WEBVTT - Lukas Nelson: A Star Is Born

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<v Speaker 1>Pushkin, You're gonna waste your house and home doing your

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<v Speaker 1>money was so long? Good back to love you, Thank you,

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<v Speaker 1>gambling woman, don't let your love run dry. Growing up

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<v Speaker 1>with a family full of musicians, Lucas Nelson was basically

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<v Speaker 1>raised on stage. Lucas started playing guitar and his dad,

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<v Speaker 1>Willie Nelson's band when he was just eleven years old.

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<v Speaker 1>In those early days, he spent all of his time

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<v Speaker 1>practicing and made a point of earning his stripes instead

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<v Speaker 1>of just coasting on his dad's success. Beautiful bis, I

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<v Speaker 1>see your Hi don't make good colors. That hard works

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<v Speaker 1>paid off. In two thousand and eight, Lucas formed his

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<v Speaker 1>acclaimed band, Promise of the Real, who've also spent the

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<v Speaker 1>last six years as Neil Young's touring band. In twenty seventeen,

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<v Speaker 1>Lucas and the band were cast and a Star was

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<v Speaker 1>born as Bradley Cooper's backing band. Cooper learned how to

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<v Speaker 1>embody a rock star on stage through working with Lucas,

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<v Speaker 1>who also wrote the opening riff for Shallow and co

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<v Speaker 1>wrote some other songs on the soundtrack sung by Cooper

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<v Speaker 1>and Lady Gaga. On today's episode, Lucas Nelson sings some

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<v Speaker 1>songs from his latest album, A Few Stars Apart. He

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<v Speaker 1>also talks to Bruce Headlam about the very relatable experience

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<v Speaker 1>of quarantining with his parents and talks about how the

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<v Speaker 1>first song he ever wrote saved him from getting evicted

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<v Speaker 1>from an apartment after leaving college. This is broken record

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<v Speaker 1>liner notes for the digital Age. I'm justin Richmond. Here's

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<v Speaker 1>Bruce Headlam and Lucas Nelson. So thank you so much

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<v Speaker 1>for doing this. You've got this new album, A Few

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<v Speaker 1>Stars Apart with your band promise of the reel. Can

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<v Speaker 1>you just start by telling me a bit about this album. Yes,

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<v Speaker 1>the record was recorded at OURCA Studios in Nashville, Tennessee.

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<v Speaker 1>It's a historic place. Elvis and my father and so

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<v Speaker 1>many others have recorded there. You can feel that history

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<v Speaker 1>when you go in the building. Dave Cobb was the

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<v Speaker 1>producer on our record, and he has produced many fantastic

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<v Speaker 1>artists including Chris Stapleton, Brandy Carlyle. And he's just a

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<v Speaker 1>really cool guy and was really happy to work with

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<v Speaker 1>him because he tends to work the way we like

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<v Speaker 1>to work, which is sort of analog, live in the studio,

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<v Speaker 1>a little bit old school. You might say, but he

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<v Speaker 1>can produce a fresh sound with that process. You know,

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<v Speaker 1>we were really happy to be with him. Was this record?

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<v Speaker 1>Was it written while you were in lockdown for COVID? Yeah,

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<v Speaker 1>I mean we looked. We looked through a bunch of

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<v Speaker 1>the songs that I had written in the last few years,

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<v Speaker 1>and a good portion of the songs we picked to

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<v Speaker 1>be on this record were written during quarantine. Okay, Now,

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<v Speaker 1>you're from a great musical family. Your father, Willie or

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<v Speaker 1>your aunt has been his piano player for a long time.

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<v Speaker 1>Got other musicians in your family. Were you able to

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<v Speaker 1>see them at all during quarantine? I was with my

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<v Speaker 1>mother and father during the beginning the first six months

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<v Speaker 1>of quarantine, which was great. It was It was really

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<v Speaker 1>nice to be able to be with them. One of

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<v Speaker 1>the greatest pains in my life before the pandemic was

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<v Speaker 1>the fact that we my father and I had separate schedules,

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<v Speaker 1>and so, you know, him being in his later years,

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<v Speaker 1>I want to spend as much time with him as

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<v Speaker 1>I can, and my work was taking me away from him, which,

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<v Speaker 1>even though I knew that he was proud and happy

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<v Speaker 1>that I'm out doing my own thing and on the road,

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<v Speaker 1>I felt pained not to be with him as much

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<v Speaker 1>as possible, and so when when the pandemic hit, we

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<v Speaker 1>just happened to be in the same place and I

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<v Speaker 1>couldn't leave anywhere anyway, So we got quarantined together, and

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<v Speaker 1>it was the greatest five or six months I'd ever

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<v Speaker 1>spent with them. Now, I mean most people I've been

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<v Speaker 1>away from my family. Your father, as you mentioned, is

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<v Speaker 1>he's I think eighty eight. Now, you did a very

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<v Speaker 1>lovely version online of Hello in there when John Prime

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<v Speaker 1>first got sick, and of course very sadly he died

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<v Speaker 1>of COVID. Yeah, was your family okay through all this? Well? Yes,

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<v Speaker 1>I mean we were. We were relatively fine. Absolutely. I

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<v Speaker 1>think that you know, when you look at how many

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<v Speaker 1>people were suffering, I mean we were just sitting up

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<v Speaker 1>on a hill in Austin, you know, with horses and

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<v Speaker 1>eating food together and having family dinners and you know,

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<v Speaker 1>things that we hadn't done in years, and so I

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<v Speaker 1>suppose we were very grateful. I mean there were challenges,

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<v Speaker 1>especially challenges and in living together after so long, you know,

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<v Speaker 1>some childhood things came up, and you know, there's a

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<v Speaker 1>funny there's a famous quote, and I can't remember who

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<v Speaker 1>said it? Could have been Ramdas or or or Rinpoche,

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<v Speaker 1>one of these these famous Buddhist monks. They say, if

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<v Speaker 1>you think you're enlightened, spend a week with your parents.

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<v Speaker 1>And I, you know, I can't stress enough. A lot

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<v Speaker 1>of us, I was having a conversation the other day,

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<v Speaker 1>a lot of us really feel like as adults, we've

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<v Speaker 1>sort of become well, hopefully those of us that feel

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<v Speaker 1>this way feel that we've become the most peaceful version

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<v Speaker 1>of ourselves, and you know, our ability to let things slide,

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<v Speaker 1>you know, at least for me, I feel like in

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<v Speaker 1>my entire life, the most challenging experiences have been when

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<v Speaker 1>I've been forced to spend them all that time with

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<v Speaker 1>the people who've been able to trigger the darkest parts

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<v Speaker 1>of my personality. And so it really is a great,

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<v Speaker 1>a great lesson and test in mastering oneself in order

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<v Speaker 1>when you're spending time with people who know how to

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<v Speaker 1>press your buttons and who you know how to press

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<v Speaker 1>their buttons, and so to to not to not say

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<v Speaker 1>the wrong thing that will set them off, you know,

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<v Speaker 1>And I don't I don't know anybody who hasn't experienced

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<v Speaker 1>that at this you know, even at very enlightened levels.

