1 00:00:00,080 --> 00:00:02,560 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,600 --> 00:00:04,240 Speaker 1: am your host Movie Mike. Today I'm sitting down with 3 00:00:04,240 --> 00:00:06,640 Speaker 1: my friend Bobby Bones, who for the first time in 4 00:00:06,680 --> 00:00:09,160 Speaker 1: a long time, went back to movie theaters, and I 5 00:00:09,200 --> 00:00:11,760 Speaker 1: want to know his top five movies of the year. 6 00:00:12,080 --> 00:00:14,520 Speaker 1: In the movie review, we'll be talking about Hamnet starring 7 00:00:14,520 --> 00:00:18,640 Speaker 1: Paul meskel Is this going to be best picture at 8 00:00:18,640 --> 00:00:21,159 Speaker 1: the Oscars next year? Kelsey will hop in on that 9 00:00:21,200 --> 00:00:23,439 Speaker 1: review because she also read the book. And in the 10 00:00:23,440 --> 00:00:25,040 Speaker 1: trailer park we'll be talking about How to Make a 11 00:00:25,120 --> 00:00:28,040 Speaker 1: Killing starring Glenn Powell and Market Qually. It's about his 12 00:00:28,240 --> 00:00:31,800 Speaker 1: character who is the heir to a multi billion dollar fortune, 13 00:00:32,000 --> 00:00:35,040 Speaker 1: except he basically has to kill his entire family who 14 00:00:35,040 --> 00:00:37,440 Speaker 1: are in line ahead of him to get all that money. 15 00:00:37,640 --> 00:00:40,080 Speaker 1: Thank you for being here, Thank you for being subscribed. 16 00:00:40,120 --> 00:00:42,880 Speaker 1: If you are not over on my YouTube channel YouTube 17 00:00:42,880 --> 00:00:46,040 Speaker 1: dot com slash Mike dstro to check out individual movie reviews, 18 00:00:46,240 --> 00:00:47,519 Speaker 1: it would mean a lot to me if you go 19 00:00:47,560 --> 00:00:49,760 Speaker 1: over there and subscribe. But you get brand new episodes 20 00:00:49,800 --> 00:00:52,680 Speaker 1: here every single Monday. You can always find the links 21 00:00:52,720 --> 00:00:55,160 Speaker 1: to all that and my social media in the podcast 22 00:00:55,280 --> 00:00:59,440 Speaker 1: description notes. But now let's talk movies from the Distrow 23 00:00:59,560 --> 00:01:05,200 Speaker 1: podcast networking is Movie Mike Movie Potas. I sat down 24 00:01:05,240 --> 00:01:07,080 Speaker 1: with my friend Bobby Bones. If you're a listener of 25 00:01:07,120 --> 00:01:09,640 Speaker 1: this podcast, you probably already know who he is, let's 26 00:01:09,640 --> 00:01:12,160 Speaker 1: face it, but for some reason you don't. He is 27 00:01:12,200 --> 00:01:14,440 Speaker 1: the host of the Bobby Bones Show, the Bobby Cast, 28 00:01:14,520 --> 00:01:17,600 Speaker 1: twenty five Whistles, all of these podcasts that in some 29 00:01:17,640 --> 00:01:20,679 Speaker 1: way or another I'm probably associated with as well. But 30 00:01:20,720 --> 00:01:22,399 Speaker 1: what you may not know is Bobby and I have 31 00:01:22,480 --> 00:01:26,200 Speaker 1: known each other now for fifteen going on sixteen years. 32 00:01:26,640 --> 00:01:30,600 Speaker 1: We met after I messaged him on MySpace asking him 33 00:01:30,600 --> 00:01:33,000 Speaker 1: for advice on how to start a podcast. To think 34 00:01:33,000 --> 00:01:35,680 Speaker 1: that was in twenty ten. That is how we met 35 00:01:35,720 --> 00:01:38,280 Speaker 1: each other. He replied to me and said, just come 36 00:01:38,360 --> 00:01:40,680 Speaker 1: up watch how we do the radio show and you'll 37 00:01:40,680 --> 00:01:42,880 Speaker 1: get all the know how you need from there. I 38 00:01:42,920 --> 00:01:44,920 Speaker 1: went up, I visited the show, I saw all the 39 00:01:44,959 --> 00:01:47,560 Speaker 1: other interns working and thought, I want to do that. 40 00:01:48,080 --> 00:01:50,680 Speaker 1: And from that moment where I got that internship, I 41 00:01:50,760 --> 00:01:53,680 Speaker 1: never left. Started working there with him and Austin eventually 42 00:01:53,720 --> 00:01:56,880 Speaker 1: moved here in Nashville and now here we are fifteen 43 00:01:56,960 --> 00:02:00,520 Speaker 1: years later, still doing it. And he is historically a 44 00:02:00,600 --> 00:02:03,040 Speaker 1: person who does not like going to the movie theater. 45 00:02:03,240 --> 00:02:06,120 Speaker 1: But this year we'll talk about why he ventured back 46 00:02:06,160 --> 00:02:08,520 Speaker 1: into the theater in his top five movies of twenty 47 00:02:08,560 --> 00:02:11,120 Speaker 1: twenty five, and what he thinks about movie stars and 48 00:02:11,160 --> 00:02:13,280 Speaker 1: if they're dying out. Let's get into it now with 49 00:02:13,360 --> 00:02:15,960 Speaker 1: Bobby Bones. All right, were here to talk about your 50 00:02:16,000 --> 00:02:18,240 Speaker 1: top five movies of the year. Before we get into that, 51 00:02:18,600 --> 00:02:20,760 Speaker 1: what was your relationship with even going to the movies 52 00:02:20,800 --> 00:02:21,440 Speaker 1: before this year. 53 00:02:21,520 --> 00:02:23,919 Speaker 2: I don't think i'd been in years. My wife wanted 54 00:02:23,919 --> 00:02:26,920 Speaker 2: to go at the time, she was starting to be pregnant, 55 00:02:26,919 --> 00:02:30,880 Speaker 2: if that's the actual medical diagnosis, and so there was 56 00:02:31,000 --> 00:02:34,000 Speaker 2: stuff that she was like, I feel good, but not 57 00:02:34,120 --> 00:02:35,320 Speaker 2: so good that I want to go do in the 58 00:02:35,400 --> 00:02:37,000 Speaker 2: active So let's find something to do where I don't 59 00:02:37,000 --> 00:02:38,680 Speaker 2: have to be active at all. And so we would 60 00:02:38,720 --> 00:02:41,520 Speaker 2: go to the movies and we watched like Fantastic Four. 61 00:02:41,840 --> 00:02:44,600 Speaker 2: We did like seven weeks out of nine, I think 62 00:02:44,600 --> 00:02:46,280 Speaker 2: five weeks in a row and seven out of nine. 63 00:02:46,919 --> 00:02:49,600 Speaker 2: That probably matched my total movie intake ever in the 64 00:02:49,639 --> 00:02:51,400 Speaker 2: history of my life, and also was the first time 65 00:02:51,400 --> 00:02:54,400 Speaker 2: I'd been in forever. So I don't like the theater 66 00:02:54,560 --> 00:02:57,000 Speaker 2: very much because people get on their phones. And I 67 00:02:57,000 --> 00:02:58,760 Speaker 2: don't mind people being on their phones if they're to 68 00:02:58,800 --> 00:03:00,720 Speaker 2: the side or behind me, but when they're in front 69 00:03:00,760 --> 00:03:02,360 Speaker 2: of you and they're on their phone, it's just a 70 00:03:02,360 --> 00:03:04,600 Speaker 2: big light in the theater and you can't help but 71 00:03:04,639 --> 00:03:07,079 Speaker 2: then look at their phone. I feel like people are now, 72 00:03:07,120 --> 00:03:09,560 Speaker 2: though honestly, more respectful in theaters than they even wear 73 00:03:09,600 --> 00:03:11,480 Speaker 2: five or six years ago. And I think a lot 74 00:03:11,480 --> 00:03:13,160 Speaker 2: of that too, is just the chairs are bigger, you 75 00:03:13,200 --> 00:03:15,760 Speaker 2: can lean back. But did not have a good relationship. 76 00:03:15,880 --> 00:03:16,800 Speaker 2: But we're on the way back. 77 00:03:16,960 --> 00:03:19,000 Speaker 1: How do you feel about the experience now? Are you 78 00:03:19,040 --> 00:03:20,280 Speaker 1: still an anti movie theater? 79 00:03:20,400 --> 00:03:23,280 Speaker 2: Yeah? I would rather wait till it streams. Most most 80 00:03:23,320 --> 00:03:25,280 Speaker 2: of my questions to you are always hey, is that 81 00:03:25,320 --> 00:03:27,880 Speaker 2: movie streaming yet? And if it's yes, then I'll go 82 00:03:27,960 --> 00:03:32,560 Speaker 2: watch it, Like I just watched Roofman, and I just 83 00:03:32,600 --> 00:03:35,200 Speaker 2: waited to watch Rufman because I was waiting on you 84 00:03:35,240 --> 00:03:37,800 Speaker 2: to tell me when it was finally out. So yeah, 85 00:03:37,840 --> 00:03:39,480 Speaker 2: I wanted to be streaming. I don't know if it's 86 00:03:39,520 --> 00:03:41,240 Speaker 2: because we have a big TV, it's just because I 87 00:03:41,240 --> 00:03:43,520 Speaker 2: get annoyed, or if it's because I have to watch 88 00:03:43,560 --> 00:03:46,320 Speaker 2: the whole thing when I go to the theater because 89 00:03:46,760 --> 00:03:48,400 Speaker 2: I can't pause and and come back in the theater 90 00:03:49,200 --> 00:03:51,600 Speaker 2: or in some of the movies that we'll talk about. 91 00:03:51,800 --> 00:03:54,720 Speaker 2: I watched it in like two different sittings because movies 92 00:03:54,760 --> 00:03:56,880 Speaker 2: are way too long. They're like two and a half 93 00:03:56,920 --> 00:03:59,960 Speaker 2: hours long, and I have trouble sitting for forty five minutes. 94 00:04:00,840 --> 00:04:04,400 Speaker 2: So I think that probably affects it as well, and it's. 95 00:04:04,280 --> 00:04:06,400 Speaker 1: Kind of more memorable by going to the theater, like, oh, 96 00:04:06,400 --> 00:04:08,280 Speaker 1: I took that movie in differently, and then I just 97 00:04:08,320 --> 00:04:10,040 Speaker 1: watched it at home, either on my laptop or on 98 00:04:10,080 --> 00:04:13,120 Speaker 1: my TV. That's fascinating, I don't think so, I don't. 99 00:04:13,520 --> 00:04:16,000 Speaker 2: I think i'd take it in worse because I have to. 100 00:04:16,040 --> 00:04:17,479 Speaker 2: I'm told when I can watch it, I have to 101 00:04:17,480 --> 00:04:19,919 Speaker 2: sit for thirty minutes before to watch the previews. And 102 00:04:20,000 --> 00:04:21,800 Speaker 2: at this point I know when the movie's going to 103 00:04:21,839 --> 00:04:24,240 Speaker 2: start according to when the previews start. However, I still 104 00:04:24,440 --> 00:04:26,400 Speaker 2: just in case, will still get there early in case 105 00:04:26,440 --> 00:04:28,680 Speaker 2: they decide on this movie they're going to cut the 106 00:04:28,680 --> 00:04:31,040 Speaker 2: previews way short. So yeah, the experience of the movies 107 00:04:31,040 --> 00:04:31,440 Speaker 2: I don't like. 108 00:04:31,520 --> 00:04:32,960 Speaker 1: I do think they need to cut that down, Like 109 00:04:33,000 --> 00:04:35,160 Speaker 1: thirty minutes of previous is insane for people going to 110 00:04:35,200 --> 00:04:36,880 Speaker 1: the movies who have never haven't been in a while, 111 00:04:36,880 --> 00:04:38,000 Speaker 1: and then they're like, why do I got to watch 112 00:04:38,000 --> 00:04:39,000 Speaker 1: thirty and a half an hour? 113 00:04:39,200 --> 00:04:39,920 Speaker 2: Yeah, it's crazy. 114 00:04:39,960 --> 00:04:41,800 Speaker 1: All right, let's get into your list, your number five 115 00:04:41,839 --> 00:04:42,520 Speaker 1: movie of the year. 116 00:04:42,800 --> 00:04:45,000 Speaker 2: So these are movies that I watch. I'm not even 117 00:04:45,000 --> 00:04:47,560 Speaker 2: sure they all came out this year, okay. And because 118 00:04:47,720 --> 00:04:49,320 Speaker 2: I said Rufman, I didn't put it on the list 119 00:04:49,360 --> 00:04:51,479 Speaker 2: because I didn't think about it until I said, I 120 00:04:51,600 --> 00:04:53,600 Speaker 2: just watched ruf Man. So if I were going to 121 00:04:53,640 --> 00:04:57,360 Speaker 2: put as a as an honorable mention, i'd put ruf 122 00:04:57,360 --> 00:04:59,360 Speaker 2: Man because I did like Rufman and that was a 123 00:04:59,400 --> 00:05:00,800 Speaker 2: twenty twenty five movie. 124 00:05:00,720 --> 00:05:02,480 Speaker 1: Right, Yeah, it came out a few months ago. Okay. 125 00:05:02,560 --> 00:05:04,799 Speaker 2: I put a number five. Top Gun, the new one 126 00:05:04,880 --> 00:05:07,840 Speaker 2: you just watched. I just watched it, and there was 127 00:05:08,800 --> 00:05:11,080 Speaker 2: a lot of hype. I thought, there's no way to 128 00:05:11,120 --> 00:05:12,919 Speaker 2: live up to it. It did not live up to it, 129 00:05:12,960 --> 00:05:16,800 Speaker 2: but it got pretty close. It was pretty corny, but 130 00:05:16,800 --> 00:05:18,120 Speaker 2: I think it was made corny. 131 00:05:18,400 --> 00:05:19,760 Speaker 1: I think it's better than the original. 