1 00:00:00,400 --> 00:00:03,600 Speaker 1: Wake that ass up in the morning, the Breakfast Club 2 00:00:04,640 --> 00:00:06,920 Speaker 1: Morning everybody is t j n V. 3 00:00:07,280 --> 00:00:07,920 Speaker 2: Just hilarious. 4 00:00:08,000 --> 00:00:10,280 Speaker 1: Charlemagne the guy, we are the Breakfast Club. We got 5 00:00:10,280 --> 00:00:11,680 Speaker 1: some special guests in the buildings. 6 00:00:11,760 --> 00:00:14,920 Speaker 3: Indeed, you got eight O three Fresh Home team and young. 7 00:00:14,720 --> 00:00:16,440 Speaker 4: Guy here in the building yourself. 8 00:00:16,480 --> 00:00:22,480 Speaker 2: Welcome, fellas feeling man. Where the fans at they now? 9 00:00:22,480 --> 00:00:24,120 Speaker 1: If you don't know Ato three Fresh, of course they 10 00:00:24,160 --> 00:00:26,640 Speaker 1: got the record right now. That's if you've been out 11 00:00:26,640 --> 00:00:30,360 Speaker 1: and about, especially in the South, especially HBCU Boots on 12 00:00:30,400 --> 00:00:31,520 Speaker 1: the Ground on their song. 13 00:00:32,400 --> 00:00:34,440 Speaker 2: Congratulations boys, that song. 14 00:00:34,280 --> 00:00:35,879 Speaker 5: Moving man, Thank you brother, appreciate that. 15 00:00:35,920 --> 00:00:37,800 Speaker 2: When did the song actually come out? 16 00:00:38,360 --> 00:00:41,680 Speaker 5: December twenty four? That was like my Christis gift to everybody. 17 00:00:41,320 --> 00:00:43,159 Speaker 2: Now, Charlemagne and live Charlan, that song been out for 18 00:00:43,159 --> 00:00:45,479 Speaker 2: three years. I'm like Charlomage know, I was talking. 19 00:00:45,320 --> 00:00:48,840 Speaker 3: About just the whole line dance movement from South Carolina. 20 00:00:50,040 --> 00:00:52,360 Speaker 5: It's definitely been going on more than three yeah years. 21 00:00:52,800 --> 00:00:54,960 Speaker 5: It just started picking up more and it's like the 22 00:00:54,960 --> 00:00:55,680 Speaker 5: past year and a half. 23 00:00:56,240 --> 00:00:56,880 Speaker 4: Absolutely Yeah. 24 00:00:56,880 --> 00:00:59,120 Speaker 1: People don't really get to see the line theres, especially 25 00:00:59,120 --> 00:01:02,200 Speaker 1: on the as much. But when I when I DJ everywhere, 26 00:01:02,200 --> 00:01:05,160 Speaker 1: you get to see it, and I remember I was 27 00:01:05,160 --> 00:01:08,320 Speaker 1: a Charlotte and a girl came up to me. It's like, 28 00:01:08,360 --> 00:01:09,759 Speaker 1: can you play the Boots on the Ground. I had 29 00:01:09,760 --> 00:01:11,200 Speaker 1: no idea what she talked about. It was a mob 30 00:01:11,240 --> 00:01:12,840 Speaker 1: dip song. I was like, is that a mob deep 31 00:01:12,840 --> 00:01:14,959 Speaker 1: Boots on the line. I had no idea. It's out 32 00:01:14,959 --> 00:01:16,759 Speaker 1: that Louis v Louis. He was like, yeah, I'm gonna 33 00:01:16,760 --> 00:01:17,880 Speaker 1: send it to you right now, send it to me. 34 00:01:17,920 --> 00:01:19,720 Speaker 1: And then when I played it, I see the went 35 00:01:19,800 --> 00:01:21,199 Speaker 1: up moving. 36 00:01:21,280 --> 00:01:24,160 Speaker 4: I said, you know what's crazy. It's crazy as it sounds. 37 00:01:24,160 --> 00:01:26,720 Speaker 3: The current political climate kind of boosted di record too, 38 00:01:26,720 --> 00:01:29,640 Speaker 3: because I remember people started posting saying, you know, we 39 00:01:29,680 --> 00:01:31,800 Speaker 3: ain't tripping off what this administration is doing. 40 00:01:31,800 --> 00:01:32,600 Speaker 4: Black people are. 41 00:01:32,440 --> 00:01:35,720 Speaker 3: Finding joy learning new line dances, and it would always 42 00:01:35,720 --> 00:01:37,319 Speaker 3: be Boots on the Ground with the fans. 43 00:01:37,680 --> 00:01:40,760 Speaker 5: Took everybody, like everybody's mind away from like the you know, 44 00:01:40,840 --> 00:01:42,560 Speaker 5: the current, you know stuff that's going on. 45 00:01:42,680 --> 00:01:42,880 Speaker 6: Man. 46 00:01:43,000 --> 00:01:45,280 Speaker 5: So for me, it's like the unity in it. That's 47 00:01:45,280 --> 00:01:48,120 Speaker 5: what makes it more appealing for me. You know, you 48 00:01:48,200 --> 00:01:50,040 Speaker 5: got thet the two year old, you got the eight 49 00:01:50,040 --> 00:01:53,840 Speaker 5: to two year old, you got the everybody, I mean, 50 00:01:53,880 --> 00:01:56,840 Speaker 5: Grandmama's auntie that's what makes it more genuine for me. Man. 51 00:01:57,000 --> 00:01:58,640 Speaker 1: The dope thing about it was a lot of the 52 00:01:58,720 --> 00:02:01,920 Speaker 1: line dre songs, a lot of older like you're talking 53 00:02:01,960 --> 00:02:04,320 Speaker 1: twenty years older. Like when you go to a family 54 00:02:04,360 --> 00:02:08,040 Speaker 1: reunion or a wedding or a HBCU, it's always the 55 00:02:08,080 --> 00:02:12,440 Speaker 1: Wobble wobble electric slide before I let go and you 56 00:02:12,480 --> 00:02:15,200 Speaker 1: played the Beyonce version. And this is something fresh new, 57 00:02:15,240 --> 00:02:16,800 Speaker 1: So let's start from the beginning for people that don't 58 00:02:16,800 --> 00:02:16,959 Speaker 1: know you. 59 00:02:17,080 --> 00:02:18,840 Speaker 2: Who is eight or three fresh? Where are you from? 60 00:02:19,040 --> 00:02:20,919 Speaker 2: And how did you get into this this thing called 61 00:02:20,960 --> 00:02:21,760 Speaker 2: the music industry? 62 00:02:21,800 --> 00:02:23,799 Speaker 5: What's going on? Everybody? A through First the kid live 63 00:02:23,840 --> 00:02:25,840 Speaker 5: in the building Man, listen from a small town in 64 00:02:25,880 --> 00:02:28,800 Speaker 5: South Carolina called Wagner, South Carolina and one Stop signed 65 00:02:28,800 --> 00:02:32,760 Speaker 5: One Stop like we all share the same dog. 66 00:02:34,960 --> 00:02:36,560 Speaker 4: Mon's going to be bigger than Wagoner. 67 00:02:36,840 --> 00:02:39,880 Speaker 5: Yeah, yeahs going bigger wagon Man. But started off in 68 00:02:39,880 --> 00:02:41,560 Speaker 5: the church man, humble beginners. Man started off in the 69 00:02:41,600 --> 00:02:43,720 Speaker 5: church man singing in the choir or whatever. You know, 70 00:02:43,840 --> 00:02:45,520 Speaker 5: like the product sun or left away from it, you know, 71 00:02:45,600 --> 00:02:48,760 Speaker 5: I went out and I started venturing into like more genres. 