 01:00:02,200
Speaker 1: album that just drafted for me, I know what it

1135
01:00:02,280 --> 01:00:04,280
Speaker 1: did for me. When it comes down. There's there's people

1136
01:00:04,320 --> 01:00:06,960
Speaker 1: in certain rooms that I was supposed to be in

1137
01:00:07,000 --> 01:00:08,720
Speaker 1: that I haven't been in because I never had something

1138
01:00:08,760 --> 01:00:12,320
Speaker 1: critically acclaimed it's your best piece of work. I think

1139
01:00:12,360 --> 01:00:15,360
Speaker 1: it's my best R and B project. I mean, like

1140
01:00:15,560 --> 01:00:17,560
Speaker 1: what I have in my stash right now is like,

1141
01:00:18,720 --> 01:00:22,680
Speaker 1: is just bro what I'm about. I'm gonna funk to

1142
01:00:22,840 --> 01:00:26,080
Speaker 1: twenty up. I'm gonna fuck that ship up, my nigga.

1143
01:00:26,120 --> 01:00:30,320
Speaker 1: Niggas think, niggas think the last ten years I was sucking.

1144
01:00:30,360 --> 01:00:33,480
Speaker 1: Shut up. I'm gonna fuck that ship up, my nigga.

1145
01:00:33,800 --> 01:00:37,080
Speaker 1: I promise you, I'm gonna come back to drink Champs

1146
01:00:37,240 --> 01:00:40,240
Speaker 1: next album cycle. Y'all, nigga is gonna be like Brother

1147
01:00:41,120 --> 01:00:50,840
Speaker 1: the Foxy. What does everybody from Canada have a Jamaica accent?

1148
01:00:51,160 --> 01:00:58,480
Speaker 1: Everybody everybody like everyone they ever been in London's they

1149
01:00:58,560 --> 01:01:01,360
Speaker 1: do Toronto and it's like the same places because a

1150
01:01:01,440 --> 01:01:02,920
Speaker 1: lot of the It's like a lot of us was.

1151
01:01:04,000 --> 01:01:06,520
Speaker 1: We weren't able to get into America Niga. My parents

1152
01:01:06,600 --> 01:01:08,760
Speaker 1: weren't able to get into America City, so they sent

1153
01:01:08,840 --> 01:01:12,800
Speaker 1: us from the Islands to fucking candid London. You know

1154
01:01:12,840 --> 01:01:15,760
Speaker 1: what I'm saying. So it's just mad. It's just mad, coach,

1155
01:01:17,560 --> 01:01:20,120
Speaker 1: this is hitting. I don't smoke papers. I don't like papers.

1156
01:01:20,160 --> 01:01:29,000
Speaker 1: They hurt my fucking throat out that. I love the

1157
01:01:29,040 --> 01:01:32,160
Speaker 1: fact that you drink and patron straight out the bottle,

1158
01:01:32,360 --> 01:01:34,880
Speaker 1: but I also know that that leads to a lot

1159
01:01:34,920 --> 01:01:37,919
Speaker 1: of fights. It leads a lot of it does yeah,

1160
01:01:38,040 --> 01:01:39,680
Speaker 1: like in a good way, you know what I'm saying,

1161
01:01:39,720 --> 01:01:41,640
Speaker 1: Like for me and ladies, this is a this is

1162
01:01:41,680 --> 01:01:45,160
Speaker 1: a great Let me tell you, guys a secret. Okay,

1163
01:01:46,360 --> 01:01:50,360
Speaker 1: you really want to fund shorty, stop inviting that at night,

1164
01:01:50,960 --> 01:01:53,240
Speaker 1: drink this with her in the daytime when it's sunny.

1165
01:01:55,200 --> 01:02:01,040
Speaker 1: It's at that time, it's over that s finish. Okay, Okay,

1166
01:02:01,240 --> 01:02:05,520
Speaker 1: you start drinking this two p m. But like ras

1167
01:02:06,160 --> 01:02:18,439
Speaker 1: about five no person, you know I'm saying, and I can't.

1168
01:02:18,800 --> 01:02:22,200
Speaker 1: We need to tip. So that's straight do it straight, listen.

1169
01:02:22,360 --> 01:02:24,360
Speaker 1: This is what I This is what I do. I

1170
01:02:24,480 --> 01:02:26,440
Speaker 1: bring it to the crib out of that, and you know,

1171
01:02:26,480 --> 01:02:28,320
Speaker 1: I asked what we're drinking. He's like, yeah, I don't

1172
01:02:28,320 --> 01:02:29,840
Speaker 1: want to drink for jone. I'm on forty two. And

1173
01:02:29,880 --> 01:02:31,360
Speaker 1: I'm like, yo, you know, I'm really got that right now.

1174
01:02:31,440 --> 01:02:35,080
Speaker 1: But excuse there's no forty two of my crib. There's this.

1175
01:02:35,600 --> 01:02:37,960
Speaker 1: And they're like, oh, all right, cool. I said, let's

1176
01:02:38,000 --> 01:02:40,840
Speaker 1: take two shots off the rip. We're gonna take two

1177
01:02:40,880 --> 01:02:44,200
Speaker 1: shots fast, you're a good time, and then we're gonna

1178
01:02:44,200 --> 01:02:46,320
Speaker 1: take two shots back to back. But it's not even

1179
01:02:46,400 --> 01:02:47,640
Speaker 1: like this is not even like a thing. It's like

1180
01:02:48,200 --> 01:02:50,200
Speaker 1: it's not something you gotta force. It's like it's okay,

1181
01:02:50,400 --> 01:02:52,720
Speaker 1: it's sorry, Like it doesn't hurt, isn't it? Take two

1182
01:02:52,760 --> 01:02:54,360
Speaker 1: shots of this back to back and this is but

1183
01:02:54,480 --> 01:02:56,280
Speaker 1: and this is even for the girls like y'all want

1184
01:02:56,280 --> 01:02:57,480
Speaker 1: to get in the mood you I want to you

1185
01:02:57,560 --> 01:03:00,080
Speaker 1: with somebody you feel like anxious and whatever cases, this

1186
01:03:00,120 --> 01:03:01,280
Speaker 1: is what you do. This is the first time you've

1187
01:03:01,320 --> 01:03:09,640
Speaker 1: got sex tips on drink chair talking director. But you know,

1188
01:03:10,200 --> 01:03:12,640
Speaker 1: you take two shots to this. Try to make a

1189
01:03:12,760 --> 01:03:16,120
Speaker 1: release a little bit sizeable. You know, no no shots

1190
01:03:17,640 --> 01:03:21,280
Speaker 1: you can if you really have to you can allow to.

1191
01:03:23,080 --> 01:03:24,960
Speaker 1: I mean, I gotta take it out the fridge. You

1192
01:03:25,000 --> 01:03:27,360
Speaker 1: know what I'm saying, I don't really matter. Two shots

1193
01:03:27,400 --> 01:03:29,320
Speaker 1: that are like two shots shots. They can't be baby

1194
01:03:29,400 --> 01:03:33,040
Speaker 1: baby shots. Right, take one shot like that hurts it,

1195
01:03:33,120 --> 01:03:35,040
Speaker 1: and you chill out. You chill out for good two minutes,

1196
01:03:35,080 --> 01:03:37,120
Speaker 1: three minutes you said, Hi, takes one more, and were man,

1197
01:03:37,160 --> 01:03:39,160
Speaker 1: we haven't take no more shots for a while. Right,

1198
01:03:40,080 --> 01:03:44,120
Speaker 1: take the second shot, then you pour a cup. This

1199
01:03:44,240 --> 01:03:45,640
Speaker 1: is the thing. Hold on, let me get my note.

1200
01:03:45,920 --> 01:03:51,240
Speaker 1: Then it's very easy. You pull one of these, double

1201
01:03:51,280 --> 01:03:53,240
Speaker 1: coping up with a chaser with a nice You know

1202
01:03:53,280 --> 01:03:55,200
Speaker 1: what I'm saying. You gotta find a mix. You know

1203
01:03:55,200 --> 01:03:57,400
Speaker 1: what I'm saying. This is something I shouldn't even be

1204
01:03:57,480 --> 01:04:00,040
Speaker 1: telling y'all. But this is cold fog splash. Take this

1205
01:04:00,240 --> 01:04:03,080
Speaker 1: right here. I want you to know what do we

1206
01:04:03,200 --> 01:04:14,520
Speaker 1: happen to have that? Listen? Listen, well you're talking, listen, listen, listen, listen.

1207
01:04:15,040 --> 01:04:20,320
Speaker 1: You take this right there. Okay, this is simply mango.

1208
01:04:20,720 --> 01:04:24,600
Speaker 1: You know this is simply orange with mango. That's what

1209
01:04:24,720 --> 01:04:26,960
Speaker 1: y'all gotta understand. Do not get the simply orange just

1210
01:04:27,000 --> 01:04:30,040
Speaker 1: thinking it's okay. I simply orange. It has to be

1211
01:04:30,280 --> 01:04:32,320
Speaker 1: with mango. There's one other thing I put in it.

1212
01:04:32,360 --> 01:04:33,440
Speaker 1: But if I gave you all of that, I have

1213
01:04:33,480 --> 01:04:40,960
Speaker 1: to kill your chair, is it molly? It's another juice?

1214
01:04:41,000 --> 01:04:42,439
Speaker 1: But that's just sometimes when you want to get sauce,

1215
01:04:42,880 --> 01:04:44,800
Speaker 1: this is all you need, this and this and then

1216
01:04:45,000 --> 01:04:48,800
Speaker 1: you poured this with this. You pull up, you take

1217
01:04:48,880 --> 01:04:50,520
Speaker 1: the cup. You you got ice in the cup of

1218
01:04:50,600 --> 01:04:57,080
Speaker 1: quarters form four times and y'all promise five times. Tell y'all,

1219
01:04:58,760 --> 01:05:02,880
Speaker 1: I promise, y'all you take those two cups said, y'all

1220
01:05:02,920 --> 01:05:06,880
Speaker 1: have a conversation mid cup through y'all feeling incredible, you're

1221
01:05:06,880 --> 01:05:17,080
Speaker 1: feeling you're on a further conversation. Tips look look like

1222
01:05:17,280 --> 01:05:18,720
Speaker 1: first thing, the first thing first, like you know what

1223
01:05:18,760 --> 01:05:20,760
Speaker 1: I'm saying. One thing I learned about about women and

1224
01:05:20,840 --> 01:05:22,680
Speaker 1: even like women that keep it you mean, that's like, yo,

1225
01:05:22,840 --> 01:05:24,800
Speaker 1: if I'm gonna go on the first night, this is

1226
01:05:24,800 --> 01:05:26,680
Speaker 1: how they feel about it. And that's how like, you know,

1227
01:05:26,760 --> 01:05:28,160
Speaker 1: with those kind of women that I talk to you,

1228
01:05:28,240 --> 01:05:30,200
Speaker 1: I learned a lot of things and what I realized

1229
01:05:30,280 --> 01:05:34,960
Speaker 1: is like women don't ever want to feel like even

1230
01:05:35,000 --> 01:05:36,680
Speaker 1: if they came to fuck you, And it's the first

1231
01:05:36,680 --> 01:05:39,000
Speaker 1: time they sucking you, even if they came to fun you,

1232
01:05:39,040 --> 01:05:42,479
Speaker 1: they don't ever want to feel like, Okay, I'm only

1233
01:05:42,560 --> 01:05:44,880
Speaker 1: here to fuck. They want to they want to know

1234
01:05:45,000 --> 01:05:46,840
Speaker 1: you a little bit. That's what niggas gotta understand. Like

1235
01:05:46,920 --> 01:05:49,640
Speaker 1: women want to know you. They don't want to sit there,

1236
01:05:49,640 --> 01:05:53,040
Speaker 1: and they also want you to be attentive to knowing them.

1237
01:05:53,880 --> 01:05:56,280
Speaker 1: And that's the thing you gotta understand, Like that changes

1238
01:05:56,360 --> 01:05:59,400
Speaker 1: the whole narrative, like you gotta when you talk to women,

1239
01:05:59,800 --> 01:06:03,400
Speaker 1: you gotta ask them about everything. You gotta. I'm not

1240
01:06:03,440 --> 01:06:06,680
Speaker 1: saying on some shallow ship, you actually because because when

1241
01:06:06,720 --> 01:06:10,600
Speaker 1: you're drinking it's really actually interesting. You know. It's just

1242
01:06:12,080 --> 01:06:17,040
Speaker 1: because that's something mad shallow saying, like conversation in general

1243
01:06:17,080 --> 01:06:21,560
Speaker 1: when you because like most men, like most because like

1244
01:06:21,680 --> 01:06:23,480
Speaker 1: those men, when we see each other, like what's up

1245
01:06:23,480 --> 01:06:26,840
Speaker 1: about how you doing? We don't even care about your

1246
01:06:26,880 --> 01:06:29,840
Speaker 1: answer after we ask you how you're doing, Like we

1247
01:06:29,920 --> 01:06:33,440
Speaker 1: don't even care because most of them say how you're doing,

1248
01:06:33,560 --> 01:06:38,680
Speaker 1: and then like you'd be like worried about you, you

1249
01:06:38,720 --> 01:06:41,240
Speaker 1: don't even care like men like I noticed that about

1250
01:06:41,280 --> 01:06:43,800
Speaker 1: each other. You can see something like like I next

1251
01:06:43,840 --> 01:06:46,080
Speaker 1: something you ask how you do want to ask you

1252
01:06:46,120 --> 01:06:48,080
Speaker 1: how you're doing, say some funny ship, like man, my

1253
01:06:48,200 --> 01:06:52,439
Speaker 1: totally fell off, watch the nigga, like nigga never even

1254
01:06:52,600 --> 01:06:56,959
Speaker 1: kids really doing you know, you know women, you're saying

1255
01:06:57,040 --> 01:06:59,760
Speaker 1: woman is, but women are different because it's like the

1256
01:07:00,000 --> 01:07:02,040
Speaker 1: little things go along the way with women. It's like

1257
01:07:02,880 --> 01:07:04,960
Speaker 1: some people don't realize how much of how did your

1258
01:07:05,000 --> 01:07:07,400
Speaker 1: day go? And you actually just listening to a girl

1259
01:07:07,560 --> 01:07:09,960
Speaker 1: vetting about whatever is going on in her day, Like

1260
01:07:10,640 --> 01:07:13,439
Speaker 1: people don't really like niggas don't realize how much that means.

1261
01:07:13,440 --> 01:07:15,520
Speaker 1: That women just for you to pay attention to us,

1262
01:07:16,600 --> 01:07:18,400
Speaker 1: and so like when you over there, I just I

1263
01:07:18,520 --> 01:07:20,840
Speaker 1: just you know, like I said, I always pay attention

1264
01:07:20,880 --> 01:07:23,480
Speaker 1: to the to the little things going on. Compone used

1265
01:07:23,480 --> 01:07:25,280
Speaker 1: to be like that over the days when we were

1266
01:07:25,280 --> 01:07:29,240
Speaker 1: slinging um components, to always recognize the little things about

1267
01:07:29,320 --> 01:07:31,040
Speaker 1: the girls. And I used to be like, shut the

1268
01:07:31,120 --> 01:07:35,160
Speaker 1: funk up because I never recognize it. He was like

1269
01:07:35,960 --> 01:07:39,080
Speaker 1: with my girl, like nice new Nopolis, we can shut

1270
01:07:39,120 --> 01:07:44,800
Speaker 1: the funk up. That ship is that ship that matters

1271
01:07:45,280 --> 01:07:48,240
Speaker 1: because it's like when women do things is a lot

1272
01:07:48,280 --> 01:07:51,200
Speaker 1: of times it's for themselves. Of course, you know, they

1273
01:07:51,280 --> 01:07:53,280
Speaker 1: want to be who they are, you know, and they

1274
01:07:53,360 --> 01:07:55,880
Speaker 1: gotta be. You know, when when a woman walks down

1275
01:07:55,920 --> 01:07:59,320
Speaker 1: the street and it's nigga's there, they think about every

1276
01:07:59,360 --> 01:08:01,760
Speaker 1: single thought that all the niggas. Most women, I think

1277
01:08:01,840 --> 01:08:03,160
Speaker 1: they're still like in the back of my mind, Damn,

1278
01:08:03,160 --> 01:08:05,080
Speaker 1: all these niggas looking at me, and we don't think

1279
01:08:05,080 --> 01:08:06,360
Speaker 1: any of that ship's going on in their head because

1280
01:08:06,360 --> 01:08:08,760
Speaker 1: they're so confident and so nose up in the air

1281
01:08:08,840 --> 01:08:10,080
Speaker 1: ship you fel them. But a lot of times they'll

1282
01:08:10,080 --> 01:08:13,880
Speaker 1: be thinking about everything. So I always realized, like when

1283
01:08:13,960 --> 01:08:16,519
Speaker 1: women do things and when they get thing nails done,

1284
01:08:16,560 --> 01:08:18,479
Speaker 1: and when they go out and they get their hair done,

1285
01:08:19,040 --> 01:08:21,479
Speaker 1: they're saying they're doing that ship because it's to them,

1286
01:08:21,560 --> 01:08:24,320
Speaker 1: but also because like it's things that you should notice.

1287
01:08:24,720 --> 01:08:26,439
Speaker 1: It's like if you if you don't notice, it's like damn,

1288
01:08:26,479 --> 01:08:29,080
Speaker 1: like my it kind of like it's the reassurance that

1289
01:08:29,200 --> 01:08:30,960
Speaker 1: feels good for women, you know what I'm saying, Like

1290
01:08:31,000 --> 01:08:33,000
Speaker 1: you got to reassure them, like even though we know

1291
01:08:33,200 --> 01:08:35,800
Speaker 1: you know you look beautiful, reassure them to the tiny things,

1292
01:08:35,840 --> 01:08:37,720
Speaker 1: because that's the ship they look for, you know what

1293
01:08:37,760 --> 01:08:40,479
Speaker 1: I'm saying, And that's the ship women like my nigga, like,

1294
01:08:40,560 --> 01:08:41,800
Speaker 1: I don't know how to tell you, Like, that's just

1295
01:08:41,880 --> 01:08:43,880
Speaker 1: what it is. You have to name Lanes because you

1296
01:08:44,400 --> 01:08:48,920
Speaker 1: like to drive as cars. They should re re give

1297
01:08:48,960 --> 01:08:50,680
Speaker 1: me that day before that now because the way I

1298
01:08:50,840 --> 01:08:57,720
Speaker 1: drive is fucking ridiculous, ridiculous. I feel like I can

1299
01:08:57,760 --> 01:09:03,960
Speaker 1: see it in your so it'd just be like for me.

1300
01:09:04,680 --> 01:09:06,639
Speaker 1: Like they called me Lanes when I was younger because

1301
01:09:06,640 --> 01:09:08,120
Speaker 1: I used to be running in out of the street.

1302
01:09:08,160 --> 01:09:09,960
Speaker 1: I was always on the street, bandfoot nigga, like y'all,

1303
01:09:09,960 --> 01:09:12,439
Speaker 1: was just a ratchet ass little kid. So they called

1304
01:09:12,479 --> 01:09:14,559
Speaker 1: me this, this, this this janitor. I used to live

1305
01:09:14,600 --> 01:09:16,599
Speaker 1: in my neighborhood when I lived in Atlanta. He used

1306
01:09:16,600 --> 01:09:19,120
Speaker 1: to call me Lanes. You know what I'm saying or

1307
01:09:19,160 --> 01:09:24,760
Speaker 1: something like that. Yeah, okay, yeah, come on now that's fire.

1308
01:09:24,800 --> 01:09:26,439
Speaker 1: But yeah, so that's that's how I got the name,

1309
01:09:26,640 --> 01:09:28,880
Speaker 1: the name Lanes. So you really did live in the Lanta.

1310
01:09:29,000 --> 01:09:32,360
Speaker 1: You lived everywhere you like everywhere, my nigga, like everywhere, bro,

1311
01:09:32,560 --> 01:09:35,400
Speaker 1: Like it's crazy. That's what makes you. That's that's what

1312
01:09:35,479 --> 01:09:38,800
Speaker 1: makes you. You could tell that you embraced everywhere you live.

1313
01:09:39,920 --> 01:09:42,519
Speaker 1: What makes you so dangerous? To think about it? Like Niggas.

1314
01:09:42,640 --> 01:09:44,760
Speaker 1: You know, Swiss Swiss is similar to that. Swisses like

1315
01:09:44,800 --> 01:09:47,280
Speaker 1: from Atlanta on like Swisses from the Bronx, but he's

1316
01:09:47,320 --> 01:09:50,640
Speaker 1: like Atlanta and Jamaican like. So that's why Swiss can

1317
01:09:50,800 --> 01:09:55,679
Speaker 1: like Swiss any thing. And it's those things that honestly

1318
01:09:57,000 --> 01:09:59,439
Speaker 1: make me so versatile, that make me that type of

1319
01:09:59,479 --> 01:10:01,600
Speaker 1: person that I m like. And even down to the

1320
01:10:01,760 --> 01:10:04,120
Speaker 1: music that I like right now, the ship that I

1321
01:10:04,280 --> 01:10:07,400
Speaker 1: listened to, the the everything is is always diverse. I

1322
01:10:07,520 --> 01:10:10,120
Speaker 1: keep my head in a diverse space because of that,

1323
01:10:10,240 --> 01:10:12,519
Speaker 1: because of the fact that I've been in so many places.

1324
01:10:12,520 --> 01:10:14,720
Speaker 1: I lived in so many places that when something's hot,

1325
01:10:15,640 --> 01:10:17,880
Speaker 1: I don't just take it from East Coast, so I

1326
01:10:18,000 --> 01:10:21,760
Speaker 1: can't your pre inspiration from different places exactly, you know.

1327
01:10:21,960 --> 01:10:23,840
Speaker 1: And you're in the Scope, man, that must be like

1328
01:10:24,040 --> 01:10:27,280
Speaker 1: kind of like pressure. That's let's just let's just be clear.

1329
01:10:27,400 --> 01:10:31,200
Speaker 1: We're in the Scope, not Tupac, not for long. Oh damn,

1330
01:10:31,240 --> 01:10:40,240
Speaker 1: come on, let's not not for long regardless. But no, regardless,

1331
01:10:40,320 --> 01:10:42,400
Speaker 1: my my my deal with inter Scope is done in

1332
01:10:42,479 --> 01:10:48,080
Speaker 1: twelve months, regardless, like regardless, that's my protractually Contractually, I

1333
01:10:48,200 --> 01:10:51,120
Speaker 1: might I might not even be there, but contractually, but

1334
01:10:51,200 --> 01:10:57,240
Speaker 1: you couldn't renegotiate. Maybe I'm not from the Southside. I

1335
01:10:57,280 --> 01:10:59,320
Speaker 1: don't work for the Scope, and from the outside, look

1336
01:10:59,360 --> 01:11:02,439
Speaker 1: at it, I'm just doing a great job saying whatever happens.

1337
01:11:02,439 --> 01:11:04,880
Speaker 1: They're doing a great jobs outside. Looking at I'm doing

1338
01:11:04,920 --> 01:11:07,080
Speaker 1: a great job. But we're not gonna do that head

1339
01:11:07,240 --> 01:11:10,840
Speaker 1: they're gonna say that for the next drame. I'm with

1340
01:11:11,120 --> 01:11:15,240
Speaker 1: a great team of people that we have built me

1341
01:11:15,479 --> 01:11:20,040
Speaker 1: Sasha pain Mardi, a couple of people I can't mention yet,

1342
01:11:21,160 --> 01:11:25,960
Speaker 1: but we this this album, the Chicks tape. This is

1343
01:11:26,000 --> 01:11:31,679
Speaker 1: the album where we did this album. But I gotta

1344
01:11:31,680 --> 01:11:34,880
Speaker 1: imagine that label with all the samples we did. Get

1345
01:11:35,000 --> 01:11:38,120
Speaker 1: to the man called niggas. I had niggas on Instagram,

1346
01:11:38,960 --> 01:11:43,320
Speaker 1: every niggas. I found niggas emails, I found old nigga's facebooks, Nigga.

1347
01:11:44,120 --> 01:11:46,880
Speaker 1: I found these niggas. Look at my space right, they're

1348
01:11:46,880 --> 01:11:54,679
Speaker 1: going on my couple nigs Still at it speaks volumes

1349
01:11:54,720 --> 01:11:58,960
Speaker 1: into understanding that like you're in today's time, you as

1350
01:11:59,040 --> 01:12:02,559
Speaker 1: an artist, I don't have to sit there and think

1351
01:12:02,640 --> 01:12:05,519
Speaker 1: that you need everything. Don't get me wrong, I'm not

1352
01:12:05,600 --> 01:12:07,519
Speaker 1: saying in the Scope is a bad label. The Scope

1353
01:12:07,560 --> 01:12:11,040
Speaker 1: is a great label for the people that a great

1354
01:12:11,120 --> 01:12:12,639
Speaker 1: artist in the building. I might not have the team

1355
01:12:12,680 --> 01:12:15,600
Speaker 1: you have. Some people don't have the team, and some

1356
01:12:15,680 --> 01:12:19,040
Speaker 1: people are also aren't as self efficient as me. It

1357
01:12:19,120 --> 01:12:21,519
Speaker 1: doesn't I'm a guy who, no matter what, I'm gonna

1358
01:12:21,520 --> 01:12:24,040
Speaker 1: do it for myself regardless because I just like that.

1359
01:12:24,280 --> 01:12:26,760
Speaker 1: I love working, I love being a partnership, I love

1360
01:12:27,360 --> 01:12:29,640
Speaker 1: you know, I love it. But at the end of

1361
01:12:29,680 --> 01:12:33,720
Speaker 1: the day, what it really comes down to is I'm

1362
01:12:33,720 --> 01:12:35,479
Speaker 1: an artist that doesn't need it. I don't need the

1363
01:12:35,560 --> 01:12:37,880
Speaker 1: machine already, I've learned. I know what it is. I

1364
01:12:37,920 --> 01:12:40,080
Speaker 1: don't I don't need it. So the machine if you

1365
01:12:40,160 --> 01:12:41,600
Speaker 1: don't need it, but don't need it, you know what

1366
01:12:41,640 --> 01:12:44,160
Speaker 1: I'm saying. So it's like there's nothing wrong in it. Scope.

1367
01:12:44,200 --> 01:12:45,920
Speaker 1: Well love Interscope. You know what I'm saying. I have, Uh,

1368
01:12:46,240 --> 01:12:49,439
Speaker 1: we have an artist on Interscope right now, Mellie and

1369
01:12:49,560 --> 01:12:53,160
Speaker 1: Mellie is fucking phenomenon. My nigga, that's my faith. That's

1370
01:12:53,400 --> 01:12:57,200
Speaker 1: Mellie is my favorite female artist right now. Well, besides

1371
01:12:57,280 --> 01:12:59,760
Speaker 1: Mellie and Mariety of Scientists, those are my two. You

1372
01:12:59,840 --> 01:13:02,120
Speaker 1: know what I'm saying that I don't you know I

1373
01:13:02,160 --> 01:13:04,120
Speaker 1: don't fall off and making those though. Two I like

1374
01:13:04,240 --> 01:13:08,439
Speaker 1: the hardest out and so we wouldn't feel comfortable with

1375
01:13:08,600 --> 01:13:10,519
Speaker 1: Melly if it wasn't if interscope was a problem. It's

1376
01:13:10,520 --> 01:13:13,120
Speaker 1: not in Interscope is not a problem. But I do

1377
01:13:13,560 --> 01:13:15,760
Speaker 1: stand strong on me and my situation where it's just

1378
01:13:15,760 --> 01:13:18,400
Speaker 1: like I don't need a machine because of who I

1379
01:13:18,520 --> 01:13:23,000
Speaker 1: am and how self sufficient. But for me giving you advice,

1380
01:13:24,400 --> 01:13:27,080
Speaker 1: maybe maybe you're right you don't need the machine, but

1381
01:13:27,360 --> 01:13:30,200
Speaker 1: at all, sometimes you can make a deal with the

1382
01:13:30,280 --> 01:13:32,920
Speaker 1: machine where it's like you still independent, because I feel

1383
01:13:32,920 --> 01:13:34,320
Speaker 1: like that's what you're trying to say, Like you like

1384
01:13:34,360 --> 01:13:36,880
Speaker 1: you want to get independent. I don't want to listen.

