WEBVTT - Episode 8: The Big Fish

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<v Speaker 1>Pushkin Jake Alpern here before we get started, I wanted

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<v Speaker 1>you to know that deep Cover Season two will be

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<v Speaker 1>dropping weekly on Mondays, but the full season is available

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<v Speaker 1>right now ad free for Pushkin Plus subscribers. That's all

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<v Speaker 1>ten episodes right away. Fine Pushkin Plus on the deep

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<v Speaker 1>Cover show page in Apple Podcasts, or at pushkin dot Fm.

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<v Speaker 1>Previously on deep Cover. In nineteen eighty six, Bob Cooley

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<v Speaker 1>began working with the FBI as an undercover operative, and

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<v Speaker 1>he started going after smaller targets like bookies and some

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<v Speaker 1>big ones too, including a stage senator, but he still

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<v Speaker 1>had more work to do. Bob's ultimate target was Pat Marcy.

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<v Speaker 1>He ran the First Ward, a powerful political district controlled

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<v Speaker 1>by the Mob. He was a nasty, vicious human being.

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<v Speaker 1>You could tell it. If you met the man, you

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<v Speaker 1>would know that he's pure evil, but unbelievably powerful in

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<v Speaker 1>every sense. Bob knew that if he really wanted to

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<v Speaker 1>accomplish his mission, he had to nail Marcy. Marcy was

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<v Speaker 1>the big fish. Bob Cooley wasn't the only one trying

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<v Speaker 1>to expose Pat Marcy in the First Ward. There was

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<v Speaker 1>a TV journalist trying to do the exact same thing.

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<v Speaker 1>Her name was Carol Maureen. She would go on to

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<v Speaker 1>become a big time correspondent for sixty Minutes, but back

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<v Speaker 1>in the eighties she was a local reporter for Channel five.

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<v Speaker 1>And Carol has this one very vivid memory from back

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<v Speaker 1>then of going out to launch by herself. I remember

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<v Speaker 1>one day being in Counselor's Row, which was the restaurant

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<v Speaker 1>across from City Hall where the first Ward had a

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<v Speaker 1>table where the first Ward guys and those who were

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<v Speaker 1>invited would sit and have lunch. Jes. So you can

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<v Speaker 1>picture the place. Imagine black leather booths, wood paneling, blood

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<v Speaker 1>red carpet, lots of old black and white photos up

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<v Speaker 1>on the wall. This is a place where deals are cut,

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<v Speaker 1>not all of them kosher. Even the menu hinted at this,

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<v Speaker 1>advertising a gigantic burgher called the Lawbreaker. That particular day,

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<v Speaker 1>Pat Marcy was there sitting at his usual table. With

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<v Speaker 1>him was John Diarco Senior, one of his most trusted confidants,

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<v Speaker 1>father of John Junior, the poet and state senator. Anyway,

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<v Speaker 1>Carol just goes about her business, takes a seat, looks

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<v Speaker 1>at the menu, ordered a bowl of soup. The waitress

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<v Speaker 1>came back and said, mister Marcy and mister Garco picked

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<v Speaker 1>up your check, and I said, I don't want them

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<v Speaker 1>to pick up my check. And she looked at me like,

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<v Speaker 1>all yeah, kidding me, And so I mean, I wasn't

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<v Speaker 1>going to trick bag her. But I went back to NBC,

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<v Speaker 1>ordered a big fruit basket and sent it to the

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<v Speaker 1>First Ward to cover the cost of my bowl of soup.

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<v Speaker 1>It wasn't a coincidence that Carol just popped into Counselor's

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<v Speaker 1>row that day. I was always drawn to sort of

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<v Speaker 1>secret societies. The idea of penetrating something that people don't

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<v Speaker 1>want you to see that you want to know more

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<v Speaker 1>about has always been of interest to me, And in Chicago,

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<v Speaker 1>there was perhaps no secret society more steeped in mystery

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<v Speaker 1>and power than the First Ward. Technically, the First Ward

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<v Speaker 1>was just one of the city's fifty legislative districts. Even so,

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<v Speaker 1>back in the nineteen eighties, the First Ward was among

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<v Speaker 1>the most important because it included downtown Chicago, Chinatown, and Greektown.

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<v Speaker 1>But in truth, it was much more than this. The

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<v Speaker 1>First Ward was the Mob's Ward. It always was. Everyone

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<v Speaker 1>knew it. We had long discussions in the newsroom, other

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<v Speaker 1>reporters and myself about how do we get into that,

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<v Speaker 1>how do we prove it, how do we show it?

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<v Speaker 1>And it was always a challenge. Part of the challenge

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<v Speaker 1>was the fact that Pat Marcy flew beneath the radar.

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<v Speaker 1>Why because he was elusive. He was not in the

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<v Speaker 1>public view on purpose. The way it organized crime truly

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<v Speaker 1>works is you don't know who they are. The Pat

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<v Speaker 1>Marcy's are the people that operate behind the scenes with

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<v Speaker 1>the real power. But Carol, she was patient. She worked

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<v Speaker 1>her sources, talked to them on pay phones, just listened

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<v Speaker 1>and slowly built trust. And then one day, years after

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<v Speaker 1>cultivating sources, the phone rings and a voice says, go

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<v Speaker 1>to counselor's row. Now, little did Carol Marine know she

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<v Speaker 1>was about to cross paths with Bob Cooley and the FBI.

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<v Speaker 1>Not just that she would soon find the evidence that

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<v Speaker 1>she needed, she was about to break a major story

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<v Speaker 1>on the first ward and this would put Bob in

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<v Speaker 1>a very precarious situation where he might be outed or worse.

