WEBVTT - Weirdhouse Cinema: Return to Oz

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<v Speaker 1>Welcome to Stuff to Blow your Mind production of My

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<v Speaker 1>Heart Radio. Hey you welcome to Weird House Cinema. This

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<v Speaker 1>is Rob Lamb and this is Joe McCormick. And this

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<v Speaker 1>week we've got a fun family picture for everybody. It

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<v Speaker 1>is an OZ film, but you don't have to endure

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<v Speaker 1>any songs. Uh. It's also that special variety of nine

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<v Speaker 1>eighties big budget fantasy film that leans more than a

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<v Speaker 1>little into what some of you might describe as dark fantasy.

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<v Speaker 1>We are going to be talking about Return to Oz.

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<v Speaker 1>People have been telling me for years that I needed

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<v Speaker 1>to watch this movie. Yeah, they'd figure out what like

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<v Speaker 1>my weird taste was, and they were like, have you

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<v Speaker 1>ever seen Return to Oz? That movie messed me up

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<v Speaker 1>when I was a kid. You should watch it. And

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<v Speaker 1>I never did until last night, and I am absolutely

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<v Speaker 1>blown away. I am I in fact, I'm a little

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<v Speaker 1>bit sad, truly, and like not just joking around. I

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<v Speaker 1>am a little bit sad that I did not actually

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<v Speaker 1>see this as a child, because I know this is

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<v Speaker 1>this is precisely the kind of movie that if I'd

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<v Speaker 1>seen it when I was seven or whatever, I would

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<v Speaker 1>have been thinking about it for months like it has

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<v Speaker 1>just the right mix of of uh, you know, bizarre

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<v Speaker 1>original imagery and character types that are not just like

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<v Speaker 1>you know, the characters you'd find in any other fantasy

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<v Speaker 1>thing is you know, it's truly original, but strange combinations

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<v Speaker 1>of ideas that still nevertheless tap into something very deep

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<v Speaker 1>and archetypal. I think this is a wonderful, scary children's movie.

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<v Speaker 1>I think it's great. I never watched it growing up either,

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<v Speaker 1>and I think part of it was just because the

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<v Speaker 1>nineteen thirty nine adaptation of the Wizard of Oz is

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<v Speaker 1>just such a monolith, and it's such an you know,

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<v Speaker 1>such an influential film, but also one that so many

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<v Speaker 1>people held close to their hearts that when this film

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<v Speaker 1>came out, there were plenty of people are like, oh,

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<v Speaker 1>we don't we don't want that new ODZ. We've we've

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<v Speaker 1>got that old ODZ. It comes on television all the time,

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<v Speaker 1>and or we have it on VHS. Why do we

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<v Speaker 1>need to dip into this thing that that that that

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<v Speaker 1>some are even saying is is a little frightening. But

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<v Speaker 1>but here's the thing. Yes, we've been hearing from people say,

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<v Speaker 1>oh this is you know, this is a weird film.

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<v Speaker 1>You need to watch this is this is a scary one,

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<v Speaker 1>or this messed me up as a child. I really

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<v Speaker 1>don't think this one is any darker or scarier than

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<v Speaker 1>than any of the other big eighties fantasy films like

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<v Speaker 1>Labyrinth or the never ending story stuff of that caliber.

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<v Speaker 1>Oh yeah, I agree. In fact, I don't think it's

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<v Speaker 1>actually even scarier than the thirty nine Wizard of Oz, which,

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<v Speaker 1>if you go back and watch the original Wizard of Oz,

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<v Speaker 1>this movie gave me a new appreciation for how weird

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<v Speaker 1>and how scary the original is. I'm serious, Like, if you, uh,

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<v Speaker 1>you kind of accept it because it's part of the

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<v Speaker 1>air were the Wizard of Oz is. You know, you

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<v Speaker 1>grow up with that. It's just part of American culture,

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<v Speaker 1>so it doesn't seem that strange. But yeah, it also

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<v Speaker 1>has very unusual characters and imagery and uh and there

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<v Speaker 1>is real tense, frightening, magical peril in it. Do you

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<v Speaker 1>remember how heart stopping that scene is when you're a

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<v Speaker 1>kid in the witch turns the hourglass over and says

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<v Speaker 1>Dorothy's gonna die, and the uh and the you know,

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<v Speaker 1>the monkey soldiers are everywhere, and the tin Man's with

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<v Speaker 1>the axe trying to chop down the door like it

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<v Speaker 1>the original one is scary. Yeah, I always thought that

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<v Speaker 1>the forest was pretty terrifying. So there's plenty of plenty

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<v Speaker 1>of weird and scary stuff, and that that thirty nine

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<v Speaker 1>adaptation as well. And it's funny. We we were conversing

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<v Speaker 1>before we went in here. You you've noted that I

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<v Speaker 1>had a couple of sort of jabs at the thirty

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<v Speaker 1>nine Wizard of Oz. And so you asked me if

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<v Speaker 1>I if I hated the the original Wizard of Oz film,

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<v Speaker 1>and uh, and I said no, no, And and truly

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<v Speaker 1>I think it's it's kind of impossible to hate the

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<v Speaker 1>thirty nine film. I mean, it's such, like I said,

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<v Speaker 1>it's a sin matic monolith. It's it's so influential, Like

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<v Speaker 1>even if you're not crazy about it, it probably influenced

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<v Speaker 1>some creators or some works that that that came in

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<v Speaker 1>its wake, you know, like and more directly, if you

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<v Speaker 1>didn't have the Wizard of Oz from you wouldn't have

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<v Speaker 1>The Whiz, and of course you wouldn't have this film either.

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<v Speaker 1>But it's it's it's tentacles run far and long through

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<v Speaker 1>through fiction and dream weaving that it came to follow

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<v Speaker 1>but more to your point about h I guess how

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<v Speaker 1>you might have heard about this movie when you were

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<v Speaker 1>a kid. If people are saying, oh, you know, it

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<v Speaker 1>does it doesn't live up to the original, it's not

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<v Speaker 1>worth seeing or something. I mean, in a way, I

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<v Speaker 1>think it's kind of silly to try to compare them,

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<v Speaker 1>because it's I think it's called an unofficial sequel. It

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<v Speaker 1>is clearly a sequel to The Wizard of Oz, like

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<v Speaker 1>the events followed directly from the first one, but it's

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<v Speaker 1>also not not like an official, sanctioned one. And it

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<v Speaker 1>came decades later. The original was what thirty nine and

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<v Speaker 1>this is eight five, so what like forty six years

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<v Speaker 1>in between. It was a long time. And and that

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<v Speaker 1>makes a big difference in terms of tone and uh,

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<v Speaker 1>you know, the textures that are expected in a movie

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<v Speaker 1>like this, Like the the original one has a kind

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<v Speaker 1>of a kind of gilded grandeur of of old Hollywood

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<v Speaker 1>about it, whereas this one feels much more. I mean,

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<v Speaker 1>it feels like an eighties movie, but a lovely, scrappy,

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<v Speaker 1>imaginative one. Yeah. Yeah, And it's a it is it

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<v Speaker 1>is a world in which the Emerald City is literally

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<v Speaker 1>in ruins, so there's probably a lot to say. They're about,

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<v Speaker 1>like the state of of of of the the eighties

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<v Speaker 1>mindset compared to the late thirties mindset. I don't know,

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<v Speaker 1>at least in terms of like cinematic portrayals, but um yeah.

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<v Speaker 1>It is impossible though, to go into this and not

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<v Speaker 1>think of the thirty nine film sometimes unfairly. So's why

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<v Speaker 1>I actually watched this with my my whole family. We

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<v Speaker 1>sat down and watched it, and my son he really

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<v Speaker 1>enjoyed this one. He he enjoyed the old one, but

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<v Speaker 1>he was bringing up some things. He's like, well, why

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<v Speaker 1>is Dorothy younger now? And all? So, why didn't Toto

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<v Speaker 1>talk in the last film? This film clearly established that

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<v Speaker 1>animals that come to Oz can talk. Ww come Toto

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<v Speaker 1>never talked? Uh. That's some bs brilliant observation by your son.

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<v Speaker 1>I did not notice this myself, but yees. So the

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<v Speaker 1>premise of this movie is that all the animals in

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<v Speaker 1>Oz talk uh. And this includes animals that are brought

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<v Speaker 1>to Oz, such as one of the main characters in

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<v Speaker 1>this movie, which is a chicken that's like a cool

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<v Speaker 1>gnarly grandma, and the chicken talks. It didn't talk when

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<v Speaker 1>it was in Kansas, but it comes to Oz with

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<v Speaker 1>Dorothy talks now, so yes, you are your son is

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<v Speaker 1>absolutely correct. Toto should have talked in the original. This

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<v Speaker 1>is a major oversight. Now, speaking of the chicken whose

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<v Speaker 1>name is Billina, I have to mention the other. The

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<v Speaker 1>other reason I really love Returned to Oz is I

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<v Speaker 1>think it has better companions because, yes, we encounter in

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<v Speaker 1>this film we do see tin Man again, Scarecrow, cowardly Lion,

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<v Speaker 1>but Dorothy has basically all new companions that she goes

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<v Speaker 1>on the advent true with here and it's and I'm

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<v Speaker 1>going to list them here for it for us so

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<v Speaker 1>we can get a taste of what's to come. We

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<v Speaker 1>have Billina, the talking chicken, and this is wonderfully accomplished

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<v Speaker 1>via live action chicken actors and an incredible chicken puppet

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<v Speaker 1>that is just lie years ahead of what we saw

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<v Speaker 1>in Thrilling Bloody Sword last week. Though I do love

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<v Speaker 1>both chickens, they are both great robotic chickens, but this

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<v Speaker 1>one is much more convincing as a chicken. Yes, then

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<v Speaker 1>we have TikTok, who is a rotund, wind up, mustachioed

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<v Speaker 1>soldier made out of like bronze or brass. I was

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<v Speaker 1>thinking copper, but yeah, it's one of those. He's he's

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<v Speaker 1>a metal wind up war machine. Yeah, he's a he's

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<v Speaker 1>a steampunk soldier and he's fighting on behalf of the

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<v Speaker 1>Emerald City and Dorothy. Oh, and then the next one

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<v Speaker 1>we have we have the Gump, and the Gump is

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<v Speaker 1>basically a junk gollum. It's like junk is put together

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<v Speaker 1>a moose's head on a couch with some ferns and

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<v Speaker 1>and whatever else they could scare. They are able to

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<v Speaker 1>to assemble together, and then it's given life. Uh. And

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<v Speaker 1>you gotta love the Gump. They like shake some borax

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<v Speaker 1>powder on it and that makes it come to life. Yeah. Oh,

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<v Speaker 1>and then we have Jack Pumpkinhead, who is kind of

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<v Speaker 1>a superior Halloween theme scarecrow sort of guy. Would you

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<v Speaker 1>say that's fair? Yeah. Jack Pumpkinhead is interesting because he

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<v Speaker 1>has the scariest form of all of Dorothy's companions, but

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<v Speaker 1>his nature is to be incredibly innocent and sweet. So

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<v Speaker 1>that's the crew. That's the adventuring party for this film.

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<v Speaker 1>But one has to wonder, Okay, wait a minute, what

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<v Speaker 1>more adventures are there to have in oz because the

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<v Speaker 1>last time Dorothy was an Osuh, didn't they defeat the

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<v Speaker 1>Wicked Witch and then uh and then everything was cool

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<v Speaker 1>and Emerald City like they had a big ceremony. Was

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<v Speaker 1>basically to celebrate the fact that now everything's good, nothing bad.

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<v Speaker 1>Every is going to happen again. I was trying to

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<v Speaker 1>think back to exactly how The Wizard of Oz ended.

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<v Speaker 1>Did it end with the Scarecrow becoming king of the

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<v Speaker 1>Emerald City? I don't remember if it did or not.

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<v Speaker 1>So that's the premise of this movie, is that at

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<v Speaker 1>the end of the last one, Scarecrow was king. That's

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<v Speaker 1>a detail that I could see being in the original

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<v Speaker 1>that I forgot about, but I didn't check to make sure.

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<v Speaker 1>But either way, things are good in Oz. When when

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<v Speaker 1>Dorothy leaves, remember she's gonna leave on the balloon. But

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<v Speaker 1>then the professor or another professor, I think it's the guy,

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<v Speaker 1>the guy from like the Carnival Barker, Charlatan guy uh,

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<v Speaker 1>and he's like, oh, he floats away on the balloon.

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<v Speaker 1>He doesn't know how to bring it back. And then

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<v Speaker 1>she thinks she's stranded in Oz. But then she clicks

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<v Speaker 1>her heels together with the ruby slippers and says there's

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<v Speaker 1>no place like home, and then she wakes up back

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<v Speaker 1>in her bed and you were there, and you were

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<v Speaker 1>there and it was great. But basically the pitch here

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<v Speaker 1>is that in the previous movie, the Previous Adventure anyway,

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<v Speaker 1>Dorothy greatly destabilized Oz. She ends up installing her own ruler,

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<v Speaker 1>the Scarecrow, and I get the impression the Scarecrow's rule

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<v Speaker 1>of Oz last like maybe an afternoon before. He has

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<v Speaker 1>then conquered by an entity known as the Nome King,

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<v Speaker 1>and now it's time for Dorothy to come back to

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<v Speaker 1>Oz and fix everything once more. The villains in this

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<v Speaker 1>movie are Sue perb just excellent, some of my new

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<v Speaker 1>favorite movie villains of all time, Jean marsh as Mombi

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<v Speaker 1>and Nicole Williamson as the Nome King. That they should

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<v Speaker 1>go in the Hall of Fame of of children's movie

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<v Speaker 1>fantasy movie villains. Yeah, they absolutely should, and it's and

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<v Speaker 1>it makes sense because we often forget again just because

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<v Speaker 1>how well known the thirty nine Wizard of Oz film

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<v Speaker 1>it was. But Margaret Hamilton's is a terrific villain in

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<v Speaker 1>that film, playing uh miss Gulch and uh and of

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<v Speaker 1>course the Wicked Witch of of the East. I mean,

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<v Speaker 1>it's just a great cackling performance that you don't even

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<v Speaker 1>think of as a performance after a while, like that's

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<v Speaker 1>that is just the wicked witch on the screen there. Wait?

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<v Speaker 1>Is she the East or the West? I thought she

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<v Speaker 1>was the West? Is she the West? Who we have

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<v Speaker 1>a good No? Wait, the East is the Eastern? Which

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<v Speaker 1>is the one who had the house dropped on her?

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<v Speaker 1>Is that correct? I think that is right? Yes, I

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<v Speaker 1>was correct, Mark Hamilton's is the West. We never see

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<v Speaker 1>the East. You just see your socks. Both of those

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<v Speaker 1>witches though out of the picture. Though. At one point Momby,

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<v Speaker 1>who will get into here in a bit, is described

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<v Speaker 1>as a witch. So I guess she's keeping the witching

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<v Speaker 1>tradition going. Yeah. I like how she's first described I

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<v Speaker 1>think as a princess and then later as a witch.

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<v Speaker 1>But I guess we'll get into more detail later. Momby

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<v Speaker 1>is just wonderful. Um well, I guess you already sort

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<v Speaker 1>of gave the elevator pitch, right. It's like, so Dorothy

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<v Speaker 1>came in. She did she did a foreign intervention. She

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<v Speaker 1>installed a puppet ruler in the form of the Scarecrow.

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<v Speaker 1>Scarecrow has been deposed. Now Dorothy is back to Oz

0:11:34.520 --> 0:11:37.560
<v Speaker 1>and it's up against the Nome King. That's right, let's

0:11:37.559 --> 0:11:41.360
<v Speaker 1>go ahead and hear some trailer audio for Return to

0:11:41.400 --> 0:11:54.440
<v Speaker 1>Oz this summer won't Disney Pictures presents a motion picture

0:11:54.600 --> 0:12:02.120
<v Speaker 1>fantasy adventure beyond your parished imagination. You'll be transported miraculously

0:12:02.400 --> 0:12:06.280
<v Speaker 1>back to the enchanted land of Ours, that magical kingdom

0:12:06.360 --> 0:12:09.679
<v Speaker 1>beloved by young and old for generations. It's just a

0:12:09.800 --> 0:12:15.920
<v Speaker 1>yellow back, no, Willina, you don't understand. This was the

0:12:16.040 --> 0:12:20.480
<v Speaker 1>yellow Wick world you share with Dorothy Gale, the shock

0:12:20.679 --> 0:12:26.120
<v Speaker 1>of finding everything mysteriously changed to everybody, and you'll delight

0:12:26.360 --> 0:12:29.800
<v Speaker 1>with her discovery of four wonderful new friends who bend

0:12:29.840 --> 0:12:33.560
<v Speaker 1>together against a wicked queen and the dreaded Nome King.

0:12:35.320 --> 0:12:38.400
<v Speaker 1>This is the Ours you haven't seen before, and this

0:12:38.600 --> 0:12:42.960
<v Speaker 1>is the Ours you want to visit again again. From

0:12:42.960 --> 0:12:46.360
<v Speaker 1>Walt Disney Pictures becomes a whole new world of entertainment.

0:12:47.120 --> 0:13:00.920
<v Speaker 1>I don't just fly back to Kansas returned, all right? Now,

0:13:00.920 --> 0:13:04.280
<v Speaker 1>Before we go any any further here, I do want

0:13:04.280 --> 0:13:05.960
<v Speaker 1>to mention where you can watch this, Where you can

0:13:05.960 --> 0:13:07.600
<v Speaker 1>watch it just about anywhere. It was a this is

0:13:07.600 --> 0:13:11.000
<v Speaker 1>a big release. It may not have performed especially well

0:13:11.040 --> 0:13:14.000
<v Speaker 1>at the box office, I understand, but yeah, you can

0:13:14.040 --> 0:13:16.600
<v Speaker 1>find it in multiple different forms these days. If you

0:13:16.640 --> 0:13:20.000
<v Speaker 1>subscribe to Disney Plus, at least in the United States,

0:13:20.520 --> 0:13:22.920
<v Speaker 1>you can watch it there. That's where we watched it. Yeah,

0:13:22.920 --> 0:13:25.480
<v Speaker 1>I watched on Disney Plus two. All right, Well, let's

0:13:25.480 --> 0:13:28.080
<v Speaker 1>get into some of the people behind this. I'm let's

0:13:28.120 --> 0:13:31.560
<v Speaker 1>start at the top, and that is with director who

0:13:31.559 --> 0:13:34.320
<v Speaker 1>also has a screenplay credit on this. It is Walter

0:13:34.600 --> 0:13:40.240
<v Speaker 1>merch born three, highly influential Hollywood sound and film editor

0:13:40.320 --> 0:13:44.480
<v Speaker 1>who worked on such pictures as th h X eight,

0:13:44.800 --> 0:13:49.840
<v Speaker 1>American Graffiti, The Godfather Part two, Apocalypse Now, The English Patient,

0:13:49.960 --> 0:13:51.880
<v Speaker 1>and I think, uh, I think those are some of

0:13:51.920 --> 0:13:54.840
<v Speaker 1>the ones where he did sound. But he also was

0:13:54.880 --> 0:13:57.840
<v Speaker 1>a film editor on such films as Apocalypse Now, Ghost,

0:13:58.240 --> 0:14:01.840
<v Speaker 1>Romeo Is Bleeding, The Godfather Part three, and much more.

