WEBVTT - Chapter VI - The Cabin

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<v Speaker 1>Maxie Miles. It's the production of a typical artists and

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<v Speaker 1>I heart radio. It's just it's just a cabin, yeah,

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<v Speaker 1>complete with Mr Beatie's interior decorating skills. God forbid the

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<v Speaker 1>man learn about throw pillows. What did you expect? I

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<v Speaker 1>don't know. Riley worth a shot, I guess. Oh hey,

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<v Speaker 1>look creepy old lock trunk. I bet there's not a

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<v Speaker 1>body chopped up in there. Be serious? Look where do

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<v Speaker 1>those lead? Max? What? Just be careful? They're just doors, ross,

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<v Speaker 1>but you don't know what's behind them. Whatever it is,

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<v Speaker 1>I'll handle it. We'll handle it. Fine. You want to

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<v Speaker 1>get that door, then okay, on the count of three,

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<v Speaker 1>one two three, it's just a bathroom, would you get bedroom?

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<v Speaker 1>No Riley in here either? Did you really expect to

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<v Speaker 1>find him in here? I don't know. I just Beatty

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<v Speaker 1>looked like he was running away, like he had something

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<v Speaker 1>to hide. Well, maybe he does. Are you thinking what

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<v Speaker 1>I'm thinking? Are you thinking of looking through all his

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<v Speaker 1>drawers and closets? Then yes, we just have to make

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<v Speaker 1>sure to put everything back the way it was before

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<v Speaker 1>we leave, so that he doesn't suspect any thing is all,

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<v Speaker 1>and we need to be quick. I still have no

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<v Speaker 1>idea where he went right, and then we should see

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<v Speaker 1>if we can track him down. See what exactly? H Ross?

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<v Speaker 1>What what is it? WHOA, that's a lot of cash?

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<v Speaker 1>What on earth would Mr Beati be doing with? Is that? Quick?

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<v Speaker 1>What are we ross? What? Max? Be quiet? It's Mr

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<v Speaker 1>Beatie if we're lucky, because there's only one tiny window

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<v Speaker 1>in here, which means the only way out is through

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<v Speaker 1>that main womb. And if we get caught, there's no escape.

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<v Speaker 1>H from a typical artists and I heart radio. You're

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<v Speaker 1>listening to Maxie Miles. This is chapter six the cabin,

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<v Speaker 1>is it? Yeah? Yeah, it's Mr Beatie. M What is

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<v Speaker 1>he doing? M H? I don't know, but you need

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<v Speaker 1>to be quiet? H h Hello, No he's not I

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<v Speaker 1>told you I don't know where he is now. Yes, yes,

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<v Speaker 1>I understand. What do you really think? Yes? Yes, okay, No,

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<v Speaker 1>he left nothing behind. I know, but I I'll get

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<v Speaker 1>him back. I promise. No, that won't be necessary. No,

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<v Speaker 1>give me a chance to find him first. There's non

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<v Speaker 1>need to escalate this. Yes, I'll get it done by

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<v Speaker 1>Sunday night. You have my word. Jeez, your hand is freezing, well,

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<v Speaker 1>so are your lips. Uh. Seriously, though, are you like okay,

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<v Speaker 1>you're not going to go into a hypothermic shock or anything.

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<v Speaker 1>I'm fine. It's just nighttime in October and we're in

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<v Speaker 1>the middle of the freaking woods. At least I can

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<v Speaker 1>breathe now. Look, I'm sorry, it's just that I know.

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<v Speaker 1>It's fine, I get it. I didn't want him to

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<v Speaker 1>hear us. Right, what was that all about? I have

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<v Speaker 1>no idea. Is he making tea? It sure sounds like it.

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<v Speaker 1>Well guess we're stuck here? Then great? Yeah, I wish

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<v Speaker 1>there was room to sit. As long as you don't

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<v Speaker 1>try to shut me up again, we'll be fine. Well,

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<v Speaker 1>will you be quiet? Now? You're the one who's talking

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<v Speaker 1>up a storm. I'm just I'm freaking out a little bit. Max. Yeah,

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<v Speaker 1>this is not ideal. Oh shit, I don't think Mr

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<v Speaker 1>Beatty would ever heard us. I'm sorry, did you hear

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<v Speaker 1>that phone call? I'll get him back. No need to escalate.

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<v Speaker 1>I really don't want to find out what Mr Beatty

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<v Speaker 1>means by escalate. Well, then I guess it's good he

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<v Speaker 1>doesn't seem to see a need for it. Then, what,

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<v Speaker 1>You're right? That call was very odd. I'm surprised you're

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<v Speaker 1>not already in the other room in terrogating him about it.

