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Speaker 1: Look Marrier, Oh, I see you.

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Speaker 2: My own look over there is that culture.

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Speaker 1: Yes, lost culture ding d Lost culture is just calling.

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Speaker 1: So the vibes are very summer today as New York

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Speaker 1: has turned a corner and become hot. And I'm gonna

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Speaker 1: say it, I'm going to already complain a little uncomfortable.

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Speaker 3: I think once the deal is broken, that is when

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Speaker 3: you really get it out of your system. And I

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Speaker 3: think you're gonna sort of like fold into it for

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Speaker 3: the rest of the seas.

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Speaker 1: Yeah, I know, I've just had my first summer sweat

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Speaker 1: and I'm like no, because it's like, you idealize New

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Speaker 1: York so much.

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Speaker 2: Because now I live in LA.

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Speaker 1: As we all have heard me talk about this LA

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Speaker 1: New York conversation is ongoing culturally, especially Real Culture number

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Speaker 1: ninety two.

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Speaker 2: This La New York conversations is ongoing culturally, And.

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Speaker 1: You learned recently. What I've learned recently is that humidity

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Speaker 1: still exists. I mean, you know, it doesn't go away

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Speaker 1: just because you idealize New.

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Speaker 2: York and that's New York and not LA. And that's

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Speaker 2: New York. There's no humidity in LA.

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Speaker 1: They probably should go over there because the hurricanes have

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Speaker 1: come here, like a lot of culture happened hurricanes.

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Speaker 3: I feel like cypress trees. They got to be drinking

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Speaker 3: up a lot of water. Who and the palm is

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Speaker 3: good without but the cypress, which is my favorite thing

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Speaker 3: about La. I don't care too much about the terrain.

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Speaker 3: I agree with Chloe Sevani. The water is too hard.

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Speaker 3: Ye see it very hard. As soon as you're done

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Speaker 3: with the shower, you see it sort of like caking

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Speaker 3: at the corner. And I go, I don't like that mildew.

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Speaker 3: I don't like that calcium around me.

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Speaker 1: When Chloe Sevanie dragged La, I was like, she's right, Yeah,

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Speaker 1: it sucks.

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Speaker 2: I'm out of here.

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Speaker 1: And then I came here and I'm seconds into being

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Speaker 1: a New York again, and I'm like, it's yellmen, I'm

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Speaker 1: between two California legends.

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Speaker 2: California legends. Indeed, so get this.

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Speaker 1: Our guest today hosts a late night program and it

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Speaker 1: films right next door to my house, which was convenient

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Speaker 1: for me when I got booked the show. What every

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Speaker 1: actor dreams on the Machine, especially really coaching number fifty,

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Speaker 1: What every actor dreams us to be booked on the show,

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Speaker 1: on the show and I went there and I was

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Speaker 1: just like, this is the life host your fun ass

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Speaker 1: late night show next to Matt Rogers's apartment, right next

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Speaker 1: to my apartment where the party is really smacks like

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Speaker 1: Seddy Davis when you go in. I was rude to everyone.

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Speaker 1: It was a total bitch coming in. Now I was

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Speaker 1: a sweetheart.

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Speaker 3: New Fate Dunaway clip is kind of making the rounds

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Speaker 3: where she has to pick up a line. She goes,

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Speaker 3: I'll pick it up, yeah, okay, yeah, Fee, And then she

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Speaker 3: goes into the line again. You know the thing about

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Speaker 3: being an actress, can you actually move?

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Speaker 2: You're in my eye line? She started to give.

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Speaker 1: She started to give capital f fay, capital f fay. Honestly,

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Speaker 1: not since Fee have we seen a true legend, a

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Speaker 1: true Now Hollywood has sort of you know, I would

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Speaker 1: tell everyone to brace themselves because there's some all in

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Speaker 1: the paramount lot. Who's coming, Who's coming, She's here with us,

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Speaker 1: She's here, she's arrived, she's coming. Last night I watched

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Speaker 1: Have It All So Good? Netflix Stand up special? Have

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Speaker 1: you seen Looking for You?

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Speaker 2: Yes? I saw that. Ojey.

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Speaker 1: We call that when you see it Ojelee. It's mean

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Speaker 1: when you watch it when you see it, when you

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Speaker 1: watch it when it comes out. Now, I think our

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Speaker 1: guest has early Taylor Swift cadence of releases every two years,

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Speaker 1: you know, like, oh okay, it's time for the special.

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Speaker 1: So you think soon she's going to be like way

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Speaker 1: oversaturated World War eras Taylor Tomlinson, the Other Taylor the

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Speaker 1: Other working title of app. We'll definitely get better than that.

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Speaker 1: We'll definitely have one already is great. This person would

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Speaker 1: never tell anyone to get out of her island because

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Speaker 1: she's really good on prompter.

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Speaker 2: Really good on prompter.

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Speaker 1: You've seen this person, I've seen it in action. And

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Speaker 1: when someone is good on prompter, your shoulders drop because

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Speaker 1: you think I'm safe. You know what I'm saying.

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Speaker 3: That's a skilled because guess who's not good on prompter?

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Speaker 3: That's a lie, you idiot. Good on cue cards?

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Speaker 1: Excuse me?

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Speaker 2: What is the goddamn difference?

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Speaker 3: C cards harder no Q cards can be in any situation.

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Speaker 3: If you put a prompter, if you put a monitor

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Speaker 3: with words on it, spatially, the footprint is such that

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Speaker 3: it can't fit everywhere you want it to, on a set,

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Speaker 3: right on the stage. And so therefore also we have

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Speaker 3: monitors that are not wired that go out, that black

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Speaker 3: out at any given moment.

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Speaker 1: Technology can be a huge betrayer of a performer. It's

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Speaker 1: actually really coach are number forty. Technology can be a

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Speaker 1: huge betrayer.

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Speaker 2: Of a live performer.

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Speaker 3: So cue cards and also they've been recently unionized, which

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Speaker 3: we celebrate.

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Speaker 1: Love that, and maybe we'll change the culture at after

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Speaker 1: midnight because maybe they'll bring Q cards in.

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Speaker 3: Well, I think I think our guests is very comfortable

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Speaker 3: on the prompter, So I don't want to like Perturban like, it's.

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Speaker 1: Not about comfort, It's about getting union men jobs. Okay, okay,

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Speaker 1: Aretty Strong, our guest is one of the greats, she say.

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Speaker 1: When I remember I told her this when I did

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Speaker 1: her show, Like when I saw her at JFL in

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Speaker 1: twenty nineteen, she was one of varieties new faces alongside

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Speaker 1: Joel Kim and Jabuki, a bunch of our friends. It

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Speaker 1: was a memorable night and Southern Mama, I was like,

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Speaker 1: my surprise that she has leveled up in such a

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Speaker 1: way and become this like comedians comedian. And I went

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Speaker 1: to my coffee shop today and told the girl that

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Speaker 1: worked there she was on the show, and she collapsed.

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Speaker 1: She watches her for your Standus specials like every night

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Speaker 1: before bed, like just one of the greats, like my

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Speaker 1: shock registers at zero that she's so successful and just

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Speaker 1: one of the best.

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Speaker 2: I'm so happy she's here, So happy she's here. Everyone welcome, talented.

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Speaker 4: Oh my god, I have so much to say that's

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Speaker 4: good on a podcast.

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Speaker 5: First off, equally surprised you feel that way about que cards,

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Speaker 5: the fact that you can read handwriting better than.

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Speaker 2: They put our guys through class.

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Speaker 3: Oh okay, where it's like you got to make sure

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Speaker 3: the A has a peek and you got to make

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Speaker 3: sure you know the Q looks doesn't look too funky,

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Speaker 3: like the letters have to be glyphic in.

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Speaker 5: The yeah, and I hear you on the blacking out

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Speaker 5: with the prompter. But like if the person holding the

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Speaker 5: Q cards is going through something.

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Speaker 4: Like, there's the same there's the same room for air.

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Speaker 4: I think in a different way.

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Speaker 5: I was so surprised everybody was so impressed I could

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Speaker 5: read tell a prompter, like to a point where I'm like,

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Speaker 5: is everybody making fun of me? What I was like,

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Speaker 5: when we can They told me for the screen test,

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Speaker 5: they were like, you need to practice. They were like,

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Speaker 5: we're rooting for you to get this job. Practice. So

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Speaker 5: I was on TikTok watching local news anchors do teleprompter

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Speaker 5: tests and and those are the real legends. And they

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Speaker 5: were so fast, and of course none of them are funny.

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Speaker 5: It's like five car pile up on the freeway today.

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Speaker 5: And I was practicing alone in my room like a

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Speaker 5: crazy person, and then I got in. I was like,

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Speaker 5: this is so much easier. They're going with my the

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Speaker 5: speed of my speaking. Yeah, And truly three months in,

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Speaker 5: people are still like you are so good on prompt

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Speaker 5: I'm like, you know, I do stand up for memory.

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Speaker 5: I'm gonna memorize my jokes everyone. Yes, but people are

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Speaker 5: just more impressed when you're on television than they are

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Speaker 5: by live performance.

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Speaker 1: For some reason. That's interesting.

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Speaker 3: But don't you feel like it's the same lobe in

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Speaker 3: your brain that like is good at like filing away,

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Speaker 3: like what you're going to stay next on stage without

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Speaker 3: a prompter and what you say on that.

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Speaker 5: I actually think No, I think they're different, which it

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Speaker 5: actually your show so perfect because you get the props

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Speaker 5: for both. You're like I'm reading and I'm doing something live.

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Speaker 4: Uh huh, sure, good for you coded it is.

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Speaker 1: It's very this coded for visual medium. I'm patting my

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Speaker 1: head and rubbing my tummy, which you're doing so well.

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Speaker 2: It's not bad.

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Speaker 1: I'm telling you right now, I'm not doing it badly,

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Speaker 1: pretty good.

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Speaker 4: I like, and I could bet I could do a

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Speaker 4: prompter while I do yeah, yeah, no hesitation.

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Speaker 2: I already fucked up.

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Speaker 3: Our first interaction in years Taylor, where we saw each

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Speaker 3: other in the lobby. I was like, it's so nice

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Speaker 3: to me. I've been a fan and I remember that

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Speaker 3: the JFL sat and you did it so classically. You

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Speaker 3: were like, we did meet that one time at JFL.

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Speaker 3: Joel Kan Booster introduced us.

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Speaker 1: No, and I shouldn't have even said no. I should

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Speaker 1: have pretended because it.

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Speaker 4: Was so brief the way we met. We met on

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Speaker 4: the street.

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Speaker 5: Joel Can Booster and I said hi to each other

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Speaker 5: and like introduced us so quickly, and I shouldn't have

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Speaker 5: even said anything.

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Speaker 1: I should have said nice to meet you too. I

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Speaker 1: wish there were cameras around for that moment, because we

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Speaker 1: need a reality travel.

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Speaker 2: You need real everyone does.

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Speaker 3: You and your siblings would make a great reality what's

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Speaker 3: your dad like? Just that would great?

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Speaker 5: We don't speak to our dad, but yeah, it was.

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Speaker 5: But yes, the four of us are very funny and great.

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Speaker 1: Sure premise it conflict there, but your dad's such great

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Speaker 1: fodder for the show though, for your your stets, Yeah

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Speaker 1: about it.

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Speaker 5: I think everybody's parents are great fodder for I mean

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Speaker 5: everybody doing stand up you talk about your family? Ye,

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Speaker 5: like yeah, total is it that Flannery O'Connor quote or

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Speaker 5: she said anyone with a childhood has enough material for

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Speaker 5: the rest of their life.

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Speaker 3: Yeah, sounds like flannering and then and then and then

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Speaker 3: it was and then it becomes a terrifying story about

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Speaker 3: you know a woman. I think Flannering O'Connor wrote Baby Reindeer. Wow,

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Speaker 3: Baby Reindeer is a very O'Connor. That's why that's what

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Speaker 3: it's catching on. So that's like there's a huge netflix

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Speaker 3: for him today. Wait a minute, I've you just like

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Speaker 3: lit up something in me. Flannering O'Connor really buffed me

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Speaker 3: up in college and I haven't gotten the chance to

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Speaker 3: talk about that woman. Okay, there's a ghost tour in

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Speaker 3: Savannah where you go, you go, you go to a

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Speaker 3: house and you'really.

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Speaker 1: Did hit the hip you did.

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Speaker 2: You actually plowed as hippocat No.

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Speaker 5: And this is great because Savannah. I'm going there on

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Speaker 5: tour in the fall. It's not announcedent, but we are

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Speaker 5: doing that. And it's the one city I haven't performed

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Speaker 5: in that I've always wanted to go to.

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Speaker 1: It's such a great city. We performed there like years

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Speaker 1: ago with our skeedch group and it was like Charleston. Oh,

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Speaker 1: take back everything I've said. They are not the same,

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Speaker 1: a similar city.

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Speaker 4: Keep it in keep give me equally haunted, equally haunted

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Speaker 4: that say, in Augustine, Florida.

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Speaker 1: Ever been there? No, go there? Drink from the uh

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Speaker 1: what is it? The fountain of Youth? Oh, and that's

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Speaker 1: where it is. Go see a haunted house. Oh well,

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Speaker 1: be sorry. You'll feel a little sick from the water,

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Speaker 1: and you'll feel a little disturb from the ghost.

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Speaker 2: The Mountain of Youth.

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Speaker 3: Now, was that like a conky stador in like the

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Speaker 3: thirteen hundreds? Being like, we found it and it's just

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Speaker 3: like a hot.

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Speaker 2: Spring very much.

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Speaker 1: So yeah, okay, yeah, well it doesn't actually keep you young,

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Speaker 1: I've aged. I mean, you do look great, Thank you

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Speaker 1: so much. I absolutely lathered on moistries of here, because

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Speaker 1: the other thing about New is you.

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Speaker 2: Drink so much here.

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Speaker 1: Yeah, you drink so much. You drink alcohol all the

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Speaker 1: time because you're always like out and fun and doing

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Speaker 1: things in New York. And then you go to LA

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Speaker 1: and you're like, I'm putting on a face mask, I'm

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Speaker 1: getting a facial I'm drinking only water tonight. If I

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Speaker 1: have a diet coke, that's fucking crazy.

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Speaker 2: Yeah, you know what I mean.

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Speaker 5: If you need to treat I got drunk for the

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Speaker 5: first time last September in New York for the first time,

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Speaker 5: for the first time ever.

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Speaker 1: Was well, I sold out.

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Speaker 5: Radio City twice and my ex fiance came to a

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Speaker 5: show and I was like, I've earned this. Yeah, I

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Speaker 5: can get drunk now. And so we went to is

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Speaker 5: it Maurice's Crisis or Crises, which.

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Speaker 4: Is whatever whatever you want depending on whatever you say

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Speaker 4: right now forever. So that's where I got drunk and

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Speaker 4: it was perfect. Yeah, it was so nice.

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Speaker 5: So there's just a video of me drunkenly singingly miss

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Speaker 5: oh perfect.

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Speaker 2: So you did the whole thing at Maurice Crisis, Yes, you.

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Speaker 1: Did the whole thing.

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Speaker 5: Yeah, where I just got drunk and was like venmoing

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Speaker 5: people and to find out.

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Speaker 1: That that's who you are as a drunk person sun

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Speaker 1: ass and sings lames. It was really wrong.

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Speaker 5: What's yours? That's what they were, that's what they were playing.

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Speaker 5: I didn't like request it, but they played it.

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Speaker 3: So you sang every part basically, Yes, you were the

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Speaker 3: John you were?

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Speaker 1: Yeah.

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Speaker 3: Oh, speaking of lame is, do you still have the

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Speaker 3: Hugh jack and glove? I gave it to my that's

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Speaker 3: my manager.

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Speaker 1: That's great.

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Speaker 5: Yeah, so I like framed it and I also got

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Speaker 5: a Sutton Foster glove, so I framed both of them

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Speaker 5: and I gave it to her at the taping for

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Speaker 5: Have It All.

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Speaker 2: Yeah, oh that's amazing. That's amazing.

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Speaker 3: So you leave out the Sutton Foster part of the

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Speaker 3: story because it's not going to play.

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Speaker 2: And let's say, yeah, exactly, it's not. She plays all

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Speaker 2: the time in New York.

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Speaker 1: Yeah.

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Speaker 5: I was like, I'm going to take this show to Australia, London.

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Speaker 5: It'll work there.

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Speaker 4: Yeah, it may not be. I love Sutton Foster, We

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Speaker 4: love Sutton love Sutton Foster.

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Speaker 1: I mean, does it all?

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Speaker 2: Does it all?

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Speaker 1: And but does it all? I mean I don't think

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Speaker 1: there's a role on Broadway. She hasn't played. Oh I'm

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Speaker 1: not dragging her. Yeah, I'm saying she opens a lot

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Speaker 1: of shops. It's like her and like a few other

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Speaker 1: people that, like, you know, if they're in a show, like,

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Speaker 1: people are going to go see it. And that's why

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Speaker 1: I'm just like, let's get more of let's get that,

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Speaker 1: let's develop more stars, let's make that. And I'm so

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Speaker 1: happy now we got to talk about this because that's

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Speaker 1: what we're doing over at CBS.

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Speaker 4: We that's what we're doing.

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Speaker 1: My god, we're creating new stars. I'm actually surprised to

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Speaker 1: hear that you screen tested for it. I would have

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Speaker 1: thought they developed this around you, right.

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Speaker 4: No, no, no, oh no, I mean this show is

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Speaker 4: it's a reimagining of at Midnight, So like this is

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Speaker 4: not you know, it's it's different than at.

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Speaker 1: Midnight in Pitch at Midnight And they were like, you

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Speaker 1: know this is something hunt.

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Speaker 4: No, no, no, absolutely no.

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Speaker 5: I mean they hired Joe Firestone before they hired me, Like,

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Speaker 5: I think they screen tested a few people, and so

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Speaker 5: that was interesting to do all this press before the

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Speaker 5: show came out, before I was even hosting the show,

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Speaker 5: and they're asking me about it and they're like, so

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Speaker 5: your show and I'm like.

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Speaker 4: Not my show, like interesting in a good way. I

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Speaker 4: love that about it.

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Speaker 5: I'm like I am an employee, like I'm part of

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Speaker 5: a team. And it's why I wanted to do it,

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Speaker 5: because stand up such a solo sport, you know, And

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Speaker 5: I was like, oh, I would love to come home

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Speaker 5: and work with a group of people that I really like,

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Speaker 5: which I do, and you know, it would take something

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Speaker 5: like that to get me off the road in a

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Speaker 5: significant way. But yeah, I really I was very uncomfortable

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Speaker 5: doing press because I was having a hard time going like, yep,

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Speaker 5: this is the Taylor Tomlinson hour.

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Speaker 4: It's really not at all.

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Speaker 5: I have a very specific job, which is like make

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Speaker 5: three other people look good every night.

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Speaker 4: Like if I'm funny, it's like a bonus.

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Speaker 2: Well it usually happens.

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Speaker 1: It feels really good when you got to go do

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Speaker 1: the show because like, it feels so great when you

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Speaker 1: get there because the writers are all great. I mean yes,

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Speaker 1: for people out there that don't know, Sam Tiger rights

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Speaker 1: for the show. Joe Bierstone is the head writer. This

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Speaker 1: is Michelle Davis. Yeah, she's amazing. We met because we

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Speaker 1: did Survivor. We did it Quarantine Survivor together. What we

339
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Speaker 1: were both in the same We didn't know each other.

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Speaker 1: I didn't even know she was a comedy writer. She's great,

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Speaker 1: but we were just both in the same online virtual Survivor,

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Speaker 1: which was all on Slack. And I remember they voted

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Speaker 1: her out too early because she was a personality threat.

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Speaker 1: Her personality was too good. I made I made it

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Speaker 1: a really long way because they were like winning, you

346
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Speaker 1: can keep her around. No one wants him to win.

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Speaker 1: But that's true, you're not threatening enough, no in the personality. Yeah,

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Speaker 1: do you wish she were sitting down on the show.

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Speaker 5: Yes, Honestly, I'm surprised at how I have to wear

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Speaker 5: heels almost every episode, Like we've kind of I have

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Speaker 5: gotten my stylas Terror, who is amazing. She was putting

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Speaker 5: me in the highest platforms you'd ever seen, and you know,

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Speaker 5: everyone else in the show is like, you know, you

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Speaker 5: don't have to wear that. You're behind the podium for

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Speaker 5: most of it. I thought I'd be behind the podium

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Speaker 5: the whole show, but one of I think the network

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Speaker 5: notes was like we want one one act to be

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Speaker 5: out in front of the podiums.

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Speaker 1: Yeah, we want to see them shoes.

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Speaker 4: We want to see the shoe. We we just changed it.

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Speaker 5: Where I was starting the show standing out front, introducing everybody,

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Speaker 5: and we just changed it. Now I introduce people from

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Speaker 5: behind the podium and it's so safe back there. Yeah,

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Speaker 5: you can hold those things. Yeah, No, I've never I

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Speaker 5: don't think i've ever. I never thought I was going

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Speaker 5: to be sitting down. So it wasn't like I showed

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Speaker 5: up and was.

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Speaker 3: Like, what right, you know? But can I And I'm

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Speaker 3: sure You've been told this many times. What I love

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Speaker 3: about you is that you can.

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Speaker 2: Yeah.

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Speaker 3: Well, first of all, this is worth discussing because I

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Speaker 3: think you are one of our great pacers. You are

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Speaker 3: such a good paster on stage in your stand up

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Speaker 3: nice and the spotlight really you really give the person

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Speaker 3: behind the spotlight like you give them their paycheck because

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Speaker 3: they are just following you.

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Speaker 1: You're moving and what I love it for a minute,

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Speaker 1: but it's all hitting. You can just tell you are out.

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Speaker 1: You perform a ton right Like Yeah, I was reading

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Speaker 1: that you you were one of the highest grossing comedians

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Speaker 1: and I guess it was like one hundred and thirty

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Speaker 1: shows in a year. That is wild. Yeah, it was

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Speaker 1: a lot.

385
00:15:56,760 --> 00:15:58,840
Speaker 5: Yeah, it was a lot because we just kept adding,

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Speaker 5: which was you know, as.

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Speaker 1: You love being out there or because you're just like,

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Speaker 1: are you someone that like likes your schedule to be full?

389
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Speaker 1: I think both.

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Speaker 5: I think I like being out there. And there's like

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Speaker 5: once you start selling tickets, you just didn't sell tickets

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Speaker 5: for so long that everyone's kind of going like, you better,

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Speaker 5: what's the fra make hay while the sunshines.

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Speaker 1: That I'll tuxt her, not knowing if she's said or alive,

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Speaker 1: fully dead, fully dead? I learned today I don't know

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Speaker 1: who that is. She rode great.

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Speaker 4: I love her and great guys that put herself into

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Speaker 4: Actually yeah she was like Stevany Myren Twilight.

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Speaker 2: Cameo make kay, make Hay.

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Speaker 5: You know you do feel like And also when during COVID,

401
00:16:46,320 --> 00:16:48,360
Speaker 5: I thought I was one of the people it's done.

402
00:16:48,520 --> 00:16:51,720
Speaker 5: I was like, it's over. There was a studio in

403
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Speaker 5: la that had built a stage that was a wall

404
00:16:54,320 --> 00:16:59,600
Speaker 5: of zoom screens, yes, like fifteen feet high, and it

405
00:16:59,640 --> 00:17:01,920
Speaker 5: felt old black mirror. It was crazy, but we did

406
00:17:01,960 --> 00:17:04,040
Speaker 5: it and we were like, I think this is the future.

407
00:17:04,080 --> 00:17:05,919
Speaker 5: I think this is no one's ever going to anything

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00:17:05,960 --> 00:17:08,600
Speaker 5: live ever again. And then I think once everybody got vaccinated,

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00:17:08,640 --> 00:17:11,480
Speaker 5: it was actually the total opposite where everybody wanted to

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Speaker 5: go and wanted to be seeing live events and experiencing life.

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Speaker 1: That's pretty cool.

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00:17:16,200 --> 00:17:18,359
Speaker 3: Yeah, And I bring up the pace thing because you

413
00:17:18,440 --> 00:17:21,879
Speaker 3: are stationary standing up in your heels behind a podium,

414
00:17:21,880 --> 00:17:25,359
Speaker 3: but you do you have a handhold with the podium, whereas.

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Speaker 4: I'm leaning on it emotionally, and.

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00:17:28,520 --> 00:17:30,800
Speaker 1: That's what it's there for. It's literally what it's there for.

417
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Speaker 1: The podiums are there to be leaned on. It's actually

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00:17:32,600 --> 00:17:35,440
Speaker 1: real coature number sixis are there to be leaned on?

419
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Speaker 2: It just is you're doing the right thing.

420
00:17:37,320 --> 00:17:37,919
Speaker 1: Yeah, thank you.

421
00:17:38,160 --> 00:17:39,320
Speaker 4: Did you have fun on the show for real?

