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Speaker 1: Hey everybody, Well, well, well don't you look good? Yeah?

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Speaker 1: Doming but I'm probably we know that you look good.

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Speaker 1: Come on, what are we talking about here? It's you.

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Speaker 1: It's working, by the way, whatever you're doing, it's working.

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Speaker 1: Welcome back. Ridiculous Romance, the show where we talk about

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Speaker 1: stuff that's it sold it very specific show about stuff. Uh,

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Speaker 1: this is exciting. We are, as you're listening to this,

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Speaker 1: out of town. We're on an adventure out west. Really

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Speaker 1: excited about it. We're with if you're a regular listener,

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Speaker 1: we're traveling with our friends Cherry and Jason, who came

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Speaker 1: out for our Pandemic Love Stories episode largely because they

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Speaker 1: never got a honeymoon because they had to get married,

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Speaker 1: and so they're meeting us out in Las Vegas. We're

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Speaker 1: gonna have a good time there. Then we're gonna go

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Speaker 1: to l A, spend a couple of days there um,

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Speaker 1: and then head home. So the great love and friendship

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Speaker 1: and some spending money that you used to have but

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Speaker 1: it's gone now well, and some great discount comped rooms,

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Speaker 1: all kinds of deals. Y'all want to know how to

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Speaker 1: do Vegas on the cheap? Give me a call because

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Speaker 1: I just found some really exciting stuff. Eli has unlocked Vegas. Yes,

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Speaker 1: I got a little two sucked into the points game

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Speaker 1: and it's not it's not too hard. Hey. I was

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Speaker 1: like weird at first, but then you know what, I

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Speaker 1: am going to bask in all the rewards, certainly telling

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Speaker 1: you it's not bad. Um. But so that's super exciting.

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Speaker 1: So we decided while we're gone, we'd give you a

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Speaker 1: big fat episode, big fat two part epic romance with

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Speaker 1: action and adventure. This this is so cool. I'm very

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Speaker 1: excited about this, extremely excited about this one. Because we're

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Speaker 1: covering Julie Darby Mee or as she's also known UM.

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Speaker 1: This was suggested through email by our listener Andrea Johnson.

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Speaker 1: Thank you, Andrea. A great suggestion, because Julie dobbin you

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Speaker 1: is a seventeenth century badass who quite possibly has one

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Speaker 1: of the most interesting love lives that we've ever covered.

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Speaker 1: Bold statement. She dueled over ten men, and she played

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Speaker 1: pranks on nobility. She seduced men and women alike. She

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Speaker 1: once even said a convent on fire so she could

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Speaker 1: run off with her forbidden lesbian lover Red. Incredible. Her

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Speaker 1: legend is just so insane that historians are still struggling

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Speaker 1: with what's true and what's not true, because she was

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Speaker 1: larger than life even in her own time. So people

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Speaker 1: were just like, I don't know, say she did some

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Speaker 1: everyone will believe you serious. And we had just split

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Speaker 1: her life in the two exciting part. So let's hear

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Speaker 1: all about the bisexual pros dressing swordfighter and opera singer

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Speaker 1: Lama bed right, let's go, hey their French comeation. Well,

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Speaker 1: Elia and Diana got some stories to tell. There's no

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Speaker 1: match making, a romantic tips. It's just about pridiculous relationships,

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Speaker 1: a love. It might be any type of person at all,

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Speaker 1: and abstract cons are a concrete wall. But if there's

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Speaker 1: a story, went a second glance show Ridiculous Romans a

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Speaker 1: production of iHeart Radio. So Julie Dubigny was born probably

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Speaker 1: in sixteen seventy or sixteen seventy three. They gotta get

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Speaker 1: better at those birthdays. I know some Well, you know

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Speaker 1: you gotta record it in the family Bible or whatever.

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Speaker 1: I guess you didn't get around to it if you

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Speaker 1: didn't have printed calendars. How do you even know what

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Speaker 1: year it is? Half the time they're like, I don't

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Speaker 1: know like, I know, I traveled across the country too

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Speaker 1: for a potato farm sometime around sixteen fifty five, and

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Speaker 1: I want to say, it's been eight years since. How

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Speaker 1: many winters did that? There was the one my wagon

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Speaker 1: broke That was one year, and then there was the

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Speaker 1: year where my horse ran away, and then you know

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Speaker 1: his wife's like, that was the same year. You're right,

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Speaker 1: it was what a year. You know, terrible tragedies. I

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Speaker 1: do love that, you have to be like. I was

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Speaker 1: born circa seventy roundabouts. No one gave me a certificate.

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Speaker 1: Her dad's name was Gaston, classic French name, and he

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Speaker 1: was a secretary for Count d'Armagnac, who was the King's

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Speaker 1: master of horse. So I kind of a big job,

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Speaker 1: big guy in the the world, swaggering around. Yeah, I

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Speaker 1: did not. Just anybody watches all the king's horses. They're

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Speaker 1: in charge of putting eggs back together. El job. So

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Speaker 1: Julie grew up first in the Twitter Palace and then

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Speaker 1: at Versailles, um so around a lot of mirrors, mirrors,

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Speaker 1: a lot of opulence that day, and a lot of men.

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Speaker 1: She grew up in a very masculine if she's growing

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Speaker 1: up in the stables with around all the noblemen and

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Speaker 1: all horses and you know stuff. Her days were full

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Speaker 1: of like stinking dirt covered stable hands and then like

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Speaker 1: silk pillows and you know those masculine folks on the

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Speaker 1: inside which covered doust in perfew makeup. Yeah, lace. The

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Speaker 1: two types of men, you know, are you dirty or clean?

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Speaker 1: Those are the two types of men. Now, her dad,

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Speaker 1: guest On, was a gambler. He was a big drinker.

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Speaker 1: He was a big ladies man. A lot of vice

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Speaker 1: is going on with this guy. How many eggs did

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Speaker 1: he eat in the According to the song, there's four

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Speaker 1: to five dozen eggs. Now they do stay in the

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Speaker 1: same song that eggs are very expensive. Oh yeah, different people.

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Speaker 1: They're talking about two different things. Yeah, well, guest On

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Speaker 1: see subtext in Eating the Beast. Gaston was able to

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Speaker 1: afford dozens of eggs, while this poor woman with several children,

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Speaker 1: it was like, I need six eggs and it damn wow.

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Speaker 1: Another layer to guests cruelty share the egg wealth. Didn't

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Speaker 1: recognize his own privilege, not at all. Oh this guest On,

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Speaker 1: not the animated one, but the real one. Um was

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Speaker 1: also an accomplished swordsman, and he trained all of the

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Speaker 1: count's pages in sword fighting and numerous other skills, and

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Speaker 1: he chose to include his daughter in these lessons, kind

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Speaker 1: of like a French arias dark. She was like, listen, dad,

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Speaker 1: I don't want to wear these dresses and be groomed

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Speaker 1: to be a princess or something. I like to mess

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Speaker 1: around in the hay more ways than one. Um. So

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Speaker 1: she learned grammar, literature, writing, drawing, dancing, et cetera. So

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Speaker 1: she was like better educated than many women of her time.

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Speaker 1: Um And by the time she was twelve, she was

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Speaker 1: also fencing, because again, her dad's accomplished swordsman. He's like,

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Speaker 1: you need to know how to you need to know

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Speaker 1: your way around this thing. Um And she frequently dressed

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Speaker 1: as a boy for this because you know, girls dresses

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Speaker 1: not a lot of mobility. He needs some freedom of

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Speaker 1: movement in order to fence. It wasn't necessarily it wasn't

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Speaker 1: necessarily a disguise practicality. More for practicality, I think everyone

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Speaker 1: knew she was a girl. She was just like, I'm

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Speaker 1: gonna wear these men's clothes. Makes more sense now. Encyclopedia

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Speaker 1: dot Com says it was not very unusual at the

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Speaker 1: time for women to learn how to use a sword,

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Speaker 1: even though King Louis kept being like, y'all quit it

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Speaker 1: an issue, order after stop it out there, get over it.

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Speaker 1: It was punishable by being stripped of your titles or

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Speaker 1: army commissions. You could be imprisoned or exiled or even executed.

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Speaker 1: But it didn't matter. People were obsessed with duels. It's

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Speaker 1: time a dual solved any problem, any dispute. They wanted

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Speaker 1: to draw a sword about it. I need six eggs.

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Speaker 1: I will check your eggs. Can I ask what which Louis?

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Speaker 1: Was this the sun king? Yeah? That's right, um, but yeah,

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Speaker 1: in Paris there were an estimated ten thousand professional duellists,

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Speaker 1: like living in the wealthy quarters of Paris alone, you know,

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Speaker 1: all over France. It was just a big thing to

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Speaker 1: know how to use a sword and kill your man.

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Speaker 1: When you say professional dualists, I think one of two things.

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Speaker 1: Either I'll challenge you to a duel now I just

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Speaker 1: need to go hire someone to do it for someone

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Speaker 1: who is better than me, or someone being like I

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Speaker 1: never took a real job. I just go duel people

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Speaker 1: for money all the time. Basically, I wonder if it

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Speaker 1: was like kind of the process server of their time,

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Speaker 1: like they would show up and be like, would you

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Speaker 1: fight me? And they no, okay, it is over, but

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Speaker 1: I doubt it. I think you're right. More more accurately,

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Speaker 1: it's probably some guy or some girls like I feel

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Speaker 1: insulted by you, but I can't fight you, so I'll

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Speaker 1: get someone to stand in by proxy sell sword. Oh

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Speaker 1: you sorry you ever challenged me? Monsieur Carson or here, please,

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Speaker 1: I need a dual list, Like, actually, I would definitely

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Speaker 1: fight you. No, I can't fight that guy. So yeah,

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Speaker 1: women did learn how to use swords on occasion at

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Speaker 1: this time because it was just such as so in vogue,

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Speaker 1: so in fashion to know how to do that. But

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Speaker 1: encyclopedia dot Com writes, quote, the most uncommon thing about

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Speaker 1: Julie as dual list was that apparently she fought only

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Speaker 1: men and on an equal footing, so they were like, oh,

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Speaker 1: she's too good. She can fight anyones you want. Now.