0:14:02.360 --> 0:14:05.560
<v Speaker 1>The Lucas connection is also interesting because when you look

0:14:05.600 --> 0:14:10.480
<v Speaker 1>at Walter Merchants directorial credits, there are only two titles there.

0:14:10.800 --> 0:14:13.559
<v Speaker 1>There's Returned Oz, which of course is what we're discussing

0:14:13.559 --> 0:14:16.439
<v Speaker 1>here today. This is only film directing credit, and and

0:14:16.520 --> 0:14:19.400
<v Speaker 1>then he doesn't direct anything else, but he does pop

0:14:19.520 --> 0:14:22.120
<v Speaker 1>up as a director on a two thousand and eleven

0:14:22.160 --> 0:14:26.240
<v Speaker 1>episode of Star Wars the Clone Wars uh, the animated series,

0:14:26.720 --> 0:14:29.280
<v Speaker 1>and I was I was immediately curious, okay, which which

0:14:29.280 --> 0:14:31.760
<v Speaker 1>episode was this, because I've seen them all with my son,

0:14:32.400 --> 0:14:34.920
<v Speaker 1>And it is an episode titled The General and it's

0:14:34.920 --> 0:14:36.920
<v Speaker 1>a pretty great episode. It's one of the episodes in

0:14:36.960 --> 0:14:42.560
<v Speaker 1>a multi episode story arc concerning the Republic's campaign on

0:14:42.600 --> 0:14:47.240
<v Speaker 1>a planet called Umbara. So it's this shadowy kind of world.

0:14:47.280 --> 0:14:49.960
<v Speaker 1>They're not fighting the droids of the Separatists, they're fighting

0:14:50.000 --> 0:14:53.760
<v Speaker 1>another separatist faction, and the Clones are under the ruthless

0:14:53.880 --> 0:14:59.040
<v Speaker 1>leadership of one General Palm Krell, who is this forearmed

0:14:59.440 --> 0:15:03.040
<v Speaker 1>basil esk Uh creature. But he's like a really just

0:15:03.200 --> 0:15:07.080
<v Speaker 1>ruthless general who is ready to just sacrifice as mini

0:15:07.160 --> 0:15:09.920
<v Speaker 1>Clone lives as necessary to win the day. So it

0:15:10.040 --> 0:15:13.560
<v Speaker 1>was it's ultimately, I think one of the one of

0:15:13.560 --> 0:15:16.160
<v Speaker 1>the best story arcs you see in that series. And

0:15:16.160 --> 0:15:18.960
<v Speaker 1>so they brought in Walter Merch to direct this one episode,

0:15:18.960 --> 0:15:20.760
<v Speaker 1>so I thought that was pretty cool. Well for a

0:15:20.960 --> 0:15:25.960
<v Speaker 1>mostly one and done director's filmography, this is a strong entry. Uh.

0:15:26.200 --> 0:15:29.080
<v Speaker 1>I much respect to Walter Merch. I wish he had

0:15:29.080 --> 0:15:33.680
<v Speaker 1>directed more movies. Yeah. Now the screenplay credit. The main

0:15:33.720 --> 0:15:36.160
<v Speaker 1>screenplay credit on this goes to Gil Dennis, who lived

0:15:37.000 --> 0:15:40.880
<v Speaker 1>through writer and actor, best known for his work on

0:15:40.880 --> 0:15:45.800
<v Speaker 1>the screenplays for This Without Evidence and two thousand Fives

0:15:45.880 --> 0:15:49.480
<v Speaker 1>Walk the Line, the Johnny Cash biopic. As an actor,

0:15:49.800 --> 0:15:52.960
<v Speaker 1>he played Man with Cigar in nineteen seventy seven's a

0:15:53.120 --> 0:15:56.840
<v Speaker 1>Racer Head. Oh yeah, I think I read somewhere that

0:15:56.880 --> 0:16:01.040
<v Speaker 1>he may have been a classmate of uh David Lynch,

0:16:01.120 --> 0:16:03.000
<v Speaker 1>which would make sense that if he showed up in

0:16:03.000 --> 0:16:05.880
<v Speaker 1>a razor head. All right, But of course the screenplay

0:16:05.920 --> 0:16:10.120
<v Speaker 1>is based on the work of L. Frank Baum, whose

0:16:10.160 --> 0:16:14.600
<v Speaker 1>novels I think in particular, this screenplays based on two novels,

0:16:14.840 --> 0:16:18.800
<v Speaker 1>Ozma of Oz and The Land of Oz. Bomb lived

0:16:18.880 --> 0:16:22.640
<v Speaker 1>eighteen fifty six through nineteen nineteen. Bomb was an American

0:16:22.800 --> 0:16:25.880
<v Speaker 1>author best known for his novel The Wonderful Wizard of Oz,

0:16:25.920 --> 0:16:29.360
<v Speaker 1>published in nineteen hundred, as well as its many sequels.

0:16:29.840 --> 0:16:32.000
<v Speaker 1>And this is This was fascinating for me because I

0:16:32.040 --> 0:16:34.560
<v Speaker 1>really didn't know much about the cinematic history of the

0:16:34.600 --> 0:16:39.400
<v Speaker 1>Wizard of Oz pre nineteen thirty nine, but even ahead

0:16:39.440 --> 0:16:42.360
<v Speaker 1>of the nineteen thirty nine film adaptation. This was already

0:16:42.360 --> 0:16:45.920
<v Speaker 1>a highly successful property. It was a Broadway musical in

0:16:46.000 --> 0:16:50.040
<v Speaker 1>nineteen o two. The thirty nine film, though momentous, wasn't

0:16:50.080 --> 0:16:52.960
<v Speaker 1>even the first adaptation. The first attempt was apparently in

0:16:53.040 --> 0:16:56.840
<v Speaker 1>nineteen o eight with the Fairy log and radio plays,

0:16:56.880 --> 0:17:00.320
<v Speaker 1>followed by at least a good half dozen silent film

0:17:00.360 --> 0:17:03.520
<v Speaker 1>adapting the World of Oz. Oh Man, I've got to

0:17:03.560 --> 0:17:05.679
<v Speaker 1>see the silent films and what they do with with

0:17:05.720 --> 0:17:09.440
<v Speaker 1>TikTok and stuff. Yeah, they look that. I didn't get

0:17:09.440 --> 0:17:11.560
<v Speaker 1>a chance to really watching them, but they look interesting.

0:17:11.840 --> 0:17:13.120
<v Speaker 1>We might have to come back to some of those

0:17:13.160 --> 0:17:15.560
<v Speaker 1>in the future now. Of course, following the nineteen thirty

0:17:15.640 --> 0:17:18.600
<v Speaker 1>nine classic, there's still plenty of other dips into the

0:17:18.600 --> 0:17:21.680
<v Speaker 1>world of Oz. Uh. There was an ultra low budget

0:17:21.960 --> 0:17:25.600
<v Speaker 1>adaptation titled The Wonderful Land of Oz in nineteen sixty nine.

0:17:25.680 --> 0:17:29.760
<v Speaker 1>There were a few different animated adaptations, including a ninety

0:17:29.840 --> 0:17:34.120
<v Speaker 1>two to Hope produced Japanese adaptation. Uh. There's there's really

0:17:34.200 --> 0:17:37.080
<v Speaker 1>quite a lot of Oz related media out there, including

0:17:37.160 --> 0:17:40.360
<v Speaker 1>such works as the nineteen seventy five musical and subsequent

0:17:40.400 --> 0:17:43.320
<v Speaker 1>film that film adaptation, The whiz U the book in

0:17:43.359 --> 0:17:46.639
<v Speaker 1>Broadway musical Wicked, and then there are all sorts of

0:17:46.680 --> 0:17:51.560
<v Speaker 1>literary treatments, spinoff solusions and more. Like I had to

0:17:51.720 --> 0:17:55.119
<v Speaker 1>think back on it because again, thirty nine Wizard of

0:17:55.119 --> 0:17:58.000
<v Speaker 1>Oz especially such a monolith, you don't even think about

0:17:58.040 --> 0:18:00.359
<v Speaker 1>the references to it. But like even Stephen King includes

0:18:00.400 --> 0:18:03.960
<v Speaker 1>more than a little OZ sprinkled throughout his Dark Tower series,

0:18:04.760 --> 0:18:07.520
<v Speaker 1>and yeah, they're they're. Honestly, just seems no end in

0:18:07.560 --> 0:18:11.119
<v Speaker 1>sight to our fascination with Oz. Bomb wrote seventeen OZ

0:18:11.119 --> 0:18:15.200
<v Speaker 1>books during his lifetime, numerous other children's and adventures books

0:18:15.240 --> 0:18:19.399
<v Speaker 1>as well, But we keep making OZ related media, and

0:18:19.440 --> 0:18:21.640
<v Speaker 1>it seems like it's just gonna keep going. I've never

0:18:21.680 --> 0:18:24.439
<v Speaker 1>actually read any of the OZ books, but I'm kind

0:18:24.480 --> 0:18:27.760
<v Speaker 1>of tempted to check them out, because, at least with

0:18:27.880 --> 0:18:31.639
<v Speaker 1>the two movies, there's so much unexpected original texture to

0:18:31.680 --> 0:18:35.359
<v Speaker 1>the fantasy world created here when compared to most fantasy.

0:18:35.400 --> 0:18:38.200
<v Speaker 1>Because you know, after after you've consumed a decent amount

0:18:38.240 --> 0:18:40.800
<v Speaker 1>of fantasy, you see a lot of recycled elements. There's

0:18:40.800 --> 0:18:43.160
<v Speaker 1>sort of, you know, the standard tropes of high fantasy

0:18:43.200 --> 0:18:45.919
<v Speaker 1>that show up again and again. But but the ODZ

0:18:46.000 --> 0:18:52.240
<v Speaker 1>world is full of bizarre, unfamiliar things and beings. Yeah.

0:18:52.280 --> 0:18:54.359
<v Speaker 1>And one of the things that I've always hit with

0:18:54.400 --> 0:18:56.639
<v Speaker 1>when I when I have looked at you know, often

0:18:56.680 --> 0:18:59.560
<v Speaker 1>just cover art and illustrations from these books, is that

0:19:00.080 --> 0:19:03.520
<v Speaker 1>I feel like there's this there's certainly this familiar sense

0:19:03.560 --> 0:19:05.240
<v Speaker 1>to it, all due to the cultural impact of the

0:19:05.280 --> 0:19:08.399
<v Speaker 1>Wizard of Oz, but also this weird sense that you

0:19:08.440 --> 0:19:11.640
<v Speaker 1>get from popular fiction that is very much, uh centered

0:19:12.040 --> 0:19:15.000
<v Speaker 1>in a particular past. You know, like I'm I'm not

0:19:15.080 --> 0:19:18.360
<v Speaker 1>the intended recipient of these tales, and they're not even

0:19:18.400 --> 0:19:21.160
<v Speaker 1>though they're in English and in there, you know, they're

0:19:21.240 --> 0:19:25.240
<v Speaker 1>American stories. I don't feel like I am uh like,

0:19:25.240 --> 0:19:28.680
<v Speaker 1>like I have all of the the gear lined up

0:19:29.040 --> 0:19:31.800
<v Speaker 1>in which to receive the message that is being sent

0:19:31.840 --> 0:19:34.720
<v Speaker 1>to me through it. Like your operating system no longer

0:19:34.800 --> 0:19:38.720
<v Speaker 1>supports this software. Yeah, Like I've never lived on a

0:19:38.720 --> 0:19:41.480
<v Speaker 1>farm in the middle of a prairie. How am I

0:19:41.480 --> 0:19:44.000
<v Speaker 1>supposed to to take some of this stuff? You know,

0:19:44.240 --> 0:19:54.720
<v Speaker 1>I's see what you're saying. Yeah, all right, well, let's

0:19:54.720 --> 0:19:58.879
<v Speaker 1>get into the cast here. Let's let's talk about Dorothy. Uh.

0:19:59.040 --> 0:20:02.800
<v Speaker 1>This film's Doro The was played by Usa Bach, who

0:20:02.800 --> 0:20:06.840
<v Speaker 1>was born in nineteen seventy four. Still active American actor

0:20:06.880 --> 0:20:09.879
<v Speaker 1>who might might be better known to some of you

0:20:09.960 --> 0:20:12.240
<v Speaker 1>for her roles as an adult, but she started out

0:20:12.320 --> 0:20:15.360
<v Speaker 1>very young and this was her first motion picture. Subsequent

0:20:15.400 --> 0:20:19.080
<v Speaker 1>films included Valmont in nine Things to Do in Denver

0:20:19.119 --> 0:20:22.240
<v Speaker 1>when You're Dead in that's an allusion to Warren Zevon

0:20:22.359 --> 0:20:24.920
<v Speaker 1>song by the way, And of course the big one

0:20:25.000 --> 0:20:29.080
<v Speaker 1>is The Craft in nine oh Man. Several years back,

0:20:29.200 --> 0:20:32.160
<v Speaker 1>Rachel and I around Halloween decided to watch The Craft.

0:20:32.240 --> 0:20:34.200
<v Speaker 1>And I don't know if i'd say it's a good movie,

0:20:34.240 --> 0:20:37.600
<v Speaker 1>but that was a fun time. I don't think i've

0:20:37.600 --> 0:20:40.000
<v Speaker 1>ever seen it, but you know, of course I'm familiar

0:20:40.000 --> 0:20:42.040
<v Speaker 1>with I remember the trailers and all. But but this

0:20:42.119 --> 0:20:43.920
<v Speaker 1>is a big film. And after this she was in

0:20:43.960 --> 0:20:47.840
<v Speaker 1>a string of big films, including uh, the Cursed nine

0:20:48.160 --> 0:20:51.800
<v Speaker 1>adaptation of the Island of Dr Moreau always that Oh yeah,

0:20:51.840 --> 0:20:53.720
<v Speaker 1>this is the one. If you're asking, is that the

0:20:53.840 --> 0:20:57.200
<v Speaker 1>Island of Dr Moreau in which yes, it is that. Okay,

0:20:57.359 --> 0:21:00.159
<v Speaker 1>it is the Marlon Brando one, yes, yes, the one

0:21:00.160 --> 0:21:02.520
<v Speaker 1>where he allegedly had to be fed his lines through

0:21:02.560 --> 0:21:05.760
<v Speaker 1>an earpiece because he wouldn't learn them. Yeah, just a mean.

0:21:05.960 --> 0:21:10.720
<v Speaker 1>Their documentaries about about this just a ridiculous production. That

0:21:10.880 --> 0:21:13.760
<v Speaker 1>still is it has things going for it. I mean

0:21:13.800 --> 0:21:18.080
<v Speaker 1>it's it's it's oddly hypnotizing if you catch it on

0:21:18.200 --> 0:21:20.159
<v Speaker 1>TV and all. I don't think I've ever given it

0:21:20.200 --> 0:21:23.320
<v Speaker 1>a dedicated viewing. I just it was on a lot

0:21:23.720 --> 0:21:26.199
<v Speaker 1>for a certain amount of time, I guess back in

0:21:26.240 --> 0:21:28.840
<v Speaker 1>the late nineties, and so you would catch bits of

0:21:28.880 --> 0:21:32.200
<v Speaker 1>it and it's it's thoroughly weird and just thoroughly a mess. Okay,

0:21:32.200 --> 0:21:35.880
<v Speaker 1>sorry to interrupt. American history Acts is another big one,

0:21:35.920 --> 0:21:39.280
<v Speaker 1>almost famous in two thousand and She was also in

0:21:39.359 --> 0:21:42.399
<v Speaker 1>Werner Herzog's Bad Lieutenant Port of Call, New Orleans in

0:21:42.440 --> 0:21:46.679
<v Speaker 1>two thousand nine, which also featured Nick cage Val Kilmer. Again,

0:21:46.840 --> 0:21:51.199
<v Speaker 1>he was in the Dr Maroe movie Jennifer Coolidge, Brad Dorroff,

0:21:51.359 --> 0:21:54.040
<v Speaker 1>and Michael Shannon. I've not seen Port of Call New

0:21:54.119 --> 0:21:57.600
<v Speaker 1>Orleans since it came out, but but I've been meaning

0:21:57.640 --> 0:22:00.119
<v Speaker 1>to revisit it because that one I remember being a

0:22:00.119 --> 0:22:05.280
<v Speaker 1>a jaw dropping experience. Another interesting fact for rusa box

0:22:05.359 --> 0:22:09.040
<v Speaker 1>father Solomon felt Faus was one of the founding members

0:22:09.040 --> 0:22:13.000
<v Speaker 1>of the psychedelic band Kaleidoscope, and Ball herself is also

0:22:13.040 --> 0:22:15.000
<v Speaker 1>a musician you know, I feel like we tend to

0:22:15.280 --> 0:22:18.399
<v Speaker 1>if a if a child performance in a movie is bad,

0:22:18.520 --> 0:22:20.399
<v Speaker 1>we tend not to dwell on it as much as

0:22:20.440 --> 0:22:22.680
<v Speaker 1>we might on a notably bad adult performance, because I

0:22:22.720 --> 0:22:23.919
<v Speaker 1>don't know, you don't want to be mean about a

0:22:24.000 --> 0:22:26.320
<v Speaker 1>child actor. But I would say not just being nice.

0:22:26.320 --> 0:22:31.000
<v Speaker 1>She's genuinely great in this great, great performance as Dorothy. Yeah,

0:22:31.040 --> 0:22:35.320
<v Speaker 1>she has this great, big eyed engagement. She's seen always

0:22:35.359 --> 0:22:37.520
<v Speaker 1>seems very much a part of the action going on.

0:22:37.840 --> 0:22:40.800
<v Speaker 1>Sometimes with kid actors this kind of you can kind

0:22:40.800 --> 0:22:43.000
<v Speaker 1>of just at times just see a child standing on

0:22:43.040 --> 0:22:45.480
<v Speaker 1>a set. You know, there's this less of a sense

0:22:45.520 --> 0:22:48.960
<v Speaker 1>that they're connected to their surroundings and the scene and

0:22:49.000 --> 0:22:52.320
<v Speaker 1>the characters. But she's totally in there. She helps make

0:22:52.359 --> 0:22:55.920
<v Speaker 1>these scenes which often feature no other human characters. It's

0:22:55.960 --> 0:22:59.280
<v Speaker 1>all puppets and seats and so forth. I mean, they're

0:22:59.560 --> 0:23:03.000
<v Speaker 1>humans inside the suits obviously, but but no other visible

0:23:03.080 --> 0:23:05.760
<v Speaker 1>human in the scene. And she's able to be that

0:23:05.920 --> 0:23:08.920
<v Speaker 1>human center for everything. And also I would say that

0:23:09.160 --> 0:23:12.560
<v Speaker 1>she has a confidence, like she's a confident character. It's

0:23:12.560 --> 0:23:15.520
<v Speaker 1>a confident performance then maybe makes some of the otherwise

0:23:15.560 --> 0:23:18.760
<v Speaker 1>scary elements a little less scary. You know what I'm saying. Yes,

0:23:18.880 --> 0:23:21.520
<v Speaker 1>I so I agree with that, And at the same time,

0:23:22.359 --> 0:23:25.280
<v Speaker 1>she also ROUSI ball also has the natural energy of

0:23:25.520 --> 0:23:29.160
<v Speaker 1>kind of a government created scanner child who might make

0:23:29.160 --> 0:23:31.840
<v Speaker 1>people's heads explode if she doesn't get her string cheese.

