1 00:00:00,600 --> 00:00:03,960 Speaker 1: It's Little Big Town on the Boy Cast all right 2 00:00:04,000 --> 00:00:07,120 Speaker 1: from We're gonna talk with Philip here, he's the final 3 00:00:07,160 --> 00:00:08,799 Speaker 1: member of a Little Big Town. All this week we've 4 00:00:08,800 --> 00:00:12,920 Speaker 1: been individually letting them share their stories about how a 5 00:00:12,920 --> 00:00:15,840 Speaker 1: little big town came together, but also their individual stories 6 00:00:16,160 --> 00:00:17,800 Speaker 1: about how they got to a point even being a 7 00:00:17,800 --> 00:00:22,239 Speaker 1: little big town. So this Philip, sweet Philip. He's blonde, 8 00:00:22,280 --> 00:00:25,640 Speaker 1: but he's a dude. Obviously a Philip blonde woman would 9 00:00:25,640 --> 00:00:28,120 Speaker 1: be kind of weird. Uh. You know, he's got a 10 00:00:28,160 --> 00:00:30,200 Speaker 1: super soulful voice. Is actually the lead singer in their 11 00:00:30,200 --> 00:00:34,600 Speaker 1: new single, which is pretty cool. And so Philip talks 12 00:00:34,640 --> 00:00:36,960 Speaker 1: about growing up a food stamp kid in northern Arkansas, 13 00:00:37,080 --> 00:00:39,800 Speaker 1: going to college on a vocal scholarship, how he's running 14 00:00:39,800 --> 00:00:42,519 Speaker 1: with Conan O'Brien. Didn't go so well. I don't remember that, 15 00:00:43,440 --> 00:00:46,400 Speaker 1: is it? Yeah? I mean this is This has been 16 00:00:46,440 --> 00:00:49,080 Speaker 1: a great week because and I think at this point 17 00:00:49,120 --> 00:00:51,320 Speaker 1: we have so many episodes with so many people, even 18 00:00:51,320 --> 00:00:53,720 Speaker 1: before they got famous. This is basically a museum. This 19 00:00:53,800 --> 00:00:56,240 Speaker 1: feed is a museum of country music and a museum 20 00:00:56,240 --> 00:00:58,520 Speaker 1: of all the studios we've had throughout the years. That's true. 21 00:00:58,520 --> 00:01:00,840 Speaker 1: I moved to live I was talking to my wife 22 00:01:00,840 --> 00:01:02,200 Speaker 1: about that. She's like, you moved a lot. I said, well, 23 00:01:02,200 --> 00:01:04,080 Speaker 1: as a kid, we got kicked out of places all 24 00:01:04,080 --> 00:01:05,880 Speaker 1: the time, so I think it's just well, it feels 25 00:01:05,880 --> 00:01:07,560 Speaker 1: like it's time to move again. She's like, well, we're 26 00:01:07,560 --> 00:01:09,560 Speaker 1: not gonna do that anymore. And I was like, that's good, 27 00:01:09,600 --> 00:01:11,920 Speaker 1: but I really think that's it. I would just move. 28 00:01:12,040 --> 00:01:14,520 Speaker 1: I just moved because I'm like, oh, it doesn't feel 29 00:01:14,520 --> 00:01:16,560 Speaker 1: comfortable be in here this long. Gotta go weird. Hu's 30 00:01:16,600 --> 00:01:19,399 Speaker 1: naturally inside of me, like I'm itching right now to go, 31 00:01:20,000 --> 00:01:22,960 Speaker 1: like move somewhere else. Uh like right now as I'm 32 00:01:22,959 --> 00:01:26,040 Speaker 1: recording this, Okay, here we go. Here is Philip Sweet. 33 00:01:26,080 --> 00:01:28,360 Speaker 1: I hope you guys check out all four episodes. Learn 34 00:01:28,400 --> 00:01:29,760 Speaker 1: the whole story A Little Big Town. We love them. 35 00:01:29,760 --> 00:01:32,280 Speaker 1: They're so nice. They're also so good and that's all. 36 00:01:32,400 --> 00:01:36,360 Speaker 1: And enjoy a little big Town week on the Bobby Cast. 37 00:01:36,520 --> 00:01:40,200 Speaker 1: There's no breath there. There's episode one eight six The 38 00:01:40,240 --> 00:01:43,800 Speaker 1: Bobby Cast its Philip Sweet A Little Big Town, which 39 00:01:43,840 --> 00:01:46,240 Speaker 1: I think I'm trying to think back, but we all 40 00:01:46,240 --> 00:01:47,880 Speaker 1: a lot of It's funny how you if you live 41 00:01:47,920 --> 00:01:50,160 Speaker 1: here long enough, which I think now I've been here. 42 00:01:50,400 --> 00:01:53,960 Speaker 1: I've been here enough againstider myself part of this community. Yeah, 43 00:01:54,120 --> 00:01:57,320 Speaker 1: and I'm Timmins light No, No, you're good, You're good. 44 00:01:57,520 --> 00:01:59,800 Speaker 1: It's the traffic terrible. We schedule these things at the 45 00:01:59,800 --> 00:02:02,760 Speaker 1: word possible time. Well, it was a weird time because 46 00:02:03,760 --> 00:02:07,800 Speaker 1: because with the radio show being all day, I mean, 47 00:02:07,960 --> 00:02:09,880 Speaker 1: then I'm up there until whatever, and then I try 48 00:02:09,880 --> 00:02:11,240 Speaker 1: to get a workout in and then we try to 49 00:02:11,240 --> 00:02:14,840 Speaker 1: put this so it's not too it's it's terrible to 50 00:02:14,840 --> 00:02:16,400 Speaker 1: get over here and then come down that road out there, 51 00:02:16,960 --> 00:02:19,200 Speaker 1: like the it's traffics When I drive down this road 52 00:02:19,680 --> 00:02:22,840 Speaker 1: outside down my Arkansas homie, I'm like, we didn't expect 53 00:02:22,880 --> 00:02:26,400 Speaker 1: this that. We didn't know what to anticipate when it 54 00:02:26,480 --> 00:02:29,680 Speaker 1: was happening and it was growing as it is now, 55 00:02:30,400 --> 00:02:33,280 Speaker 1: it's incredible. We have a lot of mutual friends. I 56 00:02:33,440 --> 00:02:36,440 Speaker 1: as I was sitting here about to Um, I said, hey, 57 00:02:36,560 --> 00:02:38,680 Speaker 1: did you have Philips coming over? And so tofor hit 58 00:02:38,720 --> 00:02:43,400 Speaker 1: me up. It was like one. So Tofur is one 59 00:02:43,400 --> 00:02:45,799 Speaker 1: of my friends. And I don't have a lot of 60 00:02:45,960 --> 00:02:49,400 Speaker 1: like I would say, peers in Nashville that I hang 61 00:02:49,440 --> 00:02:51,200 Speaker 1: out with outside of work things, but Tofer is one 62 00:02:51,240 --> 00:02:53,480 Speaker 1: of my dudes. He's pretty genius. And so he's actually 63 00:02:53,520 --> 00:02:55,079 Speaker 1: working with you guys and written stuff with the new 64 00:02:55,160 --> 00:02:58,200 Speaker 1: for the new record. Huh piece and blessings? Yes? And 65 00:02:58,360 --> 00:03:01,040 Speaker 1: is he is he producing you guys that we worked 66 00:03:01,240 --> 00:03:03,680 Speaker 1: on a couple of things together that we wrote, co 67 00:03:03,800 --> 00:03:06,480 Speaker 1: wrote together, still under lock and key right now, you know, 68 00:03:07,360 --> 00:03:10,799 Speaker 1: you know, listen, I just know what I see online yet. 69 00:03:11,040 --> 00:03:12,239 Speaker 1: So he said to say, what up? And then you 70 00:03:12,280 --> 00:03:14,760 Speaker 1: know he's coming over later as Adam Bobo. What there's 71 00:03:14,919 --> 00:03:16,720 Speaker 1: a friend of mine and but it's like we we 72 00:03:16,760 --> 00:03:19,160 Speaker 1: have the same kind of stuff. I was so impressed 73 00:03:19,160 --> 00:03:21,960 Speaker 1: when Toober said I wrote some things with the guys, 74 00:03:23,400 --> 00:03:24,959 Speaker 1: you know, and and they're gonna come out in the 75 00:03:25,040 --> 00:03:27,639 Speaker 1: next record. I was like, what, Like I should get 76 00:03:27,680 --> 00:03:31,080 Speaker 1: him in on that. Like with Arkansas Crazy, we gotta 77 00:03:31,120 --> 00:03:33,639 Speaker 1: get a little and you are from Arkansas, you know, 78 00:03:33,680 --> 00:03:37,000 Speaker 1: which has always been Yeah, but like Jones so I 79 00:03:37,040 --> 00:03:38,840 Speaker 1: think Arkansas stay, I think of Jones Borrow, where'd you 80 00:03:38,840 --> 00:03:42,960 Speaker 1: grow up? Yeah? I will a little bit more west 81 00:03:43,000 --> 00:03:46,000 Speaker 1: of that, I guess if you would call Jonesboro, you know, 82 00:03:46,480 --> 00:03:50,120 Speaker 1: Arkansas State. And they used to be called the Indians, 83 00:03:50,120 --> 00:03:53,040 Speaker 1: now they're the Red Wolves. They changed their name the controversial. 84 00:03:55,880 --> 00:03:58,640 Speaker 1: So for me, they've always been the Indians. What was 85 00:03:58,680 --> 00:04:02,120 Speaker 1: your town called Jonesboro? Well, but for me, like I 86 00:04:02,160 --> 00:04:06,000 Speaker 1: grew up in Hardy Cherokee Village, Cherokee Village. Yeah, so 87 00:04:06,240 --> 00:04:10,040 Speaker 1: that's just I should say the Spring River, you know, 88 00:04:10,280 --> 00:04:13,440 Speaker 1: because the Spring River kind of feeds into everything else 89 00:04:14,480 --> 00:04:16,280 Speaker 1: and then you go from there. When I was young, 90 00:04:16,279 --> 00:04:17,800 Speaker 1: we used to drive up to Jonesboro, and I had 91 00:04:17,839 --> 00:04:21,599 Speaker 1: other playball up in Northeast Arkansas, like baseball. Um, I 92 00:04:21,640 --> 00:04:23,159 Speaker 1: thought about going to Arkansas stay, so I went up 93 00:04:23,160 --> 00:04:24,760 Speaker 1: in tour. But I remember we'd always dropped a Weener, 94 00:04:25,160 --> 00:04:27,800 Speaker 1: and I thought that was the funniest town because there's 95 00:04:27,839 --> 00:04:31,400 Speaker 1: literally a town of Wiener, Arkansas. Mike's felling like a penis. 96 00:04:31,440 --> 00:04:33,359 Speaker 1: It's don't we you Yeah, don't w E I n 97 00:04:33,360 --> 00:04:39,920 Speaker 1: e R Right, fellow, It's true. It's a real town 98 00:04:40,400 --> 00:04:42,360 Speaker 1: Instagram pictures. We have to take it on. How can 99 00:04:42,400 --> 00:04:45,200 Speaker 1: anybody take Arkansas seriously when you haven't now in the 100 00:04:45,200 --> 00:04:47,840 Speaker 1: Indians so they won't change Winer, I mean, yeah, thank you, 101 00:04:47,920 --> 00:04:51,039 Speaker 1: thank you, high five for that. Dude, Like we got 102 00:04:51,040 --> 00:04:52,760 Speaker 1: to change the name of Winer. You brought a coke 103 00:04:52,800 --> 00:04:55,640 Speaker 1: with It's like Vienna well I brought you did You 104 00:04:55,680 --> 00:04:58,080 Speaker 1: brought a real sugar, Bobby, but you didn't bring a 105 00:04:58,120 --> 00:05:00,919 Speaker 1: bottle opener. And that's an old school kind of we 106 00:05:00,960 --> 00:05:03,160 Speaker 1: have no bottle opener here. Well, I was kind of 107 00:05:03,160 --> 00:05:07,760 Speaker 1: hoping that Mike might have one real bottle opener. He does, 108 00:05:07,800 --> 00:05:11,120 Speaker 1: because I'm not classy enough to have a wait, what 109 00:05:11,240 --> 00:05:14,600 Speaker 1: is that shape of Texas? Of course, Well he's a Texan. Okay, 110 00:05:14,680 --> 00:05:20,520 Speaker 1: that's all right, Texas and Arkansas. Sorry, thank god if 111 00:05:20,560 --> 00:05:22,839 Speaker 1: you pulled us off without spilling it with this weird 112 00:05:22,880 --> 00:05:26,640 Speaker 1: bottle opener. Hey, my class act, go ahead here we 113 00:05:26,800 --> 00:05:30,200 Speaker 1: watch this is gonna open this. There's no way, there's 114 00:05:30,200 --> 00:05:33,240 Speaker 1: no way. It is a little slippery. That's not good. 115 00:05:33,279 --> 00:05:35,320 Speaker 1: That's not gonna work, is it? Mike? You want to 116 00:05:35,320 --> 00:05:39,160 Speaker 1: help him out? But watch this? You the Texas way? 117 00:05:39,279 --> 00:05:43,440 Speaker 1: What's the what's the okay? Yeah, I need I need 118 00:05:43,520 --> 00:05:48,560 Speaker 1: some help here, obviously. Yeah, it's a tough by the way, 119 00:05:48,600 --> 00:05:53,640 Speaker 1: this in a riveting podcast. Second, Oh my gosh. And 120 00:05:53,680 --> 00:05:56,680 Speaker 1: then Bobby like he let the look at the bottle. 121 00:05:57,200 --> 00:05:59,520 Speaker 1: He's like, I don't drink these things. Well, I used 122 00:05:59,520 --> 00:06:02,200 Speaker 1: to drink a lot Cooke. I drank a three lead 123 00:06:02,279 --> 00:06:05,200 Speaker 1: on mountain to a day. Like growing up, that's what 124 00:06:05,240 --> 00:06:09,680 Speaker 1: I had was blowny sandwiches and mountain dew. That me too. 125 00:06:09,839 --> 00:06:11,840 Speaker 1: When I listen to your show, that's what I think about. 126 00:06:11,880 --> 00:06:18,400 Speaker 1: I'm like a bologny sandwiches, all that everything, and real coke, 127 00:06:19,080 --> 00:06:22,560 Speaker 1: real coke blogne with a lot of mustard. And sometimes 128 00:06:22,720 --> 00:06:25,120 Speaker 1: we were we were so broke sometimes that we wouldn't 129 00:06:25,120 --> 00:06:27,760 Speaker 1: even have bologney. We just do mustard on white bread, 130 00:06:28,360 --> 00:06:30,159 Speaker 1: Like if it was a bad When you say white bread, 131 00:06:30,240 --> 00:06:33,280 Speaker 1: I know what you mean. It's wonder bread and you 132 00:06:33,279 --> 00:06:35,680 Speaker 1: could actually take it and eat. White bread was so 133 00:06:35,720 --> 00:06:38,040 Speaker 1: good to me as a kid. It's still so good. 134 00:06:38,440 --> 00:06:40,359 Speaker 1: I would think, why would you want every wheat bread? 135 00:06:41,080 --> 00:06:43,400 Speaker 1: Wheat breads a lot healthier if you eat Now, I 136 00:06:43,400 --> 00:06:45,240 Speaker 1: don't even need bread. You know. It's funny how times 137 00:06:45,240 --> 00:06:47,520 Speaker 1: have changed. Now I'm all fruit fruit, I I just 138 00:06:47,560 --> 00:06:49,719 Speaker 1: don't do any carbs. But back in the day, it 139 00:06:49,760 --> 00:06:52,160 Speaker 1: was all white bread, and you know, I just don't 140 00:06:52,160 --> 00:06:54,720 Speaker 1: buy into it anymore. I'm like, I'm all about the 141 00:06:54,720 --> 00:06:57,000 Speaker 1: white bread. Like if you're gonna eat it, if you're 142 00:06:57,000 --> 00:06:59,400 Speaker 1: gonna do it, do it. You grew up a bit 143 00:06:59,440 --> 00:07:01,960 Speaker 1: like me, Do you go up, I'm a food stamp kid, 144 00:07:02,320 --> 00:07:05,040 Speaker 1: welfare kid time, big time food stamp kid. Yes, what 145 00:07:05,360 --> 00:07:07,080 Speaker 1: was what was like going on? For you? It was 146 00:07:07,240 --> 00:07:12,600 Speaker 1: all about the For me, it was about the grill cheese, 147 00:07:13,120 --> 00:07:17,760 Speaker 1: because you had your government cheese, government cheese, and you 148 00:07:17,800 --> 00:07:20,800 Speaker 1: had to get the bread, and then you had to 149 00:07:20,880 --> 00:07:26,400 Speaker 1: get obviously the oatmeal which fed you every morning. And 150 00:07:26,440 --> 00:07:31,000 Speaker 1: then as another thing, you had to get the hot 151 00:07:31,040 --> 00:07:35,360 Speaker 1: cocoa from the government cocoa. We never got government we 152 00:07:35,360 --> 00:07:38,400 Speaker 1: got government pudding, we never got government cocoa. It's called 153 00:07:38,880 --> 00:07:41,679 Speaker 1: it came from boxed milk. Like have you ever had boxed? 