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Speaker 1: He is drink champs, motherfucky podcast man. He's a legendary

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Speaker 1: queens rapper. He's agreed as your boy in O r E.

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Speaker 2: He's a Miami hipp hop lioneer. Put up as d

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Speaker 2: j E f N.

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Speaker 3: Together they drink it up with some of the biggest players,

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Speaker 3: you know what I mean. And the most professional unprofessional

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Speaker 3: podcast and your number one source for drunks.

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Speaker 1: Very day is New Year's Csten.

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Speaker 2: It's time for drink champions.

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Speaker 1: Drink up, motherfuck mother? Would it good? Be hoping he

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Speaker 1: should be?

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Speaker 2: This your boy in O r E.

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Speaker 3: Put up his dj E f N. This is Jillammy great.

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Speaker 3: This man has been in movies, he hasn't been. He

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Speaker 3: has records from everybody from Gags the Bull, to Uchie

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Speaker 3: Man to motherfucking Eminem. He still sells out tolls. He

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Speaker 3: said he pulled up in the coloring and he came early.

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Speaker 3: I fucking respect the shit out of that. We are

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Speaker 3: going to have some fun today. We're gonna drink some whiskey.

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Speaker 3: We heard he's a whiskey guy. See he got the

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Speaker 3: American spirits over there.

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Speaker 1: Yo sunny dpt in casey yo yellow Oh yeah, yellow back, yeah,

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Speaker 1: yellow so Megan.

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Speaker 3: Now Alabama but Tennessee. Yeah, how does that go together?

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Speaker 3: I was born in Alabama, Uh huh.

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Speaker 4: Then I moved to I actually moved to Antioch, so

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Speaker 4: I grew up in the same hood jelly roll, Wow Struggle.

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Speaker 4: So Antioch when I was about seven and I lived

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Speaker 4: there from seven to fifteen years old, and then to Atlanta, Georgia,

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Speaker 4: and back to Alabama. And so basically Alabama, Georgia Tennessee

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Speaker 4: was Wow feeding grounds, so to speak.

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Speaker 3: So when I listen to your music, I do hear

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Speaker 3: a taste of Atlanta.

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Speaker 4: Now it makes sense. That's where it popped. Atlanta is

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Speaker 4: where I had to go to Atlanta to get it going.

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Speaker 4: You made cho yeah, yeah.

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Speaker 2: I linked up with Sea.

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Speaker 4: Bear, Kawan Prayther, with Ghetto Vision and Jeremy Jones, and

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Speaker 4: early on it was Maley the producer did Blonde Channel Orange.

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Speaker 4: So we were out there making noise and that's where

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Speaker 4: I got my chops up. You know, I had to

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Speaker 4: get out of Alabama to go get heard. Okay, So

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Speaker 4: I was on the streets for a while, you know,

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Speaker 4: you know, slinging tapes out the trunk, doing that hour Alabama.

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Speaker 3: What does the music seem like in Alabama, it's more country.

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Speaker 1: It's changed a lot.

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Speaker 5: You know.

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Speaker 4: The best way to describe the kind of neighborhood lifestyle

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Speaker 4: that I grew up in is like hustle and.

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Speaker 1: Flow, like visually Memphis pretty much just like that. Actually

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Speaker 1: exactly like that Box Chevy's.

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Speaker 3: You know, just you know, creepy little a song called

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Speaker 3: box Chevy too.

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Speaker 4: Oh yeah, I'm on number eight right now, actually on

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Speaker 4: on War Stories album, the double album we just released

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Speaker 4: Box Chevy Part eight.

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Speaker 2: I got a Killer Mic is on it.

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Speaker 4: Killer Mic and Bob Styles and so yeah, we got

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Speaker 4: a whole series of Box Chevy record I think.

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Speaker 3: I think that's what's one of one of the most

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Speaker 3: unique thing about you is no one can put you

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Speaker 3: in a box.

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Speaker 1: Like I can't say.

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Speaker 3: Uh uh, Like if I hear you on a song

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Speaker 3: with somebody, I'm not shocked because I feel like you

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Speaker 3: can do any anything. I feel like that's that's like

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Speaker 3: more your style. It's like, it's not that's what I mean.

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Speaker 4: Yeah, yeah, my my my manager and I, you know,

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Speaker 4: we got a thing like creatively schizophrenic, professionally bipolar. You

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Speaker 4: know that that's pretty you know, like being able to

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Speaker 4: weave in and out of styles, and my consistency is literal,

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Speaker 4: really my inconsistency, you know what I mean. I like

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Speaker 4: to change, I like to explore a lot of shit

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Speaker 4: and uh yeah, you know, I don't put boundaries on creativity.

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Speaker 2: Never. Who were those early influences, like did were there

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Speaker 2: local artists in Alabama? And then when you when you

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Speaker 2: went to Atlanta. I'm sure that that really influenced you

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Speaker 2: that whole scene. Who were those early influences?

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Speaker 1: Yeah?

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Speaker 4: No, well, I mean it seems fantastical or unbelievable, but

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Speaker 4: my mother's first long term boyfriend who did light and

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Speaker 4: sound for Alabama, Ted NuGen Rio, Speedwagon ten thousand maniacs,

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Speaker 4: uh and then Aerosmith.

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Speaker 1: During the walk this way towards it is a true story.

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Speaker 4: WHOA. I was six years old living in Alabama and

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Speaker 4: Fort Payne and it was a dry county.

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Speaker 3: So during the walk yeah, okay, okay, yeah, So before

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Speaker 3: you finished that story, what should I do?

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Speaker 1: Drink some whiskey? Yeah, whiskey, let's get just from Jo whisky.

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Speaker 2: Going all right?

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Speaker 1: Well, so.

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Speaker 4: Since it was a dry county, but my mom, my

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Speaker 4: mom and her boyfriend, they held the party down all

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Speaker 4: the time, you know, late parties whatever. So literally the

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Speaker 4: run DMC crew and Aerosmith came to our house, brought

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Speaker 4: me my ideas merch, my Idea's tapes, licensed to Ill Tapes,

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Speaker 4: Beastie Boy tape. So that was that was my first Hey,

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Speaker 4: this is hip hop. At the time, it wasn't like, yo,

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Speaker 4: this is hip hop. I've just given music because like

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Speaker 4: in the music business, you get swagged all the time.

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Speaker 4: It's a bunch of free shit here on the road.

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Speaker 4: So that's how it fell into my world. The actual

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Speaker 4: sound of hip hop. Up until that point, you know,

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Speaker 4: it was all classic rock and country. But it wasn't

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Speaker 4: until I moved to Nashville, Tennessee, where the culture of

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Speaker 4: hip hop started to make sense, you know, like in

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Speaker 4: the streets. But my early influence, I was just surrounded

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Speaker 4: by music. I was very you know, like to like

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Speaker 4: five years old. They would throw parties all the time,

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Speaker 4: but they would just throw me in the basement. Yeah,

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Speaker 4: because my mother was you know, I had a relationship.

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Speaker 4: His name was John Orchard, and the company was called

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Speaker 4: Electric Tech. So its lighting sound roadies. All them guys,

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Speaker 4: they all roll together, you know what I'm saying.

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Speaker 2: They party, Oh yeah, yeah, for real.

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Speaker 4: And then so I would be down in the basement

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Speaker 4: my uncle now uncle David, David Zammitt, who was also

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Speaker 4: a sound engineer for a lot of big bands he

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Speaker 4: did like June jam for like Dwight Yoakam and Alabama,

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Speaker 4: Travis Tritt, all all those country guys, but he did programming.

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Speaker 4: So there was an SP twelve hundred in the basement,

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Speaker 4: and like they would put me down on the SP

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Speaker 4: twelve hundred in the basement, I would be smacking around

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Speaker 4: on that, you know what I mean, while they were

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Speaker 4: partying and shit. So but it was all toy ish

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Speaker 4: to me, you know, but the seeds were being laid,

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Speaker 4: you know what I mean to you know, by the

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Speaker 4: time I got to Nashville and picked up skateboarding and

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Speaker 4: got in the graffiti scene, you know. Then then then

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Speaker 4: hip hop was just like a tsunami, right, you know,

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Speaker 4: it just started flooding into my life. So it was

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Speaker 4: natural for me to pull all those influences and try

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Speaker 4: to figure it out. It was took a lot long time, though,

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Speaker 4: you know what I mean, to figure out that sound

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Speaker 4: long time.

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Speaker 1: Man.

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Speaker 3: I heard you use the phrase country hip hop was

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Speaker 3: a hip hop country.

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Speaker 4: Well, you know, I'm not a big fan of country rap,

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Speaker 4: you know. Like, to be quite honest, I don't. I

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Speaker 4: don't believe in that genre.

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Speaker 1: I don't. I just think that like the genre.

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Speaker 4: I think that hip hop is whatever you make of it,

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Speaker 4: because it's it's a sample bassed music. So if you

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Speaker 4: want to do sitars in your record, you know what

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Speaker 4: I'm saying, or if you want to sample a banjo,

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Speaker 4: or if you want to pull from this and pull

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Speaker 4: for that, hip hop can be you know.

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Speaker 1: It's a stew of anything that you you know, absolutely,

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Speaker 1: a lot of people like they try to put a.

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Speaker 4: They put things into a box and try to compartmentalize

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Speaker 4: each style.

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Speaker 1: Yeah, and it's a marketing scheme to yeah. Yeah, But

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Speaker 1: at the end of the day, man, it's just really

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Speaker 1: hip hop.

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Speaker 2: And you know it's to me.

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Speaker 4: You got hip hop, country, rock and roll, blues, you know,

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Speaker 4: those can be compartmentalized, but within hip hop itself. I

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Speaker 4: just I've always believed in you know, hip hop, hip hop.

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Speaker 4: You know, like it's just your style. What is your style?

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Speaker 4: This is my style, this is how I do it.

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Speaker 3: Now you started to beat between Machine Gun Kelly and

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Speaker 3: eminem Right, No, I didn't start.

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Speaker 1: People don't know people. It's not us.

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Speaker 3: The people here doesn't allow cigarettes.

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Speaker 1: So you drinking supposed to read again? Respect, No, let's

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Speaker 1: go back to it. But this is a woman that

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Speaker 1: I heard. I heard it.

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Speaker 3: It was your record, machine Gun. Kelly is supposed to

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Speaker 3: get on it, or he got on it. He sent

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Speaker 3: it to M and M drops a disc record. Yeah,

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Speaker 3: that's pretty much what happened.

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Speaker 1: Well, so you didn't know that they had like a

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Speaker 1: little little things going.

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Speaker 4: I can't say that I was fully blind to some

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Speaker 4: sort of there was something in the air, but honestly,

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Speaker 4: DJ Paul, my brother Field, Yeah, we were in uh.

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Speaker 4: We were in Nashville working on Trump Music, Trump.

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Speaker 1: Music three, and he was like it was his idea.

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Speaker 1: Yeah he was. He was like, bro, I got this,

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Speaker 1: I got this rowdy beat.

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Speaker 4: If I could get you Kel's and Marshall on this ship,

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Speaker 4: it'll be out of here. It would be the craziest

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Speaker 4: three white boys on the record that's ever been heard.

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Speaker 1: That record, still record. That was his whole thing. I

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Speaker 1: was like, man, I mean, fuck it out, let's let's go.

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Speaker 4: So I lay it made my verse, sent it to

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Speaker 4: UH to Kel's and Kells was super excited. I told

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Speaker 4: him the whole, the whole idea of it. I pitched him, Okay, man,

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Speaker 4: I'm trying to get Marshall on this record. Paul produced it.

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Speaker 4: It'll be nuts if we can make this happen. So

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Speaker 4: I recorded it, Kells recorded his verse, sent it to Marshall.

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Speaker 4: Crickets Crickets for months, I don't know how long. All

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Speaker 4: I knew I knew from then I was like, I

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Speaker 4: don't know, man, I didn't I didn't know there was

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Speaker 4: a disc record coming.

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Speaker 1: But right, you're on Shady at the same Yeah, yeah,

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Speaker 1: on Shady. Yeah, this is some exciting ship contiguous.

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Speaker 2: I'm on Shady and.

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Speaker 4: And I've got I got this record coming out on Shady.

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Speaker 4: I mean like it's you know, it's a thing. It's

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Speaker 4: a Shady release. He puts this disc record out and

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Speaker 4: you have no idea.

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Speaker 1: I have no clue.

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Speaker 4: I had no one saw, no, he didn't say shit

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Speaker 4: to anyone. And I'm sitting here with this record. It's

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Speaker 4: me Paul Kells, and I'm like, oh, man, what the

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Speaker 4: fuck am I gonna do?

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Speaker 1: You know what I'm saying because I was like that.

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Speaker 4: Within an hour of it hitting the internet, Kell's face

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Speaker 4: times me wow, And I picked up the face time

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Speaker 4: and Kel's going He's just shaking his head like, nah, man, nah,

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Speaker 4: I'm not having it. Yeah exactly, he was like nah.

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Speaker 4: I was like, hey, I don't know what to tell you.

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Speaker 6: Man.

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Speaker 4: I honestly like, at this point, I don't know what

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Speaker 4: to do. I don't know what to tell you. I

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Speaker 4: haven't spoken to Marshall.

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Speaker 1: But you know, like I, you know, do what you do.

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Speaker 4: I guess you want to man up and go go there,

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Speaker 4: then go go there. But I can't tell you what's

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Speaker 4: gonna happen with you and me. But you know, meaning

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Speaker 4: I couldn't. I couldn't tell him like this may turn

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Speaker 4: into a problem with me and you like because I

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Speaker 4: told him that. Well yeah, I mean I was like,

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Speaker 4: dog if you know, like I was with Shady, so

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Speaker 4: if the general says go, let's go but yeah, so

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Speaker 4: like but but so, I mean, but I'm saying that's

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Speaker 4: my gang, you know, I was Shady Records, so respect.

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Speaker 1: So I finally got Marshall on the phone.

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Speaker 3: After I love how you called on Marshall, by the way,

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Speaker 3: I love that.

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Speaker 1: I know it's eminem yeah, yeah, I always it's weird

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Speaker 1: calling imminent. Marshall seems like we called the Marshal because

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Speaker 1: I don't know him at all. I never met him.

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Speaker 3: I've met him one time at the Hip Hop Summit

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Speaker 3: and it was like we passed by, shook hands, and

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Speaker 3: that was pretty pretty much it.

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Speaker 1: Uh in Detroit.

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Speaker 4: Yeah, Well, I could tell you that I was the

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Speaker 4: only human probably alive with both of them on the

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Speaker 4: phone during that whole.

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Speaker 3: Wait a minute, you going too fast, hold hold on on.

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Speaker 3: So when m called, you got him and.

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Speaker 1: You're separately were talking about okay, okay. I thought you

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Speaker 1: had the three way going.

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Speaker 5: No.

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Speaker 1: I only had a couple of conversations with Marshall.

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Speaker 4: And but when I did talk to Marshall, I was

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Speaker 4: in Toronto, and this is after after he had released

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Speaker 4: the record.

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Speaker 1: And then mg K drops his ship and he drops

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Speaker 1: that line, you know.

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Speaker 4: Something about don't take me off yellow album, Don't take

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Speaker 4: me off Yellows album.

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Speaker 1: Yeah, and uh, you took him with the album.

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Speaker 2: No, no, no, okay, So I caught.

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Speaker 1: I'm sorry, I caught Marshall basically like like listen, man.

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Speaker 4: Obviously I got the utmost respect for Marshall, and I

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Speaker 4: was like, listen, I like this song.

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Speaker 1: I got with l Kel's, you know, and and like

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Speaker 1: I had a beat with Kel's early early on. Yeah, yeah,

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Speaker 1: I can't get along.

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Speaker 4: Well I took I you know, I just I addressed

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Speaker 4: it on bootleg keV, like if you want it, let's go,

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Speaker 4: like I'm with it. I'm with it, I'm with the

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Speaker 4: bullshit whatever. But I met him, we handled it, we

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Speaker 4: squashed it. It's all good. And that was years years ago,

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Speaker 4: so opportunity to come around to do a record, I

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Speaker 4: was with it and we've since become good friends.

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Speaker 2: That's my dog, you know.

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Speaker 1: Wow. So I was like, what do you want me

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Speaker 1: to do? The as marshall, you know, what what do

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Speaker 1: we do?

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Speaker 2: What do you want me to do?

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Speaker 4: And he said to me, man, put that ship out.

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Speaker 4: People need to hear it. People need to hear that.

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Speaker 4: So he kept it that.

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Speaker 1: Yeah, he respected my career during all of.

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Speaker 2: This, right, you know what I'm saying.

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Speaker 1: So, I mean, was that because he thought it was

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Speaker 1: that good of a record or just out of.

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Speaker 4: I think the situation respect for me and knowing that

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Speaker 4: I didn't know, like I know if he had dissed

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Speaker 4: mg K. And then I went and afterwards did a

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Speaker 4: record with him. You know that would be fucked up,

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Speaker 4: but that's not how it happened.

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Speaker 2: So I was just fucking in the middle, like fucking.

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Speaker 3: White boy Jesus or something, because I think I her

290
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Speaker 3: game say that he thought that machine gun Kelly drink drinks.

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Speaker 1: Yeah, I'll take some creek water. By the way, this

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Speaker 1: is my best ship, ride my Whiskey brand creek water.

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Speaker 1: This is this is our cinnamon. We got the O

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Speaker 1: G one proof and this is our brand. Give him

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Speaker 1: a new cup though, our brand new one. Smoke peach.

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Speaker 1: Oh you're making it over there, okay, okay, oh yeah,

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00:15:18,120 --> 00:15:19,840
Speaker 1: oh yeah, you got it. Okay, you got it?

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Speaker 3: So which one is that? What's the look up? What

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00:15:22,760 --> 00:15:27,920
Speaker 3: was that cinnamon? You also did the movie right Along.

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Speaker 1: Ride Along?

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Speaker 7: Nah?

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Speaker 5: Did I?

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Speaker 1: It's in your google's right Along? Yeah, we did a

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Speaker 1: movie called ride Along.

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Speaker 4: Oh no, no, no, right along with Now that's that's

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00:15:41,280 --> 00:15:44,200
Speaker 4: a docu. That's a document series with put Homeboy from.

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Speaker 1: Uh the Evil Dead. He does the I ribe motorcycle,

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Speaker 1: I ride Harley. You look like you ribe most cycles?

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Speaker 1: Yeah no, no, just back.

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Speaker 5: Was like like.

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00:16:03,120 --> 00:16:04,680
Speaker 1: Feels like that. You can look at him and say, yo,

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00:16:04,800 --> 00:16:06,000
Speaker 1: he owns a holly.

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Speaker 2: Thank you.

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Speaker 1: That's funny. Yeah, so.

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Speaker 2: What's his name?

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00:16:16,960 --> 00:16:21,400
Speaker 4: I feel I'm terrible, terrible with names, even celebrities is horrible.

317
00:16:21,520 --> 00:16:23,640
Speaker 4: Y'all know who the dude is, the head guy from

318
00:16:24,160 --> 00:16:28,520
Speaker 4: from Evil Dead the shows.

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Speaker 1: You're looking at him like he's gonna come over.

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Speaker 2: Anyway.

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00:16:33,680 --> 00:16:36,640
Speaker 4: So I did do that series with him. It was

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Speaker 4: me and me, him and Marilyn Manson. Wow during that.

323
00:16:41,840 --> 00:16:43,800
Speaker 4: During that, uh so, I just take him around. I

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00:16:43,840 --> 00:16:46,280
Speaker 4: took him around Nashville and the Harley and showed him

325
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Speaker 4: the city and you know, I did the thing. But

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Speaker 4: the first and only movie I've done officially is Peanut

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Speaker 4: Butter Falcon.

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Speaker 3: I was getting to that ahead, skipped my interview ahead.

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Speaker 3: I got it right, head talk about it twenty nineteen.

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Speaker 4: Yeah, yeah, well, I mean it's the only film that

331
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Speaker 4: I've done officially. I've been in a series here and there.

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Speaker 2: You know what I'm saying.

333
00:17:08,840 --> 00:17:14,880
Speaker 4: But yeah, so Peanut Butterfalcon shot at Savannah, Georgia. Story

334
00:17:14,920 --> 00:17:18,800
Speaker 4: by this kid with Down syndrome who escapes. He escaped

335
00:17:18,800 --> 00:17:22,080
Speaker 4: the retirement home. People don't know. This is a real

336
00:17:22,200 --> 00:17:25,240
Speaker 4: law in America. If a child with Down syndrome doesn't

337
00:17:25,280 --> 00:17:26,920
Speaker 4: have a family to take care of him. They put

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Speaker 4: him in a retirement home.

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00:17:28,640 --> 00:17:34,120
Speaker 1: That's crazy. Damn, that's a real thing. A kid. Wow.

340
00:17:34,320 --> 00:17:36,840
Speaker 4: And they put him on the government custody at a

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Speaker 4: retirement home as well. So the director Tyler became best

342
00:17:40,320 --> 00:17:44,440
Speaker 4: friends with this kid, Zach And in real life, I

343
00:17:44,520 --> 00:17:46,480
Speaker 4: wrote the story about him. So this kid escapes the

344
00:17:46,520 --> 00:17:48,879
Speaker 4: retirement home and he's set out. He sets out to

345
00:17:49,119 --> 00:17:53,359
Speaker 4: become a professional wrestler. And he's you know, there's this

346
00:17:53,720 --> 00:17:55,880
Speaker 4: wrestler in the film Saltwater Redneck.

347
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Speaker 2: Thank you. Let's go.

348
00:17:59,400 --> 00:18:02,080
Speaker 1: We got to get the ship going. Bro drink, let's

349
00:18:02,119 --> 00:18:08,320
Speaker 1: go waiting on you chaerish, Let's do it. Let's do

350
00:18:08,400 --> 00:18:10,640
Speaker 1: a shot. Okay, I'm I'm man. Let's off.

351
00:18:10,760 --> 00:18:13,000
Speaker 2: We can start quickly.

352
00:18:13,720 --> 00:18:14,520
Speaker 1: You want to do that one?

353
00:18:14,680 --> 00:18:18,840
Speaker 3: But no, everybody, they make this in a tub and kindle.

354
00:18:18,880 --> 00:18:20,640
Speaker 3: You don't want none of that. Don't don't don't, don't.

355
00:18:20,680 --> 00:18:23,200
Speaker 3: Don't drink of that before we get to that.

356
00:18:23,320 --> 00:18:24,919
Speaker 1: Let me do you did you hear? Do you hear

357
00:18:25,320 --> 00:18:27,639
Speaker 1: glow Whiler? Yeah? Glow?

358
00:18:28,960 --> 00:18:30,120
Speaker 2: You heard that record? Yeah?

359
00:18:30,400 --> 00:18:32,480
Speaker 1: Don't remind you of your record? Don't you got a

360
00:18:32,520 --> 00:18:36,080
Speaker 1: record with with Boots? Rest in Peace?

361
00:18:37,240 --> 00:18:39,560
Speaker 4: I got something for you guys By the way. Okay,

362
00:18:39,800 --> 00:18:43,120
Speaker 4: I got Boot. Lola was my sister, Like she's.

363
00:18:42,960 --> 00:18:45,560
Speaker 1: A great person. Yes, rest in Peace also was on

364
00:18:45,680 --> 00:18:49,040
Speaker 1: Drink Chaps Listen, I got you okay.

365
00:18:49,520 --> 00:18:54,040
Speaker 4: Uh yeah, So Lola and I were so cool and Paul,

366
00:18:54,400 --> 00:18:56,480
Speaker 4: but Lola like we were so like she talked to

367
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Speaker 4: my mom like once a week.

368
00:18:58,320 --> 00:19:00,520
Speaker 1: Wow type of ship, like we were family fans.

369
00:19:00,520 --> 00:19:00,720
Speaker 8: Wow.

370
00:19:02,280 --> 00:19:04,600
Speaker 2: Yeah, that was my girl, man, And I remember.

371
00:19:04,760 --> 00:19:07,760
Speaker 4: You know, one of my first shows, I know, actually

372
00:19:07,880 --> 00:19:11,160
Speaker 4: my very first like real gangster rap show was three

373
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Speaker 4: six Mafia Mystical at the Atrium in nineteen ninety seven. Yeah,

374
00:19:15,760 --> 00:19:20,840
Speaker 4: and uh in Atlanta, Georgia. And years later I would

375
00:19:20,920 --> 00:19:23,399
Speaker 4: meet Boo and I don't remember. I think it might

376
00:19:23,440 --> 00:19:24,679
Speaker 4: have been south By Southwest.

377
00:19:25,280 --> 00:19:28,440
Speaker 1: That's what I measure actually really well. Boot.

378
00:19:29,160 --> 00:19:33,120
Speaker 4: We became fast friends and ended up doing this song

379
00:19:33,560 --> 00:19:35,280
Speaker 4: eminem we throw it up, Yeah, throw it. I put

380
00:19:35,280 --> 00:19:38,879
Speaker 4: her on the record with Marshall, which fucked everybody up.

381
00:19:38,920 --> 00:19:39,280
Speaker 3: By the way.

382
00:19:39,480 --> 00:19:41,399
Speaker 1: That was a weird combination, but we didn't get it.

383
00:19:41,560 --> 00:19:41,960
Speaker 1: It worked.

384
00:19:42,119 --> 00:19:43,879
Speaker 4: It worked, but you know, we were ahead of it.

385
00:19:44,080 --> 00:19:46,440
Speaker 4: We were ahead of the time with that shit. Like

386
00:19:46,800 --> 00:19:50,919
Speaker 4: we called a real pocket during that project. That now

387
00:19:51,000 --> 00:19:55,520
Speaker 4: it's like it is the pocket everybody's pocket. But rest

388
00:19:55,600 --> 00:20:00,760
Speaker 4: in peace, Lola, and listen. I brought this my homeboy,

389
00:20:00,960 --> 00:20:04,000
Speaker 4: John Newport fing I believe you know him.

390
00:20:04,000 --> 00:20:08,320
Speaker 1: John Newport, he must smoke Newports. He gave me this,

391
00:20:08,840 --> 00:20:15,480
Speaker 1: Lola awardless at the drink shit Holy ship.

392
00:20:15,880 --> 00:20:20,520
Speaker 4: This was Lola's drink, rag Man. It was gifted to

393
00:20:20,600 --> 00:20:24,560
Speaker 4: me as a good omen for the show, Oh, Lolas.

394
00:20:25,920 --> 00:20:31,040
Speaker 1: Was And I want you to.

395
00:20:31,040 --> 00:20:32,520
Speaker 3: I want you to check that record out because I

396
00:20:32,680 --> 00:20:35,359
Speaker 3: almost it almost sounds identical to the two records. And

397
00:20:35,480 --> 00:20:38,680
Speaker 3: I think that Glorilla was trying to big you up though.

398
00:20:38,960 --> 00:20:40,879
Speaker 3: I think that's what that record is. But she just

399
00:20:41,040 --> 00:20:43,040
Speaker 3: put it to her name though, you know what I'm saying.

400
00:20:43,040 --> 00:20:44,959
Speaker 3: So check it out though, because it sounds very, very

401
00:20:45,040 --> 00:20:47,240
Speaker 3: very similar. All right, we're gonna do the great Thomas Live.

402
00:20:47,640 --> 00:20:50,840
Speaker 1: These flowers flowers, Well, let's go, let's go.

403
00:20:51,240 --> 00:20:53,159
Speaker 3: You know, our show was about giving people their flowers

404
00:20:53,160 --> 00:20:54,680
Speaker 3: while they hear. You know, so many people want to

405
00:20:54,720 --> 00:20:56,480
Speaker 3: give people when they gone. We want to give you

406
00:20:56,560 --> 00:20:58,480
Speaker 3: face to face man, the man tell you how great

407
00:20:58,560 --> 00:21:03,200
Speaker 3: you better than the Grammy, So you know we wanted

408
00:21:03,200 --> 00:21:05,720
Speaker 3: to get you. But if you're gonna do a great

409
00:21:05,760 --> 00:21:07,720
Speaker 3: time time. I'm just doing a shot though. At least

410
00:21:07,720 --> 00:21:08,359
Speaker 3: come on, you know we.

411
00:21:08,400 --> 00:21:10,080
Speaker 1: Do quick are you guys? Are ready? Not ready?

412
00:21:10,240 --> 00:21:10,560
Speaker 2: Jesus?

413
00:21:10,880 --> 00:21:12,800
Speaker 1: All right, So just so you know, this is amazing man,

414
00:21:12,880 --> 00:21:14,720
Speaker 1: thank you. When we when we make up.

415
00:21:14,680 --> 00:21:17,679
Speaker 3: These games, it's the Dominican and the Columbia right here

416
00:21:17,720 --> 00:21:18,440
Speaker 3: who comes up.

417
00:21:18,400 --> 00:21:21,159
Speaker 1: With these questions. So if they horrible questions, just just

418
00:21:21,320 --> 00:21:25,040
Speaker 1: just just yell at them. It's okay, it's okay. They're

419
00:21:25,119 --> 00:21:30,720
Speaker 1: used to it, all right. Yes, we're taking a shot.

420
00:21:30,840 --> 00:21:31,720
Speaker 2: Yeah, definitely.

421
00:21:31,760 --> 00:21:34,160
Speaker 3: Let's let's because they're not ready yet. Okay, cool, thought

422
00:21:34,280 --> 00:21:36,760
Speaker 3: he was ready. Okay, I'm going peach baby. All right,

423
00:21:36,840 --> 00:21:38,840
Speaker 3: let me you know what I got the first question

424
00:21:39,680 --> 00:21:41,600
Speaker 3: for a quick time. Yes, yes, I got the first question.

425
00:21:41,800 --> 00:21:42,680
Speaker 2: Let's go and this.

426
00:21:43,160 --> 00:21:45,760
Speaker 3: I'm so curious how you're gonna answer this morning?

427
00:21:46,280 --> 00:21:46,600
Speaker 2: All right?

428
00:21:47,440 --> 00:21:52,399
Speaker 1: Independent or major independent? I was wrong?

429
00:21:52,720 --> 00:21:54,320
Speaker 2: How would you have thought anything else?

430
00:21:54,640 --> 00:21:58,640
Speaker 1: Because I heard you waight up, waight up, wad up? Okay,

431
00:21:58,960 --> 00:22:02,879
Speaker 1: huh all right, yeah, that's theF in jobs to the rules.

432
00:22:02,960 --> 00:22:04,800
Speaker 1: I'll tell you. I'll tell you why you can't know

433
00:22:04,880 --> 00:22:14,640
Speaker 1: why independent solo solo cheers, cheers, sello, cheers, fam y'all

434
00:22:14,680 --> 00:22:17,600
Speaker 1: feel free to take shots. Shot glass, get a bottle.

435
00:22:17,720 --> 00:22:21,240
Speaker 3: That's the O G drink Champs shot glass which one money, Yeah,

436
00:22:21,840 --> 00:22:22,520
Speaker 3: that's the original.

437
00:22:23,640 --> 00:22:27,000
Speaker 1: Yeah, it's already said. All right, cool, So I'll tell

438
00:22:27,040 --> 00:22:30,080
Speaker 1: you what I tell you why independent. Have y'all seen

439
00:22:31,240 --> 00:22:34,119
Speaker 1: y'all seen ways world? Yeah, of course I've seen ways. Well,

440
00:22:34,160 --> 00:22:37,600
Speaker 1: everybody's seen everybody all right. You know that scene.

441
00:22:40,000 --> 00:22:43,280
Speaker 4: You know, they've got this crazy underground show. It's doing great,

442
00:22:43,359 --> 00:22:45,720
Speaker 4: everybody loves it. Everybody respects that they signed to this

443
00:22:45,840 --> 00:22:47,959
Speaker 4: big major and then they show up to the studio

444
00:22:48,080 --> 00:22:51,520
Speaker 4: and it's all commercialized and they're looking at each other like,

445
00:22:52,160 --> 00:22:55,080
Speaker 4: what the fuck? They changed their jingle, they changed everything.

446
00:22:56,040 --> 00:22:59,520
Speaker 4: That's me in a nutshell. When I signed to Interscope

447
00:22:59,760 --> 00:23:01,280
Speaker 4: from in the beginning.

448
00:23:01,600 --> 00:23:03,879
Speaker 3: Because you was sign an Interscope direct right first. It

449
00:23:03,960 --> 00:23:08,479
Speaker 3: was in school, Jimmy, Jimmy, Yeah, it was Geffen Geffen

450
00:23:08,560 --> 00:23:09,600
Speaker 3: Interscope Wow.

451
00:23:11,160 --> 00:23:14,080
Speaker 4: And uh, you know, I this was right off of

452
00:23:14,119 --> 00:23:17,080
Speaker 4: Trump music when Pop the Trunk was like blowing the

453
00:23:17,119 --> 00:23:17,480
Speaker 4: fuck up.

454
00:23:17,560 --> 00:23:19,440
Speaker 2: Trump Hue was blowing.

455
00:23:19,160 --> 00:23:20,960
Speaker 4: The fuck up, and I and I was out there

456
00:23:21,080 --> 00:23:23,560
Speaker 4: just like destroying south By Southwest.

457
00:23:24,320 --> 00:23:29,240
Speaker 1: Still no major record label deal, you know, And they flew.

458
00:23:29,080 --> 00:23:32,720
Speaker 4: Me from in school, in school, Jimmy flew me from

459
00:23:33,000 --> 00:23:35,680
Speaker 4: literally from the stage to the airport to his living

460
00:23:35,760 --> 00:23:41,959
Speaker 4: room and signed, Well, I had turned down multiple deals

461
00:23:42,280 --> 00:23:46,239
Speaker 4: before that personally, No, not going you know what I mean,

462
00:23:46,359 --> 00:23:49,760
Speaker 4: like for real, Like I had a real moment with

463
00:23:49,920 --> 00:23:50,400
Speaker 4: La Reid.

464
00:23:50,800 --> 00:23:53,600
Speaker 1: Wow, you know that was real. Seriously I could I'll

465
00:23:53,640 --> 00:23:54,200
Speaker 1: tell you about that.

466
00:23:54,480 --> 00:23:59,560
Speaker 4: But but let me get to the point why it's

467
00:23:59,560 --> 00:24:02,760
Speaker 4: important independent if you can, if you can maintain, we

468
00:24:02,840 --> 00:24:03,240
Speaker 4: got to talk.

469
00:24:03,359 --> 00:24:07,719
Speaker 1: The thing is hindsight's twenty twenty, you know what I mean.

470
00:24:09,000 --> 00:24:15,399
Speaker 4: But the amount of control that you have as an artist,

471
00:24:15,760 --> 00:24:20,560
Speaker 4: as an independent, you can't put a price on that. Creatively,

472
00:24:21,400 --> 00:24:24,840
Speaker 4: that that's it. And people, I know, everybody like trips

473
00:24:24,840 --> 00:24:25,480
Speaker 4: out about.

474
00:24:25,280 --> 00:24:26,960
Speaker 1: Money, money, money, money, money, you know.

475
00:24:27,119 --> 00:24:30,679
Speaker 4: Business, marketing, marketing, market None of that means shit. If

476
00:24:30,720 --> 00:24:34,240
Speaker 4: you ain't got good music, and if you can't close

477
00:24:34,400 --> 00:24:37,000
Speaker 4: the doors to everything else and get in a fucking

478
00:24:37,040 --> 00:24:41,240
Speaker 4: studio and make a jam, you're running circles. You're putting

479
00:24:41,240 --> 00:24:47,399
Speaker 4: the cart before the horse. The music comes first, and

480
00:24:47,560 --> 00:24:51,560
Speaker 4: so protecting that is sacred. Now once you once you,

481
00:24:51,680 --> 00:24:57,320
Speaker 4: once you enter the major label system, that's gone. Everybody's

482
00:24:57,359 --> 00:25:01,480
Speaker 4: in the studio. Everybody wants an everybody wants a piece

483
00:25:01,520 --> 00:25:03,480
Speaker 4: of this that when I when I got signed and

484
00:25:03,520 --> 00:25:06,040
Speaker 4: then moved over to shady, are you kidding me? When

485
00:25:06,040 --> 00:25:09,280
Speaker 4: they heard Eminem signed a white Boy, people went crazy.

486
00:25:10,080 --> 00:25:11,800
Speaker 4: Everybody wanted a piece of that much. A lot of

487
00:25:11,840 --> 00:25:14,960
Speaker 4: pressure on you, a lot of pressure to listen. But

488
00:25:15,440 --> 00:25:19,160
Speaker 4: because I signed up, Yeah, see, you know what I'm saying.

489
00:25:19,240 --> 00:25:22,280
Speaker 4: That's the difference between being independent. I ain't gonna answer

490
00:25:22,280 --> 00:25:24,760
Speaker 4: to nobody, now, you know what I mean. I paid

491
00:25:24,800 --> 00:25:27,600
Speaker 4: my dues, I did all my six albums. I fulfilled

492
00:25:27,640 --> 00:25:30,520
Speaker 4: my contract with the major label system. I was so

493
00:25:30,720 --> 00:25:33,239
Speaker 4: happy when I had the opportunity to go independent, right,

494
00:25:33,720 --> 00:25:35,880
Speaker 4: and now you know, I released music when the fuck

495
00:25:35,920 --> 00:25:37,639
Speaker 4: I want to. I make the music I want to.

496
00:25:37,960 --> 00:25:39,440
Speaker 4: I make my art how I want to make my

497
00:25:39,600 --> 00:25:43,000
Speaker 4: art visually? You know everything, you know, I ain't gotta wait. Like,

498
00:25:43,400 --> 00:25:46,040
Speaker 4: here's the other part. You got a record, it is

499
00:25:46,080 --> 00:25:50,600
Speaker 4: ready to come out, right, it's all primed up, it's mixed, mastered,

500
00:25:50,680 --> 00:25:52,320
Speaker 4: the whole, the whole rollouts ready.

501
00:25:53,920 --> 00:25:55,520
Speaker 2: And then they're like, yeah, but.

502
00:25:56,320 --> 00:26:00,680
Speaker 1: See, but Kendrick's dropping his album, right man, you gotta wait,

503
00:26:01,240 --> 00:26:03,480
Speaker 1: you know what I mean. But you all. Being on

504
00:26:03,560 --> 00:26:04,920
Speaker 1: in Scope was like being on the Yankees.

505
00:26:05,359 --> 00:26:09,440
Speaker 3: So it's personal enough for every artist, remember not even

506
00:26:09,520 --> 00:26:11,000
Speaker 3: I mean, but every artists get to play if you

507
00:26:11,040 --> 00:26:13,639
Speaker 3: want the Yankees, Like if you get that one album

508
00:26:13,720 --> 00:26:15,239
Speaker 3: on in the school, that's a blessing. Bro.

509
00:26:15,600 --> 00:26:17,719
Speaker 1: That was like that label could not lose man.

510
00:26:18,160 --> 00:26:20,920
Speaker 4: Well, that's because Jimmy's and Jimmy I yes, Jimmyson artists

511
00:26:20,920 --> 00:26:21,639
Speaker 4: at heart, you know what I mean.

512
00:26:21,760 --> 00:26:25,160
Speaker 1: Like this dude was amazing Jimmy. I mean for Fleetwood Mac,

513
00:26:25,200 --> 00:26:25,359
Speaker 1: you know.

514
00:26:25,359 --> 00:26:26,560
Speaker 2: What, Like he knows his ship.

515
00:26:26,880 --> 00:26:30,080
Speaker 1: He's a legend in his all right. So like that

516
00:26:30,320 --> 00:26:32,600
Speaker 1: that just goes along. But back to what you were saying.

517
00:26:32,800 --> 00:26:36,240
Speaker 2: Ice Cube said something where he talking about like the

518
00:26:36,320 --> 00:26:40,120
Speaker 2: Majors and in a conversation he said, it's music by committee,

519
00:26:41,160 --> 00:26:42,760
Speaker 2: because that's what you're saying. There's too many people in

520
00:26:42,800 --> 00:26:44,920
Speaker 2: the room, too many people in the studio kind of

521
00:26:44,960 --> 00:26:45,920
Speaker 2: like I mean.

522
00:26:46,080 --> 00:26:48,520
Speaker 1: When you're chasing a fucking hit, you're already fucking up.

523
00:26:48,840 --> 00:26:51,600
Speaker 4: But if you walk into the studio and you're like,

524
00:26:52,160 --> 00:26:54,960
Speaker 4: I'm making a hit today, Bro, you've already fucked up.

525
00:26:54,960 --> 00:26:57,040
Speaker 4: You might as well go back home, go get some rest,

526
00:26:57,080 --> 00:26:59,280
Speaker 4: watch a movie, get your mind out of that fucking

527
00:26:59,320 --> 00:26:59,960
Speaker 4: space man.

528
00:27:00,280 --> 00:27:02,120
Speaker 2: Guy who says I'm making the club record. I'm making

529
00:27:02,160 --> 00:27:04,720
Speaker 2: this kind of record, this kind of record. What what

530
00:27:04,800 --> 00:27:05,440
Speaker 2: are you talking about.

531
00:27:06,160 --> 00:27:09,720
Speaker 1: Let's make a classic. Let's make that, make a classic.

532
00:27:09,800 --> 00:27:12,080
Speaker 1: And if it's a hit, god bless you. You know

533
00:27:12,119 --> 00:27:12,560
Speaker 1: what I'm saying.

534
00:27:13,520 --> 00:27:15,760
Speaker 2: Great, you know I do know this.

535
00:27:15,960 --> 00:27:18,960
Speaker 4: Like, once you do catch a hit quote unquote, the

536
00:27:19,080 --> 00:27:21,560
Speaker 4: next records are more palatable to people, you know.

537
00:27:21,640 --> 00:27:24,440
Speaker 1: And that's why what that word means, it's like easier

538
00:27:24,480 --> 00:27:26,119
Speaker 1: for them. That's a big word for me, like that,

539
00:27:26,640 --> 00:27:27,639
Speaker 1: it's easier for them to like it.

540
00:27:28,040 --> 00:27:30,760
Speaker 4: They're used to the tape, okay, okay, okay, so they're

541
00:27:30,800 --> 00:27:34,000
Speaker 4: used to hearing your voice. So like that's why you

542
00:27:34,119 --> 00:27:36,840
Speaker 4: have like these repeated hits from these artists, because the

543
00:27:36,960 --> 00:27:39,680
Speaker 4: public gets so used to their voice, right, and that

544
00:27:39,800 --> 00:27:43,399
Speaker 4: hit gets easier, like being programmed radio.

545
00:27:44,560 --> 00:27:48,920
Speaker 1: Basically, we just had insane clown posse on here. That's

546
00:27:48,960 --> 00:27:51,560
Speaker 1: what's up. Oh god, I got the craziest stories about

547
00:27:51,600 --> 00:27:52,280
Speaker 1: the fucking.

548
00:27:52,880 --> 00:27:55,879
Speaker 2: About the gathering Are you kidding me? Been to the

549
00:27:55,920 --> 00:27:57,000
Speaker 2: gathering dog?

550
00:27:58,280 --> 00:28:00,320
Speaker 1: Why do the gathering ship?

551
00:28:07,680 --> 00:28:12,240
Speaker 2: I'll take another shot for that. I've done three of them. Motherfuckers.

552
00:28:12,280 --> 00:28:14,640
Speaker 2: And let me tell you something. Those ships are something else. Man.

553
00:28:16,000 --> 00:28:18,680
Speaker 2: I'm telling you should go. Everybody should go once.

554
00:28:21,720 --> 00:28:24,440
Speaker 9: And it's when you always tell me to witness that

555
00:28:25,359 --> 00:28:26,680
Speaker 9: I don't want to go as Norri though.

556
00:28:26,680 --> 00:28:28,320
Speaker 2: I want to go, like as a hoodie. And and

557
00:28:28,400 --> 00:28:30,920
Speaker 2: they're true true to like fans. I mean, it's there's

558
00:28:31,000 --> 00:28:34,200
Speaker 2: wild people in the juggle littlemunity. You know, they're true fans.

559
00:28:34,440 --> 00:28:34,600
Speaker 2: You know.

560
00:28:34,720 --> 00:28:36,879
Speaker 3: That's why I don't go to south By Southwest is

561
00:28:36,960 --> 00:28:41,200
Speaker 3: because I like my sneakers, like I've never.

562
00:28:41,160 --> 00:28:47,960
Speaker 1: Left this peach okaye. You know, like you know I'm black.

563
00:28:48,000 --> 00:28:50,000
Speaker 1: You know, we like to stick with we know, like

564
00:28:50,760 --> 00:28:51,600
Speaker 1: the same exact thing.

565
00:28:51,760 --> 00:28:54,840
Speaker 3: So you know what I'm just I'm sorry, man, So

566
00:28:55,240 --> 00:28:57,040
Speaker 3: I'm scared of that ship. I'm gonna be honest with you.

567
00:28:57,400 --> 00:28:59,440
Speaker 3: I'm gonna drink that off camera because take that shot

568
00:28:59,520 --> 00:29:05,160
Speaker 3: later on later. Yeah, yes, yes, yes, thank you. It's okay, beautiful,

569
00:29:05,200 --> 00:29:05,760
Speaker 3: you love this.

570
00:29:06,240 --> 00:29:10,520
Speaker 1: Let me let me try to take one for the team.

571
00:29:10,560 --> 00:29:16,400
Speaker 1: Goddamn it. It's great.

572
00:29:16,480 --> 00:29:16,880
Speaker 2: It's great.

573
00:29:17,600 --> 00:29:20,240
Speaker 3: He's making for liquors right now. He's on vodkas. Good,

574
00:29:20,280 --> 00:29:20,680
Speaker 3: look at him.

575
00:29:20,680 --> 00:29:21,200
Speaker 1: He's on vodka.

576
00:29:21,280 --> 00:29:24,120
Speaker 3: Mama, want usually the beer the fruity stuff could funk

577
00:29:24,160 --> 00:29:25,480
Speaker 3: with you though, the most.

578
00:29:25,320 --> 00:29:28,920
Speaker 1: Drinkable whiskey that we make. Bro, this it's very good.

579
00:29:28,960 --> 00:29:29,360
Speaker 2: I'm telling you.

580
00:29:29,560 --> 00:29:32,320
Speaker 1: Oh it's good. Yeah, it's good. You don't say that.

