WEBVTT - Mini Crush #90

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, Welcome to Many Crush. Uh been a few

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<v Speaker 1>weeks since we recorded edition. It sure has chuck, And

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<v Speaker 1>I gotta say I really was bummed that I missed

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<v Speaker 1>the Slasher Round up with with you and Um and

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<v Speaker 1>Joe and who else was on there? Annie and ram

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<v Speaker 1>jam That's right, Ramy stepped in. He made debut. Oh man,

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<v Speaker 1>he did a great job. I bet he did. It

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<v Speaker 1>was wonderful and he's just the best. Of course, she's

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<v Speaker 1>gonna she's gonna come in for a regular interview conversation Asian.

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<v Speaker 1>Wonderful and hopefully more. One of my favorite people in

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<v Speaker 1>the office. You are freshly shorn, You have your hipster

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<v Speaker 1>soccer haircut. It's squared away. I hate you guys because

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<v Speaker 1>now I have to over explain at the haircutter every time.

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<v Speaker 1>Now what do you mean I have to I have

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<v Speaker 1>to like say, like eight times, don't do whatevery all

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<v Speaker 1>the other guys are doing. And I literally can point

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<v Speaker 1>to like nine guys in the room to have your haircut.

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<v Speaker 1>Don't do that to me. I remember when I first

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<v Speaker 1>got it. You commented on Facebook something to the effect

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<v Speaker 1>of like sellout for you for me, Yeah, well no

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<v Speaker 1>I didn't. You don't. You don't appear to be one

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<v Speaker 1>to fall into the trends, but I guess you know it.

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<v Speaker 1>Look it. When I got this haircut, Chuck, my my

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<v Speaker 1>my self confidence went up like five clicks. Okay, So

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<v Speaker 1>whatever it takes, that's all. That's all it takes. Do

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<v Speaker 1>you want to talk about your life of late? It's

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<v Speaker 1>not all it takes, but it was. It was definitely

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<v Speaker 1>like set me on a path, a trajectory of sorts,

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<v Speaker 1>and and it's it's been. It's been good ever since.

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<v Speaker 1>I feel like the haircut is what really really set

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<v Speaker 1>things off for me. I think it's funny. I just uh,

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<v Speaker 1>and again not knocking your haircut or the other gazillion

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<v Speaker 1>guys with that cut, but I think that is one

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<v Speaker 1>of those you know, sometimes you can see a style

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<v Speaker 1>in the moment that you're like, boy, in ten years,

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<v Speaker 1>we're all gonna wonder why we did that. I think

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<v Speaker 1>that's one of those. Okay, Chuck, we'll see and I've

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<v Speaker 1>had those cuts. History, history will be the judge mullet.

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<v Speaker 1>Why don't you bring that back, Chuck, You've got the power.

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<v Speaker 1>I think there are some mullet mulleteers out there, you think,

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<v Speaker 1>so sure the ironic, I mean, that's like, that's so hipster.

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<v Speaker 1>It's like underground with a rat tail, mayhaps. Yeah, I've

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<v Speaker 1>seen those guys. Yeah, no, I I don't know. Um

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<v Speaker 1>just i'll tell you just a really quick thing that happened.

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<v Speaker 1>I got to see you and Josh in in the

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<v Speaker 1>wild performance at the Bellhouse, and then we hung out socially.

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<v Speaker 1>Are like the first time and if you're with your

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<v Speaker 1>lovely wife Emily, and it was a lot of fun

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<v Speaker 1>and friends are friend. Eric and Tristan from the office

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<v Speaker 1>with Houston was there and uh, some Australian fellows. Yeah,

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<v Speaker 1>that's right. We hung on for a while. Yeah, that

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<v Speaker 1>was a good time. It was a very good coming out,

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<v Speaker 1>of course, dude. The Bell House is great. We've played

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<v Speaker 1>there a couple types of stuff that I wanted you

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<v Speaker 1>to know. But you guys are like rock stars there.

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<v Speaker 1>You did three nights and we got to see Night Too. Uh,

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<v Speaker 1>well was the best night. I think, Oh good, I

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<v Speaker 1>think Night Too was the best of the butt And

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<v Speaker 1>I'm glad I caught our buddy Will Pearson, a big

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<v Speaker 1>big wig in the company was there. That's right, a

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<v Speaker 1>part time genius. Part time genius as well. They're doing

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<v Speaker 1>shows again, aren't they. I think they do it when

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<v Speaker 1>they can. He and Manguesh both kind of got big

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<v Speaker 1>boy jobs in the company. They kind of do it

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<v Speaker 1>as they're able to. I saw mangues Friday, he came.

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<v Speaker 1>But it was great, man, I mean, one of the

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<v Speaker 1>great Uh. I even put it on the movie crush page.

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<v Speaker 1>One of the great New York trips I've had ever

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<v Speaker 1>probably and I've had a lot of them. It was

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<v Speaker 1>just wonderful. What else? What else? Said it off? Well?

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<v Speaker 1>Shows were great, the weather was perfect, as you know

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<v Speaker 1>New York in the fall before it gets cold. Um,

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<v Speaker 1>and it was just Emily and I had no itinerary.

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<v Speaker 1>We didn't plan a show or a museum or anything.

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<v Speaker 1>And we like we lunched and we strolled and we

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<v Speaker 1>shot popped, which is what we call, you know, like

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<v Speaker 1>just walking around going into shops leisurely, like uh, just

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<v Speaker 1>leisurely doing things. We kind of split up on Saturday

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<v Speaker 1>to do separate things, separate friend group. Then I went

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<v Speaker 1>to the Angelica Movie Theater Favorite and saw The Lighthouse

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<v Speaker 1>How was it? And had Pacino in the cafe there.

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<v Speaker 1>It was great. We should crush to judge. Have you

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<v Speaker 1>seen it? You haven't yet. What I want to see

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<v Speaker 1>is parasite. I think I'm going to see that today.

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<v Speaker 1>I might go see that tonight. Actually I'm a little

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<v Speaker 1>happy hour with the folks. I had a very similarly

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<v Speaker 1>leisurely New York situation because I had a thing on

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<v Speaker 1>Friday that I was there for. Um, So I got

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<v Speaker 1>there Thursday night, happened to be here show you don't

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<v Speaker 1>know about that? The that was that was dope, went

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<v Speaker 1>to that Friday, did my thing with his country band

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<v Speaker 1>for a music podcast that we're doing Friday night. Went

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<v Speaker 1>to Upright Citizens Brigade um with the Stepfathers, just because

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<v Speaker 1>they played every Friday night. But the guy Connor Ratliffe,

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<v Speaker 1>who is one of the main improvisers in that group.

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<v Speaker 1>He's in Marvelous, Mrs Masles occasionally and um the Chris

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<v Speaker 1>Guthard Show. He has worked with me helping kind of

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<v Speaker 1>with some script stuff on the Baron Banjo podcast and

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<v Speaker 1>came on some other stuff. So when to that got

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<v Speaker 1>comps from from him because he's a sweetheart. I'm just

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<v Speaker 1>recently started seeing somebody and I know all about this.

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<v Speaker 1>I actually flew flew her up because she had the

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<v Speaker 1>weekend and I had some sky miles and she got

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<v Speaker 1>there that night. We went to that together. Uh. Then

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<v Speaker 1>the next day we had brunched with John Cameron Mitchell

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<v Speaker 1>of head Vig Fame. We started at like two o'clock

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<v Speaker 1>at this Avocado Toast Emporium Australian cafe, and we sat

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<v Speaker 1>there with John and and his uh composer buddy lovely

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<v Speaker 1>dude named Brian un till six o'clock. Chuck. That's just

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<v Speaker 1>chatting it up about the world, music, movies, everything you

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<v Speaker 1>can think of. Then we left and went to this

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<v Speaker 1>bar and an hour later I get a text, Hey,

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<v Speaker 1>it's j c M. Where you Where are you? And

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<v Speaker 1>he came back out and he brought Julian Coster from

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<v Speaker 1>Neutral Milk Hotel with him and we hung out with

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<v Speaker 1>him for he's the saw player in Neutral Milk Hotel.

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<v Speaker 1>He's also in a in a band called The Music

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<v Speaker 1>Tapes and has this amazing podcast called The Orbiting Human

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<v Speaker 1>Circus of the Air that's kind of a psychedelic trippy experience,

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<v Speaker 1>like very audio kind of centric storytelling, UM, but very

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<v Speaker 1>much in the style of like some of that Athens

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<v Speaker 1>Elephant six kind of music. Right, So we had a

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<v Speaker 1>lot of mutual friends. He had a buddy that was

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<v Speaker 1>with him who lived in Athens at the same time

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<v Speaker 1>I did, had seen my band several times. It was

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<v Speaker 1>just like perfect serendipitous encounterings, you know. And you had

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<v Speaker 1>the new lady who's probably like, you know, you're probably impressing,

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<v Speaker 1>but she's so adaptable and was just like held her

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<v Speaker 1>own and all of this stuff, and and it was

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<v Speaker 1>just wonderful. It was just that's great. Yeah, that's great. No.

