1 00:00:00,120 --> 00:00:04,600 Speaker 1: Mordeo is a production of I Heart Radio, Blumhouse Television 2 00:00:05,040 --> 00:00:09,000 Speaker 1: and Crypt TV in association with Wolf at the Door. 3 00:00:14,320 --> 00:00:18,200 Speaker 1: Some things in our lives are beyond our control, but 4 00:00:18,360 --> 00:00:22,960 Speaker 1: still we all make choices. Too many of them turn 5 00:00:23,040 --> 00:00:27,080 Speaker 1: into regrets. I guess all we left with is the 6 00:00:27,120 --> 00:00:28,920 Speaker 1: hope that we still have time to set it right. 7 00:00:40,200 --> 00:01:05,880 Speaker 1: This is yeah, whit job flat, No, no, no, she's gone. 8 00:01:06,400 --> 00:01:11,000 Speaker 1: They took my daughter, took her. She said that, but 9 00:01:11,080 --> 00:01:15,319 Speaker 1: Dale couldn't get past the defenses. This wasn't the more dioe. 10 00:01:15,880 --> 00:01:19,399 Speaker 1: This was the ward. They took her, and now we're 11 00:01:19,400 --> 00:01:30,199 Speaker 1: going to get her back. Okay, let me go, Hello Jocelyn, 12 00:01:30,959 --> 00:01:37,360 Speaker 1: miss Marshall the librarian. My looking at you makes me 13 00:01:37,440 --> 00:01:41,319 Speaker 1: feel like a sack of bones. Y'all grow up so fast? 14 00:01:41,520 --> 00:01:44,199 Speaker 1: Has anyone told you you look just like your mother? 15 00:01:44,520 --> 00:01:47,200 Speaker 1: Where are we? Who are all of you? Why did 16 00:01:47,280 --> 00:01:51,280 Speaker 1: you bring me? Hit? Now? Nice? Slow down, one question 17 00:01:51,320 --> 00:01:55,760 Speaker 1: at a time. You're making my old brain, Colonel. Let's 18 00:01:55,800 --> 00:02:01,240 Speaker 1: start with the way years ago, before you born, before 19 00:02:01,320 --> 00:02:03,400 Speaker 1: even I was born. If you can believe there were 20 00:02:03,480 --> 00:02:07,400 Speaker 1: such a time, the people who lived near the Monongahela 21 00:02:07,840 --> 00:02:11,720 Speaker 1: whispered about terrible creatures in these wounds. They were thought 22 00:02:11,760 --> 00:02:16,360 Speaker 1: to have far reaching powers, powers that presided over life 23 00:02:16,480 --> 00:02:20,399 Speaker 1: and death. The more dare so you, Heaven, let them 24 00:02:20,480 --> 00:02:25,920 Speaker 1: leave you in the dark, good girl. For a long time, 25 00:02:26,320 --> 00:02:29,799 Speaker 1: people lived in fear of the forest, of what may 26 00:02:29,840 --> 00:02:33,960 Speaker 1: happen if you found yourself alone wandering through the trees, 27 00:02:34,200 --> 00:02:37,680 Speaker 1: somehow lost. When you swore you knew your way home 28 00:02:38,400 --> 00:02:42,000 Speaker 1: by then, of course, it was already too late. You 29 00:02:42,120 --> 00:02:47,240 Speaker 1: were praying being chased by a predator. Back then, the 30 00:02:47,280 --> 00:02:50,920 Speaker 1: townspeople thought if they were to give an offering to 31 00:02:51,000 --> 00:02:55,320 Speaker 1: these creatures, they could form some sort of agreement. A 32 00:02:55,480 --> 00:03:00,480 Speaker 1: human life given freely in exchange for safe passage wouldn't 33 00:03:00,480 --> 00:03:04,840 Speaker 1: be missed, perhaps a haunter that strayed too far from 34 00:03:04,840 --> 00:03:09,120 Speaker 1: his land, or maybe an undesirable of their own. So 35 00:03:09,240 --> 00:03:12,280 Speaker 1: they came to this clearing here deep in the morn, 36 00:03:12,960 --> 00:03:17,280 Speaker 1: and built this stone altar. Over the years, they've added 37 00:03:17,320 --> 00:03:23,600 Speaker 1: these statutes away to honor their sacrifices. It worked for 38 00:03:23,680 --> 00:03:28,240 