1 00:00:12,600 --> 00:00:18,400 Speaker 1: The Bravo conversation continues. The people on very successful shows 2 00:00:19,120 --> 00:00:22,400 Speaker 1: are defending the realm, which I don't blame them. They 3 00:00:22,480 --> 00:00:25,560 Speaker 1: are in a great position right now because they are 4 00:00:25,560 --> 00:00:30,320 Speaker 1: on successful shows and Bravo really needs them to defend 5 00:00:30,360 --> 00:00:35,440 Speaker 1: and protect the realm and market how amazing everything is. 6 00:00:35,680 --> 00:00:39,280 Speaker 1: And I had totally understand that the Vanity Fair article 7 00:00:39,600 --> 00:00:43,560 Speaker 1: got more clicks for Vanity Fair than any other story 8 00:00:44,040 --> 00:00:47,159 Speaker 1: that they've had. It has been a huge success for 9 00:00:47,240 --> 00:00:50,960 Speaker 1: the magazine, despite people including myself, thinking that there was 10 00:00:51,000 --> 00:00:54,520 Speaker 1: a lot left on the cutting room floor. Exactly why, 11 00:00:54,640 --> 00:00:57,840 Speaker 1: I don't know. I think Vanity Fair maybe is just 12 00:00:57,880 --> 00:00:59,720 Speaker 1: the tip of the iceberg, and it's like the corner 13 00:00:59,760 --> 00:01:01,800 Speaker 1: of your nail polish that you peel off and then 14 00:01:01,800 --> 00:01:05,440 Speaker 1: there's so much more there based on the incoming calls 15 00:01:05,480 --> 00:01:12,280 Speaker 1: that the people who have cases have gotten, meaning many 16 00:01:12,319 --> 00:01:16,840 Speaker 1: other publications and news outlets are really fishing around. So 17 00:01:17,280 --> 00:01:22,000 Speaker 1: it's an interesting dynamic because I was sort of a 18 00:01:22,000 --> 00:01:25,839 Speaker 1: black cloud over Bravokon and truthfully, I don't really want 19 00:01:25,880 --> 00:01:31,760 Speaker 1: to be. I've never been to bravokan I am. I've 20 00:01:31,760 --> 00:01:36,200 Speaker 1: been invited to Bravocon many times. I declined many times, 21 00:01:36,240 --> 00:01:38,760 Speaker 1: and they asked for me to have certain items of 22 00:01:38,760 --> 00:01:41,000 Speaker 1: my wardrobe ber Bravo Con. I've never really wanted to 23 00:01:41,040 --> 00:01:44,320 Speaker 1: be there, And I watch Bravo Con and I think 24 00:01:44,360 --> 00:01:46,679 Speaker 1: it's such a great platform for the people there. I 25 00:01:46,720 --> 00:01:49,120 Speaker 1: look at do Reed and she's showing her fashion and 26 00:01:49,160 --> 00:01:53,120 Speaker 1: she looks so beautiful, And I look at so many 27 00:01:53,160 --> 00:01:56,280 Speaker 1: of the women and feel like it's great, but they're 28 00:01:56,360 --> 00:02:00,280 Speaker 1: sort of I don't know that they're shining on their 29 00:02:00,360 --> 00:02:03,040 Speaker 1: own versus as part of this whole machine. Like they're 30 00:02:03,040 --> 00:02:05,680 Speaker 1: sort of shining for the whole machine. It's hard for 31 00:02:05,760 --> 00:02:09,040 Speaker 1: anyone to get their own image or word in edgewise 32 00:02:09,400 --> 00:02:11,840 Speaker 1: when you're seeing so many different images. So it feels 33 00:02:11,880 --> 00:02:15,440 Speaker 1: like a competition of fashion, where years ago, I remember 34 00:02:15,480 --> 00:02:17,480 Speaker 1: we had the Bravo A List Awards and we were 35 00:02:17,480 --> 00:02:19,480 Speaker 1: all so green and it was a new medium and 36 00:02:19,560 --> 00:02:22,360 Speaker 1: it didn't feel like such fierce competition. I kind of 37 00:02:22,440 --> 00:02:26,639 Speaker 1: tune out to the outfits because they're all so outrageous. 