1 00:00:03,360 --> 00:00:14,720 Speaker 1: Translitt Alaska. Welcome to the Big Friday Show Morten Studio. 2 00:00:14,840 --> 00:00:19,640 Speaker 1: All right, oh yeah, yeah, yeah, yeah, yeah yeah. You 3 00:00:19,680 --> 00:00:21,239 Speaker 1: know he's been wearing Elvis had a lot late. He's 4 00:00:21,239 --> 00:00:22,959 Speaker 1: always love Elvis Presley, but I feel like the movie 5 00:00:23,079 --> 00:00:28,360 Speaker 1: is reignited his Elvis love. Our video producer Eddie Hey, 6 00:00:28,400 --> 00:00:31,720 Speaker 1: thank you very much. So I want to shout out 7 00:00:31,760 --> 00:00:34,760 Speaker 1: my nine year old because he's awesome. He got a 8 00:00:34,800 --> 00:00:38,000 Speaker 1: homework assignment yesterday and it wasn't it's not even due 9 00:00:38,040 --> 00:00:40,320 Speaker 1: till Monday. And he came to me last night before 10 00:00:40,320 --> 00:00:42,720 Speaker 1: I went to Ben, said Dad, I'm doing my project. 11 00:00:42,880 --> 00:00:45,320 Speaker 1: Check it out. And I'm like, wow, I wish all 12 00:00:45,320 --> 00:00:47,600 Speaker 1: the boys like just take note. I called all the 13 00:00:47,640 --> 00:00:52,440 Speaker 1: kids downstairs take note. Look when they probably making fun 14 00:00:52,479 --> 00:00:55,440 Speaker 1: of him right now. But he's the old no nine old, 15 00:00:55,600 --> 00:00:58,400 Speaker 1: he's the second oldest, oldest really hated dude. He was 16 00:00:58,440 --> 00:01:00,960 Speaker 1: just like, oh cool, Dad, who cares? Like because because 17 00:01:00,960 --> 00:01:03,360 Speaker 1: the oldest, he's always late and he's all his projects there, 18 00:01:03,560 --> 00:01:05,560 Speaker 1: they're always turned in like a day late. Is your 19 00:01:05,640 --> 00:01:08,520 Speaker 1: nine year all completely different though in that respect different 20 00:01:08,560 --> 00:01:11,120 Speaker 1: like on time places. Yeah, looking at he's the first 21 00:01:11,120 --> 00:01:12,720 Speaker 1: one up in the morning. It's crazy how you can 22 00:01:12,760 --> 00:01:14,760 Speaker 1: have different personalities. Yeah, and I don't know who he 23 00:01:14,800 --> 00:01:17,200 Speaker 1: gets that from. I think me, probably, No, I don't 24 00:01:17,240 --> 00:01:21,680 Speaker 1: think yeah, I don't think you at all all. Right, 25 00:01:21,720 --> 00:01:23,440 Speaker 1: Next up, he wants me to introduce him tonight to 26 00:01:23,440 --> 00:01:26,600 Speaker 1: the Miss. He's a big real world fan, not really 27 00:01:26,600 --> 00:01:28,480 Speaker 1: a wrestling fan, but it's all real world based. Yeah, 28 00:01:28,520 --> 00:01:30,360 Speaker 1: real world. Back to New York and I'll be with 29 00:01:30,440 --> 00:01:32,679 Speaker 1: the Miss tonight. Apparently I've never met him before at 30 00:01:32,680 --> 00:01:36,080 Speaker 1: the iHeartRadio Music Festival. Here he is, it's lunchbox every day. 31 00:01:37,200 --> 00:01:39,240 Speaker 1: I just want to say good luck to my wife 32 00:01:39,319 --> 00:01:42,080 Speaker 1: as this weekend she ventures to go to her twenty 33 00:01:42,160 --> 00:01:44,800 Speaker 1: year high school reunion, and I want her to walk 34 00:01:44,840 --> 00:01:46,720 Speaker 1: in that wherever it's I don't know, if it's a bar, 35 00:01:46,920 --> 00:01:49,680 Speaker 1: restaurant at the high school gymnasium, and I want all 36 00:01:49,680 --> 00:01:51,520 Speaker 1: those guys to be like, man, we had a dime 37 00:01:51,520 --> 00:01:53,360 Speaker 1: piece right here in front of us all these years, 38 00:01:53,760 --> 00:01:55,800 Speaker 1: and we let her get away and she married a celebrity. 39 00:01:55,880 --> 00:01:59,800 Speaker 1: So hey, good luck. Asn't he said recently she's past 40 00:01:59,880 --> 00:02:02,520 Speaker 1: her prime? Huh, Well yeah, but they still can realize 41 00:02:02,600 --> 00:02:05,200 Speaker 1: day we had that dime piece here and she married 42 00:02:05,200 --> 00:02:07,560 Speaker 1: a celeb So she was pretty dang. What is the 43 00:02:07,880 --> 00:02:12,920 Speaker 1: piece a dime piece of perfect ten ten dime? I 44 00:02:12,919 --> 00:02:16,960 Speaker 1: don't know. I don't what's the cooler compliment that they say, 45 00:02:17,040 --> 00:02:19,639 Speaker 1: look at the dime piece? Or she married us celebrity. 46 00:02:19,840 --> 00:02:24,080 Speaker 1: That's what he's trying to say, married a celebrity, I think. 47 00:02:24,760 --> 00:02:26,880 Speaker 1: But both are cool, both are awesome. But yeah, I 48 00:02:26,880 --> 00:02:28,840 Speaker 1: mean it's a big deal twenty year high school reunion. 49 00:02:28,919 --> 00:02:32,120 Speaker 1: So have fun. All right, there he is, next up. Now, 50 00:02:32,160 --> 00:02:35,560 Speaker 1: we all mostly were headphones for a living, and Amy's 51 00:02:35,560 --> 00:02:37,440 Speaker 1: the only person who the last couple of years she's 52 00:02:37,440 --> 00:02:40,320 Speaker 1: never wavered from the two dollars pair of corded Apple 53 00:02:40,800 --> 00:02:46,440 Speaker 1: air buds from iPhone six. All right, okay, so butterboards 54 00:02:46,480 --> 00:02:48,760 Speaker 1: are all the rage right now, so if you hapen 55 00:02:48,760 --> 00:02:51,400 Speaker 1: to be hosting something at your house, I highly recommend 56 00:02:51,440 --> 00:02:53,560 Speaker 1: you google this and check her out. It's like a 57 00:02:53,560 --> 00:02:58,040 Speaker 1: tracruderie board and cheese normally, but no, you get like 58 00:02:58,080 --> 00:03:02,200 Speaker 1: a wooden block or board and you spread butter all 59 00:03:02,200 --> 00:03:05,120 Speaker 1: over it. Different butters. You can do different butters. Yeah, 60 00:03:05,200 --> 00:03:07,560 Speaker 1: one butter seems weird. I would just eat the butter. Well, 61 00:03:07,639 --> 00:03:10,040 Speaker 1: what I've seen like on TikTok is. It covers the 62 00:03:10,120 --> 00:03:12,519 Speaker 1: whole board and butter, but then you can season it 63 00:03:12,560 --> 00:03:15,080 Speaker 1: in different sections with like different herbs and salt and 64 00:03:15,160 --> 00:03:18,359 Speaker 1: spices and whatnot. So in honey, make a sweet version 65 00:03:18,400 --> 00:03:20,840 Speaker 1: of it and then serve it with different types of bread, 66 00:03:20,919 --> 00:03:23,400 Speaker 1: and walla, you have a butter board, which is also 67 00:03:23,480 --> 00:03:25,959 Speaker 1: a conversation starter because a lot of people probably haven't 68 00:03:26,000 --> 00:03:28,800 Speaker 1: seen a butter board. Yeah, I'm still working on niqaill Chicken. 69 00:03:28,800 --> 00:03:32,200 Speaker 1: After that, I'll get to them. Yeah, this is space 70 00:03:32,360 --> 00:03:35,560 Speaker 1: over there, all right from Mountain Pine, Arkansas. He likes 71 00:03:35,560 --> 00:03:38,160 Speaker 1: a good virgin drink and every weekday morning he makes 72 00:03:38,160 --> 00:03:45,000 Speaker 1: you think Bobby boy. So I'm gonna tell you about 73 00:03:45,000 --> 00:03:49,680 Speaker 1: a little scam and now I kind of fell for it, 74 00:03:49,720 --> 00:03:53,080 Speaker 1: but I stopped myself just in time. So I keep 75 00:03:53,160 --> 00:03:55,760 Speaker 1: my personal email box extremely clean. I don't even check 76 00:03:55,800 --> 00:03:57,400 Speaker 1: my work email. I don't know what's been over there. 77 00:03:57,520 --> 00:03:59,320 Speaker 1: The only person who a Kaylily checks with Miked. I'm like, hey, 78 00:03:59,320 --> 00:04:02,000 Speaker 1: will you check that work my personal email. I don't 79 00:04:02,000 --> 00:04:03,400 Speaker 1: like any jump. I don't get anything, and if I 80 00:04:03,480 --> 00:04:07,800 Speaker 1: do it delete flag, unsubscribe. A new scam is you'll 81 00:04:07,840 --> 00:04:09,680 Speaker 1: get one of those and you'll unsubscribe. But it's set 82 00:04:09,720 --> 00:04:11,640 Speaker 1: up perfectly like that, so when you hit unsubscribe, it 83 00:04:11,640 --> 00:04:14,600 Speaker 1: takes you to a bad Oh. No, so the email 84 00:04:14,760 --> 00:04:16,800 Speaker 1: is not to actually be read. It's to make you 85 00:04:16,800 --> 00:04:19,960 Speaker 1: want to unsubscribe because it's annoying. When you hit unsubscribe, 86 00:04:20,320 --> 00:04:21,800 Speaker 1: that link is actually a link to a place that 87 00:04:21,839 --> 00:04:24,839 Speaker 1: steals your your your information. And when I hit it, it 88 00:04:24,760 --> 00:04:25,800 Speaker 1: it goes, Are you sure you want to go to 89 00:04:25,880 --> 00:04:27,640 Speaker 1: the site? And I was like, this is a brilliant 90 00:04:27,640 --> 00:04:30,000 Speaker 1: way to steal someone's and I said, no, I don't, 91 00:04:30,320 --> 00:04:32,000 Speaker 1: but I remember that to tell you guys about it. 92 00:04:32,040 --> 00:04:33,760 Speaker 1: Thank you man. So if you hit unsubscribe, if you 93 00:04:33,800 --> 00:04:36,159 Speaker 1: even unsubscribe, I don't know. If you hit that and 94 00:04:36,160 --> 00:04:38,960 Speaker 1: it goes, we don't trust this website, don't go to it. 95 00:04:38,960 --> 00:04:41,840 Speaker 1: It's a new scam. There you going little psa here, 96 00:04:42,160 --> 00:04:43,760 Speaker 1: But I alsought it was a brilliant one. They're gonna 97 00:04:43,800 --> 00:04:46,200 Speaker 1: get They're gonna get its eventually. I'm starting to think 98 00:04:46,200 --> 00:04:50,240 Speaker 1: I've already fallen for bat Oh. All right, guys, welcome 99 00:04:50,240 --> 00:04:53,760 Speaker 1: to the show. Big guests today, a lot of games. 100 00:04:57,760 --> 00:05:06,320 Speaker 1: Let's open up the mailbag. Do you send you game something? Hello, 101 00:05:06,880 --> 00:05:09,440 Speaker 1: Bobby Bones, last week, my fiance got into a road 102 00:05:09,520 --> 00:05:16,360 Speaker 1: rage incident with my boss. O. My god, my fiance 103 00:05:16,480 --> 00:05:18,880 Speaker 1: has not pleased to know that I'm working for a hothead. 104 00:05:19,360 --> 00:05:21,440 Speaker 1: And while he's at the point where he can move on, 105 00:05:21,600 --> 00:05:23,920 Speaker 1: it seems like a huge red flag to experience such 106 00:05:24,000 --> 00:05:27,680 Speaker 1: unprofessional and flat out rude behavior from someone I work for. 107 00:05:28,120 --> 00:05:29,880 Speaker 1: What should I do? Should I find a new job, 108 00:05:30,080 --> 00:05:32,680 Speaker 1: keep this on the back burner, go above him? Thanks 109 00:05:32,680 --> 00:05:35,360 Speaker 1: so much, New to the West, new to this job. 110 00:05:36,400 --> 00:05:39,240 Speaker 1: Let's go to the road rage expert. Well, any road 111 00:05:39,279 --> 00:05:42,080 Speaker 1: rage is like crazy, mister nice guy, I'm like a 112 00:05:42,240 --> 00:05:45,560 Speaker 1: highway vigilante. You're not. It's not your job. I mean, 113 00:05:45,600 --> 00:05:47,599 Speaker 1: it's not your job to shut people down or yellow people. 114 00:05:47,600 --> 00:05:49,520 Speaker 1: Like if someone's passing people real quick, I just get 115 00:05:49,600 --> 00:05:50,960 Speaker 1: on the other land and slow him down a little bit. 116 00:05:51,000 --> 00:05:54,040 Speaker 1: That's not so like that. That could also cause an accident. 117 00:05:54,600 --> 00:05:57,080 Speaker 1: So I don't think you quit your job because of 118 00:05:57,080 --> 00:05:59,760 Speaker 1: what your boss did in a personal setting. If he's 119 00:05:59,800 --> 00:06:03,279 Speaker 1: not assaulting, like I don't know, it just so happened. 120 00:06:03,279 --> 00:06:05,320 Speaker 1: It was your fiance. If we couldn't be friends or 121 00:06:05,320 --> 00:06:06,800 Speaker 1: work with people that have road rage, I can work 122 00:06:06,800 --> 00:06:10,400 Speaker 1: with Eddie, but he doesn't bring that into this room. No, 123 00:06:10,480 --> 00:06:13,080 Speaker 1: I'm very peaceful here. Yeah, you're peaceful and every other party. 124 00:06:14,760 --> 00:06:16,280 Speaker 1: That's a good example that I would just beat him 125 00:06:16,320 --> 00:06:18,400 Speaker 1: up and be like I see him at work and 126 00:06:18,440 --> 00:06:20,640 Speaker 1: then we could move on. Yeah, yeah, turn the page. 127 00:06:20,680 --> 00:06:22,559 Speaker 1: I guess it depends if he knew it was Kaitlin 128 00:06:22,680 --> 00:06:24,160 Speaker 1: or not. If he didn't and he was just being 129 00:06:24,240 --> 00:06:26,680 Speaker 1: road rage, I would be like, well, that's Eddie okay. 130 00:06:27,080 --> 00:06:28,360 Speaker 1: But I don't think you go and you look for 131 00:06:28,400 --> 00:06:31,120 Speaker 1: a new job. I think it's awkward and you have 132 00:06:31,200 --> 00:06:33,640 Speaker 1: that talk. Hey, here, you have my fiance a little 133 00:06:33,640 --> 00:06:36,640 Speaker 1: incident at work, Sorry about that, and you move on. 134 00:06:36,880 --> 00:06:39,000 Speaker 1: I just feel like if the tables were flipped and 135 00:06:39,080 --> 00:06:43,240 Speaker 1: it was the employee doing that to the boss, the 136 00:06:43,320 --> 00:06:45,440 Speaker 1: boss would be like, I don't want my employee in that. 137 00:06:45,440 --> 00:06:47,400 Speaker 1: You're out him here. No, you don't fire somebody for 138 00:06:47,480 --> 00:06:48,880 Speaker 1: road rage when it has nothing to do with work. 139 00:06:48,920 --> 00:06:50,839 Speaker 1: You never say like, man, you mess with the wrong 140 00:06:50,880 --> 00:06:52,800 Speaker 1: guy today, I'm your boss and you're out. No, I've 141 00:06:52,800 --> 00:06:58,320 Speaker 1: never said that as ever. Never Okay. I think if 142 00:06:58,360 --> 00:07:00,679 Speaker 1: it happens out of work and it's not somebody drunk 143 00:07:00,760 --> 00:07:04,080 Speaker 1: driving or it's a crime, or you just let it 144 00:07:04,200 --> 00:07:06,320 Speaker 1: be considered out of work. He bump or tamp. I know, 145 00:07:06,400 --> 00:07:07,719 Speaker 1: I don't. I can't. It's like a guy a punch 146 00:07:07,760 --> 00:07:08,960 Speaker 1: the hold of the wind shield a few days ago. 147 00:07:09,200 --> 00:07:12,600 Speaker 1: Back windshield. I can't believe that happens if people do that. Yeah, 148 00:07:12,680 --> 00:07:15,160 Speaker 1: don't bump or tap. Don't be a road rage because 149 00:07:15,160 --> 00:07:17,320 Speaker 1: you never know who's got a gun. Yeah, but I 150 00:07:17,320 --> 00:07:19,720 Speaker 1: don't think it's something that affects you at work as 151 00:07:19,760 --> 00:07:21,360 Speaker 1: far as you having to pick a new job. Just 152 00:07:21,440 --> 00:07:23,920 Speaker 1: have that awkward conversation. Hey, I'm sorry to happen between 153 00:07:23,960 --> 00:07:27,240 Speaker 1: you guys. He is sorry, and then just get out, 154 00:07:27,480 --> 00:07:29,200 Speaker 1: get out of there, get out of the office, and 155 00:07:29,280 --> 00:07:31,960 Speaker 1: go do your job. Don't quit. Anybody argue with that. No, 156 00:07:32,160 --> 00:07:34,560 Speaker 1: you can't quit. It didn't happen at work. And he 157 00:07:34,600 --> 00:07:37,000 Speaker 1: also again wasn't drunk driving. He didn't get a d UI. 158 00:07:37,040 --> 00:07:40,000 Speaker 1: It wasn't one of those situations. Okay, thank you, that's 159 00:07:40,000 --> 00:07:45,200 Speaker 1: the email. Close it up. We've got your And I 160 00:07:45,360 --> 00:07:50,880 Speaker 1: was abound to cloth boil back. It's time for fun 161 00:07:51,000 --> 00:07:56,800 Speaker 1: fact Friday, fund Amy, what's your fun factor the week? Well. 162 00:07:56,920 --> 00:08:00,320 Speaker 1: Jessica Simpson developed an addiction to nicotine because she thought 163 00:08:00,400 --> 00:08:03,560 Speaker 1: Nicorette was regular gum crazy. She would just chew it. 164 00:08:03,720 --> 00:08:09,239 Speaker 1: Oh man, and then that's crazy, that's crazy. I wonder 165 00:08:09,280 --> 00:08:11,120 Speaker 1: if it tastes better, if it tastes like a tingle. 