WEBVTT - Grace Slick

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left Sets podcast.

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<v Speaker 1>My desk today is truly legendary. Great slick Grea. Hello,

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<v Speaker 1>I gotta ask. We're in the hills above Malibu. Where

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<v Speaker 1>were you during the fire? I was right here and

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<v Speaker 1>they said mandatory evacuation. So I went with a friend

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<v Speaker 1>of mine to a hotel in Santa Monica and watch

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<v Speaker 1>what I thought it was my house burning down on television.

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<v Speaker 1>Turns out the property around it it's burned up, but

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<v Speaker 1>not the house. So I'm back where I used to live. Wow,

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<v Speaker 1>that's great. Now. People always think you think of you

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<v Speaker 1>as a North Cow kind of girl, and here we

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<v Speaker 1>are in so cal and there's a really big different mindset. Whatever,

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<v Speaker 1>how'd you end up in so Cal? Um? I moved

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<v Speaker 1>down here. I thought my daughter was down here, so

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<v Speaker 1>I thought, I've always liked l A. Most people from

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<v Speaker 1>San Francisco are real snobby about l A. And I

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<v Speaker 1>want to say to them, how about the movie industry,

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<v Speaker 1>which has influenced your life, whether you think so or not.

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<v Speaker 1>This is a storytelling land and that's been what people

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<v Speaker 1>have done forever, is tell stories either around a fire

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<v Speaker 1>or in a big cinema So what are a couple

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<v Speaker 1>of your favorite movies. Oh, start for starters, the old

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<v Speaker 1>uh Disney stuff, Fantasia, Snow White, and The Seven Dwarves.

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<v Speaker 1>But during the fifties I didn't care for the style

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<v Speaker 1>of drawing that they did with Disney. I liked the

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<v Speaker 1>earlier style, Like you have night on Bald Mountain in

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<v Speaker 1>Fantasia and you see this black mountain and it starts

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<v Speaker 1>opening up and it's this horrible creature with red eyes.

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<v Speaker 1>I mean, it's really well done. So I like that

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<v Speaker 1>the red shoes that taught me don't give up. She

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<v Speaker 1>kills herself. Oh, I can't decide whether I want to

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<v Speaker 1>be a ballerina or or be married to this guy.

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<v Speaker 1>How about both? You can't do both? Come on? So

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<v Speaker 1>I wanted at all the kid the man job, and

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<v Speaker 1>it can be done. Something's going to suffer, though, assuming

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<v Speaker 1>looking back to your career from an outside perspective, you've

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<v Speaker 1>achieved all of that more or less. Yeah, you hang

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<v Speaker 1>onto it for a while. I think the person who

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<v Speaker 1>suffered most with this is my daughter because she's all

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<v Speaker 1>sensitive and stuff, which is part of her generation. They

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<v Speaker 1>have like a lot of issues. Okay, let's start to

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<v Speaker 1>you don't have any issues. Oh I probably do. I'm

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<v Speaker 1>just not aware of them because we didn't talk about it. Okay,

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<v Speaker 1>let's go back to Fantagia. The big thing. Fantagia was

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<v Speaker 1>made in the thirties, big thing in the sixties, came

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<v Speaker 1>back to the theaters and you would go on drugs.

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<v Speaker 1>Did you have that experience too? Sometimes? Yeah, okay, And

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<v Speaker 1>then you're saying, even though looking inward in California is

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<v Speaker 1>really inside seeking, staten't do that. You never went to

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<v Speaker 1>the psychiatrist. Never. I went to a psychiatrist once because

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<v Speaker 1>the left side of my body hurt, and I went

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<v Speaker 1>to heart people know your heart too. I went to

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<v Speaker 1>muscle people. No, maybe it's psychosomatic. Go to psychiatrists not Okay,

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<v Speaker 1>I don't do psychosomatic. That's corny. But I went anyway,

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<v Speaker 1>I'll do what i'm told occasionally. So I went to

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<v Speaker 1>the head of UC Parnassus, and I did four sessions

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<v Speaker 1>with him. And he said, is that your purse? He's

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<v Speaker 1>looking down. I put it on the floor and I said, yeah,

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<v Speaker 1>its off the big and he got up, walked over

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<v Speaker 1>and lifted it up. He said, are you right handed?

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<v Speaker 1>I said yeah. He said so you wear this on

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<v Speaker 1>your left shoulder and I said yeah. He said, why

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<v Speaker 1>do you have so much stuff? I said, well, maybe

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<v Speaker 1>I want to go to France tomorrow. So I got

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<v Speaker 1>my passport of toothbrush on your pants. He said, well,

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<v Speaker 1>I'll tell you what. Either I don't load the purse

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<v Speaker 1>or start wearing in the right side for a while.

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<v Speaker 1>Sure enough, he's right, So that's fun. You have to

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<v Speaker 1>go to a psychiatrist for that, for real practical advice. Yeah,

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<v Speaker 1>because they couldn't figure out what was wrong. It kept

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<v Speaker 1>hurting and they didn't know. So that's that's the only Okay.

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<v Speaker 1>But if we were here alone till midnight, just the

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<v Speaker 1>two of us, would you be plumbing your inner depths

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<v Speaker 1>or will be more talking external stuff? Oh? Sometimes it

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<v Speaker 1>depends on you. In other words, if you I'll talk

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<v Speaker 1>about anything except physics, because I don't know anything about physics.

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<v Speaker 1>I didn't even take physics in high school. After chemistry

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<v Speaker 1>forget it. Yeah, I didn't like algebra. Love geometry because

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<v Speaker 1>that's spatial, but I don't like algebra. And I told

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<v Speaker 1>the algebra teacher, Uh, he said, why are you looking

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<v Speaker 1>out the window? I said, because I don't add letters.

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<v Speaker 1>I add numbers and he said, well, but you have

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<v Speaker 1>to pass the course. I said, in California public school,

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<v Speaker 1>if you show up, you get a D. You can't

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<v Speaker 1>funk if as long as you show up. So I

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<v Speaker 1>showed up. Well, the I D. I ever got. I

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<v Speaker 1>like everything else, but I didn't like algebra. And I said,

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<v Speaker 1>not only that, sir, but I'm never going to have

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<v Speaker 1>to use algebra. And I never have because I knew

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<v Speaker 1>myself well enough at that time to know that's one

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<v Speaker 1>area I'm not going into. No thanks, okay. So Joe

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<v Speaker 1>Walsh says, the challenges is to live not to die young.

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<v Speaker 1>There's this seven club. A lot of rock stars die

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<v Speaker 1>for whatever reason, especially drugs. You've lived through it, and

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<v Speaker 1>since it's totally available on Wikipedia, you're going to be

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<v Speaker 1>eighty in the fall. How do you feel about getting older?

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<v Speaker 1>I'm not really fond of it. But the only the

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<v Speaker 1>only thing that's good that happens unless your brains are fried,

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<v Speaker 1>is you acquire some wisdom and you aren't quite as

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<v Speaker 1>frantic about everything. You realize that there are very few

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<v Speaker 1>things that are that important. Just relax because uh, you know,

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<v Speaker 1>for one thing, I don't have much longer. If you're eighty,

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<v Speaker 1>you don't have a whole hell of a lot of time,

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<v Speaker 1>So just relax and enjoy whatever you got left. There

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<v Speaker 1>was that movie The bucket List, which actually I did

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<v Speaker 1>not see. But at this stage your life, is there

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<v Speaker 1>anything you feel you have to or want to do

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<v Speaker 1>before you pass? No, it's all already gone. In other words,

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<v Speaker 1>I didn't learn how to ride a horse, but now

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<v Speaker 1>every bone in my body break if I tried to

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<v Speaker 1>learn how to ride a horse. I never did. Jimmy

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<v Speaker 1>Hendrix and uh Peter O'Toole, But see they're both dead,

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<v Speaker 1>so I can't do them anyway. So everything I have

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<v Speaker 1>on a bucket list is not available. How how old

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<v Speaker 1>were you when you first lost your forginity? You were not?

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<v Speaker 1>Were you the bad girl growing up? Or were you

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<v Speaker 1>sort of a street arrow? I was bad ish, but

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<v Speaker 1>I didn't get in a lot of trouble. Uh. My

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<v Speaker 1>friend and my best friend and I said, I went

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<v Speaker 1>to a private school, Casteleia in Palo Alto for my

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<v Speaker 1>junior and senior year. And uh, we used to the

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<v Speaker 1>girls that talked about who are you going out with

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<v Speaker 1>this weekend? And Pam and I would say, oh, Gordon Gilby.

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<v Speaker 1>My parents drank Gordon's gin. Her parents drank Gilby's gin.

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<v Speaker 1>So she and I'd go out and get to screw

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<v Speaker 1>it up together. But we made it home and we

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<v Speaker 1>didn't get arrested. I didn't start getting arrested until I

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<v Speaker 1>was something. Okay, looking at you right now, it does

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<v Speaker 1>not appear you've any had any cosmetic surgery. Okay, no,

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<v Speaker 1>I did about thirty years ago. But you've got to

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<v Speaker 1>keep it up. It doesn't stay. You've got to keep

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<v Speaker 1>it up once every couple of years. Um, eyelids, the eyelids,

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<v Speaker 1>you have to. I've been told you I'm gonna have

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<v Speaker 1>to have the eyelids because they droop and you can't

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<v Speaker 1>have any peripheral vision, so that's necessary. What else did eyelids?

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<v Speaker 1>And uh? Pulled up face stuff? Here? It goes around

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<v Speaker 1>the ears and you can see a scar in the

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<v Speaker 1>back of my head where they did it. But that's

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<v Speaker 1>like thirty five or forty years ago, so it's a

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<v Speaker 1>little bit more crude than it is now. Okay, are

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<v Speaker 1>you happy you did it? Irrelevant? Sure, because I kept

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<v Speaker 1>on for another ten years. Uh in the eighties doing

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<v Speaker 1>I was around forty at the time, which means around.

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<v Speaker 1>And so I had another ten years of being on

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<v Speaker 1>a stage and not looking like a drooping slob. But

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<v Speaker 1>after that, I stopped when I was about fifty. So

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<v Speaker 1>after that there's no point in it's expensive and I

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<v Speaker 1>wasn't on a stage. I don't need to look like anything. Okay,

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<v Speaker 1>So at this stage of your life, do you have

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<v Speaker 1>a love life? You have a significant other for some reason? Uh?

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<v Speaker 1>And I used to be a real horn dog, but

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<v Speaker 1>now it went away about ten years ago. And I

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<v Speaker 1>don't know if it's hormones. I don't know if it's uh.

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<v Speaker 1>Other medical things that I have, one is the ethro melalgoe,

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<v Speaker 1>which is very rare. It is if my feet get

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<v Speaker 1>over about fifty sixty two degrees fahrenheit, feels like somebody

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<v Speaker 1>poured boiling water into But it's so rare they don't

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<v Speaker 1>study it because it's called up. They wouldn't make any

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<v Speaker 1>money off it, so they don't know what causes it.

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<v Speaker 1>They don't know how to care it. It's not people

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<v Speaker 1>who smoke. It's not people who don't smoke. It's not

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<v Speaker 1>people who do. It's not young, it's not all that.

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<v Speaker 1>It's all over the map. Demographically, so they don't know

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<v Speaker 1>anything about it. So I have two pots that I

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<v Speaker 1>keep on either side of the chair where I sit

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<v Speaker 1>and paint, and about four times a day pull the

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<v Speaker 1>pots out, put ice in the pots, put my feet

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<v Speaker 1>in the pots, and that solve the problem, Yes, it does.

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<v Speaker 1>And any other health problems, yeah hard. I've had two

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<v Speaker 1>heart stints, i have Type two diabetes. I had high

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<v Speaker 1>blood pressure. I think it's gone down a little bit.

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<v Speaker 1>But I'm a mess of stuff. I've got really good

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<v Speaker 1>doctors though. Uh, so they keep throwing medication at it

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<v Speaker 1>and then pulling this one out for a period of

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<v Speaker 1>time and then putting that. So I'm my pile of

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<v Speaker 1>non fun drugs. Uh. Do you do still partake of

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<v Speaker 1>drugs that might change your viewpoint? Shall we say no?

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<v Speaker 1>Because uh, people have often said, let's say your drug

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<v Speaker 1>of choice is speed. So they said, well, I'm not

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<v Speaker 1>to any speed anymore, but I do drink. Uh my opinion,

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<v Speaker 1>and it's only my opinion, And as opinion is that

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<v Speaker 1>you can do some other drug that was not your

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<v Speaker 1>drug of choice for a certain period of time. Eventually

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<v Speaker 1>you're gonna wind yourself back to whatever was your drug

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<v Speaker 1>of choice. So I don't do any so called fun

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<v Speaker 1>drugs at all. When did you stop twenty three years ago? Okay,

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<v Speaker 1>do you you went to a A Yeah? And do

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<v Speaker 1>you still go to meetings or not? Yeah? You're not

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<v Speaker 1>supposed to be talking about it though, neither mind, but

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<v Speaker 1>I can talk about you kept talking. But uh, People

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<v Speaker 1>Magazine broke my nanimity about forty years ago anyway, so

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<v Speaker 1>it doesn't matter. Well, it's just you brought up the

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<v Speaker 1>program otherwise, know either, like I've had my anonymity broken.

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<v Speaker 1>But I don't care because either you want to get sober,

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<v Speaker 1>you don't what motivated you to get sober? The look

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<v Speaker 1>on my daughter's face, and I thought, I can't keep

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<v Speaker 1>punishing my body this way. I'm too I'm getting too

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<v Speaker 1>old for this, like Danny Glover said, I'm getting too

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<v Speaker 1>old for this ship. And uh, that's pretty much it.

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<v Speaker 1>Like if I were to get as loaded as I

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<v Speaker 1>did a long time ago, I'd probably kill myself in

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<v Speaker 1>one night because I'm too old. And your drug was alcohol. Yeah, now,

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<v Speaker 1>both my sponsor in a whom I've had for a

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<v Speaker 1>long time, and I said, if Roar, which is a

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<v Speaker 1>company German, did they make sobers whatever? If they make

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<v Speaker 1>coludes again seven fourteens and they've been in a dark

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<v Speaker 1>bottle in an ice box somewhere unopened, say for thirty years.

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<v Speaker 1>I did this just to be funny. When my sponsor,

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<v Speaker 1>I said, uh, what would you do, she said, I'd

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<v Speaker 1>ask you to share. You know, this comes up. Everybody

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<v Speaker 1>was in the early seventies. Howard Stern was talking about

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<v Speaker 1>that being soapers. They thought, you know, queyludes were the

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<v Speaker 1>best drug. So uh, at this point in time, I

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<v Speaker 1>know that you go on the road with your art,

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<v Speaker 1>we'll talk about your art. Leader not anymore. You can't

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<v Speaker 1>do it because my feet. Okay, so when did you stop? Uh?

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<v Speaker 1>Five six years ago something like that. Okay, So were

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<v Speaker 1>you more of a homebody or O? Yeah, I don't

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<v Speaker 1>go anywhere. The only place I go is to a

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<v Speaker 1>grocery store because it's cold. You know, they keep them

0:13:30.520 --> 0:13:33.440
<v Speaker 1>cold to keep their food fresh. So my feet don't

0:13:33.480 --> 0:13:36.000
<v Speaker 1>mind a grocery store. My feet don't mind a car

0:13:36.120 --> 0:13:39.400
<v Speaker 1>because there is the little thing on they are conditioning

0:13:39.440 --> 0:13:43.439
<v Speaker 1>that points to the feet. So if there's a foot situation,

0:13:44.080 --> 0:13:47.520
<v Speaker 1>I'm good. But most places don't have that. Once every

0:13:47.559 --> 0:13:50.840
<v Speaker 1>six months I'll go to an actual movie, and it's

0:13:50.960 --> 0:13:55.640
<v Speaker 1>something that usually draws my attention so heavily that it

0:13:55.760 --> 0:14:00.600
<v Speaker 1>doesn't my feet. I know they're hurting, but if your

0:14:00.640 --> 0:14:05.520
<v Speaker 1>attention is drawn away enough, then it's okay. So how

0:14:05.559 --> 0:14:07.680
<v Speaker 1>long did the foot things start to happen? When I

0:14:07.760 --> 0:14:12.120
<v Speaker 1>was about fifty three and I moved down here from

0:14:12.120 --> 0:14:14.840
<v Speaker 1>San Francisco, And at first I thought it was Oh,

0:14:14.920 --> 0:14:17.320
<v Speaker 1>I guess I'm just because it only happened maybe once

0:14:17.320 --> 0:14:21.040
<v Speaker 1>every two weeks for a short period of time, and

0:14:21.120 --> 0:14:27.040
<v Speaker 1>I went to podiatrists, I went to oriental stuff, and

0:14:27.120 --> 0:14:29.400
<v Speaker 1>nobody can figure out what it was because it's so rare.

0:14:29.680 --> 0:14:31.720
<v Speaker 1>But a friend of mine's brother is a doctor, and

0:14:31.720 --> 0:14:36.720
<v Speaker 1>he found it on of some obscure medical book and

0:14:36.840 --> 0:14:39.680
<v Speaker 1>he called me up from he lives in Ohio, I

0:14:39.680 --> 0:14:42.280
<v Speaker 1>think or somewhere, called me out and said, how does

0:14:42.320 --> 0:14:46.280
<v Speaker 1>this sound? And he read the uh indications what happens

0:14:47.080 --> 0:14:49.760
<v Speaker 1>uh with this saying? And I said, that's it. What's

0:14:49.760 --> 0:14:53.200
<v Speaker 1>the name of etro me all allergy? And I said, oh, yeah, right, whatever,

0:14:54.160 --> 0:14:56.040
<v Speaker 1>but that's what it is. And then you do it.

0:14:56.080 --> 0:14:58.720
<v Speaker 1>The doctors about it looking for answers, yeah, but they

0:14:58.720 --> 0:15:01.880
<v Speaker 1>don't have any because no he studies it. Okay, so

0:15:02.240 --> 0:15:05.080
<v Speaker 1>you're a home body, are you tend to be alone

0:15:05.240 --> 0:15:07.760
<v Speaker 1>or people stop by or what? Well? I have friends

0:15:07.760 --> 0:15:09.800
<v Speaker 1>and my ex husband stays here for a couple of

0:15:09.800 --> 0:15:14.920
<v Speaker 1>weeks every month or so, and yeah, okay, so you're

0:15:14.960 --> 0:15:19.120
<v Speaker 1>still friendly with him. Uh, he's my good bunny and boy.