422
00:17:40,840 --> 00:17:42,959
Speaker 1: And as I was leaving, it was that thing of

423
00:17:43,000 --> 00:17:46,560
Speaker 1: like everyone being like that was so fun. That was

424
00:17:46,600 --> 00:17:48,919
Speaker 1: so fun. I want to do it again because you

425
00:17:48,960 --> 00:17:51,119
Speaker 1: feel what you were saying is like I guess that

426
00:17:51,240 --> 00:17:53,360
Speaker 1: is like the consummate host thing to do. It's like, right,

427
00:17:53,480 --> 00:17:55,800
Speaker 1: you get there and your job is to have everyone

428
00:17:55,840 --> 00:17:58,200
Speaker 1: around you shine, and you get there and you immediately

429
00:17:58,200 --> 00:18:02,560
Speaker 1: feel like there are so many jokes that are like

430
00:18:02,560 --> 00:18:04,720
Speaker 1: like there for you, and they listen to you about

431
00:18:04,720 --> 00:18:06,720
Speaker 1: what you want to say too, and you get paired

432
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Speaker 1: with a writer and I had Sam and we know

433
00:18:08,720 --> 00:18:11,040
Speaker 1: each other. And there was also so much of him

434
00:18:11,080 --> 00:18:13,239
Speaker 1: in the humor too, which I loved and I was like,

435
00:18:13,480 --> 00:18:16,639
Speaker 1: I was just it was a really good vibehow and

436
00:18:16,720 --> 00:18:17,959
Speaker 1: you should be really proud of that.

437
00:18:18,040 --> 00:18:21,199
Speaker 5: Again, I have literally nothing to do with anything, Like

438
00:18:21,240 --> 00:18:24,480
Speaker 5: I can't take credit for anything about this show. Like

439
00:18:24,760 --> 00:18:27,160
Speaker 5: I did not hire anybody. I'm one of the people

440
00:18:27,160 --> 00:18:30,000
Speaker 5: they hired, and I'm so glad they did because everyone

441
00:18:30,040 --> 00:18:33,800
Speaker 5: they hired is fucking lovely. Like there's not one person

442
00:18:34,160 --> 00:18:35,680
Speaker 5: when I go into work and I'm like, I hope

443
00:18:35,680 --> 00:18:38,280
Speaker 5: I don't run into so and so, Like everybody's so great.

444
00:18:38,320 --> 00:18:41,520
Speaker 5: The writer's room is so talented, Like it is both

445
00:18:41,560 --> 00:18:43,920
Speaker 5: harder and easier than I thought the job was going

446
00:18:43,960 --> 00:18:47,119
Speaker 5: to be. But I mean, again, people being impressed I

447
00:18:47,160 --> 00:18:48,720
Speaker 5: can read. I'm like I usually have to write my

448
00:18:48,760 --> 00:18:52,240
Speaker 5: own shit, right, Like there's nine people writing me great

449
00:18:52,320 --> 00:18:56,400
Speaker 5: jokes every day, Like this is the dream, this is sugestic.

450
00:18:56,520 --> 00:18:59,040
Speaker 3: Are you like sort of reassured that, like you can

451
00:18:59,240 --> 00:19:02,960
Speaker 3: succeed in bow of those like parameters though, Like I

452
00:19:03,000 --> 00:19:05,439
Speaker 3: can nail my own stuff and I can beat the

453
00:19:05,440 --> 00:19:07,240
Speaker 3: delivery system for someone else's things.

454
00:19:07,359 --> 00:19:10,080
Speaker 5: Right, Well, keep all the plate spinning right in case

455
00:19:10,119 --> 00:19:10,880
Speaker 5: this one shatters.

456
00:19:11,200 --> 00:19:12,680
Speaker 1: Right, there's a whole other.

457
00:19:13,200 --> 00:19:15,600
Speaker 5: Then you're like, well, I know you don't buy tickets

458
00:19:15,640 --> 00:19:16,679
Speaker 5: to see me do stand up anymore?

459
00:19:16,680 --> 00:19:17,440
Speaker 4: Did you know I could read?

460
00:19:17,720 --> 00:19:19,760
Speaker 1: Yeah? I can actually read quite well. I do it

461
00:19:19,840 --> 00:19:21,520
Speaker 1: almost every night, cold cold.

462
00:19:21,320 --> 00:19:22,159
Speaker 4: Read every morning.

463
00:19:22,200 --> 00:19:26,280
Speaker 5: And the hardest part of that job mispronouncing words in

464
00:19:26,600 --> 00:19:29,160
Speaker 5: the writer's room cold read first off.

465
00:19:28,960 --> 00:19:31,440
Speaker 4: Where I'm like, this is humiliating.

466
00:19:31,600 --> 00:19:33,800
Speaker 1: Yeah, yeah, And also I would imagine you're pretty like

467
00:19:33,920 --> 00:19:36,440
Speaker 1: literate with pop culture and stuff. But like when there's

468
00:19:36,480 --> 00:19:39,120
Speaker 1: a reference that you don't get, like such as Flannery O'Connor,

469
00:19:39,160 --> 00:19:40,800
Speaker 1: like people could just be talking about her right in

470
00:19:40,800 --> 00:19:42,919
Speaker 1: front of you and you don't even know who she is, right,

471
00:19:43,160 --> 00:19:47,800
Speaker 1: Like that could happen like often, pretty often, But I

472
00:19:47,800 --> 00:19:50,000
Speaker 1: feel like you are on your reference.

473
00:19:50,040 --> 00:19:52,320
Speaker 5: There is I don't know, not always, there's sometimes I

474
00:19:52,359 --> 00:19:54,600
Speaker 5: pretend and then we get to rehearsal and I go, Jack,

475
00:19:54,640 --> 00:19:55,600
Speaker 5: can you explain.

476
00:19:55,880 --> 00:19:56,520
Speaker 4: This joke to me?

477
00:19:56,560 --> 00:19:58,480
Speaker 5: And then the whole control rooms like we don't really

478
00:19:58,480 --> 00:20:01,680
Speaker 5: know either then, or Joe has to explain it to us,

479
00:20:01,840 --> 00:20:03,760
Speaker 5: And like Joe Carson's like, I think it's just dumb,

480
00:20:03,800 --> 00:20:05,120
Speaker 5: and I'm like, okay, I just wanted to make.

481
00:20:05,000 --> 00:20:08,920
Speaker 4: Sure it was just dumb, just dumb, and I'm like, okay, good.

482
00:20:08,720 --> 00:20:09,040
Speaker 1: I didn't.

483
00:20:09,080 --> 00:20:11,600
Speaker 5: I was embarrassed to ask in front of thirty people

484
00:20:11,640 --> 00:20:12,520
Speaker 5: this morning, but.

485
00:20:12,480 --> 00:20:14,480
Speaker 1: I'm glad we talked about it. That's great.

486
00:20:14,480 --> 00:20:16,200
Speaker 5: And there's also times where they write a really funny

487
00:20:16,240 --> 00:20:18,679
Speaker 5: joke and I'm like, I just have never said that before,

488
00:20:18,880 --> 00:20:21,560
Speaker 5: Like I've never said, like read you to filth, like

489
00:20:21,600 --> 00:20:23,760
Speaker 5: I've never said that, you know where. I'm like, I

490
00:20:24,200 --> 00:20:26,440
Speaker 5: just I'm like, I just can't.

491
00:20:26,080 --> 00:20:28,480
Speaker 1: Sell this, you know. I mean there's a lot of

492
00:20:28,480 --> 00:20:31,119
Speaker 1: gay energy there because I remember like speaking of like

493
00:20:31,440 --> 00:20:34,520
Speaker 1: you wearing shoes and like looking amazing. I actually did

494
00:20:34,640 --> 00:20:37,160
Speaker 1: this gay thing to you.

495
00:20:37,640 --> 00:20:41,800
Speaker 4: Do you remember remembers you never did. I think about

496
00:20:41,840 --> 00:20:43,639
Speaker 4: it every night before I loved it.

497
00:20:43,720 --> 00:20:44,200
Speaker 2: I went.

498
00:20:46,720 --> 00:20:48,480
Speaker 1: And you also did this. I was like you went

499
00:20:48,560 --> 00:20:51,719
Speaker 1: up and down, yes, because honestly you had earned it.

500
00:20:52,080 --> 00:20:54,399
Speaker 1: But right afterwards, I was just like, did I just

501
00:20:54,520 --> 00:20:57,400
Speaker 1: like be so gay at her? But I was that's

502
00:20:57,400 --> 00:20:59,679
Speaker 1: actually good because I actually am that gay and I

503
00:20:59,800 --> 00:21:02,240
Speaker 1: met this when I did it, Yeah, I meant it.

504
00:21:02,240 --> 00:21:03,119
Speaker 4: It didn't feel empty.

505
00:21:03,240 --> 00:21:06,479
Speaker 2: It was motivating and it was positive. You're not an

506
00:21:06,520 --> 00:21:07,520
Speaker 2: empty gesticulator.

507
00:21:07,840 --> 00:21:10,920
Speaker 1: In fact, the girl today at the coffee shop who

508
00:21:10,960 --> 00:21:13,280
Speaker 1: collapsed when I said that you were coming on the

509
00:21:13,320 --> 00:21:16,160
Speaker 1: show literally goes, oh, I watch our show every night.

510
00:21:16,200 --> 00:21:17,160
Speaker 1: Her suit.

511
00:21:18,440 --> 00:21:19,440
Speaker 4: She watches the show too.

512
00:21:19,520 --> 00:21:21,199
Speaker 1: She watches the show and she watches your stand up.

513
00:21:21,320 --> 00:21:22,160
Speaker 1: She's a huge fan.

514
00:21:22,640 --> 00:21:25,639
Speaker 5: So my favorite part of your episode is there is

515
00:21:25,680 --> 00:21:28,160
Speaker 5: one point where I think James Davis buzzed in before

516
00:21:28,160 --> 00:21:29,000
Speaker 5: you and you went.

517
00:21:29,280 --> 00:21:32,520
Speaker 2: No, that's really my energy, though I don't like it.

518
00:21:32,680 --> 00:21:34,399
Speaker 1: I've done a lot of game shows, even though this

519
00:21:34,440 --> 00:21:37,080
Speaker 1: one's like fake and you know, like you're playing on

520
00:21:37,119 --> 00:21:39,760
Speaker 1: both sides of that game show I've done. I've done

521
00:21:39,800 --> 00:21:42,400
Speaker 1: a lot in that space, weirdly enough, not because I'm

522
00:21:42,440 --> 00:21:44,640
Speaker 1: like passionate about the form. It just I say yes

523
00:21:44,680 --> 00:21:44,960
Speaker 1: the shit.

524
00:21:45,160 --> 00:21:45,520
Speaker 4: Yeah.

525
00:21:45,560 --> 00:21:48,560
Speaker 1: So there was a moment on we was on Celebrity

526
00:21:48,600 --> 00:21:52,200
Speaker 1: Jeopardy where I screamed no when someone else got a

527
00:21:52,280 --> 00:21:54,200
Speaker 1: thing because it was like, I think it was literally

528
00:21:54,240 --> 00:21:57,239
Speaker 1: like a gay question for me, and I was like,

529
00:21:57,320 --> 00:21:59,679
Speaker 1: I felt it was like a Beyonce question, and I

530
00:21:59,720 --> 00:22:02,639
Speaker 1: was like, I felt it was completely unfair that someone

531
00:22:02,680 --> 00:22:04,040
Speaker 1: else should be able to answer.

532
00:22:04,080 --> 00:22:06,000
Speaker 2: I was like, no, this is my category. It was

533
00:22:06,000 --> 00:22:08,119
Speaker 2: like it just didn't feel right, and so I made

534
00:22:08,160 --> 00:22:09,240
Speaker 2: it known audibly.

535
00:22:09,280 --> 00:22:11,160
Speaker 4: Yeah, and you're like, this is TV. Let's run it again.

536
00:22:11,240 --> 00:22:11,720
Speaker 2: Let's funny.

537
00:22:11,960 --> 00:22:14,680
Speaker 4: We don't have to pretend this. We're really playing.

538
00:22:15,160 --> 00:22:16,399
Speaker 1: I mean I got to be on the show with

539
00:22:16,440 --> 00:22:20,680
Speaker 1: Caroline Ray's yeah, come on, yeah, you guys are really connecting.

540
00:22:20,800 --> 00:22:22,000
Speaker 2: I felt definitely connected.

541
00:22:22,000 --> 00:22:23,760
Speaker 4: I mean, all three of you played really well together.

542
00:22:23,880 --> 00:22:26,600
Speaker 1: James, that was like you'd ever met anybody, like nobody

543
00:22:26,640 --> 00:22:29,959
Speaker 1: had met each other. Caroline and I had had like

544
00:22:30,000 --> 00:22:36,399
Speaker 1: an online like fest because she is Henry Persky, my

545
00:22:36,560 --> 00:22:39,720
Speaker 1: ex and my musical director that's like his l a mom,

546
00:22:39,920 --> 00:22:41,440
Speaker 1: so I know her a little bit and she does

547
00:22:41,520 --> 00:22:42,960
Speaker 1: give that energy, but.

548
00:22:42,920 --> 00:22:45,359
Speaker 2: Also just like one of the comics too, which is fun.

549
00:22:45,840 --> 00:22:46,640
Speaker 1: She was so good.

550
00:22:46,800 --> 00:22:50,200
Speaker 2: Yea and Hilda, come were you a Sabrina fan?

551
00:22:50,640 --> 00:22:55,440
Speaker 4: I couldn't religious Household, no Witch, no Witches, no cable.

552
00:22:56,760 --> 00:22:58,200
Speaker 4: I think we had cable, but it was like, I

553
00:22:58,200 --> 00:23:00,080
Speaker 4: don't think we can watch like anything on Nicola.

554
00:23:00,480 --> 00:23:02,560
Speaker 1: Okay, Like they were like Cat is too mean.

555
00:23:02,480 --> 00:23:05,679
Speaker 5: To dog, Like it was like Angelica's too mean to

556
00:23:05,720 --> 00:23:08,360
Speaker 5: the babies, Like it was cat.

557
00:23:08,200 --> 00:23:11,679
Speaker 1: Is too mean to dog. Yeah, Angelica's behaviors were not

558
00:23:12,240 --> 00:23:15,760
Speaker 1: in God's light. But no, no, no, no, no, no.

559
00:23:15,160 --> 00:23:17,760
Speaker 2: But all so demonic in a way.

560
00:23:17,960 --> 00:23:19,639
Speaker 4: Oh yeah, no, it was unnatural.

561
00:23:19,760 --> 00:23:22,200
Speaker 1: It was unnatural. It was clearly that I don't know,

562
00:23:22,359 --> 00:23:27,679
Speaker 1: was from Hell here to every child and like really

563
00:23:27,680 --> 00:23:29,960
Speaker 1: being in the nightmares of kids, right, yeah, totally.

564
00:23:29,800 --> 00:23:33,280
Speaker 3: Yeah, but see this is a curious not a phenomenon.

565
00:23:33,320 --> 00:23:36,479
Speaker 3: I just think there was a time when I felt

566
00:23:36,520 --> 00:23:38,480
Speaker 3: so like I was like, what the fuck, like not

567
00:23:38,520 --> 00:23:41,240
Speaker 3: a religious household, but no cable right, so I felt

568
00:23:41,320 --> 00:23:43,879
Speaker 3: like I was going to school like totally huge in

569
00:23:43,920 --> 00:23:46,520
Speaker 3: the dark, totally in the dark. But there were like

570
00:23:46,760 --> 00:23:51,800
Speaker 3: the very religious kids who still had access to it,

571
00:23:51,920 --> 00:23:54,119
Speaker 3: and it made me so jealous of like, see, like

572
00:23:54,200 --> 00:23:57,119
Speaker 3: this should be a thing that like is restricted to you,

573
00:23:57,240 --> 00:23:59,680
Speaker 3: and yet you have it, and yet you are being

574
00:23:59,720 --> 00:24:02,760
Speaker 3: a very like pious child by like not non accessing it.

575
00:24:02,880 --> 00:24:03,680
Speaker 3: Yeah you know what I mean.

576
00:24:03,880 --> 00:24:06,480
Speaker 5: Yeah, No, being sheltered as a kid is not a

577
00:24:06,480 --> 00:24:11,359
Speaker 5: good situation. I think I watched Napoleon Dynamite through other kids,

578
00:24:11,480 --> 00:24:13,400
Speaker 5: uh huh, quoting it, Yeah, but.

579
00:24:13,400 --> 00:24:15,640
Speaker 1: I think nap was actually kind of like youth group

580
00:24:15,680 --> 00:24:19,200
Speaker 1: friendly too. I can't remember in it was. I think

581
00:24:19,240 --> 00:24:21,639
Speaker 1: because of the way he dressed and the fact that

582
00:24:21,680 --> 00:24:24,600
Speaker 1: he was so sexually non threatening. I think parents were like,

583
00:24:24,640 --> 00:24:29,160
Speaker 1: this is fine, his t shirts tucked in. Yeah, he's

584
00:24:29,400 --> 00:24:31,440
Speaker 1: clearly wearing clothes too.

585
00:24:31,320 --> 00:24:35,080
Speaker 2: Warm for this heat. That we're okay.

586
00:24:35,240 --> 00:24:36,560
Speaker 3: And I think there was the thing about John Hater

587
00:24:36,680 --> 00:24:39,800
Speaker 3: being Mormon, where I think there was a lot of

588
00:24:39,840 --> 00:24:41,800
Speaker 3: a lot of Christians at my school were like, oh no,

589
00:24:41,880 --> 00:24:43,679
Speaker 3: we love Napoleon, like it's the one thing that we

590
00:24:43,680 --> 00:24:44,240
Speaker 3: can watch.

591
00:24:44,359 --> 00:24:44,560
Speaker 5: Yeah.

592
00:24:44,640 --> 00:24:45,920
Speaker 1: I was happy, happy for y'all.

593
00:24:46,160 --> 00:24:48,720
Speaker 5: Okay, Yeah, but I mean sheltered goes. But it's not

594
00:24:49,080 --> 00:24:52,520
Speaker 5: just you can't watch this it's demonic. There's also just

595
00:24:53,240 --> 00:24:57,720
Speaker 5: what's out, what's popular? Yeah, we're too busy watching veggietails.

596
00:24:57,800 --> 00:24:59,960
Speaker 5: So did you details did.

597
00:24:59,920 --> 00:25:02,280
Speaker 1: You go on like a spree at when you sort

598
00:25:02,280 --> 00:25:04,119
Speaker 1: of got some freedom from that, Like, did you go

599
00:25:04,160 --> 00:25:05,359
Speaker 1: on a pop culture spree?

600
00:25:05,359 --> 00:25:07,439
Speaker 2: Did you say I'm reading every book about a witch?

601
00:25:09,040 --> 00:25:11,159
Speaker 5: Well, I read Harry Potter for like two years, and

602
00:25:11,200 --> 00:25:14,520
Speaker 5: then my dad took us to see the third one

603
00:25:14,560 --> 00:25:17,800
Speaker 5: and was like, these dementors are the devil, these are demons,

604
00:25:17,840 --> 00:25:21,720
Speaker 5: and so took it away devastated, absolutely devastated. And then

605
00:25:22,119 --> 00:25:24,600
Speaker 5: like my senior year of high school, I think I

606
00:25:24,640 --> 00:25:27,439
Speaker 5: saw the last one in theaters with my friends, Like

607
00:25:27,480 --> 00:25:28,720
Speaker 5: it's like a senior activity.

608
00:25:28,760 --> 00:25:29,480
Speaker 1: I don't even care.

609
00:25:29,920 --> 00:25:31,600
Speaker 3: So when it was taken away from you, like what

610
00:25:31,680 --> 00:25:34,480
Speaker 3: were you barred from doing? Like the books and the movies,

611
00:25:34,560 --> 00:25:35,000
Speaker 3: all of it.

612
00:25:35,400 --> 00:25:38,400
Speaker 5: Yeah, And I was like obsessed, like obsessed for two years,

613
00:25:38,440 --> 00:25:40,800
Speaker 5: like got me through my mother's death, and it was

614
00:25:40,880 --> 00:25:44,160
Speaker 5: just gone one day and I was like, oh yeah,

615
00:25:44,160 --> 00:25:46,560
Speaker 5: So when people make fun of millennials for liking Harry Potter,

616
00:25:46,600 --> 00:25:49,160
Speaker 5: I'm like, that really got some of us through some shit.

617
00:25:50,440 --> 00:25:52,160
Speaker 1: Yeah, I'm very much.

618
00:25:52,040 --> 00:25:52,959
Speaker 2: Like one thousand.

619
00:25:53,080 --> 00:25:53,280
Speaker 4: Yeah.

620
00:25:53,359 --> 00:25:55,560
Speaker 1: Yeah. I was just talking about this yesterday because we

621
00:25:55,560 --> 00:25:58,440
Speaker 1: were talking about JK and like what's gone down? Yeah yeah,

622
00:25:58,480 --> 00:26:01,000
Speaker 1: And it's just like it's so shocking that someone can

623
00:26:01,080 --> 00:26:05,879
Speaker 1: so understand the experience of being targeted for like being different,

624
00:26:05,880 --> 00:26:07,800
Speaker 1: et cetera, and she can be this way, but I

625
00:26:07,840 --> 00:26:10,639
Speaker 1: really do. I'm in the Daniel Radcliffe school of like

626
00:26:10,680 --> 00:26:12,520
Speaker 1: if it was important to you, like that's all, it

627
00:26:12,600 --> 00:26:15,040
Speaker 1: can stay important to you, like that are an impact

628
00:26:15,080 --> 00:26:18,280
Speaker 1: that it had on you isn't invalidated by this person

629
00:26:19,040 --> 00:26:22,200
Speaker 1: falling off the deep end whatever and for whatever she believes.

630
00:26:22,240 --> 00:26:25,320
Speaker 1: But I did notice those Harry Potter referencesn't the specialists? Yeah,

631
00:26:25,359 --> 00:26:28,280
Speaker 1: And I was like, this is formative, this is millennial formative,

632
00:26:28,400 --> 00:26:29,000
Speaker 1: very formative.

633
00:26:38,600 --> 00:26:39,080
Speaker 4: Oh my god.

634
00:26:39,119 --> 00:26:42,119
Speaker 5: Also, I listened to your Challengers episode this morning. You did, yes,

635
00:26:42,760 --> 00:26:45,000
Speaker 5: see it well after you did our show. I like

636
00:26:45,080 --> 00:26:46,640
Speaker 5: binge the podcast.

637
00:26:46,720 --> 00:26:47,240
Speaker 2: Oh my god.

638
00:26:47,359 --> 00:26:49,679
Speaker 5: I love this podcast, which I'm sure you're sick of

639
00:26:49,720 --> 00:26:53,000
Speaker 5: hearing because every guest is like, I love this. It's

640
00:26:53,040 --> 00:26:55,280
Speaker 5: so nice to be excited to come to a podcast.

641
00:26:55,520 --> 00:26:56,560
Speaker 4: I'm not like dreading it.

642
00:26:56,600 --> 00:26:57,679
Speaker 1: Oh my god. I've been so excited.

643
00:26:57,880 --> 00:26:59,440
Speaker 5: But I was so excited to talk to you both

644
00:26:59,480 --> 00:27:01,960
Speaker 5: about Challenging because I saw you posting about it on Instagram.

645
00:27:02,040 --> 00:27:04,040
Speaker 2: Saw it Friday, and I had seen it the night prior.

646
00:27:04,240 --> 00:27:05,119
Speaker 1: Yeah, I saw.

647
00:27:05,000 --> 00:27:07,840
Speaker 5: It Saturday afternoon. I can't wait to see it again.

648
00:27:07,920 --> 00:27:09,240
Speaker 5: And I listened to the whole thing because I was like,

649
00:27:09,240 --> 00:27:11,439
Speaker 5: I don't want to be repetitive. I know that already

650
00:27:11,480 --> 00:27:16,359
Speaker 5: covered it. Oh my god. The fucking truro scene start

651
00:27:16,400 --> 00:27:19,480
Speaker 5: to finish, starting from when he pulls the stool over

652
00:27:19,600 --> 00:27:22,560
Speaker 5: with his foot. That shot of the first shot of

653
00:27:22,600 --> 00:27:25,679
Speaker 5: the foot Oh my god, we were. I saw it

654
00:27:25,720 --> 00:27:28,080
Speaker 5: with my sibling and Zach. No Towers was opening for me,

655
00:27:28,080 --> 00:27:31,040
Speaker 5: and yeah, Zach's the best. But the three of us

656
00:27:31,040 --> 00:27:32,560
Speaker 5: saw it, and I was so jealous that you two.

657
00:27:33,280 --> 00:27:34,399
Speaker 5: Did you sit together the same.

658
00:27:34,400 --> 00:27:36,760
Speaker 2: We saw together the second seen it. I saw it

659
00:27:36,800 --> 00:27:38,639
Speaker 2: Thursday because I just couldn't wait again.

