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Speaker 1: At State Farm, we're committed to uplifting black futures. In

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Speaker 1: collaboration with organizations like one hundred Black Men and National

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Speaker 1: Urban League, State Farm provides high school students with the

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Speaker 1: opportunity to learn and apply best practice strategies for saving

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Speaker 1: and investing, all while offering academic support, life skills, and

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Speaker 1: exposure to college access programs to prepare these students for

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Speaker 1: life after high school. Check out one hundred black Men

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Speaker 1: dot org and NUL dot org to donate and learn more.

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Speaker 1: Like a good neighbor, State Farm is there I come

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Speaker 1: to talk today. Welcome to us up their podcast. You

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Speaker 1: are now dealing with Big Loan. I am the founder,

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Speaker 1: not the representation sub Their podcast now holds a space

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Speaker 1: in the game that is influential, and I want to

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Speaker 1: thank everybody this listening for that. If you are now

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Speaker 1: listening to the audio your experience of this podcast and

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Speaker 1: would like to participate individual side and support the business

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Speaker 1: side of podcasting, you head the Patreon dot com slashes

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Speaker 1: up the podcast. That's where you deal with me at personally.

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Speaker 1: I got to put the wall in between me and

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Speaker 1: the trolls I'm dealing with the internet. For those of

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Speaker 1: you to deal with me. You know how I view

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Speaker 1: the internet. It's a lot being said, but we got

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Speaker 1: to consider who's saying it. So in the game today, man,

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Speaker 1: in the podcast game today, I got a lot to

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Speaker 1: talk about it. I come to Pard today, I come

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Speaker 1: to you know, as I view it, I say, Loon,

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Speaker 1: it's all on your back and it's you know, I

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Speaker 1: smirk as I'm saying it, because I've been saying for

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Speaker 1: a long time. Right, throw me in with the mother

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Speaker 1: and wolves and I'll come out leading the pack. If

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Speaker 1: this thing actually works right, and we're talking a long time, right,

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Speaker 1: I'm dealing with years, you know. If this thing actually

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Speaker 1: goes through it in the way that I've planned it,

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Speaker 1: this is one of the most tremendous stories that you

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Speaker 1: ever witnessed. You probably won't experience. Someone really coming from

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Speaker 1: the streets is verifiable. Spending five honey k on the town,

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Speaker 1: it's verifiable. Right, So it's like coming from that single

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Speaker 1: mother doing everything she could, making mistakes alone the way

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Speaker 1: just it's just gonna be. And when I'm able to

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Speaker 1: really speak about it, because I'm too close to it

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Speaker 1: to speak about it right now, there's still some things

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Speaker 1: that need to be buttoned up. But if this thing

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Speaker 1: actually goes through, man, I promise it's gonna be one

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Speaker 1: of the best stories ever told. But anyway, in the game,

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Speaker 1: and we got a lot going on, you know, it's

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Speaker 1: a lot to talk about this week. As we do

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Speaker 1: on this up there podcast, we try to separate the

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Speaker 1: men from the mice. We deal within time games. As

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Speaker 1: we always say to people, these other dudes like to

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Speaker 1: deal with the highlight reels. So I was in a

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Speaker 1: meeting yesterday because I'm having a lot of meetings now

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Speaker 1: with brands and people interested in getting close to what

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Speaker 1: it is we have going on. And I was in

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Speaker 1: a meeting and I was telling them like, Yo, you know,

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Speaker 1: innovation ain't gonna come from the top. Whatever innovation we

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Speaker 1: see in the next few years from podcast and whatever happens,

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Speaker 1: it's gonna come from somebody like me, somebody that kind

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Speaker 1: of came out of nowhere and switched some shit. And

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Speaker 1: the reason is is because the more you get into

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Speaker 1: the business a podcasting, the less the less room you

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Speaker 1: have for expansion in regards to your expression and your

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Speaker 1: approach to your product, unless you don't, unless you have

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Speaker 1: partnerships instead of you working for people right. And that's

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Speaker 1: one thing I will say about podcasts. And a lot

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Speaker 1: of people are operating in the partnership space, and I

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Speaker 1: want to applaud everybody for doing so, but I think

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Speaker 1: that to be innovative in the space would mean to

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Speaker 1: do bad by the current standards right for you to

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Speaker 1: change something, right, the football coach, if if we don't

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Speaker 1: win eight, we don't win o anda at this point,

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Speaker 1: and he want to come out this time and see

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Speaker 1: what the running game like. Some people are gonna be

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Speaker 1: in the stand saying, man, why does he keep running it?

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Speaker 1: He trying to see if it's effective, if it worked.

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Speaker 1: You see what I'm saying. And for you to be innovative,

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Speaker 1: you got to experiment. And when you win these business

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Speaker 1: deals and there's these these deal points and certain things

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Speaker 1: that you want to hit. The format dictates about how

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Speaker 1: innovative you can be in your approach, unless you say,

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Speaker 1: fuck the formula. I'm rich. I just do it how

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Speaker 1: I want. And so we're trying to bring some innovation

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Speaker 1: in a space that's kind of had some arrested development.

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Speaker 1: The first topic though today we want to talk about

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Speaker 1: is DJ academics, Tory Lanes and Magna style for those unawall.

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Speaker 1: Tory Lanes was arrested at his latest court day with

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Speaker 1: Megna Styleion for violation of the Order of the Court

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Speaker 1: in regards to mentioning her name. So there was a

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Speaker 1: tweet that went out in which Tory Lanes responded to

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Speaker 1: meg And that's what's always funny to me is that

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Speaker 1: she can say stuff to him and then I can't

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Speaker 1: say nothing. That's a crazy rule. I ain't saying that

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Speaker 1: he shouldn't say anything to her, right, I'm saying that

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Speaker 1: it should probably be on both sides if we're dealing

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Speaker 1: with trying to really dissolve the issue, because in what

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Speaker 1: world can you say things to me and I can't respond.

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Speaker 1: That's a weird place to place me in that. But nonetheless,

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Speaker 1: there was out of stipulations, and so I'm surprised the

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Speaker 1: lawyer didn't argue for her not to be like, I mean,

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Speaker 1: you know whoever. You know, she's the victim, So we

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Speaker 1: get that, But Steve we gotta the main cause is

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Speaker 1: to dissolve the issue. So if we look into dissolve

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Speaker 1: the issue, let both of these people be held accountable

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Speaker 1: for not never saying each other anything to each other

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Speaker 1: to keep that issue in a place that's a dead issue.

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Speaker 1: But she said something that Torytory responded back saying, hey,

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Speaker 1: she said, why don't you just keep it real and

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Speaker 1: say you shot me or whatever the case may be.

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Speaker 1: And I'm summarizing, I'm I'm exhausted with the Megan Tory thing.

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Speaker 1: Although it is something that deserves attention, I just think

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Speaker 1: that it's been so publicized that from a media standpoint,

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Speaker 1: we've said everything we can say into the results are end.

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Speaker 1: But this was an interesting thing that happened. She said

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Speaker 1: that to him, and he responded, no, I didn't shoot anyone.

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Speaker 1: You were upset that I that good Dick had two

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Speaker 1: best friends going at it, and so when they said that,

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Speaker 1: you said you to the girl, therefore violating restraining order

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Speaker 1: or court order, whatever kind of court order was in place.

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Speaker 1: Me personally, I'm surprised that tor Relanes is operating in

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Speaker 1: this way. When I see tour Relanes going through this,

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Speaker 1: I a lot of times said it to the side

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Speaker 1: because I almost chalk it up to yo, you you

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Speaker 1: really batter into the internet. Because in a weird way,

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Speaker 1: Will Smith and Tory Relanes are in the same situation.

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Speaker 1: Tory Lanes was up under fire. But a lot of

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Speaker 1: people are letting the metaverse affect the universe. And if

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Speaker 1: we don't see how this plays out, we don't see

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Speaker 1: people use these things to the advantage or into my disadvantage.

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Speaker 1: I'm not sure why people are still doing these things

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Speaker 1: in regards to being in the current court case list.

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Speaker 1: And it's people job to ask things. There's people job

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Speaker 1: to say things. You gotta be willing to ignore things

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Speaker 1: that make that it's detrimental to the cause you can't

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Speaker 1: get through. I just don't applaud going in the trick bag.

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Speaker 1: Here we are touring a trick bag. You win in

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Speaker 1: the trick bag, and then when you deal with this

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Speaker 1: podcast world is so weird, right because I like a

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Speaker 1: lot of these guys, But these guys are not from nothing.

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Speaker 1: They like good guys, respectfully to everybody in the game.

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Speaker 1: But yo, bro, I'm part and I'm giving information to

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Speaker 1: the youngsters, and I stand on that. So I speak

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Speaker 1: on things. I don't give what it is I speak on.

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Speaker 1: I'm gonna speak on what I want to speak on.

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Speaker 1: But guess what if you hear a loon name in

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Speaker 1: a court case about some loon say it on a podcast.

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Speaker 1: You will never hear another word out alone about that.

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Speaker 1: As I watch academics, I'm like, yo, ac bro default

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Speaker 1: bringing you up in a real court case and jump

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Speaker 1: right back on live like it's cool. Somebody got to

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Speaker 1: pull your coat tail. I know it's content content, but

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Speaker 1: we gotta say, yo, bro at this point, he dumb

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Speaker 1: for yo torists, you dumb for playing with the act

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Speaker 1: now and ask you dumb for keep speaking on them

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Speaker 1: when you see him bringing you up in court? What

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Speaker 1: you stand the game out fait, yo, I didence ain't

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Speaker 1: really interested in that at this point, homie. You detrimental

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Speaker 1: to what the homie got going on. Whatever Tory got

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Speaker 1: going on, it's detrimental at this point. And I come

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Speaker 1: from the town. I come from the street for real,

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Speaker 1: so I know better. My name come up in a

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Speaker 1: court case about such loom said such and such on

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Speaker 1: this up that podcast, and we think that it's a man.

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Speaker 1: We shut that topic down there. That can't be discussed

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Speaker 1: a open case. And I'm still picking with the people

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Speaker 1: now if you may be giving them their only out.

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Speaker 1: But you don't know how court worked. You ain't never

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Speaker 1: been the court. Niggas, ain't never been in a situation

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Speaker 1: or where nothing was on the line. That's why I

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Speaker 1: say here we are dealing with two guys that ain't

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Speaker 1: from the street clearly because the street nigga ain't telling

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Speaker 1: Act nothing respectfully to Act. I got a court case

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Speaker 1: going on. I can't telling nigga like Act because at

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Speaker 1: cain't gonna he gonna do some shit. He gonna, you

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Speaker 1: feel me, he loyal to his little audience, so he

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Speaker 1: ain't and he don't understand the ramifications. You gotta deal

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Speaker 1: with somebody that know what it's worth and what it costs.

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Speaker 1: You see what I'm saying. You got people you're telling

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Speaker 1: things too, Brothers. For me, I just don't see the

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Speaker 1: value in. But I know what's happening. They're affected by

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Speaker 1: the Internet in the same way Will broke like yeah

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Speaker 1: and winning the trick bag. It's the same thing Tori did.

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Speaker 1: You went right in the trick bag about this Internet. Now,

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Speaker 1: somewhere alone on that line, people are saying, well, long

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Speaker 1: the Internet affixed those guys numbers in regards to Tory

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Speaker 1: like he ain't in love because it's perception, So what

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Speaker 1: about changing this perception? Will work on changing the perception

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Speaker 1: after the results is in like you did what I'm

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Speaker 1: saying because we're dealing with people that's gonna nick pick

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Speaker 1: the situation. It's almost like, yo, you will see me

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Speaker 1: go shut up. More like if I got a girl this,

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Speaker 1: she just trying to argue and did out of that.

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Speaker 1: Because I've been gone for full Friday, I'm just ain't.

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Speaker 1: I ain't saying nothing. You're saying whatever you want. I

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Speaker 1: didn't clocked out. I'm not going in your trick bad

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Speaker 1: You're seeing you gotta be careful when you're doing that.

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Speaker 1: And I asked myself if DJ academics messing up the case,

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Speaker 1: I think to a relins is irresponsible for even attaching

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Speaker 1: itself to a media outlet. In a situation like this,

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Speaker 1: you have people that don't understand they're trying to win

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Speaker 1: the See listen, you never trade public opinion for private equity,

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Speaker 1: meaning you and you should never do nothing publicly for

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Speaker 1: the sake of the public. They can affect you in private.

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Speaker 1: You know what I'm saying. If I'm winning the case

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Speaker 1: and the d DNA ain't on that, but we're setting up,

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Speaker 1: but we getting close to but we getting close to

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Speaker 1: winning ban and set the fuck up about it. And

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Speaker 1: I ain't said nothing in months. God got some papers

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Speaker 1: say my mother in DNA on that, And I gotta

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Speaker 1: make sure that I ain't got the white folks against

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Speaker 1: me and Hill they're gonna be against us anyway in

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Speaker 1: a certain extent. But you gotta play the game. You

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Speaker 1: gotta know, you gotta play the game. You gotta know

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Speaker 1: what to brain because in a case like this, you

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Speaker 1: really have to understand what the DNA not being on

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Speaker 1: the weapon means to the case. If you flip it

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Speaker 1: to the other side and the DNA was found on

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Speaker 1: the weapon, you know what that means to the case.

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Speaker 1: So on the other side, if the other side is true,

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Speaker 1: then you would have to assume that that's a win

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Speaker 1: for touring. But then when they bring up DJ academics

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Speaker 1: in court and say, yo, tourists feeding them information, tourists

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Speaker 1: telling him things about the court case because you want

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Speaker 1: to fake his you know, persona in public, then you

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Speaker 1: place yourself in the missing ship. Whold time Buscher went

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Speaker 1: to court, he never said none to the public whole time. Rollo.

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Speaker 1: When they're going to court, it's a little statement here,

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Speaker 1: and then we ain't doing no missage. Whold time Gucca

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Speaker 1: will go on the court whole time. Entity got You

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Speaker 1: got to shut the fuck up when you're going to court.

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Speaker 1: That's how I know I'm dealing with guys, good guys. Yeah,

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Speaker 1: I'm dealing with upstanding citizens, but they don't understand what

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Speaker 1: they're up against. Why you go on the court. You

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Speaker 1: got to shut the fuck up. And you definitely can't

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Speaker 1: have no frunting, no Moti media company tweeting about evidence

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Speaker 1: prior to it even being exposed in court, like, no

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Speaker 1: matter if it's true or not, it's what we can

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Speaker 1: get the course to believe. And you had to win

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Speaker 1: with the DNA, not win the case, but it's a

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Speaker 1: small win, and the thing that not even small, it's

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Speaker 1: a win. It's a good size win in the grand

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Speaker 1: scheme of what you have going on. Then our witness

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Speaker 1: come out and say, yo, I've seen the muzzle closer

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Speaker 1: to the woman. These things are, but it's being overshadowed

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Speaker 1: by what you see yourself doing for your public personna

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Speaker 1: out man. Listen, it's less about what you do and

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Speaker 1: more about when you do it. You gotta know what

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Speaker 1: to do and when to do it. A lot of shits,

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Speaker 1: see the thing about the game. They then gave us

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Speaker 1: the game in one step process. Nigga, it's a lot

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Speaker 1: of this city is too three four and fast step

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Speaker 1: that were looning. It's up there. Podcast, come in because

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Speaker 1: we got to explain the other steps. You got it.

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Speaker 1: You can't just know what to do. You got to

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Speaker 1: know when the doe. You got to know when the

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Speaker 1: going your tool back belt and grab your hammer versus

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Speaker 1: your screw driver. You gotta know you can cut. You

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Speaker 1: can cut your face with a razor, but not with

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Speaker 1: an ax. You gotta know when to use the ax.

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Speaker 1: You gotta know when to use some of these things

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Speaker 1: and know how to evolve in it and approach the game.

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Speaker 1: That's more important than what you do in the game.

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Speaker 1: Getting in the game a lot of you, You feel

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Speaker 1: it a lot of time. A lot of these is

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Speaker 1: on auto pilot, destructure run a lot of these ship

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Speaker 1: You just gotta get yourself to the door and through

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Speaker 1: the door. But it tells me when I see Tory

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Speaker 1: attest to act and he was interested in changing the

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Speaker 1: way he was viewed. But I can imagine this. It

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Speaker 1: gets rough when you have a whole lot of love

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Speaker 1: and then that Internet get ahold to you and everybody

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Speaker 1: hates you. I imagine it's rough to try to deal

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Speaker 1: with that, and and and and ignore that. But it

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Speaker 1: shouldn't be rough when you know what's at risk. When

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Speaker 1: you know what's at risk, it shouldn't be rough to

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Speaker 1: ignore that. Internet. I can't trade y'all my public persona

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Speaker 1: for my private situation. Y'all got me. I never gonna

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Speaker 1: I'm gonna say I'll never go in the trick bag

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Speaker 1: because you know, but I'm trying to stay aware of

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Speaker 1: those things. We gotta be cognizant of not going in

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Speaker 1: the trick bag. Of these people will winning the trick bag.

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Speaker 1: I can't applaud going in the trick bag and losing

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Speaker 1: everything about none Tori winning the trick bag with the

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Speaker 1: tweek game. I can't applaud going in the trick bag

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Speaker 1: for these people got the trick and you watch your spot.

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Speaker 1: I can never applaud that I'm a big game giver.

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Speaker 1: And then you got people to tweet me and ask

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Speaker 1: me yo, So what's your thoughts on the whole case

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Speaker 1: at this point? And to be honest, I don't know

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Speaker 1: what to think at this point. It's been so much

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Speaker 1: publicist marketing games. It's so much confusion now with the

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Speaker 1: DNA not being on the weapon, I know what that means.

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Speaker 1: They ain't know that. Ain't no, ain't no two sides

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Speaker 1: to that, right, we definitely get that, ain't no two

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Speaker 1: sides to that. But I still I'm not sure. I'm

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Speaker 1: not clear on what happened, and I'm not sure if

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Speaker 1: I ever be clear on what happened. I think that

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Speaker 1: it's been exhausting. I think that. And again, for those

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Speaker 1: of you that don't know, Tory was arrested and had

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Speaker 1: to make barn. I think it was a thirty five

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Speaker 1: thousand dollar barn or something like that. So he made

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Speaker 1: the barn and got back out. But this hurts the

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Speaker 1: credibility there the case. You know, when you're going into

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Speaker 1: that world you got to operate with at that world standards,

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Speaker 1: you can't bring the Internet in there, and if you

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Speaker 1: bring academics in there, you're bringing the Internet in there.

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Speaker 1: It's a real case you ever seen and attest themselves

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Speaker 1: to a media platform and after they get their time there,

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Speaker 1: do that because they still want to get their worrid out.

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Speaker 1: It's like Max b or you know what I'm saying,

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Speaker 1: stidn't want to get their word out some kind of high.

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Speaker 1: But then even then go quiet like this, do their time.

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Speaker 1: But you would never see a going through his case

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Speaker 1: and attach itself to a media outlet. It won't happen

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Speaker 1: no street in any way, you know what I'm saying.

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Speaker 1: But we're dealing with rappers and they're good guys, and

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Speaker 1: I you listen. That don't mean you won't fight. I

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Speaker 1: ain't saying dude, no push no ship, no push over.

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Speaker 1: I'm just saying that if you come from the street,

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Speaker 1: you you already got a little bit of the information

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Speaker 1: in regard to that side. When they arrest you, Oh man,

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Speaker 1: damn you really disappointed, cause I know what this yere. Yeah,

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Speaker 1: I'm trying to go over here to you know what

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Speaker 1: I'm saying. I'm trying to go over here to Corbo

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Speaker 1: for a month. They don't arresting me, man, I know

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Speaker 1: what the chain game here. I know what they feel

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Speaker 1: to do. They'ven take me down here, boot me, give

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Speaker 1: him a fingerprim put him in the on, send him upstair.

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Speaker 1: I got to go see the jail down and see

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Speaker 1: if I got a bomb? What's the charge and what

329
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Speaker 1: they know? Get a lawyer, get out on bondhole now

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Speaker 1: I know what this year ain't no where in that package,

331
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Speaker 1: though it is attached to a media outlet. You went

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Speaker 1: in the trick back and also academics Instagram got took.

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Speaker 1: I always cite his business model being the Instagram part

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Speaker 1: of his business. It's the most valuable asset that he has.

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Speaker 1: His YouTube may be Nick and Neck. I think the

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00:20:02,680 --> 00:20:06,879
Speaker 1: YouTube over the years, because of the oversaturation of people

337
00:20:06,920 --> 00:20:10,000
Speaker 1: doing those type of videos and him falling back to them,

338
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Speaker 1: go do complex and do other things, allowed other people

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00:20:14,320 --> 00:20:16,479
Speaker 1: to creep into that space. So I'm not sure if

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Speaker 1: he's still as effective as he was back then when

341
00:20:20,320 --> 00:20:25,960
Speaker 1: Complex grabbed him on the YouTube side of things. But

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Speaker 1: I still just don't understand putting himself in that fight.

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00:20:30,400 --> 00:20:32,800
Speaker 1: I still don't understand what it's worth to get into

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Speaker 1: that fight, right. I know it's like, yo, you stand

345
00:20:35,400 --> 00:20:38,880
Speaker 1: up for dudes, and I get that part. But the risk,

346
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Speaker 1: the business, the risk the business side of your thing

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Speaker 1: for a dude from Canada that he's a great artist,

348
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Speaker 1: But if you fall to day what happens with tour

349
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Speaker 1: relanes in your relationship, is that relationship only even really

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Speaker 1: birthed because of your position, which said platform he's now

351
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Speaker 1: rushing to call no other dudes behind the scene with

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Speaker 1: smaller platforms. You know, I think that Tory. You know

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00:21:12,960 --> 00:21:15,440
Speaker 1: it's doing the right thing if you want to affect

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Speaker 1: your public persona. I would be uninterested in my public

355
00:21:19,280 --> 00:21:22,320
Speaker 1: persona at this point, as I'm dealing with a real thing.

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Speaker 1: My reality has been all too so the metaverse can wait.

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Speaker 1: But I come from where you gotta put everything into

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Speaker 1: the side. You got a real life situation. I gotta

359
00:21:33,800 --> 00:21:36,280
Speaker 1: partner right now fighting the FIDS, one in the FIS

360
00:21:36,920 --> 00:21:40,399
Speaker 1: and the rest of them ducking the FED. I had

361
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Speaker 1: a partner right now, go to trial in a matter

362
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Speaker 1: of weeks, facing twenty to life. One of my g

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Speaker 1: homies is in the FED. During ten to fifteen, another

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Speaker 1: one of my g homies got out. Did teen went back?

365
00:21:56,640 --> 00:21:59,520
Speaker 1: Did a couple got back? Like, I'm dealing with that,

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Speaker 1: so I know what it's like me had to go

367
00:22:01,640 --> 00:22:04,240
Speaker 1: through my own personal situations. I know what it's like

368
00:22:04,359 --> 00:22:09,479
Speaker 1: to say up, got to shut their graham down, how

369
00:22:09,560 --> 00:22:12,679
Speaker 1: to shut them phones off, and got to go in

370
00:22:12,720 --> 00:22:18,960
Speaker 1: the bunker because it's serious. This is not a play

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Speaker 1: play thing. Um you hear, academics, I always speak about

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Speaker 1: he thinks Rock Nation is out of him now because

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Speaker 1: of his runnings with Meg. I think he just placed

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Speaker 1: itself in some circumstances that he that that was even

375
00:22:33,600 --> 00:22:38,320
Speaker 1: like it wasn't valuable at all. These guys now are

376
00:22:38,400 --> 00:22:41,720
Speaker 1: getting they didn't got so far up then they just

377
00:22:41,800 --> 00:22:45,640
Speaker 1: become negligent with that platform. They ain't even taking it serious.

378
00:22:45,680 --> 00:22:50,600
Speaker 1: Millions and people watching them right, They're like me, understand, boy,

379
00:22:50,600 --> 00:22:52,880
Speaker 1: I got these people watching. I need to be teaching

380
00:22:52,960 --> 00:22:58,480
Speaker 1: reaching and also got trying to get some I need

381
00:22:58,480 --> 00:23:00,960
Speaker 1: to be trying to get someone their every turn right,

382
00:23:01,000 --> 00:23:04,200
Speaker 1: because at any moment, these people might decide to try

383
00:23:04,240 --> 00:23:06,680
Speaker 1: to cut the water off. I gotta know where they

384
00:23:06,680 --> 00:23:08,960
Speaker 1: plug to face it up, and I gotta figure all

385
00:23:09,040 --> 00:23:12,600
Speaker 1: this side. It's on me now. But they get so

386
00:23:12,680 --> 00:23:15,080
Speaker 1: high up and they rather play with the audience. Didn't

387
00:23:15,080 --> 00:23:18,520
Speaker 1: elevate the network or elevate other people. I just find

388
00:23:18,520 --> 00:23:22,280
Speaker 1: it interesting, doll, to bring yourself problems, to be doing

389
00:23:22,359 --> 00:23:26,840
Speaker 1: so well, to bring yourself unnecessary problems alone, don't operate

390
00:23:26,920 --> 00:23:30,879
Speaker 1: like it. I think it's illvised. Now this next topic

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00:23:30,920 --> 00:23:33,919
Speaker 1: I want to deal with. It's just a Will Smith

392
00:23:34,040 --> 00:23:37,840
Speaker 1: case update. And I also want to speak about Ben

393
00:23:37,960 --> 00:23:43,440
Speaker 1: Zeno and Coloray because in our community, we gotta understand

394
00:23:43,480 --> 00:23:47,720
Speaker 1: that family is very important. But you gotta make sure

395
00:23:47,880 --> 00:23:51,800
Speaker 1: or be careful with the family that you choose. You're

396
00:23:51,800 --> 00:23:54,480
Speaker 1: born with a family that you didn't get that opportunity.

397
00:23:54,520 --> 00:23:57,640
Speaker 1: So now whoever you choose to put in your personal space,

398
00:23:58,680 --> 00:24:00,600
Speaker 1: you gotta make sure you do that with a certain

399
00:24:00,680 --> 00:24:04,199
Speaker 1: level of patience and thorough investigation. And so when I

400
00:24:04,280 --> 00:24:08,600
Speaker 1: deal with the Will Smith thing, I see the ramifications

401
00:24:08,640 --> 00:24:11,640
Speaker 1: of what happened with the smack against Chris Rock and

402
00:24:12,000 --> 00:24:17,199
Speaker 1: again I don't applaud going in the trick bag. The

403
00:24:17,280 --> 00:24:20,040
Speaker 1: ability for you to put me in a position to

404
00:24:20,119 --> 00:24:23,080
Speaker 1: lose everything I worked for was a failure. I don't

405
00:24:23,080 --> 00:24:26,879
Speaker 1: give it them how I got there. If I'm on

406
00:24:26,920 --> 00:24:31,159
Speaker 1: the other side of losing everything I work for and

407
00:24:31,200 --> 00:24:33,399
Speaker 1: I let you put me there, I don't give a

408
00:24:33,720 --> 00:24:37,040
Speaker 1: how I got that's a failure on my part. I

409
00:24:37,080 --> 00:24:41,680
Speaker 1: don't belong in the trick bag. I look at Will,

410
00:24:41,760 --> 00:24:46,480
Speaker 1: I say them, Man, they're slowing down its movies. You

411
00:24:46,520 --> 00:24:50,440
Speaker 1: know they're banning them from certain things. Fifty cents as

412
00:24:50,440 --> 00:24:52,919
Speaker 1: a lawsuits coming, we don't know that. We don't know

413
00:24:52,960 --> 00:24:56,439
Speaker 1: even what's coming down the Hill. What we do know

414
00:24:56,720 --> 00:25:00,439
Speaker 1: is we see people using bus words and things to

415
00:25:00,560 --> 00:25:03,920
Speaker 1: identify what they say they felt at the time that

416
00:25:04,040 --> 00:25:09,720
Speaker 1: Will made such a grave mistake to his legacy. I

417
00:25:09,880 --> 00:25:13,240
Speaker 1: view it and I say bro because I understand in

418
00:25:13,320 --> 00:25:17,120
Speaker 1: this game, whether this Hollywood, where this athletes, whether this rappers,

419
00:25:17,160 --> 00:25:20,200
Speaker 1: whether this whatever it is, we ain't looking to get there.

420
00:25:20,200 --> 00:25:23,080
Speaker 1: We're looking to stay there. And when I view Will,

421
00:25:23,440 --> 00:25:27,719
Speaker 1: I say brohead, stay in power. I keep telling people, man,

422
00:25:27,800 --> 00:25:30,159
Speaker 1: they don't told us one step or the process. They

423
00:25:30,200 --> 00:25:32,480
Speaker 1: ain't told us that it's a second, or third or four.

424
00:25:32,720 --> 00:25:35,400
Speaker 1: You gotta know how to keep the situation, not just

425
00:25:35,520 --> 00:25:41,520
Speaker 1: get the situation. You ever drove something where I don't

426
00:25:41,520 --> 00:25:43,960
Speaker 1: give a how pretty the place is you're going. You

427
00:25:44,000 --> 00:25:47,159
Speaker 1: can be driving to the most beautiful a place that

428
00:25:47,280 --> 00:25:49,520
Speaker 1: the world has to offer. If you got to drive

429
00:25:49,600 --> 00:25:52,960
Speaker 1: there and turn around and drive back, that experience was

430
00:25:53,119 --> 00:25:56,320
Speaker 1: not a good one for you. I don't care where

431
00:25:56,359 --> 00:25:58,600
Speaker 1: it is you're going, I don't care how far it is,

432
00:25:58,680 --> 00:26:01,480
Speaker 1: how elegant to view is. If you gotta go there

433
00:26:01,480 --> 00:26:05,840
Speaker 1: and come right back, you can't enjoy the state. You

434
00:26:05,920 --> 00:26:10,040
Speaker 1: gotta have stay in power. You look at Will Smith

435
00:26:10,119 --> 00:26:13,440
Speaker 1: being in Hollywood all of them years he wanted them

436
00:26:13,440 --> 00:26:15,640
Speaker 1: wars we can't count on when we say, man, I'm

437
00:26:15,760 --> 00:26:20,840
Speaker 1: more like Will Smith Barack Obama. Right, he was one

438
00:26:20,880 --> 00:26:24,520
Speaker 1: of them guys, and we saw him break down. We

439
00:26:24,560 --> 00:26:28,879
Speaker 1: saw him make a mistake, and that mistake is calling him.

440
00:26:28,920 --> 00:26:31,760
Speaker 1: We don't know how much it a couch him, you know,

441
00:26:32,040 --> 00:26:35,240
Speaker 1: I don't know how influential we are in HOLLYWOODE even

442
00:26:35,359 --> 00:26:38,160
Speaker 1: really take a real shot at trying to put him

443
00:26:38,160 --> 00:26:42,879
Speaker 1: in position to do it by our self, right, because

444
00:26:43,520 --> 00:26:46,320
Speaker 1: with them banning him, what does that do for his career?

445
00:26:46,520 --> 00:26:49,199
Speaker 1: Does that in turn bann his ability to be in

446
00:26:49,320 --> 00:26:52,120
Speaker 1: movies that has a big budget because the big budget

447
00:26:52,200 --> 00:26:58,920
Speaker 1: movies are interested in winning the Oscar? Right? Does that

448
00:26:58,960 --> 00:27:01,400
Speaker 1: in turn slow that down? And then then we can't

449
00:27:01,400 --> 00:27:05,639
Speaker 1: do Netflix? They've pulled back something. Right, Where do we

450
00:27:05,720 --> 00:27:09,000
Speaker 1: go with this? And how long does this last? And

451
00:27:09,000 --> 00:27:13,600
Speaker 1: he's financially stable, ain't nothing they ain't you know. I

452
00:27:13,600 --> 00:27:17,080
Speaker 1: don't see financially him being in a situation where he

453
00:27:17,119 --> 00:27:21,120
Speaker 1: goes broke at all. But I'm dealing with the legacy

454
00:27:23,280 --> 00:27:26,520
Speaker 1: right for them to band Will Smith, I ask myself

455
00:27:26,560 --> 00:27:31,679
Speaker 1: how toy Weinstein win a Grammy? Ain't no bands on that.

456
00:27:33,480 --> 00:27:35,600
Speaker 1: So you gotta be careful what they do with black

457
00:27:35,680 --> 00:27:39,720
Speaker 1: men when black men make a mistake. There's an old

458
00:27:39,840 --> 00:27:44,639
Speaker 1: saying that says, if a dry lee falls as a

459
00:27:44,720 --> 00:27:49,920
Speaker 1: one and for all the other leaves, yeah, I'm off

460
00:27:49,960 --> 00:27:52,280
Speaker 1: the same tree you off for. So if that fall

461
00:27:52,359 --> 00:27:54,600
Speaker 1: off this same branch, and I'm an't even though it

462
00:27:54,680 --> 00:27:57,000
Speaker 1: ain't got to me yet, what will it look like

463
00:27:57,080 --> 00:27:59,280
Speaker 1: if they try to cancel me. This is what it

464
00:27:59,320 --> 00:28:02,560
Speaker 1: looks like when they cancel one of the greats. This

465
00:28:02,640 --> 00:28:05,959
Speaker 1: is what Okay, let's see what they're doing, all right,

466
00:28:06,040 --> 00:28:08,720
Speaker 1: then let's look over to the other side. They got

467
00:28:08,760 --> 00:28:11,320
Speaker 1: some people over, They done some things. It's way worse

468
00:28:11,400 --> 00:28:15,320
Speaker 1: than old smacking what they do with them over, and

469
00:28:15,480 --> 00:28:18,880
Speaker 1: let's weigh those things up and let's identify what's really happening.

470
00:28:21,480 --> 00:28:25,040
Speaker 1: I'm confused that not not do I think that he

471
00:28:25,119 --> 00:28:32,040
Speaker 1: should be just free right because he he on oscars right.

472
00:28:32,160 --> 00:28:34,800
Speaker 1: He smacked the dude for saying something about his wife,

473
00:28:35,560 --> 00:28:38,560
Speaker 1: and that's how it's being framed when it now actuality,

474
00:28:39,120 --> 00:28:42,280
Speaker 1: It was an emotional breakdown from a man that's been

475
00:28:42,440 --> 00:28:47,920
Speaker 1: ridiculed online and has misrepresented his marriage and maybe his

476
00:28:48,040 --> 00:28:50,560
Speaker 1: position in it. A lot of people say to dude,

477
00:28:50,560 --> 00:28:57,320
Speaker 1: to sin you know, I won't argue with you. But

478
00:28:57,440 --> 00:29:00,840
Speaker 1: what I do know is that when he said certain things,

479
00:29:00,840 --> 00:29:03,200
Speaker 1: he's trying to let people know in a little way, like,

480
00:29:03,320 --> 00:29:06,600
Speaker 1: ain't no cheating in my relationship. That means there's an

481
00:29:06,720 --> 00:29:12,840
Speaker 1: understanding both ways. You understand me and a fact exchange,

482
00:29:12,840 --> 00:29:17,120
Speaker 1: ain't a robbery. And so he's communicating that the people

483
00:29:17,160 --> 00:29:21,479
Speaker 1: and trying to fix what they're saying online and just

484
00:29:21,560 --> 00:29:26,480
Speaker 1: had an emotional breakdown, reached this breaking point right then,

485
00:29:28,640 --> 00:29:34,000
Speaker 1: you know, interesting down to see Jada coming out or

486
00:29:34,360 --> 00:29:39,560
Speaker 1: reports of Jada coming out saying that she believed he

487
00:29:39,680 --> 00:29:43,840
Speaker 1: overreacted and she didn't need to be protected. I find

488
00:29:43,840 --> 00:29:47,000
Speaker 1: it unfortunate, man. That's why I say picking your woman

489
00:29:47,080 --> 00:29:52,080
Speaker 1: and picking your pardner. Man. It's just it's so important

490
00:29:52,680 --> 00:29:55,360
Speaker 1: when you're dealing with love. Is the ship is damned

491
00:29:55,360 --> 00:29:59,120
Speaker 1: there like Warfeller, the shit is a weird place he

492
00:29:59,280 --> 00:30:02,800
Speaker 1: put you in. Everything becomes bleary distorted. You don't have

493
00:30:02,920 --> 00:30:06,560
Speaker 1: a real you don't have any real ability to digest

494
00:30:06,640 --> 00:30:12,240
Speaker 1: what's happening. When any real clear vision, you see everything

495
00:30:12,360 --> 00:30:15,200
Speaker 1: through love, through the eyes of love, you see everything

496
00:30:15,280 --> 00:30:20,400
Speaker 1: in a certain way and man for me to be

497
00:30:20,560 --> 00:30:23,720
Speaker 1: los and whatever like yo, yo, you know, if you're

498
00:30:23,720 --> 00:30:27,120
Speaker 1: my woman, man, just place me in a situation to

499
00:30:27,200 --> 00:30:32,040
Speaker 1: be protected when I'm amongst you. Place me under the

500
00:30:32,160 --> 00:30:36,760
Speaker 1: impression that it's okay when we together. Make it obvious

501
00:30:36,840 --> 00:30:43,080
Speaker 1: that me without you would be uncomfortable from me. But

502
00:30:43,160 --> 00:30:47,320
Speaker 1: don't pull me closer to bite me. Don't pull me

503
00:30:47,360 --> 00:30:51,440
Speaker 1: closer to to to ridicule me. You know, no ever,

504
00:30:51,520 --> 00:30:54,440
Speaker 1: I hate when somebody let me hate. It's a whole

505
00:30:54,440 --> 00:30:56,480
Speaker 1: bunch of people. They want to whisper and you bring

506
00:30:56,560 --> 00:30:58,400
Speaker 1: it ill over and they have said something they could

507
00:30:58,440 --> 00:31:01,120
Speaker 1: have said, I don't don't bring me close to do

508
00:31:01,320 --> 00:31:05,760
Speaker 1: me bad. But you gotta be careful who you attach

509
00:31:05,800 --> 00:31:10,080
Speaker 1: yourself too. And this isn't about Will and Jada, because

510
00:31:10,080 --> 00:31:12,440
Speaker 1: I try not to be critical of people with love

511
00:31:12,520 --> 00:31:17,080
Speaker 1: attest tone, because I understand she gets slippery. But this

512
00:31:17,240 --> 00:31:22,160
Speaker 1: just is about my understanding of relationships and understanding the love.

513
00:31:22,280 --> 00:31:27,080
Speaker 1: But because it don't matter where man go, don't matter,

514
00:31:27,400 --> 00:31:30,120
Speaker 1: don't matter where man do, well, he take his pardner

515
00:31:30,160 --> 00:31:34,320
Speaker 1: with him. And see when you got a woman, and

516
00:31:34,480 --> 00:31:37,920
Speaker 1: you got somebody that you give the ability to give

517
00:31:37,960 --> 00:31:41,000
Speaker 1: access to your heart too. When you got somebody that

518
00:31:41,080 --> 00:31:43,640
Speaker 1: you give access to your heart to. In that way,

519
00:31:43,720 --> 00:31:47,600
Speaker 1: they got the ability to hurt you, but they also

520
00:31:47,680 --> 00:31:52,080
Speaker 1: got the ability to help you. But both ways called

521
00:31:52,120 --> 00:31:56,080
Speaker 1: for you to open up. You see what I'm saying.

522
00:31:56,120 --> 00:31:58,120
Speaker 1: It's almost like for you to get a good punch.

523
00:31:58,160 --> 00:32:00,760
Speaker 1: You open up for a good punch, But you gotta

524
00:32:00,800 --> 00:32:03,240
Speaker 1: trust in your land and power. Where you gotta trust it.

525
00:32:03,280 --> 00:32:06,480
Speaker 1: I'm gonna make the connection because either way, I gotta

526
00:32:06,560 --> 00:32:09,920
Speaker 1: open up. And depending on the woman you got man,

527
00:32:10,040 --> 00:32:16,480
Speaker 1: depending on where the chips fall and you know how

528
00:32:16,560 --> 00:32:19,360
Speaker 1: she treats you and how you feel about her, depending

529
00:32:19,440 --> 00:32:23,320
Speaker 1: on that situation, that relationship, the vibration between the two people.

530
00:32:23,400 --> 00:32:26,560
Speaker 1: The woman can either grab your confidence and had it

531
00:32:26,680 --> 00:32:31,440
Speaker 1: from you, or she can breathe life into you. But

532
00:32:31,560 --> 00:32:34,560
Speaker 1: you gotta be careful which one of them things is happening,

533
00:32:34,600 --> 00:32:37,600
Speaker 1: because when love is involved, you can get confused because

534
00:32:37,640 --> 00:32:40,440
Speaker 1: you can have spurts and moments of both of those things.

535
00:32:40,440 --> 00:32:42,840
Speaker 1: But what you're looking for is what stay in power.

536
00:32:42,840 --> 00:32:49,320
Speaker 1: Where you need consistency. You need consistency with them feelings.

537
00:32:49,360 --> 00:32:52,080
Speaker 1: I need that type of vibration at the time. I

538
00:32:52,080 --> 00:32:54,360
Speaker 1: don't just need it once a year. And when I

539
00:32:54,480 --> 00:32:56,760
Speaker 1: buy some or when need kind of I need that

540
00:32:56,880 --> 00:32:59,680
Speaker 1: kind of vibration at the time. I gotta feel like yeah,

541
00:32:59,720 --> 00:33:03,120
Speaker 1: y'all the time. I hate to see will be up

542
00:33:03,200 --> 00:33:05,719
Speaker 1: under the screw then like it and people be saying, yo,

543
00:33:05,840 --> 00:33:09,320
Speaker 1: Jay to just be selling him out? Ain't she just

544
00:33:09,400 --> 00:33:15,280
Speaker 1: be doing it bad? I just say, you gotta be

545
00:33:15,320 --> 00:33:17,760
Speaker 1: careful that you ain't dealing with somebody that's trying to

546
00:33:17,840 --> 00:33:23,479
Speaker 1: hide your confidence from you. See it's clear when someone

547
00:33:23,600 --> 00:33:26,400
Speaker 1: trying to hide your confidence from you, they trying to

548
00:33:26,440 --> 00:33:28,360
Speaker 1: beat you down and make you feel a certain way

549
00:33:28,360 --> 00:33:31,360
Speaker 1: about your you're, the way you do, whatever it is

550
00:33:31,440 --> 00:33:33,880
Speaker 1: you do. They trying to make you avoid being who

551
00:33:33,920 --> 00:33:37,480
Speaker 1: you really are. You gotta look for somebody to breathe

552
00:33:37,560 --> 00:33:43,280
Speaker 1: life into you. You gotta look for somebody to compliments.

553
00:33:43,280 --> 00:33:46,400
Speaker 1: Shoot you understand me. We ain't just together for the

554
00:33:46,480 --> 00:33:48,880
Speaker 1: sake of being together. We gotta be together because it

555
00:33:48,960 --> 00:33:53,800
Speaker 1: makes sense and we enjoy each other. I needed to

556
00:33:53,840 --> 00:33:56,120
Speaker 1: be pleasant when I'm with you, not all let old

557
00:33:56,200 --> 00:33:59,400
Speaker 1: other shit. And sometimes in relationships, like if I was

558
00:33:59,440 --> 00:34:04,280
Speaker 1: with a woman who publicly has put me in a

559
00:34:04,360 --> 00:34:07,480
Speaker 1: situation that it's starting to affect me privately, I would

560
00:34:07,520 --> 00:34:10,120
Speaker 1: probably I ain't gonna say lead, but I would consider

561
00:34:10,160 --> 00:34:14,839
Speaker 1: what I would consider the affix a stand. If I'm

562
00:34:14,840 --> 00:34:18,680
Speaker 1: currently being affected by your current relationship model, I might

563
00:34:18,719 --> 00:34:21,279
Speaker 1: got to get out to weight because it's placing me

564
00:34:21,360 --> 00:34:24,360
Speaker 1: in an uncomfortable situation. Then I just worked thirty years

565
00:34:24,400 --> 00:34:30,279
Speaker 1: for what it's at stake. They had my name next

566
00:34:30,320 --> 00:34:34,920
Speaker 1: to Barack Obama. If I'm will Smill, what do they

567
00:34:34,960 --> 00:34:39,640
Speaker 1: got me now? And I wasn't done yet? But to

568
00:34:39,719 --> 00:34:42,000
Speaker 1: see if I was done, then it's life what they

569
00:34:42,080 --> 00:34:45,080
Speaker 1: got me. But I wasn't done yet. I would still

570
00:34:45,239 --> 00:34:47,400
Speaker 1: roll and I had just popped bell at off. I

571
00:34:47,440 --> 00:34:53,320
Speaker 1: had just but everybody on the boat got to understand

572
00:34:53,320 --> 00:34:58,399
Speaker 1: the destination. Sometimes people want to jump out. They really

573
00:34:58,440 --> 00:35:02,040
Speaker 1: want to be on their own ship. And I just

574
00:35:02,120 --> 00:35:04,759
Speaker 1: say make that clear, like just say, yo, lord, we

575
00:35:04,840 --> 00:35:09,439
Speaker 1: ain't riding, we want to do our own thing. Don't

576
00:35:09,480 --> 00:35:11,640
Speaker 1: be on the ship just because it's convenient for you,

577
00:35:12,840 --> 00:35:15,880
Speaker 1: and not saying she is. But relationships are so weird.

578
00:35:15,960 --> 00:35:18,880
Speaker 1: You don't know what the like what's making you publicly

579
00:35:19,000 --> 00:35:21,120
Speaker 1: say that I shouldn't have done now? I shouldn't Are

580
00:35:21,160 --> 00:35:25,640
Speaker 1: you saving yourself as the boat going down? And love

581
00:35:25,760 --> 00:35:30,239
Speaker 1: is a strange place. Man, it's a strange place that

582
00:35:30,320 --> 00:35:32,400
Speaker 1: we all want to visit, and it's just a weird

583
00:35:32,480 --> 00:35:36,000
Speaker 1: thing that happens like a lot of times. Man, I

584
00:35:36,120 --> 00:35:38,640
Speaker 1: tell you if for a woman's freaky or you know,

585
00:35:38,680 --> 00:35:41,640
Speaker 1: I'm feeling love, you know, slipping cough, feeling wanted to

586
00:35:41,800 --> 00:35:48,080
Speaker 1: cut his whole motherfucking senses off. Nigga stopped thinking, stop smelling.

587
00:35:49,239 --> 00:35:52,520
Speaker 1: All his senses done, cut off because he loved a woman.

588
00:35:53,800 --> 00:35:57,040
Speaker 1: You feel me, So, sometimes you gotta check yourself. Oh man,

589
00:35:57,120 --> 00:35:59,600
Speaker 1: let me consider what going Oh man, howld long you've

590
00:35:59,600 --> 00:36:01,600
Speaker 1: been taught what to me? I gonna let you man,

591
00:36:01,719 --> 00:36:06,479
Speaker 1: Oh love, man, Man, the expectations don't win around around here.

592
00:36:08,200 --> 00:36:10,920
Speaker 1: You know, sometimes you got to check yourself back into

593
00:36:10,960 --> 00:36:16,040
Speaker 1: the hotel. You understand me. Yeah, I'm the heartbreak kid again.

594
00:36:16,239 --> 00:36:17,839
Speaker 1: You know what I mean. I don't get back down

595
00:36:17,960 --> 00:36:23,560
Speaker 1: the pimp side and I'm headed outside. You feel me? So, hey, man, listen,

596
00:36:23,719 --> 00:36:25,960
Speaker 1: I don't know man, like I say. You know, I

597
00:36:25,960 --> 00:36:30,080
Speaker 1: ain't gonna be held hostage by love, right if it

598
00:36:30,120 --> 00:36:35,200
Speaker 1: ain't providing me peace, sanity. I just ain't gonna be

599
00:36:36,960 --> 00:36:40,080
Speaker 1: hostage because somebody said I love We love each other.

600
00:36:40,160 --> 00:36:43,359
Speaker 1: We've been together for sir, time or love won't hold

601
00:36:43,400 --> 00:36:45,799
Speaker 1: me hostage. I'm looking to elevate in my life and

602
00:36:45,840 --> 00:36:50,880
Speaker 1: I'm looking to experience life at the highest form. I'm

603
00:36:50,920 --> 00:36:53,279
Speaker 1: looking to have a great time in my time here.

604
00:36:53,280 --> 00:36:59,279
Speaker 1: I'm looking to do some extraordinary things. Unfortunately, that may

605
00:36:59,400 --> 00:37:03,480
Speaker 1: mean that every everybody can't go. That don't mean you

606
00:37:03,520 --> 00:37:06,839
Speaker 1: can't get there. That just means you can't get there

607
00:37:06,880 --> 00:37:11,640
Speaker 1: on this boat. You gotta figure your way out. Gonna

608
00:37:11,640 --> 00:37:15,080
Speaker 1: take a quick break and then we'll be back. Let

609
00:37:15,120 --> 00:37:17,000
Speaker 1: me speak about this, man. You know, I like to

610
00:37:17,040 --> 00:37:22,000
Speaker 1: always talk about family relationships, whatever and the culture that

611
00:37:22,080 --> 00:37:25,359
Speaker 1: pops up that that that that gets my attention. You know,

612
00:37:25,400 --> 00:37:27,120
Speaker 1: I like to bring to the part and kind of

613
00:37:27,120 --> 00:37:30,960
Speaker 1: give some game about it. Um. And before I get

614
00:37:31,000 --> 00:37:33,960
Speaker 1: into the subject, let me just say that I'm fresh

615
00:37:34,040 --> 00:37:38,640
Speaker 1: back home from La hustling like a motherfucker with this podcast. Shit.

616
00:37:40,440 --> 00:37:47,120
Speaker 1: I had meetings, several meetings. Um. I went over and

617
00:37:47,120 --> 00:37:51,120
Speaker 1: fuck with Cookie shout out burner, had a good time,

618
00:37:51,280 --> 00:37:54,600
Speaker 1: had a big spot out in the heels the heated

619
00:37:54,680 --> 00:37:58,480
Speaker 1: pool and you know I had had a good time out.

620
00:37:58,520 --> 00:38:01,600
Speaker 1: I didn't call it, man, I went over on five

621
00:38:01,760 --> 00:38:06,640
Speaker 1: five Street. You know what Cryp Maggs from UM and

622
00:38:06,719 --> 00:38:08,719
Speaker 1: got with a few people. I think, I think that

623
00:38:08,800 --> 00:38:11,520
Speaker 1: California is an interesting state. Man. It seems like they've

624
00:38:11,600 --> 00:38:14,080
Speaker 1: ran out of room. Doesn't seem like I know, it's

625
00:38:14,120 --> 00:38:16,160
Speaker 1: too many people there. There's a bunch of people in

626
00:38:16,239 --> 00:38:20,239
Speaker 1: California that you're just like, yo, why y'all people keep

627
00:38:20,239 --> 00:38:22,840
Speaker 1: moving him? The unique thing is you don't see a

628
00:38:22,840 --> 00:38:25,200
Speaker 1: lot of two and three and four story level houses

629
00:38:25,239 --> 00:38:28,240
Speaker 1: like in the South. It's like the houses are straight across.

630
00:38:29,560 --> 00:38:32,799
Speaker 1: It's like the houses are just straight, you know. Um,

631
00:38:33,840 --> 00:38:36,799
Speaker 1: I'll tell you what shocking to meet that the that

632
00:38:36,920 --> 00:38:41,239
Speaker 1: the drug users have took in over LA and not

633
00:38:41,400 --> 00:38:44,240
Speaker 1: toking over From a standpoint of it's more drug users

634
00:38:44,320 --> 00:38:48,800
Speaker 1: than it is just regular civilians. But the effects of

635
00:38:48,880 --> 00:38:52,520
Speaker 1: those people. Just accept what the people, what the homeless

636
00:38:52,520 --> 00:38:54,880
Speaker 1: and those people doing around them. I was in traffic

637
00:38:55,920 --> 00:38:58,799
Speaker 1: and I see a homeless man like he like he

638
00:38:58,920 --> 00:39:02,280
Speaker 1: just gonna walk, you know, disregard the lighting, just walked

639
00:39:02,320 --> 00:39:06,200
Speaker 1: past it and somebody was like, they stopped and he

640
00:39:06,320 --> 00:39:10,279
Speaker 1: hit their car. Boom in the South Wady got out

641
00:39:10,320 --> 00:39:14,439
Speaker 1: and whooped hiss, but they let him hit the car.

642
00:39:14,480 --> 00:39:16,759
Speaker 1: Andy he bagged up and walked off, and they just

643
00:39:16,840 --> 00:39:20,840
Speaker 1: kept going. I went to a guitar center because I

644
00:39:20,920 --> 00:39:22,399
Speaker 1: had to do a show out there and I had

645
00:39:22,480 --> 00:39:24,960
Speaker 1: left for a couple of pieces of equipment. I get

646
00:39:24,960 --> 00:39:27,759
Speaker 1: the guitar center. They got a horror story to me

647
00:39:27,880 --> 00:39:32,560
Speaker 1: about how somebody on melth ran through the through the window,

648
00:39:33,120 --> 00:39:36,080
Speaker 1: you know, and so everything over that way about Gatar

649
00:39:36,200 --> 00:39:40,440
Speaker 1: Center in LA and Hollywood, everything shuts at seven o'clock.

650
00:39:40,480 --> 00:39:43,719
Speaker 1: I think it's on male rolls. Everything shuts down at

651
00:39:43,719 --> 00:39:47,960
Speaker 1: seven o'clock. They don't let the homeless and the drug

652
00:39:48,120 --> 00:39:50,600
Speaker 1: users they do act in a certain way. They didn't

653
00:39:50,680 --> 00:39:53,960
Speaker 1: let them dictate their ability to make money past seven o'clock.

654
00:39:53,960 --> 00:39:57,480
Speaker 1: Because it's dangerous in the South. Boywood get guns and

655
00:39:57,520 --> 00:40:01,040
Speaker 1: post up in them establishments, you know. But the laws

656
00:40:01,040 --> 00:40:03,600
Speaker 1: are different. Things are different, man. I think, like I said,

657
00:40:03,600 --> 00:40:06,759
Speaker 1: it's a great place to be. It doesn't they're cold

658
00:40:06,800 --> 00:40:09,400
Speaker 1: because I had got it in the you know, the

659
00:40:09,440 --> 00:40:11,319
Speaker 1: pool is heated, so I was in the pool. It

660
00:40:11,400 --> 00:40:13,680
Speaker 1: was like fifty some degrees when I first got there.

661
00:40:14,520 --> 00:40:16,360
Speaker 1: I got in the pool and of course I couldn't

662
00:40:16,400 --> 00:40:18,040
Speaker 1: feel it. But when I got it, I'm like, damn,

663
00:40:18,040 --> 00:40:20,680
Speaker 1: it is kind of cold. You know it is. It

664
00:40:20,680 --> 00:40:23,719
Speaker 1: ain't just warm as you would think. You know, you

665
00:40:23,719 --> 00:40:26,160
Speaker 1: would think that it doesn't get cold at all out there,

666
00:40:26,239 --> 00:40:29,160
Speaker 1: but it actually does. Had a great time, man, shout

667
00:40:29,200 --> 00:40:31,520
Speaker 1: out to everybody that pushed up on me, pulled up

668
00:40:31,560 --> 00:40:35,719
Speaker 1: on me. You know, we enjoyed ourselves and you know

669
00:40:35,760 --> 00:40:37,759
Speaker 1: I you know, I had shouted women. We went to

670
00:40:37,880 --> 00:40:41,280
Speaker 1: an illusion. They got a whole bunch of illusion things

671
00:40:41,400 --> 00:40:43,719
Speaker 1: up there, like I was up there just doing shit too.

672
00:40:44,920 --> 00:40:47,440
Speaker 1: You know, I talked about the vacation and relaxing and

673
00:40:47,560 --> 00:40:50,319
Speaker 1: it's just important. But you gotta know how to make

674
00:40:50,400 --> 00:40:54,120
Speaker 1: you work in One thing that I did notice or

675
00:40:54,160 --> 00:40:57,560
Speaker 1: that I that I'm watching about myself feels because when

676
00:40:57,560 --> 00:41:01,800
Speaker 1: I'm in Fogfo Studios, you know, I go platinum almost

677
00:41:01,840 --> 00:41:04,640
Speaker 1: every time. I got a high percentage from from the

678
00:41:04,640 --> 00:41:09,319
Speaker 1: field at Fogfo Studio. But I got to when I'm

679
00:41:09,360 --> 00:41:11,279
Speaker 1: taking the show on the road, I gotta make sure

680
00:41:11,320 --> 00:41:14,720
Speaker 1: I'm just as effective and those things on my mind,

681
00:41:14,840 --> 00:41:18,960
Speaker 1: just because I understand the difference in the approach. Understanding

682
00:41:19,040 --> 00:41:21,759
Speaker 1: the atmosphere a lot of times makes it two way.

683
00:41:21,800 --> 00:41:24,600
Speaker 1: It's comfortable for you. I also want my gifts to

684
00:41:24,600 --> 00:41:28,279
Speaker 1: feel like they can get their shit off, you know.

685
00:41:28,400 --> 00:41:31,359
Speaker 1: So just just I'm identifying my approach to the game

686
00:41:31,400 --> 00:41:36,240
Speaker 1: and trying to be diligent and effective in the market.

687
00:41:38,760 --> 00:41:41,440
Speaker 1: Speaking on being effective in the market, let's deal with

688
00:41:41,520 --> 00:41:46,520
Speaker 1: Collarey and ben Zeno. There seems to be an issue

689
00:41:46,520 --> 00:41:49,279
Speaker 1: with Colay and Benzino going back and forth. For those

690
00:41:49,320 --> 00:41:53,120
Speaker 1: of you that are unaware, Collarey is ben Zino's daughter.

691
00:41:53,719 --> 00:41:55,560
Speaker 1: Ben Zino is the guy that we know today that

692
00:41:55,719 --> 00:41:58,719
Speaker 1: had one of the biggest publications on the hip hop right,

693
00:41:58,760 --> 00:42:02,279
Speaker 1: so he's one of those guys for the culture. Since then,

694
00:42:02,280 --> 00:42:04,719
Speaker 1: he's been on Love and Hip Hop, Marriage boot Camp,

695
00:42:04,760 --> 00:42:07,520
Speaker 1: a lot of those kind of shows, you know, going

696
00:42:07,520 --> 00:42:09,160
Speaker 1: through the ring or just trying to get the money

697
00:42:09,200 --> 00:42:11,320
Speaker 1: on TV and things like that. Me and ben Zino

698
00:42:11,360 --> 00:42:14,880
Speaker 1: has had a couple of conversations shout out queens flip.

699
00:42:15,920 --> 00:42:20,279
Speaker 1: But as I see this, you know, Carla Ray, you know,

700
00:42:20,360 --> 00:42:24,320
Speaker 1: winning posted she said some things on Breakfast Club and

701
00:42:24,440 --> 00:42:27,320
Speaker 1: he got offended. Let's listen to what she said on

702
00:42:27,480 --> 00:42:30,000
Speaker 1: on before we get to what she said, because now

703
00:42:30,040 --> 00:42:33,640
Speaker 1: I just you know, as looking at that, it reminded

704
00:42:33,680 --> 00:42:37,280
Speaker 1: me that this isn't This didn't start from ben Zeno

705
00:42:37,400 --> 00:42:40,640
Speaker 1: and his daughter just going at each other. Right, Breakfast

706
00:42:40,719 --> 00:42:44,080
Speaker 1: Club had her own there. The Nicki Minaje record with

707
00:42:44,320 --> 00:42:48,160
Speaker 1: Carla Ray was almost ruined due to ben Zino saying

708
00:42:48,200 --> 00:42:52,480
Speaker 1: something about the record on Clubhouse. I won't explain to

709
00:42:52,520 --> 00:42:55,800
Speaker 1: you guys there anytime your artist as big as Nicki Minaje,

710
00:42:55,880 --> 00:42:58,920
Speaker 1: Drake Meek, all these kind of now the baby's creeping

711
00:42:58,960 --> 00:43:02,239
Speaker 1: into that. I'm sorry, now, a little babies creeping into

712
00:43:02,239 --> 00:43:04,840
Speaker 1: that when you as big as in there these artists.

713
00:43:04,880 --> 00:43:08,160
Speaker 1: What happens is the media and the powers that be

714
00:43:08,440 --> 00:43:11,040
Speaker 1: is waiting on the reason to bring that number down,

715
00:43:12,239 --> 00:43:14,560
Speaker 1: Like Dirk is even moved into that. Once you're getting

716
00:43:14,560 --> 00:43:17,600
Speaker 1: three four five hundred dollars a show, once you get

717
00:43:17,600 --> 00:43:19,560
Speaker 1: in two and three hundred thousand dollars a show, they're

718
00:43:19,600 --> 00:43:22,000
Speaker 1: looking for a reason to bring you back down to fifty.

719
00:43:22,320 --> 00:43:24,520
Speaker 1: So if we do put a single or putting any

720
00:43:24,640 --> 00:43:28,200
Speaker 1: music out, and and we don't access every channel that

721
00:43:28,280 --> 00:43:31,479
Speaker 1: we have in regards to our leverage with any kind

722
00:43:31,480 --> 00:43:34,840
Speaker 1: of playlists and all these different things that we have

723
00:43:34,920 --> 00:43:38,120
Speaker 1: at our disposal, if we don't use these things, then

724
00:43:38,200 --> 00:43:41,120
Speaker 1: therefore we don't give this record a fair chance to

725
00:43:41,360 --> 00:43:44,200
Speaker 1: keep my numbers where they are in regards to my

726
00:43:44,280 --> 00:43:47,520
Speaker 1: book and my feature, you know, because the critics looking

727
00:43:47,560 --> 00:43:50,279
Speaker 1: for a reason to write, oh this record didn't sell

728
00:43:50,440 --> 00:43:52,960
Speaker 1: is good and they fell off and so now that

729
00:43:53,320 --> 00:43:57,439
Speaker 1: affects your negotiation. So I know a lot of people

730
00:43:57,560 --> 00:44:00,000
Speaker 1: just look at it like these big artists are told, man,

731
00:44:00,040 --> 00:44:01,839
Speaker 1: they don't want the records to come out. But the

732
00:44:01,880 --> 00:44:05,239
Speaker 1: reasoning behind that is because when something comes out and

733
00:44:05,400 --> 00:44:08,319
Speaker 1: doesn't have that machine behind it, once you get that

734
00:44:08,360 --> 00:44:15,040
Speaker 1: machine behind you, now that can be viewed as underperforming.

735
00:44:15,200 --> 00:44:18,200
Speaker 1: And when something is underperforming, they will hang on that

736
00:44:18,360 --> 00:44:21,839
Speaker 1: in negotiation to try to make that seem like that's

737
00:44:21,880 --> 00:44:24,879
Speaker 1: where you currently see that knowing that it didn't get

738
00:44:24,880 --> 00:44:27,200
Speaker 1: all the channels that we needed it to get for

739
00:44:27,280 --> 00:44:30,359
Speaker 1: it to even have a real chance. And that's how

740
00:44:30,400 --> 00:44:33,560
Speaker 1: they keep people from doing as much as they could.

741
00:44:33,760 --> 00:44:36,600
Speaker 1: I'm interested to see what NBA young boy last album

742
00:44:36,680 --> 00:44:40,719
Speaker 1: does with them knowing he's on the way out the door? Right,

743
00:44:40,800 --> 00:44:43,239
Speaker 1: do they put promotion? Do they what do they do

744
00:44:43,360 --> 00:44:46,560
Speaker 1: with it? Because usually they want your last couple of ones.

745
00:44:46,600 --> 00:44:49,879
Speaker 1: They want you to be in a box so they

746
00:44:49,880 --> 00:44:54,680
Speaker 1: can negotiate and have you believe that your status has

747
00:44:55,520 --> 00:44:59,440
Speaker 1: underperformed or it's depreciating, so they can negotiate from that

748
00:44:59,560 --> 00:45:02,880
Speaker 1: stand on. This a negotiation thing, right, So Nikki was

749
00:45:03,000 --> 00:45:07,000
Speaker 1: upset with that rollout and undercutting the ability because the

750
00:45:07,080 --> 00:45:10,920
Speaker 1: shock value for artists that big also plays into that. Right,

751
00:45:10,920 --> 00:45:13,640
Speaker 1: Oh my god, that's out. Let's rush and see what happened.

752
00:45:14,360 --> 00:45:17,080
Speaker 1: That's a thing. So ben Zino did that, and they

753
00:45:17,120 --> 00:45:19,799
Speaker 1: asked Corla Ray how she felt about it, and this

754
00:45:19,880 --> 00:45:22,840
Speaker 1: is what she said. And then that's what started this

755
00:45:22,920 --> 00:45:25,480
Speaker 1: whole thing. So let's listen to that. Nicky, So I

756
00:45:25,480 --> 00:45:28,399
Speaker 1: guess I don't know. He went on clubhouse and he

757
00:45:28,480 --> 00:45:30,759
Speaker 1: was like, I was like, Dad, yo, Nick, me and

758
00:45:30,840 --> 00:45:33,000
Speaker 1: Nika is sleeping. We are I mean were sleeping? He

759
00:45:33,320 --> 00:45:38,359
Speaker 1: im sleep, nick wake up like gonna go. I woke

760
00:45:38,440 --> 00:45:43,080
Speaker 1: up like, no o, my god is over. I'm crying.

761
00:45:43,400 --> 00:45:46,239
Speaker 1: I'm like, she's candidate. She's candidate. I'm like, I threw

762
00:45:46,280 --> 00:45:48,960
Speaker 1: my phone. She's done. Nikki's done. She's not calling me back,

763
00:45:49,000 --> 00:45:51,080
Speaker 1: no more whatever. But I called my dad. I'm like that,

764
00:45:51,160 --> 00:45:52,640
Speaker 1: why would you do this to me? He's like, I'm

765
00:45:52,680 --> 00:45:56,360
Speaker 1: so sorry. I didn't know. I was just they I

766
00:45:56,400 --> 00:45:58,279
Speaker 1: felt like they tried to trick me into it coming

767
00:45:58,280 --> 00:46:02,720
Speaker 1: I'm like that why I've done Why would you say

768
00:46:02,840 --> 00:46:06,080
Speaker 1: something like I'm sending him screenshots like see, look you

769
00:46:06,200 --> 00:46:08,640
Speaker 1: messed it up. Everything's room. He's like, I'm so sorry.

770
00:46:08,640 --> 00:46:12,040
Speaker 1: He's like, I'm deleted everything. I'm deleting all my social media.

771
00:46:12,560 --> 00:46:15,200
Speaker 1: He was so hurt. I don't know if I was

772
00:46:15,280 --> 00:46:17,279
Speaker 1: more hurt of the fact that I lost that I

773
00:46:17,320 --> 00:46:19,160
Speaker 1: felt like I lost a verse or I felt like

774
00:46:19,200 --> 00:46:22,120
Speaker 1: my father was like humiliated and he was so proud

775
00:46:22,160 --> 00:46:24,239
Speaker 1: and he was crushed. I don't know what hurt me

776
00:46:24,320 --> 00:46:27,120
Speaker 1: more think so I guess I don't know. He went

777
00:46:27,160 --> 00:46:31,400
Speaker 1: on clubhouse and so right there you hear her explain

778
00:46:31,480 --> 00:46:35,080
Speaker 1: the way she found out about him leaking the information,

779
00:46:35,280 --> 00:46:39,040
Speaker 1: and also his response to her being hurt or her

780
00:46:39,160 --> 00:46:45,879
Speaker 1: being disappointed with him leaking that information. Um so nan.

781
00:46:46,080 --> 00:46:50,120
Speaker 1: Shortly after that fast forward, things get slippery, right. Coy

782
00:46:50,400 --> 00:46:54,239
Speaker 1: then tweets this, I hate to brain thish, I hate

783
00:46:54,239 --> 00:46:57,560
Speaker 1: to brain this to social media, but my father needs help.

784
00:46:57,960 --> 00:47:00,359
Speaker 1: Sorry if I fitted you on breakfast club, but don't

785
00:47:00,400 --> 00:47:02,600
Speaker 1: treat me on my mom away because you hate to

786
00:47:02,640 --> 00:47:05,880
Speaker 1: admit that we went broke. After the source second tweet,

787
00:47:06,680 --> 00:47:08,839
Speaker 1: build a fucking bridge and get over it. That's why

788
00:47:08,880 --> 00:47:11,320
Speaker 1: I don't even like mentioning his name. That's why I

789
00:47:11,440 --> 00:47:14,000
Speaker 1: never mentioned his name coming into the industry, because he

790
00:47:14,040 --> 00:47:16,600
Speaker 1: can't get over his past and he don't even realize

791
00:47:16,640 --> 00:47:21,000
Speaker 1: how much damage he's doing when he does this stuff.

792
00:47:22,760 --> 00:47:26,359
Speaker 1: Color Ray speaking on Bitnesseno. He's taking my mom, He's

793
00:47:26,400 --> 00:47:29,880
Speaker 1: taxing my mom, threatening her, talking about some watch grow

794
00:47:30,000 --> 00:47:31,960
Speaker 1: up You was just trying to get her to do

795
00:47:32,120 --> 00:47:34,200
Speaker 1: growing up hip hop. We don't want that life. She's

796
00:47:34,239 --> 00:47:36,160
Speaker 1: trying to be here for me and support me, while

797
00:47:36,160 --> 00:47:38,839
Speaker 1: you're trying to find every way to be for me

798
00:47:39,320 --> 00:47:42,200
Speaker 1: and suck the life out of me. I'm tired. The

799
00:47:42,239 --> 00:47:45,560
Speaker 1: devil is working. This is a perfect example. When everything

800
00:47:45,680 --> 00:47:49,600
Speaker 1: is going so good, here he comes being weird, trying

801
00:47:49,600 --> 00:47:55,320
Speaker 1: to up somebody's life. Last tweet, I'm your only daughter.

802
00:47:55,360 --> 00:47:57,640
Speaker 1: You're worried about being called broke on the day of

803
00:47:57,719 --> 00:48:01,319
Speaker 1: my debut album. He ain't even takes me congratulations. You're

804
00:48:01,320 --> 00:48:04,840
Speaker 1: so bitter and evil. I'll pray for you. It's a

805
00:48:04,920 --> 00:48:09,520
Speaker 1: hurt feeling to feel like your parents don't support or

806
00:48:09,560 --> 00:48:12,480
Speaker 1: even envy you, or even your family or your loved

807
00:48:12,560 --> 00:48:16,239
Speaker 1: ones or even your significant other. See, there's a whole

808
00:48:16,280 --> 00:48:19,759
Speaker 1: different conversation. And you know, I mean advance this conversation

809
00:48:19,840 --> 00:48:23,319
Speaker 1: off of Core and Benzino, but it's a different conversation.

810
00:48:23,360 --> 00:48:26,920
Speaker 1: When you deal with someone and you love someone that

811
00:48:27,200 --> 00:48:31,600
Speaker 1: envies your position in life, you gotta be careful when

812
00:48:31,640 --> 00:48:36,000
Speaker 1: you choose in those things that you can't get rid of, right,

813
00:48:36,040 --> 00:48:38,800
Speaker 1: and so when you deal with things, you gotta always

814
00:48:38,840 --> 00:48:42,160
Speaker 1: be fully or well measure twice cup once all those

815
00:48:42,200 --> 00:48:46,480
Speaker 1: things also apply there. You gotta know one thing wherever

816
00:48:46,600 --> 00:48:50,920
Speaker 1: or man goals. It's pardon the duel's day as well.

817
00:48:52,480 --> 00:48:55,760
Speaker 1: But even in these situations, dog, how can you love

818
00:48:55,840 --> 00:49:00,000
Speaker 1: somebody that you hate on? How can you love somebody

819
00:49:00,080 --> 00:49:02,600
Speaker 1: that you hate on? I'll be looking at things sometimes

820
00:49:02,640 --> 00:49:05,799
Speaker 1: and I say, you post have been proud of me,

821
00:49:07,600 --> 00:49:09,680
Speaker 1: You post have been proud that I figured a way

822
00:49:09,680 --> 00:49:13,400
Speaker 1: out of how to get out. The more you're worried

823
00:49:13,440 --> 00:49:15,680
Speaker 1: about that I ain't came back and got nobody else

824
00:49:15,719 --> 00:49:19,000
Speaker 1: out the more? How do you love somebody you hate on?

825
00:49:19,480 --> 00:49:21,839
Speaker 1: The only thing that I can think of? And that's

826
00:49:21,840 --> 00:49:25,120
Speaker 1: why I say it's not applicable. It's not even applicable

827
00:49:25,560 --> 00:49:30,000
Speaker 1: when you deal with daughter and son. I'm sorry, when

828
00:49:30,000 --> 00:49:31,959
Speaker 1: you deal with mother and son, or when you deal

829
00:49:32,000 --> 00:49:34,600
Speaker 1: with mother and daughter or daddy and daughter or daddy

830
00:49:34,600 --> 00:49:38,560
Speaker 1: and son, it's not even applicable that what can make

831
00:49:38,760 --> 00:49:42,400
Speaker 1: a man because a lot of people are saying that. Now.

832
00:49:42,920 --> 00:49:47,720
Speaker 1: What I also know is is that the rap journey

833
00:49:47,880 --> 00:49:50,239
Speaker 1: and the rappers kid and I'm not saying this about

834
00:49:50,320 --> 00:49:52,759
Speaker 1: Carla Ray. Let me be clear. You know I support her,

835
00:49:52,800 --> 00:49:56,239
Speaker 1: and I won't talk about black women. I think she's

836
00:49:56,239 --> 00:50:00,960
Speaker 1: a black woman because I've heard Ben zenos about him

837
00:50:01,000 --> 00:50:05,520
Speaker 1: being black, so I don't. I don't speak about black

838
00:50:05,560 --> 00:50:09,480
Speaker 1: women in a way outside of trying to learn and

839
00:50:09,560 --> 00:50:12,480
Speaker 1: spread information in a way that's effective to other people

840
00:50:12,520 --> 00:50:16,480
Speaker 1: that's watching the Baby's in particular, know the information to

841
00:50:16,560 --> 00:50:21,120
Speaker 1: stay forever, long after we all parish, So I operate

842
00:50:21,160 --> 00:50:26,239
Speaker 1: with that understanding. Therefore, speaking on behalf or speaking to

843
00:50:26,480 --> 00:50:29,400
Speaker 1: some of these things, it's instrumental in me getting the

844
00:50:29,440 --> 00:50:34,000
Speaker 1: message out. But I know rappers like to attach hardship

845
00:50:34,640 --> 00:50:39,080
Speaker 1: to their story. You know, Corla Ray doesn't move around

846
00:50:39,120 --> 00:50:41,759
Speaker 1: the industry with any gimmicks, so this may not be helped.

847
00:50:41,760 --> 00:50:46,239
Speaker 1: But I know good kids. There's rappers now that it's

848
00:50:46,280 --> 00:50:48,839
Speaker 1: portraying a certain level of thugging that they ain't never

849
00:50:48,920 --> 00:50:55,040
Speaker 1: been up against people. They never really yo dudes has

850
00:50:55,080 --> 00:50:58,600
Speaker 1: grown rappers asking how many ounces is in a brick?

851
00:50:59,400 --> 00:51:01,319
Speaker 1: They ain't never had to buy that they ain't never

852
00:51:01,400 --> 00:51:03,799
Speaker 1: had to go nowhere and try to figure out. Man,

853
00:51:03,840 --> 00:51:07,120
Speaker 1: I got two bricks of this where I'm a cookie

854
00:51:07,160 --> 00:51:12,839
Speaker 1: that they ain't never had to even think about some

855
00:51:12,920 --> 00:51:15,799
Speaker 1: of these things. I got four million dollars come through

856
00:51:15,840 --> 00:51:19,880
Speaker 1: a month where I'm a hide some more. Who is

857
00:51:19,920 --> 00:51:22,239
Speaker 1: a good mother that ain't gonna spend it? They ain't

858
00:51:22,239 --> 00:51:24,160
Speaker 1: gonna got a room in the house I can use

859
00:51:24,239 --> 00:51:28,080
Speaker 1: to put the right they ain't never had. So they

860
00:51:28,120 --> 00:51:33,239
Speaker 1: got to attach some kind of triump to their stories.

861
00:51:33,280 --> 00:51:36,200
Speaker 1: So a lot of times rappers like to say that

862
00:51:36,239 --> 00:51:38,319
Speaker 1: they were broke, or they will pull, or they would

863
00:51:38,360 --> 00:51:41,200
Speaker 1: gang banging, or they got it out the more they

864
00:51:41,200 --> 00:51:44,080
Speaker 1: were sleeping in their car, or they just got out

865
00:51:44,280 --> 00:51:47,640
Speaker 1: or you know it just it's always now a lot

866
00:51:47,680 --> 00:51:50,600
Speaker 1: of them, especially today rappers, they really coming from it,

867
00:51:51,400 --> 00:51:55,480
Speaker 1: but also a lot of them are faking it and

868
00:51:55,600 --> 00:52:01,239
Speaker 1: misrepresenting what happened. So on the flip side or that

869
00:52:01,520 --> 00:52:03,879
Speaker 1: could you imagine, because again we don't know which side

870
00:52:03,920 --> 00:52:05,560
Speaker 1: it's true. At least I don't. I don't know. It's

871
00:52:05,640 --> 00:52:10,040
Speaker 1: financial situation. She says he was financially embarrassed when she

872
00:52:10,120 --> 00:52:14,279
Speaker 1: was a child. You know, she says he was financially

873
00:52:14,400 --> 00:52:17,200
Speaker 1: vulnerable when she was a child. So I don't know.

874
00:52:17,280 --> 00:52:19,600
Speaker 1: All I'm saying is just could you imagine on the

875
00:52:19,680 --> 00:52:23,440
Speaker 1: other side, if you was taking care of everything and

876
00:52:23,600 --> 00:52:25,600
Speaker 1: hear your child come on the end of that time

877
00:52:25,600 --> 00:52:27,880
Speaker 1: about how hard she had it or how hard he

878
00:52:28,000 --> 00:52:31,600
Speaker 1: had it. I know me, I'm gonna have something to

879
00:52:31,640 --> 00:52:35,600
Speaker 1: say about that. I'm gonna have something to say about that.

880
00:52:35,680 --> 00:52:39,080
Speaker 1: I push him, pulled and dragged, nigga. I sold the

881
00:52:39,120 --> 00:52:41,799
Speaker 1: whole house to make sure you ain't had to come

882
00:52:41,880 --> 00:52:45,200
Speaker 1: on now, So I can't I get that side too

883
00:52:45,280 --> 00:52:47,680
Speaker 1: butt now. On the other side, that's why you gotta

884
00:52:47,760 --> 00:52:51,080
Speaker 1: consider everyone when you deal with the stinker on the

885
00:52:51,080 --> 00:52:54,640
Speaker 1: other side of the album is out. She made a mistake.

886
00:52:54,680 --> 00:52:58,360
Speaker 1: You are dealing with your child being young, operating and entertainment.

887
00:52:58,520 --> 00:53:03,880
Speaker 1: These these questions are tricky, these answers or misrepresented, misinterpreted

888
00:53:04,360 --> 00:53:06,840
Speaker 1: like it's a weird place that she's in. But you

889
00:53:06,920 --> 00:53:11,120
Speaker 1: gotta allow for some grace. You're the big home. Have

890
00:53:11,120 --> 00:53:13,520
Speaker 1: been a writer, you know what this media thing is

891
00:53:13,560 --> 00:53:16,280
Speaker 1: you gotta allow for some grace for your baby girl.

892
00:53:16,640 --> 00:53:19,719
Speaker 1: So at some point you gotta understand that I just

893
00:53:19,800 --> 00:53:24,440
Speaker 1: hate or would hope you know or understand ben Zeno,

894
00:53:25,080 --> 00:53:28,800
Speaker 1: you know, because his his argument basically is, yo, niggle,

895
00:53:28,880 --> 00:53:31,399
Speaker 1: I had money then street money with taking care of them.

896
00:53:31,440 --> 00:53:33,319
Speaker 1: This was taking care of them. That was taking care

897
00:53:33,360 --> 00:53:35,279
Speaker 1: of them. You're not gonna paint me like that. I

898
00:53:35,280 --> 00:53:38,480
Speaker 1: couldn't imagine working hard, you know, for all these gifts

899
00:53:38,480 --> 00:53:43,399
Speaker 1: on Christmas and y'all let's sounder get the credit man.

900
00:53:43,560 --> 00:53:46,600
Speaker 1: This apartment we were living in, we ain't had Noah,

901
00:53:46,640 --> 00:53:49,480
Speaker 1: what a chimney for sounding to come now, my kids

902
00:53:49,480 --> 00:53:51,319
Speaker 1: got to know. I went and put the five k

903
00:53:51,840 --> 00:53:54,640
Speaker 1: out of by that. You know what I'm saying. I

904
00:53:54,680 --> 00:53:57,040
Speaker 1: don't want to play the little game. I'm sorry, that's

905
00:53:57,080 --> 00:54:00,160
Speaker 1: just me. But you know so I can all so

906
00:54:00,239 --> 00:54:03,640
Speaker 1: see that side before baby girl. I would do everything

907
00:54:03,680 --> 00:54:06,520
Speaker 1: in my power not to hurt my daughter. I would

908
00:54:06,560 --> 00:54:09,160
Speaker 1: do everything in my power like I just don't want

909
00:54:09,160 --> 00:54:12,279
Speaker 1: her to ever feel nothing gonna behalf for me, you

910
00:54:12,320 --> 00:54:15,680
Speaker 1: know what I'm saying. But Corlarey, also on Breakfast Club,

911
00:54:15,760 --> 00:54:19,520
Speaker 1: came off to me as media trained as had took

912
00:54:19,600 --> 00:54:23,000
Speaker 1: in some sort of understanding of questioning and lines are

913
00:54:23,120 --> 00:54:26,480
Speaker 1: questioning and how to respond. I think she did. She

914
00:54:26,560 --> 00:54:30,120
Speaker 1: did a phenomenal job or whatever tutelage she's been under

915
00:54:30,160 --> 00:54:33,200
Speaker 1: in regards to her media training. I think it was

916
00:54:33,239 --> 00:54:38,000
Speaker 1: clear that she didn't go up there unprepared, without any

917
00:54:38,320 --> 00:54:41,680
Speaker 1: talking point or you know. It kind of seemed like

918
00:54:41,719 --> 00:54:46,960
Speaker 1: she was tooking back that Charlemagne them didn't play the

919
00:54:47,040 --> 00:54:50,080
Speaker 1: little game. That's one thing about Charlemagne, no matter who

920
00:54:50,120 --> 00:54:52,359
Speaker 1: he's around. And I'm telling you, as I'm getting further

921
00:54:52,400 --> 00:54:56,880
Speaker 1: and further up, I'm seeing how hard it is. Like

922
00:54:57,040 --> 00:55:01,680
Speaker 1: it's a skill not to fold, right. And I mean

923
00:55:01,680 --> 00:55:03,440
Speaker 1: when I mean fold is you don't want to be

924
00:55:03,520 --> 00:55:06,560
Speaker 1: viewed as a mean person. Right. So here it is

925
00:55:06,840 --> 00:55:11,279
Speaker 1: this person good enough or this person nice enough to

926
00:55:11,280 --> 00:55:13,680
Speaker 1: come to your platform and speak to you and they

927
00:55:13,719 --> 00:55:15,719
Speaker 1: ask you do you like their music, and you're like,

928
00:55:15,800 --> 00:55:21,200
Speaker 1: I don't listen to it. It's authenticity in that, but

929
00:55:21,239 --> 00:55:27,919
Speaker 1: it's also a situation where it's uncomfortable and me being

930
00:55:28,000 --> 00:55:31,680
Speaker 1: new in the space. That's why I championed people like Kanye, Charlomaine,

931
00:55:32,280 --> 00:55:34,839
Speaker 1: even Joe sometimes or you know, some of the people

932
00:55:34,880 --> 00:55:37,560
Speaker 1: that say some of these things that may get pushing

933
00:55:37,719 --> 00:55:40,600
Speaker 1: pulled out in the media a certain way because I know, old,

934
00:55:40,719 --> 00:55:43,399
Speaker 1: my God, as I'm getting further up, I'm seeing, Oh,

935
00:55:43,440 --> 00:55:50,359
Speaker 1: it's gravity attached to this ship. Oh this ain't just so.

936
00:55:50,480 --> 00:55:53,279
Speaker 1: You got the whole staff looking at you when you say, yo,

937
00:55:53,440 --> 00:55:55,719
Speaker 1: dy ain't cutting the checks right, And they think they're

938
00:55:55,719 --> 00:55:58,840
Speaker 1: smarter than everybody because how they hiding it in the contracts.

939
00:55:58,880 --> 00:56:04,000
Speaker 1: It s at the company right there. You know what

940
00:56:04,040 --> 00:56:06,359
Speaker 1: it would like for Kanye West to say, George Bush

941
00:56:06,400 --> 00:56:08,879
Speaker 1: don't care about black people. He still got to walk

942
00:56:08,880 --> 00:56:11,879
Speaker 1: through that. Yeah, when the camera's cut off and y'all

943
00:56:11,920 --> 00:56:14,400
Speaker 1: at home talking about it, he's still in that building.

944
00:56:14,440 --> 00:56:17,040
Speaker 1: Got to get out that building and you know some

945
00:56:17,080 --> 00:56:19,719
Speaker 1: people speaking, some people man no more. You know that

946
00:56:20,160 --> 00:56:23,800
Speaker 1: it's still an atmosphere that he creates that the viewer

947
00:56:23,880 --> 00:56:29,000
Speaker 1: doesn't even consider. And that's why I got a champion.

948
00:56:29,400 --> 00:56:31,799
Speaker 1: Some of our speakers, Like when I see TV jac

949
00:56:32,040 --> 00:56:35,560
Speaker 1: just so graceful. I watched Jakes, I'm just like, Yo,

950
00:56:35,680 --> 00:56:37,960
Speaker 1: that's me. That's where I want to be at that

951
00:56:38,160 --> 00:56:42,799
Speaker 1: right there, just so graceful and it's just so effortless.

952
00:56:43,120 --> 00:56:46,759
Speaker 1: It's just just gone. You know, he's just gone with it.

953
00:56:46,880 --> 00:56:50,239
Speaker 1: You know, he's just he's just so easy for him.

954
00:56:50,239 --> 00:56:54,919
Speaker 1: But I know it's hard work. I know it's hard work.

955
00:56:56,840 --> 00:56:59,120
Speaker 1: But when you see somebody like I say, you see

956
00:57:02,360 --> 00:57:06,520
Speaker 1: or even a Dame Dads at that interview with Breakfast Club,

957
00:57:08,600 --> 00:57:10,920
Speaker 1: you know, when he when he's talking about business and

958
00:57:11,040 --> 00:57:13,120
Speaker 1: this and that and that and this, like he still

959
00:57:13,160 --> 00:57:16,520
Speaker 1: got to leave this place. Camera's off, all right, man,

960
00:57:16,600 --> 00:57:18,960
Speaker 1: thank you, he still gotta get up or it's a

961
00:57:19,040 --> 00:57:22,440
Speaker 1: it's a weird vibe right there. So it's different operating

962
00:57:22,480 --> 00:57:25,480
Speaker 1: in front of camera. It's a different thing. And for

963
00:57:25,560 --> 00:57:27,960
Speaker 1: the people that don't know what she means when she says, yo,

964
00:57:28,080 --> 00:57:30,760
Speaker 1: he can't let his past go with the music industry,

965
00:57:31,080 --> 00:57:35,480
Speaker 1: she's basically talking about the industry kind of ostracized him.

966
00:57:36,000 --> 00:57:39,080
Speaker 1: You know, they did him wrong in regards to you know,

967
00:57:39,440 --> 00:57:43,600
Speaker 1: according to him, in regards to the Eminem situation, he

968
00:57:43,640 --> 00:57:46,680
Speaker 1: had some proof on Eminem at a certain time when

969
00:57:46,720 --> 00:57:49,000
Speaker 1: he had the biggest publication in the world and couldn't

970
00:57:49,040 --> 00:57:52,080
Speaker 1: get it off. They were stopping and blocking him, and

971
00:57:52,440 --> 00:57:56,520
Speaker 1: he took it personal and see that was his downfall.

972
00:57:56,600 --> 00:57:59,320
Speaker 1: It didn't it wasn't that he didn't do good business.

973
00:57:59,680 --> 00:58:03,320
Speaker 1: He took some out the business personal and that is

974
00:58:03,360 --> 00:58:09,000
Speaker 1: a problem. You understand me when you start gunning for

975
00:58:09,120 --> 00:58:12,240
Speaker 1: Eminem in your own brain like I wan't Eminem, I'm

976
00:58:12,240 --> 00:58:15,160
Speaker 1: gonna make sure to expose him that you put too

977
00:58:15,240 --> 00:58:17,600
Speaker 1: much into that. You got a whole thing going on

978
00:58:17,600 --> 00:58:21,040
Speaker 1: on his eyes on your own paper, young man, eyes

979
00:58:21,120 --> 00:58:23,640
Speaker 1: on the road, young man, You don't motherfucker take your

980
00:58:23,680 --> 00:58:27,760
Speaker 1: eyes off the nigga for who. That's how you fumble

981
00:58:27,840 --> 00:58:31,320
Speaker 1: the ball, you know what I'm saying. And I think

982
00:58:31,360 --> 00:58:36,640
Speaker 1: that his inability to take Eminem down with the biggest

983
00:58:36,680 --> 00:58:40,000
Speaker 1: platform at the time shocked him. And it's in a

984
00:58:40,120 --> 00:58:46,960
Speaker 1: shock through his confidence or through his feelings to where

985
00:58:46,960 --> 00:58:50,600
Speaker 1: he felt the way. And she's saying, he basically built

986
00:58:50,680 --> 00:58:52,920
Speaker 1: at the music industry like these fake bumps with the

987
00:58:53,040 --> 00:58:55,680
Speaker 1: white people this day. She's saying, he got that kind

988
00:58:55,720 --> 00:58:59,040
Speaker 1: of vibe. Now, I still can't imagine your daughter coming

989
00:58:59,040 --> 00:59:02,320
Speaker 1: out and disting you online. And I still can't imagine

990
00:59:02,400 --> 00:59:05,480
Speaker 1: me as a father seeing anything that you're mental about

991
00:59:05,560 --> 00:59:11,400
Speaker 1: my dog online at all. Never happened, that will never happen.

992
00:59:12,360 --> 00:59:14,560
Speaker 1: There's nothing in the world that will make me go

993
00:59:14,680 --> 00:59:17,240
Speaker 1: online about my daughter I don't give a what the

994
00:59:17,360 --> 00:59:20,240
Speaker 1: situation is. It can be twenty million dollars at stake

995
00:59:20,600 --> 00:59:26,280
Speaker 1: about my daughter. I can't go on lying about that. Now.

996
00:59:26,760 --> 00:59:30,200
Speaker 1: She should have said we was broke. No, I don't

997
00:59:30,200 --> 00:59:34,520
Speaker 1: believe that to be the case either, because if you're

998
00:59:34,520 --> 00:59:37,600
Speaker 1: staying there, because he went to name and addresses and everything,

999
00:59:37,640 --> 00:59:40,120
Speaker 1: you were staying right here in this part of time,

1000
00:59:40,320 --> 00:59:42,600
Speaker 1: it's no way you was broke. You grew up right here,

1001
00:59:42,640 --> 00:59:44,480
Speaker 1: you know, And it's like, yo, this's your dog. At

1002
00:59:44,480 --> 00:59:47,959
Speaker 1: the end of the day. We won't get into that now.

1003
00:59:48,760 --> 00:59:54,960
Speaker 1: After that, it's spilled over the clubhouse. This is where

1004
00:59:55,000 --> 00:59:59,080
Speaker 1: it gets slippery. It's spilled over the clubhouse. And I'm

1005
00:59:59,080 --> 01:00:01,920
Speaker 1: gonna play just a little bit of it on Clubhouse.

1006
01:00:01,960 --> 01:00:07,360
Speaker 1: They're talking about Benzino and they got a guy on clubhouse.

1007
01:00:07,400 --> 01:00:12,000
Speaker 1: I guess that represents the LGBT community, and he's talking

1008
01:00:12,000 --> 01:00:18,040
Speaker 1: about Benzino being gay, certain things happening online. Whack one

1009
01:00:18,120 --> 01:00:21,200
Speaker 1: hundred gets involved. Now for those of you to underwearing

1010
01:00:21,320 --> 01:00:23,880
Speaker 1: how Whack one hundred gets involved him in ben Zino

1011
01:00:23,920 --> 01:00:27,160
Speaker 1: have talked a few times. Whack one hundred has lost

1012
01:00:27,200 --> 01:00:31,000
Speaker 1: his clubhouse page due to this involved in his involvement

1013
01:00:31,160 --> 01:00:36,520
Speaker 1: in this altercation. The thing about Benzino, he flies off

1014
01:00:36,560 --> 01:00:39,560
Speaker 1: and says it's crazy. Right now, Whack is on that

1015
01:00:39,640 --> 01:00:44,000
Speaker 1: same recording there for now his clubhouse has been tooking.

1016
01:00:44,760 --> 01:00:49,080
Speaker 1: It took Whack one hundred almost a year to build.

1017
01:00:49,480 --> 01:00:52,840
Speaker 1: He had one hundred some thousand followers on them. He

1018
01:00:52,960 --> 01:00:56,280
Speaker 1: just lost that, you know, standing up for me and

1019
01:00:56,360 --> 01:00:58,600
Speaker 1: freedom of speech. I get out all of that, but

1020
01:00:58,720 --> 01:01:02,479
Speaker 1: you don't go in the trick, bad man. You don't

1021
01:01:02,520 --> 01:01:05,200
Speaker 1: allow you feel me. So now I get it. What

1022
01:01:05,200 --> 01:01:07,800
Speaker 1: was supposed to be contented was a thing. Let's listen

1023
01:01:07,800 --> 01:01:10,000
Speaker 1: to a little bit of it, and you guys could

1024
01:01:10,000 --> 01:01:11,920
Speaker 1: tell me who was wrong. We'll come back with some

1025
01:01:12,000 --> 01:01:17,160
Speaker 1: game about it. In eight different rooms, bro, this man

1026
01:01:17,360 --> 01:01:22,520
Speaker 1: was backing out. The police came to the door. Let

1027
01:01:22,560 --> 01:01:25,800
Speaker 1: me say it, he was checking out again. This conversation

1028
01:01:25,960 --> 01:01:29,560
Speaker 1: is with ben Zeno. This is Whack one hunter talking

1029
01:01:29,600 --> 01:01:32,400
Speaker 1: about ben Zeno coming out of some hotel. I guess

1030
01:01:32,440 --> 01:01:36,479
Speaker 1: something that's when viral about him being gay, um, which

1031
01:01:36,520 --> 01:01:39,200
Speaker 1: he's denied all rumors of that. But in this same

1032
01:01:39,280 --> 01:01:42,560
Speaker 1: room they also talked about color Ray and he started

1033
01:01:42,600 --> 01:01:44,800
Speaker 1: to talk about where she grew up and she's not.

1034
01:01:44,920 --> 01:01:46,680
Speaker 1: He's not going to allow her to continue to run

1035
01:01:46,720 --> 01:01:49,720
Speaker 1: with this narrative. He's in the hotel when it's another

1036
01:01:49,800 --> 01:01:56,440
Speaker 1: man in this room. Are you telling me right in

1037
01:01:56,520 --> 01:02:02,720
Speaker 1: today's day? Are you telling me in today's day? Right? Crazy?

1038
01:02:02,520 --> 01:02:05,840
Speaker 1: He's gonna notice, don't bro, don't think y'all gonna keep

1039
01:02:05,880 --> 01:02:09,320
Speaker 1: open up on straight men. Now we can fight back

1040
01:02:09,360 --> 01:02:11,520
Speaker 1: over here. We're a little deeply y'all on this side

1041
01:02:11,680 --> 01:02:16,360
Speaker 1: for real, for real, straight up, straight up. I didn't

1042
01:02:16,440 --> 01:02:19,200
Speaker 1: keep you. I'm kicking a hundred thousand in the greenhouse

1043
01:02:19,360 --> 01:02:26,960
Speaker 1: and every room I reach out to gonna up cantless man,

1044
01:02:27,040 --> 01:02:30,240
Speaker 1: he gay, and we're gonna mute up ye whack, what up? Man?

1045
01:02:30,280 --> 01:02:33,600
Speaker 1: What up? What up? Y'all? Man? Look, bro got a

1046
01:02:33,720 --> 01:02:36,680
Speaker 1: game room over there, tried to run a narrative volume

1047
01:02:36,760 --> 01:02:39,720
Speaker 1: bro like you checking out the hotel, the band being

1048
01:02:39,760 --> 01:02:42,640
Speaker 1: in the room with like, we don't do that, moving

1049
01:02:42,760 --> 01:02:47,040
Speaker 1: dope on't pour all CONTI show with shame keeping moving.

1050
01:02:47,280 --> 01:02:49,400
Speaker 1: But he wants to call you gay. So I said,

1051
01:02:49,400 --> 01:02:52,040
Speaker 1: you know what, I can't fight him on his own platform.

1052
01:02:52,240 --> 01:02:54,880
Speaker 1: But guess what, my rooms is just as big as

1053
01:02:54,880 --> 01:02:57,080
Speaker 1: not bigger than his. So we're gonna stand up for

1054
01:02:57,160 --> 01:03:01,920
Speaker 1: the straight man. Then that man go edrio, what's up?

1055
01:03:02,480 --> 01:03:06,800
Speaker 1: So um? I created a room. Uh talked about the

1056
01:03:06,880 --> 01:03:09,800
Speaker 1: video dot resurface. I'm about keep being in that room

1057
01:03:10,200 --> 01:03:15,800
Speaker 1: with that man and I I go ahead. What you

1058
01:03:15,920 --> 01:03:21,439
Speaker 1: gotta understand, ain't everybody waked it than that and sucking men?

1059
01:03:22,160 --> 01:03:27,360
Speaker 1: You gotta get that through your head first off, flies right,

1060
01:03:28,040 --> 01:03:30,560
Speaker 1: you don't have to march no more. You gotta learn

1061
01:03:30,640 --> 01:03:35,480
Speaker 1: how to communicate more effective, to be friendly with you

1062
01:03:35,560 --> 01:03:38,200
Speaker 1: and friends. You're not being beat up no more. But

1063
01:03:39,000 --> 01:03:41,680
Speaker 1: what you gotta stop doing. It's trying to make it

1064
01:03:41,800 --> 01:03:44,600
Speaker 1: seem like every straight man wants to be gay, because

1065
01:03:44,960 --> 01:03:47,400
Speaker 1: that's not the case. You see, I didn't. I didn't

1066
01:03:47,400 --> 01:03:49,760
Speaker 1: even I don't even bring this shop because it was

1067
01:03:49,800 --> 01:03:52,360
Speaker 1: so preposterous. Like I'm fifty six, bro, I'll be fifty

1068
01:03:52,360 --> 01:03:55,800
Speaker 1: seven in July. I didn't did so much murder, caution, ridiculous,

1069
01:03:55,840 --> 01:03:58,400
Speaker 1: dump shit. I'm blessed to be honest earth and still

1070
01:03:58,440 --> 01:04:01,240
Speaker 1: not locked up. Don't play with me, don't play with

1071
01:04:01,280 --> 01:04:04,040
Speaker 1: my name, don't play with my legacy. All right, I'm

1072
01:04:04,080 --> 01:04:06,480
Speaker 1: going through enough already out here. I'm not trying to

1073
01:04:06,480 --> 01:04:09,560
Speaker 1: fight with the LGPC. None of that none of that,

1074
01:04:09,920 --> 01:04:12,280
Speaker 1: and and and let me and let me even keep

1075
01:04:12,280 --> 01:04:14,480
Speaker 1: it more one hunted. I got the only fans, right,

1076
01:04:14,880 --> 01:04:16,600
Speaker 1: I just show pictures of me. You know what I'm saying,

1077
01:04:16,720 --> 01:04:18,440
Speaker 1: is I work out, and yeah, I show pictures of

1078
01:04:18,520 --> 01:04:22,520
Speaker 1: my Okay, all that, and I'm sure this gay man

1079
01:04:22,520 --> 01:04:26,640
Speaker 1: on there, but I'm straight with me and mother Cavaria

1080
01:04:26,720 --> 01:04:28,680
Speaker 1: was in that room. That's the fuck. That's one of

1081
01:04:28,760 --> 01:04:31,440
Speaker 1: my best friends. Not only uh that that that Ida

1082
01:04:31,480 --> 01:04:33,040
Speaker 1: gave him um here you know, work for me at

1083
01:04:33,040 --> 01:04:34,920
Speaker 1: the Source and that hip Hop Weekly. But he hadn't

1084
01:04:34,920 --> 01:04:36,640
Speaker 1: been on tour with me and my father with me,

1085
01:04:36,680 --> 01:04:39,919
Speaker 1: and my father got locked up fighting police. Don't play

1086
01:04:39,920 --> 01:04:42,439
Speaker 1: with me. Don't play with me, man, I don't play

1087
01:04:42,480 --> 01:04:44,760
Speaker 1: with you. I don't I don't disrespect you and how

1088
01:04:44,840 --> 01:04:47,480
Speaker 1: you move or whatever. I don't give a how that

1089
01:04:47,560 --> 01:04:49,880
Speaker 1: video look like. I could care less what anybody thinks.

1090
01:04:50,200 --> 01:04:52,720
Speaker 1: Mother would not come to me in person and say

1091
01:04:52,760 --> 01:04:55,720
Speaker 1: any of that. And that's a fact, you see. I

1092
01:04:55,720 --> 01:04:58,600
Speaker 1: don't care about none of this. I'm out here, I'm outside,

1093
01:04:58,960 --> 01:05:02,080
Speaker 1: you know what I'm saying. I'm not I'm in the

1094
01:05:02,280 --> 01:05:04,960
Speaker 1: streets getting it. I'm not trying to play around with

1095
01:05:05,000 --> 01:05:09,000
Speaker 1: nobody's legacy, they name or their reputation. Don't play with minds.

1096
01:05:09,520 --> 01:05:11,640
Speaker 1: I don't know what your motivation is. And I could care,

1097
01:05:12,040 --> 01:05:14,640
Speaker 1: Yes I don't. I don't. I don't answer honors. But

1098
01:05:14,720 --> 01:05:17,480
Speaker 1: why motherfucker call me? And he said, look, bro, and

1099
01:05:17,480 --> 01:05:19,640
Speaker 1: and and and why I love you. Anything you need

1100
01:05:19,760 --> 01:05:22,200
Speaker 1: from me, I'm there for you because you know you

1101
01:05:22,200 --> 01:05:24,720
Speaker 1: know what, Because because for him to have the influence

1102
01:05:24,760 --> 01:05:26,480
Speaker 1: that he has in him to stick up for me,

1103
01:05:26,720 --> 01:05:30,040
Speaker 1: And that's big, all right. The bottom line is iyon, iyon,

1104
01:05:30,360 --> 01:05:33,160
Speaker 1: get it through your head. Not everybody wants another man

1105
01:05:33,560 --> 01:05:36,720
Speaker 1: in it, and and that not. But it's okay, that's

1106
01:05:36,720 --> 01:05:39,960
Speaker 1: what you like, then that's what you like. I'm not

1107
01:05:40,080 --> 01:05:43,360
Speaker 1: I'm not disrespecting you for that me and you could

1108
01:05:43,360 --> 01:05:45,080
Speaker 1: still me and you can still be cool. I did

1109
01:05:45,080 --> 01:05:48,720
Speaker 1: a whole reality show. If you notice the guy on

1110
01:05:49,000 --> 01:05:53,160
Speaker 1: that that he's talking to is quiet because he's walking

1111
01:05:53,240 --> 01:05:57,040
Speaker 1: him into the trick bag, you understand. If you don't

1112
01:05:57,080 --> 01:05:58,919
Speaker 1: hear them back and forth, the back and forth, that's

1113
01:05:58,920 --> 01:06:00,840
Speaker 1: what they do on club how the back and forth,

1114
01:06:00,840 --> 01:06:02,840
Speaker 1: the back and forth, the back and forth, the back

1115
01:06:02,880 --> 01:06:05,200
Speaker 1: and if you don't hear that, somebody waiting on you

1116
01:06:05,280 --> 01:06:08,720
Speaker 1: to make a mistakes. I would encourage you to re

1117
01:06:08,840 --> 01:06:12,800
Speaker 1: listen to the replace. You can set a lawsuit or whatever.

1118
01:06:13,080 --> 01:06:15,880
Speaker 1: If I quote you gave the video the room click.

1119
01:06:16,040 --> 01:06:18,720
Speaker 1: See they're playing those games where they're not calling you gay,

1120
01:06:20,200 --> 01:06:25,480
Speaker 1: but they're questioning your sexuality and the whole in the

1121
01:06:25,520 --> 01:06:29,000
Speaker 1: whole room, right. And this is a touchy subject for

1122
01:06:29,080 --> 01:06:34,360
Speaker 1: me because I don't involve myself and who people sleep with.

1123
01:06:34,960 --> 01:06:39,240
Speaker 1: I'm uninterested in anyone's sex life period, right. If I'm

1124
01:06:39,280 --> 01:06:41,880
Speaker 1: not watching it on only fans or something like that,

1125
01:06:42,200 --> 01:06:44,520
Speaker 1: I don't care who you sleep with. And I want

1126
01:06:44,560 --> 01:06:46,800
Speaker 1: people to hear me and hear me well when I

1127
01:06:46,840 --> 01:06:49,600
Speaker 1: say that from the top of the mountain. What I

1128
01:06:49,640 --> 01:06:52,080
Speaker 1: am clear though about it is, don't call me nothing

1129
01:06:52,120 --> 01:06:55,560
Speaker 1: that I ain't. Yeah, don't call me a white boy

1130
01:06:55,600 --> 01:06:58,680
Speaker 1: and you know I'm black. You don't call me a

1131
01:06:58,760 --> 01:07:02,760
Speaker 1: boy and I'm a man. Don't call me nothing. Don't

1132
01:07:02,760 --> 01:07:04,840
Speaker 1: call me nothing that I ain't. Just keep me in

1133
01:07:04,960 --> 01:07:08,280
Speaker 1: my proper place, right. So, if you're calling me something

1134
01:07:08,280 --> 01:07:11,200
Speaker 1: outside or whatever it is that's true to me, we

1135
01:07:11,240 --> 01:07:15,760
Speaker 1: may have an uncomfortable situation, may start to feel like

1136
01:07:15,800 --> 01:07:20,600
Speaker 1: a problem, may start to feel weird in here. If

1137
01:07:20,640 --> 01:07:22,960
Speaker 1: I get the feeling like people are calling me something

1138
01:07:23,040 --> 01:07:25,680
Speaker 1: I ain't, and again I want to be clear that

1139
01:07:25,760 --> 01:07:30,640
Speaker 1: this ain't specific to sexuality. Don't call me broken. I

1140
01:07:30,800 --> 01:07:33,280
Speaker 1: hustle hard enough where you can see what's going on

1141
01:07:33,440 --> 01:07:38,280
Speaker 1: with me right now. Some things I'm uninterested in you

1142
01:07:38,400 --> 01:07:41,960
Speaker 1: calling me these things. They don't trigger a certain thing.

1143
01:07:42,000 --> 01:07:44,360
Speaker 1: And I think that the argument on the other side

1144
01:07:44,400 --> 01:07:48,200
Speaker 1: would be why would this trigger you so much? And

1145
01:07:50,080 --> 01:07:56,320
Speaker 1: my response to that would be, I'm not sure. My

1146
01:07:56,480 --> 01:07:59,400
Speaker 1: response to that would be the way that the black

1147
01:07:59,440 --> 01:08:04,400
Speaker 1: man has already been emasculated, the way that we've been

1148
01:08:05,200 --> 01:08:10,840
Speaker 1: placed in mainstream white media outside of our reality, right

1149
01:08:10,840 --> 01:08:14,840
Speaker 1: because we've been placed like something outside of kings when

1150
01:08:14,840 --> 01:08:18,000
Speaker 1: we are kings. So everything that's happened to the black

1151
01:08:18,040 --> 01:08:21,880
Speaker 1: man prior to this day and age we gotta consider.

1152
01:08:22,880 --> 01:08:26,920
Speaker 1: And it's hard for us just trace that. It's hard

1153
01:08:26,960 --> 01:08:30,360
Speaker 1: for us to navigate without that in mind. Let's keep

1154
01:08:30,400 --> 01:08:33,800
Speaker 1: things in this proper category. When you're dealing with a king,

1155
01:08:33,920 --> 01:08:37,280
Speaker 1: let's address him as such. Don't address me as a podcast.

1156
01:08:37,320 --> 01:08:40,360
Speaker 1: To address me as a CEO. If you see me

1157
01:08:40,439 --> 01:08:44,360
Speaker 1: addressing myself as a podcast, to understand that I'm operating

1158
01:08:44,400 --> 01:08:48,640
Speaker 1: in that moment in a point guard position. But understand,

1159
01:08:48,720 --> 01:08:51,120
Speaker 1: I took the jurors off a while ago and out

1160
01:08:51,160 --> 01:08:55,599
Speaker 1: now on the team. But since you're dealing with the founder,

1161
01:08:55,760 --> 01:08:58,400
Speaker 1: my ability to put the jurors on and play all

1162
01:08:58,479 --> 01:09:04,679
Speaker 1: five or ten positions, it's still intact. It's a difference

1163
01:09:04,680 --> 01:09:09,400
Speaker 1: when you got the information and you regurgitating the information right,

1164
01:09:09,479 --> 01:09:11,720
Speaker 1: So I had to really build man, a lot of

1165
01:09:11,760 --> 01:09:16,840
Speaker 1: you does bout your So categorize me in the right way, man,

1166
01:09:16,880 --> 01:09:21,400
Speaker 1: And I think that that lends itself to whatever aspect

1167
01:09:21,479 --> 01:09:25,520
Speaker 1: you operating with. My name man, whether that be my sexuality,

1168
01:09:26,040 --> 01:09:33,639
Speaker 1: my financial status, right, my ability to articulate my thoughts

1169
01:09:34,240 --> 01:09:36,960
Speaker 1: like categorize me in the right position. So I can

1170
01:09:37,080 --> 01:09:40,360
Speaker 1: understand the frustration with that. I do think that the

1171
01:09:40,439 --> 01:09:44,320
Speaker 1: words being chose by ben Zeno are a bit harsh

1172
01:09:44,320 --> 01:09:47,360
Speaker 1: and unacceptable in the climate that we operating in at

1173
01:09:47,400 --> 01:09:49,679
Speaker 1: this moment. I think we got to be clear where

1174
01:09:49,680 --> 01:09:53,479
Speaker 1: we are when we communicating. You don't speak English in

1175
01:09:53,600 --> 01:09:59,000
Speaker 1: a country that don't understand English is ineffective. We want

1176
01:09:59,000 --> 01:10:02,640
Speaker 1: to be effective in our communication. If we're looking for directions,

1177
01:10:02,920 --> 01:10:05,240
Speaker 1: we need to be communicating in the way where the

1178
01:10:05,320 --> 01:10:08,479
Speaker 1: people that got the directions, can understand what it is

1179
01:10:08,560 --> 01:10:10,960
Speaker 1: we need and communicate in a way where we can

1180
01:10:11,080 --> 01:10:15,000
Speaker 1: understand what we're going. It's a period behind that. So

1181
01:10:15,040 --> 01:10:17,160
Speaker 1: when we go to using words that they can use

1182
01:10:17,200 --> 01:10:21,880
Speaker 1: against us, here we are in the trick bag. Here

1183
01:10:21,880 --> 01:10:23,760
Speaker 1: we are in the trick bag. I gotta start you

1184
01:10:24,040 --> 01:10:27,080
Speaker 1: and I get it. I know, dudes be emotionally charged

1185
01:10:27,120 --> 01:10:30,320
Speaker 1: on whatever drilled down. They got to go with it, right,

1186
01:10:30,760 --> 01:10:35,240
Speaker 1: They just go to talking. But we got to be

1187
01:10:35,320 --> 01:10:38,080
Speaker 1: clear on what we stand there with each other. The

1188
01:10:38,160 --> 01:10:40,599
Speaker 1: Internet don't care who we talk about. It just want

1189
01:10:40,600 --> 01:10:45,400
Speaker 1: to talk. You got to know the Internet just want

1190
01:10:45,400 --> 01:10:48,160
Speaker 1: to talk. I see what they do on the internet day.

1191
01:10:48,200 --> 01:10:50,760
Speaker 1: Ain't interested in none of this. They just going day

1192
01:10:50,800 --> 01:10:53,720
Speaker 1: for day with others. Whatever popping that day. We own that.

1193
01:10:54,040 --> 01:10:56,760
Speaker 1: Then certain things stick all along with depending on who

1194
01:10:56,880 --> 01:10:59,919
Speaker 1: interested in it. Right, So if somebody would have influenced

1195
01:11:00,040 --> 01:11:02,679
Speaker 1: your status, grab hold to it and continue to talk

1196
01:11:02,720 --> 01:11:06,160
Speaker 1: about it. It gets what's called legs in this business

1197
01:11:06,280 --> 01:11:11,120
Speaker 1: now becomes a cultural conversation. When I you know, I

1198
01:11:11,200 --> 01:11:16,400
Speaker 1: hate to see um and this is less about these people,

1199
01:11:16,439 --> 01:11:20,240
Speaker 1: but I hate to see you know me anyway, or

1200
01:11:20,320 --> 01:11:23,599
Speaker 1: my people or what we do being miscategorized. That's how

1201
01:11:23,640 --> 01:11:25,920
Speaker 1: they get us all the time. They call us artists

1202
01:11:25,920 --> 01:11:28,760
Speaker 1: when we see old. That's how they get us their

1203
01:11:28,840 --> 01:11:33,600
Speaker 1: triggers right, they're miscategorized and misrepresent what we're doing. They

1204
01:11:33,760 --> 01:11:36,479
Speaker 1: call it general labor when it's when it's the hardened

1205
01:11:36,479 --> 01:11:41,320
Speaker 1: soul of the business. They'll call you a podcast when

1206
01:11:41,360 --> 01:11:45,600
Speaker 1: you you brought forward the percent of the audience. You

1207
01:11:45,680 --> 01:11:48,519
Speaker 1: gotta make sure you're being categorized, right. And I think

1208
01:11:48,560 --> 01:11:51,720
Speaker 1: if we don't pay attention to how we're being categorized,

1209
01:11:52,080 --> 01:11:58,120
Speaker 1: we're in deep trouble because everything, everything has its proper place.

1210
01:11:58,840 --> 01:12:01,720
Speaker 1: Once I allowed you to categorize what it is, I do,

1211
01:12:02,360 --> 01:12:06,920
Speaker 1: the byproduct of that is categorizing me. You see what

1212
01:12:06,960 --> 01:12:10,599
Speaker 1: I'm saying. And so again this led to Wag one

1213
01:12:10,640 --> 01:12:14,679
Speaker 1: hundred losing this clubhouse and he was trying to build

1214
01:12:14,760 --> 01:12:18,519
Speaker 1: that over there, and I think going in that trick bag.

1215
01:12:19,160 --> 01:12:22,120
Speaker 1: You've seen him quiet like that went on, Come on, man,

1216
01:12:24,680 --> 01:12:28,680
Speaker 1: you feel me. But what it is is it's the

1217
01:12:28,800 --> 01:12:34,080
Speaker 1: playing scared. You know. I always had old trick for

1218
01:12:34,160 --> 01:12:37,439
Speaker 1: dudes when they run up act like I ain't with it, man,

1219
01:12:37,479 --> 01:12:40,000
Speaker 1: Come on, y'all really trying to oh man, because I

1220
01:12:40,040 --> 01:12:42,440
Speaker 1: know that's gonna make them running with all the confidence

1221
01:12:42,479 --> 01:12:46,080
Speaker 1: in the world. They're gonna come up bleak. I didn't

1222
01:12:46,120 --> 01:12:50,400
Speaker 1: cut two three of them because I played scared and

1223
01:12:50,520 --> 01:12:53,719
Speaker 1: they ran in see with all the confidence in the world.

1224
01:12:53,920 --> 01:12:57,800
Speaker 1: But see, this is the thing. Even in that conversation

1225
01:12:58,320 --> 01:13:00,519
Speaker 1: you think he quiet and just letting you say, I'll

1226
01:13:00,640 --> 01:13:04,160
Speaker 1: let he ain't even engaged the conversation. This ain't a conversation.

1227
01:13:04,240 --> 01:13:06,479
Speaker 1: This is somebody waiting on you to say something wrong

1228
01:13:06,560 --> 01:13:09,760
Speaker 1: and they can clip out. And that's what they did.

1229
01:13:10,920 --> 01:13:13,200
Speaker 1: So we'll take a quick break and then we'll be

1230
01:13:13,240 --> 01:13:17,360
Speaker 1: back with a little more part. We'll go from them biggest.

1231
01:13:17,920 --> 01:13:20,880
Speaker 1: So we're back from break, right, So let me tell

1232
01:13:20,920 --> 01:13:23,000
Speaker 1: you what just happened to me. Man, I tell you,

1233
01:13:23,040 --> 01:13:25,639
Speaker 1: the internet is a very weird place. Right. So I'm

1234
01:13:25,640 --> 01:13:30,120
Speaker 1: on the internet, and for those of you that know,

1235
01:13:30,320 --> 01:13:35,200
Speaker 1: sometimes I post things that not on my main page,

1236
01:13:35,200 --> 01:13:38,600
Speaker 1: but I got another page. Well I just kind of

1237
01:13:38,640 --> 01:13:42,200
Speaker 1: repost things, right, Well, it's a funny skit, some good game,

1238
01:13:42,240 --> 01:13:45,080
Speaker 1: a movie clip, what some of the just interesting things

1239
01:13:45,120 --> 01:13:50,320
Speaker 1: that come across online. Right, pretty women think women and

1240
01:13:50,439 --> 01:13:53,639
Speaker 1: so a lot of the people from my town ain't

1241
01:13:53,680 --> 01:13:56,160
Speaker 1: know it's they know it's my page. It's my page,

1242
01:13:56,200 --> 01:13:59,360
Speaker 1: so I'm running the page, right, So I go to

1243
01:13:59,479 --> 01:14:03,240
Speaker 1: post it. Stick girls these to me? They beautiful women, right,

1244
01:14:03,360 --> 01:14:06,599
Speaker 1: and so I post and then I get like six

1245
01:14:06,640 --> 01:14:09,840
Speaker 1: seven people from the town hit me instantly. Man, that's

1246
01:14:09,840 --> 01:14:15,599
Speaker 1: a man, I said, what. So I just so happen

1247
01:14:15,720 --> 01:14:18,360
Speaker 1: to know who this individual is because I'm kind of

1248
01:14:18,400 --> 01:14:21,599
Speaker 1: in the industry now, so I can kind of locate people. Oh,

1249
01:14:21,760 --> 01:14:23,800
Speaker 1: you was on the radio over here, and then my

1250
01:14:23,880 --> 01:14:26,479
Speaker 1: people let me figure out what your Instagram is not

1251
01:14:26,680 --> 01:14:30,400
Speaker 1: hit you on the ground. So I end up hitting

1252
01:14:30,400 --> 01:14:33,760
Speaker 1: the girl up, and I hit up. You know, I

1253
01:14:33,880 --> 01:14:36,280
Speaker 1: come to a DM. You know you pretty and thick

1254
01:14:36,320 --> 01:14:38,280
Speaker 1: and this and that, and that's cool, you know, but

1255
01:14:38,360 --> 01:14:42,320
Speaker 1: a lot of girls want to sleep with big popertoo. Now, yeah,

1256
01:14:42,400 --> 01:14:45,960
Speaker 1: I look like an opportunity. Now, let's be clear about that.

1257
01:14:46,040 --> 01:14:48,800
Speaker 1: So as I approach it, I approach it a certain way.

1258
01:14:48,800 --> 01:14:51,920
Speaker 1: I don't try to disrespect or be overbearing or nothing.

1259
01:14:52,439 --> 01:14:55,080
Speaker 1: But I hit a DM like yo, I'm X, Y

1260
01:14:55,120 --> 01:14:59,960
Speaker 1: and Z and you know I posted you on my page.

1261
01:15:00,080 --> 01:15:02,000
Speaker 1: I just wanted to ask you because I didn't know.

1262
01:15:02,120 --> 01:15:04,200
Speaker 1: Then y'all tell me if this is inappropriate or not.

1263
01:15:04,360 --> 01:15:09,000
Speaker 1: I have no understanding me. I'd rather them, I'd rather

1264
01:15:09,120 --> 01:15:11,960
Speaker 1: go ask the delay the you know what I'm saying,

1265
01:15:12,000 --> 01:15:14,000
Speaker 1: because for me, it's like, yo, if I just take

1266
01:15:14,040 --> 01:15:15,759
Speaker 1: their word, because I know a lot of these girls

1267
01:15:15,760 --> 01:15:18,599
Speaker 1: they want to run me away from certain things too.

1268
01:15:18,600 --> 01:15:20,559
Speaker 1: It's like they trying to tell me this a man,

1269
01:15:21,040 --> 01:15:23,960
Speaker 1: you know whatever. So and to me, it didn't look

1270
01:15:24,000 --> 01:15:26,600
Speaker 1: like no man. And the pants were so tight to

1271
01:15:26,760 --> 01:15:29,759
Speaker 1: where it was super duper tight. You know. It ain't

1272
01:15:29,760 --> 01:15:32,160
Speaker 1: like I'm looking for a woman and a man, Nigga,

1273
01:15:32,200 --> 01:15:35,120
Speaker 1: that ain't the case. I'm just saying. I didn't see

1274
01:15:35,200 --> 01:15:37,320
Speaker 1: man when I looked at it, but they saw a man,

1275
01:15:37,680 --> 01:15:40,240
Speaker 1: according to them. So I asked them like, yo, what

1276
01:15:40,439 --> 01:15:43,680
Speaker 1: is you? Is you a man or a transgender community?

1277
01:15:43,760 --> 01:15:45,680
Speaker 1: I don't know exactly how I put it, but I

1278
01:15:45,800 --> 01:15:49,280
Speaker 1: dm didn't said something like yo, are you a part

1279
01:15:49,320 --> 01:15:52,240
Speaker 1: of that community or whatever? Because when I post you

1280
01:15:52,280 --> 01:15:54,320
Speaker 1: on my page, I get a lot of people to say,

1281
01:15:54,360 --> 01:15:56,960
Speaker 1: that's a man, and I'm wondering this, they hayden, or

1282
01:15:57,080 --> 01:16:01,040
Speaker 1: is you a man? Man? How the lady got mad

1283
01:16:01,080 --> 01:16:05,360
Speaker 1: at me? First? You responded like, don't ever fade me

1284
01:16:05,479 --> 01:16:07,679
Speaker 1: like that. I ain't no man, I'm like, yo, I ain't.

1285
01:16:07,720 --> 01:16:10,240
Speaker 1: I wasn't even trying to come off as disrespectful. I

1286
01:16:10,360 --> 01:16:13,360
Speaker 1: was just saying, like, yo, these girls are saying that

1287
01:16:13,479 --> 01:16:16,800
Speaker 1: over here, so I'm they really trying to shame me

1288
01:16:16,920 --> 01:16:20,160
Speaker 1: to take it down, right, But I'm smart enough to

1289
01:16:20,200 --> 01:16:22,200
Speaker 1: know the game. I know what's some hating going on

1290
01:16:22,400 --> 01:16:25,160
Speaker 1: with the women community. So I reach out to you

1291
01:16:25,240 --> 01:16:27,479
Speaker 1: to try to clarify because if you were dude, you're

1292
01:16:27,479 --> 01:16:31,080
Speaker 1: coming down off my page. You understand, if you was

1293
01:16:31,160 --> 01:16:35,400
Speaker 1: a dude, respectfully, you're coming off my page. So I

1294
01:16:35,439 --> 01:16:38,280
Speaker 1: just said, you know what I'm gonna ask you, because

1295
01:16:38,360 --> 01:16:40,400
Speaker 1: they didn't treat me like that before. I instantly took

1296
01:16:40,439 --> 01:16:42,360
Speaker 1: it down and ask no questions. I don't have done that.

1297
01:16:42,400 --> 01:16:45,080
Speaker 1: Several times, Hey that's a man. WHOA what you mean

1298
01:16:45,160 --> 01:16:46,880
Speaker 1: that's a man? They come up about my pay, What

1299
01:16:47,000 --> 01:16:49,679
Speaker 1: you mean that's a man? I post what you mean?

1300
01:16:49,760 --> 01:16:53,640
Speaker 1: That's a woman. But I argue or ask questions about it.

1301
01:16:53,680 --> 01:16:56,840
Speaker 1: But I'm deleting that because you know, you don't you

1302
01:16:56,880 --> 01:16:59,160
Speaker 1: don't be knowing. But they didn't gat me like that.

1303
01:16:59,320 --> 01:17:02,280
Speaker 1: So and later on I found out because I met

1304
01:17:02,320 --> 01:17:05,960
Speaker 1: this individual that it wasn't a man. So sometimes when

1305
01:17:05,960 --> 01:17:08,840
Speaker 1: the women are super beautiful online or they got a

1306
01:17:08,880 --> 01:17:12,400
Speaker 1: big thick body, or some old regular one old old

1307
01:17:12,439 --> 01:17:15,320
Speaker 1: girl with the body that guard gave her. Yes, she

1308
01:17:15,520 --> 01:17:18,400
Speaker 1: may got a problem with you being infatuated with a

1309
01:17:18,439 --> 01:17:21,320
Speaker 1: whole bunch of ads coming up and down your timeline.

1310
01:17:22,240 --> 01:17:25,519
Speaker 1: You understand me. You like the new body escalade, and

1311
01:17:25,640 --> 01:17:28,479
Speaker 1: she got the aided mad to escalade. You did what

1312
01:17:28,560 --> 01:17:31,400
Speaker 1: I'm say. She's saying, now, man, so now her thing.

1313
01:17:31,400 --> 01:17:34,439
Speaker 1: Ain't get to throw dirt on that or throw doubt

1314
01:17:35,000 --> 01:17:37,679
Speaker 1: on that, you know what I'm saying. So while escalad,

1315
01:17:37,720 --> 01:17:40,640
Speaker 1: I was just amazed that she she went off on

1316
01:17:40,840 --> 01:17:43,120
Speaker 1: me like now went off, but like, don't ever come

1317
01:17:43,160 --> 01:17:45,040
Speaker 1: at me like, ed, do I look like a man?

1318
01:17:45,120 --> 01:17:47,360
Speaker 1: I'm like, she, we don't go off looks no more

1319
01:17:49,680 --> 01:17:53,759
Speaker 1: she It hasn't been demonstrated that you can be tricked

1320
01:17:53,800 --> 01:17:55,880
Speaker 1: by the look. So we got the ass and then

1321
01:17:56,040 --> 01:18:01,240
Speaker 1: days and if you're uncomfortable with like, So my bigger

1322
01:18:01,320 --> 01:18:03,759
Speaker 1: question is and of course that's just like a comment,

1323
01:18:03,800 --> 01:18:06,719
Speaker 1: that's just you know, me having fun with that. But

1324
01:18:06,760 --> 01:18:09,840
Speaker 1: my real question is is it offensive for a person

1325
01:18:09,920 --> 01:18:13,120
Speaker 1: to ask you, hey, are you a man? The reason

1326
01:18:13,200 --> 01:18:15,160
Speaker 1: why I say it would be more prevalent on the

1327
01:18:15,200 --> 01:18:20,840
Speaker 1: other side in regards to a man saying excuse me, ma'am,

1328
01:18:20,920 --> 01:18:25,760
Speaker 1: are you a man? Is because a lot of what

1329
01:18:25,880 --> 01:18:29,920
Speaker 1: beauty is right, no matter the gender or no matter

1330
01:18:29,960 --> 01:18:32,040
Speaker 1: what they want to behave as a lot of the

1331
01:18:32,160 --> 01:18:34,960
Speaker 1: things that they call beautiful laying on the side of

1332
01:18:35,040 --> 01:18:40,360
Speaker 1: what we enjoying a woman, So meaning that people that's

1333
01:18:40,360 --> 01:18:42,840
Speaker 1: trying to reach that beauty standard that they're going to

1334
01:18:42,960 --> 01:18:45,800
Speaker 1: carve out the things that we enjoy from a woman

1335
01:18:45,880 --> 01:18:49,479
Speaker 1: and adopt those things because we view those things it's beautiful.

1336
01:18:49,720 --> 01:18:55,240
Speaker 1: And with that confusion comes us asking that very unusual

1337
01:18:55,360 --> 01:18:58,080
Speaker 1: question in this new day and age. I think maybe

1338
01:18:58,120 --> 01:19:00,599
Speaker 1: at some point in the next ten, fifteen, twenty years,

1339
01:19:00,640 --> 01:19:03,840
Speaker 1: that'll be a normal question to ask someone, Hey, are you, um,

1340
01:19:05,240 --> 01:19:09,160
Speaker 1: you know what what's your gender or what? What are you?

1341
01:19:09,160 --> 01:19:11,400
Speaker 1: You did what I'm saying because you could behave and

1342
01:19:11,479 --> 01:19:14,200
Speaker 1: look like whatever you want to look like nowadays, and

1343
01:19:14,280 --> 01:19:17,680
Speaker 1: so you gotta kind of be careful understanding that. And UM,

1344
01:19:17,720 --> 01:19:19,920
Speaker 1: I just found it strange. And y'all tell me if

1345
01:19:19,920 --> 01:19:22,280
Speaker 1: that's offensive, I'm really not sure. I don't I didn't

1346
01:19:22,280 --> 01:19:25,280
Speaker 1: see it offensive and I didn't try to offend but

1347
01:19:26,560 --> 01:19:30,080
Speaker 1: maybe someone with my STA status or statue or something

1348
01:19:30,120 --> 01:19:32,919
Speaker 1: that's asking that you might take that as an insult,

1349
01:19:33,000 --> 01:19:36,640
Speaker 1: not knowing my intellect because I wear this costume of

1350
01:19:36,640 --> 01:19:41,600
Speaker 1: of you know, like I'm still a street and I

1351
01:19:41,640 --> 01:19:45,719
Speaker 1: want to be clear to people too. Now you're dealing

1352
01:19:45,760 --> 01:19:48,680
Speaker 1: with disruption at this point. This is just a costume

1353
01:19:48,760 --> 01:19:51,639
Speaker 1: you see me wearing like I'm some old street it

1354
01:19:51,720 --> 01:19:54,200
Speaker 1: is gonna come and do something kind of violent acts

1355
01:19:54,200 --> 01:19:57,439
Speaker 1: and play around with the criminal activity that's out the

1356
01:19:57,520 --> 01:20:00,599
Speaker 1: dough for me. I'm on a whole another mission. I'm

1357
01:20:00,680 --> 01:20:04,400
Speaker 1: heading down a whole another street. I'm going down a

1358
01:20:04,479 --> 01:20:07,480
Speaker 1: whole another cause I'm in a situation now to identify

1359
01:20:07,640 --> 01:20:10,360
Speaker 1: what it is that I need to be doing. And

1360
01:20:10,520 --> 01:20:13,280
Speaker 1: number one thing that I can't do is waste my time,

1361
01:20:13,280 --> 01:20:18,439
Speaker 1: and dealing in the streets is a time waster. I'm

1362
01:20:18,439 --> 01:20:20,920
Speaker 1: wasting my time when I'm going to the streets. I'm

1363
01:20:20,960 --> 01:20:22,920
Speaker 1: dealing with this high level game. I need to be

1364
01:20:22,960 --> 01:20:26,800
Speaker 1: putting this down on Wall Street. I need to be

1365
01:20:26,880 --> 01:20:30,080
Speaker 1: somewhat dealing with the NFL and the NBA putting high

1366
01:20:30,160 --> 01:20:33,519
Speaker 1: level game down. I'm done with the streets, but now

1367
01:20:33,560 --> 01:20:37,480
Speaker 1: I got to introduce this kind of character to the industry,

1368
01:20:38,120 --> 01:20:41,360
Speaker 1: and that's where I met with it. I know, I

1369
01:20:41,479 --> 01:20:45,160
Speaker 1: know they got to deal with it as disruptive because

1370
01:20:45,200 --> 01:20:49,360
Speaker 1: they can't communicate the way I communicate. Their conversation don't

1371
01:20:49,360 --> 01:20:53,840
Speaker 1: got no confirmation attached to it. It's just talking. That's

1372
01:20:53,840 --> 01:20:56,840
Speaker 1: why they weighing costumes and doing that. Did they looking

1373
01:20:56,920 --> 01:20:59,559
Speaker 1: weird out there because they trying to identify with the

1374
01:20:59,640 --> 01:21:01,880
Speaker 1: people when they ain't never had to come through the

1375
01:21:01,920 --> 01:21:05,400
Speaker 1: same Atlas is them people in the game. Now, you

1376
01:21:05,479 --> 01:21:09,000
Speaker 1: gotta teach the market what you want. The market don't

1377
01:21:09,040 --> 01:21:12,160
Speaker 1: know what it won't. Don't let them trick you man

1378
01:21:12,240 --> 01:21:14,559
Speaker 1: that it's a cap on. Listen, you gotta sound like

1379
01:21:14,680 --> 01:21:17,320
Speaker 1: this for it to go the market. Don't even know

1380
01:21:17,360 --> 01:21:20,960
Speaker 1: what's next. You gotta introduce to the market this is

1381
01:21:21,000 --> 01:21:24,719
Speaker 1: what it is. You gotta demonstrate your greatness. You gotta

1382
01:21:24,800 --> 01:21:27,639
Speaker 1: demonstrate your greatness. You gotta come in knowing. Look, hey,

1383
01:21:27,720 --> 01:21:30,680
Speaker 1: I offer this, identify my attribute. This is what I

1384
01:21:30,800 --> 01:21:33,439
Speaker 1: offer to the game. This when I'm bringing I stand

1385
01:21:33,479 --> 01:21:35,720
Speaker 1: on it and I'm gonna work hard about it. But

1386
01:21:35,840 --> 01:21:40,840
Speaker 1: you gotta be disruptive. You can't make people ahead of

1387
01:21:40,840 --> 01:21:44,000
Speaker 1: you your enemy. But you gotta be disruptive. A lot

1388
01:21:44,040 --> 01:21:46,400
Speaker 1: of these people just got into space first. They just

1389
01:21:46,439 --> 01:21:49,280
Speaker 1: started podcasting first. They was just kind of the first

1390
01:21:49,360 --> 01:21:51,360
Speaker 1: over the heel, the first with the mic, first with

1391
01:21:51,479 --> 01:21:54,439
Speaker 1: the audience. So what that does to the market is

1392
01:21:54,439 --> 01:21:58,439
Speaker 1: it trains the market. It trains the market that maybe

1393
01:21:58,439 --> 01:22:01,160
Speaker 1: because they were first at the edges and there the best.

1394
01:22:01,200 --> 01:22:03,320
Speaker 1: And what you have to do to carve your way

1395
01:22:03,360 --> 01:22:07,320
Speaker 1: into this game. You got to introduce yourself to the

1396
01:22:07,360 --> 01:22:10,640
Speaker 1: audience in a way where it's effective. You got to

1397
01:22:10,680 --> 01:22:13,599
Speaker 1: introduce the dudes the smoke papers all their life from

1398
01:22:13,600 --> 01:22:16,160
Speaker 1: the ages. You got to introduce them in the cigars.

1399
01:22:17,280 --> 01:22:20,360
Speaker 1: You got to introduce the cigar man into the backwards

1400
01:22:21,479 --> 01:22:23,960
Speaker 1: and so on and so forth. And again they don't

1401
01:22:24,000 --> 01:22:26,840
Speaker 1: know they like smoking backwards to you show them what

1402
01:22:27,000 --> 01:22:29,280
Speaker 1: to do with the backwood and how to put the weed.

1403
01:22:29,360 --> 01:22:32,120
Speaker 1: Now cut that part off, do it like now they're

1404
01:22:32,120 --> 01:22:35,360
Speaker 1: in the backwood. You see what I'm saying, or vaping

1405
01:22:35,520 --> 01:22:38,160
Speaker 1: or whatever it is. People don't even know. Again, the

1406
01:22:38,240 --> 01:22:41,040
Speaker 1: packaging is so important, and so what you learn from

1407
01:22:41,040 --> 01:22:43,120
Speaker 1: the people ahead of you is how to package what

1408
01:22:43,240 --> 01:22:46,840
Speaker 1: it is that you have the most important thing that

1409
01:22:46,920 --> 01:22:49,479
Speaker 1: they give you without they can't help but to give

1410
01:22:49,520 --> 01:22:51,360
Speaker 1: it to you because they got to package it, to

1411
01:22:51,400 --> 01:22:53,720
Speaker 1: put it, give it to the market. Even if their

1412
01:22:53,760 --> 01:22:57,599
Speaker 1: self is even if they're trying to withhold information, their

1413
01:22:57,600 --> 01:23:02,280
Speaker 1: ability to do so it's hindered because host their responsibility

1414
01:23:02,560 --> 01:23:05,720
Speaker 1: to the market and showing what it is that they

1415
01:23:05,760 --> 01:23:08,880
Speaker 1: bring to it. So by default they have to show

1416
01:23:08,880 --> 01:23:13,160
Speaker 1: you how they package things. Now it's way more game

1417
01:23:13,320 --> 01:23:17,360
Speaker 1: under that, but they give you a a framework to

1418
01:23:17,479 --> 01:23:19,240
Speaker 1: kind of build on it. You got to know how

1419
01:23:19,280 --> 01:23:21,680
Speaker 1: to identify information when you see it. A lot of

1420
01:23:21,720 --> 01:23:25,559
Speaker 1: y'all don't know. You look at that information whole time.

1421
01:23:25,680 --> 01:23:28,839
Speaker 1: For I got in the podcasting before I bought the cameras,

1422
01:23:28,880 --> 01:23:32,040
Speaker 1: before I had to figure out what the people using

1423
01:23:32,120 --> 01:23:36,960
Speaker 1: on BT and what they're using on HIM, what's the difference,

1424
01:23:37,439 --> 01:23:39,599
Speaker 1: and what's the price right and why they cost so

1425
01:23:39,720 --> 01:23:42,120
Speaker 1: much more so much less? So what's in the middle

1426
01:23:42,160 --> 01:23:44,600
Speaker 1: and what can work and what can identify in the

1427
01:23:44,680 --> 01:23:48,920
Speaker 1: market is high quality video? Right. So even understanding some

1428
01:23:49,000 --> 01:23:50,920
Speaker 1: of those things I had to do with myself. A

1429
01:23:50,960 --> 01:23:53,519
Speaker 1: lot of the easiness they don't know the ends and

1430
01:23:53,640 --> 01:23:57,479
Speaker 1: outside of the game they're dealing with the highlights. Big

1431
01:23:57,560 --> 01:24:00,599
Speaker 1: Loon come to deal with the entire game. And let's

1432
01:24:00,600 --> 01:24:04,559
Speaker 1: talk about this Takashi six nine, it's coming back. I'm

1433
01:24:04,600 --> 01:24:08,080
Speaker 1: gonna be honest with you, he's probably going to flop,

1434
01:24:08,200 --> 01:24:15,280
Speaker 1: for sure, to flop Shakur. Anyway, he's back, and he's

1435
01:24:15,280 --> 01:24:18,200
Speaker 1: probably gonna flop. I don't think it's gonna be effective

1436
01:24:18,200 --> 01:24:21,760
Speaker 1: in the market, man, it I think he took too

1437
01:24:21,840 --> 01:24:26,280
Speaker 1: long number one. What he did is devastating to his career.

1438
01:24:26,360 --> 01:24:28,760
Speaker 1: And we know we can't stand back at it all.

1439
01:24:29,280 --> 01:24:33,639
Speaker 1: You're dealing with somebody that they can't reinvent themselves. You're

1440
01:24:33,680 --> 01:24:38,000
Speaker 1: dealing with't they can't take the costume on. They gotta

1441
01:24:38,040 --> 01:24:40,519
Speaker 1: be a horrible thing. Man. I always gotta show up

1442
01:24:40,520 --> 01:24:44,080
Speaker 1: a spider Man something guy. Well, no matter where you go,

1443
01:24:44,200 --> 01:24:46,040
Speaker 1: they want to put the clowns suit on you, no

1444
01:24:46,120 --> 01:24:49,400
Speaker 1: matter where you at, man, they want you to nah

1445
01:24:49,439 --> 01:24:51,920
Speaker 1: man and ain't That's why I don't build my brand

1446
01:24:52,000 --> 01:24:55,840
Speaker 1: in that kind of way. What was interesting though to me,

1447
01:24:55,880 --> 01:24:59,920
Speaker 1: and let me know, like, let's be honest, dolls, old

1448
01:25:01,600 --> 01:25:04,000
Speaker 1: it's over. They're gonna run all the tricks in the book.

1449
01:25:04,040 --> 01:25:06,599
Speaker 1: They're gonna they're gonna you know, I'm not even sure

1450
01:25:06,680 --> 01:25:09,840
Speaker 1: that some of these places being vandalizing. Things like that

1451
01:25:09,880 --> 01:25:11,720
Speaker 1: are gonna be real. I think that it's gonna be

1452
01:25:11,760 --> 01:25:14,200
Speaker 1: a lot of that coming out, like people are chasing him,

1453
01:25:14,439 --> 01:25:18,800
Speaker 1: but he's really safe and sign. What I think is

1454
01:25:18,840 --> 01:25:21,519
Speaker 1: gonna happen is is he's trying to see is the

1455
01:25:21,560 --> 01:25:24,200
Speaker 1: blog still gonna pick that up? Because when he announced

1456
01:25:24,200 --> 01:25:28,840
Speaker 1: his way back, it wasn't as much traffic, It wasn't

1457
01:25:28,880 --> 01:25:32,160
Speaker 1: as much blogs picking that up interested in that, it

1458
01:25:32,240 --> 01:25:36,240
Speaker 1: wasn't as much culture equity. Nobody cared, right, And that's

1459
01:25:36,280 --> 01:25:39,360
Speaker 1: the fix of when they say they're trying to get

1460
01:25:39,360 --> 01:25:42,439
Speaker 1: you out the game. With the very low pick up

1461
01:25:42,520 --> 01:25:49,439
Speaker 1: rates from the blogs and the minimal interests from other sites,

1462
01:25:51,600 --> 01:25:54,400
Speaker 1: I think it forces to cast you back back into

1463
01:25:54,439 --> 01:25:57,760
Speaker 1: that same hole that he came out of, meaning I

1464
01:25:57,800 --> 01:26:00,680
Speaker 1: gotta talk about the dead homies, got to go at

1465
01:26:00,680 --> 01:26:04,320
Speaker 1: the number one artists. The blows gonna pick that up. Unfortunately,

1466
01:26:04,360 --> 01:26:08,519
Speaker 1: for our business model, we still operate with a high

1467
01:26:08,600 --> 01:26:11,680
Speaker 1: level of shock involved in it. Right. We like to

1468
01:26:11,720 --> 01:26:15,120
Speaker 1: watch car REGs, train crashes. And I mean that. I

1469
01:26:15,120 --> 01:26:18,280
Speaker 1: don't mean that literal. I mean that in a way

1470
01:26:18,320 --> 01:26:20,880
Speaker 1: where you like to see mess people like that. You

1471
01:26:20,920 --> 01:26:23,000
Speaker 1: feel what I'm saying, So They like to engage and

1472
01:26:23,120 --> 01:26:26,200
Speaker 1: involve themselves in things where they can be in other

1473
01:26:26,240 --> 01:26:28,639
Speaker 1: people business. A lot of the people that send people

1474
01:26:28,680 --> 01:26:31,519
Speaker 1: being that don't won't they be And it's known. But

1475
01:26:31,680 --> 01:26:35,599
Speaker 1: that's the world we live in, right. Scrutiny is only

1476
01:26:36,120 --> 01:26:38,559
Speaker 1: cool when you can do it to somebody else. But

1477
01:26:38,600 --> 01:26:42,880
Speaker 1: that's a song for a different studio session. Right, let's

1478
01:26:42,920 --> 01:26:47,200
Speaker 1: deal with these facts. These raptors think the visibility leads

1479
01:26:47,200 --> 01:26:49,639
Speaker 1: to the record sales. I always tell people that there's

1480
01:26:49,680 --> 01:26:51,880
Speaker 1: a thing that has to translate. I know a lot

1481
01:26:51,880 --> 01:26:55,439
Speaker 1: of people. I remember the home applies pliers were getting

1482
01:26:55,439 --> 01:26:58,919
Speaker 1: posted by everybody in their mama, and they probably affected

1483
01:26:58,960 --> 01:27:01,759
Speaker 1: his price a little bit. But his record I don't don't.

1484
01:27:01,800 --> 01:27:06,680
Speaker 1: I didn't see his shows being as big as his Instagram.

1485
01:27:06,760 --> 01:27:09,000
Speaker 1: I think Carter B had a unique thing when she

1486
01:27:09,120 --> 01:27:12,280
Speaker 1: started and when she had the ability to translate her

1487
01:27:12,360 --> 01:27:17,080
Speaker 1: Instagram following and and and equity over to actual ticket

1488
01:27:17,120 --> 01:27:20,639
Speaker 1: sales and actually seeing those people in those venues. There's

1489
01:27:20,680 --> 01:27:25,000
Speaker 1: something that happens. There's something that happens right when you

1490
01:27:25,400 --> 01:27:29,360
Speaker 1: to translate that Instagram person into a real fan. And

1491
01:27:29,439 --> 01:27:32,559
Speaker 1: a lot of people don't understand that. With rappers thinking

1492
01:27:32,560 --> 01:27:36,519
Speaker 1: that the visibility leads to record sales, and it does

1493
01:27:36,600 --> 01:27:40,360
Speaker 1: in a way because the metaverse has already been activated.

1494
01:27:40,400 --> 01:27:43,600
Speaker 1: It was activated when you started your social media. That

1495
01:27:43,760 --> 01:27:47,800
Speaker 1: activated the metaverse. Right when social media started the real

1496
01:27:47,880 --> 01:27:51,360
Speaker 1: people got profiles and interacted on the and sent birthday

1497
01:27:51,439 --> 01:27:55,439
Speaker 1: wishes and balloons and shit via online. That was already

1498
01:27:55,520 --> 01:28:00,880
Speaker 1: metaverse activity. They just was they didn't frame it shit right.

1499
01:28:00,920 --> 01:28:04,920
Speaker 1: So what happens is the visibility online can lead the clicks,

1500
01:28:05,000 --> 01:28:07,639
Speaker 1: which is streams, which can lead to some money, but

1501
01:28:08,520 --> 01:28:11,559
Speaker 1: rappers really get their money with tickets sales. And so

1502
01:28:11,680 --> 01:28:15,120
Speaker 1: Takashi six nine is going back to the model of

1503
01:28:15,120 --> 01:28:17,360
Speaker 1: as long as I'm streaming, well I may never have

1504
01:28:17,439 --> 01:28:19,479
Speaker 1: to tour again. So what he's gonna look to do

1505
01:28:19,720 --> 01:28:24,599
Speaker 1: is get visible online. You know, of course it looked

1506
01:28:24,600 --> 01:28:27,720
Speaker 1: like he spent some money on the trailer. You know,

1507
01:28:27,760 --> 01:28:29,840
Speaker 1: he may have shot at it self. You know, they say, no,

1508
01:28:30,040 --> 01:28:33,479
Speaker 1: I don't know. You can't come back from snitching, though,

1509
01:28:35,960 --> 01:28:38,320
Speaker 1: like you might can live in your neighborhood and nobody

1510
01:28:38,520 --> 01:28:41,160
Speaker 1: kill your numbers, you can't. You can't come seal records.

1511
01:28:41,160 --> 01:28:44,000
Speaker 1: I don't think at the snitching like it being really

1512
01:28:44,040 --> 01:28:46,880
Speaker 1: because c Takashi six nine was cheating to begin with.

1513
01:28:47,080 --> 01:28:49,880
Speaker 1: He was cheating the gag. He was what I like

1514
01:28:50,000 --> 01:28:54,880
Speaker 1: to call sitting by the offering table when you grabbed

1515
01:28:54,920 --> 01:28:58,040
Speaker 1: that gang bang and then you grabbed them flags and

1516
01:28:58,080 --> 01:29:01,160
Speaker 1: then and then violence attached too, and that talking attached

1517
01:29:01,160 --> 01:29:03,760
Speaker 1: to it, and that bragging and that boasting attached to

1518
01:29:03,840 --> 01:29:07,160
Speaker 1: that gang banging. People don't even pay attention to detail.

1519
01:29:10,120 --> 01:29:12,880
Speaker 1: People don't even pay attention to detail. They just viewing

1520
01:29:12,960 --> 01:29:14,920
Speaker 1: this as a whole. This is like a movie. This

1521
01:29:15,080 --> 01:29:18,240
Speaker 1: little dude right here saying some crazy and they seem

1522
01:29:18,320 --> 01:29:22,600
Speaker 1: to be with that. That was the cheat cold. You

1523
01:29:22,680 --> 01:29:26,599
Speaker 1: don't got that no more. And I'm not sure because

1524
01:29:26,640 --> 01:29:28,800
Speaker 1: a lot of dudes, even me and d Stract was

1525
01:29:28,880 --> 01:29:32,160
Speaker 1: talking on my part that will probably come out at

1526
01:29:32,160 --> 01:29:35,800
Speaker 1: some point. We were saying back then when he were

1527
01:29:35,880 --> 01:29:39,920
Speaker 1: running wild, that nah, he wasn't. He wasn't that. He

1528
01:29:39,920 --> 01:29:43,720
Speaker 1: he just ain't that And it's cool. I think what's

1529
01:29:43,840 --> 01:29:46,880
Speaker 1: misunderstood is with the youngness that they think that it

1530
01:29:47,000 --> 01:29:50,120
Speaker 1: ain't cool not to be that. Everybody that come from

1531
01:29:50,160 --> 01:29:52,640
Speaker 1: this side of the street trying to slick get over there.

1532
01:29:52,680 --> 01:29:56,799
Speaker 1: It's just a lot of traffic, it's a lot of traffic,

1533
01:29:56,840 --> 01:29:59,080
Speaker 1: so trying to find a way to get to that

1534
01:29:59,200 --> 01:30:02,280
Speaker 1: side of the street because it's pleasant over y'all over,

1535
01:30:02,479 --> 01:30:05,080
Speaker 1: you know. So it's it's a situation where we want

1536
01:30:05,080 --> 01:30:08,240
Speaker 1: more of our black people or whoever on that other side,

1537
01:30:08,400 --> 01:30:11,200
Speaker 1: us on this side we do coming from to get

1538
01:30:11,240 --> 01:30:13,920
Speaker 1: over the streets, trying to survive things that you couldn't

1539
01:30:13,920 --> 01:30:16,880
Speaker 1: even endure. You couldn't imagine what it took to get

1540
01:30:16,920 --> 01:30:20,920
Speaker 1: to You couldn't even imagine, you know what I'm saying.

1541
01:30:20,960 --> 01:30:23,400
Speaker 1: So when we see dudes they flirt with it and

1542
01:30:23,479 --> 01:30:26,519
Speaker 1: play with it, you gotta really understand what they do

1543
01:30:26,680 --> 01:30:29,800
Speaker 1: to the core of it. A lot of niggas take

1544
01:30:29,880 --> 01:30:32,320
Speaker 1: that away. But again, I know some people are gonna say,

1545
01:30:32,320 --> 01:30:35,720
Speaker 1: but loon, this is entertainment, and it is entertainment. But

1546
01:30:35,840 --> 01:30:39,080
Speaker 1: he had blended them all fuckers. And that's the cheat

1547
01:30:39,120 --> 01:30:42,000
Speaker 1: code that sits you right by the offering table, and

1548
01:30:42,080 --> 01:30:44,360
Speaker 1: it allows you to get some of the music off.

1549
01:30:45,560 --> 01:30:47,360
Speaker 1: You can get some of that music off when you're

1550
01:30:47,360 --> 01:30:50,599
Speaker 1: sitting by the offering table, because when when when they

1551
01:30:50,600 --> 01:30:52,960
Speaker 1: ain't paying attention, they're just looking at the fights and

1552
01:30:53,000 --> 01:30:55,280
Speaker 1: the game man, the Instagram numbers and this and that,

1553
01:30:55,360 --> 01:30:58,479
Speaker 1: and you on every blog, and they're talking crazy. Ain't

1554
01:30:58,520 --> 01:31:02,800
Speaker 1: you showing up places like this? Is that due? But

1555
01:31:04,640 --> 01:31:08,720
Speaker 1: but when they're well off man like now, everybody used

1556
01:31:08,720 --> 01:31:10,800
Speaker 1: to say, yo, these That's why I try to tell

1557
01:31:10,880 --> 01:31:13,400
Speaker 1: y'all about the creator talk. I don't leave me with

1558
01:31:13,439 --> 01:31:16,400
Speaker 1: this creator talk and what they yo. You gotta do

1559
01:31:16,439 --> 01:31:18,439
Speaker 1: it more than wants to be considered one of the

1560
01:31:18,520 --> 01:31:22,800
Speaker 1: big dogs in this game. You little niggas with one

1561
01:31:22,880 --> 01:31:26,479
Speaker 1: good hand. Ain't convinced me of nothing. You see what

1562
01:31:26,520 --> 01:31:29,880
Speaker 1: I'm saying. I'm from what we gamblad be gamba down here?

1563
01:31:29,920 --> 01:31:32,920
Speaker 1: Why I'm from so that old one good dice game

1564
01:31:33,760 --> 01:31:36,960
Speaker 1: that ain't doing nothing. You ain't classified no king where

1565
01:31:36,960 --> 01:31:40,800
Speaker 1: I'm from? Right? So I know, man, everybody that really

1566
01:31:40,880 --> 01:31:43,400
Speaker 1: got paper in this game, they've done it several times.

1567
01:31:43,439 --> 01:31:46,600
Speaker 1: You got to do this five, six, seven, eight times

1568
01:31:47,040 --> 01:31:49,360
Speaker 1: to live like you really want to live if you're

1569
01:31:49,400 --> 01:31:52,080
Speaker 1: trying to do it. So don't kid yourself with the

1570
01:31:52,200 --> 01:31:56,719
Speaker 1: one and done, big loon, come to tell you gotta

1571
01:31:56,760 --> 01:32:00,160
Speaker 1: put real game down. Long time I had the idea,

1572
01:32:00,200 --> 01:32:02,160
Speaker 1: I had what I wanted to say, I knew I was.

1573
01:32:02,640 --> 01:32:06,880
Speaker 1: I had to orchestrate it. I had to orchestrate it.

1574
01:32:06,920 --> 01:32:09,240
Speaker 1: I had to weave together. I had to put one

1575
01:32:09,280 --> 01:32:11,720
Speaker 1: in front the other, make sure this was in But

1576
01:32:11,880 --> 01:32:13,720
Speaker 1: really I should have just went when I knew. I

1577
01:32:13,800 --> 01:32:16,720
Speaker 1: knew what I knew, I knew I can weave this

1578
01:32:16,760 --> 01:32:21,160
Speaker 1: ship to get old. They say, what's your goals? I

1579
01:32:21,240 --> 01:32:23,600
Speaker 1: tell them I don't know my goals. Twenty million is

1580
01:32:23,600 --> 01:32:26,840
Speaker 1: a short goal of mine, and I say that it's

1581
01:32:26,880 --> 01:32:29,000
Speaker 1: being humble as I know how, but I know I

1582
01:32:29,080 --> 01:32:31,679
Speaker 1: have an opportunity to change some things in the game

1583
01:32:31,760 --> 01:32:38,000
Speaker 1: that needs it, that needs that change it. The circumstances

1584
01:32:38,040 --> 01:32:41,920
Speaker 1: don't provide any luxury for the real ones, but I

1585
01:32:42,000 --> 01:32:45,840
Speaker 1: come to tell them it's time to make accommodations. It's

1586
01:32:45,840 --> 01:32:48,559
Speaker 1: a lot of people in front of the real name sicker,

1587
01:32:49,200 --> 01:32:51,960
Speaker 1: and I don't think it needs to be a hostile takeover.

1588
01:32:53,240 --> 01:32:59,040
Speaker 1: I think that needs to be a peaceful exchange of power.

1589
01:33:01,479 --> 01:33:03,680
Speaker 1: I think there needs to be for the sake of

1590
01:33:03,760 --> 01:33:06,800
Speaker 1: everybody that is watching, for the sake of it. Don't

1591
01:33:06,800 --> 01:33:09,200
Speaker 1: nobody got to move nowhere. But it needs to be

1592
01:33:09,400 --> 01:33:12,320
Speaker 1: understanding that our information, we need to be more structured

1593
01:33:12,360 --> 01:33:15,280
Speaker 1: in this thing and how we're doing this thing. Got

1594
01:33:15,280 --> 01:33:17,160
Speaker 1: a lot of people saying a lot of things that

1595
01:33:17,240 --> 01:33:19,439
Speaker 1: ain't never did a lot of things right, So it

1596
01:33:20,160 --> 01:33:23,040
Speaker 1: incorporate it, it puts us in a situation to have

1597
01:33:23,160 --> 01:33:30,880
Speaker 1: to value bad ideas. Let's talk about getting wiskalif and

1598
01:33:31,000 --> 01:33:34,479
Speaker 1: first of all, let me deal with the with the

1599
01:33:34,520 --> 01:33:37,200
Speaker 1: banning of these social medias and things and just why

1600
01:33:37,240 --> 01:33:39,160
Speaker 1: this is important. I know a lot of people are

1601
01:33:39,240 --> 01:33:43,000
Speaker 1: not in the entertainment industry of music industry, or maybe

1602
01:33:43,040 --> 01:33:47,640
Speaker 1: don't understand the way that social media interacts with business.

1603
01:33:47,760 --> 01:33:52,720
Speaker 1: In regards to the entertainment industry, there is a tunnel

1604
01:33:52,880 --> 01:33:57,720
Speaker 1: in which you can categorize yourself in and you have

1605
01:33:57,840 --> 01:34:01,040
Speaker 1: to bring whatever numbers you have to the board, right

1606
01:34:01,280 --> 01:34:04,760
Speaker 1: numbers being social media, YouTube, whatever you can bring. They're

1607
01:34:04,800 --> 01:34:09,720
Speaker 1: bringing everything to the board. But nonetheless, I'm explained to

1608
01:34:09,760 --> 01:34:13,040
Speaker 1: you guys why social media interacts in a way that

1609
01:34:13,120 --> 01:34:17,760
Speaker 1: it does. All Right, So in the business, there's indicators.

1610
01:34:18,920 --> 01:34:23,720
Speaker 1: Right when you're dealing with people that's not of the

1611
01:34:23,760 --> 01:34:28,040
Speaker 1: culture but doing business in the culture, a lot of

1612
01:34:28,080 --> 01:34:31,800
Speaker 1: times they're frozen until they see certain indicators. And so

1613
01:34:31,960 --> 01:34:35,000
Speaker 1: what you do as a podcast or as an artist

1614
01:34:35,160 --> 01:34:38,120
Speaker 1: or as a creator of some sort is you try

1615
01:34:38,120 --> 01:34:40,760
Speaker 1: to show the company that has the budget for you

1616
01:34:40,880 --> 01:34:43,639
Speaker 1: or that has the marketing money that you need or

1617
01:34:44,000 --> 01:34:47,080
Speaker 1: access to the producers or whatever it is. On the

1618
01:34:47,160 --> 01:34:51,920
Speaker 1: other side. Usually in a traditional model, people are trying

1619
01:34:51,960 --> 01:34:54,479
Speaker 1: to show them what it takes to get some money

1620
01:34:54,520 --> 01:34:59,240
Speaker 1: from them, right, And so some of those indicators would include, well,

1621
01:34:59,280 --> 01:35:03,599
Speaker 1: what do you stand and on social? And so when

1622
01:35:03,720 --> 01:35:06,200
Speaker 1: Gilly was able to say, yo, I got three four

1623
01:35:06,240 --> 01:35:11,200
Speaker 1: million on social, that's a part of the negotiation tool, right.

1624
01:35:11,280 --> 01:35:14,040
Speaker 1: When Whack was able to say, on clubhouse, I'm probably

1625
01:35:14,160 --> 01:35:19,080
Speaker 1: number two strongest account or in this niche I'm number one, right,

1626
01:35:19,120 --> 01:35:22,280
Speaker 1: And when that account has gone, that takes that out

1627
01:35:22,280 --> 01:35:26,160
Speaker 1: of that negotiation status, because you can still argue that

1628
01:35:26,200 --> 01:35:30,280
Speaker 1: your presence on social is known, but they would like

1629
01:35:30,400 --> 01:35:33,680
Speaker 1: to argue against it depending on the business relationship and

1630
01:35:33,760 --> 01:35:36,479
Speaker 1: things like that. If you're past that point, then you're

1631
01:35:36,479 --> 01:35:39,599
Speaker 1: past that point. Sometimes you do got to argue those things.

1632
01:35:39,600 --> 01:35:42,680
Speaker 1: And yo, no man on social, I'm my impressions is this,

1633
01:35:42,800 --> 01:35:44,839
Speaker 1: and I'm for me and this and that and that

1634
01:35:45,120 --> 01:35:47,880
Speaker 1: the right and so to lose something like that, it's

1635
01:35:47,880 --> 01:35:54,120
Speaker 1: a very serious thing. And also we in podcasting, right,

1636
01:35:54,240 --> 01:35:59,960
Speaker 1: and so Guilly has some words for wiz k Leaf

1637
01:36:00,120 --> 01:36:03,840
Speaker 1: placed himself in a situation where they he said Wiz

1638
01:36:03,920 --> 01:36:06,439
Speaker 1: took his account down. Let's listen to what happened so

1639
01:36:06,680 --> 01:36:09,160
Speaker 1: crazy to day because the dad had to unfollow one

1640
01:36:09,240 --> 01:36:13,080
Speaker 1: of you know, one of my brothers, you know, Whiz Khalifa. Man,

1641
01:36:13,080 --> 01:36:15,160
Speaker 1: I love your brother, you know what I mean. I'm

1642
01:36:15,160 --> 01:36:17,880
Speaker 1: still riding around, you know, banging black and yellow. When

1643
01:36:18,040 --> 01:36:23,120
Speaker 1: when I see you again. You're a legend. Man. It's Pennsylvania,

1644
01:36:23,120 --> 01:36:25,519
Speaker 1: your baby Philly to Pittsburgh. But I had to unfollow

1645
01:36:25,560 --> 01:36:28,200
Speaker 1: on the date. Man, anytime I come on my page, Man,

1646
01:36:28,240 --> 01:36:32,120
Speaker 1: you're in your drawls. Man, you're giving up strapping ball action. Man.

1647
01:36:32,640 --> 01:36:35,120
Speaker 1: You know every day, Man, I can't do eight balls

1648
01:36:35,120 --> 01:36:37,280
Speaker 1: in the corner pocket that he did want to wake up, man,

1649
01:36:37,320 --> 01:36:39,519
Speaker 1: So you know, and no nun follow you player. I

1650
01:36:39,560 --> 01:36:41,720
Speaker 1: love you though, Man. You know you're my brother for life. Man,

1651
01:36:42,000 --> 01:36:44,439
Speaker 1: So you know when you when Wiz stopped being in

1652
01:36:44,520 --> 01:36:47,280
Speaker 1: his drawls, he threw some shorts on we take a

1653
01:36:47,280 --> 01:36:49,519
Speaker 1: break from the gym. Can y'all DM me and let

1654
01:36:49,520 --> 01:36:51,280
Speaker 1: me know so I look back and follow my brother.

1655
01:36:51,960 --> 01:36:57,520
Speaker 1: But until then see it, and so after that Gillis paids.

1656
01:36:58,120 --> 01:36:59,920
Speaker 1: You know, there was a few more things. I think

1657
01:37:00,080 --> 01:37:03,120
Speaker 1: Wiz came under that and said something, and I think

1658
01:37:03,160 --> 01:37:06,680
Speaker 1: he said traumatized or something, or you don't push your

1659
01:37:06,760 --> 01:37:10,320
Speaker 1: childhood trauma on me, And I think Gilly said back

1660
01:37:10,360 --> 01:37:14,240
Speaker 1: to him, trauma. You know he clearly joking. They joking

1661
01:37:14,320 --> 01:37:17,799
Speaker 1: this thing, you know, page gone now. I just explained

1662
01:37:17,840 --> 01:37:20,519
Speaker 1: how this could affect the business. So that's important to

1663
01:37:20,560 --> 01:37:24,439
Speaker 1: know in itself. But then on top of that, seems

1664
01:37:24,479 --> 01:37:27,000
Speaker 1: like Gilly may know something that we don't know. I'm

1665
01:37:27,000 --> 01:37:29,479
Speaker 1: not sure. I would hate to see us get each

1666
01:37:29,479 --> 01:37:32,400
Speaker 1: other clip like that, that kind of at why till

1667
01:37:32,640 --> 01:37:34,680
Speaker 1: stay off at ground about that? And end of that,

1668
01:37:36,960 --> 01:37:39,000
Speaker 1: don't be on the ground for that. Don't be on

1669
01:37:39,040 --> 01:37:41,360
Speaker 1: the ground with that. Let's let's see what else they said.

1670
01:37:41,439 --> 01:37:45,360
Speaker 1: And so after they went through that, Gilly then came

1671
01:37:45,360 --> 01:37:47,679
Speaker 1: out and put this up. He had a new page.

1672
01:37:47,760 --> 01:37:50,400
Speaker 1: I've seen it on Wallow. Wallow said, YO, follow him.

1673
01:37:50,800 --> 01:37:53,680
Speaker 1: I reposted immensely. He a part of the podcast, a

1674
01:37:53,760 --> 01:37:57,000
Speaker 1: part of our culture. He part of this thing of ours, yo,

1675
01:37:57,160 --> 01:38:00,320
Speaker 1: letting my people know, you know, everybody go far back,

1676
01:38:00,360 --> 01:38:04,080
Speaker 1: get his back popping um. And then he posted this,

1677
01:38:04,720 --> 01:38:08,200
Speaker 1: you're telling he put some shorts on. He tells IGU

1678
01:38:08,320 --> 01:38:12,360
Speaker 1: bullying him and get your page deactivated. I was playing

1679
01:38:12,439 --> 01:38:16,120
Speaker 1: these rappers. So put Then he puts in twenty twenty two,

1680
01:38:16,160 --> 01:38:18,320
Speaker 1: you got social media rats. Now I can't wait to

1681
01:38:18,360 --> 01:38:22,800
Speaker 1: see you. So Wiz then responds says yo, because of

1682
01:38:22,840 --> 01:38:25,519
Speaker 1: course he's getting a lot of backlash, people saying, Yo,

1683
01:38:25,600 --> 01:38:29,120
Speaker 1: you had that man I g remove knowing that's his

1684
01:38:29,360 --> 01:38:33,160
Speaker 1: business model, knowing he needed that to make money, bro.

1685
01:38:33,400 --> 01:38:38,559
Speaker 1: And you had that deactivated, bro. And it sounds like

1686
01:38:38,680 --> 01:38:43,280
Speaker 1: Gilly already knows that something about him, or that something

1687
01:38:43,479 --> 01:38:46,680
Speaker 1: Gilly knows something now will say this, you better be

1688
01:38:46,800 --> 01:38:51,400
Speaker 1: careful with that jiu jitsu because Wiz know that jiu jitsu.

1689
01:38:51,600 --> 01:38:55,160
Speaker 1: Now you run up on their feet, go to working two.

1690
01:38:55,840 --> 01:38:58,160
Speaker 1: You know you gotta get close to with them arms

1691
01:38:58,160 --> 01:39:01,160
Speaker 1: that feet from that long knie it. You gotta be

1692
01:39:01,200 --> 01:39:03,760
Speaker 1: careful with that. But Gilly want to see him man

1693
01:39:03,840 --> 01:39:06,679
Speaker 1: to man about that. I mean, that is his business.

1694
01:39:06,760 --> 01:39:10,000
Speaker 1: You hurt like that. Luckily got Willow and they shared

1695
01:39:10,040 --> 01:39:13,439
Speaker 1: him same fans, so he can just for two months,

1696
01:39:13,439 --> 01:39:15,880
Speaker 1: a month straight or two weeks straight, just run it

1697
01:39:16,000 --> 01:39:19,879
Speaker 1: bat over there and run his followers back up. Um.

1698
01:39:21,080 --> 01:39:24,959
Speaker 1: But will say, Yo, I didn't get this child's Instagram deleted.

1699
01:39:25,960 --> 01:39:28,880
Speaker 1: Gilly took that as disrespect. Let's let's let's listen to

1700
01:39:28,920 --> 01:39:32,800
Speaker 1: what he said. Oh you know from the streets, man,

1701
01:39:32,800 --> 01:39:34,680
Speaker 1: where you know you gotta stand on what you do

1702
01:39:34,760 --> 01:39:40,160
Speaker 1: and say you got you gotta stand on that. Now

1703
01:39:40,720 --> 01:39:43,400
Speaker 1: you put that energy out there, you gotta stand on that.

1704
01:39:44,080 --> 01:39:49,200
Speaker 1: Another thing. Don't think I should post his manager text

1705
01:39:49,200 --> 01:39:53,200
Speaker 1: messages from last night apologizing. Point Okay, see you didn't

1706
01:39:53,240 --> 01:39:55,200
Speaker 1: know they did that. You didn't know Will did that.

1707
01:39:55,479 --> 01:39:58,160
Speaker 1: You didn't know Will text me last night. Didn't apologize

1708
01:39:58,200 --> 01:40:01,639
Speaker 1: because he didn't knew that you would do something like that. See,

1709
01:40:01,640 --> 01:40:03,680
Speaker 1: you don't put your foot in your mouth, man. And

1710
01:40:03,760 --> 01:40:07,240
Speaker 1: the bottom line is uh, your exact words was. I

1711
01:40:07,360 --> 01:40:11,559
Speaker 1: was hurt. I was extremely hurt to my Instagram team.

1712
01:40:11,960 --> 01:40:14,880
Speaker 1: I'm strong over there. But I can get your page back.

1713
01:40:15,280 --> 01:40:17,040
Speaker 1: I can get your page back. Let's just sit down

1714
01:40:17,040 --> 01:40:19,600
Speaker 1: and talk. Gilly, and I told you and that page

1715
01:40:20,479 --> 01:40:22,839
Speaker 1: what you're talking about. I decline you right, I decline

1716
01:40:23,439 --> 01:40:26,880
Speaker 1: and that page, as you see on the screen, h

1717
01:40:27,600 --> 01:40:30,519
Speaker 1: wis callifh tweets I didn't get that child Instagram deleted.

1718
01:40:30,560 --> 01:40:32,960
Speaker 1: I even offered to help him get his page back,

1719
01:40:32,960 --> 01:40:38,080
Speaker 1: and he declined. Wis Kalifa, Man, I love your brother,

1720
01:40:38,560 --> 01:40:41,240
Speaker 1: you know what I mean. I'm still right, So that

1721
01:40:41,280 --> 01:40:44,200
Speaker 1: whole situation is getting sticky. Man, and I just explained

1722
01:40:44,200 --> 01:40:47,200
Speaker 1: to you guys how to fix the business model. I'm

1723
01:40:47,240 --> 01:40:52,040
Speaker 1: not sure you know. I mean, Gill is basically saying

1724
01:40:52,040 --> 01:40:54,800
Speaker 1: that Wiz told him he done it, he felt hurt.

1725
01:40:55,520 --> 01:40:58,759
Speaker 1: I don't think that we should be operating in that way.

1726
01:40:59,600 --> 01:41:01,800
Speaker 1: I just want my team to know. And if they

1727
01:41:01,880 --> 01:41:05,120
Speaker 1: don't know, right now, and take this as a formal statement.

1728
01:41:05,160 --> 01:41:07,519
Speaker 1: If you're on my team and one of my people,

1729
01:41:07,600 --> 01:41:10,080
Speaker 1: me and one of these other black creators in this

1730
01:41:10,200 --> 01:41:14,920
Speaker 1: space have an issue, do not attack their livelihood and

1731
01:41:15,000 --> 01:41:19,120
Speaker 1: take that Instagram page down, their YouTube down. I do

1732
01:41:19,200 --> 01:41:21,559
Speaker 1: not want that to be the case. We need to

1733
01:41:21,560 --> 01:41:24,840
Speaker 1: figure that out amongst us unless he gets out of hand.

1734
01:41:25,200 --> 01:41:31,040
Speaker 1: But please, at the very least run across me any

1735
01:41:31,160 --> 01:41:35,120
Speaker 1: kind of ideas of destroying someone's livelihood that has the

1736
01:41:35,160 --> 01:41:37,280
Speaker 1: same color as me. I want to make that formal

1737
01:41:37,320 --> 01:41:39,760
Speaker 1: statement for those that work on my staff that may

1738
01:41:39,800 --> 01:41:42,599
Speaker 1: not know that that's my position and may think that

1739
01:41:42,640 --> 01:41:46,120
Speaker 1: they're doing some sort of favor by protecting me by

1740
01:41:46,200 --> 01:41:50,120
Speaker 1: destroying another black voice in this coach and I want

1741
01:41:50,120 --> 01:41:52,720
Speaker 1: to be clittered. That's not where I stand that. I

1742
01:41:52,840 --> 01:41:55,240
Speaker 1: know how hard it is to get things roll, and

1743
01:41:55,320 --> 01:41:57,840
Speaker 1: I know how hard it is to be committed to

1744
01:41:57,920 --> 01:42:01,800
Speaker 1: something that does not give you any contribution just yet,

1745
01:42:01,880 --> 01:42:05,320
Speaker 1: I know what it feels like. So I never ever

1746
01:42:05,360 --> 01:42:07,600
Speaker 1: ever want to tap people down. Now, if we go

1747
01:42:07,680 --> 01:42:09,760
Speaker 1: to war, war is a different thing. You know, we

1748
01:42:09,880 --> 01:42:13,360
Speaker 1: bring out the big guns for war, right, So that's

1749
01:42:13,360 --> 01:42:16,280
Speaker 1: a different conversation. But we're saying that if there's a

1750
01:42:16,320 --> 01:42:19,880
Speaker 1: disagreement online between me and another Black creator, take this

1751
01:42:19,920 --> 01:42:25,280
Speaker 1: as a formal message from me, do not my fans,

1752
01:42:25,360 --> 01:42:30,120
Speaker 1: my supporters. Let's not take people off the platform. Right.

1753
01:42:30,120 --> 01:42:33,040
Speaker 1: If we're gonna take anybody off the platform, contact me

1754
01:42:33,280 --> 01:42:35,519
Speaker 1: and we'll figure out some people on the other side

1755
01:42:35,560 --> 01:42:39,639
Speaker 1: to take off the platforms they in the way, you know,

1756
01:42:39,720 --> 01:42:41,840
Speaker 1: But we can't do that to each other, as hard

1757
01:42:41,880 --> 01:42:44,559
Speaker 1: as it is for us to negotiate in the first place,

1758
01:42:45,280 --> 01:42:48,040
Speaker 1: you know what I'm saying. And so interaction online, man,

1759
01:42:48,160 --> 01:42:50,439
Speaker 1: we don't want to become limited by some of the

1760
01:42:50,479 --> 01:42:53,960
Speaker 1: people that has more to lose by interacting online than

1761
01:42:54,000 --> 01:42:57,200
Speaker 1: they do the game. Because at some point when this

1762
01:42:57,280 --> 01:42:59,479
Speaker 1: is part of the leverage, this is part of the

1763
01:42:59,520 --> 01:43:01,720
Speaker 1: recipe here, what get me the amount of money that

1764
01:43:01,800 --> 01:43:04,400
Speaker 1: I'm dealing with, I might have to start easing up

1765
01:43:04,400 --> 01:43:08,720
Speaker 1: on what I'm posting because the rules is changing and

1766
01:43:08,800 --> 01:43:14,080
Speaker 1: they realist the robots is saying what's wrong. I've seen

1767
01:43:14,200 --> 01:43:16,680
Speaker 1: when they took whack Page. I'm in alive, I'm in

1768
01:43:16,760 --> 01:43:19,880
Speaker 1: these room. I'm just under, I'm just low. I don't talk.

1769
01:43:21,400 --> 01:43:23,960
Speaker 1: They took whack Page. There's a bunch of people in there.

1770
01:43:24,040 --> 01:43:27,559
Speaker 1: They telling them, everybody go report everybody in that other

1771
01:43:27,640 --> 01:43:31,360
Speaker 1: room how they got whack page took. They orchestrated that

1772
01:43:32,920 --> 01:43:37,160
Speaker 1: right right now, they make cain't contact nobody, but they

1773
01:43:37,240 --> 01:43:39,880
Speaker 1: let you get your shit off and say that weird

1774
01:43:40,120 --> 01:43:43,720
Speaker 1: and walking to the trick bad. Right, this is orchestrated

1775
01:43:43,760 --> 01:43:48,000
Speaker 1: broing this and a lot of it is being identified

1776
01:43:48,080 --> 01:43:51,400
Speaker 1: by robots. What's being said in the context that it's

1777
01:43:51,439 --> 01:43:53,920
Speaker 1: being said. And I even hear people argue about the

1778
01:43:54,040 --> 01:43:58,280
Speaker 1: N word, like yo, man, it's cool for me to

1779
01:43:58,320 --> 01:44:01,160
Speaker 1: say the N word, yo. But you know, if they

1780
01:44:01,240 --> 01:44:04,240
Speaker 1: take that, are that are ruined I wrap culture, that

1781
01:44:04,320 --> 01:44:06,360
Speaker 1: are ruining a lot of our culture. So that's a

1782
01:44:06,400 --> 01:44:09,720
Speaker 1: different word. They gotta deal within a different way. They

1783
01:44:09,760 --> 01:44:12,240
Speaker 1: can't say it at all. I'm talking about dealing with

1784
01:44:12,280 --> 01:44:15,439
Speaker 1: the ability to monetize and move around it in the

1785
01:44:15,479 --> 01:44:19,240
Speaker 1: market place. They gotta figure that out right. We can

1786
01:44:19,479 --> 01:44:22,840
Speaker 1: edit here, edit there. But just we're talking from a

1787
01:44:22,880 --> 01:44:27,559
Speaker 1: Facebook standpoint, people typing the word people. That's a hard

1788
01:44:27,600 --> 01:44:33,120
Speaker 1: thing to try to comb through, and so um, you know,

1789
01:44:33,360 --> 01:44:36,799
Speaker 1: they find themselves, they find themselves there. But it sounds

1790
01:44:36,800 --> 01:44:38,640
Speaker 1: like they can get a fight going. Sound like it

1791
01:44:38,760 --> 01:44:41,439
Speaker 1: might be a fight night, celebrity fight going. They might

1792
01:44:41,560 --> 01:44:44,040
Speaker 1: get old fight, get some paper out of it, because

1793
01:44:45,160 --> 01:44:47,680
Speaker 1: I don't see wirds really running from no smoke, and

1794
01:44:47,680 --> 01:44:50,439
Speaker 1: it seemed like getting running at it, Like yo, we

1795
01:44:50,560 --> 01:44:53,200
Speaker 1: gotta handle there like men. They just hurt my business

1796
01:44:53,240 --> 01:44:55,880
Speaker 1: like wallow trying to you know, stay out of But

1797
01:44:55,960 --> 01:44:57,840
Speaker 1: I know he's feeling a way like that. And because

1798
01:44:57,920 --> 01:44:59,960
Speaker 1: I told you, because don't mess with them dudes, because

1799
01:45:00,320 --> 01:45:03,080
Speaker 1: you gotta stop missing with them dudes. Because I bet

1800
01:45:03,080 --> 01:45:06,200
Speaker 1: he telling them like that. But it's like, yo, man,

1801
01:45:06,320 --> 01:45:08,360
Speaker 1: they ain't thinking I'm gonna say something about put some

1802
01:45:08,439 --> 01:45:11,080
Speaker 1: shorts on. They gonna take the whole ground, you know

1803
01:45:11,120 --> 01:45:14,160
Speaker 1: what I'm saying. So young nigga, y'all better be a

1804
01:45:14,160 --> 01:45:16,320
Speaker 1: well man, because they're a minute, y'all ain't gonna bear

1805
01:45:16,400 --> 01:45:20,240
Speaker 1: to contact y'all celebrities online like you used to. It's

1806
01:45:20,280 --> 01:45:24,320
Speaker 1: gonna be too risky. They're making it risky for celebrities

1807
01:45:24,360 --> 01:45:28,320
Speaker 1: to maneuve online at this point. All they're losing everything

1808
01:45:28,479 --> 01:45:32,519
Speaker 1: by agging back or really responding, you know, a certain

1809
01:45:32,560 --> 01:45:36,760
Speaker 1: little things, like they even got to consider metaphors when

1810
01:45:36,760 --> 01:45:39,800
Speaker 1: they think about what they banned and right, because I

1811
01:45:39,840 --> 01:45:42,200
Speaker 1: remember one time that I had typed something that was

1812
01:45:42,240 --> 01:45:45,360
Speaker 1: a metaphor literally and they took it like it was

1813
01:45:45,400 --> 01:45:48,720
Speaker 1: a threat, and I'm like, Yo, that's crazy. They got

1814
01:45:48,840 --> 01:45:52,360
Speaker 1: robots trying to figure this out, you know. But since

1815
01:45:52,400 --> 01:45:56,720
Speaker 1: the ship is real and it affect your business. Unfortunately,

1816
01:45:56,880 --> 01:45:59,000
Speaker 1: now for giving them day, they should have a working

1817
01:45:59,080 --> 01:46:01,719
Speaker 1: relationship with stud that should be in a great place

1818
01:46:01,720 --> 01:46:05,240
Speaker 1: where they understand the affix of them having that partnership.

1819
01:46:05,280 --> 01:46:08,479
Speaker 1: I think they probably have negotiated their way into a

1820
01:46:08,520 --> 01:46:12,439
Speaker 1: position now to there's some favor on both sides. Hopefully.

1821
01:46:12,640 --> 01:46:15,040
Speaker 1: I would think they're in the green, you know. I

1822
01:46:15,040 --> 01:46:17,840
Speaker 1: don't see a lot of money production wise being spent,

1823
01:46:17,920 --> 01:46:19,960
Speaker 1: so or I would I would say they're making a

1824
01:46:19,960 --> 01:46:22,679
Speaker 1: lot of money on that side. So in my opinion,

1825
01:46:23,280 --> 01:46:25,559
Speaker 1: he should have They should have enough faith to not

1826
01:46:25,680 --> 01:46:28,200
Speaker 1: let it affect the negotiations. But for somebody on the

1827
01:46:28,240 --> 01:46:30,839
Speaker 1: come up but don't have a deal sinc Yet or whatever,

1828
01:46:31,240 --> 01:46:36,599
Speaker 1: they don't have the add LinkedIn in position that can hurt. Okay,

1829
01:46:36,600 --> 01:46:38,600
Speaker 1: So what we're about to look at right now is

1830
01:46:38,680 --> 01:46:41,080
Speaker 1: t I. T I did a comedy set up in

1831
01:46:41,120 --> 01:46:44,479
Speaker 1: New York, and then was said that he was bulled. Right,

1832
01:46:44,560 --> 01:46:47,320
Speaker 1: So of course when you bulled, you called b That's

1833
01:46:47,320 --> 01:46:50,360
Speaker 1: called bombing in comedy. And what that does is it

1834
01:46:50,479 --> 01:46:53,639
Speaker 1: spreads a lot of people are waiting on Tata fail

1835
01:46:53,720 --> 01:46:56,360
Speaker 1: in regards to his comedy career. They're hoping he don't

1836
01:46:56,360 --> 01:46:59,360
Speaker 1: embrace what he takes to be a real comedy because,

1837
01:46:59,360 --> 01:47:01,679
Speaker 1: as I explain ain't to you guys a few weeks ago,

1838
01:47:02,040 --> 01:47:04,439
Speaker 1: to be a comic, there's a weird place that you

1839
01:47:04,520 --> 01:47:09,840
Speaker 1: got to operate in until you're successful. You don't got

1840
01:47:09,880 --> 01:47:12,840
Speaker 1: what you don't got, but you know it's coming. You

1841
01:47:12,920 --> 01:47:16,920
Speaker 1: go from making ten fifteen dollars a show. Things like that.

1842
01:47:17,040 --> 01:47:20,080
Speaker 1: And we're talking about in that real Hollywood comedy scene

1843
01:47:20,160 --> 01:47:22,559
Speaker 1: or up in New York, those real comedy scenes. We

1844
01:47:22,640 --> 01:47:26,479
Speaker 1: got one in Nashville over Zanis. But those real comedy scenes.

1845
01:47:26,520 --> 01:47:28,640
Speaker 1: You go from making a thirty and forty dollars a

1846
01:47:28,760 --> 01:47:30,960
Speaker 1: night and then all of a sudden, when it works,

1847
01:47:31,280 --> 01:47:34,720
Speaker 1: it works, and you're that same guy. But what you

1848
01:47:34,760 --> 01:47:37,320
Speaker 1: can take with you is everything you got on your journey,

1849
01:47:37,520 --> 01:47:40,200
Speaker 1: and your journey coming and hole in the wall clubs.

1850
01:47:40,240 --> 01:47:43,200
Speaker 1: Then journey comes from being able to do those jokes

1851
01:47:43,200 --> 01:47:47,120
Speaker 1: in that room that you listen sometime. The room doesn't change,

1852
01:47:47,120 --> 01:47:50,840
Speaker 1: but the audience changes. You're go and do that same

1853
01:47:50,920 --> 01:47:53,639
Speaker 1: room on a different night and it's a totally different crowd.

1854
01:47:53,680 --> 01:47:56,519
Speaker 1: So then that same jokes that you had, you gotta

1855
01:47:56,560 --> 01:47:58,840
Speaker 1: tailor to that crowd. And there's a tweak in it,

1856
01:47:58,960 --> 01:48:02,960
Speaker 1: but you gotta understand commedy to understand those intricate details.

1857
01:48:03,720 --> 01:48:07,559
Speaker 1: And I think Ta understands it. So he's embracing what

1858
01:48:07,680 --> 01:48:09,840
Speaker 1: it takes to be a comic. He's embracing what it

1859
01:48:09,880 --> 01:48:12,559
Speaker 1: takes so far as what I know and what I see.

1860
01:48:12,600 --> 01:48:15,560
Speaker 1: As I told Godfrey the other week, it was personal

1861
01:48:15,640 --> 01:48:18,400
Speaker 1: what he said to me. I didn't see. What Godfrey

1862
01:48:18,479 --> 01:48:21,760
Speaker 1: said the other week is framed as a joke or

1863
01:48:21,840 --> 01:48:28,360
Speaker 1: framed as a comedy base observation right, like to say, Yo,

1864
01:48:28,760 --> 01:48:32,919
Speaker 1: you're disrespecting comedy by coming on after me. I actually

1865
01:48:33,040 --> 01:48:35,639
Speaker 1: took it more because it was received a certain way.

1866
01:48:35,640 --> 01:48:38,240
Speaker 1: I keep telling people it's less about how you put

1867
01:48:38,280 --> 01:48:40,839
Speaker 1: it out there, and it's more about how it's received.

1868
01:48:41,120 --> 01:48:43,960
Speaker 1: So it was received that Godfrey was saying, Yo, I'm

1869
01:48:44,000 --> 01:48:47,240
Speaker 1: better than him. I don't go after him who he

1870
01:48:47,360 --> 01:48:50,639
Speaker 1: think he is. I don't go after him. And when

1871
01:48:50,640 --> 01:48:53,240
Speaker 1: you drill it down, you look at the business model.

1872
01:48:53,680 --> 01:48:57,080
Speaker 1: The business model was selling tickets and also those fans

1873
01:48:57,080 --> 01:48:59,680
Speaker 1: had an opportunity to leave in any moment. That's one

1874
01:48:59,760 --> 01:49:02,880
Speaker 1: in too. But dealing with this situation, he seems to

1875
01:49:02,880 --> 01:49:06,720
Speaker 1: embrace what it takes to be a comic, right, So

1876
01:49:06,840 --> 01:49:09,639
Speaker 1: what we're about to look at is his set. We're

1877
01:49:09,640 --> 01:49:11,240
Speaker 1: gonna look at a little bit of a set. They

1878
01:49:11,280 --> 01:49:14,759
Speaker 1: said he started off um and he was bull real bad.

1879
01:49:14,840 --> 01:49:19,519
Speaker 1: Let's look at what happened. I appreciate that. I don't

1880
01:49:19,520 --> 01:49:21,080
Speaker 1: know how many of my mother Jackson got to put

1881
01:49:21,120 --> 01:49:28,160
Speaker 1: on more to read there. But I've learned so much

1882
01:49:28,160 --> 01:49:29,960
Speaker 1: of these twelve weeks, and I've learned there's a lot

1883
01:49:30,000 --> 01:49:32,960
Speaker 1: of comaraderie in the world of comedy. I've learned there's

1884
01:49:32,960 --> 01:49:36,519
Speaker 1: a lot of growth, a lot to learn, but not

1885
01:49:38,240 --> 01:49:41,120
Speaker 1: a new comedian. You know what I'm saying. And I

1886
01:49:41,240 --> 01:49:45,040
Speaker 1: never knew you know, it was you know, tight like

1887
01:49:45,240 --> 01:49:48,920
Speaker 1: that he did. But I see now that what we

1888
01:49:49,080 --> 01:49:59,200
Speaker 1: need is a comics to lead teamsters we have to make.

1889
01:50:01,120 --> 01:50:03,920
Speaker 1: It's much support us people like Britain other veterans have

1890
01:50:04,000 --> 01:50:06,000
Speaker 1: been given the man. You wouldn't believe it. You know,

1891
01:50:06,240 --> 01:50:07,920
Speaker 1: some comics are up set that I'm up here. They

1892
01:50:07,960 --> 01:50:09,400
Speaker 1: don't think that I'm up here. They don't think I

1893
01:50:09,439 --> 01:50:11,200
Speaker 1: should be here. They don't think I've urged the break.

1894
01:50:11,240 --> 01:50:17,280
Speaker 1: They don't think I think. My dudes, what do and

1895
01:50:17,479 --> 01:50:19,599
Speaker 1: pay him? To whom you don't even have a fucking union.

1896
01:50:19,640 --> 01:50:25,000
Speaker 1: I'm trying to help do it. It's a call back, ladies,

1897
01:50:25,000 --> 01:50:28,200
Speaker 1: a gentleman. He's figuring out comedy and I'm gonna say

1898
01:50:28,240 --> 01:50:34,759
Speaker 1: this with a clear cutscience of the pure heart. Things sucks. Okay,

1899
01:50:35,479 --> 01:50:40,760
Speaker 1: enjoy your ann emity as long as you can't. Okay, yeah,

1900
01:50:40,880 --> 01:50:46,840
Speaker 1: what what's your name? They? Yeah? Okay, ann Emity. That

1901
01:50:47,040 --> 01:50:51,200
Speaker 1: is the act of being anonymous. Okay, thank you so

1902
01:50:51,400 --> 01:50:53,320
Speaker 1: much for raising head and somebody the mother people want

1903
01:50:53,320 --> 01:50:54,760
Speaker 1: to know the word man you don't even want to

1904
01:50:54,800 --> 01:51:01,200
Speaker 1: raise your head. And I'm gonna tell you why I

1905
01:51:01,280 --> 01:51:06,439
Speaker 1: say that, just to land give you. I'm gonna give

1906
01:51:06,520 --> 01:51:11,080
Speaker 1: you so ladies and gentlemen. Ladies and gentlemen is listening.

1907
01:51:11,120 --> 01:51:13,960
Speaker 1: You're listening to the crowd kind of go a different way.

1908
01:51:14,000 --> 01:51:16,360
Speaker 1: I really don't see way he lost him. Man, I

1909
01:51:16,479 --> 01:51:20,120
Speaker 1: thought he actually bomber. Let's pay attention. He is bombing

1910
01:51:20,160 --> 01:51:22,320
Speaker 1: when they bomb, but I didn't see way he lost him.

1911
01:51:22,439 --> 01:51:26,479
Speaker 1: Let's pay attention back. Video is on patreon dot com.

1912
01:51:26,600 --> 01:51:29,000
Speaker 1: It's up that podcast. It'll be on YouTube in about

1913
01:51:29,040 --> 01:51:36,600
Speaker 1: two weeks. Imagine sitting down with my family for the

1914
01:51:36,680 --> 01:51:41,160
Speaker 1: first shout to day. You know what I'm saying, and

1915
01:51:41,280 --> 01:51:59,439
Speaker 1: I see him perfet doing like this is that you thing?

1916
01:51:59,560 --> 01:52:04,840
Speaker 1: I guess you And I'm want to take a picture

1917
01:52:04,840 --> 01:52:08,360
Speaker 1: and say shit like I gotta take a pictures. Ain't

1918
01:52:08,360 --> 01:52:11,200
Speaker 1: nobody gonna believe me, but you should stop learning something?

1919
01:52:11,280 --> 01:52:16,080
Speaker 1: Ut you much, len my mother, And I'm gonna tell

1920
01:52:16,080 --> 01:52:18,720
Speaker 1: you another thing to be honest with you. My kids

1921
01:52:18,760 --> 01:52:22,880
Speaker 1: don't know who the mother kids, I obviously don't know

1922
01:52:22,920 --> 01:52:24,920
Speaker 1: who the damn I got one of his names. Kids.

1923
01:52:26,320 --> 01:52:28,599
Speaker 1: I put up my money college find money from Asia.

1924
01:52:28,640 --> 01:52:30,040
Speaker 1: I had to put up bar In money for Laing.

1925
01:52:30,120 --> 01:52:32,080
Speaker 1: I'm really worried about this. You think what I'm saying,

1926
01:52:33,120 --> 01:52:35,120
Speaker 1: I'm gonna get your priests of advice. Please don't learn

1927
01:52:35,120 --> 01:52:36,960
Speaker 1: you so the king because the ship don't work out

1928
01:52:37,000 --> 01:52:41,559
Speaker 1: with you. Got don't mean king like connect. HI mean

1929
01:52:41,960 --> 01:52:46,880
Speaker 1: I'm gonna jo Nick he got. I think I know why.

1930
01:52:47,000 --> 01:52:49,599
Speaker 1: I think I know why. I believe I know why.

1931
01:52:49,960 --> 01:52:51,639
Speaker 1: You see a while ago, he was my ten eleven

1932
01:52:51,720 --> 01:52:54,599
Speaker 1: years old, man, I think that's what the animal city started.

1933
01:52:55,680 --> 01:52:59,560
Speaker 1: The Nick walk said, caught me slamming his mom. You

1934
01:52:59,680 --> 01:53:03,960
Speaker 1: hear me nailing his mom. We ain't been the same

1935
01:53:04,080 --> 01:53:13,840
Speaker 1: thing we got. I'm gonna tell y'all mother like this,

1936
01:53:18,400 --> 01:53:20,960
Speaker 1: we're trying to compete with the young I don't want

1937
01:53:20,960 --> 01:53:22,439
Speaker 1: to compete with him. I want to eat with him.

1938
01:53:23,160 --> 01:53:25,200
Speaker 1: That's the difference. That's why me and Wallou built our

1939
01:53:25,240 --> 01:53:28,519
Speaker 1: brand up around the young Nick breaking news, Get Lives

1940
01:53:28,640 --> 01:53:32,920
Speaker 1: Now Live. We're listening. Get the kid, didn't matter who

1941
01:53:33,040 --> 01:53:35,720
Speaker 1: whole life is a throwback Thursday and I don't care

1942
01:53:35,720 --> 01:53:40,880
Speaker 1: about you, Nick. Our our whole based off the younger. Yeah,

1943
01:53:41,040 --> 01:53:43,559
Speaker 1: eight thousand people in here on a new page. Man

1944
01:53:43,680 --> 01:53:47,599
Speaker 1: it's effective. It almost helps his negotiation. The only old

1945
01:53:47,760 --> 01:53:51,280
Speaker 1: nick we get his legends. She killed oh nil. The

1946
01:53:51,479 --> 01:53:54,360
Speaker 1: guy seeing this Floyd me with her because they can

1947
01:53:54,439 --> 01:53:58,280
Speaker 1: give our real game. Come on, come on, which has

1948
01:53:58,320 --> 01:54:01,400
Speaker 1: got its attention, motivation and that vacation until all the

1949
01:54:01,479 --> 01:54:04,080
Speaker 1: youngest men. Don't don't ever be that emotional with you

1950
01:54:04,200 --> 01:54:09,439
Speaker 1: can't take a joke and you knew it's a joke.

1951
01:54:09,880 --> 01:54:13,799
Speaker 1: I will ever be that emotional man. That's an altimate lution.

1952
01:54:16,360 --> 01:54:20,920
Speaker 1: It's a joke on me all day, man, year me,

1953
01:54:21,760 --> 01:54:24,400
Speaker 1: It's joke on me all day. I joke on Wilder

1954
01:54:24,439 --> 01:54:26,840
Speaker 1: then called wild Lord rap how they called him a

1955
01:54:26,920 --> 01:54:30,080
Speaker 1: homosexual and from in prison, I don't be joke and

1956
01:54:30,160 --> 01:54:35,280
Speaker 1: were playing around. That's how we played. I'm a bootlegue

1957
01:54:35,560 --> 01:54:41,160
Speaker 1: cash rapper. I did all barn towards. That's how we're

1958
01:54:41,240 --> 01:54:49,560
Speaker 1: play man. We we be playing bro like it's all

1959
01:54:49,600 --> 01:54:52,520
Speaker 1: a joke, play because we understand that it's a joke,

1960
01:54:52,720 --> 01:54:55,720
Speaker 1: is not real. What's not real, can't can't it can't

1961
01:54:55,760 --> 01:54:58,960
Speaker 1: you can't affect. Then it's not ruby joke. Can be

1962
01:54:59,040 --> 01:55:02,480
Speaker 1: playing around aroun we have fun. We bid don't be

1963
01:55:02,600 --> 01:55:10,040
Speaker 1: that deep man, because we respect, we respect everybody. If

1964
01:55:10,080 --> 01:55:13,360
Speaker 1: we leave with respect, we respect all the communities. We

1965
01:55:13,440 --> 01:55:18,360
Speaker 1: respect everybody. So if we don't, if we don't, if

1966
01:55:18,360 --> 01:55:20,760
Speaker 1: we leave with respect, will we respect everybody? Why wouldn't

1967
01:55:20,760 --> 01:55:22,800
Speaker 1: we be able to joke around? You? You knew that's

1968
01:55:22,840 --> 01:55:26,000
Speaker 1: what we do. We joke around. We played around. So

1969
01:55:26,200 --> 01:55:30,280
Speaker 1: you listen to Gilly the kid um addressing whiz Khalive

1970
01:55:30,320 --> 01:55:33,440
Speaker 1: addressing just what he thinks the situation is in regards

1971
01:55:33,520 --> 01:55:38,240
Speaker 1: to him losing his Instagram page. Again, this is just

1972
01:55:38,440 --> 01:55:40,960
Speaker 1: live as we are watching the tea thing. We're gonna

1973
01:55:40,960 --> 01:55:42,680
Speaker 1: get back to that. We're just trying to see if

1974
01:55:42,760 --> 01:55:46,000
Speaker 1: Gilli's gonna say anything and we can speak about anything,

1975
01:55:46,080 --> 01:55:52,920
Speaker 1: and we want to talk about right now. Somebody, man, Yo,

1976
01:55:53,840 --> 01:55:57,800
Speaker 1: what's up? Don't what's up? Guilly? Problem with you? Gilly?

1977
01:55:57,840 --> 01:55:59,440
Speaker 1: We just want to know the people. We really want

1978
01:55:59,480 --> 01:56:02,040
Speaker 1: to know. Guilly? Why why are you so upset when

1979
01:56:02,200 --> 01:56:04,160
Speaker 1: they have no pants on? You know why it matter?

1980
01:56:05,400 --> 01:56:09,240
Speaker 1: I would you could have upset? I could we look

1981
01:56:09,320 --> 01:56:11,360
Speaker 1: up to you? I'm then you know what I'm saying.

1982
01:56:12,280 --> 01:56:15,360
Speaker 1: We wok up to you. You couldn't done fry hold On,

1983
01:56:15,480 --> 01:56:17,920
Speaker 1: brold On, brold On, what you mean? Why I was

1984
01:56:17,960 --> 01:56:20,440
Speaker 1: so upset. You didn't see me joking? Now you know

1985
01:56:20,520 --> 01:56:22,800
Speaker 1: what I'm saying. I know you were joke. Answer the question,

1986
01:56:22,880 --> 01:56:27,000
Speaker 1: did you see me joking? Ain't one of them. I

1987
01:56:27,040 --> 01:56:29,280
Speaker 1: ain't want to talk about why I'm so upset. You

1988
01:56:29,360 --> 01:56:31,240
Speaker 1: want to see it with his peace bust out in

1989
01:56:31,320 --> 01:56:34,840
Speaker 1: front of you, and I don't. I'm just following him.

1990
01:56:34,880 --> 01:56:36,920
Speaker 1: I'm not. I'm not finding golds. Do you need any

1991
01:56:36,960 --> 01:56:40,400
Speaker 1: are to answer? I'm just gonna following him. I'm gonna

1992
01:56:40,400 --> 01:56:46,000
Speaker 1: start following him. But they say, come on, man, you

1993
01:56:46,080 --> 01:56:48,120
Speaker 1: want to see him come down your timeline with his

1994
01:56:48,200 --> 01:56:50,840
Speaker 1: peace out, his peace bust open get I'm gonna follow that,

1995
01:56:51,960 --> 01:56:55,080
Speaker 1: all right, Nona follow Wis for that day. But I ain't.

1996
01:56:55,120 --> 01:56:59,040
Speaker 1: I looked it. I looked at Wiz like my little bro. Yeah, okay,

1997
01:56:59,280 --> 01:57:02,880
Speaker 1: I completely with you. I was playing, Yeah, what you

1998
01:57:03,040 --> 01:57:05,600
Speaker 1: talking about? Why I'm concerned about it being in this draft?

1999
01:57:05,680 --> 01:57:07,600
Speaker 1: What are you talking about? Man? I was I'm saying.

2000
01:57:07,920 --> 01:57:11,800
Speaker 1: I'm saying, look at you, Mandy, understand what's going too.

2001
01:57:11,840 --> 01:57:14,840
Speaker 1: They ain't. Lady, You're still talking about it, but you

2002
01:57:14,920 --> 01:57:17,760
Speaker 1: didn't see him. Just pull some shut up. Nah, I

2003
01:57:17,800 --> 01:57:20,960
Speaker 1: don't see all that. Do me a favor. Cut that

2004
01:57:21,040 --> 01:57:23,240
Speaker 1: thick as mustache there. You're too young to have that

2005
01:57:23,280 --> 01:57:26,400
Speaker 1: thick as mustache looking like the whispers. You're not What

2006
01:57:26,480 --> 01:57:28,880
Speaker 1: are you're talking about? Get your nas off here, man,

2007
01:57:29,080 --> 01:57:31,040
Speaker 1: you don't even know what's going on in your head.

2008
01:57:31,080 --> 01:57:33,200
Speaker 1: Com Man, get you another ass off here with your goofy.

2009
01:57:34,320 --> 01:57:37,960
Speaker 1: I'll bet that with ge goofy. Shut up with your goofy.

2010
01:57:38,280 --> 01:57:41,920
Speaker 1: Shut up boy, mustache that thicking. You are young, you

2011
01:57:42,000 --> 01:57:45,840
Speaker 1: can tell you a goofy nigga looked like one of

2012
01:57:45,880 --> 01:57:50,360
Speaker 1: the whispers. Goofy, Damn, I'm talking about why I'm concerned

2013
01:57:50,360 --> 01:57:52,160
Speaker 1: about it? In his drawls, Dude, I look like I

2014
01:57:52,280 --> 01:57:55,720
Speaker 1: was concerned or was I joking? Shut your Goofy's up? Boy,

2015
01:57:56,240 --> 01:57:58,760
Speaker 1: coming on here with that thick mustache and you twenty

2016
01:57:58,800 --> 01:58:03,160
Speaker 1: something looking like you forty something when in after age

2017
01:58:03,480 --> 01:58:06,280
Speaker 1: two ages, I'm twenty forty, nick to twenty and you

2018
01:58:06,360 --> 01:58:11,160
Speaker 1: look forty. You're telling about I don't even know what's

2019
01:58:11,200 --> 01:58:13,640
Speaker 1: going on. I don't even know what's going on. So

2020
01:58:13,800 --> 01:58:16,480
Speaker 1: gonna wind you, man, because in his draws, man, I

2021
01:58:16,720 --> 01:58:19,360
Speaker 1: never was mad that it was in his draws. I

2022
01:58:19,520 --> 01:58:23,000
Speaker 1: was playing, but really for this was gonna slow my

2023
01:58:23,760 --> 01:58:26,600
Speaker 1: seem That's why I take it personal because we got

2024
01:58:26,640 --> 01:58:28,520
Speaker 1: each other number. If you felt some type of way,

2025
01:58:28,560 --> 01:58:30,120
Speaker 1: you could have called me and I would have been like, Bro,

2026
01:58:30,240 --> 01:58:32,040
Speaker 1: it was it joke. I didn't knew you was gonna

2027
01:58:32,040 --> 01:58:34,120
Speaker 1: feel a type of way. I'm gonna take it down. Bro.

2028
01:58:34,720 --> 01:58:37,800
Speaker 1: He could have came on the podcast. We already had

2029
01:58:37,840 --> 01:58:40,240
Speaker 1: him on the podcast. It got like four hundred thousand

2030
01:58:40,360 --> 01:58:43,800
Speaker 1: views and like four months. Nobody cares. It was one

2031
01:58:43,840 --> 01:58:45,800
Speaker 1: of our weakest. It was one of our weakest podcast

2032
01:58:45,880 --> 01:58:48,720
Speaker 1: we ever did. You got thirty something million followers. Nobody cares.

2033
01:58:49,080 --> 01:58:53,040
Speaker 1: It's over. Who get in the real estate? Man, it's over? Man,

2034
01:58:53,120 --> 01:59:01,360
Speaker 1: Nobody cares. Man, I'm here, man, I mean, I'm just

2035
01:59:01,440 --> 01:59:05,720
Speaker 1: telling the truth. Uh, you've been out for four or

2036
01:59:05,760 --> 01:59:07,880
Speaker 1: five months on the Hottest on the Hottest join ever

2037
01:59:08,000 --> 01:59:11,280
Speaker 1: and you you got four hundred thousand views. Man, Nobody cares. Man,

2038
01:59:11,800 --> 01:59:14,160
Speaker 1: you ain't. And you're supposed to be You're supposed to

2039
01:59:14,160 --> 01:59:17,680
Speaker 1: be a superstar, superstar, Nobody cares. Man, so a Lottest

2040
01:59:17,800 --> 01:59:22,600
Speaker 1: view drink and ever, Like nobody cares that Tyson one

2041
01:59:22,760 --> 01:59:27,800
Speaker 1: was crazy? Ugh, right, because somebody cares about Tyson. Tyson

2042
01:59:27,880 --> 01:59:33,280
Speaker 1: one different that Mike people care about Mike our biography

2043
01:59:33,560 --> 01:59:37,640
Speaker 1: like Mike. Okay, So let's get back to the tr situation.

2044
01:59:37,760 --> 01:59:40,360
Speaker 1: That was just briefly Gilly going live talking about the

2045
01:59:40,400 --> 01:59:43,360
Speaker 1: weird thing, and you heard him say that he tried

2046
01:59:43,400 --> 01:59:46,000
Speaker 1: to hurt his business, as I explained. But let's get

2047
01:59:46,040 --> 01:59:47,880
Speaker 1: back to t and what was going on as he

2048
01:59:48,000 --> 01:59:51,600
Speaker 1: was getting booed on stage. Let's see how he reacted

2049
01:59:51,680 --> 01:59:59,840
Speaker 1: and what happened. I got one. My mother sound came

2050
02:00:00,520 --> 02:00:04,000
Speaker 1: for motherfuckers like you, and I appreciate y'all because you

2051
02:00:04,200 --> 02:00:08,200
Speaker 1: made me the absolute best. New York has made me

2052
02:00:08,360 --> 02:00:13,880
Speaker 1: the motherfucking best nigga. I appreciate you. Stages like this

2053
02:00:14,360 --> 02:00:16,760
Speaker 1: has made me the mother fun best. I could be

2054
02:00:17,240 --> 02:00:25,600
Speaker 1: appreciate that. Now. Another thing, Yeah, my daughter does do

2055
02:00:25,800 --> 02:00:28,240
Speaker 1: you believe my dadda know all the motherfuck mama I

2056
02:00:28,240 --> 02:00:32,320
Speaker 1: don't know, nother mind my dadda know all the Mama songs?

2057
02:00:32,360 --> 02:00:34,480
Speaker 1: That my favorite mother song? She hears what you know?

2058
02:00:34,560 --> 02:00:40,960
Speaker 1: It's like, who's that mad? I can't believe it. But

2059
02:00:41,120 --> 02:00:45,520
Speaker 1: the good thing about heaven sons so earlier now they

2060
02:00:45,600 --> 02:00:48,280
Speaker 1: had a point in their life. Well, they answering me

2061
02:00:48,360 --> 02:00:51,640
Speaker 1: for relationship advice. My son asked me, shit, like, dad,

2062
02:00:51,760 --> 02:00:54,840
Speaker 1: how do I know if she's the one nigga? How

2063
02:00:54,960 --> 02:00:59,480
Speaker 1: mother to know? I'll tell you what you do. You

2064
02:00:59,600 --> 02:01:03,440
Speaker 1: treat it like a lady children taken out, keep a hydrated.

2065
02:01:05,040 --> 02:01:07,880
Speaker 1: Wait until that absolute moment where she has to you

2066
02:01:08,000 --> 02:01:13,200
Speaker 1: know number one. And what you do is you drive

2067
02:01:13,360 --> 02:01:16,440
Speaker 1: up to a nice, fancy gas station and tell her

2068
02:01:16,480 --> 02:01:20,480
Speaker 1: this the gas station where heating seats to you. Let

2069
02:01:20,520 --> 02:01:22,800
Speaker 1: her get out and you going that got gas stations.

2070
02:01:24,320 --> 02:01:26,520
Speaker 1: If she come back out, that got the gas station

2071
02:01:26,560 --> 02:01:29,400
Speaker 1: to say them seats wasn't heated. That's not the mother

2072
02:01:29,800 --> 02:01:31,600
Speaker 1: want us to set on that gas stats trying to

2073
02:01:31,640 --> 02:01:34,280
Speaker 1: see that just for the streets. I'm telling you for them.

2074
02:01:34,440 --> 02:01:37,440
Speaker 1: I'm telling you now, any respectable woman and this motherfucker, no,

2075
02:01:37,800 --> 02:01:40,680
Speaker 1: you go to a public restroom, you caught that awkward

2076
02:01:40,800 --> 02:01:43,800
Speaker 1: mother spot and you got there, pull your pass down,

2077
02:01:44,120 --> 02:01:46,640
Speaker 1: that pass your knees. Don't want to touch the pissing flow.

2078
02:01:46,920 --> 02:01:54,440
Speaker 1: If she don't do that, don't you bring that chune now?

2079
02:01:55,640 --> 02:01:58,400
Speaker 1: So for do For those of you listen, this is

2080
02:01:58,480 --> 02:02:02,360
Speaker 1: Tip on stage with doing comment in New York City,

2081
02:02:02,400 --> 02:02:06,000
Speaker 1: which got something to say, smells very very hard spot

2082
02:02:06,080 --> 02:02:08,480
Speaker 1: to do comment that Hey, listen, man, you ain't been here.

2083
02:02:09,160 --> 02:02:12,720
Speaker 1: You just started about eight years ago. You just got here. Problem.

2084
02:02:12,840 --> 02:02:15,840
Speaker 1: Now take it from you, sir. I will not allow it.

2085
02:02:16,920 --> 02:02:26,760
Speaker 1: I will not allow it. Quite book, I'll tell you

2086
02:02:26,880 --> 02:02:31,160
Speaker 1: what you do. Indian, I know I got any bandage,

2087
02:02:32,680 --> 02:02:43,560
Speaker 1: start rapping, I have any bandy. So then he goes

2088
02:02:43,600 --> 02:02:46,800
Speaker 1: into the music. So that's his way of getting around that.

2089
02:02:46,880 --> 02:02:49,360
Speaker 1: I don't I wonder if comed is gonna respect that.

2090
02:02:50,080 --> 02:02:55,960
Speaker 1: I wish that mother was grateful mother. Okay, he didn't

2091
02:02:56,000 --> 02:03:00,320
Speaker 1: do the song. Okay, hey, let you talking about you

2092
02:03:00,480 --> 02:03:07,360
Speaker 1: got the right mother? You one man. I really do appreciate. Hey, listen, man,

2093
02:03:07,400 --> 02:03:09,600
Speaker 1: I ain't gonna lie to you. I love you mother

2094
02:03:10,000 --> 02:03:13,160
Speaker 1: more you ever know. This is something that I enjoyed doing,

2095
02:03:13,440 --> 02:03:16,200
Speaker 1: and I appreciate y'all allowing me the opportunity to set

2096
02:03:16,280 --> 02:03:25,760
Speaker 1: up and do what I love you. Hear what I'm saying? Yes, indeed,

2097
02:03:26,520 --> 02:03:28,680
Speaker 1: because you don't know how my mother house go. You

2098
02:03:28,720 --> 02:03:31,360
Speaker 1: don't understand that my wife got She she was a

2099
02:03:31,440 --> 02:03:34,680
Speaker 1: stock before I was. She constantly reminds me of this.

2100
02:03:35,240 --> 02:03:37,920
Speaker 1: He jumped back into a six Timmy like I was

2101
02:03:38,040 --> 02:03:42,360
Speaker 1: a platinum in ninety four? What were you doing selling

2102
02:03:42,480 --> 02:03:47,040
Speaker 1: dode dear, what the fuck you think I was doing? Man?

2103
02:03:47,120 --> 02:03:50,200
Speaker 1: I appreciate y'all. Man, it's been my time man too, Harris.

2104
02:03:52,400 --> 02:03:54,880
Speaker 1: Let's go bring him out, bring him out, bring him.

2105
02:03:55,040 --> 02:03:57,320
Speaker 1: So that was that was him being bold. And you

2106
02:03:57,400 --> 02:04:00,720
Speaker 1: see how that was a great improblem act he did

2107
02:04:00,800 --> 02:04:03,120
Speaker 1: way through the thing, going way through the music on.

2108
02:04:03,720 --> 02:04:06,360
Speaker 1: I'm not sure how comics are gonna respond to that,

2109
02:04:07,640 --> 02:04:10,720
Speaker 1: but that is his that's his ability, got the ability

2110
02:04:10,760 --> 02:04:12,680
Speaker 1: to do that because he comes from music. But I

2111
02:04:12,800 --> 02:04:16,080
Speaker 1: just I wondered what comics say, No, you didn't fight,

2112
02:04:16,160 --> 02:04:19,640
Speaker 1: you didn't fight your way out of that, And that's

2113
02:04:19,680 --> 02:04:21,960
Speaker 1: what they respect. When you win the dirt, like any

2114
02:04:22,040 --> 02:04:24,480
Speaker 1: you fight your way out. Like I like a podcast

2115
02:04:24,920 --> 02:04:28,480
Speaker 1: where the guests, well I can tell, oh shit, the

2116
02:04:28,560 --> 02:04:33,280
Speaker 1: guests is fumbling, but the hosts keeping it together. It's like, oh,

2117
02:04:33,360 --> 02:04:35,640
Speaker 1: he earning that money. They want to see that in

2118
02:04:35,760 --> 02:04:39,120
Speaker 1: comic because once you start getting the money, it's just easy.

2119
02:04:39,800 --> 02:04:42,720
Speaker 1: Not easy in regards to your craft changes. That's why

2120
02:04:42,800 --> 02:04:44,920
Speaker 1: you got to go through that hard training is because

2121
02:04:45,000 --> 02:04:49,360
Speaker 1: what's required to keep it at the rate of travel,

2122
02:04:49,520 --> 02:04:53,200
Speaker 1: what's required to even keep it there is a certain

2123
02:04:53,240 --> 02:04:55,600
Speaker 1: work ethic that you gotta have because you would get

2124
02:04:55,640 --> 02:04:57,520
Speaker 1: there and like I said, you will come right back

2125
02:04:58,240 --> 02:05:00,320
Speaker 1: and I don't again. I'll make this point again. I

2126
02:05:00,360 --> 02:05:02,920
Speaker 1: don't care where you go. You gotta have stand power.

2127
02:05:03,600 --> 02:05:06,440
Speaker 1: When you become a millionaire, they always try to tell

2128
02:05:06,480 --> 02:05:09,919
Speaker 1: you to celebrate that. I'd rather celebrate how long I've

2129
02:05:10,000 --> 02:05:14,800
Speaker 1: stayed a million Now, we gotta have stand power. Man.

2130
02:05:14,960 --> 02:05:17,520
Speaker 1: You can take me anywhere in the world. Man, it

2131
02:05:17,560 --> 02:05:19,960
Speaker 1: can be the most beautiful view in the world once

2132
02:05:20,000 --> 02:05:22,280
Speaker 1: I get there. If I gotta get there and immediately

2133
02:05:22,400 --> 02:05:25,280
Speaker 1: turn around and come back, that trip was no good

2134
02:05:25,400 --> 02:05:29,800
Speaker 1: to me, right, So I gotta be careful with the

2135
02:05:29,920 --> 02:05:32,840
Speaker 1: standpower what things And so we got to make sure

2136
02:05:32,880 --> 02:05:37,000
Speaker 1: to identify how to stay successful? Now how to get successful?

2137
02:05:37,720 --> 02:05:41,240
Speaker 1: It's up there podcast. We talk about how to stay successful.

2138
02:05:42,800 --> 02:05:46,400
Speaker 1: It stands successful. You get successful, but it's more to

2139
02:05:46,600 --> 02:05:49,360
Speaker 1: do after you get successful, and a lot of these

2140
02:05:49,480 --> 02:05:51,560
Speaker 1: guys ain't telling you that. And that's where we come

2141
02:05:51,640 --> 02:05:54,640
Speaker 1: in there. But Ti he fought his way out by

2142
02:05:55,120 --> 02:05:57,280
Speaker 1: using the cheet code with music, and then he spoke

2143
02:05:57,320 --> 02:05:59,840
Speaker 1: about it with Michael Blackston. Let's see what he said.

2144
02:06:00,760 --> 02:06:05,920
Speaker 1: What came on everybody got got the whole energy change

2145
02:06:07,800 --> 02:06:11,000
Speaker 1: whole energy change, and then right with on my turn around,

2146
02:06:11,400 --> 02:06:13,680
Speaker 1: I cut the song gonna say I wish I would

2147
02:06:13,800 --> 02:06:18,240
Speaker 1: for you, unbreakful mother, ain't no way. Everybody stood on

2148
02:06:18,280 --> 02:06:22,600
Speaker 1: their foot, stood on their feet, star clapping. I didn't

2149
02:06:22,600 --> 02:06:24,680
Speaker 1: see the video that I was. I didn't. I need

2150
02:06:24,720 --> 02:06:34,560
Speaker 1: to see that. I mean, either way, Bro, can't bad part,

2151
02:06:34,960 --> 02:06:38,760
Speaker 1: Davey show that good part. I don't care what they showed. Bro,

2152
02:06:39,160 --> 02:06:42,280
Speaker 1: I don't give a because I ain't seeking nobody's validation.

2153
02:06:43,000 --> 02:06:47,200
Speaker 1: I'm not here for nobody else's approval. I don't give

2154
02:06:47,240 --> 02:06:50,440
Speaker 1: it that between me and the crowd, once I left

2155
02:06:50,480 --> 02:06:55,280
Speaker 1: the arena, or the crowd left the arena, everybody else, y'all,

2156
02:06:55,280 --> 02:06:58,080
Speaker 1: I'm up. Just you know, I don't give it. I

2157
02:06:58,080 --> 02:07:02,120
Speaker 1: don't give it about that. Look at tomorrow night, we

2158
02:07:02,240 --> 02:07:04,760
Speaker 1: want to know cap Tour you're coming down to perform.

2159
02:07:05,800 --> 02:07:08,160
Speaker 1: Is there anything you trying to do different? Anything to

2160
02:07:08,480 --> 02:07:15,240
Speaker 1: you know? Tons of different? Well, you're gonna do different,

2161
02:07:15,280 --> 02:07:20,640
Speaker 1: I'm sorry, she said, tons of okays you how you

2162
02:07:20,680 --> 02:07:22,520
Speaker 1: you're gonna say that same joke that you that you

2163
02:07:22,640 --> 02:07:26,320
Speaker 1: know you're gonna let that joke go? What I think

2164
02:07:26,360 --> 02:07:32,600
Speaker 1: I made? I think I made. I don't remember to

2165
02:07:32,760 --> 02:07:36,040
Speaker 1: be honest with you. It depends I think it's gonna

2166
02:07:36,040 --> 02:07:39,360
Speaker 1: be something that it's a case by case basis. I'm

2167
02:07:39,400 --> 02:07:43,120
Speaker 1: gonna read the crowd a little bit better. I might

2168
02:07:43,200 --> 02:07:53,920
Speaker 1: go south pall anymore. Ye all right. But the main

2169
02:07:54,080 --> 02:07:57,600
Speaker 1: thing about it all bro yea sir, I appreciate the

2170
02:07:57,680 --> 02:08:01,880
Speaker 1: opportunity to grow. I appreciate the opportunity to learn. I

2171
02:08:01,960 --> 02:08:06,000
Speaker 1: appreciate the opportunity to get better and involved. I ain't

2172
02:08:06,160 --> 02:08:09,520
Speaker 1: really looking for them easy, I ain't looking for them easy.

2173
02:08:11,120 --> 02:08:13,400
Speaker 1: All right. That's the head. That's it. That's it. That's

2174
02:08:13,400 --> 02:08:15,280
Speaker 1: how you gotta And the thing about New York Man,

2175
02:08:15,480 --> 02:08:18,520
Speaker 1: the thing about being booed part of um begame. You

2176
02:08:18,600 --> 02:08:23,040
Speaker 1: know that, Eddie Murphy, Richard pryor Bill Cosby myself, we

2177
02:08:23,160 --> 02:08:25,960
Speaker 1: all have been booed for different reasons. I know I was.

2178
02:08:26,080 --> 02:08:28,040
Speaker 1: I got I'm under I got booed one time in

2179
02:08:28,120 --> 02:08:31,200
Speaker 1: my career. I didn't get booed because I wasn't funny.

2180
02:08:31,520 --> 02:08:36,640
Speaker 1: Only one once, Okay, once I got booed. And I

2181
02:08:37,000 --> 02:08:39,120
Speaker 1: didn't get booed because I wasn't funny. I got booed

2182
02:08:39,160 --> 02:08:41,680
Speaker 1: because I was too voger and I did it. Was

2183
02:08:41,760 --> 02:08:43,720
Speaker 1: it was it was. It was a shorter college and

2184
02:08:43,800 --> 02:08:47,040
Speaker 1: I think some how big was the crowd. It was

2185
02:08:47,160 --> 02:08:49,480
Speaker 1: a pretty nice crowd. I forgot, did him when the

2186
02:08:49,520 --> 02:08:53,879
Speaker 1: school was it was everything like how big like pride

2187
02:08:54,080 --> 02:08:59,720
Speaker 1: fifteen hundred, ain't nah? They were talking. You got boom, Yeah,

2188
02:08:59,720 --> 02:09:04,520
Speaker 1: you got about like ten thousand tonight. That's big. Yeah, yeah, yeah, however,

2189
02:09:05,160 --> 02:09:08,440
Speaker 1: everybody went booing. Your booze came from the right side.

2190
02:09:09,280 --> 02:09:14,640
Speaker 1: I've seen them. They came from the right side. Came

2191
02:09:14,720 --> 02:09:18,760
Speaker 1: from the right side. Now I was looking at the middle.

2192
02:09:19,640 --> 02:09:21,200
Speaker 1: I was looking at the middle. They came from the

2193
02:09:21,280 --> 02:09:23,720
Speaker 1: right side. It was one white boy in the middle.

2194
02:09:23,800 --> 02:09:26,480
Speaker 1: And I told him, Hey, not gonna sep that from you.

2195
02:09:26,960 --> 02:09:29,680
Speaker 1: You just got here. I'm not gonna sept that for you.

2196
02:09:30,000 --> 02:09:33,720
Speaker 1: It's Brooklyn. You just got here. Well you know the

2197
02:09:33,760 --> 02:09:40,160
Speaker 1: Brooklyn at that. What's the w are you looking for? Ye? Yeah, right,

2198
02:09:40,280 --> 02:09:44,600
Speaker 1: So you should have helped me with the word. What's

2199
02:09:44,600 --> 02:09:50,760
Speaker 1: it called gentrified? Yeah? Justified? Yeah, it was Brooklyn. It

2200
02:09:50,840 --> 02:09:54,760
Speaker 1: was Colonizer. It was a colonizer of Toronto. That was

2201
02:09:54,960 --> 02:10:01,600
Speaker 1: Colonizer in the front trying to, you know, enter into

2202
02:10:01,720 --> 02:10:05,480
Speaker 1: the booze of the right side. I say, bro I

2203
02:10:05,560 --> 02:10:07,480
Speaker 1: ain't gonna had it for you. I take it from

2204
02:10:07,520 --> 02:10:10,640
Speaker 1: my brothers and sisters. I ain't gone for naw, naw

2205
02:10:10,840 --> 02:10:14,520
Speaker 1: not you did you walk down the hitchen will Will Smith?

2206
02:10:15,080 --> 02:10:17,880
Speaker 1: You let him live? You say what if you go

2207
02:10:18,000 --> 02:10:21,360
Speaker 1: Will Smith do? Or you let him live? Naw? Bro man,

2208
02:10:21,520 --> 02:10:25,280
Speaker 1: come on, it's all in fun. It's all in fun. Bro,

2209
02:10:25,440 --> 02:10:31,440
Speaker 1: ain't I'm not upset. I enjoyed myself thoroughly. That what

2210
02:10:31,520 --> 02:10:38,640
Speaker 1: you don't understand. I'm ready for more, more boots or

2211
02:10:38,840 --> 02:10:42,840
Speaker 1: more shows. I'm ready as long as I ain't got

2212
02:10:42,920 --> 02:10:44,400
Speaker 1: to well what you got on, man, as long as

2213
02:10:44,400 --> 02:10:49,640
Speaker 1: I gotta as I gotta put that on, I'm ready.

2214
02:10:51,800 --> 02:10:56,840
Speaker 1: If you wouldn't have me mind Hey, look man, you're

2215
02:10:56,880 --> 02:10:59,680
Speaker 1: set with Hey, Look, y're set with fatto you have?

2216
02:11:00,000 --> 02:11:01,600
Speaker 1: I said you had a dope set, You had a

2217
02:11:01,640 --> 02:11:04,720
Speaker 1: real dope set. Then trust me, this is all me

2218
02:11:04,800 --> 02:11:07,280
Speaker 1: behind you and another three years from Nag'm like my

2219
02:11:07,480 --> 02:11:09,000
Speaker 1: mom when I got booted New York and so up

2220
02:11:09,000 --> 02:11:12,240
Speaker 1: part of the game. I've been waiting on this moment

2221
02:11:12,320 --> 02:11:14,600
Speaker 1: because mothers told me it was gonna happen, and I

2222
02:11:14,680 --> 02:11:16,800
Speaker 1: never thought it was able to happen. I never thought

2223
02:11:17,040 --> 02:11:21,680
Speaker 1: I never I didn't happen, and this, this has, this

2224
02:11:21,880 --> 02:11:24,960
Speaker 1: has went my back against the wall. I performed much better.

2225
02:11:26,080 --> 02:11:27,560
Speaker 1: You know what that was gonna happen at all. I

2226
02:11:27,640 --> 02:11:30,200
Speaker 1: wasn't gonna happen like this quick. I ain't think we're

2227
02:11:30,200 --> 02:11:32,240
Speaker 1: gonna happening. I ain't see it happing it at all.

2228
02:11:32,400 --> 02:11:39,760
Speaker 1: I ain't see it having Oh there is which one

2229
02:11:39,880 --> 02:11:45,320
Speaker 1: is that what's coming at all? Is that from confidence?

2230
02:11:45,520 --> 02:11:52,240
Speaker 1: Or you just a cocky monef because the last I

2231
02:11:52,400 --> 02:11:57,120
Speaker 1: was getting, okay, because the last I was getting, the

2232
02:11:57,240 --> 02:11:59,560
Speaker 1: last I was getting was making me feel like, hey, yo,

2233
02:11:59,680 --> 02:12:05,400
Speaker 1: bro uh it kind of laughs again, ain't they ain't

2234
02:12:05,440 --> 02:12:09,320
Speaker 1: camera you new York in New York? Say, has something

2235
02:12:09,400 --> 02:12:13,160
Speaker 1: else right in New York? Hey? Get that? Get what?

2236
02:12:15,200 --> 02:12:19,080
Speaker 1: I welcome it because it's all a part of the journey. Correct, Yes, sir,

2237
02:12:19,640 --> 02:12:22,520
Speaker 1: this is what this is what comes with being a

2238
02:12:22,640 --> 02:12:29,440
Speaker 1: respected comic in the business. Correct, everybody get where I'm

2239
02:12:29,560 --> 02:12:32,960
Speaker 1: that much closer to being a goat because I got

2240
02:12:33,040 --> 02:12:36,120
Speaker 1: that behind me. That's the attitude. Well, I mean it

2241
02:12:36,280 --> 02:12:38,240
Speaker 1: wants to come in and it happened one than one.

2242
02:12:38,280 --> 02:12:42,640
Speaker 1: To prepare and to be honest with you, please take

2243
02:12:42,760 --> 02:12:48,320
Speaker 1: attention away from the suit. Don't keep shan and the

2244
02:12:48,680 --> 02:12:53,920
Speaker 1: camera on the suit. You know that you know what

2245
02:12:54,000 --> 02:13:01,480
Speaker 1: the suit is is like a gender review outfit. But

2246
02:13:01,640 --> 02:13:04,440
Speaker 1: now man I love Hey, look, man I adjoyed myself. Bro,

2247
02:13:05,240 --> 02:13:08,040
Speaker 1: I joyed myself. All right, So you hear ta just

2248
02:13:08,160 --> 02:13:10,800
Speaker 1: talk about you know how he respects the game of comedy.

2249
02:13:10,800 --> 02:13:13,560
Speaker 1: He gonna go through some things with comedy. You got

2250
02:13:13,680 --> 02:13:15,840
Speaker 1: to build that audience from the ground level. That's just

2251
02:13:15,960 --> 02:13:19,600
Speaker 1: how it is. It's a very grass root type of thing. Um.

2252
02:13:20,280 --> 02:13:22,480
Speaker 1: But he seems to be up for the ride. You know,

2253
02:13:22,680 --> 02:13:25,400
Speaker 1: that same building had he done in podcasting, would have

2254
02:13:25,440 --> 02:13:29,080
Speaker 1: paid off the same way. Um. It's funny to me

2255
02:13:29,240 --> 02:13:32,280
Speaker 1: that that t I can see that comedy takes that

2256
02:13:32,440 --> 02:13:35,640
Speaker 1: kind of building, but he didn't see that in podcasting

2257
02:13:35,800 --> 02:13:38,840
Speaker 1: because he wanted to fast track podcasting and get the money.

2258
02:13:39,160 --> 02:13:41,480
Speaker 1: But it seems that he has a level of understanding

2259
02:13:41,560 --> 02:13:44,920
Speaker 1: with comedy that the money and the accolades and the

2260
02:13:45,040 --> 02:13:48,560
Speaker 1: status doesn't come to after you actually build it up.

2261
02:13:48,640 --> 02:13:52,240
Speaker 1: And he's okay with building it up. So um. Interesting

2262
02:13:52,360 --> 02:13:54,600
Speaker 1: just that that's a whole other conversation I can have.

2263
02:13:54,760 --> 02:13:58,720
Speaker 1: But we've had a good part today. Um, I guess

2264
02:13:58,760 --> 02:14:02,560
Speaker 1: I'll talk about the white el Cyrus and the family

2265
02:14:02,680 --> 02:14:05,960
Speaker 1: of the young boy Tyree Sampson, that was his name.

2266
02:14:06,480 --> 02:14:09,920
Speaker 1: His family comes out cause our y ko Cyrus saying

2267
02:14:10,000 --> 02:14:13,600
Speaker 1: that he didn't pay for the funeral, those circumstances. And

2268
02:14:13,720 --> 02:14:15,840
Speaker 1: before I before I get to that, let me say

2269
02:14:15,880 --> 02:14:18,080
Speaker 1: this too. But just about music. I haven't spoke on

2270
02:14:18,760 --> 02:14:22,240
Speaker 1: a lot of music. I just kind of speak on topics.

2271
02:14:22,320 --> 02:14:26,320
Speaker 1: But the South is moving. Little Baby is on his way.

2272
02:14:27,560 --> 02:14:29,720
Speaker 1: Let's be clear to the people that's out there. Baby

2273
02:14:29,840 --> 02:14:35,800
Speaker 1: is on his way. Money Bags on his way. Those

2274
02:14:35,880 --> 02:14:38,320
Speaker 1: two are the two that I'm watching. Little Baby and

2275
02:14:38,440 --> 02:14:40,840
Speaker 1: money Bag. Those two are on that wave very soon,

2276
02:14:40,920 --> 02:14:43,640
Speaker 1: and we're gonna see how they affect the game. But

2277
02:14:43,800 --> 02:14:46,000
Speaker 1: you see what Baby's just dropped. He can just drop

2278
02:14:46,120 --> 02:14:48,280
Speaker 1: his own little vibe, his own little wave, and it's

2279
02:14:48,320 --> 02:14:51,360
Speaker 1: gonna go. It's been going, it's been working, and it

2280
02:14:51,400 --> 02:14:53,920
Speaker 1: seemed to be effective. I think he's found this groove

2281
02:14:54,080 --> 02:14:57,000
Speaker 1: and he'll be in a great place. Now. Let me

2282
02:14:57,080 --> 02:14:59,440
Speaker 1: say this because a lot of music has dropped this

2283
02:14:59,560 --> 02:15:03,600
Speaker 1: week at five year four and just dropped. Got forty

2284
02:15:03,680 --> 02:15:13,920
Speaker 1: two dug etsg estgu Carla Ray, a bunch of people dropping,

2285
02:15:14,000 --> 02:15:16,920
Speaker 1: Roddy Rebel dropped a single an A bunch of people

2286
02:15:16,960 --> 02:15:20,720
Speaker 1: are dropping songs with five Yeo's album. I listened to it.

2287
02:15:21,160 --> 02:15:24,360
Speaker 1: It sounds very polished. You can tell that it's it's polished.

2288
02:15:24,400 --> 02:15:26,840
Speaker 1: It's a polished album. You can hear Kanye West on

2289
02:15:26,920 --> 02:15:29,400
Speaker 1: it as well. I can kind of hear that element

2290
02:15:29,520 --> 02:15:32,160
Speaker 1: Kanye brains with the singing in certain things. I can

2291
02:15:32,240 --> 02:15:35,960
Speaker 1: hear Kanye west footprint on it. It seems like they're

2292
02:15:36,000 --> 02:15:39,040
Speaker 1: scared to let five year old wrap though for some

2293
02:15:39,320 --> 02:15:42,560
Speaker 1: reason it comes off it's being received as a consumer

2294
02:15:42,960 --> 02:15:45,800
Speaker 1: that they're scared to let five yeo step outside of

2295
02:15:45,880 --> 02:15:48,720
Speaker 1: the drill rapp or that little that little sound. If

2296
02:15:48,800 --> 02:15:51,800
Speaker 1: you know drill, you know that sound. There's a certain

2297
02:15:51,840 --> 02:15:56,240
Speaker 1: little vibe tap bouncing sound that they smother the five

2298
02:15:56,320 --> 02:15:59,000
Speaker 1: yeo in, And I think that he's allowing them to

2299
02:15:59,120 --> 02:16:03,360
Speaker 1: pigeonhole what it is he do. Now. I will give

2300
02:16:03,440 --> 02:16:08,600
Speaker 1: credit that they did take different approaches, but they kept

2301
02:16:08,720 --> 02:16:12,280
Speaker 1: certain elements in every single song. And I think without

2302
02:16:12,400 --> 02:16:15,880
Speaker 1: the ability to spread your wings, you will not have

2303
02:16:16,040 --> 02:16:19,360
Speaker 1: the ability to fly, and so you have to spread

2304
02:16:19,440 --> 02:16:22,520
Speaker 1: your wings and try other things, like at some point,

2305
02:16:22,640 --> 02:16:24,680
Speaker 1: I'm gonna you're gonna see a lot of different things

2306
02:16:24,760 --> 02:16:26,920
Speaker 1: from me. We gotta see different things from you as

2307
02:16:26,960 --> 02:16:30,160
Speaker 1: a creator. So I get it. But they tried to

2308
02:16:30,240 --> 02:16:32,000
Speaker 1: do it in the best way they could to keep

2309
02:16:32,040 --> 02:16:35,199
Speaker 1: it on that. Now, one or two things can be happening.

2310
02:16:35,879 --> 02:16:38,400
Speaker 1: Five year old could have shown them that on other beats,

2311
02:16:38,440 --> 02:16:40,800
Speaker 1: he doesn't perform in the right way, or he doesn't

2312
02:16:40,840 --> 02:16:48,840
Speaker 1: perform in a way that's conducive to being favorable music

2313
02:16:48,920 --> 02:16:51,480
Speaker 1: on the market. Maybe they can say that, maybe they

2314
02:16:51,560 --> 02:16:54,280
Speaker 1: had that evidence that we don't have because we're consumers. Now,

2315
02:16:54,320 --> 02:16:57,560
Speaker 1: if I'm five year old, I'm probably telling them, let's

2316
02:16:57,640 --> 02:17:01,280
Speaker 1: not put my album out. Let's just keep piping me

2317
02:17:01,400 --> 02:17:04,160
Speaker 1: up on singles until I get a solid ten records

2318
02:17:04,600 --> 02:17:06,800
Speaker 1: with you know why, I'm rapping on this one and

2319
02:17:07,000 --> 02:17:09,720
Speaker 1: this type, vibe here and that, or I give you

2320
02:17:09,800 --> 02:17:15,119
Speaker 1: a solid ten of them motherfucks dem dem dem little bit,

2321
02:17:15,640 --> 02:17:18,080
Speaker 1: I'm in in love with it, hey, once you know

2322
02:17:18,240 --> 02:17:20,600
Speaker 1: when I give you a solid ten of those joints,

2323
02:17:20,680 --> 02:17:23,160
Speaker 1: like pop Smoke was doing it life, you gotta be

2324
02:17:23,280 --> 02:17:26,080
Speaker 1: careful when you when you brand building on what you're doing.

2325
02:17:26,160 --> 02:17:29,279
Speaker 1: That's why you gotta stay alert. I think he's placed

2326
02:17:29,360 --> 02:17:32,640
Speaker 1: himself in a position though, to have another shot at it. Now.

2327
02:17:32,720 --> 02:17:35,640
Speaker 1: It's not a bad album. It's just a really polished album,

2328
02:17:36,080 --> 02:17:39,720
Speaker 1: and it's operating outside of drill, but inside a drill.

2329
02:17:39,879 --> 02:17:42,040
Speaker 1: It's a weird thing it's doing, and I get the

2330
02:17:42,160 --> 02:17:46,519
Speaker 1: innovation attest to it. I just think that they arrested

2331
02:17:47,040 --> 02:17:51,080
Speaker 1: his creativity. They captured his creativity, They captured his ability

2332
02:17:51,160 --> 02:17:54,600
Speaker 1: to show his audience that he can do something outside

2333
02:17:54,640 --> 02:17:56,760
Speaker 1: of that. You know, I know you want to make

2334
02:17:56,840 --> 02:17:59,640
Speaker 1: him the eat guy for that genre music, but I

2335
02:17:59,760 --> 02:18:02,560
Speaker 1: think in doing so, you still got to allow him

2336
02:18:02,600 --> 02:18:05,280
Speaker 1: the ability to operate outside of it, just so they

2337
02:18:05,360 --> 02:18:09,320
Speaker 1: can appreciate what he's doing. It's a reason why when

2338
02:18:09,440 --> 02:18:11,560
Speaker 1: Drake come back to seeing and it's a whole list

2339
02:18:11,640 --> 02:18:13,680
Speaker 1: of people that Lord, I can't wait to that Drake

2340
02:18:13,800 --> 02:18:15,959
Speaker 1: drop right there. That Drake right there, that's the Drake.

2341
02:18:16,040 --> 02:18:18,920
Speaker 1: I like, you serve them sometime. You serve that people

2342
02:18:19,040 --> 02:18:21,480
Speaker 1: sometimes you sir, you know, and that's how you keep

2343
02:18:21,600 --> 02:18:24,560
Speaker 1: each one of those fancies open and those people excited

2344
02:18:24,600 --> 02:18:27,640
Speaker 1: about what you got coming. But for five year old,

2345
02:18:27,640 --> 02:18:30,160
Speaker 1: I think he'll end up doing a great job. He'll

2346
02:18:30,200 --> 02:18:32,280
Speaker 1: have a second shot at it, and hopefully they allow

2347
02:18:32,360 --> 02:18:36,960
Speaker 1: him to do so now the y Ko Cyrus family

2348
02:18:37,040 --> 02:18:40,320
Speaker 1: called him out. The Tyree Sampson is his name, called

2349
02:18:40,400 --> 02:18:44,280
Speaker 1: him out for not paying the funeral when he tweeted

2350
02:18:44,320 --> 02:18:46,959
Speaker 1: that yo I'll take care of the funeral or the kid. Now,

2351
02:18:47,760 --> 02:18:52,320
Speaker 1: y Ka ended up showing that he paid it. And

2352
02:18:52,480 --> 02:18:54,600
Speaker 1: if you know anything about gold fund Me and some

2353
02:18:54,680 --> 02:18:57,320
Speaker 1: of those organizations, when it's a large sum, they come

2354
02:18:57,400 --> 02:19:00,360
Speaker 1: through that organization, it takes a while because they want

2355
02:19:00,400 --> 02:19:03,120
Speaker 1: to clear the money. So y K showways in fifteen

2356
02:19:03,240 --> 02:19:05,840
Speaker 1: K to take care of whatever he could take care of.

2357
02:19:06,040 --> 02:19:08,120
Speaker 1: I think they was looking for thirty five K or

2358
02:19:08,200 --> 02:19:11,360
Speaker 1: something like that, but for some reason it didn't show

2359
02:19:11,440 --> 02:19:13,600
Speaker 1: up for the family. So y K did take care

2360
02:19:13,640 --> 02:19:16,000
Speaker 1: of it. People ask me how I feel about it.

2361
02:19:16,080 --> 02:19:18,720
Speaker 1: I think there's no way to feel about it. Either

2362
02:19:18,800 --> 02:19:20,720
Speaker 1: he did it or he didn't. Now, if he didn't

2363
02:19:20,760 --> 02:19:22,720
Speaker 1: do it, we can feel away. But he showed that

2364
02:19:22,800 --> 02:19:25,400
Speaker 1: he sent some paper case clothes. There's no way to

2365
02:19:25,480 --> 02:19:29,240
Speaker 1: feel about it. Now. How do you feel about rappers

2366
02:19:29,280 --> 02:19:32,480
Speaker 1: stepping up to the plate and taking owners or taking

2367
02:19:33,360 --> 02:19:35,520
Speaker 1: the position that they want to take care of funerals

2368
02:19:35,560 --> 02:19:38,760
Speaker 1: of some of our falling people for whatever reason? That is?

2369
02:19:39,240 --> 02:19:42,920
Speaker 1: Yo I Champion that. I think that rappers being a resource,

2370
02:19:43,240 --> 02:19:46,480
Speaker 1: it's always a beautiful thing. If a rapper or podcast

2371
02:19:46,600 --> 02:19:49,640
Speaker 1: or celebrity can make themselves a resource in some kind

2372
02:19:49,680 --> 02:19:53,000
Speaker 1: of way, available to their community or to their people,

2373
02:19:53,040 --> 02:19:55,640
Speaker 1: I think that's a beautiful thing. But we gotta be

2374
02:19:55,840 --> 02:19:59,520
Speaker 1: careful because we are only a resource if we main

2375
02:19:59,680 --> 02:20:04,000
Speaker 1: resource us full. So we are not a resource if

2376
02:20:04,040 --> 02:20:06,840
Speaker 1: we are not resourceful, We're just a person. And to

2377
02:20:07,000 --> 02:20:11,840
Speaker 1: contact a person of interest, we just somebody that you

2378
02:20:11,920 --> 02:20:14,640
Speaker 1: can show up and show us the glitz and glamor.

2379
02:20:14,879 --> 02:20:16,879
Speaker 1: But you ain't gonna show us how to get nowhere.

2380
02:20:16,920 --> 02:20:19,560
Speaker 1: You ain't gonna show us the way out. You know,

2381
02:20:19,640 --> 02:20:22,200
Speaker 1: we're looking for Harry Tuckman. We're looking for somebody to

2382
02:20:22,280 --> 02:20:25,280
Speaker 1: show us to underground real role. How do we figure

2383
02:20:25,280 --> 02:20:27,160
Speaker 1: out how to get there and get through there? And

2384
02:20:27,280 --> 02:20:31,320
Speaker 1: so again I think rapp us being a resource to

2385
02:20:31,360 --> 02:20:34,080
Speaker 1: the community is a beautiful thing. We gotta stand for

2386
02:20:34,200 --> 02:20:36,600
Speaker 1: summer fall for anything, you know what I'm saying. So

2387
02:20:37,000 --> 02:20:39,200
Speaker 1: we had a good podcast today, man. I sent a

2388
02:20:39,240 --> 02:20:41,560
Speaker 1: shout out to everybody that's made it to this part. Man,

2389
02:20:41,640 --> 02:20:46,680
Speaker 1: we love y'all. Make sure you get the biggest homie hoodies.

2390
02:20:47,160 --> 02:20:48,920
Speaker 1: Make sure you get the hoodie that I had on

2391
02:20:49,040 --> 02:20:51,640
Speaker 1: when I was in Cookies. That's for sale. Make sure

2392
02:20:51,680 --> 02:20:53,280
Speaker 1: you get some of the merged man tap me in

2393
02:20:53,400 --> 02:20:56,160
Speaker 1: with the real It's up that podcast. We love y'all man,

2394
02:20:56,440 --> 02:21:04,320
Speaker 1: We'll see y'all next week. M H. It's a prime

2395
02:21:04,400 --> 02:21:08,320
Speaker 1: example of pushing peak for this up there podcast.