0:15:19.160 --> 0:15:22.640
<v Speaker 1>He came here after the fire, uh and just went

0:15:22.720 --> 0:15:27.560
<v Speaker 1>around fixing everything. I mean, pulled up floors and put

0:15:27.600 --> 0:15:29.840
<v Speaker 1>him went in to home deep and putting new floors.

0:15:30.480 --> 0:15:34.120
<v Speaker 1>He'd uh go over the paint that there'd be a

0:15:34.200 --> 0:15:36.840
<v Speaker 1>crack in the wall and you'd go over with this

0:15:37.040 --> 0:15:39.120
<v Speaker 1>white stuff that you do before you paint. And then

0:15:39.120 --> 0:15:42.400
<v Speaker 1>he painted and he'd climb up on roofs. Induced I mean,

0:15:42.440 --> 0:15:45.480
<v Speaker 1>it's just unbelievable. And what does he do when he's

0:15:45.520 --> 0:15:51.880
<v Speaker 1>not here? He's a production guy. He no, he's lives

0:15:51.880 --> 0:15:56.240
<v Speaker 1>in New Hope, Pennsylvania, Oh. Production road production in Lidditz

0:15:56.280 --> 0:16:00.000
<v Speaker 1>and everything where all the companies are. He does. Uh,

0:16:00.080 --> 0:16:02.320
<v Speaker 1>all kinds of stuff can be rock and roll or

0:16:02.800 --> 0:16:05.240
<v Speaker 1>he's doing. I think the next thing is Rick Wakeman,

0:16:07.080 --> 0:16:10.440
<v Speaker 1>who is both a musician and a comedian, which sounds

0:16:10.480 --> 0:16:13.080
<v Speaker 1>hard to do, but apparently he pulls it off. And

0:16:13.120 --> 0:16:15.280
<v Speaker 1>he's done Bett Midler, and he's done Us, and he's

0:16:15.320 --> 0:16:18.040
<v Speaker 1>done the Who, and he's done Kiss and he's done

0:16:18.120 --> 0:16:21.720
<v Speaker 1>all kinds of stuff. So he started cleaning toilets and

0:16:21.840 --> 0:16:25.240
<v Speaker 1>filled at the Spectrum in Philadelphia and worked his way

0:16:25.280 --> 0:16:27.720
<v Speaker 1>up to being a lighting guy and then worked his

0:16:27.800 --> 0:16:30.920
<v Speaker 1>way out to being a production Okay, let's go back

0:16:30.960 --> 0:16:33.800
<v Speaker 1>to the beginning. So your father did what for a living?

0:16:34.200 --> 0:16:39.320
<v Speaker 1>Investment banker and you today an investment banker makes tons

0:16:39.360 --> 0:16:42.920
<v Speaker 1>of money. Back then it was upper middle class. What

0:16:43.040 --> 0:16:45.200
<v Speaker 1>was the upper middle class? Yeah, he didn't make tons,

0:16:45.760 --> 0:16:49.680
<v Speaker 1>but he made enough. And I've had more or less

0:16:49.800 --> 0:16:52.000
<v Speaker 1>the same amount of money because I made about the

0:16:52.000 --> 0:16:56.120
<v Speaker 1>same amount he did. So I've been on uh, kind

0:16:56.120 --> 0:16:59.680
<v Speaker 1>of the same path, except for when I first got

0:16:59.680 --> 0:17:03.000
<v Speaker 1>married a Jerry Slick. He was going to San Francisco

0:17:03.080 --> 0:17:07.000
<v Speaker 1>State and I was modeling at I Magnuts in San Francisco.

0:17:07.760 --> 0:17:12.200
<v Speaker 1>So with two people in an apartment, and uh, I'd

0:17:12.200 --> 0:17:16.440
<v Speaker 1>take a car to the train station, train station into

0:17:16.440 --> 0:17:21.919
<v Speaker 1>San Francisco, a bus to I Magnets and then do

0:17:22.040 --> 0:17:25.199
<v Speaker 1>the reverse back home at night. And we lived in

0:17:25.240 --> 0:17:29.760
<v Speaker 1>a house. Uh I remember we were there when Kennedy

0:17:29.840 --> 0:17:34.040
<v Speaker 1>was killed it was ninety dollars a month for how

0:17:34.119 --> 0:17:39.680
<v Speaker 1>Wow in Petrero Hill. So you see how old I am.

0:17:40.200 --> 0:17:44.879
<v Speaker 1>It's been a while. Okay, Um today, do you have

0:17:45.000 --> 0:17:48.840
<v Speaker 1>enough money today? Yes? I'm not rolling around in money,

0:17:48.840 --> 0:17:51.800
<v Speaker 1>but I'm I'm good. And is that primarily from music

0:17:52.080 --> 0:17:58.120
<v Speaker 1>or from mart music? Yeah? Definitely from music royalties coming

0:17:58.200 --> 0:18:02.080
<v Speaker 1>and investments, because both my accountant and my ex husband

0:18:03.000 --> 0:18:06.840
<v Speaker 1>manage whatever money is coming through to me. And is

0:18:06.840 --> 0:18:11.280
<v Speaker 1>there any income left from music? Oh? Yeah, okay. And

0:18:11.320 --> 0:18:19.080
<v Speaker 1>then Jefferson Airplane had this famous battle with your manager,

0:18:19.119 --> 0:18:23.040
<v Speaker 1>Matthew Kates. Okay, Now it ends up being a big

0:18:23.119 --> 0:18:25.520
<v Speaker 1>legal case, and I'm a lawyer in a previous lifetime

0:18:26.680 --> 0:18:29.359
<v Speaker 1>having to do with whether you can be both the

0:18:29.400 --> 0:18:33.720
<v Speaker 1>manager in the agent getting digs whatever in the middle

0:18:33.760 --> 0:18:36.880
<v Speaker 1>of that, because supposedly he held all the money. What

0:18:36.920 --> 0:18:40.840
<v Speaker 1>was your perspective? I wasn't with the band when he

0:18:40.920 --> 0:18:43.879
<v Speaker 1>was the manager. So this was before when I was

0:18:44.000 --> 0:18:48.520
<v Speaker 1>a great society and I went to party and they said, oh,

0:18:48.560 --> 0:18:52.520
<v Speaker 1>look there's our new manager Airplane guys, and I looked

0:18:52.560 --> 0:18:58.080
<v Speaker 1>across the room. He's signaling what he is. He had

0:18:58.119 --> 0:19:04.320
<v Speaker 1>on black cape with red line. I said, you're kidding me,

0:19:04.760 --> 0:19:09.240
<v Speaker 1>come on, and sure enough he screwed him over. And

0:19:09.400 --> 0:19:13.080
<v Speaker 1>but it's I was only involved after I joined the

0:19:13.080 --> 0:19:20.199
<v Speaker 1>band because Paul Kantner was with Matthew Cats because of

0:19:20.240 --> 0:19:26.960
<v Speaker 1>the situation with airplane. But Paul was very generous. We're publishing,

0:19:27.000 --> 0:19:30.280
<v Speaker 1>so if you gave him one word, he would put

0:19:30.320 --> 0:19:36.760
<v Speaker 1>you in publishing. But then you're also Matthew So it

0:19:36.880 --> 0:19:39.520
<v Speaker 1>was tricky for years. It may still be going on.

0:19:39.720 --> 0:19:41.840
<v Speaker 1>I have no idea. I think it finally ended. It

0:19:41.880 --> 0:19:45.080
<v Speaker 1>certainly went off for decades. It was crazy. Okay, so

0:19:45.080 --> 0:19:49.080
<v Speaker 1>your father was an investment banker and you first grow

0:19:49.280 --> 0:19:54.640
<v Speaker 1>start growing up where Uh let's see, I was born

0:19:54.640 --> 0:19:57.040
<v Speaker 1>in Chicago, came out to l A when US three,

0:19:57.160 --> 0:19:59.800
<v Speaker 1>lived here for a year, moved to San Francisco, lived

0:19:59.800 --> 0:20:02.640
<v Speaker 1>there for about seven years, moved to Palo Alto, lived

0:20:02.640 --> 0:20:06.280
<v Speaker 1>there for another seven years. I went to college in

0:20:06.320 --> 0:20:08.960
<v Speaker 1>New York for a year, then the next year went

0:20:09.000 --> 0:20:12.960
<v Speaker 1>to college in Miami and Florida. Then came back to

0:20:13.000 --> 0:20:16.600
<v Speaker 1>San Francisco, and it's it was starting to happen. Okay,

0:20:16.640 --> 0:20:18.880
<v Speaker 1>let's go back to when you're you know, you're living

0:20:18.880 --> 0:20:22.239
<v Speaker 1>in San Francisco, You're going to school Were you a

0:20:22.280 --> 0:20:25.800
<v Speaker 1>popular girl in school? Oh, I don't know. It's a

0:20:25.880 --> 0:20:29.639
<v Speaker 1>grammar school and we didn't have high school high school,

0:20:30.200 --> 0:20:33.560
<v Speaker 1>uh more or less? Yeah, but I am very, very sarcastic.

0:20:33.920 --> 0:20:36.320
<v Speaker 1>So I got kicked out of the gang. There was

0:20:36.359 --> 0:20:39.560
<v Speaker 1>a gang of girls that were the popular girls, and

0:20:39.600 --> 0:20:41.960
<v Speaker 1>I was sort of in that. But I'm number two.

0:20:42.640 --> 0:20:45.320
<v Speaker 1>Number one was, of course, and she's still a friend.

0:20:45.400 --> 0:20:49.399
<v Speaker 1>One blonde, big boobs. I had dark, kinky hair and

0:20:49.440 --> 0:20:54.000
<v Speaker 1>no boobs and short legs. Otherwise I was great, but

0:20:54.320 --> 0:20:58.960
<v Speaker 1>I got kicked out for being sarcastic, and uh, they

0:20:59.680 --> 0:21:04.680
<v Speaker 1>that's reasonable. Okay. So you were always going your own way? Well,

0:21:04.760 --> 0:21:06.320
<v Speaker 1>I don't know if I was going my own way

0:21:06.359 --> 0:21:11.560
<v Speaker 1>because I liked hanging out with people. Uh, but I

0:21:11.680 --> 0:21:16.520
<v Speaker 1>have a difficult personality and if you pour alcohol on it,

0:21:16.520 --> 0:21:20.800
<v Speaker 1>it's really difficult. Okay. So when did you start pouring

0:21:20.880 --> 0:21:28.000
<v Speaker 1>alcohol on it about? Okay? And you know this about yourself.

0:21:28.040 --> 0:21:30.520
<v Speaker 1>Did you have your this insight back then or only

0:21:30.560 --> 0:21:33.960
<v Speaker 1>as a result of hindsight. No, it's pretty much hindsight

0:21:34.080 --> 0:21:36.960
<v Speaker 1>because we just thought, oh boy, we're getting away with it,

0:21:37.000 --> 0:21:39.399
<v Speaker 1>and isn't this fun? And it was fun for a

0:21:39.440 --> 0:21:43.000
<v Speaker 1>long time. You usually don't repeat stuff that isn't fun

0:21:43.200 --> 0:21:47.920
<v Speaker 1>the first time around. Oddly enough, Paul Kantner uh never

0:21:48.000 --> 0:21:50.440
<v Speaker 1>drank when I lived with him, and I said, why

0:21:50.440 --> 0:21:52.240
<v Speaker 1>don't you drink? He said, well, I tried it in

0:21:52.280 --> 0:21:54.360
<v Speaker 1>high school and made me throw up. I said, oh, yeah,

0:21:54.480 --> 0:21:58.520
<v Speaker 1>made me throw up to it. Who cares? But he

0:21:58.680 --> 0:22:01.840
<v Speaker 1>eventually got into al ca hal unfortunately that's what took

0:22:01.920 --> 0:22:07.480
<v Speaker 1>him out. But uh, you know, it's everybody has a

0:22:07.520 --> 0:22:10.560
<v Speaker 1>different storyline and different reasons for why they do or

0:22:10.600 --> 0:22:15.240
<v Speaker 1>don't do whatever it is they're doing, or there's no reason,

0:22:15.440 --> 0:22:19.560
<v Speaker 1>it's just fun. Okay, So you're in high school. How

0:22:19.560 --> 0:22:22.399
<v Speaker 1>does your father or your parents decided to send you

0:22:22.440 --> 0:22:24.399
<v Speaker 1>from the public to the private high school? That was

0:22:24.440 --> 0:22:29.400
<v Speaker 1>my idea because my friend, uh Judy Levidis was going

0:22:29.480 --> 0:22:32.560
<v Speaker 1>to Castle Out, which is private, and I was in

0:22:32.840 --> 0:22:36.320
<v Speaker 1>public school, pal Wata High School, so I thought that'd

0:22:36.359 --> 0:22:38.560
<v Speaker 1>be fun to go over there because a couple of

0:22:38.600 --> 0:22:41.640
<v Speaker 1>my friends were in private school. So I went asked

0:22:41.800 --> 0:22:45.320
<v Speaker 1>was it different from public school? Well, you wear uniforms

0:22:45.480 --> 0:22:49.280
<v Speaker 1>and there are no boys, which for learning is probably better.

0:22:50.080 --> 0:22:53.639
<v Speaker 1>So you graduate from high school, did you want to

0:22:53.680 --> 0:22:56.320
<v Speaker 1>go to college or that's just what you did. How

0:22:56.320 --> 0:22:58.600
<v Speaker 1>did you end up going to college? And I think

0:22:58.880 --> 0:23:05.240
<v Speaker 1>I was influenced by the Times. Everybody, you go to college,

0:23:05.320 --> 0:23:07.920
<v Speaker 1>that's what you do, you know. So I went to

0:23:08.080 --> 0:23:13.360
<v Speaker 1>probably the easiest college in the world. It's a dip

0:23:13.400 --> 0:23:17.280
<v Speaker 1>ship college in New York that teaches you how to

0:23:17.320 --> 0:23:23.159
<v Speaker 1>go out with Princeton boys, which fork to use speech classes.

0:23:24.880 --> 0:23:30.159
<v Speaker 1>Tricia Nixon went there, that's a well known story. No,

0:23:30.359 --> 0:23:34.440
<v Speaker 1>she's ten years younger than I am, okay, but she

0:23:34.640 --> 0:23:38.080
<v Speaker 1>u When she got to the White House with her father,

0:23:39.880 --> 0:23:44.320
<v Speaker 1>she decided to have a t and invite all the alumni.

0:23:44.560 --> 0:23:48.000
<v Speaker 1>It's real small school, so you can't do that of

0:23:48.280 --> 0:23:52.879
<v Speaker 1>French college. My name was Grace Wing at the time.

0:23:53.640 --> 0:23:56.840
<v Speaker 1>That's my maiden name, so she didn't know. You know,

0:23:56.920 --> 0:23:59.960
<v Speaker 1>if it said Grace Slick, maybe they would have thought twice.

0:24:00.880 --> 0:24:04.320
<v Speaker 1>But so I got an invitation and I went, oh yes.

0:24:04.440 --> 0:24:10.199
<v Speaker 1>And so I had about six seven hundred mics of

0:24:10.240 --> 0:24:15.040
<v Speaker 1>acid in my pocket and a very long pinky fingernail

0:24:15.480 --> 0:24:19.520
<v Speaker 1>for cocaine dip that into a little thing. So I

0:24:19.600 --> 0:24:23.280
<v Speaker 1>figured I'm an entertainer and we gesture a lot. And

0:24:23.520 --> 0:24:26.920
<v Speaker 1>I knew about teas because I've been talked about teas

0:24:26.960 --> 0:24:30.159
<v Speaker 1>at Finch, you stand. You don't sit at a t

0:24:30.400 --> 0:24:32.800
<v Speaker 1>You stand. There are two urns on either side of

0:24:32.800 --> 0:24:36.040
<v Speaker 1>a long table. That's the way they kind of always are,

0:24:36.720 --> 0:24:39.399
<v Speaker 1>and you stand with your cup and you talk to

0:24:39.440 --> 0:24:43.720
<v Speaker 1>where you're talking to. I'm deciding that I'm talking to

0:24:43.840 --> 0:24:47.560
<v Speaker 1>Richard Nixon and the stuff is tasteless, but I get

0:24:47.600 --> 0:24:50.080
<v Speaker 1>a little bit of an in my fair nail out

0:24:50.080 --> 0:24:53.359
<v Speaker 1>of my pocket and just I'm gesturing, I'm talking over

0:24:53.440 --> 0:24:56.240
<v Speaker 1>his cup and he'd be loaded in forty five minutes

0:24:56.400 --> 0:25:00.560
<v Speaker 1>or a half an hour, just the idea of him

0:25:00.560 --> 0:25:03.399
<v Speaker 1>on the acid. But what I learned later on was

0:25:03.440 --> 0:25:05.719
<v Speaker 1>that the guy was nuts. Any we'd go around talking

0:25:05.720 --> 0:25:08.679
<v Speaker 1>to the pictures, you know, so we didn't have to

0:25:08.720 --> 0:25:11.600
<v Speaker 1>do that. But we were standing in line ready to

0:25:11.680 --> 0:25:14.399
<v Speaker 1>go in, and their security on the way, and I

0:25:14.480 --> 0:25:20.280
<v Speaker 1>took Abby Hoffman as my so called husband or partner.

0:25:20.400 --> 0:25:23.639
<v Speaker 1>You know, you can bring somebody, bring one person, and

0:25:23.680 --> 0:25:26.199
<v Speaker 1>we dressed Abbie Hoffman up so he wouldn't know he

0:25:26.240 --> 0:25:30.280
<v Speaker 1>looked like a mob boss, uh in a suit because

0:25:30.280 --> 0:25:34.000
<v Speaker 1>he had the black hair, black eyelasher. And they came

0:25:34.080 --> 0:25:36.040
<v Speaker 1>up and told me, they said, I'm sorry, you can't

0:25:36.040 --> 0:25:38.920
<v Speaker 1>go in. You're a security risk, and I said, well,

0:25:38.960 --> 0:25:42.360
<v Speaker 1>I said, I've gotten invitation, yes, but we know who

0:25:42.440 --> 0:25:45.440
<v Speaker 1>you are and you're a security risk. They didn't say

0:25:45.520 --> 0:25:51.200
<v Speaker 1>anything to Abby, not one word, and I thought, I'm

0:25:51.240 --> 0:25:54.119
<v Speaker 1>just a rock and roll singer. You know. I didn't

0:25:54.160 --> 0:25:55.680
<v Speaker 1>say it, but I wanted to say, you know who

0:25:55.720 --> 0:26:00.199
<v Speaker 1>this is, and so they wouldn't let me in. But

0:26:00.320 --> 0:26:03.960
<v Speaker 1>it's just as well, because that's rude to dose people.