0:23:31.880 --> 0:23:34.560
<v Speaker 1>You know, which is I think the appropriate energy for

0:23:34.600 --> 0:23:38.119
<v Speaker 1>a child who is able to uh to journey through

0:23:38.119 --> 0:23:42.639
<v Speaker 1>the myths to another dimension ruled by scary individuals scary entities,

0:23:42.640 --> 0:23:45.880
<v Speaker 1>and then moved back again. Yes, so really notably good

0:23:46.040 --> 0:23:49.600
<v Speaker 1>kid performance. But we've got to talk about Nicole Williamson.

0:23:50.280 --> 0:23:55.560
<v Speaker 1>He left me floored in this movie. Yeah, Nicole Williamson

0:23:55.800 --> 0:23:59.520
<v Speaker 1>plays to do it's a double role. He plays Dr Worley,

0:23:59.640 --> 0:24:05.840
<v Speaker 1>the electricity obsessed physician, and uh it's he's a psychologist

0:24:06.000 --> 0:24:10.000
<v Speaker 1>or what order his credentials exactly? Well, it takes place

0:24:10.000 --> 0:24:11.760
<v Speaker 1>in nineteen hundreds. I don't know if they add all

0:24:11.760 --> 0:24:14.359
<v Speaker 1>the same categories here. I guess he's a psychiatrist, a

0:24:14.800 --> 0:24:18.040
<v Speaker 1>you know, a physical psychiatrist. This this movie, I will say,

0:24:18.160 --> 0:24:22.520
<v Speaker 1>um takes a firm stance against mental health. We can explain.

0:24:23.000 --> 0:24:25.120
<v Speaker 1>You can explain more about that when we get into

0:24:25.119 --> 0:24:27.679
<v Speaker 1>the plot. But yes, he plays a kind of uh,

0:24:29.280 --> 0:24:32.080
<v Speaker 1>his psychiatrist character I think is supposed to be taken

0:24:32.080 --> 0:24:34.119
<v Speaker 1>in a very negative way, though it is not as

0:24:34.200 --> 0:24:36.879
<v Speaker 1>explicitly evil as the Nome King. But he's great in

0:24:36.920 --> 0:24:39.400
<v Speaker 1>both roles, right, Yeah, because he had the the alter

0:24:39.520 --> 0:24:41.879
<v Speaker 1>ego in the Land of Oz is the Nome King.

0:24:42.200 --> 0:24:46.880
<v Speaker 1>That's spelled n O n E no G. But yeah.

0:24:46.880 --> 0:24:49.920
<v Speaker 1>Williamson lived nineteen thirty six or two thousand and eleven,

0:24:50.440 --> 0:24:52.920
<v Speaker 1>and he's I think he's always a treat, at least

0:24:52.920 --> 0:24:55.720
<v Speaker 1>for the viewer. As discussed in our episode on the

0:24:56.640 --> 0:25:00.440
<v Speaker 1>snake movie Venom, Williamson had a reputation apparently for being

0:25:00.520 --> 0:25:04.040
<v Speaker 1>difficult to work with, which again, sometimes you don't know

0:25:04.080 --> 0:25:08.960
<v Speaker 1>exactly what to make of these supposed reputations. Um making

0:25:09.000 --> 0:25:11.560
<v Speaker 1>movies is obviously complicated and there are a lot of

0:25:11.960 --> 0:25:15.160
<v Speaker 1>personalities involved, So I imagine there's some cases out there

0:25:15.200 --> 0:25:18.600
<v Speaker 1>where repute these reputations are well deserved. Other times there

0:25:18.640 --> 0:25:22.240
<v Speaker 1>maybe it's a little more complicated than this person was difficult.

0:25:22.640 --> 0:25:25.800
<v Speaker 1>But at any rate, however difficult he was or wasn't

0:25:25.800 --> 0:25:29.360
<v Speaker 1>to work with, definitely a great actor. He played Merlin

0:25:29.400 --> 0:25:34.040
<v Speaker 1>in movie ex Caliber, which is a really shiny, very

0:25:34.080 --> 0:25:37.760
<v Speaker 1>just glistening king Arthur movie. He also was in the

0:25:38.520 --> 0:25:41.919
<v Speaker 1>Spawn movie. Who was in The Exorcist three and he

0:25:41.960 --> 0:25:45.439
<v Speaker 1>played Sherlock Holmes in these seven percent solution. This is

0:25:45.480 --> 0:25:48.000
<v Speaker 1>the one that was made by Nicholas Meyer, who did

0:25:48.080 --> 0:25:51.760
<v Speaker 1>Time after Time. Yeah. Yeah, and and although he was

0:25:51.800 --> 0:25:53.919
<v Speaker 1>in tons of other stuff as well, but yeah, in

0:25:53.920 --> 0:25:57.200
<v Speaker 1>in this movie. And the thing about the Nome King is,

0:25:57.240 --> 0:25:59.520
<v Speaker 1>I guess the Nome King is is largely a v

0:25:59.640 --> 0:26:02.680
<v Speaker 1>O care Arcter except for the very end of the film.

0:26:02.680 --> 0:26:04.600
<v Speaker 1>And even then he's under a lot of makeup, and

0:26:04.640 --> 0:26:07.080
<v Speaker 1>I think there's still some voice distortion going on. But

0:26:07.119 --> 0:26:09.680
<v Speaker 1>it's still a great role. Oh yeah, yeah, I think

0:26:09.680 --> 0:26:13.000
<v Speaker 1>he is hypnotizing. I just wish there were more movies

0:26:13.040 --> 0:26:15.760
<v Speaker 1>where he plays a magical big bad of some kind.

0:26:15.960 --> 0:26:17.639
<v Speaker 1>What what just occurred to me? When you were talking

0:26:17.640 --> 0:26:20.560
<v Speaker 1>about like great but difficult actors. I was thinking, wouldn't

0:26:20.560 --> 0:26:23.400
<v Speaker 1>it have been great if you could get a Blade

0:26:23.480 --> 0:26:27.440
<v Speaker 1>sequel that was Wesley Snipes versus Nicole Williamson. Oh yeah,

0:26:27.440 --> 0:26:30.760
<v Speaker 1>he would have been good. Um have you seen ex

0:26:30.800 --> 0:26:33.960
<v Speaker 1>caliber now as she plays Merlin? Oh, it's a great

0:26:33.960 --> 0:26:36.719
<v Speaker 1>performance he gives. He gives a great Merlin all right,

0:26:36.720 --> 0:26:39.120
<v Speaker 1>But that's just our our main villain, but we also

0:26:39.200 --> 0:26:42.240
<v Speaker 1>have a secondary villain and that and there is also

0:26:42.280 --> 0:26:45.800
<v Speaker 1>a dual role we have. It's Mombi, the Witch the princess,

0:26:46.040 --> 0:26:50.840
<v Speaker 1>but also her earthly counterpart is Nurse Wilson. This these

0:26:50.920 --> 0:26:54.439
<v Speaker 1>characters are played by Gene Marsh. Geane Marsh is also

0:26:54.800 --> 0:26:58.480
<v Speaker 1>just off the charts on this so good yeah born

0:27:00.280 --> 0:27:04.880
<v Speaker 1>awesome British actor who appeared in Alfred Hitchcock's excellent nine

0:27:05.320 --> 0:27:09.639
<v Speaker 1>thriller Frenzy, and many viewers I think will probably best

0:27:09.720 --> 0:27:13.840
<v Speaker 1>remember her for her portrayal of the evil witch queen

0:27:14.000 --> 0:27:19.320
<v Speaker 1>about Morda in Willow. Joe, Have you seen Willow? It's

0:27:19.359 --> 0:27:21.280
<v Speaker 1>been I haven't seen it since I was a kid, basically,

0:27:21.359 --> 0:27:24.560
<v Speaker 1>so I don't really remember it except for little images

0:27:24.680 --> 0:27:27.520
<v Speaker 1>here and there I remember. Does that Val Kilmer like

0:27:27.600 --> 0:27:30.920
<v Speaker 1>hanging in a cage? Yes? Yeah, Val Kilmer is all

0:27:30.920 --> 0:27:33.440
<v Speaker 1>over the place in this one as well. But yeah,

0:27:33.480 --> 0:27:36.960
<v Speaker 1>Jeane Marsh plays this evil witch queen and it's just

0:27:36.960 --> 0:27:42.240
<v Speaker 1>just a wonderful, snarling and cold role. This movie has

0:27:42.280 --> 0:27:45.879
<v Speaker 1>I think that the greatest witch versus which battle ever

0:27:46.400 --> 0:27:49.320
<v Speaker 1>ever committed on film. Right at the right at the

0:27:49.400 --> 0:27:52.159
<v Speaker 1>end of the picture, It's just a real like eye gouging,

0:27:52.400 --> 0:27:57.760
<v Speaker 1>spell slinging kind of encounter. Highly recommended. Anyway, Marsh Diddle

0:27:57.800 --> 0:28:00.159
<v Speaker 1>a lot of TV during her career, and I I

0:28:00.200 --> 0:28:04.120
<v Speaker 1>believe she's retired now, but those TV credits include on

0:28:04.160 --> 0:28:08.119
<v Speaker 1>an award winning role on the British drama series Upstairs Downstairs.

0:28:08.520 --> 0:28:11.480
<v Speaker 1>She was also on Doctor Who, an episode of Tales

0:28:11.520 --> 0:28:15.600
<v Speaker 1>from the Dark Side the Saint, and even a nine

0:28:15.640 --> 0:28:19.040
<v Speaker 1>episode of the original Twilight Zone one called The Lonely Uh.

0:28:19.320 --> 0:28:21.600
<v Speaker 1>This is one I've I've seen before. This is the

0:28:21.600 --> 0:28:25.040
<v Speaker 1>one where a convict living alone on an asteroid which

0:28:25.080 --> 0:28:29.520
<v Speaker 1>just looks like the desert, like the California desert or something. Um,

0:28:29.560 --> 0:28:33.560
<v Speaker 1>he receives a female robot from his captors to help

0:28:33.680 --> 0:28:37.000
<v Speaker 1>keep him company on the asteroid for some reason. And anyway,

0:28:37.280 --> 0:28:41.680
<v Speaker 1>Marsh plays the robot woman opposite Jack Warden and Ted

0:28:41.800 --> 0:28:44.680
<v Speaker 1>Knight is in that episode two in an uncredited kind

0:28:44.680 --> 0:28:48.360
<v Speaker 1>of background role. So something that's interesting about marsh and

0:28:48.600 --> 0:28:52.120
<v Speaker 1>Nicole Williamson in this movie is that they both get

0:28:52.160 --> 0:28:55.040
<v Speaker 1>to play these dual roles in which in the mundane

0:28:55.040 --> 0:28:59.600
<v Speaker 1>world in the world of Kansas, they are are presented

0:28:59.680 --> 0:29:03.200
<v Speaker 1>as villains, but in a very subtle way, uh, you know,

0:29:03.320 --> 0:29:06.320
<v Speaker 1>sort of blending in with society and doing something that

0:29:06.480 --> 0:29:10.120
<v Speaker 1>from Dorothy's perspective in the movie we see as wicked.

0:29:10.520 --> 0:29:12.920
<v Speaker 1>But but you know, they're not chewing the scenery, they're

0:29:12.920 --> 0:29:17.640
<v Speaker 1>not overt. In fact, they they they're their outward appearances

0:29:17.880 --> 0:29:19.960
<v Speaker 1>is sort of friendly, or at least Nicol Williamson says

0:29:20.040 --> 0:29:22.000
<v Speaker 1>Gene marsh is kind of cold as the lady in

0:29:22.040 --> 0:29:24.800
<v Speaker 1>the clinic. Um. But then you get to flip the

0:29:24.840 --> 0:29:28.280
<v Speaker 1>script and go to Oz, where the characters reappear once again,

0:29:28.720 --> 0:29:32.920
<v Speaker 1>but as just like frothing monstrous versions of their mundane

0:29:32.960 --> 0:29:38.440
<v Speaker 1>world characters. Yes, yes, characters that just demand over the

0:29:38.440 --> 0:29:42.200
<v Speaker 1>top performances. Uh just you use every muscle in your face.

0:29:42.480 --> 0:29:45.440
<v Speaker 1>Go ahead and crank your eye intensity up to uh

0:29:45.480 --> 0:29:48.480
<v Speaker 1>to to eleven or twelve. That's that's the sort of

0:29:48.560 --> 0:29:51.840
<v Speaker 1>villains that populate the world of Oz, all right. Now.

0:29:51.840 --> 0:29:54.920
<v Speaker 1>A few more performers of note in this um Anti

0:29:55.160 --> 0:29:59.440
<v Speaker 1>m anti um in this is played by Piper Laurie bo.

0:30:00.560 --> 0:30:01.960
<v Speaker 1>I don't know about you, Joe, but I thought this

0:30:02.040 --> 0:30:06.120
<v Speaker 1>was this is rather hilarious given that she plays Carrie's mom,

0:30:06.240 --> 0:30:09.880
<v Speaker 1>Margaret White in seventies six is Carrie, both movies about

0:30:09.960 --> 0:30:14.320
<v Speaker 1>special girls with special powers, uh and and This is

0:30:14.480 --> 0:30:17.880
<v Speaker 1>the And And Piper Laurie plays the moms, sort of

0:30:17.880 --> 0:30:21.200
<v Speaker 1>trying to understand these these these young women. No, I

0:30:21.200 --> 0:30:24.680
<v Speaker 1>would say Antam is A is A is a good caregiver,

0:30:24.840 --> 0:30:27.960
<v Speaker 1>like she's you know, she she's trying to be loving

0:30:28.040 --> 0:30:31.960
<v Speaker 1>and and she does end up taking uh Dorothy to

0:30:32.000 --> 0:30:34.360
<v Speaker 1>a bad place, but she doesn't mean bad. She's trying

0:30:34.360 --> 0:30:38.600
<v Speaker 1>to help um and her her benevolence in this movie

0:30:39.160 --> 0:30:43.000
<v Speaker 1>is yes, I almost hilariously contrasted with the other main

0:30:43.120 --> 0:30:46.880
<v Speaker 1>roles I can think of her in Yeah She's Aside

0:30:46.880 --> 0:30:49.680
<v Speaker 1>from Carrie, she was also in nineteen sixes The Hustler,

0:30:50.040 --> 0:30:52.960
<v Speaker 1>She was in Twin Peaks and Children of a Lesser God.

0:30:53.480 --> 0:30:56.240
<v Speaker 1>Another funny thing Rachel and I always talk about whenever

0:30:56.280 --> 0:31:01.120
<v Speaker 1>Piper Laurie comes up is the the just the absurdity

0:31:01.240 --> 0:31:05.760
<v Speaker 1>of the machinations about the mill in Twin Peaks. Remember

0:31:05.880 --> 0:31:08.320
<v Speaker 1>that's like one of her main motivations is fighting about

0:31:08.360 --> 0:31:12.440
<v Speaker 1>the mill. Oh no, no, I don't remember the Alright,

0:31:12.480 --> 0:31:14.080
<v Speaker 1>So those are some of the really those are the

0:31:14.120 --> 0:31:17.719
<v Speaker 1>main human characters. A lot of the other characters are

0:31:17.720 --> 0:31:20.880
<v Speaker 1>gonna a lot of the other actors and individuals involved here.

0:31:20.960 --> 0:31:24.280
<v Speaker 1>They're kind of a mix of actual like physical performers

0:31:24.440 --> 0:31:28.520
<v Speaker 1>or or puppeteers or special effects manipulators. Uh so, And

0:31:28.720 --> 0:31:30.360
<v Speaker 1>I'm not going to list all of them here, but

0:31:30.480 --> 0:31:32.360
<v Speaker 1>some of them stand out because of other work that

0:31:32.440 --> 0:31:34.600
<v Speaker 1>they did. I like that in the credits at the

0:31:34.680 --> 0:31:37.760
<v Speaker 1>end of this movie, when the when the non human

0:31:37.880 --> 0:31:41.480
<v Speaker 1>characters appear, they will be given multiple credits for multiple

0:31:41.480 --> 0:31:44.160
<v Speaker 1>people playing the role, like they put the often the

0:31:44.160 --> 0:31:47.040
<v Speaker 1>puppeteer in the voice actors side by side. I think

0:31:47.080 --> 0:31:50.320
<v Speaker 1>that's cool. Yeah, yeah, So one name that does stand

0:31:50.320 --> 0:31:53.840
<v Speaker 1>out is the voice of Jack Pumpkinhead. It's Brian Henson

0:31:54.000 --> 0:31:56.720
<v Speaker 1>for three. This is, of course the son of the

0:31:56.800 --> 0:32:01.480
<v Speaker 1>late Jim Henson, producer, director, actor writer. He's of course

0:32:01.480 --> 0:32:04.400
<v Speaker 1>been involved in tons of Henson projects over the decades,

0:32:04.960 --> 0:32:07.520
<v Speaker 1>but I think his most treasured place in my cinematic

0:32:07.520 --> 0:32:12.400
<v Speaker 1>memories is as the voice of Hoggle in six Labyrinth.