72 00:02:48,840 --> 00:02:48,960 Speaker 4: Uh. 73 00:02:49,120 --> 00:02:50,919 Speaker 5: I tapped in the pop attacked in the R and B. 74 00:02:51,280 --> 00:02:54,360 Speaker 5: I wrapped a little bit and then I found something 75 00:02:54,360 --> 00:02:56,880 Speaker 5: so really southern. So found me, man, been doing about 76 00:02:56,919 --> 00:02:59,160 Speaker 5: a year and a half now, man, and it actually 77 00:02:59,160 --> 00:02:59,720 Speaker 5: saved my life. 78 00:02:59,760 --> 00:02:59,880 Speaker 7: Man. 79 00:03:00,040 --> 00:03:02,040 Speaker 4: So explain to the people what sufering soul in. 80 00:03:02,280 --> 00:03:04,480 Speaker 5: So the soul is a mixture. It has a like 81 00:03:04,520 --> 00:03:08,080 Speaker 5: a fine undertone mixture of gospel, blues, soul, all like 82 00:03:08,160 --> 00:03:12,560 Speaker 5: mixed together. Mianda together man, and uh, It's it's only 83 00:03:12,600 --> 00:03:14,760 Speaker 5: based in its auth but when you hear it, it's 84 00:03:14,760 --> 00:03:16,600 Speaker 5: like feel good music. When you hear it's like that 85 00:03:16,720 --> 00:03:19,440 Speaker 5: music that touch your bones and they you know, it's 86 00:03:19,919 --> 00:03:21,680 Speaker 5: it's a beautiful thing. You just got to be in 87 00:03:21,720 --> 00:03:24,160 Speaker 5: one of that, like one of the events to actually 88 00:03:24,200 --> 00:03:26,480 Speaker 5: feel it. It changed the environment totally. You'm saying, we 89 00:03:26,520 --> 00:03:28,520 Speaker 5: advocate for a good time, we advocate for unity in that. 90 00:03:28,840 --> 00:03:31,400 Speaker 5: And so that's why I I chose to piggyback on 91 00:03:31,600 --> 00:03:32,680 Speaker 5: that genre the most. 92 00:03:32,760 --> 00:03:36,440 Speaker 6: Now, Yeah, yeah, saved your life. What were you into before? 93 00:03:38,080 --> 00:03:39,960 Speaker 5: You know, with being in the rap culture, you said 94 00:03:39,960 --> 00:03:41,640 Speaker 5: you have to you know, adapt to that, you know, 95 00:03:42,160 --> 00:03:44,840 Speaker 5: that raping environment. When I came to Southern soul, you know, 96 00:03:44,920 --> 00:03:46,960 Speaker 5: I was battling some stuff. You know what I'm saying, 97 00:03:47,040 --> 00:03:49,160 Speaker 5: and it pulled me out of that because of the 98 00:03:49,200 --> 00:03:50,840 Speaker 5: good feeling that it had. You're saying, make for me. 99 00:03:51,480 --> 00:03:53,480 Speaker 5: Then my mama was she was able to be proud 100 00:03:53,520 --> 00:03:54,880 Speaker 5: of it. You know, when I'm rapping, she don't want 101 00:03:54,880 --> 00:03:57,880 Speaker 5: it that she couldn't have to understand some of the stuff. 102 00:03:58,200 --> 00:03:59,839 Speaker 5: So when she first when she heard my very first 103 00:03:59,840 --> 00:04:02,040 Speaker 5: soul song that I dropped the car all night long, man, 104 00:04:02,160 --> 00:04:05,080 Speaker 5: and I got that first confirmation from him, I already 105 00:04:05,120 --> 00:04:07,240 Speaker 5: knew damn that this was a genre for me. You 106 00:04:07,240 --> 00:04:07,680 Speaker 5: know what I mean. 107 00:04:07,880 --> 00:04:10,360 Speaker 3: Do you remember the first record that that made you say, oh, 108 00:04:10,680 --> 00:04:12,280 Speaker 3: like the one that touched your soul? What's something the 109 00:04:12,320 --> 00:04:13,920 Speaker 3: soul record touched your soul as. 110 00:04:13,840 --> 00:04:14,400 Speaker 5: Far as mine? 111 00:04:14,520 --> 00:04:15,680 Speaker 4: No, just in general. 112 00:04:18,279 --> 00:04:20,360 Speaker 5: Shuts out to King George. Man, he's from down my 113 00:04:20,400 --> 00:04:22,320 Speaker 5: way as well. Man. He definitely kicked the door down 114 00:04:22,360 --> 00:04:26,960 Speaker 5: for us. Man, Keep on Rolling is like one of 115 00:04:27,000 --> 00:04:29,800 Speaker 5: those that you know, really really really punched me, you know, 116 00:04:30,000 --> 00:04:33,680 Speaker 5: and it gave me even like some inspiration. 117 00:04:33,720 --> 00:04:33,840 Speaker 4: Bro. 118 00:04:34,240 --> 00:04:36,760 Speaker 5: You know one of those brothers I mean from South Carolina. 119 00:04:36,839 --> 00:04:39,240 Speaker 5: I'm saying, he keeped the doll with like wide open 120 00:04:39,279 --> 00:04:41,240 Speaker 5: for us. And when I heard that song, I'm saying, 121 00:04:41,279 --> 00:04:43,240 Speaker 5: I automatically knew that this was the type of jum 122 00:04:43,360 --> 00:04:45,400 Speaker 5: that I wanted to be in. Were you were you 123 00:04:45,440 --> 00:04:48,120 Speaker 5: surprised how fast this record card on? Of course, I 124 00:04:48,120 --> 00:04:48,719 Speaker 5: mean cause. 125 00:04:48,520 --> 00:04:52,120 Speaker 1: It's it's everywhere and you know, and people are learning 126 00:04:52,120 --> 00:04:53,000 Speaker 1: to dance quickly. 127 00:04:53,560 --> 00:04:55,360 Speaker 2: When did you realize how big the record was? 128 00:04:56,520 --> 00:05:00,960 Speaker 5: Man? I woke up one morning, h my TikTok. I mean, 129 00:05:01,000 --> 00:05:03,280 Speaker 5: I had so many notifications on TikTok and I GeV you. 130 00:05:03,279 --> 00:05:08,159 Speaker 5: I'm saying, I thought somebody had died. So when I 131 00:05:08,240 --> 00:05:09,880 Speaker 5: checked it or whatever, I've seen the video. The video 132 00:05:10,000 --> 00:05:12,200 Speaker 5: was you know a spot now my away called Sbar. 133 00:05:12,480 --> 00:05:14,640 Speaker 5: You know, it's a it's a it's a mecca for 134 00:05:14,839 --> 00:05:17,520 Speaker 5: like the line that's you're saying. So I seen that 135 00:05:17,560 --> 00:05:20,280 Speaker 5: and it was like maybe twenty videos. I went to 136 00:05:20,279 --> 00:05:22,120 Speaker 5: sleep and I woke up it was like five hundred videos, 137 00:05:23,040 --> 00:05:25,000 Speaker 5: you know what I'm saying. I knew at that point 138 00:05:25,080 --> 00:05:27,479 Speaker 5: right then that it was I might have a little something, 139 00:05:27,800 --> 00:05:29,960 Speaker 5: you know what I mean. And over the course of time, 140 00:05:30,080 --> 00:05:33,039 Speaker 5: now what't being went but three months almost four months, man, 141 00:05:33,200 --> 00:05:36,160 Speaker 5: it is past me. So right now I'm playing catch 142 00:05:36,240 --> 00:05:39,000 Speaker 5: up to the song. Everybody have been trying to put 143 00:05:39,000 --> 00:05:41,440 Speaker 5: a face with the music. So here I am go on. 144 00:05:41,680 --> 00:05:44,039 Speaker 3: I feel like that's what is Luther King George. I 145 00:05:44,040 --> 00:05:46,119 Speaker 3: feel like that's what he hasn't done yet. He hasn't 146 00:05:46,160 --> 00:05:48,880 Speaker 3: put a face to his music because everybody listens to 147 00:05:48,960 --> 00:05:49,960 Speaker 3: you know, at least down South. 