1 00:00:03,800 --> 00:00:06,680 Speaker 1: Welcome to Stuff to Blow your Mind from how Stuff 2 00:00:06,680 --> 00:00:14,319 Speaker 1: Works dot com. Hey, welcome to Stuff to Blow your Mind. 3 00:00:15,080 --> 00:00:18,760 Speaker 1: My name is Robert Lamb and I'm Julie Douglas. And uh, 4 00:00:18,880 --> 00:00:23,080 Speaker 1: pain pretty much, Yeah, that's what we're talking about. That's right, 5 00:00:23,200 --> 00:00:27,600 Speaker 1: No pain, no gain. They say House of Pain, Cards 6 00:00:27,600 --> 00:00:33,440 Speaker 1: of Pain, Yeah, one of them. But it's more specifically 7 00:00:33,440 --> 00:00:36,560 Speaker 1: the Future of Pain, which, which I think is a 8 00:00:36,600 --> 00:00:39,000 Speaker 1: pretty jazzy title for a podcast, makes me want to 9 00:00:39,000 --> 00:00:40,600 Speaker 1: listen to it and find out what we're going to 10 00:00:40,680 --> 00:00:43,320 Speaker 1: talk about. Yeah, And it turns out that the future 11 00:00:43,320 --> 00:00:46,840 Speaker 1: of pain is both stark and there's some hope there 12 00:00:47,080 --> 00:00:49,839 Speaker 1: as well, and also kind of like the present and 13 00:00:49,920 --> 00:00:53,159 Speaker 1: past of pain, which is humans figuring out how to 14 00:00:53,720 --> 00:00:56,920 Speaker 1: make more of it and uh, sometimes how to make 15 00:00:57,040 --> 00:00:59,480 Speaker 1: less of it. That's right, right, And then there's this 16 00:00:59,520 --> 00:01:06,479 Speaker 1: whole duality of pain is better than killing? Right maybe? Maybe? Yeah? Yeah? 17 00:01:06,600 --> 00:01:08,600 Speaker 1: So I mean, if you have the choice to die 18 00:01:08,760 --> 00:01:12,560 Speaker 1: or have pain inflicted on you, which would you choose. Well, 19 00:01:12,720 --> 00:01:14,720 Speaker 1: it's it's a matter of degree, right, I Mean, if 20 00:01:14,720 --> 00:01:17,120 Speaker 1: it's like a choice between death and an Indian burn, 21 00:01:17,520 --> 00:01:19,440 Speaker 1: I'm probably going to go for the Indian burn. But 22 00:01:20,520 --> 00:01:22,160 Speaker 1: I don't know. My brother can have like the mean 23 00:01:22,360 --> 00:01:28,959 Speaker 1: game burn is he still administering Indian birds sometimes? But 24 00:01:29,080 --> 00:01:32,080 Speaker 1: actually I was I was thinking about this quote from 25 00:01:32,080 --> 00:01:35,240 Speaker 1: Scientific American and it says pain is intimately tied to 26 00:01:35,319 --> 00:01:39,880 Speaker 1: brain functions that govern behavior and decision making, including expectation, attention, 27 00:01:39,920 --> 00:01:44,880 Speaker 1: and learning. So it makes sense that we can experience 28 00:01:44,920 --> 00:01:48,600 Speaker 1: pain and we would alter our behavior to avoid it 29 00:01:48,640 --> 00:01:50,400 Speaker 1: as much as possible. I mean, most of us would 30 00:01:50,400 --> 00:01:53,800 Speaker 1: write it tends not. It's generally one does not argue 31 00:01:53,840 --> 00:01:56,240 Speaker 1: in favor of pain when you're like stubbing your toe 32 00:01:56,280 --> 00:01:58,640 Speaker 1: to death on the coffee table at like three in 33 00:01:58,680 --> 00:02:01,240 Speaker 1: the morning. But because at that point you're kind of like, 34 00:02:01,320 --> 00:02:04,200 Speaker 1: all right, I get it. I should not ram my 35 00:02:04,280 --> 00:02:07,160 Speaker 1: little toe into the coffee table. And you know, and 36 00:02:07,400 --> 00:02:10,000 Speaker 1: and yes, my the nail is not supposed to be 37 00:02:10,040 --> 00:02:12,520 Speaker 1: halfway off. Now, you know, It's like like you kind 38 00:02:12,520 --> 00:02:14,480 Speaker 1: of reach this frustration point with your body where you 39 00:02:14,560 --> 00:02:17,600 Speaker 1: just kind of like quit letting me know obviously this. 40 00:02:18,000 --> 00:02:20,519 Speaker 1: You know that the pain signals selling me I should 41 00:02:20,520 --> 00:02:22,959 Speaker 1: not do this, I should correct this action, or that 42 00:02:23,040 --> 00:02:25,639 Speaker 1: there's something broken with me. But you know, after a while, 43 00:02:25,680 --> 00:02:27,680 Speaker 1: you're kind of like I got the memo, I'll you know, 44 00:02:27,720 --> 00:02:30,440 Speaker 1: write it on my hand. Stop giving me, you know, 45 00:02:30,520 --> 00:02:33,400 Speaker 1: incessant pain. That's right, I'll stop touching the hot stove 46 00:02:33,520 --> 00:02:37,080 Speaker 1: unless I'm Bart Simpson, of course. So I think what 47 00:02:37,200 --> 00:02:39,919 Speaker 1: this is getting to is that pain is actually really 48 00:02:40,000 --> 00:02:45,600 Speaker 1: useful and and learning how to um avoid it. But 49 00:02:45,720 --> 00:02:48,680 Speaker 1: also it's been really useful for for bunch of people. 50 00:02:49,080 --> 00:02:51,440 Speaker 1: And I think what we're talking about today more specifically 51 00:02:51,560 --> 00:02:56,000 Speaker 1: is government entities and it's it's a way to uh 52 00:02:56,280 --> 00:03:01,920 Speaker 1: control crowds. Um. And I'm thinking about the pain ray. Yeah, 53 00:03:02,040 --> 00:03:05,239 Speaker 1: the pain right, which sounds like a at once a 54 00:03:05,360 --> 00:03:08,800 Speaker 1: fantastic you know sci fi idea, you know, and and 55 00:03:08,800 --> 00:03:12,640 Speaker 1: and also a terrifying one because it's I mean the 56 00:03:12,639 --> 00:03:14,520 Speaker 1: pain right because on one level, you hear and you're like, 57 00:03:14,680 --> 00:03:17,040 Speaker 1: it brings to mind this sort of like clean like 58 00:03:17,080 --> 00:03:20,560 Speaker 1: electronic You're not shooting people in the face with rubber bullets. 59 00:03:20,600 --> 00:03:22,560 Speaker 1: You're just like making them, you know, maybe feel a 60 00:03:22,600 --> 00:03:25,920 Speaker 1: little discomfort. And then you know, as a corrective action 61 00:03:26,040 --> 00:03:27,680 Speaker 1: kind of like a you know, like when when you 62 00:03:27,680 --> 00:03:29,840 Speaker 1: have to put like a shot collar on a dog 63 00:03:30,440 --> 00:03:33,000 Speaker 1: um where you're which you know, may not be that 64 00:03:33,200 --> 00:03:36,360 Speaker 1: humane in some in some interpretations. But for the most part, 65 00:03:36,400 --> 00:03:38,440 Speaker 1: you're not like whipping the dog with a bull whip 66 00:03:38,520 --> 00:03:40,640 Speaker 1: or something, so like on that level, yeah, I can 67 00:03:40,720 --> 00:03:42,800 Speaker 1: see that, you know, making sense. But on the other level, 68 00:03:43,160 --> 00:03:45,720 Speaker 1: like it's like you're pointing a ray gun at somebody 69 00:03:45,720 --> 00:03:49,800 Speaker 1: and making them like like cringe and pain. It's it's 70 00:03:49,800 --> 00:03:52,880 Speaker 1: about as horrible as any kind of pain infliction method 71 00:03:52,960 --> 00:03:54,640 Speaker 1: that we've ever had. And yeah, and to be more 72 00:03:54,680 --> 00:03:57,520 Speaker 