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<v Speaker 1>You know, I think that we're all in that same

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<v Speaker 1>boat together. Even the Dalai Lama probably gets annoyed at

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<v Speaker 1>some point, you know, but then he's able to he's

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<v Speaker 1>got the tools to not let that show or not

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<v Speaker 1>let that affect how he responds. The difference between reacting

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<v Speaker 1>to something and then responding is that one is sort

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<v Speaker 1>of unconscious reaction and the other is conscious response. And

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<v Speaker 1>so that that lesson has been great, and I think

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<v Speaker 1>I've learned how to do that a lot better. These days.

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<v Speaker 1>I have to ask, what would trigger your family? When

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<v Speaker 1>you're at home? What would you do to trigger your family? Oh?

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<v Speaker 1>My goodness, Oh, there's so many triggers that we have. Um,

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<v Speaker 1>you know, I mean, we're we're all flawed human beings.

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<v Speaker 1>You know, we've we've got we've got these cracks in

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<v Speaker 1>us that but they remind me of the cracks in

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<v Speaker 1>the bulls in Japan where they filled the cracks up

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<v Speaker 1>with gold, you know, because there is no imperfection. Really,

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<v Speaker 1>it's all perfect. But you know, we have tempers. I mean,

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<v Speaker 1>the Nelson, the Nelson family has has never been accused

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<v Speaker 1>of being impassionate. We are very passionate people. Uh, we

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<v Speaker 1>we have strong opinions about things, and we have a

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<v Speaker 1>difficulty not expressing those opinions. I'll commit the question one

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<v Speaker 1>other way, and it reminds me. You're in Texas, where

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<v Speaker 1>I guess trigger should be left for that should be

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<v Speaker 1>the name of a horse, not something people do to

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<v Speaker 1>each triggers the name of my dad's guitar. That's right.

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<v Speaker 1>It is completely forgotten that, all right, I am wondering,

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<v Speaker 1>and it can, especially if it was in a musical opinion.

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<v Speaker 1>Oh no, you know, none of that. No, you guys

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<v Speaker 1>don't argue about music, and we don't argue about music,

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<v Speaker 1>and I don't really argue much. It's oftentimes small things

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<v Speaker 1>like you know, when you're when you're stuck, you know,

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<v Speaker 1>in a room together, and you know, maybe someone feels

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<v Speaker 1>unappreciated for the work they've been doing or pulling their

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<v Speaker 1>weight in the family, you know, and then you know,

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<v Speaker 1>somebody says something and it triggers something else. But listen,

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<v Speaker 1>all of these things are universal. They're not unique to

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<v Speaker 1>my family. No, I know, because you're describing my family. Yeah, exactly.

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<v Speaker 1>You know, we may have different views. You know. I

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<v Speaker 1>don't like to watch the news. Then they they like

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<v Speaker 1>to have that news on twenty four to seven. So I,

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<v Speaker 1>you know, for me, I don't like to you know,

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<v Speaker 1>walk into a room and I'm all, I'm just like

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<v Speaker 1>boom right there, it's in my face all these headlines

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<v Speaker 1>and you know, and for me, I just you know,

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<v Speaker 1>I prefer to get my information very quickly. I get

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<v Speaker 1>notifications on my phone, I see the general headlines, and

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<v Speaker 1>I turn it off. But you know, for some reason,

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<v Speaker 1>that generation, my father's generation, my parents' generation, they love

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<v Speaker 1>to just have the news on. And I, you know,

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<v Speaker 1>twenty four to seven, I wrote a song called turn

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<v Speaker 1>off the News and build a Garden, and that was

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<v Speaker 1>so you know, we have differences in there, and and

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<v Speaker 1>that's okay. You know, you know, it's their house. At

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<v Speaker 1>that point, I was staying at their house, so you know,

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<v Speaker 1>I can't complain when I when it's you know, on

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<v Speaker 1>every TV. Well, despite what you're describing, Yeah, there's a

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<v Speaker 1>couple of things that struck me about this album. It's

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<v Speaker 1>a very very full albums. Togetherness may have been tough

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<v Speaker 1>at points, but it's very much an album about togetherness.

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<v Speaker 1>Do you see it that way? Oh? I do? And

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<v Speaker 1>after a couple months of rediscovering the tools to live

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<v Speaker 1>with each other. You know, we've been gone, We've been

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<v Speaker 1>we hadn't been with each other. We'd been sort of

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<v Speaker 1>in and out of contact and talking all the time,

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<v Speaker 1>but really spending time together. We hadn't done that a lot.

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<v Speaker 1>And so once we did, once we sat down, once

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<v Speaker 1>we started hanging and I've rediscovered these beautiful people that

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<v Speaker 1>were my parents, I felt so grateful and hopeful, and

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<v Speaker 1>it gave me a stronger sense of peace than I'd

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<v Speaker 1>ever had a stronger sense of contentment, of being comfortable

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<v Speaker 1>in my own skin, of security, because you know, the

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<v Speaker 1>insecurities that you carry with you from the relationship with

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<v Speaker 1>your parents throughout life are very strong, and if you're

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<v Speaker 1>lucky enough to be able to sort of confront those

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<v Speaker 1>insecurities firsthand with the tools that I mean, I had

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<v Speaker 1>learned how to do meditation, and I'd learned the tools

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<v Speaker 1>that you need in order to respond and not react.

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<v Speaker 1>And so even though I failed many times, towards the

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<v Speaker 1>end of that period of time where I was stuck

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<v Speaker 1>with them, we were really getting along and we worked

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<v Speaker 1>through a lot of stuff, and it was really a

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<v Speaker 1>necessary time for all of us. Well, you're giving hope

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<v Speaker 1>to an entire country that's coming out of COVID. I

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<v Speaker 1>hope you know that. Well, listen, what better gift could

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<v Speaker 1>one hope to give? Well? You are. One of the

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<v Speaker 1>gifts on this album is will Be all Right, which

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<v Speaker 1>is the first song. Was that written with anybody in mind?

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<v Speaker 1>That was written with everybody in mind, that was written

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<v Speaker 1>with the whole world in mind. It's a pretty heavy

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<v Speaker 1>song in some ways because it's you know, talks about

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<v Speaker 1>empires falling and understanding that everything's impermanent, but you know

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<v Speaker 1>through it all through the world. I write a lot

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<v Speaker 1>about sort of the outside world collapsing and yet love being,

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<v Speaker 1>love being what keeps us strong through that. I would

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<v Speaker 1>say that I'm a classic liberal, classical liberal, uh not

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<v Speaker 1>a not a neoliberal, but a classical liberal, in which

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<v Speaker 1>I really believe in the strength of individuals, knowing that

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<v Speaker 1>things around will be at times very very very difficult,

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<v Speaker 1>and so giving people the tools. Instead of saying, you know,

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<v Speaker 1>let's let's eradicate bullying from the world, maybe instead say

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<v Speaker 1>let's learn how to not let bullying affect you. You know,

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<v Speaker 1>let's learn how to take people's words and let them

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<v Speaker 1>slide off and not really let them affect you, you know,

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<v Speaker 1>spilled the strength from within so that we learned to

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<v Speaker 1>be strong people instead of relying on or trying to

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<v Speaker 1>just say, well, let's eradicate negativity or let's let's take

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<v Speaker 1>this bad thing. And because you're never going to do that,

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<v Speaker 1>there's always going to be a new thing that pops up.