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<v Speaker 1>I'm Jake Halbern and this is deep Cover mob Land

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<v Speaker 1>episode eight, The Big Fish. By this point, Bob had

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<v Speaker 1>been working undercover for over two years. The FBI referred

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<v Speaker 1>to the whole effort as Operation Gambat, short for Operation

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<v Speaker 1>Gambling Attorney, an apt name. Of course, Bob himself was

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<v Speaker 1>a gambler. He also represented bookies who ran the mob's

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<v Speaker 1>gambling operations, and in a way, this whole operation itself

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<v Speaker 1>was one big gamble. Now it was time to go

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<v Speaker 1>after Pat Marcy. The FBI had been trying to incriminate

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<v Speaker 1>him for twenty years and they'd gotten nowhere. Ironically, Bob's

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<v Speaker 1>big break came from his brother, Bill Cooley. Bill was

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<v Speaker 1>a lawyer like Bob, but an honest one. Bill had

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<v Speaker 1>a client with a property in the First Ward that

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<v Speaker 1>needed rezoning. So Bill did what he was supposed to do,

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<v Speaker 1>went to see the First Wards Alderman, a guy named

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<v Speaker 1>Fred Rody. Rody was an elected official, but he was

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<v Speaker 1>also very much a mob guy. People joked openly that

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<v Speaker 1>Roodie's campaign motto really ought to be vote for Rody

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<v Speaker 1>and nobody gets hurt. When Rodi discovers that Bill is

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<v Speaker 1>Bob's brother, he suggests, rather cryptically that Bob should call him. Eventually,

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<v Speaker 1>Bob gets wind of this. I knew exactly what it

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<v Speaker 1>meant I know what he wants. He's gonna want to

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<v Speaker 1>bribe and whatever. And this is a perfect opportunity for Bob.

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<v Speaker 1>Bob didn't have to come up with some scheme and

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<v Speaker 1>approach ROADI No, this was far better. Rody had solicited

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<v Speaker 1>this bribe on his own. Just to be clear here,

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<v Speaker 1>Rody wasn't as big a fish as Pat Marcy, but

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<v Speaker 1>he was still an important player. Bob and the FBI

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<v Speaker 1>cooked up a plan. Bob would bribe Roady to get

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<v Speaker 1>the building rezoned. The FBI would provide the money, Bob

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<v Speaker 1>would get the whole thing on tape. So Bob arranges

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<v Speaker 1>to meet Rody at Counselor's row. They sit down and

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<v Speaker 1>Bob lays it all out. I made up some stuff.

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<v Speaker 1>You know, Well, they got a big building and they're

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<v Speaker 1>gonna make millions doing this and doing that and whatever,

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<v Speaker 1>and I want to know how much it's going to

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<v Speaker 1>cost to take care of it. While we're talking, who

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<v Speaker 1>comes walking up with Pat Marcy? Yeah, v Pat Marcy,

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<v Speaker 1>the big boss. He comes around the corner and he

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<v Speaker 1>sees us sitting there, and he said, what's going on here?

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<v Speaker 1>It was an awkward moment. Marcy seems suspicious Bob says,

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<v Speaker 1>Rody seemed a bit like he was a kid who'd

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<v Speaker 1>been caught with his hand in the cookie jar. I

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<v Speaker 1>have no doubt in my mind that Rody was going

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<v Speaker 1>to do this steel himself. I was going to do

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<v Speaker 1>this and was going to cut Pat out of whatever

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<v Speaker 1>it was, because he says, oh, Pat, he said, I

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<v Speaker 1>was going to tell you about this path. Rody jumps

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<v Speaker 1>to his feet and offers his chair to Marcy. Marcy

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<v Speaker 1>sits down. At this point, Rody explains what's going on.

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<v Speaker 1>Bob is here on business with a request to rezone

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<v Speaker 1>a building. According to the transcripts, here's what's said next

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<v Speaker 1>on the wire. Marcy says, quote, tell me who the

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<v Speaker 1>fucking owners are. Bob explains that the owners are square,

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<v Speaker 1>meaning they don't want to be directly involved with paying

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<v Speaker 1>a bribe. Marcy tells him, quote, you're going to need zoning.

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<v Speaker 1>What else are you going to need there? And like that,

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<v Speaker 1>Marcy has taken He's now in charge. He tells Bob, quote,

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<v Speaker 1>once we see what it is, then we'll talk about it.

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<v Speaker 1>In other words, that you have to pay if you

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<v Speaker 1>want to get something done, and you know what are

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<v Speaker 1>the facts, and you know what says, and what's that?

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<v Speaker 1>And I'll determine how much it's going to cost and whatever.

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<v Speaker 1>But Path cut himself into the steel. To Marcy, it

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<v Speaker 1>must have seemed like Rody was taking all the spoils

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<v Speaker 1>for himself, and a strong man like Marcy could never

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<v Speaker 1>let that happen. And so Marcy intervenes and walks right

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<v Speaker 1>into Bob's hands. So Bob presses ahead with his bribery scheme.

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<v Speaker 1>At his next meeting with Rody at Counselors Row, Bob

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<v Speaker 1>brings a pad and a pen. He's got a bunch

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<v Speaker 1>of notes written on the pad with made up specs

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<v Speaker 1>on this building that needs to be rezoned, and then

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<v Speaker 1>he looks up at Rhody and says, quote, tell me

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<v Speaker 1>what the procedure is. Now. That's code for how much

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<v Speaker 1>is this thing going to cost me? Rody then grabs

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<v Speaker 1>the pen and notepad and writes down the number seventy

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<v Speaker 1>five and underlines it. Roadie's being careful, playing it smart,

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<v Speaker 1>not saying anything out loud. Here's what's said next on

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<v Speaker 1>the wire, Rody, you know what I'm talking about, Bob. Yeah,

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<v Speaker 1>little ones, not big ones. That's also code. Bob is

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<v Speaker 1>clarifying what exactly seventy five means. He's asking if it's

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<v Speaker 1>seventy five little ones, which would mean seven hundred and

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<v Speaker 1>fifty dollars. Roady, No, seventy five hundred, Bingo. Roody is

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<v Speaker 1>broken code. Apparently he got frustrated or careless, and he

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<v Speaker 1>just says the exact amount, which is fantastic for Bob.

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<v Speaker 1>All that Bob needs to do now is get the

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<v Speaker 1>actual payoff on tape. So as discreetly as he can,

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<v Speaker 1>Bob pulls out some money and says, quote, let me

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<v Speaker 1>give you five hundred now, so you've got some lunch

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<v Speaker 1>money in your pocket. The next step for Bob is

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<v Speaker 1>to put cash in Marcy's hands. So three days later,

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<v Speaker 1>Bob straps on his tape recorder again and returns to

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<v Speaker 1>Counselor's row. Pat Marcy is waiting for him and escorts

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<v Speaker 1>him to the back of the restaurant. Bob asks him

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<v Speaker 1>if the figure that Rody has given him is okay translation,

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<v Speaker 1>is seventy five hundred a big enough bribe for you?