132 00:05:20,880 --> 00:05:22,800 Speaker 2: I also didn't watch the original till like three or 133 00:05:22,800 --> 00:05:23,960 Speaker 2: four years ago, So. 134 00:05:23,880 --> 00:05:25,120 Speaker 1: You're totally new at the Top Gun. 135 00:05:25,320 --> 00:05:27,640 Speaker 2: Like I've known of it. I just never got into 136 00:05:27,720 --> 00:05:29,719 Speaker 2: Top Gun. I didn't hate on it, kind of like 137 00:05:29,760 --> 00:05:31,520 Speaker 2: Star Wars, I don't hate on it. I just never 138 00:05:31,520 --> 00:05:33,440 Speaker 2: got into it, and probably if I got into it, 139 00:05:33,440 --> 00:05:35,160 Speaker 2: I would have liked it. But I will say that 140 00:05:35,240 --> 00:05:36,680 Speaker 2: the action on Top Gun was really cool. 141 00:05:37,120 --> 00:05:38,760 Speaker 1: I love the way that movie was filmed, the way 142 00:05:38,760 --> 00:05:40,480 Speaker 1: it made you feel. I do think that is an 143 00:05:40,480 --> 00:05:43,160 Speaker 1: issue now with how I overhyped movies when they first 144 00:05:43,200 --> 00:05:45,279 Speaker 1: come out. It's never gonna live to that standard. Because 145 00:05:45,320 --> 00:05:47,760 Speaker 1: I love that movie in theaters. I would say it 146 00:05:47,800 --> 00:05:50,440 Speaker 1: probably saved the movie industry that year it came out, 147 00:05:50,440 --> 00:05:53,359 Speaker 1: because it got people actually going back. But you build 148 00:05:53,360 --> 00:05:54,840 Speaker 1: it up so much and then you watch it at 149 00:05:54,839 --> 00:05:56,080 Speaker 1: home and it's like it's all right. 150 00:05:56,960 --> 00:05:59,960 Speaker 2: I only watched it at home, and it had gotten 151 00:06:00,160 --> 00:06:02,479 Speaker 2: so hyped up that I started tearing it down. So 152 00:06:02,520 --> 00:06:05,640 Speaker 2: it was the perfect meet in the middle. I enjoyed it. 153 00:06:05,680 --> 00:06:08,200 Speaker 2: I put that at number five. I think Tom Cruise 154 00:06:08,200 --> 00:06:09,880 Speaker 2: is still a great action story. Even though he's a 155 00:06:09,920 --> 00:06:11,400 Speaker 2: great runner in movies. 156 00:06:11,400 --> 00:06:12,640 Speaker 1: He doesn't run really well. 157 00:06:12,680 --> 00:06:15,120 Speaker 2: From like Mission Impossibles and Top Guns, like the guy 158 00:06:15,279 --> 00:06:17,560 Speaker 2: runs on screen really well when running can be a 159 00:06:17,600 --> 00:06:18,320 Speaker 2: really awkward thing. 160 00:06:18,520 --> 00:06:22,320 Speaker 1: If I said that Hollywood stars are dead, Now, what 161 00:06:22,360 --> 00:06:23,200 Speaker 1: would you say. 162 00:06:23,240 --> 00:06:26,239 Speaker 2: That there's a few? I think famous fractured in general, 163 00:06:26,279 --> 00:06:28,360 Speaker 2: and I think Hollywood is just a version of what 164 00:06:28,400 --> 00:06:31,640 Speaker 2: we're all experiencing with fame to whereas there are eight 165 00:06:31,800 --> 00:06:34,719 Speaker 2: hundred actors doing eight hundred different projects that eight hundred 166 00:06:34,720 --> 00:06:37,039 Speaker 2: people are watching, all differently. I don't think we live 167 00:06:37,200 --> 00:06:41,240 Speaker 2: in an attention economy to where everybody goes to anything anymore. 168 00:06:41,680 --> 00:06:44,960 Speaker 2: But I think the traditional Hollywood stars what it was 169 00:06:45,000 --> 00:06:46,920 Speaker 2: even in the nineties and early two thousands, I think 170 00:06:46,920 --> 00:06:49,320 Speaker 2: it's way different because when there's a lot more of something, 171 00:06:49,360 --> 00:06:52,760 Speaker 2: there aren't as many significance of something, So you still 172 00:06:52,760 --> 00:06:53,960 Speaker 2: have the ones that have been around, which are I 173 00:06:53,960 --> 00:06:58,360 Speaker 2: think a DiCaprio for sure. I think of now, who's 174 00:06:58,400 --> 00:07:02,520 Speaker 2: the guy that played Bob Dylan, Timothy Challaman, that's one 175 00:07:02,560 --> 00:07:06,120 Speaker 2: of them. I think there's five, four or five. So 176 00:07:06,360 --> 00:07:09,520 Speaker 2: I think if we're comparing it to ten fifteen years ago, yes, 177 00:07:10,360 --> 00:07:11,800 Speaker 2: I think there are a lot of stars, but it's 178 00:07:11,800 --> 00:07:14,120 Speaker 2: just harder to cut through because there are so many projects. 179 00:07:14,320 --> 00:07:16,360 Speaker 2: There's so many movies coming out on Netflix. There are 180 00:07:16,360 --> 00:07:18,400 Speaker 2: just so many ways to get movies, so therefore there 181 00:07:18,440 --> 00:07:24,240 Speaker 2: are so many more actors. I think the height like 182 00:07:24,280 --> 00:07:27,080 Speaker 2: to be a massive star is so much harder to 183 00:07:27,120 --> 00:07:29,120 Speaker 2: be because it's hard to be massive because you have 184 00:07:29,160 --> 00:07:30,840 Speaker 2: to cover so many categories. I don't know that's the 185 00:07:30,920 --> 00:07:32,520 Speaker 2: terrible answer, but yeah, I don't think it's dead. I 186 00:07:32,560 --> 00:07:33,360 Speaker 2: think it's just different. 187 00:07:33,720 --> 00:07:36,520 Speaker 1: I think we're leaning more towards directors now. I think 188 00:07:36,560 --> 00:07:39,440 Speaker 1: it's we're chasing original ideas. I think that's what's really 189 00:07:39,440 --> 00:07:41,960 Speaker 1: cut through this year. So I think the actual movie 190 00:07:42,000 --> 00:07:44,320 Speaker 1: star might kind of go away in the next couple 191 00:07:44,360 --> 00:07:46,560 Speaker 1: of years when you see people like The Rock do 192 00:07:46,640 --> 00:07:48,600 Speaker 1: a smaller movie and not be able to bring it 193 00:07:48,640 --> 00:07:49,320 Speaker 1: as much money. 194 00:07:49,560 --> 00:07:51,200 Speaker 2: With The Rock, though, don't you think a little bit 195 00:07:52,560 --> 00:07:55,560 Speaker 2: he reads what people say about him. He's just a 196 00:07:55,600 --> 00:07:57,560 Speaker 2: money maker that plays the same person over and over 197 00:07:57,600 --> 00:08:02,520 Speaker 2: and over again. He's fighting dining, he's fighting dragons like 198 00:08:02,600 --> 00:08:05,720 Speaker 2: he's that action hero. He's swinging off buildings. But I 199 00:08:05,720 --> 00:08:07,720 Speaker 2: think after a while, when you have plenty of money 200 00:08:08,080 --> 00:08:10,080 Speaker 2: and you're not gonna get any more famous, even if 201 00:08:10,080 --> 00:08:12,520 Speaker 2: you do another three of them, you start to want 202 00:08:12,560 --> 00:08:14,360 Speaker 2: to have your peers recognize you. 203 00:08:14,400 --> 00:08:15,200 Speaker 1: Do you want the Oscar? 204 00:08:15,360 --> 00:08:17,800 Speaker 2: I feel like that's what the Rock at this stage 205 00:08:17,840 --> 00:08:20,920 Speaker 2: of his acting career, is he wants to be appreciated 206 00:08:21,000 --> 00:08:23,560 Speaker 2: for what he's doing more so than the appreciation just 207 00:08:23,560 --> 00:08:26,800 Speaker 2: be financial or just be celebrity, because at first, I'm 208 00:08:26,800 --> 00:08:28,200 Speaker 2: sure that's what it was. He was just trying to 209 00:08:28,240 --> 00:08:31,800 Speaker 2: prove he can sell a movie because he's just a wrestler, 210 00:08:32,280 --> 00:08:34,920 Speaker 2: and now it's he sold movies. Now he actually wants 211 00:08:34,920 --> 00:08:37,880 Speaker 2: to be appreciated for the work he's doing on screen, 212 00:08:38,000 --> 00:08:40,480 Speaker 2: if it's television or if it's I guess he doesn't 213 00:08:40,520 --> 00:08:42,000 Speaker 2: do a lot of TV, but I think Netflix, I 214 00:08:42,000 --> 00:08:44,240 Speaker 2: think he's billions because he did like The Red. What 215 00:08:44,360 --> 00:08:45,679 Speaker 2: was the Red the movie did on Netflix? 216 00:08:45,760 --> 00:08:46,200 Speaker 1: The Red? 217 00:08:46,240 --> 00:08:47,240 Speaker 2: Notice something? 218 00:08:47,360 --> 00:08:48,840 Speaker 1: Yeah, he did a couple of Red movies. 219 00:08:49,040 --> 00:08:51,360 Speaker 2: Yeah, yeah. I think the Rock wants to be appreciated 220 00:08:51,400 --> 00:08:53,079 Speaker 2: now for all the work he's put in. So he's 221 00:08:53,160 --> 00:08:54,400 Speaker 2: changed it up a little bit because of that. But 222 00:08:54,440 --> 00:08:55,200 Speaker 2: I agree with you. 223 00:08:55,200 --> 00:08:56,360 Speaker 1: You're a number four movie. 224 00:08:56,760 --> 00:09:00,840 Speaker 2: Well I put nobody one into Okay, watched them both 225 00:09:00,880 --> 00:09:09,240 Speaker 2: this year. These are very action packed, violent, a little 226 00:09:09,320 --> 00:09:12,199 Speaker 2: bit goofy hour and a half. You can sit down 227 00:09:12,200 --> 00:09:13,679 Speaker 2: and have a good time with it, don't take it 228 00:09:13,720 --> 00:09:16,320 Speaker 2: too serious type of movie. It has Bob Odenkirk as 229 00:09:16,360 --> 00:09:18,480 Speaker 2: the action star. Those two don't go together. When you 230 00:09:18,520 --> 00:09:19,839 Speaker 2: think ac can start, you think of The Rock or 231 00:09:19,880 --> 00:09:22,440 Speaker 2: Jason Statham. You don't think of Bob Odenkirk, who played 232 00:09:22,520 --> 00:09:25,160 Speaker 2: Saul and better call Saul. But he's awesome in it 233 00:09:25,200 --> 00:09:27,600 Speaker 2: because he's not supposed to be that guy and he's 234 00:09:27,640 --> 00:09:30,600 Speaker 2: an assassin, and he's not an assassin anymore. He's like at 235 00:09:30,600 --> 00:09:32,480 Speaker 2: home now with his family and he kind of gets 236 00:09:32,520 --> 00:09:35,480 Speaker 2: called back in. And I didn't know Nobody one existed 237 00:09:35,559 --> 00:09:37,600 Speaker 2: until I was at the movies in my run when 238 00:09:37,600 --> 00:09:39,960 Speaker 2: I saw a preview for Nobody two, and I thought 239 00:09:39,960 --> 00:09:41,920 Speaker 2: Nobody too. I've never heard of Nobody one. So I 240 00:09:41,960 --> 00:09:44,160 Speaker 2: went home and watched Nobody one. It was ninety minutes. 241 00:09:44,240 --> 00:09:46,720 Speaker 2: I freaking loved it. I've compared it to TMU john 242 00:09:46,720 --> 00:09:48,520 Speaker 2: Wick because it didn't put near as much money into it. 243 00:09:48,880 --> 00:09:52,400 Speaker 2: I loved john Wick and so watch Nobody Want at home, 244 00:09:52,440 --> 00:09:54,400 Speaker 2: and as soon as Nobody two came out, I just 245 00:09:54,400 --> 00:09:56,760 Speaker 2: strained it. Like a week ago. I loved them both. 246 00:09:57,120 --> 00:10:00,880 Speaker 2: There should be no expectation because there's nothing there. I 247 00:10:00,880 --> 00:10:03,079 Speaker 2: think that's what makes it great. It's just a bunch 248 00:10:03,120 --> 00:10:07,520 Speaker 2: of fighting. Also in the movie from Back to the Future, 249 00:10:08,120 --> 00:10:10,760 Speaker 2: the old guy yeah, Doc, yeah, whatever his name is 250 00:10:10,760 --> 00:10:13,120 Speaker 2: in real life. Yeah, from Taxi as well, like as 251 00:10:13,320 --> 00:10:13,920 Speaker 2: TV Forever. 252 00:10:14,360 --> 00:10:14,560 Speaker 1: Yeah. 253 00:10:14,559 --> 00:10:17,600 Speaker 2: I put Nobody one and two at my number four spot. 254 00:10:17,720 --> 00:10:19,800 Speaker 1: Would you say if you have like a parental figure 255 00:10:19,880 --> 00:10:21,360 Speaker 1: or like a father figure in your life, that's a 256 00:10:21,360 --> 00:10:22,960 Speaker 1: good movie you can put on and them just like 257 00:10:23,120 --> 00:10:25,360 Speaker 1: cause I find like that's always the hardest person to find, 258 00:10:25,360 --> 00:10:26,960 Speaker 1: like to watch a movie for, like if you're watching 259 00:10:27,000 --> 00:10:28,800 Speaker 1: over the holidays, like we just need a kind of 260 00:10:28,800 --> 00:10:30,360 Speaker 1: crowd pleaser that guys will like too. 261 00:10:31,000 --> 00:10:33,000 Speaker 2: I think it's really a guy movie, though, Like my 262 00:10:33,040 --> 00:10:36,200 Speaker 2: wife didn't like it because it's just action. There's not 263 00:10:36,280 --> 00:10:36,800 Speaker 2: a lot of plot. 264 00:10:36,840 --> 00:10:39,160 Speaker 1: There's no love. Really, it's family. The second one is 265 00:10:39,160 --> 00:10:39,760 Speaker 1: more family. 266 00:10:40,840 --> 00:10:43,559 Speaker 2: It's just action. It's just a vehicle for them to 267 00:10:43,600 --> 00:10:46,760 Speaker 2: shoot each other and blow things up. That's it. So 268 00:10:47,280 --> 00:10:49,319 Speaker 2: I don't know that it's a family movie. But if 269 00:10:49,320 --> 00:10:51,400 Speaker 2: you're just bored and you want something on or you're 270 00:10:51,400 --> 00:10:53,000 Speaker 2: trying to kill ninety minutes, I think that's it. 271 00:10:53,200 --> 00:10:53,920 Speaker 1: You're number three. 272 00:10:55,320 --> 00:10:57,760 Speaker 2: I saw this on Amazon Prime. I don't know if 273 00:10:57,760 --> 00:10:59,280 Speaker 2: it was even in the theater. It was Black Bag 274 00:10:59,320 --> 00:10:59,680 Speaker 2: in theater. 