1 00:00:00,240 --> 00:00:02,680 Speaker 1: At first you were like rand the my eighties, gonna 2 00:00:02,680 --> 00:00:04,080 Speaker 1: have you hanging on to her like a pet? What 3 00:00:04,120 --> 00:00:06,040 Speaker 1: do you think Internet's giving more boy or girl? But 4 00:00:06,160 --> 00:00:08,720 Speaker 1: I really didn't have much of a filter growing up. 5 00:00:08,760 --> 00:00:09,399 Speaker 2: I love your hair. 6 00:00:09,480 --> 00:00:11,680 Speaker 3: It's called on Bret, and I think you've always been goofy. 7 00:00:11,880 --> 00:00:13,480 Speaker 2: Now why you say something like that? 8 00:00:13,560 --> 00:00:15,480 Speaker 1: Doing an improv every single night was it felt like 9 00:00:15,560 --> 00:00:17,840 Speaker 1: sweating for my brain. I actually the ex boyfriend, He's like, 10 00:00:17,840 --> 00:00:19,439 Speaker 1: you should improvise online? And I was like, you shouldn't 11 00:00:19,440 --> 00:00:20,919 Speaker 1: be going. Will you tell me if I'm boring you? 12 00:00:20,960 --> 00:00:21,120 Speaker 4: Ever? 13 00:00:21,160 --> 00:00:23,000 Speaker 2: You would never say I have not watched the batch. 14 00:00:23,200 --> 00:00:25,960 Speaker 1: This is amazing, pan sextual president. I do not enjoy 15 00:00:26,000 --> 00:00:27,120 Speaker 1: a prank chunky litergy. 16 00:00:27,200 --> 00:00:30,479 Speaker 2: It was on the card where I was like, God, 17 00:00:30,480 --> 00:00:31,240 Speaker 2: men are in a prison. 18 00:00:31,240 --> 00:00:33,360 Speaker 1: I had no idea about how much yellow does it 19 00:00:33,400 --> 00:00:34,240 Speaker 1: take to get to opik. 20 00:00:34,360 --> 00:00:35,879 Speaker 2: I don't know what are we even do? 21 00:00:42,000 --> 00:00:42,960 Speaker 3: What are we even doing? 22 00:00:44,240 --> 00:00:44,360 Speaker 1: Day? 23 00:00:44,360 --> 00:00:47,280 Speaker 3: I'm Kyle and we're here with what are we even doing? 24 00:00:47,560 --> 00:00:50,120 Speaker 3: This is where we sit down with artists, creative musicians, 25 00:00:50,120 --> 00:00:52,879 Speaker 3: actors and we talk about their creativity, their process out. 26 00:00:52,920 --> 00:00:55,360 Speaker 3: They use the internet. And today we have a very 27 00:00:55,440 --> 00:01:02,160 Speaker 3: very very special guest, brilliant comedian, writer actor known for 28 00:01:02,200 --> 00:01:05,520 Speaker 3: the roles and hacks. I watched that scene over compensating. 29 00:01:05,560 --> 00:01:07,440 Speaker 3: Welcome to Flatch. I want to talk about Jenny Bicks 30 00:01:07,840 --> 00:01:09,800 Speaker 3: Welcome homes. So nice that you're here. 31 00:01:09,959 --> 00:01:12,520 Speaker 2: Thank you so much for having me. I feel very lucky. 32 00:01:12,920 --> 00:01:15,240 Speaker 1: And I really only actually only had a little coffee today, 33 00:01:15,240 --> 00:01:18,119 Speaker 1: So just know, like I'm not that nervous. It's mostly 34 00:01:18,160 --> 00:01:20,160 Speaker 1: just coffee, but I do. I am like a little 35 00:01:20,160 --> 00:01:22,320 Speaker 1: bit nervous in your presence still, really. 36 00:01:22,200 --> 00:01:24,240 Speaker 3: Oh, I don't. Yeah, I want you to feel totally 37 00:01:24,280 --> 00:01:24,920 Speaker 3: totally comfortable. 38 00:01:24,920 --> 00:01:27,000 Speaker 2: It's nothing you've done. I'm I'm like he was scary 39 00:01:27,000 --> 00:01:29,480 Speaker 2: on seving. No, he wasn't. It's not at all. 40 00:01:29,520 --> 00:01:31,920 Speaker 1: It's more that like I grew up with specifically actually 41 00:01:31,959 --> 00:01:34,760 Speaker 1: Desperate Housewives, and so I think it's like the channels 42 00:01:34,760 --> 00:01:36,840 Speaker 1: like an energy of me being a child or something, yes, 43 00:01:37,319 --> 00:01:39,000 Speaker 1: being with you, Like I'm sort of like, you. 44 00:01:38,959 --> 00:01:41,399 Speaker 3: Know, oh, but sure I love Desperate Housewives. That was 45 00:01:41,520 --> 00:01:42,400 Speaker 3: really a fun job. 46 00:01:42,520 --> 00:01:42,840 Speaker 2: I know. 47 00:01:43,000 --> 00:01:44,639 Speaker 1: I wish I didn't watch it as a kid, though, 48 00:01:44,720 --> 00:01:46,360 Speaker 1: Like you know how like your parents would put anything 49 00:01:46,400 --> 00:01:47,880 Speaker 1: on just like what was on the TV. 50 00:01:48,120 --> 00:01:48,760 Speaker 2: It was really good. 51 00:01:48,760 --> 00:01:50,280 Speaker 1: But I remember that scene where they went to the 52 00:01:50,280 --> 00:01:52,160 Speaker 1: basement and that one guy was a pedophile, and I 53 00:01:52,200 --> 00:01:53,480 Speaker 1: was like, I didn't need to know. 54 00:01:53,400 --> 00:01:55,680 Speaker 3: About that, Please don't share that with you. 55 00:01:55,760 --> 00:01:58,000 Speaker 1: Yeah, it was like new topic unlocked, you know, like 56 00:01:58,040 --> 00:02:01,120 Speaker 1: I wasn't sure. But other than that, that was okay. 57 00:02:01,280 --> 00:02:03,400 Speaker 1: Love the show means the world loved Orson. 58 00:02:03,560 --> 00:02:05,240 Speaker 3: Yeah, it was good. Orson was a lot of fun, 59 00:02:05,680 --> 00:02:08,520 Speaker 3: just fun to work with. And Marsha Cross, who was 60 00:02:09,040 --> 00:02:12,000 Speaker 3: a great friend. She just was so just wonderful to 61 00:02:12,000 --> 00:02:15,160 Speaker 3: work with. She's she's trained like we trained for the theater. 62 00:02:15,320 --> 00:02:16,840 Speaker 3: You know, we had this when we shared this kind 63 00:02:16,880 --> 00:02:19,640 Speaker 3: of passion. When we actually had scenes together that were 64 00:02:20,160 --> 00:02:22,560 Speaker 3: really humming along, it was really fun because she's really 65 00:02:22,600 --> 00:02:24,160 Speaker 3: talented and we would just be back and forth. I 66 00:02:24,200 --> 00:02:25,200 Speaker 3: remember loving those days. 67 00:02:25,200 --> 00:02:27,000 Speaker 2: So did you improvise on a show like that? 68 00:02:27,040 --> 00:02:30,399 Speaker 3: I know you're not really encouraged. Yeah, yeah, some it's 69 00:02:30,440 --> 00:02:34,239 Speaker 3: it's interesting some shows overcompensating for example, right, and your 70 00:02:34,320 --> 00:02:36,480 Speaker 3: improv work. And that's where I think I really sort 71 00:02:36,480 --> 00:02:38,400 Speaker 3: of I said, who is this person? 72 00:02:38,480 --> 00:02:41,760 Speaker 2: I said, yeah, at first you were like random, No. 73 00:02:41,520 --> 00:02:43,919 Speaker 3: No, I didn't know. I didn't know because you were 74 00:02:43,960 --> 00:02:47,040 Speaker 3: creating something you were creating an individual person that was 75 00:02:47,600 --> 00:02:50,560 Speaker 3: very different, very special. And I don't know if Benny 76 00:02:50,639 --> 00:02:52,600 Speaker 3: had said, oh, this is kind of who she is, 77 00:02:52,720 --> 00:02:54,800 Speaker 3: or if you came to her and said, I'm going 78 00:02:54,880 --> 00:02:57,079 Speaker 3: to do this with a character. I don't know. 79 00:02:57,280 --> 00:03:00,560 Speaker 2: I think that it was different than they expected. For sure. 80 00:03:00,800 --> 00:03:03,519 Speaker 1: I think like definitely her personality was on the page 81 00:03:03,520 --> 00:03:06,399 Speaker 1: as far as like I really understood that. I when 82 00:03:06,400 --> 00:03:08,400 Speaker 1: I got that monologue for the script where she's sitting 83 00:03:08,400 --> 00:03:11,200 Speaker 1: next to Carmen and explaining candid campus couture, that was 84 00:03:11,320 --> 00:03:14,400 Speaker 1: my audition. But yeah, I originally auditioned for Carmen and 85 00:03:14,440 --> 00:03:16,520 Speaker 1: then they sent which is more the kind of tape 86 00:03:16,520 --> 00:03:18,720 Speaker 1: I would get normally, because like, while he's like the 87 00:03:18,720 --> 00:03:20,680 Speaker 1: most beautiful person in the whole world, like the description 88 00:03:20,760 --> 00:03:23,320 Speaker 1: of the person was kind of like goofy, awkward, you 89 00:03:23,320 --> 00:03:25,519 Speaker 1: know where. So then they were like, hey, we loved 90 00:03:25,520 --> 00:03:26,200 Speaker 1: her Carmen tape. 91 00:03:26,240 --> 00:03:28,560 Speaker 2: Let's see her do Haley. And when I saw it, 92 00:03:28,600 --> 00:03:29,480 Speaker 2: I was like, I. 93 00:03:29,440 --> 00:03:32,160 Speaker 1: Never get to audition for things like this because it 94 00:03:32,200 --> 00:03:34,120 Speaker 1: was sort of like party Girl, because you know, this 95 00:03:34,160 --> 00:03:36,360 Speaker 1: industry is like it's very it's a very look based 96 00:03:36,400 --> 00:03:39,680 Speaker 1: industry and it's a big reason. Growing up in mostly Nebraska, Florida, 97 00:03:39,800 --> 00:03:41,800 Speaker 1: my dad worked for the railroad, Like, why I'm not 98 00:03:41,840 --> 00:03:44,760 Speaker 1: in this wedding. Grew up in this industry, right, it 99 00:03:44,800 --> 00:03:46,400 Speaker 1: was very obvious to me that like I wouldn't be 100 00:03:46,440 --> 00:03:49,480 Speaker 1: allowed in I think, And so I just was like, 101 00:03:49,480 --> 00:03:51,680 Speaker 1: I'll do improv. And so I moved to Chicago after 102 00:03:51,720 --> 00:03:53,800 Speaker 1: college and was just like I can be anyone and like, 103 00:03:53,800 --> 00:03:55,240 Speaker 1: I'll just work random jobs all the time. 104 00:03:55,440 --> 00:03:55,920 Speaker 3: I love that. 105 00:03:56,240 --> 00:03:58,720 Speaker 1: And then when I create yourself basically yes, I mean 106 00:03:58,840 --> 00:04:00,800 Speaker 1: that's the beauty of improv. And I think without long 107 00:04:00,840 --> 00:04:02,600 Speaker 1: form and profit, look, I'm like, just so you guys know, 108 00:04:02,640 --> 00:04:04,640 Speaker 1: like my idide is gonna have you kind of hanging 109 00:04:04,680 --> 00:04:05,200 Speaker 1: on to her like. 110 00:04:05,160 --> 00:04:07,720 Speaker 3: A pet, that's why she's there. 111 00:04:08,480 --> 00:04:10,760 Speaker 1: But I think long form improv really sets you up 112 00:04:10,800 --> 00:04:13,800 Speaker 1: to be able to play like any age and really 113 00:04:13,840 --> 00:04:16,080 Speaker 1: believe it or any any type of person. 114 00:04:16,160 --> 00:04:18,760 Speaker 3: Talk to me about that long form improv because my 115 00:04:18,800 --> 00:04:21,360 Speaker 3: first experience with real, first experience with improv was on 116 00:04:21,400 --> 00:04:25,240 Speaker 3: Portlandia working with Fred and carry Yes and total geniuses 117 00:04:25,320 --> 00:04:28,119 Speaker 3: and total geniuses, and I was I came into it 118 00:04:28,160 --> 00:04:30,560 Speaker 3: maybe the way you thought. I was like, I I'm 119 00:04:30,560 --> 00:04:32,440 Speaker 3: scared to death. I really, this is not what I do. 120 00:04:32,880 --> 00:04:34,359 Speaker 3: You know, I gotta have a scrap up. And then 121 00:04:34,400 --> 00:04:35,880 Speaker 3: they were like no, no, no, no, they said it, and 122 00:04:35,920 --> 00:04:38,360 Speaker 3: I just they were so encouraging and just so helpful, 123 00:04:38,920 --> 00:04:41,760 Speaker 3: and I started to just come in play. 124 00:04:41,960 --> 00:04:44,080 Speaker 1: I believe that you would play because I remember I 125 00:04:44,120 --> 00:04:45,520 Speaker 1: was only on set with you for like a day, 126 00:04:45,520 --> 00:04:47,480 Speaker 1: but when you were kind of like getting hit by 127 00:04:47,520 --> 00:04:49,279 Speaker 1: the football and you kind of were like, you know, 128 00:04:49,360 --> 00:04:51,039 Speaker 1: you were giving it, you were you were giving it 129 00:04:51,040 --> 00:04:52,320 Speaker 1: your some play, which meant the world. 130 00:04:52,400 --> 00:04:54,839 Speaker 3: I get very scientific with it because I'm like, Okay, 131 00:04:54,880 --> 00:04:56,640 Speaker 3: this has to happen. Then this has to happen. And 132 00:04:56,680 --> 00:04:58,760 Speaker 3: then I try to like then just forget everything and 133 00:04:58,839 --> 00:04:59,560 Speaker 3: let it go, you know. 134 00:04:59,720 --> 00:05:01,200 Speaker 2: But see, that's like it. 135 00:05:01,400 --> 00:05:04,120 Speaker 1: I love hearing other people's processes because I actually I 136 00:05:04,160 --> 00:05:06,120 Speaker 1: would really love an experience to be on a show 137 00:05:06,160 --> 00:05:08,479 Speaker 1: that is more of like a drama or drama TA 138 00:05:08,560 --> 00:05:11,000 Speaker 1: or something that is very like on the script, because 139 00:05:11,040 --> 00:05:13,760 Speaker 1: I haven't had that before, and I actually feel a 140 00:05:13,800 --> 00:05:17,640 Speaker 1: lot safer in an improv space. Like basically, so I 141 00:05:17,680 --> 00:05:20,560 Speaker 1: got welcome to flatch that job. It was like, okay, 142 00:05:20,600 --> 00:05:23,039 Speaker 1: they picked me because of my improv skills, because it 143 00:05:23,040 --> 00:05:25,279 Speaker 1: was basically just like from a video on the internet. 