154 00:07:42,480 --> 00:07:44,680 Speaker 1: My grandma wad get boxed? I mean I shivered just 155 00:07:44,800 --> 00:07:48,080 Speaker 1: thinking about it, Mike, did you ever have government coco? No? See, 156 00:07:48,200 --> 00:07:51,400 Speaker 1: they were teaching people things. Okay, So they had like 157 00:07:51,600 --> 00:07:55,160 Speaker 1: this box and it had milk in it, powdered milk. 158 00:07:55,920 --> 00:08:00,280 Speaker 1: And my mom was a genius at making taking running 159 00:08:00,280 --> 00:08:03,800 Speaker 1: the powdered milk into hot cocoa and that would go 160 00:08:03,920 --> 00:08:07,000 Speaker 1: with the grilled cheese. I don't know it worked, but God, 161 00:08:07,120 --> 00:08:08,920 Speaker 1: that sounds grass right now. Well, you come a long way, 162 00:08:10,040 --> 00:08:11,720 Speaker 1: I mean here, you guys. You know it's funny to 163 00:08:11,960 --> 00:08:13,560 Speaker 1: to look and people will see a little big town 164 00:08:13,600 --> 00:08:15,000 Speaker 1: and go, man, those guys are on top of the 165 00:08:15,040 --> 00:08:19,600 Speaker 1: world right now. But what you see is one we'll 166 00:08:19,640 --> 00:08:23,400 Speaker 1: call it the Instagram lens of it like that, because 167 00:08:24,000 --> 00:08:26,320 Speaker 1: you only see the things that really are meant for 168 00:08:26,360 --> 00:08:29,040 Speaker 1: you to be seen, and most people aren't putting out 169 00:08:29,880 --> 00:08:32,319 Speaker 1: the things that And I've kind of been off of 170 00:08:32,360 --> 00:08:36,959 Speaker 1: it in a little while. I haven't been posting, and 171 00:08:37,240 --> 00:08:40,960 Speaker 1: that doesn't mean anything really, I just you know, being 172 00:08:41,040 --> 00:08:44,240 Speaker 1: here with you guys today. It's like I've just been 173 00:08:44,280 --> 00:08:46,760 Speaker 1: I've been traveling, We've been on the road, we've been working, 174 00:08:47,400 --> 00:08:49,839 Speaker 1: I've been at my uncle's funeral. I kind of have 175 00:08:50,000 --> 00:08:53,319 Speaker 1: just been off of it, you know. I just didn't post. 176 00:08:53,400 --> 00:08:58,520 Speaker 1: I haven't thought about it. And something about that is 177 00:08:58,600 --> 00:09:01,599 Speaker 1: okay with me. I I think it breaks good. I 178 00:09:01,640 --> 00:09:03,800 Speaker 1: have about a couple of year. I just kind of 179 00:09:03,840 --> 00:09:06,240 Speaker 1: scrub myself and I found too, they don't even miss 180 00:09:06,240 --> 00:09:09,080 Speaker 1: it that much. Well, I get off and I'm like, yeah, good, 181 00:09:09,600 --> 00:09:11,599 Speaker 1: you know, And I like to connect. You can. I 182 00:09:11,760 --> 00:09:14,640 Speaker 1: like to connect, And that's the thing, like I feel 183 00:09:14,679 --> 00:09:17,000 Speaker 1: connected to you and I can check on people and 184 00:09:17,559 --> 00:09:20,679 Speaker 1: I can follow along. But for me, like it's just 185 00:09:20,800 --> 00:09:23,079 Speaker 1: one of those things where sometimes I just need a 186 00:09:23,160 --> 00:09:26,920 Speaker 1: break and it gives me that space. Our on Instagram 187 00:09:26,960 --> 00:09:28,839 Speaker 1: stories of such a cool thing to actually have a 188 00:09:28,880 --> 00:09:32,120 Speaker 1: different way to communicate, Like you have your entire community 189 00:09:32,120 --> 00:09:34,559 Speaker 1: of people that you talk with on Instagram stories that 190 00:09:34,679 --> 00:09:36,920 Speaker 1: you really don't even text with, and you really don't 191 00:09:36,960 --> 00:09:39,839 Speaker 1: ever see in real life, but you have this, Like 192 00:09:39,920 --> 00:09:42,520 Speaker 1: I would say, Matt Carney is a guy, yeah, that 193 00:09:42,640 --> 00:09:44,720 Speaker 1: I talk with all the time Instagram stories an example, 194 00:09:44,880 --> 00:09:47,240 Speaker 1: and then I don't. We don't text, we don't ever 195 00:09:47,280 --> 00:09:49,240 Speaker 1: see each other. But it's one of my favorite artists 196 00:09:49,880 --> 00:09:51,800 Speaker 1: and he did this. We've just we talk all the 197 00:09:51,840 --> 00:09:53,880 Speaker 1: time on Instagram stories. I feel the same way about 198 00:09:53,960 --> 00:09:57,280 Speaker 1: Dave Barnes. Yeah, he's so funny, so funny. Yeah, and 199 00:09:57,520 --> 00:09:59,719 Speaker 1: I'll watch him and I'll check him out. But like 200 00:10:00,040 --> 00:10:02,120 Speaker 1: you know, I mean, don't be upset with me out there. 201 00:10:02,200 --> 00:10:04,240 Speaker 1: I just haven't been posting. I have lots of things 202 00:10:04,320 --> 00:10:07,559 Speaker 1: to post actually because we've we've been to South France, 203 00:10:07,640 --> 00:10:10,640 Speaker 1: we've been to New York, We've been you know, doing 204 00:10:10,679 --> 00:10:13,439 Speaker 1: all these things, Jimmy Fallon, We've had a lot going on, 205 00:10:13,880 --> 00:10:16,920 Speaker 1: and sometimes I feel kind of guilty, like, oh, I 206 00:10:16,960 --> 00:10:19,640 Speaker 1: don't I don't post enough about what's going on in 207 00:10:19,760 --> 00:10:23,720 Speaker 1: my life. And then I also feel that that's okay. 208 00:10:24,080 --> 00:10:26,960 Speaker 1: How was Jimmy fallon? What's so good? What's what's What's 209 00:10:26,960 --> 00:10:30,280 Speaker 1: he like a person? He's like you. I'm like Bobby 210 00:10:31,160 --> 00:10:33,800 Speaker 1: or like Jimmy. It's the same kind of thing. I 211 00:10:34,000 --> 00:10:36,360 Speaker 1: feel good. I feel like I want to just hug 212 00:10:36,440 --> 00:10:39,719 Speaker 1: his neck. And he's great and he's real. He's down 213 00:10:39,800 --> 00:10:45,920 Speaker 1: to earth. He makes that space feel really interconnected. He 214 00:10:46,040 --> 00:10:49,840 Speaker 1: doesn't make you feel off like. He makes you feel good. 215 00:10:49,920 --> 00:10:51,880 Speaker 1: He makes you feel like he was waiting for you. 216 00:10:52,280 --> 00:10:54,640 Speaker 1: Walk me through what it's like on the day of 217 00:10:54,760 --> 00:10:56,920 Speaker 1: doing a late night talk show as a musical artist, 218 00:10:57,640 --> 00:11:01,400 Speaker 1: because you gotta go. You go it sound check every time. Yeah, 219 00:11:01,559 --> 00:11:03,400 Speaker 1: you gotta go sound check, So you have to go 220 00:11:03,480 --> 00:11:05,640 Speaker 1: before the show starts. What time would you go up 221 00:11:05,720 --> 00:11:07,640 Speaker 1: before a foulon? Because if Falon tapes at what time, 222 00:11:08,400 --> 00:11:10,760 Speaker 1: it's like you get there like eleven am, you know, 223 00:11:10,880 --> 00:11:13,600 Speaker 1: and you're spending your whole day there and you'll kind 224 00:11:13,640 --> 00:11:17,079 Speaker 1: of camp out at the studios. This particular time, they 225 00:11:17,280 --> 00:11:20,720 Speaker 1: were actually doing it live, so so we were there 226 00:11:21,040 --> 00:11:24,160 Speaker 1: from eleven am two. We didn't start like shooting it 227 00:11:24,320 --> 00:11:27,040 Speaker 1: till eleven p m. So we had all this time. 228 00:11:27,120 --> 00:11:30,600 Speaker 1: Two kills. You gotta sustain your energy while you're there, 229 00:11:30,840 --> 00:11:33,640 Speaker 1: you know, you gotta stay up. And it was great. 230 00:11:34,120 --> 00:11:38,200 Speaker 1: We but he's just really funny. We take some segments 231 00:11:38,280 --> 00:11:41,560 Speaker 1: and stuff. One thing we did didn't even get used, 232 00:11:41,640 --> 00:11:44,440 Speaker 1: you know. So it's like you tape a funny segment, 233 00:11:44,520 --> 00:11:46,120 Speaker 1: you think, oh, I can't wait to see this on TV, 234 00:11:46,760 --> 00:11:48,840 Speaker 1: and it doesn't get used at all. You know, they 235 00:11:48,880 --> 00:11:50,840 Speaker 1: didn't have time for it because it's live and they 236 00:11:50,880 --> 00:11:52,679 Speaker 1: gotta do. You get a wait on the debates to 237 00:11:52,960 --> 00:11:54,559 Speaker 1: finish out and all that. So that's kind of what 238 00:11:54,640 --> 00:11:57,400 Speaker 1: they're doing there. They're doing the debates and they're like, 239 00:11:57,480 --> 00:12:00,839 Speaker 1: we're gonna be relevant. You follow it, yeah, because I 240 00:12:00,920 --> 00:12:03,200 Speaker 1: watched it back on YouTube, but I didn't obviously didn't 241 00:12:03,200 --> 00:12:05,600 Speaker 1: stay away because I don't stay await that late. And well, 242 00:12:05,800 --> 00:12:08,640 Speaker 1: obviously why would you. It's funny you mentioned a live thing, 243 00:12:08,720 --> 00:12:10,599 Speaker 1: because we would do stuff on this last season on 244 00:12:10,600 --> 00:12:12,960 Speaker 1: American Idol and they'd be live shows and there we go, Okay, 245 00:12:13,000 --> 00:12:16,079 Speaker 1: we're gonna come to you in block two and you're 246 00:12:16,120 --> 00:12:17,960 Speaker 1: gonna talk to this person and do this because you're 247 00:12:17,960 --> 00:12:20,240 Speaker 1: really funny about this, So do that whole bit where 248 00:12:20,280 --> 00:12:22,079 Speaker 1: you and I'm like, cool, no problem, and then do 249 00:12:22,200 --> 00:12:23,679 Speaker 1: it all and they never use it. Well, they'll go, 250 00:12:23,760 --> 00:12:26,079 Speaker 1: all right, we gotta cut that. We're running a little 251 00:12:27,200 --> 00:12:29,280 Speaker 1: lionel just went a little too long, so we gotta 252 00:12:29,320 --> 00:12:31,679 Speaker 1: cut your segment. But can we move on funny segment back? Why? 253 00:12:31,920 --> 00:12:33,800 Speaker 1: And they're like, we gotta cut it. And I would 254 00:12:33,840 --> 00:12:37,000 Speaker 1: have been so good, right you think, oh, that's a 255 00:12:37,040 --> 00:12:39,040 Speaker 1: little bit of that. You're like, I wish they could 256 00:12:39,200 --> 00:12:42,320 Speaker 1: use that. They could have seen that funny little but yeah, 257 00:12:42,480 --> 00:12:44,440 Speaker 1: so you're up. You you sound check, you go, okay, 258 00:12:44,520 --> 00:12:46,960 Speaker 1: we sound good, and the routes play with you. Guys. 259 00:12:47,320 --> 00:12:49,360 Speaker 1: We didn't use them this time. Okay. We played with 260 00:12:49,600 --> 00:12:51,959 Speaker 1: our piano player and we had a boat bass and 261 00:12:52,200 --> 00:12:55,480 Speaker 1: I played guitar and we were hive, so me and 262 00:12:55,600 --> 00:12:58,880 Speaker 1: Jimmy played acoustic. We had piano and boat bass and 263 00:12:59,000 --> 00:13:01,360 Speaker 1: it was scary as And you, guys, can you say 264 00:13:01,400 --> 00:13:02,839 Speaker 1: that on the air. You can say whatever you want 265 00:13:02,840 --> 00:13:05,199 Speaker 1: on this Cursed to your little heart's content. I do 266 00:13:05,280 --> 00:13:07,680 Speaker 1: curse a lot everything you've ever wanted to santo a microphone, 267 00:13:07,760 --> 00:13:10,480 Speaker 1: I curse, and I drink coca Cola, Bobby and I'm 268 00:13:11,760 --> 00:13:13,880 Speaker 1: and and let her rip. I went to the I 269 00:13:13,920 --> 00:13:16,199 Speaker 1: want to watch the Dacks playing the College World Series. 270 00:13:16,559 --> 00:13:19,559 Speaker 1: It was good. We lost it sucked well Vanderbilt so 271 00:13:19,679 --> 00:13:22,599 Speaker 1: damn good. Well we lost Floras, I know, but you 272 00:13:22,679 --> 00:13:25,160 Speaker 1: know that's going. I um. It was fun to go though, 273 00:13:25,240 --> 00:13:28,120 Speaker 1: and like, I'm proud to be from Arkansas. Me too. 274 00:13:29,120 --> 00:13:30,840 Speaker 1: I thought that's why you had me on today because 275 00:13:31,160 --> 00:13:33,960 Speaker 1: I feel like that's why we have like a connection, 276 00:13:34,400 --> 00:13:36,400 Speaker 1: because it's like we come from, you know, the same place. 277 00:13:36,440 --> 00:13:39,000 Speaker 1: I'm getting some red headphones now now that you have them. 278 00:13:39,080 --> 00:13:40,959 Speaker 1: I've read it, get it. I have read everything for 279 00:13:41,000 --> 00:13:45,040 Speaker 1: two reasons. One because I'm super color blind and I 280 00:13:45,120 --> 00:13:48,559 Speaker 1: can actually see the differences in most red. And the 281 00:13:48,640 --> 00:13:51,400 Speaker 1: other reason is because of Arkansas. But I've read everything 282 00:13:51,640 --> 00:13:54,079 Speaker 1: red shoes. I've named entire tours after red. Have a 283 00:13:54,120 --> 00:13:57,080 Speaker 1: red headphones. But that's why Arkansas and then my severe 284 00:13:57,120 --> 00:14:01,600 Speaker 1: color blindness. You have any physical elements like I gotta 285 00:14:01,760 --> 00:14:03,839 Speaker 1: have a bad bag, Bobby, I gotta butth hole that 286 00:14:04,360 --> 00:14:07,000 Speaker 1: I've torn from right about bike, I think all the 287 00:14:07,040 --> 00:14:10,720 Speaker 1: doctor today, I have stenosis of the lower back. It's great, 288 00:14:10,800 --> 00:14:14,520 Speaker 1: what is that from that means just compacted spinal stuff 289 00:14:14,760 --> 00:14:16,760 Speaker 1: and you have to like do a lot of yoga 290 00:14:16,880 --> 00:14:21,520 Speaker 1: and stretched stretch. I meditate yoga out. Are you a meditator? 