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<v Speaker 1>So rather than campaigns against the thing itself, maybe the

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<v Speaker 1>thing should be learned how to deal with inside. And

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<v Speaker 1>that's sort of a theme that I think recurs in

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<v Speaker 1>a lot of my songs. You are the image of

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<v Speaker 1>love encased in this moll moment, suspendedible, and we can

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<v Speaker 1>hold on through struggle and strike despite all the darkness.

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<v Speaker 1>We'll be all right. Solved as the river flows, bowl

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<v Speaker 1>in water is silence delivers the goal. You can jump

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<v Speaker 1>in any time. Just see you're ready, I'll say, your mind,

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<v Speaker 1>and we will be all right. If we land on,

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<v Speaker 1>our love will guide us where we belong. Oh, and

0:16:13.676 --> 0:16:37.356
<v Speaker 1>empires will fall and everything don't work. Theyly we'll be

0:16:37.556 --> 0:16:47.996
<v Speaker 1>all right. That's will be all right From Lucas Nelson

0:16:48.036 --> 0:16:50.876
<v Speaker 1>and promise of the reels new album A few Stars apart,

0:16:51.436 --> 0:16:53.956
<v Speaker 1>We'll be right back with more from Lucas Nelson. After

0:16:53.996 --> 0:17:01.316
<v Speaker 1>a quick break, we're back with more from Lucas Nelson

0:17:01.516 --> 0:17:06.596
<v Speaker 1>and Bruce Headler. Your father had a difficult relationship with

0:17:06.676 --> 0:17:09.516
<v Speaker 1>Nashville when he was a songwriter there, Sure, and he

0:17:09.716 --> 0:17:13.636
<v Speaker 1>returned to Texas. Some of you, some of your experiences

0:17:13.836 --> 0:17:16.476
<v Speaker 1>remind me a bit of Rosanne Cash, whom we've interviewed,

0:17:16.516 --> 0:17:20.756
<v Speaker 1>whose father also had a difficult time with Nashville, sure

0:17:21.636 --> 0:17:25.036
<v Speaker 1>and didn't want to be there. What's it like for

0:17:25.076 --> 0:17:27.916
<v Speaker 1>you to go to Nashville, which is not just a city,

0:17:28.596 --> 0:17:32.876
<v Speaker 1>not just a place with great studios and great great musicians,

0:17:33.716 --> 0:17:37.476
<v Speaker 1>but a kind of industry that represents a certain way

0:17:37.476 --> 0:17:41.996
<v Speaker 1>of thinking about country music. I think Nashville has changed

0:17:42.076 --> 0:17:45.916
<v Speaker 1>quite a lot since those times, especially in that there's

0:17:45.956 --> 0:17:49.956
<v Speaker 1>a lot of quality music coming out of Nashville now,

0:17:50.476 --> 0:17:53.916
<v Speaker 1>separate from what the radio stuff is, you know, separate

0:17:53.956 --> 0:17:58.116
<v Speaker 1>from what the new country you know that comes out.

0:17:58.676 --> 0:18:03.076
<v Speaker 1>There's really good stuff coming out of Nashville. But there's

0:18:03.276 --> 0:18:05.956
<v Speaker 1>there's great stuff coming all over the place now because

0:18:05.996 --> 0:18:07.956
<v Speaker 1>we have the Internet and we don't need to be

0:18:07.996 --> 0:18:11.236
<v Speaker 1>in a specific spot really to you know, there is

0:18:11.316 --> 0:18:16.796
<v Speaker 1>no hub but Nashville itself has an energy and going

0:18:16.836 --> 0:18:21.156
<v Speaker 1>there it can help inspire I think good music to come.

0:18:21.836 --> 0:18:25.476
<v Speaker 1>But and the level of musicianship that is condensed into

0:18:25.596 --> 0:18:28.396
<v Speaker 1>Nashville is incredible. Some of the best musicians in the

0:18:28.436 --> 0:18:31.316
<v Speaker 1>whole world. It's sort of one of the last places

0:18:31.756 --> 0:18:37.436
<v Speaker 1>where people really appreciate musical talent in terms of proficiency

0:18:37.436 --> 0:18:41.116
<v Speaker 1>at an instrument and not like proficiency at you know, programming.

0:18:41.396 --> 0:18:44.516
<v Speaker 1>And speaking of which, you did this whole album on analog.

0:18:44.676 --> 0:18:47.396
<v Speaker 1>You did it on tape, didn't you? We did, yes, yeah,

0:18:47.476 --> 0:18:50.156
<v Speaker 1>did you edit it digitally but just recorded on tape

0:18:50.316 --> 0:18:52.836
<v Speaker 1>or well, we didn't do much editing at all. It

0:18:52.916 --> 0:18:55.876
<v Speaker 1>was all live for the most part. There were hardly

0:18:55.916 --> 0:18:58.716
<v Speaker 1>any overdubs, I don't think. And it's funny because you know,

0:18:58.996 --> 0:19:02.636
<v Speaker 1>people don't really know that, they don't notice that because

0:19:02.676 --> 0:19:05.436
<v Speaker 1>everything has been edited that they listened to to the

0:19:05.476 --> 0:19:08.316
<v Speaker 1>most part for the most part. So a lot of

0:19:08.356 --> 0:19:11.996
<v Speaker 1>times people think that our music is really slick, when

0:19:12.036 --> 0:19:15.236
<v Speaker 1>at the same time, it's just that, you know, this

0:19:15.316 --> 0:19:18.916
<v Speaker 1>band is really really good. They're really good, and so

0:19:18.996 --> 0:19:20.996
<v Speaker 1>they sound like it's been It sounds like it's been

0:19:20.996 --> 0:19:23.676
<v Speaker 1>produced and edited or whatever, but it is. It isn't.

0:19:24.836 --> 0:19:27.036
<v Speaker 1>It hasn't. And these guys are just good and they're

0:19:27.076 --> 0:19:30.036
<v Speaker 1>good musicians, and so I'm proud of them for that. Yeah,

0:19:30.076 --> 0:19:31.996
<v Speaker 1>there's not a lot of auto tune on your voice.

0:19:31.996 --> 0:19:36.196
<v Speaker 1>I noticed. I wish I could sing better and tune,

0:19:36.276 --> 0:19:38.756
<v Speaker 1>but you know, I try. I've heard that you don't

0:19:38.796 --> 0:19:41.516
<v Speaker 1>like your own voice. Is that true. It's not that

0:19:41.556 --> 0:19:44.116
<v Speaker 1>I don't like it, It's just that I'm it's a

0:19:44.436 --> 0:19:47.436
<v Speaker 1>work in progress. I mean to say, I actually liked

0:19:47.476 --> 0:19:50.676
<v Speaker 1>my voice. But I can hit any note. You know.