581
00:29:32,720 --> 00:29:36,360
Speaker 1: No good. I can smell it. I can smell it,

582
00:29:36,440 --> 00:29:38,720
Speaker 1: can smell. So all right, we were like, all right, cool,

583
00:29:38,840 --> 00:29:42,040
Speaker 1: we're talking about the Juggal the Juggals. You want to

584
00:29:42,040 --> 00:29:44,120
Speaker 1: talking about my experience? Yeah, I would love to hear

585
00:29:44,160 --> 00:29:44,640
Speaker 1: your experience.

586
00:29:45,880 --> 00:29:48,600
Speaker 4: We're tapping off on the major independent thing. We're moving

587
00:29:48,600 --> 00:29:52,560
Speaker 4: to the ju Yes, okay, yes, yes, I hate okay, listen, dude.

588
00:29:52,760 --> 00:29:55,840
Speaker 3: Okay, so my love being called dude, call me dude

589
00:29:55,880 --> 00:29:59,240
Speaker 3: all night. I wanted to be like in the cool

590
00:29:59,600 --> 00:30:02,480
Speaker 3: frat people call me dude like that. I've been called

591
00:30:02,480 --> 00:30:03,320
Speaker 3: to think of my whole life.

592
00:30:03,320 --> 00:30:03,960
Speaker 2: It's just different.

593
00:30:06,240 --> 00:30:15,160
Speaker 1: Like I like being called dude. Uh yeah, taking another

594
00:30:15,200 --> 00:30:18,880
Speaker 1: shop of that. Yeah, it's take a little shop story.

595
00:30:18,960 --> 00:30:22,840
Speaker 2: But you get you want to drink?

596
00:30:25,400 --> 00:30:33,480
Speaker 1: Yeah, yeah, I get it. It's called the Juggalos.

597
00:30:33,520 --> 00:30:35,680
Speaker 2: What's it called, Well, the gathering of the Juggal LODs

598
00:30:35,720 --> 00:30:39,880
Speaker 2: is the festival, okay, jug the Juggles is the community.

599
00:30:40,000 --> 00:30:40,160
Speaker 1: Yeah.

600
00:30:40,200 --> 00:30:42,840
Speaker 3: Oh, to the fans, okay, okay, so yeah, your experience.

601
00:30:43,560 --> 00:30:47,760
Speaker 4: Uh So, my first trip to the Juggalo Fest, I draw,

602
00:30:47,920 --> 00:30:51,280
Speaker 4: I drove my truck from Nashville because it's pretty close

603
00:30:52,600 --> 00:30:54,800
Speaker 4: where they do it at their festival at So I

604
00:30:55,120 --> 00:30:58,440
Speaker 4: pulled up backstage in my pickup truck, you know, and

605
00:30:58,680 --> 00:31:01,000
Speaker 4: I but I had already got like I talked to

606
00:31:01,080 --> 00:31:04,520
Speaker 4: Paul and he was like, hey, man, get ready, man,

607
00:31:04,640 --> 00:31:07,280
Speaker 4: Like you know what I'm saying. He's like, back your

608
00:31:07,360 --> 00:31:10,800
Speaker 4: truck in to behind the stage in case you got

609
00:31:10,920 --> 00:31:13,840
Speaker 4: to get the fuck out, Like it's like it's like that.

610
00:31:14,120 --> 00:31:15,640
Speaker 1: And I was like, all right, bet, and I did.

611
00:31:15,720 --> 00:31:17,880
Speaker 1: So I drove my truck and I backed my truck

612
00:31:17,960 --> 00:31:21,880
Speaker 1: up to the stairs where you walk up like my

613
00:31:22,600 --> 00:31:25,120
Speaker 1: I could have jumped in my truck and got the

614
00:31:25,160 --> 00:31:30,720
Speaker 1: fuck out if I needed to, you know. And okay, okay,

615
00:31:30,920 --> 00:31:34,280
Speaker 1: this is another caveat I'm on Shady right and you

616
00:31:34,400 --> 00:31:38,000
Speaker 1: know the beast in the story good.

617
00:31:38,560 --> 00:31:43,240
Speaker 4: So, So I came up there like literally like literal

618
00:31:43,400 --> 00:31:46,640
Speaker 4: soldier soldier mentality. I came out there to rep Shady.

619
00:31:46,960 --> 00:31:49,480
Speaker 4: That was I was going hard and I wanted them

620
00:31:49,520 --> 00:31:51,160
Speaker 4: to know immediately who I was with.

621
00:31:51,360 --> 00:31:53,600
Speaker 1: Had you met people for that had you met in

622
00:31:53,640 --> 00:31:54,760
Speaker 1: Seeing Clouds before that?

623
00:31:54,880 --> 00:31:55,000
Speaker 5: Or no?

624
00:31:55,160 --> 00:31:58,240
Speaker 4: Yeah, I mean yeah, we met backstage briefly, but that

625
00:31:58,400 --> 00:32:01,840
Speaker 4: moment not before that event, okay, not before Yeah.

626
00:32:02,960 --> 00:32:07,080
Speaker 1: So I walk out on stage first, you know, first time.

627
00:32:06,920 --> 00:32:12,840
Speaker 4: Ever Shaddy records, Motherfucker Yello bof Chapish Billy, Let's fuck

628
00:32:12,920 --> 00:32:13,479
Speaker 4: this ship up.

629
00:32:14,120 --> 00:32:20,320
Speaker 1: And then bottle Rockets. They started throwing the bottle. They like,

630
00:32:20,440 --> 00:32:27,640
Speaker 1: you hold on, they take the soda, the figure and

631
00:32:27,720 --> 00:32:28,600
Speaker 1: they lost that ship.

632
00:32:28,680 --> 00:32:32,640
Speaker 2: Now they do it. But but at first got to understand.

633
00:32:32,320 --> 00:32:34,520
Speaker 4: That I hadn't even hit play on the first song,

634
00:32:36,400 --> 00:32:39,200
Speaker 4: so I'm not all too sure that they liked me, yes,

635
00:32:40,440 --> 00:32:43,600
Speaker 4: because all I knew was I look. I looked at

636
00:32:43,640 --> 00:32:47,480
Speaker 4: DJ Clever, my DJ, and he goes, you motherfucker, like

637
00:32:48,000 --> 00:32:51,600
Speaker 4: because I came in hot. So we but we want

638
00:32:51,680 --> 00:32:54,480
Speaker 4: them over one song, two songs. But then they started

639
00:32:54,760 --> 00:32:55,280
Speaker 4: like you're.

640
00:32:55,080 --> 00:33:01,240
Speaker 1: Saying family, family, right, more bottle rock a little bottle rockets,

641
00:33:01,240 --> 00:33:02,960
Speaker 1: And then I said, I bet you can't hit me,

642
00:33:03,240 --> 00:33:08,480
Speaker 1: mother the fucker, and so I'm I'm dodging bottle rockets.

643
00:33:08,480 --> 00:33:11,200
Speaker 4: I turned around in my DJ he's fucking dunking, and

644
00:33:11,320 --> 00:33:15,280
Speaker 4: somebody throws a whole box of black cats on stage.

645
00:33:16,880 --> 00:33:20,959
Speaker 1: Crackers, right, yeah, the firecrackers Black Cat fire crackers are

646
00:33:21,000 --> 00:33:23,240
Speaker 1: like a whole pack, like a like a two hundred pack.

647
00:33:23,320 --> 00:33:28,680
Speaker 1: Whoa something like a look serendipitous, serendipitous timing. Man.

648
00:33:28,720 --> 00:33:30,920
Speaker 4: They threw it up and I was just about I had.

649
00:33:30,960 --> 00:33:35,880
Speaker 4: I got a song called Capps Billy and it's real choppy,

650
00:33:36,520 --> 00:33:39,800
Speaker 4: you know. Like so I'm like, right as it starts,

651
00:33:40,160 --> 00:33:41,160
Speaker 4: it starts to pop.

652
00:33:47,200 --> 00:33:48,320
Speaker 1: I'm like snapping over the.

653
00:33:50,400 --> 00:33:52,920
Speaker 4: It's like going everything stop. Oh that was the best

654
00:33:52,920 --> 00:33:59,560
Speaker 4: ship that connect It's like choreographed madness and so yeah,

655
00:33:59,640 --> 00:34:01,400
Speaker 4: so needless to say, I didn't need to jump in

656
00:34:01,480 --> 00:34:04,440
Speaker 4: my trunk and take off. Actually, after after I got stage,

657
00:34:04,440 --> 00:34:06,080
Speaker 4: I went out in the crowd and walked around and

658
00:34:06,760 --> 00:34:09,920
Speaker 4: shook hands and like broke down with everybody. And then

659
00:34:10,400 --> 00:34:13,239
Speaker 4: like I think, I became like a like a crowd fade.

660
00:34:13,280 --> 00:34:15,560
Speaker 4: They brought me back for a second year, but they

661
00:34:15,600 --> 00:34:17,840
Speaker 4: started throwing more ship. The next year they threw they

662
00:34:17,920 --> 00:34:19,480
Speaker 4: threw more ere.

663
00:34:19,600 --> 00:34:24,560
Speaker 7: They threw mortarship mortars, bro what's more.

664
00:34:25,840 --> 00:34:27,400
Speaker 2: Real mortar is a fucking bomb. But I don't know

665
00:34:27,400 --> 00:34:28,320
Speaker 2: what kind of mortar.

666
00:34:28,120 --> 00:34:31,279
Speaker 1: This is, dog Like, it's that ship you put in

667
00:34:31,320 --> 00:34:34,360
Speaker 1: a big PBC pipe like it goes up like like

668
00:34:34,440 --> 00:34:40,000
Speaker 1: the ship that they shoot up Atrendes like like this

669
00:34:40,120 --> 00:34:46,879
Speaker 1: is I'm not going to this place. Yeah I ain't

670
00:34:46,920 --> 00:34:47,239
Speaker 1: doing that.

671
00:34:47,600 --> 00:34:51,279
Speaker 4: Walking the funk out yeah, so so bar like and

672
00:34:51,400 --> 00:34:53,920
Speaker 4: then a bottle rocket like thank god I had on

673
00:34:54,080 --> 00:34:57,560
Speaker 4: shades bro whoa but like bow right in ahead and

674
00:34:57,719 --> 00:34:59,319
Speaker 4: it popped pop.

675
00:34:59,440 --> 00:35:03,480
Speaker 1: That's foreman. But fuck man, they I would just if

676
00:35:03,520 --> 00:35:06,120
Speaker 1: it was still lit, I'd throw it back, you know

677
00:35:06,160 --> 00:35:09,200
Speaker 1: what I'm saying, Like like like I was just in it.

678
00:35:09,320 --> 00:35:12,359
Speaker 1: I was like, you're not getting there. I'm not leaving, motherfucker.

679
00:35:12,920 --> 00:35:13,399
Speaker 1: I'm here.

680
00:35:13,920 --> 00:35:16,200
Speaker 4: You ain't right because I had heard they had heard

681
00:35:16,280 --> 00:35:19,280
Speaker 4: people like like people like had like they had fucked

682
00:35:19,280 --> 00:35:19,920
Speaker 4: people up, like.

683
00:35:20,200 --> 00:35:21,720
Speaker 2: They're fucking each other up happily.

684
00:35:22,080 --> 00:35:24,400
Speaker 1: And then he and they're paying the artist too, and

685
00:35:24,520 --> 00:35:25,560
Speaker 1: some of these people launching.

686
00:35:25,400 --> 00:35:26,280
Speaker 2: This but naked.

687
00:35:26,680 --> 00:35:38,000
Speaker 1: Wait a minute, so yeah, so survive, survive the mortars

688
00:35:38,040 --> 00:35:39,680
Speaker 1: and ship. So that's the second time.

689
00:35:39,960 --> 00:35:42,640
Speaker 4: That's the second time, third time, third time is the craziest,

690
00:35:43,360 --> 00:35:44,879
Speaker 4: craziest dog the third time.

691
00:35:45,640 --> 00:35:46,120
Speaker 1: Okay, so.

692
00:35:48,120 --> 00:35:51,719
Speaker 4: Now I'm back, I'm I'm and I know because I

693
00:35:52,000 --> 00:35:54,400
Speaker 4: know from the second time it got crazy. Earth than

694
00:35:54,440 --> 00:35:57,040
Speaker 4: the first time that the third time it might really

695
00:35:57,600 --> 00:35:58,840
Speaker 4: go ballistic.

696
00:35:59,320 --> 00:35:59,440
Speaker 3: You know.

697
00:35:59,560 --> 00:36:01,000
Speaker 1: I was like, so I need to walk out.

698
00:36:00,840 --> 00:36:03,440
Speaker 4: There and a hazmat suits or some ship, like this

699
00:36:03,560 --> 00:36:06,719
Speaker 4: is how I go to How am I going to

700
00:36:06,800 --> 00:36:07,319
Speaker 4: do this one?

701
00:36:08,320 --> 00:36:08,480
Speaker 5: You know?

702
00:36:08,600 --> 00:36:11,799
Speaker 1: I got an hour and fucking fifteen minutes to stand

703
00:36:11,840 --> 00:36:14,439
Speaker 1: out here and and and figure this out.

704
00:36:15,840 --> 00:36:18,759
Speaker 4: Dude, I walked out on stage. When I walk out here,

705
00:36:18,920 --> 00:36:24,319
Speaker 4: my walking out first song, I feel like beastings all

706
00:36:24,400 --> 00:36:29,080
Speaker 4: over my body, like like like like bees. It was

707
00:36:29,120 --> 00:36:32,080
Speaker 4: like bees like stinging me, and but like I'm like

708
00:36:32,760 --> 00:36:34,799
Speaker 4: trying to play it off, but I swore to God

709
00:36:34,880 --> 00:36:38,000
Speaker 4: that I had got There was a swarm of bees

710
00:36:38,120 --> 00:36:41,759
Speaker 4: like hitting me, but I kept I kept rocking, and

711
00:36:41,880 --> 00:36:43,640
Speaker 4: then I and then I moved to the left and

712
00:36:43,680 --> 00:36:45,839
Speaker 4: it stopped a little bit, and I was like, oh,

713
00:36:45,880 --> 00:36:47,760
Speaker 4: they're they're hitting me with something.

714
00:36:47,800 --> 00:36:50,720
Speaker 1: But I thought they were like throwing like tiny rocks

715
00:36:50,840 --> 00:36:52,000
Speaker 1: or or some ship.

716
00:36:52,080 --> 00:36:55,360
Speaker 4: And then it was like no, no, no, chicken wings

717
00:36:55,560 --> 00:36:58,799
Speaker 4: And goddamn, somebody was throwing chicken wings over there.

718
00:36:58,920 --> 00:37:00,840
Speaker 1: Hot dogs. I'm getting.

719
00:37:02,440 --> 00:37:06,120
Speaker 4: Anything good, yo, like fucking like oh, and by the way,

720
00:37:06,200 --> 00:37:09,440
Speaker 4: all that all that's going on, fucking two liters faygo bottle.

721
00:37:11,600 --> 00:37:13,760
Speaker 1: Throwing up. But you know what I'm saying, I'm catching bottles.

722
00:37:15,520 --> 00:37:16,120
Speaker 1: You know what I'm saying.

723
00:37:16,320 --> 00:37:19,279
Speaker 2: It's mad Max ship. It's mad Max Festial music music.

724
00:37:19,719 --> 00:37:23,560
Speaker 1: So straight up though, So the whole show I'm getting pelted.

725
00:37:23,680 --> 00:37:26,360
Speaker 1: So I start to figure out I gotta run to

726
00:37:26,440 --> 00:37:29,440
Speaker 1: get away from these bees, like whatever the fuck is happening,

727
00:37:29,920 --> 00:37:32,520
Speaker 1: I gotta get but the show must go on. One

728
00:37:32,600 --> 00:37:34,920
Speaker 1: thing I do know, I can't leave. I can't leave

729
00:37:34,960 --> 00:37:39,320
Speaker 1: the show. Bro. So after the show, it was that

730
00:37:39,440 --> 00:37:41,879
Speaker 1: ship was so fucked up. It was the roidy show.

731
00:37:41,880 --> 00:37:42,400
Speaker 1: Oh I'm stating.

732
00:37:42,560 --> 00:37:44,759
Speaker 4: So finally I jump out my DJ got he he

733
00:37:44,840 --> 00:37:47,200
Speaker 4: performs on top of the front of an old Chevrolet.

734
00:37:47,880 --> 00:37:50,640
Speaker 4: It's illis fuck y'all love this ship. It's a crazy look.

735
00:37:51,200 --> 00:37:52,960
Speaker 4: So i jump on the hood of the Chevy.

736
00:37:53,560 --> 00:37:55,640
Speaker 1: And I'm standing you know for like you know, the

737
00:37:55,719 --> 00:37:56,920
Speaker 1: peak of one of my records and.

738
00:37:58,600 --> 00:37:59,920
Speaker 2: Fucking like huge.

739
00:37:59,800 --> 00:38:01,719
Speaker 1: Wall, the balloon full of god knows what.

740
00:38:03,320 --> 00:38:06,600
Speaker 3: Me and you know what because I stood still just

741
00:38:06,719 --> 00:38:09,120
Speaker 3: long enough to get an aim on it.

742
00:38:10,480 --> 00:38:12,799
Speaker 2: So anyway, bees bees bees.

743
00:38:12,840 --> 00:38:14,480
Speaker 1: So after the after the show, I'm like, yo, man,

744
00:38:14,520 --> 00:38:17,279
Speaker 1: what the fuck was It will be happening. They were

745
00:38:17,320 --> 00:38:21,160
Speaker 1: just throwing someone ship out. No, no, it was actually

746
00:38:21,200 --> 00:38:25,359
Speaker 1: be no listening to this ship. I'm risking this ship.

747
00:38:26,160 --> 00:38:30,279
Speaker 4: There was about ten people with those high powered air

748
00:38:30,440 --> 00:38:36,759
Speaker 4: rifles shooting plastic pellets at my going.

749
00:38:38,440 --> 00:38:40,239
Speaker 1: Lighting my ass up the whole show.

750
00:38:43,440 --> 00:38:46,560
Speaker 4: I'm not getting fucking fun, man, I'm I'm pelted up

751
00:38:46,680 --> 00:38:48,600
Speaker 4: my fucking hey woo woo.

752
00:38:49,040 --> 00:38:54,680
Speaker 1: And you stood there like a rockstar. Fuck you getting

753
00:38:54,760 --> 00:38:56,279
Speaker 1: money back here? Think ship back?

754
00:38:57,880 --> 00:39:00,080
Speaker 4: I love I love the Juggals, man, you know you

755
00:39:00,160 --> 00:39:03,040
Speaker 4: know what? You know what it is really honestly, it's

756
00:39:03,160 --> 00:39:05,120
Speaker 4: like you have ever seen that old footage of the

757
00:39:06,080 --> 00:39:09,279
Speaker 4: Blues Brothers, whether they're traveling around, you perform behind a

758
00:39:09,400 --> 00:39:10,200
Speaker 4: chicken wire.

759
00:39:10,000 --> 00:39:12,279
Speaker 1: And if they like you, they'll throw bottles at you

760
00:39:12,400 --> 00:39:12,759
Speaker 1: and ship.

761
00:39:12,800 --> 00:39:13,279
Speaker 2: You know what I mean.

762
00:39:13,440 --> 00:39:15,400
Speaker 1: It's that same kind of ship as that old fucking

763
00:39:15,440 --> 00:39:18,120
Speaker 1: ye I don't like that rowdy appreciate I mean, it's

764
00:39:18,200 --> 00:39:21,600
Speaker 1: not it's a tough thing it is, but just like

765
00:39:21,680 --> 00:39:23,200
Speaker 1: you know what, you sign up for it, and it's

766
00:39:23,239 --> 00:39:27,239
Speaker 1: the fucking Jamaica. If they like you, they shoot in

767
00:39:27,320 --> 00:39:28,919
Speaker 1: the air. I didn't like that either.

768
00:39:29,719 --> 00:39:33,200
Speaker 3: The police. I get on the stage. The police said, hey, man,

769
00:39:33,440 --> 00:39:36,520
Speaker 3: if they start looking shot, you're not move the police.

770
00:39:37,360 --> 00:39:38,000
Speaker 8: What is this?

771
00:39:38,760 --> 00:39:40,759
Speaker 3: And I got there, I did super duk what what what?

772
00:39:40,960 --> 00:39:42,880
Speaker 3: And they start shooting. I'm looking at the police like,

773
00:39:42,960 --> 00:39:49,200
Speaker 3: don't something. They're like they like you man, I'm not

774
00:39:49,280 --> 00:39:49,880
Speaker 3: with none of this.

775
00:39:52,600 --> 00:39:54,080
Speaker 1: The year that I went one of the years I

776
00:39:54,120 --> 00:40:00,479
Speaker 1: went two times jugging jugger Nauts. I'm sorry. Rick Flair

777
00:40:00,600 --> 00:40:04,160
Speaker 1: was hosting the main stage. We're about to go on with.

778
00:40:04,239 --> 00:40:07,320
Speaker 2: Tech and I was managing made it and and I

779
00:40:07,360 --> 00:40:09,800
Speaker 2: see Ric Flair run off the stage.

780
00:40:09,840 --> 00:40:11,840
Speaker 1: He's like that ship.

781
00:40:21,120 --> 00:40:23,359
Speaker 2: I heard, I heard they ran.

782
00:40:24,320 --> 00:40:26,920
Speaker 1: Don't quote me on this, but I mean quote me

783
00:40:26,960 --> 00:40:27,560
Speaker 1: on I don't care.

784
00:40:28,360 --> 00:40:31,759
Speaker 4: I heard, uh they they did that ship to read

785
00:40:31,800 --> 00:40:36,520
Speaker 4: a meth and they weren't having it. They they left there.

786
00:40:36,520 --> 00:40:40,640
Speaker 4: They were eighty six. They dipped, and I mean, you know,

787
00:40:41,680 --> 00:40:45,040
Speaker 4: you know it is what it is. I'm just like, look, dude,

788
00:40:46,040 --> 00:40:48,120
Speaker 4: you can't. You can't be a white boy from Alabama

789
00:40:48,280 --> 00:40:51,320
Speaker 4: covered in tattoos and fucking like doing hip hop and

790
00:40:51,400 --> 00:40:51,880
Speaker 4: fucking like.

791
00:40:52,160 --> 00:40:55,440
Speaker 1: You know, you gotta represent you know. So it's like

792
00:40:55,520 --> 00:40:58,440
Speaker 1: we need you if you need you, we need you,

793
00:40:58,600 --> 00:41:05,920
Speaker 1: we need you because but you know you get it.

794
00:41:06,040 --> 00:41:07,920
Speaker 2: You know you know what you signed up for, man,

795
00:41:08,080 --> 00:41:10,640
Speaker 2: But yeah, if you don't know going into it that

796
00:41:11,160 --> 00:41:12,040
Speaker 2: that could surprise the.

797
00:41:12,040 --> 00:41:16,440
Speaker 4: Fun ship that goes on like ship dude, Strange Music down.

798
00:41:16,640 --> 00:41:18,560
Speaker 4: Rich Dude, Yeah you know that.

799
00:41:18,960 --> 00:41:21,600
Speaker 1: You know that happened. You know how that happened with

800
00:41:21,760 --> 00:41:28,640
Speaker 1: Rich and Strange Me, dude, So well he's still your ar.

801
00:41:28,800 --> 00:41:31,840
Speaker 1: So no, no, no, So I pulled.

802
00:41:32,080 --> 00:41:36,200
Speaker 4: I found Rich in Atlanta, Georgia, and he was from

803
00:41:36,239 --> 00:41:39,840
Speaker 4: Gwenett County and I saw him randomly at some open

804
00:41:39,920 --> 00:41:42,600
Speaker 4: mic and I was just like, the fuck, this dude's

805
00:41:43,040 --> 00:41:46,160
Speaker 4: sick with it, and I put.

806
00:41:46,080 --> 00:41:46,360
Speaker 2: Him on.

807
00:41:47,880 --> 00:41:52,360
Speaker 4: Uh, the original the Box Chavy Part two on the

808
00:41:52,480 --> 00:41:56,400
Speaker 4: original Trump Music didn't sign him, didn't have an endprint

809
00:41:56,440 --> 00:41:58,799
Speaker 4: at the time, which I do now is American did

810
00:41:58,840 --> 00:42:02,759
Speaker 4: not have that at the time. And and at the time,

811
00:42:02,880 --> 00:42:07,560
Speaker 4: this was the crew at Tree Sound Studios Atlanta. Rich,

812
00:42:08,400 --> 00:42:15,040
Speaker 4: Big Crit, myself and even Killer Mike and LP were

813
00:42:15,120 --> 00:42:17,719
Speaker 4: running around. This is like the very very early early

814
00:42:17,800 --> 00:42:20,960
Speaker 4: stages of what would what would become Run the Jewels.

815
00:42:22,080 --> 00:42:24,600
Speaker 4: So we had like a crazy crew around there, and

816
00:42:24,719 --> 00:42:27,680
Speaker 4: Tech was coming around, and Tech had put me on

817
00:42:28,160 --> 00:42:34,279
Speaker 4: Worldwide Shoppers and I said, dude, I got your guy man,

818
00:42:35,040 --> 00:42:37,239
Speaker 4: I got the guy for you. I said, this dude

819
00:42:37,320 --> 00:42:40,800
Speaker 4: needs to be He's strange man, for sure. He fits

820
00:42:40,840 --> 00:42:43,239
Speaker 4: every he checks all the boxes for what y'all got

821
00:42:43,320 --> 00:42:46,040
Speaker 4: going on. And I and I can't sign him. And

822
00:42:46,280 --> 00:42:50,560
Speaker 4: so there it was, so Rich Rich signed to Strange

823
00:42:50,640 --> 00:42:52,720
Speaker 4: Music and you know rest is history.

824
00:42:52,840 --> 00:42:55,480
Speaker 1: Yeah, he's dope and he's worked with Medea actually being there.

825
00:42:55,480 --> 00:42:56,719
Speaker 1: We're on the Strange Music tip.

826
00:42:57,440 --> 00:42:59,960
Speaker 2: I saw an interview big Okay, sorry you don't know.

827
00:43:00,000 --> 00:43:04,600
Speaker 2: I saw interview did with Bootleg keV, and I was imagining,

828
00:43:04,640 --> 00:43:06,320
Speaker 2: like I mentioned, the group may Day. They produced the

829
00:43:06,400 --> 00:43:08,600
Speaker 2: song Fragile for Tech that had Kendrick.

830
00:43:09,120 --> 00:43:10,520
Speaker 1: Can I take Let's go?

831
00:43:10,680 --> 00:43:13,239
Speaker 2: Man? I know you said, but I want to hear

832
00:43:13,280 --> 00:43:15,520
Speaker 2: it because we were all like, damn, that would have

833
00:43:15,520 --> 00:43:15,960
Speaker 2: been dope.

834
00:43:15,840 --> 00:43:17,600
Speaker 1: If you would have gone on the record. Take another shot.

835
00:43:18,200 --> 00:43:21,400
Speaker 1: I just like the energy. Take another work. Just what

836
00:43:21,480 --> 00:43:25,239
Speaker 1: are we doing? Whatever you got? Shot? Still bottle go.

837
00:43:25,960 --> 00:43:27,360
Speaker 2: They trying to put one of those little things in it,

838
00:43:27,440 --> 00:43:30,480
Speaker 2: those little candy that you brought. They try to put

839
00:43:30,480 --> 00:43:31,239
Speaker 2: those candies you brought.

840
00:43:31,320 --> 00:43:33,840
Speaker 1: You got you gotta leave my babies over here with me.

841
00:43:33,880 --> 00:43:35,640
Speaker 1: No sipp water shots for you. That's the reason why

842
00:43:36,000 --> 00:43:37,480
Speaker 1: but then he gonna think Candy is gonna go now.

843
00:43:37,520 --> 00:43:42,319
Speaker 1: But I'm saying, you know, I just need just bring

844
00:43:42,400 --> 00:43:42,600
Speaker 1: me to.

845
00:43:44,360 --> 00:43:45,759
Speaker 2: Sal You know what I'm saying.

846
00:43:45,920 --> 00:43:51,040
Speaker 1: I got me all right, you know what cheers and

847
00:43:51,120 --> 00:43:51,880
Speaker 1: what the fuck is this?

848
00:43:52,960 --> 00:43:53,440
Speaker 2: Don't take it?

849
00:43:55,080 --> 00:44:03,920
Speaker 1: So salute, Salute, drink Champs. So you know what we're

850
00:44:03,920 --> 00:44:04,520
Speaker 1: talking about. The song.

851
00:44:04,600 --> 00:44:07,239
Speaker 2: So may Day produced this record for Tech nine that

852
00:44:07,360 --> 00:44:09,960
Speaker 2: feature Kendrick called frad It became.

853
00:44:09,800 --> 00:44:12,080
Speaker 1: A huge record and it was rumored that you were

854
00:44:12,080 --> 00:44:12,759
Speaker 1: supposed to be on it.

855
00:44:13,800 --> 00:44:14,880
Speaker 2: Well that's a fact.

856
00:44:15,200 --> 00:44:21,279
Speaker 1: So Tech hit me. Man the Tech hit me and

857
00:44:22,719 --> 00:44:26,440
Speaker 1: he said, I got this record called Fragile.

858
00:44:27,200 --> 00:44:30,160
Speaker 2: And I listened to the beat.

859
00:44:31,000 --> 00:44:34,120
Speaker 4: I booked a studio in Nashville, true story, at Blackbird

860
00:44:34,239 --> 00:44:38,520
Speaker 4: Studios Studio H. I know exactly where I was at Nashville, Tennessee.

861
00:44:38,760 --> 00:44:41,680
Speaker 4: I had booked the whole time to go dedicate myself

862
00:44:42,120 --> 00:44:49,120
Speaker 4: to record this verse. And I couldn't wrap my mind

863
00:44:50,000 --> 00:44:57,719
Speaker 4: around feeling fragile. I just could not make myself.

864
00:44:57,280 --> 00:44:59,360
Speaker 1: You can't bring yourself to that record of that wouldn't

865
00:44:59,360 --> 00:45:01,040
Speaker 1: bring myself to write a verse.

866
00:45:01,520 --> 00:45:06,680
Speaker 4: I couldn't make it make sense to me to talk

867
00:45:06,800 --> 00:45:12,239
Speaker 4: about feeling fragile or being fragile about my music, which

868
00:45:14,840 --> 00:45:17,120
Speaker 4: I am maybe you know what I'm saying. At the

869
00:45:17,200 --> 00:45:20,480
Speaker 4: same time, fuck you, you know what I mean, Like

870
00:45:21,160 --> 00:45:22,560
Speaker 4: there's that there was that part like.

871
00:45:22,640 --> 00:45:24,520
Speaker 1: You like my ship. I mean, I don't give a fuck,

872
00:45:24,560 --> 00:45:27,560
Speaker 1: you know, like fuck it. But then at the same time,

873
00:45:27,600 --> 00:45:29,839
Speaker 1: you know someone's talks about your record, You're like, damn,

874
00:45:30,960 --> 00:45:31,839
Speaker 1: you don't like me, dog.

875
00:45:31,960 --> 00:45:32,120
Speaker 2: You know.

876
00:45:36,120 --> 00:45:39,279
Speaker 4: It's like Texas in the record exactly. But some time

877
00:45:39,360 --> 00:45:42,240
Speaker 4: I was just like in this very like militant mode.

878
00:45:42,360 --> 00:45:44,880
Speaker 4: I had just recorded, like I was just out of

879
00:45:44,920 --> 00:45:47,440
Speaker 4: love story moving into this other phase.

880
00:45:47,239 --> 00:45:47,319
Speaker 10: And.

881
00:45:48,880 --> 00:45:50,719
Speaker 4: And I didn't record it. And I was like, man,

882
00:45:50,760 --> 00:45:52,759
Speaker 4: I just don't got it. Man, I don't know what's

883
00:45:52,800 --> 00:45:54,800
Speaker 4: happening to it. I just don't have anything for this.

884
00:45:55,080 --> 00:46:00,160
Speaker 4: And then Hendrick and the next thing, I fucking oh,

885
00:46:00,200 --> 00:46:06,040
Speaker 4: they're on Saturday Night Live record and I was like, fuck,

886
00:46:06,520 --> 00:46:10,480
Speaker 4: what an idiot should but shout out Kendrick and and

887
00:46:10,800 --> 00:46:15,560
Speaker 4: and and tech Man. They've always showed me my entire career.

888
00:46:15,600 --> 00:46:19,200
Speaker 4: I remember doing shows with Kendrick at like little college

889
00:46:19,200 --> 00:46:21,480
Speaker 4: shows in Atlanta, Georgia, you know what I mean, and.

890
00:46:23,080 --> 00:46:27,279
Speaker 1: Watching both of them just explode and you know it is.

891
00:46:28,480 --> 00:46:32,080
Speaker 4: I've had some classic moments man, And matter of fact,

892
00:46:32,600 --> 00:46:35,200
Speaker 4: this is a big shout out to Kendrick Lamore. I

893
00:46:35,320 --> 00:46:38,520
Speaker 4: was in Hollywood on Sunset Boulevard on the sidewalk, just

894
00:46:38,560 --> 00:46:43,000
Speaker 4: standing outside smoking a cigarette, having a drink, and there

895
00:46:43,120 --> 00:46:45,840
Speaker 4: was this fucking parade coming down Sunset.

896
00:46:46,560 --> 00:46:50,640
Speaker 1: There was a big stage on wheels right, and then

897
00:46:51,680 --> 00:46:55,759
Speaker 1: I was like, oh, fuck Kendricks. Kendrick's doing a moving show.

898
00:46:56,400 --> 00:46:58,520
Speaker 1: And then behind him were a bunch of people running

899
00:46:59,280 --> 00:47:04,279
Speaker 1: like chasing you remember that I did this thing. Dog.

900
00:47:04,400 --> 00:47:07,120
Speaker 4: He rides by in the middle of his set and

901
00:47:07,280 --> 00:47:11,600
Speaker 4: looks left and what up like like shouted me out,

902
00:47:11,680 --> 00:47:12,759
Speaker 4: like in the middle of his verse.

903
00:47:13,080 --> 00:47:16,480
Speaker 1: Wow, that's a moment, and like I was like, yo,

904
00:47:17,680 --> 00:47:18,440
Speaker 1: it was like a moment.

905
00:47:18,520 --> 00:47:21,080
Speaker 4: It was like it was just I couldn't It was

906
00:47:21,120 --> 00:47:23,279
Speaker 4: so much respect, you know what I mean, likes something

907
00:47:23,280 --> 00:47:25,560
Speaker 4: I'll never I'll never ever forget that man, Like he

908
00:47:25,719 --> 00:47:27,719
Speaker 4: did not have to do that. It was just like

909
00:47:28,480 --> 00:47:29,800
Speaker 4: it hit him, you know what I mean. And he

910
00:47:30,120 --> 00:47:32,680
Speaker 4: in the middle of his set like what it was

911
00:47:32,840 --> 00:47:35,920
Speaker 4: And I did not mean I was not there to watch, bro.

912
00:47:36,040 --> 00:47:38,880
Speaker 4: I was like I had walked outside smoking a cigarette,

913
00:47:38,920 --> 00:47:41,440
Speaker 4: like like next to Rainbow Room or some ship. You know,

914
00:47:41,800 --> 00:47:45,040
Speaker 4: there's a genuine moment, genuine shout out Kendrick and shout

915
00:47:45,040 --> 00:47:49,759
Speaker 4: out and shout out take Nne for always showing love

916
00:47:49,880 --> 00:47:54,239
Speaker 4: and support. And man, I'm genuinely upset at myself. I

917
00:47:54,280 --> 00:47:58,640
Speaker 4: didn't get on that record. Officially, I'm saying I fucked up.

918
00:47:58,960 --> 00:48:01,200
Speaker 4: There's another record that I funked up and didn't get on.

919
00:48:01,680 --> 00:48:05,239
Speaker 1: Let's talk about it, Run the Jewels, which I had

920
00:48:05,280 --> 00:48:08,360
Speaker 1: an opportunity to get on the Run the Jewels record,

921
00:48:09,239 --> 00:48:11,120
Speaker 1: and I was in the middle of the recording, uh

922
00:48:12,280 --> 00:48:12,879
Speaker 1: trunk music.

923
00:48:14,200 --> 00:48:23,600
Speaker 4: I was starting to feel it. I can't believe you

924
00:48:23,600 --> 00:48:26,600
Speaker 4: can't smoke cigarettes in there some bullship take a break.

925
00:48:26,440 --> 00:48:32,680
Speaker 3: At one moment, looking at him, he's a cigarette smoker.

926
00:48:32,719 --> 00:48:33,719
Speaker 3: He overdy agreeing with you.

927
00:48:36,640 --> 00:48:43,160
Speaker 1: Cigarettes and good drink, good conversation. We got you got

928
00:48:43,680 --> 00:48:47,000
Speaker 1: wet water. Yes, I had an opportunity to do a

929
00:48:47,040 --> 00:48:49,400
Speaker 1: record with Killer and the LP, and I've been in

930
00:48:49,400 --> 00:48:53,840
Speaker 1: an LP fan since death. Jucks, I've been on l P.

931
00:48:54,040 --> 00:48:54,520
Speaker 2: You know what I mean.

932
00:48:55,200 --> 00:48:56,640
Speaker 1: And you know.

933
00:48:58,640 --> 00:49:02,680
Speaker 4: This whole why MC ship I've always thought was really corny,

934
00:49:02,800 --> 00:49:04,279
Speaker 4: you know what I mean, Like, are you a good

935
00:49:04,440 --> 00:49:06,919
Speaker 4: mc or not like oh he's a good white boy,

936
00:49:07,040 --> 00:49:10,800
Speaker 4: like out of here, I'm better than you period, you know,

937
00:49:11,080 --> 00:49:15,320
Speaker 4: like and you know, but I will say as a

938
00:49:15,440 --> 00:49:18,799
Speaker 4: young artist, you know, being a white boy looking at

939
00:49:18,880 --> 00:49:22,120
Speaker 4: other artists above me that were white. You know, LP

940
00:49:22,560 --> 00:49:27,200
Speaker 4: was like my top top top you know that company

941
00:49:27,280 --> 00:49:29,960
Speaker 4: flow Yeah, like deaf Chuck's like, you know, like I

942
00:49:30,160 --> 00:49:33,279
Speaker 4: was like, this is how it's done. You know, we

943
00:49:33,440 --> 00:49:35,400
Speaker 4: just slide in there. You don't say ship. You know,

944
00:49:35,640 --> 00:49:38,400
Speaker 4: you don't mention who you are, you know, none of that.

945
00:49:38,560 --> 00:49:41,200
Speaker 4: You know, other people put those labels on here.

946
00:49:41,239 --> 00:49:41,719
Speaker 2: You know what I mean.

947
00:49:42,440 --> 00:49:43,080
Speaker 1: You know what I'm saying.

948
00:49:43,120 --> 00:49:45,279
Speaker 4: It's like all right, white boy cool, all right, well

949
00:49:45,280 --> 00:49:47,800
Speaker 4: I'm gonna run with that. Then all Rednegg or you

950
00:49:47,880 --> 00:49:50,600
Speaker 4: white boy Rednegg, Okay call me all right, it is

951
00:49:50,640 --> 00:49:55,040
Speaker 4: what it is, you know what I mean. But I

952
00:49:55,040 --> 00:49:58,760
Speaker 4: don't know where I'm going with this, but I fucking fuck.

953
00:49:58,640 --> 00:50:00,920
Speaker 1: It, fuck it. Let's do you know?

954
00:50:01,040 --> 00:50:02,600
Speaker 3: You know one thing before you get into quick Time

955
00:50:02,640 --> 00:50:06,040
Speaker 3: of Slim, something that I admire about you is your relationships.

956
00:50:06,120 --> 00:50:09,000
Speaker 3: Right I look at I look at you. You work

957
00:50:09,040 --> 00:50:11,319
Speaker 3: with uh kid kid Rock.

958
00:50:11,440 --> 00:50:12,239
Speaker 2: I'm just hold this.

959
00:50:13,800 --> 00:50:19,600
Speaker 1: You imagine I've done that before.

960
00:50:20,320 --> 00:50:22,279
Speaker 3: So you got kid Rock, Kid Rock, who kind of

961
00:50:22,400 --> 00:50:24,839
Speaker 3: like has beef with Insane Clown Possey, but you're cool

962
00:50:24,880 --> 00:50:27,200
Speaker 3: with Insane clm Possi and Kid Rock. And then you

963
00:50:27,280 --> 00:50:30,239
Speaker 3: got Machine Gun Kelly, you got eminem But how do

964
00:50:30,320 --> 00:50:34,880
Speaker 3: you kind of like maintain those relationships because like, artists

965
00:50:35,120 --> 00:50:39,359
Speaker 3: are petty people, very pretty people, and if you taking

966
00:50:39,400 --> 00:50:41,479
Speaker 3: a picture with some party, that the next person.

967
00:50:41,760 --> 00:50:49,360
Speaker 1: How do you maintain these kind of relationships? Honestly?

968
00:50:49,520 --> 00:50:49,880
Speaker 11: I I.

969
00:50:52,360 --> 00:50:55,640
Speaker 4: Genuinely love my friends, right, you know what I'm saying, Like,

970
00:50:55,719 --> 00:50:58,759
Speaker 4: if you're my boy, you're my boy for life. That's it.

971
00:50:59,160 --> 00:51:00,839
Speaker 4: You know, I don't give a fuck about your fame.

972
00:51:00,880 --> 00:51:02,359
Speaker 4: I don't give a fuck about your money. I don't

973
00:51:02,400 --> 00:51:05,640
Speaker 4: care nothing about that, you know. Like add all, actually

974
00:51:06,160 --> 00:51:08,719
Speaker 4: that's the most annoying part about it all. It's what

975
00:51:08,880 --> 00:51:13,080
Speaker 4: we sign up for. But you know, a genuine hang, man,

976
00:51:13,600 --> 00:51:16,040
Speaker 4: that's what it's. That's that's what it's about. I Mean,

977
00:51:16,080 --> 00:51:18,080
Speaker 4: I know we rolled it, we're filming right now and everything,

978
00:51:18,160 --> 00:51:20,520
Speaker 4: but this is a genuine hang to me. We're kicking

979
00:51:20,560 --> 00:51:23,520
Speaker 4: it all right right, talking shout that's it, And that's

980
00:51:23,520 --> 00:51:24,279
Speaker 4: all you really want.

981
00:51:24,360 --> 00:51:26,120
Speaker 2: So when you make that connection with somebody.

982
00:51:27,000 --> 00:51:27,880
Speaker 1: You know, you keep it.

983
00:51:28,160 --> 00:51:32,200
Speaker 4: I've had friends, shit, man, my whole life. Man, my

984
00:51:32,680 --> 00:51:36,759
Speaker 4: manager I've known since I was twelve years old. Alt

985
00:51:36,840 --> 00:51:39,520
Speaker 4: Zilla AM seven Crew represents Zilla.

986
00:51:40,360 --> 00:51:40,920
Speaker 2: You know what I'm saying.

987
00:51:40,960 --> 00:51:46,160
Speaker 4: I am seven Graffiti Crew. Shout out will Power, you guys,

988
00:51:46,560 --> 00:51:49,320
Speaker 4: Shout out will Power. Been rocking for will Power with

989
00:51:49,440 --> 00:51:52,560
Speaker 4: will Poper over twenty years. Well, I drove him crazy

990
00:51:52,640 --> 00:51:56,720
Speaker 4: when I was coming up. God damn, we got history.

991
00:51:56,800 --> 00:51:59,960
Speaker 1: What is the blunt? It's an old school he put

992
00:52:00,000 --> 00:52:06,719
Speaker 1: that little that little candy. It's a please please, I'll

993
00:52:06,800 --> 00:52:07,360
Speaker 1: light it for you.

994
00:52:07,640 --> 00:52:07,800
Speaker 12: You know.

995
00:52:07,920 --> 00:52:11,279
Speaker 1: I just did dtr Green Thumb would be d real.

996
00:52:11,520 --> 00:52:15,000
Speaker 4: That's my boy. And uh yeah, dude, I got a record.

997
00:52:15,760 --> 00:52:17,680
Speaker 4: I have an album. This has slept on album. So

998
00:52:17,840 --> 00:52:20,160
Speaker 4: I'm I'm happy that I have this platform to even

999
00:52:20,239 --> 00:52:23,600
Speaker 4: mention it. DJ Muggs and I did a record called

1000
00:52:23,640 --> 00:52:26,960
Speaker 4: Miles zero Okay, and it's all low fi hip hop

1001
00:52:27,640 --> 00:52:31,000
Speaker 4: like album, all produced by mugs, all mugs. There's not

1002
00:52:31,040 --> 00:52:33,480
Speaker 4: even there's not even many any hooks on this album.

1003
00:52:33,520 --> 00:52:37,239
Speaker 4: It's all MC shit shit and it just kind of

1004
00:52:37,360 --> 00:52:38,000
Speaker 4: slip slip.

1005
00:52:38,160 --> 00:52:40,440
Speaker 1: We don't know what year did this come out? What

1006
00:52:40,719 --> 00:52:42,680
Speaker 1: was Zio. August we did.

1007
00:52:42,760 --> 00:52:45,279
Speaker 4: We did this thing called August on Slot and I

1008
00:52:45,440 --> 00:52:47,160
Speaker 4: dropped four albums in one month.

1009
00:52:47,960 --> 00:52:52,400
Speaker 1: And huh it was twenty twenty one, twenty twenty one,

1010
00:52:52,480 --> 00:52:52,960
Speaker 1: Miles zero.

1011
00:52:53,239 --> 00:52:57,640
Speaker 4: But I got a song with wu be real on there.

1012
00:52:58,840 --> 00:53:02,359
Speaker 4: That's incredible. I did crazy Collaps. I got a song

1013
00:53:02,440 --> 00:53:04,080
Speaker 4: with Dela Funky Homo Sapien.