148 00:05:50,040 --> 00:05:51,560 Speaker 4: You see people play a lot of King George music. 149 00:05:51,600 --> 00:05:59,520 Speaker 3: And he a young dude, thirty something years all right, yeah, okay, yeah, 150 00:05:59,520 --> 00:06:01,160 Speaker 3: but I'm saying I feel like he hasn't done that yet. 151 00:06:01,200 --> 00:06:02,839 Speaker 4: Don't wonder why, I don't know. 152 00:06:02,839 --> 00:06:04,760 Speaker 5: I mean, timing is everything, especially for me. I mean, 153 00:06:04,760 --> 00:06:06,640 Speaker 5: look how long I've been doing music. I've been doing 154 00:06:06,760 --> 00:06:09,920 Speaker 5: music for over twenty years. As far as Southern Soul, 155 00:06:10,000 --> 00:06:12,960 Speaker 5: I dropped five songs before Boots on the Ground and 156 00:06:13,000 --> 00:06:15,240 Speaker 5: then it picked up, you know. So I mean time 157 00:06:15,360 --> 00:06:17,520 Speaker 5: is everything. So y'all, y'all definite, stay tuned, y'all, gon 158 00:06:17,520 --> 00:06:18,960 Speaker 5: see a lot more of him and a lot more 159 00:06:19,040 --> 00:06:20,080 Speaker 5: to the Southern Soul front coming. 160 00:06:20,360 --> 00:06:24,520 Speaker 8: When I noticed it got big was when I seen 161 00:06:24,720 --> 00:06:28,200 Speaker 8: kids doing it, you know, it from old people to kids. 162 00:06:28,400 --> 00:06:30,040 Speaker 5: It was everybody got these. 163 00:06:29,960 --> 00:06:34,400 Speaker 8: Kids doing it, and it's something. It's feel good. It's 164 00:06:34,480 --> 00:06:36,960 Speaker 8: like music that you had the family reunion and stuff 165 00:06:37,000 --> 00:06:39,960 Speaker 8: like that. Did anybody try to like reach out abouth 166 00:06:40,000 --> 00:06:41,320 Speaker 8: signing you or anything like that? 167 00:06:41,560 --> 00:06:46,440 Speaker 5: Mercy ig been blowing up Angler crazy. It's definitely been crazy, man. 168 00:06:46,480 --> 00:06:48,599 Speaker 5: But you know, we started this company, shots out the 169 00:06:48,600 --> 00:06:49,440 Speaker 5: Snake Eyes Music Group. 170 00:06:49,480 --> 00:06:49,600 Speaker 4: Man. 171 00:06:49,600 --> 00:06:51,159 Speaker 5: We started this company, you know, from the bottom up. 172 00:06:51,200 --> 00:06:53,400 Speaker 5: You know, we came with a vision. It was just 173 00:06:53,440 --> 00:06:57,440 Speaker 5: a vision. And I think that we've done more in 174 00:06:57,520 --> 00:06:59,520 Speaker 5: a year than a lot of folks have done. And 175 00:06:59,560 --> 00:07:01,480 Speaker 5: like seven years are. 176 00:07:01,320 --> 00:07:02,920 Speaker 1: You are you signed to a major or no? You're 177 00:07:02,960 --> 00:07:05,680 Speaker 1: doing everything independent. We all independent, so you get everything 178 00:07:05,680 --> 00:07:09,000 Speaker 1: that you Yeah, we've been there. I'm proud of us, man, 179 00:07:09,000 --> 00:07:10,560 Speaker 1: I ain't gonna lie proud of us, because you know, 180 00:07:11,200 --> 00:07:13,480 Speaker 1: we all learned from each other. You're saying as we move, 181 00:07:13,880 --> 00:07:16,800 Speaker 1: we learned, we grow and shuts out the young guy man, 182 00:07:17,040 --> 00:07:18,520 Speaker 1: you know, that's why I brought him. He's one of 183 00:07:18,560 --> 00:07:20,680 Speaker 1: the United Fronts that were staying with as far as 184 00:07:20,720 --> 00:07:21,200 Speaker 1: Southern Soul. 185 00:07:21,760 --> 00:07:24,920 Speaker 5: And they they accepted me with open arms. Man, And 186 00:07:24,920 --> 00:07:26,320 Speaker 5: they had been doing it, you know, prid to me, 187 00:07:26,320 --> 00:07:28,040 Speaker 5: but they showed me the roles the definitely wouldn't stand 188 00:07:28,120 --> 00:07:32,800 Speaker 5: your game, and I can appreciate that, man, so everything independence. 189 00:07:32,840 --> 00:07:35,240 Speaker 5: So we're gonna I'm entertaining something, but you're not right. 190 00:07:35,120 --> 00:07:37,360 Speaker 4: Now, how long have you been young guy? Young guy? 191 00:07:37,840 --> 00:07:40,920 Speaker 6: Man, I've been young guys for for a long time years. 192 00:07:43,480 --> 00:07:46,040 Speaker 7: I told her, saying, change my nine the uncle guy 193 00:07:46,080 --> 00:07:51,559 Speaker 7: in a man and man. That would be crazy because 194 00:07:51,600 --> 00:07:53,840 Speaker 7: folks see me, they're saying, you know you're a rapper, 195 00:07:55,040 --> 00:07:55,360 Speaker 7: they're not. 196 00:07:55,480 --> 00:07:56,360 Speaker 6: Then they stay. 197 00:07:56,480 --> 00:07:58,600 Speaker 7: I get on stage and I'm saying some soul for ship, 198 00:07:58,600 --> 00:08:01,760 Speaker 7: and they were like, you know, but I kind of 199 00:08:01,840 --> 00:08:03,680 Speaker 7: kept my name back from the younger day when I 200 00:08:03,680 --> 00:08:05,400 Speaker 7: was a rapping man. So I come when I I 201 00:08:05,480 --> 00:08:07,640 Speaker 7: jumped into music, my story kind of, you know, similar 202 00:08:07,640 --> 00:08:07,840 Speaker 7: to his. 203 00:08:08,000 --> 00:08:09,920 Speaker 6: You know I've been I've been rolling in the. 204 00:08:09,960 --> 00:08:12,400 Speaker 7: Sut and soul gag probably about it finish two and 205 00:08:12,400 --> 00:08:15,040 Speaker 7: a half years now. And power of social media. I 206 00:08:15,040 --> 00:08:16,680 Speaker 7: had a record that you know, I was singing in 207 00:08:16,680 --> 00:08:19,760 Speaker 7: the garage and hosted it and chined my life. 208 00:08:19,800 --> 00:08:20,320 Speaker 6: You know what I'm saying. 209 00:08:20,320 --> 00:08:23,720 Speaker 7: Instantly, So yeah, man, so I kind of I was 210 00:08:23,760 --> 00:08:25,640 Speaker 7: tapped in on the rap side. You like him, man 211 00:08:25,720 --> 00:08:27,480 Speaker 7: came up in the church. You know what I'm saying, 212 00:08:27,480 --> 00:08:30,040 Speaker 7: Try different things. So far as you me physically doing music. Man, 213 00:08:30,040 --> 00:08:32,680 Speaker 7: I stepped away from music. I about fourteen years. So 214 00:08:32,760 --> 00:08:35,000 Speaker 7: when I finally just made up my mind, Hey, Finny, 215 00:08:35,120 --> 00:08:37,000 Speaker 7: get back in the studio, get it rolling. You know 216 00:08:37,040 --> 00:08:39,079 Speaker 7: what I'm saying, proficially, record me a song, sit down 217 00:08:39,120 --> 00:08:40,120 Speaker 7: and that that record. 218 00:08:40,160 --> 00:08:40,720 Speaker 6: You know what I'm saying. 