WEBVTT - Episode 418 w/ Yelawolf

0:00:11.840 --> 0:00:16.120
<v Speaker 1>He is drink champs, motherfucky podcast man. He's a legendary

0:00:16.280 --> 0:00:18.800
<v Speaker 1>queens rapper. He's agreed as your boy in O r E.

0:00:18.960 --> 0:00:21.759
<v Speaker 2>He's a Miami hipp hop lioneer. Put up as d

0:00:21.920 --> 0:00:22.640
<v Speaker 2>j E f N.

0:00:22.840 --> 0:00:25.680
<v Speaker 3>Together they drink it up with some of the biggest players,

0:00:25.680 --> 0:00:28.800
<v Speaker 3>you know what I mean. And the most professional unprofessional

0:00:29.000 --> 0:00:31.800
<v Speaker 3>podcast and your number one source for drunks.

0:00:33.280 --> 0:00:34.880
<v Speaker 1>Very day is New Year's Csten.

0:00:34.960 --> 0:00:36.920
<v Speaker 2>It's time for drink champions.

0:00:37.240 --> 0:00:44.280
<v Speaker 1>Drink up, motherfuck mother? Would it good? Be hoping he

0:00:44.560 --> 0:00:44.839
<v Speaker 1>should be?

0:00:44.880 --> 0:00:45.960
<v Speaker 2>This your boy in O r E.

0:00:46.120 --> 0:00:48.639
<v Speaker 3>Put up his dj E f N. This is Jillammy great.

0:00:53.600 --> 0:00:57.080
<v Speaker 3>This man has been in movies, he hasn't been. He

0:00:57.080 --> 0:01:00.360
<v Speaker 3>has records from everybody from Gags the Bull, to Uchie

0:01:00.400 --> 0:01:05.040
<v Speaker 3>Man to motherfucking Eminem. He still sells out tolls. He

0:01:05.080 --> 0:01:07.560
<v Speaker 3>said he pulled up in the coloring and he came early.

0:01:09.600 --> 0:01:13.039
<v Speaker 3>I fucking respect the shit out of that. We are

0:01:13.080 --> 0:01:15.160
<v Speaker 3>going to have some fun today. We're gonna drink some whiskey.

0:01:15.240 --> 0:01:17.680
<v Speaker 3>We heard he's a whiskey guy. See he got the

0:01:17.760 --> 0:01:18.959
<v Speaker 3>American spirits over there.

0:01:20.040 --> 0:01:27.640
<v Speaker 1>Yo sunny dpt in casey yo yellow Oh yeah, yellow back, yeah,

0:01:27.959 --> 0:01:30.160
<v Speaker 1>yellow so Megan.

0:01:33.959 --> 0:01:38.720
<v Speaker 3>Now Alabama but Tennessee. Yeah, how does that go together?

0:01:39.120 --> 0:01:41.280
<v Speaker 3>I was born in Alabama, Uh huh.

0:01:41.560 --> 0:01:45.040
<v Speaker 4>Then I moved to I actually moved to Antioch, so

0:01:45.120 --> 0:01:48.160
<v Speaker 4>I grew up in the same hood jelly roll, Wow Struggle.

0:01:48.400 --> 0:01:51.960
<v Speaker 4>So Antioch when I was about seven and I lived

0:01:51.960 --> 0:01:55.000
<v Speaker 4>there from seven to fifteen years old, and then to Atlanta, Georgia,

0:01:55.080 --> 0:01:59.520
<v Speaker 4>and back to Alabama. And so basically Alabama, Georgia Tennessee

0:01:59.760 --> 0:02:02.680
<v Speaker 4>was Wow feeding grounds, so to speak.

0:02:03.040 --> 0:02:04.720
<v Speaker 3>So when I listen to your music, I do hear

0:02:05.280 --> 0:02:06.200
<v Speaker 3>a taste of Atlanta.

0:02:06.480 --> 0:02:09.480
<v Speaker 4>Now it makes sense. That's where it popped. Atlanta is

0:02:09.480 --> 0:02:11.799
<v Speaker 4>where I had to go to Atlanta to get it going.

0:02:11.960 --> 0:02:13.480
<v Speaker 4>You made cho yeah, yeah.

0:02:14.160 --> 0:02:16.440
<v Speaker 2>I linked up with Sea.

0:02:16.320 --> 0:02:23.799
<v Speaker 4>Bear, Kawan Prayther, with Ghetto Vision and Jeremy Jones, and

0:02:24.680 --> 0:02:29.960
<v Speaker 4>early on it was Maley the producer did Blonde Channel Orange.

0:02:30.639 --> 0:02:32.760
<v Speaker 4>So we were out there making noise and that's where

0:02:32.760 --> 0:02:34.679
<v Speaker 4>I got my chops up. You know, I had to

0:02:34.880 --> 0:02:38.359
<v Speaker 4>get out of Alabama to go get heard. Okay, So

0:02:38.440 --> 0:02:39.760
<v Speaker 4>I was on the streets for a while, you know,

0:02:40.000 --> 0:02:43.359
<v Speaker 4>you know, slinging tapes out the trunk, doing that hour Alabama.

0:02:44.960 --> 0:02:49.280
<v Speaker 3>What does the music seem like in Alabama, it's more country.

0:02:49.520 --> 0:02:50.320
<v Speaker 1>It's changed a lot.

0:02:50.520 --> 0:02:50.679
<v Speaker 5>You know.

0:02:50.720 --> 0:02:54.480
<v Speaker 4>The best way to describe the kind of neighborhood lifestyle

0:02:54.520 --> 0:02:55.840
<v Speaker 4>that I grew up in is like hustle and.

0:02:55.880 --> 0:02:59.359
<v Speaker 1>Flow, like visually Memphis pretty much just like that. Actually

0:03:00.120 --> 0:03:03.200
<v Speaker 1>exactly like that Box Chevy's.

0:03:03.639 --> 0:03:06.520
<v Speaker 3>You know, just you know, creepy little a song called

0:03:06.520 --> 0:03:07.200
<v Speaker 3>box Chevy too.

0:03:07.240 --> 0:03:09.720
<v Speaker 4>Oh yeah, I'm on number eight right now, actually on

0:03:09.880 --> 0:03:12.320
<v Speaker 4>on War Stories album, the double album we just released

0:03:13.040 --> 0:03:14.000
<v Speaker 4>Box Chevy Part eight.

0:03:14.240 --> 0:03:15.880
<v Speaker 2>I got a Killer Mic is on it.

0:03:16.720 --> 0:03:20.080
<v Speaker 4>Killer Mic and Bob Styles and so yeah, we got

0:03:20.120 --> 0:03:23.040
<v Speaker 4>a whole series of Box Chevy record I think.

0:03:23.120 --> 0:03:25.200
<v Speaker 3>I think that's what's one of one of the most

0:03:25.280 --> 0:03:27.280
<v Speaker 3>unique thing about you is no one can put you

0:03:27.320 --> 0:03:27.800
<v Speaker 3>in a box.

0:03:28.200 --> 0:03:29.399
<v Speaker 1>Like I can't say.

0:03:31.400 --> 0:03:36.000
<v Speaker 3>Uh uh, Like if I hear you on a song

0:03:36.040 --> 0:03:38.160
<v Speaker 3>with somebody, I'm not shocked because I feel like you

0:03:38.240 --> 0:03:40.920
<v Speaker 3>can do any anything. I feel like that's that's like

0:03:41.120 --> 0:03:43.320
<v Speaker 3>more your style. It's like, it's not that's what I mean.

0:03:43.560 --> 0:03:47.440
<v Speaker 4>Yeah, yeah, my my my manager and I, you know,

0:03:47.600 --> 0:03:52.680
<v Speaker 4>we got a thing like creatively schizophrenic, professionally bipolar. You

0:03:52.760 --> 0:03:55.640
<v Speaker 4>know that that's pretty you know, like being able to

0:03:55.960 --> 0:03:59.960
<v Speaker 4>weave in and out of styles, and my consistency is literal,

0:04:00.040 --> 0:04:02.760
<v Speaker 4>really my inconsistency, you know what I mean. I like

0:04:02.880 --> 0:04:04.920
<v Speaker 4>to change, I like to explore a lot of shit

0:04:05.640 --> 0:04:09.760
<v Speaker 4>and uh yeah, you know, I don't put boundaries on creativity.

0:04:10.200 --> 0:04:15.960
<v Speaker 2>Never. Who were those early influences, like did were there

0:04:16.279 --> 0:04:18.280
<v Speaker 2>local artists in Alabama? And then when you when you

0:04:18.320 --> 0:04:20.920
<v Speaker 2>went to Atlanta. I'm sure that that really influenced you

0:04:20.960 --> 0:04:22.800
<v Speaker 2>that whole scene. Who were those early influences?

0:04:23.040 --> 0:04:23.240
<v Speaker 1>Yeah?

0:04:23.400 --> 0:04:28.560
<v Speaker 4>No, well, I mean it seems fantastical or unbelievable, but

0:04:29.760 --> 0:04:32.520
<v Speaker 4>my mother's first long term boyfriend who did light and

0:04:32.680 --> 0:04:38.960
<v Speaker 4>sound for Alabama, Ted NuGen Rio, Speedwagon ten thousand maniacs,

0:04:39.400 --> 0:04:40.960
<v Speaker 4>uh and then Aerosmith.

0:04:41.080 --> 0:04:43.320
<v Speaker 1>During the walk this way towards it is a true story.

0:04:43.480 --> 0:04:47.280
<v Speaker 4>WHOA. I was six years old living in Alabama and

0:04:47.360 --> 0:04:49.760
<v Speaker 4>Fort Payne and it was a dry county.

0:04:50.360 --> 0:04:55.880
<v Speaker 3>So during the walk yeah, okay, okay, yeah, So before

0:04:55.880 --> 0:04:57.160
<v Speaker 3>you finished that story, what should I do?

0:04:57.480 --> 0:05:02.040
<v Speaker 1>Drink some whiskey? Yeah, whiskey, let's get just from Jo whisky.

0:05:01.839 --> 0:05:02.960
<v Speaker 2>Going all right?

0:05:03.040 --> 0:05:04.760
<v Speaker 1>Well, so.

0:05:06.360 --> 0:05:08.520
<v Speaker 4>Since it was a dry county, but my mom, my

0:05:08.600 --> 0:05:10.840
<v Speaker 4>mom and her boyfriend, they held the party down all

0:05:10.920 --> 0:05:15.960
<v Speaker 4>the time, you know, late parties whatever. So literally the

0:05:16.040 --> 0:05:20.479
<v Speaker 4>run DMC crew and Aerosmith came to our house, brought

0:05:20.560 --> 0:05:27.680
<v Speaker 4>me my ideas merch, my Idea's tapes, licensed to Ill Tapes,

0:05:27.760 --> 0:05:31.360
<v Speaker 4>Beastie Boy tape. So that was that was my first Hey,

0:05:31.520 --> 0:05:34.160
<v Speaker 4>this is hip hop. At the time, it wasn't like, yo,

0:05:34.360 --> 0:05:36.680
<v Speaker 4>this is hip hop. I've just given music because like

0:05:36.760 --> 0:05:38.920
<v Speaker 4>in the music business, you get swagged all the time.

0:05:38.960 --> 0:05:40.880
<v Speaker 4>It's a bunch of free shit here on the road.

0:05:41.680 --> 0:05:43.760
<v Speaker 4>So that's how it fell into my world. The actual

0:05:44.040 --> 0:05:46.640
<v Speaker 4>sound of hip hop. Up until that point, you know,

0:05:46.720 --> 0:05:50.080
<v Speaker 4>it was all classic rock and country. But it wasn't

0:05:50.160 --> 0:05:52.560
<v Speaker 4>until I moved to Nashville, Tennessee, where the culture of

0:05:52.680 --> 0:05:54.960
<v Speaker 4>hip hop started to make sense, you know, like in

0:05:55.040 --> 0:05:59.080
<v Speaker 4>the streets. But my early influence, I was just surrounded

0:05:59.080 --> 0:06:01.320
<v Speaker 4>by music. I was very you know, like to like

0:06:02.160 --> 0:06:03.960
<v Speaker 4>five years old. They would throw parties all the time,

0:06:04.000 --> 0:06:06.120
<v Speaker 4>but they would just throw me in the basement. Yeah,

0:06:06.480 --> 0:06:09.080
<v Speaker 4>because my mother was you know, I had a relationship.

0:06:09.240 --> 0:06:11.520
<v Speaker 4>His name was John Orchard, and the company was called

0:06:11.560 --> 0:06:15.640
<v Speaker 4>Electric Tech. So its lighting sound roadies. All them guys,

0:06:15.680 --> 0:06:17.240
<v Speaker 4>they all roll together, you know what I'm saying.

0:06:17.279 --> 0:06:19.240
<v Speaker 2>They party, Oh yeah, yeah, for real.

0:06:19.720 --> 0:06:22.040
<v Speaker 4>And then so I would be down in the basement

0:06:22.240 --> 0:06:26.360
<v Speaker 4>my uncle now uncle David, David Zammitt, who was also

0:06:26.920 --> 0:06:29.200
<v Speaker 4>a sound engineer for a lot of big bands he

0:06:29.240 --> 0:06:33.680
<v Speaker 4>did like June jam for like Dwight Yoakam and Alabama,

0:06:33.760 --> 0:06:38.000
<v Speaker 4>Travis Tritt, all all those country guys, but he did programming.

0:06:38.120 --> 0:06:40.240
<v Speaker 4>So there was an SP twelve hundred in the basement,

0:06:40.920 --> 0:06:42.520
<v Speaker 4>and like they would put me down on the SP

0:06:42.640 --> 0:06:45.119
<v Speaker 4>twelve hundred in the basement, I would be smacking around

0:06:45.160 --> 0:06:46.400
<v Speaker 4>on that, you know what I mean, while they were

0:06:46.440 --> 0:06:49.279
<v Speaker 4>partying and shit. So but it was all toy ish

0:06:49.400 --> 0:06:53.359
<v Speaker 4>to me, you know, but the seeds were being laid,

0:06:53.560 --> 0:06:55.560
<v Speaker 4>you know what I mean to you know, by the

0:06:55.640 --> 0:06:58.880
<v Speaker 4>time I got to Nashville and picked up skateboarding and

0:06:58.920 --> 0:07:01.680
<v Speaker 4>got in the graffiti scene, you know. Then then then

0:07:01.760 --> 0:07:05.040
<v Speaker 4>hip hop was just like a tsunami, right, you know,

0:07:05.080 --> 0:07:07.520
<v Speaker 4>it just started flooding into my life. So it was

0:07:07.640 --> 0:07:09.960
<v Speaker 4>natural for me to pull all those influences and try

0:07:10.000 --> 0:07:13.120
<v Speaker 4>to figure it out. It was took a lot long time, though,

0:07:13.240 --> 0:07:14.960
<v Speaker 4>you know what I mean, to figure out that sound

0:07:15.800 --> 0:07:16.760
<v Speaker 4>long time.

0:07:16.880 --> 0:07:17.000
<v Speaker 1>Man.

0:07:17.080 --> 0:07:20.400
<v Speaker 3>I heard you use the phrase country hip hop was

0:07:20.440 --> 0:07:21.240
<v Speaker 3>a hip hop country.

0:07:21.840 --> 0:07:24.280
<v Speaker 4>Well, you know, I'm not a big fan of country rap,

0:07:24.400 --> 0:07:27.160
<v Speaker 4>you know. Like, to be quite honest, I don't. I

0:07:27.240 --> 0:07:29.400
<v Speaker 4>don't believe in that genre.

0:07:29.800 --> 0:07:32.520
<v Speaker 1>I don't. I just think that like the genre.

0:07:32.680 --> 0:07:35.400
<v Speaker 4>I think that hip hop is whatever you make of it,

0:07:35.600 --> 0:07:38.840
<v Speaker 4>because it's it's a sample bassed music. So if you

0:07:38.960 --> 0:07:42.120
<v Speaker 4>want to do sitars in your record, you know what

0:07:42.160 --> 0:07:45.520
<v Speaker 4>I'm saying, or if you want to sample a banjo,

0:07:46.000 --> 0:07:47.680
<v Speaker 4>or if you want to pull from this and pull

0:07:47.720 --> 0:07:49.760
<v Speaker 4>for that, hip hop can be you know.

0:07:49.800 --> 0:07:52.400
<v Speaker 1>It's a stew of anything that you you know, absolutely,

0:07:53.080 --> 0:07:55.080
<v Speaker 1>a lot of people like they try to put a.

0:07:56.800 --> 0:07:59.800
<v Speaker 4>They put things into a box and try to compartmentalize

0:08:00.040 --> 0:08:00.560
<v Speaker 4>each style.

0:08:00.760 --> 0:08:02.760
<v Speaker 1>Yeah, and it's a marketing scheme to yeah. Yeah, But

0:08:03.040 --> 0:08:04.520
<v Speaker 1>at the end of the day, man, it's just really

0:08:04.640 --> 0:08:05.000
<v Speaker 1>hip hop.

0:08:05.120 --> 0:08:06.040
<v Speaker 2>And you know it's to me.

0:08:06.440 --> 0:08:11.800
<v Speaker 4>You got hip hop, country, rock and roll, blues, you know,

0:08:11.920 --> 0:08:15.480
<v Speaker 4>those can be compartmentalized, but within hip hop itself. I

0:08:15.600 --> 0:08:18.040
<v Speaker 4>just I've always believed in you know, hip hop, hip hop.

0:08:18.080 --> 0:08:20.600
<v Speaker 4>You know, like it's just your style. What is your style?

0:08:21.240 --> 0:08:22.840
<v Speaker 4>This is my style, this is how I do it.

0:08:23.600 --> 0:08:25.720
<v Speaker 3>Now you started to beat between Machine Gun Kelly and

0:08:25.840 --> 0:08:29.120
<v Speaker 3>eminem Right, No, I didn't start.

0:08:38.920 --> 0:08:40.400
<v Speaker 1>People don't know people. It's not us.

0:08:40.640 --> 0:08:42.319
<v Speaker 3>The people here doesn't allow cigarettes.

0:08:42.360 --> 0:08:51.040
<v Speaker 1>So you drinking supposed to read again? Respect, No, let's

0:08:51.080 --> 0:08:53.640
<v Speaker 1>go back to it. But this is a woman that

0:08:53.720 --> 0:08:54.760
<v Speaker 1>I heard. I heard it.

0:08:54.840 --> 0:08:57.920
<v Speaker 3>It was your record, machine Gun. Kelly is supposed to

0:08:57.920 --> 0:09:00.760
<v Speaker 3>get on it, or he got on it. He sent

0:09:00.840 --> 0:09:03.640
<v Speaker 3>it to M and M drops a disc record. Yeah,

0:09:03.760 --> 0:09:04.959
<v Speaker 3>that's pretty much what happened.

0:09:05.000 --> 0:09:08.760
<v Speaker 1>Well, so you didn't know that they had like a

0:09:08.800 --> 0:09:10.480
<v Speaker 1>little little things going.

0:09:12.720 --> 0:09:15.480
<v Speaker 4>I can't say that I was fully blind to some

0:09:15.840 --> 0:09:19.720
<v Speaker 4>sort of there was something in the air, but honestly,

0:09:19.960 --> 0:09:24.240
<v Speaker 4>DJ Paul, my brother Field, Yeah, we were in uh.

0:09:24.760 --> 0:09:30.040
<v Speaker 4>We were in Nashville working on Trump Music, Trump.

0:09:29.880 --> 0:09:34.880
<v Speaker 1>Music three, and he was like it was his idea.

0:09:35.160 --> 0:09:37.439
<v Speaker 1>Yeah he was. He was like, bro, I got this,

0:09:37.760 --> 0:09:38.960
<v Speaker 1>I got this rowdy beat.

0:09:39.960 --> 0:09:43.760
<v Speaker 4>If I could get you Kel's and Marshall on this ship,

0:09:44.000 --> 0:09:46.480
<v Speaker 4>it'll be out of here. It would be the craziest

0:09:47.280 --> 0:09:49.560
<v Speaker 4>three white boys on the record that's ever been heard.

0:09:50.120 --> 0:09:54.719
<v Speaker 1>That record, still record. That was his whole thing. I

0:09:54.880 --> 0:09:58.079
<v Speaker 1>was like, man, I mean, fuck it out, let's let's go.

0:09:58.800 --> 0:10:02.679
<v Speaker 4>So I lay it made my verse, sent it to

0:10:02.880 --> 0:10:06.959
<v Speaker 4>UH to Kel's and Kells was super excited. I told

0:10:07.040 --> 0:10:11.880
<v Speaker 4>him the whole, the whole idea of it. I pitched him, Okay, man,

0:10:11.880 --> 0:10:14.439
<v Speaker 4>I'm trying to get Marshall on this record. Paul produced it.

0:10:14.920 --> 0:10:18.199
<v Speaker 4>It'll be nuts if we can make this happen. So

0:10:18.360 --> 0:10:23.120
<v Speaker 4>I recorded it, Kells recorded his verse, sent it to Marshall.

0:10:23.760 --> 0:10:28.559
<v Speaker 4>Crickets Crickets for months, I don't know how long. All

0:10:28.640 --> 0:10:31.679
<v Speaker 4>I knew I knew from then I was like, I

0:10:31.720 --> 0:10:34.240
<v Speaker 4>don't know, man, I didn't I didn't know there was

0:10:34.280 --> 0:10:35.280
<v Speaker 4>a disc record coming.

0:10:35.440 --> 0:10:39.880
<v Speaker 1>But right, you're on Shady at the same Yeah, yeah,

0:10:40.280 --> 0:10:43.160
<v Speaker 1>on Shady. Yeah, this is some exciting ship contiguous.

0:10:43.800 --> 0:10:44.720
<v Speaker 2>I'm on Shady and.

0:10:46.840 --> 0:10:51.080
<v Speaker 4>And I've got I got this record coming out on Shady.

0:10:51.520 --> 0:10:54.319
<v Speaker 4>I mean like it's you know, it's a thing. It's

0:10:54.320 --> 0:11:00.040
<v Speaker 4>a Shady release. He puts this disc record out and

0:11:00.160 --> 0:11:00.880
<v Speaker 4>you have no idea.

0:11:01.040 --> 0:11:02.080
<v Speaker 1>I have no clue.

0:11:02.200 --> 0:11:04.200
<v Speaker 4>I had no one saw, no, he didn't say shit

0:11:04.240 --> 0:11:06.959
<v Speaker 4>to anyone. And I'm sitting here with this record. It's

0:11:07.040 --> 0:11:12.319
<v Speaker 4>me Paul Kells, and I'm like, oh, man, what the

0:11:12.440 --> 0:11:13.400
<v Speaker 4>fuck am I gonna do?

0:11:13.760 --> 0:11:16.360
<v Speaker 1>You know what I'm saying because I was like that.

0:11:16.800 --> 0:11:21.000
<v Speaker 4>Within an hour of it hitting the internet, Kell's face

0:11:21.080 --> 0:11:24.520
<v Speaker 4>times me wow, And I picked up the face time

0:11:24.559 --> 0:11:29.719
<v Speaker 4>and Kel's going He's just shaking his head like, nah, man, nah,

0:11:29.920 --> 0:11:32.400
<v Speaker 4>I'm not having it. Yeah exactly, he was like nah.

0:11:32.559 --> 0:11:35.480
<v Speaker 4>I was like, hey, I don't know what to tell you.

0:11:35.600 --> 0:11:35.720
<v Speaker 6>Man.

0:11:35.960 --> 0:11:39.240
<v Speaker 4>I honestly like, at this point, I don't know what

0:11:39.280 --> 0:11:40.679
<v Speaker 4>to do. I don't know what to tell you. I

0:11:40.720 --> 0:11:41.840
<v Speaker 4>haven't spoken to Marshall.

0:11:42.000 --> 0:11:45.760
<v Speaker 1>But you know, like I, you know, do what you do.

0:11:46.000 --> 0:11:47.880
<v Speaker 4>I guess you want to man up and go go there,

0:11:47.960 --> 0:11:49.640
<v Speaker 4>then go go there. But I can't tell you what's

0:11:49.640 --> 0:11:52.319
<v Speaker 4>gonna happen with you and me. But you know, meaning

0:11:53.120 --> 0:11:56.640
<v Speaker 4>I couldn't. I couldn't tell him like this may turn

0:11:56.679 --> 0:12:00.599
<v Speaker 4>into a problem with me and you like because I

0:12:00.679 --> 0:12:02.599
<v Speaker 4>told him that. Well yeah, I mean I was like,

0:12:02.679 --> 0:12:05.439
<v Speaker 4>dog if you know, like I was with Shady, so

0:12:05.520 --> 0:12:09.640
<v Speaker 4>if the general says go, let's go but yeah, so

0:12:09.880 --> 0:12:13.600
<v Speaker 4>like but but so, I mean, but I'm saying that's

0:12:13.679 --> 0:12:16.559
<v Speaker 4>my gang, you know, I was Shady Records, so respect.

0:12:17.559 --> 0:12:20.239
<v Speaker 1>So I finally got Marshall on the phone.

0:12:22.080 --> 0:12:23.920
<v Speaker 3>After I love how you called on Marshall, by the way,

0:12:23.960 --> 0:12:24.319
<v Speaker 3>I love that.

0:12:25.200 --> 0:12:29.240
<v Speaker 1>I know it's eminem yeah, yeah, I always it's weird

0:12:29.320 --> 0:12:34.400
<v Speaker 1>calling imminent. Marshall seems like we called the Marshal because

0:12:34.400 --> 0:12:36.880
<v Speaker 1>I don't know him at all. I never met him.

0:12:37.320 --> 0:12:39.080
<v Speaker 3>I've met him one time at the Hip Hop Summit

0:12:39.600 --> 0:12:42.040
<v Speaker 3>and it was like we passed by, shook hands, and

0:12:42.080 --> 0:12:43.079
<v Speaker 3>that was pretty pretty much it.

0:12:43.480 --> 0:12:44.600
<v Speaker 1>Uh in Detroit.

0:12:44.920 --> 0:12:46.959
<v Speaker 4>Yeah, Well, I could tell you that I was the

0:12:47.040 --> 0:12:51.040
<v Speaker 4>only human probably alive with both of them on the

0:12:51.120 --> 0:12:52.280
<v Speaker 4>phone during that whole.

0:12:52.320 --> 0:12:54.079
<v Speaker 3>Wait a minute, you going too fast, hold hold on on.

0:12:54.400 --> 0:12:56.520
<v Speaker 3>So when m called, you got him and.

0:12:58.520 --> 0:13:02.400
<v Speaker 1>You're separately were talking about okay, okay. I thought you

0:13:02.600 --> 0:13:03.480
<v Speaker 1>had the three way going.

0:13:03.800 --> 0:13:03.839
<v Speaker 5>No.

0:13:03.960 --> 0:13:05.880
<v Speaker 1>I only had a couple of conversations with Marshall.

0:13:05.920 --> 0:13:07.679
<v Speaker 4>And but when I did talk to Marshall, I was

0:13:07.720 --> 0:13:11.440
<v Speaker 4>in Toronto, and this is after after he had released

0:13:11.480 --> 0:13:11.920
<v Speaker 4>the record.

0:13:12.000 --> 0:13:17.000
<v Speaker 1>And then mg K drops his ship and he drops

0:13:17.080 --> 0:13:18.960
<v Speaker 1>that line, you know.

0:13:19.280 --> 0:13:21.679
<v Speaker 4>Something about don't take me off yellow album, Don't take

0:13:21.720 --> 0:13:22.680
<v Speaker 4>me off Yellows album.

0:13:22.760 --> 0:13:26.800
<v Speaker 1>Yeah, and uh, you took him with the album.

0:13:27.120 --> 0:13:29.040
<v Speaker 2>No, no, no, okay, So I caught.

0:13:30.440 --> 0:13:34.160
<v Speaker 1>I'm sorry, I caught Marshall basically like like listen, man.

0:13:35.480 --> 0:13:38.160
<v Speaker 4>Obviously I got the utmost respect for Marshall, and I

0:13:38.280 --> 0:13:40.760
<v Speaker 4>was like, listen, I like this song.

0:13:40.880 --> 0:13:43.400
<v Speaker 1>I got with l Kel's, you know, and and like

0:13:43.600 --> 0:13:46.880
<v Speaker 1>I had a beat with Kel's early early on. Yeah, yeah,

0:13:46.880 --> 0:13:47.600
<v Speaker 1>I can't get along.

0:13:48.200 --> 0:13:51.400
<v Speaker 4>Well I took I you know, I just I addressed

0:13:51.440 --> 0:13:55.000
<v Speaker 4>it on bootleg keV, like if you want it, let's go,

0:13:55.400 --> 0:13:57.599
<v Speaker 4>like I'm with it. I'm with it, I'm with the

0:13:57.640 --> 0:14:01.000
<v Speaker 4>bullshit whatever. But I met him, we handled it, we

0:14:01.040 --> 0:14:03.680
<v Speaker 4>squashed it. It's all good. And that was years years ago,

0:14:04.440 --> 0:14:06.199
<v Speaker 4>so opportunity to come around to do a record, I

0:14:06.320 --> 0:14:09.400
<v Speaker 4>was with it and we've since become good friends.

0:14:09.480 --> 0:14:10.400
<v Speaker 2>That's my dog, you know.

0:14:10.520 --> 0:14:14.120
<v Speaker 1>Wow. So I was like, what do you want me

0:14:14.160 --> 0:14:16.679
<v Speaker 1>to do? The as marshall, you know, what what do

0:14:16.800 --> 0:14:16.920
<v Speaker 1>we do?

0:14:17.040 --> 0:14:17.679
<v Speaker 2>What do you want me to do?

0:14:18.240 --> 0:14:21.160
<v Speaker 4>And he said to me, man, put that ship out.

0:14:21.240 --> 0:14:23.560
<v Speaker 4>People need to hear it. People need to hear that.

0:14:23.640 --> 0:14:25.360
<v Speaker 4>So he kept it that.

0:14:26.520 --> 0:14:30.040
<v Speaker 1>Yeah, he respected my career during all of.

0:14:30.160 --> 0:14:32.440
<v Speaker 2>This, right, you know what I'm saying.

0:14:32.520 --> 0:14:34.400
<v Speaker 1>So, I mean, was that because he thought it was

0:14:34.440 --> 0:14:36.000
<v Speaker 1>that good of a record or just out of.

0:14:36.240 --> 0:14:39.960
<v Speaker 4>I think the situation respect for me and knowing that

0:14:40.080 --> 0:14:42.400
<v Speaker 4>I didn't know, like I know if he had dissed

0:14:43.520 --> 0:14:46.120
<v Speaker 4>mg K. And then I went and afterwards did a

0:14:46.200 --> 0:14:48.480
<v Speaker 4>record with him. You know that would be fucked up,

0:14:49.320 --> 0:14:50.520
<v Speaker 4>but that's not how it happened.

0:14:51.160 --> 0:14:54.040
<v Speaker 2>So I was just fucking in the middle, like fucking.

0:14:54.680 --> 0:15:00.160
<v Speaker 3>White boy Jesus or something, because I think I her

0:15:00.240 --> 0:15:04.360
<v Speaker 3>game say that he thought that machine gun Kelly drink drinks.

0:15:04.600 --> 0:15:06.120
<v Speaker 1>Yeah, I'll take some creek water. By the way, this

0:15:06.240 --> 0:15:08.920
<v Speaker 1>is my best ship, ride my Whiskey brand creek water.

0:15:09.360 --> 0:15:11.200
<v Speaker 1>This is this is our cinnamon. We got the O

0:15:11.440 --> 0:15:13.400
<v Speaker 1>G one proof and this is our brand. Give him

0:15:13.400 --> 0:15:15.680
<v Speaker 1>a new cup though, our brand new one. Smoke peach.

0:15:16.240 --> 0:15:18.040
<v Speaker 1>Oh you're making it over there, okay, okay, oh yeah,

0:15:18.120 --> 0:15:19.840
<v Speaker 1>oh yeah, you got it. Okay, you got it?

0:15:20.240 --> 0:15:22.720
<v Speaker 3>So which one is that? What's the look up? What

0:15:22.760 --> 0:15:27.920
<v Speaker 3>was that cinnamon? You also did the movie right Along.

0:15:29.240 --> 0:15:29.920
<v Speaker 1>Ride Along?

0:15:31.440 --> 0:15:31.640
<v Speaker 7>Nah?

0:15:32.120 --> 0:15:32.360
<v Speaker 5>Did I?

0:15:32.920 --> 0:15:36.640
<v Speaker 1>It's in your google's right Along? Yeah, we did a

0:15:36.680 --> 0:15:37.640
<v Speaker 1>movie called ride Along.

0:15:38.400 --> 0:15:41.280
<v Speaker 4>Oh no, no, no, right along with Now that's that's

0:15:41.280 --> 0:15:44.200
<v Speaker 4>a docu. That's a document series with put Homeboy from.

0:15:45.320 --> 0:15:49.800
<v Speaker 1>Uh the Evil Dead. He does the I ribe motorcycle,

0:15:49.960 --> 0:15:51.880
<v Speaker 1>I ride Harley. You look like you ribe most cycles?

0:15:52.080 --> 0:15:53.120
<v Speaker 1>Yeah no, no, just back.

0:16:00.160 --> 0:16:01.000
<v Speaker 5>Was like like.

0:16:03.120 --> 0:16:04.680
<v Speaker 1>Feels like that. You can look at him and say, yo,

0:16:04.800 --> 0:16:06.000
<v Speaker 1>he owns a holly.

0:16:08.160 --> 0:16:08.520
<v Speaker 2>Thank you.

0:16:11.640 --> 0:16:14.440
<v Speaker 1>That's funny. Yeah, so.

0:16:16.160 --> 0:16:16.880
<v Speaker 2>What's his name?

0:16:16.960 --> 0:16:21.400
<v Speaker 4>I feel I'm terrible, terrible with names, even celebrities is horrible.

0:16:21.520 --> 0:16:23.640
<v Speaker 4>Y'all know who the dude is, the head guy from

0:16:24.160 --> 0:16:28.520
<v Speaker 4>from Evil Dead the shows.

0:16:29.240 --> 0:16:30.920
<v Speaker 1>You're looking at him like he's gonna come over.

0:16:33.160 --> 0:16:33.560
<v Speaker 2>Anyway.

0:16:33.680 --> 0:16:36.640
<v Speaker 4>So I did do that series with him. It was

0:16:36.760 --> 0:16:41.480
<v Speaker 4>me and me, him and Marilyn Manson. Wow during that.

0:16:41.840 --> 0:16:43.800
<v Speaker 4>During that, uh so, I just take him around. I

0:16:43.840 --> 0:16:46.280
<v Speaker 4>took him around Nashville and the Harley and showed him

0:16:46.280 --> 0:16:49.360
<v Speaker 4>the city and you know, I did the thing. But

0:16:49.480 --> 0:16:52.480
<v Speaker 4>the first and only movie I've done officially is Peanut

0:16:52.480 --> 0:16:53.040
<v Speaker 4>Butter Falcon.

0:16:53.280 --> 0:16:56.600
<v Speaker 3>I was getting to that ahead, skipped my interview ahead.

0:16:57.240 --> 0:17:01.560
<v Speaker 3>I got it right, head talk about it twenty nineteen.

0:17:01.760 --> 0:17:03.480
<v Speaker 4>Yeah, yeah, well, I mean it's the only film that

0:17:03.520 --> 0:17:07.680
<v Speaker 4>I've done officially. I've been in a series here and there.

0:17:07.720 --> 0:17:08.280
<v Speaker 2>You know what I'm saying.

0:17:08.840 --> 0:17:14.880
<v Speaker 4>But yeah, so Peanut Butterfalcon shot at Savannah, Georgia. Story

0:17:14.920 --> 0:17:18.800
<v Speaker 4>by this kid with Down syndrome who escapes. He escaped

0:17:18.800 --> 0:17:22.080
<v Speaker 4>the retirement home. People don't know. This is a real

0:17:22.200 --> 0:17:25.240
<v Speaker 4>law in America. If a child with Down syndrome doesn't

0:17:25.280 --> 0:17:26.920
<v Speaker 4>have a family to take care of him. They put

0:17:27.000 --> 0:17:28.560
<v Speaker 4>him in a retirement home.

0:17:28.640 --> 0:17:34.120
<v Speaker 1>That's crazy. Damn, that's a real thing. A kid. Wow.

0:17:34.320 --> 0:17:36.840
<v Speaker 4>And they put him on the government custody at a

0:17:36.920 --> 0:17:40.320
<v Speaker 4>retirement home as well. So the director Tyler became best

0:17:40.320 --> 0:17:44.440
<v Speaker 4>friends with this kid, Zach And in real life, I

0:17:44.520 --> 0:17:46.480
<v Speaker 4>wrote the story about him. So this kid escapes the

0:17:46.520 --> 0:17:48.879
<v Speaker 4>retirement home and he's set out. He sets out to

0:17:49.119 --> 0:17:53.359
<v Speaker 4>become a professional wrestler. And he's you know, there's this

0:17:53.720 --> 0:17:55.880
<v Speaker 4>wrestler in the film Saltwater Redneck.

0:17:57.280 --> 0:17:58.720
<v Speaker 2>Thank you. Let's go.

0:17:59.400 --> 0:18:02.080
<v Speaker 1>We got to get the ship going. Bro drink, let's

0:18:02.119 --> 0:18:08.320
<v Speaker 1>go waiting on you chaerish, Let's do it. Let's do

0:18:08.400 --> 0:18:10.640
<v Speaker 1>a shot. Okay, I'm I'm man. Let's off.

0:18:10.760 --> 0:18:13.000
<v Speaker 2>We can start quickly.

0:18:13.720 --> 0:18:14.520
<v Speaker 1>You want to do that one?

0:18:14.680 --> 0:18:18.840
<v Speaker 3>But no, everybody, they make this in a tub and kindle.

0:18:18.880 --> 0:18:20.640
<v Speaker 3>You don't want none of that. Don't don't don't, don't.

0:18:20.680 --> 0:18:23.200
<v Speaker 3>Don't drink of that before we get to that.

0:18:23.320 --> 0:18:24.919
<v Speaker 1>Let me do you did you hear? Do you hear

0:18:25.320 --> 0:18:27.639
<v Speaker 1>glow Whiler? Yeah? Glow?

0:18:28.960 --> 0:18:30.120
<v Speaker 2>You heard that record? Yeah?

0:18:30.400 --> 0:18:32.480
<v Speaker 1>Don't remind you of your record? Don't you got a

0:18:32.520 --> 0:18:36.080
<v Speaker 1>record with with Boots? Rest in Peace?

0:18:37.240 --> 0:18:39.560
<v Speaker 4>I got something for you guys By the way. Okay,

0:18:39.800 --> 0:18:43.120
<v Speaker 4>I got Boot. Lola was my sister, Like she's.

0:18:42.960 --> 0:18:45.560
<v Speaker 1>A great person. Yes, rest in Peace also was on

0:18:45.680 --> 0:18:49.040
<v Speaker 1>Drink Chaps Listen, I got you okay.

0:18:49.520 --> 0:18:54.040
<v Speaker 4>Uh yeah, So Lola and I were so cool and Paul,

0:18:54.400 --> 0:18:56.480
<v Speaker 4>but Lola like we were so like she talked to

0:18:56.560 --> 0:18:57.880
<v Speaker 4>my mom like once a week.

0:18:58.320 --> 0:19:00.520
<v Speaker 1>Wow type of ship, like we were family fans.

0:19:00.520 --> 0:19:00.720
<v Speaker 8>Wow.

0:19:02.280 --> 0:19:04.600
<v Speaker 2>Yeah, that was my girl, man, And I remember.

0:19:04.760 --> 0:19:07.760
<v Speaker 4>You know, one of my first shows, I know, actually

0:19:07.880 --> 0:19:11.160
<v Speaker 4>my very first like real gangster rap show was three

0:19:11.240 --> 0:19:14.680
<v Speaker 4>six Mafia Mystical at the Atrium in nineteen ninety seven. Yeah,

0:19:15.760 --> 0:19:20.840
<v Speaker 4>and uh in Atlanta, Georgia. And years later I would

0:19:20.920 --> 0:19:23.399
<v Speaker 4>meet Boo and I don't remember. I think it might

0:19:23.440 --> 0:19:24.679
<v Speaker 4>have been south By Southwest.

0:19:25.280 --> 0:19:28.440
<v Speaker 1>That's what I measure actually really well. Boot.

0:19:29.160 --> 0:19:33.120
<v Speaker 4>We became fast friends and ended up doing this song

0:19:33.560 --> 0:19:35.280
<v Speaker 4>eminem we throw it up, Yeah, throw it. I put

0:19:35.280 --> 0:19:38.879
<v Speaker 4>her on the record with Marshall, which fucked everybody up.

0:19:38.920 --> 0:19:39.280
<v Speaker 3>By the way.

0:19:39.480 --> 0:19:41.399
<v Speaker 1>That was a weird combination, but we didn't get it.

0:19:41.560 --> 0:19:41.960
<v Speaker 1>It worked.

0:19:42.119 --> 0:19:43.879
<v Speaker 4>It worked, but you know, we were ahead of it.

0:19:44.080 --> 0:19:46.440
<v Speaker 4>We were ahead of the time with that shit. Like

0:19:46.800 --> 0:19:50.919
<v Speaker 4>we called a real pocket during that project. That now

0:19:51.000 --> 0:19:55.520
<v Speaker 4>it's like it is the pocket everybody's pocket. But rest

0:19:55.600 --> 0:20:00.760
<v Speaker 4>in peace, Lola, and listen. I brought this my homeboy,

0:20:00.960 --> 0:20:04.000
<v Speaker 4>John Newport fing I believe you know him.

0:20:04.000 --> 0:20:08.320
<v Speaker 1>John Newport, he must smoke Newports. He gave me this,

0:20:08.840 --> 0:20:15.480
<v Speaker 1>Lola awardless at the drink shit Holy ship.

0:20:15.880 --> 0:20:20.520
<v Speaker 4>This was Lola's drink, rag Man. It was gifted to

0:20:20.600 --> 0:20:24.560
<v Speaker 4>me as a good omen for the show, Oh, Lolas.

0:20:25.920 --> 0:20:31.040
<v Speaker 1>Was And I want you to.

0:20:31.040 --> 0:20:32.520
<v Speaker 3>I want you to check that record out because I

0:20:32.680 --> 0:20:35.359
<v Speaker 3>almost it almost sounds identical to the two records. And

0:20:35.480 --> 0:20:38.680
<v Speaker 3>I think that Glorilla was trying to big you up though.

0:20:38.960 --> 0:20:40.879
<v Speaker 3>I think that's what that record is. But she just

0:20:41.040 --> 0:20:43.040
<v Speaker 3>put it to her name though, you know what I'm saying.

0:20:43.040 --> 0:20:44.959
<v Speaker 3>So check it out though, because it sounds very, very

0:20:45.040 --> 0:20:47.240
<v Speaker 3>very similar. All right, we're gonna do the great Thomas Live.

0:20:47.640 --> 0:20:50.840
<v Speaker 1>These flowers flowers, Well, let's go, let's go.

0:20:51.240 --> 0:20:53.159
<v Speaker 3>You know, our show was about giving people their flowers

0:20:53.160 --> 0:20:54.680
<v Speaker 3>while they hear. You know, so many people want to

0:20:54.720 --> 0:20:56.480
<v Speaker 3>give people when they gone. We want to give you

0:20:56.560 --> 0:20:58.480
<v Speaker 3>face to face man, the man tell you how great

0:20:58.560 --> 0:21:03.200
<v Speaker 3>you better than the Grammy, So you know we wanted

0:21:03.200 --> 0:21:05.720
<v Speaker 3>to get you. But if you're gonna do a great

0:21:05.760 --> 0:21:07.720
<v Speaker 3>time time. I'm just doing a shot though. At least

0:21:07.720 --> 0:21:08.359
<v Speaker 3>come on, you know we.

0:21:08.400 --> 0:21:10.080
<v Speaker 1>Do quick are you guys? Are ready? Not ready?

0:21:10.240 --> 0:21:10.560
<v Speaker 2>Jesus?

0:21:10.880 --> 0:21:12.800
<v Speaker 1>All right, So just so you know, this is amazing man,

0:21:12.880 --> 0:21:14.720
<v Speaker 1>thank you. When we when we make up.

0:21:14.680 --> 0:21:17.679
<v Speaker 3>These games, it's the Dominican and the Columbia right here

0:21:17.720 --> 0:21:18.440
<v Speaker 3>who comes up.

0:21:18.400 --> 0:21:21.159
<v Speaker 1>With these questions. So if they horrible questions, just just

0:21:21.320 --> 0:21:25.040
<v Speaker 1>just just yell at them. It's okay, it's okay. They're

0:21:25.119 --> 0:21:30.720
<v Speaker 1>used to it, all right. Yes, we're taking a shot.

0:21:30.840 --> 0:21:31.720
<v Speaker 2>Yeah, definitely.

0:21:31.760 --> 0:21:34.160
<v Speaker 3>Let's let's because they're not ready yet. Okay, cool, thought

0:21:34.280 --> 0:21:36.760
<v Speaker 3>he was ready. Okay, I'm going peach baby. All right,

0:21:36.840 --> 0:21:38.840
<v Speaker 3>let me you know what I got the first question

0:21:39.680 --> 0:21:41.600
<v Speaker 3>for a quick time. Yes, yes, I got the first question.

0:21:41.800 --> 0:21:42.680
<v Speaker 2>Let's go and this.

0:21:43.160 --> 0:21:45.760
<v Speaker 3>I'm so curious how you're gonna answer this morning?

0:21:46.280 --> 0:21:46.600
<v Speaker 2>All right?

0:21:47.440 --> 0:21:52.399
<v Speaker 1>Independent or major independent? I was wrong?

0:21:52.720 --> 0:21:54.320
<v Speaker 2>How would you have thought anything else?

0:21:54.640 --> 0:21:58.640
<v Speaker 1>Because I heard you waight up, waight up, wad up? Okay,

0:21:58.960 --> 0:22:02.879
<v Speaker 1>huh all right, yeah, that's theF in jobs to the rules.

0:22:02.960 --> 0:22:04.800
<v Speaker 1>I'll tell you. I'll tell you why you can't know

0:22:04.880 --> 0:22:14.640
<v Speaker 1>why independent solo solo cheers, cheers, sello, cheers, fam y'all

0:22:14.680 --> 0:22:17.600
<v Speaker 1>feel free to take shots. Shot glass, get a bottle.

0:22:17.720 --> 0:22:21.240
<v Speaker 3>That's the O G drink Champs shot glass which one money, Yeah,

0:22:21.840 --> 0:22:22.520
<v Speaker 3>that's the original.

0:22:23.640 --> 0:22:27.000
<v Speaker 1>Yeah, it's already said. All right, cool, So I'll tell

0:22:27.040 --> 0:22:30.080
<v Speaker 1>you what I tell you why independent. Have y'all seen

0:22:31.240 --> 0:22:34.119
<v Speaker 1>y'all seen ways world? Yeah, of course I've seen ways. Well,

0:22:34.160 --> 0:22:37.600
<v Speaker 1>everybody's seen everybody all right. You know that scene.

