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Speaker 1: Hello the Internet, and welcome to Season one forty seven,

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Speaker 1: episode one of Jo Days. I Guess, a production of

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Speaker 1: My Heart Radio. This is a podcast where we take

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Speaker 1: a deep dive into America's share consciousness and say, officially,

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Speaker 1: off the top, fuck the Cooke Brothers, Fuck Fox News,

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Speaker 1: fuck Russell and Buck Buck, sex and fun Japiro, fun

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Speaker 1: talker Carlson, Fuck American fashions. I just sound like macaroni

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Speaker 1: in a pot. That is, I don't understand. It's anyway,

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Speaker 1: uh not my favorite dish. Anyway. It's Monday, August seventy.

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Speaker 1: My name is Jack O'Brien a k. Somebody wants told

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Speaker 1: me that COVID is gonna kill me because I'm gonna

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Speaker 1: play at Sturgess. So where you're coming from, my guess

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Speaker 1: you're also dumb with that baga hat on your forehead.

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Speaker 1: In a week, we start coughing and we don't stop coughing.

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Speaker 1: Fuck rules and we'll I'll fall into coffins mix sundse

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Speaker 1: I die for some bumber fun. Your lungs give out.

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Speaker 1: But Dr Fauci's dumb. No mask for you, no mask

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Speaker 1: for me. So let's get on the bike. I'll take

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Speaker 1: the bitch seat. If you don't die. If you don't

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Speaker 1: you won't die. If you don't go go, you won't

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Speaker 1: help me do all this blow. Hey, now we get COVID,

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Speaker 1: fuck us where lame? Hey, now we'll get COVID. Get

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Speaker 1: the show on, get paid it to Okay where bomber

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Speaker 1: and I don't know. I lost it there. That was

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Speaker 1: courtesy of Travis stock Still I lost it like five

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Speaker 1: seconds in pushed through and I'm thrilled to be joined

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Speaker 1: as always buy my co host, Mr Miles Ground. Somebody

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Speaker 1: once told me the Laft wants to control me. I'm

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Speaker 1: not the sharpest tool in the ship, but they were

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Speaker 1: looking pretty dumb social distance that mess on empty funk

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Speaker 1: won't control me less I'm dead Well, the flights started

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Speaker 1: coming and they never stopped coming, started breaking rules, and

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Speaker 1: the virus was stunting. Wouldn't be Surgey didn't have fun

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Speaker 1: fun being safe because raw real dumb so much. The friends,

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Speaker 1: all my peoples. Yes, some folks might end up six

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Speaker 1: feet deep, but you'll never know. If you don't go,

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Speaker 1: we might die. But liberals, get on pay now, he said,

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Speaker 1: Fuck Park gets chaps on and pray pay now this

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Speaker 1: gods Park Hope we all have sick pay what's the

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Speaker 1: virus that we realize it? Bailey kills the long All right, Dade,

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Speaker 1: I'm sweating. So that that was a lot of effort.

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Speaker 1: But you know what, you let me go through my

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Speaker 1: entire fail to a k without It was it was

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Speaker 1: like scripted. You know, it was like scripted. I was like,

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Speaker 1: oh my god, because I had had Christ sitting in

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Speaker 1: the hopper submitted last week and I was getting through

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Speaker 1: all the other a case. But I you know, I

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Speaker 1: follow you now, so all was fair always one of

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Speaker 1: that gang world. Thank you again for this masterful a

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Speaker 1: k A submission and we are thrilled to be joined

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Speaker 1: in our third seat. Uh. I think we can say

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Speaker 1: this the newest addition to Mount Zeitmore. She but like

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Speaker 1: without being problematic, like acknowledging that amount Rushmore itself is problematic.

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Speaker 1: So like I've seen some suggestions like you know, maybe

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Speaker 1: we need a different monument to to make cot but

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Speaker 1: you know, the not shitty Rushmore right, Okay, Yeah, the

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Speaker 1: latest addition to the zite of fame, the US Mount Zelimpez. Yeah,

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Speaker 1: there we go, we got there. She is the hilarious,

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Speaker 1: the talented, a brilliant Bridget. Yeah, I'm so happy to

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Speaker 1: be here, and I'm sad I didn't have a smash

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Speaker 1: mouth song. What if I busted out a smash mouth

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Speaker 1: You did it right? Great to have you, Bridget? How

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Speaker 1: to be here? Are you quarantining? How's it going? Same old,

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Speaker 1: same old? You know? Do you feel a lot better?

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Speaker 1: Like do you feel like do you have faith in

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Speaker 1: your city? Like? Because I have no faith in mind Sadly,

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Speaker 1: I'm like, oh God, I think it's a good question.

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Speaker 1: I think d C. If you would ask me a

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Speaker 1: few weeks ago, I would have had complete confidence in

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Speaker 1: our ability to to curb COVID. Now I go out

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Speaker 1: for like a walk people people it's like over people

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Speaker 1: are out at bars, people are doing their thing. Bars

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Speaker 1: are open. I think they're They're supposed to have social

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Speaker 1: distancing measures in place, but none of the places I've

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Speaker 1: seen have that. So we'll see how it goes. Okay,

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Speaker 1: Koreatown has a bunch of like tented outdoor restaurant things

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Speaker 1: going on in restaurant fronts by my house, and it's

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Speaker 1: apparently like inspired by soul. It's something that happens in soul.

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Speaker 1: So uh, that's an ideas from how they were responding

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Speaker 1: to the pandemic. I think just generally outside eating. Yeah,

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Speaker 1: just generally outside eating. Okay, Yeah, it's supposed to be

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Speaker 1: this past the next few days are supposed to be

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Speaker 1: incredibly hot, as we're recording this in in the Southwest

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Speaker 1: where we live. Yeah. Well, I was going to ask,

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Speaker 1: how is how is it been having the transition to

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Speaker 1: more outdoor dining and you know, outdoor bar options when

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Speaker 1: it's so hot. I don't know. I don't go out

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Speaker 1: feel bad. I don't I feel bad. It looks uncomfortable.

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Speaker 1: I don't also want to be the kind of consumer

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Speaker 1: that it's like such a weird double edged sword, because

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Speaker 1: I understand the need for people to work, as our

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Speaker 1: government is not just saying here, we're going to give

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Speaker 1: you money to stay safe, so we can just end

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Speaker 1: this pandemic like other countries have done, or you know,

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Speaker 1: at least limit the financial impact of just staying safe. Here,

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Speaker 1: it's like, well, if you can't stay safe and you're

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Speaker 1: gonna have to put yourself at risk, And part of

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Speaker 1: me feels bad of like even being a consumer who

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Speaker 1: would help a business rationalize that they need to put

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Speaker 1: their own employees at risk, but then it's like, but

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Speaker 1: they need money, so I'll just take out, thank you

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Speaker 1: so much. I will leave a tip, but I will

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Speaker 1: not stay here. I don't even if it's outside and

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Speaker 1: it's safe for everybody. And I don't need to be

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Speaker 1: doing all that because I can, you know, I feel

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Speaker 1: the same way. It's such a weird dilemma of so

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Speaker 1: so far. I mean, I've done take out, but I

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Speaker 1: have not really gone to any restaurants or bars, and yeah,

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Speaker 1: it is. It's I want to be a good consumer.

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Speaker 1: I understand that people who work in the service in

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Speaker 1: this we need to make a living, but I don't

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Speaker 1: want to perpetuate this idea that's like you need to

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Speaker 1: die serving me, right, And I don't want to perpetuate that.

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Speaker 1: So I don't. I don't really know what to do,

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Speaker 1: but I don't have an answer. That's why it's like,

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Speaker 1: I'll just you know, just leave tips and at least

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Speaker 1: I can say like I've contributed to the financial well

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Speaker 1: being of the business. Hopefully they're doing right by their employees.

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Speaker 1: But I'm not at least presenting the physical you know,

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Speaker 1: threat or risk you know, because of just you know,

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Speaker 1: the nature of transmission and things like that. Not that

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Speaker 1: I'm you know, been around that many people. But that's

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Speaker 1: just things I want to think about. You's got to

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Speaker 1: consider everybody absolutely, especially like if I'm eating, like, I

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Speaker 1: don't need to be like, well this would have tasted

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Speaker 1: better fit like twenty minutes ago there on the spot,

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Speaker 1: you know, like we we adjust. That's why I don't

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Speaker 1: you know, Yeah, oh I gotta take out chicken and

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Speaker 1: waffles did not travel well. So I'm learning. I'm learning

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Speaker 1: which foods don't travel well. Travels waffles do not. Yeah, waffles, Well,

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Speaker 1: then some places, know, like if you have fried food,

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Speaker 1: like you can't just have the lid on or else

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Speaker 1: it's steams in and I have no crunch. Shout out

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Speaker 1: to places that cut the corners on the boxes and

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Speaker 1: create some kind of ventilations on my Crispy Stays Crispy um.

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Speaker 1: But yeah, uh, it really is just about like, yeah,

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Speaker 1: how do I help like support the places I normally

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Speaker 1: go to and I see dated like I would normally

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Speaker 1: be patronizing, but without being risky with it. So yeah, problems.

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Speaker 1: Mm hmmm. All right, Bridget, We're gonna get to know

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Speaker 1: you a little bit better in a moment. First, we're

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Speaker 1: gonna tell our listeners a couple of things that we're

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Speaker 1: talking about today. We're gonna talk about the USPS uh

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Speaker 1: going around just pulling up some of the mailboxes around

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Speaker 1: cities in Oregon, New York. Um canna. Yeah, we can

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Speaker 1: talk about the Senators being rescued by the Chamber of Commerce.

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Speaker 1: We're gonna talk about more evidence of lead crime link.

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Speaker 1: We're gonna talk about the fresh Prints being rebooted as

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Speaker 1: a different genre, all of that, and then we're gonna

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Speaker 1: get to our ro watches. Uh. But first, Bridget, we

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Speaker 1: like to ask our guests, what is something from your

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Speaker 1: search history that's revealing about who you are? Something from

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Speaker 1: my search history that is revealing about who I am? Is?

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Speaker 1: Who did Ramona Singer vote for you? Watch Real Housewives

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Speaker 1: of New York. Ramona Singer is a iconic cast member.

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Speaker 1: I believe she voted for Trump. She believed she did right.

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Speaker 1: I'm after a Google deep dive. I'm she's like the

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Speaker 1: proto Karen right, you know what I mean? Like turtle

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Speaker 1: time funk out of here. I was like, yoh, it's

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Speaker 1: Trump time. It's Maggot has been magatime with her and Mario.

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Speaker 1: I'm like get out of here. You're disgusting. The way

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Speaker 1: she treated was homegirl Jill's erin I don't get me started.

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Speaker 1: You know, That's when I was I don't like this.

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Speaker 1: I don't like this at all. And people, you know,

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Speaker 1: they're like, you like Jules there, and I'm like, yes,

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Speaker 1: I think she was sensitive and she shouldn't have been

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Speaker 1: on a reality show, you know, yeah, I completely agree. Um.

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Speaker 1: I was reading this article that was going into all

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Speaker 1: the different Housewives franchises to see who who people think

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Speaker 1: they voted for, and I went away from that thinking,

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Speaker 1: I think remotest singer. I think she, like you said,

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Speaker 1: she's the prototypical Karen White lady. She had this post

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Speaker 1: on Instagram a couple of days ago where she was

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Speaker 1: complaining to the mayor of New York that she had

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Speaker 1: seen two different men with their pants around their ankles,

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Speaker 1: and she was like, the city is, you know, out

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Speaker 1: of control, And I was just thinking, you know, we've

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Speaker 1: got COVID, we've got people who are unemployed, We've got

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Speaker 1: so much going on, and this is what you use

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Speaker 1: your platform to complain about. Yeah, oh okay, well so

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Speaker 1: we'll also have to throw Jill's there and all that

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Speaker 1: scrap heap because she took a dope ass selfie at

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Speaker 1: the Trump inauguration. Bye bye. I mean, I don't we

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Speaker 1: shouldn't be surprised by anybody who's making you know, a million,

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Speaker 1: like who has a million three million dollar home in

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Speaker 1: New York. Like at a certain point, wealth begins to

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Speaker 1: be like, I don't know what my politics are aside

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Speaker 1: from like not paying taxes. Who do you get Bethany

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Speaker 1: voted for Bethany Franklin. Oh, I don't think she don't

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Speaker 1: think she better think she's role Yeah, I mean, look

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Speaker 1: at what she's doing with her charity be Strong, you know,

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Speaker 1: chartering planes to help Puerto Rico. I feel like a

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Speaker 1: Trump supporter wouldn't do that. And if she did, yo,

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Speaker 1: she's the next level. Yeah you know what I mean? Yeah? Um?

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Speaker 1: What is something you think is over it? Something I

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Speaker 1: think is overrated is a little bit personal, which is

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Speaker 1: grad school. I am a PhD school dropout, and while

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Speaker 1: cleaning my apartment, I found an old journal from when

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Speaker 1: I was in grad school and reading it, I was, y'all,

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Speaker 1: I was so broke and I hated my life so much.

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Speaker 1: So I'm gonna say grad school overrated. I dropped out

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Speaker 1: of grad school, had like ten years ago. It's kind

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Speaker 1: of a while ago. Kind of a while ago now,

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Speaker 1: um and yeah, and then to University of Maryland, College Park,

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Speaker 1: and I was trying to get a doctorate in African

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Speaker 1: American women's literature. Um. Yeah, it was looking back like

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Speaker 1: I really read reading this whole journal entry, I had

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Speaker 1: a flood of all these memories of just being very

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Speaker 1: broke and also working as an adjunct, and in the

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Speaker 1: journal I describe going to a meeting with like actual

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Speaker 1: professors and adjuncts where the professor at the end of

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Speaker 1: the meeting was like, Bridget, would you like to take

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Speaker 1: these bagels home? Because I know you're I have no money,

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Speaker 1: And he was right, that would be the same way

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Speaker 1: if I look back on like when I was a

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Speaker 1: p a uh and like you know, just doing like

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Speaker 1: my like Hollywood odd jobs, were like yeah, very much

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Speaker 1: like someone who had me on a shoe be like, hey,

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Speaker 1: you wanna take the crafty home? Man? You got roommates,

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Speaker 1: And I'm like I would, sir, and thank you so much,

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Speaker 1: thank you. Even though even though these Popeye's biscuits are

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Speaker 1: harder than hockey pucks, I will drop some water in

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Speaker 1: them and bring them back to life. In the thank

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Speaker 1: you sir, you want to be insulted, but you also,

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Speaker 1: you know, you're like, yeah, I'm gonna take this ship.

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Speaker 1: I'm broke as fuck, are you kidding? I'll take the

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Speaker 1: loose potatoes too, because I can funk with those later.