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<v Speaker 1>And then we had a live stuff I don't want

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<v Speaker 1>you to know event at the Heart Offices and that

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<v Speaker 1>went really well and um man, look at us. Couldn't

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<v Speaker 1>have couldn't have asked for a better great went to

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<v Speaker 1>the Museum of Sex, which I've never been to, which

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<v Speaker 1>is a really interesting place. If he had been. Yeah,

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<v Speaker 1>Josh is a big fan of that. Want it's neat,

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<v Speaker 1>It's neat. Yeah, I'll have to check that out. Uh Well,

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<v Speaker 1>And then Saturday night I went to uh, like I said,

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<v Speaker 1>Emily and I kind of did her own thing because

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<v Speaker 1>we had different plans, and she went to dinner with

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<v Speaker 1>her friend Diana from college who she hasn't seen him

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<v Speaker 1>and since college, and I went to dinner with Paul Schneider,

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<v Speaker 1>friend of the show The Schneids The Schneids, and we

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<v Speaker 1>ended up just having a great date the two of us.

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<v Speaker 1>He seems like a cool dude to hang with. He's

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<v Speaker 1>a very cool dude. And I told Schneid's that he's

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<v Speaker 1>he's legit one of my favorite people to have like

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<v Speaker 1>a four hour conversation with, just really interesting guy. And um, uh,

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<v Speaker 1>we've become like pretty good pals. He's a good dude.

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<v Speaker 1>He I don't I don't want to like him him

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<v Speaker 1>in but we talked about some scripted stuff and um,

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<v Speaker 1>you know it's like listen, just just do a pilot. Yeah,

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<v Speaker 1>it was like it's so low. You know. We talked

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<v Speaker 1>about barrier to entry, right, And that's still the great

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<v Speaker 1>thing about a podcast. Absolutely, it's like, just try to

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<v Speaker 1>do a pilot, see what you think. It's a great

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<v Speaker 1>way to test the waters too. I feel like a

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<v Speaker 1>lot of things that we're doing this thing with Blumhouse

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<v Speaker 1>right like where I think it's part of the deal

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<v Speaker 1>is we're taking some of their scripts that they haven't

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<v Speaker 1>made into movies and making interest and making them in

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<v Speaker 1>the podcast, because then you can market test it and

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<v Speaker 1>then you see, oh is there interest, how what's this,

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<v Speaker 1>what's the response? And then maybe then you turn it

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<v Speaker 1>into a movie or a series afterwards. And that's what

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<v Speaker 1>I was telling Schneids. You know, it's like, you want

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<v Speaker 1>to make a movie, make it a podcast first. And

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<v Speaker 1>that's just sort of the weird world we're in right now.

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<v Speaker 1>It's so neat that we've kind of found ourselves oddly

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<v Speaker 1>at the epicenter of this thing. It's really really if

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<v Speaker 1>I feel very lucky. Um. But yeah, so that's so

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<v Speaker 1>cool that we both had similarly delightful New York weekend,

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<v Speaker 1>which is great. Boy going to the Angelica again, I

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<v Speaker 1>haven't been there since I lived there. It's just it

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<v Speaker 1>was just so wonderful. I went to a poster shop

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<v Speaker 1>and I went record shopping and I was just like,

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<v Speaker 1>it was just one of those It reminded me the

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<v Speaker 1>old days. It's very nice. So let's do a little

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<v Speaker 1>plug in, noel, um I had. I know you've got

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<v Speaker 1>a couple of new projects. Will plug. But last night

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<v Speaker 1>I was in conversation with Jake Brennan of Disgrace Land

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<v Speaker 1>for his book, and I just want to tell everyone

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<v Speaker 1>out there, if you haven't listened to disgrace Land, it's great.

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<v Speaker 1>Jake is a wonderful guy. By his new book, disgrace Land,

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<v Speaker 1>it is um the whole conceit of it as true

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<v Speaker 1>crime meets music. Jake is a huge music guy and

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<v Speaker 1>a musician himself, composes all the music, and he tells

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<v Speaker 1>stories of some of the legendary uh bad behaviors of

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<v Speaker 1>famous musicians, musicians behaving very badly. I believe it's the

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<v Speaker 1>subtitle of the book. Yeah, it's good stuff, and Jake

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<v Speaker 1>is awesome and he deserves your support. He does. I

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<v Speaker 1>I'm lucky enough to ep the slate that his show

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<v Speaker 1>is on, and so we worked together relatively closely. I

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<v Speaker 1>couldn't make it less night. I've been out for a while.

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<v Speaker 1>I've just been down to town for a while, and

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<v Speaker 1>I hadn't had my kid, and Tuesday's my kid day.

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<v Speaker 1>So I picked her up and we just had a nice,

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<v Speaker 1>chill it's dinner night at home, which I absolutely needed

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<v Speaker 1>as it should. Love love Jake and so happy to

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<v Speaker 1>see his success. And No, you have a couple of

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<v Speaker 1>great shows out right now Murder in Oregon and bear

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<v Speaker 1>in the band joke. Yeah, Murder in Oregon is um

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<v Speaker 1>it's it's the kind of stuff you you couldn't write,

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<v Speaker 1>stuff this twisty and and fascinating. I mean, it's the

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<v Speaker 1>story of a corrections the head of corrections in Oregon,

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<v Speaker 1>who gets murdered outside of his office in nine Clearly

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<v Speaker 1>a hit job, clearly a hit job. The powers that

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<v Speaker 1>be say very quickly that it was a car burglary

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<v Speaker 1>gone wrong, but it absolutely all signs point to it

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<v Speaker 1>being a calculated assassination because he had uncovered serious corruption

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<v Speaker 1>in the prison system. And the crazy part is his

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<v Speaker 1>brother Um smells a rat and moves uproots his entire life,

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<v Speaker 1>moves to Salem, Oregon from Florida, and becomes this kind

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<v Speaker 1>of self styled, you know, dashiel Hamnet type sleuth and

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<v Speaker 1>tries to uncover the secret behind his brother's and then

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<v Speaker 1>it just goes goes crazy places from there that you

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<v Speaker 1>couldn't even I can't wait. I mean, it's out now.

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<v Speaker 1>I listened to uh in the office the other day,

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<v Speaker 1>just listened to like ten minutes of the pilot just

0:11:23.280 --> 0:11:24.680
<v Speaker 1>to sort of get a feel for it. But I

0:11:24.720 --> 0:11:27.079
<v Speaker 1>love it and subscribed and I'm gonna be getting into it.

0:11:27.080 --> 0:11:28.680
<v Speaker 1>I appreciate it, like and I was lucky enough to

0:11:28.679 --> 0:11:31.520
<v Speaker 1>be able to be very hands on with actually creating

0:11:31.559 --> 0:11:35.880
<v Speaker 1>the soundtrack with some local studio musicians, the Diamond Street

0:11:35.920 --> 0:11:38.280
<v Speaker 1>Players who if you've heard of Ruby Vel and the

0:11:38.280 --> 0:11:40.320
<v Speaker 1>soul Phonics, it's a lot of the folks that play

0:11:40.360 --> 0:11:45.040
<v Speaker 1>with her, kind of like this retro um Amy Winehouse,

0:11:45.160 --> 0:11:48.360
<v Speaker 1>Dap Tones Records kind of sound Tony. We did a

0:11:48.520 --> 0:11:52.640
<v Speaker 1>very David Lynchy noir kind of vibraphones and like you know,

0:11:52.760 --> 0:11:56.640
<v Speaker 1>tremor low guitars and very eerie kind of like uh,

0:11:56.760 --> 0:11:59.920
<v Speaker 1>detective e type, true detective type music, and get a

0:12:00.040 --> 0:12:02.640
<v Speaker 1>whole score from scratch, just like talking it through with

0:12:02.679 --> 0:12:05.480
<v Speaker 1>these guys, and I improvised, but I'm I'm a musician,

0:12:05.520 --> 0:12:07.800
<v Speaker 1>so I got to be like, let's switch these parts around,

0:12:07.920 --> 0:12:10.360
<v Speaker 1>let's change this chord, very hands on and it really

0:12:10.360 --> 0:12:12.120
<v Speaker 1>proud of the way it turned down. That's awesome. And

0:12:12.120 --> 0:12:15.359
<v Speaker 1>then Baron a Banjo. Baron Banjo is a fiction podcast

0:12:15.440 --> 0:12:19.040
<v Speaker 1>that's sort of, uh, somewhere between Prairie Home Companion and

0:12:19.040 --> 0:12:21.640
<v Speaker 1>like a Coen Brothers film, where it's a story of

0:12:21.679 --> 0:12:25.560
<v Speaker 1>these two imaginary musicians that sort of forrest gumped their

0:12:25.600 --> 0:12:29.040
<v Speaker 1>way through musical history, changing the course of events in

0:12:29.200 --> 0:12:32.640
<v Speaker 1>like Americana music. And the soundtrack is produced by the

0:12:32.679 --> 0:12:35.559
<v Speaker 1>great t Bone Burnett um of Oh Brother, where Art

0:12:35.559 --> 0:12:40.600
<v Speaker 1>Thou Fame, True detective score Fame, all of that great stuff. Yeah, incredible,

0:12:40.679 --> 0:12:43.920
<v Speaker 1>incredible guy and uh co written by this guy Pooh Bear,

0:12:44.000 --> 0:12:47.400
<v Speaker 1>who is Justin Bieber's songwriter. So couldn't be a weirder

0:12:47.480 --> 0:12:50.040
<v Speaker 1>mash up of worlds colliding and you end up with

0:12:50.080 --> 0:12:53.160
<v Speaker 1>this really fun to listen to, really nicely sound designed

0:12:53.440 --> 0:12:56.679
<v Speaker 1>kind of caper story of these two guys and um,