0:32:12.760 --> 0:32:14.480
<v Speaker 1>He was also the voice of the dog on Jim

0:32:14.520 --> 0:32:17.840
<v Speaker 1>Henson's Storyteller. Oh okay, and I could be wrong, but

0:32:17.880 --> 0:32:20.880
<v Speaker 1>I think he also did some some manipulation on Jack

0:32:20.920 --> 0:32:24.960
<v Speaker 1>Pumpkinhead's head in this film as well. I couldn't tell

0:32:25.120 --> 0:32:28.400
<v Speaker 1>was Jack pumpkinhead a puppet or was there like a

0:32:28.480 --> 0:32:32.480
<v Speaker 1>really skinny actor inside a costume. Oh that's a tough call, right,

0:32:32.760 --> 0:32:36.000
<v Speaker 1>without really diving back into the credits, because he is

0:32:36.040 --> 0:32:38.960
<v Speaker 1>supposed to look like a thing that is essentially a

0:32:39.000 --> 0:32:42.520
<v Speaker 1>magical puppet made out of parts. But there may well

0:32:42.560 --> 0:32:44.200
<v Speaker 1>have been a human actor in there at least for

0:32:44.240 --> 0:32:48.200
<v Speaker 1>some of the scenes, along with some sort of puppetry

0:32:48.200 --> 0:32:53.200
<v Speaker 1>manipulation of the head. And also sometimes the chicken uh

0:32:53.440 --> 0:32:57.880
<v Speaker 1>billina is inside the Jack O'Lantern head. So there's a

0:32:57.920 --> 0:33:00.080
<v Speaker 1>lot going on here. Oh now this one was and

0:33:00.120 --> 0:33:02.640
<v Speaker 1>I wasn't prepared for this, but I mentioned we have

0:33:02.760 --> 0:33:05.920
<v Speaker 1>the Gump here, which is this junk gollum that has

0:33:06.000 --> 0:33:10.240
<v Speaker 1>a like a stuffed moose's head. And uh, the individual

0:33:10.320 --> 0:33:14.560
<v Speaker 1>that's accredited for effects and manipulation on the Gump's head

0:33:15.040 --> 0:33:19.040
<v Speaker 1>is Stephen Norrington born four the man who would go

0:33:19.080 --> 0:33:25.400
<v Speaker 1>on to direct Blade and did monster effects. Split second. Wow,

0:33:25.640 --> 0:33:27.360
<v Speaker 1>So yeah, we've he keeps coming up in the show,

0:33:27.400 --> 0:33:31.720
<v Speaker 1>and he's gonna keep coming up. The connections never stop. Yeah, Okay,

0:33:31.720 --> 0:33:34.760
<v Speaker 1>Now this next one is more of a physical performance,

0:33:35.320 --> 0:33:39.080
<v Speaker 1>and that is the lead wheeler. The Wheelers are kind

0:33:39.080 --> 0:33:41.719
<v Speaker 1>of the flying monkeys of this film, only instead of

0:33:41.800 --> 0:33:44.920
<v Speaker 1>flying monkeys, instead of some sort of a simian creature

0:33:45.080 --> 0:33:50.200
<v Speaker 1>with with feathered wings. They are um like half human

0:33:50.440 --> 0:33:54.959
<v Speaker 1>half old timey bicycle people. Or they are a like

0:33:55.000 --> 0:34:01.320
<v Speaker 1>a tribe of post apocalyptic maniacs who have taken up um,

0:34:01.360 --> 0:34:06.320
<v Speaker 1>you know, vehicular locomotion instead of walking. Uh, They're they're

0:34:06.320 --> 0:34:09.319
<v Speaker 1>really odd. They're they're difficult to describe. Anyway. There's a

0:34:09.320 --> 0:34:12.680
<v Speaker 1>whole group of these Wheelers and the lead wheeler is

0:34:12.800 --> 0:34:15.600
<v Speaker 1>played by this actor by the name of Ponds Mar.

0:34:16.040 --> 0:34:18.920
<v Speaker 1>And I'm glad we finally get to mention ponds Mar

0:34:18.960 --> 0:34:22.759
<v Speaker 1>because he's a He's a Florida born artist, effects artist, puppeteer,

0:34:23.080 --> 0:34:26.600
<v Speaker 1>and a monster suit guy. He's one of He's just

0:34:26.680 --> 0:34:29.840
<v Speaker 1>one of the creepy Wheelers in this movie. But he

0:34:30.040 --> 0:34:33.560
<v Speaker 1>is also memorable for playing the reptile man sor Odd

0:34:33.560 --> 0:34:37.359
<v Speaker 1>in seven Masters of the Universe and the character Fu

0:34:37.560 --> 0:34:41.080
<v Speaker 1>in nine six is the Golden Child. He also did

0:34:41.120 --> 0:34:45.560
<v Speaker 1>some dino suit work, both on TVs Dinosaurs the Hinson

0:34:46.719 --> 0:34:52.560
<v Speaker 1>Affected sitcom, but also the movie Theodore Rex, in which

0:34:52.560 --> 0:34:56.280
<v Speaker 1>he plays a cool talking t Rex opposite Whoopie Goldberg.

0:34:56.560 --> 0:35:00.440
<v Speaker 1>To clarify, Theodore Rex is a buddy cop move and

0:35:00.480 --> 0:35:04.640
<v Speaker 1>the buddy cops are Whoopie Goldberg and a dinosaur. Wo

0:35:05.120 --> 0:35:07.000
<v Speaker 1>have you seen it? No, I haven't seen it. I

0:35:07.040 --> 0:35:09.279
<v Speaker 1>just know the premise and and apparently he's like a

0:35:09.360 --> 0:35:13.560
<v Speaker 1>rad dinosaur. He looks frat he looks pretty rad at

0:35:13.600 --> 0:35:17.560
<v Speaker 1>any rate. Oh Man Ponds mars the lead Wheeler his

0:35:17.640 --> 0:35:20.440
<v Speaker 1>performance and this is just cranked up to about a thousand.

0:35:20.520 --> 0:35:22.080
<v Speaker 1>I was thinking, it's kind of like, what have you

0:35:22.080 --> 0:35:25.279
<v Speaker 1>took one of Bill Irwin's mind performances like he would

0:35:25.320 --> 0:35:27.560
<v Speaker 1>do on Sesame Street and so forth? What if you

0:35:27.600 --> 0:35:30.719
<v Speaker 1>had that level of intensity? But it was also definitely

0:35:30.840 --> 0:35:33.759
<v Speaker 1>loud at the same time. Yes, yes, he he is

0:35:33.920 --> 0:35:37.120
<v Speaker 1>manic oh and Rob I noticed something. I put this

0:35:37.200 --> 0:35:40.919
<v Speaker 1>together about the Wheelers only after I watched the movie,

0:35:40.960 --> 0:35:43.040
<v Speaker 1>not while I was watching it. Okay, So throughout the

0:35:43.080 --> 0:35:46.719
<v Speaker 1>movie you've got these characters who appear in OZ, but

0:35:46.760 --> 0:35:49.920
<v Speaker 1>then there's some sort of counterpart in the in the

0:35:50.000 --> 0:35:53.520
<v Speaker 1>mundane world back in Kansas. So of course Mombi is

0:35:53.560 --> 0:35:56.880
<v Speaker 1>the is the nurse at the clinic um the nome

0:35:56.960 --> 0:36:00.399
<v Speaker 1>King is the doctor at the clinic. But I think

0:36:00.440 --> 0:36:06.160
<v Speaker 1>the Wheelers are the sallow, uh moist looking orderlies at

0:36:06.160 --> 0:36:09.440
<v Speaker 1>the clinic who are like wheeling the gurneys around and

0:36:09.440 --> 0:36:12.040
<v Speaker 1>they look up, haven't slept in a month? Yeah, I

0:36:12.080 --> 0:36:14.439
<v Speaker 1>believe you're right on that, because I think looking back

0:36:14.440 --> 0:36:16.640
<v Speaker 1>on it now, I'm not positive about this, but I

0:36:16.640 --> 0:36:20.920
<v Speaker 1>think Pondsmr. Is also one of those orderlies. Yeah, I

0:36:20.960 --> 0:36:24.120
<v Speaker 1>think he is. He has a very distinctive look that

0:36:24.120 --> 0:36:26.279
<v Speaker 1>that shines through even when he's not made up like

0:36:26.320 --> 0:36:30.279
<v Speaker 1>some sort of reptile man. Now, speaking of monster suits, Oh,

0:36:30.480 --> 0:36:32.600
<v Speaker 1>I have to mention this guy, even though the Cowardly

0:36:32.640 --> 0:36:34.680
<v Speaker 1>Lion is not much of a character in this The

0:36:34.680 --> 0:36:37.840
<v Speaker 1>Cowardly Lion is basically turned to stone and only becomes

0:36:37.960 --> 0:36:41.000
<v Speaker 1>un unfrozen at the very end of the film. But

0:36:41.120 --> 0:36:44.680
<v Speaker 1>when he does move again, it's it's this cool monster

0:36:44.800 --> 0:36:47.160
<v Speaker 1>suit and the monsters. The man in the monster suit

0:36:47.440 --> 0:36:50.920
<v Speaker 1>is John Alexander, who is a guerrilla guy. Gotta love

0:36:50.960 --> 0:36:54.399
<v Speaker 1>a good guerrilla guy. Oh, he does gorillas quite often. Yeah.

0:36:54.560 --> 0:36:59.600
<v Speaker 1>Oh yeah. Alexander was a former circus performer, cabaret actor,

0:36:59.680 --> 0:37:02.960
<v Speaker 1>and the interactor who first climbed into a guerrilla costume

0:37:03.239 --> 0:37:06.680
<v Speaker 1>on screen for N four's Gray Stoke The Legend of

0:37:06.719 --> 0:37:10.720
<v Speaker 1>tarzan Um. This was the one that starred Christopher Lambert.

0:37:10.800 --> 0:37:14.279
<v Speaker 1>Of course this was his uh. This was his follow

0:37:14.360 --> 0:37:17.040
<v Speaker 1>up performance in Return to Oz. But he also played

0:37:17.080 --> 0:37:20.879
<v Speaker 1>a gorilla on the TV show Jeeves and Wooster. Uh.

0:37:20.920 --> 0:37:24.280
<v Speaker 1>He was in who played a gorilla on Baby's Day Out,

0:37:24.760 --> 0:37:29.800
<v Speaker 1>Fierce Creatures, Mighty Joe Young two thousand and elevens Planet

0:37:29.800 --> 0:37:32.880
<v Speaker 1>of the Apes, and he, along with a few others

0:37:32.920 --> 0:37:35.920
<v Speaker 1>I found this kind of interesting, are credited as quote

0:37:35.960 --> 0:37:40.880
<v Speaker 1>unquote mime artists in n Guerrillas in the Midst um.

0:37:41.280 --> 0:37:43.840
<v Speaker 1>And the thing about Gorillas in the Midst is Gorillas

0:37:43.840 --> 0:37:46.880
<v Speaker 1>in the midst definitely has guerrilla costumes. It has great

0:37:46.880 --> 0:37:50.839
<v Speaker 1>gorilla costumes designed by the great Rick Baker. But the

0:37:50.880 --> 0:37:54.400
<v Speaker 1>credits don't say don't list humans as guerrillas or or

0:37:54.440 --> 0:37:57.560
<v Speaker 1>say guerrilla suit. They say these are mime artists, which

0:37:57.600 --> 0:38:00.480
<v Speaker 1>I thought was interesting. Oh, Gorillas in the missed is

0:38:00.520 --> 0:38:03.800
<v Speaker 1>the one that has Sigourney Weaver playing Diane Fosse. Yeah,

0:38:04.040 --> 0:38:05.760
<v Speaker 1>good movie, I guess it. Thought it was a little

0:38:05.800 --> 0:38:08.480
<v Speaker 1>over like it was above guerrilla suits for some reason.

0:38:08.520 --> 0:38:12.240
<v Speaker 1>But at any rate, John would be above guerrilla suits.

0:38:12.400 --> 0:38:14.359
<v Speaker 1>I don't know they like maybe they just they were like,

0:38:14.440 --> 0:38:17.600
<v Speaker 1>it's it would be we shouldn't list people as guerrillas,

0:38:17.760 --> 0:38:20.520
<v Speaker 1>or maybe they thought they would. They wanted to keep

0:38:20.520 --> 0:38:23.480
<v Speaker 1>this suspension of disbelief alive that he's a real guerrillas.

0:38:23.520 --> 0:38:27.640
<v Speaker 1>I don't know, but John Alexander also did Monster Suit,

0:38:27.719 --> 0:38:30.200
<v Speaker 1>Creature Suit Work, and Men in Black, One, Into the

0:38:30.239 --> 0:38:34.759
<v Speaker 1>Country Bears, Asa Thora and hell Boy too. Now, as

0:38:34.760 --> 0:38:38.480
<v Speaker 1>we mentioned, the the original companions from the First Wizard

0:38:38.480 --> 0:38:40.839
<v Speaker 1>of Oz are only sort of in this movie. Well,

0:38:40.880 --> 0:38:43.640
<v Speaker 1>Scarecrow is in it more. But I felt bad for

0:38:43.680 --> 0:38:46.200
<v Speaker 1>the tin Man at the end of this movie because

0:38:46.960 --> 0:38:49.200
<v Speaker 1>Dorothy when she's like, you know, saying goodbye to of

0:38:49.200 --> 0:38:51.680
<v Speaker 1>course she has she has a pretty extended scene with

0:38:51.719 --> 0:38:54.560
<v Speaker 1>the Scarecrow. She has a real good hug on the

0:38:54.600 --> 0:38:57.080
<v Speaker 1>cowardly Lion. It's like, hey, world, budd easy as good

0:38:57.080 --> 0:38:59.040
<v Speaker 1>to see you again. But then she just this is

0:38:59.080 --> 0:39:01.359
<v Speaker 1>the tin Man. Basically, I don't think she everyone says

0:39:01.400 --> 0:39:05.040
<v Speaker 1>anything to him. Yeah, he's barely in this as well.

0:39:05.160 --> 0:39:08.680
<v Speaker 1>But it isn't noteworthy that the ten Man is played

0:39:08.680 --> 0:39:12.560
<v Speaker 1>by Deep Roy born nineteen fifty seven, the Kenyan British

0:39:12.600 --> 0:39:15.359
<v Speaker 1>actor who at four ft four has been a go

0:39:15.480 --> 0:39:20.120
<v Speaker 1>to actor for creature performances and diminutive character performances for decades.

0:39:20.239 --> 0:39:23.680
<v Speaker 1>So uh Roy has popped up in Star Wars, The Dark,

0:39:23.680 --> 0:39:27.520
<v Speaker 1>Crystal Flash, Gordon Gray Stroke, The Never Ending Story, The

0:39:27.719 --> 0:39:30.440
<v Speaker 1>X Files, Planet of the Apes, in which he plays

0:39:30.840 --> 0:39:34.200
<v Speaker 1>Guerrilla Kid. That is what is he's credited as, He's

0:39:34.200 --> 0:39:36.400
<v Speaker 1>in Charlie and the Chocolate Factory. He's been in I

0:39:36.440 --> 0:39:40.040
<v Speaker 1>think various Star Trek shows and much more. All right,

0:39:40.120 --> 0:39:42.600
<v Speaker 1>and so just a few behind the scenes credits to

0:39:42.880 --> 0:39:45.800
<v Speaker 1>go through real quick. Norman Reynolds was the production designer

0:39:45.840 --> 0:39:49.480
<v Speaker 1>on this born British production designer who worked on the

0:39:49.520 --> 0:39:52.880
<v Speaker 1>original Star Wars trilogy, Raiders of the Lost Arc, The

0:39:52.880 --> 0:39:56.239
<v Speaker 1>Exorcist three, Alien three, and more. The sets in this

0:39:56.320 --> 0:39:59.719
<v Speaker 1>movie are tremendous. They are amazing. Yeah, so I just

0:40:00.040 --> 0:40:02.960
<v Speaker 1>had to call that out. Also, this film has some

0:40:03.160 --> 0:40:07.000
<v Speaker 1>great claymation, some stop motion animation. He's in clay in it.

0:40:07.160 --> 0:40:09.719
<v Speaker 1>That that really if you're a fan of of that

0:40:10.719 --> 0:40:13.399
<v Speaker 1>genre of effects like this is definitely an eighties film

0:40:13.440 --> 0:40:17.200
<v Speaker 1>to check out. Like when the Rocks are delivering reports

0:40:17.280 --> 0:40:19.600
<v Speaker 1>to the Nome King before you ever see him, you

0:40:19.640 --> 0:40:22.719
<v Speaker 1>just see the face and the stone, uh, sort of

0:40:23.040 --> 0:40:26.200
<v Speaker 1>scrunching up and getting worried about giving the Nome King

0:40:26.280 --> 0:40:30.919
<v Speaker 1>bad news. Yeah, yeah, tremendous. So I'm not even gonna

0:40:30.920 --> 0:40:33.560
<v Speaker 1>list all the like the Claymation team members that worked

0:40:33.560 --> 0:40:36.960
<v Speaker 1>on this, but the team included such artists as Will

0:40:37.040 --> 0:40:39.640
<v Speaker 1>Vinton who lived forty seven through two thousand and eighteen,

0:40:40.239 --> 0:40:44.520
<v Speaker 1>Joanne Radmilovich, who you can find images of. I included

0:40:44.520 --> 0:40:47.080
<v Speaker 1>an image for you here, Joe, where you can see

0:40:47.120 --> 0:40:51.080
<v Speaker 1>the artist working on some of the The Nome King's minions. Here,

0:40:51.480 --> 0:40:55.759
<v Speaker 1>Bruce McKean, who lived nineteen fifty one. Three. Oh, and

0:40:55.800 --> 0:40:59.520
<v Speaker 1>this is an interesting one. Mark Gustafsson, who is co

0:40:59.640 --> 0:41:04.960
<v Speaker 1>director on the upcoming Gamma del Toro Pinocchio movie. And

0:41:04.960 --> 0:41:08.479
<v Speaker 1>then there's also Craig Bartlett born nifty six who worked

0:41:08.480 --> 0:41:11.399
<v Speaker 1>on Dinosaur Train, which was was is. I'm not sure

0:41:11.400 --> 0:41:14.560
<v Speaker 1>if it's still going, but at any rate, Is was

0:41:14.640 --> 0:41:17.840
<v Speaker 1>a long running Jim Hinson animated series that I believe

0:41:17.840 --> 0:41:22.839
<v Speaker 1>also used poppetry to create the movements for the animated dinosaurs.

0:41:23.920 --> 0:41:26.680
<v Speaker 1>And finally, the music. The music credit here goes to

0:41:26.760 --> 0:41:30.160
<v Speaker 1>David Shire born ninety seven, American composer who scored a

0:41:30.160 --> 0:41:33.279
<v Speaker 1>ton of films over the years, including All the President's Men,

0:41:33.440 --> 0:41:37.240
<v Speaker 1>Oh God, You Devil, Short Circuit, Monkey Shines, and David

0:41:37.280 --> 0:41:41.279
<v Speaker 1>Fincher's Zodiac. Trying to remember the music in Zodiac, But

0:41:41.480 --> 0:41:44.279
<v Speaker 1>I can't recall the orchestration. All I recall is the

0:41:44.320 --> 0:41:47.439
<v Speaker 1>hurdy gurdy man. Yeah, excellent use of the hurdy gurdy man.

