WEBVTT - You Chose the Monster

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<v Speaker 1>Mordeo is a production of I Heart Radio, Blumhouse Television

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<v Speaker 1>and Crypt TV in association with Wolf at the Door.

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<v Speaker 1>Some things in our lives are beyond our control, but

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<v Speaker 1>still we all make choices. Too many of them turn

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<v Speaker 1>into regrets. I guess all we left with is the

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<v Speaker 1>hope that we still have time to set it right.

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<v Speaker 1>This is yeah, whit job flat, No, no, no, she's gone.

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<v Speaker 1>They took my daughter, took her. She said that, but

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<v Speaker 1>Dale couldn't get past the defenses. This wasn't the more dioe.

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<v Speaker 1>This was the ward. They took her, and now we're

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<v Speaker 1>going to get her back. Okay, let me go, Hello Jocelyn,

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<v Speaker 1>miss Marshall the librarian. My looking at you makes me

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<v Speaker 1>feel like a sack of bones. Y'all grow up so fast?

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<v Speaker 1>Has anyone told you you look just like your mother?

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<v Speaker 1>Where are we? Who are all of you? Why did

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<v Speaker 1>you bring me? Hit? Now? Nice? Slow down, one question

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<v Speaker 1>at a time. You're making my old brain, Colonel. Let's

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<v Speaker 1>start with the way years ago, before you born, before

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<v Speaker 1>even I was born. If you can believe there were

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<v Speaker 1>such a time, the people who lived near the Monongahela

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<v Speaker 1>whispered about terrible creatures in these wounds. They were thought

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<v Speaker 1>to have far reaching powers, powers that presided over life

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<v Speaker 1>and death. The more dare so you, Heaven, let them

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<v Speaker 1>leave you in the dark, good girl. For a long time,

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<v Speaker 1>people lived in fear of the forest, of what may

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<v Speaker 1>happen if you found yourself alone wandering through the trees,

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<v Speaker 1>somehow lost. When you swore you knew your way home

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<v Speaker 1>by then, of course, it was already too late. You

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<v Speaker 1>were praying being chased by a predator. Back then, the

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<v Speaker 1>townspeople thought if they were to give an offering to

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<v Speaker 1>these creatures, they could form some sort of agreement. A

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<v Speaker 1>human life given freely in exchange for safe passage wouldn't

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<v Speaker 1>be missed, perhaps a haunter that strayed too far from

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<v Speaker 1>his land, or maybe an undesirable of their own. So

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<v Speaker 1>they came to this clearing here deep in the morn,

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<v Speaker 1>and built this stone altar. Over the years, they've added

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<v Speaker 1>these statutes away to honor their sacrifices. It worked for

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<v Speaker 1>some time, but generation after generation the people grew weary

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<v Speaker 1>of living under the shadow of death. That's when we

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<v Speaker 1>the ward first came to be. All of you. You

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<v Speaker 1>hunt the more del but they don't die how do

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<v Speaker 1>you kill something that doesn't die. This war has been

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<v Speaker 1>raging for a long time. We engineered our own ways

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<v Speaker 1>of fighting back so we can live free from fear

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<v Speaker 1>you have else where. I'm here. Someone hasn't been listening.

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<v Speaker 1>This is the altar for the offerings, and tonight you

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<v Speaker 1>are ours. Restrain her, get her up on the chair.

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<v Speaker 1>I got it. You gotta do this. And was that

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<v Speaker 1>my grandpa his police officer here? My mom? Are gonna

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<v Speaker 1>come for me? Is that so? And my uncle I said,

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<v Speaker 1>I won't let you hurt me, He'll come for me. Well,

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<v Speaker 1>now with that, I completely agreed, because the ward isn't

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<v Speaker 1>here for you. Only what are you doing? No one

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<v Speaker 1>told me you were going to hurt the kid. I'm

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<v Speaker 1>not a part of this. Just a little slice. No, no, no,

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<v Speaker 1>don't come me. Come now, It's just a little blood,

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<v Speaker 1>nothing to cry over. Now we wait for your uncle

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<v Speaker 1>to save you. I hope he tears you to pieces.

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<v Speaker 1>If you think he would spare you from the same fate,

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<v Speaker 1>I'm afraid he'll only disappoint you again. Surround the perimeter.