1014
00:53:05,640 --> 00:53:08,839
Speaker 1: Yeah. I put Dela Funky, Homo Sapien and DJ Paul

1015
00:53:08,920 --> 00:53:11,439
Speaker 1: on a record together. That must sound crazy. I can't

1016
00:53:11,440 --> 00:53:12,080
Speaker 1: even imagine that.

1017
00:53:12,239 --> 00:53:13,359
Speaker 2: The album's called Miles zero.

1018
00:53:13,560 --> 00:53:16,959
Speaker 1: Check it out, man, Yeah, shut out mugs, Yeah, shut

1019
00:53:17,000 --> 00:53:21,040
Speaker 1: out mugs. Literally, I'm gonna like this in honor of you, bro.

1020
00:53:21,600 --> 00:53:24,000
Speaker 1: I do not smoke. My mama smokes like a chiming.

1021
00:53:24,040 --> 00:53:28,879
Speaker 1: It's okay, it's okay, like it's a cigarette. But listen,

1022
00:53:29,080 --> 00:53:29,880
Speaker 1: literally for you.

1023
00:53:30,040 --> 00:53:32,799
Speaker 3: I looked at everybody that you guys that you walked

1024
00:53:32,840 --> 00:53:36,080
Speaker 3: in with, and everybody is tatted the funk up?

1025
00:53:36,520 --> 00:53:37,879
Speaker 1: Can I not be down with your gang?

1026
00:53:38,120 --> 00:53:39,000
Speaker 2: You don't got no tattoo.

1027
00:53:39,040 --> 00:53:44,440
Speaker 3: I don't got not one tattooers, I'm like you, you're naked.

1028
00:53:44,560 --> 00:53:46,560
Speaker 2: I didn't even know. I didn't think about.

1029
00:53:46,360 --> 00:53:46,960
Speaker 1: Him not having.

1030
00:53:52,000 --> 00:53:52,239
Speaker 2: Got no.

1031
00:53:54,680 --> 00:53:57,800
Speaker 1: Just keep it going come on this for me? You

1032
00:53:57,840 --> 00:54:01,120
Speaker 1: want this moke that ship here in mind, I can't smoke.

1033
00:54:01,840 --> 00:54:02,960
Speaker 1: You don't have to. You don't have to, you don't

1034
00:54:02,960 --> 00:54:03,360
Speaker 1: have to do it.

1035
00:54:04,520 --> 00:54:04,799
Speaker 2: You want.

1036
00:54:04,840 --> 00:54:06,759
Speaker 1: I don't want to say anybody. Yeah, I live that

1037
00:54:06,880 --> 00:54:11,840
Speaker 1: heroin here, Come get it. I smoke this ship. It

1038
00:54:11,880 --> 00:54:14,800
Speaker 1: can't go the way, No, no fucking way. I'll go crazy.

1039
00:54:16,040 --> 00:54:17,680
Speaker 1: Catch a fifty one fifty, you know, I caught it

1040
00:54:17,719 --> 00:54:21,000
Speaker 1: fifty one fifty smoking weed. I got to ask what

1041
00:54:21,040 --> 00:54:24,800
Speaker 1: a fifty one fifty is? What is that endangerment to

1042
00:54:24,880 --> 00:54:27,200
Speaker 1: self for other people? It's like a it's like a

1043
00:54:27,680 --> 00:54:32,200
Speaker 1: it's a police it's a police call. It's number wow. Yeah, man, say,

1044
00:54:32,440 --> 00:54:34,160
Speaker 1: we don't want a fifty one fifty. Nah, you don't

1045
00:54:34,160 --> 00:54:35,320
Speaker 1: want that. You don''t see me on that.

1046
00:54:35,640 --> 00:54:38,360
Speaker 3: Before we get to quick time with Slim, can I

1047
00:54:38,440 --> 00:54:40,440
Speaker 3: ask you something that I've been wanting to always.

1048
00:54:40,200 --> 00:54:47,600
Speaker 13: Asks, Yeah, ask me someone that says, dude, Yes, someone says,

1049
00:54:48,080 --> 00:54:51,160
Speaker 13: because I wanted to be a dude, dude, how do

1050
00:54:51,280 --> 00:54:52,359
Speaker 13: you start a marsh pit?

1051
00:54:53,719 --> 00:54:58,920
Speaker 7: A marsh pit or a marsh pit marsh you know,

1052
00:54:59,280 --> 00:55:00,839
Speaker 7: like that's just so cool to me, but how does

1053
00:55:00,880 --> 00:55:04,640
Speaker 7: it start? Nor It's marsh Pit. Mark here on out

1054
00:55:05,800 --> 00:55:07,520
Speaker 7: here on out this marsh pitch.

1055
00:55:08,320 --> 00:55:10,239
Speaker 1: Yo, you come to my show, but you were in

1056
00:55:10,320 --> 00:55:16,800
Speaker 1: the marsh pitch perfectly with cat a marsh Pit. I

1057
00:55:16,840 --> 00:55:20,400
Speaker 1: would like to go to what is it marsh pill? Okay, but.

1058
00:55:22,840 --> 00:55:23,560
Speaker 2: Some dirty.

1059
00:55:25,239 --> 00:55:30,000
Speaker 3: Man very serious like because I see like how I'm like,

1060
00:55:30,080 --> 00:55:31,879
Speaker 3: you know why I always wanted to do that ship

1061
00:55:31,920 --> 00:55:32,799
Speaker 3: like it.

1062
00:55:32,800 --> 00:55:33,719
Speaker 2: Ain't never been in the Mars.

1063
00:55:33,760 --> 00:55:34,480
Speaker 1: But no.

1064
00:55:36,239 --> 00:55:39,600
Speaker 2: Guarantee someone did a must fits a superdug for sure.

1065
00:55:39,800 --> 00:55:43,120
Speaker 14: One of your shows that's not feel like they didn't

1066
00:55:43,160 --> 00:55:48,160
Speaker 14: invite you mean you want to bro okay, so you

1067
00:55:48,280 --> 00:55:50,279
Speaker 14: have to show, you had to show you get you jump,

1068
00:55:50,320 --> 00:55:50,919
Speaker 14: how you start?

1069
00:55:50,960 --> 00:55:51,520
Speaker 1: How you well?

1070
00:55:51,600 --> 00:55:54,520
Speaker 4: I tell you my history of march pits is my

1071
00:55:54,760 --> 00:55:59,440
Speaker 4: first match pit I was ever in was Red Man

1072
00:55:59,719 --> 00:56:00,840
Speaker 4: at Lollapalooza.

1073
00:56:01,040 --> 00:56:03,399
Speaker 1: I was thirteen years old.

1074
00:56:03,520 --> 00:56:08,800
Speaker 4: I snuck into Lollapalooza and Tennessee and Redman had a

1075
00:56:08,920 --> 00:56:12,040
Speaker 4: side stage at that At that point Eastie Boys was

1076
00:56:12,120 --> 00:56:20,240
Speaker 4: on main stage. I think, uh uh uh, maybe Nirvana,

1077
00:56:23,520 --> 00:56:29,840
Speaker 4: your childhood was good, a great childhood.

1078
00:56:30,160 --> 00:56:35,800
Speaker 1: Yeah, sure you're basing that on me being in a

1079
00:56:35,880 --> 00:56:44,759
Speaker 1: most fucking red Man. I told you.

1080
00:56:48,480 --> 00:56:48,920
Speaker 5: He was not.

1081
00:56:50,560 --> 00:56:50,880
Speaker 2: Evan.

1082
00:56:53,840 --> 00:56:55,960
Speaker 4: I snuck into the show at thirteen, he got a

1083
00:56:56,040 --> 00:56:57,680
Speaker 4: mostpit of red Man, your childhood was.

1084
00:57:00,480 --> 00:57:05,480
Speaker 1: A failure. Yes, I mean that too, well, but.

1085
00:57:07,280 --> 00:57:13,160
Speaker 2: Continue so you're in the marsh pity.

1086
00:57:13,320 --> 00:57:14,359
Speaker 1: I didn't know I was saying it wrong.

1087
00:57:15,320 --> 00:57:20,760
Speaker 4: So anyway, I had like an early experience of mosh

1088
00:57:20,840 --> 00:57:23,000
Speaker 4: pits and ship at a hip hop show.

1089
00:57:23,240 --> 00:57:25,840
Speaker 2: Okay, you know, and that's a dope.

1090
00:57:26,400 --> 00:57:28,920
Speaker 1: You know, it's like rowdy ship. You know. I was that.

1091
00:57:29,160 --> 00:57:31,840
Speaker 4: I was. That's what it was, man, I was, you know,

1092
00:57:32,200 --> 00:57:35,360
Speaker 4: fucking that's what it was. That was the fun part.

1093
00:57:35,440 --> 00:57:37,040
Speaker 4: You know, you funck shit up. You go to go

1094
00:57:37,120 --> 00:57:38,760
Speaker 4: to the shows, function up. When I was at that

1095
00:57:38,800 --> 00:57:41,000
Speaker 4: show in nineteen ninety seven at the h Room with

1096
00:57:42,200 --> 00:57:45,800
Speaker 4: three six a mystical, I watched pit there too. You

1097
00:57:45,880 --> 00:57:49,280
Speaker 4: fun up those shows, you know, like that's that's that's

1098
00:57:49,320 --> 00:57:52,360
Speaker 4: the best part. It's like, you're this is your favorite group,

1099
00:57:52,400 --> 00:57:56,120
Speaker 4: You're seeing them live. Let's get let's right six You

1100
00:57:56,440 --> 00:57:58,880
Speaker 4: was like, because I remember it still is yo?

1101
00:57:59,160 --> 00:57:59,920
Speaker 1: Yeah, still is you?

1102
00:58:00,640 --> 00:58:03,240
Speaker 3: Because I was what's that first record that came up

1103
00:58:03,240 --> 00:58:06,240
Speaker 3: with Taylor Club Up? That was I mean the first

1104
00:58:06,320 --> 00:58:07,240
Speaker 3: national that was.

1105
00:58:07,240 --> 00:58:09,320
Speaker 2: One of the one of their first big records. Yeah, yeah,

1106
00:58:09,400 --> 00:58:11,720
Speaker 2: they had been doing but they didn't get to New York.

1107
00:58:11,800 --> 00:58:13,880
Speaker 2: But they'd done a lot of ship before that.

1108
00:58:14,040 --> 00:58:16,480
Speaker 1: Tear the club up. Are you sure before that, I

1109
00:58:16,720 --> 00:58:17,160
Speaker 1: had a lot of.

1110
00:58:17,160 --> 00:58:18,960
Speaker 2: Street ship on the street.

1111
00:58:19,400 --> 00:58:21,360
Speaker 1: That was their first big record. Yeah yeah, yeah, yeah

1112
00:58:21,960 --> 00:58:22,120
Speaker 1: I did.

1113
00:58:22,280 --> 00:58:24,320
Speaker 3: I did in New York when it got When that

1114
00:58:24,360 --> 00:58:26,640
Speaker 3: ship came, people were literally tearing the club up.

1115
00:58:26,920 --> 00:58:28,720
Speaker 1: So yeah yeah.

1116
00:58:30,920 --> 00:58:34,720
Speaker 4: Yeah dude, so so yeah, they like embodied the culture

1117
00:58:34,920 --> 00:58:37,160
Speaker 4: of what was happening around that and that's just what

1118
00:58:37,280 --> 00:58:40,720
Speaker 4: it was. You know, God, what a brilliant concept. Man,

1119
00:58:41,080 --> 00:58:43,280
Speaker 4: like the Masters of Evil.

1120
00:58:43,480 --> 00:58:46,560
Speaker 1: Man that that ship is like some Robert Johnson ship

1121
00:58:46,760 --> 00:58:49,760
Speaker 1: man pre six Mafia is They're the greatest bro.

1122
00:58:50,600 --> 00:58:55,400
Speaker 4: DJ Paul love you, man. He's a man and mentor

1123
00:58:55,640 --> 00:58:59,880
Speaker 4: mentor you know. Like again, still a big family. My

1124
00:59:00,040 --> 00:59:05,320
Speaker 4: mom got DJ Paul on her coffee table in a frame,

1125
00:59:05,480 --> 00:59:08,680
Speaker 4: you know what I mean, Like Paul's family, Dude, Like, man,

1126
00:59:08,760 --> 00:59:09,400
Speaker 4: that's my guy.

1127
00:59:09,680 --> 00:59:12,080
Speaker 1: One thing we established is your mother's a gangster.

1128
00:59:12,560 --> 00:59:12,600
Speaker 5: Ma.

1129
00:59:12,680 --> 00:59:19,640
Speaker 1: Mama is in this interview we don't get anything. Is

1130
00:59:19,800 --> 00:59:26,000
Speaker 1: your mama's a gangstang. She's the most gangster person we

1131
00:59:26,080 --> 00:59:28,160
Speaker 1: took a mom I've ever met let's go. I think

1132
00:59:28,200 --> 00:59:29,440
Speaker 1: we try to take a shop of Mamma.

1133
00:59:31,520 --> 00:59:32,760
Speaker 2: We haven't even known pick times.

1134
00:59:32,840 --> 00:59:33,040
Speaker 1: Lie.

1135
00:59:33,120 --> 00:59:35,440
Speaker 2: Yeah, we did more drinking more than time.

1136
00:59:36,000 --> 00:59:37,640
Speaker 1: But we want to give you your flowers. We got

1137
00:59:37,760 --> 00:59:38,400
Speaker 1: to give you a flower.

1138
00:59:38,560 --> 00:59:42,080
Speaker 3: Did I noticed talking about keep going, keep going this

1139
00:59:42,120 --> 00:59:43,400
Speaker 3: whole interview, We give you a flowers.

1140
00:59:44,760 --> 00:59:46,919
Speaker 1: I ain't drinking over there, Come on, have a drink.

1141
00:59:49,040 --> 00:59:51,560
Speaker 2: Alright, hold on, so now we're gonna do quick explain.

1142
00:59:52,400 --> 00:59:54,560
Speaker 2: This is a drinking game we play. We give you

1143
00:59:54,600 --> 00:59:56,720
Speaker 2: two choices. You picked one.

1144
00:59:57,000 --> 00:59:57,960
Speaker 1: We were already playing.

1145
00:59:59,040 --> 01:00:00,800
Speaker 2: You picked one of the two. So it's like this

1146
01:00:01,120 --> 01:00:04,560
Speaker 2: first this, and you pick one. Nobody drinks. But if

1147
01:00:04,600 --> 01:00:07,120
Speaker 2: you say both or neither, we all drink.

1148
01:00:08,120 --> 01:00:13,480
Speaker 1: Got it? And then give us any stories? Not really,

1149
01:00:13,560 --> 01:00:16,720
Speaker 1: but it goes, you know, figure it out.

1150
01:00:17,280 --> 01:00:18,000
Speaker 2: You asked me a question.

1151
01:00:18,040 --> 01:00:23,720
Speaker 1: I answered, yeah, you go Eminemo, machine gun Kelly, how

1152
01:00:23,880 --> 01:00:27,160
Speaker 1: dare you? I told you? Who wakes the questions? Those

1153
01:00:27,200 --> 01:00:32,959
Speaker 1: guys that so you say both? Listen man, we would

1154
01:00:33,000 --> 01:00:35,840
Speaker 1: like to hear it. Here's here's the deal with that ship.

1155
01:00:36,520 --> 01:00:40,080
Speaker 4: Marshall Matters is my brother Marshall Matters coach man A

1156
01:00:40,120 --> 01:00:42,800
Speaker 4: way I could never ever, ever fucking repay him back

1157
01:00:42,840 --> 01:00:44,560
Speaker 4: for that. I love Marshall for the rest of my life.

1158
01:00:44,560 --> 01:00:48,000
Speaker 4: And I'm loyal to Shady and Marshall, period point blank.

1159
01:00:49,160 --> 01:00:53,040
Speaker 4: Machine Gun Kelly is my dog. That's my friend, period

1160
01:00:53,120 --> 01:00:55,840
Speaker 4: point blank. And I would never put myself on the

1161
01:00:55,880 --> 01:00:57,880
Speaker 4: block to choose one or the other.

1162
01:00:58,000 --> 01:00:58,920
Speaker 1: I got love and.

1163
01:00:58,960 --> 01:01:01,920
Speaker 4: Respect from Marshall and a whole different way, and I

1164
01:01:02,040 --> 01:01:03,960
Speaker 4: got a whole different relationship with Shady than I do.

1165
01:01:04,200 --> 01:01:05,720
Speaker 1: MGK MGK is my boy.

1166
01:01:05,840 --> 01:01:06,640
Speaker 2: Dude, you know what I'm saying.

1167
01:01:06,720 --> 01:01:11,240
Speaker 1: Like, but you know we're taking a show that's both,

1168
01:01:11,480 --> 01:01:14,000
Speaker 1: so so you're picking them the answers both, Yeah, drinking

1169
01:01:14,040 --> 01:01:16,560
Speaker 1: from take a shot? Yeah? If you say if you

1170
01:01:16,600 --> 01:01:19,400
Speaker 1: say one, drink yeah, yeah, I'm sorry. I went off

1171
01:01:19,440 --> 01:01:21,880
Speaker 1: the rails. If you say one. If you say one,

1172
01:01:21,920 --> 01:01:23,000
Speaker 1: we don't drink, you say both.

1173
01:01:23,760 --> 01:01:25,600
Speaker 2: I went off the That was good.

1174
01:01:25,760 --> 01:01:26,280
Speaker 1: I'm learning.

1175
01:01:26,280 --> 01:01:27,040
Speaker 2: That was perfect.

1176
01:01:28,000 --> 01:01:29,480
Speaker 3: That's a great answer to. By the way, now I

1177
01:01:29,560 --> 01:01:32,280
Speaker 3: need you got small shots because you do small shots.

1178
01:01:32,280 --> 01:01:33,960
Speaker 3: We're gonna be going through. And by the way, that

1179
01:01:34,000 --> 01:01:34,920
Speaker 3: was a great answer to.

1180
01:01:35,240 --> 01:01:35,600
Speaker 1: I liked it.

1181
01:01:35,680 --> 01:01:36,120
Speaker 5: I like you that.

1182
01:01:37,000 --> 01:01:39,640
Speaker 1: Uh okay you ready? Yeah? Yeah?

1183
01:01:40,120 --> 01:01:43,200
Speaker 3: Twenty one Savage or Kodak Black.

1184
01:01:43,640 --> 01:01:47,480
Speaker 1: Oh, both for sure. We won't be drinking. I said,

1185
01:01:47,640 --> 01:01:49,640
Speaker 1: we're going to be drinking for sure. Yeah, keep pouring.

1186
01:01:50,120 --> 01:01:54,919
Speaker 1: Yeah the other shot a cool? You ready? You gotta

1187
01:01:54,960 --> 01:01:57,000
Speaker 1: take a shot? Yeah yeah, stay with us.

1188
01:02:00,760 --> 01:02:05,040
Speaker 15: You can end the suffering. Just pick one, okay, I could,

1189
01:02:05,120 --> 01:02:10,040
Speaker 15: Oh way, you got it? I like this one, Kendrick

1190
01:02:10,240 --> 01:02:14,800
Speaker 15: or Drake. Kendrick fucking Lamar?

1191
01:02:15,400 --> 01:02:15,600
Speaker 1: Wow?

1192
01:02:16,280 --> 01:02:19,760
Speaker 4: Are you a point blank? And can I say must

1193
01:02:19,800 --> 01:02:23,920
Speaker 4: respect to Drake? That them boys ain't no level playing fields, bro?

1194
01:02:24,080 --> 01:02:27,560
Speaker 4: Like you cannot you cannot fuck like Kendrick Lamar. Bro,

1195
01:02:28,040 --> 01:02:32,240
Speaker 4: that's top top, top tier MC ship, Like, are you

1196
01:02:32,360 --> 01:02:34,840
Speaker 4: kidding me? I heard about this shit that was happening,

1197
01:02:35,000 --> 01:02:38,200
Speaker 4: and I didn't even listen to, not one single thing nothing.

1198
01:02:38,280 --> 01:02:41,720
Speaker 4: I still have not heard one record from either side.

1199
01:02:41,960 --> 01:02:44,200
Speaker 4: All I did was hear about it, and I was like,

1200
01:02:46,640 --> 01:02:52,520
Speaker 4: what Kendrick and Drake, dog, come on, man, this is

1201
01:02:52,600 --> 01:02:59,080
Speaker 4: not even interesting? Like whatever, Kendrick Lamar, that was easy.

1202
01:03:00,160 --> 01:03:01,080
Speaker 2: Let's take a shot.

1203
01:03:02,480 --> 01:03:04,320
Speaker 1: When you pick? You picked?

1204
01:03:06,400 --> 01:03:06,680
Speaker 2: Okay?

1205
01:03:06,800 --> 01:03:10,600
Speaker 4: Why you big quit, big krit that's my dog. I

1206
01:03:10,680 --> 01:03:14,360
Speaker 4: gotta go a big quit because a couple together I love.

1207
01:03:14,400 --> 01:03:19,720
Speaker 1: What wasn't your oldest freshman couple wasn't on that couple.

1208
01:03:19,840 --> 01:03:20,120
Speaker 2: What you.

1209
01:03:22,080 --> 01:03:24,080
Speaker 1: You're going back on me here, I got I gotta

1210
01:03:24,120 --> 01:03:26,720
Speaker 1: go a d d over here. Just you know we

1211
01:03:28,000 --> 01:03:31,040
Speaker 1: got drunk fast, Yeah, go ahead ahead, point is okay,

1212
01:03:31,560 --> 01:03:35,680
Speaker 1: big quit family. I love y g but obviously big crits.

1213
01:03:35,720 --> 01:03:37,600
Speaker 1: You know I'm sticking with the South. I respect you.

1214
01:03:37,840 --> 01:03:40,680
Speaker 1: I'm not sticking with the South. I'm sticking with my boy.

1215
01:03:43,600 --> 01:03:45,120
Speaker 1: Trying to make me read over here.

1216
01:03:47,120 --> 01:03:50,680
Speaker 2: My boy happened to be the next one resting piece

1217
01:03:50,720 --> 01:03:52,560
Speaker 2: of both mac Miller and Nipsey.

1218
01:03:54,240 --> 01:03:56,120
Speaker 1: What do you your criteria?

1219
01:03:56,640 --> 01:03:59,000
Speaker 2: What do you mean it could be? When's your best friend?

1220
01:03:59,080 --> 01:04:01,880
Speaker 2: One wasn't when made a good Hamburger? I don't know whatever.

1221
01:04:04,480 --> 01:04:08,960
Speaker 1: Oh dude, I went to another place. Okay, dark no, no, no,

1222
01:04:09,120 --> 01:04:11,240
Speaker 1: you said rest in peace to both, like like I

1223
01:04:11,280 --> 01:04:12,720
Speaker 1: can say, I know, I know that.

1224
01:04:16,480 --> 01:04:17,400
Speaker 2: Where did you go wrong?

1225
01:04:17,520 --> 01:04:19,520
Speaker 1: I thought you were asking me to say rest in

1226
01:04:19,560 --> 01:04:20,640
Speaker 1: peace to which one.

1227
01:04:22,520 --> 01:04:23,240
Speaker 2: I don't even want to.

1228
01:04:25,160 --> 01:04:34,680
Speaker 1: I was like, that's fucked up, that's fucking fat, it's crazy.

1229
01:04:34,400 --> 01:04:39,560
Speaker 2: For I was like, no, that's not.

1230
01:04:41,600 --> 01:04:41,880
Speaker 1: Listen.

1231
01:04:42,360 --> 01:04:47,880
Speaker 4: Listen when mac Miller, mac Miller became my little brother,

1232
01:04:48,760 --> 01:04:51,600
Speaker 4: mac Miller and I never even did records together, and

1233
01:04:51,720 --> 01:04:56,720
Speaker 4: we stayed until it's called the regular. We understood each

1234
01:04:56,720 --> 01:04:58,600
Speaker 4: other so much as artists that we knew that like

1235
01:04:59,800 --> 01:05:02,000
Speaker 4: do and songs together, it may not be the best

1236
01:05:02,080 --> 01:05:03,080
Speaker 4: for each other's career.

1237
01:05:03,160 --> 01:05:05,520
Speaker 1: We were just so different, you know what I'm saying.

1238
01:05:05,600 --> 01:05:09,720
Speaker 1: But we also he would hit me up. Man, it's

1239
01:05:09,760 --> 01:05:11,720
Speaker 1: just so dope. I hit him up, man, new sh

1240
01:05:11,720 --> 01:05:13,920
Speaker 1: It's crazy, man. Love it came my little bro.

1241
01:05:14,320 --> 01:05:19,320
Speaker 4: When Mac Miller died, Bro, listen, man, I took every

1242
01:05:19,480 --> 01:05:22,080
Speaker 4: this is for real, for real. I took every fucking

1243
01:05:22,200 --> 01:05:25,000
Speaker 4: thing I owned out of my closet, all my clothes,

1244
01:05:25,200 --> 01:05:28,680
Speaker 4: all my shoes, all my pants, all my jewelry, all

1245
01:05:28,760 --> 01:05:31,480
Speaker 4: my hats, and I put them in front of it.

1246
01:05:31,520 --> 01:05:33,320
Speaker 4: I had a store in Nashville at the time, this

1247
01:05:33,440 --> 01:05:36,000
Speaker 4: was before cold put in the parking lot and I said,

1248
01:05:36,000 --> 01:05:37,040
Speaker 4: anyone who pulls.

1249
01:05:36,840 --> 01:05:38,920
Speaker 1: Up can get an outfit for free today.

1250
01:05:40,480 --> 01:05:44,120
Speaker 4: And I re upped my ship because I just felt

1251
01:05:44,200 --> 01:05:48,160
Speaker 4: like I needed to do something positive and let go

1252
01:05:48,360 --> 01:05:48,840
Speaker 4: of something.

1253
01:05:49,640 --> 01:05:56,280
Speaker 1: Mac was special, man. So that ship. I love Mac dude,

1254
01:05:56,800 --> 01:06:01,480
Speaker 1: and and our friendship is so much on the underground

1255
01:06:01,920 --> 01:06:04,439
Speaker 1: that it is so deeply personal, you know what I'm saying.

1256
01:06:04,440 --> 01:06:06,600
Speaker 1: So when he passed, I was really hurt. Dude for real,

1257
01:06:07,000 --> 01:06:09,439
Speaker 1: and he's such a gift man, such a gift.

1258
01:06:09,440 --> 01:06:11,280
Speaker 2: It seemed like he had a lot of those relationships

1259
01:06:11,320 --> 01:06:15,160
Speaker 2: thought of because he is that guy, He's that kid.

1260
01:06:15,400 --> 01:06:17,600
Speaker 1: I cried. I cried.

1261
01:06:18,200 --> 01:06:20,200
Speaker 3: I was overseas, I was in Europe because you know,

1262
01:06:20,320 --> 01:06:22,400
Speaker 3: he did an album with a real called Pink Slime,

1263
01:06:22,880 --> 01:06:24,760
Speaker 3: and you know, I don't want to say I invented

1264
01:06:24,800 --> 01:06:26,560
Speaker 3: the worst line, but I bring the worst line to

1265
01:06:26,720 --> 01:06:30,040
Speaker 3: the rap game. And I felt like like he was

1266
01:06:30,080 --> 01:06:32,280
Speaker 3: trying to tell me like that was like his homage

1267
01:06:32,360 --> 01:06:35,240
Speaker 3: to me. And I never got to say that publicly,

1268
01:06:35,920 --> 01:06:37,680
Speaker 3: and I never got to see what I saw when

1269
01:06:37,680 --> 01:06:40,760
Speaker 3: I seen him publicly. I never like was like yo,

1270
01:06:40,840 --> 01:06:44,960
Speaker 3: as a og, sometimes you want to talk to the youngins.

1271
01:06:45,000 --> 01:06:46,960
Speaker 3: You want to say, yo, you know what, maybe shouldn't

1272
01:06:47,000 --> 01:06:48,840
Speaker 3: be doing all that, you know what I mean? And

1273
01:06:49,080 --> 01:06:50,840
Speaker 3: I did it because I was just like I felt

1274
01:06:50,840 --> 01:06:53,400
Speaker 3: like he had it under control. So when I was overseas,

1275
01:06:53,400 --> 01:06:55,720
Speaker 3: I remember I was driving from like Germany to Paris

1276
01:06:56,160 --> 01:06:59,160
Speaker 3: or Paris to Germany either or and I got the news.

1277
01:06:59,200 --> 01:07:01,960
Speaker 1: I just read it and just start to cry, and

1278
01:07:02,080 --> 01:07:03,520
Speaker 1: it seemed like it was whoop, right there you go,

1279
01:07:04,200 --> 01:07:05,320
Speaker 1: He's on the way to Amsterdam.

1280
01:07:05,720 --> 01:07:07,880
Speaker 4: He was on the way to Amsterdam, and I was crazy,

1281
01:07:08,080 --> 01:07:10,680
Speaker 4: but you know, like we must have been all like,

1282
01:07:12,400 --> 01:07:13,120
Speaker 4: you know, it's crazy.

1283
01:07:13,120 --> 01:07:14,320
Speaker 1: I don't know how we never met.

1284
01:07:14,560 --> 01:07:17,320
Speaker 4: It's funny you meet people like never met me, but

1285
01:07:17,400 --> 01:07:19,440
Speaker 4: I know your soul though, like rock the bells and

1286
01:07:19,720 --> 01:07:21,520
Speaker 4: all the things that I've done.

1287
01:07:23,320 --> 01:07:30,240
Speaker 1: My dude, yes, my dude, but we did, did you?

1288
01:07:30,320 --> 01:07:32,760
Speaker 1: So you picked McMillan one? One last thing about that

1289
01:07:32,960 --> 01:07:36,800
Speaker 1: we did? Can I say one? Yeah? We got plenty

1290
01:07:36,840 --> 01:07:37,200
Speaker 1: of times.

1291
01:07:37,280 --> 01:07:39,400
Speaker 4: So this is this is funny. This is actually funny.

1292
01:07:39,600 --> 01:07:43,840
Speaker 4: We did the show and Aspen and uh, Mac and

1293
01:07:43,920 --> 01:07:46,160
Speaker 4: I when we played it, we played the same stage

1294
01:07:46,640 --> 01:07:49,360
Speaker 4: and we just happened to like come to the same state.

1295
01:07:49,440 --> 01:07:53,160
Speaker 4: We got booked by the same promoter or whatever. And

1296
01:07:55,960 --> 01:07:59,560
Speaker 4: Ell Madic comes on, uh no, its ematic comes on.

1297
01:07:59,680 --> 01:08:05,000
Speaker 4: We're stage. Mac runs to the stage and spits word

1298
01:08:05,160 --> 01:08:11,000
Speaker 4: for word, bar for bar, that whole that whole record,

1299
01:08:11,280 --> 01:08:13,640
Speaker 4: you know, like it was and I was and he was, dude,

1300
01:08:13,680 --> 01:08:17,160
Speaker 4: this dude's ten years younger than I am, you know

1301
01:08:17,160 --> 01:08:19,719
Speaker 4: what I mean, Like, and it was just like blown

1302
01:08:19,760 --> 01:08:22,439
Speaker 4: away by that. So I talked to him backstage and

1303
01:08:22,520 --> 01:08:24,960
Speaker 4: you know, we started got diving into hip hop and

1304
01:08:25,040 --> 01:08:26,719
Speaker 4: on how it happened for him and all that ship.

1305
01:08:27,600 --> 01:08:30,680
Speaker 4: And he was really really rising at the time, you know,

1306
01:08:30,800 --> 01:08:32,840
Speaker 4: and I was coming up, but not like he was.

1307
01:08:32,920 --> 01:08:35,240
Speaker 4: He was coming up on a different level. And we

1308
01:08:35,360 --> 01:08:38,040
Speaker 4: were flying back. We were flying back, and I was

1309
01:08:38,320 --> 01:08:41,719
Speaker 4: still riding coach and I was sitting in my coach

1310
01:08:41,840 --> 01:08:44,559
Speaker 4: seat and he was walking up to first.

1311
01:08:44,439 --> 01:08:48,280
Speaker 2: Class and he was like, yo, my bad.

1312
01:08:48,600 --> 01:08:52,120
Speaker 1: He was like, my bad, I'm going in first class.

1313
01:08:52,360 --> 01:09:00,560
Speaker 1: Like fuck you a bitching flying first class overseas. You

1314
01:09:00,640 --> 01:09:04,439
Speaker 1: know how expensive it is to fly overseas first class

1315
01:09:05,120 --> 01:09:08,080
Speaker 1: at the time. At the time, that was in fact

1316
01:09:08,960 --> 01:09:10,040
Speaker 1: coach to Russia together.

1317
01:09:10,160 --> 01:09:14,160
Speaker 2: And I'm like, up, fu, you don't want to wait?

1318
01:09:14,320 --> 01:09:21,839
Speaker 1: You wanted in that trip? They said Russians against racism.

1319
01:09:21,920 --> 01:09:23,519
Speaker 1: We was like, we may not belong to.

1320
01:09:25,520 --> 01:09:27,519
Speaker 2: Those are the promoters Russians against racism.

1321
01:09:28,439 --> 01:09:31,479
Speaker 1: I got the flying and coach trip. I got the

1322
01:09:31,560 --> 01:09:32,160
Speaker 1: flying and coach.

1323
01:09:32,479 --> 01:09:34,360
Speaker 4: You want a life hack, you want a life hack,

1324
01:09:34,680 --> 01:09:39,320
Speaker 4: you coach flyer? All right, listen, take a bag, put

1325
01:09:39,360 --> 01:09:41,760
Speaker 4: a full blown house pillow in your bag.

1326
01:09:42,600 --> 01:09:42,960
Speaker 1: All right.

1327
01:09:43,240 --> 01:09:44,960
Speaker 4: If you got a bad check, check your bag, check

1328
01:09:45,000 --> 01:09:47,400
Speaker 4: it back, check it back. You get a carry on, right, yeah,

1329
01:09:47,600 --> 01:09:50,880
Speaker 4: carry on a pillow, put it in the bag, or

1330
01:09:50,920 --> 01:09:52,439
Speaker 4: if you want to carry it like round like like

1331
01:09:52,520 --> 01:09:54,200
Speaker 4: we need to pooh, or whatever you want to do.

1332
01:09:54,560 --> 01:09:56,479
Speaker 4: I put mine in my bags long, like an idiot

1333
01:09:56,520 --> 01:09:58,920
Speaker 4: with a pillow under my arm walking through the airport.

1334
01:09:59,400 --> 01:10:03,599
Speaker 4: When you fire coach window, seat right, window, sea, lay

1335
01:10:03,680 --> 01:10:06,599
Speaker 4: that fucking full sized pillow against the window, lean your

1336
01:10:06,680 --> 01:10:11,120
Speaker 4: seat back. It becomes first class, first class, first class,

1337
01:10:11,360 --> 01:10:12,439
Speaker 4: that light back.

1338
01:10:15,000 --> 01:10:17,960
Speaker 2: But listen before that, for years, before we leave the

1339
01:10:18,040 --> 01:10:19,000
Speaker 2: mac Miller and Nipsey thing.

1340
01:10:19,040 --> 01:10:20,920
Speaker 1: First of all, do you have a story about Nipsey?

1341
01:10:21,000 --> 01:10:21,400
Speaker 5: You have?

1342
01:10:21,479 --> 01:10:22,120
Speaker 1: I met Nipsey?

1343
01:10:22,439 --> 01:10:23,519
Speaker 2: No, I don't have any story.

1344
01:10:23,880 --> 01:10:26,599
Speaker 1: You never met him. No stories, I don't have any

1345
01:10:26,640 --> 01:10:28,639
Speaker 1: stories personally, okay, okay.

1346
01:10:28,920 --> 01:10:31,840
Speaker 2: But they were both huge losses to the culture and

1347
01:10:32,280 --> 01:10:35,519
Speaker 2: meant so much and what they represented generationally for for

1348
01:10:35,800 --> 01:10:37,160
Speaker 2: was to be in hip hop.

1349
01:10:37,479 --> 01:10:44,519
Speaker 1: I think we lost a lot when we lost those course. Okay,

1350
01:10:44,640 --> 01:10:50,320
Speaker 1: Meek Mill or French Montana both? Okay, go on both

1351
01:10:50,640 --> 01:10:52,240
Speaker 1: take a shot taking a shot that sounded like it

1352
01:10:52,240 --> 01:10:55,760
Speaker 1: could have been one or the other. But okay, you

1353
01:10:56,000 --> 01:10:58,519
Speaker 1: got to see the shot, don't count Oh, share my

1354
01:10:58,600 --> 01:11:05,400
Speaker 1: bad cheer. We on you, you know what, because the

1355
01:11:05,520 --> 01:11:07,559
Speaker 1: fans will will be a lot of.

1356
01:11:07,600 --> 01:11:09,439
Speaker 2: Like you shot.

1357
01:11:09,800 --> 01:11:11,960
Speaker 4: These are all you know what's interesting? These are all

1358
01:11:12,120 --> 01:11:16,679
Speaker 4: straight hip hop references. Do you have anything else besides

1359
01:11:16,760 --> 01:11:17,200
Speaker 4: the country?

1360
01:11:17,200 --> 01:11:22,000
Speaker 1: I told you, Dominicans and Colias? What would you like?

1361
01:11:24,000 --> 01:11:25,640
Speaker 1: You want us to serve up something else? Guys, get

1362
01:11:25,680 --> 01:11:27,800
Speaker 1: on there. No, no, no, it's fine. Ask me whatever.

1363
01:11:28,040 --> 01:11:31,800
Speaker 1: I'm I'm good with. I was just I'm just Oh

1364
01:11:33,040 --> 01:11:37,599
Speaker 1: he follows me, I follow him. Jelly Roller, who Lady Gaga,

1365
01:11:38,320 --> 01:11:40,280
Speaker 1: Jelly Ro, Jelly Rose, Still hip hop?

1366
01:11:41,280 --> 01:11:43,720
Speaker 3: I feel I feel like he's still hip I feel

1367
01:11:44,160 --> 01:11:45,120
Speaker 3: you say still hip hop?

1368
01:11:45,160 --> 01:11:45,680
Speaker 1: I feel like he.

1369
01:11:46,160 --> 01:11:47,960
Speaker 3: Still to you to how you feel like that term

1370
01:11:48,040 --> 01:11:50,720
Speaker 3: that you were saying earlier country hip hop? I feel

1371
01:11:50,760 --> 01:11:53,719
Speaker 3: like that's gonna turn into a whole genre of music.

1372
01:11:53,840 --> 01:11:57,479
Speaker 3: But has Jelly Road right now, that's not hip hop,

1373
01:11:57,800 --> 01:11:58,599
Speaker 3: that's not hip hop.

1374
01:11:58,840 --> 01:12:00,680
Speaker 1: But he comes from hip hop. You of course he

1375
01:12:00,800 --> 01:12:03,840
Speaker 1: does what he's making right now, come on that that

1376
01:12:03,920 --> 01:12:04,240
Speaker 1: ain't here.

1377
01:12:04,280 --> 01:12:08,000
Speaker 4: But like Jelly knows that he's a singer songwriter, he's

1378
01:12:08,040 --> 01:12:09,479
Speaker 4: making country music, and he's or.

1379
01:12:09,479 --> 01:12:13,559
Speaker 3: Pop music record in the world right now. His country,

1380
01:12:13,680 --> 01:12:16,880
Speaker 3: right bro, his country is rock. Everybody in the club

1381
01:12:16,960 --> 01:12:22,519
Speaker 3: getting tipsy. That's the that's a country record now know

1382
01:12:23,000 --> 01:12:31,520
Speaker 3: yeah name Chippoosie. Yeah, get the number one record. Shipboozy, Shipboozy.

1383
01:12:31,640 --> 01:12:33,880
Speaker 1: I shout out to Shipboozy once. I I don't love

1384
01:12:33,960 --> 01:12:39,720
Speaker 1: disrespect you like I got you, got you. That's my boy.

1385
01:12:40,120 --> 01:12:42,040
Speaker 1: He's a country singer and he's black.

1386
01:12:42,360 --> 01:12:42,800
Speaker 2: Yeah, he's.

1387
01:12:44,680 --> 01:12:46,280
Speaker 1: The rosa parks of country music.

1388
01:12:48,160 --> 01:12:48,640
Speaker 2: That make me.

1389
01:12:48,920 --> 01:12:51,000
Speaker 1: Went to far? Now you never heard of that. That's

1390
01:12:51,280 --> 01:12:52,720
Speaker 1: I went too far. I went too far. I went

1391
01:12:52,880 --> 01:12:53,840
Speaker 1: They can tell me I went too far.

1392
01:12:55,439 --> 01:12:56,639
Speaker 2: I don't really know what I'm doing.

1393
01:12:58,400 --> 01:13:03,480
Speaker 1: I didn't know what I was doing. Shaboozie is as

1394
01:13:03,520 --> 01:13:07,000
Speaker 1: like Shaboozi is is a blessing to music right now.

1395
01:13:07,400 --> 01:13:10,320
Speaker 4: And like living in Nashville, the country music scene is

1396
01:13:10,360 --> 01:13:14,720
Speaker 4: a bit. No, it's not stale, it's it's it's it's

1397
01:13:14,760 --> 01:13:18,960
Speaker 4: evolving and there's you know, there's great characters that are

1398
01:13:19,000 --> 01:13:22,600
Speaker 4: stepping into the game. And I would say Shaboozie and

1399
01:13:22,680 --> 01:13:25,880
Speaker 4: Jelly Row are crucial to the to the country.

1400
01:13:25,640 --> 01:13:28,720
Speaker 1: Music right the evolution of country music. Yeah, and Jelly

1401
01:13:28,840 --> 01:13:29,759
Speaker 1: Row won the award.

1402
01:13:30,360 --> 01:13:30,920
Speaker 2: He's killing it.

1403
01:13:31,080 --> 01:13:36,120
Speaker 1: He's plural, I mean, keeps doing is winning right now.

1404
01:13:37,080 --> 01:13:37,840
Speaker 2: He's just winning.

1405
01:13:39,160 --> 01:13:42,040
Speaker 1: It's crazy. And he used to open for me, man, Yeah,

1406
01:13:42,040 --> 01:13:43,479
Speaker 1: I used to. I used to take him on tour.

1407
01:13:43,680 --> 01:13:44,160
Speaker 2: You know what I mean.

1408
01:13:44,240 --> 01:13:46,600
Speaker 4: He's got Slamerican tattooed down his arm, you know what

1409
01:13:46,640 --> 01:13:49,599
Speaker 4: I mean? Like, that's that's family, bro. Like we come

1410
01:13:49,640 --> 01:13:52,760
Speaker 4: from the same neighborhood. Man, So shout out to jail

1411
01:13:52,880 --> 01:13:54,759
Speaker 4: ro Man and Struggle Jennings.

1412
01:13:54,840 --> 01:13:56,120
Speaker 1: Let's get champs.

1413
01:13:56,200 --> 01:13:57,840
Speaker 2: Huh oh, you would love that.

1414
01:13:58,120 --> 01:14:01,240
Speaker 1: He's a drinker to come on and he smokes. He

1415
01:14:01,280 --> 01:14:02,200
Speaker 1: smokes like a chimney.

1416
01:14:02,240 --> 01:14:02,360
Speaker 2: Man.

1417
01:14:02,360 --> 01:14:03,960
Speaker 1: I wish I could smoke, man, marijuana.

1418
01:14:05,280 --> 01:14:07,080
Speaker 2: You could take a break and smoke outside.

1419
01:14:07,960 --> 01:14:11,439
Speaker 1: Up. Man, we're gonna break up there, like you give me,

1420
01:14:11,840 --> 01:14:15,000
Speaker 1: give me, let me be the first. You know, it's

1421
01:14:15,080 --> 01:14:18,120
Speaker 1: not us. I promise you. It's gonna fucking safe ship.

1422
01:14:19,720 --> 01:14:26,000
Speaker 1: You got we smoked, you got all this management hold.

1423
01:14:26,120 --> 01:14:30,280
Speaker 1: Let's get you this and over there lady smoked my

1424
01:14:30,400 --> 01:14:36,720
Speaker 1: sme eight balls. I'm thinking, I'm just oh wait, wait, wait,

1425
01:14:36,760 --> 01:14:39,360
Speaker 1: wh whoa whoa you You're not okay? This better?

1426
01:14:39,840 --> 01:14:41,760
Speaker 2: Okay. I don't know who you got behind a ball,

1427
01:14:41,840 --> 01:14:43,439
Speaker 2: but it's a good matchup.

1428
01:14:43,800 --> 01:14:46,720
Speaker 1: Or U g K, that's a great matchup. You see.

1429
01:14:47,080 --> 01:14:51,600
Speaker 1: I want to drink, Let's go. Oh man u g

1430
01:14:51,760 --> 01:14:55,360
Speaker 1: K listen, figure you want to said no, no, because

1431
01:14:55,439 --> 01:14:56,120
Speaker 1: I have a record.

1432
01:14:56,439 --> 01:14:58,600
Speaker 4: I got a record with eight Ball, you know what

1433
01:14:58,600 --> 01:14:59,840
Speaker 4: I'm saying. I got a record with a Boy, m

1434
01:15:00,080 --> 01:15:04,679
Speaker 4: G and Waka Flaka Wow, and I love them boys

1435
01:15:04,840 --> 01:15:09,120
Speaker 4: of course. But Bumby was my first co sign. But

1436
01:15:09,280 --> 01:15:12,880
Speaker 4: Bumby came in on Good to Go and one of

1437
01:15:12,920 --> 01:15:15,960
Speaker 4: my first official Coast signs. It was Bumby and then

1438
01:15:16,040 --> 01:15:18,920
Speaker 4: Big Boy from out Cast. But Bumby stepped in when

1439
01:15:20,080 --> 01:15:23,000
Speaker 4: you know, no one knew and and and really really

1440
01:15:23,080 --> 01:15:25,680
Speaker 4: went in. And then after after the fact that I

1441
01:15:25,920 --> 01:15:30,040
Speaker 4: did records with with with a Ball, m j G

1442
01:15:30,680 --> 01:15:33,080
Speaker 4: and Rest in Peace PEMC. I did get to meet

1443
01:15:33,120 --> 01:15:35,599
Speaker 4: PIMPC before he passed, and I was with Kawan Prayther,

1444
01:15:36,240 --> 01:15:39,920
Speaker 4: thank you Kawan for that introduction Ghetto Vision and Los

1445
01:15:39,960 --> 01:15:43,559
Speaker 4: Angeles before he passed. A huge PEMPS fan, so uh

1446
01:15:44,439 --> 01:15:46,840
Speaker 4: PIMC fans, So you GK.

