WEBVTT - #83 - Devin Dawson 

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<v Speaker 1>All right, welcome to episode three of the Bobby Cast.

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<v Speaker 1>Thanks for our sponsoring Blue and Sleep Number, and our

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<v Speaker 1>guest is Devin Dawson. Hey buddy, I am good. Yes,

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<v Speaker 1>I just came from the airport, as you see. I

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<v Speaker 1>got my bags and my guitar. Where were you came from? Chicago?

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<v Speaker 1>Was supposed to fly in last night, missed my connecting flight,

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<v Speaker 1>got the hotel, had to get the early flight. It

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<v Speaker 1>all worked out fine. I'm just like in my airport,

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<v Speaker 1>get up here and wait, So is it you missed

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<v Speaker 1>the flight on your own because you were well. I

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<v Speaker 1>was with my band and uh well my three piece

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<v Speaker 1>you know we have sometimes we do full band, sometimes

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<v Speaker 1>we do just acoustic three piece. And we were coming

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<v Speaker 1>from Fort Wayne and the flight literally like we landed

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<v Speaker 1>five minutes after our connecting flight. Wasn't to know. It

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<v Speaker 1>was not my fault. So they got me a hotel

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<v Speaker 1>and then you had to stay the night that it

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<v Speaker 1>was you know what, it could be worse, man, but

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<v Speaker 1>I'm here and I made it, so no complaints. Man.

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<v Speaker 1>I got my coffee too, so it's all good. What

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<v Speaker 1>do you drink? Just black iced cough even if it's

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<v Speaker 1>like negative a million degrees in the winter. Always always

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<v Speaker 1>iced coffee, but black, always black. Yeah, where'd you grow up? California.

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<v Speaker 1>Grew up in a town called Orangeville, which is kind

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<v Speaker 1>of outside of thirty minutes outside of Sacramento. Yeah, so

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<v Speaker 1>northern California, Northern California. Northern cal always say this about

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<v Speaker 1>Northern California. People always feel like they're more human than

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<v Speaker 1>the Southern California people. I know, I don't know if

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<v Speaker 1>I've ever used the word human more, but like that's

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<v Speaker 1>a good way to put it. It's it's definitely two

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<v Speaker 1>different states, you know what I mean. Like I feel

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<v Speaker 1>like it's just a completely like once you cross over

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<v Speaker 1>the grape Vine and you get down into the southern California,

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<v Speaker 1>it's just a whole different energy, a whole different ball game.

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<v Speaker 1>People like look in the eyeballs. In Northern California, it's nice.

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<v Speaker 1>Southern California people like trying to hand you stuff and

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<v Speaker 1>trying to always find the angle, which but I get

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<v Speaker 1>I get it because you kind of have to, you know,

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<v Speaker 1>you kind of have to play that like puff your

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<v Speaker 1>chest a little bit and turn your chin music up

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<v Speaker 1>or whatever. Nick Jonas says, you know, like he kind

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<v Speaker 1>of got to like the Nashville is the same way,

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<v Speaker 1>Like I feel like Nashville and l A are the same,

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<v Speaker 1>just a little smaller and you dress a little different.

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<v Speaker 1>I think Nashville is more familiar. It's got more of

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<v Speaker 1>a camaraderie thing, like we want to we all want

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<v Speaker 1>to get to the top, right, but we want to

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<v Speaker 1>do it together, Whereas I feel like sometimes in l A,

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<v Speaker 1>the stigma is more like I want to get to

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<v Speaker 1>the top by standing on your shoulders somebody else, you

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<v Speaker 1>know what I mean. Like I feel like Nashville fakes

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<v Speaker 1>like they want to do it together. Man, I have

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<v Speaker 1>more I have more faith, I have more positivity. And

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<v Speaker 1>maybe it's just because I'm green and wide eyed and um,

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<v Speaker 1>you know, doing my thing and I haven't experienced any

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<v Speaker 1>of that. There are great people. And when I moved town,

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<v Speaker 1>I thought, I'm not gonna be friends with nobody, like

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<v Speaker 1>that was gonna be my thing. I'm gonna move to town.

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<v Speaker 1>I'm gonna be friends with nobody, and I'm gonna be

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<v Speaker 1>completely objective about everything. And so if something sucks, I

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<v Speaker 1>get on the ear and say it sucks. And if

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<v Speaker 1>it's awesome, I say it's awesome. Which you should, which

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<v Speaker 1>I should, and I still really try to do. But

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<v Speaker 1>there there are such good people here though, that it's

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<v Speaker 1>been hard for me to keep from having friendships. It's

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<v Speaker 1>hard for me to not right because I didn't want

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<v Speaker 1>to have friends in the business at all, because I

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<v Speaker 1>wanted to be a voice of the people, not a

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<v Speaker 1>voice that is it. Because of the things that you

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<v Speaker 1>had heard from maybe l A or New York are

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<v Speaker 1>other places that you had been, and so you'd kind

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<v Speaker 1>of maybe gotten used to that stigma and that coming here,

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<v Speaker 1>you know, like it was gonna be the same. No,

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<v Speaker 1>not at all. I was just like, I'm going to

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<v Speaker 1>not be the voice of the industry, and then I would.

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<v Speaker 1>Then I became friends with Dirks Past, Eric Passley. Then

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<v Speaker 1>it's just like you meet good humans, you know, Like,

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<v Speaker 1>how as much as I don't want to be friends

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<v Speaker 1>with Philip from a little big town, you just kind

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<v Speaker 1>of are. So I'm glad, I'm big fan of yours.

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<v Speaker 1>Where do we meet? I can tell you this. I

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<v Speaker 1>was sitting at dinner with Dan, Dan and Shay and

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<v Speaker 1>you obviously you're very close to great, great friends, And

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<v Speaker 1>it was probably like January of this year, and I

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<v Speaker 1>was like, Hey, what's up with this devon dude? Like,

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<v Speaker 1>because I was listening to music and I even, uh,

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<v Speaker 1>it's way before stuff I come out. And I had

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<v Speaker 1>even called you head of your record label, and I

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<v Speaker 1>was like, hey, let me hear some of this devon. Yeah,

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<v Speaker 1>I think told me that he did. You were barking

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<v Speaker 1>up the stree a little bit, and I don't bark

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<v Speaker 1>up anybody's tree. And it wasn't even yet a project

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<v Speaker 1>coming out. I just wanted to because I was curious

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<v Speaker 1>because I had seen you play a couple of things,

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<v Speaker 1>and that I didn't even know about the YouTube thing.

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<v Speaker 1>And I'll get to that in a second. I had

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<v Speaker 1>no idea that that you did it, which is kind

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<v Speaker 1>of cool that you didn't no idea. So I'll come

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<v Speaker 1>back to that because I have questions because I know.

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<v Speaker 1>And so I was like, let me hear about this guy,

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<v Speaker 1>because I heard your sound and I would see you

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<v Speaker 1>and I was like, Okay, that doesn't fit. And I

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<v Speaker 1>like that things that don't fit always make everything else fit,

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<v Speaker 1>Like things that don't fit bust in and everything else

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<v Speaker 1>fits around them if it's if it's really good. And

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<v Speaker 1>so I've heard you play it and obviously here's a song,

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<v Speaker 1>remember months ago just being like, this song is so

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<v Speaker 1>freaking good. Count on me. You gotta tell me that

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<v Speaker 1>you make this record, and I bet you get the

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<v Speaker 1>normal that's not country. I bet you got that well,

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<v Speaker 1>of course. I mean I feel like I feel like

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<v Speaker 1>a lot of people get that right now. And everyone

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<v Speaker 1>has their own version of what country is or what

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<v Speaker 1>how it's influenced them, you know, and like we're all

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<v Speaker 1>products of how we've grown up or what we've grown

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<v Speaker 1>up listening to. And I grew up listening to a

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<v Speaker 1>lot of country, a lot of soul, a lot of rock,

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<v Speaker 1>and each one of them has its own kind of

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<v Speaker 1>influence on what I do. Like the country shines in

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<v Speaker 1>my lyrics and in my honesty and my storytelling per se,

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<v Speaker 1>or just the way that I set up a song,

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<v Speaker 1>like the kind of culture of songwriting in country music

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<v Speaker 1>and in Nashville. And I think sonically the rock comes

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<v Speaker 1>through in the grittiness of the sounds, and and the

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<v Speaker 1>soul kind of comes through with the groove and then

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<v Speaker 1>hopefully the emotion behind my voice, and so it all

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<v Speaker 1>kind of works together. Um, But you know, being in Nashville,

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<v Speaker 1>in this community, like we were talking about in the

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<v Speaker 1>songwriting that is just like so inherent and important. That's

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<v Speaker 1>what drew me to this town in this genre, and

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<v Speaker 1>it just was the only place that I knew I

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<v Speaker 1>could really do what I wanted to do wholeheartedly. You know.

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<v Speaker 1>Obviously the same thing because again, you grew up in

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<v Speaker 1>a place that when people a California, but northern California's

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<v Speaker 1>pretty country, it is. It's crazy. People don't realize how

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<v Speaker 1>rural not only Northern California, but most of California is.

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<v Speaker 1>I mean, you have San Francisco and you have l

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<v Speaker 1>A and everything else is pretty much just farms in

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<v Speaker 1>in little towns. And I grew up in Orangeville, is

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<v Speaker 1>thirty minutes outside of Sacramento, and it's just like a

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<v Speaker 1>little kind of horse country pocket. Like I literally grew

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<v Speaker 1>up in a converted barn, Like my dad has a

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<v Speaker 1>converted barn and that was the house, you know, and

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<v Speaker 1>built a house from my grandparents up on the hill.

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<v Speaker 1>And my my aunt lives behind us and her her

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<v Speaker 1>you know, daughter and cousin lives right. It's this whole

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<v Speaker 1>part of town that's just like kind of horses and

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<v Speaker 1>turkeys and all that and so it's like it's just

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<v Speaker 1>a it's just a it's a pace, right, It's a

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<v Speaker 1>pace of life, it's a way of life. It's just

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<v Speaker 1>this thing that you know, it's a culture of what

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<v Speaker 1>how you grew up? I guess right. And you know

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<v Speaker 1>when you say you talk about your music, I get

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<v Speaker 1>the same thing that people look at me or they

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<v Speaker 1>hear the other kind of music that I'll play on

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<v Speaker 1>the show because I play hip hop on the show.

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<v Speaker 1>I love, of course, I'll play the rocks. I love

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<v Speaker 1>rock like I love. But I grew up in a

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<v Speaker 1>small town in Arkansas and I was raised on country.

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<v Speaker 1>People like, hey, so what is country to you? And

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<v Speaker 1>to me, it's about the authenticity of the lyric more

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<v Speaker 1>than it is a steel guitar, right, And steel guitars

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<v Speaker 1>are great and that's traditional, that's very traditional. But I

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<v Speaker 1>think today's country is more of let's have honest lyric. Yeah. Well,

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<v Speaker 1>I'm I love a steel I'm such a sucker for

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<v Speaker 1>a steel, but I want it when it's supposed to

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<v Speaker 1>be there, not because it has to be, you know.

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<v Speaker 1>And I think you're totally right. And that's what I say,

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<v Speaker 1>is that it's all about the lyric. It's all about

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<v Speaker 1>the song. It's the way that you set up a hook.

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<v Speaker 1>It's the way that you peel back the layers and

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<v Speaker 1>you don't give him everything until the very last line

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<v Speaker 1>and you tie that little bow on because country listeners

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<v Speaker 1>are gonna wait for that story, you know, like that's

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<v Speaker 1>what they expect, that's what they've been bred to do

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<v Speaker 1>in a way of listened to a song in a

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<v Speaker 1>certain way and appreciate a song in a certain way.

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<v Speaker 1>And that's why I'm here because I love it too.

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<v Speaker 1>So your brother is in music, he is. Yeah, So

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<v Speaker 1>I have a twin brother. First of all, I'm the

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<v Speaker 1>old Yeah, I'm the older one. Thirteen minutes and up

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<v Speaker 1>until yesterday, i mean, met these two uh little girls

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<v Speaker 1>at a meet and greet yesterday in Fort Wayne, and

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<v Speaker 1>they were thirty three minutes apart, and I'm we're thirteen

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<v Speaker 1>minutes apart, which I would up until yesterday was the

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<v Speaker 1>longest I'd ever heard of, like thirty three minutes. After

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<v Speaker 1>two minutes, it's usually like two minutes. It's usually like

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<v Speaker 1>all right, I'm ready, let's go, you know, and uh so, yeah,

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<v Speaker 1>And the cool thing is that we both grew up

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<v Speaker 1>playing music. Together started a band when we were twelve,

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<v Speaker 1>like rock band with our friends, garage band after school

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<v Speaker 1>every day. I played bass, he played drums. And we've

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<v Speaker 1>kind of worked our way through the industry and figured

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<v Speaker 1>out where we landed and what was our calling and

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<v Speaker 1>why we're here. And he's more on the production kind

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<v Speaker 1>of writing side, and obviously I'm more on the kind

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<v Speaker 1>of writing artist singing side. And we're rather than being opposites,

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<v Speaker 1>were more compliments. We compliment each other. Um because identical,

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<v Speaker 1>we're fraternal, so fraternal technically means separate eggs, which I

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<v Speaker 1>want to get him a shirt for a birthday that

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<v Speaker 1>says separate eggs minels say egg one on the back

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<v Speaker 1>as we'll say too. I don't want to like you

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<v Speaker 1>guys look alike. We look like brothers that just happened

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<v Speaker 1>to be born at the same time. He's a little

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<v Speaker 1>bit more he's got a little bit more fair complexion

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<v Speaker 1>than I do. Um, and he wears glasses. UM. I

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<v Speaker 1>don't know, he's it's just it's a really cool time,

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<v Speaker 1>and it's it's a cool opportunity to to be able

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<v Speaker 1>to both do music and oh well, we each have

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<v Speaker 1>our own foundation to stand down we each have our

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<v Speaker 1>own circles that obviously intersect in some way, but there's

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<v Speaker 1>no weird comparison, Like he's doing cool things in his

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<v Speaker 1>own right and I'm doing cool things in my own right,

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<v Speaker 1>and we come together to help each other out, but

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<v Speaker 1>there's never any weird like, man, I wish I was

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<v Speaker 1>doing that or whatever. Like it's just I feel like

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<v Speaker 1>that's so lucky that I that we get to be

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<v Speaker 1>able to just interact normally like that and there's no

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<v Speaker 1>weird anything in between. I don't know, I just feel

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<v Speaker 1>like that could be rare, you know, just to see

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<v Speaker 1>how rare it is to be doing this for a

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<v Speaker 1>living in the first place, and then have your twin

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<v Speaker 1>brother be doing it too. I just I don't know,

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<v Speaker 1>it just blows my mind. Let me talk about Sleep

0:09:47.480 --> 0:09:49.800
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<v Speaker 1>and you got it right there on the Bobby Cast.