0:22:40.000 --> 0:22:43.280
<v Speaker 4>You know, they've got this crazy underground show. It's doing great,

0:22:43.359 --> 0:22:45.720
<v Speaker 4>everybody loves it. Everybody respects that they signed to this

0:22:45.840 --> 0:22:47.959
<v Speaker 4>big major and then they show up to the studio

0:22:48.080 --> 0:22:51.520
<v Speaker 4>and it's all commercialized and they're looking at each other like,

0:22:52.160 --> 0:22:55.080
<v Speaker 4>what the fuck? They changed their jingle, they changed everything.

0:22:56.040 --> 0:22:59.520
<v Speaker 4>That's me in a nutshell. When I signed to Interscope

0:22:59.760 --> 0:23:01.280
<v Speaker 4>from in the beginning.

0:23:01.600 --> 0:23:03.879
<v Speaker 3>Because you was sign an Interscope direct right first. It

0:23:03.960 --> 0:23:08.479
<v Speaker 3>was in school, Jimmy, Jimmy, Yeah, it was Geffen Geffen

0:23:08.560 --> 0:23:09.600
<v Speaker 3>Interscope Wow.

0:23:11.160 --> 0:23:14.080
<v Speaker 4>And uh, you know, I this was right off of

0:23:14.119 --> 0:23:17.080
<v Speaker 4>Trump music when Pop the Trunk was like blowing the

0:23:17.119 --> 0:23:17.480
<v Speaker 4>fuck up.

0:23:17.560 --> 0:23:19.440
<v Speaker 2>Trump Hue was blowing.

0:23:19.160 --> 0:23:20.960
<v Speaker 4>The fuck up, and I and I was out there

0:23:21.080 --> 0:23:23.560
<v Speaker 4>just like destroying south By Southwest.

0:23:24.320 --> 0:23:29.240
<v Speaker 1>Still no major record label deal, you know, And they flew.

0:23:29.080 --> 0:23:32.720
<v Speaker 4>Me from in school, in school, Jimmy flew me from

0:23:33.000 --> 0:23:35.680
<v Speaker 4>literally from the stage to the airport to his living

0:23:35.760 --> 0:23:41.959
<v Speaker 4>room and signed, Well, I had turned down multiple deals

0:23:42.280 --> 0:23:46.239
<v Speaker 4>before that personally, No, not going you know what I mean,

0:23:46.359 --> 0:23:49.760
<v Speaker 4>like for real, Like I had a real moment with

0:23:49.920 --> 0:23:50.400
<v Speaker 4>La Reid.

0:23:50.800 --> 0:23:53.600
<v Speaker 1>Wow, you know that was real. Seriously I could I'll

0:23:53.640 --> 0:23:54.200
<v Speaker 1>tell you about that.

0:23:54.480 --> 0:23:59.560
<v Speaker 4>But but let me get to the point why it's

0:23:59.560 --> 0:24:02.760
<v Speaker 4>important independent if you can, if you can maintain, we

0:24:02.840 --> 0:24:03.240
<v Speaker 4>got to talk.

0:24:03.359 --> 0:24:07.719
<v Speaker 1>The thing is hindsight's twenty twenty, you know what I mean.

0:24:09.000 --> 0:24:15.399
<v Speaker 4>But the amount of control that you have as an artist,

0:24:15.760 --> 0:24:20.560
<v Speaker 4>as an independent, you can't put a price on that. Creatively,

0:24:21.400 --> 0:24:24.840
<v Speaker 4>that that's it. And people, I know, everybody like trips

0:24:24.840 --> 0:24:25.480
<v Speaker 4>out about.

0:24:25.280 --> 0:24:26.960
<v Speaker 1>Money, money, money, money, money, you know.

0:24:27.119 --> 0:24:30.679
<v Speaker 4>Business, marketing, marketing, market None of that means shit. If

0:24:30.720 --> 0:24:34.240
<v Speaker 4>you ain't got good music, and if you can't close

0:24:34.400 --> 0:24:37.000
<v Speaker 4>the doors to everything else and get in a fucking

0:24:37.040 --> 0:24:41.240
<v Speaker 4>studio and make a jam, you're running circles. You're putting

0:24:41.240 --> 0:24:47.399
<v Speaker 4>the cart before the horse. The music comes first, and

0:24:47.560 --> 0:24:51.560
<v Speaker 4>so protecting that is sacred. Now once you once you,

0:24:51.680 --> 0:24:57.320
<v Speaker 4>once you enter the major label system, that's gone. Everybody's

0:24:57.359 --> 0:25:01.480
<v Speaker 4>in the studio. Everybody wants an everybody wants a piece

0:25:01.520 --> 0:25:03.480
<v Speaker 4>of this that when I when I got signed and

0:25:03.520 --> 0:25:06.040
<v Speaker 4>then moved over to shady, are you kidding me? When

0:25:06.040 --> 0:25:09.280
<v Speaker 4>they heard Eminem signed a white Boy, people went crazy.

0:25:10.080 --> 0:25:11.800
<v Speaker 4>Everybody wanted a piece of that much. A lot of

0:25:11.840 --> 0:25:14.960
<v Speaker 4>pressure on you, a lot of pressure to listen. But

0:25:15.440 --> 0:25:19.160
<v Speaker 4>because I signed up, Yeah, see, you know what I'm saying.

0:25:19.240 --> 0:25:22.280
<v Speaker 4>That's the difference between being independent. I ain't gonna answer

0:25:22.280 --> 0:25:24.760
<v Speaker 4>to nobody, now, you know what I mean. I paid

0:25:24.800 --> 0:25:27.600
<v Speaker 4>my dues, I did all my six albums. I fulfilled

0:25:27.640 --> 0:25:30.520
<v Speaker 4>my contract with the major label system. I was so

0:25:30.720 --> 0:25:33.239
<v Speaker 4>happy when I had the opportunity to go independent, right,

0:25:33.720 --> 0:25:35.880
<v Speaker 4>and now you know, I released music when the fuck

0:25:35.920 --> 0:25:37.639
<v Speaker 4>I want to. I make the music I want to.

0:25:37.960 --> 0:25:39.440
<v Speaker 4>I make my art how I want to make my

0:25:39.600 --> 0:25:43.000
<v Speaker 4>art visually? You know everything, you know, I ain't gotta wait. Like,

0:25:43.400 --> 0:25:46.040
<v Speaker 4>here's the other part. You got a record, it is

0:25:46.080 --> 0:25:50.600
<v Speaker 4>ready to come out, right, it's all primed up, it's mixed, mastered,

0:25:50.680 --> 0:25:52.320
<v Speaker 4>the whole, the whole rollouts ready.

0:25:53.920 --> 0:25:55.520
<v Speaker 2>And then they're like, yeah, but.

0:25:56.320 --> 0:26:00.680
<v Speaker 1>See, but Kendrick's dropping his album, right man, you gotta wait,

0:26:01.240 --> 0:26:03.480
<v Speaker 1>you know what I mean. But you all. Being on

0:26:03.560 --> 0:26:04.920
<v Speaker 1>in Scope was like being on the Yankees.

0:26:05.359 --> 0:26:09.440
<v Speaker 3>So it's personal enough for every artist, remember not even

0:26:09.520 --> 0:26:11.000
<v Speaker 3>I mean, but every artists get to play if you

0:26:11.040 --> 0:26:13.639
<v Speaker 3>want the Yankees, Like if you get that one album

0:26:13.720 --> 0:26:15.239
<v Speaker 3>on in the school, that's a blessing. Bro.

0:26:15.600 --> 0:26:17.719
<v Speaker 1>That was like that label could not lose man.

0:26:18.160 --> 0:26:20.920
<v Speaker 4>Well, that's because Jimmy's and Jimmy I yes, Jimmyson artists

0:26:20.920 --> 0:26:21.639
<v Speaker 4>at heart, you know what I mean.

0:26:21.760 --> 0:26:25.160
<v Speaker 1>Like this dude was amazing Jimmy. I mean for Fleetwood Mac,

0:26:25.200 --> 0:26:25.359
<v Speaker 1>you know.

0:26:25.359 --> 0:26:26.560
<v Speaker 2>What, Like he knows his ship.

0:26:26.880 --> 0:26:30.080
<v Speaker 1>He's a legend in his all right. So like that

0:26:30.320 --> 0:26:32.600
<v Speaker 1>that just goes along. But back to what you were saying.

0:26:32.800 --> 0:26:36.240
<v Speaker 2>Ice Cube said something where he talking about like the

0:26:36.320 --> 0:26:40.120
<v Speaker 2>Majors and in a conversation he said, it's music by committee,

0:26:41.160 --> 0:26:42.760
<v Speaker 2>because that's what you're saying. There's too many people in

0:26:42.800 --> 0:26:44.920
<v Speaker 2>the room, too many people in the studio kind of

0:26:44.960 --> 0:26:45.920
<v Speaker 2>like I mean.

0:26:46.080 --> 0:26:48.520
<v Speaker 1>When you're chasing a fucking hit, you're already fucking up.

0:26:48.840 --> 0:26:51.600
<v Speaker 4>But if you walk into the studio and you're like,

0:26:52.160 --> 0:26:54.960
<v Speaker 4>I'm making a hit today, Bro, you've already fucked up.

0:26:54.960 --> 0:26:57.040
<v Speaker 4>You might as well go back home, go get some rest,

0:26:57.080 --> 0:26:59.280
<v Speaker 4>watch a movie, get your mind out of that fucking

0:26:59.320 --> 0:26:59.960
<v Speaker 4>space man.

0:27:00.280 --> 0:27:02.120
<v Speaker 2>Guy who says I'm making the club record. I'm making

0:27:02.160 --> 0:27:04.720
<v Speaker 2>this kind of record, this kind of record. What what

0:27:04.800 --> 0:27:05.440
<v Speaker 2>are you talking about.

0:27:06.160 --> 0:27:09.720
<v Speaker 1>Let's make a classic. Let's make that, make a classic.

0:27:09.800 --> 0:27:12.080
<v Speaker 1>And if it's a hit, god bless you. You know

0:27:12.119 --> 0:27:12.560
<v Speaker 1>what I'm saying.

0:27:13.520 --> 0:27:15.760
<v Speaker 2>Great, you know I do know this.

0:27:15.960 --> 0:27:18.960
<v Speaker 4>Like, once you do catch a hit quote unquote, the

0:27:19.080 --> 0:27:21.560
<v Speaker 4>next records are more palatable to people, you know.

0:27:21.640 --> 0:27:24.440
<v Speaker 1>And that's why what that word means, it's like easier

0:27:24.480 --> 0:27:26.119
<v Speaker 1>for them. That's a big word for me, like that,

0:27:26.640 --> 0:27:27.639
<v Speaker 1>it's easier for them to like it.

0:27:28.040 --> 0:27:30.760
<v Speaker 4>They're used to the tape, okay, okay, okay, so they're

0:27:30.800 --> 0:27:34.000
<v Speaker 4>used to hearing your voice. So like that's why you

0:27:34.119 --> 0:27:36.840
<v Speaker 4>have like these repeated hits from these artists, because the

0:27:36.960 --> 0:27:39.680
<v Speaker 4>public gets so used to their voice, right, and that

0:27:39.800 --> 0:27:43.399
<v Speaker 4>hit gets easier, like being programmed radio.

0:27:44.560 --> 0:27:48.920
<v Speaker 1>Basically, we just had insane clown posse on here. That's

0:27:48.960 --> 0:27:51.560
<v Speaker 1>what's up. Oh god, I got the craziest stories about

0:27:51.600 --> 0:27:52.280
<v Speaker 1>the fucking.

0:27:52.880 --> 0:27:55.879
<v Speaker 2>About the gathering Are you kidding me? Been to the

0:27:55.920 --> 0:27:57.000
<v Speaker 2>gathering dog?

0:27:58.280 --> 0:28:00.320
<v Speaker 1>Why do the gathering ship?

0:28:07.680 --> 0:28:12.240
<v Speaker 2>I'll take another shot for that. I've done three of them. Motherfuckers.

0:28:12.280 --> 0:28:14.640
<v Speaker 2>And let me tell you something. Those ships are something else. Man.

0:28:16.000 --> 0:28:18.680
<v Speaker 2>I'm telling you should go. Everybody should go once.

0:28:21.720 --> 0:28:24.440
<v Speaker 9>And it's when you always tell me to witness that

0:28:25.359 --> 0:28:26.680
<v Speaker 9>I don't want to go as Norri though.

0:28:26.680 --> 0:28:28.320
<v Speaker 2>I want to go, like as a hoodie. And and

0:28:28.400 --> 0:28:30.920
<v Speaker 2>they're true true to like fans. I mean, it's there's

0:28:31.000 --> 0:28:34.200
<v Speaker 2>wild people in the juggle littlemunity. You know, they're true fans.

0:28:34.440 --> 0:28:34.600
<v Speaker 2>You know.

0:28:34.720 --> 0:28:36.879
<v Speaker 3>That's why I don't go to south By Southwest is

0:28:36.960 --> 0:28:41.200
<v Speaker 3>because I like my sneakers, like I've never.

0:28:41.160 --> 0:28:47.960
<v Speaker 1>Left this peach okaye. You know, like you know I'm black.

0:28:48.000 --> 0:28:50.000
<v Speaker 1>You know, we like to stick with we know, like

0:28:50.760 --> 0:28:51.600
<v Speaker 1>the same exact thing.

0:28:51.760 --> 0:28:54.840
<v Speaker 3>So you know what I'm just I'm sorry, man, So

0:28:55.240 --> 0:28:57.040
<v Speaker 3>I'm scared of that ship. I'm gonna be honest with you.

0:28:57.400 --> 0:28:59.440
<v Speaker 3>I'm gonna drink that off camera because take that shot

0:28:59.520 --> 0:29:05.160
<v Speaker 3>later on later. Yeah, yes, yes, yes, thank you. It's okay, beautiful,

0:29:05.200 --> 0:29:05.760
<v Speaker 3>you love this.

0:29:06.240 --> 0:29:10.520
<v Speaker 1>Let me let me try to take one for the team.

0:29:10.560 --> 0:29:16.400
<v Speaker 1>Goddamn it. It's great.

0:29:16.480 --> 0:29:16.880
<v Speaker 2>It's great.

0:29:17.600 --> 0:29:20.240
<v Speaker 3>He's making for liquors right now. He's on vodkas. Good,

0:29:20.280 --> 0:29:20.680
<v Speaker 3>look at him.

0:29:20.680 --> 0:29:21.200
<v Speaker 1>He's on vodka.

0:29:21.280 --> 0:29:24.120
<v Speaker 3>Mama, want usually the beer the fruity stuff could funk

0:29:24.160 --> 0:29:25.480
<v Speaker 3>with you though, the most.

0:29:25.320 --> 0:29:28.920
<v Speaker 1>Drinkable whiskey that we make. Bro, this it's very good.

0:29:28.960 --> 0:29:29.360
<v Speaker 2>I'm telling you.

0:29:29.560 --> 0:29:32.320
<v Speaker 1>Oh it's good. Yeah, it's good. You don't say that.

0:29:32.720 --> 0:29:36.360
<v Speaker 1>No good. I can smell it. I can smell it,

0:29:36.440 --> 0:29:38.720
<v Speaker 1>can smell. So all right, we were like, all right, cool,

0:29:38.840 --> 0:29:42.040
<v Speaker 1>we're talking about the Juggal the Juggals. You want to

0:29:42.040 --> 0:29:44.120
<v Speaker 1>talking about my experience? Yeah, I would love to hear

0:29:44.160 --> 0:29:44.640
<v Speaker 1>your experience.

0:29:45.880 --> 0:29:48.600
<v Speaker 4>We're tapping off on the major independent thing. We're moving

0:29:48.600 --> 0:29:52.560
<v Speaker 4>to the ju Yes, okay, yes, yes, I hate okay, listen, dude.

0:29:52.760 --> 0:29:55.840
<v Speaker 3>Okay, so my love being called dude, call me dude

0:29:55.880 --> 0:29:59.240
<v Speaker 3>all night. I wanted to be like in the cool

0:29:59.600 --> 0:30:02.480
<v Speaker 3>frat people call me dude like that. I've been called

0:30:02.480 --> 0:30:03.320
<v Speaker 3>to think of my whole life.

0:30:03.320 --> 0:30:03.960
<v Speaker 2>It's just different.

0:30:06.240 --> 0:30:15.160
<v Speaker 1>Like I like being called dude. Uh yeah, taking another

0:30:15.200 --> 0:30:18.880
<v Speaker 1>shop of that. Yeah, it's take a little shop story.

0:30:18.960 --> 0:30:22.840
<v Speaker 2>But you get you want to drink?

0:30:25.400 --> 0:30:33.480
<v Speaker 1>Yeah, yeah, I get it. It's called the Juggalos.

0:30:33.520 --> 0:30:35.680
<v Speaker 2>What's it called, Well, the gathering of the Juggal LODs

0:30:35.720 --> 0:30:39.880
<v Speaker 2>is the festival, okay, jug the Juggles is the community.

0:30:40.000 --> 0:30:40.160
<v Speaker 1>Yeah.

0:30:40.200 --> 0:30:42.840
<v Speaker 3>Oh, to the fans, okay, okay, so yeah, your experience.

0:30:43.560 --> 0:30:47.760
<v Speaker 4>Uh So, my first trip to the Juggalo Fest, I draw,

0:30:47.920 --> 0:30:51.280
<v Speaker 4>I drove my truck from Nashville because it's pretty close

0:30:52.600 --> 0:30:54.800
<v Speaker 4>where they do it at their festival at So I

0:30:55.120 --> 0:30:58.440
<v Speaker 4>pulled up backstage in my pickup truck, you know, and

0:30:58.680 --> 0:31:01.000
<v Speaker 4>I but I had already got like I talked to

0:31:01.080 --> 0:31:04.520
<v Speaker 4>Paul and he was like, hey, man, get ready, man,

0:31:04.640 --> 0:31:07.280
<v Speaker 4>Like you know what I'm saying. He's like, back your

0:31:07.360 --> 0:31:10.800
<v Speaker 4>truck in to behind the stage in case you got

0:31:10.920 --> 0:31:13.840
<v Speaker 4>to get the fuck out, Like it's like it's like that.

0:31:14.120 --> 0:31:15.640
<v Speaker 1>And I was like, all right, bet, and I did.

0:31:15.720 --> 0:31:17.880
<v Speaker 1>So I drove my truck and I backed my truck

0:31:17.960 --> 0:31:21.880
<v Speaker 1>up to the stairs where you walk up like my

0:31:22.600 --> 0:31:25.120
<v Speaker 1>I could have jumped in my truck and got the

0:31:25.160 --> 0:31:30.720
<v Speaker 1>fuck out if I needed to, you know. And okay, okay,

0:31:30.920 --> 0:31:34.280
<v Speaker 1>this is another caveat I'm on Shady right and you

0:31:34.400 --> 0:31:38.000
<v Speaker 1>know the beast in the story good.

0:31:38.560 --> 0:31:43.240
<v Speaker 4>So, So I came up there like literally like literal

0:31:43.400 --> 0:31:46.640
<v Speaker 4>soldier soldier mentality. I came out there to rep Shady.

0:31:46.960 --> 0:31:49.480
<v Speaker 4>That was I was going hard and I wanted them

0:31:49.520 --> 0:31:51.160
<v Speaker 4>to know immediately who I was with.

0:31:51.360 --> 0:31:53.600
<v Speaker 1>Had you met people for that had you met in

0:31:53.640 --> 0:31:54.760
<v Speaker 1>Seeing Clouds before that?

0:31:54.880 --> 0:31:55.000
<v Speaker 5>Or no?

0:31:55.160 --> 0:31:58.240
<v Speaker 4>Yeah, I mean yeah, we met backstage briefly, but that

0:31:58.400 --> 0:32:01.840
<v Speaker 4>moment not before that event, okay, not before Yeah.

0:32:02.960 --> 0:32:07.080
<v Speaker 1>So I walk out on stage first, you know, first time.

0:32:06.920 --> 0:32:12.840
<v Speaker 4>Ever Shaddy records, Motherfucker Yello bof Chapish Billy, Let's fuck

0:32:12.920 --> 0:32:13.479
<v Speaker 4>this ship up.

0:32:14.120 --> 0:32:20.320
<v Speaker 1>And then bottle Rockets. They started throwing the bottle. They like,

0:32:20.440 --> 0:32:27.640
<v Speaker 1>you hold on, they take the soda, the figure and

0:32:27.720 --> 0:32:28.600
<v Speaker 1>they lost that ship.

0:32:28.680 --> 0:32:32.640
<v Speaker 2>Now they do it. But but at first got to understand.

0:32:32.320 --> 0:32:34.520
<v Speaker 4>That I hadn't even hit play on the first song,

0:32:36.400 --> 0:32:39.200
<v Speaker 4>so I'm not all too sure that they liked me, yes,

0:32:40.440 --> 0:32:43.600
<v Speaker 4>because all I knew was I look. I looked at

0:32:43.640 --> 0:32:47.480
<v Speaker 4>DJ Clever, my DJ, and he goes, you motherfucker, like

0:32:48.000 --> 0:32:51.600
<v Speaker 4>because I came in hot. So we but we want

0:32:51.680 --> 0:32:54.480
<v Speaker 4>them over one song, two songs. But then they started

0:32:54.760 --> 0:32:55.280
<v Speaker 4>like you're.

0:32:55.080 --> 0:33:01.240
<v Speaker 1>Saying family, family, right, more bottle rock a little bottle rockets,

0:33:01.240 --> 0:33:02.960
<v Speaker 1>And then I said, I bet you can't hit me,

0:33:03.240 --> 0:33:08.480
<v Speaker 1>mother the fucker, and so I'm I'm dodging bottle rockets.

0:33:08.480 --> 0:33:11.200
<v Speaker 4>I turned around in my DJ he's fucking dunking, and

0:33:11.320 --> 0:33:15.280
<v Speaker 4>somebody throws a whole box of black cats on stage.

0:33:16.880 --> 0:33:20.959
<v Speaker 1>Crackers, right, yeah, the firecrackers Black Cat fire crackers are

0:33:21.000 --> 0:33:23.240
<v Speaker 1>like a whole pack, like a like a two hundred pack.

0:33:23.320 --> 0:33:28.680
<v Speaker 1>Whoa something like a look serendipitous, serendipitous timing. Man.

0:33:28.720 --> 0:33:30.920
<v Speaker 4>They threw it up and I was just about I had.

0:33:30.960 --> 0:33:35.880
<v Speaker 4>I got a song called Capps Billy and it's real choppy,

0:33:36.520 --> 0:33:39.800
<v Speaker 4>you know. Like so I'm like, right as it starts,

0:33:40.160 --> 0:33:41.160
<v Speaker 4>it starts to pop.

0:33:47.200 --> 0:33:48.320
<v Speaker 1>I'm like snapping over the.

0:33:50.400 --> 0:33:52.920
<v Speaker 4>It's like going everything stop. Oh that was the best

0:33:52.920 --> 0:33:59.560
<v Speaker 4>ship that connect It's like choreographed madness and so yeah,

0:33:59.640 --> 0:34:01.400
<v Speaker 4>so needless to say, I didn't need to jump in

0:34:01.480 --> 0:34:04.440
<v Speaker 4>my trunk and take off. Actually, after after I got stage,

0:34:04.440 --> 0:34:06.080
<v Speaker 4>I went out in the crowd and walked around and

0:34:06.760 --> 0:34:09.920
<v Speaker 4>shook hands and like broke down with everybody. And then

0:34:10.400 --> 0:34:13.239
<v Speaker 4>like I think, I became like a like a crowd fade.

0:34:13.280 --> 0:34:15.560
<v Speaker 4>They brought me back for a second year, but they

0:34:15.600 --> 0:34:17.840
<v Speaker 4>started throwing more ship. The next year they threw they

0:34:17.920 --> 0:34:19.480
<v Speaker 4>threw more ere.

0:34:19.600 --> 0:34:24.560
<v Speaker 7>They threw mortarship mortars, bro what's more.

0:34:25.840 --> 0:34:27.400
<v Speaker 2>Real mortar is a fucking bomb. But I don't know

0:34:27.400 --> 0:34:28.320
<v Speaker 2>what kind of mortar.

0:34:28.120 --> 0:34:31.279
<v Speaker 1>This is, dog Like, it's that ship you put in

0:34:31.320 --> 0:34:34.360
<v Speaker 1>a big PBC pipe like it goes up like like

0:34:34.440 --> 0:34:40.000
<v Speaker 1>the ship that they shoot up Atrendes like like this

0:34:40.120 --> 0:34:46.879
<v Speaker 1>is I'm not going to this place. Yeah I ain't

0:34:46.920 --> 0:34:47.239
<v Speaker 1>doing that.

0:34:47.600 --> 0:34:51.279
<v Speaker 4>Walking the funk out yeah, so so bar like and

0:34:51.400 --> 0:34:53.920
<v Speaker 4>then a bottle rocket like thank god I had on

0:34:54.080 --> 0:34:57.560
<v Speaker 4>shades bro whoa but like bow right in ahead and

0:34:57.719 --> 0:34:59.319
<v Speaker 4>it popped pop.

0:34:59.440 --> 0:35:03.480
<v Speaker 1>That's foreman. But fuck man, they I would just if

0:35:03.520 --> 0:35:06.120
<v Speaker 1>it was still lit, I'd throw it back, you know

0:35:06.160 --> 0:35:09.200
<v Speaker 1>what I'm saying, Like like like I was just in it.

0:35:09.320 --> 0:35:12.359
<v Speaker 1>I was like, you're not getting there. I'm not leaving, motherfucker.

0:35:12.920 --> 0:35:13.399
<v Speaker 1>I'm here.

0:35:13.920 --> 0:35:16.200
<v Speaker 4>You ain't right because I had heard they had heard

0:35:16.280 --> 0:35:19.280
<v Speaker 4>people like like people like had like they had fucked

0:35:19.280 --> 0:35:19.920
<v Speaker 4>people up, like.

0:35:20.200 --> 0:35:21.720
<v Speaker 2>They're fucking each other up happily.

0:35:22.080 --> 0:35:24.400
<v Speaker 1>And then he and they're paying the artist too, and

0:35:24.520 --> 0:35:25.560
<v Speaker 1>some of these people launching.

0:35:25.400 --> 0:35:26.280
<v Speaker 2>This but naked.

0:35:26.680 --> 0:35:38.000
<v Speaker 1>Wait a minute, so yeah, so survive, survive the mortars

0:35:38.040 --> 0:35:39.680
<v Speaker 1>and ship. So that's the second time.

0:35:39.960 --> 0:35:42.640
<v Speaker 4>That's the second time, third time, third time is the craziest,

0:35:43.360 --> 0:35:44.879
<v Speaker 4>craziest dog the third time.

0:35:45.640 --> 0:35:46.120
<v Speaker 1>Okay, so.

0:35:48.120 --> 0:35:51.719
<v Speaker 4>Now I'm back, I'm I'm and I know because I

0:35:52.000 --> 0:35:54.400
<v Speaker 4>know from the second time it got crazy. Earth than

0:35:54.440 --> 0:35:57.040
<v Speaker 4>the first time that the third time it might really

0:35:57.600 --> 0:35:58.840
<v Speaker 4>go ballistic.

0:35:59.320 --> 0:35:59.440
<v Speaker 3>You know.

0:35:59.560 --> 0:36:01.000
<v Speaker 1>I was like, so I need to walk out.

0:36:00.840 --> 0:36:03.440
<v Speaker 4>There and a hazmat suits or some ship, like this

0:36:03.560 --> 0:36:06.719
<v Speaker 4>is how I go to How am I going to

0:36:06.800 --> 0:36:07.319
<v Speaker 4>do this one?

0:36:08.320 --> 0:36:08.480
<v Speaker 5>You know?

0:36:08.600 --> 0:36:11.799
<v Speaker 1>I got an hour and fucking fifteen minutes to stand

0:36:11.840 --> 0:36:14.439
<v Speaker 1>out here and and and figure this out.

0:36:15.840 --> 0:36:18.759
<v Speaker 4>Dude, I walked out on stage. When I walk out here,

0:36:18.920 --> 0:36:24.319
<v Speaker 4>my walking out first song, I feel like beastings all

0:36:24.400 --> 0:36:29.080
<v Speaker 4>over my body, like like like like bees. It was

0:36:29.120 --> 0:36:32.080
<v Speaker 4>like bees like stinging me, and but like I'm like

0:36:32.760 --> 0:36:34.799
<v Speaker 4>trying to play it off, but I swore to God

0:36:34.880 --> 0:36:38.000
<v Speaker 4>that I had got There was a swarm of bees

0:36:38.120 --> 0:36:41.759
<v Speaker 4>like hitting me, but I kept I kept rocking, and

0:36:41.880 --> 0:36:43.640
<v Speaker 4>then I and then I moved to the left and

0:36:43.680 --> 0:36:45.839
<v Speaker 4>it stopped a little bit, and I was like, oh,

0:36:45.880 --> 0:36:47.760
<v Speaker 4>they're they're hitting me with something.

0:36:47.800 --> 0:36:50.720
<v Speaker 1>But I thought they were like throwing like tiny rocks

0:36:50.840 --> 0:36:52.000
<v Speaker 1>or or some ship.

0:36:52.080 --> 0:36:55.360
<v Speaker 4>And then it was like no, no, no, chicken wings

0:36:55.560 --> 0:36:58.799
<v Speaker 4>And goddamn, somebody was throwing chicken wings over there.

0:36:58.920 --> 0:37:00.840
<v Speaker 1>Hot dogs. I'm getting.

0:37:02.440 --> 0:37:06.120
<v Speaker 4>Anything good, yo, like fucking like oh, and by the way,

0:37:06.200 --> 0:37:09.440
<v Speaker 4>all that all that's going on, fucking two liters faygo bottle.

0:37:11.600 --> 0:37:13.760
<v Speaker 1>Throwing up. But you know what I'm saying, I'm catching bottles.

0:37:15.520 --> 0:37:16.120
<v Speaker 1>You know what I'm saying.

0:37:16.320 --> 0:37:19.279
<v Speaker 2>It's mad Max ship. It's mad Max Festial music music.

0:37:19.719 --> 0:37:23.560
<v Speaker 1>So straight up though, So the whole show I'm getting pelted.

0:37:23.680 --> 0:37:26.360
<v Speaker 1>So I start to figure out I gotta run to

0:37:26.440 --> 0:37:29.440
<v Speaker 1>get away from these bees, like whatever the fuck is happening,

0:37:29.920 --> 0:37:32.520
<v Speaker 1>I gotta get but the show must go on. One

0:37:32.600 --> 0:37:34.920
<v Speaker 1>thing I do know, I can't leave. I can't leave

0:37:34.960 --> 0:37:39.320
<v Speaker 1>the show. Bro. So after the show, it was that

0:37:39.440 --> 0:37:41.879
<v Speaker 1>ship was so fucked up. It was the roidy show.

0:37:41.880 --> 0:37:42.400
<v Speaker 1>Oh I'm stating.

0:37:42.560 --> 0:37:44.759
<v Speaker 4>So finally I jump out my DJ got he he

0:37:44.840 --> 0:37:47.200
<v Speaker 4>performs on top of the front of an old Chevrolet.

0:37:47.880 --> 0:37:50.640
<v Speaker 4>It's illis fuck y'all love this ship. It's a crazy look.

0:37:51.200 --> 0:37:52.960
<v Speaker 4>So i jump on the hood of the Chevy.

0:37:53.560 --> 0:37:55.640
<v Speaker 1>And I'm standing you know for like you know, the

0:37:55.719 --> 0:37:56.920
<v Speaker 1>peak of one of my records and.

0:37:58.600 --> 0:37:59.920
<v Speaker 2>Fucking like huge.

0:37:59.800 --> 0:38:01.719
<v Speaker 1>Wall, the balloon full of god knows what.

0:38:03.320 --> 0:38:06.600
<v Speaker 3>Me and you know what because I stood still just

0:38:06.719 --> 0:38:09.120
<v Speaker 3>long enough to get an aim on it.

0:38:10.480 --> 0:38:12.799
<v Speaker 2>So anyway, bees bees bees.

0:38:12.840 --> 0:38:14.480
<v Speaker 1>So after the after the show, I'm like, yo, man,

0:38:14.520 --> 0:38:17.279
<v Speaker 1>what the fuck was It will be happening. They were

0:38:17.320 --> 0:38:21.160
<v Speaker 1>just throwing someone ship out. No, no, it was actually

0:38:21.200 --> 0:38:25.359
<v Speaker 1>be no listening to this ship. I'm risking this ship.

0:38:26.160 --> 0:38:30.279
<v Speaker 4>There was about ten people with those high powered air

0:38:30.440 --> 0:38:36.759
<v Speaker 4>rifles shooting plastic pellets at my going.

0:38:38.440 --> 0:38:40.239
<v Speaker 1>Lighting my ass up the whole show.

0:38:43.440 --> 0:38:46.560
<v Speaker 4>I'm not getting fucking fun, man, I'm I'm pelted up

0:38:46.680 --> 0:38:48.600
<v Speaker 4>my fucking hey woo woo.

0:38:49.040 --> 0:38:54.680
<v Speaker 1>And you stood there like a rockstar. Fuck you getting

0:38:54.760 --> 0:38:56.279
<v Speaker 1>money back here? Think ship back?

0:38:57.880 --> 0:39:00.080
<v Speaker 4>I love I love the Juggals, man, you know you

0:39:00.160 --> 0:39:03.040
<v Speaker 4>know what? You know what it is really honestly, it's

0:39:03.160 --> 0:39:05.120
<v Speaker 4>like you have ever seen that old footage of the

0:39:06.080 --> 0:39:09.279
<v Speaker 4>Blues Brothers, whether they're traveling around, you perform behind a

0:39:09.400 --> 0:39:10.200
<v Speaker 4>chicken wire.

0:39:10.000 --> 0:39:12.279
<v Speaker 1>And if they like you, they'll throw bottles at you

0:39:12.400 --> 0:39:12.759
<v Speaker 1>and ship.

0:39:12.800 --> 0:39:13.279
<v Speaker 2>You know what I mean.

0:39:13.440 --> 0:39:15.400
<v Speaker 1>It's that same kind of ship as that old fucking

0:39:15.440 --> 0:39:18.120
<v Speaker 1>ye I don't like that rowdy appreciate I mean, it's

0:39:18.200 --> 0:39:21.600
<v Speaker 1>not it's a tough thing it is, but just like

0:39:21.680 --> 0:39:23.200
<v Speaker 1>you know what, you sign up for it, and it's

0:39:23.239 --> 0:39:27.239
<v Speaker 1>the fucking Jamaica. If they like you, they shoot in

0:39:27.320 --> 0:39:28.919
<v Speaker 1>the air. I didn't like that either.

0:39:29.719 --> 0:39:33.200
<v Speaker 3>The police. I get on the stage. The police said, hey, man,

0:39:33.440 --> 0:39:36.520
<v Speaker 3>if they start looking shot, you're not move the police.

0:39:37.360 --> 0:39:38.000
<v Speaker 8>What is this?

0:39:38.760 --> 0:39:40.759
<v Speaker 3>And I got there, I did super duk what what what?

0:39:40.960 --> 0:39:42.880
<v Speaker 3>And they start shooting. I'm looking at the police like,

0:39:42.960 --> 0:39:49.200
<v Speaker 3>don't something. They're like they like you man, I'm not

0:39:49.280 --> 0:39:49.880
<v Speaker 3>with none of this.

0:39:52.600 --> 0:39:54.080
<v Speaker 1>The year that I went one of the years I

0:39:54.120 --> 0:40:00.479
<v Speaker 1>went two times jugging jugger Nauts. I'm sorry. Rick Flair

0:40:00.600 --> 0:40:04.160
<v Speaker 1>was hosting the main stage. We're about to go on with.

0:40:04.239 --> 0:40:07.320
<v Speaker 2>Tech and I was managing made it and and I

0:40:07.360 --> 0:40:09.800
<v Speaker 2>see Ric Flair run off the stage.

0:40:09.840 --> 0:40:11.840
<v Speaker 1>He's like that ship.

0:40:21.120 --> 0:40:23.359
<v Speaker 2>I heard, I heard they ran.

0:40:24.320 --> 0:40:26.920
<v Speaker 1>Don't quote me on this, but I mean quote me

0:40:26.960 --> 0:40:27.560
<v Speaker 1>on I don't care.

0:40:28.360 --> 0:40:31.759
<v Speaker 4>I heard, uh they they did that ship to read

0:40:31.800 --> 0:40:36.520
<v Speaker 4>a meth and they weren't having it. They they left there.

0:40:36.520 --> 0:40:40.640
<v Speaker 4>They were eighty six. They dipped, and I mean, you know,

0:40:41.680 --> 0:40:45.040
<v Speaker 4>you know it is what it is. I'm just like, look, dude,

0:40:46.040 --> 0:40:48.120
<v Speaker 4>you can't. You can't be a white boy from Alabama

0:40:48.280 --> 0:40:51.320
<v Speaker 4>covered in tattoos and fucking like doing hip hop and

0:40:51.400 --> 0:40:51.880
<v Speaker 4>fucking like.

0:40:52.160 --> 0:40:55.440
<v Speaker 1>You know, you gotta represent you know. So it's like

0:40:55.520 --> 0:40:58.440
<v Speaker 1>we need you if you need you, we need you,

0:40:58.600 --> 0:41:05.920
<v Speaker 1>we need you because but you know you get it.

0:41:06.040 --> 0:41:07.920
<v Speaker 2>You know you know what you signed up for, man,

0:41:08.080 --> 0:41:10.640
<v Speaker 2>But yeah, if you don't know going into it that

0:41:11.160 --> 0:41:12.040
<v Speaker 2>that could surprise the.

0:41:12.040 --> 0:41:16.440
<v Speaker 4>Fun ship that goes on like ship dude, Strange Music down.

0:41:16.640 --> 0:41:18.560
<v Speaker 4>Rich Dude, Yeah you know that.

0:41:18.960 --> 0:41:21.600
<v Speaker 1>You know that happened. You know how that happened with

0:41:21.760 --> 0:41:28.640
<v Speaker 1>Rich and Strange Me, dude, So well he's still your ar.

0:41:28.800 --> 0:41:31.840
<v Speaker 1>So no, no, no, So I pulled.

0:41:32.080 --> 0:41:36.200
<v Speaker 4>I found Rich in Atlanta, Georgia, and he was from

0:41:36.239 --> 0:41:39.840
<v Speaker 4>Gwenett County and I saw him randomly at some open

0:41:39.920 --> 0:41:42.600
<v Speaker 4>mic and I was just like, the fuck, this dude's

0:41:43.040 --> 0:41:46.160
<v Speaker 4>sick with it, and I put.

0:41:46.080 --> 0:41:46.360
<v Speaker 2>Him on.

0:41:47.880 --> 0:41:52.360
<v Speaker 4>Uh, the original the Box Chavy Part two on the

0:41:52.480 --> 0:41:56.400
<v Speaker 4>original Trump Music didn't sign him, didn't have an endprint

0:41:56.440 --> 0:41:58.799
<v Speaker 4>at the time, which I do now is American did

0:41:58.840 --> 0:42:02.759
<v Speaker 4>not have that at the time. And and at the time,

0:42:02.880 --> 0:42:07.560
<v Speaker 4>this was the crew at Tree Sound Studios Atlanta. Rich,

0:42:08.400 --> 0:42:15.040
<v Speaker 4>Big Crit, myself and even Killer Mike and LP were

0:42:15.120 --> 0:42:17.719
<v Speaker 4>running around. This is like the very very early early

0:42:17.800 --> 0:42:20.960
<v Speaker 4>stages of what would what would become Run the Jewels.

0:42:22.080 --> 0:42:24.600
<v Speaker 4>So we had like a crazy crew around there, and

0:42:24.719 --> 0:42:27.680
<v Speaker 4>Tech was coming around, and Tech had put me on

0:42:28.160 --> 0:42:34.279
<v Speaker 4>Worldwide Shoppers and I said, dude, I got your guy man,

0:42:35.040 --> 0:42:37.239
<v Speaker 4>I got the guy for you. I said, this dude

0:42:37.320 --> 0:42:40.800
<v Speaker 4>needs to be He's strange man, for sure. He fits

0:42:40.840 --> 0:42:43.239
<v Speaker 4>every he checks all the boxes for what y'all got

0:42:43.320 --> 0:42:46.040
<v Speaker 4>going on. And I and I can't sign him. And

0:42:46.280 --> 0:42:50.560
<v Speaker 4>so there it was, so Rich Rich signed to Strange

0:42:50.640 --> 0:42:52.720
<v Speaker 4>Music and you know rest is history.

0:42:52.840 --> 0:42:55.480
<v Speaker 1>Yeah, he's dope and he's worked with Medea actually being there.

0:42:55.480 --> 0:42:56.719
<v Speaker 1>We're on the Strange Music tip.

0:42:57.440 --> 0:42:59.960
<v Speaker 2>I saw an interview big Okay, sorry you don't know.

0:43:00.000 --> 0:43:04.600
<v Speaker 2>I saw interview did with Bootleg keV, and I was imagining,

0:43:04.640 --> 0:43:06.320
<v Speaker 2>like I mentioned, the group may Day. They produced the

0:43:06.400 --> 0:43:08.600
<v Speaker 2>song Fragile for Tech that had Kendrick.

0:43:09.120 --> 0:43:10.520
<v Speaker 1>Can I take Let's go?

0:43:10.680 --> 0:43:13.239
<v Speaker 2>Man? I know you said, but I want to hear

0:43:13.280 --> 0:43:15.520
<v Speaker 2>it because we were all like, damn, that would have

0:43:15.520 --> 0:43:15.960
<v Speaker 2>been dope.

0:43:15.840 --> 0:43:17.600
<v Speaker 1>If you would have gone on the record. Take another shot.

0:43:18.200 --> 0:43:21.400
<v Speaker 1>I just like the energy. Take another work. Just what

0:43:21.480 --> 0:43:25.239
<v Speaker 1>are we doing? Whatever you got? Shot? Still bottle go.

0:43:25.960 --> 0:43:27.360
<v Speaker 2>They trying to put one of those little things in it,

0:43:27.440 --> 0:43:30.480
<v Speaker 2>those little candy that you brought. They try to put

0:43:30.480 --> 0:43:31.239
<v Speaker 2>those candies you brought.

0:43:31.320 --> 0:43:33.840
<v Speaker 1>You got you gotta leave my babies over here with me.

0:43:33.880 --> 0:43:35.640
<v Speaker 1>No sipp water shots for you. That's the reason why

0:43:36.000 --> 0:43:37.480
<v Speaker 1>but then he gonna think Candy is gonna go now.

0:43:37.520 --> 0:43:42.319
<v Speaker 1>But I'm saying, you know, I just need just bring

0:43:42.400 --> 0:43:42.600
<v Speaker 1>me to.

0:43:44.360 --> 0:43:45.759
<v Speaker 2>Sal You know what I'm saying.

0:43:45.920 --> 0:43:51.040
<v Speaker 1>I got me all right, you know what cheers and

0:43:51.120 --> 0:43:51.880
<v Speaker 1>what the fuck is this?

0:43:52.960 --> 0:43:53.440
<v Speaker 2>Don't take it?

0:43:55.080 --> 0:44:03.920
<v Speaker 1>So salute, Salute, drink Champs. So you know what we're

0:44:03.920 --> 0:44:04.520
<v Speaker 1>talking about. The song.

0:44:04.600 --> 0:44:07.239
<v Speaker 2>So may Day produced this record for Tech nine that

0:44:07.360 --> 0:44:09.960
<v Speaker 2>feature Kendrick called frad It became.

0:44:09.800 --> 0:44:12.080
<v Speaker 1>A huge record and it was rumored that you were

0:44:12.080 --> 0:44:12.759
<v Speaker 1>supposed to be on it.

0:44:13.800 --> 0:44:14.880
<v Speaker 2>Well that's a fact.

0:44:15.200 --> 0:44:21.279
<v Speaker 1>So Tech hit me. Man the Tech hit me and

0:44:22.719 --> 0:44:26.440
<v Speaker 1>he said, I got this record called Fragile.

0:44:27.200 --> 0:44:30.160
<v Speaker 2>And I listened to the beat.

0:44:31.000 --> 0:44:34.120
<v Speaker 4>I booked a studio in Nashville, true story, at Blackbird

0:44:34.239 --> 0:44:38.520
<v Speaker 4>Studios Studio H. I know exactly where I was at Nashville, Tennessee.

0:44:38.760 --> 0:44:41.680
<v Speaker 4>I had booked the whole time to go dedicate myself

0:44:42.120 --> 0:44:49.120
<v Speaker 4>to record this verse. And I couldn't wrap my mind

0:44:50.000 --> 0:44:57.719
<v Speaker 4>around feeling fragile. I just could not make myself.

0:44:57.280 --> 0:44:59.360
<v Speaker 1>You can't bring yourself to that record of that wouldn't

0:44:59.360 --> 0:45:01.040
<v Speaker 1>bring myself to write a verse.

0:45:01.520 --> 0:45:06.680
<v Speaker 4>I couldn't make it make sense to me to talk

0:45:06.800 --> 0:45:12.239
<v Speaker 4>about feeling fragile or being fragile about my music, which

0:45:14.840 --> 0:45:17.120
<v Speaker 4>I am maybe you know what I'm saying. At the

0:45:17.200 --> 0:45:20.480
<v Speaker 4>same time, fuck you, you know what I mean, Like

0:45:21.160 --> 0:45:22.560
<v Speaker 4>there's that there was that part like.

0:45:22.640 --> 0:45:24.520
<v Speaker 1>You like my ship. I mean, I don't give a fuck,

0:45:24.560 --> 0:45:27.560
<v Speaker 1>you know, like fuck it. But then at the same time,

0:45:27.600 --> 0:45:29.839
<v Speaker 1>you know someone's talks about your record, You're like, damn,

0:45:30.960 --> 0:45:31.839
<v Speaker 1>you don't like me, dog.

0:45:31.960 --> 0:45:32.120
<v Speaker 2>You know.

0:45:36.120 --> 0:45:39.279
<v Speaker 4>It's like Texas in the record exactly. But some time

0:45:39.360 --> 0:45:42.240
<v Speaker 4>I was just like in this very like militant mode.

0:45:42.360 --> 0:45:44.880
<v Speaker 4>I had just recorded, like I was just out of

0:45:44.920 --> 0:45:47.440
<v Speaker 4>love story moving into this other phase.

0:45:47.239 --> 0:45:47.319
<v Speaker 10>And.

0:45:48.880 --> 0:45:50.719
<v Speaker 4>And I didn't record it. And I was like, man,

0:45:50.760 --> 0:45:52.759
<v Speaker 4>I just don't got it. Man, I don't know what's

0:45:52.800 --> 0:45:54.800
<v Speaker 4>happening to it. I just don't have anything for this.

0:45:55.080 --> 0:46:00.160
<v Speaker 4>And then Hendrick and the next thing, I fucking oh,

0:46:00.200 --> 0:46:06.040
<v Speaker 4>they're on Saturday Night Live record and I was like, fuck,

0:46:06.520 --> 0:46:10.480
<v Speaker 4>what an idiot should but shout out Kendrick and and

0:46:10.800 --> 0:46:15.560
<v Speaker 4>and and tech Man. They've always showed me my entire career.

0:46:15.600 --> 0:46:19.200
<v Speaker 4>I remember doing shows with Kendrick at like little college

0:46:19.200 --> 0:46:21.480
<v Speaker 4>shows in Atlanta, Georgia, you know what I mean, and.