1385
01:13:38,680 --> 01:13:41,040
Speaker 1: I don't want to drive on to live, I don't

1386
01:13:41,240 --> 01:13:42,760
Speaker 1: I don't want to do none of that. I just

1387
01:13:42,880 --> 01:13:45,320
Speaker 1: want to I just want to be I just want

1388
01:13:45,360 --> 01:13:47,160
Speaker 1: to be me, you know what I'm saying at the

1389
01:13:47,240 --> 01:13:48,800
Speaker 1: end of the day, Like I'm doing a lot of

1390
01:13:48,840 --> 01:13:51,640
Speaker 1: other things right now. It's it's credit. It's kind of

1391
01:13:51,680 --> 01:13:55,000
Speaker 1: crazy because even if whatever happens, and you know, we

1392
01:13:55,120 --> 01:13:58,000
Speaker 1: drop some more albums and whatever cases, at the end

1393
01:13:58,000 --> 01:14:01,160
Speaker 1: of the twelve months, you know, I'm a free agent

1394
01:14:01,280 --> 01:14:03,960
Speaker 1: and to think there's so many artists who don't ever

1395
01:14:04,200 --> 01:14:07,599
Speaker 1: get to get to the end of the deal. Niggers

1396
01:14:07,640 --> 01:14:09,160
Speaker 1: never made the end, you know what I mean? They

1397
01:14:09,200 --> 01:14:11,160
Speaker 1: has never made the end of the deal. Never, and

1398
01:14:11,200 --> 01:14:12,360
Speaker 1: when they do make the end of the deal, it

1399
01:14:12,400 --> 01:14:14,040
Speaker 1: is because it's like you're the last album. Okay, nigga,

1400
01:14:14,080 --> 01:14:16,080
Speaker 1: you stretched just like we're so tired of hearing music,

1401
01:14:17,040 --> 01:14:19,200
Speaker 1: like you know what I'm saying, Like my nigga, and

1402
01:14:19,280 --> 01:14:23,240
Speaker 1: when you mean to recouping everything to you recouped everything

1403
01:14:23,680 --> 01:14:27,400
Speaker 1: label wise? Yeah, well you know the next episode of drink.

1404
01:14:28,880 --> 01:14:32,400
Speaker 1: But you know, just be careful because I'm good. This

1405
01:14:32,520 --> 01:14:34,120
Speaker 1: is not one of those things, trust me, and I

1406
01:14:34,160 --> 01:14:38,880
Speaker 1: don't give a but we have those. Don't everybody understand something?

1407
01:14:39,479 --> 01:14:41,599
Speaker 1: Until I get to the box to like here, you'll

1408
01:14:41,640 --> 01:14:43,240
Speaker 1: never catch me saying some ship that I don't want

1409
01:14:43,240 --> 01:14:46,040
Speaker 1: to say. I'm not drunk. I'm not saying something that's

1410
01:14:46,040 --> 01:14:47,920
Speaker 1: out of line. I'm not saying I mean like that.

1411
01:14:48,040 --> 01:14:52,800
Speaker 1: I mean like you're playing period because sometimes sometimes like

1412
01:14:52,960 --> 01:14:54,920
Speaker 1: we always think that the grass is probably green on

1413
01:14:55,040 --> 01:14:59,240
Speaker 1: the other side, and grass is the same fucking green.

1414
01:14:59,320 --> 01:15:02,479
Speaker 1: Don't get me wrong that, don't get me wrong. You're

1415
01:15:02,479 --> 01:15:06,400
Speaker 1: absolutely right. Sometimes you do think that right, and then

1416
01:15:06,520 --> 01:15:12,599
Speaker 1: sometimes there's things that indicate that situations would be different.

1417
01:15:14,080 --> 01:15:18,559
Speaker 1: But depending on your circumstance, things can be different. That's

1418
01:15:18,560 --> 01:15:21,080
Speaker 1: all I'm saying, you know what I'm saying. And I

1419
01:15:21,160 --> 01:15:24,559
Speaker 1: think that that's based on each and every specific artist

1420
01:15:24,640 --> 01:15:28,120
Speaker 1: in their specific situation of what's going on. You know,

1421
01:15:28,439 --> 01:15:32,360
Speaker 1: um for me, bro for ten years, nigga, uh, you know,

1422
01:15:33,040 --> 01:15:37,760
Speaker 1: been going at this for a good amount of time

1423
01:15:37,840 --> 01:15:40,559
Speaker 1: and again and you know it's two thousand nineteen. People,

1424
01:15:40,640 --> 01:15:42,200
Speaker 1: when I first got on World Star, it was two

1425
01:15:42,240 --> 01:15:45,000
Speaker 1: thousand nine and I got signed two thousand ten. And

1426
01:15:45,360 --> 01:15:47,920
Speaker 1: I have been here for like you said, ten years,

1427
01:15:48,439 --> 01:15:51,640
Speaker 1: my first ten years. What people don't understand is is

1428
01:15:51,760 --> 01:15:55,040
Speaker 1: like we've been at this place and I've seen so much,

1429
01:15:55,240 --> 01:15:59,879
Speaker 1: learned so much. Like artists don't. Artists don't be relevant

1430
01:16:00,680 --> 01:16:02,720
Speaker 1: ten years in the game they got I haven't even

1431
01:16:02,760 --> 01:16:08,120
Speaker 1: got my feet warm. Like it's very different. No, I'm

1432
01:16:08,160 --> 01:16:10,479
Speaker 1: not gonna lie to you know, I gotta. I know

1433
01:16:10,560 --> 01:16:16,360
Speaker 1: that you're being humble. But if if the industry didn't

1434
01:16:16,680 --> 01:16:21,200
Speaker 1: take notice, this was the project like everyone, I kid

1435
01:16:21,240 --> 01:16:24,000
Speaker 1: you not Like when I interview people, I go I've

1436
01:16:24,040 --> 01:16:26,800
Speaker 1: said my stalked them before someone we locked you in.

1437
01:16:27,920 --> 01:16:30,040
Speaker 1: I went and I said, I searched everything because I

1438
01:16:30,080 --> 01:16:32,320
Speaker 1: wanted to hear the good, the bad, the ugly and

1439
01:16:32,439 --> 01:16:35,920
Speaker 1: if the industry was sleeping on you. And that's what

1440
01:16:35,960 --> 01:16:37,760
Speaker 1: they said, this is the one. That's what I said.

1441
01:16:38,600 --> 01:16:40,280
Speaker 1: That's why I said, I feel like I'm at a

1442
01:16:40,320 --> 01:16:42,200
Speaker 1: place of and I can just tell by even like

1443
01:16:42,680 --> 01:16:44,240
Speaker 1: the people that are talking to me right now, the

1444
01:16:44,280 --> 01:16:46,000
Speaker 1: people that are in my m box, the people that

1445
01:16:46,360 --> 01:16:49,360
Speaker 1: are calling my phone and checking on me, it's a

1446
01:16:49,560 --> 01:16:53,120
Speaker 1: list people that we don't we don't got no you

1447
01:16:53,160 --> 01:16:55,280
Speaker 1: know what I'm saying, like the past previous relation to this,

1448
01:16:55,840 --> 01:16:57,439
Speaker 1: and it's just like I could tell that the music

1449
01:16:57,479 --> 01:16:59,439
Speaker 1: at this point has gotten y'all to a point where

1450
01:16:59,439 --> 01:17:01,880
Speaker 1: it's like, you know what, you're solidified now because you're

1451
01:17:01,880 --> 01:17:04,960
Speaker 1: set to solidify you But something wasn't. You did one

1452
01:17:05,000 --> 01:17:06,760
Speaker 1: of the hardest ships ever, you know, you know, it

1453
01:17:06,920 --> 01:17:09,200
Speaker 1: was like I don't know, and I don't I don't

1454
01:17:09,280 --> 01:17:11,600
Speaker 1: mind bigging you up, like and I told you like

1455
01:17:11,760 --> 01:17:13,320
Speaker 1: like I look at you as a friend, man, because

1456
01:17:13,439 --> 01:17:18,200
Speaker 1: every time, every time we encountered each other, it's been genuine.

1457
01:17:18,640 --> 01:17:22,080
Speaker 1: So I'm like, you know, this guy. I know he's

1458
01:17:22,080 --> 01:17:25,880
Speaker 1: staying here because he's like me, like he's not alive.

1459
01:17:26,360 --> 01:17:28,439
Speaker 1: So when I looked at it and I said, yo,

1460
01:17:28,600 --> 01:17:31,400
Speaker 1: hold on, because you know I've been paying attention. But

1461
01:17:31,479 --> 01:17:33,200
Speaker 1: when I looked at the track list, I was like no.

1462
01:17:34,560 --> 01:17:36,400
Speaker 1: I was like, no, I don't know want my man

1463
01:17:36,479 --> 01:17:38,240
Speaker 1: to do this. But then I looked at I said,

1464
01:17:38,240 --> 01:17:40,400
Speaker 1: he got them on. There would have so I had

1465
01:17:40,600 --> 01:17:43,519
Speaker 1: pre judged it prior to me listening to but but

1466
01:17:43,640 --> 01:17:45,920
Speaker 1: then I wanted to and I was just me being

1467
01:17:45,960 --> 01:17:48,479
Speaker 1: true because I knew Bro. I knew Bro there was

1468
01:17:49,000 --> 01:17:52,080
Speaker 1: I was scared, Bro, I was scared. And you nail

1469
01:17:52,200 --> 01:18:00,479
Speaker 1: these ships like you knel like slip I firston who

1470
01:18:00,720 --> 01:18:03,680
Speaker 1: lived that era like you probably was younger when you're

1471
01:18:03,720 --> 01:18:07,000
Speaker 1: hearing these things in the middle school. Yes, I was

1472
01:18:07,040 --> 01:18:11,920
Speaker 1: watching all TV what like, I was watching all y'all

1473
01:18:11,960 --> 01:18:15,200
Speaker 1: niggas on TV. Dog you do every nigga, dog one.

1474
01:18:15,400 --> 01:18:17,519
Speaker 1: I was watching your niggas from the nineties, Nigga. I

1475
01:18:17,600 --> 01:18:21,000
Speaker 1: was like, nigga, how like, how hard that is to

1476
01:18:21,479 --> 01:18:27,240
Speaker 1: take te pays um you know, even tell him think

1477
01:18:27,280 --> 01:18:31,640
Speaker 1: about me having to tea at to this conversation, to

1478
01:18:31,720 --> 01:18:33,920
Speaker 1: think about me having to talk to these niggas and

1479
01:18:34,000 --> 01:18:39,080
Speaker 1: tell them, YA just sampled your best song, and you're

1480
01:18:39,080 --> 01:18:41,920
Speaker 1: gonna come back in two thousand nineteen after this Ship

1481
01:18:42,040 --> 01:18:43,680
Speaker 1: still gets played in the club because it's still a

1482
01:18:43,760 --> 01:18:46,120
Speaker 1: hit and they played in that classic section. Yes, I

1483
01:18:46,200 --> 01:18:48,040
Speaker 1: still want you to come back in two thousand nineteen

1484
01:18:48,200 --> 01:18:50,479
Speaker 1: as a fresh artist, my nigga, and do this ship again.

1485
01:18:50,560 --> 01:18:53,000
Speaker 1: Genius man. You know what I'm saying. It would have

1486
01:18:53,080 --> 01:18:55,720
Speaker 1: been It would have been a number one album in

1487
01:18:55,760 --> 01:18:57,360
Speaker 1: the world. You know what I'm saying. Of course, you

1488
01:18:57,400 --> 01:18:59,400
Speaker 1: know Seling d on the Seline Dion, But at the

1489
01:18:59,479 --> 01:19:00,960
Speaker 1: end of the day, it's like when you really look

1490
01:19:00,960 --> 01:19:02,960
Speaker 1: at the numbers and you look at everything, Bro, that's

1491
01:19:03,040 --> 01:19:06,120
Speaker 1: just spoke volumes into everything. You get what I'm saying.

1492
01:19:06,200 --> 01:19:10,320
Speaker 1: It was the most selling album that week. It sold

1493
01:19:10,360 --> 01:19:13,799
Speaker 1: more than Seleen Dion's album period that you know, Selen

1494
01:19:13,920 --> 01:19:20,120
Speaker 1: Dion had an album and this is a thing. It

1495
01:19:20,240 --> 01:19:25,040
Speaker 1: was already anticipated, anticipated project because it was started as

1496
01:19:25,080 --> 01:19:28,840
Speaker 1: a mixtape already like chick Tape, Chick Tape is bigger

1497
01:19:28,880 --> 01:19:33,240
Speaker 1: than you. Yeah, So when I wasn't that now, yeah,

1498
01:19:33,479 --> 01:19:35,360
Speaker 1: I was kind of wild on with that. I will

1499
01:19:35,400 --> 01:19:38,000
Speaker 1: say this. The chicks tape is a larger part of

1500
01:19:38,120 --> 01:19:40,680
Speaker 1: me than people think. Okay, I understand, you know what

1501
01:19:40,720 --> 01:19:43,560
Speaker 1: I'm saying, Like people don't realize how much significance the

1502
01:19:43,640 --> 01:19:45,920
Speaker 1: Chick tape has when it comes down to Tory Lanes

1503
01:19:45,960 --> 01:19:47,920
Speaker 1: a lot of times. And I was even My issue

1504
01:19:47,960 --> 01:19:50,880
Speaker 1: with like Interscope and like other major labels is like

1505
01:19:51,280 --> 01:19:53,599
Speaker 1: y'all think that, you know, when I go to these

1506
01:19:53,640 --> 01:19:55,600
Speaker 1: places and I sell our shows, it is because of

1507
01:19:55,680 --> 01:19:58,040
Speaker 1: the success that y'all have had with this single. And

1508
01:19:58,120 --> 01:19:59,880
Speaker 1: it's like, don't get me wrong, that's cool and everything,

1509
01:20:00,400 --> 01:20:03,000
Speaker 1: but like, bro, these women are at the show singing

1510
01:20:03,040 --> 01:20:06,040
Speaker 1: the fucking Chicks tape nigger, which has never been cleared,

1511
01:20:06,120 --> 01:20:09,599
Speaker 1: which is not you know, some ship under um girls

1512
01:20:09,640 --> 01:20:13,559
Speaker 1: and r for real. Of course they do some wild

1513
01:20:13,600 --> 01:20:15,599
Speaker 1: ship because I had a couple of fat girls. Though

1514
01:20:15,640 --> 01:20:18,519
Speaker 1: some at me it wasn't ye, I've seen one of

1515
01:20:18,600 --> 01:20:22,240
Speaker 1: the don't happened to me. It's a wild place wild

1516
01:20:22,560 --> 01:20:25,160
Speaker 1: This is the wildest ship that I ever saw. And

1517
01:20:25,400 --> 01:20:27,559
Speaker 1: don't tell me roll out what do you say, Don't

1518
01:20:27,560 --> 01:20:31,120
Speaker 1: tell me it's in rolled Outland. No, it was some

1519
01:20:31,200 --> 01:20:35,120
Speaker 1: reason I rolled out, some reason. It was either come

1520
01:20:35,120 --> 01:20:38,120
Speaker 1: Austin or it was like it was close to it.

1521
01:20:38,160 --> 01:20:41,479
Speaker 1: That's in Boston, or it was upstate New York. We

1522
01:20:41,560 --> 01:20:44,599
Speaker 1: had to show one time. I can see and I remember, um,

1523
01:20:45,040 --> 01:20:46,840
Speaker 1: I went into the chick tape segment of the show,

1524
01:20:47,760 --> 01:20:50,560
Speaker 1: and I kid you not, I'll never forget. There's a

1525
01:20:50,720 --> 01:20:55,120
Speaker 1: um like when you go into the two thousand to

1526
01:20:55,200 --> 01:20:57,880
Speaker 1: three thousand people venues, they have their like these theaters

1527
01:20:57,920 --> 01:20:59,320
Speaker 1: where they used to watch all these old shows, so

1528
01:20:59,360 --> 01:21:02,040
Speaker 1: you know, they have the lessonine floor with all of

1529
01:21:02,120 --> 01:21:05,280
Speaker 1: the h with all the seasons. So there's like sometimes

1530
01:21:05,320 --> 01:21:07,719
Speaker 1: you go to these shows where like they wouldn't sell

1531
01:21:07,800 --> 01:21:10,479
Speaker 1: anything at the top though, and you see like six

1532
01:21:10,640 --> 01:21:12,680
Speaker 1: or seven people up there, but like you know they

1533
01:21:12,760 --> 01:21:14,519
Speaker 1: will be watching the show and ship, but you can

1534
01:21:14,600 --> 01:21:17,360
Speaker 1: clearly see the top, like you can damn that see

1535
01:21:17,400 --> 01:21:20,280
Speaker 1: nigga's whole outfits because of the way it is like

1536
01:21:20,320 --> 01:21:22,679
Speaker 1: if someone is standing high and you're looking at him upwards,

1537
01:21:22,720 --> 01:21:25,840
Speaker 1: you can see everything, my nigga. There was two girls

1538
01:21:25,920 --> 01:21:28,840
Speaker 1: in there, and I remember one one of the songs

1539
01:21:28,880 --> 01:21:32,160
Speaker 1: I started singing, so we flipped this pretty ricky ship

1540
01:21:33,200 --> 01:21:35,160
Speaker 1: and these girls, these two girls I guess they was,

1541
01:21:35,240 --> 01:21:36,640
Speaker 1: I guess they I don't know what they was, but

1542
01:21:37,200 --> 01:21:38,920
Speaker 1: there was you know, they start, they start dancing on

1543
01:21:38,920 --> 01:21:40,960
Speaker 1: the other ship. It looks cool, whatever, cases all of

1544
01:21:40,960 --> 01:21:42,760
Speaker 1: a sudden, I'm seeing shure, you start pulling the girl

1545
01:21:42,800 --> 01:21:45,479
Speaker 1: close open ship. She started eating the girl out on

1546
01:21:45,600 --> 01:21:47,479
Speaker 1: the top of the umber. You got the full crowd

1547
01:21:47,760 --> 01:21:49,360
Speaker 1: on the bottom, but the crowd of the bottom no

1548
01:21:49,439 --> 01:21:52,360
Speaker 1: one's seeing this. But I'm like, but I'm like, yo,

1549
01:21:52,400 --> 01:21:54,920
Speaker 1: if I make this hot right now, not only is

1550
01:21:54,960 --> 01:21:57,439
Speaker 1: this going the world star, not only is this that that,

1551
01:21:57,560 --> 01:21:59,639
Speaker 1: but it was like what those boss Like, I don't

1552
01:21:59,680 --> 01:22:01,960
Speaker 1: even know how old these these girls, because you know,

1553
01:22:02,040 --> 01:22:03,760
Speaker 1: all my shows are all ages. So it's like, first

1554
01:22:03,760 --> 01:22:04,960
Speaker 1: of I don't even know why the hell y'all even

1555
01:22:05,040 --> 01:22:07,439
Speaker 1: up there, you know what I'm saying, Like it was,

1556
01:22:07,760 --> 01:22:09,280
Speaker 1: it was. It was like one of those moments when

1557
01:22:09,320 --> 01:22:11,759
Speaker 1: I was like, Yo, R and B speaks to women differently,

1558
01:22:12,439 --> 01:22:14,880
Speaker 1: and you le surf for nigger too, like you like

1559
01:22:15,280 --> 01:22:18,519
Speaker 1: you jump on speakers like you like a rock and roll.

1560
01:22:18,720 --> 01:22:22,640
Speaker 1: He love it, doug Um, You're like the closest thing

1561
01:22:22,720 --> 01:22:28,000
Speaker 1: to Bobby Brown. But but I'm gonna be honest, Bobby

1562
01:22:28,040 --> 01:22:32,320
Speaker 1: Brown the co best story, I don't know. He fried

1563
01:22:32,560 --> 01:22:35,840
Speaker 1: chicken and coke. I've never done its pills like anything,

1564
01:22:35,920 --> 01:22:44,200
Speaker 1: like I've never done coco the way I've done a

1565
01:22:44,200 --> 01:22:49,760
Speaker 1: little bit. I'm not like dude. But but Bob, like

1566
01:22:49,920 --> 01:22:52,719
Speaker 1: Brian is the best story. He fried chicken and co caine.

1567
01:22:54,439 --> 01:23:02,200
Speaker 1: Who oh, like like flower, but the flower was called cane. Listen.

1568
01:23:02,240 --> 01:23:04,360
Speaker 1: So I heard him tell us a story somewhere. So

1569
01:23:04,439 --> 01:23:05,960
Speaker 1: I see him at this hotel. I want to say,

1570
01:23:06,000 --> 01:23:07,880
Speaker 1: in the name of the hotels, people still stay out there.

1571
01:23:08,240 --> 01:23:10,200
Speaker 1: So I see him and I was say, yo, he's

1572
01:23:10,200 --> 01:23:12,000
Speaker 1: with his wife. I'm with my wife. I'm like, I'm

1573
01:23:12,040 --> 01:23:14,000
Speaker 1: looking like, this is not the time to ask that

1574
01:23:14,040 --> 01:23:17,280
Speaker 1: he really fries and cocaine. So I'm like, yo, And

1575
01:23:17,400 --> 01:23:20,479
Speaker 1: it was just like perfect time. All wives walked away

1576
01:23:20,479 --> 01:23:22,880
Speaker 1: into the bathroom and saying, Bobby, is that true? He said,

1577
01:23:22,880 --> 01:23:30,360
Speaker 1: I'm gonna tell he don't drink champs, but I would

1578
01:23:30,360 --> 01:23:34,160
Speaker 1: be honest because you're a real nigga like Bobby. And

1579
01:23:34,240 --> 01:23:36,320
Speaker 1: that's what I'm saying. Your energy reminds me of Bobby

1580
01:23:36,360 --> 01:23:38,960
Speaker 1: Brown like, And that's that's the most compliment I can

1581
01:23:39,000 --> 01:23:43,439
Speaker 1: give to any young R and b guys. That's that's

1582
01:23:43,479 --> 01:23:45,400
Speaker 1: the most thing I've ever saw. It was like Bobby

1583
01:23:45,560 --> 01:23:51,240
Speaker 1: was taking this these all these beautiful love songs, I

1584
01:23:51,360 --> 01:23:53,720
Speaker 1: can't call them balanced beautiful love songs and then just

1585
01:23:53,840 --> 01:23:57,439
Speaker 1: be the realest fucking dude all you know what I'm saying,

1586
01:23:57,479 --> 01:23:59,840
Speaker 1: And you're like, what does those things sing? This is

1587
01:23:59,840 --> 01:24:03,840
Speaker 1: a thing like this fancy damn you were like the

1588
01:24:03,920 --> 01:24:06,240
Speaker 1: first hip hop R and b dude, Yeah, he went

1589
01:24:06,280 --> 01:24:11,400
Speaker 1: to first yeahs beforehand like he was. I guess that

1590
01:24:11,479 --> 01:24:14,720
Speaker 1: gives you remember he was the one that himself. I

1591
01:24:14,760 --> 01:24:21,400
Speaker 1: feel like skipping somebody and what about I mean, I think,

1592
01:24:22,000 --> 01:24:27,200
Speaker 1: well on days like real hip hoply, he was really

1593
01:24:27,520 --> 01:24:29,400
Speaker 1: not a real hip hoply, but I think he's and

1594
01:24:29,479 --> 01:24:31,280
Speaker 1: you know, Bobby will suck you up like somebody like

1595
01:24:31,400 --> 01:24:35,360
Speaker 1: Bobby's been only just list man. Bobby wants stuff you like,

1596
01:24:35,880 --> 01:24:39,320
Speaker 1: that's his barrocative. You know what I'm saying, Like Bobby

1597
01:24:39,640 --> 01:24:42,080
Speaker 1: Bobby and that doesn't He's still real to this day. Man,

1598
01:24:42,120 --> 01:24:44,560
Speaker 1: I still see Bobby man. Man. He's still will to

1599
01:24:44,640 --> 01:24:46,439
Speaker 1: this day. But yo, man, I want to congratulate you

1600
01:24:46,520 --> 01:24:49,280
Speaker 1: on everything you did, everything you're doing, and everything that

1601
01:24:49,360 --> 01:24:52,040
Speaker 1: you're going to accomplish head and for more, because in

1602
01:24:52,240 --> 01:24:54,760
Speaker 1: this game, every time you got ten years people say

1603
01:24:54,800 --> 01:24:57,599
Speaker 1: you washed up? People say you you know what I mean? Whatever,

1604
01:24:57,720 --> 01:25:00,240
Speaker 1: you you've been out here. You you're only twenty having

1605
01:25:00,320 --> 01:25:02,719
Speaker 1: but you've been You've been out here for ten years,

1606
01:25:02,840 --> 01:25:06,120
Speaker 1: going strong and doing it in your eyes, and you're

1607
01:25:06,800 --> 01:25:11,439
Speaker 1: uh mine. You think that you're just started, which is dope,

1608
01:25:12,080 --> 01:25:14,960
Speaker 1: Which is dope because you know what you are just correct,

1609
01:25:15,000 --> 01:25:17,040
Speaker 1: which is correct, And you could you could do another

1610
01:25:17,120 --> 01:25:19,720
Speaker 1: ten years, you could do another another twenty, you could

1611
01:25:19,720 --> 01:25:21,320
Speaker 1: do whatever the funk you want to do. Like you know,

1612
01:25:21,439 --> 01:25:23,880
Speaker 1: we're standing in here as living proof and two people.

1613
01:25:24,000 --> 01:25:25,720
Speaker 1: He was a d J, I was an artist, and

1614
01:25:25,800 --> 01:25:29,000
Speaker 1: we're sitting here interviewing you still relevant, you know what

1615
01:25:29,000 --> 01:25:30,719
Speaker 1: I'm saying, and you and you know what I'm saying.

1616
01:25:31,000 --> 01:25:33,080
Speaker 1: And I just want to pick you up because I

1617
01:25:33,160 --> 01:25:34,840
Speaker 1: see you from the beginning, like you know, as an

1618
01:25:34,840 --> 01:25:37,880
Speaker 1: outside of looking then and like I said, every time

1619
01:25:37,920 --> 01:25:39,760
Speaker 1: I met you, every time I came encountered with you,

1620
01:25:40,120 --> 01:25:42,080
Speaker 1: you've always kept your word. And I told that to

1621
01:25:42,200 --> 01:25:45,080
Speaker 1: everyone I met, And I'm like, yo, but I just

1622
01:25:45,160 --> 01:25:47,600
Speaker 1: want you to be careful because you're you might be

1623
01:25:47,720 --> 01:25:49,720
Speaker 1: too rare, Like you know what I'm saying. I had

1624
01:25:49,800 --> 01:25:51,720
Speaker 1: that problem so as a person who went through that.

1625
01:25:52,000 --> 01:25:53,599
Speaker 1: I want to tell you that we won't get into

1626
01:25:53,640 --> 01:25:56,160
Speaker 1: any particulars, but you've got to because these people are

1627
01:25:56,200 --> 01:25:58,640
Speaker 1: gonna keep working with you because now they know that

1628
01:25:59,160 --> 01:26:01,760
Speaker 1: you're not having it. Yeah, and that's not good, Like

1629
01:26:02,280 --> 01:26:07,080
Speaker 1: being a real dude in the fake business is not good.

1630
01:26:07,479 --> 01:26:10,200
Speaker 1: I feel you because I used to stand down. But

1631
01:26:10,360 --> 01:26:14,760
Speaker 1: you can't be cordeous. I just, I just I want

1632
01:26:14,800 --> 01:26:17,320
Speaker 1: you to know something about but very cordial, very no,

1633
01:26:17,320 --> 01:26:19,720
Speaker 1: I don't know, but with someone but the line you

1634
01:26:19,920 --> 01:26:23,679
Speaker 1: don't know how to say. I've seen that, I've seen.

1635
01:26:24,320 --> 01:26:26,880
Speaker 1: I think, I think what happens, and I think what happened.

1636
01:26:27,880 --> 01:26:30,280
Speaker 1: I think what happens A lot of the time is

1637
01:26:30,360 --> 01:26:33,200
Speaker 1: that the media catches a lot of the moments where

1638
01:26:33,680 --> 01:26:37,639
Speaker 1: it's these things. And because I've never had like there's

1639
01:26:37,680 --> 01:26:39,479
Speaker 1: no l's on my record where like you know, I

1640
01:26:39,560 --> 01:26:42,920
Speaker 1: got beat up or I see the way steps Travis

1641
01:26:42,920 --> 01:26:47,880
Speaker 1: Scott though that was the first. Yeah, I mean, I

1642
01:26:48,240 --> 01:26:50,120
Speaker 1: hear the record with y'all. After that, we got it.

1643
01:26:50,200 --> 01:26:52,679
Speaker 1: We were hopefully gonna get one soon. Okay, let's let's

1644
01:26:52,720 --> 01:26:54,920
Speaker 1: get that going. Man, I definitely want to get that.