38 00:02:26,639 --> 00:02:29,960 Speaker 1: Many people are wearing underwear and like disco pants and 39 00:02:30,760 --> 00:02:33,200 Speaker 1: over the top, Like it's hard to stand out because 40 00:02:33,240 --> 00:02:38,280 Speaker 1: it's just gotten so competitive, and I can't see the 41 00:02:38,280 --> 00:02:41,680 Speaker 1: forest from the trees, and it's interesting because I'm watching 42 00:02:42,040 --> 00:02:49,000 Speaker 1: Bravo try to now be more kind and more aware 43 00:02:49,440 --> 00:02:53,239 Speaker 1: and rinse away everything that I've been talking about having 44 00:02:53,320 --> 00:02:55,960 Speaker 1: happened in the past. But then where does that leave them, 45 00:02:56,000 --> 00:03:02,320 Speaker 1: because that's basically the foundation of this environment. So now 46 00:03:02,360 --> 00:03:06,200 Speaker 1: Andy Cohen's on stage and there's a group of beautiful 47 00:03:06,200 --> 00:03:08,959 Speaker 1: women sitting there, all dressed up. They all tried really 48 00:03:08,960 --> 00:03:12,520 Speaker 1: hard to look amazing. This is their super Bowl of fashion. 49 00:03:12,880 --> 00:03:17,799 Speaker 1: The question was who has the worst fashion at Bravocan 50 00:03:17,919 --> 00:03:21,400 Speaker 1: And that's a perfect example of like leaving the bait 51 00:03:21,440 --> 00:03:23,600 Speaker 1: there so then they can battle each other. No one's 52 00:03:23,600 --> 00:03:25,960 Speaker 1: going to be mad and Andy Cohen for asking that question, 53 00:03:26,520 --> 00:03:28,119 Speaker 1: but women are going to be mad at each other 54 00:03:28,520 --> 00:03:32,240 Speaker 1: for the battles that start, which perpetuate amazing television. And 55 00:03:32,280 --> 00:03:35,280 Speaker 1: I know that, Like I keep thinking about as a mother, 56 00:03:35,360 --> 00:03:38,320 Speaker 1: I think differently as a mother, the stuff that women 57 00:03:38,480 --> 00:03:46,040 Speaker 1: fight about in this universe, you'd be you'd you'd have 58 00:03:46,080 --> 00:03:48,400 Speaker 1: to go to the principal's office if it were your kids. 59 00:03:48,440 --> 00:03:50,600 Speaker 1: Like if I heard that someone was making fun of 60 00:03:50,600 --> 00:03:52,680 Speaker 1: the way that my daughter dressed or what she wore, 61 00:03:53,000 --> 00:03:54,920 Speaker 1: that would be something that you'd probably talk to the 62 00:03:54,920 --> 00:03:57,640 Speaker 1: school about. Like that would be something really mean. And 63 00:03:57,760 --> 00:04:00,480 Speaker 1: so people talk about other people and the house they 64 00:04:00,520 --> 00:04:03,240 Speaker 1: live on. One of the questions on the Watcher Rappins 65 00:04:03,240 --> 00:04:06,119 Speaker 1: Live was like who has the worst house? Like that's 66 00:04:06,200 --> 00:04:08,800 Speaker 1: kind of saying who's the poorest or who seems the poorest? 67 00:04:08,920 --> 00:04:11,360 Speaker 1: So who has the worst fashion sense? It's just it's 68 00:04:11,400 --> 00:04:14,840 Speaker 1: not even clever, It's just mean. And I know I 69 00:04:15,040 --> 00:04:16,880 Speaker 1: was part of it. I know I was knee deep 70 00:04:16,920 --> 00:04:18,640 Speaker 1: in it, like I was in thick of it. We 71 00:04:18,680 --> 00:04:20,800 Speaker 1: can I can keep repeating that over and over for 72 00:04:20,839 --> 00:04:22,760 Speaker 1: people who say that I'm biting the hand that feeds me, 73 00:04:23,120 --> 00:04:25,360 Speaker 1: I'm not biting any hand. Really. This is about reality 74 00:04:25,440 --> 00:04:28,920 Speaker 1: television overall. But I'm just seeing things differently as a 75 00:04:28,960 --> 00:04:31,320 Speaker 1: lot of these women are. And as you get older, 76 00:04:31,320 --> 00:04:33,320 Speaker 1: I think you get a little softer. As you have kids, 77 00:04:33,360 --> 00:04:35,840 Speaker 1: I think you see things differently. As you have girls 78 00:04:36,320 --> 00:04:38,679 Speaker 1: that are teens and you see what they go through, 79 00:04:39,880 --> 00:04:42,359 Speaker 1: you see things a little