219 00:08:40,720 --> 00:08:44,079 Speaker 7: Two regular later, I was driving trust man name drove 220 00:08:44,080 --> 00:08:45,280 Speaker 7: a trucking almost year and a half. 221 00:08:45,400 --> 00:08:47,920 Speaker 3: Now, I mean, you stepped down just because of the frustration, 222 00:08:48,000 --> 00:08:49,719 Speaker 3: you know, coming from South Carolina. Man, I don't know 223 00:08:49,760 --> 00:08:51,800 Speaker 3: if people even realize that there's so many people in 224 00:08:51,840 --> 00:08:54,959 Speaker 3: South Carolina who do music, whether it's rap, whether it's singing, 225 00:08:55,320 --> 00:08:57,360 Speaker 3: but it's hard for people from South Carolina to get 226 00:08:57,360 --> 00:08:57,720 Speaker 3: that break. 227 00:08:57,720 --> 00:08:59,680 Speaker 7: So you just had got frustrated from Mississippi. Man, So 228 00:08:59,720 --> 00:09:02,360 Speaker 7: it was you know what I'm saying, it's worth so 229 00:09:03,400 --> 00:09:04,680 Speaker 7: from the at. 230 00:09:04,559 --> 00:09:07,120 Speaker 3: Least y'all got y'all got band in krick though yeah 231 00:09:07,440 --> 00:09:09,480 Speaker 3: you know we ain't had one yet. 232 00:09:10,600 --> 00:09:11,839 Speaker 6: Y'all got Peter Poplo Man. 233 00:09:11,920 --> 00:09:13,680 Speaker 2: That's North Carolina. 234 00:09:14,080 --> 00:09:18,920 Speaker 6: I tried, but you. 235 00:09:19,000 --> 00:09:20,000 Speaker 4: Got frustrated with the music. 236 00:09:20,040 --> 00:09:21,600 Speaker 6: Are you no man for showman? 237 00:09:21,640 --> 00:09:23,880 Speaker 7: Because when you when you come where we come from, man, 238 00:09:23,880 --> 00:09:25,120 Speaker 7: you don't have the resources like that. 239 00:09:25,280 --> 00:09:26,920 Speaker 6: You know, years ago I moved to Atlanta. 240 00:09:27,600 --> 00:09:30,120 Speaker 7: I was gonna, you know, try to be around when 241 00:09:30,120 --> 00:09:32,600 Speaker 7: you're not around a music scene, like a music scene 242 00:09:32,640 --> 00:09:34,480 Speaker 7: where you know Atlanta. When I moved to Atlanta, man, 243 00:09:34,480 --> 00:09:37,240 Speaker 7: they got an open mic on a Monday, Tuesday, Wednesday. 244 00:09:37,280 --> 00:09:39,280 Speaker 7: They got you got studios everywhere you can neet where. 245 00:09:39,280 --> 00:09:40,800 Speaker 7: You got a lot of people that can that can 246 00:09:40,840 --> 00:09:43,080 Speaker 7: connect what you're trying to do. And SIP ain't really 247 00:09:43,080 --> 00:09:44,760 Speaker 7: got that. So you think about a Big Krick. Big 248 00:09:44,840 --> 00:09:47,240 Speaker 7: Krick came out of uh, you know, shot the Creek. 249 00:09:47,280 --> 00:09:49,559 Speaker 7: He came out there. Creek is a one stop shot, 250 00:09:50,400 --> 00:09:53,320 Speaker 7: write his own music, produce his own music, the whole nine. 251 00:09:53,400 --> 00:09:55,680 Speaker 7: So you know what I'm saying, just yeah for real. 252 00:09:55,720 --> 00:09:57,400 Speaker 7: So like you know, you got you gotta have a 253 00:09:57,400 --> 00:09:59,480 Speaker 7: little bit more musciple behind you just to get out there. 254 00:09:59,640 --> 00:10:01,440 Speaker 4: You know from the South, how y'all connect? 255 00:10:01,880 --> 00:10:04,760 Speaker 6: Man, We met a couple of coup two years ago. 256 00:10:05,080 --> 00:10:07,400 Speaker 5: I think my very first show out there, that is 257 00:10:07,400 --> 00:10:10,920 Speaker 5: I think net iss Mississippi, Man, my first sohul kind 258 00:10:10,920 --> 00:10:12,760 Speaker 5: of nervous you're saying me personally, you know, I had 259 00:10:12,800 --> 00:10:15,640 Speaker 5: just thought it with some song. So Bro came he 260 00:10:15,679 --> 00:10:17,320 Speaker 5: hollered at me, saying, gave me that little pep talk 261 00:10:17,400 --> 00:10:18,760 Speaker 5: or whatever you're saying. I show up my shoulders and 262 00:10:19,200 --> 00:10:20,160 Speaker 5: did it. 263 00:10:20,559 --> 00:10:22,559 Speaker 7: He came to me like, man, like, young guy, Man, 264 00:10:22,559 --> 00:10:24,839 Speaker 7: what I because I was kind of moving pretty good, man, 265 00:10:24,840 --> 00:10:26,040 Speaker 7: you know what I'm saying. I had a record that 266 00:10:26,080 --> 00:10:27,880 Speaker 7: was that was keeping me busy, and he was like, man, 267 00:10:27,920 --> 00:10:30,760 Speaker 7: what what what I gotta do? Advice can you give me? 268 00:10:31,120 --> 00:10:33,000 Speaker 7: Was like, man, you know, keep grinding, bro, You're gonna 269 00:10:33,000 --> 00:10:35,079 Speaker 7: get that one, and you gonna know you got So 270 00:10:35,120 --> 00:10:36,719 Speaker 7: when I heard that Boots on the Ground. 271 00:10:36,440 --> 00:10:36,920 Speaker 6: I called him. 272 00:10:36,920 --> 00:10:38,520 Speaker 4: I said, you. 273 00:10:38,280 --> 00:10:43,600 Speaker 5: Getting ready to be original? You know what I'm saying. 274 00:10:43,600 --> 00:10:45,959 Speaker 7: When I knew it from the first ten seconds ten 275 00:10:46,000 --> 00:10:48,040 Speaker 7: seconds of the song, I was like, man, that's this 276 00:10:48,200 --> 00:10:50,280 Speaker 7: finna go crazy. And now just see you look on 277 00:10:50,320 --> 00:10:53,920 Speaker 7: social media shack dancing to it. You got yeah, like, man, 278 00:10:53,960 --> 00:10:56,079 Speaker 7: that is crazy. You know what I'm saying. So it's 279 00:10:56,120 --> 00:10:58,240 Speaker 7: it's a blessing. And man, I just proud of my 280 00:10:58,240 --> 00:10:59,560 Speaker 7: brother and were just trying to keep it going. 281 00:10:59,760 --> 00:11:01,959 Speaker 3: What inspired Boots on the Ground though, Like like when 282 00:11:01,960 --> 00:11:03,480 Speaker 3: you sat down and said you heard that beat and 283 00:11:03,520 --> 00:11:04,560 Speaker 3: you're like, this is what I want to write? 284 00:11:04,559 --> 00:11:06,880 Speaker 5: About man. I tell the story all the time. Man, Listen, 285 00:11:07,080 --> 00:11:09,680 Speaker 5: I had a show in Phoenix City. It was in 286 00:11:09,720 --> 00:11:11,840 Speaker 5: the back of the van. Whatever, say it like this. 287 00:11:11,960 --> 00:11:14,760 Speaker 5: I had my I had experience. I had a chance 288 00:11:14,800 --> 00:11:18,800 Speaker 5: to experienced my first trail ride last year went the 289 00:11:18,840 --> 00:11:20,480 Speaker 5: trail ride. You're saying, A couple of ladies had fans 290 00:11:20,559 --> 00:11:22,800 Speaker 5: or whatever. It was hot, so you know they got fans. 291 00:11:23,360 --> 00:11:25,040 Speaker 5: So I got a chance to go to my second 292 00:11:25,080 --> 00:11:26,840 Speaker 5: trail ride line and see no fans. So I pulled 293 00:11:26,880 --> 00:11:30,120 Speaker 5: the question where them fans at? You know what I'm saying. 