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Speaker 1: As Julie grew up, she became extremely beautiful. Encyclopedia dot

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Speaker 1: Com describes her quote she had large blue eyes and

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Speaker 1: aqualine knows, a pretty mouth, excellent white teeth, very white skin,

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Speaker 1: and a luxuriant crown. Of chestnut hair with shades of blonde.

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Speaker 1: Probably around five ft three. She was slender, small breasted

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Speaker 1: and lies no Less striking was her personality, which has

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Speaker 1: been described as brave, fiery, generous, ardent, impetuous, and seductive.

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Speaker 1: This is a firecracker. Anybody catch the problematic description in

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Speaker 1: this in this measure of her beauty because I'm gonna say, oh, yeah, sure, beautiful, beautiful, beautiful, Oh,

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Speaker 1: very white skin, while that makes her extra pretty, Come on, guys,

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Speaker 1: I mean especially at the time though, that was the

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Speaker 1: time where it was like if you got tan, it

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Speaker 1: meant you worked outside gross, so like you had to

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Speaker 1: be like translucent because it proved how rich you were. Oh,

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Speaker 1: those French folks just white, just powder powder. And they

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Speaker 1: loved patches too, which is so funny because you look

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Speaker 1: at the drawings now and there's just little moles all

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Speaker 1: over their faces and they had fake little patches put

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Speaker 1: on to achieve that, and some of them were even

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Speaker 1: like heart shaped or star shaped or something like that.

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Speaker 1: But I think it's funny because it kind of looks

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Speaker 1: like you have a bunch of sores on you now,

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Speaker 1: like in the illustrations are like interesting. It's so funny too.

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Speaker 1: You've mentioned powder, and you're so right, because they would

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Speaker 1: powder their hair. They want to like white hair, white skin,

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Speaker 1: and then really dark patches, really red lips. What a

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Speaker 1: what a look? Remember we did Murasaki Shikibu and we're

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Speaker 1: talking about like feudal Japan. It was really it was

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Speaker 1: considered very beautiful and elegant to have black. It's just

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Speaker 1: stuff like that. We're like, man, that is beauty standard. Okay,

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Speaker 1: I just think that of that every time you see

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Speaker 1: a beauty standard of today. Just remember, in a hundred

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Speaker 1: fifty years, they're gonna be saying they used to shower

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Speaker 1: every day. What was wrong with them? We need your

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Speaker 1: natural musk. That's what I want to sell. So when

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Speaker 1: Julie was like fourteen or fifteen years old, sometime around there,

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Speaker 1: she became Count d'armagnac's mistress, right, and remember this is Gaston,

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Speaker 1: her father's boss, the king's horse master. He was like, gosh,

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Speaker 1: it disturbs me to see you, Gaston. I would rather

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Speaker 1: be dating your kids. Okay, okay, okay, Well, oh my god,

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Speaker 1: what if we got a mail call? Awesome? Right? The

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Speaker 1: first time? Well, Count d'Armagnac, her dad's boss he was

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Speaker 1: apparently very handsome and agreeable. So guest On may have

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Speaker 1: promoted this connection, but he might have hated it and

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Speaker 1: just not been able to do a thing about it

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Speaker 1: because the guy was his boss. Right, He's like, sorry, bro,

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Speaker 1: I'm gonna be fucking your kid, Gaston, I'd like you

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Speaker 1: to please clean up after the horses over here, duel

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Speaker 1: that guy for me. And then also, I'm picking your

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Speaker 1: daughter up at seven. Now. Some accounts say that Gaston

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Speaker 1: wanted Julie to learn to use a sword so she

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Speaker 1: could protect herself on the Paris streets, and then with

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Speaker 1: his own sword skills, he would chase off a lot

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Speaker 1: of would be suitors for his daughter. Right. He was

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Speaker 1: like these dads who were like got a big gun?

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Speaker 1: Oh yeah, like ask my daughter to prom or sounds

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Speaker 1: like one of those. So it's possible that Julie just

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Speaker 1: picked the one guy that her dad couldn't say no to,

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Speaker 1: you know, and she instigated the affair herself, possibly like

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Speaker 1: I'm ready to get my rocks off right that no

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Speaker 1: one is sure about the truth here now. Possibly a

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Speaker 1: little before or shortly after the affair began, her father

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Speaker 1: Gaston passed away and the counts darman Ak also became

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Speaker 1: Julie's legal guardian. Now, at some point here the Count

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Speaker 1: found someone else to marry Julie. He's like, well, i'm

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Speaker 1: your father boyfriend now, so I shall find you someone

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Speaker 1: to marry. And he found this guy, Sire Jean Mapan,

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Speaker 1: and he was just kind of make and retiring, sort

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Speaker 1: of man, accepting of whatever you gave him. It sounds like,

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Speaker 1: marry this girl. I guess whatever you say if you insist. Now,

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Speaker 1: some people say that the Count was finding it hard

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Speaker 1: to keep up with Julie and that's why he married

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Speaker 1: her off to this guy. But maybe he just wanted

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Speaker 1: a respectable cover for their affair, because immediately after the wedding,

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Speaker 1: some people say the very next morning, Count Darmagnac ordered

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Speaker 1: Sierra Mapan to head off to a remote province to

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Speaker 1: become a tax collector, while the Count kept Julie in Versailles.

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Speaker 1: He was like, Jean Mapin, have I got a job

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Speaker 1: for you. It is boring and it is going to

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Speaker 1: be hell a rural and also I'm keeping your wife.

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Speaker 1: But then Julie got bored and she started hooking up

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Speaker 1: with a young fencing instructor named Cerron. Now, this guy

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Speaker 1: was forever trying to prove his fighting skills. He's constantly

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Speaker 1: getting into fights and duels and scrapes and messing around

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Speaker 1: with people. And eventually, according to the Los Angeles Public Library,

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Speaker 1: Saron killed his man in a duel and he was

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Speaker 1: being pursued by one of the most powerful men in Paris,

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Speaker 1: Nicolas Gabrielle de la Reni, who is often regarded as

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Speaker 1: the father of modern policing. So he's like the lieutenant

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Speaker 1: general of the police force, and biographer Jim Burrows writes

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Speaker 1: on his blog that quote. In fact, he was more.

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Speaker 1: The police in his day were responsible for all facets

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Speaker 1: of city life, from regulating the price of food in

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Speaker 1: the markets to lighting and cleaning the streets, as well

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Speaker 1: as investigating and preventing crime. Bliny was a strict enforcer

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Speaker 1: of the anti dueling laws and the regulation of weapons.

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Speaker 1: So that's that's kind of crazy to me that the

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Speaker 1: police were like, all right, I gotta go light all

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Speaker 1: the street lamps as well. I guess if you're on

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Speaker 1: patrol you may as well. While you're patrolling the streets,

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Speaker 1: can you all just sweep up a little if you

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Speaker 1: see some trash and you can't have that much to do.

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Speaker 1: I will say the first time I went to Paris, uh,

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Speaker 1: I was the first time I went to there is

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Speaker 1: excuse me, it's for a dozen eggs over here. Um.

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Speaker 1: But I was just so amazed at how clean it was,

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Speaker 1: and I did seriously it was like Disney World. Like

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Speaker 1: I'd just be walking on the street and there'd be

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Speaker 1: a cigarette butt on the ground and someone would just

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Speaker 1: appear out of a shadow in the in an alley

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Speaker 1: somewhere with a broom and sweep it up and then

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Speaker 1: vanish into the into the night again. And I was like,

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Speaker 1: where did you come. It's not even nighttime, it's day

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Speaker 1: and yet you disappeared into the moonlight somehow. It was amazing.

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Speaker 1: The street sweepers of friends. I'll live in the catacombs

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Speaker 1: streets until one piece of litter calls them forth. So seven,

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Speaker 1: you know, was on the wrong side of this guy,

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Speaker 1: this father of modern police, saying he had to flee

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Speaker 1: from Paris to get out of this guy's jurisdiction, and

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Speaker 1: he wanted Julie to come with him, so he convinced

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Speaker 1: her that he had a bunch of property in Marseilles.

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Speaker 1: So he's like, let's make way for the coast, and

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Speaker 1: she's like, all right, what else am I doing? She

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Speaker 1: goes with him to support themselves. They started giving fencing

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Speaker 1: demonstrations in taverns and inns where they stayed. Again, Julie

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Speaker 1: is dressing in men's clothes for the most part, partly

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Speaker 1: for ease of travel, partly for practicality. Again, they're doing

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Speaker 1: fencing demonstrations. She wants freedom of movement. Um, but even so,

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Speaker 1: they advertised her as a woman to get more butts

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Speaker 1: and seats, like, look at this lady. How crazy she

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Speaker 1: can use a sword? What it's likely a woman with

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Speaker 1: a physical skill. Well, one night they're doing their thing,

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Speaker 1: they're fencing adminstration in a tavern whatever. This guy's probably

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Speaker 1: drunk as hell and he starts tickling them. He's calling

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Speaker 1: out from the crowd. He's like, you're sorry, bro, you're

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Speaker 1: just too good with that whole store. There's no way

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Speaker 1: you're a lady. You're probably some guys young squire trying

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Speaker 1: to pretend nice tribe. You can't get one over on me,

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Speaker 1: you can always tell. So Julie is like okay and

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Speaker 1: rips off her shirt and gives him an eye full

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Speaker 1: of her credential. She's probably just like a kitty and

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Speaker 1: arrested development. She's like, okay, I got luck last going

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Speaker 1: to see these And of course they didn't have a

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Speaker 1: thing to say after that, because she has some nice tanage,

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Speaker 1: I guess, and Jim Burrows writes quote it is said

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Speaker 1: that the receipts that evening were particularly good, which I love.

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Speaker 1: She pulls her shirt off and every one of the

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Speaker 1: taverns like, oh, another round, we party you over here.

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Speaker 1: I've been tickets for the next show where high sellers too.

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Speaker 1: It's like I heard you might see boobs in this show.