660
00:27:38,800 --> 00:27:40,840
Speaker 1: So I was like excited to go the next time too,

661
00:27:40,880 --> 00:27:42,199
Speaker 1: And I tried to keep a secret that I had

662
00:27:42,240 --> 00:27:44,919
Speaker 1: seen it, but I couldn't hold it in. I could not,

663
00:27:45,440 --> 00:27:46,480
Speaker 1: So did you.

664
00:27:46,480 --> 00:27:49,119
Speaker 5: Your theater was like excited. They were like cheering and

665
00:27:49,200 --> 00:27:50,000
Speaker 5: laughing and all that.

666
00:27:50,320 --> 00:27:50,520
Speaker 1: God.

667
00:27:50,600 --> 00:27:52,440
Speaker 5: See, I was so jealous when I heard that because

668
00:27:52,480 --> 00:27:55,240
Speaker 5: ours was quiet, but I actually think ours was just

669
00:27:55,280 --> 00:27:55,600
Speaker 5: as into.

670
00:27:55,640 --> 00:27:59,280
Speaker 4: It was totally packed, but everybody was like nobody was talking.

671
00:27:59,480 --> 00:28:03,240
Speaker 5: Huh a whole movie. I mean, barely breathing the whole movie.

672
00:28:03,560 --> 00:28:05,679
Speaker 5: Not to do spoilers, but just as vague as I

673
00:28:05,680 --> 00:28:11,639
Speaker 5: can be. The racket part, which we also when it happened,

674
00:28:11,640 --> 00:28:14,120
Speaker 5: because we were just sitting there like like, I don't

675
00:28:14,119 --> 00:28:16,040
Speaker 5: think Zach and I were breathing for like a minute.

676
00:28:16,320 --> 00:28:18,520
Speaker 5: It's in motion, and then it finally happened. I think

677
00:28:18,560 --> 00:28:21,320
Speaker 5: we both went, yeah, just thank you.

678
00:28:21,600 --> 00:28:23,520
Speaker 1: And you know what you were pointing at. You were

679
00:28:23,560 --> 00:28:29,359
Speaker 1: pointing at incredible scripting, which is aspirational screenwriting. This is

680
00:28:29,359 --> 00:28:33,280
Speaker 1: is it justin Kurritzky's Yeah, this is like even though

681
00:28:33,320 --> 00:28:35,760
Speaker 1: you knew it was coming. And also credit to Luca

682
00:28:35,920 --> 00:28:38,440
Speaker 1: Guardnino because like you knew he was going to do

683
00:28:38,480 --> 00:28:40,400
Speaker 1: that to signal it. But what was great about that

684
00:28:40,440 --> 00:28:45,720
Speaker 1: scene was watching him decide whether yeah, and so even

685
00:28:45,880 --> 00:28:49,200
Speaker 1: if you saw it coming, the moral conundrum of is

686
00:28:49,200 --> 00:28:53,840
Speaker 1: he about to tell his secret right now? And that

687
00:28:54,400 --> 00:28:55,959
Speaker 1: if you felt like you were ahead of it, like

688
00:28:56,080 --> 00:29:00,000
Speaker 1: that part still it like kept that tension up. Yeah.

689
00:29:00,080 --> 00:29:02,000
Speaker 5: Also, I don't think everyone did see it coming. For

690
00:29:02,040 --> 00:29:03,760
Speaker 5: the record, I'm not like, oh, that was so obviously.

691
00:29:03,880 --> 00:29:06,720
Speaker 5: We all work in entertainment. We saw it coming from

692
00:29:06,720 --> 00:29:07,760
Speaker 5: a mile away.

693
00:29:08,120 --> 00:29:10,560
Speaker 3: Well, you know, I would say, though, like you were saying,

694
00:29:10,560 --> 00:29:12,400
Speaker 3: you were saying on this episode that like it is

695
00:29:12,440 --> 00:29:15,240
Speaker 3: not so telegraphed. The way that that information is first

696
00:29:15,720 --> 00:29:18,600
Speaker 3: planted is not like so obvious.

697
00:29:19,560 --> 00:29:21,960
Speaker 2: It's not like Chekhov's gun when you're like, that's coming back.

698
00:29:22,040 --> 00:29:24,720
Speaker 1: Yeah, It's like he does it, and it's this fun

699
00:29:24,720 --> 00:29:26,440
Speaker 1: moment in the movie. I don't know what it means,

700
00:29:26,760 --> 00:29:28,640
Speaker 1: and then in the moment at the end when you

701
00:29:28,720 --> 00:29:31,280
Speaker 1: realize it's coming, you're like, holy fuck, what is this

702
00:29:31,400 --> 00:29:33,719
Speaker 1: gonna push it to? Yeah? And then where it pushes

703
00:29:33,720 --> 00:29:38,040
Speaker 1: it to is I believe signature, iconic important.

704
00:29:38,440 --> 00:29:39,120
Speaker 2: I love it well.

705
00:29:39,160 --> 00:29:41,200
Speaker 3: You and Zach were doing there with the pointing it's

706
00:29:41,280 --> 00:29:43,280
Speaker 3: reminding me of this thing. Okay, So you were on

707
00:29:43,280 --> 00:29:46,680
Speaker 3: Stradio Lab Perfect Perfect episode. You were saying, how like,

708
00:29:47,440 --> 00:29:49,320
Speaker 3: if it's like a comedy bit that can work anywhere,

709
00:29:49,440 --> 00:29:51,360
Speaker 3: rather than like an alt thing where you're just performing

710
00:29:51,360 --> 00:29:52,880
Speaker 3: to the comedians in the audience, if it's a comedy

711
00:29:52,880 --> 00:29:55,600
Speaker 3: bit that can work anywhere, a comedian won't.

712
00:29:55,400 --> 00:29:58,320
Speaker 1: Laugh haha, but they'll go that's fucking great. Yes, you

713
00:29:58,360 --> 00:29:58,800
Speaker 1: know what I mean.

714
00:29:58,800 --> 00:30:01,200
Speaker 3: Like, that's your response to like seeing something that you

715
00:30:01,280 --> 00:30:04,840
Speaker 3: like just know is sublime. And rather than being like ah,

716
00:30:05,000 --> 00:30:07,080
Speaker 3: which we were in our theater, you and Zach were

717
00:30:07,120 --> 00:30:08,760
Speaker 3: like right there, that's good.

718
00:30:08,800 --> 00:30:09,000
Speaker 1: Yeah.

719
00:30:09,000 --> 00:30:11,320
Speaker 5: Which is the hardest part about after midnight, maybe that

720
00:30:11,680 --> 00:30:14,760
Speaker 5: I have to make my face and voice do what

721
00:30:14,880 --> 00:30:17,320
Speaker 5: my heart is doing when people have a good joke.

722
00:30:17,480 --> 00:30:18,760
Speaker 1: Is I can't just go that's.

723
00:30:18,560 --> 00:30:22,640
Speaker 5: Good, and you have to really make yourself audibly laugh yeah,

724
00:30:22,640 --> 00:30:23,719
Speaker 5: which has not come naturally.

725
00:30:24,240 --> 00:30:26,479
Speaker 2: When do you think that's stopped? Were you ever a laugher?

726
00:30:27,200 --> 00:30:28,040
Speaker 4: I can't remember.

727
00:30:28,160 --> 00:30:29,560
Speaker 2: I mean you're a great laugher though.

728
00:30:29,680 --> 00:30:31,880
Speaker 5: That's so nice. I'm so glad and it feels real,

729
00:30:32,000 --> 00:30:34,560
Speaker 5: feel good. I mean it is really, the emotion is real.

730
00:30:34,760 --> 00:30:37,560
Speaker 5: It's just the physical act of It's like when you're

731
00:30:37,600 --> 00:30:39,440
Speaker 5: younger and they're like you have resting bitchface and you're like,

732
00:30:39,440 --> 00:30:41,760
Speaker 5: I guess I have to address that, you know.

733
00:30:41,840 --> 00:30:43,000
Speaker 4: And I mean, I've been doing stand.

734
00:30:42,840 --> 00:30:44,880
Speaker 5: Ups since I was sixteen, so it's hard to know

735
00:30:44,960 --> 00:30:48,760
Speaker 5: exactly when I became a dead eyed comedian because I

736
00:30:48,800 --> 00:30:52,240
Speaker 5: can't I'm like a laugher at fifteen, I can't remember.

737
00:30:52,040 --> 00:30:54,400
Speaker 1: So I don't really know, you know what's funny, Like

738
00:30:54,800 --> 00:30:57,360
Speaker 1: I was always a laugher, and then I was. We

739
00:30:57,360 --> 00:30:59,960
Speaker 1: were both laughers through college, Like I remember that was

740
00:31:00,160 --> 00:31:01,680
Speaker 1: a thing. Like we would go to each other's shows

741
00:31:01,680 --> 00:31:04,080
Speaker 1: and they'd be like, they laughed so loud Owen's laughing

742
00:31:04,120 --> 00:31:05,840
Speaker 1: at Matt stuff Matt's and they were like, it's not

743
00:31:05,880 --> 00:31:08,800
Speaker 1: as funny as they're laughing, But we were genuinely were

744
00:31:08,880 --> 00:31:10,600
Speaker 1: like we thought it was yeah, And then I don't

745
00:31:10,640 --> 00:31:14,080
Speaker 1: know what happened, but maybe in like twenties, late twenties,

746
00:31:14,120 --> 00:31:17,000
Speaker 1: like when comedy was the only thing I did feel

747
00:31:17,040 --> 00:31:20,600
Speaker 1: that stop and I don't know what that is. It's

748
00:31:20,640 --> 00:31:24,360
Speaker 1: come back, I think as I've stopped doing explicit comedy

749
00:31:24,400 --> 00:31:27,080
Speaker 1: as much and now do more acting, but like it's

750
00:31:27,080 --> 00:31:31,000
Speaker 1: been nice to feel like entertained again by stand up,

751
00:31:31,200 --> 00:31:33,240
Speaker 1: because that is something when you're around it so much

752
00:31:33,240 --> 00:31:37,080
Speaker 1: as it does start to feel like it's less about

753
00:31:37,560 --> 00:31:40,160
Speaker 1: acknowledging it, like in a visceral laughing way, and more

754
00:31:40,200 --> 00:31:42,880
Speaker 1: about like being like I'm giving them credit for that,

755
00:31:43,040 --> 00:31:46,600
Speaker 1: yes you know, yeah, yeah, and it's important to give

756
00:31:46,680 --> 00:31:49,720
Speaker 1: the credit. Yeah you know. It means something to comics.

757
00:31:49,760 --> 00:31:52,040
Speaker 1: Like That's why I like, I would imagine JFL like

758
00:31:52,080 --> 00:31:54,520
Speaker 1: where we first saw you was like a whole thing

759
00:31:54,560 --> 00:31:57,600
Speaker 1: because it's like there's audiences that are laughing, and also

760
00:31:58,240 --> 00:32:00,640
Speaker 1: the industry is such a thing there, but like there's

761
00:32:00,640 --> 00:32:03,480
Speaker 1: also the other comics there and like the sharing of

762
00:32:03,560 --> 00:32:06,360
Speaker 1: like everyone's comedy. I remember that was a really fun

763
00:32:06,960 --> 00:32:09,720
Speaker 1: night that night that you were performing just for laughs,

764
00:32:09,800 --> 00:32:11,280
Speaker 1: the variety, the variety.

765
00:32:10,960 --> 00:32:12,960
Speaker 5: So I totally forgot we even performed for that. I

766
00:32:13,000 --> 00:32:15,920
Speaker 5: only remember doing the like panel we did, like a

767
00:32:15,960 --> 00:32:16,680
Speaker 5: panel for.

768
00:32:16,560 --> 00:32:19,160
Speaker 3: It, uh huh, truly rip because I know, I know

769
00:32:19,200 --> 00:32:21,320
Speaker 3: there were some people in comedy who were kind of

770
00:32:21,360 --> 00:32:24,160
Speaker 3: like dang dong, the Witch is dead, which when JFL

771
00:32:24,280 --> 00:32:28,000
Speaker 3: kind of stopped growing up in Montreal, it was the

772
00:32:28,080 --> 00:32:31,520
Speaker 3: thing that like got me, you know, like it would

773
00:32:31,520 --> 00:32:32,840
Speaker 3: be a thing where you like go into town in

774
00:32:32,880 --> 00:32:34,440
Speaker 3: the summer and like there would just be like free

775
00:32:34,440 --> 00:32:37,280
Speaker 3: performances outside and like little kid me like sees a

776
00:32:37,360 --> 00:32:40,080
Speaker 3: min do a fucking quabei qua ass thing and I'm like,

777
00:32:40,600 --> 00:32:42,880
Speaker 3: I love this, Like what is this about? And it

778
00:32:42,960 --> 00:32:45,680
Speaker 3: is kind of sad that it's it is this institution

779
00:32:45,800 --> 00:32:48,120
Speaker 3: and like we warn it to an extent, but like

780
00:32:48,280 --> 00:32:50,880
Speaker 3: it is kind of like it's one less outlet for

781
00:32:50,960 --> 00:32:53,160
Speaker 3: like comedians coming up now, which is like kind of

782
00:32:53,160 --> 00:32:53,600
Speaker 3: a bummer.

783
00:32:53,800 --> 00:32:55,640
Speaker 1: Yeah yeah, not to bring this down.

784
00:32:55,800 --> 00:32:58,160
Speaker 5: Well no, no no, And it is weird when things sort

785
00:32:58,160 --> 00:33:01,160
Speaker 5: of cycle out and something else becomes the thing. Like

786
00:33:01,160 --> 00:33:03,400
Speaker 5: I remember when I got the fifteen Minutes on Netflix.

787
00:33:04,240 --> 00:33:05,960
Speaker 5: I think that same year they offered me the half

788
00:33:06,000 --> 00:33:08,080
Speaker 5: hour on Comedy Central, which was all I ever wanted.

789
00:33:08,160 --> 00:33:10,960
Speaker 5: But then by that point it like wasn't the smartest

790
00:33:10,960 --> 00:33:14,040
Speaker 5: idea to do that because people couldn't find it or

791
00:33:14,080 --> 00:33:16,960
Speaker 5: watch it as they weren't putting it online. Right, So

792
00:33:17,040 --> 00:33:19,000
Speaker 5: like things shift and the thing that was your dream

793
00:33:19,040 --> 00:33:21,520
Speaker 5: as a kid goes away. Like I feel so bad

794
00:33:21,560 --> 00:33:23,239
Speaker 5: for people who wanted to be on Conan and like

795
00:33:23,560 --> 00:33:26,959
Speaker 5: just missed it, Like, oh my god, it sucks because

796
00:33:27,200 --> 00:33:29,520
Speaker 5: I thankfully got to do it a couple of times

797
00:33:29,560 --> 00:33:32,560
Speaker 5: and that was like the dream for years because that's

798
00:33:32,560 --> 00:33:33,440
Speaker 5: what I watched growing up.

799
00:33:33,520 --> 00:33:37,920
Speaker 2: Ah, you were ahead, like this is a thing.

800
00:33:38,000 --> 00:33:41,400
Speaker 3: Okay, So starting at sixteen, I think you and I

801
00:33:41,440 --> 00:33:44,520
Speaker 3: have hit the mark where it's the majority of our

802
00:33:44,560 --> 00:33:48,120
Speaker 3: lives now has been us trying to like aspire to comedy.

803
00:33:48,200 --> 00:33:49,040
Speaker 2: Yeah, yeah, have you.

804
00:33:49,000 --> 00:33:50,600
Speaker 4: Been doing this podcast for eight years?

805
00:33:51,360 --> 00:33:51,520
Speaker 1: Eight?

806
00:33:51,600 --> 00:33:51,800
Speaker 2: Yeah?

807
00:33:51,840 --> 00:33:52,960
Speaker 4: That's crazy crazy.

808
00:33:53,080 --> 00:33:56,360
Speaker 1: It's just saying we're over four hundred episodes now and

809
00:33:56,440 --> 00:33:59,240
Speaker 1: it feels so weird. It's now been a part of

810
00:33:59,280 --> 00:34:02,040
Speaker 1: our life for while, and like that was like years

811
00:34:02,040 --> 00:34:04,160
Speaker 1: into us doing comedy too, So what you're saying is true.

812
00:34:04,160 --> 00:34:06,160
Speaker 2: It's like half our life we've been trying to do this.

813
00:34:06,360 --> 00:34:09,400
Speaker 3: So, like, do you anticipate any feeling about when you

814
00:34:09,520 --> 00:34:11,920
Speaker 3: hit the that mark? So I guess whatever not to

815
00:34:12,000 --> 00:34:15,000
Speaker 3: like do the math, but like, once you're at that point,

816
00:34:15,360 --> 00:34:16,880
Speaker 3: does it mean anything to you that you're like, I've

817
00:34:16,920 --> 00:34:18,960
Speaker 3: been doing this, this is occupied most of my life.

818
00:34:19,080 --> 00:34:20,240
Speaker 4: Oh yeah, I mean.

819
00:34:20,520 --> 00:34:21,080
Speaker 1: I don't remember.

820
00:34:21,120 --> 00:34:23,120
Speaker 5: If I say it explicitly and have it all, I

821
00:34:23,120 --> 00:34:25,440
Speaker 5: think I might say like, I've been doing this for

822
00:34:25,480 --> 00:34:29,400
Speaker 5: half my life. Yeah, because I turned thirty right before

823
00:34:29,440 --> 00:34:33,000
Speaker 5: I filmed that, and yeah, that's almost.

824
00:34:32,960 --> 00:34:35,959
Speaker 1: Started at sixteen. Yeah, so what does that look like

825
00:34:35,960 --> 00:34:38,680
Speaker 1: like you go, because I would imagine, like you said,

826
00:34:38,719 --> 00:34:41,280
Speaker 1: you grew up with a sheltered upbringing, were in churches.

827
00:34:41,440 --> 00:34:44,040
Speaker 2: Yeah, started in churches. Okay, so it's like, what is

828
00:34:44,080 --> 00:34:45,759
Speaker 2: a church? Sts? What is it do?

829
00:34:45,920 --> 00:34:50,840
Speaker 1: A set church? Is it about Leviticus? No?

830
00:34:51,000 --> 00:34:53,320
Speaker 5: I mean some people did. People did a lot of

831
00:34:53,400 --> 00:34:56,280
Speaker 5: church jokes. I didn't have any church jokes.

832
00:34:56,360 --> 00:34:58,200
Speaker 1: Yeah, but I don't know.

833
00:34:58,280 --> 00:35:02,560
Speaker 5: I think I had like abstinence, which not every church

834
00:35:02,560 --> 00:35:03,480
Speaker 5: would even let you do that.

835
00:35:03,560 --> 00:35:05,480
Speaker 1: Yeah, because I fell to which I.

836
00:35:05,440 --> 00:35:07,840
Speaker 5: Was like, I'm pro absentence got like I was seventeen

837
00:35:07,840 --> 00:35:12,040
Speaker 5: and I'm like whatever, I'm never whatever. I'm so stupid now,

838
00:35:12,480 --> 00:35:14,360
Speaker 5: But at the time, I was like I'm saying the

839
00:35:14,440 --> 00:35:16,480
Speaker 5: right thing, and they're like don't even bring it up, like,

840
00:35:16,520 --> 00:35:17,920
Speaker 5: don't even talk about sex.

841
00:35:18,000 --> 00:35:18,560
Speaker 1: So funny.

842
00:35:18,640 --> 00:35:22,040
Speaker 3: Yeah, I had the thing where totally different from stand

843
00:35:22,120 --> 00:35:24,560
Speaker 3: up though, where it was like we were doing improv

844
00:35:24,600 --> 00:35:27,839
Speaker 3: in high school and we would go downtown on Mondays, Yeah,

845
00:35:27,880 --> 00:35:29,800
Speaker 3: to the Boobye Metropolis Theater in Denver, Colorado, and it

846
00:35:29,800 --> 00:35:31,840
Speaker 3: would be like fifteen year olds performing with like thirty

847
00:35:31,840 --> 00:35:34,479
Speaker 3: two year old like drunkards wild, but.

848
00:35:34,400 --> 00:35:35,680
Speaker 2: There was totally normal to us.

849
00:35:35,960 --> 00:35:37,480
Speaker 3: Yeah, like this is what we want to do and

850
00:35:37,520 --> 00:35:39,560
Speaker 3: like yeah, but those shows we would say like it

851
00:35:39,600 --> 00:35:41,560
Speaker 3: was to get our suck out. It was ye was

852
00:35:41,600 --> 00:35:44,080
Speaker 3: thrust to bomb and bomb and bomb and bombing and bomb.

853
00:35:44,120 --> 00:35:46,759
Speaker 3: Wo'd be comfortable with bombing? Yeah, I'm sure it's not

854
00:35:46,800 --> 00:35:47,640
Speaker 3: the same with you, but like.

855
00:35:47,719 --> 00:35:50,520
Speaker 4: No, it is really absolutely Yeah, No, you suck for

856
00:35:50,640 --> 00:35:53,879
Speaker 4: so long. Yeah, stand up you suck for and.

857
00:35:53,760 --> 00:35:55,920
Speaker 2: That had to be terrible to suck in a church.

858
00:35:56,560 --> 00:36:01,400
Speaker 5: Honestly, I think churches are a weirdly sorry took me

859
00:36:01,400 --> 00:36:05,800
Speaker 5: a minute. I hate it when you suck again, what

860
00:36:05,960 --> 00:36:10,279
Speaker 5: people are I actually think if you were clean, they

861
00:36:10,280 --> 00:36:14,760
Speaker 5: were actually too supportive. Where I'm performing for like hundreds,

862
00:36:14,760 --> 00:36:17,480
Speaker 5: if not thousands of people for fifteen minutes when I'd

863
00:36:17,520 --> 00:36:20,520
Speaker 5: been on stage less than thirty times, yeah, and making

864
00:36:20,680 --> 00:36:23,720
Speaker 5: a couple hundred dollars, Like that's insane. R talk about

865
00:36:23,719 --> 00:36:25,640
Speaker 5: a safe, supportive space. And then by the time I

866
00:36:25,719 --> 00:36:28,040
Speaker 5: was going up in clubs when I was eighteen in

867
00:36:28,120 --> 00:36:30,720
Speaker 5: San Diego, people were like, how'd you get so polished

868
00:36:30,760 --> 00:36:32,840
Speaker 5: on stage? And I'm like, I got too much stage

869
00:36:32,840 --> 00:36:37,080
Speaker 5: time too early, just because I was clean. And it's

870
00:36:37,080 --> 00:36:40,960
Speaker 5: such a small scene, if you could even call that circuit,

871
00:36:41,040 --> 00:36:41,560
Speaker 5: I would say.

872
00:36:41,600 --> 00:36:44,240
Speaker 1: And so when you're that age, like and you're starting

873
00:36:44,280 --> 00:36:46,400
Speaker 1: to do stand up, like but you've had the upbringing

874
00:36:46,440 --> 00:36:48,160
Speaker 1: that you had, like who are the icons?

875
00:36:48,160 --> 00:36:49,200
Speaker 2: Like who do you look up to?

876
00:36:49,440 --> 00:36:50,280
Speaker 1: Like Brian Reagan?

877
00:36:50,520 --> 00:36:53,440
Speaker 5: Okay, you can listen to there's a serious XM clean

878
00:36:53,560 --> 00:36:54,360
Speaker 5: comedy station.

879
00:36:54,880 --> 00:36:55,640
Speaker 1: That was the one.

880
00:36:56,440 --> 00:36:57,399
Speaker 4: Yeah, yeah, yeah, it.

881
00:36:57,400 --> 00:37:00,560
Speaker 5: Was like Brian Reagan and Jim Gas again. And then

882
00:37:00,560 --> 00:37:04,959
Speaker 5: they're like, hey, Mitch Hedberg actually okay, Like Mitch was okay, yeah,

883
00:37:05,000 --> 00:37:08,560
Speaker 5: he was a lot. Yeah, I mean not every single one.

884
00:37:08,600 --> 00:37:11,400
Speaker 5: He did swear sometimes, you know, there were certain ones.

885
00:37:11,400 --> 00:37:13,759
Speaker 1: Were there not a lot of female stand ups. Then

886
00:37:13,800 --> 00:37:18,080
Speaker 1: at the time you Madigan at so good, you feel

887
00:37:18,080 --> 00:37:19,799
Speaker 1: like at that time, like a lot of female stand

888
00:37:19,840 --> 00:37:21,920
Speaker 1: ups were sort of like airing on the side of

889
00:37:21,960 --> 00:37:24,440
Speaker 1: like edgier because they felt like maybe they felt like

890
00:37:24,440 --> 00:37:26,480
Speaker 1: they had something to prove or literally did because they're

891
00:37:26,520 --> 00:37:28,680
Speaker 1: just they weren't giving them the time and the space,

892
00:37:29,000 --> 00:37:32,480
Speaker 1: so that probably made them something that was outside of

893
00:37:32,520 --> 00:37:36,399
Speaker 1: your viewing habits because they were not appropriate. Yeah.