1447
01:15:47,200 --> 01:15:47,400
Speaker 2: You know.

1448
01:15:50,000 --> 01:15:53,919
Speaker 4: Gilla said swab House, by the way, it's a huge influence.

1449
01:15:55,000 --> 01:15:57,160
Speaker 4: So the whole swab House sign out of Texas was

1450
01:15:57,560 --> 01:16:01,160
Speaker 4: was a huge influence on me musically, Tila, I'm so

1451
01:16:01,479 --> 01:16:02,960
Speaker 4: tired up about.

1452
01:16:04,640 --> 01:16:07,080
Speaker 1: Because there's too many pictures in my mix.

1453
01:16:07,600 --> 01:16:08,080
Speaker 2: You never.

1454
01:16:09,479 --> 01:16:16,120
Speaker 4: Like they're like, come on, make that round. That whole

1455
01:16:16,240 --> 01:16:20,000
Speaker 4: sound was fucking come on. Okay, wow House maybe Texas

1456
01:16:20,680 --> 01:16:21,439
Speaker 4: blow will Swang?

1457
01:16:21,520 --> 01:16:24,599
Speaker 1: What up? Paul Wall? What up? Trader Truth? Okay?

1458
01:16:24,880 --> 01:16:28,080
Speaker 3: My brothers three six Mafia outcasts?

1459
01:16:29,479 --> 01:16:34,120
Speaker 1: Wow? You know you don't have to pick, man, No, no, no, no, no, no, no,

1460
01:16:34,720 --> 01:16:35,599
Speaker 1: you have to Sorry.

1461
01:16:35,760 --> 01:16:40,200
Speaker 4: I do have to pick, and I will say absolutely both,

1462
01:16:40,280 --> 01:16:41,760
Speaker 4: because they were both.

1463
01:16:42,040 --> 01:16:44,559
Speaker 1: Picking take it up or both?

1464
01:16:44,760 --> 01:16:48,320
Speaker 3: That's not a pick, but I got to pick whatever

1465
01:16:48,360 --> 01:16:51,200
Speaker 3: you want drink? Say both both. We gotta drink.

1466
01:16:51,840 --> 01:17:02,320
Speaker 1: Drink drinks three six Mafia both and simultaneously. You want

1467
01:17:02,320 --> 01:17:05,960
Speaker 1: to explain my life? Hell yeah, I explain man, So

1468
01:17:06,080 --> 01:17:06,320
Speaker 1: let's go.

1469
01:17:06,640 --> 01:17:07,640
Speaker 2: I do. This is why I do.

1470
01:17:09,880 --> 01:17:14,200
Speaker 1: I like the more he drinks drinks, the more, the

1471
01:17:14,280 --> 01:17:17,479
Speaker 1: more funny. Well, I mean, don't we all?

1472
01:17:20,439 --> 01:17:20,560
Speaker 5: You know?

1473
01:17:20,640 --> 01:17:22,720
Speaker 1: I was. I've been warming up for this show all week.

1474
01:17:25,600 --> 01:17:26,800
Speaker 2: What's the warm up for the show?

1475
01:17:28,200 --> 01:17:29,439
Speaker 1: How do you want up for this show?

1476
01:17:29,520 --> 01:17:30,800
Speaker 2: It's gonna be the clip right here? Why do you

1477
01:17:30,840 --> 01:17:31,760
Speaker 2: warm up for? Drink? Chests?

1478
01:17:33,680 --> 01:17:38,479
Speaker 4: Five Days at the Sunset Marquee, Los Angeles, California, mixed

1479
01:17:38,520 --> 01:17:42,280
Speaker 4: with a little bit of Broadway, Nashville, Tennessee, Roberts Dive Bar,

1480
01:17:42,560 --> 01:17:46,919
Speaker 4: D's shout out fucking furnet shots.

1481
01:17:48,240 --> 01:17:50,280
Speaker 1: You know what I mean trying to uh, you know,

1482
01:17:50,360 --> 01:17:53,400
Speaker 1: I was prepping you can't even wrong a dive and

1483
01:17:53,600 --> 01:17:57,840
Speaker 1: I drank a lot of chests at the dive bars.

1484
01:17:58,640 --> 01:18:00,519
Speaker 1: What I always want to hang out.

1485
01:18:00,560 --> 01:18:02,320
Speaker 2: I think we're all confused right now. I don't know.

1486
01:18:05,479 --> 01:18:09,519
Speaker 1: We were at Outcast and you said both, yeah, we

1487
01:18:09,560 --> 01:18:13,320
Speaker 1: already gans at that. Both in the story they both, man,

1488
01:18:14,040 --> 01:18:15,519
Speaker 1: it's crazy. Well influenced me.

1489
01:18:15,720 --> 01:18:18,280
Speaker 4: And also, you know, big Boy gave me my first

1490
01:18:18,439 --> 01:18:24,960
Speaker 4: look on television ET Awards, your DJ no DJ And

1491
01:18:25,160 --> 01:18:26,439
Speaker 4: at the time, I did.

1492
01:18:26,400 --> 01:18:27,040
Speaker 2: A song.

1493
01:18:29,120 --> 01:18:34,560
Speaker 4: With Slim Thug called I Run, I Run, so like

1494
01:18:34,760 --> 01:18:36,960
Speaker 4: Jim Johnson pulled me in and became a big record,

1495
01:18:36,960 --> 01:18:37,360
Speaker 4: but I was.

1496
01:18:38,880 --> 01:18:42,200
Speaker 1: Well, I was. It became a huge record for some thug,

1497
01:18:43,080 --> 01:18:44,559
Speaker 1: but I was so on the ground I couldn't even

1498
01:18:44,600 --> 01:18:46,960
Speaker 1: afford to make the video. So Jim Johnson like lip

1499
01:18:47,040 --> 01:18:48,760
Speaker 1: sync my part, you know what I'm saying, and.

1500
01:18:48,880 --> 01:18:52,360
Speaker 4: During the video, but the word got around that there

1501
01:18:52,479 --> 01:18:55,760
Speaker 4: was this dude doing rock hooks. So then I did

1502
01:18:55,840 --> 01:18:59,160
Speaker 4: Joel Santana mixing up the medicine, mixing up the medicine.

1503
01:18:59,280 --> 01:19:01,800
Speaker 4: I was in the baseman mixing up the medicine. So

1504
01:19:01,920 --> 01:19:06,240
Speaker 4: I did that, which was uh, Subterranean Blues by Bob Dylan.

1505
01:19:07,200 --> 01:19:09,200
Speaker 4: So then Big Boy hits me up because now he

1506
01:19:09,320 --> 01:19:11,160
Speaker 4: wants a rock cook because now this ship.

1507
01:19:11,160 --> 01:19:12,200
Speaker 1: You're theok at this time.

1508
01:19:12,680 --> 01:19:14,719
Speaker 3: At the time, yeah, he was Joe Hooker before.

1509
01:19:17,280 --> 01:19:17,800
Speaker 1: Trying to make it.

1510
01:19:21,880 --> 01:19:25,680
Speaker 4: So so the situation, the session opened up to work

1511
01:19:25,720 --> 01:19:28,280
Speaker 4: with Big and and he was like, man, man, I

1512
01:19:28,280 --> 01:19:29,840
Speaker 4: got work out one of these rod hooks.

1513
01:19:30,120 --> 01:19:32,200
Speaker 1: And I was like, man, really, I just want to rap.

1514
01:19:32,680 --> 01:19:36,200
Speaker 1: I just want to rap. And nobody hadn't really heard

1515
01:19:36,200 --> 01:19:37,880
Speaker 1: you rap much, okay.

1516
01:19:37,840 --> 01:19:39,120
Speaker 2: No, and he was like.

1517
01:19:41,320 --> 01:19:44,240
Speaker 1: Rap. I was like yeah, man. And Kate kp was

1518
01:19:44,280 --> 01:19:44,840
Speaker 1: there with me though.

1519
01:19:44,920 --> 01:19:47,639
Speaker 4: Kawan Pray through who I signed, you know, signed, helped

1520
01:19:47,680 --> 01:19:50,680
Speaker 4: sign outcast Pink John Legend, and he was like, nah,

1521
01:19:50,760 --> 01:19:53,240
Speaker 4: he's got it, dog, I'm telling you. And Big Boy

1522
01:19:53,360 --> 01:19:56,000
Speaker 4: was like, started playing me beats. He's still questionable. He

1523
01:19:56,080 --> 01:19:59,240
Speaker 4: turned on the your DJ no DJ beat and I

1524
01:19:59,280 --> 01:20:02,200
Speaker 4: was like that one. He's like, now shot at three

1525
01:20:02,280 --> 01:20:03,439
Speaker 4: thousand produced that one.

1526
01:20:03,479 --> 01:20:05,839
Speaker 2: You can't have that one. And I was like, please

1527
01:20:06,479 --> 01:20:07,519
Speaker 2: just give me a chance.

1528
01:20:08,240 --> 01:20:10,160
Speaker 4: He was like, she was like all right, bro, So

1529
01:20:10,280 --> 01:20:12,720
Speaker 4: he gave me the beat and I handed him back

1530
01:20:12,840 --> 01:20:14,320
Speaker 4: like sixty four bars.

1531
01:20:14,360 --> 01:20:16,479
Speaker 2: I just swear just to the whole thing.

1532
01:20:16,840 --> 01:20:19,439
Speaker 4: So he ended up chopping my pieces and then he

1533
01:20:19,479 --> 01:20:22,040
Speaker 4: would he chopped his pieces, in chopped my pieces, in

1534
01:20:22,200 --> 01:20:24,519
Speaker 4: chopped his pieces in created a song out of one

1535
01:20:24,600 --> 01:20:28,160
Speaker 4: long verse that I turned in Wow. And then that song,

1536
01:20:28,680 --> 01:20:30,600
Speaker 4: that song ended up doing really well. We shot a

1537
01:20:30,840 --> 01:20:32,840
Speaker 4: music video to it, and then my first look b

1538
01:20:32,960 --> 01:20:35,000
Speaker 4: ET Awards was on stage with Big.

1539
01:20:34,880 --> 01:20:41,840
Speaker 1: Boy Wow Man make noise for that. That was an

1540
01:20:41,880 --> 01:20:47,759
Speaker 1: explanation like a motherfucker rocking Hank Williams T shirt Williams,

1541
01:20:48,840 --> 01:20:52,040
Speaker 1: Tupac or DMX rest in pieces of both. Don't get

1542
01:20:52,080 --> 01:21:04,400
Speaker 1: confused Tupac Okay, that's cool. Ludacris or TI I T I,

1543
01:21:05,520 --> 01:21:12,479
Speaker 1: Gucci Man or two chains, Guccie Man, Oh yeah, Gucci Man, Yeah,

1544
01:21:12,560 --> 01:21:15,600
Speaker 1: Gucci Man. I got a story, dude, Do you know

1545
01:21:15,640 --> 01:21:16,840
Speaker 1: what's funny? Okay?

1546
01:21:16,880 --> 01:21:18,640
Speaker 4: I got every time you ask you this one that

1547
01:21:18,760 --> 01:21:22,960
Speaker 4: I have, I have a yeah, I mean whatever, like

1548
01:21:23,080 --> 01:21:25,240
Speaker 4: you can back up three times. I got I got

1549
01:21:25,520 --> 01:21:27,120
Speaker 4: relationships with everyone you're talking.

1550
01:21:28,720 --> 01:21:31,040
Speaker 1: You're about to get a Gucci man story. Yeah, let's

1551
01:21:31,640 --> 01:21:32,479
Speaker 1: let's talk about.

1552
01:21:32,240 --> 01:21:32,760
Speaker 2: It all right.

1553
01:21:32,840 --> 01:21:37,600
Speaker 4: So when I was working in Atlanta and she was

1554
01:21:37,640 --> 01:21:40,400
Speaker 4: about to pop, I had met Gucci and Waka at

1555
01:21:40,439 --> 01:21:44,599
Speaker 4: a at a studio. Dude, I mean, this is fuck man.

1556
01:21:45,400 --> 01:21:49,000
Speaker 4: I want to say ten twelve years ago, maybe more,

1557
01:21:49,040 --> 01:21:52,839
Speaker 4: I don't know, it's a while back. Gucci was already

1558
01:21:53,360 --> 01:21:56,040
Speaker 4: super popping, you know what I mean, super super popping.

1559
01:21:56,320 --> 01:22:03,160
Speaker 4: And the opportunity came up to work with Gucci and

1560
01:22:03,520 --> 01:22:07,519
Speaker 4: so will Power will Power, and now I went to

1561
01:22:07,560 --> 01:22:12,560
Speaker 4: the studio what was it? What studio was that? Will No,

1562
01:22:12,680 --> 01:22:13,519
Speaker 4: it wasn't a tree sound.

1563
01:22:14,120 --> 01:22:14,160
Speaker 3: No.

1564
01:22:15,080 --> 01:22:19,240
Speaker 4: Patchwork, absolutely patchwork. So k people pulled put Gucci in

1565
01:22:19,360 --> 01:22:21,160
Speaker 4: for a feature. And at this time, I, you know,

1566
01:22:21,360 --> 01:22:23,760
Speaker 4: I met Gucci, but I didn't really I didn't really

1567
01:22:23,920 --> 01:22:27,600
Speaker 4: like kick it and kick it with him. And we

1568
01:22:27,680 --> 01:22:29,000
Speaker 4: wrote this record call I Just Want.

1569
01:22:28,920 --> 01:22:34,360
Speaker 1: To Party and Gucci slayed it, and we were sitting

1570
01:22:34,439 --> 01:22:37,880
Speaker 1: on this like what we was like gold, you.

1571
01:22:37,920 --> 01:22:40,120
Speaker 4: Know, We're like this is this this record is incredible,

1572
01:22:40,560 --> 01:22:41,240
Speaker 4: but how are we going.

1573
01:22:41,200 --> 01:22:41,519
Speaker 1: To do this?

1574
01:22:42,360 --> 01:22:45,120
Speaker 4: So right around the street from Patchwork is like pretty

1575
01:22:45,200 --> 01:22:48,880
Speaker 4: much like all squat, like old abandoned fraternity houses and

1576
01:22:49,000 --> 01:22:51,760
Speaker 4: skateboard houses and all this shit. I was like, man,

1577
01:22:51,800 --> 01:22:53,600
Speaker 4: we should shoot a video up the street, and I

1578
01:22:53,680 --> 01:22:56,920
Speaker 4: got some spots, so we rented the spot out and

1579
01:22:57,000 --> 01:22:59,920
Speaker 4: Gucci pulled up. Man, we talked about some goons out there,

1580
01:23:00,120 --> 01:23:02,360
Speaker 4: like like, I'm sorry from my side.

1581
01:23:02,400 --> 01:23:04,479
Speaker 1: Ain't talking about Gucci, So I'm talking about the goons

1582
01:23:04,520 --> 01:23:09,320
Speaker 1: I came with, you know, like like rowdy punk rock motherfuckers.

1583
01:23:09,400 --> 01:23:12,080
Speaker 1: Like we're out there in the yard with kegs of beer,

1584
01:23:12,280 --> 01:23:14,760
Speaker 1: and like I like kegs a bit too.

1585
01:23:16,120 --> 01:23:17,400
Speaker 2: But anyway, Gucci pulled up.

1586
01:23:17,360 --> 01:23:21,960
Speaker 4: In a like fucking bright yellow limbo, dripped in diamonds,

1587
01:23:22,080 --> 01:23:26,200
Speaker 4: and man, he showed so much love to me and

1588
01:23:26,360 --> 01:23:28,280
Speaker 4: my crew, and like you got to remember I was

1589
01:23:28,400 --> 01:23:28,960
Speaker 4: just coming up.

1590
01:23:30,400 --> 01:23:32,479
Speaker 1: You know, I didn't have ship nothing.

1591
01:23:32,560 --> 01:23:35,080
Speaker 4: I probably had like ten bands in the bank, you

1592
01:23:35,160 --> 01:23:38,840
Speaker 4: know if that, you know, and like, but he saw

1593
01:23:38,960 --> 01:23:39,599
Speaker 4: no difference.

1594
01:23:39,680 --> 01:23:42,800
Speaker 1: Man, he showed love and supported so like, shout out

1595
01:23:42,840 --> 01:23:47,760
Speaker 1: to Gucci. That's my mother like a dog Gucci, mane,

1596
01:23:48,600 --> 01:23:54,599
Speaker 1: I just want to party legendary versus so you pick Gucci. Yeah, okay,

1597
01:23:56,640 --> 01:24:01,840
Speaker 1: So trying to make sure just to make sure kid

1598
01:24:01,960 --> 01:24:08,519
Speaker 1: rock or ic P. That's interesting.

1599
01:24:08,800 --> 01:24:12,960
Speaker 4: That's I'm gonna take Bob I'm gonna take Bob over

1600
01:24:13,240 --> 01:24:13,439
Speaker 4: icy P.

1601
01:24:13,560 --> 01:24:16,920
Speaker 1: I'm sorry who everybody but you call everybody?

1602
01:24:17,080 --> 01:24:24,639
Speaker 3: They first too cool man, But Bob is kid Rock's

1603
01:24:24,680 --> 01:24:27,599
Speaker 3: real name, Bobby Boy.

1604
01:24:31,160 --> 01:24:31,559
Speaker 1: Rock Man.

1605
01:24:31,600 --> 01:24:34,320
Speaker 4: I take kid Rock get me. Uh, they tell you

1606
01:24:34,680 --> 01:24:37,200
Speaker 4: when Marshall took me the Kid Rock's house. Let me

1607
01:24:37,280 --> 01:24:39,120
Speaker 4: tell you this is hilarious.

1608
01:24:39,520 --> 01:24:41,559
Speaker 3: So you just let.

1609
01:24:43,160 --> 01:24:48,479
Speaker 1: But listen. When I was in Detroit, Marshall goes.

1610
01:24:48,840 --> 01:24:51,880
Speaker 4: Yo, is there is there anyone you really really want

1611
01:24:51,920 --> 01:24:54,360
Speaker 4: to work with at all on this on this new record?

1612
01:24:55,640 --> 01:24:59,559
Speaker 4: And I was like, well, I mean, ship, Honestly, Kid

1613
01:24:59,720 --> 01:25:02,040
Speaker 4: Rock would be sick, you know because I because I

1614
01:25:02,200 --> 01:25:08,400
Speaker 4: consider kid Rock the the godfather of blending hip hop

1615
01:25:08,640 --> 01:25:09,840
Speaker 4: with country and rock.

1616
01:25:10,000 --> 01:25:12,280
Speaker 1: Like I think he did it the best. Okay you

1617
01:25:12,320 --> 01:25:12,840
Speaker 1: know what I'm saying.

1618
01:25:12,920 --> 01:25:17,760
Speaker 4: I really, you know, regardless of the lyrical content ability.

1619
01:25:17,920 --> 01:25:21,519
Speaker 4: He wrote huge songs and he blended it all together,

1620
01:25:22,240 --> 01:25:24,400
Speaker 4: you know, like I mean.

1621
01:25:26,479 --> 01:25:28,959
Speaker 1: To all of my He was at the Methadone clinics.

1622
01:25:29,120 --> 01:25:31,040
Speaker 1: You know that kind of that kind of line is

1623
01:25:31,160 --> 01:25:34,840
Speaker 1: like with me, is like, oh it is Motherbucket. So

1624
01:25:34,920 --> 01:25:36,360
Speaker 1: I was like, yeah, I like to work for Bob.

1625
01:25:37,040 --> 01:25:41,200
Speaker 4: And uh you told Bob, Huh you told Mark, I said,

1626
01:25:41,280 --> 01:25:43,559
Speaker 4: kid Rock, now know Bob?

1627
01:25:43,680 --> 01:25:47,599
Speaker 2: Now like I know Bob. Yeah.

1628
01:25:48,720 --> 01:25:52,439
Speaker 1: But so he takes me out, so he's like all right.

1629
01:25:52,479 --> 01:25:55,600
Speaker 4: So so Paul Rosenberg and Marshall jumping a car in

1630
01:25:55,680 --> 01:25:58,640
Speaker 4: front of us and me and KP we're following up

1631
01:25:58,680 --> 01:26:02,000
Speaker 4: to Bob's house. You know you're going to Kate rox

1632
01:26:02,080 --> 01:26:05,960
Speaker 4: house you know? Okay, yeah, yeah, so surprised. No, I'm

1633
01:26:06,000 --> 01:26:07,760
Speaker 4: going to meet him because I want to do a

1634
01:26:07,880 --> 01:26:08,519
Speaker 4: song with him.

1635
01:26:08,560 --> 01:26:08,760
Speaker 10: Wow.

1636
01:26:08,960 --> 01:26:11,080
Speaker 1: So the way for that to happen is for me

1637
01:26:11,240 --> 01:26:13,519
Speaker 1: to meet him via Marshall. Wow.

1638
01:26:15,200 --> 01:26:17,840
Speaker 2: So we pull up to his Creative Mafia meeting ship.

1639
01:26:18,479 --> 01:26:23,439
Speaker 1: I'm so into this. Continue Yeah. So we pull up

1640
01:26:23,479 --> 01:26:25,680
Speaker 1: and there's a fucking I remember like pulling up.

1641
01:26:25,680 --> 01:26:28,920
Speaker 4: It's gated and it's way deep North Detroit, like like

1642
01:26:29,240 --> 01:26:32,280
Speaker 4: beautiful estate. It's not a huge mansion actually, it's like

1643
01:26:32,320 --> 01:26:34,840
Speaker 4: a little white like little cottage, but it's beautiful. It's

1644
01:26:34,880 --> 01:26:39,519
Speaker 4: like everything's very well kept, and uh, Bob.

1645
01:26:40,000 --> 01:26:43,400
Speaker 1: Bob pulls up to the fucking gate in a generally

1646
01:26:43,720 --> 01:26:47,760
Speaker 1: golf cart, Duke's and hazard generally he was.

1647
01:26:47,760 --> 01:26:48,080
Speaker 3: Going to do.

1648
01:26:49,840 --> 01:26:52,479
Speaker 1: But how is it generally? Is it it's a shaped

1649
01:26:52,600 --> 01:26:57,160
Speaker 1: like it generally golf cart. You know, come on put

1650
01:26:57,200 --> 01:26:58,000
Speaker 1: two and two together.

1651
01:26:58,120 --> 01:26:58,200
Speaker 11: Bro.

1652
01:26:58,360 --> 01:27:02,679
Speaker 1: I ain't trying to whatever, but look the fast no, okay,

1653
01:27:03,120 --> 01:27:07,280
Speaker 1: you confederate it out fast, Okay, Okay. So I pull

1654
01:27:07,360 --> 01:27:09,280
Speaker 1: up and like we we pull up, We pull up

1655
01:27:09,280 --> 01:27:11,160
Speaker 1: to the spot. He's got a big ass fucking like

1656
01:27:11,560 --> 01:27:14,479
Speaker 1: silver war cannon in front of in his front yard

1657
01:27:14,600 --> 01:27:19,240
Speaker 1: with like with like big damn like round. I don't

1658
01:27:19,240 --> 01:27:21,880
Speaker 1: know what the cannonballs. It was like a pyramid of

1659
01:27:21,920 --> 01:27:24,200
Speaker 1: cannon balls next to it, like like in front of

1660
01:27:24,240 --> 01:27:26,320
Speaker 1: his front door. In case.

1661
01:27:29,880 --> 01:27:32,800
Speaker 4: You never know, listen, man, I walk in his house

1662
01:27:33,040 --> 01:27:39,360
Speaker 4: and this fool got a giraffe giraffe neck like just

1663
01:27:39,439 --> 01:27:44,639
Speaker 4: a a neck, a floor mounted giraffe, you know, from

1664
01:27:44,680 --> 01:27:45,160
Speaker 4: the neck up.

1665
01:27:45,160 --> 01:27:47,880
Speaker 1: Okay, okay, okay, you know no, I don't know.

1666
01:27:49,439 --> 01:27:50,639
Speaker 2: This is something we've ever seen.

1667
01:27:50,800 --> 01:27:53,080
Speaker 1: I've never heard of this. There's all kinds of these

1668
01:27:53,120 --> 01:27:56,120
Speaker 1: beautiful fucking things that are I've never seen anything like

1669
01:27:56,200 --> 01:27:58,559
Speaker 1: this in my life, dude. Now, I was brand new, bro,

1670
01:27:58,720 --> 01:28:00,120
Speaker 1: I just signed bro.

1671
01:28:00,479 --> 01:28:00,920
Speaker 2: You know what I mean.

1672
01:28:01,000 --> 01:28:02,639
Speaker 1: So I'm coming straight, Dude.

1673
01:28:02,760 --> 01:28:06,120
Speaker 4: I was boiling water for a hot bath when I

1674
01:28:06,200 --> 01:28:09,800
Speaker 4: did Trump music type ship, you know. So I'm like

1675
01:28:09,960 --> 01:28:13,439
Speaker 4: fucking like blowing. I'm like blown away. So these guys

1676
01:28:13,520 --> 01:28:20,760
Speaker 4: start talking Bob and Marshall and uh so Bob, I

1677
01:28:20,880 --> 01:28:23,000
Speaker 4: see by I see marsh out there with Bob, like

1678
01:28:24,320 --> 01:28:28,640
Speaker 4: get you know, they're doing the whole fucking you know,

1679
01:28:29,400 --> 01:28:32,559
Speaker 4: and fucking Bob's fucking grilling steaks like all right, smoking

1680
01:28:32,560 --> 01:28:36,439
Speaker 4: a cigar, fucking doing doing all this thing. And uh

1681
01:28:36,920 --> 01:28:38,960
Speaker 4: ended up they made an agreement that that that the

1682
01:28:39,080 --> 01:28:40,519
Speaker 4: collaboration would happen there.

1683
01:28:40,600 --> 01:28:44,400
Speaker 2: But it took me going to the house and meeting him.

1684
01:28:45,320 --> 01:28:47,440
Speaker 1: By the way, I played I played around of basketball

1685
01:28:47,520 --> 01:28:53,000
Speaker 1: with Eminem. He's telling them Eminem. Now, okay, dude, he's

1686
01:28:53,040 --> 01:28:53,519
Speaker 1: a baller.

1687
01:28:53,600 --> 01:28:57,360
Speaker 3: Bro. I'm gonna be honest with you. To me, I

1688
01:28:57,439 --> 01:28:59,200
Speaker 3: think everyone, let let's Eminem win.

1689
01:28:59,560 --> 01:29:01,640
Speaker 1: No no, no, no, no, no, I did. Okay, So

1690
01:29:03,080 --> 01:29:07,320
Speaker 1: that's not what happened. So he called him Eminem and

1691
01:29:07,360 --> 01:29:12,400
Speaker 1: he start talking about basketball. Weird, that's not anymore. I

1692
01:29:12,479 --> 01:29:15,000
Speaker 1: don't play basket. That's basketball. Ain't my thing, you know,

1693
01:29:15,120 --> 01:29:18,439
Speaker 1: but it is it is his thing, all right?

1694
01:29:19,560 --> 01:29:19,680
Speaker 5: Yo?

1695
01:29:19,800 --> 01:29:21,360
Speaker 1: So no, so yo.

1696
01:29:21,479 --> 01:29:23,320
Speaker 2: So maybe he's not that good, you're that bad.

1697
01:29:24,960 --> 01:29:32,679
Speaker 1: Maybe here's the thing, Bob. Bob's got a basketball court

1698
01:29:32,760 --> 01:29:36,000
Speaker 1: on his property. And a studio by the way, with

1699
01:29:36,240 --> 01:29:40,680
Speaker 1: like old like signed jam Master j turntables and like

1700
01:29:40,760 --> 01:29:43,160
Speaker 1: the craziest rock and roll memorabilia you could think of it.

1701
01:29:43,479 --> 01:29:46,840
Speaker 1: He got on deir Heads too, right, he got coming,

1702
01:29:48,760 --> 01:29:52,360
Speaker 1: he got at the beginning. Everything else that's just crazy.

1703
01:29:52,680 --> 01:29:54,960
Speaker 1: He's got his basketball court and Marshall wants to play

1704
01:29:54,960 --> 01:30:01,200
Speaker 1: basketball with me. Basketball, whatever it takes for the feature.

1705
01:30:03,520 --> 01:30:03,840
Speaker 1: Let's go.

1706
01:30:05,120 --> 01:30:08,680
Speaker 11: Ro wants to see sal set you up. That's what

1707
01:30:08,800 --> 01:30:12,680
Speaker 11: it sounds like. It's up as to me on a

1708
01:30:13,040 --> 01:30:16,799
Speaker 11: full outdoor basketball court. Right, there's a lot of space.

1709
01:30:18,320 --> 01:30:23,040
Speaker 1: Paul Rosenberg is sitting there with a cigar, like halfway reading.

1710
01:30:22,800 --> 01:30:25,040
Speaker 4: His phone and maybe some papers. I don't know, But

1711
01:30:25,160 --> 01:30:27,679
Speaker 4: he didn't care what was happening. He was just fucking

1712
01:30:27,760 --> 01:30:29,800
Speaker 4: looking at some ship. This is some ship, I guess.

1713
01:30:29,960 --> 01:30:32,320
Speaker 1: You know, Marshall plays a lot of basketball. He used

1714
01:30:32,320 --> 01:30:35,240
Speaker 1: to this ship. So it's me and Eminem and you

1715
01:30:35,280 --> 01:30:39,000
Speaker 1: know what I'm saying we're doing. It's barbecue and Marshall.

1716
01:30:39,040 --> 01:30:41,639
Speaker 1: But Bob's over there making steaks, drinking and ship.

1717
01:30:43,360 --> 01:30:47,160
Speaker 12: This sounds like the weirdest and where I'm on a

1718
01:30:47,280 --> 01:30:50,759
Speaker 12: wrong one with Marshall And you know I just signed

1719
01:30:50,840 --> 01:30:51,160
Speaker 12: this ship.

1720
01:30:51,320 --> 01:30:53,000
Speaker 1: You know what I'm saying, saying, fucking man, I don't

1721
01:30:53,000 --> 01:30:55,960
Speaker 1: really want to fuck up you don't want to break

1722
01:30:56,000 --> 01:31:01,639
Speaker 1: his ankles. But he went up for a shot.

1723
01:31:02,720 --> 01:31:02,920
Speaker 3: Dog.

1724
01:31:03,840 --> 01:31:06,840
Speaker 1: I read him like a book. And when I went

1725
01:31:07,000 --> 01:31:10,960
Speaker 1: up and fucking the smagg it, I missed the ball. Wow.

1726
01:31:11,560 --> 01:31:18,160
Speaker 12: I elbowed him right in the head. Oh, swear to god,

1727
01:31:18,680 --> 01:31:20,880
Speaker 12: It's like, it's it's cool, it's cool. It's like I

1728
01:31:20,960 --> 01:31:25,080
Speaker 12: was like, hey, man, you cool, he said, recoping. He

1729
01:31:25,240 --> 01:31:28,400
Speaker 12: was already up like ten points. I didn't have ship anyway,

1730
01:31:29,160 --> 01:31:29,439
Speaker 12: and he.

1731
01:31:29,520 --> 01:31:31,920
Speaker 1: Goes Paul you seeing this, And Paul wouldn't even look.

1732
01:31:31,920 --> 01:31:37,640
Speaker 1: He was like, yeah, shit, fucking fucking stumpy and basketball.

1733
01:31:37,680 --> 01:31:39,280
Speaker 1: But yeah, man, hitting him in the head. That was

1734
01:31:39,400 --> 01:31:43,000
Speaker 1: not that was. That was. It was a very awkward moment, man,

1735
01:31:43,280 --> 01:31:46,920
Speaker 1: very I felt bad. Sorry, I'm sorry, Marsha talk about

1736
01:31:46,960 --> 01:31:55,080
Speaker 1: that still woman. Jadakiss or NOAs Jadakiss or nos h

1737
01:31:56,120 --> 01:31:56,759
Speaker 1: are you kidding?

1738
01:31:59,800 --> 01:32:03,000
Speaker 4: I'm mean, like, I love Jadakiss, but that's that's like,

1739
01:32:03,439 --> 01:32:08,080
Speaker 4: that's like comparing Metallica to like Iron No, that's no.

1740
01:32:09,960 --> 01:32:12,439
Speaker 1: I'm just gonna I'm gonna say nas and I love Jadakiss,

1741
01:32:12,479 --> 01:32:14,680
Speaker 1: but I gotta go nos Nos. Just you know that

1742
01:32:14,920 --> 01:32:22,080
Speaker 1: that's a different level of influence Metallica's to who I don't.

1743
01:32:22,400 --> 01:32:24,320
Speaker 1: I just I just think that they're they're they're just

1744
01:32:24,520 --> 01:32:27,480
Speaker 1: I think Jadakiss and Nas are are on different spectrum.

1745
01:32:27,720 --> 01:32:30,360
Speaker 3: And it's and it's Jadakis friend who writes this ship.

1746
01:32:30,640 --> 01:32:34,400
Speaker 3: That is he has Jadakis phone kiss. You want to

1747
01:32:34,400 --> 01:32:37,040
Speaker 3: put him against Nas and Jadakiss text.

1748
01:32:38,880 --> 01:32:41,240
Speaker 1: Conversation. It's not this at all. No, I know, it's

1749
01:32:41,240 --> 01:32:45,400
Speaker 1: not just like it's just it's it's it's a strange like, uh,

1750
01:32:46,200 --> 01:32:46,400
Speaker 1: you know.

1751
01:32:46,920 --> 01:32:49,559
Speaker 2: I'm just curious who you put Metallica against a point

1752
01:32:49,680 --> 01:32:52,759
Speaker 2: me to I was just likeaa so good poison against

1753
01:32:53,920 --> 01:32:56,439
Speaker 2: color me bad. I mean, let's put in the same genre.

1754
01:32:56,560 --> 01:33:01,800
Speaker 4: Okay, okay, I would say Nas, I know, I would

1755
01:33:01,840 --> 01:33:08,920
Speaker 4: say Nas uh Bob Dylan, and I would say Jada

1756
01:33:08,960 --> 01:33:09,799
Speaker 4: kiss Beatles.

1757
01:33:10,280 --> 01:33:13,599
Speaker 16: Oh that was great, that was great. You can't yeah, yes, yeah,

1758
01:33:17,720 --> 01:33:20,000
Speaker 16: you were. You were meant to do this ship all right.

1759
01:33:22,320 --> 01:33:24,720
Speaker 16: Oh mystical, mystical and.

1760
01:33:26,720 --> 01:33:28,720
Speaker 4: Had a lot of influence on me, you know what

1761
01:33:28,720 --> 01:33:33,400
Speaker 4: I mean, like all the No Limit family, but but mystical, mystical,

1762
01:33:33,479 --> 01:33:37,960
Speaker 4: because well, I mean, who has it from my era

1763
01:33:38,120 --> 01:33:41,600
Speaker 4: of chopping and like like like vocal.

1764
01:33:41,400 --> 01:33:45,320
Speaker 1: Nuances and things that I have like learned from him.

1765
01:33:46,400 --> 01:33:50,200
Speaker 1: And he featured on my my first my freshman.

1766
01:33:49,880 --> 01:33:55,439
Speaker 4: Project, Yeah, mystical all ice Cube scoff face ice Cube

1767
01:33:56,040 --> 01:33:59,559
Speaker 4: only because I ice Cube was one of the one

1768
01:33:59,560 --> 01:34:04,120
Speaker 4: of the first start records that I memorized front to

1769
01:34:04,200 --> 01:34:07,400
Speaker 4: backward for word which today was a good day.

1770
01:34:07,960 --> 01:34:12,840
Speaker 1: Who let me see if you still know it? Just

1771
01:34:13,000 --> 01:34:16,200
Speaker 1: waking up in the morning. Gotta thank God. I don't know,

1772
01:34:16,400 --> 01:34:19,320
Speaker 1: but the day seems kind of a no bucket from

1773
01:34:19,360 --> 01:34:23,439
Speaker 1: the doll, no snog and mamaick the breakfast with no hog.

1774
01:34:23,720 --> 01:34:27,080
Speaker 1: I got my girl, but I finally got a call

1775
01:34:27,200 --> 01:34:29,600
Speaker 1: from a girl I want to dig out hooked it

1776
01:34:29,720 --> 01:34:31,760
Speaker 1: up for lady. That was I hit the doe, thinking

1777
01:34:31,840 --> 01:34:35,400
Speaker 1: will I live another twenty four? I gotta go because

1778
01:34:35,439 --> 01:34:37,240
Speaker 1: I got me your drop top and if I hit

1779
01:34:37,320 --> 01:34:40,560
Speaker 1: that switch, I can make that ass drop had to

1780
01:34:40,680 --> 01:34:43,080
Speaker 1: stop from a red light looking in the mirror.

1781
01:34:43,160 --> 01:34:48,000
Speaker 4: Now jack insight and all right, I gotta beat from

1782
01:34:48,160 --> 01:34:51,439
Speaker 4: Kim and she can do it all night. Called up

1783
01:34:51,479 --> 01:34:55,720
Speaker 4: my homies in a masking. Y'all, y'all, are y'all playing basketball?

1784
01:34:56,320 --> 01:34:59,240
Speaker 4: Give me on the court and I trouble last week.

1785
01:34:59,360 --> 01:35:02,840
Speaker 3: Fuck around, I got a freaking brothers every day, Like

1786
01:35:03,880 --> 01:35:05,640
Speaker 3: I can't believe today, it was.

1787
01:35:11,280 --> 01:35:15,320
Speaker 1: That's what makes you specially though, that's what the fact

1788
01:35:15,400 --> 01:35:17,800
Speaker 1: that I know you, you know.

1789
01:35:17,840 --> 01:35:21,200
Speaker 2: Your hip hop, I know it like like the lyric

1790
01:35:21,280 --> 01:35:23,280
Speaker 2: co on line that that's that's I think that that's

1791
01:35:23,840 --> 01:35:24,639
Speaker 2: the cut.

1792
01:35:25,280 --> 01:35:27,360
Speaker 1: Oh me damn id like I said the story fifteen,

1793
01:35:28,600 --> 01:35:30,200
Speaker 1: But it goes with what you're saying about him.

1794
01:35:31,600 --> 01:35:35,360
Speaker 3: Yes, Leo told me one day, Leo is my one

1795
01:35:35,360 --> 01:35:37,240
Speaker 3: of my favorite ceo. I lovely or I don't want

1796
01:35:37,240 --> 01:35:39,759
Speaker 3: to say my favorite white CEO because I think that's unfair.

1797
01:35:40,680 --> 01:35:42,080
Speaker 1: It's unfair, like you.

1798
01:35:42,120 --> 01:35:44,040
Speaker 3: Know what I mean, Like this shouldn't be my favorite

1799
01:35:44,040 --> 01:35:46,160
Speaker 3: white ceo. My favorite black CEOs should be just my

1800
01:35:46,200 --> 01:35:49,719
Speaker 3: favorite CEO. And that's how I look at I don't

1801
01:35:49,720 --> 01:35:50,479
Speaker 3: say that no more.

1802
01:35:52,240 --> 01:35:55,840
Speaker 1: Yeah, I mean, I mean that's that's but that's my

1803
01:35:55,960 --> 01:35:56,559
Speaker 1: favorite CEO.

1804
01:35:56,840 --> 01:36:04,240
Speaker 3: So Leo came to me one day. And usually CEOs

1805
01:36:04,439 --> 01:36:08,080
Speaker 3: tell you when you meet, well set the like you'll

1806
01:36:08,080 --> 01:36:10,040
Speaker 3: get the record. I had a record. I had a

1807
01:36:10,080 --> 01:36:15,160
Speaker 3: record with Jah Rule right and according to what Leo

1808
01:36:15,360 --> 01:36:16,599
Speaker 3: called it, you just got signed to death.

1809
01:36:16,680 --> 01:36:18,759
Speaker 1: Jam just got signed of Dead jam Win the first record.

1810
01:36:19,880 --> 01:36:22,320
Speaker 3: We really shot the video and he called my video,

1811
01:36:22,360 --> 01:36:24,240
Speaker 3: he said, this is popcorn.

1812
01:36:27,360 --> 01:36:30,599
Speaker 1: Hurt my feelings. Oh man, let me get you this scenario.

1813
01:36:30,720 --> 01:36:34,320
Speaker 1: So there's a reason why we're saying okay. So he

1814
01:36:35,160 --> 01:36:35,560
Speaker 1: comes to me.

1815
01:36:36,000 --> 01:36:39,560
Speaker 3: Most CEOs say don't bring nobody to the meeting, but

1816
01:36:39,720 --> 01:36:42,559
Speaker 3: he for this reason, he said, bring all of your

1817
01:36:42,640 --> 01:36:45,320
Speaker 3: friends whoever you bring them all.

1818
01:36:46,320 --> 01:36:48,120
Speaker 1: So my dumb ass brings them all.

1819
01:36:48,600 --> 01:36:52,920
Speaker 3: And we're going into the meeting and he uh, he

1820
01:36:53,040 --> 01:36:55,679
Speaker 3: says to me, he plays the videos me and jo Rule,

1821
01:36:56,200 --> 01:36:58,560
Speaker 3: I mean Ferraris, I'm doing all this crazy shit that

1822
01:36:59,040 --> 01:37:01,439
Speaker 3: that's not what he signed me for. He signed me

1823
01:37:01,520 --> 01:37:05,280
Speaker 3: to be you know, the Warrport Norri which is Worryport

1824
01:37:05,439 --> 01:37:07,080
Speaker 3: was just turned twenty seven years.

1825
01:37:07,800 --> 01:37:09,400
Speaker 2: Seven years of Warriport yesterday.

1826
01:37:09,520 --> 01:37:13,120
Speaker 3: So he says, he says to me, we watch it

1827
01:37:13,200 --> 01:37:16,760
Speaker 3: and he goes, this is popcorn. And I never knew

1828
01:37:16,800 --> 01:37:19,320
Speaker 3: that popcorn could be bad. I always thought popcorn was

1829
01:37:19,360 --> 01:37:19,800
Speaker 3: a good thing.

1830
01:37:20,439 --> 01:37:25,759
Speaker 1: And it's first time I was like word popcorn.

1831
01:37:26,160 --> 01:37:29,240
Speaker 3: And he stood in the meeting in front of all

1832
01:37:29,320 --> 01:37:33,160
Speaker 3: of my you know, you know friends that were looks

1833
01:37:33,360 --> 01:37:35,920
Speaker 3: very scary, you know, and he didn't care and he said,

1834
01:37:37,840 --> 01:37:41,120
Speaker 3: if I cut you right now, what would you bleed?

1835
01:37:42,120 --> 01:37:42,920
Speaker 1: I was like blood.

1836
01:37:44,920 --> 01:37:48,040
Speaker 3: Then he said, well asking me this question. So I said,

1837
01:37:48,120 --> 01:37:50,040
Speaker 3: lee off, I cut you right now, what would you bleed?

1838
01:37:50,800 --> 01:37:53,400
Speaker 3: And he goes, I would bleed rue DMC sucker m

1839
01:37:53,520 --> 01:37:57,360
Speaker 3: C yeah. He said, now, norriy, I'm going to ask

1840
01:37:57,360 --> 01:38:00,599
Speaker 3: you one more time. If I cut you, what would

1841
01:38:00,640 --> 01:38:04,200
Speaker 3: you bleed? I said, I bleed, super dog. He said exactly.

1842
01:38:04,439 --> 01:38:08,320
Speaker 3: Pharrell is on the way to go see for real

1843
01:38:08,439 --> 01:38:10,040
Speaker 3: and I've made a record call Homeboy.

1844
01:38:10,320 --> 01:38:11,160
Speaker 1: I came to party.

1845
01:38:11,439 --> 01:38:13,560
Speaker 3: And if it wasn't because of that, it's because he

1846
01:38:13,720 --> 01:38:16,920
Speaker 3: dissed me to my face. And what he's trying to

1847
01:38:16,960 --> 01:38:20,200
Speaker 3: say is it's in you. Like I want to ask

1848
01:38:20,240 --> 01:38:23,720
Speaker 3: you that question, if I cut you right now, what

1849
01:38:23,840 --> 01:38:28,080
Speaker 3: would you bleed? And don't say blood, it's the wrong answer.

1850
01:38:29,520 --> 01:38:32,320
Speaker 3: I believe rock and roll rock and roll. I believe

1851
01:38:32,400 --> 01:38:34,880
Speaker 3: rock and roll for long. Everything that I do is

1852
01:38:35,000 --> 01:38:39,080
Speaker 3: rock and roll. Even the hip hop I make is

1853
01:38:39,200 --> 01:38:41,840
Speaker 3: rock and roll. The lifestyle I live is rock and roll.

1854
01:38:43,040 --> 01:38:44,639
Speaker 2: But you don't mean it. You don't mean it musically,

1855
01:38:44,720 --> 01:38:47,400
Speaker 2: you mean it as as a hip like rock and roll.

1856
01:38:47,439 --> 01:38:49,040
Speaker 2: It's all counterculture. It's all alter.

1857
01:38:49,320 --> 01:38:52,240
Speaker 4: It's not like, hey, oh you're a rock star now, man,

1858
01:38:52,360 --> 01:38:53,760
Speaker 4: Like I grew up around rock and roll.

1859
01:38:53,800 --> 01:38:56,240
Speaker 1: I know what rock and roll is. And if you

1860
01:38:56,320 --> 01:39:01,120
Speaker 1: cut me open, which song would you bleed? What song

1861
01:39:01,200 --> 01:39:03,720
Speaker 1: would I what song would I believe? Rock and roll?

1862
01:39:03,800 --> 01:39:10,120
Speaker 4: Whatever song you want to pick, I would pick how

1863
01:39:10,320 --> 01:39:13,880
Speaker 4: I would pick highway Man by the Highwayman, Johnny Cash,

1864
01:39:14,000 --> 01:39:15,719
Speaker 4: Chris Christophers and Willie Nelson.

