WEBVTT - Listener Mail: The Braid of Nastenka

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener mail. My name is Robert Lamb and I'm Joe McCormick,

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<v Speaker 1>and it's Monday, the day of the week that we

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<v Speaker 1>bring you some of the messages that you've sent in

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<v Speaker 1>over over the past few cycles of the show. Uh,

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<v Speaker 1>let's see, rob Should I start off with this one

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<v Speaker 1>about crabs? Oh? Please do? Okay? This is from Nick.

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<v Speaker 1>Nick says, I'm catching up on some of the Stuff

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<v Speaker 1>to Blow Your Mind backlogged episodes, and I just finished

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<v Speaker 1>your second episode about crabs and food. My brain connecting

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<v Speaker 1>crabs and food? Why not cookie dough crab? This a

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<v Speaker 1>little confusing, but but he makes sense of it. Nick says,

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<v Speaker 1>a few months ago, this picture of a sponge crab

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<v Speaker 1>came across my feet and it took me the better

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<v Speaker 1>part of the morning to determine if it was a

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<v Speaker 1>crab that looked cookie dough or if someone made a

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<v Speaker 1>cookie that looked like a crab. Either way, delicious regards

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<v Speaker 1>Nick uh Nick, I would be really impressed if this

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<v Speaker 1>was actually cookie dough. This does look like a real decapod.

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<v Speaker 1>Crustacean to me, But I see exactly what you're saying,

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<v Speaker 1>because you're dead on the text you're covering this animal

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<v Speaker 1>looks exactly like we're all cookie dough. And I can't

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<v Speaker 1>tell because I don't know what species this is. This

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<v Speaker 1>is just an image from the internet. It does look real,

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<v Speaker 1>not faked, but I can't tell if this is like

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<v Speaker 1>an animal with wet sand stuck to it, or if

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<v Speaker 1>this is just what the carapace of this crab species

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<v Speaker 1>looks like. Well then the end, they are also a

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<v Speaker 1>number of different types of sponge crab. I'm kind of

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<v Speaker 1>stand but I do remember when this was making the

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<v Speaker 1>rounds Initially. I think one of the things that jumped

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<v Speaker 1>out to me the most is that the crab essentially

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<v Speaker 1>looks like the ginger dead Man from the two thousand

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<v Speaker 1>five Full Moon picture starring Gary Busey. That is a

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<v Speaker 1>very unfair comparison to make to this this beautiful Arthur pod.

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<v Speaker 1>But yeah, I want to know more. Is this sand

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<v Speaker 1>or is it not sand? Could it really be that

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<v Speaker 1>the crabs shell looks like that has that kind of wet, granular,

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<v Speaker 1>cracked appearance seems too perfect? Yeah, Yeah, I mean I

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<v Speaker 1>think they have like a spongy looking shell, but we

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<v Speaker 1>have don't think we've actually looked at them like covered

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<v Speaker 1>them on the show before. We've covered a number of

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<v Speaker 1>different types of crabs, so who knows, we'll have to

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<v Speaker 1>come back with with more crab content in the future.

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<v Speaker 1>All right, A speaking of other organisms that we have

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<v Speaker 1>covered on the show, here's a bit of listener male

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<v Speaker 1>from Sarah the subject ditch which this areas of course,

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<v Speaker 1>responding to our episodes on the tumbleweed. Hi, guys, I

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<v Speaker 1>recently listened to your episode about the tumbleweed or ditch

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<v Speaker 1>which I found the information about the possible origin of

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<v Speaker 1>some of the plants commonly known as tumbleweeds very interesting.

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<v Speaker 1>I am ascended it from and live in an area

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<v Speaker 1>of Kansas settled by Volga Germans or Germans from Russia

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<v Speaker 1>who immigrated to the Great Plains in the late eighteen hundreds.

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<v Speaker 1>Due to its similarities to the Russian steps. There are

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<v Speaker 1>also communities of Volga Germans in South Dakota. I find

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<v Speaker 1>the theory about the Russian thistle seed being unintentionally introduced

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<v Speaker 1>by contaminated grain plausible. I know that many of these

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<v Speaker 1>immigrants brought other plants seeds with them on purpose. For example,

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<v Speaker 1>a berry of the nightshade family called schwartz barren uh,

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<v Speaker 1>commonly called blackberries. This berry is not well known outside

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<v Speaker 1>of Volga German communities, but I have fond memories of

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<v Speaker 1>picking buckets of them in my grandparents backyard and eating

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<v Speaker 1>delicious pies and kutchins made by the family. In performing

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<v Speaker 1>genealogical research, I have found that this berry is also

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<v Speaker 1>found in Volga German communities. In South Dakota and elsewhere.

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<v Speaker 1>The Russian thistle and other tumbleweeds are very well known

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<v Speaker 1>here in my rural area, high winds and tumbleweeds are common.

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<v Speaker 1>But about a month ago we had a windstorm that

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<v Speaker 1>was out of season and had win ends up to

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<v Speaker 1>almost a hundred miles per hour in some places. Many

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<v Speaker 1>areas lost power due to the winds, and anything not

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<v Speaker 1>held down disappeared from yards and lots. The day after

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<v Speaker 1>the storm, I had to travel for work, and it

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<v Speaker 1>was incredible how many tumbleweeds were caught in the miles

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<v Speaker 1>and miles of barbed wire fences. It sounds hyperbolic, but

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<v Speaker 1>they were so thickly pushed into the fences and piled

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<v Speaker 1>so high on top of one another that you could

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<v Speaker 1>not see through the fences. Being used to running over

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<v Speaker 1>the occasional tumblewheed on the highway, I can't imagine what

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<v Speaker 1>it would have been like to drive through the windstorm. Anyway,

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<v Speaker 1>Thanks for always providing such a great show, and keep

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<v Speaker 1>up the great work, sincerely, Sarah. Oh, thanks Sarah. Well,

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<v Speaker 1>but now I want to know or the schwartz speer,

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<v Speaker 1>and so you say they're not well known outside of

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<v Speaker 1>these communities, so that makes me think they're different than

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<v Speaker 1>other blackberries. They're just a different fruit also called blackberries.