166 00:08:11,560 --> 00:08:16,400 Speaker 1: I never had it. I don't want to try, because yeah, 167 00:08:16,480 --> 00:08:19,320 Speaker 1: dang that that's unfortunately she didn't know, right, No, yeah, 168 00:08:19,440 --> 00:08:24,800 Speaker 1: Eddie Bones, how far do you think Russia is from Alaska? Now, 169 00:08:24,840 --> 00:08:28,119 Speaker 1: be honest with me. Ninety miles right, That sounds about it, right, Nope, 170 00:08:28,160 --> 00:08:32,400 Speaker 1: it's two point five miles. There are pieces of islands 171 00:08:32,400 --> 00:08:34,760 Speaker 1: that are so close to each other that one belongs 172 00:08:34,760 --> 00:08:36,959 Speaker 1: to Russia, and two two and a half miles away 173 00:08:37,160 --> 00:08:40,800 Speaker 1: there's an Alaskan island, and and sometimes the ocean freezes 174 00:08:40,880 --> 00:08:45,040 Speaker 1: right there. You can walk right across. Really yeah, yeah, 175 00:08:45,160 --> 00:08:46,840 Speaker 1: it just feels so far away. But it's like the 176 00:08:46,960 --> 00:08:50,760 Speaker 1: Caribbean in Florida, or like Cuba. Oh yeah, yeah, exactly, 177 00:08:51,040 --> 00:08:54,360 Speaker 1: Like it's like sixty miles or something. Yeah, that's still close. 178 00:08:54,679 --> 00:08:58,640 Speaker 1: Very Let's go to Raymond, No, Raymond, No. Yeah. You 179 00:08:58,640 --> 00:09:01,000 Speaker 1: should always brew your call fee and make it at 180 00:09:01,000 --> 00:09:03,440 Speaker 1: a temperature you can drink right away, because within two 181 00:09:03,480 --> 00:09:07,280 Speaker 1: minutes you lose seventy percent of the coffee bean flavor. 182 00:09:07,760 --> 00:09:10,360 Speaker 1: So you see somebody sucking on it all day pretty 183 00:09:10,400 --> 00:09:12,679 Speaker 1: much flavorless. Or I guess if it's so hot they 184 00:09:12,679 --> 00:09:14,760 Speaker 1: have to let it sit right. That's not smart. I 185 00:09:14,920 --> 00:09:18,240 Speaker 1: never thought about that, not know that, okay, Morgan. The 186 00:09:18,360 --> 00:09:21,440 Speaker 1: Golden Girls were supposed to have a different theme song. 187 00:09:21,960 --> 00:09:25,400 Speaker 1: The show's producers wanted to use Bette Midler's song Friends, 188 00:09:25,480 --> 00:09:28,000 Speaker 1: but their rights to the song were too expensive. I 189 00:09:28,040 --> 00:09:31,080 Speaker 1: don't know that song. I don't either. Oh Ray got clip? 190 00:09:31,440 --> 00:09:37,679 Speaker 1: But ja God? Have the two things? One kind of 191 00:09:37,720 --> 00:09:39,560 Speaker 1: a jam? Yeah I could have worked, never heard it, 192 00:09:39,600 --> 00:09:41,240 Speaker 1: but kind of a jam. And two I like how 193 00:09:41,280 --> 00:09:46,200 Speaker 1: Morgan calls for a clip right, clip right, clip That's funny, 194 00:09:46,640 --> 00:09:56,120 Speaker 1: Thank you Morgan. That's turn it up now. Yeah, it's fun. 195 00:09:56,720 --> 00:09:59,760 Speaker 1: And finally, my fun fact, George R. R. Martin is 196 00:09:59,800 --> 00:10:02,840 Speaker 1: the I that invented, created Game of Thrones, wrote it 197 00:10:02,840 --> 00:10:06,199 Speaker 1: made tons of money massive right. He doesn't really spend 198 00:10:06,240 --> 00:10:08,240 Speaker 1: a bunch of his money. He did buy two houses 199 00:10:08,280 --> 00:10:10,040 Speaker 1: on the same street in Santa Fe, New Mexico, one 200 00:10:10,080 --> 00:10:12,640 Speaker 1: to live in and another house right beside it to 201 00:10:12,640 --> 00:10:16,320 Speaker 1: put all his toys and collectibles. Wow, that's splurging, because 202 00:10:16,360 --> 00:10:17,760 Speaker 1: you know the guy that wrote Game of Thrones got 203 00:10:17,800 --> 00:10:25,920 Speaker 1: a lot of collectibles. It's time for the good news. 204 00:10:29,160 --> 00:10:31,040 Speaker 1: So we're gonna go back to the end of last 205 00:10:31,040 --> 00:10:34,800 Speaker 1: semester before summer break. This girl is at the University 206 00:10:34,800 --> 00:10:37,080 Speaker 1: of Tampa and has to fly home to New York 207 00:10:37,120 --> 00:10:40,240 Speaker 1: for the summer. Well, she has this pet beta fish, THEO, 208 00:10:40,440 --> 00:10:43,360 Speaker 1: and when she gets to the Southwest ticket counter, they're like, oh, yeah, yeah, 209 00:10:43,400 --> 00:10:45,400 Speaker 1: you can't fly with the fish. Sorry, it's not going 210 00:10:45,440 --> 00:10:49,640 Speaker 1: to work. Well, then two Southwest employees tell her, we 211 00:10:49,720 --> 00:10:51,960 Speaker 1: will take care of your pet fish over the summer 212 00:10:52,000 --> 00:10:54,320 Speaker 1: and when you return to college in the fall, we'll 213 00:10:54,360 --> 00:10:57,040 Speaker 1: give it back to you. That's crazy. You should have 214 00:10:57,120 --> 00:10:58,320 Speaker 1: hired them to take care of your fish for it 215 00:10:58,400 --> 00:11:02,800 Speaker 1: die still be here. Yeah, but I'm like sixty bucks richer. 216 00:11:02,920 --> 00:11:06,640 Speaker 1: That's pretty cool. But shout did they Yeah, Ishmael and Jamie. 217 00:11:06,760 --> 00:11:10,440 Speaker 1: They returned the beta fish THEO safely to Kira and 218 00:11:10,640 --> 00:11:13,160 Speaker 1: she's now back at the University of Tampa. Fish is 219 00:11:13,160 --> 00:11:14,599 Speaker 1: all good all summer long. It's like it got a 220 00:11:14,600 --> 00:11:18,040 Speaker 1: little summer baca. That's pretty cool. Yeah. That they also 221 00:11:18,080 --> 00:11:21,000 Speaker 1: had something fun to talk about at work, and this 222 00:11:21,160 --> 00:11:22,880 Speaker 1: beta fish are hard to kill. All that. It wasn't 223 00:11:22,920 --> 00:11:26,320 Speaker 1: that guy you had. Yeah, I've heard that too. They're 224 00:11:26,320 --> 00:11:28,520 Speaker 1: hard to kill. But Amy did it, Yeah, she did. 225 00:11:28,880 --> 00:11:32,680 Speaker 1: Tank got a disease, the snails were Now you're blaming 226 00:11:32,679 --> 00:11:35,840 Speaker 1: it on the tank that the snails maybe released something 227 00:11:35,880 --> 00:11:39,240 Speaker 1: into the tank. Yeah, I don't know what happened. It's tragic. 228 00:11:39,400 --> 00:11:42,360 Speaker 1: Both snails died, the fish died, and it wasn't all 229 00:11:42,400 --> 00:11:44,760 Speaker 1: it was. It's happy then spread of the humans, right right, 230 00:11:44,800 --> 00:11:48,640 Speaker 1: But hey, theo's alive, yes, and well, and they just amazing. 231 00:11:48,679 --> 00:11:52,640 Speaker 1: That's really cools. They documented all on their Twitter, took pictures, updates. 232 00:11:52,679 --> 00:11:54,840 Speaker 1: So it's a very cute story. That's a great story. 233 00:11:54,920 --> 00:11:57,960 Speaker 1: That's what it's all about. That was tell Me something Good. 234 00:12:00,080 --> 00:12:04,200 Speaker 1: Friday Morning conversation with Marion morris Man. My question is 235 00:12:04,240 --> 00:12:06,120 Speaker 1: when you have to pick a new single, because you 236 00:12:06,160 --> 00:12:08,079 Speaker 1: write songs, you hear songs all the time, what is 237 00:12:08,120 --> 00:12:10,520 Speaker 1: that process like for you and for the people that 238 00:12:10,559 --> 00:12:13,560 Speaker 1: you're close to to pick a song that you're already 239 00:12:13,559 --> 00:12:15,800 Speaker 1: so close to for everybody else to hear. Honestly, the 240 00:12:16,320 --> 00:12:19,840 Speaker 1: fans sort of choose for me now at shows like 241 00:12:19,880 --> 00:12:22,880 Speaker 1: I just kind of gauge the volume of the crowd 242 00:12:23,880 --> 00:12:27,280 Speaker 1: each song, and especially on new ones. That's kind of 243 00:12:27,280 --> 00:12:30,760 Speaker 1: how we chose the Bones because that didn't feel like 244 00:12:30,960 --> 00:12:33,120 Speaker 1: a single to me at first, and then in the 245 00:12:33,160 --> 00:12:35,680 Speaker 1: shows it just became like a moment with the fans, 246 00:12:35,760 --> 00:12:39,040 Speaker 1: so honestly, they kind of helped me choose now, which 247 00:12:39,080 --> 00:12:41,400 Speaker 1: is nice. Do you ever ask were they really loud 248 00:12:41,440 --> 00:12:43,280 Speaker 1: that song? Because if you have ears in, you know, 249 00:12:43,320 --> 00:12:45,319 Speaker 1: because sometimes if you listen to the show now, you'll 250 00:12:45,320 --> 00:12:48,000 Speaker 1: see an artist take something out of their ear, and 251 00:12:48,320 --> 00:12:50,760 Speaker 1: most of the time it's hard to hear the crowd 252 00:12:50,800 --> 00:12:52,199 Speaker 1: if the ears are in, because you're hearing all the 253 00:12:52,200 --> 00:12:54,320 Speaker 1: instruments right right. Do you ever go, Okay, which song 254 00:12:54,320 --> 00:12:56,040 Speaker 1: were they the loudest? Because I couldn't hear. Do you 255 00:12:56,080 --> 00:12:57,720 Speaker 1: have a like people that will lead you in or 256 00:12:57,800 --> 00:13:00,960 Speaker 1: are they just so loud? For certain songs, we crowd mics, 257 00:13:01,000 --> 00:13:03,560 Speaker 1: so I will hear the crowd noise in my ears, 258 00:13:03,559 --> 00:13:06,319 Speaker 1: which is nice, um, because it can be really isolating 259 00:13:06,320 --> 00:13:08,920 Speaker 1: within ears. But yeah, I can actually hear the crowd 260 00:13:09,160 --> 00:13:12,800 Speaker 1: um and sometimes a little too well, like the other night, um, 261 00:13:14,600 --> 00:13:16,680 Speaker 1: people talking in the crowd. Oh my god, someone was 262 00:13:16,760 --> 00:13:19,679 Speaker 1: so drunk, which like, come to the show, have fun, 263 00:13:19,800 --> 00:13:21,520 Speaker 1: but they were right next to the crowd mic and 264 00:13:21,640 --> 00:13:25,960 Speaker 1: were so loud in my ear. Um. They obviously didn't 265 00:13:25,960 --> 00:13:28,000 Speaker 1: know there was a mic next to them, but yes, 266 00:13:28,200 --> 00:13:30,640 Speaker 1: I were spying on you. So when you picked I 267 00:13:30,640 --> 00:13:33,320 Speaker 1: Can't Love You Anymore, it was because you felt the 268 00:13:33,600 --> 00:13:36,599 Speaker 1: people loving that song in the crowd. Yeah, And it 269 00:13:36,720 --> 00:13:39,560 Speaker 1: just it has such a fun vibe live and I 270 00:13:39,559 --> 00:13:42,160 Speaker 1: feel like it's one of those love songs that's kind 271 00:13:42,160 --> 00:13:47,480 Speaker 1: of kooky and real. I mean the line that I 272 00:13:47,480 --> 00:13:49,760 Speaker 1: mean obviously I wrote it because it was about Ryan, 273 00:13:50,160 --> 00:13:53,360 Speaker 1: but you're so good looking, you make me sick. Um. 274 00:13:53,440 --> 00:13:58,240 Speaker 1: That felt real to me, That felt conversational. Um. But yeah, 275 00:13:58,280 --> 00:14:00,920 Speaker 1: I think it's just it feels good. It's upbeat. I 276 00:14:00,920 --> 00:14:02,840 Speaker 1: didn't want to pick like a ballad to go into 277 00:14:02,880 --> 00:14:05,720 Speaker 1: the fall. Honestly, there's really no rhyme or reason. I 278 00:14:05,720 --> 00:14:07,880 Speaker 1: wish I had a science behind it, but it's just 279 00:14:08,720 --> 00:14:11,240 Speaker 1: a gut thing. Can you put me back? Twenty seventeen, 280 00:14:11,280 --> 00:14:14,800 Speaker 1: before My Church became this massive song that we know now. 281 00:14:15,240 --> 00:14:16,880 Speaker 1: I put it out before I was ever signed to 282 00:14:16,920 --> 00:14:21,080 Speaker 1: a record label, so it was really like independent released 283 00:14:21,120 --> 00:14:24,720 Speaker 1: at first. When people heard it, and then it just 284 00:14:25,160 --> 00:14:29,440 Speaker 1: it kind of like made a huge competition between labels 285 00:14:29,480 --> 00:14:32,840 Speaker 1: of like who was gonna sign me? And I ended 286 00:14:32,920 --> 00:14:35,280 Speaker 1: up going with Sony. What is that like? Just having people? 287 00:14:36,160 --> 00:14:38,640 Speaker 1: I mean, I guess you have found it in different ways, 288 00:14:38,640 --> 00:14:40,840 Speaker 1: but just having people like we really want you, we 289 00:14:40,880 --> 00:14:43,720 Speaker 1: want to show you every way possible. Is that weird? 290 00:14:44,200 --> 00:14:46,800 Speaker 1: Is it fun? Does it get annoying? No? I mean 291 00:14:46,840 --> 00:14:49,800 Speaker 1: I thought it was cool. One of the labels that 292 00:14:49,840 --> 00:14:52,520 Speaker 1: actually ended up putting in an offer, like had passed 293 00:14:52,560 --> 00:14:56,800 Speaker 1: on me several times, so yeah, it felt kind of 294 00:14:56,840 --> 00:15:01,760 Speaker 1: I don't know, I felt vindicated. It really does come 295 00:15:01,760 --> 00:15:05,400 Speaker 1: down to a song that really gets people excited and 296 00:15:05,480 --> 00:15:08,160 Speaker 1: so you know, it's funny. Now we're all good. Like 297 00:15:08,520 --> 00:15:11,480 Speaker 1: that person that passed on me twice has since like 298 00:15:11,640 --> 00:15:15,080 Speaker 1: said I should assigned you, but I Yeah, everything happened 299 00:15:15,120 --> 00:15:17,440 Speaker 1: the way it was supposed to put my church out 300 00:15:17,640 --> 00:15:22,400 Speaker 1: and before it even went to radio, like Keith Urban 301 00:15:22,480 --> 00:15:26,280 Speaker 1: had heard it and he offered me the opening slot 302 00:15:26,360 --> 00:15:30,000 Speaker 1: on his rip chord tour that next summer, so things 303 00:15:30,040 --> 00:15:33,280 Speaker 1: were already rolling before it went to radio. And then 304 00:15:33,400 --> 00:15:36,680 Speaker 1: by the time my album Hero came out, it was 305 00:15:36,720 --> 00:15:41,200 Speaker 1: like cmafest week we were doing Bonaro album released, like 306 00:15:41,240 --> 00:15:43,640 Speaker 1: it was a lot of things like the Perfect Storm, 307 00:15:44,160 --> 00:15:46,840 Speaker 1: And I remember that was the week that My Church 308 00:15:46,920 --> 00:15:49,480 Speaker 1: kind of peaked at radio, I think at seven or eight, 309 00:15:49,840 --> 00:15:52,760 Speaker 1: so it didn't even go top five circles around this town. 310 00:15:52,760 --> 00:15:54,560 Speaker 1: When you ever you're putting it out as a single, 311 00:15:55,120 --> 00:15:57,320 Speaker 1: what was the conversation, like, what did you want to 312 00:15:57,320 --> 00:15:59,400 Speaker 1: say with you kind of your reentrant with the song? Well, 313 00:15:59,440 --> 00:16:02,720 Speaker 1: it kind of felt I was just re entering music again, 314 00:16:02,920 --> 00:16:07,560 Speaker 1: and so I think it being really autobiographical writing it 315 00:16:07,560 --> 00:16:10,720 Speaker 1: with Ryan and like Julia Michaels, who's another songwriter that 316 00:16:10,760 --> 00:16:16,240 Speaker 1: really understands that journey of songwriter to artists. Yeah, it 317 00:16:16,280 --> 00:16:18,640 Speaker 1: just felt like I hate this phrase so much, I'm 318 00:16:18,640 --> 00:16:21,280 Speaker 1: gonna kill myself for saying it out, but like getting 319 00:16:21,280 --> 00:16:24,160 Speaker 1: back to my roots. But it did kind of feel 320 00:16:24,160 --> 00:16:27,920 Speaker 1: like that. It was like less production, less flash, and 321 00:16:27,960 --> 00:16:30,520 Speaker 1: just like really telling a story, which I think country 322 00:16:30,600 --> 00:16:34,000 Speaker 1: music is, it's like storytelling. So yeah, I'm I think 323 00:16:34,040 --> 00:16:37,720 Speaker 1: it just felt like a good refreshing like way to 324 00:16:37,760 --> 00:16:42,200 Speaker 1: get out of pandemic duldrums. And it did that for me, 325 00:16:42,320 --> 00:16:44,400 Speaker 1: So it felt like a good first step. I always 326 00:16:44,440 --> 00:16:46,120 Speaker 1: feel like when you come in or when Ryan comes in, 327 00:16:46,160 --> 00:16:48,320 Speaker 1: we talk about TV shows, that we're watching. It's kind 328 00:16:48,360 --> 00:16:52,200 Speaker 1: of my wife and eyes. After we've both been doing 329 00:16:52,240 --> 00:16:55,520 Speaker 1: whatever for the entire day, we will have a show, 330 00:16:55,720 --> 00:16:58,680 Speaker 1: depending on the season, and we'll sit and watch the show. 331 00:16:58,680 --> 00:17:01,440 Speaker 1: And we're watching House a Dragon, Game of their ownes. 