1865
01:39:17,760 --> 01:39:21,479
Speaker 2: I want to smoke with will and Nelson and Waylon Jennings.

1866
01:39:22,720 --> 01:39:25,439
Speaker 4: I would take that one song called a Highwayman and

1867
01:39:26,600 --> 01:39:28,360
Speaker 4: that that would be the song you hear about me.

1868
01:39:31,640 --> 01:39:37,599
Speaker 17: Go let's take the shop of that are weak? Love

1869
01:39:37,640 --> 01:39:39,920
Speaker 17: that song and shout out. Shout out to my shout

1870
01:39:39,960 --> 01:39:44,960
Speaker 17: out I got okay, shout out to my brother.

1871
01:39:45,600 --> 01:39:49,920
Speaker 1: Shout out to my brother Shooter Jennings, who is related

1872
01:39:51,200 --> 01:39:52,120
Speaker 1: Wayland jennings Son.

1873
01:39:56,120 --> 01:39:57,640
Speaker 2: Literally that was.

1874
01:39:59,360 --> 01:40:02,200
Speaker 1: What the like. You know, I'm I'm a little you know, crazy,

1875
01:40:04,520 --> 01:40:05,479
Speaker 1: but we having fun though it.

1876
01:40:08,280 --> 01:40:10,920
Speaker 2: All right? Alabama or Atlanta.

1877
01:40:11,120 --> 01:40:15,720
Speaker 1: Come on, homie. I love God damn Bama. I like

1878
01:40:15,840 --> 01:40:18,000
Speaker 1: Bama all right.

1879
01:40:18,320 --> 01:40:20,719
Speaker 2: I love Atlanta though I love Atlanta.

1880
01:40:21,800 --> 01:40:27,040
Speaker 1: Rest in peace, grib applies speaker fox Man. Rest in peace.

1881
01:40:27,120 --> 01:40:32,160
Speaker 1: Lenny's Bar, Atlanta, Georgia. Man, Yes, sir, favorite restaurant in

1882
01:40:32,160 --> 01:40:36,439
Speaker 1: Atlanta spawned divids. I knew he was gonna says.

1883
01:40:37,320 --> 01:40:40,240
Speaker 3: That's why I'm totally connected.

1884
01:40:42,400 --> 01:40:45,800
Speaker 2: Yeah, I'm totally connected. I know he's gonna say, I

1885
01:40:45,880 --> 01:40:46,360
Speaker 2: swelt have gone.

1886
01:40:46,360 --> 01:40:49,680
Speaker 1: I wish restaurant is the Layman's and don't know it's

1887
01:40:49,760 --> 01:40:54,880
Speaker 1: it's a seafood restaurant. It's like almost it is seafood y'all.

1888
01:40:55,280 --> 01:40:57,479
Speaker 1: It is, yes, yes it is.

1889
01:40:58,120 --> 01:41:02,680
Speaker 3: But it's like, for some reason, swan divis game, your

1890
01:41:02,760 --> 01:41:08,960
Speaker 3: aura set, Swanda, this person is not even on the thing.

1891
01:41:09,960 --> 01:41:13,640
Speaker 1: It wasn't he's not even because they don't bail. And

1892
01:41:13,680 --> 01:41:14,519
Speaker 1: then that that was the question.

1893
01:41:14,560 --> 01:41:16,920
Speaker 2: It was it was your.

1894
01:41:18,920 --> 01:41:21,880
Speaker 1: There's another spot in Atlanta called Smith's Old Bar, and

1895
01:41:22,400 --> 01:41:25,240
Speaker 1: even that one, okay, well there's it's the only is

1896
01:41:25,280 --> 01:41:30,799
Speaker 1: the only restaurant bar in Atlanta that that celebrates Alabama culture.

1897
01:41:30,880 --> 01:41:34,479
Speaker 4: So they host all the Alabama games, they host their

1898
01:41:34,520 --> 01:41:37,760
Speaker 4: whole menu is from Alabama, and so and and I

1899
01:41:37,880 --> 01:41:38,800
Speaker 4: came up playing there.

1900
01:41:38,920 --> 01:41:41,840
Speaker 1: So shout out to the Smith's Old Bar as well. Yeah, okay,

1901
01:41:43,040 --> 01:41:46,240
Speaker 1: podcast of radio, No, we did do what's coffee?

1902
01:41:46,360 --> 01:41:51,320
Speaker 4: Yeah, we did Bro, We did podcast, podcast, podcast for sure.

1903
01:41:52,280 --> 01:41:54,280
Speaker 1: Radios? What the fuck is radio?

1904
01:41:55,600 --> 01:42:00,880
Speaker 4: I don't know what the radio every day? I mean,

1905
01:42:00,960 --> 01:42:04,760
Speaker 4: I really don't. I I maybe fucking shoot myself on

1906
01:42:04,840 --> 01:42:06,720
Speaker 4: the foot, you know what I mean, But I really don't.

1907
01:42:06,720 --> 01:42:08,840
Speaker 4: I never gave a fuck anyway. I've never had any

1908
01:42:08,920 --> 01:42:11,520
Speaker 4: real uh radio presence.

1909
01:42:11,120 --> 01:42:11,599
Speaker 2: You know what I mean.

1910
01:42:11,720 --> 01:42:14,320
Speaker 1: My success comes from the gutter, dude, Like it's all.

1911
01:42:14,320 --> 01:42:18,680
Speaker 4: Like yeah, absolutely, but it took work, you know what

1912
01:42:18,680 --> 01:42:23,120
Speaker 4: I mean, like three tours across America in advance, getting

1913
01:42:23,200 --> 01:42:25,560
Speaker 4: three hundred dollars a night to open up a Whiskalief

1914
01:42:25,640 --> 01:42:27,600
Speaker 4: or Ray Kwan and Harlem, you know what I mean,

1915
01:42:27,920 --> 01:42:30,599
Speaker 4: ship like put it in work or making no money

1916
01:42:30,640 --> 01:42:33,680
Speaker 4: at all, right, you know. So like anyway, so I

1917
01:42:34,320 --> 01:42:35,760
Speaker 4: take a lot of pride on the fans that have

1918
01:42:35,920 --> 01:42:38,880
Speaker 4: that we built up over the years. And I mean

1919
01:42:39,200 --> 01:42:41,680
Speaker 4: I do see the effect of radio because when I

1920
01:42:41,720 --> 01:42:46,120
Speaker 4: see it happen to Jelly Roll or like Morgan Wallen

1921
01:42:46,760 --> 01:42:50,240
Speaker 4: or Drake or Rihanna, these these you know, these these

1922
01:42:50,479 --> 01:42:53,439
Speaker 4: these people with these radio hits, I'm like, I just

1923
01:42:53,479 --> 01:42:55,080
Speaker 4: don't understand the club, you know.

1924
01:42:55,320 --> 01:42:57,040
Speaker 1: I know, I know that I got records that could

1925
01:42:57,080 --> 01:42:58,400
Speaker 1: fit in the line.

1926
01:42:59,560 --> 01:43:00,599
Speaker 2: But I don't.

1927
01:43:00,680 --> 01:43:01,240
Speaker 1: I don't get it.

1928
01:43:01,479 --> 01:43:03,560
Speaker 4: I like this ship because it's you know, this is

1929
01:43:03,600 --> 01:43:06,880
Speaker 4: like really, it's thank you.

1930
01:43:07,040 --> 01:43:11,320
Speaker 1: It's unhinged. It's unhinged. There's no editing. We don't edit.

1931
01:43:11,560 --> 01:43:12,679
Speaker 2: Just get the funk down.

1932
01:43:13,240 --> 01:43:14,639
Speaker 1: Unless there's some crazy shit it said.

1933
01:43:14,840 --> 01:43:16,599
Speaker 3: Yeah, but all right, cool, Now this is the last

1934
01:43:16,640 --> 01:43:18,240
Speaker 3: one for quick timea slim and then we're gonna go

1935
01:43:18,360 --> 01:43:19,200
Speaker 3: back into the interview.

1936
01:43:19,960 --> 01:43:26,439
Speaker 1: Loyalty or respect. Loyalty, don't break it down.

1937
01:43:27,880 --> 01:43:32,519
Speaker 4: I would rather someone be loyal and hold me down

1938
01:43:33,000 --> 01:43:36,639
Speaker 4: then to have respect for me. I don't really care

1939
01:43:36,680 --> 01:43:40,160
Speaker 4: if you like me or not. If if you could,

1940
01:43:40,280 --> 01:43:42,280
Speaker 4: if if you could, at least give me the piece

1941
01:43:42,520 --> 01:43:45,600
Speaker 4: of being loyal and keeping it real with me to

1942
01:43:45,720 --> 01:43:49,240
Speaker 4: my face, that's more important, you know, Like you know,

1943
01:43:49,520 --> 01:43:51,520
Speaker 4: respect is a subjective.

1944
01:43:52,400 --> 01:43:55,240
Speaker 1: Loyalty is concrete. I'm gonna take a shot for that.

1945
01:43:56,240 --> 01:43:56,479
Speaker 5: I know.

1946
01:43:56,520 --> 01:43:58,360
Speaker 3: We ain't spposed to take a shot, as you picked,

1947
01:43:58,800 --> 01:44:01,680
Speaker 3: take a shot. I'm taking a shot shot, Jamie. Pa

1948
01:44:01,800 --> 01:44:05,040
Speaker 3: know how many people claim look at social media, give me,

1949
01:44:05,040 --> 01:44:06,439
Speaker 3: give me one of them, give me one of his shots.

1950
01:44:06,840 --> 01:44:10,559
Speaker 1: Look at social I'm gonna take one of his. Yeah,

1951
01:44:11,000 --> 01:44:12,760
Speaker 1: the peach Man the peach is good man, the peach.

1952
01:44:12,880 --> 01:44:21,080
Speaker 1: That's the peach. We're going, got, We're going yeah, hold on,

1953
01:44:21,360 --> 01:44:22,000
Speaker 1: let me get a shot.

1954
01:44:22,600 --> 01:44:25,240
Speaker 3: Okay, Oh, ain't gonna be chilled. None of that's gonna

1955
01:44:25,240 --> 01:44:29,840
Speaker 3: be thinking about solo follow us?

1956
01:44:30,320 --> 01:44:35,719
Speaker 1: You or people are people? What people die.

1957
01:44:35,720 --> 01:44:38,000
Speaker 4: Chasing respect respect that they would never get in the

1958
01:44:38,040 --> 01:44:40,439
Speaker 4: first place. And what respect are you looking for anyway?

1959
01:44:40,720 --> 01:44:44,599
Speaker 4: I don't understand it. I don't understand, Like what at

1960
01:44:44,680 --> 01:44:49,439
Speaker 4: what capacity? Is it three hundred and sixty degree respect

1961
01:44:49,479 --> 01:44:51,799
Speaker 4: of everything you do? Or is it I just respect

1962
01:44:51,920 --> 01:44:55,240
Speaker 4: you because you're funny, and but I don't respect how

1963
01:44:55,280 --> 01:44:56,040
Speaker 4: you handle your family.

1964
01:44:56,120 --> 01:44:57,759
Speaker 2: I don't respect you, know what I'm saying.

1965
01:44:57,640 --> 01:44:59,880
Speaker 1: And how you perceive respect of different every dingy exactly.

1966
01:45:00,040 --> 01:45:04,439
Speaker 1: It's subjective. Loyal is like that's my dude, right, And

1967
01:45:04,600 --> 01:45:06,080
Speaker 1: if I got a problem with my dude.

1968
01:45:05,880 --> 01:45:07,599
Speaker 4: I'm gonna talk to my dude. I ain't gonna talk

1969
01:45:07,640 --> 01:45:10,160
Speaker 4: to everybody else about it. I'm your dude, and I.

1970
01:45:10,360 --> 01:45:13,439
Speaker 1: Got it my You know what I mean.

1971
01:45:13,760 --> 01:45:17,960
Speaker 4: My boys, I handle I handle things like here like

1972
01:45:18,439 --> 01:45:24,120
Speaker 4: like this is bullshit, nah, homie, pull up right problem?

1973
01:45:24,479 --> 01:45:26,120
Speaker 1: Pull up? Yeah? You know what I mean?

1974
01:45:26,200 --> 01:45:29,000
Speaker 4: And that that's that's loyal and that's that's just I

1975
01:45:29,200 --> 01:45:32,320
Speaker 4: like to handle things like that, you know, like social

1976
01:45:32,400 --> 01:45:33,200
Speaker 4: media ruined.

1977
01:45:33,360 --> 01:45:38,200
Speaker 1: Respect got nothing to do with water, and it ain't.

1978
01:45:39,720 --> 01:45:41,920
Speaker 1: It's water from disrespect.

1979
01:45:42,400 --> 01:45:48,919
Speaker 3: It's a fire, yo, you because you want to seventeen

1980
01:45:48,920 --> 01:45:53,160
Speaker 3: different chest is on fire.

1981
01:45:53,600 --> 01:45:55,000
Speaker 5: No, the.

1982
01:45:56,600 --> 01:45:57,760
Speaker 1: That we you're smoking the.

1983
01:46:00,840 --> 01:46:04,519
Speaker 3: Amazing This whole night, I've been trying to read with

1984
01:46:04,600 --> 01:46:05,280
Speaker 3: your hat sets.

1985
01:46:05,600 --> 01:46:08,599
Speaker 4: But also Harley Davis and had Old Ventures dogs right

1986
01:46:09,280 --> 01:46:13,000
Speaker 4: and show yeahs is like Lizzie's.

1987
01:46:13,760 --> 01:46:18,679
Speaker 2: No yeah, I thought I was talking about cop pigs.

1988
01:46:21,520 --> 01:46:24,400
Speaker 1: My bad. You know, I'm green. I'm green. It's all good.

1989
01:46:24,479 --> 01:46:26,320
Speaker 1: I grew up on bikes, man, But I like benures

1990
01:46:26,360 --> 01:46:29,640
Speaker 1: clothing like I like this old painters that I picked up.

1991
01:46:30,080 --> 01:46:34,639
Speaker 1: These overalls is from the forties. Old milk delivery man

1992
01:46:34,800 --> 01:46:37,840
Speaker 1: from it looked like it from Maine, like yeah, like

1993
01:46:38,160 --> 01:46:42,160
Speaker 1: the bottled milk joints and change just getting it, man,

1994
01:46:42,240 --> 01:46:44,040
Speaker 1: what do you buy that from? I just got just

1995
01:46:44,680 --> 01:46:45,960
Speaker 1: That's what I do. Man. If I put up in

1996
01:46:46,000 --> 01:46:48,160
Speaker 1: the city, man, I'm trying to go find some old vintage.

1997
01:46:48,360 --> 01:46:49,360
Speaker 1: Have you gone somewhere here?

1998
01:46:49,400 --> 01:46:53,479
Speaker 2: What he said? He said, he goes to a state

1999
01:46:53,600 --> 01:46:55,400
Speaker 2: sales states state.

2000
01:46:55,200 --> 01:46:59,160
Speaker 1: Said, you know, furniture and ship. No, no, he got

2001
01:46:59,280 --> 01:47:00,360
Speaker 1: he grabbed. Oh.

2002
01:47:00,920 --> 01:47:02,200
Speaker 2: I don't want say old ladies, but it is.

2003
01:47:02,439 --> 01:47:06,280
Speaker 4: That's what it is, cold ladies, jewelry custom Yeah yeah, nah,

2004
01:47:07,280 --> 01:47:09,360
Speaker 4: I like I like, yeah, that's like oh oh, I'll

2005
01:47:09,400 --> 01:47:11,400
Speaker 4: go to Tiffany's ring for one hundred thoughts.

2006
01:47:11,439 --> 01:47:12,280
Speaker 2: Man, fuck all that ship.

2007
01:47:12,479 --> 01:47:15,880
Speaker 1: I like like old like like picks that are like

2008
01:47:16,000 --> 01:47:17,840
Speaker 1: I get something out of it too. You know what

2009
01:47:17,880 --> 01:47:18,200
Speaker 1: I'm saying.

2010
01:47:18,280 --> 01:47:20,320
Speaker 2: I'm trying to give you. You know what I'm saying.

2011
01:47:20,320 --> 01:47:21,160
Speaker 1: I'm trying to come up.

2012
01:47:21,320 --> 01:47:24,680
Speaker 2: And know the thing is, Yeah, Kathy was definitely, I

2013
01:47:24,760 --> 01:47:25,320
Speaker 2: mean according to it.

2014
01:47:25,640 --> 01:47:28,360
Speaker 1: I don't want you to come up. I'm coming up

2015
01:47:29,240 --> 01:47:32,639
Speaker 1: like you know, hustlers man ship.

2016
01:47:33,240 --> 01:47:34,960
Speaker 3: Do you ever think that it's gonna be a time

2017
01:47:35,680 --> 01:47:41,719
Speaker 3: where country rock and roll and hip hop it's gonna

2018
01:47:41,720 --> 01:47:45,400
Speaker 3: all merge. I think that guy's name is yellow Wolf.

2019
01:47:45,880 --> 01:47:47,479
Speaker 1: Oh, I think it is.

2020
01:47:51,360 --> 01:47:53,679
Speaker 2: I think it is too, and I think it happened.

2021
01:47:54,520 --> 01:47:59,360
Speaker 4: I think it happened in nineteen seventy motherfucking nine, but

2022
01:48:00,120 --> 01:48:04,439
Speaker 4: gas in Alabama, right. You know what I'm saying at

2023
01:48:04,520 --> 01:48:06,759
Speaker 4: the Baptist Hospital, Sheila, Diane.

2024
01:48:06,960 --> 01:48:07,599
Speaker 2: You know what I'm saying.

2025
01:48:07,680 --> 01:48:09,800
Speaker 4: I came down here to do that of everything, and

2026
01:48:09,880 --> 01:48:12,479
Speaker 4: that's what I've done, period, point blank.

2027
01:48:13,960 --> 01:48:16,640
Speaker 1: This is the as far as that, as far as

2028
01:48:16,720 --> 01:48:21,240
Speaker 1: that's concern, roid, I am the tip of the pyramid

2029
01:48:22,280 --> 01:48:26,320
Speaker 1: period and uh and I and I say that respectfully

2030
01:48:26,439 --> 01:48:29,080
Speaker 1: for anyone who would say any different, do you research?

2031
01:48:30,280 --> 01:48:31,599
Speaker 1: You know it's all there.

2032
01:48:32,200 --> 01:48:36,280
Speaker 4: And also you know, not to mention the classic country

2033
01:48:36,400 --> 01:48:38,439
Speaker 4: hip hop ship that I've done with like why not

2034
01:48:38,600 --> 01:48:39,040
Speaker 4: a Judd?

2035
01:48:40,520 --> 01:48:41,040
Speaker 2: You know what I mean.

2036
01:48:42,200 --> 01:48:45,680
Speaker 1: I'll go on to say, like you know, you know,

2037
01:48:45,960 --> 01:48:46,880
Speaker 1: going going to.

2038
01:48:48,560 --> 01:48:54,040
Speaker 4: With my blessings of Shooter Jennings and Jesse Coulter, going

2039
01:48:54,080 --> 01:48:56,920
Speaker 4: to see the Highwayman and meeting Chris Kristofferson and William

2040
01:48:56,960 --> 01:48:59,560
Speaker 4: Nilson and having those blessings in those moments with the

2041
01:48:59,680 --> 01:49:03,599
Speaker 4: country music, being on stage with Dwhite yoakum in Alabama

2042
01:49:03,680 --> 01:49:05,599
Speaker 4: when I was five years old at the June Jam

2043
01:49:05,720 --> 01:49:08,800
Speaker 4: at Fort Payne, Alabama, to run DMC walking through my

2044
01:49:08,920 --> 01:49:12,160
Speaker 4: motherfucking door when I was seven years old, all right,

2045
01:49:12,880 --> 01:49:15,720
Speaker 4: and you know, all the way up into rock and roll,

2046
01:49:16,120 --> 01:49:21,479
Speaker 4: whether it was Aerosmith and and then or Aerosmith or

2047
01:49:21,520 --> 01:49:23,920
Speaker 4: Ted Newsen or any of those guys, all all all

2048
01:49:23,960 --> 01:49:26,639
Speaker 4: those pieces of the puzzle formulated me into an artist.

2049
01:49:26,760 --> 01:49:30,759
Speaker 4: And the reason I take pride and and and feeling

2050
01:49:30,880 --> 01:49:31,759
Speaker 4: and knowing.

2051
01:49:31,600 --> 01:49:33,200
Speaker 1: That on the tip of the pyramid is because of

2052
01:49:33,280 --> 01:49:35,920
Speaker 1: how long it took me to learn how to blend

2053
01:49:36,000 --> 01:49:41,320
Speaker 1: those styles and to be that person. And like I said,

2054
01:49:41,360 --> 01:49:46,519
Speaker 1: I think kid Rock is the og to the beginning

2055
01:49:46,640 --> 01:49:47,439
Speaker 1: of it. Right.

2056
01:49:48,880 --> 01:49:52,440
Speaker 4: But let's be real, Bob didn't listen to Howard glyphics,

2057
01:49:53,720 --> 01:49:55,640
Speaker 4: you know what I'm saying. Like, Bob wasn't listening to

2058
01:49:55,720 --> 01:49:59,920
Speaker 4: Bush Babies and DJs, S and S tapes and shopping

2059
01:50:00,120 --> 01:50:01,040
Speaker 4: fat beats and ship.

2060
01:50:01,200 --> 01:50:03,760
Speaker 1: But Kim Rock did come up, like he toured with

2061
01:50:03,880 --> 01:50:05,960
Speaker 1: Too Short, No, I know, like that. He came up

2062
01:50:06,000 --> 01:50:08,800
Speaker 1: in an era too Yeah, but it was a different era, yeah,

2063
01:50:08,840 --> 01:50:11,120
Speaker 1: the faith. It was a different era of did it

2064
01:50:11,200 --> 01:50:12,880
Speaker 1: makes sense? But he had it. It's a different era

2065
01:50:13,040 --> 01:50:14,800
Speaker 1: of lyricism for sure.

2066
01:50:15,040 --> 01:50:15,559
Speaker 2: You know what I mean.

2067
01:50:16,520 --> 01:50:21,560
Speaker 4: I'm like after outcasts, I'm after hieroglyphics, I'm after you know,

2068
01:50:23,240 --> 01:50:24,839
Speaker 4: I'm after nas, I'm after.

2069
01:50:24,760 --> 01:50:27,000
Speaker 1: The there's a certain there was a certain lift but

2070
01:50:27,240 --> 01:50:28,920
Speaker 1: into the culture. I don't take nothing from you.

2071
01:50:29,080 --> 01:50:32,040
Speaker 2: Did something else though, and I listen. I listened to

2072
01:50:32,160 --> 01:50:36,320
Speaker 2: an interview did with shout out to Justin Hunt from.

2073
01:50:37,160 --> 01:50:39,280
Speaker 1: Company Maker's move into Rock or Country.

2074
01:50:39,280 --> 01:50:39,760
Speaker 2: I'll just say that.

2075
01:50:40,200 --> 01:50:41,040
Speaker 1: Listen, so you're done.

2076
01:50:41,160 --> 01:50:44,000
Speaker 2: You did an interview with the company man and you

2077
01:50:44,240 --> 01:50:46,880
Speaker 2: you mentioned that you did street Team ship because I

2078
01:50:46,920 --> 01:50:49,080
Speaker 2: did Street Team Ship, and that does a lot for

2079
01:50:49,200 --> 01:50:53,120
Speaker 2: you to learn this, this industry from the grind, from

2080
01:50:53,160 --> 01:50:53,559
Speaker 2: the ground.

2081
01:50:54,080 --> 01:50:55,160
Speaker 1: Yeah did you what did you?

2082
01:50:55,160 --> 01:50:55,560
Speaker 2: Who did you do?

2083
01:50:55,640 --> 01:51:04,519
Speaker 1: Streets so so and ninety ninety nine?

2084
01:51:04,920 --> 01:51:07,560
Speaker 2: I was working for Uh, you'll love this.

2085
01:51:07,720 --> 01:51:09,880
Speaker 4: NOI I was working Wait, I was living at Queens

2086
01:51:09,920 --> 01:51:11,920
Speaker 4: and I was working for I was living, I was.

2087
01:51:12,160 --> 01:51:18,479
Speaker 1: I was working for your good quick dude. When you

2088
01:51:18,560 --> 01:51:26,120
Speaker 1: say off ninety as street Jay Train like, okay, So

2089
01:51:26,720 --> 01:51:29,639
Speaker 1: I don't even know what so so. But I worked

2090
01:51:29,720 --> 01:51:31,759
Speaker 1: in the city and I worked for a promotional company

2091
01:51:31,800 --> 01:51:36,920
Speaker 1: called Guerrilla Marketing, and so I one of my.

2092
01:51:37,080 --> 01:51:40,559
Speaker 4: Jobs was promoting autobiotics dayl I soul record.

2093
01:51:41,200 --> 01:51:42,680
Speaker 1: I worked that record too, did you?

2094
01:51:43,000 --> 01:51:43,200
Speaker 2: Yeah?

2095
01:51:43,360 --> 01:51:45,640
Speaker 1: Okay, so you have a street team Hold up, wait

2096
01:51:45,640 --> 01:51:47,679
Speaker 1: a minute, do you know about I worked for Tommy Boiler?

2097
01:51:48,160 --> 01:51:48,800
Speaker 2: Do you so?

2098
01:51:49,560 --> 01:51:51,200
Speaker 1: So I must have been one of the companies that

2099
01:51:51,280 --> 01:51:53,360
Speaker 1: Tommy Boy hired to do it? For sure? So I

2100
01:51:53,439 --> 01:51:55,120
Speaker 1: worked for you no, no, you didn't want.

2101
01:51:55,120 --> 01:51:56,479
Speaker 2: At one point I was one of the teams that

2102
01:51:56,520 --> 01:51:58,759
Speaker 2: I got hired as well direct through something.

2103
01:51:59,120 --> 01:52:02,559
Speaker 4: But I worked tom Boy A long line down the road,

2104
01:52:03,280 --> 01:52:08,880
Speaker 4: so they okay, so listen. I painted this huge canvas

2105
01:52:09,040 --> 01:52:13,360
Speaker 4: up their cover of a space space suit because I'm

2106
01:52:13,360 --> 01:52:16,439
Speaker 4: a mirror artist. That's how that was my project. That

2107
01:52:16,560 --> 01:52:20,000
Speaker 4: was my autob ONYX Crazy Souls. Man, come on, man

2108
01:52:20,880 --> 01:52:23,920
Speaker 4: love it. I love you guys. Yeah, of course, so

2109
01:52:24,000 --> 01:52:26,640
Speaker 4: I was. It was I was honored, right. I was

2110
01:52:26,720 --> 01:52:28,880
Speaker 4: just hyped about it. I'll painted canvas of the cover.

2111
01:52:29,000 --> 01:52:30,560
Speaker 4: So I painted this huge canvas. Then I put on

2112
01:52:30,640 --> 01:52:34,240
Speaker 4: a space suit and I walked around all of New

2113
01:52:34,320 --> 01:52:36,880
Speaker 4: York and all the Burroughs. I even went down to

2114
01:52:37,439 --> 01:52:40,360
Speaker 4: uh t r L on MTV and I was standing

2115
01:52:40,520 --> 01:52:43,800
Speaker 4: under t r L with a big dail. I sould

2116
01:52:43,800 --> 01:52:48,840
Speaker 4: auto hand painted canvas sign a space suit. I remember

2117
01:52:48,920 --> 01:52:51,439
Speaker 4: at one time crazy I remember at one point when

2118
01:52:51,479 --> 01:52:54,160
Speaker 4: I was going back to going back to Queens, I

2119
01:52:54,240 --> 01:52:55,560
Speaker 4: was on the j H and I was wearing a

2120
01:52:55,600 --> 01:52:57,080
Speaker 4: space suit, and this dude walked up to me, was

2121
01:52:57,120 --> 01:53:00,920
Speaker 4: on a bicycle, and and I had lifted I had

2122
01:53:00,960 --> 01:53:03,720
Speaker 4: lifted a little mask because I was over my promotions

2123
01:53:03,760 --> 01:53:08,439
Speaker 4: and plus it was hard to fucking breathe and uh,

2124
01:53:08,920 --> 01:53:11,479
Speaker 4: this dude walked up to me and said Daylight Soul

2125
01:53:11,840 --> 01:53:13,679
Speaker 4: and I was like, yeah, man, I'm doing street promotions.

2126
01:53:13,800 --> 01:53:18,320
Speaker 1: That's what's up. Man, I'm stretching. I'm strong fucking connections

2127
01:53:18,360 --> 01:53:24,120
Speaker 1: to basically, you know what he said to me, you

2128
01:53:24,240 --> 01:53:27,240
Speaker 1: heard a new eminem record I Swear to God, I

2129
01:53:27,520 --> 01:53:28,160
Speaker 1: Swear to God.

2130
01:53:28,280 --> 01:53:30,840
Speaker 4: Well, he had a huge because we started talking about it.

2131
01:53:31,280 --> 01:53:34,280
Speaker 4: It's about hip hop and whatever, and I was like, nah,

2132
01:53:34,360 --> 01:53:37,240
Speaker 4: I heard it, dude. It's going to change the world.

2133
01:53:37,600 --> 01:53:40,200
Speaker 1: And this is a random conversation. You just me get

2134
01:53:40,280 --> 01:53:43,400
Speaker 1: on the same car on the same change. That's hip

2135
01:53:43,439 --> 01:53:46,439
Speaker 1: hop randomness. Yeah, it's super super crazy. That's why that's

2136
01:53:46,439 --> 01:53:48,840
Speaker 1: where I might stretch. But but hold on, this is

2137
01:53:48,880 --> 01:53:49,640
Speaker 1: what I want to say this.

2138
01:53:49,840 --> 01:53:53,559
Speaker 2: This is why this is important because oftentimes aspiring artists

2139
01:53:53,560 --> 01:53:55,640
Speaker 2: will listen to this and be like, oh man, you

2140
01:53:55,760 --> 01:53:59,240
Speaker 2: got from point A to point Z like you just

2141
01:53:59,360 --> 01:54:02,880
Speaker 2: jumped and I worked street team ship. That's a grind,

2142
01:54:02,920 --> 01:54:04,320
Speaker 2: but I was happy to do it because I was

2143
01:54:04,360 --> 01:54:05,400
Speaker 2: such a hip hop head.

2144
01:54:05,520 --> 01:54:07,960
Speaker 5: Yeah it's fun when I say, oh, I get this

2145
01:54:08,400 --> 01:54:10,880
Speaker 5: before anybody and I could distribute this and do this

2146
01:54:11,040 --> 01:54:13,360
Speaker 5: and put people on And the fact that you, even

2147
01:54:13,640 --> 01:54:16,960
Speaker 5: coming from the South, went to New York and you're

2148
01:54:17,000 --> 01:54:18,479
Speaker 5: in the Mecca and you're out.

2149
01:54:18,360 --> 01:54:21,320
Speaker 2: There putting on the gear, doing whatever it takes to

2150
01:54:21,400 --> 01:54:22,439
Speaker 2: be a part of the culture.

2151
01:54:22,640 --> 01:54:25,160
Speaker 1: That says a lot about you willing to put in

2152
01:54:25,240 --> 01:54:28,160
Speaker 1: the time and grind. Absolutely, I would have. I would have,

2153
01:54:28,680 --> 01:54:30,400
Speaker 1: and I did. I did everything that I.

2154
01:54:30,520 --> 01:54:33,080
Speaker 4: Knew how to do to immerse myself into the culture

2155
01:54:33,120 --> 01:54:36,000
Speaker 4: at his very core, at the very very fucking core.

2156
01:54:36,680 --> 01:54:37,600
Speaker 2: Man, there was that.

2157
01:54:37,760 --> 01:54:44,920
Speaker 4: There was times between my boy Rodney, between there was

2158
01:54:45,120 --> 01:54:47,240
Speaker 4: there was there was a sequence of people that ended

2159
01:54:47,320 --> 01:54:49,320
Speaker 4: me up at the end of the day.

2160
01:54:50,200 --> 01:54:54,960
Speaker 1: The shorter the long is me and Pete Rock kicking

2161
01:54:55,000 --> 01:54:57,840
Speaker 1: it in Harlem for a few days, you know what

2162
01:54:57,880 --> 01:55:00,160
Speaker 1: I mean, Like him taking me to his favor bit

2163
01:55:00,280 --> 01:55:02,760
Speaker 1: fucking like have you doing with Pete Rock? No, I

2164
01:55:02,800 --> 01:55:03,320
Speaker 1: could hear that.

2165
01:55:03,600 --> 01:55:05,840
Speaker 4: I could hear that, But I wasn't ready back then.

2166
01:55:05,960 --> 01:55:09,240
Speaker 4: Dog Like I was just like paying my dues and

2167
01:55:09,360 --> 01:55:11,560
Speaker 4: like I just I was just being.

2168
01:55:11,920 --> 01:55:15,080
Speaker 1: My energy was forcing these situations into my life.

2169
01:55:15,120 --> 01:55:15,240
Speaker 2: Right.

2170
01:55:15,280 --> 01:55:16,920
Speaker 1: It was early on, It was early on. You were

2171
01:55:16,960 --> 01:55:19,480
Speaker 1: immature at that point, very very as MC.

2172
01:55:19,840 --> 01:55:23,320
Speaker 4: Not ready at all, but still like you know, like

2173
01:55:23,480 --> 01:55:25,280
Speaker 4: shaking hands with the gods, you know what I mean,

2174
01:55:25,440 --> 01:55:28,160
Speaker 4: like tapping in, making sure I was there.

2175
01:55:29,360 --> 01:55:32,520
Speaker 2: So yeah, shout out Pete Rock Man.

2176
01:55:32,680 --> 01:55:34,360
Speaker 1: It's crucial. Everything you're saying is very important.

2177
01:55:34,360 --> 01:55:34,480
Speaker 2: Man.

2178
01:55:34,560 --> 01:55:35,240
Speaker 1: So let me ask you.

2179
01:55:35,400 --> 01:55:37,840
Speaker 3: You know, me being you know, half black and half

2180
01:55:37,880 --> 01:55:41,400
Speaker 3: Puerto Rican, people always ask me like, like, you know,

2181
01:55:42,320 --> 01:55:43,840
Speaker 3: does it help being Puerto Rican?

2182
01:55:47,200 --> 01:55:50,680
Speaker 1: Do you think you being white helps you? Or does it?

2183
01:55:51,800 --> 01:55:52,360
Speaker 5: Is it? Is? It?

2184
01:55:52,640 --> 01:55:55,960
Speaker 4: Is it a crutch? It's both, man. I think in

2185
01:55:56,440 --> 01:56:01,400
Speaker 4: hip hop culture there's definitely like it's that whole white

2186
01:56:01,440 --> 01:56:03,760
Speaker 4: boy can jump ship. You know what I'm saying, Like

2187
01:56:03,840 --> 01:56:05,640
Speaker 4: there's this white boy who could dunk, you know, he's

2188
01:56:05,680 --> 01:56:07,760
Speaker 4: like showing out in the gym and ship. It's like

2189
01:56:07,840 --> 01:56:10,240
Speaker 4: all white boy. Got this white boy. When I was

2190
01:56:10,320 --> 01:56:18,160
Speaker 4: growing up, dude, it was always white boy. That's all

2191
01:56:18,240 --> 01:56:24,120
Speaker 4: I ever heard. And you take you take the rockets? No, no, no, no,

2192
01:56:24,360 --> 01:56:27,520
Speaker 4: not at all, actually complete opposite. It was a term

2193
01:56:27,600 --> 01:56:28,320
Speaker 4: of endearment.

2194
01:56:29,240 --> 01:56:34,280
Speaker 1: Besides the obvious that was all day every day as well.

2195
01:56:34,760 --> 01:56:40,120
Speaker 4: But it was a term of endearment, so uh so,

2196
01:56:41,000 --> 01:56:44,400
Speaker 4: so yeah, I've always took it as like like if

2197
01:56:44,480 --> 01:56:44,840
Speaker 4: this is.

2198
01:56:47,200 --> 01:56:50,120
Speaker 1: If I'm special at this because I'm a white boy

2199
01:56:50,280 --> 01:56:53,320
Speaker 1: in this particular thing, like a white boy's killing it,

2200
01:56:53,560 --> 01:56:56,120
Speaker 1: or a white boy can fight, you know, white black

2201
01:56:56,120 --> 01:56:58,080
Speaker 1: white boy ain't scared of ship, you know what I'm saying.

2202
01:56:58,200 --> 01:56:59,480
Speaker 2: Or he's crazy white boy.

2203
01:56:59,760 --> 01:57:02,400
Speaker 4: We got crazy white boy like because I always, my

2204
01:57:02,480 --> 01:57:07,000
Speaker 4: whole crew was always black always. I grew up with gasten,

2205
01:57:07,040 --> 01:57:10,080
Speaker 4: with Hoover crips man like like man like rest in pea,

2206
01:57:10,120 --> 01:57:10,920
Speaker 4: shoddy fat man.

2207
01:57:11,120 --> 01:57:13,520
Speaker 1: I used to just be in in the chevy ready

2208
01:57:13,600 --> 01:57:15,480
Speaker 1: for whatever, you know what I mean. Like that was me.

2209
01:57:15,600 --> 01:57:19,040
Speaker 4: That was my life, fucking pull up, fucking little bootsy

2210
01:57:19,160 --> 01:57:22,080
Speaker 4: shows and whoever was coming to town.

2211
01:57:22,160 --> 01:57:23,240
Speaker 2: And like, I just grew up around a.

2212
01:57:23,280 --> 01:57:25,680
Speaker 4: Rowdy group of people and I had this also this

2213
01:57:25,920 --> 01:57:34,720
Speaker 4: like this very like stark reality of country rednecks. You know,

2214
01:57:34,880 --> 01:57:36,480
Speaker 4: you gotta remember, I'm in Alabama, so.

2215
01:57:36,520 --> 01:57:40,800
Speaker 1: The hood is very the hoods are it's like trailer

2216
01:57:40,880 --> 01:57:41,880
Speaker 1: parks and projects.

2217
01:57:42,160 --> 01:57:44,400
Speaker 4: Yeah, you know you know what I'm saying, I do,

2218
01:57:45,280 --> 01:57:50,080
Speaker 4: but we all live on this same financial level steep

2219
01:57:50,640 --> 01:57:53,720
Speaker 4: and so in that way, he either fuck with each

2220
01:57:53,800 --> 01:57:54,560
Speaker 4: other or you don't.

2221
01:57:55,360 --> 01:57:57,520
Speaker 1: Now, I was a part of the crew that did. Right,

2222
01:57:58,440 --> 01:58:00,600
Speaker 1: So when white boy, when the whole white boy thinking,

2223
01:58:00,680 --> 01:58:03,720
Speaker 1: I used to get pissed, white boy, you talking about

2224
01:58:03,760 --> 01:58:07,840
Speaker 1: my mom My mother is Blackfoot and Cherokee and white.

2225
01:58:07,920 --> 01:58:12,640
Speaker 1: My father's Cherokee, Blackfoot, mostly Cherokee. Don't fucking call me

2226
01:58:12,720 --> 01:58:13,520
Speaker 1: a white boy. I'm not.

2227
01:58:14,120 --> 01:58:17,080
Speaker 4: I'm not that simple, you know. But then it became

2228
01:58:17,160 --> 01:58:19,920
Speaker 4: a source of empowerment. Are you gonna you you're now,

2229
01:58:19,960 --> 01:58:22,960
Speaker 4: You're now, you're now. You're giving me this label and

2230
01:58:23,080 --> 01:58:25,200
Speaker 4: you're offering me this opportunity to use it.

2231
01:58:26,120 --> 01:58:28,040
Speaker 1: So I did? That was it?

2232
01:58:28,840 --> 01:58:32,160
Speaker 4: And you know, in a sense, it's like it's a

2233
01:58:32,200 --> 01:58:34,600
Speaker 4: double edged sword. It's like it's like cutting through. But

2234
01:58:34,720 --> 01:58:41,000
Speaker 4: at the same time, like why Like you know, it's

2235
01:58:41,080 --> 01:58:45,680
Speaker 4: also like like I hear some some new white mcs

2236
01:58:45,720 --> 01:58:52,480
Speaker 4: out talking about that the best white rapper. That's disgusting.

2237
01:58:54,360 --> 01:58:58,440
Speaker 4: You're already canceled when you say that, you're already done.

2238
01:58:59,040 --> 01:59:02,160
Speaker 4: Are you the best white rapper? Well, you probably are

2239
01:59:03,120 --> 01:59:06,800
Speaker 4: the best white rapper, But what the fuck does that matter?

2240
01:59:06,920 --> 01:59:08,280
Speaker 4: Whyon't you be the best in seed?

2241
01:59:08,360 --> 01:59:08,680
Speaker 2: All right?

2242
01:59:09,760 --> 01:59:14,320
Speaker 4: And like and and so I never you know, the

2243
01:59:14,440 --> 01:59:17,720
Speaker 4: reason I went at g E z On on that

2244
01:59:17,800 --> 01:59:21,320
Speaker 4: record Bloody Sunday is because he had met while I

2245
01:59:21,480 --> 01:59:23,440
Speaker 4: was signed to Shady. He said, I'm the best white

2246
01:59:23,520 --> 01:59:25,960
Speaker 4: rapper since the one with die blonde hair or some

2247
01:59:26,160 --> 01:59:26,760
Speaker 4: shit like that.

2248
01:59:27,360 --> 01:59:32,200
Speaker 1: And I was like, what, dude, Hold the fuck up.

2249
01:59:33,120 --> 01:59:35,280
Speaker 2: You know what I'm saying, Like, are you kidding me?

2250
01:59:35,480 --> 01:59:36,600
Speaker 2: Like why would you even say that?

2251
01:59:36,800 --> 01:59:37,320
Speaker 1: First of all?

2252
01:59:37,440 --> 01:59:40,040
Speaker 2: And second of all, excuse me?

2253
01:59:40,320 --> 01:59:40,960
Speaker 1: You know what I'm saying.

2254
01:59:41,320 --> 01:59:45,240
Speaker 4: So and so I think that it is a double

2255
01:59:45,320 --> 01:59:49,640
Speaker 4: edged sword, you know, like we can't deny our cultural uh,

2256
01:59:50,280 --> 01:59:53,320
Speaker 4: the way that people perceive us culturally. If you and

2257
01:59:53,440 --> 01:59:55,880
Speaker 4: I walk into a room, you're black, I'm white in

2258
01:59:56,000 --> 01:59:58,880
Speaker 4: the story, you know what I'm saying, like to everyone else,

2259
01:59:59,040 --> 02:00:00,920
Speaker 4: just to the world, you know, and that's cool, Like

2260
02:00:01,080 --> 02:00:03,520
Speaker 4: we'll take it, you know, but we're deeper than that man.

2261
02:00:03,560 --> 02:00:05,120
Speaker 1: We got more to offer than that ship man. And

2262
02:00:05,560 --> 02:00:07,320
Speaker 1: let's poor a shot of that man.

2263
02:00:07,360 --> 02:00:07,640
Speaker 2: That man.

2264
02:00:07,680 --> 02:00:15,480
Speaker 6: Let man, that's a shot, Jamie, because because it just

2265
02:00:15,560 --> 02:00:18,320
Speaker 6: be the fucking best, don't be the best of whatever,

2266
02:00:19,560 --> 02:00:22,480
Speaker 6: should be fucking dope, because no matter what you.

2267
02:00:22,520 --> 02:00:25,200
Speaker 3: Do, you know, you know we were we were so

2268
02:00:25,320 --> 02:00:27,560
Speaker 3: excited when we we booked you and we had you

2269
02:00:28,040 --> 02:00:28,400
Speaker 3: locked in.

2270
02:00:28,640 --> 02:00:31,040
Speaker 2: I just poured my drink into my shots.

2271
02:00:31,040 --> 02:00:32,320
Speaker 1: Okay, we see you.

2272
02:00:32,520 --> 02:00:34,760
Speaker 3: It's not okay, but I'm taking a shot.

2273
02:00:36,320 --> 02:00:40,360
Speaker 1: Where my fucking bartender. Ye, she's your bartender.

2274
02:00:40,520 --> 02:00:42,680
Speaker 2: Get Jamie.

2275
02:00:42,800 --> 02:00:56,280
Speaker 1: Sorry, he's paying episode Jamie because thank you, Yes, babe?

2276
02:00:57,360 --> 02:01:00,160
Speaker 2: Can we can we put the well?

2277
02:01:01,000 --> 02:01:03,360
Speaker 1: Please? Just want to be part next to my ship?

2278
02:01:03,480 --> 02:01:03,640
Speaker 1: You know?

2279
02:01:03,680 --> 02:01:03,920
Speaker 2: Okay?

2280
02:01:04,240 --> 02:01:07,400
Speaker 1: Okay, cinnamon, it's the cinnamon and the peach.

2281
02:01:07,960 --> 02:01:08,760
Speaker 2: It's a thing, man.

2282
02:01:08,840 --> 02:01:11,000
Speaker 1: It's like because like a nice car.

2283
02:01:14,000 --> 02:01:17,640
Speaker 3: Yeah, you know, we were so excited, like we had

2284
02:01:17,680 --> 02:01:20,080
Speaker 3: you booked, right, So I'm going to do a research,

2285
02:01:21,160 --> 02:01:22,000
Speaker 3: thank you so much.

2286
02:01:23,880 --> 02:01:27,480
Speaker 1: I continue to see that it is a certain thing

2287
02:01:27,640 --> 02:01:29,760
Speaker 1: like what not.

2288
02:01:32,320 --> 02:01:32,920
Speaker 2: What what? What?

2289
02:01:33,080 --> 02:01:37,440
Speaker 3: White rappers going at each other? Right, And it's just

2290
02:01:37,520 --> 02:01:41,440
Speaker 3: like it's just just what it is. Right. And then

2291
02:01:41,560 --> 02:01:47,360
Speaker 3: it's not only that everyone compares theirself to Eminem. Well,

2292
02:01:47,400 --> 02:01:50,760
Speaker 3: everyone wants to say that that you're not Eminem, You're

2293
02:01:50,800 --> 02:01:52,800
Speaker 3: not the next Eminem. So that's the reason why I

2294
02:01:52,960 --> 02:01:56,240
Speaker 3: asked it, like, is that is that? Is that something

2295
02:01:56,320 --> 02:01:58,440
Speaker 3: that's like like cringing, you know what.