0:26:04.080 --> 0:26:07.479
<v Speaker 1>I'm been dosed, and it's you know, ascid's good if

0:26:07.480 --> 0:26:10.280
<v Speaker 1>you know where you're taking. But being dosed is not

0:26:10.320 --> 0:26:13.359
<v Speaker 1>all Thatwhoever, being the president of the White House and

0:26:13.440 --> 0:26:15.879
<v Speaker 1>the era, you know, what was going on in the

0:26:15.920 --> 0:26:19.320
<v Speaker 1>country isn't like today. Although I was in your bathroom

0:26:19.320 --> 0:26:22.080
<v Speaker 1>and I did see the Trump toilet paper, which yeah,

0:26:22.280 --> 0:26:25.520
<v Speaker 1>Oh it would be fun to dose him. Oh lord god,

0:26:25.600 --> 0:26:28.720
<v Speaker 1>that would be fun if I could stay around and watch. Okay,

0:26:28.920 --> 0:26:32.040
<v Speaker 1>So you so, Finch sounds like a finishing school. It is.

0:26:32.200 --> 0:26:35.119
<v Speaker 1>And if you how long is ro Could you have

0:26:35.160 --> 0:26:38.359
<v Speaker 1>gone for four years if you wanted to? Yeah? But

0:26:38.480 --> 0:26:41.280
<v Speaker 1>you then how did you decide to leave there? I

0:26:41.359 --> 0:26:44.439
<v Speaker 1>went with a friend of mine from Finch on the

0:26:44.480 --> 0:26:48.080
<v Speaker 1>Easter vaccasion. We went to Nassau, and I thought, oh,

0:26:48.160 --> 0:26:52.720
<v Speaker 1>this is fantastic. So University of Miami's real close to Nassau.

0:26:53.040 --> 0:26:55.240
<v Speaker 1>So next year I went to university and I'm a

0:26:55.400 --> 0:26:59.720
<v Speaker 1>screw off. I'm not this big academic. I just went

0:27:00.000 --> 0:27:02.399
<v Speaker 1>as you're supposed to go to college, and why not?

0:27:02.520 --> 0:27:05.439
<v Speaker 1>It was fun. And so then after University of Miami,

0:27:05.480 --> 0:27:07.800
<v Speaker 1>you went to another college? Right? No, then I went

0:27:08.040 --> 0:27:10.879
<v Speaker 1>I went home to in the summer, to San Francisco.

0:27:11.200 --> 0:27:14.440
<v Speaker 1>But San Francisco was starting to have all this stuff happening,

0:27:14.640 --> 0:27:22.560
<v Speaker 1>and I thought, this is way better. Okay, so you

0:27:22.640 --> 0:27:26.440
<v Speaker 1>never graduated from college and your daughter did you care

0:27:26.480 --> 0:27:28.720
<v Speaker 1>if she went to college? No, she can do whatever

0:27:28.760 --> 0:27:32.560
<v Speaker 1>she wants. Okay. Now she was famously on TV at

0:27:32.600 --> 0:27:35.359
<v Speaker 1>age sixteen on MTV. Yeah, you think that was a

0:27:35.400 --> 0:27:37.920
<v Speaker 1>good or a bad thing. I think it was good.

0:27:38.000 --> 0:27:41.439
<v Speaker 1>I just wish she had kept You have to maintain

0:27:42.480 --> 0:27:46.720
<v Speaker 1>uh stuff in jobs, whether you're a dentist or your

0:27:46.960 --> 0:27:49.520
<v Speaker 1>work at a grocery store or your rock and roll.

0:27:50.240 --> 0:27:53.000
<v Speaker 1>To stop working and then try to pick it up

0:27:53.080 --> 0:27:55.639
<v Speaker 1>later and then stop where you can't do that, you

0:27:55.720 --> 0:28:00.960
<v Speaker 1>have to maintain. So if she had maintained, she got

0:28:02.720 --> 0:28:04.600
<v Speaker 1>job on the number one show at the time, which

0:28:04.640 --> 0:28:08.840
<v Speaker 1>is Home Improvement. So but she said she couldn't really

0:28:09.040 --> 0:28:12.439
<v Speaker 1>handle it because it was too much stress and stuff

0:28:12.480 --> 0:28:15.920
<v Speaker 1>like that. And to be an actor actress, she really

0:28:15.960 --> 0:28:21.240
<v Speaker 1>do have to be dedicated, she said, I'm not dedicated enough. Okay,

0:28:21.280 --> 0:28:23.919
<v Speaker 1>So you moved back to if you can remember what

0:28:23.960 --> 0:28:28.280
<v Speaker 1>you already moved back to San Francisco. Uh do you

0:28:28.280 --> 0:28:34.400
<v Speaker 1>mean from college? That would be fifty nine or sixty.

0:28:36.080 --> 0:28:39.000
<v Speaker 1>I'm younger than you, and I remember the everybody is

0:28:39.720 --> 0:28:41.800
<v Speaker 1>not everybody, but a lot of people. I remember the

0:28:41.840 --> 0:28:46.480
<v Speaker 1>sixties being explosive. What were the fifties like? Uh, leave

0:28:46.520 --> 0:28:50.360
<v Speaker 1>it to Beaver? So it was really like that, Yeah, Eisenhower,

0:28:50.560 --> 0:28:54.160
<v Speaker 1>leave it to Beaver. And Uh, A lot of us

0:28:54.720 --> 0:28:59.240
<v Speaker 1>people my age went to a certain amount of school

0:28:59.400 --> 0:29:03.680
<v Speaker 1>either to were four years of college usually. And if

0:29:03.720 --> 0:29:09.840
<v Speaker 1>you read you read say about Turn of the Century

0:29:09.880 --> 0:29:17.760
<v Speaker 1>in Paris, Alice b Chkalis, uh Daga Lev, the dancer, Picasso,

0:29:17.920 --> 0:29:21.440
<v Speaker 1>all those people turned the art world on its head.

0:29:22.480 --> 0:29:28.480
<v Speaker 1>And they were sitting around having a pot brownies that

0:29:28.600 --> 0:29:32.760
<v Speaker 1>Alice would make. They were accepting of her being a

0:29:32.880 --> 0:29:38.640
<v Speaker 1>lesbian with Gertrude Stein, and we read about that. Did

0:29:38.680 --> 0:29:41.720
<v Speaker 1>that look like way better than leave it to beaver.

0:29:42.240 --> 0:29:47.680
<v Speaker 1>Of course it did. So that made a lot of

0:29:47.800 --> 0:29:52.560
<v Speaker 1>us open up and very liberal, which I am to

0:29:52.640 --> 0:29:57.440
<v Speaker 1>this day. The Republican Party has a list of people

0:29:57.560 --> 0:30:00.440
<v Speaker 1>where they live and how much money they make, so

0:30:00.480 --> 0:30:05.880
<v Speaker 1>they have for years called here or written here, and

0:30:05.960 --> 0:30:10.520
<v Speaker 1>I just laugh. I said, look, I am a socialist Democrat,

0:30:11.600 --> 0:30:16.680
<v Speaker 1>so you're calling the wrong person. And I've been that

0:30:16.920 --> 0:30:22.440
<v Speaker 1>for since I was about twenty two or three. Maybe. Okay,

0:30:22.480 --> 0:30:27.080
<v Speaker 1>so who's your candidate in the election. I'm a Democratic side. Well,

0:30:28.200 --> 0:30:30.640
<v Speaker 1>my friend and I kind of argue about this because

0:30:31.120 --> 0:30:33.160
<v Speaker 1>and I think she may be right. She said the

0:30:33.160 --> 0:30:35.840
<v Speaker 1>deal is to beat Trump, of course, and she said

0:30:36.320 --> 0:30:38.680
<v Speaker 1>Biden is the only one who can do that. But

0:30:38.840 --> 0:30:42.480
<v Speaker 1>I like, uh, Biden's Now I shouldn't say this because

0:30:42.640 --> 0:30:45.200
<v Speaker 1>he's probably younger than I am, but he's old like

0:30:45.320 --> 0:30:48.000
<v Speaker 1>he was. He's been stumped a couple of times. He

0:30:48.080 --> 0:30:53.120
<v Speaker 1>doesn't have that fast reaction. I like Conala Harris. She's

0:30:53.120 --> 0:30:57.720
<v Speaker 1>from California. She's real sharp, she knows how to come back,

0:30:57.800 --> 0:31:02.720
<v Speaker 1>and she will come back at you. Budaja amazing mind.

0:31:03.000 --> 0:31:07.600
<v Speaker 1>Rhodes scholar done a military time. The guy's amazing and

0:31:07.640 --> 0:31:12.400
<v Speaker 1>Warren's got good plans. So all three of them. But

0:31:12.720 --> 0:31:16.000
<v Speaker 1>in order to beat uh Trump, it might have to

0:31:16.040 --> 0:31:20.120
<v Speaker 1>be Biden because people like who they're familiar with. About

0:31:20.160 --> 0:31:24.440
<v Speaker 1>Bernie and Bernie, I think he's too far left for

0:31:24.520 --> 0:31:29.200
<v Speaker 1>most people. No, he's not too far left for me. Okay,

0:31:29.360 --> 0:31:31.400
<v Speaker 1>let's go back to the sixties. So you go back

0:31:31.400 --> 0:31:35.400
<v Speaker 1>in fifty nine San Francisco. Is it palpable? I didn't.

0:31:35.480 --> 0:31:37.280
<v Speaker 1>I was living on the East Coast where it's uptight.

0:31:37.440 --> 0:31:40.840
<v Speaker 1>It was palpable. Something was going on. No, not. In

0:31:40.960 --> 0:31:46.200
<v Speaker 1>fifty nine, the shift was going between beat nick and hippie.

0:31:46.240 --> 0:31:49.040
<v Speaker 1>Now I hate to use those they're kind of silly words,

0:31:49.160 --> 0:31:54.440
<v Speaker 1>but they do disparaging whatever they do describe a certain

0:31:55.200 --> 0:31:58.960
<v Speaker 1>way of thinking or mail you or whatever you want

0:31:59.000 --> 0:32:03.400
<v Speaker 1>to call it. So is shifting from the Beatni thing

0:32:03.600 --> 0:32:07.840
<v Speaker 1>up at North Beach to hippie and it was you

0:32:07.880 --> 0:32:12.680
<v Speaker 1>could tell that things were kind of shifting. Wasn't there yet,

0:32:12.720 --> 0:32:15.200
<v Speaker 1>but you could tell you could feel it. So you

0:32:15.280 --> 0:32:17.920
<v Speaker 1>go back to Berry and you're doing what every day?

0:32:18.760 --> 0:32:23.160
<v Speaker 1>I'm a model because I have no skills. Okay, how

0:32:23.200 --> 0:32:27.160
<v Speaker 1>do you feel as someone who's intelligent and outspoken being

0:32:27.240 --> 0:32:31.000
<v Speaker 1>paid for your looks. I thought it was very strange

0:32:31.080 --> 0:32:34.760
<v Speaker 1>because I have short legs, kinky dark hair, and no tits.

0:32:35.160 --> 0:32:38.280
<v Speaker 1>Now no tits is good for a model, but short

0:32:38.360 --> 0:32:41.880
<v Speaker 1>legs and kinky dark hair is not good. Uh. So

0:32:42.120 --> 0:32:44.960
<v Speaker 1>I would straighten my hair by wrapping it around my

0:32:45.040 --> 0:32:48.200
<v Speaker 1>head after I washed it. That's a big roller which

0:32:48.240 --> 0:32:50.960
<v Speaker 1>will straighten out your hair without ruining it. A lot

0:32:50.960 --> 0:32:55.400
<v Speaker 1>of people ironed their hair. That's stupid, you ruin your hair. Uh.

0:32:55.480 --> 0:32:59.360
<v Speaker 1>And the long legs. At the time that I was modeling, uh,

0:32:59.440 --> 0:33:02.440
<v Speaker 1>skirts came down below the knee anyway, so nobody knew

0:33:02.440 --> 0:33:05.479
<v Speaker 1>how short my lower legs were the only thing they

0:33:05.480 --> 0:33:08.840
<v Speaker 1>didn't like about me was that it's I have a

0:33:08.880 --> 0:33:11.880
<v Speaker 1>big head, apparently, and it was very hard to get hats.

0:33:12.360 --> 0:33:15.480
<v Speaker 1>What happens is when you are going on a runway,

0:33:15.680 --> 0:33:18.040
<v Speaker 1>you come up to just before you're about ready to

0:33:18.080 --> 0:33:21.360
<v Speaker 1>go on, they give you gloves and hat and jewelry,

0:33:22.040 --> 0:33:25.680
<v Speaker 1>and they give me the gloves, fine hat. Uh, no good.

0:33:25.880 --> 0:33:28.040
<v Speaker 1>I couldn't get the cat on my head because my

0:33:28.120 --> 0:33:31.800
<v Speaker 1>head's too big. But they were fairly nice about everything.

0:33:32.040 --> 0:33:37.640
<v Speaker 1>I worked for uh Madam Moon, who was couterier department

0:33:37.760 --> 0:33:43.840
<v Speaker 1>at i'magnets. She was actually French, and she the only

0:33:43.840 --> 0:33:46.880
<v Speaker 1>reason she liked me is because I can look French

0:33:47.400 --> 0:33:50.320
<v Speaker 1>because of the dark hair and pointing face and all

0:33:50.360 --> 0:33:53.640
<v Speaker 1>that kind of stuff. In those days, bottling was a

0:33:53.720 --> 0:33:56.440
<v Speaker 1>lucrative correct well, it's not look at it for a

0:33:56.440 --> 0:34:02.200
<v Speaker 1>person who's only five seven, but it worked for floor modeling,

0:34:02.240 --> 0:34:04.200
<v Speaker 1>which is what I was doing. What I had to

0:34:04.240 --> 0:34:07.440
<v Speaker 1>do was change my clothes every ten minutes. And I

0:34:07.480 --> 0:34:09.839
<v Speaker 1>was working in the criterier department, so I had some

0:34:09.960 --> 0:34:14.160
<v Speaker 1>beautiful stuff to wear. But you change your clothes every

0:34:14.160 --> 0:34:17.720
<v Speaker 1>ten minutes. You wander around and all these old, fat,

0:34:17.840 --> 0:34:21.279
<v Speaker 1>rich ladies who look like I do now would come

0:34:21.360 --> 0:34:24.880
<v Speaker 1>up and feel the material, and you know, do that

0:34:25.000 --> 0:34:28.040
<v Speaker 1>and that's what you do all day. Really, what did

0:34:28.040 --> 0:34:30.520
<v Speaker 1>you end up with any of those clothes? Oh? No,

0:34:30.640 --> 0:34:33.480
<v Speaker 1>they were like ten tho dollars a suit. Are you

0:34:33.560 --> 0:34:38.680
<v Speaker 1>kidding something? No? Okay, So how do you meet Jerry Slick?

0:34:39.680 --> 0:34:45.200
<v Speaker 1>Jerry Slick his mother was my mother's best friend. And

0:34:45.280 --> 0:34:50.440
<v Speaker 1>it's very fifties if you look at it, Uh, sideways,

0:34:51.040 --> 0:34:53.840
<v Speaker 1>And I do like Jerry Slick. He's very bright and

0:34:53.880 --> 0:34:58.600
<v Speaker 1>he's funny, and uh, I've known him damn, since I

0:34:58.640 --> 0:35:02.919
<v Speaker 1>was about ten. Really, we didn't go together. He went

0:35:03.000 --> 0:35:06.480
<v Speaker 1>with my friend Asia. Her name was Darlene at the time,

0:35:06.560 --> 0:35:10.359
<v Speaker 1>she changed it to Asia. Um, he went with her

0:35:10.600 --> 0:35:15.239
<v Speaker 1>for a while. Uh, but I didn't. I didn't go

0:35:15.239 --> 0:35:18.000
<v Speaker 1>out with him until I was older. The whole when

0:35:18.040 --> 0:35:21.320
<v Speaker 1>you first started to go out with Okay, So you

0:35:21.360 --> 0:35:24.040
<v Speaker 1>say you lost your virginity at seventeen, was that to

0:35:24.120 --> 0:35:26.480
<v Speaker 1>a boyfriend or you just wanted to lose your virginity? No,

0:35:26.680 --> 0:35:29.879
<v Speaker 1>Dave Hunter, he's my boyfriend, and uh I ran into

0:35:29.920 --> 0:35:32.480
<v Speaker 1>him about thirty years later. He was selling furniture at

0:35:32.480 --> 0:35:35.279
<v Speaker 1>a department store and I looked at him and I thought, God,

0:35:35.320 --> 0:35:40.319
<v Speaker 1>he looks familiar. Dave. Yeah, it's me Dave. Okay, So

0:35:40.400 --> 0:35:44.720
<v Speaker 1>before you meet Jerry, before you start up with Jerry,

0:35:44.719 --> 0:35:50.279
<v Speaker 1>had you played the field. I don't know if we Yeah,

0:35:50.280 --> 0:35:53.000
<v Speaker 1>I guess maybe we called it that. I don't know. Uh.

0:35:53.080 --> 0:35:58.200
<v Speaker 1>Let's see, before Jerry, I was going out with Stanford

0:35:58.200 --> 0:36:02.839
<v Speaker 1>Boys because I was at Castella, So, uh, I would

0:36:02.880 --> 0:36:06.280
<v Speaker 1>go out with the Delta cap As song. My father

0:36:06.520 --> 0:36:08.920
<v Speaker 1>was in that fraternity, and I thought, well, that's a

0:36:08.960 --> 0:36:12.560
<v Speaker 1>good idea. They're also big drinkers, so am I so

0:36:12.840 --> 0:36:18.840
<v Speaker 1>you were a big drinker at that age, well, seventeen. Yeah,

0:36:19.239 --> 0:36:24.319
<v Speaker 1>I started it at fifteen, but not on a regular basis. Uh. Well,

0:36:24.320 --> 0:36:26.480
<v Speaker 1>I went to college in the Hindu Lands and Vermont

0:36:26.520 --> 0:36:29.200
<v Speaker 1>in the Old Asian before the Internet, etcetera. And then

0:36:29.200 --> 0:36:31.720
<v Speaker 1>you end up drinking a lot. Nothing. Drinking was taboo

0:36:31.760 --> 0:36:34.359
<v Speaker 1>in my life because my father owned a liquor store.