294 00:11:30,160 --> 00:11:31,840 Speaker 5: So with boots on the ground, boots on the ground 295 00:11:31,880 --> 00:11:34,120 Speaker 5: is already aligned. That's terminology you're saying. So you know 296 00:11:34,160 --> 00:11:35,679 Speaker 5: when they say boots on the ground, you know it's 297 00:11:35,920 --> 00:11:37,560 Speaker 5: about to have a party. We just too a down 298 00:11:37,640 --> 00:11:39,640 Speaker 5: type of deal. So I just really merged the two 299 00:11:39,679 --> 00:11:41,520 Speaker 5: ideas and it became a good marriage. 300 00:11:41,880 --> 00:11:43,760 Speaker 4: What's the trail ride for the people who don't know. 301 00:11:43,679 --> 00:11:47,040 Speaker 5: Listen, man, trail ridse is you know ATVs horses you're 302 00:11:47,040 --> 00:11:51,120 Speaker 5: saying that line, desc it's a whole like combination of 303 00:11:51,200 --> 00:11:53,720 Speaker 5: all things. It's definitely a coach. It's not really just 304 00:11:53,720 --> 00:11:56,319 Speaker 5: an event, you know what I mean? And that's why 305 00:11:56,360 --> 00:12:00,640 Speaker 5: I feel like, uh, Southern soul and line answer is 306 00:12:00,640 --> 00:12:02,840 Speaker 5: a perfect mixture, you know what I mean. It's a 307 00:12:02,840 --> 00:12:06,000 Speaker 5: great marriage. You know. It piggybacks off of one, piggybacks 308 00:12:06,000 --> 00:12:07,959 Speaker 5: off of the other. And if you ever come to 309 00:12:08,000 --> 00:12:09,320 Speaker 5: the trail right down there, man, I promise you can 310 00:12:09,440 --> 00:12:10,760 Speaker 5: have a good time. You might get a little dusty, 311 00:12:11,120 --> 00:12:13,840 Speaker 5: which I promise you gonna have a good time. Now, 312 00:12:14,120 --> 00:12:16,280 Speaker 5: every time you make a song, is it a line song? 313 00:12:16,360 --> 00:12:16,560 Speaker 4: Now? 314 00:12:16,600 --> 00:12:16,960 Speaker 6: Oh no? 315 00:12:17,040 --> 00:12:19,839 Speaker 5: Okay, see uh see that's one thing I didn't want 316 00:12:19,840 --> 00:12:21,360 Speaker 5: to get called in. I didn't want to get caught in, 317 00:12:21,440 --> 00:12:24,280 Speaker 5: you know, just being the line, the line at. 318 00:12:24,160 --> 00:12:28,240 Speaker 2: The boot at the boot nigga. 319 00:12:29,400 --> 00:12:33,320 Speaker 5: Yeah, you know. And I've been thinking about you're saying 320 00:12:33,400 --> 00:12:35,640 Speaker 5: names for like a EPU or album, whatever you're saying, 321 00:12:35,679 --> 00:12:38,079 Speaker 5: And I really wanted to be versatility because I want 322 00:12:38,120 --> 00:12:40,079 Speaker 5: to show them on all skills. I got differ skills music. 323 00:12:40,320 --> 00:12:41,959 Speaker 2: But you could do it like you remember how Jamaine 324 00:12:42,000 --> 00:12:42,840 Speaker 2: Dupre did back in the. 325 00:12:42,840 --> 00:12:44,959 Speaker 1: Day, Like he had the the All the what was 326 00:12:45,000 --> 00:12:46,480 Speaker 1: it called it, The The Beat All Stars where it 327 00:12:46,520 --> 00:12:49,000 Speaker 1: was just one album just doing all the uptemper. 328 00:12:48,640 --> 00:12:52,320 Speaker 3: Talking about like the he had a whole album or that, 329 00:12:52,360 --> 00:12:53,840 Speaker 3: and then he had a whole album different ways of 330 00:12:53,880 --> 00:12:54,800 Speaker 3: doing things, So you could. 331 00:12:54,640 --> 00:12:57,880 Speaker 1: Do that like an anthem like that, because your HBC 332 00:12:58,040 --> 00:13:03,320 Speaker 1: you it's gonna be crazy weeks, spring flings, homecomings all that. 333 00:13:03,720 --> 00:13:05,160 Speaker 1: They should start boking you now to try to get 334 00:13:05,200 --> 00:13:05,880 Speaker 1: the cheapest prices. 335 00:13:05,880 --> 00:13:12,920 Speaker 2: Posbozy, you got. 336 00:13:12,800 --> 00:13:14,439 Speaker 6: To show tomorrow. What is tomorrow? 337 00:13:14,679 --> 00:13:14,880 Speaker 5: Yeah? 338 00:13:14,880 --> 00:13:17,880 Speaker 6: I fly tomorrow, Saturday, Sunday, and Monday. 339 00:13:19,200 --> 00:13:22,400 Speaker 8: You booked on a Monday. 340 00:13:20,720 --> 00:13:23,440 Speaker 2: Yeah, that's what's up. 341 00:13:24,600 --> 00:13:26,360 Speaker 8: I know you don't want to just fall into the 342 00:13:26,400 --> 00:13:29,840 Speaker 8: line dance, uh, you know, genre of music, but it's 343 00:13:29,880 --> 00:13:35,400 Speaker 8: like nobody has made any that they're great since all 344 00:13:35,840 --> 00:13:46,080 Speaker 8: like the five that we got, like but none since then, 345 00:13:46,240 --> 00:13:48,760 Speaker 8: and it's like it's it's kind of hard to do, 346 00:13:49,200 --> 00:13:50,440 Speaker 8: like you know what I mean. So for you to 347 00:13:50,520 --> 00:13:52,160 Speaker 8: just come up with one and just do it just 348 00:13:52,360 --> 00:13:55,040 Speaker 8: off of what you felt, you gotta do that more. 349 00:13:55,440 --> 00:13:57,160 Speaker 4: Like I'm tired of. 350 00:13:57,120 --> 00:14:00,920 Speaker 7: That tell people like I felt like my opinion, I 351 00:14:00,920 --> 00:14:03,920 Speaker 7: feel like line dances like the new disco. Yeah, you 352 00:14:04,000 --> 00:14:06,040 Speaker 7: know what I'm saying, it's a big thing in a 353 00:14:06,080 --> 00:14:07,240 Speaker 7: black culture that you know what I'm saying. 354 00:14:07,240 --> 00:14:09,160 Speaker 6: We're just trying to shine light on because you got 355 00:14:09,440 --> 00:14:11,559 Speaker 6: you got people who y'all. You know, y'all from the 356 00:14:11,559 --> 00:14:14,040 Speaker 6: see it. Man. It makes people from the see that. Man. 357 00:14:13,559 --> 00:14:15,199 Speaker 6: I get me some boots. 358 00:14:16,800 --> 00:14:18,559 Speaker 7: Had It's just it's a culture that they shine a 359 00:14:18,640 --> 00:14:19,880 Speaker 7: light on so people can experience. 360 00:14:19,960 --> 00:14:20,960 Speaker 6: So it's just lying dances. 361 00:14:21,080 --> 00:14:23,480 Speaker 7: It's been around for a while, but like this don't 362 00:14:23,480 --> 00:14:25,560 Speaker 7: got bigger man, they got sell the lot to be 363 00:14:25,600 --> 00:14:27,119 Speaker 7: seven thousand people out there. 364 00:14:27,160 --> 00:14:30,240 Speaker 2: You feel African music to African music has it? 365 00:14:30,280 --> 00:14:33,560 Speaker 5: Has it as well? Dance like Jerusalem is a line 366 00:14:33,600 --> 00:14:35,520 Speaker 5: dance as Yeah. 367 00:14:35,560 --> 00:14:38,480 Speaker 3: Yeah, that's the thing though the artist like, it's not 368 00:14:38,520 --> 00:14:39,800 Speaker 3: like you created the dance. 369 00:14:40,000 --> 00:14:42,800 Speaker 5: No, see, that's that's the sweetest thing about it too. 370 00:14:42,840 --> 00:14:44,320 Speaker 5: You said you didn't create the dance. 