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<v Speaker 1>Don't let any of the others through, understood, Mother Marshall. Okay,

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<v Speaker 1>fan out everybody, system, morality. Take up your position for

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<v Speaker 1>the last time. I'm not a part of this. I'd

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<v Speaker 1>like to see what it means when you are a

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<v Speaker 1>part of something. I've got this one reading, brother reading.

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<v Speaker 1>You don't outrank me out here, Detective here, I thought

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<v Speaker 1>we're on the same side. Jesus Michelle, where the fund

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<v Speaker 1>have you been around? Looks like I haven't missed the party.

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<v Speaker 1>This is your doing. I didn't have a choice. You did,

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<v Speaker 1>and you chose to hand over a child to save

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<v Speaker 1>your own skin. I thought they'd take Ashley. I never

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<v Speaker 1>thought you did what you had to do to survive Cat.

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<v Speaker 1>Anyone who doesn't understand that is kidding themselves, or we

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<v Speaker 1>don't want to understand because we're both sucking cowards. Here

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<v Speaker 1>take this. I saw those old elephant guns before Isaia

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<v Speaker 1>at the library. They're modified specifically for the more DAO.

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<v Speaker 1>They carry charge bookshot rounds that send an electric pulse.

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<v Speaker 1>It paralyzes them, but not for long. It's the best

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<v Speaker 1>defense we have. No thanks. You can't be out here defenseless, Cat.

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<v Speaker 1>I can't be here at all. I won't and neither

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<v Speaker 1>should you. You can't leave. They won't let you, not

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<v Speaker 1>until they have, Isaiah, I chose wrong machine. These people

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<v Speaker 1>they don't care who lives or dies, even if they

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<v Speaker 1>hide behind an oath that says otherwise. And maybe for

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<v Speaker 1>the first time in my life, I realize some things

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<v Speaker 1>are worth living with, something to consider before you. You

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<v Speaker 1>said it yourself. Cat, don't walk away. They will find you.

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<v Speaker 1>I will find you. I can take care of myself. Michelle.

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<v Speaker 1>See around, M hand me those leaves with you. Isaiah. Oh,

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<v Speaker 1>this is only gonna look nastier as it regenerates. Thanks,

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<v Speaker 1>you're healing fast. I didn't heal this quickly. Well, practice

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<v Speaker 1>makes perfect. How many times have you died? More than

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<v Speaker 1>I care to remember? M Who are you? How did

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<v Speaker 1>this happen to you? A lot like it happened to you.

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<v Speaker 1>I'd imagine I was hunting in these woods with my

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<v Speaker 1>dad a long time ago. We saw something in the woods.

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<v Speaker 1>The rest is history. I guess what's your name? Harlow?

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<v Speaker 1>Harlow Paine. M hmm. You said you've done this before.

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<v Speaker 1>How many of you are there? How many of you

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<v Speaker 1>have cured yourselves? Oh? Cowboy, I didn't say anything about

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<v Speaker 1>a cure. I said I could help. How many? Just

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<v Speaker 1>me there and others, and there will be more. But

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<v Speaker 1>right now I'm what you've got. You cran to me

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<v Speaker 1>like you had hope, like there was some real chance

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<v Speaker 1>of getting rid of this. You're a liar, hey, fighting

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<v Speaker 1>back the more day always isn't like dying. Okay, You

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<v Speaker 1>don't get better at it. Your instincts get stronger, your

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<v Speaker 1>sense is sharper, the hunger is more and more excruciating,

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<v Speaker 1>and those voices, all of their voices, are so damn out.

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<v Speaker 1>Your connection to all the rest of them will just

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<v Speaker 1>grow deeper. This is a curse. You'll be paying for

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<v Speaker 1>what you did for the rest of your life, and

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<v Speaker 1>believe me, it's gonna be a long one. That doesn't

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<v Speaker 1>mean you don't try to atone for it. You don't

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<v Speaker 1>have to give in inevitable, not every more day, oh

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<v Speaker 1>can be saved, but you you want to make things right,

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<v Speaker 1>and that's what makes you different from the rest of them.

