1 00:00:03,040 --> 00:00:06,600 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio. 2 00:00:10,520 --> 00:00:13,119 Speaker 2: Hey you welcome to Stuff to Blow your Mind Listener Mail. 3 00:00:13,200 --> 00:00:14,600 Speaker 2: My name is Robert Lamb. 4 00:00:14,680 --> 00:00:17,520 Speaker 3: And I am Joe McCormick. And it's Monday, the day 5 00:00:17,560 --> 00:00:19,959 Speaker 3: of each week that we read back messages from the 6 00:00:20,040 --> 00:00:23,280 Speaker 3: Stuff to Blow Your Mind email address. If you've never 7 00:00:23,320 --> 00:00:25,680 Speaker 3: gotten in touch with the show before and you'd like 8 00:00:25,760 --> 00:00:27,800 Speaker 3: to give it a try, this is the week try 9 00:00:27,800 --> 00:00:31,320 Speaker 3: it out. You can email us at contact at stuff 10 00:00:31,360 --> 00:00:34,640 Speaker 3: to Blow your Mind dot com. We appreciate all kinds 11 00:00:34,640 --> 00:00:37,879 Speaker 3: of messages. Of course, we always like feedback to recent episodes, 12 00:00:37,960 --> 00:00:40,320 Speaker 3: especially if you have something interesting to add to a 13 00:00:40,360 --> 00:00:43,480 Speaker 3: topic we've talked about. Let's see Rob If you don't mind, 14 00:00:43,479 --> 00:00:46,080 Speaker 3: I'm going to kick things off with this message from Jeff. 15 00:00:46,360 --> 00:00:48,120 Speaker 2: Let's do it, Jeff. 16 00:00:48,360 --> 00:00:50,519 Speaker 3: This is a response to last week's listener mail, in 17 00:00:50,560 --> 00:00:54,000 Speaker 3: which we also featured a message by Jeff. Last time, 18 00:00:54,080 --> 00:00:56,600 Speaker 3: Jeff wrote in with a second hand story or maybe 19 00:00:56,600 --> 00:00:59,720 Speaker 3: a third hand story about a scuba diver suffering a 20 00:00:59,720 --> 00:01:04,399 Speaker 3: gro tesk fish bite after harassing some wildlife. And he 21 00:01:04,520 --> 00:01:08,480 Speaker 3: included a note in that message about scuba divers laughing. 22 00:01:08,560 --> 00:01:10,800 Speaker 3: And I was wondering how can you tell if people 23 00:01:10,800 --> 00:01:13,120 Speaker 3: are laughing and they're like in the scuba gear and 24 00:01:13,160 --> 00:01:21,080 Speaker 3: all that. But Jeff has an answer. He says, I 25 00:01:21,200 --> 00:01:23,760 Speaker 3: wanted to answer Joe's question about how you can tell 26 00:01:23,800 --> 00:01:27,000 Speaker 3: someone is laughing when they're scuba diving. A group of 27 00:01:27,080 --> 00:01:29,480 Speaker 3: us went on a night dive, and as we got 28 00:01:29,480 --> 00:01:32,760 Speaker 3: settled on the sandy bottom, waiting for the entire group 29 00:01:32,800 --> 00:01:35,360 Speaker 3: to make their way down the buoy line, we noticed 30 00:01:35,400 --> 00:01:39,200 Speaker 3: a loggerhead turtle sleeping on the ocean floor. Of course, 31 00:01:39,280 --> 00:01:42,480 Speaker 3: everyone did exactly what you are not supposed to do 32 00:01:42,880 --> 00:01:46,560 Speaker 3: and surrounded it, shining our dive lights directly at it. 33 00:01:46,720 --> 00:01:50,480 Speaker 3: Oh no, This quite predictably freaked out the turtle, who 34 00:01:50,600 --> 00:01:53,680 Speaker 3: charged straight ahead and didn't quite clear my father as 35 00:01:53,720 --> 00:01:57,400 Speaker 3: it ascended, bonking him in the forehead with its beak. 36 00:02:00,320 --> 00:02:03,520 Speaker 3: This caused my father's dive buddy to laugh quite audibly 37 00:02:03,560 --> 00:02:06,640 Speaker 3: for some time. Dad was fine. He had a red 38 00:02:06,680 --> 00:02:08,960 Speaker 3: mark on his forehead when he came up, but no 39 00:02:09,040 --> 00:02:12,320 Speaker 3: permanent damage. He later remarked that he was thinking, Wow, 40 00:02:12,400 --> 00:02:14,760 Speaker 3: this is just like one of those three D movies. 41 00:02:15,680 --> 00:02:16,240 Speaker 2: That's great. 