0:19:50.716 --> 0:19:52.996
<v Speaker 1>I can hit high notes, I can hit low notes.

0:19:53.796 --> 0:19:58.196
<v Speaker 1>It's just a different sound, a different timbre, and but

0:19:58.236 --> 0:20:01.436
<v Speaker 1>it's getting more character to it as time goes by,

0:20:01.636 --> 0:20:04.876
<v Speaker 1>as I go through more things in life, and it

0:20:04.916 --> 0:20:08.596
<v Speaker 1>gets a little more weathered, and so you know, I'm

0:20:08.636 --> 0:20:11.996
<v Speaker 1>I'm trying not to judge it yet. I think your

0:20:11.996 --> 0:20:14.396
<v Speaker 1>mother said that she thought you'd found your voice on

0:20:14.476 --> 0:20:17.516
<v Speaker 1>this record. Yeah, what do you think she meant? There's

0:20:17.556 --> 0:20:20.156
<v Speaker 1>certain songs where I'm actually really happy with the sound

0:20:20.156 --> 0:20:23.716
<v Speaker 1>of my voice. She said that specifically regarding a song

0:20:23.756 --> 0:20:26.756
<v Speaker 1>called Throwing Away Your Love, which is sort of a

0:20:26.836 --> 0:20:30.756
<v Speaker 1>more conversational sort of tam or as a lower register

0:20:30.876 --> 0:20:33.596
<v Speaker 1>of my voice, and I like that lower register that

0:20:33.676 --> 0:20:37.076
<v Speaker 1>a higher register. You know, I couldn't sing that lower

0:20:37.556 --> 0:20:40.716
<v Speaker 1>when I was when I was younger, but I'm able

0:20:40.756 --> 0:20:43.316
<v Speaker 1>to sing it now. You know, get a little lower

0:20:43.356 --> 0:20:45.276
<v Speaker 1>down there. Do you want to play a song for us?

0:20:45.276 --> 0:20:57.676
<v Speaker 1>And we'll keep talking after sure? Time wasted again and again,

0:20:58.836 --> 0:21:06.116
<v Speaker 1>criminal intentions. I sense a deeply rooted network of confusion

0:21:06.396 --> 0:21:12.916
<v Speaker 1>in my brain. My pain is so very elementary. I

0:21:12.996 --> 0:21:16.716
<v Speaker 1>think the child and me is banging on the wall

0:21:16.756 --> 0:21:21.476
<v Speaker 1>that separates me from the light on the other side.

0:21:22.556 --> 0:21:28.636
<v Speaker 1>And I'm trying to remember why I might have left

0:21:28.756 --> 0:21:38.516
<v Speaker 1>your love behind. Oh, and I like to testify me

0:21:38.676 --> 0:21:44.916
<v Speaker 1>half of my word mine for the crime of throwing

0:21:45.036 --> 0:21:53.796
<v Speaker 1>away your love, throwing away your love, throwing away your love,

0:21:55.556 --> 0:22:03.236
<v Speaker 1>throwing away your love. Exhibb it ain't, mama. I've got proof.

0:22:03.996 --> 0:22:07.156
<v Speaker 1>I have a lot of pretty memories I can show you.

0:22:07.276 --> 0:22:12.396
<v Speaker 1>Dust them off, fancy that you're the perfect girl for me.

0:22:12.716 --> 0:22:16.636
<v Speaker 1>But somehow he slipped away for reasons I can't see.

0:22:17.676 --> 0:22:21.596
<v Speaker 1>I'd like to boy ahead plead insanity. My mind is

0:22:21.796 --> 0:22:26.676
<v Speaker 1>not my friend. I think it wants me to be lonely,

0:22:27.196 --> 0:22:33.116
<v Speaker 1>and I'm trying to remember why I might have left

0:22:33.276 --> 0:22:42.796
<v Speaker 1>your love behind. Oh, and I'd like to testify on

0:22:42.956 --> 0:22:49.476
<v Speaker 1>the half of my mind for the crime of throwing

0:22:49.596 --> 0:22:58.396
<v Speaker 1>away your love, throwing away your love, throwing away your love,

0:23:00.116 --> 0:23:08.876
<v Speaker 1>throwing away your love in my life. Oh, the sit

0:23:08.956 --> 0:23:16.516
<v Speaker 1>you vision is beyond my control of you gone me too,

0:23:16.796 --> 0:23:24.036
<v Speaker 1>hundred thousable. I'd like to testify be have of my

0:23:24.356 --> 0:23:37.676
<v Speaker 1>word mind for the crime of throwing away lowe away,

0:23:40.196 --> 0:23:51.516
<v Speaker 1>throwing away your lie. That was fantastic. Thank you so much.

0:23:51.916 --> 0:23:55.036
<v Speaker 1>I'm gonna tell all our listeners now to run out

0:23:55.116 --> 0:23:57.356
<v Speaker 1>and listen to the album version because it's got a

0:23:57.516 --> 0:24:02.196
<v Speaker 1>very full it almost sounds like the band. Yeah, band

0:24:02.276 --> 0:24:05.316
<v Speaker 1>like that descending bass, and it feels like Rick Danko

0:24:05.436 --> 0:24:07.956
<v Speaker 1>singing it. And that's just such a different, wonderful version.

0:24:08.076 --> 0:24:10.236
<v Speaker 1>Thank you, Oh, thank you. Can you tell me about

0:24:10.276 --> 0:24:13.156
<v Speaker 1>writing that one? Yeah, that was one of the ones

0:24:13.196 --> 0:24:18.356
<v Speaker 1>that I wrote a while ago, and I just I

0:24:18.556 --> 0:24:21.316
<v Speaker 1>can't help but just feel like it was sort of

0:24:21.356 --> 0:24:24.196
<v Speaker 1>written like a band song. It's very like, you know,

0:24:24.596 --> 0:24:27.116
<v Speaker 1>I wanted to write a song it was that was

0:24:27.236 --> 0:24:30.436
<v Speaker 1>groovy but mellow and and and it is sort of

0:24:30.516 --> 0:24:33.036
<v Speaker 1>I think it's one of the more fun lyrical songs

0:24:33.116 --> 0:24:36.076
<v Speaker 1>I've written. I was having fun playing with words on

0:24:36.196 --> 0:24:38.956
<v Speaker 1>that song. You know. It just felt like I was

0:24:39.116 --> 0:24:43.076
<v Speaker 1>tangled up in my emotions, you know, and I was

0:24:43.196 --> 0:24:47.196
<v Speaker 1>sort of like trying to write about leaving this girl behind.

0:24:47.396 --> 0:24:50.916
<v Speaker 1>And maybe I was watching some law and order show

0:24:51.076 --> 0:24:53.516
<v Speaker 1>or something, or I felt like, you know, I was

0:24:53.636 --> 0:24:58.996
<v Speaker 1>using a bunch of legal terms. Yeah, and this album

0:24:59.236 --> 0:25:02.916
<v Speaker 1>is more for people who have followed you. It's a

0:25:02.996 --> 0:25:06.196
<v Speaker 1>more country album. You and your band are. You're a

0:25:06.316 --> 0:25:10.396
<v Speaker 1>kind of very heavy guitar driven California style band, but

0:25:10.516 --> 0:25:13.716
<v Speaker 1>this one feels a little more Austin to me. Yeah.