332 00:17:01,480 --> 00:17:04,360 Speaker 1: We're watching If you watched The Patient yet on Hulu? No, 333 00:17:04,520 --> 00:17:07,479 Speaker 1: but so many people have told me it's great, and 334 00:17:07,520 --> 00:17:10,199 Speaker 1: I love Steve Carrell obviously, but they said that My 335 00:17:10,240 --> 00:17:11,879 Speaker 1: song Circles Around This Town is on one of those 336 00:17:11,880 --> 00:17:15,600 Speaker 1: episodes the Murderers driving into the house and you hear 337 00:17:15,640 --> 00:17:18,879 Speaker 1: on his radio and I'm like, I know her, I 338 00:17:18,960 --> 00:17:21,600 Speaker 1: know her. The Murderers A friend, he was listening to 339 00:17:21,640 --> 00:17:23,719 Speaker 1: my song before he went and murdered someone. No, no, 340 00:17:23,760 --> 00:17:26,520 Speaker 1: he's a he is a serial killer. Oh, and he 341 00:17:26,560 --> 00:17:30,119 Speaker 1: has abducted Steve Carrell, who is a therapist, okay, to 342 00:17:30,119 --> 00:17:33,080 Speaker 1: give him therapy to make him stop murdering. But when 343 00:17:33,080 --> 00:17:35,760 Speaker 1: he's driving back into the house where Steve Carell is abducted, 344 00:17:35,840 --> 00:17:38,439 Speaker 1: he's Blair in your song, Like, what an honor to 345 00:17:38,480 --> 00:17:41,680 Speaker 1: have a murderer? Oh, bla Blair in the song. Yeah, 346 00:17:41,680 --> 00:17:43,760 Speaker 1: but it's pretty cool. Yeah, I think you'll like the show. 347 00:17:43,840 --> 00:17:46,440 Speaker 1: Knowing kind of your your tastes. Yeah, but then also, yeah, 348 00:17:46,480 --> 00:17:47,879 Speaker 1: you hear you do you ever hear your song in 349 00:17:47,920 --> 00:17:49,280 Speaker 1: a weird place when you're like, oh, I can't believe 350 00:17:49,280 --> 00:17:52,359 Speaker 1: that's playing there. I mean that's probably the weirdest, um, 351 00:17:52,400 --> 00:17:54,720 Speaker 1: but also such an honor like a Steve Carrell show. 352 00:17:55,359 --> 00:17:58,440 Speaker 1: Um yeah, I mean, like for sure, but I love 353 00:17:58,520 --> 00:18:01,040 Speaker 1: like sometimes when songs get played some TV shows that 354 00:18:01,320 --> 00:18:04,199 Speaker 1: are actually like really good and have great soundtracks, like 355 00:18:04,240 --> 00:18:06,960 Speaker 1: it's it's such a cool thing. But yeah, I'm a 356 00:18:07,080 --> 00:18:10,879 Speaker 1: House of the Dragon for sure. We're invested in You 357 00:18:10,920 --> 00:18:13,359 Speaker 1: feel like it's easier to follow than Game of Thrones 358 00:18:13,560 --> 00:18:15,960 Speaker 1: because I do. I feel like maybe I know more 359 00:18:16,359 --> 00:18:18,320 Speaker 1: because I've watched Game of Thrones. But do you feel 360 00:18:18,320 --> 00:18:22,200 Speaker 1: like they're making the storylines easier for a novice? Oh 361 00:18:22,280 --> 00:18:24,960 Speaker 1: for sure, because think about how many storylines were going 362 00:18:25,000 --> 00:18:27,240 Speaker 1: on in Game of Thrones. They were like fifty. Now 363 00:18:27,280 --> 00:18:30,159 Speaker 1: it's just about the Targarians and it had a lot 364 00:18:30,200 --> 00:18:31,520 Speaker 1: of height. But I feel like it's living up to it. 365 00:18:31,560 --> 00:18:34,399 Speaker 1: I think it's really good. Yeah, I'm interested with the 366 00:18:34,400 --> 00:18:37,719 Speaker 1: next episode when they change like forward in time and 367 00:18:37,800 --> 00:18:41,000 Speaker 1: they change some of the cast members. But um, yeah, 368 00:18:41,080 --> 00:18:43,040 Speaker 1: I think they're doing a great job. It's also really 369 00:18:43,080 --> 00:18:46,560 Speaker 1: weird because that show, especially, there's like some incest stuff 370 00:18:47,560 --> 00:18:49,879 Speaker 1: and it's like, yeah, I'm talking about yeah, yeah, And 371 00:18:49,880 --> 00:18:51,560 Speaker 1: it's like I don't know if I should be weirded 372 00:18:51,560 --> 00:18:53,680 Speaker 1: out by this or because it's thousands of years ago 373 00:18:53,800 --> 00:18:56,159 Speaker 1: or fiction, I should maybe not be as but I 374 00:18:56,240 --> 00:18:57,720 Speaker 1: was just kind of weird. Were you weird at out 375 00:18:57,720 --> 00:19:00,640 Speaker 1: by it? Yeah? That last episode was so uncomfortable, But 376 00:19:01,240 --> 00:19:03,359 Speaker 1: I'm like, Okay, they're just acting. Yeah, I had to 377 00:19:03,400 --> 00:19:05,080 Speaker 1: do that too. They're not really, they're not really really, 378 00:19:05,480 --> 00:19:07,800 Speaker 1: they're not really. But I'm obsessed with that guy that 379 00:19:07,840 --> 00:19:11,520 Speaker 1: plays Damon Targarian, Matt Smith. He was in The Crown. 380 00:19:12,040 --> 00:19:17,440 Speaker 1: He's so good at playing a douchebagh. People say same 381 00:19:17,520 --> 00:19:20,240 Speaker 1: about me, so you know, I completely relate. What else 382 00:19:20,240 --> 00:19:23,800 Speaker 1: are you watching? Anything else? Um? We started the new 383 00:19:23,840 --> 00:19:27,360 Speaker 1: season of The Handmaid's Tale last night. That's our same 384 00:19:27,400 --> 00:19:29,399 Speaker 1: gig too. Like you were saying about Caitlin's, like, we 385 00:19:29,480 --> 00:19:32,200 Speaker 1: just when we're off the road, we come home and 386 00:19:32,280 --> 00:19:34,399 Speaker 1: we put Hayes to bed and then we just like 387 00:19:34,720 --> 00:19:39,359 Speaker 1: cannot wait to watch whatever is popping? Has anybody cheated 388 00:19:39,359 --> 00:19:41,919 Speaker 1: and watched ahead of time? And then not admitted it, 389 00:19:41,960 --> 00:19:45,399 Speaker 1: but then get caught or you guys full integrity with 390 00:19:45,440 --> 00:19:49,320 Speaker 1: your shows. Um, he watched the premiere of House of 391 00:19:49,359 --> 00:19:51,080 Speaker 1: the Dragon without me, but I was like on a 392 00:19:51,119 --> 00:19:54,879 Speaker 1: long tour run. He did save the finale of Better 393 00:19:54,920 --> 00:19:57,400 Speaker 1: Call Saul for when I got home, so we try 394 00:19:57,440 --> 00:20:01,400 Speaker 1: to like keep each other honest. Also that show the rehearsal. 395 00:20:01,840 --> 00:20:04,119 Speaker 1: Oh yeah, so it's so funny, weird. I feel like 396 00:20:04,160 --> 00:20:08,600 Speaker 1: you like that show. I just so, what's the word 397 00:20:08,600 --> 00:20:10,960 Speaker 1: you like? Really uncomfortable? I do? I love it? And 398 00:20:11,000 --> 00:20:14,240 Speaker 1: I watched it and I thought to myself, I'm so jealous. 399 00:20:14,240 --> 00:20:16,639 Speaker 1: I did not think of this. Yeah, and that is 400 00:20:16,640 --> 00:20:19,880 Speaker 1: like the ultimate compliments because I try to create stuff 401 00:20:19,920 --> 00:20:23,159 Speaker 1: here or on television, and what he had created, I 402 00:20:23,200 --> 00:20:24,480 Speaker 1: was like, I'm so jealous. I didn't do that. That That 403 00:20:24,640 --> 00:20:26,560 Speaker 1: is perfect. I know. Do you ever do that with 404 00:20:27,000 --> 00:20:29,480 Speaker 1: artists and they they have a song that you hear 405 00:20:29,600 --> 00:20:31,560 Speaker 1: or a record and you're like, I am so jealous, 406 00:20:31,720 --> 00:20:33,320 Speaker 1: not that you want to do it specifically, but you're 407 00:20:33,359 --> 00:20:36,439 Speaker 1: like how they captured that? Right? Then? Oh? Yeah, all 408 00:20:36,440 --> 00:20:39,120 Speaker 1: the time, I have like songwriter envy, who do you love? 409 00:20:39,160 --> 00:20:42,119 Speaker 1: Friends that? Like? I mean, I remember there was a 410 00:20:42,160 --> 00:20:45,840 Speaker 1: song on the Brothers Osborne album and it was called Weed, 411 00:20:45,840 --> 00:20:48,840 Speaker 1: Whiskey and Willie and they wrote it with my friend 412 00:20:48,920 --> 00:20:50,679 Speaker 1: Laura Belts, who I write a lot of my stuff with. 413 00:20:50,760 --> 00:20:53,639 Speaker 1: And I was like, I hate you guys for writing 414 00:20:53,680 --> 00:20:56,040 Speaker 1: this without me, but also like you didn't need me 415 00:20:56,080 --> 00:20:58,399 Speaker 1: to write it. It's brilliant. But yeah, I think like 416 00:20:58,760 --> 00:21:01,880 Speaker 1: it just makes you excited to go right the next day. Though, 417 00:21:01,960 --> 00:21:06,280 Speaker 1: because your friends are so freaking talented, it's an odd 418 00:21:06,320 --> 00:21:08,640 Speaker 1: feeling to have jealousy towards someone. And I can even 419 00:21:08,640 --> 00:21:10,560 Speaker 1: put this with a friend of mine, but like a 420 00:21:11,880 --> 00:21:15,520 Speaker 1: happy jealousy, a healthy jealousy. One of my really great 421 00:21:15,520 --> 00:21:18,399 Speaker 1: friends is Charlemagne the God who's in New York on 422 00:21:18,480 --> 00:21:20,919 Speaker 1: the Breakfast Club and he just kills it and he's 423 00:21:20,960 --> 00:21:23,280 Speaker 1: so funny and he does all these shows, and like, 424 00:21:23,359 --> 00:21:26,080 Speaker 1: I get healthily jealous. And I texted like, do I'm 425 00:21:26,119 --> 00:21:27,600 Speaker 1: so proud of you? Like, I'm so jealous of that 426 00:21:27,600 --> 00:21:29,680 Speaker 1: you're getting to do this. And I have never really 427 00:21:29,680 --> 00:21:31,560 Speaker 1: experienced that, because I don't think I was healthy until 428 00:21:31,560 --> 00:21:33,960 Speaker 1: the last few years. Do you have any artist friends 429 00:21:33,960 --> 00:21:35,600 Speaker 1: that you get healthy jealous of because they kill it 430 00:21:35,640 --> 00:21:37,440 Speaker 1: and you're like, I'm so proud for you, and also, man, 431 00:21:37,480 --> 00:21:39,720 Speaker 1: that's so cool. Yeah, for they all jealous of you. 432 00:21:39,760 --> 00:21:42,359 Speaker 1: That's probably it is. I got it the other way. No, 433 00:21:42,760 --> 00:21:46,480 Speaker 1: I think there's definitely people that I have always looked 434 00:21:46,560 --> 00:21:50,639 Speaker 1: up to that I'm also friends with, and I feel like, yeah, 435 00:21:50,680 --> 00:21:54,320 Speaker 1: if there's any like anything beyond just healthy competition, it's 436 00:21:54,359 --> 00:21:56,560 Speaker 1: just so lame and we can't be on a group 437 00:21:56,600 --> 00:21:59,920 Speaker 1: threat anymore. So. Yeah, I definitely like it's a small 438 00:22:00,200 --> 00:22:02,520 Speaker 1: group now than it was like probably six years ago. 439 00:22:02,640 --> 00:22:06,320 Speaker 1: But I think it's because we really don't care about 440 00:22:06,359 --> 00:22:10,960 Speaker 1: the fame part of it or the flashy parts. It 441 00:22:11,040 --> 00:22:13,639 Speaker 1: sounds so cliche, but like I don't. I think the 442 00:22:13,640 --> 00:22:15,840 Speaker 1: people I keep the closest do not care about those 443 00:22:15,840 --> 00:22:19,480 Speaker 1: things they care about, like did you stand up for something? 444 00:22:19,560 --> 00:22:21,280 Speaker 1: Or were you brave? Or did you say something in 445 00:22:21,280 --> 00:22:23,000 Speaker 1: a song that like I wish I could have said. 446 00:22:23,640 --> 00:22:25,960 Speaker 1: Marion Morris is here with us and she'll be performing 447 00:22:25,960 --> 00:22:30,360 Speaker 1: this weekend at our Iharready Music Festival, Lucombs, the Black Keys, 448 00:22:30,840 --> 00:22:33,280 Speaker 1: Ella Coole j. There's so much. You can watch our 449 00:22:33,320 --> 00:22:36,480 Speaker 1: festival today and tomorrow. Watch for free on the CW 450 00:22:36,560 --> 00:22:39,960 Speaker 1: app or at cwtv dot com. Show starts at ten 451 00:22:40,640 --> 00:22:44,240 Speaker 1: nine pm Central, and you're doing shows all the way 452 00:22:44,280 --> 00:22:47,600 Speaker 1: up until December, so you're still on the road. You're 453 00:22:47,640 --> 00:22:50,280 Speaker 1: still doing it all. Huh. Yeah. We have been on 454 00:22:50,280 --> 00:22:53,560 Speaker 1: the West Coast the last couple of weeks. We're doing 455 00:22:53,600 --> 00:22:55,919 Speaker 1: Hollywood Bowl and Red Rocks in a few weeks and 456 00:22:55,920 --> 00:22:59,800 Speaker 1: then we end our whole run at Bridgetone here and 457 00:23:00,240 --> 00:23:01,800 Speaker 1: Full So it'll be fun to end the tour on 458 00:23:01,880 --> 00:23:06,600 Speaker 1: like a hometown show. Well, keep on, it's I love 459 00:23:06,640 --> 00:23:09,080 Speaker 1: what you're doing, and you know I'm a big fan. 460 00:23:09,440 --> 00:23:11,240 Speaker 1: Love the new song. And you guys go see Marion 461 00:23:11,320 --> 00:23:12,879 Speaker 1: Marion Morris dot com and she'll be at our heart 462 00:23:12,960 --> 00:23:16,040 Speaker 1: Rady Music Festival this weekend. All right, Marion, good to 463 00:23:16,040 --> 00:23:19,879 Speaker 1: see you. There. She is Marion Morris. Everybody, it's a 464 00:23:19,920 --> 00:23:22,280 Speaker 1: brand new season of Easy Trivia where our champion is 465 00:23:22,280 --> 00:23:27,679 Speaker 1: putting on his tr Lunchbox is the champion, Yes, the crown. 466 00:23:27,800 --> 00:23:30,440 Speaker 1: The crowd is in the building. All right, Easy Trivia, 467 00:23:30,520 --> 00:23:32,800 Speaker 1: You should not miss these questions Lunchbox and shore the 468 00:23:32,880 --> 00:23:37,200 Speaker 1: champ which people are shocked by? You will go first, Oh, 469 00:23:37,359 --> 00:23:41,800 Speaker 1: Easy Trivia. Famous athletes? What sport did Michael Jordan play basketball? 470 00:23:41,800 --> 00:23:46,440 Speaker 1: And baseball? Okay, what sport does Ronaldo play, Eddie? That's 471 00:23:46,480 --> 00:23:50,240 Speaker 1: soccer bones, Hey Morgan, Derek Jeter, what sport does he play? 472 00:23:50,320 --> 00:23:54,720 Speaker 1: That's baseball? Correct Amy? What sport did Peyton Manning play? Football? 