0:12:56.720 --> 0:12:58.680
<v Speaker 1>all these musicians kind of come through everyone from like

0:12:58.760 --> 0:13:01.080
<v Speaker 1>a you know, muddy water as you've got Sunny list

0:13:01.120 --> 0:13:03.560
<v Speaker 1>in the Boxer's a character and it's a it's a

0:13:03.559 --> 0:13:06.800
<v Speaker 1>it's a romp amazing and murder and Oregon sounds speaking

0:13:06.800 --> 0:13:09.040
<v Speaker 1>of like developing for Hollywood. That sounds like it's just

0:13:09.559 --> 0:13:14.559
<v Speaker 1>ripe for the picking either documentary or film for limited

0:13:14.559 --> 0:13:17.480
<v Speaker 1>series exploring a lot of that. I'm sure, I really hope,

0:13:17.520 --> 0:13:19.600
<v Speaker 1>so please do check check those out. That is great,

0:13:19.640 --> 0:13:21.599
<v Speaker 1>So thanks for indulging that everyone, but we like to

0:13:21.679 --> 0:13:31.520
<v Speaker 1>keep you up with the HAPs what we're doing. But no,

0:13:31.760 --> 0:13:34.400
<v Speaker 1>we are going to dive into some content here. It's

0:13:34.400 --> 0:13:36.839
<v Speaker 1>been a while. I was very happy to get back

0:13:36.840 --> 0:13:39.760
<v Speaker 1>in this room, get the movie crushers going. We're gonna

0:13:39.760 --> 0:13:44.760
<v Speaker 1>start out with the post Halloween blues, social studies, sociales,

0:13:48.000 --> 0:13:49.920
<v Speaker 1>quite post Halloween, but by the time this comes out,

0:13:49.920 --> 0:13:52.719
<v Speaker 1>it will be um And I'm kind of sad. I mean,

0:13:53.559 --> 0:13:56.040
<v Speaker 1>I know we can't do Halloween content forever and horror

0:13:56.040 --> 0:13:59.760
<v Speaker 1>movie content forever, but I'm really enjoying these October movie

0:13:59.760 --> 0:14:02.640
<v Speaker 1>cry is and it's just been a lot of fun. Yeah.

0:14:02.800 --> 0:14:05.040
<v Speaker 1>I was so excited to really be a part of

0:14:05.040 --> 0:14:06.280
<v Speaker 1>all of it, and then you were a part of

0:14:06.320 --> 0:14:07.600
<v Speaker 1>none of it. I was a part of the one

0:14:07.640 --> 0:14:09.840
<v Speaker 1>where we talked about how great it was gonna be,

0:14:10.559 --> 0:14:13.480
<v Speaker 1>and now we're here now for the post mortem. So

0:14:13.760 --> 0:14:16.439
<v Speaker 1>that's okay. Well, you know we'll be around next Halloween,

0:14:16.480 --> 0:14:19.240
<v Speaker 1>agreed hopefully. Yeah, No, I no doubt. So I asked,

0:14:19.360 --> 0:14:22.360
<v Speaker 1>very simply, what Halloween movie did you see this year

0:14:22.400 --> 0:14:24.400
<v Speaker 1>that was brand new to you and that you liked?

0:14:24.920 --> 0:14:28.280
<v Speaker 1>Very simple. I watched a bunch of new stuff, because

0:14:28.280 --> 0:14:30.200
<v Speaker 1>you know me, I don't have a big history of

0:14:30.640 --> 0:14:33.440
<v Speaker 1>slasher movies, and so I watched a lot of them

0:14:33.520 --> 0:14:36.320
<v Speaker 1>and I'm digging them. I finally watched Black Christmas a

0:14:36.320 --> 0:14:39.600
<v Speaker 1>couple of nights ago. Yeah, yeah, I haven't seen that.

0:14:40.320 --> 0:14:43.520
<v Speaker 1>Um I did watch really good, my bloody Valentine never

0:14:43.520 --> 0:14:45.280
<v Speaker 1>seen it. I'll tell you what the best thing about

0:14:45.280 --> 0:14:49.040
<v Speaker 1>it is, Chuck, is it's Canadian as fuck. It's like

0:14:49.120 --> 0:14:52.680
<v Speaker 1>these these dudes have such thick Canadian accents. They sound

0:14:52.720 --> 0:14:57.120
<v Speaker 1>like they're from Prague or something. It's exactly just just

0:14:57.120 --> 0:15:00.120
<v Speaker 1>just watch it. Uh, it's it's it's a delight. It's

0:15:00.120 --> 0:15:03.239
<v Speaker 1>actually quite beautifully shot, and apparently Tarantino's one of Tarantino's

0:15:03.240 --> 0:15:05.800
<v Speaker 1>favorite slasher films, and you can see why. It is

0:15:05.840 --> 0:15:08.720
<v Speaker 1>a very well shot film. But if the accents are

0:15:08.880 --> 0:15:10.720
<v Speaker 1>on point, I don't have to check that out. Black

0:15:10.800 --> 0:15:13.440
<v Speaker 1>Christmas I thoroughly enjoyed. It's made by Bob Clark. The

0:15:14.360 --> 0:15:18.960
<v Speaker 1>He's done three famous movies. He did Black Christmas, Porky's

0:15:18.960 --> 0:15:22.480
<v Speaker 1>and A Christmas Story. WHOA, maybe if you drop a

0:15:22.560 --> 0:15:25.760
<v Speaker 1>ven diagram you would find Bob Clark in the center.

0:15:25.800 --> 0:15:28.200
<v Speaker 1>But those are three very disparate films. Does Porkies have

0:15:28.240 --> 0:15:31.560
<v Speaker 1>any Christmas vibes whatsoever? No, and Black Christmas. I mean,

0:15:31.760 --> 0:15:34.760
<v Speaker 1>of course, it's funny that Black Christmas and a Christmas

0:15:34.800 --> 0:15:36.720
<v Speaker 1>Story are both in there as Christmas films. I mean,

0:15:36.760 --> 0:15:38.480
<v Speaker 1>like a Christmas story like I'll shoot your eye out

0:15:38.480 --> 0:15:41.000
<v Speaker 1>of Christmas story. And he also did the slasher movie

0:15:41.040 --> 0:15:44.520
<v Speaker 1>Black Christmas. I had no idea. Yeah, that's wild. He

0:15:44.680 --> 0:15:47.480
<v Speaker 1>very sadly lost his life. He and his son were

0:15:47.520 --> 0:15:50.080
<v Speaker 1>killed by a drunk driver, like within the past ten

0:15:50.160 --> 0:15:53.840
<v Speaker 1>years in California. That's unfortunately, very sad ending. All right,

0:15:53.920 --> 0:15:55.920
<v Speaker 1>So we are gonna go and start off with one

0:15:55.960 --> 0:15:59.160
<v Speaker 1>of my favorite people in the community, the danger of En.

0:15:59.200 --> 0:16:03.160
<v Speaker 1>Gayale Coat said, finally watched Trick or Treat. Obviously not

0:16:03.200 --> 0:16:04.680
<v Speaker 1>the best thing you'll ever watch, but when it comes

0:16:04.680 --> 0:16:08.320
<v Speaker 1>to spooky, over the top movies, it was great. I

0:16:08.400 --> 0:16:10.080
<v Speaker 1>have to have to see that one too. I think

0:16:10.120 --> 0:16:11.920
<v Speaker 1>it's a bit of an anthology thing where there's a

0:16:11.960 --> 0:16:14.520
<v Speaker 1>little vignette, a ton of short story, and there's a

0:16:14.560 --> 0:16:16.960
<v Speaker 1>weird little pumpkin boy you'll see a lot. And he's

0:16:17.000 --> 0:16:19.320
<v Speaker 1>got like a bag kind of like a mesh bag

0:16:19.480 --> 0:16:22.120
<v Speaker 1>mask with pumpkin drawn on it or whatever. Right, you

0:16:22.160 --> 0:16:25.800
<v Speaker 1>see pumpkin boy. David Barlow says, the original hell Raiser

0:16:26.480 --> 0:16:28.200
<v Speaker 1>thanks to stuff to blow your mind. I guess they

0:16:28.200 --> 0:16:30.440
<v Speaker 1>talked about that. That one's pretty scary. He said, it

0:16:30.480 --> 0:16:33.360
<v Speaker 1>was great. Yeah, it's good. I saw that back in

0:16:33.400 --> 0:16:35.320
<v Speaker 1>the day, but I don't remember it very well. Yeah,

0:16:35.360 --> 0:16:37.600
<v Speaker 1>it's you know been Clive Barker is always good at

0:16:37.640 --> 0:16:43.080
<v Speaker 1>really bringing the bringing the spooks. Okay, Silence of the Lambs. Wow.

0:16:44.120 --> 0:16:47.240
<v Speaker 1>Christopher Steiner, he said, I don't know if it's a

0:16:47.280 --> 0:16:50.320
<v Speaker 1>Halloween movie, but it was really good. Steiner filled that

0:16:50.360 --> 0:16:53.760
<v Speaker 1>whole buddy. Here we go with Black Christmas. Aaron Snell.

0:16:54.560 --> 0:16:56.320
<v Speaker 1>Parts of it were outdated. I was surprised. I'm gonna

0:16:56.320 --> 0:16:58.280
<v Speaker 1>I enjoyed it, especially seeing where a lot of the

0:16:58.320 --> 0:17:02.320
<v Speaker 1>modern horror tropes got popularized. Yeah, because Black Christmas inspired Halloween,

0:17:02.680 --> 0:17:05.240
<v Speaker 1>you know, before all that stuff. Okay, so you really

0:17:05.280 --> 0:17:08.040
<v Speaker 1>get that first good killer p o V. Is it seventies?