0:25:13.956 --> 0:25:17.556
<v Speaker 1>I don't know where that California style got thrown into

0:25:17.636 --> 0:25:20.756
<v Speaker 1>all those articles. I mean, you know, we we we did.

0:25:21.116 --> 0:25:24.556
<v Speaker 1>The first record was in Austin. We've actually only recorded

0:25:24.596 --> 0:25:28.236
<v Speaker 1>one record in California, or two records in California. But

0:25:28.636 --> 0:25:33.076
<v Speaker 1>most of the time I grew up listening to Austin,

0:25:33.236 --> 0:25:38.556
<v Speaker 1>Texas musicians and Seattle musicians. There's no there's no bands

0:25:38.596 --> 0:25:42.836
<v Speaker 1>that I was influenced really from California, unless you include

0:25:42.916 --> 0:25:45.916
<v Speaker 1>like Buck Owens or or you know, the sort of

0:25:45.956 --> 0:25:49.396
<v Speaker 1>the Bakersfield sound, Merle Haggard, that kind of thing, or

0:25:49.476 --> 0:25:52.516
<v Speaker 1>in Neil Neil Young. I guess supposedly, you know, made

0:25:52.596 --> 0:25:56.236
<v Speaker 1>his real sound down there in California. But we called

0:25:56.276 --> 0:25:59.996
<v Speaker 1>ourselves cowboy hippie surf rock when we started out, so

0:26:00.196 --> 0:26:03.396
<v Speaker 1>maybe California was just sort of grandfathered in. At that

0:26:03.516 --> 0:26:07.916
<v Speaker 1>point I mentioned you're from this storied musical family. Not

0:26:08.036 --> 0:26:10.556
<v Speaker 1>only you grew up in your musical family, you joined

0:26:10.596 --> 0:26:14.436
<v Speaker 1>the family band pretty early, didn't you. Yeah, I started

0:26:14.516 --> 0:26:18.716
<v Speaker 1>playing when I was thirteen fourteen in the band. How

0:26:18.796 --> 0:26:21.516
<v Speaker 1>long have you been playing? By that point a few years.

0:26:22.156 --> 0:26:26.796
<v Speaker 1>I really got proficient, at least good enough to hang

0:26:27.236 --> 0:26:30.756
<v Speaker 1>By the third year I was playing. Because I spent

0:26:30.836 --> 0:26:33.436
<v Speaker 1>hours and hours and hours and hours and hours playing,

0:26:33.476 --> 0:26:36.756
<v Speaker 1>I didn't stop. I wanted to be an Olympic athlete

0:26:36.796 --> 0:26:38.676
<v Speaker 1>when I was a young kid. I wanted to be

0:26:38.916 --> 0:26:43.996
<v Speaker 1>a swimmer, and I knew what it took, and I

0:26:44.116 --> 0:26:47.356
<v Speaker 1>wanted to give that same amount of focus and attention

0:26:47.436 --> 0:26:50.916
<v Speaker 1>and practice to music. To stand out as someone who

0:26:51.236 --> 0:26:54.356
<v Speaker 1>definitely made their life about music, to stand out as

0:26:54.476 --> 0:26:59.116
<v Speaker 1>someone who loves music and embodies music and isn't just

0:26:59.636 --> 0:27:04.076
<v Speaker 1>writing on coat tails or something, you know. I feel

0:27:04.076 --> 0:27:06.316
<v Speaker 1>like I had a little something extra to proof and

0:27:06.596 --> 0:27:10.236
<v Speaker 1>to myself as well as to others, but mostly did

0:27:10.396 --> 0:27:13.916
<v Speaker 1>myself that I was okay on my own and that

0:27:14.356 --> 0:27:18.676
<v Speaker 1>if my father hadn't been famous, I would still be

0:27:18.876 --> 0:27:22.716
<v Speaker 1>capable of putting in the effort required and working hard

0:27:22.876 --> 0:27:26.676
<v Speaker 1>enough to stand and be heard. No matter what what

0:27:26.796 --> 0:27:30.436
<v Speaker 1>happened to Swimming Well, I got distracted by music. At

0:27:30.436 --> 0:27:33.556
<v Speaker 1>a certain point. I started putting more into music than

0:27:33.636 --> 0:27:36.796
<v Speaker 1>I did to swimming. Music has taken me all over

0:27:36.876 --> 0:27:42.796
<v Speaker 1>the world. Music has taken me to loves in my life.

0:27:42.876 --> 0:27:47.196
<v Speaker 1>It's given me confidence, It's given me strength. If there

0:27:47.356 --> 0:27:49.556
<v Speaker 1>is a God, I think God is music, you know.

0:27:50.396 --> 0:27:53.396
<v Speaker 1>So when did the songwriting start for you? When I

0:27:53.556 --> 0:27:56.156
<v Speaker 1>was eleven years old, I wrote a song called You

0:27:56.276 --> 0:28:00.076
<v Speaker 1>Were It, and my dad liked it so much he

0:28:00.156 --> 0:28:03.156
<v Speaker 1>put it on his record It Always Will be At

0:28:03.196 --> 0:28:06.836
<v Speaker 1>the time, I was probably about eleven years old when

0:28:06.916 --> 0:28:11.556
<v Speaker 1>that happened. So you're eleven you start to get royalty

0:28:11.676 --> 0:28:13.796
<v Speaker 1>checks from one of your dad's albums. I have a

0:28:13.836 --> 0:28:17.196
<v Speaker 1>funny story about that too, because when I was older,

0:28:18.036 --> 0:28:22.996
<v Speaker 1>I was living in California. I went to Well. I

0:28:23.076 --> 0:28:26.876
<v Speaker 1>went to Loyal and Merrymount University. Briefly I dropped out,

0:28:26.996 --> 0:28:29.516
<v Speaker 1>but as I went after I dropped out. I was

0:28:29.596 --> 0:28:34.716
<v Speaker 1>paying rent at this place in Venice, California, and month

0:28:34.796 --> 0:28:37.356
<v Speaker 1>to month it was kind of difficult. I was going

0:28:37.436 --> 0:28:40.076
<v Speaker 1>on the road and making money, but there there were

0:28:40.196 --> 0:28:44.116
<v Speaker 1>times where I was not almost going to make my rent.

0:28:44.196 --> 0:28:47.436
<v Speaker 1>And I remember one day the day of the rent

0:28:47.556 --> 0:28:51.156
<v Speaker 1>came due and I didn't have the money. I didn't

0:28:51.156 --> 0:28:54.516
<v Speaker 1>have hardly any money at that point. I'm not sure

0:28:54.516 --> 0:28:58.396
<v Speaker 1>if anybody realizes, but I'd never take money from my parents.

