WEBVTT - The Brink Marvels at, uh, Marvel

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<v Speaker 1>Welcome to the Brink, a production of I Heart Radio's

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<v Speaker 1>How Stuff Works. They put the amazing in Our Spider Man,

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<v Speaker 1>the incredible in Our Hulk, and Captain America started punching

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<v Speaker 1>Nazis before America even entered World War Two. So it

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<v Speaker 1>might seem astounding that Marvel entered bankruptcy in the late nineties,

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<v Speaker 1>having weathered the fickleness of the comics market multiple times,

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<v Speaker 1>like a human torch burning bright, bursting bubbles, greedy ventures,

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<v Speaker 1>and what some might call financial villainy lead owners grasping

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<v Speaker 1>for a plan seed to world comic domination and selling

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<v Speaker 1>their heroes out like mercenaries. But it pays to be good,

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<v Speaker 1>and after a struggle of illegal battle, some positive new blood,

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<v Speaker 1>and some daring risks, Marvel is now living up to

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<v Speaker 1>the Excelsior motto. This is Marvel on the Brink. Hi, Ariel, Hi,

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<v Speaker 1>I like Marvel. I do too. I like I like

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<v Speaker 1>comic books and superheroes and comic book movies and comic

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<v Speaker 1>book TV shows. He guess what, I like all that

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<v Speaker 1>stuff too. Yeah, So Ariel and I are fans. Some

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<v Speaker 1>might call us geeks. I would call us geeks. We

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<v Speaker 1>have called each other geeks affectionately, and we love Marvel.

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<v Speaker 1>I mean we love especially the most recent incarnation of Marvel.

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<v Speaker 1>It's impossible to ignore Marvel at this point. There's a

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<v Speaker 1>new Marvel film out practically every month. Well not every month,

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<v Speaker 1>but you like every quarter. Yeah, well enough, like to

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<v Speaker 1>the point where people joke that if it's if you

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<v Speaker 1>go to the movie theater, what are you seeing a

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<v Speaker 1>Star Wars movie or a Marvel movie? Yeah? And you know,

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<v Speaker 1>when Marvel movies first started coming out, I was like,

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<v Speaker 1>I don't know about this, Arcter. But now at this point,

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<v Speaker 1>I'm just like, here, let me just write you a check. Yeah.

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<v Speaker 1>Every time that Marvel was coming out with a new film,

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<v Speaker 1>I was thinking, can they really pull this off? I mean,

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<v Speaker 1>starting off with iron Man in the Marvel Cinematic Universe stories,

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<v Speaker 1>I thought, wow, iron Man really, because that's I don't

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<v Speaker 1>think of him as a upper tier character. I mean

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<v Speaker 1>he is if you're a comic fan, right, but mainstream

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<v Speaker 1>mainstream audiences I don't think knew very much about iron Man.

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<v Speaker 1>And then then you get to something like Guardians of

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<v Speaker 1>the Galaxy and you're like, there's no way they're going

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<v Speaker 1>to make that work, And you know to be fair.

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<v Speaker 1>Even though I am a self proclaimed geek and I

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<v Speaker 1>love Marvel. I came to comics late in my geekdom um.

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<v Speaker 1>I started off with sci fi and fantasy and kind

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<v Speaker 1>of worked my way to superheroes. So it's been a

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<v Speaker 1>learning curve. Yeah. I I collected a little bit when

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<v Speaker 1>I was a kid. I'll talk about one of the

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<v Speaker 1>comics I collected in this episode. But I was not

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<v Speaker 1>the biggest comic book fan. I I always tried to

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<v Speaker 1>keep semi aware of what was going on because it

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<v Speaker 1>was interested in it. I just didn't have the allowance

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<v Speaker 1>to go out and buy every single title that was

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<v Speaker 1>coming out. Well, and we'll get to it, but there

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<v Speaker 1>was a while where Marvel was putting out so much

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<v Speaker 1>stuff you couldn't keep up. Yeah, so we're gonna talk

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<v Speaker 1>today about how we got to this point because there

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<v Speaker 1>it was not a guarantee that Marvel was going to

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<v Speaker 1>become such a breakout success, not at all. Not a

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<v Speaker 1>few years ago. You would have laughed if someone had

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<v Speaker 1>said that a company would buy Marvel for four billion dollars,

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<v Speaker 1>But that in fact has happened. Before we get into it, though,

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<v Speaker 1>arial we need to settle something who is your favorite

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<v Speaker 1>Marvel character? Well, that would be the Hulk. The Hulk.

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<v Speaker 1>The Hulk is that the secret You're always angry? That's fair,

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<v Speaker 1>all right? You know I'm a hulk. I like in

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<v Speaker 1>D and D. I play a barbarian. I'm just a bruiser,

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<v Speaker 1>sort of a girl. Got you, all right? That's fair.

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<v Speaker 1>Who's Taskmaster? I can see that Taskmaster is a villain

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<v Speaker 1>in Marvel. He has not yet been depicted in films

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<v Speaker 1>as far as I can tell. Taskmaster's ability is he

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<v Speaker 1>can watch other people do stuff and then he can

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<v Speaker 1>replicate it perfectly. So he can watch, say, an Olympic

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<v Speaker 1>diver do a perfect dive, and then he can do

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<v Speaker 1>that perfect dive. He's kind of like a visual rogue. Yeah,

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<v Speaker 1>he's He's usually known for training mercenaries. Okay, we had

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<v Speaker 1>to get that out of our system. We had to

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<v Speaker 1>get all of that geekery out so that we can

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<v Speaker 1>talk about the business. Yeah, we we need to get

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<v Speaker 1>down to business because there's a lot to cover, and

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<v Speaker 1>I know we're gonna want to cover it all. We

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<v Speaker 1>are going to be able to cover it. Also, you

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<v Speaker 1>can do tangents and stuff anyway, So let's let's Let's

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<v Speaker 1>try to start off by talking about how Marvel got started,

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<v Speaker 1>because it wasn't always known as Marvel. No, it was

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<v Speaker 1>started by Martin Goodman in he had made a comic

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<v Speaker 1>brand called Timely Comics, and Marvel Comics Number one was

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<v Speaker 1>the actual comic book. Right. This is not unusual, by

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<v Speaker 1>the way. We think of a lot of like big

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<v Speaker 1>name comic books like Superman or Batman, which are both

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<v Speaker 1>d C comic books. Well, those didn't start off as

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<v Speaker 1>Batman number one or Superman number one. In fact, the

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<v Speaker 1>first Batman comic was a Detective Comics issue number twenty seven.