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<v Speaker 1>I don't know if you know anything about schwartzpeer and

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<v Speaker 1>I do not. This one is a new one on me.

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<v Speaker 1>But just quick sir on the subject seems to seems

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<v Speaker 1>to back up the claim here. Okay, I just looked

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<v Speaker 1>them up. Yeah, they look more like kind of more

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<v Speaker 1>like blueberries. Yeah, I if I saw them, I might

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<v Speaker 1>be afraid to eat them, because they don't look like

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<v Speaker 1>blue blueberries I'm used to eating, you know, But they

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<v Speaker 1>look they look edible in the dangerous way to me,

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<v Speaker 1>like like it looks like I could eat them, so

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<v Speaker 1>I probably should not. But unless, of course, someone said

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<v Speaker 1>these are safe to eat, you may eat of them,

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<v Speaker 1>and then I would say, yes, okay, I will have some. Well, actually,

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<v Speaker 1>I'm gonna say that this is a fruit that appears

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<v Speaker 1>to have thoroughly confused Google image search, because if you

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<v Speaker 1>do a Google image search for it, you get results

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<v Speaker 1>that are clearly blueberries, and results that are clearly the

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<v Speaker 1>commonly known blackberries, and then also these other things that

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<v Speaker 1>look sort of like blueberries. Well, I just ran across

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<v Speaker 1>a whole page about them on recipes from a German

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<v Speaker 1>grandma on online, So that seems to check out. Well,

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<v Speaker 1>isn't that nice? Well, yeah, I'm not. Who are you

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<v Speaker 1>gonna doubt somebody's German grandma? No, I would never I

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<v Speaker 1>would never doubt your berries. All right, I'm gonna read

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<v Speaker 1>this next message from Owen, also about Tumbleweeds and says, hey, guys,

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<v Speaker 1>I love the first episode on Tumbleweeds, and oddly enough,

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<v Speaker 1>I'm super excited to hear more. I live in Utah,

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<v Speaker 1>and although tumbleweeds don't seem especially common here, I did

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<v Speaker 1>have a sort of wonderful moment with one last year.

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<v Speaker 1>I live in a valley and my house sits right

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<v Speaker 1>up against the mountain. Side atop a series of mild

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<v Speaker 1>hills overlooking the main part of a city. Anyways, I

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<v Speaker 1>was walking up the road to my house on a

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<v Speaker 1>blustery winter day when I saw a tumbleweed ambling toward me.

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<v Speaker 1>I don't know why, but I couldn't take my eyes

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<v Speaker 1>off it. Maybe it was that unpredictable bouncing, but it was,

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<v Speaker 1>as you mentioned, almost like an animal. I watched it

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<v Speaker 1>as if it were a fox, moving toward me, then

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<v Speaker 1>slowly away. I watched it until it turned to bend

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<v Speaker 1>and was out of sight. I been the rest of

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<v Speaker 1>the walk home in awe. They may be a problem,

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<v Speaker 1>but they are certainly a natural beauty in my eyes.

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<v Speaker 1>On a more comedic note, there's a scene in the

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<v Speaker 1>movie The Ridiculous Six where Adam Sandler sort of transforms

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<v Speaker 1>into a tumbleweed in order to sneak past a group

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<v Speaker 1>of men. Certainly bizarre, but I loved it. Here's a

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<v Speaker 1>link to the clip. I went and to watch this clip.

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<v Speaker 1>I all the best with whatever movies you like, but

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<v Speaker 1>I I have to note that he's making the you know,

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<v Speaker 1>the infamous Adam Sandler noises while he rolls in tumbleweed form,

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<v Speaker 1>so he's you know, Abby Dubie, and all the way

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<v Speaker 1>past the guards, he does look like he just trying.

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<v Speaker 1>I'm watching the clip now on mute and um so

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<v Speaker 1>I'm not getting to hear this wonderful soundary describing. But

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<v Speaker 1>he does appear to transform magically into a tumbleweed. Yes,

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<v Speaker 1>and then Owen Wilson's brother is there to watch him.

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<v Speaker 1>So how would you how would you describe the Adam

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<v Speaker 1>Sandler vocalization. It's like it's like angry baby. Yeah, there

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<v Speaker 1>is kind of an intentionally uh like you know, in

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<v Speaker 1>juvenile kind of silliness, uh, you know to the voice. Um,

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<v Speaker 1>I guess it's one of those those things that that

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<v Speaker 1>kind of took on a life of its own. Like

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<v Speaker 1>I don't know if he could stop doing it if

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<v Speaker 1>he wanted to write right, Yeah, now he just is

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<v Speaker 1>the Adam Sandler noise and and his body belongs to it. Yeah. Though,

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<v Speaker 1>I mean credit to Adam Sandler. He was really good

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<v Speaker 1>in that movie Uncut Jim's a couple of years back.

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<v Speaker 1>Oh man, that was a good one. Yeah, depressing, not

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<v Speaker 1>not not a feel good movie, but that he was.

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<v Speaker 1>He was quite good in it. Not a comedy. It

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<v Speaker 1>had some funny parts. Though, Yeah, but I agree, very

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<v Speaker 1>good in that. Oh but I gotta say also, Owen

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<v Speaker 1>includes another movie reference. I haven't seen either of these movies.

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<v Speaker 1>Uh so the first one is that Adam Sandler movie.

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<v Speaker 1>The second is the latest SpongeBob movie. He says it

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<v Speaker 1>was oddly funny, but he says there's a scene that's

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<v Speaker 1>oddly funny where Keanu Reeves is a tumble weed that

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<v Speaker 1>gives advice. Uh, though it seems to be implied that

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<v Speaker 1>he's made out of sage brush. Uh. And I found

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<v Speaker 1>one link of this scene that's one of those looped

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<v Speaker 1>for ten hours videos. I don't know somebody did that,

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<v Speaker 1>but they did well. This is this is actually very

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<v Speaker 1>well executed. I'm not current on my SpongeBob, so I

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<v Speaker 1>was just expecting the standard animated format. But this is

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<v Speaker 1>computer generated and with a real life Kanu Reeves inside

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<v Speaker 1>of this kind of beautiful tumbleweed looking structure. Very well executed. So,

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<v Speaker 1>I gotta be honest, I don't know if this is

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<v Speaker 1>a good thing to loop for ten hours. Something that's

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<v Speaker 1>a ten hour loop has to have a certain inherent

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<v Speaker 1>loop nous to it, like the ten hour Hipno Toad.