894
00:37:36,480 --> 00:37:39,680
Speaker 5: No, it was like Kathleen and Ellen is like who

895
00:37:39,800 --> 00:37:42,680
Speaker 5: you could listen to comfortably with your parents in the car.

896
00:37:42,840 --> 00:37:44,279
Speaker 4: Sure, And I don't know.

897
00:37:44,360 --> 00:37:46,400
Speaker 5: I get annoyed when people go like, isn't it just

898
00:37:46,480 --> 00:37:47,439
Speaker 5: such a boys club?

899
00:37:47,480 --> 00:37:50,520
Speaker 4: And you're like shot up. No, like not anymore.

900
00:37:51,040 --> 00:37:51,640
Speaker 1: The Internet.

901
00:37:51,960 --> 00:37:54,839
Speaker 5: It hasn't been for years, but you know, fifteen years,

902
00:37:54,840 --> 00:37:57,760
Speaker 5: isn't that long ago that or even ten years ago that.

903
00:37:57,600 --> 00:37:58,520
Speaker 1: That was such a thing.

904
00:37:58,520 --> 00:38:01,400
Speaker 5: Like I remember Bride'smaids came out my senior year of

905
00:38:01,440 --> 00:38:03,960
Speaker 5: high school and it was like, hi about formative.

906
00:38:04,000 --> 00:38:06,239
Speaker 4: Yeah, it was like insane. They were like so many

907
00:38:06,320 --> 00:38:07,400
Speaker 4: funny women in one.

908
00:38:07,280 --> 00:38:09,440
Speaker 5: Movie and they let them make this and it's so wild,

909
00:38:09,680 --> 00:38:12,120
Speaker 5: And again that's not really that long ago. But now

910
00:38:12,120 --> 00:38:13,920
Speaker 5: we're like, oh, we have girls trip, we have joy, right,

911
00:38:14,000 --> 00:38:17,040
Speaker 5: like we have so many of those examples now, Yeah, yeah,

912
00:38:17,160 --> 00:38:19,000
Speaker 5: we're you know, it's easy to forget.

913
00:38:19,000 --> 00:38:19,719
Speaker 1: That's totally.

914
00:38:19,800 --> 00:38:21,959
Speaker 2: While we're in this zone, we should ask the central

915
00:38:22,040 --> 00:38:23,320
Speaker 2: question of the podcast.

916
00:38:22,960 --> 00:38:24,640
Speaker 1: Taylor Tomlinson, what is the culture that made you say

917
00:38:24,680 --> 00:38:25,400
Speaker 1: culture is for me?

918
00:38:25,560 --> 00:38:25,880
Speaker 2: Okay?

919
00:38:25,960 --> 00:38:28,239
Speaker 5: I thought about this a lot, A lot of things

920
00:38:28,239 --> 00:38:32,239
Speaker 5: I could say. I think the culture that made me

921
00:38:32,320 --> 00:38:36,200
Speaker 5: say culture was for me was Baz Luhrman's Romeo and

922
00:38:36,280 --> 00:38:39,759
Speaker 5: Juliet Oh in ninth grade, good for you, thank you

923
00:38:40,080 --> 00:38:43,439
Speaker 5: when we all good, when we all thank you so much,

924
00:38:43,480 --> 00:38:48,239
Speaker 5: when we were all like, do I understand Shakespeare? Like

925
00:38:48,360 --> 00:38:51,360
Speaker 5: you're fourteen, You're like, I get it. And then you

926
00:38:51,400 --> 00:38:54,400
Speaker 5: could watch Clueless and be like, this is also Shakespeare. Yeah,

927
00:38:54,560 --> 00:38:58,520
Speaker 5: it's Jane O's but like Shakespeare. Yeah, You're like I

928
00:38:58,560 --> 00:39:01,759
Speaker 5: totally get the You're like it's a book, and I

929
00:39:01,840 --> 00:39:04,840
Speaker 5: was like, oh okay, Like you just felt like you were.

930
00:39:04,760 --> 00:39:07,120
Speaker 2: So in both.

931
00:39:07,239 --> 00:39:09,760
Speaker 1: Yeah, yes, it really.

932
00:39:09,800 --> 00:39:12,760
Speaker 5: It just because my sibling and I actually we watched

933
00:39:12,760 --> 00:39:14,120
Speaker 5: some of it last night because I was like, I

934
00:39:14,160 --> 00:39:16,879
Speaker 5: gotta remember this movie, and I think it holds up.

935
00:39:17,000 --> 00:39:19,760
Speaker 4: It's oh yeah, I think it's so good.

936
00:39:20,440 --> 00:39:23,440
Speaker 1: It holds up at the very least as a shampoo commercial.

937
00:39:23,640 --> 00:39:30,839
Speaker 1: I mean, is giving you Guarnier fruit tees water went

938
00:39:30,920 --> 00:39:35,000
Speaker 1: down fish tank commercial honestly, Yeah, the fish tank culture thing.

939
00:39:35,280 --> 00:39:35,879
Speaker 1: Bring back the.

940
00:39:35,800 --> 00:39:38,880
Speaker 3: Fish tank such a seventies eighties thing that like really

941
00:39:38,920 --> 00:39:40,200
Speaker 3: died maybe with that movie.

942
00:39:40,280 --> 00:39:43,279
Speaker 1: Unfortunately I can't think of another one. I can't think

943
00:39:43,280 --> 00:39:45,759
Speaker 1: of another fish tank, you know what I mean? Well,

944
00:39:45,840 --> 00:39:47,920
Speaker 1: the one Monique Samuel's had in her house on Real

945
00:39:47,960 --> 00:39:50,080
Speaker 1: Housewives of Potomac. Oh, sure she's she's not in front

946
00:39:50,080 --> 00:39:50,839
Speaker 1: of it, but that's it.

947
00:39:50,880 --> 00:39:51,239
Speaker 2: That's it.

948
00:39:51,320 --> 00:39:54,919
Speaker 1: I would say that that movie was not only a

949
00:39:55,040 --> 00:39:58,560
Speaker 1: Leo moment, but that was that was the Clardines moment. Yes,

950
00:39:58,880 --> 00:39:59,640
Speaker 1: that was after my.

951
00:40:01,880 --> 00:40:03,879
Speaker 4: She's fresh off of my so called life and little Women.

952
00:40:04,040 --> 00:40:07,560
Speaker 1: You have to imagine like she could have made like

953
00:40:08,320 --> 00:40:12,720
Speaker 1: Kate Win's lily Choices and choice Titanic. Yes, this is wild.

954
00:40:13,200 --> 00:40:13,439
Speaker 4: Yeah.

955
00:40:14,080 --> 00:40:17,080
Speaker 2: Now did you see this before or after Titanic? Oh?

956
00:40:17,200 --> 00:40:18,880
Speaker 4: Because I think I saw Titanic first.

957
00:40:18,960 --> 00:40:20,799
Speaker 3: Yes, Okay, So so we had the same order of

958
00:40:20,800 --> 00:40:23,520
Speaker 3: this Leo fever Leo fever and then you go back

959
00:40:23,560 --> 00:40:25,160
Speaker 3: and watch for Me and Juliet and it is just

960
00:40:26,080 --> 00:40:29,839
Speaker 3: God blessed Jack Dawson. But there's something about Leo playing

961
00:40:29,920 --> 00:40:31,920
Speaker 3: Romeo that is the actual awakening.

962
00:40:32,120 --> 00:40:32,680
Speaker 2: Do you know what I mean?

963
00:40:32,719 --> 00:40:34,040
Speaker 4: Well, he's wearing a suit, and he's.

964
00:40:33,880 --> 00:40:36,080
Speaker 3: Wearing a suit, he's wearing he's wearing armor, he's wearing

965
00:40:36,120 --> 00:40:37,759
Speaker 3: like yeah, you know what I mean.

966
00:40:37,880 --> 00:40:40,600
Speaker 5: Yes, he's the one outfit in Titanic, right, you know,

967
00:40:40,920 --> 00:40:43,399
Speaker 5: I mean he's And then he cleans.

968
00:40:43,120 --> 00:40:48,799
Speaker 4: Up and you're like, yeah he does, but again for

969
00:40:48,840 --> 00:40:50,239
Speaker 4: a second, and they slick his hair back and it

970
00:40:50,239 --> 00:40:50,880
Speaker 4: actually is not as.

971
00:40:50,880 --> 00:40:53,560
Speaker 2: It doesn't work, you know what. I understand it for people,

972
00:40:53,680 --> 00:40:54,319
Speaker 2: it's not for me.

973
00:40:54,600 --> 00:40:58,479
Speaker 4: I want to And he goes downstairs and he takes

974
00:40:58,520 --> 00:40:59,400
Speaker 4: off the jacket.

975
00:40:59,040 --> 00:41:02,360
Speaker 1: One hundred percent. He had that insane side bang too

976
00:41:02,360 --> 00:41:05,200
Speaker 1: that everyone tried to do, like that that moment, this.

977
00:41:05,320 --> 00:41:10,200
Speaker 3: Swoop woop, the swoop. But that's really can I I'm

978
00:41:10,200 --> 00:41:14,279
Speaker 3: gonna be annoying. We did a sketch on us now,

979
00:41:14,680 --> 00:41:17,120
Speaker 3: so good, thank you loved it was great.

980
00:41:17,160 --> 00:41:17,759
Speaker 1: It was so good.

981
00:41:17,840 --> 00:41:20,200
Speaker 3: I get an email and I have I've been too

982
00:41:20,239 --> 00:41:20,839
Speaker 3: scared to reply.

983
00:41:22,320 --> 00:41:24,640
Speaker 1: Can I should I just do it? What? I don't

984
00:41:24,680 --> 00:41:25,879
Speaker 1: know what reply?

985
00:41:26,040 --> 00:41:28,240
Speaker 2: I get two calls from an from an unknown number.

986
00:41:28,560 --> 00:41:34,560
Speaker 1: What is this? Then I get an email bazzler, shut up,

987
00:41:34,880 --> 00:41:35,440
Speaker 1: I'm gonna read it.

988
00:41:35,480 --> 00:41:36,719
Speaker 2: And then I cut it out of it if it

989
00:41:36,719 --> 00:41:41,440
Speaker 2: feels too but email, you can't cut it out. This

990
00:41:41,520 --> 00:41:43,279
Speaker 2: is the thing. I have not replied to him, and

991
00:41:43,280 --> 00:41:45,080
Speaker 2: I'm reading. I think we're going to.

992
00:41:44,960 --> 00:41:47,000
Speaker 1: See what the contents of the email are and then

993
00:41:47,000 --> 00:41:50,720
Speaker 1: we're gonna Okay, he's not mad, he's not mad. Okay.

994
00:41:50,840 --> 00:41:52,640
Speaker 3: The subject line is I wish you'd been around when

995
00:41:52,680 --> 00:41:56,759
Speaker 3: I was casting. Don't tell you, and hey boen, this

996
00:41:56,800 --> 00:41:59,759
Speaker 3: is a note from a fellow Aussie. First, I wanted

997
00:41:59,760 --> 00:42:01,799
Speaker 3: to how well you Neil Mila reginas Now if only

998
00:42:01,800 --> 00:42:03,560
Speaker 3: he'd been around when I was casting? Jokes aside, I

999
00:42:03,600 --> 00:42:05,399
Speaker 3: love that you Okay, Yeah, anyway, this is all very

1000
00:42:05,560 --> 00:42:07,319
Speaker 3: very sweet.

1001
00:42:07,600 --> 00:42:11,000
Speaker 1: How would you feel about a coffee you gotta get?

1002
00:42:11,960 --> 00:42:12,800
Speaker 4: Are you kidding?

1003
00:42:13,080 --> 00:42:13,560
Speaker 2: That's all.

1004
00:42:16,239 --> 00:42:16,600
Speaker 4: It's not.

1005
00:42:17,280 --> 00:42:19,279
Speaker 5: It's not obnoxious, and it's good because now if he

1006
00:42:19,280 --> 00:42:21,960
Speaker 5: had any feelings about like, oh, neering, didn't respond. Now

1007
00:42:22,040 --> 00:42:24,200
Speaker 5: it's out there that you're like, I was too scared

1008
00:42:24,840 --> 00:42:25,359
Speaker 5: you too much?

1009
00:42:25,400 --> 00:42:25,840
Speaker 2: Exactly.

1010
00:42:25,960 --> 00:42:27,919
Speaker 1: Yeah, I was at the same house party as baz

1011
00:42:27,960 --> 00:42:32,000
Speaker 1: Lerman in La and he hangs out. This guy hangs

1012
00:42:32,040 --> 00:42:34,400
Speaker 1: out at me. I'm just saying it was after one am.

1013
00:42:34,680 --> 00:42:40,120
Speaker 1: You were not getting coffee you were singingly miss I

1014
00:42:41,239 --> 00:42:43,920
Speaker 1: was not. It was just so funny to see him

1015
00:42:43,920 --> 00:42:45,600
Speaker 1: out in the world because he's one of those directors

1016
00:42:45,600 --> 00:42:47,920
Speaker 1: that's like also a star. Yeah you know what I mean,

1017
00:42:48,000 --> 00:42:50,560
Speaker 1: like and they're out there, but like he's a star

1018
00:42:50,920 --> 00:42:54,200
Speaker 1: just being the director. He didn't start as like a personality.

1019
00:42:54,640 --> 00:42:57,960
Speaker 1: You see that white silver head and you're like, you

1020
00:42:58,000 --> 00:43:01,800
Speaker 1: are that girl? Yeah that's yeah, they are so Romeo

1021
00:43:01,800 --> 00:43:07,120
Speaker 1: and Juliet does that. So you're a beast freak. Yeah

1022
00:43:07,120 --> 00:43:09,160
Speaker 1: I liked I like, did you guys? Like?

1023
00:43:09,239 --> 00:43:11,399
Speaker 5: I mean, now you're getting coffee, beast, so now maybe

1024
00:43:11,440 --> 00:43:14,000
Speaker 5: you can't speak, we can still talk about our Okay, okay,

1025
00:43:14,040 --> 00:43:15,960
Speaker 5: great did you like Great Gatsby?

1026
00:43:16,480 --> 00:43:17,120
Speaker 1: I didn't see it.

1027
00:43:17,160 --> 00:43:18,560
Speaker 4: You didn't see it? Oh thank god?

1028
00:43:18,680 --> 00:43:20,200
Speaker 1: So you don't say I liked it.

1029
00:43:20,320 --> 00:43:22,480
Speaker 4: I liked it, but a lot of people, like you

1030
00:43:22,480 --> 00:43:23,160
Speaker 4: should have seen it.

1031
00:43:23,280 --> 00:43:26,040
Speaker 1: I thought he was great.

1032
00:43:26,120 --> 00:43:27,919
Speaker 2: Harry. Harry was so good.

1033
00:43:28,320 --> 00:43:30,359
Speaker 1: Yeah, who's the time you canon in that It was

1034
00:43:30,680 --> 00:43:34,120
Speaker 1: Toby Maguire. No, no, it was no, no, no, he was.

1035
00:43:34,560 --> 00:43:37,280
Speaker 2: He was no, no, he was sorry.

1036
00:43:37,280 --> 00:43:43,080
Speaker 1: Sorry, sorry, I didn't see Okay, look it up, but

1037
00:43:43,200 --> 00:43:46,200
Speaker 1: I didn't say.

1038
00:43:46,640 --> 00:43:49,239
Speaker 4: Oh god, I want to say, I want to see.

1039
00:43:49,920 --> 00:43:51,719
Speaker 1: I was going to say yes.

1040
00:43:51,560 --> 00:43:52,439
Speaker 4: But I thought I was wrong.

1041
00:43:52,560 --> 00:43:57,680
Speaker 1: Oh my god, Elizabeth, Wow, yeah, Oh my god.

1042
00:43:57,760 --> 00:43:58,880
Speaker 4: Yes, it had a great cast.

1043
00:44:00,600 --> 00:44:05,480
Speaker 2: Yes, oh my god. Honestly, do you like Hanna?

1044
00:44:05,719 --> 00:44:07,960
Speaker 1: I do. I recently got into Alanna and now it's

1045
00:44:08,000 --> 00:44:10,640
Speaker 1: a large part of my personality.

1046
00:44:10,600 --> 00:44:11,600
Speaker 4: But you never were before.

1047
00:44:11,880 --> 00:44:14,120
Speaker 1: Know what's funny is we were saying that we think

1048
00:44:14,160 --> 00:44:17,880
Speaker 1: that the millennial generation either really fucking gets her or

1049
00:44:17,920 --> 00:44:18,480
Speaker 1: really doesn't.

1050
00:44:18,560 --> 00:44:20,960
Speaker 4: And what I blame is the SNL performance. Oh yeah,

1051
00:44:20,960 --> 00:44:23,680
Speaker 4: because remember when she came out you're talking about this, Yes, m.

1052
00:44:23,880 --> 00:44:25,759
Speaker 1: Did that SNL performance, and it kind of was like

1053
00:44:26,400 --> 00:44:29,960
Speaker 1: I was really following SNL at the time, like obsessed,

1054
00:44:30,280 --> 00:44:33,920
Speaker 1: and I remember the narrative wasn't great about that, and

1055
00:44:33,920 --> 00:44:35,839
Speaker 1: then christ and we came out and did that wag

1056
00:44:35,920 --> 00:44:38,239
Speaker 1: end update character and like thatthrope to be like to

1057
00:44:38,280 --> 00:44:38,719
Speaker 1: defend her.

1058
00:44:38,800 --> 00:44:42,160
Speaker 3: Let's just like Nile, let's just cool down, Like this

1059
00:44:42,200 --> 00:44:44,919
Speaker 3: is crazy. Everyone's losing their minds over this woman. Yeah,

1060
00:44:45,280 --> 00:44:46,120
Speaker 3: in a weird way.

1061
00:44:46,000 --> 00:44:48,760
Speaker 1: But in that regard, like the conversation was so about

1062
00:44:48,760 --> 00:44:50,600
Speaker 1: something else that wasn't her music. And I also don't

1063
00:44:50,600 --> 00:44:53,600
Speaker 1: think my taste was like refined, not that it necessarily

1064
00:44:53,719 --> 00:44:55,799
Speaker 1: is now, but I can listen to her music now

1065
00:44:55,840 --> 00:44:59,399
Speaker 1: and like really appreciate how incredible the songwriting is, both

1066
00:44:59,440 --> 00:45:02,560
Speaker 1: yeah and melodically, and also when you look at the

1067
00:45:02,600 --> 00:45:06,360
Speaker 1: past ten fifteen years, like just how much she shaped

1068
00:45:06,400 --> 00:45:09,480
Speaker 1: the sound of all these girls, because it's almost the

1069
00:45:09,600 --> 00:45:13,440
Speaker 1: same impact that like the style of saying Mariah and

1070
00:45:13,440 --> 00:45:16,400
Speaker 1: Whitney and Selene had on, like Christina Aguilera and like

1071
00:45:16,680 --> 00:45:20,160
Speaker 1: Disciples in that regard, it's happening again now with like

1072
00:45:20,200 --> 00:45:23,839
Speaker 1: Alna Delray into like Billie Eilish and Camila Cabello and

1073
00:45:23,920 --> 00:45:26,719
Speaker 1: like you know you just Taylor Swift, like you just

1074
00:45:26,840 --> 00:45:29,840
Speaker 1: and they're not shy either about saying she's mother.

1075
00:45:30,239 --> 00:45:30,759
Speaker 2: Yeah.

1076
00:45:30,800 --> 00:45:34,200
Speaker 1: In my coffee shop in La, the girls the girls

1077
00:45:34,239 --> 00:45:38,239
Speaker 1: love Lana, and I told them Taylor, and the one

1078
00:45:38,280 --> 00:45:45,080
Speaker 1: girl goes, wait, I love Lana gen Z wait, I

1079
00:45:45,120 --> 00:45:47,000
Speaker 1: love Lana, And then I go, you love her. She goes,

1080
00:45:47,200 --> 00:45:52,239
Speaker 1: she's my mother. Wide I directly, she's my mother. It

1081
00:45:52,320 --> 00:45:54,440
Speaker 1: was very good. That's so funny.

1082
00:45:54,640 --> 00:45:58,160
Speaker 5: It's so funny all the little isms from gen Z.

1083
00:45:58,320 --> 00:46:00,840
Speaker 5: Because I have three younger Siblings's times I feel so

1084
00:46:00,840 --> 00:46:02,879
Speaker 5: old because I'm like, that's so funny. How you do

1085
00:46:02,920 --> 00:46:04,799
Speaker 5: that and they're like, oh, this is like a thing

1086
00:46:04,960 --> 00:46:07,480
Speaker 5: we all do. Yeah that I thought they like made up.

1087
00:46:07,920 --> 00:46:09,000
Speaker 2: You have to start doing that.

1088
00:46:09,040 --> 00:46:11,360
Speaker 1: I have you have just show when you think something

1089
00:46:11,440 --> 00:46:15,400
Speaker 1: is funny, just like, oh it's so cool. Old I can't.

1090
00:46:15,760 --> 00:46:16,279
Speaker 1: I'm so old.

1091
00:46:16,360 --> 00:46:18,719
Speaker 5: Sometimes I do the hair behind the ear and I'm like,

1092
00:46:18,840 --> 00:46:20,000
Speaker 5: shut up, you're thirty.

1093
00:46:20,440 --> 00:46:23,120
Speaker 1: Well it's a little yeah. Oh I've been doing that

1094
00:46:23,160 --> 00:46:25,320
Speaker 1: since a young age. And I have nothing here. We're

1095
00:46:25,400 --> 00:46:25,759
Speaker 1: just gay.

1096
00:46:25,880 --> 00:46:27,480
Speaker 2: You are the youth. You are the youth.

1097
00:46:27,600 --> 00:46:28,880
Speaker 4: We're sitting you are the youth.

1098
00:46:29,000 --> 00:46:31,759
Speaker 3: We're too wizard gay men in their mid thirties and

1099
00:46:31,760 --> 00:46:33,480
Speaker 3: we're telling you you are a young child.

1100
00:46:34,000 --> 00:46:36,719
Speaker 1: You turn thirty and I had a rush of jealousy.

1101
00:46:37,120 --> 00:46:40,480
Speaker 1: Really no, not really. I actually thinks all the same

1102
00:46:40,520 --> 00:46:42,399
Speaker 1: age once you hit thirty and like all the same

1103
00:46:42,440 --> 00:46:43,279
Speaker 1: you were all the same age.

1104
00:46:43,800 --> 00:46:45,520
Speaker 2: And also it kind of gets better.

1105
00:46:46,600 --> 00:46:48,160
Speaker 1: You couldn't pay me to be in my twenties again,

1106
00:46:48,320 --> 00:46:50,800
Speaker 1: you fuck no, no, fuck no, but you really I

1107
00:46:50,840 --> 00:46:53,200
Speaker 1: think you really provoked thought within me when you talk

1108
00:46:53,200 --> 00:46:55,560
Speaker 1: about turning thirty and have it all where it's like,

1109
00:46:56,960 --> 00:46:59,319
Speaker 1: is the life not to get too existential, but like,

1110
00:46:59,400 --> 00:47:01,480
Speaker 1: is this the life that like we envisioned for ourselves,

1111
00:47:01,560 --> 00:47:02,640
Speaker 1: you know what I mean? Yeah.

1112
00:47:02,680 --> 00:47:05,080
Speaker 3: I love the metaphor of like being on a freeway

1113
00:47:05,120 --> 00:47:07,120
Speaker 3: and like you're in one lane that's backed up, and

1114
00:47:07,120 --> 00:47:08,640
Speaker 3: then you switch to the other and then you get

1115
00:47:08,640 --> 00:47:09,480
Speaker 3: to switch back to the other.

1116
00:47:09,640 --> 00:47:10,799
Speaker 1: Like that's what it feels like.

1117
00:47:11,200 --> 00:47:13,920
Speaker 3: Yeah, And I feel like maybe I've been in the

1118
00:47:13,920 --> 00:47:17,160
Speaker 3: same lane too long career wise, right where I'm like.

1119
00:47:17,160 --> 00:47:19,600
Speaker 4: You feel that way, Well, I'm like I don't have

1120
00:47:19,719 --> 00:47:21,360
Speaker 4: breaking quit.

1121
00:47:22,920 --> 00:47:24,640
Speaker 2: Yeah, this is where this is where I now.

1122
00:47:24,640 --> 00:47:28,120
Speaker 4: Get to one email from basle and quit as.

1123
00:47:28,480 --> 00:47:31,440
Speaker 1: We can blame your special yes, exactly the stuff that

1124
00:47:31,520 --> 00:47:32,759
Speaker 1: you said made him quit.

1125
00:47:33,320 --> 00:47:35,960
Speaker 4: Do you feel that way though? I've been in comedy

1126
00:47:36,000 --> 00:47:36,480
Speaker 4: for too long.

1127
00:47:36,520 --> 00:47:37,320
Speaker 2: No, not comedy.