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Speaker 1: I hope that didn't encourage more people to be like, oh, yeah,

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Speaker 1: you're a woman, prove it. I know. It's just like

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Speaker 1: all right, I'm not doing that again. You got to

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Speaker 1: pay for these, Yes, there you go. It's a good

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Speaker 1: If you need to see some boobs, just go tell

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Speaker 1: a lady, if you're a woman, why don't you show

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Speaker 1: me your boobs? Go? Please don't never do that. It's

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Speaker 1: a different time. But when they finally breached Marseilles, San

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Speaker 1: her dueling instructor and show partner had to admit to

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Speaker 1: her so bas away, I remember how I said that

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Speaker 1: had on this property down here. Well, I don't so

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Speaker 1: much have any property down here, actually anywhere, but this story,

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Speaker 1: I did not own any land. Yeah, so Julie, being

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Speaker 1: just the coolest person in every way, totally forgave him.

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Speaker 1: She's like, I understand, I would have told myself Allie

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Speaker 1: to get me to go with me too, So I

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Speaker 1: am very hot. But this did mean they needed money,

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Speaker 1: so they kept up their sword shows, but they added

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Speaker 1: something a little extra special. Both Julie and Saran had

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Speaker 1: good voices, so they decided to include singing in their act.

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Speaker 1: And then Julie got this show bug in her head.

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Speaker 1: She the acting bug bit her and she started thinking,

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Speaker 1: maybe I could be an opera singer, right, even though

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Speaker 1: of course she didn't have any formal music training. She

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Speaker 1: just had some natural talent. Now, opera was only a

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Speaker 1: century old at the time, and the French opera was

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Speaker 1: even younger, so that wasn't as much of a barrier

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Speaker 1: her lack of training as like it would be today.

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Speaker 1: For example, I feel like today you have to have

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Speaker 1: a doctorate in her. But yeah, back then they were

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Speaker 1: still trying to establish like the French style of apra.

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Speaker 1: It was very much like Italian and German operas were big,

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Speaker 1: but like they wanted like a French style, so they're

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Speaker 1: still trying to figure that out. And they were like, whatever,

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Speaker 1: get over here if you can, saying get over here.

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Speaker 1: So she had this great voice, obviously, she had stage presence,

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Speaker 1: and she had a great memory too, and that got

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Speaker 1: her a gig with the Marseille Opera builled as Mademoiselle d'aubigni.

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Speaker 1: And one person in the audience was particularly struck by

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Speaker 1: this lovely chestnut head singer. But it was extremely scandalous

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Speaker 1: because this person was a local merchant's daughter. What a

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Speaker 1: woman that loves a woman. Hang on, we mentioned Marseilles,

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Speaker 1: so before we go to commercial honeymoon alert, honeymoon alert,

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Speaker 1: we just got to talk about Marseilles because we got

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Speaker 1: to stop here for a couple of days and this

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00:22:03,440 --> 00:22:06,919
Speaker 1: city is gorgeous, I mean just stunning. If you ever

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Speaker 1: get a chance to go to the south of France,

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Speaker 1: go but here's what you don't do. Go on October.

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Speaker 1: Roll in on Saturday October one, late at night, hungry,

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Speaker 1: starving and with a bunch of plans to take a

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Speaker 1: tour bus down to the coast because a couple of

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Speaker 1: things happened to us. One for the tour we had

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Speaker 1: planned on stopped for the season on October one, so

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Speaker 1: that was out. Two. We stayed at this beautiful apartment

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Speaker 1: in this amazing part of town. It was like an Airbnb.

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Speaker 1: Our host was a filmmaker and his wife was this

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Speaker 1: Egyptian woman who was like super cool but she was

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Speaker 1: an artist. It was all this all this street are

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Speaker 1: all over town, so cool area and where we get

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Speaker 1: in there pretty late at night and we're starving and

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Speaker 1: we go walking for food and expensive right yeah. I

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Speaker 1: mean a lot of these places that were like thirty

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Speaker 1: four euro uplates and we're like, wow, that's sixty our food,

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Speaker 1: Like that's a lot. We just got here here, we

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Speaker 1: can't spend all our money at day. We got two weeks.

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Speaker 1: Oh my god, so this amazing. We get to this

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Speaker 1: guy and it's like a street vendor that does crapes

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Speaker 1: on a cart out in the street, and we're like,

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Speaker 1: oh my god, we're in France. This big I mean

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Speaker 1: he looked like a cartoon French chef. I mean the

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00:23:25,000 --> 00:23:29,080
Speaker 1: big hat, the mustache, everything, and he's so jolly and friendly.

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Speaker 1: I would make something delicious come over you and he

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00:23:31,880 --> 00:23:35,000
Speaker 1: gave us this like mint tea. This little glass is

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00:23:35,080 --> 00:23:40,240
Speaker 1: like delicious, refreshing warm, like it was just yeah, it

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00:23:40,359 --> 00:23:43,439
Speaker 1: was exactly what we needed after like the train ride everything.

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Speaker 1: I was just like, ah, this is gonna be so

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00:23:45,280 --> 00:23:47,919
Speaker 1: And we were like sitting on the sidewalk, the sounds

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Speaker 1: of Marseilles all around, bustle of you know, the street.

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Speaker 1: I was just like, this is gonna be the best

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Speaker 1: meal of my fucking life. And he starts pouring out

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00:23:55,760 --> 00:23:58,560
Speaker 1: the crape batter onto his pants and he's making it

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Speaker 1: and Diana, you know, Diana gets one with chicken in it,

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Speaker 1: and I'm vegetarian. I tell him that. He's all, yes,

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00:24:02,960 --> 00:24:04,800
Speaker 1: of course, I make you something. And he's got the

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Speaker 1: chicken in there, and then he put some cheese on top,

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00:24:07,480 --> 00:24:09,840
Speaker 1: and then he then he cracks a couple of raw

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00:24:09,920 --> 00:24:13,359
Speaker 1: eggs inside and sort of like kind of half scrambles

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00:24:13,400 --> 00:24:16,320
Speaker 1: those around, and then he makes mine with the same

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00:24:16,359 --> 00:24:19,320
Speaker 1: thing without the chicken, hands it to us and like,

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00:24:19,359 --> 00:24:21,600
Speaker 1: this is very interesting. I never would have thought to

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Speaker 1: do this. And when I tell you, and we've tried

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Speaker 1: to I've tried to state what a beautiful time and

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Speaker 1: what a friendly person, and what a lovely area we

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Speaker 1: were in. And when I tell you, this is the

401
00:24:36,880 --> 00:24:39,960
Speaker 1: grossest food I have ever put in my mouth in

402
00:24:40,040 --> 00:24:44,119
Speaker 1: my life, I'm not exaggerating. We both took like a

403
00:24:44,280 --> 00:24:47,680
Speaker 1: giant bite. It was like immediately we looked at each other,

404
00:24:47,760 --> 00:24:50,480
Speaker 1: We're like, I've made a huge mistake. It's like the

405
00:24:50,600 --> 00:24:53,960
Speaker 1: crape was sweets, but then it had this like still

406
00:24:54,040 --> 00:24:57,159
Speaker 1: kind of raw scrambled egg in it, and the cheese

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00:24:57,200 --> 00:25:00,359
Speaker 1: was really sharp, and it just didn't for me. I

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00:25:00,400 --> 00:25:02,879
Speaker 1: don't know, maybe it's a delicacy in Marseilles, but for

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00:25:03,000 --> 00:25:06,760
Speaker 1: me I was not. We were so hungry and I

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00:25:06,920 --> 00:25:09,000
Speaker 1: couldn't eat it, and I was just like, oh, we've

411
00:25:09,200 --> 00:25:11,359
Speaker 1: we ate so much. We just had to try something.

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Speaker 1: Thank you so much. And he was so nice and

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00:25:13,480 --> 00:25:15,760
Speaker 1: we just like, I think maybe we took it with

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Speaker 1: us just to be polite or something. And oh my god.

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Speaker 1: And then the next day was Sunday in Marseille. On

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Speaker 1: a Sunday, we went to our host, our Airbnb host.

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Speaker 1: We said where could we go get like a delicious

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00:25:28,280 --> 00:25:31,240
Speaker 1: French pastry breakfast something like that, And he looks me

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00:25:31,320 --> 00:25:36,840
Speaker 1: dead in the eyes and says, this Sunday everything is closed,

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00:25:37,720 --> 00:25:39,600
Speaker 1: and he was not lying. He was not lying there.

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Speaker 1: We walked one place open I think we got to

422
00:25:43,280 --> 00:25:45,399
Speaker 1: a grocery store that was open. We a little market.

423
00:25:45,440 --> 00:25:48,960
Speaker 1: We got like a baguette and some cheese and a tomato,

424
00:25:49,000 --> 00:25:51,880
Speaker 1: and that was like all we could get. So we're

425
00:25:51,880 --> 00:25:55,600
Speaker 1: walking through Marseilles and it's a ghost town, beautiful ghost town.

426
00:25:55,680 --> 00:25:58,480
Speaker 1: I was like, I'm jealous of this, Like if I

427
00:25:58,520 --> 00:26:00,640
Speaker 1: lived here, I would love it. Because into a park

428
00:26:00,680 --> 00:26:04,480
Speaker 1: and like everyone's there with their family playing football, you know,

429
00:26:04,600 --> 00:26:07,600
Speaker 1: hanging out and like enjoying their city and their lives

430
00:26:08,160 --> 00:26:12,880
Speaker 1: hours of their lives, like work, Like this is fantastic.

431
00:26:12,960 --> 00:26:16,639
Speaker 1: Except for me right now, I'm so hungry. I kept

432
00:26:16,680 --> 00:26:20,880
Speaker 1: freaking out. I will say. We stalked this Mediterranean cafe

433
00:26:20,960 --> 00:26:23,320
Speaker 1: that was like opening at five pm. I mean seriously,

434
00:26:23,320 --> 00:26:26,320
Speaker 1: it's like five pm and it's like four and we're like,

435
00:26:26,359 --> 00:26:27,840
Speaker 1: I don't want to stand here and stare at him

436
00:26:27,840 --> 00:26:30,000
Speaker 1: as he's clearly opening his store. Let's just pace back

437
00:26:30,040 --> 00:26:32,679
Speaker 1: and forth across the block. At five oh one, we

438
00:26:32,760 --> 00:26:35,320
Speaker 1: walked in and we're like, give us everything. We got

439
00:26:35,359 --> 00:26:37,159
Speaker 1: all these to go containers and we took it to

440
00:26:37,160 --> 00:26:39,359
Speaker 1: the park and that was some of the best food

441
00:26:39,359 --> 00:26:41,359
Speaker 1: I've ever had. So and we also went to their

442
00:26:41,400 --> 00:26:44,560
Speaker 1: funny zoo, which was used to be an actual zoo,

443
00:26:44,960 --> 00:26:47,560
Speaker 1: but the animals were like not well treated, I guess,

444
00:26:47,560 --> 00:26:50,160
Speaker 1: so they closed it and instead they put a bunch

445
00:26:50,160 --> 00:26:52,760
Speaker 1: of statues of animals in all the old cages. So

446
00:26:52,800 --> 00:26:56,800
Speaker 1: it's kind of really cool, like colorful paint, pink giraffe

447
00:26:57,240 --> 00:27:00,320
Speaker 1: to a blue lion or whatever, and so it was

448
00:27:00,359 --> 00:27:03,560
Speaker 1: just really cool, like art kind of park, and it

449
00:27:03,680 --> 00:27:05,720
Speaker 1: was really nice. It was just like we did not

450
00:27:05,840 --> 00:27:08,600
Speaker 1: plan properly, say, we were not ready. We were only

451
00:27:08,640 --> 00:27:11,080
Speaker 1: there for the one day, so that's all we got.