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<v Speaker 1>You have a reason to fight it. To you, is

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<v Speaker 1>it for something other than death? You mean you're not

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<v Speaker 1>how to channel to pous Not really, I survive it,

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<v Speaker 1>but you you have a strong will. I've never seen

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<v Speaker 1>anyone fight the curse like you have. And if I

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<v Speaker 1>can teach you how to control it, to surpass even

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<v Speaker 1>my own abilities. You could change not just your fate,

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<v Speaker 1>but all of ours. What if I'm just some guy

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<v Speaker 1>who killed his brother, that I'm just some girl who

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<v Speaker 1>killed her dad? Do you smell that? I know that

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<v Speaker 1>scent blood? Not just any blood. I Saiah, you need

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<v Speaker 1>to go. They found them, the ward that's sent. It's Justlyn.

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<v Speaker 1>You need to go now. I don't understand. Why would

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<v Speaker 1>Joscelyn be a part of this because you are now?

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<v Speaker 1>Hurry if we can pick up the sin of her blood,

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<v Speaker 1>so with others. Yeah, Jocelyn, Jocelynn Hope. Please. She shouldn't

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<v Speaker 1>know we're out of here. If she knows, they know,

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<v Speaker 1>we need to keep the element of surprise on her side.

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<v Speaker 1>We should wait from back up that woman. She can

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<v Speaker 1>help us. I'm not waiting, and I'm sure as he'll

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<v Speaker 1>not leaving these woods without my daughter. What is that shaped?

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<v Speaker 1>Quick down in the water. Find those rocks, Dear God,

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<v Speaker 1>it's one of them. Stay quiet? What was she? There's

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<v Speaker 1>another one of bass? He should be dead. What do

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<v Speaker 1>you mean they should have sensed we were here? They're

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<v Speaker 1>hitted somewhere. I know where they're going. Cat What are

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<v Speaker 1>you doing here? I heard it Nesta as I was

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<v Speaker 1>headed back to the lodge to find you. How do

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<v Speaker 1>you know about the lodge? Listen, Ashley. I I made

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<v Speaker 1>a mistake. I thought it was the right thing. What

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<v Speaker 1>are you talking about? I followed that Nesta to the

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<v Speaker 1>lodge from town. I told them you were here. I'm

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<v Speaker 1>the reason they took her. Fucking Actually, don't. She's just

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<v Speaker 1>a child. That's enough. Actually she's breaking. Let her go.

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<v Speaker 1>I'm sorry fucking killed you. Yeah. I came to make

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<v Speaker 1>this right. How could you possibly make this rot? They're

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<v Speaker 1>using her as bait for Isaiah. They won't hurt her,

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<v Speaker 1>at least I don't think so. But if things go wrong,

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<v Speaker 1>I don't think they're gonna save her either. They're not

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<v Speaker 1>after me. Why would they be after you? It doesn't

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<v Speaker 1>make any sense. They take an oath to protect human life.

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<v Speaker 1>Putting her in danger goes against everything they believe in.

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<v Speaker 1>What they say they believe in. You said you knew

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<v Speaker 1>where the mare Dao are going. You can take us

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<v Speaker 1>to her. Like I said, I'm here to make this right.

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<v Speaker 1>Ship It's coming back, kids, blood fuck Me're we step

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<v Speaker 1>the hill out of the water now. Michale, Come on,

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<v Speaker 1>ear next to me, lean on me, Come here. We're good. Thanks.

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<v Speaker 1>I told you to take a gun. You're all right,

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<v Speaker 1>cap I think so? Yeah? I'm fine too, Thanks? What

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<v Speaker 1>did you do to it? The shots give out a

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<v Speaker 1>pulse to keep it subdued. But we gotta get out here.

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<v Speaker 1>It'll wear off, and we need as many rounds as

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<v Speaker 1>we can if we're gonna save Jocelyn. We there is

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<v Speaker 1>no weed between us. You can't face what's ahead alone.

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<v Speaker 1>You're going to cross the war to help save a

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<v Speaker 1>little girl that doesn't sound like you, Michelle. I guess

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<v Speaker 1>I realized some things aren't worth living with, all right.

