1 00:00:01,160 --> 00:00:04,720 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning show. 2 00:00:05,080 --> 00:00:08,960 Speaker 2: We were talking earlier about how we are so insulting 3 00:00:09,320 --> 00:00:13,480 Speaker 2: when we impersonate each other. Right, a little while ago, 4 00:00:13,560 --> 00:00:18,320 Speaker 2: Danielle dropped her her meat sauce on the table and oh, 5 00:00:18,760 --> 00:00:21,680 Speaker 2: she got drop my meat sauce. And then well, that's 6 00:00:21,720 --> 00:00:25,680 Speaker 2: not what she sounds like, Nate. Nate said, my joy, 7 00:00:26,040 --> 00:00:28,400 Speaker 2: my meat sauce, don't encounter I need it and wipe 8 00:00:28,440 --> 00:00:28,800 Speaker 2: it up. 9 00:00:29,120 --> 00:00:29,600 Speaker 3: I noticed. 10 00:00:31,040 --> 00:00:36,280 Speaker 2: That's that's that's how he thinks you sound. And it 11 00:00:36,320 --> 00:00:39,600 Speaker 2: sounds like Johnny. He does. He does my uncle Johnny's 12 00:00:39,600 --> 00:00:42,560 Speaker 2: a little deeper. Well, then Nate, Nate is like this, hey, Nate, 13 00:00:42,680 --> 00:00:49,320 Speaker 2: why you're so upset? Why are you so anxious? Like 14 00:00:51,200 --> 00:00:53,199 Speaker 2: we have don't we have sound of him sounding like that? 15 00:00:53,280 --> 00:00:58,120 Speaker 2: Gar Yeah, fine, we'll play it for you. I sound 16 00:00:58,280 --> 00:01:03,760 Speaker 2: just like Danielle. You no, you don't. You just sounded 17 00:01:03,800 --> 00:01:06,640 Speaker 2: like me. It does sound like No, Danielle talks like this, 18 00:01:07,160 --> 00:01:10,640 Speaker 2: what are you doing? You're so stupid that that doesn't 19 00:01:10,640 --> 00:01:14,000 Speaker 2: sound like me either. None of them sound like your jacket. 20 00:01:14,000 --> 00:01:16,560 Speaker 2: It's like when you go to the It's like when 21 00:01:16,600 --> 00:01:18,200 Speaker 2: you go to the park and there's a guy drawing 22 00:01:18,240 --> 00:01:22,720 Speaker 2: caricatures of people. These are caricatures of your fact. Gandhi, 23 00:01:22,800 --> 00:01:24,880 Speaker 2: do her Danielle? Do Danielle? 24 00:01:25,959 --> 00:01:29,240 Speaker 3: I I'm trying to think. I mean Danielle when she 25 00:01:29,240 --> 00:01:30,920 Speaker 3: gets mad, she just starts cursing a lot, and I 26 00:01:30,920 --> 00:01:31,920 Speaker 3: can't really do that. 27 00:01:31,880 --> 00:01:39,920 Speaker 2: That's that's true about Gandhi. Gandhi is does this thing. 28 00:01:41,600 --> 00:01:42,280 Speaker 2: I can make it to that. 29 00:01:44,120 --> 00:01:47,520 Speaker 3: I think that's more me impersonating everybody else. But I'm down. 30 00:01:48,520 --> 00:01:49,760 Speaker 1: That doesn't not anything like. 31 00:01:50,360 --> 00:01:53,120 Speaker 2: Okay, Okay, you know what, then Challengeoh, we need to 32 00:01:53,160 --> 00:01:54,120 Speaker 2: brush up on our Gandhi. 33 00:01:54,360 --> 00:01:56,480 Speaker 3: Do you know who's really good? I mean, Andrew's great 34 00:01:56,520 --> 00:01:58,160 Speaker 3: at doing impressions? 