Speaker 1: some time, but generation after generation the people grew weary 39 00:03:28,320 --> 00:03:31,640 Speaker 1: of living under the shadow of death. That's when we 40 00:03:32,280 --> 00:03:37,280 Speaker 1: the ward first came to be. All of you. You 41 00:03:37,480 --> 00:03:41,320 Speaker 1: hunt the more del but they don't die how do 42 00:03:41,400 --> 00:03:44,120 Speaker 1: you kill something that doesn't die. This war has been 43 00:03:44,240 --> 00:03:48,200 Speaker 1: raging for a long time. We engineered our own ways 44 00:03:48,280 --> 00:03:51,440 Speaker 1: of fighting back so we can live free from fear 45 00:03:51,960 --> 00:03:56,880 Speaker 1: you have else where. I'm here. Someone hasn't been listening. 46 00:03:57,560 --> 00:04:01,480 Speaker 1: This is the altar for the offerings, and tonight you 47 00:04:01,640 --> 00:04:05,480 Speaker 1: are ours. Restrain her, get her up on the chair. 48 00:04:06,680 --> 00:04:11,760 Speaker 1: I got it. You gotta do this. And was that 49 00:04:12,600 --> 00:04:16,120 Speaker 1: my grandpa his police officer here? My mom? Are gonna 50 00:04:16,160 --> 00:04:19,960 Speaker 1: come for me? Is that so? And my uncle I said, 51 00:04:19,960 --> 00:04:23,080 Speaker 1: I won't let you hurt me, He'll come for me. Well, 52 00:04:23,080 --> 00:04:29,080 Speaker 1: now with that, I completely agreed, because the ward isn't 53 00:04:29,120 --> 00:04:33,960 Speaker 1: here for you. Only what are you doing? No one 54 00:04:34,000 --> 00:04:36,000 Speaker 1: told me you were going to hurt the kid. I'm 55 00:04:36,000 --> 00:04:40,680 Speaker 1: not a part of this. Just a little slice. No, no, no, 56 00:04:41,000 --> 00:04:47,760 Speaker 1: don't come me. Come now, It's just a little blood, 57 00:04:47,839 --> 00:04:51,400 Speaker 1: nothing to cry over. Now we wait for your uncle 58 00:04:51,520 --> 00:04:56,120 Speaker 1: to save you. I hope he tears you to pieces. 59 00:04:56,480 --> 00:04:59,040 Speaker 1: If you think he would spare you from the same fate, 60 00:04:59,440 --> 00:05:03,480 Speaker 1: I'm afraid he'll only disappoint you again. Surround the perimeter. 61 00:05:03,760 --> 00:05:07,760 Speaker 1: Don't let any of the others through, understood, Mother Marshall. Okay, 62 00:05:07,800 --> 00:05:12,240 Speaker 1: fan out everybody, system, morality. Take up your position for 63 00:05:12,279 --> 00:05:15,520 Speaker 1: the last time. I'm not a part of this. I'd 64 00:05:15,520 --> 00:05:17,120 Speaker 1: like to see what it means when you are a 65 00:05:17,120 --> 00:05:21,560 Speaker 1: part of something. I've got this one reading, brother reading. 66 00:05:22,240 --> 00:05:30,520 Speaker 1: You don't outrank me out here, Detective here, I thought 67 00:05:30,520 --> 00:05:33,279 Speaker 1: we're on the same side. Jesus Michelle, where the fund 68 00:05:33,279 --> 00:05:37,600 Speaker 1: have you been around? Looks like I haven't missed the party. 69 00:05:38,240 --> 00:05:41,040 Speaker 1: This is your doing. I didn't have a choice. You did, 70 00:05:41,400 --> 00:05:43,640 Speaker 1: and you chose to hand over a child to save 71 00:05:43,680 --> 00:05:46,360 Speaker 1: your own skin. I thought they'd take Ashley. I never 72 00:05:46,440 --> 00:05:48,840 Speaker 1: thought you did what you had to do to survive Cat. 73 00:05:49,200 --> 00:05:52,640 Speaker 1: Anyone who doesn't understand that is kidding themselves, or we 74 00:05:52,680 --> 00:05:56,599 Speaker 1: don't want to understand because we're both sucking cowards. Here 75 00:05:56,920 --> 00:06:00,360 Speaker 1: take this. I saw those old elephant guns before Isaia 76 00:06:00,400 --> 00:06:04,000 Speaker 1: at the library. They're modified specifically for the more DAO. 77 00:06:04,480 --> 00:06:07,839 Speaker 1: They carry charge bookshot rounds that send an electric pulse. 