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Speaker 1: I'll make hash browns. I don't know, but just I'll yes,

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Speaker 1: I'll take everything potatoes. I remember very specifically this was

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Speaker 1: another Well. First of all, when I used to work

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Speaker 1: on Hell's Kitchen the Gordon Ramsey Show, they would let

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Speaker 1: the uh, they would let the production staff. They would

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Speaker 1: let us have at the ingredients that they would use

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Speaker 1: for the night's challenge every day. So like I remember

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Speaker 1: one night I brought home, I'm not joking, a motherfucking

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Speaker 1: hefty like construction shopping bag full of Shicido peppers. That's

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Speaker 1: too many, Like it's not even how can one man

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Speaker 1: have so many peppers? Yeah, but like that was like

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Speaker 1: the vibe there and but there is an excitement when

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Speaker 1: you get The potatoes was from another shoot, uh, and

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Speaker 1: that was to do with California Chicken Cafe, and they

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Speaker 1: were like roasted potatoes. And I was like I can

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Speaker 1: just make like little potato patties out of potato pancakes

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Speaker 1: with these when I get home, put them in the

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Speaker 1: food processor. That's what I did. Oh my god. I

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Speaker 1: don't want to derail the episode, but I'm obsessed with

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Speaker 1: Gordon and Ramsey and I have so many questions this episode.

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Speaker 1: I think you heard the intro, right, can I Can

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Speaker 1: I just kid this show? But thank you so much. Yes,

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Speaker 1: normally we are so focused, um, but for this one moment,

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Speaker 1: I will indulge your question, Bridgie. Yes, okay. Is it so?

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Speaker 1: I've watched all the Gordon Ramsey properties on the kids show.

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Speaker 1: He's so sweet to the kids. It's it's adorable to

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Speaker 1: watch him interact with the kids. But as you know

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Speaker 1: on the on the adult show, he's his whole thing

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Speaker 1: is like being kind of mean. Is it an act

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Speaker 1: or is he actually kind of a gruff person? He's well, okay,

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Speaker 1: so I didn't work on Master Chef Kids. I know

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Speaker 1: someone that did and says he's I mean, he's overall

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Speaker 1: a kind guy. He turns it on when you're cooking.

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Speaker 1: Then you enter his world where now he has a

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Speaker 1: take on the ship you're doing, like if you're just

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Speaker 1: walking around. He's like, it's not like you know, it's

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Speaker 1: like when So for example, on the one of the

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Speaker 1: seasons I worked on two seasons of Hell's Kitchen Um.

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Speaker 1: On one of the seasons, he changed the craft services

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Speaker 1: company uh too, I think three times in the season

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Speaker 1: because he felt the craft meal wasn't up to his

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Speaker 1: standard for what the crew should be eating. So like

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Speaker 1: he would come by and just taste like like sort

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Speaker 1: of make a small plate of whatever the crew was eating,

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Speaker 1: and then the next day there'd be a new crew

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Speaker 1: there and we're like, what happened there? Like he didn't

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Speaker 1: like the food. Let me ask you this. Have you

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Speaker 1: ever seen that video of of him having another chef

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Speaker 1: taste his pad tie and he's so he's so excited

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Speaker 1: to get yeah, yeah, because it's like a Thai chef

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Speaker 1: who's like, bro, this is something like I don't know

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Speaker 1: what this is for, but like, don't this is I'm

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Speaker 1: gonna take. It's so sad. The guy. The guy, he's like,

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Speaker 1: he's like, what do you think about it? Do you

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Speaker 1: like it? Do you like it? And he goes and

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Speaker 1: then he's like, well, you know, what do you think?

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Speaker 1: And the guy's like what do you want to know

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Speaker 1: about it? He's like, what do you want to know

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Speaker 1: about it? Because like tables, it's it's such an inversion

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Speaker 1: of power of what you used to seeing in any

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Speaker 1: kind of Gordon Ramsey clips um. The most delicious food

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Speaker 1: has ever been to me is working as like a

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Speaker 1: bus boy or a dishwasher in the kitchen, seeing like

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Speaker 1: all this delicious food and just being broken hungry and

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Speaker 1: then like getting a plate of French fries with hollandaise

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Speaker 1: sauce or something like that. So another thing too, Hell's kitchen.

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Speaker 1: So you know, I don't know, it's it's it's a

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Speaker 1: reality show, but you know, quote unquote reality. So like

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Speaker 1: sometimes like the servers like walk away from the past,

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Speaker 1: like as if they're going to put food on the table,

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Speaker 1: but they aren't, and it's just for the shot and

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Speaker 1: they walk straight through the set and go to this

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Speaker 1: other back corner where they will just put the plates down,

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Speaker 1: and the knife fights that we had over those plates

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Speaker 1: that they're like, I mean, you got you gotta taste

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Speaker 1: last night. I've never had duck. I'm gonna try it.

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Speaker 1: And then you're like the ship is so good and

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Speaker 1: then you just but it is like that moment where

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Speaker 1: you're like when where do I have to be to

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Speaker 1: eat like this all the time. But that's know, like

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Speaker 1: affects my taste and food is like I love French

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Speaker 1: fries with hollandaise sauce. I love Italian food because I

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Speaker 1: worked like when I was in high school, I was

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Speaker 1: a bus boy and a dishwasher and an Italian restaurant

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Speaker 1: where they had like solid food, but like that food

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Speaker 1: just looked just like yeah, just the dream of that food.

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Speaker 1: That's the reason why I love Dominoes is because when

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Speaker 1: I worked at the Laser Tag place doing kids birthday parties,

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Speaker 1: that was the pizza place we had to deal with.

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Speaker 1: So if you had the birthday would be like okay,

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Speaker 1: so we can order from Dominoes, and whenever you'd clean

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Speaker 1: up half the time, the parents don't want to take

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Speaker 1: back like a half a pizza, so we take it

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Speaker 1: in the back and the starving high school kids devour

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Speaker 1: the ship out of it. I remember, like you would

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Speaker 1: have ten minutes between your like three o'clock party and

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Speaker 1: your three fifteen party, and I would have to fucking

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Speaker 1: like like condensed five slices and like a like a

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Speaker 1: baseball and eat it like that like an apple, but

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Speaker 1: it was like so good too, to the point where

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Speaker 1: like I always have those memories of eating dominoes and

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Speaker 1: be like this is sustaining me until a massive celebrity

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Speaker 1: can then watch you clean up and be like yeah, yeah,

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Speaker 1: there's been a few dr dre Yeah maybe wild uncomfortable.

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Speaker 1: Have you talked about that? Harrison Ford caught me with

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Speaker 1: my pants down because I had ice cream or I

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Speaker 1: had ice cream cake all over my pants that I

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Speaker 1: had like a kid through up slice of ice cream

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Speaker 1: cake at my crotch. Uh, And I like I needed

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Speaker 1: to clean because you and one day at my job,

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Speaker 1: you would do like three or four birthday parties like

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Speaker 1: in your shift, and so in between them, I was like,

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Speaker 1: I can't go out there, like I need new pants.

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Speaker 1: So I was like furiously cleaning them. And Harrison Ford

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Speaker 1: came the back door and like just like opened the

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Speaker 1: back door and I'm there with my pants around my

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Speaker 1: knees like a washcloth like scrubbing the crotch of my

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Speaker 1: pants like in my underwear. And it's him and Calista

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Speaker 1: Flockhart and he has like his like sunglasses and he

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Speaker 1: dropped them like sort of like to look at me,

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Speaker 1: and he goes, is this that laser zone place. I'm like,

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Speaker 1: I'm like, I was like the entrances in the front,

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Speaker 1: Mr Ford, and he's like and he just didn't even

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Speaker 1: say thank you. He was just so if I think

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Speaker 1: I've sucked his day up. But like podcast masturbating or

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Speaker 1: whatever you are whatever, this is your freak freak boy

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Speaker 1: masturbating with ice cream cake. Yeah yeah, looking at Calista, like,

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Speaker 1: these kids are fucked Uh what is something you think is?

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Speaker 1: Are we on underrated? I don't even know where we're here? Yeah,

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Speaker 1: I think right underrated? Right? Okay? What something you think

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Speaker 1: is underrated? Bridget Something I think is underrated is, particularly

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Speaker 1: in these trying COVID times, watching just a feel good movie.

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Speaker 1: You know, I watched um an American Pickle if you've

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Speaker 1: seen that on HBO. Everybody things about this. Yeah. I

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Speaker 1: typically like a like, give me a dark documentary about

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Speaker 1: some fucked up ship, and I'm very happy. Um. But

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Speaker 1: the last few weeks I've been watching a lot of

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Speaker 1: like feel good, fluffy movies, and you know, the world

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Speaker 1: is sucked up enough. Why when it's time to watch

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Speaker 1: a movie, maybe watch something that's a little bit escapist.

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Speaker 1: Yeah that hey, straight off facts. Mm hmm, I mean

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Speaker 1: desperados as we'll get into. That's a that's a fun one,

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Speaker 1: good good letting off steam. But yeah, I hear American

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Speaker 1: pickles very good. I hear it really makes you. Uh.

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Speaker 1: I feel like Seth Rogan is one of our great Thespians.

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Speaker 1: I think Anna Hosy I was saying that. I think

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Speaker 1: her exact words were fund Daniel day Lewis, Seth Rogan

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Speaker 1: is our finest actor. Yes, And I'm gonna say something

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Speaker 1: else that might be a bit of a hot take.

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Speaker 1: I mean, Daniel day Lewis isn't ours and is either

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Speaker 1: Seth Rogan. To be honest, He's Canadian and Lewis is Welsh, Irish, Irish. Yeah,

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Speaker 1: I think Seth Rogan kind of handsome. You can get it, Yeah,

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Speaker 1: I think he can. He's English. Sorry, what disrespect? You

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Speaker 1: know he's born I don't know, British and Irish. That's

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Speaker 1: what it is. He's Daniel Lewis. Yes, I wanted to

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Speaker 1: make sure I got that right. What do I say

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Speaker 1: our I just mean the human race. I'm very regional.

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Speaker 1: When I say our luck, I'm talking about like, you know,

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Speaker 1: like our like, yeah, exactly from the valley, uh bridget Finally,

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Speaker 1: what is a myth? What's something people think is true

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Speaker 1: you know to be false? Okay, so this again is

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Speaker 1: a little bit personal. But when Biden picked Kamala Harris

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Speaker 1: as his running mate, I got a flitterry of text

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Speaker 1: messages being like, oh, aren't she related to her? And

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Speaker 1: your first your first thought might be racism, but not true.

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Speaker 1: My mom is an a k A. She she went

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Speaker 1: to that she's a member of the same sorority as Harris,

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Speaker 1: and anybody who is also a k A. People like

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Speaker 1: Gladys Night, people like um, I think um, Tony Braxton,

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Speaker 1: my mom. My mom will say, oh so and so

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Speaker 1: that's my sister, meaning her sorority sister. But she doesn't,

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Speaker 1: she doesn't correct them. So there has been a little

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Speaker 1: bit of a Todd family lore that a whole host

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Speaker 1: of black women that we've never met our my mom's

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Speaker 1: sister and my aunt, because my mom has been feeding

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Speaker 1: into this myth that she is related Kamala Harris. She

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Speaker 1: is not. We have never met. I like that though,

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Speaker 1: Oh you really must meet Kamala. She's a good people

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Speaker 1: were Miles and I have hung with her. Oh really yeah, yeah,

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Speaker 1: oh yeah, she came by, uh podcast. I was thinking

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Speaker 1: like weed and I was like, oh the photo, I

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00:22:25,960 --> 00:22:28,560
Speaker 1: look like it too. I'm like I'm behind California's former

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Speaker 1: top cops, thinking like that dead body. Damn. A K

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Speaker 1: is like sculling cross buns for the I didn't know

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Speaker 1: about a K. But it's like all these famous people.

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Speaker 1: Oh yeah, do a K A Twitter went the I

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Speaker 1: was like, oh ship, it is a movement around with

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Speaker 1: the intersection of Howard Twitter and a K a Twitter.

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Speaker 1: Who that is? That is a lot of impressions. That's

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Speaker 1: like someone at a marketing companies like, how do we

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Speaker 1: get that kind of energy on this new camp pain

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Speaker 1: for Sparks energy liquor. I want to see numbers. I

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Speaker 1: want to see HBCU Twitter intersect with a K A

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Speaker 1: Twitter and liberal politics Twitter. That's what I'm talking about.

422
00:23:13,880 --> 00:23:17,479
Speaker 1: Hey man, all right, let's take a quick break and

423
00:23:17,600 --> 00:23:31,320
Speaker 1: we'll be right back. And we're back, uh and really quickly,

424
00:23:31,320 --> 00:23:33,639
Speaker 1: we want to check in with the state of the

425
00:23:33,720 --> 00:23:38,520
Speaker 1: United States Postal Service. How we do it? Miles um.

426
00:23:38,560 --> 00:23:42,240
Speaker 1: So there were like images going around where there were

427
00:23:42,280 --> 00:23:47,600
Speaker 1: Postal Service trucks like loading up those iconic blue mail

428
00:23:47,680 --> 00:23:52,600
Speaker 1: drop boxes like off the streets and taking them away. Uh.

429
00:23:52,600 --> 00:23:56,040
Speaker 1: And there's a few images of that in New York City. Eugene, Oregon.

430
00:23:56,280 --> 00:23:59,280
Speaker 1: John Tester, the Senator Montana, he sent a letter to

431
00:23:59,280 --> 00:24:02,679
Speaker 1: the postmatch or uh Louis DeJoy basically saying like, what

432
00:24:02,840 --> 00:24:05,480
Speaker 1: is going on is like apparently over a dozen post

433
00:24:05,520 --> 00:24:08,200
Speaker 1: office drop boxes were removed across the state. And this

434
00:24:08,280 --> 00:24:11,399
Speaker 1: is with the backdrop of the president is trying to

435
00:24:11,680 --> 00:24:14,359
Speaker 1: fuck mail in voting so he can do everything he

436
00:24:14,440 --> 00:24:18,120
Speaker 1: can to try and hold onto power. And this is like,

437
00:24:18,359 --> 00:24:20,639
Speaker 1: it's just so cynical to be like, Okay, well it

438
00:24:20,720 --> 00:24:23,280
Speaker 1: wasn't just enough that they were fucking with sorting machines,

439
00:24:23,359 --> 00:24:25,840
Speaker 1: and sorting machines are being removed, which a lot of

440
00:24:25,840 --> 00:24:28,640
Speaker 1: people like this has to be felonious. Now at this point,

441
00:24:29,280 --> 00:24:32,320
Speaker 1: this is this is like in every imaginable way just

442
00:24:32,440 --> 00:24:35,199
Speaker 1: tampering with the mail. But there are a ways they were,

443
00:24:35,240 --> 00:24:37,359
Speaker 1: like Louis de Joyce said, like there have been some

444
00:24:37,440 --> 00:24:40,800
Speaker 1: unintended consequences of like the restructuring that's going on and

445
00:24:40,880 --> 00:24:44,520
Speaker 1: using really shitty euphemistic language. Um. But then there are

446
00:24:44,520 --> 00:24:47,439
Speaker 1: other spokespeople from the postal service saying like, well, you know,

447
00:24:47,520 --> 00:24:49,639
Speaker 1: like we're just trying to be efficient and like when

448
00:24:49,680 --> 00:24:52,320
Speaker 1: there aren't that many drops at that location, then like

449
00:24:52,440 --> 00:24:54,600
Speaker 1: we just realized that it's easier to do that, so

450
00:24:54,640 --> 00:24:57,080
Speaker 1: then the routes are shorter and that that that that that.