275 00:11:00,120 --> 00:11:01,880 Speaker 1: It wasn't theaters. Yeah, earlier this year. 276 00:11:01,800 --> 00:11:04,480 Speaker 2: So I watched Black Bag and as Michael Fastpender. Michael 277 00:11:04,520 --> 00:11:08,320 Speaker 2: Fastpender is somebody that I guess was introduced to me 278 00:11:08,360 --> 00:11:10,280 Speaker 2: through the show The Agency, which is on Hulu, where 279 00:11:10,280 --> 00:11:12,240 Speaker 2: he plays a spy. And so my wife and I 280 00:11:12,520 --> 00:11:17,200 Speaker 2: devoured that series, and after we finished it, you know, 281 00:11:17,240 --> 00:11:19,280 Speaker 2: it just feeds you what you like. So Black Bag 282 00:11:19,320 --> 00:11:21,000 Speaker 2: pops up and it's like, you may also like this, 283 00:11:21,480 --> 00:11:26,240 Speaker 2: And so we watched it on Amazon and it's quirky. 284 00:11:26,360 --> 00:11:29,560 Speaker 2: It feels a bit European, but it's a spy type movie. 285 00:11:29,920 --> 00:11:31,960 Speaker 2: And we were definitely in a season of watching a 286 00:11:31,960 --> 00:11:34,200 Speaker 2: lot of spy stuff because The Agency is kind of 287 00:11:35,360 --> 00:11:40,040 Speaker 2: spy CIAFBI type stuff. He plays a similar type character. Also, 288 00:11:40,120 --> 00:11:42,800 Speaker 2: Kate Blanchett said it, she's always great. I think she's 289 00:11:43,640 --> 00:11:45,120 Speaker 2: she's been a superstar for a long time, right. 290 00:11:45,120 --> 00:11:46,480 Speaker 1: Yeah, she's been run a while. Yeah. 291 00:11:46,520 --> 00:11:49,280 Speaker 2: I really like that. And it also wasn't that long. 292 00:11:49,320 --> 00:11:51,280 Speaker 2: I don't feel I don't I'm looking it up here. 293 00:11:51,400 --> 00:11:54,280 Speaker 2: Our thirty four minutes. That's the perfect time. I thought 294 00:11:54,280 --> 00:11:56,400 Speaker 2: Black Bag was really good. It's who done it type 295 00:11:56,400 --> 00:11:58,320 Speaker 2: of thing you're trying to figure out who did the 296 00:11:58,320 --> 00:12:01,000 Speaker 2: thing that they're doing, and I thought I paid itself 297 00:12:01,000 --> 00:12:05,760 Speaker 2: off grade. Pierce Brosnan was in it, who not only 298 00:12:05,800 --> 00:12:08,440 Speaker 2: played Bond but was like Remington Steel back in the day, 299 00:12:08,760 --> 00:12:10,760 Speaker 2: so it was good. I get that's my number three movie. 300 00:12:10,760 --> 00:12:12,199 Speaker 1: I'm gonna give you a movie to watch if you 301 00:12:12,320 --> 00:12:13,880 Speaker 1: really like that one. If you like spy movies, you 302 00:12:13,880 --> 00:12:16,960 Speaker 1: should watch a movie called Relay. It's about this guy 303 00:12:17,000 --> 00:12:20,400 Speaker 1: who is like the in between between like corrupt situations. 304 00:12:20,440 --> 00:12:23,319 Speaker 1: Like It's about this lady who wants to call out 305 00:12:23,320 --> 00:12:25,920 Speaker 1: her company for doing some shady, unethical things. 306 00:12:26,120 --> 00:12:26,880 Speaker 2: It's called the Relay. 307 00:12:26,960 --> 00:12:28,679 Speaker 1: It's called Relay. It's one of those movies that came 308 00:12:28,679 --> 00:12:30,400 Speaker 1: out earlier this year not a whole lot of people saw. 309 00:12:30,600 --> 00:12:32,360 Speaker 1: Is it streaming, But yes, it is streaming. But I 310 00:12:32,400 --> 00:12:34,240 Speaker 1: think you would love it because he is the in 311 00:12:34,360 --> 00:12:38,360 Speaker 1: between negotiations between the evil corporation and the person they 312 00:12:38,360 --> 00:12:41,480 Speaker 1: did wrong, and he uses like this communication device where 313 00:12:41,520 --> 00:12:43,600 Speaker 1: he's like completely hidden, like totally off the radar. 314 00:12:43,920 --> 00:12:45,760 Speaker 2: It's got an eighty two percent of rotten tomatoes that 315 00:12:45,760 --> 00:12:47,400 Speaker 2: would pass the wife's test to watch it. 316 00:12:47,559 --> 00:12:50,120 Speaker 1: I think if you both enjoyed Black Bag, you'll love Relay. 317 00:12:50,679 --> 00:12:52,240 Speaker 2: All right, we're in. I made a note we're gonna 318 00:12:52,240 --> 00:12:57,240 Speaker 2: watch Relay. My number two movie is Cinners. I don't 319 00:12:57,240 --> 00:13:00,920 Speaker 2: really watch horror movies. This turns out into a horror movie, 320 00:13:01,280 --> 00:13:02,959 Speaker 2: but it doesn't feel like one for the first half. 321 00:13:04,000 --> 00:13:07,960 Speaker 2: It just feels like a nineteen fifties or sixties kind 322 00:13:08,000 --> 00:13:13,600 Speaker 2: of period music in the South, like what the vibe was. 323 00:13:13,840 --> 00:13:16,079 Speaker 1: So you struggle with period pieces though you felt did 324 00:13:16,080 --> 00:13:16,600 Speaker 1: you feel that. 325 00:13:18,679 --> 00:13:21,960 Speaker 2: I didn't mind the colors so much like the colors, 326 00:13:22,280 --> 00:13:24,400 Speaker 2: and because I don't want to spoil my next ones, 327 00:13:24,400 --> 00:13:25,839 Speaker 2: but I'm a next movie. 328 00:13:26,120 --> 00:13:26,480 Speaker 1: I don't know. 329 00:13:26,600 --> 00:13:28,560 Speaker 2: I feel like they did a good job. There's something 330 00:13:28,559 --> 00:13:31,320 Speaker 2: about movies if they're like too green in those maybe 331 00:13:31,320 --> 00:13:32,680 Speaker 2: it's the greens of period pieces. 332 00:13:33,320 --> 00:13:34,040 Speaker 1: I don't like it. 333 00:13:34,600 --> 00:13:37,160 Speaker 2: I didn't. I thought Sinaters was kind of red feeling. 334 00:13:38,000 --> 00:13:40,640 Speaker 1: I could see that. I think also Ryan Cooler, the director, 335 00:13:40,880 --> 00:13:43,520 Speaker 1: does a really good job at making movies feel modern 336 00:13:43,559 --> 00:13:46,240 Speaker 1: even though they're set in older times. Like with Michael B. Jordan, 337 00:13:46,800 --> 00:13:49,160 Speaker 1: he doesn't really he feels like he's from today, even 338 00:13:49,200 --> 00:13:50,240 Speaker 1: though he's in old clothes. 339 00:13:50,760 --> 00:13:52,800 Speaker 2: I think with this movie, I did not have an 340 00:13:52,920 --> 00:13:55,560 Speaker 2: expectation at all. I actually didn't expect to like it, 341 00:13:56,040 --> 00:13:58,000 Speaker 2: and I was only watching it because they were like, hey, 342 00:13:58,000 --> 00:14:00,120 Speaker 2: if you like this, the director will come on the show. 343 00:14:00,400 --> 00:14:03,640 Speaker 2: And I think they ran some ads or something, or 344 00:14:03,679 --> 00:14:05,439 Speaker 2: maybe it was just to get them on the show. 345 00:14:05,559 --> 00:14:08,360 Speaker 2: And so I got an advanced copy of it and 346 00:14:08,400 --> 00:14:09,880 Speaker 2: I just put it on the treadmill and I was like, 347 00:14:09,920 --> 00:14:11,320 Speaker 2: I'm gonna watch the first thirty minutes of this and 348 00:14:11,320 --> 00:14:14,280 Speaker 2: if I'm not feeling it, we're good. And I thought 349 00:14:14,280 --> 00:14:17,160 Speaker 2: the first thirty minutes was good, and so then oh, 350 00:14:17,240 --> 00:14:19,320 Speaker 2: let me just jump on in watch the whole thing. 351 00:14:19,360 --> 00:14:23,240 Speaker 2: Thought it was great, and it doesn't get vampirey until 352 00:14:23,320 --> 00:14:25,800 Speaker 2: way later in the movie, because I don't like horror, 353 00:14:25,880 --> 00:14:28,520 Speaker 2: don't I don't like jump scares. I don't mind zombies, 354 00:14:28,760 --> 00:14:30,520 Speaker 2: but vampires is that weird go between. 355 00:14:30,560 --> 00:14:33,040 Speaker 1: It's kind of like a zombie Yeaes style that you're into. 356 00:14:33,400 --> 00:14:35,560 Speaker 2: Yeah, I liked it. I put that in my number 357 00:14:35,560 --> 00:14:37,440 Speaker 2: two movie. But it probably a lot of that's based 358 00:14:37,480 --> 00:14:39,760 Speaker 2: on expectation. I had the expectation I would not like it, 359 00:14:39,800 --> 00:14:42,120 Speaker 2: and it was pretty good. So no nightmares after it, 360 00:14:42,960 --> 00:14:45,200 Speaker 2: not that I can remember. No, I did have nightmares 361 00:14:45,200 --> 00:14:46,720 Speaker 2: after Twilight back in the day of reading that book. 362 00:14:46,760 --> 00:14:51,400 Speaker 2: Also Vampires, Yeah, yeah, A number one half Frankenstein fantastic. 363 00:14:51,480 --> 00:14:51,680 Speaker 1: Yeah. 364 00:14:51,880 --> 00:14:53,800 Speaker 2: Again, I had no expectation. I didn't want to like 365 00:14:53,840 --> 00:14:55,560 Speaker 2: it because when I turned it on, the colors were green. 366 00:14:56,040 --> 00:14:57,800 Speaker 2: It was that kind of color period piece. The clothes 367 00:14:57,800 --> 00:15:01,360 Speaker 2: are weird. I din't like it, and I don't really 368 00:15:01,400 --> 00:15:03,480 Speaker 2: have a love for Frankenstein or the story in general. 369 00:15:03,520 --> 00:15:05,320 Speaker 2: I know it, I mean I kind of know it. 370 00:15:06,760 --> 00:15:09,440 Speaker 2: The scientist creates the big monster, the monster's got the 371 00:15:09,440 --> 00:15:12,120 Speaker 2: bolts in his neck, like we all know that. The Monsters, 372 00:15:13,000 --> 00:15:14,920 Speaker 2: you know, because the main character in the Monsters was 373 00:15:15,960 --> 00:15:19,800 Speaker 2: Frankenstein basically, So I have all of that. So I 374 00:15:19,840 --> 00:15:21,520 Speaker 2: really wasn't going into it going I want to love 375 00:15:21,520 --> 00:15:22,720 Speaker 2: this movie. But you had seen it and said it 376 00:15:22,760 --> 00:15:24,720 Speaker 2: was good. Eddie had seen it and said it was good. 377 00:15:24,920 --> 00:15:27,280 Speaker 2: So I liked how they split that up into different 378 00:15:27,280 --> 00:15:32,760 Speaker 2: parts like they do perspectives, the perspective of the scientist, 379 00:15:33,120 --> 00:15:35,880 Speaker 2: the perspective of some other people, the perspective of Frankenstein. 380 00:15:36,120 --> 00:15:38,760 Speaker 2: And so you're watching three different versions of the same story. 381 00:15:38,920 --> 00:15:41,000 Speaker 2: And I thought the Jacob Belori is at his name. 382 00:15:41,040 --> 00:15:42,560 Speaker 1: Yeah, there's awesome in it, really good. 383 00:15:42,640 --> 00:15:44,480 Speaker 2: Yeah, And that's really not a role you expect someone 384 00:15:44,520 --> 00:15:46,080 Speaker 2: to have to be awesome. But I thought he did 385 00:15:46,120 --> 00:15:48,880 Speaker 2: a great job in that movie because Frankenstein has depth 386 00:15:49,760 --> 00:15:52,760 Speaker 2: and it shows Frankenstein like learning things. So I thought 387 00:15:52,760 --> 00:15:54,000 Speaker 2: he did a wonderful job with that. 388 00:15:54,000 --> 00:15:55,880 Speaker 1: Does that make you emotional at all? Like some of 389 00:15:55,920 --> 00:15:58,360 Speaker 1: the dialogue he said where he's like, I've never really lived, 390 00:15:58,360 --> 00:15:59,640 Speaker 1: but I never really died. 391 00:16:00,000 --> 00:16:02,640 Speaker 2: I think so. I was mostly like, because I'd seen 392 00:16:02,680 --> 00:16:03,960 Speaker 2: the video of how it h had it take eight 393 00:16:03,960 --> 00:16:06,680 Speaker 2: hours every single day to put all of the makeup on, 394 00:16:07,080 --> 00:16:08,480 Speaker 2: I was like, I would just think about that all 395 00:16:08,480 --> 00:16:10,760 Speaker 2: the time, like that must have sucked to have to 396 00:16:10,800 --> 00:16:13,200 Speaker 2: sit every day and put that on. And then I 397 00:16:13,200 --> 00:16:15,720 Speaker 2: would think, man, you really, after you put all this 398 00:16:15,760 --> 00:16:17,440 Speaker 2: time into something, you don't know how it's going to 399 00:16:17,480 --> 00:16:18,960 Speaker 2: turn out. You just go and you shoot this thing 400 00:16:19,000 --> 00:16:21,440 Speaker 2: and hope that the edit works out, that the story's good, 401 00:16:21,480 --> 00:16:23,600 Speaker 2: the script is good, that everything is it's to have 402 00:16:23,640 --> 00:16:25,880 Speaker 2: a hit, everything has to kind of work right, because 403 00:16:25,880 --> 00:16:27,600 Speaker 2: there's so many movies that come out that I'm sure 404 00:16:27,600 --> 00:16:30,960 Speaker 2: on script look great, but maybe the acting wasn't great, 405 00:16:31,240 --> 00:16:32,960 Speaker 2: or maybe some of the change in writing didn't turn 406 00:16:32,960 --> 00:16:35,160 Speaker 2: out right, or maybe the editing was bad or the music, 407 00:16:35,520 --> 00:16:37,440 Speaker 2: but everything kind of has to hit right in order 408 00:16:37,440 --> 00:16:39,480 Speaker 2: for it to be wonderful. And after you work on 409 00:16:39,520 --> 00:16:41,440 Speaker 2: a project for that long, because I've had projects like 410 00:16:41,480 --> 00:16:43,680 Speaker 2: television shows, I've recorded the whole show and you're like, 411 00:16:43,680 --> 00:16:45,000 Speaker 2: I wonder what this is going to look like once 412 00:16:45,040 --> 00:16:46,960 Speaker 2: it gets out of my hands and it comes back 413 00:16:47,000 --> 00:16:48,720 Speaker 2: and you're like, oh, that's pretty good or really good. 414 00:16:49,120 --> 00:16:50,440 Speaker 2: To do that with a movie where you had to 415 00:16:50,440 --> 00:16:53,400 Speaker 2: sit and make up eight hours every day, I was 416 00:16:53,520 --> 00:16:55,320 Speaker 2: kind of like, man, I hope this guy's happy because 417 00:16:55,320 --> 00:16:57,360 Speaker 2: it really paid off sitting in there for eight hours 418 00:16:57,360 --> 00:16:57,840 Speaker 2: every day. 419 00:16:57,960 --> 00:16:58,680 Speaker 1: But I liked it. 420 00:16:58,680 --> 00:17:00,560 Speaker 2: It was really good. That would be my number one movie, 421 00:17:00,680 --> 00:17:02,360 Speaker 2: and it was on Netflix and I didn't have to 422 00:17:02,400 --> 00:17:03,640 Speaker 2: pay extra for it, which I love. 423 00:17:03,880 --> 00:17:05,880 Speaker 1: So next year not going back to the theater at all. 424 00:17:06,400 --> 00:17:07,320 Speaker 1: It's full of streaming. 