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<v Speaker 1>Marcy tells him, quote, the figure's okay. Bob then counts

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<v Speaker 1>out thirty five hundred dollars the first installment. Marcy takes

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<v Speaker 1>the money on tape and in so doing incriminates himself.

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<v Speaker 1>Now you might be tempted to think, okay, then Bob's

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<v Speaker 1>done here, right, He's god Marcy, why doesn't he get

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<v Speaker 1>the hell out of Dodge? But that's not how Bob

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<v Speaker 1>saw it. He was determined to make certain that the

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<v Speaker 1>case against Marcy and the first ward was airtight, so

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<v Speaker 1>no judge or jury could possibly acquit. There was more

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<v Speaker 1>work for Bob to do. He had to pay off

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<v Speaker 1>a second installment on that zoning bribe. He also had

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<v Speaker 1>another scheme in mind. He was trying to get Marcy

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<v Speaker 1>to tamper with another court case. Bob's handlers at the

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<v Speaker 1>FBI agreed with this strategy. Here's Marie Dyson. He just

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<v Speaker 1>kept going back to Marcy. He could do that, and

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<v Speaker 1>then if it didn't feel right that day, he'd stay

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<v Speaker 1>away from Marcy for a while. How dangerous was Marcy?

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<v Speaker 1>Very deadly? And the scary part was there were so

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<v Speaker 1>many ways he could blow his cover. Stupid little things

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<v Speaker 1>could go wrong. In fact, this is exactly what happened

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<v Speaker 1>a while later, when Bob returned to Counselor's Row for

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<v Speaker 1>another visit with Marcy. That day, they're actually outside the restaurant,

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<v Speaker 1>chatting on the sidewalk. They're getting ready to go inside.

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<v Speaker 1>Marcy gestures for Bob to go first, and then he

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<v Speaker 1>places his hand on Bob's lower back, on the exact

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<v Speaker 1>spot where Bob's tape recorder is tucked away. So when

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<v Speaker 1>he did that, I mean it was like somebody hitting

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<v Speaker 1>me with a hammer. And I was terrified that he had,

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<v Speaker 1>you know, that he would know what it was. Bob's

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<v Speaker 1>mind is racing, trying to come up with his next move.

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<v Speaker 1>I'm just acting, trying to act as non chalant as

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<v Speaker 1>I can, but believe me, I'm a nervous rock. At

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<v Speaker 1>this particular instant, Bob and Marcy entered the restaurant together.

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<v Speaker 1>They head over to the first word table. I went

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<v Speaker 1>like I was going to sit down, and then I

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<v Speaker 1>pulled myself up as you would if you know you

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<v Speaker 1>had a problem, as Oh my back was killing me.

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<v Speaker 1>I said, you know, and I've got this brace and

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<v Speaker 1>it's not helping. It's not helping a whole lot. The

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<v Speaker 1>back injury is bullshit. Bob was just making it up

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<v Speaker 1>on the spot, and the back brace, well, that was

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<v Speaker 1>Bob's cover. So if by chance Marcy had felt something. Well,

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<v Speaker 1>then there was an explanation, But would Marcy? The problem was,

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<v Speaker 1>there was no getting into Marcy's head. Did he know?

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<v Speaker 1>Was he suspicious? And what was his threshold for quite

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<v Speaker 1>literally pulling the trigger. Bob and his FBI handlers were

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<v Speaker 1>all guessing. When we come back after the break, Bob

0:15:30.196 --> 0:15:46.596
<v Speaker 1>pushes his luck. It had been a close call with Marcy,

0:15:46.916 --> 0:15:49.516
<v Speaker 1>and Bob still didn't know if he was safe. He

0:15:49.636 --> 0:15:52.636
<v Speaker 1>talked the whole thing over with his handlers, the carpool buddies,

0:15:52.836 --> 0:15:56.356
<v Speaker 1>Steve and Marie. You know you're scared, and he's scared,

0:15:56.396 --> 0:16:00.316
<v Speaker 1>and everybody's scared. Anything could happen. We were going to

0:16:00.396 --> 0:16:02.596
<v Speaker 1>do everything in our power not to make a mistake,

0:16:03.116 --> 0:16:07.396
<v Speaker 1>because this guy could get killed just like that. Given

0:16:07.436 --> 0:16:11.156
<v Speaker 1>all of this, it was inevitable that Bob started to

0:16:11.196 --> 0:16:14.756
<v Speaker 1>go down some dark rabbit holes thinking about the worst

0:16:14.796 --> 0:16:18.036
<v Speaker 1>case scenarios of how it might end for him. I

0:16:18.036 --> 0:16:20.676
<v Speaker 1>don't think I really feared. I didn't fear dying. I

0:16:20.796 --> 0:16:24.876
<v Speaker 1>feared being tortured. I did not think I would like that.

0:16:27.436 --> 0:16:30.476
<v Speaker 1>Bob had once been friends with a gangster named William

0:16:30.636 --> 0:16:33.996
<v Speaker 1>Butch Petrocelli, who'd fallen out of favor with the mob.

0:16:34.796 --> 0:16:37.156
<v Speaker 1>Bob believes he was one of the last people to

0:16:37.196 --> 0:16:41.316
<v Speaker 1>see Butch alive. Bob says they had lunched together one day.

0:16:41.756 --> 0:16:45.516
<v Speaker 1>Butch disappeared a few days later. Months passed without any

0:16:45.556 --> 0:16:49.996
<v Speaker 1>sign of him. Then Butch's charred body was discovered. He'd

0:16:49.996 --> 0:16:52.756
<v Speaker 1>been stabbed in the chest and his body had been

0:16:52.796 --> 0:16:56.516
<v Speaker 1>burned with a blowtorch. I'd wake up sweating and whatever

0:16:56.676 --> 0:17:01.356
<v Speaker 1>because I saw myself being tortured. I kept seeing pictures

0:17:01.396 --> 0:17:04.596
<v Speaker 1>of Butching kind of playing a blow torch to my

0:17:04.676 --> 0:17:07.436
<v Speaker 1>testicles and things like that that you know that I

0:17:08.076 --> 0:17:13.236
<v Speaker 1>was terrified that Bob knew he needed a contingency plan,

0:17:13.756 --> 0:17:16.156
<v Speaker 1>something he could do to save himself from this fate.