78 00:06:08,880 --> 00:06:12,080 Speaker 1: It paralyzes them, but not for long. It's the best 79 00:06:12,080 --> 00:06:16,480 Speaker 1: defense we have. No thanks. You can't be out here defenseless, Cat. 80 00:06:18,040 --> 00:06:21,080 Speaker 1: I can't be here at all. I won't and neither 81 00:06:21,120 --> 00:06:24,159 Speaker 1: should you. You can't leave. They won't let you, not 82 00:06:24,240 --> 00:06:28,040 Speaker 1: until they have, Isaiah, I chose wrong machine. These people 83 00:06:28,600 --> 00:06:31,120 Speaker 1: they don't care who lives or dies, even if they 84 00:06:31,200 --> 00:06:34,400 Speaker 1: hide behind an oath that says otherwise. And maybe for 85 00:06:34,480 --> 00:06:36,599 Speaker 1: the first time in my life, I realize some things 86 00:06:36,600 --> 00:06:40,800 Speaker 1: are worth living with, something to consider before you. You 87 00:06:40,960 --> 00:06:45,040 Speaker 1: said it yourself. Cat, don't walk away. They will find you. 88 00:06:46,000 --> 00:06:49,400 Speaker 1: I will find you. I can take care of myself. Michelle. 89 00:06:50,400 --> 00:07:05,000 Speaker 1: See around, M hand me those leaves with you. Isaiah. Oh, 90 00:07:05,040 --> 00:07:10,080 Speaker 1: this is only gonna look nastier as it regenerates. Thanks, 91 00:07:10,720 --> 00:07:15,080 Speaker 1: you're healing fast. I didn't heal this quickly. Well, practice 92 00:07:15,160 --> 00:07:19,680 Speaker 1: makes perfect. How many times have you died? More than 93 00:07:19,720 --> 00:07:24,600 Speaker 1: I care to remember? M Who are you? How did 94 00:07:24,600 --> 00:07:26,960 Speaker 1: this happen to you? A lot like it happened to you. 95 00:07:27,000 --> 00:07:29,800 Speaker 1: I'd imagine I was hunting in these woods with my 96 00:07:29,880 --> 00:07:33,960 Speaker 1: dad a long time ago. We saw something in the woods. 97 00:07:34,880 --> 00:07:39,480 Speaker 1: The rest is history. I guess what's your name? Harlow? 98 00:07:40,280 --> 00:07:45,160 Speaker 1: Harlow Paine. M hmm. You said you've done this before. 99 00:07:45,840 --> 00:07:48,040 Speaker 1: How many of you are there? How many of you 100 00:07:48,040 --> 00:07:53,080 Speaker 1: have cured yourselves? Oh? Cowboy, I didn't say anything about 101 00:07:53,080 --> 00:07:58,000 Speaker 1: a cure. I said I could help. How many? Just 102 00:07:58,200 --> 00:08:02,000 Speaker 1: me there and others, and there will be more. But 103 00:08:02,440 --> 00:08:06,240 Speaker 1: right now I'm what you've got. You cran to me 104 00:08:06,520 --> 00:08:09,480 Speaker 1: like you had hope, like there was some real chance 105 00:08:09,520 --> 00:08:12,240 Speaker 1: of getting rid of this. You're a liar, hey, fighting 106 00:08:12,240 --> 00:08:14,840 Speaker 1: back the more day always isn't like dying. Okay, You 107 00:08:14,920 --> 00:08:18,280 Speaker 1: don't get better at it. Your instincts get stronger, your 108 00:08:18,320 --> 00:08:22,360 Speaker 1: sense is sharper, the hunger is more and more excruciating, 109 00:08:23,160 --> 00:08:28,040 Speaker 1: and those voices, all of their voices, are so damn out. 110 00:08:29,280 --> 00:08:31,480 Speaker 1: Your connection to all the rest of them will just 111 00:08:31,560 --> 00:08:36,520 Speaker 1: grow deeper. This is a curse. You'll be paying for 112 00:08:36,600 --> 00:08:39,400 Speaker 1: what you did for the rest of your