425 00:17:08,680 --> 00:17:10,639 Speaker 2: I would have never chosen to go to the theater, 426 00:17:10,920 --> 00:17:13,760 Speaker 2: not even once. So I didn't like have a change 427 00:17:13,760 --> 00:17:17,840 Speaker 2: in how I operate other than I've made a change 428 00:17:17,840 --> 00:17:20,359 Speaker 2: in how I operate wherein I respect my wife and 429 00:17:20,400 --> 00:17:23,040 Speaker 2: what she wants to do. So I'm good never going 430 00:17:23,080 --> 00:17:26,359 Speaker 2: to theater again. I'll wait a month I'm perfect again. 431 00:17:26,400 --> 00:17:27,760 Speaker 2: I don't like to be told when I can watch 432 00:17:27,760 --> 00:17:29,040 Speaker 2: a movie, then I have to watch the whole movie 433 00:17:29,080 --> 00:17:31,760 Speaker 2: at that time. But I did have some good experiences. 434 00:17:31,880 --> 00:17:35,000 Speaker 2: We did watch the one one battle one that left 435 00:17:35,040 --> 00:17:38,199 Speaker 2: in another. Yeah, and I see why it's nominated for 436 00:17:38,240 --> 00:17:43,800 Speaker 2: everything one. It's completely original, so it's not a prequel. 437 00:17:44,880 --> 00:17:48,560 Speaker 2: It's not a sequel, it's not a reboot. Completely original 438 00:17:48,600 --> 00:17:51,680 Speaker 2: with a massive star DiCaprio, who acts the crap out 439 00:17:51,680 --> 00:17:55,320 Speaker 2: of it. He's awesome in it. There were some times too, 440 00:17:55,320 --> 00:17:57,439 Speaker 2: while they were shooting that movie, I thought, this feels 441 00:17:57,440 --> 00:18:00,240 Speaker 2: really original. That scene there's a chasing. 442 00:18:00,640 --> 00:18:02,680 Speaker 1: Yeah, one of the best in the last decade, I 443 00:18:02,720 --> 00:18:03,200 Speaker 1: would say. 444 00:18:03,640 --> 00:18:05,639 Speaker 2: While that was happening, I even thought, and I'm not 445 00:18:05,680 --> 00:18:08,600 Speaker 2: good at movies, so I really can't spot great acting. 446 00:18:08,760 --> 00:18:10,600 Speaker 2: I thought, this is really cool how this is shot. 447 00:18:11,040 --> 00:18:13,359 Speaker 2: And when I left, I thought that was a long movie. 448 00:18:14,119 --> 00:18:16,800 Speaker 2: It it faught very long. I thought it was a 449 00:18:16,840 --> 00:18:18,359 Speaker 2: long movie. I did have to get up and go 450 00:18:18,400 --> 00:18:20,320 Speaker 2: to the bathroom during it, which I won't do like 451 00:18:20,359 --> 00:18:23,600 Speaker 2: I will hold it. But the bathroom was right next 452 00:18:23,600 --> 00:18:25,639 Speaker 2: to the door, like right when you walked out of 453 00:18:25,640 --> 00:18:27,800 Speaker 2: the theater. The bathroom was right there, so I knew 454 00:18:27,880 --> 00:18:29,560 Speaker 2: if I watched the screen all the way up to 455 00:18:29,600 --> 00:18:31,600 Speaker 2: the door, total in and out was going to be 456 00:18:31,600 --> 00:18:34,800 Speaker 2: like sixty seconds. So went to the bathroom real quick, 457 00:18:35,000 --> 00:18:37,720 Speaker 2: walked back in. Miss sixty seconds in the movie, but 458 00:18:37,800 --> 00:18:39,080 Speaker 2: it was that long that I had to go to 459 00:18:39,080 --> 00:18:41,080 Speaker 2: the bathroom, even though I emptied my bladder right before. 460 00:18:41,600 --> 00:18:43,960 Speaker 2: It was still good. I understand why it's up for 461 00:18:43,960 --> 00:18:45,320 Speaker 2: all the awards. I think if I could have watched 462 00:18:45,320 --> 00:18:46,600 Speaker 2: it in two parts, I would have loved it. 463 00:18:47,520 --> 00:18:49,560 Speaker 1: That was like the longest movie I've seen this year. 464 00:18:49,560 --> 00:18:52,080 Speaker 1: That didn't feel that long. And I think the reason 465 00:18:52,119 --> 00:18:54,800 Speaker 1: I love it so much is because the chemistry between 466 00:18:54,840 --> 00:18:57,440 Speaker 1: Leonardo DiCaprio and Beniso do Toro, Like I think those 467 00:18:57,440 --> 00:18:59,040 Speaker 1: two together were per Yeah, he was great in the 468 00:18:59,119 --> 00:19:01,560 Speaker 1: two Did you it is funny? Like I felt like 469 00:19:01,600 --> 00:19:03,160 Speaker 1: it was more of a comedy or did you take 470 00:19:03,160 --> 00:19:05,879 Speaker 1: it as like this is a straight on drama going in? 471 00:19:05,920 --> 00:19:10,600 Speaker 2: I thought straight on drama, but then there there's some 472 00:19:10,720 --> 00:19:14,399 Speaker 2: physical type comedy. I don't know if comedy is the word, 473 00:19:15,440 --> 00:19:17,480 Speaker 2: but and I don't want to spoil too much of 474 00:19:17,480 --> 00:19:21,080 Speaker 2: the movie, but the bad guy in the movie, can 475 00:19:21,119 --> 00:19:21,600 Speaker 2: I say. 476 00:19:21,400 --> 00:19:24,240 Speaker 1: This he's like in the military, he's a villain. 477 00:19:24,359 --> 00:19:26,680 Speaker 2: Yeah, he's funny. Yeah, Like his character is kind of 478 00:19:26,720 --> 00:19:30,440 Speaker 2: funny in the ulous yes, yeah, so, And it's not 479 00:19:30,520 --> 00:19:33,840 Speaker 2: done in a way of we're trying to make a comedy, 480 00:19:34,359 --> 00:19:37,199 Speaker 2: nor is it so unbelievable, because I think there are 481 00:19:37,200 --> 00:19:38,000 Speaker 2: guys that act like that. 482 00:19:38,000 --> 00:19:38,760 Speaker 1: But he's kind of funny. 483 00:19:38,840 --> 00:19:42,119 Speaker 2: Yeah. The crowd in the theater laughed out loud a 484 00:19:42,119 --> 00:19:46,119 Speaker 2: couple of times. So because that happened, it felt a 485 00:19:46,160 --> 00:19:48,960 Speaker 2: little less like a drama and a little more. I 486 00:19:49,000 --> 00:19:50,960 Speaker 2: don't know what is it considered, Like, what is it? 487 00:19:50,960 --> 00:19:51,520 Speaker 2: What are the website? 488 00:19:51,520 --> 00:19:51,880 Speaker 3: What's it called? 489 00:19:51,880 --> 00:19:55,320 Speaker 1: I think it's considered and like an action movie really, yeah, 490 00:19:55,600 --> 00:19:57,359 Speaker 1: majority of it his action action drama. 491 00:19:57,400 --> 00:19:59,200 Speaker 2: I think it goes so many different places that I 492 00:19:59,480 --> 00:20:01,639 Speaker 2: don't I have trouble definding it because I didn't know 493 00:20:01,640 --> 00:20:02,119 Speaker 2: what I would call it. 494 00:20:02,160 --> 00:20:04,320 Speaker 1: Feel like genres have kind of shifted a lot, like 495 00:20:04,520 --> 00:20:06,720 Speaker 1: coming of music. Yeah, like comedy is like a very 496 00:20:06,760 --> 00:20:08,800 Speaker 1: broad term now, but it does have a lot of 497 00:20:08,840 --> 00:20:10,840 Speaker 1: elements that are funny. And what you said right there, 498 00:20:10,880 --> 00:20:12,520 Speaker 1: that's why I like go into the theater, Like hearing 499 00:20:12,560 --> 00:20:14,679 Speaker 1: other people laugh makes me enjoy it more to you, 500 00:20:14,720 --> 00:20:15,199 Speaker 1: it doesn't. 501 00:20:16,080 --> 00:20:17,600 Speaker 2: I just don't want to be told what time I 502 00:20:17,600 --> 00:20:19,359 Speaker 2: have to watch a movie, and I don't want to 503 00:20:19,400 --> 00:20:21,159 Speaker 2: be told I have to watch it all in one setting. 504 00:20:21,600 --> 00:20:24,000 Speaker 2: So but I did watch more movies this year than 505 00:20:24,440 --> 00:20:26,199 Speaker 2: I think any year in the past fifteen years. 506 00:20:26,600 --> 00:20:28,640 Speaker 1: That made me excited for you. I was like, yes, 507 00:20:28,760 --> 00:20:30,560 Speaker 1: because you've been saying like for the longest time you're 508 00:20:30,600 --> 00:20:32,199 Speaker 1: not a movie guy. And seeing you actually go to 509 00:20:32,240 --> 00:20:34,200 Speaker 1: the theater one but all the movies you have watched 510 00:20:34,200 --> 00:20:35,520 Speaker 1: this year, I was like, this is exciting. 511 00:20:35,640 --> 00:20:37,240 Speaker 2: Well, and I had surgery on my foot, so I'll 512 00:20:37,240 --> 00:20:40,359 Speaker 2: watch like three of them recently because I can't go anywhere. 513 00:20:40,359 --> 00:20:41,960 Speaker 2: I've just lay in the bed and watch movies. And 514 00:20:42,000 --> 00:20:43,879 Speaker 2: I think I've watched all the good shows, Like I 515 00:20:43,880 --> 00:20:46,840 Speaker 2: got to the end of Netflix. I got on the 516 00:20:46,920 --> 00:20:48,520 Speaker 2: end of all good shows on Netflix. They were like, 517 00:20:48,560 --> 00:20:51,080 Speaker 2: you got that message. I think you've been watching enough. Yeah, 518 00:20:51,160 --> 00:20:54,439 Speaker 2: you've watched enough Netflix. So yeah, good year for movies 519 00:20:54,480 --> 00:20:56,119 Speaker 2: over at our house because we watched a lot of 520 00:20:56,119 --> 00:20:59,480 Speaker 2: them in the theater and and they come out streaming quicker. 521 00:20:59,520 --> 00:21:00,920 Speaker 2: It feels like, am I wrong? 522 00:21:01,200 --> 00:21:03,560 Speaker 1: If a movie you kind of bombs, it'll come out sooner. 523 00:21:03,600 --> 00:21:05,879 Speaker 1: It'll come out within thirty to forty five days. If 524 00:21:05,920 --> 00:21:08,879 Speaker 1: it does really well, probably three months. 525 00:21:08,960 --> 00:21:11,920 Speaker 2: People don't realize, like if you're younger back in the day, 526 00:21:12,760 --> 00:21:16,680 Speaker 2: six months. Yeah, Like you want to see Jurassic Park one. Okay, 527 00:21:16,680 --> 00:21:19,800 Speaker 2: it may come out in ninety six, but you're gonna 528 00:21:19,840 --> 00:21:22,080 Speaker 2: watch it at home on a VHS and like two 529 00:21:22,080 --> 00:21:23,920 Speaker 2: thousand and four, Like that's how long it would take 530 00:21:23,920 --> 00:21:26,399 Speaker 2: for a movie to actually get to blockbusters. So you 531 00:21:26,400 --> 00:21:29,040 Speaker 2: could go and run it now, Yeah, I see it, 532 00:21:29,440 --> 00:21:32,639 Speaker 2: I store it, Mike set out yet stream yep, all right, 533 00:21:32,680 --> 00:21:33,720 Speaker 2: I'm gonna watch it. 534 00:21:33,960 --> 00:21:35,720 Speaker 1: I think. Yeah. That's a lot of issues that people 535 00:21:35,760 --> 00:21:38,120 Speaker 1: have with even making money off of movies is because 536 00:21:38,119 --> 00:21:40,320 Speaker 1: they come out. If you don't go watch it, it feels 537 00:21:40,359 --> 00:21:42,919 Speaker 1: like it's not successful because when it goes to streaming, 538 00:21:42,960 --> 00:21:44,240 Speaker 1: it doesn't really have a chance to make money in 539 00:21:44,280 --> 00:21:46,480 Speaker 1: the back end. Before you had DVD sales, you had 540 00:21:46,560 --> 00:21:49,199 Speaker 1: VHS sales, and you had the ability to put it 541 00:21:49,240 --> 00:21:51,240 Speaker 1: on TV where more people would see it. But now 542 00:21:51,280 --> 00:21:52,959 Speaker 1: if it doesn't do well in theaters, it's like it's 543 00:21:53,040 --> 00:21:53,800 Speaker 1: kind of a failure. 