0:28:58.516 --> 0:29:01.196
<v Speaker 1>I just I'm just kind of I don't know. I

0:29:01.316 --> 0:29:05.276
<v Speaker 1>forced myself to separate from that because I again, it

0:29:05.436 --> 0:29:08.676
<v Speaker 1>was my own thing, so I couldn't pay the rent.

0:29:08.716 --> 0:29:12.156
<v Speaker 1>And I was driving down the PC and something just

0:29:12.316 --> 0:29:15.396
<v Speaker 1>came over me, like, Okay, I'm gonna be okay no

0:29:15.556 --> 0:29:18.516
<v Speaker 1>matter what. I'm just gonna trust you know that life

0:29:18.676 --> 0:29:22.796
<v Speaker 1>is life is going to be okay. And I got

0:29:22.916 --> 0:29:24.956
<v Speaker 1>a call. As soon as I had that thought, I

0:29:25.076 --> 0:29:28.076
<v Speaker 1>got a call and it was that I had a

0:29:28.156 --> 0:29:31.396
<v Speaker 1>package at FedEx, and so I drove to FedEx and

0:29:31.516 --> 0:29:33.356
<v Speaker 1>I opened up the package and it was a check

0:29:34.036 --> 0:29:38.716
<v Speaker 1>from writing that song for exactly what was due or

0:29:38.836 --> 0:29:44.276
<v Speaker 1>my rent, the exact to the dollar amount. And I said, wow,

0:29:44.876 --> 0:29:46.876
<v Speaker 1>you know, and that point. At that point on I

0:29:46.996 --> 0:29:48.876
<v Speaker 1>just started. I just sort of said, you know what,

0:29:49.036 --> 0:29:52.916
<v Speaker 1>I'm just gonna keep trusting that is fantastic story. Yeah,

0:29:52.916 --> 0:29:54.996
<v Speaker 1>I'll play that song. Let's see if I can remember it.

0:30:02.196 --> 0:30:10.276
<v Speaker 1>You were it, the one, the only one one who

0:30:10.716 --> 0:30:22.476
<v Speaker 1>onderstood it all when we fought out loud. You be

0:30:23.436 --> 0:30:32.876
<v Speaker 1>the one who made me feel so small. You could kill,

0:30:34.236 --> 0:30:43.036
<v Speaker 1>you could hurt and bring out the worst inveryone you,

0:30:46.636 --> 0:30:55.236
<v Speaker 1>but no one could ever bring the worst out of you.

0:30:59.876 --> 0:31:14.316
<v Speaker 1>But now I'm fine. All the pain is gone. I

0:31:15.076 --> 0:31:31.556
<v Speaker 1>once had a heart. Now I have a song that

0:31:31.756 --> 0:31:35.916
<v Speaker 1>was fantastic. Thank you. That's pretty heavy for eleven year old.

0:31:36.276 --> 0:31:38.876
<v Speaker 1>Oh yeah, I was a pretty heavy eleven year old

0:31:38.916 --> 0:31:43.836
<v Speaker 1>for sure. We'll be back after a quick break with

0:31:44.036 --> 0:31:51.116
<v Speaker 1>more from Lucas Nelson and Bruce Hedler. We're back with

0:31:51.196 --> 0:31:54.876
<v Speaker 1>the rest of Bruce's conversation with Lucas Nelson. Tell me

0:31:54.916 --> 0:31:58.116
<v Speaker 1>about meeting Bradley Cooper and how your work on A

0:31:58.196 --> 0:32:01.836
<v Speaker 1>Star Is Born came around. Well. At first, I was

0:32:01.956 --> 0:32:05.076
<v Speaker 1>hired because he saw us that desert trip with Neil

0:32:05.156 --> 0:32:08.876
<v Speaker 1>and he's a huge Neil fan, and he hired me

0:32:08.956 --> 0:32:14.876
<v Speaker 1>to be an authenticity consultant. He wanted to basically, uh,

0:32:15.236 --> 0:32:17.396
<v Speaker 1>he wanted he wanted me to let him know what

0:32:17.596 --> 0:32:20.356
<v Speaker 1>looked authentic on stage and how to be you know,

0:32:21.196 --> 0:32:23.756
<v Speaker 1>a rock and roller on stage, and what kind of

0:32:23.796 --> 0:32:26.516
<v Speaker 1>guitars to use. And but we ended up singing. I

0:32:26.676 --> 0:32:29.876
<v Speaker 1>ended up having helping him sing, learned to sing, and

0:32:30.076 --> 0:32:34.436
<v Speaker 1>I ended up being the guitar and the music. And

0:32:34.836 --> 0:32:37.276
<v Speaker 1>I ended up bringing my band in and then writing

0:32:37.316 --> 0:32:42.196
<v Speaker 1>a bunch of songs with them, and producing U and

0:32:42.756 --> 0:32:45.236
<v Speaker 1>having brought the band in, and and and we you know,

0:32:45.716 --> 0:32:49.636
<v Speaker 1>I mean one of the great experiences were I mean

0:32:49.796 --> 0:32:53.756
<v Speaker 1>he was just sitting with him and watching his voice

0:32:53.796 --> 0:32:59.876
<v Speaker 1>progress and then having him you know, really get pretending

0:32:59.956 --> 0:33:04.836
<v Speaker 1>to play down pretty well. But but it was cool

0:33:04.916 --> 0:33:08.076
<v Speaker 1>seeing our music come off the big screen and you know,

0:33:08.796 --> 0:33:17.636
<v Speaker 1>here my lick, you know here. And so you know

0:33:17.796 --> 0:33:22.076
<v Speaker 1>that working with Stephanie with Gaga was great too. You know,

0:33:22.156 --> 0:33:25.036
<v Speaker 1>it gave us a lot of validation. I think as

0:33:25.116 --> 0:33:28.316
<v Speaker 1>musicians we felt like we're we could hang with with

0:33:29.476 --> 0:33:33.596
<v Speaker 1>with these you know, pop stars as well as we

0:33:33.636 --> 0:33:37.476
<v Speaker 1>could hang with you know, the legends. It was great.

0:33:37.716 --> 0:33:39.956
<v Speaker 1>What's it like to write with some of New N't

0:33:39.956 --> 0:33:41.996
<v Speaker 1>because he he did write some of the songs or

0:33:42.076 --> 0:33:43.876
<v Speaker 1>co wrote some of the songs. Yeah, we wrote black

0:33:43.956 --> 0:33:46.956
<v Speaker 1>Eyes together and a couple other ones. Yeah, he has

0:33:47.036 --> 0:33:51.156
<v Speaker 1>great ideas. He's really musical. And then Stephanie Lady Gaga.