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<v Speaker 1>The first Superman comic was in a spinoff called Action

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<v Speaker 1>Comics Number one. Well, and I would call you on

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<v Speaker 1>talking about d C during a Marvel episode. But it's

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<v Speaker 1>important to note because DC came out with superheroes before Marvel. Yeah,

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<v Speaker 1>like two years yeah, but still still it still counts.

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<v Speaker 1>So who was in Marvel Comics number one? Tell everybody

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<v Speaker 1>the superhero who appeared in that. Well, there are a few,

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<v Speaker 1>but the most notable are Human Torch. But at the

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<v Speaker 1>time he was like a human android, So he wasn't

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<v Speaker 1>It wasn't Johnny story, it was it was human Torch

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<v Speaker 1>version one point oh yes, and the sub Mariner a

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<v Speaker 1>k A naymore a k A antihero version of Aquaman,

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<v Speaker 1>although Acuman is sometimes an Yeah, he went through a

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<v Speaker 1>dark phase. We all went through that dark phase. It's

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<v Speaker 1>just a couman did it well after his teenage year.

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<v Speaker 1>And something to note, right when Timely Comics was starting off,

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<v Speaker 1>stan Lee joined. So he joined at the age of

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<v Speaker 1>seventeen with the help of his uncle to become an

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<v Speaker 1>assistant there. So, I mean he's he's bounced around and

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<v Speaker 1>he's written stuff for DC as well, but he started

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<v Speaker 1>right at the beginning. And someone else who was really

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<v Speaker 1>important in Marvel history and comic book history is Jack Kirby.

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<v Speaker 1>And one of his huge contributions happened just a couple

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<v Speaker 1>of years after the founding of this company, and that

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<v Speaker 1>was in one with the first Captain America comic book. Yeah,

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<v Speaker 1>good old cap and Captain America that you might remember.

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<v Speaker 1>There's like the famous illustration of Captain America punching Hitler

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<v Speaker 1>and they kind of recreated that in the the Captain

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<v Speaker 1>America film Contain America the First a Injured. The interesting

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<v Speaker 1>fact is we mentioned in the introduction that Marvel had

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<v Speaker 1>their superheroes fighting Nazis before the United States had even

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<v Speaker 1>entered into World War Two. Yeah, Timely had some other

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<v Speaker 1>heroes Wizard, Miss America, Destroyer, and they still occasionally show up,

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<v Speaker 1>but they never really took off, like Captain America and

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<v Speaker 1>I guess for that matter, nay More or the Human Torch. Yeah,

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<v Speaker 1>so not everyone would end up becoming a household name.

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<v Speaker 1>Now these days, the years between nineteen thirty eight and

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<v Speaker 1>nineteen fifty six or so, these are not hard dates,

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<v Speaker 1>but kind of general dates. We tend to refer to

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<v Speaker 1>that as the Golden Age of comics. You'll hear people

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<v Speaker 1>to talk about Golden Age heroes, Silver Age heroes, Bronze

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<v Speaker 1>Age heroes, and modern age. So fifty six, that's golden age.

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<v Speaker 1>Let's win. A lot of different iconic characters debuted. With

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<v Speaker 1>d C. You had Batman and Superman. With Marvel, you

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<v Speaker 1>had sub Mariner, Captain, Captain America. But you also saw

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<v Speaker 1>a lot of comic books that weren't superhero comics. We

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<v Speaker 1>often think the two are hand in hand, but in truth,

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<v Speaker 1>there were a lot of different genres that got started

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<v Speaker 1>or at least that had comic book versions, like horror stories,

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<v Speaker 1>science fiction westerns, and in fact, a lot of those

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<v Speaker 1>became more popular than superheroes because when America came out

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<v Speaker 1>of the Great Depression of World War Two in the

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<v Speaker 1>early fifties, people stopped buying comic books. It was still

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<v Speaker 1>the Golden Era, but it was it was shifting around some. Yeah.

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<v Speaker 1>Part of the reason why comic books were doing so

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<v Speaker 1>well even during the Great Depression or or shortly thereafter,

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<v Speaker 1>was that they were a cheap form of entertainment. You know,

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<v Speaker 1>it wasn't as expensive as going out and buying a

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<v Speaker 1>radio or heaven help you, a television set. After World

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<v Speaker 1>War two, Yeah, these were much less expensive, and so

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<v Speaker 1>they were very popular. And we should also point out

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<v Speaker 1>that the comic books at this time they weren't necessarily

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<v Speaker 1>just for kids. There were quite a few that we're

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<v Speaker 1>dealing with some pretty dark subject matter, and they got

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<v Speaker 1>darker as time went on. So as as comics evolved,

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<v Speaker 1>they tried to reach out to a broader audience. Other

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<v Speaker 1>notable things in Marvel's history and early fifties is Timely

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<v Speaker 1>comics turned their name to Atlas magazines and Steve Ditko,

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<v Speaker 1>who is also a very famous comic artist, joined the

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<v Speaker 1>Marvel team, well, the Atlas team, and at that time

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<v Speaker 1>Timely Slash Atlas Slash Marvel decided they were going to

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<v Speaker 1>stop making superhero books for a while and focus more

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<v Speaker 1>on the other genres sci fi, Western, horror, funny animals