42 00:02:16,720 --> 00:02:18,799 Speaker 3: I don't know if we've ever had a turtle coming 43 00:02:18,880 --> 00:02:20,839 Speaker 3: at the screen. In one of those, we've had ping 44 00:02:20,919 --> 00:02:24,280 Speaker 3: pong balls or not ping pong balls? What's the wax 45 00:02:24,360 --> 00:02:27,880 Speaker 3: Museum movie? What is Oh, it's the paddleballs the three D. 46 00:02:28,840 --> 00:02:31,359 Speaker 3: You know, people holding out coffee cups at the at 47 00:02:31,400 --> 00:02:33,600 Speaker 3: the screen. But I don't know if I've seen a 48 00:02:33,639 --> 00:02:37,440 Speaker 3: turtle anyway, Jeff says his buddy retold the story for years, 49 00:02:37,480 --> 00:02:40,560 Speaker 3: always making sure to mimic the look on my father's face. 50 00:02:40,919 --> 00:02:43,720 Speaker 3: Sometimes i'd hear other divers ask, is that the guy 51 00:02:43,760 --> 00:02:47,440 Speaker 3: who got attacked by the turtle? Night dives, by the way, 52 00:02:47,520 --> 00:02:50,680 Speaker 3: are much cooler than you might expect. Many creatures who 53 00:02:50,720 --> 00:02:53,399 Speaker 3: were hiding during the day are on the move at night. 54 00:02:53,880 --> 00:02:56,400 Speaker 3: And while it's true that your world becomes limited to 55 00:02:56,520 --> 00:03:00,760 Speaker 3: the dive light beam without significant visibility, you really focus 56 00:03:00,760 --> 00:03:03,360 Speaker 3: on the details of what's in front of you. Since 57 00:03:03,360 --> 00:03:06,000 Speaker 3: you're bringing your own light source, you can actually see 58 00:03:06,040 --> 00:03:09,160 Speaker 3: the true colors of the organisms on the reef when 59 00:03:09,160 --> 00:03:12,800 Speaker 3: you're relying on sunlight during the day. As you go deeper, 60 00:03:13,000 --> 00:03:16,160 Speaker 3: all of the warm colors on the spectrum are filtered 61 00:03:16,160 --> 00:03:19,280 Speaker 3: out by the water above, leaving everything blue and gray. 62 00:03:19,800 --> 00:03:22,440 Speaker 3: If any of your gear has a rainbow design, on it. 63 00:03:22,680 --> 00:03:26,639 Speaker 3: You can watch the roy of ROYGBIV lose his colors 64 00:03:26,720 --> 00:03:29,640 Speaker 3: one at a time as you descend. Oh that's interesting. 65 00:03:30,240 --> 00:03:33,079 Speaker 3: At night, if conditions are right and everyone turns off 66 00:03:33,080 --> 00:03:35,760 Speaker 3: their lights, you can wave your arm and agitate the 67 00:03:35,840 --> 00:03:40,040 Speaker 3: bioluminescent plankton. A trail of light will follow your arm 68 00:03:40,160 --> 00:03:43,640 Speaker 3: like a trippy acid rock video. Anyway, getting back to 69 00:03:43,680 --> 00:03:46,400 Speaker 3: your original point, yes, you very much can hear a 70 00:03:46,440 --> 00:03:50,400 Speaker 3: scuba diver laughing underwater. The sound travels a short distance, 71 00:03:50,440 --> 00:03:53,360 Speaker 3: and there's no issue with the dive apparatus if you 72 00:03:53,440 --> 00:03:56,000 Speaker 3: want to laugh or yell or cough or pretty much 73 00:03:56,000 --> 00:03:59,280 Speaker 3: anything else. In fact, the dive instructor explained to us 74 00:03:59,360 --> 00:04:02,480 Speaker 3: that regulators are so safe that you can vomit into 75 00:04:02,560 --> 00:04:07,320 Speaker 3: them without compromising their effectiveness or endangering your breathing. This 76 00:04:07,360 --> 00:04:10,240 Speaker 3: opened up a lot of questions and wasn't as reassuring 77 00:04:10,280 --> 00:04:13,320 Speaker 3: as it was meant to be. Oh, Jeff, yeah, that 78 00:04:13,840 --> 00:04:16,120 Speaker 3: I mean it sounds reassuring. I would not be tempted 79 00:04:16,160 --> 00:04:19,720 Speaker 3: to try it out. Jeff finishes by saying, thanks again 80 00:04:19,839 --> 00:04:22,800 Speaker 3: for triggering lateral thinking and shaking up our neurons on 81 00:04:22,839 --> 00:04:23,800 Speaker 3: a regular basis. 82 00:04:23,920 --> 00:04:27,080 Speaker 2: Jeff, Oh, yeah, yeah, thanks for writing in about all that, 83 00:04:28,000 --> 00:04:31,080 Speaker 2: you know, I've done my share of snorkeling, but I've 84 00:04:31,200 --> 00:04:34,480 Speaker 2: never done any night snorkeling, despite being some places where 85 00:04:34,480 --> 00:04:37,320 Speaker 2: there was that opportunity, or been places where there was 86 00:04:37,360 --> 00:04:39,200 Speaker 2: some sort of like an excursion one could go on. 87 00:04:40,000 --> 00:04:42,440 Speaker 2: I don't know. I like doing it in the sunlight. 88 00:04:42,480 --> 00:04:46,000 Speaker 2: I like a nice, strong, strong bit of sunlight coming through, 89 00:04:46,040 --> 00:04:48,120 Speaker 2: and I like doing it in the shallow waters. That's 90 00:04:48,839 --> 00:04:51,400 Speaker 2: just where I am as an ocean going human at 91 00:04:51,400 --> 00:04:52,200 Speaker 2: this point in my life. 92 00:04:52,760 --> 00:04:56,039 Speaker 3: Isn't there a specific phobia that's like not just water, 93 00:04:56,120 --> 00:04:58,720 Speaker 3: but dark water, like water you can't see through. 