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<v Speaker 1>I think is my ideal. It's the platonic form of

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<v Speaker 1>the ten hour loop video. I mean, I guess at

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<v Speaker 1>this point you just you just probably create a lot

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<v Speaker 1>of ten hour videos of just about everything and just

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<v Speaker 1>throw them. Throw him on the wall and see what sticks,

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<v Speaker 1>see what takes off. Oh, I just thought of one.

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<v Speaker 1>I don't know. If it exists, you would be good.

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<v Speaker 1>It would be a ten the hour loop of uh

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<v Speaker 1>ned rein Jurassic Park going. Ah, you didn't say the

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<v Speaker 1>magic word. Uhh. I mean I'd be surprised if it

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<v Speaker 1>doesn't exist already. Anyway, thanks for getting a touch owen Rob.

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<v Speaker 1>You want to do the next one? All right? What

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<v Speaker 1>do we have? Uh, it's a duck episode. It's a

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<v Speaker 1>duck email. Now it's a tumbleweed one. It's titled Duck

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<v Speaker 1>a tumblewheed Um. This is from Meg. Meg writes as

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<v Speaker 1>asked a New Mexico voice, but maybe not with answers

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<v Speaker 1>to your questions as a transplant from Cleveland. I loved

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<v Speaker 1>your opening discussion about driving and the tumbleweed onslaught bilemma

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<v Speaker 1>do I hit the big one or the bigger one?

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<v Speaker 1>I still recall moving here and seeing my first real

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<v Speaker 1>tumbleweed roll in front of me and having the holy crap,

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<v Speaker 1>it's real moment, and it has never left. I regularly

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<v Speaker 1>pause class to point out one rolling by the window,

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<v Speaker 1>and recall odd moments in lacrosse coaching when I had

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<v Speaker 1>to pause practice until the tumbleweeds rolled across the field.

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<v Speaker 1>Spring is crazy windy in Avluquerque. If you're ever passing

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<v Speaker 1>through again at Christmas time, right near the Big Eye

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<v Speaker 1>where I fort cross, there is a huge tumbleweeds snowman. Okay,

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<v Speaker 1>I think I'd seen stuff online about tumbleweed snowman. I

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<v Speaker 1>don't think I saw one when I was there, but

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<v Speaker 1>I was in this area anyway. Meg continues another thought.

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<v Speaker 1>Road runners, another Southwest thing that still makes me stop

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<v Speaker 1>and pause. Watching them hunt in my front yard is

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<v Speaker 1>so cool. You really cannot but see micro raptors stalking

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<v Speaker 1>their prey. They have I have had many a clever

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<v Speaker 1>girl moments. As one slowly approaches me cox its head,

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<v Speaker 1>looks at me, clicks and runs away. I know it's

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<v Speaker 1>thinking if only it was bigger, it could attack. If

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<v Speaker 1>you haven't done a podcast on the continuation of Avian

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<v Speaker 1>dinos into birds, that would be cool. Oh thanks, meg

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<v Speaker 1>uh I don't know if that's ever been the subject

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<v Speaker 1>by itself of a podcast, but it comes up all

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<v Speaker 1>the time. But road runners, j oh, they are dinosaurs

0:12:02.559 --> 0:12:04.800
<v Speaker 1>that like, they are the dinosaurs that did not die

0:12:04.840 --> 0:12:08.440
<v Speaker 1>out at the at the KPg extinction. I sadly only

0:12:08.480 --> 0:12:11.800
<v Speaker 1>have one verified road runner siding to my credit. And

0:12:11.840 --> 0:12:13.679
<v Speaker 1>it was one of these situations where I saw it

0:12:14.240 --> 0:12:16.280
<v Speaker 1>and then I described it to someone and I was like,

0:12:16.400 --> 0:12:18.160
<v Speaker 1>was that a roadrunner? And they're like, oh, yeah, yeah,

0:12:18.200 --> 0:12:20.319
<v Speaker 1>that was probably a roadrunner. So I didn't really get

0:12:20.360 --> 0:12:22.800
<v Speaker 1>to appreciate it in the moment so much. The real

0:12:22.840 --> 0:12:25.080
<v Speaker 1>clue is when it paints a tunnel opening on a

0:12:25.120 --> 0:12:29.320
<v Speaker 1>on a cliff face and then you run into it. Yeah.

0:12:29.360 --> 0:12:32.120
<v Speaker 1>I mean that's that's probably what was the confusing thing

0:12:32.120 --> 0:12:34.280
<v Speaker 1>about it is they don't really look like the cartoon

0:12:34.360 --> 0:12:37.479
<v Speaker 1>road runner. Uh they do? They look more like dinosaurs,

0:12:37.920 --> 0:12:40.839
<v Speaker 1>um and uh. And I guess that the one I

0:12:40.880 --> 0:12:43.920
<v Speaker 1>saw it, it seems it looks like scraggier than the

0:12:43.960 --> 0:12:46.199
<v Speaker 1>ones I see in pictures. I don't know, maybe they

0:12:46.280 --> 0:12:50.040
<v Speaker 1>just had a run in with a dynamite laden coyote

0:12:50.120 --> 0:12:52.480
<v Speaker 1>or something. I know what you And I guess Meg

0:12:52.559 --> 0:12:53.960
<v Speaker 1>was saying the same thing. I know what Meg and

0:12:54.080 --> 0:12:56.439
<v Speaker 1>you are saying about them looking like dinosaurs, though, folks,

0:12:56.440 --> 0:12:58.880
<v Speaker 1>have you never seen a road Runner? Look one up?