0:46:23.080 --> 0:46:27.279
<v Speaker 1>Watching both of them just explode and you know it is.

0:46:28.480 --> 0:46:32.080
<v Speaker 4>I've had some classic moments man, And matter of fact,

0:46:32.600 --> 0:46:35.200
<v Speaker 4>this is a big shout out to Kendrick Lamore. I

0:46:35.320 --> 0:46:38.520
<v Speaker 4>was in Hollywood on Sunset Boulevard on the sidewalk, just

0:46:38.560 --> 0:46:43.000
<v Speaker 4>standing outside smoking a cigarette, having a drink, and there

0:46:43.120 --> 0:46:45.840
<v Speaker 4>was this fucking parade coming down Sunset.

0:46:46.560 --> 0:46:50.640
<v Speaker 1>There was a big stage on wheels right, and then

0:46:51.680 --> 0:46:55.759
<v Speaker 1>I was like, oh, fuck Kendricks. Kendrick's doing a moving show.

0:46:56.400 --> 0:46:58.520
<v Speaker 1>And then behind him were a bunch of people running

0:46:59.280 --> 0:47:04.279
<v Speaker 1>like chasing you remember that I did this thing. Dog.

0:47:04.400 --> 0:47:07.120
<v Speaker 4>He rides by in the middle of his set and

0:47:07.280 --> 0:47:11.600
<v Speaker 4>looks left and what up like like shouted me out,

0:47:11.680 --> 0:47:12.759
<v Speaker 4>like in the middle of his verse.

0:47:13.080 --> 0:47:16.480
<v Speaker 1>Wow, that's a moment, and like I was like, yo,

0:47:17.680 --> 0:47:18.440
<v Speaker 1>it was like a moment.

0:47:18.520 --> 0:47:21.080
<v Speaker 4>It was like it was just I couldn't It was

0:47:21.120 --> 0:47:23.279
<v Speaker 4>so much respect, you know what I mean, likes something

0:47:23.280 --> 0:47:25.560
<v Speaker 4>I'll never I'll never ever forget that man, Like he

0:47:25.719 --> 0:47:27.719
<v Speaker 4>did not have to do that. It was just like

0:47:28.480 --> 0:47:29.800
<v Speaker 4>it hit him, you know what I mean. And he

0:47:30.120 --> 0:47:32.680
<v Speaker 4>in the middle of his set like what it was

0:47:32.840 --> 0:47:35.920
<v Speaker 4>And I did not mean I was not there to watch, bro.

0:47:36.040 --> 0:47:38.880
<v Speaker 4>I was like I had walked outside smoking a cigarette,

0:47:38.920 --> 0:47:41.440
<v Speaker 4>like like next to Rainbow Room or some ship. You know,

0:47:41.800 --> 0:47:45.040
<v Speaker 4>there's a genuine moment, genuine shout out Kendrick and shout

0:47:45.040 --> 0:47:49.759
<v Speaker 4>out and shout out take Nne for always showing love

0:47:49.880 --> 0:47:54.239
<v Speaker 4>and support. And man, I'm genuinely upset at myself. I

0:47:54.280 --> 0:47:58.640
<v Speaker 4>didn't get on that record. Officially, I'm saying I fucked up.

0:47:58.960 --> 0:48:01.200
<v Speaker 4>There's another record that I funked up and didn't get on.

0:48:01.680 --> 0:48:05.239
<v Speaker 1>Let's talk about it, Run the Jewels, which I had

0:48:05.280 --> 0:48:08.360
<v Speaker 1>an opportunity to get on the Run the Jewels record,

0:48:09.239 --> 0:48:11.120
<v Speaker 1>and I was in the middle of the recording, uh

0:48:12.280 --> 0:48:12.879
<v Speaker 1>trunk music.

0:48:14.200 --> 0:48:23.600
<v Speaker 4>I was starting to feel it. I can't believe you

0:48:23.600 --> 0:48:26.600
<v Speaker 4>can't smoke cigarettes in there some bullship take a break.

0:48:26.440 --> 0:48:32.680
<v Speaker 3>At one moment, looking at him, he's a cigarette smoker.

0:48:32.719 --> 0:48:33.719
<v Speaker 3>He overdy agreeing with you.

0:48:36.640 --> 0:48:43.160
<v Speaker 1>Cigarettes and good drink, good conversation. We got you got

0:48:43.680 --> 0:48:47.000
<v Speaker 1>wet water. Yes, I had an opportunity to do a

0:48:47.040 --> 0:48:49.400
<v Speaker 1>record with Killer and the LP, and I've been in

0:48:49.400 --> 0:48:53.840
<v Speaker 1>an LP fan since death. Jucks, I've been on l P.

0:48:54.040 --> 0:48:54.520
<v Speaker 2>You know what I mean.

0:48:55.200 --> 0:48:56.640
<v Speaker 1>And you know.

0:48:58.640 --> 0:49:02.680
<v Speaker 4>This whole why MC ship I've always thought was really corny,

0:49:02.800 --> 0:49:04.279
<v Speaker 4>you know what I mean, Like, are you a good

0:49:04.440 --> 0:49:06.919
<v Speaker 4>mc or not like oh he's a good white boy,

0:49:07.040 --> 0:49:10.800
<v Speaker 4>like out of here, I'm better than you period, you know,

0:49:11.080 --> 0:49:15.320
<v Speaker 4>like and you know, but I will say as a

0:49:15.440 --> 0:49:18.799
<v Speaker 4>young artist, you know, being a white boy looking at

0:49:18.880 --> 0:49:22.120
<v Speaker 4>other artists above me that were white. You know, LP

0:49:22.560 --> 0:49:27.200
<v Speaker 4>was like my top top top you know that company

0:49:27.280 --> 0:49:29.960
<v Speaker 4>flow Yeah, like deaf Chuck's like, you know, like I

0:49:30.160 --> 0:49:33.279
<v Speaker 4>was like, this is how it's done. You know, we

0:49:33.440 --> 0:49:35.400
<v Speaker 4>just slide in there. You don't say ship. You know,

0:49:35.640 --> 0:49:38.400
<v Speaker 4>you don't mention who you are, you know, none of that.

0:49:38.560 --> 0:49:41.200
<v Speaker 4>You know, other people put those labels on here.

0:49:41.239 --> 0:49:41.719
<v Speaker 2>You know what I mean.

0:49:42.440 --> 0:49:43.080
<v Speaker 1>You know what I'm saying.

0:49:43.120 --> 0:49:45.279
<v Speaker 4>It's like all right, white boy cool, all right, well

0:49:45.280 --> 0:49:47.800
<v Speaker 4>I'm gonna run with that. Then all Rednegg or you

0:49:47.880 --> 0:49:50.600
<v Speaker 4>white boy Rednegg, Okay call me all right, it is

0:49:50.640 --> 0:49:55.040
<v Speaker 4>what it is, you know what I mean. But I

0:49:55.040 --> 0:49:58.760
<v Speaker 4>don't know where I'm going with this, but I fucking fuck.

0:49:58.640 --> 0:50:00.920
<v Speaker 1>It, fuck it. Let's do you know?

0:50:01.040 --> 0:50:02.600
<v Speaker 3>You know one thing before you get into quick Time

0:50:02.640 --> 0:50:06.040
<v Speaker 3>of Slim, something that I admire about you is your relationships.

0:50:06.120 --> 0:50:09.000
<v Speaker 3>Right I look at I look at you. You work

0:50:09.040 --> 0:50:11.319
<v Speaker 3>with uh kid kid Rock.

0:50:11.440 --> 0:50:12.239
<v Speaker 2>I'm just hold this.

0:50:13.800 --> 0:50:19.600
<v Speaker 1>You imagine I've done that before.

0:50:20.320 --> 0:50:22.279
<v Speaker 3>So you got kid Rock, Kid Rock, who kind of

0:50:22.400 --> 0:50:24.839
<v Speaker 3>like has beef with Insane Clown Possey, but you're cool

0:50:24.880 --> 0:50:27.200
<v Speaker 3>with Insane clm Possi and Kid Rock. And then you

0:50:27.280 --> 0:50:30.239
<v Speaker 3>got Machine Gun Kelly, you got eminem But how do

0:50:30.320 --> 0:50:34.880
<v Speaker 3>you kind of like maintain those relationships because like, artists

0:50:35.120 --> 0:50:39.359
<v Speaker 3>are petty people, very pretty people, and if you taking

0:50:39.400 --> 0:50:41.479
<v Speaker 3>a picture with some party, that the next person.

0:50:41.760 --> 0:50:49.360
<v Speaker 1>How do you maintain these kind of relationships? Honestly?

0:50:49.520 --> 0:50:49.880
<v Speaker 11>I I.

0:50:52.360 --> 0:50:55.640
<v Speaker 4>Genuinely love my friends, right, you know what I'm saying, Like,

0:50:55.719 --> 0:50:58.759
<v Speaker 4>if you're my boy, you're my boy for life. That's it.

0:50:59.160 --> 0:51:00.839
<v Speaker 4>You know, I don't give a fuck about your fame.

0:51:00.880 --> 0:51:02.359
<v Speaker 4>I don't give a fuck about your money. I don't

0:51:02.400 --> 0:51:05.640
<v Speaker 4>care nothing about that, you know. Like add all, actually

0:51:06.160 --> 0:51:08.719
<v Speaker 4>that's the most annoying part about it all. It's what

0:51:08.880 --> 0:51:13.080
<v Speaker 4>we sign up for. But you know, a genuine hang, man,

0:51:13.600 --> 0:51:16.040
<v Speaker 4>that's what it's. That's that's what it's about. I Mean,

0:51:16.080 --> 0:51:18.080
<v Speaker 4>I know we rolled it, we're filming right now and everything,

0:51:18.160 --> 0:51:20.520
<v Speaker 4>but this is a genuine hang to me. We're kicking

0:51:20.560 --> 0:51:23.520
<v Speaker 4>it all right right, talking shout that's it, And that's

0:51:23.520 --> 0:51:24.279
<v Speaker 4>all you really want.

0:51:24.360 --> 0:51:26.120
<v Speaker 2>So when you make that connection with somebody.

0:51:27.000 --> 0:51:27.880
<v Speaker 1>You know, you keep it.

0:51:28.160 --> 0:51:32.200
<v Speaker 4>I've had friends, shit, man, my whole life. Man, my

0:51:32.680 --> 0:51:36.759
<v Speaker 4>manager I've known since I was twelve years old. Alt

0:51:36.840 --> 0:51:39.520
<v Speaker 4>Zilla AM seven Crew represents Zilla.

0:51:40.360 --> 0:51:40.920
<v Speaker 2>You know what I'm saying.

0:51:40.960 --> 0:51:46.160
<v Speaker 4>I am seven Graffiti Crew. Shout out will Power, you guys,

0:51:46.560 --> 0:51:49.320
<v Speaker 4>Shout out will Power. Been rocking for will Power with

0:51:49.440 --> 0:51:52.560
<v Speaker 4>will Poper over twenty years. Well, I drove him crazy

0:51:52.640 --> 0:51:56.720
<v Speaker 4>when I was coming up. God damn, we got history.

0:51:56.800 --> 0:51:59.960
<v Speaker 1>What is the blunt? It's an old school he put

0:52:00.000 --> 0:52:06.719
<v Speaker 1>that little that little candy. It's a please please, I'll

0:52:06.800 --> 0:52:07.360
<v Speaker 1>light it for you.

0:52:07.640 --> 0:52:07.800
<v Speaker 12>You know.

0:52:07.920 --> 0:52:11.279
<v Speaker 1>I just did dtr Green Thumb would be d real.

0:52:11.520 --> 0:52:15.000
<v Speaker 4>That's my boy. And uh yeah, dude, I got a record.

0:52:15.760 --> 0:52:17.680
<v Speaker 4>I have an album. This has slept on album. So

0:52:17.840 --> 0:52:20.160
<v Speaker 4>I'm I'm happy that I have this platform to even

0:52:20.239 --> 0:52:23.600
<v Speaker 4>mention it. DJ Muggs and I did a record called

0:52:23.640 --> 0:52:26.960
<v Speaker 4>Miles zero Okay, and it's all low fi hip hop

0:52:27.640 --> 0:52:31.000
<v Speaker 4>like album, all produced by mugs, all mugs. There's not

0:52:31.040 --> 0:52:33.480
<v Speaker 4>even there's not even many any hooks on this album.

0:52:33.520 --> 0:52:37.239
<v Speaker 4>It's all MC shit shit and it just kind of

0:52:37.360 --> 0:52:38.000
<v Speaker 4>slip slip.

0:52:38.160 --> 0:52:40.440
<v Speaker 1>We don't know what year did this come out? What

0:52:40.719 --> 0:52:42.680
<v Speaker 1>was Zio. August we did.

0:52:42.760 --> 0:52:45.279
<v Speaker 4>We did this thing called August on Slot and I

0:52:45.440 --> 0:52:47.160
<v Speaker 4>dropped four albums in one month.

0:52:47.960 --> 0:52:52.400
<v Speaker 1>And huh it was twenty twenty one, twenty twenty one,

0:52:52.480 --> 0:52:52.960
<v Speaker 1>Miles zero.

0:52:53.239 --> 0:52:57.640
<v Speaker 4>But I got a song with wu be real on there.

0:52:58.840 --> 0:53:02.359
<v Speaker 4>That's incredible. I did crazy Collaps. I got a song

0:53:02.440 --> 0:53:04.080
<v Speaker 4>with Dela Funky Homo Sapien.

0:53:05.640 --> 0:53:08.839
<v Speaker 1>Yeah. I put Dela Funky, Homo Sapien and DJ Paul

0:53:08.920 --> 0:53:11.439
<v Speaker 1>on a record together. That must sound crazy. I can't

0:53:11.440 --> 0:53:12.080
<v Speaker 1>even imagine that.

0:53:12.239 --> 0:53:13.359
<v Speaker 2>The album's called Miles zero.

0:53:13.560 --> 0:53:16.959
<v Speaker 1>Check it out, man, Yeah, shut out mugs, Yeah, shut

0:53:17.000 --> 0:53:21.040
<v Speaker 1>out mugs. Literally, I'm gonna like this in honor of you, bro.

0:53:21.600 --> 0:53:24.000
<v Speaker 1>I do not smoke. My mama smokes like a chiming.

0:53:24.040 --> 0:53:28.879
<v Speaker 1>It's okay, it's okay, like it's a cigarette. But listen,

0:53:29.080 --> 0:53:29.880
<v Speaker 1>literally for you.

0:53:30.040 --> 0:53:32.799
<v Speaker 3>I looked at everybody that you guys that you walked

0:53:32.840 --> 0:53:36.080
<v Speaker 3>in with, and everybody is tatted the funk up?

0:53:36.520 --> 0:53:37.879
<v Speaker 1>Can I not be down with your gang?

0:53:38.120 --> 0:53:39.000
<v Speaker 2>You don't got no tattoo.

0:53:39.040 --> 0:53:44.440
<v Speaker 3>I don't got not one tattooers, I'm like you, you're naked.

0:53:44.560 --> 0:53:46.560
<v Speaker 2>I didn't even know. I didn't think about.

0:53:46.360 --> 0:53:46.960
<v Speaker 1>Him not having.

0:53:52.000 --> 0:53:52.239
<v Speaker 2>Got no.

0:53:54.680 --> 0:53:57.800
<v Speaker 1>Just keep it going come on this for me? You

0:53:57.840 --> 0:54:01.120
<v Speaker 1>want this moke that ship here in mind, I can't smoke.

0:54:01.840 --> 0:54:02.960
<v Speaker 1>You don't have to. You don't have to, you don't

0:54:02.960 --> 0:54:03.360
<v Speaker 1>have to do it.

0:54:04.520 --> 0:54:04.799
<v Speaker 2>You want.

0:54:04.840 --> 0:54:06.759
<v Speaker 1>I don't want to say anybody. Yeah, I live that

0:54:06.880 --> 0:54:11.840
<v Speaker 1>heroin here, Come get it. I smoke this ship. It

0:54:11.880 --> 0:54:14.800
<v Speaker 1>can't go the way, No, no fucking way. I'll go crazy.

0:54:16.040 --> 0:54:17.680
<v Speaker 1>Catch a fifty one fifty, you know, I caught it

0:54:17.719 --> 0:54:21.000
<v Speaker 1>fifty one fifty smoking weed. I got to ask what

0:54:21.040 --> 0:54:24.800
<v Speaker 1>a fifty one fifty is? What is that endangerment to

0:54:24.880 --> 0:54:27.200
<v Speaker 1>self for other people? It's like a it's like a

0:54:27.680 --> 0:54:32.200
<v Speaker 1>it's a police it's a police call. It's number wow. Yeah, man, say,

0:54:32.440 --> 0:54:34.160
<v Speaker 1>we don't want a fifty one fifty. Nah, you don't

0:54:34.160 --> 0:54:35.320
<v Speaker 1>want that. You don''t see me on that.

0:54:35.640 --> 0:54:38.360
<v Speaker 3>Before we get to quick time with Slim, can I

0:54:38.440 --> 0:54:40.440
<v Speaker 3>ask you something that I've been wanting to always.

0:54:40.200 --> 0:54:47.600
<v Speaker 13>Asks, Yeah, ask me someone that says, dude, Yes, someone says,

0:54:48.080 --> 0:54:51.160
<v Speaker 13>because I wanted to be a dude, dude, how do

0:54:51.280 --> 0:54:52.359
<v Speaker 13>you start a marsh pit?

0:54:53.719 --> 0:54:58.920
<v Speaker 7>A marsh pit or a marsh pit marsh you know,

0:54:59.280 --> 0:55:00.839
<v Speaker 7>like that's just so cool to me, but how does

0:55:00.880 --> 0:55:04.640
<v Speaker 7>it start? Nor It's marsh Pit. Mark here on out

0:55:05.800 --> 0:55:07.520
<v Speaker 7>here on out this marsh pitch.

0:55:08.320 --> 0:55:10.239
<v Speaker 1>Yo, you come to my show, but you were in

0:55:10.320 --> 0:55:16.800
<v Speaker 1>the marsh pitch perfectly with cat a marsh Pit. I

0:55:16.840 --> 0:55:20.400
<v Speaker 1>would like to go to what is it marsh pill? Okay, but.

0:55:22.840 --> 0:55:23.560
<v Speaker 2>Some dirty.

0:55:25.239 --> 0:55:30.000
<v Speaker 3>Man very serious like because I see like how I'm like,

0:55:30.080 --> 0:55:31.879
<v Speaker 3>you know why I always wanted to do that ship

0:55:31.920 --> 0:55:32.799
<v Speaker 3>like it.

0:55:32.800 --> 0:55:33.719
<v Speaker 2>Ain't never been in the Mars.

0:55:33.760 --> 0:55:34.480
<v Speaker 1>But no.

0:55:36.239 --> 0:55:39.600
<v Speaker 2>Guarantee someone did a must fits a superdug for sure.

0:55:39.800 --> 0:55:43.120
<v Speaker 14>One of your shows that's not feel like they didn't

0:55:43.160 --> 0:55:48.160
<v Speaker 14>invite you mean you want to bro okay, so you

0:55:48.280 --> 0:55:50.279
<v Speaker 14>have to show, you had to show you get you jump,

0:55:50.320 --> 0:55:50.919
<v Speaker 14>how you start?

0:55:50.960 --> 0:55:51.520
<v Speaker 1>How you well?

0:55:51.600 --> 0:55:54.520
<v Speaker 4>I tell you my history of march pits is my

0:55:54.760 --> 0:55:59.440
<v Speaker 4>first match pit I was ever in was Red Man

0:55:59.719 --> 0:56:00.840
<v Speaker 4>at Lollapalooza.

0:56:01.040 --> 0:56:03.399
<v Speaker 1>I was thirteen years old.

0:56:03.520 --> 0:56:08.800
<v Speaker 4>I snuck into Lollapalooza and Tennessee and Redman had a

0:56:08.920 --> 0:56:12.040
<v Speaker 4>side stage at that At that point Eastie Boys was

0:56:12.120 --> 0:56:20.240
<v Speaker 4>on main stage. I think, uh uh uh, maybe Nirvana,

0:56:23.520 --> 0:56:29.840
<v Speaker 4>your childhood was good, a great childhood.

0:56:30.160 --> 0:56:35.800
<v Speaker 1>Yeah, sure you're basing that on me being in a

0:56:35.880 --> 0:56:44.759
<v Speaker 1>most fucking red Man. I told you.

0:56:48.480 --> 0:56:48.920
<v Speaker 5>He was not.

0:56:50.560 --> 0:56:50.880
<v Speaker 2>Evan.

0:56:53.840 --> 0:56:55.960
<v Speaker 4>I snuck into the show at thirteen, he got a

0:56:56.040 --> 0:56:57.680
<v Speaker 4>mostpit of red Man, your childhood was.

0:57:00.480 --> 0:57:05.480
<v Speaker 1>A failure. Yes, I mean that too, well, but.

0:57:07.280 --> 0:57:13.160
<v Speaker 2>Continue so you're in the marsh pity.

0:57:13.320 --> 0:57:14.359
<v Speaker 1>I didn't know I was saying it wrong.

0:57:15.320 --> 0:57:20.760
<v Speaker 4>So anyway, I had like an early experience of mosh

0:57:20.840 --> 0:57:23.000
<v Speaker 4>pits and ship at a hip hop show.

0:57:23.240 --> 0:57:25.840
<v Speaker 2>Okay, you know, and that's a dope.

0:57:26.400 --> 0:57:28.920
<v Speaker 1>You know, it's like rowdy ship. You know. I was that.

0:57:29.160 --> 0:57:31.840
<v Speaker 4>I was. That's what it was, man, I was, you know,

0:57:32.200 --> 0:57:35.360
<v Speaker 4>fucking that's what it was. That was the fun part.

0:57:35.440 --> 0:57:37.040
<v Speaker 4>You know, you funck shit up. You go to go

0:57:37.120 --> 0:57:38.760
<v Speaker 4>to the shows, function up. When I was at that

0:57:38.800 --> 0:57:41.000
<v Speaker 4>show in nineteen ninety seven at the h Room with

0:57:42.200 --> 0:57:45.800
<v Speaker 4>three six a mystical, I watched pit there too. You

0:57:45.880 --> 0:57:49.280
<v Speaker 4>fun up those shows, you know, like that's that's that's

0:57:49.320 --> 0:57:52.360
<v Speaker 4>the best part. It's like, you're this is your favorite group,

0:57:52.400 --> 0:57:56.120
<v Speaker 4>You're seeing them live. Let's get let's right six You

0:57:56.440 --> 0:57:58.880
<v Speaker 4>was like, because I remember it still is yo?

0:57:59.160 --> 0:57:59.920
<v Speaker 1>Yeah, still is you?

0:58:00.640 --> 0:58:03.240
<v Speaker 3>Because I was what's that first record that came up

0:58:03.240 --> 0:58:06.240
<v Speaker 3>with Taylor Club Up? That was I mean the first

0:58:06.320 --> 0:58:07.240
<v Speaker 3>national that was.

0:58:07.240 --> 0:58:09.320
<v Speaker 2>One of the one of their first big records. Yeah, yeah,

0:58:09.400 --> 0:58:11.720
<v Speaker 2>they had been doing but they didn't get to New York.

0:58:11.800 --> 0:58:13.880
<v Speaker 2>But they'd done a lot of ship before that.

0:58:14.040 --> 0:58:16.480
<v Speaker 1>Tear the club up. Are you sure before that, I

0:58:16.720 --> 0:58:17.160
<v Speaker 1>had a lot of.

0:58:17.160 --> 0:58:18.960
<v Speaker 2>Street ship on the street.

0:58:19.400 --> 0:58:21.360
<v Speaker 1>That was their first big record. Yeah yeah, yeah, yeah

0:58:21.960 --> 0:58:22.120
<v Speaker 1>I did.

0:58:22.280 --> 0:58:24.320
<v Speaker 3>I did in New York when it got When that

0:58:24.360 --> 0:58:26.640
<v Speaker 3>ship came, people were literally tearing the club up.

0:58:26.920 --> 0:58:28.720
<v Speaker 1>So yeah yeah.

0:58:30.920 --> 0:58:34.720
<v Speaker 4>Yeah dude, so so yeah, they like embodied the culture

0:58:34.920 --> 0:58:37.160
<v Speaker 4>of what was happening around that and that's just what

0:58:37.280 --> 0:58:40.720
<v Speaker 4>it was. You know, God, what a brilliant concept. Man,

0:58:41.080 --> 0:58:43.280
<v Speaker 4>like the Masters of Evil.

0:58:43.480 --> 0:58:46.560
<v Speaker 1>Man that that ship is like some Robert Johnson ship

0:58:46.760 --> 0:58:49.760
<v Speaker 1>man pre six Mafia is They're the greatest bro.

0:58:50.600 --> 0:58:55.400
<v Speaker 4>DJ Paul love you, man. He's a man and mentor

0:58:55.640 --> 0:58:59.880
<v Speaker 4>mentor you know. Like again, still a big family. My

0:59:00.040 --> 0:59:05.320
<v Speaker 4>mom got DJ Paul on her coffee table in a frame,

0:59:05.480 --> 0:59:08.680
<v Speaker 4>you know what I mean, Like Paul's family, Dude, Like, man,

0:59:08.760 --> 0:59:09.400
<v Speaker 4>that's my guy.

0:59:09.680 --> 0:59:12.080
<v Speaker 1>One thing we established is your mother's a gangster.

0:59:12.560 --> 0:59:12.600
<v Speaker 5>Ma.

0:59:12.680 --> 0:59:19.640
<v Speaker 1>Mama is in this interview we don't get anything. Is

0:59:19.800 --> 0:59:26.000
<v Speaker 1>your mama's a gangstang. She's the most gangster person we

0:59:26.080 --> 0:59:28.160
<v Speaker 1>took a mom I've ever met let's go. I think

0:59:28.200 --> 0:59:29.440
<v Speaker 1>we try to take a shop of Mamma.

0:59:31.520 --> 0:59:32.760
<v Speaker 2>We haven't even known pick times.

0:59:32.840 --> 0:59:33.040
<v Speaker 1>Lie.

0:59:33.120 --> 0:59:35.440
<v Speaker 2>Yeah, we did more drinking more than time.

0:59:36.000 --> 0:59:37.640
<v Speaker 1>But we want to give you your flowers. We got

0:59:37.760 --> 0:59:38.400
<v Speaker 1>to give you a flower.

0:59:38.560 --> 0:59:42.080
<v Speaker 3>Did I noticed talking about keep going, keep going this

0:59:42.120 --> 0:59:43.400
<v Speaker 3>whole interview, We give you a flowers.

0:59:44.760 --> 0:59:46.919
<v Speaker 1>I ain't drinking over there, Come on, have a drink.

0:59:49.040 --> 0:59:51.560
<v Speaker 2>Alright, hold on, so now we're gonna do quick explain.

0:59:52.400 --> 0:59:54.560
<v Speaker 2>This is a drinking game we play. We give you

0:59:54.600 --> 0:59:56.720
<v Speaker 2>two choices. You picked one.

0:59:57.000 --> 0:59:57.960
<v Speaker 1>We were already playing.

0:59:59.040 --> 1:00:00.800
<v Speaker 2>You picked one of the two. So it's like this

1:00:01.120 --> 1:00:04.560
<v Speaker 2>first this, and you pick one. Nobody drinks. But if

1:00:04.600 --> 1:00:07.120
<v Speaker 2>you say both or neither, we all drink.

1:00:08.120 --> 1:00:13.480
<v Speaker 1>Got it? And then give us any stories? Not really,

1:00:13.560 --> 1:00:16.720
<v Speaker 1>but it goes, you know, figure it out.

1:00:17.280 --> 1:00:18.000
<v Speaker 2>You asked me a question.

1:00:18.040 --> 1:00:23.720
<v Speaker 1>I answered, yeah, you go Eminemo, machine gun Kelly, how

1:00:23.880 --> 1:00:27.160
<v Speaker 1>dare you? I told you? Who wakes the questions? Those

1:00:27.200 --> 1:00:32.959
<v Speaker 1>guys that so you say both? Listen man, we would

1:00:33.000 --> 1:00:35.840
<v Speaker 1>like to hear it. Here's here's the deal with that ship.

1:00:36.520 --> 1:00:40.080
<v Speaker 4>Marshall Matters is my brother Marshall Matters coach man A

1:00:40.120 --> 1:00:42.800
<v Speaker 4>way I could never ever, ever fucking repay him back

1:00:42.840 --> 1:00:44.560
<v Speaker 4>for that. I love Marshall for the rest of my life.

1:00:44.560 --> 1:00:48.000
<v Speaker 4>And I'm loyal to Shady and Marshall, period point blank.

1:00:49.160 --> 1:00:53.040
<v Speaker 4>Machine Gun Kelly is my dog. That's my friend, period

1:00:53.120 --> 1:00:55.840
<v Speaker 4>point blank. And I would never put myself on the

1:00:55.880 --> 1:00:57.880
<v Speaker 4>block to choose one or the other.

1:00:58.000 --> 1:00:58.920
<v Speaker 1>I got love and.

1:00:58.960 --> 1:01:01.920
<v Speaker 4>Respect from Marshall and a whole different way, and I

1:01:02.040 --> 1:01:03.960
<v Speaker 4>got a whole different relationship with Shady than I do.

1:01:04.200 --> 1:01:05.720
<v Speaker 1>MGK MGK is my boy.

1:01:05.840 --> 1:01:06.640
<v Speaker 2>Dude, you know what I'm saying.

1:01:06.720 --> 1:01:11.240
<v Speaker 1>Like, but you know we're taking a show that's both,

1:01:11.480 --> 1:01:14.000
<v Speaker 1>so so you're picking them the answers both, Yeah, drinking

1:01:14.040 --> 1:01:16.560
<v Speaker 1>from take a shot? Yeah? If you say if you

1:01:16.600 --> 1:01:19.400
<v Speaker 1>say one, drink yeah, yeah, I'm sorry. I went off

1:01:19.440 --> 1:01:21.880
<v Speaker 1>the rails. If you say one. If you say one,

1:01:21.920 --> 1:01:23.000
<v Speaker 1>we don't drink, you say both.

1:01:23.760 --> 1:01:25.600
<v Speaker 2>I went off the That was good.

1:01:25.760 --> 1:01:26.280
<v Speaker 1>I'm learning.

1:01:26.280 --> 1:01:27.040
<v Speaker 2>That was perfect.

1:01:28.000 --> 1:01:29.480
<v Speaker 3>That's a great answer to. By the way, now I

1:01:29.560 --> 1:01:32.280
<v Speaker 3>need you got small shots because you do small shots.

1:01:32.280 --> 1:01:33.960
<v Speaker 3>We're gonna be going through. And by the way, that

1:01:34.000 --> 1:01:34.920
<v Speaker 3>was a great answer to.

1:01:35.240 --> 1:01:35.600
<v Speaker 1>I liked it.

1:01:35.680 --> 1:01:36.120
<v Speaker 5>I like you that.

1:01:37.000 --> 1:01:39.640
<v Speaker 1>Uh okay you ready? Yeah? Yeah?

1:01:40.120 --> 1:01:43.200
<v Speaker 3>Twenty one Savage or Kodak Black.

1:01:43.640 --> 1:01:47.480
<v Speaker 1>Oh, both for sure. We won't be drinking. I said,

1:01:47.640 --> 1:01:49.640
<v Speaker 1>we're going to be drinking for sure. Yeah, keep pouring.

1:01:50.120 --> 1:01:54.919
<v Speaker 1>Yeah the other shot a cool? You ready? You gotta

1:01:54.960 --> 1:01:57.000
<v Speaker 1>take a shot? Yeah yeah, stay with us.

1:02:00.760 --> 1:02:05.040
<v Speaker 15>You can end the suffering. Just pick one, okay, I could,

1:02:05.120 --> 1:02:10.040
<v Speaker 15>Oh way, you got it? I like this one, Kendrick

1:02:10.240 --> 1:02:14.800
<v Speaker 15>or Drake. Kendrick fucking Lamar?

1:02:15.400 --> 1:02:15.600
<v Speaker 1>Wow?

1:02:16.280 --> 1:02:19.760
<v Speaker 4>Are you a point blank? And can I say must

1:02:19.800 --> 1:02:23.920
<v Speaker 4>respect to Drake? That them boys ain't no level playing fields, bro?

1:02:24.080 --> 1:02:27.560
<v Speaker 4>Like you cannot you cannot fuck like Kendrick Lamar. Bro,

1:02:28.040 --> 1:02:32.240
<v Speaker 4>that's top top, top tier MC ship, Like, are you

1:02:32.360 --> 1:02:34.840
<v Speaker 4>kidding me? I heard about this shit that was happening,

1:02:35.000 --> 1:02:38.200
<v Speaker 4>and I didn't even listen to, not one single thing nothing.

1:02:38.280 --> 1:02:41.720
<v Speaker 4>I still have not heard one record from either side.

1:02:41.960 --> 1:02:44.200
<v Speaker 4>All I did was hear about it, and I was like,

1:02:46.640 --> 1:02:52.520
<v Speaker 4>what Kendrick and Drake, dog, come on, man, this is

1:02:52.600 --> 1:02:59.080
<v Speaker 4>not even interesting? Like whatever, Kendrick Lamar, that was easy.

1:03:00.160 --> 1:03:01.080
<v Speaker 2>Let's take a shot.

1:03:02.480 --> 1:03:04.320
<v Speaker 1>When you pick? You picked?

1:03:06.400 --> 1:03:06.680
<v Speaker 2>Okay?

1:03:06.800 --> 1:03:10.600
<v Speaker 4>Why you big quit, big krit that's my dog. I

1:03:10.680 --> 1:03:14.360
<v Speaker 4>gotta go a big quit because a couple together I love.

1:03:14.400 --> 1:03:19.720
<v Speaker 1>What wasn't your oldest freshman couple wasn't on that couple.

1:03:19.840 --> 1:03:20.120
<v Speaker 2>What you.

1:03:22.080 --> 1:03:24.080
<v Speaker 1>You're going back on me here, I got I gotta

1:03:24.120 --> 1:03:26.720
<v Speaker 1>go a d d over here. Just you know we

1:03:28.000 --> 1:03:31.040
<v Speaker 1>got drunk fast, Yeah, go ahead ahead, point is okay,

1:03:31.560 --> 1:03:35.680
<v Speaker 1>big quit family. I love y g but obviously big crits.

1:03:35.720 --> 1:03:37.600
<v Speaker 1>You know I'm sticking with the South. I respect you.

1:03:37.840 --> 1:03:40.680
<v Speaker 1>I'm not sticking with the South. I'm sticking with my boy.

1:03:43.600 --> 1:03:45.120
<v Speaker 1>Trying to make me read over here.

1:03:47.120 --> 1:03:50.680
<v Speaker 2>My boy happened to be the next one resting piece

1:03:50.720 --> 1:03:52.560
<v Speaker 2>of both mac Miller and Nipsey.

1:03:54.240 --> 1:03:56.120
<v Speaker 1>What do you your criteria?

1:03:56.640 --> 1:03:59.000
<v Speaker 2>What do you mean it could be? When's your best friend?

1:03:59.080 --> 1:04:01.880
<v Speaker 2>One wasn't when made a good Hamburger? I don't know whatever.

1:04:04.480 --> 1:04:08.960
<v Speaker 1>Oh dude, I went to another place. Okay, dark no, no, no,

1:04:09.120 --> 1:04:11.240
<v Speaker 1>you said rest in peace to both, like like I

1:04:11.280 --> 1:04:12.720
<v Speaker 1>can say, I know, I know that.

1:04:16.480 --> 1:04:17.400
<v Speaker 2>Where did you go wrong?

1:04:17.520 --> 1:04:19.520
<v Speaker 1>I thought you were asking me to say rest in

1:04:19.560 --> 1:04:20.640
<v Speaker 1>peace to which one.

1:04:22.520 --> 1:04:23.240
<v Speaker 2>I don't even want to.

1:04:25.160 --> 1:04:34.680
<v Speaker 1>I was like, that's fucked up, that's fucking fat, it's crazy.

1:04:34.400 --> 1:04:39.560
<v Speaker 2>For I was like, no, that's not.

1:04:41.600 --> 1:04:41.880
<v Speaker 1>Listen.

1:04:42.360 --> 1:04:47.880
<v Speaker 4>Listen when mac Miller, mac Miller became my little brother,

1:04:48.760 --> 1:04:51.600
<v Speaker 4>mac Miller and I never even did records together, and

1:04:51.720 --> 1:04:56.720
<v Speaker 4>we stayed until it's called the regular. We understood each

1:04:56.720 --> 1:04:58.600
<v Speaker 4>other so much as artists that we knew that like

1:04:59.800 --> 1:05:02.000
<v Speaker 4>do and songs together, it may not be the best

1:05:02.080 --> 1:05:03.080
<v Speaker 4>for each other's career.

1:05:03.160 --> 1:05:05.520
<v Speaker 1>We were just so different, you know what I'm saying.

1:05:05.600 --> 1:05:09.720
<v Speaker 1>But we also he would hit me up. Man, it's

1:05:09.760 --> 1:05:11.720
<v Speaker 1>just so dope. I hit him up, man, new sh

1:05:11.720 --> 1:05:13.920
<v Speaker 1>It's crazy, man. Love it came my little bro.

1:05:14.320 --> 1:05:19.320
<v Speaker 4>When Mac Miller died, Bro, listen, man, I took every

1:05:19.480 --> 1:05:22.080
<v Speaker 4>this is for real, for real. I took every fucking

1:05:22.200 --> 1:05:25.000
<v Speaker 4>thing I owned out of my closet, all my clothes,

1:05:25.200 --> 1:05:28.680
<v Speaker 4>all my shoes, all my pants, all my jewelry, all

1:05:28.760 --> 1:05:31.480
<v Speaker 4>my hats, and I put them in front of it.

1:05:31.520 --> 1:05:33.320
<v Speaker 4>I had a store in Nashville at the time, this

1:05:33.440 --> 1:05:36.000
<v Speaker 4>was before cold put in the parking lot and I said,

1:05:36.000 --> 1:05:37.040
<v Speaker 4>anyone who pulls.

1:05:36.840 --> 1:05:38.920
<v Speaker 1>Up can get an outfit for free today.

1:05:40.480 --> 1:05:44.120
<v Speaker 4>And I re upped my ship because I just felt

1:05:44.200 --> 1:05:48.160
<v Speaker 4>like I needed to do something positive and let go

1:05:48.360 --> 1:05:48.840
<v Speaker 4>of something.

1:05:49.640 --> 1:05:56.280
<v Speaker 1>Mac was special, man. So that ship. I love Mac dude,

1:05:56.800 --> 1:06:01.480
<v Speaker 1>and and our friendship is so much on the underground

1:06:01.920 --> 1:06:04.439
<v Speaker 1>that it is so deeply personal, you know what I'm saying.

1:06:04.440 --> 1:06:06.600
<v Speaker 1>So when he passed, I was really hurt. Dude for real,

1:06:07.000 --> 1:06:09.439
<v Speaker 1>and he's such a gift man, such a gift.

1:06:09.440 --> 1:06:11.280
<v Speaker 2>It seemed like he had a lot of those relationships

1:06:11.320 --> 1:06:15.160
<v Speaker 2>thought of because he is that guy, He's that kid.

1:06:15.400 --> 1:06:17.600
<v Speaker 1>I cried. I cried.

1:06:18.200 --> 1:06:20.200
<v Speaker 3>I was overseas, I was in Europe because you know,

1:06:20.320 --> 1:06:22.400
<v Speaker 3>he did an album with a real called Pink Slime,

1:06:22.880 --> 1:06:24.760
<v Speaker 3>and you know, I don't want to say I invented

1:06:24.800 --> 1:06:26.560
<v Speaker 3>the worst line, but I bring the worst line to

1:06:26.720 --> 1:06:30.040
<v Speaker 3>the rap game. And I felt like like he was

1:06:30.080 --> 1:06:32.280
<v Speaker 3>trying to tell me like that was like his homage

1:06:32.360 --> 1:06:35.240
<v Speaker 3>to me. And I never got to say that publicly,

1:06:35.920 --> 1:06:37.680
<v Speaker 3>and I never got to see what I saw when

1:06:37.680 --> 1:06:40.760
<v Speaker 3>I seen him publicly. I never like was like yo,

1:06:40.840 --> 1:06:44.960
<v Speaker 3>as a og, sometimes you want to talk to the youngins.

1:06:45.000 --> 1:06:46.960
<v Speaker 3>You want to say, yo, you know what, maybe shouldn't

1:06:47.000 --> 1:06:48.840
<v Speaker 3>be doing all that, you know what I mean? And

1:06:49.080 --> 1:06:50.840
<v Speaker 3>I did it because I was just like I felt

1:06:50.840 --> 1:06:53.400
<v Speaker 3>like he had it under control. So when I was overseas,

1:06:53.400 --> 1:06:55.720
<v Speaker 3>I remember I was driving from like Germany to Paris

1:06:56.160 --> 1:06:59.160
<v Speaker 3>or Paris to Germany either or and I got the news.

1:06:59.200 --> 1:07:01.960
<v Speaker 1>I just read it and just start to cry, and

1:07:02.080 --> 1:07:03.520
<v Speaker 1>it seemed like it was whoop, right there you go,

1:07:04.200 --> 1:07:05.320
<v Speaker 1>He's on the way to Amsterdam.

1:07:05.720 --> 1:07:07.880
<v Speaker 4>He was on the way to Amsterdam, and I was crazy,

1:07:08.080 --> 1:07:10.680
<v Speaker 4>but you know, like we must have been all like,

1:07:12.400 --> 1:07:13.120
<v Speaker 4>you know, it's crazy.

1:07:13.120 --> 1:07:14.320
<v Speaker 1>I don't know how we never met.

1:07:14.560 --> 1:07:17.320
<v Speaker 4>It's funny you meet people like never met me, but

1:07:17.400 --> 1:07:19.440
<v Speaker 4>I know your soul though, like rock the bells and

1:07:19.720 --> 1:07:21.520
<v Speaker 4>all the things that I've done.

1:07:23.320 --> 1:07:30.240
<v Speaker 1>My dude, yes, my dude, but we did, did you?

1:07:30.320 --> 1:07:32.760
<v Speaker 1>So you picked McMillan one? One last thing about that

1:07:32.960 --> 1:07:36.800
<v Speaker 1>we did? Can I say one? Yeah? We got plenty

1:07:36.840 --> 1:07:37.200
<v Speaker 1>of times.

1:07:37.280 --> 1:07:39.400
<v Speaker 4>So this is this is funny. This is actually funny.

1:07:39.600 --> 1:07:43.840
<v Speaker 4>We did the show and Aspen and uh, Mac and

1:07:43.920 --> 1:07:46.160
<v Speaker 4>I when we played it, we played the same stage

1:07:46.640 --> 1:07:49.360
<v Speaker 4>and we just happened to like come to the same state.

1:07:49.440 --> 1:07:53.160
<v Speaker 4>We got booked by the same promoter or whatever. And

1:07:55.960 --> 1:07:59.560
<v Speaker 4>Ell Madic comes on, uh no, its ematic comes on.

1:07:59.680 --> 1:08:05.000
<v Speaker 4>We're stage. Mac runs to the stage and spits word

1:08:05.160 --> 1:08:11.000
<v Speaker 4>for word, bar for bar, that whole that whole record,

1:08:11.280 --> 1:08:13.640
<v Speaker 4>you know, like it was and I was and he was, dude,

1:08:13.680 --> 1:08:17.160
<v Speaker 4>this dude's ten years younger than I am, you know

1:08:17.160 --> 1:08:19.719
<v Speaker 4>what I mean, Like, and it was just like blown

1:08:19.760 --> 1:08:22.439
<v Speaker 4>away by that. So I talked to him backstage and

1:08:22.520 --> 1:08:24.960
<v Speaker 4>you know, we started got diving into hip hop and

1:08:25.040 --> 1:08:26.719
<v Speaker 4>on how it happened for him and all that ship.

1:08:27.600 --> 1:08:30.680
<v Speaker 4>And he was really really rising at the time, you know,

1:08:30.800 --> 1:08:32.840
<v Speaker 4>and I was coming up, but not like he was.

1:08:32.920 --> 1:08:35.240
<v Speaker 4>He was coming up on a different level. And we

1:08:35.360 --> 1:08:38.040
<v Speaker 4>were flying back. We were flying back, and I was

1:08:38.320 --> 1:08:41.719
<v Speaker 4>still riding coach and I was sitting in my coach

1:08:41.840 --> 1:08:44.559
<v Speaker 4>seat and he was walking up to first.

1:08:44.439 --> 1:08:48.280
<v Speaker 2>Class and he was like, yo, my bad.

1:08:48.600 --> 1:08:52.120
<v Speaker 1>He was like, my bad, I'm going in first class.

1:08:52.360 --> 1:09:00.560
<v Speaker 1>Like fuck you a bitching flying first class overseas. You

1:09:00.640 --> 1:09:04.439
<v Speaker 1>know how expensive it is to fly overseas first class

1:09:05.120 --> 1:09:08.080
<v Speaker 1>at the time. At the time, that was in fact

1:09:08.960 --> 1:09:10.040
<v Speaker 1>coach to Russia together.

1:09:10.160 --> 1:09:14.160
<v Speaker 2>And I'm like, up, fu, you don't want to wait?

1:09:14.320 --> 1:09:21.839
<v Speaker 1>You wanted in that trip? They said Russians against racism.

1:09:21.920 --> 1:09:23.519
<v Speaker 1>We was like, we may not belong to.

1:09:25.520 --> 1:09:27.519
<v Speaker 2>Those are the promoters Russians against racism.

1:09:28.439 --> 1:09:31.479
<v Speaker 1>I got the flying and coach trip. I got the

1:09:31.560 --> 1:09:32.160
<v Speaker 1>flying and coach.

1:09:32.479 --> 1:09:34.360
<v Speaker 4>You want a life hack, you want a life hack,

1:09:34.680 --> 1:09:39.320
<v Speaker 4>you coach flyer? All right, listen, take a bag, put

1:09:39.360 --> 1:09:41.760
<v Speaker 4>a full blown house pillow in your bag.

1:09:42.600 --> 1:09:42.960
<v Speaker 1>All right.

1:09:43.240 --> 1:09:44.960
<v Speaker 4>If you got a bad check, check your bag, check

1:09:45.000 --> 1:09:47.400
<v Speaker 4>it back, check it back. You get a carry on, right, yeah,

1:09:47.600 --> 1:09:50.880
<v Speaker 4>carry on a pillow, put it in the bag, or

1:09:50.920 --> 1:09:52.439
<v Speaker 4>if you want to carry it like round like like

1:09:52.520 --> 1:09:54.200
<v Speaker 4>we need to pooh, or whatever you want to do.

1:09:54.560 --> 1:09:56.479
<v Speaker 4>I put mine in my bags long, like an idiot

1:09:56.520 --> 1:09:58.920
<v Speaker 4>with a pillow under my arm walking through the airport.

1:09:59.400 --> 1:10:03.599
<v Speaker 4>When you fire coach window, seat right, window, sea, lay

1:10:03.680 --> 1:10:06.599
<v Speaker 4>that fucking full sized pillow against the window, lean your

1:10:06.680 --> 1:10:11.120
<v Speaker 4>seat back. It becomes first class, first class, first class,

1:10:11.360 --> 1:10:12.439
<v Speaker 4>that light back.