94 00:04:59,000 --> 00:05:02,000 Speaker 2: I don't know what that's mean. So yeah, I mean, 95 00:05:02,040 --> 00:05:05,720 Speaker 2: I'm not a big fan of dark water, but I wouldn't. 96 00:05:05,760 --> 00:05:08,480 Speaker 2: I'm necessarily afraid of it a number of reasons. I 97 00:05:08,520 --> 00:05:11,520 Speaker 2: haven't gotten into the scuba thing, I guess, but anytime 98 00:05:11,520 --> 00:05:14,000 Speaker 2: I go snorkeling, there are almost always scuba people around, 99 00:05:14,080 --> 00:05:16,680 Speaker 2: and I hear fantastic accounts of what they're up to. 100 00:05:16,800 --> 00:05:21,400 Speaker 2: It sounds great. I don't know. There's a lot more, 101 00:05:21,440 --> 00:05:24,320 Speaker 2: obviously to scuba diving compared to snorkeling. Snorkeling is a 102 00:05:24,320 --> 00:05:27,880 Speaker 2: lot more casual in many respects, and I respect anybody 103 00:05:27,920 --> 00:05:30,400 Speaker 2: who can, you know, get in there and really master 104 00:05:30,600 --> 00:05:34,160 Speaker 2: the whole scuba diving system. It sounds like they get 105 00:05:34,160 --> 00:05:36,839 Speaker 2: to see some really cool sights, all right. This next 106 00:05:36,839 --> 00:05:46,320 Speaker 2: one comes to us from Jay. Jay writes Sin and says, Hello, 107 00:05:46,480 --> 00:05:48,720 Speaker 2: Robert and Joe. I want to start by saying I've 108 00:05:48,720 --> 00:05:50,040 Speaker 2: been a fan of the show for a long time. 109 00:05:50,160 --> 00:05:52,120 Speaker 2: I love to learn new things, and even if I 110 00:05:52,160 --> 00:05:54,039 Speaker 2: don't think I'll be a fan of a topic, you 111 00:05:54,120 --> 00:05:57,800 Speaker 2: always manage to make each episode enjoyable and interesting. And 112 00:05:57,839 --> 00:06:00,880 Speaker 2: while I very much enjoy the flagship episodes, I absolutely 113 00:06:00,920 --> 00:06:04,159 Speaker 2: love weird House cinema. My recommendation for the show is 114 00:06:04,200 --> 00:06:07,839 Speaker 2: the nineteen seventy three German sci fi film World on 115 00:06:07,920 --> 00:06:12,359 Speaker 2: a Wire, directed by Renier Werner Fassbender, currently available to 116 00:06:12,360 --> 00:06:15,200 Speaker 2: stream on the Criterion Channel. Ah. I am not a 117 00:06:15,240 --> 00:06:18,159 Speaker 2: current subscriber to Criterion Channel, but I have dipped in 118 00:06:18,200 --> 00:06:21,560 Speaker 2: and out of it before for particular pictures, and they 119 00:06:21,560 --> 00:06:22,440 Speaker 2: do have a great selection. 120 00:06:22,760 --> 00:06:26,120 Speaker 3: I watched this movie on disc within the last year. 121 00:06:26,160 --> 00:06:28,440 Speaker 3: A friend of mine loaned it to me and I 122 00:06:28,480 --> 00:06:32,280 Speaker 3: thought it was incredibly interesting. So it's an adaptation of 123 00:06:32,839 --> 00:06:35,440 Speaker 3: a story I get. I don't know where the original 124 00:06:35,480 --> 00:06:39,159 Speaker 3: story is from, but the same idea was made into 125 00:06:39,200 --> 00:06:42,720 Speaker 3: a movie in the nineties called I Think The Thirteenth Floor, 126 00:06:43,760 --> 00:06:50,200 Speaker 3: but it's very supposedly that is a sillier adaptation. But 127 00:06:50,279 --> 00:06:53,920 Speaker 3: World and a Wire is very interesting. It's I don't know, 128 00:06:53,960 --> 00:06:56,279 Speaker 3: something that strikes me as like a very sort of 129 00:06:56,400 --> 00:07:01,280 Speaker 3: German filmmaking sensibility. There's kind of an architectualness about it, 130 00:07:02,120 --> 00:07:05,400 Speaker 3: a lot of featuring of rooms and buildings in a 131 00:07:05,440 --> 00:07:08,599 Speaker 3: prominent way. Like a lot of times the subject of 132 00:07:08,640 --> 00:07:11,840 Speaker 3: a shot, the character will be kind of mediated by 133 00:07:12,000 --> 00:07:15,880 Speaker 3: architectural features like walls and other things, sort of passing 134 00:07:15,920 --> 00:07:18,840 Speaker 3: in between the camera and the character as the character moves. 