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<v Speaker 1>to try to recoup they had tried to push Captain

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<v Speaker 1>America and Nay More and Human Torch and it just

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<v Speaker 1>wasn't quite going right. And so this was kind of

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<v Speaker 1>industry wide. It wasn't just Marvel that was backing off

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<v Speaker 1>on superheroes. That didn't last too long though. By the

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<v Speaker 1>mid fifties, d C started to reintroduce some of these

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<v Speaker 1>characters and create some new ones, including new teams and

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<v Speaker 1>new uh associations. So that became a trend where we

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<v Speaker 1>started seeing superheroes come back in. So it was only

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<v Speaker 1>you know, it was only kind of like four or

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<v Speaker 1>five years when superheroes were sort of absent. Yeah, and

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<v Speaker 1>that was still a part of the olden age. Around

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<v Speaker 1>that time, Atlas switched its distribution to American News Company.

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<v Speaker 1>And now we're getting back to the business stuff, which

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<v Speaker 1>is it's hard because again we just want to talk

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<v Speaker 1>about all of the fun heroes and things like that.

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<v Speaker 1>American News Company was the largest distributor in the US,

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<v Speaker 1>and shortly after Atlas switched their comic distribution to them,

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<v Speaker 1>they were found guilty of restraint of trade. They kind

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<v Speaker 1>of had a monopoly on the distribution market and they

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<v Speaker 1>liquidated and disappeared. Yeah, so that's the danger of becoming

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<v Speaker 1>too big. So eventually the government might say, hey, you

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<v Speaker 1>need to you know, break up into lots of little

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<v Speaker 1>companies in order for this to be fair. This would

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<v Speaker 1>also be the mark of the transition from the Golden

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<v Speaker 1>Age to the Silver Age of comics. And we'll talk

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<v Speaker 1>about it. Right after this break superheroes had gone to

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<v Speaker 1>decline for a few years, but they came back because

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<v Speaker 1>the United States started to regulate what content could be

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<v Speaker 1>used in comic books. You've probably heard about the comic

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<v Speaker 1>book code and this various rating systems. That was largely

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<v Speaker 1>in response to this, because the United States government was saying,

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<v Speaker 1>we need to make sure that these youths ain't becoming

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<v Speaker 1>delinquents by reading your funny books. They read your funny

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<v Speaker 1>books and the next thing you know, they all wants

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<v Speaker 1>to hang out at the drug store and smoke cigarettes.

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<v Speaker 1>And then there's a music man who comes in and

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<v Speaker 1>tries to sell instruments. I might be mixing my metaphors.

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<v Speaker 1>I think you are, I think you are. Let's get

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<v Speaker 1>back on all right. Anyway, The point is that they

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<v Speaker 1>started to bring superheroes back as kind of a way

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<v Speaker 1>of they were backing off on some of the more

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<v Speaker 1>controversial topics, right, they were trying to create more family

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<v Speaker 1>friendly type content. This would also be the era where

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<v Speaker 1>we started seeing more zany comic books. If you don't remember,

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<v Speaker 1>it's so much from the Marvel side, but on the

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<v Speaker 1>d C side you definitely saw. This is when like

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<v Speaker 1>characters like the Joker or the Penguin started being much

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<v Speaker 1>more cartoonish and less violent. During the Silver Age. In

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<v Speaker 1>nineteen sixty one, you did get somes any because Marvel

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<v Speaker 1>came out with its what If series, Oh Yes, which

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<v Speaker 1>I love. What If was where they would ask these

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<v Speaker 1>hypothetical questions like what if Dr Doom had turned into

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<v Speaker 1>a good guy. Yeah. It's the same year that they

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<v Speaker 1>actually went from Atlas magazines specifically to Marvel Comics. So

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<v Speaker 1>now Marvel comics were all branded as Marvel Comics, and

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<v Speaker 1>they added a bunch of characters. Most successfully, they started

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<v Speaker 1>the Fantastic Four, Stanley and Jack Kirby did, and they

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<v Speaker 1>started a new sort of comic writing. Now these superheroes

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<v Speaker 1>were interacting with each other in a more like realistic

0:12:39.080 --> 0:12:41.880
<v Speaker 1>way and dealing with real world problems, and they also

0:12:41.920 --> 0:12:45.080
<v Speaker 1>inhabited this shared universe, right, So now it was no

0:12:45.160 --> 0:12:48.600
<v Speaker 1>longer these individual story arcs where characters just kind of

0:12:48.600 --> 0:12:51.679
<v Speaker 1>inhabited their own version of the world. Now they had

0:12:51.679 --> 0:12:55.320
<v Speaker 1>a shared version, which was beneficial in the sense that

0:12:55.360 --> 0:12:59.960
<v Speaker 1>you could boost different title sales by having different character

0:13:00.120 --> 0:13:02.760
<v Speaker 1>show up, almost like a cameo, But it would also

0:13:02.840 --> 0:13:05.760
<v Speaker 1>add the problem of the more complex this got, the

0:13:05.800 --> 0:13:09.400
<v Speaker 1>harder it was to maintain continuity across the entire universe. Yeah,

0:13:09.440 --> 0:13:13.680
<v Speaker 1>and you know, unsurprisingly, the Silver Age Marvel heroes were

0:13:13.840 --> 0:13:18.000
<v Speaker 1>Fantastic Four, Hulk, Thor Ant Man, Iron Man, Spider Man,

0:13:18.160 --> 0:13:21.400
<v Speaker 1>X Men, Avengers, which they did to compete specifically with

0:13:21.440 --> 0:13:24.559
<v Speaker 1>Justice League, which had come out in nineteen sixty Daredevil,

0:13:24.840 --> 0:13:28.679
<v Speaker 1>and then the what If comic the original Bullpen, where

0:13:29.120 --> 0:13:32.080
<v Speaker 1>Stanley and all of them were the Fantastic Four. So

0:13:32.240 --> 0:13:34.400
<v Speaker 1>this is an era where a lot of the characters

0:13:34.440 --> 0:13:38.520
<v Speaker 1>we often associate with comic book superheroes today. This is

0:13:38.559 --> 0:13:41.600
<v Speaker 1>the era they first arrived. And if you look at

0:13:41.920 --> 0:13:43.880
<v Speaker 1>Marvel movies nowadays and you go, well, why in the

0:13:43.960 --> 0:13:46.400
<v Speaker 1>world do they make an ant Man movie? Guse he

0:13:46.520 --> 0:13:50.040
<v Speaker 1>was part of their silver age, choosing around a long time. Yeah. Uh.