0:36:34.880 --> 0:36:37.960
<v Speaker 1>But I got to the point where I didn't drink

0:36:38.000 --> 0:36:40.440
<v Speaker 1>every night. But if you wanted you to have the

0:36:40.440 --> 0:36:43.480
<v Speaker 1>best night your like, call me. Okay. I tried, but

0:36:43.560 --> 0:36:46.600
<v Speaker 1>then you realize, you know, the best night of your

0:36:46.640 --> 0:36:50.240
<v Speaker 1>life is rare, you know, and you're you know, getting drunk.

0:36:50.600 --> 0:36:52.480
<v Speaker 1>I end up getting I won't tell the story of

0:36:52.520 --> 0:36:56.040
<v Speaker 1>how I ended up giving up drinking. That's for another time.

0:36:56.440 --> 0:37:01.399
<v Speaker 1>But okay, with these boys, you said earlier, a horn dog.

0:37:01.640 --> 0:37:05.439
<v Speaker 1>Is there sex with these fraternity boys? Uh, let's see.

0:37:05.600 --> 0:37:08.319
<v Speaker 1>Not no, because I didn't lose my virginity until I

0:37:08.400 --> 0:37:13.239
<v Speaker 1>was seventeen, and that was graduation night. Graduation night, and

0:37:13.280 --> 0:37:17.640
<v Speaker 1>that was not a Stanford boy. Was their furniture sissument?

0:37:17.840 --> 0:37:20.239
<v Speaker 1>Was that a good experience? I don't know, because I

0:37:20.280 --> 0:37:24.920
<v Speaker 1>blacked out. They probably call that rape today. Both me

0:37:25.040 --> 0:37:26.920
<v Speaker 1>and my friend who was in the next bedroom with

0:37:27.000 --> 0:37:30.040
<v Speaker 1>her date. But both of us lost the same night,

0:37:30.520 --> 0:37:32.839
<v Speaker 1>and we both in the morning looked at each other

0:37:32.880 --> 0:37:37.560
<v Speaker 1>and went, uh, because we couldn't remember. Now, that's what

0:37:37.680 --> 0:37:39.719
<v Speaker 1>drinking I'll do for you. Your first time supposed to

0:37:39.719 --> 0:37:44.640
<v Speaker 1>be magical on everything, I can't remember. Okay. So when

0:37:44.640 --> 0:37:47.400
<v Speaker 1>you meet Jerry, had you had sex with a lot

0:37:47.440 --> 0:37:51.799
<v Speaker 1>of guys before that? Uh? No, not really? Okay, So

0:37:51.840 --> 0:37:54.400
<v Speaker 1>you meet Jerry, how do you decide to marry Jerry?

0:37:55.200 --> 0:37:57.120
<v Speaker 1>I don't know. We just started going out and it

0:37:57.239 --> 0:38:00.400
<v Speaker 1>seemed like a natural thing to do. And it's also

0:38:00.600 --> 0:38:04.560
<v Speaker 1>very there's a fifties hangover in it in that. Oh

0:38:04.600 --> 0:38:07.200
<v Speaker 1>here's mother's my mother's best friend. We both come from

0:38:07.239 --> 0:38:11.080
<v Speaker 1>Palo Alto, we're both the same age, we both so

0:38:11.239 --> 0:38:14.279
<v Speaker 1>there's there's a little fifth hangover. Okay, but you're a

0:38:14.360 --> 0:38:17.080
<v Speaker 1>very atypical woman, and it seems like you're a typical

0:38:17.120 --> 0:38:21.680
<v Speaker 1>from day one. No, you were not. No, I'm pretty

0:38:21.719 --> 0:38:32.279
<v Speaker 1>standard up to about age twenty three, four four, I

0:38:32.320 --> 0:38:35.319
<v Speaker 1>start getting weird. Okay, before you get weird. When you

0:38:35.480 --> 0:38:38.759
<v Speaker 1>marry Jerry, do you think it's gonna be forever? I

0:38:38.800 --> 0:38:44.800
<v Speaker 1>assume so yeah, I got married in the uh big

0:38:44.840 --> 0:38:48.399
<v Speaker 1>cathedral in San Francisco called Grace Cathedral, which I told

0:38:48.440 --> 0:38:51.080
<v Speaker 1>my parents when I was four. I said I'm gonna

0:38:51.080 --> 0:38:54.480
<v Speaker 1>get married there, and I did because I'm stubborn and

0:38:54.719 --> 0:38:59.200
<v Speaker 1>uh but so it was. You can see from this

0:39:00.000 --> 0:39:04.200
<v Speaker 1>I'm pretty standard for a long time. Let's clean up

0:39:04.200 --> 0:39:07.640
<v Speaker 1>the thing for one second. You have siblings, Yes, I

0:39:07.680 --> 0:39:13.520
<v Speaker 1>have a brother and brother younger younger. He lives in

0:39:13.600 --> 0:39:18.719
<v Speaker 1>a park in a sleeping bag and has for as

0:39:18.719 --> 0:39:22.520
<v Speaker 1>long as I can remember. He's paranoid, schizophrenic and slightly retarded,

0:39:23.480 --> 0:39:27.840
<v Speaker 1>and he's very sweet. He doesn't hurt anybody. He lives

0:39:27.960 --> 0:39:31.080
<v Speaker 1>right next to the police station because he's paranoid. But

0:39:31.160 --> 0:39:34.840
<v Speaker 1>that's a perfect place for somebody like him to live

0:39:34.960 --> 0:39:39.000
<v Speaker 1>because nobody will hassle him. And he is one of

0:39:39.000 --> 0:39:45.279
<v Speaker 1>the town uh eccentrics, you know that every town has him.

0:39:45.680 --> 0:39:50.000
<v Speaker 1>Lives in Palato, and because he's uh paranoid, he won't

0:39:50.040 --> 0:39:55.240
<v Speaker 1>leave Palato. Now was he ever institutionalized? Only once? About

0:39:56.000 --> 0:39:59.200
<v Speaker 1>forty years ago. He pushed the girl off her bicycle

0:39:59.360 --> 0:40:01.440
<v Speaker 1>and they said why, and they said, because the wheels

0:40:01.480 --> 0:40:04.680
<v Speaker 1>were talking to me. Then he went to a mental

0:40:04.719 --> 0:40:08.960
<v Speaker 1>institution for I don't know, six months. But he's never

0:40:09.480 --> 0:40:16.400
<v Speaker 1>been in a hospital either. No, because he uh doesn't

0:40:16.520 --> 0:40:21.560
<v Speaker 1>carry a card. He doesn't know where and if you

0:40:21.680 --> 0:40:25.000
<v Speaker 1>tell him, he forgets it. Where the s S I

0:40:25.440 --> 0:40:30.280
<v Speaker 1>is to collect money. So my parents left a trust

0:40:30.920 --> 0:40:34.719
<v Speaker 1>for him, which lasted up to about five years ago.

0:40:35.080 --> 0:40:38.880
<v Speaker 1>Now I'm supporting him and I send him actual money

0:40:38.920 --> 0:40:41.279
<v Speaker 1>because he can't cash a check because he can't prove

0:40:41.320 --> 0:40:45.400
<v Speaker 1>who he is to him. I send it in uh

0:40:45.600 --> 0:40:48.719
<v Speaker 1>envelopes so he could go to the post office. I

0:40:48.800 --> 0:40:52.239
<v Speaker 1>have a post office box in Palato because obviously he

0:40:52.280 --> 0:40:54.960
<v Speaker 1>can't get one. I have one. I send it to

0:40:55.000 --> 0:40:58.319
<v Speaker 1>myself and then uh, he gets some money that way.

0:40:58.800 --> 0:41:02.080
<v Speaker 1>And how long has he been homeless? He has been

0:41:03.040 --> 0:41:06.200
<v Speaker 1>uh Skip and Eye my ex husband Skip and I

0:41:06.239 --> 0:41:09.520
<v Speaker 1>tried to get him an apartment a couple of times,

0:41:09.520 --> 0:41:12.759
<v Speaker 1>but he makes him kind of crazy because he's it's

0:41:12.800 --> 0:41:18.320
<v Speaker 1>too claustrophobic for him, so he'd prefer to sleep outside.

0:41:18.800 --> 0:41:22.759
<v Speaker 1>He's not doing it because there's no money. He just

0:41:23.440 --> 0:41:29.000
<v Speaker 1>doesn't like being I don't know. I guess he wanders around,

0:41:29.320 --> 0:41:32.880
<v Speaker 1>you know, and looks at stuff, and he eats because

0:41:32.920 --> 0:41:36.320
<v Speaker 1>he has enough money to eat and uh goes two movies,

0:41:36.360 --> 0:41:39.879
<v Speaker 1>I imagine, I don't know. And was this heart break

0:41:39.920 --> 0:41:45.800
<v Speaker 1>for your parents? Well? Yeah, I think so because he

0:41:45.960 --> 0:41:48.840
<v Speaker 1>was kind of he would be occasionally verbally kind of

0:41:48.920 --> 0:41:52.200
<v Speaker 1>violent with them. He's never done it with me, but uh,

0:41:52.880 --> 0:41:56.320
<v Speaker 1>it's unpleasant. It is sad to have a kid who's

0:41:56.520 --> 0:41:59.880
<v Speaker 1>screwed up and there's nothing you can do about it. Right, Okay,

0:42:01.200 --> 0:42:04.880
<v Speaker 1>start to get weird? What does that look like? I

0:42:05.040 --> 0:42:10.000
<v Speaker 1>will take whatever drugs I want, I will have sex

0:42:10.080 --> 0:42:14.680
<v Speaker 1>or whoever I want. I will stop working as a

0:42:14.760 --> 0:42:17.440
<v Speaker 1>model and form a rock and roll band with Jerry

0:42:17.440 --> 0:42:23.160
<v Speaker 1>Slick and Darby Slick and a couple other guys. Uh. Okay,

0:42:23.480 --> 0:42:26.960
<v Speaker 1>So Jerry, he graduates from school. What do you once

0:42:26.960 --> 0:42:30.200
<v Speaker 1>you quit modeling? What are you doing for money? Uh?

0:42:30.280 --> 0:42:35.240
<v Speaker 1>Then we started, uh a rock and roll band called

0:42:35.280 --> 0:42:42.319
<v Speaker 1>Great Society, and that progressively made more money. Yes, not

0:42:42.400 --> 0:42:46.080
<v Speaker 1>a monster amount, but more money. And uh, Jerry Slick

0:42:46.320 --> 0:42:49.840
<v Speaker 1>is I think still a cinematographer. That's what he was

0:42:49.880 --> 0:42:52.600
<v Speaker 1>going to San Francisco State four. Do you have no

0:42:52.640 --> 0:42:56.280
<v Speaker 1>contact with him? Sometimes? Yeah? Sometimes I talked to him. Okay,

0:42:56.520 --> 0:43:00.600
<v Speaker 1>so you start the band in what year? Good question?

0:43:01.000 --> 0:43:08.720
<v Speaker 1>Sixty five four. Okay, Now, what does Jerry think about

0:43:08.760 --> 0:43:12.360
<v Speaker 1>you sleeping with whomever you want and taking whatever drugs

0:43:12.400 --> 0:43:15.000
<v Speaker 1>you want. I'm not sure how aware he was of it,

0:43:15.880 --> 0:43:21.320
<v Speaker 1>because I didn't flaunt this stuff in front of him.

0:43:21.400 --> 0:43:28.040
<v Speaker 1>But he played drums in the Great Society. His brother

0:43:28.600 --> 0:43:32.840
<v Speaker 1>played guitar. And then we had other friends David Minor

0:43:33.080 --> 0:43:38.600
<v Speaker 1>and uh Dutch name Van something really anyway, Uh we

0:43:39.080 --> 0:43:46.400
<v Speaker 1>made some money with that man. And then the oddly

0:43:46.520 --> 0:43:52.240
<v Speaker 1>enough dark haired Norse which is what I am Norwegian Swedish,

0:43:52.640 --> 0:43:57.239
<v Speaker 1>uh the and s she Sydney Anderson. But before we

0:43:57.239 --> 0:44:01.920
<v Speaker 1>get there, okay, how did you side to be a

0:44:02.000 --> 0:44:04.680
<v Speaker 1>musician to be a singer? Because I went to see

0:44:04.760 --> 0:44:09.959
<v Speaker 1>Jefferson Airplane play at a uh nightclus small club called

0:44:09.960 --> 0:44:12.520
<v Speaker 1>the Matrix, and I looked up and I said, that

0:44:12.560 --> 0:44:15.720
<v Speaker 1>looks like more fun than modeling. My mother was a singer.

0:44:15.960 --> 0:44:18.840
<v Speaker 1>I can do that. Because you're young and stupid, you know,

0:44:18.920 --> 0:44:21.040
<v Speaker 1>you figure, Yeah, okay, okay, it's kind of like the

0:44:21.120 --> 0:44:24.200
<v Speaker 1>late seventies early eighties in Los Angeles. Now at that

0:44:24.280 --> 0:44:28.840
<v Speaker 1>time in you talk about in the fifties hangover, you

0:44:28.880 --> 0:44:31.800
<v Speaker 1>get married, etcetera. It's not because they talk sixty seven

0:44:31.880 --> 0:44:33.840
<v Speaker 1>is the summer of love? What is going on in

0:44:33.960 --> 0:44:38.919
<v Speaker 1>San Francisco? When does it start to change? I'd say

0:44:38.960 --> 0:44:46.000
<v Speaker 1>around sixty four ish. I wouldn't want to bet on it,

0:44:46.160 --> 0:44:51.160
<v Speaker 1>but I think it's around sixty four ish. Uh, because

0:44:51.680 --> 0:44:57.400
<v Speaker 1>probably of Beatles and some folk guys. Uh. There was

0:44:57.520 --> 0:45:00.719
<v Speaker 1>called Jefferson Airplane. Before where I was in it was

0:45:00.760 --> 0:45:04.879
<v Speaker 1>called folk rock, and it was still some folk rock,

0:45:05.120 --> 0:45:08.799
<v Speaker 1>but it got a little harder, got into hard rock.

0:45:09.600 --> 0:45:14.279
<v Speaker 1>But people started forming bands because it looked like more

0:45:14.320 --> 0:45:16.360
<v Speaker 1>fun than what they were doing at the time. For

0:45:16.440 --> 0:45:20.840
<v Speaker 1>those people who didn't do that. The heat Ashbury aware

0:45:20.840 --> 0:45:25.280
<v Speaker 1>of that whole scene, and uh, some people were making

0:45:25.280 --> 0:45:30.879
<v Speaker 1>clothes for instance. Some people were uh making music. Some

0:45:30.960 --> 0:45:35.879
<v Speaker 1>people were having uh medical you set up medical thing,

0:45:36.000 --> 0:45:40.680
<v Speaker 1>help for people with no money. Some people were making newspapers,

0:45:40.719 --> 0:45:45.040
<v Speaker 1>the oraticle. Some people were getting into politics as much

0:45:45.040 --> 0:45:48.839
<v Speaker 1>as they could. You know, everybody was doing stuff. Now,

0:45:48.840 --> 0:45:51.680
<v Speaker 1>there was a guy named Emmett Grogan. Did you know him?

0:45:52.560 --> 0:45:54.719
<v Speaker 1>I met Emmett, but now I didn't know him. He

0:45:54.760 --> 0:45:58.280
<v Speaker 1>wrote a famous book called Ringle Leavio. We talked about

0:45:58.719 --> 0:46:01.960
<v Speaker 1>He had a freak chen, but he actually stole all

0:46:01.960 --> 0:46:06.360
<v Speaker 1>the food. Was interesting what happens. So you're with great Society.

0:46:06.640 --> 0:46:10.480
<v Speaker 1>Great society makes a record, right sort of? Yeah, who

0:46:10.560 --> 0:46:15.480
<v Speaker 1>pays for that? Let's see. I think it was offered

0:46:16.440 --> 0:46:23.600
<v Speaker 1>Big Daddy Tom Donohue DJ heard us and he offered

0:46:24.320 --> 0:46:28.360
<v Speaker 1>he had a Sun Studios I think that was the

0:46:28.440 --> 0:46:34.080
<v Speaker 1>name of it um and he got sly Stone to

0:46:34.200 --> 0:46:39.359
<v Speaker 1>come and help us. Now we were really pretty lame musicians.

0:46:39.800 --> 0:46:42.480
<v Speaker 1>I mean what we did was Jerry had a set

0:46:42.480 --> 0:46:45.040
<v Speaker 1>of drums, so you're the drummer. You have a guitar,

0:46:45.120 --> 0:46:49.359
<v Speaker 1>so you're the guitar, you know, and uh, but sly

0:46:49.520 --> 0:46:52.920
<v Speaker 1>Stone could play any instrument you hand him. Well, so

0:46:53.000 --> 0:46:55.800
<v Speaker 1>he helped us and at one point he just stopped

0:46:55.800 --> 0:46:58.200
<v Speaker 1>the thing and said, look, I'll do this and he

0:46:58.200 --> 0:47:02.240
<v Speaker 1>would run played all thing. Now he can't sing because

0:47:02.280 --> 0:47:05.000
<v Speaker 1>it if he sang, and they said that's great, Like

0:47:05.320 --> 0:47:08.879
<v Speaker 1>so I had I did sing, but it was never

0:47:08.920 --> 0:47:13.000
<v Speaker 1>a record until after White Rabbit and Somebody Love came out.

0:47:13.120 --> 0:47:17.080
<v Speaker 1>We got pretty famous and uh, and then they went

0:47:17.160 --> 0:47:20.560
<v Speaker 1>back and researched. You know, can we okay with sly

0:47:20.719 --> 0:47:24.319
<v Speaker 1>Stone because now he seems like, you know, off off

0:47:24.320 --> 0:47:28.239
<v Speaker 1>the grid mentally? Was he on it? Then he's on

0:47:28.440 --> 0:47:32.160
<v Speaker 1>he was right here. Okay, so now you're saying you're

0:47:32.160 --> 0:47:36.560
<v Speaker 1>in the Great Society and you hear about Sydney. Yeah,

0:47:36.600 --> 0:47:39.840
<v Speaker 1>the bass player who That's one of the things I

0:47:39.880 --> 0:47:43.400
<v Speaker 1>liked the most about Airplane is Jack Castie's bass playing.

0:47:43.600 --> 0:47:47.560
<v Speaker 1>He was a lead guitar player before, so the way

0:47:47.600 --> 0:47:51.440
<v Speaker 1>he played bass wasn't just doom doom doom. It was

0:47:52.080 --> 0:47:55.480
<v Speaker 1>all over the place, and this sustained notes that were

0:47:55.520 --> 0:47:59.560
<v Speaker 1>just beautiful. He came up and asked if I wanted

0:47:59.560 --> 0:48:04.000
<v Speaker 1>to join a band. Two of the members of Great Society.