473 00:23:54,800 --> 00:23:59,720 Speaker 1: Good easy trivia? So Lunchbox has the tr he's wearing it. 474 00:23:59,760 --> 00:24:04,040 Speaker 1: He is champion overall championships? Eddie four Amy one, Lunchbox one, 475 00:24:05,000 --> 00:24:08,040 Speaker 1: Morgan none. And if Draft Kings were to do the 476 00:24:08,040 --> 00:24:11,119 Speaker 1: odds and who's gonna win this season, Lunchbox be the 477 00:24:11,160 --> 00:24:14,479 Speaker 1: favorite two to one? What Eddie four to one? Amy 478 00:24:14,560 --> 00:24:16,080 Speaker 1: eight to one made? You have a one or eight 479 00:24:16,200 --> 00:24:18,960 Speaker 1: chance to be the champion? And Morgan forty to one? Hey, Hollo, 480 00:24:19,040 --> 00:24:21,520 Speaker 1: And they can make the most money off of Okay, yeah, 481 00:24:21,520 --> 00:24:25,760 Speaker 1: you never want to be put a dollar? All right, 482 00:24:25,800 --> 00:24:28,960 Speaker 1: let's go around two easy trivia. The category is Tom 483 00:24:29,040 --> 00:24:31,879 Speaker 1: Hanks movies. Yeah, I've seen a couple life is lack 484 00:24:31,960 --> 00:24:34,879 Speaker 1: of box to Chocolates? Is what movie? Lunchbox four's gump? 485 00:24:34,920 --> 00:24:37,720 Speaker 1: Correct Eddie? What's the name of the Tom Hanks movie 486 00:24:37,760 --> 00:24:41,560 Speaker 1: about the real life All American women Professional Baseball league 487 00:24:41,800 --> 00:24:45,000 Speaker 1: that's a league of their own? Correct Morgan? What movie 488 00:24:45,040 --> 00:24:49,080 Speaker 1: does Tom Hanks played? Colonel Tom Parker? Oh is that 489 00:24:49,320 --> 00:24:58,480 Speaker 1: the Green mile incorrect. Elvis. Oh dang, I just watched that. 490 00:24:58,800 --> 00:25:02,440 Speaker 1: I never got That's okay, I forgot his name was 491 00:25:02,440 --> 00:25:05,800 Speaker 1: a colonel. But you can make the most money off more. 492 00:25:06,119 --> 00:25:11,959 Speaker 1: Those odds just went ups gone. Okay, it's quick. Amy 493 00:25:11,960 --> 00:25:14,080 Speaker 1: what Tom Hanks movies about his character being stuck on 494 00:25:14,080 --> 00:25:27,080 Speaker 1: a stranded island? Um? Oh uh um, law Wilson, what's 495 00:25:27,080 --> 00:25:32,639 Speaker 1: it called? You've been cast away? Oh my god, we 496 00:25:32,680 --> 00:25:35,080 Speaker 1: lost two that quick. I was waiting for. I am 497 00:25:35,080 --> 00:25:37,720 Speaker 1: your captain. That's the earliest we've ever lost two people 498 00:25:37,840 --> 00:25:43,679 Speaker 1: the second round. Oh hey, well on to two. Lunchbox 499 00:25:43,720 --> 00:25:47,159 Speaker 1: the current champion. Hey you like your odds? Oh, of 500 00:25:47,200 --> 00:25:48,879 Speaker 1: course I do. I love the one on one with 501 00:25:48,960 --> 00:25:54,800 Speaker 1: lunch bogs. The categories Famous US fruits and Veggies, Famous 502 00:25:54,880 --> 00:25:58,000 Speaker 1: US foots and veggies. What US state is known for 503 00:25:58,000 --> 00:26:03,160 Speaker 1: peaches lunchbox Georgia? Correct? What do you say like that? 504 00:26:04,240 --> 00:26:08,360 Speaker 1: What US state is known for? Oranges Eddie Florida? Correct? 505 00:26:10,040 --> 00:26:16,680 Speaker 1: Come on? The category is famous inventors lunchbox. Yeah, who 506 00:26:16,800 --> 00:26:19,399 Speaker 1: is the most famous person that it was on the 507 00:26:19,400 --> 00:26:26,320 Speaker 1: team that invented apple? Uh, Steve Jobs, I'll accept it. 508 00:26:26,400 --> 00:26:28,320 Speaker 1: That's the answer. Wasn't the ac I would have also 509 00:26:28,320 --> 00:26:34,360 Speaker 1: taken Oh, I was like Eddie? Who invented Facebook? Mark Zuckerberg? Correct? 510 00:26:34,880 --> 00:26:39,560 Speaker 1: In the same category Lunchbox, who invented the telephone? Alexander 511 00:26:39,600 --> 00:26:44,639 Speaker 1: Graham Bell? Correct Eddie? Who invented the light bulb? Thomas 512 00:26:44,640 --> 00:26:47,760 Speaker 1: said correct? Wow, Wow, Okay. Moving on, the category is 513 00:26:47,800 --> 00:26:52,160 Speaker 1: country music groups? Love It Lunchbox, Kimberly Schlattman and Karen 514 00:26:52,200 --> 00:26:56,840 Speaker 1: Fairchild are members of what group? Little Big Town? Correct? Eddie, 515 00:26:57,000 --> 00:27:01,520 Speaker 1: Natalie Marty Emily make up what country group? Those are 516 00:27:01,560 --> 00:27:06,800 Speaker 1: the chicks? That's correct? Next categories pop music YEP, Lunchbox, 517 00:27:07,080 --> 00:27:11,280 Speaker 1: Kelly Rowland, Michelle Williams and Beyonce made up which group? 518 00:27:12,080 --> 00:27:16,920 Speaker 1: Destiny's Child? Correct? Eddie? What boy band was Harry Styles? 519 00:27:17,000 --> 00:27:21,800 Speaker 1: Once in One Direction? Correct? Same category Lunchbox? What pop 520 00:27:21,800 --> 00:27:24,600 Speaker 1: star slash actress is now featured on the show only 521 00:27:24,680 --> 00:27:29,440 Speaker 1: Murders in the Building Selena Gomez Correct? Yea, Let's go Eddie, 522 00:27:29,440 --> 00:27:33,399 Speaker 1: We Found Love, Umbrella and Disturbia are all songs by 523 00:27:33,440 --> 00:27:37,760 Speaker 1: what pop artists? Correct? The next category is measurements easy 524 00:27:37,760 --> 00:27:45,399 Speaker 1: trivia to measurements Lunchbox. How many inches in a foot twelve? Correct? Eddie? 525 00:27:45,400 --> 00:27:49,360 Speaker 1: How many degrees are in a circle. Three sixty correct, Lunchbox. 526 00:27:49,400 --> 00:27:57,240 Speaker 1: How many millimeters are in a cinemeter? Got him? Huh? 527 00:27:57,800 --> 00:28:01,399 Speaker 1: How many millimeters are in a cinemeter? He's measuring with 528 00:28:01,440 --> 00:28:05,080 Speaker 1: his fingers. I don't know what to send him your 529 00:28:05,440 --> 00:28:12,080 Speaker 1: Oh god, this thing's done. Let go ten correct? How 530 00:28:12,119 --> 00:28:19,200 Speaker 1: did you do that? How did you do that? How 531 00:28:19,200 --> 00:28:22,120 Speaker 1: many ounces are in a pint? I knew you're gonna 532 00:28:22,119 --> 00:28:32,280 Speaker 1: do this. Ounces every single time? A pint is eight ounces? Oh? 533 00:28:32,400 --> 00:28:36,280 Speaker 1: Is it six? Oh gosh? Let him keep guessing. You've 534 00:28:36,280 --> 00:28:47,719 Speaker 1: been boy. Good job. Maybe draft kings on those They 535 00:28:47,800 --> 00:28:52,960 Speaker 1: know what they're doing. Wow, Lunchbox one is America's favorite player. 536 00:28:53,120 --> 00:28:56,760 Speaker 1: Oh good man. Wow, Lunchbox wins easy trivia. I mean 537 00:28:56,800 --> 00:28:59,360 Speaker 1: you always worry about that, that that championship hangover, But 538 00:28:59,600 --> 00:29:05,840 Speaker 1: it didn't exist that this guy. This is a voicemail 539 00:29:05,880 --> 00:29:09,680 Speaker 1: from Linda and Dana from Covington, Louisiana. We listen to 540 00:29:09,720 --> 00:29:12,800 Speaker 1: you guys every morning for our morning commute. You make 541 00:29:12,840 --> 00:29:15,880 Speaker 1: it much more bearable and we have a morning corny. 542 00:29:16,240 --> 00:29:21,280 Speaker 1: What is worse than raining cats and dogs hailing taxis? 543 00:29:25,040 --> 00:29:27,960 Speaker 1: All right, guys, We love y'all. Thank you for making 544 00:29:27,960 --> 00:29:32,800 Speaker 1: our commute so much more bearable hailing, taxis hailing like 545 00:29:33,160 --> 00:29:36,200 Speaker 1: a laugh on the line. They correct themselves though, either 546 00:29:36,240 --> 00:29:38,880 Speaker 1: fake or not. It's fun. For example, listen to this 547 00:29:38,920 --> 00:29:41,960 Speaker 1: one right play that. Hi. This is Shauna from a 548 00:29:42,080 --> 00:29:50,680 Speaker 1: Texas and Shauna at see she messed up and it 549 00:29:50,720 --> 00:29:57,920 Speaker 1: can stop. Here is Kara. I am dating a man 550 00:29:57,920 --> 00:30:00,440 Speaker 1: that's obsessed with sports betting, and I'm trying to get 551 00:30:00,400 --> 00:30:02,160 Speaker 1: in Choway and I'm trying to get ahead of the game. 552 00:30:02,280 --> 00:30:04,480 Speaker 1: I want to take your picks, Bobby, but I don't 553 00:30:04,480 --> 00:30:07,360 Speaker 1: know how Do I just listen to twenty five whistles? 554 00:30:07,600 --> 00:30:10,200 Speaker 1: Do I do you post them anywhere? Do I just 555 00:30:10,200 --> 00:30:12,400 Speaker 1: have to listen to the show? Yes, listen to twenty 556 00:30:12,440 --> 00:30:14,400 Speaker 1: five whistles. There's a new one today where I give 557 00:30:14,440 --> 00:30:16,440 Speaker 1: you here's the thing I'm probably not gonna hit this week. 558 00:30:16,800 --> 00:30:18,920 Speaker 1: So can you say that on twenty five whistles too? 559 00:30:18,960 --> 00:30:21,760 Speaker 1: I didn't at first, but I'm I'm fifteen to Oh, 560 00:30:22,000 --> 00:30:25,160 Speaker 1: I know, it's unbelievable. It's like pitching two perfect games 561 00:30:25,160 --> 00:30:27,040 Speaker 1: in a row. Yeah, they're gonna start investigating you after 562 00:30:27,080 --> 00:30:29,240 Speaker 1: a while. I think they think Biff gave me the 563 00:30:29,280 --> 00:30:33,800 Speaker 1: almanac from Back to the Future too. Yeah, So I'm 564 00:30:33,800 --> 00:30:35,880 Speaker 1: probably not gonna win this week, but yes, it's up there, 565 00:30:36,280 --> 00:30:38,200 Speaker 1: so go listen to twenty five Whistles today. We also 566 00:30:38,200 --> 00:30:41,560 Speaker 1: have Rich Eisenon, who is a former ESPN Sports Center 567 00:30:41,600 --> 00:30:43,040 Speaker 1: anchor from back in the day, also has the Rich 568 00:30:43,080 --> 00:30:45,800 Speaker 1: eisen Show now, so pretty cool. But yeah, just go 569 00:30:45,840 --> 00:30:48,520 Speaker 1: search twenty five Whistles wherever you podcast. It's a sports show. 570 00:30:48,720 --> 00:30:53,560 Speaker 1: That's what's up. You're Samy's Pile of Stories. The Wall 571 00:30:53,600 --> 00:30:55,960 Speaker 1: Street Journal did a big ride up on how old 572 00:30:56,040 --> 00:30:58,960 Speaker 1: band logos are trending right now for young people, and 573 00:30:59,040 --> 00:31:01,600 Speaker 1: they talk to a death that was so excited when 574 00:31:01,640 --> 00:31:04,440 Speaker 1: his seventeen year old daughter brought home a Rolling Stones 575 00:31:04,520 --> 00:31:06,960 Speaker 1: and a Metallica shirt, but then he got super annoyed 576 00:31:06,960 --> 00:31:09,560 Speaker 1: because she couldn't name a single song. Locks her in 577 00:31:09,600 --> 00:31:14,080 Speaker 1: the room, and you play what you think is their biggest, 578 00:31:14,120 --> 00:31:16,160 Speaker 1: most influential album. Just listen to all of it, and 579 00:31:16,200 --> 00:31:17,600 Speaker 1: then she can wear the shirt. I don't care if 580 00:31:17,600 --> 00:31:20,080 Speaker 1: you know three songs. Listen to the full album and 581 00:31:20,120 --> 00:31:23,000 Speaker 1: then we'll talk. Also, I don't care anymore. I'm annoyed 582 00:31:23,000 --> 00:31:25,120 Speaker 1: with me at this point. I've been saying this forever, 583 00:31:25,160 --> 00:31:26,360 Speaker 1: and now that people are saying it too, and I'm like, 584 00:31:26,400 --> 00:31:28,200 Speaker 1: I don't want to be on that train. Yeah, yeah, yeah, 585 00:31:28,200 --> 00:31:30,120 Speaker 1: I know it's a whole Now that's a whole thing. 586 00:31:30,360 --> 00:31:32,440 Speaker 1: I like it when it was only me complaining, but yeah, 587 00:31:32,440 --> 00:31:34,120 Speaker 1: it's kind of I'm kind of a loser now. Well. 588 00:31:34,200 --> 00:31:36,840 Speaker 1: Pole found that the most popular band logo shirts are 589 00:31:36,880 --> 00:31:40,280 Speaker 1: a CDC. Check have that. I have an ACDC sweater 590 00:31:40,600 --> 00:31:44,160 Speaker 1: like a crew sweatshirt type thing. It's a little thicker 591 00:31:44,200 --> 00:31:46,280 Speaker 1: than that, but it says Highway to Hell on it, 592 00:31:46,360 --> 00:31:47,800 Speaker 1: and it's one of their big songs. I love a 593 00:31:47,800 --> 00:31:50,600 Speaker 1: CDC like I've even when they had Ballbreaker, which is 594 00:31:50,640 --> 00:31:54,880 Speaker 1: way later post super famous, a CDC like knew it all, 595 00:31:54,920 --> 00:31:57,400 Speaker 1: listen to it all and I just feel weird about 596 00:31:57,440 --> 00:31:58,920 Speaker 1: wearing a shirt this is Highway to Hell on it, 597 00:31:58,920 --> 00:32:00,320 Speaker 1: even though it was the name of the torn song. 598 00:32:00,920 --> 00:32:02,680 Speaker 1: So you don't wear it anymore. I've never put it on. 599 00:32:03,320 --> 00:32:06,240 Speaker 1: I bought it and it's old and I can't because 600 00:32:06,280 --> 00:32:08,920 Speaker 1: hell's a place, Yes it is, so it wouldn't be 601 00:32:08,960 --> 00:32:11,640 Speaker 1: a bad word. You could wear it. Just wear it 602 00:32:12,120 --> 00:32:16,160 Speaker 1: and do who cares who? It's rock and roll mana yeah, listen, yes, 603 00:32:16,160 --> 00:32:17,880 Speaker 1: I'm the bad boy of country music. However, I'm not 604 00:32:17,960 --> 00:32:20,400 Speaker 1: the bad boy of real life wear it in real life, 605 00:32:21,120 --> 00:32:22,880 Speaker 1: so I don't know. It doesn't feel comfortable to me. 606 00:32:23,040 --> 00:32:25,400 Speaker 1: So what else? Aero Smith, Queen Pink Floyd and Green 607 00:32:25,520 --> 00:32:29,040 Speaker 1: Day the Green Days. Yeah got a cool logo? Yeah, 608 00:32:29,080 --> 00:32:32,560 Speaker 1: all right? What else? Okay? Credit card skimmers they're cropping 609 00:32:32,640 --> 00:32:35,760 Speaker 1: up at gas stations, particularly seven elevens across the country 610 00:32:35,800 --> 00:32:38,719 Speaker 1: and even ATMs. So here's what you need to do 611 00:32:38,720 --> 00:32:41,440 Speaker 1: to protect yourself. Try to only use a chip card 612 00:32:41,680 --> 00:32:44,000 Speaker 1: in the reader. If you can, just boop use the 613 00:32:44,080 --> 00:32:47,160 Speaker 1: chip check the card reader for a fake top plate. 614 00:32:47,560 --> 00:32:49,880 Speaker 1: So it'll take some investigating, but it's worth it. You 615 00:32:49,920 --> 00:32:53,360 Speaker 1: can use Apple Pay or Google Pay or cash. And 616 00:32:53,400 --> 00:32:56,120 Speaker 1: then also if you're at ATMs, they put teeny tiny 617 00:32:56,120 --> 00:32:58,840 Speaker 1: little cameras there. Scammers do to try to get your 618 00:32:58,880 --> 00:33:01,800 Speaker 1: pin code, and make sure you look for a camera. 619 00:33:01,920 --> 00:33:04,280 Speaker 1: Here's the thing. When I'm getting gas, I don't have 620 00:33:04,280 --> 00:33:06,880 Speaker 1: all this time to launch full investigation. You gotta call 621 00:33:06,960 --> 00:33:09,520 Speaker 1: the Department of Justice here do jam, but launch full investigation, 622 00:33:09,520 --> 00:33:11,280 Speaker 1: full scale. I'm gonna need to. No, you just have 623 00:33:11,360 --> 00:33:13,840 Speaker 1: to look for a few things. You say, the skimmer 624 00:33:14,080 --> 00:33:17,520 Speaker 1: on the outside of They have those that aren't skimmers though, 625 00:33:17,720 --> 00:33:19,880 Speaker 1: they have a little things they go outside of that 626 00:33:19,920 --> 00:33:22,520 Speaker 1: plate you slide your card in, and I've seen them before. 627 00:33:22,560 --> 00:33:24,520 Speaker 1: I'm like, does the skimmer? And then they're like, no, 628 00:33:24,640 --> 00:33:29,560 Speaker 1: that's just part of the gas. You're paranoid. Yes, so fine, 629 00:33:29,680 --> 00:33:32,560 Speaker 1: but I still want to use Apple Pay at the store. 630 00:33:32,920 --> 00:33:35,160 Speaker 1: I'm like, am I doing this right? Oh? I feel 631 00:33:35,160 --> 00:33:37,080 Speaker 1: so old when it's time to bring up my wallet 632 00:33:37,080 --> 00:33:39,080 Speaker 1: and find my credit card and hold my phone up 633 00:33:39,080 --> 00:33:42,640 Speaker 1: to it. That's definitely something that ages me. Yeah, and 634 00:33:42,680 --> 00:33:46,479 Speaker 1: I do it, but I'm always like, is this even crap? 635 00:33:47,280 --> 00:33:49,560 Speaker 1: So all that sounds good and principal, but I don't 636 00:33:49,560 --> 00:33:51,440 Speaker 1: think people are gonna be doing it all right? What else? 637 00:33:51,680 --> 00:33:54,280 Speaker 1: So Rebo was on our show earlier this year talking 638 00:33:54,320 --> 00:33:56,520 Speaker 1: about what she would like to see happen with her show, Rebob. 