life, and 113 00:08:39,559 --> 00:08:42,800 Speaker 1: believe me, it's gonna be a long one. That doesn't 114 00:08:42,840 --> 00:08:45,840 Speaker 1: mean you don't try to atone for it. You don't 115 00:08:45,880 --> 00:08:50,000 Speaker 1: have to give in inevitable, not every more day, oh 116 00:08:50,080 --> 00:08:53,800 Speaker 1: can be saved, but you you want to make things right, 117 00:08:54,400 --> 00:08:57,079 Speaker 1: and that's what makes you different from the rest of them. 118 00:08:57,280 --> 00:09:00,120 Speaker 1: You have a reason to fight it. To you, is 119 00:09:00,160 --> 00:09:02,599 Speaker 1: it for something other than death? You mean you're not 120 00:09:02,600 --> 00:09:05,640 Speaker 1: how to channel to pous Not really, I survive it, 121 00:09:05,880 --> 00:09:09,800 Speaker 1: but you you have a strong will. I've never seen 122 00:09:09,840 --> 00:09:12,360 Speaker 1: anyone fight the curse like you have. And if I 123 00:09:12,400 --> 00:09:15,640 Speaker 1: can teach you how to control it, to surpass even 124 00:09:15,640 --> 00:09:19,000 Speaker 1: my own abilities. You could change not just your fate, 125 00:09:19,040 --> 00:09:21,559 Speaker 1: but all of ours. What if I'm just some guy 126 00:09:21,559 --> 00:09:24,839 Speaker 1: who killed his brother, that I'm just some girl who 127 00:09:24,920 --> 00:09:31,960 Speaker 1: killed her dad? Do you smell that? I know that 128 00:09:32,080 --> 00:09:37,559 Speaker 1: scent blood? Not just any blood. I Saiah, you need 129 00:09:37,600 --> 00:09:43,240 Speaker 1: to go. They found them, the ward that's sent. It's Justlyn. 130 00:09:44,240 --> 00:09:47,680 Speaker 1: You need to go now. I don't understand. Why would 131 00:09:47,720 --> 00:09:51,200 Speaker 1: Joscelyn be a part of this because you are now? 132 00:09:51,280 --> 00:09:53,640 Speaker 1: Hurry if we can pick up the sin of her blood, 133 00:09:54,520 --> 00:10:11,160 Speaker 1: so with others. Yeah, Jocelyn, Jocelynn Hope. Please. She shouldn't 134 00:10:11,160 --> 00:10:13,600 Speaker 1: know we're out of here. If she knows, they know, 135 00:10:14,400 --> 00:10:16,800 Speaker 1: we need to keep the element of surprise on her side. 136 00:10:17,000 --> 00:10:19,559 Speaker 1: We should wait from back up that woman. She can 137 00:10:19,600 --> 00:10:22,600 Speaker 1: help us. I'm not waiting, and I'm sure as he'll 138 00:10:22,640 --> 00:10:31,360 Speaker 1: not leaving these woods without my daughter. What is that shaped? 139 00:10:31,720 --> 00:10:39,240 Speaker 1: Quick down in the water. Find those rocks, Dear God, 140 00:10:39,840 --> 00:10:44,880 Speaker 1: it's one of them. Stay quiet? What was she? There's 141 00:10:44,880 --> 00:10:59,040 Speaker 1: another one of bass? He should be dead. What do 142 00:10:59,080 --> 00:11:02,880 Speaker 1: you mean they should have sensed we were here? They're 143 00:11:02,960 --> 00:11:07,640 Speaker 1: hitted somewhere. I know where they're going. Cat What are 144 00:11:07,640 --> 00:11:09,520 Speaker 1: you doing here? I heard it Nesta as I was 145 00:11:09,559 --> 00:11:11,440 Speaker 1: headed back to the lodge to find you. How do 146 00:11:11,520 --> 00:11:15,719 Speaker 1: you know about the lodge? Listen, Ashley. I I made 147 00:11:15,760 --> 00:11:18,559 Speaker 1: a mistake. I thought it was the right thing. What 148 00:11:18,600 --> 00:11:21,120 Speaker 1: are you talking about? I followed that Nesta to the 149 00:11:21,120 --> 00:11:23,839 Speaker 1: lodge from town. I told them you were here. I'm 150 00:11:23,880 --> 00:11:30,120 Speaker 1: the reason they took her. Fucking