451
00:24:57,320 --> 00:25:00,040
Speaker 1: But what it looks like and what it is is

452
00:25:00,400 --> 00:25:02,800
Speaker 1: you're just being like we're gonna limit even the places

453
00:25:02,840 --> 00:25:07,000
Speaker 1: you can even leave your mail in ballot, right, yeah

454
00:25:07,119 --> 00:25:10,679
Speaker 1: we did. Did some other service have to open up

455
00:25:10,680 --> 00:25:12,800
Speaker 1: a drop box there that they needed to get rid

456
00:25:12,800 --> 00:25:15,840
Speaker 1: of those Like what it's I don't understand, but I

457
00:25:15,880 --> 00:25:19,119
Speaker 1: don't know it's I mean there's also like there's something

458
00:25:19,160 --> 00:25:24,359
Speaker 1: going on where that the postmaster, Lewis de joy is

459
00:25:24,400 --> 00:25:28,080
Speaker 1: like has some kind of entanglements or something to do.

460
00:25:28,280 --> 00:25:30,480
Speaker 1: And I don't mean entanglement like in the Red Table

461
00:25:30,520 --> 00:25:35,000
Speaker 1: Talk version uh shout out Austin nothing but um the like,

462
00:25:35,080 --> 00:25:39,000
Speaker 1: but actually like he has Amazon stock like oh yeah,

463
00:25:39,040 --> 00:25:42,199
Speaker 1: he's yeah, And it's just sort of like this is

464
00:25:42,240 --> 00:25:44,120
Speaker 1: but this is where we're at where you're being like, yeah,

465
00:25:44,200 --> 00:25:47,159
Speaker 1: bringing the corporate raiders to like sort of take our

466
00:25:47,200 --> 00:25:49,199
Speaker 1: infrastructure to the point where now it's like okay, now

467
00:25:49,320 --> 00:25:51,280
Speaker 1: let's privatize it and sell it off and there we go.

468
00:25:51,359 --> 00:25:53,480
Speaker 1: Someone's gotta check now, so we we just gonna say

469
00:25:53,520 --> 00:25:55,959
Speaker 1: that everybody asked a vote in person, Like, let's just

470
00:25:56,000 --> 00:25:59,240
Speaker 1: do that as a well, Like Lebron is like trying

471
00:25:59,240 --> 00:26:02,040
Speaker 1: to get their making the like Dodger stadiums just an

472
00:26:02,200 --> 00:26:06,040
Speaker 1: enormous polling place. Um, they're like, you know, some people

473
00:26:06,080 --> 00:26:08,080
Speaker 1: are trying to do things. But yeah, I don't know.

474
00:26:08,200 --> 00:26:11,760
Speaker 1: I mean, granted, what does that look like with COVID,

475
00:26:12,400 --> 00:26:14,840
Speaker 1: and how does that align with any kind of a wave,

476
00:26:14,920 --> 00:26:17,879
Speaker 1: a second wave or are there a second wave? Like

477
00:26:17,920 --> 00:26:19,920
Speaker 1: in this country. I feel like we've just been riding

478
00:26:19,960 --> 00:26:23,200
Speaker 1: the same big gas wave. So I think we're at

479
00:26:23,200 --> 00:26:27,520
Speaker 1: the tip of the second wave with wave of deaths, right,

480
00:26:27,600 --> 00:26:31,000
Speaker 1: so we'd be looking at third wave Jesus Christ. Yeah,

481
00:26:31,040 --> 00:26:34,960
Speaker 1: I don't know, so like all of that together, Yeah,

482
00:26:35,000 --> 00:26:39,680
Speaker 1: you're it's it's really a dilemma for people to just say, like, okay,

483
00:26:39,760 --> 00:26:43,640
Speaker 1: wait hours in line, um, possibly in the cold, depending

484
00:26:43,640 --> 00:26:47,960
Speaker 1: on where you are during this pandemic, just so you

485
00:26:48,000 --> 00:26:51,879
Speaker 1: can avoid this, I don't know, the further acceleration of

486
00:26:51,920 --> 00:26:55,400
Speaker 1: the authoritarian takeover of America. Yeah, and I also think,

487
00:26:55,760 --> 00:27:00,840
Speaker 1: of course, that's presents such a horrible challenge for voting.

488
00:27:01,240 --> 00:27:03,720
Speaker 1: You know, people who are chronically ill or you don't compromise,

489
00:27:03,800 --> 00:27:06,560
Speaker 1: they like they rely on mail and voting. And then

490
00:27:06,720 --> 00:27:10,520
Speaker 1: even beyond that, fucking with like fucking with the Postal Service.

491
00:27:11,040 --> 00:27:13,520
Speaker 1: It's going it's going to derail so many lives, right,

492
00:27:13,560 --> 00:27:15,440
Speaker 1: Like my dad, My dad is chronically ill. He gets

493
00:27:15,440 --> 00:27:18,080
Speaker 1: his medication through the postal Service. If we're gonna, if

494
00:27:18,119 --> 00:27:21,960
Speaker 1: we're going to accept that massive delays on this essential

495
00:27:21,960 --> 00:27:24,720
Speaker 1: service is okay for Trump to get another you know,

496
00:27:24,840 --> 00:27:27,520
Speaker 1: term in office. It's going to be derailing the lives

497
00:27:27,520 --> 00:27:29,480
Speaker 1: of people who really depend on it, people who live

498
00:27:29,480 --> 00:27:33,000
Speaker 1: in rural communities where you know, sending something would cost

499
00:27:33,760 --> 00:27:37,679
Speaker 1: an astronomical amount through something like FedEx, but the the USPS,

500
00:27:37,760 --> 00:27:39,960
Speaker 1: it's or the United States Postal Service, you can just

501
00:27:40,040 --> 00:27:42,080
Speaker 1: send it for the cost of a stamp. Like we

502
00:27:42,240 --> 00:27:46,919
Speaker 1: are even beyond the implications for the election, the implications

503
00:27:46,920 --> 00:27:49,879
Speaker 1: that this has for just the our way of life.

504
00:27:49,960 --> 00:27:54,800
Speaker 1: It's just it's just so deeply, deeply demoralizing and it

505
00:27:54,800 --> 00:27:58,639
Speaker 1: shouldn't be acceptable. But what is being done? You know,

506
00:27:58,720 --> 00:28:00,520
Speaker 1: like where do where where do we like what can

507
00:28:00,560 --> 00:28:05,040
Speaker 1: we do? Right? Uh, that's yeah, that's what We're slowly

508
00:28:05,119 --> 00:28:07,720
Speaker 1: arriving at that point where it's like damn, like we

509
00:28:07,840 --> 00:28:11,320
Speaker 1: gotta start striking, taking over the streets, Like what what

510
00:28:11,520 --> 00:28:15,119
Speaker 1: is the recourse because on the other hand, like the

511
00:28:15,160 --> 00:28:17,880
Speaker 1: politicians are sort of left with like just writing letters

512
00:28:18,160 --> 00:28:20,880
Speaker 1: to the postmaster being like the fund is going on,

513
00:28:21,720 --> 00:28:24,560
Speaker 1: like it can't just be that like yeah, the fun

514
00:28:24,640 --> 00:28:27,240
Speaker 1: I mean they're this is this is straight up fuccory

515
00:28:27,720 --> 00:28:30,840
Speaker 1: and it's it's messing with people's lives, like to your point, medications,

516
00:28:30,880 --> 00:28:33,560
Speaker 1: social Security checks, all kinds of things people need the

517
00:28:33,600 --> 00:28:38,719
Speaker 1: postal service for. Uh yeah, I don't know if Trump,

518
00:28:39,120 --> 00:28:41,760
Speaker 1: if they do get Trump out of office, if we

519
00:28:41,840 --> 00:28:46,760
Speaker 1: do get Trump out of office, if like yeah, but

520
00:28:46,920 --> 00:28:51,680
Speaker 1: just like the America's non fascist community gets him out

521
00:28:51,720 --> 00:28:55,480
Speaker 1: of office, like we need to spend the next four

522
00:28:55,560 --> 00:28:59,240
Speaker 1: years just extinguishing laws that like because all of the

523
00:28:59,280 --> 00:29:02,320
Speaker 1: ship is just like it's really been like a stress

524
00:29:02,360 --> 00:29:06,040
Speaker 1: test that just shows all the ways that you know,

525
00:29:06,040 --> 00:29:10,080
Speaker 1: when somebody's in power, they can just you know, you

526
00:29:10,200 --> 00:29:15,280
Speaker 1: use that power to kind of move move us towards fascism.

527
00:29:15,320 --> 00:29:17,360
Speaker 1: And he's not gonna be the last one. Like we're

528
00:29:17,920 --> 00:29:20,120
Speaker 1: no you're gonna get someone like Tom Cotton or someone

529
00:29:20,120 --> 00:29:23,760
Speaker 1: who's a little bit more articulate and who understands like

530
00:29:23,840 --> 00:29:26,640
Speaker 1: DC politics better and how you can actually go about

531
00:29:26,640 --> 00:29:29,520
Speaker 1: these things rather than just being so mercurial and like impulsive.

532
00:29:29,560 --> 00:29:31,080
Speaker 1: And it's been like, I don't know, I hate that

533
00:29:31,520 --> 00:29:36,640
Speaker 1: look in andelde lay mommy EO EO executive orders, Like

534
00:29:36,760 --> 00:29:40,800
Speaker 1: it's this, that's when we're gonna be in trouble with

535
00:29:40,840 --> 00:29:43,280
Speaker 1: someone who actually knows how to work the levers, because

536
00:29:43,280 --> 00:29:45,400
Speaker 1: Trump just knows how to work the media and that's

537
00:29:45,800 --> 00:29:47,960
Speaker 1: and the people. But like that's the only thing that

538
00:29:48,000 --> 00:29:50,840
Speaker 1: has kept us from like fully being like whoa where

539
00:29:50,880 --> 00:29:55,320
Speaker 1: he's bombing US cities? Yeah, yeah, it's so depressing honestly

540
00:29:55,880 --> 00:29:58,160
Speaker 1: listening to you talk, I was just thinking about all

541
00:29:58,240 --> 00:30:00,360
Speaker 1: of the different I don't even I don't even want

542
00:30:00,360 --> 00:30:02,560
Speaker 1: to call them scandals, all the different things that Trump

543
00:30:02,600 --> 00:30:04,520
Speaker 1: has done that if any other president did them, he

544
00:30:04,560 --> 00:30:06,840
Speaker 1: would be out of office. It would be it would

545
00:30:06,840 --> 00:30:09,080
Speaker 1: be we would be having like a national reckoning. And

546
00:30:09,880 --> 00:30:12,440
Speaker 1: there have been so many it's like, how do you

547
00:30:12,520 --> 00:30:14,760
Speaker 1: even so Yeah, now it's the post Now it's the

548
00:30:14,800 --> 00:30:17,680
Speaker 1: postal service. He went on TV and pretty much admitted, Yeah,

549
00:30:17,720 --> 00:30:19,239
Speaker 1: I'm sucking with the postal service so I can win

550
00:30:19,280 --> 00:30:20,920
Speaker 1: the election because I want to win the election. You

551
00:30:21,000 --> 00:30:24,760
Speaker 1: pretty much said that pretty plainly. Like what's next. Where

552
00:30:24,760 --> 00:30:27,959
Speaker 1: does it go from here? Well, the natural extension is right,

553
00:30:28,040 --> 00:30:31,600
Speaker 1: like for so long the people of good faith and

554
00:30:31,720 --> 00:30:35,200
Speaker 1: morals will rely on that to say no, if we

555
00:30:35,360 --> 00:30:38,360
Speaker 1: just stick by our guns, that's that's how we win.

556
00:30:38,920 --> 00:30:41,280
Speaker 1: But when you are dealing with people who constantly are

557
00:30:41,320 --> 00:30:43,479
Speaker 1: not playing by the same rule book, eventually that's going

558
00:30:43,560 --> 00:30:46,960
Speaker 1: to drag the other side into the same Like you're like, okay,

559
00:30:47,040 --> 00:30:49,600
Speaker 1: fuck it. So it's just it's just dirt fest now,

560
00:30:49,960 --> 00:30:53,160
Speaker 1: Like its completely like just corruption on both sides to

561
00:30:53,240 --> 00:30:55,600
Speaker 1: counteract the core. It's just that's like there, I feel

562
00:30:55,600 --> 00:30:58,240
Speaker 1: like the completely runaway train version where it's like, yeah,

563
00:30:58,280 --> 00:31:00,080
Speaker 1: the only logical thing is like, okay, did we got

564
00:31:00,160 --> 00:31:03,240
Speaker 1: a cheat too? And I think that's just that's when

565
00:31:03,320 --> 00:31:08,160
Speaker 1: it fully, you know, things fall apart. Who would normally

566
00:31:08,280 --> 00:31:12,000
Speaker 1: be stopping this It would be like the Postmaster General,

567
00:31:12,440 --> 00:31:16,720
Speaker 1: like the head of the General wouldn't probably wouldn't even

568
00:31:16,760 --> 00:31:19,080
Speaker 1: go do the things that it are happening right now.

569
00:31:19,960 --> 00:31:23,760
Speaker 1: I'm just trying to figure out like in the version

570
00:31:24,120 --> 00:31:28,040
Speaker 1: where like norms save America from this sort of just

571
00:31:28,240 --> 00:31:33,720
Speaker 1: like chasm of you know, just dark corruption and like,

572
00:31:34,400 --> 00:31:37,600
Speaker 1: you know where where nothing matters. What like who is

573
00:31:37,640 --> 00:31:40,240
Speaker 1: supposed to be coming in and being like in a

574
00:31:40,360 --> 00:31:43,560
Speaker 1: normal presidency, like Bridget was saying, who who would be

575
00:31:43,640 --> 00:31:47,680
Speaker 1: stopping this? Just the the opposition party like Mitch McConnell,

576
00:31:47,720 --> 00:31:50,640
Speaker 1: if it was a Democrat would be freaking out. I

577
00:31:51,160 --> 00:31:54,480
Speaker 1: guess I just don't know how the country works. Maybe

578
00:31:54,640 --> 00:31:56,880
Speaker 1: maybe I need to do that. It's a good question.

579
00:31:57,240 --> 00:32:00,920
Speaker 1: I I don't know. I don't know, And a normal situation,

580
00:32:00,960 --> 00:32:03,320
Speaker 1: who would be the person to put a stop to this?

581
00:32:03,520 --> 00:32:05,920
Speaker 1: But honestly that your question just speaks to the way

582
00:32:06,000 --> 00:32:08,440
Speaker 1: that are normal. The things that you would think of

583
00:32:08,520 --> 00:32:11,360
Speaker 1: as the normal checks and balances have just stopped. We

584
00:32:11,400 --> 00:32:14,680
Speaker 1: don't have anymore. You just don't worry anymore. Yeah, I'm

585
00:32:14,720 --> 00:32:18,760
Speaker 1: being like, I guess you can be impeached, right, Like

586
00:32:18,880 --> 00:32:23,479
Speaker 1: could could we try and impeach him again for this? Oh?