639 00:33:57,040 --> 00:34:00,240 Speaker 1: We've been really trying hard to do a reboot on 640 00:34:00,280 --> 00:34:02,760 Speaker 1: the Reba Show because I really want to work with 641 00:34:02,800 --> 00:34:04,959 Speaker 1: the people that I got to work with during that 642 00:34:05,080 --> 00:34:08,040 Speaker 1: six and a half years. So hopefully that'll happen one day. 643 00:34:08,320 --> 00:34:11,759 Speaker 1: And here's Reba on GMA talking about how it's not 644 00:34:11,800 --> 00:34:15,200 Speaker 1: going to happen unfortunately not. I thought we were getting 645 00:34:15,239 --> 00:34:17,719 Speaker 1: really close, but Nope, not going to be able to 646 00:34:17,760 --> 00:34:20,160 Speaker 1: do it for right now. But we'll kind of keep 647 00:34:20,719 --> 00:34:23,799 Speaker 1: see if we can get in there somewhere hopefully one day. 648 00:34:23,840 --> 00:34:26,520 Speaker 1: It's a good show. I guess it's not a survivor 649 00:34:28,600 --> 00:34:30,839 Speaker 1: that is that. It's a song to Reba that also 650 00:34:30,840 --> 00:34:34,400 Speaker 1: went viral. Okay, I get it, I get it, I 651 00:34:34,440 --> 00:34:39,759 Speaker 1: get it. We're slow, just like Amy. That's my pile. 652 00:34:40,640 --> 00:34:44,400 Speaker 1: That was Amy's pile of stories. It's time for the 653 00:34:44,440 --> 00:34:51,120 Speaker 1: good news lunchbox. Guys, I need you to stick with me. 654 00:34:51,160 --> 00:34:53,760 Speaker 1: We're about to go on a wild, long ride. Okay. 655 00:34:53,880 --> 00:34:57,000 Speaker 1: Carl Alambie when he's a teenager, he's in high school. 656 00:34:57,080 --> 00:34:58,799 Speaker 1: He doesn't have the resources to go to college, so 657 00:34:58,840 --> 00:35:01,560 Speaker 1: he starts working at an auto parts store. He's like, man, 658 00:35:01,600 --> 00:35:04,399 Speaker 1: I really like this car stuff. So at nineteen he says, 659 00:35:04,440 --> 00:35:06,200 Speaker 1: you know what, I'm gonna open my own car shop. 660 00:35:06,480 --> 00:35:09,040 Speaker 1: So he opens a shop and it just provides for 661 00:35:09,120 --> 00:35:10,799 Speaker 1: him until he's in his mid thirties. He's like, I'm 662 00:35:10,800 --> 00:35:13,280 Speaker 1: gonna go back to college and get my college degree. 663 00:35:13,560 --> 00:35:15,880 Speaker 1: And he's taking a biology class and he's like, you 664 00:35:15,920 --> 00:35:18,160 Speaker 1: know what, when I was a kid, I always dreamed 665 00:35:18,160 --> 00:35:21,640 Speaker 1: of becoming a doctor. So he started taking met school 666 00:35:21,680 --> 00:35:25,080 Speaker 1: classes and then he graduates, goes and does residency and 667 00:35:25,120 --> 00:35:27,879 Speaker 1: now he's fifty one years old and he was just 668 00:35:28,200 --> 00:35:31,880 Speaker 1: hired on as his first job as a doctor. Wow. 669 00:35:32,000 --> 00:35:34,160 Speaker 1: You know, if there was a group project, everybody wanted 670 00:35:34,200 --> 00:35:36,360 Speaker 1: to be in his group because he's a non traditional 671 00:35:36,400 --> 00:35:38,520 Speaker 1: student and they work a lot harder. Yeah. Oh man, 672 00:35:38,600 --> 00:35:41,080 Speaker 1: let me tell you because they care intro to earth systems. 673 00:35:41,080 --> 00:35:43,480 Speaker 1: In college, we had to take a test individually and 674 00:35:43,480 --> 00:35:45,439 Speaker 1: then we got to take in a group. Right. Well, 675 00:35:45,480 --> 00:35:47,680 Speaker 1: I saw the two non traditional students I got in 676 00:35:47,719 --> 00:35:50,160 Speaker 1: their group, so I was like, man, the test average. 677 00:35:50,200 --> 00:35:52,040 Speaker 1: So I didn't even study and I'd get an F 678 00:35:52,160 --> 00:35:54,839 Speaker 1: on my test and A on theirs. See good, Hey, 679 00:35:54,840 --> 00:35:57,080 Speaker 1: this guy's leaving in twenty forty right now. Let me 680 00:35:57,239 --> 00:35:59,960 Speaker 1: tell you if he got a seat, does that mean 681 00:36:00,040 --> 00:36:01,680 Speaker 1: they get a scene. No, no no, because they would get 682 00:36:01,680 --> 00:36:03,400 Speaker 1: an A on their individual and then they get on 683 00:36:03,400 --> 00:36:06,160 Speaker 1: the groups get an you average the two, so I'd 684 00:36:06,160 --> 00:36:07,600 Speaker 1: just get an F on mine and then the group 685 00:36:07,640 --> 00:36:11,480 Speaker 1: they'd get an A. Boom. There you go. He thought 686 00:36:11,480 --> 00:36:14,520 Speaker 1: of that years ago. Yeah, that's future type thinking right there. 687 00:36:15,560 --> 00:36:17,719 Speaker 1: Good story though. Shout out that dude. That's what it's 688 00:36:17,760 --> 00:36:20,160 Speaker 1: all about. Album being Carl Alanby. That's what it's all about, 689 00:36:20,239 --> 00:36:25,040 Speaker 1: right there. That was tell me something good. Amy has 690 00:36:25,080 --> 00:36:28,839 Speaker 1: a personal lottery story for Lunchbox. Oh yeah, he's gonna 691 00:36:28,880 --> 00:36:32,719 Speaker 1: hate it. Go ahead, okay. One of our listeners, Johnny Lasagna, 692 00:36:33,160 --> 00:36:36,560 Speaker 1: he was mailing the show a package and said that 693 00:36:36,600 --> 00:36:40,120 Speaker 1: when he was at the UPS store, he decided to 694 00:36:40,160 --> 00:36:42,480 Speaker 1: go next store and get a lottery ticket because he 695 00:36:42,520 --> 00:36:45,120 Speaker 1: was thinking about the show, thinking about Lunchbox lottery. So 696 00:36:45,200 --> 00:36:48,719 Speaker 1: he did and won four hundred dollars. Yeah, and so 697 00:36:48,840 --> 00:36:50,840 Speaker 1: he sent that to me saying it just does a 698 00:36:50,920 --> 00:36:52,920 Speaker 1: thank you because he literally would not have bought a 699 00:36:52,960 --> 00:36:54,719 Speaker 1: lottery ticket and one that day if it wasn't for us. 700 00:36:54,800 --> 00:36:56,600 Speaker 1: I mean, how much he spent on a ticket, I 701 00:36:56,600 --> 00:36:59,400 Speaker 1: don't know, it doesn't matter. So I am winning all 702 00:36:59,400 --> 00:37:01,920 Speaker 1: these people and they give me none of it. I mean, 703 00:37:01,960 --> 00:37:04,479 Speaker 1: the one couple you're not winning the money by talking 704 00:37:04,520 --> 00:37:06,920 Speaker 1: about the lottery. They the couple that we had on 705 00:37:07,000 --> 00:37:09,480 Speaker 1: They won a million dollars because they had never played 706 00:37:09,480 --> 00:37:12,520 Speaker 1: the Mega millions by things everywhere. They bought a ticket 707 00:37:12,560 --> 00:37:14,479 Speaker 1: because they heard me talking about it. So the only 708 00:37:14,520 --> 00:37:17,479 Speaker 1: reason they won is because I did it. Johnny didn't 709 00:37:17,480 --> 00:37:20,640 Speaker 1: do anything. You literally didn't. You literally didn't. It's not 710 00:37:20,680 --> 00:37:23,640 Speaker 1: a public service you're doing. So Johnny was on your 711 00:37:23,680 --> 00:37:28,239 Speaker 1: great job. Congratulations, don't be a hater. Go and buy 712 00:37:28,280 --> 00:37:30,160 Speaker 1: more lottery tickets. Double it up this week, spend your 713 00:37:30,200 --> 00:37:34,360 Speaker 1: double double coneys and then oh, that's so much money. 714 00:37:34,560 --> 00:37:37,080 Speaker 1: That's so much money. Okay, let's get over to Amy 715 00:37:37,080 --> 00:37:43,640 Speaker 1: with the Morning Corny, Morning Corny. What do you call 716 00:37:43,719 --> 00:37:46,160 Speaker 1: pumpkins that swim and save lives? What do you call 717 00:37:46,239 --> 00:37:52,399 Speaker 1: pumpkins that swim and save lives? The coast Gord Gord? Yeah, 718 00:37:53,080 --> 00:37:55,520 Speaker 1: I get it. I just never use the word gord. 719 00:37:55,280 --> 00:38:00,920 Speaker 1: Gods are pumpkins? Yeah? Different shape or different kind of pumpkin? Right? 720 00:38:01,040 --> 00:38:03,000 Speaker 1: Or is it just another word for straight pumpkin? I 721 00:38:03,080 --> 00:38:05,200 Speaker 1: thought they're the ones that kind of look like squashes, right? 722 00:38:05,239 --> 00:38:11,239 Speaker 1: Is that what it is? G O? You ared? That 723 00:38:11,600 --> 00:38:14,080 Speaker 1: was the Morning Corny? How funny is it? If you 724 00:38:14,080 --> 00:38:18,239 Speaker 1: gotta break I'm sitting analyze. You want me to give 725 00:38:18,239 --> 00:38:19,800 Speaker 1: you one? You don't have to break down? Yeah? I 726 00:38:19,840 --> 00:38:22,359 Speaker 1: think the coast Gord is probably pretty funny. We're just idiots. Yeah, 727 00:38:22,360 --> 00:38:24,560 Speaker 1: what's the next one? Okay? Um, what's a ghost's favorite 728 00:38:24,640 --> 00:38:27,680 Speaker 1: nursery rhyme? What's a ghost's favorite nursery rhyme? Little boot peep, 729 00:38:27,960 --> 00:38:30,720 Speaker 1: that's a good one. That's a good one. Yeah, we're children, 730 00:38:30,800 --> 00:38:33,000 Speaker 1: We need it really simple. Yeah. I thank you guys 731 00:38:33,000 --> 00:38:38,160 Speaker 1: for hanging out with us. The Friday Morning Conversation with 732 00:38:38,320 --> 00:38:40,719 Speaker 1: Marion morris Man. My question is when you have to 733 00:38:40,760 --> 00:38:43,000 Speaker 1: pick a new single, because you write songs, you hear 734 00:38:43,000 --> 00:38:45,319 Speaker 1: songs all the time, what does that process like for 735 00:38:45,360 --> 00:38:47,400 Speaker 1: you and for the people that you're close to to 736 00:38:47,880 --> 00:38:50,120 Speaker 1: to pick a song that you're already so close to 737 00:38:50,160 --> 00:38:53,200 Speaker 1: for everybody else to hear. Honestly, the fans sort of 738 00:38:53,280 --> 00:38:56,239 Speaker 1: choose for me now um at shows like I just 739 00:38:56,320 --> 00:39:00,520 Speaker 1: kind of gauge the volume of the crowd each song, 740 00:39:01,000 --> 00:39:03,719 Speaker 1: and especially on new ones. That's kind of how we 741 00:39:03,800 --> 00:39:07,600 Speaker 1: chose the Bones because that didn't feel like a single 742 00:39:07,640 --> 00:39:09,640 Speaker 1: to me at first, and then in the shows it 743 00:39:09,719 --> 00:39:12,960 Speaker 1: just became like a moment with the fans, So honestly, 744 00:39:13,000 --> 00:39:15,480 Speaker 1: they kind of helped me choose now, which is nice. 745 00:39:15,680 --> 00:39:17,879 Speaker 1: Do you ever ask were they really loud that song? 746 00:39:17,960 --> 00:39:20,040 Speaker 1: Because if you have ears in you know, because sometimes 747 00:39:20,280 --> 00:39:21,640 Speaker 1: if you listen to the show now you'll see an 748 00:39:21,719 --> 00:39:24,759 Speaker 1: artist take something out of their ear, and most of 749 00:39:24,760 --> 00:39:27,040 Speaker 1: the time it's hard to hear the crowd if the 750 00:39:27,080 --> 00:39:29,239 Speaker 1: ears are in because you're hearing all the instruments right right. 751 00:39:29,360 --> 00:39:30,840 Speaker 1: Do you ever go? Okay, which song were they the 752 00:39:30,840 --> 00:39:32,640 Speaker 1: loudest because I couldn't hear. Do you have a like 753 00:39:32,719 --> 00:39:34,239 Speaker 1: people that will lead you in or are they just 754 00:39:34,320 --> 00:39:37,400 Speaker 1: so loud? For certain songs, we have crowd mics, so 755 00:39:37,600 --> 00:39:39,839 Speaker 1: I will hear the crowd noise in my ears, which 756 00:39:39,880 --> 00:39:42,920 Speaker 1: is nice, um because it can be really isolating within ears. 757 00:39:43,160 --> 00:39:46,440 Speaker 1: But yeah, I can actually hear the crowd and sometimes 758 00:39:46,760 --> 00:39:51,160 Speaker 1: a little too well, like the other night, people talking 759 00:39:51,239 --> 00:39:53,520 Speaker 1: in the crowd. Oh my god, someone was so drunk, 760 00:39:53,600 --> 00:39:56,120 Speaker 1: which like, come to the show, have fun, but they 761 00:39:56,120 --> 00:39:58,360 Speaker 1: were right next to the crowd mic, and we're so 762 00:39:58,600 --> 00:40:02,320 Speaker 1: loud in my ear. They obviously didn't know there was 763 00:40:02,360 --> 00:40:05,200 Speaker 1: a mic connect to them, but yes, I were spying 764 00:40:05,239 --> 00:40:07,680 Speaker 1: on you. So when you picked I Can't Love You Anymore, 765 00:40:08,120 --> 00:40:10,879 Speaker 1: it was because you felt the people loving that song 766 00:40:10,960 --> 00:40:13,920 Speaker 1: in the crowd. Yeah, And it just it has such 767 00:40:13,960 --> 00:40:16,239 Speaker 1: a fun vibe live and I feel like it's one 768 00:40:16,280 --> 00:40:20,799 Speaker 1: of those love songs that's kind of kooky and real. 769 00:40:21,239 --> 00:40:24,640 Speaker 1: I mean, the line that. I mean, obviously I wrote 770 00:40:24,680 --> 00:40:27,600 Speaker 1: it because it was about Ryan, but you're so good looking, 771 00:40:27,640 --> 00:40:31,600 Speaker 1: you make me sick. That felt real to me, That 772 00:40:31,680 --> 00:40:36,000 Speaker 1: felt conversational. But yeah, I think it's just it feels good. 773 00:40:36,000 --> 00:40:38,400 Speaker 1: It's upbeat. I didn't want to pick like a ballad 774 00:40:38,480 --> 00:40:41,279 Speaker 1: to go into the fall. Honestly, there's really no rhyme 775 00:40:41,360 --> 00:40:43,400 Speaker 1: or reason. I wish I had a science behind it, 776 00:40:43,440 --> 00:40:46,360 Speaker 1: but it's just a gut thing. Can you put me 777 00:40:46,400 --> 00:40:50,239 Speaker 1: back twenty seventeen, before My Church became this massive song 778 00:40:50,280 --> 00:40:52,279 Speaker 1: that we know now, I put it out before I 779 00:40:52,320 --> 00:40:55,239 Speaker 1: was ever signed to a record label, so it was 780 00:40:55,320 --> 00:40:58,960 Speaker 1: really like independent released at first when people heard it, 781 00:40:59,080 --> 00:41:03,400 Speaker 1: and then it just it kind of like made a 782 00:41:03,520 --> 00:41:08,040 Speaker 1: huge competition between labels of like who is gonna sign me? 783 00:41:08,120 --> 00:41:10,440 Speaker 1: And I ended up going with Sony. What is that like? 784 00:41:10,680 --> 00:41:14,040 Speaker 1: Just having people? I mean, I guess you have found 785 00:41:14,080 --> 00:41:15,600 Speaker 1: it in different ways, but just having people like, we 786 00:41:15,680 --> 00:41:18,480 Speaker 1: really want you, we want to show you every way possible. 787 00:41:18,680 --> 00:41:22,440 Speaker 1: Is that weird? Is it fun? Does it get annoying? No? 788 00:41:22,640 --> 00:41:25,239 Speaker 1: I mean I thought it was cool. One of the 789 00:41:25,320 --> 00:41:27,920 Speaker 1: labels that actually ended up putting in an offer like 790 00:41:28,040 --> 00:41:32,480 Speaker 1: had passed on me several times so yeah, it felt 791 00:41:32,560 --> 00:41:36,960 Speaker 1: kind of I don't know, I felt vindicated that it 792 00:41:37,000 --> 00:41:40,479 Speaker 1: really does come down to a song that really gets 793 00:41:40,520 --> 00:41:43,520 Speaker 1: people excited, and so you know, it's funny. Now we're 794 00:41:43,520 --> 00:41:46,240 Speaker 1: all good. Like that person that passed on me twice 795 00:41:46,840 --> 00:41:49,239 Speaker 1: has since like said, I should have signed you, but 796 00:41:49,640 --> 00:41:52,160 Speaker 1: I Yeah, everything happened the way it was supposed to 797 00:41:52,520 --> 00:41:57,600 Speaker 1: put My Church out and before it even went to radio, 798 00:41:57,760 --> 00:42:00,799 Speaker 1: like Keith Urban had heard it and he offered me 799 00:42:00,880 --> 00:42:05,040 Speaker 1: the opening slot on his rip Chord tour that next summer, 800 00:42:05,560 --> 00:42:08,760 Speaker 1: So things were already rolling before it went to radio. 