0:48:04.000 --> 0:48:06.439
<v Speaker 1>We're going to India because it was popular at the time,

0:48:06.560 --> 0:48:11.160
<v Speaker 1>study sitar and his lead singer Sidney Anderson was going

0:48:11.200 --> 0:48:13.759
<v Speaker 1>to Oregon to have babies and be married. Do you

0:48:13.760 --> 0:48:16.920
<v Speaker 1>want to join the band? Oh? Yes, I do. Now

0:48:17.040 --> 0:48:20.520
<v Speaker 1>doesn't this leave Jerry out? Yeah? But Jerry's going to

0:48:20.560 --> 0:48:24.080
<v Speaker 1>film school. He's not a like a guy who's sitting

0:48:24.120 --> 0:48:26.560
<v Speaker 1>around saying all I want to do is play the drums.

0:48:27.600 --> 0:48:32.279
<v Speaker 1>He's more of a cinematonity. But you're still together then yes, Okay,

0:48:32.520 --> 0:48:36.040
<v Speaker 1>So you go to the Airplane and famously you bring

0:48:36.560 --> 0:48:40.560
<v Speaker 1>Somebody to Love and White Rabbit. How developed were those

0:48:40.600 --> 0:48:43.960
<v Speaker 1>successful songs for the Great Society when you played live

0:48:44.000 --> 0:48:49.879
<v Speaker 1>with those your key songs. Uh, I guess so we

0:48:49.920 --> 0:48:53.399
<v Speaker 1>had we wrote our own songs. I think the only

0:48:53.400 --> 0:48:56.319
<v Speaker 1>thing I did that was somebody else's was uh some

0:48:57.040 --> 0:49:02.040
<v Speaker 1>Sally go around the Roses. I don't know, but I

0:49:02.080 --> 0:49:06.560
<v Speaker 1>wrote songs. Father Bruce was about Lenny Bruce. Uh. Okay?

0:49:06.880 --> 0:49:09.960
<v Speaker 1>Was there a dream to become internationally famous or you know?

0:49:10.960 --> 0:49:12.719
<v Speaker 1>I was just doing it because it was fun and

0:49:12.800 --> 0:49:16.200
<v Speaker 1>I could. You know, It's the same reason people climb

0:49:16.200 --> 0:49:20.320
<v Speaker 1>efforts because I can. Okay, So you joined the Airplane,

0:49:20.440 --> 0:49:22.960
<v Speaker 1>which already has a record contract and it always has

0:49:23.000 --> 0:49:26.839
<v Speaker 1>already put an album out, Yes, and you immediately start

0:49:26.880 --> 0:49:29.640
<v Speaker 1>to gig with them, right, yeah? And then when does

0:49:29.680 --> 0:49:31.200
<v Speaker 1>it come up with the idea to make an album

0:49:31.239 --> 0:49:35.640
<v Speaker 1>with you in the band? About two minutes because we

0:49:35.760 --> 0:49:40.400
<v Speaker 1>had played uh to the album only took a couple

0:49:40.400 --> 0:49:43.839
<v Speaker 1>of weeks. H surrealistic pillow because we had played all

0:49:43.840 --> 0:49:47.319
<v Speaker 1>those songs live, so it wasn't hard to get them right.

0:49:47.520 --> 0:49:50.640
<v Speaker 1>We've already done it. Who is the producer of that record?

0:49:51.320 --> 0:49:56.680
<v Speaker 1>Rick d starts with a d Okay, I don't remember,

0:49:57.120 --> 0:49:59.319
<v Speaker 1>but he didn't really. He was kind of just in

0:49:59.360 --> 0:50:05.200
<v Speaker 1>the room uh, uh, Schmidt did Al Schmidt did most

0:50:05.239 --> 0:50:10.000
<v Speaker 1>of the production because the director or producer or whatever

0:50:10.040 --> 0:50:13.719
<v Speaker 1>you call him, God love him. What's mostly having some alcohol?

0:50:14.000 --> 0:50:18.000
<v Speaker 1>And uh, you're working for R C A Records. It's

0:50:18.080 --> 0:50:21.160
<v Speaker 1>not known as a strong label. But how controlling of

0:50:21.239 --> 0:50:25.600
<v Speaker 1>they of you were? They? They were fantastic with freedom,

0:50:25.719 --> 0:50:30.320
<v Speaker 1>artistic freedom. They're not so good with promotion. I kept

0:50:30.360 --> 0:50:33.000
<v Speaker 1>badgering them. I said, you've got to put this in

0:50:33.120 --> 0:50:37.400
<v Speaker 1>People magazine. Oh, we have a full page in in Billboard.

0:50:38.200 --> 0:50:41.920
<v Speaker 1>Everybody in Billboard gets the album for what Billboard? Who

0:50:41.960 --> 0:50:47.120
<v Speaker 1>cares you know? So he got a badroom. Okay, so

0:50:47.200 --> 0:50:50.960
<v Speaker 1>you weld if you're involved in marketing and business from

0:50:51.000 --> 0:50:55.800
<v Speaker 1>day one. M h, just the stuff. I was aware

0:50:55.800 --> 0:50:59.560
<v Speaker 1>of it. Okay, So you make the album, are you

0:50:59.640 --> 0:51:03.120
<v Speaker 1>aware when it's done, before it's release, that it's going

0:51:03.160 --> 0:51:07.239
<v Speaker 1>to be a legendary smash? No, we thought I would

0:51:07.280 --> 0:51:10.640
<v Speaker 1>do okay, but no, I had no idea. Okay, and

0:51:10.640 --> 0:51:14.400
<v Speaker 1>then when when did you realize something was starting to happen?

0:51:14.920 --> 0:51:17.160
<v Speaker 1>Take Away went on the road. We would have been

0:51:17.160 --> 0:51:23.080
<v Speaker 1>paying more attention to that. Then record sales, I can't

0:51:23.080 --> 0:51:25.560
<v Speaker 1>remember you heard your song on the radio. That must

0:51:25.560 --> 0:51:29.279
<v Speaker 1>have been a thrill. Everybody said it was a thrill. No,

0:51:29.600 --> 0:51:31.880
<v Speaker 1>I can't remember the first time I heard it, but

0:51:32.239 --> 0:51:37.799
<v Speaker 1>I can remember hearing the Beach Boys. She's given me

0:51:38.040 --> 0:51:42.560
<v Speaker 1>good violent. That was a stunning piece of work. That's

0:51:42.600 --> 0:51:46.080
<v Speaker 1>an amazing song. I remember where I was. I was

0:51:46.160 --> 0:51:49.160
<v Speaker 1>on sunset, I was headed west and I was just

0:51:49.200 --> 0:51:51.279
<v Speaker 1>stopped me in my tracks. But I can't remember where

0:51:51.320 --> 0:51:52.840
<v Speaker 1>I was when I heard my own soul. Okay, but

0:51:53.000 --> 0:51:58.600
<v Speaker 1>overnight you become a long baby with Janis Joplin. But

0:51:58.640 --> 0:52:01.560
<v Speaker 1>she was, You were considered beautiful, and that was her

0:52:01.600 --> 0:52:05.160
<v Speaker 1>beauty was not something that translated to the world at large.

0:52:05.480 --> 0:52:09.239
<v Speaker 1>What was it like to become an overnight icon? I

0:52:09.280 --> 0:52:12.360
<v Speaker 1>didn't really know I was an overnight icon. I was

0:52:12.600 --> 0:52:14.760
<v Speaker 1>I was a singer. I knew we were doing well,

0:52:15.080 --> 0:52:17.279
<v Speaker 1>but it's a hell band and there are a whole

0:52:17.320 --> 0:52:20.880
<v Speaker 1>bunch of other bands doing well. It was a group,

0:52:21.160 --> 0:52:25.480
<v Speaker 1>seemed like a group, huge group of people more or

0:52:25.560 --> 0:52:31.280
<v Speaker 1>less the same age, saying the same thing. Uh, And

0:52:31.600 --> 0:52:35.160
<v Speaker 1>so I didn't single myself out of that large group.

0:52:35.480 --> 0:52:39.880
<v Speaker 1>That's the Rolling Stones, the Beetles, uh, Momas and Papas

0:52:40.000 --> 0:52:44.520
<v Speaker 1>you know across the Stones, Nash and young Janis. Uh,

0:52:44.640 --> 0:52:48.640
<v Speaker 1>you know the British groups could change all those you

0:52:48.719 --> 0:52:51.960
<v Speaker 1>know from the outside, all those groups are happening. Yeah,

0:52:52.120 --> 0:52:54.359
<v Speaker 1>but you're the most famous woman in rock and roll.

0:52:54.640 --> 0:52:57.480
<v Speaker 1>You must go places and people say, you know, there

0:52:57.560 --> 0:53:00.680
<v Speaker 1>must be opportunities, people must be coming onto you. That

0:53:00.760 --> 0:53:04.680
<v Speaker 1>must happen relatively rapidly. The only person came on or

0:53:04.840 --> 0:53:07.680
<v Speaker 1>did anything it was David Anderley. He came up and

0:53:07.719 --> 0:53:12.120
<v Speaker 1>he wanted to take me out of airplane and do

0:53:12.280 --> 0:53:14.960
<v Speaker 1>start doing solo stuff. And I know what that is

0:53:15.120 --> 0:53:18.879
<v Speaker 1>that somebody else wants to program my ship. No, thank you.

0:53:19.800 --> 0:53:24.360
<v Speaker 1>I prefer being with people of like mind. And uh,

0:53:24.480 --> 0:53:26.799
<v Speaker 1>I don't want to be a I didn't want to

0:53:26.840 --> 0:53:32.120
<v Speaker 1>be a solo artist. Apart from Marty, you know. I

0:53:32.160 --> 0:53:37.640
<v Speaker 1>like the input Jack and Yarma blues. Marty sings love songs.

0:53:38.000 --> 0:53:42.120
<v Speaker 1>I'm kind of sarcastic political and Paul has lets everybody

0:53:42.160 --> 0:53:45.440
<v Speaker 1>go into the moon, uh space guy. So I like

0:53:45.600 --> 0:53:48.400
<v Speaker 1>the fact that it was a smartest board. Did everybody

0:53:48.400 --> 0:53:51.200
<v Speaker 1>get along at that point? At that point? Yeah, But then,

0:53:51.920 --> 0:53:55.080
<v Speaker 1>as often happens in groups, everything so well, my stuff

0:53:55.160 --> 0:53:59.600
<v Speaker 1>is better than your stuff or our stuff is all equal.

0:54:00.040 --> 0:54:02.280
<v Speaker 1>But I want to go off and do my stuff.

0:54:03.719 --> 0:54:08.239
<v Speaker 1>So that happens at all all not really know. It's

0:54:08.320 --> 0:54:12.440
<v Speaker 1>driven by Jack and Yorma are more blues oriented and

0:54:12.480 --> 0:54:16.120
<v Speaker 1>they really hate all the publicity of posing and having

0:54:16.239 --> 0:54:20.000
<v Speaker 1>We did two weeks of nothing but publicity at one

0:54:20.080 --> 0:54:22.560
<v Speaker 1>time in New York and we were staying at Chelsea

0:54:23.120 --> 0:54:26.960
<v Speaker 1>and uh, Jorma wrote a song called third Week at

0:54:27.200 --> 0:54:34.040
<v Speaker 1>Chelsea that is his statement about this is stupid. We're

0:54:34.040 --> 0:54:37.399
<v Speaker 1>not doing music, we're posing, you know. So they don't

0:54:37.440 --> 0:54:43.000
<v Speaker 1>like that. Uh, Marty was okay with it. I think

0:54:43.040 --> 0:54:45.960
<v Speaker 1>Marty at one point wanted to be more kind of

0:54:46.000 --> 0:54:51.800
<v Speaker 1>Elvis Presley ish type of deal. And Uh, Paul likes

0:54:52.160 --> 0:54:55.640
<v Speaker 1>the group arrangement to he he enjoyed that, so he

0:54:55.680 --> 0:54:59.200
<v Speaker 1>didn't want to split split it up. And Jack and

0:54:59.239 --> 0:55:02.960
<v Speaker 1>you Harmer took a off to go speed skating in

0:55:03.600 --> 0:55:06.239
<v Speaker 1>I think Finland or somewhere, but we didn't know which

0:55:06.239 --> 0:55:08.520
<v Speaker 1>country they were in. They were gone for a year.

0:55:08.560 --> 0:55:12.240
<v Speaker 1>So Paul and I just started making music together. Okay,

0:55:12.280 --> 0:55:16.799
<v Speaker 1>before we get to that second album. After Bathing at Baxters,

0:55:17.000 --> 0:55:20.920
<v Speaker 1>we had a number of radio successes on it. Surrealistic Pillow,

0:55:21.280 --> 0:55:24.040
<v Speaker 1>did you consciously try to make a radio success on

0:55:24.080 --> 0:55:28.680
<v Speaker 1>the next record. We we made what we wanted to make,

0:55:29.719 --> 0:55:33.759
<v Speaker 1>and port Rcia was still paying for studio time. And

0:55:33.800 --> 0:55:37.480
<v Speaker 1>it took after being battors because we hadn't practiced any

0:55:37.520 --> 0:55:40.839
<v Speaker 1>of those they were new songs. It took a long

0:55:40.920 --> 0:55:45.839
<v Speaker 1>time to make it, and because the UH instruments were

0:55:46.080 --> 0:55:48.680
<v Speaker 1>a lot of that electronic stuff was new coming out,

0:55:48.719 --> 0:55:51.720
<v Speaker 1>so he tested out and so let's see if this works,

0:55:51.760 --> 0:55:55.000
<v Speaker 1>and well, no, we have to run it through that

0:55:55.080 --> 0:55:57.640
<v Speaker 1>board or something. So it took a while to make.

0:55:57.719 --> 0:56:01.360
<v Speaker 1>Now San Francisco sounds a week. You were the first

0:56:01.440 --> 0:56:04.440
<v Speaker 1>act that made it. There isn't any San Francisco sound.

0:56:04.640 --> 0:56:07.160
<v Speaker 1>I don't understand. This is what labeled by the society,

0:56:07.400 --> 0:56:12.319
<v Speaker 1>by the press, by Sanrancisco seen, but not sound. So

0:56:13.080 --> 0:56:18.400
<v Speaker 1>there's the Dead, there's Quicksilver, there are other charge Yeah.

0:56:18.800 --> 0:56:22.000
<v Speaker 1>Are you friends with all those people? Yeah? Asa cops.

0:56:22.040 --> 0:56:23.920
<v Speaker 1>We didn't see him on a regular basis because we

0:56:23.960 --> 0:56:27.880
<v Speaker 1>have to work. And after the records came out Janesis

0:56:28.000 --> 0:56:31.280
<v Speaker 1>and I Think and big Brotherren and our first record,

0:56:31.360 --> 0:56:34.480
<v Speaker 1>then the record company puts you on the road to

0:56:34.600 --> 0:56:37.360
<v Speaker 1>sell a thing. So then I didn't see anybody because

0:56:37.360 --> 0:56:40.160
<v Speaker 1>I was always on the road, did you or did

0:56:40.200 --> 0:56:42.400
<v Speaker 1>you like being on the road. Yeah, it's okay. My

0:56:42.480 --> 0:56:46.719
<v Speaker 1>favorite part though, is creating a song in the studio.

0:56:46.960 --> 0:56:50.520
<v Speaker 1>I love that. That's my favorite. But yeah, and I'm

0:56:50.560 --> 0:56:52.600
<v Speaker 1>okay on the road. And at the time, you were

0:56:52.760 --> 0:56:58.040
<v Speaker 1>going by what kind of vehicle? Airplanes? Sometimes when we

0:56:58.120 --> 0:57:02.319
<v Speaker 1>first started, it was cars. And that was the only

0:57:02.360 --> 0:57:06.319
<v Speaker 1>time I've ever had penis envy. And it's because you

0:57:06.360 --> 0:57:08.960
<v Speaker 1>didn't have to stop for a guy if he had

0:57:09.000 --> 0:57:10.880
<v Speaker 1>to go to the bath There's a lot of cars.

0:57:12.040 --> 0:57:14.600
<v Speaker 1>There's a lot of cars. You know, there's equipment in

0:57:14.600 --> 0:57:16.840
<v Speaker 1>this car and to three of us in that car,

0:57:16.840 --> 0:57:19.560
<v Speaker 1>and for so the whole thing has to stop if

0:57:19.600 --> 0:57:22.520
<v Speaker 1>I have to go to the bathroom, because I can't

0:57:22.560 --> 0:57:25.920
<v Speaker 1>just hang it out the window. So I thought, damn,

0:57:26.000 --> 0:57:34.040
<v Speaker 1>this is inconvenient. Um, But you have cars, trucks, airplanes, buses, anything.

0:57:40.520 --> 0:57:42.880
<v Speaker 1>So when you would get to a town, because you'd

0:57:42.880 --> 0:57:46.120
<v Speaker 1>go on to Finch and you had some sophistication. Would

0:57:46.120 --> 0:57:49.040
<v Speaker 1>you ever partake of the culture in the sound No,

0:57:50.040 --> 0:57:54.560
<v Speaker 1>because we didn't have enough time. Really, the guys would

0:57:54.600 --> 0:57:57.200
<v Speaker 1>sometimes after a job, they'd go to a late night

0:57:57.280 --> 0:58:01.800
<v Speaker 1>club and play, but that's mostly blues and I'm not

0:58:01.880 --> 0:58:06.600
<v Speaker 1>really a blues person because I prefer to sing about

0:58:06.680 --> 0:58:10.280
<v Speaker 1>what I know and what I've lived rather than And

0:58:10.320 --> 0:58:13.439
<v Speaker 1>I may be negative about it, but I understand it.

0:58:13.960 --> 0:58:17.000
<v Speaker 1>But for me to try and act like I'm black

0:58:17.600 --> 0:58:20.880
<v Speaker 1>seems stupid. Let's stop on something you said. You said

0:58:20.880 --> 0:58:22.880
<v Speaker 1>you may be negative. It sounds like you've got a

0:58:22.920 --> 0:58:26.080
<v Speaker 1>lot of criticism in your life for being negative. Oh no, no,

0:58:26.200 --> 0:58:29.600
<v Speaker 1>this one I'm I'm talking about. I may be negative

0:58:29.760 --> 0:58:35.600
<v Speaker 1>on purpose about aspects of the fifties. Oh, I got it,

0:58:35.720 --> 0:58:40.000
<v Speaker 1>so or something I don't like in the sixties and seventies,

0:58:40.560 --> 0:58:45.600
<v Speaker 1>some politicians, some way of conducting yourself, some something. So

0:58:46.040 --> 0:58:50.760
<v Speaker 1>my stuff is like, okay, sun cuts loose from the

0:58:50.920 --> 0:58:55.600
<v Speaker 1>frozen until it joins with the African sea. In moving

0:58:55.680 --> 0:58:59.880
<v Speaker 1>it changes it's cold and its name and it does

0:59:00.000 --> 0:59:05.120
<v Speaker 1>it means shipped to a tree and you're you're good.