144 00:05:25,320 --> 00:05:27,200 Speaker 1: I still auditioned with all the scenes, but part of 145 00:05:27,240 --> 00:05:29,960 Speaker 1: the audition process was improvising, Like they would ask me 146 00:05:30,080 --> 00:05:33,640 Speaker 1: questions in character, right, and you'd improvise. And so then 147 00:05:34,040 --> 00:05:37,000 Speaker 1: when that show ended and I had to go into 148 00:05:37,040 --> 00:05:39,960 Speaker 1: the audition world, and I didn't have the skill of 149 00:05:39,960 --> 00:05:42,039 Speaker 1: it at all, so like I was trying to do 150 00:05:42,120 --> 00:05:44,920 Speaker 1: like the scenes like perfectly and stuff. And then I 151 00:05:45,000 --> 00:05:46,880 Speaker 1: had a friend aid in my area who's an amazing 152 00:05:46,880 --> 00:05:49,240 Speaker 1: actress too, and she was like, you can like play 153 00:05:49,240 --> 00:05:51,719 Speaker 1: in your audition, like you can do your audition how 154 00:05:51,720 --> 00:05:54,400 Speaker 1: you would, like use your strength, like you don't have 155 00:05:54,400 --> 00:05:56,560 Speaker 1: to audition like everyone, cause you know, like you look 156 00:05:56,600 --> 00:05:57,800 Speaker 1: at how other people do it and you're like, I'll 157 00:05:57,839 --> 00:05:59,159 Speaker 1: do it like that, you know. Like I was living 158 00:05:59,160 --> 00:06:01,040 Speaker 1: with another amazing act her at the time, and I 159 00:06:01,080 --> 00:06:03,280 Speaker 1: was like, oh, I'll do auditions just like her. And 160 00:06:03,320 --> 00:06:05,039 Speaker 1: then I really was like, oh, you know what, Like 161 00:06:05,080 --> 00:06:06,520 Speaker 1: I think the only way I'm going to get these 162 00:06:06,560 --> 00:06:09,520 Speaker 1: parts and stand out at all is if I probably 163 00:06:09,560 --> 00:06:13,200 Speaker 1: improvise in my auditions a little bit. And so for overcompensating, 164 00:06:13,680 --> 00:06:16,200 Speaker 1: like you did that, yes, And then like the callback 165 00:06:16,240 --> 00:06:18,919 Speaker 1: like anytime I did the monologue, I would add different stuff, 166 00:06:19,080 --> 00:06:22,560 Speaker 1: and I feel very free in the play zone, where 167 00:06:22,839 --> 00:06:25,400 Speaker 1: I think that I would like an experience of being 168 00:06:25,400 --> 00:06:27,240 Speaker 1: in like a really serious play or something like that, 169 00:06:27,320 --> 00:06:29,560 Speaker 1: just to be like, no, you actually have to make 170 00:06:29,640 --> 00:06:32,640 Speaker 1: this new every time, even when it's like the same line. 171 00:06:33,320 --> 00:06:34,160 Speaker 3: It's another challenge. 172 00:06:34,240 --> 00:06:36,320 Speaker 2: It's another challenge, and I want to do it some day. 173 00:06:36,680 --> 00:06:40,039 Speaker 3: Yeah, but I think I think the ability to improv 174 00:06:40,200 --> 00:06:43,520 Speaker 3: like that, not only as yourself but as a character, 175 00:06:44,320 --> 00:06:46,600 Speaker 3: I mean that's another level altogether. 176 00:06:46,839 --> 00:06:48,919 Speaker 1: Well, we were just talking about this before we started. 177 00:06:49,240 --> 00:06:51,400 Speaker 1: We didn't talk long. Don't even stress it, guys, but 178 00:06:51,839 --> 00:06:54,440 Speaker 1: Kyle is saying like I feel more comfortable being in 179 00:06:54,440 --> 00:06:57,720 Speaker 1: a character than myself, which is like probably a weird thing, but. 180 00:06:57,680 --> 00:06:58,920 Speaker 3: It's like I feel the same. 181 00:06:59,120 --> 00:07:01,599 Speaker 1: Yes, I love that you say that, because I'm curious 182 00:07:01,600 --> 00:07:04,000 Speaker 1: about your reason. My reasoning is that I first off, 183 00:07:04,000 --> 00:07:06,200 Speaker 1: it's like I feel like I can't mess up because 184 00:07:06,240 --> 00:07:10,040 Speaker 1: we'll like she did that, And so I think with 185 00:07:10,160 --> 00:07:13,400 Speaker 1: Hailey specifically, it was like really permission to be like 186 00:07:13,480 --> 00:07:16,640 Speaker 1: when I would kind of play at home with her lines, 187 00:07:16,720 --> 00:07:19,000 Speaker 1: I would just like have so much fun and make 188 00:07:19,040 --> 00:07:21,160 Speaker 1: myself laugh because I was like, she can say really 189 00:07:21,240 --> 00:07:23,560 Speaker 1: anything because also she doesn't know any of the stuff 190 00:07:23,600 --> 00:07:25,280 Speaker 1: I know yet, like normally an improv, you're like play 191 00:07:25,320 --> 00:07:28,320 Speaker 1: to the height of your intelligence, right, And I was like, well, 192 00:07:28,320 --> 00:07:32,400 Speaker 1: she's not as smart as me, you know. She like, yes, 193 00:07:32,520 --> 00:07:34,120 Speaker 1: I was like, I'm thirty two. I was like, so 194 00:07:34,200 --> 00:07:36,480 Speaker 1: I really let myself like kind of go to a 195 00:07:36,480 --> 00:07:38,840 Speaker 1: place of like someone who cares really big and has 196 00:07:38,960 --> 00:07:41,240 Speaker 1: you have all these feelings before your frontal lobe forms, 197 00:07:41,280 --> 00:07:42,880 Speaker 1: you know, you're like just feeling all the time. 198 00:07:43,080 --> 00:07:45,240 Speaker 2: Yeah, And like I was like that, I mean, like that's. 199 00:07:45,080 --> 00:07:48,280 Speaker 3: So intuitive, that's really smart, because it really did. It 200 00:07:48,280 --> 00:07:50,680 Speaker 3: felt like you were just leading with emotion. Yes, I 201 00:07:50,720 --> 00:07:53,680 Speaker 3: mean no filter, no filter, you know, which I love too. 202 00:07:53,840 --> 00:07:55,760 Speaker 2: I relate to that. Even though we're very Haley and 203 00:07:55,760 --> 00:07:56,520 Speaker 2: I are very different. 204 00:07:56,600 --> 00:07:59,560 Speaker 1: I mean, I own apology to tons of people, and 205 00:07:59,600 --> 00:08:01,800 Speaker 1: I've given a lot out, you know, but I really 206 00:08:01,880 --> 00:08:03,880 Speaker 1: didn't have much of a filter growing up. 207 00:08:03,920 --> 00:08:08,440 Speaker 2: I would say, But I'm curious about. 208 00:08:08,160 --> 00:08:10,720 Speaker 1: You, though, do you why do you feel more comfortable 209 00:08:10,760 --> 00:08:11,280 Speaker 1: being in character? 210 00:08:11,280 --> 00:08:13,000 Speaker 3: Do you think I think it's it's a similar thing 211 00:08:13,000 --> 00:08:14,800 Speaker 3: I think I feel if I step, if I'm in 212 00:08:14,840 --> 00:08:18,160 Speaker 3: somebody's shoes. Then there's a freedom there. There's a looseness 213 00:08:18,200 --> 00:08:20,320 Speaker 3: there that settles in because I feel I feel very 214 00:08:20,560 --> 00:08:22,760 Speaker 3: like structured, you know, when I'm just myself trying to talk. 215 00:08:22,760 --> 00:08:25,520 Speaker 3: I've gotten better as I've gotten older, and I think 216 00:08:25,720 --> 00:08:28,680 Speaker 3: you just sort of care less, I think somehow, And 217 00:08:28,760 --> 00:08:31,440 Speaker 3: to be honest, this journey that I'm on with the 218 00:08:31,480 --> 00:08:35,040 Speaker 3: podcast and everything and experiencing and working with really young creatives, 219 00:08:35,080 --> 00:08:37,880 Speaker 3: I'm like, there's a lot of relaxation. There's a lot 220 00:08:37,920 --> 00:08:39,959 Speaker 3: of freedom, there's a lot of authenticity. There's a lot 221 00:08:39,960 --> 00:08:42,440 Speaker 3: of let it all hang out. You are who you 222 00:08:42,520 --> 00:08:44,320 Speaker 3: are and this is how it works. And I'm like, 223 00:08:44,760 --> 00:08:47,080 Speaker 3: that is different than when I was coming up. 224 00:08:47,360 --> 00:08:49,760 Speaker 1: Well, so I think about this all the time because 225 00:08:49,800 --> 00:08:52,040 Speaker 1: I have like immense envy that you got to like, 226 00:08:52,320 --> 00:08:53,880 Speaker 1: I mean, being a woman is horrible at a bunch 227 00:08:53,880 --> 00:08:56,080 Speaker 1: of stages in life. I no special time, right, but 228 00:08:56,400 --> 00:08:58,800 Speaker 1: I feel like you got to act and be in 229 00:08:58,840 --> 00:09:03,840 Speaker 1: movies before smartphones. And I do not hate the Internet. 230 00:09:03,960 --> 00:09:06,360 Speaker 1: I have love for her and hate for her. You know, 231 00:09:06,400 --> 00:09:08,160 Speaker 1: I have all the feelings for her. You know, there's 232 00:09:08,200 --> 00:09:10,800 Speaker 1: the nuance there is she or her. I haven't decided 233 00:09:11,480 --> 00:09:13,360 Speaker 1: but do you think internet's getting more boy or girl? 234 00:09:14,240 --> 00:09:17,640 Speaker 3: It sort of depends on where. Yeah, I think so, 235 00:09:17,800 --> 00:09:18,840 Speaker 3: I think it's I think it's both. 236 00:09:19,920 --> 00:09:21,880 Speaker 1: But like I was talking to a friend the other 237 00:09:21,960 --> 00:09:23,840 Speaker 1: day who's a musician, Kevin Morby. I was out with 238 00:09:23,920 --> 00:09:27,240 Speaker 1: Caleb Heron and him to dinner, and I asked how 239 00:09:27,400 --> 00:09:33,040 Speaker 1: music has changed, how he thinks music has changed since smartphones, 240 00:09:33,080 --> 00:09:35,080 Speaker 1: like how if he hears it, and he was like, 241 00:09:35,080 --> 00:09:36,560 Speaker 1: I don't think he'd be mad at me for saying 242 00:09:36,600 --> 00:09:38,080 Speaker 1: this because it was just interesting. But he said, it 243 00:09:38,080 --> 00:09:41,080 Speaker 1: feels more like spot On always, like it's like there's 244 00:09:41,160 --> 00:09:44,160 Speaker 1: like less like it's like you're losing this is me 245 00:09:44,320 --> 00:09:47,640 Speaker 1: making my own words now like you're using losing some uniqueness. 246 00:09:47,640 --> 00:09:49,480 Speaker 1: And so it's interesting because I do think podcasts you 247 00:09:49,559 --> 00:09:51,400 Speaker 1: get someone's full personality. 248 00:09:52,080 --> 00:09:54,079 Speaker 2: But because we're absorbing so. 249 00:09:54,120 --> 00:09:57,240 Speaker 1: Much content on a day to day basis, I do 250 00:09:57,320 --> 00:10:00,480 Speaker 1: find that like people are trying to be more similar 251 00:10:00,520 --> 00:10:03,120 Speaker 1: to each other almost than ever before in a way, 252 00:10:03,200 --> 00:10:05,680 Speaker 1: or if they're trying to be different, it's like really 253 00:10:05,720 --> 00:10:09,120 Speaker 1: like this purposeful different versus like some of the projects 254 00:10:09,160 --> 00:10:11,199 Speaker 1: you know you've been a part of, you know, like 255 00:10:11,440 --> 00:10:14,640 Speaker 1: where it was just like such original voices because there 256 00:10:14,760 --> 00:10:16,600 Speaker 1: wasn't that it constant influence. 257 00:10:16,679 --> 00:10:18,560 Speaker 3: Yeah, that I mean that. I pointed directly to David 258 00:10:18,640 --> 00:10:22,000 Speaker 3: Lynch for that. David was one of a kind, you know, 259 00:10:22,120 --> 00:10:24,360 Speaker 3: and there was no way that anyone could try to 260 00:10:24,400 --> 00:10:26,719 Speaker 3: replicate or capture. In fact, it was a difficult when 261 00:10:26,720 --> 00:10:29,360 Speaker 3: we were working on Twin Peaks, you know, David, David 262 00:10:29,360 --> 00:10:32,000 Speaker 3: and Mark Frost created they wrote this together. David directed 263 00:10:32,000 --> 00:10:34,320 Speaker 3: the pilot of Twin Peaks, which still I'm so proud 264 00:10:34,320 --> 00:10:34,880 Speaker 3: of today. 265 00:10:34,720 --> 00:10:35,040 Speaker 2: So good. 266 00:10:35,080 --> 00:10:38,280 Speaker 1: I'll be completely honest, I hadn't seen it before I 267 00:10:38,320 --> 00:10:40,240 Speaker 1: was doing this, and then I went and started. 268 00:10:41,679 --> 00:10:48,199 Speaker 3: Same right, they're both just now coming. 269 00:10:48,600 --> 00:10:50,400 Speaker 1: I just honestly wasn't allowed to really watch much TV 270 00:10:50,440 --> 00:10:52,240 Speaker 1: growing up, so it's like all catching up an adulthood. 271 00:10:52,240 --> 00:10:53,679 Speaker 2: But I'm loving it, and that's all. 272 00:10:53,800 --> 00:10:55,319 Speaker 1: It made me think of that, and that's kind of 273 00:10:55,360 --> 00:10:57,280 Speaker 1: why I was asking Kevin even because I was just like, 274 00:10:57,480 --> 00:10:58,599 Speaker 1: I feel like we're losing. 275 00:10:58,400 --> 00:11:02,120 Speaker 2: Ugly original, interesting, like like ugly good, yeah, like do 276 00:11:02,160 --> 00:11:04,520 Speaker 2: you know or something like it's like everything is so tall. 277 00:11:04,600 --> 00:11:06,719 Speaker 3: But then I'm sort of I'm kind of I'm kind 278 00:11:06,720 --> 00:11:09,000 Speaker 3: of optimistic because I feel and this is just my 279 00:11:09,040 --> 00:11:11,720 Speaker 3: own personal journey. But I feel like I am much 280 00:11:11,920 --> 00:11:15,480 Speaker 3: less sort of self aware than I was when I 281 00:11:15,520 --> 00:11:19,160 Speaker 3: was younger and in the business. You know, presentation, how 282 00:11:19,200 --> 00:11:22,200 Speaker 3: you're seeing, you know, what you wear, would you look like? 283 00:11:22,240 --> 00:11:24,199 Speaker 3: You know what you say, how you're photographed. All this 284 00:11:24,240 --> 00:11:26,520 Speaker 3: stuff is like very very like, Okay, we've got to 285 00:11:26,520 --> 00:11:28,120 Speaker 3: plan this all out, make sure that you're gonna you're 286 00:11:28,160 --> 00:11:30,440 Speaker 3: gonna fit what we're trying to make you into, you 287 00:11:30,480 --> 00:11:30,880 Speaker 3: know what I mean. 288 00:11:30,960 --> 00:11:32,560 Speaker 2: Because there was less control, and it be like this 289 00:11:32,679 --> 00:11:33,880 Speaker 2: one thing everyone would. 