0:12:59.000 --> 0:13:02.560
<v Speaker 1>They they look like an illustration from one of the

0:13:02.600 --> 0:13:07.640
<v Speaker 1>more current dinosaur books. Yeah, speaking of avian dinosaurs, um

0:13:08.360 --> 0:13:11.280
<v Speaker 1>my mind. That turns back to our previous discussions on

0:13:11.280 --> 0:13:16.280
<v Speaker 1>on the basilisk, which in some incarnations, you know, are

0:13:17.120 --> 0:13:20.719
<v Speaker 1>artistic representations they look like avian dinosaurs, you know, or

0:13:20.800 --> 0:13:22.720
<v Speaker 1>they look more they end up looking more like chickens,

0:13:22.800 --> 0:13:26.080
<v Speaker 1>I guess. But I have to say the second season

0:13:26.080 --> 0:13:29.640
<v Speaker 1>of The Witcher, which which we finished, uh, it has

0:13:29.960 --> 0:13:33.839
<v Speaker 1>some some basilists show up in the final episode, and

0:13:34.000 --> 0:13:36.000
<v Speaker 1>they really brought them to life in an interesting way.

0:13:36.040 --> 0:13:38.719
<v Speaker 1>They essentially look like big dinosaurs without looking too much

0:13:38.760 --> 0:13:45.440
<v Speaker 1>like dinosaurs. Very cool feathered monsters. I know. For some reason,

0:13:45.520 --> 0:13:48.040
<v Speaker 1>I see my future. I'm breaking down on this. At

0:13:48.080 --> 0:13:49.560
<v Speaker 1>some point Rachel and I are going to end up

0:13:49.600 --> 0:13:54.240
<v Speaker 1>watching this Witcher show or we you know, like I said,

0:13:54.480 --> 0:13:58.000
<v Speaker 1>like actually watching it instead of just like briefly glazing

0:13:58.040 --> 0:14:02.400
<v Speaker 1>at the first episode. Yeah, I've I've enjoyed it. It's

0:14:02.520 --> 0:14:06.640
<v Speaker 1>um you know, it's uh, it's The Witcher. Um, so

0:14:06.760 --> 0:14:09.480
<v Speaker 1>you know, you gotta go into a certain expectations, but

0:14:09.520 --> 0:14:11.319
<v Speaker 1>I don't know. I've I've I've got into it. It's

0:14:11.320 --> 0:14:14.080
<v Speaker 1>got some good magic, some good monsters, and uh and

0:14:14.160 --> 0:14:16.440
<v Speaker 1>ultimately I think it does some good character stuff. You know.

0:14:16.480 --> 0:14:18.240
<v Speaker 1>I hate to be the person who has a weird

0:14:18.320 --> 0:14:22.240
<v Speaker 1>plausibility nitpick with the show that's full of fantasy and magic. Anyway,

0:14:22.720 --> 0:14:24.360
<v Speaker 1>the one thing that always gets me about the Witcher,

0:14:24.400 --> 0:14:26.320
<v Speaker 1>this is there in the video games too, is dude

0:14:26.480 --> 0:14:29.160
<v Speaker 1>he has he carries his long sword in a thing

0:14:29.200 --> 0:14:32.080
<v Speaker 1>on his back. You know, you your arm isn't long

0:14:32.240 --> 0:14:34.480
<v Speaker 1>enough to pull it out of a scabbard on your back.

0:14:35.160 --> 0:14:38.440
<v Speaker 1>That's why people keep the scabbard on their side. I mean, like,

0:14:38.520 --> 0:14:41.320
<v Speaker 1>just imagine trying to do that yourself. Like the blade

0:14:41.400 --> 0:14:43.800
<v Speaker 1>is too long, it's longer than your arm is, so

0:14:43.840 --> 0:14:46.200
<v Speaker 1>you can't actually get it out of the holster if

0:14:46.240 --> 0:14:48.880
<v Speaker 1>it's on your back. True. Yeah, yeah, I mean I

0:14:49.440 --> 0:14:52.720
<v Speaker 1>I do find myself pausing at times and thinking about that.

0:14:52.960 --> 0:14:55.160
<v Speaker 1>That's sort of kind of like a guitar case on

0:14:55.200 --> 0:14:58.720
<v Speaker 1>his back swords in it, which seems to imply not

0:14:58.720 --> 0:15:00.560
<v Speaker 1>not like a quick draw Situa should have been more

0:15:00.600 --> 0:15:03.000
<v Speaker 1>of like I'm a professional. I ever now arrived at

0:15:03.040 --> 0:15:05.480
<v Speaker 1>the scene. I will now prepare my weapons and kind

0:15:05.480 --> 0:15:07.520
<v Speaker 1>of go in. I don't know, Oh, well, that makes

0:15:07.520 --> 0:15:09.960
<v Speaker 1>sense I'm thinking about. I guess maybe it's different in

0:15:10.040 --> 0:15:12.080
<v Speaker 1>the show and the games. He just wears them like

0:15:12.120 --> 0:15:13.880
<v Speaker 1>a person would wear, you know, like he can draw

0:15:13.920 --> 0:15:15.840
<v Speaker 1>them quickly from the scabbard, but they're on the back.

0:15:16.920 --> 0:15:19.080
<v Speaker 1>I don't know why that drives me crazy. I don't know.

0:15:19.200 --> 0:15:21.240
<v Speaker 1>I I'd have to have to rewatch some of the

0:15:21.240 --> 0:15:23.480
<v Speaker 1>episodes to really weigh in on that. I don't I

0:15:23.520 --> 0:15:26.600
<v Speaker 1>don't remember exactly exactly how he pulls out his swords,

0:15:27.600 --> 0:15:30.040
<v Speaker 1>but once he does, he just really slings them around.