1: specific about it, it's actually a beam of sixty four 73 00:03:58,360 --> 00:04:01,400 Speaker 1: giga hurts radio waves and it can cover our person's 74 00:04:01,560 --> 00:04:05,080 Speaker 1: entire body and it can cause agonizing pain as it 75 00:04:05,160 --> 00:04:09,080 Speaker 1: heats water and fat molecules beneath the skin surface. So 76 00:04:09,080 --> 00:04:12,760 Speaker 1: it's like being microwaves sort of. Yeah, yeah, absolutely, And 77 00:04:13,160 --> 00:04:17,839 Speaker 1: supposedly it's only in three seconds um increments And so 78 00:04:18,080 --> 00:04:23,080 Speaker 1: the Department of Defense who created this and actually over 79 00:04:23,120 --> 00:04:25,680 Speaker 1: a two decade period um, they claim that the person 80 00:04:25,760 --> 00:04:28,120 Speaker 1: is not burned because of the shallow penetration in the 81 00:04:28,120 --> 00:04:32,160 Speaker 1: short time span and the low energy levels employed. But 82 00:04:32,160 --> 00:04:35,440 Speaker 1: but then again, this also implies that the person using 83 00:04:35,440 --> 00:04:39,120 Speaker 1: the weapon UH is following a set of guidelines or 84 00:04:39,200 --> 00:04:41,840 Speaker 1: rules right right right there. That always comes down to 85 00:04:41,960 --> 00:04:45,560 Speaker 1: user error because it's like tasers. You know, in theory, 86 00:04:46,000 --> 00:04:49,719 Speaker 1: a taser is a far more humane method of administering, 87 00:04:50,279 --> 00:04:53,400 Speaker 1: you know, a corrective measure against somebody. But if you're 88 00:04:53,480 --> 00:04:55,760 Speaker 1: misusing it, if you're just shooting people in the face 89 00:04:55,760 --> 00:04:57,599 Speaker 1: with the taser the drop of a hat instead of 90 00:04:57,600 --> 00:05:01,920 Speaker 1: say employing other policing techniques, which is you know, verbal communication, 91 00:05:02,400 --> 00:05:05,080 Speaker 1: well you know, then then that's not an ideal situation. 92 00:05:05,200 --> 00:05:08,400 Speaker 1: So right, right and um and it's it's interesting that 93 00:05:08,440 --> 00:05:09,760 Speaker 1: you call it a taste because it really is like 94 00:05:09,760 --> 00:05:12,160 Speaker 1: the Uber taser. I mean, the beam can hit someone 95 00:05:12,240 --> 00:05:14,839 Speaker 1: up to a third of a mile away, and of 96 00:05:14,880 --> 00:05:16,680 Speaker 1: course they're only relieved of the pay when they move 97 00:05:16,720 --> 00:05:19,440 Speaker 1: out of the way. So this was really something that 98 00:05:19,680 --> 00:05:22,960 Speaker 1: um that the Department of Defense wanted to use in Iraq, 99 00:05:23,279 --> 00:05:26,440 Speaker 1: and at the time they couldn't clear the legal hurdles. 100 00:05:27,200 --> 00:05:31,040 Speaker 1: And then they actually had it in Afghanistan, but they 101 00:05:31,080 --> 00:05:34,960 Speaker 1: removed it really without any explanation, and they claimed that 102 00:05:35,000 --> 00:05:38,680 Speaker 1: they had never used it on anyone there. So right 103 00:05:38,680 --> 00:05:41,600 Speaker 1: away you can already see like mmmmm, maybe this is 104 00:05:41,640 --> 00:05:47,040 Speaker 1: not perhaps the best idea. Although it was made as 105 00:05:47,080 --> 00:05:51,880 Speaker 1: a non lethal weapon to have crowd control without killing anyone, 106 00:05:51,920 --> 00:05:53,359 Speaker 1: I mean that was the point, right, So in a 107 00:05:53,400 --> 00:05:55,640 Speaker 1: sense it's more humane. Of course, we can't say non 108 00:05:55,720 --> 00:05:59,599 Speaker 1: lethal anymore, right, and the new preferred term is less lethal. Yeah, 109 00:05:59,640 --> 00:06:01,440 Speaker 1: you're right, less lethal, And I guess that comes down 110 00:06:01,440 --> 00:06:03,200 Speaker 1: to you to error, right, Like, Okay, it's supposed to 111 00:06:03,200 --> 00:06:06,120 Speaker 1: be spurted out and the three second increments, but who's 112 00:06:06,200 --> 00:06:08,440 Speaker 1: to say that you can continue to do those three 113 00:06:08,920 --> 00:06:12,120 Speaker 1: seconds over and over again? Yeah, because if long, I've 114 00:06:12,200 --> 00:06:15,120 Speaker 1: long found like the quote less lethal weapons that are 115 00:06:15,440 --> 00:06:18,479 Speaker 1: often some sometimes the more horrific seeming if used wrong, 116 00:06:18,480 --> 00:06:20,680 Speaker 1: because like I think of like you'd see those guns 117 00:06:20,800 --> 00:06:23,240 Speaker 1: like shoot a big wad of paste, you know, or 118 00:06:23,279 --> 00:06:25,159 Speaker 1: some sort of view and the ideas you like stick 119 00:06:25,200 --> 00:06:28,040 Speaker 1: somebody to in place with it, you know, And it's 120 00:06:28,080 --> 00:06:29,480 Speaker 1: like every time I would see that, all I could 121 00:06:29,520 --> 00:06:32,159 Speaker 1: imagine if somebody being like shot in the face within suffocating, 122 00:06:32,200 --> 00:06:35,479 Speaker 1: and it was like that just seems like a horrific weapon. Uh, 123 00:06:35,560 --> 00:06:39,600 Speaker 1: you know I've used improperly, like every weapon is eventually used, right, right, 124 00:06:39,640 --> 00:06:43,040 Speaker 1: And actually that's why they started saying less lethal, because 125 00:06:43,040 --> 00:06:45,760 Speaker 1: say rubber bullets that close range of those can kill, 126 00:06:46,520 --> 00:06:49,840 Speaker 1: Which brings us to this this rifle which is called 127 00:06:49,880 --> 00:06:54,760 Speaker 1: a less lethal rifle, which again you know, rifle less 128 00:06:54,880 --> 00:06:59,400 Speaker 1: lethal Okay, Um, this is the variable velocity rifle. That's 129 00:06:59,400 --> 00:07:03,400 Speaker 1: the one. Yeah. Lund Technologies makes it, and those those 130 00:07:03,440 --> 00:07:06,240 Speaker 1: folks are also responsible for the tickle me Elmo and 131 00:07:06,279 --> 00:07:09,720 Speaker 1: our kidding. It's so they were warming up to this 132 00:07:09,880 --> 00:07:12,000 Speaker 1: with with first let's get well a little develop the 133 00:07:12,000 --> 00:07:14,720 Speaker 1: tickle me Elmo and then the next logical leap is 134 00:07:15,000 --> 00:07:18,440 Speaker 1: um a rifle, right right, how do we use combustion 135 00:07:18,480 --> 00:07:22,720 Speaker 1: technology now now that we've mastered tickle me Elmo. Um. 136 00:07:22,760 --> 00:07:25,600 Speaker 1: But this, this is the less part of the gun 137 00:07:26,080 --> 00:07:28,640 Speaker 1: is that it uses in an explosive gas mixture in 138 00:07:28,680 --> 00:07:32,720 Speaker 1: the chamber behind the projectile, say like a rubber bullet, 139 00:07:33,120 --> 00:07:37,200 Speaker 1: rather than a conventional propellant patter like gunpowder. Okay, so 140 00:07:37,240 --> 00:07:40,600 Speaker 1: you get less like a muzzle flash kind of a situation. 