0:17:16.636 --> 0:17:20.956
<v Speaker 1>I had condom plated carrying, you know, carrying some kind

0:17:20.996 --> 0:17:24.276
<v Speaker 1>of tablets, so I could commit suicide if you know,

0:17:24.356 --> 0:17:26.556
<v Speaker 1>if they caught me. But you know, but I just

0:17:26.596 --> 0:17:29.396
<v Speaker 1>never did do that. And the reason I didn't do

0:17:29.476 --> 0:17:31.436
<v Speaker 1>that is because I would have gone to hell them.

0:17:31.676 --> 0:17:35.156
<v Speaker 1>I believe that committing suicide, you know, is one of

0:17:35.196 --> 0:17:39.556
<v Speaker 1>those sins that you can't do. It was ironic in

0:17:39.556 --> 0:17:44.996
<v Speaker 1>a way. Bob was a man who enjoyed his pleasures, money, sex, power,

0:17:45.556 --> 0:17:47.556
<v Speaker 1>and he was willing to bend the rules to get

0:17:47.636 --> 0:17:50.716
<v Speaker 1>all of these things. But in the end, he would

0:17:50.756 --> 0:17:53.796
<v Speaker 1>not compromise his own moral code to save himself from

0:17:53.796 --> 0:17:57.996
<v Speaker 1>the most gruesome of endings. Instead, Bob decided to carry

0:17:57.996 --> 0:18:01.716
<v Speaker 1>a gun, two guns in fact, which was a problem.

0:18:02.196 --> 0:18:06.036
<v Speaker 1>Here's Bob's handler, Steve Bowen. Bob was never authorized to

0:18:06.076 --> 0:18:10.516
<v Speaker 1>carry a gun under any conditions. Did I know on

0:18:10.556 --> 0:18:13.636
<v Speaker 1>occasion that he had a gun on him? Yeah? And

0:18:13.836 --> 0:18:18.636
<v Speaker 1>did I do anything about it? No. If I was

0:18:18.716 --> 0:18:21.076
<v Speaker 1>going in to do what we're asking him to go

0:18:21.156 --> 0:18:23.516
<v Speaker 1>in to do, I'd want a gun on me too.

0:18:24.036 --> 0:18:26.676
<v Speaker 1>I asked Bob what his plan was. What would be

0:18:26.716 --> 0:18:29.516
<v Speaker 1>his move if he walked into some back room and

0:18:29.596 --> 0:18:32.996
<v Speaker 1>a group of mob henchmen were waiting for him. I figured,

0:18:33.036 --> 0:18:35.276
<v Speaker 1>if I walked into the room and there's a group there,

0:18:35.756 --> 0:18:42.076
<v Speaker 1>just start shooting. When it came to decompressing, Bob didn't

0:18:42.116 --> 0:18:45.276
<v Speaker 1>have a lot of options. The FBI wouldn't let him gamble.

0:18:45.836 --> 0:18:48.316
<v Speaker 1>Bob wasn't married, and he didn't have anyone he could

0:18:48.316 --> 0:18:52.276
<v Speaker 1>totally confide in. He never went to a therapist, but

0:18:52.636 --> 0:18:56.596
<v Speaker 1>he did have at least one form of Catharsis feeding

0:18:56.596 --> 0:19:00.996
<v Speaker 1>wildlife yep. For a while, Bob lived in an apartment

0:19:01.036 --> 0:19:03.956
<v Speaker 1>on the outskirts of Chicago. It was on the first floor,

0:19:04.316 --> 0:19:06.916
<v Speaker 1>and Bob liked to open up the glass doors, sit

0:19:06.996 --> 0:19:11.476
<v Speaker 1>outside and feed the animals. Birds would come, but what

0:19:11.596 --> 0:19:16.276
<v Speaker 1>he really liked were the raccoons. They'd watch him eat

0:19:16.316 --> 0:19:19.436
<v Speaker 1>and feed, and I'd have a little water gun because

0:19:19.436 --> 0:19:21.916
<v Speaker 1>I'd have to spray the mother raccoon because she'd beat

0:19:21.996 --> 0:19:23.836
<v Speaker 1>up and the kids see no fighting for the food.

0:19:23.876 --> 0:19:28.396
<v Speaker 1>But I just enjoyed doing stuff like that. This image

0:19:28.396 --> 0:19:31.996
<v Speaker 1>has stayed with me. I imagine Bob, after a stressful

0:19:32.076 --> 0:19:35.716
<v Speaker 1>day of work undercover, coming home, taking off his coat,

0:19:36.156 --> 0:19:39.116
<v Speaker 1>sending his gun down on the table, then walking through

0:19:39.116 --> 0:19:42.476
<v Speaker 1>those glass doors, picking up a water gun and using

0:19:42.476 --> 0:19:45.956
<v Speaker 1>it to protect the baby raccoons, making sure they got

0:19:46.036 --> 0:19:50.996
<v Speaker 1>enough to eat. Bob told me he loved all animals

0:19:51.436 --> 0:19:59.036
<v Speaker 1>except rats and snakes. Why because they're dirty little creatures.

0:19:59.036 --> 0:20:02.836
<v Speaker 1>They remind me a lot of some people. And snakes

0:20:03.116 --> 0:20:07.036
<v Speaker 1>For some reason, I just don't like snakes, although he

0:20:07.156 --> 0:20:10.916
<v Speaker 1>quickly added, these are guy its creatures. Ay, all they

0:20:10.956 --> 0:20:13.596
<v Speaker 1>want in life is to you know, eat and fall

0:20:13.716 --> 0:20:20.836
<v Speaker 1>around and you know and survive. Sadly for Bob. Eventually

0:20:20.836 --> 0:20:24.636
<v Speaker 1>he decided that the first floor apartment it wasn't safe.