1:10:15.000 --> 1:10:17.960
<v Speaker 2>But listen before that, for years, before we leave the

1:10:18.040 --> 1:10:19.000
<v Speaker 2>mac Miller and Nipsey thing.

1:10:19.040 --> 1:10:20.920
<v Speaker 1>First of all, do you have a story about Nipsey?

1:10:21.000 --> 1:10:21.400
<v Speaker 5>You have?

1:10:21.479 --> 1:10:22.120
<v Speaker 1>I met Nipsey?

1:10:22.439 --> 1:10:23.519
<v Speaker 2>No, I don't have any story.

1:10:23.880 --> 1:10:26.599
<v Speaker 1>You never met him. No stories, I don't have any

1:10:26.640 --> 1:10:28.639
<v Speaker 1>stories personally, okay, okay.

1:10:28.920 --> 1:10:31.840
<v Speaker 2>But they were both huge losses to the culture and

1:10:32.280 --> 1:10:35.519
<v Speaker 2>meant so much and what they represented generationally for for

1:10:35.800 --> 1:10:37.160
<v Speaker 2>was to be in hip hop.

1:10:37.479 --> 1:10:44.519
<v Speaker 1>I think we lost a lot when we lost those course. Okay,

1:10:44.640 --> 1:10:50.320
<v Speaker 1>Meek Mill or French Montana both? Okay, go on both

1:10:50.640 --> 1:10:52.240
<v Speaker 1>take a shot taking a shot that sounded like it

1:10:52.240 --> 1:10:55.760
<v Speaker 1>could have been one or the other. But okay, you

1:10:56.000 --> 1:10:58.519
<v Speaker 1>got to see the shot, don't count Oh, share my

1:10:58.600 --> 1:11:05.400
<v Speaker 1>bad cheer. We on you, you know what, because the

1:11:05.520 --> 1:11:07.559
<v Speaker 1>fans will will be a lot of.

1:11:07.600 --> 1:11:09.439
<v Speaker 2>Like you shot.

1:11:09.800 --> 1:11:11.960
<v Speaker 4>These are all you know what's interesting? These are all

1:11:12.120 --> 1:11:16.679
<v Speaker 4>straight hip hop references. Do you have anything else besides

1:11:16.760 --> 1:11:17.200
<v Speaker 4>the country?

1:11:17.200 --> 1:11:22.000
<v Speaker 1>I told you, Dominicans and Colias? What would you like?

1:11:24.000 --> 1:11:25.640
<v Speaker 1>You want us to serve up something else? Guys, get

1:11:25.680 --> 1:11:27.800
<v Speaker 1>on there. No, no, no, it's fine. Ask me whatever.

1:11:28.040 --> 1:11:31.800
<v Speaker 1>I'm I'm good with. I was just I'm just Oh

1:11:33.040 --> 1:11:37.599
<v Speaker 1>he follows me, I follow him. Jelly Roller, who Lady Gaga,

1:11:38.320 --> 1:11:40.280
<v Speaker 1>Jelly Ro, Jelly Rose, Still hip hop?

1:11:41.280 --> 1:11:43.720
<v Speaker 3>I feel I feel like he's still hip I feel

1:11:44.160 --> 1:11:45.120
<v Speaker 3>you say still hip hop?

1:11:45.160 --> 1:11:45.680
<v Speaker 1>I feel like he.

1:11:46.160 --> 1:11:47.960
<v Speaker 3>Still to you to how you feel like that term

1:11:48.040 --> 1:11:50.720
<v Speaker 3>that you were saying earlier country hip hop? I feel

1:11:50.760 --> 1:11:53.719
<v Speaker 3>like that's gonna turn into a whole genre of music.

1:11:53.840 --> 1:11:57.479
<v Speaker 3>But has Jelly Road right now, that's not hip hop,

1:11:57.800 --> 1:11:58.599
<v Speaker 3>that's not hip hop.

1:11:58.840 --> 1:12:00.680
<v Speaker 1>But he comes from hip hop. You of course he

1:12:00.800 --> 1:12:03.840
<v Speaker 1>does what he's making right now, come on that that

1:12:03.920 --> 1:12:04.240
<v Speaker 1>ain't here.

1:12:04.280 --> 1:12:08.000
<v Speaker 4>But like Jelly knows that he's a singer songwriter, he's

1:12:08.040 --> 1:12:09.479
<v Speaker 4>making country music, and he's or.

1:12:09.479 --> 1:12:13.559
<v Speaker 3>Pop music record in the world right now. His country,

1:12:13.680 --> 1:12:16.880
<v Speaker 3>right bro, his country is rock. Everybody in the club

1:12:16.960 --> 1:12:22.519
<v Speaker 3>getting tipsy. That's the that's a country record now know

1:12:23.000 --> 1:12:31.520
<v Speaker 3>yeah name Chippoosie. Yeah, get the number one record. Shipboozy, Shipboozy.

1:12:31.640 --> 1:12:33.880
<v Speaker 1>I shout out to Shipboozy once. I I don't love

1:12:33.960 --> 1:12:39.720
<v Speaker 1>disrespect you like I got you, got you. That's my boy.

1:12:40.120 --> 1:12:42.040
<v Speaker 1>He's a country singer and he's black.

1:12:42.360 --> 1:12:42.800
<v Speaker 2>Yeah, he's.

1:12:44.680 --> 1:12:46.280
<v Speaker 1>The rosa parks of country music.

1:12:48.160 --> 1:12:48.640
<v Speaker 2>That make me.

1:12:48.920 --> 1:12:51.000
<v Speaker 1>Went to far? Now you never heard of that. That's

1:12:51.280 --> 1:12:52.720
<v Speaker 1>I went too far. I went too far. I went

1:12:52.880 --> 1:12:53.840
<v Speaker 1>They can tell me I went too far.

1:12:55.439 --> 1:12:56.639
<v Speaker 2>I don't really know what I'm doing.

1:12:58.400 --> 1:13:03.480
<v Speaker 1>I didn't know what I was doing. Shaboozie is as

1:13:03.520 --> 1:13:07.000
<v Speaker 1>like Shaboozi is is a blessing to music right now.

1:13:07.400 --> 1:13:10.320
<v Speaker 4>And like living in Nashville, the country music scene is

1:13:10.360 --> 1:13:14.720
<v Speaker 4>a bit. No, it's not stale, it's it's it's it's

1:13:14.760 --> 1:13:18.960
<v Speaker 4>evolving and there's you know, there's great characters that are

1:13:19.000 --> 1:13:22.600
<v Speaker 4>stepping into the game. And I would say Shaboozie and

1:13:22.680 --> 1:13:25.880
<v Speaker 4>Jelly Row are crucial to the to the country.

1:13:25.640 --> 1:13:28.720
<v Speaker 1>Music right the evolution of country music. Yeah, and Jelly

1:13:28.840 --> 1:13:29.759
<v Speaker 1>Row won the award.

1:13:30.360 --> 1:13:30.920
<v Speaker 2>He's killing it.

1:13:31.080 --> 1:13:36.120
<v Speaker 1>He's plural, I mean, keeps doing is winning right now.

1:13:37.080 --> 1:13:37.840
<v Speaker 2>He's just winning.

1:13:39.160 --> 1:13:42.040
<v Speaker 1>It's crazy. And he used to open for me, man, Yeah,

1:13:42.040 --> 1:13:43.479
<v Speaker 1>I used to. I used to take him on tour.

1:13:43.680 --> 1:13:44.160
<v Speaker 2>You know what I mean.

1:13:44.240 --> 1:13:46.600
<v Speaker 4>He's got Slamerican tattooed down his arm, you know what

1:13:46.640 --> 1:13:49.599
<v Speaker 4>I mean? Like, that's that's family, bro. Like we come

1:13:49.640 --> 1:13:52.760
<v Speaker 4>from the same neighborhood. Man, So shout out to jail

1:13:52.880 --> 1:13:54.759
<v Speaker 4>ro Man and Struggle Jennings.

1:13:54.840 --> 1:13:56.120
<v Speaker 1>Let's get champs.

1:13:56.200 --> 1:13:57.840
<v Speaker 2>Huh oh, you would love that.

1:13:58.120 --> 1:14:01.240
<v Speaker 1>He's a drinker to come on and he smokes. He

1:14:01.280 --> 1:14:02.200
<v Speaker 1>smokes like a chimney.

1:14:02.240 --> 1:14:02.360
<v Speaker 2>Man.

1:14:02.360 --> 1:14:03.960
<v Speaker 1>I wish I could smoke, man, marijuana.

1:14:05.280 --> 1:14:07.080
<v Speaker 2>You could take a break and smoke outside.

1:14:07.960 --> 1:14:11.439
<v Speaker 1>Up. Man, we're gonna break up there, like you give me,

1:14:11.840 --> 1:14:15.000
<v Speaker 1>give me, let me be the first. You know, it's

1:14:15.080 --> 1:14:18.120
<v Speaker 1>not us. I promise you. It's gonna fucking safe ship.

1:14:19.720 --> 1:14:26.000
<v Speaker 1>You got we smoked, you got all this management hold.

1:14:26.120 --> 1:14:30.280
<v Speaker 1>Let's get you this and over there lady smoked my

1:14:30.400 --> 1:14:36.720
<v Speaker 1>sme eight balls. I'm thinking, I'm just oh wait, wait, wait,

1:14:36.760 --> 1:14:39.360
<v Speaker 1>wh whoa whoa you You're not okay? This better?

1:14:39.840 --> 1:14:41.760
<v Speaker 2>Okay. I don't know who you got behind a ball,

1:14:41.840 --> 1:14:43.439
<v Speaker 2>but it's a good matchup.

1:14:43.800 --> 1:14:46.720
<v Speaker 1>Or U g K, that's a great matchup. You see.

1:14:47.080 --> 1:14:51.600
<v Speaker 1>I want to drink, Let's go. Oh man u g

1:14:51.760 --> 1:14:55.360
<v Speaker 1>K listen, figure you want to said no, no, because

1:14:55.439 --> 1:14:56.120
<v Speaker 1>I have a record.

1:14:56.439 --> 1:14:58.600
<v Speaker 4>I got a record with eight Ball, you know what

1:14:58.600 --> 1:14:59.840
<v Speaker 4>I'm saying. I got a record with a Boy, m

1:15:00.080 --> 1:15:04.679
<v Speaker 4>G and Waka Flaka Wow, and I love them boys

1:15:04.840 --> 1:15:09.120
<v Speaker 4>of course. But Bumby was my first co sign. But

1:15:09.280 --> 1:15:12.880
<v Speaker 4>Bumby came in on Good to Go and one of

1:15:12.920 --> 1:15:15.960
<v Speaker 4>my first official Coast signs. It was Bumby and then

1:15:16.040 --> 1:15:18.920
<v Speaker 4>Big Boy from out Cast. But Bumby stepped in when

1:15:20.080 --> 1:15:23.000
<v Speaker 4>you know, no one knew and and and really really

1:15:23.080 --> 1:15:25.680
<v Speaker 4>went in. And then after after the fact that I

1:15:25.920 --> 1:15:30.040
<v Speaker 4>did records with with with a Ball, m j G

1:15:30.680 --> 1:15:33.080
<v Speaker 4>and Rest in Peace PEMC. I did get to meet

1:15:33.120 --> 1:15:35.599
<v Speaker 4>PIMPC before he passed, and I was with Kawan Prayther,

1:15:36.240 --> 1:15:39.920
<v Speaker 4>thank you Kawan for that introduction Ghetto Vision and Los

1:15:39.960 --> 1:15:43.559
<v Speaker 4>Angeles before he passed. A huge PEMPS fan, so uh

1:15:44.439 --> 1:15:46.840
<v Speaker 4>PIMC fans, So you GK.

1:15:47.200 --> 1:15:47.400
<v Speaker 2>You know.

1:15:50.000 --> 1:15:53.919
<v Speaker 4>Gilla said swab House, by the way, it's a huge influence.

1:15:55.000 --> 1:15:57.160
<v Speaker 4>So the whole swab House sign out of Texas was

1:15:57.560 --> 1:16:01.160
<v Speaker 4>was a huge influence on me musically, Tila, I'm so

1:16:01.479 --> 1:16:02.960
<v Speaker 4>tired up about.

1:16:04.640 --> 1:16:07.080
<v Speaker 1>Because there's too many pictures in my mix.

1:16:07.600 --> 1:16:08.080
<v Speaker 2>You never.

1:16:09.479 --> 1:16:16.120
<v Speaker 4>Like they're like, come on, make that round. That whole

1:16:16.240 --> 1:16:20.000
<v Speaker 4>sound was fucking come on. Okay, wow House maybe Texas

1:16:20.680 --> 1:16:21.439
<v Speaker 4>blow will Swang?

1:16:21.520 --> 1:16:24.599
<v Speaker 1>What up? Paul Wall? What up? Trader Truth? Okay?

1:16:24.880 --> 1:16:28.080
<v Speaker 3>My brothers three six Mafia outcasts?

1:16:29.479 --> 1:16:34.120
<v Speaker 1>Wow? You know you don't have to pick, man, No, no, no, no, no, no, no,

1:16:34.720 --> 1:16:35.599
<v Speaker 1>you have to Sorry.

1:16:35.760 --> 1:16:40.200
<v Speaker 4>I do have to pick, and I will say absolutely both,

1:16:40.280 --> 1:16:41.760
<v Speaker 4>because they were both.

1:16:42.040 --> 1:16:44.559
<v Speaker 1>Picking take it up or both?

1:16:44.760 --> 1:16:48.320
<v Speaker 3>That's not a pick, but I got to pick whatever

1:16:48.360 --> 1:16:51.200
<v Speaker 3>you want drink? Say both both. We gotta drink.

1:16:51.840 --> 1:17:02.320
<v Speaker 1>Drink drinks three six Mafia both and simultaneously. You want

1:17:02.320 --> 1:17:05.960
<v Speaker 1>to explain my life? Hell yeah, I explain man, So

1:17:06.080 --> 1:17:06.320
<v Speaker 1>let's go.

1:17:06.640 --> 1:17:07.640
<v Speaker 2>I do. This is why I do.

1:17:09.880 --> 1:17:14.200
<v Speaker 1>I like the more he drinks drinks, the more, the

1:17:14.280 --> 1:17:17.479
<v Speaker 1>more funny. Well, I mean, don't we all?

1:17:20.439 --> 1:17:20.560
<v Speaker 5>You know?

1:17:20.640 --> 1:17:22.720
<v Speaker 1>I was. I've been warming up for this show all week.

1:17:25.600 --> 1:17:26.800
<v Speaker 2>What's the warm up for the show?

1:17:28.200 --> 1:17:29.439
<v Speaker 1>How do you want up for this show?

1:17:29.520 --> 1:17:30.800
<v Speaker 2>It's gonna be the clip right here? Why do you

1:17:30.840 --> 1:17:31.760
<v Speaker 2>warm up for? Drink? Chests?

1:17:33.680 --> 1:17:38.479
<v Speaker 4>Five Days at the Sunset Marquee, Los Angeles, California, mixed

1:17:38.520 --> 1:17:42.280
<v Speaker 4>with a little bit of Broadway, Nashville, Tennessee, Roberts Dive Bar,

1:17:42.560 --> 1:17:46.919
<v Speaker 4>D's shout out fucking furnet shots.

1:17:48.240 --> 1:17:50.280
<v Speaker 1>You know what I mean trying to uh, you know,

1:17:50.360 --> 1:17:53.400
<v Speaker 1>I was prepping you can't even wrong a dive and

1:17:53.600 --> 1:17:57.840
<v Speaker 1>I drank a lot of chests at the dive bars.

1:17:58.640 --> 1:18:00.519
<v Speaker 1>What I always want to hang out.

1:18:00.560 --> 1:18:02.320
<v Speaker 2>I think we're all confused right now. I don't know.

1:18:05.479 --> 1:18:09.519
<v Speaker 1>We were at Outcast and you said both, yeah, we

1:18:09.560 --> 1:18:13.320
<v Speaker 1>already gans at that. Both in the story they both, man,

1:18:14.040 --> 1:18:15.519
<v Speaker 1>it's crazy. Well influenced me.

1:18:15.720 --> 1:18:18.280
<v Speaker 4>And also, you know, big Boy gave me my first

1:18:18.439 --> 1:18:24.960
<v Speaker 4>look on television ET Awards, your DJ no DJ And

1:18:25.160 --> 1:18:26.439
<v Speaker 4>at the time, I did.

1:18:26.400 --> 1:18:27.040
<v Speaker 2>A song.

1:18:29.120 --> 1:18:34.560
<v Speaker 4>With Slim Thug called I Run, I Run, so like

1:18:34.760 --> 1:18:36.960
<v Speaker 4>Jim Johnson pulled me in and became a big record,

1:18:36.960 --> 1:18:37.360
<v Speaker 4>but I was.

1:18:38.880 --> 1:18:42.200
<v Speaker 1>Well, I was. It became a huge record for some thug,

1:18:43.080 --> 1:18:44.559
<v Speaker 1>but I was so on the ground I couldn't even

1:18:44.600 --> 1:18:46.960
<v Speaker 1>afford to make the video. So Jim Johnson like lip

1:18:47.040 --> 1:18:48.760
<v Speaker 1>sync my part, you know what I'm saying, and.

1:18:48.880 --> 1:18:52.360
<v Speaker 4>During the video, but the word got around that there

1:18:52.479 --> 1:18:55.760
<v Speaker 4>was this dude doing rock hooks. So then I did

1:18:55.840 --> 1:18:59.160
<v Speaker 4>Joel Santana mixing up the medicine, mixing up the medicine.

1:18:59.280 --> 1:19:01.800
<v Speaker 4>I was in the baseman mixing up the medicine. So

1:19:01.920 --> 1:19:06.240
<v Speaker 4>I did that, which was uh, Subterranean Blues by Bob Dylan.

1:19:07.200 --> 1:19:09.200
<v Speaker 4>So then Big Boy hits me up because now he

1:19:09.320 --> 1:19:11.160
<v Speaker 4>wants a rock cook because now this ship.

1:19:11.160 --> 1:19:12.200
<v Speaker 1>You're theok at this time.

1:19:12.680 --> 1:19:14.719
<v Speaker 3>At the time, yeah, he was Joe Hooker before.

1:19:17.280 --> 1:19:17.800
<v Speaker 1>Trying to make it.

1:19:21.880 --> 1:19:25.680
<v Speaker 4>So so the situation, the session opened up to work

1:19:25.720 --> 1:19:28.280
<v Speaker 4>with Big and and he was like, man, man, I

1:19:28.280 --> 1:19:29.840
<v Speaker 4>got work out one of these rod hooks.

1:19:30.120 --> 1:19:32.200
<v Speaker 1>And I was like, man, really, I just want to rap.

1:19:32.680 --> 1:19:36.200
<v Speaker 1>I just want to rap. And nobody hadn't really heard

1:19:36.200 --> 1:19:37.880
<v Speaker 1>you rap much, okay.

1:19:37.840 --> 1:19:39.120
<v Speaker 2>No, and he was like.

1:19:41.320 --> 1:19:44.240
<v Speaker 1>Rap. I was like yeah, man. And Kate kp was

1:19:44.280 --> 1:19:44.840
<v Speaker 1>there with me though.

1:19:44.920 --> 1:19:47.639
<v Speaker 4>Kawan Pray through who I signed, you know, signed, helped

1:19:47.680 --> 1:19:50.680
<v Speaker 4>sign outcast Pink John Legend, and he was like, nah,

1:19:50.760 --> 1:19:53.240
<v Speaker 4>he's got it, dog, I'm telling you. And Big Boy

1:19:53.360 --> 1:19:56.000
<v Speaker 4>was like, started playing me beats. He's still questionable. He

1:19:56.080 --> 1:19:59.240
<v Speaker 4>turned on the your DJ no DJ beat and I

1:19:59.280 --> 1:20:02.200
<v Speaker 4>was like that one. He's like, now shot at three

1:20:02.280 --> 1:20:03.439
<v Speaker 4>thousand produced that one.

1:20:03.479 --> 1:20:05.839
<v Speaker 2>You can't have that one. And I was like, please

1:20:06.479 --> 1:20:07.519
<v Speaker 2>just give me a chance.

1:20:08.240 --> 1:20:10.160
<v Speaker 4>He was like, she was like all right, bro, So

1:20:10.280 --> 1:20:12.720
<v Speaker 4>he gave me the beat and I handed him back

1:20:12.840 --> 1:20:14.320
<v Speaker 4>like sixty four bars.

1:20:14.360 --> 1:20:16.479
<v Speaker 2>I just swear just to the whole thing.

1:20:16.840 --> 1:20:19.439
<v Speaker 4>So he ended up chopping my pieces and then he

1:20:19.479 --> 1:20:22.040
<v Speaker 4>would he chopped his pieces, in chopped my pieces, in

1:20:22.200 --> 1:20:24.519
<v Speaker 4>chopped his pieces in created a song out of one

1:20:24.600 --> 1:20:28.160
<v Speaker 4>long verse that I turned in Wow. And then that song,

1:20:28.680 --> 1:20:30.600
<v Speaker 4>that song ended up doing really well. We shot a

1:20:30.840 --> 1:20:32.840
<v Speaker 4>music video to it, and then my first look b

1:20:32.960 --> 1:20:35.000
<v Speaker 4>ET Awards was on stage with Big.

1:20:34.880 --> 1:20:41.840
<v Speaker 1>Boy Wow Man make noise for that. That was an

1:20:41.880 --> 1:20:47.759
<v Speaker 1>explanation like a motherfucker rocking Hank Williams T shirt Williams,

1:20:48.840 --> 1:20:52.040
<v Speaker 1>Tupac or DMX rest in pieces of both. Don't get

1:20:52.080 --> 1:21:04.400
<v Speaker 1>confused Tupac Okay, that's cool. Ludacris or TI I T I,

1:21:05.520 --> 1:21:12.479
<v Speaker 1>Gucci Man or two chains, Guccie Man, Oh yeah, Gucci Man, Yeah,

1:21:12.560 --> 1:21:15.600
<v Speaker 1>Gucci Man. I got a story, dude, Do you know

1:21:15.640 --> 1:21:16.840
<v Speaker 1>what's funny? Okay?

1:21:16.880 --> 1:21:18.640
<v Speaker 4>I got every time you ask you this one that

1:21:18.760 --> 1:21:22.960
<v Speaker 4>I have, I have a yeah, I mean whatever, like

1:21:23.080 --> 1:21:25.240
<v Speaker 4>you can back up three times. I got I got

1:21:25.520 --> 1:21:27.120
<v Speaker 4>relationships with everyone you're talking.

1:21:28.720 --> 1:21:31.040
<v Speaker 1>You're about to get a Gucci man story. Yeah, let's

1:21:31.640 --> 1:21:32.479
<v Speaker 1>let's talk about.

1:21:32.240 --> 1:21:32.760
<v Speaker 2>It all right.

1:21:32.840 --> 1:21:37.600
<v Speaker 4>So when I was working in Atlanta and she was

1:21:37.640 --> 1:21:40.400
<v Speaker 4>about to pop, I had met Gucci and Waka at

1:21:40.439 --> 1:21:44.599
<v Speaker 4>a at a studio. Dude, I mean, this is fuck man.

1:21:45.400 --> 1:21:49.000
<v Speaker 4>I want to say ten twelve years ago, maybe more,

1:21:49.040 --> 1:21:52.839
<v Speaker 4>I don't know, it's a while back. Gucci was already

1:21:53.360 --> 1:21:56.040
<v Speaker 4>super popping, you know what I mean, super super popping.

1:21:56.320 --> 1:22:03.160
<v Speaker 4>And the opportunity came up to work with Gucci and

1:22:03.520 --> 1:22:07.519
<v Speaker 4>so will Power will Power, and now I went to

1:22:07.560 --> 1:22:12.560
<v Speaker 4>the studio what was it? What studio was that? Will No,

1:22:12.680 --> 1:22:13.519
<v Speaker 4>it wasn't a tree sound.

1:22:14.120 --> 1:22:14.160
<v Speaker 3>No.

1:22:15.080 --> 1:22:19.240
<v Speaker 4>Patchwork, absolutely patchwork. So k people pulled put Gucci in

1:22:19.360 --> 1:22:21.160
<v Speaker 4>for a feature. And at this time, I, you know,

1:22:21.360 --> 1:22:23.760
<v Speaker 4>I met Gucci, but I didn't really I didn't really

1:22:23.920 --> 1:22:27.600
<v Speaker 4>like kick it and kick it with him. And we

1:22:27.680 --> 1:22:29.000
<v Speaker 4>wrote this record call I Just Want.

1:22:28.920 --> 1:22:34.360
<v Speaker 1>To Party and Gucci slayed it, and we were sitting

1:22:34.439 --> 1:22:37.880
<v Speaker 1>on this like what we was like gold, you.

1:22:37.920 --> 1:22:40.120
<v Speaker 4>Know, We're like this is this this record is incredible,

1:22:40.560 --> 1:22:41.240
<v Speaker 4>but how are we going.

1:22:41.200 --> 1:22:41.519
<v Speaker 1>To do this?

1:22:42.360 --> 1:22:45.120
<v Speaker 4>So right around the street from Patchwork is like pretty

1:22:45.200 --> 1:22:48.880
<v Speaker 4>much like all squat, like old abandoned fraternity houses and

1:22:49.000 --> 1:22:51.760
<v Speaker 4>skateboard houses and all this shit. I was like, man,

1:22:51.800 --> 1:22:53.600
<v Speaker 4>we should shoot a video up the street, and I

1:22:53.680 --> 1:22:56.920
<v Speaker 4>got some spots, so we rented the spot out and

1:22:57.000 --> 1:22:59.920
<v Speaker 4>Gucci pulled up. Man, we talked about some goons out there,

1:23:00.120 --> 1:23:02.360
<v Speaker 4>like like, I'm sorry from my side.

1:23:02.400 --> 1:23:04.479
<v Speaker 1>Ain't talking about Gucci, So I'm talking about the goons

1:23:04.520 --> 1:23:09.320
<v Speaker 1>I came with, you know, like like rowdy punk rock motherfuckers.

1:23:09.400 --> 1:23:12.080
<v Speaker 1>Like we're out there in the yard with kegs of beer,

1:23:12.280 --> 1:23:14.760
<v Speaker 1>and like I like kegs a bit too.

1:23:16.120 --> 1:23:17.400
<v Speaker 2>But anyway, Gucci pulled up.

1:23:17.360 --> 1:23:21.960
<v Speaker 4>In a like fucking bright yellow limbo, dripped in diamonds,

1:23:22.080 --> 1:23:26.200
<v Speaker 4>and man, he showed so much love to me and

1:23:26.360 --> 1:23:28.280
<v Speaker 4>my crew, and like you got to remember I was

1:23:28.400 --> 1:23:28.960
<v Speaker 4>just coming up.

1:23:30.400 --> 1:23:32.479
<v Speaker 1>You know, I didn't have ship nothing.

1:23:32.560 --> 1:23:35.080
<v Speaker 4>I probably had like ten bands in the bank, you

1:23:35.160 --> 1:23:38.840
<v Speaker 4>know if that, you know, and like, but he saw

1:23:38.960 --> 1:23:39.599
<v Speaker 4>no difference.

1:23:39.680 --> 1:23:42.800
<v Speaker 1>Man, he showed love and supported so like, shout out

1:23:42.840 --> 1:23:47.760
<v Speaker 1>to Gucci. That's my mother like a dog Gucci, mane,

1:23:48.600 --> 1:23:54.599
<v Speaker 1>I just want to party legendary versus so you pick Gucci. Yeah, okay,

1:23:56.640 --> 1:24:01.840
<v Speaker 1>So trying to make sure just to make sure kid

1:24:01.960 --> 1:24:08.519
<v Speaker 1>rock or ic P. That's interesting.

1:24:08.800 --> 1:24:12.960
<v Speaker 4>That's I'm gonna take Bob I'm gonna take Bob over

1:24:13.240 --> 1:24:13.439
<v Speaker 4>icy P.

1:24:13.560 --> 1:24:16.920
<v Speaker 1>I'm sorry who everybody but you call everybody?

1:24:17.080 --> 1:24:24.639
<v Speaker 3>They first too cool man, But Bob is kid Rock's

1:24:24.680 --> 1:24:27.599
<v Speaker 3>real name, Bobby Boy.

1:24:31.160 --> 1:24:31.559
<v Speaker 1>Rock Man.

1:24:31.600 --> 1:24:34.320
<v Speaker 4>I take kid Rock get me. Uh, they tell you

1:24:34.680 --> 1:24:37.200
<v Speaker 4>when Marshall took me the Kid Rock's house. Let me

1:24:37.280 --> 1:24:39.120
<v Speaker 4>tell you this is hilarious.

1:24:39.520 --> 1:24:41.559
<v Speaker 3>So you just let.

1:24:43.160 --> 1:24:48.479
<v Speaker 1>But listen. When I was in Detroit, Marshall goes.

1:24:48.840 --> 1:24:51.880
<v Speaker 4>Yo, is there is there anyone you really really want

1:24:51.920 --> 1:24:54.360
<v Speaker 4>to work with at all on this on this new record?

1:24:55.640 --> 1:24:59.559
<v Speaker 4>And I was like, well, I mean, ship, Honestly, Kid

1:24:59.720 --> 1:25:02.040
<v Speaker 4>Rock would be sick, you know because I because I

1:25:02.200 --> 1:25:08.400
<v Speaker 4>consider kid Rock the the godfather of blending hip hop

1:25:08.640 --> 1:25:09.840
<v Speaker 4>with country and rock.

1:25:10.000 --> 1:25:12.280
<v Speaker 1>Like I think he did it the best. Okay you

1:25:12.320 --> 1:25:12.840
<v Speaker 1>know what I'm saying.

1:25:12.920 --> 1:25:17.760
<v Speaker 4>I really, you know, regardless of the lyrical content ability.

1:25:17.920 --> 1:25:21.519
<v Speaker 4>He wrote huge songs and he blended it all together,

1:25:22.240 --> 1:25:24.400
<v Speaker 4>you know, like I mean.

1:25:26.479 --> 1:25:28.959
<v Speaker 1>To all of my He was at the Methadone clinics.

1:25:29.120 --> 1:25:31.040
<v Speaker 1>You know that kind of that kind of line is

1:25:31.160 --> 1:25:34.840
<v Speaker 1>like with me, is like, oh it is Motherbucket. So

1:25:34.920 --> 1:25:36.360
<v Speaker 1>I was like, yeah, I like to work for Bob.

1:25:37.040 --> 1:25:41.200
<v Speaker 4>And uh you told Bob, Huh you told Mark, I said,

1:25:41.280 --> 1:25:43.559
<v Speaker 4>kid Rock, now know Bob?

1:25:43.680 --> 1:25:47.599
<v Speaker 2>Now like I know Bob. Yeah.

1:25:48.720 --> 1:25:52.439
<v Speaker 1>But so he takes me out, so he's like all right.

1:25:52.479 --> 1:25:55.600
<v Speaker 4>So so Paul Rosenberg and Marshall jumping a car in

1:25:55.680 --> 1:25:58.640
<v Speaker 4>front of us and me and KP we're following up

1:25:58.680 --> 1:26:02.000
<v Speaker 4>to Bob's house. You know you're going to Kate rox

1:26:02.080 --> 1:26:05.960
<v Speaker 4>house you know? Okay, yeah, yeah, so surprised. No, I'm

1:26:06.000 --> 1:26:07.760
<v Speaker 4>going to meet him because I want to do a

1:26:07.880 --> 1:26:08.519
<v Speaker 4>song with him.

1:26:08.560 --> 1:26:08.760
<v Speaker 10>Wow.

1:26:08.960 --> 1:26:11.080
<v Speaker 1>So the way for that to happen is for me

1:26:11.240 --> 1:26:13.519
<v Speaker 1>to meet him via Marshall. Wow.

1:26:15.200 --> 1:26:17.840
<v Speaker 2>So we pull up to his Creative Mafia meeting ship.

1:26:18.479 --> 1:26:23.439
<v Speaker 1>I'm so into this. Continue Yeah. So we pull up

1:26:23.479 --> 1:26:25.680
<v Speaker 1>and there's a fucking I remember like pulling up.

1:26:25.680 --> 1:26:28.920
<v Speaker 4>It's gated and it's way deep North Detroit, like like

1:26:29.240 --> 1:26:32.280
<v Speaker 4>beautiful estate. It's not a huge mansion actually, it's like

1:26:32.320 --> 1:26:34.840
<v Speaker 4>a little white like little cottage, but it's beautiful. It's

1:26:34.880 --> 1:26:39.519
<v Speaker 4>like everything's very well kept, and uh, Bob.

1:26:40.000 --> 1:26:43.400
<v Speaker 1>Bob pulls up to the fucking gate in a generally

1:26:43.720 --> 1:26:47.760
<v Speaker 1>golf cart, Duke's and hazard generally he was.

1:26:47.760 --> 1:26:48.080
<v Speaker 3>Going to do.

1:26:49.840 --> 1:26:52.479
<v Speaker 1>But how is it generally? Is it it's a shaped

1:26:52.600 --> 1:26:57.160
<v Speaker 1>like it generally golf cart. You know, come on put

1:26:57.200 --> 1:26:58.000
<v Speaker 1>two and two together.

1:26:58.120 --> 1:26:58.200
<v Speaker 11>Bro.

1:26:58.360 --> 1:27:02.679
<v Speaker 1>I ain't trying to whatever, but look the fast no, okay,

1:27:03.120 --> 1:27:07.280
<v Speaker 1>you confederate it out fast, Okay, Okay. So I pull

1:27:07.360 --> 1:27:09.280
<v Speaker 1>up and like we we pull up, We pull up

1:27:09.280 --> 1:27:11.160
<v Speaker 1>to the spot. He's got a big ass fucking like

1:27:11.560 --> 1:27:14.479
<v Speaker 1>silver war cannon in front of in his front yard

1:27:14.600 --> 1:27:19.240
<v Speaker 1>with like with like big damn like round. I don't

1:27:19.240 --> 1:27:21.880
<v Speaker 1>know what the cannonballs. It was like a pyramid of

1:27:21.920 --> 1:27:24.200
<v Speaker 1>cannon balls next to it, like like in front of

1:27:24.240 --> 1:27:26.320
<v Speaker 1>his front door. In case.

1:27:29.880 --> 1:27:32.800
<v Speaker 4>You never know, listen, man, I walk in his house

1:27:33.040 --> 1:27:39.360
<v Speaker 4>and this fool got a giraffe giraffe neck like just

1:27:39.439 --> 1:27:44.639
<v Speaker 4>a a neck, a floor mounted giraffe, you know, from

1:27:44.680 --> 1:27:45.160
<v Speaker 4>the neck up.

1:27:45.160 --> 1:27:47.880
<v Speaker 1>Okay, okay, okay, you know no, I don't know.

1:27:49.439 --> 1:27:50.639
<v Speaker 2>This is something we've ever seen.

1:27:50.800 --> 1:27:53.080
<v Speaker 1>I've never heard of this. There's all kinds of these

1:27:53.120 --> 1:27:56.120
<v Speaker 1>beautiful fucking things that are I've never seen anything like

1:27:56.200 --> 1:27:58.559
<v Speaker 1>this in my life, dude. Now, I was brand new, bro,

1:27:58.720 --> 1:28:00.120
<v Speaker 1>I just signed bro.

1:28:00.479 --> 1:28:00.920
<v Speaker 2>You know what I mean.

1:28:01.000 --> 1:28:02.639
<v Speaker 1>So I'm coming straight, Dude.

1:28:02.760 --> 1:28:06.120
<v Speaker 4>I was boiling water for a hot bath when I

1:28:06.200 --> 1:28:09.800
<v Speaker 4>did Trump music type ship, you know. So I'm like

1:28:09.960 --> 1:28:13.439
<v Speaker 4>fucking like blowing. I'm like blown away. So these guys

1:28:13.520 --> 1:28:20.760
<v Speaker 4>start talking Bob and Marshall and uh so Bob, I

1:28:20.880 --> 1:28:23.000
<v Speaker 4>see by I see marsh out there with Bob, like

1:28:24.320 --> 1:28:28.640
<v Speaker 4>get you know, they're doing the whole fucking you know,

1:28:29.400 --> 1:28:32.559
<v Speaker 4>and fucking Bob's fucking grilling steaks like all right, smoking

1:28:32.560 --> 1:28:36.439
<v Speaker 4>a cigar, fucking doing doing all this thing. And uh

1:28:36.920 --> 1:28:38.960
<v Speaker 4>ended up they made an agreement that that that the

1:28:39.080 --> 1:28:40.519
<v Speaker 4>collaboration would happen there.

1:28:40.600 --> 1:28:44.400
<v Speaker 2>But it took me going to the house and meeting him.

1:28:45.320 --> 1:28:47.440
<v Speaker 1>By the way, I played I played around of basketball

1:28:47.520 --> 1:28:53.000
<v Speaker 1>with Eminem. He's telling them Eminem. Now, okay, dude, he's

1:28:53.040 --> 1:28:53.519
<v Speaker 1>a baller.

1:28:53.600 --> 1:28:57.360
<v Speaker 3>Bro. I'm gonna be honest with you. To me, I

1:28:57.439 --> 1:28:59.200
<v Speaker 3>think everyone, let let's Eminem win.

1:28:59.560 --> 1:29:01.640
<v Speaker 1>No no, no, no, no, no, I did. Okay, So

1:29:03.080 --> 1:29:07.320
<v Speaker 1>that's not what happened. So he called him Eminem and

1:29:07.360 --> 1:29:12.400
<v Speaker 1>he start talking about basketball. Weird, that's not anymore. I

1:29:12.479 --> 1:29:15.000
<v Speaker 1>don't play basket. That's basketball. Ain't my thing, you know,

1:29:15.120 --> 1:29:18.439
<v Speaker 1>but it is it is his thing, all right?

1:29:19.560 --> 1:29:19.680
<v Speaker 5>Yo?

1:29:19.800 --> 1:29:21.360
<v Speaker 1>So no, so yo.

1:29:21.479 --> 1:29:23.320
<v Speaker 2>So maybe he's not that good, you're that bad.

1:29:24.960 --> 1:29:32.679
<v Speaker 1>Maybe here's the thing, Bob. Bob's got a basketball court

1:29:32.760 --> 1:29:36.000
<v Speaker 1>on his property. And a studio by the way, with

1:29:36.240 --> 1:29:40.680
<v Speaker 1>like old like signed jam Master j turntables and like

1:29:40.760 --> 1:29:43.160
<v Speaker 1>the craziest rock and roll memorabilia you could think of it.

1:29:43.479 --> 1:29:46.840
<v Speaker 1>He got on deir Heads too, right, he got coming,

1:29:48.760 --> 1:29:52.360
<v Speaker 1>he got at the beginning. Everything else that's just crazy.

1:29:52.680 --> 1:29:54.960
<v Speaker 1>He's got his basketball court and Marshall wants to play

1:29:54.960 --> 1:30:01.200
<v Speaker 1>basketball with me. Basketball, whatever it takes for the feature.

1:30:03.520 --> 1:30:03.840
<v Speaker 1>Let's go.

1:30:05.120 --> 1:30:08.680
<v Speaker 11>Ro wants to see sal set you up. That's what

1:30:08.800 --> 1:30:12.680
<v Speaker 11>it sounds like. It's up as to me on a

1:30:13.040 --> 1:30:16.799
<v Speaker 11>full outdoor basketball court. Right, there's a lot of space.

1:30:18.320 --> 1:30:23.040
<v Speaker 1>Paul Rosenberg is sitting there with a cigar, like halfway reading.

1:30:22.800 --> 1:30:25.040
<v Speaker 4>His phone and maybe some papers. I don't know, But

1:30:25.160 --> 1:30:27.679
<v Speaker 4>he didn't care what was happening. He was just fucking

1:30:27.760 --> 1:30:29.800
<v Speaker 4>looking at some ship. This is some ship, I guess.

1:30:29.960 --> 1:30:32.320
<v Speaker 1>You know, Marshall plays a lot of basketball. He used

1:30:32.320 --> 1:30:35.240
<v Speaker 1>to this ship. So it's me and Eminem and you

1:30:35.280 --> 1:30:39.000
<v Speaker 1>know what I'm saying we're doing. It's barbecue and Marshall.

1:30:39.040 --> 1:30:41.639
<v Speaker 1>But Bob's over there making steaks, drinking and ship.

1:30:43.360 --> 1:30:47.160
<v Speaker 12>This sounds like the weirdest and where I'm on a

1:30:47.280 --> 1:30:50.759
<v Speaker 12>wrong one with Marshall And you know I just signed

1:30:50.840 --> 1:30:51.160
<v Speaker 12>this ship.

1:30:51.320 --> 1:30:53.000
<v Speaker 1>You know what I'm saying, saying, fucking man, I don't

1:30:53.000 --> 1:30:55.960
<v Speaker 1>really want to fuck up you don't want to break

1:30:56.000 --> 1:31:01.639
<v Speaker 1>his ankles. But he went up for a shot.

1:31:02.720 --> 1:31:02.920
<v Speaker 3>Dog.

1:31:03.840 --> 1:31:06.840
<v Speaker 1>I read him like a book. And when I went

1:31:07.000 --> 1:31:10.960
<v Speaker 1>up and fucking the smagg it, I missed the ball. Wow.

1:31:11.560 --> 1:31:18.160
<v Speaker 12>I elbowed him right in the head. Oh, swear to god,

1:31:18.680 --> 1:31:20.880
<v Speaker 12>It's like, it's it's cool, it's cool. It's like I

1:31:20.960 --> 1:31:25.080
<v Speaker 12>was like, hey, man, you cool, he said, recoping. He

1:31:25.240 --> 1:31:28.400
<v Speaker 12>was already up like ten points. I didn't have ship anyway,

1:31:29.160 --> 1:31:29.439
<v Speaker 12>and he.

1:31:29.520 --> 1:31:31.920
<v Speaker 1>Goes Paul you seeing this, And Paul wouldn't even look.

1:31:31.920 --> 1:31:37.640
<v Speaker 1>He was like, yeah, shit, fucking fucking stumpy and basketball.

1:31:37.680 --> 1:31:39.280
<v Speaker 1>But yeah, man, hitting him in the head. That was

1:31:39.400 --> 1:31:43.000
<v Speaker 1>not that was. That was. It was a very awkward moment, man,

1:31:43.280 --> 1:31:46.920
<v Speaker 1>very I felt bad. Sorry, I'm sorry, Marsha talk about

1:31:46.960 --> 1:31:55.080
<v Speaker 1>that still woman. Jadakiss or NOAs Jadakiss or nos h

1:31:56.120 --> 1:31:56.759
<v Speaker 1>are you kidding?

1:31:59.800 --> 1:32:03.000
<v Speaker 4>I'm mean, like, I love Jadakiss, but that's that's like,

1:32:03.439 --> 1:32:08.080
<v Speaker 4>that's like comparing Metallica to like Iron No, that's no.

1:32:09.960 --> 1:32:12.439
<v Speaker 1>I'm just gonna I'm gonna say nas and I love Jadakiss,

1:32:12.479 --> 1:32:14.680
<v Speaker 1>but I gotta go nos Nos. Just you know that

1:32:14.920 --> 1:32:22.080
<v Speaker 1>that's a different level of influence Metallica's to who I don't.

1:32:22.400 --> 1:32:24.320
<v Speaker 1>I just I just think that they're they're they're just

1:32:24.520 --> 1:32:27.480
<v Speaker 1>I think Jadakiss and Nas are are on different spectrum.

1:32:27.720 --> 1:32:30.360
<v Speaker 3>And it's and it's Jadakis friend who writes this ship.

1:32:30.640 --> 1:32:34.400
<v Speaker 3>That is he has Jadakis phone kiss. You want to

1:32:34.400 --> 1:32:37.040
<v Speaker 3>put him against Nas and Jadakiss text.

1:32:38.880 --> 1:32:41.240
<v Speaker 1>Conversation. It's not this at all. No, I know, it's

1:32:41.240 --> 1:32:45.400
<v Speaker 1>not just like it's just it's it's it's a strange like, uh,

1:32:46.200 --> 1:32:46.400
<v Speaker 1>you know.

1:32:46.920 --> 1:32:49.559
<v Speaker 2>I'm just curious who you put Metallica against a point

1:32:49.680 --> 1:32:52.759
<v Speaker 2>me to I was just likeaa so good poison against

1:32:53.920 --> 1:32:56.439
<v Speaker 2>color me bad. I mean, let's put in the same genre.

1:32:56.560 --> 1:33:01.800
<v Speaker 4>Okay, okay, I would say Nas, I know, I would

1:33:01.840 --> 1:33:08.920
<v Speaker 4>say Nas uh Bob Dylan, and I would say Jada

1:33:08.960 --> 1:33:09.799
<v Speaker 4>kiss Beatles.

1:33:10.280 --> 1:33:13.599
<v Speaker 16>Oh that was great, that was great. You can't yeah, yes, yeah,

1:33:17.720 --> 1:33:20.000
<v Speaker 16>you were. You were meant to do this ship all right.

1:33:22.320 --> 1:33:24.720
<v Speaker 16>Oh mystical, mystical and.

1:33:26.720 --> 1:33:28.720
<v Speaker 4>Had a lot of influence on me, you know what

1:33:28.720 --> 1:33:33.400
<v Speaker 4>I mean, like all the No Limit family, but but mystical, mystical,

1:33:33.479 --> 1:33:37.960
<v Speaker 4>because well, I mean, who has it from my era

1:33:38.120 --> 1:33:41.600
<v Speaker 4>of chopping and like like like vocal.

1:33:41.400 --> 1:33:45.320
<v Speaker 1>Nuances and things that I have like learned from him.

1:33:46.400 --> 1:33:50.200
<v Speaker 1>And he featured on my my first my freshman.

1:33:49.880 --> 1:33:55.439
<v Speaker 4>Project, Yeah, mystical all ice Cube scoff face ice Cube

1:33:56.040 --> 1:33:59.559
<v Speaker 4>only because I ice Cube was one of the one

1:33:59.560 --> 1:34:04.120
<v Speaker 4>of the first start records that I memorized front to

1:34:04.200 --> 1:34:07.400
<v Speaker 4>backward for word which today was a good day.

1:34:07.960 --> 1:34:12.840
<v Speaker 1>Who let me see if you still know it? Just

1:34:13.000 --> 1:34:16.200
<v Speaker 1>waking up in the morning. Gotta thank God. I don't know,

1:34:16.400 --> 1:34:19.320
<v Speaker 1>but the day seems kind of a no bucket from

1:34:19.360 --> 1:34:23.439
<v Speaker 1>the doll, no snog and mamaick the breakfast with no hog.

1:34:23.720 --> 1:34:27.080
<v Speaker 1>I got my girl, but I finally got a call

1:34:27.200 --> 1:34:29.600
<v Speaker 1>from a girl I want to dig out hooked it

1:34:29.720 --> 1:34:31.760
<v Speaker 1>up for lady. That was I hit the doe, thinking

1:34:31.840 --> 1:34:35.400
<v Speaker 1>will I live another twenty four? I gotta go because

1:34:35.439 --> 1:34:37.240
<v Speaker 1>I got me your drop top and if I hit

1:34:37.320 --> 1:34:40.560
<v Speaker 1>that switch, I can make that ass drop had to

1:34:40.680 --> 1:34:43.080
<v Speaker 1>stop from a red light looking in the mirror.