141 00:07:40,640 --> 00:07:42,960 Speaker 1: Well yeah, and it allows you to actually calibrate the 142 00:07:43,000 --> 00:07:45,160 Speaker 1: amount of pressure that you'd like, and it does that 143 00:07:45,360 --> 00:07:49,000 Speaker 1: in tandem with a laser ranger ranger offinder that um 144 00:07:49,440 --> 00:07:52,360 Speaker 1: range funder rather that measures the distance of the target 145 00:07:52,800 --> 00:07:54,560 Speaker 1: in the gun. So then it can sit there and say, 146 00:07:54,560 --> 00:07:56,880 Speaker 1: okay that that person's a hundred feet away I'm going 147 00:07:56,920 --> 00:07:59,200 Speaker 1: to you know, put in the chamber this amount of 148 00:07:59,320 --> 00:08:02,600 Speaker 1: explosion so that it doesn't actually kill the person. Right. 149 00:08:02,640 --> 00:08:05,200 Speaker 1: So yeah, they're close range, it kind of nerves them 150 00:08:05,200 --> 00:08:08,720 Speaker 1: to a certain respect at least, you know, ballistically speaking, 151 00:08:08,880 --> 00:08:12,320 Speaker 1: very painful nerve. Yeah, and if they're farther away, because 152 00:08:12,360 --> 00:08:14,600 Speaker 1: it's kind of like rifles, Um, you know, anytime you 153 00:08:14,800 --> 00:08:17,720 Speaker 1: you hear about like people firing up rifles that have 154 00:08:17,880 --> 00:08:20,840 Speaker 1: like just tendn't have de tremendously long range, and you're 155 00:08:20,880 --> 00:08:24,000 Speaker 1: like like you're you really sure that there's nothing, you know, 156 00:08:24,080 --> 00:08:27,480 Speaker 1: and then you know this within this distance. But but yeah, 157 00:08:27,560 --> 00:08:30,200 Speaker 1: it's like a shorter you know, the variable range. It'll 158 00:08:30,760 --> 00:08:34,080 Speaker 1: in theory, you know, only have as much punch as 159 00:08:34,120 --> 00:08:37,040 Speaker 1: it needs, right the target, right exactly. And so I 160 00:08:37,040 --> 00:08:39,480 Speaker 1: mean in theory it sounds good, right, Yeah, But then 161 00:08:39,520 --> 00:08:41,240 Speaker 1: there's the whole user er, and then there's the whole 162 00:08:41,240 --> 00:08:44,080 Speaker 1: fact that the Pentagon. The Pentagon laid out some cash 163 00:08:44,160 --> 00:08:47,400 Speaker 1: for for the prototype here, and um, they requested that 164 00:08:47,480 --> 00:08:50,600 Speaker 1: there was an actual shoot to kill option so they 165 00:08:50,600 --> 00:08:54,920 Speaker 1: can override the non lethal part of it and switch 166 00:08:54,960 --> 00:09:00,640 Speaker 1: over to yeah dead, yeah, yeah, yeah, that's that's that. 167 00:09:00,760 --> 00:09:02,360 Speaker 1: Then Then then you get into sort of like sort 168 00:09:02,400 --> 00:09:06,560 Speaker 1: of lazy policing, lazy um you know, soldiering kind of 169 00:09:06,600 --> 00:09:08,560 Speaker 1: situation where it's like, well, I'd rather just you know, 170 00:09:08,600 --> 00:09:11,400 Speaker 1: shoot to kill, so I'll just you know, switch the trigger, 171 00:09:11,640 --> 00:09:14,680 Speaker 1: right or if I imagine, if you're in the thick 172 00:09:14,720 --> 00:09:17,560 Speaker 1: of things and you have a ton of stress and 173 00:09:17,800 --> 00:09:21,920 Speaker 1: confusion and chaos going on, uh, you know, you might. 174 00:09:22,679 --> 00:09:24,560 Speaker 1: I mean, maybe you wouldn't need to switch over to 175 00:09:24,600 --> 00:09:27,480 Speaker 1: the shoot to kill option, but it's you know, we're humans, 176 00:09:27,520 --> 00:09:29,560 Speaker 1: and that's a tremendous amount of pressure to be under. 177 00:09:29,600 --> 00:09:32,040 Speaker 1: And yes, you're you're you know, if if the purposes 178 00:09:32,120 --> 00:09:34,920 Speaker 1: to disperse the crowd, then you do have this rifle 179 00:09:35,000 --> 00:09:38,200 Speaker 1: to do so. But yeah, the sort of decisions that 180 00:09:38,280 --> 00:09:40,480 Speaker 1: happen in that split second you just never know. So 181 00:09:41,160 --> 00:09:43,599 Speaker 1: and and it's difficult to even like judge that, you know, 182 00:09:43,760 --> 00:09:46,360 Speaker 1: having never been enough like a combat situation, like you know, 183 00:09:46,679 --> 00:09:48,160 Speaker 1: if you're in a situation, you know, suddenly it's like 184 00:09:48,200 --> 00:09:50,400 Speaker 1: we should I said this to to lethal or nerf 185 00:09:50,600 --> 00:09:52,440 Speaker 1: and uh, you know, my life as at stake or 186 00:09:52,440 --> 00:09:55,280 Speaker 1: the life you know, the lives of innocent civilians or 187 00:09:55,320 --> 00:09:59,560 Speaker 1: you know, the people I'm fighting with yeah. And what 188 00:09:59,640 --> 00:10:02,720 Speaker 1: I think interesting about both of these technologies, the beam 189 00:10:02,800 --> 00:10:05,960 Speaker 1: and the rifle, is that clearly there's a need for 190 00:10:05,960 --> 00:10:10,160 Speaker 1: for something to to allow for crowd control, particularly if 191 00:10:10,200 --> 00:10:15,360 Speaker 1: you're in Afghanistan or Iraq. But you know, you you 192 00:10:15,360 --> 00:10:19,080 Speaker 1: you have to you have to probably weigh the Okay, 193 00:10:19,120 --> 00:10:21,000 Speaker 1: we want to have the hearts and minds of people 194 00:10:21,440 --> 00:10:23,959 Speaker 1: against the we need some sort of force to control 195 00:10:24,040 --> 00:10:27,680 Speaker 1: the crowd situation. And so I do wonder, particularly with 196 00:10:27,720 --> 00:10:29,520 Speaker 1: the beam, if that's one of the reasons why I 197 00:10:29,559 --> 00:10:31,760 Speaker 1: didn't necessarily make it through there. I mean, well, also, 198 00:10:31,840 --> 00:10:34,600 Speaker 1: I mean I hope that it didn't actually like have 199 00:10:34,720 --> 00:10:38,000 Speaker 1: the name pain Ray, because that's just that's just shy um, 200 00:10:38,000 --> 00:10:39,960 Speaker 1: you know, marketing. It's like, hey, we've got this great thing. 201 00:10:40,080 --> 00:10:43,679 Speaker 1: It's called the pain ray, and it's a totally humane way. 202 00:10:43,679 --> 00:10:45,680 Speaker 1: It's like, whoa, it sounds kind of creepy. Can't you 203 00:10:45,679 --> 00:10:49,360 Speaker 1: call it something like very like you know, variable velocity 204 00:10:49,480 --> 00:10:53,880 Speaker 1: rifle that sounds the police stand back rifle? Yeah, yeah, yeah, no, 205 00:10:54,080 --> 00:10:57,240 Speaker 1: And actually that rifle is nicknamed the Big Hurt, the 206 00:10:57,240 --> 00:11:01,880 Speaker 1: Big Hurt, which again, come on, guys, marketing, Yeah, or 207 00:11:02,000 --> 00:11:04,160 Speaker 1: maybe you know, it's like it needs a separate title 208 00:11:04,200 --> 00:11:06,080 Speaker 1: for the guys using it, so they'll feel like they're 209 00:11:06,080 --> 00:11:08,560 Speaker 1: not going out there like like, all right, guys, if 210 00:11:08,600 --> 00:11:10,280 Speaker 1: these guys get out of hand, you'll need to pull 211 00:11:10,320 --> 00:11:12,959 Speaker 1: out your discomfort wand on them because that, you know, 212 00:11:13,200 --> 00:11:15,880 Speaker 1: how how can you like confidently stride out into into 213 00:11:15,920 --> 00:11:20,520 Speaker 1: battle or know to face the crowd? Okay, I just 214 00:11:20,800 --> 00:11:23,160 Speaker 1: I just imagine someone with like Little Wizard's cloak on 215 00:11:23,320 --> 00:11:26,720 Speaker 1: with their wand um, which would seem much more benevolent, 216 00:11:26,760 --> 00:11:30,120 Speaker 1: I suppose. UM. But I was thinking about this too, 217 00:11:30,280 --> 00:11:33,000 Speaker 1: is is if it were to be put in use 218 00:11:33,080 --> 00:11:36,720 Speaker 1: both of those technologies, would it really help the situation? 