452
00:27:11,480 --> 00:27:15,160
Speaker 1: We'll go back, hopefully one day. So Julie did better

453
00:27:15,160 --> 00:27:16,920
Speaker 1: than us. She's like, let me go get a job

454
00:27:16,960 --> 00:27:20,399
Speaker 1: at this opera and we should have just become opera singers.

455
00:27:20,520 --> 00:27:25,840
Speaker 1: Bell feed me, give me something, okay, all right, Well

456
00:27:25,840 --> 00:27:27,639
Speaker 1: we're gonna go get something for dinner. We're gonna make

457
00:27:27,680 --> 00:27:30,359
Speaker 1: some crepes and we'll be right back after this commercial break.

458
00:27:35,160 --> 00:27:37,520
Speaker 1: Al right, welcome back to the show. So, yeah, there

459
00:27:37,600 --> 00:27:40,120
Speaker 1: was you know, Julie singing in the opera and there's

460
00:27:40,160 --> 00:27:42,840
Speaker 1: someone in the audience who's just totally stricken with her

461
00:27:43,640 --> 00:27:48,919
Speaker 1: and it's another woman. Oh my god, scandal. Now, several

462
00:27:48,920 --> 00:27:51,919
Speaker 1: sources said this person's name is lost to history and

463
00:27:51,960 --> 00:27:55,760
Speaker 1: we'll never know who this girl was. UM, but Encyclopedia

464
00:27:55,800 --> 00:27:59,000
Speaker 1: dot com says that it may be Cecilia Bortigali, so

465
00:27:59,040 --> 00:28:02,920
Speaker 1: we will go with that. UM. And Julie was equally

466
00:28:02,960 --> 00:28:10,040
Speaker 1: taken with Celia. Now, either she was just discovering her bisexuality,

467
00:28:10,160 --> 00:28:12,440
Speaker 1: or some sources say she was just like, I'm done

468
00:28:12,440 --> 00:28:15,000
Speaker 1: with men, Saron is boring me, I'm done with men

469
00:28:15,080 --> 00:28:17,200
Speaker 1: for life. I'm want to try something new. Some people

470
00:28:17,240 --> 00:28:20,080
Speaker 1: says she just thought Cecilia's blonde hair would look striking

471
00:28:20,119 --> 00:28:24,000
Speaker 1: next to her darker hair. All about aesthetics. What a

472
00:28:24,080 --> 00:28:27,560
Speaker 1: picture we would make walking arm in arm in the

473
00:28:27,640 --> 00:28:33,520
Speaker 1: street contrast beautiful um. Others says she just fell madly

474
00:28:33,560 --> 00:28:35,359
Speaker 1: in love with her. You know, she was just fully

475
00:28:36,359 --> 00:28:39,200
Speaker 1: and I kind of that's where I'm leaning, because Julie

476
00:28:39,240 --> 00:28:41,800
Speaker 1: just loved love. She fell in love a lot. Um.

477
00:28:41,840 --> 00:28:45,840
Speaker 1: So they started hanging out publicly enough that people started

478
00:28:45,960 --> 00:28:50,240
Speaker 1: to talk, and nobody likes that. The merchant was like,

479
00:28:50,320 --> 00:28:53,520
Speaker 1: oh no, no, no, no, not no daughter of mind,

480
00:28:54,160 --> 00:28:56,560
Speaker 1: and he quickly sent his daughter off to a convent

481
00:28:56,640 --> 00:28:59,600
Speaker 1: and avignon for a life of chastity. He's like a

482
00:28:59,640 --> 00:29:02,800
Speaker 1: few aunt marry a man, you can't marry nobody. But

483
00:29:02,920 --> 00:29:06,840
Speaker 1: that did not stop Julie at all. She simply followed

484
00:29:06,880 --> 00:29:10,920
Speaker 1: the girl and also joined the convent as a postulate,

485
00:29:10,960 --> 00:29:12,960
Speaker 1: which is sort of like when you tour a college

486
00:29:13,000 --> 00:29:15,840
Speaker 1: campus to see if you want to go there. She's

487
00:29:15,880 --> 00:29:18,200
Speaker 1: like a la sister. They're like, here's a few duties,

488
00:29:18,280 --> 00:29:20,400
Speaker 1: you see if you want to join the convents or not.

489
00:29:20,560 --> 00:29:23,000
Speaker 1: So Cecilia shows up one day, Oh, I've been sent

490
00:29:23,080 --> 00:29:25,920
Speaker 1: here to become a nun myself and I'll learn here.

491
00:29:26,400 --> 00:29:30,840
Speaker 1: And Julie comes sneaking in like the next morning. Oh,

492
00:29:30,920 --> 00:29:32,600
Speaker 1: you know, I just have a bug in my ear

493
00:29:32,720 --> 00:29:35,080
Speaker 1: that I might want to join a content, but let

494
00:29:35,160 --> 00:29:38,360
Speaker 1: me try it out a little first. I love God,

495
00:29:38,520 --> 00:29:42,280
Speaker 1: and so you know, i'd love to get a feel

496
00:29:42,520 --> 00:29:44,280
Speaker 1: for what it's like to be a nun. You know

497
00:29:44,320 --> 00:29:48,200
Speaker 1: what I'm saying. I'd love to know what it feels

498
00:29:48,320 --> 00:29:51,680
Speaker 1: like to be a nun. What a nun feels like.

499
00:29:51,840 --> 00:29:54,520
Speaker 1: That's what I want to know, is what I'm saying here.

500
00:29:56,240 --> 00:29:59,239
Speaker 1: So likely these two are kind of hooking up, you know,

501
00:30:00,240 --> 00:30:03,600
Speaker 1: in the convent. Somewhere in the cloisters. They're finding dark

502
00:30:03,680 --> 00:30:06,240
Speaker 1: area to make out or something. Cloister is such a

503
00:30:06,400 --> 00:30:11,600
Speaker 1: sexy word in a weird way, you know. Well, one

504
00:30:11,720 --> 00:30:16,040
Speaker 1: night one of the nuns passed away, and these ladies

505
00:30:16,120 --> 00:30:20,560
Speaker 1: saw their chance. So Julie dug up the court what

506
00:30:21,360 --> 00:30:27,000
Speaker 1: smuggled it inside, placed it on Cecilia's bed, and she

507
00:30:27,240 --> 00:30:31,600
Speaker 1: set the bed on fire. Oh my god, and she

508
00:30:31,800 --> 00:30:36,360
Speaker 1: and her girlfriend escaped boom. The nuns would think Cecilia

509
00:30:36,440 --> 00:30:39,080
Speaker 1: died in the fire. No one would come after them.

510
00:30:39,400 --> 00:30:46,239
Speaker 1: It was the perfect crime. So you're telling me, She's like,

511
00:30:46,280 --> 00:30:50,000
Speaker 1: oh no, Cecilia's beds just burst into flames on its own.

512
00:30:50,480 --> 00:30:52,400
Speaker 1: I guess you had a reading light too close. She

513
00:30:52,480 --> 00:30:57,640
Speaker 1: fell asleep with the cigarettes in her mouth. I know

514
00:30:57,680 --> 00:31:00,480
Speaker 1: a lot of French girls smoking cigarettes on this and

515
00:31:00,480 --> 00:31:04,120
Speaker 1: there's straw beds in their convents. Yeah, I don't think that.

516
00:31:04,800 --> 00:31:07,959
Speaker 1: They probably like a candle fill. Yeah, you never know.

517
00:31:08,040 --> 00:31:12,280
Speaker 1: It's candles are dangerous. Careful with that. Always said Cecilia's

518
00:31:12,280 --> 00:31:17,680
Speaker 1: gotta be more careful with her candles. That's wild. Dug

519
00:31:17,760 --> 00:31:21,720
Speaker 1: up a corpse, a nun died, and these two girls thought, oh,

520
00:31:21,920 --> 00:31:27,360
Speaker 1: here's my chance. I know what to do. Now, We've

521
00:31:27,360 --> 00:31:30,000
Speaker 1: got to act fast. Some people say it was a

522
00:31:30,080 --> 00:31:32,560
Speaker 1: young nun, but other sources say it was elderly, and

523
00:31:32,600 --> 00:31:34,160
Speaker 1: I just love the idea of her BLI let me

524
00:31:34,200 --> 00:31:39,920
Speaker 1: get this old lady up there stairs at a at

525
00:31:39,920 --> 00:31:44,400
Speaker 1: a convent. Right, not not very religious of them, not

526
00:31:44,880 --> 00:31:50,720
Speaker 1: not very Christian, disturbing bodies, right and left. They dug

527
00:31:50,800 --> 00:31:54,080
Speaker 1: up a body of a nun and then set part

528
00:31:54,120 --> 00:31:57,120
Speaker 1: of a convent on fire. They're not to cover up

529
00:31:57,120 --> 00:32:04,800
Speaker 1: a lesbian couple. You could not get further from incredible.