0:41:47.440 --> 0:41:50.520
<v Speaker 1>But I too don't remember the score offhand. Likewise, I

0:41:50.520 --> 0:41:52.600
<v Speaker 1>don't really remember the score from this movie, even though

0:41:52.600 --> 0:41:54.359
<v Speaker 1>I watched the other day. It's it's one of those

0:41:54.360 --> 0:41:57.799
<v Speaker 1>scores that does its job, does its job well, but

0:41:57.960 --> 0:42:00.279
<v Speaker 1>you don't necessarily think back on it. It's just not

0:42:00.440 --> 0:42:02.840
<v Speaker 1>that type of score. Yeah. I mean, a movie like

0:42:02.880 --> 0:42:04.879
<v Speaker 1>this depends on the music being good, so it must

0:42:04.880 --> 0:42:07.560
<v Speaker 1>have been good, but it didn't stand. I don't recall

0:42:07.600 --> 0:42:10.759
<v Speaker 1>what it was. Yeah. It's also not a musical, so uh,

0:42:10.920 --> 0:42:13.640
<v Speaker 1>there's not a scene where Dorothy says something and then

0:42:13.960 --> 0:42:16.239
<v Speaker 1>the TikTok is like, well that sounds good, Dorothy, But

0:42:16.280 --> 0:42:18.040
<v Speaker 1>could you sing a song about it so I can

0:42:18.080 --> 0:42:21.080
<v Speaker 1>remember it. No, it doesn't doesn't work like that. Oh,

0:42:21.120 --> 0:42:25.960
<v Speaker 1>we are the Wheelers, we will everywhere. Oh man, what

0:42:26.160 --> 0:42:27.880
<v Speaker 1>I I can't I don't even like to think what

0:42:28.040 --> 0:42:31.439
<v Speaker 1>sort of musical genre the Wheelers would use. It would

0:42:31.480 --> 0:42:34.000
<v Speaker 1>just have to be some sort of like screaming punk

0:42:34.080 --> 0:42:37.840
<v Speaker 1>song or something. Yeah, some sort of screeching avant garde

0:42:37.920 --> 0:42:40.960
<v Speaker 1>industrial punk. That would be my guess what would Mom

0:42:41.000 --> 0:42:45.040
<v Speaker 1>be saying? It would be I want all your heads. Oh,

0:42:45.320 --> 0:42:47.440
<v Speaker 1>maybe it would be a different genre. It would certainly

0:42:47.640 --> 0:42:50.279
<v Speaker 1>be a different voice depending on which head she chooses. Right, Oh,

0:42:50.440 --> 0:42:52.719
<v Speaker 1>that's a good point. And when it comes to the

0:42:52.760 --> 0:42:54.680
<v Speaker 1>Nome King, it would just it would be hard rock

0:42:54.880 --> 0:43:07.080
<v Speaker 1>because that's what he's made of. That's that's good. Okay.

0:43:07.120 --> 0:43:08.960
<v Speaker 1>I guess we've already teased the plot a good bit.

0:43:09.080 --> 0:43:11.440
<v Speaker 1>But I think this is one of those ones where

0:43:11.480 --> 0:43:13.160
<v Speaker 1>we're not going to try to go scene by scene

0:43:13.160 --> 0:43:16.200
<v Speaker 1>and describe the whole movie. Because this is this one.

0:43:16.560 --> 0:43:19.080
<v Speaker 1>It's good to to let some surprises remain. But maybe

0:43:19.080 --> 0:43:21.759
<v Speaker 1>we should talk about some broad broad sections of the

0:43:21.800 --> 0:43:25.239
<v Speaker 1>plot and some of our favorite details. Um So, do

0:43:25.239 --> 0:43:28.120
<v Speaker 1>you want to start with life in Kansas? Let's do it. So.

0:43:28.440 --> 0:43:31.320
<v Speaker 1>The film seems to take place a little while after

0:43:31.400 --> 0:43:33.920
<v Speaker 1>the events of the original Wizard of Oz. Dorothy Gale

0:43:34.360 --> 0:43:37.160
<v Speaker 1>is back on the farm with Aunt em and Uncle Henry.

0:43:37.320 --> 0:43:39.759
<v Speaker 1>They are rebuilding the house because of course it was

0:43:40.120 --> 0:43:42.840
<v Speaker 1>it was you know, carried away by the Kansas cyclone

0:43:42.880 --> 0:43:46.919
<v Speaker 1>in the previous movie. But Dorothy is, you know, she's

0:43:46.960 --> 0:43:49.680
<v Speaker 1>not just totally back to normal. She is obsessed with

0:43:49.719 --> 0:43:52.480
<v Speaker 1>her memories of adventurious in the Land of Oz, to

0:43:52.600 --> 0:43:54.480
<v Speaker 1>the point where she can't sleep at night. Like you

0:43:54.520 --> 0:43:57.000
<v Speaker 1>see Piper Laurie come into the room and it's like, Dorothy,

0:43:57.080 --> 0:43:59.440
<v Speaker 1>you know, you gotta go to sleep. But she's, you know,

0:43:59.480 --> 0:44:02.120
<v Speaker 1>she's looking at the stars because she's thinking about monsters

0:44:02.200 --> 0:44:04.920
<v Speaker 1>and thinking about trees that trees that attack. That's what

0:44:04.960 --> 0:44:06.400
<v Speaker 1>they get for living on the middle of nowhere. The

0:44:06.400 --> 0:44:09.200
<v Speaker 1>stars are so bright out there, they basically keep you

0:44:09.239 --> 0:44:13.360
<v Speaker 1>up at night. It's true. I can report from brief experiences.

0:44:13.400 --> 0:44:15.640
<v Speaker 1>If you go to a place with truly dark skies,

0:44:16.000 --> 0:44:17.960
<v Speaker 1>uh and and you look up at the stars at night,

0:44:18.000 --> 0:44:22.799
<v Speaker 1>it is a borderline hallucinatory experience. Yeah, But okay. Ant

0:44:22.840 --> 0:44:25.840
<v Speaker 1>Em and Uncle Henry are troubled by what's happened to Dorothy.

0:44:25.920 --> 0:44:30.000
<v Speaker 1>They think she is suffering from persistent delusions because of

0:44:30.040 --> 0:44:33.840
<v Speaker 1>her belief that Oz is real. So and m gets

0:44:33.880 --> 0:44:36.040
<v Speaker 1>the idea that they've got to send her to a

0:44:36.080 --> 0:44:39.480
<v Speaker 1>doctor in town who has a machine that can cure

0:44:39.560 --> 0:44:43.319
<v Speaker 1>her brain with electricity. Uh So, there are a few

0:44:43.320 --> 0:44:46.240
<v Speaker 1>things that are established in this early section on the farm.

0:44:46.360 --> 0:44:48.840
<v Speaker 1>We we see you know that that an M and

0:44:48.920 --> 0:44:52.040
<v Speaker 1>Uncle Henry are are are loving parents. You know that

0:44:52.200 --> 0:44:55.439
<v Speaker 1>they care about Dorothy and they're trying to do good,

0:44:55.480 --> 0:44:58.680
<v Speaker 1>but also that they're they're disturbed by her seeming to

0:44:58.680 --> 0:45:00.840
<v Speaker 1>believe that Oz is a real ace and she actually

0:45:00.880 --> 0:45:04.040
<v Speaker 1>went there, and you see them trying to discourage these

0:45:04.320 --> 0:45:08.160
<v Speaker 1>apparent delusions. And meanwhile, Dorothy is just thinking about Oz

0:45:08.200 --> 0:45:10.360
<v Speaker 1>all the time. Like she finds a key on the

0:45:10.400 --> 0:45:12.800
<v Speaker 1>farm and she's like, see this key is from OZ

0:45:12.880 --> 0:45:15.400
<v Speaker 1>because it's got like the handle on it is around

0:45:15.480 --> 0:45:17.440
<v Speaker 1>like an O, and then it's got to slash through

0:45:17.480 --> 0:45:19.360
<v Speaker 1>the middle of it that sort of makes like the

0:45:19.400 --> 0:45:22.799
<v Speaker 1>crossbar in a Z. So, yeah, this is obviously an

0:45:22.840 --> 0:45:25.480
<v Speaker 1>artifact from OZ. And then I think it literally is.

0:45:25.600 --> 0:45:29.040
<v Speaker 1>Later um, but we also we meet a chicken who

0:45:29.120 --> 0:45:33.520
<v Speaker 1>can't talk. But this chicken who cannot talk is Dorothy's friend,

0:45:33.880 --> 0:45:36.400
<v Speaker 1>and the chicken is threatened by Aunt M because n

0:45:36.640 --> 0:45:38.439
<v Speaker 1>M's like, hey, if you don't lay an egg soon,

0:45:38.600 --> 0:45:41.640
<v Speaker 1>I'm gonna turn you into soup. Yeah, yeah, this is Balina.

0:45:42.320 --> 0:45:44.680
<v Speaker 1>Blina is going to be a major character that Helena

0:45:44.760 --> 0:45:48.080
<v Speaker 1>is not just there for comic relief. Now, shortly into

0:45:48.120 --> 0:45:51.240
<v Speaker 1>the movie, Dorothy is taken by Aunt m to town

0:45:51.719 --> 0:45:54.399
<v Speaker 1>and Toto tries to follow them. They have a very

0:45:54.400 --> 0:45:56.879
<v Speaker 1>cute dog to play, Toto, but Toto is not does

0:45:56.920 --> 0:46:00.239
<v Speaker 1>not accompany Dorothy on her adventures in this movie. Photo

0:46:00.280 --> 0:46:03.239
<v Speaker 1>stays behind and so she's taken to the to the

0:46:03.640 --> 0:46:05.840
<v Speaker 1>to town to go to the offices of Dr. J. B.

0:46:06.160 --> 0:46:09.239
<v Speaker 1>Warley played by Nicole Williamson. And again this is going

0:46:09.280 --> 0:46:13.080
<v Speaker 1>to be for the electrical cure. Now, as I said earlier,

0:46:13.160 --> 0:46:16.080
<v Speaker 1>Nicole will Williamson and Jean marsh are both fabulous in

0:46:16.120 --> 0:46:18.880
<v Speaker 1>their roles because, like in the original Wizard of Oz,

0:46:19.160 --> 0:46:21.680
<v Speaker 1>they play these characters on both sides of of the

0:46:22.640 --> 0:46:26.480
<v Speaker 1>fantasy divide, right, they have real, mundane characters and fantasy

0:46:26.480 --> 0:46:31.400
<v Speaker 1>counterparts in Oz. Nicole Williamson's Earth character Dr. Warley is

0:46:31.440 --> 0:46:34.399
<v Speaker 1>I think wonderfully realized as as the kind of man

0:46:34.440 --> 0:46:39.960
<v Speaker 1>who presents a soft, friendly, reassuring exterior while preparing the

0:46:40.000 --> 0:46:43.319
<v Speaker 1>machinery that will steal your soul. Yeah, this is this

0:46:43.360 --> 0:46:45.959
<v Speaker 1>is a wonderful performance. And you know, you don't see

0:46:46.200 --> 0:46:48.200
<v Speaker 1>a lot of him here. We're not in Kansas for

0:46:48.280 --> 0:46:52.080
<v Speaker 1>too long. But yeah, yeah, he seems he's a he's

0:46:52.120 --> 0:46:54.760
<v Speaker 1>he doesn't come off as a suspicious adult. He seems

0:46:54.800 --> 0:46:57.759
<v Speaker 1>like a trusting adult who is in who's rightfully in

0:46:57.760 --> 0:47:00.040
<v Speaker 1>a position of authority and is going to help you.

0:47:00.360 --> 0:47:02.759
<v Speaker 1>Like there's a part where he's showing Dorothy. He says, look,

0:47:02.880 --> 0:47:06.040
<v Speaker 1>this machine has a face. Here its eyes, and here

0:47:06.160 --> 0:47:09.600
<v Speaker 1>is its nose. Uh. And of course the machine is

0:47:09.640 --> 0:47:13.719
<v Speaker 1>the machine they're going to use to administer electro convulsive

0:47:13.760 --> 0:47:17.480
<v Speaker 1>therapy to Dorothy. Now, a brief note on psychiatry in

0:47:17.480 --> 0:47:21.080
<v Speaker 1>this film, I would say this movie depicts psychiatry in

0:47:21.120 --> 0:47:26.600
<v Speaker 1>general and electro convulsive therapy in particular as cruel and evil,

0:47:26.719 --> 0:47:29.480
<v Speaker 1>which I would say I have twofold thoughts about number one.

0:47:29.920 --> 0:47:33.680
<v Speaker 1>It really works in the context of the plot. But

0:47:33.800 --> 0:47:35.640
<v Speaker 1>of course, if you're going to be literal about it,

0:47:35.680 --> 0:47:38.200
<v Speaker 1>I think this is very misguided. Like I think if

0:47:38.200 --> 0:47:40.480
<v Speaker 1>you get your ideas about E. C. T. From the movie,

0:47:40.600 --> 0:47:43.000
<v Speaker 1>especially like I don't know, movies made in the seventies

0:47:43.000 --> 0:47:45.200
<v Speaker 1>and eighties, such as scenes from One flo Over the

0:47:45.200 --> 0:47:48.520
<v Speaker 1>Cuckoo's Nest and stuff. You would basically think that it

0:47:48.640 --> 0:47:52.719
<v Speaker 1>is like a pseudo scientific involuntary torture mechanism used to

0:47:52.800 --> 0:47:57.040
<v Speaker 1>inflict pain and terror. But I think actually, uh, you

0:47:57.080 --> 0:47:59.000
<v Speaker 1>know a lot of psychiatrists think that there's very good

0:47:59.000 --> 0:48:01.680
<v Speaker 1>evidence that it's helpful and that you'll beat people who

0:48:01.760 --> 0:48:04.680
<v Speaker 1>have experienced severe major depression that did not respond to

0:48:04.719 --> 0:48:07.480
<v Speaker 1>other treatments, and they would say e c T made

0:48:07.480 --> 0:48:11.040
<v Speaker 1>a major positive difference in their lives. Uh. Though, obviously,

0:48:11.080 --> 0:48:13.560
<v Speaker 1>if it were actually administered in the way it is

0:48:13.640 --> 0:48:17.280
<v Speaker 1>depicted in this movie, which is like an unexplained, non

0:48:17.320 --> 0:48:21.080
<v Speaker 1>consensual punishment inflicted on children for the crime of having

0:48:21.080 --> 0:48:24.400
<v Speaker 1>an imagination, that would be pretty awful. So while you

0:48:24.400 --> 0:48:28.120
<v Speaker 1>should obviously not get your real real world ideas about

0:48:28.120 --> 0:48:31.600
<v Speaker 1>ECT from from the Odds universe, it does make a

0:48:31.760 --> 0:48:35.719
<v Speaker 1>really great plot device, scary plot device within the fantasy

0:48:35.760 --> 0:48:39.680
<v Speaker 1>context of the movie. Yeah, absolutely so. Anyway, Dorothy has

0:48:39.719 --> 0:48:42.719
<v Speaker 1>left at this clinic to uh, to be subjected to

0:48:42.719 --> 0:48:45.719
<v Speaker 1>the electrical cure for her brain, and there's this great

0:48:45.719 --> 0:48:48.600
<v Speaker 1>scene where you know, Dorothy is kind of thinking about

0:48:48.640 --> 0:48:51.359
<v Speaker 1>other things while you hear the doctor talking to aunt

0:48:51.400 --> 0:48:53.480
<v Speaker 1>Em in the background. Saying, you know, the mind is

0:48:53.520 --> 0:48:57.760
<v Speaker 1>simply a machine. Sometimes the machine has too much electricity

0:48:57.840 --> 0:49:02.600
<v Speaker 1>in it. Uh, And and you get a similar foreboding

0:49:02.680 --> 0:49:06.120
<v Speaker 1>elements from other things at the clinic. So Gene Marsh

0:49:06.200 --> 0:49:08.799
<v Speaker 1>plays a what would you call her, she's like an

0:49:08.840 --> 0:49:11.719
<v Speaker 1>assistant sort of a warden at this clinic, and she's

0:49:11.719 --> 0:49:13.799
<v Speaker 1>wearing a dress that looks like it might as well

0:49:13.840 --> 0:49:18.480
<v Speaker 1>be Darth Vaders suit. Yeah. It is like such a

0:49:18.520 --> 0:49:21.000
<v Speaker 1>gothy number. I don't know how else to describe it.

0:49:21.000 --> 0:49:25.439
<v Speaker 1>It's just like multiple shades of black and and has

0:49:25.480 --> 0:49:29.800
<v Speaker 1>all of these like crenulations and sort of fabric spikes

0:49:29.840 --> 0:49:32.359
<v Speaker 1>on it. It's like if you combine like a Little

0:49:32.400 --> 0:49:37.279
<v Speaker 1>House on the Prairie Dress and the Road Warrior. But

0:49:37.400 --> 0:49:40.480
<v Speaker 1>also here at the clinic, Dorothy meets a mysterious blonde

0:49:40.480 --> 0:49:43.200
<v Speaker 1>girl who like appears in her room and warns her

0:49:43.239 --> 0:49:45.759
<v Speaker 1>about Dr Worley's machines. I think, is this the scene

0:49:45.760 --> 0:49:48.839
<v Speaker 1>where they're like hearing people screaming and she says like

0:49:48.880 --> 0:49:53.279
<v Speaker 1>those are the people who have been subjected to the machine. Yeah, yeah,

0:49:53.320 --> 0:49:56.960
<v Speaker 1>and that's this is probably the darkest moment in the film.

0:49:57.000 --> 0:49:59.520
<v Speaker 1>I thought for me anyway, like this is this This

0:49:59.600 --> 0:50:01.920
<v Speaker 1>is the moment it where I was sitting there watching it,

0:50:02.040 --> 0:50:04.319
<v Speaker 1>you know, next to my son, and I'm like, this

0:50:04.400 --> 0:50:07.719
<v Speaker 1>is maybe a little too dark, but he didn't seem

0:50:07.760 --> 0:50:10.160
<v Speaker 1>to mind, and and you're you're through it pretty quickly.