0:15:30.440 --> 0:15:35.000
<v Speaker 1>Maybe maybe that's magic too, it is a magic scabbard. Anyway, cool,

0:15:35.080 --> 0:15:38.800
<v Speaker 1>basilis I recommend the bast Okay, Well, I look forward

0:15:38.800 --> 0:15:48.360
<v Speaker 1>to seeing them all right, Well, I think maybe we

0:15:48.360 --> 0:15:52.040
<v Speaker 1>should jump ahead to a response. We got to our

0:15:52.120 --> 0:15:56.800
<v Speaker 1>Weird House Cinema episode on Jack frost Ak a Moro's

0:15:56.880 --> 0:16:01.040
<v Speaker 1>co the the Russian fairy Tale Christmas Time Movie, and

0:16:01.080 --> 0:16:03.560
<v Speaker 1>this was a message we got from Natalia. It was

0:16:03.600 --> 0:16:06.120
<v Speaker 1>a really excellent letter that was very long, so I

0:16:06.120 --> 0:16:08.880
<v Speaker 1>had to edit it down A good bit are you ready, Rob,

0:16:09.200 --> 0:16:10.720
<v Speaker 1>I'm ready, let's do it. This is a this is

0:16:10.760 --> 0:16:13.080
<v Speaker 1>a great emo. I really enjoyed this one. Yeah, so

0:16:13.760 --> 0:16:15.720
<v Speaker 1>I'll say I'll summarize a bit at the beginning on

0:16:15.840 --> 0:16:18.680
<v Speaker 1>Natalia starts off by saying some very nice things about

0:16:18.680 --> 0:16:22.080
<v Speaker 1>the show, and she introduces herself as Natalia from a

0:16:22.080 --> 0:16:25.640
<v Speaker 1>city in Russia called Kazan, Kazan or Kazan. I think

0:16:25.800 --> 0:16:29.000
<v Speaker 1>I've seen it pronounced both ways, um, but anyway. She

0:16:29.200 --> 0:16:32.240
<v Speaker 1>gives some personal background, saying that she has the Russian

0:16:32.240 --> 0:16:36.400
<v Speaker 1>equivalent of a PhD in biology and once worked in BioResearch,

0:16:36.800 --> 0:16:39.400
<v Speaker 1>but then later in life got interested in English, which

0:16:39.440 --> 0:16:43.120
<v Speaker 1>she now teaches professionally. And she says she's been listening

0:16:43.120 --> 0:16:45.000
<v Speaker 1>to the show for a while but finally had to

0:16:45.000 --> 0:16:48.440
<v Speaker 1>write in after our episode on this very familiar movie,

0:16:48.520 --> 0:16:51.480
<v Speaker 1>because she says she's fifty years old now and grew

0:16:51.560 --> 0:16:55.640
<v Speaker 1>up watching Morosco at least once every year. Apparently our

0:16:55.680 --> 0:16:59.080
<v Speaker 1>episode gave her the idea to use Russian movies dubbed

0:16:59.120 --> 0:17:03.040
<v Speaker 1>into English in her English classes. And if I understand right,

0:17:03.080 --> 0:17:05.639
<v Speaker 1>it sounds like she she's saying that she developed a

0:17:05.720 --> 0:17:10.040
<v Speaker 1>multimedia lesson in her classes involving a dubbed version of

0:17:10.080 --> 0:17:14.679
<v Speaker 1>moros Co and our Weird House Cinema episode which she says,

0:17:14.840 --> 0:17:17.119
<v Speaker 1>as she says, was a hit with her students ages

0:17:17.200 --> 0:17:19.720
<v Speaker 1>sixteen to thirty two. And if that is true, that

0:17:19.720 --> 0:17:23.160
<v Speaker 1>that is so nice to hear. But from here, I'll

0:17:23.200 --> 0:17:25.040
<v Speaker 1>just go into the text to the email where she

0:17:25.119 --> 0:17:29.400
<v Speaker 1>shares some Russian cultural insights on questions that we had

0:17:29.440 --> 0:17:31.320
<v Speaker 1>about the movie. There's there were some things where we

0:17:31.320 --> 0:17:33.159
<v Speaker 1>were like, I don't know if this is like a

0:17:33.280 --> 0:17:37.000
<v Speaker 1>historical Russian thing or if this is just a weird

0:17:37.080 --> 0:17:40.080
<v Speaker 1>thing about this movie on its own. Yeah, Like is

0:17:40.119 --> 0:17:42.320
<v Speaker 1>this something isolated to a folk tale or is this

0:17:42.440 --> 0:17:47.399
<v Speaker 1>something that is indicative of of a larger reality and

0:17:47.480 --> 0:17:50.920
<v Speaker 1>Russian culture? Yeah? Uh so? And I tell your rites.

0:17:51.800 --> 0:17:54.600
<v Speaker 1>As a gesture of appreciation, I'd like to make some comments.

0:17:54.640 --> 0:17:57.280
<v Speaker 1>Not sure you'll find them useful, but you wondered in

0:17:57.320 --> 0:17:59.520
<v Speaker 1>the episode, and this is the least I can do.

0:18:00.119 --> 0:18:03.399
<v Speaker 1>First of all, regarding hair now as a as a

0:18:03.400 --> 0:18:06.600
<v Speaker 1>bit of explanation, Remember there is a lot of attention

0:18:06.680 --> 0:18:10.920
<v Speaker 1>paid to hair and braids in Morosko. For example, the

0:18:10.920 --> 0:18:14.399
<v Speaker 1>wicked stepmother is often threatening some kind of violence to

0:18:14.560 --> 0:18:18.320
<v Speaker 1>Nastia's braid, so like, she's she'll threaten to cut off

0:18:18.320 --> 0:18:21.280
<v Speaker 1>her braid as some kind of dire warning. Yeah, or

0:18:21.400 --> 0:18:26.520
<v Speaker 1>especially the step sister really wants Mama to cut off

0:18:26.760 --> 0:18:29.240
<v Speaker 1>that braid. Cut off her braid, Mama, that you And

0:18:29.320 --> 0:18:30.880
<v Speaker 1>she's like, well, what will I pull her by? Then?