0:10:50.240 --> 0:10:53.320
<v Speaker 1>All right, so how about this? Let's they want to play?

0:10:53.320 --> 0:10:55.599
<v Speaker 1>Because again I didn't know. I knew nothing about the

0:10:55.640 --> 0:10:57.080
<v Speaker 1>YouTube thing, and I was like, oh is the guy?

0:10:57.360 --> 0:10:59.319
<v Speaker 1>I gotta find it because I don't even know about it? Okay,

0:10:59.320 --> 0:11:04.760
<v Speaker 1>So it's a Taylor Swift mash up correct blank space. Okay,

0:11:04.800 --> 0:11:07.280
<v Speaker 1>Honest to god, I knew nothing of it. I love that.

0:11:07.400 --> 0:11:10.880
<v Speaker 1>It seriously makes me so happy. Okay, and this may

0:11:10.880 --> 0:11:12.400
<v Speaker 1>be the first time I've ever heard again in my life.

0:11:12.400 --> 0:11:14.680
<v Speaker 1>I don't know if I've ever even heard this. I

0:11:14.800 --> 0:11:19.280
<v Speaker 1>got you change Dame day dream in my eye? You

0:11:19.480 --> 0:11:25.360
<v Speaker 1>got that clastic. Who's the girl? Her name is Luisa Wendorff.

0:11:25.559 --> 0:11:28.000
<v Speaker 1>And we met at Belmont, like literally, my whole circle

0:11:28.080 --> 0:11:30.920
<v Speaker 1>is Belmont people like most people that I met the

0:11:30.960 --> 0:11:34.000
<v Speaker 1>first day, which is even crazier to say. But she

0:11:34.280 --> 0:11:36.000
<v Speaker 1>we were just in the same dorm together and just

0:11:36.080 --> 0:11:38.360
<v Speaker 1>kind of wrote and she would sing harmonies on my

0:11:38.440 --> 0:11:40.200
<v Speaker 1>songs and I'd play guitar for her, and it just

0:11:40.240 --> 0:11:44.959
<v Speaker 1>one day kind of just happened, like crashing down. We

0:11:45.160 --> 0:11:53.880
<v Speaker 1>come back every time, out of sight, out of style, say, Okay,

0:11:53.920 --> 0:11:55.960
<v Speaker 1>so I don't have a visual because I don't know

0:11:55.960 --> 0:11:57.920
<v Speaker 1>that I've seen it. So what are you two just

0:11:57.960 --> 0:12:01.120
<v Speaker 1>sitting in a room playing this for the video? So

0:12:01.520 --> 0:12:03.679
<v Speaker 1>literally we we That's how we did it. Like it

0:12:03.720 --> 0:12:05.480
<v Speaker 1>was Thanksgiving one day and we just kind of came

0:12:05.520 --> 0:12:07.080
<v Speaker 1>together and she's like, let's do it. Let's do a

0:12:07.080 --> 0:12:09.280
<v Speaker 1>mash up because that was kind of her brand on YouTube,

0:12:09.320 --> 0:12:11.120
<v Speaker 1>you know. And I had just been writing songs because

0:12:11.120 --> 0:12:13.640
<v Speaker 1>I don't really I don't really do covers like I

0:12:13.640 --> 0:12:15.800
<v Speaker 1>I don't do them in my set, like I just

0:12:15.920 --> 0:12:17.600
<v Speaker 1>I love. If I'm going to do something, I want

0:12:17.600 --> 0:12:19.320
<v Speaker 1>to make it my own. But I write too many

0:12:19.520 --> 0:12:21.600
<v Speaker 1>songs to do covers. It's I'm not against it. I

0:12:21.640 --> 0:12:24.960
<v Speaker 1>just love sharing my words, right, and so you know,

0:12:25.000 --> 0:12:26.520
<v Speaker 1>it was weird to have that be one of the

0:12:26.520 --> 0:12:28.920
<v Speaker 1>first breakout things was a cover. But we're just sitting

0:12:28.920 --> 0:12:30.680
<v Speaker 1>around one day and she's like, let's do a mash up,

0:12:30.760 --> 0:12:33.800
<v Speaker 1>and we kind of chose these two Taylor Swift songs

0:12:33.840 --> 0:12:35.640
<v Speaker 1>because it had just come out and I hadn't even

0:12:35.640 --> 0:12:38.040
<v Speaker 1>heard the record yet, and it kind of just fell

0:12:38.120 --> 0:12:39.760
<v Speaker 1>together in a couple of minutes and we listened back

0:12:39.760 --> 0:12:42.920
<v Speaker 1>to the little iPhone recording, we were like, there's something there.

0:12:43.400 --> 0:12:46.280
<v Speaker 1>Literally like did the recording with my brother the next day,

0:12:46.360 --> 0:12:49.120
<v Speaker 1>and then my really good friend life Thomas, who does

0:12:49.160 --> 0:12:52.200
<v Speaker 1>a lot of my videos and pictures still um went

0:12:52.200 --> 0:12:55.080
<v Speaker 1>out to some random road in Leaper's Fork that I

0:12:55.120 --> 0:12:57.560
<v Speaker 1>literally couldn't even get back to if I tried, and

0:12:57.800 --> 0:13:00.320
<v Speaker 1>just did this kind of like back to act on

0:13:00.360 --> 0:13:02.719
<v Speaker 1>a road. I had a guitar, She's singing this kind

0:13:02.720 --> 0:13:05.600
<v Speaker 1>of duet back to that we are lips sinking. So

0:13:05.600 --> 0:13:07.679
<v Speaker 1>we recorded it and then did a video to it

0:13:07.880 --> 0:13:09.920
<v Speaker 1>and blth this kind of like spinning around us with

0:13:09.960 --> 0:13:13.360
<v Speaker 1>her camera, and it just was this really quick thing

0:13:13.360 --> 0:13:15.240
<v Speaker 1>that we didn't even think about. Nobody did it for

0:13:15.280 --> 0:13:17.160
<v Speaker 1>any other reason than we thought it was good and

0:13:17.160 --> 0:13:19.440
<v Speaker 1>it was fun and we wanted to share it and

0:13:19.640 --> 0:13:25.600
<v Speaker 1>put it out December, I think of fourteen, and literally

0:13:25.640 --> 0:13:28.920
<v Speaker 1>the next day Taylor Swift saw it and tweeted it

0:13:29.040 --> 0:13:32.280
<v Speaker 1>and facebooked it and Google Plus did or whatever all

0:13:32.320 --> 0:13:34.920
<v Speaker 1>those you know, and it's ever since then, it's just

0:13:35.000 --> 0:13:38.560
<v Speaker 1>been a whirlwind. So so is that a thing to

0:13:38.600 --> 0:13:41.600
<v Speaker 1>where it does feel like your life changes when you

0:13:41.640 --> 0:13:44.240
<v Speaker 1>go viral? Aside from this, a lot of people go

0:13:44.440 --> 0:13:47.920
<v Speaker 1>viral like you went viral? Yeah, I mean, okay, So

0:13:48.000 --> 0:13:51.360
<v Speaker 1>what I usually say is, you know, you always want

0:13:51.360 --> 0:13:53.320
<v Speaker 1>to know what what's it like to go viral, how

0:13:53.360 --> 0:13:55.760
<v Speaker 1>does that happen? What does it feel like? And then

0:13:55.760 --> 0:13:57.640
<v Speaker 1>being on the other side of that, it's literally the

0:13:57.679 --> 0:14:00.360
<v Speaker 1>same thing. I have no idea how it happened. Like

0:14:00.440 --> 0:14:04.600
<v Speaker 1>it's just this crazy kind of it's its own people

0:14:04.600 --> 0:14:07.000
<v Speaker 1>calling you. Do you haven't heard from the unreal dude?

0:14:07.040 --> 0:14:10.320
<v Speaker 1>Like the day I woke up um to that happening,

0:14:10.400 --> 0:14:12.680
<v Speaker 1>my phone was kept going off in the morning, and

0:14:12.720 --> 0:14:14.600
<v Speaker 1>I had gone out a couple of nights before the

0:14:14.679 --> 0:14:17.440
<v Speaker 1>night before, getting sushi and drinking saki with hometown friends

0:14:17.440 --> 0:14:19.840
<v Speaker 1>because we're all home for Christmas, you know, we've all

0:14:19.880 --> 0:14:22.720
<v Speaker 1>kind of gone our separate, separate ways. And I woke up,

0:14:22.720 --> 0:14:24.440
<v Speaker 1>I was kind of hungover, you know, and my phone's

0:14:24.440 --> 0:14:26.600
<v Speaker 1>buzzing in the corner. I'm like, God, who is calling

0:14:26.640 --> 0:14:29.000
<v Speaker 1>me right now? You know? And I went over there

0:14:29.040 --> 0:14:32.280
<v Speaker 1>and I had like so many emails and messages and

0:14:32.280 --> 0:14:34.600
<v Speaker 1>and notifications that I tried to like unlock my phone

0:14:34.600 --> 0:14:36.640
<v Speaker 1>and it just froze. Like I had to like go

0:14:36.720 --> 0:14:39.200
<v Speaker 1>in and like delete emails like on my computer for

0:14:39.240 --> 0:14:42.520
<v Speaker 1>it to even open up. It was just ridiculous and

0:14:42.920 --> 0:14:45.520
<v Speaker 1>kind of just watching it happen and writing that wave

0:14:45.760 --> 0:14:48.320
<v Speaker 1>again is like, you don't even know. It's got a

0:14:48.360 --> 0:14:50.080
<v Speaker 1>mind of its own, It's got a life of its own.

0:14:50.120 --> 0:14:51.960
<v Speaker 1>Did you make money off of that? Because you had

0:14:51.960 --> 0:14:55.200
<v Speaker 1>so many views? Yeah? On YouTube? You know, there's a

0:14:55.240 --> 0:14:58.440
<v Speaker 1>certain thing, like you going into it, you should. And

0:14:58.560 --> 0:15:01.000
<v Speaker 1>I learned this after the fact. You it's easier to

0:15:01.040 --> 0:15:05.160
<v Speaker 1>monetize beforehand, or choose that you want to monetize, like right. Um.

0:15:05.240 --> 0:15:07.160
<v Speaker 1>And so we made a certain amount of money off

0:15:07.160 --> 0:15:10.320
<v Speaker 1>of that YouTube video, but the most you know, most

0:15:10.360 --> 0:15:12.880
<v Speaker 1>of the profits in the finance came from selling it

0:15:12.920 --> 0:15:16.480
<v Speaker 1>on iTunes. Um. And we ended up going to We

0:15:16.560 --> 0:15:19.120
<v Speaker 1>ended up playing the Red Carpet on the Grammys that year,

0:15:19.320 --> 0:15:21.600
<v Speaker 1>which was the first time anybody has ever sag live

0:15:21.680 --> 0:15:24.560
<v Speaker 1>on the Red Carpet, which was unreal from from a

0:15:24.640 --> 0:15:29.640
<v Speaker 1>viral video, from a viral video wow. Yeah, from just

0:15:29.680 --> 0:15:31.680
<v Speaker 1>sitting there with her going hey, let's do the song

0:15:31.720 --> 0:15:33.600
<v Speaker 1>and you shot it, just doing something that we thought

0:15:33.600 --> 0:15:35.880
<v Speaker 1>felt right and that was fun. Nobody did it for

0:15:35.920 --> 0:15:39.440
<v Speaker 1>any financial purpose. Nobody did it for anything other and like, honestly,

0:15:39.480 --> 0:15:43.440
<v Speaker 1>like I appreciate the financial aspect because it allowed me

0:15:43.520 --> 0:15:45.960
<v Speaker 1>to free up other parts of my life and then

0:15:46.280 --> 0:15:49.640
<v Speaker 1>so solely focused on music. But it was more about

0:15:49.680 --> 0:15:54.560
<v Speaker 1>like the the affirmation and the confidence of like, Okay,

0:15:54.600 --> 0:15:56.480
<v Speaker 1>I'm doing something right as an artist, you know, because

0:15:56.480 --> 0:15:58.040
<v Speaker 1>I had I had a couple of songs on hold

0:15:58.080 --> 0:15:59.960
<v Speaker 1>and cut, and I was kind of working on publishing

0:16:00.000 --> 0:16:01.400
<v Speaker 1>deals and stuff, so I had a little bit of

0:16:01.400 --> 0:16:03.960
<v Speaker 1>a snowball going, but it like turned it into like

0:16:04.000 --> 0:16:06.040
<v Speaker 1>a snowman. You know, did you worry you were going

0:16:06.080 --> 0:16:08.560
<v Speaker 1>to get painted into that the YouTube because there are

0:16:08.560 --> 0:16:11.360
<v Speaker 1>YouTube artists and they're just gonna be YouTube artists. For

0:16:11.360 --> 0:16:13.360
<v Speaker 1>the most part, I don't think I was worried. I

0:16:13.400 --> 0:16:15.480
<v Speaker 1>definitely think that's part of the conversation, and that's why

0:16:15.520 --> 0:16:17.800
<v Speaker 1>I was saying, like when you didn't know anything about it,

0:16:17.840 --> 0:16:20.120
<v Speaker 1>like I was like totally okay with that. I think

0:16:20.160 --> 0:16:23.680
<v Speaker 1>I wanted to. I know, I wanted to embrace it

0:16:23.760 --> 0:16:26.800
<v Speaker 1>and like be grateful for everything that it brought me.