0:17:08.280 --> 0:17:13.800
<v Speaker 1>It's seventies, and uh like it's it's got a good cast.

0:17:13.880 --> 0:17:15.800
<v Speaker 1>I think we we talked on the Horror round Table

0:17:15.840 --> 0:17:19.040
<v Speaker 1>about sometimes what can push it over the top as

0:17:19.080 --> 0:17:22.040
<v Speaker 1>good actors because a lot of these slasher movies have

0:17:22.200 --> 0:17:25.720
<v Speaker 1>bad acting. Um and the burning, which is one that

0:17:25.760 --> 0:17:29.639
<v Speaker 1>I kept keep raving about had Jason Alexander, Holly Hunter,

0:17:30.040 --> 0:17:33.040
<v Speaker 1>and Fisher Stevens in their very first film roles, and

0:17:33.080 --> 0:17:34.920
<v Speaker 1>they were great, and that kind of stuff can push

0:17:34.920 --> 0:17:37.200
<v Speaker 1>a movie over the top. This movie had a young

0:17:37.280 --> 0:17:42.160
<v Speaker 1>Margot Kidder and had uh Andrea Nelson who was a

0:17:42.160 --> 0:17:45.359
<v Speaker 1>Saturday Night Live cast member, so I had some good

0:17:45.400 --> 0:17:49.400
<v Speaker 1>acting in it. Gotta be sorority girls getting stocked, right, Yeah,

0:17:49.480 --> 0:17:51.560
<v Speaker 1>it's so funny though it's so doesn't come across as

0:17:51.600 --> 0:17:54.480
<v Speaker 1>a sorority. I don't know, they just maybe they all

0:17:54.520 --> 0:17:58.120
<v Speaker 1>seem like they're thirty years old to me. That's funny. Um.

0:17:58.119 --> 0:18:00.240
<v Speaker 1>I may have said this last episode. It was say

0:18:00.240 --> 0:18:03.600
<v Speaker 1>really quickly. I've been watched I've been identifying eighties horror

0:18:03.600 --> 0:18:06.240
<v Speaker 1>movies that don't have lots of nudity uh and that

0:18:06.320 --> 0:18:08.199
<v Speaker 1>are not over the top, Cory, and watching them with

0:18:08.240 --> 0:18:10.960
<v Speaker 1>my daughter because she gets a kick out of that stuff.

0:18:10.960 --> 0:18:14.120
<v Speaker 1>And most of them are hilarious. Yeah, you said, child child. Yeah,

0:18:14.160 --> 0:18:16.080
<v Speaker 1>we watched one and we may have we got to

0:18:16.160 --> 0:18:19.280
<v Speaker 1>to um and two is even more over the top.

0:18:19.320 --> 0:18:20.760
<v Speaker 1>With those kind of movies, they always push it a

0:18:20.800 --> 0:18:24.840
<v Speaker 1>little further each time, but still quite hilarious and delightfully.

0:18:24.880 --> 0:18:27.600
<v Speaker 1>I don't need to watch those. Black Christmas also has

0:18:27.680 --> 0:18:32.280
<v Speaker 1>a recurring thing with the telephone call. You know, the

0:18:32.320 --> 0:18:35.240
<v Speaker 1>conceit is the killers inside calling from inside the house,

0:18:35.680 --> 0:18:40.040
<v Speaker 1>that old thing. Um, But the phone calls are legit disturbing.

0:18:40.440 --> 0:18:42.399
<v Speaker 1>It's really it's not just they call it like the

0:18:42.440 --> 0:18:44.439
<v Speaker 1>heavy breather, but it's a lot more than that. Got it.

0:18:44.480 --> 0:18:47.359
<v Speaker 1>I'll check it out seventy four by the way, Yeah,

0:18:47.400 --> 0:18:52.240
<v Speaker 1>old pal Melinda Baccalo says, Little Monsters, the new one

0:18:52.600 --> 0:18:58.040
<v Speaker 1>and Overlord and us saw all those Did you see Overlord? Yes,

0:18:58.080 --> 0:19:00.400
<v Speaker 1>that's the Nazi one, right, Yeah, I didn't. I watched

0:19:00.400 --> 0:19:01.840
<v Speaker 1>on a plane. It was it was It was good,

0:19:02.000 --> 0:19:03.800
<v Speaker 1>good plane movie. It was good plane movie, I think.

0:19:03.840 --> 0:19:10.520
<v Speaker 1>So God, what did I watch on the plane this time? Uh, goodness,

0:19:10.560 --> 0:19:12.000
<v Speaker 1>I can't remember. I'll tell you what I watched. I

0:19:12.000 --> 0:19:15.280
<v Speaker 1>watched Purple Rain on the plane. Yeah, and it was

0:19:15.359 --> 0:19:18.879
<v Speaker 1>not censored, and said the guy, I got bumped, not

0:19:18.960 --> 0:19:22.359
<v Speaker 1>bumped upgraded to comfort plus. But it was the very

0:19:22.480 --> 0:19:25.680
<v Speaker 1>front row of comfort plus. So I had like full

0:19:25.800 --> 0:19:28.600
<v Speaker 1>leg stretched abilities and the screen is really far away.

0:19:28.880 --> 0:19:31.399
<v Speaker 1>I'm not a fan of the bulkhead. No, I'm not either. No, No,

0:19:31.440 --> 0:19:33.040
<v Speaker 1>I hated it. It It was I wish I had just

0:19:33.040 --> 0:19:35.359
<v Speaker 1>been in my regular seat because also the screen is

0:19:35.400 --> 0:19:38.840
<v Speaker 1>so far ahead of you, it's like visible to literally everyone.

0:19:39.160 --> 0:19:42.440
<v Speaker 1>So like Apollonia's like full, you know, they showed the

0:19:42.480 --> 0:19:45.160
<v Speaker 1>nude scene. They showed the nude scene, and they usually

0:19:45.200 --> 0:19:48.119
<v Speaker 1>don't do that. I've noticed Delta sensors swears and movies

0:19:48.160 --> 0:19:50.320
<v Speaker 1>a lot of times. I was really surprised and surprised

0:19:50.320 --> 0:19:54.000
<v Speaker 1>they showed her Apollonians, and they did. They absolutely did. Boy,

0:19:54.000 --> 0:19:56.720
<v Speaker 1>I had a big crush on her, a little baptist chuck, dude.

0:19:56.720 --> 0:19:59.160
<v Speaker 1>She's so gorgeous. And that's a movie where I mean,

0:19:59.160 --> 0:20:02.080
<v Speaker 1>it's obviously conic and amazing. But Prince is not a

0:20:02.080 --> 0:20:07.520
<v Speaker 1>good actor. Nah, he wasn't the best actor. He was fine,

0:20:07.680 --> 0:20:09.199
<v Speaker 1>my favorite parts, and I don't know, I'm not I'm

0:20:09.240 --> 0:20:10.840
<v Speaker 1>not not making light of movie though, not making a

0:20:10.880 --> 0:20:14.240
<v Speaker 1>light of domestic violence for anything. But he's like, dad, Mom,

0:20:14.800 --> 0:20:20.360
<v Speaker 1>Yeah she's heard you, dad, you know, like it's yeah,

0:20:20.400 --> 0:20:25.680
<v Speaker 1>it's a skywalk, a little weird, great movie, so good.

0:20:25.720 --> 0:20:28.439
<v Speaker 1>The performance scenes are. Yeah, we watched Emily and I

0:20:28.480 --> 0:20:31.240
<v Speaker 1>watched that like the day after he died or something

0:20:31.480 --> 0:20:34.320
<v Speaker 1>like everyone else in the world. What movie did I

0:20:34.320 --> 0:20:36.879
<v Speaker 1>WATCHNL on the plane? Damn it, that's really making me

0:20:36.920 --> 0:20:39.800
<v Speaker 1>mad now not to ask Emily. And Delta should have

0:20:39.800 --> 0:20:42.760
<v Speaker 1>a like a record should be in your app. Do

0:20:42.800 --> 0:20:44.760
<v Speaker 1>you have the Delta app? No, but I do, while

0:20:44.800 --> 0:20:46.840
<v Speaker 1>I do have that, but I do. By the way, everyone,

0:20:47.200 --> 0:20:49.240
<v Speaker 1>if you're on Facebook, you've seen him now in Letterbox?

0:20:49.320 --> 0:20:52.600
<v Speaker 1>Are you on Letterbox? So that is an app, a

0:20:52.640 --> 0:20:56.200
<v Speaker 1>film social app to where you track your films and

0:20:56.240 --> 0:20:58.840
<v Speaker 1>all that stuff. And we need to tell all all

0:20:58.880 --> 0:21:01.399
<v Speaker 1>of our guests who come on if they are on

0:21:01.440 --> 0:21:02.879
<v Speaker 1>the app, to say who they are, because like I

0:21:02.880 --> 0:21:06.680
<v Speaker 1>know people would want to follow Casey of course. Um,

0:21:06.720 --> 0:21:09.399
<v Speaker 1>and you can follow me. I think my name is

0:21:09.440 --> 0:21:12.400
<v Speaker 1>just Chuck Bryant. If I'm not mistaken. Yeah, that's right.