bit differently. So it's just 80 00:04:42,480 --> 00:04:45,640 Speaker 1: interesting to see the shift in Bravo trying to be 81 00:04:45,760 --> 00:04:48,320 Speaker 1: more watered down but also trying to stay true to 82 00:04:48,360 --> 00:04:50,920 Speaker 1: what the brand is. Otherwise they're gonna what what are 83 00:04:50,920 --> 00:04:53,360 Speaker 1: they gonna talk about? They're gonna have poetry readings. I 84 00:04:53,400 --> 00:04:55,760 Speaker 1: do think it could still be really interesting, but it 85 00:04:55,760 --> 00:05:10,640 Speaker 1: would have to be a complete revamp. So Kyle and 86 00:05:10,760 --> 00:05:15,679 Speaker 1: Mauricio have chosen to go the public route about their breakup. 87 00:05:16,320 --> 00:05:21,600 Speaker 1: It's highlighted and spotlighted on Kyle's show. Maurice has been 88 00:05:21,640 --> 00:05:24,920 Speaker 1: talking about it surrounding Dancing with the Stars. I maintain 89 00:05:25,120 --> 00:05:28,320 Speaker 1: that Maurice Dancing with the Stars is nothing short of brilliant. 90 00:05:28,920 --> 00:05:32,800 Speaker 1: People were speculating that he had a romantic tryst with 91 00:05:32,880 --> 00:05:37,240 Speaker 1: his partner, which she and she have publicly denounced, so 92 00:05:37,320 --> 00:05:41,080 Speaker 1: I don't think that's true. But it's a very intense experience. 93 00:05:41,160 --> 00:05:44,400 Speaker 1: Having done Skating with the Stars, you really fall in 94 00:05:44,440 --> 00:05:46,760 Speaker 1: love with your partner, just even as a friend. It 95 00:05:46,839 --> 00:05:49,880 Speaker 1: just becomes the person that you're with every day, that 96 00:05:49,960 --> 00:05:52,320 Speaker 1: you talk to, and that you're going through something very unique, 97 00:05:52,440 --> 00:05:56,920 Speaker 1: very intense, and very arduous. Their relationship has always been 98 00:05:57,400 --> 00:06:02,360 Speaker 1: front and center. Now it's never been more because that's 99 00:06:02,400 --> 00:06:05,280 Speaker 1: the price. That's when you choose to put your relationship 100 00:06:05,279 --> 00:06:08,400 Speaker 1: front and center, and it will spike ratings and it 101 00:06:08,440 --> 00:06:11,720 Speaker 1: will guarantee a good show. And this is the life 102 00:06:11,720 --> 00:06:14,520 Speaker 1: we chose. When you're on the Housewives. You know, Kyle's 103 00:06:14,520 --> 00:06:18,640 Speaker 1: been on the Housewives for thirteen years in a row, 104 00:06:19,400 --> 00:06:23,240 Speaker 1: thirteen consecutive years. I could only handle three years, and 105 00:06:23,279 --> 00:06:27,480 Speaker 1: that I had to leave because it just wasn't something 106 00:06:27,520 --> 00:06:29,760 Speaker 1: that I felt proud doing. And then I left, rinsed 107 00:06:29,760 --> 00:06:31,520 Speaker 1: it off, and I came back, and that was a 108 00:06:31,560 --> 00:06:35,159 Speaker 1: really long stint for me, which was five years. Someone 109 00:06:35,240 --> 00:06:37,400 Speaker 1: like Lisa Rinna, who to me feels like a later 110 00:06:37,560 --> 00:06:41,200 Speaker 1: newer Housewife, I didn't realize she was on Housewives for 111 00:06:41,240 --> 00:06:44,599 Speaker 1: eight years in a row. It will definitely change your mind. 112 00:06:44,839 --> 00:06:51,520 Speaker 1: It will you cannot stay grounded and really feel like 113 00:06:51,920 --> 00:06:54,080 Speaker 1: what it's like to feel like a normal person not 114 00:06:54,200 --> 00:06:56,920 Speaker 1: in the Bravo sphere if you've been on so long. 115 00:06:56,960 --> 00:07:00,000 Speaker 1: So Kyle's been on for thirteen years, so of course 116 00:07:00,160 --> 00:07:02,240 Speaker 1: she's going to put her relationship front and center. It's 117 00:07:02,279 --> 00:07:04,440 Speaker 1: like you speak a different language, you live