801 00:42:09,000 --> 00:42:11,920 Speaker 1: And then by the time my album Hero came out, 802 00:42:12,480 --> 00:42:15,640 Speaker 1: it was like CMA Fest week, we were doing Bonnaroo 803 00:42:16,360 --> 00:42:18,799 Speaker 1: album released, like it was a lot of things like 804 00:42:18,840 --> 00:42:21,959 Speaker 1: the Perfect Storm, And I remember that was the week 805 00:42:22,040 --> 00:42:24,399 Speaker 1: that My Church kind of peaked at radio. I think 806 00:42:24,480 --> 00:42:27,399 Speaker 1: at seven or eight. Son't it didn't even go top 807 00:42:27,440 --> 00:42:29,720 Speaker 1: five circles around this town. When you ever you're putting 808 00:42:29,719 --> 00:42:32,719 Speaker 1: it out as a single, what was the conversation, like 809 00:42:32,760 --> 00:42:34,080 Speaker 1: what did you want to say with you kind of 810 00:42:34,080 --> 00:42:36,080 Speaker 1: your reinterest with the song, Well, it kind of felt 811 00:42:36,080 --> 00:42:39,480 Speaker 1: like I was just re entering music again, and so 812 00:42:39,840 --> 00:42:44,200 Speaker 1: I think it being really autobiographical writing it with Ryan 813 00:42:44,560 --> 00:42:47,640 Speaker 1: and like Julia Michaels, who's another songwriter that really understands 814 00:42:47,719 --> 00:42:52,760 Speaker 1: that journey of songwriter to artist. Yeah, it just felt 815 00:42:52,760 --> 00:42:55,120 Speaker 1: like I hate this phrase so much, I'm gonna kill 816 00:42:55,160 --> 00:42:57,520 Speaker 1: myself for saying it all out, but like getting back 817 00:42:57,520 --> 00:43:00,440 Speaker 1: to my roots. But it did kind of feel like that. 818 00:43:00,520 --> 00:43:04,319 Speaker 1: It was like less production, less flash, and just like 819 00:43:04,400 --> 00:43:07,120 Speaker 1: really telling a story, which I think country music is. 820 00:43:07,160 --> 00:43:10,319 Speaker 1: It's like storytelling. So yeah, I'm I think it just 821 00:43:10,360 --> 00:43:14,200 Speaker 1: felt like a good refreshing like way to get out 822 00:43:14,200 --> 00:43:18,560 Speaker 1: of pandemic duldrums. And it did that for me, So 823 00:43:18,680 --> 00:43:20,719 Speaker 1: it felt like a good first step. I always feel 824 00:43:20,760 --> 00:43:22,200 Speaker 1: like when you come in or when Ryan comes in 825 00:43:22,200 --> 00:43:24,200 Speaker 1: and we talked about TV shows that we're watching, it's 826 00:43:24,239 --> 00:43:27,520 Speaker 1: kind of my wife and eyes. After we've both been 827 00:43:27,960 --> 00:43:31,600 Speaker 1: doing whatever for the entire day, we will have a show, 828 00:43:31,800 --> 00:43:34,440 Speaker 1: depending on this the season, and we'll sit and watch 829 00:43:34,480 --> 00:43:37,080 Speaker 1: the show and we're watching a House of Dragon, Game 830 00:43:37,120 --> 00:43:39,160 Speaker 1: of Thrones, we're watching If you watched The Patient yet 831 00:43:39,239 --> 00:43:42,120 Speaker 1: on Hulu, No, but so many people have told me 832 00:43:42,760 --> 00:43:45,799 Speaker 1: it's great, and I love Steve Carell obviously, but they 833 00:43:45,880 --> 00:43:47,719 Speaker 1: said that my song circles around this town is one 834 00:43:47,760 --> 00:43:51,279 Speaker 1: of those episodes the murderers driving into the house and 835 00:43:51,360 --> 00:43:54,799 Speaker 1: you hear on his radio and I'm like, I know her, 836 00:43:54,880 --> 00:43:58,160 Speaker 1: I know her friend. He was listening to my song 837 00:43:58,200 --> 00:44:00,319 Speaker 1: before he went and murdered someone. No, no, he's he 838 00:44:00,480 --> 00:44:04,320 Speaker 1: is a serial killer. Oh, and he has abducted Steve Carrell, 839 00:44:04,719 --> 00:44:07,040 Speaker 1: who is a therapist, okay, to give him therapy to 840 00:44:07,480 --> 00:44:10,320 Speaker 1: make him stop murdering. But when he's driving back into 841 00:44:10,400 --> 00:44:12,640 Speaker 1: the house where Steve Carell is abducted, he's Blair in 842 00:44:12,680 --> 00:44:16,160 Speaker 1: your song. Like, what an honor to have a murderer, Oh, 843 00:44:16,280 --> 00:44:18,760 Speaker 1: Blair in the song. Yeah, but it's pretty cool. Yeah, 844 00:44:18,800 --> 00:44:20,560 Speaker 1: I think you'll like the show, knowing kind of your 845 00:44:20,719 --> 00:44:22,880 Speaker 1: your tastes. Yeah. But then also, yeah, you hear you 846 00:44:23,000 --> 00:44:24,399 Speaker 1: Do you ever hear your song in a weird place 847 00:44:24,400 --> 00:44:25,960 Speaker 1: where you're like, oh, I can't believe that's playing there. 848 00:44:26,360 --> 00:44:29,160 Speaker 1: I mean that's probably the weirdest. Um. But also such 849 00:44:29,200 --> 00:44:33,239 Speaker 1: an honor, like a Steve Carell show. Um yeah, I mean, 850 00:44:33,280 --> 00:44:35,760 Speaker 1: like for sure, but I love like sometimes when songs 851 00:44:35,760 --> 00:44:38,520 Speaker 1: get placed in TV shows that are actually like really 852 00:44:38,800 --> 00:44:40,960 Speaker 1: good and have great soundtracks, like it's it's such a 853 00:44:40,960 --> 00:44:43,560 Speaker 1: cool thing. Um. But yeah, I'm a House of the 854 00:44:43,600 --> 00:44:47,600 Speaker 1: Dragon for sure. We're invested in You feel like it's 855 00:44:47,640 --> 00:44:50,279 Speaker 1: easier to follow than Game of Thrones because I do. 856 00:44:50,320 --> 00:44:53,360 Speaker 1: I feel like maybe I know more because I've watched 857 00:44:53,360 --> 00:44:54,640 Speaker 1: a Game of Thrones. But do you feel like they're 858 00:44:54,640 --> 00:44:58,799 Speaker 1: making the storylines easier for a novice? Oh? For sure, 859 00:44:59,120 --> 00:45:01,279 Speaker 1: because think about how many storylines were going on in 860 00:45:01,320 --> 00:45:03,640 Speaker 1: Game of Thrones. They were like fifty. Now it's just 861 00:45:03,719 --> 00:45:06,520 Speaker 1: about the Targarians and it had a lot of height. 862 00:45:06,560 --> 00:45:07,640 Speaker 1: But I feel like it's living up to it. I 863 00:45:07,680 --> 00:45:10,680 Speaker 1: think it's really good. Yeah, I'm interested with the next 864 00:45:10,680 --> 00:45:14,000 Speaker 1: episode when they change like forward in time and they 865 00:45:14,080 --> 00:45:17,160 Speaker 1: change some of the cast members, but um, yeah, I 866 00:45:17,239 --> 00:45:19,359 Speaker 1: think they're doing a great job. It's also really weird 867 00:45:19,400 --> 00:45:23,759 Speaker 1: because that show, especially, there's like some incest stuff and 868 00:45:23,800 --> 00:45:26,120 Speaker 1: it's like, yeah, I'm talking about yeah yeah, And it's 869 00:45:26,120 --> 00:45:27,839 Speaker 1: like I don't know if I should be weirded out 870 00:45:27,840 --> 00:45:30,320 Speaker 1: by this or because it's thousands of years ago or fiction, 871 00:45:30,360 --> 00:45:32,440 Speaker 1: I should maybe not be as but I was just 872 00:45:32,480 --> 00:45:34,520 Speaker 1: kind of weird. Were you weird at out by it? Yeah? 873 00:45:34,520 --> 00:45:37,880 Speaker 1: That last episode was so uncomfortable, But I'm like, Okay, 874 00:45:37,920 --> 00:45:40,160 Speaker 1: they're just acting. Yeah, I do that too. They're not 875 00:45:40,160 --> 00:45:42,200 Speaker 1: really they're not really really good. They're not really really 876 00:45:42,560 --> 00:45:45,400 Speaker 1: but I'm obsessed with that guy that plays Damon Targarian, 877 00:45:45,680 --> 00:45:48,960 Speaker 1: Matt Smith. He was in The Crown. He's so good 878 00:45:48,960 --> 00:45:54,120 Speaker 1: at playing a douchebagh. People say same about me, so 879 00:45:54,400 --> 00:45:56,800 Speaker 1: you know, I completely relate. What else are you watching? 880 00:45:56,800 --> 00:46:00,480 Speaker 1: Anything else? Um? We started the new season of The 881 00:46:00,520 --> 00:46:04,040 Speaker 1: Handmaid's Tale last night. That's our same gig too. Like 882 00:46:04,080 --> 00:46:06,440 Speaker 1: you were saying about Caitlin's, like, we just when we're 883 00:46:06,480 --> 00:46:09,160 Speaker 1: off the road, we come home and we put Haze 884 00:46:09,200 --> 00:46:11,680 Speaker 1: to bed and then we just like cannot wait to 885 00:46:12,640 --> 00:46:16,200 Speaker 1: watch whatever is popping. Has anybody cheated and watched ahead 886 00:46:16,200 --> 00:46:18,560 Speaker 1: of time and then not admitted it but then get 887 00:46:18,560 --> 00:46:23,839 Speaker 1: caught or you guys full integrity with your shows. He 888 00:46:23,880 --> 00:46:26,279 Speaker 1: watched the premiere of House of the Dragon without me, 889 00:46:26,400 --> 00:46:28,799 Speaker 1: but I was like on a long tour run. He 890 00:46:28,840 --> 00:46:32,120 Speaker 1: did save the finale of Better Call Saul for when 891 00:46:32,160 --> 00:46:34,560 Speaker 1: I got home, So we try to like keep each 892 00:46:34,560 --> 00:46:38,440 Speaker 1: other honest. Also that show the rehearsal. Oh yeah, so 893 00:46:38,600 --> 00:46:40,960 Speaker 1: it's so funny, weird. I feel like you would like 894 00:46:41,120 --> 00:46:45,759 Speaker 1: that show. I just so, what's the word really uncomfortable, 895 00:46:45,800 --> 00:46:48,239 Speaker 1: I do. I love it and I watched it and 896 00:46:48,280 --> 00:46:50,640 Speaker 1: I thought to myself, I'm so jealous. I did not 897 00:46:50,719 --> 00:46:53,520 Speaker 1: think of this. Yeah, and that is like the ultimate 898 00:46:53,560 --> 00:46:57,120 Speaker 1: compliment because I try to create stuff here or on television, 899 00:46:57,480 --> 00:46:59,640 Speaker 1: and what he had created, I was like, I'm so 900 00:46:59,719 --> 00:47:02,120 Speaker 1: jealoudn't do that? That That is perfect? I know. Do you 901 00:47:02,160 --> 00:47:04,960 Speaker 1: ever do that with artists and they have a song 902 00:47:05,040 --> 00:47:06,600 Speaker 1: that you hear or a record and you're like, I 903 00:47:06,640 --> 00:47:09,160 Speaker 1: am so jealous, Not that you want to do it specifically, 904 00:47:09,160 --> 00:47:12,359 Speaker 1: but you're like, how they captured that? Right? Then? Oh? Yeah? 905 00:47:12,400 --> 00:47:14,920 Speaker 1: All the time, I have like songwriter envy, who do 906 00:47:14,920 --> 00:47:17,920 Speaker 1: you love friends that? Like? I mean, I remember there 907 00:47:18,000 --> 00:47:21,239 Speaker 1: was a song on the Brothers Osborne album and it 908 00:47:21,280 --> 00:47:24,239 Speaker 1: was called Weed, Whiskey and Willie and they wrote it 909 00:47:24,280 --> 00:47:26,200 Speaker 1: with my friend Laura Belts, who I write a lot 910 00:47:26,200 --> 00:47:28,720 Speaker 1: of my stuff with, and I was like, I hate 911 00:47:28,719 --> 00:47:31,440 Speaker 1: you guys for writing this without me, but also like 912 00:47:31,480 --> 00:47:33,919 Speaker 1: you didn't need me to write it. It's brilliant. But yeah, 913 00:47:33,960 --> 00:47:36,439 Speaker 1: I think like it just makes you excited to go 914 00:47:36,760 --> 00:47:39,160 Speaker 1: right the next day though, because your friends are so 915 00:47:39,200 --> 00:47:43,800 Speaker 1: freaking talented. It's an odd feeling to have jealousy towards 916 00:47:43,800 --> 00:47:45,600 Speaker 1: someone and I can even put this with a friend 917 00:47:45,600 --> 00:47:49,800 Speaker 1: of mine, but like a happy jealousy, a healthy jealousy. 918 00:47:50,160 --> 00:47:53,359 Speaker 1: One of my really great friends is Charlemagne the God 919 00:47:53,400 --> 00:47:56,040 Speaker 1: who's in New York on the Breakfast Club, and he 920 00:47:56,160 --> 00:47:57,799 Speaker 1: just kills it and he's so funny and he does 921 00:47:57,840 --> 00:48:01,279 Speaker 1: all these shows, and like, I get healthily jealous. And 922 00:48:01,280 --> 00:48:02,719 Speaker 1: I texted on like, did I'm so proud of you? Like, 923 00:48:02,719 --> 00:48:04,520 Speaker 1: I'm so jealous of that you're getting to do this. 924 00:48:04,840 --> 00:48:06,759 Speaker 1: And I have never really experienced that because I don't 925 00:48:06,800 --> 00:48:08,880 Speaker 1: think I was healthy until the last few years. Do 926 00:48:08,920 --> 00:48:10,960 Speaker 1: you have any artist friends that you get healthy jealous 927 00:48:11,000 --> 00:48:12,319 Speaker 1: of because they kill it and you're like, I'm so 928 00:48:12,400 --> 00:48:14,759 Speaker 1: proud for you, and also, man, that's so cool. Yeah, 929 00:48:14,840 --> 00:48:16,440 Speaker 1: for they all jealous of you, that's probably it is. 930 00:48:16,480 --> 00:48:20,200 Speaker 1: I got it the other way. No, I think there's 931 00:48:20,239 --> 00:48:23,000 Speaker 1: definitely people that I have always looked up to that 932 00:48:23,040 --> 00:48:26,919 Speaker 1: I'm also friends with, and I feel like, yeah, if 933 00:48:26,920 --> 00:48:30,560 Speaker 1: there's any like anything beyond just healthy competition, it's just 934 00:48:30,600 --> 00:48:33,360 Speaker 1: so lame and we can't be on a group thread anymore. 935 00:48:33,840 --> 00:48:36,759 Speaker 1: So Yeah, I definitely like it's a smaller group now 936 00:48:36,920 --> 00:48:39,200 Speaker 1: than it was. Like probably six years ago. But I 937 00:48:39,200 --> 00:48:43,520 Speaker 1: think it's because we really don't care about the fame 938 00:48:43,640 --> 00:48:47,920 Speaker 1: part of it or the flashy parts. It sounds so cliche, 939 00:48:48,000 --> 00:48:50,319 Speaker 1: but like I don't. I think the people I keep 940 00:48:50,320 --> 00:48:52,879 Speaker 1: the closest do not care about those things they care about, 941 00:48:53,000 --> 00:48:56,279 Speaker 1: like did you stand up for something? Or were you brave? 942 00:48:56,400 --> 00:48:58,000 Speaker 1: Or did you say something in a song that like 943 00:48:58,040 --> 00:49:00,719 Speaker 1: I wish I could have said. Mary Morris is here 944 00:49:00,719 --> 00:49:02,719 Speaker 1: with us and she'll be performing this weekend at our 945 00:49:02,719 --> 00:49:07,680 Speaker 1: Iheartready Music Festival. Luke Hoombs, The Black Keys, Ella, Coole j. 946 00:49:07,960 --> 00:49:10,880 Speaker 1: There's so much. You can watch our festival today and 947 00:49:11,040 --> 00:49:13,279 Speaker 1: tomorrow watch for free on the CW app or at 948 00:49:13,280 --> 00:49:17,680 Speaker 1: cwtv dot com. Show starts at ten nine pm Central. 949 00:49:18,080 --> 00:49:21,759 Speaker 1: And you're doing shows all the way up until December, 950 00:49:22,400 --> 00:49:25,520 Speaker 1: so you're still on the road. You're still doing it all. Huh. Yeah. 951 00:49:25,600 --> 00:49:27,600 Speaker 1: We have been on the West coast the last couple 952 00:49:27,600 --> 00:49:31,279 Speaker 1: of weeks. We're doing Hollywood Bowl and Red Rocks in 953 00:49:31,320 --> 00:49:33,879 Speaker 1: a few weeks, and then we end our whole run 954 00:49:34,680 --> 00:49:37,200 Speaker 1: at Bridgetone here in Nashville. So it'll be fun to 955 00:49:37,280 --> 00:49:41,040 Speaker 1: end the tour on like a hometown show. Well, keep 956 00:49:41,080 --> 00:49:44,440 Speaker 1: on it's I love what you're doing. And you know 957 00:49:44,480 --> 00:49:46,680 Speaker 1: I'm a big fan. Love the new song. And you guys, 958 00:49:46,840 --> 00:49:48,520 Speaker 1: go see Marion Marion Morris dot com. And she'll be 959 00:49:48,560 --> 00:49:51,879 Speaker 1: at our iHeart Ready Music Festival this weekend. All right, Marion, 960 00:49:51,960 --> 00:49:55,160 Speaker 1: good to see it. There she is, Marion Morris. Everybody, 961 00:49:55,560 --> 00:50:00,960 Speaker 1: let's get to the news Bobby's story. A new study 962 00:50:01,000 --> 00:50:04,720 Speaker 1: says that quality sleep is more important than quantity of sleep. 