0:21:12.800 --> 0:21:16.040
<v Speaker 1>All one word capital C capital be Chuck Bryant. You

0:21:16.080 --> 0:21:17.679
<v Speaker 1>can follow me if you want. I'm still figuring this

0:21:17.720 --> 0:21:20.359
<v Speaker 1>out and exactly all the things you can do, because

0:21:20.400 --> 0:21:22.919
<v Speaker 1>apparently you can make lists and things like that, and

0:21:22.960 --> 0:21:24.800
<v Speaker 1>we can get it going with the movie Crush community.

0:21:24.880 --> 0:21:28.680
<v Speaker 1>So you should sign up Noel right now. Great, let

0:21:28.720 --> 0:21:32.120
<v Speaker 1>us know what your handle is. It's gonna be how now,

0:21:32.200 --> 0:21:34.960
<v Speaker 1>Noel Brown I don't know Noel Brown. Yeah, that's my

0:21:35.000 --> 0:21:37.639
<v Speaker 1>Instagram handle. What I did watch, not on this flight,

0:21:38.520 --> 0:21:42.240
<v Speaker 1>but a previous trip was UM Teen Spirit. Did you

0:21:42.240 --> 0:21:46.040
<v Speaker 1>see that? No, it was good. It was l Fanning

0:21:46.720 --> 0:21:51.040
<v Speaker 1>and she plays a young singer in from England who

0:21:51.080 --> 0:21:54.600
<v Speaker 1>goes on like the pop star show. I think teen

0:21:54.640 --> 0:21:57.159
<v Speaker 1>Spirit is the name of the show. Maybe um like

0:21:57.480 --> 0:22:00.880
<v Speaker 1>American idol type thing. And it was pretty good. Actually

0:22:01.240 --> 0:22:02.520
<v Speaker 1>it was one of those like you know, you take

0:22:02.560 --> 0:22:04.760
<v Speaker 1>a flyer on a plane a lot of times, of course,

0:22:04.960 --> 0:22:07.840
<v Speaker 1>no pun intended, and on movies that you may not

0:22:07.920 --> 0:22:10.320
<v Speaker 1>ordinarily invest in, and I did and it was actually

0:22:10.359 --> 0:22:12.760
<v Speaker 1>quite enjoyable. That sounds cool. I think I feel like

0:22:12.800 --> 0:22:16.040
<v Speaker 1>I've seen I watched Book Smart recently and I loved it.

0:22:16.119 --> 0:22:18.520
<v Speaker 1>I still haven't seen it. I loved it. Yeah, I

0:22:18.520 --> 0:22:20.400
<v Speaker 1>can't wait. It hit me and all the fields. I

0:22:20.440 --> 0:22:23.640
<v Speaker 1>was literally crying on the plane watching Book Smart. Yeah.

0:22:23.760 --> 0:22:26.119
<v Speaker 1>I need to check that out. I'm gonna remember what

0:22:26.200 --> 0:22:27.840
<v Speaker 1>movie I saw. Know, one of these days, I know

0:22:27.840 --> 0:22:29.600
<v Speaker 1>you will chuck. I believe in him, gonna scream. I'm

0:22:29.600 --> 0:22:32.320
<v Speaker 1>gonna text you in the middle of the night. Let

0:22:32.359 --> 0:22:35.800
<v Speaker 1>me see. Asa Wilson says she saw us for the

0:22:35.800 --> 0:22:39.440
<v Speaker 1>first time. Perfect vibe for this time of the year. Totally. Oh,

0:22:39.560 --> 0:22:42.439
<v Speaker 1>someone filled a hole. Jenevieve Flint saw Psycho for the

0:22:42.440 --> 0:22:44.520
<v Speaker 1>first time. I thought it would be too slow, but

0:22:44.560 --> 0:22:47.560
<v Speaker 1>it kept me interested and had a few still creepy moments.

0:22:47.680 --> 0:22:50.159
<v Speaker 1>That's the thing about those those Hitchcock movies. They're not slow.

0:22:51.040 --> 0:22:53.440
<v Speaker 1>That's what set him apart, is like they they move,

0:22:54.119 --> 0:22:57.800
<v Speaker 1>you know, absolutely, like for sure, old friend John millsteps

0:22:57.800 --> 0:22:59.440
<v Speaker 1>at the Lighthouse. I don't know if I call that

0:22:59.480 --> 0:23:01.600
<v Speaker 1>horror John On, I'm not sure what to call it.

0:23:02.280 --> 0:23:04.879
<v Speaker 1>I can't wait to cruch that out and all existential dread.

0:23:05.240 --> 0:23:09.399
<v Speaker 1>Very interesting film, like that Eggers guy. He's he's in

0:23:09.440 --> 0:23:14.040
<v Speaker 1>a different lane. He's really doing some interesting things. I'm

0:23:14.119 --> 0:23:15.880
<v Speaker 1>very excited to see it. I'll see that this week. Yeah,

0:23:15.880 --> 0:23:20.840
<v Speaker 1>for sure. Zack Pointer, old pal says the Japanese Ring Goo,

0:23:21.480 --> 0:23:24.200
<v Speaker 1>which I did not see. I thought the American one

0:23:24.240 --> 0:23:28.439
<v Speaker 1>was better. Actually, yeah, ring greater than ring Goo in

0:23:28.480 --> 0:23:33.040
<v Speaker 1>my I M h o okay l o l niple h.

0:23:33.200 --> 0:23:39.200
<v Speaker 1>Nicole Park says Rosemary's Baby filled that hole. Um alec uh. Wow,

0:23:39.440 --> 0:23:41.440
<v Speaker 1>You've got a lot of consonants in your name, my friend.

0:23:42.119 --> 0:23:46.000
<v Speaker 1>Uh Maxim, which says Cube. I saw that back in

0:23:46.040 --> 0:23:49.520
<v Speaker 1>the day. Cube is fun. Yeah, that wasn't bad. And

0:23:49.560 --> 0:23:53.440
<v Speaker 1>there was Cube to hyper Cube, which I was called hypercube.

0:23:53.440 --> 0:23:55.280
<v Speaker 1>I didn't see that one, but oh was it not

0:23:55.359 --> 0:23:58.320
<v Speaker 1>called Hypercue? Didn't know it's called hyper Oh absolutely is No, No,

0:23:58.359 --> 0:24:00.520
<v Speaker 1>I did not make that. You have haven't seen him

0:24:00.520 --> 0:24:02.960
<v Speaker 1>mocking or not. I loved Cube all right, So I

0:24:02.960 --> 0:24:06.160
<v Speaker 1>think we're gonna officially put to bed the Halloween stuff nol.

0:24:06.440 --> 0:24:09.720
<v Speaker 1>Actually maybe not because this next one, and we rarely do.

0:24:09.800 --> 0:24:13.800
<v Speaker 1>This is just a general recommendations thread just to kind

0:24:13.800 --> 0:24:16.080
<v Speaker 1>of catch up on what people have been watching, either

0:24:16.160 --> 0:24:18.840
<v Speaker 1>at home or in the theaters, TV or film whatever,

0:24:19.320 --> 0:24:21.560
<v Speaker 1>But just what have people been seeing the past few weeks.

0:24:22.640 --> 0:24:25.240
<v Speaker 1>So I'm sure some of these will be horror. But

0:24:25.400 --> 0:24:29.520
<v Speaker 1>one of our pals, Jeff Strom stuff says Sunshine one

0:24:29.520 --> 0:24:33.280
<v Speaker 1>of my favorite sci fi movies, but this most recent

0:24:33.280 --> 0:24:36.639
<v Speaker 1>watch just seems so much better than ever. Yeah. I

0:24:36.640 --> 0:24:40.360
<v Speaker 1>liked a lot of Sunshine, not all of it. Wasn't

0:24:40.400 --> 0:24:45.480
<v Speaker 1>that Danny Boyle, Yeah, yeah, with Sillian Murphy. Yeah, I

0:24:45.520 --> 0:24:47.840
<v Speaker 1>don't remember a ton about it. It was okay, I

0:24:47.840 --> 0:24:50.600
<v Speaker 1>remember I really enjoyed the first half and not so

0:24:50.680 --> 0:24:53.000
<v Speaker 1>much to the second seem to remember it jumping the

0:24:53.000 --> 0:24:55.200
<v Speaker 1>shark a little bit and getting a little over the over,

0:24:55.359 --> 0:25:00.159
<v Speaker 1>you know, just overwrought. Julio Casada says, HB, I was

0:25:00.200 --> 0:25:02.560
<v Speaker 1>Watchman show is really cool. Have you seen it yet? No,

0:25:02.640 --> 0:25:04.760
<v Speaker 1>I'm excited to now I have not. It's all the pilot.

0:25:04.800 --> 0:25:06.960
<v Speaker 1>It was great, so dight here. I liked it. Then

0:25:07.000 --> 0:25:10.600
<v Speaker 1>I'm in. I'm for sure in and we just started

0:25:10.640 --> 0:25:13.080
<v Speaker 1>watching a succession too. Have you seen that. I've seen

0:25:13.080 --> 0:25:16.200
<v Speaker 1>the first season. I adore it. It's the same writers

0:25:16.320 --> 0:25:18.800
<v Speaker 1>as Peep Show, which is one of my favorite British

0:25:18.840 --> 0:25:22.639
<v Speaker 1>comedy series of all time. Interesting. Yeah, it's it's a

0:25:23.480 --> 0:25:26.600
<v Speaker 1>very very different show, but very similar sensibility in terms

0:25:26.600 --> 0:25:30.960
<v Speaker 1>of pure snark. Yeah, I really liked it. Emily liked

0:25:30.960 --> 0:25:34.680
<v Speaker 1>it but fell asleep. She was tired, but said she's in. Uh.