on a 118 00:07:04,440 --> 00:07:09,520 Speaker 1: different planet. You are just in that world. And everyone 119 00:07:10,760 --> 00:07:13,160 Speaker 1: has told me that their friendships that they had on 120 00:07:13,200 --> 00:07:16,800 Speaker 1: the show are definitely different went off the show. That's 121 00:07:16,880 --> 00:07:18,880 Speaker 1: different if you're someone like Teddy who wants to be 122 00:07:19,000 --> 00:07:21,559 Speaker 1: back on the show and still friends with someone because 123 00:07:21,600 --> 00:07:25,400 Speaker 1: Teddy still has a podcast about the shows, about the 124 00:07:25,400 --> 00:07:28,600 Speaker 1: shows intimately, So she's still sort of on the Housewives 125 00:07:28,680 --> 00:07:31,720 Speaker 1: without being in the Housewives. She was at Bravo kan 126 00:07:32,160 --> 00:07:35,440 Speaker 1: because she's doing her podcast but like hanging out with 127 00:07:35,480 --> 00:07:37,960 Speaker 1: the talent. So Teddy's kind of still on the Housewives 128 00:07:37,960 --> 00:07:40,880 Speaker 1: without being on the Housewives. But if you really do leave, 129 00:07:41,800 --> 00:07:45,040 Speaker 1: it's very difficult to maintain a relationship with people who 130 00:07:45,080 --> 00:07:47,960 Speaker 1: are on the show. It will never be the same level. 131 00:07:48,360 --> 00:07:53,680 Speaker 1: And relationships that are romantic or married or engaged definitely 132 00:07:54,160 --> 00:07:56,840 Speaker 1: strain from being on the show. And there's a decision 133 00:07:56,840 --> 00:07:59,640 Speaker 1: whether you're gonna bring it on. But it's called we 134 00:07:59,720 --> 00:08:04,600 Speaker 1: chose fame. We chose this career. And unlike the Kardashians, 135 00:08:04,600 --> 00:08:07,320 Speaker 1: who get to choose what their content is going to 136 00:08:07,360 --> 00:08:10,280 Speaker 1: be on the show and they have editing and production rights, 137 00:08:10,480 --> 00:08:12,880 Speaker 1: you can't compare the Housewives to the Kardashians because they 138 00:08:12,880 --> 00:08:14,600 Speaker 1: get to decide what's on and what's off, or they 139 00:08:14,600 --> 00:08:17,280 Speaker 1: get to change a scene. Housewives have really just made 140 00:08:17,320 --> 00:08:21,440 Speaker 1: the choice that the fame and the money is worth 141 00:08:22,160 --> 00:08:27,200 Speaker 1: giving up your relationship and the content around your relationship. 142 00:08:27,400 --> 00:08:31,160 Speaker 1: And I've done it. It's next to impossible, but it's 143 00:08:31,760 --> 00:08:33,800 Speaker 1: it's a choice that you make. There's a price that 144 00:08:33,880 --> 00:08:37,920 Speaker 1: you pay, and it's affecting Kyle's relationships with Kathy and 145 00:08:38,000 --> 00:08:42,319 Speaker 1: with Kim. It's just a different road to take. Kim 146 00:08:42,679 --> 00:08:45,280 Speaker 1: is no longer on Kathy, I believe is no longer 147 00:08:45,320 --> 00:08:49,320 Speaker 1: on by choice, Nicki and Paris have you steered clear 148 00:08:49,320 --> 00:08:51,680 Speaker 1: from it? Because Paris has her own show, but again 149 00:08:51,800 --> 00:08:54,480 Speaker 1: she controls what's in and out of that show. It's very, 150 00:08:54,600 --> 00:08:59,400 Speaker 1: very different, So it's a specific machine. I think Kyle 151 00:08:59,480 --> 00:09:03,520 Speaker 1: Maurice doing a good job of keeping it as clean 152 00:09:03,720 --> 00:09:06,640 Speaker 1: as possible while still being in the machine. And he's 153 00:09:06,640 --> 00:09:09,200 Speaker 1: on a different machine because he's on a show on Netflix, 154 00:09:09,240 --> 00:09:12,040 Speaker 1: so he's got a different master that he's speaking to 155 00:09:12,600 --> 00:09:16,360 Speaker 1: about that content. So it's definitely very complicated, and I'm 