1:34:43.160 --> 1:34:48.000
<v Speaker 4>Now jack insight and all right, I gotta beat from

1:34:48.160 --> 1:34:51.439
<v Speaker 4>Kim and she can do it all night. Called up

1:34:51.479 --> 1:34:55.720
<v Speaker 4>my homies in a masking. Y'all, y'all, are y'all playing basketball?

1:34:56.320 --> 1:34:59.240
<v Speaker 4>Give me on the court and I trouble last week.

1:34:59.360 --> 1:35:02.840
<v Speaker 3>Fuck around, I got a freaking brothers every day, Like

1:35:03.880 --> 1:35:05.640
<v Speaker 3>I can't believe today, it was.

1:35:11.280 --> 1:35:15.320
<v Speaker 1>That's what makes you specially though, that's what the fact

1:35:15.400 --> 1:35:17.800
<v Speaker 1>that I know you, you know.

1:35:17.840 --> 1:35:21.200
<v Speaker 2>Your hip hop, I know it like like the lyric

1:35:21.280 --> 1:35:23.280
<v Speaker 2>co on line that that's that's I think that that's

1:35:23.840 --> 1:35:24.639
<v Speaker 2>the cut.

1:35:25.280 --> 1:35:27.360
<v Speaker 1>Oh me damn id like I said the story fifteen,

1:35:28.600 --> 1:35:30.200
<v Speaker 1>But it goes with what you're saying about him.

1:35:31.600 --> 1:35:35.360
<v Speaker 3>Yes, Leo told me one day, Leo is my one

1:35:35.360 --> 1:35:37.240
<v Speaker 3>of my favorite ceo. I lovely or I don't want

1:35:37.240 --> 1:35:39.759
<v Speaker 3>to say my favorite white CEO because I think that's unfair.

1:35:40.680 --> 1:35:42.080
<v Speaker 1>It's unfair, like you.

1:35:42.120 --> 1:35:44.040
<v Speaker 3>Know what I mean, Like this shouldn't be my favorite

1:35:44.040 --> 1:35:46.160
<v Speaker 3>white ceo. My favorite black CEOs should be just my

1:35:46.200 --> 1:35:49.719
<v Speaker 3>favorite CEO. And that's how I look at I don't

1:35:49.720 --> 1:35:50.479
<v Speaker 3>say that no more.

1:35:52.240 --> 1:35:55.840
<v Speaker 1>Yeah, I mean, I mean that's that's but that's my

1:35:55.960 --> 1:35:56.559
<v Speaker 1>favorite CEO.

1:35:56.840 --> 1:36:04.240
<v Speaker 3>So Leo came to me one day. And usually CEOs

1:36:04.439 --> 1:36:08.080
<v Speaker 3>tell you when you meet, well set the like you'll

1:36:08.080 --> 1:36:10.040
<v Speaker 3>get the record. I had a record. I had a

1:36:10.080 --> 1:36:15.160
<v Speaker 3>record with Jah Rule right and according to what Leo

1:36:15.360 --> 1:36:16.599
<v Speaker 3>called it, you just got signed to death.

1:36:16.680 --> 1:36:18.759
<v Speaker 1>Jam just got signed of Dead jam Win the first record.

1:36:19.880 --> 1:36:22.320
<v Speaker 3>We really shot the video and he called my video,

1:36:22.360 --> 1:36:24.240
<v Speaker 3>he said, this is popcorn.

1:36:27.360 --> 1:36:30.599
<v Speaker 1>Hurt my feelings. Oh man, let me get you this scenario.

1:36:30.720 --> 1:36:34.320
<v Speaker 1>So there's a reason why we're saying okay. So he

1:36:35.160 --> 1:36:35.560
<v Speaker 1>comes to me.

1:36:36.000 --> 1:36:39.560
<v Speaker 3>Most CEOs say don't bring nobody to the meeting, but

1:36:39.720 --> 1:36:42.559
<v Speaker 3>he for this reason, he said, bring all of your

1:36:42.640 --> 1:36:45.320
<v Speaker 3>friends whoever you bring them all.

1:36:46.320 --> 1:36:48.120
<v Speaker 1>So my dumb ass brings them all.

1:36:48.600 --> 1:36:52.920
<v Speaker 3>And we're going into the meeting and he uh, he

1:36:53.040 --> 1:36:55.679
<v Speaker 3>says to me, he plays the videos me and jo Rule,

1:36:56.200 --> 1:36:58.560
<v Speaker 3>I mean Ferraris, I'm doing all this crazy shit that

1:36:59.040 --> 1:37:01.439
<v Speaker 3>that's not what he signed me for. He signed me

1:37:01.520 --> 1:37:05.280
<v Speaker 3>to be you know, the Warrport Norri which is Worryport

1:37:05.439 --> 1:37:07.080
<v Speaker 3>was just turned twenty seven years.

1:37:07.800 --> 1:37:09.400
<v Speaker 2>Seven years of Warriport yesterday.

1:37:09.520 --> 1:37:13.120
<v Speaker 3>So he says, he says to me, we watch it

1:37:13.200 --> 1:37:16.760
<v Speaker 3>and he goes, this is popcorn. And I never knew

1:37:16.800 --> 1:37:19.320
<v Speaker 3>that popcorn could be bad. I always thought popcorn was

1:37:19.360 --> 1:37:19.800
<v Speaker 3>a good thing.

1:37:20.439 --> 1:37:25.759
<v Speaker 1>And it's first time I was like word popcorn.

1:37:26.160 --> 1:37:29.240
<v Speaker 3>And he stood in the meeting in front of all

1:37:29.320 --> 1:37:33.160
<v Speaker 3>of my you know, you know friends that were looks

1:37:33.360 --> 1:37:35.920
<v Speaker 3>very scary, you know, and he didn't care and he said,

1:37:37.840 --> 1:37:41.120
<v Speaker 3>if I cut you right now, what would you bleed?

1:37:42.120 --> 1:37:42.920
<v Speaker 1>I was like blood.

1:37:44.920 --> 1:37:48.040
<v Speaker 3>Then he said, well asking me this question. So I said,

1:37:48.120 --> 1:37:50.040
<v Speaker 3>lee off, I cut you right now, what would you bleed?

1:37:50.800 --> 1:37:53.400
<v Speaker 3>And he goes, I would bleed rue DMC sucker m

1:37:53.520 --> 1:37:57.360
<v Speaker 3>C yeah. He said, now, norriy, I'm going to ask

1:37:57.360 --> 1:38:00.599
<v Speaker 3>you one more time. If I cut you, what would

1:38:00.640 --> 1:38:04.200
<v Speaker 3>you bleed? I said, I bleed, super dog. He said exactly.

1:38:04.439 --> 1:38:08.320
<v Speaker 3>Pharrell is on the way to go see for real

1:38:08.439 --> 1:38:10.040
<v Speaker 3>and I've made a record call Homeboy.

1:38:10.320 --> 1:38:11.160
<v Speaker 1>I came to party.

1:38:11.439 --> 1:38:13.560
<v Speaker 3>And if it wasn't because of that, it's because he

1:38:13.720 --> 1:38:16.920
<v Speaker 3>dissed me to my face. And what he's trying to

1:38:16.960 --> 1:38:20.200
<v Speaker 3>say is it's in you. Like I want to ask

1:38:20.240 --> 1:38:23.720
<v Speaker 3>you that question, if I cut you right now, what

1:38:23.840 --> 1:38:28.080
<v Speaker 3>would you bleed? And don't say blood, it's the wrong answer.

1:38:29.520 --> 1:38:32.320
<v Speaker 3>I believe rock and roll rock and roll. I believe

1:38:32.400 --> 1:38:34.880
<v Speaker 3>rock and roll for long. Everything that I do is

1:38:35.000 --> 1:38:39.080
<v Speaker 3>rock and roll. Even the hip hop I make is

1:38:39.200 --> 1:38:41.840
<v Speaker 3>rock and roll. The lifestyle I live is rock and roll.

1:38:43.040 --> 1:38:44.639
<v Speaker 2>But you don't mean it. You don't mean it musically,

1:38:44.720 --> 1:38:47.400
<v Speaker 2>you mean it as as a hip like rock and roll.

1:38:47.439 --> 1:38:49.040
<v Speaker 2>It's all counterculture. It's all alter.

1:38:49.320 --> 1:38:52.240
<v Speaker 4>It's not like, hey, oh you're a rock star now, man,

1:38:52.360 --> 1:38:53.760
<v Speaker 4>Like I grew up around rock and roll.

1:38:53.800 --> 1:38:56.240
<v Speaker 1>I know what rock and roll is. And if you

1:38:56.320 --> 1:39:01.120
<v Speaker 1>cut me open, which song would you bleed? What song

1:39:01.200 --> 1:39:03.720
<v Speaker 1>would I what song would I believe? Rock and roll?

1:39:03.800 --> 1:39:10.120
<v Speaker 4>Whatever song you want to pick, I would pick how

1:39:10.320 --> 1:39:13.880
<v Speaker 4>I would pick highway Man by the Highwayman, Johnny Cash,

1:39:14.000 --> 1:39:15.719
<v Speaker 4>Chris Christophers and Willie Nelson.

1:39:17.760 --> 1:39:21.479
<v Speaker 2>I want to smoke with will and Nelson and Waylon Jennings.

1:39:22.720 --> 1:39:25.439
<v Speaker 4>I would take that one song called a Highwayman and

1:39:26.600 --> 1:39:28.360
<v Speaker 4>that that would be the song you hear about me.

1:39:31.640 --> 1:39:37.599
<v Speaker 17>Go let's take the shop of that are weak? Love

1:39:37.640 --> 1:39:39.920
<v Speaker 17>that song and shout out. Shout out to my shout

1:39:39.960 --> 1:39:44.960
<v Speaker 17>out I got okay, shout out to my brother.

1:39:45.600 --> 1:39:49.920
<v Speaker 1>Shout out to my brother Shooter Jennings, who is related

1:39:51.200 --> 1:39:52.120
<v Speaker 1>Wayland jennings Son.

1:39:56.120 --> 1:39:57.640
<v Speaker 2>Literally that was.

1:39:59.360 --> 1:40:02.200
<v Speaker 1>What the like. You know, I'm I'm a little you know, crazy,

1:40:04.520 --> 1:40:05.479
<v Speaker 1>but we having fun though it.

1:40:08.280 --> 1:40:10.920
<v Speaker 2>All right? Alabama or Atlanta.

1:40:11.120 --> 1:40:15.720
<v Speaker 1>Come on, homie. I love God damn Bama. I like

1:40:15.840 --> 1:40:18.000
<v Speaker 1>Bama all right.

1:40:18.320 --> 1:40:20.719
<v Speaker 2>I love Atlanta though I love Atlanta.

1:40:21.800 --> 1:40:27.040
<v Speaker 1>Rest in peace, grib applies speaker fox Man. Rest in peace.

1:40:27.120 --> 1:40:32.160
<v Speaker 1>Lenny's Bar, Atlanta, Georgia. Man, Yes, sir, favorite restaurant in

1:40:32.160 --> 1:40:36.439
<v Speaker 1>Atlanta spawned divids. I knew he was gonna says.

1:40:37.320 --> 1:40:40.240
<v Speaker 3>That's why I'm totally connected.

1:40:42.400 --> 1:40:45.800
<v Speaker 2>Yeah, I'm totally connected. I know he's gonna say, I

1:40:45.880 --> 1:40:46.360
<v Speaker 2>swelt have gone.

1:40:46.360 --> 1:40:49.680
<v Speaker 1>I wish restaurant is the Layman's and don't know it's

1:40:49.760 --> 1:40:54.880
<v Speaker 1>it's a seafood restaurant. It's like almost it is seafood y'all.

1:40:55.280 --> 1:40:57.479
<v Speaker 1>It is, yes, yes it is.

1:40:58.120 --> 1:41:02.680
<v Speaker 3>But it's like, for some reason, swan divis game, your

1:41:02.760 --> 1:41:08.960
<v Speaker 3>aura set, Swanda, this person is not even on the thing.

1:41:09.960 --> 1:41:13.640
<v Speaker 1>It wasn't he's not even because they don't bail. And

1:41:13.680 --> 1:41:14.519
<v Speaker 1>then that that was the question.

1:41:14.560 --> 1:41:16.920
<v Speaker 2>It was it was your.

1:41:18.920 --> 1:41:21.880
<v Speaker 1>There's another spot in Atlanta called Smith's Old Bar, and

1:41:22.400 --> 1:41:25.240
<v Speaker 1>even that one, okay, well there's it's the only is

1:41:25.280 --> 1:41:30.799
<v Speaker 1>the only restaurant bar in Atlanta that that celebrates Alabama culture.

1:41:30.880 --> 1:41:34.479
<v Speaker 4>So they host all the Alabama games, they host their

1:41:34.520 --> 1:41:37.760
<v Speaker 4>whole menu is from Alabama, and so and and I

1:41:37.880 --> 1:41:38.800
<v Speaker 4>came up playing there.

1:41:38.920 --> 1:41:41.840
<v Speaker 1>So shout out to the Smith's Old Bar as well. Yeah, okay,

1:41:43.040 --> 1:41:46.240
<v Speaker 1>podcast of radio, No, we did do what's coffee?

1:41:46.360 --> 1:41:51.320
<v Speaker 4>Yeah, we did Bro, We did podcast, podcast, podcast for sure.

1:41:52.280 --> 1:41:54.280
<v Speaker 1>Radios? What the fuck is radio?

1:41:55.600 --> 1:42:00.880
<v Speaker 4>I don't know what the radio every day? I mean,

1:42:00.960 --> 1:42:04.760
<v Speaker 4>I really don't. I I maybe fucking shoot myself on

1:42:04.840 --> 1:42:06.720
<v Speaker 4>the foot, you know what I mean, But I really don't.

1:42:06.720 --> 1:42:08.840
<v Speaker 4>I never gave a fuck anyway. I've never had any

1:42:08.920 --> 1:42:11.520
<v Speaker 4>real uh radio presence.

1:42:11.120 --> 1:42:11.599
<v Speaker 2>You know what I mean.

1:42:11.720 --> 1:42:14.320
<v Speaker 1>My success comes from the gutter, dude, Like it's all.

1:42:14.320 --> 1:42:18.680
<v Speaker 4>Like yeah, absolutely, but it took work, you know what

1:42:18.680 --> 1:42:23.120
<v Speaker 4>I mean, like three tours across America in advance, getting

1:42:23.200 --> 1:42:25.560
<v Speaker 4>three hundred dollars a night to open up a Whiskalief

1:42:25.640 --> 1:42:27.600
<v Speaker 4>or Ray Kwan and Harlem, you know what I mean,

1:42:27.920 --> 1:42:30.599
<v Speaker 4>ship like put it in work or making no money

1:42:30.640 --> 1:42:33.680
<v Speaker 4>at all, right, you know. So like anyway, so I

1:42:34.320 --> 1:42:35.760
<v Speaker 4>take a lot of pride on the fans that have

1:42:35.920 --> 1:42:38.880
<v Speaker 4>that we built up over the years. And I mean

1:42:39.200 --> 1:42:41.680
<v Speaker 4>I do see the effect of radio because when I

1:42:41.720 --> 1:42:46.120
<v Speaker 4>see it happen to Jelly Roll or like Morgan Wallen

1:42:46.760 --> 1:42:50.240
<v Speaker 4>or Drake or Rihanna, these these you know, these these

1:42:50.479 --> 1:42:53.439
<v Speaker 4>these people with these radio hits, I'm like, I just

1:42:53.479 --> 1:42:55.080
<v Speaker 4>don't understand the club, you know.

1:42:55.320 --> 1:42:57.040
<v Speaker 1>I know, I know that I got records that could

1:42:57.080 --> 1:42:58.400
<v Speaker 1>fit in the line.

1:42:59.560 --> 1:43:00.599
<v Speaker 2>But I don't.

1:43:00.680 --> 1:43:01.240
<v Speaker 1>I don't get it.

1:43:01.479 --> 1:43:03.560
<v Speaker 4>I like this ship because it's you know, this is

1:43:03.600 --> 1:43:06.880
<v Speaker 4>like really, it's thank you.

1:43:07.040 --> 1:43:11.320
<v Speaker 1>It's unhinged. It's unhinged. There's no editing. We don't edit.

1:43:11.560 --> 1:43:12.679
<v Speaker 2>Just get the funk down.

1:43:13.240 --> 1:43:14.639
<v Speaker 1>Unless there's some crazy shit it said.

1:43:14.840 --> 1:43:16.599
<v Speaker 3>Yeah, but all right, cool, Now this is the last

1:43:16.640 --> 1:43:18.240
<v Speaker 3>one for quick timea slim and then we're gonna go

1:43:18.360 --> 1:43:19.200
<v Speaker 3>back into the interview.

1:43:19.960 --> 1:43:26.439
<v Speaker 1>Loyalty or respect. Loyalty, don't break it down.

1:43:27.880 --> 1:43:32.519
<v Speaker 4>I would rather someone be loyal and hold me down

1:43:33.000 --> 1:43:36.639
<v Speaker 4>then to have respect for me. I don't really care

1:43:36.680 --> 1:43:40.160
<v Speaker 4>if you like me or not. If if you could,

1:43:40.280 --> 1:43:42.280
<v Speaker 4>if if you could, at least give me the piece

1:43:42.520 --> 1:43:45.600
<v Speaker 4>of being loyal and keeping it real with me to

1:43:45.720 --> 1:43:49.240
<v Speaker 4>my face, that's more important, you know, Like you know,

1:43:49.520 --> 1:43:51.520
<v Speaker 4>respect is a subjective.

1:43:52.400 --> 1:43:55.240
<v Speaker 1>Loyalty is concrete. I'm gonna take a shot for that.

1:43:56.240 --> 1:43:56.479
<v Speaker 5>I know.

1:43:56.520 --> 1:43:58.360
<v Speaker 3>We ain't spposed to take a shot, as you picked,

1:43:58.800 --> 1:44:01.680
<v Speaker 3>take a shot. I'm taking a shot shot, Jamie. Pa

1:44:01.800 --> 1:44:05.040
<v Speaker 3>know how many people claim look at social media, give me,

1:44:05.040 --> 1:44:06.439
<v Speaker 3>give me one of them, give me one of his shots.

1:44:06.840 --> 1:44:10.559
<v Speaker 1>Look at social I'm gonna take one of his. Yeah,

1:44:11.000 --> 1:44:12.760
<v Speaker 1>the peach Man the peach is good man, the peach.

1:44:12.880 --> 1:44:21.080
<v Speaker 1>That's the peach. We're going, got, We're going yeah, hold on,

1:44:21.360 --> 1:44:22.000
<v Speaker 1>let me get a shot.

1:44:22.600 --> 1:44:25.240
<v Speaker 3>Okay, Oh, ain't gonna be chilled. None of that's gonna

1:44:25.240 --> 1:44:29.840
<v Speaker 3>be thinking about solo follow us?

1:44:30.320 --> 1:44:35.719
<v Speaker 1>You or people are people? What people die.

1:44:35.720 --> 1:44:38.000
<v Speaker 4>Chasing respect respect that they would never get in the

1:44:38.040 --> 1:44:40.439
<v Speaker 4>first place. And what respect are you looking for anyway?

1:44:40.720 --> 1:44:44.599
<v Speaker 4>I don't understand it. I don't understand, Like what at

1:44:44.680 --> 1:44:49.439
<v Speaker 4>what capacity? Is it three hundred and sixty degree respect

1:44:49.479 --> 1:44:51.799
<v Speaker 4>of everything you do? Or is it I just respect

1:44:51.920 --> 1:44:55.240
<v Speaker 4>you because you're funny, and but I don't respect how

1:44:55.280 --> 1:44:56.040
<v Speaker 4>you handle your family.

1:44:56.120 --> 1:44:57.759
<v Speaker 2>I don't respect you, know what I'm saying.

1:44:57.640 --> 1:44:59.880
<v Speaker 1>And how you perceive respect of different every dingy exactly.

1:45:00.040 --> 1:45:04.439
<v Speaker 1>It's subjective. Loyal is like that's my dude, right, And

1:45:04.600 --> 1:45:06.080
<v Speaker 1>if I got a problem with my dude.

1:45:05.880 --> 1:45:07.599
<v Speaker 4>I'm gonna talk to my dude. I ain't gonna talk

1:45:07.640 --> 1:45:10.160
<v Speaker 4>to everybody else about it. I'm your dude, and I.

1:45:10.360 --> 1:45:13.439
<v Speaker 1>Got it my You know what I mean.

1:45:13.760 --> 1:45:17.960
<v Speaker 4>My boys, I handle I handle things like here like

1:45:18.439 --> 1:45:24.120
<v Speaker 4>like this is bullshit, nah, homie, pull up right problem?

1:45:24.479 --> 1:45:26.120
<v Speaker 1>Pull up? Yeah? You know what I mean?

1:45:26.200 --> 1:45:29.000
<v Speaker 4>And that that's that's loyal and that's that's just I

1:45:29.200 --> 1:45:32.320
<v Speaker 4>like to handle things like that, you know, like social

1:45:32.400 --> 1:45:33.200
<v Speaker 4>media ruined.

1:45:33.360 --> 1:45:38.200
<v Speaker 1>Respect got nothing to do with water, and it ain't.

1:45:39.720 --> 1:45:41.920
<v Speaker 1>It's water from disrespect.

1:45:42.400 --> 1:45:48.919
<v Speaker 3>It's a fire, yo, you because you want to seventeen

1:45:48.920 --> 1:45:53.160
<v Speaker 3>different chest is on fire.

1:45:53.600 --> 1:45:55.000
<v Speaker 5>No, the.

1:45:56.600 --> 1:45:57.760
<v Speaker 1>That we you're smoking the.

1:46:00.840 --> 1:46:04.519
<v Speaker 3>Amazing This whole night, I've been trying to read with

1:46:04.600 --> 1:46:05.280
<v Speaker 3>your hat sets.

1:46:05.600 --> 1:46:08.599
<v Speaker 4>But also Harley Davis and had Old Ventures dogs right

1:46:09.280 --> 1:46:13.000
<v Speaker 4>and show yeahs is like Lizzie's.

1:46:13.760 --> 1:46:18.679
<v Speaker 2>No yeah, I thought I was talking about cop pigs.

1:46:21.520 --> 1:46:24.400
<v Speaker 1>My bad. You know, I'm green. I'm green. It's all good.

1:46:24.479 --> 1:46:26.320
<v Speaker 1>I grew up on bikes, man, But I like benures

1:46:26.360 --> 1:46:29.640
<v Speaker 1>clothing like I like this old painters that I picked up.

1:46:30.080 --> 1:46:34.639
<v Speaker 1>These overalls is from the forties. Old milk delivery man

1:46:34.800 --> 1:46:37.840
<v Speaker 1>from it looked like it from Maine, like yeah, like

1:46:38.160 --> 1:46:42.160
<v Speaker 1>the bottled milk joints and change just getting it, man,

1:46:42.240 --> 1:46:44.040
<v Speaker 1>what do you buy that from? I just got just

1:46:44.680 --> 1:46:45.960
<v Speaker 1>That's what I do. Man. If I put up in

1:46:46.000 --> 1:46:48.160
<v Speaker 1>the city, man, I'm trying to go find some old vintage.

1:46:48.360 --> 1:46:49.360
<v Speaker 1>Have you gone somewhere here?

1:46:49.400 --> 1:46:53.479
<v Speaker 2>What he said? He said, he goes to a state

1:46:53.600 --> 1:46:55.400
<v Speaker 2>sales states state.

1:46:55.200 --> 1:46:59.160
<v Speaker 1>Said, you know, furniture and ship. No, no, he got

1:46:59.280 --> 1:47:00.360
<v Speaker 1>he grabbed. Oh.

1:47:00.920 --> 1:47:02.200
<v Speaker 2>I don't want say old ladies, but it is.

1:47:02.439 --> 1:47:06.280
<v Speaker 4>That's what it is, cold ladies, jewelry custom Yeah yeah, nah,

1:47:07.280 --> 1:47:09.360
<v Speaker 4>I like I like, yeah, that's like oh oh, I'll

1:47:09.400 --> 1:47:11.400
<v Speaker 4>go to Tiffany's ring for one hundred thoughts.

1:47:11.439 --> 1:47:12.280
<v Speaker 2>Man, fuck all that ship.

1:47:12.479 --> 1:47:15.880
<v Speaker 1>I like like old like like picks that are like

1:47:16.000 --> 1:47:17.840
<v Speaker 1>I get something out of it too. You know what

1:47:17.880 --> 1:47:18.200
<v Speaker 1>I'm saying.

1:47:18.280 --> 1:47:20.320
<v Speaker 2>I'm trying to give you. You know what I'm saying.

1:47:20.320 --> 1:47:21.160
<v Speaker 1>I'm trying to come up.

1:47:21.320 --> 1:47:24.680
<v Speaker 2>And know the thing is, Yeah, Kathy was definitely, I

1:47:24.760 --> 1:47:25.320
<v Speaker 2>mean according to it.

1:47:25.640 --> 1:47:28.360
<v Speaker 1>I don't want you to come up. I'm coming up

1:47:29.240 --> 1:47:32.639
<v Speaker 1>like you know, hustlers man ship.

1:47:33.240 --> 1:47:34.960
<v Speaker 3>Do you ever think that it's gonna be a time

1:47:35.680 --> 1:47:41.719
<v Speaker 3>where country rock and roll and hip hop it's gonna

1:47:41.720 --> 1:47:45.400
<v Speaker 3>all merge. I think that guy's name is yellow Wolf.

1:47:45.880 --> 1:47:47.479
<v Speaker 1>Oh, I think it is.

1:47:51.360 --> 1:47:53.679
<v Speaker 2>I think it is too, and I think it happened.

1:47:54.520 --> 1:47:59.360
<v Speaker 4>I think it happened in nineteen seventy motherfucking nine, but

1:48:00.120 --> 1:48:04.439
<v Speaker 4>gas in Alabama, right. You know what I'm saying at

1:48:04.520 --> 1:48:06.759
<v Speaker 4>the Baptist Hospital, Sheila, Diane.

1:48:06.960 --> 1:48:07.599
<v Speaker 2>You know what I'm saying.

1:48:07.680 --> 1:48:09.800
<v Speaker 4>I came down here to do that of everything, and

1:48:09.880 --> 1:48:12.479
<v Speaker 4>that's what I've done, period, point blank.

1:48:13.960 --> 1:48:16.640
<v Speaker 1>This is the as far as that, as far as

1:48:16.720 --> 1:48:21.240
<v Speaker 1>that's concern, roid, I am the tip of the pyramid

1:48:22.280 --> 1:48:26.320
<v Speaker 1>period and uh and I and I say that respectfully

1:48:26.439 --> 1:48:29.080
<v Speaker 1>for anyone who would say any different, do you research?

1:48:30.280 --> 1:48:31.599
<v Speaker 1>You know it's all there.

1:48:32.200 --> 1:48:36.280
<v Speaker 4>And also you know, not to mention the classic country

1:48:36.400 --> 1:48:38.439
<v Speaker 4>hip hop ship that I've done with like why not

1:48:38.600 --> 1:48:39.040
<v Speaker 4>a Judd?

1:48:40.520 --> 1:48:41.040
<v Speaker 2>You know what I mean.

1:48:42.200 --> 1:48:45.680
<v Speaker 1>I'll go on to say, like you know, you know,

1:48:45.960 --> 1:48:46.880
<v Speaker 1>going going to.

1:48:48.560 --> 1:48:54.040
<v Speaker 4>With my blessings of Shooter Jennings and Jesse Coulter, going

1:48:54.080 --> 1:48:56.920
<v Speaker 4>to see the Highwayman and meeting Chris Kristofferson and William

1:48:56.960 --> 1:48:59.560
<v Speaker 4>Nilson and having those blessings in those moments with the

1:48:59.680 --> 1:49:03.599
<v Speaker 4>country music, being on stage with Dwhite yoakum in Alabama

1:49:03.680 --> 1:49:05.599
<v Speaker 4>when I was five years old at the June Jam

1:49:05.720 --> 1:49:08.800
<v Speaker 4>at Fort Payne, Alabama, to run DMC walking through my

1:49:08.920 --> 1:49:12.160
<v Speaker 4>motherfucking door when I was seven years old, all right,

1:49:12.880 --> 1:49:15.720
<v Speaker 4>and you know, all the way up into rock and roll,

1:49:16.120 --> 1:49:21.479
<v Speaker 4>whether it was Aerosmith and and then or Aerosmith or

1:49:21.520 --> 1:49:23.920
<v Speaker 4>Ted Newsen or any of those guys, all all all

1:49:23.960 --> 1:49:26.639
<v Speaker 4>those pieces of the puzzle formulated me into an artist.

1:49:26.760 --> 1:49:30.759
<v Speaker 4>And the reason I take pride and and and feeling

1:49:30.880 --> 1:49:31.759
<v Speaker 4>and knowing.

1:49:31.600 --> 1:49:33.200
<v Speaker 1>That on the tip of the pyramid is because of

1:49:33.280 --> 1:49:35.920
<v Speaker 1>how long it took me to learn how to blend

1:49:36.000 --> 1:49:41.320
<v Speaker 1>those styles and to be that person. And like I said,

1:49:41.360 --> 1:49:46.519
<v Speaker 1>I think kid Rock is the og to the beginning

1:49:46.640 --> 1:49:47.439
<v Speaker 1>of it. Right.

1:49:48.880 --> 1:49:52.440
<v Speaker 4>But let's be real, Bob didn't listen to Howard glyphics,

1:49:53.720 --> 1:49:55.640
<v Speaker 4>you know what I'm saying. Like, Bob wasn't listening to

1:49:55.720 --> 1:49:59.920
<v Speaker 4>Bush Babies and DJs, S and S tapes and shopping

1:50:00.120 --> 1:50:01.040
<v Speaker 4>fat beats and ship.

1:50:01.200 --> 1:50:03.760
<v Speaker 1>But Kim Rock did come up, like he toured with

1:50:03.880 --> 1:50:05.960
<v Speaker 1>Too Short, No, I know, like that. He came up

1:50:06.000 --> 1:50:08.800
<v Speaker 1>in an era too Yeah, but it was a different era, yeah,

1:50:08.840 --> 1:50:11.120
<v Speaker 1>the faith. It was a different era of did it

1:50:11.200 --> 1:50:12.880
<v Speaker 1>makes sense? But he had it. It's a different era

1:50:13.040 --> 1:50:14.800
<v Speaker 1>of lyricism for sure.

1:50:15.040 --> 1:50:15.559
<v Speaker 2>You know what I mean.

1:50:16.520 --> 1:50:21.560
<v Speaker 4>I'm like after outcasts, I'm after hieroglyphics, I'm after you know,

1:50:23.240 --> 1:50:24.839
<v Speaker 4>I'm after nas, I'm after.

1:50:24.760 --> 1:50:27.000
<v Speaker 1>The there's a certain there was a certain lift but

1:50:27.240 --> 1:50:28.920
<v Speaker 1>into the culture. I don't take nothing from you.

1:50:29.080 --> 1:50:32.040
<v Speaker 2>Did something else though, and I listen. I listened to

1:50:32.160 --> 1:50:36.320
<v Speaker 2>an interview did with shout out to Justin Hunt from.

1:50:37.160 --> 1:50:39.280
<v Speaker 1>Company Maker's move into Rock or Country.

1:50:39.280 --> 1:50:39.760
<v Speaker 2>I'll just say that.

1:50:40.200 --> 1:50:41.040
<v Speaker 1>Listen, so you're done.

1:50:41.160 --> 1:50:44.000
<v Speaker 2>You did an interview with the company man and you

1:50:44.240 --> 1:50:46.880
<v Speaker 2>you mentioned that you did street Team ship because I

1:50:46.920 --> 1:50:49.080
<v Speaker 2>did Street Team Ship, and that does a lot for

1:50:49.200 --> 1:50:53.120
<v Speaker 2>you to learn this, this industry from the grind, from

1:50:53.160 --> 1:50:53.559
<v Speaker 2>the ground.

1:50:54.080 --> 1:50:55.160
<v Speaker 1>Yeah did you what did you?

1:50:55.160 --> 1:50:55.560
<v Speaker 2>Who did you do?

1:50:55.640 --> 1:51:04.519
<v Speaker 1>Streets so so and ninety ninety nine?

1:51:04.920 --> 1:51:07.560
<v Speaker 2>I was working for Uh, you'll love this.

1:51:07.720 --> 1:51:09.880
<v Speaker 4>NOI I was working Wait, I was living at Queens

1:51:09.920 --> 1:51:11.920
<v Speaker 4>and I was working for I was living, I was.

1:51:12.160 --> 1:51:18.479
<v Speaker 1>I was working for your good quick dude. When you

1:51:18.560 --> 1:51:26.120
<v Speaker 1>say off ninety as street Jay Train like, okay, So

1:51:26.720 --> 1:51:29.639
<v Speaker 1>I don't even know what so so. But I worked

1:51:29.720 --> 1:51:31.759
<v Speaker 1>in the city and I worked for a promotional company

1:51:31.800 --> 1:51:36.920
<v Speaker 1>called Guerrilla Marketing, and so I one of my.

1:51:37.080 --> 1:51:40.559
<v Speaker 4>Jobs was promoting autobiotics dayl I soul record.

1:51:41.200 --> 1:51:42.680
<v Speaker 1>I worked that record too, did you?

1:51:43.000 --> 1:51:43.200
<v Speaker 2>Yeah?

1:51:43.360 --> 1:51:45.640
<v Speaker 1>Okay, so you have a street team Hold up, wait

1:51:45.640 --> 1:51:47.679
<v Speaker 1>a minute, do you know about I worked for Tommy Boiler?

1:51:48.160 --> 1:51:48.800
<v Speaker 2>Do you so?

1:51:49.560 --> 1:51:51.200
<v Speaker 1>So I must have been one of the companies that

1:51:51.280 --> 1:51:53.360
<v Speaker 1>Tommy Boy hired to do it? For sure? So I

1:51:53.439 --> 1:51:55.120
<v Speaker 1>worked for you no, no, you didn't want.

1:51:55.120 --> 1:51:56.479
<v Speaker 2>At one point I was one of the teams that

1:51:56.520 --> 1:51:58.759
<v Speaker 2>I got hired as well direct through something.

1:51:59.120 --> 1:52:02.559
<v Speaker 4>But I worked tom Boy A long line down the road,

1:52:03.280 --> 1:52:08.880
<v Speaker 4>so they okay, so listen. I painted this huge canvas

1:52:09.040 --> 1:52:13.360
<v Speaker 4>up their cover of a space space suit because I'm

1:52:13.360 --> 1:52:16.439
<v Speaker 4>a mirror artist. That's how that was my project. That

1:52:16.560 --> 1:52:20.000
<v Speaker 4>was my autob ONYX Crazy Souls. Man, come on, man

1:52:20.880 --> 1:52:23.920
<v Speaker 4>love it. I love you guys. Yeah, of course, so

1:52:24.000 --> 1:52:26.640
<v Speaker 4>I was. It was I was honored, right. I was

1:52:26.720 --> 1:52:28.880
<v Speaker 4>just hyped about it. I'll painted canvas of the cover.

1:52:29.000 --> 1:52:30.560
<v Speaker 4>So I painted this huge canvas. Then I put on

1:52:30.640 --> 1:52:34.240
<v Speaker 4>a space suit and I walked around all of New

1:52:34.320 --> 1:52:36.880
<v Speaker 4>York and all the Burroughs. I even went down to

1:52:37.439 --> 1:52:40.360
<v Speaker 4>uh t r L on MTV and I was standing

1:52:40.520 --> 1:52:43.800
<v Speaker 4>under t r L with a big dail. I sould

1:52:43.800 --> 1:52:48.840
<v Speaker 4>auto hand painted canvas sign a space suit. I remember

1:52:48.920 --> 1:52:51.439
<v Speaker 4>at one time crazy I remember at one point when

1:52:51.479 --> 1:52:54.160
<v Speaker 4>I was going back to going back to Queens, I

1:52:54.240 --> 1:52:55.560
<v Speaker 4>was on the j H and I was wearing a

1:52:55.600 --> 1:52:57.080
<v Speaker 4>space suit, and this dude walked up to me, was

1:52:57.120 --> 1:53:00.920
<v Speaker 4>on a bicycle, and and I had lifted I had

1:53:00.960 --> 1:53:03.720
<v Speaker 4>lifted a little mask because I was over my promotions

1:53:03.760 --> 1:53:08.439
<v Speaker 4>and plus it was hard to fucking breathe and uh,

1:53:08.920 --> 1:53:11.479
<v Speaker 4>this dude walked up to me and said Daylight Soul

1:53:11.840 --> 1:53:13.679
<v Speaker 4>and I was like, yeah, man, I'm doing street promotions.

1:53:13.800 --> 1:53:18.320
<v Speaker 1>That's what's up. Man, I'm stretching. I'm strong fucking connections

1:53:18.360 --> 1:53:24.120
<v Speaker 1>to basically, you know what he said to me, you

1:53:24.240 --> 1:53:27.240
<v Speaker 1>heard a new eminem record I Swear to God, I

1:53:27.520 --> 1:53:28.160
<v Speaker 1>Swear to God.

1:53:28.280 --> 1:53:30.840
<v Speaker 4>Well, he had a huge because we started talking about it.

1:53:31.280 --> 1:53:34.280
<v Speaker 4>It's about hip hop and whatever, and I was like, nah,

1:53:34.360 --> 1:53:37.240
<v Speaker 4>I heard it, dude. It's going to change the world.

1:53:37.600 --> 1:53:40.200
<v Speaker 1>And this is a random conversation. You just me get

1:53:40.280 --> 1:53:43.400
<v Speaker 1>on the same car on the same change. That's hip

1:53:43.439 --> 1:53:46.439
<v Speaker 1>hop randomness. Yeah, it's super super crazy. That's why that's

1:53:46.439 --> 1:53:48.840
<v Speaker 1>where I might stretch. But but hold on, this is

1:53:48.880 --> 1:53:49.640
<v Speaker 1>what I want to say this.

1:53:49.840 --> 1:53:53.559
<v Speaker 2>This is why this is important because oftentimes aspiring artists

1:53:53.560 --> 1:53:55.640
<v Speaker 2>will listen to this and be like, oh man, you

1:53:55.760 --> 1:53:59.240
<v Speaker 2>got from point A to point Z like you just

1:53:59.360 --> 1:54:02.880
<v Speaker 2>jumped and I worked street team ship. That's a grind,

1:54:02.920 --> 1:54:04.320
<v Speaker 2>but I was happy to do it because I was

1:54:04.360 --> 1:54:05.400
<v Speaker 2>such a hip hop head.

1:54:05.520 --> 1:54:07.960
<v Speaker 5>Yeah it's fun when I say, oh, I get this

1:54:08.400 --> 1:54:10.880
<v Speaker 5>before anybody and I could distribute this and do this

1:54:11.040 --> 1:54:13.360
<v Speaker 5>and put people on And the fact that you, even

1:54:13.640 --> 1:54:16.960
<v Speaker 5>coming from the South, went to New York and you're

1:54:17.000 --> 1:54:18.479
<v Speaker 5>in the Mecca and you're out.

1:54:18.360 --> 1:54:21.320
<v Speaker 2>There putting on the gear, doing whatever it takes to

1:54:21.400 --> 1:54:22.439
<v Speaker 2>be a part of the culture.

1:54:22.640 --> 1:54:25.160
<v Speaker 1>That says a lot about you willing to put in

1:54:25.240 --> 1:54:28.160
<v Speaker 1>the time and grind. Absolutely, I would have. I would have,

1:54:28.680 --> 1:54:30.400
<v Speaker 1>and I did. I did everything that I.

1:54:30.520 --> 1:54:33.080
<v Speaker 4>Knew how to do to immerse myself into the culture

1:54:33.120 --> 1:54:36.000
<v Speaker 4>at his very core, at the very very fucking core.

1:54:36.680 --> 1:54:37.600
<v Speaker 2>Man, there was that.

1:54:37.760 --> 1:54:44.920
<v Speaker 4>There was times between my boy Rodney, between there was

1:54:45.120 --> 1:54:47.240
<v Speaker 4>there was there was a sequence of people that ended

1:54:47.320 --> 1:54:49.320
<v Speaker 4>me up at the end of the day.

1:54:50.200 --> 1:54:54.960
<v Speaker 1>The shorter the long is me and Pete Rock kicking

1:54:55.000 --> 1:54:57.840
<v Speaker 1>it in Harlem for a few days, you know what

1:54:57.880 --> 1:55:00.160
<v Speaker 1>I mean, Like him taking me to his favor bit

1:55:00.280 --> 1:55:02.760
<v Speaker 1>fucking like have you doing with Pete Rock? No, I

1:55:02.800 --> 1:55:03.320
<v Speaker 1>could hear that.

1:55:03.600 --> 1:55:05.840
<v Speaker 4>I could hear that, But I wasn't ready back then.

1:55:05.960 --> 1:55:09.240
<v Speaker 4>Dog Like I was just like paying my dues and

1:55:09.360 --> 1:55:11.560
<v Speaker 4>like I just I was just being.

1:55:11.920 --> 1:55:15.080
<v Speaker 1>My energy was forcing these situations into my life.

1:55:15.120 --> 1:55:15.240
<v Speaker 2>Right.

1:55:15.280 --> 1:55:16.920
<v Speaker 1>It was early on, It was early on. You were

1:55:16.960 --> 1:55:19.480
<v Speaker 1>immature at that point, very very as MC.

1:55:19.840 --> 1:55:23.320
<v Speaker 4>Not ready at all, but still like you know, like

1:55:23.480 --> 1:55:25.280
<v Speaker 4>shaking hands with the gods, you know what I mean,

1:55:25.440 --> 1:55:28.160
<v Speaker 4>like tapping in, making sure I was there.

1:55:29.360 --> 1:55:32.520
<v Speaker 2>So yeah, shout out Pete Rock Man.

1:55:32.680 --> 1:55:34.360
<v Speaker 1>It's crucial. Everything you're saying is very important.

1:55:34.360 --> 1:55:34.480
<v Speaker 2>Man.

1:55:34.560 --> 1:55:35.240
<v Speaker 1>So let me ask you.

1:55:35.400 --> 1:55:37.840
<v Speaker 3>You know, me being you know, half black and half

1:55:37.880 --> 1:55:41.400
<v Speaker 3>Puerto Rican, people always ask me like, like, you know,

1:55:42.320 --> 1:55:43.840
<v Speaker 3>does it help being Puerto Rican?

1:55:47.200 --> 1:55:50.680
<v Speaker 1>Do you think you being white helps you? Or does it?

1:55:51.800 --> 1:55:52.360
<v Speaker 5>Is it? Is? It?

1:55:52.640 --> 1:55:55.960
<v Speaker 4>Is it a crutch? It's both, man. I think in

1:55:56.440 --> 1:56:01.400
<v Speaker 4>hip hop culture there's definitely like it's that whole white

1:56:01.440 --> 1:56:03.760
<v Speaker 4>boy can jump ship. You know what I'm saying, Like

1:56:03.840 --> 1:56:05.640
<v Speaker 4>there's this white boy who could dunk, you know, he's

1:56:05.680 --> 1:56:07.760
<v Speaker 4>like showing out in the gym and ship. It's like

1:56:07.840 --> 1:56:10.240
<v Speaker 4>all white boy. Got this white boy. When I was

1:56:10.320 --> 1:56:18.160
<v Speaker 4>growing up, dude, it was always white boy. That's all

1:56:18.240 --> 1:56:24.120
<v Speaker 4>I ever heard. And you take you take the rockets? No, no, no, no,

1:56:24.360 --> 1:56:27.520
<v Speaker 4>not at all, actually complete opposite. It was a term

1:56:27.600 --> 1:56:28.320
<v Speaker 4>of endearment.

1:56:29.240 --> 1:56:34.280
<v Speaker 1>Besides the obvious that was all day every day as well.

1:56:34.760 --> 1:56:40.120
<v Speaker 4>But it was a term of endearment, so uh so,

1:56:41.000 --> 1:56:44.400
<v Speaker 4>so yeah, I've always took it as like like if

1:56:44.480 --> 1:56:44.840
<v Speaker 4>this is.

1:56:47.200 --> 1:56:50.120
<v Speaker 1>If I'm special at this because I'm a white boy

1:56:50.280 --> 1:56:53.320
<v Speaker 1>in this particular thing, like a white boy's killing it,

1:56:53.560 --> 1:56:56.120
<v Speaker 1>or a white boy can fight, you know, white black

1:56:56.120 --> 1:56:58.080
<v Speaker 1>white boy ain't scared of ship, you know what I'm saying.

1:56:58.200 --> 1:56:59.480
<v Speaker 2>Or he's crazy white boy.

1:56:59.760 --> 1:57:02.400
<v Speaker 4>We got crazy white boy like because I always, my

1:57:02.480 --> 1:57:07.000
<v Speaker 4>whole crew was always black always. I grew up with gasten,

1:57:07.040 --> 1:57:10.080
<v Speaker 4>with Hoover crips man like like man like rest in pea,

1:57:10.120 --> 1:57:10.920
<v Speaker 4>shoddy fat man.

1:57:11.120 --> 1:57:13.520
<v Speaker 1>I used to just be in in the chevy ready

1:57:13.600 --> 1:57:15.480
<v Speaker 1>for whatever, you know what I mean. Like that was me.

1:57:15.600 --> 1:57:19.040
<v Speaker 4>That was my life, fucking pull up, fucking little bootsy

1:57:19.160 --> 1:57:22.080
<v Speaker 4>shows and whoever was coming to town.

1:57:22.160 --> 1:57:23.240
<v Speaker 2>And like, I just grew up around a.

1:57:23.280 --> 1:57:25.680
<v Speaker 4>Rowdy group of people and I had this also this

1:57:25.920 --> 1:57:34.720
<v Speaker 4>like this very like stark reality of country rednecks. You know,

1:57:34.880 --> 1:57:36.480
<v Speaker 4>you gotta remember, I'm in Alabama, so.

1:57:36.520 --> 1:57:40.800
<v Speaker 1>The hood is very the hoods are it's like trailer

1:57:40.880 --> 1:57:41.880
<v Speaker 1>parks and projects.

1:57:42.160 --> 1:57:44.400
<v Speaker 4>Yeah, you know you know what I'm saying, I do,

1:57:45.280 --> 1:57:50.080
<v Speaker 4>but we all live on this same financial level steep

1:57:50.640 --> 1:57:53.720
<v Speaker 4>and so in that way, he either fuck with each

1:57:53.800 --> 1:57:54.560
<v Speaker 4>other or you don't.

1:57:55.360 --> 1:57:57.520
<v Speaker 1>Now, I was a part of the crew that did. Right,

1:57:58.440 --> 1:58:00.600
<v Speaker 1>So when white boy, when the whole white boy thinking,

1:58:00.680 --> 1:58:03.720
<v Speaker 1>I used to get pissed, white boy, you talking about

1:58:03.760 --> 1:58:07.840
<v Speaker 1>my mom My mother is Blackfoot and Cherokee and white.

1:58:07.920 --> 1:58:12.640
<v Speaker 1>My father's Cherokee, Blackfoot, mostly Cherokee. Don't fucking call me

1:58:12.720 --> 1:58:13.520
<v Speaker 1>a white boy. I'm not.