219 00:11:36,880 --> 00:11:39,120 Speaker 1: And the reason I asked that is because I'm thinking 220 00:11:39,120 --> 00:11:42,400 Speaker 1: about whether or not people could become desensitized to that 221 00:11:42,480 --> 00:11:45,240 Speaker 1: sort of pain. Um. There was an article published in 222 00:11:45,320 --> 00:11:49,480 Speaker 1: nineteen fifty three by a Harvard and enthusiologist and he 223 00:11:49,800 --> 00:11:52,760 Speaker 1: was basically saying that the soldiers wounded in battle complained 224 00:11:52,880 --> 00:11:57,120 Speaker 1: a lot less than those who had similar pains or 225 00:11:57,160 --> 00:12:00,320 Speaker 1: injuries in a civilian hospital. And the idea is that 226 00:12:00,400 --> 00:12:03,040 Speaker 1: the wound was less important in the face of survival 227 00:12:03,720 --> 00:12:06,960 Speaker 1: and that and there's also sort of an honorable connotation 228 00:12:07,000 --> 00:12:09,800 Speaker 1: to it. UM. So It's sort of made me wonder 229 00:12:09,880 --> 00:12:12,720 Speaker 1: if you had this constant barrage of pain inducing beams, 230 00:12:12,720 --> 00:12:16,280 Speaker 1: would would it become a badge of honor to undergo 231 00:12:16,440 --> 00:12:19,320 Speaker 1: something like that? And also would your own endorphins kick 232 00:12:19,360 --> 00:12:22,120 Speaker 1: in and and and block the pain. Yeah, I mean 233 00:12:22,120 --> 00:12:24,640 Speaker 1: it's like you see you know these these like riot 234 00:12:25,200 --> 00:12:27,160 Speaker 1: uh you know images from around the world where will 235 00:12:27,160 --> 00:12:28,520 Speaker 1: be like, you know, the riot guards lined up, and 236 00:12:28,520 --> 00:12:30,520 Speaker 1: they'll be something like just some guy just you know, 237 00:12:30,600 --> 00:12:34,360 Speaker 1: really just manning up or berserking you know out and 238 00:12:34,360 --> 00:12:36,840 Speaker 1: just running at them, or you know, throwing a rock 239 00:12:37,360 --> 00:12:39,600 Speaker 1: or you know or some sort of like a you know, 240 00:12:39,880 --> 00:12:42,840 Speaker 1: flaming stick or something. And and yeah, it's like it 241 00:12:43,000 --> 00:12:46,240 Speaker 1: could with a slight discomfort beam really work in that 242 00:12:46,320 --> 00:12:49,720 Speaker 1: situation or right right, And not that humans are rats, 243 00:12:49,760 --> 00:12:52,800 Speaker 1: but there is one study um that that was conducted 244 00:12:52,880 --> 00:12:56,079 Speaker 1: jointly by the University of Wisconsin, Milwaukee and u c 245 00:12:56,280 --> 00:12:58,520 Speaker 1: l A. And they found that rats don't respond to 246 00:12:58,559 --> 00:13:03,280 Speaker 1: pain uh simuli in the presence of a predator or 247 00:13:03,360 --> 00:13:07,200 Speaker 1: in an environment that provokes fear. So if there's an 248 00:13:07,200 --> 00:13:10,560 Speaker 1: imminent danger, it actually suppresses the experience of pain through 249 00:13:10,720 --> 00:13:14,880 Speaker 1: endogenous opioids. So I mean, you know, again we're not rats, 250 00:13:14,960 --> 00:13:17,920 Speaker 1: but you have to sort of look at that correlation 251 00:13:17,960 --> 00:13:20,320 Speaker 1: and say, is it the same thing that when you 252 00:13:20,400 --> 00:13:22,720 Speaker 1: have a fear response that you do have these endorphins 253 00:13:22,760 --> 00:13:25,320 Speaker 1: going through your body, and particularly in something like that, 254 00:13:25,360 --> 00:13:29,120 Speaker 1: what you're you're in danger and I mean you're we 255 00:13:29,120 --> 00:13:32,880 Speaker 1: already know this with athletes who not so they're in danger, 256 00:13:33,400 --> 00:13:37,000 Speaker 1: but they're performing these crazy high levels and when they 257 00:13:37,040 --> 00:13:40,040 Speaker 1: become injured, the dopamines kick in and they're able to 258 00:13:40,240 --> 00:13:43,880 Speaker 1: slug through the race and limp off the field or 259 00:13:43,920 --> 00:13:46,760 Speaker 1: the track or or what have you and experienced that 260 00:13:46,800 --> 00:13:51,199 Speaker 1: pain later. Yeah. So yeah, I think that's a that 261 00:13:51,280 --> 00:13:53,959 Speaker 1: definitely raises a lot of questions about about less lethal 262 00:13:54,440 --> 00:13:56,720 Speaker 1: weapons are just sort of like the just the idea 263 00:13:56,720 --> 00:13:58,839 Speaker 1: of you know, using pain as a corrective measure and 264 00:13:59,280 --> 00:14:03,880 Speaker 1: high density uh you know confrontations like maybe like feelings 265 00:14:03,920 --> 00:14:07,040 Speaker 1: of ickiness are better, like if you shame and ickiness. Yeah, 266 00:14:07,120 --> 00:14:08,360 Speaker 1: like if you were to sort of like you know, 267 00:14:08,440 --> 00:14:11,080 Speaker 1: sort of like a Ghostbusters to slime gun, you know, 268 00:14:11,160 --> 00:14:13,719 Speaker 1: wherever you sort of like hose everybody Betty down in 269 00:14:13,800 --> 00:14:16,520 Speaker 1: that like it doesn't not enough pressure to like you know, 270 00:14:16,559 --> 00:14:20,080 Speaker 1: knock people down. Or you know, actually inflict physical pain, 271 00:14:20,120 --> 00:14:21,800 Speaker 1: but suddenly everybody feels kind of gross and they just 272 00:14:21,840 --> 00:14:23,280 Speaker 1: want to go home take a shower, right, I mean, 273 00:14:23,280 --> 00:14:25,160 Speaker 1: And there are the alternative there's like the long range 274 00:14:25,160 --> 00:14:29,920 Speaker 1: acoustic signals that are you know, that horrible shrieking, um 275 00:14:30,120 --> 00:14:33,760 Speaker 1: piercing sound that will disperse a crowd for certain um. 276 00:14:33,760 --> 00:14:36,040 Speaker 1: I think that one of the concerns though, particularly with 277 00:14:36,080 --> 00:14:39,600 Speaker 1: the beam, is that there's a company called Raytheon which 278 00:14:39,720 --> 00:14:43,120 Speaker 1: is conducting a case study in a California detention center 279 00:14:43,560 --> 00:14:47,640 Speaker 1: and they're using that beam on prisoners there, which is 280 00:14:47,680 --> 00:14:50,520 Speaker 1: sort of like WHOA okay, And of course the a 281 00:14:50,640 --> 00:14:52,720 Speaker 1: c l U has stepped in to say, well, you know, 282 00:14:52,800 --> 00:14:55,320 Speaker 1: we might have some civil rights issues here, guys. Yeah, 283 00:14:55,320 --> 00:14:58,800 Speaker 1: because it's an it's an auditory pain kind of ray. Basically, 284 00:14:58,800 --> 00:15:03,280 Speaker 1: it's like we're gonna blast you with physically painful noise. Yeah. 285 00:15:03,360 --> 00:15:05,880 Speaker 1: And I get against another situation when you have a 286 00:15:05,880 --> 00:15:08,640 Speaker 1: prison riot, the six are really high. You do want 287 00:15:08,720 --> 00:15:13,160 Speaker 1: something there to help you manage the situation. But again, 288 00:15:13,200 --> 00:15:17,400 Speaker 1: the potential for misuse is pretty high. I gotta say, 289 00:15:17,760 --> 00:15:19,720 Speaker 1: you know, I'm not Johnny Cash here, like doing a 290 00:15:19,760 --> 00:15:22,840 Speaker 1: concert for for the prisoners. I get that, you know 291 00:15:23,680 --> 00:15:26,040 Speaker 1: that there are certain things going on there that you 292 00:15:26,080 --> 00:15:27,880 Speaker 1: need to try to control, but it does seem to 293 00:15:27,920 --> 00:15:30,280 Speaker 1: me a little bit of auspicious. Yeah, it comes down 294 00:15:30,360 --> 00:15:34,120 Speaker 1: to like flipping a button to inflict pain versus like 295 00:15:34,280 --> 00:15:38,640 Speaker 1: beating somebody with a baton, Like both are are in 296 00:15:38,760 --> 00:15:41,640 Speaker 1: a in a way, both are equally inhumane, but one 297 00:15:41,720 --> 00:15:45,240 Speaker 1: is far easier. And I don't know, you can do 298 00:15:45,320 --> 00:15:48,160 Speaker 1: a lot of philosophical questions when when it comes down 299 00:15:48,160 --> 00:15:50,200 Speaker 1: to how do you choose to inflict pain on people? 300 00:15:50,320 --> 00:15:53,280 Speaker 1: And and and ultimately how do you get around doing it? 301 00:15:53,320 --> 00:15:55,600 Speaker 1: To begin with? Right? And then I guess to your points, 302 00:15:55,720 --> 00:15:58,720 Speaker 1: you start to objectify the person even more. Yeah, yeah, 303 00:15:58,800 --> 00:16:01,080 Speaker 1: and does that make a does that make the situation 304 00:16:01,160 --> 00:16:07,920 Speaker 1: better or worse? These are the actual philosophical questions. But nonetheless, yeah, 305 00:16:08,160 --> 00:16:11,080 Speaker 1: you gotta ask them. But you know, then you look 306 00:16:11,120 --> 00:16:14,000 Speaker 1: at the flip side, and you know, out of the 307 00:16:14,000 --> 00:16:17,080 Speaker 1: military and all all out of all the warfare, particularly 308 00:16:17,080 --> 00:16:19,560 Speaker 1: in I Rif and Afghanistan, you have a lot of 309 00:16:19,840 --> 00:16:26,480 Speaker 1: soldiers returning and they've got um horrible injuries and major 310 00:16:26,520 --> 00:16:29,520 Speaker 1: amounts of chronic pain. And that's a real problem too. 311 00:16:29,560 --> 00:16:32,120 Speaker 1: So you have pain on the other side here, and 312 00:16:32,360 --> 00:16:34,320 Speaker 1: I guess the flip side of that would be, how 313 00:16:34,360 --> 00:16:37,320 Speaker 1: do you lessen pain? We've we've figured out how to 314 00:16:37,400 --> 00:16:41,160 Speaker 1: inflict it, but is there a good viable way to 315 00:16:41,320 --> 00:16:45,080 Speaker 1: deal with pain um in the in the best of 316 00:16:45,240 --> 00:16:48,360 Speaker 1: the future sense, you know, the abilities that we have, Yeah, 317 00:16:48,400 --> 00:16:50,840 Speaker 1: because I mean basically, I mean if if if we 318 00:16:50,880 --> 00:16:54,000 Speaker 1: can prevent pain, you know, or or or lessen it, 319 00:16:54,320 --> 00:16:56,360 Speaker 1: uh to some degramming that that helps, just in the 320 00:16:56,400 --> 00:17:00,560 Speaker 1: treatment of the core problems, you know, right, like like 321 00:17:00,760 --> 00:17:04,600 Speaker 1: you know, no nobody should have to live with chronic pain. Basically, Yeah, 322 00:17:04,600 --> 00:17:07,399 Speaker 1: that's the key. And of course we've got drugs to 323 00:17:07,600 --> 00:17:09,080 Speaker 1: help with it. But the problem with that is that 324 00:17:09,080 --> 00:17:11,480 Speaker 1: they're pretty addictive. Yeah, because because the drug is doing 325 00:17:11,560 --> 00:17:14,600 Speaker 1: generally doing more than just removing the pain. It's also 326 00:17:14,760 --> 00:17:18,040 Speaker 1: it also has an opiate effect to it, right, and 327 00:17:18,280 --> 00:17:20,720 Speaker 1: especially in cases where it's you know, stuff like oxy cotton, 328 00:17:21,440 --> 00:17:25,400 Speaker 1: you know, just you know, classic morphine um situation all 329 00:17:25,440 --> 00:17:27,840 Speaker 1: that stuff. Right. So it's removing the plant, it's blocking 330 00:17:27,880 --> 00:17:30,679 Speaker 1: the pain, but it's also providing a high which you know, 331 00:17:31,119 --> 00:17:33,080 Speaker 1: put your body in that loop and gets all your 332 00:17:33,080 --> 00:17:36,200 Speaker 1: receptors all lined up. To say, hey, more and more UM. 333 00:17:36,240 --> 00:17:37,960 Speaker 1: But the good news is that there's a team of 334 00:17:38,000 --> 00:17:41,280 Speaker 1: doctors who actually see the future of wartime pain control. 335 00:17:41,880 --> 00:17:45,520 Speaker 1: UM in a new form of anesthesia called continuous peripheral 336 00:17:45,760 --> 00:17:49,040 Speaker 1: nerve block, and it takes a more targeted approach by 337 00:17:49,040 --> 00:17:52,280 Speaker 1: switching off only the pain signals coming from the injured limb, 338 00:17:52,840 --> 00:17:55,680 Speaker 1: so it leaves the patient's vital signs intact in the 339 00:17:55,720 --> 00:17:59,359 Speaker 1: cortical functions unimpaired. And the good news with that is 340 00:17:59,400 --> 00:18:01,679 Speaker 1: that you know you can you can help treat the 341 00:18:01,720 --> 00:18:06,520 Speaker 1: source of the pain without creating that loop of addiction. Yeah, 342 00:18:06,640 --> 00:18:09,560 Speaker 1: or just my understanding is also you're not turning off 343 00:18:09,640 --> 00:18:11,560 Speaker 1: that limb, so it's not like, oh, I can't feel 344 00:18:11,600 --> 00:18:13,520 Speaker 1: my leg anymore because I don't want my need to hurt. 345 00:18:13,920 --> 00:18:16,919 Speaker 1: It's it's it's more targeted than that, yeah, which has 346 00:18:16,920 --> 00:18:19,960 Speaker 1: got to help when you're recuperating from an injury or 347 00:18:20,000 --> 00:18:21,880 Speaker 1: dealing with chronic pain like that. But if you think 348 00:18:21,920 --> 00:18:24,200 Speaker 1: about it, UM, it's it's sort of like an elementary 349 00:18:24,240 --> 00:18:28,920 Speaker 1: form of UM an epidrol block. It's just much more targeted. 