290 00:11:33,720 --> 00:11:35,640 Speaker 3: See, yeah, and you were trying to you were the 291 00:11:35,760 --> 00:11:38,160 Speaker 3: same thing. I was trying to follow along with people 292 00:11:38,160 --> 00:11:40,880 Speaker 3: that were already kind of where I wanted to be, right, 293 00:11:40,920 --> 00:11:43,680 Speaker 3: So so got to get all two yes. So I 294 00:11:43,760 --> 00:11:45,959 Speaker 3: was like, okay, that's let's go there. But what I 295 00:11:46,080 --> 00:11:47,800 Speaker 3: found along the way is like, you know what I'm 296 00:11:48,360 --> 00:11:52,120 Speaker 3: I'm much more comfortable just hanging out and being myself, 297 00:11:52,160 --> 00:11:54,640 Speaker 3: which is kind of goofy, kind of fun, not really 298 00:11:54,679 --> 00:11:56,920 Speaker 3: caring too much a little bit, but not caring too much. 299 00:11:56,960 --> 00:11:58,360 Speaker 3: Like I said, I know my hair is but six 300 00:11:58,360 --> 00:12:03,360 Speaker 3: different shades of color on his way called it's called 301 00:12:03,360 --> 00:12:04,640 Speaker 3: an That's so nice to know. 302 00:12:04,679 --> 00:12:06,240 Speaker 1: All right, we kind of actually are both working in 303 00:12:06,200 --> 00:12:07,800 Speaker 1: aubrey right now. In my hair, I don't know if 304 00:12:07,800 --> 00:12:09,680 Speaker 1: you guys can tell, still drying from my shower. 305 00:12:09,720 --> 00:12:10,880 Speaker 2: I've never own a blow dryer. 306 00:12:11,360 --> 00:12:13,640 Speaker 1: I don't I can't imagine spending the time to dry 307 00:12:13,679 --> 00:12:14,120 Speaker 1: my hair. 308 00:12:14,120 --> 00:12:16,160 Speaker 3: Dying naturally, very nicely. 309 00:12:16,360 --> 00:12:18,520 Speaker 1: I mean, it's the world, Kyle, Okay, Yes, I really 310 00:12:18,559 --> 00:12:19,839 Speaker 1: like to hear this, and I think I needed to 311 00:12:19,880 --> 00:12:23,520 Speaker 1: hear that because I yeah, maybe it is because when 312 00:12:23,559 --> 00:12:26,480 Speaker 1: smartphones were introduced in my life, it was like such 313 00:12:26,520 --> 00:12:30,560 Speaker 1: a younger age that I didn't I was never in Hollywood. 314 00:12:30,000 --> 00:12:33,640 Speaker 2: Without that, you know, And so that's actually helpful to hear. 315 00:12:33,920 --> 00:12:36,320 Speaker 3: But what you say is true as well. I think 316 00:12:36,360 --> 00:12:38,360 Speaker 3: there's an influence. And my son is seventeen, and I 317 00:12:38,360 --> 00:12:40,520 Speaker 3: can see that. I can see the influence he's he 318 00:12:40,600 --> 00:12:43,360 Speaker 3: kind of walks to his own though, which. 319 00:12:43,200 --> 00:12:44,800 Speaker 2: Is what lesson did you teach him about how to 320 00:12:44,840 --> 00:12:45,440 Speaker 2: be a good guy? 321 00:12:45,559 --> 00:12:46,040 Speaker 1: He is? 322 00:12:46,640 --> 00:12:49,480 Speaker 3: He came out that way, she's in a way, he 323 00:12:49,640 --> 00:12:51,360 Speaker 3: really did. He's always been very He. 324 00:12:51,280 --> 00:12:55,040 Speaker 2: Came out and he was like, I will treat women incredibly. 325 00:12:55,960 --> 00:12:57,960 Speaker 3: But he and he also came through the period of 326 00:12:57,960 --> 00:13:00,280 Speaker 3: time the age he started in New York. He went 327 00:13:00,320 --> 00:13:04,160 Speaker 3: to Friends Seminary. There's very forward thinking school, and that 328 00:13:04,360 --> 00:13:07,360 Speaker 3: was just part of the culture of that school and 329 00:13:07,480 --> 00:13:11,600 Speaker 3: also of the generation somehow, And and he taught me. 330 00:13:11,720 --> 00:13:13,520 Speaker 3: I was like, okay, okay, I got to pay attention 331 00:13:13,559 --> 00:13:15,960 Speaker 3: to these things are important, you know, you gotta. 332 00:13:16,000 --> 00:13:18,720 Speaker 2: Really he wasn't to cry ever or anything. 333 00:13:18,880 --> 00:13:21,720 Speaker 3: No, not, no, not really. And he's very loving, He's 334 00:13:21,800 --> 00:13:25,800 Speaker 3: very affectionate. All he I will, I'll take a little bit, 335 00:13:25,920 --> 00:13:28,840 Speaker 3: take a little bit. But I was not that way 336 00:13:29,240 --> 00:13:31,480 Speaker 3: growing up. I think I was inside that way. I 337 00:13:31,520 --> 00:13:34,400 Speaker 3: was kind of a sensitive kid. But I said, no, not, 338 00:13:34,960 --> 00:13:36,800 Speaker 3: you know, that's not how it works. And even even 339 00:13:36,800 --> 00:13:37,640 Speaker 3: in my early work. 340 00:13:37,520 --> 00:13:39,480 Speaker 1: You're punished doing it in society, like even if you 341 00:13:39,520 --> 00:13:41,560 Speaker 1: had good parents, it really doesn't matter where you're like 342 00:13:42,080 --> 00:13:44,080 Speaker 1: who your surroundings are on your day to day because 343 00:13:44,240 --> 00:13:48,640 Speaker 1: it just takes like one, I'm very sensitive, sorry. 344 00:13:48,120 --> 00:13:51,880 Speaker 2: And that my acting. 345 00:13:51,720 --> 00:13:54,240 Speaker 1: For sure, but like my team and stuff has like 346 00:13:54,240 --> 00:13:55,920 Speaker 1: tried to get me to a podcast like a lot 347 00:13:55,920 --> 00:13:58,440 Speaker 1: of times in my past, and who knows, maybe someday 348 00:13:58,480 --> 00:14:01,880 Speaker 1: I will. But to me, like like when I leave 349 00:14:01,920 --> 00:14:04,320 Speaker 1: here today, this will be me in my car. Why 350 00:14:04,360 --> 00:14:05,960 Speaker 1: the fuck did you say something like that, you know. 351 00:14:05,920 --> 00:14:09,480 Speaker 4: What I mean, Like I immediately I'm hard on myself, 352 00:14:09,480 --> 00:14:11,080 Speaker 4: but it's like I also think it's like this thing 353 00:14:11,120 --> 00:14:12,840 Speaker 4: with the Internet that you have to stand by what 354 00:14:12,880 --> 00:14:14,760 Speaker 4: you said all the time, where it's like I kind 355 00:14:14,760 --> 00:14:16,600 Speaker 4: of change my opinion all the time, Like I'll. 356 00:14:16,480 --> 00:14:18,520 Speaker 2: Be like you not on big stuff like you know, 357 00:14:18,679 --> 00:14:19,160 Speaker 2: I mean, like. 358 00:14:19,400 --> 00:14:20,920 Speaker 3: But it's written yeah, you feel like it's written in 359 00:14:20,960 --> 00:14:21,680 Speaker 3: stone kind. 360 00:14:21,560 --> 00:14:23,280 Speaker 2: Of like casual little things. 361 00:14:23,280 --> 00:14:25,080 Speaker 1: I think that's why I like characters, because they are 362 00:14:25,120 --> 00:14:27,080 Speaker 1: all thinking different. Like of course, I like know my 363 00:14:27,200 --> 00:14:29,480 Speaker 1: values that I stand on, but as far as like yeah, 364 00:14:29,560 --> 00:14:32,360 Speaker 1: little opinions like it can just change. But I think 365 00:14:32,360 --> 00:14:36,120 Speaker 1: there is a beauty to making maybe things less precious 366 00:14:36,160 --> 00:14:38,600 Speaker 1: in that way. And like like I miss I found 367 00:14:38,640 --> 00:14:40,440 Speaker 1: like when I came up in the improv scene, what 368 00:14:40,600 --> 00:14:42,680 Speaker 1: healed me about doing an improv every single night was 369 00:14:42,760 --> 00:14:45,200 Speaker 1: it felt like sweating for my brain, Like it felt 370 00:14:45,280 --> 00:14:47,520 Speaker 1: like my brain was sweating. I could do anything. We 371 00:14:47,520 --> 00:14:49,200 Speaker 1: were in a live place, I was. I was so 372 00:14:49,280 --> 00:14:50,960 Speaker 1: lucky to be in an era of time in Chicago 373 00:14:51,000 --> 00:14:53,360 Speaker 1: where like our shows would be full, Like of course 374 00:14:53,360 --> 00:14:55,640 Speaker 1: I did shows for like two people and stuff too, 375 00:14:55,840 --> 00:14:58,240 Speaker 1: but we would do like sold out improv shows, and 376 00:14:58,760 --> 00:15:01,240 Speaker 1: it felt like a Okay, I can say anything. I 377 00:15:01,280 --> 00:15:03,960 Speaker 1: can whatever happened in my day to day, I can 378 00:15:04,040 --> 00:15:07,120 Speaker 1: let that out energy guise in a character. It doesn't 379 00:15:07,200 --> 00:15:10,080 Speaker 1: no one's watching it at home later and then yes, I. 380 00:15:10,120 --> 00:15:12,800 Speaker 3: Move on, yeah, and so beautiful. 381 00:15:12,680 --> 00:15:13,280 Speaker 2: That I need to. 382 00:15:13,480 --> 00:15:15,720 Speaker 1: And then since I've got I've found that I've like lot, 383 00:15:15,760 --> 00:15:18,680 Speaker 1: I found I've been like more scared of my goofy sometimes, 384 00:15:18,760 --> 00:15:20,440 Speaker 1: like I have like shed layers of my goofy, but 385 00:15:20,440 --> 00:15:22,240 Speaker 1: when I get in a character, I can do it again. 386 00:15:22,400 --> 00:15:22,600 Speaker 3: Yeah. 387 00:15:22,640 --> 00:15:24,240 Speaker 2: Yeah, like me, it's like, look, I'm so. 388 00:15:24,320 --> 00:15:28,200 Speaker 5: Serious, right, do you think you've gotten goofy or with 389 00:15:28,240 --> 00:15:29,960 Speaker 5: age or like, yeah, you do know what, I think 390 00:15:29,960 --> 00:15:32,640 Speaker 5: I've always been goofy, and I think you've always been 391 00:15:32,680 --> 00:15:34,520 Speaker 5: goofy and I always will be goofy. 392 00:15:34,840 --> 00:15:36,400 Speaker 3: But I think it's you know, you can do phases, 393 00:15:36,440 --> 00:15:38,560 Speaker 3: goofy phases depending on what's happening in your life in 394 00:15:38,600 --> 00:15:41,160 Speaker 3: the world. But I just feel like it's just you know, 395 00:15:41,400 --> 00:15:44,720 Speaker 3: it's why not have a laugh. That's just the most 396 00:15:44,760 --> 00:15:45,320 Speaker 3: important thing. 397 00:15:45,680 --> 00:15:48,400 Speaker 1: It's literally so important. And I find myself like under 398 00:15:48,520 --> 00:15:50,560 Speaker 1: the current administration and just like with what's going on 399 00:15:50,560 --> 00:15:52,600 Speaker 1: in our country, like and there's like really valid fears, 400 00:15:52,600 --> 00:15:54,160 Speaker 1: like we have white supremacists in charge. 401 00:15:54,200 --> 00:15:57,800 Speaker 2: But I'm like, laughing is so important in this. 402 00:15:57,840 --> 00:16:00,960 Speaker 1: Time and I have to get better at I'm like 403 00:16:01,080 --> 00:16:02,960 Speaker 1: actively working on it right now, being like how do 404 00:16:03,080 --> 00:16:06,360 Speaker 1: I'm still make people laughtering this? Because I know, like 405 00:16:06,400 --> 00:16:09,640 Speaker 1: something like all the comedians who inspire me are people. 406 00:16:09,400 --> 00:16:12,000 Speaker 2: Who talk about the current times while. 407 00:16:11,760 --> 00:16:13,960 Speaker 1: Also making me laugh so hard, like we get to 408 00:16:14,040 --> 00:16:16,840 Speaker 1: laugh at the evil with like like minded people and 409 00:16:16,960 --> 00:16:19,240 Speaker 1: it's like this like really healing thing. 410 00:16:19,320 --> 00:16:21,720 Speaker 3: Yeah. No, I looked like Colbert for me. I watched 411 00:16:21,720 --> 00:16:25,440 Speaker 3: even just because he's just love him so smart and 412 00:16:25,920 --> 00:16:28,600 Speaker 3: and it's that kind of you. He's kind of that 413 00:16:28,680 --> 00:16:31,040 Speaker 3: serious but funny, which is the type of humor I 414 00:16:31,120 --> 00:16:31,560 Speaker 3: really love. 415 00:16:31,800 --> 00:16:32,000 Speaker 2: Yeah. 416 00:16:32,040 --> 00:16:33,520 Speaker 3: No, like John Shure, it's great too, but he's like, 417 00:16:33,760 --> 00:16:35,880 Speaker 3: I'm want to play it. He's crazy, Yes, Stephen Colbert 418 00:16:36,000 --> 00:16:37,880 Speaker 3: is like he's got this whole rap going and then 419 00:16:38,040 --> 00:16:40,040 Speaker 3: then he just gives you a little smile, a little wink, 420 00:16:40,080 --> 00:16:42,280 Speaker 3: and you're like, oh, okay, okay. 421 00:16:42,080 --> 00:16:44,520 Speaker 1: I just like there's a confidence there that you like 422 00:16:44,600 --> 00:16:45,560 Speaker 1: know he's gonna save it. 423 00:16:45,960 --> 00:16:48,600 Speaker 2: Caleb Heron, who is a close friend. Like whenever I'm on. 424 00:16:48,560 --> 00:16:51,160 Speaker 1: Stage with him, it feels like this really safe space 425 00:16:51,200 --> 00:16:54,040 Speaker 1: where I just know that, like no matter where we 426 00:16:54,080 --> 00:16:56,360 Speaker 1: go conversation wise or anything, that it's like. 427 00:16:56,560 --> 00:16:57,280 Speaker 2: It's gonna be fun. 428 00:16:57,640 --> 00:17:00,520 Speaker 3: You've explained that so well. We didn't you together at 429 00:17:00,560 --> 00:17:02,440 Speaker 3: Caleb and he came on the show. Yeah, And i'd 430 00:17:02,440 --> 00:17:04,560 Speaker 3: met him before we did like a little thing together. 431 00:17:04,720 --> 00:17:06,359 Speaker 3: I didn't know him, you know, I hadn't met him ever, 432 00:17:06,440 --> 00:17:08,480 Speaker 3: but I watched him work and we had shared a 433 00:17:08,520 --> 00:17:10,520 Speaker 3: little scene together, and I watched him. I said, this 434 00:17:10,520 --> 00:17:13,040 Speaker 3: guy knows what he's doing. This guy is smart, this 435 00:17:13,080 --> 00:17:15,760 Speaker 3: guy is he's cutting and editing in his head for 436 00:17:15,880 --> 00:17:17,760 Speaker 3: just a little tiny moment and I just thought. I 437 00:17:17,760 --> 00:17:20,520 Speaker 3: watched his face and I watched him repeat and know 438 00:17:20,600 --> 00:17:22,360 Speaker 3: what he needed to do at a certain point in time, 439 00:17:22,400 --> 00:17:25,000 Speaker 3: and I just took it all and I was like, Okay, 440 00:17:25,119 --> 00:17:29,120 Speaker 3: and you're absolutely right. He's incredibly confident, so well spoken, 441 00:17:29,880 --> 00:17:33,040 Speaker 3: so smart. And I was like, I get what you're saying. 442 00:17:33,280 --> 00:17:33,680 Speaker 2: So smart. 