0:20:25.036 --> 0:20:29.276
<v Speaker 1>He just felt too exposed there, so he moved to

0:20:29.316 --> 0:20:32.476
<v Speaker 1>another apartment on the fourth floor of a nearby building.

0:20:33.196 --> 0:20:36.916
<v Speaker 1>He still tossed food off the balcony, but it wasn't

0:20:36.996 --> 0:20:43.196
<v Speaker 1>quite the same. In so many ways, life just kept

0:20:43.276 --> 0:20:48.556
<v Speaker 1>narrowing for Bob, and now even the baby raccoons were gone.

0:20:53.236 --> 0:20:56.556
<v Speaker 1>Bob kept going with his undercover work. There was no

0:20:56.596 --> 0:20:59.076
<v Speaker 1>way of knowing whether Pat Marcy had felt that tape

0:20:59.116 --> 0:21:03.676
<v Speaker 1>recorder on his back, so cautiously he returned to Counselor's

0:21:03.716 --> 0:21:07.116
<v Speaker 1>row wearing a wire and armed with his two guns.

0:21:07.836 --> 0:21:11.036
<v Speaker 1>His goal was to bribe Marcy once again to get

0:21:11.076 --> 0:21:13.596
<v Speaker 1>him on tape, agreeing to tamper with a court case.

0:21:14.596 --> 0:21:17.516
<v Speaker 1>This time. As he answers Counselor's row, Bob is on

0:21:17.556 --> 0:21:20.836
<v Speaker 1>a high alert, so is his handler, Steve Bowen, who

0:21:20.956 --> 0:21:25.036
<v Speaker 1>is stationed across the street. Inside the restaurant, Bob has

0:21:25.036 --> 0:21:28.756
<v Speaker 1>a look around. Almost right away, he sees a mobster

0:21:29.036 --> 0:21:33.996
<v Speaker 1>named Ernest Rocky in Falie. Rocky was a burly guy,

0:21:34.356 --> 0:21:39.716
<v Speaker 1>a former paratrooper with a well earned reputation for brutality.

0:21:40.076 --> 0:21:43.156
<v Speaker 1>Bob plays it cool. He makes the rounds, mingling with

0:21:43.196 --> 0:21:49.116
<v Speaker 1>the regular patrons, and then he sees pat Marcy cat

0:21:49.156 --> 0:21:53.276
<v Speaker 1>Marcy was standing there and when he saw me, didn't

0:21:53.276 --> 0:21:55.996
<v Speaker 1>say a word, just motion for me to follow him.

0:21:56.676 --> 0:22:00.956
<v Speaker 1>Where too, That's the question. Bob glances about and realizes

0:22:01.076 --> 0:22:03.836
<v Speaker 1>he can no longer see Rocky, but there's no time

0:22:03.876 --> 0:22:06.436
<v Speaker 1>to look for him because he's got a stick with Marcy.

0:22:07.116 --> 0:22:10.836
<v Speaker 1>Marcy heads outside, but instead just stopping there on the sidewalk,

0:22:11.076 --> 0:22:15.196
<v Speaker 1>he continues heading towards a parking garage. Bob's trying to

0:22:15.236 --> 0:22:21.916
<v Speaker 1>get his bearings and quickly. I right away was nervous, wondering,

0:22:21.956 --> 0:22:25.396
<v Speaker 1>you know, this is something totally unusual. I didn't know

0:22:25.796 --> 0:22:29.156
<v Speaker 1>whether the hell they we're going. That's Bob's handler, Steve Bowen,

0:22:29.516 --> 0:22:32.716
<v Speaker 1>watching it all play out from across the street, whether

0:22:32.756 --> 0:22:34.556
<v Speaker 1>they were going off in a car, they want to

0:22:34.596 --> 0:22:37.076
<v Speaker 1>take him in a restaurant whacking, or whether they just

0:22:37.116 --> 0:22:40.756
<v Speaker 1>wanted to top twing in there. Steve is in a bind.

0:22:41.156 --> 0:22:43.956
<v Speaker 1>If he intervenes and rushes in too soon, he could

0:22:43.996 --> 0:22:47.156
<v Speaker 1>blow Bob's cover or start a gunfight. But if he

0:22:47.156 --> 0:22:51.836
<v Speaker 1>waits too long, Bob Mike get killed. Meanwhile, Bob's now

0:22:51.876 --> 0:22:55.236
<v Speaker 1>walked into the parking garage with Pat Marcy. He still

0:22:55.236 --> 0:22:58.476
<v Speaker 1>hasn't seen Rocky at this point. He's just going with it,

0:22:58.836 --> 0:23:01.236
<v Speaker 1>and we walk through the big door where the cars

0:23:01.276 --> 0:23:05.356
<v Speaker 1>come out, and we walk into a little shitty bathroom.

0:23:05.516 --> 0:23:09.676
<v Speaker 1>Pat walks in there. I'm following him, and I'm envisioned.

0:23:09.796 --> 0:23:12.396
<v Speaker 1>I've got two guns on it this time. What I'm

0:23:12.436 --> 0:23:15.756
<v Speaker 1>thinking is I'm walking behind him. This may be a trap.

0:23:16.756 --> 0:23:20.196
<v Speaker 1>When he opened that door, I'm ready to pull one

0:23:20.196 --> 0:23:22.596
<v Speaker 1>of my Volbos out and start shooting in case there's

0:23:22.636 --> 0:23:24.276
<v Speaker 1>people in there. I'm not going to talk. I'm not

0:23:24.316 --> 0:23:26.876
<v Speaker 1>going to say a word. I'm going to start shooting,

0:23:28.116 --> 0:23:31.396
<v Speaker 1>two guns at the ready. Bob stands there as Pat

0:23:31.476 --> 0:23:35.436
<v Speaker 1>Marcy pulls open the door to the bathroom. I can

0:23:35.436 --> 0:23:38.276
<v Speaker 1>see it's a very small room and there's nobody in there.