0:18:31.200 --> 0:18:34.479
<v Speaker 1>Right to cut off the step sister's braid. Yes, steps

0:18:34.480 --> 0:18:37.240
<v Speaker 1>cut off the stepsister's braid. Yeah, it's it's too beautiful,

0:18:37.440 --> 0:18:40.600
<v Speaker 1>so to tell your rights. The tradition of particular respect

0:18:41.119 --> 0:18:45.240
<v Speaker 1>to hair goes back to pagan times. Our ancestors believed

0:18:45.400 --> 0:18:49.040
<v Speaker 1>that one who held your hair held your destiny in

0:18:49.160 --> 0:18:52.399
<v Speaker 1>their hands. That's why cut or combed out hair was

0:18:52.480 --> 0:18:55.919
<v Speaker 1>never ever thrown away. Hair was thought to be a

0:18:55.920 --> 0:18:59.080
<v Speaker 1>source of wisdom and strength, and hair style was very

0:18:59.119 --> 0:19:03.000
<v Speaker 1>informative than men and women. I read that Russian warriors

0:19:03.119 --> 0:19:05.960
<v Speaker 1>used to shave their heads, leaving a single strand on

0:19:06.000 --> 0:19:10.080
<v Speaker 1>the top, which they braided, supposedly pulling that braid. A

0:19:10.160 --> 0:19:15.040
<v Speaker 1>Slavic god uh Svarog either took the luckiest sons of

0:19:15.080 --> 0:19:18.879
<v Speaker 1>his from the battlefield or transported the deceased heroes to

0:19:18.920 --> 0:19:22.679
<v Speaker 1>the other side, although in most pictures warriors simply have

0:19:22.840 --> 0:19:25.760
<v Speaker 1>long hair. And then she goes on to explain some

0:19:25.840 --> 0:19:29.280
<v Speaker 1>of the traditions about what you were supposed to do

0:19:29.320 --> 0:19:32.159
<v Speaker 1>with your hair in these older times. She says that

0:19:32.880 --> 0:19:36.760
<v Speaker 1>girls started growing hair approaching their teenage years. Girls should

0:19:36.760 --> 0:19:39.040
<v Speaker 1>always wear their hair in a single braid. If a

0:19:39.119 --> 0:19:42.439
<v Speaker 1>young maid was engaged, she changed the way of weaving

0:19:42.480 --> 0:19:46.000
<v Speaker 1>a ribbon into her braid. Married women wore two braids

0:19:46.080 --> 0:19:49.919
<v Speaker 1>a symbol of tuneness and covered the hair completely. For

0:19:50.000 --> 0:19:52.480
<v Speaker 1>showing your hair in public was a dreadful shame and

0:19:52.560 --> 0:19:56.159
<v Speaker 1>nearly a deadly sin. Spinsters were not allowed to have

0:19:56.280 --> 0:19:59.360
<v Speaker 1>two braids, no matter the age. Widows cut their hair

0:20:00.119 --> 0:20:02.639
<v Speaker 1>and large the hair and braid was not only the

0:20:02.720 --> 0:20:06.120
<v Speaker 1>sign of physical health, but the main asset of a bride,

0:20:06.200 --> 0:20:08.520
<v Speaker 1>and a groom had to pay for it a separate

0:20:08.600 --> 0:20:11.600
<v Speaker 1>charge to the family. Losing a braid was a real

0:20:11.720 --> 0:20:14.520
<v Speaker 1>disaster and shame, and the girl or woman had to

0:20:14.560 --> 0:20:17.320
<v Speaker 1>stay at home until it grew back. Cutting off the

0:20:17.359 --> 0:20:22.000
<v Speaker 1>braid was one of the severest punishments. M uh, and

0:20:22.080 --> 0:20:24.159
<v Speaker 1>this is interesting in a lot of this kind of

0:20:24.160 --> 0:20:27.840
<v Speaker 1>reminds me of traditions that we talked about, you remember,

0:20:27.920 --> 0:20:31.359
<v Speaker 1>Rob in our episode on on nail trimmings, We got

0:20:31.400 --> 0:20:35.720
<v Speaker 1>into that history of Religions paper by Bruce Lincoln, the

0:20:35.720 --> 0:20:40.720
<v Speaker 1>religion scholar, about about lots of different traditions from widely

0:20:40.760 --> 0:20:45.240
<v Speaker 1>disparate religions, about how you're like all this special care

0:20:45.359 --> 0:20:49.919
<v Speaker 1>taken to properly dispose of cuttings from people's hair and

0:20:50.040 --> 0:20:53.560
<v Speaker 1>their fingernails or toenails, and that he there were a

0:20:53.600 --> 0:20:57.760
<v Speaker 1>number of different explanations for for these traditions, but Lincoln's

0:20:57.800 --> 0:21:02.359
<v Speaker 1>idea was that it went back to the creation myth

0:21:02.440 --> 0:21:06.239
<v Speaker 1>of the Proto Indo European religion that had something to

0:21:06.280 --> 0:21:10.159
<v Speaker 1>do with a person being killed and then their body

0:21:10.280 --> 0:21:13.280
<v Speaker 1>turning into the earth, so that the vegetation of the

0:21:13.320 --> 0:21:17.000
<v Speaker 1>earth was the growing of of this dead body's hair,

0:21:17.600 --> 0:21:20.120
<v Speaker 1>and thus like, in order to sort of live your

0:21:20.160 --> 0:21:23.000
<v Speaker 1>life according to this sacred myth, you had to take

0:21:23.560 --> 0:21:26.080
<v Speaker 1>special care about what happened to your hair because in

0:21:26.080 --> 0:21:28.879
<v Speaker 1>a way it was a symbol of the fertility of

0:21:28.920 --> 0:21:32.440
<v Speaker 1>the earth itself and the crops. M hmmm, yeah, yeah,

0:21:32.480 --> 0:21:34.399
<v Speaker 1>that was That was a fun episode. And you're getting

0:21:34.400 --> 0:21:38.640
<v Speaker 1>into also the uh, like fingernail ships and all the myth.