1645
01:26:55,120 --> 01:26:56,800
Speaker 1: My point is it just like I'm not I'm not

1646
01:26:56,880 --> 01:27:01,000
Speaker 1: a person who who you know, is super problematic. I'm

1647
01:27:01,000 --> 01:27:03,320
Speaker 1: a very non problematic person. And then so when the

1648
01:27:03,360 --> 01:27:05,120
Speaker 1: problems coming. But it's just the way that the media

1649
01:27:05,160 --> 01:27:07,080
Speaker 1: tried to train things there. You know it is. But

1650
01:27:07,160 --> 01:27:08,680
Speaker 1: you right at the end of the day, and I

1651
01:27:08,720 --> 01:27:11,880
Speaker 1: will take that advice because because you've got way more

1652
01:27:11,960 --> 01:27:14,720
Speaker 1: to lose. And I'm telling you, and I'm telling you

1653
01:27:14,760 --> 01:27:16,800
Speaker 1: people know that you know that that you ain't having

1654
01:27:16,880 --> 01:27:18,599
Speaker 1: it and that's it used to be a good thing

1655
01:27:18,960 --> 01:27:22,640
Speaker 1: in the nineties. If you use a myra great like

1656
01:27:22,760 --> 01:27:25,360
Speaker 1: you ain't keep here, but keeping it real and listen,

1657
01:27:25,720 --> 01:27:36,639
Speaker 1: I'm sorry, man, you belong. I'm telling you, man, what else?

1658
01:27:37,320 --> 01:27:40,200
Speaker 1: But I wanted to know. Man, you're a motherfucking real dude.

1659
01:27:40,240 --> 01:27:44,160
Speaker 1: We salute you. And not only that, you fucking making

1660
01:27:44,240 --> 01:27:48,160
Speaker 1: the best music out right now. God damn, I could

1661
01:27:48,360 --> 01:27:52,040
Speaker 1: not stop listening to the tape. Salute salutle got that.

1662
01:27:58,439 --> 01:28:02,160
Speaker 1: So we just stablished that you're gonna act next estoplishing.

1663
01:28:02,200 --> 01:28:07,200
Speaker 1: You're gonna make a Spanish album. Yea, Are you ever

1664
01:28:07,240 --> 01:28:11,920
Speaker 1: gonna make a full fledged wrap album? Of course? Think

1665
01:28:11,920 --> 01:28:13,800
Speaker 1: about it is It's like, yo, when I had to

1666
01:28:13,840 --> 01:28:19,960
Speaker 1: the ontonomy to do say the autonomy, he's on his own.

1667
01:28:20,000 --> 01:28:23,280
Speaker 1: I don't know what that, okay means the authority, the

1668
01:28:26,320 --> 01:28:30,920
Speaker 1: just being an autonomy. Yeah, yeah, using that word, it's

1669
01:28:30,920 --> 01:28:34,559
Speaker 1: gonna use it out of place like that. I mean, like, yeah,

1670
01:28:34,560 --> 01:28:36,280
Speaker 1: I have the right like what if I want, like

1671
01:28:37,080 --> 01:28:39,680
Speaker 1: like like I had the authority to to you know. Um,

1672
01:28:39,840 --> 01:28:44,400
Speaker 1: So basically when I have the ontonomy um to move

1673
01:28:44,479 --> 01:28:46,080
Speaker 1: how I want to move, which I feel like I'm

1674
01:28:46,120 --> 01:28:50,400
Speaker 1: to this album, I do have. Um. You know, there's

1675
01:28:50,400 --> 01:28:51,960
Speaker 1: a lot of things that I've been waiting to do,

1676
01:28:52,560 --> 01:28:55,320
Speaker 1: and I've been waiting to do so like back to back,

1677
01:28:55,439 --> 01:28:58,720
Speaker 1: but because it's certain circumstances, I haven't been able to.

1678
01:28:59,280 --> 01:29:01,160
Speaker 1: But now in my situation is a little bit different,

1679
01:29:01,760 --> 01:29:05,000
Speaker 1: like I'm finally gonna be able to showcase what I

1680
01:29:05,080 --> 01:29:08,200
Speaker 1: really want to showcase. You know, the last three or

1681
01:29:08,200 --> 01:29:11,680
Speaker 1: four years, I feel like there's been things where it's

1682
01:29:11,680 --> 01:29:12,880
Speaker 1: just like you know, I kind of just I gave

1683
01:29:12,920 --> 01:29:16,200
Speaker 1: everything fifty percent because it's like it's like I know

1684
01:29:16,320 --> 01:29:19,200
Speaker 1: how hard I can go, and it's like I don't

1685
01:29:19,240 --> 01:29:20,519
Speaker 1: want to. I don't want to. I don't want to

1686
01:29:20,560 --> 01:29:23,960
Speaker 1: do that in in in a situation right now, you know,

1687
01:29:24,080 --> 01:29:26,960
Speaker 1: so my but my fifty is harder than the Niggas hundreds.

1688
01:29:27,320 --> 01:29:29,920
Speaker 1: So I'll just give Niggas fifty until I get out

1689
01:29:29,920 --> 01:29:32,120
Speaker 1: of this. So you you you feel like it's your

1690
01:29:32,200 --> 01:29:36,040
Speaker 1: label situation. No, no, not at all. I want to

1691
01:29:36,080 --> 01:29:39,960
Speaker 1: be clear or something, no issue within the scope. I

1692
01:29:40,080 --> 01:29:42,080
Speaker 1: love them and that it would be amicable if you left.

1693
01:29:42,880 --> 01:29:44,960
Speaker 1: I don't know if they would. I don't care. I

1694
01:29:45,120 --> 01:29:47,719
Speaker 1: just I know that I know that they're good people

1695
01:29:47,760 --> 01:29:51,000
Speaker 1: over there. It's not it's not a bad building. All

1696
01:29:51,120 --> 01:29:54,479
Speaker 1: I'm saying is in my specific situation, not with the

1697
01:29:54,560 --> 01:29:56,920
Speaker 1: label or whatever the case. But whatever. When I say

1698
01:29:56,920 --> 01:30:00,560
Speaker 1: in situation, whatever that titles, you know, just in my

1699
01:30:01,000 --> 01:30:02,799
Speaker 1: I didn't want it. I didn't want to give Niggas

1700
01:30:02,800 --> 01:30:04,960
Speaker 1: a hundred. This is like the first time I probably

1701
01:30:05,000 --> 01:30:07,280
Speaker 1: gave Nigga seventy percent and actually said, you know, let

1702
01:30:07,320 --> 01:30:10,080
Speaker 1: me produce the Chick tape. Because I've always been a

1703
01:30:10,160 --> 01:30:11,880
Speaker 1: part of the production. I've always been a part of that.

1704
01:30:12,120 --> 01:30:14,400
Speaker 1: I wanted to ask you that because the Snoop record,

1705
01:30:14,479 --> 01:30:18,000
Speaker 1: you flipped the neptune sound. Yeah, all of those beats, Bro,

1706
01:30:18,280 --> 01:30:20,560
Speaker 1: you did that, all of those beats. Nigga, give me

1707
01:30:20,560 --> 01:30:26,880
Speaker 1: a neptune beat. But listen, I do want to that's

1708
01:30:26,920 --> 01:30:31,040
Speaker 1: just sound like I was gonna call like now I

1709
01:30:31,120 --> 01:30:32,800
Speaker 1: do want to shed light on I do want to

1710
01:30:32,840 --> 01:30:36,040
Speaker 1: shed light on Plapercasso, who's the guy who basically taught

1711
01:30:36,560 --> 01:30:40,320
Speaker 1: me everything and didn't like you produced that ship. Yeah,

1712
01:30:40,360 --> 01:30:44,080
Speaker 1: I produced it with with play Picasso. But when I'm

1713
01:30:44,120 --> 01:30:46,360
Speaker 1: not like she was like you know what niggas is

1714
01:30:46,479 --> 01:30:48,920
Speaker 1: like yo, I co produced it, and like you're like, nigga,

1715
01:30:48,960 --> 01:30:50,600
Speaker 1: come on, you said a couple of things, you know,

1716
01:30:50,840 --> 01:30:55,120
Speaker 1: like I really actually the sample is chopped and thank

1717
01:30:55,160 --> 01:30:57,040
Speaker 1: you and thank you. That's the that's to know we're

1718
01:30:57,080 --> 01:31:01,320
Speaker 1: using that's the sample voice chopped. We're using the umm.

1719
01:31:02,200 --> 01:31:04,120
Speaker 1: That's what forever do. That's how we're doing it. That

1720
01:31:04,320 --> 01:31:07,240
Speaker 1: like everything I was playing at the end of Beautiful,

1721
01:31:07,240 --> 01:31:12,200
Speaker 1: you see I goes, that's me playing those those vocal

1722
01:31:12,280 --> 01:31:14,880
Speaker 1: chops on the keyboard. All those ships is they're not

1723
01:31:15,000 --> 01:31:20,000
Speaker 1: me singing another it's me playing those Hey hey, you

1724
01:31:20,040 --> 01:31:24,240
Speaker 1: know what I'm saying. So basically like I really gave them,

1725
01:31:24,439 --> 01:31:27,280
Speaker 1: like you know, from three four Chick Tape to all

1726
01:31:27,360 --> 01:31:30,799
Speaker 1: those records where albums well I actually produced and produced.

1727
01:31:30,800 --> 01:31:33,600
Speaker 1: We played Picasso. You feel me in like you know,

1728
01:31:33,720 --> 01:31:35,800
Speaker 1: we hadn't produced the last two albums because we were

1729
01:31:35,840 --> 01:31:37,800
Speaker 1: kind of on something. Yo, we're gonna give them, but

1730
01:31:37,920 --> 01:31:40,240
Speaker 1: now you know what I'm saying. And we were just like,

1731
01:31:40,280 --> 01:31:43,080
Speaker 1: you know, chick Sape five, we can't, we can't play

1732
01:31:43,120 --> 01:31:44,720
Speaker 1: with this because it's chick Tape five. I gotta be

1733
01:31:44,800 --> 01:31:47,000
Speaker 1: better than the other ones. And also like it's got

1734
01:31:47,080 --> 01:31:50,679
Speaker 1: to be evolutionary, So we'll give them se I'll actually

1735
01:31:50,720 --> 01:31:53,960
Speaker 1: come and I'll start producing some of the Ship and

1736
01:31:54,040 --> 01:31:58,400
Speaker 1: that's what we did album. Yeah. Man, I'm glad he

1737
01:31:58,520 --> 01:32:03,960
Speaker 1: did that. I'm everybody, I mean, don't listen. It's it's

1738
01:32:04,160 --> 01:32:07,639
Speaker 1: it's it's it's a little bit like I'm I'm Christian

1739
01:32:07,720 --> 01:32:10,639
Speaker 1: and you know, my dad's a missionary preacher, so where

1740
01:32:10,680 --> 01:32:13,560
Speaker 1: I come from and like the way I you know,

1741
01:32:14,160 --> 01:32:16,960
Speaker 1: it's a little bit different. Like a lot of times

1742
01:32:17,040 --> 01:32:20,000
Speaker 1: people have this whole like, Yo, I'm a I'm a

1743
01:32:20,479 --> 01:32:22,920
Speaker 1: uh you know when they listen to Kanye, it's like

1744
01:32:22,960 --> 01:32:25,880
Speaker 1: I'm looking for this Kanye that I've heard like seven

1745
01:32:25,960 --> 01:32:30,040
Speaker 1: times before, and and it's like I'm I'm I'm happy

1746
01:32:30,040 --> 01:32:32,679
Speaker 1: about the evolution of artists and the fact that he's

1747
01:32:32,720 --> 01:32:36,160
Speaker 1: doing something that's positive and maybe uh strange right now

1748
01:32:36,320 --> 01:32:38,400
Speaker 1: or whatever case is for people who are expecting a

1749
01:32:38,479 --> 01:32:41,160
Speaker 1: certain rawdingness out of Kanye. But at the end of

1750
01:32:41,160 --> 01:32:43,360
Speaker 1: the day, he's doing how he's doing, what he feels

1751
01:32:43,360 --> 01:32:46,719
Speaker 1: and the musicalities of it and the production and everything

1752
01:32:46,760 --> 01:32:48,680
Speaker 1: about it is is like, are you Nigga is not

1753
01:32:48,760 --> 01:32:51,880
Speaker 1: hearing this ship? Not like but that's the thing, but

1754
01:32:52,320 --> 01:32:54,519
Speaker 1: but what what about it? Is it that you're not hearing?

1755
01:32:55,680 --> 01:32:57,240
Speaker 1: Is it the is it that you just don't like

1756
01:32:58,920 --> 01:33:00,760
Speaker 1: the way I think the musical he told me as

1757
01:33:00,800 --> 01:33:03,599
Speaker 1: a rap album, he never said it was as a Christian.

1758
01:33:04,080 --> 01:33:05,479
Speaker 1: I don't think you should even look at it in

1759
01:33:05,520 --> 01:33:11,400
Speaker 1: that just you just said it's a Christian album at

1760
01:33:11,400 --> 01:33:13,599
Speaker 1: the end of the day, a Christian section. I think

1761
01:33:13,640 --> 01:33:15,040
Speaker 1: I guess I could have looked at him think it

1762
01:33:15,040 --> 01:33:16,360
Speaker 1: should be even looked at that. I don't think you

1763
01:33:16,360 --> 01:33:18,080
Speaker 1: should be getting the Christian album because at the end

1764
01:33:18,080 --> 01:33:22,120
Speaker 1: of the day, even if he feels like talking about

1765
01:33:22,160 --> 01:33:25,040
Speaker 1: this today, he's still Kanye coming with an album with

1766
01:33:25,640 --> 01:33:28,720
Speaker 1: the same kind of production. And Connie has always been

1767
01:33:28,800 --> 01:33:31,640
Speaker 1: saying this type of ship. Just don't realize that's what

1768
01:33:31,760 --> 01:33:33,519
Speaker 1: he's been saying about. I feel like this was his

1769
01:33:33,640 --> 01:33:37,479
Speaker 1: laziest production. I don't feel that you out and I

1770
01:33:37,479 --> 01:33:40,000
Speaker 1: don't think it's much of the from the very words

1771
01:33:40,479 --> 01:33:49,320
Speaker 1: two words, Yeah, I love you, but I respect it

1772
01:33:49,320 --> 01:33:52,080
Speaker 1: because they feel. But I'm not gonna lie Dog Like

1773
01:33:53,280 --> 01:33:54,920
Speaker 1: I heard the album Dog and like, you know what

1774
01:33:54,920 --> 01:33:56,920
Speaker 1: I'm saying, Like, what was the album that came out

1775
01:33:56,960 --> 01:34:03,080
Speaker 1: before this one? Um the Easy Jesus, it was that

1776
01:34:04,320 --> 01:34:14,040
Speaker 1: Now it wasn't Pablo Hasit thing. I like, hold On.

1777
01:34:14,080 --> 01:34:17,800
Speaker 1: I don't even like that one Everyone Hate Everyone album.

1778
01:34:18,479 --> 01:34:20,840
Speaker 1: I like the one that he produced for Now. I

1779
01:34:20,960 --> 01:34:24,759
Speaker 1: love that album. The album I didn't hear that album.

1780
01:34:25,320 --> 01:34:28,240
Speaker 1: I loved it. Kanye is love NAS album. I love.

1781
01:34:28,560 --> 01:34:33,360
Speaker 1: I love KC. Ghost let'sten. That's my favorite. Listen, It's

1782
01:34:33,439 --> 01:34:36,840
Speaker 1: Kanye's best album. Want hold You Bugg the Funk on

1783
01:34:37,000 --> 01:34:42,639
Speaker 1: the Low out really doing Kid seeing Coast the cap

1784
01:34:42,680 --> 01:34:47,920
Speaker 1: telling you it's crazy. It is crazy. Hold On, you

1785
01:34:48,040 --> 01:34:50,280
Speaker 1: gotta really take in what the fun? Kanye? Do you

1786
01:34:50,320 --> 01:34:53,599
Speaker 1: know what you just said? I was very, very very racy.

1787
01:34:54,080 --> 01:34:55,639
Speaker 1: You know what I'm saying. You gotta you gotta look

1788
01:34:55,680 --> 01:35:01,720
Speaker 1: at late registration college dropout. You're really crazy. You know,

1789
01:35:01,760 --> 01:35:04,960
Speaker 1: there's too crazy to say the kids see ghostystem. I mean,

1790
01:35:05,080 --> 01:35:07,840
Speaker 1: this is this is something that this is seth that

1791
01:35:08,200 --> 01:35:12,400
Speaker 1: ain't a waiting heartbreaks. Yeah, it ain't heartbreaks. My ship

1792
01:35:13,200 --> 01:35:19,080
Speaker 1: my story. I always run my lips breaks, So I

1793
01:35:19,240 --> 01:35:22,120
Speaker 1: don't you got yourself a purse? Yeah, I was gonna

1794
01:35:22,160 --> 01:35:29,000
Speaker 1: find somebody, But yeah, I love everything. Did you like

1795
01:35:29,600 --> 01:35:32,000
Speaker 1: is it the messaging? Is it? Is he like the messaging?

1796
01:35:32,080 --> 01:35:34,080
Speaker 1: I think that I think you think it was over preached.

1797
01:35:34,120 --> 01:35:37,120
Speaker 1: Are you judging kind for what he's talking about? Yeah?

1798
01:35:37,160 --> 01:35:40,519
Speaker 1: I see. Now I have to say one thing. Okay,

1799
01:35:40,560 --> 01:35:42,960
Speaker 1: let's do one more shot and steege my lucky number. Yeah,

1800
01:35:43,000 --> 01:35:46,120
Speaker 1: I have to say one thing. It's four though, I

1801
01:35:46,200 --> 01:35:50,400
Speaker 1: canna say one thing, Okay. I do think that sometimes

1802
01:35:50,720 --> 01:35:53,320
Speaker 1: when we live a certain life, we don't like when

1803
01:35:53,400 --> 01:35:54,760
Speaker 1: it's like it's like you kind of feel like it's

1804
01:35:54,760 --> 01:35:57,519
Speaker 1: like an old head telling you exactly something. But I

1805
01:35:57,640 --> 01:35:59,400
Speaker 1: do feel like he was just like, you know what,

1806
01:36:00,000 --> 01:36:04,080
Speaker 1: I at least have to put this message out. And

1807
01:36:04,200 --> 01:36:08,479
Speaker 1: then I think he did it phenomenally. And that's just

1808
01:36:08,640 --> 01:36:10,800
Speaker 1: my take. You think he did it horribly, And I

1809
01:36:10,920 --> 01:36:12,519
Speaker 1: see you take. You know what I'm saying, But I'm

1810
01:36:12,760 --> 01:36:14,439
Speaker 1: I'm gonna be one. I'm an I'll say one thing,

1811
01:36:14,840 --> 01:36:17,519
Speaker 1: I'll be glad that if when my son grows up

1812
01:36:18,160 --> 01:36:20,320
Speaker 1: he randomly decides to put that album on, and if

1813
01:36:20,360 --> 01:36:22,400
Speaker 1: that album helps him to be a better person, that's

1814
01:36:22,400 --> 01:36:27,920
Speaker 1: cool because I personally, I'm just saying, if you just

1815
01:36:28,000 --> 01:36:30,439
Speaker 1: judge it on musicality, let's just off the change. That

1816
01:36:30,520 --> 01:36:32,840
Speaker 1: ship is crazy. That's why I'm like, how what are

1817
01:36:32,840 --> 01:36:36,000
Speaker 1: you talking about? Church on Sunday? That guys? Like some

1818
01:36:36,160 --> 01:36:39,240
Speaker 1: people can say it's a gospel, like it could be gospel,

1819
01:36:39,280 --> 01:36:41,000
Speaker 1: but I'm not listening to it. But I'm listening to

1820
01:36:41,120 --> 01:36:44,559
Speaker 1: the dope ass production. The vocals and arrangement is crazy

1821
01:36:44,800 --> 01:36:46,360
Speaker 1: right now. There was one joint on there that was

1822
01:36:46,439 --> 01:36:51,080
Speaker 1: like that one. There was one joint on there that

1823
01:36:51,200 --> 01:36:52,679
Speaker 1: was so crazy that I was like, if he would

1824
01:36:52,680 --> 01:36:55,280
Speaker 1: have started the album with this, it would have just

1825
01:36:55,400 --> 01:37:02,000
Speaker 1: been like there's two joints. Like I said that, I

1826
01:37:02,080 --> 01:37:03,960
Speaker 1: feel like sometimes it's also has to do with like

1827
01:37:04,200 --> 01:37:06,920
Speaker 1: the sequencing of the album. Like I feel like Jesus

1828
01:37:07,320 --> 01:37:10,760
Speaker 1: would have been a fifty times better album had he

1829
01:37:10,880 --> 01:37:13,040
Speaker 1: started the album with Blood on the Leaves, it would

1830
01:37:13,040 --> 01:37:15,120
Speaker 1: have been a totally different album. You would have been, like, Connie,

1831
01:37:17,320 --> 01:37:25,200
Speaker 1: the greatest thing the first song was weird. I hate

1832
01:37:25,240 --> 01:37:27,439
Speaker 1: the first song Connie, I love you that. I hate

1833
01:37:27,439 --> 01:37:29,640
Speaker 1: the first song of Jesus. I can't get with it.

1834
01:37:30,760 --> 01:37:34,280
Speaker 1: I feel like getting this drug about kid see Ghost

1835
01:37:34,400 --> 01:37:37,840
Speaker 1: is one of my top five crazy that is and

1836
01:37:37,880 --> 01:37:40,120
Speaker 1: the NAS album is crazy. The NS album is crazy.

1837
01:37:40,160 --> 01:37:41,600
Speaker 1: I love it like a lot of people. And I

1838
01:37:41,680 --> 01:37:43,560
Speaker 1: feel that because of everything that happened when he was

1839
01:37:43,640 --> 01:37:48,360
Speaker 1: talking crazy and the fact that he was falling out

1840
01:37:48,400 --> 01:37:51,639
Speaker 1: with Jay and producing the whole album with people always

1841
01:37:52,439 --> 01:37:56,080
Speaker 1: confused NAS and Jay for being enemies. So I think

1842
01:37:56,120 --> 01:37:59,000
Speaker 1: that that album is classic. Yeah, I think so too.

1843
01:37:59,160 --> 01:38:02,320
Speaker 1: I think so. I think so. This is in my opinion.

1844
01:38:02,640 --> 01:38:04,439
Speaker 1: It's just I don't know. I just didn't I didn't

1845
01:38:06,600 --> 01:38:12,280
Speaker 1: push the shirt, which is which one I don't want

1846
01:38:12,280 --> 01:38:14,679
Speaker 1: to call you, but don't don't go there. Oh yeah,

1847
01:38:14,840 --> 01:38:20,200
Speaker 1: I push. I love pushing. I was scared for that. Yeah,

1848
01:38:21,040 --> 01:38:24,519
Speaker 1: you just go tea, I said, you gotta stop. I

1849
01:38:24,520 --> 01:38:31,920
Speaker 1: would never scarverybody, but but but pushing teeth. I think

1850
01:38:31,960 --> 01:38:34,120
Speaker 1: pushing tease music is always going to be pushing the music.

1851
01:38:34,240 --> 01:38:36,920
Speaker 1: That brawdness of pushing teeth will always be the rawness

1852
01:38:36,920 --> 01:38:38,559
Speaker 1: of pushing tea. And even when I called push tea

1853
01:38:38,720 --> 01:38:41,000
Speaker 1: said you battled me to have been a totally different situation.

1854
01:38:41,240 --> 01:38:43,160
Speaker 1: Even when I did that, I always still remain to

1855
01:38:43,240 --> 01:38:45,960
Speaker 1: say he's an artist that I respect. This is all

1856
01:38:45,960 --> 01:38:49,040
Speaker 1: I'm saying. That's I never gave it like yours supposed

1857
01:38:49,040 --> 01:38:52,960
Speaker 1: to push your tea. The next day after after Reviraul,

1858
01:38:52,960 --> 01:38:56,360
Speaker 1: what I said that Kanye's album front. So I stowed

1859
01:38:56,360 --> 01:38:58,640
Speaker 1: the push your teeth and he did not bring it up.

1860
01:38:58,680 --> 01:39:00,800
Speaker 1: He did not say, hey, why he said that? But

1861
01:39:00,960 --> 01:39:09,920
Speaker 1: so I think push your films out film? How would

1862
01:39:09,920 --> 01:39:13,280
Speaker 1: they tell you? I would have said, I'll say Daytona

1863
01:39:13,439 --> 01:39:15,840
Speaker 1: was definitely hard. They told him. I don't think that

1864
01:39:15,920 --> 01:39:17,519
Speaker 1: it was that. You said it was harder than the

1865
01:39:17,760 --> 01:39:21,680
Speaker 1: one he just dropped. Wait wait wait, pushing dropped another one. No,

1866
01:39:21,920 --> 01:39:24,080
Speaker 1: you said Daytona was harder than the one that Kanye

1867
01:39:24,200 --> 01:39:27,519
Speaker 1: just production wise, No, production wise that I'm talking about.

1868
01:39:28,040 --> 01:39:30,280
Speaker 1: You see that production on Daytona was better than the

1869
01:39:30,320 --> 01:39:32,920
Speaker 1: production on knew ship he just dropped. I ain't gonna lie.

1870
01:39:33,280 --> 01:39:35,800
Speaker 1: I ain't gonna lie. The production is always very because

1871
01:39:35,800 --> 01:39:39,400
Speaker 1: it's hard to compare those t I hate that car.

1872
01:39:39,920 --> 01:39:48,400
Speaker 1: I don't hear it. He changed drop this mo papataging Listen.

1873
01:39:48,760 --> 01:39:54,080
Speaker 1: I hated that, you know, I hated it so much.

1874
01:39:54,120 --> 01:39:56,440
Speaker 1: I don't even know what I hated more the production

1875
01:39:56,520 --> 01:39:59,320
Speaker 1: and the lyrics. I just it wasn't me. I guess

1876
01:39:59,320 --> 01:40:01,439
Speaker 1: I was an I woke up in the morning, I

1877
01:40:01,600 --> 01:40:03,400
Speaker 1: was on your that type of ship, I'm has some

1878
01:40:03,560 --> 01:40:08,479
Speaker 1: drinks listen. I listened to it that night. Then I

1879
01:40:08,520 --> 01:40:10,759
Speaker 1: woke up in the morning and I listened to it again,

1880
01:40:12,080 --> 01:40:14,280
Speaker 1: and I wanted to throw my I phone out there.

1881
01:40:17,840 --> 01:40:19,719
Speaker 1: You listened to it the night before, we talked about

1882
01:40:19,720 --> 01:40:23,120
Speaker 1: it to all the way, and then we're listening to

1883
01:40:23,240 --> 01:40:25,479
Speaker 1: it get it on the way to that interview, and

1884
01:40:25,600 --> 01:40:27,600
Speaker 1: I'm so and I don't mean because you know, I

1885
01:40:27,680 --> 01:40:29,360
Speaker 1: get I didn't get to explain it like that on

1886
01:40:29,520 --> 01:40:31,360
Speaker 1: Nick Cannon Kill because I don't mean it with malice,

1887
01:40:31,720 --> 01:40:35,640
Speaker 1: because that's not what you mean. That's that's And for

1888
01:40:35,760 --> 01:40:39,120
Speaker 1: anybody who wants to critique me, see all the other

1889
01:40:39,200 --> 01:40:41,640
Speaker 1: great ship I said about Kanye, see about all the

1890
01:40:41,840 --> 01:40:44,800
Speaker 1: like like I'm a fan of this guy's music, like

1891
01:40:44,880 --> 01:40:48,280
Speaker 1: this guy like he like he comes from he comes

1892
01:40:48,320 --> 01:40:52,560
Speaker 1: from like a parrel type of world. Definitely, I felt like,

1893
01:40:52,880 --> 01:40:54,760
Speaker 1: you know, I have something to do with that type

1894
01:40:54,800 --> 01:40:56,640
Speaker 1: of world. You know what I mean. Like so, so

1895
01:40:57,240 --> 01:40:59,280
Speaker 1: I'm I root for Kanye. You know what I'm saying,

1896
01:40:59,320 --> 01:41:01,760
Speaker 1: I root for him. I'm I don't want to say

1897
01:41:01,800 --> 01:41:04,840
Speaker 1: I don't like this album. It's just I don't as

1898
01:41:05,040 --> 01:41:07,519
Speaker 1: I don't, but I respect you from being Let me

1899
01:41:07,600 --> 01:41:11,120
Speaker 1: take a shot to the fact that he was he

1900
01:41:11,200 --> 01:41:17,160
Speaker 1: felt that he loves I love But you know, I

1901
01:41:17,200 --> 01:41:29,560
Speaker 1: want to go, yeah, yo, this ship is twisted. And

1902
01:41:29,640 --> 01:41:31,160
Speaker 1: you know what I don't want to say to in

1903
01:41:31,280 --> 01:41:36,200
Speaker 1: that vein. I saw a clip the other day of

1904
01:41:36,360 --> 01:41:39,559
Speaker 1: Dame Dash saying that no one recognizes that he has

1905
01:41:39,600 --> 01:41:45,479
Speaker 1: an independent platform, independent streaming service. And I want to say,

1906
01:41:46,439 --> 01:41:49,360
Speaker 1: Dame Dash, I think it's d D d TV. Yeah,

1907
01:41:49,439 --> 01:41:52,240
Speaker 1: deep Dame Dash t V d d TV. I want

1908
01:41:52,280 --> 01:41:54,880
Speaker 1: to say, I said, Dream Champs. We want to say

1909
01:41:54,920 --> 01:41:57,840
Speaker 1: that we recognize you, sir. We see you out there

1910
01:41:57,960 --> 01:42:00,679
Speaker 1: doing it to Dame Dash Studios, just him in the service.