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<v Speaker 1>I'm just as invested as you and not getting caught.

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<v Speaker 1>I thought you had a brilliant plan, or you would

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<v Speaker 1>have a perfectly reasonable explanation for why we came in here. Yeah,

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<v Speaker 1>that was before we went through his stuff and hid

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<v Speaker 1>in a closet. I don't know how we would explain this.

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<v Speaker 1>I mean, there's plenty of reasons why two teenagers might

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<v Speaker 1>sneak off to a cabin in the woods and then

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<v Speaker 1>not want to get caught. What what are you talking about?

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<v Speaker 1>Come on, Max, We're standing nose to nose in a closet.

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<v Speaker 1>I think it would be pretty easy for Mr Beany

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<v Speaker 1>to make a leap to Oh yeah, okay, I see

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<v Speaker 1>what you mean. I'm not saying that's what we're doing. No,

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<v Speaker 1>I get it. I mean that would that would be

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<v Speaker 1>a good excuse, right. It's not like it's true, right,

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<v Speaker 1>But if a person were to come across us in

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<v Speaker 1>this situation, they might think that. I mean, it looks

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<v Speaker 1>a certain way, right, and it's not our fault that

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<v Speaker 1>it looks that way right, right, But I still don't

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<v Speaker 1>think it's a good idea to go out there. Yeah no, no, no,

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<v Speaker 1>terrible idea. Better to just play. It's safe exactly, And

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<v Speaker 1>if he does come back in here, we can h

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<v Speaker 1>it looks like we're safer. However long it takes him

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<v Speaker 1>to drink his tea, I guess, uh so, how did

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<v Speaker 1>it go with THEO and Jenna? What the the love

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<v Speaker 1>note thing? What? Ross? Do you think now is the time?

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<v Speaker 1>I don't know. I don't know what to do. I've

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<v Speaker 1>never been in this situation before. I don't know what

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<v Speaker 1>the appropriate topic of conversation is. I'm freaking ow Max,

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<v Speaker 1>my scary neighbor who's wanted to murder me for years

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<v Speaker 1>over the time I ran over his rose bushes is

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<v Speaker 1>in the other room while we hide in his secret cabin,

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<v Speaker 1>and you're so I could barely breathe, and I just

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<v Speaker 1>need you to I don't know, I just get my

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<v Speaker 1>mind off this whole situation. Okay, Okay, I get it.

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<v Speaker 1>It's okay, I'm here. Who we're gonna be Okay, nothing

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<v Speaker 1>bad is going to happen, right, I promise. Okay, uh,

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<v Speaker 1>thank you give of course you don't have to keep

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<v Speaker 1>m hm oh right, sorry, I didn't mean to No, No,

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<v Speaker 1>it's it's totally fine. I just didn't know what else

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<v Speaker 1>to do. We're good. So, uh the love notes right right? Um?

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<v Speaker 1>It went fine. I guess all things considered. What do

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<v Speaker 1>you mean, Jenna, she never wanted to date whoever was

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<v Speaker 1>writing the notes in the first place, no matter who

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<v Speaker 1>it turned out to be. Why did she want you

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<v Speaker 1>to figure it out then to get them to stop?

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<v Speaker 1>And well I didn't figure it out in the end.

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<v Speaker 1>You told me you would have gotten there eventually. I

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<v Speaker 1>don't know. I mean, it never occurred to me that

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<v Speaker 1>it could be THEO. Really, the poetry didn't tip you off.

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<v Speaker 1>I guess I didn't want it to be him because

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<v Speaker 1>he and Jenna are such good friends, you know, and

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<v Speaker 1>it might make it weird, right, but it all turned

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<v Speaker 1>out okay anyway, I think it will. I guess THEO

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<v Speaker 1>wasn't really that invested. After all. Jenna seemed to think

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<v Speaker 1>he liked the idea of writing love poems more than

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<v Speaker 1>actually being in love. What come on, you clearly have

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<v Speaker 1>an opinion about it. I think Jenna is probably right.