0:33:51.356 --> 0:33:53.156
<v Speaker 1>You didn't have to teach her how to sing. She

0:33:53.316 --> 0:33:54.796
<v Speaker 1>was didn't have to teach her how to saying no,

0:33:55.436 --> 0:33:58.196
<v Speaker 1>she could sing her ass off, but you know she

0:33:58.516 --> 0:34:01.196
<v Speaker 1>you know, it was nice to h to have the

0:34:01.276 --> 0:34:04.556
<v Speaker 1>band in there, and she was a great producer, and

0:34:04.996 --> 0:34:08.036
<v Speaker 1>I'm glad that she chose to keep my version of

0:34:08.716 --> 0:34:11.756
<v Speaker 1>you know, the band's version of shallow pretty much you know,

0:34:11.876 --> 0:34:14.276
<v Speaker 1>on the record as well. It's a trip to hear

0:34:14.436 --> 0:34:18.796
<v Speaker 1>your guitar out there when all of these you know,

0:34:18.956 --> 0:34:21.756
<v Speaker 1>young kids are singing along to it and they don't

0:34:21.796 --> 0:34:24.316
<v Speaker 1>know that promise of the real is the band they're

0:34:24.356 --> 0:34:26.636
<v Speaker 1>singing too. You know, you know, one of the people

0:34:26.716 --> 0:34:28.756
<v Speaker 1>you've worked with a lot, and I want to talk

0:34:28.796 --> 0:34:31.276
<v Speaker 1>about different people in your life that have helped you,

0:34:31.756 --> 0:34:33.796
<v Speaker 1>but he's a good example of someone who has so

0:34:33.916 --> 0:34:36.756
<v Speaker 1>much material you're never sure when it's coming out. And

0:34:36.836 --> 0:34:40.396
<v Speaker 1>that's Neil Young. Yeah, you've been his backup band, you've

0:34:40.436 --> 0:34:43.756
<v Speaker 1>played with them, or can you tell me a bit

0:34:43.796 --> 0:34:46.596
<v Speaker 1>about how you guys first met and how that all

0:34:46.636 --> 0:34:50.276
<v Speaker 1>came about. Well, Neil and I had known each other

0:34:51.276 --> 0:34:55.196
<v Speaker 1>just peripherally because we did farm aide every year, but

0:34:55.356 --> 0:34:58.156
<v Speaker 1>I was always kind of you know, I'd never really

0:34:58.276 --> 0:35:02.596
<v Speaker 1>spoke to him until maybe I was sixteen, and I

0:35:02.716 --> 0:35:06.156
<v Speaker 1>wrote a song called American Dream, which I have I

0:35:06.236 --> 0:35:08.156
<v Speaker 1>have to go find that. I don't know where it went,

0:35:08.356 --> 0:35:11.396
<v Speaker 1>but it was like a farmer's song. And I wrote

0:35:11.476 --> 0:35:15.676
<v Speaker 1>that song and then I got the courage to to

0:35:15.956 --> 0:35:19.116
<v Speaker 1>go up and play it for him and uh, and

0:35:19.276 --> 0:35:21.996
<v Speaker 1>to play it for with my brother, and we went

0:35:22.036 --> 0:35:23.996
<v Speaker 1>and played it for him and he was like, oh,

0:35:24.116 --> 0:35:26.356
<v Speaker 1>that's great, sounds good. We were out by the buses

0:35:26.436 --> 0:35:28.636
<v Speaker 1>and farm Maide. I remember clear as day. That was

0:35:28.716 --> 0:35:32.596
<v Speaker 1>the first longer conversation that we had with him, and Uh,

0:35:33.036 --> 0:35:35.036
<v Speaker 1>I don't know. Part of me thinks that maybe he

0:35:35.236 --> 0:35:38.476
<v Speaker 1>was he was impressed that we had the courage to

0:35:38.556 --> 0:35:41.516
<v Speaker 1>come up and do that. And then so over time

0:35:41.556 --> 0:35:43.436
<v Speaker 1>I think he started to pay attention to what we

0:35:43.556 --> 0:35:46.876
<v Speaker 1>were doing. And Um, we covered one of his songs

0:35:47.116 --> 0:35:51.236
<v Speaker 1>at a farm Maide in two thousand and ten in Milwaukee,

0:35:52.396 --> 0:35:55.596
<v Speaker 1>covered a song we were doing a song called la

0:35:56.756 --> 0:36:03.476
<v Speaker 1>Uh it's like from a record that kind of didn't

0:36:03.516 --> 0:36:06.236
<v Speaker 1>come out, time fades away. It wasn't like, you know,

0:36:06.436 --> 0:36:08.836
<v Speaker 1>sort of if you're a die hard fan, you know it.

0:36:09.156 --> 0:36:13.516
<v Speaker 1>It h and he really liked it, and so he

0:36:13.636 --> 0:36:16.956
<v Speaker 1>came and said something after we played, said we did

0:36:16.996 --> 0:36:19.396
<v Speaker 1>a good job. And then then we just sort of

0:36:19.436 --> 0:36:22.036
<v Speaker 1>kept in touch his pen pals, and he started to

0:36:22.036 --> 0:36:25.596
<v Speaker 1>give me some feedback and ideas and over the years,

0:36:25.676 --> 0:36:28.356
<v Speaker 1>and then one day he invited us into the studio

0:36:28.596 --> 0:36:33.596
<v Speaker 1>to record and we did the Monsanto Years, which actually

0:36:33.676 --> 0:36:36.836
<v Speaker 1>aged quite well. I think, you know them having been

0:36:37.476 --> 0:36:41.116
<v Speaker 1>found guilty of a number of different things involving glyph

0:36:41.276 --> 0:36:45.756
<v Speaker 1>estates specifically, and so that that was our first foray

0:36:45.876 --> 0:36:48.196
<v Speaker 1>into into his world. And we ended up going on

0:36:48.276 --> 0:36:51.916
<v Speaker 1>the road extensively after that. And we still love him.

0:36:52.076 --> 0:36:55.796
<v Speaker 1>He's our great captain. So what is it like to

0:36:55.916 --> 0:36:59.636
<v Speaker 1>play on stage with him? It's like the fullest expression

0:36:59.716 --> 0:37:02.716
<v Speaker 1>of our dreams as as a children. I mean, when

0:37:02.756 --> 0:37:04.916
<v Speaker 1>I was a kid, I dreamed about playing rock and

0:37:05.036 --> 0:37:08.436
<v Speaker 1>roll like that on a stage for eighty thousand people.

0:37:08.556 --> 0:37:11.996
<v Speaker 1>I mean, your trip was quite quite an incredible show.

0:37:12.116 --> 0:37:15.356
<v Speaker 1>And you know, if I do say so myself, I

0:37:15.476 --> 0:37:18.436
<v Speaker 1>thought we'd made quite a statement on that show. A

0:37:18.516 --> 0:37:21.036
<v Speaker 1>lot of people saw that show and really loved it.

0:37:21.636 --> 0:37:24.396
<v Speaker 1>You know, he's this character who always seems a little

0:37:25.436 --> 0:37:27.476
<v Speaker 1>never out of control, but on the verge of being

0:37:27.516 --> 0:37:29.796
<v Speaker 1>out of control is Do you feel that way when

0:37:29.796 --> 0:37:32.676
<v Speaker 1>you're on stage with him? Yeah, but I relate to it.