443 00:17:33,720 --> 00:17:35,680 Speaker 1: I mean, it's a big I think that some people 444 00:17:35,680 --> 00:17:39,520 Speaker 1: who make comedy look so easy, like people will be like, well, 445 00:17:39,560 --> 00:17:42,639 Speaker 1: like some guys love to come to comedians and like 446 00:17:42,760 --> 00:17:44,480 Speaker 1: you know and be like, you know, I could be 447 00:17:44,520 --> 00:17:45,200 Speaker 1: a comedian. 448 00:17:45,520 --> 00:17:46,200 Speaker 2: I could do that. 449 00:17:46,320 --> 00:17:48,840 Speaker 1: It's like because it's an easier thing to say versus 450 00:17:48,880 --> 00:17:50,879 Speaker 1: like if you saw like a dancer or something, you know, 451 00:17:51,280 --> 00:17:53,920 Speaker 1: because I think you watch it and you're like, I'm 452 00:17:53,920 --> 00:17:56,159 Speaker 1: making my friends laugh all the freaking time, you know, like, 453 00:17:56,680 --> 00:17:57,880 Speaker 1: and then it's. 454 00:17:57,720 --> 00:18:00,040 Speaker 2: Like you actually, and I think Caleb, when I watch him, it's. 455 00:17:59,880 --> 00:18:03,360 Speaker 1: Like it feels so effortless, yes, And I'm just like, 456 00:18:03,640 --> 00:18:05,800 Speaker 1: it's not like he works in being his close friend. 457 00:18:05,840 --> 00:18:07,200 Speaker 2: I'm like, he works so hard. 458 00:18:07,280 --> 00:18:09,159 Speaker 3: Yeah, but that's the thing about comedy, good comedy. It 459 00:18:09,160 --> 00:18:14,040 Speaker 3: looks effortless, but it's incredibly challenging. Yes, everything is. It 460 00:18:14,080 --> 00:18:16,679 Speaker 3: hangs on just you know, a moment to timing, you know, 461 00:18:16,720 --> 00:18:18,119 Speaker 3: a link, a look glance. 462 00:18:18,280 --> 00:18:21,040 Speaker 1: It is why improv is like such an incredible skill 463 00:18:21,119 --> 00:18:22,760 Speaker 1: to have. But I will say, like I used to 464 00:18:22,840 --> 00:18:24,560 Speaker 1: rely on it so much when I was in Chicago. 465 00:18:24,640 --> 00:18:26,639 Speaker 1: I would like do stand up occasionally there, but I 466 00:18:26,640 --> 00:18:28,600 Speaker 1: would mostly do improv, right, And I would like really 467 00:18:28,600 --> 00:18:30,639 Speaker 1: rely on my improv skills in stand up. 468 00:18:30,680 --> 00:18:32,080 Speaker 2: So I would be like go to a mic or. 469 00:18:32,000 --> 00:18:34,040 Speaker 1: Something and I'd be like, this is the topic and 470 00:18:34,080 --> 00:18:36,040 Speaker 1: we're just going to play, you know, and I would 471 00:18:36,080 --> 00:18:37,879 Speaker 1: like get laughs and I'd be like, did it do? 472 00:18:37,960 --> 00:18:39,760 Speaker 1: I was also like drinking, and you know when you're 473 00:18:39,760 --> 00:18:41,480 Speaker 1: like drinking and you like listen to the recording later 474 00:18:41,520 --> 00:18:42,639 Speaker 1: and you're like not as funny as I. 475 00:18:45,320 --> 00:18:48,000 Speaker 2: Was, Like, God, I killed, but I did. I did, 476 00:18:48,200 --> 00:18:49,760 Speaker 2: honestly do well often. 477 00:18:50,200 --> 00:18:53,000 Speaker 1: But then I moved to la for two years and 478 00:18:53,600 --> 00:18:54,960 Speaker 1: did a couple of shows and there would be all 479 00:18:54,960 --> 00:18:57,320 Speaker 1: industry in the audience and I would I came like 480 00:18:57,440 --> 00:18:59,520 Speaker 1: with that same type of energy for the first couple 481 00:18:59,520 --> 00:19:01,879 Speaker 1: where it was just like we have a couple of concepts, 482 00:19:01,880 --> 00:19:03,239 Speaker 1: like and I'd be really good, feel like one of them. 483 00:19:03,240 --> 00:19:04,680 Speaker 1: I had like a note in my belly button, like 484 00:19:04,720 --> 00:19:07,560 Speaker 1: I was being so weird, right and then like I 485 00:19:07,600 --> 00:19:10,439 Speaker 1: was like everyone was looking at me like really like 486 00:19:10,560 --> 00:19:11,560 Speaker 1: just like and then I. 487 00:19:11,480 --> 00:19:12,919 Speaker 2: Had to talk to myself. I was like, hey, so 488 00:19:13,000 --> 00:19:14,320 Speaker 2: you have to have like jokes. 489 00:19:14,040 --> 00:19:17,360 Speaker 1: Written out and like they have to be really polished, 490 00:19:17,400 --> 00:19:20,040 Speaker 1: and then you get to use your improv skill to 491 00:19:20,240 --> 00:19:23,000 Speaker 1: play off of those. It's what's so funny about reviews. 492 00:19:23,040 --> 00:19:24,399 Speaker 1: And I think it's so funny when people give a 493 00:19:24,440 --> 00:19:27,919 Speaker 1: lot of weights reviews because I'm like this is like 494 00:19:28,080 --> 00:19:32,120 Speaker 1: one dude's opinion of like art, like it's so great, 495 00:19:32,160 --> 00:19:34,960 Speaker 1: it's so like my favorite art will never be that 496 00:19:35,480 --> 00:19:38,119 Speaker 1: for everyone, right ever, so I think sometimes you have 497 00:19:38,119 --> 00:19:40,040 Speaker 1: to find yourselves, Like who are my favorite artists? 498 00:19:40,520 --> 00:19:42,159 Speaker 2: I can name a hundred people who hate them, but 499 00:19:42,200 --> 00:19:43,440 Speaker 2: you know what I mean, Like that's. 500 00:19:43,200 --> 00:19:46,040 Speaker 3: Still like, yeah, I mean, I go back. I'm thinking 501 00:19:46,040 --> 00:19:47,840 Speaker 3: about David Lynch and I'm saying, you know, he certainly 502 00:19:47,880 --> 00:19:49,520 Speaker 3: was not for everybody, you know what I mean, But 503 00:19:49,600 --> 00:19:52,240 Speaker 3: what he created, I think, just personally, what he created 504 00:19:52,320 --> 00:19:57,240 Speaker 3: is universal and I think very deep and very very special, 505 00:19:57,240 --> 00:20:00,879 Speaker 3: of course, very specific to him, and it'll live on forever. 506 00:20:01,160 --> 00:20:03,040 Speaker 1: It will live on forever, and it's very special. And 507 00:20:03,119 --> 00:20:05,200 Speaker 1: voices that try to seem like everyone else's they don't 508 00:20:05,240 --> 00:20:05,800 Speaker 1: live on forever. 509 00:20:05,880 --> 00:20:07,919 Speaker 2: They blend in not in a mean way, and I 510 00:20:08,000 --> 00:20:08,560 Speaker 2: totally get it. 511 00:20:08,600 --> 00:20:11,280 Speaker 1: I'm just like, I just hope people can remember that 512 00:20:11,359 --> 00:20:14,000 Speaker 1: when like they're scared to try something. 513 00:20:13,920 --> 00:20:16,119 Speaker 3: Well, new voices. You were talking about earlier and how 514 00:20:16,160 --> 00:20:18,359 Speaker 3: the Internet may be sort of squelching new voices or 515 00:20:18,400 --> 00:20:21,600 Speaker 3: it's just not encouraging. I think you can individual individuality, 516 00:20:21,600 --> 00:20:22,520 Speaker 3: individual voices. 517 00:20:22,600 --> 00:20:23,600 Speaker 2: Right when I came. 518 00:20:23,520 --> 00:20:25,600 Speaker 1: Up on Twitter, so basically like yeah, I was just 519 00:20:25,600 --> 00:20:28,480 Speaker 1: improvising in Chicago, and then my team was like my team. 520 00:20:28,400 --> 00:20:30,400 Speaker 2: Mightn't have a team. My team wasn't worked at a gym. 521 00:20:30,640 --> 00:20:32,119 Speaker 1: I worked at a gym, and my boss would go 522 00:20:32,160 --> 00:20:34,119 Speaker 1: and I'd be like, look did it do like do 523 00:20:34,200 --> 00:20:36,240 Speaker 1: like a silly video? Right? I actually the ex boyfriend 524 00:20:36,240 --> 00:20:37,560 Speaker 1: whos like you should improvise online and I was like, 525 00:20:37,600 --> 00:20:41,160 Speaker 1: you shouldn't be calling, you know, but getting we're friends. 526 00:20:41,160 --> 00:20:42,000 Speaker 2: I just went to his wedding. 527 00:20:43,080 --> 00:20:45,159 Speaker 1: I know, his grandma was like being really really so 528 00:20:45,280 --> 00:20:46,800 Speaker 1: friendly to me, where I was like, let's pay attention 529 00:20:46,840 --> 00:20:49,800 Speaker 1: to the bride, but we are close friends. He was 530 00:20:49,800 --> 00:20:51,600 Speaker 1: such a comedy fan and it was really helpful in 531 00:20:51,640 --> 00:20:53,720 Speaker 1: college because I actually like was kind of more in 532 00:20:53,720 --> 00:20:56,199 Speaker 1: the music scene. I would say than even comedy, just 533 00:20:56,200 --> 00:21:00,159 Speaker 1: because I loved comedy, but the comedy could see and 534 00:21:00,680 --> 00:21:02,600 Speaker 1: it can be a boys club. It's changed a lot, 535 00:21:02,640 --> 00:21:04,480 Speaker 1: but it was like in college, I would say definitely 536 00:21:04,560 --> 00:21:05,000 Speaker 1: giving that. 537 00:21:05,160 --> 00:21:05,480 Speaker 3: Yeah. 538 00:21:05,520 --> 00:21:08,280 Speaker 1: Anyways, he was like yeah, when I was in Chicago, 539 00:21:08,320 --> 00:21:09,800 Speaker 1: he was like, you should have record some of this 540 00:21:09,840 --> 00:21:11,760 Speaker 1: and put on the internet because he watched people doing that. 541 00:21:12,040 --> 00:21:13,280 Speaker 1: So I was like, I'll do that when I'm working 542 00:21:13,320 --> 00:21:15,199 Speaker 1: at the gym and my boss is gone, right, so 543 00:21:15,280 --> 00:21:16,000 Speaker 1: I started. 544 00:21:15,720 --> 00:21:17,320 Speaker 3: Doing that or multitaskers. 545 00:21:17,440 --> 00:21:21,560 Speaker 2: You are, oh, big time, big time. I like it. 546 00:21:21,640 --> 00:21:23,440 Speaker 1: I literally thought I couldn't learn how to play guitar 547 00:21:23,480 --> 00:21:25,760 Speaker 1: for the longest time. But it's because the beginning part 548 00:21:25,800 --> 00:21:28,879 Speaker 1: of learning is like, oh, so pouring and you're just 549 00:21:28,880 --> 00:21:32,480 Speaker 1: like here alone and I'm like canon. And then someone 550 00:21:32,600 --> 00:21:34,360 Speaker 1: was like, you know, you could like watch TV while 551 00:21:34,400 --> 00:21:35,840 Speaker 1: you play, and I was like, but then you're like 552 00:21:36,040 --> 00:21:38,520 Speaker 1: cheating or something, and they're like no, And so then 553 00:21:38,560 --> 00:21:40,080 Speaker 1: I like learned how to play because I would just 554 00:21:40,119 --> 00:21:42,280 Speaker 1: like practice the boring stuff while I would like watch, 555 00:21:42,400 --> 00:21:44,359 Speaker 1: honestly in the pandemic, like all of Sex in the 556 00:21:44,400 --> 00:21:46,560 Speaker 1: City I had never seen. I watched all of Sex 557 00:21:46,560 --> 00:21:49,480 Speaker 1: in the City while I was learning to do basic chords, 558 00:21:49,480 --> 00:21:51,320 Speaker 1: and then I was like doing two. 559 00:21:51,119 --> 00:21:51,760 Speaker 2: Things at once. 560 00:21:52,200 --> 00:21:53,160 Speaker 3: It's the best way. 561 00:21:53,400 --> 00:21:55,280 Speaker 2: Really, I would say one that gets a four. 562 00:21:57,040 --> 00:22:00,480 Speaker 1: Right. All this is say I was a record these 563 00:22:00,520 --> 00:22:02,560 Speaker 1: and what I found was I didn't care at all 564 00:22:02,640 --> 00:22:04,680 Speaker 1: what people's opinion was because I didn't have a goal 565 00:22:04,720 --> 00:22:07,240 Speaker 1: with it. Then when I start getting attention on the internet, 566 00:22:07,680 --> 00:22:11,000 Speaker 1: I found that you start to notice what does better 567 00:22:11,320 --> 00:22:13,879 Speaker 1: than other things, you know, and that starts to of 568 00:22:13,920 --> 00:22:18,040 Speaker 1: course influence how you make art and what you what 569 00:22:18,080 --> 00:22:20,320 Speaker 1: you're because you're like, well, this is what they're liking more, 570 00:22:20,400 --> 00:22:22,240 Speaker 1: and it's like, well, who are they? Because you might 571 00:22:22,680 --> 00:22:24,520 Speaker 1: I think something I've been talking to myself about, like 572 00:22:24,520 --> 00:22:26,520 Speaker 1: if I ever do start a podcast, or like I'm 573 00:22:26,640 --> 00:22:28,159 Speaker 1: about to move to New York and I'm going to 574 00:22:28,160 --> 00:22:30,399 Speaker 1: start a monthly show, and I want to be like, 575 00:22:30,880 --> 00:22:33,280 Speaker 1: I want to really take time and remember who is 576 00:22:33,880 --> 00:22:36,600 Speaker 1: the audience I want to speak to. Yeah, because sometimes 577 00:22:36,600 --> 00:22:39,240 Speaker 1: you can find an audience that isn't even who your 578 00:22:39,440 --> 00:22:42,800 Speaker 1: goal audience is, but they'll love something so much that 579 00:22:42,880 --> 00:22:46,199 Speaker 1: I've watched, like amazing voices in our generation kind of 580 00:22:46,240 --> 00:22:49,600 Speaker 1: like cater to an audience and honestly become kind of 581 00:22:49,640 --> 00:22:52,679 Speaker 1: like scary people sometimes because they're like, that's the audience 582 00:22:52,680 --> 00:22:53,199 Speaker 1: that likes me. 583 00:22:53,359 --> 00:22:56,679 Speaker 3: Yeah, that's so interesting, because I immediately thought how tempting 584 00:22:56,720 --> 00:22:59,240 Speaker 3: it is to watch and look and say, ah, this 585 00:22:59,280 --> 00:23:01,560 Speaker 3: is getting you know, these many hits, these likes, this 586 00:23:01,640 --> 00:23:02,600 Speaker 3: is not hit. 587 00:23:02,600 --> 00:23:04,119 Speaker 2: I talk about multiple things I want, it's. 588 00:23:03,960 --> 00:23:07,560 Speaker 3: One hundred percent. But then I think to myself, wait, wait, wait, wait, 589 00:23:07,600 --> 00:23:11,199 Speaker 3: you can't go there right because whatever is happening in 590 00:23:11,240 --> 00:23:13,760 Speaker 3: here is the most important thing. So it's what's coming 591 00:23:13,760 --> 00:23:15,440 Speaker 3: out of you. This is what I need to say, 592 00:23:15,920 --> 00:23:18,159 Speaker 3: and that's that's where, and that's the heart. It's the 593 00:23:18,200 --> 00:23:20,359 Speaker 3: hardest thing is to go back to that. And I 594 00:23:20,400 --> 00:23:23,080 Speaker 3: again I look to David David Lynch and I say, 595 00:23:23,119 --> 00:23:27,440 Speaker 3: he was always here, first the idea and then create 596 00:23:27,560 --> 00:23:30,919 Speaker 3: whatever he created, didn't matter who's going to like it, 597 00:23:30,960 --> 00:23:33,760 Speaker 3: who's not going to like it. I need to do 598 00:23:33,800 --> 00:23:36,520 Speaker 3: this thing, do that thing, and I I try to 599 00:23:36,560 --> 00:23:37,480 Speaker 3: remember that because it's. 600 00:23:37,720 --> 00:23:41,200 Speaker 1: For someone, the fact that I really genuinely believe the artist. 