371 00:14:44,560 --> 00:14:45,480 Speaker 2: The people didn't. 372 00:14:46,200 --> 00:14:48,320 Speaker 5: They choose it. They choose it whether it's going to 373 00:14:48,400 --> 00:14:49,760 Speaker 5: be you said a lot dance to it or not. 374 00:14:49,800 --> 00:14:53,680 Speaker 5: You know what I'm saying. When they see that on TikTok, 375 00:14:54,000 --> 00:14:56,080 Speaker 5: it was like four or five dances, different dances to it. 376 00:14:56,120 --> 00:14:58,160 Speaker 5: I'm saying, I reposted once shots out to trade little 377 00:14:59,520 --> 00:15:01,840 Speaker 5: when I po that, everybody took on you. I'm saying 378 00:15:01,880 --> 00:15:03,800 Speaker 5: to that one because it was real easy. It wasn't 379 00:15:03,800 --> 00:15:05,520 Speaker 5: to me a ish, you know, to me, it got 380 00:15:05,520 --> 00:15:06,160 Speaker 5: b I'm. 381 00:15:09,240 --> 00:15:11,240 Speaker 7: That's a lot. 382 00:15:10,280 --> 00:15:20,320 Speaker 5: That's it's like the cursive of blindness. Yet you got 383 00:15:20,360 --> 00:15:24,320 Speaker 5: your profile yeah, uh dely not intermediate anyway. 384 00:15:24,560 --> 00:15:26,640 Speaker 4: You have to learn your own dance basically. 385 00:15:26,320 --> 00:15:27,560 Speaker 5: Yeah, and I can't that there. 386 00:15:29,880 --> 00:15:31,320 Speaker 1: So you just picked that one. It was like, this 387 00:15:31,360 --> 00:15:33,480 Speaker 1: is the one were rocking with. Because if twenty people 388 00:15:33,520 --> 00:15:34,560 Speaker 1: said different dances. 389 00:15:35,160 --> 00:15:37,320 Speaker 5: That's why I said that everybody being sync that people 390 00:15:37,400 --> 00:15:40,040 Speaker 5: chose it. Man Boots on the Ground was not intended 391 00:15:40,040 --> 00:15:41,800 Speaker 5: to be a lot of that song. It was just 392 00:15:41,800 --> 00:15:42,880 Speaker 5: blessed to be that way. 393 00:15:42,840 --> 00:15:46,840 Speaker 2: Even with the fan bang bang, like you know, something 394 00:15:46,840 --> 00:15:48,840 Speaker 2: that you do when you hate you. 395 00:15:49,600 --> 00:15:51,360 Speaker 5: You know. And I didn't know that fans like the 396 00:15:51,440 --> 00:15:54,000 Speaker 5: fans were like a big part of the you know, 397 00:15:54,120 --> 00:15:56,480 Speaker 5: the trail scene until I made the song with it, 398 00:15:56,720 --> 00:16:00,120 Speaker 5: and now here like you know, ten twenty different on 399 00:16:00,280 --> 00:16:01,920 Speaker 5: with fans now what I'm saying. So it definitely is 400 00:16:01,920 --> 00:16:03,760 Speaker 5: a part, like a big important part of the culture. 401 00:16:04,240 --> 00:16:06,440 Speaker 5: So I think I just revived it. 402 00:16:06,640 --> 00:16:07,760 Speaker 4: Why not the church fan. 403 00:16:08,360 --> 00:16:11,760 Speaker 5: The church fan too. I think that the sales on 404 00:16:11,920 --> 00:16:14,760 Speaker 5: church fans is at an all time mab right now. Yeah, 405 00:16:15,320 --> 00:16:18,280 Speaker 5: church fans, you know, Amazon. When when I first came 406 00:16:18,360 --> 00:16:20,040 Speaker 5: up with the with the song or whatever, they were 407 00:16:20,120 --> 00:16:23,360 Speaker 5: just clacking fans. If you go on Amazon right now, 408 00:16:23,360 --> 00:16:26,200 Speaker 5: they Boots on the ground fans, hm hm, you got 409 00:16:26,280 --> 00:16:27,400 Speaker 5: the little biton got. 410 00:16:27,240 --> 00:16:33,240 Speaker 4: Fans was getting. 411 00:16:33,280 --> 00:16:35,640 Speaker 5: I was like out of here and got on the 412 00:16:35,640 --> 00:16:37,320 Speaker 5: ground fans. You know what I'm saying. So it definitely has 413 00:16:37,400 --> 00:16:39,400 Speaker 5: been impactful to the culture. Man. I'm just proud to 414 00:16:39,400 --> 00:16:39,880 Speaker 5: be a part of it. 415 00:16:40,640 --> 00:16:42,480 Speaker 8: They're gonna be waiting for for them t fans. 416 00:16:42,480 --> 00:16:43,080 Speaker 6: I tell you that. 417 00:16:43,240 --> 00:16:45,960 Speaker 5: Yeah, yeah, out there right now. 418 00:16:46,000 --> 00:16:49,440 Speaker 3: But everybody's gonna be waiting for new music. Do you 419 00:16:49,520 --> 00:16:51,400 Speaker 3: got more after Boots. 420 00:16:51,120 --> 00:16:52,960 Speaker 5: On the Ground take something. I got so much music, 421 00:16:53,000 --> 00:16:55,920 Speaker 5: I'm saying, And I got music like before I got 422 00:16:56,080 --> 00:16:57,760 Speaker 5: you know, our previous catalog. I got five songs that 423 00:16:57,800 --> 00:16:59,280 Speaker 5: I dropped. Like I said, I've only been in a 424 00:16:59,360 --> 00:17:00,880 Speaker 5: year and a half, you know what I mean. But 425 00:17:00,920 --> 00:17:02,960 Speaker 5: as far as the catalog, man, I got a widespread 426 00:17:03,000 --> 00:17:04,960 Speaker 5: catalog that's getting ready to come. It was just the 427 00:17:05,520 --> 00:17:07,679 Speaker 5: timing was waiting on, you know what I mean. So 428 00:17:07,720 --> 00:17:09,600 Speaker 5: I think it's the perfect time for everybody to see me. 429 00:17:09,760 --> 00:17:11,879 Speaker 5: And you know what I got the offer versatility is. 430 00:17:11,880 --> 00:17:14,560 Speaker 3: Coming what's the toughest challenge about being an artist from 431 00:17:14,560 --> 00:17:15,119 Speaker 3: South Caroline? 432 00:17:15,960 --> 00:17:19,280 Speaker 5: H The weight that's on my back, you're saying, because 433 00:17:19,320 --> 00:17:21,840 Speaker 5: not only do I stay, I mean, yeah, boost and 434 00:17:21,880 --> 00:17:24,720 Speaker 5: the ground is for me, but I stand with a 435 00:17:24,720 --> 00:17:26,240 Speaker 5: lot of weight that I'm carrying as far as like 436 00:17:26,280 --> 00:17:28,040 Speaker 5: Southern sold as a whole, because see, this is what 437 00:17:28,080 --> 00:17:29,720 Speaker 5: my main part is, and I ain't gonna lie. This 438 00:17:29,760 --> 00:17:31,520 Speaker 5: is the reason why I came here. You saying, I 439 00:17:31,680 --> 00:17:35,040 Speaker 5: want to I want to make Southern soul that main genre. 440 00:17:35,320 --> 00:17:37,840 Speaker 5: You know it's being you know, sublind like it's been 441 00:17:38,000 --> 00:17:40,760 Speaker 5: like undertone for so long, and you know that Chickland 442 00:17:40,760 --> 00:17:42,480 Speaker 5: circuit has been going on, like you got greats that 443 00:17:42,520 --> 00:17:44,800 Speaker 5: came through that Chitlan circuit, like Tyrone Dave, It's Marvel, 444 00:17:44,840 --> 00:17:47,720 Speaker 5: See's Changed Brown, There's Muddy Waters. All these guys become 445 00:17:47,840 --> 00:17:50,040 Speaker 5: under that Chitlin circuit man, and it hasn't really had 446 00:17:50,040 --> 00:17:53,160 Speaker 5: a catalyst for it has been brought to the front. 