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<v Speaker 1>For the record, she stole that from me. Look, even

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<v Speaker 1>with the four of us, we can't possibly take on

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<v Speaker 1>the book Dayo and the Ward. No, but we can

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<v Speaker 1>distract one with the other. If you draw the more

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<v Speaker 1>DAO out, the Ward will be forced to disperse to

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<v Speaker 1>keep them at bay. Then we can make our move.

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<v Speaker 1>And how do we draw them out? Blood? Now? Wait

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<v Speaker 1>just a minute, my plan, my blood. Now, let's go

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<v Speaker 1>get your daughter. Hey, you're wasting your energy, dear, Why

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<v Speaker 1>don't target Something's wrong? They're converging too fast. The rest

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<v Speaker 1>of you join the perimeter. There's not enough of us

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<v Speaker 1>I can handalyze. Theyah myself go, that's an order. You

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<v Speaker 1>follow me there too strong, You can't fight them all.

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<v Speaker 1>Not to worry pet only a little while longer. I

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<v Speaker 1>suspect that they are really worth all this risk. I

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<v Speaker 1>know what it seems like right now. You think I'm

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<v Speaker 1>the enemy, cruel and heartless, but you don't understand what

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<v Speaker 1>they are, what your uncle is. They're monsters, and like

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<v Speaker 1>all monsters, they can only ever bring death and pain

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<v Speaker 1>and loss, irrevocable loss. They killed someone he loved the

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<v Speaker 1>more Deo deserved to be destroyed, and I will make

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<v Speaker 1>sure that happens until my dying breath. You think I there,

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<v Speaker 1>good to see you, punctual for once. Mr Williams let

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<v Speaker 1>it go now said, get out of here. She wants

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<v Speaker 1>to kill you. He knows that by now, Dear, don't

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<v Speaker 1>you Izaiah? This whole time you knew You're not very

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<v Speaker 1>good at hiding things. Isaiah, you never have been. Like

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<v Speaker 1>I said from the start, You're honest, which is maybe

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<v Speaker 1>why you've been caught every time. You haven't played by

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<v Speaker 1>the rules. You have me. You don't need her any more. Release.

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<v Speaker 1>Unfortunately you won't live to see her out of those chains.

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<v Speaker 1>She goes. When you've shown me what you are, I can't.

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<v Speaker 1>I don't have that kind of control over it. Perhaps

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<v Speaker 1>you need a little coaxing. Then what are you doing?

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<v Speaker 1>I'm giving you a little inspiration. She's got nothing to

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<v Speaker 1>do with this. How cruel of me. Then each of

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<v Speaker 1>you has your Yours is an anger or even desperation,

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<v Speaker 1>like most of them yours, it's very specific shame. That's

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<v Speaker 1>what drives you, Isaiah. And you feel shame. You can't

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<v Speaker 1>save them, show you can't stop yourself from hurting them

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<v Speaker 1>over and over. Don't talk to shame. That maybe all

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<v Speaker 1>you were born to do with bring supper of course,

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<v Speaker 1>of course, show me that shame, Isaiah, and I will

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<v Speaker 1>free you from it just as it's more, and I'll

0:16:38.720 --> 0:16:44.160
<v Speaker 1>send you back at hell where you belong. You've really

0:16:44.200 --> 0:16:47.480
<v Speaker 1>stooped to a new level this time. Marjorie Harlow Payne

0:16:48.200 --> 0:16:50.760
<v Speaker 1>should have known you bubble up from that swamp you've

0:16:50.760 --> 0:16:55.960
<v Speaker 1>been hiding. And this we fight together now, kid to

0:16:56.120 --> 0:17:03.400
<v Speaker 1>change our fate. How sind a man and prophetic, Poor Harlow,

0:17:03.880 --> 0:17:07.040
<v Speaker 1>still trying to find yourself a little pupil to save you.