0:21:38.960 --> 0:21:40.960
<v Speaker 1>Oh yeah, yeah, that's a good one. But of course

0:21:40.960 --> 0:21:44.400
<v Speaker 1>she doesn't just share information about about braids. She also

0:21:44.480 --> 0:21:48.359
<v Speaker 1>gets into the sleeping arrangements in the movie, which we

0:21:48.359 --> 0:21:51.280
<v Speaker 1>had some questions about. And uh and this this was

0:21:51.480 --> 0:21:53.960
<v Speaker 1>very insightful as well. Oh yeah, that's right. So to

0:21:54.040 --> 0:21:55.920
<v Speaker 1>tell you it goes on. She says, you were absolutely

0:21:56.080 --> 0:22:00.000
<v Speaker 1>right about Marfushka's bed. Remember, Marfushka is the mean step

0:22:00.119 --> 0:22:02.879
<v Speaker 1>sister who sleeps in this weird thing that looks like

0:22:02.880 --> 0:22:04.960
<v Speaker 1>a crib. And we were like, to people actually have

0:22:05.040 --> 0:22:07.280
<v Speaker 1>beds like that or is that saying like she's just

0:22:07.320 --> 0:22:10.760
<v Speaker 1>a spoiled baby or something. So Natalia says, you're absolutely

0:22:10.840 --> 0:22:13.840
<v Speaker 1>right about Marfushka's bed. It is a fictional feature, I

0:22:13.880 --> 0:22:16.280
<v Speaker 1>would say, put in the scene exactly to emphasize her

0:22:16.359 --> 0:22:21.080
<v Speaker 1>over indulged attitude. Teens did not sleep in cribs. In fact,

0:22:21.200 --> 0:22:25.160
<v Speaker 1>you probably noticed that Marfushka's mother also has some fancy

0:22:25.240 --> 0:22:29.080
<v Speaker 1>wooden bed with a carved headboard, whilst her husband sleeps

0:22:29.080 --> 0:22:32.600
<v Speaker 1>on the quote Russian stove. Those are also signs of

0:22:32.640 --> 0:22:36.240
<v Speaker 1>the family hierarchy and privileges. But in general, a long

0:22:36.320 --> 0:22:39.840
<v Speaker 1>time ago, kids and elderly people in Russian villages slept

0:22:39.920 --> 0:22:42.439
<v Speaker 1>either on the back of the Russian stove or on

0:22:42.520 --> 0:22:46.280
<v Speaker 1>the huge shelves high up under the ceiling, usually adjacent

0:22:46.359 --> 0:22:49.760
<v Speaker 1>to the stove called. Um. I'm not sure I'm saying

0:22:49.760 --> 0:22:52.280
<v Speaker 1>this right, but I think polotty I guess in English

0:22:52.280 --> 0:22:56.320
<v Speaker 1>transliteration p O L A t I. But she says

0:22:56.359 --> 0:22:58.600
<v Speaker 1>those were the warmest places in a hut. And then

0:22:58.640 --> 0:23:03.000
<v Speaker 1>she attaches and an image that shows a more modern

0:23:03.040 --> 0:23:05.880
<v Speaker 1>house that's sort of a recreation of of the format

0:23:05.920 --> 0:23:07.800
<v Speaker 1>of an old Russian hut that would have this big

0:23:08.520 --> 0:23:11.400
<v Speaker 1>I guess stone or earthenware stove that would probably get

0:23:11.400 --> 0:23:14.520
<v Speaker 1>warm and stay warm throughout the night. And then right

0:23:14.560 --> 0:23:18.000
<v Speaker 1>next to that there's like a bunk for sleeping that's

0:23:18.119 --> 0:23:21.840
<v Speaker 1>up near where the ceiling is. Yeah, now this is interesting. UM.

0:23:22.520 --> 0:23:24.679
<v Speaker 1>I remember when we did I guess this is the

0:23:24.720 --> 0:23:28.040
<v Speaker 1>invention episode we did on beds. At one point we

0:23:28.160 --> 0:23:34.320
<v Speaker 1>talked about some similar approaches to sleeping arrangements that you

0:23:35.080 --> 0:23:38.640
<v Speaker 1>encountered in UM, in Chinese culture certainly, and I think

0:23:38.640 --> 0:23:42.360
<v Speaker 1>maybe more than northern climates. UM don't recall off hand, Uh,

0:23:42.520 --> 0:23:44.640
<v Speaker 1>but yeah, that this idea of like a bed stove,

0:23:45.080 --> 0:23:47.040
<v Speaker 1>which which ultimately makes a lot of sense when you're

0:23:47.080 --> 0:23:50.760
<v Speaker 1>especially when you're imagining and a more traditional living environment

0:23:50.840 --> 0:23:54.679
<v Speaker 1>where you have this this uh, this stove, this uh

0:23:54.760 --> 0:23:57.800
<v Speaker 1>this this engine, this place of heat that you've invested

0:23:57.840 --> 0:24:01.560
<v Speaker 1>resources into. Um. You know, of course you want to

0:24:01.560 --> 0:24:04.320
<v Speaker 1>sleep next to that or on top of that, if if,

0:24:04.359 --> 0:24:07.800
<v Speaker 1>if possible. Uh So that's interesting. And I love this

0:24:07.840 --> 0:24:12.400
<v Speaker 1>picture that she included of of of the the Russian hut,

0:24:12.400 --> 0:24:16.720
<v Speaker 1>the traditional Russian hut situation with the Russian stove. Yeah, yeah,

0:24:16.760 --> 0:24:19.120
<v Speaker 1>this is really interesting. So I would say everything about

0:24:19.160 --> 0:24:22.760
<v Speaker 1>the sleeping arrangements in the movie then is realistic, except

0:24:22.840 --> 0:24:25.000
<v Speaker 1>for the fact that Marfushka is in a crib. I

0:24:25.000 --> 0:24:27.920
<v Speaker 1>think that's just because that's because like she's like weird

0:24:27.960 --> 0:24:31.960
<v Speaker 1>and messed up. Yeah. And then finally Nasalia says, it

0:24:32.040 --> 0:24:34.520
<v Speaker 1>can't be helped. I'm going to recommend you yet another