2296
02:01:58,440 --> 02:02:03,400
Speaker 4: I mean, that's absolutely ridiculous. It's an absolutely ridiculous statement

2297
02:02:03,440 --> 02:02:08,640
Speaker 4: for someone to say that, like how dare you compare

2298
02:02:08,840 --> 02:02:12,680
Speaker 4: someone to Marshall, how dare you that motherfucker?

2299
02:02:14,040 --> 02:02:15,080
Speaker 2: He did that?

2300
02:02:15,680 --> 02:02:22,440
Speaker 4: He is his own human man, Like, Like, what what

2301
02:02:23,200 --> 02:02:24,880
Speaker 4: are you gonna say? What you're gonna say about Snoop Dog?

2302
02:02:24,960 --> 02:02:26,240
Speaker 4: You're gonna do the same thing as Snoop Dog?

2303
02:02:26,320 --> 02:02:27,760
Speaker 2: You never you never ever.

2304
02:02:29,160 --> 02:02:29,320
Speaker 5: Never.

2305
02:02:29,800 --> 02:02:33,440
Speaker 1: Stylistically, you guys are so different. Yeah, I mean general

2306
02:02:33,480 --> 02:02:34,960
Speaker 1: I'm saying, it's just.

2307
02:02:35,000 --> 02:02:39,040
Speaker 2: Start there, like stylistically, like there's no certa for me.

2308
02:02:39,280 --> 02:02:42,600
Speaker 4: Man, I'm from the South, bro, I have a bounce.

2309
02:02:43,680 --> 02:02:47,640
Speaker 4: I got a bounce fire all right, I got an

2310
02:02:47,680 --> 02:02:49,839
Speaker 4: I could keep up. I got bounced.

2311
02:02:49,880 --> 02:02:51,040
Speaker 1: Man. I was raised in a.

2312
02:02:51,160 --> 02:02:56,560
Speaker 4: Different pocket of hip hop lyrically, melodically.

2313
02:02:56,680 --> 02:03:00,760
Speaker 1: The way I approach the track is completely different. And

2314
02:03:02,560 --> 02:03:04,400
Speaker 1: but that's why I became part of the crew because

2315
02:03:04,440 --> 02:03:06,040
Speaker 1: I wasn't like him, you know what I mean, it's

2316
02:03:06,080 --> 02:03:11,160
Speaker 1: like the only reason why exactly he was it was

2317
02:03:11,280 --> 02:03:13,600
Speaker 1: like him, Like that was just different.

2318
02:03:14,480 --> 02:03:17,360
Speaker 3: It would have been stupid for you know what, Like

2319
02:03:17,480 --> 02:03:20,680
Speaker 3: you can rhyme like that, but you you have your

2320
02:03:20,720 --> 02:03:23,120
Speaker 3: own ship. That's what I said earlier in the interview,

2321
02:03:23,280 --> 02:03:26,120
Speaker 3: was like I can't put you in a box at all,

2322
02:03:26,240 --> 02:03:29,040
Speaker 3: Like like I wouldn't be surprised if you fucking made

2323
02:03:29,080 --> 02:03:31,920
Speaker 3: a record with Mickey Mouse, because I mean that with

2324
02:03:32,000 --> 02:03:33,920
Speaker 3: the aspect is because.

2325
02:03:33,720 --> 02:03:34,760
Speaker 2: Disney cut the chae.

2326
02:03:34,840 --> 02:03:40,160
Speaker 3: Yeah, I mean respect because you can you can your

2327
02:03:40,200 --> 02:03:42,120
Speaker 3: style to me, this is me, This is this is

2328
02:03:42,240 --> 02:03:42,760
Speaker 3: me personally.

2329
02:03:43,560 --> 02:03:45,560
Speaker 1: Is like you have you said you set up, you

2330
02:03:45,640 --> 02:03:47,320
Speaker 1: said up the best disc for a rapper ever.

2331
02:03:47,600 --> 02:03:49,360
Speaker 2: You could do a record with Mickey Mouse. Oh you

2332
02:03:49,520 --> 02:03:50,360
Speaker 2: talking about No.

2333
02:03:50,560 --> 02:03:52,280
Speaker 1: No, don't take it like that. I'm taking it in

2334
02:03:52,440 --> 02:03:53,240
Speaker 1: a good way. Listen.

2335
02:03:53,560 --> 02:03:55,200
Speaker 3: What I'm trying to say is what I'm trying to

2336
02:03:55,240 --> 02:03:59,040
Speaker 3: say is you can actually rhyme to anything that is.

2337
02:03:59,440 --> 02:04:02,640
Speaker 1: You're so is dumb it down, speed it up, whatever

2338
02:04:02,720 --> 02:04:03,160
Speaker 1: you want to.

2339
02:04:03,160 --> 02:04:08,560
Speaker 3: Do to me, compliment, thank you like me when I rhyme.

2340
02:04:08,720 --> 02:04:11,280
Speaker 3: Let me tell you this crazy ship. I forget who

2341
02:04:11,360 --> 02:04:13,080
Speaker 3: told me this, but he was like, if you can't

2342
02:04:13,120 --> 02:04:17,120
Speaker 3: say one rhyme to every single beat, then you're not MC.

2343
02:04:17,560 --> 02:04:19,720
Speaker 3: So what I would do is try to have one

2344
02:04:19,880 --> 02:04:23,160
Speaker 3: rhyme fit every beat, and I could never ever do

2345
02:04:23,400 --> 02:04:27,320
Speaker 3: that ship. But with you, when I listened to your ship,

2346
02:04:27,400 --> 02:04:30,000
Speaker 3: I'm like, oh my god, maybe you're not doing the

2347
02:04:30,200 --> 02:04:32,800
Speaker 3: same one rhyme, but you can actually rhyme to any

2348
02:04:32,840 --> 02:04:34,920
Speaker 3: beat has ever been a beat that somebody gave you

2349
02:04:35,000 --> 02:04:35,840
Speaker 3: that you couldn't rhyme too?

2350
02:04:35,880 --> 02:04:39,320
Speaker 4: I know you, absolutely not, not even not even a

2351
02:04:39,720 --> 02:04:43,920
Speaker 4: not even a like a like a three four three

2352
02:04:44,000 --> 02:04:46,080
Speaker 4: fort beat. So I was like, the record I did

2353
02:04:46,120 --> 02:04:48,960
Speaker 4: what on a judd was a waltz, but it was

2354
02:04:49,440 --> 02:04:50,080
Speaker 4: a waltz.

2355
02:04:50,480 --> 02:04:51,320
Speaker 2: Yeah it was.

2356
02:04:52,080 --> 02:04:58,560
Speaker 1: Yeah, the bet is called a waltz. It was a waltz.

2357
02:04:58,600 --> 02:04:59,160
Speaker 1: It was a waltz.

2358
02:04:59,160 --> 02:05:01,560
Speaker 4: It's like a three four and it changes every so

2359
02:05:01,640 --> 02:05:04,160
Speaker 4: it's not four four, it's three four, so it changes

2360
02:05:04,200 --> 02:05:04,960
Speaker 4: every three bars.

2361
02:05:05,160 --> 02:05:05,400
Speaker 3: Wow.

2362
02:05:06,160 --> 02:05:09,320
Speaker 2: And so no, there's not there's not a record. No,

2363
02:05:09,840 --> 02:05:10,320
Speaker 2: there's nothing.

2364
02:05:10,480 --> 02:05:13,520
Speaker 1: That's the first time and Will Power can attest to that.

2365
02:05:13,680 --> 02:05:14,840
Speaker 1: Will I know that.

2366
02:05:16,800 --> 02:05:18,840
Speaker 2: We Will has said that for years. He's like, do

2367
02:05:18,920 --> 02:05:21,160
Speaker 2: you well, but you know what, well, you got to

2368
02:05:21,160 --> 02:05:23,280
Speaker 2: make him a crazy beat that he can't funk.

2369
02:05:23,480 --> 02:05:27,400
Speaker 3: There's no there's nothing. Something will take something I can

2370
02:05:28,920 --> 02:05:34,160
Speaker 3: I was his music, and I kid you not, I can't.

2371
02:05:34,800 --> 02:05:36,960
Speaker 3: I was literally was like, if I see him this beat,

2372
02:05:36,960 --> 02:05:38,520
Speaker 3: he can rhyme to that. If I see him he

2373
02:05:38,520 --> 02:05:40,440
Speaker 3: can hyme to that? You think you think that's what

2374
02:05:40,880 --> 02:05:41,840
Speaker 3: you're in the box.

2375
02:05:42,080 --> 02:05:49,000
Speaker 2: Southern artist has that that's superpower man, because because the

2376
02:05:49,040 --> 02:05:52,320
Speaker 2: bounce thing. Because Southern artists tend to be able to right,

2377
02:05:53,760 --> 02:05:56,840
Speaker 2: I don't believe him, ask him the question.

2378
02:05:58,600 --> 02:06:04,520
Speaker 8: No, there's there is something to that. There is something

2379
02:06:04,600 --> 02:06:08,360
Speaker 8: to so because not to cut you, but real quick,

2380
02:06:08,600 --> 02:06:19,280
Speaker 8: a Southern artist, Southern hip hop artists were getting all

2381
02:06:19,320 --> 02:06:19,800
Speaker 8: your time.

2382
02:06:20,280 --> 02:06:23,480
Speaker 2: They grew up on all different styles of beats, different bpms,

2383
02:06:23,760 --> 02:06:25,920
Speaker 2: the Two Life Crews, whatever, whatever you want to do it.

2384
02:06:25,920 --> 02:06:28,160
Speaker 2: You know what I'm saying, Like whatever style, and they've

2385
02:06:28,440 --> 02:06:31,880
Speaker 2: rhymed all their styles. So they've learned all these different

2386
02:06:31,960 --> 02:06:35,280
Speaker 2: types of flows and speeds. Do you think that's anything too?

2387
02:06:35,320 --> 02:06:36,680
Speaker 2: But he's talking about.

2388
02:06:38,440 --> 02:06:41,200
Speaker 1: Yeah, I mean there there's definitely something to that. But

2389
02:06:41,520 --> 02:06:44,480
Speaker 1: you know, rap is only you know, hip hop is

2390
02:06:44,560 --> 02:06:50,080
Speaker 1: really yo. Listen, the Double went down to Georgia. He

2391
02:06:50,240 --> 02:06:52,200
Speaker 1: was looking for a soul to steal. He was in

2392
02:06:52,320 --> 02:06:54,120
Speaker 1: the bond, he was way behind. He was looking to

2393
02:06:54,200 --> 02:06:57,240
Speaker 1: make a deal. Like in that hip hop. That's not

2394
02:06:57,360 --> 02:07:01,400
Speaker 1: hip hop, that's like hip hop. Know, so hip hop

2395
02:07:01,480 --> 02:07:04,680
Speaker 1: is defined by his musical bed. Rap. The art of

2396
02:07:04,880 --> 02:07:08,680
Speaker 1: rap is old, old, old, old, right all.

2397
02:07:08,640 --> 02:07:11,800
Speaker 4: The way back to old blues Robert Johnson. And like

2398
02:07:11,880 --> 02:07:15,280
Speaker 4: I was talking about muddy waters. The art of rapping

2399
02:07:15,480 --> 02:07:19,160
Speaker 4: over music is not nothing new. Now what we what

2400
02:07:19,320 --> 02:07:21,240
Speaker 4: hip hop defined I want to say, what I would say,

2401
02:07:21,280 --> 02:07:24,480
Speaker 4: what hip hop defined it with was the musical bed.

2402
02:07:25,200 --> 02:07:29,160
Speaker 4: This is the hip hop sound, you know. And by

2403
02:07:29,200 --> 02:07:33,200
Speaker 4: the way, speaking of bob around with cool hert, I

2404
02:07:33,240 --> 02:07:36,480
Speaker 4: got a question for you guys, speaking question the origins

2405
02:07:36,480 --> 02:07:38,160
Speaker 4: of hip hop as what I want to ask you.

2406
02:07:38,600 --> 02:07:39,960
Speaker 3: Okay, damn, you're gonna put me on the spot. You

2407
02:07:40,000 --> 02:07:41,160
Speaker 3: want to go with the great hair gouy.

2408
02:07:41,080 --> 02:07:50,160
Speaker 1: First, and I got your But the chops in the

2409
02:07:50,280 --> 02:07:52,080
Speaker 1: melody before we get to that part.

2410
02:07:52,200 --> 02:07:55,520
Speaker 4: The chops in the melody ability to transform into other rhythms,

2411
02:07:55,560 --> 02:07:57,360
Speaker 4: and ship comes from.

2412
02:07:58,960 --> 02:08:00,600
Speaker 1: There's two parts. Really.

2413
02:08:01,320 --> 02:08:05,360
Speaker 4: The melody comes from rock and roll, in classic rock

2414
02:08:05,400 --> 02:08:13,280
Speaker 4: and roll. Mostly the slang, the slang and the bending

2415
02:08:13,360 --> 02:08:17,840
Speaker 4: of words comes from country. The chops come from bluegrass.

2416
02:08:18,480 --> 02:08:19,600
Speaker 1: Make make a big a big a big a bike

2417
02:08:19,640 --> 02:08:20,920
Speaker 1: a bike a big big a big big big big

2418
02:08:20,920 --> 02:08:21,440
Speaker 1: a big a big.

2419
02:08:21,600 --> 02:08:25,440
Speaker 4: Want and all that is all that is like bluegrass,

2420
02:08:26,200 --> 02:08:29,440
Speaker 4: all right, And so so all those pieces I brought,

2421
02:08:30,360 --> 02:08:33,000
Speaker 4: you gotta understand when I like the reason I brought

2422
02:08:33,080 --> 02:08:35,600
Speaker 4: everything that was from on my plate to the table

2423
02:08:35,720 --> 02:08:38,560
Speaker 4: is because it's because when I listened nor when I

2424
02:08:39,360 --> 02:08:41,880
Speaker 4: when I listened to Wu Sang Clan, I wanted to

2425
02:08:41,960 --> 02:08:42,720
Speaker 4: go to Sholand.

2426
02:08:43,600 --> 02:08:44,440
Speaker 1: That's the point.

2427
02:08:44,480 --> 02:08:45,920
Speaker 4: When I listened to n w A, I wanted to

2428
02:08:46,000 --> 02:08:48,600
Speaker 4: go to listen to mob Deep, I wanted to go

2429
02:08:48,640 --> 02:08:49,560
Speaker 4: to Queen's Bridge.

2430
02:08:50,240 --> 02:08:52,560
Speaker 1: I listen to listen to motherfucking Outcasts.

2431
02:08:52,560 --> 02:08:54,920
Speaker 4: I want to go to Atlanta. I listen to fucking

2432
02:08:54,960 --> 02:08:58,200
Speaker 4: a ball m j G. I want to go to Memphis.

2433
02:08:58,320 --> 02:08:59,840
Speaker 4: I want to go to Texas when I listen to

2434
02:09:00,800 --> 02:09:05,400
Speaker 4: to Miami. So I wanted to put a region and

2435
02:09:05,520 --> 02:09:08,720
Speaker 4: how and I'll bring all of that ship into into that,

2436
02:09:09,000 --> 02:09:11,000
Speaker 4: you know what I mean? And that was my mission.

2437
02:09:11,640 --> 02:09:13,640
Speaker 4: Thank god I caught the error because now it's all

2438
02:09:13,720 --> 02:09:16,480
Speaker 4: fucked up. Everybody sounds the same these days, man, Like

2439
02:09:16,480 --> 02:09:18,640
Speaker 4: where you're getting your influence with Japan?

2440
02:09:19,440 --> 02:09:19,800
Speaker 2: Japan?

2441
02:09:20,240 --> 02:09:24,000
Speaker 1: Motherfucker? You live in Arkansas, Japan? How you get that

2442
02:09:24,120 --> 02:09:28,680
Speaker 1: sound like motherfucker is on some K pop ship right now? Yeah?

2443
02:09:29,160 --> 02:09:30,520
Speaker 1: With it? You really do.

2444
02:09:31,240 --> 02:09:32,400
Speaker 2: I don't believe you, not.

2445
02:09:32,680 --> 02:09:35,800
Speaker 1: One fucking bit. I've kept the out of here. You

2446
02:09:35,920 --> 02:09:40,200
Speaker 1: fuck with the show group I don't even know one,

2447
02:09:40,240 --> 02:09:42,080
Speaker 1: but no, listen hit me out.

2448
02:09:43,120 --> 02:09:47,000
Speaker 3: The show on Netflix called Space. Was it called Space

2449
02:09:47,600 --> 02:09:50,920
Speaker 3: with the guy from forty year Old Virgin Invaders? No,

2450
02:09:51,160 --> 02:09:55,600
Speaker 3: it's like Space Force Space, Steve Carell, Steve Carrell, K Pop.

2451
02:09:55,880 --> 02:09:58,320
Speaker 1: I can't I remember that right now, Steve Carell hit

2452
02:09:58,400 --> 02:09:58,680
Speaker 1: me out.

2453
02:09:58,960 --> 02:10:02,840
Speaker 3: So in the episode they're driving and they're.

2454
02:10:02,720 --> 02:10:06,480
Speaker 1: Listening to K pop. Your story is ridiculous, right, you say.

2455
02:10:08,040 --> 02:10:08,320
Speaker 2: Sorry?

2456
02:10:10,680 --> 02:10:15,280
Speaker 1: Listen? So in that in them the series, they played

2457
02:10:15,320 --> 02:10:18,920
Speaker 1: the fucking brother it's a long one.

2458
02:10:20,520 --> 02:10:25,680
Speaker 3: Record and I liked it, and I fucking girl singing

2459
02:10:25,760 --> 02:10:31,000
Speaker 3: that's he's gonna Sam. I ain't doing none of that.

2460
02:10:31,160 --> 02:10:32,480
Speaker 2: But you should do a remix with them.

2461
02:10:32,960 --> 02:10:38,160
Speaker 1: You guy, the guy who said, all right, it's.

2462
02:10:38,040 --> 02:10:38,680
Speaker 2: True, it's true.

2463
02:10:38,720 --> 02:10:41,960
Speaker 3: I didn't believe it. He hated his own people. No,

2464
02:10:42,120 --> 02:10:48,840
Speaker 3: it wasn't hate people. It wasn't hate you know again,

2465
02:10:48,880 --> 02:10:50,520
Speaker 3: we don't want explanation no more.

2466
02:10:50,560 --> 02:10:54,160
Speaker 1: You're wrong. You ridiculous told me your first dad.

2467
02:10:55,440 --> 02:10:56,040
Speaker 2: But let's go.

2468
02:10:56,240 --> 02:10:58,120
Speaker 1: It's a hundred million spins go to.

2469
02:11:00,200 --> 02:11:03,080
Speaker 2: Really, yes, and I went through with you to you

2470
02:11:08,760 --> 02:11:10,040
Speaker 2: started some very good after that.

2471
02:11:11,120 --> 02:11:19,720
Speaker 3: Yeah, okay, all right, So okay, so you said you

2472
02:11:19,880 --> 02:11:22,720
Speaker 3: you went to the house Eminem you elbowed him.

2473
02:11:23,240 --> 02:11:28,440
Speaker 1: But we didn't. Actually, yeah, went way back. He's back

2474
02:11:28,480 --> 02:11:31,320
Speaker 1: in some chat. You went back up.

2475
02:11:33,400 --> 02:11:36,000
Speaker 3: We didn't talk about the actual session with Bob.

2476
02:11:36,080 --> 02:11:36,600
Speaker 1: I don't want to.

2477
02:11:37,160 --> 02:11:39,280
Speaker 3: You and Bob had the session right there. No, that

2478
02:11:39,400 --> 02:11:42,320
Speaker 3: was just so lit meeting to say you can do

2479
02:11:42,400 --> 02:11:44,120
Speaker 3: elbow Eminem. You almost lost your deal.

2480
02:11:44,200 --> 02:11:49,240
Speaker 1: It's crazy. Yeah, now you're getting this session, yo, yo,

2481
02:11:49,560 --> 02:11:51,680
Speaker 1: Like Eminem is sober, right, I'm gonna take a piss

2482
02:11:51,720 --> 02:11:53,920
Speaker 1: on your so I like, I like drug admine.

2483
02:11:54,120 --> 02:11:54,760
Speaker 3: Is that bad of me?

2484
02:11:56,080 --> 02:11:59,320
Speaker 1: No, that's that's not I mean, that's not inaccurate. Now

2485
02:11:59,360 --> 02:11:59,560
Speaker 1: I'm not.

2486
02:11:59,720 --> 02:12:03,440
Speaker 4: I'm say like when he talking about that all the time,

2487
02:12:03,840 --> 02:12:07,600
Speaker 4: he's gonna, I don't look. Man's sober is a lifestyle.

2488
02:12:08,080 --> 02:12:11,560
Speaker 4: Be sober and yo, live your life. It's all good.

2489
02:12:11,960 --> 02:12:14,920
Speaker 4: I've got some homies close to me, you know what

2490
02:12:14,960 --> 02:12:20,120
Speaker 4: I mean that. I'm like, dog, drink a beer. There's something,

2491
02:12:20,560 --> 02:12:22,720
Speaker 4: do something. You're weird, you know what I mean, get weird.

2492
02:12:24,880 --> 02:12:28,120
Speaker 1: I wouldn't go that far, but I do say ship

2493
02:12:28,240 --> 02:12:30,040
Speaker 1: like that. You're gonna call your friends.

2494
02:12:30,440 --> 02:12:31,480
Speaker 8: Did I think.

2495
02:12:33,640 --> 02:12:34,640
Speaker 1: The white version of you?

2496
02:12:36,320 --> 02:12:39,560
Speaker 2: I think if I was born in Alabama.

2497
02:12:40,760 --> 02:12:44,160
Speaker 3: And I had tattoos, I would pay you because I

2498
02:12:44,280 --> 02:12:47,240
Speaker 3: tell motherfuckers, get your life together and drink a beer.

2499
02:12:47,680 --> 02:12:52,320
Speaker 2: Yeah yeah, we might be the same. You might do.

2500
02:12:57,080 --> 02:13:00,120
Speaker 1: So let's talk about that, because I say this all

2501
02:13:00,120 --> 02:13:00,400
Speaker 1: the time.

2502
02:13:00,560 --> 02:13:03,160
Speaker 3: And my friend Diego, one of my closest friends, he's

2503
02:13:03,160 --> 02:13:05,720
Speaker 3: over there, he's he's he's my he's I don't want

2504
02:13:05,720 --> 02:13:06,440
Speaker 3: to say, my white friend.

2505
02:13:06,480 --> 02:13:11,120
Speaker 1: He's my friend, white friend.

2506
02:13:11,240 --> 02:13:13,920
Speaker 3: But we actually go and we listen to eminem and

2507
02:13:13,960 --> 02:13:17,040
Speaker 3: we listen to the two different versions of eminem. So

2508
02:13:17,240 --> 02:13:20,160
Speaker 3: and then we we always sit there and debate. People

2509
02:13:20,240 --> 02:13:23,840
Speaker 3: say that black people don't listen to eminem as fuck lies. Okay,

2510
02:13:24,720 --> 02:13:27,480
Speaker 3: I'm one of them, and you can attest to that.

2511
02:13:29,480 --> 02:13:31,480
Speaker 1: I don't think that is. I don't think it's they don't.

2512
02:13:31,680 --> 02:13:33,920
Speaker 1: I don't think black people don't listen to eminem. I

2513
02:13:33,960 --> 02:13:36,160
Speaker 1: don't think that it's it's it's just not part A

2514
02:13:36,240 --> 02:13:38,040
Speaker 1: lot of times that ain't party music, you know what

2515
02:13:38,040 --> 02:13:40,080
Speaker 1: I'm saying. It's not some ship that you you're bumping.

2516
02:13:40,280 --> 02:13:42,640
Speaker 1: But it doesn't it doesn't mean that you're not like,

2517
02:13:42,960 --> 02:13:45,080
Speaker 1: what's the new ship listening? You know what I'm saying.

2518
02:13:45,400 --> 02:13:46,520
Speaker 2: There is a difference there.

2519
02:13:46,760 --> 02:13:48,600
Speaker 1: The ship that you ride to, the ship that I

2520
02:13:48,800 --> 02:13:51,520
Speaker 1: ride to It's different from the ship that I put

2521
02:13:51,600 --> 02:13:55,840
Speaker 1: headphones on and listen to intently. Artistically, the ship that

2522
02:13:55,960 --> 02:13:58,240
Speaker 1: you ride to is like like you know, like like

2523
02:13:58,360 --> 02:14:01,080
Speaker 1: I'm I might ride to Bob Jas Aims or some ship.

2524
02:14:01,120 --> 02:14:04,160
Speaker 1: You know what I'm saying. I'm not bumping the latest whatever.

2525
02:14:04,360 --> 02:14:04,800
Speaker 8: You know what I mean?

2526
02:14:04,920 --> 02:14:06,720
Speaker 1: Like what I put in my car and what I

2527
02:14:06,840 --> 02:14:09,880
Speaker 1: ride to, what I party to, that's two different things.

2528
02:14:09,960 --> 02:14:10,080
Speaker 7: Man.

2529
02:14:10,280 --> 02:14:13,840
Speaker 4: Sometimes you make music like for people just to digest artistically,

2530
02:14:13,920 --> 02:14:14,360
Speaker 4: you know what I mean.

2531
02:14:14,640 --> 02:14:18,440
Speaker 3: You heard Eminem's new record, I Gotta piss You got

2532
02:14:18,520 --> 02:14:19,640
Speaker 3: to piss on death hold on.

2533
02:14:19,720 --> 02:14:20,800
Speaker 1: Someone's in the bathroom.

2534
02:14:23,560 --> 02:14:23,840
Speaker 2: Record.

2535
02:14:23,920 --> 02:14:27,280
Speaker 1: I got pissed. I love it of course.

2536
02:14:28,040 --> 02:14:30,240
Speaker 3: Now let me tell you how simplistic I am again,

2537
02:14:30,680 --> 02:14:32,160
Speaker 3: Like what I told you about k pop.

2538
02:14:32,560 --> 02:14:33,480
Speaker 1: Now you know why I like.

2539
02:14:33,560 --> 02:14:37,160
Speaker 3: Eminem's new record because it's K pop? Because I heard

2540
02:14:37,240 --> 02:14:39,360
Speaker 3: that mute that record on Balls of Fury.

2541
02:14:40,200 --> 02:14:42,160
Speaker 1: I don't get it in the movie, huh.

2542
02:14:43,720 --> 02:14:46,680
Speaker 3: That same record that he sampled was in Balls of Fury.

2543
02:14:46,720 --> 02:14:49,600
Speaker 3: No one's seen Balls of Fury head. Oh wait see,

2544
02:14:49,800 --> 02:14:51,720
Speaker 3: I'm like, I'm I'm the whitest person here right now.

2545
02:14:51,720 --> 02:15:00,560
Speaker 3: I'm just being honest. Nobody no want to see more

2546
02:15:00,680 --> 02:15:01,080
Speaker 3: of furiod.

2547
02:15:01,120 --> 02:15:06,680
Speaker 1: I don't watch Oh my god, I literally don't watch anything.

2548
02:15:07,800 --> 02:15:10,240
Speaker 4: You don't wait wait a minute, Well, I only turn

2549
02:15:10,320 --> 02:15:12,120
Speaker 4: on the TV when I go to sleep and I

2550
02:15:12,400 --> 02:15:13,520
Speaker 4: use it as a background.

2551
02:15:13,640 --> 02:15:16,400
Speaker 1: I don't watch nothing. I think I've never heard that

2552
02:15:16,480 --> 02:15:18,680
Speaker 1: in my life. I just don't. Man, I ain't got

2553
02:15:18,720 --> 02:15:23,800
Speaker 1: time for that. Working too hard, yo, I'm not trying

2554
02:15:23,840 --> 02:15:27,560
Speaker 1: to sun anyone or to watch the things nice seeing

2555
02:15:27,600 --> 02:15:29,960
Speaker 1: that if I go to the movie open, if you

2556
02:15:30,000 --> 02:15:32,320
Speaker 1: need to go, if I need, you know what I'm saying, like,

2557
02:15:32,360 --> 02:15:36,520
Speaker 1: I don't mind. The question is gone. Question is gone.

2558
02:15:37,360 --> 02:15:44,000
Speaker 1: I don't care. That's the question.

2559
02:15:48,880 --> 02:15:50,839
Speaker 3: You want to take a shot just because, Yeah.

2560
02:15:50,840 --> 02:15:52,600
Speaker 2: Just take a shot, take a take a shot, and

2561
02:15:52,640 --> 02:15:53,200
Speaker 2: take a piss again.

2562
02:15:53,960 --> 02:15:57,600
Speaker 1: We got I'm good for another two hours, so you

2563
02:15:57,680 --> 02:16:00,320
Speaker 1: gotta actually my out that.

2564
02:16:00,560 --> 02:16:01,080
Speaker 2: Oh here we go.

2565
02:16:01,200 --> 02:16:02,680
Speaker 1: Okay, hold on, I don't got a shot. Hold on?

2566
02:16:04,160 --> 02:16:09,160
Speaker 1: Hold up? Monster Energy? Can you say? Can you tell

2567
02:16:09,200 --> 02:16:18,120
Speaker 1: we sponsored by Monster? Because I was with Monster? I

2568
02:16:18,200 --> 02:16:19,200
Speaker 1: love you know with them?

2569
02:16:19,240 --> 02:16:19,360
Speaker 5: Now?

2570
02:16:19,680 --> 02:16:23,920
Speaker 4: No, not well, not for any bad but they This

2571
02:16:24,160 --> 02:16:27,520
Speaker 4: was one of the best sponsors ever and I appreciate

2572
02:16:27,760 --> 02:16:30,720
Speaker 4: listen man. Shout out to Monster for supporting me through

2573
02:16:30,840 --> 02:16:33,959
Speaker 4: my first warp tour, my Warped.

2574
02:16:33,720 --> 02:16:36,080
Speaker 1: Tour was it was a life changing experience.

2575
02:16:36,160 --> 02:16:38,960
Speaker 4: They helped pay for my bus, you know, and like

2576
02:16:39,200 --> 02:16:44,000
Speaker 4: they supported my stage, like the marketing team and Monster Man.

2577
02:16:44,080 --> 02:16:45,160
Speaker 1: They really helped me out.

2578
02:16:45,240 --> 02:16:47,360
Speaker 4: And like I know that a lot of corporations people

2579
02:16:47,360 --> 02:16:50,720
Speaker 4: get them fucked up, you know, they they take them

2580
02:16:50,760 --> 02:16:53,000
Speaker 4: for like you know, everything is like some kind of

2581
02:16:53,160 --> 02:16:56,560
Speaker 4: gain and they I'm telling you, this was a really

2582
02:16:56,760 --> 02:16:59,920
Speaker 4: great company that helped me out, like and they inspired

2583
02:16:59,920 --> 02:17:02,680
Speaker 4: me to So, hey, monster thanks, thanks for the years.

2584
02:17:02,720 --> 02:17:05,760
Speaker 1: Thanks for the check sake so that you cut that

2585
02:17:05,879 --> 02:17:15,440
Speaker 1: fed my family. Where oh man, So we did we

2586
02:17:15,520 --> 02:17:18,000
Speaker 1: actually we didn't talk about the actual session with with

2587
02:17:18,520 --> 02:17:20,080
Speaker 1: Hey man, I need you guys ought to try some

2588
02:17:20,160 --> 02:17:22,680
Speaker 1: Mama Juana, God damn it, ready for this.

2589
02:17:22,959 --> 02:17:23,560
Speaker 2: Let's shot?

2590
02:17:23,640 --> 02:17:25,560
Speaker 1: Take a shot? Take a shot, man. What y'all doing

2591
02:17:25,600 --> 02:17:28,760
Speaker 1: over where your shot class? Well, yeah, we'll y'all playing

2592
02:17:28,840 --> 02:17:32,440
Speaker 1: cards or something. Somebody over there eating bad hey anybody?

2593
02:17:33,200 --> 02:17:35,440
Speaker 1: Yea he take take the bottle to put your own

2594
02:17:35,480 --> 02:17:39,200
Speaker 1: shot there you go, yoh, calling you out over there

2595
02:17:39,240 --> 02:17:39,960
Speaker 1: eating salad?

2596
02:17:41,080 --> 02:17:43,840
Speaker 2: Salad, man, this is too early for a salad bro.

2597
02:17:45,720 --> 02:17:48,440
Speaker 2: They salad talking the salad is for the morning.

2598
02:17:48,600 --> 02:17:52,640
Speaker 1: Bro, who's bringing whiskey over over in the Greek salad

2599
02:17:54,720 --> 02:17:58,960
Speaker 1: kind of salad? You over there? Who's eating a salad constantly?

2600
02:18:01,879 --> 02:18:02,800
Speaker 2: Mexican salad?

2601
02:18:03,240 --> 02:18:08,760
Speaker 1: Yeah, that's what's up, mister Lee. It is a Dominican

2602
02:18:08,879 --> 02:18:14,280
Speaker 1: salad salu So alright, I got you, man?

2603
02:18:14,600 --> 02:18:15,000
Speaker 2: So what is this?

2604
02:18:15,080 --> 02:18:15,760
Speaker 1: What are we drinking?

2605
02:18:15,920 --> 02:18:17,320
Speaker 2: Is mama juana? Just enjoy it?

2606
02:18:17,480 --> 02:18:21,960
Speaker 1: Just enjoy it, favor favorite Okay, It's like I can

2607
02:18:22,040 --> 02:18:30,160
Speaker 1: watch them but different tipped off fullar man. My manager

2608
02:18:30,240 --> 02:18:32,520
Speaker 1: takes people on the Highwaska trip. You'll you know what

2609
02:18:32,560 --> 02:18:34,520
Speaker 1: I've been wanting to know what. I'm gonna be honest

2610
02:18:34,520 --> 02:18:35,360
Speaker 1: with you me just once.

2611
02:18:35,360 --> 02:18:37,240
Speaker 3: The first time we ever had yeaga meister, did you

2612
02:18:37,600 --> 02:18:39,000
Speaker 3: did you request the yagomeister?

2613
02:18:39,280 --> 02:18:46,360
Speaker 1: I'll take you who got your Yeah? Look at that?

2614
02:18:46,840 --> 02:18:48,200
Speaker 2: Look at this dude, Look at this.

2615
02:18:48,760 --> 02:18:51,440
Speaker 1: Look at him coming in. He's coming in hot.

2616
02:18:51,920 --> 02:18:55,000
Speaker 2: The label's peeling off the ringer.

2617
02:18:55,200 --> 02:18:57,359
Speaker 1: You picked this ship up from the seven eleven.

2618
02:18:59,000 --> 02:18:59,840
Speaker 2: Ship is bootleg?

2619
02:19:01,200 --> 02:19:04,560
Speaker 3: Ain't even I'm something to admit to you what I'm

2620
02:19:04,600 --> 02:19:08,200
Speaker 3: admitted to everyone here. I always wanted, like white friends,

2621
02:19:08,240 --> 02:19:10,240
Speaker 3: I could drink yeager wood, right, so.

2622
02:19:11,959 --> 02:19:18,880
Speaker 1: I never had chill chill, chill, listen, So but I'm

2623
02:19:18,920 --> 02:19:21,000
Speaker 1: not home right after the yegger shot. I used to go.

2624
02:19:21,240 --> 02:19:24,280
Speaker 3: I used to go places and be like and be like,

2625
02:19:24,520 --> 02:19:27,520
Speaker 3: I swear to God, I used to do this small

2626
02:19:27,879 --> 02:19:29,200
Speaker 3: I'm embarrassed about it.

2627
02:19:30,040 --> 02:19:30,840
Speaker 1: And I would be like, I.

2628
02:19:30,840 --> 02:19:32,920
Speaker 3: Would order like I would see like some white people at.

2629
02:19:32,840 --> 02:19:34,920
Speaker 1: The bar, and I'd be like, let me get a jager.

2630
02:19:35,480 --> 02:19:36,720
Speaker 1: That's what I used to do in the college with

2631
02:19:36,800 --> 02:19:37,480
Speaker 1: my frat boys.

2632
02:19:38,640 --> 02:19:40,000
Speaker 2: And he was lying for your teeth.

2633
02:19:41,560 --> 02:19:46,800
Speaker 3: But I would take the yaeger and then drop it

2634
02:19:46,879 --> 02:19:49,440
Speaker 3: in the beer and then be like, oh, well you do.

2635
02:19:51,160 --> 02:19:54,440
Speaker 1: Younger barbers well red bulls. No, I would drop it

2636
02:19:54,520 --> 02:19:56,600
Speaker 1: in the beer. I was a foul dude. Listen, yer

2637
02:19:56,640 --> 02:19:59,320
Speaker 1: bos red ball. Okay, are you're giving me?

2638
02:19:59,800 --> 02:19:59,959
Speaker 2: Yeah?

2639
02:20:00,040 --> 02:20:01,880
Speaker 1: Of course I'm sitting you. Yeah, you give him here,

2640
02:20:02,879 --> 02:20:08,920
Speaker 1: you want some No, let's go, let's go, don't go walking.

2641
02:20:09,800 --> 02:20:10,360
Speaker 2: Give you the bo.

2642
02:20:12,360 --> 02:20:15,279
Speaker 1: Yeah, yeah, because I do you know damn, oh you gotta.

2643
02:20:16,360 --> 02:20:16,600
Speaker 8: You know what?

2644
02:20:18,400 --> 02:20:20,120
Speaker 1: Okay, let me get a clean one.

2645
02:20:22,040 --> 02:20:24,480
Speaker 2: Yeah right right there, buddy, Oh ship, I got give

2646
02:20:24,560 --> 02:20:26,640
Speaker 2: me that, just clean, so I.

2647
02:20:26,600 --> 02:20:33,879
Speaker 1: Don't get it's dirty? Is cool? Cool? Monster bolls? Yeah,

2648
02:20:33,959 --> 02:20:35,000
Speaker 1: that's on white boys. Ship.

2649
02:20:38,480 --> 02:20:39,560
Speaker 2: That's that's on White boy Ship.

2650
02:20:44,240 --> 02:20:45,439
Speaker 1: You want to come demonstrate?

2651
02:20:47,240 --> 02:20:51,320
Speaker 3: Yeah yeah, yeah, all right, okay, so we did, so

2652
02:20:51,560 --> 02:20:53,960
Speaker 3: let's listen. Let's talk about this session though. All right

2653
02:20:54,840 --> 02:20:57,320
Speaker 3: you finally get in are y'all together? You and k

2654
02:20:58,040 --> 02:20:59,440
Speaker 3: sending it sendate nah?

2655
02:20:59,560 --> 02:21:01,280
Speaker 2: So the idea was so.

2656
02:21:03,000 --> 02:21:06,080
Speaker 1: So fool beer like okay, So, like I said, okay,

2657
02:21:06,680 --> 02:21:10,400
Speaker 1: o listen. So when we okay, the.

2658
02:21:10,440 --> 02:21:13,759
Speaker 3: Reason when you walked into said happy birthday, exactly.

2659
02:21:14,320 --> 02:21:21,000
Speaker 4: Happy birthday, Happy one of the one of the best

2660
02:21:21,040 --> 02:21:27,760
Speaker 4: things ever said. And I'm carrying on shout out to

2661
02:21:28,000 --> 02:21:28,720
Speaker 4: Sea Bear.

2662
02:21:30,120 --> 02:21:33,240
Speaker 1: Sea Bear Courtney sells I love you so much you

2663
02:21:33,320 --> 02:21:39,600
Speaker 1: got which is uh yeah, that's it's me. He said.

2664
02:21:44,760 --> 02:21:50,880
Speaker 4: So when we got signed to uh to Interscope and

2665
02:21:51,680 --> 02:21:55,080
Speaker 4: when the Shady deal happened, right, and I was like,

2666
02:21:56,840 --> 02:22:01,360
Speaker 4: you know me and will Power forget it, dude, we

2667
02:22:01,440 --> 02:22:03,760
Speaker 4: could put an album out a week if we wanted to.

2668
02:22:05,000 --> 02:22:07,960
Speaker 1: I'm not even shitting you, man, Like it's like we

2669
02:22:08,800 --> 02:22:12,320
Speaker 1: he writes music and I record versus you know.

2670
02:22:12,640 --> 02:22:17,640
Speaker 4: Usually at the most we spent on a song three hours,

2671
02:22:18,000 --> 02:22:20,040
Speaker 4: you know what I mean, from like act from nothing

2672
02:22:20,200 --> 02:22:20,680
Speaker 4: to done.

2673
02:22:21,240 --> 02:22:25,840
Speaker 1: So like we were real quick. So they're like so

2674
02:22:26,040 --> 02:22:28,959
Speaker 1: KP's like, let's do an album. I was like, say,

2675
02:22:29,040 --> 02:22:31,200
Speaker 1: let's let's go fucking do album. We're just on a

2676
02:22:31,240 --> 02:22:32,080
Speaker 1: shady But the.

2677
02:22:32,120 --> 02:22:33,879
Speaker 4: Thing is like we wanted to do an album, turn

2678
02:22:33,920 --> 02:22:37,360
Speaker 4: it in without Marshall knowing we even did album at all,

2679
02:22:37,640 --> 02:22:41,480
Speaker 4: because the point was like here you go, dog, you know,

2680
02:22:42,040 --> 02:22:47,560
Speaker 4: you know, surprise right. So we called Molly ma and

2681
02:22:47,840 --> 02:22:49,720
Speaker 4: Las Vegas. I don't know if you're on whom Molly

2682
02:22:49,760 --> 02:22:52,240
Speaker 4: ma is was your entrepreneur and he had.

2683
02:22:56,840 --> 02:22:59,520
Speaker 1: I did what show I did with him? Yeah, Molly

2684
02:22:59,600 --> 02:23:07,600
Speaker 1: ma I did what marriage? Yeah? Yeah, And we pulled

2685
02:23:07,640 --> 02:23:10,119
Speaker 1: and we pulled. I'm not shipting you man, I'm not shareing.

2686
02:23:10,200 --> 02:23:11,480
Speaker 1: We put up. We put them at the studio in

2687
02:23:11,560 --> 02:23:16,120
Speaker 1: Vegas back then, and Monkey, oh dog, I got a

2688
02:23:16,160 --> 02:23:22,400
Speaker 1: story Bubbs the monkey. Oh bro, you' I know Bubbs,

2689
02:23:22,400 --> 02:23:26,480
Speaker 1: that little motherfucker. I hate. I hate Bubbs with a passion.

2690
02:23:27,600 --> 02:23:31,600
Speaker 1: My god, I've never heard somebody say we have problems.

2691
02:23:31,760 --> 02:23:34,560
Speaker 1: Me and Bubbs had problems. He ain't no ship at

2692
02:23:34,600 --> 02:23:38,439
Speaker 1: you or not. Bro, Listen this little bitch ass motherfucker

2693
02:23:38,560 --> 02:23:39,600
Speaker 1: dog Listen.

2694
02:23:41,080 --> 02:23:44,720
Speaker 4: So Molly's like, well, first of all, he wrote the

2695
02:23:44,760 --> 02:23:46,600
Speaker 4: Red Carpet out for and poo Bear is living in

2696
02:23:46,720 --> 02:23:49,000
Speaker 4: his house. Who Bear is living with Molly Ma, you

2697
02:23:49,040 --> 02:23:50,360
Speaker 4: know what I'm saying. So pool Bear is a part

2698
02:23:50,400 --> 02:23:52,400
Speaker 4: of sessions writing. And if you don't know, poo Beer

2699
02:23:52,560 --> 02:23:56,280
Speaker 4: is a fucking hit songwriter man. She is many many,

2700
02:23:56,400 --> 02:24:00,640
Speaker 4: many hits. And he's the fucking just the energy he's got,

2701
02:24:00,680 --> 02:24:03,000
Speaker 4: He's an energy god. He's just like the best guy ever.

2702
02:24:03,760 --> 02:24:06,960
Speaker 4: So so he so he's helping with the writing of

2703
02:24:07,800 --> 02:24:11,440
Speaker 4: my my Freshman albul So and and he's family with

2704
02:24:11,640 --> 02:24:14,160
Speaker 4: my manager at the time, Courtney Steels Sea Bear. So

2705
02:24:14,240 --> 02:24:17,680
Speaker 4: it's me Sea Bear, kp will Power, Shotty Fat, rest

2706
02:24:17,720 --> 02:24:21,560
Speaker 4: in Peace, and Fifee Dobson, which would be which would

2707
02:24:21,600 --> 02:24:23,279
Speaker 4: then soon.

2708
02:24:23,160 --> 02:24:25,920
Speaker 1: After become my wife. Well Fife Dobson.

2709
02:24:26,080 --> 02:24:30,400
Speaker 4: If you're not familiar, get familiar, classic rock and roll,

2710
02:24:30,480 --> 02:24:35,600
Speaker 4: fucking legend from Scarborough, Toronto, Canada, multi platinum artists, fucking

2711
02:24:35,720 --> 02:24:39,080
Speaker 4: like one of the one of the most influential artists

2712
02:24:39,920 --> 02:24:40,520
Speaker 4: in the world.

2713
02:24:41,120 --> 02:24:43,120
Speaker 1: Just want to give her flowers, like you give your mind.

2714
02:24:43,120 --> 02:24:45,280
Speaker 1: I just want to say, Pepe Dobson next.

2715
02:24:48,959 --> 02:24:51,400
Speaker 4: But we're there and I'm with okay, but getting back

2716
02:24:51,400 --> 02:24:53,320
Speaker 4: to the Boves saying I'm with I'm with Fifi and

2717
02:24:53,440 --> 02:24:54,760
Speaker 4: Molly Malls like take my crib.

2718
02:24:54,800 --> 02:24:54,920
Speaker 2: You know.