0:23:38.276 --> 0:23:41.396
<v Speaker 1>I can see there isn't He walks over to the

0:23:41.516 --> 0:23:45.316
<v Speaker 1>urinal and he takes a leak. Now he's never said

0:23:45.356 --> 0:23:48.076
<v Speaker 1>a word to me. Bob just stands there in the

0:23:48.116 --> 0:23:52.276
<v Speaker 1>bathroom for what seems like forever. He's still on the

0:23:52.316 --> 0:23:54.876
<v Speaker 1>lookout for Rocky or some other would be a sail

0:23:54.916 --> 0:23:58.796
<v Speaker 1>at who might rush through the door at any moment. Meanwhile,

0:23:58.956 --> 0:24:02.916
<v Speaker 1>outside on the street, Steve can't wait any longer. It

0:24:02.996 --> 0:24:07.316
<v Speaker 1>was just me and I had to go, so started

0:24:07.356 --> 0:24:09.476
<v Speaker 1>to go in there after room, and then I'm going

0:24:09.556 --> 0:24:13.676
<v Speaker 1>hand I I'm gonna try to find him and protect

0:24:13.716 --> 0:24:18.196
<v Speaker 1>him if I acted, And just then he sees Bob

0:24:18.276 --> 0:24:22.516
<v Speaker 1>and Marcy walking back out, huge sigh of relief. It

0:24:22.516 --> 0:24:25.476
<v Speaker 1>had all been a false alarm. But to Bob it

0:24:25.516 --> 0:24:29.836
<v Speaker 1>didn't seem like a chance occurrence, not at all. There's

0:24:29.876 --> 0:24:33.956
<v Speaker 1>almost no doubt in my mind that they're testing I see.

0:24:33.996 --> 0:24:36.356
<v Speaker 1>So the test is if this guy's wearing a wire,

0:24:36.396 --> 0:24:37.876
<v Speaker 1>there's no way he's going to follow me into a

0:24:37.956 --> 0:24:40.836
<v Speaker 1>bathroom in a parking lot, exactly. I mean, you know,

0:24:41.316 --> 0:24:46.356
<v Speaker 1>I'd been dealing with these people for years. He's never

0:24:46.396 --> 0:24:50.596
<v Speaker 1>done something like that before. In all this time, Bob says,

0:24:50.636 --> 0:24:55.036
<v Speaker 1>he was determined to keep going. His handler, Marie, admired

0:24:55.036 --> 0:24:58.756
<v Speaker 1>his courage, but she knew how risky this was for him.

0:24:58.876 --> 0:25:02.916
<v Speaker 1>Every day that you continue to do this, it's a

0:25:02.996 --> 0:25:08.756
<v Speaker 1>scarier day because you when should you stop. You need

0:25:08.796 --> 0:25:10.876
<v Speaker 1>what you you need for evidence, you need what you

0:25:10.916 --> 0:25:14.156
<v Speaker 1>need to make cases. But at the same time, it's

0:25:14.236 --> 0:25:18.876
<v Speaker 1>becoming very It's the danger is increasing for Bob. This

0:25:18.996 --> 0:25:22.916
<v Speaker 1>is a human being. This is a person you know,

0:25:23.636 --> 0:25:27.636
<v Speaker 1>that has offered to do this and has asked very

0:25:27.676 --> 0:25:31.796
<v Speaker 1>little of us, and we are putting him in harm's way.

0:25:33.156 --> 0:25:35.796
<v Speaker 1>It seemed like for the moment, Bob was safe and

0:25:35.836 --> 0:25:39.676
<v Speaker 1>that Pat Marcy didn't know that the FBI was onto him.

0:25:39.716 --> 0:25:42.916
<v Speaker 1>But all of that was about to change. Little did

0:25:42.956 --> 0:25:46.956
<v Speaker 1>anyone know, a gigantic story was about to break, thanks

0:25:46.996 --> 0:25:51.996
<v Speaker 1>to the journalist Carol Marine. More on that after the break,

0:26:05.996 --> 0:26:09.516
<v Speaker 1>Carol Marine had been looking into the First Ward for years.

0:26:09.516 --> 0:26:12.476
<v Speaker 1>She's the journalist who visited Counselor's row, got a free

0:26:12.516 --> 0:26:14.996
<v Speaker 1>cup of soup and then sent the first Ward guys

0:26:14.996 --> 0:26:18.636
<v Speaker 1>a fruit basket. She kept plugging away with her reporting,

0:26:19.156 --> 0:26:22.236
<v Speaker 1>and then one day her phone rang and a voice said,

0:26:22.836 --> 0:26:28.996
<v Speaker 1>go to Counselor's row. Now we speed to Counselor's Row,

0:26:29.076 --> 0:26:34.516
<v Speaker 1>and what do you know? There is a camera discovered

0:26:34.596 --> 0:26:38.196
<v Speaker 1>by a bus boy inside the bench of a booth

0:26:38.476 --> 0:26:42.636
<v Speaker 1>that sat across from the first Ward table, connected to

0:26:42.836 --> 0:26:47.836
<v Speaker 1>coaxial cable up through the rafters, up through the floors

0:26:47.956 --> 0:26:51.316
<v Speaker 1>up to the other first Ward office. The FEDS had

0:26:52.236 --> 0:26:57.196
<v Speaker 1>bugged the first ward table, so Carol races to break

0:26:57.236 --> 0:27:01.916
<v Speaker 1>her story about the bug. Meanwhile, Bob is actually en

0:27:02.076 --> 0:27:06.036
<v Speaker 1>route to meet Fred Rody, the corrupt Alderman, to pay

0:27:06.076 --> 0:27:09.596
<v Speaker 1>him off for his help tampering with a case. Bob's

0:27:09.636 --> 0:27:13.476
<v Speaker 1>plan is to meet Rody at you guessed, at Counselor's Row.

0:27:15.476 --> 0:27:18.076
<v Speaker 1>At this point, Bob has no idea that a camera

0:27:18.116 --> 0:27:21.756
<v Speaker 1>has been discovered at the restaurant. In fact, Bob doesn't

0:27:21.796 --> 0:27:24.596
<v Speaker 1>even know that the FBI has installed such a camera there.