0:16:27.040 --> 0:16:29.600
<v Speaker 1>But I also didn't want it to define me because,

0:16:29.600 --> 0:16:31.880
<v Speaker 1>like I said, I'm not I'm not a cover guy,

0:16:31.960 --> 0:16:34.120
<v Speaker 1>Like I just love writing songs. I do it every day,

0:16:34.160 --> 0:16:36.200
<v Speaker 1>not a cover guy. And that went viral. I know,

0:16:36.440 --> 0:16:38.640
<v Speaker 1>That's what I'm saying. The fresh thing that ever, which

0:16:38.680 --> 0:16:40.760
<v Speaker 1>maybe tells me that I'm an idiot and I should

0:16:40.760 --> 0:16:43.880
<v Speaker 1>probably do more, but I just right way too much,

0:16:44.200 --> 0:16:46.560
<v Speaker 1>like I do it every day, and I you know,

0:16:47.080 --> 0:16:49.480
<v Speaker 1>I could probably make two or three other records right

0:16:49.480 --> 0:16:51.080
<v Speaker 1>now other than the one that I have, you know,

0:16:51.120 --> 0:16:53.800
<v Speaker 1>that's coming out next year. But it's just like, I

0:16:53.800 --> 0:16:56.240
<v Speaker 1>don't know, It's just was a crazy moment that literally

0:16:56.280 --> 0:16:59.520
<v Speaker 1>was just for nothing else than just friends having fun

0:16:59.640 --> 0:17:02.360
<v Speaker 1>and doing what we do together. And and then Taylor Swift,

0:17:02.840 --> 0:17:06.320
<v Speaker 1>you know, appreciating the art of it, I guess, and

0:17:06.320 --> 0:17:08.439
<v Speaker 1>and and giving us a shout out, which is not

0:17:08.520 --> 0:17:10.320
<v Speaker 1>the first time she's done that. She's known for that

0:17:10.359 --> 0:17:13.320
<v Speaker 1>and I still do this day. I haven't met her. Um,

0:17:13.720 --> 0:17:16.119
<v Speaker 1>we obviously have some sort of like mutual friends in

0:17:16.119 --> 0:17:17.720
<v Speaker 1>the industry, so I got a chance to write her

0:17:17.720 --> 0:17:20.080
<v Speaker 1>an email and stuff and say thanks, but I'd like

0:17:20.119 --> 0:17:22.120
<v Speaker 1>to give her a hug in person and say thanks

0:17:22.200 --> 0:17:28.000
<v Speaker 1>for everything one day. You know. So, did that open

0:17:28.080 --> 0:17:32.200
<v Speaker 1>doors for you in town as far as hey, We'd

0:17:32.240 --> 0:17:36.119
<v Speaker 1>like to sign you absolutely. Yeah. Um, was there a

0:17:36.119 --> 0:17:38.720
<v Speaker 1>bidding war on you because of that? I mean, I

0:17:38.720 --> 0:17:40.600
<v Speaker 1>don't know if I would. I mean, yeah, Like, there

0:17:40.680 --> 0:17:42.240
<v Speaker 1>was a lot of there was a lot of interest

0:17:42.280 --> 0:17:46.280
<v Speaker 1>from every side of of every fact all of a

0:17:46.320 --> 0:17:49.440
<v Speaker 1>sudden and everybody unreal, unreal, And I think I think

0:17:49.520 --> 0:17:52.040
<v Speaker 1>part of the battle of getting to that place is

0:17:52.119 --> 0:17:55.320
<v Speaker 1>just being what I call kicked into the eye like

0:17:55.359 --> 0:17:59.439
<v Speaker 1>how many people are like like working at dominoes and

0:17:59.480 --> 0:18:01.960
<v Speaker 1>write and ashes every day. But it's it's it's just

0:18:02.200 --> 0:18:04.120
<v Speaker 1>and and how many people at a record label would

0:18:04.160 --> 0:18:06.800
<v Speaker 1>die to find that guy, you know? And it's like

0:18:07.280 --> 0:18:09.280
<v Speaker 1>we need to help each other. And it's just awareness

0:18:09.359 --> 0:18:11.560
<v Speaker 1>a lot of the times. And so that was, like

0:18:11.600 --> 0:18:13.760
<v Speaker 1>I said, the financial thing was amazing and it allowed

0:18:13.760 --> 0:18:15.280
<v Speaker 1>me to free up other parts of my life, but

0:18:15.320 --> 0:18:18.240
<v Speaker 1>it was more about the being kicked into the eye

0:18:18.240 --> 0:18:20.760
<v Speaker 1>and the awareness of, oh, this guy's is doing something

0:18:21.560 --> 0:18:24.280
<v Speaker 1>whatever he's doing like and it sounds cool, So let's

0:18:24.280 --> 0:18:25.600
<v Speaker 1>go hang and meet with him. And you know, it

0:18:25.600 --> 0:18:27.600
<v Speaker 1>takes a lot of you've gotta come with the songs.

0:18:27.720 --> 0:18:29.520
<v Speaker 1>You gotta come with the hard work. You gotta come

0:18:29.520 --> 0:18:32.640
<v Speaker 1>with and with everything and and and being you gotta

0:18:32.680 --> 0:18:34.800
<v Speaker 1>be grateful and humble for everything along the way. And

0:18:35.240 --> 0:18:36.800
<v Speaker 1>I am you know, how does you know who to

0:18:36.840 --> 0:18:39.520
<v Speaker 1>surround yourself with? Though? Because here you go. Now it's

0:18:39.560 --> 0:18:43.000
<v Speaker 1>big boy time. And for me, I've learned it's all

0:18:43.040 --> 0:18:45.480
<v Speaker 1>about the people you put around. Like I can be

0:18:45.520 --> 0:18:46.760
<v Speaker 1>as good as I am, but if I don't have

0:18:46.800 --> 0:18:49.760
<v Speaker 1>the right people, I'm not going to succeed. Your team

0:18:49.840 --> 0:18:52.080
<v Speaker 1>is an extension of you, and you should be able

0:18:52.119 --> 0:18:55.040
<v Speaker 1>to even though you know you want to make every decision,

0:18:55.119 --> 0:18:57.360
<v Speaker 1>if you can't one day, you should be completely confident

0:18:57.400 --> 0:18:59.359
<v Speaker 1>that somebody else would know what to do in your

0:18:59.359 --> 0:19:01.680
<v Speaker 1>shoes be like grabbing on you right there, and it's like, what,

0:19:01.760 --> 0:19:04.920
<v Speaker 1>how do you, at your tender age decide what who's

0:19:04.960 --> 0:19:07.879
<v Speaker 1>really is? As cheesy as it is, dude, just the gut.

0:19:08.280 --> 0:19:11.800
<v Speaker 1>The gut is the most powerful thing in the universe.

0:19:11.840 --> 0:19:15.840
<v Speaker 1>Whether you're writing songs, whether you're trying to build a team,

0:19:16.600 --> 0:19:18.879
<v Speaker 1>whether you're thinking about whether you should go home or

0:19:18.880 --> 0:19:20.679
<v Speaker 1>you should go do this or whatever, just go with

0:19:20.720 --> 0:19:22.800
<v Speaker 1>your gut, man. And it's the cheesiest thing in the world.

0:19:23.000 --> 0:19:26.000
<v Speaker 1>And that's the one thing that helped me along the way,

0:19:26.119 --> 0:19:27.760
<v Speaker 1>was when I had a lot of decisions and like,

0:19:27.880 --> 0:19:29.760
<v Speaker 1>going back to what we said earlier, there's so many

0:19:29.800 --> 0:19:32.520
<v Speaker 1>good people in Nashville, Like, how are you supposed to

0:19:32.600 --> 0:19:34.840
<v Speaker 1>choose between the best person in the world and the

0:19:34.880 --> 0:19:37.040
<v Speaker 1>other best person in the world. You know, I write

0:19:37.040 --> 0:19:39.040
<v Speaker 1>a book and I was talking about the gut and

0:19:39.040 --> 0:19:41.360
<v Speaker 1>what the gut really is, and we go we say

0:19:41.400 --> 0:19:45.879
<v Speaker 1>gut because it's like, regardless of our brain having eleven ideas.

0:19:46.520 --> 0:19:49.240
<v Speaker 1>It's what we really feel is the right thing, even

0:19:49.280 --> 0:19:52.440
<v Speaker 1>though there are other options in way things that weigh.

0:19:52.520 --> 0:19:54.600
<v Speaker 1>And so I read that read this book. It's about

0:19:54.640 --> 0:19:57.600
<v Speaker 1>why the gut is actually the brain, and it's actually

0:19:57.600 --> 0:19:59.639
<v Speaker 1>the part of the brain that you should follow because

0:20:00.080 --> 0:20:02.640
<v Speaker 1>is your instinct. Your gut is actually your brain's instinct,

0:20:02.880 --> 0:20:04.960
<v Speaker 1>and your instinct is right. And and they talked to

0:20:05.160 --> 0:20:07.359
<v Speaker 1>all of I give you an example from one of

0:20:07.400 --> 0:20:08.840
<v Speaker 1>the stories they told. They took a piece of art

0:20:09.119 --> 0:20:11.400
<v Speaker 1>and I'm total nerds, so allowing me the nerd for something.

0:20:12.240 --> 0:20:14.640
<v Speaker 1>They took a piece of art and it had been

0:20:14.680 --> 0:20:19.880
<v Speaker 1>in through like twenty conservatories through and they couldn't determine

0:20:19.920 --> 0:20:22.280
<v Speaker 1>if it was real or not, if it was this

0:20:22.440 --> 0:20:24.320
<v Speaker 1>artist had really made it, or if it was a fake.

0:20:25.119 --> 0:20:27.080
<v Speaker 1>And so they took it to all these people and

0:20:27.119 --> 0:20:29.520
<v Speaker 1>these people have spent months with it months months, months,

0:20:30.119 --> 0:20:32.720
<v Speaker 1>and like seventy people had said, no, this is not real.

0:20:32.760 --> 0:20:34.600
<v Speaker 1>People that have spent all this time with it. Then

0:20:34.640 --> 0:20:36.680
<v Speaker 1>they took it to these this other group of you,

0:20:36.840 --> 0:20:38.440
<v Speaker 1>this is an experiment because they knew if it was

0:20:38.480 --> 0:20:40.600
<v Speaker 1>real or not. Then they took it to these other

0:20:40.600 --> 0:20:42.359
<v Speaker 1>people and they were also experts, and they went, just

0:20:42.400 --> 0:20:44.840
<v Speaker 1>give it your gut, and their gut reaction was almost

0:20:45.400 --> 0:20:47.359
<v Speaker 1>that it's real. They just went with the gut. Their

0:20:47.440 --> 0:20:50.639
<v Speaker 1>gut was right, and so they did want experiment and

0:20:50.640 --> 0:20:52.560
<v Speaker 1>it was real. And eighty of the people that just

0:20:52.560 --> 0:20:54.560
<v Speaker 1>want with instinct and gut were right. And the people

0:20:54.600 --> 0:20:57.960
<v Speaker 1>that sit there and looked and thought and kind of wait,

0:20:58.280 --> 0:21:00.600
<v Speaker 1>I don't they were wrong. Then you get in your

0:21:00.600 --> 0:21:02.280
<v Speaker 1>head and then you said, then it was like, always

0:21:02.280 --> 0:21:04.360
<v Speaker 1>go with your gut, because even if you're wrong, more

0:21:04.440 --> 0:21:06.679
<v Speaker 1>time is than not. Your gut is your brain's first

0:21:06.760 --> 0:21:09.440
<v Speaker 1>instinct of what is right. And so when you say

0:21:09.480 --> 0:21:12.359
<v Speaker 1>going anyway, trust your senses. Like sometimes you're you're looking

0:21:12.359 --> 0:21:15.240
<v Speaker 1>at a picture in your eye knows what compositionally it

0:21:15.240 --> 0:21:17.840
<v Speaker 1>should look like, or you know, you know what smell

0:21:17.920 --> 0:21:19.960
<v Speaker 1>is right whatever. I mean, that's the weirdest example. But

0:21:20.080 --> 0:21:22.600
<v Speaker 1>just trust your senses and go with your gut. It's

0:21:22.640 --> 0:21:24.280
<v Speaker 1>the cheesiest thing in the world. And it's not the

0:21:24.320 --> 0:21:27.520
<v Speaker 1>easiest thing to also follow because it's hard, Like what

0:21:27.680 --> 0:21:30.040
<v Speaker 1>is my gut saying? You know, like your gut saying

0:21:30.040 --> 0:21:32.480
<v Speaker 1>the first thing that comes to you exactly. That's how

0:21:32.640 --> 0:21:35.280
<v Speaker 1>that's how I now engage. My gut is what's my

0:21:35.359 --> 0:21:38.000
<v Speaker 1>first instinct on this? Yeah, okay, that's my gut and

0:21:38.040 --> 0:21:39.720
<v Speaker 1>that's what I should go in. And funny enough, when

0:21:39.760 --> 0:21:42.600
<v Speaker 1>you when you when you try to deny that or

0:21:42.640 --> 0:21:44.359
<v Speaker 1>you try to go around it, you end up coming

0:21:44.359 --> 0:21:46.840
<v Speaker 1>back to it. Always. It's always that first thought, best

0:21:46.840 --> 0:21:48.480
<v Speaker 1>thought kind of thing where you're like, well, maybe it's this,

0:21:48.520 --> 0:21:49.879
<v Speaker 1>maybe it's this, and then you go through all this

0:21:49.920 --> 0:21:51.600
<v Speaker 1>and then you really zoom out again and you're like, nope,

0:21:51.640 --> 0:21:56.040
<v Speaker 1>it's the first thing. Who's your person, Like who's your confident?

0:21:56.200 --> 0:21:58.840
<v Speaker 1>Your manager? I know how it could be your manager,

0:21:58.960 --> 0:22:00.400
<v Speaker 1>like who is it for you? Or it's like man,

0:22:00.960 --> 0:22:03.240
<v Speaker 1>I need some help, let me lean? Is it another artist?

0:22:03.400 --> 0:22:05.760
<v Speaker 1>Like who is it? Yeah? I mean there's it's hard

0:22:05.800 --> 0:22:08.760
<v Speaker 1>to choose just one person. Um. My manager just inherently

0:22:08.920 --> 0:22:11.840
<v Speaker 1>is a huge confident obviously because he's in everything and

0:22:11.880 --> 0:22:14.359
<v Speaker 1>every day and every hour. His name is Todd Ramy.

0:22:14.480 --> 0:22:18.000
<v Speaker 1>He works with Jason Owen a sandbox and so but

0:22:18.119 --> 0:22:20.840
<v Speaker 1>also I work. I'm really close with everyone on my team,

0:22:20.920 --> 0:22:22.960
<v Speaker 1>like my label Chris Lacey is my A and R

0:22:23.040 --> 0:22:25.000
<v Speaker 1>and S BO. I always call him my Nashville dad

0:22:25.480 --> 0:22:28.240
<v Speaker 1>and I they talk about songs with me. They work

0:22:28.280 --> 0:22:30.879
<v Speaker 1>through lyrics, they work through album artwork. We just worried

0:22:30.880 --> 0:22:33.480
<v Speaker 1>about sequencing and like the sequence that I chose for

0:22:33.480 --> 0:22:35.960
<v Speaker 1>the record wasn't right it like I thought it was.

0:22:36.000 --> 0:22:37.760
<v Speaker 1>And then I then I listened down to Chris Lacey's

0:22:37.760 --> 0:22:40.720
<v Speaker 1>and hers was perfect. You know. It's like I trust everybody,

0:22:40.760 --> 0:22:43.000
<v Speaker 1>like my business manager, if you know. I went to

0:22:43.160 --> 0:22:44.679
<v Speaker 1>I went to Belmont and she said, you know, I

0:22:44.720 --> 0:22:46.120
<v Speaker 1>know you just got signed, but we got to pay

0:22:46.119 --> 0:22:48.040
<v Speaker 1>off these student loans, you know, And I'm like, all right,

0:22:48.080 --> 0:22:50.199
<v Speaker 1>I trust you. Let's do it. You know, like whatever

0:22:50.240 --> 0:22:52.560
<v Speaker 1>it is, like it's in businessman. Is that a weird thing?