0:17:07.640 --> 0:17:12.360
<v Speaker 1>When will you ever learn? They'll all fail, just like

0:17:12.440 --> 0:17:16.879
<v Speaker 1>you've failed your teacher before you. This battle is bigger

0:17:16.880 --> 0:17:20.440
<v Speaker 1>than you or I, Marjorie. It's a shame you won't

0:17:20.480 --> 0:17:23.439
<v Speaker 1>live long enough to learn that lesson. You're threatening to

0:17:23.640 --> 0:17:28.720
<v Speaker 1>kill me. I thought you didn't take lives anymore. I don't,

0:17:29.720 --> 0:17:38.760
<v Speaker 1>but I can't speak for him. You didn't scream. They

0:17:38.840 --> 0:17:42.399
<v Speaker 1>always scream when they turn. Now you die knowing he

0:17:42.440 --> 0:18:01.640
<v Speaker 1>won't fail me, not this time. Goodbye, Marjorie. Okay, Well,

0:18:01.960 --> 0:18:14.840
<v Speaker 1>one step forward, three bloody steps back, I said, Jocelyn, No,

0:18:15.520 --> 0:18:19.560
<v Speaker 1>can you hear me in there? Jocelyn, you can hear me?

0:18:19.600 --> 0:18:27.760
<v Speaker 1>Can't you? You know who I am? Come back? I said, peace,

0:18:27.960 --> 0:18:58.399
<v Speaker 1>come back. I O my gotta please. How I'm getting

0:18:58.400 --> 0:19:05.720
<v Speaker 1>Michelle moll bradcasting Now? What got him on the ground? Mom? Mom?

0:19:06.080 --> 0:19:08.200
<v Speaker 1>I got your kids? Hit her out of there now,

0:19:08.480 --> 0:19:11.000
<v Speaker 1>I'm working on it. What about my mom should be

0:19:11.080 --> 0:19:15.000
<v Speaker 1>right behind us, got it, Let's go. But the woman

0:19:15.040 --> 0:19:18.720
<v Speaker 1>who helped us herlo she said, under those rocks, I

0:19:18.760 --> 0:19:24.280
<v Speaker 1>can only see one of you. Come on, all right,

0:19:24.840 --> 0:19:27.800
<v Speaker 1>they're clear. Hit him with everything you got, Michelle, my

0:19:28.000 --> 0:19:38.480
<v Speaker 1>fucking pleasure, I'm out actually to run. We have to

0:19:38.560 --> 0:19:43.000
<v Speaker 1>leave before wears off. What if I stay, he'll stay?

0:19:43.640 --> 0:19:46.399
<v Speaker 1>Go now while he still can. We're not leaving you,

0:19:46.760 --> 0:19:51.199
<v Speaker 1>jocolin shot. She won't forgive you for this. Maybe not,

0:19:51.440 --> 0:19:53.840
<v Speaker 1>but he'll live long enough to understand why I did it.

0:19:54.160 --> 0:19:58.359
<v Speaker 1>I promised to tell her. I love her every day. Ernest,

0:19:58.760 --> 0:20:05.680
<v Speaker 1>come on, m if you can hear me in there,

0:20:07.320 --> 0:20:15.359
<v Speaker 1>don't let her down. I think, don't you dare Hey,

0:20:16.080 --> 0:20:19.840
<v Speaker 1>as you get out of here, I've got I say

0:20:20.320 --> 0:20:33.280
<v Speaker 1>it's time he plays with someone his own size? How

0:20:38.080 --> 0:20:51.280
<v Speaker 1>good are mine? They're retreating, Sister Williams, thank you, brother

0:20:52.080 --> 0:21:01.600
<v Speaker 1>m hm, Mother Marshall. She's dead. We we didn't make

0:21:01.640 --> 0:21:09.280
<v Speaker 1>it in time. You this is all your fault. You

0:21:09.320 --> 0:21:12.479
<v Speaker 1>don't understand she was dead when we got here. I

0:21:12.520 --> 0:21:14.760
<v Speaker 1>swear I just wanted to save my daughter. You have

0:21:15.080 --> 0:21:20.560
<v Speaker 1>broken your road, sister. Now you must face the consequences here.

0:21:32.680 --> 0:21:36.880
<v Speaker 1>Who Why are we stopped? I think we're in the clear.

0:21:37.440 --> 0:21:40.520
<v Speaker 1>At least Joscelyn and the cat got away. I think

0:21:40.520 --> 0:21:43.400
<v Speaker 1>they're safe. They should have reached the main road by now.