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<v Speaker 1>How did you find out about it? Anyway? THEO told

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<v Speaker 1>me why. I didn't think you guys were that close

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<v Speaker 1>we're not. But he he wanted to know what it

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<v Speaker 1>feels like? What what feels like? THEO smart? You know,

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<v Speaker 1>yeah he sentimentals hell, but he's not dumb. He'd been

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<v Speaker 1>writing the poems for a while and realized that he

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<v Speaker 1>didn't really want to go any further than that. That

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<v Speaker 1>he wanted to have a crush and and Jenna was there. No, no, no,

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<v Speaker 1>that sounds bad. He cares about her, obviously, but I

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<v Speaker 1>think he'd hoped it would be more that writing her

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<v Speaker 1>notes would make him feel the way he wanted to feel,

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<v Speaker 1>you know, some grand romance or whatever. Such a sap. Wait,

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<v Speaker 1>so I still don't get it. Why was he talking

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<v Speaker 1>to you? I guess he wanted to talk to the

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<v Speaker 1>most much person he knows. Right, of course, because when

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<v Speaker 1>people think grand romance, Ross Teller is the first name

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<v Speaker 1>to come up. Maybe you don't know everyone as well

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<v Speaker 1>as you think you do, Max. I mean, look at Riley, right.

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<v Speaker 1>We all had this specific idea of him, the golden boy,

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<v Speaker 1>star student, apple of his parents eye. What's your point?

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<v Speaker 1>What was he into? Max? What have we gotten ourselves into?

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<v Speaker 1>I don't know. It sounds like like he's done with

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<v Speaker 1>his teeth or is he making more? M m? Do

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<v Speaker 1>you think he's settling in for the night. Well, he

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<v Speaker 1>always goes home, right whenever you've watched him. Yeah, yeah,

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<v Speaker 1>that's true, but it's sometimes in the morning. Right. How

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<v Speaker 1>pissed is Joe going to be? I have a feeling

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<v Speaker 1>I'll never be able to leave the house ever again. Hey,

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<v Speaker 1>remember when you got the chicken pox when we were seven,

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<v Speaker 1>and we rigged up that bucket so I could send

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<v Speaker 1>down comic books and I could send up candy. Yeah,

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<v Speaker 1>we can do that again. I could send up new

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<v Speaker 1>info about the case, and I could send down leads

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<v Speaker 1>for you to chase. It's a good system, it is.

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<v Speaker 1>We make a good team. Is that he's asleep? Should we?

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<v Speaker 1>It might be our only chance? Come on, ship? Is

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<v Speaker 1>that the Duffel bag? Oh? My god? Quick? Yeah? Anything? Nothing,

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<v Speaker 1>just Charleston choose? Oh my god? What what is it?

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<v Speaker 1>Those are Riley's favorite candy bars? What? Come on? We

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<v Speaker 1>have to get out of here. Wait what let me

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<v Speaker 1>go first? Ross White? Just okay, yeah, he's out, Let's

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<v Speaker 1>go come on. H Oh my god. I can't believe

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<v Speaker 1>we just did that. Are you happy now we've successfully

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<v Speaker 1>followed Mr Beatie I'm just happy we didn't get caught.

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<v Speaker 1>Miracle of miracles. Where are we? I think somewhere southwest

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<v Speaker 1>of the main mine entrance, which means the nearest road

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<v Speaker 1>should be about a mile that way. How in the

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<v Speaker 1>hell do you know that? I told you I studied

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<v Speaker 1>the maps for a day. I have a good memory.

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<v Speaker 1>You're amazing. All right, I guess we should start heading

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<v Speaker 1>to the road. Then, do you have a watch? Yeah,

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<v Speaker 1>it's a ship's dark out. It's almost nine o'clock. Crap,

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<v Speaker 1>Joe is going to kill me. At least it's not

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<v Speaker 1>three am. True. I don't understand why would Mr Beatty

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<v Speaker 1>want to kidnap rightly? Do you think he did it?

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<v Speaker 1>It's not looking good Ross, I know, I know, But

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<v Speaker 1>you thinking Mr Beati is creepy isn't actually a compelling

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<v Speaker 1>motive for a crime like this. Having a secret murder

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<v Speaker 1>cabin feels like a good start. Okay, let's go through

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<v Speaker 1>what we need. Mr Baty has left his own house

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<v Speaker 1>most nights for anywhere from an hour to half the night,

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<v Speaker 1>sometimes with stuff, but basically never returning with the same stuff.

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<v Speaker 1>And we don't know anything about him owning any other property.

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<v Speaker 1>But then again, we didn't know anything about him having

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<v Speaker 1>a family at one time, so yeah, any updates on that,

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<v Speaker 1>nothing new, just that we had a wife and son

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<v Speaker 1>and they're gone now. I don't know the specifics. But

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<v Speaker 1>that also tells us that Mr Beatie is really private.

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<v Speaker 1>So him owning a cabin in the woods that no

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<v Speaker 1>one knows about, not outside of the realm of possibility exactly.