0:25:34.680 --> 0:25:38.200
<v Speaker 1>And I also finally finished The Boys. I've been sitting

0:25:38.240 --> 0:25:40.800
<v Speaker 1>on these last two episodes forever and finally knocked those

0:25:40.800 --> 0:25:42.880
<v Speaker 1>out yesterday, which one was The Boys again, this real

0:25:43.119 --> 0:25:46.679
<v Speaker 1>sort of realistic superhero world. It was good and it

0:25:46.800 --> 0:25:48.840
<v Speaker 1>ends the cliffhanger and the end of the season is

0:25:48.880 --> 0:25:52.240
<v Speaker 1>really like pretty spectacular so I'm looking forward to that

0:25:52.240 --> 0:25:55.960
<v Speaker 1>that season two. Let me see honey Boy. Joshua Lifteth

0:25:56.320 --> 0:25:59.919
<v Speaker 1>saw honey Boy really well done, great performances. I want

0:26:00.040 --> 0:26:04.320
<v Speaker 1>to see this. Do you know that movie honey Boy. Yeah,

0:26:04.400 --> 0:26:08.480
<v Speaker 1>it's uh the guy I can't stand Sila Boy. Yeah,

0:26:08.480 --> 0:26:10.800
<v Speaker 1>Schila Bouff. But he's he's made a film sort of

0:26:10.800 --> 0:26:13.440
<v Speaker 1>about his childhood. I know you're talking about. Isn't it

0:26:13.440 --> 0:26:15.439
<v Speaker 1>about don't they go door to door or they like

0:26:15.520 --> 0:26:17.480
<v Speaker 1>on the roads a road movie or something like that. Well,

0:26:17.520 --> 0:26:19.840
<v Speaker 1>I mean it's it's his life as a young actor

0:26:19.880 --> 0:26:23.320
<v Speaker 1>with his father and Childer Booth plays his father, and

0:26:23.359 --> 0:26:25.359
<v Speaker 1>I don't think he's called child a Boof in the movie.

0:26:25.840 --> 0:26:28.200
<v Speaker 1>But it's very much autobiographical. That's fine. No, I'm actually

0:26:28.200 --> 0:26:30.879
<v Speaker 1>thinking of another movie with Schila Buff called American honey

0:26:31.400 --> 0:26:35.159
<v Speaker 1>that's different. That's a road movie, souny boys, very different interest.

0:26:35.280 --> 0:26:37.800
<v Speaker 1>It's very confusing a little bit. I think honey Boy

0:26:37.840 --> 0:26:40.200
<v Speaker 1>was his nickname his father gave him. I think he's

0:26:40.240 --> 0:26:43.080
<v Speaker 1>a he's he's a genius actor. It's got really good reviews.

0:26:43.080 --> 0:26:44.800
<v Speaker 1>He's phenomenal. I mean he's obviously a bit of a

0:26:44.800 --> 0:26:47.879
<v Speaker 1>train wreck of a human, but um, sometimes that adds

0:26:47.920 --> 0:26:49.960
<v Speaker 1>to the well. And I think this movie explains a

0:26:49.960 --> 0:26:51.960
<v Speaker 1>little bit that, like why he is how he is.

0:26:53.320 --> 0:26:55.080
<v Speaker 1>I'm looking forward to seeing it. I'll check it out too.

0:26:55.080 --> 0:26:56.520
<v Speaker 1>I don't know if it's a theater movie for me,

0:26:56.600 --> 0:27:00.159
<v Speaker 1>but Don Morris old Pal says, uh this He's of

0:27:00.160 --> 0:27:03.520
<v Speaker 1>the good Place, such a joy in this weary world.

0:27:05.080 --> 0:27:07.400
<v Speaker 1>And uh, speaking of the good place, John millsap old

0:27:07.400 --> 0:27:09.400
<v Speaker 1>Friend has also been seeing that. I need to see it,

0:27:10.400 --> 0:27:14.520
<v Speaker 1>Old Pal, Melinda once again is back Bacalo rewatching the

0:27:14.560 --> 0:27:17.760
<v Speaker 1>Evil Dead trilogy always great. And you know I had

0:27:17.800 --> 0:27:20.040
<v Speaker 1>the great Joe Garden on for Evil Dead too, Oh

0:27:21.760 --> 0:27:25.120
<v Speaker 1>so good. He came on Friday night the Bellhouse cool

0:27:25.200 --> 0:27:28.040
<v Speaker 1>so you missed him. He and his lovely wife Hannah,

0:27:28.040 --> 0:27:31.280
<v Speaker 1>who I finally got to meet. She's great. Vanessa Cashman

0:27:31.840 --> 0:27:36.439
<v Speaker 1>Old Friends says the Goldfinch really enjoyed that movie. I

0:27:36.440 --> 0:27:38.240
<v Speaker 1>don't know why it didn't do better in the theaters.

0:27:38.280 --> 0:27:41.639
<v Speaker 1>I have not seen that. I don't know the Goldfinch.

0:27:41.920 --> 0:27:45.399
<v Speaker 1>Isn't that based on a book? It sounds familiar. I

0:27:45.440 --> 0:27:47.760
<v Speaker 1>don't know you'd either. Katie Scott says, finally went and

0:27:47.840 --> 0:27:50.159
<v Speaker 1>saw a joker. I can't recommend it enough. Did you

0:27:50.200 --> 0:27:51.879
<v Speaker 1>see it? I haven't seen it? Yeah, all right, I

0:27:51.920 --> 0:27:56.359
<v Speaker 1>saw it. What do you think it was good? Right on? Yeah,

0:27:56.400 --> 0:27:57.879
<v Speaker 1>it was good. I think it's one of those that

0:27:57.960 --> 0:28:02.719
<v Speaker 1>like it's sticking with me, like, uh as the Masterpiece

0:28:02.720 --> 0:28:05.359
<v Speaker 1>a Summer, calling it, but it was a really good movie.

0:28:05.680 --> 0:28:08.520
<v Speaker 1>Sure as polarizing. Some people are like some of my

0:28:08.960 --> 0:28:12.920
<v Speaker 1>uh my Facebook address book who are like very clearly

0:28:13.400 --> 0:28:16.960
<v Speaker 1>virtue signaling social justice warrior types are very up in

0:28:17.080 --> 0:28:20.840
<v Speaker 1>arms about this movie, calling it everything from irresponsible to

0:28:21.280 --> 0:28:26.359
<v Speaker 1>you know, absolute trash, you know, uh, an abomination. Maybe

0:28:26.400 --> 0:28:28.000
<v Speaker 1>I made that one, but it's just it really says

0:28:28.040 --> 0:28:31.359
<v Speaker 1>a lot about I don't know, like, yeah, yeah, I know,

0:28:31.920 --> 0:28:34.960
<v Speaker 1>I know. It's a movie. Man, it's a movie. People

0:28:35.000 --> 0:28:39.400
<v Speaker 1>have their opinions. Um, I mean there are certainly awful,

0:28:39.520 --> 0:28:43.320
<v Speaker 1>depraved films that maybe you could say that about, but

0:28:44.000 --> 0:28:47.000
<v Speaker 1>I don't know, joke or to me kind OF's it's realistic.

0:28:47.000 --> 0:28:49.800
<v Speaker 1>Look at the times we're living in quick shout out

0:28:49.880 --> 0:28:51.680
<v Speaker 1>or our plug if you don't mind. A good buddy

0:28:51.680 --> 0:28:55.360
<v Speaker 1>of mine, Nicholas, has a podcast called Video Drome Cinema.

0:28:55.800 --> 0:28:58.800
<v Speaker 1>They do reviews, typically of of new stuff and also

0:28:58.840 --> 0:29:00.880
<v Speaker 1>sometimes they'll do like a reway to did candy Man

0:29:00.960 --> 0:29:03.720
<v Speaker 1>recently and did some stuff for Halloween season. They have

0:29:03.760 --> 0:29:06.800
<v Speaker 1>a really good discussion on the Joker movie, and I

0:29:06.840 --> 0:29:09.560
<v Speaker 1>recommend you checking it out video Drome Cinema. I will

0:29:09.560 --> 0:29:11.240
<v Speaker 1>have to hear that for sure, because I am interested

0:29:11.280 --> 0:29:15.240
<v Speaker 1>in getting different takes. Joaquin Phoenix was great. The whole

0:29:15.280 --> 0:29:18.080
<v Speaker 1>movie was good. I was very impressed with Todd Phillips.

0:29:18.440 --> 0:29:21.960
<v Speaker 1>He's got some skills beyond you know, silly movies like

0:29:22.000 --> 0:29:24.400
<v Speaker 1>The Hangover. Yeah, for sure, I will say he said

0:29:24.440 --> 0:29:26.760
<v Speaker 1>a bit of a dumb, dumb thing and saying that.

0:29:26.840 --> 0:29:29.120
<v Speaker 1>He just said that like, we can't do comedy anymore

0:29:29.160 --> 0:29:33.120
<v Speaker 1>because of all of these politically correct assholes or whatever.