1:58:14.120 --> 1:58:17.080
<v Speaker 4>I'm not that simple, you know. But then it became

1:58:17.160 --> 1:58:19.920
<v Speaker 4>a source of empowerment. Are you gonna you you're now,

1:58:19.960 --> 1:58:22.960
<v Speaker 4>You're now, you're now. You're giving me this label and

1:58:23.080 --> 1:58:25.200
<v Speaker 4>you're offering me this opportunity to use it.

1:58:26.120 --> 1:58:28.040
<v Speaker 1>So I did? That was it?

1:58:28.840 --> 1:58:32.160
<v Speaker 4>And you know, in a sense, it's like it's a

1:58:32.200 --> 1:58:34.600
<v Speaker 4>double edged sword. It's like it's like cutting through. But

1:58:34.720 --> 1:58:41.000
<v Speaker 4>at the same time, like why Like you know, it's

1:58:41.080 --> 1:58:45.680
<v Speaker 4>also like like I hear some some new white mcs

1:58:45.720 --> 1:58:52.480
<v Speaker 4>out talking about that the best white rapper. That's disgusting.

1:58:54.360 --> 1:58:58.440
<v Speaker 4>You're already canceled when you say that, you're already done.

1:58:59.040 --> 1:59:02.160
<v Speaker 4>Are you the best white rapper? Well, you probably are

1:59:03.120 --> 1:59:06.800
<v Speaker 4>the best white rapper, But what the fuck does that matter?

1:59:06.920 --> 1:59:08.280
<v Speaker 4>Whyon't you be the best in seed?

1:59:08.360 --> 1:59:08.680
<v Speaker 2>All right?

1:59:09.760 --> 1:59:14.320
<v Speaker 4>And like and and so I never you know, the

1:59:14.440 --> 1:59:17.720
<v Speaker 4>reason I went at g E z On on that

1:59:17.800 --> 1:59:21.320
<v Speaker 4>record Bloody Sunday is because he had met while I

1:59:21.480 --> 1:59:23.440
<v Speaker 4>was signed to Shady. He said, I'm the best white

1:59:23.520 --> 1:59:25.960
<v Speaker 4>rapper since the one with die blonde hair or some

1:59:26.160 --> 1:59:26.760
<v Speaker 4>shit like that.

1:59:27.360 --> 1:59:32.200
<v Speaker 1>And I was like, what, dude, Hold the fuck up.

1:59:33.120 --> 1:59:35.280
<v Speaker 2>You know what I'm saying, Like, are you kidding me?

1:59:35.480 --> 1:59:36.600
<v Speaker 2>Like why would you even say that?

1:59:36.800 --> 1:59:37.320
<v Speaker 1>First of all?

1:59:37.440 --> 1:59:40.040
<v Speaker 2>And second of all, excuse me?

1:59:40.320 --> 1:59:40.960
<v Speaker 1>You know what I'm saying.

1:59:41.320 --> 1:59:45.240
<v Speaker 4>So and so I think that it is a double

1:59:45.320 --> 1:59:49.640
<v Speaker 4>edged sword, you know, like we can't deny our cultural uh,

1:59:50.280 --> 1:59:53.320
<v Speaker 4>the way that people perceive us culturally. If you and

1:59:53.440 --> 1:59:55.880
<v Speaker 4>I walk into a room, you're black, I'm white in

1:59:56.000 --> 1:59:58.880
<v Speaker 4>the story, you know what I'm saying, like to everyone else,

1:59:59.040 --> 2:00:00.920
<v Speaker 4>just to the world, you know, and that's cool, Like

2:00:01.080 --> 2:00:03.520
<v Speaker 4>we'll take it, you know, but we're deeper than that man.

2:00:03.560 --> 2:00:05.120
<v Speaker 1>We got more to offer than that ship man. And

2:00:05.560 --> 2:00:07.320
<v Speaker 1>let's poor a shot of that man.

2:00:07.360 --> 2:00:07.640
<v Speaker 2>That man.

2:00:07.680 --> 2:00:15.480
<v Speaker 6>Let man, that's a shot, Jamie, because because it just

2:00:15.560 --> 2:00:18.320
<v Speaker 6>be the fucking best, don't be the best of whatever,

2:00:19.560 --> 2:00:22.480
<v Speaker 6>should be fucking dope, because no matter what you.

2:00:22.520 --> 2:00:25.200
<v Speaker 3>Do, you know, you know we were we were so

2:00:25.320 --> 2:00:27.560
<v Speaker 3>excited when we we booked you and we had you

2:00:28.040 --> 2:00:28.400
<v Speaker 3>locked in.

2:00:28.640 --> 2:00:31.040
<v Speaker 2>I just poured my drink into my shots.

2:00:31.040 --> 2:00:32.320
<v Speaker 1>Okay, we see you.

2:00:32.520 --> 2:00:34.760
<v Speaker 3>It's not okay, but I'm taking a shot.

2:00:36.320 --> 2:00:40.360
<v Speaker 1>Where my fucking bartender. Ye, she's your bartender.

2:00:40.520 --> 2:00:42.680
<v Speaker 2>Get Jamie.

2:00:42.800 --> 2:00:56.280
<v Speaker 1>Sorry, he's paying episode Jamie because thank you, Yes, babe?

2:00:57.360 --> 2:01:00.160
<v Speaker 2>Can we can we put the well?

2:01:01.000 --> 2:01:03.360
<v Speaker 1>Please? Just want to be part next to my ship?

2:01:03.480 --> 2:01:03.640
<v Speaker 1>You know?

2:01:03.680 --> 2:01:03.920
<v Speaker 2>Okay?

2:01:04.240 --> 2:01:07.400
<v Speaker 1>Okay, cinnamon, it's the cinnamon and the peach.

2:01:07.960 --> 2:01:08.760
<v Speaker 2>It's a thing, man.

2:01:08.840 --> 2:01:11.000
<v Speaker 1>It's like because like a nice car.

2:01:14.000 --> 2:01:17.640
<v Speaker 3>Yeah, you know, we were so excited, like we had

2:01:17.680 --> 2:01:20.080
<v Speaker 3>you booked, right, So I'm going to do a research,

2:01:21.160 --> 2:01:22.000
<v Speaker 3>thank you so much.

2:01:23.880 --> 2:01:27.480
<v Speaker 1>I continue to see that it is a certain thing

2:01:27.640 --> 2:01:29.760
<v Speaker 1>like what not.

2:01:32.320 --> 2:01:32.920
<v Speaker 2>What what? What?

2:01:33.080 --> 2:01:37.440
<v Speaker 3>White rappers going at each other? Right, And it's just

2:01:37.520 --> 2:01:41.440
<v Speaker 3>like it's just just what it is. Right. And then

2:01:41.560 --> 2:01:47.360
<v Speaker 3>it's not only that everyone compares theirself to Eminem. Well,

2:01:47.400 --> 2:01:50.760
<v Speaker 3>everyone wants to say that that you're not Eminem, You're

2:01:50.800 --> 2:01:52.800
<v Speaker 3>not the next Eminem. So that's the reason why I

2:01:52.960 --> 2:01:56.240
<v Speaker 3>asked it, like, is that is that? Is that something

2:01:56.320 --> 2:01:58.440
<v Speaker 3>that's like like cringing, you know what.

2:01:58.440 --> 2:02:03.400
<v Speaker 4>I mean, that's absolutely ridiculous. It's an absolutely ridiculous statement

2:02:03.440 --> 2:02:08.640
<v Speaker 4>for someone to say that, like how dare you compare

2:02:08.840 --> 2:02:12.680
<v Speaker 4>someone to Marshall, how dare you that motherfucker?

2:02:14.040 --> 2:02:15.080
<v Speaker 2>He did that?

2:02:15.680 --> 2:02:22.440
<v Speaker 4>He is his own human man, Like, Like, what what

2:02:23.200 --> 2:02:24.880
<v Speaker 4>are you gonna say? What you're gonna say about Snoop Dog?

2:02:24.960 --> 2:02:26.240
<v Speaker 4>You're gonna do the same thing as Snoop Dog?

2:02:26.320 --> 2:02:27.760
<v Speaker 2>You never you never ever.

2:02:29.160 --> 2:02:29.320
<v Speaker 5>Never.

2:02:29.800 --> 2:02:33.440
<v Speaker 1>Stylistically, you guys are so different. Yeah, I mean general

2:02:33.480 --> 2:02:34.960
<v Speaker 1>I'm saying, it's just.

2:02:35.000 --> 2:02:39.040
<v Speaker 2>Start there, like stylistically, like there's no certa for me.

2:02:39.280 --> 2:02:42.600
<v Speaker 4>Man, I'm from the South, bro, I have a bounce.

2:02:43.680 --> 2:02:47.640
<v Speaker 4>I got a bounce fire all right, I got an

2:02:47.680 --> 2:02:49.839
<v Speaker 4>I could keep up. I got bounced.

2:02:49.880 --> 2:02:51.040
<v Speaker 1>Man. I was raised in a.

2:02:51.160 --> 2:02:56.560
<v Speaker 4>Different pocket of hip hop lyrically, melodically.

2:02:56.680 --> 2:03:00.760
<v Speaker 1>The way I approach the track is completely different. And

2:03:02.560 --> 2:03:04.400
<v Speaker 1>but that's why I became part of the crew because

2:03:04.440 --> 2:03:06.040
<v Speaker 1>I wasn't like him, you know what I mean, it's

2:03:06.080 --> 2:03:11.160
<v Speaker 1>like the only reason why exactly he was it was

2:03:11.280 --> 2:03:13.600
<v Speaker 1>like him, Like that was just different.

2:03:14.480 --> 2:03:17.360
<v Speaker 3>It would have been stupid for you know what, Like

2:03:17.480 --> 2:03:20.680
<v Speaker 3>you can rhyme like that, but you you have your

2:03:20.720 --> 2:03:23.120
<v Speaker 3>own ship. That's what I said earlier in the interview,

2:03:23.280 --> 2:03:26.120
<v Speaker 3>was like I can't put you in a box at all,

2:03:26.240 --> 2:03:29.040
<v Speaker 3>Like like I wouldn't be surprised if you fucking made

2:03:29.080 --> 2:03:31.920
<v Speaker 3>a record with Mickey Mouse, because I mean that with

2:03:32.000 --> 2:03:33.920
<v Speaker 3>the aspect is because.

2:03:33.720 --> 2:03:34.760
<v Speaker 2>Disney cut the chae.

2:03:34.840 --> 2:03:40.160
<v Speaker 3>Yeah, I mean respect because you can you can your

2:03:40.200 --> 2:03:42.120
<v Speaker 3>style to me, this is me, This is this is

2:03:42.240 --> 2:03:42.760
<v Speaker 3>me personally.

2:03:43.560 --> 2:03:45.560
<v Speaker 1>Is like you have you said you set up, you

2:03:45.640 --> 2:03:47.320
<v Speaker 1>said up the best disc for a rapper ever.

2:03:47.600 --> 2:03:49.360
<v Speaker 2>You could do a record with Mickey Mouse. Oh you

2:03:49.520 --> 2:03:50.360
<v Speaker 2>talking about No.

2:03:50.560 --> 2:03:52.280
<v Speaker 1>No, don't take it like that. I'm taking it in

2:03:52.440 --> 2:03:53.240
<v Speaker 1>a good way. Listen.

2:03:53.560 --> 2:03:55.200
<v Speaker 3>What I'm trying to say is what I'm trying to

2:03:55.240 --> 2:03:59.040
<v Speaker 3>say is you can actually rhyme to anything that is.

2:03:59.440 --> 2:04:02.640
<v Speaker 1>You're so is dumb it down, speed it up, whatever

2:04:02.720 --> 2:04:03.160
<v Speaker 1>you want to.

2:04:03.160 --> 2:04:08.560
<v Speaker 3>Do to me, compliment, thank you like me when I rhyme.

2:04:08.720 --> 2:04:11.280
<v Speaker 3>Let me tell you this crazy ship. I forget who

2:04:11.360 --> 2:04:13.080
<v Speaker 3>told me this, but he was like, if you can't

2:04:13.120 --> 2:04:17.120
<v Speaker 3>say one rhyme to every single beat, then you're not MC.

2:04:17.560 --> 2:04:19.720
<v Speaker 3>So what I would do is try to have one

2:04:19.880 --> 2:04:23.160
<v Speaker 3>rhyme fit every beat, and I could never ever do

2:04:23.400 --> 2:04:27.320
<v Speaker 3>that ship. But with you, when I listened to your ship,

2:04:27.400 --> 2:04:30.000
<v Speaker 3>I'm like, oh my god, maybe you're not doing the

2:04:30.200 --> 2:04:32.800
<v Speaker 3>same one rhyme, but you can actually rhyme to any

2:04:32.840 --> 2:04:34.920
<v Speaker 3>beat has ever been a beat that somebody gave you

2:04:35.000 --> 2:04:35.840
<v Speaker 3>that you couldn't rhyme too?

2:04:35.880 --> 2:04:39.320
<v Speaker 4>I know you, absolutely not, not even not even a

2:04:39.720 --> 2:04:43.920
<v Speaker 4>not even a like a like a three four three

2:04:44.000 --> 2:04:46.080
<v Speaker 4>fort beat. So I was like, the record I did

2:04:46.120 --> 2:04:48.960
<v Speaker 4>what on a judd was a waltz, but it was

2:04:49.440 --> 2:04:50.080
<v Speaker 4>a waltz.

2:04:50.480 --> 2:04:51.320
<v Speaker 2>Yeah it was.

2:04:52.080 --> 2:04:58.560
<v Speaker 1>Yeah, the bet is called a waltz. It was a waltz.

2:04:58.600 --> 2:04:59.160
<v Speaker 1>It was a waltz.

2:04:59.160 --> 2:05:01.560
<v Speaker 4>It's like a three four and it changes every so

2:05:01.640 --> 2:05:04.160
<v Speaker 4>it's not four four, it's three four, so it changes

2:05:04.200 --> 2:05:04.960
<v Speaker 4>every three bars.

2:05:05.160 --> 2:05:05.400
<v Speaker 3>Wow.

2:05:06.160 --> 2:05:09.320
<v Speaker 2>And so no, there's not there's not a record. No,

2:05:09.840 --> 2:05:10.320
<v Speaker 2>there's nothing.

2:05:10.480 --> 2:05:13.520
<v Speaker 1>That's the first time and Will Power can attest to that.

2:05:13.680 --> 2:05:14.840
<v Speaker 1>Will I know that.

2:05:16.800 --> 2:05:18.840
<v Speaker 2>We Will has said that for years. He's like, do

2:05:18.920 --> 2:05:21.160
<v Speaker 2>you well, but you know what, well, you got to

2:05:21.160 --> 2:05:23.280
<v Speaker 2>make him a crazy beat that he can't funk.

2:05:23.480 --> 2:05:27.400
<v Speaker 3>There's no there's nothing. Something will take something I can

2:05:28.920 --> 2:05:34.160
<v Speaker 3>I was his music, and I kid you not, I can't.

2:05:34.800 --> 2:05:36.960
<v Speaker 3>I was literally was like, if I see him this beat,

2:05:36.960 --> 2:05:38.520
<v Speaker 3>he can rhyme to that. If I see him he

2:05:38.520 --> 2:05:40.440
<v Speaker 3>can hyme to that? You think you think that's what

2:05:40.880 --> 2:05:41.840
<v Speaker 3>you're in the box.

2:05:42.080 --> 2:05:49.000
<v Speaker 2>Southern artist has that that's superpower man, because because the

2:05:49.040 --> 2:05:52.320
<v Speaker 2>bounce thing. Because Southern artists tend to be able to right,

2:05:53.760 --> 2:05:56.840
<v Speaker 2>I don't believe him, ask him the question.

2:05:58.600 --> 2:06:04.520
<v Speaker 8>No, there's there is something to that. There is something

2:06:04.600 --> 2:06:08.360
<v Speaker 8>to so because not to cut you, but real quick,

2:06:08.600 --> 2:06:19.280
<v Speaker 8>a Southern artist, Southern hip hop artists were getting all

2:06:19.320 --> 2:06:19.800
<v Speaker 8>your time.

2:06:20.280 --> 2:06:23.480
<v Speaker 2>They grew up on all different styles of beats, different bpms,

2:06:23.760 --> 2:06:25.920
<v Speaker 2>the Two Life Crews, whatever, whatever you want to do it.

2:06:25.920 --> 2:06:28.160
<v Speaker 2>You know what I'm saying, Like whatever style, and they've

2:06:28.440 --> 2:06:31.880
<v Speaker 2>rhymed all their styles. So they've learned all these different

2:06:31.960 --> 2:06:35.280
<v Speaker 2>types of flows and speeds. Do you think that's anything too?

2:06:35.320 --> 2:06:36.680
<v Speaker 2>But he's talking about.

2:06:38.440 --> 2:06:41.200
<v Speaker 1>Yeah, I mean there there's definitely something to that. But

2:06:41.520 --> 2:06:44.480
<v Speaker 1>you know, rap is only you know, hip hop is

2:06:44.560 --> 2:06:50.080
<v Speaker 1>really yo. Listen, the Double went down to Georgia. He

2:06:50.240 --> 2:06:52.200
<v Speaker 1>was looking for a soul to steal. He was in

2:06:52.320 --> 2:06:54.120
<v Speaker 1>the bond, he was way behind. He was looking to

2:06:54.200 --> 2:06:57.240
<v Speaker 1>make a deal. Like in that hip hop. That's not

2:06:57.360 --> 2:07:01.400
<v Speaker 1>hip hop, that's like hip hop. Know, so hip hop

2:07:01.480 --> 2:07:04.680
<v Speaker 1>is defined by his musical bed. Rap. The art of

2:07:04.880 --> 2:07:08.680
<v Speaker 1>rap is old, old, old, old, right all.

2:07:08.640 --> 2:07:11.800
<v Speaker 4>The way back to old blues Robert Johnson. And like

2:07:11.880 --> 2:07:15.280
<v Speaker 4>I was talking about muddy waters. The art of rapping

2:07:15.480 --> 2:07:19.160
<v Speaker 4>over music is not nothing new. Now what we what

2:07:19.320 --> 2:07:21.240
<v Speaker 4>hip hop defined I want to say, what I would say,

2:07:21.280 --> 2:07:24.480
<v Speaker 4>what hip hop defined it with was the musical bed.

2:07:25.200 --> 2:07:29.160
<v Speaker 4>This is the hip hop sound, you know. And by

2:07:29.200 --> 2:07:33.200
<v Speaker 4>the way, speaking of bob around with cool hert, I

2:07:33.240 --> 2:07:36.480
<v Speaker 4>got a question for you guys, speaking question the origins

2:07:36.480 --> 2:07:38.160
<v Speaker 4>of hip hop as what I want to ask you.

2:07:38.600 --> 2:07:39.960
<v Speaker 3>Okay, damn, you're gonna put me on the spot. You

2:07:40.000 --> 2:07:41.160
<v Speaker 3>want to go with the great hair gouy.

2:07:41.080 --> 2:07:50.160
<v Speaker 1>First, and I got your But the chops in the

2:07:50.280 --> 2:07:52.080
<v Speaker 1>melody before we get to that part.

2:07:52.200 --> 2:07:55.520
<v Speaker 4>The chops in the melody ability to transform into other rhythms,

2:07:55.560 --> 2:07:57.360
<v Speaker 4>and ship comes from.

2:07:58.960 --> 2:08:00.600
<v Speaker 1>There's two parts. Really.

2:08:01.320 --> 2:08:05.360
<v Speaker 4>The melody comes from rock and roll, in classic rock

2:08:05.400 --> 2:08:13.280
<v Speaker 4>and roll. Mostly the slang, the slang and the bending

2:08:13.360 --> 2:08:17.840
<v Speaker 4>of words comes from country. The chops come from bluegrass.

2:08:18.480 --> 2:08:19.600
<v Speaker 1>Make make a big a big a big a bike

2:08:19.640 --> 2:08:20.920
<v Speaker 1>a bike a big big a big big big big

2:08:20.920 --> 2:08:21.440
<v Speaker 1>a big a big.

2:08:21.600 --> 2:08:25.440
<v Speaker 4>Want and all that is all that is like bluegrass,

2:08:26.200 --> 2:08:29.440
<v Speaker 4>all right, And so so all those pieces I brought,

2:08:30.360 --> 2:08:33.000
<v Speaker 4>you gotta understand when I like the reason I brought

2:08:33.080 --> 2:08:35.600
<v Speaker 4>everything that was from on my plate to the table

2:08:35.720 --> 2:08:38.560
<v Speaker 4>is because it's because when I listened nor when I

2:08:39.360 --> 2:08:41.880
<v Speaker 4>when I listened to Wu Sang Clan, I wanted to

2:08:41.960 --> 2:08:42.720
<v Speaker 4>go to Sholand.

2:08:43.600 --> 2:08:44.440
<v Speaker 1>That's the point.

2:08:44.480 --> 2:08:45.920
<v Speaker 4>When I listened to n w A, I wanted to

2:08:46.000 --> 2:08:48.600
<v Speaker 4>go to listen to mob Deep, I wanted to go

2:08:48.640 --> 2:08:49.560
<v Speaker 4>to Queen's Bridge.

2:08:50.240 --> 2:08:52.560
<v Speaker 1>I listen to listen to motherfucking Outcasts.

2:08:52.560 --> 2:08:54.920
<v Speaker 4>I want to go to Atlanta. I listen to fucking

2:08:54.960 --> 2:08:58.200
<v Speaker 4>a ball m j G. I want to go to Memphis.

2:08:58.320 --> 2:08:59.840
<v Speaker 4>I want to go to Texas when I listen to

2:09:00.800 --> 2:09:05.400
<v Speaker 4>to Miami. So I wanted to put a region and

2:09:05.520 --> 2:09:08.720
<v Speaker 4>how and I'll bring all of that ship into into that,

2:09:09.000 --> 2:09:11.000
<v Speaker 4>you know what I mean? And that was my mission.

2:09:11.640 --> 2:09:13.640
<v Speaker 4>Thank god I caught the error because now it's all

2:09:13.720 --> 2:09:16.480
<v Speaker 4>fucked up. Everybody sounds the same these days, man, Like

2:09:16.480 --> 2:09:18.640
<v Speaker 4>where you're getting your influence with Japan?

2:09:19.440 --> 2:09:19.800
<v Speaker 2>Japan?

2:09:20.240 --> 2:09:24.000
<v Speaker 1>Motherfucker? You live in Arkansas, Japan? How you get that

2:09:24.120 --> 2:09:28.680
<v Speaker 1>sound like motherfucker is on some K pop ship right now? Yeah?

2:09:29.160 --> 2:09:30.520
<v Speaker 1>With it? You really do.

2:09:31.240 --> 2:09:32.400
<v Speaker 2>I don't believe you, not.

2:09:32.680 --> 2:09:35.800
<v Speaker 1>One fucking bit. I've kept the out of here. You

2:09:35.920 --> 2:09:40.200
<v Speaker 1>fuck with the show group I don't even know one,

2:09:40.240 --> 2:09:42.080
<v Speaker 1>but no, listen hit me out.

2:09:43.120 --> 2:09:47.000
<v Speaker 3>The show on Netflix called Space. Was it called Space

2:09:47.600 --> 2:09:50.920
<v Speaker 3>with the guy from forty year Old Virgin Invaders? No,

2:09:51.160 --> 2:09:55.600
<v Speaker 3>it's like Space Force Space, Steve Carell, Steve Carrell, K Pop.

2:09:55.880 --> 2:09:58.320
<v Speaker 1>I can't I remember that right now, Steve Carell hit

2:09:58.400 --> 2:09:58.680
<v Speaker 1>me out.

2:09:58.960 --> 2:10:02.840
<v Speaker 3>So in the episode they're driving and they're.

2:10:02.720 --> 2:10:06.480
<v Speaker 1>Listening to K pop. Your story is ridiculous, right, you say.

2:10:08.040 --> 2:10:08.320
<v Speaker 2>Sorry?

2:10:10.680 --> 2:10:15.280
<v Speaker 1>Listen? So in that in them the series, they played

2:10:15.320 --> 2:10:18.920
<v Speaker 1>the fucking brother it's a long one.

2:10:20.520 --> 2:10:25.680
<v Speaker 3>Record and I liked it, and I fucking girl singing

2:10:25.760 --> 2:10:31.000
<v Speaker 3>that's he's gonna Sam. I ain't doing none of that.

2:10:31.160 --> 2:10:32.480
<v Speaker 2>But you should do a remix with them.

2:10:32.960 --> 2:10:38.160
<v Speaker 1>You guy, the guy who said, all right, it's.

2:10:38.040 --> 2:10:38.680
<v Speaker 2>True, it's true.

2:10:38.720 --> 2:10:41.960
<v Speaker 3>I didn't believe it. He hated his own people. No,

2:10:42.120 --> 2:10:48.840
<v Speaker 3>it wasn't hate people. It wasn't hate you know again,

2:10:48.880 --> 2:10:50.520
<v Speaker 3>we don't want explanation no more.

2:10:50.560 --> 2:10:54.160
<v Speaker 1>You're wrong. You ridiculous told me your first dad.

2:10:55.440 --> 2:10:56.040
<v Speaker 2>But let's go.

2:10:56.240 --> 2:10:58.120
<v Speaker 1>It's a hundred million spins go to.

2:11:00.200 --> 2:11:03.080
<v Speaker 2>Really, yes, and I went through with you to you

2:11:08.760 --> 2:11:10.040
<v Speaker 2>started some very good after that.

2:11:11.120 --> 2:11:19.720
<v Speaker 3>Yeah, okay, all right, So okay, so you said you

2:11:19.880 --> 2:11:22.720
<v Speaker 3>you went to the house Eminem you elbowed him.

2:11:23.240 --> 2:11:28.440
<v Speaker 1>But we didn't. Actually, yeah, went way back. He's back

2:11:28.480 --> 2:11:31.320
<v Speaker 1>in some chat. You went back up.

2:11:33.400 --> 2:11:36.000
<v Speaker 3>We didn't talk about the actual session with Bob.

2:11:36.080 --> 2:11:36.600
<v Speaker 1>I don't want to.

2:11:37.160 --> 2:11:39.280
<v Speaker 3>You and Bob had the session right there. No, that

2:11:39.400 --> 2:11:42.320
<v Speaker 3>was just so lit meeting to say you can do

2:11:42.400 --> 2:11:44.120
<v Speaker 3>elbow Eminem. You almost lost your deal.

2:11:44.200 --> 2:11:49.240
<v Speaker 1>It's crazy. Yeah, now you're getting this session, yo, yo,

2:11:49.560 --> 2:11:51.680
<v Speaker 1>Like Eminem is sober, right, I'm gonna take a piss

2:11:51.720 --> 2:11:53.920
<v Speaker 1>on your so I like, I like drug admine.

2:11:54.120 --> 2:11:54.760
<v Speaker 3>Is that bad of me?

2:11:56.080 --> 2:11:59.320
<v Speaker 1>No, that's that's not I mean, that's not inaccurate. Now

2:11:59.360 --> 2:11:59.560
<v Speaker 1>I'm not.

2:11:59.720 --> 2:12:03.440
<v Speaker 4>I'm say like when he talking about that all the time,

2:12:03.840 --> 2:12:07.600
<v Speaker 4>he's gonna, I don't look. Man's sober is a lifestyle.

2:12:08.080 --> 2:12:11.560
<v Speaker 4>Be sober and yo, live your life. It's all good.

2:12:11.960 --> 2:12:14.920
<v Speaker 4>I've got some homies close to me, you know what

2:12:14.960 --> 2:12:20.120
<v Speaker 4>I mean that. I'm like, dog, drink a beer. There's something,

2:12:20.560 --> 2:12:22.720
<v Speaker 4>do something. You're weird, you know what I mean, get weird.

2:12:24.880 --> 2:12:28.120
<v Speaker 1>I wouldn't go that far, but I do say ship

2:12:28.240 --> 2:12:30.040
<v Speaker 1>like that. You're gonna call your friends.

2:12:30.440 --> 2:12:31.480
<v Speaker 8>Did I think.

2:12:33.640 --> 2:12:34.640
<v Speaker 1>The white version of you?

2:12:36.320 --> 2:12:39.560
<v Speaker 2>I think if I was born in Alabama.

2:12:40.760 --> 2:12:44.160
<v Speaker 3>And I had tattoos, I would pay you because I

2:12:44.280 --> 2:12:47.240
<v Speaker 3>tell motherfuckers, get your life together and drink a beer.

2:12:47.680 --> 2:12:52.320
<v Speaker 2>Yeah yeah, we might be the same. You might do.

2:12:57.080 --> 2:13:00.120
<v Speaker 1>So let's talk about that, because I say this all

2:13:00.120 --> 2:13:00.400
<v Speaker 1>the time.

2:13:00.560 --> 2:13:03.160
<v Speaker 3>And my friend Diego, one of my closest friends, he's

2:13:03.160 --> 2:13:05.720
<v Speaker 3>over there, he's he's he's my he's I don't want

2:13:05.720 --> 2:13:06.440
<v Speaker 3>to say, my white friend.

2:13:06.480 --> 2:13:11.120
<v Speaker 1>He's my friend, white friend.

2:13:11.240 --> 2:13:13.920
<v Speaker 3>But we actually go and we listen to eminem and

2:13:13.960 --> 2:13:17.040
<v Speaker 3>we listen to the two different versions of eminem. So

2:13:17.240 --> 2:13:20.160
<v Speaker 3>and then we we always sit there and debate. People

2:13:20.240 --> 2:13:23.840
<v Speaker 3>say that black people don't listen to eminem as fuck lies. Okay,

2:13:24.720 --> 2:13:27.480
<v Speaker 3>I'm one of them, and you can attest to that.

2:13:29.480 --> 2:13:31.480
<v Speaker 1>I don't think that is. I don't think it's they don't.

2:13:31.680 --> 2:13:33.920
<v Speaker 1>I don't think black people don't listen to eminem. I

2:13:33.960 --> 2:13:36.160
<v Speaker 1>don't think that it's it's it's just not part A

2:13:36.240 --> 2:13:38.040
<v Speaker 1>lot of times that ain't party music, you know what

2:13:38.040 --> 2:13:40.080
<v Speaker 1>I'm saying. It's not some ship that you you're bumping.

2:13:40.280 --> 2:13:42.640
<v Speaker 1>But it doesn't it doesn't mean that you're not like,

2:13:42.960 --> 2:13:45.080
<v Speaker 1>what's the new ship listening? You know what I'm saying.

2:13:45.400 --> 2:13:46.520
<v Speaker 2>There is a difference there.

2:13:46.760 --> 2:13:48.600
<v Speaker 1>The ship that you ride to, the ship that I

2:13:48.800 --> 2:13:51.520
<v Speaker 1>ride to It's different from the ship that I put

2:13:51.600 --> 2:13:55.840
<v Speaker 1>headphones on and listen to intently. Artistically, the ship that

2:13:55.960 --> 2:13:58.240
<v Speaker 1>you ride to is like like you know, like like

2:13:58.360 --> 2:14:01.080
<v Speaker 1>I'm I might ride to Bob Jas Aims or some ship.

2:14:01.120 --> 2:14:04.160
<v Speaker 1>You know what I'm saying. I'm not bumping the latest whatever.

2:14:04.360 --> 2:14:04.800
<v Speaker 8>You know what I mean?

2:14:04.920 --> 2:14:06.720
<v Speaker 1>Like what I put in my car and what I

2:14:06.840 --> 2:14:09.880
<v Speaker 1>ride to, what I party to, that's two different things.

2:14:09.960 --> 2:14:10.080
<v Speaker 7>Man.

2:14:10.280 --> 2:14:13.840
<v Speaker 4>Sometimes you make music like for people just to digest artistically,

2:14:13.920 --> 2:14:14.360
<v Speaker 4>you know what I mean.

2:14:14.640 --> 2:14:18.440
<v Speaker 3>You heard Eminem's new record, I Gotta piss You got

2:14:18.520 --> 2:14:19.640
<v Speaker 3>to piss on death hold on.

2:14:19.720 --> 2:14:20.800
<v Speaker 1>Someone's in the bathroom.

2:14:23.560 --> 2:14:23.840
<v Speaker 2>Record.

2:14:23.920 --> 2:14:27.280
<v Speaker 1>I got pissed. I love it of course.

2:14:28.040 --> 2:14:30.240
<v Speaker 3>Now let me tell you how simplistic I am again,

2:14:30.680 --> 2:14:32.160
<v Speaker 3>Like what I told you about k pop.

2:14:32.560 --> 2:14:33.480
<v Speaker 1>Now you know why I like.

2:14:33.560 --> 2:14:37.160
<v Speaker 3>Eminem's new record because it's K pop? Because I heard

2:14:37.240 --> 2:14:39.360
<v Speaker 3>that mute that record on Balls of Fury.

2:14:40.200 --> 2:14:42.160
<v Speaker 1>I don't get it in the movie, huh.

2:14:43.720 --> 2:14:46.680
<v Speaker 3>That same record that he sampled was in Balls of Fury.

2:14:46.720 --> 2:14:49.600
<v Speaker 3>No one's seen Balls of Fury head. Oh wait see,

2:14:49.800 --> 2:14:51.720
<v Speaker 3>I'm like, I'm I'm the whitest person here right now.

2:14:51.720 --> 2:15:00.560
<v Speaker 3>I'm just being honest. Nobody no want to see more

2:15:00.680 --> 2:15:01.080
<v Speaker 3>of furiod.

2:15:01.120 --> 2:15:06.680
<v Speaker 1>I don't watch Oh my god, I literally don't watch anything.

2:15:07.800 --> 2:15:10.240
<v Speaker 4>You don't wait wait a minute, Well, I only turn

2:15:10.320 --> 2:15:12.120
<v Speaker 4>on the TV when I go to sleep and I

2:15:12.400 --> 2:15:13.520
<v Speaker 4>use it as a background.

2:15:13.640 --> 2:15:16.400
<v Speaker 1>I don't watch nothing. I think I've never heard that

2:15:16.480 --> 2:15:18.680
<v Speaker 1>in my life. I just don't. Man, I ain't got

2:15:18.720 --> 2:15:23.800
<v Speaker 1>time for that. Working too hard, yo, I'm not trying

2:15:23.840 --> 2:15:27.560
<v Speaker 1>to sun anyone or to watch the things nice seeing

2:15:27.600 --> 2:15:29.960
<v Speaker 1>that if I go to the movie open, if you

2:15:30.000 --> 2:15:32.320
<v Speaker 1>need to go, if I need, you know what I'm saying, like,

2:15:32.360 --> 2:15:36.520
<v Speaker 1>I don't mind. The question is gone. Question is gone.

2:15:37.360 --> 2:15:44.000
<v Speaker 1>I don't care. That's the question.

2:15:48.880 --> 2:15:50.839
<v Speaker 3>You want to take a shot just because, Yeah.

2:15:50.840 --> 2:15:52.600
<v Speaker 2>Just take a shot, take a take a shot, and

2:15:52.640 --> 2:15:53.200
<v Speaker 2>take a piss again.

2:15:53.960 --> 2:15:57.600
<v Speaker 1>We got I'm good for another two hours, so you

2:15:57.680 --> 2:16:00.320
<v Speaker 1>gotta actually my out that.

2:16:00.560 --> 2:16:01.080
<v Speaker 2>Oh here we go.

2:16:01.200 --> 2:16:02.680
<v Speaker 1>Okay, hold on, I don't got a shot. Hold on?

2:16:04.160 --> 2:16:09.160
<v Speaker 1>Hold up? Monster Energy? Can you say? Can you tell

2:16:09.200 --> 2:16:18.120
<v Speaker 1>we sponsored by Monster? Because I was with Monster? I

2:16:18.200 --> 2:16:19.200
<v Speaker 1>love you know with them?

2:16:19.240 --> 2:16:19.360
<v Speaker 5>Now?

2:16:19.680 --> 2:16:23.920
<v Speaker 4>No, not well, not for any bad but they This

2:16:24.160 --> 2:16:27.520
<v Speaker 4>was one of the best sponsors ever and I appreciate

2:16:27.760 --> 2:16:30.720
<v Speaker 4>listen man. Shout out to Monster for supporting me through

2:16:30.840 --> 2:16:33.959
<v Speaker 4>my first warp tour, my Warped.

2:16:33.720 --> 2:16:36.080
<v Speaker 1>Tour was it was a life changing experience.

2:16:36.160 --> 2:16:38.960
<v Speaker 4>They helped pay for my bus, you know, and like

2:16:39.200 --> 2:16:44.000
<v Speaker 4>they supported my stage, like the marketing team and Monster Man.

2:16:44.080 --> 2:16:45.160
<v Speaker 1>They really helped me out.

2:16:45.240 --> 2:16:47.360
<v Speaker 4>And like I know that a lot of corporations people

2:16:47.360 --> 2:16:50.720
<v Speaker 4>get them fucked up, you know, they they take them

2:16:50.760 --> 2:16:53.000
<v Speaker 4>for like you know, everything is like some kind of

2:16:53.160 --> 2:16:56.560
<v Speaker 4>gain and they I'm telling you, this was a really

2:16:56.760 --> 2:16:59.920
<v Speaker 4>great company that helped me out, like and they inspired

2:16:59.920 --> 2:17:02.680
<v Speaker 4>me to So, hey, monster thanks, thanks for the years.

2:17:02.720 --> 2:17:05.760
<v Speaker 1>Thanks for the check sake so that you cut that

2:17:05.879 --> 2:17:15.440
<v Speaker 1>fed my family. Where oh man, So we did we

2:17:15.520 --> 2:17:18.000
<v Speaker 1>actually we didn't talk about the actual session with with

2:17:18.520 --> 2:17:20.080
<v Speaker 1>Hey man, I need you guys ought to try some

2:17:20.160 --> 2:17:22.680
<v Speaker 1>Mama Juana, God damn it, ready for this.

2:17:22.959 --> 2:17:23.560
<v Speaker 2>Let's shot?

2:17:23.640 --> 2:17:25.560
<v Speaker 1>Take a shot? Take a shot, man. What y'all doing

2:17:25.600 --> 2:17:28.760
<v Speaker 1>over where your shot class? Well, yeah, we'll y'all playing

2:17:28.840 --> 2:17:32.440
<v Speaker 1>cards or something. Somebody over there eating bad hey anybody?

2:17:33.200 --> 2:17:35.440
<v Speaker 1>Yea he take take the bottle to put your own

2:17:35.480 --> 2:17:39.200
<v Speaker 1>shot there you go, yoh, calling you out over there

2:17:39.240 --> 2:17:39.960
<v Speaker 1>eating salad?

2:17:41.080 --> 2:17:43.840
<v Speaker 2>Salad, man, this is too early for a salad bro.

2:17:45.720 --> 2:17:48.440
<v Speaker 2>They salad talking the salad is for the morning.

2:17:48.600 --> 2:17:52.640
<v Speaker 1>Bro, who's bringing whiskey over over in the Greek salad

2:17:54.720 --> 2:17:58.960
<v Speaker 1>kind of salad? You over there? Who's eating a salad constantly?

2:18:01.879 --> 2:18:02.800
<v Speaker 2>Mexican salad?

2:18:03.240 --> 2:18:08.760
<v Speaker 1>Yeah, that's what's up, mister Lee. It is a Dominican

2:18:08.879 --> 2:18:14.280
<v Speaker 1>salad salu So alright, I got you, man?

2:18:14.600 --> 2:18:15.000
<v Speaker 2>So what is this?

2:18:15.080 --> 2:18:15.760
<v Speaker 1>What are we drinking?

2:18:15.920 --> 2:18:17.320
<v Speaker 2>Is mama juana? Just enjoy it?

2:18:17.480 --> 2:18:21.960
<v Speaker 1>Just enjoy it, favor favorite Okay, It's like I can

2:18:22.040 --> 2:18:30.160
<v Speaker 1>watch them but different tipped off fullar man. My manager

2:18:30.240 --> 2:18:32.520
<v Speaker 1>takes people on the Highwaska trip. You'll you know what

2:18:32.560 --> 2:18:34.520
<v Speaker 1>I've been wanting to know what. I'm gonna be honest

2:18:34.520 --> 2:18:35.360
<v Speaker 1>with you me just once.

2:18:35.360 --> 2:18:37.240
<v Speaker 3>The first time we ever had yeaga meister, did you

2:18:37.600 --> 2:18:39.000
<v Speaker 3>did you request the yagomeister?

2:18:39.280 --> 2:18:46.360
<v Speaker 1>I'll take you who got your Yeah? Look at that?

2:18:46.840 --> 2:18:48.200
<v Speaker 2>Look at this dude, Look at this.

2:18:48.760 --> 2:18:51.440
<v Speaker 1>Look at him coming in. He's coming in hot.

2:18:51.920 --> 2:18:55.000
<v Speaker 2>The label's peeling off the ringer.

2:18:55.200 --> 2:18:57.359
<v Speaker 1>You picked this ship up from the seven eleven.

2:18:59.000 --> 2:18:59.840
<v Speaker 2>Ship is bootleg?

2:19:01.200 --> 2:19:04.560
<v Speaker 3>Ain't even I'm something to admit to you what I'm

2:19:04.600 --> 2:19:08.200
<v Speaker 3>admitted to everyone here. I always wanted, like white friends,

2:19:08.240 --> 2:19:10.240
<v Speaker 3>I could drink yeager wood, right, so.

2:19:11.959 --> 2:19:18.880
<v Speaker 1>I never had chill chill, chill, listen, So but I'm

2:19:18.920 --> 2:19:21.000
<v Speaker 1>not home right after the yegger shot. I used to go.

2:19:21.240 --> 2:19:24.280
<v Speaker 3>I used to go places and be like and be like,

2:19:24.520 --> 2:19:27.520
<v Speaker 3>I swear to God, I used to do this small

2:19:27.879 --> 2:19:29.200
<v Speaker 3>I'm embarrassed about it.

2:19:30.040 --> 2:19:30.840
<v Speaker 1>And I would be like, I.

2:19:30.840 --> 2:19:32.920
<v Speaker 3>Would order like I would see like some white people at.

2:19:32.840 --> 2:19:34.920
<v Speaker 1>The bar, and I'd be like, let me get a jager.

2:19:35.480 --> 2:19:36.720
<v Speaker 1>That's what I used to do in the college with

2:19:36.800 --> 2:19:37.480
<v Speaker 1>my frat boys.

2:19:38.640 --> 2:19:40.000
<v Speaker 2>And he was lying for your teeth.

2:19:41.560 --> 2:19:46.800
<v Speaker 3>But I would take the yaeger and then drop it

2:19:46.879 --> 2:19:49.440
<v Speaker 3>in the beer and then be like, oh, well you do.

2:19:51.160 --> 2:19:54.440
<v Speaker 1>Younger barbers well red bulls. No, I would drop it

2:19:54.520 --> 2:19:56.600
<v Speaker 1>in the beer. I was a foul dude. Listen, yer

2:19:56.640 --> 2:19:59.320
<v Speaker 1>bos red ball. Okay, are you're giving me?

2:19:59.800 --> 2:19:59.959
<v Speaker 2>Yeah?

2:20:00.040 --> 2:20:01.880
<v Speaker 1>Of course I'm sitting you. Yeah, you give him here,

2:20:02.879 --> 2:20:08.920
<v Speaker 1>you want some No, let's go, let's go, don't go walking.

2:20:09.800 --> 2:20:10.360
<v Speaker 2>Give you the bo.

2:20:12.360 --> 2:20:15.279
<v Speaker 1>Yeah, yeah, because I do you know damn, oh you gotta.

2:20:16.360 --> 2:20:16.600
<v Speaker 8>You know what?

2:20:18.400 --> 2:20:20.120
<v Speaker 1>Okay, let me get a clean one.

2:20:22.040 --> 2:20:24.480
<v Speaker 2>Yeah right right there, buddy, Oh ship, I got give

2:20:24.560 --> 2:20:26.640
<v Speaker 2>me that, just clean, so I.

2:20:26.600 --> 2:20:33.879
<v Speaker 1>Don't get it's dirty? Is cool? Cool? Monster bolls? Yeah,

2:20:33.959 --> 2:20:35.000
<v Speaker 1>that's on white boys. Ship.

2:20:38.480 --> 2:20:39.560
<v Speaker 2>That's that's on White boy Ship.

2:20:44.240 --> 2:20:45.439
<v Speaker 1>You want to come demonstrate?

2:20:47.240 --> 2:20:51.320
<v Speaker 3>Yeah yeah, yeah, all right, okay, so we did, so

2:20:51.560 --> 2:20:53.960
<v Speaker 3>let's listen. Let's talk about this session though. All right

2:20:54.840 --> 2:20:57.320
<v Speaker 3>you finally get in are y'all together? You and k

2:20:58.040 --> 2:20:59.440
<v Speaker 3>sending it sendate nah?

2:20:59.560 --> 2:21:01.280
<v Speaker 2>So the idea was so.

2:21:03.000 --> 2:21:06.080
<v Speaker 1>So fool beer like okay, So, like I said, okay,

2:21:06.680 --> 2:21:10.400
<v Speaker 1>o listen. So when we okay, the.

2:21:10.440 --> 2:21:13.759
<v Speaker 3>Reason when you walked into said happy birthday, exactly.

2:21:14.320 --> 2:21:21.000
<v Speaker 4>Happy birthday, Happy one of the one of the best

2:21:21.040 --> 2:21:27.760
<v Speaker 4>things ever said. And I'm carrying on shout out to

2:21:28.000 --> 2:21:28.720
<v Speaker 4>Sea Bear.

2:21:30.120 --> 2:21:33.240
<v Speaker 1>Sea Bear Courtney sells I love you so much you

2:21:33.320 --> 2:21:39.600
<v Speaker 1>got which is uh yeah, that's it's me. He said.

2:21:44.760 --> 2:21:50.880
<v Speaker 4>So when we got signed to uh to Interscope and

2:21:51.680 --> 2:21:55.080
<v Speaker 4>when the Shady deal happened, right, and I was like,

2:21:56.840 --> 2:22:01.360
<v Speaker 4>you know me and will Power forget it, dude, we

2:22:01.440 --> 2:22:03.760
<v Speaker 4>could put an album out a week if we wanted to.

2:22:05.000 --> 2:22:07.960
<v Speaker 1>I'm not even shitting you, man, Like it's like we

2:22:08.800 --> 2:22:12.320
<v Speaker 1>he writes music and I record versus you know.

2:22:12.640 --> 2:22:17.640
<v Speaker 4>Usually at the most we spent on a song three hours,

2:22:18.000 --> 2:22:20.040
<v Speaker 4>you know what I mean, from like act from nothing

2:22:20.200 --> 2:22:20.680
<v Speaker 4>to done.

2:22:21.240 --> 2:22:25.840
<v Speaker 1>So like we were real quick. So they're like so

2:22:26.040 --> 2:22:28.959
<v Speaker 1>KP's like, let's do an album. I was like, say,

2:22:29.040 --> 2:22:31.200
<v Speaker 1>let's let's go fucking do album. We're just on a

2:22:31.240 --> 2:22:32.080
<v Speaker 1>shady But the.