291 00:14:22,400 --> 00:14:24,280 Speaker 1: Are you getting good at it? Are you getting better? 292 00:14:25,240 --> 00:14:29,600 Speaker 1: I've been. I've been owning. Do you own? And something 293 00:14:29,640 --> 00:14:32,320 Speaker 1: about that just seems to like take you to in 294 00:14:32,400 --> 00:14:35,840 Speaker 1: that new level cleanser of the inside. It works. I 295 00:14:36,000 --> 00:14:38,680 Speaker 1: never do it in yoga because I feel ridiculous. I 296 00:14:38,800 --> 00:14:41,440 Speaker 1: feel ridiculous too, but I'll just do it anyway because 297 00:14:41,480 --> 00:14:43,960 Speaker 1: it feels good. When do you meditate in the morning, Yeah, 298 00:14:44,080 --> 00:14:47,240 Speaker 1: mornings are better for me. You wake up, Yeah, walk 299 00:14:47,320 --> 00:14:50,000 Speaker 1: me through. It's kind of my routine. You know what time? 300 00:14:51,560 --> 00:14:53,560 Speaker 1: Traditionally you wake up at what time? You know, I'm 301 00:14:53,640 --> 00:14:56,720 Speaker 1: rock and roll time. So it's like nine am. That's oh, 302 00:14:56,800 --> 00:14:59,080 Speaker 1: that's that's not roll, that's that's that's solid human time. 303 00:14:59,240 --> 00:15:02,400 Speaker 1: We roll time. I mean some people like five am. 304 00:15:03,720 --> 00:15:06,720 Speaker 1: I can't if I would do that. If I could to, 305 00:15:07,200 --> 00:15:09,360 Speaker 1: I mean I do in New York. So you wake 306 00:15:09,440 --> 00:15:12,240 Speaker 1: up at like nine and I stretched a little bit. 307 00:15:12,320 --> 00:15:14,520 Speaker 1: I'll do a little twisty twisty of the spine. I 308 00:15:15,160 --> 00:15:17,120 Speaker 1: you know, when I get to it, I own and 309 00:15:17,160 --> 00:15:19,240 Speaker 1: I drink some water and that's about it. How much 310 00:15:19,280 --> 00:15:21,760 Speaker 1: time do you spend meditating in the morning, Like an 311 00:15:21,840 --> 00:15:25,840 Speaker 1: hour you do? Wow, good for you? I mean that's 312 00:15:26,040 --> 00:15:29,400 Speaker 1: that's good for me. An hour to meditate. Yeah, I 313 00:15:29,440 --> 00:15:32,880 Speaker 1: mean I say maybe thirty of that is meditating. The 314 00:15:33,000 --> 00:15:36,240 Speaker 1: other thirty is like getting ready to meditate. That's like 315 00:15:36,320 --> 00:15:38,520 Speaker 1: me when I do my bike rides, which, by the ways, 316 00:15:38,520 --> 00:15:41,000 Speaker 1: what tore my bole is like a lot of that 317 00:15:41,160 --> 00:15:43,560 Speaker 1: time I'm spending like getting ready. Give him a socks on, 318 00:15:43,680 --> 00:15:47,720 Speaker 1: just right, shoes, just right. Um, that's good for you 319 00:15:47,840 --> 00:15:50,520 Speaker 1: that meditating friends want to change their life completely. I 320 00:15:50,600 --> 00:15:53,400 Speaker 1: mean it helps me age better. You know. I'm I'm 321 00:15:53,480 --> 00:15:55,680 Speaker 1: not getting any younger. And I have a lot of 322 00:15:56,280 --> 00:16:00,560 Speaker 1: physical work when I perform, and I of it and 323 00:16:00,800 --> 00:16:04,640 Speaker 1: it makes me feel alive. So when I can meditate, 324 00:16:04,800 --> 00:16:10,680 Speaker 1: something about that? Um, something about that. Just I'll take 325 00:16:10,720 --> 00:16:15,400 Speaker 1: a drink of coca cola as I say that, you 326 00:16:15,400 --> 00:16:17,040 Speaker 1: can take all the seat. This is the podcast. There's 327 00:16:17,040 --> 00:16:20,040 Speaker 1: no what I'm saying. Like something about coca cola just 328 00:16:20,160 --> 00:16:23,600 Speaker 1: gives you that boost you need. You whenever you went 329 00:16:23,640 --> 00:16:26,160 Speaker 1: to college on a vocal scholarship, Yeah, you were that 330 00:16:26,240 --> 00:16:28,800 Speaker 1: good huh, I don't know where. Where were you saying? 331 00:16:28,800 --> 00:16:30,360 Speaker 1: It was at church most of the time in the South, 332 00:16:30,440 --> 00:16:33,440 Speaker 1: people get really good in church, mostly in church. And 333 00:16:34,040 --> 00:16:38,640 Speaker 1: I had to go in audition for my high school 334 00:16:39,800 --> 00:16:42,840 Speaker 1: thing and to get a scholarship, you had to audition, 335 00:16:43,760 --> 00:16:47,080 Speaker 1: and to get that scholarship, which paid for my school, 336 00:16:47,840 --> 00:16:51,520 Speaker 1: I had to compete against many others. So that was 337 00:16:51,680 --> 00:16:55,240 Speaker 1: very challenging. So I had to go. So what kind 338 00:16:55,240 --> 00:16:58,640 Speaker 1: of sound were you like? We were the the base. 339 00:16:59,240 --> 00:17:02,080 Speaker 1: It was a bear to base situation. Yeah, and I 340 00:17:02,160 --> 00:17:05,040 Speaker 1: got a full scholarship. I couldn't believe it. I mean, 341 00:17:05,240 --> 00:17:07,440 Speaker 1: it's weird. I was just talking about this. One of 342 00:17:07,520 --> 00:17:10,720 Speaker 1: my bus drivers, which I'm not trying to sound pretentious, 343 00:17:11,320 --> 00:17:16,320 Speaker 1: he um, do you drive as My friend Jonathan Martin 344 00:17:16,480 --> 00:17:18,040 Speaker 1: is in a group called the Martins and there is 345 00:17:18,080 --> 00:17:21,840 Speaker 1: Southern gospel harmony band. Well, he was one of the 346 00:17:21,880 --> 00:17:25,159 Speaker 1: co drivers on our bus this past weekend and he 347 00:17:25,680 --> 00:17:29,240 Speaker 1: I filled in for him as a singer in the Martins, 348 00:17:29,320 --> 00:17:36,720 Speaker 1: the gospel group in Martins. This was like maybe okay, 349 00:17:37,160 --> 00:17:41,000 Speaker 1: long time ago, and he is a great singer and 350 00:17:41,359 --> 00:17:44,320 Speaker 1: they're great singers, and I was so I couldn't even 351 00:17:44,520 --> 00:17:47,280 Speaker 1: like I could barely keep up because they're so talented. 352 00:17:47,880 --> 00:17:50,920 Speaker 1: But it's so funny because like now he's you know, 353 00:17:50,960 --> 00:17:55,320 Speaker 1: he's driving by bus, and I'm like feeling crazy about that, Like, 354 00:17:55,480 --> 00:17:58,240 Speaker 1: how do I even deal with that? He's he's probably 355 00:17:58,240 --> 00:18:00,320 Speaker 1: a better singer than me, and he's dry in my 356 00:18:00,400 --> 00:18:02,840 Speaker 1: best probably making more money than me at the same time. 357 00:18:04,080 --> 00:18:06,159 Speaker 1: You know, I think that's something too. I think people 358 00:18:06,359 --> 00:18:09,159 Speaker 1: think that just because you're on TV, and I know 359 00:18:09,280 --> 00:18:10,879 Speaker 1: this happens a lot of artists, that you just if 360 00:18:10,920 --> 00:18:12,679 Speaker 1: you're on the radio or you get on TV at all, 361 00:18:12,720 --> 00:18:16,600 Speaker 1: that you're automatically multi millionaires. Yeah. That's kind of funny, 362 00:18:16,640 --> 00:18:20,000 Speaker 1: isn't it. Like if you're seen, people think that you're 363 00:18:20,119 --> 00:18:23,320 Speaker 1: only seen because you are so successful that you're making 364 00:18:23,400 --> 00:18:25,119 Speaker 1: millions and millions of dollars. I kind of had to 365 00:18:25,160 --> 00:18:27,200 Speaker 1: deal with a lot of that this weekend with my family, 366 00:18:27,240 --> 00:18:30,440 Speaker 1: and I was at my uncle's funeral and they all think, 367 00:18:30,520 --> 00:18:33,679 Speaker 1: of course, you know, hey, you're successful. Here comes big 368 00:18:33,760 --> 00:18:37,960 Speaker 1: successful Philip. Yeah. I'm like, man, you have no idea, 369 00:18:38,240 --> 00:18:40,639 Speaker 1: and you know you've experienced some things like this and 370 00:18:41,359 --> 00:18:44,280 Speaker 1: and it's not what you think it is, you know, 371 00:18:44,560 --> 00:18:48,359 Speaker 1: I mean, honestly, what I've found out about these kind 372 00:18:48,400 --> 00:18:52,440 Speaker 1: of situations is that when you think you're going to 373 00:18:52,520 --> 00:18:54,800 Speaker 1: be in a moment where you're where famous or whatever, 374 00:18:55,080 --> 00:18:58,359 Speaker 1: it actually is the opposite. You're actually more humbled by 375 00:18:59,240 --> 00:19:03,480 Speaker 1: what your experience. For me, and that's a bigger conversation. No, 376 00:19:03,560 --> 00:19:05,400 Speaker 1: I think it's a good conversation. I think for me, though, 377 00:19:06,119 --> 00:19:11,359 Speaker 1: what has kept me grounded has been I've been able 378 00:19:11,440 --> 00:19:13,960 Speaker 1: to as my platform is lifted, I can see more 379 00:19:14,080 --> 00:19:17,560 Speaker 1: that I can actually help because I was helped. And 380 00:19:17,680 --> 00:19:20,760 Speaker 1: the more that you can see that needs help. And 381 00:19:20,840 --> 00:19:22,480 Speaker 1: if you were given to like I just want to 382 00:19:22,520 --> 00:19:24,359 Speaker 1: be here, if I wasn't given to church groups or 383 00:19:24,400 --> 00:19:26,800 Speaker 1: pta groups like feeding me your Christmas gifts, and then 384 00:19:26,880 --> 00:19:28,800 Speaker 1: it actually kind of, you know, in a good way, 385 00:19:28,880 --> 00:19:31,840 Speaker 1: waits you down. But I do. There is a time though, 386 00:19:31,880 --> 00:19:33,320 Speaker 1: and I was a victim of it too. And I 387 00:19:33,359 --> 00:19:36,879 Speaker 1: say this about a lot of recording artists that whenever 388 00:19:37,000 --> 00:19:39,240 Speaker 1: you first hit, you lose yourself and it's can you 389 00:19:39,320 --> 00:19:42,399 Speaker 1: give yourself back? Because when I'm I lost myself for 390 00:19:42,440 --> 00:19:45,359 Speaker 1: a bit, I was like, oh my goodness, this is 391 00:19:45,440 --> 00:19:47,200 Speaker 1: years ago. I was like, oh wow, I can't believe it. 392 00:19:47,359 --> 00:19:50,680 Speaker 1: I'm not I'm not poor anymore. I can go and 393 00:19:50,800 --> 00:19:52,160 Speaker 1: like I like going to the gas station and buying 394 00:19:52,200 --> 00:19:54,560 Speaker 1: whatever I want, Like buy whatever I want, but I 395 00:19:54,640 --> 00:19:57,399 Speaker 1: can like I have a nice car and like everything 396 00:19:57,600 --> 00:20:00,280 Speaker 1: was like wow, But you have to even with the newartists, 397 00:20:00,320 --> 00:20:04,119 Speaker 1: like they get a hit and the big head syndrome happens, 398 00:20:04,600 --> 00:20:06,720 Speaker 1: and it's usually it's like when is it going to 399 00:20:06,800 --> 00:20:08,920 Speaker 1: be brought back? Is it because you you failed to 400 00:20:09,040 --> 00:20:10,240 Speaker 1: or three times in a row, or is it because 401 00:20:10,240 --> 00:20:13,360 Speaker 1: you put good people around you? Um, And sometimes it's 402 00:20:13,359 --> 00:20:17,040 Speaker 1: a mixture of both. Yeah, is it because you? It 403 00:20:17,160 --> 00:20:18,920 Speaker 1: just for me? It was so hard for so long 404 00:20:19,840 --> 00:20:22,119 Speaker 1: that I think that's where I like, I'll always remember 405 00:20:22,160 --> 00:20:25,000 Speaker 1: the burn. I'll never forget it. I'll never not be 406 00:20:25,119 --> 00:20:29,560 Speaker 1: the poor kid who grew up mountain. Yeah, you know, 407 00:20:29,840 --> 00:20:32,399 Speaker 1: you'll never let go of that part of yourself. And 408 00:20:32,600 --> 00:20:34,480 Speaker 1: I will never do the same thing, you know. I 409 00:20:34,520 --> 00:20:36,840 Speaker 1: think about the Queen versus Oprah, like who would you 410 00:20:36,920 --> 00:20:39,800 Speaker 1: rather be? Because they're both massively successful, But the Queen 411 00:20:39,840 --> 00:20:41,680 Speaker 1: doesn't know what it's like to be broke. She doesn't 412 00:20:41,800 --> 00:20:46,920 Speaker 1: understand or appreciate what she acts or she has, where 413 00:20:47,000 --> 00:20:51,080 Speaker 1: Oprah she's a billionaire and probably at this points a 414 00:20:51,119 --> 00:20:54,080 Speaker 1: bit out of touch, but Oprah knows. Oprah has been 415 00:20:54,119 --> 00:20:56,600 Speaker 1: through some real crap, and I would much rather have 416 00:20:56,680 --> 00:20:59,720 Speaker 1: gone through crap and be able to appreciate it. Then 417 00:21:00,160 --> 00:21:02,199 Speaker 1: I feel the same and be the queen. I'm very grateful, 418 00:21:02,240 --> 00:21:04,080 Speaker 1: and I always say now that I'm very grateful for 419 00:21:04,440 --> 00:21:06,040 Speaker 1: the struggles that I had and the struggles that I 420 00:21:06,119 --> 00:21:10,159 Speaker 1: can now help. Well, you can understand it. And instead 421 00:21:10,160 --> 00:21:13,560 Speaker 1: of sympathy, empathy, it's empathy because you for me like I. 422 00:21:14,000 --> 00:21:17,760 Speaker 1: You know, as much as I love my Coca Cola, 423 00:21:18,200 --> 00:21:19,960 Speaker 1: it's almost like Dan, He's been a commercial like, but 424 00:21:20,080 --> 00:21:22,159 Speaker 1: it's kind of the thing I hold onto. It's like, 425 00:21:22,680 --> 00:21:26,399 Speaker 1: you know, I love my little weird things that I like. 426 00:21:27,040 --> 00:21:29,840 Speaker 1: I'll still wander into the drudge shop and get my 427 00:21:30,680 --> 00:21:35,000 Speaker 1: comfort Coca cola, and you know, it's just that thing 428 00:21:35,119 --> 00:21:38,560 Speaker 1: that keeps you who you are. You know, we just 429 00:21:38,680 --> 00:21:41,480 Speaker 1: I just went back and visited my old hometown, so 430 00:21:41,920 --> 00:21:44,480 Speaker 1: you know, it's really fresh with me, but you know 431 00:21:45,560 --> 00:21:49,159 Speaker 1: it's not. We're never ever that far away from the 432 00:21:49,280 --> 00:21:53,520 Speaker 1: people that are we're connected with and the stories we tell. 433 00:21:54,160 --> 00:21:57,359 Speaker 1: And that's what I love about it, because you know, 434 00:21:57,680 --> 00:21:59,920 Speaker 1: as we make music and as we grow and as 435 00:22:00,040 --> 00:22:03,119 Speaker 1: we learn about ourselves and as I meditate in the morning, 436 00:22:03,440 --> 00:22:05,920 Speaker 1: you know what I'm thinking about is those beautiful people 437 00:22:06,400 --> 00:22:10,600 Speaker 1: that raise me up. You know, Little Big Town Week 438 00:22:10,840 --> 00:22:15,200 Speaker 1: on the Bobby Cast. It's Little Big Town Week on 439 00:22:15,359 --> 00:22:19,480 Speaker 1: the Bobby Cast. What would I be without that government 440 00:22:19,600 --> 00:22:23,280 Speaker 1: cheese and that government peanut butter? You may still be 441 00:22:23,359 --> 00:22:28,679 Speaker 1: Phil Stevens. I would still Phil Stephen, phil Us out 442 00:22:28,680 --> 00:22:32,200 Speaker 1: of the ground on the table, Philter. What's your radio name? Hey, 443 00:22:32,520 --> 00:22:34,840 Speaker 1: I have a good radio voice. You were a DJ 444 00:22:35,000 --> 00:22:37,200 Speaker 1: back in the day. Tell me about that man. That 445 00:22:37,359 --> 00:22:40,200 Speaker 1: was good. That was good times. You know, that was 446 00:22:40,320 --> 00:22:44,680 Speaker 1: for me a chance to as a young kid, be 447 00:22:44,800 --> 00:22:49,399 Speaker 1: able to work a job and also be around music 448 00:22:49,800 --> 00:22:52,720 Speaker 1: all the time. I mean, I learned so much about music. 