0:21:44.480 --> 0:21:46.960
<v Speaker 1>I shouldn't have shouldn't have left actually behind she made

0:21:47.000 --> 0:21:48.879
<v Speaker 1>up her man I should have been the one to

0:21:48.920 --> 0:21:56.680
<v Speaker 1>stay behind the Facebook Son. There's no turning back. I'm sorry, Michelle.

0:21:56.680 --> 0:22:01.680
<v Speaker 1>You were right about game, and I said, m maybe

0:22:01.720 --> 0:22:07.639
<v Speaker 1>not completely. That's not your fault. You were doing what

0:22:07.800 --> 0:22:12.280
<v Speaker 1>you thought was right. Today I saw what I've always

0:22:12.280 --> 0:22:15.680
<v Speaker 1>seen in you, someone willing to do whatever it takes.

0:22:17.440 --> 0:22:24.080
<v Speaker 1>I'm sorry I doted you. I guess I had one

0:22:24.160 --> 0:22:34.320
<v Speaker 1>round left. I'm sorry, cap I am, but you said

0:22:34.320 --> 0:22:42.040
<v Speaker 1>it yourself. I'm willing to do whatever it takes. Mm hmmm.

0:22:44.240 --> 0:22:54.800
<v Speaker 1>Y Our choices to find the past of our lives,

0:22:56.119 --> 0:23:01.320
<v Speaker 1>some lead us towards the light, others into darkness, a

0:23:01.480 --> 0:23:05.920
<v Speaker 1>darkness we must all now fight. We are at war

0:23:07.400 --> 0:23:32.560
<v Speaker 1>in our battles, They've only just begun. H m hm.

0:23:40.320 --> 0:23:47.159
<v Speaker 1>I Heart Radio. Blomhouse Television Encrypt TV in association with

0:23:47.280 --> 0:23:52.840
<v Speaker 1>Wolf at the Door present more Dale Executive produced by

0:23:52.920 --> 0:23:59.119
<v Speaker 1>Jack Davis, Kate Krantz, Darren Brenda, Jason Bloom, Chris Dickey,

0:23:59.760 --> 0:24:06.160
<v Speaker 1>Not Frederick and Alex Williams. Written by Caitlin Crab, directed

0:24:06.200 --> 0:24:13.320
<v Speaker 1>by Alex Kemp. Produced by Toby Lawless, Winnie Kemp, Daniel Parsons,

0:24:14.359 --> 0:24:21.960
<v Speaker 1>Co Producers, ben So Tech, Anthony Magnolo associate producer Federico Torrado.

0:24:23.200 --> 0:24:29.960
<v Speaker 1>Starring j L. Fons Nicholson as Isaiah, Ashley Platts as Ashley,

0:24:30.240 --> 0:24:38.160
<v Speaker 1>Olivia Lott as Jocelyn, Yvonne Angulo as Michelle, with performances

0:24:38.200 --> 0:24:47.159
<v Speaker 1>by Tacy Adams, Ariella amar Jamie, Joseph kim Estes, Patty Wilkins,

0:24:47.960 --> 0:24:53.679
<v Speaker 1>James Brewster. Sound designed by Dean Hovey. Original score by

0:24:53.760 --> 0:24:59.800
<v Speaker 1>Christopher Kemp, Mixing by Mark Scarce, Edited by Fernando di

0:25:00.080 --> 0:25:05.840
<v Speaker 1>Us Assistant engineer Noah's Sour. Recorded at Wolf at the

0:25:05.880 --> 0:25:14.000
<v Speaker 1>Door Studios. Casting consultant Michelle LeWitt, Production assistants Haley mckeckney

0:25:14.040 --> 0:25:21.400
<v Speaker 1>and Sophia gilbertele studio teacher Pearl Hika. Writing assistant Bill Hanson.

0:25:22.960 --> 0:25:27.639
<v Speaker 1>This podcast was recorded under a SAG after collective bargaining agreement.

0:25:28.960 --> 0:25:33.080
<v Speaker 1>Mordeo is a production of I Heart Radio Blumhouse Television

0:25:33.480 --> 0:25:38.200
<v Speaker 1>Crypt TV. For more podcasts from I Heart Radio, visit

0:25:38.280 --> 0:25:42.879
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

0:25:42.960 --> 0:25:44.479
<v Speaker 1>listen to your favorite shows.