1911
01:42:01,600 --> 01:42:04,000
Speaker 1: I got the app, and I suggests everyone go down

1912
01:42:04,080 --> 01:42:06,840
Speaker 1: there and get to act, because sometimes you know, when

1913
01:42:06,880 --> 01:42:09,320
Speaker 1: you see things like that, that's that is correct. You

1914
01:42:09,360 --> 01:42:10,680
Speaker 1: know one thing I want to I want to touch

1915
01:42:10,760 --> 01:42:12,439
Speaker 1: on Dame real quick. So let me big up to

1916
01:42:12,520 --> 01:42:19,240
Speaker 1: motherfuck Dame, like everything, I wanted to do that because

1917
01:42:19,240 --> 01:42:21,160
Speaker 1: I'm not they gotta give it to to Dame, just

1918
01:42:21,360 --> 01:42:23,960
Speaker 1: because of the fact that, like, that's somebody I'm very

1919
01:42:24,000 --> 01:42:26,240
Speaker 1: inspired by as far as like I feel like his

1920
01:42:26,360 --> 01:42:28,960
Speaker 1: hustle is like how I feel about music is the

1921
01:42:29,400 --> 01:42:31,519
Speaker 1: doubt in the in the and a lot of times

1922
01:42:31,600 --> 01:42:35,719
Speaker 1: people saying, oh, well, what was He's always been somebody

1923
01:42:35,800 --> 01:42:38,720
Speaker 1: has been innovative and what's next? You know what I'm

1924
01:42:38,720 --> 01:42:40,880
Speaker 1: saying that Like sometimes I don't know, you know, a

1925
01:42:40,960 --> 01:42:43,400
Speaker 1: lot of youngsters don't know dating, but damon somebody that

1926
01:42:44,320 --> 01:42:46,280
Speaker 1: if you know Dame or if you've seen Dame. I've

1927
01:42:46,320 --> 01:42:48,760
Speaker 1: never met him in real life. I've always seen I've

1928
01:42:48,760 --> 01:42:51,360
Speaker 1: always seen him and been like yo, as crazy as

1929
01:42:51,439 --> 01:42:53,960
Speaker 1: Dame was, he was just he's he fought for the

1930
01:42:54,080 --> 01:42:59,960
Speaker 1: artist before, for his artist A lot of time is

1931
01:43:00,000 --> 01:43:01,320
Speaker 1: not it's not head now. You never got to me,

1932
01:43:01,439 --> 01:43:08,240
Speaker 1: Chris Dame, Chris Lidy, Uh who arresting? Piece of course

1933
01:43:08,840 --> 01:43:13,400
Speaker 1: arrest You know there's Mark Pitts, Uh, there was Steve Stouts.

1934
01:43:13,680 --> 01:43:15,800
Speaker 1: Those are the people that was fighting for the artists

1935
01:43:15,840 --> 01:43:19,479
Speaker 1: back then. And you know what I mean, Bigg's obviously

1936
01:43:19,560 --> 01:43:22,439
Speaker 1: he's still around. Um uh, there was, there was. There

1937
01:43:22,479 --> 01:43:24,720
Speaker 1: was a couple of dudes that because back then you

1938
01:43:24,840 --> 01:43:26,439
Speaker 1: had to speak up. You had to speak up for

1939
01:43:26,520 --> 01:43:28,720
Speaker 1: you to get a two hundred and fifty thousands of

1940
01:43:28,840 --> 01:43:32,160
Speaker 1: videos up to a million dollar videos. You gotta remember

1941
01:43:32,280 --> 01:43:37,599
Speaker 1: we it was in the era of videos point one

1942
01:43:37,640 --> 01:43:41,080
Speaker 1: point to million at one point. Yeah, I remember one video.

1943
01:43:41,200 --> 01:43:45,240
Speaker 1: I know I said this before, but Hype Williams, I'm

1944
01:43:45,280 --> 01:43:48,000
Speaker 1: shooting this. Willy Williams give me a bucket full of

1945
01:43:48,120 --> 01:43:53,280
Speaker 1: Chris Style. So I'm like, oh, I had no idea,

1946
01:43:53,400 --> 01:43:57,519
Speaker 1: this is my budget. This guy's giving me Louis the

1947
01:43:57,640 --> 01:44:04,080
Speaker 1: dirt Team. I'm see my nigga, they're charging me twenty

1948
01:44:04,240 --> 01:44:08,600
Speaker 1: seven model are eighty since me mixing the ship with

1949
01:44:08,640 --> 01:44:12,400
Speaker 1: PEPSI thinking this is fucking hennisy. I don know, but

1950
01:44:12,960 --> 01:44:20,120
Speaker 1: we lived it. That goddamnit guy, But that's my Nimes

1951
01:44:20,120 --> 01:44:24,400
Speaker 1: is still on the ran right now. Like but man,

1952
01:44:24,479 --> 01:44:27,240
Speaker 1: you know, I just I just want to appreciate you

1953
01:44:27,439 --> 01:44:30,120
Speaker 1: to your face, man, because like I said, man, you're

1954
01:44:30,120 --> 01:44:32,679
Speaker 1: a man of your word and your your rare farm.

1955
01:44:32,840 --> 01:44:35,479
Speaker 1: Like there's not a lot of people like you. I

1956
01:44:35,600 --> 01:44:37,479
Speaker 1: was like, yo, I need you on the records like

1957
01:44:37,479 --> 01:44:40,160
Speaker 1: you here, take my number. I looked and I said, damn,

1958
01:44:40,880 --> 01:44:44,439
Speaker 1: Like this is a different nigga. This is different, Like

1959
01:44:44,520 --> 01:44:46,160
Speaker 1: you know what I'm saying like this, you know I'll

1960
01:44:46,200 --> 01:44:47,760
Speaker 1: say it. Wait, I don't. I don't know if people

1961
01:44:47,800 --> 01:44:50,880
Speaker 1: know who I am, and I don't want to introduced myself.

1962
01:44:50,920 --> 01:44:52,360
Speaker 1: A lot of time. It's like, you know what my

1963
01:44:52,439 --> 01:44:58,720
Speaker 1: favorite movies, even painting food, favorite seconds. But I killed

1964
01:44:58,720 --> 01:45:01,519
Speaker 1: that's like you I ain't see you, you ain't seeing me.

1965
01:45:02,640 --> 01:45:05,439
Speaker 1: Niggas just said water can we can? We just can

1966
01:45:05,520 --> 01:45:09,439
Speaker 1: we can? We bring water in into lincol today when

1967
01:45:09,439 --> 01:45:16,080
Speaker 1: I leave? It's crazy. Also it's also hello, what you mean?

1968
01:45:16,560 --> 01:45:19,680
Speaker 1: You could say what water? That's hello to water, and

1969
01:45:19,760 --> 01:45:23,479
Speaker 1: then we can say good bye. Said been bringing in

1970
01:45:23,600 --> 01:45:25,439
Speaker 1: water right now, And I just wanted to know that

1971
01:45:25,960 --> 01:45:29,800
Speaker 1: anybody know he brought it like you said, and then

1972
01:45:29,840 --> 01:45:33,559
Speaker 1: you can say say you see and when you leave,

1973
01:45:33,640 --> 01:45:37,120
Speaker 1: you know it's the same exact thing you say, water, water, water,

1974
01:45:37,600 --> 01:45:40,880
Speaker 1: So we established that any time with nigga, get any

1975
01:45:40,960 --> 01:45:47,680
Speaker 1: type of here about grade. I'm trying. I'm personally, but

1976
01:45:47,920 --> 01:45:50,960
Speaker 1: but it can't like niggas can't he came to the crazy.

1977
01:45:51,400 --> 01:45:54,400
Speaker 1: It can't be a disrespectful. It gotta be not saying

1978
01:45:54,439 --> 01:45:56,160
Speaker 1: it's gotta be a light. It's like she gotta look

1979
01:45:56,200 --> 01:45:58,600
Speaker 1: crazy and it's gotta be real. You gotta nigga. He

1980
01:45:58,840 --> 01:46:00,560
Speaker 1: gotta be able to touch and ship, you know what

1981
01:46:00,600 --> 01:46:03,680
Speaker 1: I'm saying, Like like boys, he can't. He can't have

1982
01:46:04,080 --> 01:46:10,640
Speaker 1: the Chucky, he can't Chuck card. You can't have the man.

1983
01:46:10,760 --> 01:46:14,599
Speaker 1: We've either right, can't have the doctor. And let's be clear,

1984
01:46:14,880 --> 01:46:19,240
Speaker 1: Beijing is the paint, right, the pain so far in

1985
01:46:19,320 --> 01:46:22,560
Speaker 1: the paint at the point he did, but then he

1986
01:46:22,600 --> 01:46:26,800
Speaker 1: went to Tiger the doctor, like you doctor doctor, That's

1987
01:46:27,040 --> 01:46:32,160
Speaker 1: that's the connect all the time. What the fun. I

1988
01:46:32,200 --> 01:46:34,880
Speaker 1: don't know who Safar He's doctor was, but I do

1989
01:46:35,040 --> 01:46:38,680
Speaker 1: know that if a Nika gets a fresh joint and

1990
01:46:38,760 --> 01:46:42,120
Speaker 1: then it's rail and he really comes back from the debt,

1991
01:46:43,439 --> 01:46:45,599
Speaker 1: he got a Tory lane. He got a Tory lanes.

1992
01:46:45,640 --> 01:46:51,839
Speaker 1: That's all. You're not doing love of hip hop? Already

1993
01:46:51,880 --> 01:46:53,400
Speaker 1: doing a love of hip hop. I would like told

1994
01:46:53,439 --> 01:46:56,599
Speaker 1: you it's rumor. I just made it up in my mind.

1995
01:46:57,280 --> 01:46:59,840
Speaker 1: Wouldn't touch love it if I would have forty four

1996
01:47:01,680 --> 01:47:05,000
Speaker 1: touched that ship with a forty footstick. Oh yeah, because

1997
01:47:05,040 --> 01:47:09,320
Speaker 1: you were how much you know you don't. I don't

1998
01:47:09,560 --> 01:47:11,560
Speaker 1: with loving hip hop, Donna sum on the Scott, I

1999
01:47:11,600 --> 01:47:14,479
Speaker 1: don't suck none of them me alone. You don't like

2000
01:47:17,680 --> 01:47:20,720
Speaker 1: a lot of reality shows like something that shows. I

2001
01:47:20,760 --> 01:47:23,240
Speaker 1: don't still Jerry spreading up and hippope things. Just leave

2002
01:47:23,280 --> 01:47:25,800
Speaker 1: me alone with that ship. I would never even that's

2003
01:47:25,800 --> 01:47:28,240
Speaker 1: not me. That's like where do you go? And never

2004
01:47:28,320 --> 01:47:32,720
Speaker 1: mind something like something just getting getting that check. I'm

2005
01:47:32,760 --> 01:47:35,240
Speaker 1: just not when you're superwashed. I know you took over

2006
01:47:35,280 --> 01:47:36,640
Speaker 1: with it, but you it's where you go when you

2007
01:47:36,720 --> 01:47:39,400
Speaker 1: washed business sometimes and I shouldn't need to Sundon the

2008
01:47:39,439 --> 01:47:41,320
Speaker 1: skoy just heard she did some ship that was just

2009
01:47:41,400 --> 01:47:43,120
Speaker 1: like I just couldn't believe. So I was just like, no,

2010
01:47:43,200 --> 01:47:46,479
Speaker 1: I don't suck with you. It was a great. Yeah,

2011
01:47:46,479 --> 01:47:48,439
Speaker 1: I don't know. It's just not faveryth it's not every

2012
01:47:48,680 --> 01:47:50,840
Speaker 1: I never know. Yeah, it's not a favor body, but

2013
01:47:51,000 --> 01:47:52,840
Speaker 1: whatever it is, what it is. Have you ever been

2014
01:47:52,880 --> 01:47:55,360
Speaker 1: the Booby track? I love Boobytrat on the regular cut.

2015
01:47:55,400 --> 01:48:02,000
Speaker 1: Damn it. Now we gotta get a hand. Can hear

2016
01:48:02,880 --> 01:48:13,640
Speaker 1: a man? Who are you all right? Seeing? Who are

2017
01:48:13,640 --> 01:48:16,600
Speaker 1: your right? He said? Thursday? I said, Dan, you have

2018
01:48:16,680 --> 01:48:23,120
Speaker 1: me a movie trapping thanks you gotta think about fair

2019
01:48:23,280 --> 01:48:24,960
Speaker 1: after Dinny after about it. They fails, like, Yo, what

2020
01:48:25,040 --> 01:48:27,040
Speaker 1: the funk are you going to do? Yeah? Movie trying

2021
01:48:27,040 --> 01:48:29,840
Speaker 1: to make a book thanks Giving? All right, but the

2022
01:48:29,920 --> 01:48:33,679
Speaker 1: similar filth we have movie Trapped six at a Blackbird,

2023
01:48:33,760 --> 01:48:36,120
Speaker 1: the Cimber six at Blackbird. Tory Lane is gonna be

2024
01:48:36,200 --> 01:48:39,840
Speaker 1: our special guest, is our burden, our guys weekend to

2025
01:48:39,880 --> 01:48:42,400
Speaker 1: get out to us because we all land and Tori

2026
01:48:42,640 --> 01:48:44,400
Speaker 1: is in the building. You're just coming to building, but

2027
01:48:44,439 --> 01:48:48,800
Speaker 1: it'll say that I not, but you might get you

2028
01:48:49,479 --> 01:48:53,160
Speaker 1: You never mindam that's just dreak chat to me your

2029
01:48:53,200 --> 01:48:55,720
Speaker 1: first out with yeah, yeah, yeah, we're coming to movie

2030
01:48:55,800 --> 01:48:58,479
Speaker 1: track and we got what we got Blackbird, Black Dinner

2031
01:48:58,520 --> 01:49:03,680
Speaker 1: through the Crates. Did you in the Crazy show visit

2032
01:49:03,800 --> 01:49:06,880
Speaker 1: a g coming? I hope you know they're gonna come

2033
01:49:06,920 --> 01:49:08,680
Speaker 1: to the next one because when that comes dream we

2034
01:49:08,760 --> 01:49:11,439
Speaker 1: want to show visits a g on drink Champion, very serious.

2035
01:49:11,479 --> 01:49:13,439
Speaker 1: Those are so much lessings that I want to super

2036
01:49:14,479 --> 01:49:18,920
Speaker 1: Man the whole and your man Toory Man, you are

2037
01:49:19,160 --> 01:49:22,439
Speaker 1: really one of those guys. Man. I really wish you

2038
01:49:22,560 --> 01:49:24,960
Speaker 1: the best. I really want you, thank you to to

2039
01:49:25,400 --> 01:49:27,640
Speaker 1: to stay out there and doing it like you one

2040
01:49:27,680 --> 01:49:30,840
Speaker 1: of the dudes that actually went against the one of

2041
01:49:30,880 --> 01:49:33,800
Speaker 1: the biggest artists in the world, and you survive like

2042
01:49:33,920 --> 01:49:38,439
Speaker 1: niggas don't survive. That was battles a battle. I was scared.

2043
01:49:40,560 --> 01:49:44,200
Speaker 1: I was scared because you know, and then you went

2044
01:49:44,280 --> 01:49:47,200
Speaker 1: on the whole industry, like you know, certain people can

2045
01:49:47,280 --> 01:49:50,600
Speaker 1: say one thing and then just be like crazy, like

2046
01:49:51,080 --> 01:49:52,840
Speaker 1: you know what I'm saying, that's like next out like

2047
01:49:53,000 --> 01:49:56,800
Speaker 1: like that that's that's the thing is like everybody, I

2048
01:49:56,880 --> 01:50:00,639
Speaker 1: feel like push it was a little Drake so Hilly's hell,

2049
01:50:00,840 --> 01:50:05,280
Speaker 1: like he was the only one that you agree that damage. No,

2050
01:50:06,120 --> 01:50:08,600
Speaker 1: I just think do not not Lyrically, I think for

2051
01:50:08,680 --> 01:50:10,800
Speaker 1: what he did at that poement, maybe it was a

2052
01:50:10,920 --> 01:50:14,080
Speaker 1: damaging moment, but I do think that, you know, and

2053
01:50:14,160 --> 01:50:16,320
Speaker 1: I'll go I always said this, like you know what

2054
01:50:16,360 --> 01:50:18,360
Speaker 1: I'm saying that, and I love pushing to the death.

2055
01:50:18,680 --> 01:50:20,960
Speaker 1: I've always loved the radis to push. But I will

2056
01:50:21,040 --> 01:50:24,400
Speaker 1: say the disk record to me, when you compare to

2057
01:50:24,479 --> 01:50:27,400
Speaker 1: two disc records, I always felt, and I'm not being biased,

2058
01:50:27,439 --> 01:50:30,479
Speaker 1: I've always felt like lyrically Drake Swan was better. But

2059
01:50:30,600 --> 01:50:33,240
Speaker 1: I feel like for shock value of you just mentioned

2060
01:50:33,280 --> 01:50:35,040
Speaker 1: that this nigga as a kid that he wasn't that

2061
01:50:35,120 --> 01:50:37,560
Speaker 1: he didn't actually speak about was what this what was

2062
01:50:37,640 --> 01:50:39,560
Speaker 1: so much more shocking because it was much more of

2063
01:50:39,640 --> 01:50:42,280
Speaker 1: a news thing. And I think without that, without them,

2064
01:50:43,200 --> 01:50:46,880
Speaker 1: without that thing, I just don't feel like the the

2065
01:50:47,000 --> 01:50:49,640
Speaker 1: actual dish was Actually It's hard. No, I disagreed to.

2066
01:50:49,680 --> 01:50:51,680
Speaker 1: You know why I disagree to because I think just

2067
01:50:51,760 --> 01:50:55,360
Speaker 1: how you were comparing it to his it wasn't your

2068
01:50:55,600 --> 01:50:59,559
Speaker 1: girl told it's a girl told it wanted that from Drake.

2069
01:50:59,720 --> 01:51:02,680
Speaker 1: Listen when they want to back to back and when

2070
01:51:05,439 --> 01:51:08,559
Speaker 1: when niggas is thissing each other. I'm not looking at

2071
01:51:08,600 --> 01:51:13,000
Speaker 1: it from a standpoint of, oh, the song is rocking

2072
01:51:13,040 --> 01:51:14,720
Speaker 1: in the club. I'm not. I want to hear you

2073
01:51:14,800 --> 01:51:17,360
Speaker 1: say the most malicious and funck the thing in the

2074
01:51:17,439 --> 01:51:20,559
Speaker 1: most clever way to just yeah, I want the bars

2075
01:51:20,640 --> 01:51:22,560
Speaker 1: to hit. You know what I'm saying. And that's not

2076
01:51:22,600 --> 01:51:24,040
Speaker 1: that I didn't feel like push his bars was, and

2077
01:51:24,080 --> 01:51:25,400
Speaker 1: I feel like his bars was him. But at the

2078
01:51:25,439 --> 01:51:28,160
Speaker 1: same time, I just felt like without that one like

2079
01:51:28,640 --> 01:51:32,719
Speaker 1: exposing of something that is actually more so personal whatever.

2080
01:51:32,720 --> 01:51:34,200
Speaker 1: But you're supposed to do that and beat that's what

2081
01:51:34,280 --> 01:51:35,960
Speaker 1: it is. You know what I'm saying. So I've never

2082
01:51:35,960 --> 01:51:37,120
Speaker 1: ever been like one of those things like when he

2083
01:51:37,200 --> 01:51:39,120
Speaker 1: was you're not wrong if if y'all was beefing, and

2084
01:51:39,160 --> 01:51:40,680
Speaker 1: that's what y'all do, that's what y'all do. But at

2085
01:51:40,720 --> 01:51:42,759
Speaker 1: the same time, I feel like without that one piece

2086
01:51:43,200 --> 01:51:48,320
Speaker 1: was pushes Ship like lyrically a better song. It was hard,

2087
01:51:49,000 --> 01:51:51,680
Speaker 1: it was hard, it was I don't know it was

2088
01:51:51,800 --> 01:51:53,280
Speaker 1: it was hard. I never said it wasn't hard. I

2089
01:51:53,360 --> 01:51:55,720
Speaker 1: just said lyrically, I think that the Drake version Ship

2090
01:51:55,880 --> 01:51:57,640
Speaker 1: was better, you know what I'm saying. But I do

2091
01:51:57,800 --> 01:51:59,880
Speaker 1: think at the end of the day, I do think that,

2092
01:52:00,520 --> 01:52:04,040
Speaker 1: you know, Push has always been a nigga who has

2093
01:52:04,040 --> 01:52:05,840
Speaker 1: always been like yo, nigga at the end of the day,

2094
01:52:06,640 --> 01:52:09,600
Speaker 1: whenever you're ready for the smoke, I'm here, and you

2095
01:52:09,720 --> 01:52:12,519
Speaker 1: always gotta kind of salute any nigga like that because

2096
01:52:12,560 --> 01:52:14,519
Speaker 1: it's just like nigga whatever, you know, I'm with the smoke.

2097
01:52:14,600 --> 01:52:16,280
Speaker 1: It is what it is. You feel me. But how

2098
01:52:16,320 --> 01:52:17,640
Speaker 1: would it be if you would push you to do

2099
01:52:17,720 --> 01:52:21,000
Speaker 1: a record right now? You think I don't know, but

2100
01:52:21,080 --> 01:52:23,000
Speaker 1: I don't. I don't look at things like that, and like, no,

2101
01:52:23,280 --> 01:52:25,840
Speaker 1: no offense to anybody but I don't have a look

2102
01:52:25,880 --> 01:52:28,799
Speaker 1: at things like you know, because these two niggas is befenst.

2103
01:52:29,360 --> 01:52:31,280
Speaker 1: It just doesn't have any it doesn't got nothing to

2104
01:52:31,320 --> 01:52:35,320
Speaker 1: do with him. And it's like, I feel like if

2105
01:52:35,360 --> 01:52:38,839
Speaker 1: a nigga anybody, not not even drink or anybody, just anybody,

2106
01:52:39,120 --> 01:52:42,280
Speaker 1: if a nigga was to feel wrong about, like me

2107
01:52:42,439 --> 01:52:44,200
Speaker 1: doing a song with somebody and we actually had a

2108
01:52:44,280 --> 01:52:46,519
Speaker 1: hit or something that was gonna making some money, It's like, Bro,

2109
01:52:46,600 --> 01:52:48,519
Speaker 1: I'm making some money with this person, and it's not Uh,

2110
01:52:48,960 --> 01:52:50,880
Speaker 1: I'm not doing this in a malicious intent. If we

2111
01:52:50,920 --> 01:52:53,120
Speaker 1: got on the diss record and we was dissing you

2112
01:52:53,520 --> 01:52:55,040
Speaker 1: or we said some sliction, or if he was on

2113
01:52:55,120 --> 01:52:56,640
Speaker 1: the record and he was saying some fliction about you

2114
01:52:56,720 --> 01:52:58,160
Speaker 1: and then I was on, could it not be a

2115
01:52:58,200 --> 01:52:59,960
Speaker 1: little bit different? You feel me? But it's like if

2116
01:53:00,040 --> 01:53:01,720
Speaker 1: me and put your teacher's deside one day were in

2117
01:53:01,760 --> 01:53:04,080
Speaker 1: the studio and survived and we make a song, there

2118
01:53:04,080 --> 01:53:06,519
Speaker 1: should never be an issue with music being music. You

2119
01:53:06,560 --> 01:53:08,240
Speaker 1: know what I'm saying. That's just how my my take

2120
01:53:08,320 --> 01:53:11,519
Speaker 1: on it. You know what I'm saying, Um, that's just

2121
01:53:11,600 --> 01:53:14,640
Speaker 1: how I feel. That's how I don't base my like

2122
01:53:14,800 --> 01:53:16,439
Speaker 1: you know who I because I've also been on the

2123
01:53:16,520 --> 01:53:18,120
Speaker 1: other side of that, like when I was beefing with

2124
01:53:18,560 --> 01:53:20,960
Speaker 1: um when with drinking when I was earlier. It's like,

2125
01:53:21,040 --> 01:53:22,719
Speaker 1: you know, niggas didn't want to give me the feature,

2126
01:53:22,840 --> 01:53:24,880
Speaker 1: and so I always felt like me and this nigga's

2127
01:53:24,880 --> 01:53:27,600
Speaker 1: beef should never have to do with anybody else, you

2128
01:53:27,640 --> 01:53:29,120
Speaker 1: know what I'm saying, Like me and this nigga have

2129
01:53:29,160 --> 01:53:30,720
Speaker 1: a man and man problem. That's me and him at

2130
01:53:30,760 --> 01:53:33,320
Speaker 1: that time. For me, like, so it should never involve

2131
01:53:33,360 --> 01:53:35,080
Speaker 1: anybody else. So I've always kind of looked at it

2132
01:53:35,160 --> 01:53:37,679
Speaker 1: like that, like if I'm doing something, whatever the case,

2133
01:53:37,920 --> 01:53:40,760
Speaker 1: it doesn't involve anybody else unless this unless this person

2134
01:53:40,880 --> 01:53:44,160
Speaker 1: was just doing something that's just so outrageously directly just

2135
01:53:44,360 --> 01:53:47,439
Speaker 1: disrespectful all times of the day. And it's like for

2136
01:53:47,560 --> 01:53:50,200
Speaker 1: you to see me with it memes that you know,

2137
01:53:50,400 --> 01:53:53,280
Speaker 1: then it's different. But yeah, you know what I'm saying,

2138
01:53:53,320 --> 01:53:54,680
Speaker 1: then it'd be a little bit different. But you know,

2139
01:53:54,800 --> 01:53:57,599
Speaker 1: it's just I just don't base my who I work

2140
01:53:57,680 --> 01:54:02,439
Speaker 1: with and get money with on other people's issues because

2141
01:54:02,439 --> 01:54:04,080
Speaker 1: I don't know what their issues isn't until I have

2142
01:54:04,160 --> 01:54:06,320
Speaker 1: an issue with you, I can't say it's real. I

2143
01:54:06,360 --> 01:54:08,200
Speaker 1: don't know. It's two sides to every story, you know.

2144
01:54:08,760 --> 01:54:10,960
Speaker 1: Right now, that's real man, that's real, man, Man, Tory,

2145
01:54:11,080 --> 01:54:20,680
Speaker 1: motherfucking lanes Man. When we tracking that was three shots, right,

2146
01:54:20,680 --> 01:54:24,320
Speaker 1: that's another three shot. That's we have four shots. That

2147
01:54:24,560 --> 01:54:32,120
Speaker 1: three four three. We can do four any way for

2148
01:54:32,200 --> 01:54:34,640
Speaker 1: you to come back, for me to come back. Man,

2149
01:54:35,000 --> 01:54:38,800
Speaker 1: you know what I mean to motherfucker to Toronto? Who

2150
01:54:38,880 --> 01:54:41,720
Speaker 1: was the new niggas from Toronto? Now that we need

2151
01:54:41,840 --> 01:54:45,800
Speaker 1: to watch you all for you got um shout out

2152
01:54:45,800 --> 01:54:49,560
Speaker 1: to the north Side. Benji oh um is Jamaican. I

2153
01:54:49,600 --> 01:54:53,240
Speaker 1: don't know what he is that's going crazy. You know.