449 00:22:52,880 --> 00:22:54,879 Speaker 1: That's what I can take from that job. What kind 450 00:22:54,920 --> 00:22:59,560 Speaker 1: of station were you working at? It? Good Time, Good Times? 451 00:22:59,600 --> 00:23:03,119 Speaker 1: Great Holy? What was the It's pil Steve was here, 452 00:23:03,240 --> 00:23:06,320 Speaker 1: Good Times, Great Elies Net. Coming up next, it's Bobby Blin. 453 00:23:06,359 --> 00:23:09,200 Speaker 1: He's gonna play you with Stevie Wonder. Yeah, I was that. 454 00:23:09,440 --> 00:23:12,080 Speaker 1: I had that voice to mine was come on continue 455 00:23:12,119 --> 00:23:14,560 Speaker 1: with sitting music one or five point nine klaz It's 456 00:23:14,600 --> 00:23:16,280 Speaker 1: Bobby bones here, gonna play you the new one here 457 00:23:16,680 --> 00:23:19,600 Speaker 1: from who It's Love Shock from the B fifty Dudes, 458 00:23:19,640 --> 00:23:21,119 Speaker 1: and then throw it back a few years. And I 459 00:23:21,240 --> 00:23:23,080 Speaker 1: tried so hard to do that. I know, I've worked 460 00:23:23,119 --> 00:23:27,040 Speaker 1: on my non regional addiction. As they said, yeah I didn't. 461 00:23:27,240 --> 00:23:29,679 Speaker 1: I told the speech pathology too good. I me too. 462 00:23:29,960 --> 00:23:31,560 Speaker 1: That's why we have someone to come and I think 463 00:23:32,119 --> 00:23:35,000 Speaker 1: good Times, Great Elies, and one of four point seven 464 00:23:35,080 --> 00:23:37,439 Speaker 1: cool left him it's Phil State, that's and here's your 465 00:23:37,480 --> 00:23:41,159 Speaker 1: good Times a great oldies. But I would try to 466 00:23:41,200 --> 00:23:43,200 Speaker 1: do that, like yours is actually pretty good. I was 467 00:23:43,280 --> 00:23:44,880 Speaker 1: really good at it. And how old were you when 468 00:23:44,880 --> 00:23:47,040 Speaker 1: you were doing that? I was like eighteen, okay, so 469 00:23:47,160 --> 00:23:50,159 Speaker 1: you were eighteen nineteen. And then I, you know, I 470 00:23:50,240 --> 00:23:52,399 Speaker 1: was playing music on the weekends with my mom and 471 00:23:52,680 --> 00:23:55,359 Speaker 1: trying to make some money here and there. So you go, 472 00:23:55,480 --> 00:23:57,639 Speaker 1: did you graduate from Markus State? You finish school? No? 473 00:23:57,920 --> 00:24:00,680 Speaker 1: You did one year. I had a full skyl of ship, Bobby, 474 00:24:00,840 --> 00:24:04,119 Speaker 1: and I went one year and said, and then because 475 00:24:04,560 --> 00:24:06,960 Speaker 1: I didn't want to be a music teacher, I wanted 476 00:24:06,960 --> 00:24:09,720 Speaker 1: to write songs. So I said, I gotta get out 477 00:24:09,760 --> 00:24:12,280 Speaker 1: of here, and you moved to I moved to a 478 00:24:12,320 --> 00:24:13,720 Speaker 1: Little Rock for a little bit, and then I moved 479 00:24:13,720 --> 00:24:17,040 Speaker 1: to Nashville pretty quickly. And ninety seven I moved to Nashville. 480 00:24:17,359 --> 00:24:19,320 Speaker 1: So why the Little Rock for a minute? Big because 481 00:24:19,359 --> 00:24:22,639 Speaker 1: for me that was they had an international airport so 482 00:24:22,800 --> 00:24:26,119 Speaker 1: I could travel and book myself playing gigs, and that 483 00:24:26,359 --> 00:24:29,320 Speaker 1: was really the reason. And I had a buddy, his 484 00:24:29,440 --> 00:24:32,159 Speaker 1: name is Doug, and we we had we shared an 485 00:24:32,200 --> 00:24:35,320 Speaker 1: apartment and we booked ourselves out of that same apartment 486 00:24:36,160 --> 00:24:40,119 Speaker 1: doing gigs, planning for different things, and um, you know, 487 00:24:40,320 --> 00:24:43,359 Speaker 1: until I moved to Nashville, was like, I gotta, I 488 00:24:43,440 --> 00:24:45,720 Speaker 1: gotta get out of here. It's funny you talked about 489 00:24:45,720 --> 00:24:47,159 Speaker 1: Little Rog like that because in my first book, I 490 00:24:47,200 --> 00:24:49,480 Speaker 1: talked about how Little Rock was a big city to me. 491 00:24:49,680 --> 00:24:52,000 Speaker 1: It was big. It was home in ned Permy and 492 00:24:52,320 --> 00:24:55,520 Speaker 1: in tall buildings, and I was like, my goal was 493 00:24:56,000 --> 00:24:58,000 Speaker 1: I just need to get to Little Rock And that 494 00:24:58,160 --> 00:25:00,440 Speaker 1: was such a big step for me. Still when I 495 00:25:00,480 --> 00:25:04,200 Speaker 1: look back, that was probably when I reached like, in 496 00:25:04,320 --> 00:25:06,520 Speaker 1: my mind, the biggest goal. I was like, I just 497 00:25:06,560 --> 00:25:08,680 Speaker 1: want to be on the radio in the capitol. That's 498 00:25:08,720 --> 00:25:11,080 Speaker 1: just the place where I'm gonna probably live. Dude, I 499 00:25:11,200 --> 00:25:12,879 Speaker 1: thought i'd made it so big when I made it 500 00:25:12,960 --> 00:25:15,000 Speaker 1: a little little awesome, And I'll eventually go back and 501 00:25:15,080 --> 00:25:16,840 Speaker 1: live there again. It is a cool place, and you 502 00:25:16,880 --> 00:25:18,960 Speaker 1: know what I remember, Like the river there in the 503 00:25:19,119 --> 00:25:22,160 Speaker 1: middle of town and we go climb up the old 504 00:25:22,400 --> 00:25:24,680 Speaker 1: train track bridge and like sit up there and like 505 00:25:24,920 --> 00:25:28,480 Speaker 1: dream and I would dream about, Oh, man, if I 506 00:25:28,520 --> 00:25:31,320 Speaker 1: could just write songs in Nashville and be, you know, 507 00:25:31,440 --> 00:25:34,480 Speaker 1: one of those people. And so it's pretty cool that 508 00:25:34,560 --> 00:25:38,040 Speaker 1: I'm here, and there's no way I could have made it. 509 00:25:38,080 --> 00:25:39,640 Speaker 1: I don't I don't even know how I got here. 510 00:25:39,800 --> 00:25:42,760 Speaker 1: So I'm really thankful. And you know, I'm in a 511 00:25:42,760 --> 00:25:45,040 Speaker 1: little big town and I get to play music every 512 00:25:45,160 --> 00:25:49,600 Speaker 1: day and it's pretty cool. So I never take it 513 00:25:49,720 --> 00:25:52,959 Speaker 1: for granted. But man, it's so weird. Do a lot 514 00:25:53,000 --> 00:25:56,240 Speaker 1: of people. I think that you and Kimberly are married 515 00:25:56,400 --> 00:25:58,800 Speaker 1: because Karen and Jimmy are married and you have two blondes. 516 00:25:59,800 --> 00:26:02,000 Speaker 1: The people, because I can definitely see where of two 517 00:26:02,000 --> 00:26:03,159 Speaker 1: of them a marry, they might as soon as the 518 00:26:03,240 --> 00:26:05,160 Speaker 1: other two are married to They do that a lot. 519 00:26:05,400 --> 00:26:06,680 Speaker 1: Is that a thing where they're like, oh, we're like 520 00:26:06,760 --> 00:26:09,440 Speaker 1: we're married, but to other people? But I mean, what 521 00:26:09,560 --> 00:26:11,720 Speaker 1: can you do about that? You know, you just say hey, yeah, 522 00:26:11,920 --> 00:26:14,760 Speaker 1: but no not to each other and move on quickly. 523 00:26:15,560 --> 00:26:18,520 Speaker 1: But man, I love it. I love getting to create 524 00:26:18,560 --> 00:26:21,879 Speaker 1: with those beautiful people because the push and pull between 525 00:26:21,920 --> 00:26:24,760 Speaker 1: the four of us is what has driven me creatively. 526 00:26:24,880 --> 00:26:29,080 Speaker 1: And we get rewarded with that gift. It's so cool, like, 527 00:26:30,160 --> 00:26:33,120 Speaker 1: you know, we get to make music together every day. 528 00:26:34,080 --> 00:26:36,800 Speaker 1: I was reading this story recently about a soccer player 529 00:26:36,880 --> 00:26:39,560 Speaker 1: who ensured his leg because you can go to like 530 00:26:39,680 --> 00:26:43,199 Speaker 1: the the Lords of London or Lloyd's of London. I'm 531 00:26:43,240 --> 00:26:45,119 Speaker 1: not even sure what it is, and you can ensure 532 00:26:45,160 --> 00:26:48,240 Speaker 1: your body parts and so we should do that. What 533 00:26:48,320 --> 00:26:49,840 Speaker 1: are you going to ensure? Well? I did have some 534 00:26:49,920 --> 00:26:52,480 Speaker 1: of My business manager was like, hey, I'm not paying 535 00:26:52,520 --> 00:26:55,120 Speaker 1: for that. Do you want to ensure your vocal acords? 536 00:26:55,480 --> 00:26:57,119 Speaker 1: And it was like that's a good one. She was like, 537 00:26:57,160 --> 00:26:59,080 Speaker 1: it's not even about your vowcords being that good. It's 538 00:26:59,119 --> 00:27:01,840 Speaker 1: like that's the only thing have to work with, Like 539 00:27:01,920 --> 00:27:04,080 Speaker 1: I've developed no other skill that made you feel great. 540 00:27:04,119 --> 00:27:06,040 Speaker 1: By the way, First of all, I think about that 541 00:27:06,040 --> 00:27:08,159 Speaker 1: because that you broke your hand at one point, didn't you. 542 00:27:08,320 --> 00:27:10,280 Speaker 1: I did, I broke this bone, right, here on my 543 00:27:10,440 --> 00:27:13,680 Speaker 1: right hand. But I was able. How did you do that? 544 00:27:13,800 --> 00:27:17,399 Speaker 1: By the way, um it was? Was it a a 545 00:27:17,880 --> 00:27:20,640 Speaker 1: such an accident. It was like one of those things 546 00:27:20,680 --> 00:27:23,159 Speaker 1: where I was laughing and he hit it on something 547 00:27:23,640 --> 00:27:26,399 Speaker 1: and I was like, how that kind of hurt and 548 00:27:27,160 --> 00:27:30,280 Speaker 1: broke it? So did did it stop your guitar? Because 549 00:27:30,359 --> 00:27:32,720 Speaker 1: darks broke his hand RAI, it didn't stop anything. I 550 00:27:32,880 --> 00:27:35,520 Speaker 1: actually played with the other three fingers and it was 551 00:27:35,640 --> 00:27:38,600 Speaker 1: like I had this weird cast that I had to wear. 552 00:27:38,880 --> 00:27:41,359 Speaker 1: But the hardest part, and you know this because you 553 00:27:41,480 --> 00:27:43,560 Speaker 1: do meet and greets and stuff like that, I had 554 00:27:43,640 --> 00:27:46,479 Speaker 1: this guy come up and meet and greet, and before 555 00:27:46,680 --> 00:27:50,600 Speaker 1: I realized it was broken, he shook my hand and 556 00:27:51,359 --> 00:27:55,000 Speaker 1: literally it almost sent me to my knees. I was 557 00:27:55,160 --> 00:27:59,880 Speaker 1: so much in pain and my face got so red. 558 00:28:00,200 --> 00:28:03,359 Speaker 1: My bands bandmates were like, oh my god, are you okay. 559 00:28:03,800 --> 00:28:06,959 Speaker 1: I'm like that sucks. And he didn't know, he had 560 00:28:07,000 --> 00:28:08,760 Speaker 1: no idea and he was like one of those I'm 561 00:28:08,760 --> 00:28:12,280 Speaker 1: gonna yeah. In the South, they have a really really 562 00:28:12,320 --> 00:28:14,959 Speaker 1: strong handshake to show that and sometimes it's like it's 563 00:28:15,000 --> 00:28:17,520 Speaker 1: a contest. I don't know what that is about. One 564 00:28:17,560 --> 00:28:21,240 Speaker 1: that I quickly go you win. You don't get the 565 00:28:21,280 --> 00:28:24,040 Speaker 1: strongest hand. You're so many. I want to play a 566 00:28:24,040 --> 00:28:25,879 Speaker 1: game here. I want to play a clip one of 567 00:28:25,920 --> 00:28:27,960 Speaker 1: your songs. It just yeah, it sealed now, so it's 568 00:28:27,960 --> 00:28:30,520 Speaker 1: doing good. Give me a memory, okay, just I'll play 569 00:28:30,520 --> 00:28:32,200 Speaker 1: you a song of yours and you just give me 570 00:28:32,280 --> 00:28:34,159 Speaker 1: a memory that comes with that song. I like this 571 00:28:34,560 --> 00:28:36,960 Speaker 1: um so a Boondocks. I wanna play a little Boondocks 572 00:28:37,000 --> 00:28:49,000 Speaker 1: for you, And let's play for a second corn when 573 00:28:49,040 --> 00:28:53,480 Speaker 1: you hear that song. I remember this club, this little 574 00:28:53,520 --> 00:28:57,080 Speaker 1: club in Kentucky, and we've been touring, We've been on 575 00:28:57,360 --> 00:29:03,680 Speaker 1: radio tour, struggling. It's it was sucking. We were you know, 576 00:29:04,040 --> 00:29:06,880 Speaker 1: you know that feels were just like damn. And then 577 00:29:07,120 --> 00:29:09,000 Speaker 1: all of a sudden, we pull up to this place 578 00:29:09,080 --> 00:29:12,520 Speaker 1: in Kentucky and there's all these people here and we're 579 00:29:13,200 --> 00:29:16,320 Speaker 1: we're there to perform at this club and the parking 580 00:29:16,360 --> 00:29:19,000 Speaker 1: lot is full. We're like, who are you opening for? 581 00:29:19,400 --> 00:29:23,320 Speaker 1: Like this is incredible, and it comes to be that 582 00:29:23,600 --> 00:29:27,720 Speaker 1: they're there for us, and we were blown away and 583 00:29:27,840 --> 00:29:30,680 Speaker 1: we performed and we did all know what we thought 584 00:29:30,800 --> 00:29:35,040 Speaker 1: was a pretty good job, and they were so just 585 00:29:35,240 --> 00:29:37,760 Speaker 1: into it. They wanted an encore We've never done an 586 00:29:37,840 --> 00:29:42,440 Speaker 1: encore before, so they were like boot Ducts, boot Ducts, 587 00:29:42,560 --> 00:29:47,480 Speaker 1: boot Ducks. We sing boot Ducks again. Yeah, that was 588 00:29:47,560 --> 00:29:52,160 Speaker 1: our encore, it said, dude, they hit again and they 589 00:29:52,240 --> 00:29:54,400 Speaker 1: loved it. They were like freaking out. I love the 590 00:29:54,480 --> 00:29:56,360 Speaker 1: end of that song. As far as the endings of songs, 591 00:29:56,440 --> 00:30:00,480 Speaker 1: all time, endings of songs, I get a pull, We'll 592 00:30:00,560 --> 00:30:04,560 Speaker 1: go fishing in the girlfish, I've got poker on Saturday night, 593 00:30:04,840 --> 00:30:10,120 Speaker 1: Church on Sunday morning, get line, I get a poll. 594 00:30:10,560 --> 00:30:12,240 Speaker 1: I like Jimmy's part on that. I always want to 595 00:30:12,280 --> 00:30:16,240 Speaker 1: sing Jimmy's part when there you go. That's the endings 596 00:30:16,280 --> 00:30:19,160 Speaker 1: of songs Top three of all time? Thank you? Is 597 00:30:19,200 --> 00:30:21,400 Speaker 1: that still fun? To dude? That in part? Are you kidding? 