Actually, don't. She's just 151 00:11:30,280 --> 00:11:33,199 Speaker 1: a child. That's enough. Actually she's breaking. Let her go. 152 00:11:35,400 --> 00:11:41,200 Speaker 1: I'm sorry fucking killed you. Yeah. I came to make 153 00:11:41,200 --> 00:11:45,240 Speaker 1: this right. How could you possibly make this rot? They're 154 00:11:45,360 --> 00:11:48,480 Speaker 1: using her as bait for Isaiah. They won't hurt her, 155 00:11:48,800 --> 00:11:51,880 Speaker 1: at least I don't think so. But if things go wrong, 156 00:11:52,640 --> 00:11:55,240 Speaker 1: I don't think they're gonna save her either. They're not 157 00:11:55,280 --> 00:11:58,840 Speaker 1: after me. Why would they be after you? It doesn't 158 00:11:58,840 --> 00:12:01,920 Speaker 1: make any sense. They take an oath to protect human life. 159 00:12:02,200 --> 00:12:04,960 Speaker 1: Putting her in danger goes against everything they believe in. 160 00:12:05,720 --> 00:12:08,320 Speaker 1: What they say they believe in. You said you knew 161 00:12:08,320 --> 00:12:10,560 Speaker 1: where the mare Dao are going. You can take us 162 00:12:10,600 --> 00:12:13,400 Speaker 1: to her. Like I said, I'm here to make this right. 163 00:12:15,320 --> 00:12:26,200 Speaker 1: Ship It's coming back, kids, blood fuck Me're we step 164 00:12:26,360 --> 00:12:39,880 Speaker 1: the hill out of the water now. Michale, Come on, 165 00:12:39,920 --> 00:12:46,199 Speaker 1: ear next to me, lean on me, Come here. We're good. Thanks. 166 00:12:46,920 --> 00:12:49,679 Speaker 1: I told you to take a gun. You're all right, 167 00:12:49,760 --> 00:12:55,280 Speaker 1: cap I think so? Yeah? I'm fine too, Thanks? What 168 00:12:55,360 --> 00:12:57,560 Speaker 1: did you do to it? The shots give out a 169 00:12:57,600 --> 00:13:00,280 Speaker 1: pulse to keep it subdued. But we gotta get out here. 170 00:13:00,640 --> 00:13:02,600 Speaker 1: It'll wear off, and we need as many rounds as 171 00:13:02,640 --> 00:13:05,559 Speaker 1: we can if we're gonna save Jocelyn. We there is 172 00:13:05,640 --> 00:13:08,840 Speaker 1: no weed between us. You can't face what's ahead alone. 173 00:13:09,080 --> 00:13:10,960 Speaker 1: You're going to cross the war to help save a 174 00:13:11,000 --> 00:13:14,240 Speaker 1: little girl that doesn't sound like you, Michelle. I guess 175 00:13:14,280 --> 00:13:17,120 Speaker 1: I realized some things aren't worth living with, all right. 176 00:13:17,200 --> 00:13:20,360 Speaker 1: For the record, she stole that from me. Look, even 177 00:13:20,400 --> 00:13:22,640 Speaker 1: with the four of us, we can't possibly take on 178 00:13:22,679 --> 00:13:25,400 Speaker 1: the book Dayo and the Ward. No, but we can 179 00:13:25,400 --> 00:13:27,720 Speaker 1: distract one with the other. If you draw the more 180 00:13:27,800 --> 00:13:30,559 Speaker 1: DAO out, the Ward will be forced to disperse to 181 00:13:30,640 --> 00:13:33,160 Speaker 1: keep them at bay. Then we can make our move. 182 00:13:33,679 --> 00:13:38,520 Speaker 1: And how do we draw them out? Blood? Now? Wait 183 00:13:38,640 --> 00:13:46,680 Speaker 1: just a minute, my plan, my blood. Now, let's go 184 00:13:46,760 --> 00:14:01,319 Speaker 1: get your daughter. Hey, you're wasting your energy, dear, Why 185 00:14:01,440 --> 00:14:05,200 Speaker 1: don't target Something's wrong? They're converging too fast. The rest 186 00:14:05,240 --> 00:14:07,640 Speaker 1: of you join the perimeter. There's not enough of us 187 00:14:07,960 --> 00:14:12,880 Speaker 1: I can handalyze. Theyah myself go, that's an order. You 188 00:14:13,040 --> 