0:22:52.720 --> 0:22:55.000
<v Speaker 1>Because listen, I come, all right, come for money. So

0:22:55.040 --> 0:22:57.080
<v Speaker 1>I don't know money. I have no education. You have money.

0:22:57.560 --> 0:23:01.159
<v Speaker 1>I don't know. And I had to get a business manager. Again.

0:23:01.320 --> 0:23:03.600
<v Speaker 1>It was a gut thing. And I think I think

0:23:03.640 --> 0:23:07.000
<v Speaker 1>going through the motions of writing and meeting people and

0:23:07.040 --> 0:23:09.440
<v Speaker 1>taking meetings and going to lunch, and then like I

0:23:09.760 --> 0:23:11.240
<v Speaker 1>met a lot of these people while I was still

0:23:11.280 --> 0:23:15.680
<v Speaker 1>at Belmont through like uh, you know, internships or or

0:23:15.680 --> 0:23:17.919
<v Speaker 1>convocations where I would meet people and we already had

0:23:17.920 --> 0:23:20.359
<v Speaker 1>a relationship, and then it came time for me to like, Okay,

0:23:20.400 --> 0:23:22.359
<v Speaker 1>I need some help, and I already had people that

0:23:22.400 --> 0:23:27.280
<v Speaker 1>I trusted, um just from a friendship relational side, regardless

0:23:27.320 --> 0:23:29.600
<v Speaker 1>of the business side of it. And I think the

0:23:29.600 --> 0:23:32.200
<v Speaker 1>beauty of a business manager for me is the fact

0:23:32.240 --> 0:23:33.879
<v Speaker 1>that I don't have to worry about any of that,

0:23:33.920 --> 0:23:35.920
<v Speaker 1>and I trust you, and I can really just focus

0:23:35.960 --> 0:23:37.960
<v Speaker 1>again on the art and on the music, and on

0:23:38.000 --> 0:23:39.719
<v Speaker 1>the work, and on the travel and on the plane

0:23:40.320 --> 0:23:42.919
<v Speaker 1>if you're listening to this. And again, until recently, I

0:23:42.920 --> 0:23:44.560
<v Speaker 1>didn't know what a business manager was. I'll be honest

0:23:44.600 --> 0:23:46.040
<v Speaker 1>with until I had, until I had to get one.

0:23:46.880 --> 0:23:49.359
<v Speaker 1>But like for me, I have to pay percentages to

0:23:49.400 --> 0:23:52.320
<v Speaker 1>a lot of things. Like I have a manager, I

0:23:52.320 --> 0:23:54.560
<v Speaker 1>have an agent. I have to So just to break

0:23:54.560 --> 0:23:57.000
<v Speaker 1>it down, let's say I make ten dollars, Okay, I'll

0:23:57.040 --> 0:23:59.000
<v Speaker 1>go do a stand up shore. I'll make ten dollars. Well,

0:23:59.000 --> 0:24:01.480
<v Speaker 1>my manager is fifting for sent my agent gets ten percent,

0:24:01.800 --> 0:24:04.359
<v Speaker 1>my busines manager gets five percent, and so before you

0:24:04.400 --> 0:24:08.720
<v Speaker 1>know it, there there's thirty percent gone. But instead of

0:24:08.720 --> 0:24:10.280
<v Speaker 1>me having to pay all this stuff, your business manager

0:24:10.320 --> 0:24:12.080
<v Speaker 1>takes care of it. They do taxes, they do all

0:24:12.080 --> 0:24:14.240
<v Speaker 1>of this stuff. What percentages get involved, like I got

0:24:14.240 --> 0:24:16.040
<v Speaker 1>I have no idea what's going on, Yeah, but you

0:24:16.080 --> 0:24:17.840
<v Speaker 1>know what and and and a lot of people. You know,

0:24:17.880 --> 0:24:19.680
<v Speaker 1>you obviously want to get the best deal. You want

0:24:19.680 --> 0:24:21.479
<v Speaker 1>to feel like you're getting a good deal. You know,

0:24:21.600 --> 0:24:23.480
<v Speaker 1>even if it's like an eighty thousand dollar car, if

0:24:23.480 --> 0:24:25.120
<v Speaker 1>all of a sudden it's sixty thousand, you know, it's

0:24:25.119 --> 0:24:27.000
<v Speaker 1>still expensive, but you're feeling like you're getting a good deal.

0:24:27.040 --> 0:24:28.360
<v Speaker 1>So you're like, you know what, I'm into it, you know.

0:24:28.720 --> 0:24:32.320
<v Speaker 1>And I've never been one to be afraid of giving

0:24:32.400 --> 0:24:36.679
<v Speaker 1>up equity for for talent and family and reason, like

0:24:36.720 --> 0:24:38.560
<v Speaker 1>I don't somebody said to me, I don't want to

0:24:38.560 --> 0:24:40.800
<v Speaker 1>be rich alone, you know what I mean, Like, it's

0:24:40.800 --> 0:24:43.399
<v Speaker 1>not really Obviously, this is a music business, so it's

0:24:43.440 --> 0:24:45.280
<v Speaker 1>obviously about financials at the end of the day. But

0:24:45.280 --> 0:24:47.320
<v Speaker 1>it's more about being able to do this for a

0:24:47.359 --> 0:24:50.399
<v Speaker 1>living and be comfortable. And if I could have a

0:24:50.400 --> 0:24:52.640
<v Speaker 1>team and a family around me and we can all

0:24:52.680 --> 0:24:55.360
<v Speaker 1>be successful together, that would be so much more meaningful

0:24:55.400 --> 0:24:58.080
<v Speaker 1>to me than you know, nickel and diming and trying

0:24:58.119 --> 0:25:00.840
<v Speaker 1>to squeeze every little last thing out. You know, I

0:25:00.880 --> 0:25:02.479
<v Speaker 1>just I don't have time to worry about it. Man.

0:25:02.520 --> 0:25:04.600
<v Speaker 1>I just I'm just more worried about music, you know.

0:25:04.960 --> 0:25:06.720
<v Speaker 1>And it's funny you bring up business manager because I'm

0:25:06.720 --> 0:25:08.240
<v Speaker 1>the same way with mine now, Like I'm very close

0:25:08.240 --> 0:25:09.560
<v Speaker 1>to her because I don't know enough about it and

0:25:09.600 --> 0:25:11.760
<v Speaker 1>I trust her and I trust that she's going to

0:25:11.880 --> 0:25:14.080
<v Speaker 1>look out for me. Isn't that crazy? That? And I

0:25:14.119 --> 0:25:16.840
<v Speaker 1>never thought even even existed. I didn't even know what

0:25:16.960 --> 0:25:19.520
<v Speaker 1>it was a thing. So I come from you go

0:25:19.600 --> 0:25:21.199
<v Speaker 1>to work, and you work at the mill or you

0:25:21.240 --> 0:25:24.080
<v Speaker 1>do and you just pay your bills. But then I

0:25:24.119 --> 0:25:27.879
<v Speaker 1>trust someone to have access to everything that i'd like,

0:25:28.000 --> 0:25:30.159
<v Speaker 1>and without it I would just be lost. Yeah, I

0:25:30.240 --> 0:25:32.280
<v Speaker 1>just I don't know. I think when you go back

0:25:32.320 --> 0:25:35.320
<v Speaker 1>to how do you choose these people? It's again obviously

0:25:35.359 --> 0:25:38.760
<v Speaker 1>a gut thing, but it's like things sift out. The

0:25:38.840 --> 0:25:41.680
<v Speaker 1>gold will find its way out, like the time will

0:25:41.720 --> 0:25:44.000
<v Speaker 1>go by and the energy will happen, and you'll be

0:25:44.040 --> 0:25:46.919
<v Speaker 1>connected to certain people that you should be with. What

0:25:46.960 --> 0:25:49.080
<v Speaker 1>I did, I called so I didn't know anything about it, right,

0:25:49.080 --> 0:25:51.159
<v Speaker 1>I just picked up like literally I just got on

0:25:51.200 --> 0:25:55.480
<v Speaker 1>my computer typed business manager. Yeah, that's literally what I did,

0:25:55.480 --> 0:25:57.440
<v Speaker 1>because I knew nothing about it, and I was sitting

0:25:57.480 --> 0:25:59.560
<v Speaker 1>at home on my on the calculator on my phone

0:25:59.600 --> 0:26:01.440
<v Speaker 1>just figure out how to pay people and want to

0:26:01.480 --> 0:26:03.439
<v Speaker 1>pay people and had to have to pay band members

0:26:03.520 --> 0:26:06.040
<v Speaker 1>for the band, and so I'm doing all and I'm like,

0:26:06.080 --> 0:26:07.800
<v Speaker 1>I'm getting lost. So I asked and say, hey, what

0:26:07.880 --> 0:26:09.240
<v Speaker 1>I do this? He should get a business major. So

0:26:09.280 --> 0:26:12.240
<v Speaker 1>I called and I won't say any name, but I called.

0:26:12.320 --> 0:26:14.520
<v Speaker 1>I just look up. First one pops up called say hey,

0:26:14.560 --> 0:26:18.000
<v Speaker 1>I'm looking for a business manager. I talked on the

0:26:18.080 --> 0:26:20.960
<v Speaker 1>radio for a living um, and they're like, oh, you know,

0:26:21.040 --> 0:26:23.840
<v Speaker 1>we don't have any room for you, and right now

0:26:23.920 --> 0:26:26.000
<v Speaker 1>we're full, our rosters full. And I was like, okay, great,

0:26:26.119 --> 0:26:28.760
<v Speaker 1>I said. They're like, we'll take your name. Though, I

0:26:28.800 --> 0:26:31.440
<v Speaker 1>was like great, sure um at this point, and listen,

0:26:31.480 --> 0:26:34.640
<v Speaker 1>I wasn't going in screaming on Bobby Bones. I was like, okay, yeah,

0:26:34.680 --> 0:26:37.200
<v Speaker 1>my name is Bobby Bones. So I should hang up boom.

0:26:37.359 --> 0:26:38.879
<v Speaker 1>Five minutes, I get a call back, Oh, we we

0:26:39.000 --> 0:26:41.920
<v Speaker 1>love her. No. I was like, not gonna do it.

0:26:41.960 --> 0:26:44.640
<v Speaker 1>So then I call another one kind of the same situation.

0:26:44.760 --> 0:26:46.840
<v Speaker 1>You know what, our roster's full, we don't have time

0:26:46.880 --> 0:26:52.120
<v Speaker 1>for Anna for DJ. I call mine now, and I said, hey, listen,

0:26:52.119 --> 0:26:54.080
<v Speaker 1>I don't know anything about having a business manager. I've

0:26:54.119 --> 0:26:56.280
<v Speaker 1>never had money. I've never had money. I talked on

0:26:56.280 --> 0:26:59.040
<v Speaker 1>the radio um and they were like, well, what what

0:26:59.240 --> 0:27:01.560
<v Speaker 1>kind of questions do you have? And I was like, okay,

0:27:02.080 --> 0:27:06.800
<v Speaker 1>they're just asking, and so never from mentioned a people

0:27:06.800 --> 0:27:07.880
<v Speaker 1>about it. Then at the end I was like, hey,

0:27:07.920 --> 0:27:10.720
<v Speaker 1>here's the real story, Like I'm a national syndicate radio host,

0:27:10.760 --> 0:27:13.240
<v Speaker 1>I'm a good living I really need help. And so

0:27:13.800 --> 0:27:15.960
<v Speaker 1>after I got a couple of those hey we're fools.

0:27:16.040 --> 0:27:18.040
<v Speaker 1>Oh no, no, no, no, we're not. I want with

0:27:18.080 --> 0:27:20.520
<v Speaker 1>the person who was like, it doesn't matter to me,

0:27:20.640 --> 0:27:21.960
<v Speaker 1>like what do you what kind of questions do you have?

0:27:22.040 --> 0:27:24.000
<v Speaker 1>Let us answer your questions to figure out And for

0:27:24.080 --> 0:27:25.439
<v Speaker 1>me that was and it's not just that I had

0:27:25.440 --> 0:27:27.280
<v Speaker 1>a friend wants This is one of my favorite stories.

0:27:28.080 --> 0:27:30.919
<v Speaker 1>My friend who I played Legion baseball with. So he

0:27:30.920 --> 0:27:33.000
<v Speaker 1>went to different school, but his dad was a doctor

0:27:33.960 --> 0:27:36.680
<v Speaker 1>and his dad wore a pair of old dirty jeans

0:27:36.720 --> 0:27:38.000
<v Speaker 1>and a T shirt. And he would go look at

0:27:38.000 --> 0:27:42.679
<v Speaker 1>schools and school sometimes when they yeah, they show them

0:27:42.720 --> 0:27:44.440
<v Speaker 1>to learned a little bit. And he finally went to

0:27:44.520 --> 0:27:46.480
<v Speaker 1>a school and they they took him around everywhere and

0:27:46.520 --> 0:27:47.800
<v Speaker 1>they didn't care what he looked like. And that's a

0:27:47.840 --> 0:27:49.560
<v Speaker 1>school they moved to and went to. And I was

0:27:49.640 --> 0:27:51.960
<v Speaker 1>like that, And I think that story has kind of

0:27:52.080 --> 0:27:54.760
<v Speaker 1>shaped how I am with people, Like I want to

0:27:54.800 --> 0:27:58.399
<v Speaker 1>give them the lowest possible they and see how they

0:27:58.520 --> 0:28:02.200
<v Speaker 1>respect that. How do you eat your bartender or your

0:28:02.240 --> 0:28:04.080
<v Speaker 1>waiter or when someone's not looked Dude, have you ever

0:28:04.160 --> 0:28:06.359
<v Speaker 1>gone out to eat with somebody that maybe you hadn't

0:28:06.359 --> 0:28:08.200
<v Speaker 1>and then one time like you loved him and they're great,

0:28:08.240 --> 0:28:09.920
<v Speaker 1>and then they treat they treat me like crap. Yeah,

0:28:09.920 --> 0:28:13.520
<v Speaker 1>and you're like, oh, I don't know, right, It's still real.

0:28:13.560 --> 0:28:16.520
<v Speaker 1>I bartended through college and you know, on one hand,

0:28:16.560 --> 0:28:19.600
<v Speaker 1>I always expect good service because I come from good service.