598 00:30:21,480 --> 00:30:22,960 Speaker 1: Is the crowd to the in part like crazy? Because 599 00:30:23,000 --> 00:30:27,720 Speaker 1: I'm not. It's not just fun. It's like I feel 600 00:30:27,760 --> 00:30:31,120 Speaker 1: like a three year old. I'm so happy when that happens. 601 00:30:31,680 --> 00:30:34,560 Speaker 1: And I'll go, you get line, I'll get a poll 602 00:30:34,560 --> 00:30:38,240 Speaker 1: on it. Put the mine got to the crowd. It 603 00:30:38,400 --> 00:30:42,680 Speaker 1: blows my mind. You know, It's like what that never 604 00:30:42,800 --> 00:30:46,320 Speaker 1: gets old? It only makes it more beautiful. All right, 605 00:30:46,320 --> 00:30:49,360 Speaker 1: I'm gonna play another one here tell me the memory 606 00:30:49,400 --> 00:30:52,920 Speaker 1: that comes to mind when I play Girl Crush. Here's 607 00:30:52,920 --> 00:30:55,280 Speaker 1: a little bit of the song. Here's a girl crushing 608 00:30:55,600 --> 00:30:57,360 Speaker 1: a little big town. Just think about it, Philip, like 609 00:30:57,360 --> 00:30:59,680 Speaker 1: I press, you think about what memory comes on and 610 00:31:00,560 --> 00:31:05,520 Speaker 1: great Sheldon and a girl crush hat. He's looking over 611 00:31:05,600 --> 00:31:10,600 Speaker 1: his left shoulder. Posted it on Twitter. He is the 612 00:31:10,680 --> 00:31:15,800 Speaker 1: sexiest girl crush hat wearing mother I've ever seen. That's 613 00:31:15,840 --> 00:31:20,440 Speaker 1: what I'm like. I remember Blake Sheldon, I remember Stapleton, 614 00:31:20,520 --> 00:31:24,520 Speaker 1: did it like they like they made that song? If 615 00:31:24,560 --> 00:31:29,120 Speaker 1: it wasn't for them pushing and you playing it. We 616 00:31:29,280 --> 00:31:32,360 Speaker 1: talked about that with Dan Rather the other day. We 617 00:31:32,520 --> 00:31:35,520 Speaker 1: were like, man, you know, if it wasn't for Bobby 618 00:31:35,960 --> 00:31:40,760 Speaker 1: and all of our friends making this song something, fighting 619 00:31:40,880 --> 00:31:42,960 Speaker 1: for it, saying no, hey, you can't just like push 620 00:31:43,040 --> 00:31:45,960 Speaker 1: this away. This is a song that needs to be heard. 621 00:31:46,880 --> 00:31:50,680 Speaker 1: Who would have heard it. You made it happen, And 622 00:31:51,080 --> 00:31:52,840 Speaker 1: I was just part of the group that made it happened. 623 00:31:53,040 --> 00:31:54,520 Speaker 1: But I didn't get a lot of trouble for it, 624 00:31:54,600 --> 00:31:56,840 Speaker 1: which I'm so proud of at this point of my life. 625 00:31:57,400 --> 00:32:00,080 Speaker 1: Oh yeah, here's an interesting story. As we do are 626 00:32:00,120 --> 00:32:02,760 Speaker 1: a cold guy handshake. It's one of the only bits 627 00:32:02,800 --> 00:32:04,880 Speaker 1: that my company has ever because at the time this 628 00:32:04,960 --> 00:32:07,520 Speaker 1: song was so controversial and I was playing it before 629 00:32:07,520 --> 00:32:11,800 Speaker 1: it was a single. I think you still had um punt, 630 00:32:12,120 --> 00:32:14,840 Speaker 1: I think no drinking day Drinking was it was the song, 631 00:32:14,960 --> 00:32:17,440 Speaker 1: the first song off the record, and so I was 632 00:32:17,440 --> 00:32:19,160 Speaker 1: playing this and my company was like, whoa, whoa, whoa. 633 00:32:19,760 --> 00:32:22,240 Speaker 1: We need to play this for a focus group and 634 00:32:22,320 --> 00:32:23,800 Speaker 1: see if they think this is bad. And I was like, 635 00:32:24,120 --> 00:32:27,360 Speaker 1: do all you want? Well, mom's across the country, we're 636 00:32:27,360 --> 00:32:29,680 Speaker 1: saying I don't want my daughter to hear say I 637 00:32:30,120 --> 00:32:32,320 Speaker 1: don't want my daughter to hear I want to kiss 638 00:32:32,320 --> 00:32:34,840 Speaker 1: your lips, and then things like that, you're only hearing 639 00:32:34,920 --> 00:32:38,200 Speaker 1: that from reporters who were taking individual comments because what 640 00:32:38,320 --> 00:32:40,720 Speaker 1: we learned through the research when I was like playing 641 00:32:40,760 --> 00:32:44,040 Speaker 1: the song they're talking about it, was that people were going, no, 642 00:32:44,160 --> 00:32:46,920 Speaker 1: we love the song. And so my company goes, you 643 00:32:47,000 --> 00:32:50,160 Speaker 1: know what, there were two things in my career that 644 00:32:50,360 --> 00:32:52,800 Speaker 1: and I have a great company that have it took 645 00:32:52,840 --> 00:32:55,680 Speaker 1: a second for them to tap, but there were two 646 00:32:55,760 --> 00:32:58,520 Speaker 1: things that I got lucky doing. One was Girl Crushed 647 00:32:58,560 --> 00:33:00,040 Speaker 1: before it was a single and I was playing it 648 00:33:00,360 --> 00:33:02,600 Speaker 1: where they were like, no, no, okay, we trust you. 649 00:33:02,640 --> 00:33:04,680 Speaker 1: The second one was putting on a songwriter who didn't 650 00:33:04,680 --> 00:33:06,240 Speaker 1: have any songs and I was like, hey can play, 651 00:33:06,240 --> 00:33:07,520 Speaker 1: and he played all the time. They would like, don't 652 00:33:07,520 --> 00:33:09,720 Speaker 1: put them on and it was Stapleton. And then once 653 00:33:09,800 --> 00:33:11,320 Speaker 1: those two things happened and they were like, all right, 654 00:33:11,680 --> 00:33:14,360 Speaker 1: you just do then I got find a million dollars. 655 00:33:14,600 --> 00:33:16,040 Speaker 1: That was a whole later thing. Oh my god. I 656 00:33:16,080 --> 00:33:17,320 Speaker 1: don't know. We kind of went back to zero at 657 00:33:17,360 --> 00:33:21,640 Speaker 1: that point, but but you still got the best still here. Yeah, 658 00:33:21,680 --> 00:33:24,720 Speaker 1: you're still they're still rocking here. How about let's do 659 00:33:24,840 --> 00:33:28,000 Speaker 1: a pontoon. Thank you for that, tell me to Then 660 00:33:28,080 --> 00:33:31,840 Speaker 1: we think about this villap video. I was like, finally 661 00:33:32,640 --> 00:33:36,600 Speaker 1: on this song, finally they're playing our music and there 662 00:33:37,120 --> 00:33:41,520 Speaker 1: this is getting to the masses. Finally it was, and 663 00:33:41,640 --> 00:33:47,040 Speaker 1: we finally got a big splash. Oh you know, just 664 00:33:47,200 --> 00:33:51,000 Speaker 1: an awareness of music and everyone's like, we're playing this song. 665 00:33:51,200 --> 00:33:54,920 Speaker 1: And it changed our lives because we got booked in 666 00:33:55,120 --> 00:33:57,960 Speaker 1: places we were never booked before, we got paid more, 667 00:33:58,320 --> 00:34:02,360 Speaker 1: all those things. You now, you don't want to be pretentious, 668 00:34:02,440 --> 00:34:05,200 Speaker 1: but it was really nice. But I mean, I remember 669 00:34:05,280 --> 00:34:06,760 Speaker 1: watching when this song came out. It was such a 670 00:34:06,800 --> 00:34:08,960 Speaker 1: big deal. I was still do in Austin, Texas. But 671 00:34:09,000 --> 00:34:12,239 Speaker 1: I would watch Crook and Chase. I loved watch Crook 672 00:34:12,280 --> 00:34:15,240 Speaker 1: and Chase and them. Yeah, me too. Still love love Charlie, 673 00:34:15,320 --> 00:34:18,319 Speaker 1: love them. I just love them because I'm big fans 674 00:34:18,360 --> 00:34:20,560 Speaker 1: of theirs as a kid and so. But I was 675 00:34:20,560 --> 00:34:22,239 Speaker 1: watching Cook and Chase and you guys were on Cook 676 00:34:22,280 --> 00:34:25,520 Speaker 1: and Chase the TV show talking about this song, and 677 00:34:25,719 --> 00:34:28,000 Speaker 1: I was still on pop and hip hop, but I 678 00:34:28,160 --> 00:34:30,080 Speaker 1: was like, I love though I don't know why I 679 00:34:30,120 --> 00:34:31,680 Speaker 1: love those guys. They seem like people i'd like to 680 00:34:31,719 --> 00:34:34,000 Speaker 1: hang out with, if you know. Fast forward eight years later, 681 00:34:34,080 --> 00:34:36,239 Speaker 1: we're hanging out and here you are and here we are. 682 00:34:36,320 --> 00:34:38,920 Speaker 1: But that's like at that okay, dude, that changed our lives. 683 00:34:39,120 --> 00:34:41,520 Speaker 1: Song good, Thank you Pontoon, Thank you for the fans. 684 00:34:41,840 --> 00:34:44,719 Speaker 1: I still don't have a pontoon. My favorite story is 685 00:34:44,840 --> 00:34:47,480 Speaker 1: Natalie Himby, one of the writers of that song. She 686 00:34:48,640 --> 00:34:54,040 Speaker 1: she went to a dealership where they sell pontoons and 687 00:34:54,160 --> 00:34:57,080 Speaker 1: she was like, yeah, we kinda want to buy one 688 00:34:57,120 --> 00:34:59,840 Speaker 1: of these and get going on it. And in the 689 00:35:00,000 --> 00:35:03,440 Speaker 1: I was like, yeah, you know that song. I hate 690 00:35:03,480 --> 00:35:06,439 Speaker 1: that song. I've heard it so much. I hate that song. 691 00:35:06,880 --> 00:35:09,719 Speaker 1: And she couldn't tell she was a writer on it, 692 00:35:10,239 --> 00:35:13,000 Speaker 1: but he hated it. And I'm sure because I used 693 00:35:13,040 --> 00:35:14,759 Speaker 1: to work in a marina and I used to drive 694 00:35:14,800 --> 00:35:16,799 Speaker 1: pon tunes and fixed pon tunes, I probably would hate 695 00:35:16,800 --> 00:35:18,840 Speaker 1: that song too. About here all day every day. It 696 00:35:18,960 --> 00:35:21,239 Speaker 1: had some lot of hate factor on it. That just 697 00:35:21,400 --> 00:35:23,840 Speaker 1: means the exposure is large. That's a great That's what 698 00:35:23,920 --> 00:35:25,719 Speaker 1: I tell a lot of my friends who who start 699 00:35:25,760 --> 00:35:28,239 Speaker 1: to get hate on Instagram because they're getting bigger. I'm like, 700 00:35:28,239 --> 00:35:30,440 Speaker 1: the reason you're getting more hated because you're getting bigger, 701 00:35:30,760 --> 00:35:32,279 Speaker 1: and the more people that see you, You're playing a 702 00:35:32,360 --> 00:35:34,160 Speaker 1: numbers game. The more people that see you, the more 703 00:35:34,160 --> 00:35:36,320 Speaker 1: people that aren't gonna like you. Yeah, it's not that 704 00:35:36,440 --> 00:35:39,440 Speaker 1: you're so much more unlikable, just more more people are 705 00:35:39,480 --> 00:35:42,120 Speaker 1: seeing you. And that's the nature of it. Hey, if 706 00:35:42,200 --> 00:35:44,640 Speaker 1: you can take that and go with it. When you 707 00:35:44,960 --> 00:35:47,080 Speaker 1: get your feelings shirt, I was like, well, you know what, 708 00:35:47,800 --> 00:35:51,279 Speaker 1: I hate that happen to you, But congratulations on your song. 709 00:35:51,520 --> 00:35:55,239 Speaker 1: Yeah right, um when that song, because we were talking 710 00:35:55,239 --> 00:35:58,120 Speaker 1: to her about that, it wasn't hitch if first, was it? 711 00:35:58,480 --> 00:36:02,520 Speaker 1: But when you got the work tape was it hitch back? 712 00:36:02,640 --> 00:36:06,839 Speaker 1: This bitch the water girl, because I love that. That's 713 00:36:06,840 --> 00:36:08,759 Speaker 1: what I loved about it. I love that it said 714 00:36:08,800 --> 00:36:12,200 Speaker 1: back this bitch. And then when we said hitch, We're like, Okay, 715 00:36:12,280 --> 00:36:16,120 Speaker 1: we gotta make it like, you know, cool for the peeps. 