447 00:17:53,520 --> 00:17:56,040 Speaker 5: So I take myself to be a martyr and that 448 00:17:56,040 --> 00:17:58,080 Speaker 5: he was saying, I want to be able to display 449 00:17:58,080 --> 00:18:00,560 Speaker 5: that as being a main genre and showing that you know, 450 00:18:00,640 --> 00:18:02,320 Speaker 5: we're coming with the United Front. I got Sean Mika, 451 00:18:02,400 --> 00:18:04,840 Speaker 5: Joe Quail out there, I'm saying, grown ass woman, I 452 00:18:04,840 --> 00:18:07,040 Speaker 5: got Frank Johnson out there, you can hate on me. 453 00:18:07,320 --> 00:18:09,040 Speaker 5: I got a young guy right here. You know what I'm saying, Like, 454 00:18:09,119 --> 00:18:11,639 Speaker 5: take here. These are all very impactful songs to the culture, 455 00:18:12,240 --> 00:18:15,199 Speaker 5: and when I bring my boots on the ground, I 456 00:18:15,240 --> 00:18:17,159 Speaker 5: want to bring them as well. So that's probably like 457 00:18:17,200 --> 00:18:19,040 Speaker 5: the biggest thing as far as like, you know, I'm 458 00:18:19,080 --> 00:18:20,800 Speaker 5: carrying that weight and I want to be a good 459 00:18:20,840 --> 00:18:21,520 Speaker 5: advocate for them. 460 00:18:21,760 --> 00:18:23,200 Speaker 3: Well, you know, you got to get yourself all the 461 00:18:23,200 --> 00:18:24,960 Speaker 3: way through the door first, you know what I'm saying, Like, 462 00:18:24,960 --> 00:18:27,120 Speaker 3: that's that's why I think a lot of people fall 463 00:18:27,200 --> 00:18:29,600 Speaker 3: through a little bit, because they want to represent for 464 00:18:29,640 --> 00:18:31,920 Speaker 3: the whole state and they want to bring everybody with them, 465 00:18:32,320 --> 00:18:34,240 Speaker 3: and usually all the people end up weighing them down 466 00:18:34,280 --> 00:18:35,280 Speaker 3: before you get to where you. 467 00:18:35,240 --> 00:18:35,600 Speaker 4: Need to be. 468 00:18:35,680 --> 00:18:38,359 Speaker 5: I think that with me, how I present myself, how 469 00:18:38,400 --> 00:18:40,600 Speaker 5: I care myself. I care myself as you know A 470 00:18:41,240 --> 00:18:44,399 Speaker 5: you know, he's he's a strong front by himself. You know, 471 00:18:44,560 --> 00:18:46,720 Speaker 5: it's just I want to be a good representative for him. 472 00:18:46,760 --> 00:18:48,679 Speaker 5: You know, It's not that I'm pulling them up. You're 473 00:18:48,680 --> 00:18:50,760 Speaker 5: saying the way that I walk, My character is what 474 00:18:51,000 --> 00:18:53,280 Speaker 5: you know, It puts it out there like, oh oh, 475 00:18:53,320 --> 00:18:55,960 Speaker 5: I like him. Let me see what they got going on. 476 00:18:56,160 --> 00:18:57,639 Speaker 5: You know what I'm saying. I let my walk you 477 00:18:57,640 --> 00:18:58,399 Speaker 5: were saying speak for me. 478 00:18:59,560 --> 00:19:00,639 Speaker 4: I mean it's I can line to have it in a 479 00:19:00,680 --> 00:19:01,119 Speaker 4: moment right now. 480 00:19:01,160 --> 00:19:03,480 Speaker 5: You got trapped, Dicky, Yeah, the traplan. 481 00:19:03,240 --> 00:19:06,520 Speaker 3: You know Black Zach, Yeah, Man, little balls rest in 482 00:19:06,520 --> 00:19:08,160 Speaker 3: peace speaking. Not because like it's a lot of people 483 00:19:08,400 --> 00:19:10,600 Speaker 3: doing it, but I really love what the Southern soul 484 00:19:10,720 --> 00:19:13,800 Speaker 3: is doing because that's a whole different genre. And we 485 00:19:13,880 --> 00:19:16,200 Speaker 3: call it the Chitlin circuit. Well really, what I call 486 00:19:16,240 --> 00:19:18,879 Speaker 3: it is the heart and soul of Black America definitely, bro, Like. 487 00:19:19,160 --> 00:19:21,159 Speaker 4: That's what all the majority of black people in America 488 00:19:21,200 --> 00:19:21,840 Speaker 4: are in the South. 489 00:19:22,760 --> 00:19:25,320 Speaker 5: Don't advocate for violence, man, we advocate for unity like 490 00:19:25,400 --> 00:19:26,639 Speaker 5: good time. And you know what I'm saying, You just 491 00:19:26,680 --> 00:19:28,680 Speaker 5: got to pay attention to a lot of this music, man. 492 00:19:28,960 --> 00:19:31,639 Speaker 5: And it's like real life relatable stuff, bro. And it 493 00:19:31,640 --> 00:19:33,600 Speaker 5: ain't you know, fabricated, you know what I'm saying, It's 494 00:19:33,680 --> 00:19:35,680 Speaker 5: real life relatable things. And I think that's why people 495 00:19:35,680 --> 00:19:38,040 Speaker 5: gravitate towards it a little bit more because I'm able 496 00:19:38,040 --> 00:19:39,760 Speaker 5: to you saying, oh yeah, I'm going through that right now, 497 00:19:40,280 --> 00:19:41,880 Speaker 5: you know what I mean. So I think that's why 498 00:19:41,880 --> 00:19:43,960 Speaker 5: everybody has been gravitated towards it. But it's definitely a movement. 499 00:19:44,000 --> 00:19:46,320 Speaker 3: Man, If you had to pick one song that best 500 00:19:46,320 --> 00:19:48,400 Speaker 3: represents you that's not Boots on the Ground, what would 501 00:19:48,440 --> 00:19:48,679 Speaker 3: it be? 502 00:19:51,080 --> 00:19:56,920 Speaker 5: You know, that's a tough one, man. One you ain't 503 00:19:56,920 --> 00:20:04,119 Speaker 5: got out you Yeah, I don't know, you know, because 504 00:20:04,240 --> 00:20:06,000 Speaker 5: like all of them is like a representation to me. 505 00:20:06,080 --> 00:20:08,399 Speaker 5: You said, I feel all of them, you know what 506 00:20:08,400 --> 00:20:11,920 Speaker 5: I mean? So y'all just stay tunned. Man, ain't like y'all. 507 00:20:11,920 --> 00:20:13,720 Speaker 5: Just I got I got so much that's coming behind me. 508 00:20:13,760 --> 00:20:15,440 Speaker 5: I don't even know how to pick it, you know 509 00:20:15,480 --> 00:20:15,840 Speaker 5: what I mean. 510 00:20:16,359 --> 00:20:19,000 Speaker 6: You're gonna get these Patton, you get these? 511 00:20:19,200 --> 00:20:21,600 Speaker 5: Then we got I think we got them Stamp. Okay, 512 00:20:21,720 --> 00:20:22,679 Speaker 5: I think we got them Stamp man. 513 00:20:22,800 --> 00:20:25,959 Speaker 6: I was looking here. Yeah, you're right. And the prices 514 00:20:26,040 --> 00:20:26,840 Speaker 6: up sixteen hours. 515 00:20:26,880 --> 00:20:30,480 Speaker 5: You know, I'm inavertally employing people that I don't have 516 00:20:30,560 --> 00:20:32,800 Speaker 5: to hire it, you know what I mean. Everybody selling 517 00:20:32,840 --> 00:20:35,359 Speaker 5: Boots on the Ground shirts, everybody selling fans or whatever. 