35 00:02:00,280 --> 00:02:06,320 Speaker 2: Hold on, ogay, okay, here's Dandium. Okay, yeah, Andrew does 36 00:02:06,400 --> 00:02:08,840 Speaker 2: Scotty be that's pretty good. Okay, so you do a 37 00:02:08,880 --> 00:02:12,400 Speaker 2: good job impersonating everyone on the show. Okay, is that 38 00:02:12,480 --> 00:02:17,360 Speaker 2: his mic? Okay? Who's is this? Scotty? Scotty? So Scotty 39 00:02:17,720 --> 00:02:20,440 Speaker 2: he's Andrew says he can do a great you. He 40 00:02:20,520 --> 00:02:25,080 Speaker 2: does a great me. Okay, Okay, do Scotty well? Okay, 41 00:02:25,120 --> 00:02:26,440 Speaker 2: so it has to be in context. It has to 42 00:02:26,480 --> 00:02:28,960 Speaker 2: be like him kissing my ass or something. Yeah. Absolutely, 43 00:02:29,560 --> 00:02:32,560 Speaker 2: so Scott. He will go, hey, do you want a banana? 44 00:02:32,600 --> 00:02:34,920 Speaker 2: I got a fresh banana, Elvis. You know you're like 45 00:02:35,000 --> 00:02:37,720 Speaker 2: teacher's pet, like giving me true. So how does he sound? 46 00:02:40,440 --> 00:02:43,680 Speaker 4: I have a long banana, freaky, especially you want me 47 00:02:43,720 --> 00:02:44,760 Speaker 4: to eat it on camera? 48 00:02:45,240 --> 00:02:48,120 Speaker 2: See it sounds nothing like him, but it's the attitude. 49 00:02:48,440 --> 00:02:50,640 Speaker 2: Do you know that one time I asked Andrew. I 50 00:02:50,639 --> 00:02:53,760 Speaker 2: asked Andrew to do Josh and Josh got so mad 51 00:02:53,760 --> 00:02:55,240 Speaker 2: at me that I asked Andrew do that. He didn't 52 00:02:55,240 --> 00:02:56,160 Speaker 2: speak to me for two years? 53 00:02:56,240 --> 00:02:56,480 Speaker 3: What? 54 00:02:56,840 --> 00:03:01,080 Speaker 2: Yeah? Two years? Remember that long? Josh? Impersonating Josh is 55 00:03:01,120 --> 00:03:02,639 Speaker 2: easy because Josh is very mellow. 56 00:03:04,880 --> 00:03:08,000 Speaker 3: Everyone Josh is the same because it's Josh Josh. 57 00:03:08,040 --> 00:03:10,400 Speaker 2: I always feel so relaxed with Josh because his his 58 00:03:10,520 --> 00:03:12,440 Speaker 2: voice is very very it's very. 59 00:03:12,320 --> 00:03:14,079 Speaker 4: Very Definitely have you read an audiobook? 60 00:03:14,080 --> 00:03:18,519 Speaker 2: I listen, I'm not. He's like a SMR to me. 61 00:03:19,160 --> 00:03:22,880 Speaker 2: Think I can't come in Josh okay okay. 62 00:03:22,680 --> 00:03:25,120 Speaker 3: Screams and sloth. I don't know how he does it. 63 00:03:25,160 --> 00:03:26,800 Speaker 3: But when you startle him, all you hear is. 64 00:03:27,160 --> 00:03:30,720 Speaker 2: He does he slows down. He slows slows down his words. 65 00:03:31,600 --> 00:03:38,360 Speaker 2: I don't understand. I love Josh so yeah, but it's 66 00:03:38,360 --> 00:03:41,080 Speaker 2: so if you break it down, the sounds we're making 67 00:03:41,200 --> 00:03:45,120 Speaker 2: while impersonating our best friends and family are just downright insulting. 68 00:03:45,320 --> 00:03:45,960 Speaker 1: They really are. 69 00:03:46,080 --> 00:03:51,680 Speaker 2: I just don't I just thought something like Curly from 70 00:03:51,680 --> 00:03:54,800 Speaker 2: the Three Serges. I just thought of something. 71 00:03:56,880 --> 00:04:01,120 Speaker 1: You know, we all impersonate Scary when he recording a commercial. 72 00:04:01,360 --> 00:04:03,280 Speaker 1: But I wish you could see the visual because you 73 00:04:03,360 --> 00:04:06,680 Speaker 1: stand up and you push your pelvis forward and then 74 00:04:06,680 --> 00:04:08,440 Speaker 1: you go and dun the. 75 00:04:10,840 --> 00:04:12,520 Speaker 2: Do you do a video of that? You need to 76 00:04:12,520 --> 00:04:14,600 Speaker 2: showcase because it is funny. 