716 00:36:17,560 --> 00:36:21,839 Speaker 1: But yeah, and hitch also makes sense as someone again 717 00:36:21,880 --> 00:36:26,760 Speaker 1: who all right, little Big Town Week on the Bobby Cast. 718 00:36:28,400 --> 00:36:31,600 Speaker 1: It's little Big Town Week on the Bobby Cast. I'm 719 00:36:31,600 --> 00:36:34,120 Speaker 1: gonna play a little White Church because I love this one. Here, 720 00:36:34,239 --> 00:36:36,280 Speaker 1: let's let's be on his favorite. Let's do what memory 721 00:36:36,360 --> 00:36:39,160 Speaker 1: comes to mind when I play a little white Church 722 00:36:39,280 --> 00:36:41,120 Speaker 1: from a little big town here you go, which, by 723 00:36:41,120 --> 00:36:42,480 Speaker 1: the way, this is the song I still mix up 724 00:36:42,520 --> 00:36:44,480 Speaker 1: in the name party. I don't know what this is, 725 00:36:46,239 --> 00:36:53,719 Speaker 1: think about it there down what comes to mind. I 726 00:36:53,800 --> 00:36:58,440 Speaker 1: had a nineteen thirty two Gibson guitar guitar and that 727 00:36:58,600 --> 00:37:01,800 Speaker 1: was right around the time of Nashville floods, and that 728 00:37:01,960 --> 00:37:05,239 Speaker 1: guitar I had to shoot it. I used it for 729 00:37:05,320 --> 00:37:08,960 Speaker 1: the video shoot and then I left it in storage 730 00:37:09,080 --> 00:37:12,719 Speaker 1: and we went to sing the anthem at the race 731 00:37:12,960 --> 00:37:16,760 Speaker 1: in Kentucky, the Derby, and that was when the flood happened, 732 00:37:16,960 --> 00:37:20,719 Speaker 1: and so I lost my guitar. It floated on the 733 00:37:21,080 --> 00:37:24,080 Speaker 1: top in the river. And I moved to right after that, 734 00:37:24,120 --> 00:37:26,319 Speaker 1: so I didn't experience the flood. What was that like here? 735 00:37:26,760 --> 00:37:29,480 Speaker 1: It was bizarre. You know. You had people like Keith 736 00:37:29,560 --> 00:37:33,200 Speaker 1: Urban and Vince Gille who lost like a hundred guitars. 737 00:37:33,880 --> 00:37:36,880 Speaker 1: I just remember. One of the best stories is that 738 00:37:37,040 --> 00:37:41,279 Speaker 1: Vince Gill lost his guitar that his father gave him 739 00:37:42,120 --> 00:37:45,239 Speaker 1: and it was just like hundred year old Martin. And 740 00:37:46,040 --> 00:37:48,239 Speaker 1: so for me when I lost in nineteen thirty two 741 00:37:48,280 --> 00:37:51,840 Speaker 1: Gibson that I just bought, you know, somewhere, I played 742 00:37:51,880 --> 00:37:54,800 Speaker 1: it in a video a little white church. But I 743 00:37:54,920 --> 00:37:58,040 Speaker 1: thought that's nothing compared to what Vince lost. He lost 744 00:37:58,400 --> 00:38:01,279 Speaker 1: the guitarist dad gave him. But there was a lot 745 00:38:01,360 --> 00:38:05,040 Speaker 1: of that going on. Peter Frampton, Keith Urban, they all 746 00:38:05,160 --> 00:38:09,719 Speaker 1: lost like a hundred guitars each. It was like it 747 00:38:09,880 --> 00:38:12,080 Speaker 1: was unreal. And then you would even see people and go, oh, 748 00:38:12,160 --> 00:38:14,719 Speaker 1: guitars are nothing when it comes to like homes, you know, 749 00:38:14,880 --> 00:38:18,640 Speaker 1: even with like yeah and that, yeah, guitars are nothing. 750 00:38:18,680 --> 00:38:20,920 Speaker 1: You're right, yeah, And it's like I do that sometimes 751 00:38:21,320 --> 00:38:24,439 Speaker 1: say no, no, no. Everybody gets it in context because 752 00:38:24,440 --> 00:38:26,360 Speaker 1: it's the music podcast. We're talking about that, but that 753 00:38:26,440 --> 00:38:28,600 Speaker 1: happens to me too. I'm like, oh, man, I gotta 754 00:38:28,680 --> 00:38:32,799 Speaker 1: wake up three thirty on the morning. But I'm like, yeah, 755 00:38:33,040 --> 00:38:35,319 Speaker 1: you know what though, it's all right, like you get 756 00:38:35,360 --> 00:38:37,640 Speaker 1: to do something pretty cool, pretty cool. You know, I'm 757 00:38:37,680 --> 00:38:39,880 Speaker 1: gonna play. Let me play a little bit of we Have. 758 00:38:39,960 --> 00:38:42,920 Speaker 1: You have so many songs that I love. Let's do Tornado. 759 00:38:43,360 --> 00:38:48,040 Speaker 1: But think this was the jam. You're playing keys right 760 00:38:48,080 --> 00:38:51,600 Speaker 1: now in front of me on that guitar on the 761 00:38:51,640 --> 00:38:56,319 Speaker 1: song Okay, I actually play a guitarists strung with really 762 00:38:56,440 --> 00:38:59,560 Speaker 1: low strings, so it's like really almost like a bass, 763 00:39:00,000 --> 00:39:02,919 Speaker 1: almost like a bass, And I played this little layer 764 00:39:02,960 --> 00:39:05,799 Speaker 1: of a guitar and we performed this because this song 765 00:39:06,520 --> 00:39:10,520 Speaker 1: on David Letterman before he retired. And what I remember 766 00:39:10,600 --> 00:39:12,399 Speaker 1: is that he came over and he was like, what's 767 00:39:12,440 --> 00:39:15,600 Speaker 1: that little guitar you got there? Serve like, like, you know, 768 00:39:15,680 --> 00:39:18,560 Speaker 1: I felt ridiculous of like, man, I'm not impressing David 769 00:39:18,640 --> 00:39:20,839 Speaker 1: Letterman at all. I'm like trying to rock it out 770 00:39:21,200 --> 00:39:23,799 Speaker 1: with this guitar all strong, low, and he's like, what's 771 00:39:23,840 --> 00:39:27,239 Speaker 1: that little guitar you got there? Sonny Da? That's my 772 00:39:27,560 --> 00:39:29,359 Speaker 1: that's my hero. It's always my dream to meet David 773 00:39:29,400 --> 00:39:34,480 Speaker 1: Letterman really yeah, and I haven't. I'm also scared too, 774 00:39:35,400 --> 00:39:39,040 Speaker 1: because you know, they're like, you know, and we get 775 00:39:39,239 --> 00:39:40,840 Speaker 1: we are in the world now when we get to 776 00:39:40,880 --> 00:39:42,520 Speaker 1: meet a lot of people that we think and thought 777 00:39:42,560 --> 00:39:45,760 Speaker 1: were super cool. Sometimes they're cooler than we thought. Sometimes 778 00:39:45,800 --> 00:39:50,160 Speaker 1: they're not. I agree with you so much on that. Yeah, 779 00:39:50,400 --> 00:39:53,000 Speaker 1: and David, I say, Conan O'Brien is one of those 780 00:39:53,080 --> 00:39:55,719 Speaker 1: that I thought I would. You know, I had met 781 00:39:55,800 --> 00:39:58,560 Speaker 1: him and performed on the show a few times. And 782 00:39:58,680 --> 00:40:02,560 Speaker 1: then I run into the guy, you know, on a vacation, 783 00:40:02,760 --> 00:40:05,160 Speaker 1: you just running it coming to the Park City, Utah, 784 00:40:05,320 --> 00:40:07,520 Speaker 1: and I was like, hey, man, I know I played 785 00:40:07,560 --> 00:40:08,960 Speaker 1: on your show a few times. He's like, yeah, I 786 00:40:09,040 --> 00:40:12,759 Speaker 1: don't remember. And then it was like, I don't I 787 00:40:12,800 --> 00:40:14,200 Speaker 1: don't want to call him out, but I'm kind of 788 00:40:14,239 --> 00:40:16,759 Speaker 1: calling him out. But he was like, yeah, I don't 789 00:40:16,800 --> 00:40:20,160 Speaker 1: remember you. At least he was honest, he was cool. 790 00:40:20,239 --> 00:40:23,680 Speaker 1: He didn't remember at all. I've been We've been un 791 00:40:23,680 --> 00:40:26,120 Speaker 1: there like three times, and I was like, yeah, man, 792 00:40:26,160 --> 00:40:28,759 Speaker 1: I'm just such a fan. I was. I loved your 793 00:40:29,200 --> 00:40:31,880 Speaker 1: you know documentary, you know, can't stop. And he was like, 794 00:40:31,960 --> 00:40:35,080 Speaker 1: oh yeah, Well, Wow, Yeah, that was great, But I 795 00:40:35,120 --> 00:40:37,440 Speaker 1: don't remember you man, And I was like, okay, well 796 00:40:37,560 --> 00:40:42,080 Speaker 1: enjoy your rest of vacation. That's funny. And he went 797 00:40:42,160 --> 00:40:44,680 Speaker 1: on his way and didn't remember anything. But I thought 798 00:40:44,719 --> 00:40:47,920 Speaker 1: he remember me. He like he you know, I remember 799 00:40:48,000 --> 00:40:50,560 Speaker 1: being in New York taping the show and seeing him 800 00:40:50,560 --> 00:40:52,920 Speaker 1: after the show. I'm like, oh my god, thanks man, 801 00:40:53,080 --> 00:40:58,480 Speaker 1: thanks for having us my daughter, your daughter. He talked, no, no, 802 00:40:59,000 --> 00:41:01,239 Speaker 1: no memory. So many people go through that. You know, 803 00:41:01,640 --> 00:41:02,920 Speaker 1: what can you do? And what are you gonna do? 804 00:41:04,080 --> 00:41:07,800 Speaker 1: Some country folk? Anyway? What after a third time playing 805 00:41:07,840 --> 00:41:10,439 Speaker 1: this show? I thought he would remember, but I would 806 00:41:10,880 --> 00:41:13,239 Speaker 1: maybe I would remember, But he didn't. And I don't 807 00:41:13,320 --> 00:41:17,560 Speaker 1: judge him for that. But who was the last person 808 00:41:17,680 --> 00:41:19,839 Speaker 1: that you asked to take a picture with? Like? Think 809 00:41:19,880 --> 00:41:22,319 Speaker 1: about that, not like family, but like someone and all 810 00:41:22,440 --> 00:41:25,080 Speaker 1: as you're thinking about it. I saw Ben Folds at 811 00:41:25,120 --> 00:41:26,879 Speaker 1: the National Airport and I was too scared to ask 812 00:41:26,960 --> 00:41:28,560 Speaker 1: him to take a picture because I'm such a huge fan. 813 00:41:29,280 --> 00:41:32,120 Speaker 1: But I wonder, like someone like you, you're a big 814 00:41:32,200 --> 00:41:35,879 Speaker 1: time musician. Really yeah, Like, who who is the last 815 00:41:35,920 --> 00:41:37,239 Speaker 1: person that you went up to one like, hey man, 816 00:41:37,280 --> 00:41:39,800 Speaker 1: you get a picture? I always feel so like, I 817 00:41:39,880 --> 00:41:42,440 Speaker 1: still always feel like that little kid from Arkansas who 818 00:41:43,480 --> 00:41:47,320 Speaker 1: never really is that you know what you say? What 819 00:41:47,480 --> 00:41:50,719 Speaker 1: you just said? I always feel so humble and so 820 00:41:51,480 --> 00:41:54,120 Speaker 1: and asking McBride who is my friend? We grew up 821 00:41:54,120 --> 00:41:56,239 Speaker 1: in the same little town. We always talk about, Oh man, 822 00:41:57,000 --> 00:41:59,920 Speaker 1: we can connect because we remember our teachers are out 823 00:42:00,000 --> 00:42:03,279 Speaker 1: of a teacher, Miss Bassham. We had the same algebra teacher, 824 00:42:03,480 --> 00:42:07,040 Speaker 1: which she failed us both by the way. That um 825 00:42:07,440 --> 00:42:11,600 Speaker 1: but you know the last person I remember really wanting 826 00:42:11,640 --> 00:42:14,760 Speaker 1: to take a picture with question It is a tough question. 827 00:42:16,160 --> 00:42:20,760 Speaker 1: It was it was? It was Daisy Ridley, the actress 828 00:42:20,880 --> 00:42:24,480 Speaker 1: for you know, Ray the New Jedi. I don't know. 829 00:42:24,800 --> 00:42:27,439 Speaker 1: Oh yeah, I don't know. I've never seen Star Wars, 830 00:42:27,480 --> 00:42:30,240 Speaker 1: but is that she was? She was recently on Jimmy 831 00:42:30,320 --> 00:42:32,359 Speaker 1: Fallon and we were all backstage and we're like, can 832 00:42:32,400 --> 00:42:33,640 Speaker 1: we get a picture with you? And she was like, 833 00:42:33,920 --> 00:42:37,200 Speaker 1: oh yeah, who are you? And I kind of dig 834 00:42:37,400 --> 00:42:42,320 Speaker 1: that that she has no clue, but she's amazing. My 835 00:42:42,719 --> 00:42:45,719 Speaker 1: my daughter was fascinated. I did Blanco Brown, who does 836 00:42:46,000 --> 00:42:48,520 Speaker 1: go to do the too Ben Cowboy book? Give you 837 00:42:48,600 --> 00:42:51,160 Speaker 1: heard that song that in a little nonz X. The 838 00:42:51,239 --> 00:42:53,320 Speaker 1: last two guys that I was like, let's get a picture. 839 00:42:54,160 --> 00:42:56,600 Speaker 1: Thankfully I was there for the little nonz X kind 840 00:42:56,600 --> 00:42:59,040 Speaker 1: of situation and we were all they were hanging out 841 00:42:59,520 --> 00:43:02,800 Speaker 1: after party, so it wasn't too awkward. You know what. 842 00:43:02,800 --> 00:43:05,719 Speaker 1: I always feel awkward asking like, hey, can would you 843 00:43:05,840 --> 00:43:07,800 Speaker 1: mind taking the picture? You know what the move is. 844 00:43:07,840 --> 00:43:10,479 Speaker 1: What I've now kind of got mastered with who members 845 00:43:10,560 --> 00:43:12,960 Speaker 1: with me. I'll be like, hey, do the move, and 846 00:43:13,000 --> 00:43:14,640 Speaker 1: they know what the movie is. They'll get their phone out, 847 00:43:14,680 --> 00:43:16,520 Speaker 1: be like, you know what, we should get a picture, Bobby, 848 00:43:16,719 --> 00:43:18,560 Speaker 1: get a little NODSX. You guys dike a picture together. 849 00:43:18,640 --> 00:43:22,120 Speaker 1: You didn't ask yeah, and then someone else and it's 850 00:43:22,120 --> 00:43:24,880 Speaker 1: not like little gonna go like, nah, he canna go 851 00:43:25,120 --> 00:43:27,799 Speaker 1: all right because I didn't. Yeah, what's he gonna say? 852 00:43:28,040 --> 00:43:30,319 Speaker 1: That's my move? Now? It's good when I'm like, all right, 853 00:43:30,360 --> 00:43:32,040 Speaker 1: do the thing, then you don't have to ask. Then 854 00:43:32,080 --> 00:43:34,000 Speaker 1: I don't have to ask because I'm always kind of 855 00:43:34,040 --> 00:43:36,759 Speaker 1: embarrassed me too. I'm like, I don't want to be 856 00:43:36,880 --> 00:43:39,839 Speaker 1: the guy who's like, look at me. I know, okay, 857 00:43:39,840 --> 00:43:42,799 Speaker 1: how about this one? I love this song. Um it's 858 00:43:42,880 --> 00:43:44,640 Speaker 1: sadly did not do as well as I hoped it 859 00:43:44,680 --> 00:43:46,080 Speaker 1: would do, but I loved it so much, and I 860 00:43:46,120 --> 00:43:47,680 Speaker 1: think Karen and I have talked about how frustrating it 861 00:43:47,800 --> 00:43:51,279 Speaker 1: was for me when when someone stops loving you. Wasn't 862 00:43:51,280 --> 00:43:58,440 Speaker 1: a huge hits, such a good song. Careful, tell me 863 00:43:58,520 --> 00:44:05,600 Speaker 1: about what member is this? Okay? This song was beautiful 864 00:44:05,760 --> 00:44:09,399 Speaker 1: and we loved it. The shooting of this video might 865 00:44:09,520 --> 00:44:14,800 Speaker 1: have been the hottest day in California. Sexy. No, it 866 00:44:14,920 --> 00:44:19,440 Speaker 1: wasn't sexy. I might have almost passed out. I almost 867 00:44:19,480 --> 00:44:21,800 Speaker 1: had a heat stroke, Like it was like a hundred 868 00:44:21,880 --> 00:44:25,000 Speaker 1: and eight degrees. And there's this picture of me like 869 00:44:25,160 --> 00:44:28,320 Speaker 1: wandering off in the distance with this you know, this 870 00:44:28,560 --> 00:44:32,120 Speaker 1: land that had kind of been scorched by the fire basically, 871 00:44:32,320 --> 00:44:34,080 Speaker 1: so it looked really good. It looked like you were 872 00:44:34,200 --> 00:44:38,040 Speaker 1: on Mars and we're shooting this video. And I had 873 00:44:38,080 --> 00:44:40,520 Speaker 1: a moment there where well, you get so hot that 874 00:44:40,640 --> 00:44:43,839 Speaker 1: you're cold. It's like water sometimes. Is that where you touching? 