2154
01:54:54,040 --> 01:54:59,560
Speaker 1: Um you got Judini, you got Burnard, got wash, you

2155
01:54:59,680 --> 01:55:08,600
Speaker 1: got um Press of course, um you got you got.

2156
01:55:09,360 --> 01:55:11,200
Speaker 1: You got a lot of niggas, yo, jy, I'm missing

2157
01:55:11,240 --> 01:55:15,560
Speaker 1: anybody's j j J walked out of here. I'm probably

2158
01:55:15,600 --> 01:55:17,320
Speaker 1: missing a couple of niggas. But you got you got

2159
01:55:17,400 --> 01:55:20,920
Speaker 1: some young boys going crazy in there. Wow, Frenchy, You've

2160
01:55:20,920 --> 01:55:24,320
Speaker 1: got a lot of niggas going crazy. Man, Yeah, because

2161
01:55:24,400 --> 01:55:28,920
Speaker 1: life shout to safe got nigga's going crazy. You think

2162
01:55:28,960 --> 01:55:31,000
Speaker 1: Toronto is gonna have a run like the South for

2163
01:55:31,240 --> 01:55:34,440
Speaker 1: like like like Staten Island. If niggas can stick together.

2164
01:55:35,000 --> 01:55:37,120
Speaker 1: See my city, well, people don't understand about my city

2165
01:55:37,120 --> 01:55:39,680
Speaker 1: and they can talk Canada did that. My city is

2166
01:55:39,720 --> 01:55:42,880
Speaker 1: a fucking My city's Iraq right now, my nigga, my

2167
01:55:43,000 --> 01:55:47,480
Speaker 1: city is like anybody's just slumping each other. So it's

2168
01:55:47,520 --> 01:55:49,720
Speaker 1: just like this real thing is going on. It's like

2169
01:55:50,200 --> 01:55:52,240
Speaker 1: niggas wrapped and everything because we want to rap. But

2170
01:55:52,320 --> 01:55:57,440
Speaker 1: it's like you got guns in Canada. We have more

2171
01:55:57,840 --> 01:56:00,880
Speaker 1: last year, we have more murders in Chicago. Understand, I

2172
01:56:00,880 --> 01:56:05,040
Speaker 1: ain't gonna lie. ID is a different kind of different.

2173
01:56:05,120 --> 01:56:07,200
Speaker 1: I left the shot, nig I said Jesus, and they said,

2174
01:56:08,400 --> 01:56:13,720
Speaker 1: I said, man, I had nothing to do it. Remember,

2175
01:56:14,560 --> 01:56:18,520
Speaker 1: Toronto's at a place where it's like too many niggas

2176
01:56:18,560 --> 01:56:20,440
Speaker 1: can't go to a like you can't have a concert

2177
01:56:20,520 --> 01:56:23,880
Speaker 1: that's too popping. Someone's gonna get shot. It's too much

2178
01:56:24,000 --> 01:56:26,520
Speaker 1: things going on in the politics right now. Someone's gonna

2179
01:56:26,520 --> 01:56:29,200
Speaker 1: catch you. I wantaz had guns, just niggas being nigga,

2180
01:56:29,400 --> 01:56:31,680
Speaker 1: you know, I just like Queen's Bridge niggas and Brooklyn

2181
01:56:31,760 --> 01:56:35,560
Speaker 1: niggas and just like whatever it is. You know, but

2182
01:56:35,640 --> 01:56:37,520
Speaker 1: you know how you couldn't have too many niggas at

2183
01:56:37,560 --> 01:56:39,640
Speaker 1: the same place I was gonna get shot. It's like,

2184
01:56:40,240 --> 01:56:42,400
Speaker 1: that's sound Toronto is, and people don't realize that, like

2185
01:56:42,560 --> 01:56:45,360
Speaker 1: because Canada has always been this place to Americans where

2186
01:56:45,400 --> 01:56:48,960
Speaker 1: it's like, yo, you got a niggloes and your streets

2187
01:56:49,000 --> 01:56:56,880
Speaker 1: are clean and ship we heard Now you feel like

2188
01:56:56,920 --> 01:56:58,800
Speaker 1: I feel like Toronto nigga has always been nice, but

2189
01:56:58,840 --> 01:57:01,200
Speaker 1: at the same time, it's now, let's make them looking

2190
01:57:01,200 --> 01:57:09,440
Speaker 1: for you robbed in Toronto, you like, since you're naughties.

2191
01:57:09,680 --> 01:57:12,160
Speaker 1: D Mexico rapped up get out. Yeah, I think about

2192
01:57:12,160 --> 01:57:14,720
Speaker 1: it before what I heard. I'll be wrong. DMX. Don't

2193
01:57:14,760 --> 01:57:16,840
Speaker 1: come wilding at me because you know I heard. You

2194
01:57:16,880 --> 01:57:18,480
Speaker 1: know what I'm saying that that that's what the word

2195
01:57:18,600 --> 01:57:20,120
Speaker 1: is and the dot you know what I'm saying for years,

2196
01:57:20,240 --> 01:57:21,960
Speaker 1: you know what I'm saying. Put I put DMX on

2197
01:57:22,000 --> 01:57:25,080
Speaker 1: the phone with Drake. Yeah, I love d m X

2198
01:57:25,160 --> 01:57:26,120
Speaker 1: by the way, you know what I'm saying, a lot

2199
01:57:26,200 --> 01:57:28,360
Speaker 1: of them, A lot of inspirations of music have come

2200
01:57:28,360 --> 01:57:31,040
Speaker 1: from DMX, like or just so you know, because I

2201
01:57:31,080 --> 01:57:33,360
Speaker 1: don't mean getting my props. I've never heard Drake recognize

2202
01:57:33,440 --> 01:57:37,120
Speaker 1: me for that because you know, did he what you

2203
01:57:39,760 --> 01:57:43,120
Speaker 1: I'm very listen listen. Um. He had sampled too of

2204
01:57:43,240 --> 01:57:47,680
Speaker 1: D MAX records on the album he did what You're

2205
01:57:47,680 --> 01:57:51,040
Speaker 1: going is? Or how's it going down? Forties my man.

2206
01:57:51,080 --> 01:57:52,520
Speaker 1: A lot of people don't know that I speak to

2207
01:57:52,560 --> 01:57:56,000
Speaker 1: forty very often. So forty knew that me and X

2208
01:57:56,160 --> 01:57:58,400
Speaker 1: had a relationship. So forty hit me and said, yo,

2209
01:57:59,000 --> 01:58:01,160
Speaker 1: you know, I think they already had the samples clad.

2210
01:58:01,280 --> 01:58:03,080
Speaker 1: But I think Drake, that's what this makes Drake a

2211
01:58:03,160 --> 01:58:06,400
Speaker 1: real hip hop nigga. Is he wanted to don't understand

2212
01:58:06,640 --> 01:58:08,680
Speaker 1: although that he had to. I don't know if I

2213
01:58:08,800 --> 01:58:11,480
Speaker 1: said the story from did or maybe because the first

2214
01:58:11,520 --> 01:58:15,800
Speaker 1: time I wanted to articulate with it. So um, Drake,

2215
01:58:17,440 --> 01:58:19,160
Speaker 1: I think he had his samples Clay, I'm not sure,

2216
01:58:19,680 --> 01:58:21,400
Speaker 1: but he wanted to do the real hip hop thing

2217
01:58:21,480 --> 01:58:24,480
Speaker 1: and speak to DMX and say, yo, I sampled your records.

2218
01:58:24,760 --> 01:58:28,760
Speaker 1: I wanted you to know that. So forty hit me.

2219
01:58:29,040 --> 01:58:30,800
Speaker 1: I hate my man. Alive was in the building. Let's

2220
01:58:30,800 --> 01:58:36,920
Speaker 1: make some for I leave my boy Ali Ali was

2221
01:58:37,000 --> 01:58:40,520
Speaker 1: with h d m X, and I got D M

2222
01:58:40,600 --> 01:58:42,960
Speaker 1: Max and Drake on the phone. I don't get enough

2223
01:58:43,000 --> 01:58:45,240
Speaker 1: props to that. I don't get enough props to that

2224
01:58:45,640 --> 01:58:50,600
Speaker 1: at some point, couple, you know why. That's what you know,

2225
01:58:51,000 --> 01:58:53,120
Speaker 1: Your life change when you do things from out of

2226
01:58:53,200 --> 01:58:55,160
Speaker 1: your heart. I did. I got nothing out of that.

2227
01:58:55,360 --> 01:58:59,000
Speaker 1: I don't got no presentative the rest the record, but

2228
01:58:59,080 --> 01:59:01,360
Speaker 1: he just wanted to talk. It was already cleard. No,

2229
01:59:01,520 --> 01:59:03,240
Speaker 1: I don't know. I don't know, but what it is,

2230
01:59:03,600 --> 01:59:07,160
Speaker 1: it was, you know what it wasn't clear. It wasn't

2231
01:59:07,200 --> 01:59:10,240
Speaker 1: clear moral me and and and to me, that was

2232
01:59:10,280 --> 01:59:12,880
Speaker 1: the right thing. It was the right thing. His most

2233
01:59:13,000 --> 01:59:15,600
Speaker 1: artists would have just it's already cleared. We cleared it

2234
01:59:15,640 --> 01:59:18,440
Speaker 1: with the people. Well, I don't know that far that.

2235
01:59:18,800 --> 01:59:20,320
Speaker 1: I don't know the part if it was clear. I

2236
01:59:20,360 --> 01:59:23,160
Speaker 1: think I just off me knowing him, I just know

2237
01:59:23,240 --> 01:59:26,320
Speaker 1: he's the type of person where it's just like I'm

2238
01:59:26,440 --> 01:59:28,720
Speaker 1: doing it right there now. He's just like Nigga, regardless

2239
01:59:28,760 --> 01:59:30,960
Speaker 1: of I'm a highlet you nigga, like what I'm saying,

2240
01:59:30,960 --> 01:59:33,640
Speaker 1: Like people don't realize he's very like he's a direct nigga,

2241
01:59:33,680 --> 01:59:35,840
Speaker 1: but in silence like Nigga's the whole world won't know,

2242
01:59:35,960 --> 01:59:38,600
Speaker 1: but Nigga, he's a dope. I'm gonnahil at you, Nigga.

2243
01:59:39,000 --> 01:59:40,760
Speaker 1: I'm gonna do it. I'm gonna do it right. And

2244
01:59:40,840 --> 01:59:42,280
Speaker 1: that's one thing I know about him, So it's like

2245
01:59:43,080 --> 01:59:44,800
Speaker 1: maybe he just you know, he just wanted how about

2246
01:59:44,800 --> 01:59:46,280
Speaker 1: that nigga? Like, yo, bro, I'm about to do this.

2247
01:59:46,440 --> 01:59:49,160
Speaker 1: This is why I'm showing you love, which is what

2248
01:59:49,560 --> 01:59:51,280
Speaker 1: you know. But you know that's the same thing you

2249
01:59:51,360 --> 01:59:54,200
Speaker 1: did with the thing that's like, that's dopeful for the

2250
01:59:54,320 --> 02:00:01,960
Speaker 1: younger artists. I'm sorry, man, Jon, is that pony pony?

2251
02:00:02,280 --> 02:00:05,000
Speaker 1: Because I ain't gonna lie is be they're gonna come

2252
02:00:05,080 --> 02:00:07,920
Speaker 1: at you right now. Is that pony? You think that's

2253
02:00:07,960 --> 02:00:11,680
Speaker 1: a pony skin? Pony skin jacket? Before and and I

2254
02:00:11,840 --> 02:00:16,800
Speaker 1: realized the next this is it's the nineties things ponies. Man.

2255
02:00:17,360 --> 02:00:19,200
Speaker 1: I had a pony, and every day it's up. My

2256
02:00:19,520 --> 02:00:23,000
Speaker 1: whole neck broke out. The next day I was allergy

2257
02:00:23,200 --> 02:00:28,320
Speaker 1: the pony. And it's not you know what It's like,

2258
02:00:28,400 --> 02:00:31,200
Speaker 1: It's like, you got a lot of money. Do you

2259
02:00:31,280 --> 02:00:32,760
Speaker 1: get a lot of it? Might be you got a

2260
02:00:32,800 --> 02:00:34,640
Speaker 1: bust out stop. He made me want to put my

2261
02:00:34,680 --> 02:00:40,560
Speaker 1: ship away. Goddamn got that you were playing, Jane? You

2262
02:00:40,600 --> 02:00:42,960
Speaker 1: know that I got I gotta come plane, Jane. You

2263
02:00:43,000 --> 02:00:45,080
Speaker 1: gotta do what I'm saying, yeah, you know, but you

2264
02:00:45,600 --> 02:00:47,080
Speaker 1: don't know if I want to be this guy, you know,

2265
02:00:47,280 --> 02:00:51,160
Speaker 1: knocking these bitches down. You're young black listen, man, person,

2266
02:00:51,440 --> 02:00:54,480
Speaker 1: you need it, Man, you need it. Man, I ain't gonna.

2267
02:00:54,680 --> 02:00:56,920
Speaker 1: I am so proud of you. Man, I'm so proud

2268
02:00:56,960 --> 02:00:58,840
Speaker 1: and I want you to keep going. Man, did we

2269
02:00:58,920 --> 02:01:00,840
Speaker 1: do the four? If we did the fall right, I'm

2270
02:01:02,040 --> 02:01:03,920
Speaker 1: I got one more on that's it. And I said

2271
02:01:03,960 --> 02:01:06,080
Speaker 1: my mom was home. She she chilling though my mom,

2272
02:01:07,840 --> 02:01:09,760
Speaker 1: you know, from New York. So I would leading my

2273
02:01:09,840 --> 02:01:12,400
Speaker 1: mom's for Thanksgiving, you know what I'm saying. I'm saying,

2274
02:01:12,720 --> 02:01:15,040
Speaker 1: So I flew my mams. I loved my sister, my

2275
02:01:15,160 --> 02:01:18,760
Speaker 1: mom and she was out. Yeah, did my sister come

2276
02:01:18,800 --> 02:01:20,840
Speaker 1: on Wednesday? Because I want I want my house to

2277
02:01:20,880 --> 02:01:23,360
Speaker 1: smell black for Thanksgiving. I'm sorry that you know, you know,

2278
02:01:23,400 --> 02:01:26,000
Speaker 1: I'm black for the weekend, but thanks Giving us a

2279
02:01:26,120 --> 02:01:29,880
Speaker 1: black gang. I'm so sorry. Listen, listen, listen. I live

2280
02:01:29,920 --> 02:01:35,000
Speaker 1: with two sides. I never changed sides thanks Giving intil Thanksgiving.

2281
02:01:35,000 --> 02:01:37,720
Speaker 1: But I do have I do have rising piece as well.

2282
02:01:37,800 --> 02:01:39,360
Speaker 1: You know what I'm saying to make sure that. So

2283
02:01:39,560 --> 02:01:43,720
Speaker 1: now do you speak Spanish? Uh? A little bit like

2284
02:01:43,720 --> 02:01:45,400
Speaker 1: I can understand it a little bit being in a

2285
02:01:45,440 --> 02:01:48,720
Speaker 1: lot of Spanish. Pushy, keep it pret he said, you

2286
02:01:48,760 --> 02:01:51,680
Speaker 1: already know I ain't. When you said highly I love,

2287
02:01:52,120 --> 02:01:55,600
Speaker 1: you might say after this, that's that's for you, Dominican,

2288
02:01:56,320 --> 02:01:59,480
Speaker 1: just for Dominic. You know what I'm drinking club ball.

2289
02:01:59,560 --> 02:02:03,080
Speaker 1: Have you been a couple of art? You know Spanish?

2290
02:02:04,160 --> 02:02:11,720
Speaker 1: We shouldn't just look I love. I love my Spanish

2291
02:02:11,800 --> 02:02:14,120
Speaker 1: women like I love them to death. You feel me,

2292
02:02:14,480 --> 02:02:17,640
Speaker 1: But I also like, like I love black women, dog

2293
02:02:17,760 --> 02:02:21,600
Speaker 1: like I love I love too, I love I love

2294
02:02:21,680 --> 02:02:23,440
Speaker 1: dark skin women. I love a brown skin woman. I

2295
02:02:23,480 --> 02:02:25,520
Speaker 1: love like skin woman. But like you feel me, like

2296
02:02:25,600 --> 02:02:28,160
Speaker 1: I love all shades of black like me. So my

2297
02:02:28,280 --> 02:02:32,440
Speaker 1: thing is just like I don't really it's not really

2298
02:02:32,520 --> 02:02:34,840
Speaker 1: that hard for me to like a girl like you

2299
02:02:34,920 --> 02:02:36,800
Speaker 1: feel me A lot of times, like I don't be

2300
02:02:36,880 --> 02:02:39,280
Speaker 1: looking for the baddest joint, I'll be looking for the

2301
02:02:39,360 --> 02:02:41,440
Speaker 1: girl that just got a thing to it. You know

2302
02:02:41,480 --> 02:02:45,720
Speaker 1: what I'm saying. We just watch a certain you know

2303
02:02:45,760 --> 02:02:47,280
Speaker 1: what I'm saying, and that and that's what it is.

2304
02:02:47,280 --> 02:02:53,200
Speaker 1: I think we should toast to the vibe. Vibe told

2305
02:02:53,200 --> 02:02:55,600
Speaker 1: me to I told us how to get your patron.

2306
02:02:58,560 --> 02:03:03,000
Speaker 1: Oh man, I got this age. He talk He told

2307
02:03:03,040 --> 02:03:05,280
Speaker 1: us about the hairline. He told us that I think

2308
02:03:05,280 --> 02:03:08,920
Speaker 1: he just gave me my airline back. He told us

2309
02:03:08,920 --> 02:03:11,560
Speaker 1: about making a classic and making it over. And this

2310
02:03:11,680 --> 02:03:14,200
Speaker 1: is how you don't make them. That's just feel out

2311
02:03:14,240 --> 02:03:16,920
Speaker 1: of blind. Make them a part of this. Like if

2312
02:03:16,920 --> 02:03:19,920
Speaker 1: I would have did symphony over and put one of

2313
02:03:19,960 --> 02:03:22,120
Speaker 1: the niggers on the symphony, I don't think that would

2314
02:03:22,120 --> 02:03:23,400
Speaker 1: have made sense. I don't think what it makes sense,

2315
02:03:23,960 --> 02:03:26,760
Speaker 1: But you understand if I would have did a better,

2316
02:03:26,840 --> 02:03:32,360
Speaker 1: better thing. Yeah, exactly, I'm going you know what, you

2317
02:03:32,400 --> 02:03:36,560
Speaker 1: know who his name is Eddie to ask either I'm

2318
02:03:36,600 --> 02:03:38,160
Speaker 1: not gonna lie Tory. I was gonna ask you if

2319
02:03:38,160 --> 02:03:40,480
Speaker 1: you asked, But I just kite kite kind of feel

2320
02:03:40,560 --> 02:03:42,560
Speaker 1: like I have to dream. Dall said you had Beijing

2321
02:03:42,760 --> 02:03:46,280
Speaker 1: on her legs. Remember the dream song wasn't actually like

2322
02:03:46,440 --> 02:03:48,360
Speaker 1: her right, and it wasn't from real experience. If somebody

2323
02:03:48,360 --> 02:03:50,720
Speaker 1: who wrote the song like these would be some fire.

2324
02:03:50,840 --> 02:03:56,480
Speaker 1: This is what I'm saying. But she delivered it, and

2325
02:03:56,520 --> 02:03:59,920
Speaker 1: that's the that's the bottom line. Don't you make it

2326
02:04:00,440 --> 02:04:15,000
Speaker 1: your ship like NA. Don't get me wrong, like I'm

2327
02:04:15,040 --> 02:04:19,440
Speaker 1: not like you have never eat pussy. Eat Pussy's phenomenal,

2328
02:04:19,560 --> 02:04:21,680
Speaker 1: but I don't. But I don't want to promote that

2329
02:04:21,800 --> 02:04:26,640
Speaker 1: every pussy like you for six months, we like, you

2330
02:04:26,720 --> 02:04:28,440
Speaker 1: gotta have a first of all, like you gotta have

2331
02:04:28,880 --> 02:04:34,280
Speaker 1: this garbs like report with the pussy report also like

2332
02:04:34,760 --> 02:04:36,800
Speaker 1: and also like you know what I'm saying, Like the

2333
02:04:36,960 --> 02:04:40,680
Speaker 1: pussy gotta be like Fiji water, like they gotta not

2334
02:04:40,840 --> 02:04:43,800
Speaker 1: smell like it's got a ya's like if you're not

2335
02:04:44,200 --> 02:04:49,160
Speaker 1: closing the spring sere like, they gotta feel smooth. It

2336
02:04:49,240 --> 02:04:52,680
Speaker 1: can't be on my copa coola. They gotta be. It

2337
02:04:52,720 --> 02:04:55,680
Speaker 1: gotta be this fly can't be around at that pussy.

2338
02:04:56,320 --> 02:05:01,760
Speaker 1: The pH balance gotta be something. Something's e doubt damn balance.

2339
02:05:01,800 --> 02:05:05,520
Speaker 1: You can get certain things that I'm just not. I'm

2340
02:05:05,560 --> 02:05:10,880
Speaker 1: not here for what you know, But in my eyes

2341
02:05:11,320 --> 02:05:13,720
Speaker 1: read it's like you gotta think about it, like I

2342
02:05:13,880 --> 02:05:17,960
Speaker 1: just don't. I'm just not accessible every girl kind of

2343
02:05:18,040 --> 02:05:21,240
Speaker 1: guy for me. So for me, it's like if I'm

2344
02:05:21,520 --> 02:05:24,080
Speaker 1: eat a girl or that's because you know, I really

2345
02:05:24,200 --> 02:05:27,880
Speaker 1: like I was raised for Tory my grandfather. I was

2346
02:05:27,920 --> 02:05:30,400
Speaker 1: eleven years old. This is all sounding bad right out

2347
02:05:30,440 --> 02:05:34,680
Speaker 1: the game right now, but my grandfather never told me

2348
02:05:34,760 --> 02:05:36,560
Speaker 1: the birds and bees. He just said to me, you

2349
02:05:36,640 --> 02:05:42,600
Speaker 1: etn't pussy yet. Bobby's being sucked up, fucked up eleven

2350
02:05:42,680 --> 02:05:44,520
Speaker 1: years old, my Gand that's how he had the birds

2351
02:05:44,560 --> 02:05:46,840
Speaker 1: of be conction with me. He said, you ain't pussy yet.

2352
02:05:47,040 --> 02:05:52,080
Speaker 1: I said, huh. He said, it's this phenomenal. This is

2353
02:05:52,120 --> 02:05:59,040
Speaker 1: my grandfather. Ain't tell me how. Yeah, I ain't gonna lot.

2354
02:05:59,080 --> 02:06:00,440
Speaker 1: You want to make a bit square? Are you gotta

2355
02:06:00,440 --> 02:06:13,920
Speaker 1: looking for? You? Sticking? Now? Is there anybody that if

2356
02:06:14,000 --> 02:06:17,520
Speaker 1: you said y'all, I gotta go like, what is it?

2357
02:06:17,560 --> 02:06:19,680
Speaker 1: What's your ultimate feature? Right now? At this point because

2358
02:06:19,680 --> 02:06:22,280
Speaker 1: you've done everything, you need a whole feature. You need

2359
02:06:22,360 --> 02:06:25,040
Speaker 1: a Na Speach, you need an eminem feature? What complete

2360
02:06:25,080 --> 02:06:29,160
Speaker 1: you jay Z feature Z? I felt like, hold, hold,

2361
02:06:29,240 --> 02:06:31,880
Speaker 1: watch this in my mind, I need a Taylor Swift feature.

2362
02:06:32,080 --> 02:06:39,320
Speaker 1: Tell a Swift and tell her I Beyonce is the

2363
02:06:39,360 --> 02:06:43,240
Speaker 1: best all time. That was disrespectful. I mean I feel

2364
02:06:43,240 --> 02:06:47,520
Speaker 1: like Taylor Swift produced by Kanye that'd be crazy. Wait

2365
02:06:47,800 --> 02:06:51,360
Speaker 1: wait a feature from tell Us with I like how

2366
02:06:51,400 --> 02:06:56,080
Speaker 1: you think? So? That would be crazy? But yeah, I

2367
02:06:56,160 --> 02:06:58,000
Speaker 1: think feature? What kind of record would you do? A whole?

2368
02:06:58,880 --> 02:07:02,440
Speaker 1: I mean, I would definitely make something just like super glorious,

2369
02:07:03,120 --> 02:07:05,200
Speaker 1: like super like I try to make like a New

2370
02:07:05,280 --> 02:07:07,720
Speaker 1: York with that nigga, like something that's like a Lisa

2371
02:07:07,840 --> 02:07:09,840
Speaker 1: Keys New York. Yeah, Like I mean, of course it

2372
02:07:09,880 --> 02:07:18,600
Speaker 1: probably wouldn't be New York, you know, it wouldn't probably

2373
02:07:18,600 --> 02:07:20,840
Speaker 1: wouldn't be New York, but I want to make I

2374
02:07:20,880 --> 02:07:23,760
Speaker 1: would make something of that amplification, like if something that's

2375
02:07:23,840 --> 02:07:27,800
Speaker 1: that big differ he crosses that many boys like it's

2376
02:07:27,840 --> 02:07:30,600
Speaker 1: not gonna go to jay Z and give jay Z

2377
02:07:30,840 --> 02:07:33,440
Speaker 1: something some bullshit like I'm gonna go into the secret

2378
02:07:33,480 --> 02:07:36,440
Speaker 1: statue for Jay like it's it's some certain things that

2379
02:07:36,600 --> 02:07:38,640
Speaker 1: like it's some certain you got joints in the vote,

2380
02:07:38,840 --> 02:07:40,400
Speaker 1: there's some joints to this like nick I got for

2381
02:07:40,440 --> 02:07:43,520
Speaker 1: Adele I got from like the jay z Is, the Beyonces,

2382
02:07:43,560 --> 02:07:44,960
Speaker 1: Like if I ever run into them and they ever

2383
02:07:45,040 --> 02:07:47,080
Speaker 1: tell me press played like you know what I'm saying,

2384
02:07:47,120 --> 02:07:50,040
Speaker 1: like fas like you know, I wrote the show Me

2385
02:07:50,120 --> 02:07:52,400
Speaker 1: Love record for Alicia, but Alicia Keys the record that's

2386
02:07:52,520 --> 02:07:54,560
Speaker 1: out right now, and well I wrote it with it

2387
02:07:54,640 --> 02:07:56,480
Speaker 1: pretty much, you know, but originally came from a song

2388
02:07:56,520 --> 02:08:00,640
Speaker 1: that I wrote for twenty months savage. Yeah, you originally

2389
02:08:00,640 --> 02:08:05,560
Speaker 1: with mcguel and you know that. Yeah, the record is incredible,

2390
02:08:05,720 --> 02:08:10,200
Speaker 1: and for for me, it's like I have a certain

2391
02:08:10,360 --> 02:08:13,760
Speaker 1: list of records when it's like these people, if I

2392
02:08:13,840 --> 02:08:17,640
Speaker 1: ever run into these people, I got this, who's the

2393
02:08:17,680 --> 02:08:24,600
Speaker 1: crazy first you wrote for it? Signed to police? Damn?

2394
02:08:25,880 --> 02:08:28,680
Speaker 1: I mean that you can still get your bag. I'm

2395
02:08:28,720 --> 02:08:30,480
Speaker 1: trying to think it's a lot of people. It's just

2396
02:08:30,520 --> 02:08:32,480
Speaker 1: like I don't know who I would deem the craziest

2397
02:08:32,520 --> 02:08:34,560
Speaker 1: out of and plus also I don't want to make

2398
02:08:34,600 --> 02:08:36,480
Speaker 1: people feel any kind of way with some of your favorites.

2399
02:08:36,520 --> 02:08:41,440
Speaker 1: Some of your favorites, well that's part. Yeah, it's different,

2400
02:08:41,600 --> 02:08:43,760
Speaker 1: like if you now niggers me still feeling the way.

2401
02:08:43,800 --> 02:08:54,760
Speaker 1: Let's like that I thought that's dog the most Niggs

2402
02:08:54,800 --> 02:08:57,360
Speaker 1: that we've been seeing lately though, that's actually giving it up.