0:59:05.680 --> 0:59:08.200
<v Speaker 1>R c A. Let me do it. They were very

0:59:08.240 --> 0:59:10.280
<v Speaker 1>good with art. I remember that was one of the

0:59:10.280 --> 0:59:13.080
<v Speaker 1>first records that and ultimately m C five that got

0:59:13.120 --> 0:59:17.120
<v Speaker 1>censored where there was actually profanity. Yeah, so up against

0:59:17.120 --> 0:59:19.960
<v Speaker 1>the wall, motherfucker. Yeah that's Paul. Yeah, and he got

0:59:19.960 --> 0:59:23.120
<v Speaker 1>away with that. The only time that we were questioned

0:59:23.200 --> 0:59:27.840
<v Speaker 1>was when Paul insinuated that Jesus and Mary Magdalen had

0:59:27.840 --> 0:59:31.360
<v Speaker 1>a thing going on. And the president of our ci

0:59:31.440 --> 0:59:36.000
<v Speaker 1>A at that time was Catholic. So they argued every day,

0:59:36.000 --> 0:59:37.880
<v Speaker 1>and Paul had the tapes of it. I don't know

0:59:37.920 --> 0:59:41.280
<v Speaker 1>where those tapes aren't today, but Paul tapes from them

0:59:41.400 --> 0:59:46.120
<v Speaker 1>arguing back and forth. Uh, really, come on, you let

0:59:46.160 --> 0:59:48.720
<v Speaker 1>me say, I don't mean shied to a tree and

0:59:48.800 --> 0:59:51.600
<v Speaker 1>up against the woman and you're worried about whether he

0:59:51.720 --> 0:59:55.720
<v Speaker 1>insinuated that. Come on. So that was the only time

0:59:55.760 --> 1:00:01.240
<v Speaker 1>they've ever stopped us. Okay, Now, what was it like

1:00:01.320 --> 1:00:03.919
<v Speaker 1>being the only woman on the road amongst a group

1:00:03.920 --> 1:00:10.880
<v Speaker 1>of guys? Nice well experiand upon that. I pretty much

1:00:10.920 --> 1:00:14.640
<v Speaker 1>loved it because they're musicians. Most of them are funny,

1:00:14.760 --> 1:00:18.640
<v Speaker 1>so they're fun to be around. And uh, it's always

1:00:18.640 --> 1:00:22.560
<v Speaker 1>good if you are walking around with Uh not only that,

1:00:22.600 --> 1:00:26.040
<v Speaker 1>because you've got the crew and you know, walking around

1:00:26.040 --> 1:00:30.000
<v Speaker 1>a whole bunch of guys around you, you don't get accosted. Right,

1:00:30.080 --> 1:00:33.400
<v Speaker 1>But to what degree now you're famous, are people recognizing

1:00:33.480 --> 1:00:39.080
<v Speaker 1>you and wanting something? It was I cannot remember it

1:00:39.240 --> 1:00:44.680
<v Speaker 1>being really difficult now I'm sure, uh, Taylor Swift or

1:00:44.720 --> 1:00:47.400
<v Speaker 1>whoever has to have a whole bunch of goons around her.

1:00:47.440 --> 1:00:52.480
<v Speaker 1>But at the time, we just you handle it and

1:00:52.560 --> 1:00:55.000
<v Speaker 1>you learn to handle it. In other word, Jannis knew

1:00:55.000 --> 1:00:58.560
<v Speaker 1>how to handle it. If I was alone, I didn't

1:00:58.600 --> 1:01:02.600
<v Speaker 1>like you. You knew about it. Okay, you decide to

1:01:02.640 --> 1:01:06.840
<v Speaker 1>cut volunteers. Did you say to yourself, Okay, we're gonna

1:01:06.840 --> 1:01:10.200
<v Speaker 1>make a big statement or we're just making another album. No,

1:01:10.360 --> 1:01:14.160
<v Speaker 1>it's it's making another album. But we didn't get together

1:01:14.200 --> 1:01:18.600
<v Speaker 1>as a group and say, okay, let's all say this.

1:01:19.480 --> 1:01:23.919
<v Speaker 1>It still was Armor rights certain amount of music. Paul

1:01:23.920 --> 1:01:26.480
<v Speaker 1>writes a certain amount, I write a certain amount. Marty right,

1:01:26.600 --> 1:01:30.560
<v Speaker 1>certain amount. Jack didn right and didn't. Spencer didn't really right.

1:01:30.880 --> 1:01:33.720
<v Speaker 1>So it was the four of us. The album was

1:01:33.760 --> 1:01:37.000
<v Speaker 1>seemed to speak to the uh goings on in the

1:01:37.120 --> 1:01:40.800
<v Speaker 1>nation and preach some sort of action revolution or something

1:01:40.840 --> 1:01:45.960
<v Speaker 1>like that. Yeah, because that's our experience at that time.

1:01:46.480 --> 1:01:51.560
<v Speaker 1>So we're talking about our own experience. Okay. So Bill Graham,

1:01:51.600 --> 1:01:55.120
<v Speaker 1>who became your manager for a period, he said that

1:01:55.200 --> 1:01:57.480
<v Speaker 1>as soon as you the group got any money, they

1:01:57.480 --> 1:01:59.120
<v Speaker 1>want to go back to the home and get stoned

1:01:59.520 --> 1:02:01.560
<v Speaker 1>and wouldn't work again until they ran out of money

1:02:01.640 --> 1:02:05.840
<v Speaker 1>or drugs. Is that an accurate representation? No? But I

1:02:05.880 --> 1:02:10.080
<v Speaker 1>do like Bill Graham and he's uh, he was not

1:02:10.280 --> 1:02:13.960
<v Speaker 1>interested in getting loaded. He was a little bit older

1:02:14.440 --> 1:02:18.320
<v Speaker 1>than we were, but he's real good promoter. And uh,

1:02:18.400 --> 1:02:22.640
<v Speaker 1>I think the whole San Francisco thing, I don't know

1:02:22.680 --> 1:02:28.920
<v Speaker 1>about New York that's uh velvet underground and whatever. But

1:02:29.080 --> 1:02:32.320
<v Speaker 1>I think he didn't like it because it's not business

1:02:32.360 --> 1:02:36.080
<v Speaker 1>like and it doesn't get anything done, you know. But no,

1:02:36.320 --> 1:02:39.440
<v Speaker 1>we we kept writing. I mean, we didn't stop. We

1:02:39.480 --> 1:02:41.960
<v Speaker 1>didn't stop working here. And why did you let go?

1:02:42.160 --> 1:02:45.240
<v Speaker 1>Let Bill Graham go? Well, he had us playing at

1:02:45.280 --> 1:02:50.160
<v Speaker 1>one point three different towns in one day. You get

1:02:50.200 --> 1:02:52.760
<v Speaker 1>an airplane, you go you play here, you get an airplane,

1:02:52.800 --> 1:02:55.640
<v Speaker 1>you go to the I'm sorry, we didn't want to die.

1:02:56.320 --> 1:03:00.080
<v Speaker 1>You know. That's that's pushing it too much. Let's do

1:03:00.160 --> 1:03:04.480
<v Speaker 1>it normally, like you play maybe five jobs a week,

1:03:05.320 --> 1:03:08.480
<v Speaker 1>and you take off one day in the middle of

1:03:08.520 --> 1:03:11.480
<v Speaker 1>that and then another day in the three days or

1:03:11.520 --> 1:03:15.200
<v Speaker 1>something so you can wash your clothes, so you can regroup.

1:03:15.640 --> 1:03:19.080
<v Speaker 1>You don't push it like that, you know. So didn't

1:03:19.080 --> 1:03:20.480
<v Speaker 1>he say he was willing to work with you and

1:03:20.560 --> 1:03:23.880
<v Speaker 1>have you work less. No, he wants to push it.

1:03:24.000 --> 1:03:27.640
<v Speaker 1>So we got which was a mistake because he's a

1:03:27.720 --> 1:03:32.520
<v Speaker 1>sweet man, but not a businessman. A friend of Marty's

1:03:32.520 --> 1:03:35.240
<v Speaker 1>who was a copy boy at the San Francisco Chronicle

1:03:36.080 --> 1:03:42.360
<v Speaker 1>and he was our UH tour manager early on UH

1:03:42.400 --> 1:03:46.760
<v Speaker 1>and he was promoted to manager. But boy, in the

1:03:46.880 --> 1:03:51.040
<v Speaker 1>music business, you've got to have a little shrewd going

1:03:51.120 --> 1:03:53.960
<v Speaker 1>on in there and a little bit of killer too,

1:03:54.200 --> 1:03:58.640
<v Speaker 1>you've gotta you know. And he was the guys at

1:03:58.640 --> 1:04:01.360
<v Speaker 1>the record company loved him. Everybody loved him because he's

1:04:01.440 --> 1:04:06.200
<v Speaker 1>fun to hang out with. Yeah, sweet man. Just I

1:04:06.280 --> 1:04:10.320
<v Speaker 1>can't say enough good stuff about him, except that he

1:04:10.400 --> 1:04:13.360
<v Speaker 1>was in a position that he was not suited for. Okay,

1:04:13.400 --> 1:04:15.240
<v Speaker 1>how did you all decide to live in one house?

1:04:16.160 --> 1:04:18.080
<v Speaker 1>We didn't all live anywhere. The house that was our

1:04:18.120 --> 1:04:22.800
<v Speaker 1>office occasionally. Yeah, it's a five story Victorian, so occasionally

1:04:22.800 --> 1:04:25.240
<v Speaker 1>if somebody's having a fight with their girlfriend, they'd stay

1:04:25.280 --> 1:04:28.160
<v Speaker 1>there or something. And Paul I think lived there for

1:04:28.200 --> 1:04:30.919
<v Speaker 1>about six months. But we didn't all live in that house. Okay,

1:04:30.960 --> 1:04:34.320
<v Speaker 1>so you're still living with Jerry part of the time.

1:04:35.160 --> 1:04:40.200
<v Speaker 1>Then I started hanging out with and lived with Spencer Dryden. Okay,

1:04:40.200 --> 1:04:42.920
<v Speaker 1>so what did Jerry say about that I had gone?

1:04:43.520 --> 1:04:45.360
<v Speaker 1>I just went on the road and never came back

1:04:46.000 --> 1:04:47.840
<v Speaker 1>one of the road trips, and I forget which one

1:04:47.920 --> 1:04:50.760
<v Speaker 1>it was. And he didn't try to get you back.

1:04:50.840 --> 1:04:53.560
<v Speaker 1>He did, wasn't unhappened? No, he he probably thought the

1:04:53.600 --> 1:04:57.360
<v Speaker 1>hell with her? Uh, for good reason. I think I

1:04:57.440 --> 1:05:03.880
<v Speaker 1>got a letter in the mail about six months after

1:05:03.960 --> 1:05:07.880
<v Speaker 1>China was born, where when I was living in Bellinas,

1:05:09.200 --> 1:05:13.560
<v Speaker 1>one that said, you're divorced? Is that easy? And neither

1:05:13.680 --> 1:05:17.680
<v Speaker 1>he or Skip Johnson went for the fifty fifty California

1:05:17.760 --> 1:05:22.520
<v Speaker 1>law thing. Both very upstanding human beings. Speaking to which

1:05:22.720 --> 1:05:25.520
<v Speaker 1>there's a lot of people in the airplane, six people whatever.

1:05:25.800 --> 1:05:30.400
<v Speaker 1>Was there enough money to do? What? Well? He kept

1:05:30.400 --> 1:05:36.080
<v Speaker 1>the engine going, Yeah, could you bank anybody? Yes? And

1:05:36.160 --> 1:05:39.960
<v Speaker 1>I did. My father is a concern, was conservative Republican

1:05:40.400 --> 1:05:44.080
<v Speaker 1>investment banker. But I figured he knows more about banking

1:05:44.080 --> 1:05:46.600
<v Speaker 1>than I do. So he said, I know you don't

1:05:46.600 --> 1:05:49.200
<v Speaker 1>care about business and numbers and all that, but I'll

1:05:49.200 --> 1:05:53.360
<v Speaker 1>tell you it's something that's easy. One third one third

1:05:53.360 --> 1:05:57.400
<v Speaker 1>and one third one third, you save one third, you

1:05:57.440 --> 1:06:02.160
<v Speaker 1>pay all your bills and the last goes between having

1:06:02.240 --> 1:06:06.640
<v Speaker 1>fun and maybe extra payments on something. So if you

1:06:06.720 --> 1:06:10.320
<v Speaker 1>do that, you'll be okay. So I've done that ever since. Okay,

1:06:11.000 --> 1:06:17.120
<v Speaker 1>so over sixty seventy years. So you end up playing Monterey.

1:06:17.800 --> 1:06:22.160
<v Speaker 1>Oh that was wonderful. Wonderful because it was well planned.

1:06:22.320 --> 1:06:24.960
<v Speaker 1>The weather was good. You could get to a toilet

1:06:25.000 --> 1:06:29.280
<v Speaker 1>within about four minutes. All the acts were good, the

1:06:29.320 --> 1:06:33.040
<v Speaker 1>audience was happy. The stuff that they sold on the

1:06:33.800 --> 1:06:37.480
<v Speaker 1>outer around the edge of the where it was we're

1:06:37.520 --> 1:06:42.919
<v Speaker 1>all handmade stuff, and uh, the little newspapers. I mean,

1:06:42.960 --> 1:06:46.680
<v Speaker 1>it was just and we saw people that we've never seen.

1:06:46.760 --> 1:06:50.240
<v Speaker 1>We'd heard them, like I'd heard Jimmy hendrickson record, I'd

1:06:50.280 --> 1:06:54.640
<v Speaker 1>heard the Who on record. I'd heard Robbie Shankar, but

1:06:54.720 --> 1:06:57.920
<v Speaker 1>I've never seen him. So we were just as odd

1:06:58.800 --> 1:07:03.760
<v Speaker 1>as like, uh, Mama Cass's face when she saw Janice

1:07:03.800 --> 1:07:06.919
<v Speaker 1>Choplin is a real good example of what was going

1:07:07.000 --> 1:07:11.120
<v Speaker 1>on there with the musicians and the audience. Just wow.

1:07:11.960 --> 1:07:16.560
<v Speaker 1>So you were sitting in attendance, you performed, but also

1:07:16.640 --> 1:07:19.880
<v Speaker 1>you checked every act out. Oh yeah, okay, and did

1:07:19.920 --> 1:07:25.400
<v Speaker 1>you realize acts like uh, Laura Nero and Hendrix and

1:07:25.440 --> 1:07:29.200
<v Speaker 1>who would blow up after that? Uh well Hendrix we

1:07:29.320 --> 1:07:34.400
<v Speaker 1>knew was go to the Moon and who uh Laura

1:07:34.440 --> 1:07:38.160
<v Speaker 1>near are not so much? Uh this is my opinion,

1:07:38.320 --> 1:07:43.800
<v Speaker 1>of course, only not anybody else's. And Robbie Sharenka was

1:07:43.840 --> 1:07:50.080
<v Speaker 1>already uh genius, so uh but yeah, we watched each

1:07:50.080 --> 1:07:52.560
<v Speaker 1>other even when they weren't performing, Like Brian Jones was

1:07:52.600 --> 1:07:56.720
<v Speaker 1>there backstage. Backstage was fun. There was a lot of fun.

1:07:57.400 --> 1:08:03.280
<v Speaker 1>So uh, the whole experience of that was fantastic. And

1:08:03.360 --> 1:08:05.600
<v Speaker 1>wood Stock is the one that gets the most pressed.

1:08:05.680 --> 1:08:08.520
<v Speaker 1>But wood Stock was a mess. Well I think the

1:08:08.600 --> 1:08:11.760
<v Speaker 1>problem was the Woodstock movie came out first and the

1:08:11.800 --> 1:08:14.240
<v Speaker 1>Battery Pop Move film came after that, so it didn't

1:08:14.240 --> 1:08:15.840
<v Speaker 1>really get the legend. So what was it like being

1:08:15.840 --> 1:08:19.240
<v Speaker 1>at wood Stock? A mess? In other words, what we

1:08:19.280 --> 1:08:23.280
<v Speaker 1>couldn't see anybody because of the weather. We stayed in

1:08:23.360 --> 1:08:27.000
<v Speaker 1>a motel and half an hour before we're supposed to

1:08:27.040 --> 1:08:30.679
<v Speaker 1>go on, a helicopter would come pick us up, drop

1:08:30.760 --> 1:08:34.040
<v Speaker 1>us off backstage, You walk up the stairs, you go,

1:08:34.160 --> 1:08:37.439
<v Speaker 1>do your set, you walk back, the helicopter takes you

1:08:37.479 --> 1:08:40.120
<v Speaker 1>back to the hotel and gets next whatever their next

1:08:40.160 --> 1:08:44.200
<v Speaker 1>deal is. But something went wrong with the equipment so

1:08:44.280 --> 1:08:46.799
<v Speaker 1>they took us up. We're supposed to play at around

1:08:46.840 --> 1:08:50.800
<v Speaker 1>nine o'clock at night. We were on stage, backstage all

1:08:50.920 --> 1:08:53.960
<v Speaker 1>night and we played at six o'clock in the morning,

1:08:54.560 --> 1:08:57.360
<v Speaker 1>or if you don't think rock and roll is weird

1:08:57.400 --> 1:09:01.400
<v Speaker 1>at five thirty in the morning. But uh so, and

1:09:01.479 --> 1:09:05.320
<v Speaker 1>the people in the audience or half a million of them,

1:09:05.320 --> 1:09:10.560
<v Speaker 1>are wet, it's raining. You can't get to a bathroom

1:09:10.920 --> 1:09:15.160
<v Speaker 1>for about a week. I mean, it was just you could.