587
00:32:23,560 --> 00:32:25,320
Speaker 1: I'm talking about but I think you can impeach the

588
00:32:26,320 --> 00:32:31,240
Speaker 1: postmaster general. Oh right, right, right, that's but but I

589
00:32:31,280 --> 00:32:36,080
Speaker 1: don't know, probably not before the election, and there's too

590
00:32:36,120 --> 00:32:39,479
Speaker 1: many calculations happening, you know, to the point where it's

591
00:32:39,480 --> 00:32:41,560
Speaker 1: like what what do we expend our political capital? Only?

592
00:32:41,720 --> 00:32:43,720
Speaker 1: Is it the is it to try and get relief?

593
00:32:43,840 --> 00:32:48,440
Speaker 1: But now the Senate they've gone on recess. So we're like,

594
00:32:50,000 --> 00:32:56,600
Speaker 1: I don't know. It's honestly, I I you just on

595
00:32:56,720 --> 00:32:59,120
Speaker 1: the zoom. You just like throw your hands up, like, oh,

596
00:32:59,200 --> 00:33:00,800
Speaker 1: I don't know. That's how I feel. I feel like

597
00:33:01,520 --> 00:33:04,640
Speaker 1: the we live in a country where the top down

598
00:33:04,680 --> 00:33:07,480
Speaker 1: message we're getting it's like good luck. You know, we

599
00:33:07,600 --> 00:33:10,560
Speaker 1: can't help you. Hope you don't get evicted, but like

600
00:33:10,680 --> 00:33:12,560
Speaker 1: maybe you'll figure something out. But anyway, I'm going on

601
00:33:12,640 --> 00:33:15,360
Speaker 1: recess by like like okay, so what we have to

602
00:33:15,440 --> 00:33:17,480
Speaker 1: pull up to your house? Now? Is that the day?

603
00:33:18,000 --> 00:33:23,520
Speaker 1: Because all is shocking, like is there some reason they

604
00:33:23,600 --> 00:33:25,880
Speaker 1: have to go on recess? Why why aren't they just

605
00:33:26,040 --> 00:33:29,320
Speaker 1: like working twenty four hours a day because they couldn't

606
00:33:29,360 --> 00:33:30,880
Speaker 1: come to a deal over the last couple of weeks,

607
00:33:30,960 --> 00:33:32,800
Speaker 1: and like I think they're they're looking toa like fuck

608
00:33:32,880 --> 00:33:34,920
Speaker 1: it whatever, let's see what like maybe they'll come back

609
00:33:34,920 --> 00:33:37,200
Speaker 1: to the table, maybe get bad enough in the polls

610
00:33:37,280 --> 00:33:39,800
Speaker 1: that done the Republicans will want to make a deal,

611
00:33:40,200 --> 00:33:45,440
Speaker 1: but either way, it's fucking around with people's lives, um,

612
00:33:45,680 --> 00:33:48,320
Speaker 1: and you really should be no matter what, Like I mean,

613
00:33:48,640 --> 00:33:53,040
Speaker 1: you can't expect a single fucking thing from Republicans at all.

614
00:33:53,640 --> 00:33:56,120
Speaker 1: So that's why you're like, okay, so how shitty are

615
00:33:56,240 --> 00:33:59,120
Speaker 1: they are? Like is the leadership for the Democrats to like,

616
00:33:59,760 --> 00:34:03,920
Speaker 1: can you please show people too that everything you're trying

617
00:34:03,960 --> 00:34:06,000
Speaker 1: to do everything and sort of like what we tried

618
00:34:06,080 --> 00:34:08,640
Speaker 1: and we offered this or whatever. Like I don't know,

619
00:34:08,719 --> 00:34:11,080
Speaker 1: there's like we haven't gotten to quite the screaming point

620
00:34:11,640 --> 00:34:15,280
Speaker 1: of like the fund is wrong with y'all, which like slowly,

621
00:34:15,560 --> 00:34:18,360
Speaker 1: I feel like some we've seen some senators in Congress

622
00:34:18,400 --> 00:34:21,080
Speaker 1: people like break to sort of like admonish their peers.

623
00:34:21,640 --> 00:34:25,320
Speaker 1: But you know, I don't know, it's it almost feels

624
00:34:25,320 --> 00:34:27,480
Speaker 1: like you're starting to see how disconnected some of the

625
00:34:27,800 --> 00:34:30,880
Speaker 1: even the leaders on the Democratic Party are from like

626
00:34:31,080 --> 00:34:36,600
Speaker 1: what they've lived experiences of of American people. Absolutely definitely.

627
00:34:36,680 --> 00:34:41,520
Speaker 1: I mean I wish that, you know, as someone on

628
00:34:41,600 --> 00:34:44,040
Speaker 1: the left, I wish that our leaders in the Democratic

629
00:34:44,120 --> 00:34:47,480
Speaker 1: Party and on the left we're not so fucking toothless.

630
00:34:47,800 --> 00:34:49,960
Speaker 1: You know, it's like, like, what are we going to do?

631
00:34:50,120 --> 00:34:54,040
Speaker 1: What are we doing? How? How are And I'll give

632
00:34:54,160 --> 00:34:56,759
Speaker 1: that we are in such unprecedented times with a with

633
00:34:56,880 --> 00:35:01,799
Speaker 1: a president like Trump, but it feels like nothing's being done.

634
00:35:01,920 --> 00:35:04,200
Speaker 1: It feels like and I guess I and I think

635
00:35:04,239 --> 00:35:07,040
Speaker 1: I'm speaking from a place of like extreme sort of

636
00:35:07,920 --> 00:35:12,360
Speaker 1: disaffection and you know, just I don't even know the

637
00:35:12,400 --> 00:35:14,279
Speaker 1: word for it, as I'm so exhausted even just like

638
00:35:14,360 --> 00:35:18,040
Speaker 1: thinking about this. But you know when I see on Twitter,

639
00:35:19,760 --> 00:35:23,200
Speaker 1: democratic politicians like putting out a spicy tweet about something

640
00:35:23,239 --> 00:35:25,120
Speaker 1: Trump said or did, and I'm like, this is great,

641
00:35:25,160 --> 00:35:27,280
Speaker 1: but this isn't helping me right, Like this this tweet

642
00:35:27,360 --> 00:35:29,800
Speaker 1: is cool, awesome, you dunked on a good job, but like,

643
00:35:30,280 --> 00:35:31,800
Speaker 1: how am I going to pay rent? How am I

644
00:35:31,840 --> 00:35:34,640
Speaker 1: gonna have healthcare? You know, because the world, the world

645
00:35:34,760 --> 00:35:37,440
Speaker 1: is happening off that screen exactly, you know what I mean.

646
00:35:37,640 --> 00:35:40,960
Speaker 1: And like you're you're you're, You're not gonna people are

647
00:35:41,000 --> 00:35:43,759
Speaker 1: gonna pick you up because you had the fire clap

648
00:35:43,920 --> 00:35:47,359
Speaker 1: back tweet. They're gonna, you know, people want to see

649
00:35:47,480 --> 00:35:51,000
Speaker 1: you like in the district talking to people, trying to

650
00:35:51,120 --> 00:35:53,359
Speaker 1: work it out. So even if you have to, you're

651
00:35:53,400 --> 00:35:55,480
Speaker 1: like saying, well, whatever I can't do at the federal level,

652
00:35:55,560 --> 00:35:57,040
Speaker 1: let me get in my district and see what I

653
00:35:57,120 --> 00:35:59,439
Speaker 1: can do for the people of my district too, because

654
00:35:59,520 --> 00:36:01,400
Speaker 1: that is all that is the point. You're there to

655
00:36:01,520 --> 00:36:05,839
Speaker 1: represent the people of your district. Um. But I think

656
00:36:05,880 --> 00:36:07,680
Speaker 1: that's just the thing is, like we're needing to see

657
00:36:07,719 --> 00:36:11,160
Speaker 1: a shift in the what motivates someone to get into

658
00:36:11,239 --> 00:36:15,040
Speaker 1: politics because this all the older people that are in

659
00:36:15,080 --> 00:36:17,600
Speaker 1: there now are like have ties to business and it

660
00:36:17,680 --> 00:36:20,239
Speaker 1: makes sense for them strategically to get into politics for

661
00:36:20,400 --> 00:36:22,560
Speaker 1: like the benefit of themselves. And then you have some

662
00:36:22,680 --> 00:36:25,319
Speaker 1: people who truly are public servants, but we need more

663
00:36:25,440 --> 00:36:28,120
Speaker 1: like I'm ready to I'm ready to rock the fucking

664
00:36:28,200 --> 00:36:30,920
Speaker 1: boat over the type people and like that's what we have,

665
00:36:31,080 --> 00:36:32,640
Speaker 1: you know. And like that's why I think that the

666
00:36:33,800 --> 00:36:37,040
Speaker 1: d n C wasn't looking favorably at people like like

667
00:36:37,160 --> 00:36:39,120
Speaker 1: the squad and things like that, because they're not here

668
00:36:39,320 --> 00:36:41,680
Speaker 1: to play nice and they're like, uh, you know, there's

669
00:36:41,680 --> 00:36:43,680
Speaker 1: like real problems, like you know what I mean, Like

670
00:36:44,080 --> 00:36:46,640
Speaker 1: poor people are going through it. I think we're gonna

671
00:36:46,719 --> 00:36:49,520
Speaker 1: see a real shift, like a real shift, and like

672
00:36:49,600 --> 00:36:54,000
Speaker 1: who becomes politicians just genera generationally, like the values because

673
00:36:54,239 --> 00:36:57,920
Speaker 1: this is you know, I mean anybody who's paying attention

674
00:36:58,480 --> 00:37:01,800
Speaker 1: and is not completely just affected and completely just giving

675
00:37:01,880 --> 00:37:04,200
Speaker 1: up and is just trying to you know, make a

676
00:37:04,360 --> 00:37:08,239
Speaker 1: power of money where right now is disgusted with with

677
00:37:08,400 --> 00:37:11,799
Speaker 1: what they're seeing. Um, I mean you're you're pointing out

678
00:37:11,880 --> 00:37:17,600
Speaker 1: like the Chamber of Commerce ship like just how exactly

679
00:37:17,680 --> 00:37:19,840
Speaker 1: like so you look at it all right, you know,

680
00:37:19,960 --> 00:37:23,840
Speaker 1: Jody Ernst from senator from Iowa, Tom Tillis from North Carolina,

681
00:37:24,800 --> 00:37:30,279
Speaker 1: Susan Collins from Maine, Corey Gardner in Colorado, they're all uh,

682
00:37:30,400 --> 00:37:35,719
Speaker 1: the beneficiaries of massive ad spends from the Chamber of Commerce. Now,

683
00:37:36,040 --> 00:37:40,480
Speaker 1: the Chamber of Commerce is basically the gang that business

684
00:37:40,560 --> 00:37:43,440
Speaker 1: owners join up and they say, okay, we're the chamber,

685
00:37:43,560 --> 00:37:45,480
Speaker 1: bro and like look, every every city has their own

686
00:37:45,520 --> 00:37:47,560
Speaker 1: local chamber and that's all the business owners who are like,

687
00:37:47,760 --> 00:37:49,680
Speaker 1: you know, we're a network of business. You know, it's

688
00:37:49,680 --> 00:37:52,480
Speaker 1: like some very nice language, but really they're there to

689
00:37:52,520 --> 00:37:54,440
Speaker 1: be like, don't sunk our money up and if if

690
00:37:54,520 --> 00:37:56,600
Speaker 1: the politicians start doing things that sunk our money up there,

691
00:37:56,600 --> 00:37:59,120
Speaker 1: you're gonna hear from the Chamber of Commerce. Um. And

692
00:37:59,440 --> 00:38:02,480
Speaker 1: especially with and now you look at the the senators right,

693
00:38:02,520 --> 00:38:05,000
Speaker 1: and how the Republican Party has been operating, especially through

694
00:38:05,000 --> 00:38:08,600
Speaker 1: the pandemic. They've been like raw ra like reopen everything.

695
00:38:08,840 --> 00:38:11,759
Speaker 1: Who gives a funk about masks, Like I think the

696
00:38:11,840 --> 00:38:16,279
Speaker 1: problem is we need to get back to work. That's

697
00:38:16,320 --> 00:38:20,200
Speaker 1: exactly what the Chamber of Commerce wants, Like they want

698
00:38:20,320 --> 00:38:23,080
Speaker 1: the message to be we got to reopen. Because the

699
00:38:23,200 --> 00:38:25,240
Speaker 1: Chamber of Commerce, they represent them many of the business

700
00:38:25,280 --> 00:38:28,360
Speaker 1: owners who are like, by any means necessary not to

701
00:38:28,440 --> 00:38:31,440
Speaker 1: say that there are small business owners that absolutely need

702
00:38:31,560 --> 00:38:34,279
Speaker 1: help and are also saying like I need to open

703
00:38:34,360 --> 00:38:38,040
Speaker 1: for the survival of my own business. But these this

704
00:38:38,200 --> 00:38:41,160
Speaker 1: is this is a very disingenuous bunch, Like they're commending

705
00:38:41,239 --> 00:38:44,920
Speaker 1: these people. So they said, for Jody Ernest when asked

706
00:38:44,920 --> 00:38:46,440
Speaker 1: about like, well what's going on with like you know,

707
00:38:46,480 --> 00:38:48,640
Speaker 1: it looks like you spent about three fifty dollars in

708
00:38:48,680 --> 00:38:51,759
Speaker 1: the seedar rapids in De Moines area. That's a lot, uh,

709
00:38:51,800 --> 00:38:54,120
Speaker 1: and saying the US Chamber of Commerce is supportive of

710
00:38:54,200 --> 00:38:57,360
Speaker 1: this common sense solution that will lower prescription drug prices

711
00:38:57,400 --> 00:39:00,920
Speaker 1: for Iowa seniors and families, particularly crucial in light of

712
00:39:01,080 --> 00:39:06,040
Speaker 1: the of the COVID nineteen. Yeah, they were the The

713
00:39:06,120 --> 00:39:09,239
Speaker 1: Issue Advocacy A campaign highlights the business community support for

714
00:39:09,280 --> 00:39:11,640
Speaker 1: Senator Ernst and her willingness to fight for I Owens

715
00:39:11,640 --> 00:39:13,960
Speaker 1: on these important issues. It's not that she was out

716
00:39:14,000 --> 00:39:17,480
Speaker 1: here being like, let's try and recklessly reopen things and

717
00:39:17,560 --> 00:39:20,280
Speaker 1: put workers at risk. They're like, because we can't picker

718
00:39:20,320 --> 00:39:21,920
Speaker 1: up on that, let's use the thing and make this

719
00:39:22,000 --> 00:39:24,480
Speaker 1: about prescription drugs, even though that's why we need her there,

720
00:39:24,480 --> 00:39:26,800
Speaker 1: because we need somebody to kepe for, you know, the

721
00:39:26,880 --> 00:39:29,799
Speaker 1: business class. And again, I do want to reiterate though

722
00:39:30,360 --> 00:39:33,520
Speaker 1: with the reopening stuff, because I have people in my