2:22:32.120 --> 2:22:33.879
<v Speaker 4>Thing is like we wanted to do an album, turn

2:22:33.920 --> 2:22:37.360
<v Speaker 4>it in without Marshall knowing we even did album at all,

2:22:37.640 --> 2:22:41.480
<v Speaker 4>because the point was like here you go, dog, you know,

2:22:42.040 --> 2:22:47.560
<v Speaker 4>you know, surprise right. So we called Molly ma and

2:22:47.840 --> 2:22:49.720
<v Speaker 4>Las Vegas. I don't know if you're on whom Molly

2:22:49.760 --> 2:22:52.240
<v Speaker 4>ma is was your entrepreneur and he had.

2:22:56.840 --> 2:22:59.520
<v Speaker 1>I did what show I did with him? Yeah, Molly

2:22:59.600 --> 2:23:07.600
<v Speaker 1>ma I did what marriage? Yeah? Yeah, And we pulled

2:23:07.640 --> 2:23:10.119
<v Speaker 1>and we pulled. I'm not shipting you man, I'm not shareing.

2:23:10.200 --> 2:23:11.480
<v Speaker 1>We put up. We put them at the studio in

2:23:11.560 --> 2:23:16.120
<v Speaker 1>Vegas back then, and Monkey, oh dog, I got a

2:23:16.160 --> 2:23:22.400
<v Speaker 1>story Bubbs the monkey. Oh bro, you' I know Bubbs,

2:23:22.400 --> 2:23:26.480
<v Speaker 1>that little motherfucker. I hate. I hate Bubbs with a passion.

2:23:27.600 --> 2:23:31.600
<v Speaker 1>My god, I've never heard somebody say we have problems.

2:23:31.760 --> 2:23:34.560
<v Speaker 1>Me and Bubbs had problems. He ain't no ship at

2:23:34.600 --> 2:23:38.439
<v Speaker 1>you or not. Bro, Listen this little bitch ass motherfucker

2:23:38.560 --> 2:23:39.600
<v Speaker 1>dog Listen.

2:23:41.080 --> 2:23:44.720
<v Speaker 4>So Molly's like, well, first of all, he wrote the

2:23:44.760 --> 2:23:46.600
<v Speaker 4>Red Carpet out for and poo Bear is living in

2:23:46.720 --> 2:23:49.000
<v Speaker 4>his house. Who Bear is living with Molly Ma, you

2:23:49.040 --> 2:23:50.360
<v Speaker 4>know what I'm saying. So pool Bear is a part

2:23:50.400 --> 2:23:52.400
<v Speaker 4>of sessions writing. And if you don't know, poo Beer

2:23:52.560 --> 2:23:56.280
<v Speaker 4>is a fucking hit songwriter man. She is many many,

2:23:56.400 --> 2:24:00.640
<v Speaker 4>many hits. And he's the fucking just the energy he's got,

2:24:00.680 --> 2:24:03.000
<v Speaker 4>He's an energy god. He's just like the best guy ever.

2:24:03.760 --> 2:24:06.960
<v Speaker 4>So so he so he's helping with the writing of

2:24:07.800 --> 2:24:11.440
<v Speaker 4>my my Freshman albul So and and he's family with

2:24:11.640 --> 2:24:14.160
<v Speaker 4>my manager at the time, Courtney Steels Sea Bear. So

2:24:14.240 --> 2:24:17.680
<v Speaker 4>it's me Sea Bear, kp will Power, Shotty Fat, rest

2:24:17.720 --> 2:24:21.560
<v Speaker 4>in Peace, and Fifee Dobson, which would be which would

2:24:21.600 --> 2:24:23.279
<v Speaker 4>then soon.

2:24:23.160 --> 2:24:25.920
<v Speaker 1>After become my wife. Well Fife Dobson.

2:24:26.080 --> 2:24:30.400
<v Speaker 4>If you're not familiar, get familiar, classic rock and roll,

2:24:30.480 --> 2:24:35.600
<v Speaker 4>fucking legend from Scarborough, Toronto, Canada, multi platinum artists, fucking

2:24:35.720 --> 2:24:39.080
<v Speaker 4>like one of the one of the most influential artists

2:24:39.920 --> 2:24:40.520
<v Speaker 4>in the world.

2:24:41.120 --> 2:24:43.120
<v Speaker 1>Just want to give her flowers, like you give your mind.

2:24:43.120 --> 2:24:45.280
<v Speaker 1>I just want to say, Pepe Dobson next.

2:24:48.959 --> 2:24:51.400
<v Speaker 4>But we're there and I'm with okay, but getting back

2:24:51.400 --> 2:24:53.320
<v Speaker 4>to the Boves saying I'm with I'm with Fifi and

2:24:53.440 --> 2:24:54.760
<v Speaker 4>Molly Malls like take my crib.

2:24:54.800 --> 2:24:54.920
<v Speaker 2>You know.

2:24:55.040 --> 2:24:56.680
<v Speaker 1>He's like he like skips out. He's like a g

2:24:56.879 --> 2:24:59.600
<v Speaker 1>like I give you a driver. Here's a may box.

2:25:00.360 --> 2:25:01.600
<v Speaker 1>Do this, you know, and do all this?

2:25:01.720 --> 2:25:02.520
<v Speaker 2>You know, I do whatever.

2:25:02.760 --> 2:25:05.279
<v Speaker 1>You know, you just have fun. There's a big shark

2:25:05.320 --> 2:25:07.400
<v Speaker 1>in a in a tank in the middle of his

2:25:07.480 --> 2:25:09.480
<v Speaker 1>fucking house. He's got a fucking I swear.

2:25:09.240 --> 2:25:13.080
<v Speaker 4>To guy, I'm not joking, bro. There's there's like a leopard,

2:25:13.840 --> 2:25:20.800
<v Speaker 4>like a loose leopard. Yeah, yeah, you know if you

2:25:21.120 --> 2:25:21.879
<v Speaker 4>got sort.

2:25:24.879 --> 2:25:33.920
<v Speaker 1>But Scott for Scott to yo yo yo, so fucking

2:25:34.200 --> 2:25:36.760
<v Speaker 1>so so there's this fucking just connected.

2:25:37.480 --> 2:25:41.760
<v Speaker 2>It's like because this is you know, really it's real.

2:25:42.120 --> 2:25:43.120
<v Speaker 1>You can't make that ship.

2:25:43.160 --> 2:25:44.240
<v Speaker 2>You can't make this ship up.

2:25:44.360 --> 2:25:48.240
<v Speaker 3>I'm taking another shot. I'm sorry, all right, I'm sorry.

2:25:48.640 --> 2:25:52.400
<v Speaker 3>It's you who's doing this though, you know you gotta

2:25:52.400 --> 2:25:52.600
<v Speaker 3>take it.

2:25:53.600 --> 2:26:00.920
<v Speaker 1>Suck yer, I'm not. Oh, you want to drink Champs

2:26:00.959 --> 2:26:01.800
<v Speaker 1>and it's drink.

2:26:01.720 --> 2:26:05.800
<v Speaker 18>Champs and it's whatever you want to drink. It's whatever

2:26:05.920 --> 2:26:10.960
<v Speaker 18>we want to drink. Hold on Champ, I take a

2:26:11.000 --> 2:26:13.840
<v Speaker 18>little We don't do that. But can you tell you

2:26:13.920 --> 2:26:14.360
<v Speaker 18>a story?

2:26:14.879 --> 2:26:18.400
<v Speaker 1>Molly? Sorry, Molly, you have Mali Crib the monkey.

2:26:18.440 --> 2:26:21.720
<v Speaker 2>Market so so so I love you. Your monkey is

2:26:21.760 --> 2:26:22.279
<v Speaker 2>a bitch.

2:26:23.560 --> 2:26:24.680
<v Speaker 1>Fuck him, I hate him.

2:26:25.680 --> 2:26:27.920
<v Speaker 2>Yo, this is this this little motherfucker dude.

2:26:28.440 --> 2:26:30.720
<v Speaker 1>So so Fifi and I are standing in the guest

2:26:30.800 --> 2:26:34.360
<v Speaker 1>room and Fifi's like, on to fucking play with Bubbs

2:26:34.760 --> 2:26:37.560
<v Speaker 1>and your wife, right, your wife? Yes, okay, right, So

2:26:37.760 --> 2:26:38.800
<v Speaker 1>I opened up the cage.

2:26:39.640 --> 2:26:42.120
<v Speaker 4>You know what I'm saying on my own accord, this

2:26:42.280 --> 2:26:44.960
<v Speaker 4>is a massive mansion. You don't understand. Like it's like

2:26:45.120 --> 2:26:47.039
<v Speaker 4>it's like walking into the fucking Smithsnian.

2:26:47.120 --> 2:26:47.560
<v Speaker 1>You know what I mean.

2:26:48.000 --> 2:26:50.960
<v Speaker 4>There's a goddamn shark, there's a fucking there's all kinds

2:26:50.959 --> 2:26:53.560
<v Speaker 4>of dumb ship going on, and there's a fucking monkey

2:26:53.640 --> 2:26:54.480
<v Speaker 4>within a cage.

2:26:54.520 --> 2:26:55.240
<v Speaker 2>We're in Vegas.

2:26:55.320 --> 2:26:59.880
<v Speaker 1>You know what I'm saying. A week, open that bitch up,

2:27:00.040 --> 2:27:04.920
<v Speaker 1>open the cage. I let Bubbs out, and Bubbs on

2:27:05.240 --> 2:27:08.720
<v Speaker 1>on Feefe's shoulder and starts fucking caressing her, and she's like.

2:27:08.760 --> 2:27:10.720
<v Speaker 2>Oh, he's the best, He's the best.

2:27:12.760 --> 2:27:14.040
<v Speaker 1>No, No, I was cool with it.

2:27:15.200 --> 2:27:19.360
<v Speaker 4>I was like, yeah, Bubbs, and I want to pet him,

2:27:20.959 --> 2:27:24.800
<v Speaker 4>and started look, Feefee starts she thinks it's funny.

2:27:25.520 --> 2:27:26.040
<v Speaker 5>So we go.

2:27:26.440 --> 2:27:28.960
<v Speaker 2>So we go back to bed. I'm like, we got

2:27:29.000 --> 2:27:30.520
<v Speaker 2>this time, Bubbs got to go to.

2:27:30.560 --> 2:27:36.040
<v Speaker 1>Best It's night night bus.

2:27:36.400 --> 2:27:37.680
<v Speaker 2>You know what I'm saying, This time.

2:27:37.640 --> 2:27:43.000
<v Speaker 19>For us to get rid of Bubs. So, but Bubbs

2:27:43.600 --> 2:27:48.400
<v Speaker 19>refuses to leave. You can't get it back in the cage.

2:27:48.600 --> 2:27:49.640
<v Speaker 19>Bubbs is possessive.

2:27:49.959 --> 2:27:54.560
<v Speaker 1>And let me tell you something, Monkeys are strong. If

2:27:54.600 --> 2:27:57.440
<v Speaker 1>you think a house cat is strong, try fucking with

2:27:57.520 --> 2:28:01.600
<v Speaker 1>a monkey, then little mothers are strong as a motherfucker.

2:28:01.680 --> 2:28:06.640
<v Speaker 1>Bro I would think is a monkey fucker. I was like, yo, listen,

2:28:07.400 --> 2:28:11.240
<v Speaker 1>I'm like, time to go to your cage. Bugs.

2:28:12.360 --> 2:28:14.600
<v Speaker 4>This little bitch is in a diaper and I want

2:28:14.640 --> 2:28:19.400
<v Speaker 4>to grab him, and he fucking scurry to cross my

2:28:19.560 --> 2:28:22.040
<v Speaker 4>body and he was at my ankles before I can

2:28:22.120 --> 2:28:25.760
<v Speaker 4>fucking realize he even left her shoulder and by the

2:28:25.879 --> 2:28:28.039
<v Speaker 4>time I look back up, he was back on her

2:28:28.080 --> 2:28:34.440
<v Speaker 4>shoulder again, like bitch. And I swear to God, I

2:28:34.600 --> 2:28:37.400
<v Speaker 4>was like, I was like, you gotta you gotta let somehow,

2:28:37.440 --> 2:28:43.160
<v Speaker 4>you gotta go. I'm over the idea of sex. I

2:28:43.280 --> 2:28:46.560
<v Speaker 4>just want to go to bed, I'm saying, So you

2:28:46.640 --> 2:28:50.879
<v Speaker 4>gotta get this bitch out there. So so she goes

2:28:50.959 --> 2:28:53.600
<v Speaker 4>to release his buzz right outside of these doors and

2:28:53.640 --> 2:28:55.400
<v Speaker 4>keep them married. When I tell you, like, if you

2:28:55.440 --> 2:28:59.280
<v Speaker 4>think outside of the fucking too closed doors a marble palace.

2:28:59.400 --> 2:29:06.440
<v Speaker 1>Bro So, Bubbs is loose. So she lays back down.

2:29:06.840 --> 2:29:09.120
<v Speaker 4>I said, what did you do with Bubbs? She said, oh,

2:29:09.200 --> 2:29:11.920
<v Speaker 4>I just let him go. I was like, what you

2:29:12.040 --> 2:29:17.680
<v Speaker 4>mean you let him go? There's a fucking leopard walking around, motherfucker.

2:29:18.600 --> 2:29:24.400
<v Speaker 1>Bubbs. Bro So we so I'm fucking at this point hammered.

2:29:25.000 --> 2:29:27.520
<v Speaker 1>And I go to sleep and I wake up fully

2:29:27.800 --> 2:29:32.880
<v Speaker 1>aware of what happened. I'm like, Bubbs, oh fuck, And

2:29:32.959 --> 2:29:34.720
<v Speaker 1>I'm thinking and and the and the and the and

2:29:34.800 --> 2:29:40.720
<v Speaker 1>the and the the cheetah name with Isis? Oh you

2:29:40.840 --> 2:29:41.720
<v Speaker 1>want you want Ice?

2:29:42.440 --> 2:29:45.920
<v Speaker 4>I walked in I I walked in Isis's room by

2:29:46.160 --> 2:29:48.920
<v Speaker 4>by accident. This bitch was laid on a fucking like

2:29:49.120 --> 2:29:53.800
<v Speaker 4>big ass, fucking beautiful bed stat me shoulder fangs and

2:29:53.840 --> 2:29:56.640
<v Speaker 4>ship like, get out of my room, like like fuck.

2:29:56.879 --> 2:30:00.720
<v Speaker 4>This bitch was an angry, fucking fucking He had timber

2:30:00.800 --> 2:30:02.920
<v Speaker 4>Wolves outside.

2:30:07.160 --> 2:30:15.199
<v Speaker 3>Wait, timber Wolf is a thing, a basketball team which animal.

2:30:19.959 --> 2:30:20.440
<v Speaker 2>Molly had.

2:30:20.640 --> 2:30:22.840
<v Speaker 1>There was a it was like a tiger shark in

2:30:22.959 --> 2:30:25.320
<v Speaker 1>a in a in a fucking aquarium. Size is his

2:30:25.480 --> 2:30:28.080
<v Speaker 1>fucking room in the center of his house. You know

2:30:28.120 --> 2:30:30.240
<v Speaker 1>what I'm saying. Like it was fucked up. It was

2:30:30.280 --> 2:30:30.720
<v Speaker 1>fucked up.

2:30:30.800 --> 2:30:33.000
<v Speaker 2>So anyway, She's like, yeah, I let Bubbs go. I

2:30:33.080 --> 2:30:35.200
<v Speaker 2>was like, what where is he?

2:30:35.640 --> 2:30:38.039
<v Speaker 4>Because, like Molly, at this point, my dog, he gave

2:30:38.120 --> 2:30:41.880
<v Speaker 4>us everything, he gave me the responsibility of bugs, and

2:30:42.000 --> 2:30:42.800
<v Speaker 4>I've lost him.

2:30:44.520 --> 2:30:50.840
<v Speaker 1>I've lost your monkey, monkey result and dude.

2:30:50.920 --> 2:30:54.760
<v Speaker 4>For like two hours, dog, we scoured around this goddamn

2:30:54.840 --> 2:30:57.520
<v Speaker 4>house and I swore to God at isis eight Bubbs.

2:30:58.720 --> 2:31:00.600
<v Speaker 1>I was like that he's dead.

2:31:01.879 --> 2:31:06.520
<v Speaker 4>Isis has devoured that monkey, and I don't know how

2:31:06.560 --> 2:31:09.560
<v Speaker 4>I could ever repay him. I don't got the money

2:31:09.640 --> 2:31:13.160
<v Speaker 4>to buy this man another monkey, nor nor does he

2:31:13.240 --> 2:31:15.680
<v Speaker 4>even want another monkey. That's his favorite monkey, you know

2:31:15.720 --> 2:31:20.080
<v Speaker 4>what I'm saying. So so as we scoured the house,

2:31:20.879 --> 2:31:23.760
<v Speaker 4>we fucking looked to the left. This little bitch he

2:31:23.920 --> 2:31:28.720
<v Speaker 4>had been hiding behind. Don't God knows what man, motherfucker

2:31:28.800 --> 2:31:31.400
<v Speaker 4>scurried up and got up in his cage and closed

2:31:31.440 --> 2:31:31.960
<v Speaker 4>his cage.

2:31:33.040 --> 2:31:34.000
<v Speaker 2>He closed his cage.

2:31:35.120 --> 2:31:39.640
<v Speaker 1>Word, monkey was fucking with me? Fuck Bob, what's going on?

2:31:39.720 --> 2:31:41.200
<v Speaker 2>Hold hold on.

2:31:41.320 --> 2:31:57.400
<v Speaker 10>Six, Molly, Yeah, Molly, you drink chance right now, Molly.

2:31:58.480 --> 2:32:04.280
<v Speaker 2>Yo, Yo, Molly, and listen like I could listens clowny,

2:32:04.360 --> 2:32:08.640
<v Speaker 2>but I can still. I still know your faith, Yo.

2:32:08.840 --> 2:32:12.400
<v Speaker 1>Listen, yeah listen. I was telling him the story about

2:32:12.560 --> 2:32:20.879
<v Speaker 1>bubbs and ices. Oh yeah, yeah man, it's not supposed

2:32:20.879 --> 2:32:26.000
<v Speaker 1>to happen. When it happened, Yeah, that sposed to have it.

2:32:26.480 --> 2:32:28.039
<v Speaker 1>Where you at? Man, you look like you were.

2:32:29.640 --> 2:32:31.720
<v Speaker 2>About how when you gottle girl.

2:32:32.480 --> 2:32:40.360
<v Speaker 1>He was like, He's like, he's like validating my story.

2:32:40.560 --> 2:32:40.800
<v Speaker 2>Say what.

2:32:42.640 --> 2:32:45.120
<v Speaker 19>Remember when you guys with that girl from Canada and

2:32:45.240 --> 2:32:48.120
<v Speaker 19>she was like fuck you, I'll go fuck the monkey.

2:32:48.840 --> 2:32:53.160
<v Speaker 1>Oh you didn't tell that.

2:33:01.400 --> 2:33:07.080
<v Speaker 2>I was trying to tell you the monkey was getting

2:33:07.160 --> 2:33:12.480
<v Speaker 2>mad getting a business. The monkey was getting a business.

2:33:13.040 --> 2:33:19.400
<v Speaker 1>Yo. Oh my god. I was like, chill, he still young,

2:33:19.480 --> 2:33:20.720
<v Speaker 1>he still got the diaper.

2:33:20.440 --> 2:33:23.240
<v Speaker 2>On you talking about yo, the monkey.

2:33:28.680 --> 2:33:29.400
<v Speaker 1>Oh my god.

2:33:29.760 --> 2:33:32.199
<v Speaker 2>He said, chill, you got some diaper.

2:33:33.480 --> 2:33:37.400
<v Speaker 1>Yo. Man, Like we go back, man, just like you know,

2:33:37.520 --> 2:33:38.760
<v Speaker 1>we're in the middle of filming right now.

2:33:38.800 --> 2:33:39.560
<v Speaker 2>But I love you man.

2:33:39.840 --> 2:33:42.800
<v Speaker 1>Yo. Yeah hey look yo, no for real, for real,

2:33:42.920 --> 2:33:47.199
<v Speaker 1>Like I'm dead serious man. You my mama, my mama

2:33:47.240 --> 2:33:48.840
<v Speaker 1>would want want me to tell you this.

2:33:49.000 --> 2:33:51.039
<v Speaker 4>Man like you know, we fucking love You know, Mama

2:33:51.120 --> 2:33:52.640
<v Speaker 4>loves you a lot, man, Like I just want to

2:33:52.680 --> 2:33:54.120
<v Speaker 4>let you calls me all the time.

2:33:54.320 --> 2:33:54.680
<v Speaker 2>I know that.

2:33:54.840 --> 2:33:57.320
<v Speaker 4>I know that Mama stays in touch with all the boys, man,

2:33:58.200 --> 2:34:00.280
<v Speaker 4>so like she she talks about you all the time.

2:34:00.360 --> 2:34:01.640
<v Speaker 2>Man, you know what I'm saying.

2:34:01.640 --> 2:34:04.039
<v Speaker 1>We just sent in love. Man, that's it.

2:34:06.600 --> 2:34:06.840
<v Speaker 4>Hit you.

2:34:08.320 --> 2:34:15.240
<v Speaker 1>Hey, hey, I'm here. Listen.

2:34:15.320 --> 2:34:23.840
<v Speaker 3>You ain't posted, don't count if you posted. I was like,

2:34:24.600 --> 2:34:27.640
<v Speaker 3>all love my brother later. All right, but brother, you

2:34:27.920 --> 2:34:34.800
<v Speaker 3>have a great day. That ship that was great. That

2:34:35.120 --> 2:34:37.200
<v Speaker 3>was hilarious, yo.

2:34:37.400 --> 2:34:37.600
<v Speaker 1>Man.

2:34:39.360 --> 2:34:41.760
<v Speaker 3>Okay, so we're not gonna talk about the kid rock

2:34:41.800 --> 2:34:44.920
<v Speaker 3>session because you we just it's about Daddy's like kid

2:34:45.800 --> 2:34:50.000
<v Speaker 3>talking about Yes, please about it because I was together, correct.

2:34:50.040 --> 2:34:52.360
<v Speaker 4>No, man, it is one of the most interesting records

2:34:52.400 --> 2:34:54.879
<v Speaker 4>that I've had. Is the hardest record that I ever

2:34:54.959 --> 2:34:57.000
<v Speaker 4>had to do while I was signed to Marshall, you

2:34:57.080 --> 2:34:57.440
<v Speaker 4>know what I mean.

2:34:57.560 --> 2:35:00.240
<v Speaker 1>Like, it's it's important people know, man, like especially you're

2:35:00.240 --> 2:35:02.000
<v Speaker 1>a young artist coming up. All right.

2:35:02.080 --> 2:35:08.280
<v Speaker 3>So so anyway, is that arguably your biggest record? Hell no, okay,

2:35:08.560 --> 2:35:17.640
<v Speaker 3>I'm bad. You know what is what is my big fuck?

2:35:17.720 --> 2:35:18.080
<v Speaker 2>That ship?

2:35:18.280 --> 2:35:21.840
<v Speaker 4>Okay, I'm with wherever you want to go. It's It

2:35:22.000 --> 2:35:24.840
<v Speaker 4>was amazing. It was a huge record for me. I'm

2:35:25.240 --> 2:35:28.240
<v Speaker 4>very very thankful. It's not my biggest record, but it was.

2:35:28.520 --> 2:35:32.120
<v Speaker 4>It was a very important record record. I got more

2:35:32.200 --> 2:35:35.600
<v Speaker 4>from it as an artist and as a you know,

2:35:35.879 --> 2:35:40.280
<v Speaker 4>young like a student, than I did out from the

2:35:40.400 --> 2:35:42.760
<v Speaker 4>actual song itself. Song did great, you know what I mean,

2:35:42.840 --> 2:35:45.600
<v Speaker 4>but what I learned as an artist or something else.

2:35:46.360 --> 2:35:51.520
<v Speaker 4>So so Bob records this hook? Uh so the record? Okay,

2:35:51.720 --> 2:35:55.720
<v Speaker 4>going back, we who Bear wrote that hook for Bob?

2:35:56.080 --> 2:35:59.160
<v Speaker 4>I mean he wrote he wrote the hook on the

2:35:59.240 --> 2:36:06.480
<v Speaker 4>Bob and and so when we turned in and we

2:36:06.600 --> 2:36:10.280
<v Speaker 4>returned that when that hook after you know I told

2:36:10.320 --> 2:36:13.920
<v Speaker 4>you about like Marshall taking me to Bob's.

2:36:13.720 --> 2:36:17.440
<v Speaker 1>You know what, I like introducing me to hit Marshall

2:36:17.680 --> 2:36:18.119
<v Speaker 1>all the saying.

2:36:18.200 --> 2:36:21.520
<v Speaker 4>So so so Bob agreed to do a record where

2:36:21.520 --> 2:36:24.520
<v Speaker 4>we had a record set up already, which was a

2:36:24.600 --> 2:36:26.360
<v Speaker 4>record that Pooh Bear wrote the hook.

2:36:32.400 --> 2:36:36.200
<v Speaker 1>God damn, what was the song? Roll out? Let's well

2:36:37.680 --> 2:36:42.680
<v Speaker 1>and yeah, I'm throwed off, got a lot of money,

2:36:42.760 --> 2:36:47.279
<v Speaker 1>I'm eisowd off. I made my own lane list roll.

2:36:47.640 --> 2:36:49.800
<v Speaker 4>So yeah, So that that was the hook that was

2:36:49.840 --> 2:36:54.560
<v Speaker 4>written by poo Bear and recorded at Molly's studio.

2:36:55.560 --> 2:37:03.800
<v Speaker 1>Man, he's cool, cool, cool, Okay, cool.

2:37:05.640 --> 2:37:06.760
<v Speaker 2>My friend. Yeah yeah.

2:37:07.160 --> 2:37:10.840
<v Speaker 4>So so anyway, so the mission now is to get

2:37:10.959 --> 2:37:13.560
<v Speaker 4>Bob to record the to the to record the hook

2:37:14.040 --> 2:37:16.119
<v Speaker 4>and pool Bears hook, pool Bear's hook.

2:37:16.160 --> 2:37:19.240
<v Speaker 1>Okay, usually do other people's hook and pool Bears from

2:37:19.280 --> 2:37:21.840
<v Speaker 1>the South. All right, So there's a certain inflection with

2:37:22.000 --> 2:37:25.480
<v Speaker 1>his I made my own lane list broll.

2:37:25.760 --> 2:37:27.840
<v Speaker 2>You know, there's a certain like, but that's there's an

2:37:27.879 --> 2:37:31.640
<v Speaker 2>impaction rock usually done other people's like right for him?

2:37:32.080 --> 2:37:33.760
<v Speaker 1>Is he used to? Yeah?

2:37:33.840 --> 2:37:37.320
<v Speaker 4>Okay, I ain't know that Bob like Bob. Yeah, Bob

2:37:37.400 --> 2:37:40.960
<v Speaker 4>got writers, Okay for sure. But that's the game, you

2:37:41.000 --> 2:37:42.520
<v Speaker 4>know what I mean, That's is what it is, you know.

2:37:42.680 --> 2:37:47.240
<v Speaker 4>So anyway, we brought we brought this hook to to

2:37:47.840 --> 2:37:50.760
<v Speaker 4>to him and when I heard the recording, uh, Marshall

2:37:50.840 --> 2:37:52.160
<v Speaker 4>insisted to record him.

2:37:52.600 --> 2:37:56.440
<v Speaker 1>I want to record Bob engineer. Well, yeah, I want to.

2:37:56.480 --> 2:37:58.720
<v Speaker 1>I want to vocalate. I want to vocally produced. I

2:37:58.800 --> 2:38:01.440
<v Speaker 1>want to vocally produce Bob for this book and wants

2:38:01.520 --> 2:38:03.480
<v Speaker 1>to h he wants to physically.

2:38:04.120 --> 2:38:04.520
<v Speaker 2>I want to.

2:38:04.520 --> 2:38:07.360
<v Speaker 4>Record Bob like they're in but they're both in Detroit. Hey,

2:38:07.440 --> 2:38:08.440
<v Speaker 4>Bobby comes to the studio.

2:38:09.080 --> 2:38:09.560
<v Speaker 1>Gill.

2:38:10.280 --> 2:38:14.080
<v Speaker 4>Yeah, it's fucking epic. And then when I got the

2:38:14.120 --> 2:38:19.280
<v Speaker 4>recording back, I was like, you're like, this, ain't it epic?

2:38:19.400 --> 2:38:19.879
<v Speaker 1>Not epic?

2:38:20.280 --> 2:38:21.600
<v Speaker 2>I was just like, this, ain't it man?

2:38:22.680 --> 2:38:25.360
<v Speaker 4>Like it's it's this is not right, you know, and

2:38:26.040 --> 2:38:31.039
<v Speaker 4>and like and and that became like a very hard discussion.

2:38:31.879 --> 2:38:34.640
<v Speaker 4>It's very hard discussion between me and between me and Marshall.

2:38:35.400 --> 2:38:38.560
<v Speaker 4>I had to call him personally, you know, and uh,

2:38:39.640 --> 2:38:42.400
<v Speaker 4>but you know that's that's creativity. And I think, like,

2:38:43.080 --> 2:38:44.119
<v Speaker 4>what was this conversation?

2:38:44.280 --> 2:38:47.680
<v Speaker 1>Like what did you say? I said? This ain't it?

2:38:48.400 --> 2:38:48.640
<v Speaker 2>Wow?

2:38:49.959 --> 2:38:52.760
<v Speaker 1>You know, like it's like it's like pretty straightforward, Like

2:38:53.520 --> 2:38:55.720
<v Speaker 1>I don't know what it is, man, but something is

2:38:55.840 --> 2:38:59.480
<v Speaker 1>not right this this doesn't sound right, you know what

2:38:59.520 --> 2:39:02.120
<v Speaker 1>I mean. There's something about it that doesn't sit right

2:39:02.200 --> 2:39:05.040
<v Speaker 1>with me. As my message. This is my breakout single,

2:39:05.320 --> 2:39:06.320
<v Speaker 1>what's going on? You know?

2:39:06.360 --> 2:39:08.560
<v Speaker 4>I mean, like, and I was in the Florida Keys

2:39:08.600 --> 2:39:10.840
<v Speaker 4>at the time on break just you know what I mean,

2:39:11.760 --> 2:39:14.400
<v Speaker 4>man pacing for like two hours, man having a conversation

2:39:14.560 --> 2:39:16.760
<v Speaker 4>and one of the hardest conversations I've ever had with anyone,

2:39:17.400 --> 2:39:20.720
<v Speaker 4>you know. And but I will say this, if you're

2:39:20.720 --> 2:39:22.800
<v Speaker 4>an artist, you know you're coming up, don't be afraid

2:39:22.840 --> 2:39:23.000
<v Speaker 4>to have.

2:39:23.040 --> 2:39:24.320
<v Speaker 1>A disagreement, you know what I mean.

2:39:24.440 --> 2:39:26.640
<v Speaker 4>Like it's cool, you know what I mean, Like your

2:39:26.720 --> 2:39:29.640
<v Speaker 4>your your elders will respect you for having an opinion

2:39:29.720 --> 2:39:30.959
<v Speaker 4>now like they.

2:39:30.920 --> 2:39:35.160
<v Speaker 1>Have the respectful opinion. Yeah, respectful opinion. Yeah. It's not

2:39:35.280 --> 2:39:38.000
<v Speaker 1>like I wasn't dissing much, you know what I mean?

2:39:38.080 --> 2:39:39.720
<v Speaker 1>I just was just like I don't like it, you.

2:39:39.720 --> 2:39:41.800
<v Speaker 3>Know, so how does this happen? He has to go

2:39:41.959 --> 2:39:45.200
<v Speaker 3>back to so we could rock. I don't want to go, Bob,

2:39:45.240 --> 2:39:47.080
<v Speaker 3>I want to No, No, I just I just what

2:39:47.240 --> 2:39:48.400
<v Speaker 3>what didn't you like about it?

2:39:48.520 --> 2:39:52.320
<v Speaker 1>First of all, the mix, the mix that it was,

2:39:52.400 --> 2:39:55.640
<v Speaker 1>the mix it was. It was the mix it was,

2:39:55.959 --> 2:39:59.080
<v Speaker 1>it was the inflection of words, it was the way

2:39:59.200 --> 2:40:02.280
<v Speaker 1>that it was. Everything about it was just so was

2:40:02.320 --> 2:40:06.920
<v Speaker 1>it both vocals and the mix? Yeah, okay, so everything

2:40:07.040 --> 2:40:09.840
<v Speaker 1>sucked everything.

2:40:09.920 --> 2:40:13.320
<v Speaker 4>So I wouldn't say that it sucked. I would say

2:40:13.400 --> 2:40:15.760
<v Speaker 4>that it didn't sit well with me and where I

2:40:15.879 --> 2:40:16.640
<v Speaker 4>thought it should be.

2:40:17.600 --> 2:40:20.960
<v Speaker 1>It sucked, Like, so what do you say? I was

2:40:21.080 --> 2:40:24.160
<v Speaker 1>just like I thought it could be better. It didn't

2:40:24.200 --> 2:40:26.879
<v Speaker 1>work for what you were doing. Yeah, so we set

2:40:26.959 --> 2:40:29.520
<v Speaker 1>up this video to shoot, right, we get it off

2:40:29.560 --> 2:40:30.400
<v Speaker 1>fixed sort of.

2:40:30.440 --> 2:40:32.720
<v Speaker 4>The long is we came to terms. We made it

2:40:32.760 --> 2:40:34.960
<v Speaker 4>what it was, you know what I mean. So we

2:40:35.080 --> 2:40:37.040
<v Speaker 4>figured it out and that's what's up. That's what you

2:40:37.120 --> 2:40:38.880
<v Speaker 4>do as a team, you know what I mean. Like

2:40:39.080 --> 2:40:41.560
<v Speaker 4>it's all good. Like we figured it out and.

2:40:43.440 --> 2:40:44.200
<v Speaker 1>End up doing a video.

2:40:44.280 --> 2:40:48.640
<v Speaker 4>So we're doing a video with Cool Herk and Cool

2:40:48.680 --> 2:40:52.480
<v Speaker 4>Heirk and Bob Kid Rock so me, Cool Hook and

2:40:52.600 --> 2:40:55.320
<v Speaker 4>Kid Rock riding around Harlem, you know, and that was

2:40:55.440 --> 2:40:59.600
<v Speaker 4>the Let's Roll video. But like as they're shooting, Herk

2:40:59.720 --> 2:41:05.800
<v Speaker 4>is in my ear telling me that he gave birth

2:41:06.120 --> 2:41:06.760
<v Speaker 4>to hip hop.

2:41:07.000 --> 2:41:13.120
<v Speaker 1>Of course as he should. Okay, yeah, so do you

2:41:13.280 --> 2:41:13.840
<v Speaker 1>say yes?

2:41:14.200 --> 2:41:18.120
<v Speaker 4>No, no, no, no, dude, that's my of course. You

2:41:18.240 --> 2:41:20.280
<v Speaker 4>know his words the Bible to me, you know what

2:41:20.320 --> 2:41:22.760
<v Speaker 4>I mean? Like, what am I going to say? I'm

2:41:22.800 --> 2:41:26.600
<v Speaker 4>just soaking it in. But I have heard Africa about Botta.

2:41:26.520 --> 2:41:28.640
<v Speaker 1>No no, yeah, yeah, you know you're not wrong for

2:41:28.760 --> 2:41:30.120
<v Speaker 1>what you're about to say.

2:41:30.879 --> 2:41:35.600
<v Speaker 4>And I'll say this two. This is a complete and

2:41:35.720 --> 2:41:37.279
<v Speaker 4>this is a healthy conversation.

2:41:37.480 --> 2:41:39.640
<v Speaker 1>This is not an argument. I don't like. This is

2:41:39.760 --> 2:41:41.480
<v Speaker 1>not my theory at all.

2:41:41.600 --> 2:41:44.960
<v Speaker 4>This is just what I've heard in between talking to

2:41:45.240 --> 2:41:49.360
<v Speaker 4>Couhirk right and and he was like, right, I'm talking

2:41:49.400 --> 2:41:53.680
<v Speaker 4>about right there. He's like, right there, them apartments that

2:41:53.959 --> 2:41:56.720
<v Speaker 4>block right there, that's where it happened, you know what

2:41:56.760 --> 2:41:59.360
<v Speaker 4>I mean. And like we're filming, man, we're shooting a

2:41:59.440 --> 2:42:03.080
<v Speaker 4>music video, but we're having a real conversation, and like

2:42:03.280 --> 2:42:05.680
<v Speaker 4>it's like Bob and cool Herk and me and and

2:42:05.800 --> 2:42:08.080
<v Speaker 4>and they're just giving me the whole fucking origins of

2:42:08.120 --> 2:42:13.199
<v Speaker 4>everything as I'm cruising in a Cadillac like driving whose.

2:42:13.000 --> 2:42:16.600
<v Speaker 1>Idea was to get to act like though you've got person.

2:42:17.120 --> 2:42:20.320
<v Speaker 4>Well, I was trying to ask a little about while

2:42:20.360 --> 2:42:24.000
<v Speaker 4>I'm like, you wanted to hear what he was saying, dude,

2:42:24.160 --> 2:42:27.400
<v Speaker 4>Like this is such a moment, like what it's so

2:42:27.600 --> 2:42:33.600
<v Speaker 4>much ship to soak up, right, So, I mean, I

2:42:33.680 --> 2:42:38.160
<v Speaker 4>don't know if there's like a concrete answer to it all.

2:42:38.640 --> 2:42:40.320
<v Speaker 1>It doesn't really matter because.

2:42:40.200 --> 2:42:44.720
<v Speaker 4>It dives dives back deep, deep deep, And the more

2:42:44.760 --> 2:42:47.240
<v Speaker 4>you the more you get into it, the further you

2:42:47.520 --> 2:42:52.480
<v Speaker 4>know it all starts truth, right, It just it leaks leaks, leaks,

2:42:52.560 --> 2:42:56.560
<v Speaker 4>leaks leaks down into this these things and ship. But

2:42:56.680 --> 2:42:58.480
<v Speaker 4>I will say that was one of the most legendary

2:42:58.520 --> 2:43:00.760
<v Speaker 4>moments I've ever had, Like riding around Cool Hirk and

2:43:00.920 --> 2:43:03.879
<v Speaker 4>like him telling this story super legendar with Kid Rock

2:43:04.959 --> 2:43:09.520
<v Speaker 4>with with kid Rock Bob, I can't call him Bob Okay,

2:43:09.640 --> 2:43:11.360
<v Speaker 4>show what up Bob?

2:43:12.480 --> 2:43:15.320
<v Speaker 1>How was Cool Hirk and kids Okay? I was just

2:43:16.720 --> 2:43:20.360
<v Speaker 1>kid for us? I'm looking at Kid Rock their interaction.

2:43:20.760 --> 2:43:23.360
<v Speaker 1>What was that interaction? Oh, dude, like Kid Rock and

2:43:23.520 --> 2:43:27.840
<v Speaker 1>Cool Herk, we're like old friends. Really they were. They

2:43:27.920 --> 2:43:30.520
<v Speaker 1>were really like tossing back and forth memories and like

2:43:31.680 --> 2:43:35.040
<v Speaker 1>I was with each other. Oh yeah, oh yeah, yeah,

2:43:35.080 --> 2:43:38.080
<v Speaker 1>yeah yeah, like kid Rock man, like that dude, he

2:43:38.640 --> 2:43:42.000
<v Speaker 1>that dude, there's no joke man. He really really really

2:43:42.160 --> 2:43:44.920
<v Speaker 1>immersed himself into the real ship, you know what I

2:43:44.959 --> 2:43:45.600
<v Speaker 1>mean early on.

2:43:46.560 --> 2:43:50.000
<v Speaker 2>So, so what's the discrepancy with with kid Rock now

2:43:50.680 --> 2:43:54.040
<v Speaker 2>and hip hop where people think that he's gone off

2:43:54.080 --> 2:43:55.720
<v Speaker 2>the rail because he doesn't make fucking.

2:43:55.520 --> 2:43:58.200
<v Speaker 1>Hip hop because he's a Donald Trump supporter. That's the

2:43:58.240 --> 2:43:59.760
<v Speaker 1>reason why I think that's.

2:43:59.560 --> 2:44:01.840
<v Speaker 4>The only just don't make hip hop. It don't make

2:44:02.080 --> 2:44:04.080
<v Speaker 4>hip hop music. Like what if you want to be

2:44:04.120 --> 2:44:06.320
<v Speaker 4>relevant hip hop, make hip hop music, you know what

2:44:06.360 --> 2:44:08.840
<v Speaker 4>I'm saying, Like I mean he makes rock and roll,

2:44:08.920 --> 2:44:11.800
<v Speaker 4>he makes country music, he makes singer songwriter songs, just

2:44:11.920 --> 2:44:15.720
<v Speaker 4>like if he wants to do a rap record, and

2:44:16.640 --> 2:44:20.080
<v Speaker 4>but he made his fine, he can do that, he absolutely.

2:44:19.720 --> 2:44:22.400
<v Speaker 1>But he made his chops in hip hop? Should he

2:44:22.520 --> 2:44:24.720
<v Speaker 1>not give back to hip hop? He made his chop

2:44:24.800 --> 2:44:25.080
<v Speaker 1>to him?

2:44:25.320 --> 2:44:25.520
<v Speaker 2>Yeah?

2:44:25.720 --> 2:44:28.080
<v Speaker 1>I thought it was also like nah, bro, he came

2:44:28.160 --> 2:44:29.680
<v Speaker 1>in through hip hop? Bro for real?

2:44:30.040 --> 2:44:32.720
<v Speaker 4>Yeah, man, fucking opening up like he said, opening up

2:44:32.760 --> 2:44:33.320
<v Speaker 4>for too short?

2:44:33.400 --> 2:44:35.880
<v Speaker 1>What he came in through hip hop? Give what you're saying.

2:44:35.920 --> 2:44:38.000
<v Speaker 2>So my thing is just this, if you if hip

2:44:38.040 --> 2:44:41.119
<v Speaker 2>hop gave you the opening, no matter where you went,

2:44:41.760 --> 2:44:44.040
<v Speaker 2>you should always be hip hop and give back to

2:44:44.160 --> 2:44:45.480
<v Speaker 2>hip hop my opinion.

2:44:47.480 --> 2:44:49.600
<v Speaker 1>And how do you give back to hip hop? I

2:44:49.640 --> 2:44:51.720
<v Speaker 1>don't know. I'm just saying I don't know.

2:44:52.040 --> 2:44:55.720
<v Speaker 2>No, I can't. That's each individual to give back to. Okay,

2:44:55.840 --> 2:44:57.560
<v Speaker 2>I don't know what the fuck you're gonna do. And

2:44:57.680 --> 2:44:59.280
<v Speaker 2>you'll give fucking hip hop balloons. I don't know what

2:44:59.320 --> 2:44:59.960
<v Speaker 2>the fuck you're gonna do.

2:45:01.160 --> 2:45:03.640
<v Speaker 1>I just said I get music. I'm just saying that

2:45:04.480 --> 2:45:07.080
<v Speaker 1>each person. But like it feels like kid Rock.

2:45:07.040 --> 2:45:11.560
<v Speaker 2>Has gone further on where he's no longer even considered

2:45:11.680 --> 2:45:15.680
<v Speaker 2>in the hip hop realm, right or wrong?

2:45:16.959 --> 2:45:22.520
<v Speaker 4>Well, you're right, But I have a sentiment there as well.

2:45:22.600 --> 2:45:26.920
<v Speaker 4>You know what I mean, I have a certain like

2:45:27.400 --> 2:45:29.720
<v Speaker 4>I can relate you know what I'm saying to being

2:45:29.840 --> 2:45:31.960
<v Speaker 4>written off. You know what I'm saying and pushed to

2:45:32.040 --> 2:45:34.680
<v Speaker 4>the side to this like area, You know what I mean, Like,

2:45:34.760 --> 2:45:35.640
<v Speaker 4>I don't know what that is.

2:45:35.760 --> 2:45:36.879
<v Speaker 1>I don't know who writes you off.

2:45:37.520 --> 2:45:37.920
<v Speaker 2>I don't know.

2:45:38.200 --> 2:45:39.640
<v Speaker 1>I don't know who writes me off. If I could

2:45:39.640 --> 2:45:40.879
<v Speaker 1>point him out, I knock him out.

2:45:41.800 --> 2:45:43.920
<v Speaker 2>But you will never write yourself off from hip hop.

2:45:44.000 --> 2:45:47.160
<v Speaker 2>This is the thing you yourself, would never write yourself

2:45:47.160 --> 2:45:50.039
<v Speaker 2>off from hip hop. This isn't give a fuck who

2:45:50.080 --> 2:45:52.600
<v Speaker 2>writes you off from hip hop? You are hip hop?

2:45:52.640 --> 2:45:56.000
<v Speaker 2>All right? Thank you, thank you. My sentiment is that

2:45:56.680 --> 2:45:58.800
<v Speaker 2>we know where we come from. Give a fuck who

2:45:59.040 --> 2:46:00.240
<v Speaker 2>says we don't come from it?

2:46:00.520 --> 2:46:00.920
<v Speaker 8>Right right?

2:46:01.000 --> 2:46:03.120
<v Speaker 1>But if you come from it, then always be a

2:46:03.200 --> 2:46:05.920
<v Speaker 1>part of it and get back to it. Yeah, extent

2:46:06.080 --> 2:46:07.720
<v Speaker 1>you know what you know? I think too, is like

2:46:07.920 --> 2:46:11.000
<v Speaker 1>if it's in you, it's in you forever, right Like,

2:46:11.440 --> 2:46:14.400
<v Speaker 1>so if it leaves you, was it ever in you

2:46:14.720 --> 2:46:17.880
<v Speaker 1>to begin with? It's a good point. So like if

2:46:18.640 --> 2:46:21.320
<v Speaker 1>like this like, look, I'm a skateboarder. Man, I grew

2:46:21.360 --> 2:46:24.880
<v Speaker 1>up skateboarding and righte graffiti and skateboarding is really written

2:46:25.000 --> 2:46:27.560
<v Speaker 1>very close to hip hop. I may, yes, absolutely very

2:46:27.600 --> 2:46:29.680
<v Speaker 1>close to it. But I may never ride by a spot.

2:46:30.280 --> 2:46:33.640
<v Speaker 1>I may not skate for fucking two three years when

2:46:33.680 --> 2:46:35.879
<v Speaker 1>I see a spot, I know a spot.

2:46:36.920 --> 2:46:38.800
<v Speaker 2>I was the worst skater in the world, and I'm

2:46:38.840 --> 2:46:39.520
<v Speaker 2>a skater till I.

2:46:39.640 --> 2:46:45.520
<v Speaker 1>Die, exactly my dig That's like K pop man was

2:46:45.760 --> 2:46:51.959
<v Speaker 1>I was Vision Street where nobody animal. I'm a skater, bro,

2:46:53.440 --> 2:46:56.120
<v Speaker 1>the world is like a shot. Shot that shot.

2:46:56.320 --> 2:46:56.800
<v Speaker 2>I'm a skater.

2:46:57.040 --> 2:47:00.200
<v Speaker 1>I die. I'm claiming shot. It's the same ship not

2:47:00.360 --> 2:47:02.280
<v Speaker 1>for real, Like if it's in you, it's in you

2:47:02.360 --> 2:47:07.000
<v Speaker 1>for like, don't leave ship. We're taking shouts now. Look

2:47:07.840 --> 2:47:10.800
<v Speaker 1>I about to call my mother. Why why what you

2:47:10.879 --> 2:47:13.360
<v Speaker 1>all got to do with this man? Because I was

2:47:13.440 --> 2:47:18.880
<v Speaker 1>a skateboarder, Bro, No, no skateboard. Look look what skateboard

2:47:18.959 --> 2:47:25.119
<v Speaker 1>you had? He's like, he's like Nash, I was a skateboard.