1128
00:47:37,320 --> 00:47:39,640
Speaker 3: I've just been like it's just been like and I'm

1129
00:47:39,640 --> 00:47:43,080
Speaker 3: super I'm so lucky. This is constantly what the theme

1130
00:47:43,120 --> 00:47:46,319
Speaker 3: is in therapy of like, yeah, like I don't know

1131
00:47:46,440 --> 00:47:49,240
Speaker 3: how to like operate outside of this system.

1132
00:47:48,920 --> 00:47:49,919
Speaker 1: You know what I mean? Yeah?

1133
00:47:49,960 --> 00:47:50,680
Speaker 4: Do you feel like that?

1134
00:47:50,719 --> 00:47:54,239
Speaker 1: Matt? Honestly, I'm lucky in that I have a lot

1135
00:47:54,280 --> 00:47:57,040
Speaker 1: of different aspects to like what make up.

1136
00:47:58,000 --> 00:48:00,000
Speaker 4: I'm really lucky that I just have so many.

1137
00:48:01,719 --> 00:48:04,400
Speaker 5: I can sing really well it's just there's a lot

1138
00:48:04,800 --> 00:48:07,280
Speaker 5: that there's a lot of tools in my tool belt, whereas

1139
00:48:07,320 --> 00:48:08,919
Speaker 5: you guys have like a wrench, and that's it.

1140
00:48:09,880 --> 00:48:11,600
Speaker 1: I was trying.

1141
00:48:11,719 --> 00:48:13,840
Speaker 4: I can't say it, but I should say say it

1142
00:48:13,880 --> 00:48:14,120
Speaker 4: for you.

1143
00:48:14,520 --> 00:48:17,600
Speaker 1: I don't ever get bored because I feel like I

1144
00:48:17,640 --> 00:48:21,040
Speaker 1: don't have a steady job, like actually a majority of

1145
00:48:21,080 --> 00:48:23,040
Speaker 1: things I've done have only gone one season. And I

1146
00:48:23,080 --> 00:48:24,920
Speaker 1: try not to take anything personally because I'm such a

1147
00:48:24,920 --> 00:48:27,240
Speaker 1: small part of everything. But in that regard, I always

1148
00:48:27,239 --> 00:48:29,920
Speaker 1: feel like I'm always learning, you know what I mean like,

1149
00:48:30,000 --> 00:48:34,440
Speaker 1: and I feel like I wouldn't have traded anything in

1150
00:48:34,480 --> 00:48:37,480
Speaker 1: my career so far, even though there have been times

1151
00:48:37,840 --> 00:48:40,919
Speaker 1: where I felt like when I compare myself to you,

1152
00:48:41,080 --> 00:48:43,560
Speaker 1: which just happens when you're in like a very close

1153
00:48:43,600 --> 00:48:45,839
Speaker 1: relationship with someone and you grow. At the same time,

1154
00:48:46,440 --> 00:48:49,200
Speaker 1: I feel like, you know, what would it be like

1155
00:48:49,280 --> 00:48:53,160
Speaker 1: to have a job all the time that that constantly

1156
00:48:53,719 --> 00:48:56,360
Speaker 1: demanded so much of my energy? And I think it

1157
00:48:56,400 --> 00:48:58,520
Speaker 1: will be twofold one. I think it makes you into

1158
00:48:58,600 --> 00:49:01,200
Speaker 1: like a machine. I I think like I have seen

1159
00:49:01,320 --> 00:49:04,160
Speaker 1: like you've always been sharp and great, but like just

1160
00:49:04,200 --> 00:49:06,319
Speaker 1: the way that you prepare now, the way that you're

1161
00:49:06,360 --> 00:49:08,480
Speaker 1: on top of things, you're confidence as a performer.

1162
00:49:08,520 --> 00:49:10,839
Speaker 5: I think that the listeners Matt's talking to Bohen yeah,

1163
00:49:11,200 --> 00:49:13,279
Speaker 5: not me. I just can't say, Eyeline. I just want

1164
00:49:13,280 --> 00:49:13,880
Speaker 5: to make sure they know.

1165
00:49:14,080 --> 00:49:15,799
Speaker 1: But it's the same with you too, though, because when

1166
00:49:15,840 --> 00:49:18,560
Speaker 1: I one hundred and thirty shows in a year, yeah,

1167
00:49:18,560 --> 00:49:20,759
Speaker 1: and go out and doing that, like you become like

1168
00:49:21,239 --> 00:49:21,880
Speaker 1: a machine.

1169
00:49:22,320 --> 00:49:23,920
Speaker 2: And I feel like my.

1170
00:49:24,000 --> 00:49:27,480
Speaker 1: Experience in the industry and with my art is different

1171
00:49:27,560 --> 00:49:30,719
Speaker 1: because I have like a lot going on, and I

1172
00:49:30,719 --> 00:49:33,600
Speaker 1: think it's just it's, honestly two experiences that I think

1173
00:49:34,000 --> 00:49:38,160
Speaker 1: make us very uh compatible honestly as comedy partners because

1174
00:49:38,440 --> 00:49:40,319
Speaker 1: we look at things really differently but have a really

1175
00:49:40,320 --> 00:49:43,920
Speaker 1: similar sensibility. That's just thinking about us together. But as

1176
00:49:43,960 --> 00:49:47,040
Speaker 1: an individual, like I never beat myself up about like

1177
00:49:47,120 --> 00:49:49,920
Speaker 1: not getting this or not having booked that or whatever,

1178
00:49:50,000 --> 00:49:52,719
Speaker 1: because again maybe that's thirties too. Yeah, you know what

1179
00:49:52,760 --> 00:49:54,040
Speaker 1: I mean, it's like, what's the point.

1180
00:49:54,320 --> 00:49:56,920
Speaker 5: Yeah, I mean, I'll say I really relate to what

1181
00:49:56,960 --> 00:49:58,400
Speaker 5: you were saying about feeling like you were in the

1182
00:49:58,440 --> 00:50:01,439
Speaker 5: same lane for a long time too, because that's part

1183
00:50:01,440 --> 00:50:02,880
Speaker 5: of why I took the job at after minute, it's

1184
00:50:02,880 --> 00:50:04,879
Speaker 5: honestly One of the main reasons I took the job

1185
00:50:04,960 --> 00:50:08,000
Speaker 5: is that I was doing my dream job, which was

1186
00:50:08,000 --> 00:50:11,560
Speaker 5: touring theaters doing stand up and I was starting to

1187
00:50:11,560 --> 00:50:14,920
Speaker 5: feel like, oh am I going to get stunted if

1188
00:50:14,960 --> 00:50:17,520
Speaker 5: I'm just going out in front of audiences that paid

1189
00:50:17,520 --> 00:50:19,640
Speaker 5: to see me, want to see me like me already,

1190
00:50:19,760 --> 00:50:22,600
Speaker 5: and I'm touring with the same two people who are

1191
00:50:22,640 --> 00:50:25,400
Speaker 5: like my tour manager and my one of my best friends. Like,

1192
00:50:26,239 --> 00:50:28,080
Speaker 5: how am I going to keep growing as a person

1193
00:50:28,320 --> 00:50:31,120
Speaker 5: if I'm just doing whatever I want all day and

1194
00:50:31,160 --> 00:50:33,680
Speaker 5: then going out to applause at night and then I

1195
00:50:33,719 --> 00:50:35,640
Speaker 5: come home and I recover for two days, and then

1196
00:50:35,680 --> 00:50:37,640
Speaker 5: I go back out there. Like I loved being on

1197
00:50:37,680 --> 00:50:39,799
Speaker 5: the road and I didn't like being home, and I'm like,

1198
00:50:39,840 --> 00:50:43,080
Speaker 5: that's not healthy. So I took this job because I

1199
00:50:43,160 --> 00:50:45,320
Speaker 5: thought I need to have a job. What you're saying

1200
00:50:45,360 --> 00:50:48,080
Speaker 5: of going what would I be like with a job?

1201
00:50:48,120 --> 00:50:49,960
Speaker 5: What would I be like with that structure? What would

1202
00:50:50,000 --> 00:50:52,279
Speaker 5: I be like with somebody saying you have to go

1203
00:50:52,360 --> 00:50:54,760
Speaker 5: do this, Like you have to go to this dinner,

1204
00:50:54,800 --> 00:50:57,719
Speaker 5: you have to go to this luncheon. And it has

1205
00:50:57,880 --> 00:51:02,759
Speaker 5: been very strained and at times annoying. Yeah, but every

1206
00:51:02,840 --> 00:51:05,560
Speaker 5: time I get annoyed by those asks that aren't really

1207
00:51:05,640 --> 00:51:10,279
Speaker 5: ask their demands from a network, I go, oh, but

1208
00:51:10,320 --> 00:51:13,360
Speaker 5: this is exactly what I wanted. I wanted to be

1209
00:51:13,440 --> 00:51:16,799
Speaker 5: a part of a team and a larger machine and

1210
00:51:17,239 --> 00:51:20,320
Speaker 5: know what it feels like to have some things outside

1211
00:51:20,360 --> 00:51:23,239
Speaker 5: of my control, because otherwise, how am I supposed to

1212
00:51:23,360 --> 00:51:26,839
Speaker 5: keep developing and maturing as a human being without just

1213
00:51:27,280 --> 00:51:30,279
Speaker 5: going on stage every year and still talking like I'm

1214
00:51:30,320 --> 00:51:31,400
Speaker 5: twenty three, right?

1215
00:51:31,560 --> 00:51:34,440
Speaker 1: You know? I think that all that's important is that

1216
00:51:34,640 --> 00:51:37,840
Speaker 1: you feel challenged and good about what you do, you

1217
00:51:37,880 --> 00:51:39,440
Speaker 1: know what I mean, it's like, And the second it

1218
00:51:39,520 --> 00:51:42,719
Speaker 1: starts to feel like that's not true anymore, I feel

1219
00:51:42,719 --> 00:51:44,520
Speaker 1: like I would just get nervous because it would mean

1220
00:51:44,560 --> 00:51:46,799
Speaker 1: that I was becoming less sharp and good at what

1221
00:51:46,840 --> 00:51:50,279
Speaker 1: I was doing. So it's less like anyone could like

1222
00:51:50,320 --> 00:51:52,160
Speaker 1: you could find something that you love doing and just

1223
00:51:52,200 --> 00:51:53,440
Speaker 1: do it, do it, do it, do it, do it,

1224
00:51:53,480 --> 00:51:56,319
Speaker 1: but like it will end, and then where will you be?

1225
00:51:56,719 --> 00:51:58,520
Speaker 1: You know what I mean? Like, so it's like great

1226
00:51:58,520 --> 00:52:00,440
Speaker 1: to participate in as many things as possible.

1227
00:52:00,480 --> 00:52:13,440
Speaker 6: I think totally, Yeah, would you act?

1228
00:52:13,680 --> 00:52:15,879
Speaker 1: You're a very good actor? That was where I thought

1229
00:52:15,920 --> 00:52:17,839
Speaker 1: you were going when I first saw you, I'll be honest,

1230
00:52:17,960 --> 00:52:20,160
Speaker 1: I was like, I can see her leading a sitcom.

1231
00:52:20,239 --> 00:52:22,719
Speaker 5: That's so nice. Well, I never wanted to do a sitcom.

1232
00:52:22,800 --> 00:52:26,160
Speaker 5: I don't really like from what I hear from friends

1233
00:52:26,200 --> 00:52:28,480
Speaker 5: of mine, I don't like a TV schedule, like it

1234
00:52:28,640 --> 00:52:31,880
Speaker 5: just seems kind of like a nightmare. I like the

1235
00:52:31,920 --> 00:52:33,800
Speaker 5: idea of a movie because it is there's a beginning

1236
00:52:33,880 --> 00:52:36,279
Speaker 5: and end, you know, it's not just like year round

1237
00:52:36,280 --> 00:52:39,080
Speaker 5: you're doing these crazy days. But again, i'd like stand

1238
00:52:39,120 --> 00:52:40,680
Speaker 5: up so much, and I like doing this show so

1239
00:52:40,760 --> 00:52:43,400
Speaker 5: much now that if I was going to act in something,

1240
00:52:43,400 --> 00:52:45,120
Speaker 5: it would have to be something I was really excited

1241
00:52:45,120 --> 00:52:47,839
Speaker 5: about or something I wrote, which is, as you know,

1242
00:52:48,280 --> 00:52:49,640
Speaker 5: what we've been doing for years, like me and my

1243
00:52:49,680 --> 00:52:52,839
Speaker 5: writing partner Taylor Tetro have like written scripts and sold

1244
00:52:52,880 --> 00:52:56,279
Speaker 5: them and that's been so great because even if things

1245
00:52:56,320 --> 00:52:58,960
Speaker 5: don't get made, which nothing ever does, right, but when

1246
00:52:59,239 --> 00:53:01,719
Speaker 5: things at least get sold, you get the validation. And

1247
00:53:02,000 --> 00:53:04,040
Speaker 5: working with her is so rewarding and I feel like

1248
00:53:04,120 --> 00:53:04,799
Speaker 5: I learn a lot.

1249
00:53:04,960 --> 00:53:06,440
Speaker 2: So yeah, you know, and.

1250
00:53:06,400 --> 00:53:09,200
Speaker 1: Also a lot of times, like those things that percolate

1251
00:53:09,239 --> 00:53:11,640
Speaker 1: from way back do come back when like you have

1252
00:53:11,719 --> 00:53:14,239
Speaker 1: moments like this and like, now you've really hit astride.

1253
00:53:14,239 --> 00:53:15,920
Speaker 2: It's like you know, you never know.

1254
00:53:16,520 --> 00:53:17,960
Speaker 1: So that's yeah.

1255
00:53:18,000 --> 00:53:21,480
Speaker 5: And look, when I was auditioning for JFL, I don't

1256
00:53:21,480 --> 00:53:25,480
Speaker 5: know if you had this experience, but every time I

1257
00:53:25,520 --> 00:53:28,000
Speaker 5: auditioned for it, whoever was hosting was somebody who had

1258
00:53:28,040 --> 00:53:31,080
Speaker 5: already done it, and they were like, don't expect a deal,

1259
00:53:31,239 --> 00:53:32,680
Speaker 5: Like it's not like that anymore.

1260
00:53:32,719 --> 00:53:33,439
Speaker 4: They're like, it's over.

1261
00:53:33,719 --> 00:53:35,520
Speaker 5: And when I got New Faces, I did get a

1262
00:53:35,560 --> 00:53:38,880
Speaker 5: sitcom deal and like developed that and sold it and

1263
00:53:38,920 --> 00:53:41,480
Speaker 5: it didn't get made obviously, which thank god it didn't

1264
00:53:41,520 --> 00:53:43,080
Speaker 5: because it allowed me to go on the road and

1265
00:53:43,080 --> 00:53:45,880
Speaker 5: then eventually do the special that was Quarterlife Crisis.

1266
00:53:45,960 --> 00:53:46,520
Speaker 1: Yeah.

1267
00:53:46,560 --> 00:53:49,080
Speaker 5: So yeah, it's one of those things where I feel

1268
00:53:49,560 --> 00:53:54,440
Speaker 5: honestly terrible for actors. I think it seems terrible. Audition

1269
00:53:54,560 --> 00:53:55,520
Speaker 5: constantly just.

1270
00:53:55,560 --> 00:53:56,880
Speaker 2: Acting would drive me.

1271
00:53:56,960 --> 00:53:59,800
Speaker 1: Not if that was my only thing. I my hackes

1272
00:53:59,840 --> 00:54:01,600
Speaker 1: off the people that put themselves out there again and

1273
00:54:01,640 --> 00:54:04,440
Speaker 1: again and again, and then those are so frequent.

1274
00:54:04,719 --> 00:54:08,360
Speaker 4: Oh my gosh. Yeah, I'm like nerves of steel.

1275
00:54:08,120 --> 00:54:09,320
Speaker 1: To do totally totally.

1276
00:54:09,520 --> 00:54:11,960
Speaker 2: But I wondered, did they ask you to host the

1277
00:54:11,960 --> 00:54:12,680
Speaker 2: Golden Globes?

1278
00:54:13,040 --> 00:54:15,000
Speaker 4: No, they didn't have no no, no, I'm not no.

1279
00:54:15,239 --> 00:54:17,560
Speaker 1: See I think they would you do it?

1280
00:54:18,320 --> 00:54:18,960
Speaker 4: I don't know.

1281
00:54:19,200 --> 00:54:21,120
Speaker 2: I think they made a huge mistake and not asking

1282
00:54:21,239 --> 00:54:21,640
Speaker 2: Oh no.

1283
00:54:21,560 --> 00:54:22,680
Speaker 1: I'm not famous enough for that.

1284
00:54:22,840 --> 00:54:23,560
Speaker 2: Yep, I'm not.

1285
00:54:23,680 --> 00:54:26,560
Speaker 4: Well, you have to be well known. I mean Joe koy.

1286
00:54:26,800 --> 00:54:32,760
Speaker 5: Sells and you felt that room going like it's crazy

1287
00:54:33,200 --> 00:54:35,960
Speaker 5: that this business does not respect stand up the way

1288
00:54:36,000 --> 00:54:38,799
Speaker 5: it respects movies and TV. Of course, yeah, I felt

1289
00:54:38,800 --> 00:54:41,680
Speaker 5: the shift getting this show, the sort of congrats and

1290
00:54:41,719 --> 00:54:42,840
Speaker 5: attention I got, and I'm.

1291
00:54:42,640 --> 00:54:44,840
Speaker 1: Like, where was this When I was Yeah, I was like,

1292
00:54:45,080 --> 00:54:45,640
Speaker 1: you know, we.

1293
00:54:45,560 --> 00:54:47,720
Speaker 5: Make more money on the road, right, do you guys

1294
00:54:47,760 --> 00:54:50,880
Speaker 5: know that? Like it was so I don't know. I

1295
00:54:50,880 --> 00:54:53,120
Speaker 5: don't think that I would be the right person to

1296
00:54:53,160 --> 00:54:56,000
Speaker 5: do that with if nobody in that room knew who

1297
00:54:56,040 --> 00:54:57,640
Speaker 5: I was, because they'd be like what.

1298
00:54:58,239 --> 00:55:00,000
Speaker 1: Well, I feel like you just get around that though

1299
00:55:00,120 --> 00:55:02,440
Speaker 1: by then introing up top and being like, hey, you

1300
00:55:02,520 --> 00:55:04,040
Speaker 1: might not know who I am. I host a fucking

1301
00:55:04,080 --> 00:55:06,640
Speaker 1: late night show on this network. But like when you

1302
00:55:06,719 --> 00:55:08,239
Speaker 1: came out with Stephen and did a bit, I was

1303
00:55:08,239 --> 00:55:10,120
Speaker 1: like the Emmys. For the Emmys, I was like, oh,

1304
00:55:10,160 --> 00:55:13,720
Speaker 1: there's the host was because I just felt like because

1305
00:55:13,800 --> 00:55:15,640
Speaker 1: daddy via com we you sort of speak the same language.

1306
00:55:16,040 --> 00:55:17,640
Speaker 2: That would have been an amazing way to launch this

1307
00:55:17,800 --> 00:55:18,479
Speaker 2: show too.

1308
00:55:18,560 --> 00:55:20,879
Speaker 3: But also whatever I don't know, I feel like they're

1309
00:55:20,880 --> 00:55:23,799
Speaker 3: bringing up on stage at late show. Was that that

1310
00:55:23,960 --> 00:55:27,840
Speaker 3: was such a great I felt this like power, this energy, whatever,

1311
00:55:28,400 --> 00:55:31,120
Speaker 3: but like it was so cool the times that he

1312
00:55:31,120 --> 00:55:33,680
Speaker 3: would bring you on to like talk about the show,

1313
00:55:34,560 --> 00:55:38,160
Speaker 3: it felt like a great torch pasting annointment.

1314
00:55:38,200 --> 00:55:38,560
Speaker 1: Whatever.

1315
00:55:39,080 --> 00:55:41,080
Speaker 4: I hate this it is and he's amazing.

1316
00:55:41,200 --> 00:55:43,080
Speaker 5: Yeah, yeah, I mean he was another reason I wanted

1317
00:55:43,080 --> 00:55:45,879
Speaker 5: to do it, because everybody loves working with and for him. Yeah,

1318
00:55:45,920 --> 00:55:48,520
Speaker 5: And I mean him and Conan have this in common

1319
00:55:48,600 --> 00:55:51,239
Speaker 5: I've talked about before, is like they're just it just

1320
00:55:51,239 --> 00:55:54,680
Speaker 5: seems as if they're always on, They're always hilarious, They're

1321
00:55:54,680 --> 00:55:57,400
Speaker 5: always so warm and friendly in a way that just

1322
00:55:57,480 --> 00:55:59,760
Speaker 5: does not come naturally to me. And I'm so impressed

1323
00:55:59,800 --> 00:56:03,400
Speaker 5: by I mean, yeah, you like touch your heart like

1324
00:56:03,440 --> 00:56:03,840
Speaker 5: that hit you.

1325
00:56:03,960 --> 00:56:04,560
Speaker 4: Do you feel that way?

1326
00:56:04,600 --> 00:56:06,640
Speaker 3: I feel that way, like, oh, I'm not I'm not

1327
00:56:06,680 --> 00:56:09,640
Speaker 3: the version of myself that like any given person would

1328
00:56:09,680 --> 00:56:12,480
Speaker 3: think I am. And I don't feel like you talk

1329
00:56:12,520 --> 00:56:13,280
Speaker 3: about your social.

1330
00:56:13,040 --> 00:56:13,680
Speaker 1: Anxiety a lot.

1331
00:56:13,719 --> 00:56:16,400
Speaker 3: I feel like you are just kind of like honestly

1332
00:56:16,440 --> 00:56:18,960
Speaker 3: who you are, and it is just like a different

1333
00:56:19,120 --> 00:56:21,880
Speaker 3: sort of like analog of like your stage persona and

1334
00:56:21,880 --> 00:56:22,600
Speaker 3: which is not.

1335
00:56:22,520 --> 00:56:23,640
Speaker 1: Good for show business.

1336
00:56:23,640 --> 00:56:27,520
Speaker 5: You should be better than what I am. Like, do

1337
00:56:27,560 --> 00:56:29,080
Speaker 5: you feel like you're good at being famous?

1338
00:56:29,200 --> 00:56:30,080
Speaker 1: No, you don't.

1339
00:56:30,160 --> 00:56:31,719
Speaker 4: Yeah, Mats seems like Matt's.

1340
00:56:31,440 --> 00:56:32,520
Speaker 1: Good at it. Matt's good at it.

1341
00:56:32,600 --> 00:56:35,839
Speaker 5: Yeah, you seem uncomfortable in a way that makes me

1342
00:56:35,920 --> 00:56:39,000
Speaker 5: adore you so much, and I relate to more, Like

1343
00:56:39,120 --> 00:56:41,600
Speaker 5: I respect that Matt's really good at it, and I

1344
00:56:41,640 --> 00:56:42,879
Speaker 5: can't relate to it.

1345
00:56:43,000 --> 00:56:43,799
Speaker 4: I can't relate to it.

1346
00:56:43,880 --> 00:56:47,479
Speaker 1: I think I'm I think I'm just a true extrovert. Yeah,

1347
00:56:47,520 --> 00:56:50,720
Speaker 1: I think I'm just a true extrovert. And I enjoy

1348
00:56:50,960 --> 00:56:54,400
Speaker 1: the part which is like talking about the work, and

1349
00:56:54,440 --> 00:56:56,040
Speaker 1: I like entertaining.

1350
00:56:55,520 --> 00:56:56,160
Speaker 2: In that way.

1351
00:56:56,440 --> 00:56:59,120
Speaker 1: Yeah, but I've noticed that about myself too it And

1352
00:56:59,120 --> 00:57:03,319
Speaker 1: sometimes I'm like, you're so annoying that because like we'll

1353
00:57:03,360 --> 00:57:05,560
Speaker 1: get requests together and then we'll be like I'd like

1354
00:57:05,640 --> 00:57:08,000
Speaker 1: to sit down that day, and I'm like, yeah, I

1355
00:57:08,000 --> 00:57:10,920
Speaker 1: don't want to sit down run around in a circle.

1356
00:57:10,960 --> 00:57:14,279
Speaker 1: I want to drink soda. I think it is like

1357
00:57:14,400 --> 00:57:16,080
Speaker 1: it is like a thing that forms you as a

1358
00:57:16,200 --> 00:57:18,160
Speaker 1: I don't know what where to trace it back from.

1359
00:57:18,200 --> 00:57:21,120
Speaker 1: But I've always had a lot of fucking energy, and

1360
00:57:21,320 --> 00:57:24,760
Speaker 1: sometimes I feel like I give too much of it

1361
00:57:24,880 --> 00:57:28,440
Speaker 1: up and then later I'm really tired. Yeah, and I

1362
00:57:28,440 --> 00:57:31,720
Speaker 1: don't notice I'm doing it until later. And I think

1363
00:57:31,760 --> 00:57:33,360
Speaker 1: you don't have to be in the entertainment industry to

1364
00:57:33,440 --> 00:57:36,800
Speaker 1: understand this. Like sometimes it's like you just give a

1365
00:57:36,840 --> 00:57:40,960
Speaker 1: lot socially and professionally to the point where later you're like, wait.