00:14:17,760 Speaker 1: follow me there too strong, You can't fight them all. 189 00:14:18,000 --> 00:14:21,360 Speaker 1: Not to worry pet only a little while longer. I 190 00:14:21,480 --> 00:14:25,920 Speaker 1: suspect that they are really worth all this risk. I 191 00:14:26,000 --> 00:14:28,640 Speaker 1: know what it seems like right now. You think I'm 192 00:14:28,680 --> 00:14:33,160 Speaker 1: the enemy, cruel and heartless, but you don't understand what 193 00:14:33,240 --> 00:14:38,680 Speaker 1: they are, what your uncle is. They're monsters, and like 194 00:14:38,840 --> 00:14:42,600 Speaker 1: all monsters, they can only ever bring death and pain 195 00:14:43,040 --> 00:14:51,720 Speaker 1: and loss, irrevocable loss. They killed someone he loved the 196 00:14:51,800 --> 00:14:55,440 Speaker 1: more Deo deserved to be destroyed, and I will make 197 00:14:55,480 --> 00:15:00,960 Speaker 1: sure that happens until my dying breath. You think I there, 198 00:15:02,040 --> 00:15:05,360 Speaker 1: good to see you, punctual for once. Mr Williams let 199 00:15:05,360 --> 00:15:09,400 Speaker 1: it go now said, get out of here. She wants 200 00:15:09,400 --> 00:15:13,040 Speaker 1: to kill you. He knows that by now, Dear, don't 201 00:15:13,080 --> 00:15:16,840 Speaker 1: you Izaiah? This whole time you knew You're not very 202 00:15:16,840 --> 00:15:20,880 Speaker 1: good at hiding things. Isaiah, you never have been. Like 203 00:15:20,920 --> 00:15:24,520 Speaker 1: I said from the start, You're honest, which is maybe 204 00:15:24,520 --> 00:15:27,640 Speaker 1: why you've been caught every time. You haven't played by 205 00:15:27,680 --> 00:15:30,800 Speaker 1: the rules. You have me. You don't need her any more. Release. 206 00:15:31,480 --> 00:15:36,240 Speaker 1: Unfortunately you won't live to see her out of those chains. 207 00:15:36,280 --> 00:15:40,240 Speaker 1: She goes. When you've shown me what you are, I can't. 208 00:15:40,360 --> 00:15:42,680 Speaker 1: I don't have that kind of control over it. Perhaps 209 00:15:42,760 --> 00:15:46,400 Speaker 1: you need a little coaxing. Then what are you doing? 210 00:15:46,840 --> 00:15:50,000 Speaker 1: I'm giving you a little inspiration. She's got nothing to 211 00:15:50,040 --> 00:15:56,360 Speaker 1: do with this. How cruel of me. Then each of 212 00:15:56,480 --> 00:16:01,440 Speaker 1: you has your Yours is an anger or even desperation, 213 00:16:01,560 --> 00:16:06,960 Speaker 1: like most of them yours, it's very specific shame. That's 214 00:16:06,960 --> 00:16:10,440 Speaker 1: what drives you, Isaiah. And you feel shame. You can't 215 00:16:10,600 --> 00:16:16,560 Speaker 1: save them, show you can't stop yourself from hurting them 216 00:16:16,560 --> 00:16:22,520 Speaker 1: over and over. Don't talk to shame. That maybe all 217 00:16:22,640 --> 00:16:28,080 Speaker 1: you were born to do with bring supper of course, 218 00:16:27,760 --> 00:16:31,880 Speaker 1: of course, show me that shame, Isaiah, and I will 219 00:16:32,000 --> 00:16:38,680 Speaker 1: free you from it just as it's more, and I'll 220 00:16:38,720 --> 00:16:44,160 Speaker 1: send you back at hell where you belong. You've really 221 00:16:44,200 --> 00:16:47,480 Speaker 1: stooped to a new level this time. Marjorie Harlow Payne 222 00:16:48,200 --> 00:16:50,760 Speaker 1: should have known you bubble up from that swamp you've 223 00:16:50,760 --> 00:16:55,960 Speaker 1: been hiding. And this we fight together now, kid to 224 00:16:56,120 --> 00:17:03,400 Speaker 1: change our fate. How sind a man and prophetic, Poor Harlow, 225 00:17:03,880 --> 00:17:07,040 Speaker 1: still trying to find yourself a little pupil to save you. 226 00:17:07,640 --> 00:17:12,360 Speaker 1: When will you ever learn? They'll all fail, just like 227 00:17:12,440 --> 00:17:16,879 Speaker 1: you've failed your teacher before you. This battle is bigger 228 00:17:16,880 --> 00:17:20,440 Speaker 1: than you or I, Marjorie. It's a shame you won't 229 00:17:20,480 --> 00:17:23,439 Speaker 1: live long enough to learn that lesson. You're threatening to 230 00:17:23,640 --> 00:17:28,720 Speaker 1: kill me. I thought you didn't take lives anymore. I don't, 231 00:17:29,720 --> 00:17:38,760 Speaker 1: but I can't speak for him. You didn't scream. They 232 00:17:38,840 --> 00:17:42,399 Speaker 1: always scream when they turn. Now you die knowing he 233 00:17:42,440 --> 00:18:01,640 Speaker 1: won't fail me, not this time. Goodbye, Marjorie. Okay, Well, 234 00:18:01,960 --> 00:18:14,840 Speaker 1: one step forward, three bloody steps back, I said, Jocelyn, No, 235 00:18:15,520 --> 00:18:19,560 Speaker 1: can you hear me in there? Jocelyn, you can hear me? 236 00:18:19,600 --> 00:18:27,760 Speaker 1: Can't you? You know who I am? Come back? I said, peace, 237 00:18:27,960 --> 00:18:58,399 Speaker 1: come back. I O my gotta please. How I'm getting 238 00:18:58,400 --> 00:19:05,720 Speaker 1: Michelle moll bradcasting Now? What got him on the ground? Mom? Mom? 239 00:19:06,080 --> 00:19:08,200 Speaker 1: I got your kids? Hit her out of there now, 240 00:19:08,480 --> 00:19:11,000 Speaker 1: I'm working on it. What about my mom should be 241 00:19:11,080 --> 00:19:15,000 Speaker 1: right behind us, got it, Let's go. But the woman 242 00:19:15,040 --> 00:19:18,720 Speaker 1: who helped us herlo she said, under those rocks, I 243 00:19:18,760 --> 00:19:24,280 Speaker 1: can only see one of you. Come on, all right, 244 00:19:24,840 --> 00:19:27,800 Speaker 1: they're clear. Hit him with everything you got, Michelle, my 245 00:19:28,000 --> 00:19:38,480 Speaker 1: fucking pleasure, I'm out actually to run. We have to 246 00:19:38,560 --> 00:19:43,000 Speaker 1: leave before wears off. What if I stay, he'll stay? 247 00:19:43,640 --> 00:19:46,399 Speaker 1: Go now while he still can. We're not leaving you, 248 00:19:46,760 --> 00:19:51,199 Speaker 1: jocolin shot. She won't forgive you for this. Maybe not, 249 00:19:51,440 --> 00:19:53,840 Speaker 1: but he'll live long enough to understand why I did it. 250 00:19:54,160 --> 00:19:58,359 Speaker 1: I promised to tell her. I love her every day. Ernest, 251 00:19:58,760 --> 00:20:05,680 Speaker 1: come on, m if you can hear me in there, 252 00:20:07,320 --> 00:20:15,359 Speaker 1: don't let her down. I think, don't you dare Hey, 253 00:20:16,080 --> 00:20:19,840 Speaker 1: as you get out of here, I've got I say 254 00:20:20,320 --> 00:20:33,280 Speaker 1: it's time he plays with someone his own size? How 255 00:20:38,080 --> 00:20:51,280 Speaker 1: good are mine? They're retreating, Sister Williams, thank you, brother 256 00:20:52,080 --> 00:21:01,600 Speaker 1: m hm, Mother Marshall. She's dead. We we didn't make 257 00:21:01,640 --> 00:21:09,280 Speaker 1: it in time. You this is all your fault. You 258 00:21:09,320 --> 00:21:12,479 Speaker 1: don't understand she was dead when we got here. I 259 00:21:12,520 --> 00:21:14,760 Speaker 1: swear I just wanted to save my daughter. You have 260 00:21:15,080 --> 00:21:20,560 Speaker 1: broken your road, sister. Now you must face the consequences here. 261 00:21:32,680 --> 00:21:36,880 Speaker 1: Who Why are we stopped? I think we're in the clear. 