723
00:39:33,600 --> 00:39:35,600
Speaker 1: life who are like trying to reopen their business and

724
00:39:35,680 --> 00:39:37,360
Speaker 1: going about it one way or the other. But the

725
00:39:37,440 --> 00:39:40,160
Speaker 1: pressure really needs to be on the government to support

726
00:39:40,280 --> 00:39:42,879
Speaker 1: the businesses. And I feel bad for business owners thinking

727
00:39:42,960 --> 00:39:45,839
Speaker 1: that they need to open and make money the way

728
00:39:45,920 --> 00:39:49,040
Speaker 1: they were. That's not the way. It's that's that really

729
00:39:49,239 --> 00:39:52,640
Speaker 1: should not be a responsibility given this pandemic. The onus

730
00:39:52,760 --> 00:39:55,600
Speaker 1: is on the federal government to say, do not put

731
00:39:55,719 --> 00:39:58,840
Speaker 1: any of our citizens at risk. We have we'll figure

732
00:39:58,880 --> 00:40:01,919
Speaker 1: it out, don't do that. But that's I mean, that's

733
00:40:01,960 --> 00:40:07,320
Speaker 1: not that's not America talking absolutely, you know. I so

734
00:40:07,440 --> 00:40:10,000
Speaker 1: when I know, it's very tempting when you see these

735
00:40:10,080 --> 00:40:12,560
Speaker 1: pictures of like young people out at bars, out of

736
00:40:12,680 --> 00:40:15,080
Speaker 1: restaurants to be like tisk tisk, you should you should

737
00:40:15,080 --> 00:40:17,480
Speaker 1: be at home. But the point is these places shouldn't

738
00:40:17,480 --> 00:40:19,200
Speaker 1: be open. Right if we lived in a if we

739
00:40:19,239 --> 00:40:21,280
Speaker 1: lived in a country that has a strong federal government,

740
00:40:21,600 --> 00:40:23,439
Speaker 1: we would have some sort of system worked out where

741
00:40:23,760 --> 00:40:26,239
Speaker 1: people it would be incentivized for people who do the safe,

742
00:40:26,280 --> 00:40:29,279
Speaker 1: smart thing. I feel for these business owners who don't

743
00:40:29,320 --> 00:40:30,759
Speaker 1: really feel like they have a lot of choices, and

744
00:40:30,800 --> 00:40:32,840
Speaker 1: they aren't really getting any kind of guidance from the

745
00:40:32,880 --> 00:40:34,879
Speaker 1: federal government, and a lot of cases are not getting

746
00:40:34,920 --> 00:40:38,000
Speaker 1: good guidance from their state governments. Right. I absolutely feel

747
00:40:38,040 --> 00:40:41,400
Speaker 1: for them being put in this impossible and possibly complex

748
00:40:41,440 --> 00:40:44,439
Speaker 1: situation that they did not set up themselves and having

749
00:40:44,480 --> 00:40:47,640
Speaker 1: to navigate that. That's I feel for them, but I

750
00:40:47,719 --> 00:40:50,400
Speaker 1: think we need to do It's important to keep in

751
00:40:50,480 --> 00:40:52,880
Speaker 1: mind that it is not the fault of the business owners,

752
00:40:52,920 --> 00:40:55,319
Speaker 1: and it's not the fault of the people who who

753
00:40:55,440 --> 00:40:57,239
Speaker 1: like are like fucking I'm gonna go to the bar.

754
00:40:57,680 --> 00:41:00,320
Speaker 1: The blame should be on the God for man and

755
00:41:00,360 --> 00:41:02,279
Speaker 1: their failure to be leaders in the moment when we

756
00:41:02,320 --> 00:41:04,200
Speaker 1: needed the most, and I think we have all these

757
00:41:04,239 --> 00:41:06,920
Speaker 1: little tricks and things to get us to forget that

758
00:41:07,040 --> 00:41:09,520
Speaker 1: and to be like, oh, well, I blame this nineteen

759
00:41:09,600 --> 00:41:11,840
Speaker 1: year old girl who went to a bar without a

760
00:41:11,880 --> 00:41:14,640
Speaker 1: mask or what have you. It's like, no, the It's

761
00:41:14,719 --> 00:41:16,840
Speaker 1: very tempting, but I think we need to continue to

762
00:41:17,040 --> 00:41:20,120
Speaker 1: remember that the people who are supposed to be keeping

763
00:41:20,200 --> 00:41:21,920
Speaker 1: us safe in this moment have just thrown up their

764
00:41:21,960 --> 00:41:24,279
Speaker 1: hands and thrown us to the wolves. Yeah, it's like

765
00:41:24,360 --> 00:41:27,440
Speaker 1: having a babysitter who's like letting like babies play with

766
00:41:27,560 --> 00:41:29,759
Speaker 1: matches and they get home like what the funk happened? Like,

767
00:41:29,760 --> 00:41:32,600
Speaker 1: I don't know, man, the baby's playing with matches. It's

768
00:41:33,120 --> 00:41:38,600
Speaker 1: she's like, you are the babysitter, sir. They're there. It's

769
00:41:38,680 --> 00:41:40,959
Speaker 1: like you were saying earlier, Man, no one man should

770
00:41:41,000 --> 00:41:44,800
Speaker 1: have all those peppers. Yeah, exactly, no one matched to

771
00:41:44,920 --> 00:41:49,720
Speaker 1: have all those peppers. I've really twenty first centuria sheet.

772
00:41:49,800 --> 00:41:55,399
Speaker 1: Oh man, uh, it's it really, But I think really

773
00:41:55,480 --> 00:41:59,280
Speaker 1: that for business owners too, that's a very specific mindset

774
00:41:59,320 --> 00:42:01,360
Speaker 1: in this country, to which is very much your bootstrappy

775
00:42:01,560 --> 00:42:03,520
Speaker 1: entrepreneur who's like I can get it on my own.

776
00:42:03,560 --> 00:42:05,440
Speaker 1: I'm gonna do it on my own and on that.

777
00:42:05,600 --> 00:42:08,120
Speaker 1: On the other side of that, it's you're less likely

778
00:42:08,200 --> 00:42:11,239
Speaker 1: to actually go like, hold on a second, it's not

779
00:42:11,800 --> 00:42:14,640
Speaker 1: this in this moment, it's not actually on me to

780
00:42:14,840 --> 00:42:16,920
Speaker 1: make sure my business is surviving. But that is a

781
00:42:17,080 --> 00:42:20,319
Speaker 1: very like culturally in built way of thinking of like, well,

782
00:42:20,360 --> 00:42:22,319
Speaker 1: I gotta get Mike, I gotta make sure my business going.

783
00:42:22,400 --> 00:42:25,680
Speaker 1: Like you have to consider this piece that the federal

784
00:42:25,760 --> 00:42:28,480
Speaker 1: government is being so negligent, and I think the actions

785
00:42:28,520 --> 00:42:31,120
Speaker 1: that you take is to organize your community to like

786
00:42:31,480 --> 00:42:34,400
Speaker 1: really demand a response from your local leaders or whatever

787
00:42:34,480 --> 00:42:38,239
Speaker 1: and go up there, because that's I I know, no

788
00:42:38,360 --> 00:42:40,920
Speaker 1: other way. Like, if anything, you'd hope that this radicalizes

789
00:42:41,320 --> 00:42:44,160
Speaker 1: the small business owner owning class to realize, like, oh

790
00:42:44,280 --> 00:42:46,239
Speaker 1: my god, this is such a fucked up way of

791
00:42:46,320 --> 00:42:48,880
Speaker 1: doing business like in this country, especially without the federal

792
00:42:48,960 --> 00:42:52,120
Speaker 1: government offering any kind of support to us as business owners.

793
00:42:52,360 --> 00:42:55,640
Speaker 1: The p PP loans fucking vaporized and so many of

794
00:42:55,640 --> 00:42:59,000
Speaker 1: the people who needed them didn't get them. So yeah,

795
00:42:59,400 --> 00:43:01,719
Speaker 1: it's it's it's hard, and it's just it's just really

796
00:43:01,840 --> 00:43:05,200
Speaker 1: disheartening to see the lack of care from the government

797
00:43:05,520 --> 00:43:08,400
Speaker 1: and it's also because the kinds of people running this

798
00:43:08,440 --> 00:43:11,640
Speaker 1: country don't live in the same earth we do. Right,

799
00:43:12,480 --> 00:43:14,719
Speaker 1: all right, let's take a quick break and we'll come

800
00:43:14,760 --> 00:43:28,919
Speaker 1: back and talk about some some bullshit, and we're back

801
00:43:29,600 --> 00:43:34,160
Speaker 1: and uh, some miles. You watched something that was in

802
00:43:34,239 --> 00:43:37,560
Speaker 1: the Netflix top ten at the end of last week.

803
00:43:38,120 --> 00:43:42,680
Speaker 1: Work it. I rewatched one of the top movies of

804
00:43:42,880 --> 00:43:48,320
Speaker 1: the summer on Netflix, Desperadoes, which I don't have a

805
00:43:49,000 --> 00:43:51,120
Speaker 1: like a ton to say. It has one of my

806
00:43:51,200 --> 00:43:56,359
Speaker 1: favorite moments of physical comedy and a long time, which

807
00:43:57,239 --> 00:43:59,239
Speaker 1: I'm not gonna I can't do it. I can't do

808
00:43:59,320 --> 00:44:01,239
Speaker 1: it to him because the scape like it would suck

809
00:44:01,280 --> 00:44:04,640
Speaker 1: it up if I even said anything about it. But

810
00:44:04,800 --> 00:44:09,080
Speaker 1: it just very unexpected. I watched it a few weeks ago,

811
00:44:09,640 --> 00:44:14,840
Speaker 1: and it's like that the premise is so like intense,

812
00:44:15,840 --> 00:44:18,120
Speaker 1: you know, yeah, like being like we gotta get to

813
00:44:18,280 --> 00:44:21,600
Speaker 1: Mexico now, because what's the deal? Like she sends a

814
00:44:21,680 --> 00:44:24,560
Speaker 1: wrong so she sends an email. No, she sends she

815
00:44:24,640 --> 00:44:27,400
Speaker 1: gets drunk. So this dude, this dude is ghosting her.

816
00:44:27,480 --> 00:44:30,080
Speaker 1: They have sex and then five five days go by

817
00:44:30,160 --> 00:44:34,319
Speaker 1: and he is not like calling her, not responding to anything. Uh,

818
00:44:34,640 --> 00:44:37,040
Speaker 1: and so her and her friends get drunk and send

819
00:44:37,120 --> 00:44:42,480
Speaker 1: a mean email, which is a very funny like scene. Yeah,

820
00:44:43,440 --> 00:44:48,800
Speaker 1: they talk about his thin dick says your dick is bad.

821
00:44:49,880 --> 00:44:52,840
Speaker 1: I really like a scene Pedro as uh like a

822
00:44:53,000 --> 00:44:56,200
Speaker 1: romantic comedy lead. She's she's funny as fucking like the

823
00:44:57,000 --> 00:45:00,719
Speaker 1: you know she is. She plays like a like kind

824
00:45:00,760 --> 00:45:03,280
Speaker 1: of not a shitty person, but like a person who's

825
00:45:03,360 --> 00:45:06,439
Speaker 1: just like a very yeah, very flawed, and you stick

826
00:45:06,520 --> 00:45:09,239
Speaker 1: with her and root for even though like she's kind

827
00:45:09,280 --> 00:45:13,520
Speaker 1: of openly shitty during the movie. Um not to not

828
00:45:13,680 --> 00:45:17,279
Speaker 1: because of that. The dude who uh she's like really

829
00:45:17,360 --> 00:45:21,760
Speaker 1: into is just he's like a like a bed James

830
00:45:21,840 --> 00:45:25,640
Speaker 1: Marsden character light like if you know, like just like

831
00:45:25,800 --> 00:45:29,680
Speaker 1: kind of a real blend of a stock photo. Yeah,

832
00:45:29,840 --> 00:45:35,680
Speaker 1: exactly the type. Yeah, the stock photo of a stock

833
00:45:35,760 --> 00:45:42,759
Speaker 1: photo with bad thin dick. Uh. But it's uh, yeah,

834
00:45:42,840 --> 00:45:45,120
Speaker 1: they're like dirt bags. It kind of made like her

835
00:45:45,239 --> 00:45:46,920
Speaker 1: and her friends are kind of dirt bags, and it

836
00:45:47,040 --> 00:45:49,680
Speaker 1: like makes you it sort of made me wish that

837
00:45:49,840 --> 00:45:53,400
Speaker 1: they had just gone full like I don't know, a

838
00:45:53,480 --> 00:45:56,480
Speaker 1: dirt bag. Ye like it because they're they like go

839
00:45:56,600 --> 00:45:59,440
Speaker 1: back to the rom com side of it and it's

840
00:45:59,480 --> 00:46:04,200
Speaker 1: just like and if this wasn't if the lead characters

841
00:46:04,360 --> 00:46:06,560
Speaker 1: weren't women, I feel like they would have gone like

842
00:46:06,760 --> 00:46:09,520
Speaker 1: just it would have just been a funny, like raunchy comedy.

843
00:46:09,680 --> 00:46:11,839
Speaker 1: I'm wonder if that was a note that they got

844
00:46:12,080 --> 00:46:14,560
Speaker 1: when this when this movie was being developed, where they're like,

845
00:46:14,760 --> 00:46:17,880
Speaker 1: you know, like it's a little too like raunchy. Can

846
00:46:17,920 --> 00:46:19,640
Speaker 1: we make it a little more rom calm? But it's

847
00:46:19,640 --> 00:46:23,000
Speaker 1: like not like yeah for it, because it's there was

848
00:46:23,040 --> 00:46:25,800
Speaker 1: some funny moments in it. Yeah, there are really funny moments.

849
00:46:26,239 --> 00:46:27,960
Speaker 1: The one thing, so I would say that that it

850
00:46:28,080 --> 00:46:30,840
Speaker 1: keeps going back to like the romantic thing where like

851
00:46:30,960 --> 00:46:33,440
Speaker 1: she needs to find a guy, and like even at

852
00:46:33,520 --> 00:46:36,040
Speaker 1: the like climax, she realized she doesn't need this guy,

853
00:46:36,480 --> 00:46:39,120
Speaker 1: but then it goes back to her like going with

854
00:46:39,400 --> 00:46:41,600
Speaker 1: another guy, and it's just like why do we need to?