544 00:21:54,240 --> 00:21:55,320 Speaker 2: Was Frankenstegin in theaters? 545 00:21:55,440 --> 00:21:57,320 Speaker 1: No, it was, oh, it never was. No, it was 546 00:21:57,359 --> 00:21:59,199 Speaker 1: just straight Netflix. They put it in like a limited 547 00:21:59,240 --> 00:22:01,399 Speaker 1: runtime because they wanted to be nominated for Oscars, and 548 00:22:01,440 --> 00:22:03,560 Speaker 1: in order to be nominated for Oscars, you have to 549 00:22:03,680 --> 00:22:06,040 Speaker 1: have a theatrical run for at least a week, So 550 00:22:06,080 --> 00:22:08,440 Speaker 1: it comes out for like one weekend only, and then 551 00:22:08,760 --> 00:22:09,400 Speaker 1: just Netflix. 552 00:22:09,560 --> 00:22:12,040 Speaker 2: It was so significant of a movie I assumed it 553 00:22:12,080 --> 00:22:14,160 Speaker 2: was in theaters because it didn't look cheap. It had 554 00:22:14,200 --> 00:22:15,959 Speaker 2: major actors, and it was good. A lot of those 555 00:22:16,000 --> 00:22:18,600 Speaker 2: straight to streaming movies. To me, you can tell it's 556 00:22:18,680 --> 00:22:22,240 Speaker 2: like the bad version of a big actor. Yeah, the 557 00:22:22,320 --> 00:22:25,160 Speaker 2: story's got a lot of holes and it's kind of corny. 558 00:22:25,480 --> 00:22:28,359 Speaker 1: Like anything Mark Wahlberg does right now is like straight streamer. 559 00:22:28,400 --> 00:22:29,480 Speaker 1: He was like the streamer actor. 560 00:22:29,520 --> 00:22:31,320 Speaker 2: To me, I don't know that I've seen any of 561 00:22:31,359 --> 00:22:32,600 Speaker 2: Mark Wahlberg movies recently. 562 00:22:32,640 --> 00:22:34,359 Speaker 1: I've seen way too many that are not good. 563 00:22:35,160 --> 00:22:38,919 Speaker 2: All right, anything I should watch though going into the holiday, 564 00:22:39,160 --> 00:22:42,359 Speaker 2: So I have that movie written down. Oh yeah, Relay 565 00:22:42,760 --> 00:22:44,360 Speaker 2: from twenty twenty four, I. 566 00:22:44,280 --> 00:22:46,639 Speaker 1: Would say of my best of the year that you 567 00:22:46,680 --> 00:22:50,399 Speaker 1: would enjoy. You saw Weapons, Yeah, I saw Weapons. 568 00:22:50,119 --> 00:22:51,800 Speaker 2: Yeah, I forgot I even saw I saw that one. 569 00:22:51,880 --> 00:22:53,480 Speaker 1: Yeah, pretty good. You saw Bogonia. 570 00:22:54,200 --> 00:22:56,840 Speaker 2: Like Bogonia, I like Jesse Plummet's my favorite actor now 571 00:22:57,240 --> 00:22:58,560 Speaker 2: and you saw f one. 572 00:22:59,160 --> 00:22:59,800 Speaker 1: Yeah that was good. 573 00:23:00,000 --> 00:23:00,600 Speaker 3: Expect that to be good. 574 00:23:00,640 --> 00:23:01,400 Speaker 2: We saw that in the theater. 575 00:23:01,800 --> 00:23:02,040 Speaker 1: Yeah. 576 00:23:02,240 --> 00:23:03,080 Speaker 2: F One's really good. 577 00:23:03,640 --> 00:23:05,159 Speaker 1: I probably would put that on my list, which I 578 00:23:05,160 --> 00:23:06,680 Speaker 1: could this month now too. 579 00:23:06,920 --> 00:23:07,679 Speaker 2: So it's not out yet. 580 00:23:07,800 --> 00:23:10,360 Speaker 1: Still an Apple you can only buy it, but now 581 00:23:10,359 --> 00:23:11,480 Speaker 1: it'll be free on Apple. 582 00:23:12,480 --> 00:23:14,479 Speaker 2: Well, I've already watched it. But that's a good one. 583 00:23:14,800 --> 00:23:18,840 Speaker 2: And it's a little corny. But Brad Pitt's awesome in it. 584 00:23:18,880 --> 00:23:21,479 Speaker 2: Like he's still a great I don't know if that's 585 00:23:21,480 --> 00:23:23,879 Speaker 2: an action movie or not, but he's still great at 586 00:23:23,920 --> 00:23:25,480 Speaker 2: that stuff like having a shirt off and like doing 587 00:23:25,480 --> 00:23:27,359 Speaker 2: physical things. He's still great at that. And he's like 588 00:23:27,400 --> 00:23:28,080 Speaker 2: sixty years old. 589 00:23:28,160 --> 00:23:30,160 Speaker 1: It helps that his act. His character in the movie 590 00:23:30,240 --> 00:23:32,200 Speaker 1: is like an older guy coming back and the young 591 00:23:32,240 --> 00:23:33,160 Speaker 1: guy kind of hates him. 592 00:23:33,280 --> 00:23:34,800 Speaker 2: Yeah, it's a good point. But still it takes a 593 00:23:34,800 --> 00:23:36,600 Speaker 2: shirt off. He does not look like an old dude. 594 00:23:36,920 --> 00:23:38,520 Speaker 1: I would say, if there's anything you need to promote, 595 00:23:38,520 --> 00:23:39,240 Speaker 1: but I think you're good. 596 00:23:39,119 --> 00:23:45,200 Speaker 2: Right, don't promote it out merk Christmas, everybody, let's get 597 00:23:45,200 --> 00:23:45,680 Speaker 2: into it now. 598 00:23:45,720 --> 00:23:48,439 Speaker 1: He's spoiler. A free movie review of ham Knitz starring 599 00:23:48,440 --> 00:23:52,960 Speaker 1: Paul Meskel, Jesse Buckley, directed by Chloe Jowell. I did 600 00:23:52,960 --> 00:23:54,879 Speaker 1: not read the book. You did? Were you excited for 601 00:23:54,960 --> 00:23:55,720 Speaker 1: it going into it? 602 00:23:56,280 --> 00:23:59,200 Speaker 3: I'm gonna be honest, No, What did you feel. 603 00:23:59,000 --> 00:24:00,800 Speaker 1: About the book? Wasn't it kind of was slow burn? 604 00:24:00,840 --> 00:24:01,359 Speaker 1: You were like. 605 00:24:01,600 --> 00:24:02,480 Speaker 3: Very slow burn. 606 00:24:02,520 --> 00:24:05,080 Speaker 4: It was one of those where I picked it up 607 00:24:05,160 --> 00:24:07,919 Speaker 4: so that I could finish it, not that I was 608 00:24:07,960 --> 00:24:10,080 Speaker 4: excited to pick it back up. It was kind of 609 00:24:10,119 --> 00:24:12,480 Speaker 4: like almost when you have required reading for school. That's 610 00:24:12,480 --> 00:24:14,480 Speaker 4: what I felt like. It was like required reading to 611 00:24:14,480 --> 00:24:15,760 Speaker 4: finish it before the movie. 612 00:24:16,040 --> 00:24:19,280 Speaker 1: But it's about William and Agnes Shakespeare, So it's a 613 00:24:19,320 --> 00:24:22,160 Speaker 1: fictional life story about the loss of their son. 614 00:24:22,240 --> 00:24:25,760 Speaker 4: Right, Yes, And I'm gonna be so honest. I read 615 00:24:25,800 --> 00:24:28,720 Speaker 4: the book, but never, obviously I knew it was about Shakespeare. 616 00:24:28,760 --> 00:24:30,800 Speaker 4: Never in the book did they say William Shakespeare. They 617 00:24:30,840 --> 00:24:33,080 Speaker 4: call him the Latin Tutor, like the whole time they 618 00:24:33,880 --> 00:24:37,400 Speaker 4: ever say like William Shakespeare, And so your brain has 619 00:24:37,440 --> 00:24:39,919 Speaker 4: to like keep reminding yourself this is about Shakespeare, and 620 00:24:40,000 --> 00:24:41,879 Speaker 4: oftentimes I forgot because. 621 00:24:41,640 --> 00:24:44,160 Speaker 1: In the movie they do refer to him as will 622 00:24:44,200 --> 00:24:45,040 Speaker 1: do they ever call him. 623 00:24:44,960 --> 00:24:47,719 Speaker 4: William No, but they I think at one point they 624 00:24:47,720 --> 00:24:48,879 Speaker 4: say William Shakespeare. 625 00:24:48,960 --> 00:24:52,600 Speaker 1: I thought Paul Meskal was incredible, and both of them together. 626 00:24:52,400 --> 00:24:54,000 Speaker 3: Paul Mescal and his slutty little earring. 627 00:24:54,119 --> 00:24:56,160 Speaker 1: Yeah, you think I could pull off the single earing 628 00:24:56,200 --> 00:24:57,680 Speaker 1: That's what I was thinking the whole time, Like, could 629 00:24:57,680 --> 00:25:00,040 Speaker 1: I pull off the single earring? I feel like I 630 00:25:00,080 --> 00:25:02,000 Speaker 1: have to have a much better looking face than what 631 00:25:02,119 --> 00:25:02,440 Speaker 1: I have. 632 00:25:02,640 --> 00:25:04,879 Speaker 4: I don't think you have to have a better looking 633 00:25:04,880 --> 00:25:06,840 Speaker 4: face than you have. I find your face very attractive. 634 00:25:07,800 --> 00:25:09,800 Speaker 4: I just think it has it also, like went with 635 00:25:09,840 --> 00:25:11,800 Speaker 4: the wardrobe and the time, but. 636 00:25:11,800 --> 00:25:13,600 Speaker 1: I feel like you could pull that off now without 637 00:25:13,640 --> 00:25:15,880 Speaker 1: the I mean William Shakespeare wardrobe. 638 00:25:15,960 --> 00:25:19,119 Speaker 4: But it's very just like it's very Paul Mescal, Like 639 00:25:19,280 --> 00:25:21,119 Speaker 4: he just kind of gives off that vibe. 640 00:25:20,880 --> 00:25:22,520 Speaker 1: He could pull off that. He could pull off the 641 00:25:22,520 --> 00:25:26,960 Speaker 1: short shorts. And he is just somebody who I think 642 00:25:27,040 --> 00:25:29,760 Speaker 1: acts on an entirely different level watching this movie, between 643 00:25:29,760 --> 00:25:32,320 Speaker 1: both of them, he's different than every other actor. He 644 00:25:32,440 --> 00:25:36,120 Speaker 1: was really intense. It's very intense and it was really emotional. 645 00:25:36,359 --> 00:25:38,280 Speaker 1: I just found the entire story to be kind of 646 00:25:38,520 --> 00:25:40,880 Speaker 1: more powerful than I was expecting. I thought this movie 647 00:25:40,960 --> 00:25:42,280 Speaker 1: is gonna be kind of a snooze fest. 648 00:25:42,800 --> 00:25:45,920 Speaker 4: I gotta say a very rare occasion where the movie 649 00:25:45,960 --> 00:25:47,560 Speaker 4: was better than the book. I feel like in the 650 00:25:47,560 --> 00:25:50,240 Speaker 4: book we get a lot of background of Agnes and 651 00:25:50,280 --> 00:25:53,320 Speaker 4: like her evil step mom, who you like barely even 652 00:25:53,320 --> 00:25:55,399 Speaker 4: realize in the movie is her stepmom. 653 00:25:54,960 --> 00:25:56,800 Speaker 1: Because they refer to as like a forest witch. 654 00:25:57,560 --> 00:25:58,920 Speaker 3: No, that's about her real mom. 655 00:25:59,040 --> 00:26:00,680 Speaker 1: All betterr real mom because. 656 00:26:00,440 --> 00:26:01,080 Speaker 3: Her mom died. 657 00:26:01,119 --> 00:26:03,800 Speaker 4: You get a lot more background on Agnes of the book, 658 00:26:03,840 --> 00:26:06,200 Speaker 4: and I don't think that moves the story along as much. 659 00:26:06,280 --> 00:26:07,399 Speaker 3: And in the book it's. 660 00:26:07,359 --> 00:26:12,200 Speaker 4: Very much like stare longingly gazed, wistfully went to the forest, 661 00:26:12,240 --> 00:26:13,880 Speaker 4: And I feel like they can just do those things 662 00:26:13,880 --> 00:26:16,160 Speaker 4: in the movie and it tells the story. 663 00:26:15,840 --> 00:26:19,440 Speaker 1: Better because the movie overall is the story of them 664 00:26:19,440 --> 00:26:22,680 Speaker 1: getting together. Nobody really wants them to be together. 665 00:26:22,920 --> 00:26:25,880 Speaker 4: Yeah, and you have way more in the book about 666 00:26:25,880 --> 00:26:29,520 Speaker 4: their backstory how they ended up together. Like his father 667 00:26:30,119 --> 00:26:33,080 Speaker 4: this isn't a spoiler, is in debt to her father, 668 00:26:34,080 --> 00:26:35,200 Speaker 4: all this stuff. 669 00:26:35,080 --> 00:26:38,000 Speaker 1: And they have a family together, they're living out kind 670 00:26:38,000 --> 00:26:41,960 Speaker 1: of on the countryside. I love the bird in this movie. Yes, 671 00:26:42,440 --> 00:26:44,000 Speaker 1: like it made want a pet bird even though I'm 672 00:26:44,040 --> 00:26:45,600 Speaker 1: kind of freak out by birds. I was like, if 673 00:26:45,640 --> 00:26:47,520 Speaker 1: I could have a bird that could return to me 674 00:26:47,720 --> 00:26:51,160 Speaker 1: on that little glove thing. Interesting, they gets a really 675 00:26:51,200 --> 00:26:53,919 Speaker 1: smart bird, Like, how do you do that? After watching 676 00:26:53,960 --> 00:26:56,600 Speaker 1: this movie, do you think it is in contingent for 677 00:26:56,640 --> 00:27:00,359 Speaker 1: Best Picture? Yes, I think between this and One Battle 678 00:27:00,359 --> 00:27:02,480 Speaker 1: after Another, I think those are the two leaders. I 679 00:27:02,480 --> 00:27:04,560 Speaker 1: think Paul Meskell could win for Best Actor. 680 00:27:04,680 --> 00:27:06,960 Speaker 3: Those were one and two on the Rolling Stones. Oh really, 681 00:27:07,000 --> 00:27:07,640 Speaker 3: twenty of the Year. 682 00:27:07,960 --> 00:27:10,960 Speaker 1: I didn't expect this movie to even enter my top ten, 683 00:27:12,119 --> 00:27:14,679 Speaker 1: could quite possibly enter my top five by the end 684 00:27:14,680 --> 00:27:16,880 Speaker 1: of it. How did you feel as far as how 685 00:27:16,920 --> 00:27:18,080 Speaker 1: emotional did it make you? 686 00:27:18,440 --> 00:27:19,560 Speaker 3: Not as emotional as the girl? 687 00:27:20,000 --> 00:27:23,040 Speaker 1: The girl? Okay, here's the weird part. There are obviously 688 00:27:23,080 --> 00:27:25,000 Speaker 1: it is a tragedy. They're gonna be sad things happening. 