1366
00:57:40,840 --> 00:57:42,080
Speaker 2: Where am I right?

1367
00:57:42,720 --> 00:57:47,120
Speaker 1: And it gets a little confusing sometimes because like I'm

1368
00:57:47,240 --> 00:57:50,880
Speaker 1: dating a lot more now, and sometimes it feels like

1369
00:57:51,600 --> 00:57:55,040
Speaker 1: where does the performance of the me end? And where

1370
00:57:55,040 --> 00:57:58,560
Speaker 1: am I actually dropping in and listening? Like I felt bad.

1371
00:57:58,600 --> 00:57:59,920
Speaker 1: But a few weeks ago, I was out with some

1372
00:58:00,040 --> 00:58:03,200
Speaker 1: buddy and I realized like I hadn't been listening to

1373
00:58:03,200 --> 00:58:05,640
Speaker 1: what they were saying, because I think I was thinking

1374
00:58:05,680 --> 00:58:08,560
Speaker 1: about what I had said and how it had gone over.

1375
00:58:08,960 --> 00:58:10,200
Speaker 1: And I was.

1376
00:58:10,280 --> 00:58:14,920
Speaker 5: Like, yeah, because I I where's the lights coming from

1377
00:58:14,960 --> 00:58:15,240
Speaker 5: the bar?

1378
00:58:15,600 --> 00:58:17,320
Speaker 1: You know, when you have to get good at knowing

1379
00:58:17,360 --> 00:58:19,480
Speaker 1: that dating isn't like a competition or a game that

1380
00:58:19,520 --> 00:58:21,800
Speaker 1: you can win. It's like, I feel like I learned

1381
00:58:21,840 --> 00:58:25,120
Speaker 1: that and then I forgot it, and so I was

1382
00:58:25,200 --> 00:58:28,560
Speaker 1: just like, let's reset, like let's let's talk to a person.

1383
00:58:28,840 --> 00:58:30,640
Speaker 2: You're not performing here today.

1384
00:58:30,720 --> 00:58:33,280
Speaker 1: But when you do it all the time, it can

1385
00:58:33,280 --> 00:58:35,760
Speaker 1: get a little confusing and you bringing up your therapy.

1386
00:58:35,840 --> 00:58:37,480
Speaker 2: This is what my therapy is about.

1387
00:58:37,520 --> 00:58:39,600
Speaker 1: It is like actually just dropping in and taking a

1388
00:58:39,600 --> 00:58:43,840
Speaker 1: breath and not having to be plugged in and excited

1389
00:58:44,080 --> 00:58:47,000
Speaker 1: all the time. Like not everything has to be a

1390
00:58:47,080 --> 00:58:49,800
Speaker 1: consumed thing or like a give thing. It's like you

1391
00:58:49,880 --> 00:58:53,400
Speaker 1: can just sit, Like meditating is not something I understand,

1392
00:58:53,960 --> 00:58:55,240
Speaker 1: but I do you do that?

1393
00:58:55,600 --> 00:58:57,800
Speaker 5: I can't because I'm anxious, right, not because I'm like

1394
00:58:57,880 --> 00:59:00,800
Speaker 5: i want a soda, Like I'm just scared.

1395
00:59:01,600 --> 00:59:03,360
Speaker 4: So we got to hear you drown out the noise.

1396
00:59:03,520 --> 00:59:06,439
Speaker 1: But that's how my anxiety manifest that I do too much.

1397
00:59:07,400 --> 00:59:08,160
Speaker 1: Totally different.

1398
00:59:08,320 --> 00:59:10,320
Speaker 5: Was it on SETH that you were talking about how

1399
00:59:10,840 --> 00:59:14,480
Speaker 5: you got invited to Was it a party at Taylor

1400
00:59:14,480 --> 00:59:16,360
Speaker 5: Swifts And You're like it was a Sunday and I

1401
00:59:16,440 --> 00:59:21,439
Speaker 5: needed to sleep And I was like, that is my guy,

1402
00:59:21,760 --> 00:59:24,720
Speaker 5: That's exactly how I feel like. Especially starting the show,

1403
00:59:24,760 --> 00:59:27,440
Speaker 5: they were like, do you wanna present to the Grammys

1404
00:59:27,480 --> 00:59:30,800
Speaker 5: And I was like, no, you have to, and then

1405
00:59:30,840 --> 00:59:31,960
Speaker 5: I got stripped so I couldn't.

1406
00:59:32,000 --> 00:59:35,120
Speaker 1: But I literally did get stressed.

1407
00:59:35,200 --> 00:59:36,200
Speaker 4: I truly did.

1408
00:59:37,000 --> 00:59:41,640
Speaker 5: But like there is so much anxiety and panic that

1409
00:59:41,760 --> 00:59:45,160
Speaker 5: will happen for me in preparing for things like this,

1410
00:59:45,240 --> 00:59:47,840
Speaker 5: no matter how big the opportunity, that it will ruin

1411
00:59:47,920 --> 00:59:49,120
Speaker 5: the opportunity.

1412
00:59:49,320 --> 00:59:51,920
Speaker 3: And it's the preparation on for the specials, like the

1413
00:59:52,000 --> 00:59:53,560
Speaker 3: road for you that that's.

1414
00:59:53,400 --> 00:59:57,200
Speaker 5: Easier that the road is prep specials. Yeah, so like

1415
00:59:57,280 --> 01:00:01,240
Speaker 5: the process is but like these like big event I'm like,

1416
01:00:01,360 --> 01:00:03,600
Speaker 5: I don't know how to exact, Like I don't know

1417
01:00:03,640 --> 01:00:06,080
Speaker 5: how to do this, and I'm not comfortable, and it

1418
01:00:06,240 --> 01:00:09,640
Speaker 5: also sort of like it's so disenchanting. I'm like, it'll

1419
01:00:10,240 --> 01:00:11,800
Speaker 5: emmies for me if I have to stand in that

1420
01:00:11,960 --> 01:00:14,080
Speaker 5: line and take a picture of that.

1421
01:00:14,720 --> 01:00:17,959
Speaker 1: I don't like the social part of it with other

1422
01:00:18,040 --> 01:00:22,160
Speaker 1: people that are there really intimidates me. What I think

1423
01:00:22,360 --> 01:00:24,919
Speaker 1: I like is the going and the doing of the thing.

1424
01:00:25,440 --> 01:00:27,280
Speaker 1: Like I like going and like doing a bit, or

1425
01:00:27,320 --> 01:00:30,560
Speaker 1: I like going and like when I'm on seth or

1426
01:00:30,560 --> 01:00:32,919
Speaker 1: like any of these late night things like whatever. I

1427
01:00:32,960 --> 01:00:35,960
Speaker 1: love going and doing the show. But sometimes it's like

1428
01:00:36,200 --> 01:00:37,880
Speaker 1: I remember last time I was on Seth Myers. I

1429
01:00:37,880 --> 01:00:39,920
Speaker 1: had to do like a social media bit with Jennifer

1430
01:00:40,000 --> 01:00:42,960
Speaker 1: Hudson and I had to go into her dressing room

1431
01:00:43,000 --> 01:00:44,240
Speaker 1: and be like, Hi, I'm Matt.

1432
01:00:44,360 --> 01:00:45,280
Speaker 2: You mean a lot to me.

1433
01:00:45,440 --> 01:00:47,040
Speaker 1: I've been a fan of yours for a long time

1434
01:00:47,280 --> 01:00:49,760
Speaker 1: while her team sort of sat there and we're like oh,

1435
01:00:49,800 --> 01:00:53,080
Speaker 1: and like she's so chill that I started to feel

1436
01:00:53,120 --> 01:00:57,680
Speaker 1: myself going yeah, and I was like, relax, relax.

1437
01:00:57,840 --> 01:00:59,040
Speaker 2: That part drives me nuts.

1438
01:00:59,120 --> 01:01:01,880
Speaker 1: Yes, but the doing of the thing, yeah, it's fine.

1439
01:01:01,920 --> 01:01:04,440
Speaker 1: But standing there and like when I found out that's

1440
01:01:04,440 --> 01:01:06,880
Speaker 1: what a red carpet is a lot of standing and

1441
01:01:07,920 --> 01:01:09,760
Speaker 1: yes to see if anyone wants to talk to you

1442
01:01:09,800 --> 01:01:11,000
Speaker 1: on the line, and maybe they don't.

1443
01:01:11,200 --> 01:01:13,760
Speaker 2: Yes, Like it's like oof, yeah, but then are we

1444
01:01:13,800 --> 01:01:14,080
Speaker 2: saying it?

1445
01:01:14,120 --> 01:01:16,920
Speaker 3: Like Colbert and Conan are like this rare breed of

1446
01:01:17,200 --> 01:01:20,120
Speaker 3: like comedian and performer that like that's just who they are.

1447
01:01:20,320 --> 01:01:20,760
Speaker 4: I think.

1448
01:01:20,840 --> 01:01:23,400
Speaker 5: So, I mean that's the impression I've gotten. They're the

1449
01:01:23,440 --> 01:01:25,080
Speaker 5: two that I've spent the most time with. I mean,

1450
01:01:25,120 --> 01:01:27,240
Speaker 5: I've done Seth and he came in and was so

1451
01:01:27,360 --> 01:01:30,280
Speaker 5: lovely before it, like you seem so great, Like he

1452
01:01:30,320 --> 01:01:32,560
Speaker 5: was so great on your show, so I think some

1453
01:01:32,600 --> 01:01:35,600
Speaker 5: people are just like like you met, just wired for it,

1454
01:01:35,880 --> 01:01:39,240
Speaker 5: and it's like hard to accept that you can get

1455
01:01:39,320 --> 01:01:41,800
Speaker 5: good at it, but it's still not going to become

1456
01:01:42,520 --> 01:01:45,040
Speaker 5: like I'm never going to have it in my DNA.

1457
01:01:45,080 --> 01:01:48,120
Speaker 1: Like that, right, so the way you had like stand

1458
01:01:48,200 --> 01:01:49,720
Speaker 1: up and yes, yeah.

1459
01:01:49,520 --> 01:01:51,720
Speaker 5: That's where I feel like myself on stage, even if

1460
01:01:51,760 --> 01:01:53,800
Speaker 5: I'm nervous for a show or a taping or whatever,

1461
01:01:54,280 --> 01:01:57,560
Speaker 5: like that's who I feel like I am inside, But

1462
01:01:57,640 --> 01:02:01,760
Speaker 5: on carpets or whatever, all I'm like, who does anyone

1463
01:02:01,760 --> 01:02:02,320
Speaker 5: need a drink?

1464
01:02:02,360 --> 01:02:04,880
Speaker 4: Like? Should I be working this event? Like I just can't.

1465
01:02:05,080 --> 01:02:07,760
Speaker 1: Did you ever think about doing an Alvira esque character

1466
01:02:07,880 --> 01:02:11,880
Speaker 1: on the Red carpets? Sort of just going as a

1467
01:02:11,880 --> 01:02:15,920
Speaker 1: another you mistress of the night? Maybe you could do that.

1468
01:02:15,800 --> 01:02:17,640
Speaker 4: That would be such a hard turn for me.

1469
01:02:18,000 --> 01:02:18,600
Speaker 1: I think you would.

1470
01:02:19,720 --> 01:02:20,880
Speaker 4: Thank you so you think.

1471
01:02:23,720 --> 01:02:25,440
Speaker 2: This is an amazing compliment that I'm doing.

1472
01:02:25,480 --> 01:02:28,440
Speaker 1: Thank you so much. Not everyone has a face for wigs.

1473
01:02:29,120 --> 01:02:29,440
Speaker 1: You do?

1474
01:02:29,680 --> 01:02:30,280
Speaker 2: No, I don't.

1475
01:02:30,360 --> 01:02:33,040
Speaker 3: I don't you know you are? You know who has

1476
01:02:33,040 --> 01:02:36,520
Speaker 3: a face for wiggs is Sarah Sherman. She transforms yeah

1477
01:02:36,640 --> 01:02:40,840
Speaker 3: like you, She's on SNL. You all faces? We don't

1478
01:02:41,200 --> 01:02:43,920
Speaker 3: you do? Oh no, no, no, no, no, we're not having

1479
01:02:43,960 --> 01:02:48,360
Speaker 3: a discussion. I look the same, and I have so

1480
01:02:48,400 --> 01:02:51,640
Speaker 3: many beautiful discussions with the departments there room, Like I

1481
01:02:51,680 --> 01:02:53,800
Speaker 3: think this character should not have glasses because then it

1482
01:02:53,800 --> 01:02:55,760
Speaker 3: looks too much like me. Like it's like it comes

1483
01:02:56,080 --> 01:02:58,880
Speaker 3: that you became that Iceberg. I was like, you love

1484
01:02:59,000 --> 01:02:59,960
Speaker 3: that he was.

1485
01:03:01,640 --> 01:03:05,000
Speaker 1: You know what's very powerful going in a mustache, Going

1486
01:03:05,080 --> 01:03:05,680
Speaker 1: in a thick.

1487
01:03:05,600 --> 01:03:07,480
Speaker 2: Mustache is very powerful.

1488
01:03:07,560 --> 01:03:13,520
Speaker 1: And you see him begin to think about topping. Yeah,

1489
01:03:13,760 --> 01:03:17,680
Speaker 1: you see the neurons that you see that my follicles

1490
01:03:17,680 --> 01:03:20,720
Speaker 1: don't grow. I have a question about Sorry, such a

1491
01:03:20,720 --> 01:03:24,880
Speaker 1: hard turn birth order. This new eldest daughter syndrome thing

1492
01:03:24,920 --> 01:03:27,960
Speaker 1: is yeah, a lot of yes.

1493
01:03:27,800 --> 01:03:29,840
Speaker 4: Yes, elderldest daughter, and it's all true.

1494
01:03:29,960 --> 01:03:30,320
Speaker 1: What's this?

1495
01:03:30,600 --> 01:03:30,880
Speaker 2: Okay?

1496
01:03:30,920 --> 01:03:32,880
Speaker 3: So I think the Times did this whole piece about

1497
01:03:32,920 --> 01:03:33,920
Speaker 3: eldest daughter syndrome.

1498
01:03:33,960 --> 01:03:35,880
Speaker 2: Is it syndrome or is it I.

1499
01:03:35,880 --> 01:03:40,960
Speaker 4: Think it's syndrome, yes, and the Times Yah, just me,

1500
01:03:41,120 --> 01:03:42,080
Speaker 4: It's just me and my sister.

1501
01:03:42,720 --> 01:03:51,000
Speaker 2: I have eldest daughter energy work. Yes, So what is this?

1502
01:03:51,040 --> 01:03:52,400
Speaker 2: What do they say about these girls?

1503
01:03:52,480 --> 01:03:53,840
Speaker 1: You're absorbing a lot of this becase, I'm sure a

1504
01:03:53,840 --> 01:03:54,920
Speaker 1: lot of being directed it you.

1505
01:03:54,960 --> 01:03:58,000
Speaker 5: A lot of guilt, a lot of like taking on responsibility,

1506
01:03:58,280 --> 01:04:01,120
Speaker 5: like a lot of feeling like you have to parent

1507
01:04:01,280 --> 01:04:04,520
Speaker 5: your younger siblings and they're like fuck off, Like, which

1508
01:04:04,560 --> 01:04:07,520
Speaker 5: is so fair? I saw I saw a TikTok of

1509
01:04:07,600 --> 01:04:11,400
Speaker 5: a younger sister who was like something happened where when

1510
01:04:11,440 --> 01:04:13,479
Speaker 5: I was a teenager, when I was younger, I really

1511
01:04:13,520 --> 01:04:16,160
Speaker 5: like worshiped my older sister and now it like kind

1512
01:04:16,200 --> 01:04:18,520
Speaker 5: of shifted where like she wants to be my friend

1513
01:04:18,520 --> 01:04:20,640
Speaker 5: and I'm kind of like okay, which is what I

1514
01:04:20,760 --> 01:04:24,680
Speaker 5: felt with my youngest sister. Soft the shift, Yeah, where

1515
01:04:24,720 --> 01:04:27,160
Speaker 5: for a while I was like, why is she not

1516
01:04:27,200 --> 01:04:29,520
Speaker 5: calling me back? And like she's always like yeah, when

1517
01:04:29,520 --> 01:04:30,840
Speaker 5: I was a kid, I wanted to be and I'm

1518
01:04:30,840 --> 01:04:32,000
Speaker 5: like where's that?

1519
01:04:32,320 --> 01:04:33,160
Speaker 4: Like where did that go?

1520
01:04:33,320 --> 01:04:35,840
Speaker 1: And then I think she got really smart and was like,

1521
01:04:35,920 --> 01:04:37,880
Speaker 1: oh you're trying. What does she do? Yeah, she's in

1522
01:04:37,920 --> 01:04:38,720
Speaker 1: grad school right now.

1523
01:04:38,880 --> 01:04:42,120
Speaker 5: She's very smart. Yeah yeah, so I'm like, well, how

1524
01:04:42,160 --> 01:04:42,880
Speaker 5: can I compete with that?

1525
01:04:42,960 --> 01:04:43,960
Speaker 1: I'm a rat.

1526
01:04:43,800 --> 01:04:49,760
Speaker 4: Comedian applauded for reading. You read a great thing.

1527
01:04:50,720 --> 01:04:55,240
Speaker 1: You're read that shift, thank you so much.

1528
01:04:55,360 --> 01:04:57,640
Speaker 3: I mean we would get pulled into things, remember like

1529
01:04:57,680 --> 01:05:00,680
Speaker 3: seriously TV ri ip like I go in for seriously

1530
01:05:00,720 --> 01:05:02,520
Speaker 3: TV stuff sometimes and it was a lot of it

1531
01:05:02,600 --> 01:05:04,120
Speaker 3: was reading off like you would like set, you would

1532
01:05:04,120 --> 01:05:06,080
Speaker 3: literally write your own thing and send it to them,

1533
01:05:06,400 --> 01:05:08,240
Speaker 3: and your own words would be un prompt and I

1534
01:05:08,280 --> 01:05:09,400
Speaker 3: would still fuck up.

1535
01:05:09,480 --> 01:05:14,280
Speaker 1: It's so unfair that that is like something that you

1536
01:05:14,400 --> 01:05:16,080
Speaker 1: kind of have to be good at to do that stuff,

1537
01:05:16,120 --> 01:05:18,200
Speaker 1: because some people are the funniest people in the world

1538
01:05:18,280 --> 01:05:20,440
Speaker 1: and they're just not quick readers, right, you know what

1539
01:05:20,480 --> 01:05:22,200
Speaker 1: I mean, Or they're just not like people who can

1540
01:05:22,280 --> 01:05:24,760
Speaker 1: like correct on the fly like that. Like, yeah, I

1541
01:05:24,760 --> 01:05:26,480
Speaker 1: would imagine that. You see that all the time at

1542
01:05:26,520 --> 01:05:29,160
Speaker 1: like Table Express and Noel, like certain actors coming in

1543
01:05:29,240 --> 01:05:31,680
Speaker 1: and you it's not for everyone like to be able

1544
01:05:31,720 --> 01:05:35,200
Speaker 1: to do that and like not only to do it correctly,

1545
01:05:35,240 --> 01:05:36,080
Speaker 1: but also to do.

1546
01:05:36,000 --> 01:05:37,880
Speaker 2: It in a compelling and funny way.

1547
01:05:38,160 --> 01:05:39,840
Speaker 1: Yeah, it's tough.

1548
01:05:39,920 --> 01:05:44,200
Speaker 5: I mean again on becoming disenchanted with the whole entertainment

1549
01:05:44,280 --> 01:05:47,720
Speaker 5: industry as you get older. I think at least this

1550
01:05:47,840 --> 01:05:49,680
Speaker 5: was how it was when I was younger. You're kind

1551
01:05:49,680 --> 01:05:51,320
Speaker 5: of like, I'm gonna be a legend, and I'm gonna

1552
01:05:51,360 --> 01:05:53,200
Speaker 5: work really hard and I'm gonna sleep on the floor

1553
01:05:53,200 --> 01:05:55,240
Speaker 5: on the airport at five am, and I'm gonna grind

1554
01:05:55,280 --> 01:05:57,320
Speaker 5: and do it. And then as you get older, you're like,

1555
01:05:57,360 --> 01:06:00,000
Speaker 5: there's so many talented people, right, and I can say,

1556
01:06:00,160 --> 01:06:03,160
Speaker 5: go fifteen who deserve what I have more than I do.

1557
01:06:03,200 --> 01:06:04,240
Speaker 4: Or just as much.

1558
01:06:04,840 --> 01:06:07,200
Speaker 5: That feeling when you're younger, where you're like destined for more,

1559
01:06:07,400 --> 01:06:11,280
Speaker 5: you feel special, it just like goes away, I think,

1560
01:06:11,440 --> 01:06:13,480
Speaker 5: or it has for me where I'm just always like

1561
01:06:13,720 --> 01:06:16,680
Speaker 5: which maybe good because it's replaced by gratitude, but I'm.

1562
01:06:16,520 --> 01:06:19,120
Speaker 2: Sure humility, gratitude, all those things that should be there.

1563
01:06:19,240 --> 01:06:21,520
Speaker 5: So many stars have to align for a person to

1564
01:06:21,520 --> 01:06:25,280
Speaker 5: be successful in this very unfair business, Like you have

1565
01:06:25,360 --> 01:06:28,040
Speaker 5: to be so many different things, like you have to

1566
01:06:28,080 --> 01:06:32,160
Speaker 5: be funny and smart and warm to people. I mean

1567
01:06:32,200 --> 01:06:34,440
Speaker 5: not always, but yeah, you have to have a bunch

1568
01:06:34,480 --> 01:06:35,880
Speaker 5: of things going for you and.

1569
01:06:35,840 --> 01:06:39,120
Speaker 1: Luck, yeah, of course, and also the leadership quality which

1570
01:06:39,160 --> 01:06:41,680
Speaker 1: comes when your name is on the title. I know

1571
01:06:41,760 --> 01:06:43,720
Speaker 1: you're saying, like, oh, it has nothing to do with me,

1572
01:06:43,760 --> 01:06:45,320
Speaker 1: it has nothing to do with you, but it does

1573
01:06:45,800 --> 01:06:48,440
Speaker 1: because like you know, that is your name, and that

1574
01:06:48,560 --> 01:06:51,840
Speaker 1: is your you are the engine of the show, and

1575
01:06:51,880 --> 01:06:55,440
Speaker 1: so like it is really great. I'm super excited that

1576
01:06:55,600 --> 01:06:57,920
Speaker 1: it's like doing as well as it is, Like I

1577
01:06:57,960 --> 01:07:00,479
Speaker 1: was saying, like, not only is it doing, but also

1578
01:07:00,560 --> 01:07:04,000
Speaker 1: like your fans are very engaged online, like you have

1579
01:07:04,040 --> 01:07:07,600
Speaker 1: girls collapsing in coffee shops like the dream, I mean

1580
01:07:08,200 --> 01:07:10,160
Speaker 1: the Dream, And so I don't know. I'm just like,

1581
01:07:10,400 --> 01:07:12,400
Speaker 1: give yourself all the credit in the world and keep

1582
01:07:12,400 --> 01:07:15,240
Speaker 1: shooting for the fucking star so much deserves it as

1583
01:07:15,320 --> 01:07:16,000
Speaker 1: much as you.

1584
01:07:16,000 --> 01:07:19,200
Speaker 5: You know, you're right, I single handedly, I am responsible

1585
01:07:19,240 --> 01:07:21,480
Speaker 5: for any and all success on the show, and anything

1586
01:07:21,520 --> 01:07:23,120
Speaker 5: wrong with it isn't my fault.

1587
01:07:22,560 --> 01:07:26,120
Speaker 3: You heard her first, but honestly, I do hope you

1588
01:07:26,160 --> 01:07:29,320
Speaker 3: hold on to some like one inch tall version of

1589
01:07:29,400 --> 01:07:32,400
Speaker 3: like that younger person in you that was like I'm

1590
01:07:32,400 --> 01:07:33,880
Speaker 3: going to be a legend or I will be one.

1591
01:07:34,000 --> 01:07:36,760
Speaker 3: Like what you've done is really remarkable, I think, and

1592
01:07:36,840 --> 01:07:40,640
Speaker 3: I think like humility, gratitude great, but also like there's

1593
01:07:40,680 --> 01:07:43,400
Speaker 3: something about that little guy that I think is helpful and.

1594
01:07:43,480 --> 01:07:45,760
Speaker 5: You need to tap into it, you know, yeah, when

1595
01:07:45,760 --> 01:07:47,760
Speaker 5: you're feeling like an impostor totally.