855
00:46:42,200 --> 00:46:45,759
Speaker 1: All right? Um, But so that's one thing that I

856
00:46:45,840 --> 00:46:47,960
Speaker 1: feel like hold it back a little bit. And the

857
00:46:48,040 --> 00:46:51,200
Speaker 1: other thing is that like she falls down a lot

858
00:46:51,600 --> 00:46:54,800
Speaker 1: and faints a lot, and like I don't know, like

859
00:46:54,960 --> 00:46:57,240
Speaker 1: that that on one hand, that's like a comedy troupe,

860
00:46:57,280 --> 00:47:00,360
Speaker 1: but on the other hand, it's like so kind of

861
00:47:00,800 --> 00:47:03,920
Speaker 1: forced in a lot of situations that it feels like,

862
00:47:04,400 --> 00:47:08,000
Speaker 1: like do you remember we watched the cinematic masterpiece three

863
00:47:08,400 --> 00:47:12,879
Speaker 1: sixty five Days, the second most popular Netflix movie, which

864
00:47:13,160 --> 00:47:16,000
Speaker 1: of the of the Summer, which is just porn basically,

865
00:47:16,080 --> 00:47:19,560
Speaker 1: it's like soft porn from Poland, but that like we

866
00:47:19,680 --> 00:47:22,520
Speaker 1: were talking about how the lead character and that the

867
00:47:22,960 --> 00:47:26,719
Speaker 1: woman has a heart condition and keeps fainting like for

868
00:47:26,880 --> 00:47:30,080
Speaker 1: no reason, and we were just like, why does that happen?

869
00:47:30,200 --> 00:47:33,040
Speaker 1: Like that's just very strange. It's never really followed up on.

870
00:47:33,600 --> 00:47:36,520
Speaker 1: And like in this she keeps like passing out. She

871
00:47:36,760 --> 00:47:41,920
Speaker 1: meets her like supposed dream guy stock photo thin dick

872
00:47:42,600 --> 00:47:45,840
Speaker 1: uh when she's like passed out, And it reminded me

873
00:47:45,920 --> 00:47:47,800
Speaker 1: of like one of the weirdest things when you go

874
00:47:47,840 --> 00:47:51,400
Speaker 1: back and watch snow White is like every time she

875
00:47:52,280 --> 00:47:55,560
Speaker 1: like a good thing happens for her, she's literally unconscious,

876
00:47:55,800 --> 00:47:58,520
Speaker 1: Like the the prince comes and saves her when she's

877
00:47:58,560 --> 00:48:02,480
Speaker 1: like in a Alma, the dwarves like fall in love

878
00:48:02,560 --> 00:48:05,120
Speaker 1: with her when she's asleep in their bed, like the

879
00:48:05,239 --> 00:48:08,600
Speaker 1: animals like really like her because she's passed out from

880
00:48:08,680 --> 00:48:12,440
Speaker 1: like fear. It's like this weird like trope that I

881
00:48:12,520 --> 00:48:15,840
Speaker 1: feel like comes from like the male gaze in movies

882
00:48:15,960 --> 00:48:19,600
Speaker 1: where women have to be either passed out or like

883
00:48:19,800 --> 00:48:23,120
Speaker 1: clumsy and like hurting themselves in order for men to

884
00:48:23,400 --> 00:48:27,000
Speaker 1: be into them, which made me slightly uncomfortable because it

885
00:48:27,080 --> 00:48:31,239
Speaker 1: just kept, uh kept happening. That's very predatory, where it's like,

886
00:48:31,280 --> 00:48:33,160
Speaker 1: you know that the ladies Yakee Bryan, who are like

887
00:48:33,320 --> 00:48:42,359
Speaker 1: stumbling and in need of help exactly that should not be. Yeah,

888
00:48:42,520 --> 00:48:46,680
Speaker 1: and we want our women unconscious fellas am I right?

889
00:48:49,560 --> 00:48:54,200
Speaker 1: What happened to your Mexico trip? You know what? We're

890
00:48:54,200 --> 00:48:58,040
Speaker 1: gonna pass on? This woman too real for us? Yeah yeah,

891
00:48:58,480 --> 00:49:02,840
Speaker 1: um but anyways, I really liked it the moment of

892
00:49:03,360 --> 00:49:05,320
Speaker 1: like the thing I really like about the moment of

893
00:49:05,920 --> 00:49:08,600
Speaker 1: physical comedy that apparently didn't get you the way a

894
00:49:08,680 --> 00:49:12,200
Speaker 1: company but is that it's like a thing that could

895
00:49:12,239 --> 00:49:15,080
Speaker 1: only like you, you need a movie budget to pull

896
00:49:15,160 --> 00:49:20,000
Speaker 1: this joke off. Um, and that's that's all. I'll say

897
00:49:20,200 --> 00:49:22,960
Speaker 1: that the House has a similar thing in it that

898
00:49:23,600 --> 00:49:26,360
Speaker 1: has like one of the hardest like moments of physical comedy,

899
00:49:26,480 --> 00:49:32,200
Speaker 1: but it like uses movie effects to do it. Um. Anyway,

900
00:49:33,440 --> 00:49:37,360
Speaker 1: Hotel uh, I recognize because I have this weird thing

901
00:49:37,440 --> 00:49:39,800
Speaker 1: where I like to look at hotel deals across the

902
00:49:39,880 --> 00:49:42,200
Speaker 1: world and then I get obsessed and that look at

903
00:49:42,200 --> 00:49:44,560
Speaker 1: all the photos. I believe that is the oh Bears

904
00:49:44,680 --> 00:49:49,480
Speaker 1: resort in Cobble Saint Lucas, where President Barack Obama once stayed.

905
00:49:51,120 --> 00:49:54,880
Speaker 1: Yeah did you do that? You think because as a

906
00:49:54,960 --> 00:49:59,360
Speaker 1: fellow oh Bi last name, he is a b au

907
00:49:59,480 --> 00:50:05,080
Speaker 1: b By. Okay, I've just noticed the least similarities between

908
00:50:05,080 --> 00:50:10,279
Speaker 1: the two of us. So yes, yes, um, Miles, you

909
00:50:10,440 --> 00:50:15,800
Speaker 1: watched I watched work It. How was you know? I

910
00:50:15,880 --> 00:50:20,000
Speaker 1: gotta stop watching movies that are like not men for adults. Um,

911
00:50:21,200 --> 00:50:22,799
Speaker 1: I've like done it like six weeks in a row.

912
00:50:22,840 --> 00:50:25,480
Speaker 1: I feel like and it's I think it's fucking me up.

913
00:50:25,719 --> 00:50:28,520
Speaker 1: I think it's only two. But yeah, yeah, like I

914
00:50:28,560 --> 00:50:31,600
Speaker 1: don't even like well, you know, also like on my

915
00:50:31,680 --> 00:50:33,719
Speaker 1: free time because like I realized I watched that other

916
00:50:33,880 --> 00:50:36,600
Speaker 1: dance movie that we were thinking about watching, like like

917
00:50:36,800 --> 00:50:40,920
Speaker 1: very passively. So I consume a lot of media very passively. Anyway,

918
00:50:41,000 --> 00:50:45,120
Speaker 1: this film, Um, it's definitely like a a movie like

919
00:50:45,560 --> 00:50:47,839
Speaker 1: if I was like fifteen, like that's who it's four

920
00:50:47,960 --> 00:50:50,320
Speaker 1: and younger because it's about this like girl who's in

921
00:50:50,440 --> 00:50:54,239
Speaker 1: high school. She's you know, she wants to get into Duke.

922
00:50:54,520 --> 00:50:57,759
Speaker 1: You know, Duke is her school. And when she uh,

923
00:50:57,920 --> 00:51:01,360
Speaker 1: you know, she goes to her like interview, like the

924
00:51:01,560 --> 00:51:04,640
Speaker 1: woman who's giving the interview sort of like, I mean,

925
00:51:04,680 --> 00:51:06,080
Speaker 1: you've got all these good grades and stuff, but like

926
00:51:06,120 --> 00:51:07,919
Speaker 1: you don't really seem like you're going out your box

927
00:51:08,080 --> 00:51:10,400
Speaker 1: or whatever. And then she mentions how she like is

928
00:51:10,600 --> 00:51:12,960
Speaker 1: like works with the dance team that's like well known

929
00:51:13,040 --> 00:51:14,839
Speaker 1: in the state because like they're the most lit high

930
00:51:14,880 --> 00:51:17,600
Speaker 1: school dance team. And she's like, oh, oh, so you're

931
00:51:17,640 --> 00:51:20,120
Speaker 1: part of the dance team, and she's like, um, I

932
00:51:20,560 --> 00:51:23,640
Speaker 1: I contribute. I contribute to it. And really the opening

933
00:51:23,680 --> 00:51:25,400
Speaker 1: scene is like you realize she's like the a V

934
00:51:25,680 --> 00:51:28,520
Speaker 1: person for the dance team, and like she fux up

935
00:51:28,680 --> 00:51:32,319
Speaker 1: majorly in a performance and spills coffee on the light

936
00:51:32,440 --> 00:51:34,759
Speaker 1: like the board to do all the lights levels and

937
00:51:34,840 --> 00:51:38,480
Speaker 1: things that starts sparking, but the logic continues where the

938
00:51:38,640 --> 00:51:42,080
Speaker 1: stage starts sparking as well, and there's like that's my

939
00:51:42,200 --> 00:51:44,480
Speaker 1: favorite thing. Like look, if you get we all know this.

940
00:51:44,600 --> 00:51:47,320
Speaker 1: You put anything liquid on electricity's sparks shooting out the

941
00:51:47,320 --> 00:51:50,280
Speaker 1: smart immediately and if it's connected to that even fifty

942
00:51:50,320 --> 00:51:54,719
Speaker 1: ft away, sparks get ready because it's sparks. Baby, if

943
00:51:54,760 --> 00:51:58,920
Speaker 1: a car is anywhere nearby, it's gonna explode, oh every time,

944
00:51:59,160 --> 00:52:01,600
Speaker 1: every time. So, you know, as she does. And then

945
00:52:01,680 --> 00:52:04,400
Speaker 1: so there's the dance, people like, okay, you're off, like

946
00:52:04,480 --> 00:52:06,239
Speaker 1: you can no longer you know, work with us as

947
00:52:06,280 --> 00:52:07,920
Speaker 1: the a V person. So she shattered. And then in

948
00:52:08,040 --> 00:52:11,400
Speaker 1: her interview as she sort of like sort of roundabout

949
00:52:11,480 --> 00:52:14,120
Speaker 1: Lee implies that she's on it, they're like, oh, well

950
00:52:14,200 --> 00:52:16,680
Speaker 1: that's great. So if you know, if if if that's

951
00:52:16,719 --> 00:52:18,239
Speaker 1: really your thing, then I might I think this really

952
00:52:18,280 --> 00:52:20,040
Speaker 1: improves your chances at Duke. Like you know, I just

953
00:52:20,080 --> 00:52:22,160
Speaker 1: want to you know, like can't wait to see that happen.

954
00:52:22,560 --> 00:52:25,759
Speaker 1: And like so like every formulaic film, there's a big

955
00:52:26,160 --> 00:52:29,279
Speaker 1: obviously competition that she's going to have to be in

956
00:52:29,480 --> 00:52:34,719
Speaker 1: to get into Duke. Um. But then to orphanage. This

957
00:52:34,880 --> 00:52:37,120
Speaker 1: is so a girl can get into Duke. Yeah, And

958
00:52:37,200 --> 00:52:38,799
Speaker 1: this is where it gets kind of weird because she's

959
00:52:38,800 --> 00:52:40,680
Speaker 1: like relying on her friend who's a woman of color,

960
00:52:40,800 --> 00:52:43,160
Speaker 1: to be like, Okay, look, I need you to teach

961
00:52:43,239 --> 00:52:45,520
Speaker 1: me how to dance so I can get into it.

962
00:52:45,800 --> 00:52:48,080
Speaker 1: So I can get into duke even though I lied,

963
00:52:48,440 --> 00:52:50,879
Speaker 1: But is now your responsibility, woman of color, to give

964
00:52:50,920 --> 00:52:52,680
Speaker 1: me that rhythm so I can get on that dance

965
00:52:52,680 --> 00:52:57,320
Speaker 1: before I'm like okay, uh. It's following in the footsteps

966
00:52:57,360 --> 00:53:00,600
Speaker 1: of Save the Last Dance. Yeah, exactly, it's And it's

967
00:53:00,719 --> 00:53:03,000
Speaker 1: very much like every dance movie. It's the you know,

968
00:53:03,239 --> 00:53:06,839
Speaker 1: out of place, uptight like bookworm or like not hip

969
00:53:06,880 --> 00:53:10,440
Speaker 1: hop white person who's like now with some other people.

970
00:53:10,480 --> 00:53:13,040
Speaker 1: But the thing is the main dance team she wants

971
00:53:13,080 --> 00:53:15,719
Speaker 1: to get on, they don't want her anymore. So there

972
00:53:15,880 --> 00:53:19,040
Speaker 1: and she auditions, it goes, it goes south, and then

973
00:53:19,080 --> 00:53:21,200
Speaker 1: she realizes she has to start her own dance team

974
00:53:21,280 --> 00:53:25,360
Speaker 1: with some like misfits at the school. And it's like exactly,

975
00:53:25,600 --> 00:53:27,320
Speaker 1: and it's all the things where it's like, Yo, the

976
00:53:27,600 --> 00:53:29,839
Speaker 1: pasty kid who does karate like he can he can

977
00:53:29,880 --> 00:53:31,400
Speaker 1: get down to like he did a backflip at a

978
00:53:31,440 --> 00:53:33,759
Speaker 1: pool party in eighth grade. I think all right, and

979
00:53:33,760 --> 00:53:35,440
Speaker 1: they're like, all right, let's get him. Then there's like

980
00:53:35,480 --> 00:53:39,680
Speaker 1: a kid who's like selling cassette mixtapes, which I was like,

981
00:53:39,800 --> 00:53:43,719
Speaker 1: who wrote this? Because kids in high school aren't like, yo,

982
00:53:43,800 --> 00:53:49,200
Speaker 1: you got that tape? Like the dude had tapes deck

983
00:53:49,360 --> 00:53:52,640
Speaker 1: with it, because where is there any kid gonna listen

984
00:53:52,680 --> 00:53:55,120
Speaker 1: to it? And I know, like more like indie artists

985
00:53:55,160 --> 00:53:58,239
Speaker 1: who are like millennials are fucking with like tape releases,

986
00:53:58,320 --> 00:54:01,280
Speaker 1: but like that's not that's not how kids are spreading

987
00:54:01,320 --> 00:54:05,040
Speaker 1: their music anymore. Like we had CDs, they have Spotify

988
00:54:05,120 --> 00:54:07,120
Speaker 1: playlists and whatever the funk else, Like they don't know

989
00:54:07,200 --> 00:54:09,600
Speaker 1: what he's handing out physical copies. I just want to

990
00:54:09,640 --> 00:54:12,879
Speaker 1: say that there's one moment where the film fully it's

991
00:54:12,920 --> 00:54:15,879
Speaker 1: just like it's for kids. There's like a moment where

992
00:54:16,040 --> 00:54:18,480
Speaker 1: for them to get into the big, the big competition

993
00:54:18,560 --> 00:54:20,200
Speaker 1: where that's where she would like the you know, the

994
00:54:20,560 --> 00:54:23,200
Speaker 1: real deal, the climax scene. They have to get through

995
00:54:23,239 --> 00:54:26,560
Speaker 1: like the regionals and the regionals like they do okay,

996
00:54:26,680 --> 00:54:29,120
Speaker 1: and then the last team goes up and like they're

997
00:54:29,200 --> 00:54:31,359
Speaker 1: like just smoking them, like this team is so good

998
00:54:31,760 --> 00:54:34,319
Speaker 1: and then they're like, oh damn, like we're out based

999
00:54:34,360 --> 00:54:35,880
Speaker 1: on the other teams, Like we thought we would get

1000
00:54:35,920 --> 00:54:37,560
Speaker 1: in if if we were the best, but this team

1001
00:54:37,600 --> 00:54:39,680
Speaker 1: is better than us. And there's like a Davis x

1002
00:54:39,800 --> 00:54:42,799
Speaker 1: Maximum moment where one of the dancers on this team

1003
00:54:42,920 --> 00:54:45,839
Speaker 1: like rival teams that's like about to eliminate them gets

1004
00:54:45,880 --> 00:54:50,400
Speaker 1: a fucking boner. So everyone's like, well, look look and

1005
00:54:50,440 --> 00:54:52,320
Speaker 1: they're like what And I'm like when that happened, I'm like,

1006
00:54:52,360 --> 00:54:54,759
Speaker 1: what the is going on? This one of the dudes

1007
00:54:54,800 --> 00:55:00,439
Speaker 1: as the wild boner and they're like yes, they're like yes,

1008
00:55:01,000 --> 00:55:02,960
Speaker 1: I don't like what the fund is going on And

1009
00:55:03,040 --> 00:55:05,520
Speaker 1: they're like, oh, that's boner or whatever, and they're like

1010
00:55:05,800 --> 00:55:08,080
Speaker 1: in the guideline, the bilades of the competition says they

1011
00:55:08,160 --> 00:55:09,880
Speaker 1: have to wear a dance belt. If you don't wear

1012
00:55:09,920 --> 00:55:12,920
Speaker 1: a dance belt, then you're disqualified. So we're in and

1013
00:55:13,000 --> 00:55:16,000
Speaker 1: I'm like, a dance belt, Yeah, I don't know. I

1014
00:55:16,040 --> 00:55:21,520
Speaker 1: guess it's like a erection reducer. Uh, so that's what.