77 00:04:14,960 --> 00:04:17,599 Speaker 3: I actually recorded him doing it the other day because 78 00:04:17,600 --> 00:04:20,440 Speaker 3: he was going ham on that microphone. It looks like 79 00:04:20,480 --> 00:04:23,560 Speaker 3: he was conducting an orchestra. I actually told Scotti stop 80 00:04:23,600 --> 00:04:25,040 Speaker 3: speaking to me for a second so I can record that. 81 00:04:26,480 --> 00:04:33,159 Speaker 2: Okay, here's here's here's Nate hold On. It's bad. That 82 00:04:33,240 --> 00:04:35,600 Speaker 2: was him talking. He gets in this high registers and 83 00:04:35,680 --> 00:04:43,520 Speaker 2: the like Popeye, I get exasperated to movie. That's a 84 00:04:43,520 --> 00:04:46,719 Speaker 2: bad example. But anyway, that's how we make fun of 85 00:04:46,760 --> 00:04:49,599 Speaker 2: each other. We do. We actually don't have an illness. 86 00:04:49,960 --> 00:04:52,080 Speaker 2: I don't have an I don't have an elvis. Does 87 00:04:52,080 --> 00:04:53,080 Speaker 2: anybody have an elvis? 88 00:04:53,120 --> 00:04:53,160 Speaker 4: No? 89 00:04:54,000 --> 00:05:00,719 Speaker 2: Don't you want to keep working, not o'kame on working? 90 00:05:01,640 --> 00:05:05,360 Speaker 4: Don't we just do a Miranda Priestley to each other? 91 00:05:05,440 --> 00:05:09,640 Speaker 2: Want something that's please move at a glacial pace? Yes, 92 00:05:09,760 --> 00:05:16,280 Speaker 2: you know how? You know how that send us a 93 00:05:16,279 --> 00:05:18,520 Speaker 2: talk back of your This is great, okay, go to 94 00:05:18,800 --> 00:05:22,960 Speaker 2: uh follow us on and it was the you'll see 95 00:05:23,000 --> 00:05:26,680 Speaker 2: the talkback option where though the on demand page for 96 00:05:26,839 --> 00:05:29,279 Speaker 2: the Elvis Durant on demand go look for that in 97 00:05:29,320 --> 00:05:31,600 Speaker 2: your iHeartRadio apporfere you get your podcasts and you'll see 98 00:05:31,640 --> 00:05:33,440 Speaker 2: a little microphone. You tap the microphone and leave us 99 00:05:33,440 --> 00:05:35,280 Speaker 2: to talk about and do your impersonations of us. Yes, 100 00:05:36,600 --> 00:05:38,840 Speaker 2: I promise we will not get as hurt. 101 00:05:41,680 --> 00:05:44,040 Speaker 4: No, it's usually just a Miranda Priestley, like if you 102 00:05:44,040 --> 00:05:46,680 Speaker 4: want some move at a glacial pace, you know how. 103 00:05:46,600 --> 00:05:53,600 Speaker 2: The yeah, the color you call blue. I could watch 104 00:05:53,640 --> 00:05:56,800 Speaker 2: that film over and over and I have same so 105 00:05:56,880 --> 00:05:59,120 Speaker 2: much same, Uh what you want to do? 106 00:05:59,160 --> 00:06:02,200 Speaker 5: Those impressions this time tomorrow will take time to collate and. 107 00:06:02,440 --> 00:06:08,280 Speaker 2: We're gonna okay, okay, sound like Papa. I don't sound 108 00:06:08,320 --> 00:06:11,279 Speaker 2: like that. Okay, you do use falsetto a lot. 109 00:06:12,120 --> 00:06:14,599 Speaker 5: That's when I get exasperated, is when I go into 110 00:06:14,600 --> 00:06:16,000 Speaker 5: the No, that's. 111 00:06:15,839 --> 00:06:19,000 Speaker 2: It's a different one. Your your false head, but your 112 00:06:19,000 --> 00:06:22,800 Speaker 2: other ones you go to this weird. I don't do that. 113 00:06:22,960 --> 00:06:25,160 Speaker 2: I'm not pee wee herman. I wish we had another. 