262 00:21:37,440 --> 00:21:40,520 Speaker 1: At least Joscelyn and the cat got away. I think 263 00:21:40,520 --> 00:21:43,400 Speaker 1: they're safe. They should have reached the main road by now. 264 00:21:44,480 --> 00:21:46,960 Speaker 1: I shouldn't have shouldn't have left actually behind she made 265 00:21:47,000 --> 00:21:48,879 Speaker 1: up her man I should have been the one to 266 00:21:48,920 --> 00:21:56,680 Speaker 1: stay behind the Facebook Son. There's no turning back. I'm sorry, Michelle. 267 00:21:56,680 --> 00:22:01,680 Speaker 1: You were right about game, and I said, m maybe 268 00:22:01,720 --> 00:22:07,639 Speaker 1: not completely. That's not your fault. You were doing what 269 00:22:07,800 --> 00:22:12,280 Speaker 1: you thought was right. Today I saw what I've always 270 00:22:12,280 --> 00:22:15,680 Speaker 1: seen in you, someone willing to do whatever it takes. 271 00:22:17,440 --> 00:22:24,080 Speaker 1: I'm sorry I doted you. I guess I had one 272 00:22:24,160 --> 00:22:34,320 Speaker 1: round left. I'm sorry, cap I am, but you said 273 00:22:34,320 --> 00:22:42,040 Speaker 1: it yourself. I'm willing to do whatever it takes. Mm hmmm. 274 00:22:44,240 --> 00:22:54,800 Speaker 1: Y Our choices to find the past of our lives, 275 00:22:56,119 --> 00:23:01,320 Speaker 1: some lead us towards the light, others into darkness, a 276 00:23:01,480 --> 00:23:05,920 Speaker 1: darkness we must all now fight. We are at war 277 00:23:07,400 --> 00:23:32,560 Speaker 1: in our battles, They've only just begun. H m hm. 278 00:23:40,320 --> 00:23:47,159 Speaker 1: I Heart Radio. Blomhouse Television Encrypt TV in association with 279 00:23:47,280 --> 00:23:52,840 Speaker 1: Wolf at the Door present more Dale Executive produced by 280 00:23:52,920 --> 00:23:59,119 Speaker 1: Jack Davis, Kate Krantz, Darren Brenda, Jason Bloom, Chris Dickey, 281 00:23:59,760 --> 00:24:06,160 Speaker 1: Not Frederick and Alex Williams. Written by Caitlin Crab, directed 282 00:24:06,200 --> 00:24:13,320 Speaker 1: by Alex Kemp. Produced by Toby Lawless, Winnie Kemp, Daniel Parsons, 283 00:24:14,359 --> 00:24:21,960 Speaker 1: Co Producers, ben So Tech, Anthony Magnolo associate producer Federico Torrado. 284 00:24:23,200 --> 00:24:29,960 Speaker 1: Starring j L. Fons Nicholson as Isaiah, Ashley Platts as Ashley, 285 00:24:30,240 --> 00:24:38,160 Speaker 1: Olivia Lott as Jocelyn, Yvonne Angulo as Michelle, with performances 286 00:24:38,200 --> 00:24:47,159 Speaker 1: by Tacy Adams, Ariella amar Jamie, Joseph kim Estes, Patty Wilkins, 287 00:24:47,960 --> 00:24:53,679 Speaker 1: James Brewster. Sound designed by Dean Hovey. Original score by 288 00:24:53,760 --> 00:24:59,800 Speaker 1: Christopher Kemp, Mixing by Mark Scarce, Edited by Fernando di 289 00:25:00,080 --> 00:25:05,840 Speaker 1: Us Assistant engineer Noah's Sour. Recorded at Wolf at the 290 00:25:05,880 --> 00:25:14,000 Speaker 1: Door Studios. Casting consultant Michelle LeWitt, Production assistants Haley mckeckney 291 00:25:14,040 --> 00:25:21,400 Speaker 1: and Sophia gilbertele studio teacher Pearl Hika. Writing assistant Bill Hanson. 292 00:25:22,960 --> 00:25:27,639 Speaker 1: This podcast was recorded under a SAG after collective bargaining agreement. 293 00:25:28,960 --> 00:25:33,080 Speaker 1: Mordeo is a production of I Heart Radio Blumhouse Television 294 00:25:33,480 --> 00:25:38,200 Speaker 1: Crypt TV. For more podcasts from I Heart Radio, visit 295 00:25:38,280 --> 00:25:42,879 Speaker 1: the I Heart Radio app, Apple Podcasts, or wherever you 296 00:25:42,960 --> 00:25:44,479 Speaker 1: listen to your favorite shows.