350 00:18:29,800 --> 00:18:31,360 Speaker 1: Of course, in the epadrol you you know you can't 351 00:18:31,400 --> 00:18:36,160 Speaker 1: feel your legs or anything but uh or so people say, 352 00:18:36,560 --> 00:18:41,119 Speaker 1: But this is this is a lot smarter choice. And 353 00:18:41,119 --> 00:18:43,399 Speaker 1: and you know, of course, warfare is never going to 354 00:18:43,440 --> 00:18:47,160 Speaker 1: go away, so being able to use something like this 355 00:18:47,320 --> 00:18:51,000 Speaker 1: is really great for soldiers who are returning. Warfare might 356 00:18:51,040 --> 00:18:55,240 Speaker 1: go away. Let's let's not completely rule it out. Feeling 357 00:18:55,320 --> 00:19:04,119 Speaker 1: like a pessimist this morning. This presentation is brought to 358 00:19:04,160 --> 00:19:11,639 Speaker 1: you by Intel sponsors of tomorrow. But these blocks are 359 00:19:11,640 --> 00:19:14,879 Speaker 1: actually made possible by this invention of small microprocess or 360 00:19:14,920 --> 00:19:17,840 Speaker 1: controlled pumps. So they bathe nerves in this these non 361 00:19:17,880 --> 00:19:22,720 Speaker 1: addictive drugs, and that's what blocks the transmission of pain signals. 362 00:19:23,080 --> 00:19:24,840 Speaker 1: And the cool thing about this is that the pumps 363 00:19:24,840 --> 00:19:27,240 Speaker 1: can also be used after they're treating in the hospital, 364 00:19:27,320 --> 00:19:29,119 Speaker 1: so they can use this for a couple of weeks, 365 00:19:29,560 --> 00:19:34,120 Speaker 1: administer the pump themselves and be able to control the pain. 366 00:19:34,800 --> 00:19:38,320 Speaker 1: Cool but without yeah, without but without self administering an 367 00:19:38,359 --> 00:19:43,240 Speaker 1: opiate effect exactly, Yeah, generally not be good. Yeah. And 368 00:19:43,280 --> 00:19:46,960 Speaker 1: then in the same category, we've got another sort of 369 00:19:47,000 --> 00:19:51,200 Speaker 1: erasing pain technology. Yeah, this is the one that seen 370 00:19:51,200 --> 00:19:54,119 Speaker 1: in a couple of different articles. They make the inevitable 371 00:19:54,160 --> 00:19:57,560 Speaker 1: comparison to the movie Eternal Sunshine of the spotless mind 372 00:19:58,040 --> 00:20:05,280 Speaker 1: the um what Charlie Kaufman screenplay Jim carry Yeah, about 373 00:20:05,320 --> 00:20:07,600 Speaker 1: the whole like, Oh, I have a painful memory, go 374 00:20:07,680 --> 00:20:09,240 Speaker 1: in and erase that memory so I don't have to 375 00:20:09,320 --> 00:20:11,679 Speaker 1: deal with it anymore. Right, I'm gonna be tortured by 376 00:20:11,720 --> 00:20:16,080 Speaker 1: this horrible breakup or this awful thing that happened. Um 377 00:20:16,119 --> 00:20:19,439 Speaker 1: And they don't necessarily erase specific memories, though, is its 378 00:20:19,560 --> 00:20:22,199 Speaker 1: right with this technology? Yeah? This, this technology is not 379 00:20:22,280 --> 00:20:27,679 Speaker 1: quite as far fetched in surgical it's a yeah. It 380 00:20:27,680 --> 00:20:31,360 Speaker 1: comes from researchers at the University of Toronto, So Korea 381 00:20:31,480 --> 00:20:36,640 Speaker 1: and Bristol UM and Bristol uh. And it's uh, it's 382 00:20:36,720 --> 00:20:40,080 Speaker 1: specifically designed for chronic pain. And we're talking generally, like, 383 00:20:40,200 --> 00:20:42,320 Speaker 1: you know, high levels of chronic pain, like not just 384 00:20:42,400 --> 00:20:45,320 Speaker 1: a list. Oh I'd rather sleep in, but oh I 385 00:20:45,359 --> 00:20:47,400 Speaker 1: need to take something so I can get out of bed, 386 00:20:47,600 --> 00:20:49,480 Speaker 1: you know, in the morning. That's generally what they're they're 387 00:20:49,480 --> 00:20:52,280 Speaker 1: talking about here, not like stubbed toes and or even 388 00:20:52,359 --> 00:20:55,760 Speaker 1: you know, you know, sort of marginally sort backs specific 389 00:20:55,840 --> 00:21:00,680 Speaker 1: specifically you know, intense pain um and and and also 390 00:21:00,800 --> 00:21:05,320 Speaker 1: people who have malfunctioning um um pathways and their synapses 391 00:21:05,359 --> 00:21:08,400 Speaker 1: which which got them to re experience the pain due 392 00:21:08,440 --> 00:21:12,879 Speaker 1: to abnormal persistence of their mental record of that pain. 393 00:21:13,480 --> 00:21:15,080 Speaker 1: So it is kind of tight. It's kind of tied 394 00:21:15,119 --> 00:21:18,720 Speaker 1: into the memory of the pain, you know, but but 395 00:21:18,840 --> 00:21:20,800 Speaker 1: not like oh you know, it's not not not like 396 00:21:20,840 --> 00:21:24,800 Speaker 1: an emotional thing like in the movie. Um. They mainly 397 00:21:24,880 --> 00:21:27,399 Speaker 1: they do this by inhibiting a molecule called p k 398 00:21:27,720 --> 00:21:29,760 Speaker 1: m zeta, and this is a molecule involved in the 399 00:21:29,800 --> 00:21:33,440 Speaker 1: storage of memories that reside um and a part of 400 00:21:33,480 --> 00:21:36,400 Speaker 1: the brain involved in the perception of pain. So they've 401 00:21:36,440 --> 00:21:40,280 Speaker 1: successfully eliminated they can access successfully eliminate the painful memory 402 00:21:40,320 --> 00:21:44,080 Speaker 1: at the heart of some of some kinds of neuropathic pain. 403 00:21:44,600 --> 00:21:48,000 Speaker 1: And so far apparently the tested worked on mice. Yeah. Yeah, 404 00:21:48,000 --> 00:21:50,120 Speaker 1: And so it's sort of and that what I thought 405 00:21:50,160 --> 00:21:52,800 Speaker 1: was interesting about this. It's it's jamming that, right, So 406 00:21:52,840 --> 00:21:55,800 Speaker 1: it's basically saying, okay, you can't the number of receptors 407 00:21:55,840 --> 00:21:59,879 Speaker 1: get reduced and then the memories of that disappear. And 408 00:22:00,000 --> 00:22:02,200 Speaker 1: that's what they've seen in the mice at least. Yeah, 409 00:22:02,359 --> 00:22:06,480 Speaker 1: So I guess that begs the question of it, can 410 00:22:06,520 --> 00:22:10,080 Speaker 1: you know they can develop drugs to inhibit painful memories 411 00:22:10,760 --> 00:22:14,639 Speaker 1: by targeting this molecule, but what about other forms of 412 00:22:14,760 --> 00:22:16,960 Speaker 1: memory or yeah, you know what does that do to 413 00:22:16,960 --> 00:22:19,640 Speaker 1: the mice? You know, the the memories that they have 414 00:22:19,680 --> 00:22:22,760 Speaker 1: are how their brain functions. Yeah, because again we we 415 00:22:22,840 --> 00:22:25,639 Speaker 1: go back to like the purpose of pain, and you know, 416 00:22:25,920 --> 00:22:29,439 Speaker 1: the meaning of pain, and it has as much as 417 00:22:29,440 --> 00:22:31,520 Speaker 1: we're like, oh, you know, I wish I you know, 418 00:22:31,520 --> 00:22:33,840 Speaker 1: wouldn't have to suffer. It's like it's it's a vital 419 00:22:33,880 --> 00:22:36,040 Speaker 1: part of who we are. Like to steal a quick 420 00:22:36,119 --> 00:22:38,200 Speaker 1: quote from William Faulkner, he's had given the choice between 421 00:22:38,200 --> 00:22:40,680 Speaker 1: the experience of pain and nothing, I would choose pain 422 00:22:41,280 --> 00:22:43,680 Speaker 1: or U. C. S. Lewis had a bit and of 423 00:22:43,720 --> 00:22:46,399 Speaker 1: course he wrote the problem of pain, and uh, this 424 00:22:46,440 --> 00:22:48,959 Speaker 1: is you know, this is more of a theological um 425 00:22:49,160 --> 00:22:51,159 Speaker 1: you know, standpoint. But he says, God whispers to us 426 00:22:51,160 --> 00:22:54,159 Speaker 1: in our pleasures, speaks in our conscious but shouts in 427 00:22:54,160 --> 00:22:56,800 Speaker 1: our pains. It is his megaphone to rouse a deaf world. 