135 00:07:19,640 --> 00:07:23,760 Speaker 3: Stuff like that. But it's a really interesting film, and yeah, 136 00:07:23,760 --> 00:07:25,920 Speaker 3: maybe we will come back to it one day. I 137 00:07:25,960 --> 00:07:28,600 Speaker 3: guess it's an older movie so there's less concern about 138 00:07:28,600 --> 00:07:32,160 Speaker 3: spoiling it though. Warning this is a spoiler if you 139 00:07:32,160 --> 00:07:33,840 Speaker 3: know you don't know anything about it and you don't 140 00:07:33,880 --> 00:07:36,559 Speaker 3: want to know. But it does cover some similar themes 141 00:07:36,600 --> 00:07:39,200 Speaker 3: as kind of like the Matrix, but with a much 142 00:07:39,280 --> 00:07:39,960 Speaker 3: different tone. 143 00:07:40,760 --> 00:07:43,880 Speaker 2: Hmm. Interesting, Yeah, I mean a Fastpender is a well 144 00:07:43,920 --> 00:07:47,360 Speaker 2: known German director and looking around here. I let's got 145 00:07:47,400 --> 00:07:49,800 Speaker 2: some other people I'm familiar with from other things, like 146 00:07:49,920 --> 00:07:53,240 Speaker 2: Kurt rob Is in it. So yeah, I don't know, 147 00:07:54,240 --> 00:07:56,240 Speaker 2: I should probably dive in. I don't think I've checked 148 00:07:56,240 --> 00:07:59,920 Speaker 2: out any of the Fastbender's films before anyway, Jay continues. 149 00:08:00,440 --> 00:08:02,760 Speaker 2: The main subject of my message today, though, is to 150 00:08:02,840 --> 00:08:05,760 Speaker 2: draw your attention to a table top role playing game 151 00:08:05,840 --> 00:08:10,360 Speaker 2: called Cloud Impress. It bills itself as an ecological science 152 00:08:10,440 --> 00:08:14,440 Speaker 2: fantasy RPG heavily inspired by the film NAUSICAA of the 153 00:08:14,480 --> 00:08:17,400 Speaker 2: Valley of the Wind. It is a post apocalyptic RPG 154 00:08:17,520 --> 00:08:20,240 Speaker 2: which takes place in a dangerous world and drops players 155 00:08:20,280 --> 00:08:23,320 Speaker 2: in an even more dangerous time. The emergence of a 156 00:08:23,480 --> 00:08:27,120 Speaker 2: century brewed a once in a hundred years cycle of 157 00:08:27,200 --> 00:08:31,280 Speaker 2: you Guessed It, giant psychics cicadas. One of the things 158 00:08:31,280 --> 00:08:34,000 Speaker 2: players can do in the game is harvest dead cicadas 159 00:08:34,000 --> 00:08:37,080 Speaker 2: for a substance called chalk, which can be used to 160 00:08:37,120 --> 00:08:39,920 Speaker 2: power weapons, and wizards can use it to power their magic. 161 00:08:39,960 --> 00:08:42,959 Speaker 2: It's a rules light system and is quick to pick 162 00:08:43,040 --> 00:08:45,199 Speaker 2: up in a blast to play, which I highly recommend. 163 00:08:45,559 --> 00:08:47,920 Speaker 2: You can get free rules and other resources at their 164 00:08:47,960 --> 00:08:51,760 Speaker 2: website and link is included here, but I think everyone 165 00:08:51,760 --> 00:08:55,440 Speaker 2: else can just look for it. Cloud Impress, ecological science, fantasy, 166 00:08:55,520 --> 00:08:59,520 Speaker 2: role playing. What's the uh, we're the publishers of this. 167 00:08:59,600 --> 00:09:00,560 Speaker 2: I should mentioned that. 168 00:09:00,679 --> 00:09:04,040 Speaker 3: I guess I think it was a kickstarter. Yeah, it 169 00:09:04,040 --> 00:09:06,319 Speaker 3: looks like it was. I don't know if that means 170 00:09:06,360 --> 00:09:07,600 Speaker 3: it's an independent publisher. 171 00:09:07,960 --> 00:09:10,800 Speaker 2: I guess it's independent, but it looks like it's. Yeah, 172 00:09:10,920 --> 00:09:13,680 Speaker 2: it looks like cloud empress dot com. But you know, 173 00:09:13,960 --> 00:09:15,800 Speaker 2: do your own Google serties. It'll come up for you. 174 00:09:16,120 --> 00:09:18,079 Speaker 2: And anyway, Jay concludes by saying thank you for the 175 00:09:18,120 --> 00:09:21,360 Speaker 2: hours of entertainment and information. Jay, Well, this does look 176 00:09:21,440 --> 00:09:23,680 Speaker 2: very interesting, and even just in the cover art, I 177 00:09:23,679 --> 00:09:28,720 Speaker 2: can see the Nasca inspiration there. Very very interesting looking. Yeah, 178 00:09:28,760 --> 00:09:31,720 Speaker 2: I've I've only waited a little bit into the you know, 179 00:09:31,840 --> 00:09:34,920 Speaker 2: so called rules light games, but I'm very intrigued by them. 180 00:09:34,960 --> 00:09:36,880 Speaker 2: You know. It's like it seems like there was a 181 00:09:36,920 --> 00:09:38,680 Speaker 2: trend for a while with a lot of role playing 182 00:09:38,720 --> 00:09:41,760 