1:09:15.280 --> 1:09:19.400
<v Speaker 1>We couldn't watch anybody. Were you going to stand? So

1:09:19.880 --> 1:09:24.439
<v Speaker 1>it was not good. So it was just big, is

1:09:24.479 --> 1:09:26.400
<v Speaker 1>all it was. Okay, So it wasn't a good experience

1:09:26.439 --> 1:09:29.760
<v Speaker 1>from your view, boys, Okay, then you also Jeffer's a

1:09:29.800 --> 1:09:35.080
<v Speaker 1>Airplane played Altimont and that was really not good. You

1:09:35.160 --> 1:09:39.760
<v Speaker 1>know that we're playing an airplane was on and uh

1:09:40.520 --> 1:09:42.960
<v Speaker 1>I didn't wear my contact lenses that day, and I

1:09:43.000 --> 1:09:45.519
<v Speaker 1>can sort of see without him, and I saw, I

1:09:45.640 --> 1:09:48.599
<v Speaker 1>sort of saw this scuffling going on, and I thought

1:09:48.640 --> 1:09:51.200
<v Speaker 1>that's Marty. And I went back to Spencer and I

1:09:51.240 --> 1:09:53.719
<v Speaker 1>said the drummer, he said, what's going on with Marty?

1:09:53.760 --> 1:09:56.280
<v Speaker 1>He said, the healthy angels are beating him up? And

1:09:56.439 --> 1:10:02.360
<v Speaker 1>oh good, So that started, Uh, and they punched him

1:10:02.360 --> 1:10:05.240
<v Speaker 1>and he fell down on the stage floor and the

1:10:05.320 --> 1:10:07.719
<v Speaker 1>guy said, never say fuck you to a Hell's Angel.

1:10:07.800 --> 1:10:12.960
<v Speaker 1>Sobarty says it again and our crew had to come

1:10:13.000 --> 1:10:16.439
<v Speaker 1>and get the health angel. And were you afraid at all? No,

1:10:16.760 --> 1:10:19.719
<v Speaker 1>because I'm too stupid to be afraid. There's something about

1:10:19.720 --> 1:10:21.800
<v Speaker 1>me that all kinds of you of use of things

1:10:21.800 --> 1:10:24.560
<v Speaker 1>are going on, and I'm just kind of either observing

1:10:24.600 --> 1:10:27.400
<v Speaker 1>it or being part of it. And I don't know.

1:10:27.840 --> 1:10:31.960
<v Speaker 1>Later on I looked back and go, jeez, what a fool.

1:10:32.640 --> 1:10:35.040
<v Speaker 1>But at the time, I I just think everything's going

1:10:35.080 --> 1:10:38.599
<v Speaker 1>to turn out. Okay, I'm kind of dip dip shot. Okay.

1:10:38.600 --> 1:10:41.920
<v Speaker 1>About a year later, Uh, you get the Blows Against

1:10:41.920 --> 1:10:45.839
<v Speaker 1>the Empire album. Yeah, how did that come together? That's pauls.

1:10:46.360 --> 1:10:49.160
<v Speaker 1>But you were involved, right? Yeah? I was involved, But

1:10:49.760 --> 1:10:53.320
<v Speaker 1>so was Jack Cassidy, David Crosby, Graham Nesh, you know,

1:10:53.920 --> 1:10:56.559
<v Speaker 1>Jerry Garcia, everybody was involved. But you and you were

1:10:56.600 --> 1:11:00.880
<v Speaker 1>also involved on Sunfighter, right. Oh. And at this point

1:11:00.920 --> 1:11:02.960
<v Speaker 1>do you think the band's ever going to come back together?

1:11:03.479 --> 1:11:05.400
<v Speaker 1>I have no idea because we don't even know where

1:11:05.560 --> 1:11:08.920
<v Speaker 1>Jacking are. We know they're in in Uh one of

1:11:08.920 --> 1:11:11.479
<v Speaker 1>the Scandinavian countries. We don't we don't know which one.

1:11:11.560 --> 1:11:14.720
<v Speaker 1>They're speed skating there and they come back together. You

1:11:14.800 --> 1:11:17.920
<v Speaker 1>come back together with Bark. Do you think the band

1:11:18.000 --> 1:11:20.559
<v Speaker 1>is going to go? Are you feeling while we're on

1:11:20.640 --> 1:11:25.360
<v Speaker 1>fumes at this point, yeah, Bark. You could tell we

1:11:25.360 --> 1:11:30.759
<v Speaker 1>didn't say anything publicly, but you could tell that Bark

1:11:30.920 --> 1:11:34.240
<v Speaker 1>is not quite as marvelous as it should be. And

1:11:34.280 --> 1:11:37.760
<v Speaker 1>then long John Silver, Yeah, I mean that from a

1:11:37.960 --> 1:11:40.800
<v Speaker 1>consumer point, I bought a great packaging, but not a

1:11:40.800 --> 1:11:45.800
<v Speaker 1>great record. No, Okay, So at this point you think

1:11:45.800 --> 1:11:48.040
<v Speaker 1>you're done or in the back of your mind you're

1:11:48.560 --> 1:11:55.080
<v Speaker 1>morphing into Jefferson Starship with Paul. Well, it already Paul

1:11:55.120 --> 1:11:57.600
<v Speaker 1>and I had already done that kind of thing. So

1:11:57.640 --> 1:12:02.160
<v Speaker 1>I wasn't worried about having a job. Uh you know,

1:12:02.280 --> 1:12:04.559
<v Speaker 1>I don't. I figured I could do that for another

1:12:04.600 --> 1:12:07.680
<v Speaker 1>ten years or something, So I wasn't really worried about that.

1:12:08.439 --> 1:12:10.799
<v Speaker 1>I just thought it was too bad that we sounded

1:12:10.840 --> 1:12:18.840
<v Speaker 1>poorly on those records, Okay, on which records? Mark long time? Okay,

1:12:18.920 --> 1:12:21.040
<v Speaker 1>So you say you're in the band, you have a

1:12:21.080 --> 1:12:24.960
<v Speaker 1>relationship with a drummer, Spencer Dryden, Then how do you

1:12:25.040 --> 1:12:27.000
<v Speaker 1>end up being with Paul who's been in with the

1:12:27.040 --> 1:12:33.880
<v Speaker 1>band for years? Um, Spencer and I uh split up

1:12:34.479 --> 1:12:39.639
<v Speaker 1>and Spencer started going with my friend UM Sally, who

1:12:39.680 --> 1:12:43.320
<v Speaker 1>I'm so friends with. She lives in Houston, Texas, that's

1:12:43.320 --> 1:12:47.880
<v Speaker 1>where she's from, and so Spencer went with Sally and

1:12:49.000 --> 1:12:53.000
<v Speaker 1>I didn't go with anybody. But eventually Paul and I

1:12:53.200 --> 1:12:57.160
<v Speaker 1>got together. I mean, did you always want a child?

1:12:57.439 --> 1:13:01.640
<v Speaker 1>Was it premeditated? No? I just said we were in

1:13:02.000 --> 1:13:05.599
<v Speaker 1>the Shatton and I think in New York. I said

1:13:05.640 --> 1:13:09.360
<v Speaker 1>to Paul. Because he's so different from me, I thought

1:13:09.400 --> 1:13:13.559
<v Speaker 1>that that would be interesting, both mentally and physically. He

1:13:13.680 --> 1:13:16.040
<v Speaker 1>likes to run ship. I don't I want you to

1:13:16.080 --> 1:13:18.360
<v Speaker 1>do your job. I'll do my job. I don't want

1:13:18.400 --> 1:13:19.960
<v Speaker 1>to tell you what to do. You don't tell me,

1:13:20.240 --> 1:13:23.640
<v Speaker 1>you know so, But he's just fine telling everybody what

1:13:23.720 --> 1:13:25.280
<v Speaker 1>to do. And I thought, well that's good. He's a

1:13:25.360 --> 1:13:32.639
<v Speaker 1>good management for the band and uh, physically different too,

1:13:33.520 --> 1:13:36.000
<v Speaker 1>So I thought, I said, I'd like to have your child,

1:13:36.080 --> 1:13:37.719
<v Speaker 1>but you don't have to worry about it because I'll

1:13:37.760 --> 1:13:40.679
<v Speaker 1>support it, you know, as a as a child, I'll

1:13:40.720 --> 1:13:44.080
<v Speaker 1>support the child. So he was pleased with that. He

1:13:44.200 --> 1:13:50.240
<v Speaker 1>likes children until they develop a sense of logic. Then

1:13:50.520 --> 1:13:55.200
<v Speaker 1>they're in trouble because he's keeping getting real nasty if

1:13:55.280 --> 1:13:58.639
<v Speaker 1>you have your own opinion, and that happens when you're

1:13:59.120 --> 1:14:02.479
<v Speaker 1>six seven something like that. But he's real good with

1:14:02.560 --> 1:14:05.400
<v Speaker 1>children that are younger than So after China hits six

1:14:05.479 --> 1:14:08.400
<v Speaker 1>or seven, then it started getting early. Was he still

1:14:08.479 --> 1:14:11.080
<v Speaker 1>hands on or did he distanced himself. Yeah, no, he'll

1:14:11.120 --> 1:14:15.280
<v Speaker 1>be hands on and he is not physically violent with anybody,

1:14:15.320 --> 1:14:18.439
<v Speaker 1>but verbally yeah. And then when does it end with

1:14:18.479 --> 1:14:21.840
<v Speaker 1>Paul must be seventy three? Does an end on its own?

1:14:21.920 --> 1:14:24.760
<v Speaker 1>Or it's because it's because Skips in the picture. Skip

1:14:24.920 --> 1:14:29.519
<v Speaker 1>was in the picture, but I don't think Paul knew

1:14:29.560 --> 1:14:33.639
<v Speaker 1>about it because Skip, at one point, about a year before,

1:14:36.000 --> 1:14:40.040
<v Speaker 1>we were in the Midwest in the bar on the

1:14:40.080 --> 1:14:43.280
<v Speaker 1>main floor of the hotel. There's a lot of Midwest

1:14:43.320 --> 1:14:48.360
<v Speaker 1>turners around. Skip came downstairs to hang out with us

1:14:48.439 --> 1:14:56.559
<v Speaker 1>in my red dress, harry legs, one dollar socks. You know,

1:14:56.720 --> 1:15:01.200
<v Speaker 1>dumb shoes, mustache, hair, need end, act any different. He

1:15:01.240 --> 1:15:04.439
<v Speaker 1>didn't try to come on like he just acted like Skip,

1:15:05.040 --> 1:15:10.760
<v Speaker 1>straight feet, no, nothing. But Paul thought that any man

1:15:10.880 --> 1:15:13.439
<v Speaker 1>who put her dress on was probably gay, even if

1:15:13.479 --> 1:15:15.519
<v Speaker 1>he was trying to be funny, because Paul couldn't imagine

1:15:15.520 --> 1:15:19.640
<v Speaker 1>wearing a dress. So I got away with hanging out

1:15:19.720 --> 1:15:22.240
<v Speaker 1>with Skiff for about a year because Paul thought he

1:15:22.320 --> 1:15:28.639
<v Speaker 1>was gay. So, oh, that's nice. That's what happened there.

1:15:29.320 --> 1:15:33.960
<v Speaker 1>And then one day I just uh called up our

1:15:34.040 --> 1:15:37.840
<v Speaker 1>truck driver who drove our equipment around and said, come

1:15:37.880 --> 1:15:40.559
<v Speaker 1>on over, I'm going to take a couple of things

1:15:41.360 --> 1:15:44.479
<v Speaker 1>and I'm moving to Saucelito. I'm out of here. And

1:15:44.560 --> 1:15:51.240
<v Speaker 1>he did. Mike Fisher came over and helped me move that. Well,

1:15:51.240 --> 1:15:54.360
<v Speaker 1>he wasn't very happy, but he's not very good to

1:15:54.400 --> 1:15:57.160
<v Speaker 1>live with either. You know, there's a part of him

1:15:57.200 --> 1:16:03.920
<v Speaker 1>that's uh uh very sweet and revolutionary and strong and

1:16:03.960 --> 1:16:06.519
<v Speaker 1>all that kind of their part that's just so nasty

1:16:06.560 --> 1:16:08.400
<v Speaker 1>you don't want to deal with it. I don't know

1:16:08.400 --> 1:16:11.880
<v Speaker 1>where it comes from. China, who is his daughter, said

1:16:11.960 --> 1:16:16.599
<v Speaker 1>he has issues and stuff. The kids use that word now.

1:16:16.720 --> 1:16:19.920
<v Speaker 1>I call her a kid. She's almost fifty, but they

1:16:19.920 --> 1:16:23.360
<v Speaker 1>say he has issues. Well, everybody has issues. Who you

1:16:23.439 --> 1:16:26.599
<v Speaker 1>can't act like a jerk just because you have issues.

1:16:26.880 --> 1:16:33.160
<v Speaker 1>If you got issues, go fix them. So I don't

1:16:33.200 --> 1:16:35.639
<v Speaker 1>want to live with people who have issues and don't

1:16:35.640 --> 1:16:39.559
<v Speaker 1>want to fix it. Okay, So then you embark with

1:16:39.560 --> 1:16:42.879
<v Speaker 1>the Jefferson starship and then you have the Monster album

1:16:42.920 --> 1:16:48.160
<v Speaker 1>Red Octopus. Did we anticipate that being as successful as

1:16:48.160 --> 1:16:51.040
<v Speaker 1>it was? No, I have no idea, but that's that's

1:16:51.120 --> 1:16:54.840
<v Speaker 1>largely Marty's album. But by the same token, you have

1:16:54.880 --> 1:16:57.719
<v Speaker 1>played on love on that album. Yeah, but that wasn't

1:16:57.760 --> 1:17:01.760
<v Speaker 1>really a single, but he had deepd miracles. Thought about

1:17:01.800 --> 1:17:06.200
<v Speaker 1>the album of general is a fans I love playoff Love? Well? Good,

1:17:06.240 --> 1:17:08.840
<v Speaker 1>I'm glad you did okay, and a lot of people

1:17:08.920 --> 1:17:12.960
<v Speaker 1>like that album was it did well? Okay, And eventually

1:17:13.960 --> 1:17:18.040
<v Speaker 1>Marty drops out, Paul drops out, and you do we

1:17:18.120 --> 1:17:20.759
<v Speaker 1>built this city. How do you feel about we built

1:17:20.760 --> 1:17:26.000
<v Speaker 1>this city? No? Thank you? Okay, Okay, here's the deal.

1:17:26.680 --> 1:17:29.639
<v Speaker 1>For me, this is not me I'm right or wrong either.

1:17:30.160 --> 1:17:33.559
<v Speaker 1>It's just I'm more comfortable when the band is writing

1:17:33.600 --> 1:17:37.000
<v Speaker 1>their own songs. We had I think three two or

1:17:37.040 --> 1:17:40.200
<v Speaker 1>three number one hits in the eighties, but they're not

1:17:40.280 --> 1:17:45.200
<v Speaker 1>our songs and they're dumb. And I love Diane Warren.

1:17:45.960 --> 1:17:50.519
<v Speaker 1>But nothing's gonna stop us now. I think a MC

1:17:50.560 --> 1:17:53.360
<v Speaker 1>truck will nail you right in the middle of the road,

1:17:53.600 --> 1:17:58.200
<v Speaker 1>and more than fifty of the people get married get divorced.

1:17:58.240 --> 1:18:01.160
<v Speaker 1>What do you mean, nothing's gonna stop us, you know?

1:18:01.680 --> 1:18:05.679
<v Speaker 1>And we built a city on rock and roll. That's stupid.

1:18:05.800 --> 1:18:08.439
<v Speaker 1>What city? There's no city built? Rock and roll is

1:18:08.479 --> 1:18:11.880
<v Speaker 1>too new? What are you talking? London has been around forever.

1:18:12.160 --> 1:18:16.160
<v Speaker 1>San Francisco is built on gold and shipping. L A's

1:18:16.240 --> 1:18:19.320
<v Speaker 1>built on oranges and oil and the movie. And what

1:18:19.520 --> 1:18:22.080
<v Speaker 1>city are you talking? What are you built a city?

1:18:22.160 --> 1:18:25.400
<v Speaker 1>Everybody thought we were talking about San Francisco. No, it

1:18:25.520 --> 1:18:29.040
<v Speaker 1>was written by Bernie Tappin, and Bernie was talking about

1:18:29.080 --> 1:18:33.040
<v Speaker 1>the clubs closing in l A. What are you talking?

1:18:33.600 --> 1:18:38.519
<v Speaker 1>Do you supply and demand? This country operates on If

1:18:38.560 --> 1:18:43.120
<v Speaker 1>people want clubs, they will get clubs. The police can

1:18:43.160 --> 1:18:46.280
<v Speaker 1>close up stuff for a short period of time, but

1:18:46.439 --> 1:18:52.240
<v Speaker 1>you can bet the heavenly city planning fathers want money,

1:18:52.280 --> 1:18:55.760
<v Speaker 1>and you keep those clubs open, they'll open again. Don't

1:18:55.800 --> 1:18:59.560
<v Speaker 1>worry about it now. Bernie Toppin is an amazing songwriter,

1:19:00.640 --> 1:19:04.000
<v Speaker 1>but we all have our missus. Even though it went

1:19:04.040 --> 1:19:06.160
<v Speaker 1>to number one, I call it a miss because there's

1:19:06.200 --> 1:19:09.760
<v Speaker 1>a stupid song. Rolling Stone said it was stupid. I

1:19:09.800 --> 1:19:14.440
<v Speaker 1>agree with him, stupid. How how do you decide to retire?

1:19:17.080 --> 1:19:21.439
<v Speaker 1>I'm imitating myself and that's that's not very artistic. And

1:19:21.840 --> 1:19:26.600
<v Speaker 1>I'm almost fifty. That's enough because if you continue to

1:19:26.640 --> 1:19:30.160
<v Speaker 1>do rock and roll after your fifty, it's kind of

1:19:30.360 --> 1:19:34.440
<v Speaker 1>silly because rock and roll is a young person's medium

1:19:34.520 --> 1:19:37.479
<v Speaker 1>that's storming the sit at all, you know, and when

1:19:37.520 --> 1:19:40.200
<v Speaker 1>you're fifty, you ought to be able to You ought

1:19:40.200 --> 1:19:42.679
<v Speaker 1>to be around trying to figure out how to keep

1:19:42.720 --> 1:19:48.080
<v Speaker 1>the citadel from being hideous, or you ought to try

1:19:48.160 --> 1:19:51.840
<v Speaker 1>to figure out how to organize the kids who want

1:19:51.920 --> 1:19:55.280
<v Speaker 1>to storm, you know, be a producer something. But leaping

1:19:55.280 --> 1:19:58.200
<v Speaker 1>around on a stage after your fifty, for me, is

1:19:58.280 --> 1:20:01.040
<v Speaker 1>just not cool. What do you've think about everybody who's

1:20:01.080 --> 1:20:04.160
<v Speaker 1>doing it? Then they're comfortable with it, so but you

1:20:04.200 --> 1:20:07.240
<v Speaker 1>don't judge them. No, they can Everybody can do whatever

1:20:07.280 --> 1:20:09.880
<v Speaker 1>they want except kill people. That's the only thing you

1:20:09.880 --> 1:20:12.040
<v Speaker 1>can't do in rock and roll. So what are you

1:20:12.160 --> 1:20:17.880
<v Speaker 1>most proud of in your music career? Persistence? Persistence? I

1:20:17.920 --> 1:20:22.240
<v Speaker 1>was talking about specific not characteristics of your identity. There

1:20:22.280 --> 1:20:28.160
<v Speaker 1>aren't specifics because there are parts of a number of

1:20:28.200 --> 1:20:31.479
<v Speaker 1>different songs that I like, but not an entire thing.