156 00:09:16,400 --> 00:09:21,600 Speaker 1: seeing I saw Garcel's sons open up on Real Housewives 157 00:09:21,600 --> 00:09:24,920 Speaker 1: of Beverly Hills, which she gave to the audience that 158 00:09:25,600 --> 00:09:29,160 Speaker 1: intimate conversation about parenting to her kids. And you really 159 00:09:29,200 --> 00:09:31,480 Speaker 1: never know what's coming out of the oven because often 160 00:09:31,600 --> 00:09:35,640 Speaker 1: in these experiences, the kids who are unpaid and they 161 00:09:35,760 --> 00:09:38,280 Speaker 1: kind of resent it, like most of the kids don't 162 00:09:38,280 --> 00:09:40,640 Speaker 1: want that level of fame that's out of their control, 163 00:09:41,040 --> 00:09:47,440 Speaker 1: meaning they're supporting actors and their parent or usually mother 164 00:09:48,160 --> 00:09:52,559 Speaker 1: is the star, so they're like supporting. They're playing supporting 165 00:09:52,640 --> 00:09:56,160 Speaker 1: roles but not getting to be a princess or being 166 00:09:56,160 --> 00:10:00,800 Speaker 1: their own actor or actress. They're supporting roles in whatever 167 00:10:00,880 --> 00:10:06,560 Speaker 1: the producers and the mother wants to portray, and they're 168 00:10:06,600 --> 00:10:10,240 Speaker 1: not being paid. And we underestimate how smart kids are, 169 00:10:10,960 --> 00:10:13,120 Speaker 1: and you see the resentment in them. You can just 170 00:10:13,160 --> 00:10:15,000 Speaker 1: feel it like they really don't want to be there, 171 00:10:15,000 --> 00:10:18,000 Speaker 1: but they're supporting their parent, and their parent is financially 172 00:10:18,000 --> 00:10:20,320 Speaker 1: supporting them, so they kind of have to support the parent. 173 00:10:20,360 --> 00:10:23,640 Speaker 1: You see this often with the spouse or the partner, 174 00:10:24,160 --> 00:10:27,840 Speaker 1: and you see these scenes that are uncomfortable. So Garcela 175 00:10:27,960 --> 00:10:33,240 Speaker 1: was with her sons and her son felt no hesitation 176 00:10:33,440 --> 00:10:35,439 Speaker 1: to kind of say that he felt like his mother 177 00:10:36,080 --> 00:10:38,640 Speaker 1: wasn't being a present parent. And it's kind of like 178 00:10:38,679 --> 00:10:41,559 Speaker 1: they get this dig in. And I've been there, not 179 00:10:41,600 --> 00:10:45,640 Speaker 1: really with kids, but with partners where you ask a 180 00:10:45,720 --> 00:10:48,559 Speaker 1: question and you think kind of because you're the main character, 181 00:10:48,880 --> 00:10:50,760 Speaker 1: that they're going to just go along, but they want 182 00:10:50,760 --> 00:10:52,800 Speaker 1: to get their own dig in. It's their way of 183 00:10:52,880 --> 00:10:55,000 Speaker 1: saying like fuck you, I don't really want this road 184 00:10:55,040 --> 00:10:57,600 Speaker 1: that you chose for me. So they always end up 185 00:10:57,600 --> 00:11:01,280 Speaker 1: saying something slightly embarrassing. You know, was Avery with Ramona, 186 00:11:01,400 --> 00:11:04,040 Speaker 1: it's now Garcel's son with her. You saw it with 187 00:11:04,120 --> 00:11:07,080 Speaker 1: my ex on my first season of Housewives, when he 188 00:11:07,200 --> 00:11:09,080 Speaker 1: was like, we'll talk about this later, and I wanted 189 00:11:09,120 --> 00:11:11,960 Speaker 1: him to kind of go on the ride about, you know, 190 00:11:12,080 --> 00:11:14,679 Speaker 1: just giving me what I wanted in the scene when 191 00:11:14,720 --> 00:11:17,280 Speaker 1: he was an unwilling participant in the scene and we 192 00:11:17,280 --> 00:11:19,760 Speaker 1: were talking about possibly moving in together, and he was like, 193 00:11:19,760 --> 00:11:23,520 Speaker 1: we'll talk about this later, which made me look so jilted. 