428 00:22:57,119 --> 00:22:59,520 Speaker 1: So I mean, you know, you get into Buddhism to 429 00:22:59,560 --> 00:23:01,440 Speaker 1: where it's pain. You know, suffering is a part of 430 00:23:01,440 --> 00:23:03,960 Speaker 1: who we are and you can't have if you just 431 00:23:04,000 --> 00:23:06,120 Speaker 1: seek out pleasure, you're gonna get you're gonna get more pain. 432 00:23:06,160 --> 00:23:08,199 Speaker 1: You gotta have that balance, so I can't have one 433 00:23:08,240 --> 00:23:10,719 Speaker 1: without the other. Yeah, it's just part of the feedback system. 434 00:23:10,760 --> 00:23:12,600 Speaker 1: You know. It's kind of you know, it's kind of 435 00:23:12,600 --> 00:23:14,280 Speaker 1: like when they're coming up with you know, trying to 436 00:23:14,280 --> 00:23:17,160 Speaker 1: come up with robots that can that can can move 437 00:23:17,200 --> 00:23:19,240 Speaker 1: and interact in a social environment, you kind of have 438 00:23:19,320 --> 00:23:21,480 Speaker 1: to come up with like a kind of a pain sensation. 439 00:23:21,560 --> 00:23:24,360 Speaker 1: You have to sort of create it, you know, for 440 00:23:24,359 --> 00:23:25,960 Speaker 1: for robots to a certain extent, or at least a 441 00:23:26,000 --> 00:23:29,439 Speaker 1: machine version of pain. Well, that's really interesting to think 442 00:23:29,440 --> 00:23:32,600 Speaker 1: about that. That's like it's almost like the robots have 443 00:23:32,640 --> 00:23:37,960 Speaker 1: the inability, like the congenital inability to to feel pain. Um, 444 00:23:38,040 --> 00:23:41,160 Speaker 1: and so yeah, they if we didn't program that, then 445 00:23:41,200 --> 00:23:44,760 Speaker 1: they might smush us into little pieces. Yeah, or you know, 446 00:23:44,800 --> 00:23:46,439 Speaker 1: it's just it's just like it's a it's again, it 447 00:23:46,480 --> 00:23:49,600 Speaker 1: just comes down to am I Am I touching a pan? 448 00:23:49,760 --> 00:23:52,200 Speaker 1: It's too hot? Should I be wearing you know, a glove? 449 00:23:52,240 --> 00:23:53,879 Speaker 1: Oh did I burn my finger? And I need to 450 00:23:53,960 --> 00:23:55,840 Speaker 1: have correct you know, do something. And then also just 451 00:23:55,880 --> 00:24:00,320 Speaker 1: like behavior stuff. You know, it's like, um, you you 452 00:24:00,359 --> 00:24:02,800 Speaker 1: have that really painful mistake be at a physical pain 453 00:24:02,880 --> 00:24:05,720 Speaker 1: or emotional pain, and uh, that tends to be something 454 00:24:05,760 --> 00:24:09,240 Speaker 1: you don't do again. You know, you've learned from that pain. 455 00:24:09,359 --> 00:24:11,320 Speaker 1: So so yeah, what if we end up, you know, 456 00:24:11,600 --> 00:24:14,679 Speaker 1: erasing or lessening pains that are shaping who we are? Like, 457 00:24:14,720 --> 00:24:21,359 Speaker 1: what what happens? Then you're get into some weird ground there, potentially. No, No, 458 00:24:21,440 --> 00:24:25,320 Speaker 1: it's an interesting proposition. Do I mean, could you You're right, 459 00:24:25,359 --> 00:24:27,080 Speaker 1: I mean, I guess the question is could you experience 460 00:24:27,080 --> 00:24:30,160 Speaker 1: happiness at all if you didn't know the difference? Because 461 00:24:30,160 --> 00:24:31,919 Speaker 1: we've all encounted those people who seemed happy all the 462 00:24:31,920 --> 00:24:34,360 Speaker 1: time and they're just boring, you know, we are. Yeah, 463 00:24:34,600 --> 00:24:38,400 Speaker 1: that's that's when I just pinch them. Yeah they're learn 464 00:24:38,480 --> 00:24:43,000 Speaker 1: from that. Yeah, all right, I don't I think we've 465 00:24:43,040 --> 00:24:45,640 Speaker 1: covered the future of pain as much as we can 466 00:24:45,640 --> 00:24:47,520 Speaker 1: with this topic. I mean, this topic is fascinating and 467 00:24:47,520 --> 00:24:49,320 Speaker 1: there's so many different ways we can go with it. 468 00:24:49,400 --> 00:24:54,359 Speaker 1: But yeah, next time you see someone who's happy, pinch them, yeah, 469 00:24:54,760 --> 00:24:57,960 Speaker 1: and then and then quiz them on what they've learned. So, hey, 470 00:24:58,000 --> 00:25:02,080 Speaker 1: we have a little uh listener, may here, Let's see 471 00:25:02,200 --> 00:25:04,640 Speaker 1: what do we have? Well, let's see, um, all right, 472 00:25:04,720 --> 00:25:11,000 Speaker 1: we have some listener mail from one Laverne and uh 473 00:25:11,200 --> 00:25:14,439 Speaker 1: they ride. Hey guys, my name is Laverne Um and 474 00:25:14,480 --> 00:25:17,000 Speaker 1: that's it. No, there's more. I was just listening to 475 00:25:17,000 --> 00:25:19,359 Speaker 1: your show about vertical living, and the scenario as you 476 00:25:19,400 --> 00:25:22,560 Speaker 1: described it would be logically impossible. The reason I say 477 00:25:22,600 --> 00:25:25,040 Speaker 1: that is because if you really lived on, say the 478 00:25:25,040 --> 00:25:27,400 Speaker 1: two hundred floor of that building, and all the work 479 00:25:27,480 --> 00:25:29,800 Speaker 1: was done by robots, I agree that would be great. 480 00:25:29,960 --> 00:25:31,560 Speaker 1: But if all the work is done by robots, I 481 00:25:31,560 --> 00:25:33,600 Speaker 1: wish you would explain to me how you're going to 482 00:25:33,720 --> 00:25:35,720 Speaker 1: learn to you're going to be able to earn money 483 00:25:35,800 --> 00:25:39,359 Speaker 1: to buy food to keep your yourself alive. Even if 484 00:25:39,359 --> 00:25:41,600 Speaker 1: it's grown in the building, they're still costs involved in 485 00:25:41,600 --> 00:25:43,480 Speaker 1: growing it, and there is no way that it would 486 00:25:43,520 --> 00:25:46,320 Speaker 1: be free um. And they're going to expand on this 487 00:25:46,359 --> 00:25:49,439 Speaker 1: little more and then say so. My prediction is it 488 00:25:49,480 --> 00:25:51,760 Speaker 1: will never happen, or if it does, then it will 489 00:25:51,880 --> 00:25:53,879 Speaker 1: be the start of the end of civilization because if 490 00:25:53,880 --> 00:25:57,479 Speaker 1: money drives innovation, innovation will stop and in another century 491 00:25:57,520 --> 00:25:59,520 