0:13:50.120 --> 0:13:54.080
<v Speaker 1>Then in nineteen sixty eight we get a change of ownership.

0:13:55.040 --> 0:13:58.680
<v Speaker 1>That's when Goodman would sell his company, actually the parent

0:13:58.760 --> 0:14:01.520
<v Speaker 1>company that owned Marvel Comics, because it was kind of

0:14:01.520 --> 0:14:05.920
<v Speaker 1>an umbrella company holding company almost to a company called

0:14:05.960 --> 0:14:12.120
<v Speaker 1>the Perfect Film and Chemical Corporation. Yeah, okay, the PFCC. Yes.

0:14:12.880 --> 0:14:15.400
<v Speaker 1>So the interesting thing here was not just that it

0:14:15.480 --> 0:14:20.240
<v Speaker 1>was a acquisition, but that Goodman himself went along with it.

0:14:20.240 --> 0:14:22.600
<v Speaker 1>It wasn't like Goodman sold and then walked away. Yeah,

0:14:22.640 --> 0:14:25.560
<v Speaker 1>and you know, PFCC seemed to be very interested in

0:14:25.600 --> 0:14:28.600
<v Speaker 1>Marvel's success, unlike some of the companies we talked about

0:14:28.600 --> 0:14:31.160
<v Speaker 1>where they acquire company and then don't really pay attention

0:14:31.160 --> 0:14:34.240
<v Speaker 1>to it. I would say, like my Space or something. Sure,

0:14:34.560 --> 0:14:38.600
<v Speaker 1>they were invested. So they also bought Curtis Circulation in

0:14:38.680 --> 0:14:42.320
<v Speaker 1>ninety nine to help use them to distribute the Marvel

0:14:42.320 --> 0:14:44.880
<v Speaker 1>comics they had bought. This is really interesting to me too,

0:14:44.880 --> 0:14:48.040
<v Speaker 1>because throughout the history of Marvel you'll see eras where

0:14:48.800 --> 0:14:52.800
<v Speaker 1>the company would own its own distribution, and then following

0:14:52.960 --> 0:14:56.040
<v Speaker 1>eras where they would abandon that and go and work

0:14:56.080 --> 0:15:00.720
<v Speaker 1>with an independent distributor. So that's kind of interesting. Nineteen

0:15:00.800 --> 0:15:06.720
<v Speaker 1>seventy Marvel would say goodbye to one of its instrumental creators, Yes,

0:15:06.840 --> 0:15:09.560
<v Speaker 1>Jack Kirby. He goes over to d C. The Trader.

0:15:10.360 --> 0:15:14.000
<v Speaker 1>There's a lot of crossover, that's true, and this would

0:15:14.040 --> 0:15:17.440
<v Speaker 1>be about where we see the transition between Silver Age

0:15:17.680 --> 0:15:21.240
<v Speaker 1>and the Bronze Age. So in the Bronze Age you

0:15:21.360 --> 0:15:24.120
<v Speaker 1>started to get a change in tone, and there's no

0:15:24.280 --> 0:15:26.800
<v Speaker 1>like hard line here. There's not like an event that

0:15:26.840 --> 0:15:28.760
<v Speaker 1>you could point to. A lot of a lot of

0:15:28.880 --> 0:15:32.800
<v Speaker 1>Marvel's history doesn't have hard lines. It's kind of very fluid, right,

0:15:33.360 --> 0:15:35.480
<v Speaker 1>So in this case, we started seeing sort of a

0:15:35.520 --> 0:15:38.160
<v Speaker 1>return to what the kind of storylines you saw in

0:15:38.200 --> 0:15:41.000
<v Speaker 1>the Golden Age, but amped up, like you started seeing

0:15:41.120 --> 0:15:44.440
<v Speaker 1>comic books deal with some very serious and very dark

0:15:44.920 --> 0:15:47.600
<v Speaker 1>themes in this era. This is when we start seeing

0:15:48.320 --> 0:15:52.040
<v Speaker 1>more of the types of stuff that would feed into

0:15:52.640 --> 0:15:56.440
<v Speaker 1>even the the nineties and early two thousand's. I think

0:15:56.480 --> 0:15:59.240
<v Speaker 1>of like Frank Miller's run with Daredevil that would come

0:15:59.280 --> 0:16:01.120
<v Speaker 1>in the Bronze age. That such a good one. It

0:16:01.200 --> 0:16:03.400
<v Speaker 1>is a really good run. I'm not a huge Frank

0:16:03.440 --> 0:16:06.400
<v Speaker 1>Miller fan, but that Daredevil run was really good. When

0:16:06.400 --> 0:16:09.520
<v Speaker 1>I when I was watching the Netflix Daredevil series, I'm like, oh,

0:16:09.560 --> 0:16:13.240
<v Speaker 1>I see especially season two there it owes a ton

0:16:14.000 --> 0:16:18.920
<v Speaker 1>to the Frank Miller run. In the U S Department

0:16:18.920 --> 0:16:21.680
<v Speaker 1>of Health, Education and Welfare commission Stanley to do a

0:16:21.680 --> 0:16:25.640
<v Speaker 1>comic story regarding drug abuse which goes falls into this

0:16:25.800 --> 0:16:29.880
<v Speaker 1>darker era, and Stanley wrote a three parts Spider Man

0:16:29.960 --> 0:16:32.720
<v Speaker 1>series about it, kind of warning against it. So it

0:16:32.800 --> 0:16:35.160
<v Speaker 1>was a darker subject, but a positive message and a

0:16:35.200 --> 0:16:37.840
<v Speaker 1>positive message for kids who might read it as well

0:16:37.920 --> 0:16:41.440
<v Speaker 1>or teenagers who relate to Spider Man. But the Comics

0:16:41.440 --> 0:16:44.720
<v Speaker 1>Code Authority didn't approve it. They said, you can't put

0:16:44.720 --> 0:16:47.880
<v Speaker 1>this out because it talks about drugs. Period. Yeah, it

0:16:47.920 --> 0:16:51.320
<v Speaker 1>doesn't matter what the messages. The content itself was objectionable.

0:16:51.440 --> 0:16:53.760
<v Speaker 1>So what did they do? Well? They published it anyhow,

0:16:54.800 --> 0:16:57.280
<v Speaker 1>you know, and it was so popular that the c

0:16:57.440 --> 0:17:00.920
<v Speaker 1>c Age changed their rules that same year. Huh. So,

0:17:00.960 --> 0:17:03.640
<v Speaker 1>I guess that's better to ask for forgiveness than permission,

0:17:03.680 --> 0:17:07.160
<v Speaker 1>I guess. Sometimes In nineteen seventy two, Goodman would finally

0:17:07.200 --> 0:17:12.200
<v Speaker 1>step down. He retired, and he handed the reins over

0:17:12.320 --> 0:17:14.640
<v Speaker 1>to someone who had started when he was just seventeen

0:17:14.680 --> 0:17:19.960
<v Speaker 1>years old as an assistant Excelsior Stanley. Yes. And then

0:17:20.040 --> 0:17:22.760
<v Speaker 1>immediately the comic books went into a slump. This was

0:17:22.800 --> 0:17:26.199
<v Speaker 1>not Sley, by the way, not at all. So Marvel

0:17:26.359 --> 0:17:29.200
<v Speaker 1>diversified to expand their comic line, and they kind of

0:17:29.640 --> 0:17:32.719
<v Speaker 1>give us superheroes in the other genres, so like they

0:17:32.760 --> 0:17:35.719
<v Speaker 1>gave us superheroes in the fantasy genre like Red Sonja

0:17:35.760 --> 0:17:38.480
<v Speaker 1>and Conan and Barbarian, or in funny animals like Howard

0:17:38.520 --> 0:17:41.960
<v Speaker 1>the Duck. Now, I mentioned earlier that as a kid,

0:17:42.040 --> 0:17:45.400
<v Speaker 1>I collected certain comic books. Howard the Duck was one

0:17:45.440 --> 0:17:49.040
<v Speaker 1>of the comic books I collected. I had the first

0:17:49.240 --> 0:17:52.639
<v Speaker 1>twenty issues of Howard the Duck. You know, people are

0:17:52.680 --> 0:17:54.520
<v Speaker 1>hit a miss on him, but I like him in

0:17:54.560 --> 0:17:58.359
<v Speaker 1>the comics. He was a very interesting character, and he

0:17:58.440 --> 0:18:01.720
<v Speaker 1>would often end up teaming up with someone like Spider Man.

0:18:02.400 --> 0:18:05.560
<v Speaker 1>Spider Man's history is often spider Man teaming up with

0:18:05.720 --> 0:18:09.639
<v Speaker 1>a even more sarcastic, crazy character. Sometimes it's how Are

0:18:09.640 --> 0:18:13.600
<v Speaker 1>the Duck, Sometimes it's Deadpool. Sometimes it's stores Frog, sometimes

0:18:13.640 --> 0:18:18.440
<v Speaker 1>it's Wolverine who just doesn't put and they switched bodies. Anyhow,

0:18:18.560 --> 0:18:22.160
<v Speaker 1>They also this year lowered their comic prices and kind

0:18:22.160 --> 0:18:26.040
<v Speaker 1>of started under cutting d C and taking DC's market

0:18:26.040 --> 0:18:29.200
<v Speaker 1>share because people could buy Marvel Comics cheaper. Yeah, this

0:18:29.280 --> 0:18:32.879
<v Speaker 1>is not necessarily a long term sustainable no strategy, by

0:18:32.880 --> 0:18:35.840
<v Speaker 1>the way, but it's a good way to get fans alright.

0:18:35.880 --> 0:18:39.880
<v Speaker 1>So then we get to nineteen seventy three when PFCC

0:18:40.640 --> 0:18:46.240
<v Speaker 1>was it went under its own identity change became Cadence Industries,

0:18:47.160 --> 0:18:50.960
<v Speaker 1>and the Magazine Management Company officially was renamed the Marvel

0:18:51.040 --> 0:18:54.639
<v Speaker 1>Comics Group. So, just just to clarify because we didn't

0:18:54.640 --> 0:18:58.120
<v Speaker 1>really talk about it earlier, Magazine Management Company was the

0:18:58.160 --> 0:19:01.920
<v Speaker 1>overhead company of Marvel com So you had Magazine Management

0:19:01.920 --> 0:19:04.199
<v Speaker 1>Companies a parent company, and then Marvel Comics under it,

0:19:04.520 --> 0:19:07.159
<v Speaker 1>and now the entire group is Marvel Comics Group. Now

0:19:07.280 --> 0:19:10.520
<v Speaker 1>this is also when we started seeing a shift in

0:19:10.720 --> 0:19:15.680
<v Speaker 1>consumer behavior. So up to this point, the place where

0:19:15.680 --> 0:19:18.560
<v Speaker 1>you would typically buy a comic book would be a newsstand.

0:19:18.800 --> 0:19:20.720
<v Speaker 1>You would go to a news stand, you buy yourself,

0:19:20.800 --> 0:19:23.600
<v Speaker 1>you know, your whichever titles you liked, and you would

0:19:23.600 --> 0:19:26.399
<v Speaker 1>go off on your married little way. But by the

0:19:26.440 --> 0:19:31.000
<v Speaker 1>mid seventies, newsstand sales were in decline. This could have

0:19:31.240 --> 0:19:35.680
<v Speaker 1>led to a complete collapse of the comic book industry,

0:19:35.720 --> 0:19:40.440
<v Speaker 1>but the industry as a whole was able to adapt

0:19:40.520 --> 0:19:44.919
<v Speaker 1>to this by concentrating more on specialty stores comic book stores,

0:19:45.200 --> 0:19:48.200
<v Speaker 1>because those were not really a thing until the mid seventies.

0:19:48.440 --> 0:19:51.000
<v Speaker 1>It wasn't until you started seeing people who had grown

0:19:51.040 --> 0:19:55.200
<v Speaker 1>up with comic books investing to create stores specifically to

0:19:55.359 --> 0:19:58.560
<v Speaker 1>cater to that audience. That's when you started seeing comic

0:19:58.600 --> 0:20:02.159
<v Speaker 1>book stores start. And without that, the industry might not

0:20:02.240 --> 0:20:04.240
<v Speaker 1>have made it. So this was like almost like a

0:20:04.280 --> 0:20:07.560
<v Speaker 1>mini brink moment where if the industry had not been

0:20:07.600 --> 0:20:11.000
<v Speaker 1>able to adapt, it would have gone into extinction or

0:20:11.040 --> 0:20:13.520
<v Speaker 1>at least gone into hibernation for a really long time.

0:20:13.920 --> 0:20:17.359
<v Speaker 1>But you know, the comic industry, they're they're like the underdogs.

0:20:17.359 --> 0:20:20.199
<v Speaker 1>They write about their scrappy They just fighting. We have

0:20:20.280 --> 0:20:23.000
<v Speaker 1>more to say about Marvel, but first let's take a

0:20:23.080 --> 0:20:35.280
<v Speaker 1>quick break. In nineteen Jim Shooter became the editor in

0:20:35.320 --> 0:20:38.080
<v Speaker 1>chief of Marvel and Jim Shooter. He was kind of

0:20:38.119 --> 0:20:40.760
<v Speaker 1>a controversial editor in chief. He did some really good

0:20:40.800 --> 0:20:45.840
<v Speaker 1>things like he introduced creator Royalties and a subsidiary of

0:20:45.880 --> 0:20:49.000
<v Speaker 1>Marvel Epic Comics, I believe, where the creators of the

0:20:49.040 --> 0:20:52.400
<v Speaker 1>comics could own the properties they were creating. And then

0:20:52.400 --> 0:20:55.560
<v Speaker 1>he also made a company wide crossover Secret Wars. Yes,

0:20:55.720 --> 0:20:57.479
<v Speaker 1>this was one of those things where when I heard

0:20:57.520 --> 0:20:59.440
<v Speaker 1>about Secret Wars, I would have to ask my friends

0:20:59.440 --> 0:21:02.960
<v Speaker 1>who were more avid comic book collectors to explain what happened.

0:21:03.280 --> 0:21:05.359
<v Speaker 1>That tends to happen whenever there would be any of

0:21:05.359 --> 0:21:11.359
<v Speaker 1>these huge multi title arcs or or whatever, like the

0:21:11.480 --> 0:21:15.520
<v Speaker 1>various Crises and Secret Wars and things, where it usually

0:21:15.640 --> 0:21:19.920
<v Speaker 1>is an attempt to reset everything so that the continuity

0:21:19.960 --> 0:21:22.600
<v Speaker 1>makes sense again, because one of the problems with having

0:21:22.640 --> 0:21:25.760
<v Speaker 1>all these individual titles is that things that developed in

0:21:25.800 --> 0:21:30.119
<v Speaker 1>one title might not be reflected in other titles because

0:21:30.119 --> 0:21:33.199
<v Speaker 1>you have different teams working on them. Yeah. But you know,

0:21:33.280 --> 0:21:36.360
<v Speaker 1>Jim Shooter, despite all those good things, yeah he So

0:21:36.600 --> 0:21:39.280
<v Speaker 1>let me talk about this for a second. About in

0:21:39.320 --> 0:21:42.240
<v Speaker 1>this era, there had been kind of a revolving door

0:21:42.280 --> 0:21:46.200
<v Speaker 1>for the editor in chief of Marvel, and the reason

0:21:46.240 --> 0:21:49.479
<v Speaker 1>for that was largely because the artists or writers who

0:21:49.520 --> 0:21:53.160
<v Speaker 1>would become editor in chief would find that it was unmanageable.

0:21:53.200 --> 0:21:55.840
<v Speaker 1>There were so many different titles that were being published

0:21:55.840 --> 0:21:58.480
<v Speaker 1>at the time, each of which had its own deadline,

0:21:58.760 --> 0:22:02.720
<v Speaker 1>and they had deadlines for are completing art completing the writing,

0:22:03.520 --> 0:22:08.400
<v Speaker 1>publishing it, getting it distributed, and it was becoming unmanageable,

0:22:08.400 --> 0:22:10.760
<v Speaker 1>and there are a lot of teams that were slipping

0:22:10.760 --> 0:22:15.359
<v Speaker 1>on their deadlines. Yeah, So Shooter becomes the editor in

0:22:15.440 --> 0:22:19.160
<v Speaker 1>chief and he lays down the law. He starts exercising

0:22:19.280 --> 0:22:22.560
<v Speaker 1>editorial control. He starts to in the minds of some

0:22:22.640 --> 0:22:26.119
<v Speaker 1>writers and artists, interfere with their work. But on the

0:22:26.119 --> 0:22:29.280
<v Speaker 1>flip side, he starts making sure that those titles are

0:22:29.400 --> 0:22:33.360
<v Speaker 1>hitting those deadlines. So he starts turning things around and

0:22:33.359 --> 0:22:36.600
<v Speaker 1>getting the company back on track. But he is his

0:22:36.680 --> 0:22:42.040
<v Speaker 1>style and his hands on approach was something that really

0:22:42.640 --> 0:22:45.879
<v Speaker 1>rubbed the creative types of the wrong way. So it

0:22:46.000 --> 0:22:48.000
<v Speaker 1>was a double edged sword. On the one hand, the

0:22:48.000 --> 0:22:50.120
<v Speaker 1>business side is getting attended to. On the other hand,

0:22:50.680 --> 0:22:54.399
<v Speaker 1>the writers and artists are getting more and more irritated

0:22:54.440 --> 0:22:58.879
<v Speaker 1>and frustrated and angry about how things are going. So

0:22:59.400 --> 0:23:02.440
<v Speaker 1>it was it was definitely I think you put it

0:23:02.520 --> 0:23:05.320
<v Speaker 1>best saying it's a he was a controversial leader. Yeah,

0:23:05.400 --> 0:23:07.800
<v Speaker 1>and also around this time, we're getting him to a

0:23:07.800 --> 0:23:11.240
<v Speaker 1>point where Marvel doesn't just go through editors in Chief,

0:23:11.240 --> 0:23:13.240
<v Speaker 1>but they're going to start changing hands a lot. But

0:23:13.320 --> 0:23:17.000
<v Speaker 1>before they do, Shooter buys an animation studio, the one

0:23:17.040 --> 0:23:19.240
<v Speaker 1>that used to make Pink Panther, and they rename it

0:23:19.240 --> 0:23:22.760
<v Speaker 1>Marvel Productions, and they start making animated cartoons like Spider

0:23:22.760 --> 0:23:26.880
<v Speaker 1>Man and his Amazing Friends. And in eighty four they

0:23:26.920 --> 0:23:31.360
<v Speaker 1>had the opportunity to do something pretty amazing. I kind

0:23:31.359 --> 0:23:34.000
<v Speaker 1>of wonder what how things would have turned out if

0:23:34.000 --> 0:23:36.400
<v Speaker 1>they had done this. They had the chance to buy

0:23:36.400 --> 0:23:41.960
<v Speaker 1>out their old nemesis, d C. Yeah, but why didn't they? Well,

0:23:42.080 --> 0:23:45.880
<v Speaker 1>they figured that DC characters just weren't as good as

0:23:45.920 --> 0:23:49.040
<v Speaker 1>Marvel characters. That's why DC was struggling, and that's how

0:23:49.040 --> 0:23:51.439
<v Speaker 1>Warner Brothers just trying to sell them off to Marvel.

0:23:51.680 --> 0:23:53.840
<v Speaker 1>But they were wrong. Yeah. No, I mean it turns

0:23:53.840 --> 0:23:56.800
<v Speaker 1>out like I think, for your average person, if you

0:23:56.800 --> 0:24:00.639
<v Speaker 1>asked them to name comic book characters, if Batman or

0:24:00.720 --> 0:24:03.560
<v Speaker 1>Superman isn't or Wonder Woman, if those are not in

0:24:03.680 --> 0:24:06.680
<v Speaker 1>like the first more or five names that they say,

0:24:06.720 --> 0:24:09.000
<v Speaker 1>that's odd. I mean they are the first ones that

0:24:09.080 --> 0:24:12.000
<v Speaker 1>I think of. Superman was like, first, I'm a I'm

0:24:12.080 --> 0:24:14.679
<v Speaker 1>a huge Marvel fan, and I think of Superman and

0:24:14.680 --> 0:24:18.080
<v Speaker 1>Batman first Marvel. I like the Marvel stories more, but

0:24:18.160 --> 0:24:21.240
<v Speaker 1>the characters don't stick in your mind the way like Batman, Superman,

0:24:21.280 --> 0:24:25.040
<v Speaker 1>Wonder Woman do Yeah. Typically I say that now I

0:24:25.080 --> 0:24:28.320
<v Speaker 1>also acknowledge at the box office they can do no wrong.

0:24:28.520 --> 0:24:30.679
<v Speaker 1>But we'll get to that. Yeah, Okay, so we've hit

0:24:30.680 --> 0:24:32.760
<v Speaker 1>the Golden Age, Silver Age, and the Bronze Age. What

0:24:32.880 --> 0:24:36.000
<v Speaker 1>age is next? The Modern Age? That's the age wherein now?

0:24:36.080 --> 0:24:39.359
<v Speaker 1>So that that starts around the mid eighties. Generally, this

0:24:39.400 --> 0:24:42.800
<v Speaker 1>is where we start getting to more psychologically complex storylines

0:24:42.920 --> 0:24:45.840
<v Speaker 1>and characters. You get into a lot of storylines that

0:24:45.920 --> 0:24:49.480
<v Speaker 1>involve anti heroes, so heroes who are not always behaving

0:24:49.960 --> 0:24:54.000
<v Speaker 1>like super good guys. Wolverine is a great example. Wolverine

0:24:54.040 --> 0:24:56.119
<v Speaker 1>is kind of an anti hero. He's more on the

0:24:56.160 --> 0:24:58.840
<v Speaker 1>heroic side of anti hero. But then you have like Elektra,

0:24:59.119 --> 0:25:02.560
<v Speaker 1>who's maybe more on the shady side of anti Pools

0:25:02.560 --> 0:25:05.560
<v Speaker 1>an anti hero. Deadpool is definitely an anti hero. Deadpool

0:25:05.600 --> 0:25:07.560
<v Speaker 1>is a special case all on his own because he

0:25:07.560 --> 0:25:10.920
<v Speaker 1>can break the fourth wall. At least, it was just

0:25:10.920 --> 0:25:14.159
<v Speaker 1>about saying until recently, but we don't need that's a

0:25:14.240 --> 0:25:20.239
<v Speaker 1>large that's that's yeah. Yeah, So we started seeing that.

0:25:20.280 --> 0:25:22.840
<v Speaker 1>By the end of nineteen eighty five, the company was

0:25:23.200 --> 0:25:26.080
<v Speaker 1>hitting revenues of a hundred million dollars a year. And

0:25:26.119 --> 0:25:28.240
<v Speaker 1>the interesting thing to me is that not all of

0:25:28.280 --> 0:25:30.640
<v Speaker 1>that was coming from comic book sales. They were making

0:25:30.640 --> 0:25:34.280
<v Speaker 1>a significant amount of their revenue through licensing their characters,

0:25:34.280 --> 0:25:37.840
<v Speaker 1>either to toy companies to produce toys or lunch boxes

0:25:37.960 --> 0:25:41.080
<v Speaker 1>or you know that sort of thing. So video games

0:25:41.119 --> 0:25:43.800
<v Speaker 1>that would become a thing, not so much in five

0:25:43.840 --> 0:25:46.440
<v Speaker 1>but a few years later, so that would become an

0:25:46.440 --> 0:25:50.400
<v Speaker 1>increasingly important part of their revenue. Yeah. In Marvel Entertainment

0:25:50.400 --> 0:25:53.240
<v Speaker 1>Group sold to New World Entertainment for forty six million

0:25:53.320 --> 0:25:56.720
<v Speaker 1>dollars yep. And they mainly wanted to get the animation

0:25:56.760 --> 0:25:59.920
<v Speaker 1>studio and the rights to all those characters. And then

0:26:00.000 --> 0:26:03.240
<v Speaker 1>in we get the release of a film that is

0:26:03.280 --> 0:26:07.520
<v Speaker 1>a rift between your beloved hosts. Yes, Howard, I'm not

0:26:07.520 --> 0:26:10.000
<v Speaker 1>going to sing it the Duck because I don't want royalties,

0:26:10.320 --> 0:26:12.679
<v Speaker 1>but yeah, how are the Duck? Released? It did not

0:26:12.800 --> 0:26:15.600
<v Speaker 1>go over well, it's it's not a good movie, Ariel,

0:26:15.680 --> 0:26:18.080
<v Speaker 1>It's not a good movie. But it's a fun movie.

0:26:18.240 --> 0:26:21.200
<v Speaker 1>Ariel loves this movie and I do not. When Howard

0:26:21.200 --> 0:26:23.960
<v Speaker 1>the Duck came out and Guardians of the Galaxy, and okay,

0:26:24.000 --> 0:26:26.200
<v Speaker 1>I did like that. I was I want to know

0:26:26.320 --> 0:26:28.400
<v Speaker 1>Howard the Duck movie. Now, I'm just glad that they

0:26:28.440 --> 0:26:32.000
<v Speaker 1>avoided having to get like the music sting from the

0:26:32.040 --> 0:26:34.359
<v Speaker 1>Howard the Duck film and played in the background. Yeah,

0:26:34.640 --> 0:26:37.080
<v Speaker 1>there were other Marvel movies that people wanted to produce,

0:26:37.200 --> 0:26:39.239
<v Speaker 1>but they cost too much to make, so they just

0:26:39.280 --> 0:26:42.480
<v Speaker 1>stayed in this production limbo. Yeah, and just never got

0:26:42.480 --> 0:26:46.200
<v Speaker 1>out of the development phase. Now, how Are the Duck tanked?

0:26:46.600 --> 0:26:51.600
<v Speaker 1>But the failure wasn't necessarily an omen However, the following

0:26:51.640 --> 0:26:55.760
<v Speaker 1>ten years would lead to the event that would almost

0:26:56.280 --> 0:26:59.240
<v Speaker 1>put Marvel out of business. So we're now about to

0:26:59.280 --> 0:27:01.959
<v Speaker 1>get into the braink But in a surprise plot twist,

0:27:02.280 --> 0:27:04.159
<v Speaker 1>we're going to cover that in part two of Marvel

0:27:04.240 --> 0:27:06.960
<v Speaker 1>on the Brink. Don't you just hate when you're left

0:27:07.000 --> 0:27:09.879
<v Speaker 1>with a surprise cliffhanger. Look, if Marvel can have twenty

0:27:09.920 --> 0:27:13.080
<v Speaker 1>two movies in their first arc, I think we can

0:27:13.119 --> 0:27:15.800
<v Speaker 1>have it to be continued, all right, We'll tune in

0:27:15.880 --> 0:27:19.840
<v Speaker 1>next week for another exciting installment of Marvel on the Brink.

0:27:20.119 --> 0:27:22.600
<v Speaker 1>And if you want to get any of your suggestions

0:27:22.640 --> 0:27:24.800
<v Speaker 1>to us, well, you can send us a little email

0:27:24.880 --> 0:27:29.399
<v Speaker 1>that's a feedback at the Brink Podcast dot show. And

0:27:29.440 --> 0:27:32.639
<v Speaker 1>you can also check out our website at www dot

0:27:32.760 --> 0:27:36.280
<v Speaker 1>The Brink podcast dot show. And until then, I am

0:27:36.400 --> 0:27:39.960
<v Speaker 1>Jonathan Strickland and I'm arial casting. We'll see you next week.

0:27:40.240 --> 0:27:44.760
<v Speaker 1>Excel See or the Brink is a production of I

0:27:44.840 --> 0:27:47.920
<v Speaker 1>Heart Radio and How Stuff Works. For more podcasts for

0:27:48.000 --> 0:27:51.560
<v Speaker 1>my heart Radio, visit the i heart Radio app, Apple Podcasts,

0:27:51.640 --> 0:28:02.800
<v Speaker 1>or wherever you listen to your favorite shows. Nine