530
00:32:05,960 --> 00:32:10,840
Speaker 1: But guess what c s I got there. They figured

531
00:32:10,880 --> 00:32:13,760
Speaker 1: something out. There must have been some some grave dirt

532
00:32:13,840 --> 00:32:16,520
Speaker 1: on the stairs, or maybe they you know, maybe they

533
00:32:16,520 --> 00:32:18,120
Speaker 1: put the fire out too fast and they saw the

534
00:32:18,120 --> 00:32:19,680
Speaker 1: body and we're like, well, this is clearly the woman

535
00:32:19,720 --> 00:32:22,680
Speaker 1: who just died. This is sister Mary Catherine. I don't

536
00:32:22,720 --> 00:32:26,080
Speaker 1: know what's she doing here. Cecilia's five ft five. This

537
00:32:26,120 --> 00:32:32,920
Speaker 1: woman was six to our tallest Nune, tallest Nune. Tragically,

538
00:32:32,920 --> 00:32:34,719
Speaker 1: that's how she died. She just banged her head one

539
00:32:34,760 --> 00:32:39,040
Speaker 1: too many times on the low ceilings. At any rate,

540
00:32:39,240 --> 00:32:42,720
Speaker 1: the convent figured out what had really gone down pretty quickly.

541
00:32:43,440 --> 00:32:46,040
Speaker 1: And so while Julie and Cecilia were on the run,

542
00:32:46,600 --> 00:32:49,760
Speaker 1: Julia was found guilty in absentia by the Parliament of

543
00:32:49,840 --> 00:32:54,440
Speaker 1: Provence for body snatching, arson and kidnapping. I hope. They

544
00:32:54,440 --> 00:32:57,920
Speaker 1: were like, surely Cecilia didn't go of her own accord. Oh, yeah,

545
00:32:58,080 --> 00:33:03,280
Speaker 1: she must have kidnapped her. Now the sentence was death

546
00:33:03,680 --> 00:33:08,800
Speaker 1: by fire for an eye stuff, right, I guess, But

547
00:33:09,560 --> 00:33:16,040
Speaker 1: they sentenced Monsieur d'abonne because they just couldn't believe that

548
00:33:16,120 --> 00:33:19,640
Speaker 1: a woman would do this kind of thing. Never or

549
00:33:20,160 --> 00:33:23,840
Speaker 1: possibly they were just trying to save Cecilia's family the

550
00:33:23,880 --> 00:33:27,040
Speaker 1: embarrassment of having it known that their daughter liked the ladies.

551
00:33:28,520 --> 00:33:32,320
Speaker 1: Like a tactful like cover up. They're like a woman

552
00:33:32,360 --> 00:33:35,440
Speaker 1: did what They're like, no, no, no, no, a man

553
00:33:35,800 --> 00:33:38,000
Speaker 1: did it. Actually, Yeah, he loved your daughter so much.

554
00:33:38,000 --> 00:33:41,120
Speaker 1: They loved you. They ran off together. Sure, this guy

555
00:33:41,200 --> 00:33:44,000
Speaker 1: is definitely a man with a penis, and he is

556
00:33:44,080 --> 00:33:46,680
Speaker 1: just not right for that's the main thing. So that's

557
00:33:46,800 --> 00:33:49,360
Speaker 1: what that's the one thing that's wrong with him is

558
00:33:49,400 --> 00:33:51,920
Speaker 1: that he's totally dude. He's just not right for Cecilia

559
00:33:53,040 --> 00:33:56,080
Speaker 1: because he sets dead nuns on fire like it's not

560
00:33:56,200 --> 00:33:59,760
Speaker 1: exactly anybody's top choice for their daughter's lover. I guess

561
00:33:59,760 --> 00:34:03,680
Speaker 1: that's now. Julie and Cecilia were on the run together

562
00:34:03,880 --> 00:34:09,560
Speaker 1: for three months. According to Rejected Princesses dot Com, Julie

563
00:34:09,600 --> 00:34:13,720
Speaker 1: got bored and sent Cecilia home to her family. Usually

564
00:34:13,800 --> 00:34:17,880
Speaker 1: is not not exactly known for her commitments. True, like

565
00:34:18,239 --> 00:34:21,319
Speaker 1: I'm done with you, go home, I'm finished now. On

566
00:34:21,360 --> 00:34:24,080
Speaker 1: the other hand, encyclopedia dot Com says that Cecilia went

567
00:34:24,120 --> 00:34:27,520
Speaker 1: home after Julie had a fling with a musketeer. You

568
00:34:27,600 --> 00:34:32,680
Speaker 1: know which which one of the three Musketeers d'Artagnan, probably right,

569
00:34:32,760 --> 00:34:38,680
Speaker 1: obviously obviously, or Oliver Platt maybe where one he was?

570
00:34:38,760 --> 00:34:42,399
Speaker 1: But Robbi Disney three Musketeers fans out there, all six

571
00:34:42,440 --> 00:34:46,680
Speaker 1: of you is classic film. That's such a weird movie.

572
00:34:47,239 --> 00:34:49,560
Speaker 1: Who was like, yeah, give me key for Sutherland, Chris

573
00:34:49,560 --> 00:34:56,600
Speaker 1: O'Donnell Oliver Platts, and uh key for Subtleman Chris O'Donnell

574
00:34:57,040 --> 00:35:02,440
Speaker 1: Oliver Platt, and I immediately went to Jeremy Irons. But

575
00:35:02,480 --> 00:35:05,640
Speaker 1: that's uh no, isn't that man in the iron mask?

576
00:35:06,880 --> 00:35:12,560
Speaker 1: Oh yeah, yeah, Charlie Sheen. Charlie Sheen. I looked up

577
00:35:12,560 --> 00:35:15,800
Speaker 1: three Musketeers Disney, and it's a Three Musketeers Disney Mickey

578
00:35:15,840 --> 00:35:21,000
Speaker 1: Donald and Goofy The Three Musketeers also a classic, A

579
00:35:21,000 --> 00:35:24,600
Speaker 1: bit of a different film anyway. Anyway, Julietta flaying with

580
00:35:25,560 --> 00:35:30,360
Speaker 1: the fifth Musketeer, possibly Cecilia, went home after that. But

581
00:35:30,440 --> 00:35:33,160
Speaker 1: Kelly Gardner, who researched Julie for five years to write

582
00:35:33,160 --> 00:35:37,000
Speaker 1: her novel Goddess, says that just eventually their luck ran

583
00:35:37,040 --> 00:35:39,600
Speaker 1: out Julie and Cecilia, and the law descended on them,

584
00:35:40,080 --> 00:35:43,319
Speaker 1: and Cecilia was captured and Julie fought off all kinds

585
00:35:43,320 --> 00:35:45,560
Speaker 1: of guys who came after them and killed one in

586
00:35:45,640 --> 00:35:50,200
Speaker 1: order to escape. Damn girl, so very exciting in Kelly's

587
00:35:50,280 --> 00:35:54,000
Speaker 1: version of this story. But whatever happened, the two of

588
00:35:54,040 --> 00:35:56,920
Speaker 1: them parted ways and Julie was on her own again.

589
00:35:57,680 --> 00:35:59,919
Speaker 1: But Julie had no problem with that. You know, she's

590
00:36:00,000 --> 00:36:04,640
Speaker 1: all right. She lived that van life. She's like hopping

591
00:36:04,680 --> 00:36:08,760
Speaker 1: around France being a nomad. She's still dressed in men's clothes.

592
00:36:08,800 --> 00:36:11,080
Speaker 1: She would sing for her supper like she and Saraon

593
00:36:11,200 --> 00:36:14,120
Speaker 1: had done. And in the south of France she met

594
00:36:14,160 --> 00:36:18,080
Speaker 1: a man named Marischal who was a comedy actor and singer,

595
00:36:18,160 --> 00:36:21,520
Speaker 1: and he like instantly recognized that Julie had a talent

596
00:36:21,600 --> 00:36:24,480
Speaker 1: that could not be wasted. He's probably in the tavern

597
00:36:24,560 --> 00:36:27,200
Speaker 1: watching her do her thing, and he's like, I can't

598
00:36:28,080 --> 00:36:29,640
Speaker 1: you just want to look at her, you know that

599
00:36:29,800 --> 00:36:32,480
Speaker 1: star power. You can't teach that. You need to do

600
00:36:32,560 --> 00:36:35,319
Speaker 1: something with yourself, and he offered to teach her, so

601
00:36:35,360 --> 00:36:39,240
Speaker 1: she accepted. Encyclopedia dot Com calls him quote a stern,

602
00:36:39,680 --> 00:36:44,120
Speaker 1: competent teacher who insisted she makes the Paris Opera her goal,

603
00:36:45,239 --> 00:36:47,960
Speaker 1: and Julie was impressed with his skill as a comedian

604
00:36:48,000 --> 00:36:51,400
Speaker 1: and a musician. She wrote, quote what he taught me

605
00:36:51,560 --> 00:36:57,520
Speaker 1: was a true revelation. But unfortunately Marshall was also a

606
00:36:57,760 --> 00:37:01,799
Speaker 1: terrible alcoholic. She met him at a bar after all, Oh, yeah,

607
00:37:01,800 --> 00:37:05,800
Speaker 1: if you need a hands down, there in alcohol and

608
00:37:06,000 --> 00:37:09,920
Speaker 1: they're definitely drinking too much. No, you know, he probably

609
00:37:10,040 --> 00:37:13,920
Speaker 1: was just there every night. Yeah and yeah, after a

610
00:37:13,920 --> 00:37:16,080
Speaker 1: few months, it's kind of started getting the way of

611
00:37:16,080 --> 00:37:18,400
Speaker 1: his teaching. I think he is pretty far along in

612
00:37:18,440 --> 00:37:21,160
Speaker 1: his alcoholic journey by the time A cross paths, because

613
00:37:21,280 --> 00:37:25,640
Speaker 1: Jim Burrows writes that he quote began to fall into incoherence,

614
00:37:27,320 --> 00:37:29,720
Speaker 1: so he sent her away. He told her, go to Paris,

615
00:37:29,800 --> 00:37:32,040
Speaker 1: get a job in the theater. If you apply yourself,

616
00:37:32,080 --> 00:37:35,960
Speaker 1: fame and fortune will be yours. And so Julie had

617
00:37:36,000 --> 00:37:38,000
Speaker 1: gotten some of the training that she would need if

618
00:37:38,000 --> 00:37:41,320
Speaker 1: she ever got an audition with the Paris Opera. Um,

619
00:37:41,360 --> 00:37:43,319
Speaker 1: you know, once she figured out how to get rid

620
00:37:43,360 --> 00:37:46,960
Speaker 1: of this pesky death sentence by yire that she's got

621
00:37:46,960 --> 00:37:50,000
Speaker 1: hanging over because she set that dead nun on fire.