689 00:27:25,000 --> 00:27:28,000 Speaker 1: We won't say specifically what happens, but there are moments 690 00:27:28,119 --> 00:27:30,679 Speaker 1: that got me a little bit choked up. But the 691 00:27:30,720 --> 00:27:31,680 Speaker 1: girl next to. 692 00:27:31,680 --> 00:27:33,480 Speaker 3: Us, she brought her a little toilet paper. 693 00:27:33,560 --> 00:27:36,040 Speaker 1: She was going through something. I feel like she which 694 00:27:36,080 --> 00:27:39,639 Speaker 1: the interesting thing was, before the movie started, she was 695 00:27:39,680 --> 00:27:42,560 Speaker 1: making fun of all the trailers that showed before the movie, 696 00:27:42,600 --> 00:27:46,639 Speaker 1: like the Hugh Jackman and Kate Hudson movie. She was like, 697 00:27:46,680 --> 00:27:48,760 Speaker 1: that looks terrible. Every movie, the c Sidney Sweety movie, 698 00:27:48,800 --> 00:27:49,880 Speaker 1: she was like, that looks terrible. 699 00:27:50,080 --> 00:27:52,000 Speaker 4: She was going through something. I feel like the movie 700 00:27:52,080 --> 00:27:54,080 Speaker 4: was a cathartic release for her. But I just at 701 00:27:54,080 --> 00:27:56,240 Speaker 4: one point I heard her blowing her nose and I 702 00:27:56,240 --> 00:27:58,320 Speaker 4: was like, oh, maybe seasonal allergies. Because it's a time 703 00:27:58,320 --> 00:28:00,480 Speaker 4: of year when everyone's got like a cough sniffle in 704 00:28:00,480 --> 00:28:02,760 Speaker 4: the theater, which there's a lot of. 705 00:28:03,840 --> 00:28:05,240 Speaker 1: It's a very quiet film. 706 00:28:05,280 --> 00:28:05,920 Speaker 3: It's a very quiet. 707 00:28:06,119 --> 00:28:08,240 Speaker 1: Yeah. That was hard for me when it started out 708 00:28:08,240 --> 00:28:10,960 Speaker 1: because we were both really hungry and it needed snacks 709 00:28:11,320 --> 00:28:12,760 Speaker 1: and I was like, I just gotta go for it. 710 00:28:12,760 --> 00:28:14,320 Speaker 1: But it's so quiet starting out. 711 00:28:14,440 --> 00:28:17,399 Speaker 4: You wait till like the most quiet moments. Yeah, I 712 00:28:17,480 --> 00:28:20,879 Speaker 4: just because once like oh, no one's talking. 713 00:28:21,640 --> 00:28:24,439 Speaker 1: Once the once the action starts on screen, that is 714 00:28:24,480 --> 00:28:26,280 Speaker 1: my cue to start eating. Like I don't eat during 715 00:28:26,320 --> 00:28:26,840 Speaker 1: the previews. 716 00:28:27,480 --> 00:28:29,680 Speaker 3: There was not much action in terms of this film. 717 00:28:30,160 --> 00:28:33,080 Speaker 1: That's why whenever a movie starts out so quiet, I'm like, please, 718 00:28:33,119 --> 00:28:35,560 Speaker 1: I need to open my snacks, give me some sound here. 719 00:28:35,680 --> 00:28:37,600 Speaker 4: But yeah, one point I look over and she is 720 00:28:37,760 --> 00:28:40,960 Speaker 4: just like on wrapping the toilet paper sobbing, like you 721 00:28:40,960 --> 00:28:42,720 Speaker 4: can hear the sobs. 722 00:28:42,280 --> 00:28:45,520 Speaker 1: And this is like dollar store maybe gas station. Toilet 723 00:28:45,560 --> 00:28:48,160 Speaker 1: paper was one ply. It sounded like she was blowing 724 00:28:48,160 --> 00:28:49,200 Speaker 1: her nose with a receipt. 725 00:28:49,280 --> 00:28:51,000 Speaker 3: I should have given her some tissues. I actually had 726 00:28:51,000 --> 00:28:52,360 Speaker 3: tissues in my purse. 727 00:28:52,600 --> 00:28:56,800 Speaker 1: She was crying pretty hardcore, like pretty uncontrollably. We're like 728 00:28:56,800 --> 00:28:58,680 Speaker 1: a couple of times during this movie, which I heard 729 00:28:58,760 --> 00:29:01,000 Speaker 1: sniffles throughout the movie. I don't know if people were, 730 00:29:01,400 --> 00:29:03,160 Speaker 1: like you said, have allergies that were sick, but I 731 00:29:03,200 --> 00:29:06,840 Speaker 1: heard some. I hear some whimps, some weep weepings, the whimpers. 732 00:29:07,320 --> 00:29:11,120 Speaker 1: I hear some whims I had some weeps. No, but 733 00:29:11,280 --> 00:29:14,880 Speaker 1: I struggled letting the movie take a hold of me 734 00:29:15,000 --> 00:29:17,560 Speaker 1: because she was going through it so hard, and while 735 00:29:17,600 --> 00:29:19,760 Speaker 1: the movie was impacting me and I was going through 736 00:29:19,760 --> 00:29:23,640 Speaker 1: these emotional stages and feeling a big connection to these characters, 737 00:29:24,040 --> 00:29:28,120 Speaker 1: I could not help the sound of the receipt going 738 00:29:28,240 --> 00:29:31,360 Speaker 1: and blowing her nose as she was crying throughout this movie. 739 00:29:31,600 --> 00:29:34,840 Speaker 4: Yeah it was I didn't ever feel like I was 740 00:29:34,920 --> 00:29:37,680 Speaker 4: gonna cry. But I also I've read the book. 741 00:29:37,800 --> 00:29:39,440 Speaker 1: You knew what was coming that doesn't affect you a 742 00:29:39,480 --> 00:29:39,880 Speaker 1: little bit. 743 00:29:40,000 --> 00:29:43,200 Speaker 4: Yeah, it made me feel things, but it didn't make 744 00:29:43,240 --> 00:29:43,719 Speaker 4: me cry. 745 00:29:43,840 --> 00:29:47,560 Speaker 1: I thought. Also, the direction in this movie was really good, 746 00:29:47,600 --> 00:29:51,560 Speaker 1: because with any other director besides Chloe Jowell, this movie 747 00:29:51,560 --> 00:29:53,920 Speaker 1: could have been a total snooze fest because it does 748 00:29:53,960 --> 00:29:57,080 Speaker 1: take place in a period that is really hard to portray. 749 00:29:58,040 --> 00:30:00,040 Speaker 1: As far as making it feel modern, which i've I 750 00:30:00,040 --> 00:30:02,080 Speaker 1: feel like that's what helped this movie. It didn't feel 751 00:30:02,120 --> 00:30:04,600 Speaker 1: like it was It felt like it took place today, 752 00:30:04,640 --> 00:30:07,560 Speaker 1: even though it was obviously way back in the day. 753 00:30:07,960 --> 00:30:10,680 Speaker 1: I think the sound design also helped that. Yeah, a 754 00:30:10,680 --> 00:30:12,920 Speaker 1: lot of the moments are very slow and kind of 755 00:30:13,000 --> 00:30:16,479 Speaker 1: drawn out, but it has this score underneath that feels 756 00:30:16,600 --> 00:30:19,600 Speaker 1: very modern, almost like these really weird sounds where the 757 00:30:19,680 --> 00:30:22,520 Speaker 1: speakers in the theater were kind of crackling, which was 758 00:30:22,560 --> 00:30:25,080 Speaker 1: an interesting thing and really made me feel connected to 759 00:30:25,120 --> 00:30:27,760 Speaker 1: some of the action where they could have put some 760 00:30:27,800 --> 00:30:30,280 Speaker 1: really like classical music that you think more of, like 761 00:30:30,280 --> 00:30:32,840 Speaker 1: this feels like Shakespeare, but it didn't have that, So 762 00:30:32,880 --> 00:30:36,360 Speaker 1: I feel like that to me made the action move, 763 00:30:36,520 --> 00:30:37,960 Speaker 1: not that there's a lot of action in it, but 764 00:30:38,000 --> 00:30:40,280 Speaker 1: made the overall story move a little bit at a 765 00:30:40,280 --> 00:30:43,960 Speaker 1: different pace that was good from my brain who struggles 766 00:30:43,960 --> 00:30:46,880 Speaker 1: with things not being fifteen seconds or less. Right now, Yeah, 767 00:30:46,920 --> 00:30:47,520 Speaker 1: it wasn't. 768 00:30:47,880 --> 00:30:50,280 Speaker 4: It didn't feel slow, and that was my concern going 769 00:30:50,320 --> 00:30:52,040 Speaker 4: into it because I was like the book was slow, 770 00:30:52,520 --> 00:30:54,360 Speaker 4: so I was very afraid that the movie was gonna 771 00:30:54,360 --> 00:30:57,640 Speaker 4: move slowly. And some people I've seen like they loved 772 00:30:57,680 --> 00:30:59,840 Speaker 4: that book. They're like, the best one I've read this year, 773 00:31:00,080 --> 00:31:02,920 Speaker 4: Wait for the movie. That just wasn't my experience. Good book, 774 00:31:03,360 --> 00:31:04,000 Speaker 4: not my best. 775 00:31:04,440 --> 00:31:06,720 Speaker 1: Some people found it funny. I don't think I really 776 00:31:06,720 --> 00:31:07,800 Speaker 1: found it that funny. 777 00:31:07,840 --> 00:31:08,240 Speaker 3: Funny. 778 00:31:08,520 --> 00:31:11,200 Speaker 1: Yeah, I heard people laughing throughout some of the things 779 00:31:11,280 --> 00:31:14,120 Speaker 1: early on that the kids were doing, which, by the way, 780 00:31:14,600 --> 00:31:17,520 Speaker 1: the kid actors in this were fantastic, so good, like 781 00:31:17,560 --> 00:31:21,560 Speaker 1: they are better than some adult actors I'm seeing this year. 782 00:31:21,800 --> 00:31:24,720 Speaker 1: Their characters go through so much where I'm like, where 783 00:31:24,760 --> 00:31:26,640 Speaker 1: do you find a kid who can act that well? 784 00:31:26,640 --> 00:31:28,800 Speaker 1: How do you even know at that age that you're 785 00:31:28,840 --> 00:31:29,440 Speaker 1: a good actor. 786 00:31:29,520 --> 00:31:32,920 Speaker 3: The little boy that played himnet and looked like Prince 787 00:31:32,960 --> 00:31:33,680 Speaker 3: George a bit. 788 00:31:33,840 --> 00:31:37,400 Speaker 1: He did, he was probably the best so put. Him 789 00:31:37,440 --> 00:31:39,680 Speaker 1: and his sister were just like, these kids are just 790 00:31:39,760 --> 00:31:40,440 Speaker 1: next level. 791 00:31:40,720 --> 00:31:43,120 Speaker 3: We're in just the like looks at the camera. 792 00:31:43,520 --> 00:31:46,120 Speaker 1: The little nuances, which is hard to do. That's something 793 00:31:46,160 --> 00:31:48,600 Speaker 1: that you can't I don't feel like you could teach 794 00:31:48,680 --> 00:31:51,760 Speaker 1: that to a kid. But it was so powerful in 795 00:31:52,480 --> 00:31:56,040 Speaker 1: how subtle it was, especially through the third act of 796 00:31:56,080 --> 00:31:58,400 Speaker 1: this movie, which it takes you on an entirely different level. 797 00:31:58,440 --> 00:32:01,280 Speaker 1: But it's those performances from those young actors that are 798 00:32:01,280 --> 00:32:03,840 Speaker 1: like wow, that really brought the whole thing together. That 799 00:32:03,880 --> 00:32:07,520 Speaker 1: puts any other kid actor, any other adult actor right 800 00:32:07,520 --> 00:32:09,719 Speaker 1: now kind of a shame. Yeah. I think that's what 801 00:32:09,800 --> 00:32:12,280 Speaker 1: was a really big strong point of this movie. I 802 00:32:12,280 --> 00:32:13,840 Speaker 1: don't want to reveal too much what happened in the 803 00:32:13,840 --> 00:32:15,520 Speaker 1: third act, but the third act I think that's what 804 00:32:15,680 --> 00:32:18,080 Speaker 1: really kind of made it feel like it had an 805 00:32:18,120 --> 00:32:21,680 Speaker 1: impact on me. And I think some people who are 806 00:32:21,680 --> 00:32:24,600 Speaker 1: maybe a little bit more high brow probably took more 807 00:32:24,640 --> 00:32:27,800 Speaker 1: from this movie. As far as the story of William Shakespeare, 808 00:32:27,800 --> 00:32:29,560 Speaker 1: I think I just felt more of the emotion because 809 00:32:29,600 --> 00:32:31,000 Speaker 1: I don't really know much about the guy. 810 00:32:31,160 --> 00:32:36,040 Speaker 3: Yeah, I didn't even remember what Hamlet is about. 811 00:32:36,120 --> 00:32:39,360 Speaker 4: So like because that's the story of like his son 812 00:32:39,480 --> 00:32:43,240 Speaker 4: Hamnet inspired Hamlet, and Hamnet and Hamlet were interchangeable. 813 00:32:43,240 --> 00:32:44,800 Speaker 1: As far as names, I learned that in the very 814 00:32:44,840 --> 00:32:47,080 Speaker 1: opening scene of the movie. Yes, and then I thought 815 00:32:47,280 --> 00:32:49,640 Speaker 1: they brought it all together with the to Be or 816 00:32:49,800 --> 00:32:50,280 Speaker 1: Not to Be. 817 00:32:51,280 --> 00:32:52,640 Speaker 3: We also got to talk about Joe Allen. 818 00:32:53,080 --> 00:32:56,720 Speaker 1: Oh, Yeah, who's had a lot of significant role since 819 00:32:56,760 --> 00:32:57,960 Speaker 1: breaking up with Taylor Swift. 820 00:32:58,240 --> 00:32:59,960 Speaker 3: Yes, it seems it's been good for his career. 