2:47:25.240 --> 2:47:30.160
<v Speaker 1>Skateboarders out there listening, I was marking Zales. That was

2:47:30.200 --> 2:47:31.720
<v Speaker 1>my board markus. I don't know if you know that's

2:47:31.840 --> 2:47:32.279
<v Speaker 1>I think.

2:47:32.160 --> 2:47:35.199
<v Speaker 2>Pre dates marks the guns. He's one of the first

2:47:35.280 --> 2:47:37.640
<v Speaker 2>street skaters, like popular street skaters.

2:47:38.440 --> 2:47:42.840
<v Speaker 1>Yeah, I wasn't that type of street skateboarder. I was.

2:47:43.160 --> 2:47:46.320
<v Speaker 2>Milita didn't know anything about He only knows public.

2:47:46.760 --> 2:47:49.000
<v Speaker 1>Okay, wait, wait, you were a skater, so let's go

2:47:49.440 --> 2:47:51.879
<v Speaker 1>beyond that. You want you want? You want to my mom? Yes,

2:47:52.879 --> 2:47:55.440
<v Speaker 1>let's call the first person that ever gave me a

2:47:56.160 --> 2:47:57.439
<v Speaker 1>professional skateboard.

2:47:57.600 --> 2:48:03.680
<v Speaker 4>His name is Mario Rubert copp and Franklin, Tennessee. My

2:48:03.760 --> 2:48:06.720
<v Speaker 4>boy saw me pushing around on a Nash skateboard that

2:48:06.840 --> 2:48:08.760
<v Speaker 4>my mom could barely afford from Walmart.

2:48:09.360 --> 2:48:11.600
<v Speaker 1>And that was a little plastic joints, right, yeah.

2:48:11.720 --> 2:48:15.640
<v Speaker 4>And Mario Rubacabo was ali and over bikes on pro boards.

2:48:15.720 --> 2:48:19.800
<v Speaker 4>He had landed in Franklin somehow. And Mario took me

2:48:20.160 --> 2:48:23.119
<v Speaker 4>into the crib of my boys, and he saw my potential,

2:48:23.200 --> 2:48:26.440
<v Speaker 4>and he saw my he saw my fucking passion, and

2:48:26.560 --> 2:48:28.400
<v Speaker 4>he hooked me up with a complete and my life

2:48:28.480 --> 2:48:32.240
<v Speaker 4>changed after that. And then you know, and in my life,

2:48:32.560 --> 2:48:34.879
<v Speaker 4>I thought I was going to become a professional skateboarder.

2:48:34.879 --> 2:48:37.440
<v Speaker 4>Actually that's all I wanted to be. Like hip hop

2:48:37.600 --> 2:48:40.080
<v Speaker 4>just took over my world, like music took over my world.

2:48:40.160 --> 2:48:42.520
<v Speaker 4>But I took off on a skate dream, you know

2:48:42.560 --> 2:48:45.680
<v Speaker 4>what I mean. I skated Tampa am nineteen ninety seven.

2:48:46.240 --> 2:48:50.199
<v Speaker 4>So like, shout out to man, to my skateboard family

2:48:50.320 --> 2:48:55.880
<v Speaker 4>and especially John Newport, Rampert Street street skateboarder, yeah and everybody,

2:48:56.120 --> 2:49:01.199
<v Speaker 4>all the early Atlanta scene and Yanks the boot loads

2:49:02.760 --> 2:49:07.480
<v Speaker 4>because the reason I talk about her in the skateboard

2:49:07.520 --> 2:49:09.680
<v Speaker 4>culture is because we loved her so much and like

2:49:10.000 --> 2:49:12.080
<v Speaker 4>she you know, we all know, man, the relationship that

2:49:12.160 --> 2:49:15.360
<v Speaker 4>we made along the way. But anyway, John Newport, thank

2:49:15.440 --> 2:49:16.840
<v Speaker 4>you for busting me with this rag.

2:49:17.040 --> 2:49:20.039
<v Speaker 3>But is it true that at one point you stopped

2:49:20.080 --> 2:49:24.560
<v Speaker 3>drinking gang and you started smoking and just skateboarding, Like

2:49:24.680 --> 2:49:27.760
<v Speaker 3>so you would just skateboard and smoke and you would

2:49:27.800 --> 2:49:30.080
<v Speaker 3>do dabs before your shows.

2:49:30.959 --> 2:49:32.320
<v Speaker 2>Yeah, yeah, that's all I was doing.

2:49:32.440 --> 2:49:37.520
<v Speaker 1>That's all true. Yeah, yeah, I hate dads, that's all true.

2:49:37.800 --> 2:49:40.840
<v Speaker 4>That for I tried to stop drinking and pick up smoking,

2:49:40.959 --> 2:49:43.720
<v Speaker 4>and yeah, it's just a bad idea.

2:49:43.760 --> 2:49:49.840
<v Speaker 1>Mean, mom, Jamie brings drinks. Just keep some drinks, man, Look, man,

2:49:50.520 --> 2:49:58.280
<v Speaker 1>only over you holy just for the love we're this

2:49:58.440 --> 2:49:58.920
<v Speaker 1>is it for me?

2:49:59.160 --> 2:49:59.440
<v Speaker 2>All right?

2:49:59.480 --> 2:50:01.199
<v Speaker 3>Cool to take these five more shots?

2:50:02.080 --> 2:50:03.240
<v Speaker 1>More shots that you've done.

2:50:03.280 --> 2:50:05.680
<v Speaker 3>I'll do all five for you if you want another

2:50:05.760 --> 2:50:07.520
<v Speaker 3>way it worked, but I think we should see you

2:50:07.680 --> 2:50:08.280
<v Speaker 3>see him on that.

2:50:09.120 --> 2:50:13.760
<v Speaker 1>That's not the way I'm gonna hold myself down. But

2:50:15.480 --> 2:50:17.680
<v Speaker 1>is that true? Is that true? Like like like you

2:50:17.959 --> 2:50:19.279
<v Speaker 1>skate before your shows?

2:50:20.440 --> 2:50:20.640
<v Speaker 2>Yeah?

2:50:20.720 --> 2:50:22.920
<v Speaker 4>Yeah, for a while. I mean that's yeah, that's all

2:50:22.959 --> 2:50:25.760
<v Speaker 4>I was doing. As matter of fact, when when the

2:50:25.800 --> 2:50:29.000
<v Speaker 4>ship hit the fan, I fucking jumped off tour and

2:50:29.360 --> 2:50:31.480
<v Speaker 4>uh I was going through tour Los Angeles.

2:50:31.600 --> 2:50:33.960
<v Speaker 1>Jelly Row actually was on this tour. Jelly was opening

2:50:34.040 --> 2:50:37.080
<v Speaker 1>up on this tour and struggle, and when I got

2:50:37.080 --> 2:50:38.680
<v Speaker 1>to l A, I was like, man, I fucking done,

2:50:38.840 --> 2:50:42.200
<v Speaker 1>torm Man, I'm over. I quit tour halfway and all

2:50:42.240 --> 2:50:44.680
<v Speaker 1>I wanted to do was just skateboard. And I was

2:50:44.760 --> 2:50:47.120
<v Speaker 1>just psyched out, man, Like you're still skate right now,

2:50:47.480 --> 2:50:49.280
<v Speaker 1>Like just you know, the c.

2:50:49.680 --> 2:50:53.120
<v Speaker 4>Always always, there's always I always got to complete somewhere around,

2:50:53.160 --> 2:50:54.520
<v Speaker 4>you know, I'm pushing around around.

2:50:54.879 --> 2:50:57.039
<v Speaker 1>I trade flipped the forest there the other day, which

2:50:57.120 --> 2:50:57.640
<v Speaker 1>is pretty good.

2:50:57.959 --> 2:50:58.560
<v Speaker 2>Out of that nowhere.

2:50:59.320 --> 2:51:01.360
<v Speaker 1>Out of nowhere, I don't even know what language that was.

2:51:02.280 --> 2:51:05.080
<v Speaker 1>He's doing some tricks that he should be done. I

2:51:05.240 --> 2:51:07.279
<v Speaker 1>was dead for two days took me like seven tries,

2:51:07.320 --> 2:51:09.480
<v Speaker 1>but I did it, and you fell on those tries.

2:51:09.800 --> 2:51:15.760
<v Speaker 4>Oh that hate shit? Well anyway, it was, it's anyway,

2:51:17.480 --> 2:51:18.400
<v Speaker 4>Where was I going with this?

2:51:19.240 --> 2:51:21.240
<v Speaker 1>I don't know. We want to go well, I was

2:51:21.280 --> 2:51:24.120
<v Speaker 1>going to drink all five of your shots. I mean,

2:51:24.200 --> 2:51:31.520
<v Speaker 1>skater or die go ahead. But yeah, like that's been

2:51:31.560 --> 2:51:33.959
<v Speaker 1>a common threat in my life. And I think you're

2:51:34.320 --> 2:51:39.000
<v Speaker 1>so right to mention the intertwining of skateboarding and hip hops.

2:51:40.160 --> 2:51:42.879
<v Speaker 4>It's very important, very important my life. It's very important

2:51:42.879 --> 2:51:47.760
<v Speaker 4>to mention how like, okay, okay, how am I from Nashville, but.

2:51:49.920 --> 2:51:55.400
<v Speaker 1>I'm hip on hieroglyphics in nineteen ninety three, Yah, did

2:51:55.440 --> 2:51:58.840
<v Speaker 1>that happen? It was skateboarding. It was through skateboard videos

2:51:58.879 --> 2:52:01.280
<v Speaker 1>and through skate culture and and all, let me tell

2:52:01.280 --> 2:52:01.879
<v Speaker 1>you mixed taste.

2:52:01.879 --> 2:52:04.520
<v Speaker 2>They were coming through hip hop and skateboarding has been

2:52:04.560 --> 2:52:11.040
<v Speaker 2>synonymous forever. But who made it mainstream and acceptable? Was

2:52:11.120 --> 2:52:15.320
<v Speaker 2>odd future? Our future?

2:52:15.520 --> 2:52:18.840
<v Speaker 1>No Tyler, I gotta say, Loupe Plaskow. No, no, no, no,

2:52:19.080 --> 2:52:22.440
<v Speaker 1>no no no, he didn't he didn't know that. We

2:52:22.520 --> 2:52:25.600
<v Speaker 1>didn't skaters. We didn't respect that you was a skater.

2:52:27.520 --> 2:52:31.880
<v Speaker 2>Remember the skate bro I just told you that. No,

2:52:32.720 --> 2:52:34.840
<v Speaker 2>you're you're you're you're keeping it.

2:52:34.920 --> 2:52:35.720
<v Speaker 1>G you're keeping it.

2:52:35.760 --> 2:52:37.600
<v Speaker 2>Really, I mean, look the clown like I told you

2:52:37.720 --> 2:52:41.920
<v Speaker 2>I was, but I was a skater but still nonetheless becau.

2:52:42.760 --> 2:52:44.440
<v Speaker 1>It's just church bro, I have my markets.

2:52:44.520 --> 2:52:46.320
<v Speaker 2>I got my markets on this board in my room

2:52:46.400 --> 2:52:49.959
<v Speaker 2>right now, in my office, right up, one hundred percent.

2:52:51.000 --> 2:52:54.840
<v Speaker 2>I was Vision Street wearing all watching skate videos all

2:52:54.920 --> 2:52:55.320
<v Speaker 2>day long.

2:52:55.840 --> 2:52:58.800
<v Speaker 1>Terrible skater, though, terrible skater. I think that they I

2:52:58.879 --> 2:53:03.760
<v Speaker 1>think that they did an excellent job, yes, but that

2:53:03.879 --> 2:53:07.240
<v Speaker 1>didn't do it just being themselves. Man, Push Push was

2:53:07.280 --> 2:53:08.760
<v Speaker 1>not respected in the skating.

2:53:08.800 --> 2:53:08.959
<v Speaker 5>Come.

2:53:09.000 --> 2:53:10.840
<v Speaker 1>Look, man, when you skate, you just skate. You don't

2:53:10.840 --> 2:53:12.360
<v Speaker 1>talk about it, right, that's it.

2:53:12.760 --> 2:53:15.080
<v Speaker 2>And our future was just our future, and it had

2:53:15.120 --> 2:53:15.880
<v Speaker 2>to be they had.

2:53:17.840 --> 2:53:21.320
<v Speaker 1>I've been, man, I was around way way early, you

2:53:21.360 --> 2:53:23.720
<v Speaker 1>know what I mean, Like when I was. Wasn't he

2:53:23.760 --> 2:53:28.720
<v Speaker 1>a skater? Yeah, but still that's still was. He wasn't respecting, no, no.

2:53:28.840 --> 2:53:29.080
<v Speaker 5>He no.

2:53:29.200 --> 2:53:32.120
<v Speaker 2>What he did is he sponsored skate teams. He had

2:53:32.240 --> 2:53:40.000
<v Speaker 2>real teams, but he was not respecting necessarily, huh.

2:53:41.000 --> 2:53:43.320
<v Speaker 3>The way he was already platinum and the way he

2:53:43.360 --> 2:53:47.000
<v Speaker 3>had to learn to skates later on he taught himself

2:53:47.040 --> 2:53:50.240
<v Speaker 3>to skate, but I give little way is real.

2:53:50.400 --> 2:53:52.880
<v Speaker 1>He really was in his heart a skater, but he

2:53:52.959 --> 2:53:56.760
<v Speaker 1>had to go through the motions. Listen, if you love skateboarding,

2:53:56.840 --> 2:54:00.600
<v Speaker 1>then skate It's not it's not as you're good or

2:54:00.680 --> 2:54:05.000
<v Speaker 1>bad exactly. Yeah, that is just a personal expression and

2:54:05.160 --> 2:54:07.160
<v Speaker 1>like it's all good. If you love skateboarding, I don't

2:54:07.160 --> 2:54:09.320
<v Speaker 1>give a fuck if you discover it when you're five.

2:54:09.280 --> 2:54:12.400
<v Speaker 4>Old or thirty years old. If you trun love it

2:54:12.440 --> 2:54:15.280
<v Speaker 4>and you're into it, be about it. Just don't fake

2:54:15.360 --> 2:54:16.160
<v Speaker 4>the funk, that's all.

2:54:17.320 --> 2:54:22.440
<v Speaker 1>Don't be a poser, bro. Yeah, I mean, dude, address

2:54:22.520 --> 2:54:30.240
<v Speaker 1>me ass. But skateboarding and through John Newport, who I

2:54:30.280 --> 2:54:34.760
<v Speaker 1>grew up skateboarding with, is in a long stream of connections.

2:54:34.840 --> 2:54:37.560
<v Speaker 1>The reason why I ended up with this Drenk Champs.

2:54:42.120 --> 2:54:45.680
<v Speaker 1>So it all connects, and something it does it does connect.

2:54:45.840 --> 2:54:51.000
<v Speaker 1>Let's talk about Trump music one, two, and three. Do

2:54:51.160 --> 2:54:51.920
<v Speaker 1>Trump fuck with you?

2:54:52.959 --> 2:54:53.200
<v Speaker 5>Do? What?

2:54:53.520 --> 2:54:57.080
<v Speaker 20>Do Trump fuck with you? But it's trunk do Trump?

2:54:57.200 --> 2:55:01.000
<v Speaker 20>It's not Trump Trump Trump? D you know no, no

2:55:01.320 --> 2:55:04.120
<v Speaker 20>I know this Trump, But I'm saying Trump with you.

2:55:04.680 --> 2:55:08.160
<v Speaker 1>I with it, No, I fuck with this question because

2:55:08.200 --> 2:55:12.720
<v Speaker 1>you know what you know, it's very close with this question.

2:55:12.959 --> 2:55:13.560
<v Speaker 1>I with this.

2:55:17.360 --> 2:55:19.800
<v Speaker 2>Because you know, you know, with everybody.

2:55:21.320 --> 2:55:24.959
<v Speaker 3>Trump fucking with everybody right now?

2:55:25.080 --> 2:55:26.960
<v Speaker 1>Okay, I'm a little scared to check my phone.

2:55:27.040 --> 2:55:30.360
<v Speaker 3>I've got some un known callers, and I'm like, I'm

2:55:30.480 --> 2:55:32.040
<v Speaker 3>not sure because I don't know.

2:55:32.040 --> 2:55:36.400
<v Speaker 1>I say, no, I'm being honest. Good, I went too far? Man,

2:55:37.480 --> 2:55:38.760
<v Speaker 1>Does Trump fuck with me?

2:55:38.959 --> 2:55:39.240
<v Speaker 2>Okay?

2:55:39.560 --> 2:55:44.000
<v Speaker 1>The Trump with the trunk? Okay, listen, there's Trump. That's

2:55:44.040 --> 2:55:48.800
<v Speaker 1>an interesting question being that I'm literally one degree away

2:55:48.879 --> 2:55:50.560
<v Speaker 1>from Donald Trump, which is Bob.

2:55:51.560 --> 2:55:59.120
<v Speaker 21>What Bob is out there? He's their homies? Is their homies?

2:55:59.520 --> 2:56:04.560
<v Speaker 21>I mean they're homies, Like, what's up the show me? Listen, listen,

2:56:04.680 --> 2:56:05.760
<v Speaker 21>absolutely like they're friends.

2:56:05.840 --> 2:56:06.080
<v Speaker 2>Okay.

2:56:06.680 --> 2:56:09.879
<v Speaker 1>So being that I'm like literally one degree away away

2:56:11.000 --> 2:56:13.640
<v Speaker 1>and I and I recently also like for the past

2:56:13.680 --> 2:56:16.359
<v Speaker 1>three years, I've been golfing. It's my new obsession.

2:56:16.400 --> 2:56:16.840
<v Speaker 2>I golf.

2:56:17.040 --> 2:56:21.320
<v Speaker 1>I golf everywhere the motherfuckers. I love it. You can't

2:56:21.400 --> 2:56:23.320
<v Speaker 1>peel me off the course. I'd be golfing if I

2:56:23.440 --> 2:56:30.600
<v Speaker 1>wasn't here for you golfing golf? What's up calling the

2:56:30.680 --> 2:56:34.600
<v Speaker 1>way I'm trying to go golfing? DJ, You're just out

2:56:34.640 --> 2:56:38.280
<v Speaker 1>there neidnam Man. Okay, ready, I just go let's go.

2:56:39.680 --> 2:56:42.680
<v Speaker 4>What do you I don't go golfing, So you're not

2:56:42.879 --> 2:56:44.360
<v Speaker 4>You're not chasing because you don't golf.

2:56:45.160 --> 2:56:56.560
<v Speaker 22>Here's here's the skateboarding you mother, you can't get.

2:56:58.200 --> 2:57:02.640
<v Speaker 3>Yeah, you're good, you're good talking about golfing. You and

2:57:02.720 --> 2:57:03.760
<v Speaker 3>Donald Trump went golfing.

2:57:04.120 --> 2:57:05.600
<v Speaker 1>No, no, no, that's not.

2:57:11.080 --> 2:57:14.240
<v Speaker 4>What I said was I'm one degree away because golfing

2:57:14.320 --> 2:57:18.840
<v Speaker 4>has afforded me into these man, golfing is like, first

2:57:18.840 --> 2:57:22.000
<v Speaker 4>of all, it's incredible, but you just end up in

2:57:22.160 --> 2:57:26.240
<v Speaker 4>situations where people, you know, you and Bob wouldn't wouldn't

2:57:26.320 --> 2:57:27.680
<v Speaker 4>wouldn't imagine that you would.

2:57:27.920 --> 2:57:29.800
<v Speaker 2>You know, let's just be real, you know what I mean.

2:57:30.600 --> 2:57:37.520
<v Speaker 1>Look, Creek Water is in Walmart right now. Get back second, motherfucker. No, no, no,

2:57:37.920 --> 2:57:41.080
<v Speaker 1>sea like a motherfucker right now. I'm telling you. No,

2:57:41.480 --> 2:57:44.360
<v Speaker 1>I'm just trying to put I'm trying to put it together. Okay,

2:57:44.480 --> 2:57:49.360
<v Speaker 1>So golf and Moster energy drink is really good for golf. No,

2:57:49.680 --> 2:57:50.520
<v Speaker 1>there's a connection.

2:57:51.360 --> 2:57:55.800
<v Speaker 4>Not bullshitters in Walmart right now because my boy Stuart Walton,

2:57:56.280 --> 2:57:59.400
<v Speaker 4>the uh the Walton family.

2:58:00.160 --> 2:58:02.320
<v Speaker 1>Well, I didn't know at the time. Te teed off

2:58:02.720 --> 2:58:08.080
<v Speaker 1>to Daddy's lambeau, and his next question, his younger sister

2:58:08.320 --> 2:58:10.800
<v Speaker 1>was like, look, look just so you know what does

2:58:10.840 --> 2:58:17.039
<v Speaker 1>that say right there? Daddy's lamb off to Daddy's lambeau

2:58:17.800 --> 2:58:20.119
<v Speaker 1>right and his sister was like, oh, I know I'm

2:58:20.160 --> 2:58:21.480
<v Speaker 1>bringing to your private party.

2:58:22.080 --> 2:58:27.040
<v Speaker 4>So the whole connection, with that whole connection all sparn

2:58:27.120 --> 2:58:29.680
<v Speaker 4>from golf. Like it was like golf that that brought

2:58:30.320 --> 2:58:32.640
<v Speaker 4>that that to make happen, man, Like you know what

2:58:32.640 --> 2:58:33.120
<v Speaker 4>I'm saying, Like.

2:58:33.320 --> 2:58:34.000
<v Speaker 2>Make this happen.

2:58:34.840 --> 2:58:36.640
<v Speaker 1>It was part of the story, you know what I'm saying.

2:58:36.720 --> 2:58:41.640
<v Speaker 4>Like Stuart Walton, Walton family, Walmart okay teed off to

2:58:41.760 --> 2:58:43.199
<v Speaker 4>Daddy's lambeau my song.

2:58:43.760 --> 2:58:46.480
<v Speaker 1>Wow, So he was playing golf, you know what I'm saying.

2:58:46.520 --> 2:58:48.760
<v Speaker 1>So like a lot of magic happens on the golf course,

2:58:48.920 --> 2:58:52.080
<v Speaker 1>like when people like people say, like people play music

2:58:52.160 --> 2:58:54.000
<v Speaker 1>on the golf course like that. Yeah, I didn't know

2:58:54.040 --> 2:58:58.040
<v Speaker 1>that there fucking hell, yeah, this ship, I don't know that.

2:58:59.240 --> 2:59:05.240
<v Speaker 2>I don't know. I don't know that, y'all so crazy shit, Yo,

2:59:05.360 --> 2:59:07.360
<v Speaker 2>I don't know who speakers in the fucking grass.

2:59:07.480 --> 2:59:10.120
<v Speaker 1>Nay, No, it's a lot like yo, you know what

2:59:10.240 --> 2:59:13.280
<v Speaker 1>it is? Mine is skateboarding like all over again.

2:59:13.400 --> 2:59:15.320
<v Speaker 4>So it's me and my boys out there talking ship,

2:59:15.800 --> 2:59:20.560
<v Speaker 4>playing music, smoking, drinking, hitting good shots, hitting bad shots. Dude,

2:59:20.600 --> 2:59:25.080
<v Speaker 4>it's fucking the best. It's the best. But so I

2:59:25.160 --> 2:59:27.960
<v Speaker 4>played on this, okay, So back to the Trump thing, Yes,

2:59:28.240 --> 2:59:28.920
<v Speaker 4>I would like to hear it.

2:59:29.000 --> 2:59:29.560
<v Speaker 1>So I played on.

2:59:29.640 --> 2:59:32.640
<v Speaker 4>I played on this course called Troubadour, right, And it's

2:59:32.680 --> 2:59:34.600
<v Speaker 4>a beautiful course in Tennessee.

2:59:34.680 --> 2:59:35.400
<v Speaker 2>Beautiful course.

2:59:36.400 --> 2:59:40.320
<v Speaker 4>And uh there's a lot of like powerful people with

2:59:40.440 --> 2:59:46.160
<v Speaker 4>pieces of real estate on this golf course. And you know,

2:59:46.280 --> 2:59:50.560
<v Speaker 4>I thought, you know, at some point when when you

2:59:50.959 --> 2:59:53.520
<v Speaker 4>like analyze like how close am I?

2:59:53.640 --> 2:59:56.400
<v Speaker 1>And how how scary could that be?

2:59:56.720 --> 2:59:57.200
<v Speaker 2>You know what I mean?

2:59:57.360 --> 2:59:59.640
<v Speaker 1>Like what does this mean for me? You know what

2:59:59.640 --> 3:00:08.360
<v Speaker 1>I mean? Like does it? I'm I've never voted, but

3:00:08.879 --> 3:00:09.920
<v Speaker 1>I've never voted.

3:00:09.720 --> 3:00:10.280
<v Speaker 2>In my life.

3:00:10.920 --> 3:00:13.880
<v Speaker 1>Man, come on, bro, well the funk off. I have

3:00:13.959 --> 3:00:17.040
<v Speaker 1>a right not to vote. This is American, right, America.

3:00:19.400 --> 3:00:23.360
<v Speaker 1>I've never voted, you know what I mean? It's all good? Well,

3:00:23.480 --> 3:00:26.080
<v Speaker 1>I mean, what what you study the I don't study.

3:00:27.800 --> 3:00:30.040
<v Speaker 1>I studied hip. I study music. That's what I do.

3:00:30.200 --> 3:00:35.040
<v Speaker 1>I like that vote on me? All right, take a vote.

3:00:36.360 --> 3:00:37.400
<v Speaker 1>Here's a vote the vote.

3:00:37.640 --> 3:00:39.920
<v Speaker 4>You know what I mean, Like, there's there's plenty of

3:00:39.959 --> 3:00:42.200
<v Speaker 4>people that are more educated than me that deserve the

3:00:42.280 --> 3:00:45.240
<v Speaker 4>right to vote than I do. If I go into

3:00:45.280 --> 3:00:48.760
<v Speaker 4>a situation uneducated and vote, it's it's worthless.

3:00:48.840 --> 3:00:50.760
<v Speaker 1>What am I? I'm not educated on these people. I

3:00:50.800 --> 3:00:52.119
<v Speaker 1>don't know the candidates.

3:00:52.320 --> 3:00:52.960
<v Speaker 3>I don't study it.

3:00:53.200 --> 3:00:54.560
<v Speaker 1>Okay, okay, I get it. You know what I'm saying.

3:00:54.879 --> 3:00:57.360
<v Speaker 1>This is all year, this is happening, and take a vote.

3:00:57.360 --> 3:01:02.360
<v Speaker 1>I'm like, I don't they also either way, but right,

3:01:05.800 --> 3:01:06.280
<v Speaker 1>it's true.

3:01:07.320 --> 3:01:08.120
<v Speaker 2>Where am I going with this?

3:01:09.000 --> 3:01:13.760
<v Speaker 1>I just we never know, but we end wherever you're going.

3:01:13.879 --> 3:01:16.040
<v Speaker 1>So you don't vote, go yeah, No, it's not that

3:01:16.160 --> 3:01:19.240
<v Speaker 1>I don't vote. I said, I have never voted. That's

3:01:19.720 --> 3:01:23.760
<v Speaker 1>that's but this is the year. I might vote one day.

3:01:23.879 --> 3:01:24.240
<v Speaker 1>I don't know.

3:01:24.440 --> 3:01:27.600
<v Speaker 4>Motherfuckers Like, I'm like, yeah with him, that's just tight,

3:01:27.920 --> 3:01:32.000
<v Speaker 4>and like yeah, I like that guy being knowng you know,

3:01:32.160 --> 3:01:34.160
<v Speaker 4>like whatever, but this year?

3:01:34.200 --> 3:01:38.840
<v Speaker 1>Are you going to vote? This year? No, we're talking

3:01:38.879 --> 3:01:41.200
<v Speaker 1>about Bob. I guess this is what we're going maga.

3:01:43.680 --> 3:01:46.039
<v Speaker 3>You know Bob likes you know what, Let's just throw

3:01:46.080 --> 3:01:49.200
<v Speaker 3>it out whether I don't know, man, what the hell

3:01:49.360 --> 3:01:51.560
<v Speaker 3>is that well my wife ship.

3:01:51.800 --> 3:01:55.520
<v Speaker 4>Now, whether this is to be bullshit or not, like

3:01:55.760 --> 3:01:58.600
<v Speaker 4>you know, take what you want whatever, we're being real,

3:01:58.640 --> 3:01:59.560
<v Speaker 4>you know, let's be real.

3:01:59.640 --> 3:02:02.760
<v Speaker 1>Let's just be well, I'm always fucking real. But I'm

3:02:02.760 --> 3:02:05.080
<v Speaker 1>saying like we're just like growing ups. Like I believe,

3:02:05.200 --> 3:02:07.600
<v Speaker 1>like if if you and I are having a conversation

3:02:07.800 --> 3:02:10.640
<v Speaker 1>and like at dinner, you know what I mean, And

3:02:11.640 --> 3:02:14.080
<v Speaker 1>I have a certain like idea about how I like

3:02:14.160 --> 3:02:16.960
<v Speaker 1>to live and stuff, and you're you're you're the party

3:02:17.120 --> 3:02:19.440
<v Speaker 1>and in the group that is a political that is

3:02:19.560 --> 3:02:23.760
<v Speaker 1>politically educated, right, and that influence of what.

3:02:23.840 --> 3:02:26.040
<v Speaker 4>I'm going to talk about is going to influence your vote,

3:02:26.360 --> 3:02:29.160
<v Speaker 4>you know what I mean. And that's that's that's cool,

3:02:29.320 --> 3:02:31.720
<v Speaker 4>you know what I'm saying, Like it's hard for me

3:02:31.840 --> 3:02:34.560
<v Speaker 4>to fucking pick somebody that if I'm not educated in it,

3:02:35.160 --> 3:02:38.560
<v Speaker 4>I feel stupid having a conversation about it.

3:02:38.680 --> 3:02:40.120
<v Speaker 1>Like what the fuck I don't know? I want to

3:02:40.160 --> 3:02:42.400
<v Speaker 1>talk about that ship? You just don't want to talk

3:02:42.400 --> 3:02:44.720
<v Speaker 1>about politics. You want me to put the whole country

3:02:44.800 --> 3:02:46.959
<v Speaker 1>in jobty for some ship that I don't even know about.

3:02:47.000 --> 3:02:48.560
<v Speaker 2>I don't know, not get you can be like I

3:02:48.640 --> 3:02:50.400
<v Speaker 2>don't want to talk about this. I don't really understand

3:02:50.440 --> 3:02:54.680
<v Speaker 2>the bullshit. Fuck the bullshit. All right, this is an

3:02:54.840 --> 3:02:57.560
<v Speaker 2>edits what we're gonna take Jeneral Trump out.

3:02:58.040 --> 3:02:59.280
<v Speaker 1>I'm gonna give a fuck about that.

3:02:59.480 --> 3:02:59.920
<v Speaker 3>It's just like.

3:03:01.920 --> 3:03:02.520
<v Speaker 2>Politics.

3:03:03.080 --> 3:03:05.760
<v Speaker 1>I don't want to go. We got no shoe politics,

3:03:05.879 --> 3:03:09.600
<v Speaker 1>we got no good choice. We're all somebody goddamn politics either.

3:03:10.200 --> 3:03:14.199
<v Speaker 1>We went off the rails with the ship. Fine, let's

3:03:14.240 --> 3:03:16.200
<v Speaker 1>let's speak that. Let's be.

3:03:16.360 --> 3:03:25.280
<v Speaker 9>Let's let's be do you you don't call me somebody, listen,

3:03:25.400 --> 3:03:27.120
<v Speaker 9>my wife just came here. I just want you to know.

3:03:27.400 --> 3:03:30.360
<v Speaker 3>I'm officially inducted into the White Rock and Roll Hall

3:03:30.400 --> 3:03:30.760
<v Speaker 3>of Fame.

3:03:31.440 --> 3:03:35.320
<v Speaker 1>As nor read the dude, I am now the dude.

3:03:35.480 --> 3:03:44.240
<v Speaker 1>You don't give your sensory of white rock clean for you,

3:03:46.040 --> 3:03:48.400
<v Speaker 1>clean for you, and do not give it to And

3:03:48.520 --> 3:03:53.920
<v Speaker 1>he's like he's he's going to Tim. I don't know.

3:03:54.000 --> 3:03:57.240
<v Speaker 3>I've never seen your dude pass, just like we've never

3:03:57.320 --> 3:03:58.400
<v Speaker 3>seen just skating back.

3:03:59.600 --> 3:04:01.480
<v Speaker 1>You see, Kapore.

3:04:02.680 --> 3:04:04.960
<v Speaker 2>Look, can't even make you know.

3:04:09.000 --> 3:04:14.800
<v Speaker 1>I have story about yeah, no, I have a really

3:04:14.920 --> 3:04:18.200
<v Speaker 1>funny story about power. This is like about how close

3:04:18.280 --> 3:04:19.560
<v Speaker 1>you could be to power?

3:04:19.760 --> 3:04:20.119
<v Speaker 2>All right?

3:04:20.320 --> 3:04:27.240
<v Speaker 1>Okay, and oh man, oh god. A couple of Christmases ago,

3:04:28.240 --> 3:04:33.879
<v Speaker 1>like Bob and I have had d please okay, kid, rock,

3:04:34.600 --> 3:04:35.600
<v Speaker 1>Bob and I have.

3:04:36.879 --> 3:04:38.920
<v Speaker 4>He's he big brothers me a lot, you know what

3:04:38.920 --> 3:04:41.960
<v Speaker 4>I'm saying. So there's like always heated moments, you know

3:04:41.959 --> 3:04:45.800
<v Speaker 4>what I mean, like gets hot sometimes mother, you know,

3:04:46.160 --> 3:04:50.200
<v Speaker 4>like we have these moments. We got heated one night

3:04:50.959 --> 3:04:54.879
<v Speaker 4>and I was like, it's like Christmas, right what.

3:04:55.440 --> 3:04:59.520
<v Speaker 1>You would Rock had an argument on? Yeah, yeah, because well.

3:04:59.440 --> 3:05:02.480
<v Speaker 4>I found out my my wife at the time, who

3:05:02.520 --> 3:05:06.480
<v Speaker 4>I was separated with, was kicking it over there. Okay,

3:05:07.080 --> 3:05:12.040
<v Speaker 4>like it was warn us your ex wife again, but

3:05:12.200 --> 3:05:16.360
<v Speaker 4>like they're family. It's don't I'm saying, we don't accept

3:05:16.400 --> 3:05:20.480
<v Speaker 4>it now, He's not. You cannot accept this, No, no,

3:05:20.840 --> 3:05:24.680
<v Speaker 4>I do all right. But it was Christmas and I

3:05:24.840 --> 3:05:27.320
<v Speaker 4>was fucking hammered and it was snowing outside and it

3:05:27.440 --> 3:05:30.960
<v Speaker 4>was pissed and fucking you know all this ship and

3:05:31.680 --> 3:05:32.240
<v Speaker 4>I called him.

3:05:32.480 --> 3:05:35.680
<v Speaker 1>You know, I was like, yo, motherfucking motherfucking you know

3:05:35.680 --> 3:05:36.039
<v Speaker 1>what I'm saying.

3:05:36.080 --> 3:05:40.600
<v Speaker 4>I started going going off and dude, that night, I'm

3:05:40.640 --> 3:05:44.000
<v Speaker 4>not shipping you. A bomb went off on Second Avenue

3:05:44.080 --> 3:05:48.880
<v Speaker 4>in Nashville, Tennessee. And at this time I'm living in Tennessee. Nashville, Tennessee.

3:05:50.120 --> 3:05:51.600
<v Speaker 4>No like downtown the key.

3:05:51.879 --> 3:05:54.480
<v Speaker 1>Do you remember the news about the bomb that went

3:05:54.560 --> 3:05:55.560
<v Speaker 1>off on Second Avenue?

3:05:55.600 --> 3:05:58.040
<v Speaker 4>Do you remember hearing about that somebody parked a winter

3:05:58.120 --> 3:06:02.640
<v Speaker 4>bagel outside of Yes, the Yeah, I was downtown when

3:06:02.680 --> 3:06:06.960
<v Speaker 4>that happened, like like wake like I was there, you know,

3:06:07.480 --> 3:06:13.000
<v Speaker 4>And but the night before I had you know, dude,

3:06:13.080 --> 3:06:17.520
<v Speaker 4>the next day at f came to my door a

3:06:17.760 --> 3:06:19.640
<v Speaker 4>deep blue jackets.

3:06:20.840 --> 3:06:25.360
<v Speaker 1>Yellow at my door, blue jackets, yellow yellers, yellow letters.

3:06:25.959 --> 3:06:33.000
<v Speaker 1>Yeah at l okay, okay, you're fucking me up something

3:06:34.520 --> 3:06:42.080
<v Speaker 1>so late bugs. They pulled up and are you mister eight? Yeah?

3:06:42.840 --> 3:06:43.400
<v Speaker 2>Can we come in?

3:06:44.440 --> 3:06:47.640
<v Speaker 1>I mean yeah, boy, my heart was in my shoes.

3:06:47.879 --> 3:06:49.959
<v Speaker 2>Bro. I was like what the fuck?

3:06:51.280 --> 3:06:55.640
<v Speaker 1>They said, Uh, have you had any confrontations lately? And

3:06:55.800 --> 3:06:56.200
<v Speaker 1>I was like.

3:06:58.480 --> 3:07:03.280
<v Speaker 4>No, I mean nah, not that I can remember. And

3:07:03.360 --> 3:07:08.440
<v Speaker 4>they were like, uh, what about a Bobby? And I

3:07:08.520 --> 3:07:09.959
<v Speaker 4>was like I was like, what's what do you mean?

3:07:10.640 --> 3:07:14.800
<v Speaker 4>And he said, uh Bobby. I was like, you can

3:07:15.040 --> 3:07:20.280
<v Speaker 4>rock Bob. That that bob you're talking about, like yeah him?

3:07:21.240 --> 3:07:24.320
<v Speaker 4>And I was like, I mean, yeah, I got no.

3:07:24.440 --> 3:07:28.040
<v Speaker 1>Argument with him last night, but what's the connection here?

3:07:29.200 --> 3:07:31.440
<v Speaker 4>And I was like, did you have anything to do

3:07:31.680 --> 3:07:37.160
<v Speaker 4>with the bombing one second Avenue? And I was like,

3:07:40.440 --> 3:07:44.880
<v Speaker 4>I was like, I was like, first of all, Bob's

3:07:44.920 --> 3:07:49.320
<v Speaker 4>place is on Broadway. That's way away for second Avenue

3:07:49.400 --> 3:07:52.680
<v Speaker 4>was second of all, I ain't no fucking terrorist motherfucker,

3:07:53.000 --> 3:07:56.360
<v Speaker 4>like you know what I'm saying, but that but that

3:07:56.600 --> 3:07:58.880
<v Speaker 4>was so shocking to me, like that that fucking like

3:07:59.000 --> 3:08:03.320
<v Speaker 4>how like careful with this ship, y'all. Careful what you say,

3:08:03.480 --> 3:08:05.920
<v Speaker 4>care for what you do, because there's some you know,

3:08:06.200 --> 3:08:09.600
<v Speaker 4>you could have a simple argument with someone and like

3:08:09.760 --> 3:08:12.280
<v Speaker 4>over the phone and some other ship happened around the corner.

3:08:13.720 --> 3:08:17.360
<v Speaker 4>They got you you know what I'm saying, and then

3:08:17.440 --> 3:08:19.480
<v Speaker 4>and they and they'll come tap in that. So that

3:08:19.720 --> 3:08:22.520
<v Speaker 4>was like like you know, like so so kid rock

3:08:22.600 --> 3:08:27.200
<v Speaker 4>phone is tapped. For sure, My ships tapped for sure.

3:08:27.400 --> 3:08:32.160
<v Speaker 1>For sure. Let's take a picture show. But but I

3:08:32.320 --> 3:08:34.280
<v Speaker 1>just I just know that, like you know, like you

3:08:34.400 --> 3:08:37.840
<v Speaker 1>get like close to like like you know what I'm saying,

3:08:37.959 --> 3:08:41.520
<v Speaker 1>people who move and shake, man, and then they'll they'll

3:08:41.600 --> 3:08:44.720
<v Speaker 1>definitely wake you up if you're sleeping on them, they'll

3:08:44.760 --> 3:08:46.800
<v Speaker 1>wake you up real quick. We're taking the shop for

3:08:47.200 --> 3:08:51.320
<v Speaker 1>us being wake up. Oh fuck. Just woke? Is just

3:08:51.440 --> 3:08:56.240
<v Speaker 1>that what we're saying. Yeah, let's be woke. No, no,

3:08:56.680 --> 3:08:59.720
<v Speaker 1>just drink. I gotta drink here, I'm taking a drink.

3:08:59.720 --> 3:09:02.920
<v Speaker 1>All right, bad You're gonna leave me out there. H yeah,

3:09:03.040 --> 3:09:08.760
<v Speaker 1>we were together, the whole just left me.

3:09:08.959 --> 3:09:15.640
<v Speaker 3>I'm gonna take a shot, you know, I'm gonna be honest.

3:09:16.240 --> 3:09:19.680
<v Speaker 3>Thank you so much, man, Thank you came here, you

3:09:19.760 --> 3:09:22.200
<v Speaker 3>played the game, you lived it the same way.

3:09:22.600 --> 3:09:24.800
<v Speaker 1>You want to fig you up. We want to continue

3:09:24.879 --> 3:09:26.039
<v Speaker 1>to have your success.

3:09:27.800 --> 3:09:29.400
<v Speaker 3>And you know what was one of the best things

3:09:29.440 --> 3:09:33.080
<v Speaker 3>that I was researching and googling and doing all this,

3:09:33.879 --> 3:09:39.080
<v Speaker 3>and one of the best things that said about you

3:09:39.320 --> 3:09:42.840
<v Speaker 3>is your fans went with you. That's why my first

3:09:42.959 --> 3:09:45.119
<v Speaker 3>question to you was independent of major.

3:09:46.879 --> 3:09:50.040
<v Speaker 1>And I went. You know, he watched so many interviews

3:09:50.080 --> 3:09:52.080
<v Speaker 1>of you. I watched so many interviews.

3:09:51.640 --> 3:09:56.039
<v Speaker 3>Of you, and one of the things that was repetitive

3:09:57.160 --> 3:10:00.360
<v Speaker 3>was that your fans went with you ever you went.

3:10:01.400 --> 3:10:03.080
<v Speaker 1>And I want to tell you how rare that is.

3:10:07.560 --> 3:10:10.120
<v Speaker 3>If you play for the Yankees and then you play

3:10:10.160 --> 3:10:12.640
<v Speaker 3>for Minnesota the next day, they hate you.

3:10:14.080 --> 3:10:17.760
<v Speaker 1>If you play for LA and then you go to

3:10:18.320 --> 3:10:20.240
<v Speaker 1>New York the next day, they hate you.

3:10:20.760 --> 3:10:25.760
<v Speaker 3>The fact that you had this big, luxurious career with

3:10:26.200 --> 3:10:29.720
<v Speaker 3>shady records, Geffen in the scope and then you went

3:10:29.800 --> 3:10:32.680
<v Speaker 3>independent because I was so shocked that you said independent

3:10:32.840 --> 3:10:37.040
<v Speaker 3>when I when I asked you that. But that goes

3:10:37.120 --> 3:10:40.760
<v Speaker 3>to your audience. It goes to your audience. What I

3:10:40.879 --> 3:10:44.520
<v Speaker 3>mean by that is they went with you. Most don't

3:10:44.920 --> 3:10:47.640
<v Speaker 3>when you take off that Yankee jersey, they say fuck you,

3:10:48.879 --> 3:10:51.360
<v Speaker 3>They don't support you again. But the fact that you

3:10:51.560 --> 3:10:57.040
<v Speaker 3>did that, you accomplished that. I want to salute you

3:10:57.160 --> 3:10:59.800
<v Speaker 3>for that. Man, I want to let you know that.

3:11:01.480 --> 3:11:05.200
<v Speaker 3>But because I can you living there, you living in

3:11:05.280 --> 3:11:07.560
<v Speaker 3>this time, so you probably don't know what you're doing.

3:11:08.360 --> 3:11:10.920
<v Speaker 1>But I, as an outsider, that's the insider. That's the

3:11:11.000 --> 3:11:14.480
<v Speaker 1>outsider looking in. I killed that. I killed that.

3:11:15.040 --> 3:11:18.440
<v Speaker 3>I heard y'all, I heard that. I felt y'all feel me.

3:11:19.720 --> 3:11:21.040
<v Speaker 3>But that's what I am.

3:11:22.000 --> 3:11:23.120
<v Speaker 1>And I got to tell you.

3:11:23.280 --> 3:11:26.920
<v Speaker 3>Continue to do your job, continue to be great, continue

3:11:27.040 --> 3:11:30.280
<v Speaker 3>to live hip hop, continue to bring hip hop, rap

3:11:30.400 --> 3:11:36.040
<v Speaker 3>country together. You making something, and in the end they're

3:11:36.080 --> 3:11:40.000
<v Speaker 3>gonna salute you, and they're gonna say, that's what the

3:11:40.080 --> 3:11:40.720
<v Speaker 3>fuck you did?

3:11:41.320 --> 3:11:46.480
<v Speaker 1>And me and E F F my brother is glad

3:11:46.680 --> 3:11:53.920
<v Speaker 1>to salute you and tell you continue to do that,

3:11:54.560 --> 3:11:56.520
<v Speaker 1>You're gonna a picture of a couple of drops, and

3:11:56.600 --> 3:11:58.039
<v Speaker 1>that's God damn.

3:11:59.320 --> 3:12:02.720
<v Speaker 2>Drink Chance is a Drink Champs LLC production hosts and

3:12:02.840 --> 3:12:06.240
<v Speaker 2>executive producers n O r E and dj e FN.

3:12:07.440 --> 3:12:11.560
<v Speaker 2>Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3:12:11.840 --> 3:12:15.480
<v Speaker 2>or wherever you get your podcasts. Thanks for joining us

3:12:15.520 --> 3:12:18.120
<v Speaker 2>for another episode of Drink Champs hosted by Yours Truly,

3:12:18.280 --> 3:12:21.000
<v Speaker 2>dj e FN and n O r E. Please make

3:12:21.000 --> 3:12:23.240
<v Speaker 2>sure to follow us on all our socials That's at

3:12:23.320 --> 3:12:27.039
<v Speaker 2>drink Champs across all platforms, at the Real Noriagon, ig

3:12:27.760 --> 3:12:30.880
<v Speaker 2>at Noriega on Twitter, mine is at Who's Crazy on

3:12:31.040 --> 3:12:34.920
<v Speaker 2>ig at dj e f N on Twitter, and most importantly,

3:12:34.959 --> 3:12:37.760
<v Speaker 2>stay up to date with the latest releases, news and

3:12:37.920 --> 3:12:40.240
<v Speaker 2>merch by going to drink champs dot com