2719
02:24:55,040 --> 02:24:56,680
Speaker 1: He's like he like skips out. He's like a g

2720
02:24:56,879 --> 02:24:59,600
Speaker 1: like I give you a driver. Here's a may box.

2721
02:25:00,360 --> 02:25:01,600
Speaker 1: Do this, you know, and do all this?

2722
02:25:01,720 --> 02:25:02,520
Speaker 2: You know, I do whatever.

2723
02:25:02,760 --> 02:25:05,279
Speaker 1: You know, you just have fun. There's a big shark

2724
02:25:05,320 --> 02:25:07,400
Speaker 1: in a in a tank in the middle of his

2725
02:25:07,480 --> 02:25:09,480
Speaker 1: fucking house. He's got a fucking I swear.

2726
02:25:09,240 --> 02:25:13,080
Speaker 4: To guy, I'm not joking, bro. There's there's like a leopard,

2727
02:25:13,840 --> 02:25:20,800
Speaker 4: like a loose leopard. Yeah, yeah, you know if you

2728
02:25:21,120 --> 02:25:21,879
Speaker 4: got sort.

2729
02:25:24,879 --> 02:25:33,920
Speaker 1: But Scott for Scott to yo yo yo, so fucking

2730
02:25:34,200 --> 02:25:36,760
Speaker 1: so so there's this fucking just connected.

2731
02:25:37,480 --> 02:25:41,760
Speaker 2: It's like because this is you know, really it's real.

2732
02:25:42,120 --> 02:25:43,120
Speaker 1: You can't make that ship.

2733
02:25:43,160 --> 02:25:44,240
Speaker 2: You can't make this ship up.

2734
02:25:44,360 --> 02:25:48,240
Speaker 3: I'm taking another shot. I'm sorry, all right, I'm sorry.

2735
02:25:48,640 --> 02:25:52,400
Speaker 3: It's you who's doing this though, you know you gotta

2736
02:25:52,400 --> 02:25:52,600
Speaker 3: take it.

2737
02:25:53,600 --> 02:26:00,920
Speaker 1: Suck yer, I'm not. Oh, you want to drink Champs

2738
02:26:00,959 --> 02:26:01,800
Speaker 1: and it's drink.

2739
02:26:01,720 --> 02:26:05,800
Speaker 18: Champs and it's whatever you want to drink. It's whatever

2740
02:26:05,920 --> 02:26:10,960
Speaker 18: we want to drink. Hold on Champ, I take a

2741
02:26:11,000 --> 02:26:13,840
Speaker 18: little We don't do that. But can you tell you

2742
02:26:13,920 --> 02:26:14,360
Speaker 18: a story?

2743
02:26:14,879 --> 02:26:18,400
Speaker 1: Molly? Sorry, Molly, you have Mali Crib the monkey.

2744
02:26:18,440 --> 02:26:21,720
Speaker 2: Market so so so I love you. Your monkey is

2745
02:26:21,760 --> 02:26:22,279
Speaker 2: a bitch.

2746
02:26:23,560 --> 02:26:24,680
Speaker 1: Fuck him, I hate him.

2747
02:26:25,680 --> 02:26:27,920
Speaker 2: Yo, this is this this little motherfucker dude.

2748
02:26:28,440 --> 02:26:30,720
Speaker 1: So so Fifi and I are standing in the guest

2749
02:26:30,800 --> 02:26:34,360
Speaker 1: room and Fifi's like, on to fucking play with Bubbs

2750
02:26:34,760 --> 02:26:37,560
Speaker 1: and your wife, right, your wife? Yes, okay, right, So

2751
02:26:37,760 --> 02:26:38,800
Speaker 1: I opened up the cage.

2752
02:26:39,640 --> 02:26:42,120
Speaker 4: You know what I'm saying on my own accord, this

2753
02:26:42,280 --> 02:26:44,960
Speaker 4: is a massive mansion. You don't understand. Like it's like

2754
02:26:45,120 --> 02:26:47,039
Speaker 4: it's like walking into the fucking Smithsnian.

2755
02:26:47,120 --> 02:26:47,560
Speaker 1: You know what I mean.

2756
02:26:48,000 --> 02:26:50,960
Speaker 4: There's a goddamn shark, there's a fucking there's all kinds

2757
02:26:50,959 --> 02:26:53,560
Speaker 4: of dumb ship going on, and there's a fucking monkey

2758
02:26:53,640 --> 02:26:54,480
Speaker 4: within a cage.

2759
02:26:54,520 --> 02:26:55,240
Speaker 2: We're in Vegas.

2760
02:26:55,320 --> 02:26:59,880
Speaker 1: You know what I'm saying. A week, open that bitch up,

2761
02:27:00,040 --> 02:27:04,920
Speaker 1: open the cage. I let Bubbs out, and Bubbs on

2762
02:27:05,240 --> 02:27:08,720
Speaker 1: on Feefe's shoulder and starts fucking caressing her, and she's like.

2763
02:27:08,760 --> 02:27:10,720
Speaker 2: Oh, he's the best, He's the best.

2764
02:27:12,760 --> 02:27:14,040
Speaker 1: No, No, I was cool with it.

2765
02:27:15,200 --> 02:27:19,360
Speaker 4: I was like, yeah, Bubbs, and I want to pet him,

2766
02:27:20,959 --> 02:27:24,800
Speaker 4: and started look, Feefee starts she thinks it's funny.

2767
02:27:25,520 --> 02:27:26,040
Speaker 5: So we go.

2768
02:27:26,440 --> 02:27:28,960
Speaker 2: So we go back to bed. I'm like, we got

2769
02:27:29,000 --> 02:27:30,520
Speaker 2: this time, Bubbs got to go to.

2770
02:27:30,560 --> 02:27:36,040
Speaker 1: Best It's night night bus.

2771
02:27:36,400 --> 02:27:37,680
Speaker 2: You know what I'm saying, This time.

2772
02:27:37,640 --> 02:27:43,000
Speaker 19: For us to get rid of Bubs. So, but Bubbs

2773
02:27:43,600 --> 02:27:48,400
Speaker 19: refuses to leave. You can't get it back in the cage.

2774
02:27:48,600 --> 02:27:49,640
Speaker 19: Bubbs is possessive.

2775
02:27:49,959 --> 02:27:54,560
Speaker 1: And let me tell you something, Monkeys are strong. If

2776
02:27:54,600 --> 02:27:57,440
Speaker 1: you think a house cat is strong, try fucking with

2777
02:27:57,520 --> 02:28:01,600
Speaker 1: a monkey, then little mothers are strong as a motherfucker.

2778
02:28:01,680 --> 02:28:06,640
Speaker 1: Bro I would think is a monkey fucker. I was like, yo, listen,

2779
02:28:07,400 --> 02:28:11,240
Speaker 1: I'm like, time to go to your cage. Bugs.

2780
02:28:12,360 --> 02:28:14,600
Speaker 4: This little bitch is in a diaper and I want

2781
02:28:14,640 --> 02:28:19,400
Speaker 4: to grab him, and he fucking scurry to cross my

2782
02:28:19,560 --> 02:28:22,040
Speaker 4: body and he was at my ankles before I can

2783
02:28:22,120 --> 02:28:25,760
Speaker 4: fucking realize he even left her shoulder and by the

2784
02:28:25,879 --> 02:28:28,039
Speaker 4: time I look back up, he was back on her

2785
02:28:28,080 --> 02:28:34,440
Speaker 4: shoulder again, like bitch. And I swear to God, I

2786
02:28:34,600 --> 02:28:37,400
Speaker 4: was like, I was like, you gotta you gotta let somehow,

2787
02:28:37,440 --> 02:28:43,160
Speaker 4: you gotta go. I'm over the idea of sex. I

2788
02:28:43,280 --> 02:28:46,560
Speaker 4: just want to go to bed, I'm saying, So you

2789
02:28:46,640 --> 02:28:50,879
Speaker 4: gotta get this bitch out there. So so she goes

2790
02:28:50,959 --> 02:28:53,600
Speaker 4: to release his buzz right outside of these doors and

2791
02:28:53,640 --> 02:28:55,400
Speaker 4: keep them married. When I tell you, like, if you

2792
02:28:55,440 --> 02:28:59,280
Speaker 4: think outside of the fucking too closed doors a marble palace.

2793
02:28:59,400 --> 02:29:06,440
Speaker 1: Bro So, Bubbs is loose. So she lays back down.

2794
02:29:06,840 --> 02:29:09,120
Speaker 4: I said, what did you do with Bubbs? She said, oh,

2795
02:29:09,200 --> 02:29:11,920
Speaker 4: I just let him go. I was like, what you

2796
02:29:12,040 --> 02:29:17,680
Speaker 4: mean you let him go? There's a fucking leopard walking around, motherfucker.

2797
02:29:18,600 --> 02:29:24,400
Speaker 1: Bubbs. Bro So we so I'm fucking at this point hammered.

2798
02:29:25,000 --> 02:29:27,520
Speaker 1: And I go to sleep and I wake up fully

2799
02:29:27,800 --> 02:29:32,880
Speaker 1: aware of what happened. I'm like, Bubbs, oh fuck, And

2800
02:29:32,959 --> 02:29:34,720
Speaker 1: I'm thinking and and the and the and the and

2801
02:29:34,800 --> 02:29:40,720
Speaker 1: the and the the cheetah name with Isis? Oh you

2802
02:29:40,840 --> 02:29:41,720
Speaker 1: want you want Ice?

2803
02:29:42,440 --> 02:29:45,920
Speaker 4: I walked in I I walked in Isis's room by

2804
02:29:46,160 --> 02:29:48,920
Speaker 4: by accident. This bitch was laid on a fucking like

2805
02:29:49,120 --> 02:29:53,800
Speaker 4: big ass, fucking beautiful bed stat me shoulder fangs and

2806
02:29:53,840 --> 02:29:56,640
Speaker 4: ship like, get out of my room, like like fuck.

2807
02:29:56,879 --> 02:30:00,720
Speaker 4: This bitch was an angry, fucking fucking He had timber

2808
02:30:00,800 --> 02:30:02,920
Speaker 4: Wolves outside.

2809
02:30:07,160 --> 02:30:15,199
Speaker 3: Wait, timber Wolf is a thing, a basketball team which animal.

2810
02:30:19,959 --> 02:30:20,440
Speaker 2: Molly had.

2811
02:30:20,640 --> 02:30:22,840
Speaker 1: There was a it was like a tiger shark in

2812
02:30:22,959 --> 02:30:25,320
Speaker 1: a in a in a fucking aquarium. Size is his

2813
02:30:25,480 --> 02:30:28,080
Speaker 1: fucking room in the center of his house. You know

2814
02:30:28,120 --> 02:30:30,240
Speaker 1: what I'm saying. Like it was fucked up. It was

2815
02:30:30,280 --> 02:30:30,720
Speaker 1: fucked up.

2816
02:30:30,800 --> 02:30:33,000
Speaker 2: So anyway, She's like, yeah, I let Bubbs go. I

2817
02:30:33,080 --> 02:30:35,200
Speaker 2: was like, what where is he?

2818
02:30:35,640 --> 02:30:38,039
Speaker 4: Because, like Molly, at this point, my dog, he gave

2819
02:30:38,120 --> 02:30:41,880
Speaker 4: us everything, he gave me the responsibility of bugs, and

2820
02:30:42,000 --> 02:30:42,800
Speaker 4: I've lost him.

2821
02:30:44,520 --> 02:30:50,840
Speaker 1: I've lost your monkey, monkey result and dude.

2822
02:30:50,920 --> 02:30:54,760
Speaker 4: For like two hours, dog, we scoured around this goddamn

2823
02:30:54,840 --> 02:30:57,520
Speaker 4: house and I swore to God at isis eight Bubbs.

2824
02:30:58,720 --> 02:31:00,600
Speaker 1: I was like that he's dead.

2825
02:31:01,879 --> 02:31:06,520
Speaker 4: Isis has devoured that monkey, and I don't know how

2826
02:31:06,560 --> 02:31:09,560
Speaker 4: I could ever repay him. I don't got the money

2827
02:31:09,640 --> 02:31:13,160
Speaker 4: to buy this man another monkey, nor nor does he

2828
02:31:13,240 --> 02:31:15,680
Speaker 4: even want another monkey. That's his favorite monkey, you know

2829
02:31:15,720 --> 02:31:20,080
Speaker 4: what I'm saying. So so as we scoured the house,

2830
02:31:20,879 --> 02:31:23,760
Speaker 4: we fucking looked to the left. This little bitch he

2831
02:31:23,920 --> 02:31:28,720
Speaker 4: had been hiding behind. Don't God knows what man, motherfucker

2832
02:31:28,800 --> 02:31:31,400
Speaker 4: scurried up and got up in his cage and closed

2833
02:31:31,440 --> 02:31:31,960
Speaker 4: his cage.

2834
02:31:33,040 --> 02:31:34,000
Speaker 2: He closed his cage.

2835
02:31:35,120 --> 02:31:39,640
Speaker 1: Word, monkey was fucking with me? Fuck Bob, what's going on?

2836
02:31:39,720 --> 02:31:41,200
Speaker 2: Hold hold on.

2837
02:31:41,320 --> 02:31:57,400
Speaker 10: Six, Molly, Yeah, Molly, you drink chance right now, Molly.

2838
02:31:58,480 --> 02:32:04,280
Speaker 2: Yo, Yo, Molly, and listen like I could listens clowny,

2839
02:32:04,360 --> 02:32:08,640
Speaker 2: but I can still. I still know your faith, Yo.

2840
02:32:08,840 --> 02:32:12,400
Speaker 1: Listen, yeah listen. I was telling him the story about

2841
02:32:12,560 --> 02:32:20,879
Speaker 1: bubbs and ices. Oh yeah, yeah man, it's not supposed

2842
02:32:20,879 --> 02:32:26,000
Speaker 1: to happen. When it happened, Yeah, that sposed to have it.

2843
02:32:26,480 --> 02:32:28,039
Speaker 1: Where you at? Man, you look like you were.

2844
02:32:29,640 --> 02:32:31,720
Speaker 2: About how when you gottle girl.

2845
02:32:32,480 --> 02:32:40,360
Speaker 1: He was like, He's like, he's like validating my story.

2846
02:32:40,560 --> 02:32:40,800
Speaker 2: Say what.

2847
02:32:42,640 --> 02:32:45,120
Speaker 19: Remember when you guys with that girl from Canada and

2848
02:32:45,240 --> 02:32:48,120
Speaker 19: she was like fuck you, I'll go fuck the monkey.

2849
02:32:48,840 --> 02:32:53,160
Speaker 1: Oh you didn't tell that.

2850
02:33:01,400 --> 02:33:07,080
Speaker 2: I was trying to tell you the monkey was getting

2851
02:33:07,160 --> 02:33:12,480
Speaker 2: mad getting a business. The monkey was getting a business.

2852
02:33:13,040 --> 02:33:19,400
Speaker 1: Yo. Oh my god. I was like, chill, he still young,

2853
02:33:19,480 --> 02:33:20,720
Speaker 1: he still got the diaper.

2854
02:33:20,440 --> 02:33:23,240
Speaker 2: On you talking about yo, the monkey.

2855
02:33:28,680 --> 02:33:29,400
Speaker 1: Oh my god.

2856
02:33:29,760 --> 02:33:32,199
Speaker 2: He said, chill, you got some diaper.

2857
02:33:33,480 --> 02:33:37,400
Speaker 1: Yo. Man, Like we go back, man, just like you know,

2858
02:33:37,520 --> 02:33:38,760
Speaker 1: we're in the middle of filming right now.

2859
02:33:38,800 --> 02:33:39,560
Speaker 2: But I love you man.

2860
02:33:39,840 --> 02:33:42,800
Speaker 1: Yo. Yeah hey look yo, no for real, for real,

2861
02:33:42,920 --> 02:33:47,199
Speaker 1: Like I'm dead serious man. You my mama, my mama

2862
02:33:47,240 --> 02:33:48,840
Speaker 1: would want want me to tell you this.

2863
02:33:49,000 --> 02:33:51,039
Speaker 4: Man like you know, we fucking love You know, Mama

2864
02:33:51,120 --> 02:33:52,640
Speaker 4: loves you a lot, man, Like I just want to

2865
02:33:52,680 --> 02:33:54,120
Speaker 4: let you calls me all the time.

2866
02:33:54,320 --> 02:33:54,680
Speaker 2: I know that.

2867
02:33:54,840 --> 02:33:57,320
Speaker 4: I know that Mama stays in touch with all the boys, man,

2868
02:33:58,200 --> 02:34:00,280
Speaker 4: so like she she talks about you all the time.

2869
02:34:00,360 --> 02:34:01,640
Speaker 2: Man, you know what I'm saying.

2870
02:34:01,640 --> 02:34:04,039
Speaker 1: We just sent in love. Man, that's it.

2871
02:34:06,600 --> 02:34:06,840
Speaker 4: Hit you.

2872
02:34:08,320 --> 02:34:15,240
Speaker 1: Hey, hey, I'm here. Listen.

2873
02:34:15,320 --> 02:34:23,840
Speaker 3: You ain't posted, don't count if you posted. I was like,

2874
02:34:24,600 --> 02:34:27,640
Speaker 3: all love my brother later. All right, but brother, you

2875
02:34:27,920 --> 02:34:34,800
Speaker 3: have a great day. That ship that was great. That

2876
02:34:35,120 --> 02:34:37,200
Speaker 3: was hilarious, yo.

2877
02:34:37,400 --> 02:34:37,600
Speaker 1: Man.

2878
02:34:39,360 --> 02:34:41,760
Speaker 3: Okay, so we're not gonna talk about the kid rock

2879
02:34:41,800 --> 02:34:44,920
Speaker 3: session because you we just it's about Daddy's like kid

2880
02:34:45,800 --> 02:34:50,000
Speaker 3: talking about Yes, please about it because I was together, correct.

2881
02:34:50,040 --> 02:34:52,360
Speaker 4: No, man, it is one of the most interesting records

2882
02:34:52,400 --> 02:34:54,879
Speaker 4: that I've had. Is the hardest record that I ever

2883
02:34:54,959 --> 02:34:57,000
Speaker 4: had to do while I was signed to Marshall, you

2884
02:34:57,080 --> 02:34:57,440
Speaker 4: know what I mean.

2885
02:34:57,560 --> 02:35:00,240
Speaker 1: Like, it's it's important people know, man, like especially you're

2886
02:35:00,240 --> 02:35:02,000
Speaker 1: a young artist coming up. All right.

2887
02:35:02,080 --> 02:35:08,280
Speaker 3: So so anyway, is that arguably your biggest record? Hell no, okay,

2888
02:35:08,560 --> 02:35:17,640
Speaker 3: I'm bad. You know what is what is my big fuck?

2889
02:35:17,720 --> 02:35:18,080
Speaker 2: That ship?

2890
02:35:18,280 --> 02:35:21,840
Speaker 4: Okay, I'm with wherever you want to go. It's It

2891
02:35:22,000 --> 02:35:24,840
Speaker 4: was amazing. It was a huge record for me. I'm

2892
02:35:25,240 --> 02:35:28,240
Speaker 4: very very thankful. It's not my biggest record, but it was.

2893
02:35:28,520 --> 02:35:32,120
Speaker 4: It was a very important record record. I got more

2894
02:35:32,200 --> 02:35:35,600
Speaker 4: from it as an artist and as a you know,

2895
02:35:35,879 --> 02:35:40,280
Speaker 4: young like a student, than I did out from the

2896
02:35:40,400 --> 02:35:42,760
Speaker 4: actual song itself. Song did great, you know what I mean,

2897
02:35:42,840 --> 02:35:45,600
Speaker 4: but what I learned as an artist or something else.

2898
02:35:46,360 --> 02:35:51,520
Speaker 4: So so Bob records this hook? Uh so the record? Okay,

2899
02:35:51,720 --> 02:35:55,720
Speaker 4: going back, we who Bear wrote that hook for Bob?

2900
02:35:56,080 --> 02:35:59,160
Speaker 4: I mean he wrote he wrote the hook on the

2901
02:35:59,240 --> 02:36:06,480
Speaker 4: Bob and and so when we turned in and we

2902
02:36:06,600 --> 02:36:10,280
Speaker 4: returned that when that hook after you know I told

2903
02:36:10,320 --> 02:36:13,920
Speaker 4: you about like Marshall taking me to Bob's.

2904
02:36:13,720 --> 02:36:17,440
Speaker 1: You know what, I like introducing me to hit Marshall

2905
02:36:17,680 --> 02:36:18,119
Speaker 1: all the saying.

2906
02:36:18,200 --> 02:36:21,520
Speaker 4: So so so Bob agreed to do a record where

2907
02:36:21,520 --> 02:36:24,520
Speaker 4: we had a record set up already, which was a

2908
02:36:24,600 --> 02:36:26,360
Speaker 4: record that Pooh Bear wrote the hook.

2909
02:36:32,400 --> 02:36:36,200
Speaker 1: God damn, what was the song? Roll out? Let's well

2910
02:36:37,680 --> 02:36:42,680
Speaker 1: and yeah, I'm throwed off, got a lot of money,

2911
02:36:42,760 --> 02:36:47,279
Speaker 1: I'm eisowd off. I made my own lane list roll.

2912
02:36:47,640 --> 02:36:49,800
Speaker 4: So yeah, So that that was the hook that was

2913
02:36:49,840 --> 02:36:54,560
Speaker 4: written by poo Bear and recorded at Molly's studio.

2914
02:36:55,560 --> 02:37:03,800
Speaker 1: Man, he's cool, cool, cool, Okay, cool.

2915
02:37:05,640 --> 02:37:06,760
Speaker 2: My friend. Yeah yeah.

2916
02:37:07,160 --> 02:37:10,840
Speaker 4: So so anyway, so the mission now is to get

2917
02:37:10,959 --> 02:37:13,560
Speaker 4: Bob to record the to the to record the hook

2918
02:37:14,040 --> 02:37:16,119
Speaker 4: and pool Bears hook, pool Bear's hook.

2919
02:37:16,160 --> 02:37:19,240
Speaker 1: Okay, usually do other people's hook and pool Bears from

2920
02:37:19,280 --> 02:37:21,840
Speaker 1: the South. All right, So there's a certain inflection with

2921
02:37:22,000 --> 02:37:25,480
Speaker 1: his I made my own lane list broll.

2922
02:37:25,760 --> 02:37:27,840
Speaker 2: You know, there's a certain like, but that's there's an

2923
02:37:27,879 --> 02:37:31,640
Speaker 2: impaction rock usually done other people's like right for him?

2924
02:37:32,080 --> 02:37:33,760
Speaker 1: Is he used to? Yeah?

2925
02:37:33,840 --> 02:37:37,320
Speaker 4: Okay, I ain't know that Bob like Bob. Yeah, Bob

2926
02:37:37,400 --> 02:37:40,960
Speaker 4: got writers, Okay for sure. But that's the game, you

2927
02:37:41,000 --> 02:37:42,520
Speaker 4: know what I mean, That's is what it is, you know.

2928
02:37:42,680 --> 02:37:47,240
Speaker 4: So anyway, we brought we brought this hook to to

2929
02:37:47,840 --> 02:37:50,760
Speaker 4: to him and when I heard the recording, uh, Marshall

2930
02:37:50,840 --> 02:37:52,160
Speaker 4: insisted to record him.

2931
02:37:52,600 --> 02:37:56,440
Speaker 1: I want to record Bob engineer. Well, yeah, I want to.

2932
02:37:56,480 --> 02:37:58,720
Speaker 1: I want to vocalate. I want to vocally produced. I

2933
02:37:58,800 --> 02:38:01,440
Speaker 1: want to vocally produce Bob for this book and wants

2934
02:38:01,520 --> 02:38:03,480
Speaker 1: to h he wants to physically.

2935
02:38:04,120 --> 02:38:04,520
Speaker 2: I want to.

2936
02:38:04,520 --> 02:38:07,360
Speaker 4: Record Bob like they're in but they're both in Detroit. Hey,

2937
02:38:07,440 --> 02:38:08,440
Speaker 4: Bobby comes to the studio.

2938
02:38:09,080 --> 02:38:09,560
Speaker 1: Gill.

2939
02:38:10,280 --> 02:38:14,080
Speaker 4: Yeah, it's fucking epic. And then when I got the

2940
02:38:14,120 --> 02:38:19,280
Speaker 4: recording back, I was like, you're like, this, ain't it epic?

2941
02:38:19,400 --> 02:38:19,879
Speaker 1: Not epic?

2942
02:38:20,280 --> 02:38:21,600
Speaker 2: I was just like, this, ain't it man?

2943
02:38:22,680 --> 02:38:25,360
Speaker 4: Like it's it's this is not right, you know, and

2944
02:38:26,040 --> 02:38:31,039
Speaker 4: and like and and that became like a very hard discussion.

2945
02:38:31,879 --> 02:38:34,640
Speaker 4: It's very hard discussion between me and between me and Marshall.

2946
02:38:35,400 --> 02:38:38,560
Speaker 4: I had to call him personally, you know, and uh,

2947
02:38:39,640 --> 02:38:42,400
Speaker 4: but you know that's that's creativity. And I think, like,

2948
02:38:43,080 --> 02:38:44,119
Speaker 4: what was this conversation?

2949
02:38:44,280 --> 02:38:47,680
Speaker 1: Like what did you say? I said? This ain't it?

2950
02:38:48,400 --> 02:38:48,640
Speaker 2: Wow?

2951
02:38:49,959 --> 02:38:52,760
Speaker 1: You know, like it's like it's like pretty straightforward, Like

2952
02:38:53,520 --> 02:38:55,720
Speaker 1: I don't know what it is, man, but something is

2953
02:38:55,840 --> 02:38:59,480
Speaker 1: not right this this doesn't sound right, you know what

2954
02:38:59,520 --> 02:39:02,120
Speaker 1: I mean. There's something about it that doesn't sit right

2955
02:39:02,200 --> 02:39:05,040
Speaker 1: with me. As my message. This is my breakout single,

2956
02:39:05,320 --> 02:39:06,320
Speaker 1: what's going on? You know?

2957
02:39:06,360 --> 02:39:08,560
Speaker 4: I mean, like, and I was in the Florida Keys

2958
02:39:08,600 --> 02:39:10,840
Speaker 4: at the time on break just you know what I mean,

2959
02:39:11,760 --> 02:39:14,400
Speaker 4: man pacing for like two hours, man having a conversation

2960
02:39:14,560 --> 02:39:16,760
Speaker 4: and one of the hardest conversations I've ever had with anyone,

2961
02:39:17,400 --> 02:39:20,720
Speaker 4: you know. And but I will say this, if you're

2962
02:39:20,720 --> 02:39:22,800
Speaker 4: an artist, you know you're coming up, don't be afraid

2963
02:39:22,840 --> 02:39:23,000
Speaker 4: to have.

2964
02:39:23,040 --> 02:39:24,320
Speaker 1: A disagreement, you know what I mean.

2965
02:39:24,440 --> 02:39:26,640
Speaker 4: Like it's cool, you know what I mean, Like your

2966
02:39:26,720 --> 02:39:29,640
Speaker 4: your your elders will respect you for having an opinion

2967
02:39:29,720 --> 02:39:30,959
Speaker 4: now like they.

2968
02:39:30,920 --> 02:39:35,160
Speaker 1: Have the respectful opinion. Yeah, respectful opinion. Yeah. It's not

2969
02:39:35,280 --> 02:39:38,000
Speaker 1: like I wasn't dissing much, you know what I mean?

2970
02:39:38,080 --> 02:39:39,720
Speaker 1: I just was just like I don't like it, you.

2971
02:39:39,720 --> 02:39:41,800
Speaker 3: Know, so how does this happen? He has to go

2972
02:39:41,959 --> 02:39:45,200
Speaker 3: back to so we could rock. I don't want to go, Bob,

2973
02:39:45,240 --> 02:39:47,080
Speaker 3: I want to No, No, I just I just what

2974
02:39:47,240 --> 02:39:48,400
Speaker 3: what didn't you like about it?

2975
02:39:48,520 --> 02:39:52,320
Speaker 1: First of all, the mix, the mix that it was,

2976
02:39:52,400 --> 02:39:55,640
Speaker 1: the mix it was. It was the mix it was,

2977
02:39:55,959 --> 02:39:59,080
Speaker 1: it was the inflection of words, it was the way

2978
02:39:59,200 --> 02:40:02,280
Speaker 1: that it was. Everything about it was just so was

2979
02:40:02,320 --> 02:40:06,920
Speaker 1: it both vocals and the mix? Yeah, okay, so everything

2980
02:40:07,040 --> 02:40:09,840
Speaker 1: sucked everything.

2981
02:40:09,920 --> 02:40:13,320
Speaker 4: So I wouldn't say that it sucked. I would say

2982
02:40:13,400 --> 02:40:15,760
Speaker 4: that it didn't sit well with me and where I

2983
02:40:15,879 --> 02:40:16,640
Speaker 4: thought it should be.

2984
02:40:17,600 --> 02:40:20,960
Speaker 1: It sucked, Like, so what do you say? I was

2985
02:40:21,080 --> 02:40:24,160
Speaker 1: just like I thought it could be better. It didn't

2986
02:40:24,200 --> 02:40:26,879
Speaker 1: work for what you were doing. Yeah, so we set

2987
02:40:26,959 --> 02:40:29,520
Speaker 1: up this video to shoot, right, we get it off

2988
02:40:29,560 --> 02:40:30,400
Speaker 1: fixed sort of.

2989
02:40:30,440 --> 02:40:32,720
Speaker 4: The long is we came to terms. We made it

2990
02:40:32,760 --> 02:40:34,960
Speaker 4: what it was, you know what I mean. So we

2991
02:40:35,080 --> 02:40:37,040
Speaker 4: figured it out and that's what's up. That's what you

2992
02:40:37,120 --> 02:40:38,880
Speaker 4: do as a team, you know what I mean. Like

2993
02:40:39,080 --> 02:40:41,560
Speaker 4: it's all good. Like we figured it out and.

2994
02:40:43,440 --> 02:40:44,200
Speaker 1: End up doing a video.

2995
02:40:44,280 --> 02:40:48,640
Speaker 4: So we're doing a video with Cool Herk and Cool

2996
02:40:48,680 --> 02:40:52,480
Speaker 4: Heirk and Bob Kid Rock so me, Cool Hook and

2997
02:40:52,600 --> 02:40:55,320
Speaker 4: Kid Rock riding around Harlem, you know, and that was

2998
02:40:55,440 --> 02:40:59,600
Speaker 4: the Let's Roll video. But like as they're shooting, Herk

2999
02:40:59,720 --> 02:41:05,800
Speaker 4: is in my ear telling me that he gave birth

3000
02:41:06,120 --> 02:41:06,760
Speaker 4: to hip hop.

3001
02:41:07,000 --> 02:41:13,120
Speaker 1: Of course as he should. Okay, yeah, so do you

3002
02:41:13,280 --> 02:41:13,840
Speaker 1: say yes?

3003
02:41:14,200 --> 02:41:18,120
Speaker 4: No, no, no, no, dude, that's my of course. You

3004
02:41:18,240 --> 02:41:20,280
Speaker 4: know his words the Bible to me, you know what

3005
02:41:20,320 --> 02:41:22,760
Speaker 4: I mean? Like, what am I going to say? I'm

3006
02:41:22,800 --> 02:41:26,600
Speaker 4: just soaking it in. But I have heard Africa about Botta.

3007
02:41:26,520 --> 02:41:28,640
Speaker 1: No no, yeah, yeah, you know you're not wrong for

3008
02:41:28,760 --> 02:41:30,120
Speaker 1: what you're about to say.

3009
02:41:30,879 --> 02:41:35,600
Speaker 4: And I'll say this two. This is a complete and

3010
02:41:35,720 --> 02:41:37,279
Speaker 4: this is a healthy conversation.

3011
02:41:37,480 --> 02:41:39,640
Speaker 1: This is not an argument. I don't like. This is

3012
02:41:39,760 --> 02:41:41,480
Speaker 1: not my theory at all.

3013
02:41:41,600 --> 02:41:44,960
Speaker 4: This is just what I've heard in between talking to

3014
02:41:45,240 --> 02:41:49,360
Speaker 4: Couhirk right and and he was like, right, I'm talking

3015
02:41:49,400 --> 02:41:53,680
Speaker 4: about right there. He's like, right there, them apartments that

3016
02:41:53,959 --> 02:41:56,720
Speaker 4: block right there, that's where it happened, you know what

3017
02:41:56,760 --> 02:41:59,360
Speaker 4: I mean. And like we're filming, man, we're shooting a

3018
02:41:59,440 --> 02:42:03,080
Speaker 4: music video, but we're having a real conversation, and like

3019
02:42:03,280 --> 02:42:05,680
Speaker 4: it's like Bob and cool Herk and me and and

3020
02:42:05,800 --> 02:42:08,080
Speaker 4: and they're just giving me the whole fucking origins of

3021
02:42:08,120 --> 02:42:13,199
Speaker 4: everything as I'm cruising in a Cadillac like driving whose.

3022
02:42:13,000 --> 02:42:16,600
Speaker 1: Idea was to get to act like though you've got person.

3023
02:42:17,120 --> 02:42:20,320
Speaker 4: Well, I was trying to ask a little about while

3024
02:42:20,360 --> 02:42:24,000
Speaker 4: I'm like, you wanted to hear what he was saying, dude,

3025
02:42:24,160 --> 02:42:27,400
Speaker 4: Like this is such a moment, like what it's so

3026
02:42:27,600 --> 02:42:33,600
Speaker 4: much ship to soak up, right, So, I mean, I

3027
02:42:33,680 --> 02:42:38,160
Speaker 4: don't know if there's like a concrete answer to it all.

3028
02:42:38,640 --> 02:42:40,320
Speaker 1: It doesn't really matter because.

3029
02:42:40,200 --> 02:42:44,720
Speaker 4: It dives dives back deep, deep deep, And the more

3030
02:42:44,760 --> 02:42:47,240
Speaker 4: you the more you get into it, the further you

3031
02:42:47,520 --> 02:42:52,480
Speaker 4: know it all starts truth, right, It just it leaks leaks, leaks,

3032
02:42:52,560 --> 02:42:56,560
Speaker 4: leaks leaks down into this these things and ship. But

3033
02:42:56,680 --> 02:42:58,480
Speaker 4: I will say that was one of the most legendary

3034
02:42:58,520 --> 02:43:00,760
Speaker 4: moments I've ever had, Like riding around Cool Hirk and

3035
02:43:00,920 --> 02:43:03,879
Speaker 4: like him telling this story super legendar with Kid Rock

3036
02:43:04,959 --> 02:43:09,520
Speaker 4: with with kid Rock Bob, I can't call him Bob Okay,

3037
02:43:09,640 --> 02:43:11,360
Speaker 4: show what up Bob?

3038
02:43:12,480 --> 02:43:15,320
Speaker 1: How was Cool Hirk and kids Okay? I was just

3039
02:43:16,720 --> 02:43:20,360
Speaker 1: kid for us? I'm looking at Kid Rock their interaction.

3040
02:43:20,760 --> 02:43:23,360
Speaker 1: What was that interaction? Oh, dude, like Kid Rock and

3041
02:43:23,520 --> 02:43:27,840
Speaker 1: Cool Herk, we're like old friends. Really they were. They

3042
02:43:27,920 --> 02:43:30,520
Speaker 1: were really like tossing back and forth memories and like

3043
02:43:31,680 --> 02:43:35,040
Speaker 1: I was with each other. Oh yeah, oh yeah, yeah,

3044
02:43:35,080 --> 02:43:38,080
Speaker 1: yeah yeah, like kid Rock man, like that dude, he

3045
02:43:38,640 --> 02:43:42,000
Speaker 1: that dude, there's no joke man. He really really really

3046
02:43:42,160 --> 02:43:44,920
Speaker 1: immersed himself into the real ship, you know what I

3047
02:43:44,959 --> 02:43:45,600
Speaker 1: mean early on.

3048
02:43:46,560 --> 02:43:50,000
Speaker 2: So, so what's the discrepancy with with kid Rock now

3049
02:43:50,680 --> 02:43:54,040
Speaker 2: and hip hop where people think that he's gone off

3050
02:43:54,080 --> 02:43:55,720
Speaker 2: the rail because he doesn't make fucking.

3051
02:43:55,520 --> 02:43:58,200
Speaker 1: Hip hop because he's a Donald Trump supporter. That's the

3052
02:43:58,240 --> 02:43:59,760
Speaker 1: reason why I think that's.

3053
02:43:59,560 --> 02:44:01,840
Speaker 4: The only just don't make hip hop. It don't make

3054
02:44:02,080 --> 02:44:04,080
Speaker 4: hip hop music. Like what if you want to be

3055
02:44:04,120 --> 02:44:06,320
Speaker 4: relevant hip hop, make hip hop music, you know what

3056
02:44:06,360 --> 02:44:08,840
Speaker 4: I'm saying, Like I mean he makes rock and roll,

3057
02:44:08,920 --> 02:44:11,800
Speaker 4: he makes country music, he makes singer songwriter songs, just

3058
02:44:11,920 --> 02:44:15,720
Speaker 4: like if he wants to do a rap record, and

3059
02:44:16,640 --> 02:44:20,080
Speaker 4: but he made his fine, he can do that, he absolutely.

3060
02:44:19,720 --> 02:44:22,400
Speaker 1: But he made his chops in hip hop? Should he

3061
02:44:22,520 --> 02:44:24,720
Speaker 1: not give back to hip hop? He made his chop

3062
02:44:24,800 --> 02:44:25,080
Speaker 1: to him?

3063
02:44:25,320 --> 02:44:25,520
Speaker 2: Yeah?

3064
02:44:25,720 --> 02:44:28,080
Speaker 1: I thought it was also like nah, bro, he came

3065
02:44:28,160 --> 02:44:29,680
Speaker 1: in through hip hop? Bro for real?

3066
02:44:30,040 --> 02:44:32,720
Speaker 4: Yeah, man, fucking opening up like he said, opening up

3067
02:44:32,760 --> 02:44:33,320
Speaker 4: for too short?

3068
02:44:33,400 --> 02:44:35,880
Speaker 1: What he came in through hip hop? Give what you're saying.

3069
02:44:35,920 --> 02:44:38,000
Speaker 2: So my thing is just this, if you if hip

3070
02:44:38,040 --> 02:44:41,119
Speaker 2: hop gave you the opening, no matter where you went,

3071
02:44:41,760 --> 02:44:44,040
Speaker 2: you should always be hip hop and give back to

3072
02:44:44,160 --> 02:44:45,480
Speaker 2: hip hop my opinion.

3073
02:44:47,480 --> 02:44:49,600
Speaker 1: And how do you give back to hip hop? I

3074
02:44:49,640 --> 02:44:51,720
Speaker 1: don't know. I'm just saying I don't know.

3075
02:44:52,040 --> 02:44:55,720
Speaker 2: No, I can't. That's each individual to give back to. Okay,

3076
02:44:55,840 --> 02:44:57,560
Speaker 2: I don't know what the fuck you're gonna do. And

3077
02:44:57,680 --> 02:44:59,280
Speaker 2: you'll give fucking hip hop balloons. I don't know what

3078
02:44:59,320 --> 02:44:59,960
Speaker 2: the fuck you're gonna do.

3079
02:45:01,160 --> 02:45:03,640
Speaker 1: I just said I get music. I'm just saying that

3080
02:45:04,480 --> 02:45:07,080
Speaker 1: each person. But like it feels like kid Rock.

3081
02:45:07,040 --> 02:45:11,560
Speaker 2: Has gone further on where he's no longer even considered

3082
02:45:11,680 --> 02:45:15,680
Speaker 2: in the hip hop realm, right or wrong?

3083
02:45:16,959 --> 02:45:22,520
Speaker 4: Well, you're right, But I have a sentiment there as well.

3084
02:45:22,600 --> 02:45:26,920
Speaker 4: You know what I mean, I have a certain like

3085
02:45:27,400 --> 02:45:29,720
Speaker 4: I can relate you know what I'm saying to being

3086
02:45:29,840 --> 02:45:31,960
Speaker 4: written off. You know what I'm saying and pushed to

3087
02:45:32,040 --> 02:45:34,680
Speaker 4: the side to this like area, You know what I mean, Like,

3088
02:45:34,760 --> 02:45:35,640
Speaker 4: I don't know what that is.

3089
02:45:35,760 --> 02:45:36,879
Speaker 1: I don't know who writes you off.

3090
02:45:37,520 --> 02:45:37,920
Speaker 2: I don't know.

3091
02:45:38,200 --> 02:45:39,640
Speaker 1: I don't know who writes me off. If I could

3092
02:45:39,640 --> 02:45:40,879
Speaker 1: point him out, I knock him out.

3093
02:45:41,800 --> 02:45:43,920
Speaker 2: But you will never write yourself off from hip hop.

3094
02:45:44,000 --> 02:45:47,160
Speaker 2: This is the thing you yourself, would never write yourself

3095
02:45:47,160 --> 02:45:50,039
Speaker 2: off from hip hop. This isn't give a fuck who

3096
02:45:50,080 --> 02:45:52,600
Speaker 2: writes you off from hip hop? You are hip hop?

3097
02:45:52,640 --> 02:45:56,000
Speaker 2: All right? Thank you, thank you. My sentiment is that

3098
02:45:56,680 --> 02:45:58,800
Speaker 2: we know where we come from. Give a fuck who

3099
02:45:59,040 --> 02:46:00,240
Speaker 2: says we don't come from it?

3100
02:46:00,520 --> 02:46:00,920
Speaker 8: Right right?

3101
02:46:01,000 --> 02:46:03,120
Speaker 1: But if you come from it, then always be a

3102
02:46:03,200 --> 02:46:05,920
Speaker 1: part of it and get back to it. Yeah, extent

3103
02:46:06,080 --> 02:46:07,720
Speaker 1: you know what you know? I think too, is like

3104
02:46:07,920 --> 02:46:11,000
Speaker 1: if it's in you, it's in you forever, right Like,

3105
02:46:11,440 --> 02:46:14,400
Speaker 1: so if it leaves you, was it ever in you

3106
02:46:14,720 --> 02:46:17,880
Speaker 1: to begin with? It's a good point. So like if

3107
02:46:18,640 --> 02:46:21,320
Speaker 1: like this like, look, I'm a skateboarder. Man, I grew

3108
02:46:21,360 --> 02:46:24,880
Speaker 1: up skateboarding and righte graffiti and skateboarding is really written

3109
02:46:25,000 --> 02:46:27,560
Speaker 1: very close to hip hop. I may, yes, absolutely very

3110
02:46:27,600 --> 02:46:29,680
Speaker 1: close to it. But I may never ride by a spot.

3111
02:46:30,280 --> 02:46:33,640
Speaker 1: I may not skate for fucking two three years when

3112
02:46:33,680 --> 02:46:35,879
Speaker 1: I see a spot, I know a spot.

3113
02:46:36,920 --> 02:46:38,800
Speaker 2: I was the worst skater in the world, and I'm

3114
02:46:38,840 --> 02:46:39,520
Speaker 2: a skater till I.

3115
02:46:39,640 --> 02:46:45,520
Speaker 1: Die, exactly my dig That's like K pop man was

3116
02:46:45,760 --> 02:46:51,959
Speaker 1: I was Vision Street where nobody animal. I'm a skater, bro,

3117
02:46:53,440 --> 02:46:56,120
Speaker 1: the world is like a shot. Shot that shot.

3118
02:46:56,320 --> 02:46:56,800
Speaker 2: I'm a skater.

3119
02:46:57,040 --> 02:47:00,200
Speaker 1: I die. I'm claiming shot. It's the same ship not

3120
02:47:00,360 --> 02:47:02,280
Speaker 1: for real, Like if it's in you, it's in you

3121
02:47:02,360 --> 02:47:07,000
Speaker 1: for like, don't leave ship. We're taking shouts now. Look

3122
02:47:07,840 --> 02:47:10,800
Speaker 1: I about to call my mother. Why why what you

3123
02:47:10,879 --> 02:47:13,360
Speaker 1: all got to do with this man? Because I was

3124
02:47:13,440 --> 02:47:18,880
Speaker 1: a skateboarder, Bro, No, no skateboard. Look look what skateboard

3125
02:47:18,959 --> 02:47:25,119
Speaker 1: you had? He's like, he's like Nash, I was a skateboard.

3126
02:47:25,240 --> 02:47:30,160
Speaker 1: Skateboarders out there listening, I was marking Zales. That was

3127
02:47:30,200 --> 02:47:31,720
Speaker 1: my board markus. I don't know if you know that's

3128
02:47:31,840 --> 02:47:32,279
Speaker 1: I think.

3129
02:47:32,160 --> 02:47:35,199
Speaker 2: Pre dates marks the guns. He's one of the first

3130
02:47:35,280 --> 02:47:37,640
Speaker 2: street skaters, like popular street skaters.

3131
02:47:38,440 --> 02:47:42,840
Speaker 1: Yeah, I wasn't that type of street skateboarder. I was.

3132
02:47:43,160 --> 02:47:46,320
Speaker 2: Milita didn't know anything about He only knows public.

3133
02:47:46,760 --> 02:47:49,000
Speaker 1: Okay, wait, wait, you were a skater, so let's go

3134
02:47:49,440 --> 02:47:51,879
Speaker 1: beyond that. You want you want? You want to my mom? Yes,

3135
02:47:52,879 --> 02:47:55,440
Speaker 1: let's call the first person that ever gave me a

3136
02:47:56,160 --> 02:47:57,439
Speaker 1: professional skateboard.

3137
02:47:57,600 --> 02:48:03,680
Speaker 4: His name is Mario Rubert copp and Franklin, Tennessee. My

3138
02:48:03,760 --> 02:48:06,720
Speaker 4: boy saw me pushing around on a Nash skateboard that

3139
02:48:06,840 --> 02:48:08,760
Speaker 4: my mom could barely afford from Walmart.

3140
02:48:09,360 --> 02:48:11,600
Speaker 1: And that was a little plastic joints, right, yeah.

3141
02:48:11,720 --> 02:48:15,640
Speaker 4: And Mario Rubacabo was ali and over bikes on pro boards.