2403
02:08:57,840 --> 02:09:00,880
Speaker 1: I have been the nigs r Mets been punching Thigg

2404
02:09:00,920 --> 02:09:03,160
Speaker 1: his faces off with their fights. But then you know

2405
02:09:03,200 --> 02:09:05,840
Speaker 1: what I'm saying is it's a lot of times, but

2406
02:09:05,960 --> 02:09:07,560
Speaker 1: what people don't realize it like when you're a guy

2407
02:09:07,600 --> 02:09:09,760
Speaker 1: who sing R and B, people get this like this

2408
02:09:09,920 --> 02:09:14,280
Speaker 1: thing like confused because they think y'all soul. No, it's yeah,

2409
02:09:14,320 --> 02:09:17,280
Speaker 1: and but I don't give a fuck me personally, don't

2410
02:09:17,280 --> 02:09:18,320
Speaker 1: give it dare. I don't give a funk what you

2411
02:09:18,360 --> 02:09:20,760
Speaker 1: think about me. I'm get moneygg I don't give a funk.

2412
02:09:21,160 --> 02:09:23,520
Speaker 1: But at the end of the day, you think like

2413
02:09:23,760 --> 02:09:26,360
Speaker 1: r V Nigga is soft and the sensual god nigga,

2414
02:09:26,360 --> 02:09:29,520
Speaker 1: don't realize it's like the r V nigga is your

2415
02:09:29,840 --> 02:09:31,640
Speaker 1: is your nigga that was in the group that just

2416
02:09:31,720 --> 02:09:33,560
Speaker 1: knew how to sing, you know? You know how like

2417
02:09:33,600 --> 02:09:35,600
Speaker 1: when y'all was skipping school, there was that one nigger

2418
02:09:35,600 --> 02:09:37,920
Speaker 1: that had that one talent, like Nigga Loki kind of

2419
02:09:37,960 --> 02:09:41,040
Speaker 1: singing my Nigga Trey songs out here being dispectful. I'm

2420
02:09:41,080 --> 02:09:45,400
Speaker 1: not what he doing with Mega Stallium right now. Litsen Trade,

2421
02:09:45,440 --> 02:09:48,960
Speaker 1: you're my friend. I like you a lie, but you

2422
02:09:49,240 --> 02:09:52,520
Speaker 1: clearly know what that short he was with the other

2423
02:09:52,720 --> 02:09:57,960
Speaker 1: y'all and now you are Wait wait what, I'm sad?

2424
02:09:58,880 --> 02:10:03,960
Speaker 1: What happened on? Man? What the going up? I'm missing

2425
02:10:04,000 --> 02:10:06,840
Speaker 1: something you have to translate. Victor was Magnes stall is

2426
02:10:06,880 --> 02:10:10,080
Speaker 1: probably one of my favorite artists out right now, By

2427
02:10:10,120 --> 02:10:11,800
Speaker 1: the way, so I want to be clolar shout to Meg.

2428
02:10:12,200 --> 02:10:15,800
Speaker 1: I fucking love with Meg, like not like trades and

2429
02:10:15,880 --> 02:10:18,600
Speaker 1: love it Mag, but like you know what I mean. Yeah,

2430
02:10:18,640 --> 02:10:20,040
Speaker 1: I don't know if I said that, right, but we

2431
02:10:20,240 --> 02:10:25,920
Speaker 1: clearly seen man out there with money bade yo, right, yeah,

2432
02:10:27,240 --> 02:10:30,880
Speaker 1: they wore him broke up. No, but I missed going

2433
02:10:31,040 --> 02:10:32,640
Speaker 1: like an interview with something. He was like Yo, that

2434
02:10:32,760 --> 02:10:34,640
Speaker 1: was for that was for the cameras, like it wasn't

2435
02:10:34,680 --> 02:10:37,000
Speaker 1: I don't know, I don't something like that. I think

2436
02:10:37,040 --> 02:10:38,920
Speaker 1: they was thinking just like yo is this is just

2437
02:10:39,120 --> 02:10:41,920
Speaker 1: this is entertaining. I don't think. I don't know. I

2438
02:10:42,000 --> 02:10:44,640
Speaker 1: think I don't. They might be I might be fucking wrong.

2439
02:10:44,920 --> 02:10:46,920
Speaker 1: That's just what That's what I thought it was. It

2440
02:10:47,000 --> 02:10:50,200
Speaker 1: don't look good man, I don't think. This is what

2441
02:10:50,280 --> 02:10:53,160
Speaker 1: I gotta say. Dot. I like this, okay, at the

2442
02:10:53,280 --> 02:10:56,600
Speaker 1: end of you I like this. I like the fact

2443
02:10:57,280 --> 02:11:01,760
Speaker 1: that he said his name. She's I like the fact

2444
02:11:02,360 --> 02:11:05,240
Speaker 1: that Mag he's doing what the fuss she wants to do,

2445
02:11:06,720 --> 02:11:11,320
Speaker 1: and the fact that for females it's like you finally

2446
02:11:11,360 --> 02:11:13,840
Speaker 1: got a fever. That's like, oh, she's in a kind

2447
02:11:13,840 --> 02:11:15,600
Speaker 1: of way. You see how Trade and niggas like me

2448
02:11:15,640 --> 02:11:18,600
Speaker 1: and niggas who's sniping is like, oh he's oh, oh

2449
02:11:18,720 --> 02:11:23,280
Speaker 1: he's with It's kind of dope that like it speaks

2450
02:11:23,320 --> 02:11:27,360
Speaker 1: to what she talks about speaking up and it speaks

2451
02:11:27,360 --> 02:11:29,240
Speaker 1: to what you know what I'm saying when she talking

2452
02:11:29,280 --> 02:11:32,080
Speaker 1: about hot girl ship and you know what, she lived

2453
02:11:32,200 --> 02:11:35,080
Speaker 1: her life. I give it up to make it for that. Yeah,

2454
02:11:35,480 --> 02:11:36,680
Speaker 1: Like at the end of the day, I think it's

2455
02:11:36,760 --> 02:11:38,120
Speaker 1: I think it's dope. She's doing what the fun she

2456
02:11:38,200 --> 02:11:40,520
Speaker 1: wanted to. I'm not in no way shape form my

2457
02:11:40,600 --> 02:11:43,720
Speaker 1: fashion saying. I think that she's she's living a life.

2458
02:11:44,080 --> 02:11:47,800
Speaker 1: And also for my nigga trade. But trade, I hear sniping.

2459
02:11:47,800 --> 02:11:49,840
Speaker 1: That's what you gotta catch them more like pokemon be

2460
02:11:51,280 --> 02:11:56,640
Speaker 1: gott to catch them are resonated. You know, I know

2461
02:11:56,720 --> 02:11:59,000
Speaker 1: what's going on. So I'm just speaking from my house side.

2462
02:11:59,720 --> 02:12:01,840
Speaker 1: So I'm speaking from the nigger watching from the blogs

2463
02:12:01,880 --> 02:12:03,720
Speaker 1: and and thinking what the rest of the world's Because

2464
02:12:03,720 --> 02:12:08,080
Speaker 1: you're sniper, you're active sniper, he says, a DC sniper.

2465
02:12:11,520 --> 02:12:19,960
Speaker 1: I know. I don't know there's still a sniper. I'm gone,

2466
02:12:20,800 --> 02:12:25,680
Speaker 1: you see me. I'm a little sniper man. I wasn't. No,

2467
02:12:25,840 --> 02:12:27,680
Speaker 1: I don't know if I was. No, I was. I

2468
02:12:27,960 --> 02:12:30,320
Speaker 1: was at one point talking to yourself. Yeah, I got

2469
02:12:30,400 --> 02:12:32,360
Speaker 1: to talk to myself. That's the best thing gonna talk

2470
02:12:32,400 --> 02:12:35,080
Speaker 1: to Yeah. So, but I appreciate you all for out

2471
02:12:35,120 --> 02:12:38,520
Speaker 1: here and living your life, um, because I watched you.

2472
02:12:38,640 --> 02:12:43,720
Speaker 1: I lived my curious city through y'all. Real you know

2473
02:12:43,960 --> 02:12:49,440
Speaker 1: you there's a couple of things out there. Sniper trade, trade, ray,

2474
02:12:49,480 --> 02:12:55,200
Speaker 1: I don't there living. It's nine trade of mine, I think, right, girl,

2475
02:12:57,480 --> 02:13:00,160
Speaker 1: think about sniping is that it's a quiet thing. You

2476
02:13:00,200 --> 02:13:03,080
Speaker 1: don't really that's what sniper is. It's a very quiet

2477
02:13:03,200 --> 02:13:10,480
Speaker 1: They just mean that same Thursday on three o'clock snipers. Yeah,

2478
02:13:11,440 --> 02:13:16,400
Speaker 1: thank you, yo, yo, listen, man, man, I really appreciate

2479
02:13:16,480 --> 02:13:21,800
Speaker 1: you coming one more shot. Five. We did not We

2480
02:13:21,920 --> 02:13:24,160
Speaker 1: did not on Paul and you came to our late

2481
02:13:24,280 --> 02:13:26,320
Speaker 1: so like hour and a half. Like, but you know what,

2482
02:13:26,400 --> 02:13:28,280
Speaker 1: I have faith in you, I said, let's see what

2483
02:13:28,320 --> 02:13:30,280
Speaker 1: I want to know. It's actually is the lack of shot.

2484
02:13:30,920 --> 02:13:34,480
Speaker 1: So when I drink this tomorrow, how am I gonna feel?

2485
02:13:35,080 --> 02:13:52,480
Speaker 1: We never gonna snipers now, But what's my stomach gonna

2486
02:13:52,480 --> 02:13:55,880
Speaker 1: feel like? Though? Like, yeah, let me take something. I

2487
02:13:56,000 --> 02:14:02,760
Speaker 1: did this ship and now I'm stopping my shot said no, no,

2488
02:14:02,880 --> 02:14:05,480
Speaker 1: you know you've been doing a lot of Like now

2489
02:14:05,560 --> 02:14:11,320
Speaker 1: you're clearly doing a lot of drinking. I was expecting

2490
02:14:11,400 --> 02:14:15,160
Speaker 1: like a non actually in the morning. What it does

2491
02:14:15,280 --> 02:14:16,960
Speaker 1: is I was expecting one of those answers and I

2492
02:14:17,040 --> 02:14:18,600
Speaker 1: didn't get that. I'm not gonna lie. You want to

2493
02:14:18,600 --> 02:14:22,000
Speaker 1: be telling me, tell you you be disgusting and bring

2494
02:14:22,120 --> 02:14:24,880
Speaker 1: some of this. Don't drink some of this hate for

2495
02:14:25,000 --> 02:14:28,240
Speaker 1: me and the even out with this, we are celebrating

2496
02:14:28,280 --> 02:14:31,960
Speaker 1: your motherfucking life, this career. No, this, this evens you out.

2497
02:14:32,080 --> 02:14:35,680
Speaker 1: This is this is the even steam. Listen, you don't listening.

2498
02:14:35,840 --> 02:14:37,600
Speaker 1: You have some of this? You know what this is?

2499
02:14:39,520 --> 02:14:42,680
Speaker 1: Some give you some of this. It's a saw and

2500
02:14:43,240 --> 02:14:49,160
Speaker 1: we can't get no listen. This is like a sea saw.

2501
02:14:49,440 --> 02:14:51,680
Speaker 1: You can't have one without the other. So me, this

2502
02:14:51,760 --> 02:14:54,040
Speaker 1: is how I bounce it. I have tiger bone, but

2503
02:14:54,080 --> 02:14:55,960
Speaker 1: then I have a spade. Does it goes like this?

2504
02:14:56,240 --> 02:15:02,800
Speaker 1: It's like we what I don't need to be where

2505
02:15:02,800 --> 02:15:06,240
Speaker 1: you want? And then I still away. You don't count,

2506
02:15:06,560 --> 02:15:11,920
Speaker 1: still don't where you are? Yo. But you know to

2507
02:15:12,000 --> 02:15:13,720
Speaker 1: drinking is a from you. No, that's not gonna happen.

2508
02:15:13,760 --> 02:15:15,800
Speaker 1: I mean, yeah, let's take some sounds. Guys that can

2509
02:15:15,880 --> 02:15:18,160
Speaker 1: do with this tiging thing. All right, little one of

2510
02:15:18,240 --> 02:15:27,160
Speaker 1: last times, last song, because we can that's it. We

2511
02:15:27,240 --> 02:15:28,960
Speaker 1: know you have tough guy from Toronto. We can't let

2512
02:15:29,000 --> 02:15:31,040
Speaker 1: Top Daddy drink morning you come on you, yes, you

2513
02:15:31,120 --> 02:15:32,680
Speaker 1: can't put that. He has been in the game for

2514
02:15:32,760 --> 02:15:36,400
Speaker 1: so long he shouldn't drink. Your war still popping and

2515
02:15:36,440 --> 02:15:44,560
Speaker 1: the guy got ivy ivy people got to happen. You're

2516
02:15:44,600 --> 02:15:47,320
Speaker 1: just like I would definitely give my hobby if if

2517
02:15:47,360 --> 02:15:49,640
Speaker 1: you never want to. I didn't like to tame like

2518
02:15:51,680 --> 02:15:53,400
Speaker 1: someone was really funked up. I had to go to

2519
02:15:53,480 --> 02:15:55,720
Speaker 1: be a Shout to BH me spot shout the Angela.

2520
02:15:55,800 --> 02:15:58,120
Speaker 1: You already know what it is. Be ass that Beverly Hills.

2521
02:15:58,280 --> 02:16:00,040
Speaker 1: No b h is um the one that's A and

2522
02:16:00,200 --> 02:16:06,280
Speaker 1: um was it babe? That ye shout Angela? But she

2523
02:16:06,360 --> 02:16:08,800
Speaker 1: got bhes everywhere. Like you know what I'm saying. That

2524
02:16:08,840 --> 02:16:12,680
Speaker 1: ship is like nights. She got one of the vegas.

2525
02:16:13,240 --> 02:16:15,240
Speaker 1: She's doing things. Shout to Angela. You already know what it.

2526
02:16:16,880 --> 02:16:20,120
Speaker 1: Celebrate career got damn you know what I mean? Come on, man,

2527
02:16:20,200 --> 02:16:26,520
Speaker 1: everything's on the shout talking who we do here? Shout

2528
02:16:26,520 --> 02:16:28,800
Speaker 1: out to my man GP man. I don't know GP

2529
02:16:29,000 --> 02:16:31,280
Speaker 1: is one of the greatest dudes. Man. Always hold me

2530
02:16:31,360 --> 02:16:34,640
Speaker 1: down from from every time I met GP man wanted

2531
02:16:34,640 --> 02:16:38,279
Speaker 1: to do greatest dudes man to do it and always

2532
02:16:38,320 --> 02:16:40,199
Speaker 1: hold you down. Just so you know, man, you don't forget.

2533
02:16:40,240 --> 02:16:43,760
Speaker 1: We get sixty days free trial title title dot Com

2534
02:16:43,840 --> 02:16:48,880
Speaker 1: Forward Slash Drink Champs. Time time brings back to GP Man. Yo.

2535
02:16:49,000 --> 02:16:52,760
Speaker 1: Without g P right, I would have never knew this

2536
02:16:52,920 --> 02:16:56,680
Speaker 1: radio ship show me. That's the top shot to right there,

2537
02:16:56,720 --> 02:16:59,800
Speaker 1: regardless of what anybody says. Me and GP is a

2538
02:17:00,000 --> 02:17:02,840
Speaker 1: reason why we've gone platinum for the last seventh to

2539
02:17:02,959 --> 02:17:05,760
Speaker 1: eight records, the reason why we've gotten plaques because me

2540
02:17:05,879 --> 02:17:08,039
Speaker 1: and GP was going out there and we was talking

2541
02:17:08,120 --> 02:17:10,520
Speaker 1: to them pds and we was going on not to

2542
02:17:10,600 --> 02:17:13,320
Speaker 1: say nobody, not to shade nobody, but it was because

2543
02:17:13,440 --> 02:17:15,640
Speaker 1: we decided to go and see them building my nigga,

2544
02:17:15,879 --> 02:17:23,160
Speaker 1: to shout my nigga g G. So that that is

2545
02:17:23,200 --> 02:17:24,520
Speaker 1: that the next step for you you want to be,

2546
02:17:24,840 --> 02:17:27,800
Speaker 1: you want to sign to yourself. I mean that's what

2547
02:17:27,920 --> 02:17:30,800
Speaker 1: I'm gonna do. That's all you know. I'm signed to

2548
02:17:30,879 --> 02:17:32,800
Speaker 1: me right now. I ain't making myself no money right now.

2549
02:17:33,840 --> 02:17:36,200
Speaker 1: I had a couple of joints. I got a couple

2550
02:17:36,200 --> 02:17:40,040
Speaker 1: of do one of them insert joints where you just

2551
02:17:40,040 --> 02:17:43,160
Speaker 1: gotta insert diversities. Pretty, that's it. I trust you, and

2552
02:17:43,280 --> 02:17:45,840
Speaker 1: we trust you. You got you got it. Let me

2553
02:17:45,920 --> 02:17:47,680
Speaker 1: do something. I got a fold of facing you. Let

2554
02:17:47,720 --> 02:17:50,960
Speaker 1: me do something you got I actually listened to you

2555
02:17:51,000 --> 02:17:53,080
Speaker 1: all because, like I said, I consider you a friend

2556
02:17:53,120 --> 02:17:55,920
Speaker 1: because because of how me and you connected and how

2557
02:17:56,320 --> 02:18:00,200
Speaker 1: you haven't lied to me. And I really want to

2558
02:18:00,320 --> 02:18:02,920
Speaker 1: listen to your album and find one flaw one of

2559
02:18:03,000 --> 02:18:05,400
Speaker 1: the same goal because you know, I wanted to, like

2560
02:18:05,480 --> 02:18:07,440
Speaker 1: could could just in your faces, but like, yo, you

2561
02:18:07,480 --> 02:18:09,560
Speaker 1: know what, just what you should do better? And I

2562
02:18:09,720 --> 02:18:13,480
Speaker 1: really can't say nothing. Like everything you did with this

2563
02:18:13,680 --> 02:18:16,600
Speaker 1: album was like like I felt like you lived in

2564
02:18:16,680 --> 02:18:18,879
Speaker 1: the nineties. Like I felt like, of course you lived

2565
02:18:18,879 --> 02:18:20,800
Speaker 1: in the nineties, but you know, he's a kid. Did

2566
02:18:21,200 --> 02:18:24,960
Speaker 1: but I didn't understand music the way you understand music

2567
02:18:25,000 --> 02:18:27,360
Speaker 1: as a kid. Didn't. I couldn't have done what you did,

2568
02:18:27,480 --> 02:18:29,840
Speaker 1: like like I'm looking at you face to face man man,

2569
02:18:29,959 --> 02:18:34,160
Speaker 1: like like for me to create the symphony, or like

2570
02:18:34,280 --> 02:18:36,280
Speaker 1: I wouldn't been able to do what he did like

2571
02:18:36,360 --> 02:18:40,439
Speaker 1: he actually he embodied He embodied the record. So what's

2572
02:18:40,520 --> 02:18:43,800
Speaker 1: lets me know that you really cared, like you you

2573
02:18:43,959 --> 02:18:46,360
Speaker 1: cared about not messing it up, because if you would

2574
02:18:46,400 --> 02:18:48,040
Speaker 1: have messed it up, you would have this would have

2575
02:18:48,120 --> 02:18:52,240
Speaker 1: been your worst out. Oh yeah. If I would have

2576
02:18:52,440 --> 02:18:54,360
Speaker 1: imagined me sucking up these samples, you know, I would

2577
02:18:54,400 --> 02:18:58,560
Speaker 1: the internet would have like ripped me alive. But I

2578
02:18:58,640 --> 02:18:59,920
Speaker 1: knew what I was doing. I knew what I was

2579
02:19:00,040 --> 02:19:02,800
Speaker 1: up against in the doubt. Like I said again, the

2580
02:19:02,920 --> 02:19:05,520
Speaker 1: doubt is what puts me. You know. It was the

2581
02:19:06,240 --> 02:19:08,680
Speaker 1: it was, it was, it was, you know. And and

2582
02:19:08,760 --> 02:19:11,160
Speaker 1: even when the world loves me, bro, it's always gonna

2583
02:19:11,200 --> 02:19:14,640
Speaker 1: be still that that self doubt of myself, like you know,

2584
02:19:14,920 --> 02:19:17,720
Speaker 1: you can't do it better? What you mean? There you go?

2585
02:19:18,920 --> 02:19:21,120
Speaker 1: And I got that going on within myself. And so

2586
02:19:21,840 --> 02:19:25,880
Speaker 1: I'll always be straight, you know. I always have records, nigga, like,

2587
02:19:26,959 --> 02:19:30,680
Speaker 1: I'm never gonna be an artist, and I want, you know,

2588
02:19:30,800 --> 02:19:34,640
Speaker 1: everybody to understand something. I'll never be an artist that

2589
02:19:34,920 --> 02:19:40,440
Speaker 1: is ever struggling to find the hit. I have so

2590
02:19:40,720 --> 02:19:44,640
Speaker 1: many fucking hits. But let me ask you something stored up.

2591
02:19:44,720 --> 02:19:50,080
Speaker 1: I have so many, nigga, you cannot fucking stop. Yeah,

2592
02:19:50,720 --> 02:19:52,760
Speaker 1: but let me ask you something because you're so great

2593
02:19:52,920 --> 02:19:55,480
Speaker 1: right that. Let me tell you what I battled. I

2594
02:19:55,600 --> 02:19:58,600
Speaker 1: battled everyone saying when I did Super Thug, he said

2595
02:19:59,120 --> 02:20:03,520
Speaker 1: it's dope. It was dope right then that I did

2596
02:20:03,640 --> 02:20:07,200
Speaker 1: Oh no, oh no, it was just as big as

2597
02:20:07,200 --> 02:20:11,240
Speaker 1: Super Doug. But people said it wasn't because they're always

2598
02:20:11,320 --> 02:20:13,600
Speaker 1: comparing your hit to the last hit? Are you do?

2599
02:20:13,720 --> 02:20:15,720
Speaker 1: You do you battle with that? Like battle with that?

2600
02:20:15,879 --> 02:20:19,520
Speaker 1: Like everyone's saying, you know, it's dope, but that ain't

2601
02:20:19,600 --> 02:20:22,960
Speaker 1: like shooters. It ain't you guys. I've been going fifty

2602
02:20:23,040 --> 02:20:27,160
Speaker 1: percent and I've knowingly been knowing I'm going fifty percent.

2603
02:20:29,000 --> 02:20:32,840
Speaker 1: Like I don't even know if that's crazy, Like you

2604
02:20:35,280 --> 02:20:38,760
Speaker 1: you're gonna you're giving you you hold it out a

2605
02:20:40,480 --> 02:20:43,840
Speaker 1: moment for a time, that's like that's about to be now,

2606
02:20:44,040 --> 02:20:47,120
Speaker 1: Like I'm not. A lot of ship was going over

2607
02:20:47,200 --> 02:20:49,440
Speaker 1: people's heads, but I didn't care. I was giving. Like

2608
02:20:49,440 --> 02:20:52,720
Speaker 1: I said, Nigga, I'm going fifty on niggas, bro, and

2609
02:20:52,800 --> 02:20:54,880
Speaker 1: I've been going fifty percent. This chick snips the first

2610
02:20:54,879 --> 02:20:56,640
Speaker 1: time I ever gave an extra twenty and said I'm

2611
02:20:56,640 --> 02:21:00,160
Speaker 1: gonna go seventy percent. I'm not playing with niggas. No

2612
02:21:01,000 --> 02:21:02,920
Speaker 1: kind of Wait, if I've been going hundred percent this

2613
02:21:03,000 --> 02:21:05,600
Speaker 1: whole time, everything we're talking about different. But I did

2614
02:21:05,680 --> 02:21:07,880
Speaker 1: not want to go a hunting percent in the circumstances

2615
02:21:08,280 --> 02:21:11,360
Speaker 1: that I was surrounded. That's all it is. That's strategy.

2616
02:21:11,680 --> 02:21:13,920
Speaker 1: Who who's your dream producing your work? You will work

2617
02:21:13,959 --> 02:21:19,400
Speaker 1: with producer, Yeah, producer if you wouldn't want to get somebody,

2618
02:21:19,680 --> 02:21:23,400
Speaker 1: definitely want to work with. So for all, did not

2619
02:21:23,520 --> 02:21:26,560
Speaker 1: do that. Be I thought for re did that, but

2620
02:21:26,720 --> 02:21:32,760
Speaker 1: that's crazy. I didn't download of that I did. If

2621
02:21:32,760 --> 02:21:35,199
Speaker 1: you look at the credits now you can see whatever

2622
02:21:36,120 --> 02:21:37,600
Speaker 1: if you if you if you look at the credits,

2623
02:21:37,600 --> 02:21:40,680
Speaker 1: you can see that. Like any songs that have my

2624
02:21:40,800 --> 02:21:44,279
Speaker 1: name at the starting, like Tory Lanes is the first producer,

2625
02:21:44,360 --> 02:21:46,720
Speaker 1: that's because the idea came from And if it's a

2626
02:21:47,120 --> 02:21:49,959
Speaker 1: play be constantly the starting the main idea came from.

2627
02:21:50,240 --> 02:21:52,480
Speaker 1: But if there's Tory Lane second, it is because I

2628
02:21:52,560 --> 02:21:55,120
Speaker 1: co produced it with play. If it's Tory Lane's first,

2629
02:21:55,200 --> 02:21:56,720
Speaker 1: is because I produced it and he co produced it

2630
02:21:56,800 --> 02:21:58,960
Speaker 1: with me. You get what I'm saying. Like, if you

2631
02:21:59,440 --> 02:22:02,800
Speaker 1: was in it, my hand was in every single beat, regardless,

2632
02:22:03,000 --> 02:22:05,160
Speaker 1: every single one, like in a major way, like I

2633
02:22:05,280 --> 02:22:08,440
Speaker 1: died was Bury. I have the chicktape documentary that's coming

2634
02:22:08,480 --> 02:22:10,520
Speaker 1: out as well, so we can see the chicktape documentary

2635
02:22:10,560 --> 02:22:21,760
Speaker 1: of how you know, how did you get a Shaunty

2636
02:22:22,640 --> 02:22:25,600
Speaker 1: to agree to pose in her drawers ten layers later?

2637
02:22:25,800 --> 02:22:28,600
Speaker 1: Because that was ten layers? Yeah, you know what I

2638
02:22:28,640 --> 02:22:31,040
Speaker 1: mean that was because that was hard from back in

2639
02:22:31,080 --> 02:22:33,120
Speaker 1: the days. That's not a new picture of Shaunty, is it.

2640
02:22:33,760 --> 02:22:35,640
Speaker 1: That's a new picture of a se That is a

2641
02:22:35,680 --> 02:22:38,240
Speaker 1: little picture what y'all thought? We took that from the

2642
02:22:38,280 --> 02:22:43,560
Speaker 1: two thousand five Hell yeah, oh ya got me? You

2643
02:22:43,720 --> 02:22:45,960
Speaker 1: got me? Are we not? Do you not know what

2644
02:22:46,080 --> 02:22:48,160
Speaker 1: Shanty looks like right now? In person? Yeah? I've seen

2645
02:22:48,200 --> 02:22:52,880
Speaker 1: the airport. She's phenomenal, phenomenal. But I didn't know that

2646
02:22:53,000 --> 02:22:54,760
Speaker 1: was I thought that was an old picture. You got me?

2647
02:22:55,920 --> 02:22:58,560
Speaker 1: Now me? Now we shot that right before the album,

2648
02:22:58,600 --> 02:23:01,959
Speaker 1: and um now I didn't even I'm telling what to wear.

2649
02:23:02,680 --> 02:23:05,600
Speaker 1: She wore what she wore, and she already knows what.

2650
02:23:05,720 --> 02:23:08,200
Speaker 1: She knows what she's doing. You know what I'm saying.

2651
02:23:08,240 --> 02:23:10,480
Speaker 1: She knows she'd be doing us. You know, I'm saying,

2652
02:23:10,520 --> 02:23:13,720
Speaker 1: like she's a very beautiful woman, and I I knew

2653
02:23:13,840 --> 02:23:16,480
Speaker 1: from the starting, her doing this was just gonna be.

2654
02:23:17,360 --> 02:23:19,240
Speaker 1: It was gonna it was gonna set the tone for

2655
02:23:19,360 --> 02:23:21,440
Speaker 1: what it was, and it was also gonna let you

2656
02:23:21,560 --> 02:23:24,400
Speaker 1: know that it's still relevant because the thing about a

2657
02:23:24,440 --> 02:23:27,160
Speaker 1: shanty is Ashanti is not one of those people who's

2658
02:23:27,160 --> 02:23:31,840
Speaker 1: on Instagram with finding Kate followers. She's trapping every deck.