963 00:50:05,200 --> 00:50:07,080 Speaker 1: I just wonder where that fine line is, Eddie. How 964 00:50:07,120 --> 00:50:10,240 Speaker 1: much sleep do you get a night? Six hours? Probably 965 00:50:10,360 --> 00:50:12,600 Speaker 1: six and a half solid? I mean, I don't know. 966 00:50:12,600 --> 00:50:15,239 Speaker 1: I don't think it's enough. I probably need ten. No, 967 00:50:15,400 --> 00:50:17,560 Speaker 1: I'm saying, do you sleep for all six of that? No? 968 00:50:17,760 --> 00:50:19,960 Speaker 1: I roll over a lot. You wake up. I kind 969 00:50:20,000 --> 00:50:22,160 Speaker 1: of feel myself roll over probably about ten times a night. 970 00:50:22,280 --> 00:50:24,680 Speaker 1: Do you wake up? Not like up up up. I 971 00:50:24,719 --> 00:50:26,840 Speaker 1: can go back to sleep, but I sense myself waking 972 00:50:26,880 --> 00:50:29,799 Speaker 1: up and rolling over. Amy. I probably get about on 973 00:50:29,920 --> 00:50:33,120 Speaker 1: week nights six to seven solid. It's good. I'm good. 974 00:50:33,280 --> 00:50:36,080 Speaker 1: Even if I do get six or seven or even eight. 975 00:50:36,120 --> 00:50:37,640 Speaker 1: I probably wake up two or three times a night 976 00:50:37,719 --> 00:50:41,840 Speaker 1: all the way. And you're up, up, up up. I'm 977 00:50:41,960 --> 00:50:44,840 Speaker 1: very up and I'm like, golly, and then I'll have 978 00:50:44,880 --> 00:50:46,440 Speaker 1: to go and find a podcast and turn it on 979 00:50:46,480 --> 00:50:50,800 Speaker 1: and just drift off again struggle. A new study published 980 00:50:50,800 --> 00:50:54,239 Speaker 1: in the academic journal Sleep suggest that a good night's 981 00:50:54,239 --> 00:50:57,680 Speaker 1: rest is more important than actually getting out long night's rest, 982 00:50:57,880 --> 00:51:01,000 Speaker 1: if that makes sense. They say, basically, if you didn't 983 00:51:01,000 --> 00:51:03,880 Speaker 1: get four to five hours of just killing it straight sleep, 984 00:51:04,200 --> 00:51:07,960 Speaker 1: that's better than six or seven if you're waking up occasionally. Okay, okay, 985 00:51:08,280 --> 00:51:09,759 Speaker 1: but who in the world can state four or five 986 00:51:09,800 --> 00:51:13,080 Speaker 1: hours that lunchbox there he is, Oh, yeah, man, I 987 00:51:13,080 --> 00:51:15,000 Speaker 1: can nap for that. But at nighttime when the kids 988 00:51:15,000 --> 00:51:18,640 Speaker 1: are there, they da So I don't get good sleep 989 00:51:18,640 --> 00:51:20,359 Speaker 1: at night. So maybe that's why I need naps, because 990 00:51:20,400 --> 00:51:22,960 Speaker 1: they and I go downstairs. What you're napping like crazy 991 00:51:23,000 --> 00:51:25,520 Speaker 1: before kids? I know, And they say, oh, I need 992 00:51:25,520 --> 00:51:28,680 Speaker 1: my blanket, And I'm like, you son them a gun. 993 00:51:29,040 --> 00:51:31,400 Speaker 1: Oh it's so annoying. That's from the New York Post. 994 00:51:31,680 --> 00:51:34,960 Speaker 1: Lisa Rinna is negotiating to be the highest paid housewife 995 00:51:35,520 --> 00:51:37,319 Speaker 1: amy and she's the best housewife in your opinion, I 996 00:51:37,320 --> 00:51:39,919 Speaker 1: don't think so. No, yeah, I don't either. I feel 997 00:51:39,920 --> 00:51:43,560 Speaker 1: like she's been around the longest she's probably one of 998 00:51:43,600 --> 00:51:46,239 Speaker 1: the most famous. She's an og for sure, but she 999 00:51:46,280 --> 00:51:49,080 Speaker 1: wants the biggest money from Bravo The Real Housewives of 1000 00:51:49,120 --> 00:51:51,560 Speaker 1: Beverly Hill. Star wants to be the highest paid. She 1001 00:51:51,760 --> 00:51:53,799 Speaker 1: is demanding two million a season or she will not 1002 00:51:53,840 --> 00:51:58,800 Speaker 1: go back. Yeah, but I mean for her in the 1003 00:51:58,920 --> 00:52:03,440 Speaker 1: season if they do fifteen episodes, I don't know. I 1004 00:52:03,480 --> 00:52:05,319 Speaker 1: feel like she'll probably get it or get close. Okay, 1005 00:52:05,360 --> 00:52:07,359 Speaker 1: but here's how I feel about her. I do like her, 1006 00:52:07,480 --> 00:52:09,239 Speaker 1: but at the same time, if she were to move on, 1007 00:52:09,320 --> 00:52:12,279 Speaker 1: I'd still watch. Huh. Yes, I think that will be 1008 00:52:12,320 --> 00:52:14,480 Speaker 1: with anyone though, just about you don't like one person 1009 00:52:14,560 --> 00:52:18,399 Speaker 1: individual like that's like like more than the rest. But 1010 00:52:18,520 --> 00:52:20,759 Speaker 1: I like Kyle Richards. Oh, I like some seasons on 1011 00:52:20,880 --> 00:52:24,440 Speaker 1: some cities. Don't even like Kathy Hilton is hilarious like Utah. Well, 1012 00:52:24,520 --> 00:52:27,959 Speaker 1: she's not a real one. She comes in and she's 1013 00:52:28,120 --> 00:52:31,120 Speaker 1: she's official unless she left again. But she came on 1014 00:52:31,160 --> 00:52:32,799 Speaker 1: as an official, but I mean, in my heart, she's not. 1015 00:52:32,840 --> 00:52:34,359 Speaker 1: She came in. She was like a part only part 1016 00:52:34,400 --> 00:52:39,959 Speaker 1: time listen to you. The source says that Bravo needs 1017 00:52:39,960 --> 00:52:41,680 Speaker 1: her more than she needs them, so she should get 1018 00:52:41,680 --> 00:52:43,879 Speaker 1: the cash. Still, no deal has been strung. The Utah 1019 00:52:43,920 --> 00:52:46,359 Speaker 1: one's the best. Beverly Hills is really good, but Utah 1020 00:52:46,440 --> 00:52:48,680 Speaker 1: is my favorite because just kind of out of nowhere, 1021 00:52:49,760 --> 00:52:51,200 Speaker 1: she was married to her grandpa, and I was like, 1022 00:52:51,239 --> 00:52:55,279 Speaker 1: that's weird, very step grandpa. But that's who the whole 1023 00:52:55,280 --> 00:52:58,400 Speaker 1: show was built around, was her. That is from Radar Online. 1024 00:52:58,960 --> 00:53:02,920 Speaker 1: Thieves thousands of dollars of rare comic books from a 1025 00:53:02,960 --> 00:53:07,040 Speaker 1: store in Virginia, possibly the nerdiest thieves every how would 1026 00:53:07,040 --> 00:53:10,400 Speaker 1: you even know? This is from a something called patch. 1027 00:53:10,880 --> 00:53:13,719 Speaker 1: The owner of a comics store in Virginia is out 1028 00:53:13,719 --> 00:53:16,680 Speaker 1: one hundred thousand dollars because thieves came in and stole 1029 00:53:16,760 --> 00:53:19,320 Speaker 1: several rare comic books the store. I just started to 1030 00:53:19,320 --> 00:53:21,800 Speaker 1: get back to normal post COVID, he said. Deep smashed 1031 00:53:21,800 --> 00:53:23,640 Speaker 1: in the front glass door, went straight to the showcase 1032 00:53:23,680 --> 00:53:25,920 Speaker 1: for the most valuable items, did not touch the register. 1033 00:53:26,120 --> 00:53:28,879 Speaker 1: There's nothing left in the showcase. He's offering a five 1034 00:53:28,960 --> 00:53:31,759 Speaker 1: thousand dollar reward for information and the items returned. You 1035 00:53:31,760 --> 00:53:34,760 Speaker 1: would think there'd be more of a security system there, 1036 00:53:35,360 --> 00:53:37,480 Speaker 1: because if there were one hundred thousand dollars and rings 1037 00:53:37,560 --> 00:53:40,680 Speaker 1: or watches, there probably would be Yeah, right, I would assume, 1038 00:53:41,000 --> 00:53:42,560 Speaker 1: but it's I mean, it sounds like the smash and 1039 00:53:42,600 --> 00:53:44,560 Speaker 1: grab robberies. You know, you go and break a hammer, 1040 00:53:44,600 --> 00:53:46,600 Speaker 1: But they knew where to go because they didn't smash 1041 00:53:46,600 --> 00:53:49,480 Speaker 1: and grab the register or try or other parts of 1042 00:53:49,560 --> 00:53:51,600 Speaker 1: the store. They went right to the high dollars. So 1043 00:53:51,600 --> 00:53:53,680 Speaker 1: you gotta go watch the security cameras. That means they 1044 00:53:53,719 --> 00:53:55,880 Speaker 1: came in there and scouted the place before. Yeah, or 1045 00:53:55,920 --> 00:53:58,719 Speaker 1: somebody did, Yeah, told their friends. Does caffeine help you 1046 00:53:58,719 --> 00:54:01,920 Speaker 1: think better? That's the question? Yeah, yeah, okay, we got one. Yes, yeah, 1047 00:54:01,960 --> 00:54:03,719 Speaker 1: I would say yes, I don't drink it, but yes, 1048 00:54:03,800 --> 00:54:08,120 Speaker 1: experts say, you know, the people feel no more mentally 1049 00:54:08,160 --> 00:54:10,960 Speaker 1: alert or energized when compared to a test group who 1050 00:54:10,960 --> 00:54:13,799 Speaker 1: didn't drink anything but thought they did. Oh so now 1051 00:54:13,800 --> 00:54:17,200 Speaker 1: we just have to think we drank coffee. Yeah, well, 1052 00:54:17,239 --> 00:54:20,000 Speaker 1: it's not think you drink coffee. But if someone tells 1053 00:54:20,000 --> 00:54:21,680 Speaker 1: you if you're drinking something and you think it's coffee 1054 00:54:21,680 --> 00:54:23,000 Speaker 1: and they're like, yeah, that's coffee, you're gonna have the 1055 00:54:23,040 --> 00:54:25,960 Speaker 1: effects of coffee. So just carry the muggerun No, I 1056 00:54:25,960 --> 00:54:29,400 Speaker 1: think asn't missing the point. Okay, okay, I'm moving on 1057 00:54:29,440 --> 00:54:31,480 Speaker 1: to the next one. If you're not a morning person, 1058 00:54:31,560 --> 00:54:33,840 Speaker 1: can you become one? The answer is no, yeah, and 1059 00:54:33,880 --> 00:54:35,960 Speaker 1: I could I say that right now. I've been doing 1060 00:54:36,000 --> 00:54:40,120 Speaker 1: this crap for ever, since I was twenty two. I 1061 00:54:40,239 --> 00:54:42,000 Speaker 1: still I'm not a morning person. The first hour and 1062 00:54:42,040 --> 00:54:44,320 Speaker 1: a half this thing is a complete fake. I'm acting 1063 00:54:44,360 --> 00:54:46,759 Speaker 1: like I'm awake. I ain't. I'm like I'm gonna good 1064 00:54:46,760 --> 00:54:49,800 Speaker 1: move ain't it sucks? So no. It turns out internal 1065 00:54:49,800 --> 00:54:53,680 Speaker 1: clocks are influenced by jeans and are incredibly difficult to change. 1066 00:54:54,480 --> 00:54:56,239 Speaker 1: And if you give me three days off in a row, 1067 00:54:56,440 --> 00:54:58,200 Speaker 1: I'm back at going to sleep at three in the 1068 00:54:58,239 --> 00:55:00,399 Speaker 1: morning and waking up at noon. That's all it needs, 1069 00:55:00,400 --> 00:55:02,640 Speaker 1: three days. But then it takes me two weeks to 1070 00:55:02,640 --> 00:55:04,839 Speaker 1: get back to to adjust. So it's like, is it 1071 00:55:04,880 --> 00:55:07,719 Speaker 1: even worth it? And yes it is? Yes, Yes, all right, 1072 00:55:07,760 --> 00:55:15,000 Speaker 1: that's your news. Thank you story. Let's talk to Emma 1073 00:55:15,040 --> 00:55:18,399 Speaker 1: in California. Emma, appreciate you calling the show. What's going on? 1074 00:55:19,239 --> 00:55:22,719 Speaker 1: I need your advice? Okay, there's never a shortage of it. 1075 00:55:22,760 --> 00:55:26,919 Speaker 1: What do you need? So I have a psycho future mother, 1076 00:55:26,920 --> 00:55:30,880 Speaker 1: I'm I'm engaged. Hold on a second, hold on, hold on. 1077 00:55:31,200 --> 00:55:34,759 Speaker 1: My first advice is not to say that portically on 1078 00:55:34,800 --> 00:55:37,439 Speaker 1: a national show. But okay, we're gonna slowly, We're gonna 1079 00:55:37,480 --> 00:55:41,600 Speaker 1: slowly grow from this call. But I do understand you haven't, Bobby. Actually, 1080 00:55:41,640 --> 00:55:44,440 Speaker 1: Like when my fiance told her that we were engaged, 1081 00:55:44,719 --> 00:55:47,279 Speaker 1: her response was, Oh, your ex is going to be 1082 00:55:47,320 --> 00:55:51,440 Speaker 1: so disappointed. I'm not arguing if she's psycho or not. 1083 00:55:52,480 --> 00:55:57,400 Speaker 1: I'm saying, if you would like to have a normal 1084 00:55:57,560 --> 00:56:01,240 Speaker 1: ish relationship. I wouldn't throw that word around so loosely. 1085 00:56:01,280 --> 00:56:03,120 Speaker 1: But I'm with you, I'm feeling it. I'm glad you called. 1086 00:56:03,160 --> 00:56:06,479 Speaker 1: So she's difficult, you get engaged, Okay, go ahead. And 1087 00:56:06,640 --> 00:56:09,160 Speaker 1: when we got engaged, she was like, the one thing 1088 00:56:09,160 --> 00:56:10,440 Speaker 1: that I want to do is I want to put 1089 00:56:10,480 --> 00:56:13,200 Speaker 1: on the rehearsal dinner. I want to planet. I want 1090 00:56:13,200 --> 00:56:15,680 Speaker 1: to pay for it, the whole nine yards. So we're 1091 00:56:15,760 --> 00:56:17,920 Speaker 1: planning and paying for the whole wedding ourselves because we 1092 00:56:17,920 --> 00:56:20,839 Speaker 1: didn't want our parents help. But when she said that, 1093 00:56:20,920 --> 00:56:23,400 Speaker 1: my fiance agreed, like, okay, that's the one thing she 1094 00:56:23,480 --> 00:56:26,280 Speaker 1: can do. Now we're five months out from the wedding. 1095 00:56:26,320 --> 00:56:28,640 Speaker 1: And she called him the other night and told him 1096 00:56:28,719 --> 00:56:30,799 Speaker 1: that she changed her mind and she doesn't want to 1097 00:56:30,840 --> 00:56:33,200 Speaker 1: plan or put on the rehearsal dinner. Did she change 1098 00:56:33,200 --> 00:56:35,960 Speaker 1: her mind because of anything that's happened, or is she 1099 00:56:36,320 --> 00:56:39,759 Speaker 1: in a bad financial circumstance. What's to change my mind about? 1100 00:56:39,840 --> 00:56:42,560 Speaker 1: She tried calling the restaurant that she wanted to plant 1101 00:56:42,640 --> 00:56:45,560 Speaker 1: at and they didn't have any availability for that day, 1102 00:56:45,840 --> 00:56:49,200 Speaker 1: and so she said it was going to be too difficult. Yeah, 1103 00:56:49,239 --> 00:56:51,000 Speaker 1: the relationship with her is going to be difficult for 1104 00:56:51,040 --> 00:56:53,560 Speaker 1: you as well. So we should first acknowledge that this 1105 00:56:53,640 --> 00:56:58,640 Speaker 1: is going to be a journey to have a family 1106 00:56:58,920 --> 00:57:01,279 Speaker 1: that gets along and constantly. Because I can just tell 1107 00:57:01,320 --> 00:57:03,520 Speaker 1: buy your voice, I'm you're annoyed with her so much 1108 00:57:03,560 --> 00:57:04,880 Speaker 1: that you're telling the story and just kind of like 1109 00:57:04,960 --> 00:57:08,160 Speaker 1: you're never gonna believe this. She did this, So I 1110 00:57:08,239 --> 00:57:13,239 Speaker 1: understand your frustration. I would start by first having a conversation. 1111 00:57:13,440 --> 00:57:15,080 Speaker 1: Do you ever talk to her? Can you talk to her? 1112 00:57:15,080 --> 00:57:17,160 Speaker 1: Can you call her? Yeah? We talk all the time, 1113 00:57:17,720 --> 00:57:20,200 Speaker 1: And for me, like, I'm super civil with her. But 1114 00:57:20,320 --> 00:57:22,160 Speaker 1: my fiance's at the point where he just wants to 1115 00:57:22,200 --> 00:57:26,440 Speaker 1: completely uninvite her from the wedding. Then you'll go full psychofice. 