1015
00:55:21,800 --> 00:55:23,560
Speaker 1: And I was just like that is such a weird

1016
00:55:23,680 --> 00:55:26,360
Speaker 1: way to get into it, but fine, and I just

1017
00:55:26,560 --> 00:55:28,120
Speaker 1: like kind of rolled my eyes to the rest of it.

1018
00:55:28,560 --> 00:55:31,239
Speaker 1: But the dancing was good. I'll say that they had

1019
00:55:31,320 --> 00:55:33,120
Speaker 1: like and it was like different they had like differently

1020
00:55:33,200 --> 00:55:35,759
Speaker 1: abled people break in. They had like an older like

1021
00:55:36,160 --> 00:55:38,719
Speaker 1: I guess be grandy now not be girl. But like

1022
00:55:38,800 --> 00:55:41,160
Speaker 1: there's a scene where she's like it's almost like what

1023
00:55:41,239 --> 00:55:43,439
Speaker 1: are you guys? Doing and they're like, oh no, it's

1024
00:55:43,480 --> 00:55:46,319
Speaker 1: like and she's like a like appears like a white woman,

1025
00:55:46,360 --> 00:55:48,759
Speaker 1: older white woman, and she's like turn that ship up

1026
00:55:49,320 --> 00:55:51,600
Speaker 1: and she starts walking and ship and you're like whoa,

1027
00:55:52,200 --> 00:55:54,719
Speaker 1: so there. It has like those moments like where dance

1028
00:55:54,800 --> 00:55:57,040
Speaker 1: movies they'll always have like oh, this is when like

1029
00:55:57,120 --> 00:56:00,120
Speaker 1: the main characters like they're a romantic dances choreographed that

1030
00:56:00,239 --> 00:56:02,760
Speaker 1: like maybe feels like gen z. I don't know, dirty

1031
00:56:02,840 --> 00:56:04,960
Speaker 1: dancing or whatever the funk it's supposed to be, but

1032
00:56:05,120 --> 00:56:07,759
Speaker 1: you know it's got its ups and downs. This is

1033
00:56:07,880 --> 00:56:10,640
Speaker 1: very much up my alley. I was on dance team

1034
00:56:10,960 --> 00:56:14,600
Speaker 1: through all of school. UM won many a trophy. That's

1035
00:56:14,760 --> 00:56:19,000
Speaker 1: right deal. I took it very seriously, um and I,

1036
00:56:19,160 --> 00:56:22,120
Speaker 1: And honestly I love it. I love a cheesy, formulaic

1037
00:56:22,280 --> 00:56:26,320
Speaker 1: dance movie. I love the montage of assembling the the

1038
00:56:26,440 --> 00:56:30,560
Speaker 1: like motley crew of like ragtag dancers and inevitably like

1039
00:56:30,800 --> 00:56:33,239
Speaker 1: the girl or like the white girl gets her rhythm scene.

1040
00:56:34,360 --> 00:56:36,920
Speaker 1: Love it. Love it. But go back and watch Save

1041
00:56:37,040 --> 00:56:40,480
Speaker 1: the Last Dance, the audition that Julius styles does to

1042
00:56:40,560 --> 00:56:44,480
Speaker 1: get into I think Juilliard. It's the most she's it's

1043
00:56:44,520 --> 00:56:46,839
Speaker 1: like the most basic white girl dance of all time.

1044
00:56:47,719 --> 00:56:50,960
Speaker 1: Sucks it dancing and but listen, why would I was

1045
00:56:51,040 --> 00:56:53,040
Speaker 1: first watching that movie as a young person, I was like,

1046
00:56:53,280 --> 00:56:57,280
Speaker 1: oh my god, she's so good. She's doing it, didn't

1047
00:56:57,320 --> 00:57:01,080
Speaker 1: you see? Like someone went viral just tweeting the video

1048
00:57:01,360 --> 00:57:04,520
Speaker 1: of that scene and being like, y'all have y'all really

1049
00:57:04,600 --> 00:57:07,200
Speaker 1: looked how she was dancing in this scene, and you're like,

1050
00:57:07,360 --> 00:57:11,080
Speaker 1: this is bullshit. And also it's still a certain extent

1051
00:57:11,320 --> 00:57:16,720
Speaker 1: violence because it was so swaggerless. They're like, don't get

1052
00:57:16,760 --> 00:57:19,720
Speaker 1: the chair on them, and it's just like the chair part,

1053
00:57:19,960 --> 00:57:23,040
Speaker 1: the chair part where she's just like just looking at

1054
00:57:23,160 --> 00:57:27,720
Speaker 1: either side, but she's and homegirl is supposed to be

1055
00:57:28,000 --> 00:57:32,720
Speaker 1: auditioning or like one of the top performing art schools

1056
00:57:32,760 --> 00:57:36,200
Speaker 1: in the fucking world. Is the idea that like she's

1057
00:57:36,240 --> 00:57:39,120
Speaker 1: supposed to be like one type of like classical dance,

1058
00:57:39,240 --> 00:57:43,120
Speaker 1: but then like she like makes it like more exactly

1059
00:57:43,240 --> 00:57:46,640
Speaker 1: exactly she she if correctly, she's like a like a

1060
00:57:46,800 --> 00:57:49,840
Speaker 1: like an uptight white girl. She moves, she changes schools,

1061
00:57:49,840 --> 00:57:51,920
Speaker 1: and she goes I might be misremembering this since it's

1062
00:57:51,960 --> 00:57:54,960
Speaker 1: been a while. She goes to like predominantly black, She

1063
00:57:55,120 --> 00:57:57,680
Speaker 1: moves to go to a predominantly black school. She becomes

1064
00:57:57,800 --> 00:58:01,400
Speaker 1: friends with a very early Carrie Washington. Yeah she wasn't

1065
00:58:01,440 --> 00:58:05,000
Speaker 1: that movie. Um. And then she meets a black student,

1066
00:58:05,080 --> 00:58:06,960
Speaker 1: like a black guy, falls in love with him, and

1067
00:58:07,040 --> 00:58:09,480
Speaker 1: he teaches her to like open up and he just

1068
00:58:09,720 --> 00:58:11,920
Speaker 1: he just her how to express that through her dance.

1069
00:58:12,720 --> 00:58:15,280
Speaker 1: It's so it's so bad. But listen, let this movie

1070
00:58:15,320 --> 00:58:17,240
Speaker 1: come on. When I have a hangover on TBS, I

1071
00:58:17,240 --> 00:58:21,000
Speaker 1: will watch it from beginning to end. Oh yeah, oh yeah, yeah.

1072
00:58:21,440 --> 00:58:25,840
Speaker 1: Where that that guy who played Sean Patrick Thomas was

1073
00:58:25,920 --> 00:58:29,360
Speaker 1: the main character, or he was opposite her. What's he

1074
00:58:29,440 --> 00:58:32,880
Speaker 1: been doing? Oh? Not much? Oh he was really good

1075
00:58:32,920 --> 00:58:36,040
Speaker 1: in Fighting Forrester. It's the same guy, right, don't know,

1076
00:58:36,120 --> 00:58:40,200
Speaker 1: that might be the same guy. What else was he in? No,

1077
00:58:40,400 --> 00:58:42,920
Speaker 1: that's something he's he like, he didn't have that many credits.

1078
00:58:42,960 --> 00:58:45,680
Speaker 1: He's from DC though, Oh shout out to d C.

1079
00:58:47,720 --> 00:58:53,080
Speaker 1: He's in a Justice League thing. Busy. I'm just looking

1080
00:58:53,120 --> 00:58:55,440
Speaker 1: at Sean Patrick channel. What else you got here? Oh yeah, okay,

1081
00:58:56,200 --> 00:59:00,160
Speaker 1: he's like, he's he's the channel. That's the way if

1082
00:59:00,200 --> 00:59:04,160
Speaker 1: you can Cello instructor and cruel intentions where um, he's

1083
00:59:04,160 --> 00:59:06,880
Speaker 1: got a little thing with Selmo Blair. Oh no, he's

1084
00:59:06,920 --> 00:59:08,840
Speaker 1: been working. Oh he's been getting Yeah. Yeah, he's just

1085
00:59:08,880 --> 00:59:13,600
Speaker 1: doing a lot of TV he's doing. Yeah. Yeah, I

1086
00:59:13,680 --> 00:59:15,640
Speaker 1: gotta get that n C I S in. You know

1087
00:59:15,640 --> 00:59:17,320
Speaker 1: what I mean, Are you really working out here? If

1088
00:59:17,320 --> 00:59:19,320
Speaker 1: you haven't been on n C I S. You have not.

1089
00:59:19,560 --> 00:59:21,760
Speaker 1: You are not. And that's why I'm not really working

1090
00:59:21,760 --> 00:59:24,919
Speaker 1: because I have not been. Bridget you did not get

1091
00:59:25,000 --> 00:59:29,680
Speaker 1: the memo about these rewatches, but you did watch American Pickle,

1092
00:59:29,720 --> 00:59:33,080
Speaker 1: anything else you want to recommend that you I would

1093
00:59:33,120 --> 00:59:35,920
Speaker 1: definitely recommend American Pickle. I would if you want, if

1094
00:59:35,960 --> 00:59:38,840
Speaker 1: you want to kind of like easy watching, kind of

1095
00:59:38,920 --> 00:59:41,520
Speaker 1: heartwarming PG. Thirteen. Like I went into it thinking it

1096
00:59:41,600 --> 00:59:44,240
Speaker 1: was going to be raunchier than you know. I see

1097
00:59:44,240 --> 00:59:45,960
Speaker 1: Seth broken and I'm like, oh, we get ready for

1098
00:59:46,040 --> 00:59:49,160
Speaker 1: some pot jokes and Dick jokes. But it was more

1099
00:59:49,200 --> 00:59:51,520
Speaker 1: like Pickle Brian jokes. But by the end of it,

1100
00:59:51,600 --> 00:59:55,000
Speaker 1: I was into it. Um. A movie that I rewatched

1101
00:59:55,080 --> 00:59:59,600
Speaker 1: recently was Demolition Man. Totally yeah. I mean, if you

1102
00:59:59,680 --> 01:00:02,480
Speaker 1: had at the beginning of this episode, that's what this

1103
01:00:02,600 --> 01:00:05,280
Speaker 1: episode would have been. So we watched Demolition Man on

1104
01:00:05,440 --> 01:00:08,680
Speaker 1: Netflix and now all of our Netflix like suggestions are

1105
01:00:09,080 --> 01:00:12,360
Speaker 1: that very specific kind of nineties action movies. So we

1106
01:00:12,400 --> 01:00:15,560
Speaker 1: watched Total Recall last night, which holds up. I think,

1107
01:00:15,640 --> 01:00:17,960
Speaker 1: you know, it's a pretty good movie. Um, Demolition Man

1108
01:00:18,040 --> 01:00:20,800
Speaker 1: is the one I'm gonna recommend it. Really, it really

1109
01:00:21,960 --> 01:00:26,400
Speaker 1: presents this very kind of like feminized Like I guess

1110
01:00:26,440 --> 01:00:27,880
Speaker 1: when when I watch a lot of movies that are

1111
01:00:27,920 --> 01:00:31,200
Speaker 1: episode of like about the future, it's always sort of

1112
01:00:31,320 --> 01:00:34,080
Speaker 1: very grim and very dark. And what's actually kind of

1113
01:00:34,120 --> 01:00:37,040
Speaker 1: refreshing about Demolition Man is that their predictions of the future,

1114
01:00:37,040 --> 01:00:39,760
Speaker 1: it's like, Oh, we've reached this sort of almost utopian

1115
01:00:39,880 --> 01:00:43,680
Speaker 1: like feminized society where you know, everyone is so happy

1116
01:00:43,720 --> 01:00:45,840
Speaker 1: they don't even really swear and things like that, like

1117
01:00:46,280 --> 01:00:48,200
Speaker 1: like that vision of society. I was like, oh, wow,

1118
01:00:48,480 --> 01:00:51,160
Speaker 1: it's interesting that that's what they were. They were present,

1119
01:00:51,440 --> 01:00:53,600
Speaker 1: But it sucks because Dennis Leary can't do a stand

1120
01:00:53,680 --> 01:00:59,480
Speaker 1: up routine in that world. Yes, he's been driven underground.

1121
01:01:00,200 --> 01:01:02,400
Speaker 1: They gotta and they gotta do like large scale heists

1122
01:01:02,440 --> 01:01:04,680
Speaker 1: of taco bell restaurants just to keep the fan fed.

1123
01:01:05,160 --> 01:01:09,200
Speaker 1: What you please think of the Dennis's lyric the the

1124
01:01:09,320 --> 01:01:13,600
Speaker 1: white raunchy comedians whose careers were crushed when Dr Cocteau

1125
01:01:13,720 --> 01:01:17,600
Speaker 1: took over San Angeles. You really remember that movie very well.