1:20:31.560 --> 1:20:34.920
<v Speaker 1>Like I said, White Rabbit, it's very lucrative for me,

1:20:35.120 --> 1:20:38.000
<v Speaker 1>but it's not written well because I was aiming it

1:20:38.080 --> 1:20:40.720
<v Speaker 1>at the parents, and you don't get that when you

1:20:40.760 --> 1:20:43.880
<v Speaker 1>hear it. So the lyric is not as good as

1:20:43.880 --> 1:20:48.760
<v Speaker 1>it could be. Uh there. I like parts of of

1:20:49.520 --> 1:20:53.760
<v Speaker 1>Eskim a Blue Day, but it's too long and it's

1:20:53.840 --> 1:20:59.760
<v Speaker 1>not as understandable as it could be lyrically music, so

1:21:01.920 --> 1:21:05.559
<v Speaker 1>I like some songs from a solo album called Dreams,

1:21:05.840 --> 1:21:10.719
<v Speaker 1>not Airplane, not Starship. So there are chunks of stuff

1:21:10.720 --> 1:21:14.439
<v Speaker 1>that I like, but I haven't written anything that is

1:21:14.479 --> 1:21:18.599
<v Speaker 1>good from beginning to end lyrically and musically, I don't think.

1:21:18.800 --> 1:21:21.720
<v Speaker 1>Do you still listen to your own work? Do you

1:21:21.800 --> 1:21:26.120
<v Speaker 1>listen to the music at all? Yes? What's currently on

1:21:26.160 --> 1:21:30.320
<v Speaker 1>my thing is Peter Gabriel's Melted Face album right now

1:21:30.439 --> 1:21:32.639
<v Speaker 1>is on my That's the best one he ever did,

1:21:32.680 --> 1:21:37.280
<v Speaker 1>the third Mercury record. So who is the love of

1:21:37.320 --> 1:21:41.519
<v Speaker 1>your life? Skip Johnson? So why did you get divorced?

1:21:42.200 --> 1:21:45.360
<v Speaker 1>Because both of us wouldn't stop working. In other words,

1:21:45.400 --> 1:21:49.120
<v Speaker 1>he has his stuff production, managing, and I had my stuff,

1:21:49.160 --> 1:21:53.880
<v Speaker 1>which was rock and roll singer and uh, we're booked

1:21:53.920 --> 1:21:57.320
<v Speaker 1>in different states most of the time, so it was stupid.

1:21:57.680 --> 1:21:59.840
<v Speaker 1>And our accountant called up and saying, you know, you guys,

1:22:00.400 --> 1:22:03.639
<v Speaker 1>really this is dumb. So we finally got a divorce.

1:22:04.400 --> 1:22:07.960
<v Speaker 1>But he comes out here since the fire, he's come

1:22:07.960 --> 1:22:11.640
<v Speaker 1>out here maybe two weeks. Then he'll go back for

1:22:11.680 --> 1:22:14.840
<v Speaker 1>a month to New Hope, Pennsylvania, which is where he lives,

1:22:15.640 --> 1:22:18.000
<v Speaker 1>and then he comes out here for two weeks and

1:22:18.080 --> 1:22:21.840
<v Speaker 1>he works like a maniac around here, fixing stone. Has

1:22:21.880 --> 1:22:24.640
<v Speaker 1>he ever found a new love. Yeah, he's got a

1:22:24.680 --> 1:22:30.400
<v Speaker 1>girl lives with him there. Okay, And uh so in

1:22:30.520 --> 1:22:33.679
<v Speaker 1>terms of your so, how did you get into the painting.

1:22:35.160 --> 1:22:39.759
<v Speaker 1>I did that before music. I would draw an angel

1:22:39.840 --> 1:22:42.360
<v Speaker 1>and my parents would make a Christmas card out of it.

1:22:42.479 --> 1:22:44.680
<v Speaker 1>You know, so I did that before music. So you

1:22:44.720 --> 1:22:49.160
<v Speaker 1>started doing that after you retired. Yeah, And what point

1:22:49.200 --> 1:22:51.960
<v Speaker 1>did you say, Okay, I want to show this work

1:22:52.040 --> 1:22:54.200
<v Speaker 1>and I want to sell this work. I didn't. My

1:22:55.000 --> 1:23:00.880
<v Speaker 1>accountant knows this agent who also has done handled some

1:23:01.080 --> 1:23:07.320
<v Speaker 1>of Jerry Garcia's work and some of John Lennon's lithographs.

1:23:07.479 --> 1:23:11.080
<v Speaker 1>He's not an international agent or anything. So I started

1:23:11.080 --> 1:23:14.200
<v Speaker 1>working with him do gallery shows, and I did really

1:23:14.240 --> 1:23:18.960
<v Speaker 1>well in New Jersey and Denver and Sacelito for some reason,

1:23:19.040 --> 1:23:22.800
<v Speaker 1>but not in San Francisco. And so at this point,

1:23:22.800 --> 1:23:27.080
<v Speaker 1>you're you're still painting whole frequently every day, every day,

1:23:27.080 --> 1:23:30.920
<v Speaker 1>And is that stuff still shown up for sale? Yeah,

1:23:30.960 --> 1:23:33.840
<v Speaker 1>there's going to be a show in September. I don't know,

1:23:34.000 --> 1:23:41.200
<v Speaker 1>thee September something at a rock and roll kind of

1:23:41.720 --> 1:23:49.400
<v Speaker 1>art stuff. Because, um, the brain, artistic people can usually

1:23:49.400 --> 1:23:52.000
<v Speaker 1>go from genre to genre because all the same part

1:23:52.040 --> 1:23:57.439
<v Speaker 1>of the brain. A lot of musicians paint. Marty painted,

1:23:57.600 --> 1:24:04.120
<v Speaker 1>uh only Stone, Ronnie Wood. He was handled by some

1:24:04.160 --> 1:24:08.479
<v Speaker 1>of the same galleries. Uh, Jerry Garcia. Uh, you know,

1:24:08.640 --> 1:24:13.360
<v Speaker 1>I can David Bowie. That happens a lot. So, um,

1:24:13.400 --> 1:24:20.479
<v Speaker 1>there's a gallery down here that handles rock crossover. So

1:24:21.439 --> 1:24:24.599
<v Speaker 1>how do you feel about your artistic work? Are you

1:24:24.640 --> 1:24:31.040
<v Speaker 1>satisfied with your career? Yeah? I am, because I enjoyed it.

1:24:31.520 --> 1:24:34.680
<v Speaker 1>I had a lot of fun, which I include in

1:24:34.880 --> 1:24:39.479
<v Speaker 1>the enjoyment, in the satisfaction. Uh. If you're if it's

1:24:39.520 --> 1:24:44.280
<v Speaker 1>a drudge, then you're doing something wrong. Pick something you like,

1:24:45.240 --> 1:24:47.479
<v Speaker 1>two things, you like it, you're good at it, do

1:24:47.560 --> 1:24:54.920
<v Speaker 1>that and any regrets only that I never nailed, Jimmy

1:24:55.000 --> 1:25:00.320
<v Speaker 1>Hendrix and Peter O'Toole never learned how to write a horse.

1:25:01.080 --> 1:25:03.679
<v Speaker 1>I've never been to the Middle East, and I can't

1:25:03.720 --> 1:25:08.040
<v Speaker 1>do any of those things now, so too bad. What

1:25:08.080 --> 1:25:10.040
<v Speaker 1>do you think you know, when you're old, you don't

1:25:10.080 --> 1:25:12.920
<v Speaker 1>regret what you did. You regret what you didn't do.

1:25:13.200 --> 1:25:15.880
<v Speaker 1>That's really kind of what I was asking. So I

1:25:16.040 --> 1:25:18.679
<v Speaker 1>certainly answered that, what do you think about the state

1:25:18.720 --> 1:25:25.280
<v Speaker 1>of our country? Well, it's sad, uh, But what's really sad?

1:25:25.280 --> 1:25:28.120
<v Speaker 1>It wasn't not. Donald Trump's a jerk. That that's obvious.

1:25:28.520 --> 1:25:31.040
<v Speaker 1>But he's not the problem. The problem is when you

1:25:31.080 --> 1:25:33.600
<v Speaker 1>realize how many people voted for him, and you go,

1:25:33.880 --> 1:25:38.519
<v Speaker 1>holy moly, we are in deep doo doo that many

1:25:38.560 --> 1:25:47.639
<v Speaker 1>people are thinking that way. That's trouble. So that's what's scary.

1:25:47.720 --> 1:25:50.599
<v Speaker 1>He's not scary, he's just a clown, But that many

1:25:50.640 --> 1:25:54.000
<v Speaker 1>people voting for him, that's scary. Now, we used to

1:25:54.000 --> 1:25:57.400
<v Speaker 1>believe in the sixties and early seventies music could change

1:25:57.439 --> 1:26:00.320
<v Speaker 1>the world, and certainly you and the Jefferson Airplane push

1:26:00.400 --> 1:26:03.479
<v Speaker 1>that envelope. Do you think he made a difference. I

1:26:03.560 --> 1:26:09.040
<v Speaker 1>think so. It's it's incremental and it's a spot. It's

1:26:09.080 --> 1:26:11.839
<v Speaker 1>like the fire in Malibu, the spot fires that jumps

1:26:11.880 --> 1:26:14.360
<v Speaker 1>over here. And this is good, But do you think

1:26:14.400 --> 1:26:19.200
<v Speaker 1>without the sixties push we could have had Barack Obama?

1:26:19.680 --> 1:26:22.879
<v Speaker 1>And we're lucky to have him. He's probably the most elegant,

1:26:23.600 --> 1:26:29.080
<v Speaker 1>well behaved he and his wife president like ever in

1:26:29.120 --> 1:26:34.360
<v Speaker 1>my life. Especially good for being born in Africa. Yeah,

1:26:34.479 --> 1:26:39.320
<v Speaker 1>especially her being from Kenya exactly. But he was just wonderful.

1:26:39.720 --> 1:26:45.000
<v Speaker 1>It was so watching him, uh speak, you know, he

1:26:45.040 --> 1:26:47.400
<v Speaker 1>knows how to do he knew how to do that.

1:26:48.520 --> 1:26:51.960
<v Speaker 1>Trump does not to do that. He's a mess. And

1:26:53.880 --> 1:26:58.960
<v Speaker 1>let me try to figure out how to say this. Uh,

1:26:59.160 --> 1:27:01.840
<v Speaker 1>it's a hideous job, by the way, right, Okay, I

1:27:01.840 --> 1:27:03.599
<v Speaker 1>don't know why. You know, you grew up. I remember

1:27:03.600 --> 1:27:05.559
<v Speaker 1>going to elementary school and they said anybody could be

1:27:05.560 --> 1:27:10.320
<v Speaker 1>president in America who wanted to It's like the CEO

1:27:10.439 --> 1:27:17.080
<v Speaker 1>of the country. That's just crazy. Yeah, that is just no, no, no.

1:27:17.160 --> 1:27:20.519
<v Speaker 1>And so you obviously mean you're your a unique character,

1:27:20.640 --> 1:27:22.599
<v Speaker 1>that's for sure. And they broke the mold when they

1:27:22.600 --> 1:27:27.080
<v Speaker 1>made you. Were you a fan of music in your era? No,

1:27:27.200 --> 1:27:31.559
<v Speaker 1>I didn't like Elvis Presley because I went over my

1:27:31.600 --> 1:27:35.360
<v Speaker 1>boyfriend at the time Joe McCarthy, his sister said, you

1:27:35.400 --> 1:27:38.640
<v Speaker 1>gotta come home, you gotta hear this guy. It was

1:27:38.720 --> 1:27:42.760
<v Speaker 1>a forty five black and blue with a picture of

1:27:42.800 --> 1:27:46.519
<v Speaker 1>a guy going like just on it with yeah, that's

1:27:46.520 --> 1:27:50.000
<v Speaker 1>a raised lift for those about a ton of vastline

1:27:50.080 --> 1:27:53.040
<v Speaker 1>near something in his hair. And I said, oh, that's gross.

1:27:53.800 --> 1:27:56.800
<v Speaker 1>You ain't nothing but a hound, I said, the stupidest song.

1:27:57.600 --> 1:28:01.519
<v Speaker 1>I was listening to Edward Greek pier against Suite. I

1:28:01.560 --> 1:28:06.080
<v Speaker 1>was listening to Rochmaninoff. I was, but if you're who

1:28:06.080 --> 1:28:11.439
<v Speaker 1>were your favorites? May era? Okay? The when the Beatles

1:28:11.479 --> 1:28:13.320
<v Speaker 1>first came out somebody, so you gotta come ome and

1:28:13.320 --> 1:28:15.679
<v Speaker 1>see the Beatles where there're guys who were twenty five.

1:28:15.720 --> 1:28:18.559
<v Speaker 1>They're all dressed alike. I want to hold Jim Han.

1:28:18.720 --> 1:28:21.759
<v Speaker 1>I don't know. Uh, But then I saw the Rolling Stones.

1:28:22.400 --> 1:28:27.120
<v Speaker 1>That that's rock and roll. That's funny because back in

1:28:27.160 --> 1:28:29.719
<v Speaker 1>that people don't realize there was a big war, either

1:28:29.800 --> 1:28:33.280
<v Speaker 1>Beatles fan or Stones. Yeah. I was rolling Stones. But

1:28:33.360 --> 1:28:39.639
<v Speaker 1>then the Beatles flipped over from uh being cutesie and

1:28:39.680 --> 1:28:42.840
<v Speaker 1>that was their manager's fault. They weren't cutie before that.

1:28:43.280 --> 1:28:46.240
<v Speaker 1>They were tough boys in Germany that you know with

1:28:46.360 --> 1:28:49.880
<v Speaker 1>the black leather jack is every what's his name? Whoever

1:28:49.920 --> 1:28:54.320
<v Speaker 1>their manager was, Brian Epstein changed that thing? Oh where

1:28:54.320 --> 1:28:57.120
<v Speaker 1>all those little suits? I'm sorry, they're too old to

1:28:57.160 --> 1:29:00.320
<v Speaker 1>be that cute. So I didn't like that. But they

1:29:00.439 --> 1:29:05.320
<v Speaker 1>change because they're not stupid, and they started really writing

1:29:05.400 --> 1:29:09.120
<v Speaker 1>some good stuff. So I'm both the Beatles and Stones

1:29:09.200 --> 1:29:15.000
<v Speaker 1>fan after a while. Okay, and you say you're difficult,

1:29:16.240 --> 1:29:19.320
<v Speaker 1>if I haven't heard that in this conversation, give me

1:29:19.360 --> 1:29:22.080
<v Speaker 1>a couple of examples where you're difficult. Okay, let me

1:29:22.280 --> 1:29:24.479
<v Speaker 1>use the words my mother used to use when she

1:29:24.600 --> 1:29:28.760
<v Speaker 1>was annoyed. Do you have to be so terse? Do

1:29:28.800 --> 1:29:33.000
<v Speaker 1>you have to be so curt with people? So on

1:29:33.320 --> 1:29:37.559
<v Speaker 1>terse and Curt? And I told her, well the terse

1:29:37.640 --> 1:29:40.439
<v Speaker 1>and Kurt is like, I don't like to waste time

1:29:41.320 --> 1:29:45.120
<v Speaker 1>that this. If you're just straight, shoot right into whatever

1:29:45.160 --> 1:29:46.880
<v Speaker 1>the heart of the problem, I said. I don't want

1:29:46.880 --> 1:29:50.960
<v Speaker 1>any frills. I don't even wear jewelry. I wear a watch,

1:29:51.240 --> 1:29:54.799
<v Speaker 1>that's it. I don't like frills. I don't like lacey things.

1:29:54.920 --> 1:29:58.479
<v Speaker 1>That's not my thing. My daughter's lacy and has birds

1:29:58.479 --> 1:30:02.360
<v Speaker 1>on her dresses and stuff that's because that's she's comfortable

1:30:02.560 --> 1:30:08.160
<v Speaker 1>that way. I'm not so uh Terse and Kurt is

1:30:08.520 --> 1:30:10.640
<v Speaker 1>part of the deal. So it doesn't sound like you

1:30:10.680 --> 1:30:14.840
<v Speaker 1>suffer fools. Well, I don't know about that phrase, but

1:30:15.160 --> 1:30:20.240
<v Speaker 1>I'll just go for the jugular and you have legs.

1:30:20.360 --> 1:30:22.360
<v Speaker 1>If you don't like it, it's very easy for you

1:30:22.439 --> 1:30:27.439
<v Speaker 1>to move. And so with hindsight, do you wish you

1:30:27.560 --> 1:30:31.920
<v Speaker 1>handled some interactions in a different way. Let's see whatever.

1:30:32.479 --> 1:30:34.519
<v Speaker 1>I would have paid a little more attention to the

1:30:34.560 --> 1:30:38.880
<v Speaker 1>business end, the music business because it's called the music

1:30:38.920 --> 1:30:42.120
<v Speaker 1>business for a reason, So I would have paid a

1:30:42.120 --> 1:30:46.720
<v Speaker 1>little more attention to the business end. Okay, this has

1:30:46.760 --> 1:30:49.439
<v Speaker 1>been wonderful. We certainly got insight into who you are,

1:30:49.920 --> 1:30:54.120
<v Speaker 1>which is the number one vision I have with this podcast.

1:30:54.400 --> 1:30:57.760
<v Speaker 1>So you're listening to Grace Slick. Grace, thanks so much

1:30:57.800 --> 1:31:00.240
<v Speaker 1>for doing this. Well, thank you for pulling it out.

1:31:01.200 --> 1:31:03.559
<v Speaker 1>Until next time, This is Bob left Sense