622
00:37:50,040 --> 00:37:52,960
Speaker 1: Because of that, un, let me go to Oh wait,

623
00:37:53,040 --> 00:37:55,160
Speaker 1: I had set that dead nun on fire. Well well,

624
00:37:55,160 --> 00:37:59,040
Speaker 1: well if it isn't, the consequences of my actions, can't

625
00:37:59,120 --> 00:38:03,040
Speaker 1: dule those. So anyway, she's like, well, we'll figure that

626
00:38:03,120 --> 00:38:04,960
Speaker 1: out on the way, and she started to make her

627
00:38:05,000 --> 00:38:08,000
Speaker 1: way back to Paris. Of course she did, and we

628
00:38:08,080 --> 00:38:23,320
Speaker 1: will find out what happens then. Right after this, welcome

629
00:38:23,320 --> 00:38:28,120
Speaker 1: back to Ridiculous Romance everyone. So Julia is out here

630
00:38:28,480 --> 00:38:31,200
Speaker 1: on her way to Paris. She's singing in taverns, she's

631
00:38:31,280 --> 00:38:34,200
Speaker 1: dressed as a man, she's paying her way, and one

632
00:38:34,280 --> 00:38:38,320
Speaker 1: night she got heckled by another drunk in the audience

633
00:38:38,719 --> 00:38:42,520
Speaker 1: and he called out, quote, tell me a pretty bird.

634
00:38:42,840 --> 00:38:46,440
Speaker 1: I've listened to your chirping, But now tell me of

635
00:38:46,560 --> 00:38:51,919
Speaker 1: your plumage. I guess this guy heard about the last

636
00:38:51,960 --> 00:38:53,560
Speaker 1: time she got heckled, and he was like, I'm gonna

637
00:38:53,600 --> 00:38:59,000
Speaker 1: see some boobs tonight. Let me see that plumage. Never rejected,

638
00:38:59,000 --> 00:39:02,000
Speaker 1: Princesses says, this is basically a way to ask if

639
00:39:02,000 --> 00:39:07,000
Speaker 1: the carpet matched the drakes, you know, gros very gross. Well,

640
00:39:07,080 --> 00:39:09,279
Speaker 1: this time she did not rip off her shirt. She's like,

641
00:39:09,320 --> 00:39:16,560
Speaker 1: I'm not starting this trend. Instead, she drew her swords. Damn. Now, Instantly,

642
00:39:16,640 --> 00:39:19,400
Speaker 1: this heckler and two of his friends stood up. They

643
00:39:19,520 --> 00:39:22,879
Speaker 1: rose to the challenge. We'll take you, and they all

644
00:39:22,920 --> 00:39:26,920
Speaker 1: went out to the courtyard and out here they started

645
00:39:26,960 --> 00:39:30,279
Speaker 1: a duel, and Julie either fought them either in succession,

646
00:39:30,320 --> 00:39:33,360
Speaker 1: one at a time, or possibly took on all three

647
00:39:33,440 --> 00:39:39,840
Speaker 1: at once. Cling, clang, they're fighting, She's dodging, She's perry thrust,

648
00:39:40,160 --> 00:39:45,640
Speaker 1: perry sweep stab like catching the blade. Perry and thrust

649
00:39:45,640 --> 00:39:47,799
Speaker 1: are the only two words I know. There's probably some

650
00:39:47,840 --> 00:39:52,320
Speaker 1: others fencing terms in there. Yes, Oh, I am not

651
00:39:52,520 --> 00:40:00,600
Speaker 1: left handed. It's so exciting, amazing, Magic's picture. It's incredible

652
00:40:00,640 --> 00:40:04,640
Speaker 1: fights Royal Coxta. But in the end their skill was

653
00:40:04,800 --> 00:40:08,279
Speaker 1: no match for Julie's and she ran the heckler clean

654
00:40:08,400 --> 00:40:12,319
Speaker 1: through his shoulder out he was able to twist his

655
00:40:12,440 --> 00:40:16,080
Speaker 1: head and look and see the blade sticking out the back,

656
00:40:16,760 --> 00:40:21,360
Speaker 1: red with his blood. Ah, that's so gross. I've been skewered.

657
00:40:23,000 --> 00:40:25,279
Speaker 1: He's like, Oh, it's not so bad, is it, And

658
00:40:25,280 --> 00:40:29,080
Speaker 1: then he looks back. That was wrong, but a scratch.

659
00:40:31,480 --> 00:40:35,160
Speaker 1: So the duel ends. But the next day Julie just

660
00:40:35,200 --> 00:40:37,480
Speaker 1: felt kind of bad about it. She was like, I

661
00:40:37,760 --> 00:40:40,920
Speaker 1: clearly was better than those guys. I took advantage of

662
00:40:40,960 --> 00:40:45,680
Speaker 1: their idiocy, their drunkenness was very gentlemanly. Of Yeah. So

663
00:40:46,080 --> 00:40:48,319
Speaker 1: she went down to the local surgeon to check on

664
00:40:48,360 --> 00:40:50,279
Speaker 1: the guy. She's like, hey, that that guy who came

665
00:40:50,280 --> 00:40:53,160
Speaker 1: in last night with a sword through his shoulder. How's

666
00:40:53,200 --> 00:40:56,840
Speaker 1: he doing all right? And the surgeon said, he's fine,

667
00:40:56,880 --> 00:40:59,880
Speaker 1: he's going to recover. And the heckler's name was Luis

668
00:41:00,040 --> 00:41:03,600
Speaker 1: Joseph Dalbert the Loins and he was the darling son

669
00:41:04,120 --> 00:41:10,400
Speaker 1: of a duke. So that night Delbert's friends called on.

670
00:41:10,520 --> 00:41:14,759
Speaker 1: Julian said Delbert wanted to apologize for insulting her when

671
00:41:14,760 --> 00:41:17,560
Speaker 1: he was drunk. He probably woke. I was like, man,

672
00:41:17,800 --> 00:41:20,080
Speaker 1: I was real stupid. Yeah, I told her to take

673
00:41:20,080 --> 00:41:22,719
Speaker 1: her shirt off. Of course she drew her sword. I

674
00:41:22,719 --> 00:41:25,920
Speaker 1: gotta stop shoot my mouth off. Somebody's gonna shoot my

675
00:41:25,960 --> 00:41:30,319
Speaker 1: mouth off next time. Three bottles, not four. It's all

676
00:41:30,360 --> 00:41:34,560
Speaker 1: about moderation, Delbert. Now, Julie said that she would come

677
00:41:34,640 --> 00:41:39,160
Speaker 1: see him herself Speculation station. I'm thinking like, once she

678
00:41:39,280 --> 00:41:42,000
Speaker 1: learned who he was, she was like, oh, the son

679
00:41:42,000 --> 00:41:44,120
Speaker 1: of a duke, this guy could be a good friend

680
00:41:44,160 --> 00:41:46,040
Speaker 1: for me to have. Oh, I could use some friends

681
00:41:46,040 --> 00:41:48,400
Speaker 1: in high places. I mean, yeah, she got this. She

682
00:41:48,440 --> 00:41:51,319
Speaker 1: just got some problems with the law, and we know

683
00:41:51,600 --> 00:41:54,440
Speaker 1: noble people not always have to follow the law. So

684
00:41:54,760 --> 00:41:57,560
Speaker 1: she's like, maybe this guy can be helpful to me.

685
00:41:58,040 --> 00:42:01,200
Speaker 1: So she's like, I'll get pretty, you know what I mean,

686
00:42:01,280 --> 00:42:04,959
Speaker 1: I try to you know, let me use all my charms. Yeah,

687
00:42:05,080 --> 00:42:10,399
Speaker 1: show him some of that plumage about. So that night,

688
00:42:10,600 --> 00:42:14,840
Speaker 1: dressed as her womanly self, she called on Delbet in

689
00:42:14,920 --> 00:42:17,759
Speaker 1: his room, and boy did she call on him. She

690
00:42:17,880 --> 00:42:20,920
Speaker 1: called on him a couple of times, I think because

691
00:42:20,960 --> 00:42:25,640
Speaker 1: the two of them began a passionate love affair. Yeah.

692
00:42:25,880 --> 00:42:29,120
Speaker 1: He was like, you stabbed me with your sword, now

693
00:42:29,200 --> 00:42:31,520
Speaker 1: maybe and she was like, I don't need that metaphor

694
00:42:31,920 --> 00:42:37,400
Speaker 1: thank you, thank you? How about you just please introduce

695
00:42:37,480 --> 00:42:40,439
Speaker 1: me to your father later sword and sheath jokes here,

696
00:42:40,800 --> 00:42:45,319
Speaker 1: Please thank you. But unfortunately their little love affair was

697
00:42:45,360 --> 00:42:48,160
Speaker 1: cut short when Delbet recovered and he was called back

698
00:42:48,200 --> 00:42:54,160
Speaker 1: to join his regiment in Germany. But their relationship would continue.

699
00:42:54,239 --> 00:42:57,440
Speaker 1: It was basically a lifelong love affair, even though they

700
00:42:57,440 --> 00:43:00,520
Speaker 1: would both have many lovers. Anytime they were in the

701
00:43:00,600 --> 00:43:04,279
Speaker 1: same place at the same time, they would get it on,

702
00:43:05,640 --> 00:43:10,560
Speaker 1: like I missed that, Dalbert d you're in town. In town, Yeah,

703
00:43:10,719 --> 00:43:13,520
Speaker 1: for sure, we both got partners, but fuck them by

704
00:43:13,560 --> 00:43:20,800
Speaker 1: not sucking them, sucking me. But then in whom Julie

705
00:43:20,840 --> 00:43:25,839
Speaker 1: picked up a new man. That's Julie's way. She likes

706
00:43:25,880 --> 00:43:29,719
Speaker 1: to have a companion. And this guy's name is Gabrielle

707
00:43:29,880 --> 00:43:33,600
Speaker 1: Vincent Tavennard, who was the son of a caterer and

708
00:43:33,640 --> 00:43:37,400
Speaker 1: he had left his dad's business behind to pursue his

709
00:43:37,600 --> 00:43:39,959
Speaker 1: dream to be a singer. Oh my god, how many

710
00:43:40,000 --> 00:43:44,000
Speaker 1: singers out there abandoned their father's catering business. I think

711
00:43:44,000 --> 00:43:46,759
Speaker 1: I know several people who did that, right except sim

712
00:43:47,120 --> 00:43:53,239
Speaker 1: their father their serving job. But I love it, and

713
00:43:53,239 --> 00:43:55,719
Speaker 1: he did have a great voice. He was already on

714
00:43:55,800 --> 00:43:58,240
Speaker 1: his way to Paris to try out for the Paris Opera.