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<v Speaker 1>Then there's the matter of that I would guess seven

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<v Speaker 1>dollars in cash in the nightstand and the candy bars

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<v Speaker 1>and the candy bars and that phone call. Someone knew

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<v Speaker 1>he was going to be there, or someone knew that

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<v Speaker 1>someone was going to be there. He sounded angry right

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<v Speaker 1>on the phone. Beaty always sounds angry. Yeah, but this

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<v Speaker 1>wasn't yelling at you for ruining his roses. This was

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<v Speaker 1>he sounded scared too, like desperate. Yeah, yeah, she's it's

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<v Speaker 1>cold here. Oh you don't need to you've lived here.

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<v Speaker 1>You're a whole life, Max. How are you not in

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<v Speaker 1>the habit of bundling up. I'm wearing my winter coat, yeah,

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<v Speaker 1>with no hat, no gloves. But now you're going to

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<v Speaker 1>be cold. It's just a scarf. Miles, Well, thank you,

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<v Speaker 1>You're welcome. Max, Yeah, I can you keep my little

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<v Speaker 1>freak out to yourself. You really don't want anyone hearing

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<v Speaker 1>about me having a panic attack in Mr Beaty's closet.

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<v Speaker 1>It wasn't exactly planning on telling anyone about the trespassing

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<v Speaker 1>we just did, of course. But also, there's nothing embarrassing

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<v Speaker 1>about that, Ross says you. I think it's normal to

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<v Speaker 1>get stressed out in a situation like that. You weren't, Yeah,

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<v Speaker 1>because I had you there. Uh, I don't know. Everything

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<v Speaker 1>always seems less scary when you're there. You always pulled

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<v Speaker 1>me back before I do something really stupid, do I

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<v Speaker 1>I feel like you've been doing plenty of stupid stuff lately. Thanks, well,

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<v Speaker 1>I'm glad my cowardest keeps you grounded. That's not what

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<v Speaker 1>I meant, then, what did you mean? Oh? Ye wait?

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<v Speaker 1>Is that what? Oh my god, Ross, this is I

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<v Speaker 1>can't believe it. It It that's Riley's backpack. Now. I'm not

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<v Speaker 1>gonna stand here and chew you out for joining the

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<v Speaker 1>search party without my knowledge. An extremely dangerous thing to do,

0:20:07.000 --> 0:20:09.040
<v Speaker 1>because I know your uncle was going to be plenty

0:20:09.080 --> 0:20:11.320
<v Speaker 1>mad for the both of us. I know, I know,

0:20:11.600 --> 0:20:14.879
<v Speaker 1>Mr Colmes. I'm really sorry. Okay, I should have told you,

0:20:14.920 --> 0:20:16.840
<v Speaker 1>but I knew you wouldn't have let me, right, I

0:20:16.880 --> 0:20:20.160
<v Speaker 1>wouldn't have, and you Ross, I thought you knew better.

0:20:20.560 --> 0:20:23.280
<v Speaker 1>What gave you that idea? You're supposed to be looking

0:20:23.280 --> 0:20:26.960
<v Speaker 1>out for maccine? Why does everyone insist on making Ross

0:20:27.000 --> 0:20:32.119
<v Speaker 1>my keeper? Because you need someone to look out for you, Max,

0:20:32.440 --> 0:20:35.160
<v Speaker 1>I do. I've got all of hastings, which is why

0:20:35.240 --> 0:20:37.520
<v Speaker 1>it's my job to look up for Hastings. In return,

0:20:37.840 --> 0:20:40.879
<v Speaker 1>you can do that by staying safe. I thought you

0:20:40.880 --> 0:20:43.639
<v Speaker 1>weren't going to chew us out. I'm not, but I

0:20:43.680 --> 0:20:46.800
<v Speaker 1>need you to understand just how serious that we do.

0:20:47.320 --> 0:20:51.440
<v Speaker 1>That's what we're trying to tell you. Look, we found

0:20:51.560 --> 0:20:55.440
<v Speaker 1>Ridley's backpack what in the woods about half a mile

0:20:55.440 --> 0:20:57.600
<v Speaker 1>east of Root three or two? Do you know the

0:20:57.640 --> 0:21:01.959
<v Speaker 1>mile marker? I don't know. It was dark, so we

0:21:02.000 --> 0:21:05.359
<v Speaker 1>didn't check. That's okay, No, it's not. I don't know

0:21:05.440 --> 0:21:08.520
<v Speaker 1>how I didn't think of that. It was near that

0:21:08.560 --> 0:21:11.520
<v Speaker 1>old covered bridge, the one that crosses Dry Creek River,

0:21:11.720 --> 0:21:14.320
<v Speaker 1>that's right. I don't know how we could have missed that.