Speaker 1: the robots will be worn out and no one would 492 00:25:59,560 --> 00:26:02,439 Speaker 1: have this else to survive. But that's just the theory 493 00:26:02,520 --> 00:26:05,480 Speaker 1: of a stone worker stuck in my shop listening to 494 00:26:05,640 --> 00:26:08,000 Speaker 1: podcasts while working. So if you disagree with me, please 495 00:26:08,080 --> 00:26:12,159 Speaker 1: let me know. This listener raises some important to you know, questions, 496 00:26:12,160 --> 00:26:14,960 Speaker 1: because yeah, as we if we find ourselves in a 497 00:26:15,000 --> 00:26:18,240 Speaker 1: situation where we hand over and increasingly large slice of 498 00:26:18,240 --> 00:26:20,800 Speaker 1: our lives to machines, and you, I mean, you get 499 00:26:20,840 --> 00:26:25,280 Speaker 1: into the just the basic problem of utopia and uh yeah, 500 00:26:25,320 --> 00:26:27,280 Speaker 1: and actually you and I sort of had this outside 501 00:26:27,280 --> 00:26:30,600 Speaker 1: conversation about this. Yeah, um, because when we were talking you, 502 00:26:30,680 --> 00:26:32,080 Speaker 1: I think you were making me feel better about the 503 00:26:32,080 --> 00:26:35,159 Speaker 1: technological singularity, and I think you were saying like that 504 00:26:35,280 --> 00:26:38,000 Speaker 1: the best case scenario would be that we just we 505 00:26:38,080 --> 00:26:41,760 Speaker 1: don't exchange money anymore, there is no need for money. Yeah, 506 00:26:41,920 --> 00:26:43,919 Speaker 1: you'd have to it, would you know, be more of 507 00:26:43,960 --> 00:26:48,359 Speaker 1: like a just a complete like socialist kind of situation, 508 00:26:48,440 --> 00:26:52,080 Speaker 1: A situation like I always keep coming back to the 509 00:26:52,119 --> 00:26:54,880 Speaker 1: Culture series by E. N. M. Banks, where he describes 510 00:26:54,920 --> 00:27:00,359 Speaker 1: a future, far future culture where humans basically do what 511 00:27:00,400 --> 00:27:04,240 Speaker 1: they want and leave leave the lead this anarchist head 512 00:27:04,280 --> 00:27:06,760 Speaker 1: and his lifestyle, and the robots are more or less 513 00:27:06,760 --> 00:27:09,840 Speaker 1: their caretakers that take care of everything. And in the 514 00:27:09,840 --> 00:27:11,639 Speaker 1: way he he doesn't know, like he lays it out 515 00:27:11,680 --> 00:27:13,400 Speaker 1: in in a in a way where you you get 516 00:27:13,440 --> 00:27:16,800 Speaker 1: a sense of loss, there's something that's missing, um, but 517 00:27:17,000 --> 00:27:19,520 Speaker 1: from humanity. But then it's also then you know, people 518 00:27:19,560 --> 00:27:21,080 Speaker 1: are still doing what they want and they're you know, 519 00:27:21,640 --> 00:27:24,679 Speaker 1: engaging in their hobbies, et cetera. So it's you know, 520 00:27:24,720 --> 00:27:29,920 Speaker 1: it's problematic, uh and thought provoking. But but yeah, it 521 00:27:30,359 --> 00:27:32,560 Speaker 1: also ties really into to this podcast, like the whole 522 00:27:32,560 --> 00:27:34,680 Speaker 1: idea of pain, like utopia. I was just thinking about 523 00:27:34,680 --> 00:27:37,399 Speaker 1: that too. Are they are they they're being served by 524 00:27:37,400 --> 00:27:39,880 Speaker 1: the robots, but they're probably going around pinching each other. Yeah, 525 00:27:40,040 --> 00:27:42,439 Speaker 1: just to say I remember, yeah, do they just turn it? 526 00:27:42,560 --> 00:27:44,879 Speaker 1: Is it? You know, it basically turns into any of 527 00:27:44,920 --> 00:27:47,480 Speaker 1: the other Wes Anderson movies, Like I'm thinking about the 528 00:27:47,760 --> 00:27:50,639 Speaker 1: The Darshing Limited where it just where there's not an 529 00:27:50,640 --> 00:27:55,240 Speaker 1: actual father figure and it's just about three like rich 530 00:27:55,320 --> 00:27:58,920 Speaker 1: privileged guys that are horrible. Yeah. Yeah, so like life 531 00:27:58,920 --> 00:28:02,280 Speaker 1: becomes that film them as opposed to the life Aquatic. Wow, 532 00:28:02,680 --> 00:28:05,200 Speaker 1: I guess that's not my favorite life Aquatic. I love 533 00:28:06,359 --> 00:28:09,800 Speaker 1: ars No No, me too. But there there's some interesting scenes. Actually, 534 00:28:09,840 --> 00:28:12,800 Speaker 1: that opening mini movie is pretty interesting. Oh yeah, yeah, 535 00:28:12,840 --> 00:28:16,440 Speaker 1: that was beautifull shot starcle but anyway, uh Laverne, thanks 536 00:28:16,480 --> 00:28:19,720 Speaker 1: for the thoughts that I think it's it's all copper 537 00:28:19,800 --> 00:28:24,440 Speaker 1: poking stuff, thought provoking. Thank you. And on a much 538 00:28:24,800 --> 00:28:28,520 Speaker 1: smaller email we received from one Nick and Nick Right 539 00:28:28,880 --> 00:28:32,280 Speaker 1: wrote in to say, listen to your podcast Life on 540 00:28:32,320 --> 00:28:37,120 Speaker 1: the last night, and after hearing about your interests talking 541 00:28:37,160 --> 00:28:40,400 Speaker 1: about me in battles on sky bridges, I threw this 542 00:28:40,480 --> 00:28:42,960 Speaker 1: together in MS paint paint. Hope you like it. I'll 543 00:28:42,960 --> 00:28:44,880 Speaker 1: hold it up to the microphone, but you can't really 544 00:28:44,920 --> 00:28:48,440 Speaker 1: hear it, um, but heat do an awesome MS paint 545 00:28:48,440 --> 00:28:51,160 Speaker 1: image of stick figures fighting on the skybridge. So yeah, 546 00:28:51,200 --> 00:28:53,400 Speaker 1: that's pretty awesome. We need to post on our Facebook page. 547 00:28:53,400 --> 00:28:55,800 Speaker 1: I should, yes, yes, when this comes out, I'll try 548 00:28:55,800 --> 00:28:58,240 Speaker 1: and remember to post it because it's exactly like it 549 00:28:58,280 --> 00:29:02,040 Speaker 1: appeared in my brain. You you dropped right into his 550 00:29:02,080 --> 00:29:05,080 Speaker 1: brain there next. So there you have it. If you know, 551 00:29:05,080 --> 00:29:07,520 Speaker 1: if you want to check out this image UM that 552 00:29:07,560 --> 00:29:10,280 Speaker 1: we're talking about, or um you know, engage with us 553 00:29:10,320 --> 00:29:13,160 Speaker 1: in the social media's, then you know, you can come 554 00:29:13,200 --> 00:29:16,120 Speaker 1: by our Twitter or Facebook pages where Blow the Mind 555 00:29:16,120 --> 00:29:19,160 Speaker 1: on both of those. You can also drop us an 556 00:29:19,200 --> 00:29:22,080 Speaker 1: email at Blow the Mind at how stuff Works dot 557 00:29:22,120 --> 00:29:28,400 Speaker 1: com for more on this and thousands of other topics. 558 00:29:28,560 --> 00:29:30,640 Speaker 1: Is it how stuff works dot com. To learn more 559 00:29:30,680 --> 00:29:33,480 Speaker 1: about the podcast, click on the podcast icon in the 560 00:29:33,560 --> 00:29:36,600 Speaker 1: upper right corner of our homepage. 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