2659
02:23:32,000 --> 02:23:34,000
Speaker 1: Now I had said all that, but she's anybody this

2660
02:23:35,080 --> 02:23:37,720
Speaker 1: five million damn they and followers more than five millions

2661
02:23:37,720 --> 02:23:41,120
Speaker 1: whatever case is, followers, and she's somebody who's you know,

2662
02:23:41,320 --> 02:23:43,840
Speaker 1: still relevant, making records and doing things today. So it's

2663
02:23:43,840 --> 02:23:46,600
Speaker 1: like when she posts a picture, niggas is there, Niggas

2664
02:23:46,680 --> 02:23:55,320
Speaker 1: is dead showing up married, married, Like what are you doing? Yeah,

2665
02:23:55,440 --> 02:23:58,640
Speaker 1: she is, she has showing up. But that's that's that's

2666
02:23:58,680 --> 02:24:01,320
Speaker 1: because we love a shanty for who she's always been,

2667
02:24:02,240 --> 02:24:04,360
Speaker 1: you know what I'm saying, And that's what that's what

2668
02:24:04,680 --> 02:24:06,400
Speaker 1: like even what I'm saying what I'm saying about it

2669
02:24:06,520 --> 02:24:09,160
Speaker 1: right now, it's like, it's because that's who she's always

2670
02:24:09,240 --> 02:24:12,080
Speaker 1: been to us as a fan and as somebody who's

2671
02:24:12,120 --> 02:24:15,520
Speaker 1: always looked at her like yo, a shanty dog. That's

2672
02:24:15,560 --> 02:24:17,400
Speaker 1: how it always feels, and that's why I felt like

2673
02:24:17,480 --> 02:24:20,120
Speaker 1: it was it was right to have her on the

2674
02:24:20,200 --> 02:24:21,720
Speaker 1: cover and to do it the way we did, and

2675
02:24:21,800 --> 02:24:23,640
Speaker 1: I feel like it was tasteful. She didn't take a

2676
02:24:23,680 --> 02:24:26,880
Speaker 1: picture that was that wasn't tasteful. You know. Um, it

2677
02:24:27,000 --> 02:24:29,080
Speaker 1: was hot, it was it was hot, I said. The

2678
02:24:29,200 --> 02:24:31,960
Speaker 1: tone it was steamy, but it was also classy and

2679
02:24:32,040 --> 02:24:34,320
Speaker 1: it was very young and just like you said that,

2680
02:24:34,560 --> 02:24:36,880
Speaker 1: the same thing that you said. I'm glad because I hope,

2681
02:24:36,959 --> 02:24:39,080
Speaker 1: I know she's gonna watch this at some point and

2682
02:24:39,200 --> 02:24:42,680
Speaker 1: I know that you see how you said that wasn't

2683
02:24:42,720 --> 02:24:45,680
Speaker 1: an old picture. We had a conversation right before I

2684
02:24:45,760 --> 02:24:49,320
Speaker 1: did this, and I said, listen, I guarantee people don't

2685
02:24:49,360 --> 02:24:52,039
Speaker 1: think this is a picture from two thousand four, two

2686
02:24:52,120 --> 02:24:55,960
Speaker 1: thousand because in the background automatically you got me, you

2687
02:24:58,360 --> 02:25:01,720
Speaker 1: got me, I got got me, and that dope. Actually

2688
02:25:01,840 --> 02:25:06,040
Speaker 1: that's like wow, wow, you captured it all, man, like

2689
02:25:06,360 --> 02:25:10,160
Speaker 1: you did what you gotta do. Man, um uh, We're

2690
02:25:10,160 --> 02:25:11,840
Speaker 1: gonna just keep talking. I want to finish my blood.

2691
02:25:13,680 --> 02:25:15,880
Speaker 1: You know what I'm saying, Let's finis today. Let's finish this.

2692
02:25:16,040 --> 02:25:17,680
Speaker 1: A know what I'm saying. I feel like we're covering

2693
02:25:17,680 --> 02:25:19,760
Speaker 1: everything but funding. Let's just talk some all right, fucking

2694
02:25:19,840 --> 02:25:22,240
Speaker 1: let me get use your first time. The motherfucker make

2695
02:25:22,959 --> 02:25:28,400
Speaker 1: headlines stand like young nigga been on this show like

2696
02:25:28,400 --> 02:25:31,640
Speaker 1: a young nigga on the show on the thirty. That's

2697
02:25:31,640 --> 02:25:34,400
Speaker 1: what I know. We had. We had a man like me.

2698
02:25:34,480 --> 02:25:38,360
Speaker 1: Like what we had. We had young golf. We had

2699
02:25:38,400 --> 02:25:44,080
Speaker 1: young golf. What is he in the dirt? We have us? Okay,

2700
02:25:44,080 --> 02:25:47,560
Speaker 1: I'll go niggas fun with you know what. Let me

2701
02:25:47,640 --> 02:25:49,040
Speaker 1: tell you something. Let me tell you something. If we

2702
02:25:49,200 --> 02:25:52,240
Speaker 1: google friend friendship, we got to let you tell your

2703
02:25:52,240 --> 02:25:54,200
Speaker 1: sing everybody. Let me tell you something if you was

2704
02:25:55,000 --> 02:25:57,320
Speaker 1: but if you was two years in this game, let

2705
02:25:57,400 --> 02:25:59,920
Speaker 1: me tell you something. I would still take this interview

2706
02:26:00,000 --> 02:26:02,960
Speaker 1: because you know why your mind, nigger, I fox with you.

2707
02:26:03,120 --> 02:26:05,440
Speaker 1: You you are a man of your fucking word, and

2708
02:26:05,560 --> 02:26:08,320
Speaker 1: for that I will always commend that, because I'm not gonna.

2709
02:26:08,600 --> 02:26:10,920
Speaker 1: I just came from New York. We did all types

2710
02:26:10,959 --> 02:26:15,160
Speaker 1: of Ace of Spades and Rose's every day with my

2711
02:26:15,320 --> 02:26:17,880
Speaker 1: man birthday. He did not want to stop. He just

2712
02:26:17,959 --> 02:26:20,280
Speaker 1: wanted to drink every day. So I did it, and

2713
02:26:20,400 --> 02:26:22,200
Speaker 1: I came back and any other thing I gotta say,

2714
02:26:22,320 --> 02:26:28,200
Speaker 1: let's postpone. I am counting. We are pulling it up

2715
02:26:28,400 --> 02:26:31,520
Speaker 1: because that first off, not only will would you deserve

2716
02:26:31,600 --> 02:26:34,520
Speaker 1: it because of your work ethic, because of how much

2717
02:26:34,600 --> 02:26:39,760
Speaker 1: work you put in, and you're continue this relentless man

2718
02:26:40,080 --> 02:26:42,080
Speaker 1: being with littless out there, and like, I've seen your

2719
02:26:42,120 --> 02:26:44,760
Speaker 1: press point, bro, I'm looking. I'm like, you really did

2720
02:26:44,879 --> 02:26:47,960
Speaker 1: every fucking fucking outlet like you try. If you try

2721
02:26:48,080 --> 02:26:50,360
Speaker 1: to like and you think you get, you get paid

2722
02:26:50,480 --> 02:26:54,720
Speaker 1: less on the change state because of all the sample premances. Um,

2723
02:26:56,520 --> 02:26:59,320
Speaker 1: what do you mean? I mean, yeah, paid less, But

2724
02:26:59,400 --> 02:27:02,880
Speaker 1: I didn't. I did it for I did it for people, dog.

2725
02:27:02,959 --> 02:27:04,440
Speaker 1: I did it for people who needed to hear this.

2726
02:27:04,560 --> 02:27:06,320
Speaker 1: I did it for people who needed to feel this way.

2727
02:27:06,600 --> 02:27:08,840
Speaker 1: I did it for the people who just like, damn, dog,

2728
02:27:08,879 --> 02:27:10,160
Speaker 1: like when they listened to When you're drunk and you

2729
02:27:10,240 --> 02:27:12,039
Speaker 1: listen to some ship from two thousand, you're like, damn,

2730
02:27:12,080 --> 02:27:14,200
Speaker 1: will never get this back in that sadness that slowly

2731
02:27:14,240 --> 02:27:16,240
Speaker 1: in your heart. I did this for them, like I

2732
02:27:16,320 --> 02:27:18,360
Speaker 1: put the features on the on the songs for them,

2733
02:27:18,440 --> 02:27:20,600
Speaker 1: dog like, Like I did this for the people. Dog.

2734
02:27:20,680 --> 02:27:23,840
Speaker 1: I didn't fuck the money, fuck the sales, dog, I

2735
02:27:23,920 --> 02:27:27,440
Speaker 1: did it for the people. Wow. That was it. Funk

2736
02:27:27,520 --> 02:27:31,120
Speaker 1: Everything else dogs for the people. Wow. So moving forward

2737
02:27:31,240 --> 02:27:35,440
Speaker 1: in these twelve months, are we gonna get another album all?

2738
02:27:38,320 --> 02:27:39,840
Speaker 1: I know? But I just want to get it coming

2739
02:27:39,879 --> 02:27:42,960
Speaker 1: back fresh to spring because and from the top of

2740
02:27:43,000 --> 02:27:46,160
Speaker 1: the year, I'm dropping. I ain't about to sit back

2741
02:27:46,240 --> 02:27:49,280
Speaker 1: with these niggas. R. The only thing that's great about

2742
02:27:49,320 --> 02:27:51,640
Speaker 1: this time and this year, which I hadn't done for

2743
02:27:51,680 --> 02:27:54,080
Speaker 1: the last three years, is that this time you're also

2744
02:27:54,120 --> 02:27:56,960
Speaker 1: gonna get R and B Tory. I never you damn

2745
02:27:57,000 --> 02:28:01,960
Speaker 1: that vert yourself being boys gotta fire signature bors that

2746
02:28:02,080 --> 02:28:04,440
Speaker 1: mean that, that mean that statement you said was that powerful,

2747
02:28:04,480 --> 02:28:10,840
Speaker 1: But like I never burned myself that I'm liken't believe you.

2748
02:28:10,920 --> 02:28:13,920
Speaker 1: I believe I believe that was the Holy ghost, like

2749
02:28:13,959 --> 02:28:16,720
Speaker 1: it's going it's blazing hip hop but like bihood, but

2750
02:28:16,840 --> 02:28:19,600
Speaker 1: like you know, I'm giving both out. And you know,

2751
02:28:19,680 --> 02:28:21,440
Speaker 1: for the last three years, I stopped doing R and

2752
02:28:21,560 --> 02:28:23,640
Speaker 1: B because I was waiting for a moment that was

2753
02:28:23,760 --> 02:28:25,040
Speaker 1: right to come back. And I feel like Nick was

2754
02:28:25,120 --> 02:28:27,120
Speaker 1: copying my staff. So I kind of like a lot

2755
02:28:27,160 --> 02:28:30,480
Speaker 1: of people say Bryson Tiller was was was like copy

2756
02:28:30,560 --> 02:28:34,080
Speaker 1: and style that I go too far a little bit

2757
02:28:34,160 --> 02:28:36,119
Speaker 1: like I feel like we we draw the influence from

2758
02:28:36,120 --> 02:28:37,920
Speaker 1: each other. I took some ship from him, so that's fall.

2759
02:28:38,320 --> 02:28:39,760
Speaker 1: You know what it's like at the end of the day.

2760
02:28:39,760 --> 02:28:42,160
Speaker 1: You know, Bryson's my god dog. I love Bryson and

2761
02:28:42,240 --> 02:28:44,199
Speaker 1: death man tell Bryson every time I see him, nigga

2762
02:28:44,280 --> 02:28:46,160
Speaker 1: like bro the songs he'd be showing me. I'd be like,

2763
02:28:46,200 --> 02:28:47,480
Speaker 1: you gotta put this out, and he was like, yeah,

2764
02:28:47,480 --> 02:28:49,880
Speaker 1: I put it out, one out one. You know, you know,

2765
02:28:50,040 --> 02:28:51,480
Speaker 1: I know you hook him up with the dog hair.

2766
02:28:51,840 --> 02:28:55,760
Speaker 1: So I think Bryson be straight with Bryson. Last time,

2767
02:28:55,760 --> 02:29:00,600
Speaker 1: I kind of seeing anymore, right, I want to get

2768
02:29:00,640 --> 02:29:06,080
Speaker 1: your loaders. I don't any don't think that was funked up.

2769
02:29:06,200 --> 02:29:08,840
Speaker 1: He was last time I saw the last couple of times,

2770
02:29:08,920 --> 02:29:10,720
Speaker 1: and she was always regularly he always had the trucker

2771
02:29:10,800 --> 02:29:13,840
Speaker 1: hat on. Here's the trucker had on. Guy trucker hat.

2772
02:29:13,920 --> 02:29:17,920
Speaker 1: Make makeup like trucker hat. You lose the songs. I

2773
02:29:17,920 --> 02:29:22,480
Speaker 1: don't think I bet sucked up. Kay we go, Okay,

2774
02:29:23,440 --> 02:29:25,800
Speaker 1: who some things you think you gotta put on here?

2775
02:29:29,840 --> 02:29:33,520
Speaker 1: Because I listen, I listen, I'm labeling tory lang. I'm

2776
02:29:33,600 --> 02:29:36,080
Speaker 1: gonna make this the new slang. I'm a slang it's

2777
02:29:36,160 --> 02:29:43,880
Speaker 1: the I'm gologists and you gave melogists. Figure it out

2778
02:29:43,959 --> 02:29:47,560
Speaker 1: in the picton eary nigger listening a lot to get

2779
02:29:47,640 --> 02:29:51,120
Speaker 1: exactually hit me in my damn like, Yo, what's the plug?

2780
02:29:51,360 --> 02:29:54,920
Speaker 1: What he's like? Yo? You have them talking about the plug?

2781
02:29:54,959 --> 02:29:57,640
Speaker 1: How do you want to know? So now I wouldn't

2782
02:29:57,879 --> 02:30:00,000
Speaker 1: be funny because you know that's that's the personal busines.

2783
02:30:00,320 --> 02:30:02,520
Speaker 1: That's I'm back. You know I'm not like that. You know,

2784
02:30:02,920 --> 02:30:05,200
Speaker 1: if I see my uncle get his head back, I'm saying,

2785
02:30:05,200 --> 02:30:08,240
Speaker 1: you got the Tory lanes? Like I'm even older niggas.

2786
02:30:08,520 --> 02:30:11,120
Speaker 1: It's a universal slang from now on. What do we

2787
02:30:11,440 --> 02:30:14,080
Speaker 1: need that they're gonna get his hair back? You go, profo,

2788
02:30:15,080 --> 02:30:23,200
Speaker 1: All right, now I got that one. My friend diego

2789
02:30:23,280 --> 02:30:24,760
Speaker 1: right there. Look at he's my white friend. This is

2790
02:30:24,800 --> 02:30:26,680
Speaker 1: the first person they said, the doctor ain't sucking with

2791
02:30:26,760 --> 02:30:30,240
Speaker 1: you get the lanes. They said the doctor specifically just

2792
02:30:30,360 --> 02:30:33,760
Speaker 1: for Latin knows. And this is the first time he

2793
02:30:33,840 --> 02:30:36,400
Speaker 1: could fun with him white too. He's white. Okay, he's

2794
02:30:37,720 --> 02:30:40,039
Speaker 1: he does him. Yeah, you're gonna get We're gonna get

2795
02:30:40,040 --> 02:30:41,680
Speaker 1: you right, So do you want me out? He was like,

2796
02:30:42,240 --> 02:30:44,440
Speaker 1: my guys, you'll be out even like the falls and

2797
02:30:44,480 --> 02:30:48,360
Speaker 1: people get your leather jacket and everything way blonde had

2798
02:30:48,400 --> 02:30:52,640
Speaker 1: for wait were blonde. There's a lot of people it's doing.

2799
02:30:53,120 --> 02:30:55,520
Speaker 1: You know, we established that you do not want to

2800
02:30:55,600 --> 02:31:00,320
Speaker 1: diversee your girl now, not reverse him. Never, Man, I'm

2801
02:31:00,360 --> 02:31:02,400
Speaker 1: not gonna I got one. Did I tell you my

2802
02:31:02,480 --> 02:31:05,840
Speaker 1: boma be hating on me? My mom my bomb would

2803
02:31:05,840 --> 02:31:08,120
Speaker 1: be cutting my hair and be like, you know what

2804
02:31:08,240 --> 02:31:11,640
Speaker 1: the fucking grace? What does that mean? Because I'm forty

2805
02:31:11,680 --> 02:31:14,959
Speaker 1: two and I only got two hands. His whole bid

2806
02:31:15,160 --> 02:31:17,760
Speaker 1: is like ear fans, So he hates on me. Tori,

2807
02:31:18,160 --> 02:31:20,280
Speaker 1: it is that I find my bother. That's kind of

2808
02:31:23,120 --> 02:31:26,920
Speaker 1: love plan. But he'll be hating him. What's his name?

2809
02:31:27,680 --> 02:31:30,960
Speaker 1: We call him? He's Dominican. You gotta have Dominican. Do

2810
02:31:31,000 --> 02:31:33,400
Speaker 1: you have a Dominican frind? You always gotta have a

2811
02:31:33,480 --> 02:31:36,480
Speaker 1: Dominican friend? Okay, exactly. That's why you're winning right now.

2812
02:31:39,840 --> 02:31:42,000
Speaker 1: And it hurts me to say that because I'm Puerto Rican.

2813
02:31:42,280 --> 02:31:44,320
Speaker 1: I'm the only Puerto Rican with all Dominican friends, I

2814
02:31:44,360 --> 02:31:47,440
Speaker 1: don't know, but you gotta have a Dominican friend. Is

2815
02:31:47,480 --> 02:31:49,800
Speaker 1: to do anything to to save your life, they're doing it,

2816
02:31:50,200 --> 02:31:52,320
Speaker 1: not for sure, okay, sure, yeah, I got this. I

2817
02:31:52,400 --> 02:31:54,800
Speaker 1: got a girl that's Dominican. Jesus, you're going back to

2818
02:31:54,840 --> 02:31:57,680
Speaker 1: the girls, let's go. I wanna like to hear. I'm

2819
02:31:57,760 --> 02:32:00,400
Speaker 1: like to hear. Okay, you know that's it to step

2820
02:32:00,400 --> 02:32:05,640
Speaker 1: off again, Domican man. Like she's a friend of mine,

2821
02:32:05,640 --> 02:32:08,039
Speaker 1: Like I got, I got friends that got people that's Dominican.

2822
02:32:08,160 --> 02:32:09,680
Speaker 1: A lot of my lot of a lot of the

2823
02:32:09,760 --> 02:32:12,000
Speaker 1: niggas that I grew up with that came from like

2824
02:32:12,120 --> 02:32:15,840
Speaker 1: Brooklyn and came from New York, they're all Dominicans, feel me.

2825
02:32:15,920 --> 02:32:17,920
Speaker 1: So it's like I've always kind of standigas for you.

2826
02:32:18,040 --> 02:32:21,040
Speaker 1: But you know, like GP you Dominican to right, Yeah,

2827
02:32:21,640 --> 02:32:26,960
Speaker 1: Domican got damn it, got damn Look keep it Dominican connect.

2828
02:32:27,320 --> 02:32:34,280
Speaker 1: They'll fix your pool and everything you have. The Dominican Republic. Yo. Yo,

2829
02:32:34,360 --> 02:32:36,560
Speaker 1: you've been a dip in public at her. Yo. I

2830
02:32:36,720 --> 02:32:40,920
Speaker 1: was in Dominican public. Everyone's dying, yo, believe whatever, Like fine,

2831
02:32:41,560 --> 02:32:47,720
Speaker 1: sound like the shows, big off. But I realized you

2832
02:32:48,640 --> 02:32:50,960
Speaker 1: went in with me, right, Yeah, we were in. I

2833
02:32:51,120 --> 02:32:53,640
Speaker 1: gonna lie. I'm so sorry because you know, Diego's my friend.

2834
02:32:53,720 --> 02:32:55,800
Speaker 1: So it was the only white people who died. Realized

2835
02:32:55,840 --> 02:33:00,840
Speaker 1: that so you're at Diego greg first. So yeah, but

2836
02:33:00,920 --> 02:33:02,800
Speaker 1: I'm just saying, like when I really did the research

2837
02:33:02,840 --> 02:33:05,560
Speaker 1: and say only ship like it was no, because you

2838
02:33:05,600 --> 02:33:07,200
Speaker 1: know that's a lot. That was a black couple that

2839
02:33:07,280 --> 02:33:13,240
Speaker 1: die Yeah, that was Mexico. No, I think they was

2840
02:33:13,320 --> 02:33:18,640
Speaker 1: just like black white dosket that was that. They jumped

2841
02:33:18,680 --> 02:33:20,800
Speaker 1: him home and because I was happy year and make

2842
02:33:20,800 --> 02:33:23,200
Speaker 1: the toppy year me the good ship to my role

2843
02:33:24,080 --> 02:33:26,320
Speaker 1: those are. But then they just talked too much. They

2844
02:33:29,120 --> 02:33:34,720
Speaker 1: league come hopping off and go, yeah, I didn't listen.

2845
02:33:35,040 --> 02:33:36,720
Speaker 1: I want to pick up to the medicom public. They

2846
02:33:36,800 --> 02:33:39,760
Speaker 1: finally got good weed. You never you never went there

2847
02:33:39,800 --> 02:33:41,879
Speaker 1: back in the days. I went there. I went there

2848
02:33:41,959 --> 02:33:46,240
Speaker 1: while was there like they used to have the stress

2849
02:33:48,680 --> 02:33:51,279
Speaker 1: they used to. It's good anytime I went to America.

2850
02:33:52,959 --> 02:33:55,000
Speaker 1: Anytime me and GP ever went to the manic Peuple,

2851
02:33:55,040 --> 02:33:56,800
Speaker 1: we always went on the jets. So we all just

2852
02:33:56,840 --> 02:33:58,560
Speaker 1: brought up come on to you ain't gotta do it

2853
02:33:58,640 --> 02:34:01,600
Speaker 1: like that. I just said, were we all brought our weeds.

2854
02:34:01,640 --> 02:34:03,560
Speaker 1: So I never had the experience. Let me tell you,

2855
02:34:03,840 --> 02:34:07,080
Speaker 1: I got a haircut Dominican on public one time, and

2856
02:34:07,560 --> 02:34:10,400
Speaker 1: the barber cut half my hair and did that electricity,

2857
02:34:11,959 --> 02:34:13,680
Speaker 1: and I had to walk around for an hour and

2858
02:34:13,720 --> 02:34:16,960
Speaker 1: a half and the half motherfucking yak at me. I

2859
02:34:17,120 --> 02:34:20,480
Speaker 1: looked about, I got half crazy, and you just got this.

2860
02:34:20,640 --> 02:34:23,080
Speaker 1: This is Dominican on public It's just how it happens.

2861
02:34:23,120 --> 02:34:25,200
Speaker 1: I love that place, though. That ship is fire like

2862
02:34:25,760 --> 02:34:28,760
Speaker 1: just like the culture, A thing is so raw, like

2863
02:34:28,879 --> 02:34:30,440
Speaker 1: you know what I'm saying, Like that ship is fired,

2864
02:34:30,480 --> 02:34:34,320
Speaker 1: like people say that their kids' Dominican. I didn't go

2865
02:34:34,400 --> 02:34:39,880
Speaker 1: to the resort. Where was that? You come to the

2866
02:34:40,000 --> 02:34:47,080
Speaker 1: g That's not that's like public time. That's where you

2867
02:34:47,280 --> 02:34:51,240
Speaker 1: niggas went. Where did I go? Nigga? Like, come down,

2868
02:34:51,480 --> 02:35:00,800
Speaker 1: that's what I got. You really hazy think he went

2869
02:35:00,840 --> 02:35:03,040
Speaker 1: to the capital. You're gonna take the shot. You went

2870
02:35:03,120 --> 02:35:07,120
Speaker 1: to the cabin. I just wanted to shot popping on

2871
02:35:07,200 --> 02:35:11,520
Speaker 1: the capitlide, say, don't give a funk about nobody was that.

2872
02:35:11,680 --> 02:35:13,800
Speaker 1: You gotta stop. That's my phone. You gotta keep you

2873
02:35:13,879 --> 02:35:16,160
Speaker 1: out there. It was late. We're gonna get you a

2874
02:35:16,240 --> 02:35:18,480
Speaker 1: fons worth biting like there was a damn. I can't

2875
02:35:18,920 --> 02:35:22,120
Speaker 1: money to keep your was in there? Dog? Now that

2876
02:35:22,200 --> 02:35:24,720
Speaker 1: was my nigger. He held us down. He walk us

2877
02:35:24,720 --> 02:35:26,520
Speaker 1: around the whole hood got me the rice in the chicken.

2878
02:35:28,080 --> 02:35:30,640
Speaker 1: He was not a good person. Now I Figa was

2879
02:35:31,480 --> 02:35:33,119
Speaker 1: with you. I'm with you, but now I gotta stay

2880
02:35:33,120 --> 02:35:35,640
Speaker 1: away from the type of ship that's not good. You

2881
02:35:35,680 --> 02:35:37,120
Speaker 1: know what I mean. I used to be like that.

2882
02:35:37,280 --> 02:35:39,879
Speaker 1: You know, I was shooting the video there too. Goddamnit.

2883
02:35:40,240 --> 02:35:43,000
Speaker 1: It was late. Goddamn. We're gonna respect. We wanna make

2884
02:35:43,000 --> 02:35:46,520
Speaker 1: you an honorary Dominican today. Today you are an auto

2885
02:35:46,560 --> 02:35:50,160
Speaker 1: mury plot you though you're making a Spanish album. We

2886
02:35:50,320 --> 02:35:54,039
Speaker 1: all we want advance. Here we coming. We're gonna money.

2887
02:35:54,240 --> 02:35:57,120
Speaker 1: Shot Mellie, shot the Mellie. You know what I'm saying,

2888
02:35:57,120 --> 02:35:59,080
Speaker 1: because she's gonna be on the log with project, especially

2889
02:35:59,120 --> 02:36:03,520
Speaker 1: with that's Melli, the really madden. Yeah, the change. She's

2890
02:36:03,560 --> 02:36:07,880
Speaker 1: the most fire a little however rid of scientists and

2891
02:36:07,879 --> 02:36:16,400
Speaker 1: you know what it is. Yeah, fuck you bro with man.

2892
02:36:16,800 --> 02:36:19,560
Speaker 1: That was actually good. That was cold. Yeah, that's actually

2893
02:36:19,600 --> 02:36:21,320
Speaker 1: that was actually the best show I type the moll

2894
02:36:21,640 --> 02:36:24,640
Speaker 1: You might have had the good I don't do a

2895
02:36:24,680 --> 02:36:29,880
Speaker 1: little time ago that she made me shut up, but

2896
02:36:30,000 --> 02:36:35,520
Speaker 1: it was almost at the best bet at least in

2897
02:36:35,520 --> 02:36:40,880
Speaker 1: the last three months. Yo, I want to beat you

2898
02:36:40,959 --> 02:36:44,400
Speaker 1: up once again. Man, we made a great album. Continue success.

2899
02:36:45,520 --> 02:36:47,080
Speaker 1: You know what I'm saying, Get some Lean Dion on

2900
02:36:47,160 --> 02:36:52,520
Speaker 1: the record, crazy because as well, right, oh yeah, that's right.

2901
02:36:52,800 --> 02:36:59,920
Speaker 1: She had the little chime Canada get it. I'm doing this.

2902
02:37:00,040 --> 02:37:02,480
Speaker 1: I do want to say one thing, regardless of anything

2903
02:37:02,640 --> 02:37:07,520
Speaker 1: I think that it is still very inspirational for the

2904
02:37:07,600 --> 02:37:11,200
Speaker 1: amount of years that she's been a phenomenal artist, and

2905
02:37:11,640 --> 02:37:13,600
Speaker 1: for her to come back and still get a number

2906
02:37:13,640 --> 02:37:17,560
Speaker 1: one album, even if, even if, even if I'm a

2907
02:37:17,640 --> 02:37:19,800
Speaker 1: person and I didn't get the number one album the

2908
02:37:19,879 --> 02:37:23,200
Speaker 1: same week as her, She's the fucking goat and she

2909
02:37:23,320 --> 02:37:26,080
Speaker 1: deserves all the respect and all the praise for still

2910
02:37:26,200 --> 02:37:28,720
Speaker 1: being here right now dropping a fucking album the White

2911
02:37:28,800 --> 02:37:35,800
Speaker 1: jan killing that ship and of Celindon. You know what

2912
02:37:35,840 --> 02:37:37,520
Speaker 1: I'm saying, Because she just got a number one album

2913
02:37:37,640 --> 02:37:44,400
Speaker 1: right now this week. That's hard and that's fire. Sheause.