1126
01:01:17,840 --> 01:01:20,200
Speaker 1: That movie. Oh my dad took me to the theater

1127
01:01:20,280 --> 01:01:22,440
Speaker 1: to see that ship, and I was like on a

1128
01:01:22,520 --> 01:01:25,280
Speaker 1: school night. I was like, yo, you're tripping, bro, but

1129
01:01:25,400 --> 01:01:26,920
Speaker 1: like fun, yeah, because I'm gonna go to school and

1130
01:01:26,920 --> 01:01:29,160
Speaker 1: be like, yo, I saw that ship. Fuck you um

1131
01:01:29,640 --> 01:01:31,400
Speaker 1: And yeah, I love it. And also I love the

1132
01:01:31,480 --> 01:01:34,600
Speaker 1: director because we started talking about, like Demolition Man kind

1133
01:01:34,600 --> 01:01:37,200
Speaker 1: of came back around like heavy was that in the

1134
01:01:37,280 --> 01:01:39,800
Speaker 1: beginning of Core We were like really talking heavy about

1135
01:01:39,840 --> 01:01:44,000
Speaker 1: Demolition Man. But yeah, that director Marco Brandon, great artist,

1136
01:01:44,640 --> 01:01:47,880
Speaker 1: he's an artist man directed that and nothing else. He

1137
01:01:48,000 --> 01:01:51,320
Speaker 1: was like, I've said what I need to say. No,

1138
01:01:51,440 --> 01:01:53,080
Speaker 1: he just when he tried to make his next film

1139
01:01:53,080 --> 01:01:55,080
Speaker 1: and they're like, dude, no, that's too like out there

1140
01:01:55,120 --> 01:01:57,320
Speaker 1: and artsy. He's like, but I made Demolition Man. He's like,

1141
01:01:57,480 --> 01:01:59,040
Speaker 1: I'm an artist and they're like, yeah, but this is

1142
01:01:59,120 --> 01:02:01,080
Speaker 1: the movie industry are like a bunch of people with

1143
01:02:01,200 --> 01:02:04,000
Speaker 1: no creativity. You're gonna give notes and crush your dream crush.

1144
01:02:04,520 --> 01:02:07,240
Speaker 1: Then he's like, then I choose the door and he's

1145
01:02:07,400 --> 01:02:10,000
Speaker 1: video installations. If you ever ever chance to see any

1146
01:02:10,040 --> 01:02:13,440
Speaker 1: of Marco brandy as video installations. They are like true

1147
01:02:13,640 --> 01:02:18,000
Speaker 1: masterpieces of like popular film culture, where he's like stitching

1148
01:02:18,120 --> 01:02:20,720
Speaker 1: all of these different frames of films together. The's like

1149
01:02:21,040 --> 01:02:25,600
Speaker 1: massive moving murals that are typically presented in three D

1150
01:02:26,280 --> 01:02:29,960
Speaker 1: um and it's a trip. Yeah, that sounds sounds awesome.

1151
01:02:30,040 --> 01:02:31,880
Speaker 1: The one thing I will say about Demolition Man is

1152
01:02:31,960 --> 01:02:34,480
Speaker 1: that I don't think I've ever seen a movie with

1153
01:02:34,600 --> 01:02:37,760
Speaker 1: a horny or Sandra Bullock. The whole movie. She's just

1154
01:02:37,960 --> 01:02:42,360
Speaker 1: very horny, like a rabbit. Like it's so like, why

1155
01:02:42,360 --> 01:02:46,600
Speaker 1: did I like, I'm horny? It's very horny in that movie.

1156
01:02:47,160 --> 01:02:49,919
Speaker 1: She's allowed to be horny because their version of sex

1157
01:02:50,120 --> 01:02:52,640
Speaker 1: is uh like you might get a you might get

1158
01:02:52,640 --> 01:02:55,200
Speaker 1: a fucking blood clot in your brain fucking with one

1159
01:02:55,240 --> 01:02:59,080
Speaker 1: of those things. I'm like, yo, dude, let's do it.

1160
01:02:59,360 --> 01:03:04,160
Speaker 1: You know we're trumble one body. Whatever the hell? He says,

1161
01:03:04,240 --> 01:03:08,800
Speaker 1: like God, the mambo, that the dirty mambo. Wait, what

1162
01:03:08,920 --> 01:03:11,080
Speaker 1: is this? You gotta put on his freaking helmet in

1163
01:03:13,120 --> 01:03:15,880
Speaker 1: he is the star of that movie. Is very strange,

1164
01:03:16,960 --> 01:03:23,920
Speaker 1: like he's wearing with a great artist. Sandra Bullock, peak peak, Sandra.

1165
01:03:24,480 --> 01:03:27,000
Speaker 1: She went to my college. She went to East Carolina University.

1166
01:03:27,040 --> 01:03:31,480
Speaker 1: She did not graduate, but she went to go Pirates Pirates,

1167
01:03:31,560 --> 01:03:34,080
Speaker 1: I like, damn, what's with all the I like? I

1168
01:03:34,200 --> 01:03:37,960
Speaker 1: like the Southeast and like the names of the mascots

1169
01:03:38,000 --> 01:03:41,439
Speaker 1: of the schools. Okay, I like a pirate still again.

1170
01:03:41,920 --> 01:03:47,120
Speaker 1: University of Richmond Spiders. Yeah, I love spiders, So I

1171
01:03:47,200 --> 01:03:50,840
Speaker 1: gotta get me a jersey soon. Um well, Bridget, it

1172
01:03:50,920 --> 01:03:54,440
Speaker 1: has been as always wonderful having you on the daily

1173
01:03:54,560 --> 01:03:56,880
Speaker 1: ZiT guys. Where can people find you and follow you?

1174
01:03:57,480 --> 01:04:00,600
Speaker 1: You can check out my podcast on this our network.

1175
01:04:00,680 --> 01:04:02,480
Speaker 1: It's called There Are No Girls on the Internet. You

1176
01:04:02,560 --> 01:04:05,360
Speaker 1: can find me on Instagram at Bridget Marie and on

1177
01:04:05,440 --> 01:04:08,640
Speaker 1: Twitter at Bridget Marie in d C. Yeah yeah. And

1178
01:04:08,960 --> 01:04:11,200
Speaker 1: is there a Twitter or some other work of social

1179
01:04:11,240 --> 01:04:14,960
Speaker 1: media you've been enjoying? There is. It's by Sam Sanders,

1180
01:04:15,280 --> 01:04:18,640
Speaker 1: fellow podcaster. He says, a thing I've never been able

1181
01:04:18,720 --> 01:04:22,040
Speaker 1: to shake has been someone telling me that trains hey soul, sister,

1182
01:04:22,480 --> 01:04:24,520
Speaker 1: is actually about the first time you ever dated a

1183
01:04:24,560 --> 01:04:27,360
Speaker 1: black woman, and now you must carry this burden as well.

1184
01:04:27,600 --> 01:04:30,600
Speaker 1: You're welcome. Is that true? I have no idea if

1185
01:04:30,600 --> 01:04:32,560
Speaker 1: it's true, But if you think about it, it really

1186
01:04:32,680 --> 01:04:38,360
Speaker 1: makes sense. Oh my god, I need to know if

1187
01:04:38,440 --> 01:04:43,400
Speaker 1: that's true. Now I don't, I gotta go. That's that

1188
01:04:43,560 --> 01:04:49,640
Speaker 1: is too much like the our democracy just devolving into

1189
01:04:50,440 --> 01:04:59,200
Speaker 1: fascism is one thing, but trains, Hey, soul sister being Miles,

1190
01:04:59,240 --> 01:05:05,160
Speaker 1: we can people find what was he bigging himself? Sister? Yeah?

1191
01:05:05,680 --> 01:05:08,720
Speaker 1: You know what I mean? Hey, what's up, Soul brother?

1192
01:05:11,160 --> 01:05:13,520
Speaker 1: This thing? I'm like, Yo, I'm knocked you the funk

1193
01:05:13,600 --> 01:05:18,480
Speaker 1: out right here train you know I've been I've been

1194
01:05:18,520 --> 01:05:21,480
Speaker 1: with your kind like okay, you know what that's like.

1195
01:05:21,640 --> 01:05:24,440
Speaker 1: That's the like a song like that purely is rooted

1196
01:05:24,480 --> 01:05:26,680
Speaker 1: in that kind of vision of what a human being

1197
01:05:26,840 --> 01:05:28,440
Speaker 1: is like. You don't you could just say you have

1198
01:05:28,640 --> 01:05:32,200
Speaker 1: you smashed a pretty person? You know, I didn't have

1199
01:05:32,200 --> 01:05:34,160
Speaker 1: to bring all that other extra ship in. But you know,

1200
01:05:34,400 --> 01:05:39,280
Speaker 1: like that character on Atlanta, the guy who has the

1201
01:05:39,400 --> 01:05:47,880
Speaker 1: Juneteenth Party black woman and so we're too real though,

1202
01:05:48,040 --> 01:05:54,640
Speaker 1: too real real? Yeah, oh god telling he's telling um

1203
01:05:56,280 --> 01:05:59,520
Speaker 1: Donald Glover's character like um oh like your people have

1204
01:05:59,600 --> 01:06:02,080
Speaker 1: been room so much, like you have a rich history,

1205
01:06:04,440 --> 01:06:09,400
Speaker 1: thank you? Okay, uh, Miles, where can people find you?

1206
01:06:09,480 --> 01:06:11,440
Speaker 1: In what's tweet? You could enjoy him. I got my

1207
01:06:11,560 --> 01:06:15,400
Speaker 1: potato salad from Tony Braxton's Twitter account. I hope you

1208
01:06:15,520 --> 01:06:17,400
Speaker 1: like it. It feels like the kind of thing someone

1209
01:06:17,440 --> 01:06:20,880
Speaker 1: would say to it to make you feel comfortable. Okay,

1210
01:06:21,000 --> 01:06:26,360
Speaker 1: so this uh Twitter Instagram Matt Miles of Gray also

1211
01:06:26,680 --> 01:06:29,120
Speaker 1: on my other podcast for twenty Day Fiance talking about

1212
01:06:29,200 --> 01:06:32,520
Speaker 1: ninety day Fiance. Uh. And let's see a tweet I

1213
01:06:32,560 --> 01:06:35,080
Speaker 1: like is actually from one of the last week's Last

1214
01:06:35,200 --> 01:06:38,640
Speaker 1: week's guest, Mr Thorpe posts odist trap God. He says

1215
01:06:38,760 --> 01:06:42,720
Speaker 1: black lives matters, signs and gentrified neighborhoods just be hidden different.

1216
01:06:44,040 --> 01:06:49,120
Speaker 1: It's true. It's just very very true. Uh. You can

1217
01:06:49,200 --> 01:06:52,640
Speaker 1: find me on Twitter at Jack Underscore O Brian. A

1218
01:06:52,920 --> 01:06:56,680
Speaker 1: couple of tweets I've been enjoying from Alvin the Don

1219
01:06:57,680 --> 01:07:01,200
Speaker 1: Uh tweeted is it so awkward walking back after you

1220
01:07:01,680 --> 01:07:05,960
Speaker 1: bowl in bowling? Um? And then he also tweeted, you

1221
01:07:06,040 --> 01:07:08,120
Speaker 1: ever bring your pet up to a mirror and you're like,

1222
01:07:08,680 --> 01:07:17,680
Speaker 1: it's you? That really sounds like? Score Brian. You can

1223
01:07:17,720 --> 01:07:20,040
Speaker 1: find us on Twitter at daily zeit Geys. Were at

1224
01:07:20,040 --> 01:07:22,680
Speaker 1: the Daily zeit Geys on Instagram. We have a Facebook

1225
01:07:22,720 --> 01:07:25,720
Speaker 1: fan page and website. Daily like guys dot com, where

1226
01:07:25,760 --> 01:07:30,120
Speaker 1: we post our episodes and our foot we link off

1227
01:07:30,200 --> 01:07:32,760
Speaker 1: to the information that we talked about today's episode, as

1228
01:07:32,800 --> 01:07:36,040
Speaker 1: well as the song we Ride out on Miles What

1229
01:07:36,120 --> 01:07:38,480
Speaker 1: Are we Gonna Ride Out Onto the Man? This is

1230
01:07:38,720 --> 01:07:42,360
Speaker 1: a track from Look. I like when artists, like current

1231
01:07:42,480 --> 01:07:45,080
Speaker 1: artists just are so in love with like an aesthetic

1232
01:07:45,160 --> 01:07:47,480
Speaker 1: from the past and they just like live that and

1233
01:07:47,560 --> 01:07:49,520
Speaker 1: you can tell from like when of the music they make,

1234
01:07:49,640 --> 01:07:51,640
Speaker 1: like it's just the one. It's like the language they

1235
01:07:51,720 --> 01:07:55,520
Speaker 1: speak um and this. So this is from artists from Nashville, Tennessee.

1236
01:07:55,960 --> 01:07:58,600
Speaker 1: He goes by the name Louis Prince. But it's like

1237
01:07:58,800 --> 01:08:04,160
Speaker 1: this it's like electro wee like sixties jazz but kind

1238
01:08:04,200 --> 01:08:08,120
Speaker 1: of like new wave pop mix. It just feels like,

1239
01:08:08,360 --> 01:08:09,960
Speaker 1: I don't know, like it just feels like something you've

1240
01:08:09,960 --> 01:08:12,280
Speaker 1: seen a really dope movie, like if you're watching like

1241
01:08:12,400 --> 01:08:14,720
Speaker 1: a great film, and like sometimes there's like those scenes

1242
01:08:14,800 --> 01:08:17,400
Speaker 1: like that song just like makes the scene and like

1243
01:08:17,479 --> 01:08:19,519
Speaker 1: someone cools walking to a club or something. That's what

1244
01:08:19,640 --> 01:08:21,719
Speaker 1: I picture with this. But put these in your headphones

1245
01:08:21,760 --> 01:08:23,880
Speaker 1: and be the protagonist of your own film and walk

1246
01:08:23,880 --> 01:08:26,880
Speaker 1: to your neighborhood massed up obviously um and this track

1247
01:08:26,960 --> 01:08:30,200
Speaker 1: is called the Number thirteen by Louis Prince or Louis Prince.

1248
01:08:30,240 --> 01:08:33,440
Speaker 1: I don't know if forgive me, if I'm miss Prince. Alright,

1249
01:08:33,560 --> 01:08:35,479
Speaker 1: well we are going to ride out on that. The

1250
01:08:35,560 --> 01:08:38,080
Speaker 1: Daily Zeitgeist is a production of I Heart Radio. For

1251
01:08:38,200 --> 01:08:41,400
Speaker 1: more podcasts from My Heart Radio, visit the I Heart

1252
01:08:41,479 --> 01:08:43,920
Speaker 1: Radio app, Apple and podcast or wherever you listen to

1253
01:08:43,920 --> 01:08:47,040
Speaker 1: your favorite shows. That's gonna do it for this morning.

1254
01:08:47,120 --> 01:08:49,759
Speaker 1: We'll be back this afternoon to tell you what's trending,

1255
01:08:49,960 --> 01:09:02,160
Speaker 1: and we'll talk to you all the firs. How do

1256
01:09:02,360 --> 01:09:08,519
Speaker 1: I come fire? And I've been saying anything I either

1257
01:09:08,680 --> 01:09:14,200
Speaker 1: did man coming? I either did man come? I'm Jame.

1258
01:09:14,640 --> 01:09:24,639
Speaker 1: Do I can in any Hid? Who is colend in it? Hid?