0:37:33.156 --> 0:37:36.876
<v Speaker 1>We all sort of exhibit a sense of abandoned we're

0:37:36.956 --> 0:37:41.156
<v Speaker 1>out there. It's what we love about being on stage

0:37:41.196 --> 0:37:44.076
<v Speaker 1>with Neil because that's where your rock and roll spirit

0:37:44.156 --> 0:37:48.516
<v Speaker 1>can really shine. What about songwriting? Has he influenced you

0:37:48.636 --> 0:37:52.676
<v Speaker 1>in that way? Sure? Yeah, I mean in the same

0:37:52.756 --> 0:37:54.956
<v Speaker 1>way that my father has. You know, we wrote a

0:37:55.036 --> 0:37:59.356
<v Speaker 1>little bit together, and you know, he's got great feedback

0:37:59.436 --> 0:38:02.436
<v Speaker 1>on the music. And another guy you knew. I don't

0:38:02.476 --> 0:38:04.236
<v Speaker 1>know if you knew him growing up, but you've talked

0:38:04.236 --> 0:38:08.356
<v Speaker 1>about him in the past is Chris Christofferson. Oh yeah, yeah,

0:38:08.596 --> 0:38:11.956
<v Speaker 1>another one of the great songwriters of our generation, if

0:38:12.036 --> 0:38:14.956
<v Speaker 1>not ever. Yeah, you see the kind of guy you

0:38:15.076 --> 0:38:17.596
<v Speaker 1>ever went to and said, I've got this song was

0:38:17.636 --> 0:38:20.756
<v Speaker 1>inspired by something you did? Can I play it for you? Sure?

0:38:21.276 --> 0:38:25.476
<v Speaker 1>He was really a fan of art music. He is

0:38:25.636 --> 0:38:28.196
<v Speaker 1>a fan of art music. He's writing something you do

0:38:28.436 --> 0:38:30.996
<v Speaker 1>every day, or do you write just when it comes

0:38:31.196 --> 0:38:34.556
<v Speaker 1>all write often every other day, you know, I mean

0:38:34.596 --> 0:38:38.116
<v Speaker 1>there there it comes in bursts where like one week

0:38:38.196 --> 0:38:40.516
<v Speaker 1>I'll write eight songs or something. You know, I might

0:38:40.556 --> 0:38:42.956
<v Speaker 1>not write again for a month. But you know, that's

0:38:42.996 --> 0:38:44.996
<v Speaker 1>how it works. You never worry it's not going to

0:38:45.076 --> 0:38:47.516
<v Speaker 1>come back. You always no. And at this point, I

0:38:47.676 --> 0:38:51.956
<v Speaker 1>have enough material for five records before I have to

0:38:51.996 --> 0:38:55.836
<v Speaker 1>write another song, so I you know, it's actually kind

0:38:55.876 --> 0:38:59.236
<v Speaker 1>of like it's kind of annoying because I have all

0:38:59.316 --> 0:39:02.236
<v Speaker 1>this material and I don't know you know when it's

0:39:02.276 --> 0:39:05.596
<v Speaker 1>going to come out, you know. And sometimes you write

0:39:05.636 --> 0:39:07.436
<v Speaker 1>something and you want it to come out right away

0:39:07.436 --> 0:39:09.956
<v Speaker 1>because it's how you're feeling at that moment. But like

0:39:10.116 --> 0:39:12.636
<v Speaker 1>in the case of Perennial Bloom, which is a song

0:39:12.756 --> 0:39:15.996
<v Speaker 1>from our record that's that's sort of been on the

0:39:16.196 --> 0:39:20.116
<v Speaker 1>radio a lot, and it's uh, that song was written

0:39:21.156 --> 0:39:24.556
<v Speaker 1>May of twenty twenty, and there's a line there this

0:39:24.756 --> 0:39:28.156
<v Speaker 1>was like right when the pandemic had hit, but the

0:39:28.596 --> 0:39:31.636
<v Speaker 1>summer was supposed to be when you know, the virus

0:39:31.796 --> 0:39:35.276
<v Speaker 1>maybe would go away because of the heat, and we

0:39:35.356 --> 0:39:38.636
<v Speaker 1>were feeling really hopeful and it was like Summer's healing

0:39:38.756 --> 0:39:42.956
<v Speaker 1>coming soon, and somebody, someone beside me actually smiled without

0:39:43.036 --> 0:39:46.596
<v Speaker 1>a mask, and it was more of a metaphor for

0:39:46.756 --> 0:39:50.276
<v Speaker 1>someone smiling without, you know, the metaphorical mask because of

0:39:50.396 --> 0:39:54.756
<v Speaker 1>being themselves. And yet that song didn't get released until

0:39:54.796 --> 0:39:58.996
<v Speaker 1>a year later that same time in May, in May

0:39:59.076 --> 0:40:02.716
<v Speaker 1>of this year, and the same thing applied, and so

0:40:02.996 --> 0:40:05.676
<v Speaker 1>it was almost like it was meant to come out

0:40:05.756 --> 0:40:08.596
<v Speaker 1>a year later and not at that time, because we

0:40:08.716 --> 0:40:12.316
<v Speaker 1>had a more hope for the summer this year than

0:40:12.396 --> 0:40:15.356
<v Speaker 1>we did back then. Even songs. It was interesting how

0:40:15.676 --> 0:40:19.156
<v Speaker 1>how songs can maybe be written and not be meant

0:40:19.236 --> 0:40:22.476
<v Speaker 1>to put out until later, which I'm being forced to

0:40:22.796 --> 0:40:26.756
<v Speaker 1>accept that. Listen, thank you so much, it has been

0:40:26.916 --> 0:40:33.076
<v Speaker 1>just fabulous talking to you. Yeah, Tess. Thank you. Thanks

0:40:33.076 --> 0:40:35.276
<v Speaker 1>to Lucas Nelson for playing a couple of songs off

0:40:35.356 --> 0:40:38.476
<v Speaker 1>his new album and sharing his story with Bruce. You

0:40:38.516 --> 0:40:40.836
<v Speaker 1>can check out all our favorite Lucas Nelson and Promise

0:40:40.876 --> 0:40:43.876
<v Speaker 1>of the Real songs at Broken Record podcast dot com.

0:40:44.476 --> 0:40:47.116
<v Speaker 1>Be sure to subscribe to our YouTube channel at YouTube

0:40:47.156 --> 0:40:50.876
<v Speaker 1>dot com slash broken record Podcast. We can find all

0:40:50.916 --> 0:40:53.676
<v Speaker 1>our new episodes. You can follow us on Twitter at

0:40:53.756 --> 0:40:58.156
<v Speaker 1>broken Record. Broken Record is produced helpful Lea Rose, Jason Gambrell,

0:40:58.596 --> 0:41:03.676
<v Speaker 1>Martin Gonzalez, Eric Sandler, and Jennifer Sanchez, with engineering help

0:41:03.716 --> 0:41:06.636
<v Speaker 1>from Nick Chafee. Our executive producer is Me A Little

0:41:06.676 --> 0:41:10.276
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0:41:10.356 --> 0:41:13.356
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