194 00:11:23,960 --> 00:11:25,680 Speaker 1: And you see it all the time. You saw it 195 00:11:25,720 --> 00:11:28,520 Speaker 1: with Maurice and Kyle. People are saying that when Maurice 196 00:11:28,520 --> 00:11:31,920 Speaker 1: and Kyle were in a scene in this recent season 197 00:11:32,000 --> 00:11:35,480 Speaker 1: that like they both look like they dread being there. Well, 198 00:11:35,760 --> 00:11:39,000 Speaker 1: you know, they may not want to be talking about this, 199 00:11:39,120 --> 00:11:41,480 Speaker 1: or maybe Maurice doesn't want to be talking about this 200 00:11:41,520 --> 00:11:44,040 Speaker 1: because it's not really his show and he's not really 201 00:11:44,080 --> 00:11:47,280 Speaker 1: being paid for this role. And you see that seep out. 202 00:11:47,400 --> 00:11:49,760 Speaker 1: You see the kids or the spouses, or the boyfriend 203 00:11:49,840 --> 00:11:52,720 Speaker 1: or the girlfriend kind of give a little dig to 204 00:11:52,800 --> 00:11:55,920 Speaker 1: the parent or the partner because they're not being paid 205 00:11:56,080 --> 00:12:01,800 Speaker 1: and they have zero driving privileges in this, so it's 206 00:12:01,800 --> 00:12:04,240 Speaker 1: something that really is feeding the realm and the producers. 207 00:12:04,679 --> 00:12:08,520 Speaker 1: But these kids don't want to be there, and it's 208 00:12:08,600 --> 00:12:10,760 Speaker 1: just kids really want to please their parents. They want 209 00:12:10,800 --> 00:12:13,480 Speaker 1: to make their parents happy. She wasn't compensated for it, 210 00:12:13,600 --> 00:12:16,360 Speaker 1: so it's just like the producers want to have a 211 00:12:16,400 --> 00:12:23,560 Speaker 1: scene with you and your kids. Also, there was a 212 00:12:23,559 --> 00:12:26,600 Speaker 1: bit of a faux earnestness at Bravo con like I'm 213 00:12:26,679 --> 00:12:30,040 Speaker 1: so grateful and I owe such a debt of gratitude 214 00:12:30,080 --> 00:12:33,880 Speaker 1: to the housewives, like it was being laid on very, 215 00:12:34,040 --> 00:12:36,800 Speaker 1: very thick. And we're just living in joy. This is 216 00:12:36,840 --> 00:12:40,320 Speaker 1: just Oprah's book Club, and we are just joyful, and 217 00:12:40,360 --> 00:12:42,840 Speaker 1: we've always just been about joy. We're just gonna rinse 218 00:12:42,920 --> 00:12:45,880 Speaker 1: this off now and pretend that it's always been only 219 00:12:46,040 --> 00:12:51,120 Speaker 1: about joy. And I'm gonna give you some beautiful lavender 220 00:12:51,120 --> 00:12:55,400 Speaker 1: oil to really just talk about your inner healing and 221 00:12:56,160 --> 00:12:58,480 Speaker 1: so you can just relax because everything here is just 222 00:12:59,040 --> 00:13:02,960 Speaker 1: for the talent and production. We're just full of joy 223 00:13:03,559 --> 00:13:06,720 Speaker 1: and this is a spiritual journey that we're all on 224 00:13:06,800 --> 00:13:10,640 Speaker 1: and it's for the betterment of people and it's for healing, 225 00:13:10,960 --> 00:13:13,160 Speaker 1: and it's very touchy feeling and we just want to 226 00:13:13,200 --> 00:13:16,160 Speaker 1: love one another. Here at Bravo con it's all just 227 00:13:16,200 --> 00:13:19,680 Speaker 1: about love and joy, and it's never been about hate, 228 00:13:20,000 --> 00:13:23,280 Speaker 1: and it's never been about overconsumption, and it's never been 229 00:13:23,320 --> 00:13:26,840 Speaker 1: about anything negative. Bravo is just the Hallmark Channel, and 230 00:13:26,880 --> 00:13:30,320 Speaker 1: we are just hugging one another and loving each other 231 00:13:31,160 --> 00:13:35,440 Speaker 1: in a beautiful trust circle with our daisy chains around 232 00:13:35,480 --> 00:13:39,720 Speaker 1: our ankles, and we're just at Woodstock in a circle 233 00:13:39,720 --> 00:13:42,160 Speaker 1: of joy.