0:24:34.560 --> 0:24:37.880
<v Speaker 1>couple of Russian movies. One of them stars in a Churakova,

0:24:37.960 --> 0:24:41.240
<v Speaker 1>whom you're familiar with already. Inaturakova was the act the

0:24:41.280 --> 0:24:46.240
<v Speaker 1>actress who plays Marfushka. Uh. Natalia says. Both movies were

0:24:46.280 --> 0:24:50.719
<v Speaker 1>directed by the tremendously successful and very popular film director

0:24:51.160 --> 0:24:55.840
<v Speaker 1>Mark Zakharov. The movies are the very same Munchausen and

0:24:56.119 --> 0:24:59.000
<v Speaker 1>the House that swift built. I thought you might like them,

0:24:59.000 --> 0:25:01.360
<v Speaker 1>although I'm not sure if her dubbed copies. And then

0:25:01.400 --> 0:25:03.960
<v Speaker 1>she provides a couple of links. In the end, she

0:25:03.960 --> 0:25:06.080
<v Speaker 1>wraps up by saying, I wishing nothing but the best,

0:25:06.119 --> 0:25:09.840
<v Speaker 1>fondest regards, and I tell you so anyway, thank you

0:25:09.880 --> 0:25:12.080
<v Speaker 1>so much for this excellent letter. I am so happy

0:25:12.119 --> 0:25:15.360
<v Speaker 1>to hear our episodes have been useful in teaching English.

0:25:15.400 --> 0:25:18.680
<v Speaker 1>So it's funny that's not the first time we've had

0:25:18.720 --> 0:25:21.760
<v Speaker 1>somebody say that. At least one other person has written

0:25:21.760 --> 0:25:24.680
<v Speaker 1>in before saying they were using our episodes in UH

0:25:24.720 --> 0:25:27.879
<v Speaker 1>English as a foreign language classes, and and that always

0:25:27.920 --> 0:25:30.639
<v Speaker 1>gives me a slight chill because I'm wondering what bad

0:25:30.760 --> 0:25:34.399
<v Speaker 1>language habits of mine I'm accidentally passing on right right

0:25:34.480 --> 0:25:36.760
<v Speaker 1>right now, I feel the same way. I want to

0:25:36.760 --> 0:25:39.359
<v Speaker 1>say it was somebody teaching English as a as a

0:25:39.400 --> 0:25:42.360
<v Speaker 1>foreign language in um in part of China. I could

0:25:42.359 --> 0:25:44.679
<v Speaker 1>be mistaken on that. Yeah, we did hear that at

0:25:44.760 --> 0:25:49.040
<v Speaker 1>least once, and certainly thanks for the movie recommendations. We're

0:25:49.080 --> 0:25:54.480
<v Speaker 1>always always delighted to discover and explore new motion pictures

0:25:54.920 --> 0:25:57.320
<v Speaker 1>just in general, but also a fair weird house. I

0:25:57.440 --> 0:25:59.520
<v Speaker 1>know that we have at least a couple, probably more

0:25:59.560 --> 0:26:04.240
<v Speaker 1>than a couple of Russian films on the to watch list.

0:26:04.800 --> 0:26:07.560
<v Speaker 1>I know there's a there's a horror film in there,

0:26:07.680 --> 0:26:10.840
<v Speaker 1>and then various science fiction features. Yeah yeah, but I

0:26:11.160 --> 0:26:14.280
<v Speaker 1>guess the list of Russian films is getting larger because

0:26:14.280 --> 0:26:16.879
<v Speaker 1>we'll have to add these two to it. Yeah, I

0:26:16.880 --> 0:26:19.520
<v Speaker 1>mean anytime as a shot at a mooch house in film.

0:26:19.600 --> 0:26:22.879
<v Speaker 1>That sounds fun. Yeah. All right, Well, we're gonna go

0:26:22.880 --> 0:26:25.720
<v Speaker 1>ahead and close the mail bag for today, but certainly

0:26:25.760 --> 0:26:27.639
<v Speaker 1>go ahead right into us. Let us know if you

0:26:27.680 --> 0:26:33.520
<v Speaker 1>have any thoughts, feedback um expertise to share regarding anything

0:26:33.560 --> 0:26:36.440
<v Speaker 1>we've covered on the show. Core episodes of Stuff to

0:26:36.440 --> 0:26:40.080
<v Speaker 1>Blow Your Mind there are listener mail episodes, are are

0:26:40.160 --> 0:26:43.720
<v Speaker 1>artifact episodes on Wednesdays, or of course our weird House cinemas.

0:26:44.080 --> 0:26:47.040
<v Speaker 1>All of it is fair game right in and we

0:26:47.119 --> 0:26:49.240
<v Speaker 1>will read what you have to say. You can get

0:26:49.240 --> 0:26:51.359
<v Speaker 1>all those episodes, by the way, in the Stuff to

0:26:51.400 --> 0:26:54.560
<v Speaker 1>Blow your Mind podcast feed, which you'll find anywhere you

0:26:54.600 --> 0:26:58.040
<v Speaker 1>get your podcast. That's right, big, thanks as always to

0:26:58.080 --> 0:27:01.400
<v Speaker 1>our excellent audio producer sethnic Cholis Johnson. If you would

0:27:01.400 --> 0:27:03.479
<v Speaker 1>like to get in touch with us with feedback on

0:27:03.520 --> 0:27:06.240
<v Speaker 1>this episode or any other, to suggest topic for the future,

0:27:06.760 --> 0:27:08.840
<v Speaker 1>or just to say hello. You can email us at

0:27:09.000 --> 0:27:19.639
<v Speaker 1>contact at stuff to Blow your Mind dot com. Stuff

0:27:19.640 --> 0:27:21.840
<v Speaker 1>to Blow Your Mind is production of I heart Radio.

0:27:22.200 --> 0:27:24.520
<v Speaker 1>For more podcasts my heart Radio, visit the i heart

0:27:24.600 --> 0:27:27.320
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:27:27.320 --> 0:27:28.040
<v Speaker 1>favorite shows.