715
00:43:58,440 --> 00:44:01,160
Speaker 1: So they had very similar goals. And you know, we

716
00:44:01,200 --> 00:44:05,640
Speaker 1: already know about Julie's many a prodigious charm, so he

717
00:44:05,719 --> 00:44:11,640
Speaker 1: was like, hello, who is this And so these two

718
00:44:11,680 --> 00:44:15,200
Speaker 1: were like drawn together like flies to honey, and they

719
00:44:15,239 --> 00:44:18,160
Speaker 1: sang together in the provinces to make money. But again,

720
00:44:18,320 --> 00:44:21,280
Speaker 1: the goal is Paris, and Julie is like, I gotta

721
00:44:21,320 --> 00:44:23,640
Speaker 1: figure out what to do about this old warrant and

722
00:44:23,760 --> 00:44:27,040
Speaker 1: execution problem that I wonder if he's like come to

723
00:44:27,080 --> 00:44:30,080
Speaker 1: Paris with me. And she's like, yeah about that. See,

724
00:44:30,400 --> 00:44:34,319
Speaker 1: they want to set me on fire, so I gotta

725
00:44:34,360 --> 00:44:38,200
Speaker 1: figure that out first um, And eventually she thought she

726
00:44:38,360 --> 00:44:41,000
Speaker 1: hit on just the guy to fix this for her.

727
00:44:41,719 --> 00:44:46,279
Speaker 1: Her very first lover, Count darmagn yuck Oh. Count is

728
00:44:46,320 --> 00:44:48,799
Speaker 1: the King's master of horse. He can whisper in his

729
00:44:49,400 --> 00:44:53,800
Speaker 1: her dad's boss, her dad's boss, her lover, her guardian,

730
00:44:54,320 --> 00:44:58,520
Speaker 1: her dad boyfriend or whatever he said. So she snuck

731
00:44:58,600 --> 00:45:03,399
Speaker 1: onto his country estate in Marie in disguise. She's like, knock, knock, knock,

732
00:45:03,480 --> 00:45:06,520
Speaker 1: the like who's this guy, and she's like, surprise, it's

733
00:45:06,520 --> 00:45:10,480
Speaker 1: just me. Your teenage lover, and she's like, hey, can

734
00:45:10,520 --> 00:45:13,319
Speaker 1: you help me out with this teeny little problem I

735
00:45:13,400 --> 00:45:16,520
Speaker 1: have where the king wants me dead? And the count

736
00:45:16,560 --> 00:45:18,560
Speaker 1: agreed to help her. He went to King Louis to

737
00:45:18,640 --> 00:45:22,520
Speaker 1: plead for her, and apparently the King had been secretly

738
00:45:22,600 --> 00:45:28,279
Speaker 1: amused by her little convent exploit, which I love, to

739
00:45:28,280 --> 00:45:30,960
Speaker 1: be honest, that would have done the same thing. Who

740
00:45:31,080 --> 00:45:35,760
Speaker 1: amongst us is on fire? Who amongst us hasn't burned

741
00:45:35,760 --> 00:45:39,160
Speaker 1: the nun corps to run off with our lover? So

742
00:45:39,200 --> 00:45:42,480
Speaker 1: he gave her a full pardon and annulled the warrant

743
00:45:42,480 --> 00:45:46,480
Speaker 1: against her. I love Louis fourteen, so he was like,

744
00:45:46,520 --> 00:45:49,200
Speaker 1: as long as you're vibing with me, everything you do

745
00:45:49,280 --> 00:45:54,040
Speaker 1: is cool. Meanwhile, tavin Ard went to audition for the

746
00:45:54,120 --> 00:45:58,080
Speaker 1: Paris Opera and he was immediately accepted. Again great boys,

747
00:45:58,160 --> 00:46:02,160
Speaker 1: he was, he had the goods. But then he was like, hey, listen,

748
00:46:02,600 --> 00:46:06,440
Speaker 1: can my girlfriend come to They were like, that's not

749
00:46:06,520 --> 00:46:10,480
Speaker 1: how it works. They were apparently very reluctant, but they

750
00:46:10,520 --> 00:46:14,600
Speaker 1: gave Julie an audition as well, maybe because she also

751
00:46:14,800 --> 00:46:17,360
Speaker 1: used some of these other powerful friends at her disposal.

752
00:46:17,760 --> 00:46:21,080
Speaker 1: They had a few people being like Julie Dabin, Julie

753
00:46:21,120 --> 00:46:24,680
Speaker 1: Darbiny and fine, fine, now listen to her singan was

754
00:46:24,800 --> 00:46:27,040
Speaker 1: the Paris oppers, probably like the woman who just got

755
00:46:27,080 --> 00:46:30,400
Speaker 1: a pardon from the King, I know, right, I mean, okay,

756
00:46:31,000 --> 00:46:33,520
Speaker 1: that's true too. It's because she already was a little notorious.

757
00:46:33,840 --> 00:46:35,400
Speaker 1: They might have just been like, you know what, I

758
00:46:35,400 --> 00:46:37,439
Speaker 1: don't care if she can say, because she will sell

759
00:46:37,440 --> 00:46:40,760
Speaker 1: a ticket just because people want to see this lady

760
00:46:40,800 --> 00:46:44,560
Speaker 1: who set them on fire. But she was free from

761
00:46:44,560 --> 00:46:46,840
Speaker 1: this death sentence. Now she was free to appear for

762
00:46:46,880 --> 00:46:49,399
Speaker 1: this audition, and she got herself a gig and one

763
00:46:49,440 --> 00:46:53,080
Speaker 1: of the best musical companies in the world at only

764
00:46:53,160 --> 00:46:57,279
Speaker 1: twenty years old. So if you're above twenty, it's too late.

765
00:46:58,480 --> 00:47:01,080
Speaker 1: You're telling me all this happened before she was twenty.

766
00:47:01,480 --> 00:47:05,080
Speaker 1: This girl fitt it, packed it in and like I

767
00:47:05,120 --> 00:47:07,320
Speaker 1: had barely left the house by the time I was twenty,

768
00:47:07,360 --> 00:47:09,759
Speaker 1: and she's running all over France. And by the time

769
00:47:09,800 --> 00:47:12,160
Speaker 1: she's eighteen, she's already said a nun on fire. She's

770
00:47:12,360 --> 00:47:15,200
Speaker 1: going to run with her lover. I haven't said any

771
00:47:15,239 --> 00:47:19,840
Speaker 1: nuns on and I hope to continue that. That's a

772
00:47:19,880 --> 00:47:22,759
Speaker 1: good trend. It's a regular goal of mine. We don't

773
00:47:22,760 --> 00:47:25,360
Speaker 1: have not set any fires at convents. We don't have

774
00:47:25,360 --> 00:47:29,120
Speaker 1: any powerful friends to get the king to pardon. You know,

775
00:47:29,280 --> 00:47:31,440
Speaker 1: we don't, But I'll say that's not the reason that

776
00:47:31,480 --> 00:47:33,880
Speaker 1: I'm not gonna set any fires at convents. Oh what

777
00:47:33,920 --> 00:47:37,479
Speaker 1: are you? A good person? And just getting I feel

778
00:47:37,480 --> 00:47:39,319
Speaker 1: like you don't even have to be a particularly good

779
00:47:39,360 --> 00:47:42,400
Speaker 1: person to not set a fire at a convent on

780
00:47:42,440 --> 00:47:45,440
Speaker 1: a dead nuns corpse, That's true. You just have to

781
00:47:45,480 --> 00:47:50,160
Speaker 1: be a real daring ardience and catch you with gal. So, Yeah,

782
00:47:50,239 --> 00:47:54,000
Speaker 1: Julie got herself a gig at the Paris Opera alongside

783
00:47:54,000 --> 00:47:57,600
Speaker 1: her current boyfriend's haven our, and she was about to

784
00:47:57,640 --> 00:48:02,399
Speaker 1: become the famous opera singer La, which is the other

785
00:48:02,480 --> 00:48:06,279
Speaker 1: name she's best known as um. So She's got a

786
00:48:06,360 --> 00:48:11,600
Speaker 1: whole career ahead of her, many many more exploits with

787
00:48:11,800 --> 00:48:16,759
Speaker 1: men and women alike. Yes ahead, And we had to

788
00:48:16,800 --> 00:48:19,759
Speaker 1: save that for part two. Yeah, stay tuned for the

789
00:48:19,920 --> 00:48:24,120
Speaker 1: rest of Julie's life, La, because just like we said,

790
00:48:24,680 --> 00:48:30,400
Speaker 1: equally wild and action packs and adventurous, she kept it shocked,

791
00:48:30,400 --> 00:48:34,600
Speaker 1: it moving, shocking stuff. I'm so excited, always fighting, always

792
00:48:34,600 --> 00:48:37,640
Speaker 1: fallen in love, always make it out. Yes, Thank you

793
00:48:37,680 --> 00:48:42,680
Speaker 1: Andrea for sending this story, because like, what's so fun?

794
00:48:42,760 --> 00:48:44,279
Speaker 1: This is one of those stories where I'm like, this

795
00:48:44,320 --> 00:48:48,279
Speaker 1: is why we do this, show man. There's so much

796
00:48:48,360 --> 00:48:51,480
Speaker 1: ridiculous about it too. It's just so many things that

797
00:48:52,160 --> 00:48:55,239
Speaker 1: I think. Particularly, I love that the sun King is

798
00:48:55,320 --> 00:48:59,319
Speaker 1: just like that was pretty funny. Thought pretty alright, girl,

799
00:48:59,480 --> 00:49:01,880
Speaker 1: you are don't do it again. But you know what

800
00:49:01,920 --> 00:49:06,919
Speaker 1: I say, that's pretty good. This is like people don't.