1116 00:57:26,760 --> 00:57:30,080 Speaker 1: I think he wants to ut no, no, no, no, no, no, okay, 1117 00:57:30,120 --> 00:57:33,480 Speaker 1: you got two options here. Option Option A is you 1118 00:57:33,520 --> 00:57:35,040 Speaker 1: call her up or you talk to her in person 1119 00:57:35,080 --> 00:57:37,040 Speaker 1: and say, hey, dang, hate that about the restaurant. That 1120 00:57:37,280 --> 00:57:40,080 Speaker 1: would have been awesome, Like you really have a great 1121 00:57:40,120 --> 00:57:42,640 Speaker 1: taste in a place to have that you go a 1122 00:57:42,640 --> 00:57:44,680 Speaker 1: little complimented, but her up a little bit just to 1123 00:57:44,680 --> 00:57:46,080 Speaker 1: go you have great taste. I understand why you're so 1124 00:57:46,160 --> 00:57:48,080 Speaker 1: disappointed because I would be too, and so thank you 1125 00:57:48,120 --> 00:57:51,520 Speaker 1: for trying to pursue that. Is there any way that 1126 00:57:51,560 --> 00:57:53,640 Speaker 1: you could find your second favorite place or third or 1127 00:57:53,640 --> 00:57:57,080 Speaker 1: we can help you, because once you said you were 1128 00:57:57,120 --> 00:57:59,000 Speaker 1: going to do that, we just took it as that 1129 00:57:59,080 --> 00:58:00,640 Speaker 1: and we've spent no time plan and just kind of 1130 00:58:00,640 --> 00:58:02,479 Speaker 1: put it back on her, but in a positive way, 1131 00:58:02,600 --> 00:58:04,400 Speaker 1: like you did a great job. I get it. What's 1132 00:58:04,400 --> 00:58:06,120 Speaker 1: the number two's number three? Because I'm sure this will 1133 00:58:06,160 --> 00:58:09,240 Speaker 1: be just as great. If she's then difficult, you can't 1134 00:58:09,240 --> 00:58:11,440 Speaker 1: really crowbar it in. You just have to take it 1135 00:58:11,480 --> 00:58:15,400 Speaker 1: on yourself and do it yourself. And listen. I know 1136 00:58:15,400 --> 00:58:17,360 Speaker 1: what a budget's like, and if it's over your budget, 1137 00:58:17,400 --> 00:58:22,360 Speaker 1: you may have to minimize your rehearsal dinner dream and 1138 00:58:22,400 --> 00:58:25,120 Speaker 1: that's also okay because I'm gonna tell you, the wedding's awesome, 1139 00:58:25,120 --> 00:58:27,760 Speaker 1: the rehearsal dinner is awesome, all this. You just don't 1140 00:58:27,800 --> 00:58:29,280 Speaker 1: want to get into a place where you spent more 1141 00:58:29,280 --> 00:58:32,360 Speaker 1: money than you actually have after the wedding because you're like, 1142 00:58:32,360 --> 00:58:35,240 Speaker 1: why did I spend so much money here? Yeah, so 1143 00:58:35,600 --> 00:58:40,280 Speaker 1: the conversation is just like this, Hey, psycho mom. No no no, no, 1144 00:58:40,280 --> 00:58:42,960 Speaker 1: no, no no, no no, that's what you call her, psycho mom. 1145 00:58:43,840 --> 00:58:46,400 Speaker 1: Like that was a great place. I'm staying. I'm bommed 1146 00:58:46,400 --> 00:58:48,080 Speaker 1: that that didn't work out because you have a great 1147 00:58:48,080 --> 00:58:50,320 Speaker 1: taste and that had been awesome. You know, we kind 1148 00:58:50,320 --> 00:58:52,640 Speaker 1: of want to stick with you here, like what would 1149 00:58:52,640 --> 00:58:54,640 Speaker 1: be your second place because we're kind of clueless and 1150 00:58:54,800 --> 00:58:57,200 Speaker 1: we don't we're not really as good as you are. 1151 00:58:57,320 --> 00:59:00,080 Speaker 1: Picking stuff like this like make her feel good and 1152 00:59:00,080 --> 00:59:02,320 Speaker 1: if she's like I'm just not doing it, give up 1153 00:59:02,880 --> 00:59:05,080 Speaker 1: and then move to Okay, well I understand. Then you 1154 00:59:05,120 --> 00:59:06,960 Speaker 1: have to plan it yourself and maybe it's a picnic 1155 00:59:07,080 --> 00:59:09,120 Speaker 1: or maybe I don't know, maybe you have the money 1156 00:59:09,160 --> 00:59:12,520 Speaker 1: for it, but that's my advice. Hit that first and 1157 00:59:12,560 --> 00:59:14,320 Speaker 1: then just aboard mission and don't try to force it 1158 00:59:14,360 --> 00:59:16,600 Speaker 1: if she says no, So how do I convince my 1159 00:59:16,680 --> 00:59:18,560 Speaker 1: fiance that it's not a big deal and that he 1160 00:59:18,600 --> 00:59:20,680 Speaker 1: should still invite his mom to the wedding by just 1161 00:59:20,720 --> 00:59:23,800 Speaker 1: saying that, yeah, hey, this is really a non negotiable. 1162 00:59:24,600 --> 00:59:26,680 Speaker 1: It's not a big deal, and you can even put 1163 00:59:26,680 --> 00:59:28,400 Speaker 1: it on him. Like, I am already stressed about this. 1164 00:59:28,880 --> 00:59:30,520 Speaker 1: I don't want to add this to the stress pile 1165 00:59:31,160 --> 00:59:33,400 Speaker 1: because it will and it'll freak me out and I'll 1166 00:59:33,400 --> 00:59:35,960 Speaker 1: have to be stressed every time I see her pre 1167 00:59:36,040 --> 00:59:38,400 Speaker 1: wedding and then post wedding, and I don't want that. 1168 00:59:38,480 --> 00:59:40,200 Speaker 1: And I know it makes you uncomfortable, but I'm asking 1169 00:59:40,240 --> 00:59:43,360 Speaker 1: you to allow me to be comfortable in this, and 1170 00:59:43,440 --> 00:59:46,800 Speaker 1: I think he'll understand. And if he doesn't, oh, don't 1171 00:59:46,800 --> 00:59:52,040 Speaker 1: marry him, well, yeah, because I'm thinking more deeper than this. Yeah, 1172 00:59:52,040 --> 00:59:55,240 Speaker 1: and also it could be genetic. Yeah, you're bringing up 1173 00:59:55,240 --> 00:59:57,440 Speaker 1: the marriage now. I'm okay. I would just say it 1174 00:59:57,480 --> 00:59:59,640 Speaker 1: like that, say, hey, do me a solid here. I'm 1175 00:59:59,680 --> 01:00:01,919 Speaker 1: already stressed out about the wedding. Would you please help 1176 01:00:01,920 --> 01:00:03,080 Speaker 1: me with this? Because I know you don't and I 1177 01:00:03,160 --> 01:00:05,439 Speaker 1: understand why you don't, and I'm completely on your team, 1178 01:00:05,600 --> 01:00:08,240 Speaker 1: but I'm asking for a favor here, and I think 1179 01:00:08,240 --> 01:00:10,640 Speaker 1: you'll be cool with it. It's how you say stuff 1180 01:00:10,640 --> 01:00:13,080 Speaker 1: more than what you're saying. You know, you're just generally 1181 01:00:13,080 --> 01:00:16,080 Speaker 1: in life tone. Absolutely. My wife always tell me to 1182 01:00:16,920 --> 01:00:20,080 Speaker 1: email tone for me. It's terrible, but human tone, and 1183 01:00:20,360 --> 01:00:23,560 Speaker 1: you can learn that stuff work on. I think it'll 1184 01:00:23,600 --> 01:00:25,080 Speaker 1: be fine. I think she'll be at the wedding. I 1185 01:00:25,080 --> 01:00:27,000 Speaker 1: think you'll probably have to plan the rehearsal dinner. But 1186 01:00:27,080 --> 01:00:29,320 Speaker 1: best case scenario, she'll move on to a spot number two. 1187 01:00:29,720 --> 01:00:32,240 Speaker 1: And what we learned too is probably don't call her psycho. Yeah, 1188 01:00:32,240 --> 01:00:36,360 Speaker 1: publicly keep that private. Yeah, am a good luck. Call 1189 01:00:36,440 --> 01:00:37,880 Speaker 1: us in a few weeks and let us know. Okay, 1190 01:00:38,640 --> 01:00:49,480 Speaker 1: thank you, all right by Emma, she'd get married alright down, 1191 01:00:49,960 --> 01:00:53,400 Speaker 1: Sorry to day. This story comes to us from Michigan. 1192 01:00:54,000 --> 01:00:56,680 Speaker 1: A forty year old man walked into a convenience store, 1193 01:00:56,840 --> 01:01:00,000 Speaker 1: gas station whatever you call it, and there's lottery tickets, 1194 01:01:00,040 --> 01:01:02,120 Speaker 1: and he rages over the counter and grabs a bunch 1195 01:01:02,120 --> 01:01:04,720 Speaker 1: of scratch offs and runs out. Well, they don't know 1196 01:01:04,760 --> 01:01:07,080 Speaker 1: who took him, so like, oh whatever. Two days later 1197 01:01:07,720 --> 01:01:09,920 Speaker 1: he brought him back in. Oh no, he had one 1198 01:01:09,960 --> 01:01:12,320 Speaker 1: hundred dollars winning ticket, and he went back to the 1199 01:01:12,320 --> 01:01:14,720 Speaker 1: same gas station, And this is starting to be like 1200 01:01:14,720 --> 01:01:18,400 Speaker 1: the investigative Corny to meet. I love predicting on what 1201 01:01:18,480 --> 01:01:21,160 Speaker 1: an idiot? But also don't they have to beat them 1202 01:01:21,200 --> 01:01:23,640 Speaker 1: to win? Yeah, he would have got busted either way 1203 01:01:23,680 --> 01:01:27,280 Speaker 1: because they have the serial numbers, so they have the 1204 01:01:27,480 --> 01:01:29,440 Speaker 1: you know serial number. Oh, that one was stolen, so 1205 01:01:29,480 --> 01:01:33,120 Speaker 1: when it scans in, it would be alerted, Hey, stolen, stolen, 1206 01:01:33,360 --> 01:01:36,160 Speaker 1: and they would cool that one he stole actually won. 1207 01:01:36,480 --> 01:01:39,120 Speaker 1: That's pretty good. He probably stole a punt. Yeah, I 1208 01:01:39,120 --> 01:01:42,800 Speaker 1: think most of his were losers. Yeah, hundred dollars. You 1209 01:01:42,800 --> 01:01:44,520 Speaker 1: know you think you're stilling lottery tickets? You're about to 1210 01:01:44,560 --> 01:01:46,040 Speaker 1: win one hundred thousand dollars. I don't know how you're 1211 01:01:46,040 --> 01:01:48,960 Speaker 1: gonna get that money. I guess it's I would try 1212 01:01:48,960 --> 01:01:51,000 Speaker 1: to steal the twenty dollars wins and not the one 1213 01:01:51,040 --> 01:01:53,720 Speaker 1: dollar one sure, for sure, that's the goal. I bought 1214 01:01:53,720 --> 01:01:57,680 Speaker 1: a twenty dollar want to California one fifty bucks boom, 1215 01:01:57,360 --> 01:02:00,000 Speaker 1: I'm proud of you. And then I got are you okay? 1216 01:02:00,000 --> 01:02:01,760 Speaker 1: You want to hear why? You probably won't be proud 1217 01:02:01,760 --> 01:02:03,160 Speaker 1: of me. But then I got to the airport to 1218 01:02:03,200 --> 01:02:05,680 Speaker 1: fly back home, and I still had it. Oh, no. 1219 01:02:06,000 --> 01:02:07,520 Speaker 1: I gave it to a person walking into the airport 1220 01:02:07,960 --> 01:02:10,919 Speaker 1: because what because I was like, you have to cash 1221 01:02:10,960 --> 01:02:13,680 Speaker 1: it in California. You could mail it, I know, but 1222 01:02:13,840 --> 01:02:16,560 Speaker 1: somebody could use it better more than I could. And 1223 01:02:17,080 --> 01:02:19,080 Speaker 1: who knows, it's probably a dog would have eating it. 1224 01:02:19,400 --> 01:02:20,800 Speaker 1: So I gave it to a person. They were like what. 1225 01:02:21,040 --> 01:02:22,520 Speaker 1: I was like, here have this, you know. They threw 1226 01:02:22,520 --> 01:02:24,560 Speaker 1: that in trash thing and there was I said, this 1227 01:02:24,640 --> 01:02:27,920 Speaker 1: has ten times five dollars and they were like, you're 1228 01:02:27,920 --> 01:02:29,440 Speaker 1: giving this to me. This is a joke because they no, 1229 01:02:29,520 --> 01:02:31,360 Speaker 1: just please take it because I'm I'm flying out of here. 1230 01:02:31,520 --> 01:02:34,920 Speaker 1: And they took it. It was awesome. Wow, pretty cool. Huh. 1231 01:02:35,000 --> 01:02:38,080 Speaker 1: That's yeah, that's that's what it's all about. Man, thank you. 1232 01:02:38,840 --> 01:02:40,600 Speaker 1: But this is a bone head. Oh yeah, this is 1233 01:02:40,640 --> 01:02:43,680 Speaker 1: a story. You gotta do your thing now. That's your 1234 01:02:43,680 --> 01:02:46,960 Speaker 1: bone head story of the day. So tonight I'll be 1235 01:02:47,000 --> 01:02:49,760 Speaker 1: introing Morgan Wallen at the T Mobile Arena with Kristen 1236 01:02:49,800 --> 01:02:53,760 Speaker 1: Cavaliery and the Miss and lunchboxes dying for me to 1237 01:02:53,800 --> 01:02:55,439 Speaker 1: introduce him to the Miss. I don't know the miss. 1238 01:02:55,440 --> 01:02:57,000 Speaker 1: I don't know that I can do this, but I 1239 01:02:57,040 --> 01:02:59,440 Speaker 1: will try. But you're gonna meet him. So you you 1240 01:02:59,640 --> 01:03:01,680 Speaker 1: kee's nice. I'm happy too. Oh, he's gonna be nice 1241 01:03:01,720 --> 01:03:03,360 Speaker 1: if he's on the real world, he's nice. Sometimes how 1242 01:03:03,360 --> 01:03:04,680 Speaker 1: many people and they're not that nice? And I'm like, 1243 01:03:04,680 --> 01:03:07,240 Speaker 1: I'm introducing him. I don't even like him. I feel 1244 01:03:07,280 --> 01:03:10,120 Speaker 1: like he's nice. Oh don't know him. Okay, if he is, 1245 01:03:10,240 --> 01:03:12,080 Speaker 1: I'll be happy to introduce you. Good. So are you 1246 01:03:12,120 --> 01:03:14,040 Speaker 1: gonna like get together with him beforehand and be like, 1247 01:03:14,080 --> 01:03:15,760 Speaker 1: hey man, I got this buddy that wants to meet 1248 01:03:15,800 --> 01:03:17,400 Speaker 1: you or you won't be the first thing I say. 1249 01:03:18,640 --> 01:03:20,480 Speaker 1: But I don't know. We'll see how it goes. I 1250 01:03:20,520 --> 01:03:23,040 Speaker 1: don't know him more. Christen Calgary honestly, i'd like to 1251 01:03:23,040 --> 01:03:27,160 Speaker 1: meet her too. No, no, but okay, so let's meet tonight. 1252 01:03:27,280 --> 01:03:31,680 Speaker 1: I Heart Radio Music Festival tonight and then tomorrow night. Uh, 1253 01:03:31,840 --> 01:03:34,880 Speaker 1: same deal. I mean, I'm I'm introducing Marin with some 1254 01:03:35,000 --> 01:03:38,680 Speaker 1: real housewives apparently, which I don't know housewives. I don't know. 1255 01:03:38,840 --> 01:03:42,880 Speaker 1: Now Amy wants they want Fay, so it's gonna be awesome. 1256 01:03:42,880 --> 01:03:46,120 Speaker 1: Morgan Walla, Marion Morris Luke Combs, Avril Diddy. You can 1257 01:03:46,160 --> 01:03:49,360 Speaker 1: watch I Heart Radio Music Festival tonight and tomorrow night 1258 01:03:49,360 --> 01:03:52,400 Speaker 1: on the cw app or at cwtv dot com. The 1259 01:03:52,400 --> 01:03:56,760 Speaker 1: show starts at ten nine Central, so there's that. Also, 1260 01:03:56,800 --> 01:03:58,840 Speaker 1: Amy's tickets for a podcast of it in Wichita go 1261 01:03:58,880 --> 01:04:02,240 Speaker 1: on so to ending out where you are ten Central, 1262 01:04:02,720 --> 01:04:05,400 Speaker 1: so maybe like ten minutes maybe a couple hours ago, 1263 01:04:05,440 --> 01:04:07,200 Speaker 1: depending on what time zone you're hearing this in. But 1264 01:04:07,240 --> 01:04:08,480 Speaker 1: if you want to come, just go over to Bobby 1265 01:04:08,480 --> 01:04:11,480 Speaker 1: Bones dot com and buy tickets that show. That podcast, 1266 01:04:11,520 --> 01:04:15,000 Speaker 1: a live podcast is in November. We're off to Vegas. 1267 01:04:15,360 --> 01:04:17,160 Speaker 1: Let's just be honest. We're gonna be exhausted Monday. But 1268 01:04:17,160 --> 01:04:21,600 Speaker 1: it is what it is, that show. But you can't 1269 01:04:21,600 --> 01:04:23,280 Speaker 1: get rich in Vegas unless you're playing with a lot 1270 01:04:23,280 --> 01:04:26,720 Speaker 1: of money. Oh well, you hit a slot machine. Almost 1271 01:04:26,840 --> 01:04:30,240 Speaker 1: never happens, almost almost almost. You're saying there's a chance. 1272 01:04:30,240 --> 01:04:32,280 Speaker 1: I am saying there's a chance. You guys, have a 1273 01:04:32,280 --> 01:04:34,920 Speaker 1: great weekend. We will see you Monday. By everybody, Bo