0:50:10.480 --> 0:50:13.000
<v Speaker 1>And there's a scene where they're like taking Dorothy to

0:50:13.000 --> 0:50:15.440
<v Speaker 1>to be hooked up to the electrical machine, the one

0:50:15.480 --> 0:50:17.520
<v Speaker 1>that had eyes and a nose in a mouth, and

0:50:17.560 --> 0:50:20.000
<v Speaker 1>they're hooking the electrodes up to her head, and just

0:50:20.040 --> 0:50:23.080
<v Speaker 1>when they're getting ready to send the charge the there

0:50:23.160 --> 0:50:26.280
<v Speaker 1>is a storm and lightning strikes and power is lost,

0:50:26.880 --> 0:50:30.839
<v Speaker 1>and Dorothy actually escapes during this lightning storm, along with

0:50:30.920 --> 0:50:33.560
<v Speaker 1>that strange blonde girl who she keeps seeing in the mirror,

0:50:34.360 --> 0:50:37.279
<v Speaker 1>and they get swept up in a flood. They're being

0:50:37.360 --> 0:50:40.360
<v Speaker 1>chased by Jean marsh and that that crazy black dress

0:50:40.800 --> 0:50:43.120
<v Speaker 1>and they end up floating away down a torrent in

0:50:43.160 --> 0:50:46.960
<v Speaker 1>a chicken coop. By the way, I couldn't help but

0:50:47.000 --> 0:50:49.759
<v Speaker 1>be reminded of the movie Brazil, which I guess came

0:50:49.800 --> 0:50:54.200
<v Speaker 1>out the same year. But that film has a scene

0:50:54.239 --> 0:50:57.560
<v Speaker 1>where an individuals strapped to a contraption, and in that

0:50:57.640 --> 0:51:00.960
<v Speaker 1>case is about to be tortured when something miraculous happens

0:51:01.000 --> 0:51:02.880
<v Speaker 1>that seems to save him, and then at the end

0:51:02.880 --> 0:51:05.479
<v Speaker 1>of the film, all depending on the cut, you find

0:51:05.520 --> 0:51:08.799
<v Speaker 1>out that this was all just what an occurrence at

0:51:08.800 --> 0:51:12.279
<v Speaker 1>what is at al Creek Bridge situation where everything was

0:51:12.320 --> 0:51:14.239
<v Speaker 1>happening in his head and he really died on the

0:51:14.280 --> 0:51:17.600
<v Speaker 1>interrogation table. So I'm I'm happy to say that that

0:51:17.719 --> 0:51:20.000
<v Speaker 1>is not the case in Return to Oz. There's not

0:51:20.040 --> 0:51:22.480
<v Speaker 1>a scene later where you realize, oh, this was all

0:51:22.520 --> 0:51:26.439
<v Speaker 1>just electricity going through Dorothy's brain. Right, No, No, there

0:51:26.560 --> 0:51:30.120
<v Speaker 1>is like a waking up later scene, but it's not that. Yeah,

0:51:30.320 --> 0:51:32.120
<v Speaker 1>she did really go out and get in the mud

0:51:32.440 --> 0:51:35.920
<v Speaker 1>and into the river and then seemingly into the ocean. Yeah, yeah, yeah,

0:51:35.920 --> 0:51:37.680
<v Speaker 1>it's and it's a good thing she did run out

0:51:37.960 --> 0:51:41.440
<v Speaker 1>into the floodwaters because apparently if she had remained behind

0:51:41.520 --> 0:51:45.040
<v Speaker 1>at the clinic, she maybe she may have been incinerated. Yes,

0:51:45.920 --> 0:51:48.120
<v Speaker 1>But so from here we're gonna go to Oz. We

0:51:48.120 --> 0:51:51.080
<v Speaker 1>we gotta we gotta talk Oz. First thing is she

0:51:51.160 --> 0:51:54.640
<v Speaker 1>wakes up in that chicken coop being wrecked in what's

0:51:54.680 --> 0:51:57.680
<v Speaker 1>called the Deadly Desert, which is a plot device that

0:51:57.680 --> 0:52:00.640
<v Speaker 1>that I love. The idea of the deadly desert is

0:52:00.680 --> 0:52:03.359
<v Speaker 1>if you touch the sand, you turn to sand. And

0:52:03.600 --> 0:52:07.120
<v Speaker 1>it's very simple, but it's great. We see a wheeler

0:52:07.160 --> 0:52:10.319
<v Speaker 1>turned to sand at some point and and it's brutal. Yeah,

0:52:10.440 --> 0:52:13.000
<v Speaker 1>that was one of my son's favorite moments. U and

0:52:13.040 --> 0:52:14.960
<v Speaker 1>in part because we hated the wheelers. Like you could

0:52:14.960 --> 0:52:17.200
<v Speaker 1>tell the wheelers were bad news. So any bad things

0:52:17.200 --> 0:52:20.120
<v Speaker 1>that happened to the wheelers are somewhat justified. But as

0:52:20.160 --> 0:52:22.359
<v Speaker 1>soon as Dorothy wakes up in the deadly desert, her

0:52:22.480 --> 0:52:25.920
<v Speaker 1>chicken friend Billina is there with her, and Billina can talk. Now,

0:52:25.960 --> 0:52:28.440
<v Speaker 1>remember by the mechanism we discussed earlier, you know, you're

0:52:28.480 --> 0:52:30.760
<v Speaker 1>an animal, you're an OZ. Now you're a talking animal.

0:52:31.160 --> 0:52:34.320
<v Speaker 1>And it turns out all along if Billina could talk,

0:52:34.680 --> 0:52:36.960
<v Speaker 1>we would have noticed that she has like a sassy

0:52:37.040 --> 0:52:40.920
<v Speaker 1>old prairie grandma twode. Yeah. Yeah, it's full of of

0:52:41.080 --> 0:52:45.240
<v Speaker 1>fun one liners as well, and occasionally has information and advice.

0:52:45.600 --> 0:52:48.160
<v Speaker 1>So they're going around, they're checking out Oz. They're like,

0:52:48.200 --> 0:52:51.640
<v Speaker 1>what's up in OZ? And oh, everything is wrecked. Nothing's

0:52:51.680 --> 0:52:53.839
<v Speaker 1>good anymore. The yellow brick road is all torn up,

0:52:54.480 --> 0:52:57.719
<v Speaker 1>Munchkin Village is gone. I think Emerald City is in ruins.

0:52:57.800 --> 0:52:59.560
<v Speaker 1>That we see it in the distance, and it looks

0:52:59.600 --> 0:53:04.239
<v Speaker 1>like it has and shelled. And we gather that when

0:53:04.480 --> 0:53:07.719
<v Speaker 1>Dorothy last left, the Scarecrow had been crowned King of

0:53:07.719 --> 0:53:10.600
<v Speaker 1>Oz in the Emerald City. And I think there's an

0:53:10.680 --> 0:53:12.640
<v Speaker 1>understanding that Scarecrow was going to be a good and

0:53:12.760 --> 0:53:15.920
<v Speaker 1>just ruler. Scarecrow is kind, Scarecrow is thoughtful, you know.

0:53:16.000 --> 0:53:18.000
<v Speaker 1>He he wouldn't do he wouldn't be a bad king.

0:53:18.640 --> 0:53:22.200
<v Speaker 1>But in the meantime, something has gone terribly wrong. And

0:53:22.360 --> 0:53:25.440
<v Speaker 1>I was immediately tempted to think how different the story

0:53:25.480 --> 0:53:27.640
<v Speaker 1>would be if it had been like George R. R.

0:53:27.719 --> 0:53:31.000
<v Speaker 1>Martin's returned to Oz or the friendly Scarecrow has a

0:53:31.040 --> 0:53:34.640
<v Speaker 1>heel turn as soon as Dorothy leaves. He's corrupted by power.

0:53:34.960 --> 0:53:39.200
<v Speaker 1>He immediately institutes, you know, draconian repression, purges of his

0:53:39.280 --> 0:53:43.000
<v Speaker 1>perceived enemies. He sends tin Man to prison. Uh, he's

0:53:43.000 --> 0:53:45.640
<v Speaker 1>got dungeons in the Emerald City. That would have been

0:53:45.680 --> 0:53:47.840
<v Speaker 1>a way to go. But no, it's not that the

0:53:48.000 --> 0:53:50.440
<v Speaker 1>Scarecrow had a heel turn. Instead, what happened is that

0:53:50.480 --> 0:53:53.480
<v Speaker 1>the Scarecrow has been deposed and someone else has taken

0:53:53.480 --> 0:53:56.520
<v Speaker 1>over someone bad. But I don't know, wouldn't that have

0:53:56.560 --> 0:53:58.320
<v Speaker 1>been a good twist. What if the Scarecrow was the

0:53:58.400 --> 0:54:00.839
<v Speaker 1>villain of the movie? Yeah, yeah, it would have been.

0:54:01.040 --> 0:54:02.680
<v Speaker 1>It would have been nice and twisty. It seems like

0:54:02.680 --> 0:54:04.319
<v Speaker 1>the kind of thing they would do today if they

0:54:04.320 --> 0:54:06.480
<v Speaker 1>were to make return to Oz, though this film does

0:54:06.520 --> 0:54:09.680
<v Speaker 1>have some neat twists concerning what exactly happened. So anyway,

0:54:09.760 --> 0:54:13.840
<v Speaker 1>Dorothy and Billina investigate everywhere there are statues of human forms,

0:54:13.880 --> 0:54:16.560
<v Speaker 1>and in the ruins of the Emerald City they find

0:54:16.600 --> 0:54:22.239
<v Speaker 1>a creepy graffito on a wall that says beware the Wheelers. Yes,

0:54:22.320 --> 0:54:25.400
<v Speaker 1>written in red um. I don't think it's written in blood,

0:54:25.840 --> 0:54:28.480
<v Speaker 1>but but who can say for certain. It looks like

0:54:28.520 --> 0:54:32.120
<v Speaker 1>it's written in red colored pencil. Yeah, or they didn't

0:54:32.160 --> 0:54:34.279
<v Speaker 1>have a lot of blood. It's not drippy blood, but

0:54:34.320 --> 0:54:36.560
<v Speaker 1>it's like we do. We know we're not not going

0:54:36.600 --> 0:54:39.120
<v Speaker 1>to really just the layer it on. We only have

0:54:39.120 --> 0:54:41.080
<v Speaker 1>so much blood to work with here. I'm just saying

0:54:41.080 --> 0:54:43.319
<v Speaker 1>it could be blood. It could be blood. I think

0:54:43.320 --> 0:54:46.040
<v Speaker 1>blood is a scarce resource in Oz now because most

0:54:46.120 --> 0:54:48.480
<v Speaker 1>human bodies have been turned into stone from what we

0:54:48.520 --> 0:54:51.560
<v Speaker 1>can see. And in the ruins of the city, Dorothy

0:54:51.600 --> 0:54:54.520
<v Speaker 1>and Billina get attacked by these horrible creatures called wheelers.

0:54:54.520 --> 0:54:56.759
<v Speaker 1>We've already talked about. They got wheels instead of hands

0:54:56.800 --> 0:55:00.839
<v Speaker 1>and feet. Uh and uh Dorothy uses her special key.

0:55:00.880 --> 0:55:03.000
<v Speaker 1>I think this is the osky that she found on

0:55:03.040 --> 0:55:05.920
<v Speaker 1>the farm in Kansas, Is that right? He uses that

0:55:05.960 --> 0:55:08.719
<v Speaker 1>to open a door inside a secret room. There she

0:55:08.800 --> 0:55:12.440
<v Speaker 1>finds this bulbous mechanical man. And this is one of

0:55:12.440 --> 0:55:17.279
<v Speaker 1>our heroes, TikTok. I loved TikTok. He is like a

0:55:17.280 --> 0:55:21.680
<v Speaker 1>wind up copper ronan. He is a mechanical warrior whose

0:55:21.719 --> 0:55:25.080
<v Speaker 1>master has been deposed and now he's in the service

0:55:25.120 --> 0:55:29.440
<v Speaker 1>of Dorothy. Great design, great effects with this uh, this

0:55:29.600 --> 0:55:33.560
<v Speaker 1>being the uh like a lot of it is puppetry,

0:55:33.600 --> 0:55:36.040
<v Speaker 1>but also it's clearly a person in a suit, and

0:55:36.120 --> 0:55:38.560
<v Speaker 1>it's they're able to pull off this wonderful gait, this

0:55:38.640 --> 0:55:42.799
<v Speaker 1>wonderful walking style of of TikTok. It's it's, it's, it's

0:55:42.800 --> 0:55:44.640
<v Speaker 1>absolutely wonderful. He was one of my favorite parts of

0:55:44.680 --> 0:55:47.440
<v Speaker 1>the whole film. He's sort of a little bit teddy

0:55:47.560 --> 0:55:51.319
<v Speaker 1>roosevelt ish, but other elements too, like he's blustery and

0:55:51.400 --> 0:55:54.359
<v Speaker 1>headstrong and as a big walrus mustache a metal one

0:55:54.400 --> 0:55:58.600
<v Speaker 1>of course, but I thought a really interesting recurring theme

0:55:59.320 --> 0:56:01.680
<v Speaker 1>is that we are equally reminded throughout the movie that

0:56:01.760 --> 0:56:05.440
<v Speaker 1>TikTok is not alive. Like when Dorothy first finds him,

0:56:05.440 --> 0:56:07.920
<v Speaker 1>there are instructions on his back for how to wind

0:56:08.000 --> 0:56:10.759
<v Speaker 1>him up and make him work. But uh and and

0:56:10.800 --> 0:56:12.680
<v Speaker 1>one of the things the instruction says is like the

0:56:12.760 --> 0:56:16.720
<v Speaker 1>you know, the TikTok, the mechanical man, does everything but live.

0:56:18.400 --> 0:56:22.360
<v Speaker 1>But what does that mean? So TikTok clearly has a mind,

0:56:22.480 --> 0:56:25.920
<v Speaker 1>he has a personality, and he even has preferences in

0:56:25.960 --> 0:56:28.879
<v Speaker 1>the ability to take offense. Like there's a scene later

0:56:29.239 --> 0:56:32.520
<v Speaker 1>when Jack Pumpkinhead suggests throwing TikTok out of the gump

0:56:32.560 --> 0:56:36.280
<v Speaker 1>aircraft because he's the heaviest of them, and TikTok clearly

0:56:36.320 --> 0:56:38.920
<v Speaker 1>takes a front like he is annoyed by this suggestion.

0:56:40.000 --> 0:56:42.640
<v Speaker 1>And yet there are other times where TikTok seems to

0:56:43.200 --> 0:56:45.920
<v Speaker 1>reference the fact that he is not alive as a

0:56:45.960 --> 0:56:48.799
<v Speaker 1>reason for not being concerned about something. It's like, you know,

0:56:48.800 --> 0:56:52.000
<v Speaker 1>I don't really worry about getting turned into an inanimate

0:56:52.040 --> 0:56:55.319
<v Speaker 1>object because I'm not alive anyway. Well, in oz being

0:56:55.920 --> 0:56:58.640
<v Speaker 1>a non living entity, I think you have a lot

0:56:58.640 --> 0:57:00.520
<v Speaker 1>of company. It's not one of these story ways where

0:57:00.680 --> 0:57:03.120
<v Speaker 1>oh I am the lonely being that is a machine

0:57:03.160 --> 0:57:05.640
<v Speaker 1>and not a human but has feelings. In Oz, everywhere

0:57:05.680 --> 0:57:09.040
<v Speaker 1>you look there's some sort of reanimated form. There's some

0:57:09.280 --> 0:57:12.960
<v Speaker 1>their machine people all over the place of just different varieties.

0:57:13.239 --> 0:57:15.439
<v Speaker 1>I think Returned to Oz explores some of the same

0:57:15.480 --> 0:57:20.320
<v Speaker 1>thematic territories Terminator to can this machine be a good parent?

0:57:20.440 --> 0:57:23.720
<v Speaker 1>Does this machine no? Does it understand why we cry?

0:57:23.760 --> 0:57:26.560
<v Speaker 1>Even if it's something it can never do? So? Anyway,

0:57:26.600 --> 0:57:28.680
<v Speaker 1>I thought that this is like a kind of a

0:57:28.800 --> 0:57:32.680
<v Speaker 1>thoughtful movie for kids that plants some interesting philosophical ideas

0:57:32.720 --> 0:57:34.520
<v Speaker 1>in their mind. But what does it mean to be alive?

0:57:35.200 --> 0:57:38.080
<v Speaker 1>But also I like the the wind up and wind

0:57:38.120 --> 0:57:42.200
<v Speaker 1>down dynamic with TikTok. So TikTok has uh winding keys

0:57:42.240 --> 0:57:46.640
<v Speaker 1>for three different things, thought, speech, and action, and at

0:57:46.800 --> 0:57:49.720
<v Speaker 1>various times throughout the movie, one of the three but

0:57:49.800 --> 0:57:52.560
<v Speaker 1>not the other two will wind down, including a very

0:57:52.600 --> 0:57:55.720
<v Speaker 1>funny scene where they're trying where all the good characters

0:57:55.720 --> 0:57:58.320
<v Speaker 1>are trying to like work on a project together, but

0:57:58.480 --> 0:58:03.320
<v Speaker 1>TikTok's thoughts down while his speech and action are still active. Yeah,

0:58:03.400 --> 0:58:06.600
<v Speaker 1>I love this as well the three um wind up

0:58:06.640 --> 0:58:09.720
<v Speaker 1>line down dynamics, Because on one level, I think it's

0:58:09.760 --> 0:58:12.560
<v Speaker 1>it's a good way to get kids potentially thinking about

0:58:12.880 --> 0:58:15.960
<v Speaker 1>like what what what the human experiences, you know, like

0:58:16.000 --> 0:58:18.720
<v Speaker 1>thinking of our of our own mental facult of faculty.

0:58:18.720 --> 0:58:20.600
<v Speaker 1>He's not as a single entity, but this thing that

0:58:20.680 --> 0:58:24.120
<v Speaker 1>sort of emerges out of, out of, out of out

0:58:24.120 --> 0:58:29.680
<v Speaker 1>of different things and different stimuli and different pro processes. So, uh,

0:58:29.720 --> 0:58:32.960
<v Speaker 1>it's it's an interesting way to look at a in

0:58:32.960 --> 0:58:35.360
<v Speaker 1>this case of fantastic being, but also to sort of

0:58:36.160 --> 0:58:39.240
<v Speaker 1>turn that reflection back on yourself at times. But so

0:58:39.360 --> 0:58:42.280
<v Speaker 1>we said the TikTok, he's a soldier, right, he's a

0:58:42.320 --> 0:58:45.360
<v Speaker 1>warrior for the Scarecrow. And he's been left behind by

0:58:45.400 --> 0:58:48.880
<v Speaker 1>the Scarecrow. I think to wait for Dorothy. So here's

0:58:48.920 --> 0:58:52.080
<v Speaker 1>Dorothy and and now they're they're teaming up. So right

0:58:52.120 --> 0:58:55.320
<v Speaker 1>from the outset, TikTok is ready to beat up some wheelers.

0:58:55.320 --> 0:58:59.880
<v Speaker 1>He like walks out, Oh he there's a there's a fight.

0:59:00.160 --> 0:59:03.640
<v Speaker 1>Seeing that you could regard as underwhelming because TikTok is

0:59:03.680 --> 0:59:07.200
<v Speaker 1>just basically spinning around in a circle whacking wheelers. Uh,

0:59:07.640 --> 0:59:10.840
<v Speaker 1>but it I don't know something about it is really good. Yeah,

0:59:10.960 --> 0:59:14.080
<v Speaker 1>it's it's it's intensely satisfying, in part because the Wheelers

0:59:14.080 --> 0:59:18.200
<v Speaker 1>have established themselves as a total menace and they're acting

0:59:18.280 --> 0:59:21.920
<v Speaker 1>is over the top. Here comes TikTok. He absolutely whales

0:59:22.040 --> 0:59:25.600
<v Speaker 1>on them, and then he captures the lead Wheeler, who

0:59:25.680 --> 0:59:28.360
<v Speaker 1>is again the most animated and annoying of the Wheelers,

0:59:28.640 --> 0:59:31.600
<v Speaker 1>and begins to roughly interrogate him. And we were just

0:59:31.720 --> 0:59:34.880
<v Speaker 1>cheering for TikTok during this scene. We're like, yeah, get him, TikTok.

0:59:35.960 --> 0:59:39.920
<v Speaker 1>It's great. And of course under under torture essentially no

0:59:40.080 --> 0:59:43.320
<v Speaker 1>under you know threat. Uh. The lead Wheeler reveals that

0:59:43.400 --> 0:59:46.800
<v Speaker 1>the Scarecrow has been overthrown and taken prisoner by the

0:59:46.880 --> 0:59:49.680
<v Speaker 1>Nome King, and to learn more about what's going on,

0:59:49.720 --> 0:59:52.280
<v Speaker 1>they have to go and visit the castle of Princess

0:59:52.400 --> 1:00:04.440
<v Speaker 1>mom By. Yeah, so that's what happens next. The whole

1:00:04.520 --> 1:00:07.320
<v Speaker 1>section in Momby's Castle in the middle of the movie

1:00:07.480 --> 1:00:10.400
<v Speaker 1>is just awesome. Uh, where do you want to start here?