601 00:23:41,240 --> 00:23:44,840 Speaker 1: When you feel something inside you that is supposed to 602 00:23:44,880 --> 00:23:47,280 Speaker 1: come out, it is for someone. And if you start 603 00:23:47,320 --> 00:23:49,760 Speaker 1: to cater to someone that your thing isn't. 604 00:23:49,560 --> 00:23:53,000 Speaker 2: For it's not gonna you're killing it. You're like feeling, 605 00:23:53,000 --> 00:23:55,800 Speaker 2: you're going to be like numb little boy. 606 00:23:55,760 --> 00:23:55,960 Speaker 5: You know. 607 00:23:56,920 --> 00:23:59,040 Speaker 1: But that makes me so I'm I'm very inspired by him, 608 00:23:59,040 --> 00:24:01,600 Speaker 1: even from starting twin by watching Blue Velvet, I'm just like, 609 00:24:01,600 --> 00:24:03,359 Speaker 1: I'm very inspired. And I love hearing you say this 610 00:24:03,400 --> 00:24:06,960 Speaker 1: stuff too, because I really, yeah, it makes me really excited. 611 00:24:07,040 --> 00:24:08,800 Speaker 1: And I think that the Internet is a tool and 612 00:24:08,840 --> 00:24:11,479 Speaker 1: if we remember what we just talked about, it can 613 00:24:11,520 --> 00:24:12,359 Speaker 1: be used beautifully. 614 00:24:12,480 --> 00:24:16,000 Speaker 3: Yeah yeah, just with caution. I think with caution, Yeah, 615 00:24:16,560 --> 00:24:17,160 Speaker 3: use with caution. 616 00:24:17,280 --> 00:24:20,760 Speaker 2: You sleep with their phone in your room, Yeah, I do. 617 00:24:20,840 --> 00:24:24,400 Speaker 3: But I'm I'm kind of like, I'm like, I'll I'll 618 00:24:24,400 --> 00:24:25,920 Speaker 3: just turn it. I don't have a I don't really 619 00:24:25,920 --> 00:24:27,280 Speaker 3: have a problem putting it away. 620 00:24:27,400 --> 00:24:28,120 Speaker 2: You're not addicted. 621 00:24:28,400 --> 00:24:31,720 Speaker 3: I'm not addicted. I mean, but when you are, but 622 00:24:31,760 --> 00:24:33,240 Speaker 3: it is a time suck, you know what I mean. 623 00:24:33,320 --> 00:24:35,120 Speaker 3: And when you sit and you start going because then 624 00:24:35,160 --> 00:24:37,679 Speaker 3: some stuff is interesting, You're like, oh, I, oh, you 625 00:24:37,720 --> 00:24:39,680 Speaker 3: know what is Neil de grass Tyson the same I'm 626 00:24:39,760 --> 00:24:42,560 Speaker 3: reading about Saturn, Like this is kind of cool, and 627 00:24:42,680 --> 00:24:44,280 Speaker 3: you know, and then it goes to something else, you know, 628 00:24:44,359 --> 00:24:45,920 Speaker 3: even then you go something goofy, and then you go back. 629 00:24:46,160 --> 00:24:48,640 Speaker 3: But so I get caught up in like, oh, that's 630 00:24:48,680 --> 00:24:49,880 Speaker 3: sort of you know, it's a time. 631 00:24:49,920 --> 00:24:51,800 Speaker 1: I'll set a time or for I'm a time or 632 00:24:51,840 --> 00:24:54,359 Speaker 1: person so important. Like that's why I can have roommates too. 633 00:24:54,440 --> 00:24:56,080 Speaker 1: I like say it's for me, it's like it's for them. 634 00:24:56,240 --> 00:24:58,080 Speaker 1: When I live with people, the big one other timers 635 00:24:58,119 --> 00:25:00,119 Speaker 1: going off, I'm like time to eat you know, like 636 00:25:00,200 --> 00:25:02,720 Speaker 1: I have timers going off all the time, and I 637 00:25:02,800 --> 00:25:04,840 Speaker 1: do them when I write, I'll set thirty minute timers, 638 00:25:04,920 --> 00:25:06,199 Speaker 1: so it's like you don't look at your phone for 639 00:25:06,200 --> 00:25:08,639 Speaker 1: thirty minutes, and when I tell you that thirty minutes 640 00:25:08,640 --> 00:25:11,560 Speaker 1: will be like, I'll be like that was nine hours. 641 00:25:11,720 --> 00:25:13,399 Speaker 1: Where then like I'll be on my phone for a 642 00:25:13,440 --> 00:25:15,480 Speaker 1: second and like like a whole hour went by, and 643 00:25:15,520 --> 00:25:16,720 Speaker 1: I like, you know, learned. 644 00:25:16,480 --> 00:25:19,040 Speaker 2: That like trees communicate through their roots. Yes, I'm so glad. 645 00:25:19,080 --> 00:25:21,400 Speaker 1: I know it's interesting somebody, But I also like, see, 646 00:25:21,520 --> 00:25:24,040 Speaker 1: you know, there's a I also see like people being like, 647 00:25:24,080 --> 00:25:26,640 Speaker 1: what if you were skinny just enough that you die? 648 00:25:26,760 --> 00:25:28,080 Speaker 1: And it's like, well, I don't want to die. I 649 00:25:28,080 --> 00:25:31,760 Speaker 1: from not eating, you know. I'm like, let's get back 650 00:25:31,800 --> 00:25:39,359 Speaker 1: to the trees. You know, will you tell me if 651 00:25:39,359 --> 00:25:41,720 Speaker 1: I'm boring you? Ever, you would never say. 652 00:25:41,720 --> 00:25:42,280 Speaker 3: You're not boring? 653 00:25:42,320 --> 00:25:44,560 Speaker 1: What if that would literally go so viral over if 654 00:25:44,600 --> 00:25:46,320 Speaker 1: you literally were like this and you were like, you're 655 00:25:46,320 --> 00:25:48,160 Speaker 1: boring me viral a million likes. 656 00:25:48,240 --> 00:25:49,800 Speaker 2: People would literally lose their minds. 657 00:25:49,840 --> 00:25:50,680 Speaker 3: Well, I'm sorry it's not true. 658 00:25:51,680 --> 00:25:54,240 Speaker 1: Fine, but first catch, maybe we could do it. Okay, 659 00:25:54,680 --> 00:25:56,840 Speaker 1: here's what I'll say the pant sexual Bachelor. Basically what 660 00:25:56,880 --> 00:25:59,359 Speaker 1: happened is came up in Chicago scene, then got welcome 661 00:25:59,400 --> 00:26:00,679 Speaker 1: to Flash and then I'll like, I guess I'm an 662 00:26:00,680 --> 00:26:02,800 Speaker 1: actor now what the heck? So then I was like, okay, 663 00:26:02,800 --> 00:26:05,960 Speaker 1: I moved to Los Angeles, right city at Dreams and so, 664 00:26:06,600 --> 00:26:08,080 Speaker 1: and it was right after COVID, So I was like, 665 00:26:08,080 --> 00:26:09,600 Speaker 1: am I on vacation? And then I was like no, 666 00:26:09,760 --> 00:26:11,639 Speaker 1: like you don't have a job. And so I have 667 00:26:11,720 --> 00:26:13,760 Speaker 1: always been a big fan of Bachelor Nation. 668 00:26:13,880 --> 00:26:14,320 Speaker 2: Not anymore. 669 00:26:14,359 --> 00:26:16,879 Speaker 1: They changed the whole thing. But it used to be 670 00:26:16,920 --> 00:26:19,879 Speaker 1: the best comedy on TV. I mean these inadvertent comedy 671 00:26:20,320 --> 00:26:23,239 Speaker 1: it was. Yeah, I mean the producers knew what they 672 00:26:23,240 --> 00:26:25,639 Speaker 1: were doing. They really did. And also by the end, 673 00:26:25,640 --> 00:26:27,720 Speaker 1: I would always like end up like loving a girl 674 00:26:27,720 --> 00:26:29,600 Speaker 1: who in real life I would have judged, you know, 675 00:26:29,960 --> 00:26:31,679 Speaker 1: like in real life there's a type of girl that 676 00:26:31,800 --> 00:26:33,600 Speaker 1: was like, you know, means to me growing up, maybe 677 00:26:33,600 --> 00:26:35,320 Speaker 1: because I was like chubby or whatever. Who Like then 678 00:26:35,359 --> 00:26:38,080 Speaker 1: I see an adulthood and I'm just like, oh stupid. Yeah, 679 00:26:38,119 --> 00:26:40,240 Speaker 1: And like by the end of the like Final Three 680 00:26:40,280 --> 00:26:42,159 Speaker 1: and Bachelor, I'd be like I love Alyssa and like 681 00:26:42,240 --> 00:26:45,239 Speaker 1: she means the best, you know. So I always love 682 00:26:45,280 --> 00:26:47,840 Speaker 1: The Bachelor, and I also I'm obsessed with romance. 683 00:26:48,080 --> 00:26:50,080 Speaker 2: I just think it's like the most interesting thing we do. 684 00:26:50,720 --> 00:26:53,159 Speaker 1: So would always watch The Bachelor, and so then I 685 00:26:53,240 --> 00:26:56,000 Speaker 1: was like, what if I am the Bachelor and the 686 00:26:56,040 --> 00:26:57,920 Speaker 1: fan sexual is just like I would say the nerd 687 00:26:58,000 --> 00:27:00,119 Speaker 1: TV word they would have used instead of saying like 688 00:27:00,200 --> 00:27:00,879 Speaker 1: queer or something. 689 00:27:00,920 --> 00:27:01,720 Speaker 2: So that's why I did it. 690 00:27:01,760 --> 00:27:03,960 Speaker 1: For the thing, I would never call myself pan sexual, 691 00:27:04,000 --> 00:27:06,600 Speaker 1: allowed no offense to anyone who does. It just kind 692 00:27:06,600 --> 00:27:10,000 Speaker 1: of sounds like I would just say queer fits me more. 693 00:27:10,040 --> 00:27:12,200 Speaker 1: I guess for me, it's a little kind of more 694 00:27:12,240 --> 00:27:14,439 Speaker 1: the ugly thing. You know, pan sexual is like, oh 695 00:27:14,520 --> 00:27:17,240 Speaker 1: I am pun sexual. I feel like if we ever 696 00:27:17,359 --> 00:27:19,800 Speaker 1: had a queer president, it would be a pan sexual president. 697 00:27:20,160 --> 00:27:22,840 Speaker 1: Please God, can you imagine with the country be in 698 00:27:22,880 --> 00:27:24,680 Speaker 1: such a great, beautiful place, I would start doing ply 699 00:27:24,720 --> 00:27:27,320 Speaker 1: their legiance again. But what I'll say is this, I 700 00:27:27,520 --> 00:27:29,199 Speaker 1: was like, I need to make pe'll come to the 701 00:27:29,200 --> 00:27:31,480 Speaker 1: improv show. So I was like, I'll be the Bachelor. 702 00:27:31,760 --> 00:27:35,080 Speaker 1: I'll cast all my funny friends and they all get 703 00:27:35,119 --> 00:27:36,800 Speaker 1: to pick a character that they get to play for 704 00:27:36,880 --> 00:27:39,560 Speaker 1: the whole time, but I will be myself and then 705 00:27:39,600 --> 00:27:41,760 Speaker 1: we'll do it like the actual Bachelor, but we'll have 706 00:27:41,840 --> 00:27:43,760 Speaker 1: like six episodes, but it will be a live show. 707 00:27:43,800 --> 00:27:46,159 Speaker 1: And I structured it with a friend and a wife's 708 00:27:46,160 --> 00:27:47,000 Speaker 1: amazing producer. 709 00:27:47,520 --> 00:27:49,120 Speaker 2: We structured it so. 710 00:27:49,119 --> 00:27:51,000 Speaker 1: Like we knew, like we knew that there would be 711 00:27:51,040 --> 00:27:52,760 Speaker 1: like a group date, a one on one date, and 712 00:27:52,760 --> 00:27:55,120 Speaker 1: there was always a confessional on stage, which was very fun. 713 00:27:55,520 --> 00:27:57,920 Speaker 2: We knew how it would structured, but within all the. 714 00:27:57,920 --> 00:28:01,280 Speaker 1: Scenes it was fully improvised, so it like allowed for this, 715 00:28:01,440 --> 00:28:03,280 Speaker 1: like it was so fun. 716 00:28:03,359 --> 00:28:04,440 Speaker 2: Have you ever watched The Bachelor? 717 00:28:04,480 --> 00:28:06,440 Speaker 3: You can be honest, I have not watched The Bachelor. 718 00:28:06,640 --> 00:28:07,400 Speaker 2: This is amazing. 719 00:28:07,480 --> 00:28:10,199 Speaker 3: I've seen like moment you know, like you see that that. 720 00:28:10,200 --> 00:28:11,800 Speaker 2: Makes a kind of sense that you have watched it. 721 00:28:11,840 --> 00:28:14,480 Speaker 1: I don't watch the Housewives, and I'm always left out 722 00:28:14,480 --> 00:28:15,719 Speaker 1: of a friend group talks about it. 723 00:28:15,720 --> 00:28:16,960 Speaker 2: They're all talking about the Housewives. 724 00:28:17,040 --> 00:28:19,520 Speaker 1: I only like reality shows that are like competitions two 725 00:28:20,320 --> 00:28:23,000 Speaker 1: in love, which is like really a dark thing we do. 726 00:28:23,119 --> 00:28:24,119 Speaker 2: But I'm hooked. 727 00:28:24,840 --> 00:28:27,159 Speaker 1: Yes, not with a new Bachelor, but what they do 728 00:28:27,200 --> 00:28:28,880 Speaker 1: on Bachelor sometimes is you'll have you have a. 729 00:28:28,800 --> 00:28:29,600 Speaker 2: One on one date. 730 00:28:29,640 --> 00:28:30,960 Speaker 1: Okay, so you're on a date with someone and they 731 00:28:30,960 --> 00:28:32,760 Speaker 1: like bring you to this like weird castle or something, 732 00:28:32,800 --> 00:28:33,200 Speaker 1: and you're. 733 00:28:33,080 --> 00:28:34,920 Speaker 2: Like where where are you? Right? 734 00:28:35,080 --> 00:28:38,920 Speaker 1: And then they'll bring out like a talent, so like 735 00:28:38,960 --> 00:28:41,520 Speaker 1: you're talking to this person you don't know, and then. 736 00:28:41,400 --> 00:28:44,360 Speaker 2: Like they'll be like like Rocky in the Moon Star, like. 737 00:28:44,360 --> 00:28:46,600 Speaker 1: A band you've never heard of, right, or like something 738 00:28:46,680 --> 00:28:48,760 Speaker 1: or the like genuinely will always be like Blade of 739 00:28:48,760 --> 00:28:50,760 Speaker 1: Grass and then like one guy comes out and he's 740 00:28:50,800 --> 00:28:53,720 Speaker 1: like and it's like he's like singing for them and 741 00:28:53,720 --> 00:28:55,800 Speaker 1: they're like just getting to know each other and like dancing. 