3142
02:48:15,720 --> 02:48:19,800
Speaker 4: He had landed in Franklin somehow. And Mario took me

3143
02:48:20,160 --> 02:48:23,119
Speaker 4: into the crib of my boys, and he saw my potential,

3144
02:48:23,200 --> 02:48:26,440
Speaker 4: and he saw my he saw my fucking passion, and

3145
02:48:26,560 --> 02:48:28,400
Speaker 4: he hooked me up with a complete and my life

3146
02:48:28,480 --> 02:48:32,240
Speaker 4: changed after that. And then you know, and in my life,

3147
02:48:32,560 --> 02:48:34,879
Speaker 4: I thought I was going to become a professional skateboarder.

3148
02:48:34,879 --> 02:48:37,440
Speaker 4: Actually that's all I wanted to be. Like hip hop

3149
02:48:37,600 --> 02:48:40,080
Speaker 4: just took over my world, like music took over my world.

3150
02:48:40,160 --> 02:48:42,520
Speaker 4: But I took off on a skate dream, you know

3151
02:48:42,560 --> 02:48:45,680
Speaker 4: what I mean. I skated Tampa am nineteen ninety seven.

3152
02:48:46,240 --> 02:48:50,199
Speaker 4: So like, shout out to man, to my skateboard family

3153
02:48:50,320 --> 02:48:55,880
Speaker 4: and especially John Newport, Rampert Street street skateboarder, yeah and everybody,

3154
02:48:56,120 --> 02:49:01,199
Speaker 4: all the early Atlanta scene and Yanks the boot loads

3155
02:49:02,760 --> 02:49:07,480
Speaker 4: because the reason I talk about her in the skateboard

3156
02:49:07,520 --> 02:49:09,680
Speaker 4: culture is because we loved her so much and like

3157
02:49:10,000 --> 02:49:12,080
Speaker 4: she you know, we all know, man, the relationship that

3158
02:49:12,160 --> 02:49:15,360
Speaker 4: we made along the way. But anyway, John Newport, thank

3159
02:49:15,440 --> 02:49:16,840
Speaker 4: you for busting me with this rag.

3160
02:49:17,040 --> 02:49:20,039
Speaker 3: But is it true that at one point you stopped

3161
02:49:20,080 --> 02:49:24,560
Speaker 3: drinking gang and you started smoking and just skateboarding, Like

3162
02:49:24,680 --> 02:49:27,760
Speaker 3: so you would just skateboard and smoke and you would

3163
02:49:27,800 --> 02:49:30,080
Speaker 3: do dabs before your shows.

3164
02:49:30,959 --> 02:49:32,320
Speaker 2: Yeah, yeah, that's all I was doing.

3165
02:49:32,440 --> 02:49:37,520
Speaker 1: That's all true. Yeah, yeah, I hate dads, that's all true.

3166
02:49:37,800 --> 02:49:40,840
Speaker 4: That for I tried to stop drinking and pick up smoking,

3167
02:49:40,959 --> 02:49:43,720
Speaker 4: and yeah, it's just a bad idea.

3168
02:49:43,760 --> 02:49:49,840
Speaker 1: Mean, mom, Jamie brings drinks. Just keep some drinks, man, Look, man,

3169
02:49:50,520 --> 02:49:58,280
Speaker 1: only over you holy just for the love we're this

3170
02:49:58,440 --> 02:49:58,920
Speaker 1: is it for me?

3171
02:49:59,160 --> 02:49:59,440
Speaker 2: All right?

3172
02:49:59,480 --> 02:50:01,199
Speaker 3: Cool to take these five more shots?

3173
02:50:02,080 --> 02:50:03,240
Speaker 1: More shots that you've done.

3174
02:50:03,280 --> 02:50:05,680
Speaker 3: I'll do all five for you if you want another

3175
02:50:05,760 --> 02:50:07,520
Speaker 3: way it worked, but I think we should see you

3176
02:50:07,680 --> 02:50:08,280
Speaker 3: see him on that.

3177
02:50:09,120 --> 02:50:13,760
Speaker 1: That's not the way I'm gonna hold myself down. But

3178
02:50:15,480 --> 02:50:17,680
Speaker 1: is that true? Is that true? Like like like you

3179
02:50:17,959 --> 02:50:19,279
Speaker 1: skate before your shows?

3180
02:50:20,440 --> 02:50:20,640
Speaker 2: Yeah?

3181
02:50:20,720 --> 02:50:22,920
Speaker 4: Yeah, for a while. I mean that's yeah, that's all

3182
02:50:22,959 --> 02:50:25,760
Speaker 4: I was doing. As matter of fact, when when the

3183
02:50:25,800 --> 02:50:29,000
Speaker 4: ship hit the fan, I fucking jumped off tour and

3184
02:50:29,360 --> 02:50:31,480
Speaker 4: uh I was going through tour Los Angeles.

3185
02:50:31,600 --> 02:50:33,960
Speaker 1: Jelly Row actually was on this tour. Jelly was opening

3186
02:50:34,040 --> 02:50:37,080
Speaker 1: up on this tour and struggle, and when I got

3187
02:50:37,080 --> 02:50:38,680
Speaker 1: to l A, I was like, man, I fucking done,

3188
02:50:38,840 --> 02:50:42,200
Speaker 1: torm Man, I'm over. I quit tour halfway and all

3189
02:50:42,240 --> 02:50:44,680
Speaker 1: I wanted to do was just skateboard. And I was

3190
02:50:44,760 --> 02:50:47,120
Speaker 1: just psyched out, man, Like you're still skate right now,

3191
02:50:47,480 --> 02:50:49,280
Speaker 1: Like just you know, the c.

3192
02:50:49,680 --> 02:50:53,120
Speaker 4: Always always, there's always I always got to complete somewhere around,

3193
02:50:53,160 --> 02:50:54,520
Speaker 4: you know, I'm pushing around around.

3194
02:50:54,879 --> 02:50:57,039
Speaker 1: I trade flipped the forest there the other day, which

3195
02:50:57,120 --> 02:50:57,640
Speaker 1: is pretty good.

3196
02:50:57,959 --> 02:50:58,560
Speaker 2: Out of that nowhere.

3197
02:50:59,320 --> 02:51:01,360
Speaker 1: Out of nowhere, I don't even know what language that was.

3198
02:51:02,280 --> 02:51:05,080
Speaker 1: He's doing some tricks that he should be done. I

3199
02:51:05,240 --> 02:51:07,279
Speaker 1: was dead for two days took me like seven tries,

3200
02:51:07,320 --> 02:51:09,480
Speaker 1: but I did it, and you fell on those tries.

3201
02:51:09,800 --> 02:51:15,760
Speaker 4: Oh that hate shit? Well anyway, it was, it's anyway,

3202
02:51:17,480 --> 02:51:18,400
Speaker 4: Where was I going with this?

3203
02:51:19,240 --> 02:51:21,240
Speaker 1: I don't know. We want to go well, I was

3204
02:51:21,280 --> 02:51:24,120
Speaker 1: going to drink all five of your shots. I mean,

3205
02:51:24,200 --> 02:51:31,520
Speaker 1: skater or die go ahead. But yeah, like that's been

3206
02:51:31,560 --> 02:51:33,959
Speaker 1: a common threat in my life. And I think you're

3207
02:51:34,320 --> 02:51:39,000
Speaker 1: so right to mention the intertwining of skateboarding and hip hops.

3208
02:51:40,160 --> 02:51:42,879
Speaker 4: It's very important, very important my life. It's very important

3209
02:51:42,879 --> 02:51:47,760
Speaker 4: to mention how like, okay, okay, how am I from Nashville, but.

3210
02:51:49,920 --> 02:51:55,400
Speaker 1: I'm hip on hieroglyphics in nineteen ninety three, Yah, did

3211
02:51:55,440 --> 02:51:58,840
Speaker 1: that happen? It was skateboarding. It was through skateboard videos

3212
02:51:58,879 --> 02:52:01,280
Speaker 1: and through skate culture and and all, let me tell

3213
02:52:01,280 --> 02:52:01,879
Speaker 1: you mixed taste.

3214
02:52:01,879 --> 02:52:04,520
Speaker 2: They were coming through hip hop and skateboarding has been

3215
02:52:04,560 --> 02:52:11,040
Speaker 2: synonymous forever. But who made it mainstream and acceptable? Was

3216
02:52:11,120 --> 02:52:15,320
Speaker 2: odd future? Our future?

3217
02:52:15,520 --> 02:52:18,840
Speaker 1: No Tyler, I gotta say, Loupe Plaskow. No, no, no, no,

3218
02:52:19,080 --> 02:52:22,440
Speaker 1: no no no, he didn't he didn't know that. We

3219
02:52:22,520 --> 02:52:25,600
Speaker 1: didn't skaters. We didn't respect that you was a skater.

3220
02:52:27,520 --> 02:52:31,880
Speaker 2: Remember the skate bro I just told you that. No,

3221
02:52:32,720 --> 02:52:34,840
Speaker 2: you're you're you're you're keeping it.

3222
02:52:34,920 --> 02:52:35,720
Speaker 1: G you're keeping it.

3223
02:52:35,760 --> 02:52:37,600
Speaker 2: Really, I mean, look the clown like I told you

3224
02:52:37,720 --> 02:52:41,920
Speaker 2: I was, but I was a skater but still nonetheless becau.

3225
02:52:42,760 --> 02:52:44,440
Speaker 1: It's just church bro, I have my markets.

3226
02:52:44,520 --> 02:52:46,320
Speaker 2: I got my markets on this board in my room

3227
02:52:46,400 --> 02:52:49,959
Speaker 2: right now, in my office, right up, one hundred percent.

3228
02:52:51,000 --> 02:52:54,840
Speaker 2: I was Vision Street wearing all watching skate videos all

3229
02:52:54,920 --> 02:52:55,320
Speaker 2: day long.

3230
02:52:55,840 --> 02:52:58,800
Speaker 1: Terrible skater, though, terrible skater. I think that they I

3231
02:52:58,879 --> 02:53:03,760
Speaker 1: think that they did an excellent job, yes, but that

3232
02:53:03,879 --> 02:53:07,240
Speaker 1: didn't do it just being themselves. Man, Push Push was

3233
02:53:07,280 --> 02:53:08,760
Speaker 1: not respected in the skating.

3234
02:53:08,800 --> 02:53:08,959
Speaker 5: Come.

3235
02:53:09,000 --> 02:53:10,840
Speaker 1: Look, man, when you skate, you just skate. You don't

3236
02:53:10,840 --> 02:53:12,360
Speaker 1: talk about it, right, that's it.

3237
02:53:12,760 --> 02:53:15,080
Speaker 2: And our future was just our future, and it had

3238
02:53:15,120 --> 02:53:15,880
Speaker 2: to be they had.

3239
02:53:17,840 --> 02:53:21,320
Speaker 1: I've been, man, I was around way way early, you

3240
02:53:21,360 --> 02:53:23,720
Speaker 1: know what I mean, Like when I was. Wasn't he

3241
02:53:23,760 --> 02:53:28,720
Speaker 1: a skater? Yeah, but still that's still was. He wasn't respecting, no, no.

3242
02:53:28,840 --> 02:53:29,080
Speaker 5: He no.

3243
02:53:29,200 --> 02:53:32,120
Speaker 2: What he did is he sponsored skate teams. He had

3244
02:53:32,240 --> 02:53:40,000
Speaker 2: real teams, but he was not respecting necessarily, huh.

3245
02:53:41,000 --> 02:53:43,320
Speaker 3: The way he was already platinum and the way he

3246
02:53:43,360 --> 02:53:47,000
Speaker 3: had to learn to skates later on he taught himself

3247
02:53:47,040 --> 02:53:50,240
Speaker 3: to skate, but I give little way is real.

3248
02:53:50,400 --> 02:53:52,880
Speaker 1: He really was in his heart a skater, but he

3249
02:53:52,959 --> 02:53:56,760
Speaker 1: had to go through the motions. Listen, if you love skateboarding,

3250
02:53:56,840 --> 02:54:00,600
Speaker 1: then skate It's not it's not as you're good or

3251
02:54:00,680 --> 02:54:05,000
Speaker 1: bad exactly. Yeah, that is just a personal expression and

3252
02:54:05,160 --> 02:54:07,160
Speaker 1: like it's all good. If you love skateboarding, I don't

3253
02:54:07,160 --> 02:54:09,320
Speaker 1: give a fuck if you discover it when you're five.

3254
02:54:09,280 --> 02:54:12,400
Speaker 4: Old or thirty years old. If you trun love it

3255
02:54:12,440 --> 02:54:15,280
Speaker 4: and you're into it, be about it. Just don't fake

3256
02:54:15,360 --> 02:54:16,160
Speaker 4: the funk, that's all.

3257
02:54:17,320 --> 02:54:22,440
Speaker 1: Don't be a poser, bro. Yeah, I mean, dude, address

3258
02:54:22,520 --> 02:54:30,240
Speaker 1: me ass. But skateboarding and through John Newport, who I

3259
02:54:30,280 --> 02:54:34,760
Speaker 1: grew up skateboarding with, is in a long stream of connections.

3260
02:54:34,840 --> 02:54:37,560
Speaker 1: The reason why I ended up with this Drenk Champs.

3261
02:54:42,120 --> 02:54:45,680
Speaker 1: So it all connects, and something it does it does connect.

3262
02:54:45,840 --> 02:54:51,000
Speaker 1: Let's talk about Trump music one, two, and three. Do

3263
02:54:51,160 --> 02:54:51,920
Speaker 1: Trump fuck with you?

3264
02:54:52,959 --> 02:54:53,200
Speaker 5: Do? What?

3265
02:54:53,520 --> 02:54:57,080
Speaker 20: Do Trump fuck with you? But it's trunk do Trump?

3266
02:54:57,200 --> 02:55:01,000
Speaker 20: It's not Trump Trump Trump? D you know no, no

3267
02:55:01,320 --> 02:55:04,120
Speaker 20: I know this Trump, But I'm saying Trump with you.

3268
02:55:04,680 --> 02:55:08,160
Speaker 1: I with it, No, I fuck with this question because

3269
02:55:08,200 --> 02:55:12,720
Speaker 1: you know what you know, it's very close with this question.

3270
02:55:12,959 --> 02:55:13,560
Speaker 1: I with this.

3271
02:55:17,360 --> 02:55:19,800
Speaker 2: Because you know, you know, with everybody.

3272
02:55:21,320 --> 02:55:24,959
Speaker 3: Trump fucking with everybody right now?

3273
02:55:25,080 --> 02:55:26,960
Speaker 1: Okay, I'm a little scared to check my phone.

3274
02:55:27,040 --> 02:55:30,360
Speaker 3: I've got some un known callers, and I'm like, I'm

3275
02:55:30,480 --> 02:55:32,040
Speaker 3: not sure because I don't know.

3276
02:55:32,040 --> 02:55:36,400
Speaker 1: I say, no, I'm being honest. Good, I went too far? Man,

3277
02:55:37,480 --> 02:55:38,760
Speaker 1: Does Trump fuck with me?

3278
02:55:38,959 --> 02:55:39,240
Speaker 2: Okay?

3279
02:55:39,560 --> 02:55:44,000
Speaker 1: The Trump with the trunk? Okay, listen, there's Trump. That's

3280
02:55:44,040 --> 02:55:48,800
Speaker 1: an interesting question being that I'm literally one degree away

3281
02:55:48,879 --> 02:55:50,560
Speaker 1: from Donald Trump, which is Bob.

3282
02:55:51,560 --> 02:55:59,120
Speaker 21: What Bob is out there? He's their homies? Is their homies?

3283
02:55:59,520 --> 02:56:04,560
Speaker 21: I mean they're homies, Like, what's up the show me? Listen, listen,

3284
02:56:04,680 --> 02:56:05,760
Speaker 21: absolutely like they're friends.

3285
02:56:05,840 --> 02:56:06,080
Speaker 2: Okay.

3286
02:56:06,680 --> 02:56:09,879
Speaker 1: So being that I'm like literally one degree away away

3287
02:56:11,000 --> 02:56:13,640
Speaker 1: and I and I recently also like for the past

3288
02:56:13,680 --> 02:56:16,359
Speaker 1: three years, I've been golfing. It's my new obsession.

3289
02:56:16,400 --> 02:56:16,840
Speaker 2: I golf.

3290
02:56:17,040 --> 02:56:21,320
Speaker 1: I golf everywhere the motherfuckers. I love it. You can't

3291
02:56:21,400 --> 02:56:23,320
Speaker 1: peel me off the course. I'd be golfing if I

3292
02:56:23,440 --> 02:56:30,600
Speaker 1: wasn't here for you golfing golf? What's up calling the

3293
02:56:30,680 --> 02:56:34,600
Speaker 1: way I'm trying to go golfing? DJ, You're just out

3294
02:56:34,640 --> 02:56:38,280
Speaker 1: there neidnam Man. Okay, ready, I just go let's go.

3295
02:56:39,680 --> 02:56:42,680
Speaker 4: What do you I don't go golfing, So you're not

3296
02:56:42,879 --> 02:56:44,360
Speaker 4: You're not chasing because you don't golf.

3297
02:56:45,160 --> 02:56:56,560
Speaker 22: Here's here's the skateboarding you mother, you can't get.

3298
02:56:58,200 --> 02:57:02,640
Speaker 3: Yeah, you're good, you're good talking about golfing. You and

3299
02:57:02,720 --> 02:57:03,760
Speaker 3: Donald Trump went golfing.

3300
02:57:04,120 --> 02:57:05,600
Speaker 1: No, no, no, that's not.

3301
02:57:11,080 --> 02:57:14,240
Speaker 4: What I said was I'm one degree away because golfing

3302
02:57:14,320 --> 02:57:18,840
Speaker 4: has afforded me into these man, golfing is like, first

3303
02:57:18,840 --> 02:57:22,000
Speaker 4: of all, it's incredible, but you just end up in

3304
02:57:22,160 --> 02:57:26,240
Speaker 4: situations where people, you know, you and Bob wouldn't wouldn't

3305
02:57:26,320 --> 02:57:27,680
Speaker 4: wouldn't imagine that you would.

3306
02:57:27,920 --> 02:57:29,800
Speaker 2: You know, let's just be real, you know what I mean.

3307
02:57:30,600 --> 02:57:37,520
Speaker 1: Look, Creek Water is in Walmart right now. Get back second, motherfucker. No, no, no,

3308
02:57:37,920 --> 02:57:41,080
Speaker 1: sea like a motherfucker right now. I'm telling you. No,

3309
02:57:41,480 --> 02:57:44,360
Speaker 1: I'm just trying to put I'm trying to put it together. Okay,

3310
02:57:44,480 --> 02:57:49,360
Speaker 1: So golf and Moster energy drink is really good for golf. No,

3311
02:57:49,680 --> 02:57:50,520
Speaker 1: there's a connection.

3312
02:57:51,360 --> 02:57:55,800
Speaker 4: Not bullshitters in Walmart right now because my boy Stuart Walton,

3313
02:57:56,280 --> 02:57:59,400
Speaker 4: the uh the Walton family.

3314
02:58:00,160 --> 02:58:02,320
Speaker 1: Well, I didn't know at the time. Te teed off

3315
02:58:02,720 --> 02:58:08,080
Speaker 1: to Daddy's lambeau, and his next question, his younger sister

3316
02:58:08,320 --> 02:58:10,800
Speaker 1: was like, look, look just so you know what does

3317
02:58:10,840 --> 02:58:17,039
Speaker 1: that say right there? Daddy's lamb off to Daddy's lambeau

3318
02:58:17,800 --> 02:58:20,119
Speaker 1: right and his sister was like, oh, I know I'm

3319
02:58:20,160 --> 02:58:21,480
Speaker 1: bringing to your private party.

3320
02:58:22,080 --> 02:58:27,040
Speaker 4: So the whole connection, with that whole connection all sparn

3321
02:58:27,120 --> 02:58:29,680
Speaker 4: from golf. Like it was like golf that that brought

3322
02:58:30,320 --> 02:58:32,640
Speaker 4: that that to make happen, man, Like you know what

3323
02:58:32,640 --> 02:58:33,120
Speaker 4: I'm saying, Like.

3324
02:58:33,320 --> 02:58:34,000
Speaker 2: Make this happen.

3325
02:58:34,840 --> 02:58:36,640
Speaker 1: It was part of the story, you know what I'm saying.

3326
02:58:36,720 --> 02:58:41,640
Speaker 4: Like Stuart Walton, Walton family, Walmart okay teed off to

3327
02:58:41,760 --> 02:58:43,199
Speaker 4: Daddy's lambeau my song.

3328
02:58:43,760 --> 02:58:46,480
Speaker 1: Wow, So he was playing golf, you know what I'm saying.

3329
02:58:46,520 --> 02:58:48,760
Speaker 1: So like a lot of magic happens on the golf course,

3330
02:58:48,920 --> 02:58:52,080
Speaker 1: like when people like people say, like people play music

3331
02:58:52,160 --> 02:58:54,000
Speaker 1: on the golf course like that. Yeah, I didn't know

3332
02:58:54,040 --> 02:58:58,040
Speaker 1: that there fucking hell, yeah, this ship, I don't know that.

3333
02:58:59,240 --> 02:59:05,240
Speaker 2: I don't know. I don't know that, y'all so crazy shit, Yo,

3334
02:59:05,360 --> 02:59:07,360
Speaker 2: I don't know who speakers in the fucking grass.

3335
02:59:07,480 --> 02:59:10,120
Speaker 1: Nay, No, it's a lot like yo, you know what

3336
02:59:10,240 --> 02:59:13,280
Speaker 1: it is? Mine is skateboarding like all over again.

3337
02:59:13,400 --> 02:59:15,320
Speaker 4: So it's me and my boys out there talking ship,

3338
02:59:15,800 --> 02:59:20,560
Speaker 4: playing music, smoking, drinking, hitting good shots, hitting bad shots. Dude,

3339
02:59:20,600 --> 02:59:25,080
Speaker 4: it's fucking the best. It's the best. But so I

3340
02:59:25,160 --> 02:59:27,960
Speaker 4: played on this, okay, So back to the Trump thing, Yes,

3341
02:59:28,240 --> 02:59:28,920
Speaker 4: I would like to hear it.

3342
02:59:29,000 --> 02:59:29,560
Speaker 1: So I played on.

3343
02:59:29,640 --> 02:59:32,640
Speaker 4: I played on this course called Troubadour, right, And it's

3344
02:59:32,680 --> 02:59:34,600
Speaker 4: a beautiful course in Tennessee.

3345
02:59:34,680 --> 02:59:35,400
Speaker 2: Beautiful course.

3346
02:59:36,400 --> 02:59:40,320
Speaker 4: And uh there's a lot of like powerful people with

3347
02:59:40,440 --> 02:59:46,160
Speaker 4: pieces of real estate on this golf course. And you know,

3348
02:59:46,280 --> 02:59:50,560
Speaker 4: I thought, you know, at some point when when you

3349
02:59:50,959 --> 02:59:53,520
Speaker 4: like analyze like how close am I?

3350
02:59:53,640 --> 02:59:56,400
Speaker 1: And how how scary could that be?

3351
02:59:56,720 --> 02:59:57,200
Speaker 2: You know what I mean?

3352
02:59:57,360 --> 02:59:59,640
Speaker 1: Like what does this mean for me? You know what

3353
02:59:59,640 --> 03:00:08,360
Speaker 1: I mean? Like does it? I'm I've never voted, but

3354
03:00:08,879 --> 03:00:09,920
Speaker 1: I've never voted.

3355
03:00:09,720 --> 03:00:10,280
Speaker 2: In my life.

3356
03:00:10,920 --> 03:00:13,880
Speaker 1: Man, come on, bro, well the funk off. I have

3357
03:00:13,959 --> 03:00:17,040
Speaker 1: a right not to vote. This is American, right, America.

3358
03:00:19,400 --> 03:00:23,360
Speaker 1: I've never voted, you know what I mean? It's all good? Well,

3359
03:00:23,480 --> 03:00:26,080
Speaker 1: I mean, what what you study the I don't study.

3360
03:00:27,800 --> 03:00:30,040
Speaker 1: I studied hip. I study music. That's what I do.

3361
03:00:30,200 --> 03:00:35,040
Speaker 1: I like that vote on me? All right, take a vote.

3362
03:00:36,360 --> 03:00:37,400
Speaker 1: Here's a vote the vote.

3363
03:00:37,640 --> 03:00:39,920
Speaker 4: You know what I mean, Like, there's there's plenty of

3364
03:00:39,959 --> 03:00:42,200
Speaker 4: people that are more educated than me that deserve the

3365
03:00:42,280 --> 03:00:45,240
Speaker 4: right to vote than I do. If I go into

3366
03:00:45,280 --> 03:00:48,760
Speaker 4: a situation uneducated and vote, it's it's worthless.

3367
03:00:48,840 --> 03:00:50,760
Speaker 1: What am I? I'm not educated on these people. I

3368
03:00:50,800 --> 03:00:52,119
Speaker 1: don't know the candidates.

3369
03:00:52,320 --> 03:00:52,960
Speaker 3: I don't study it.

3370
03:00:53,200 --> 03:00:54,560
Speaker 1: Okay, okay, I get it. You know what I'm saying.

3371
03:00:54,879 --> 03:00:57,360
Speaker 1: This is all year, this is happening, and take a vote.

3372
03:00:57,360 --> 03:01:02,360
Speaker 1: I'm like, I don't they also either way, but right,

3373
03:01:05,800 --> 03:01:06,280
Speaker 1: it's true.

3374
03:01:07,320 --> 03:01:08,120
Speaker 2: Where am I going with this?

3375
03:01:09,000 --> 03:01:13,760
Speaker 1: I just we never know, but we end wherever you're going.

3376
03:01:13,879 --> 03:01:16,040
Speaker 1: So you don't vote, go yeah, No, it's not that

3377
03:01:16,160 --> 03:01:19,240
Speaker 1: I don't vote. I said, I have never voted. That's

3378
03:01:19,720 --> 03:01:23,760
Speaker 1: that's but this is the year. I might vote one day.

3379
03:01:23,879 --> 03:01:24,240
Speaker 1: I don't know.

3380
03:01:24,440 --> 03:01:27,600
Speaker 4: Motherfuckers Like, I'm like, yeah with him, that's just tight,

3381
03:01:27,920 --> 03:01:32,000
Speaker 4: and like yeah, I like that guy being knowng you know,

3382
03:01:32,160 --> 03:01:34,160
Speaker 4: like whatever, but this year?

3383
03:01:34,200 --> 03:01:38,840
Speaker 1: Are you going to vote? This year? No, we're talking

3384
03:01:38,879 --> 03:01:41,200
Speaker 1: about Bob. I guess this is what we're going maga.

3385
03:01:43,680 --> 03:01:46,039
Speaker 3: You know Bob likes you know what, Let's just throw

3386
03:01:46,080 --> 03:01:49,200
Speaker 3: it out whether I don't know, man, what the hell

3387
03:01:49,360 --> 03:01:51,560
Speaker 3: is that well my wife ship.

3388
03:01:51,800 --> 03:01:55,520
Speaker 4: Now, whether this is to be bullshit or not, like

3389
03:01:55,760 --> 03:01:58,600
Speaker 4: you know, take what you want whatever, we're being real,

3390
03:01:58,640 --> 03:01:59,560
Speaker 4: you know, let's be real.

3391
03:01:59,640 --> 03:02:02,760
Speaker 1: Let's just be well, I'm always fucking real. But I'm

3392
03:02:02,760 --> 03:02:05,080
Speaker 1: saying like we're just like growing ups. Like I believe,

3393
03:02:05,200 --> 03:02:07,600
Speaker 1: like if if you and I are having a conversation

3394
03:02:07,800 --> 03:02:10,640
Speaker 1: and like at dinner, you know what I mean, And

3395
03:02:11,640 --> 03:02:14,080
Speaker 1: I have a certain like idea about how I like

3396
03:02:14,160 --> 03:02:16,960
Speaker 1: to live and stuff, and you're you're you're the party

3397
03:02:17,120 --> 03:02:19,440
Speaker 1: and in the group that is a political that is

3398
03:02:19,560 --> 03:02:23,760
Speaker 1: politically educated, right, and that influence of what.

3399
03:02:23,840 --> 03:02:26,040
Speaker 4: I'm going to talk about is going to influence your vote,

3400
03:02:26,360 --> 03:02:29,160
Speaker 4: you know what I mean. And that's that's that's cool,

3401
03:02:29,320 --> 03:02:31,720
Speaker 4: you know what I'm saying, Like it's hard for me

3402
03:02:31,840 --> 03:02:34,560
Speaker 4: to fucking pick somebody that if I'm not educated in it,

3403
03:02:35,160 --> 03:02:38,560
Speaker 4: I feel stupid having a conversation about it.

3404
03:02:38,680 --> 03:02:40,120
Speaker 1: Like what the fuck I don't know? I want to

3405
03:02:40,160 --> 03:02:42,400
Speaker 1: talk about that ship? You just don't want to talk

3406
03:02:42,400 --> 03:02:44,720
Speaker 1: about politics. You want me to put the whole country

3407
03:02:44,800 --> 03:02:46,959
Speaker 1: in jobty for some ship that I don't even know about.

3408
03:02:47,000 --> 03:02:48,560
Speaker 2: I don't know, not get you can be like I

3409
03:02:48,640 --> 03:02:50,400
Speaker 2: don't want to talk about this. I don't really understand

3410
03:02:50,440 --> 03:02:54,680
Speaker 2: the bullshit. Fuck the bullshit. All right, this is an

3411
03:02:54,840 --> 03:02:57,560
Speaker 2: edits what we're gonna take Jeneral Trump out.

3412
03:02:58,040 --> 03:02:59,280
Speaker 1: I'm gonna give a fuck about that.

3413
03:02:59,480 --> 03:02:59,920
Speaker 3: It's just like.

3414
03:03:01,920 --> 03:03:02,520
Speaker 2: Politics.

3415
03:03:03,080 --> 03:03:05,760
Speaker 1: I don't want to go. We got no shoe politics,

3416
03:03:05,879 --> 03:03:09,600
Speaker 1: we got no good choice. We're all somebody goddamn politics either.

3417
03:03:10,200 --> 03:03:14,199
Speaker 1: We went off the rails with the ship. Fine, let's

3418
03:03:14,240 --> 03:03:16,200
Speaker 1: let's speak that. Let's be.

3419
03:03:16,360 --> 03:03:25,280
Speaker 9: Let's let's be do you you don't call me somebody, listen,

3420
03:03:25,400 --> 03:03:27,120
Speaker 9: my wife just came here. I just want you to know.

3421
03:03:27,400 --> 03:03:30,360
Speaker 3: I'm officially inducted into the White Rock and Roll Hall

3422
03:03:30,400 --> 03:03:30,760
Speaker 3: of Fame.

3423
03:03:31,440 --> 03:03:35,320
Speaker 1: As nor read the dude, I am now the dude.

3424
03:03:35,480 --> 03:03:44,240
Speaker 1: You don't give your sensory of white rock clean for you,

3425
03:03:46,040 --> 03:03:48,400
Speaker 1: clean for you, and do not give it to And

3426
03:03:48,520 --> 03:03:53,920
Speaker 1: he's like he's he's going to Tim. I don't know.

3427
03:03:54,000 --> 03:03:57,240
Speaker 3: I've never seen your dude pass, just like we've never

3428
03:03:57,320 --> 03:03:58,400
Speaker 3: seen just skating back.

3429
03:03:59,600 --> 03:04:01,480
Speaker 1: You see, Kapore.

3430
03:04:02,680 --> 03:04:04,960
Speaker 2: Look, can't even make you know.

3431
03:04:09,000 --> 03:04:14,800
Speaker 1: I have story about yeah, no, I have a really

3432
03:04:14,920 --> 03:04:18,200
Speaker 1: funny story about power. This is like about how close

3433
03:04:18,280 --> 03:04:19,560
Speaker 1: you could be to power?

3434
03:04:19,760 --> 03:04:20,119
Speaker 2: All right?

3435
03:04:20,320 --> 03:04:27,240
Speaker 1: Okay, and oh man, oh god. A couple of Christmases ago,

3436
03:04:28,240 --> 03:04:33,879
Speaker 1: like Bob and I have had d please okay, kid, rock,

3437
03:04:34,600 --> 03:04:35,600
Speaker 1: Bob and I have.

3438
03:04:36,879 --> 03:04:38,920
Speaker 4: He's he big brothers me a lot, you know what

3439
03:04:38,920 --> 03:04:41,960
Speaker 4: I'm saying. So there's like always heated moments, you know

3440
03:04:41,959 --> 03:04:45,800
Speaker 4: what I mean, like gets hot sometimes mother, you know,

3441
03:04:46,160 --> 03:04:50,200
Speaker 4: like we have these moments. We got heated one night

3442
03:04:50,959 --> 03:04:54,879
Speaker 4: and I was like, it's like Christmas, right what.

3443
03:04:55,440 --> 03:04:59,520
Speaker 1: You would Rock had an argument on? Yeah, yeah, because well.

3444
03:04:59,440 --> 03:05:02,480
Speaker 4: I found out my my wife at the time, who

3445
03:05:02,520 --> 03:05:06,480
Speaker 4: I was separated with, was kicking it over there. Okay,

3446
03:05:07,080 --> 03:05:12,040
Speaker 4: like it was warn us your ex wife again, but

3447
03:05:12,200 --> 03:05:16,360
Speaker 4: like they're family. It's don't I'm saying, we don't accept

3448
03:05:16,400 --> 03:05:20,480
Speaker 4: it now, He's not. You cannot accept this, No, no,

3449
03:05:20,840 --> 03:05:24,680
Speaker 4: I do all right. But it was Christmas and I

3450
03:05:24,840 --> 03:05:27,320
Speaker 4: was fucking hammered and it was snowing outside and it

3451
03:05:27,440 --> 03:05:30,960
Speaker 4: was pissed and fucking you know all this ship and

3452
03:05:31,680 --> 03:05:32,240
Speaker 4: I called him.

3453
03:05:32,480 --> 03:05:35,680
Speaker 1: You know, I was like, yo, motherfucking motherfucking you know

3454
03:05:35,680 --> 03:05:36,039
Speaker 1: what I'm saying.

3455
03:05:36,080 --> 03:05:40,600
Speaker 4: I started going going off and dude, that night, I'm

3456
03:05:40,640 --> 03:05:44,000
Speaker 4: not shipping you. A bomb went off on Second Avenue

3457
03:05:44,080 --> 03:05:48,880
Speaker 4: in Nashville, Tennessee. And at this time I'm living in Tennessee. Nashville, Tennessee.

3458
03:05:50,120 --> 03:05:51,600
Speaker 4: No like downtown the key.

3459
03:05:51,879 --> 03:05:54,480
Speaker 1: Do you remember the news about the bomb that went

3460
03:05:54,560 --> 03:05:55,560
Speaker 1: off on Second Avenue?

3461
03:05:55,600 --> 03:05:58,040
Speaker 4: Do you remember hearing about that somebody parked a winter

3462
03:05:58,120 --> 03:06:02,640
Speaker 4: bagel outside of Yes, the Yeah, I was downtown when

3463
03:06:02,680 --> 03:06:06,960
Speaker 4: that happened, like like wake like I was there, you know,

3464
03:06:07,480 --> 03:06:13,000
Speaker 4: And but the night before I had you know, dude,

3465
03:06:13,080 --> 03:06:17,520
Speaker 4: the next day at f came to my door a

3466
03:06:17,760 --> 03:06:19,640
Speaker 4: deep blue jackets.

3467
03:06:20,840 --> 03:06:25,360
Speaker 1: Yellow at my door, blue jackets, yellow yellers, yellow letters.

3468
03:06:25,959 --> 03:06:33,000
Speaker 1: Yeah at l okay, okay, you're fucking me up something

3469
03:06:34,520 --> 03:06:42,080
Speaker 1: so late bugs. They pulled up and are you mister eight? Yeah?

3470
03:06:42,840 --> 03:06:43,400
Speaker 2: Can we come in?

3471
03:06:44,440 --> 03:06:47,640
Speaker 1: I mean yeah, boy, my heart was in my shoes.

3472
03:06:47,879 --> 03:06:49,959
Speaker 2: Bro. I was like what the fuck?

3473
03:06:51,280 --> 03:06:55,640
Speaker 1: They said, Uh, have you had any confrontations lately? And

3474
03:06:55,800 --> 03:06:56,200
Speaker 1: I was like.

3475
03:06:58,480 --> 03:07:03,280
Speaker 4: No, I mean nah, not that I can remember. And

3476
03:07:03,360 --> 03:07:08,440
Speaker 4: they were like, uh, what about a Bobby? And I

3477
03:07:08,520 --> 03:07:09,959
Speaker 4: was like I was like, what's what do you mean?

3478
03:07:10,640 --> 03:07:14,800
Speaker 4: And he said, uh Bobby. I was like, you can

3479
03:07:15,040 --> 03:07:20,280
Speaker 4: rock Bob. That that bob you're talking about, like yeah him?

3480
03:07:21,240 --> 03:07:24,320
Speaker 4: And I was like, I mean, yeah, I got no.

3481
03:07:24,440 --> 03:07:28,040
Speaker 1: Argument with him last night, but what's the connection here?

3482
03:07:29,200 --> 03:07:31,440
Speaker 4: And I was like, did you have anything to do

3483
03:07:31,680 --> 03:07:37,160
Speaker 4: with the bombing one second Avenue? And I was like,

3484
03:07:40,440 --> 03:07:44,880
Speaker 4: I was like, I was like, first of all, Bob's

3485
03:07:44,920 --> 03:07:49,320
Speaker 4: place is on Broadway. That's way away for second Avenue

3486
03:07:49,400 --> 03:07:52,680
Speaker 4: was second of all, I ain't no fucking terrorist motherfucker,

3487
03:07:53,000 --> 03:07:56,360
Speaker 4: like you know what I'm saying, but that but that

3488
03:07:56,600 --> 03:07:58,880
Speaker 4: was so shocking to me, like that that fucking like

3489
03:07:59,000 --> 03:08:03,320
Speaker 4: how like careful with this ship, y'all. Careful what you say,

3490
03:08:03,480 --> 03:08:05,920
Speaker 4: care for what you do, because there's some you know,

3491
03:08:06,200 --> 03:08:09,600
Speaker 4: you could have a simple argument with someone and like

3492
03:08:09,760 --> 03:08:12,280
Speaker 4: over the phone and some other ship happened around the corner.

3493
03:08:13,720 --> 03:08:17,360
Speaker 4: They got you you know what I'm saying, and then

3494
03:08:17,440 --> 03:08:19,480
Speaker 4: and they and they'll come tap in that. So that

3495
03:08:19,720 --> 03:08:22,520
Speaker 4: was like like you know, like so so kid rock

3496
03:08:22,600 --> 03:08:27,200
Speaker 4: phone is tapped. For sure, My ships tapped for sure.

3497
03:08:27,400 --> 03:08:32,160
Speaker 1: For sure. Let's take a picture show. But but I

3498
03:08:32,320 --> 03:08:34,280
Speaker 1: just I just know that, like you know, like you

3499
03:08:34,400 --> 03:08:37,840
Speaker 1: get like close to like like you know what I'm saying,

3500
03:08:37,959 --> 03:08:41,520
Speaker 1: people who move and shake, man, and then they'll they'll

3501
03:08:41,600 --> 03:08:44,720
Speaker 1: definitely wake you up if you're sleeping on them, they'll

3502
03:08:44,760 --> 03:08:46,800
Speaker 1: wake you up real quick. We're taking the shop for

3503
03:08:47,200 --> 03:08:51,320
Speaker 1: us being wake up. Oh fuck. Just woke? Is just

3504
03:08:51,440 --> 03:08:56,240
Speaker 1: that what we're saying. Yeah, let's be woke. No, no,

3505
03:08:56,680 --> 03:08:59,720
Speaker 1: just drink. I gotta drink here, I'm taking a drink.

3506
03:08:59,720 --> 03:09:02,920
Speaker 1: All right, bad You're gonna leave me out there. H yeah,

3507
03:09:03,040 --> 03:09:08,760
Speaker 1: we were together, the whole just left me.

3508
03:09:08,959 --> 03:09:15,640
Speaker 3: I'm gonna take a shot, you know, I'm gonna be honest.

3509
03:09:16,240 --> 03:09:19,680
Speaker 3: Thank you so much, man, Thank you came here, you

3510
03:09:19,760 --> 03:09:22,200
Speaker 3: played the game, you lived it the same way.

3511
03:09:22,600 --> 03:09:24,800
Speaker 1: You want to fig you up. We want to continue

3512
03:09:24,879 --> 03:09:26,039
Speaker 1: to have your success.

3513
03:09:27,800 --> 03:09:29,400
Speaker 3: And you know what was one of the best things

3514
03:09:29,440 --> 03:09:33,080
Speaker 3: that I was researching and googling and doing all this,

3515
03:09:33,879 --> 03:09:39,080
Speaker 3: and one of the best things that said about you

3516
03:09:39,320 --> 03:09:42,840
Speaker 3: is your fans went with you. That's why my first

3517
03:09:42,959 --> 03:09:45,119
Speaker 3: question to you was independent of major.

3518
03:09:46,879 --> 03:09:50,040
Speaker 1: And I went. You know, he watched so many interviews

3519
03:09:50,080 --> 03:09:52,080
Speaker 1: of you. I watched so many interviews.

3520
03:09:51,640 --> 03:09:56,039
Speaker 3: Of you, and one of the things that was repetitive

3521
03:09:57,160 --> 03:10:00,360
Speaker 3: was that your fans went with you ever you went.

3522
03:10:01,400 --> 03:10:03,080
Speaker 1: And I want to tell you how rare that is.

3523
03:10:07,560 --> 03:10:10,120
Speaker 3: If you play for the Yankees and then you play

3524
03:10:10,160 --> 03:10:12,640
Speaker 3: for Minnesota the next day, they hate you.

3525
03:10:14,080 --> 03:10:17,760
Speaker 1: If you play for LA and then you go to

3526
03:10:18,320 --> 03:10:20,240
Speaker 1: New York the next day, they hate you.

3527
03:10:20,760 --> 03:10:25,760
Speaker 3: The fact that you had this big, luxurious career with

3528
03:10:26,200 --> 03:10:29,720
Speaker 3: shady records, Geffen in the scope and then you went

3529
03:10:29,800 --> 03:10:32,680
Speaker 3: independent because I was so shocked that you said independent

3530
03:10:32,840 --> 03:10:37,040
Speaker 3: when I when I asked you that. But that goes

3531
03:10:37,120 --> 03:10:40,760
Speaker 3: to your audience. It goes to your audience. What I

3532
03:10:40,879 --> 03:10:44,520
Speaker 3: mean by that is they went with you. Most don't

3533
03:10:44,920 --> 03:10:47,640
Speaker 3: when you take off that Yankee jersey, they say fuck you,

3534
03:10:48,879 --> 03:10:51,360
Speaker 3: They don't support you again. But the fact that you

3535
03:10:51,560 --> 03:10:57,040
Speaker 3: did that, you accomplished that. I want to salute you

3536
03:10:57,160 --> 03:10:59,800
Speaker 3: for that. Man, I want to let you know that.

3537
03:11:01,480 --> 03:11:05,200
Speaker 3: But because I can you living there, you living in

3538
03:11:05,280 --> 03:11:07,560
Speaker 3: this time, so you probably don't know what you're doing.

3539
03:11:08,360 --> 03:11:10,920
Speaker 1: But I, as an outsider, that's the insider. That's the

3540
03:11:11,000 --> 03:11:14,480
Speaker 1: outsider looking in. I killed that. I killed that.

3541
03:11:15,040 --> 03:11:18,440
Speaker 3: I heard y'all, I heard that. I felt y'all feel me.

3542
03:11:19,720 --> 03:11:21,040
Speaker 3: But that's what I am.

3543
03:11:22,000 --> 03:11:23,120
Speaker 1: And I got to tell you.

3544
03:11:23,280 --> 03:11:26,920
Speaker 3: Continue to do your job, continue to be great, continue

3545
03:11:27,040 --> 03:11:30,280
Speaker 3: to live hip hop, continue to bring hip hop, rap

3546
03:11:30,400 --> 03:11:36,040
Speaker 3: country together. You making something, and in the end they're

3547
03:11:36,080 --> 03:11:40,000
Speaker 3: gonna salute you, and they're gonna say, that's what the

3548
03:11:40,080 --> 03:11:40,720
Speaker 3: fuck you did?

3549
03:11:41,320 --> 03:11:46,480
Speaker 1: And me and E F F my brother is glad

3550
03:11:46,680 --> 03:11:53,920
Speaker 1: to salute you and tell you continue to do that,

3551
03:11:54,560 --> 03:11:56,520
Speaker 1: You're gonna a picture of a couple of drops, and

3552
03:11:56,600 --> 03:11:58,039
Speaker 1: that's God damn.

3553
03:11:59,320 --> 03:12:02,720
Speaker 2: Drink Chance is a Drink Champs LLC production hosts and

3554
03:12:02,840 --> 03:12:06,240
Speaker 2: executive producers n O r E and dj e FN.

3555
03:12:07,440 --> 03:12:11,560
Speaker 2: Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3556
03:12:11,840 --> 03:12:15,480
Speaker 2: or wherever you get your podcasts. Thanks for joining us

3557
03:12:15,520 --> 03:12:18,120
Speaker 2: for another episode of Drink Champs hosted by Yours Truly,

3558
03:12:18,280 --> 03:12:21,000
Speaker 2: dj e FN and n O r E. Please make

3559
03:12:21,000 --> 03:12:23,240
Speaker 2: sure to follow us on all our socials That's at

3560
03:12:23,320 --> 03:12:27,039
Speaker 2: drink Champs across all platforms, at the Real Noriagon, ig

3561
03:12:27,760 --> 03:12:30,880
Speaker 2: at Noriega on Twitter, mine is at Who's Crazy on

3562
03:12:31,040 --> 03:12:34,920
Speaker 2: ig at dj e f N on Twitter, and most importantly,

3563
03:12:34,959 --> 03:12:37,760
Speaker 2: stay up to date with the latest releases, news and

3564
03:12:37,920 --> 03:12:40,240
Speaker 2: merch by going to drink champs dot com