1596
01:07:47,880 --> 01:07:50,400
Speaker 3: I was watching the specials O Gelie, as Matt said,

1597
01:07:50,480 --> 01:07:52,600
Speaker 3: but I also like rewatched them this weekend and I was.

1598
01:07:52,600 --> 01:07:55,080
Speaker 1: Just like, God, she's really fucking good.

1599
01:07:56,120 --> 01:07:59,240
Speaker 3: She's so good, And like I think you are in

1600
01:07:59,320 --> 01:08:01,800
Speaker 3: this space you are like a comedians comedian and then

1601
01:08:01,800 --> 01:08:05,439
Speaker 3: you also play to like everybody, and that's like such

1602
01:08:05,520 --> 01:08:06,840
Speaker 3: a unicorn in these days.

1603
01:08:06,880 --> 01:08:08,680
Speaker 5: I think that's really nice. I mean, you never really

1604
01:08:08,760 --> 01:08:11,360
Speaker 5: know if you're a comedians comedian because you're like, doesn't

1605
01:08:11,360 --> 01:08:12,240
Speaker 5: everyone hate everything?

1606
01:08:12,360 --> 01:08:12,840
Speaker 1: Uh huh.

1607
01:08:12,920 --> 01:08:14,400
Speaker 5: You just kind of have to go like, I bet

1608
01:08:14,440 --> 01:08:16,840
Speaker 5: everyone hates me, and it's fine, Like you don't really

1609
01:08:16,880 --> 01:08:17,280
Speaker 5: ever know.

1610
01:08:17,800 --> 01:08:19,479
Speaker 2: You never know, well, you know what's funny.

1611
01:08:19,560 --> 01:08:21,800
Speaker 1: Like I feel like I went from like like we

1612
01:08:21,840 --> 01:08:23,880
Speaker 1: talk about the laughing and then the acknowledging and then

1613
01:08:23,920 --> 01:08:26,120
Speaker 1: back to the laughing. I think that means I like

1614
01:08:26,160 --> 01:08:30,720
Speaker 1: sort of tried to divest from like my peers opinion

1615
01:08:31,280 --> 01:08:33,800
Speaker 1: of me because I know that if it were to

1616
01:08:33,800 --> 01:08:36,720
Speaker 1: be negative, that would really hurt me. And I think

1617
01:08:36,760 --> 01:08:39,680
Speaker 1: that that's something like maybe that's another element of like

1618
01:08:39,720 --> 01:08:40,720
Speaker 1: growing up a little bit.

1619
01:08:40,800 --> 01:08:42,559
Speaker 2: Is it's just like I'm not gonna put.

1620
01:08:42,400 --> 01:08:45,160
Speaker 1: Myself in a position to be hurt like that, and

1621
01:08:45,240 --> 01:08:47,760
Speaker 1: if like someone like you guys like didn't think I

1622
01:08:47,840 --> 01:08:50,960
Speaker 1: was worth myself, that would really hurt Meanwhile, like I

1623
01:08:51,000 --> 01:08:53,080
Speaker 1: can go out there and like the audience might not

1624
01:08:53,120 --> 01:08:55,280
Speaker 1: get something, and I'm like, I'm gonna roll with you now,

1625
01:08:55,320 --> 01:08:57,240
Speaker 1: But if it were other comedians, I think that would

1626
01:08:57,280 --> 01:09:00,559
Speaker 1: hurt Yeah, because we know we've been in those environments

1627
01:09:00,600 --> 01:09:02,479
Speaker 1: where it's like we were all like fucking going for

1628
01:09:02,560 --> 01:09:05,840
Speaker 1: something like JFL. We were all like pour together, we

1629
01:09:05,840 --> 01:09:08,200
Speaker 1: were all getting paid in two drinks or two diet

1630
01:09:08,200 --> 01:09:11,120
Speaker 1: cokes because you didn't drink till last week, I think.

1631
01:09:12,439 --> 01:09:14,040
Speaker 1: But you know, it's just like so now, it's just

1632
01:09:14,040 --> 01:09:16,439
Speaker 1: like I do what I do because it makes me

1633
01:09:16,560 --> 01:09:19,000
Speaker 1: happy and it makes people happy, and it would drive

1634
01:09:19,040 --> 01:09:20,559
Speaker 1: me fucking nuts if it didn't make people.

1635
01:09:20,600 --> 01:09:22,800
Speaker 5: I respect it, Yes, which about you have to pick

1636
01:09:22,840 --> 01:09:25,320
Speaker 5: like three people you respect and talk to it all

1637
01:09:25,479 --> 01:09:28,599
Speaker 5: and talk to it all, and those are the people

1638
01:09:28,640 --> 01:09:30,400
Speaker 5: you care about and everyone else you're like, yeah, but

1639
01:09:30,439 --> 01:09:33,280
Speaker 5: I also like when people don't like me, I'm like,

1640
01:09:33,400 --> 01:09:35,560
Speaker 5: I get it, Like I could argue.

1641
01:09:35,280 --> 01:09:36,280
Speaker 2: That side totally.

1642
01:09:36,439 --> 01:09:40,519
Speaker 1: All their complaints are actually my complaints to annoying talk

1643
01:09:40,640 --> 01:09:46,160
Speaker 1: too much, not that smart. Yeah has an underbyte, right,

1644
01:09:46,439 --> 01:09:47,519
Speaker 1: I was gonna say.

1645
01:09:48,800 --> 01:10:00,960
Speaker 2: That's me I'm putting there, it's I don't think so, honey.

1646
01:10:01,120 --> 01:10:04,200
Speaker 1: Yes, this is really this segment where we hang our

1647
01:10:04,240 --> 01:10:06,439
Speaker 1: hat here at the podcasting. This is it. I mean,

1648
01:10:06,520 --> 01:10:10,479
Speaker 1: this is what's made us really timeless, like Shakespeare and

1649
01:10:10,800 --> 01:10:14,120
Speaker 1: h B and Besz. This is one minute to rants

1650
01:10:14,120 --> 01:10:16,479
Speaker 1: against something in culture that's getting to us. And I

1651
01:10:16,560 --> 01:10:19,240
Speaker 1: have something as of last night. Matt Rogers is here.

1652
01:10:19,240 --> 01:10:20,880
Speaker 1: I don't think any times starts down. I don't think

1653
01:10:20,920 --> 01:10:22,000
Speaker 1: so honey the olive garden.

1654
01:10:22,080 --> 01:10:22,360
Speaker 2: Okay.

1655
01:10:22,479 --> 01:10:24,240
Speaker 1: There is such a thing as being too good to

1656
01:10:24,280 --> 01:10:26,400
Speaker 1: be true. And there are three things soup, salad, and

1657
01:10:26,439 --> 01:10:29,160
Speaker 1: bread sticks. Okay, let me disclaimer this. This is not

1658
01:10:29,200 --> 01:10:30,959
Speaker 1: an I don't think so honey to you as an institution.

1659
01:10:31,080 --> 01:10:32,479
Speaker 1: It's an I don't think money really to me and

1660
01:10:32,560 --> 01:10:35,880
Speaker 1: my self control unlimited truly does mean unlimited. And when

1661
01:10:35,880 --> 01:10:38,439
Speaker 1: you have one bite of that bread, that salty fucking bread,

1662
01:10:38,640 --> 01:10:40,680
Speaker 1: and you dip it in that Zoopa tuscano, which is

1663
01:10:40,720 --> 01:10:43,600
Speaker 1: my soup of choice, not to disrespect any of the

1664
01:10:43,600 --> 01:10:46,840
Speaker 1: other soups, I would definitely try it in some minute drunk,

1665
01:10:47,400 --> 01:10:51,240
Speaker 1: but I cannot stop myself. This salad one of the

1666
01:10:51,240 --> 01:10:53,439
Speaker 1: world's greatest salad. And then I have to say something.

1667
01:10:53,560 --> 01:10:57,000
Speaker 1: You're already jacked up full of soup ss B. And

1668
01:10:57,040 --> 01:10:59,280
Speaker 1: then you got your tour of Italy. Okay, because you're like,

1669
01:10:59,479 --> 01:11:03,519
Speaker 1: why not, I'm not gonna be full seconds into the meal.

1670
01:11:04,120 --> 01:11:07,880
Speaker 1: I don't feel good to date, and it's because not

1671
01:11:08,040 --> 01:11:11,040
Speaker 1: because of Olive Garden, because of me, because of my choices.

1672
01:11:11,600 --> 01:11:13,000
Speaker 1: It does it feel like a little bit of a

1673
01:11:13,000 --> 01:11:15,000
Speaker 1: betrayal that they would do this to me after I

1674
01:11:15,040 --> 01:11:18,720
Speaker 1: had my nineteenth and twentieth birthdays, both two years in

1675
01:11:18,760 --> 01:11:20,880
Speaker 1: a row, at the Time Square Olive Garden where I

1676
01:11:20,920 --> 01:11:23,599
Speaker 1: went last night. Yes, it does well. I keep coming back. Yes,

1677
01:11:23,680 --> 01:11:26,920
Speaker 1: I do think so hard. And that's one minute. I'm

1678
01:11:27,080 --> 01:11:29,840
Speaker 1: so chalk full of food right now at this moment,

1679
01:11:29,920 --> 01:11:32,280
Speaker 1: like I'm bursting. I'm gonna start sweating the bread that

1680
01:11:32,360 --> 01:11:34,559
Speaker 1: moved you to go. I was on a date last

1681
01:11:34,640 --> 01:11:37,120
Speaker 1: night and you won't go went to a time So

1682
01:11:37,479 --> 01:11:40,000
Speaker 1: we had done this fun, stupid thing where we're like,

1683
01:11:40,400 --> 01:11:43,040
Speaker 1: we're gonna go to Dave and Busters and then go

1684
01:11:43,080 --> 01:11:45,519
Speaker 1: to the Times Square Garden. Like I said, I'm out

1685
01:11:45,520 --> 01:11:48,439
Speaker 1: there dating, We're having fun, and I felt like this

1686
01:11:48,479 --> 01:11:50,719
Speaker 1: would be a way to not have it center around

1687
01:11:50,800 --> 01:11:52,200
Speaker 1: like alcohol.

1688
01:11:52,080 --> 01:11:56,400
Speaker 2: Yeah, which is I think it around bread? Something else

1689
01:11:56,479 --> 01:11:58,839
Speaker 2: that's slowing me down today, carbs.

1690
01:11:58,920 --> 01:11:59,960
Speaker 1: Yeah, So I hangover.

1691
01:12:00,200 --> 01:12:00,360
Speaker 4: You know.

1692
01:12:00,520 --> 01:12:02,720
Speaker 1: Sorry, they don't tell you about that. No, I don't

1693
01:12:02,880 --> 01:12:04,840
Speaker 1: look up to and I was like, whoa, I guess I.

1694
01:12:04,840 --> 01:12:05,559
Speaker 2: Drank too much.

1695
01:12:05,720 --> 01:12:08,760
Speaker 1: I had one beer and five thousand bread stick. Yeah,

1696
01:12:08,760 --> 01:12:11,080
Speaker 1: they should cut That's what happened. There should be there

1697
01:12:11,080 --> 01:12:13,880
Speaker 1: should be a breadstick bartender there. Really, there should be

1698
01:12:13,880 --> 01:12:17,600
Speaker 1: someone be like, hey, man, are you okay? Because you

1699
01:12:17,640 --> 01:12:19,640
Speaker 1: do get kind of drunk. I mean like you're like

1700
01:12:19,720 --> 01:12:24,800
Speaker 1: on that bread. Yeah, bread, let's get it. I don't

1701
01:12:24,840 --> 01:12:27,240
Speaker 1: you know what's funny? Like I had so much bread

1702
01:12:27,479 --> 01:12:29,719
Speaker 1: and like a whole bulls a whole bull of hellad.

1703
01:12:30,120 --> 01:12:33,320
Speaker 1: And usually it's like, what's so great about soup salad? Breadsticks?

1704
01:12:33,360 --> 01:12:33,799
Speaker 2: Un limited?

1705
01:12:33,920 --> 01:12:37,479
Speaker 1: Is the soup? Because I'm a souper queen, Like I

1706
01:12:37,520 --> 01:12:40,240
Speaker 1: love soup, but it gets so amazing. I think it's

1707
01:12:40,240 --> 01:12:43,439
Speaker 1: one of the great inventions. Well, Bowen likes more stew

1708
01:12:42,800 --> 01:12:44,080
Speaker 1: I I love.

1709
01:12:44,960 --> 01:12:48,479
Speaker 4: He can tell you about it, Okay, he loves STUWT. Yeah,

1710
01:12:48,640 --> 01:12:50,160
Speaker 4: stu is just soup with something to say.

1711
01:12:50,800 --> 01:12:54,479
Speaker 1: You know, that's real culture. Woman numbers are again twenty

1712
01:12:54,520 --> 01:12:58,599
Speaker 1: five something to say amazing.

1713
01:12:58,600 --> 01:13:01,920
Speaker 4: Wow. Yeah, so your merch should say soup queen on it.

1714
01:13:02,160 --> 01:13:06,040
Speaker 4: I mean and it already and it already changes. I'm

1715
01:13:06,080 --> 01:13:06,519
Speaker 4: changing it.

1716
01:13:06,680 --> 01:13:08,400
Speaker 1: We had what was it? We've came up with a

1717
01:13:08,439 --> 01:13:10,599
Speaker 1: good merch that they don't talk to me on vulnerable

1718
01:13:10,720 --> 01:13:13,519
Speaker 1: or something. Oh, I remember that. That's great. We're coming

1719
01:13:13,600 --> 01:13:15,519
Speaker 1: up with good merch all the time. And we never

1720
01:13:16,040 --> 01:13:17,280
Speaker 1: heard I.

1721
01:13:17,280 --> 01:13:18,879
Speaker 4: Would wear don't talk to me vulnerable?

1722
01:13:19,439 --> 01:13:21,479
Speaker 1: So fast? You fast?

1723
01:13:21,520 --> 01:13:22,240
Speaker 2: You'd wear it? Well.

1724
01:13:22,400 --> 01:13:26,280
Speaker 5: My younger sibling made me a sweatshirt once that maybe

1725
01:13:26,280 --> 01:13:28,840
Speaker 5: it was something they said, maybe something I said that

1726
01:13:29,000 --> 01:13:32,679
Speaker 5: said like I'm great but unavailable. Wow.

1727
01:13:33,200 --> 01:13:35,400
Speaker 2: Yeah, but yeah, that's good.

1728
01:13:35,640 --> 01:13:39,920
Speaker 1: It text for later but also says what's yes, stay away? Yes,

1729
01:13:40,200 --> 01:13:42,519
Speaker 1: Oh I love it? Bonyang, you're ready for I don't

1730
01:13:42,520 --> 01:13:46,479
Speaker 1: think honey ready? Okay, this is bowen yang and he

1731
01:13:47,000 --> 01:13:49,360
Speaker 1: is going to do I don't think so honey, starting.

1732
01:13:49,080 --> 01:13:50,559
Speaker 3: Now, I don't think so honey. In New York Times

1733
01:13:50,640 --> 01:13:53,160
Speaker 3: is thirty six questions to fall in love. Guess what

1734
01:13:53,360 --> 01:13:57,080
Speaker 3: they don't work? Okay, I've fallen out of love with

1735
01:13:57,120 --> 01:14:00,360
Speaker 3: individuals because they went through the whole fucking charae of

1736
01:14:00,400 --> 01:14:03,599
Speaker 3: like looking into my eyes reading off these questions. One

1737
01:14:03,640 --> 01:14:06,080
Speaker 3: of them is if you had the choice to be

1738
01:14:06,200 --> 01:14:09,040
Speaker 3: ninety years old and have either the mind or body

1739
01:14:09,080 --> 01:14:11,000
Speaker 3: of a thirty year old? Which one would it be?

1740
01:14:11,479 --> 01:14:13,840
Speaker 3: I don't care how you answer that. I'm not gonna

1741
01:14:13,960 --> 01:14:16,679
Speaker 3: like the answer. No, that's a weird fucking question.

1742
01:14:16,800 --> 01:14:17,599
Speaker 1: New York Times.

1743
01:14:17,640 --> 01:14:21,920
Speaker 3: Hey, how about ray lady, how about you try to

1744
01:14:21,920 --> 01:14:24,639
Speaker 3: put strands on the games app? How about you get

1745
01:14:24,680 --> 01:14:27,880
Speaker 3: the editor of Connections to make some fucking sense for once?

1746
01:14:28,479 --> 01:14:30,479
Speaker 3: How about you make spelling me not have a Q

1747
01:14:30,720 --> 01:14:34,640
Speaker 3: in it on a Monday. It's really up, New York Times.

1748
01:14:34,920 --> 01:14:38,599
Speaker 3: I could begin to list off the gripes I have,

1749
01:14:38,720 --> 01:14:40,960
Speaker 3: but let's start with the thirty six questions to fall

1750
01:14:40,960 --> 01:14:44,120
Speaker 3: in love, because you are ruining a lot of potentially

1751
01:14:44,280 --> 01:14:47,560
Speaker 3: mid dates and making them intolerable.

1752
01:14:47,680 --> 01:14:51,320
Speaker 1: And that is one minute you get.

1753
01:14:52,479 --> 01:14:54,679
Speaker 5: I will say that question that you talked about, that's

1754
01:14:54,680 --> 01:14:56,000
Speaker 5: the easiest question to answer.

1755
01:14:56,160 --> 01:14:57,719
Speaker 4: Body body, Yeah, who.

1756
01:14:59,560 --> 01:15:01,640
Speaker 1: He doesn't I get that you said that. No, No,

1757
01:15:01,960 --> 01:15:07,280
Speaker 1: it's not that I don't know. It's not either way.

1758
01:15:07,439 --> 01:15:08,720
Speaker 4: You hate that I bought into it at all.

1759
01:15:08,800 --> 01:15:10,320
Speaker 2: I've fallen out of love with your tail.

1760
01:15:10,760 --> 01:15:13,680
Speaker 1: Yeah, but can I tell you something. It's about starting conversations.

1761
01:15:14,160 --> 01:15:17,720
Speaker 1: It's not about being definitive. It's about starting conversations. Like

1762
01:15:18,560 --> 01:15:23,559
Speaker 1: you ever played this or that. Yeah, it's a conversation starter. Yeah,

1763
01:15:23,600 --> 01:15:26,360
Speaker 1: I'm really that's just this or that. It's just in

1764
01:15:26,400 --> 01:15:27,760
Speaker 1: the paper of note right.

1765
01:15:27,880 --> 01:15:29,840
Speaker 3: Well, one of them is like sum up your whole

1766
01:15:29,840 --> 01:15:32,400
Speaker 3: life story in four minutes. You're like, this is so

1767
01:15:32,439 --> 01:15:35,960
Speaker 3: sweaty h so like okay, Like it is someone being like,

1768
01:15:36,439 --> 01:15:41,120
Speaker 3: let me be fucking charming towards you, and you're like stop, okay, but.

1769
01:15:41,080 --> 01:15:43,679
Speaker 5: Can I just say those questions are not for people

1770
01:15:43,680 --> 01:15:46,439
Speaker 5: with podcasts, you know what I mean? Like, those are

1771
01:15:46,520 --> 01:15:50,000
Speaker 5: for regular people, and the fact that you're even trying

1772
01:15:50,080 --> 01:15:54,320
Speaker 5: to pass judgment on it is not okay. Those questions

1773
01:15:54,320 --> 01:15:56,240
Speaker 5: are for people who are not interesting on their own

1774
01:15:56,360 --> 01:16:03,719
Speaker 5: and they need a template date God right, I'm just look,

1775
01:16:03,920 --> 01:16:06,640
Speaker 5: you probably have questions that you want to ask everybody

1776
01:16:06,800 --> 01:16:11,320
Speaker 5: because you're an interesting, talented person, eldest daughter.

1777
01:16:11,439 --> 01:16:12,080
Speaker 4: That's what I'm saying.

1778
01:16:12,120 --> 01:16:13,160
Speaker 2: You're made of this stuff.

1779
01:16:13,280 --> 01:16:15,439
Speaker 5: Yeah, but people have you like That's why I can't

1780
01:16:15,439 --> 01:16:18,360
Speaker 5: watch dating reality shows. I'm like, I don't want to

1781
01:16:18,479 --> 01:16:23,280
Speaker 5: watch regular people struggle to know each other with another.

1782
01:16:24,360 --> 01:16:27,800
Speaker 5: The barrier like a literal barrier. I watch Love is

1783
01:16:27,840 --> 01:16:30,559
Speaker 5: Blind a literal barrier, making it even harder for you

1784
01:16:30,640 --> 01:16:31,160
Speaker 5: to connect.

1785
01:16:31,479 --> 01:16:32,960
Speaker 4: It is painful to watch.

1786
01:16:33,160 --> 01:16:36,000
Speaker 1: The Bachelor is the toughest for me because it's like

1787
01:16:36,160 --> 01:16:43,360
Speaker 1: people who socialize at a certain level, Like it's just

1788
01:16:43,479 --> 01:16:46,160
Speaker 1: kind of like and I want to think it's funny,

1789
01:16:46,200 --> 01:16:48,439
Speaker 1: but I really ultimately just think it's boring.

1790
01:16:48,680 --> 01:16:53,800
Speaker 5: Yeah, yeah, I just I can't pretend to be Like

1791
01:16:54,479 --> 01:16:56,880
Speaker 5: when two people are like you want kids, I want

1792
01:16:56,960 --> 01:17:02,320
Speaker 5: kideah exactly, both want to that's crazy, yeah, and then

1793
01:17:02,320 --> 01:17:04,880
Speaker 5: everyone's fighting over the same guy because they want to kids.

1794
01:17:04,880 --> 01:17:08,280
Speaker 1: Like it just well, it all boils down to I

1795
01:17:08,320 --> 01:17:11,200
Speaker 1: saw this person and was the horniest for them. Yeah,

1796
01:17:11,280 --> 01:17:14,080
Speaker 1: they are the one who wins, because guess what, nothing

1797
01:17:14,160 --> 01:17:17,519
Speaker 1: really changes in two months. You're still in a manic period, right.

1798
01:17:18,439 --> 01:17:21,240
Speaker 1: It really is just like many of the show. It's

1799
01:17:21,280 --> 01:17:24,720
Speaker 1: like we're gonna put people in an insane situation with

1800
01:17:24,760 --> 01:17:29,040
Speaker 1: a camera in their face and ask them to perform constantly,

1801
01:17:29,360 --> 01:17:32,200
Speaker 1: and it's just like, of course nothing works, get.

1802
01:17:32,000 --> 01:17:37,800
Speaker 4: Them drunk, take their phone. It's it's literally a it's

1803
01:17:37,880 --> 01:17:40,840
Speaker 4: literally a manic episode, and no one knows that because

1804
01:17:40,840 --> 01:17:42,799
Speaker 4: we're watching it like weeks apart.

1805
01:17:42,880 --> 01:17:45,120
Speaker 1: But like these people are cooped up for like two

1806
01:17:45,120 --> 01:17:47,479
Speaker 1: and a half months, only talking to each other and

1807
01:17:47,479 --> 01:17:49,639
Speaker 1: then guess what. The friends they make one day are

1808
01:17:49,680 --> 01:17:52,759
Speaker 1: just gone. Yes, Like Eric goes to talk to Rachel,

1809
01:17:53,080 --> 01:17:55,720
Speaker 1: he doesn't come back and we've been hanging out for

1810
01:17:55,760 --> 01:17:56,679
Speaker 1: two and a half months.

1811
01:17:56,720 --> 01:17:58,840
Speaker 4: Oh, you're lying to your family? Where are you? Like?

1812
01:17:59,080 --> 01:17:59,240
Speaker 1: Oh?

1813
01:17:59,280 --> 01:18:00,679
Speaker 4: When they come out and they're.

1814
01:18:00,439 --> 01:18:02,680
Speaker 5: Like, I'm engaged and they're like you said you were

1815
01:18:02,680 --> 01:18:03,960
Speaker 5: doing like a sleep study.

1816
01:18:04,640 --> 01:18:06,080
Speaker 4: What do they tell their loved one?

1817
01:18:06,120 --> 01:18:09,280
Speaker 1: What if something happens, like, hey, hey is this missus Eric?

1818
01:18:09,439 --> 01:18:09,639
Speaker 4: Yeah?

1819
01:18:09,920 --> 01:18:11,720
Speaker 1: Eric fell off a boat in Copenhagen.

1820
01:18:12,080 --> 01:18:12,599
Speaker 2: Can you come?

1821
01:18:12,840 --> 01:18:15,240
Speaker 1: I d the body? Oh dead by the way, Yeah,

1822
01:18:15,320 --> 01:18:17,880
Speaker 1: you don't really survive that kind of thing, no matter

1823
01:18:17,960 --> 01:18:18,559
Speaker 1: where it is.

1824
01:18:19,760 --> 01:18:21,920
Speaker 2: We does ted know about this that you're not a

1825
01:18:21,920 --> 01:18:22,679
Speaker 2: love is blind man?