0:29:33.480 --> 0:29:35.880
<v Speaker 1>And I'm kind of like, Okay, Todd Phillips, I see you,

0:29:35.920 --> 0:29:40.000
<v Speaker 1>But I also like, you know, does it mean we

0:29:40.040 --> 0:29:42.200
<v Speaker 1>can't do comedy anymore? It just seems like a little

0:29:42.200 --> 0:29:44.440
<v Speaker 1>bit little extreme. No, you can do whatever you want.

0:29:44.560 --> 0:29:46.520
<v Speaker 1>I mean, everyone's gonna like it. That's also true. That's

0:29:46.520 --> 0:29:48.920
<v Speaker 1>also true. But he literally said I'm not doing comedy

0:29:48.920 --> 0:29:53.200
<v Speaker 1>anymore because it's too difficult with all of these you know, alright,

0:29:54.280 --> 0:29:56.160
<v Speaker 1>I see where he's coming from. I just feel like

0:29:56.200 --> 0:30:00.240
<v Speaker 1>saying it that way sort of makes you sound lazy

0:30:00.400 --> 0:30:03.800
<v Speaker 1>rather than like, you know, describing the culture or whatever

0:30:03.920 --> 0:30:06.360
<v Speaker 1>like it means. I don't know, like it rubbed me

0:30:06.360 --> 0:30:07.880
<v Speaker 1>the wrong way, But I also kind of see where

0:30:07.880 --> 0:30:10.240
<v Speaker 1>he's coming from, because it does. Again, even with this

0:30:10.320 --> 0:30:13.280
<v Speaker 1>joker things, people so quick to shut it down and say,

0:30:13.320 --> 0:30:16.240
<v Speaker 1>you can't do a movie like that this day and age,

0:30:16.240 --> 0:30:19.080
<v Speaker 1>it's irresponsible, And I'm you know, I mean, come on,

0:30:19.240 --> 0:30:22.480
<v Speaker 1>don't go see it then exactly, and you know that's

0:30:22.520 --> 0:30:25.560
<v Speaker 1>also a little dasy to be like, you can't do

0:30:25.680 --> 0:30:29.880
<v Speaker 1>comedy because everything is offensive. Everything is not offensive. You

0:30:29.920 --> 0:30:32.440
<v Speaker 1>could do comedy that's not offensive. Plenty of people are

0:30:32.440 --> 0:30:34.840
<v Speaker 1>doing it also, sure, that's exactly right. That's also like,

0:30:35.640 --> 0:30:37.520
<v Speaker 1>I don't know, no, that's that's that's sort of the

0:30:37.720 --> 0:30:48.120
<v Speaker 1>that's a sticky issue. Kristen Bits a guy one of

0:30:48.120 --> 0:30:51.600
<v Speaker 1>our oldest appeals. Um. She said, I introduced my son

0:30:51.680 --> 0:30:53.719
<v Speaker 1>to the Adams family and it was a great experience.

0:30:54.560 --> 0:30:58.040
<v Speaker 1>I took my daughter to see that movie, the new one,

0:30:58.080 --> 0:31:01.920
<v Speaker 1>the animated one. Huh was it funny? It wasn't great?

0:31:02.040 --> 0:31:03.640
<v Speaker 1>Now it didn't look great. Well, I'll say this and

0:31:03.720 --> 0:31:06.800
<v Speaker 1>old for a four year old. It was fine, but

0:31:07.000 --> 0:31:11.320
<v Speaker 1>I was very tired, and I actually purposefully fell asleep

0:31:11.480 --> 0:31:14.240
<v Speaker 1>a little snoozer. Yeah, like I felt myself drifting and

0:31:14.400 --> 0:31:16.600
<v Speaker 1>and in a movie theater and he's like, no, no, no,

0:31:16.880 --> 0:31:19.400
<v Speaker 1>watch the movie. But in this case, I went, wait

0:31:19.440 --> 0:31:22.280
<v Speaker 1>a minute, I've got an hour and fifteen minutes left

0:31:22.280 --> 0:31:25.120
<v Speaker 1>in this thing and this third ball now, now, are

0:31:25.120 --> 0:31:28.959
<v Speaker 1>you not a snore? Or really not? Usually? And so

0:31:29.000 --> 0:31:32.440
<v Speaker 1>I slunk down and sort of nodded off and woke

0:31:32.520 --> 0:31:34.880
<v Speaker 1>up towards the end. And it was quite wonderful, very

0:31:34.920 --> 0:31:37.440
<v Speaker 1>cool movie nap. And she didn't like call you on it.

0:31:37.560 --> 0:31:40.720
<v Speaker 1>What happened? Dad? Tell me? But you know what I

0:31:40.760 --> 0:31:43.719
<v Speaker 1>did do, and I'll admit this on air. I had

0:31:43.760 --> 0:31:45.200
<v Speaker 1>to go to the bathroom really bad. And it was

0:31:45.240 --> 0:31:46.560
<v Speaker 1>one of those things in the middle of the movie.

0:31:46.600 --> 0:31:49.600
<v Speaker 1>I was like, she's four and a half. What do

0:31:49.640 --> 0:31:51.360
<v Speaker 1>I do here to a direct her out of this

0:31:51.480 --> 0:31:56.360
<v Speaker 1>theater to the bathroom that's luckily positioned right outside this

0:31:56.840 --> 0:31:59.840
<v Speaker 1>theater house. I said no, and I leaned over and

0:31:59.840 --> 0:32:01.640
<v Speaker 1>as at hey Kido said, I'm gonna go to the bathroom,

0:32:01.800 --> 0:32:05.160
<v Speaker 1>said do not move from the seat. I'll be right back,

0:32:06.080 --> 0:32:07.800
<v Speaker 1>and I jumped up and I ran too the bathroom,

0:32:08.040 --> 0:32:09.880
<v Speaker 1>and of course you didn't move. Of course she's sitting

0:32:09.880 --> 0:32:12.120
<v Speaker 1>there watching the movie. It's it's absolutely fine. I was gone,

0:32:12.320 --> 0:32:14.680
<v Speaker 1>I was it was probably it was a quickie, less

0:32:14.720 --> 0:32:17.720
<v Speaker 1>than a minute, I would say, all in. I didn't

0:32:17.720 --> 0:32:20.680
<v Speaker 1>even wash my hands. That's that's that's the most disgusting

0:32:20.680 --> 0:32:24.240
<v Speaker 1>part of this old story. I wasn't sure though. Sometimes

0:32:24.320 --> 0:32:26.000
<v Speaker 1>you you know as apparent you know how well you

0:32:26.040 --> 0:32:29.080
<v Speaker 1>know now your daughter is older. But in those early days,

0:32:29.360 --> 0:32:31.280
<v Speaker 1>obviously you're not gonna be a kid in a hot

0:32:31.320 --> 0:32:33.520
<v Speaker 1>car because we gotta crack the wind Dutch shock. Everybody

0:32:33.520 --> 0:32:35.960
<v Speaker 1>knows that. But you gotta make some of these decisions sometimes,

0:32:36.680 --> 0:32:40.160
<v Speaker 1>like jeez, can I run to the bathroom? And I did,

0:32:40.160 --> 0:32:42.000
<v Speaker 1>and it was fine. Of course it was fine. And

0:32:42.040 --> 0:32:44.479
<v Speaker 1>in the old days, ship that kid would have been

0:32:44.480 --> 0:32:47.560
<v Speaker 1>in that movie by herself. Yeah, I mean, I was

0:32:47.560 --> 0:32:49.080
<v Speaker 1>thinking back, a parent would have been in the R

0:32:49.160 --> 0:32:51.720
<v Speaker 1>rated movie next Door exactly. At times of change, I

0:32:51.760 --> 0:32:53.520
<v Speaker 1>was thinking, like in the nineties, I would visit my

0:32:53.560 --> 0:32:55.479
<v Speaker 1>mom in New York when she was singing, and I

0:32:55.520 --> 0:32:57.760
<v Speaker 1>was like maybe eleven twelve, and she let me walk

0:32:57.800 --> 0:33:00.680
<v Speaker 1>around by myself. The city. That to New York though,

0:33:00.920 --> 0:33:02.600
<v Speaker 1>kind of kids do that. But now I think back

0:33:02.640 --> 0:33:04.640
<v Speaker 1>on and I'm like, it was a little sketchy back

0:33:04.680 --> 0:33:06.600
<v Speaker 1>in those days. You know, it's certainly safer now, but

0:33:06.840 --> 0:33:09.440
<v Speaker 1>back in the nineties it was a little a little dicier.

0:33:09.480 --> 0:33:15.600
<v Speaker 1>They're um, but kids are pretty like safe in New York,

0:33:15.640 --> 0:33:18.760
<v Speaker 1>I think, and like kind of largely ignored in New York.