742 00:28:55,840 --> 00:28:58,720 Speaker 1: It's like really uncomfortable, right, It's like it's like amazing commed. 743 00:28:59,320 --> 00:29:02,720 Speaker 1: Watch this, watch some old seasons. So we would do 744 00:29:02,800 --> 00:29:05,040 Speaker 1: that like on the date where I would have another 745 00:29:05,120 --> 00:29:07,000 Speaker 1: comedian come out, Like I had my friend Laura Peake 746 00:29:07,040 --> 00:29:08,880 Speaker 1: do a stand up set for me and one of 747 00:29:08,880 --> 00:29:10,200 Speaker 1: the people on a date, so we had to like 748 00:29:10,240 --> 00:29:12,440 Speaker 1: kind of relate through the stand up set, like so 749 00:29:12,520 --> 00:29:13,160 Speaker 1: like I really. 750 00:29:13,000 --> 00:29:13,680 Speaker 2: Just let it be. 751 00:29:14,240 --> 00:29:15,160 Speaker 3: It's so uncomfortable. 752 00:29:15,320 --> 00:29:17,320 Speaker 1: It was really Yeah, it's very like, well, do you 753 00:29:17,360 --> 00:29:18,800 Speaker 1: ever watch Nathan Fielder stuff? 754 00:29:19,040 --> 00:29:19,160 Speaker 3: I have? 755 00:29:19,280 --> 00:29:22,480 Speaker 2: Know, Yeah, my show was not what Nathan Fielder does. 756 00:29:22,600 --> 00:29:25,720 Speaker 1: I will say that I think The Bachelor actually did 757 00:29:25,840 --> 00:29:28,240 Speaker 1: do a lot of stuff that Nathan Fielder did, but 758 00:29:28,280 --> 00:29:31,560 Speaker 1: they weren't they didn't have the same mission. But to me, 759 00:29:32,200 --> 00:29:34,560 Speaker 1: I laughed the same at both of those shows. Well 760 00:29:34,560 --> 00:29:36,600 Speaker 1: that's what's because all the reality shows now are very 761 00:29:36,640 --> 00:29:39,240 Speaker 1: much like super edited in. 762 00:29:39,280 --> 00:29:41,920 Speaker 3: Like hot contracts. Yeah, yeah, where it used to. 763 00:29:41,960 --> 00:29:45,080 Speaker 2: Be like, you know, two people who like are pretty socially. 764 00:29:44,720 --> 00:29:47,440 Speaker 1: Awkward, like you notice on a date like I don't know, 765 00:29:47,640 --> 00:29:50,200 Speaker 1: growing up was tough, you know, and it's like there's 766 00:29:50,200 --> 00:29:51,840 Speaker 1: like a camera right there and you can tell they 767 00:29:51,840 --> 00:29:53,560 Speaker 1: like feel it like it used to be really awkward. 768 00:29:53,600 --> 00:29:55,960 Speaker 3: And I like that we've been chatting here, but we 769 00:29:56,000 --> 00:29:58,000 Speaker 3: want to just have a couple of little conversation about 770 00:29:58,000 --> 00:30:02,000 Speaker 3: over compensating, which we're both in and what we both 771 00:30:02,040 --> 00:30:03,880 Speaker 3: worked in it, and you you can tell me about 772 00:30:03,880 --> 00:30:08,320 Speaker 3: your experience playing and I love this, Haley Marie Matthews 773 00:30:08,440 --> 00:30:13,360 Speaker 3: aka hmm. And then I was thinking not interrupt, but 774 00:30:13,400 --> 00:30:16,000 Speaker 3: then I was thinking, you know, I'm Kyle Merritt maclachlin, 775 00:30:16,080 --> 00:30:18,600 Speaker 3: so I'm I was. 776 00:30:18,560 --> 00:30:20,440 Speaker 1: Like, it doesn't have the same ring too, but meant 777 00:30:20,440 --> 00:30:22,200 Speaker 1: the world, I literally. 778 00:30:21,920 --> 00:30:23,920 Speaker 3: Like that's the honesty coming out right now, because I'm like, 779 00:30:24,120 --> 00:30:25,600 Speaker 3: what do you mean? It doesn't have the same ring. God, 780 00:30:25,640 --> 00:30:26,600 Speaker 3: it sort of sounds good to me. 781 00:30:27,040 --> 00:30:29,040 Speaker 1: I was just telling Kyle that I honestly is my 782 00:30:29,080 --> 00:30:31,760 Speaker 1: greatest weakness and strength. With Haley, I found that my 783 00:30:32,240 --> 00:30:37,040 Speaker 1: getting into her was easier than any character before because 784 00:30:37,640 --> 00:30:40,720 Speaker 1: the outfits and the makeup and stuff was so extreme. 785 00:30:40,800 --> 00:30:42,640 Speaker 2: Like I felt like I was in I mean. 786 00:30:42,640 --> 00:30:45,920 Speaker 3: That wasn't your Yeah, I'm like you pieces. 787 00:30:45,520 --> 00:30:48,880 Speaker 2: From Home and of my favorite pieces from Home did 788 00:30:49,000 --> 00:30:49,360 Speaker 2: naked in? 789 00:30:49,720 --> 00:30:49,920 Speaker 4: Yeah? 790 00:30:49,920 --> 00:30:51,640 Speaker 2: I know Ward of Saxony. Can you bring can you 791 00:30:51,680 --> 00:30:53,600 Speaker 2: actually bring your Leopard tops? I don't have any. 792 00:30:54,400 --> 00:30:57,680 Speaker 1: But so I think that they really helped a lot 793 00:30:57,720 --> 00:30:59,760 Speaker 1: because it was stuff that I like, I like, don't 794 00:31:00,680 --> 00:31:02,280 Speaker 1: show very much skin of my day to day. I've 795 00:31:02,280 --> 00:31:04,480 Speaker 1: gotten better at as I get older, I'm better at 796 00:31:04,520 --> 00:31:05,760 Speaker 1: It's a weird way to say. I'm just like, yeah, 797 00:31:05,760 --> 00:31:09,560 Speaker 1: we dress them. Yeah, I'm like four years old and 798 00:31:09,600 --> 00:31:10,880 Speaker 1: I'm only like huge gowns. 799 00:31:11,560 --> 00:31:11,640 Speaker 4: No. 800 00:31:11,880 --> 00:31:14,160 Speaker 1: I just feel like it helped a lot because I 801 00:31:14,200 --> 00:31:17,240 Speaker 1: really felt like a different personally. And I also didn't 802 00:31:17,320 --> 00:31:19,480 Speaker 1: know these people before this show, so, like Benny and 803 00:31:19,560 --> 00:31:22,479 Speaker 1: I had met at two different surprised because we met 804 00:31:22,520 --> 00:31:25,240 Speaker 1: at two different shows that like we but had never 805 00:31:25,320 --> 00:31:27,320 Speaker 1: hung out. We like thought each other were funny, but. 806 00:31:27,840 --> 00:31:30,000 Speaker 2: That was it. And then like Marybeth and I knew 807 00:31:30,000 --> 00:31:31,400 Speaker 2: who each other were from the internet. 808 00:31:31,400 --> 00:31:32,920 Speaker 1: I've always really looked up to her. I think she's 809 00:31:32,960 --> 00:31:36,120 Speaker 1: one of our best stand upsazing she's so she is 810 00:31:36,200 --> 00:31:38,880 Speaker 1: so funny. It is actually crazy because it's like one 811 00:31:38,920 --> 00:31:40,800 Speaker 1: of those girls who like You're like, oh, she's gonna 812 00:31:40,840 --> 00:31:43,880 Speaker 1: like be scary or like serious. Like it's almost like 813 00:31:43,920 --> 00:31:45,720 Speaker 1: the Bachelor effect with Mary Beth, where I'd be. 814 00:31:45,600 --> 00:31:49,040 Speaker 2: Like, hmmm, you know, and that's see scary. They can 815 00:31:49,120 --> 00:31:49,760 Speaker 2: work both ways. 816 00:31:49,840 --> 00:31:53,160 Speaker 1: Oh then when she opens her mouth she blows me away. 817 00:31:53,200 --> 00:31:55,720 Speaker 1: I'm like everything she says is a joke. Like I'm like, 818 00:31:55,760 --> 00:31:57,720 Speaker 1: talk about like Caleb and her both I think have 819 00:31:57,800 --> 00:31:58,320 Speaker 1: that stuff. 820 00:31:58,560 --> 00:32:01,320 Speaker 3: But so I knew that dead pantad still. 821 00:32:01,200 --> 00:32:02,600 Speaker 2: Yes, and Wally it didn't know. 822 00:32:02,720 --> 00:32:05,960 Speaker 1: And I fell in love with Wally like one of 823 00:32:05,960 --> 00:32:08,400 Speaker 1: my really really close friends. Yeah, and so all that 824 00:32:08,440 --> 00:32:10,000 Speaker 1: to be said, though, it was kind of like they 825 00:32:10,000 --> 00:32:13,840 Speaker 1: were meeting me as this like Haley Holmes hybrid, because 826 00:32:14,000 --> 00:32:16,720 Speaker 1: right away I got to set and I was right 827 00:32:16,720 --> 00:32:19,840 Speaker 1: away in her costume costumes, in dyeing. 828 00:32:19,680 --> 00:32:21,920 Speaker 2: My hair, and like was very in that. 829 00:32:21,960 --> 00:32:24,120 Speaker 1: And so even in my time off of Haley, I 830 00:32:24,200 --> 00:32:26,800 Speaker 1: did feel like, I mean, it's just such an extreme character, 831 00:32:26,880 --> 00:32:28,600 Speaker 1: so she kind of is in you a little bit. 832 00:32:28,880 --> 00:32:30,959 Speaker 1: Like I would notice things like that I would normally 833 00:32:30,960 --> 00:32:32,960 Speaker 1: never get upset about or something, and I. 834 00:32:32,920 --> 00:32:35,360 Speaker 2: Would just be like a little bit like that's that's fucking. 835 00:32:35,160 --> 00:32:37,240 Speaker 1: Annoying or whatever, and then I'd be like, you're actually 836 00:32:37,240 --> 00:32:39,040 Speaker 1: homes right now and you're acting like you're twelve, you know. 837 00:32:39,760 --> 00:32:42,480 Speaker 1: But it's because Haley was like really in me during 838 00:32:42,520 --> 00:32:44,000 Speaker 1: those months, but she was also in me in a 839 00:32:44,040 --> 00:32:45,680 Speaker 1: positive way because I felt like, what my favorite thing 840 00:32:45,720 --> 00:32:48,080 Speaker 1: about Hailey is that she and my favorite thing actually 841 00:32:48,120 --> 00:32:52,000 Speaker 1: about youth that sometimes we lose, is like that she 842 00:32:52,080 --> 00:32:54,840 Speaker 1: will say whatever is top of mind and that she 843 00:32:55,480 --> 00:32:58,960 Speaker 1: knows I think deeply that she is so smart and cool. 844 00:32:59,160 --> 00:33:01,479 Speaker 2: Yeah, and that other people will catch up. 845 00:33:01,680 --> 00:33:03,880 Speaker 3: Yeah. That's how well I met you the same way 846 00:33:04,280 --> 00:33:08,280 Speaker 3: you were in character pretty much. I was literally and 847 00:33:08,480 --> 00:33:12,080 Speaker 3: I was I was so intrigued because I said this, 848 00:33:12,400 --> 00:33:15,480 Speaker 3: there's a visual going on, there's a whole the stream 849 00:33:15,520 --> 00:33:16,840 Speaker 3: of conscience that's going on. 850 00:33:16,920 --> 00:33:19,520 Speaker 1: And I was like I felt sick, but like also no, 851 00:33:19,600 --> 00:33:21,600 Speaker 1: I was like no, I was so intrigued. 852 00:33:21,640 --> 00:33:23,720 Speaker 3: I was like this and I was just so impressed. 853 00:33:23,920 --> 00:33:27,240 Speaker 1: Well, and we the part was cut that our little 854 00:33:27,240 --> 00:33:29,960 Speaker 1: moment is seen together. No, not a deal, And I 855 00:33:29,960 --> 00:33:31,959 Speaker 1: actually really get why they did it. But it was like, 856 00:33:32,080 --> 00:33:36,280 Speaker 1: because we were meeting Peter and Grace and stuff right 857 00:33:36,280 --> 00:33:38,040 Speaker 1: outside college, and at first we had there was a 858 00:33:38,080 --> 00:33:40,000 Speaker 1: part where Haley me talking to the audience, but we 859 00:33:40,080 --> 00:33:42,360 Speaker 1: had a part where Haley like, yeah, runs into you guys, 860 00:33:42,400 --> 00:33:44,560 Speaker 1: and I kind of like I did make a little moment. 861 00:33:44,680 --> 00:33:46,720 Speaker 1: I hammed it up in a way where we were 862 00:33:46,720 --> 00:33:49,080 Speaker 1: both kind of doing our physical events there like hit 863 00:33:49,120 --> 00:33:51,400 Speaker 1: and I was like, like tripped over like nine suits. 864 00:33:51,400 --> 00:33:53,400 Speaker 1: It's like she would trip over one. We didn't need 865 00:33:53,440 --> 00:33:56,280 Speaker 1: that as Hailey's introduction. I think also because Benny told 866 00:33:56,360 --> 00:33:58,560 Speaker 1: me that when he watched when they were in the edit, 867 00:33:59,000 --> 00:34:01,320 Speaker 1: because Haley is just a curring character for season one. 868 00:34:01,520 --> 00:34:04,160 Speaker 1: But then they were like, oh, her friendship with Carmen 869 00:34:04,240 --> 00:34:06,280 Speaker 1: means so much, we actually want to have an introduction 870 00:34:06,360 --> 00:34:08,840 Speaker 1: of them meeting. So that scene where like Carmen me 871 00:34:09,520 --> 00:34:12,520 Speaker 1: was a reshoot later in LA because it wasn't which 872 00:34:12,560 --> 00:34:13,880 Speaker 1: I feel really honored that they did that. 873 00:34:14,000 --> 00:34:14,160 Speaker 5: Yeah. 874 00:34:14,239 --> 00:34:16,880 Speaker 3: Interesting, what they see was characters developed, and they said, no, 875 00:34:16,920 --> 00:34:19,839 Speaker 3: actually this needs to happen here. Yeah, it's just smart editing, yea, 876 00:34:19,840 --> 00:34:21,479 Speaker 3: because you don't see it on the day you write something, 877 00:34:21,520 --> 00:34:24,640 Speaker 3: but then you see other stuff. Because that's what they say. 878 00:34:24,680 --> 00:34:27,479 Speaker 3: They said, there's three movies or three shows or whatever 879 00:34:27,520 --> 00:34:29,600 Speaker 3: it is. There's the one that you write script out, 880 00:34:29,600 --> 00:34:31,960 Speaker 3: there's the one that you performed, we performed, and then 881 00:34:31,960 --> 00:34:32,640 Speaker 3: there's the one you edit. 882 00:34:33,200 --> 00:34:35,440 Speaker 2: I didn't know this was a phrase, but I really 883 00:34:35,520 --> 00:34:35,719 Speaker 2: like it. 884 00:34:35,760 --> 00:34:38,480 Speaker 1: And I have thought this all the time because I mean, 885 00:34:38,520 --> 00:34:40,000 Speaker 1: doesn't it blow you away sometimes when you see the 886 00:34:40,080 --> 00:34:42,840 Speaker 1: edit off something like this one blew me away positively. 