Speaker 2: systems just getting more and more advanced and becoming maybe 183 00:09:41,920 --> 00:09:44,400 Speaker 2: just a little bit too much work. And I like 184 00:09:44,480 --> 00:09:46,840 Speaker 2: the idea that some of them are stripping things down 185 00:09:46,880 --> 00:09:50,319 Speaker 2: a bit and maybe leaning a little bit more into imagination, 186 00:09:50,480 --> 00:09:52,240 Speaker 2: you know, letting the imagine not only just role playing, 187 00:09:52,280 --> 00:09:54,960 Speaker 2: but also letting imagination fill in the gaps that are 188 00:09:55,040 --> 00:09:58,160 Speaker 2: left by the game mechanics and so forth, less erro 189 00:09:58,360 --> 00:09:59,240 Speaker 2: counting perhaps. 190 00:10:00,120 --> 00:10:04,640 Speaker 3: Yeah, though the only tabletop RPG I ever have extensively 191 00:10:04,679 --> 00:10:07,559 Speaker 3: played is Dungeons and Dragons. I like that there's all 192 00:10:07,600 --> 00:10:10,240 Speaker 3: this other stuff out there these days. I'm tempted by it. 193 00:10:10,240 --> 00:10:11,679 Speaker 3: I would like to get into some of the more 194 00:10:11,679 --> 00:10:14,439 Speaker 3: I don't know, sci fi focused ones, or any of 195 00:10:14,480 --> 00:10:17,359 Speaker 3: the ones that are not just kind of classic wizards 196 00:10:17,760 --> 00:10:19,280 Speaker 3: and elves and fantasy. 197 00:10:19,800 --> 00:10:21,400 Speaker 2: Looking at the website a little bit closer, I think 198 00:10:21,480 --> 00:10:26,560 Speaker 2: World's by Watt. Watt is the is the publisher's name, 199 00:10:26,800 --> 00:10:29,880 Speaker 2: though it is. I believe you're in an independent operation here, 200 00:10:30,120 --> 00:10:39,880 Speaker 2: so yeah, I have to check it out. All right? 201 00:10:39,920 --> 00:10:41,680 Speaker 2: What else do we have in the bag here, Joe? 202 00:10:41,880 --> 00:10:44,920 Speaker 3: All right? This next message is a recommendation for Weird 203 00:10:44,920 --> 00:10:48,640 Speaker 3: House Cinema, and it comes from Dean. Dean says, hey, guys, 204 00:10:48,800 --> 00:10:53,600 Speaker 3: just watched Horror Express again. We never knew you watched 205 00:10:53,600 --> 00:10:56,360 Speaker 3: it the first time. Dean just watched it again and 206 00:10:56,440 --> 00:11:01,800 Speaker 3: it was great. Christopher Lee, Peter Cushing, Telly Savalas, Zombies, Aliens, 207 00:11:01,960 --> 00:11:05,360 Speaker 3: Mind control, skull removal and what more could you want? 208 00:11:05,760 --> 00:11:09,360 Speaker 3: Also forgot to mention another movie from Weird House for 209 00:11:09,559 --> 00:11:14,640 Speaker 3: Weird House, Latitude Zero with Joseph Cotton, Caesar Romero, brains 210 00:11:14,679 --> 00:11:19,960 Speaker 3: into animals, Batmanions, Submarine Warfare, Shangri La. All courtesy of 211 00:11:20,080 --> 00:11:24,960 Speaker 3: Ishiro Honda, Keep Them Coming, Dean, Well, Dean, I looked 212 00:11:25,000 --> 00:11:27,000 Speaker 3: up some stuff about both of these movies. I've never 213 00:11:27,040 --> 00:11:30,760 Speaker 3: seen either one. So Latitude Zero is a sci fi 214 00:11:30,840 --> 00:11:35,720 Speaker 3: movie about a group of Bathisphere explorers who by chance 215 00:11:36,080 --> 00:11:40,720 Speaker 3: get transported to a secret underwater utopia called Latitude Zero, 216 00:11:40,840 --> 00:11:44,200 Speaker 3: which I understand is located right at the intersection of 217 00:11:44,240 --> 00:11:47,720 Speaker 3: the Equator and the International date Line. And in this 218 00:11:47,880 --> 00:11:51,240 Speaker 3: underwater kingdom, all the people who have ever been lost 219 00:11:51,280 --> 00:11:53,640 Speaker 3: at sea around the world are gathered to live in 220 00:11:53,720 --> 00:11:57,240 Speaker 3: peace and harmony and explore scientific frontiers hidden from the 221 00:11:57,240 --> 00:12:00,560 Speaker 3: world above. But there is also an evil guy who 222 00:12:00,640 --> 00:12:03,280 Speaker 3: wants to destroy them for some reason, and he creates 223 00:12:03,400 --> 00:12:08,359 Speaker 3: giant mutant rats, and he loves cross species cross species 224 00:12:08,440 --> 00:12:12,280 Speaker 3: brain transplants like Doctor Doom type stuff. So it's a 225 00:12:12,280 --> 00:12:15,320 Speaker 3: plot that sounds in some ways similar to Atragon, but 226 00:12:15,360 --> 00:12:19,360 Speaker 3: with these Doctor Doom elements. So I'm or Doctor of 227 00:12:19,400 --> 00:12:20,800 Speaker 3: Doom maybe was that what it was? 228 00:12:20,880 --> 00:12:21,720 Speaker 2: The Doctor Doom? 229 00:12:21,960 --> 00:12:25,200 Speaker 3: Doctor of Doom? Yeah, sorry, Doctor of Doom, the wrestling 230 00:12:25,240 --> 00:12:30,720 Speaker 3: movie that involves brain transplants, and so yeah, we covered 231 00:12:30,760 --> 00:12:32,839 Speaker 3: Atragon in the past. We did Doctor of Doom in 232 00:12:32,880 --> 00:12:35,880 Speaker 3: the past. This seems like a nice, nice mashup. 