1826
01:18:22,720 --> 01:18:24,040
Speaker 4: We're no, no, no, I am.

1827
01:18:24,240 --> 01:18:26,360
Speaker 5: I am the only one I've watched. That's the only

1828
01:18:26,360 --> 01:18:28,000
Speaker 5: one I've watched. That is what I'm saying.

1829
01:18:28,080 --> 01:18:31,200
Speaker 1: Yeah, I don't, don't.

1830
01:18:31,680 --> 01:18:33,000
Speaker 3: I had I had a lot with his mind. As

1831
01:18:33,000 --> 01:18:34,840
Speaker 3: I've talked about it in this podcast. I'm like, I can't,

1832
01:18:35,200 --> 01:18:36,080
Speaker 3: I can't stick with it.

1833
01:18:36,120 --> 01:18:38,240
Speaker 5: I can't watch any dating show. I cannot watch. That's

1834
01:18:38,280 --> 01:18:40,280
Speaker 5: the Yeah, I did.

1835
01:18:40,160 --> 01:18:42,920
Speaker 1: Watch like the Social Dilemma. Reality shows like the Circle

1836
01:18:42,960 --> 01:18:43,559
Speaker 1: and stuff, or.

1837
01:18:43,600 --> 01:18:44,280
Speaker 4: No, I don't watch this.

1838
01:18:44,360 --> 01:18:47,200
Speaker 5: I did watch the Ultimatum, which was insane.

1839
01:18:47,280 --> 01:18:50,080
Speaker 1: The Ultimatum was crazy all the way through. Yeah.

1840
01:18:50,120 --> 01:18:52,200
Speaker 5: So I've seen the one season of the Ultimatum, and

1841
01:18:52,240 --> 01:18:54,519
Speaker 5: I've seen I think two seasons of Love.

1842
01:18:55,400 --> 01:18:55,680
Speaker 2: Gave it.

1843
01:18:56,120 --> 01:18:57,280
Speaker 1: I gave it a fair shot.

1844
01:18:57,520 --> 01:18:59,160
Speaker 2: Yeah, yeah, he did it.

1845
01:18:59,280 --> 01:19:01,719
Speaker 1: I did it. I mean seeing two seasons of anything,

1846
01:19:01,960 --> 01:19:03,320
Speaker 1: I can say I watched something.

1847
01:19:03,360 --> 01:19:05,040
Speaker 2: If I watch four episodes.

1848
01:19:04,600 --> 01:19:07,160
Speaker 1: Of it, Oh yeah, then I then I consider myself

1849
01:19:07,160 --> 01:19:09,320
Speaker 1: a fan and an authority. Yeah, and I come on

1850
01:19:09,439 --> 01:19:11,439
Speaker 1: here and I say, here's the definitive word on this thing.

1851
01:19:11,479 --> 01:19:14,160
Speaker 1: I've seen an eighth of people, and people listen.

1852
01:19:14,200 --> 01:19:16,160
Speaker 5: And then if something is popular enough, do you watch

1853
01:19:16,200 --> 01:19:17,519
Speaker 5: four episodes of it just to be a part of

1854
01:19:17,520 --> 01:19:18,120
Speaker 5: the conversation.

1855
01:19:18,200 --> 01:19:20,880
Speaker 1: Yeah, four seems reasonable unless watching it's gonna be a

1856
01:19:20,960 --> 01:19:23,200
Speaker 1: miserable experience for me. Unless the genre I don't do

1857
01:19:23,280 --> 01:19:26,400
Speaker 1: scary and I don't do like graphic. Right, Okay, I'm

1858
01:19:26,400 --> 01:19:27,120
Speaker 1: good with anything.

1859
01:19:27,240 --> 01:19:29,720
Speaker 5: When people come on SNL and HOST, I feel like

1860
01:19:29,720 --> 01:19:30,719
Speaker 5: you have to watch their.

1861
01:19:30,640 --> 01:19:33,960
Speaker 3: Stuff, not as much anymore, because now I'm gonna peel

1862
01:19:34,000 --> 01:19:36,439
Speaker 3: back the curtain. Lauren doesn't like when they promote the

1863
01:19:36,479 --> 01:19:39,120
Speaker 3: thing too much. Oh interesting, So it's like, oh, there's

1864
01:19:39,160 --> 01:19:42,280
Speaker 3: there might not be a sketch about their project, right,

1865
01:19:42,360 --> 01:19:45,519
Speaker 3: which unless it's cultural, unless it's like Eyston, like I'm

1866
01:19:45,600 --> 01:19:46,519
Speaker 3: sure Gosling can do it.

1867
01:19:46,560 --> 01:19:48,519
Speaker 1: I'm just kind of You think you're gonna shoot your

1868
01:19:48,560 --> 01:19:50,040
Speaker 1: shot on a Challenger sketch this week?

1869
01:19:50,720 --> 01:19:55,040
Speaker 2: Oh? Sure, something with the score, something with the score that, sir.

1870
01:19:55,240 --> 01:19:56,760
Speaker 4: I don't know how you're gonna make that funny, because

1871
01:19:56,800 --> 01:19:57,679
Speaker 4: the score was perfect.

1872
01:19:57,720 --> 01:19:58,280
Speaker 1: It's perfect.

1873
01:19:58,439 --> 01:20:00,760
Speaker 2: Yeah, I mean, I mean, I am I thinking I'm

1874
01:20:00,800 --> 01:20:01,599
Speaker 2: thinking of a sketch.

1875
01:20:01,840 --> 01:20:04,880
Speaker 1: Okay, I can't say what it is because Bowen says

1876
01:20:04,880 --> 01:20:06,680
Speaker 1: if I ever picture my sketch, they can't use it,

1877
01:20:06,920 --> 01:20:12,800
Speaker 1: and I actually will likely I could sue. I could sue.

1878
01:20:12,880 --> 01:20:18,400
Speaker 1: I'm veryious. Speaking of being on the edge, it's your

1879
01:20:18,439 --> 01:20:20,880
Speaker 1: turn to do. I'm so scared. Okay, don't don't be

1880
01:20:21,000 --> 01:20:23,320
Speaker 1: all right, this is Taylor Tomlinson' I don't think so, honey.

1881
01:20:23,320 --> 01:20:24,200
Speaker 1: Her time starts now.

1882
01:20:24,760 --> 01:20:25,639
Speaker 4: I don't think so, honey.

1883
01:20:25,680 --> 01:20:30,080
Speaker 5: People who skip the museum gift shop, Oh I'm sorry.

1884
01:20:30,320 --> 01:20:32,880
Speaker 5: You go to one one museum and on the way

1885
01:20:32,920 --> 01:20:34,320
Speaker 5: out you're like, oh what I forgot?

1886
01:20:34,320 --> 01:20:36,160
Speaker 4: That was here, I start with the museum.

1887
01:20:37,080 --> 01:20:39,240
Speaker 5: How else are you supposed to know what to pay

1888
01:20:39,280 --> 01:20:42,320
Speaker 5: attention to once you're in the museum. Okay, I don't

1889
01:20:42,320 --> 01:20:44,679
Speaker 5: want to look like a fucking idiot standing in front

1890
01:20:44,720 --> 01:20:48,320
Speaker 5: of an unimportant piece of art too long. I'm getting

1891
01:20:48,360 --> 01:20:50,880
Speaker 5: teary eyed in front of a painting of a field going,

1892
01:20:51,080 --> 01:20:53,480
Speaker 5: oh my god, what's this one called landscape?

1893
01:20:53,520 --> 01:20:53,680
Speaker 1: By?

1894
01:20:53,680 --> 01:20:57,160
Speaker 5: Who the fuck know? What made the magnets? What made

1895
01:20:57,200 --> 01:20:59,439
Speaker 5: the postcards? What can I take home with me? You

1896
01:20:59,479 --> 01:21:01,839
Speaker 5: think it's in you to buy something from a museum

1897
01:21:01,840 --> 01:21:05,519
Speaker 5: gift shop. You think you're better than a starry Night umbrella?

1898
01:21:05,840 --> 01:21:06,640
Speaker 4: You're fucking not.

1899
01:21:07,240 --> 01:21:09,920
Speaker 5: I want to remember the time I saw the Scream

1900
01:21:10,000 --> 01:21:13,320
Speaker 5: in person and was like, Wow, I'm doing something.

1901
01:21:13,439 --> 01:21:15,920
Speaker 4: Yeh, fucking culture. Yes, I want to bring it home

1902
01:21:15,960 --> 01:21:16,120
Speaker 4: with me.

1903
01:21:16,160 --> 01:21:18,519
Speaker 5: I want to put it on my refrigerator, bare minimum,

1904
01:21:18,600 --> 01:21:20,759
Speaker 5: use it as a bookmark in a book I started

1905
01:21:20,760 --> 01:21:22,880
Speaker 5: and didn't finish. I don't think so, honey, you were

1906
01:21:22,880 --> 01:21:24,360
Speaker 5: not better than the museum gift shop.

1907
01:21:24,439 --> 01:21:26,880
Speaker 1: And that is one minute. Also, if you don't go

1908
01:21:26,920 --> 01:21:29,439
Speaker 1: to the museum gift shop and get something, how are

1909
01:21:29,439 --> 01:21:32,200
Speaker 1: you gonna have too many shirts? Yes? How are you

1910
01:21:32,240 --> 01:21:34,320
Speaker 1: gonna have too many shirts if you didn't buy one

1911
01:21:34,320 --> 01:21:37,400
Speaker 1: at the museum. And it's important to have too many. Yes.

1912
01:21:37,439 --> 01:21:39,080
Speaker 5: The only other way you could have too many shirts

1913
01:21:39,080 --> 01:21:40,519
Speaker 5: is if you start doing stand up and you get

1914
01:21:40,520 --> 01:21:40,960
Speaker 5: one from.

1915
01:21:40,800 --> 01:21:42,200
Speaker 4: Every club you've ever performed.

1916
01:21:42,240 --> 01:21:44,240
Speaker 1: And that's the only other way, and that takes years.

1917
01:21:44,439 --> 01:21:45,920
Speaker 1: But if you're not a stand up and then what

1918
01:21:45,960 --> 01:21:47,599
Speaker 1: are you gonna put on your coffee tables?

1919
01:21:47,760 --> 01:21:49,559
Speaker 2: Go to the museum gift shop to buy the book?

1920
01:21:49,640 --> 01:21:50,760
Speaker 4: Grow the fuck up?

1921
01:21:50,920 --> 01:21:54,320
Speaker 1: Where was it that we went in Berlin? We we

1922
01:21:54,360 --> 01:21:56,360
Speaker 1: went to that museum in Berlin. Remember we didn't go

1923
01:21:56,360 --> 01:21:57,920
Speaker 1: to a museum. Oh, we went to a Berlin museum.

1924
01:21:57,920 --> 01:21:59,400
Speaker 1: I forgot what it's called. But and answer them. We

1925
01:21:59,400 --> 01:22:01,120
Speaker 1: went to the rex mus which, oh yeah, I love,

1926
01:22:01,320 --> 01:22:03,400
Speaker 1: and there is that I bought my yellow shirt that

1927
01:22:03,439 --> 01:22:06,920
Speaker 1: I've never worn, you've ever worn. I wouldn't have it

1928
01:22:07,360 --> 01:22:07,920
Speaker 1: taking up.

1929
01:22:07,840 --> 01:22:09,880
Speaker 4: Space if I hadn't gone to the gift shop. And

1930
01:22:09,920 --> 01:22:12,479
Speaker 4: that's important. Yes, I need to see what is the

1931
01:22:12,560 --> 01:22:15,840
Speaker 4: jigsaw huzzle? Yeah, and then I'm gonna be like I

1932
01:22:15,960 --> 01:22:18,320
Speaker 4: know to go to that. Yes, stairs, you'll miss the

1933
01:22:18,400 --> 01:22:19,719
Speaker 4: room if it's too big.

1934
01:22:20,439 --> 01:22:22,519
Speaker 5: The best museum I've ever been to is an Oslo

1935
01:22:22,840 --> 01:22:25,960
Speaker 5: in Norway and it's I can't pronounce it, but it's

1936
01:22:26,040 --> 01:22:28,360
Speaker 5: so good and there's so many different types of things

1937
01:22:28,400 --> 01:22:30,800
Speaker 5: in there, and you could absolutely miss something if you're

1938
01:22:30,840 --> 01:22:32,760
Speaker 5: not careful. I went two days in a row because

1939
01:22:32,800 --> 01:22:33,360
Speaker 5: I miss stuff.

1940
01:22:34,000 --> 01:22:36,200
Speaker 3: It's so smart to start with the shop because then

1941
01:22:36,200 --> 01:22:38,639
Speaker 3: you've kind of outsmarted the layout in the floor plant,

1942
01:22:38,680 --> 01:22:40,200
Speaker 3: you know what I mean, like the traffic pattern. You're like,

1943
01:22:40,360 --> 01:22:42,599
Speaker 3: let me start where they don't want me to go first.

1944
01:22:42,760 --> 01:22:43,000
Speaker 1: Yeah.

1945
01:22:43,000 --> 01:22:44,800
Speaker 5: I was talking to my sibling about this last night

1946
01:22:44,840 --> 01:22:47,320
Speaker 5: and they go, it's like reading the study questions before

1947
01:22:47,320 --> 01:22:48,080
Speaker 5: you read the chapter.

1948
01:22:48,520 --> 01:22:51,000
Speaker 1: Yes, so you know what it is. You know what

1949
01:22:51,080 --> 01:22:53,400
Speaker 1: always gets me? This is sort of my museum is

1950
01:22:53,439 --> 01:22:57,080
Speaker 1: a theme park. Yes, I get a mug, a coffee

1951
01:22:57,120 --> 01:22:58,639
Speaker 1: mug from every riode.

1952
01:22:58,680 --> 01:23:00,800
Speaker 4: I like, yeah, if I had a good time.

1953
01:23:00,760 --> 01:23:03,080
Speaker 1: If I had an amazing time, which I often do,

1954
01:23:03,240 --> 01:23:05,160
Speaker 1: especially with so we went. We do it on the

1955
01:23:05,200 --> 01:23:07,920
Speaker 1: Jurassic Park right a long time ago. So one of

1956
01:23:07,960 --> 01:23:11,280
Speaker 1: my favorite mugs I have and I wouldn't have it

1957
01:23:11,600 --> 01:23:12,760
Speaker 1: if I had it bought it.

1958
01:23:13,320 --> 01:23:15,000
Speaker 4: Yes, that's exactly.

1959
01:23:15,320 --> 01:23:17,640
Speaker 1: It's actually a really coaching number eight. I wouldn't have

1960
01:23:17,800 --> 01:23:20,879
Speaker 1: it if I hadn't bought it. This is an important

1961
01:23:20,880 --> 01:23:24,479
Speaker 1: part culture. It's a capitalism consumer you know, like, this

1962
01:23:24,520 --> 01:23:25,679
Speaker 1: is what this is all about.

1963
01:23:25,840 --> 01:23:28,080
Speaker 5: I love that you two love theme parks because that's

1964
01:23:28,120 --> 01:23:30,080
Speaker 5: another thing that people act like they're too good for.

1965
01:23:30,200 --> 01:23:33,920
Speaker 4: No, give me a theme parks are so fun. They

1966
01:23:33,920 --> 01:23:37,280
Speaker 4: were built for your imagination, dear steps.

1967
01:23:36,920 --> 01:23:42,080
Speaker 1: In every day I watch YouTube videos about the construction

1968
01:23:42,600 --> 01:23:45,200
Speaker 1: of Epic Universe, which is the new theme park that

1969
01:23:45,280 --> 01:23:48,240
Speaker 1: is going to double the size of the Universal Orlando

1970
01:23:48,280 --> 01:23:51,439
Speaker 1: Resort and truly start the theme park war in Orlando

1971
01:23:51,960 --> 01:23:53,760
Speaker 1: or will it finish it.

1972
01:23:53,760 --> 01:23:55,000
Speaker 4: It's a totally separate theme park.

1973
01:23:55,040 --> 01:23:57,240
Speaker 1: It is a totally separate theme park. I'm going to

1974
01:23:57,280 --> 01:23:59,760
Speaker 1: send you some links. Please do it too, because let

1975
01:23:59,800 --> 01:24:03,439
Speaker 1: me something They are not playing not playing?

1976
01:24:03,800 --> 01:24:05,960
Speaker 2: Do you like the movie had Finger Dragon.

1977
01:24:06,760 --> 01:24:09,280
Speaker 4: Stop talk about a score?

1978
01:24:10,240 --> 01:24:11,960
Speaker 1: Yes, you spoke of Harry Potter earlier.

1979
01:24:12,320 --> 01:24:12,880
Speaker 2: You're in luck.

1980
01:24:12,920 --> 01:24:14,200
Speaker 4: They're they're doing a Harry Potter.

1981
01:24:14,360 --> 01:24:16,559
Speaker 1: Yes they are, and it might be called Battle at

1982
01:24:16,560 --> 01:24:19,400
Speaker 1: the Ministry of Magic, and the villain might be Dolores

1983
01:24:19,479 --> 01:24:24,479
Speaker 1: Umbradge herself reprised by Emelda Staunton. Okay, there is new

1984
01:24:24,520 --> 01:24:26,439
Speaker 1: technology they have not yet revealed that will make the

1985
01:24:26,479 --> 01:24:31,360
Speaker 1: attraction unforgettable. Then there's a dark universe which is gonna

1986
01:24:31,400 --> 01:24:35,800
Speaker 1: have all the universal classic monsters, Oh my god. And

1987
01:24:35,840 --> 01:24:39,400
Speaker 1: finally Super Nintendo World. We're gonna ride Mario Kart.

1988
01:24:39,600 --> 01:24:42,160
Speaker 4: You're end World at Hollywood.

1989
01:24:42,240 --> 01:24:42,960
Speaker 1: Have you been yet?

1990
01:24:43,240 --> 01:24:44,400
Speaker 4: I'm not a Nintendo World.

1991
01:24:44,640 --> 01:24:46,960
Speaker 1: You gotta take the whole team, take the do it.

1992
01:24:47,120 --> 01:24:48,320
Speaker 1: You gotta take the whole team.

1993
01:24:48,400 --> 01:24:48,479
Speaker 4: You.

1994
01:24:49,080 --> 01:24:51,160
Speaker 1: I would love to see Joe. Joe has been.

1995
01:24:51,400 --> 01:24:55,320
Speaker 3: Joe has taken her niece, nephew, one of her relatives

1996
01:24:55,360 --> 01:24:56,960
Speaker 3: to that park and has a lot of things. Does

1997
01:24:57,040 --> 01:25:00,880
Speaker 3: Joe like the part re roller coaster?

1998
01:25:01,560 --> 01:25:04,799
Speaker 1: This is a metaphor for friendship, so it doesn't it's healing.

1999
01:25:05,439 --> 01:25:07,880
Speaker 1: But that's two people on the ride together and they're

2000
01:25:07,880 --> 01:25:09,439
Speaker 1: going over the till and zero gravity.

2001
01:25:10,240 --> 01:25:11,320
Speaker 2: That makes me happy.

2002
01:25:11,680 --> 01:25:13,840
Speaker 1: It's got the circle. You can tell that's fresh. It's

2003
01:25:13,880 --> 01:25:16,760
Speaker 1: fresh fresh. Yeah, she's got her second skin on. But

2004
01:25:17,080 --> 01:25:19,280
Speaker 1: what's this joke that you have. It's like recycling a

2005
01:25:19,320 --> 01:25:20,680
Speaker 1: theme park. You're part of the problem. You're part of

2006
01:25:20,680 --> 01:25:23,479
Speaker 1: the problem. Throw your hands up, three hands up, being.

2007
01:25:23,280 --> 01:25:30,280
Speaker 5: Like offended at a comedy show.

2008
01:25:28,800 --> 01:25:29,479
Speaker 2: Trying to recycle.

2009
01:25:30,479 --> 01:25:32,679
Speaker 1: Yeah, you're you're here, You're you're part of the problem. Yeah,

2010
01:25:32,840 --> 01:25:34,080
Speaker 1: just throw your hands up, so.

2011
01:25:34,120 --> 01:25:35,599
Speaker 2: Good, throw your hands up.

2012
01:25:35,640 --> 01:25:36,240
Speaker 1: Title of app.

2013
01:25:36,320 --> 01:25:36,800
Speaker 2: Title of app.

2014
01:25:36,840 --> 01:25:38,640
Speaker 1: Three hands up and we throw our hands up for

2015
01:25:38,680 --> 01:25:40,680
Speaker 1: Taylor Tom we throw our hands up and clap them

2016
01:25:40,680 --> 01:25:43,320
Speaker 1: in the air. Wow, this was so fun. Thank you

2017
01:25:43,320 --> 01:25:47,519
Speaker 1: so much for having you. Came honored so much. Like

2018
01:25:47,560 --> 01:25:49,640
Speaker 1: I said, one of the first things I saw you

2019
01:25:49,680 --> 01:25:51,880
Speaker 1: when we met for the show was like, it's not

2020
01:25:51,920 --> 01:25:53,599
Speaker 1: a surprise to me at all to see you continue

2021
01:25:53,600 --> 01:25:55,639
Speaker 1: to be so great and do so well. So star

2022
01:25:55,800 --> 01:25:59,240
Speaker 1: Star Star watch after Midnight and we end every episode

2023
01:25:59,240 --> 01:26:01,280
Speaker 1: with the song to Midnight.

2024
01:26:06,120 --> 01:26:07,599
Speaker 2: Sorry do you know has a song?

2025
01:26:09,600 --> 01:26:12,519
Speaker 5: I think we used her song and our trailers for

2026
01:26:12,560 --> 01:26:14,720
Speaker 5: the show. I think it was just so perfect, Yeah,

2027
01:26:14,800 --> 01:26:16,080
Speaker 5: so good, so amazed.

2028
01:26:16,080 --> 01:26:17,559
Speaker 2: You should play it right before the show. But I

2029
01:26:17,560 --> 01:26:17,760
Speaker 2: know you.

2030
01:26:18,160 --> 01:26:22,519
Speaker 5: I asked our amazing Percy incredible on. I was gonna say,

2031
01:26:22,640 --> 01:26:28,439
Speaker 5: he's PERSI amazing great come to the show for Percy.

2032
01:26:28,560 --> 01:26:31,479
Speaker 1: He doesn't me, doesn't he dances?

2033
01:26:31,680 --> 01:26:35,559
Speaker 4: He did like knows the Beyonce single Ladies Dance.

2034
01:26:35,439 --> 01:26:37,040
Speaker 1: Like he does it all and then he's like, Matt,

2035
01:26:37,080 --> 01:26:38,720
Speaker 1: come on and do it. And I would never do that.

2036
01:26:39,040 --> 01:26:40,960
Speaker 1: He did got me to do it and I didn't.

2037
01:26:41,000 --> 01:26:42,960
Speaker 1: I didn't know it, but he got me to commit,

2038
01:26:43,000 --> 01:26:44,559
Speaker 1: which is the power of person, which is the.

2039
01:26:44,479 --> 01:26:45,320
Speaker 4: Power of Percy.

2040
01:26:45,520 --> 01:26:48,080
Speaker 5: I asked him to put hot to go on the list.

2041
01:26:48,080 --> 01:26:49,479
Speaker 5: Happy and when people know the.

2042
01:26:49,479 --> 01:26:52,080
Speaker 4: Dance, it's really fun. But you do have to wait

2043
01:26:52,120 --> 01:26:53,400
Speaker 4: a while for the dance to kick it.

2044
01:26:53,640 --> 01:26:54,880
Speaker 5: So I think I need to tell him the time

2045
01:26:54,960 --> 01:26:57,240
Speaker 5: stamp on it because sometimes people get because he has

2046
01:26:57,360 --> 01:26:59,600
Speaker 5: audience members come up and dance on commercial.

2047
01:26:59,280 --> 01:27:01,960
Speaker 1: Brands, and some of them know how to go the dance. Yes,

2048
01:27:02,080 --> 01:27:04,840
Speaker 1: Chapel is taking off. Man, Oh my god, she's so

2049
01:27:05,160 --> 01:27:09,559
Speaker 1: good travel Come on the show girl, She'd love the show.

2050
01:27:09,600 --> 01:27:11,400
Speaker 1: I feel I feel like she well, she knows of

2051
01:27:11,400 --> 01:27:13,160
Speaker 1: the show because she won Album of the Year last

2052
01:27:13,200 --> 01:27:14,840
Speaker 1: year before her album even came out, and at the

2053
01:27:14,920 --> 01:27:17,519
Speaker 1: Cultural Awards. Amazing, she said in a video, thanking us

2054
01:27:17,560 --> 01:27:19,479
Speaker 1: and watch the Space Chapel. You maybe racking up some

2055
01:27:19,520 --> 01:27:20,920
Speaker 1: numbs of this year's Cultural Awards.

2056
01:27:22,680 --> 01:27:23,320
Speaker 5: Bye bye,