0:27:25.236 --> 0:27:28.196
<v Speaker 1>No one had bothered to tell him, and now he

0:27:28.316 --> 0:27:32.476
<v Speaker 1>was walking right into it completely blind. I get out

0:27:32.476 --> 0:27:37.436
<v Speaker 1>of the car, I start walking on the sidewalk, you know,

0:27:38.116 --> 0:27:42.356
<v Speaker 1>to go into Counselor's Row. And I get about halfway

0:27:42.436 --> 0:27:45.756
<v Speaker 1>from the alley to there when he sees Fred Rody,

0:27:45.996 --> 0:27:48.356
<v Speaker 1>the corrupt Alderman, because he was waiting for me. It

0:27:48.356 --> 0:27:51.396
<v Speaker 1>turns out, when he saw me, he came out and

0:27:51.436 --> 0:27:54.356
<v Speaker 1>he motioned me to walk across the street with him,

0:27:54.356 --> 0:27:57.756
<v Speaker 1>and he started walking across the street. Now I have

0:27:57.916 --> 0:28:01.316
<v Speaker 1>no idea what's going on at this time? What the

0:28:01.396 --> 0:28:05.276
<v Speaker 1>fuck is this? Roadie turns to Bob and breaks the news,

0:28:05.676 --> 0:28:08.916
<v Speaker 1>tells him about the hidden camera that's been discovered. Bob

0:28:09.316 --> 0:28:14.676
<v Speaker 1>is floored and right away, what hell a bug? Where

0:28:14.796 --> 0:28:18.836
<v Speaker 1>what bug? Bob is legitimately shocked here he's not putting

0:28:18.836 --> 0:28:21.796
<v Speaker 1>on a show. He had no idea about that bug.

0:28:22.716 --> 0:28:26.076
<v Speaker 1>Rody leads him across the street to city Hall and

0:28:26.156 --> 0:28:29.156
<v Speaker 1>takes him up to his office. Now his office is

0:28:29.196 --> 0:28:33.916
<v Speaker 1>a huge, a huge room, and it's but see things

0:28:33.916 --> 0:28:37.636
<v Speaker 1>about thirty forty feet up. And he's not saying a word.

0:28:37.676 --> 0:28:40.836
<v Speaker 1>Now we're not talking at all. As we're walking towards her.

0:28:41.156 --> 0:28:44.956
<v Speaker 1>We go in and now I'm thinking in my mind,

0:28:45.036 --> 0:28:47.476
<v Speaker 1>this is some kind of a trap for me. Bob

0:28:47.516 --> 0:28:50.156
<v Speaker 1>tries to calm himself down. I mean, they're not going

0:28:50.196 --> 0:28:52.716
<v Speaker 1>to kill him in city Hall, right, he had to

0:28:52.756 --> 0:28:56.876
<v Speaker 1>keep his composure. When we walk in there, he closes

0:28:56.916 --> 0:29:00.436
<v Speaker 1>the drapes and has us said a word, and then

0:29:00.516 --> 0:29:03.876
<v Speaker 1>comes over to me and says, have you got the money?

0:29:04.396 --> 0:29:07.676
<v Speaker 1>Have you got the money? In other words, game on

0:29:08.436 --> 0:29:11.996
<v Speaker 1>Roadie still wants to get paid, which means he still

0:29:11.996 --> 0:29:16.196
<v Speaker 1>trusts Bob, which means for the time being, Bob is safe.

0:29:16.916 --> 0:29:18.836
<v Speaker 1>And I was never so happy in my life to

0:29:18.876 --> 0:29:22.556
<v Speaker 1>hear some words. I started counting it out, knowing if

0:29:22.556 --> 0:29:24.716
<v Speaker 1>I'm counting it. You can hear it on tape. When

0:29:24.716 --> 0:29:26.956
<v Speaker 1>you're counting money, you can hear that. And I'm saying one,

0:29:27.036 --> 0:29:31.676
<v Speaker 1>two or three, and I give him the money. So amazingly,

0:29:32.116 --> 0:29:35.636
<v Speaker 1>Bob executes his plan. He gets the bribe on tape.

0:29:36.636 --> 0:29:40.636
<v Speaker 1>But all hell breaks loose when Carol Marine breaks her

0:29:40.676 --> 0:29:44.676
<v Speaker 1>story for Channel five. For years, it has been rumored

0:29:44.676 --> 0:29:47.676
<v Speaker 1>that some of Chicago's most interesting political deals have been

0:29:47.676 --> 0:29:50.516
<v Speaker 1>made at one particular table at a restaurant near City Hall.

0:29:50.996 --> 0:29:53.516
<v Speaker 1>The night is shocking surprise for the movers and shakers

0:29:53.556 --> 0:29:56.956
<v Speaker 1>who sit at that table. Federal agents have been watching

0:29:56.996 --> 0:30:00.956
<v Speaker 1>them through a hidden camera, and Carol has the exclusive details.

0:30:01.356 --> 0:30:03.996
<v Speaker 1>Ron The discovery of the camera seems to have blown

0:30:03.996 --> 0:30:06.796
<v Speaker 1>the lid off part of a major investigation. For more

0:30:06.796 --> 0:30:09.516
<v Speaker 1>than two years, the Federal Strike Force on Organized Crime

0:30:09.556 --> 0:30:13.036
<v Speaker 1>has been looking at Chicago's infamous First Ward. Tonight, the

0:30:13.076 --> 0:30:17.356
<v Speaker 1>story of how part of that investigation has unraveled on camera.

0:30:17.596 --> 0:30:21.356
<v Speaker 1>A lawyer representing the restaurant shows Carol around, takes her

0:30:21.356 --> 0:30:23.996
<v Speaker 1>over to the spot where the camera was concealed. It

0:30:24.196 --> 0:30:26.796
<v Speaker 1>occupied this area right here, Carrol, which is not more

0:30:26.836 --> 0:30:29.836
<v Speaker 1>than a heap of them. The machine itself appeared to

0:30:29.876 --> 0:30:33.756
<v Speaker 1>be a James Bond type device. It was a bus

0:30:33.796 --> 0:30:36.676
<v Speaker 1>boy a few days ago who, in cleaning, lifted the

0:30:36.716 --> 0:30:39.076
<v Speaker 1>seat of this booth, and, to his amazement and the

0:30:39.116 --> 0:30:43.276
<v Speaker 1>amazement of his bosses, discovered a very sophisticated camera setup,

0:30:43.556 --> 0:30:47.036
<v Speaker 1>a camera that was pointed at this corner table commonly

0:30:47.076 --> 0:30:50.436
<v Speaker 1>referred to as the first Ward Table, the table where

0:30:50.436 --> 0:30:54.116
<v Speaker 1>Bob had sat with Pat Marcy many times. Channel five

0:30:54.156 --> 0:30:57.196
<v Speaker 1>News is learned the FBI is not just interested in

0:30:57.236 --> 0:31:00.436
<v Speaker 1>the conversations of those who sit at the First Ward Table,

0:31:00.836 --> 0:31:04.516
<v Speaker 1>that this probe is an examination of far more than that.