875 00:44:44,040 --> 00:44:46,200 Speaker 1: Is that hotter? Like I literally thought I was going 876 00:44:46,239 --> 00:44:49,680 Speaker 1: to pass out, And that's what I remember from this song. 877 00:44:50,480 --> 00:44:52,520 Speaker 1: But it's a beautiful thing. You know. Another one. I 878 00:44:52,680 --> 00:44:54,560 Speaker 1: love that you guys have so many songs I love 879 00:44:54,640 --> 00:44:56,480 Speaker 1: like I love your side of the bed and I 880 00:44:56,480 --> 00:44:58,560 Speaker 1: remember watching you guys do that at the Awards show. 881 00:44:58,800 --> 00:45:04,360 Speaker 1: Thank You Such a changing souse. Jimmy and Karen's parents 882 00:45:04,520 --> 00:45:07,120 Speaker 1: both thought that they had something there, like because there's 883 00:45:07,120 --> 00:45:09,160 Speaker 1: something you gotta tell, you know, like there's something going 884 00:45:09,200 --> 00:45:11,520 Speaker 1: on between you guys. You know, there's your breakup song, 885 00:45:11,600 --> 00:45:14,279 Speaker 1: there's your divorce. There's Laurie McKenna there for you. She's like, 886 00:45:14,480 --> 00:45:17,160 Speaker 1: she knows how to write this lyric and she has 887 00:45:17,360 --> 00:45:20,239 Speaker 1: the most beautiful marriage with her husband Jean. And we 888 00:45:20,400 --> 00:45:23,160 Speaker 1: always go, how do you write these songs? And you 889 00:45:23,280 --> 00:45:28,839 Speaker 1: have the happiest life ever, you know. But because she's 890 00:45:28,840 --> 00:45:33,080 Speaker 1: probably so well balanced, she can go there. I wonder 891 00:45:33,120 --> 00:45:36,120 Speaker 1: what a gift, right? Yeah? And you know she lives 892 00:45:36,160 --> 00:45:38,080 Speaker 1: in Boston and people go to her, which is because 893 00:45:38,120 --> 00:45:40,879 Speaker 1: she's so good. Yeah, and the fact that she that's 894 00:45:40,920 --> 00:45:43,239 Speaker 1: a cool thing. But people will travel to you. She 895 00:45:43,280 --> 00:45:45,480 Speaker 1: comes to Nashville song and I love Lorie. I know Lorie. 896 00:45:45,600 --> 00:45:47,440 Speaker 1: She comes a little bit. Have you written with Loria? 897 00:45:47,600 --> 00:45:49,520 Speaker 1: I've not written with her. I won't even ask her 898 00:45:49,560 --> 00:45:52,760 Speaker 1: to write, like, come on now, I only write funny songs. 899 00:45:53,640 --> 00:45:57,040 Speaker 1: And she can write the hits and do love junkies 900 00:45:57,120 --> 00:45:59,080 Speaker 1: and make the millions. I'm not going to try to 901 00:45:59,120 --> 00:46:01,319 Speaker 1: take her time up. You know, I did this one 902 00:46:01,360 --> 00:46:04,319 Speaker 1: that's got the funny side to her. Yeah, yeah, yeah, listen, 903 00:46:04,400 --> 00:46:07,600 Speaker 1: you're a humbling ky. I need some more anymore any more? 904 00:46:07,640 --> 00:46:09,759 Speaker 1: So down. Um, I'm gonna let me play a little 905 00:46:09,760 --> 00:46:11,440 Speaker 1: bit of them. I've been going too fast of the 906 00:46:11,520 --> 00:46:16,120 Speaker 1: new the new one, her daughters, son and God the 907 00:46:16,360 --> 00:46:25,719 Speaker 1: father balance in the tuxedoes, which, by the way, were 908 00:46:25,719 --> 00:46:28,120 Speaker 1: those tuxedo super expensive or those like Gucci or something? 909 00:46:28,200 --> 00:46:31,239 Speaker 1: They were pretty prexy. You don't buy those right, well, 910 00:46:31,440 --> 00:46:35,560 Speaker 1: thank god? Okay, I borrowed them. Okay, we borrowed him. 911 00:46:35,800 --> 00:46:38,320 Speaker 1: Tell me about this song. This song Karen read it 912 00:46:38,360 --> 00:46:41,200 Speaker 1: with Sean McConnell and Ashley Ray if you know, I 913 00:46:41,239 --> 00:46:45,440 Speaker 1: know whose writers are. But she said it was literally 914 00:46:45,520 --> 00:46:47,320 Speaker 1: a gift. It just fell out of this guy. And 915 00:46:47,640 --> 00:46:50,799 Speaker 1: they were talking about that book, you know, girl Washed 916 00:46:50,840 --> 00:46:54,799 Speaker 1: your Face Rachel Hollis, Yeah, and Karen was like, who 917 00:46:55,080 --> 00:46:57,240 Speaker 1: wash your face? When do you come to the table? 918 00:46:57,800 --> 00:47:00,320 Speaker 1: And then Sean picks up a guitar and says, and 919 00:47:00,400 --> 00:47:03,040 Speaker 1: they keep going and they this song just kind of 920 00:47:03,120 --> 00:47:05,400 Speaker 1: fell out of the sky, and she came to us 921 00:47:05,480 --> 00:47:09,040 Speaker 1: the other day not that long ago, and the studio 922 00:47:09,200 --> 00:47:12,279 Speaker 1: was like, this song, I feel like this might be 923 00:47:12,320 --> 00:47:14,840 Speaker 1: the best song I've ever written. Listen to it. And 924 00:47:15,000 --> 00:47:19,160 Speaker 1: we listened and it was beautiful. It moved. It's all 925 00:47:19,200 --> 00:47:27,759 Speaker 1: so much. Thank you, the kids clean up. What's the 926 00:47:27,880 --> 00:47:31,080 Speaker 1: dynamic when all four of you can really sing? Because 927 00:47:31,120 --> 00:47:34,640 Speaker 1: you can really sing? Don't you ever want to go? 928 00:47:35,600 --> 00:47:38,640 Speaker 1: Let me have all the leads tonight? This is Tuesday, guys, listen, 929 00:47:38,760 --> 00:47:41,480 Speaker 1: let me just sing all the leads? You know, because 930 00:47:41,480 --> 00:47:44,600 Speaker 1: we I work in a group dynamic, which when you're 931 00:47:44,719 --> 00:47:50,239 Speaker 1: this close with people, there's also a lot of family tension. Yeah. 932 00:47:50,320 --> 00:47:52,439 Speaker 1: If you don't think Amy and I fight sometimes you're nuts. 933 00:47:52,560 --> 00:47:55,360 Speaker 1: Like I mean, I will fight because we were together 934 00:47:55,560 --> 00:47:58,200 Speaker 1: every day for hours from arms length, and we talked 935 00:47:58,200 --> 00:47:59,920 Speaker 1: about it openly. It's like, but if we didn't fight, 936 00:48:00,080 --> 00:48:02,279 Speaker 1: what of your real relationship? Right? The pushing pool is 937 00:48:02,440 --> 00:48:05,759 Speaker 1: what mabsolutely and I feel the same way about the band. 938 00:48:06,040 --> 00:48:08,480 Speaker 1: The push in the pool. You know, if you had 939 00:48:08,600 --> 00:48:12,160 Speaker 1: one person who told everybody what to do, it'd be boring, 940 00:48:12,760 --> 00:48:16,320 Speaker 1: it'd be lame. With the four of us in the 941 00:48:16,880 --> 00:48:19,600 Speaker 1: connection we have and the push in the pool, it 942 00:48:19,840 --> 00:48:23,879 Speaker 1: makes creativity beautiful. It gives us the gift. It gives 943 00:48:23,920 --> 00:48:28,080 Speaker 1: us that reward. I feel so rewarded artistically like a 944 00:48:28,160 --> 00:48:32,600 Speaker 1: solo project, though here it is so you know, it 945 00:48:32,760 --> 00:48:37,560 Speaker 1: probably sucks. Who knows, right, I don't know. I have 946 00:48:37,800 --> 00:48:41,000 Speaker 1: so much fun. I feel rewarded because we let each 947 00:48:41,040 --> 00:48:43,640 Speaker 1: other shine so much in this band in a way 948 00:48:43,800 --> 00:48:46,799 Speaker 1: that in different ways I get to do so many 949 00:48:46,880 --> 00:48:50,080 Speaker 1: different things more so than I probably would in a 950 00:48:50,160 --> 00:48:54,200 Speaker 1: solo situation, and that I really enjoy and I think 951 00:48:54,239 --> 00:48:57,799 Speaker 1: we all really enjoy that weight. Well that's what sucks 952 00:48:57,840 --> 00:49:00,239 Speaker 1: about it. But you know that's when you let you go. 953 00:49:00,640 --> 00:49:01,840 Speaker 1: We all check her. You go out the door and 954 00:49:01,880 --> 00:49:04,160 Speaker 1: be like, you know what, we split that money, but 955 00:49:05,040 --> 00:49:09,279 Speaker 1: we get to share this creative gift that rewards us 956 00:49:09,360 --> 00:49:13,320 Speaker 1: in ways that we would have never understood until we 957 00:49:14,000 --> 00:49:17,279 Speaker 1: can sing together. When we hit that chord together and 958 00:49:17,400 --> 00:49:21,719 Speaker 1: we we it's something that's something special happens when that 959 00:49:21,960 --> 00:49:26,120 Speaker 1: chord happens and we hit that triad, which your favorite 960 00:49:26,120 --> 00:49:28,759 Speaker 1: song to do right now, right now, and in the 961 00:49:28,840 --> 00:49:30,520 Speaker 1: live show, it's your favorite song. When you see a 962 00:49:30,520 --> 00:49:32,000 Speaker 1: pop up you like, oh, this one's kind of refreshing, 963 00:49:32,040 --> 00:49:41,040 Speaker 1: it's fun. Or I was bornais still the Boondogs. That's 964 00:49:41,080 --> 00:49:43,640 Speaker 1: cool because a lot of artists go, I'm gonna keep 965 00:49:43,680 --> 00:49:45,200 Speaker 1: doing it because the fans want to do it, but 966 00:49:45,280 --> 00:49:47,160 Speaker 1: I'm just going through the motions. That's That's a lot 967 00:49:47,200 --> 00:49:49,359 Speaker 1: of artists that I've hits that are, you know, five, six, 968 00:49:49,480 --> 00:49:51,799 Speaker 1: eight years, ten years old. I think that's the best 969 00:49:51,880 --> 00:49:54,080 Speaker 1: gift to me is that I've never had a moment 970 00:49:54,160 --> 00:49:56,319 Speaker 1: where I felt like I've had to go through any 971 00:49:56,320 --> 00:49:59,400 Speaker 1: emotions like I can say that, I can look you 972 00:49:59,440 --> 00:50:02,120 Speaker 1: in the eye and say that with a heart full 973 00:50:02,200 --> 00:50:06,880 Speaker 1: of pride, that we live it, we love it, we 974 00:50:07,000 --> 00:50:09,560 Speaker 1: live it, we love it, and it's every moment is 975 00:50:09,640 --> 00:50:12,239 Speaker 1: so exciting. I feel like I'm in nineteen year old 976 00:50:12,360 --> 00:50:16,400 Speaker 1: every day because I get to live my dreams, my friends. 977 00:50:16,560 --> 00:50:20,960 Speaker 1: How's Rebecca. She's more beautiful than ever. That's part of 978 00:50:21,040 --> 00:50:25,360 Speaker 1: what makes me feeling night. But yeah, it's amazing and 979 00:50:25,480 --> 00:50:27,799 Speaker 1: I'm really thankful every day I get to wake up 980 00:50:27,840 --> 00:50:31,640 Speaker 1: and live my dream and create with my friends. And 981 00:50:32,800 --> 00:50:36,240 Speaker 1: I know it sounds so cliche, but it's pretty damn awesome. 982 00:50:37,120 --> 00:50:40,680 Speaker 1: Look at you, Little Big Town week on the Bobby Cast. 983 00:50:42,320 --> 00:50:48,280 Speaker 1: It's Little Big Town Week on the Bobby Cast, making 984 00:50:48,320 --> 00:50:51,680 Speaker 1: it are we let's make some more. You know what, 985 00:50:51,920 --> 00:50:53,560 Speaker 1: I don't know. I don't know if you ever feel 986 00:50:53,600 --> 00:50:55,320 Speaker 1: like you I don't. I don't think I've ever made it. 987 00:50:55,440 --> 00:50:58,719 Speaker 1: That's why i'd ever say that to myself. I don't either. 988 00:50:59,040 --> 00:51:01,879 Speaker 1: I never go you know what, Maybe we should Maybe 989 00:51:01,960 --> 00:51:05,799 Speaker 1: that's I don't know. Maybe we shouldn't because I feel 990 00:51:05,840 --> 00:51:11,880 Speaker 1: like I'm always striving and that keeps me motivated. Do 991 00:51:11,920 --> 00:51:13,759 Speaker 1: you feel like you're Do you have issues with the 992 00:51:13,800 --> 00:51:16,799 Speaker 1: feeling like you're good enough? Imposter syndrome is probably yeah, 993 00:51:17,000 --> 00:51:22,040 Speaker 1: But that's okay. I kinda maybe I need that, you know, 994 00:51:22,600 --> 00:51:27,279 Speaker 1: maybe it helps me stay humble and true and keep 995 00:51:27,360 --> 00:51:32,200 Speaker 1: pursuing the pure passion of love of music, because man, 996 00:51:33,280 --> 00:51:35,680 Speaker 1: it's so cool, it's so fun, Like I get to 997 00:51:36,160 --> 00:51:38,719 Speaker 1: we Jimmy and I were just having this conversation. We 998 00:51:38,840 --> 00:51:42,200 Speaker 1: just played Jimmy Fallon and we looked at each other 999 00:51:42,320 --> 00:51:46,560 Speaker 1: walking out of there and like two small town kids 1000 00:51:47,239 --> 00:51:49,800 Speaker 1: look at us. Did you ever think you'd get to 1001 00:51:49,880 --> 00:51:53,799 Speaker 1: do these kind of things? Yeah, we didn't, And it's 1002 00:51:53,840 --> 00:51:56,239 Speaker 1: pretty awesome something that we do. Here, we're into the 1003 00:51:56,239 --> 00:51:58,759 Speaker 1: Mount rushmore of your favorite musical artists of all time. 1004 00:51:58,960 --> 00:52:01,160 Speaker 1: All right, now, Mount More normally has four people, but 1005 00:52:01,239 --> 00:52:03,320 Speaker 1: we do five because everybody always wants to ask you 1006 00:52:03,680 --> 00:52:05,880 Speaker 1: just get five, Okay, So this is this is the 1007 00:52:06,320 --> 00:52:09,200 Speaker 1: Mount Rushmore of musical artists. I like this. Now I'm 1008 00:52:09,239 --> 00:52:11,400 Speaker 1: putting you you know, you gotta pick five and just 1009 00:52:11,520 --> 00:52:14,000 Speaker 1: to roll you through mine. Garth's on mine, John Mayer's 1010 00:52:14,040 --> 00:52:18,400 Speaker 1: on mine. Ben Folds is on mine. Um, I feel stressed. 