0:28:20.160 --> 0:28:22.760
<v Speaker 1>But that doesn't mean treat somebody like crap, you know

0:28:22.800 --> 0:28:24.760
<v Speaker 1>what I mean. There's there's a there's a line between

0:28:25.119 --> 0:28:28.399
<v Speaker 1>expecting to be you know, taken care of, and if

0:28:28.440 --> 0:28:31.240
<v Speaker 1>you're not, like you know, it's there's other ways to

0:28:31.320 --> 0:28:33.440
<v Speaker 1>deal with it than being a butt head. And I

0:28:33.560 --> 0:28:36.760
<v Speaker 1>waited tables and for me, I wish everybody would have

0:28:36.840 --> 0:28:40.240
<v Speaker 1>to serve, because if everybody had to serve, people would

0:28:40.280 --> 0:28:42.880
<v Speaker 1>treat people differently. But you know, I come from a

0:28:42.880 --> 0:28:46.080
<v Speaker 1>place to where at times it was the kitchen's fault

0:28:46.200 --> 0:28:49.200
<v Speaker 1>and I got in trouble for it. And that rolls

0:28:49.240 --> 0:28:53.720
<v Speaker 1>over into life too. Sometimes if something is wrong here,

0:28:53.960 --> 0:28:55.680
<v Speaker 1>I look at it and go, Okay, maybe it was

0:28:55.680 --> 0:28:57.840
<v Speaker 1>the kid. I'm not talking about what Maybe it was

0:28:57.840 --> 0:29:00.920
<v Speaker 1>the kitchen's fault, right, even though I'm not even it's

0:29:00.960 --> 0:29:03.440
<v Speaker 1>not even about waiting tables anymore. You know, maybe somebody

0:29:04.360 --> 0:29:07.280
<v Speaker 1>rear ended me or maybe something maybe maybe it was

0:29:07.320 --> 0:29:10.120
<v Speaker 1>a kitchen's fault. You know, I tried and to put

0:29:10.160 --> 0:29:13.360
<v Speaker 1>that in them out like things I've learned from other jobs,

0:29:13.400 --> 0:29:15.600
<v Speaker 1>they're actually so much more meat. You can't. Like there's

0:29:15.600 --> 0:29:17.720
<v Speaker 1>a lot of people that you know, and I am

0:29:17.880 --> 0:29:20.560
<v Speaker 1>also guilty of this in my own right, but skipping steps,

0:29:20.640 --> 0:29:25.200
<v Speaker 1>you know, or or getting certain like positive things that

0:29:25.240 --> 0:29:26.920
<v Speaker 1>happened in their life. And I think these steps are

0:29:27.000 --> 0:29:29.480
<v Speaker 1>so important. Like I was, I was in a band

0:29:29.520 --> 0:29:31.360
<v Speaker 1>when I was twelve, all the way through the end

0:29:31.400 --> 0:29:34.360
<v Speaker 1>of high school. You know, garage bands started out playing

0:29:34.400 --> 0:29:36.400
<v Speaker 1>like classic rock, and then through like middle school and

0:29:36.480 --> 0:29:39.240
<v Speaker 1>high school, kept getting angstier and angstier and heavier and heavier.

0:29:39.320 --> 0:29:42.000
<v Speaker 1>And heavier, and by the end of high school we

0:29:42.040 --> 0:29:45.120
<v Speaker 1>were in this very heavy, technical death metal band and

0:29:45.200 --> 0:29:47.480
<v Speaker 1>we've been playing. You know, we've been playing together for

0:29:47.560 --> 0:29:52.240
<v Speaker 1>six years, touring up, calling you cool. It's calling me

0:29:52.360 --> 0:29:54.360
<v Speaker 1>like like seven times in a rows. We're doing it's

0:29:54.360 --> 0:29:56.080
<v Speaker 1>a six one five number, which I always answered, but

0:29:56.160 --> 0:29:57.920
<v Speaker 1>this time they can wait, A know, both of our

0:29:57.920 --> 0:30:00.800
<v Speaker 1>pon like turning it over. You know, I didn't miss

0:30:00.800 --> 0:30:03.280
<v Speaker 1>a beat though, you said, I see, I kept um.

0:30:03.480 --> 0:30:05.880
<v Speaker 1>And so after we you know, we got signed after

0:30:06.000 --> 0:30:08.600
<v Speaker 1>high school and instead of going to college, I toured

0:30:08.640 --> 0:30:10.560
<v Speaker 1>in a metal band for four years after high school,

0:30:10.640 --> 0:30:13.240
<v Speaker 1>which was my dad's like worst nightmare. I mean he

0:30:13.320 --> 0:30:15.840
<v Speaker 1>supported it, obviously, but I just don't think he understood

0:30:15.840 --> 0:30:18.400
<v Speaker 1>it because he he comes from again, no money works

0:30:18.440 --> 0:30:20.800
<v Speaker 1>for everything. You have rax to riches, and that's the

0:30:20.840 --> 0:30:22.720
<v Speaker 1>way he raised my my brother, and I is like,

0:30:23.440 --> 0:30:26.880
<v Speaker 1>no financial help really and you know incentives if you

0:30:26.960 --> 0:30:29.080
<v Speaker 1>get straight a's, you like that kind of thing. And

0:30:29.520 --> 0:30:31.080
<v Speaker 1>and so let me get the start. You went to

0:30:31.160 --> 0:30:33.960
<v Speaker 1>high school, then you went and you toured for years,

0:30:34.000 --> 0:30:35.840
<v Speaker 1>and then you went back to college. Correct, Yeah, so

0:30:36.000 --> 0:30:38.720
<v Speaker 1>I I I was in I think I had a

0:30:38.840 --> 0:30:42.400
<v Speaker 1>week of I was in just community college after you know, local,

0:30:42.880 --> 0:30:47.480
<v Speaker 1>and a week into that we got signed and I said, yeah.

0:30:47.560 --> 0:30:48.960
<v Speaker 1>I was like, Dad, I'm gonna do this. You know, like,

0:30:49.520 --> 0:30:51.960
<v Speaker 1>on one hand, you have college, which I think is

0:30:52.080 --> 0:30:54.120
<v Speaker 1>very important, But on the other hand, I have this

0:30:54.480 --> 0:30:56.840
<v Speaker 1>dream of mine that's just right here, you know, and

0:30:57.160 --> 0:30:59.040
<v Speaker 1>you can always come back to college, and I did

0:30:59.120 --> 0:31:02.360
<v Speaker 1>and I graduated right. But again, going back to those

0:31:02.480 --> 0:31:05.600
<v Speaker 1>four years of messing up, of doing it all wrong,

0:31:06.200 --> 0:31:08.840
<v Speaker 1>of of learning and having those steps and kicking the

0:31:08.920 --> 0:31:11.000
<v Speaker 1>little hitting my shins on the stairs on the way up,

0:31:11.040 --> 0:31:14.640
<v Speaker 1>and all that stuff that has informed now again my

0:31:14.760 --> 0:31:16.560
<v Speaker 1>gut in the way that I choose my team, in

0:31:16.600 --> 0:31:18.560
<v Speaker 1>the way that I'm attracted to certain people and the

0:31:18.680 --> 0:31:20.840
<v Speaker 1>people that I know are right for me. And so

0:31:20.960 --> 0:31:23.160
<v Speaker 1>I always say I'm lucky to have messed up before.

0:31:23.440 --> 0:31:25.680
<v Speaker 1>I'm lucky to have had a second chance, because I

0:31:25.720 --> 0:31:28.000
<v Speaker 1>feel like that's when you really get to dig in

0:31:28.080 --> 0:31:30.000
<v Speaker 1>and be like, all right, I know what's up this time.

0:31:30.400 --> 0:31:32.400
<v Speaker 1>I feel the same way about saying I got started

0:31:32.440 --> 0:31:33.960
<v Speaker 1>really early in my career, like I got to started

0:31:34.000 --> 0:31:36.440
<v Speaker 1>a teenager and right now, and which means I got

0:31:36.480 --> 0:31:40.120
<v Speaker 1>to screw up earlier and screwing up earlier allowed me

0:31:40.240 --> 0:31:42.880
<v Speaker 1>to be better later. And I think that was a

0:31:42.920 --> 0:31:46.520
<v Speaker 1>big deal for me, is that since I started, I

0:31:46.760 --> 0:31:49.120
<v Speaker 1>was able to do all my juice up, oh every

0:31:49.160 --> 0:31:52.280
<v Speaker 1>way possible. I mean, when you're sixteen, seventeen years old

0:31:52.800 --> 0:31:56.480
<v Speaker 1>and I didn't know how to talk a little, it

0:31:56.560 --> 0:32:00.920
<v Speaker 1>took me years to stop doing it. Took me years

0:32:00.960 --> 0:32:04.200
<v Speaker 1>of sucking of not getting ratings, and I'm like, what

0:32:04.640 --> 0:32:07.440
<v Speaker 1>what do I am? I getting ratting zero and kaolas boy,

0:32:07.680 --> 0:32:10.000
<v Speaker 1>and I was like, welcome to the wacky morning shows,

0:32:10.240 --> 0:32:11.880
<v Speaker 1>and I want even do it mornings. I was doing nights,

0:32:11.920 --> 0:32:13.760
<v Speaker 1>and I was like, if I can't get ratings, doing

0:32:13.920 --> 0:32:16.680
<v Speaker 1>is absolutely best I can, I might as well not

0:32:16.840 --> 0:32:19.800
<v Speaker 1>get ratings being me. And the once I started to

0:32:19.880 --> 0:32:23.200
<v Speaker 1>kind of be me, they started to go rise up

0:32:23.200 --> 0:32:25.320
<v Speaker 1>a little bit. One of my favorite quotes and it's

0:32:25.320 --> 0:32:27.479
<v Speaker 1>a John Merrick quote, and I loved your interview with him,

0:32:27.520 --> 0:32:29.440
<v Speaker 1>by the way, A huge fan of his, and he

0:32:29.560 --> 0:32:32.840
<v Speaker 1>says something along the lines of my failure to sound

0:32:32.960 --> 0:32:35.840
<v Speaker 1>like my heroes has allowed me to sound like myself.

0:32:36.800 --> 0:32:39.520
<v Speaker 1>Like you trip along these things that you're imitating along

0:32:39.560 --> 0:32:41.680
<v Speaker 1>the way, and then you finally realize, like Okay, I

0:32:41.760 --> 0:32:44.840
<v Speaker 1>gotta stop pushing so hard and just exist. And it's

0:32:44.920 --> 0:32:46.680
<v Speaker 1>cheesy and it's hippie and all that, you know, but

0:32:46.920 --> 0:32:49.640
<v Speaker 1>like it's so real. Man, I just love those words.

0:32:49.880 --> 0:32:53.880
<v Speaker 1>Steve Martin has kind of the same thing where he's like,

0:32:53.920 --> 0:32:56.760
<v Speaker 1>you know, greatness comes from people trying to be like

0:32:56.920 --> 0:33:00.400
<v Speaker 1>the people they admire and not being able to and

0:33:00.640 --> 0:33:03.120
<v Speaker 1>in that process, since they can't, they form another way

0:33:04.360 --> 0:33:08.160
<v Speaker 1>and so and and he's talking about comedy and music

0:33:08.360 --> 0:33:11.360
<v Speaker 1>and play yeah anything, like he's really one of the

0:33:11.400 --> 0:33:14.560
<v Speaker 1>great Blue Apron for one second, So let me talk

0:33:14.560 --> 0:33:17.960
<v Speaker 1>about if you order Blue Apron at blue Apron dot

0:33:18.080 --> 0:33:22.000
<v Speaker 1>com slash Bobby cast, what you're gonna get. So it's

0:33:22.160 --> 0:33:25.040
<v Speaker 1>a box that come to your door, preportion ingredients and

0:33:25.280 --> 0:33:26.680
<v Speaker 1>you can make it anytime you want. But I'm just

0:33:26.720 --> 0:33:28.400
<v Speaker 1>talking about stuff that you would never be able to make,

0:33:28.520 --> 0:33:32.200
<v Speaker 1>like soy glazed pork and rice cakes with back joy

0:33:32.320 --> 0:33:34.400
<v Speaker 1>and married the green beans. We know what that is,

0:33:34.440 --> 0:33:36.120
<v Speaker 1>but I'd never be able to make it. Except for

0:33:36.960 --> 0:33:39.920
<v Speaker 1>Blue Apron. They send this to you and for less

0:33:39.920 --> 0:33:42.400
<v Speaker 1>than ten dollars per person per mill, Blue Apron delivers

0:33:42.400 --> 0:33:45.760
<v Speaker 1>these recipes with preportion ingredients and whenever you want to

0:33:45.840 --> 0:33:47.000
<v Speaker 1>be like, you know what I feel like a Blue

0:33:47.000 --> 0:33:49.320
<v Speaker 1>Apron tonight? What would I like? Maybe I'd like the

0:33:49.400 --> 0:33:52.120
<v Speaker 1>garlic butter, shrimp and corn with green bean salad and

0:33:52.240 --> 0:33:55.200
<v Speaker 1>roasted purple tomatoes. You can make that. You can also

0:33:55.360 --> 0:33:58.160
<v Speaker 1>customize your recipes each week for a limit of time.

0:33:58.480 --> 0:34:01.520
<v Speaker 1>Starting seppern fourth, Blue Apron will be delivering recipes inspired

0:34:01.800 --> 0:34:04.840
<v Speaker 1>by the winning dishes on Master Chef. So tune into

0:34:04.880 --> 0:34:07.920
<v Speaker 1>Master Chef on Fox Wednesday eight seven Central and visit

0:34:08.040 --> 0:34:11.880
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0:34:11.920 --> 0:34:14.320
<v Speaker 1>the winning recipes to cook in your own Blue Apron

0:34:14.360 --> 0:34:16.840
<v Speaker 1>dot Com slash Bobby cast. The first three meals are

0:34:16.920 --> 0:34:19.000
<v Speaker 1>free Blue Apron, a better way to cook. All right,

0:34:19.040 --> 0:34:21.400
<v Speaker 1>So tell me about this band, this metal band you

0:34:21.480 --> 0:34:23.960
<v Speaker 1>were in. Yeah, so okay, So we had many names

0:34:24.000 --> 0:34:26.279
<v Speaker 1>along the way, but which one got signed got a

0:34:26.320 --> 0:34:29.239
<v Speaker 1>big deal. So we got signed. Well, we changed the

0:34:29.320 --> 0:34:31.680
<v Speaker 1>name because it wasn't working, so we when we got signed,

0:34:31.719 --> 0:34:34.640
<v Speaker 1>it was called Fate. Worst worst name ever. Still have

0:34:34.800 --> 0:34:36.839
<v Speaker 1>the old merchant. Dude, it's the worst thing. I'll bring

0:34:36.920 --> 0:34:39.880
<v Speaker 1>it in f a t E got it. I'll bring

0:34:39.960 --> 0:34:42.600
<v Speaker 1>you a shirt one day. It's just it's ridiculous um

0:34:42.800 --> 0:34:45.959
<v Speaker 1>and then you know, copyright and like trademark issues because

0:34:46.000 --> 0:34:47.840
<v Speaker 1>it was so like there's escaped to fate and then

0:34:47.880 --> 0:34:49.640
<v Speaker 1>there's just a bunch of you know. And so we

0:34:49.760 --> 0:34:52.600
<v Speaker 1>changed it to a band called Shadow of the Colossus,

0:34:52.920 --> 0:34:56.719
<v Speaker 1>which was very that sounds like you're going to stabs epic, right, yeah.