518 00:20:35,400 --> 00:20:37,480 Speaker 5: I'm saying. This was something that nobody had thought about 519 00:20:37,520 --> 00:20:39,800 Speaker 5: they wasn't tapped into it. So everybody is able to 520 00:20:39,840 --> 00:20:41,760 Speaker 5: make money. So I just feel like I'm an employer. 521 00:20:42,440 --> 00:20:44,520 Speaker 5: You know, I gave everybody I'm saying something that you 522 00:20:44,520 --> 00:20:46,640 Speaker 5: can make their money off of. And you know that's 523 00:20:46,640 --> 00:20:49,240 Speaker 5: what hit me the most too. You know, Hey, I'm 524 00:20:49,280 --> 00:20:49,840 Speaker 5: helping you out. 525 00:20:50,240 --> 00:20:51,960 Speaker 3: You got to teachers to dance for you leave, man, 526 00:20:52,040 --> 00:20:53,879 Speaker 3: you gotta show somebody put the song on. 527 00:20:54,040 --> 00:20:56,199 Speaker 4: I will say this though you saw do it. 528 00:20:56,440 --> 00:20:58,119 Speaker 6: I'm these oldest niggas. 529 00:20:59,480 --> 00:21:01,000 Speaker 4: First of all, it's for everybody. 530 00:21:01,040 --> 00:21:04,280 Speaker 3: It's for all age groups, old to the young. 531 00:21:04,760 --> 00:21:07,199 Speaker 2: All right, big HBC, bring Lauren how to do this? 532 00:21:07,280 --> 00:21:11,720 Speaker 2: You're trying to guys, we got our mechanic coming in here, mechanics. 533 00:21:12,760 --> 00:21:14,400 Speaker 4: We're gonna get under the hood of her wig. God damn. 534 00:21:21,119 --> 00:21:22,920 Speaker 4: Come on, who don't want to learn to dance? 535 00:21:23,040 --> 00:21:26,400 Speaker 8: Don't say in that direction to damn hard because. 536 00:21:26,240 --> 00:21:31,800 Speaker 2: You must know. I'm just saying, because we're trying. 537 00:21:30,520 --> 00:21:33,800 Speaker 4: To everybody trying to get the la Come on, Yes, 538 00:21:34,040 --> 00:21:36,320 Speaker 4: I know, teacher, you're gonna lead us. 539 00:21:36,240 --> 00:21:41,800 Speaker 5: Fresh your wig? 540 00:21:41,840 --> 00:21:47,120 Speaker 8: Did you say you got to do that? 541 00:21:43,320 --> 00:21:50,040 Speaker 4: I just learned who's gonna lead us? You're gonna lead us. 542 00:21:50,119 --> 00:21:51,840 Speaker 5: Man, I try something, I tell you down. 543 00:21:53,280 --> 00:22:01,119 Speaker 8: That's why he keepest one that. 544 00:22:02,800 --> 00:22:09,359 Speaker 5: You know you shot. 545 00:22:15,480 --> 00:22:18,879 Speaker 3: The man the gods who feel I haven't seen the 546 00:22:18,880 --> 00:22:24,359 Speaker 3: guy who fan something's gonna be doing. 547 00:22:26,880 --> 00:22:28,520 Speaker 7: The like. 548 00:22:30,640 --> 00:22:31,119 Speaker 5: Don't know what. 549 00:22:34,240 --> 00:22:34,600 Speaker 2: You got? 550 00:22:34,960 --> 00:22:36,480 Speaker 6: My god, you don't get. 551 00:22:39,280 --> 00:22:48,119 Speaker 4: To like because it was you go. 552 00:22:56,040 --> 00:22:56,720 Speaker 2: Where you had? 553 00:23:01,359 --> 00:23:02,159 Speaker 4: That's too old for me. 554 00:23:04,119 --> 00:23:09,520 Speaker 5: I can't I know right who? So the crowd. 555 00:23:15,880 --> 00:23:20,879 Speaker 4: Wait a minute now, all right, all the way all around, 556 00:23:22,400 --> 00:23:23,679 Speaker 4: and then you know. 557 00:23:27,440 --> 00:23:28,119 Speaker 2: I can't do this. 558 00:23:31,080 --> 00:23:31,720 Speaker 5: Confuse me. 559 00:23:37,840 --> 00:23:38,280 Speaker 8: Anytime. 560 00:23:43,000 --> 00:23:44,600 Speaker 4: So the metaphor, that's what. 561 00:23:47,640 --> 00:23:48,280 Speaker 5: The crowd. 562 00:23:50,040 --> 00:23:50,200 Speaker 2: Make. 563 00:23:50,240 --> 00:23:53,560 Speaker 4: The way that can excool in way too much? Can 564 00:23:54,680 --> 00:24:26,879 Speaker 4: I can't from the job time gime. This it is 565 00:24:26,920 --> 00:24:30,080 Speaker 4: that the instructional version dropped the deck. Okay, alright, where 566 00:24:30,240 --> 00:24:33,760 Speaker 4: where all dsp what you mean? 567 00:24:33,840 --> 00:24:35,159 Speaker 5: So he tells you how to do it, and man, 568 00:24:35,160 --> 00:24:35,880 Speaker 5: I'm tired of here. 569 00:24:37,600 --> 00:24:41,359 Speaker 2: He Okay, on YouTube, man, they got an instructure I 570 00:24:41,480 --> 00:24:42,320 Speaker 2: was looking, but. 571 00:24:42,720 --> 00:24:44,879 Speaker 4: Well, tell them where to follow you eight on three fresh, It. 572 00:24:44,880 --> 00:24:46,680 Speaker 5: Will prepress the kid live bid. You can follow me 573 00:24:46,760 --> 00:24:49,240 Speaker 5: on all streaming platform everywhere, man, this type eight on 574 00:24:49,320 --> 00:24:50,840 Speaker 5: three fresh. You said you can get my music from 575 00:24:50,840 --> 00:24:53,159 Speaker 5: a music spotify, your local bootleg, man, fleet market. You 576 00:24:53,200 --> 00:24:55,879 Speaker 5: can get them every where. I definitely appreciate y'all and 577 00:24:55,920 --> 00:24:58,720 Speaker 5: listen man, So man, I appreciate you, man. Listen. 578 00:24:58,800 --> 00:24:59,880 Speaker 4: Always love for the home team. 579 00:25:01,080 --> 00:25:03,239 Speaker 5: You're definitely putting soccer line on the meppers will yes 580 00:25:03,320 --> 00:25:04,920 Speaker 5: for what you're doing. DJ Envy, Man, I appreciate you. 581 00:25:04,920 --> 00:25:06,520 Speaker 5: You said it's just Larry that depite. Appreciate you. 582 00:25:07,040 --> 00:25:12,400 Speaker 4: T how you pretty young guy? Oh god, young, I'm 583 00:25:12,400 --> 00:25:13,000 Speaker 4: gonna follow you. 584 00:25:13,560 --> 00:25:16,160 Speaker 7: Man, follow me on all platform, man, young guy, I'm 585 00:25:16,240 --> 00:25:18,320 Speaker 7: pretty much the same on everything. Check me, I don't 586 00:25:18,560 --> 00:25:22,399 Speaker 7: all music streaming platform. We got a lot coming man, 587 00:25:22,440 --> 00:25:24,360 Speaker 7: twenty twenty five, we're gonna finish it out. Next year's 588 00:25:24,359 --> 00:25:26,560 Speaker 7: gonna be even bigger. Man like feature too. 589 00:25:26,600 --> 00:25:29,240 Speaker 6: I'm representing Mississippi, man, South Carolina. We're just all trying 590 00:25:29,280 --> 00:25:29,879 Speaker 6: to put it together. 591 00:25:29,960 --> 00:25:32,920 Speaker 2: Man, absolutely, albody guys, it's the Breakfast Club. 592 00:25:33,000 --> 00:25:33,360 Speaker 5: Good morning. 593 00:25:33,800 --> 00:25:35,840 Speaker 2: Wake that ass up in the morning. 594 00:25:36,000 --> 00:25:37,000 Speaker 4: The Breakfast Club.