1011 00:52:18,440 --> 00:52:23,360 Speaker 1: I made a new one recently. I put Casey on there, okay, 1012 00:52:23,640 --> 00:52:24,840 Speaker 1: and I kind of it's kind of a mixing my 1013 00:52:24,920 --> 00:52:27,160 Speaker 1: current favorites in my all times. But your Mount Rushmore 1014 00:52:27,280 --> 00:52:29,440 Speaker 1: music can be anybody you want. And then as my 1015 00:52:29,680 --> 00:52:31,880 Speaker 1: bonus was all dominion because they're just crushing it and 1016 00:52:31,960 --> 00:52:34,240 Speaker 1: everything they do I love. Now, Okay, they're pretty good awesome. 1017 00:52:34,440 --> 00:52:37,520 Speaker 1: So that's my Amount Rushmore. As I've talked, I've vamped 1018 00:52:37,600 --> 00:52:39,440 Speaker 1: to give you a second to think about it. Who's 1019 00:52:39,520 --> 00:52:43,840 Speaker 1: first on your Mount Rushmore music film? Ray Charles, Ray Charles? 1020 00:52:44,560 --> 00:52:47,560 Speaker 1: And then it goes Michael McDonald. Uh, you know you 1021 00:52:47,640 --> 00:52:50,360 Speaker 1: definitely got the Michael McDonald vibe. You don't know me, 1022 00:52:50,680 --> 00:52:55,160 Speaker 1: but I'm your brother, Mike. Do you know, Michael? You 1023 00:52:55,200 --> 00:52:57,440 Speaker 1: didn't need you did not need to hear that, but 1024 00:52:57,600 --> 00:53:00,320 Speaker 1: now you did. He's Doobie Brothers, and then Michael Donald, 1025 00:53:00,520 --> 00:53:03,440 Speaker 1: Michael McDonald, and then you have Stevie Wonder. Okay, so 1026 00:53:03,560 --> 00:53:08,719 Speaker 1: so far we got Ray. Oh it's heavy keys. Now 1027 00:53:08,840 --> 00:53:13,080 Speaker 1: that's my first instruments, keys, drums, guitar. That's how my 1028 00:53:13,280 --> 00:53:20,439 Speaker 1: instruments go. Ray, Charles, Michael McDonald, Steve Wonder, You're going keys. 1029 00:53:20,520 --> 00:53:24,560 Speaker 1: So do you go? Next? Up? Do you go? Man? 1030 00:53:25,000 --> 00:53:31,000 Speaker 1: This is tough. I know, this is a really tough one, Okay, 1031 00:53:31,400 --> 00:53:35,279 Speaker 1: I said Michael McDonald. Wait, Ray, Charles, Michael McDonald's Stevie Wonder, 1032 00:53:36,200 --> 00:53:39,960 Speaker 1: and then I like a little John Bere Okay, he's 1033 00:53:40,040 --> 00:53:43,680 Speaker 1: my guitar hero right now. Okay, that's four. So then 1034 00:53:43,719 --> 00:53:46,920 Speaker 1: you get one more when you go, where do you go? 1035 00:53:47,520 --> 00:53:52,279 Speaker 1: That's a tough one. It really is hard. I like 1036 00:53:52,400 --> 00:53:55,640 Speaker 1: Bruce Hornsby a lot. He's back to the keys. Interesting 1037 00:53:55,760 --> 00:53:59,480 Speaker 1: choice because he's he's one of those guys that he 1038 00:54:00,120 --> 00:54:02,080 Speaker 1: you know, he felt he kind of rode the line 1039 00:54:02,120 --> 00:54:06,839 Speaker 1: between songwriter musician and there's I've never heard a bass 1040 00:54:06,920 --> 00:54:12,120 Speaker 1: solo before before Bruce Hornsby. So your favorite Bruce horns 1041 00:54:12,920 --> 00:54:17,520 Speaker 1: I'm sorry you missed. I'm sorry. Get the same category. Rick, No, 1042 00:54:17,640 --> 00:54:19,440 Speaker 1: I'm sorry. That's why we can get you only get 1043 00:54:19,600 --> 00:54:22,400 Speaker 1: four plus one because everybody always wants to go, what 1044 00:54:22,560 --> 00:54:25,120 Speaker 1: about the James Taylor? Oh, next one? I can all 1045 00:54:25,239 --> 00:54:28,520 Speaker 1: three fit in the same all share the same head. 1046 00:54:28,560 --> 00:54:31,960 Speaker 1: Got out that was really bad, wasn't it? No, it's 1047 00:54:32,040 --> 00:54:33,560 Speaker 1: it is what it is. Next time you come in, 1048 00:54:33,719 --> 00:54:35,880 Speaker 1: you can change it up. Charles is my favorite? You 1049 00:54:35,920 --> 00:54:40,200 Speaker 1: have favorite charl song? Oh what makes you think of 1050 00:54:40,280 --> 00:54:41,920 Speaker 1: Ray Charles? Not your favorite? What song is it that 1051 00:54:42,000 --> 00:54:47,040 Speaker 1: makes you? It's his it's his soul. Uh, it's the 1052 00:54:47,640 --> 00:54:51,680 Speaker 1: it's the sound of his voice. I can't even explain it. 1053 00:54:53,360 --> 00:54:55,239 Speaker 1: I can't even try to emulate it. But I think 1054 00:54:55,280 --> 00:54:56,960 Speaker 1: when you said it's a soul, you do explain it. 1055 00:54:58,600 --> 00:55:01,800 Speaker 1: You kind of feel it. Of all the American songs 1056 00:55:02,040 --> 00:55:04,160 Speaker 1: because I love Ray Charles too, and I think Kaylee 1057 00:55:04,200 --> 00:55:06,600 Speaker 1: Hammick and I maybe Mike, we're talking about Ray Charles 1058 00:55:06,640 --> 00:55:10,680 Speaker 1: a bit and um modern sounds, country music and so, 1059 00:55:10,880 --> 00:55:12,680 Speaker 1: but we were we were kind of diving into that 1060 00:55:12,680 --> 00:55:15,319 Speaker 1: a little bit. But when he sings you do oh 1061 00:55:15,520 --> 00:55:21,960 Speaker 1: my mom version or even America America got chit is 1062 00:55:22,040 --> 00:55:25,799 Speaker 1: grace sold that voice and it's like, oh, I never 1063 00:55:25,880 --> 00:55:31,280 Speaker 1: felt that verse that version. Oh it's so good. Godship 1064 00:55:31,480 --> 00:55:38,000 Speaker 1: is grice only and crown not good. He brother from 1065 00:55:38,520 --> 00:55:43,120 Speaker 1: see shine it and you're like, I'm gonna put your 1066 00:55:43,120 --> 00:55:49,360 Speaker 1: hand on your heart right there, Frozy to shine see. 1067 00:55:51,160 --> 00:55:53,800 Speaker 1: Oh I'm in the wrong key. Put us in the 1068 00:55:53,960 --> 00:55:56,160 Speaker 1: right key, Bobby, I live in the wrong key. Film 1069 00:55:56,600 --> 00:55:59,200 Speaker 1: me too. Mostly most of the filt I don't even 1070 00:55:59,200 --> 00:56:02,120 Speaker 1: live in a key, just bouncing all around. It's the jam. 1071 00:56:02,840 --> 00:56:05,440 Speaker 1: He's way higher than we. We don't. I don't even try. 1072 00:56:05,600 --> 00:56:10,239 Speaker 1: It's like singing McGrath songs like McGrath sings so high 1073 00:56:10,680 --> 00:56:12,480 Speaker 1: that I don't even try to sing McGraw song like 1074 00:56:12,520 --> 00:56:15,080 Speaker 1: eiven to kid around with the grass song and people 1075 00:56:15,160 --> 00:56:25,520 Speaker 1: here America take a home. I don't even want to 1076 00:56:25,560 --> 00:56:28,800 Speaker 1: try to good. I love it. I love that you 1077 00:56:29,040 --> 00:56:31,399 Speaker 1: pulled that up. Thank you, Mikey. Did you watch Ray 1078 00:56:31,520 --> 00:56:36,919 Speaker 1: the movie? Yeah, Jamie Foxx like glued his eyelid shot 1079 00:56:36,960 --> 00:56:38,960 Speaker 1: for that movie. I didn't know that. Yeah, so we 1080 00:56:39,000 --> 00:56:41,759 Speaker 1: could like feel as close to being because you know, 1081 00:56:41,920 --> 00:56:44,479 Speaker 1: you never can replicate what someone who has no vision 1082 00:56:44,560 --> 00:56:47,120 Speaker 1: is actually going through. Um, but he was like I 1083 00:56:47,160 --> 00:56:48,600 Speaker 1: wanted to feel as close as I could to it, 1084 00:56:48,719 --> 00:56:51,360 Speaker 1: so he glued his eyelid show. I didn't know that crazy. 1085 00:56:51,640 --> 00:56:54,839 Speaker 1: I was just so blown away with his musical performance 1086 00:56:55,280 --> 00:57:01,000 Speaker 1: about just portraying that character, Like how can anyone try 1087 00:57:01,120 --> 00:57:04,839 Speaker 1: to be Ray Charles? But Jamie Foxx did a great job. 1088 00:57:05,000 --> 00:57:06,799 Speaker 1: Do you see the James Brown movie? Do you see 1089 00:57:06,800 --> 00:57:08,640 Speaker 1: that one? I haven't seen that one? Pretty good? Now 1090 00:57:08,719 --> 00:57:13,480 Speaker 1: you're inspiringent. It's pretty good. I love music documentary. Yeah, 1091 00:57:13,520 --> 00:57:16,560 Speaker 1: they're like biopics more than documentaries, you know, because we 1092 00:57:16,920 --> 00:57:20,840 Speaker 1: trust them messing around with us a little bit. I 1093 00:57:20,920 --> 00:57:25,800 Speaker 1: love my George Harris and four Hour Francis Ford Coppola 1094 00:57:25,880 --> 00:57:28,120 Speaker 1: a documentary, Oh my god. You know Tom Petty's got 1095 00:57:28,200 --> 00:57:31,560 Speaker 1: one that's about four hours one to the Eagles have 1096 00:57:31,640 --> 00:57:34,800 Speaker 1: a series that's about it's a documentary. I live for 1097 00:57:34,880 --> 00:57:38,040 Speaker 1: those about four hours and the Eagles one is so good. Yeah, 1098 00:57:38,800 --> 00:57:42,200 Speaker 1: I mean I questioned myself as a musician like that 1099 00:57:42,360 --> 00:57:46,160 Speaker 1: inspires me so much to see that heart and love 1100 00:57:46,280 --> 00:57:50,080 Speaker 1: and music, And I think to myself, Wow, what have 1101 00:57:50,200 --> 00:57:53,640 Speaker 1: I done in my life to create a legacy like that? 1102 00:57:54,360 --> 00:57:56,320 Speaker 1: And they probably thought while they were doing it, what 1103 00:57:56,440 --> 00:57:58,640 Speaker 1: have I done to create a legacy? The same thing 1104 00:57:58,680 --> 00:58:00,280 Speaker 1: I don't know until they finished. They're like, I don't know, 1105 00:58:00,320 --> 00:58:02,840 Speaker 1: Well they did they do that? I don't know. Maybe 1106 00:58:02,880 --> 00:58:04,680 Speaker 1: they did. You're doing it now, and I hope we 1107 00:58:04,760 --> 00:58:07,160 Speaker 1: do the same because I think when you're humble and 1108 00:58:07,240 --> 00:58:11,920 Speaker 1: you still believe that you can do something fresh and 1109 00:58:12,040 --> 00:58:15,320 Speaker 1: new every day and you can create, you're still living, 1110 00:58:15,640 --> 00:58:19,840 Speaker 1: You're still experiencing what it is or whatever that thing 1111 00:58:20,080 --> 00:58:23,760 Speaker 1: is that drove us here in the first place. That's 1112 00:58:23,800 --> 00:58:25,919 Speaker 1: what I love about it. Well, here's what I hope 1113 00:58:25,920 --> 00:58:27,960 Speaker 1: for you, Philip. You might get blame a little bit 1114 00:58:27,960 --> 00:58:30,560 Speaker 1: of that America, please, That's what I hope for you 1115 00:58:31,080 --> 00:58:35,000 Speaker 1: as we finish up this hour long podcast. I hope 1116 00:58:35,040 --> 00:58:41,400 Speaker 1: that one day you're somewhere like a ski village and 1117 00:58:41,720 --> 00:58:43,160 Speaker 1: it's a big red head of felt. It comes up 1118 00:58:43,200 --> 00:58:45,680 Speaker 1: to you and it's a big red head of felt. 1119 00:58:45,680 --> 00:58:49,400 Speaker 1: It goes, excuse me, sir. I don't want to bother you, 1120 00:58:49,960 --> 00:58:51,680 Speaker 1: but I think you were on my show one time, 1121 00:58:51,720 --> 00:58:53,120 Speaker 1: and you know what you say back to them, you go, 1122 00:58:53,680 --> 00:58:55,280 Speaker 1: I've been on a lot of shows. I'm quite I 1123 00:58:55,320 --> 00:58:59,920 Speaker 1: don't remember you. I don't remember. That's my goal for you, Philip, 1124 00:59:00,280 --> 00:59:02,800 Speaker 1: you know, I want to remember that guy though I 1125 00:59:02,960 --> 00:59:06,040 Speaker 1: want to know. I want to remember. That's my goal, 1126 00:59:06,680 --> 00:59:11,680 Speaker 1: because I hate not remembering. Maybe we can remember how 1127 00:59:11,840 --> 00:59:15,880 Speaker 1: beautiful these days all are because it's so damn good. 1128 00:59:17,040 --> 00:59:19,480 Speaker 1: Well you said it all my friends. I love you, buddy, 1129 00:59:19,680 --> 00:59:23,800 Speaker 1: and amen, I give you one. I give you one. 1130 00:59:23,880 --> 00:59:27,200 Speaker 1: Right there, there is episode one eighties six Phillips Sweets 1131 00:59:27,320 --> 00:59:29,800 Speaker 1: of a Little Big Time. Follow him at Phillips Sweet 1132 00:59:29,880 --> 00:59:32,480 Speaker 1: on Instagram. But if he's not posting right now, just 1133 00:59:32,600 --> 00:59:35,120 Speaker 1: wait a minute. You'll be back. I'll be no need 1134 00:59:35,200 --> 00:59:42,560 Speaker 1: to cry. I'm just living my life for no reason. 1135 00:59:42,600 --> 00:59:45,240 Speaker 1: I'm just busy living my life, living his life and 1136 00:59:45,600 --> 00:59:47,479 Speaker 1: new music from a little bit time. Check out the Daughters. 1137 00:59:47,520 --> 00:59:49,080 Speaker 1: And I'm sure by the time you heard this, which 1138 00:59:49,080 --> 00:59:51,960 Speaker 1: we're gonna put this up almost immediately, but people listen 1139 00:59:52,000 --> 00:59:54,600 Speaker 1: to things for years. I'm sure your latest project is 1140 00:59:54,680 --> 00:59:57,280 Speaker 1: even better. Everything that you've done since Daughters have been 1141 00:59:57,320 --> 00:59:59,440 Speaker 1: the greatest ever heard. I have to say this, this 1142 00:59:59,600 --> 01:00:04,000 Speaker 1: is an right studio album and I can't tell you 1143 01:00:04,160 --> 01:00:09,520 Speaker 1: how special this music is. It's so beautiful and after 1144 01:00:09,640 --> 01:00:11,640 Speaker 1: that record does so well, and right now maybe you're 1145 01:00:11,680 --> 01:00:13,680 Speaker 1: on your eleventh when people are hearing this and it's 1146 01:00:13,720 --> 01:00:16,680 Speaker 1: even better. Maybe you're in your thirteenth let me tell 1147 01:00:16,720 --> 01:00:19,040 Speaker 1: you you thought that eleventhon was good. This thirteenth one, 1148 01:00:19,280 --> 01:00:22,760 Speaker 1: can we just hang out all day? Part of my life? Yeah, alright, 1149 01:00:22,920 --> 01:00:24,320 Speaker 1: so one of these six. Thanks guys, we'll see you next. 1150 01:00:24,320 --> 01:00:27,880 Speaker 1: Loved Little Big Town Week on the Bobby Cast.