1:00:10.640 --> 1:00:14.160
<v Speaker 1>So Momby's palace is like in many ways it's made

1:00:14.160 --> 1:00:16.640
<v Speaker 1>of mirrors, or at least sort of. The throne room is,

1:00:16.760 --> 1:00:20.320
<v Speaker 1>which is very creepy, especially in scenes where like Dorothy's

1:00:20.320 --> 1:00:23.480
<v Speaker 1>trying to find a door, figure out what to do. Yeah,

1:00:23.720 --> 1:00:27.240
<v Speaker 1>her whole palace is just oh my goodness, sets are amazing.

1:00:27.960 --> 1:00:30.800
<v Speaker 1>Even sets, even parts of the palace that you don't

1:00:30.800 --> 1:00:33.600
<v Speaker 1>really spend much time in just look incredible. Like they

1:00:33.640 --> 1:00:36.320
<v Speaker 1>walk through a bedroom and you do nothing ever happens

1:00:36.360 --> 1:00:38.160
<v Speaker 1>with the bedroom, but you see it in the background

1:00:38.320 --> 1:00:42.320
<v Speaker 1>is just just stupendous. It's like a this weird, evil

1:00:42.360 --> 1:00:47.720
<v Speaker 1>princess cathedral and then you venture into this hall of heads.

1:00:48.120 --> 1:00:53.040
<v Speaker 1>This is where Momby stores these various stolen female heads

1:00:53.120 --> 1:00:57.320
<v Speaker 1>that she has, stores them alive and we'll use them. Uh.

1:00:57.600 --> 1:00:59.479
<v Speaker 1>We've mentioned this on the show before because somebody wrote

1:00:59.520 --> 1:01:02.200
<v Speaker 1>in on listener mail about this. How curious it is

1:01:02.240 --> 1:01:06.640
<v Speaker 1>that Momby is always the same Momby, but Momby takes

1:01:06.680 --> 1:01:09.480
<v Speaker 1>off her original head and puts on these other heads,

1:01:09.960 --> 1:01:12.480
<v Speaker 1>and while she has these other heads on, she again

1:01:12.760 --> 1:01:16.200
<v Speaker 1>is still Momby. But it also is stated in the

1:01:16.240 --> 1:01:19.920
<v Speaker 1>film where it's it's sort of uh suggested in the

1:01:19.920 --> 1:01:22.520
<v Speaker 1>film where it's hypothesized by one of the characters that

1:01:23.240 --> 1:01:25.440
<v Speaker 1>if she does something with one head on and she

1:01:25.480 --> 1:01:28.760
<v Speaker 1>switches to another head, she might not remember something she

1:01:28.840 --> 1:01:33.400
<v Speaker 1>did previously, which just sends my head really trying to

1:01:33.400 --> 1:01:36.320
<v Speaker 1>figure out how all of that works. Yeah, her personality

1:01:36.400 --> 1:01:38.360
<v Speaker 1>always seems to be the same, but I think it's

1:01:38.440 --> 1:01:42.520
<v Speaker 1>Jack Pumpkinhead says that because Dorothy is about to meet him. Uh.

1:01:42.640 --> 1:01:45.600
<v Speaker 1>He says that Momby locked him up in the tower,

1:01:45.720 --> 1:01:48.000
<v Speaker 1>but then forgot he was in there because she switched

1:01:48.040 --> 1:01:50.080
<v Speaker 1>heads and that movie, he was in a different head.

1:01:50.400 --> 1:01:52.840
<v Speaker 1>And when we first meet her, it's not Jeane Marsh's head,

1:01:52.880 --> 1:01:55.040
<v Speaker 1>so we don't, you know, our guard is down. We're

1:01:55.040 --> 1:01:57.680
<v Speaker 1>not seeing like, oh, that's the scary lady, remember her

1:01:57.680 --> 1:02:00.400
<v Speaker 1>from the clinic. It's just some other ladies. She looked nice,

1:02:00.880 --> 1:02:02.880
<v Speaker 1>and you know, she's sitting there playing a harp, and

1:02:02.920 --> 1:02:06.240
<v Speaker 1>then she and Dorothy start talking. But then she's like, Dorothy,

1:02:06.520 --> 1:02:08.320
<v Speaker 1>I'm gonna need to cut your head off and keep

1:02:08.320 --> 1:02:10.760
<v Speaker 1>it in my keep it in my collection. But you're

1:02:10.760 --> 1:02:12.400
<v Speaker 1>not old enough yet, so I got to lock you

1:02:12.400 --> 1:02:14.600
<v Speaker 1>in a tower for a few years. Then your head

1:02:14.600 --> 1:02:16.320
<v Speaker 1>will get bigger and then I'll cut it off and

1:02:16.320 --> 1:02:19.080
<v Speaker 1>then I'll keep it. Yeah, she she realized, is an investment.

1:02:19.080 --> 1:02:21.120
<v Speaker 1>We're gonna wait for you to mature a bit. We

1:02:21.680 --> 1:02:24.040
<v Speaker 1>she didn't want to wear a little girl for Ruza

1:02:24.080 --> 1:02:26.960
<v Speaker 1>bak Head. She wants to wear the craft for Rusa

1:02:27.000 --> 1:02:28.680
<v Speaker 1>balk Head and she don't have to wait a few

1:02:28.760 --> 1:02:31.360
<v Speaker 1>years for that to happen. So off to the the

1:02:31.880 --> 1:02:35.720
<v Speaker 1>dungeon chamber with you, up to the locked room, and

1:02:35.760 --> 1:02:39.440
<v Speaker 1>so she's thrown in there with Jack Pumpkinhead, who she meets.

1:02:40.200 --> 1:02:43.160
<v Speaker 1>But also there are all these pieces that will eventually

1:02:43.200 --> 1:02:46.040
<v Speaker 1>become the gump because at this point we're dealing with

1:02:46.080 --> 1:02:49.240
<v Speaker 1>an escape plan. Uh, they find out about this what

1:02:49.360 --> 1:02:51.960
<v Speaker 1>is it the is it the power of powder of

1:02:52.000 --> 1:02:54.880
<v Speaker 1>animation or the powder of life? Powder of life? Yeah,

1:02:54.880 --> 1:02:58.280
<v Speaker 1>it's a magical powder that Momby has that she sprinkles

1:02:58.280 --> 1:03:02.200
<v Speaker 1>over inanimate objects to wag them up. Um. And this

1:03:02.280 --> 1:03:05.160
<v Speaker 1>is originally I think where Jack Pumpkinhead comes from. That

1:03:05.280 --> 1:03:09.280
<v Speaker 1>he's like he's made of sticks and a pumpkin. Though wait,

1:03:09.360 --> 1:03:11.920
<v Speaker 1>I think he was originally a real boy. Maybe, I'm

1:03:12.200 --> 1:03:15.600
<v Speaker 1>not sure. He he asked if he can call Dorothy

1:03:15.640 --> 1:03:18.120
<v Speaker 1>mom and she allows it, which is a little creepy

1:03:18.280 --> 1:03:20.479
<v Speaker 1>but it's also kind of sweet at the same time.

1:03:20.520 --> 1:03:23.960
<v Speaker 1>I don't know. Yeah, but anyway, they realized we got

1:03:24.040 --> 1:03:26.480
<v Speaker 1>to get out of here. Well, we could fly out

1:03:26.480 --> 1:03:29.360
<v Speaker 1>of here if only we had a winged mount. Well,

1:03:29.520 --> 1:03:33.080
<v Speaker 1>we could make one out of this moose's head or

1:03:33.160 --> 1:03:35.520
<v Speaker 1>Gump's head on the wall and this couch, and we

1:03:35.520 --> 1:03:37.760
<v Speaker 1>could use these pieces of this this fern to make

1:03:37.800 --> 1:03:40.640
<v Speaker 1>wings and this will somehow work. But we need that

1:03:40.760 --> 1:03:43.520
<v Speaker 1>powder in order to bring all of this to life

1:03:43.520 --> 1:03:46.520
<v Speaker 1>and fly out the window. Where's the powder? Well, we

1:03:46.560 --> 1:03:50.400
<v Speaker 1>find out it's stored with Mombi's original head. So Dorothy

1:03:50.520 --> 1:03:52.760
<v Speaker 1>is going to have to sneak out and make your

1:03:52.760 --> 1:03:57.320
<v Speaker 1>way through that museum of heads and try and find

1:03:57.400 --> 1:04:00.800
<v Speaker 1>the original head and steal the power her from that

1:04:01.160 --> 1:04:04.840
<v Speaker 1>head locker. It's a heist at the head repository. Yeah,

1:04:04.880 --> 1:04:08.160
<v Speaker 1>and this is an amazing sequence and also just a

1:04:08.160 --> 1:04:12.680
<v Speaker 1>wonderfully magical dark fantasy sequence because you know, it's the

1:04:12.680 --> 1:04:15.720
<v Speaker 1>scene where Dorothy's creeping down the hallway all these silent

1:04:15.800 --> 1:04:18.760
<v Speaker 1>heads are in the are in their chambers, and then

1:04:18.760 --> 1:04:21.560
<v Speaker 1>when she gets there she opens it up. There's Jeane

1:04:21.560 --> 1:04:24.560
<v Speaker 1>Marsh's head, and there the original Mombi head. And of

1:04:24.600 --> 1:04:27.200
<v Speaker 1>course it's not gonna go without without at least a

1:04:27.240 --> 1:04:31.240
<v Speaker 1>single hiccup, because she ends up waking up the mombie head,

1:04:31.520 --> 1:04:33.680
<v Speaker 1>All of the heads wake up all of the heads

1:04:33.680 --> 1:04:37.320
<v Speaker 1>are screaming, and then she takes off with the powder. Meanwhile,

1:04:37.360 --> 1:04:39.920
<v Speaker 1>Mombi's body is waking up from the bad OI do

1:04:40.000 --> 1:04:43.320
<v Speaker 1>see something with the bedroom, and that's right, but it's

1:04:43.360 --> 1:04:46.400
<v Speaker 1>like walking around like a zombie with no head coming after.

1:04:46.920 --> 1:04:50.560
<v Speaker 1>It's a wonderful nightmare. So with the Gump aircraft they've

1:04:50.560 --> 1:04:53.120
<v Speaker 1>put together again, it's like a moose type thing, a

1:04:53.200 --> 1:04:55.760
<v Speaker 1>gump head that's mounted and then it goes with some

1:04:55.800 --> 1:04:59.320
<v Speaker 1>couches and wings made out of plant leaves, like I

1:04:59.360 --> 1:05:02.720
<v Speaker 1>think Poem gives her something. Uh, they make this aircraft

1:05:02.760 --> 1:05:04.880
<v Speaker 1>and they fly out to escape, and they're gonna fly

1:05:05.200 --> 1:05:07.640
<v Speaker 1>to the Nome King's mountain. Though it's very funny because

1:05:07.680 --> 1:05:09.360
<v Speaker 1>the Gump is like, I don't know how to fly.

1:05:09.680 --> 1:05:12.320
<v Speaker 1>I'm just ahead. I've never I never flew in lives,

1:05:12.360 --> 1:05:14.120
<v Speaker 1>so I don't know what I'm doing. Yeah, the Gump.

1:05:14.360 --> 1:05:17.000
<v Speaker 1>The Gump is wonderful and has lots of little snide

1:05:17.040 --> 1:05:19.280
<v Speaker 1>comments about how he liked it better when he was

1:05:19.640 --> 1:05:23.640
<v Speaker 1>just ahead. This current life is a little more challenging

1:05:23.680 --> 1:05:25.840
<v Speaker 1>than he likes a little more moving around. So they

1:05:25.880 --> 1:05:28.840
<v Speaker 1>fly over the deadly desert to get to the Nome

1:05:28.920 --> 1:05:32.320
<v Speaker 1>King's mountain. He lives in a mountain, and oh, the

1:05:32.440 --> 1:05:35.200
<v Speaker 1>Nome King when they get there. I feel like here

1:05:35.240 --> 1:05:37.240
<v Speaker 1>maybe we should start to describe in a little more

1:05:37.600 --> 1:05:40.800
<v Speaker 1>in lighter detail. But warning, if you're going to watch

1:05:40.840 --> 1:05:42.640
<v Speaker 1>the movie, you don't want anything about the ending at

1:05:42.680 --> 1:05:45.640
<v Speaker 1>all spoiled. Maybe maybe you can tune out here until

1:05:45.640 --> 1:05:47.959
<v Speaker 1>you've seen it, because we will discuss a few things.

1:05:48.000 --> 1:05:51.080
<v Speaker 1>But the Nome King is so cool. He is some

1:05:51.200 --> 1:05:56.600
<v Speaker 1>kind of humanoid elemental being of mineral origin. He's a

1:05:56.640 --> 1:06:01.400
<v Speaker 1>greedy but clever sorcerer of rocks. Yeah, and the claymation

1:06:01.440 --> 1:06:03.919
<v Speaker 1>here is just wicked. So throughout the movie we've seen

1:06:04.000 --> 1:06:07.760
<v Speaker 1>this like rock Face doing reports of what's happening to

1:06:08.000 --> 1:06:11.439
<v Speaker 1>the Nome King, and that's all stop motion animation. That's

1:06:11.720 --> 1:06:15.560
<v Speaker 1>very good. But here we start seeing claymation in general

1:06:15.600 --> 1:06:19.520
<v Speaker 1>stop motion of uh, the King himself and the sorcery

1:06:19.560 --> 1:06:22.760
<v Speaker 1>that he casts. Like one of my favorite animations is

1:06:22.840 --> 1:06:25.320
<v Speaker 1>that there's a that like Dorothy and her friends are

1:06:25.320 --> 1:06:28.040
<v Speaker 1>in a cave with the Nome King, and occasionally the

1:06:28.080 --> 1:06:30.520
<v Speaker 1>Nome King will open a portal to go into a

1:06:30.680 --> 1:06:33.280
<v Speaker 1>into a palace with these halls, and the way the

1:06:33.320 --> 1:06:36.480
<v Speaker 1>portal opens is the rock turns into many hands that

1:06:36.600 --> 1:06:40.000
<v Speaker 1>start pulling the like pulling a hole open in the

1:06:40.080 --> 1:06:43.200
<v Speaker 1>rock itself. Yeah, all of these effects, all of the

1:06:43.240 --> 1:06:45.200
<v Speaker 1>effects they used to bring the Nome King to live,

1:06:45.280 --> 1:06:47.520
<v Speaker 1>are amazing, and most of them are these kind of

1:06:47.520 --> 1:06:51.000
<v Speaker 1>stop motion effects. Though, as as we'll discuss, something is

1:06:51.040 --> 1:06:57.280
<v Speaker 1>happening that makes the nome King increasingly more human inform uh.

1:06:57.360 --> 1:07:01.680
<v Speaker 1>And so we eventually get William send himself there as

1:07:01.720 --> 1:07:03.680
<v Speaker 1>the nome King that covered under a lot of like

1:07:03.840 --> 1:07:07.400
<v Speaker 1>rock makeup and like a rocky beard and so forth. Right,

1:07:07.440 --> 1:07:11.360
<v Speaker 1>So the nome King has Dorothy and her friends play

1:07:11.400 --> 1:07:13.880
<v Speaker 1>a guessing game where he says, oh, yes, I have

1:07:14.080 --> 1:07:18.720
<v Speaker 1>the scarecrow captive, and I've turned him into an inanimate object,

1:07:18.800 --> 1:07:22.000
<v Speaker 1>into an ornament. And if you can walk around my

1:07:22.040 --> 1:07:25.760
<v Speaker 1>palace and guess which ornament is the scarecrow, then I'll

1:07:25.840 --> 1:07:28.520
<v Speaker 1>let him go. But if you guess wrong three times

1:07:28.520 --> 1:07:30.640
<v Speaker 1>in a row, I'm gonna turn you into an ornament.

1:07:30.640 --> 1:07:32.760
<v Speaker 1>Actually he doesn't tell them that at the beginning. It

1:07:33.200 --> 1:07:36.560
<v Speaker 1>happens first too, uh, I think the gump And then

1:07:36.600 --> 1:07:38.560
<v Speaker 1>they're like, wait, you didn't say that was gonna happen,

1:07:38.560 --> 1:07:42.880
<v Speaker 1>And he's like Oh you didn't ask. Yeah, he's he's

1:07:42.960 --> 1:07:45.000
<v Speaker 1>he's adding a lot of rules after the fact, though

1:07:45.040 --> 1:07:48.320
<v Speaker 1>at the same time, are heroes are not really asking

1:07:48.400 --> 1:07:51.720
<v Speaker 1>for a full breakdown of the terms ahead of time either. Yeah,

1:07:52.000 --> 1:07:55.920
<v Speaker 1>so you get the sense that he is made of rock,

1:07:56.200 --> 1:07:58.840
<v Speaker 1>but he sort of wants to become a human for

1:07:58.880 --> 1:08:04.320
<v Speaker 1>some reason. And the more humans he absorbs and turns

1:08:04.400 --> 1:08:07.560
<v Speaker 1>into inanimate objects are not necessarily humans living things he

1:08:07.600 --> 1:08:11.520
<v Speaker 1>absorbs and turns into inanimate objects, the more he becomes

1:08:11.560 --> 1:08:14.840
<v Speaker 1>a fleshly creature instead of a rock. Yeah, And it's

1:08:14.880 --> 1:08:18.920
<v Speaker 1>not explained in the film why this is. And I

1:08:19.000 --> 1:08:21.599
<v Speaker 1>kind of like that. I like, I mean, anytime there's

1:08:21.600 --> 1:08:25.880
<v Speaker 1>sort of grandiose evil magic going on in something, it's

1:08:25.880 --> 1:08:27.760
<v Speaker 1>even more creepy if there's stuff going on that you

1:08:27.800 --> 1:08:31.400
<v Speaker 1>don't fully understand. Like, we don't know why he wants

1:08:31.600 --> 1:08:34.880
<v Speaker 1>this transformation to occur or why it is occurring, but

1:08:35.040 --> 1:08:38.080
<v Speaker 1>it is at least a byproduct of the evil that

1:08:38.120 --> 1:08:40.920
<v Speaker 1>he's doing. Oh, we should say the entire time there

1:08:40.920 --> 1:08:44.960
<v Speaker 1>with the nome king and playing this scussing game the balina,

1:08:45.040 --> 1:08:49.320
<v Speaker 1>the chicken is hiding inside of Jack Pumpkinhead's pumpkin Head

1:08:49.680 --> 1:08:52.960
<v Speaker 1>He's like, right, she's in the jack o lantern. Oh,

1:08:53.000 --> 1:08:54.840
<v Speaker 1>so this is another important thing. Now that we've mentioned

1:08:54.840 --> 1:08:57.840
<v Speaker 1>the chicken. It has been established a few different times

1:08:57.920 --> 1:09:02.000
<v Speaker 1>that the chicken is noteworthy in Oz and that and

1:09:02.080 --> 1:09:04.599
<v Speaker 1>that the Nome King will want to know about this chicken,

1:09:04.680 --> 1:09:06.840
<v Speaker 1>and and it's even implied that the chicken is really

1:09:06.880 --> 1:09:09.400
<v Speaker 1>the most important member of this party. He is of

1:09:09.439 --> 1:09:13.760
<v Speaker 1>the most interest to the Nome King. And Momby realizes this,

1:09:13.880 --> 1:09:17.439
<v Speaker 1>and Momby is rushing to the Nome King's castle. I

1:09:17.439 --> 1:09:21.040
<v Speaker 1>guess to warn him of the chicken, and she does so.