0:34:56.840 --> 0:35:00.399
<v Speaker 1>And I mean we played heavy technical like only beats

0:35:00.440 --> 0:35:02.160
<v Speaker 1>per minute. Like I always say, we were at a

0:35:02.239 --> 0:35:04.799
<v Speaker 1>hundred percent of our capacity a hundred percent of the time.

0:35:05.040 --> 0:35:06.880
<v Speaker 1>And that's what the joy was for us. That's what

0:35:07.000 --> 0:35:09.640
<v Speaker 1>the lure was, is that we're always pushing our limits,

0:35:09.680 --> 0:35:12.200
<v Speaker 1>you know, and and that's kind of this path that

0:35:12.280 --> 0:35:13.839
<v Speaker 1>we were called on, and that was what we used

0:35:13.840 --> 0:35:15.560
<v Speaker 1>to do. So we always kept pushing it, always kept

0:35:15.600 --> 0:35:17.719
<v Speaker 1>pushing it. And we toured for four years. And it

0:35:17.800 --> 0:35:19.600
<v Speaker 1>was one of those things if we started getting success

0:35:19.600 --> 0:35:21.399
<v Speaker 1>and I was like, oh, you manage people, yeah, let's

0:35:21.400 --> 0:35:22.840
<v Speaker 1>do it. Oh you book people, yeah, oh you're a

0:35:22.880 --> 0:35:27.120
<v Speaker 1>labeled let's do it, like no meetings, really know anything else,

0:35:27.239 --> 0:35:29.440
<v Speaker 1>just like young and dumb and hungry, you know, and

0:35:29.520 --> 0:35:32.680
<v Speaker 1>going for it. And we slummed it out, dude, slum

0:35:32.840 --> 0:35:35.280
<v Speaker 1>to her. And that's what I call it, Like fifteen passion,

0:35:35.680 --> 0:35:39.840
<v Speaker 1>fifteen passenger vans, sleeping in Walmart parking lots uh, eating

0:35:40.280 --> 0:35:43.520
<v Speaker 1>mcdoubles once a day, you know, the whole, the whole thing.

0:35:43.760 --> 0:35:47.239
<v Speaker 1>And I'm again so thankful for it. But in the moment,

0:35:47.280 --> 0:35:50.080
<v Speaker 1>it's hard to see that that's a good thing for you.

0:35:50.800 --> 0:35:53.160
<v Speaker 1>Um But after four years of that, and like the

0:35:53.239 --> 0:35:56.759
<v Speaker 1>whole time I brought an acoustic and I'm writing my

0:35:56.840 --> 0:35:59.319
<v Speaker 1>own songs on the side, literally just for my own

0:35:59.360 --> 0:36:02.200
<v Speaker 1>peace of mind. Was nineteen got my heartbroken for the

0:36:02.239 --> 0:36:06.520
<v Speaker 1>first time needed I'm not a good like in relationships,

0:36:06.600 --> 0:36:09.520
<v Speaker 1>I suck at communication. I'm the worst. Like it's just

0:36:09.680 --> 0:36:12.520
<v Speaker 1>this wall where I can't get it out, you know,

0:36:12.719 --> 0:36:15.000
<v Speaker 1>And and and writing a song and like hiding behind

0:36:15.040 --> 0:36:17.400
<v Speaker 1>a guitar, I can say whatever I want some for

0:36:17.520 --> 0:36:19.000
<v Speaker 1>some reason, I can sing it to your face, like

0:36:19.040 --> 0:36:20.879
<v Speaker 1>I don't know why, it's just it's that's the way

0:36:20.960 --> 0:36:22.799
<v Speaker 1>that I can finally get find a way to get

0:36:22.840 --> 0:36:24.840
<v Speaker 1>it out right. And so I just did that on

0:36:24.920 --> 0:36:28.400
<v Speaker 1>the side the whole time in the band. And you know, realize,

0:36:28.920 --> 0:36:30.400
<v Speaker 1>I don't know. I grew, like I said, grew up

0:36:30.440 --> 0:36:32.560
<v Speaker 1>listening to country music and kind of learned how to

0:36:32.640 --> 0:36:35.719
<v Speaker 1>write songs by listening to the way that people set

0:36:35.840 --> 0:36:38.239
<v Speaker 1>their songs up. And so when I started writing on

0:36:38.360 --> 0:36:40.760
<v Speaker 1>my own, that's kind of where I went, just lyrically,

0:36:40.800 --> 0:36:43.800
<v Speaker 1>I guess, maybe not sonically, but it just kind of

0:36:44.160 --> 0:36:46.239
<v Speaker 1>took over more of my heart in a while, like

0:36:46.360 --> 0:36:49.400
<v Speaker 1>the metal kind of started diminishing and it wasn't fulfilling,

0:36:49.560 --> 0:36:53.440
<v Speaker 1>and then the song. Yeah, honestly, I did dude headbanging

0:36:53.480 --> 0:36:55.360
<v Speaker 1>every night, as dumb as it sounds. We used to

0:36:55.400 --> 0:36:57.840
<v Speaker 1>get what I called bangovers, where the next day you

0:36:57.960 --> 0:37:00.600
<v Speaker 1>can't move because your neck is so stiff. Yeah, we

0:37:00.680 --> 0:37:04.040
<v Speaker 1>called him bangovers. It's pretty Did you come up with that?

0:37:04.760 --> 0:37:06.839
<v Speaker 1>You know? We came up with that, dude? I liked it. Okay,

0:37:06.840 --> 0:37:08.960
<v Speaker 1>I'm gonna play because I haven't heard this. Here's um

0:37:09.280 --> 0:37:12.400
<v Speaker 1>what's in? Okay? This is a shadow of the coloss

0:37:12.440 --> 0:37:18.000
<v Speaker 1>As a song called Insurgent. Oh my gosh, you have it. Wait,

0:37:18.040 --> 0:37:20.239
<v Speaker 1>who's singing? Okay? So it is our buddy Drew from

0:37:20.280 --> 0:37:22.439
<v Speaker 1>my hometown. Okay, so you weren't even the lead singer. Nope,

0:37:22.760 --> 0:37:24.759
<v Speaker 1>where were you playing? I played bass? So my I

0:37:24.800 --> 0:37:27.240
<v Speaker 1>played bass, my brother played drums. Were the rhythm section twins.

0:37:36.400 --> 0:37:38.920
<v Speaker 1>I can't believe you pulled that up. It's crazy, man.

0:37:45.400 --> 0:37:49.000
<v Speaker 1>Yeah wow, well I bet the crowds were scary. That

0:37:49.000 --> 0:37:51.440
<v Speaker 1>will come to those shows. Unreal, so fun, the funnest

0:37:51.440 --> 0:37:53.880
<v Speaker 1>thing ever. And gosh, I'm probably going to regret this.

0:37:54.000 --> 0:37:56.480
<v Speaker 1>I told I told Tom Pulman this once and he

0:37:56.520 --> 0:38:00.040
<v Speaker 1>will not let it down. We used to like I

0:38:00.120 --> 0:38:02.799
<v Speaker 1>used to. I used to spit on people like they

0:38:02.800 --> 0:38:04.320
<v Speaker 1>would love it, Like we'd be up there just like

0:38:04.320 --> 0:38:06.480
<v Speaker 1>like you know what I mean. It was like what

0:38:06.600 --> 0:38:11.040
<v Speaker 1>are we doing? I'm looking back, like like was all underground,

0:38:11.080 --> 0:38:13.120
<v Speaker 1>Like we didn't release through iTunes, we did only did

0:38:13.200 --> 0:38:16.400
<v Speaker 1>bands uh was it band camp or whatever? The reps

0:38:16.480 --> 0:38:19.279
<v Speaker 1>like it was all underground all like d I y

0:38:20.160 --> 0:38:22.239
<v Speaker 1>like for a reason, like we were we're just like

0:38:22.360 --> 0:38:26.279
<v Speaker 1>against the man people time. Dude, it was so bad

0:38:26.400 --> 0:38:33.000
<v Speaker 1>and like what a band like this get girls though

0:38:35.640 --> 0:38:38.719
<v Speaker 1>it sounds like a bunch of it's a lot of dudes. Yeah,

0:38:38.760 --> 0:38:41.200
<v Speaker 1>I mean you'd be surprised, like there's it's a it's

0:38:41.239 --> 0:38:43.239
<v Speaker 1>an age thing. It's a culture pop is what I

0:38:43.320 --> 0:38:44.799
<v Speaker 1>like to call it. It's like, you know, like I said,

0:38:44.840 --> 0:38:46.520
<v Speaker 1>you're going through high school. You're trying to make sense

0:38:46.520 --> 0:38:48.279
<v Speaker 1>of all these kind of angsty kind of feelings and

0:38:48.640 --> 0:38:50.200
<v Speaker 1>you're trying to figure out who you are, and there's

0:38:50.239 --> 0:38:51.840
<v Speaker 1>like that. You would be surprised, Like there was a

0:38:51.960 --> 0:38:55.240
<v Speaker 1>huge uh scene for it in my in my hometown,

0:38:55.280 --> 0:38:58.880
<v Speaker 1>and there's you know everything everybody in between. Man, you know,

0:38:59.040 --> 0:39:01.560
<v Speaker 1>you'd be surprised. Um, and this comes out of you

0:39:01.719 --> 0:39:11.759
<v Speaker 1>right here. You call made of the spectrum. But that's

0:39:11.800 --> 0:39:15.440
<v Speaker 1>the thing, and that's really my heart, the biggest it's

0:39:15.440 --> 0:39:17.200
<v Speaker 1>not even hurdle anymore. Can I just kick it down?

0:39:17.520 --> 0:39:19.480
<v Speaker 1>When I moved here, it was you can't do this

0:39:19.680 --> 0:39:22.719
<v Speaker 1>because you have too many other interests. But it's like,

0:39:22.800 --> 0:39:26.000
<v Speaker 1>pick up anybody's freaking phone. Look at the music that

0:39:26.160 --> 0:39:31.640
<v Speaker 1>people are streaming buying what nobody has one format of

0:39:31.800 --> 0:39:34.720
<v Speaker 1>music and it's not what people want. Even the artists,

0:39:34.920 --> 0:39:38.319
<v Speaker 1>all the artists that come through here, there are influences.

0:39:38.320 --> 0:39:40.759
<v Speaker 1>Aren't just all country music artists, And you know what,

0:39:40.920 --> 0:39:46.880
<v Speaker 1>it's probably some most, but a lot of them. And

0:39:46.960 --> 0:39:48.920
<v Speaker 1>it's the artist now who are who are getting a

0:39:48.920 --> 0:39:50.840
<v Speaker 1>lot of pushback, but they're having a huge amount of

0:39:50.880 --> 0:39:54.440
<v Speaker 1>success because that's what today's country is like. Look at

0:39:54.560 --> 0:39:58.320
<v Speaker 1>look at TRS Thomas Schrtz last record. If there's dance

0:39:58.360 --> 0:40:02.040
<v Speaker 1>tracks on there, there's like do wop something, straight country songs,

0:40:02.120 --> 0:40:07.279
<v Speaker 1>Mary that is just straight up country songs, the country songs.

0:40:08.040 --> 0:40:10.520
<v Speaker 1>But it's not even the fact of each of those individually.

0:40:10.640 --> 0:40:12.880
<v Speaker 1>It's the fact that he is a country music listener

0:40:12.960 --> 0:40:15.359
<v Speaker 1>and artists. But even he's like, I have these other

0:40:15.440 --> 0:40:18.680
<v Speaker 1>influence course, and this is what country music is to me.

0:40:18.880 --> 0:40:21.840
<v Speaker 1>And I appreciate that because people like him have a platform,

0:40:21.880 --> 0:40:25.279
<v Speaker 1>they have a voice, they have power to influence and

0:40:25.440 --> 0:40:27.719
<v Speaker 1>and kind of not make it easier but pave the

0:40:27.760 --> 0:40:29.279
<v Speaker 1>way for the rest of us. And not like I'm

0:40:29.360 --> 0:40:32.040
<v Speaker 1>doing anything that I'm not like, I'm I'm always going

0:40:32.200 --> 0:40:35.759
<v Speaker 1>to be unapologetically wholeheartedly me. Like there's songs on this

0:40:35.880 --> 0:40:38.640
<v Speaker 1>record that tap into the heavier side of me, and

0:40:38.760 --> 0:40:40.880
<v Speaker 1>it's like, this is this is just what I do,

0:40:41.120 --> 0:40:45.040
<v Speaker 1>like just trying to, you know, fail being like my

0:40:45.120 --> 0:40:47.320
<v Speaker 1>heroes and just figure out what my influences are and

0:40:47.360 --> 0:40:50.040
<v Speaker 1>then just put every little piece of every little corner

0:40:50.080 --> 0:40:51.759
<v Speaker 1>in my heart in my mind on this record, you know.

0:40:51.840 --> 0:40:54.000
<v Speaker 1>And it's like that's just what you should do. That's

0:40:54.040 --> 0:40:56.040
<v Speaker 1>what your job is as an artist, you know. Blind

0:40:56.200 --> 0:41:02.720
<v Speaker 1>Man Flower. This is the first song I ever released

0:41:02.880 --> 0:41:08.040
<v Speaker 1>as a as a solo artist. Ye, what was my

0:41:08.080 --> 0:41:15.480
<v Speaker 1>buddy Andy Albert? Was it? Since that was your first

0:41:15.520 --> 0:41:18.520
<v Speaker 1>song insult? It was that weird. It was such sonically different. Well,

0:41:18.760 --> 0:41:23.000
<v Speaker 1>that was maybe three three years into living in Nashville,

0:41:23.040 --> 0:41:25.279
<v Speaker 1>so I had already are you in the culture then, right,

0:41:25.320 --> 0:41:26.759
<v Speaker 1>you know? And I, you know, I'd put up like

0:41:26.880 --> 0:41:30.000
<v Speaker 1>stuff on SoundCloud and like made videos and like people knew.

0:41:30.320 --> 0:41:32.560
<v Speaker 1>And it's like people will always ask, like, how do

0:41:32.640 --> 0:41:35.640
<v Speaker 1>you go from such heavy metal to country or to

0:41:35.840 --> 0:41:38.600
<v Speaker 1>writing these love songs? And it was really about just

0:41:38.960 --> 0:41:41.560
<v Speaker 1>reverting back to what I started with, you know, and

0:41:41.719 --> 0:41:44.279
<v Speaker 1>what felt right in my heart or just what was

0:41:44.400 --> 0:41:47.839
<v Speaker 1>just like what came out naturally. Um. And so blind

0:41:47.920 --> 0:41:50.360
<v Speaker 1>Man was the first song. You know, as you're developing

0:41:50.520 --> 0:41:52.920
<v Speaker 1>through writing and through writing for other people and you

0:41:53.000 --> 0:41:54.799
<v Speaker 1>get a publishing deal and you're playing shows and you're

0:41:54.800 --> 0:41:56.960
<v Speaker 1>figuring out who you are, there's certain songs that come

0:41:57.000 --> 0:41:59.680
<v Speaker 1>along that define who you are and what you want

0:41:59.719 --> 0:42:01.600
<v Speaker 1>to say. And that was one of the first ones

0:42:01.640 --> 0:42:03.040
<v Speaker 1>that I was like, that is me. That's got a

0:42:03.160 --> 0:42:07.000
<v Speaker 1>rock solid lyric, it's got this really cool vibe. The

0:42:07.120 --> 0:42:09.640
<v Speaker 1>melodies you can sing along too, and it means something

0:42:09.760 --> 0:42:12.120
<v Speaker 1>like lyrically, I need to sing about something I can't.