233 00:12:36,120 --> 00:12:38,760 Speaker 2: Yeah. I haven't seen this one either, but yeah, another 234 00:12:39,480 --> 00:12:44,160 Speaker 2: Japanese directed super submarine movie. 235 00:12:44,160 --> 00:12:47,200 Speaker 3: I guess that is a genre, isn't it. I guess 236 00:12:47,360 --> 00:12:49,319 Speaker 3: they sort of trace back to twenty thousand Leagues under 237 00:12:49,360 --> 00:12:49,640 Speaker 3: the Sea. 238 00:12:49,960 --> 00:12:50,440 Speaker 2: Yeah. 239 00:12:50,559 --> 00:12:53,520 Speaker 3: Yeah. And then the other one Dean mentions in this 240 00:12:53,640 --> 00:12:56,720 Speaker 3: email is Horror Express. I've also never seen this one, 241 00:12:56,760 --> 00:13:00,000 Speaker 3: though I would like to. From a distance. It seems 242 00:13:00,360 --> 00:13:03,439 Speaker 3: like if if Hammer Horror did a movie that was 243 00:13:03,440 --> 00:13:05,920 Speaker 3: a cross between The Thing from Another World and Murder 244 00:13:05,920 --> 00:13:09,800 Speaker 3: on the Orient Express. Though I think it's not actually Hammer. 245 00:13:09,880 --> 00:13:12,240 Speaker 3: It just looks like a Hammer movie and has a 246 00:13:12,320 --> 00:13:13,360 Speaker 3: very Hammer cast. 247 00:13:14,240 --> 00:13:17,440 Speaker 2: Yeah, this one is if Memory serves either a Spanish 248 00:13:17,480 --> 00:13:22,880 Speaker 2: production or a Spanish co production. Number of Spanish filmmakers 249 00:13:22,880 --> 00:13:25,200 Speaker 2: are involved in it. I have seen this one before 250 00:13:25,920 --> 00:13:27,920 Speaker 2: and it is a lot of fun. I mean, it's 251 00:13:27,920 --> 00:13:30,160 Speaker 2: got a great cast. You got Christopher Lee, Peter Cushing, 252 00:13:30,160 --> 00:13:33,959 Speaker 2: and Telly Savala is playing I Believe a Cossack. And 253 00:13:34,120 --> 00:13:40,360 Speaker 2: you also have some familiar faces from Spanish genre cinema 254 00:13:40,400 --> 00:13:43,240 Speaker 2: of the day. Helgaalini is in it, or Helga Line, 255 00:13:43,720 --> 00:13:46,120 Speaker 2: who we've talked about in various films such as Horror, 256 00:13:46,200 --> 00:13:51,240 Speaker 2: Rises from the Tomb and so forth. Some places you'll 257 00:13:51,280 --> 00:13:55,880 Speaker 2: see it erroneously stated that Paul Nashy is in this, 258 00:13:56,000 --> 00:13:59,000 Speaker 2: but he is not. There's just there's a character in 259 00:13:59,040 --> 00:14:01,280 Speaker 2: it with a big beard in some shots kind of 260 00:14:01,320 --> 00:14:04,959 Speaker 2: looks like Paul Nashy. But anyway, this one is okay. 261 00:14:05,080 --> 00:14:07,480 Speaker 2: This has been on a list for a while and 262 00:14:07,520 --> 00:14:11,960 Speaker 2: we actually talked about this film a little bit with 263 00:14:12,120 --> 00:14:14,560 Speaker 2: Christian Back in the day. We did an episode dealing 264 00:14:14,559 --> 00:14:18,640 Speaker 2: with this pseudoscientific concept of the late eighteen hundreds called 265 00:14:19,640 --> 00:14:24,120 Speaker 2: retinal optography, which was this idea that you could see 266 00:14:24,160 --> 00:14:27,760 Speaker 2: the last image that a dead man saw by looking 267 00:14:27,800 --> 00:14:33,800 Speaker 2: at their retina, and it is utilized to fantastic sci 268 00:14:33,840 --> 00:14:36,560 Speaker 2: fi degree in this picture. There are a number of 269 00:14:36,640 --> 00:14:40,080 Speaker 2: just wonky sci fi concepts that they run wild with 270 00:14:40,160 --> 00:14:41,960 Speaker 2: in this film, so it's a whole lot of fun. 271 00:14:42,480 --> 00:14:46,720 Speaker 3: What is the last image a dead man saw well. 272 00:14:47,800 --> 00:14:50,560 Speaker 2: The idea was you could potentially use it to see 273 00:14:50,600 --> 00:14:53,800 Speaker 2: like a murder victim's