801
00:49:06,960 --> 00:49:09,359
Speaker 1: I don't think people live lives like this anymore. How

802
00:49:09,480 --> 00:49:12,359
Speaker 1: can you? You can't? You can't because think about I mean,

803
00:49:12,760 --> 00:49:15,080
Speaker 1: this is how you this is. This is an era

804
00:49:15,480 --> 00:49:18,960
Speaker 1: where like, especially if you're comfortable, you know, and you're

805
00:49:18,960 --> 00:49:22,520
Speaker 1: not living in the dirt, you've got some skill, you've

806
00:49:22,520 --> 00:49:27,760
Speaker 1: had an education, uh, and you're pretty what do you've

807
00:49:27,800 --> 00:49:31,120
Speaker 1: got time? You know, You've got so much time and

808
00:49:31,160 --> 00:49:34,319
Speaker 1: how do you fill it besides like just making a

809
00:49:34,360 --> 00:49:36,400
Speaker 1: game out of everything and just having fun and just

810
00:49:36,440 --> 00:49:38,960
Speaker 1: doing what you want and dealing with the consequences later.

811
00:49:39,080 --> 00:49:42,839
Speaker 1: Like there's something obviously very few of us can live

812
00:49:42,880 --> 00:49:46,200
Speaker 1: like that, but man, what a dream. Yeah, And there's

813
00:49:46,239 --> 00:49:49,759
Speaker 1: something funny about the dueling period of history. It was

814
00:49:49,840 --> 00:49:53,759
Speaker 1: just like you brushed up against me. I challenge you, sir,

815
00:49:54,320 --> 00:49:56,719
Speaker 1: I would like you to answer for that insult, and

816
00:49:56,800 --> 00:50:01,160
Speaker 1: you literally would drop would cross swords over it. Now

817
00:50:01,360 --> 00:50:03,600
Speaker 1: in a way, so it's like a Wild westy or

818
00:50:03,640 --> 00:50:05,680
Speaker 1: even now where people like I'm going to pull a

819
00:50:05,719 --> 00:50:08,880
Speaker 1: gun on you. But at least then you know, you

820
00:50:08,880 --> 00:50:10,840
Speaker 1: could just like pink him in the arm, you know,

821
00:50:10,840 --> 00:50:12,879
Speaker 1: which is when you just kind of got him, got

822
00:50:12,960 --> 00:50:15,960
Speaker 1: him in the shoulder. You made your point, but nobody's dead.

823
00:50:16,080 --> 00:50:18,239
Speaker 1: It was about getting someone to yield. Yeah, I was like,

824
00:50:18,320 --> 00:50:20,520
Speaker 1: first blood, you're done, you know, you don't need to

825
00:50:20,760 --> 00:50:23,000
Speaker 1: or you just knock them down, you know. Or I

826
00:50:23,040 --> 00:50:25,960
Speaker 1: think in Hamiltons they talked about this where they would

827
00:50:26,200 --> 00:50:28,960
Speaker 1: often shoot into the air, like I know that I

828
00:50:29,000 --> 00:50:31,080
Speaker 1: did something wrong. You were right to call me out

829
00:50:31,120 --> 00:50:34,000
Speaker 1: here and say I insulted your wife for you or

830
00:50:34,080 --> 00:50:36,560
Speaker 1: did something wrong, but I'm not going to kill you

831
00:50:36,600 --> 00:50:39,440
Speaker 1: for it. It's gonna shoot in the air. I diloped

832
00:50:39,600 --> 00:50:43,920
Speaker 1: is what it's called. I diloped, diloped. Yeah, but anyway,

833
00:50:43,960 --> 00:50:45,880
Speaker 1: so I just think it's so funny. They were like

834
00:50:46,120 --> 00:50:48,760
Speaker 1: the only way to solve this problem is with steel,

835
00:50:49,560 --> 00:50:53,440
Speaker 1: you know. That is kind of exciting. And then and

836
00:50:53,520 --> 00:50:57,560
Speaker 1: that that people accepted that as a resolution, right, like, damn,

837
00:50:57,600 --> 00:50:59,719
Speaker 1: I was beat. I guess he was right. You know,

838
00:51:00,719 --> 00:51:03,160
Speaker 1: I don't know there's or even if even if he's not,

839
00:51:03,280 --> 00:51:04,839
Speaker 1: even if it's not a duel of the death, it's

840
00:51:04,880 --> 00:51:07,920
Speaker 1: still just like I accept defeat. I was in the

841
00:51:07,960 --> 00:51:11,280
Speaker 1: wrong because the duel decided that. Not like a moral

842
00:51:11,360 --> 00:51:14,920
Speaker 1: philosophical conversation about right and wrong, but just like I

843
00:51:14,960 --> 00:51:17,040
Speaker 1: think there might I wonder if there's a religious aspect

844
00:51:17,080 --> 00:51:19,480
Speaker 1: of that. I know in some duels it's been like,

845
00:51:19,760 --> 00:51:23,880
Speaker 1: you know, especially religious duels, if I won, it's God's

846
00:51:23,920 --> 00:51:26,280
Speaker 1: will and God is saying that I was right, tecting

847
00:51:26,360 --> 00:51:29,000
Speaker 1: me and stuff. That's interesting. I didn't think about that.

848
00:51:29,080 --> 00:51:32,160
Speaker 1: Probably not in Julie's case. She seemed pretty secular. I

849
00:51:32,200 --> 00:51:34,879
Speaker 1: think she probably did not care. It was right around

850
00:51:34,920 --> 00:51:37,200
Speaker 1: the time that she what was it when she dug

851
00:51:37,280 --> 00:51:39,520
Speaker 1: up the dead nun made me think, But I was like,

852
00:51:39,600 --> 00:51:43,920
Speaker 1: I don't think she's a religious person, but yeah, I

853
00:51:44,000 --> 00:51:49,719
Speaker 1: just she's such a she's so seventeenth century France, you know,

854
00:51:49,880 --> 00:51:52,200
Speaker 1: like she really embodies the time. Because it was just

855
00:51:52,320 --> 00:51:55,160
Speaker 1: like what can you get away with? I will love

856
00:51:55,200 --> 00:51:58,520
Speaker 1: whoever I want It's about the vibes in the aesthetics,

857
00:51:59,280 --> 00:52:02,480
Speaker 1: you know, like that's seven that is seventeenth century France.

858
00:52:02,480 --> 00:52:05,000
Speaker 1: To me, just the King was like, you're vibing, your

859
00:52:05,200 --> 00:52:08,600
Speaker 1: aesthetics are great. Yeah, it's really like I'm into your

860
00:52:08,600 --> 00:52:12,040
Speaker 1: whole thing, so I'm just gonna let it go. Also

861
00:52:12,120 --> 00:52:16,560
Speaker 1: like yeah, I can sing, I can get pretty, I

862
00:52:16,560 --> 00:52:20,000
Speaker 1: can get dirty, I can kick your ass, I can

863
00:52:20,080 --> 00:52:22,399
Speaker 1: charm the hell out of you, I can do all

864
00:52:22,440 --> 00:52:26,080
Speaker 1: these things like that is that is uniquely French right

865
00:52:26,239 --> 00:52:31,600
Speaker 1: doing it. I love it. What an exciting story. I

866
00:52:31,640 --> 00:52:35,600
Speaker 1: can't wait for pit again. I mean, we've got several

867
00:52:35,600 --> 00:52:38,319
Speaker 1: more years of her life left and she packed it in.

868
00:52:38,480 --> 00:52:41,799
Speaker 1: There's so much to come, right, and we've got to

869
00:52:41,800 --> 00:52:44,080
Speaker 1: go pack it in ourselves because again we're we're crossing

870
00:52:44,120 --> 00:52:47,319
Speaker 1: the country. We're having an adventure of our own. Uh.

871
00:52:47,480 --> 00:52:49,359
Speaker 1: And and do keep up with us on social media,

872
00:52:49,400 --> 00:52:51,560
Speaker 1: because we're gonna try and keep y'all up to date

873
00:52:51,600 --> 00:52:53,880
Speaker 1: on we're what we're getting into. It could be fun stuff,

874
00:52:53,880 --> 00:52:58,160
Speaker 1: our own little ridiculous romance out there in the west. Yeah,

875
00:52:58,400 --> 00:53:00,560
Speaker 1: So shoot us an email and let us know what's

876
00:53:00,520 --> 00:53:02,640
Speaker 1: your thought of this episode or you got any other

877
00:53:02,760 --> 00:53:05,680
Speaker 1: suggestions like Andrea did here please set us on some

878
00:53:05,800 --> 00:53:09,440
Speaker 1: really fun uh chases learning these stories, So send him

879
00:53:09,480 --> 00:53:12,520
Speaker 1: our way. Ridic Romance at gmail dot com, yeah, or

880
00:53:12,600 --> 00:53:15,279
Speaker 1: on Twitter and Instagram. I'm at Danamite Boom and I'm

881
00:53:15,320 --> 00:53:17,759
Speaker 1: at O Great. It's Eli and the show is at

882
00:53:17,760 --> 00:53:21,440
Speaker 1: predict Romance. That's right, so follow along again. We'll be traveling.

883
00:53:21,960 --> 00:53:24,440
Speaker 1: Take a look at what we're up to, and uh

884
00:53:24,560 --> 00:53:26,840
Speaker 1: go ahead and drop us a review on Apple podcasts

885
00:53:26,880 --> 00:53:28,799
Speaker 1: if you get time for that. We love those and

886
00:53:28,840 --> 00:53:31,200
Speaker 1: we'll catch you all with part two. Yeah, thanks so

887
00:53:31,280 --> 00:53:33,280
Speaker 1: much for spending time with us. We love you guys.

888
00:53:33,680 --> 00:53:37,920
Speaker 1: Bye bye, so long friends, it's time to go. Thanks

889
00:53:37,960 --> 00:53:41,839
Speaker 1: so listening to our show tell your friends names Uncle

890
00:53:41,880 --> 00:53:45,080
Speaker 1: s indance to listen to a show ridiculous roll nance