0:33:19.280 --> 0:33:22.120
<v Speaker 1>People are doing their thing. They're doing their thing, and

0:33:22.200 --> 0:33:24.320
<v Speaker 1>like kids, you know, you're not gonna rob a kid,

0:33:24.800 --> 0:33:27.400
<v Speaker 1>and it's a it's a big commitment. It's a big

0:33:27.440 --> 0:33:30.520
<v Speaker 1>commitment to do a kidnapping. Are you really you gotta

0:33:30.560 --> 0:33:32.880
<v Speaker 1>you gotta really do some leg work. Yeah, it's not

0:33:32.920 --> 0:33:34.800
<v Speaker 1>like a spur of the moment like, oh hey, let

0:33:34.800 --> 0:33:37.040
<v Speaker 1>me kidnap a kid real quick, and sure we got

0:33:37.040 --> 0:33:39.240
<v Speaker 1>a few minutes. They'll have all the info of of

0:33:39.280 --> 0:33:41.600
<v Speaker 1>how to track their parents down, you know what I mean. Like,

0:33:41.640 --> 0:33:44.240
<v Speaker 1>you know, we saw some kids. We were having Emily

0:33:44.320 --> 0:33:47.200
<v Speaker 1>and we're having lunch at a little outdoor cafe in

0:33:47.240 --> 0:33:50.080
<v Speaker 1>Greenwich Village and there were these kids. I guess the

0:33:50.080 --> 0:33:52.320
<v Speaker 1>they were either just let out for lunch or maybe

0:33:52.760 --> 0:33:55.120
<v Speaker 1>the weird New York thing where like the school cafeteria

0:33:55.160 --> 0:33:57.240
<v Speaker 1>is actually in another building and they had to walk

0:33:57.280 --> 0:34:01.880
<v Speaker 1>to it, but these kids were everywhere, and uh, I

0:34:02.000 --> 0:34:04.000
<v Speaker 1>just marveled. I was like, men, the coolest fucking kids

0:34:04.040 --> 0:34:06.320
<v Speaker 1>in the world. Are these New York kids, These ten

0:34:06.360 --> 0:34:08.279
<v Speaker 1>year olds that are trying to be a real it's

0:34:08.280 --> 0:34:10.400
<v Speaker 1>gonna be a real perspective in their things. Yeah, I

0:34:10.480 --> 0:34:12.560
<v Speaker 1>have I thought about that too. You know, well, they're

0:34:12.560 --> 0:34:17.320
<v Speaker 1>not coddled, they're not growing up in some suburban helicopter parents.

0:34:17.760 --> 0:34:23.040
<v Speaker 1>They're out there on the streets, street kids, street smarts.

0:34:23.640 --> 0:34:26.279
<v Speaker 1>And then you see a movie like Kids, and then

0:34:26.320 --> 0:34:29.480
<v Speaker 1>you think, what, never let your kids out it, don't

0:34:29.520 --> 0:34:31.720
<v Speaker 1>do it. That was a good movie. Man. I remember

0:34:31.719 --> 0:34:33.640
<v Speaker 1>when that came out. I was living up there. Uh

0:34:34.360 --> 0:34:36.840
<v Speaker 1>it was it was you saw it, right, Yeah, of course,

0:34:37.280 --> 0:34:40.280
<v Speaker 1>so good. There's sort of a modern, a more recent

0:34:40.320 --> 0:34:43.399
<v Speaker 1>equivalent of that that I saw recently. And now I'm

0:34:43.400 --> 0:34:44.759
<v Speaker 1>having a hard time. Oh, I mean, I guess people

0:34:44.760 --> 0:34:47.560
<v Speaker 1>were saying that late nineties was kind of kind of

0:34:47.600 --> 0:34:50.200
<v Speaker 1>a modern Kids. I did not see that. I didn't.

0:34:50.200 --> 0:34:51.520
<v Speaker 1>I didn't see anither. Yeah, I want to see it.

0:34:51.520 --> 0:34:53.520
<v Speaker 1>I would. I would also like to see mid nineties.

0:34:54.080 --> 0:34:56.920
<v Speaker 1>Mid nineties was it late nineties, its mid nineties. Late

0:34:57.000 --> 0:34:59.200
<v Speaker 1>nineties is different, different story, it's a different movie. Mid

0:34:59.280 --> 0:35:02.239
<v Speaker 1>nighteties is what's his face right? It's Jonah Hill. Yeah, yeah,

0:35:02.280 --> 0:35:04.520
<v Speaker 1>I want to see that. That looks good. All right,

0:35:04.560 --> 0:35:06.440
<v Speaker 1>let's finish up with a couple here. Mike Ireland saw

0:35:06.480 --> 0:35:10.720
<v Speaker 1>The Graduate. He said, uh, it was not a first viewing,

0:35:10.880 --> 0:35:13.680
<v Speaker 1>but he said it was much much better than remembered,

0:35:14.440 --> 0:35:16.680
<v Speaker 1>worthy of a rewatch. How do you remember it, man?

0:35:17.840 --> 0:35:19.719
<v Speaker 1>I mean The Graduate? I see that movie. I feel

0:35:19.760 --> 0:35:21.799
<v Speaker 1>like once every couple of yearss a funny movie and

0:35:21.800 --> 0:35:24.480
<v Speaker 1>it's touching, it's the best and it's just kind of weird.

0:35:24.800 --> 0:35:29.279
<v Speaker 1>Like Yeah, Debbie Franka Dacas twent from Stardom great. Have

0:35:29.320 --> 0:35:31.439
<v Speaker 1>you ever seen that? Was the one about the backup singer. Yeah,

0:35:31.520 --> 0:35:33.480
<v Speaker 1>I haven't seen that. I've heard. Boy, it's good, it's

0:35:33.480 --> 0:35:36.800
<v Speaker 1>really good. Another vote for the New Watchman from Tyler Olton.

0:35:38.040 --> 0:35:40.240
<v Speaker 1>Let me see here, Albert Green. I watched A Girl

0:35:40.320 --> 0:35:44.680
<v Speaker 1>Walks Home Alone at Night and Ronnie and Language Vampire

0:35:44.680 --> 0:35:46.879
<v Speaker 1>film the style of Jim Jarmish very much so. Yeah,

0:35:46.880 --> 0:35:49.160
<v Speaker 1>it's in black and white. Um, did you see it?

0:35:49.239 --> 0:35:51.160
<v Speaker 1>I have, I have not seen it, and I've seen

0:35:51.160 --> 0:35:53.840
<v Speaker 1>the trailer and I'm aware of it, but it's supposed

0:35:53.840 --> 0:35:55.880
<v Speaker 1>to be great. Let'll check it out. I think it's streaming.

0:35:55.880 --> 0:35:58.960
<v Speaker 1>I think it's on Netflix. Trent and Trent Moore saw

0:35:59.040 --> 0:36:03.040
<v Speaker 1>Jojo Rabbit. I really want to see that. Buddy of

0:36:03.080 --> 0:36:06.879
<v Speaker 1>mine says it's phenomenal. Um, I don't think it's out here,

0:36:06.920 --> 0:36:09.520
<v Speaker 1>is it now? It's in New York, but he's in

0:36:09.520 --> 0:36:11.799
<v Speaker 1>New York. Stupid New York. I hate you. Well, it's

0:36:11.800 --> 0:36:14.400
<v Speaker 1>surely going to be at the Midtown Uh soon, I

0:36:14.440 --> 0:36:17.640
<v Speaker 1>would think so, Yeah, because Lighthouse is here already, right, Yeah,

0:36:17.640 --> 0:36:20.319
<v Speaker 1>and I think Parasite is too. We talked about Parasite. Yeah,

0:36:20.320 --> 0:36:23.200
<v Speaker 1>that's it. The terra can see that. I gotta gotta

0:36:23.239 --> 0:36:25.880
<v Speaker 1>see it. Let me see here. Let's finish up with

0:36:26.440 --> 0:36:30.120
<v Speaker 1>one more here. Courtney work Holder Old Friends says, unbelievable

0:36:30.120 --> 0:36:34.080
<v Speaker 1>in that flicks heartbreaking and rage inducing. Yes, Courtney, that's

0:36:34.080 --> 0:36:35.560
<v Speaker 1>the one I talked about a couple of weeks ago.

0:36:36.040 --> 0:36:40.040
<v Speaker 1>Very very good short series. And that's it for us

0:36:40.080 --> 0:36:43.120
<v Speaker 1>for this one. Nol Did we have a felt bad

0:36:43.160 --> 0:36:45.600
<v Speaker 1>about that twenty two minute show we did a few

0:36:45.600 --> 0:36:47.440
<v Speaker 1>weeks ago? How long was this? This was a good one.

0:36:47.440 --> 0:36:51.200
<v Speaker 1>This is thirty seven, solid thirty seven with very few stops,

0:36:51.920 --> 0:36:53.919
<v Speaker 1>a lot of padding. I feel like we yaked a lot,

0:36:54.000 --> 0:36:55.719
<v Speaker 1>but well, I mean, isn't that what the people want?

0:36:55.800 --> 0:36:58.200
<v Speaker 1>Chuck what they want, they want pure yak. I don't

0:36:58.200 --> 0:37:00.680
<v Speaker 1>know what people want. It's it doesn't matter, it doesn't matter.

0:37:00.719 --> 0:37:03.040
<v Speaker 1>We want this is of course it matters. Were literally

0:37:03.440 --> 0:37:06.239
<v Speaker 1>on the forums, you know, giving the people what they

0:37:06.239 --> 0:37:09.320
<v Speaker 1>say they want. Um. I enjoyed a chuck. It was

0:37:09.360 --> 0:37:12.120
<v Speaker 1>nice to get back. Yes man, yes man, yes ma'am

0:37:12.440 --> 0:37:17.520
<v Speaker 1>sounded very strange, almost said yes ma'am. Uh So we'll

0:37:17.520 --> 0:37:33.640
<v Speaker 1>see you next week. You got it. For more podcasts

0:37:33.640 --> 0:37:35.879
<v Speaker 1>for my Heart Radio, visit the I Heart Radio app,

0:37:35.920 --> 0:37:38.720
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows,