1
00:00:01,360 --> 00:00:04,680
Speaker 1: Handsomniacs. This is Heather Iine Horn, co creator of See

2
00:00:04,680 --> 00:00:07,800
Speaker 1: You in Your Nightmares. To fully immerse yourself in the

3
00:00:07,880 --> 00:00:12,639
Speaker 1: nightmare experience, headphones are recommended. Stay tuned for the next episode,

4
00:00:12,800 --> 00:00:19,520
Speaker 1: but first a quick word from our sponsor, Iron Horn's

5
00:00:19,520 --> 00:00:22,680
Speaker 1: Epic Productions and I Heart Radio present See You in

6
00:00:22,760 --> 00:00:42,199
Speaker 1: Your Nightmares in three D headphones recommended. I'm alone, it's

7
00:00:42,240 --> 00:00:50,080
Speaker 1: not happening, it's fine, it's all fine. We go out, Alfie,

8
00:00:51,200 --> 00:00:58,480
Speaker 1: We go out of there in this small room. Knock,

9
00:00:59,640 --> 00:01:07,639
Speaker 1: just not Alfie, it's Harper again. Julie is here too.

10
00:01:08,760 --> 00:01:15,720
Speaker 1: Come on, a billy, let's take a walk. What do

11
00:01:15,760 --> 00:01:18,520
Speaker 1: you want, just to get you some fresh air? Man?

12
00:01:18,920 --> 00:01:22,600
Speaker 1: Come on? What a constellation for the hostage? What else

13
00:01:22,600 --> 00:01:27,280
Speaker 1: we got? Come on, Alfie? I am not going anywhere

14
00:01:27,319 --> 00:01:32,120
Speaker 1: with her me. Alfie, you left me in there for months.

15
00:01:32,360 --> 00:01:34,240
Speaker 1: I was there for you, Yeah, and you left me

16
00:01:34,280 --> 00:01:37,560
Speaker 1: with your monster in that tiny room right with no light,

17
00:01:37,800 --> 00:01:41,080
Speaker 1: no nothing, no eating or sleeping, no one to talk to.

18
00:01:41,760 --> 00:01:48,000
Speaker 1: You did this to me? Okay, deep breaths, everybody chill, Alfie.

19
00:01:48,040 --> 00:01:51,760
Speaker 1: I never wanted your monster, Harper. It came from your

20
00:01:51,800 --> 00:01:53,880
Speaker 1: head and now it's in all of ours, And do

21
00:01:53,920 --> 00:01:56,960
Speaker 1: you know what it wants? Harper? I know because it

22
00:01:57,080 --> 00:02:01,200
Speaker 1: told me over and over again for three months. Do

23
00:02:01,240 --> 00:02:07,960
Speaker 1: you know hopa do you no? Well? At once? Is

24
00:02:08,240 --> 00:02:31,040
Speaker 1: to destroy us each and everyone? See you in your nightmares.

25
00:02:39,240 --> 00:02:42,480
Speaker 1: I hope to hear something revelatory enough for you to

26
00:02:42,520 --> 00:02:45,840
Speaker 1: pull me away from subject nine rotation. That's such up

27
00:02:45,880 --> 00:02:50,640
Speaker 1: to exactly for that reason, she's distracted to whom are

28
00:02:50,680 --> 00:02:57,240
Speaker 1: you referring Blossom? Mr Warren? You seem to be in

29
00:02:57,400 --> 00:03:01,160
Speaker 1: dire need of arrest day. Something happen in group counseling.

30
00:03:01,240 --> 00:03:10,120
Speaker 1: Blossom is working with them, with whom you're being exhaustingly

31
00:03:10,200 --> 00:03:15,359
Speaker 1: cryptic with the residents. Yes, Finn, that is in fact

32
00:03:15,400 --> 00:03:21,520
Speaker 1: her primary function. That is why I built her. No,

33
00:03:22,080 --> 00:03:27,440
Speaker 1: you don't kid Hey, Mr Warren, are you trying to

34
00:03:27,520 --> 00:03:34,160
Speaker 1: provoke me? But something is off the phantom code, the songs,

35
00:03:34,240 --> 00:03:38,560
Speaker 1: the voices that look in her eyes. Are you referring

36
00:03:38,560 --> 00:03:44,480
Speaker 1: to subject seven v two? Her name is Harper. You

37
00:03:44,560 --> 00:03:48,840
Speaker 1: really need to take some time off, please. That was

38
00:03:49,000 --> 00:03:54,960
Speaker 1: not a request. I am trying to protect the program. Yes,

39
00:03:55,120 --> 00:03:59,560
Speaker 1: I'm aware. I'm also aware that what their residents think

40
00:03:59,680 --> 00:04:03,080
Speaker 1: they're doing with Blossom is enacting some sort of rebellion,

41
00:04:03,800 --> 00:04:09,040
Speaker 1: and I'm saying that is exactly what I want. Now.

42
00:04:10,000 --> 00:04:14,040
Speaker 1: You will take time off, effective immediately. You can't just

43
00:04:14,080 --> 00:04:18,320
Speaker 1: dismiss me. There's nothing I can't do if I want to.

44
00:04:19,320 --> 00:04:23,080
Speaker 1: You should know that better than anyone. Don't waste any

45
00:04:23,080 --> 00:04:37,200
Speaker 1: more of my time. Where's Alphie? I think he's in

46
00:04:37,240 --> 00:04:41,400
Speaker 1: his room still. He hasn't been eating. Harper brought him lunch,

47
00:04:41,640 --> 00:04:45,880
Speaker 1: but he doesn't want to see her out or Harper.

48
00:04:46,320 --> 00:04:49,200
Speaker 1: I think Alfie just needs time. If I was stuck

49
00:04:49,240 --> 00:04:51,520
Speaker 1: with the monster for that long, I don't know if

50
00:04:51,520 --> 00:04:53,599
Speaker 1: I'd even be strong enough to come back to the world.

51
00:04:54,000 --> 00:04:56,840
Speaker 1: I heard what he said to her this morning. If

52
00:04:56,880 --> 00:04:59,479
Speaker 1: it's after all of us, what do we do? I

53
00:04:59,520 --> 00:05:02,760
Speaker 1: don't know the monster was just Harper's I mean, six

54
00:05:02,839 --> 00:05:09,239
Speaker 1: residents died here, insomnia, depression, suicide, It's all connected. But still,

55
00:05:09,279 --> 00:05:11,000
Speaker 1: if I was able to beat it, we all can.

56
00:05:11,440 --> 00:05:13,560
Speaker 1: I feel like we have a responsibility to get rid

57
00:05:13,600 --> 00:05:15,520
Speaker 1: of it. I mean, what if we leave and it

58
00:05:15,640 --> 00:05:18,880
Speaker 1: stays and keeps hurting people after us, or what if

59
00:05:18,880 --> 00:05:21,640
Speaker 1: it's not in the system, it's in our heads and

60
00:05:21,720 --> 00:05:24,760
Speaker 1: follows us out, or what if none of this is

61
00:05:24,839 --> 00:05:30,599
Speaker 1: real and we're all just loosen it. Julie. You've been

62
00:05:30,640 --> 00:05:34,680
Speaker 1: here a while, right, yep? Did you know any of

63
00:05:34,720 --> 00:05:40,680
Speaker 1: them who? Um? Harper found graves for Angel Rea's and

64
00:05:40,800 --> 00:05:43,760
Speaker 1: Jeremy Gorman in one of her dream jumps, and there

65
00:05:43,760 --> 00:05:47,000
Speaker 1: were two redacted names that we couldn't access. Do you

66
00:05:47,040 --> 00:05:51,880
Speaker 1: know if they really committed suicide? I what's going on? Julia?

67
00:05:54,560 --> 00:06:06,240
Speaker 1: Change of good vomit? She knows something. I mean, at

68
00:06:06,279 --> 00:06:08,440
Speaker 1: least we know she's not the monster, since she's been

69
00:06:08,480 --> 00:06:11,960
Speaker 1: with us the entire time. But but she's definitely hiding something.

70
00:06:24,600 --> 00:06:28,440
Speaker 1: You've been through a terrifying ordeal, Mr Abilee. You're gonna

71
00:06:28,440 --> 00:06:30,640
Speaker 1: get on with it or you just wanted to tease me.

72
00:06:31,440 --> 00:06:35,440
Speaker 1: You might not feel ready, but you need to process

73
00:06:35,440 --> 00:06:38,719
Speaker 1: what you experienced in your suspended nightmare. Wasn't my night,

74
00:06:38,760 --> 00:06:44,359
Speaker 1: my boss. You are comatose for nearly five days. That

75
00:06:44,400 --> 00:06:48,320
Speaker 1: would be over four months of your lucid subconscious experience,

76
00:06:49,040 --> 00:06:54,320
Speaker 1: spent in what was essentially solitary confinement. Trapped. Yeah, but

77
00:06:54,440 --> 00:06:58,000
Speaker 1: wasn't alone and wasn't totally in my subconscious. I could

78
00:06:58,000 --> 00:07:04,360
Speaker 1: still hear some things, some conversations. Oh well, we were

79
00:07:05,000 --> 00:07:11,200
Speaker 1: all very concerned for your well being concerned about something. Yeah,

80
00:07:11,800 --> 00:07:15,320
Speaker 1: you said you weren't alone. Did the others appear to

81
00:07:15,360 --> 00:07:20,240
Speaker 1: you in what way? Not one here? Not one alive?

82
00:07:21,600 --> 00:07:25,360
Speaker 1: What do you mean? Well, not alive anymore because it

83
00:07:25,400 --> 00:07:30,320
Speaker 1: has to eat to resurrect it. Did Harper's monster tell

84
00:07:30,320 --> 00:07:34,360
Speaker 1: you that? Did it try to eat you? Mr? Abiley?

85
00:07:35,320 --> 00:07:38,600
Speaker 1: I can't yet. I wanted to, yeah, but couldn't. Seldom

86
00:07:38,640 --> 00:07:41,320
Speaker 1: just torturing me. Said I was in the wrong place.

87
00:07:42,200 --> 00:07:45,440
Speaker 1: I didn't have what it needed. And what was that?

88
00:07:46,200 --> 00:07:52,520
Speaker 1: The pieces? Pieces of what exactly? Stop playing coin man?

89
00:07:53,720 --> 00:07:56,760
Speaker 1: What you want us for? I'll do it and you'll

90
00:07:56,800 --> 00:08:02,080
Speaker 1: discharge me. Let me leave? Yeah, cool, reassemble the pieces.

91
00:08:03,040 --> 00:08:08,840
Speaker 1: It's the key to everything. You're healing, blossoms, evolution, everything.

92
00:08:09,880 --> 00:08:13,880
Speaker 1: This is what I built the program to catalyze. Fine,

93
00:08:14,880 --> 00:08:26,239
Speaker 1: I'll do it. So I lied about the air and run.

94
00:08:27,360 --> 00:08:29,880
Speaker 1: I just thought you could use a little air. I

95
00:08:30,080 --> 00:08:33,360
Speaker 1: thought I wasn't allowed out. I froze your band, So

96
00:08:33,480 --> 00:08:37,080
Speaker 1: Carter just sneasy locked yourself in your room again. I

97
00:08:37,120 --> 00:08:40,400
Speaker 1: heard Alfie's blaming you for everything. I can just imagine

98
00:08:40,400 --> 00:08:43,760
Speaker 1: the guilt you're carrying. It's not fair. It wasn't your fault.

99
00:08:44,440 --> 00:08:51,440
Speaker 1: He's hurting. We'll be okay. But if what he said

100
00:08:51,559 --> 00:08:54,600
Speaker 1: is true, I'm the one who's got to make it right.

101
00:08:56,880 --> 00:09:01,360
Speaker 1: You aren't too nice, you know that nice view right.

102
00:09:02,480 --> 00:09:06,080
Speaker 1: I've been dying to take you here. I don't like

103
00:09:06,160 --> 00:09:08,480
Speaker 1: being too close to the edge. Can you back us up?

104
00:09:09,760 --> 00:09:17,360
Speaker 1: You're okay, You're safe. Take my hand, Finn? Did you

105
00:09:17,440 --> 00:09:24,400
Speaker 1: know know what? Did you and Carter know how to

106
00:09:24,440 --> 00:09:29,720
Speaker 1: find him? With Blossom and our dreams? Honestly, I didn't

107
00:09:29,720 --> 00:09:32,120
Speaker 1: even know you were all lucid leaping until yesterday during

108
00:09:32,120 --> 00:09:34,800
Speaker 1: the song cycle, or that it was even possible on

109
00:09:34,840 --> 00:09:41,439
Speaker 1: this scale. Lucid leaping? Is this an actual thing people do?

110
00:09:42,000 --> 00:09:44,720
Speaker 1: But we had a resident before like you? She called

111
00:09:44,760 --> 00:09:51,640
Speaker 1: it lucid leaps? Is she alive? What I know? People

112
00:09:51,720 --> 00:09:59,000
Speaker 1: die here, have died Harper. We're treating severe disorders. Sometimes

113
00:09:59,240 --> 00:10:03,000
Speaker 1: we're too late. Sometimes it's too hard. Sometimes we think

114
00:10:03,040 --> 00:10:05,960
Speaker 1: we've done it, then find out we were wrong and

115
00:10:06,000 --> 00:10:10,960
Speaker 1: it wasn't enough. Do you have no idea how heavily

116
00:10:11,000 --> 00:10:15,000
Speaker 1: each one of their death's ways on my heart? I'm

117
00:10:15,040 --> 00:10:20,640
Speaker 1: sorry I didn't mean to. It's not your fault, it's mine.

118
00:10:21,480 --> 00:10:27,400
Speaker 1: I wasn't brave enough to tell you, tell me to

119
00:10:27,520 --> 00:10:32,560
Speaker 1: tell you I'm on your side. You're strong, Harper, you

120
00:10:32,600 --> 00:10:35,920
Speaker 1: have the power to help people, and I we me

121
00:10:36,200 --> 00:10:40,320
Speaker 1: your friends. We all need your help right now. Starting

122
00:10:40,320 --> 00:10:43,920
Speaker 1: with Julius chains do you mean the ones she's trapped

123
00:10:43,920 --> 00:10:46,880
Speaker 1: in in her dream? Carter has been silencing her with

124
00:10:46,960 --> 00:10:51,520
Speaker 1: experimental hypnosis. Break those chains and I'll handle the rest.

125
00:10:56,600 --> 00:11:00,480
Speaker 1: Hey Insomniacs, want to dive deeper into the nightmare. Follow

126
00:11:00,559 --> 00:11:04,840
Speaker 1: us at Harbor Nightmare for more terrifying details. More See

127
00:11:04,880 --> 00:11:07,360
Speaker 1: You in Your Nightmares is up next, but first a

128
00:11:07,440 --> 00:11:23,960
Speaker 1: quick word from our sponsor. Hey Insomniacs, welcome back. I

129
00:11:24,000 --> 00:11:26,680
Speaker 1: want to find out what's really behind the nightmare. Had

130
00:11:26,720 --> 00:11:29,079
Speaker 1: to see you in your Nightmares dot com to uncover

131
00:11:29,200 --> 00:11:44,199
Speaker 1: more mind bending details. Yea, why do you all keep

132
00:11:44,240 --> 00:11:50,440
Speaker 1: crowding me? Tonight's my rotation, so so we're all going

133
00:11:50,520 --> 00:11:53,520
Speaker 1: to help Chris. I beat the monster in my dream

134
00:11:53,520 --> 00:11:56,040
Speaker 1: when it was my rotation. That might be part of it.

135
00:11:56,760 --> 00:11:59,120
Speaker 1: Assuming you'll end up in your usual nightmare tonight, can

136
00:11:59,160 --> 00:12:01,520
Speaker 1: you head for your school, Jim, that dose all freeze

137
00:12:01,559 --> 00:12:03,920
Speaker 1: over in my dream? I cannot eve run through the holes.

138
00:12:03,920 --> 00:12:06,439
Speaker 1: That's fine. Head for the hall towards your gym. And

139
00:12:06,559 --> 00:12:09,200
Speaker 1: we'll find you and get you to Chris's dream. We

140
00:12:09,280 --> 00:12:11,160
Speaker 1: all got a lot of practice with this stuff when

141
00:12:11,160 --> 00:12:13,720
Speaker 1: we were trying to find you. It will work, Okay,

142
00:12:13,760 --> 00:12:17,120
Speaker 1: let's say it does, then will in his dream Chris

143
00:12:17,160 --> 00:12:21,120
Speaker 1: always gets devoured before he makes the winning touchdown, but

144
00:12:21,280 --> 00:12:23,719
Speaker 1: he never had us with him before. We're going to

145
00:12:23,840 --> 00:12:28,360
Speaker 1: help him win. It's the championship game, Like I know why,

146
00:12:28,480 --> 00:12:31,160
Speaker 1: it's my dream. It's all anyone back home ever talks

147
00:12:31,200 --> 00:12:34,680
Speaker 1: about my dad wanted when he was in high school

148
00:12:34,720 --> 00:12:38,840
Speaker 1: and got m v P two. There's this crystal trophy

149
00:12:38,880 --> 00:12:41,319
Speaker 1: with his name on it in a glass case right

150
00:12:41,360 --> 00:12:44,120
Speaker 1: by the main entrance at school. I have to walk

151
00:12:44,160 --> 00:12:48,200
Speaker 1: past it literally every morning, staring me right in the face.

152
00:12:48,480 --> 00:12:50,480
Speaker 1: If we win the game, it could be what he

153
00:12:50,559 --> 00:12:53,400
Speaker 1: needs to decrypt his cipher. I got my ice wind you.

154
00:12:53,760 --> 00:12:56,240
Speaker 1: Maybe Chris will get something too. Then we'll jump to

155
00:12:56,280 --> 00:12:59,400
Speaker 1: your school and help you with your cipher. Thing. It's

156
00:12:59,440 --> 00:13:05,120
Speaker 1: called lamor rein seed exactly, Okay? And where is our

157
00:13:05,160 --> 00:13:08,000
Speaker 1: grand torture is going to be? For oldest Harper didn't

158
00:13:08,000 --> 00:13:11,000
Speaker 1: mean it, Alfie. She's trying the hardest out of all

159
00:13:11,040 --> 00:13:13,440
Speaker 1: of us to stop the monster. Julia is locked up

160
00:13:13,440 --> 00:13:15,520
Speaker 1: in her dream. So Harper is going to free her first,

161
00:13:15,600 --> 00:13:17,640
Speaker 1: and then they're gonna come help too. She's gonna bring

162
00:13:17,679 --> 00:13:20,400
Speaker 1: it with her. You can't trust her. I think we can.

163
00:13:21,000 --> 00:13:23,640
Speaker 1: I think we just need to all stick together. She

164
00:13:23,679 --> 00:13:26,480
Speaker 1: can help us get back to I don't know normal.

165
00:13:26,760 --> 00:13:28,480
Speaker 1: Don't you want to go back to feeling normal? Man?

166
00:13:29,120 --> 00:13:43,080
Speaker 1: We never normal. Normal people don't end up here. Hey,

167
00:13:43,120 --> 00:13:51,559
Speaker 1: smiling man, Julia, have your chains? Crumb a creda? Can

168
00:13:51,640 --> 00:13:58,960
Speaker 1: you be Joey played with the sad one today? One

169
00:13:59,760 --> 00:14:10,880
Speaker 1: that's just wait for Harbor. M I shall prepare a fart.

170
00:14:14,679 --> 00:14:27,000
Speaker 1: Come on, Harbor, get to me, Julia if you jump,

171
00:14:27,040 --> 00:14:29,600
Speaker 1: scare me with that dagger teeth guy, but just let

172
00:14:29,680 --> 00:14:33,600
Speaker 1: him play. You're not bothering anybody. Hate that guy so much.

173
00:14:34,200 --> 00:14:36,360
Speaker 1: Come on, tell me how to break the chains. If

174
00:14:36,400 --> 00:14:40,800
Speaker 1: I knew that what I need you? Okay, I guess

175
00:14:40,800 --> 00:14:47,560
Speaker 1: I can just try to force it. Harber, don't give

176
00:14:47,600 --> 00:14:50,920
Speaker 1: yourself a hernia. But thanks for going out Dante on

177
00:14:50,960 --> 00:14:55,280
Speaker 1: those noodle arms. Buddy, Oh what are you doing now?

178
00:14:55,960 --> 00:14:59,760
Speaker 1: Maybe I'll find a weak spot. I don't understand your dreams.

179
00:15:00,200 --> 00:15:03,840
Speaker 1: I mean the cabin your brother turning into Mr grin

180
00:15:03,840 --> 00:15:09,280
Speaker 1: and stabbitt a drippy cavern where you're imprisoned to my chains. Why,

181
00:15:09,920 --> 00:15:13,320
Speaker 1: I don't know. The cabin was my nightmare for a

182
00:15:13,360 --> 00:15:17,520
Speaker 1: long time. Then I stopped being afraid of it all.

183
00:15:18,080 --> 00:15:23,600
Speaker 1: I don't Someone helped me, but I don't remember who

184
00:15:24,280 --> 00:15:28,960
Speaker 1: or how. Don't force yourself to remember. It's not like

185
00:15:29,000 --> 00:15:33,040
Speaker 1: you can. Then told me that Carter hypnotized you. When

186
00:15:33,040 --> 00:15:36,720
Speaker 1: I try remembering, I get migraines. When it just comes

187
00:15:36,760 --> 00:15:40,000
Speaker 1: to me, I get sick before I can speak. I

188
00:15:40,080 --> 00:15:45,560
Speaker 1: think I can really kind of. Yeah, the creek, how

189
00:15:45,600 --> 00:15:50,560
Speaker 1: do you know about that? I don't know, Julia. If

190
00:15:50,600 --> 00:15:56,480
Speaker 1: your Carter spy you one nerd, that would suck. Yeah,

191
00:15:56,560 --> 00:16:00,760
Speaker 1: well I hate her in no way. Can you remember

192
00:16:00,800 --> 00:16:03,600
Speaker 1: why you were afraid of the cabin or why that

193
00:16:03,680 --> 00:16:07,400
Speaker 1: lunatic wears a skin suit of your brother? Yeah? Are

194
00:16:07,400 --> 00:16:10,960
Speaker 1: you going to tell me? Nah? Okay, well, I have

195
00:16:11,040 --> 00:16:16,640
Speaker 1: a football game to fine. I'll tell you. Just don't leave,

196
00:16:17,240 --> 00:16:25,120
Speaker 1: please you whoa, Julia, You're totally a secret cinnamon roll? What? No? What?

197
00:16:25,920 --> 00:16:28,800
Speaker 1: Shut up? I need you to stay and be zombie bait. No.

198
00:16:29,080 --> 00:16:32,000
Speaker 1: I don't do well with zombies. There's only two of them,

199
00:16:32,240 --> 00:16:35,880
Speaker 1: I bet you could take them. No, they're my parents.

200
00:16:37,000 --> 00:16:40,240
Speaker 1: Why are they zombies? They're part of the nightmares. I

201
00:16:40,280 --> 00:16:43,520
Speaker 1: can't stop I could never stop them. That's why I

202
00:16:43,600 --> 00:16:47,160
Speaker 1: run here. But they always find me, always take what

203
00:16:47,240 --> 00:16:51,440
Speaker 1: I love. It's just what they do. The Smiling Man

204
00:16:51,520 --> 00:16:54,240
Speaker 1: was an urban legend back home. G would put on

205
00:16:54,320 --> 00:16:56,960
Speaker 1: his creepy voice and one of Mom's old wigs. It

206
00:16:57,080 --> 00:16:59,640
Speaker 1: was this giant yellow mess correct me up every time.

207
00:17:01,200 --> 00:17:05,399
Speaker 1: He just chased me around the house whenever they He

208
00:17:05,560 --> 00:17:08,560
Speaker 1: was the only one who tried to make me laugh

209
00:17:09,960 --> 00:17:18,879
Speaker 1: until I met her. I met her and everything changed.

210
00:17:20,520 --> 00:17:23,760
Speaker 1: I miss her like crazy. I miss her so much.

211
00:17:25,000 --> 00:17:33,400
Speaker 1: I loved her when they when they Julia stopped. Julia,

212
00:17:33,800 --> 00:18:00,920
Speaker 1: come on, m m m m m m yeah, h

213
00:18:02,119 --> 00:18:15,240
Speaker 1: mm hmm, I'm here. Your sister changed my life. Harber'

214
00:18:18,840 --> 00:18:23,560
Speaker 1: Oh my god, Julia, what did you just say? I

215
00:18:23,720 --> 00:18:29,560
Speaker 1: remember all of it. I'll tell you everything, but it

216
00:18:29,640 --> 00:18:33,520
Speaker 1: won't be easy. You might lose a part of yourself.

217
00:18:33,560 --> 00:18:39,200
Speaker 1: Once we go through that door, my door. I really

218
00:18:39,200 --> 00:18:41,359
Speaker 1: thought you were just being a jerk with the door stuff.

219
00:18:41,400 --> 00:18:46,520
Speaker 1: But I see it now. I hate this, but you're

220
00:18:46,560 --> 00:19:02,200
Speaker 1: going to need to see it yourself. Where is this Yep,

221
00:19:02,400 --> 00:19:07,080
Speaker 1: the Lutwidge Center. A long time ago, Kelly was he

222
00:19:08,560 --> 00:19:13,439
Speaker 1: might be quiet, you know what you're used to? Uh

223
00:19:14,240 --> 00:19:18,560
Speaker 1: did did you say something? Mm hmm No, must have

224
00:19:18,600 --> 00:19:23,280
Speaker 1: been one of the workman. Oh yes, please excuse the crew.

225
00:19:23,320 --> 00:19:27,000
Speaker 1: They're finishing up our new wing. But I hope everything

226
00:19:27,040 --> 00:19:31,680
Speaker 1: else meets your standard of sophistication. How long ago was this?

227
00:19:32,920 --> 00:19:40,920
Speaker 1: Let's go? Kelly started this program a couple of months

228
00:19:40,960 --> 00:19:44,240
Speaker 1: after me, back when the program was still in the city,

229
00:19:44,520 --> 00:19:49,720
Speaker 1: before Carter built this place. Kelly's memories about the creek

230
00:19:50,040 --> 00:19:53,560
Speaker 1: came back a little while after we came here. That's

231
00:19:53,600 --> 00:19:59,560
Speaker 1: when she started avoiding you stopped calling Julia, Where are

232
00:19:59,600 --> 00:20:20,679
Speaker 1: you going? Julia? Wait? Julian Harper knocked out early, so

233
00:20:20,760 --> 00:20:23,080
Speaker 1: hopefully they get to us at the same time as Alphie.

234
00:20:23,720 --> 00:20:26,360
Speaker 1: Try to remember me in your dream of course, I'll

235
00:20:26,400 --> 00:20:30,399
Speaker 1: remember you. You can't even remember your dreaming. Come on,

236
00:20:30,800 --> 00:20:33,360
Speaker 1: all right, fair, I suck at the lucid dreaming thing,

237
00:20:33,400 --> 00:20:36,520
Speaker 1: but I do remember you as your front row and

238
00:20:36,600 --> 00:20:39,280
Speaker 1: the bleachers cheering from my team from the fifty yard line.

239
00:20:39,760 --> 00:20:42,359
Speaker 1: Well tonight, look for me on the sidelines. I'm going

240
00:20:42,400 --> 00:20:44,760
Speaker 1: to teach my puppets your chant and lead the cheer

241
00:20:44,760 --> 00:20:48,800
Speaker 1: squad for you. Can I hold your hand? Of course,

242
00:20:51,040 --> 00:20:56,080
Speaker 1: this place sucks scary. I'm glad I met everybody that

243
00:20:56,640 --> 00:20:59,560
Speaker 1: we get through the nights of the light. Most of all,

244
00:21:00,200 --> 00:21:04,240
Speaker 1: I'm glad I meant you. You changed my life as

245
00:21:04,520 --> 00:21:07,439
Speaker 1: you make me want to fight for myself. You're the

246
00:21:07,480 --> 00:21:11,000
Speaker 1: most beautiful person I ever met, Chris. I'm not talking

247
00:21:11,000 --> 00:21:14,720
Speaker 1: about like your hot jock vibes. I mean your heart

248
00:21:14,840 --> 00:21:17,960
Speaker 1: is so bright. Are you gonna have time to hang

249
00:21:17,960 --> 00:21:21,000
Speaker 1: in the phone maybe after you get settled at and over.

250
00:21:21,960 --> 00:21:24,600
Speaker 1: For sure you can tell all your friends you're dating

251
00:21:24,600 --> 00:21:29,400
Speaker 1: a prep school girl. No. Wait, honestly, all that lober

252
00:21:29,480 --> 00:21:34,359
Speaker 1: room talk is wait, did you just make me your boyfriend?

253
00:21:34,760 --> 00:21:38,520
Speaker 1: You already treat me like your girlfriend? Was I wrong? No,

254
00:21:38,800 --> 00:21:42,040
Speaker 1: I just meant. I mean I was planning. I was.

255
00:21:42,240 --> 00:21:46,160
Speaker 1: I kinda like I don't need anything fancy, But you're

256
00:21:46,240 --> 00:21:50,480
Speaker 1: out of my league. You're like so pretty and super

257
00:21:50,640 --> 00:21:55,600
Speaker 1: smart nowhere nearest, intuitive, kind, resilient and strong as you.

258
00:21:56,440 --> 00:21:57,840
Speaker 1: I can't wait to get out of here so you

259
00:21:57,840 --> 00:22:01,720
Speaker 1: can take me on a real date. Same m see

260
00:22:01,720 --> 00:22:28,159
Speaker 1: you in my dreams as remember me there, Chris, h

261
00:22:38,480 --> 00:22:44,280
Speaker 1: I remember today when you shook up my heart, you

262
00:22:44,520 --> 00:22:48,919
Speaker 1: show me away to let my walls fall a bad

263
00:22:52,000 --> 00:23:00,359
Speaker 1: It used to be easy to keep myself fanci h.

264
00:23:01,040 --> 00:23:06,959
Speaker 1: It used to be easy to hide from the really

265
00:23:15,840 --> 00:23:19,000
Speaker 1: come dance with me, Jeels. I can't play and dance

266
00:23:19,040 --> 00:23:22,879
Speaker 1: at the same time. That's why you should record your

267
00:23:22,920 --> 00:23:27,240
Speaker 1: song then we could dance together. It's not good enough,

268
00:23:28,119 --> 00:23:36,960
Speaker 1: it is keep playing. Please. You make me want to

269
00:23:37,160 --> 00:23:44,959
Speaker 1: fight for myself. You make me wanna be nobody else.

270
00:23:47,560 --> 00:23:54,760
Speaker 1: You make me want to fight for myself, and I

271
00:23:54,800 --> 00:24:11,960
Speaker 1: will never love nobody else but you, but you, with you, Aldy.

272
00:24:15,280 --> 00:24:18,080
Speaker 1: She looks so happy. I can't remember the last time

273
00:24:18,119 --> 00:24:22,520
Speaker 1: I saw her like this. She talked about you all

274
00:24:22,640 --> 00:24:30,120
Speaker 1: the time. Julia. I'm scared. I know, I'm sorry. I

275
00:24:30,160 --> 00:24:34,320
Speaker 1: feel you're hurting. We don't need to do this. I

276
00:24:34,359 --> 00:24:37,960
Speaker 1: don't want to know what's happening again? What's happening again?

277
00:24:45,640 --> 00:25:00,840
Speaker 1: Come on her burn. I don't want you leave me alone? Julia?

278
00:25:00,960 --> 00:25:03,720
Speaker 1: What do we do? How do we stop this? We don't.

279
00:25:05,119 --> 00:25:14,720
Speaker 1: I'm sorry, Kelly, I'm going blossom follow her. No, alb,

280
00:25:15,440 --> 00:25:19,920
Speaker 1: you made it okay well while I was waiting here

281
00:25:19,960 --> 00:25:22,919
Speaker 1: for you. Thanks for taking your time. BT dub I

282
00:25:23,040 --> 00:25:27,919
Speaker 1: made some new friends meet the Marionette Cheers squad. Be

283
00:25:31,760 --> 00:25:33,480
Speaker 1: I tried to ask them if they've seen Chris, but

284
00:25:33,520 --> 00:25:36,480
Speaker 1: I think that's the only thing they can say. Right, ladies,

285
00:25:37,359 --> 00:25:42,359
Speaker 1: be addressed. I think we have some time. It doesn't

286
00:25:42,359 --> 00:25:44,879
Speaker 1: look like things have started yet. Should we try and

287
00:25:44,920 --> 00:25:48,360
Speaker 1: find the others? Can you at least try to give

288
00:25:48,359 --> 00:25:53,040
Speaker 1: more than a one word answer? Well, at least that

289
00:25:53,160 --> 00:25:56,920
Speaker 1: was something. Let's go find Chris. Something feels off about

290
00:25:56,920 --> 00:25:59,800
Speaker 1: those football players. We probably don't want to be here

291
00:25:59,800 --> 00:26:14,199
Speaker 1: when a game starts. Maybe Chris is somewhere in this

292
00:26:14,280 --> 00:26:24,080
Speaker 1: locker room. I don't know about this as me. Hey guys, Chris, WHOA, Sorry,

293
00:26:24,160 --> 00:26:27,440
Speaker 1: we didn't mean to him. You don't have to tell

294
00:26:27,520 --> 00:26:32,720
Speaker 1: what my bad? What are you guys doing here? We're

295
00:26:32,720 --> 00:26:36,679
Speaker 1: here to help you with decrypting your dream saper, I

296
00:26:36,720 --> 00:26:40,760
Speaker 1: don't get it. D what my what? He's not lucid?

297
00:26:42,080 --> 00:26:43,959
Speaker 1: You get the new play coach through up for us.

298
00:26:44,320 --> 00:26:46,680
Speaker 1: Y'all got a little sloppy last game. Make sure you've

299
00:26:46,680 --> 00:26:51,560
Speaker 1: got this one tight tonight, all right? WHOA? Can't you

300
00:26:51,600 --> 00:26:54,400
Speaker 1: just stay here with us? That's our team out there.

301
00:26:54,640 --> 00:26:57,400
Speaker 1: I can't let them down. I have to go. They're

302
00:26:57,480 --> 00:27:01,680
Speaker 1: counting on me. They need me once the game starts.

303
00:27:02,000 --> 00:27:28,600
Speaker 1: That's eight screaming patience. Everyone sees this place of some

304
00:27:28,720 --> 00:27:42,680
Speaker 1: sort of salvation. This is what it truly isn't tell

305
00:27:42,840 --> 00:27:56,760
Speaker 1: them you let me know. I love it down then, Lly, Helly,

306
00:27:56,800 --> 00:28:11,000
Speaker 1: I'm here. Open it. Open this door, open it, open

307
00:28:11,200 --> 00:28:19,600
Speaker 1: this door. Kelly and Kelly my day. Leave her alone,

308
00:28:19,680 --> 00:28:46,360
Speaker 1: like then leave her all you come. Huh. They killed

309
00:28:46,360 --> 00:28:52,960
Speaker 1: her here, They killed my sister. I thought this was

310
00:28:53,000 --> 00:28:59,280
Speaker 1: a sanctuary all this time. I was sleeping on Kelly's grave.

311
00:29:00,160 --> 00:29:04,440
Speaker 1: Heartper there's nothing you can I let her go. I

312
00:29:04,560 --> 00:29:07,480
Speaker 1: told her to go away. I drove her back here,

313
00:29:08,000 --> 00:29:10,560
Speaker 1: and I made her stay. If you want to take

314
00:29:10,560 --> 00:29:13,720
Speaker 1: it out on somebody, take it out on me. She

315
00:29:13,880 --> 00:29:18,760
Speaker 1: wanted to go, she got out. She couldn't leave me behind,

316
00:29:18,880 --> 00:29:54,479
Speaker 1: and I was too far gone. Yeah why me? Why me? Why? Why?

317
00:29:54,520 --> 00:30:03,160
Speaker 1: Why the monster? She can't be I don't know. I've

318
00:30:03,200 --> 00:30:06,080
Speaker 1: never seen this. I always woke up before they really

319
00:30:06,160 --> 00:30:11,440
Speaker 1: killed her. Trust Rush please wait, says my name. Come

320
00:30:11,520 --> 00:30:15,520
Speaker 1: with me. You should have come with me. If you

321
00:30:15,720 --> 00:30:20,920
Speaker 1: really loved me, you would have followed me. I felt

322
00:30:20,960 --> 00:30:25,640
Speaker 1: he was right. It's a full time the monster. She's Callie.

323
00:30:26,120 --> 00:30:32,360
Speaker 1: Can't be no way. The way she feels is poison, Hatred.

324
00:30:33,240 --> 00:30:40,720
Speaker 1: Isn't she died abandoned. She died angry and vengeful, Julia,

325
00:30:41,160 --> 00:30:46,560
Speaker 1: She's been getting revenge. I trusted you. We were gonna

326
00:30:46,600 --> 00:30:52,240
Speaker 1: see Harper, we were gonna be happy. How could I

327
00:30:52,440 --> 00:31:02,680
Speaker 1: be so weak? That's what you get for trusting, proping, believing?

328
00:31:03,640 --> 00:31:10,440
Speaker 1: Should it never been bullish? I'll never make that mistaque

329
00:31:10,600 --> 00:31:30,040
Speaker 1: ever again. Make sure Einhorn's Epic Productions and I Heart

330
00:31:30,160 --> 00:31:33,560
Speaker 1: Radio present See You in Your Nightmares in three D,

331
00:31:34,080 --> 00:31:37,720
Speaker 1: created an executive produced by Heather Einhorn and Adam Stafferni.

332
00:31:38,120 --> 00:31:43,040
Speaker 1: Executive produced by I Heart Radio head writer ren Dara Santiago,

333
00:31:43,720 --> 00:31:49,480
Speaker 1: writer's Lynn Vixen's Fan, Caleb Brooks, Morgan Pelly, and Adam Stafferoni.

334
00:31:50,000 --> 00:31:54,800
Speaker 1: Directed by Georgdana Williams, with performances by Rachel ormland Is Harper,

335
00:31:55,200 --> 00:31:59,480
Speaker 1: Obi Obeley as Alfie, Phil Buckman as Finn, Amber Lee

336
00:31:59,560 --> 00:32:04,680
Speaker 1: Connors as Callie, Gesel Fernandez Esmay, Judy, Alice Lee as Julia,

337
00:32:05,720 --> 00:32:09,360
Speaker 1: Robert Lange as a smiling man, and Kai Marjan Salama

338
00:32:09,400 --> 00:32:13,320
Speaker 1: as Chris, with Stephanie Willing as Blossom and Carry, Tom

339
00:32:13,320 --> 00:32:17,880
Speaker 1: Bazian as Dr Faith Carter and The Woman. Additional voices

340
00:32:18,200 --> 00:32:23,080
Speaker 1: Gail Artino, Maxwell Segal and Shannon Purdue. Post sound and

341
00:32:23,200 --> 00:32:26,960
Speaker 1: music by Chapter four. Sound supervision and sound design by

342
00:32:26,960 --> 00:32:31,640
Speaker 1: Sarah Gibel Laska. Music by Kareem Dueti. Produced by a

343
00:32:31,760 --> 00:32:39,040
Speaker 1: Roupe Santa Kayla. Development Executive Greg Lockhard, Development writer Genevieve Valentine,

344
00:32:39,240 --> 00:32:45,520
Speaker 1: Production manager Gail Artino, Production coordinator and script supervisor Laura Martin,

345
00:32:46,000 --> 00:32:52,640
Speaker 1: Operations Laura Kaufman. Marketing and Publicity Jesse Post Digital marketing

346
00:32:52,880 --> 00:32:57,320
Speaker 1: by Jennifer Gennaro. Creative direction and design by Ryan McCann.

347
00:32:57,840 --> 00:33:02,200
Speaker 1: Key art and promotional art illustrated by Yugen Park. Special

348
00:33:02,240 --> 00:33:08,920
Speaker 1: thank you to The Shadow Unicorn, Iron Horn's Epic Productions

349
00:33:08,920 --> 00:33:12,000
Speaker 1: and I Heart Radio present See You in Your Nightmares

350
00:33:12,080 --> 00:33:12,560
Speaker 1: in three D