0:21:15.080 --> 0:21:18.879
<v Speaker 1>We checked that area on our first search party. Maybe

0:21:20.119 --> 0:21:25.320
<v Speaker 1>maybe it wasn't there. My my quite a gathering for

0:21:25.400 --> 0:21:30.800
<v Speaker 1>near midnight on a week night. How I hope these

0:21:30.840 --> 0:21:34.239
<v Speaker 1>young people are an in trouble, Sheriff combs. You know,

0:21:34.880 --> 0:21:38.920
<v Speaker 1>parking isn't a crime, even if it is frowned upon.

0:21:39.960 --> 0:21:45.119
<v Speaker 1>Oh my god, God, we can't even drive. How I

0:21:45.160 --> 0:21:46.920
<v Speaker 1>didn't think you'd be in this late, which is why

0:21:46.960 --> 0:21:52.399
<v Speaker 1>I didn't look at this. Max and Ross found Riley

0:21:52.400 --> 0:22:01.359
<v Speaker 1>Stevens backpack. Really well, isn't that very interesting? It's a

0:22:01.359 --> 0:22:04.840
<v Speaker 1>good sign, right, I mean maybe it wasn't even there

0:22:04.880 --> 0:22:07.679
<v Speaker 1>when we did the first search party. Maybe Riley left it,

0:22:07.920 --> 0:22:10.760
<v Speaker 1>maybe he really is lost, or maybe saying it definitely

0:22:10.920 --> 0:22:17.879
<v Speaker 1>is progress. Well, what's in it? Nothing of note? Just

0:22:18.160 --> 0:22:22.600
<v Speaker 1>school books, pens, pencils. Is his camera in there? Riley

0:22:22.640 --> 0:22:25.880
<v Speaker 1>had a camera he liked to take photos for his articles. Wait,

0:22:25.920 --> 0:22:31.040
<v Speaker 1>you're right, where's his camera? Not here? Very strange indeed,

0:22:31.600 --> 0:22:36.760
<v Speaker 1>and YouTube just found these. Yeah, it was just sitting

0:22:36.760 --> 0:22:41.119
<v Speaker 1>on the forest floor and this was it, right, Nothing

0:22:41.160 --> 0:22:43.800
<v Speaker 1>else in the area around it? No, we checked. Did

0:22:43.800 --> 0:22:50.199
<v Speaker 1>you come across anything else in the woods? Anything odd? Nope? No,

0:22:51.480 --> 0:22:58.760
<v Speaker 1>nothing odd at all. Maxie Miles was created by Lauren

0:22:58.840 --> 0:23:00.840
<v Speaker 1>Chippen and as a production of a typical Artists and

0:23:00.880 --> 0:23:03.720
<v Speaker 1>I Heart Radio. This episode was written and directed by

0:23:03.760 --> 0:23:07.120
<v Speaker 1>Lauren Shipman, dialogue, editing and sound side by Morrissy Ewing

0:23:07.160 --> 0:23:10.399
<v Speaker 1>of Hemla Creek Productions, with editing sistens from Laurian Davis

0:23:10.400 --> 0:23:13.520
<v Speaker 1>and Melissa Ponds. It featured Jordan Cobb as Maxie Miles,

0:23:13.960 --> 0:23:17.159
<v Speaker 1>Mixa Follow as Ross Teller, Nate to Fort as Mr Beatie,

0:23:17.480 --> 0:23:20.440
<v Speaker 1>Sean Jane as Sheriff Combs, and Josh Ropino as Mayor

0:23:20.440 --> 0:23:24.400
<v Speaker 1>how Original artwork by Shane McMullan. For more information about

0:23:24.440 --> 0:23:27.320
<v Speaker 1>the show US, visit Maxie Miles dot com and follow

0:23:27.359 --> 0:23:30.520
<v Speaker 1>at Meticul Artists on Twitter and Instagram. Maxie Miles is

0:23:30.560 --> 0:23:33.080
<v Speaker 1>executive produced by Lauren Shippen and I heart Radio and

0:23:33.119 --> 0:23:35.359
<v Speaker 1>For more podcasts for my heart Radio, visit the iHeart

0:23:35.440 --> 0:23:37.959
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:23:37.960 --> 0:23:40.920
<v Speaker 1>favorite shows. Thank you for listening, and Keith Curious