821 00:33:00,480 --> 00:33:03,440 Speaker 1: And do you not like him as an actor? 822 00:33:04,080 --> 00:33:06,400 Speaker 4: Not like him, but I don't think he's done anything 823 00:33:06,440 --> 00:33:09,640 Speaker 4: where I'm like, Wow, he honestly is just like another 824 00:33:09,720 --> 00:33:13,800 Speaker 4: broody English white guy. He's not Paul Moscow like, he 825 00:33:13,840 --> 00:33:15,280 Speaker 4: doesn't have that level. 826 00:33:15,360 --> 00:33:17,840 Speaker 1: To me, He's not leading man type of actor. 827 00:33:17,960 --> 00:33:19,840 Speaker 4: I think he was great in kinds of Kindness. I 828 00:33:19,840 --> 00:33:22,400 Speaker 4: think that was where we saw him shine the most. 829 00:33:22,440 --> 00:33:24,680 Speaker 4: But like his other supporting roles and like the Brutalist 830 00:33:24,720 --> 00:33:24,960 Speaker 4: and this. 831 00:33:25,240 --> 00:33:27,920 Speaker 1: But still since the breakup, he's been in movies that 832 00:33:27,960 --> 00:33:30,400 Speaker 1: we've actually seen in theaters. Before that, I just knew 833 00:33:30,400 --> 00:33:32,920 Speaker 1: of him that he was an actor, but didn't know 834 00:33:33,080 --> 00:33:33,800 Speaker 1: any of his work. 835 00:33:33,880 --> 00:33:36,480 Speaker 3: Yeah, I felt like he'd also starting his career then. 836 00:33:37,240 --> 00:33:39,760 Speaker 1: Yeah, takes a while to get on the big screen. 837 00:33:39,960 --> 00:33:40,240 Speaker 3: Yeah. 838 00:33:40,360 --> 00:33:42,479 Speaker 1: If you had to rate Hamnet, what would you give it? 839 00:33:42,680 --> 00:33:46,840 Speaker 3: Four out of five? Fencing Swords which do you fence 840 00:33:46,880 --> 00:33:48,520 Speaker 3: with anything other than the sword? Maybe I should have 841 00:33:48,480 --> 00:33:48,920 Speaker 3: just said I. 842 00:33:48,840 --> 00:33:51,760 Speaker 1: Think I sort vince with swords. I believe four to 843 00:33:51,800 --> 00:33:54,320 Speaker 1: five swords. I'm going to give it four out of five. 844 00:33:54,440 --> 00:33:56,240 Speaker 1: Was it a falcon or was it a hawk? I 845 00:33:56,240 --> 00:33:59,040 Speaker 1: think or a hawk. I think I'm gonna go four 846 00:33:59,040 --> 00:34:02,240 Speaker 1: point five at a five hawks, because I think it's 847 00:34:02,320 --> 00:34:04,800 Speaker 1: right up there with what I would also expect to 848 00:34:04,880 --> 00:34:08,080 Speaker 1: be nominated and possibly win Best Picture one battle after another. 849 00:34:08,560 --> 00:34:10,840 Speaker 1: And I think also the fact that I was expecting 850 00:34:10,880 --> 00:34:13,920 Speaker 1: this movie to be boring and it wasn't boring. 851 00:34:14,080 --> 00:34:15,640 Speaker 3: It wasn't boring, all right. 852 00:34:15,680 --> 00:34:18,680 Speaker 1: That is our thoughts on Hamnet. There was no hand. 853 00:34:18,719 --> 00:34:24,680 Speaker 1: By the way, it's time to head down to movie. 854 00:34:24,760 --> 00:34:28,960 Speaker 1: Mic Traylor Paul two things. I could never be a 855 00:34:29,080 --> 00:34:34,120 Speaker 1: billionaire and a murderer. And hopefully, if you're listening to this, 856 00:34:34,960 --> 00:34:37,840 Speaker 1: you don't have the qualities to be the murderer. I 857 00:34:37,840 --> 00:34:39,600 Speaker 1: would love for you to be a billionaire. That would 858 00:34:39,600 --> 00:34:42,360 Speaker 1: be amazing. I think we all fantasize about being a billionaire, 859 00:34:43,480 --> 00:34:45,399 Speaker 1: but I just don't think I have either of those 860 00:34:45,440 --> 00:34:48,759 Speaker 1: things in my personality that could allow me to get there. 861 00:34:48,800 --> 00:34:50,880 Speaker 1: To be a billionaire, you have to be incredibly driven, 862 00:34:50,880 --> 00:34:53,239 Speaker 1: which I think I am driven. I think in order 863 00:34:53,280 --> 00:34:56,480 Speaker 1: to get to the point that I have achieved now 864 00:34:56,520 --> 00:34:58,839 Speaker 1: in my life, it has taken a lot of drive. 865 00:34:58,840 --> 00:35:01,480 Speaker 1: But to be a billionaire it's an a you also, for 866 00:35:01,600 --> 00:35:03,680 Speaker 1: lack of a better term, you have to exploit people 867 00:35:03,680 --> 00:35:06,000 Speaker 1: to some degree in order to become a billionaire. That's 868 00:35:06,000 --> 00:35:08,160 Speaker 1: how you do it. It's how you hoard all this wealth. 869 00:35:08,200 --> 00:35:09,960 Speaker 1: That's how you become a billionaire. So I think you 870 00:35:10,000 --> 00:35:13,120 Speaker 1: and I would never become billionaires because we are too moral, 871 00:35:13,560 --> 00:35:15,960 Speaker 1: unless we want the lottery. But even then, if you 872 00:35:16,080 --> 00:35:18,480 Speaker 1: actually think of the pressures of what it would be 873 00:35:18,640 --> 00:35:20,959 Speaker 1: like to be a billionaire, it would be too much 874 00:35:21,000 --> 00:35:23,279 Speaker 1: for us. It'd be crazy. You think about spending a 875 00:35:23,320 --> 00:35:26,720 Speaker 1: billion dollars. I don't think we realize how much money 876 00:35:26,719 --> 00:35:29,680 Speaker 1: that is, and I don't think we realize all these 877 00:35:29,719 --> 00:35:33,800 Speaker 1: little things that come into play when you are a billionaire. 878 00:35:33,800 --> 00:35:36,560 Speaker 1: The stress would be crazy and a murderer. I could 879 00:35:36,560 --> 00:35:38,720 Speaker 1: never be that because I don't even like bothering people. 880 00:35:38,760 --> 00:35:40,839 Speaker 1: I'll go to Target and I'll need to get down 881 00:35:40,840 --> 00:35:43,680 Speaker 1: an aisle and there's somebody standing there at the exact 882 00:35:43,719 --> 00:35:45,600 Speaker 1: same part of the aisle that I need to be. 883 00:35:46,160 --> 00:35:47,880 Speaker 1: I would even bother that. I'll be like, you know what, 884 00:35:47,920 --> 00:35:50,360 Speaker 1: I'll come back around. I'll go back the other way 885 00:35:50,920 --> 00:35:53,160 Speaker 1: just so I don't have to bother that person. So 886 00:35:53,480 --> 00:35:56,040 Speaker 1: if I don't want to bother somebody in Target, I 887 00:35:56,040 --> 00:35:58,600 Speaker 1: could never take somebody out. With some of these movies 888 00:35:58,640 --> 00:36:02,200 Speaker 1: coming out, are we starting to romanticized murder a little 889 00:36:02,239 --> 00:36:04,800 Speaker 1: bit too much? And I have this problem with people 890 00:36:04,800 --> 00:36:07,520 Speaker 1: who are huge fans of true crime. I can never 891 00:36:07,560 --> 00:36:10,440 Speaker 1: get into that because I just feel this moral dilemma 892 00:36:10,520 --> 00:36:14,680 Speaker 1: with it taking satisfaction in other people's deaths and other 893 00:36:14,719 --> 00:36:17,600 Speaker 1: people's worst days of their life. That is really hard 894 00:36:17,640 --> 00:36:19,040 Speaker 1: for me to get into. But when it comes to 895 00:36:19,080 --> 00:36:23,080 Speaker 1: fictionalized things, I can lean into it a lot easier. 896 00:36:23,360 --> 00:36:27,200 Speaker 1: But I start to wonder about the psychological effects it 897 00:36:27,239 --> 00:36:30,200 Speaker 1: is having on me, because recently this year, I've found 898 00:36:30,239 --> 00:36:34,520 Speaker 1: myself rooting for villains and anti heroes much more than 899 00:36:34,560 --> 00:36:37,400 Speaker 1: I ever have in my life. And by watching this 900 00:36:37,480 --> 00:36:39,960 Speaker 1: trailer for How to Make a Killing starting Glenn Powell 901 00:36:40,320 --> 00:36:44,239 Speaker 1: and Margaret Quality, I start realizing more how I think 902 00:36:44,239 --> 00:36:46,680 Speaker 1: it's just become more apparent in the storylines that we've 903 00:36:46,719 --> 00:36:49,839 Speaker 1: been watching and these characters that we've been fascinated with, 904 00:36:50,120 --> 00:36:52,680 Speaker 1: and I do think it has some roots in how 905 00:36:53,360 --> 00:36:57,360 Speaker 1: accepted in pop culture that true crime has become. But 906 00:36:57,480 --> 00:37:00,920 Speaker 1: what this movie is about. Glenn Powell plays a guy 907 00:37:01,040 --> 00:37:05,840 Speaker 1: whose mom was part of a really wealthy family. She 908 00:37:06,080 --> 00:37:11,000 Speaker 1: was exiled from that family, disowned by them, but she 909 00:37:11,200 --> 00:37:14,000 Speaker 1: told him that someday this fortune is going to be 910 00:37:14,160 --> 00:37:16,800 Speaker 1: years and he is somebody who feels like the world 911 00:37:16,960 --> 00:37:20,840 Speaker 1: has just pitted all these things against him because he 912 00:37:20,960 --> 00:37:22,839 Speaker 1: was robbed of that life. He is now working at 913 00:37:22,840 --> 00:37:26,000 Speaker 1: a job where he sells suits. Margaret Qually comes in 914 00:37:26,360 --> 00:37:28,400 Speaker 1: and it looks like they have some kind of pass 915 00:37:28,440 --> 00:37:30,480 Speaker 1: where she tells them like, oh, you're living in the 916 00:37:30,520 --> 00:37:32,719 Speaker 1: city and he's like, yeah, kind of around there, but 917 00:37:32,760 --> 00:37:36,120 Speaker 1: he's really living in a really run down part of town. 918 00:37:36,560 --> 00:37:38,839 Speaker 1: And she kind of puts this idea in his head 919 00:37:38,880 --> 00:37:42,560 Speaker 1: because she knows the family money that he is connected to, like, hey, 920 00:37:42,800 --> 00:37:44,920 Speaker 1: if you ever decide to take out on your brothers 921 00:37:44,920 --> 00:37:49,160 Speaker 1: and sisters, call me. And with that idea implanted into 922 00:37:49,200 --> 00:37:52,960 Speaker 1: his head, it now becomes a plan. And that is 923 00:37:53,040 --> 00:37:56,200 Speaker 1: the plot of this movie. Before I get into more, 924 00:37:56,480 --> 00:37:58,279 Speaker 1: here is just a little bit of the how to 925 00:37:58,280 --> 00:38:01,760 Speaker 1: make a killing trailer since the day I was born. 926 00:38:01,960 --> 00:38:04,759 Speaker 1: My mother told me we were different. Yes, she had 927 00:38:04,800 --> 00:38:08,720 Speaker 1: been disowned by her family, but someday I would become 928 00:38:08,760 --> 00:38:12,960 Speaker 1: the sole heir. The real estate planes an island or two. 929 00:38:16,280 --> 00:38:24,160 Speaker 1: There were seven of them, seven rich pricks between myself 930 00:38:24,560 --> 00:38:32,319 Speaker 1: and twenty eight billion dollars sweeny eight billion dollars. You 931 00:38:32,480 --> 00:38:36,759 Speaker 1: hear the pain in his voice in this trailer. You 932 00:38:36,840 --> 00:38:39,279 Speaker 1: see him take out what I would assume to be 933 00:38:39,360 --> 00:38:42,960 Speaker 1: his first victim. His brother is passed out on this 934 00:38:43,120 --> 00:38:46,480 Speaker 1: big boat like a yacht, and he ties an anchor 935 00:38:46,520 --> 00:38:49,080 Speaker 1: to his foot, and at the time he is doing that, 936 00:38:49,160 --> 00:38:52,520 Speaker 1: his brother wakes up, makes contact with him, and then 937 00:38:52,640 --> 00:38:56,239 Speaker 1: immediately the anchor takes him down into the sea. And 938 00:38:56,320 --> 00:38:59,080 Speaker 1: you see Glenn Powell's character in that moment to be 939 00:38:59,200 --> 00:39:03,239 Speaker 1: a little bit poor. He replies in a very calm tone. 940 00:39:03,360 --> 00:39:07,239 Speaker 1: He doesn't seem like this over the top murderer just yet. 941 00:39:07,280 --> 00:39:09,640 Speaker 1: So that is why I assume it's his first victim. 942 00:39:10,040 --> 00:39:12,440 Speaker 1: And as he goes through these seven people, which I 943 00:39:12,440 --> 00:39:14,400 Speaker 1: don't know if he's gonna make it to all seven, 944 00:39:14,840 --> 00:39:18,080 Speaker 1: he probably starts to get more comfortable with it, maybe 945 00:39:18,120 --> 00:39:20,360 Speaker 1: a little bit too comfortable, because you do see that 946 00:39:20,400 --> 00:39:22,759 Speaker 1: he gets a little bit of heat on him. It 947 00:39:22,800 --> 00:39:25,840 Speaker 1: looks like the FBI becomes aware of the connection of 948 00:39:25,920 --> 00:39:28,799 Speaker 1: all these people dying. At one point, it looks like 949 00:39:28,840 --> 00:39:31,560 Speaker 1: he does get arrested or at least questioned by some 950 00:39:31,680 --> 00:39:35,480 Speaker 1: FBI officers. But I really am a fan of the 951 00:39:35,520 --> 00:39:38,640 Speaker 1: tone of his character in the trailer, where he is 952 00:39:38,680 --> 00:39:42,600 Speaker 1: this calm, cool and collected guy who is just angry. 