killer like that that image would 274 00:14:53,880 --> 00:14:56,920 Speaker 2: somehow be retrievable from the retina, that you could get 275 00:14:56,920 --> 00:14:58,800 Speaker 2: in there with the magnifying glass and you could see 276 00:14:58,840 --> 00:15:02,200 Speaker 2: the image and then capture the image and even use 277 00:15:02,280 --> 00:15:06,520 Speaker 2: that image in a court of law. In the context 278 00:15:06,520 --> 00:15:09,440 Speaker 2: of this film, if memory serves, it has to do 279 00:15:09,640 --> 00:15:15,600 Speaker 2: with a like a frozen prehistoric man and then being 280 00:15:15,600 --> 00:15:17,000 Speaker 2: able to look in his eyes and see like a 281 00:15:17,040 --> 00:15:19,800 Speaker 2: dinosaur or something. So it's got like I said, it's 282 00:15:19,960 --> 00:15:23,280 Speaker 2: it's wacky and fun and definitely has that gothic horror feel. 283 00:15:23,520 --> 00:15:26,880 Speaker 2: It's also a train movie, so it's actually been on 284 00:15:26,920 --> 00:15:30,760 Speaker 2: my list of potential weird House selections for a while. 285 00:15:30,880 --> 00:15:33,280 Speaker 2: But I think one of the things that's always helped 286 00:15:33,320 --> 00:15:35,440 Speaker 2: me back is we've also talked about doing a train 287 00:15:35,520 --> 00:15:38,520 Speaker 2: related stuff to Blow your Mind episode in October, and 288 00:15:38,520 --> 00:15:40,080 Speaker 2: I've always kind of thought, well, these two would pair 289 00:15:40,160 --> 00:15:42,880 Speaker 2: up nicely, but that just means they're like two levers 290 00:15:42,920 --> 00:15:46,000 Speaker 2: to pull to see it come to fruition. 291 00:15:46,160 --> 00:15:48,400 Speaker 3: Horror movies on trains, that seems like it's a very 292 00:15:48,480 --> 00:15:50,440 Speaker 3: narrow genre, but it goes deep. 293 00:15:50,760 --> 00:15:52,480 Speaker 2: Yeah, I mean, the plot's a bit on the rails, 294 00:15:53,000 --> 00:15:55,200 Speaker 2: you know, but it's it's a lot of fun. Who 295 00:15:55,200 --> 00:15:57,800 Speaker 2: doesn't love a good good train mystery. And this one 296 00:15:57,840 --> 00:16:01,320 Speaker 2: has a very cool monster and again great cast, so 297 00:16:01,400 --> 00:16:06,320 Speaker 2: that alone is worth checking in on. All right, looks 298 00:16:06,320 --> 00:16:10,480 Speaker 2: like we have one left, and this one is from Joe, 299 00:16:10,520 --> 00:16:19,080 Speaker 2: a different Joe. Joe says fellas huge fan. It's always 300 00:16:19,080 --> 00:16:21,680 Speaker 2: a kick to see a seemingly boring show subject only 301 00:16:21,720 --> 00:16:23,760 Speaker 2: for y'all to find a way to make it amazingly interesting. 302 00:16:23,960 --> 00:16:27,320 Speaker 2: Dust and it was great. Ha ha ha. I'm blind, 303 00:16:27,440 --> 00:16:29,880 Speaker 2: lost auction in to my optic nerves about six years ago, 304 00:16:29,920 --> 00:16:32,720 Speaker 2: and now I can't see squad. I loved weird and 305 00:16:32,800 --> 00:16:35,640 Speaker 2: quirky movies even when they were bad. You could find 306 00:16:35,680 --> 00:16:37,800 Speaker 2: the good in them. A lot of movies before say, 307 00:16:37,880 --> 00:16:42,400 Speaker 2: twenty tenish, and absolutely none of those types of films 308 00:16:42,440 --> 00:16:46,360 Speaker 2: include descriptive audio for the blind or visually impaired. More 309 00:16:46,800 --> 00:16:49,880 Speaker 2: films now come with them, but you'd have to get really, 310 00:16:49,920 --> 00:16:52,400 Speaker 2: really lucky to find something from the seventies or eighties 311 00:16:52,400 --> 00:16:56,000 Speaker 2: with a descriptive audio track. So y'all going through some 312 00:16:56,240 --> 00:16:58,360 Speaker 2: I was able to watch before the lights went out, 313 00:16:58,400 --> 00:17:00,920 Speaker 2: and others I won't get to physically see any longer. 314 00:17:01,120 --> 00:17:03,520 Speaker 2: It's nice to have the podcast as a companion piece. 