0:31:05.156 --> 0:31:08.236
<v Speaker 1>The FBI is looking at gambling in Chinatown, which is

0:31:08.316 --> 0:31:11.436
<v Speaker 1>part of the First Award. It is probing any violations

0:31:11.476 --> 0:31:14.636
<v Speaker 1>of the Hobbs Act, which addresses official corruption, and it

0:31:14.756 --> 0:31:20.236
<v Speaker 1>is investigating attorneys, judges, state employees, and politicians. For Pat

0:31:20.276 --> 0:31:22.836
<v Speaker 1>Marcy and the First Ward guys, this must have been

0:31:22.836 --> 0:31:26.316
<v Speaker 1>like an air raid siren going off. First comes the

0:31:26.316 --> 0:31:30.076
<v Speaker 1>news that their unofficial headquarters Counselor's row has been bugged,

0:31:30.396 --> 0:31:33.476
<v Speaker 1>and now Carol Marine is telling them straight up that

0:31:33.516 --> 0:31:40.876
<v Speaker 1>the FBI is investigating their entire corrupt network. So what

0:31:40.916 --> 0:31:43.796
<v Speaker 1>do you do when you get news like this? I think.

0:31:43.916 --> 0:31:47.236
<v Speaker 1>If you're Pat Marcy, you take a good hard look

0:31:47.276 --> 0:31:51.236
<v Speaker 1>at your own people. You consider the facts, facts like this,

0:31:52.076 --> 0:31:55.996
<v Speaker 1>Bob Cooley just paid Rody a bribe. And if you're

0:31:56.036 --> 0:32:00.316
<v Speaker 1>Pat Marcy, wouldn't you wonder can we really trust Bob?

0:32:01.076 --> 0:32:04.156
<v Speaker 1>And if the answer is no, what are you going

0:32:04.196 --> 0:32:09.596
<v Speaker 1>to do about it? Bob knew his time was almost up,

0:32:10.076 --> 0:32:13.636
<v Speaker 1>but he wasn't ready to walk away just yet. Bob

0:32:13.676 --> 0:32:16.676
<v Speaker 1>wanted to track down his old friend, a judge he

0:32:16.716 --> 0:32:19.596
<v Speaker 1>had ribbed long ago in that murder case that he'd

0:32:19.596 --> 0:32:23.876
<v Speaker 1>fixed involving the hitman. In many ways, fixing that case

0:32:24.196 --> 0:32:28.116
<v Speaker 1>had been Bob's original sin, and he felt, even all

0:32:28.196 --> 0:32:34.036
<v Speaker 1>these years later, that he still had some unfinished business here. Meanwhile,

0:32:34.436 --> 0:32:37.676
<v Speaker 1>Carol Maureene was getting ready to break an even bigger

0:32:37.756 --> 0:32:53.916
<v Speaker 1>story next time on deep Cover. For approximately five years,

0:32:53.916 --> 0:32:57.676
<v Speaker 1>a Chicago lawyer has been a government informant, secretly recording

0:32:57.716 --> 0:33:00.876
<v Speaker 1>conversations with some of this city's movers and shakers. The

0:33:00.956 --> 0:33:03.436
<v Speaker 1>identity of this informant will come as a shock to

0:33:03.516 --> 0:33:28.756
<v Speaker 1>some powerful people. Deep Cover is produced by Jacob Smith

0:33:28.876 --> 0:33:32.796
<v Speaker 1>and Amy Gaines and edited by Karen Shakerjee. Our senior

0:33:32.956 --> 0:33:36.156
<v Speaker 1>editor is Jan Guera original music and our theme was

0:33:36.196 --> 0:33:39.516
<v Speaker 1>composed by Louise Gera and Fawn Williams as our engineer.

0:33:39.916 --> 0:33:42.436
<v Speaker 1>Our art this season was drawn by Cheryl Cook and

0:33:42.556 --> 0:33:46.476
<v Speaker 1>designed by Sean Karney. Mia Lobell is our executive producer.

0:33:47.036 --> 0:33:51.676
<v Speaker 1>Special thanks to Heather Fame, John Schnars, Carlie mcgliori, Maya Kaning,

0:33:51.956 --> 0:33:56.956
<v Speaker 1>Christina Sullivan, Eric Sandler, Mary Beth Smith, Brant Haynes, Maggie Taylor,

0:33:57.116 --> 0:34:02.076
<v Speaker 1>a Coolemarano, Magan Larson, Royston Beserve, Lucy Sullivan, Edith Russlo,

0:34:02.436 --> 0:34:07.796
<v Speaker 1>Riley Sullivan, Jason Gambrel, Martin Gonzalez, and Jacob Weisberg. I'm

0:34:07.876 --> 0:34:56.356
<v Speaker 1>Jake Albert. Subscribe to Pushkin Plus and you can binge

0:34:56.396 --> 0:34:59.796
<v Speaker 1>the rest of the season right now adds free. Find

0:34:59.836 --> 0:35:02.596
<v Speaker 1>Pushkin Plus on the deep cover show page in Apple

0:35:02.676 --> 0:35:07.996
<v Speaker 1>Podcasts or at pushkin dot fm. To find more Pushkin podcasts,

0:35:08.276 --> 0:35:12.916
<v Speaker 1>listen on the iHeartRadio app, Apple Podcasts, or wherever you

0:35:12.996 --> 0:35:14.196
<v Speaker 1>listen to podcasts.