953 00:39:42,719 --> 00:39:45,320 Speaker 1: He wants to get revenge. It is a revenge thriller 954 00:39:45,920 --> 00:39:49,880 Speaker 1: on all these people standing in the way of the 955 00:39:49,960 --> 00:39:52,719 Speaker 1: life he thinks he deserves. And I think that is 956 00:39:52,760 --> 00:39:56,600 Speaker 1: why I struggle with these types of situations right now mentally, 957 00:39:57,160 --> 00:40:00,320 Speaker 1: is because what he is doing is wrong. Murder is wrong. 958 00:40:00,840 --> 00:40:03,960 Speaker 1: But this movie is kind of gonna put you into 959 00:40:04,000 --> 00:40:07,200 Speaker 1: this state of mind of what it means not completely wrong. 960 00:40:07,360 --> 00:40:11,000 Speaker 1: What if he does deserve this? What if this movie 961 00:40:11,000 --> 00:40:13,960 Speaker 1: can make you start to root for him, which is 962 00:40:14,000 --> 00:40:17,160 Speaker 1: a weird position to put yourself in, because obviously he's 963 00:40:17,200 --> 00:40:19,839 Speaker 1: doing something bad. He should be taken down by the 964 00:40:19,920 --> 00:40:23,680 Speaker 1: FBI and put into jail. But what does it say 965 00:40:23,719 --> 00:40:26,000 Speaker 1: about us that we kind of want to see him succeed? 966 00:40:26,120 --> 00:40:27,799 Speaker 1: Is it just because it is a movie. It's a fake. 967 00:40:27,920 --> 00:40:31,360 Speaker 1: It's all for fun. And obviously I just love movies 968 00:40:31,400 --> 00:40:35,040 Speaker 1: so much that I overanalyze how they affect us and 969 00:40:35,120 --> 00:40:38,600 Speaker 1: our brains. But I just have found myself struggling with 970 00:40:38,680 --> 00:40:42,799 Speaker 1: this idea of rooting for a villain, especially one as 971 00:40:42,920 --> 00:40:45,880 Speaker 1: charismatic as Glenn Powell. Where to me, he kind of 972 00:40:45,880 --> 00:40:49,200 Speaker 1: feels like Christian Balees's character in American Psycho. That is 973 00:40:49,880 --> 00:40:53,960 Speaker 1: the overall vibe I'm getting from this trailer where You're 974 00:40:53,960 --> 00:40:56,480 Speaker 1: never gonna suspect this guy, because there's one shot of 975 00:40:56,520 --> 00:40:59,680 Speaker 1: Glenn Powell and this trailer that he almost looks like 976 00:40:59,680 --> 00:41:02,839 Speaker 1: a doll. He looks so perfect that if I were 977 00:41:02,880 --> 00:41:05,960 Speaker 1: a character in this movie, why would I ever suspect 978 00:41:06,080 --> 00:41:09,000 Speaker 1: him of murder? I think him and Margaret Quality paired together, 979 00:41:09,440 --> 00:41:11,840 Speaker 1: it's perfect. They are two of the hardest working people 980 00:41:11,920 --> 00:41:14,760 Speaker 1: in Hollywood right now. I feel like they are both 981 00:41:14,800 --> 00:41:17,600 Speaker 1: in like two to three movies a year, but they 982 00:41:17,680 --> 00:41:22,160 Speaker 1: still don't have that one flagship role that they are 983 00:41:22,280 --> 00:41:26,160 Speaker 1: known for. They are so close. Margaret Quality with the substance, 984 00:41:26,239 --> 00:41:28,239 Speaker 1: I think that should have been her that put her 985 00:41:28,280 --> 00:41:31,120 Speaker 1: on an entirely different level. She should have won all 986 00:41:31,239 --> 00:41:34,399 Speaker 1: the awards for that movie, but still not quite there. 987 00:41:34,400 --> 00:41:37,879 Speaker 1: But I think she is a fantastic actress and any 988 00:41:37,960 --> 00:41:41,239 Speaker 1: movie she is in I'm gonna watch because that is 989 00:41:41,280 --> 00:41:43,920 Speaker 1: how noteworthy I believe she is. And Glenn Powell, I 990 00:41:43,920 --> 00:41:47,800 Speaker 1: am just rooting for so hard, and he has broken 991 00:41:47,880 --> 00:41:51,120 Speaker 1: into the Hollywood system with movies like anyone, but you 992 00:41:51,440 --> 00:41:54,480 Speaker 1: top Gun. I don't think The Running Man really panned 993 00:41:54,520 --> 00:41:57,319 Speaker 1: out the way anybody involved in that movie thought it 994 00:41:57,400 --> 00:42:00,319 Speaker 1: was going to. But I don't think it hurt him. 995 00:42:00,480 --> 00:42:02,480 Speaker 1: I think if it would have been successful, a box 996 00:42:02,480 --> 00:42:04,480 Speaker 1: office smash, it would have put him in that a 997 00:42:04,640 --> 00:42:08,640 Speaker 1: list undeniable category. But I enjoy now that we are 998 00:42:08,680 --> 00:42:11,480 Speaker 1: seeing him in an entirely different role an a twenty 999 00:42:11,520 --> 00:42:15,240 Speaker 1: four movie. This movie is also from director John Patton Ford, 1000 00:42:15,239 --> 00:42:18,640 Speaker 1: who made his directorial debut with Emily the Criminal, which 1001 00:42:18,680 --> 00:42:21,680 Speaker 1: starred Aubrey Plaza. If you haven't seen this movie, it 1002 00:42:21,880 --> 00:42:25,600 Speaker 1: was one of my favorite thrillers of the last five years. 1003 00:42:25,680 --> 00:42:28,439 Speaker 1: It is still on Netflix, and that movie is about 1004 00:42:28,440 --> 00:42:31,439 Speaker 1: Aubrey Plaza's character, who is in a bunch of student debt. 1005 00:42:31,760 --> 00:42:35,440 Speaker 1: She can't find a job she graduated college and then 1006 00:42:35,440 --> 00:42:38,560 Speaker 1: gets involved in a credit card scam where she gets 1007 00:42:38,600 --> 00:42:41,960 Speaker 1: an underground job as a dummy shopper where she will 1008 00:42:42,000 --> 00:42:44,680 Speaker 1: go buy things with fake credit cards, and then it 1009 00:42:44,719 --> 00:42:47,040 Speaker 1: just gets crazier and crazier as she gets further and 1010 00:42:47,080 --> 00:42:50,080 Speaker 1: further into this shady business. And again, another movie that 1011 00:42:50,160 --> 00:42:52,400 Speaker 1: kind of has your root for the bad guy and 1012 00:42:52,480 --> 00:42:56,239 Speaker 1: I Love Me a movie that can induce anxiety. So 1013 00:42:56,320 --> 00:42:58,399 Speaker 1: if you can do that with Emily the criminal, I'm 1014 00:42:58,440 --> 00:43:01,320 Speaker 1: hoping for more of that to make a killing, because 1015 00:43:01,320 --> 00:43:03,920 Speaker 1: he has a really great way at making these crime 1016 00:43:04,000 --> 00:43:07,640 Speaker 1: stories feel very grounded in reality, because if you think 1017 00:43:07,680 --> 00:43:11,120 Speaker 1: about it, a guy just getting an idea to kill 1018 00:43:11,200 --> 00:43:14,200 Speaker 1: seven people to make twenty eight billion dollars, it could 1019 00:43:14,200 --> 00:43:17,960 Speaker 1: seem so ridiculous and outlandish, but by the looks of 1020 00:43:18,040 --> 00:43:20,399 Speaker 1: this trailer, it looks like it's all going to kind 1021 00:43:20,400 --> 00:43:22,680 Speaker 1: of makes sense, and you're going to buy into the 1022 00:43:22,760 --> 00:43:26,840 Speaker 1: idea of him going through with this plan and maybe 1023 00:43:27,160 --> 00:43:30,120 Speaker 1: convincing himself that he can actually pull it off. You 1024 00:43:30,160 --> 00:43:33,320 Speaker 1: also have in this cast Ed Harris and Toferd Grace, 1025 00:43:33,360 --> 00:43:37,759 Speaker 1: who his character looks very similar to his character in 1026 00:43:37,840 --> 00:43:40,399 Speaker 1: that seventies show Eric Foreman. Or maybe it's just hard 1027 00:43:40,400 --> 00:43:42,640 Speaker 1: for me to not see him as that character. This 1028 00:43:42,719 --> 00:43:46,000 Speaker 1: movie is coming out next year on February twentieth. Can 1029 00:43:46,120 --> 00:43:47,160 Speaker 1: he pull it off? 1030 00:43:47,440 --> 00:43:47,920 Speaker 2: Head? 1031 00:43:48,000 --> 00:43:51,960 Speaker 3: That Bar is this link's edition of movie by Framer. 1032 00:43:51,680 --> 00:43:54,480 Speaker 1: Bar and that is going to do it for another 1033 00:43:54,560 --> 00:43:57,480 Speaker 1: episode here of the podcast. But before I go, I 1034 00:43:57,480 --> 00:44:00,080 Speaker 1: gotta give my listeners shout out of the week. How 1035 00:44:00,120 --> 00:44:02,279 Speaker 1: do you get one of those? You can comment on 1036 00:44:02,320 --> 00:44:06,120 Speaker 1: my YouTube channel YouTube dot com slash Mike Distro. You 1037 00:44:06,200 --> 00:44:08,600 Speaker 1: can send me a DM on any of my socials, 1038 00:44:08,600 --> 00:44:11,960 Speaker 1: which you can always find in the podcast notes or 1039 00:44:11,960 --> 00:44:15,000 Speaker 1: episode descriptions. Or if you're old school and you want 1040 00:44:15,000 --> 00:44:17,879 Speaker 1: to send me a message via carrier pigeon. I have 1041 00:44:18,080 --> 00:44:20,960 Speaker 1: carrier pigeons running around the clock. Just let me know 1042 00:44:21,040 --> 00:44:22,640 Speaker 1: and I'll send them to your address. No, but you 1043 00:44:22,680 --> 00:44:27,040 Speaker 1: can email me Moviemike d at gmail dot com. This week, 1044 00:44:27,080 --> 00:44:29,839 Speaker 1: I'm going over to X and shouting out Shan who 1045 00:44:29,840 --> 00:44:34,640 Speaker 1: wrote thank you, Hulu should stay and Disney Plus should 1046 00:44:34,680 --> 00:44:39,600 Speaker 1: move over as a kid's profile, absolute worst interface. This 1047 00:44:39,840 --> 00:44:41,920 Speaker 1: was in response to something I said a couple of 1048 00:44:41,920 --> 00:44:45,680 Speaker 1: weeks ago where I hate the idea of Hulu going 1049 00:44:45,719 --> 00:44:49,239 Speaker 1: away and it all merging with Disney Plus because I 1050 00:44:49,320 --> 00:44:54,160 Speaker 1: believe out of all streaming services. I'm talking HBO Max, 1051 00:44:54,200 --> 00:45:00,000 Speaker 1: I'm talking Toby, I am talking Paramount Plus, Peacock, Disney Plus. 1052 00:45:00,000 --> 00:45:02,200 Speaker 1: It has the worst interface. And since I've said that, 1053 00:45:02,320 --> 00:45:04,800 Speaker 1: I think they did do an update where they're getting 1054 00:45:04,840 --> 00:45:07,359 Speaker 1: ready to merge them a little bit. They're setting up 1055 00:45:07,400 --> 00:45:11,440 Speaker 1: some tabs. But the interface on Disney Plus is so 1056 00:45:11,800 --> 00:45:15,760 Speaker 1: awful when it just comes to wanting to search around 1057 00:45:15,840 --> 00:45:19,240 Speaker 1: for things, which sometimes I'll open up a streaming service 1058 00:45:19,800 --> 00:45:22,120 Speaker 1: without intention, and that's the worst thing you need to do. 1059 00:45:22,680 --> 00:45:25,040 Speaker 1: I will say a lot of me being prepared for 1060 00:45:25,080 --> 00:45:27,600 Speaker 1: this podcast and knowing what I want to review each week, 1061 00:45:27,840 --> 00:45:30,080 Speaker 1: and knowing what movies I need to watch for research. 1062 00:45:30,800 --> 00:45:33,320 Speaker 1: I always go into a streaming service with a plan. 1063 00:45:33,400 --> 00:45:36,759 Speaker 1: But sometimes there'll be a day where there's a good 1064 00:45:36,760 --> 00:45:39,719 Speaker 1: football games on, there's no new movies out that I 1065 00:45:39,800 --> 00:45:42,080 Speaker 1: want to see, and I just want to be fed 1066 00:45:42,160 --> 00:45:45,120 Speaker 1: something maybe I haven't seen in a while. And Disney 1067 00:45:45,719 --> 00:45:47,799 Speaker 1: should be the home of all that, having all those 1068 00:45:47,840 --> 00:45:52,840 Speaker 1: nostalgic movies from Disney Channel and old school eighties and 1069 00:45:52,920 --> 00:45:56,080 Speaker 1: seventies Disney movies. I should be able just to get 1070 00:45:56,120 --> 00:45:59,640 Speaker 1: on there and browse around. But the interface is so awful. 1071 00:45:59,680 --> 00:46:01,239 Speaker 1: If I want to pick up on a show I've 1072 00:46:01,280 --> 00:46:04,080 Speaker 1: been watching. I just hate it so much. On the 1073 00:46:04,120 --> 00:46:06,880 Speaker 1: other hand, I love the Hulu interface that makes it 1074 00:46:06,960 --> 00:46:11,480 Speaker 1: so easy. It categorizes things perfectly. The Disney interface is 1075 00:46:11,520 --> 00:46:14,919 Speaker 1: so slow, and I'm dreading the day where everything gets 1076 00:46:14,960 --> 00:46:18,359 Speaker 1: moved over there. So thank you Shan for sharing in 1077 00:46:18,400 --> 00:46:23,040 Speaker 1: that frustration. Hopefully by the time they do away with Hulu, 1078 00:46:23,239 --> 00:46:25,960 Speaker 1: they get Disney Plus right, but thank you for writing in. 1079 00:46:26,040 --> 00:46:29,240 Speaker 1: Thank you all for listening wherever you are, and until 1080 00:46:29,280 --> 00:46:32,520 Speaker 1: next time, go out and watch good movies and I 1081 00:46:32,560 --> 00:46:34,240 Speaker 1: will talk to you later.