0:42:12.120 --> 0:42:14.320
<v Speaker 1>I just I need to chew on something like I

0:42:14.440 --> 0:42:16.680
<v Speaker 1>am so guilty of not having like woe wos in

0:42:16.760 --> 0:42:19.200
<v Speaker 1>my song, just because like if I have real estate,

0:42:19.239 --> 0:42:21.040
<v Speaker 1>I need to say I have to say something, you know.

0:42:21.440 --> 0:42:22.799
<v Speaker 1>And that was one of the first songs that came

0:42:22.840 --> 0:42:24.520
<v Speaker 1>out where I was like, let's record it, let's put

0:42:24.520 --> 0:42:26.839
<v Speaker 1>it out, like that's what I want people to That's

0:42:26.840 --> 0:42:28.880
<v Speaker 1>what I want people to hear. Are you stilding the

0:42:28.920 --> 0:42:31.440
<v Speaker 1>all black and white stuff all time? Always? Yeah? Well

0:42:31.480 --> 0:42:33.440
<v Speaker 1>you mean eventually you're gonna have to not do that? Well,

0:42:33.480 --> 0:42:35.520
<v Speaker 1>I don't know, man, we'll see. We'll see what happens forever.

0:42:35.680 --> 0:42:37.680
<v Speaker 1>Just go all black and white on Instagram. I bet

0:42:37.760 --> 0:42:40.600
<v Speaker 1>you I can, but you eventually you're going to be

0:42:40.680 --> 0:42:43.520
<v Speaker 1>like I've done one. So listen, I'm that's the that's

0:42:43.520 --> 0:42:45.680
<v Speaker 1>the thing that I've talked about with a couple people.

0:42:45.960 --> 0:42:50.520
<v Speaker 1>It won't happen forever, but when it doesn't, tell me

0:42:50.640 --> 0:42:53.120
<v Speaker 1>why you decided to go all black and white? Okay.

0:42:53.239 --> 0:42:55.520
<v Speaker 1>So it wasn't like one day I woke up and

0:42:55.560 --> 0:42:56.800
<v Speaker 1>I was like, you know, what I'm gonna do this,

0:42:56.960 --> 0:42:59.360
<v Speaker 1>This is my brand, this is who I am. It

0:42:59.520 --> 0:43:01.920
<v Speaker 1>really was like this, like somebody was tugging on my

0:43:02.360 --> 0:43:05.840
<v Speaker 1>on my collar, like I would buy clothes like I

0:43:05.920 --> 0:43:07.960
<v Speaker 1>wear black all black two and it's just like I

0:43:08.000 --> 0:43:10.080
<v Speaker 1>would buy grays and greens in earth tones or what.

0:43:10.200 --> 0:43:11.960
<v Speaker 1>I just would never wear them like I would put

0:43:12.000 --> 0:43:13.600
<v Speaker 1>it on. It's like it doesn't look right. And I

0:43:13.680 --> 0:43:15.520
<v Speaker 1>kind of just gave into it one day over time.

0:43:15.600 --> 0:43:18.680
<v Speaker 1>And I think a lot of influences from being in

0:43:18.760 --> 0:43:21.680
<v Speaker 1>a metal band, because obviously we all really wear black,

0:43:21.800 --> 0:43:24.480
<v Speaker 1>you know, and that's kind of the root of that

0:43:24.920 --> 0:43:27.880
<v Speaker 1>kind of visual or that esthetic in a way, and

0:43:28.000 --> 0:43:30.160
<v Speaker 1>so that's kind of part of that influence. But also,

0:43:30.360 --> 0:43:32.920
<v Speaker 1>and this is something that I only stumbled on recently

0:43:33.000 --> 0:43:34.880
<v Speaker 1>because you're so close to it when you grew up.

0:43:34.880 --> 0:43:37.120
<v Speaker 1>And this might sound done, but I grew up three

0:43:37.160 --> 0:43:40.840
<v Speaker 1>minutes from fulsome prison. I love Johnny Cash and his

0:43:41.040 --> 0:43:44.520
<v Speaker 1>artistry in the way that nobody sounded like him before him,

0:43:44.880 --> 0:43:48.160
<v Speaker 1>and nobody will ever sound like him after him. But

0:43:48.719 --> 0:43:50.640
<v Speaker 1>he just had a way of doing his thing. And

0:43:50.680 --> 0:43:55.320
<v Speaker 1>I feel like that kind of literally right, three minutes

0:43:55.360 --> 0:43:57.839
<v Speaker 1>from my three minutes from my house, and I feel

0:43:57.840 --> 0:44:00.800
<v Speaker 1>like subconsciously that kind of seeped in to my influence,

0:44:01.200 --> 0:44:03.080
<v Speaker 1>even though I didn't know really how cool that was

0:44:03.160 --> 0:44:05.279
<v Speaker 1>until I flew until I moved away, and you kind

0:44:05.280 --> 0:44:08.560
<v Speaker 1>of finally get some perspective. Um, but something in between

0:44:08.600 --> 0:44:10.279
<v Speaker 1>those and it just feels right, dude. I just like

0:44:10.440 --> 0:44:13.799
<v Speaker 1>that kind of classic vibe that it, that it gives off.

0:44:13.880 --> 0:44:15.279
<v Speaker 1>Like I could see a picture in color and then

0:44:15.320 --> 0:44:16.719
<v Speaker 1>I'll put it in black and white when I'm editing

0:44:16.840 --> 0:44:18.360
<v Speaker 1>or whatever, and I'm like, yeah, that looks right. Like

0:44:18.760 --> 0:44:21.880
<v Speaker 1>I've tried, Like We've had stylists and photo shoots like

0:44:21.960 --> 0:44:23.920
<v Speaker 1>what about red? What about a white shirt? And I'm

0:44:23.920 --> 0:44:25.879
<v Speaker 1>like I'll try it, you know, and like everyone goes,

0:44:25.920 --> 0:44:27.719
<v Speaker 1>we get him back it's like it doesn't look right,

0:44:27.960 --> 0:44:30.160
<v Speaker 1>you know. So I'm just kind of going with my gut.

0:44:30.480 --> 0:44:33.520
<v Speaker 1>I don't know, but I do think one day I

0:44:33.560 --> 0:44:37.239
<v Speaker 1>would like to do something different. But I would hope

0:44:37.280 --> 0:44:41.600
<v Speaker 1>that because I've set such a deep root in my

0:44:41.800 --> 0:44:45.200
<v Speaker 1>love for that aesthetic, that it should mean something. It

0:44:45.239 --> 0:44:48.279
<v Speaker 1>should be for a reason, um, not to like set

0:44:48.320 --> 0:44:51.040
<v Speaker 1>it up or anything, but different record or different move

0:44:51.160 --> 0:44:53.840
<v Speaker 1>or different story, whatever it is, you know, for do

0:44:53.960 --> 0:44:56.920
<v Speaker 1>it for a reason, not just to not do it anymore.

0:44:57.280 --> 0:45:00.319
<v Speaker 1>You know, you know, I phone black, I you're gonna

0:45:00.320 --> 0:45:02.799
<v Speaker 1>get the new It depends. People listen these things two

0:45:02.880 --> 0:45:06.360
<v Speaker 1>years after, But are you getting the eight or the tin? Honestly,

0:45:06.480 --> 0:45:09.879
<v Speaker 1>waiting the ten scares me, dude, because you're the face.

0:45:10.200 --> 0:45:13.400
<v Speaker 1>I guess yeah, I just I don't know. Like, do

0:45:13.400 --> 0:45:16.280
<v Speaker 1>you snapchat? I don't snapchat much. I'm mostly on Instagram.

0:45:16.360 --> 0:45:18.480
<v Speaker 1>That's my That's my biggest thing. Do you ever use

0:45:18.560 --> 0:45:21.520
<v Speaker 1>face filters on inst your story? Yeah? See, okay, so

0:45:21.800 --> 0:45:24.160
<v Speaker 1>I do love the face filters. That is the same thing.

0:45:24.280 --> 0:45:27.120
<v Speaker 1>If the government's stealing or using our partial recognition they

0:45:27.160 --> 0:45:29.160
<v Speaker 1>already got. I was gonna say, we're already a foot

0:45:29.200 --> 0:45:31.520
<v Speaker 1>in the door, like it's already now. It's like it's

0:45:31.520 --> 0:45:33.200
<v Speaker 1>just hook line and sinker at this point. It's just

0:45:33.840 --> 0:45:35.400
<v Speaker 1>I'm sure I'll be fine with it. It's just the

0:45:35.520 --> 0:45:39.360
<v Speaker 1>initial like feeling that I got when I saw the videos.

0:45:39.400 --> 0:45:41.520
<v Speaker 1>I'm just like that makes me cringe. Man, Like I

0:45:41.680 --> 0:45:45.160
<v Speaker 1>think about the thumb print whenever that first. The same thing. Yeah,

0:45:45.360 --> 0:45:47.600
<v Speaker 1>if you don't do it, they don't care what you

0:45:47.680 --> 0:45:48.920
<v Speaker 1>are you going to get it? Of course I'm going

0:45:48.960 --> 0:45:50.719
<v Speaker 1>to get it. I'm probably gonna get it, of course,

0:45:50.719 --> 0:45:53.279
<v Speaker 1>I'm gonna for different reasons. What do you have you

0:45:53.440 --> 0:45:56.160
<v Speaker 1>updated dropping system? No, I haven't. I suck at it.

0:45:56.280 --> 0:45:59.680
<v Speaker 1>It's fantastically even the texting, Yeah, all the little options

0:45:59.719 --> 0:46:01.279
<v Speaker 1>on the I'm like, you can send song. I mean,

0:46:02.040 --> 0:46:05.880
<v Speaker 1>the updates really great. But you strike him as a

0:46:06.040 --> 0:46:09.680
<v Speaker 1>real tech savvy guy. I'm decent um. I'm not like,

0:46:10.000 --> 0:46:13.080
<v Speaker 1>I'm not like a dive in deep nerd tech savvy guy,

0:46:13.120 --> 0:46:15.200
<v Speaker 1>but I can. I can get by man, but actually

0:46:15.200 --> 0:46:17.000
<v Speaker 1>a big Lord of the Rings nerd. Though, yes, how

0:46:17.040 --> 0:46:19.360
<v Speaker 1>did you know that? Are we talking about now? I

0:46:19.400 --> 0:46:23.800
<v Speaker 1>don't think so. Here's my story. I watched Lord of

0:46:23.840 --> 0:46:25.400
<v Speaker 1>the Ring because I was like, Okay, there's gotta be

0:46:25.440 --> 0:46:28.840
<v Speaker 1>something to this, because like reality, you mean, or like

0:46:29.400 --> 0:46:33.640
<v Speaker 1>but I look at IMDb or like a run and

0:46:33.760 --> 0:46:36.640
<v Speaker 1>I believe that if a lot of people say something's good,

0:46:36.680 --> 0:46:38.879
<v Speaker 1>then it's probably pretty good. Like I believe that I've

0:46:38.880 --> 0:46:41.320
<v Speaker 1>never seen episode of Sopranos, but I believe probably freaking

0:46:41.320 --> 0:46:43.759
<v Speaker 1>really good show because not that many people will say

0:46:43.760 --> 0:46:45.399
<v Speaker 1>it's good, it's not. It sounds like I gotta watch

0:46:45.440 --> 0:46:47.600
<v Speaker 1>The Lord of the Rings because there's something to it

0:46:47.760 --> 0:46:51.319
<v Speaker 1>and I want one Christmas vacation. I watched all of them.

0:46:52.760 --> 0:46:56.080
<v Speaker 1>It was okay, like what I know, and I'm not

0:46:56.080 --> 0:46:57.759
<v Speaker 1>even to be a hater, but you know, it's okay,

0:46:57.840 --> 0:46:59.959
<v Speaker 1>like you're either there's I'm just two tests with people,

0:47:00.040 --> 0:47:01.520
<v Speaker 1>like I know. I did not like it. I did

0:47:01.640 --> 0:47:03.239
<v Speaker 1>not like it at all. Yeah, I'm gonna do it.

0:47:03.280 --> 0:47:05.640
<v Speaker 1>Pissed me off. Was at the end of the first one.

0:47:05.760 --> 0:47:08.759
<v Speaker 1>They're just they're just they're just beginning, and I was like,

0:47:08.880 --> 0:47:11.160
<v Speaker 1>I just watched it for three and it ends up

0:47:11.200 --> 0:47:14.520
<v Speaker 1>walking up a hill. But I watched them all and

0:47:14.600 --> 0:47:16.120
<v Speaker 1>I'm not a hater of it at all because I

0:47:16.280 --> 0:47:18.680
<v Speaker 1>love when people are passionate about something that's not hurting

0:47:18.719 --> 0:47:20.839
<v Speaker 1>other people. Yeah, I don't care what you're passionate about,

0:47:20.880 --> 0:47:24.320
<v Speaker 1>if you like love my Little Pony or fancy football

0:47:24.480 --> 0:47:26.720
<v Speaker 1>or Lord of the Rings, if it's not hurting anybody.

0:47:26.840 --> 0:47:29.719
<v Speaker 1>I love just passion. So it's in no way that

0:47:29.800 --> 0:47:31.600
<v Speaker 1>But I was like, what am I missing because I

0:47:31.680 --> 0:47:34.640
<v Speaker 1>watched all of it? Due to me, it was it

0:47:34.840 --> 0:47:37.800
<v Speaker 1>was the imagination of it, like he literally created his

0:47:37.880 --> 0:47:41.680
<v Speaker 1>own language, like Jared Tolkien, like literally created his own language,

0:47:41.760 --> 0:47:44.000
<v Speaker 1>like just stop there, like you're a beast already, like

0:47:44.080 --> 0:47:47.200
<v Speaker 1>and then creating these stories and and and a world

0:47:47.280 --> 0:47:49.080
<v Speaker 1>in a map, and like I'm getting really nerdy, but

0:47:49.200 --> 0:47:51.520
<v Speaker 1>like it's just it's this kind of again, this kind

0:47:51.560 --> 0:47:54.759
<v Speaker 1>of dark aesthetic that I just am always drawn to

0:47:55.000 --> 0:47:58.640
<v Speaker 1>in the storyline and not not just giving it away,

0:47:58.960 --> 0:48:01.319
<v Speaker 1>Like you gotta spend three movies. You got to spend

0:48:01.360 --> 0:48:03.400
<v Speaker 1>three hours just getting introd into the people, you know,

0:48:03.560 --> 0:48:06.200
<v Speaker 1>three hours each time? Oh my god, I don't know.