887 00:34:42,880 --> 00:34:44,759 Speaker 1: I was like, I don't know, have you ever been 888 00:34:44,760 --> 00:34:46,880 Speaker 1: a part of something not naming names, but where you 889 00:34:46,920 --> 00:34:48,440 Speaker 1: see the edit and you go, I didn't know that 890 00:34:48,520 --> 00:34:49,320 Speaker 1: was a show we made? 891 00:34:49,640 --> 00:34:49,799 Speaker 5: Oh? 892 00:34:49,880 --> 00:34:54,759 Speaker 3: Yes, almost always, almost always there's one in particular that 893 00:34:54,760 --> 00:34:57,520 Speaker 3: it stands out from the nineties and talking about, you know, 894 00:34:57,600 --> 00:35:02,719 Speaker 3: showing skin. Yes, I was like, Ah, that was not 895 00:35:02,880 --> 00:35:04,200 Speaker 3: the show that I thought we were making. 896 00:35:04,400 --> 00:35:06,600 Speaker 2: Didn't that it's a really crazy experience. I didn't. 897 00:35:06,640 --> 00:35:09,040 Speaker 1: I didn't know that coming into this industry and so 898 00:35:09,400 --> 00:35:11,520 Speaker 1: it has. It was something that I think I prepared 899 00:35:11,520 --> 00:35:14,200 Speaker 1: myself more for this show with and I knew that 900 00:35:14,280 --> 00:35:16,120 Speaker 1: when they delivered the episodes to me, I was like, 901 00:35:16,160 --> 00:35:19,560 Speaker 1: I will watch this and make my own opinion alone 902 00:35:19,719 --> 00:35:22,640 Speaker 1: before anyone else starts to because that's something that happens too. 903 00:35:22,719 --> 00:35:25,120 Speaker 1: Is like sometimes when I start to hear other people's opinions, 904 00:35:25,520 --> 00:35:27,239 Speaker 1: I'll be like, what do I even think? So I 905 00:35:27,280 --> 00:35:29,759 Speaker 1: watched these with my sister, which feels alone because. 906 00:35:30,040 --> 00:35:32,280 Speaker 3: You grow up with someone and you reaction. 907 00:35:32,640 --> 00:35:33,400 Speaker 2: I was crying. 908 00:35:33,840 --> 00:35:36,719 Speaker 1: I was crying because I first I thought it was 909 00:35:36,800 --> 00:35:39,400 Speaker 1: really funny and also to me spoke to because when 910 00:35:39,440 --> 00:35:41,840 Speaker 1: that first they were like general college because I asked, 911 00:35:41,840 --> 00:35:44,560 Speaker 1: like what exact years this happening and when I auditioned, 912 00:35:44,920 --> 00:35:46,400 Speaker 1: and they were kind of like college, and like they 913 00:35:46,480 --> 00:35:48,440 Speaker 1: gave like this general type of vibe and it was like, 914 00:35:48,480 --> 00:35:51,080 Speaker 1: of course influenced by sort of the time period Benny 915 00:35:51,080 --> 00:35:53,719 Speaker 1: and I were in school. But then when I saw it, 916 00:35:53,719 --> 00:35:55,560 Speaker 1: I was like, oh, I actually know exactly what he 917 00:35:55,640 --> 00:35:58,759 Speaker 1: was doing, and it gives me an extreme nostalgia of 918 00:35:58,840 --> 00:36:00,920 Speaker 1: like that time, but it is like it was just 919 00:36:00,960 --> 00:36:03,359 Speaker 1: heightened in a way that I found really emotional in 920 00:36:03,400 --> 00:36:06,239 Speaker 1: a really funny way, but then also in like how 921 00:36:06,320 --> 00:36:08,640 Speaker 1: hiding hurts all of us. And I just like it's 922 00:36:08,640 --> 00:36:12,360 Speaker 1: funny because I would talk to some coastal Gaze about 923 00:36:12,440 --> 00:36:16,440 Speaker 1: the like, and I think that sometimes coming out to 924 00:36:16,600 --> 00:36:18,839 Speaker 1: some of them seems like something that we've already like 925 00:36:19,000 --> 00:36:21,319 Speaker 1: gotten over or something like it's like, oh, that's not 926 00:36:21,400 --> 00:36:22,280 Speaker 1: a big deal anymore. 927 00:36:22,320 --> 00:36:23,680 Speaker 2: Where it's like you not all of them. 928 00:36:23,760 --> 00:36:25,799 Speaker 1: This is just like some people you know where I know, 929 00:36:25,960 --> 00:36:30,080 Speaker 1: for I grew up mostly in Nebraska, and I knew 930 00:36:30,120 --> 00:36:32,520 Speaker 1: one lesbian and I remember like on a walk home 931 00:36:32,520 --> 00:36:35,000 Speaker 1: one time, being like, I hope I don't have to 932 00:36:35,040 --> 00:36:38,160 Speaker 1: do that because of how people are so mean, you know. 933 00:36:38,360 --> 00:36:41,359 Speaker 1: And it's like this thing of like I literally had 934 00:36:41,600 --> 00:36:43,840 Speaker 1: hooked up with multiple women before I would even admit 935 00:36:43,880 --> 00:36:44,279 Speaker 1: that I was. 936 00:36:44,320 --> 00:36:48,319 Speaker 2: I went straight though, having fun last night, but right, and. 937 00:36:48,200 --> 00:36:51,400 Speaker 1: Everyone's like, I don't know girls, And so when I 938 00:36:51,440 --> 00:36:54,440 Speaker 1: think about it, I'm like, I just know that not 939 00:36:54,480 --> 00:36:56,560 Speaker 1: only did I enjoy the show and laugh and stuff, 940 00:36:56,560 --> 00:36:58,719 Speaker 1: but I also just know how important it is for 941 00:36:59,800 --> 00:37:03,080 Speaker 1: people growing up in college literally today to see that, 942 00:37:03,160 --> 00:37:05,840 Speaker 1: because it just is like it's like anything that you 943 00:37:05,920 --> 00:37:08,440 Speaker 1: do anything you do normally in like a hiding way, 944 00:37:08,520 --> 00:37:10,440 Speaker 1: it doesn't just hurt you, It normally does end up 945 00:37:10,480 --> 00:37:12,880 Speaker 1: hurting other people. That's why, like, even though my honesty 946 00:37:12,880 --> 00:37:14,680 Speaker 1: gets me in trouble, to me, it feels like the 947 00:37:14,680 --> 00:37:16,200 Speaker 1: only justice I have because. 948 00:37:15,960 --> 00:37:17,160 Speaker 2: There's like so little justice. 949 00:37:17,360 --> 00:37:18,600 Speaker 3: It's a great quality, you know. 950 00:37:19,040 --> 00:37:20,839 Speaker 2: But so I yeah, I cried. I love it. 951 00:37:20,960 --> 00:37:29,040 Speaker 3: But and everyone's journeys is going to be different. We're 952 00:37:29,080 --> 00:37:33,680 Speaker 3: still here with homes, thank god. Okay, I designed this game. 953 00:37:33,880 --> 00:37:37,440 Speaker 3: Actually Nora inm I designed it, but I'm pretending like. 954 00:37:37,440 --> 00:37:39,560 Speaker 2: I'm actually see I like that you give them the credit. 955 00:37:40,640 --> 00:37:43,719 Speaker 3: This is called would you rather with homes and Kyle. 956 00:37:43,760 --> 00:37:45,080 Speaker 2: Play it at home? Be safe? 957 00:37:45,520 --> 00:37:47,640 Speaker 3: Okay, so a few years ago you sat on a 958 00:37:47,680 --> 00:37:52,200 Speaker 3: bench and you asked pastor of yes I did on 959 00:37:52,320 --> 00:37:55,960 Speaker 3: video and I quote your girl. Would you rather your 960 00:37:55,960 --> 00:37:57,160 Speaker 3: girl be hot and sick? 961 00:37:57,640 --> 00:37:57,799 Speaker 1: Yea? 962 00:37:58,360 --> 00:37:59,960 Speaker 3: Or ugly and healthy? 963 00:38:00,080 --> 00:38:02,799 Speaker 1: More pressing than ever honestly, Yeah, yeah, the question still 964 00:38:02,800 --> 00:38:05,560 Speaker 1: stand strong, still strong, you know, because there are some 965 00:38:05,560 --> 00:38:07,719 Speaker 1: guys who really passed by, and they you know, and 966 00:38:07,840 --> 00:38:10,359 Speaker 1: girls hot and sick devastating. 967 00:38:09,880 --> 00:38:12,239 Speaker 3: To hear, right, right, hot and sick? Not me. 968 00:38:12,360 --> 00:38:13,800 Speaker 2: I'd rather my girl ugly and healthy. 969 00:38:13,800 --> 00:38:16,280 Speaker 3: So we live long, tim live long and prosper. 970 00:38:16,520 --> 00:38:16,840 Speaker 2: Yes. 971 00:38:17,000 --> 00:38:18,920 Speaker 3: So for our listeners at home that are not watching, 972 00:38:18,960 --> 00:38:21,360 Speaker 3: So we're sitting in chairs and we have question marks 973 00:38:21,400 --> 00:38:22,680 Speaker 3: over our heads. 974 00:38:22,800 --> 00:38:24,520 Speaker 1: Yeah, and they look like I would say, like high 975 00:38:24,520 --> 00:38:25,560 Speaker 1: fashion editorial. 976 00:38:26,239 --> 00:38:29,120 Speaker 3: Yes, right, well put yeah, put? 977 00:38:29,160 --> 00:38:30,799 Speaker 2: Would you smile for the shoot? I think i'd keep 978 00:38:30,800 --> 00:38:31,480 Speaker 2: a serious face. 979 00:38:31,560 --> 00:38:36,319 Speaker 3: Yeah, because because the smiles here exactly, no one knows 980 00:38:36,360 --> 00:38:39,080 Speaker 3: what I just pointed to you. Anyway, Holmes has red 981 00:38:39,480 --> 00:38:42,040 Speaker 3: question mark. I have a yellow question mark. So we 982 00:38:42,040 --> 00:38:43,480 Speaker 3: were inspired to come up with a few of these 983 00:38:43,520 --> 00:38:48,799 Speaker 3: ourselves some world. Would you rathers Okay, here we go. 984 00:38:49,200 --> 00:38:56,040 Speaker 3: Would you rather sweat maple syrup or cry glitter that 985 00:38:56,160 --> 00:38:57,000 Speaker 3: never goes away? 986 00:38:57,360 --> 00:38:59,440 Speaker 2: Cry glitter that never goes away? 987 00:39:00,239 --> 00:39:03,280 Speaker 3: Yes? I agree, But. 988 00:39:03,480 --> 00:39:05,359 Speaker 4: You're like, because I I do. 989 00:39:05,400 --> 00:39:06,160 Speaker 2: Pick that one. 990 00:39:06,440 --> 00:39:08,040 Speaker 1: I picked that one, but I'm confused about it that 991 00:39:08,160 --> 00:39:10,680 Speaker 1: never goes away, because I'm just like, like, what if 992 00:39:10,719 --> 00:39:11,239 Speaker 1: I wipe it? 993 00:39:11,480 --> 00:39:12,919 Speaker 2: Yeah, like it won't it will stick. 994 00:39:12,960 --> 00:39:14,640 Speaker 3: Well, here's the other question I have is if you 995 00:39:14,680 --> 00:39:16,680 Speaker 3: cry glitter and never goes wait, is there is there 996 00:39:16,719 --> 00:39:17,239 Speaker 3: a build up? 997 00:39:17,400 --> 00:39:19,239 Speaker 1: That's what I'm saying, glitter and then the build up 998 00:39:19,320 --> 00:39:20,799 Speaker 1: is like, Okay, she has like chunky glitter cha. 999 00:39:21,080 --> 00:39:22,879 Speaker 3: Then it's then who knows what that looks. 1000 00:39:22,960 --> 00:39:24,560 Speaker 1: I think I would still pick glitter because I think 1001 00:39:24,560 --> 00:39:26,400 Speaker 1: that could actually end up being like fashion, Like it's like, 1002 00:39:26,440 --> 00:39:28,400 Speaker 1: oh yeah, like she has a weird like chunky birthmark 1003 00:39:28,440 --> 00:39:30,960 Speaker 1: and the big no that's like her glitter tear like yeah, 1004 00:39:31,560 --> 00:39:33,600 Speaker 1: and then pretty soon let's like look around like we're 1005 00:39:33,640 --> 00:39:35,440 Speaker 1: in Hollywood. They'd be like a plastic surgeon who's like, 1006 00:39:35,480 --> 00:39:37,719 Speaker 1: you know, two hundred k all slice your glitter tears off. 1007 00:39:37,760 --> 00:39:40,080 Speaker 3: But sweating maple syrup? Then I mean, could that be 1008 00:39:40,120 --> 00:39:43,239 Speaker 3: a thing where let's say you're out and and you're 1009 00:39:43,360 --> 00:39:46,040 Speaker 3: and you're sweet, you know, and little animals come up 1010 00:39:46,080 --> 00:39:47,880 Speaker 3: to you, but maybe the flies would be Probably. 1011 00:39:48,160 --> 00:39:50,080 Speaker 1: I think that if it wasn't sticky, I would actually 1012 00:39:50,080 --> 00:39:52,080 Speaker 1: pick it because I love the smell of maple syrup 1013 00:39:52,080 --> 00:39:53,439 Speaker 1: and I'm one of those people who like a lotion 1014 00:39:53,520 --> 00:39:54,400 Speaker 1: that smells like a cookie. 1015 00:39:54,400 --> 00:39:56,040 Speaker 2: Like my mom is always like, you wan smell like 1016 00:39:56,040 --> 00:39:57,799 Speaker 2: a cookie, and I'm like, uh, cook's cookies. Raw? 1017 00:39:57,880 --> 00:39:59,400 Speaker 3: Would I would not be happy with sticky? You pick 1018 00:39:59,440 --> 00:40:02,759 Speaker 3: litterch Okay, glitter tears? There you go, hands down? Okay, 1019 00:40:02,760 --> 00:40:04,920 Speaker 3: next one. Would you rather spend one day at Yates 1020 00:40:05,000 --> 00:40:08,360 Speaker 3: University where everyone speaks in reverse but you have to 1021 00:40:08,400 --> 00:40:12,480 Speaker 3: respond normally, or spend one day in the future but 1022 00:40:12,600 --> 00:40:14,400 Speaker 3: all your clothes are made of jello. 1023 00:40:14,719 --> 00:40:16,279 Speaker 1: I'm going to say right off the bat, both of 1024 00:40:16,280 --> 00:40:19,200 Speaker 1: those sound really fun. Like both of those I would 1025 00:40:19,440 --> 00:40:21,640 Speaker 1: choose to do for the experience, as long as I 1026 00:40:21,680 --> 00:40:25,160 Speaker 1: wasn't stuck there shout out Yates because I love over commentating. 1027 00:40:25,200 --> 00:40:27,440 Speaker 1: But I would choose future in Jello just because I 1028 00:40:27,480 --> 00:40:30,200 Speaker 1: am really the jello wouldn't bother me for a day 1029 00:40:30,280 --> 00:40:32,480 Speaker 1: or two, could be kind of once again editorial. 1030 00:40:32,520 --> 00:40:36,239 Speaker 2: I'd probably wear my question mark again, but it is 1031 00:40:37,120 --> 00:40:38,399 Speaker 2: I'm very curious about what. 1032 00:40:38,360 --> 00:40:42,319 Speaker 3: The future holds as am I. So yeah, I mean 1033 00:40:42,360 --> 00:40:45,120 Speaker 3: I'd be a little embarrassed because you know Theagello and 1034 00:40:45,120 --> 00:40:47,200 Speaker 3: the potential the Jello, you know, heating up and. 1035 00:40:47,360 --> 00:40:48,640 Speaker 2: You could do something modest with that. 1036 00:40:48,920 --> 00:40:50,960 Speaker 1: Yeah, like think about it for you, Like maybe they 1037 00:40:50,960 --> 00:40:52,400 Speaker 1: didn't say it could be like you could have like 1038 00:40:52,440 --> 00:40:54,840 Speaker 1: a three piece like jellow suit or something. 