114 00:06:25,200 --> 00:06:26,120 Speaker 4: Sometimes we have more. 115 00:06:26,200 --> 00:06:26,360 Speaker 2: Nate. 116 00:06:27,160 --> 00:06:29,200 Speaker 3: Andrew does a pretty He did a pretty good impression 117 00:06:29,200 --> 00:06:29,760 Speaker 3: of me once. 118 00:06:30,400 --> 00:06:32,120 Speaker 2: Can you do? Gandhi? Where are you what? 119 00:06:32,960 --> 00:06:35,400 Speaker 3: He was on his knees, wearing my hair, walking around, 120 00:06:35,480 --> 00:06:36,680 Speaker 3: knocking things off of desks. 121 00:06:36,720 --> 00:06:39,320 Speaker 2: It was kind of fun, which is what you do, 122 00:06:39,480 --> 00:06:40,840 Speaker 2: not on your knees, but at the same height. 123 00:06:42,279 --> 00:06:45,480 Speaker 4: No, it's easy to impersonate her, pite wise, voice wise, 124 00:06:45,520 --> 00:06:45,880 Speaker 4: it's more. 125 00:06:46,040 --> 00:06:48,800 Speaker 2: I can't do that one. It's is going on your 126 00:06:48,880 --> 00:06:51,520 Speaker 2: knees an impersonation. Yeah, I mean she's short enough, and 127 00:06:51,520 --> 00:06:53,479 Speaker 2: then you just wear a wig. You just knock things over. 128 00:06:53,839 --> 00:06:55,680 Speaker 2: I take the long hair. The impersonation is more of 129 00:06:55,720 --> 00:06:58,480 Speaker 2: a voice thing. Is that impression? Impression? 130 00:06:58,560 --> 00:07:02,800 Speaker 4: So maybe I was just in drag is gone and 131 00:07:02,839 --> 00:07:03,360 Speaker 4: it was great. 132 00:07:05,200 --> 00:07:08,679 Speaker 5: Andrew also does a good angry Scottie. He's got both 133 00:07:08,720 --> 00:07:13,040 Speaker 5: sides of the Scotti spectrum. Oh my kids, you don't 134 00:07:13,080 --> 00:07:14,040 Speaker 5: know that struggle. 135 00:07:14,480 --> 00:07:17,480 Speaker 4: I'm a father first, I gotta get home at ten thirty, 136 00:07:17,960 --> 00:07:19,760 Speaker 4: my kids, I need to get home. 137 00:07:20,760 --> 00:07:23,120 Speaker 2: You're from like you're selling you're from the South and 138 00:07:23,240 --> 00:07:26,720 Speaker 2: the civilist. You say, yeah, you're selling an evangelist. Or 139 00:07:26,760 --> 00:07:28,800 Speaker 2: you're in the South from the Civil War. You don't 140 00:07:28,840 --> 00:07:36,080 Speaker 2: know the you don't know the struggle. My daughter's going 141 00:07:36,120 --> 00:07:37,680 Speaker 2: to college, but I need to be home to get 142 00:07:37,680 --> 00:07:42,480 Speaker 2: her off the bus. Scotti, is that what you're selling? 143 00:07:44,320 --> 00:07:46,560 Speaker 2: Oh he has no mic alright's okay. 144 00:07:46,400 --> 00:07:48,680 Speaker 4: Here's But on the other side of that, you could 145 00:07:48,680 --> 00:07:49,080 Speaker 4: do both. 146 00:07:49,120 --> 00:07:51,200 Speaker 2: You could do I. You need to get home right now. 147 00:07:51,360 --> 00:07:56,640 Speaker 1: Unless heavies you take me onto mer. 148 00:07:56,720 --> 00:07:59,800 Speaker 2: Here's more than me. Okay. Nate will talk like does 149 00:08:00,760 --> 00:08:02,920 Speaker 2: in a falsetto, But this is the different name. This 150 00:08:02,960 --> 00:08:10,440 Speaker 2: is the flustered Nate. He doesn't sounds like intergal from 151 00:08:10,440 --> 00:08:16,520 Speaker 2: the device is so, I guess we go on and 152 00:08:16,560 --> 00:08:17,960 Speaker 2: on and we'll stop going on and on about this. 153 00:08:18,040 --> 00:08:20,520 Speaker 2: But you and your friends, if you get together in groups, 154 00:08:22,200 --> 00:08:26,280 Speaker 2: have this discussion. What do I sound like when I'm 155 00:08:26,400 --> 00:08:29,680 Speaker 2: at my worst, or if I'm excited or flustered and 156 00:08:29,800 --> 00:08:31,200 Speaker 2: they have your voice down