315 00:17:03,840 --> 00:17:06,760 Speaker 2: If I can't watch or rewatch and really follow, then 316 00:17:06,800 --> 00:17:09,520 Speaker 2: your summaries, reviews and anecdotes about the movies are a 317 00:17:09,520 --> 00:17:13,920 Speaker 2: reasonable bronze or silver metal. I absolutely enjoy anyway you asked, 318 00:17:13,960 --> 00:17:17,639 Speaker 2: so email sent all the best. Thanks for the edutainment, Joe. 319 00:17:18,000 --> 00:17:21,720 Speaker 3: I deny the charge of edutainment, but I'm really glad 320 00:17:21,800 --> 00:17:23,280 Speaker 3: you get enjoyment out of the show. 321 00:17:23,680 --> 00:17:25,520 Speaker 2: Yeah, and that's you know, I hadn't really you know, 322 00:17:25,560 --> 00:17:28,200 Speaker 2: I had thought this much about the descriptive audio tracks, 323 00:17:28,200 --> 00:17:30,600 Speaker 2: but yeah, you see on them more and more nowadays, 324 00:17:30,640 --> 00:17:34,800 Speaker 2: and it you know, it's a great addition to these 325 00:17:34,840 --> 00:17:39,760 Speaker 2: releases and you know, digital or otherwise. But yeah, I 326 00:17:39,800 --> 00:17:42,000 Speaker 2: guess you go back further and you're gonna find less 327 00:17:42,000 --> 00:17:43,879 Speaker 2: and less of that, unless I guess it's like a 328 00:17:43,920 --> 00:17:47,000 Speaker 2: pivotal piece of cinema that is getting like a really 329 00:17:47,080 --> 00:17:51,639 Speaker 2: nice re release and or is held to a large 330 00:17:51,640 --> 00:17:55,119 Speaker 2: degree to be culturally important or at least commercially important. 331 00:17:55,400 --> 00:17:57,199 Speaker 2: And obviously a lot of your weirder films are going 332 00:17:57,240 --> 00:18:00,240 Speaker 2: to fall through the cracks in that area. Yeah, all right, 333 00:18:00,240 --> 00:18:01,840 Speaker 2: we're going to go ahead and close the mail bag 334 00:18:01,960 --> 00:18:05,480 Speaker 2: right there, but we'll be back next week, hopefully with 335 00:18:05,520 --> 00:18:08,120 Speaker 2: more listener mail. But we have to admit the mail 336 00:18:08,119 --> 00:18:10,280 Speaker 2: bags starting to get a little bit thin at this point. 337 00:18:10,520 --> 00:18:13,320 Speaker 2: We need to hear from more folks. So if you 338 00:18:13,400 --> 00:18:16,520 Speaker 2: have thoughts about, say, our recent series on cicadas, you 339 00:18:16,560 --> 00:18:21,320 Speaker 2: have other summertime thoughts, summertime episode requests, write in. We 340 00:18:21,359 --> 00:18:23,520 Speaker 2: would love to hear from you. Summertime movies for Weird 341 00:18:23,520 --> 00:18:26,800 Speaker 2: House Cinema so forth. What kind of movies do you 342 00:18:26,840 --> 00:18:29,600 Speaker 2: get into watching when the weather gets hot? Are you 343 00:18:29,640 --> 00:18:32,199 Speaker 2: a blockbuster person? Or do your interest go in a 344 00:18:32,200 --> 00:18:37,240 Speaker 2: different direction. Anything of this nature is perfectly fair game, 345 00:18:38,040 --> 00:18:41,680 Speaker 2: so let us know the listener mails. Publish on Mondays 346 00:18:41,680 --> 00:18:43,479 Speaker 2: and the Stuff to Blow Your Mind podcast feed. We're 347 00:18:43,480 --> 00:18:46,440 Speaker 2: primarily a science podcast, science and culture podcast with core 348 00:18:46,480 --> 00:18:49,960 Speaker 2: episodes on Tuesdays and Thursdays. On Wednesdays, we tend to 349 00:18:50,000 --> 00:18:53,439 Speaker 2: do a short form episode and throughout the month of 350 00:18:53,520 --> 00:18:55,919 Speaker 2: July we're going to be putting out a bunch of 351 00:18:55,960 --> 00:18:59,359 Speaker 2: alien themed monster facts. So I'm looking forward to putting 352 00:18:59,400 --> 00:19:02,520 Speaker 2: those together and let's see. Yeah, on Fridays, we set 353 00:19:02,520 --> 00:19:04,640 Speaker 2: aside most serious concerns to just talk about a weird 354 00:19:04,640 --> 00:19:06,760 Speaker 2: film on Weird House Cinema. 355 00:19:07,640 --> 00:19:11,480 Speaker 3: Huge thanks as always to our excellent audio producer JJ Posway. 356 00:19:11,720 --> 00:19:13,360 Speaker 3: If you would like to get in touch with us 357 00:19:13,359 --> 00:19:16,160 Speaker 3: with feedback on this episode or any other, to suggest 358 00:19:16,200 --> 00:19:18,439 Speaker 3: a topic for the future, or just to say hello, 359 00:19:18,680 --> 00:19:21,560 Speaker 3: you can email us at contact at stuff to Blow 360 00:19:21,600 --> 00:19:28,600 Speaker 3: your Mind dot com. 361 00:19:28,680 --> 00:19:31,639 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 362 00:19:31,720 --> 00:19:34,520 Speaker 1: more podcasts from my Heart Radio, visit the iHeartRadio app, 363 00:19:34,640 --> 00:19:37,440 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.