2914
02:37:44,400 --> 02:37:47,720
Speaker 1: You know what she's like international, she's like no race.

2915
02:37:49,240 --> 02:37:52,160
Speaker 1: I'm talking about countries. But you know there's certain people

2916
02:37:52,240 --> 02:37:54,640
Speaker 1: that succeed no race, like o J made it to

2917
02:37:54,720 --> 02:37:57,279
Speaker 1: that point, didn't He didn't. He didn't. The ship happened

2918
02:37:57,320 --> 02:38:00,560
Speaker 1: and he came back a nigga. But but at one

2919
02:38:00,640 --> 02:38:03,680
Speaker 1: point he was just no race. He was Michael Jackson

2920
02:38:03,840 --> 02:38:06,000
Speaker 1: was no race. At one point, he was Dominican for

2921
02:38:06,000 --> 02:38:09,800
Speaker 1: a little bit. I've seen it. I've seen pristis in

2922
02:38:09,879 --> 02:38:11,920
Speaker 1: him being a crypt Joe like I see it. Yeah,

2923
02:38:12,040 --> 02:38:22,040
Speaker 1: and that picture relaxed like yagame. Technically, I just realized something.

2924
02:38:22,720 --> 02:38:24,640
Speaker 1: I drink more shots than did he. Because you're not

2925
02:38:24,800 --> 02:38:27,080
Speaker 1: counting that. I was drinking out of heads. I'm gonna

2926
02:38:27,120 --> 02:38:30,440
Speaker 1: be honest, you're not counting it. I was drinking. I

2927
02:38:30,560 --> 02:38:33,120
Speaker 1: was trying to keep taking shots. We don't want to

2928
02:38:33,160 --> 02:38:34,440
Speaker 1: keep you with Jinny. Let me just tell you what

2929
02:38:34,520 --> 02:38:36,960
Speaker 1: nothing saying. We don't want to do it because I

2930
02:38:37,040 --> 02:38:41,560
Speaker 1: want to go home. We don't want to know. And

2931
02:38:41,640 --> 02:38:43,760
Speaker 1: I don't think he's that crazy. I do it like

2932
02:38:44,320 --> 02:38:47,760
Speaker 1: I'm not doing it. Don't don't go. We don't have

2933
02:38:47,920 --> 02:38:49,480
Speaker 1: that cover. But we used to have a cup. I'll

2934
02:38:49,520 --> 02:38:51,200
Speaker 1: tell you what took that. And they took a whole cover.

2935
02:38:51,320 --> 02:38:53,480
Speaker 1: Now and he took a cover and put every shot

2936
02:38:54,400 --> 02:38:56,879
Speaker 1: four bottles, and we have right now. He put every

2937
02:38:57,000 --> 02:39:01,200
Speaker 1: bottle in one chalice, and everybody drink out of this

2938
02:39:01,400 --> 02:39:04,040
Speaker 1: take a shot. He took the biggest shot first. Heed

2939
02:39:04,120 --> 02:39:06,440
Speaker 1: he like drink. He drink. He drinking out of his mouth,

2940
02:39:06,640 --> 02:39:09,760
Speaker 1: and then she was amazing. It was it was because

2941
02:39:10,080 --> 02:39:17,840
Speaker 1: how rich, you know, like because I'm getting yeah, yeah,

2942
02:39:18,879 --> 02:39:20,760
Speaker 1: I'll be honest with you to if it was a

2943
02:39:20,840 --> 02:39:28,600
Speaker 1: rid man, if it was a regular dude, it would

2944
02:39:28,600 --> 02:39:32,120
Speaker 1: have been. But it was amazing to see this, yeah,

2945
02:39:32,120 --> 02:39:34,640
Speaker 1: because he because because you know, at first he was offended,

2946
02:39:34,720 --> 02:39:36,720
Speaker 1: like you know, man just made the deal with him

2947
02:39:37,440 --> 02:39:41,120
Speaker 1: and we didn't get the check. That's what we didn't have.

2948
02:39:41,280 --> 02:39:42,920
Speaker 1: Some did some did he like we did get that?

2949
02:39:43,160 --> 02:39:44,640
Speaker 1: We don't. We even have to we have to look

2950
02:39:44,680 --> 02:39:46,600
Speaker 1: at we did that. I didn't, right, But the thing

2951
02:39:46,800 --> 02:39:50,640
Speaker 1: was we didn't have the check, so technically yeah, but

2952
02:39:51,040 --> 02:39:53,480
Speaker 1: the deal was done though. So he sat down and

2953
02:39:53,520 --> 02:39:55,760
Speaker 1: I just asked him the wildest thing because I really

2954
02:39:55,840 --> 02:39:58,320
Speaker 1: wanted to know, like because I don't think jay Lo farts,

2955
02:39:58,360 --> 02:40:01,240
Speaker 1: think like my mom. It was like like just in

2956
02:40:01,360 --> 02:40:04,280
Speaker 1: my mind, like I don't think jay like I don't

2957
02:40:04,320 --> 02:40:06,800
Speaker 1: think I think jay Lo ship smelled like roses for real,

2958
02:40:06,920 --> 02:40:09,040
Speaker 1: Like this is me. So I had to ask him

2959
02:40:09,080 --> 02:40:12,120
Speaker 1: and he's looking like what I'm like, yo, do j

2960
02:40:12,280 --> 02:40:15,920
Speaker 1: Lo farks? He smells like cherries? And then he's like

2961
02:40:16,240 --> 02:40:20,920
Speaker 1: huh and I didn't know Cassie's in the building. Oh no,

2962
02:40:22,120 --> 02:40:24,880
Speaker 1: so I didn't know. So my phone is gone. Quit

2963
02:40:28,800 --> 02:40:32,760
Speaker 1: this this is everyone's like, yo, refraining from the question,

2964
02:40:33,680 --> 02:40:38,440
Speaker 1: and I'm like, I'm sitting there like and then I'm like, oh, oh,

2965
02:40:38,560 --> 02:40:42,879
Speaker 1: I'm so sorry. Cassie's here. And then I'm like, yo, Cassy,

2966
02:40:42,959 --> 02:40:47,360
Speaker 1: come here. Cassi does he ask? It was a great man.

2967
02:40:47,400 --> 02:40:50,560
Speaker 1: I just I wanted to do the most and that

2968
02:40:50,720 --> 02:40:55,280
Speaker 1: was it. But that was all whatever. And then I say,

2969
02:40:55,400 --> 02:41:00,320
Speaker 1: didn't he asked you first? Yeah, you got don't want

2970
02:41:00,320 --> 02:41:01,680
Speaker 1: to stop me. At first, It's true. He took up

2971
02:41:01,680 --> 02:41:03,600
Speaker 1: his glasses. I was like, fuck it, I want to

2972
02:41:03,640 --> 02:41:06,920
Speaker 1: go viral. The Birdman had just I was like, Birdman

2973
02:41:07,440 --> 02:41:09,280
Speaker 1: is called that. Fuck it. I want to do This's

2974
02:41:09,280 --> 02:41:12,040
Speaker 1: not like I wanted. I want to fit on this.

2975
02:41:12,760 --> 02:41:15,000
Speaker 1: And then he realized, I think this is my ship.

2976
02:41:15,160 --> 02:41:17,720
Speaker 1: This is we're on your side. I gonna get video.

2977
02:41:17,879 --> 02:41:21,560
Speaker 1: And he thought about it. He said, you know what

2978
02:41:22,040 --> 02:41:25,320
Speaker 1: he did, he took he took the tag of Bones

2979
02:41:25,360 --> 02:41:27,520
Speaker 1: Shots and took the tag Bones Shots and he said,

2980
02:41:28,040 --> 02:41:30,160
Speaker 1: there was it was just like get into the spirit

2981
02:41:30,240 --> 02:41:31,720
Speaker 1: of and then he said, you know what, I get it.

2982
02:41:31,840 --> 02:41:33,879
Speaker 1: He said, you know, you know what, paulitized. I slipped

2983
02:41:33,879 --> 02:41:35,480
Speaker 1: for a second, he said, but now I'm bringing out

2984
02:41:35,480 --> 02:41:38,280
Speaker 1: of my world. And he took every fucking thing, and

2985
02:41:38,400 --> 02:41:41,840
Speaker 1: I kid you, not put it in one thing. And

2986
02:41:41,959 --> 02:41:44,440
Speaker 1: the best way I could describe this drink when I

2987
02:41:44,560 --> 02:41:48,400
Speaker 1: took a sip of it, it's deaf. Now we called

2988
02:41:48,440 --> 02:41:50,360
Speaker 1: the Jeffrey. Though it's called the jeff It was called

2989
02:41:50,400 --> 02:41:54,400
Speaker 1: the Jeffrey, but called the Jeffrey. Everything in it just

2990
02:41:54,440 --> 02:41:58,800
Speaker 1: sounded like called it did Deaffrey because for twelve seconds

2991
02:41:59,000 --> 02:42:03,280
Speaker 1: I was not on earth. I was like we had

2992
02:42:03,360 --> 02:42:15,680
Speaker 1: Tiger Ball, terrible Man, uh, Delion, light Brown, Chris A Spade, everything,

2993
02:42:15,720 --> 02:42:18,600
Speaker 1: and he just and I you know not, but it

2994
02:42:18,640 --> 02:42:20,240
Speaker 1: was done because he was in the moment, he was

2995
02:42:20,320 --> 02:42:22,920
Speaker 1: in them. He just just went with it and say

2996
02:42:23,040 --> 02:42:25,560
Speaker 1: so yeah, yeah, so bigger, bigger, big up man, big

2997
02:42:25,680 --> 02:42:29,279
Speaker 1: up to our partners ever vote partners that time quarters

2998
02:42:29,280 --> 02:42:31,840
Speaker 1: at Massapille. You know, we could have went to any place,

2999
02:42:31,879 --> 02:42:33,760
Speaker 1: but we stayed. We stayed with hip hop, you know

3000
02:42:33,800 --> 02:42:35,840
Speaker 1: what I mean. We could have went anywhere, and we

3001
02:42:35,920 --> 02:42:37,880
Speaker 1: wanted we wanted to stay right with our people. You

3002
02:42:37,920 --> 02:42:40,520
Speaker 1: know what I'm saying. Pumps and jay Z you know

3003
02:42:40,560 --> 02:42:43,320
Speaker 1: what I'm saying. Big up to Peter, you know, pick

3004
02:42:43,400 --> 02:42:47,360
Speaker 1: up to everyone, big Jason title, you know, big up

3005
02:42:47,400 --> 02:42:54,280
Speaker 1: to Robbing and uh vote everybody with shallum everybody have

3006
02:42:54,400 --> 02:43:00,240
Speaker 1: a vote like market Maxville. Um, what's the other dude? Damn?

3007
02:43:00,240 --> 02:43:03,000
Speaker 1: I got my man's name, Jeff Jeff from Jeff at

3008
02:43:03,040 --> 02:43:07,600
Speaker 1: Masson Pale Roberta. Uh, everyone everyone, man, Like you know

3009
02:43:07,640 --> 02:43:09,600
Speaker 1: what I mean. We're having a great time. We representing

3010
02:43:09,720 --> 02:43:11,760
Speaker 1: hip hop and we want to tell you something, Tori

3011
02:43:11,840 --> 02:43:14,200
Speaker 1: me Man, We representing you, man, and we had a

3012
02:43:14,240 --> 02:43:16,480
Speaker 1: great time hanging out with us. Man. We appreciate you

3013
02:43:16,560 --> 02:43:19,080
Speaker 1: taking your time one of the hottest people in the world.

3014
02:43:19,120 --> 02:43:20,760
Speaker 1: You didn't have to come and sit down with us.

3015
02:43:20,959 --> 02:43:22,840
Speaker 1: Then you made it your part. You made it your

3016
02:43:22,920 --> 02:43:25,280
Speaker 1: part and you came down. I wanna big up your

3017
02:43:25,360 --> 02:43:30,120
Speaker 1: team GP everyone from being on point, everyone of your

3018
02:43:30,160 --> 02:43:32,760
Speaker 1: old team. Man. You got a great team man. Uh.

3019
02:43:33,240 --> 02:43:34,920
Speaker 1: And I want a big all of y'all up. Man.

3020
02:43:35,000 --> 02:43:41,879
Speaker 1: Let's make some noise for you man. And we definitely

3021
02:43:41,959 --> 02:43:45,280
Speaker 1: want another album before the phen We wanted an album inwenty.

3022
02:43:45,320 --> 02:43:47,960
Speaker 1: We definitely wanted like I need to be because like listen,

3023
02:43:48,000 --> 02:43:52,040
Speaker 1: you know, for years, for years I used to not listen. Uh,

3024
02:43:52,600 --> 02:43:55,440
Speaker 1: this is these past couple of years. Is my R

3025
02:43:55,520 --> 02:43:58,760
Speaker 1: and B year Like I used to old kicking pretapes,

3026
02:43:59,400 --> 02:44:01,040
Speaker 1: So like I was out of line. I was out

3027
02:44:01,080 --> 02:44:03,199
Speaker 1: of it. Now I like I'm getting into it because

3028
02:44:03,240 --> 02:44:05,680
Speaker 1: you know, all Kelly was the first person like I

3029
02:44:05,840 --> 02:44:08,480
Speaker 1: listened to and then it was funked up when I

3030
02:44:08,560 --> 02:44:13,600
Speaker 1: found out who he really is. So for now it's

3031
02:44:13,640 --> 02:44:16,400
Speaker 1: back and now little So now I'm trying to you know,

3032
02:44:16,720 --> 02:44:19,720
Speaker 1: we're get into and tis tape is shout out to

3033
02:44:19,760 --> 02:44:22,240
Speaker 1: all of the the top R and B people up

3034
02:44:22,320 --> 02:44:26,000
Speaker 1: today right now. I think you know, um Dakasi coming on,

3035
02:44:26,080 --> 02:44:30,360
Speaker 1: We're doing a record with him. Now stop stop. I

3036
02:44:30,480 --> 02:44:33,000
Speaker 1: was still I was in the middle of something. Shout

3037
02:44:33,040 --> 02:44:36,440
Speaker 1: out to all people that are out right now. You

3038
02:44:36,480 --> 02:44:40,480
Speaker 1: know what I'm saying to Jacquie and and uh, the

3039
02:44:40,600 --> 02:44:44,000
Speaker 1: some of Walkers, the Mariah to scientists and Mellie's you know,

3040
02:44:45,760 --> 02:44:50,879
Speaker 1: the herds and cissors and people party Jeremi, Chris Brown's,

3041
02:44:50,879 --> 02:44:53,080
Speaker 1: all the people that are doing anything right now. You know,

3042
02:44:53,440 --> 02:44:56,680
Speaker 1: it's very important for us to keep in light of

3043
02:44:56,760 --> 02:44:59,600
Speaker 1: that because we don't ever want the genre of R

3044
02:44:59,680 --> 02:45:01,800
Speaker 1: and B to die. And so I think it's always

3045
02:45:01,840 --> 02:45:09,119
Speaker 1: important that we shed light on on that. You know, constantly,

3046
02:45:09,120 --> 02:45:12,600
Speaker 1: come home, you're doing a song, not just playing with you.

3047
02:45:12,720 --> 02:45:16,560
Speaker 1: I don't know you just because that was kind of

3048
02:45:16,600 --> 02:45:19,280
Speaker 1: you just never know. You just never know. At the

3049
02:45:19,360 --> 02:45:21,640
Speaker 1: end of the day. For me personally, like street Wise,

3050
02:45:21,879 --> 02:45:24,120
Speaker 1: I really can't. I can't get with the ship. I

3051
02:45:24,200 --> 02:45:26,280
Speaker 1: just I can't get with that type of ship, you

3052
02:45:26,320 --> 02:45:31,959
Speaker 1: know what I'm saying. Um, In life, I never say, yo,

3053
02:45:32,040 --> 02:45:35,880
Speaker 1: I'm never gonna do something, period, not has nothing to

3054
02:45:35,920 --> 02:45:38,360
Speaker 1: do with Takashi or anything. In life, I never say

3055
02:45:38,400 --> 02:45:40,240
Speaker 1: I'm never gonna do something because you just don't know,

3056
02:45:40,840 --> 02:45:42,440
Speaker 1: you know what I'm saying, And I never want to

3057
02:45:42,760 --> 02:45:45,520
Speaker 1: look like a fool for saying anything that I don't know.

3058
02:45:45,920 --> 02:45:48,120
Speaker 1: And then they I can't tell the future, so I

3059
02:45:48,240 --> 02:45:50,600
Speaker 1: don't know. But the street Wise and my niggas and

3060
02:45:51,160 --> 02:45:53,280
Speaker 1: the way it is in the world, it's just like

3061
02:45:53,959 --> 02:45:57,120
Speaker 1: I really can't. But it's like you don't know, you

3062
02:45:57,160 --> 02:46:00,760
Speaker 1: know what I'm saying, So no, I mean, yeah, that

3063
02:46:00,879 --> 02:46:02,680
Speaker 1: was that. That was That was I wouldn't say like

3064
02:46:03,160 --> 02:46:05,240
Speaker 1: my close, close, close friend, but it's a guy that

3065
02:46:05,280 --> 02:46:07,960
Speaker 1: I would see good person from what I've seen from

3066
02:46:07,959 --> 02:46:09,920
Speaker 1: the times that I've seen him. It is what it is,

3067
02:46:09,959 --> 02:46:11,400
Speaker 1: you know what I'm saying. I don't really agree with

3068
02:46:11,840 --> 02:46:15,040
Speaker 1: how the situation went down. That is what it is.

3069
02:46:15,160 --> 02:46:17,119
Speaker 1: The way things turn out is the way things turn out,

3070
02:46:17,240 --> 02:46:20,080
Speaker 1: you know. Um, But whatever, I think it's gonna be

3071
02:46:20,200 --> 02:46:24,360
Speaker 1: a very interesting thing when it comes down to so

3072
02:46:24,800 --> 02:46:26,520
Speaker 1: when he comes home, I think I think everybody kind

3073
02:46:26,520 --> 02:46:29,040
Speaker 1: of wants to know what he's gonna do. But um,

3074
02:46:29,160 --> 02:46:30,760
Speaker 1: other than that, I don't really got to no other

3075
02:46:30,840 --> 02:46:32,520
Speaker 1: opinion on that. You feel me, I don't want. I

3076
02:46:32,560 --> 02:46:34,080
Speaker 1: don't let me, let me. I don't want to get

3077
02:46:34,080 --> 02:46:38,360
Speaker 1: into it. But actually, one thing about that I don't

3078
02:46:38,360 --> 02:46:40,720
Speaker 1: want when it comes to producers, producers not held to

3079
02:46:40,760 --> 02:46:44,080
Speaker 1: the same thing that me. You or what do you?

3080
02:46:44,400 --> 02:46:46,440
Speaker 1: What do you mean? Like like let's bull don't I

3081
02:46:46,480 --> 02:46:54,160
Speaker 1: mean listen he listen? I don't. I don't. I don't know.

3082
02:46:54,320 --> 02:46:56,600
Speaker 1: Whatever nigga is gonna do, I don't care, and nothing

3083
02:46:56,640 --> 02:46:59,160
Speaker 1: to do with me. I'm a guy who you know.

3084
02:46:59,240 --> 02:47:01,360
Speaker 1: I'm gonna do what I do and if I feel

3085
02:47:01,400 --> 02:47:03,760
Speaker 1: like doing something, I'm gonna do it. If I don't

3086
02:47:03,800 --> 02:47:06,480
Speaker 1: feel like doing something, I'm not gonna do it. Whatever

3087
02:47:06,560 --> 02:47:12,560
Speaker 1: you niggas want to do what you do, but nothing

3088
02:47:12,560 --> 02:47:13,879
Speaker 1: to do to me. It's not making me no money

3089
02:47:14,360 --> 02:47:17,520
Speaker 1: fun out here, But you know that's up to them.

3090
02:47:17,640 --> 02:47:19,520
Speaker 1: You know. It's just like it's a decision of mine,

3091
02:47:19,959 --> 02:47:23,039
Speaker 1: it's a decision of the iss. Right. You ever thought

3092
02:47:23,040 --> 02:47:25,279
Speaker 1: a hip hop would be like this? Like it's so crazy,

3093
02:47:25,400 --> 02:47:27,920
Speaker 1: Like this is a circus right now? This is crazy.

3094
02:47:28,080 --> 02:47:30,600
Speaker 1: Do you think you ever thought, like the music business

3095
02:47:30,680 --> 02:47:33,480
Speaker 1: hip hop would be like this or you expected this.

3096
02:47:33,760 --> 02:47:35,600
Speaker 1: I don't think hip hop would be like this if

3097
02:47:35,800 --> 02:47:40,240
Speaker 1: if social media was never this big, Yeah, hip hop

3098
02:47:40,240 --> 02:47:44,000
Speaker 1: would never be this with solo. So I agree with

3099
02:47:44,040 --> 02:47:49,520
Speaker 1: you one no way social media. That's somebody right and

3100
02:47:49,680 --> 02:47:53,480
Speaker 1: my correct. And also what's funked up is a lot

3101
02:47:53,520 --> 02:47:56,680
Speaker 1: of times I think the youth of today nobody likes

3102
02:47:56,720 --> 02:47:59,880
Speaker 1: to feel challenged. And you could be the most rough,

3103
02:48:00,120 --> 02:48:02,840
Speaker 1: the toughest nigger from your neighborhood go on the blog

3104
02:48:03,400 --> 02:48:05,800
Speaker 1: and be speaking of feelings and niggas be like this

3105
02:48:05,879 --> 02:48:09,280
Speaker 1: is the softest bitch ass nigger and you're like, what

3106
02:48:10,360 --> 02:48:15,000
Speaker 1: body something bodies something that It's just like, oh, this

3107
02:48:15,120 --> 02:48:17,520
Speaker 1: nigg is a fool. So the same rules don't apply

3108
02:48:18,000 --> 02:48:20,720
Speaker 1: to the times. And I think that you know, sometimes

3109
02:48:21,040 --> 02:48:22,960
Speaker 1: the Internet could hype you up to doing things that

3110
02:48:23,080 --> 02:48:27,080
Speaker 1: maybe you're not trying to even do what get involved in?

3111
02:48:27,600 --> 02:48:29,400
Speaker 1: You know so? I think I think the state of

3112
02:48:29,480 --> 02:48:32,840
Speaker 1: hip hop and just other things wouldn't be so um

3113
02:48:34,240 --> 02:48:37,080
Speaker 1: focused on the persona more so than the music if

3114
02:48:37,120 --> 02:48:41,080
Speaker 1: we weren't in this time social media. You know. So, now,

3115
02:48:41,240 --> 02:48:43,400
Speaker 1: the number one strip club in Miami, it's ended like this.

3116
02:48:43,800 --> 02:48:46,480
Speaker 1: It's gotta be booby trapping on the river. Correct. What

3117
02:48:46,600 --> 02:48:48,520
Speaker 1: do you say your number one strip club in Miami

3118
02:48:48,600 --> 02:48:51,920
Speaker 1: gotta be booby trap on the river? Correct? I don't know, man,

3119
02:48:51,920 --> 02:48:54,120
Speaker 1: It depends on It depends on what you like to

3120
02:48:54,160 --> 02:48:56,640
Speaker 1: go to show Girl. You're gonna suck my money? He

3121
02:48:59,360 --> 02:49:02,320
Speaker 1: depending on my money? Tell you something. This is my

3122
02:49:02,480 --> 02:49:06,039
Speaker 1: friend Djan He bunged me to show girls one night.

3123
02:49:06,640 --> 02:49:10,640
Speaker 1: Where's that? I never I've never seen so many Listen

3124
02:49:10,680 --> 02:49:14,200
Speaker 1: to me. I've never seen North color is down so

3125
02:49:14,400 --> 02:49:18,280
Speaker 1: many bullet hole wounds in my life. Every bitch in

3126
02:49:18,400 --> 02:49:24,080
Speaker 1: there got shot, but they still keep their composure. Listen

3127
02:49:24,200 --> 02:49:28,320
Speaker 1: to me every bit and then got shot. But it's horrible,

3128
02:49:28,440 --> 02:49:32,040
Speaker 1: but they're not funny. I did not say I didn't

3129
02:49:32,040 --> 02:49:36,600
Speaker 1: have fun I'm just it was the clienteles and that

3130
02:49:36,640 --> 02:49:39,320
Speaker 1: they were still funny D was the man in there.

3131
02:49:39,480 --> 02:49:42,600
Speaker 1: Sunny D walked in there. Let me say, you know,

3132
02:49:42,680 --> 02:49:45,120
Speaker 1: I love a strip club. When you spend a hundred

3133
02:49:45,560 --> 02:49:54,920
Speaker 1: do that to change? Oh, you gotta just keep going back.

3134
02:49:55,000 --> 02:49:58,039
Speaker 1: It's like even if it's bad, it's like fucking like, listen,

3135
02:49:58,160 --> 02:50:03,680
Speaker 1: I think everyone came ball and here your broth friends. Yeah,

3136
02:50:03,680 --> 02:50:06,199
Speaker 1: shout you girls, I go, I go. Why I can't

3137
02:50:06,240 --> 02:50:11,640
Speaker 1: say yeah, I can't just listen. It's green cards, like

3138
02:50:11,959 --> 02:50:14,800
Speaker 1: the girls and there they got green cards, like yeah,

3139
02:50:14,840 --> 02:50:17,320
Speaker 1: so it's like they're gonna get deported for shore. So

3140
02:50:17,480 --> 02:50:21,240
Speaker 1: you can't say the Trump find out about there's going.

3141
02:50:23,440 --> 02:50:26,680
Speaker 1: It's the far doubt. There's just a little doubt. But

3142
02:50:26,800 --> 02:50:30,560
Speaker 1: I'm being it's the oldest immigrant like everybody going to jail.

3143
02:50:30,640 --> 02:50:33,000
Speaker 1: Like I'll be honest, man, Like I'm being honest. My

3144
02:50:33,080 --> 02:50:38,119
Speaker 1: cousin put me onto a callito like nobody speaking there,

3145
02:50:38,160 --> 02:50:40,800
Speaker 1: like niggas in their car com in on my You

3146
02:50:41,240 --> 02:50:44,360
Speaker 1: listen to me, you spend off hunt the point with

3147
02:50:44,440 --> 02:50:47,600
Speaker 1: the la. First off, the pedo guio is like dirty

3148
02:50:47,680 --> 02:50:51,119
Speaker 1: dollars for the bottle. You don't know the last time

3149
02:50:51,200 --> 02:50:55,760
Speaker 1: you paid dirty dollars in the club for I'm getting

3150
02:50:56,000 --> 02:51:01,920
Speaker 1: ty off off top seventy sixteen. God, let's go. But yeah,

3151
02:51:02,000 --> 02:51:04,440
Speaker 1: so I'm I'm a did I say, i'mnna put you

3152
02:51:04,520 --> 02:51:06,920
Speaker 1: on out after my shot because I'm gonna gonna get

3153
02:51:06,959 --> 02:51:10,360
Speaker 1: in trouble. But it's okay because I'm a look around.

3154
02:51:10,440 --> 02:51:12,000
Speaker 1: I don't know if you know you know what to

3155
02:51:12,040 --> 02:51:22,280
Speaker 1: look around. I'm just look. I look, I look, and

3156
02:51:22,400 --> 02:51:26,120
Speaker 1: I say I'm Amernequan and then I admired, and then

3157
02:51:26,160 --> 02:51:28,800
Speaker 1: I say I'm gonna have another drink and I go home.

3158
02:51:29,120 --> 02:51:31,920
Speaker 1: But you're a single man, am I saying this? Correct?

3159
02:51:32,040 --> 02:51:33,959
Speaker 1: Or like I've been sucking you up this whole interview.

3160
02:51:34,560 --> 02:51:36,720
Speaker 1: You're a single man. So we're gonna get you. We're

3161
02:51:36,760 --> 02:51:38,480
Speaker 1: gonna get you, right because I just feel like your

3162
02:51:38,560 --> 02:51:44,560
Speaker 1: fingers smell like pussy already. So so we're gonna get you.

3163
02:51:44,840 --> 02:51:50,039
Speaker 1: Makes you know the one We're gonna take a picture

3164
02:51:50,400 --> 02:51:50,440
Speaker 1: and