1:09:21.200 --> 1:09:23.720
<v Speaker 1>Oh God, I love this sequence. She does so by

1:09:23.760 --> 1:09:26.960
<v Speaker 1>getting all of her wheelers together and lashing them to

1:09:27.040 --> 1:09:30.959
<v Speaker 1>a chariot and then climbing aboard the chariot and whipping

1:09:31.000 --> 1:09:34.240
<v Speaker 1>them to get them to ride at top speed and

1:09:34.320 --> 1:09:37.560
<v Speaker 1>take her to the Nome King's castle. It is tremendous.

1:09:37.600 --> 1:09:40.759
<v Speaker 1>They're traveling through some kind of underground tunnel that cuts

1:09:40.840 --> 1:09:45.360
<v Speaker 1>underneath the deadly desert. I think, yeah, it is. It's

1:09:45.400 --> 1:09:49.640
<v Speaker 1>wonderful and eyebrow raising. Uh it's it's it's tremendous. And

1:09:49.760 --> 1:09:52.360
<v Speaker 1>she does get there, but I don't think she's able

1:09:52.360 --> 1:09:55.559
<v Speaker 1>to really uh, to warn him sufficiently, at least not

1:09:55.680 --> 1:09:58.280
<v Speaker 1>enough to to save him in the end. I don't

1:09:58.320 --> 1:10:00.559
<v Speaker 1>remember what she says, but like when he gets there,

1:10:00.840 --> 1:10:04.559
<v Speaker 1>he's very haughty. He's like bow bow lower, yeah, and

1:10:04.560 --> 1:10:07.240
<v Speaker 1>then he locks her in a cage. I believe, so

1:10:07.680 --> 1:10:11.200
<v Speaker 1>ultimately it doesn't really make a huge difference that she

1:10:11.320 --> 1:10:13.280
<v Speaker 1>made it there at all. But the nome King here

1:10:13.320 --> 1:10:17.439
<v Speaker 1>is becoming more and more humanoid in appearance, and more

1:10:17.479 --> 1:10:20.920
<v Speaker 1>and more of Dorothy's friends are being turned into unknown

1:10:21.000 --> 1:10:23.640
<v Speaker 1>ornaments in the room, and I think this is Is

1:10:23.680 --> 1:10:26.400
<v Speaker 1>this also where we find out how the nome King

1:10:26.479 --> 1:10:30.000
<v Speaker 1>was able to carry out this um this attack on

1:10:30.040 --> 1:10:32.800
<v Speaker 1>the Emerald City? Is this when he reveals his feet?

1:10:33.040 --> 1:10:37.599
<v Speaker 1>Oh no, explain that, well, there's he reveals that it's

1:10:37.680 --> 1:10:39.439
<v Speaker 1>it's mentioned earlier in the film that you know that

1:10:39.720 --> 1:10:42.840
<v Speaker 1>I think it's an m asking. Well, Dorothy, if all

1:10:42.840 --> 1:10:45.439
<v Speaker 1>this odd stuff is real, then where are these ruby

1:10:45.479 --> 1:10:47.679
<v Speaker 1>slippers that you speak of that gave you this power?

1:10:47.720 --> 1:10:49.720
<v Speaker 1>And she said, well, they fell off when I was

1:10:49.880 --> 1:10:52.479
<v Speaker 1>returning to Earth. And they're like, okay, well see there's

1:10:52.479 --> 1:10:56.040
<v Speaker 1>no proof. While the nome King reveals that he is

1:10:56.080 --> 1:10:59.880
<v Speaker 1>wearing the ruby slippers that they basically fell into his lap,

1:11:00.400 --> 1:11:03.080
<v Speaker 1>and he used the power of the ruby slippers too

1:11:03.120 --> 1:11:06.960
<v Speaker 1>then overthrow the Scarecrow King. And so we see this

1:11:07.160 --> 1:11:11.639
<v Speaker 1>the see the Nome King wearing the shiny ruby slippers.

1:11:11.640 --> 1:11:14.599
<v Speaker 1>They're great twist. I think. Dorothy tries to go for them,

1:11:14.600 --> 1:11:16.479
<v Speaker 1>and he's like no, no, when he tucks them back

1:11:16.600 --> 1:11:20.840
<v Speaker 1>under um. And in the end, how how are they

1:11:20.840 --> 1:11:22.559
<v Speaker 1>going to defeat the Nome King? I mean, the Nome

1:11:22.680 --> 1:11:25.080
<v Speaker 1>King is so powerful? What what kind of power do

1:11:25.160 --> 1:11:27.640
<v Speaker 1>they have that could stand up against a creature of

1:11:27.680 --> 1:11:31.840
<v Speaker 1>such such immense potency? Well, well, for starters, Dorothy is

1:11:31.880 --> 1:11:35.680
<v Speaker 1>able to retrieve some of her friends from ornament transformation.

1:11:36.200 --> 1:11:39.080
<v Speaker 1>But but this just makes the Nome King all the

1:11:39.120 --> 1:11:43.880
<v Speaker 1>more enraged. He turns into this gigantic stone monster and

1:11:44.000 --> 1:11:46.240
<v Speaker 1>he has decided he's going to eat them. He started

1:11:46.280 --> 1:11:48.400
<v Speaker 1>he like picks up the gump and like eats the

1:11:48.439 --> 1:11:51.800
<v Speaker 1>gump's body, uh, and like the head falls off, and

1:11:51.840 --> 1:11:56.080
<v Speaker 1>then he goes to eat Jack pumpkinhead instead as well.

1:11:56.680 --> 1:11:59.920
<v Speaker 1>And but Balina the chicken is in Jack pumpkin heads

1:12:00.240 --> 1:12:04.040
<v Speaker 1>head and it is finally time for Billina to lay

1:12:04.080 --> 1:12:08.360
<v Speaker 1>her egg. She lays the egg inside Jack Pumpkin head's head,

1:12:08.760 --> 1:12:11.760
<v Speaker 1>It rolls out of the pumpkin and goes down the

1:12:11.960 --> 1:12:16.720
<v Speaker 1>Nome King's throat. And then oh, the nome King realizes

1:12:16.760 --> 1:12:20.919
<v Speaker 1>that something has gone terribly wrong because the big twist

1:12:21.439 --> 1:12:25.679
<v Speaker 1>is that eggs are poison to the Nome king. Right,

1:12:25.800 --> 1:12:28.200
<v Speaker 1>we we didn't know this until it is finally revealed.

1:12:28.240 --> 1:12:30.519
<v Speaker 1>We knew that, we kind of got the sense that

1:12:30.560 --> 1:12:32.439
<v Speaker 1>the chicken was a threat, but we didn't know why

1:12:32.479 --> 1:12:34.320
<v Speaker 1>the chicken was a threat to the Nome King's rule.

1:12:34.439 --> 1:12:39.839
<v Speaker 1>Now it is revealed. The egg is uh has terrible

1:12:39.880 --> 1:12:42.200
<v Speaker 1>magic in it, the terrible It does terrible things to

1:12:42.240 --> 1:12:45.760
<v Speaker 1>the Nome King's power, which I guess it's not I

1:12:45.760 --> 1:12:47.519
<v Speaker 1>don't know. I didn't do a lot of deep thinking

1:12:47.560 --> 1:12:53.000
<v Speaker 1>about this, but eggs do factor into various magical rituals

1:12:53.040 --> 1:12:55.200
<v Speaker 1>and so forth. There is something about the egg that

1:12:55.360 --> 1:12:58.519
<v Speaker 1>is often seen as sacred, and somehow the egg is

1:12:58.560 --> 1:13:02.160
<v Speaker 1>able to undo everything that the Nome King is doing. Yeah,

1:13:02.400 --> 1:13:08.080
<v Speaker 1>the eggs symbolizes potential, symbolizes transformation. Yeah yeah, it has

1:13:08.120 --> 1:13:12.160
<v Speaker 1>a lot of symbolic loading, so that makes sense. But

1:13:12.240 --> 1:13:15.800
<v Speaker 1>of course, so yeah, Nome King is defeated. And then Scarecrow,

1:13:15.880 --> 1:13:18.160
<v Speaker 1>who has been restored from I think he had been

1:13:18.200 --> 1:13:21.320
<v Speaker 1>turned into it like a just a big green gym Uh,

1:13:21.640 --> 1:13:24.479
<v Speaker 1>he's back to he's back into his form. Dorothy is

1:13:24.520 --> 1:13:27.280
<v Speaker 1>able to restore everybody who got turned into an ornament,

1:13:27.720 --> 1:13:29.799
<v Speaker 1>and then they all go back to the Emerald City

1:13:30.200 --> 1:13:32.880
<v Speaker 1>where the Scarecrow's back on the throne. Everybody's happy again.

1:13:33.360 --> 1:13:37.360
<v Speaker 1>Mombi is in a cage and then they're like, they're like, oh, well,

1:13:37.400 --> 1:13:39.680
<v Speaker 1>you know, she doesn't have powers anymore, so she'll be

1:13:39.680 --> 1:13:42.000
<v Speaker 1>all right. I know. It's The Wheelers are also just

1:13:42.160 --> 1:13:44.600
<v Speaker 1>hanging around at this point in the movie, and I

1:13:44.640 --> 1:13:48.680
<v Speaker 1>was thinking, the Wheelers, Yeah, they just get by with

1:13:48.680 --> 1:13:52.320
<v Speaker 1>the sorry like they seem to be the scourge of

1:13:52.360 --> 1:13:56.960
<v Speaker 1>the of the realm there for a while. But everything's forgiving.

1:13:57.040 --> 1:14:00.320
<v Speaker 1>Everybody's happy again. How many denizens of Oz that they

1:14:00.360 --> 1:14:05.840
<v Speaker 1>eat or whatever they do. But also we get another twist,

1:14:05.880 --> 1:14:08.479
<v Speaker 1>which is that the blonde girl that Dorothy had seen

1:14:08.520 --> 1:14:12.920
<v Speaker 1>several times already is uh her name is Ozma, and

1:14:12.960 --> 1:14:15.400
<v Speaker 1>what is her role? She's like the rightful Princess of

1:14:15.400 --> 1:14:20.200
<v Speaker 1>Oz or something. Yeah, she's like the Yeah, she's like

1:14:20.280 --> 1:14:22.760
<v Speaker 1>she's the good She's the good witch of this movie. Basically,

1:14:22.760 --> 1:14:25.400
<v Speaker 1>and she's been sort of in the background helping things

1:14:25.439 --> 1:14:28.360
<v Speaker 1>move along the whole time. But then also there's this

1:14:28.439 --> 1:14:31.200
<v Speaker 1>idea that like she is also connected to Dorothy, she's

1:14:31.200 --> 1:14:33.599
<v Speaker 1>going to be She is like the way that Dorothy

1:14:33.680 --> 1:14:37.840
<v Speaker 1>remains in Oz and in the earth realm at the

1:14:37.880 --> 1:14:41.680
<v Speaker 1>same time. She is Dorothy's counterpart, so Dorothy can be

1:14:41.760 --> 1:14:44.280
<v Speaker 1>on both sides of the mirror. Dorothy can go back

1:14:44.320 --> 1:14:47.439
<v Speaker 1>to Kansas and be home, but also stay in Oz

1:14:47.479 --> 1:14:49.760
<v Speaker 1>in the form of this other girl and and be

1:14:50.040 --> 1:14:53.400
<v Speaker 1>be the princess there. And Ozma is like basically like, hey,

1:14:53.479 --> 1:14:55.000
<v Speaker 1>you can still be in Oz all the time in

1:14:55.000 --> 1:14:57.160
<v Speaker 1>your head. Just don't tell annem about it. Just be

1:14:57.240 --> 1:15:00.639
<v Speaker 1>quiet about it, and everything's fine. And then we get

1:15:00.640 --> 1:15:04.200
<v Speaker 1>a very sweet reunion back in Kansas where Toto finds

1:15:04.240 --> 1:15:06.799
<v Speaker 1>Dorothy washed up on a washed up on a grimy

1:15:07.200 --> 1:15:10.240
<v Speaker 1>river shore and and then there's Uncle Henry and they

1:15:10.280 --> 1:15:13.120
<v Speaker 1>all get back together again and it's very sweet. Yeah. Yeah,

1:15:13.240 --> 1:15:18.280
<v Speaker 1>though we do see um Mombi's earthly counterpart. This would

1:15:18.280 --> 1:15:21.720
<v Speaker 1>be a nurse Wilson. We see her being taken away

1:15:21.800 --> 1:15:24.400
<v Speaker 1>in the back of a carriage that also kind of

1:15:24.400 --> 1:15:27.960
<v Speaker 1>looks like a cage, and then and then it's revealed

1:15:28.000 --> 1:15:32.240
<v Speaker 1>that Dr Warley died in the fire because he had

1:15:32.640 --> 1:15:36.759
<v Speaker 1>basically the clinic facilities that had been struck by lightning,

1:15:37.080 --> 1:15:39.400
<v Speaker 1>and he went back in to save his machine and died.

1:15:39.880 --> 1:15:42.519
<v Speaker 1>He was he was too devoted to his machines and

1:15:42.600 --> 1:15:45.640
<v Speaker 1>it killed him. Yeah, so very very Frank Herbert kind

1:15:45.640 --> 1:15:48.479
<v Speaker 1>of moment there where. Oh yes, uh, this character died

1:15:48.520 --> 1:15:54.520
<v Speaker 1>off screen, so returned to OZ. Deeply strange, fantastically imaginative,

1:15:55.320 --> 1:15:59.760
<v Speaker 1>totally wonderful, one of my favorite new fantasy movies or

1:15:59.800 --> 1:16:02.960
<v Speaker 1>kids movies. Uh yeah, it's just a blast. I I

1:16:03.120 --> 1:16:05.600
<v Speaker 1>richly enjoyed it. I mean, obviously parents will have to

1:16:05.640 --> 1:16:08.600
<v Speaker 1>make their own decisions about films like this. I was

1:16:08.680 --> 1:16:10.680
<v Speaker 1>researching it a little bit before we watched it. I

1:16:10.720 --> 1:16:14.400
<v Speaker 1>went to the IMDb parental guidance area where the users

1:16:14.400 --> 1:16:18.080
<v Speaker 1>submit stuff about films, and they did have the chicken

1:16:18.200 --> 1:16:22.040
<v Speaker 1>lays and egg in the Nome King's head as an

1:16:22.040 --> 1:16:25.240
<v Speaker 1>example of violence in the picture. I didn't really think

1:16:25.240 --> 1:16:29.880
<v Speaker 1>of it as violence per se um, but it's certainly weird.

1:16:30.200 --> 1:16:33.000
<v Speaker 1>It is an act of inadvertent poisoning. So I guess

1:16:33.040 --> 1:16:35.040
<v Speaker 1>it would be like a scene where if a character

1:16:35.200 --> 1:16:39.599
<v Speaker 1>accidentally put arsenic in somebody else's sandwich. Yeah, I guess,

1:16:40.600 --> 1:16:43.439
<v Speaker 1>but anyway, Yes, returned to Oz. I absolutely loved it.

1:16:43.479 --> 1:16:45.080
<v Speaker 1>I think it's a lot of fun. And I'd love

1:16:45.120 --> 1:16:46.760
<v Speaker 1>to hear from folks out there though, because, like it's

1:16:46.800 --> 1:16:49.960
<v Speaker 1>like we've been saying, Joe and I only just watched

1:16:49.960 --> 1:16:53.360
<v Speaker 1>this movie and full as adults. We'd love to hear

1:16:53.360 --> 1:16:55.320
<v Speaker 1>from folks who saw it back in the day. What

1:16:55.439 --> 1:16:58.559
<v Speaker 1>was it like seeing Return to Oz on the big

1:16:58.600 --> 1:17:03.040
<v Speaker 1>screen in five or seeing it on VHS once it

1:17:03.120 --> 1:17:06.640
<v Speaker 1>was available on home video? How did other people in

1:17:06.680 --> 1:17:09.280
<v Speaker 1>your life presented or respond to it? Did you hear

1:17:09.320 --> 1:17:11.559
<v Speaker 1>people saying, well, this is not what OZ is all about?

1:17:12.000 --> 1:17:14.400
<v Speaker 1>What is this gum business? It's it's supposed to be

1:17:14.439 --> 1:17:16.400
<v Speaker 1>the cowardly lion? Did you have to put up with

1:17:16.400 --> 1:17:19.639
<v Speaker 1>all that? Was it effective? All of this is fair

1:17:20.040 --> 1:17:22.320
<v Speaker 1>fair play. I'd love to hear from everyone. So that's

1:17:22.320 --> 1:17:25.400
<v Speaker 1>it for this edition of Weird House Cinema. Just a reminder,

1:17:25.439 --> 1:17:28.960
<v Speaker 1>Weird House Cinema publishes every Friday in the Stuff to

1:17:28.960 --> 1:17:32.160
<v Speaker 1>Blow Your Mind podcast feed. We are primarily a science podcast,

1:17:32.160 --> 1:17:34.519
<v Speaker 1>but on Fridays we set aside most serious concerns and

1:17:34.560 --> 1:17:37.479
<v Speaker 1>just talk about a weird film. I blog about these

1:17:37.840 --> 1:17:40.599
<v Speaker 1>episodes at smut music dot com and if you use

1:17:40.760 --> 1:17:43.680
<v Speaker 1>letterboxed dot com, that's l E T T E R

1:17:43.760 --> 1:17:46.519
<v Speaker 1>b o x D dot com. You'll find us on there.

1:17:46.520 --> 1:17:49.160
<v Speaker 1>Are user name is weird House, and we keep a

1:17:49.200 --> 1:17:52.320
<v Speaker 1>Weird House Cinema episode list going there where you can

1:17:52.320 --> 1:17:55.559
<v Speaker 1>see all the films that we've covered thus far. As

1:17:55.600 --> 1:17:58.559
<v Speaker 1>of this episode, it is eighty two films that we've covered,

1:17:58.960 --> 1:18:02.040
<v Speaker 1>and I'll often ahead and add the next film on

1:18:02.080 --> 1:18:03.560
<v Speaker 1>the list so you can sort of look ahead and

1:18:03.600 --> 1:18:06.519
<v Speaker 1>see what we're talking about next. Huge thanks as always

1:18:06.560 --> 1:18:09.960
<v Speaker 1>to our excellent audio producer Seth Nicholas Johnson. If you

1:18:09.960 --> 1:18:12.480
<v Speaker 1>would like to get in touch with us with feedback

1:18:12.520 --> 1:18:15.400
<v Speaker 1>on this episode or any other, to suggest a topic

1:18:15.439 --> 1:18:17.519
<v Speaker 1>for the future, or just to say hi, you can

1:18:17.560 --> 1:18:20.800
<v Speaker 1>email us at contact at stuff to Blow your Mind

1:18:21.000 --> 1:18:30.720
<v Speaker 1>dot com. Stuff to Blow Your Mind is production of

1:18:30.760 --> 1:18:33.400
<v Speaker 1>I Heart Radio. For more podcasts for My Heart Radio,

1:18:33.600 --> 1:18:36.280
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

1:18:36.320 --> 1:18:37.679
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