0:48:06.320 --> 0:48:08.200
<v Speaker 1>And I always always go back and forth on which

0:48:08.239 --> 0:48:10.000
<v Speaker 1>one is my favorite, because they each have their own

0:48:10.280 --> 0:48:12.600
<v Speaker 1>Like the second one, the Two Towers, is the darkest

0:48:12.640 --> 0:48:15.440
<v Speaker 1>of them, like it's the most kind of sinister, but

0:48:15.520 --> 0:48:17.520
<v Speaker 1>the third one is just so epic with the battle scenes.

0:48:17.600 --> 0:48:19.520
<v Speaker 1>Like I'm I will go into deep into this if

0:48:19.600 --> 0:48:21.680
<v Speaker 1>you what about because I love Game of Thrones. I'm

0:48:21.680 --> 0:48:24.400
<v Speaker 1>not against I'm not against fantasy in any way whatsoever.

0:48:24.480 --> 0:48:29.040
<v Speaker 1>I watched that and thought it was fine. I was

0:48:29.080 --> 0:48:30.520
<v Speaker 1>just like I was missing it felt like I was missing.

0:48:30.680 --> 0:48:32.680
<v Speaker 1>The rings was a little it's a little slow. It's

0:48:32.680 --> 0:48:34.719
<v Speaker 1>a little it's a little born. You gotta be kidding me,

0:48:34.840 --> 0:48:39.120
<v Speaker 1>you're telling me, Laura, And I watched nine hours and

0:48:39.239 --> 0:48:41.560
<v Speaker 1>they didn't walking at the end. I just like, I

0:48:41.640 --> 0:48:43.360
<v Speaker 1>don't know, I just love it, man, I just like

0:48:43.480 --> 0:48:45.160
<v Speaker 1>sunk right into it. I think like Lord of the

0:48:45.239 --> 0:48:49.000
<v Speaker 1>Rings that much of the game. Okay, so you're talking

0:48:49.040 --> 0:48:51.520
<v Speaker 1>about like going on Rotten Tomatoes and seeing something that

0:48:51.600 --> 0:48:54.279
<v Speaker 1>everyone's watching and like love Game of Throne. Honestly, I

0:48:54.320 --> 0:48:56.560
<v Speaker 1>thought it was good. I just don't have I don't

0:48:56.640 --> 0:48:59.160
<v Speaker 1>have time. And if you don't keep up, if you're

0:48:59.200 --> 0:49:01.759
<v Speaker 1>not where ever went to. Yes, I just like I've

0:49:01.800 --> 0:49:03.520
<v Speaker 1>seen like one of the first one of the like,

0:49:03.600 --> 0:49:07.359
<v Speaker 1>and I just like, there's no way, there's absolutely no way.

0:49:07.480 --> 0:49:09.360
<v Speaker 1>That's such a daunting task for me to try to

0:49:09.840 --> 0:49:13.880
<v Speaker 1>to like accomplished watching that whole thing, Like there's when

0:49:14.040 --> 0:49:15.560
<v Speaker 1>when am I going to do that? There's no way

0:49:15.960 --> 0:49:17.640
<v Speaker 1>how I do it. You don't even sleep, you down

0:49:18.120 --> 0:49:21.040
<v Speaker 1>me either. But I'm on a bus or I'm on

0:49:21.120 --> 0:49:23.880
<v Speaker 1>a freaking airplane all the time. And that's why I do.

0:49:24.120 --> 0:49:26.480
<v Speaker 1>I just download and watch if I can see. I

0:49:26.560 --> 0:49:29.640
<v Speaker 1>have a rare gift of being able to sleep on airplanes,

0:49:30.040 --> 0:49:32.000
<v Speaker 1>and so that's when I sleep, like I I will

0:49:32.080 --> 0:49:34.200
<v Speaker 1>I'll sleep two hours a night or whatever and go

0:49:34.320 --> 0:49:35.960
<v Speaker 1>out and make it sure I'm doing my thing and

0:49:36.360 --> 0:49:38.080
<v Speaker 1>then I'll get on an airplane and pass out. So

0:49:38.200 --> 0:49:40.759
<v Speaker 1>that's when I when I should be watching movies is

0:49:40.760 --> 0:49:43.640
<v Speaker 1>when I'm sleeping. So so what's your deal? And again,

0:49:44.239 --> 0:49:46.520
<v Speaker 1>these things are not you know, podcasts are done and

0:49:46.560 --> 0:49:48.239
<v Speaker 1>they're heard over months and months, so it's probably gonna

0:49:48.239 --> 0:49:49.480
<v Speaker 1>be an old question by the time a lot of

0:49:49.520 --> 0:49:52.359
<v Speaker 1>good hear this. So like, what's the deal with with music?

0:49:52.440 --> 0:49:53.640
<v Speaker 1>And like, when are you gonna put out a whole

0:49:53.640 --> 0:49:56.960
<v Speaker 1>bunch of it? Yeah, I mean, dude, I'm I'm chomping

0:49:57.000 --> 0:49:59.520
<v Speaker 1>at the bit, man, I'm so stoked. Um. So we

0:49:59.640 --> 0:50:02.480
<v Speaker 1>have three songs out right now, UM, one single on

0:50:02.560 --> 0:50:05.200
<v Speaker 1>the radio which is an insane sentence that will never

0:50:05.360 --> 0:50:08.920
<v Speaker 1>get old. UM. And I think we planned to release

0:50:09.040 --> 0:50:12.040
<v Speaker 1>three more before the record comes out. UM, can't give

0:50:12.080 --> 0:50:14.000
<v Speaker 1>you the exact date yet, but it's going to be

0:50:14.120 --> 0:50:17.080
<v Speaker 1>in January. So cool. So early next year, early next year,

0:50:17.160 --> 0:50:19.239
<v Speaker 1>which is great because it's I always like starting off

0:50:19.280 --> 0:50:21.440
<v Speaker 1>a year like that. Just we all kind of go

0:50:21.600 --> 0:50:24.719
<v Speaker 1>away for the Christmas and Hanuker or whatever you do

0:50:24.920 --> 0:50:26.800
<v Speaker 1>and and Thanksgiving and you kind of come back and

0:50:27.640 --> 0:50:30.200
<v Speaker 1>you're just ready for something, you know, and what's upbout

0:50:30.200 --> 0:50:31.480
<v Speaker 1>the Z by the way, because I look at your

0:50:31.560 --> 0:50:33.840
<v Speaker 1>name and it's always the Z Devin search for it.

0:50:34.000 --> 0:50:36.800
<v Speaker 1>I can't. Why can I happen? So mckittye, like he

0:50:36.920 --> 0:50:39.120
<v Speaker 1>always calls people by their like their handle, and he

0:50:39.200 --> 0:50:41.080
<v Speaker 1>always calls me at Z Devon, so I always call

0:50:41.120 --> 0:50:44.680
<v Speaker 1>him Ryan mcradio but um or Mr Bobby Bones, you know.

0:50:45.640 --> 0:50:48.440
<v Speaker 1>But okay, So I was in middle school and like

0:50:48.560 --> 0:50:51.120
<v Speaker 1>back when you create, like your A O L, like

0:50:51.239 --> 0:50:54.160
<v Speaker 1>bass player, A eight, like atl dot com or whatever,

0:50:54.239 --> 0:50:56.399
<v Speaker 1>like all of those handles that you just regret. Ever

0:50:56.520 --> 0:51:00.640
<v Speaker 1>making for some reason, convinced people that for a couple

0:51:00.680 --> 0:51:02.360
<v Speaker 1>of weeks that my name started with the Z, that

0:51:02.480 --> 0:51:04.480
<v Speaker 1>it was just silent, and so I had to I

0:51:04.560 --> 0:51:06.320
<v Speaker 1>had to back it up with the with the handle,

0:51:06.400 --> 0:51:08.280
<v Speaker 1>you know what I mean, And and it just stuck.

0:51:08.360 --> 0:51:10.480
<v Speaker 1>And I've never It's just like a two week little thing,

0:51:10.560 --> 0:51:12.759
<v Speaker 1>and I've never changed it. In in the beginning of

0:51:12.880 --> 0:51:15.279
<v Speaker 1>like getting signed and trying to like putting put my

0:51:15.560 --> 0:51:17.640
<v Speaker 1>music out and my image and my name and all

0:51:17.680 --> 0:51:19.440
<v Speaker 1>that stuff, they were like, we really, we really need

0:51:19.520 --> 0:51:21.560
<v Speaker 1>to change it to Devin Dawson or Devin Dawson music.

0:51:21.600 --> 0:51:25.319
<v Speaker 1>And I was like nope, keeping it Like there's there's

0:51:25.560 --> 0:51:27.600
<v Speaker 1>I trust a lot of my team, like I said,

0:51:27.680 --> 0:51:30.080
<v Speaker 1>but there's certain things where I'll be a difficult artist.

0:51:30.120 --> 0:51:31.920
<v Speaker 1>I don't care, like if it feels right, and the

0:51:32.000 --> 0:51:33.520
<v Speaker 1>thing you want to be difficult about is the z

0:51:33.960 --> 0:51:37.279
<v Speaker 1>it's it's it's petty. Sometimes there's guy for guys that's

0:51:37.360 --> 0:51:39.600
<v Speaker 1>keeping yeah, and that's like I've had a couple of

0:51:39.640 --> 0:51:41.720
<v Speaker 1>people be like what is that and I'm like, honestly,

0:51:41.760 --> 0:51:43.839
<v Speaker 1>it's the dumbest thing, but like I just love it, man,

0:51:43.920 --> 0:51:46.560
<v Speaker 1>and like you know, bad girl re re Like not

0:51:46.719 --> 0:51:52.560
<v Speaker 1>everyone is Rihanna music or Bobby Bones radio whatever. Some

0:51:53.040 --> 0:51:56.359
<v Speaker 1>guys squatted it and holds it. Yeah, that's that's rough. Man.

0:51:56.760 --> 0:51:59.000
<v Speaker 1>Does anyone have just Devin Dawson? Yes, they do. And

0:51:59.080 --> 0:52:02.560
<v Speaker 1>I remember I remember messaging him like dude, like send

0:52:02.600 --> 0:52:05.799
<v Speaker 1>you a twelve pack of beer or something. I didn't

0:52:05.800 --> 0:52:07.680
<v Speaker 1>even offer money. I was like, dude, what's I tried

0:52:07.719 --> 0:52:09.480
<v Speaker 1>to do the broer out, like what's up, dude? Like

0:52:09.920 --> 0:52:12.879
<v Speaker 1>dig your name man, you know, like is it really

0:52:12.960 --> 0:52:15.920
<v Speaker 1>someone named Devin Dawson or they it's it's it was

0:52:16.040 --> 0:52:18.160
<v Speaker 1>him before and he doesn't even like post. You know,

0:52:18.239 --> 0:52:20.120
<v Speaker 1>it's one of those like hasn't gone on in two years,

0:52:20.200 --> 0:52:23.040
<v Speaker 1>but like won't let it go, and so I it

0:52:23.200 --> 0:52:25.239
<v Speaker 1>was another one of those like signs of like I'm

0:52:25.360 --> 0:52:27.880
<v Speaker 1>keeping my thing, like I'm doing I'm staying true and

0:52:27.960 --> 0:52:30.040
<v Speaker 1>it's you know, at the very least, it's it's kind

0:52:30.040 --> 0:52:32.399
<v Speaker 1>of something funny to talk about and it makes me laugh.

0:52:32.480 --> 0:52:34.400
<v Speaker 1>So dude, I PRETI you come and by feel like

0:52:34.600 --> 0:52:37.279
<v Speaker 1>I feel like it's been an hour an hour into this, Dude,

0:52:37.280 --> 0:52:42.279
<v Speaker 1>we could do this forever. You still get excited when

0:52:42.280 --> 0:52:44.279
<v Speaker 1>you hear it. Dude, it will never get older. And

0:52:44.320 --> 0:52:46.160
<v Speaker 1>I feel like that's how you should choose songs where

0:52:46.440 --> 0:52:48.799
<v Speaker 1>every single time you hear it for hopefully fifty years,

0:52:48.840 --> 0:52:52.200
<v Speaker 1>it will never it will never deminish. That's what everybody

0:52:52.200 --> 0:52:54.360
<v Speaker 1>says until they get tired of playing it. Like I

0:52:54.400 --> 0:52:58.080
<v Speaker 1>feel like Paul McCartney probably is good and playing help yeah,

0:52:58.239 --> 0:53:01.120
<v Speaker 1>probably doesn't want to play Hey, Jude more, probably good,

0:53:01.440 --> 0:53:03.360
<v Speaker 1>But dude, I don't know, like you can only do

0:53:03.600 --> 0:53:05.400
<v Speaker 1>so much, you know what I mean, And you can

0:53:05.480 --> 0:53:08.359
<v Speaker 1>only like you gotta choose based on what you think

0:53:08.480 --> 0:53:10.839
<v Speaker 1>is going to last and hold up and if if

0:53:10.960 --> 0:53:13.560
<v Speaker 1>that one finally after twenty years gets old to you,

0:53:14.080 --> 0:53:16.800
<v Speaker 1>then the one that probably would have just lasted fifteen.

0:53:16.800 --> 0:53:19.040
<v Speaker 1>You know, you gotta you gotta put your best foot forward.

0:53:19.080 --> 0:53:21.279
<v Speaker 1>And I think the hardest part as a songwriter is

0:53:21.320 --> 0:53:23.920
<v Speaker 1>the fact that I write every day and that's probably

0:53:24.000 --> 0:53:25.480
<v Speaker 1>a two year old, two and a half year old

0:53:25.520 --> 0:53:27.520
<v Speaker 1>song at this point, and it still feels good, you know.

0:53:28.000 --> 0:53:30.359
<v Speaker 1>But I'm just like stoked on just putting new music

0:53:30.440 --> 0:53:33.880
<v Speaker 1>out man, So well, thanks stopping by dude, Devin Dawson,

0:53:34.520 --> 0:53:36.719
<v Speaker 1>check out all on Me or maybe if you're hearing

0:53:36.760 --> 0:53:39.000
<v Speaker 1>this epiod first of the year by the record. The

0:53:39.040 --> 0:53:42.960
<v Speaker 1>whole record is fantastic. I already downloaded it right right, yea, yeah, yeah,

0:53:42.960 --> 0:53:45.879
<v Speaker 1>we'll play cool act. I believe it. Yeah yeah yeah yeah,

0:53:45.880 --> 0:53:49.280
<v Speaker 1>all right, we'll see you, uh next time is alright,