1039 00:40:54,920 --> 00:40:58,440 Speaker 3: Yeah. Yeah, but how thick would it jello be? How 1040 00:40:58,480 --> 00:41:00,680 Speaker 3: did take to get to opake? 1041 00:41:00,800 --> 00:41:01,200 Speaker 2: I don't know. 1042 00:41:01,400 --> 00:41:04,080 Speaker 1: Well, I I literally it's like I started doing pilates 1043 00:41:04,080 --> 00:41:06,120 Speaker 1: and like my boob shrunk two cups and I'm just like, 1044 00:41:06,120 --> 00:41:07,719 Speaker 1: all I have to do is probably put like a jello. 1045 00:41:07,560 --> 00:41:10,040 Speaker 2: Thing on and I'm back to normal. Can you believe 1046 00:41:10,040 --> 00:41:11,600 Speaker 2: that all it took was me doing plates? I had 1047 00:41:11,640 --> 00:41:13,959 Speaker 2: never moved my back. I had never moved my back. 1048 00:41:14,000 --> 00:41:15,759 Speaker 2: I had no idea. Wow, I know. 1049 00:41:15,960 --> 00:41:19,520 Speaker 3: Would you rather only be able to speak in riddles 1050 00:41:19,680 --> 00:41:22,680 Speaker 3: or only communicate via kazoo? 1051 00:41:23,000 --> 00:41:23,880 Speaker 2: This is tough. 1052 00:41:24,320 --> 00:41:26,200 Speaker 1: But what's hard about it is that I would, of 1053 00:41:26,239 --> 00:41:29,279 Speaker 1: course pick riddles like I would obviously probably get better 1054 00:41:29,320 --> 00:41:31,239 Speaker 1: out of practice, because I'm not actually very good at 1055 00:41:31,239 --> 00:41:34,439 Speaker 1: a natural riddle the kazoo. I think I probably would 1056 00:41:34,560 --> 00:41:36,680 Speaker 1: kill myself day one, and in blood I'd be like 1057 00:41:36,760 --> 00:41:37,680 Speaker 1: it was because of the kazoo. 1058 00:41:38,000 --> 00:41:38,280 Speaker 3: Azoo. 1059 00:41:38,400 --> 00:41:39,880 Speaker 2: Yeah, just because that is just like a noise. I 1060 00:41:39,920 --> 00:41:41,520 Speaker 2: don't want all day. Sorry for bringing up suicide. 1061 00:41:41,520 --> 00:41:43,400 Speaker 3: I just want to annoy. Whoever we speak with is 1062 00:41:43,400 --> 00:41:44,840 Speaker 3: going to it's going to annoy. 1063 00:41:45,080 --> 00:41:45,560 Speaker 2: Here's the thing. 1064 00:41:45,600 --> 00:41:47,319 Speaker 1: If I was a guy and I did the riddle thing, 1065 00:41:47,360 --> 00:41:48,920 Speaker 1: I'd be like the hottest guy on the scene. 1066 00:41:49,000 --> 00:41:51,320 Speaker 2: Everyone be like, dude, that's Nathan, Like he just does riddles. 1067 00:41:51,400 --> 00:41:53,360 Speaker 1: Yeah, you know, with me, they'd probably be like that 1068 00:41:53,400 --> 00:41:55,560 Speaker 1: funky bitch won't stop doing like twisters, you know whatever, 1069 00:41:55,760 --> 00:41:57,719 Speaker 1: Like maybe a little bit, But I think that the riddle, 1070 00:41:58,239 --> 00:41:58,799 Speaker 1: you could work. 1071 00:41:58,840 --> 00:41:59,880 Speaker 2: The riddle we're both on. 1072 00:42:00,120 --> 00:42:03,160 Speaker 3: Yeah, I literally agree on the kazoo. You you know 1073 00:42:03,239 --> 00:42:06,719 Speaker 3: you can intonate, you know you can kind of and 1074 00:42:06,760 --> 00:42:09,000 Speaker 3: so and then someone's like, oh, oh, and maybe they'd 1075 00:42:09,040 --> 00:42:11,400 Speaker 3: be more curious about what you're trying to say, and 1076 00:42:11,440 --> 00:42:14,160 Speaker 3: they'd be interested and be like, oh it sounds like 1077 00:42:14,600 --> 00:42:16,080 Speaker 3: sounds like you know you. 1078 00:42:15,960 --> 00:42:18,040 Speaker 2: Are really correct that you get a lot more empathy 1079 00:42:18,080 --> 00:42:18,720 Speaker 2: with the kazoo. 1080 00:42:18,719 --> 00:42:21,560 Speaker 3: Would you rather every time you blink you teleport one 1081 00:42:21,600 --> 00:42:27,040 Speaker 3: inch or every time you yawn your foot falls asleep? 1082 00:42:27,320 --> 00:42:28,839 Speaker 3: I mean, there's there's really no win on this. 1083 00:42:28,880 --> 00:42:32,360 Speaker 2: Right, blink teleport one inch? So I'm just like basically 1084 00:42:32,360 --> 00:42:33,920 Speaker 2: on one of those airplane things where I'm like walking 1085 00:42:33,920 --> 00:42:34,520 Speaker 2: fast all the time. 1086 00:42:34,600 --> 00:42:37,279 Speaker 1: I maybe I think that that I would pick that 1087 00:42:37,320 --> 00:42:39,480 Speaker 1: one because it just means like, am I teleporting to 1088 00:42:39,560 --> 00:42:40,279 Speaker 1: a different. 1089 00:42:40,160 --> 00:42:42,799 Speaker 3: Time you blink, you'd be one inch or maybe like 1090 00:42:42,880 --> 00:42:45,839 Speaker 3: the fastest girl in town. You'd be like stop action person, right, 1091 00:42:46,960 --> 00:42:48,719 Speaker 3: I think that that. Yeah, And then you start if 1092 00:42:48,719 --> 00:42:51,040 Speaker 3: you bring like this, then then maybe if you blink enough. 1093 00:42:50,880 --> 00:42:52,319 Speaker 2: I'm on Dancing with the Stars, they're like I can't 1094 00:42:52,360 --> 00:42:52,719 Speaker 2: keep up. 1095 00:42:52,640 --> 00:42:55,200 Speaker 3: With her, right right, because you'd be like, wow, they 1096 00:42:55,200 --> 00:42:56,359 Speaker 3: are so fast, look at them. 1097 00:42:58,520 --> 00:42:59,200 Speaker 2: I think that one. 1098 00:42:59,200 --> 00:43:00,880 Speaker 3: I think that one too. Would you rather sleep in 1099 00:43:00,920 --> 00:43:04,399 Speaker 3: the bed that size dramatically every time you move or 1100 00:43:04,800 --> 00:43:07,920 Speaker 3: sit in a chair for an hour that's made of forks? 1101 00:43:08,239 --> 00:43:10,960 Speaker 1: This one's like, yeah, we're getting into like territory. That's interesting. 1102 00:43:11,040 --> 00:43:14,000 Speaker 1: I'm gonna say. I'm gonna say I'm fine with the bed. 1103 00:43:14,440 --> 00:43:16,360 Speaker 3: Bed. I like the bed. I agree with you on 1104 00:43:16,360 --> 00:43:19,280 Speaker 3: the bed. I think it's be kind of comforting. Actually, rolla. 1105 00:43:19,480 --> 00:43:22,040 Speaker 3: I'm a mover when I sleep. I'm always moving. 1106 00:43:21,920 --> 00:43:23,560 Speaker 2: Around someone who doesn't. 1107 00:43:23,840 --> 00:43:27,200 Speaker 3: When we're working. Let's say so you have a half 1108 00:43:27,280 --> 00:43:29,560 Speaker 3: hour lunch, right and you got my thing? Is I 1109 00:43:29,560 --> 00:43:32,280 Speaker 3: get my lunch back to the trailer boom, Yeah, okay, 1110 00:43:32,280 --> 00:43:34,040 Speaker 3: maybe a bite, stick it down or don't even eat 1111 00:43:34,080 --> 00:43:37,400 Speaker 3: it and just lie down and I do the Dracula sleep. 1112 00:43:37,600 --> 00:43:39,160 Speaker 2: You sleep in the trailers for twenty minutes. 1113 00:43:39,239 --> 00:43:40,319 Speaker 3: Yeah, I need a twenty minute nap. 1114 00:43:40,360 --> 00:43:41,240 Speaker 2: It's almost a meditation. 1115 00:43:41,880 --> 00:43:44,600 Speaker 3: It is starts like that, but I just go and 1116 00:43:44,640 --> 00:43:48,600 Speaker 3: then five minutes, I'm like, okay, good my heart. And 1117 00:43:48,600 --> 00:43:51,560 Speaker 3: then I get the food next, and then I take 1118 00:43:51,600 --> 00:43:53,120 Speaker 3: it into the trailer of touch ups and I, you know, 1119 00:43:53,120 --> 00:43:55,200 Speaker 3: I stall a little bit, and that's lunch. 1120 00:43:55,520 --> 00:43:57,160 Speaker 1: I like that you call it a nap because a 1121 00:43:57,239 --> 00:43:59,840 Speaker 1: lot of people call what you just said meditation, and 1122 00:44:00,000 --> 00:44:01,480 Speaker 1: and you like check on them and they're sleeping, and 1123 00:44:01,520 --> 00:44:02,440 Speaker 1: you're like, you're sleeping. 1124 00:44:02,719 --> 00:44:04,520 Speaker 3: Yeah, that's my problem with meditation. I fall asleep. 1125 00:44:04,920 --> 00:44:06,040 Speaker 2: No, I like this. I do that too. 1126 00:44:06,239 --> 00:44:09,480 Speaker 3: Okay, last one, last one. Would you rather have a 1127 00:44:09,480 --> 00:44:12,440 Speaker 3: house cat that is also a licensed real estate agent 1128 00:44:12,480 --> 00:44:15,799 Speaker 3: and insists on showing you apartments at three am? Or 1129 00:44:17,000 --> 00:44:20,640 Speaker 3: own a goldfish that can perfectly imitate your voice but 1130 00:44:20,760 --> 00:44:23,320 Speaker 3: only insults you. I mean, this one's pretty easy. 1131 00:44:23,480 --> 00:44:26,719 Speaker 2: This one's pretty easy. I will say. 1132 00:44:26,719 --> 00:44:28,480 Speaker 1: It's crazy how some of the questions are like things 1133 00:44:28,480 --> 00:44:30,359 Speaker 1: that I would like to experience, you know, and then 1134 00:44:30,400 --> 00:44:31,960 Speaker 1: some are just like you know, you're sitting on like 1135 00:44:31,960 --> 00:44:32,640 Speaker 1: a bunch of works. 1136 00:44:33,920 --> 00:44:35,839 Speaker 2: I love the team. Love the team here. They're doing 1137 00:44:35,840 --> 00:44:36,439 Speaker 2: really good work. 1138 00:44:36,640 --> 00:44:39,000 Speaker 1: This is the hardest one for me because they both 1139 00:44:39,040 --> 00:44:40,200 Speaker 1: like the goldfish would. 1140 00:44:40,000 --> 00:44:41,960 Speaker 2: Be such a fun party trick. But I think, actually 1141 00:44:41,960 --> 00:44:42,680 Speaker 2: I would get. 1142 00:44:42,600 --> 00:44:45,160 Speaker 1: Hurt by some if it was only hurting my feeling. 1143 00:44:45,239 --> 00:44:47,520 Speaker 1: And I've never been like a roast comic. Like when 1144 00:44:47,520 --> 00:44:49,560 Speaker 1: someone says something mean to me, I'm like, I'm sitting 1145 00:44:49,600 --> 00:44:51,040 Speaker 1: with it, you know, like people at. 1146 00:44:51,000 --> 00:44:52,840 Speaker 2: Caleb we talked about, or like Dreaff Walo, they're so 1147 00:44:52,880 --> 00:44:54,120 Speaker 2: good at being like, well. 1148 00:44:54,080 --> 00:44:56,000 Speaker 1: Give it right back to you, where like if a 1149 00:44:56,040 --> 00:44:58,719 Speaker 1: goldfish is just like you're boring, I'd be like who 1150 00:44:58,840 --> 00:45:00,040 Speaker 1: said that to you? 1151 00:45:00,080 --> 00:45:02,680 Speaker 3: Know, so in your voice too, in. 1152 00:45:02,560 --> 00:45:05,160 Speaker 2: My voice that is mental case for me. Yeah, I'm 1153 00:45:05,160 --> 00:45:08,960 Speaker 2: going to do the cat because she would. I actually 1154 00:45:09,120 --> 00:45:10,879 Speaker 2: bought to tear up zinc is my cat. 1155 00:45:10,960 --> 00:45:12,920 Speaker 1: If she came out in like a little score and 1156 00:45:13,040 --> 00:45:15,600 Speaker 1: was like we have a property, like I would, it 1157 00:45:15,640 --> 00:45:17,120 Speaker 1: would be so fun. 1158 00:45:17,160 --> 00:45:19,480 Speaker 3: You've just changed my mind completely with your description. 1159 00:45:20,600 --> 00:45:21,560 Speaker 2: You don't want to get woken up. 1160 00:45:21,560 --> 00:45:22,840 Speaker 3: I want the cat too. I was thinking, well, the 1161 00:45:22,840 --> 00:45:24,400 Speaker 3: gold fish could be really fun because it could be 1162 00:45:24,400 --> 00:45:25,480 Speaker 3: like a bit I. 1163 00:45:25,400 --> 00:45:27,400 Speaker 1: Mean, just to see your cat walking on, Like to me, 1164 00:45:27,520 --> 00:45:30,440 Speaker 1: the cat is like you've already well for sure, the 1165 00:45:30,480 --> 00:45:33,239 Speaker 1: cat is like on its bottom legs and walking on 1166 00:45:33,800 --> 00:45:35,879 Speaker 1: and it's like these are the original title, you know. 1167 00:45:36,120 --> 00:45:38,799 Speaker 3: Like, don't don't. 1168 00:45:40,000 --> 00:45:43,000 Speaker 2: Sometimes you have to put in the curtains. She's like, 1169 00:45:43,000 --> 00:45:45,879 Speaker 2: I'm a charge here. I'm so glad. 1170 00:45:45,920 --> 00:45:46,239 Speaker 1: You can't. 1171 00:45:46,320 --> 00:45:49,399 Speaker 3: Thank you everybody. That's all the time we have. Did 1172 00:45:49,400 --> 00:45:52,920 Speaker 3: we answer the question what are we even doing? Maybe not, 1173 00:45:53,000 --> 00:45:54,240 Speaker 3: but we had a good try. 1174 00:45:54,480 --> 00:45:54,799 Speaker 2: We did. 1175 00:45:55,160 --> 00:45:57,520 Speaker 3: We had so much fun. I really really enjoyed speaking 1176 00:45:57,560 --> 00:45:59,959 Speaker 3: with you, learning about you, hearing about what you're about. 1177 00:46:00,040 --> 00:46:02,239 Speaker 2: I'd just I could talk to you for hours and hours. 1178 00:46:02,280 --> 00:46:04,359 Speaker 2: I have the best time ever. And thank you for 1179 00:46:04,400 --> 00:46:04,759 Speaker 2: doing this. 1180 00:46:04,880 --> 00:46:07,560 Speaker 3: I'm so glad, Thank you. What Are We Even Doing 1181 00:46:07,640 --> 00:46:11,920 Speaker 3: is a production of iHeartMedia and the Elvis Duran podcast Network, 1182 00:46:12,080 --> 00:46:16,480 Speaker 3: hosted by me Kyle McLachlin and created and produced by 1183 00:46:16,480 --> 00:46:21,200 Speaker 3: Full Picture productionists Heay, featuring music by Yata and artwork 1184 00:46:21,239 --> 00:46:25,000 Speaker 3: by Danica Robinson. For more information about the podcast, please 1185 00:46:25,080 --> 00:46:32,760 Speaker 3: visit our Instagram and TikTok at wawed with Kyle. Please rate, review, 1186 00:46:32,840 --> 00:46:38,319 Speaker 3: and subscribe to What Are We Even Doing on Apple, Spotify, YouTube, 1187 00:46:38,640 --> 00:46:42,120 Speaker 3: or anywhere you get your podcasts. Exclamation points